The Spy Who Loved Me Theme Song - James Bond - YouTube The Spy Who Loved Me Theme Song - James Bond Want to watch this again later? Sign in to add this video to a playlist. Need to report the video? Sign in to report inappropriate content. Rating is available when the video has been rented. This feature is not available right now. Please try again later. Published on Oct 13, 2012 The theme tune to 007, The Man with the Golden Gun, performed by Carly Simon. For entertainment purposes only, I do not claim ownership or rights of this production. Copyright is held by its respective owners, including EMI and MGM. Category Sam Smith sings theme song for James Bond film 'Spectre' - CNN.com 1 of 22 Photos: James Bond theme song singers English singer Matt Monro is best known for his hearty rendition of the theme tune for 1963's "From Russia with Love." (The first James Bond movie, "Dr.

No," had an instrumental title song.) Hide Caption 2 of 22 Photos: James Bond theme song singers Shirley Bassey, perhaps the most iconic Bond theme-song singer, sang the title theme to 1964's Goldfinger." Bassey brought her strong, distinctive voice back to the series in title tunes for 1971's "Diamonds Are Forever" and 1979's "Moonraker." Hide Caption 3 of 22 Photos: James Bond theme song singers Welsh singer Tom Jones, best known for hits like "What's New Pussycat" and "She's a Lady," sang the title tune for 1965's "Thunderball." Hide Caption 4 of 22 Photos: James Bond theme song singers These boots were made for walking, but she was made for singing: Nancy Sinatra performed the theme to "You Only Live Twice" in 1967.

Hide Caption 5 of 22 Photos: James Bond theme song singers Jazz great Louis Armstrong sang "We Have All the Time in the World," the secondary musical theme from the 1969 Bond film "On Her Majesty's Secret Service." The song became a hit in the UK 25 years later when it was featured in a Guinness beer commercial. Hide Caption 6 of 22 Photos: James Bond theme song singers Paul and then-wife Linda McCartney and their pop group Wings performed the title number from 1973's "Live and Let Die," the first of the Bond movies to star Roger Moore as Agent 007. The song is still a staple of Paul McCartney's live concerts.

Hide Caption 7 of 22 Photos: James Bond theme song singers Scottish pop singer Lulu sang the title song for 1974's "The Man with the Golden Gun." Hide Caption 8 of 22 Photos: James Bond theme song singers Carly Simon scored a major radio hit with "Nobody Does it Better," the theme from the 1977 Bond film, "The Spy Who Loved Me." Hide Caption 9 of 22 Photos: James Bond theme song singers After the band Blondie recorded another version that was rejected, Scottish pop star Sheena Easton was tapped to sing "For Your Eyes Only" for the 1981 Bond movie of the same name. The song reached No. 4 on the U.S. Billboard charts. Hide Caption Photos: James Bond theme song singers Rita Coolidge sang "All Time High," the theme from 1983's "Octopussy." Hide Caption 11 of 22 Photos: James Bond theme song singers American singer Lani Hall, wife of bandleader Herb Alpert, sang the title song to 1983's "Never Say Never Again," which brought Sean Connery back for his final Bond role.

The film was made by a different production company from the other James Bond movies, so some fans don't consider it part of the official series. Hide Caption 12 of 22 Photos: James Bond theme song singers Singer Simon Le Bon and British pop group Duran Duran did the title song for 1985's "A View to a Kill." Hide Caption 13 of 22 Photos: James Bond theme song singers Norwegian pop band A-Ha recorded the title song for 1987's "The Living Daylights," the first of two films starring Timothy Dalton as Bond. It was the last theme written by longtime Bond composer John Barry. Hide Caption Photos: James Bond theme song singers Soul legend Gladys Knight sang the theme to "License to Kill" in 1989. Hide Caption 15 of 22 Photos: James Bond theme song singers After a six-year hiatus, the Bond series rebooted with 1995's "GoldenEye" and Pierce Brosnan in the lead role. Tina Turner sang the theme song, which was written by U2's Bono and the Edge.

Hide Caption Photos: James Bond theme song singers Sheryl Crow performed the title song to 1997's "Tomorrow Never Dies." Hide Caption 17 of 22 Photos: James Bond theme song singers Garbage, led by Shirley Manson, did the title track to 1999's "The World is Not Enough." Hide Caption 18 of 22 Photos: James Bond theme song singers Pop icon Madonna finally did her first and only Bond theme song in 2002 for "Die Another Day." Hide Caption 19 of 22 Photos: James Bond theme song singers One of the few men to sing a Bond theme, rocker Chris Cornell performed "You Know My Name" from 2006's "Casino Royale." It was the first film to feature Daniel Craig as Bond. Hide Caption 20 of 22 Photos: James Bond theme song singers Pop star Alicia Keys and blues rocker Jack White teamed up to sing "Another Way to Die," the theme from 2008's "Quantum of Solace." White also wrote the song.

Hide Caption 21 of 22 Photos: James Bond theme song singers British pop star Adele sang the title theme from "Skyfall" in 2012. Three years later, the world is still awaiting the singer's long-delayed new album. Hide Caption The Spy Who Loved Me Reviews & Ratings - IMDb IMDb 51 out of 66 people found the following review useful: "Nobody does it quite the way you do" from St. Louis, Missouri 29 June 2006 You don't review James Bond movies, you evaluate them, rate them according to how well they meet expectations. There are certain things one has come to expect, even demand of a Bond film and each individual effort either delivers or it doesn't. So, here are ten elements that make a Bond film a Bond film and how THE SPY WHO LOVED ME rates on a scale of 1 to 10: Title: THE SPY WHO LOVED ME: The title seems more appropriate for a Harlequin Romance novel, and if suitable at all for a Bond film, it would have been a better title for ON HER MAJESTY'S SECRET SERVICE.

