SparkNotes: Great Expectations: Character List Great Expectations Plot Overview Analysis of Major Characters Pip - The protagonist and narrator of Great Expectations, Pip begins the story as a young orphan boy being raised by his sister and brother-in-law in the marsh country of Kent, in the southeast of England. Pip is passionate, romantic, and somewhat unrealistic at heart, and he tends to expect more for himself than is reasonable. Pip also has a powerful conscience, and he deeply wants to improve himself, both morally and socially. Read an in-depth analysis of Pip. Estella - Miss Havisham’s beautiful young ward, Estella is Pip’s unattainable dream throughout the novel. He loves her passionately, but, though she sometimes seems to consider him a friend, she is usually cold, cruel, and uninterested in him. As they grow up together, she repeatedly warns him that she has no heart. Read an in-depth analysis of Estella. Miss Havisham - Miss Havisham is the wealthy, eccentric old woman who lives in a manor called Satis House near Pip’s village.

She is manic and often seems insane, flitting around her house in a faded wedding dress, keeping a decaying feast on her table, and surrounding herself with clocks stopped at twenty minutes to nine. As a young woman, Miss Havisham was jilted by her fiancé minutes before her wedding, and now she has a vendetta against all men. She deliberately raises Estella to be the tool of her revenge, training her beautiful ward to break men’s hearts. Read an in-depth analysis of Miss Havisham. Abel Magwitch (“The Convict”) - A fearsome criminal, Magwitch escapes from prison at the beginning of Great Expectations and terrorizes Pip in the cemetery. Pip’s kindness, however, makes a deep impression on him, and he subsequently devotes himself to making a fortune and using it to elevate Pip into a higher social class. Behind the scenes, he becomes Pip’s secret benefactor, funding Pip’s education and opulent lifestyle in London through the lawyer Jaggers. Joe Gargery - Pip’s brother-in-law, the village blacksmith, Joe stays with his overbearing, abusive wife—known as Mrs. Joe—solely out of love for Pip.

Joe’s quiet goodness makes him one of the few completely sympathetic characters in Great Expectations. Although he is uneducated and unrefined, he consistently acts for the benefit of those he loves and suffers in silence when Pip treats him coldly. Jaggers - The powerful, foreboding lawyer hired by Magwitch to supervise Pip’s elevation to the upper class. As one of the most important criminal lawyers in London, Jaggers is privy to some dirty business; he consorts with vicious criminals, and even they are terrified of him. But there is more to Jaggers than his impenetrable exterior. He often seems to care for Pip, and before the novel begins he helps Miss Havisham to adopt the orphaned Estella. Jaggers smells strongly of soap: he washes his hands obsessively as a psychological mech-anism to keep the criminal taint from corrupting him. Herbert Pocket - Pip first meets Herbert Pocket in the garden of Satis House, when, as a pale young gentleman, Herbert challenges him to a fight. Years later, they meet again in London, and Herbert becomes Pip’s best friend and key companion after Pip’s elevation to the status of gentleman.

Herbert nicknames Pip “Handel.” He is the son of Matthew Pocket, Miss Havisham’s cousin, and hopes to become a merchant so that he can afford to marry Clara Barley. Wemmick - Jaggers’s clerk and Pip’s friend, Wemmick is one of the strangest characters in Great Expectations. At work, he is hard, cynical, sarcastic, and obsessed with “portable property”; at home in Walworth, he is jovial, wry, and a tender caretaker of his “Aged Parent.” Biddy - A simple, kindhearted country girl, Biddy first befriends Pip when they attend school together. After Mrs. Joe is attacked and becomes an invalid, Biddy moves into Pip’s home to care for her. Throughout most of the novel, Biddy represents the opposite of Estella; she is plain, kind, moral, and of Pip’s own social class. Dolge Orlick - The day laborer in Joe’s forge, Orlick is a slouching, oafish embodiment of evil. He is malicious and shrewd, hurting people simply because he enjoys it. He is responsible for the attack on Mrs.