Yet, it does finally work the word "spy" into the title of a Bond film. 7 points. Pre-Credit Teaser: It's all very nicely done: Within a few minutes, we see a submarine stolen and its crew kidnapped; we meet the Soviet's top agent, who just happens to be -- surprise! -- a woman; and we get the added treat of one of Bond's greatest stunts, the great skiing-skydiving trick. A pretty cool way to kick off the film and set up the various story lines. 9 points. Opening Credits: Arguably the silliest of all of Maurice Binder's efforts, the opening sequence finds 007 bouncing around on a trampoline while various miniature, and apparently naked, babes do gymnastics on the barrels of guns. (Pity he didn't come up with that idea for THE MAN WITH THE GOLDEN GUN.) Bordering on self-parody, it is nonetheless naughty and fun and colorful and oh-so very James Bond. 9 points. Theme Song: No beating around the bush here, the song gets right to the point: "Nobody does it half as good as you, Baby, you're the best." Just what Bond is best at is open to interpretation.

The music by Marvin Hamlisch is swanky and matched by Carol Bayer Sager's dreamy and only slightly sarcastic lyrics. And Carly Simon's vocals bring it all home. Maybe not the best Bond song, but right up there. 9 points. "Bond, James Bond": Moore finally makes the role his. The number of smug one-liners have been trimmed, yet he still invests the character with humor -- plus some warmth and charm, and unexpected sadness. And we get to see a bit of Bond's vanity as he matches wits with a female agent who is his equal and not impressed by his stock-and-trade flirtations. Moore's best appearance as Bond. 9 points. Bond Babes: The prevailing notion has always been that "Bond Girl" equals "Bimbo," which is only partly true. Most of the women Bond encounters are highly skilled professionals -- as well as being bimbos. But Soviet agent Major Anya Amasova, a.k.a. XXX, is the first Bond Girl to give James a run for his money. She's smart, sexy, capable, resourceful and it takes her almost the whole movie to actually fall in love with Bond. What will power!

As played by Barbara Bach (a.k.a., soon-to-be Mrs. Ringo Starr), Anya ranks as one of the best Bond Girls, easily worthy of 9 points. Bond Villain: Karl Stromberg (nice villainous name, by the way) is one of those mad billionaires who hopes to create a new world order by mass genocide and building a new society, this time underwater. It is pretty much a cliché character and unfortunately Curt Jurgen plays the part like a grumpy old man and can't seem to muster up even a maniacal laugh. 5 points. Bond Baddies: Oddjob look-a-like Sandor, played by Milton Reid, puts in an appearance long enough to die a memorable death, but it is Richard Kiel who steps into the limelight as Jaws, one of the great Bond villains. If being a hulking, seven-foot tall muscle man weren't enough, he also has steel teeth and an amazingly obsessive desire to kill 007. Playing Wile E. Coyote to Bond's Road Runner, Jaws earns 9 points. Sinister Plot: Stromberg steals a Russian and a U.S.

sub, as well as a British one, with the hopes of starting World War III and destroying the civilization as we know it today. Been there, done that. 4 points. Production values: Romantic imagery, clever lighting effects and intriguing camera angles make this the most visually appealing Bond film. In the past, the emphasis was always on the most effective way to film action sequences, but here director Gilbert Lewis strives for that little bit extra as far as mood and romance. 9 points. Bonus Points: Connery had his Astin Martin and Moore gets a Lotus Esprit. It is not nearly as snazzy, but it does turn into a submarine and you never know when that will come in handy. 5 points. Summary: It had been hinted at in the three previous Bond adventures, but a new sense of style is fully apparent here. The roughness and grit that many of the purists loved about Connery's films are pretty much gone in favor of a polish and panache. Whether that is being suave or merely superficial is open to interpretation, but it does set the tone and the expectations for all future Bond adventures. Bond-o-meter Rating: 84 points out of 100. Was the above review useful to you?

51 out of 74 people found the following review useful: Bond, Back to Basics... from Las Vegas, Nevada 7 April 2004 After the critical and commercial beating taken by THE MAN WITH THE GOLDEN GUN, producer Albert Broccoli, now solely in charge of the 007 franchise, had to re-evaluate the series for the third time in less than ten years. Certainly, Roger Moore would never be believable in a Sean Connery-type Bond film, but couldn't some of the series' best elements be restored, and the comedy reduced a bit, to make Moore's Bond a bit more believable? The research, which became the basis of THE SPY WHO LOVED ME, took over two years to complete, and the script went through many writers before the final draft, by Christopher Wood and Richard Maibaum. With a renewed emphasis on more realistic action, Broccoli brought back Lewis Gilbert to direct; his earlier Bond effort, YOU ONLY LIVE TWICE, while not a major 'hit', had featured the most spectacular action sequences of the series.

With Gilbert on board, the production became very reminiscent of the Connery film (Even the concept of a supertanker 'swallowing' submarines echoed YOU ONLY LIVE TWICE, and the spacecraft-'eating' SPECTRE capsule). As the villain, esteemed German actor Curt Jurgens was cast as Karl Stromberg, an ideal choice, as the actor, with his bulging eyes, 'fit' the role of a fish-like megalomaniac. Playing his henchman, Jaws, in an inspired piece of casting, giant Richard Kiel, complete with 'bear-trap' steel teeth, would provide Moore with the greatest danger he'd ever face as Bond. Kiel was, in fact, so good in the role (possibly the most popular villain of the entire 007 franchise), that he would return in MOONRAKER, to bedevil Bond some more. Less successful, dramatically, but still astonishing to watch would be Stromberg's 'hit woman', Naomi, played by voluptuous Caroline Munro. In an effort to 'update' Bond into an era of feminists, the strongest, most independent love interest to appear in at Bond film to that point was introduced.

Major Anya Amasova, played by Ringo Starr's wife, the exotically beautiful Barbara Bach, was Bond's opposite number on the Russian side, an equal to 007 in every way. In a pivotal scene, she would display a knowledge of Bond's past that even included his dead wife, Tracy (the first time Bond's marriage had been mentioned since ON HER MAJESTY'S SECRET SERVICE). Moore's reaction to her comment would be both emotional and abrupt, and demonstrated that he could do far more than just deliver witty one-liners.

From the spectacular ski chase pre-title sequence, climaxing with a parachute free fall off a cliff (love that 'Union Jack'), to Bond and Anya's confrontations with Jaws, in Egypt (reminiscent of Bond's fights with Oddjob in GOLDFINGER and Tee Hee in LIVE AND LET DIE), to the amazing Lotus that would do service on land and in the ocean, to the massive tanker battle while Bond disarms a nuclear warhead (shades of GOLDFINGER), THE SPY WHO LOVED ME would do homage to 007's previous adventures, and utilize humor in support of the on-screen action, instead of spoofing it (other than the brief use of the LAWRENCE OF ARABIA theme...you'll spot it). And to top things off, Carly Simon's rendition of the film's title tune, "Nobody Does It Better", would become a Top Ten hit, worldwide. Critics and audiences loved THE SPY WHO LOVED ME, hailing it as Moore's best work, and one of the better Bonds of all time.

Things were, again, looking up for 007...but STAR WARS was about to debut, and things would go dreadfully amiss, when Broccoli decided to send Bond into space, in MOONRAKER... Was the above review useful to you? 46 out of 69 people found the following review useful: One of Moore's finest. from Co Down, Northern Ireland 18 March 2004 Undeniably one of the finest James Bond films to star Roger Moore, the film has plenty of excess, top notch special effects (for 1977) anyway, the humor less overt and left over for puns and one liners, and one of the first strong and independent Bond women, paving the way for future love interests like Jinx and Wai Lin. The Spy Who Loved Me scarcely puts a foot wrong. Sure the plot is far fetched to the extreme (an underwater building and a villain looking to repopulate the earth in his underwater city), but it has plenty of charm and is frequently enjoyable. Moore looks very confident in his performance as Bond, the one liners oozing effort and confidence, showing he has hit his stride in this, his third appearance as the character.

His chemistry with Barbara Bach is in full swing, despite her odd Russian accent, and the two of them make for a great on screen couple. This is a return to the values of many of the Bond films that were missing the last time around. The extravagant sets are back, the villain has plenty of henchman for Bond and the cavalry to fight and the gadgets are in full swing. Everything from a parachute with the Union Jack on it to the Lotus with just about every conceivable gadget at Bond's disposal. The emphasis on sight gags and overt comedy is gone and replaced with moments of genuine suspense, just check out Bond having to steal the detonator of a nuclear weapon, not to mention the superb theme tune Nobody Does it Better by Carly Simon. It's an apt song for a series that found its footing and gave its lead actor his first classic Bond film. Was the above review useful to you?

42 out of 62 people found the following review useful: Exceptionally good Bond film from Järvenpää, Finland 20 January 2003 Just like the highly disappointing "Die another day" is a regrettable class example of how to do everything in a James Bond film completely wrong, legendary "The Spy who loved me" is a prototype of a perfect 007 adventure. Everything seems to work here. First of all this was the first Bond movie that really showed what a modern pre-credits sequence should look like. After all in Roger Moore's first two flicks "Live and let die" and "The Man with the golden gun" we don't even see 007 until after the credits. From the opening ski chase to the underwater car, stunts are amazing. In many ways this has to be one of the most imaginative Bonds. Story is excellent, especially because it doesn't only deal with Stromberg's evil plot against the unaware world but because it has a pleasant little sideplot about 007's relationship with Major Anya Amasova.

Villains are of course splendid, why should I even bother to mention that (almost literally) larger-than-life character Jaws is perhaps the most beloved bad guy James Bond has ever been against with. Curd Jürgens also gives a magnificent performance as the insane mastermind Stromberg. I'm one of the people who thinks that in the end Sean Connery is the one and only true James Bond. Nevertheless, "The Spy who loved me" is still better than some of Connery's Bond movies. At least it surpasses "From Russia with love", "Thunderball" and "Diamonds are forever" and I must admit these films are most terrific experiences too. Everyone should see this film, not only the big Bond fanatics. Why? Simply because "The Spy who loved me" is not only a significant film in the movie series, it's much more than that. It's an important part of the pop culture. Was the above review useful to you? 28 out of 39 people found the following review useful: Roger Moore rated this as his best Bond film. I don't agree, but it's certainly an entertaining and spectacular one.

from Todmorden, England 26 December 2004 Roger Moore has always maintained that The Spy Who Loved Me is the best of his Bond films. Personally I prefer Octopussy and For Your Eyes Only, but this one certainly has its moments. The original novel by Ian Fleming was an odd-one-out in the book series, describing as it did how an off-duty Bond saved a female hotelier from a couple of nasty hoodlums. However, in this film adaptation the novel has been completely jettisoned and replaced with a story about Bond thwarting a megalomaniac from achieving world domination. Bond (Moore) is partnered with Russian agent Anya Amasova (Barbara Bach - most beautiful of all the many Bond girls) to solve the mysterious disappearance of two nuclear submarines, one British the other Russian. They follow the clues to the underwater lair of Karl Stromberg (Curt Jurgens), an elegant and educated psychopath with a plan to destroy the world in a nuclear holocaust and retreat to his undersea empire. To add to their complications, Anya learns that her recently killed boyfriend was eliminated by Bond during an assignment.

The pre-credit sequence is among the better pre-credit sequences in the series, involving an extraordinary ski stunt which many consider to be the most breathtaking stunt ever devised for a Bond film. Moore is good as Bond, Bach stunningly attractive as his partner (though not very convincing as an actress), and Jurgens provides a suitably over-confident villain. The location work in various locations, most notably Egypt, is nicely photographed. Marvin Hamlisch provides the music, marking a change from the usual composer John Barry, and Hamlisch's score is decent enough though it does have a dated '70s quality to it when listened to nowadays. The plot is totally implausible and self-parodic (if they'd stuck to the plot in the book though, it would've been almost impossible to make a Bond movie in the expected sense of the phrase), but director Lewis Gilbert cleverly plays it with tongue-in-cheek so that the absurdness of the on-screen events becomes curiously endearing. The Spy Who Loved Me is silly, entertaining and extravagantly spectacular. Was the above review useful to you?