Joe, and he later almost succeeds in his attempt to murder Pip. Mrs. Joe - Pip’s sister and Joe’s wife, known only as “Mrs. Joe” throughout the novel. Mrs. Joe is a stern and overbearing figure to both Pip and Joe. She keeps a spotless household and frequently menaces her husband and her brother with her cane, which she calls “Tickler.” She also forces them to drink a foul-tasting concoction called tar-water. Mrs. Joe is petty and ambitious; her fondest wish is to be something more than what she is, the wife of the village blacksmith. Uncle Pumblechook - Pip’s pompous, arrogant uncle. (He is actually Joe’s uncle and, therefore, Pip’s “uncle-in-law,” but Pip and his sister both call him “Uncle Pumblechook.”) A merchant obsessed with money, Pumblechook is responsible for arranging Pip’s first meeting with Miss Havisham. Throughout the rest of the novel, he will shamelessly take credit for Pip’s rise in social status, even though he has nothing to do with it, since Magwitch, not Miss Havisham, is Pip’s secret benefactor.

Compeyson - A criminal and the former partner of Magwitch, Compeyson is an educated, gentlemanly outlaw who contrasts sharply with the coarse and uneducated Magwitch. Compeyson is responsible for Magwitch’s capture at the end of the novel. He is also the man who jilted Miss Havisham on her wedding day. Bentley Drummle - An oafish, unpleasant young man who attends tutoring sessions with Pip at the Pockets’ house, Drummle is a minor member of the nobility, and the sense of superiority this gives him makes him feel justified in acting cruelly and harshly toward everyone around him. Drummle eventually marries Estella, to Pip’s chagrin; she is miserable in their marriage and reunites with Pip after Drummle dies some eleven years later. Molly - Jaggers’s housekeeper. In Chapter 48, Pip realizes that she is Estella’s mother. Mr. Wopsle - The church clerk in Pip’s country town; Mr. Wopsle’s aunt is the local schoolteacher. Sometime after Pip becomes a gentleman, Mr. Wopsle moves to London and becomes an actor.

Startop - A friend of Pip’s and Herbert’s. Startop is a delicate young man who, with Pip and Drummle, takes tutelage with Matthew Pocket. Later, Startop helps Pip and Herbert with Magwitch’s escape. Miss Skiffins - Wemmick’s beloved, and eventual wife. Symbols - Great Expectations Great Expectations Contact Us Symbols Symbols are objects or characters used to represent something more significant than itself. Great Expectations cleverly uses a number of these, explained below: The rising mists Miss Havisham's shoe and wedding dress The Satis House Bentley Drummle and the stopped clocks Light and darkness The Rising Mists The Rising Mists Dickens’ uses pathetic fallacy by the mists to demonstrate clarity of thinking. Whenever the mists rise, Pip is able to see things around him clearly. When the mists are present, they can symbolize danger and uncertainty like when Magwitch attacks Pip, shortly after arriving in London or before the attack of Orlick. The rising mists are also used in the last sentence of the novel when Pip sees “no shadow of another parting from [Estella]”.

Miss Havisham's Shoe and Wedding Dress Shoe and Wedding Dress Miss Havisham had only put on one shoe before finding out that Compeyson had left her on their wedding day. This shoe represents her lack of readiness for any further attempts at love in her life and it demonstrates this for Estella also when she picks it up while talking to Pip. Miss Havisham’s wedding dress represents death and the pain or rotting of her past. The Satis House The Satis House The mason where Miss Havisham and Estella live is wealthy but crumbling and deteriorating showing a direct connection to those who live in it and to the upper class society as a whole. Miss Havisham's Garden The Satis Garden Everything in the Satis garden is dead or decaying. None of the plants or flowers are growing, making a correlation to wealth and high society. It may suggest that the innocence or love can no longer thrive. The Stopped Clocks The Stopped Clocks The clocks symbolize Miss Havisham’s desperate attempts at freezing time and refusal to change. However, both as we all know is impossible to do.