27 out of 38 people found the following review useful: Q supplies 007 with 'Wet Nellie,' one of the most remarkable vehicles ever entrusted to Bond's tender care since Goldfinger's DB5... 9 July 2005 *** This review may contain spoilers *** In the 10th James Bond film, 007 does not always win and this makes him more human... His relationship with a resourceful and beautiful Russian agent is something new for the Bond films... Lewis Gilbert's film provides direct allusion to David Lean's epic movies, bringing back a Blofeld-type character... His name is Karl Stromberg, a shipping tycoon who despises every aspect of terrestrial civilization... Stromberg (Curt Jurgens) enjoys hearing classical music while plotting to decimate the human population... He hijacks atomic submarines belonging to the British and Soviet navies, and plans to use their nuclear missiles to destroy both New York and Moscow Stromberg's aquarium, of sharks and other deadly fish, is his pride and passion... 'For me this is all the world', he declares, 'There is beauty. There is ugliness.

And there is death.' Stromberg's three killers are Jaws, Sandor and Naomi Jaws (Richard Kiel) steals the show as the most menacing and fearsome henchman Bond has ever faced since the mute Korean assassin Oddjob in 'Goldfinger.' Equipped with stainless steel teeth, Jaws is a giant of a killer on the loose who can't be stopped or killed Sandor (Milton Reid) is the bald, muscle-bound assassin who tries to kill Bond at Aziz Fekkesh's apartment in Cairo Naomi (Caroline Munro) is Stromberg's luscious assistant and helicopter pilot who shows her 'lovely lines,' giving Bond a lewd while trying to shoot him and Anya down from the air... Bond and his very fine Russian ally Anya are sent to Egypt to identify the traitor who is putting the microfilm of the submarine tracking system on the open market... Each agent thinks the other is behind the hijacking... They play a game of spy versus spy in the land of the Pharaohs, until it is revealed that a third party has been playing them off against each other in typical SPECTRE style... Bond is seen sensitive and a little bit incredulous about certain topics...

He is waylaid in the Alps by a posse of Russians on skis... He shots a KGB agent using a ski-pole gun, and goes over a cliff and falls and falls and falls... Roger Moore again adopts a naval commander's uniform... He orders a Baccardi on the rocks for Anya, and impresses her when describing her life story... He comments that he maybe has misjudged Stromberg referring that "Any man who drinks Dom Perignon '52 can't be all bad." Barbara Bach had some unfinished business to settle with 007... Her role of Anya Amasova brings the feminine touch and talent to the action... Bach is attractive, classy, stylish, intelligent, confident, very sexy, and absolutely wonderful... The film also marks the appearance of Walter Gottel as General Alexis Gogol, head of the KGB, who (unlike M) possesses somewhat of a sense of humor... Gogol has a deep attraction for beautiful women, and would become a regular character... Edward De Souza proves to be wonderfully ironic as the Cambridge-educated Sheikh Hosein, whose harem includes a little treasure of whom our 'man of action' announces his intention to 'delve deeply into.

"The Spy Who Loved Me" deserves its popularity for its exquisite design for Atlantis, its lovely music score, and its humorous touches The real names of both M and Q are revealed in the movie Was the above review useful to you? 19 out of 27 people found the following review useful: Bond Explodes Back To Action from United States 30 September 2003 The Spy Who Loved Me put the 007 epic back on truly epic grounds after the bitter disappointment of Diamonds Are Forever and the mixed measure of Live and Let Die and The Man With The Golden Gun. Spy adds vast new spectacle to the Bond epic along with strong interplay with some interesting new characters and a major improvement in the series' production values. The idea of Bond meeting his match is the starting point for The Man With The Golden Gun, but here the match is in a rival and ally from the Soviet secret service, Anya Amasova (Barbara Bach, who admittedly is over her head here but holds her own overall). We see in Anya the direct counterpart to HMSS, complete with omnipresent leader in General Gogol (Walter Gotell, who becomes one of the series' best supporting characters) and a pretty secretary.

The Bond series also revisits the SPECTRE days in a sense, in that the antagonist is a self-contained independent force, shipping magnate Karl Stromberg (Curt Jurgens). Stromberg owns a vast experimental undersea headquarters, Atlantis, and the world's largest container ship, the Liparus. Stromberg becomes linked to the disappearence of several nuclear missile submarines, through a schematic of a submarine tracking system stored on microfilm. Just what Stromberg's role entails becomes the mission for both James and Anya, and both find allies in the US Navy attack boat USS Wayne, under the command of Captain Scott Carter - here is a rarity in film, a supporting character who steals the show, here thanks to the splendid performance of Thunderbirds' own Shane Rimmer. Another supporting cast member steals the show as well, and would do so in the next Bond film.

Richard Kiel joins Harold Sakata as the most memorable of James Bond's offbeat villainous henchmen - where Sakata's Oddjob killed with a rapier-sharp bowler hat, Richard Kiel's Jaws uses steel alloy teeth as well as his own gigantic height; Kiel even brings back memories of Robert Shaw's Donald "Red" Grant in one of the most memorable stages for a Bond fistfight - the Orient Express. The film is scored by Marvin Hamlisch rather than John Barry, and Hamlisch adds a surprisingly effective disco touch to the Bond series, one that "modernizes" the series without disrupting the power of the tried-and-true music cues of before. But the biggest quality in the film is the vastly improved production values. Shane Rimmer was not the only Thunderbirds alumni to work in the Bond universe - SFX master Derek Meddings had worked with John Stears on Man With The Golden Gun, but here he takes over the SFX unit and greatly improves the scope and quality of the effects work, aided greatly by enormous and effective sets at Pinewood Studios that combine the best of Dr. No, You Only Live Twice, and especially Thunderball.

The relationship between James and Anya is the primary drive in the tension of the film. At first both try to one-up each other, such as in decoding the microfilm, identifying an obscure logo on the microfilm, and in the famous Lotus chase sequence when she reveals she stole blueprints for the design years earlier. But the real strain lies in the film's prologue, when Anya's lover, himself employed by Mother Russia's security service, crosses paths with James - a confrontation James may not live down now. His own feelings for Anya, however, put what is past fully in the past, and it leads to a showdown with Stromberg amid a threat of annihilation. It all adds up to an enormously entertaining spectacle, a highlight of the Bond epic. Was the above review useful to you? 27 out of 43 people found the following review useful: Before the movie XXX, there was the agent XXX. Author: Aaron1375 22 November 2002 This particular James Bond movie is one of my favorites, perhaps the favorite. Though it is in a particularly close battle with another of Roger Moore's films, "For Your Eyes Only" for the top spot.

Bizarre that these two are the two Bond films vying for top spot as they are both a bit different as far as the plot goes. Here the entire world is in danger whereas in that one, they are only going after a decoding device which sank in a ship. While "The Man with the Golden Gun" features my favorite Bond villain in Scaramanga, this one features my favorite henchmen in Jaws, played by Richard Kiel. His Jaws is also one of the few bad guys to return in another film. Granted, Blofeld did as well, but I do not believe he was ever played by the same person twice. So this Bond film features a lot of action, a very attractive Bond girl and a very awesome henchman whose sheer size is intimidating enough, but then they add metal teeth to the equation! It all adds up to be one of the more fun Bond films ever and a film where the action almost never stops! The story has both a British and Soviet submarine going missing. Bond is the man sent to find out what happened to the British one, while a female Soviet agent codenamed XXX is the one who must find the Soviet.

They begin their search in Egypt where they learn of a submarine tracking device, but there is more to this than mere missing subs. Seems a very rich man who has a very strong affinity to the sea is somehow responsible and it will take a joining of the two agents who work for opposing companies to find out what this man's ultimate goal is before it is too late! The villain here is pretty good, but Stromberg is just not as equal a foe to Bond as was Scaramanga. He is the villain who must rely heavily on others to get what he wants which is why he has two henchmen, though Jaws definitely was more up to the challenge than was Sandor. Roger Moore once again does great as Bond and Barbara Bach as XXX is absolutely stunning. She looked absolutely gorgeous at the end as her outfit got wet! This movie also features my favorite Bond vehicle, the Lotus. It is a very cool car and they actually have a rather cool chase before it plummets into the ocean where we learn of its other special functions. Just a lot of good things here as the story is much improved compared to the previous film which had great characters galore, but not the strongest story to bring it all together.

So this is a favorite Bond film of mine. It often baffles me how people complain today of all the action in movies with very little plot development as I see too many films these days that do not do all that much action and have way too much plot. This film was action sequence after action sequence, while take your typical comic film of today. Lots of people crying and doing nothing with maybe three action sequences at best. Yet these films apparently cost 200 million plus while this film has action and set pieces galore using more people and props because on cannot simply craft a special effect with a computer. This Bond film had it all and makes most of the films today seem very slow paced by comparison, then again as the song in this film says, nobody does it better! Was the above review useful to you? 18 out of 26 people found the following review useful: Just like Carly sings it.... from Melbourne, Australia 15 October 1999 With Roger Moore making the part his own by this his third bond film, Albert R. Broccoli had to come up with a strong action-packed epic, if they were to attract audiences that had been spoilt rotten by 'Star Wars' the same year.

'The Spy Who Loved Me' offers no new scenarios, in fact you could easily dissect each key scene and match it to something that's been done before. There's an underwater battle like the one in 'Thunderball' a ski chase not too dissimilar to the one in 'Her Majesty's...' and even the final big shoot out is not unlike the one in 'You Only Live Twice' (which was also directed by Lewis Gilbert) but 'The Spy Who Loved me' is more than merely a sum of its parts, and when each part is handled as expertly as these, you don't seem to care if it has indeed been done before. The film like Moore exudes a certain charm, and provides a certain amount of nostalgia looking back at it now, with it's lively 70's fashions, even Bond's theme gets the disco treatment quite superbly. Ken Adam's stunning larger than life sets fit the film's extravagant, big budget flavour perfectly. Appreciative nods must also go to some fantastically attractive women, Caroline Munro playing the enticing Naomi has to be one of the most seductive looking femme fatales to steam up a wide-screen, and more's the pity that she didn't grace it longer.

Barbara Bach is equally alluring, and a fine match for Roger Moore in all sense of the word . The film also offers a wealth of laughs while not forgetting the chills and spills, Richard Keil providing all as the relentless and unforgettable Jaws. The scene where he tears open a Sherpa Van like a sardine can is particularly memorable, as is him brushing himself off after plummeting into a farmhouse from a flying Mercedes. Some fine touches of drama too, Bond's response to XXX's remarks about his career and wife are handled with compassion and reverence. So in all everything is here you could possibly want in a 007 adventure; top stunts, beautiful women, cool villains, those gloriously huge Pinewood sets and THAT car, wrapped in an exciting globe-trotting story line where Bond has to save the world from certain destruction, accompanied by Carly Simon sveltely singing 'Nobody does it better' it's not surprising that the 'Spy Who Loved Me' is one of the most memorable of all Bond films. Was the above review useful to you? 10 out of 11 people found the following review useful: Commander James Bond, recruited to the British Secret Service from the Royal Navy.

License to kill and has done so on numerous occasions. from United Kingdom 2 June 2012 The Spy Who Loved Me is directed by Lewis Gilbert and adapted to screenplay by Christopher Wood and Richard Maibaum from the novel written by Ian Fleming. It stars Roger Moore, Barbara Bach, Curt Jurgens, Richard Kiel and Walter Gotell. Music is scored by Marvin Hamlisch and cinematography by Claude Renoir. Bond 10. Allied and Soviet nuclear submarines are mysteriously disappearing from the waters and causing friction between the nations. MI6 and the KGB have a notion that a third party is responsible and stirring up trouble for their own nefarious means. 007 is partnered with Soviet spy Major Anya Amasova (Agent XXX) and the pair are tasked with getting to the bottom of the plot before the crisis escalates. During the whole run of the James Bond franchise there have been a few occasions when it was felt it had run out of steam. 1977 and on the back of the mediocre reception and by Bond standards the poor box office return of The Man with the Golden Gun, now was one such time.