They are stopped at ten past ten, the moment at which Miss Havisham had realized that her fiance had run off and stolen her money. Bentley Drummle And The Upper Class Bentley Drummle Drummle is the perfect poster boy for wealth, success and gentleman statuses. He is however, rude and cruel to all those he feels are beneath him and only fights for Estella to later abuse her. He is the perfect example to show that there is no correlation between social standing and intelligence or morals. Light And Darkness Light and Darkness Dickens uses the ever so famous archetype of light to represent the goodness and dark to represent the evil or unknown. Joe’s character almost emits light to guide Pip along the way while the Satis House is almost completely dark. Locks and Keys Locks and Keys Locks represent things of secrecy or inaccessibility. Magwitch, being a criminal, is kept behind bars where he cannot escape, as he does not hold the keys. Estella is almost portrayed as a prison guard herself for Miss Havisham keeps her locked away emotionally. Estella is also like a gatekeeper for she lets Pip in and out of the Satis House, holding onto the keys.

As they grow older, Estella keeps the keys to her heart, not letting it be accessible to anyone else. Bugs and Insects Bugs and Insects The creepy crawly insects represent the disgusting or filthy things in life. Throughout the Satis House are spiders and beetles that occupy it, creating a sickening illusion. Also, when Pip questions Estella about Drummle, she says, “Moths and all sorts of ugly creatures hover above a lighted candle but can the candle help it?” suggesting that Drummle is the ugly creature. Statues Statue Whenever Pip kisses Estella’s cheek, he mentions that the cheek seems to feel like a statue. Statues are hard and cold materials, perhaps representing that Estella indeed is not warm and incapable of feelings. Weather Rainstorm Dickens’ uses a lot of pathetic fallacy by creating a very sullen atmosphere without sun or clear blue days but often only rain and thunderstorms. Furthermore, whenever anything tragic or exciting happens, there seems to be a change in the weather. Shadows Estella's shadow Dickens’ uses the idea of shadows to suggest mystery or evilness. Pip often notices a shadow across Estella’s face and seems to suggest that she has a very dark side to her.

Pip also shows that he realizes that everyone has a complex character and are composed of both shadows and light. Joe Gargery Joe's Happy Face Joe Gargery is the ultimate symbol of good and caring in a world surrounded by of evil and deceit. He puts up with Mrs. Joe in the foulest of her moods and continues to support and care for Pip even after he had been tossed aside. Create a free website Essay Sample: The Importance Of Costume In The Works Of Dickens | Blog - CheapBuyEssay Essay Sample: The Importance Of Costume In The Works Of Dickens Posted on July 24, 2014 . Great Expectations is, as G. K. Chesterton puts it, “a study in human weakness and the slow human surrender.” (G. K. Chesterton on Great Expectations). This remarkable classic novel tells a story of young man Pip whose desire to change his social status from lower class to higher led him to snobbishness and parting with his real friends. In descriptions of the protagonist as well as of other characters of the novel, Dickens shows his talent in creating vivid, memorable images through detailed descriptions of their inner world and appearance.

Clothes serves as important indicator in these descriptions, and thus this paper will show the significance of costume in Great Expectations. Firstly, the contrast between shabby clothes Pip wares while living with his sister and her husband and exquisite costumes he puts on after moving to London, illustrates personal changes which occurred to the protagonist. Philip Pirrip, that is his real name, falls in love with Estella – brewery heiress’ stepdaughter, who continuously scorns the boy for his inferior station. Pip is not satisfied with his origin: “I was a common labouring-boy” (Dickens, 2003, p. 113), and with his appearance: “my hands were coarse, boots were thick” (Dickens, 2003, p. 113) – he wants to become more “genteel”. Estella insults Pip for his thick boots as they play, spurring his desire to become a “gentleman”, in a sense that he should climb out of poverty. Eventually, Pip becomes rich and begins to wear cheap imitations of the exquisitely cut clothes worn by upper-class dandies. (Charles Dickens’ Great Expectations. A new interpretation for students).