With producer Albert Broccoli striking out on his own, the stakes were high, but with a determined vision forming in his head and a near $14 million budget to work from courtesy of United Artists, Broccoli went big, and it worked magnificently. The Spy Who Loved Me is Moore's best Bond film, not necessarily his best Bond performance, but as a movie it's near faultless, it gets all the main ingredients right. Gadgets and humour were previously uneasy accompaniments to James Bond as a man, but here they serve to enhance his persona, never taking away his tough bastard edge. The suspense and high drama is back, for the first time in a Roger Moore Bond film things are played right, we don't think we are watching an action comedy, but an action adventure movie, what little lines of humour are here are subtle, not overt and taking away from the dramatic thrust. For production value it's one of the best. Brocoli instructed the great Ken Adam to go build the 007 Stage at Pinewood so as to achieve their vision for The Spy Who Loved Me. At the time it became the biggest sound stage in the world.

With such space to work from, Adam excels himself to produce the interior of the Liparus Supertanker, the home for a brilliant battle in the final quarter. Vehicles feature prominently, the amphibious Lotus Esprit moved quickly into Bond folklore, rocket firing bikes and mini-subs, helicopter, speedboat, escape pod, wet-bike and on it goes. Then there's Stromberg's Atlantis home, a wonderfully War of the Worlds type design for the outer, an underwater aquarium for the inner. Glorious locations are key, also, Egypt, Sardinia, Scotland and the Bahamas are colourful treats courtesy of Renoir's photography. Underwater scenes also grabbing the attention with some conviction. The film also features a great cast that are led by a handsome, and in great shape, Moore. Barbara Bach (Triple X) is not only one of the most beautiful Bond girls ever, she's expertly portraying a femme of substance, intelligent, brave and committed to the cause, she is very much an equal to Bond, and we like that. The accent may be a shaky, but it's forgivable when judging Bach's impact on the picture.

Jurgens as Stromberg is a witty villain, but he oozes despotic badness, sitting there in his underwater lair deliciously planning to start a new underwater world. Kiel as Jaws, the man with metal teeth, he too moved into Bond folklore, a scary creation clinically realised by the hulking Kiel. Gotell as Gogol is a presence and Caroline Munro as Naomi is memorable, while Bernard Lee's M and Desmond Llewelyn's Q get wonderful scenes of worth. They forgot to give poor Moneypenney something to chew on, but in the main it comes over that the makers were reawakened to what made Bond films great in the first place. There's even a candidate for best title song as well, Nobody Does it Better, delivered so magically by Carly Simon. The grand vision paid off, handsomely. It raked in just over $185 million at the world box office, some $87 million more than The Man with the Golden Gun. Not bad considering it was up against a record breaking Star Wars. Critics and fans, too, were pleased. It's not perfect.

It's ironic that director Lewis Gilbert returned for his second Bond assignment, because this does feel like a rehash of his first, You Only Live Twice, only bigger and better. Hamlisch underscores it at times and John Barry's absence is felt there. While if we are being particularly harsh? Then Stromberg could perhaps have been a more pro-active villain? He makes a telling mark, we know he's a mad dastard, but he only really sits around giving orders and pushing death dealing buttons. But small complaints that fail to stop this Bond from being one of the best. Hey, we even get an acknowledgement that Bond was once married, and the response from Bond is respectful to that dramatic part of his past. 9/10 Was the above review useful to you? Page 1 of 28: Who sang the theme song for the bond film the spy who loved me - zona-tiande1.ru - spyderco tenacious g 10 black blade Who sang the theme song for the bond film the spy who loved me It was is one of four Bond theme songs to be nominated for the. the films, although the phrase the spy who loved me is in.

The Spy Who Loved Me is the soundtrack for the 10th James Bond film of the same name. The. Nobody Does it Better was the theme song to the Bond film entitled The Spy Who Loved Me. The. The Spy Who Loved Me - the theme song of the James Bond film of the same name - was sung by. Who sang i love how you love me when ever you hold me? Nobody Does It Better, the theme song for this James Bond film, reached # 2 on Billboards Hot 100. Videos, lyrics, audio, DVD. Name the three James Bond theme songs produced by Beatles producer George Martin, along with the artist who sang each song. 3. The James Bond film “The Spy Who Loved Me” has two connections to Ringo and one connection to Paul. The Top 10 James Bond Theme Songs. Nobody Does It Better, written for The Spy Who Loved Me, was the first James Bond title song to be. Uniquely, James Bond theme songs are often better than the films they. Spy Who Loved Me, the producers figured bringing back the singer. Who sings the title song?.

The Spy Who Loved Me is the tenth film in the EON Bond franchise and the third movie to feature Roger Moore as James Bond, 007. Hamlisch also co-wrote the theme song with his then girlfriend. title as the film but The Spy Who Loved Me was sung as part of the verse. Our list of the most iconic theme songs from 50 years of James Bond movies. The full theme, composed by Lionel Bart and sung by English musician Matt Monro, was played over the. Picture the opening scene of The Spy Who Loved Me. This item: The Spy Who Loved Me ~ Marvin Hamlisch Audio CD $12.99. Better is a fine theme song, and Bond 77, the principal action cue for the movie. Nobody Does it Better is sung by Carly Simon and is one of the best in the series. However each Bond film is also accompanied by a theme song to match that particular film,usually the song is done by an artist popular in. Heres a list of who sang what: 1. The Spy Who Loved Me (or Nobody Does It Better) - Carly Simon Mark Monahan compiles the Top 10 Bond theme songs.

in the film itself, also proved a fitting swansong for the great singer, who died the next year. The Spy Who Loved Me wrapped with the words “James Bond will return. Hamlisch and Bayer Sager didnt write the song for the movie, it was the. that it would be perfect for Simon to sing, and when he played it for Carly, she loved it. This was the best Bond theme song, and The Spy Who Loved Me was one. The theme song for the next film Goldfinger was written to be larger than life and Shirley Bassey. Dame Shirley Bassey, who sang 3 James Bond title songs. For The Spy Who Loved Me they wrote the Bond song Nobody Does It Better. Shirley Bassey sang the theme song to Moonraker, but who was it originally. What was the theme song to the James Bond film The Spy Who Loved Me? In the late 1950s, ex-singer Monty Norman had become a successful writer of stage. The most famous of the Bond theme songs, Goldfinger, was written by Leslie. The Spy Who Loved Me introduced a new composer to the Bond films. Simon married fellow singer/songwriter James Taylor in November 1972.