By this, the young man demonstrates his desire to belong to the upper class by all means available, not excepting lies and hypocrisy. Exemplary of the clothes symbolism is also an episode with Avenger, Pip’s servant boy. Pip dresses him in expensive costumes, thus reflecting his excessive attention to material aspects of life after moving to London. Another instance depicts Pip, who comes into fortune and buys new clothes for a London trip. He chooses not to go to his neighborhood in new attire leaving it at Pumblechook’s house because it would have been “common” of him to do so. Consequently, both Pip’s decisions and actions show a great deal of haughtiness and self-conceit which developed in him after his “great” expectations came true, clothes playing in it a role of litmus test that shows Pip’s deceitful appearances. Secondly, Miss Havisham’s wedding dress acts as an iconic image of past memories, vain hope and broken heart, which haunt the woman throughout her life.

“The bride within the bridal dress had withered like the dress […] the dress had been put upon the rounded figure of a young woman, and that the figure upon which it now hung loose had shrunk to skin and bone […] waxwork and skeleton seemed to have dark eyes that moved and looked at me” (Dickens, 2003, p. 100), – this is how Pip describes his impressions from meeting Miss Havisham for the first time. The woman looks like a walking corpse, she wears an old wedding dress, the veil, one shoe, and really tattered silk stockings (Great Expectations Study Guide & Essays). She sufferes from psychological trauma after her fiancé, the professional swindler Compeyson, jilted her at the altar. Since the woman cannot overcome her crisis, she never takes off her bridal dress. This dress, as well as Miss Havisham’s decaying body, become an ironic symbol of death and degeneration (Miss Havisham in Great Expectations).

The whole Havisham’s house is full of this morbid atmosphere: stopped clocks, rats, spiders and beetles crawling through the rooms, dimmed light from the drawn curtains, untouched wedding cake, but among all these the dress can provide at least some explanation to why Miss Havisham lives such life. To summarize, clothes is an important factor in Great Expectations which reflects inner worlds of Pip and Miss Havisham. Under the bad influence of higher society Pip feels groundless shame for his origin and doesn’t realise that man’s clothes matter not to the extent his moral nature does. The poor man may be a true gentleman – in spirit and in daily life because rich spirit is altogether superior to the wealthy man with a poor spirit (Great Expectations A new interpretation for students). Miss Havisham’s old wedding dress hangs on the old woman making her look like the ghost from the past. The dress symbolizes her fixation on the traumatic experience, which haunts her since the wedding day.

Reference list SparkNotes: Great Expectations: Analysis of Major Characters Analysis of Major Characters Themes, Motifs & Symbols Pip As a bildungsroman, Great Expectations presents the growth and development of a single character, Philip Pirrip, better known to himself and to the world as Pip. As the focus of the bildungsroman, Pip is by far the most important character in Great Expectations: he is both the protagonist, whose actions make up the main plot of the novel, and the narrator, whose thoughts and attitudes shape the reader’s perception of the story. As a result, developing an understanding of Pip’s character is perhaps the most important step in understanding Great Expectations. Because Pip is narrating his story many years after the events of the novel take place, there are really two Pips in Great Expectations: Pip the narrator and Pip the character—the voice telling the story and the person acting it out. Dickens takes great care to distinguish the two Pips, imbuing the voice of Pip the narrator with perspective and maturity while also imparting how Pip the character feels about what is happening to him as it actually happens.

This skillfully executed distinction is perhaps best observed early in the book, when Pip the character is a child; here, Pip the narrator gently pokes fun at his younger self, but also enables us to see and feel the story through his eyes. As a character, Pip’s two most important traits are his immature, romantic idealism and his innately good conscience. On the one hand, Pip has a deep desire to improve himself and attain any possible advancement, whether educational, moral, or social. His longing to marry Estella and join the upper classes stems from the same idealistic desire as his longing to learn to read and his fear of being punished for bad behavior: once he understands ideas like poverty, ignorance, and immorality, Pip does not want to be poor, ignorant, or immoral. Pip the narrator judges his own past actions extremely harshly, rarely giving himself credit for good deeds but angrily castigating himself for bad ones. As a character, however, Pip’s idealism often leads him to perceive the world rather narrowly, and his tendency to oversimplify situations based on superficial values leads him to behave badly toward the people who care about him.

When Pip becomes a gentleman, for example, he immediately begins to act as he thinks a gentleman is supposed to act, which leads him to treat Joe and Biddy snobbishly and coldly. On the other hand, Pip is at heart a very generous and sympathetic young man, a fact that can be witnessed in his numerous acts of kindness throughout the book (helping Magwitch, secretly buying Herbert’s way into business, etc.) and his essential love for all those who love him. Pip’s main line of development in the novel may be seen as the process of learning to place his innate sense of kindness and conscience above his immature idealism. Not long after meeting Miss Havisham and Estella, Pip’s desire for advancement largely overshadows his basic goodness. After receiving his mysterious fortune, his idealistic wishes seem to have been justified, and he gives himself over to a gentlemanly life of idleness. But the discovery that the wretched Magwitch, not the wealthy Miss Havisham, is his secret benefactor shatters Pip’s oversimplified sense of his world’s hierarchy.

The fact that he comes to admire Magwitch while losing Estella to the brutish nobleman Drummle ultimately forces him to realize that one’s social position is not the most important quality one possesses, and that his behavior as a gentleman has caused him to hurt the people who care about him most. Once he has learned these lessons, Pip matures into the man who narrates the novel, completing the bildungsroman. Estella Often cited as Dickens’s first convincing female character, Estella is a supremely ironic creation, one who darkly undermines the notion of romantic love and serves as a bitter criticism against the class system in which she is mired. Raised from the age of three by Miss Havisham to torment men and “break their hearts,” Estella wins Pip’s deepest love by practicing deliberate cruelty. Unlike the warm, winsome, kind heroine of a traditional love story, Estella is cold, cynical, and manipulative. Though she represents Pip’s first longed-for ideal of life among the upper classes, Estella is actually even lower-born than Pip; as Pip learns near the end of the novel, she is the daughter of Magwitch, the coarse convict, and thus springs from the very lowest level of society.

Ironically, life among the upper classes does not represent salvation for Estella. Instead, she is victimized twice by her adopted class. Rather than being raised by Magwitch, a man of great inner nobility, she is raised by Miss Havisham, who destroys her ability to express emotion and interact normally with the world. And rather than marrying the kindhearted commoner Pip, Estella marries the cruel nobleman Drummle, who treats her harshly and makes her life miserable for many years. In this way, Dickens uses Estella’s life to reinforce the idea that one’s happiness and well-being are not deeply connected to one’s social position: had Estella been poor, she might have been substantially better off. Despite her cold behavior and the damaging influences in her life, Dickens nevertheless ensures that Estella is still a sympathetic character. By giving the reader a sense of her inner struggle to discover and act on her own feelings rather than on the imposed motives of her upbringing, Dickens gives the reader a glimpse of Estella’s inner life, which helps to explain what Pip might love about her.

Estella does not seem able to stop herself from hurting Pip, but she also seems not to want to hurt him; she repeatedly warns him that she has “no heart” and seems to urge him as strongly as she can to find happiness by leaving her behind. Finally, Estella’s long, painful marriage to Drummle causes her to develop along the same lines as Pip—that is, she learns, through experience, to rely on and trust her inner feelings. In the final scene of the novel, she has become her own woman for the first time in the book. As she says to Pip, “Suffering has been stronger than all other teaching. . . . I have been bent and broken, but—I hope—into a better shape.” Miss Havisham The mad, vengeful Miss Havisham, a wealthy dowager who lives in a rotting mansion and wears an old wedding dress every day of her life, is not exactly a believable character, but she is certainly one of the most memorable creations in the book. Miss Havisham’s life is defined by a single tragic event: her jilting by Compeyson on what was to have been their wedding day.

From that moment forth, Miss Havisham is determined never to move beyond her heartbreak. She stops all the clocks in Satis House at twenty minutes to nine, the moment when she first learned that Compeyson was gone, and she wears only one shoe, because when she learned of his betrayal, she had not yet put on the other shoe. With a kind of manic, obsessive cruelty, Miss Havisham adopts Estella and raises her as a weapon to achieve her own revenge on men. Miss Havisham is an example of single-minded vengeance pursued destructively: both Miss Havisham and the people in her life suffer greatly because of her quest for revenge. Miss Havisham is completely unable to see that her actions are hurtful to Pip and Estella. She is redeemed at the end of the novel when she realizes that she has caused Pip’s heart to be broken in the same manner as her own; rather than achieving any kind of personal revenge, she has only caused more pain. Miss Havisham immediately begs Pip for forgiveness, reinforcing the novel’s theme that bad behavior can be redeemed by contrition and sympathy.