Better, the theme song for the James Bond film The Spy Who Loved Me, resulting. Carly Simon - Nobody Does It Better .mp3 album: James Bond Themes 1962 - 2006. James Bond Theme - Swingle Singers - The Spy Who Loved Me .mp3. The Spy Who Loved Me .mp3 album: Now Playing Presents The James Bond Movie. born to be blue mp3, egypt sing mp3, emotion songs mp3, kremlin dusk mp3. "The Spy Who Loved Me" Opening Credit Sequence - YouTube "The Spy Who Loved Me" Opening Credit Sequence Want to watch this again later? Sign in to add this video to a playlist. Need to report the video? Sign in to report inappropriate content. Rating is available when the video has been rented. This feature is not available right now. Please try again later. Uploaded on Nov 28, 2009 The Spy Who Loved Me (1977) is the tenth spy film in the James Bond series, and the third to star Roger Moore as the fictional MI6 agent James Bond. It was directed by Lewis Gilbert and the screenplay was written by Christopher Wood and Richard Maibaum.

The film takes its title from the tenth novel in Ian Fleming's James Bond series, though as Ian Fleming requested that only the title of the novel be used, the film does not contain any elements of the novel The Spy Who Loved Me. The storyline involves a reclusive megalomaniac named Stromberg who plans to destroy the world and create a new civilization under the sea. Bond teams up with a Russian agent Anya Amasova to stop Stromberg. The theme song "Nobody Does it Better" was composed by Marvin Hamlisch, written by Carole Bayer Sager, and performed by Carly Simon. It was the first theme song in the James Bond series to be titled differently than the name of the movie, although the title is in the lyric. The song met immediate success and is featured in numerous movies including Mr. & Mrs. Smith (2005), Little Black Book, Lost in Translation and Bridget Jones: The Edge of Reason (2004). In 2004, it was honored by the American Film Institute as the 67th greatest song as part of their 100 Years Series.

Category Carly Simon | New Music And Songs | Carly Simon About Carly Simon Carly Simon was one of the most popular of the confessional singer/songwriters who emerged in the early '70s. The youngest child in an upper-class New York family (her father, Richard Simon, co-founded the Simon & Schuster publishing company), Simon got her start in music as part of a duo with her sister Lucy (who later wrote the music for the Broadway show The Secret Garden). The Simon Sisters had a chart single with "Winkin' Blinkin' and Nod" in April 1964. But Simon's solo debut did not come until the release of her self-titled first album in February 1971. It contained her first solo hit, "That's the Way I've Always Heard It Should Be," an anti-marriage song co-written with Jacob Brackman that reached the Top Ten. Simon's second album, Anticipation (November 1971) (which went gold in two years), contained a Top 40 follow-up in the title song, and she won the 1971 Grammy Award for Best New Artist.

Her third album, the gold number one No Secrets (November 1972), was produced by Richard Perry and contained the gold number one hit "You're So Vain," which aroused speculation about its subject. Mick Jagger, one of those suggested, sang backup on the recording. "The Right Thing to Do," a second single from the album, made the Top 40. Simon married fellow singer/songwriter James Taylor in November 1972. (They divorced in 1983.) Her fourth album, the Top Ten Hotcakes (January 1974), contained a gold Top Ten remake of the Inez & Charlie Foxx hit "Mockingbird" sung with Taylor and the Top Ten hit "Haven't Got Time for the Pain"; it became her third consecutive gold LP. Playing Possum (April 1975), containing the Top 40 hit "Attitude Dancing," was another Top Ten LP. Simon's sixth album, Another Passenger (June 1976), was a relative commercial disappointment.

But in 1977, she sang "Nobody Does It Better," the theme song for the James Bond film The Spy Who Loved Me, resulting in a gold Top Ten hit. Her seventh album, Boys in the Trees (April 1978), was a million-selling success, buoyed by the Top Ten hit "You Belong to Me" and a Top 40 duet cover of "Devoted to You" with Taylor. Simon's eighth and ninth albums, Spy (June 1979) and Come Upstairs (June 1980), were less successful, though the latter contained the gold Top 40 hit "Jesse." In October 1980, Simon collapsed of exhaustion on-stage, after which her concert appearances became rare. Her next album, Torch (September 1981), was given over to pre- and non-rock covers. In 1982, Simon scored a Top Ten U.K. hit with "Why," a song produced by the disco group Chic from the movie Soup for One. In 1983, she returned to the U.K.

Top 40 as the uncredited singer on the Will Powers (Lynn Goldsmith) satire "Kissing with Confidence." Simon's career in the U.S. was in decline, however, as the albums Hello Big Man (September 1983) and Spoiled Girl (July 1985) were poor sellers. She returned to the Top 40 in 1986 with another movie theme, "Coming Around Again," from Heartburn (the 1987 Coming Around Again LP went platinum) and had yet another movie-related hit with the Grammy- and Oscar-winning "Let the River Run" from the film Working Girl in 1988. In 1990, Simon released both My Romance (March), another album of pop covers, and Have You Seen Me Lately? (September), an album of original songs. She scored the film This Is My Life in 1992. In 1993, Simon's "family opera" Romulus Hunt premiered and was released on record, and 1994 brought the release of a new album, Letters Never Sent (November).

A three-CD/cassette box set retrospective, Clouds in My Coffee 1965-1995, appeared in November 1995. Film Noir followed two years later, and in the spring of 2000 Simon returned with her first record of original material in six years, The Bedroom Tapes. In 2002 she released Christmas Is Almost Here, a collection of holiday-themed material, followed by another collection of new material, Moonlight Serenade, in 2005. Into White, which featured mostly versions of standards, was released in 2006. After signing with Hear Music, Simon released This Kind of Love in 2008. Never Been Gone appeared in 2009 and was quickly followed by the holiday EP Hymn: A Musical Christmas Card, a collaboration with harpist Andreas Vollenweider. Sony/BMG issued Playlist: The Very Best of Carly Simon in 2014, which featured selections from the mid-'80s to 2000.

In November 2015, Simon released her much-anticipated autobiography titled Boys in the Trees: A Memoir, accompanied by Songs from the Trees: A Musical Memoir Collection. The memoir covered her life through 1983, and the song set mostly followed suit, focusing on her Elektra and Warner Bros. recordings. ~ William Ruhlmann, Rovi Hear more of Carly Simon, 'Nobody Does It Better' (1977) | The Top 10 James Bond Theme Songs | Rolling Stone The Top 10 James Bond Theme Songs Donald Trump's Inauguration: By the Numbers The Top 10 James Bond Theme Songs With the arrival of Adele's new Bond theme, we look back at the best songs from the franchise 10 All Stories 3. Carly Simon, 'Nobody Does It Better' (1977) Carly Simon 's 1977 hit "Nobody Does It Better," written for The Spy Who Loved Me, was the first James Bond title song to be titled something other than the name of the movie.

(Songwriters Marvin Hamlisch and Carole Bayer Sager did manage to work "the spy who loved me" into the lyrics, at least.) The song shot to Number Two on the charts and remains one of Simon's signature tunes. Many people don't even realize it's from a James Bond movie. Check out Sam Smith's new James Bond theme - CNN.com 1 of 22 Photos: James Bond theme song singers English singer Matt Monro is best known for his hearty rendition of the theme tune for 1963's "From Russia with Love." (The first James Bond movie, "Dr.

No," had an instrumental title song.) Hide Caption 2 of 22 Photos: James Bond theme song singers Shirley Bassey, perhaps the most iconic Bond theme-song singer, sang the title theme to 1964's Goldfinger." Bassey brought her strong, distinctive voice back to the series in title tunes for 1971's "Diamonds Are Forever" and 1979's "Moonraker." Hide Caption 3 of 22 Photos: James Bond theme song singers Welsh singer Tom Jones, best known for hits like "What's New Pussycat" and "She's a Lady," sang the title tune for 1965's "Thunderball." Hide Caption 4 of 22 Photos: James Bond theme song singers These boots were made for walking, but she was made for singing: Nancy Sinatra performed the theme to "You Only Live Twice" in 1967.

Hide Caption 5 of 22 Photos: James Bond theme song singers Jazz great Louis Armstrong sang "We Have All the Time in the World," the secondary musical theme from the 1969 Bond film "On Her Majesty's Secret Service." The song became a hit in the UK 25 years later when it was featured in a Guinness beer commercial. Hide Caption 6 of 22 Photos: James Bond theme song singers Paul and then-wife Linda McCartney and their pop group Wings performed the title number from 1973's "Live and Let Die," the first of the Bond movies to star Roger Moore as Agent 007. The song is still a staple of Paul McCartney's live concerts.

Hide Caption 7 of 22 Photos: James Bond theme song singers Scottish pop singer Lulu sang the title song for 1974's "The Man with the Golden Gun." Hide Caption 8 of 22 Photos: James Bond theme song singers Carly Simon scored a major radio hit with "Nobody Does it Better," the theme from the 1977 Bond film, "The Spy Who Loved Me." Hide Caption 9 of 22 Photos: James Bond theme song singers After the band Blondie recorded another version that was rejected, Scottish pop star Sheena Easton was tapped to sing "For Your Eyes Only" for the 1981 Bond movie of the same name. The song reached No. 4 on the U.S. Billboard charts. Hide Caption Photos: James Bond theme song singers Rita Coolidge sang "All Time High," the theme from 1983's "Octopussy." Hide Caption 11 of 22 Photos: James Bond theme song singers American singer Lani Hall, wife of bandleader Herb Alpert, sang the title song to 1983's "Never Say Never Again," which brought Sean Connery back for his final Bond role.

The film was made by a different production company from the other James Bond movies, so some fans don't consider it part of the official series. Hide Caption 12 of 22 Photos: James Bond theme song singers Singer Simon Le Bon and British pop group Duran Duran did the title song for 1985's "A View to a Kill." Hide Caption 13 of 22 Photos: James Bond theme song singers Norwegian pop band A-Ha recorded the title song for 1987's "The Living Daylights," the first of two films starring Timothy Dalton as Bond. It was the last theme written by longtime Bond composer John Barry. Hide Caption Photos: James Bond theme song singers Soul legend Gladys Knight sang the theme to "License to Kill" in 1989. Hide Caption 15 of 22 Photos: James Bond theme song singers After a six-year hiatus, the Bond series rebooted with 1995's "GoldenEye" and Pierce Brosnan in the lead role. Tina Turner sang the theme song, which was written by U2's Bono and the Edge.

Hide Caption Photos: James Bond theme song singers Sheryl Crow performed the title song to 1997's "Tomorrow Never Dies." Hide Caption 17 of 22 Photos: James Bond theme song singers Garbage, led by Shirley Manson, did the title track to 1999's "The World is Not Enough." Hide Caption 18 of 22 Photos: James Bond theme song singers Pop icon Madonna finally did her first and only Bond theme song in 2002 for "Die Another Day." Hide Caption 19 of 22 Photos: James Bond theme song singers One of the few men to sing a Bond theme, rocker Chris Cornell performed "You Know My Name" from 2006's "Casino Royale." It was the first film to feature Daniel Craig as Bond. Hide Caption 20 of 22 Photos: James Bond theme song singers Pop star Alicia Keys and blues rocker Jack White teamed up to sing "Another Way to Die," the theme from 2008's "Quantum of Solace." White also wrote the song.

Hide Caption 21 of 22 Photos: James Bond theme song singers British pop star Adele sang the title theme from "Skyfall" in 2012. Three years later, the world is still awaiting the singer's long-delayed new album. Hide Caption

Question: Who sang the title theme song to the bond film "The spy who loved me"?
Answer: Carly Simon