<i>Great Expectations</i> Setting Map Type of Activity: Setting Map Common Core Standards [ELA-Literacy/RL/9-10/2] Determine a theme or central idea of a text and analyze in detail its development over the course of the text, including how it emerges and is shaped and refined by specific details; provide an objective summary of the text [ELA-Literacy/RL/9-10/3] Analyze how complex characters (e.g., those with multiple or conflicting motivations) develop over the course of a text, interact with other characters, and advance the plot or develop the theme [ELA-Literacy/RL/9-10/7] Analyze the representation of a subject or a key scene in two different artistic mediums, including what is emphasized or absent in each treatment (e.g., Auden’s “Musée des Beaux Arts” and Breughel’s Landscape with the Fall of Icarus) Many long novels with multiple settings challenge for students with changes in setting and characters. Stories with many settings are also difficult because each setting portrays unique insights into the world of a specific character or group of people.

Settings are as important as characters and, therefore, deserve tracking in detail. When followed closely, students can find rich symbols associated with settings and characters. To help students grasp deeper meanings from setting, it is helpful for them to create a setting map that will allow them to document important characteristics of places throughout the novel. In the example that follows, students can use the setting map to see how each setting relates to its character: Great Expectations Setting Map The Forge This is Joes' workshop. Its characteristics are warm, bold, and sturdy. The definition of a forge has double meaning for Joe, as it is where he forges iron, and forges strong ties with others. Satis House Latin for "enough", lore claims that anyone who lived in this house would have enough to satisfy them. However, when Miss Havisham was left on her wedding day, her home became a decaying time capsule; clocks were stopped, her wedding cake left out for years, and she continued wearing her wedding dress. Walworth The name of Wemmicks’ home. He has built a literal moat and a metaphoric wall around himself. Who Wemmick is at home, and who he is at work, are completely different.

His house is a miniature castle with draw bridge, a small farm, and a rooftop cannon that fires as specific times of day to mark the time. Jaggers Home/Office Jagger’s home and office are much like his personality: cold and barren. They have no personal items, and are described as cold, dark, and dreary. No light is provided, and thick stale dust coats everything. Although his house is large, it is relatively unfurnished and seems empty; much like Jagger’s soul. Barnard's Inn Pip and Herbert’s first apartment is a modest flat in a decent area of London. Like the two men just starting out, it is modest and humble. On the outside it looks presentable, but the interior looks is in need of updating. It represents the façade that Pip puts on. His outward appearance has changed, but he is still Pip on the inside. Miss Havisham Miss Havisham Authors: Dickens, Charles Description: Charles Dickens was born in Portsmouth in 1812, which is in the Victorian time.

At that time there was a large divide between the rich and the poor, the working conditions for the poor were insane; poor people worked very long hours in dangerous factories and don't get paid alot of money. The few wealthy people however, lived in luxury. Those without money were severely repressed and prevented from improving and bettering their dangerous lives. Women were not looked up to in the Victorian times, women were dependent on men, unless they were rich, women were expected to serve and obey their husbands, they were not allowed to work. Charles Dickens was very interested in changing society and he did this through his novels that dealt with such topics as justice and punishment, the factory system, the widening gap between the rich and poor. He also believed that the division between the classes had produced a diseased, unhealthy and selfish society. Charles Dickens writes his novels through his experiences of life, he was the eldest son out of eight children, two of whom had died in childhood. His father, John Dickens, was a clerk in the Navy Pay Office, which the family moved around a great deal. John Dickens got into debt and was sent to Marshalsea Prison, and soon after the whole family except Charles.

Charles was taken out of school and put to work in a filthy warehouse where he had to stick labels on bottles, many of his ideas about social conscience probably stem from this episode in his life. When he was sixteen, Dickens was working as a court reporter. This is where he saw the harsh system of justice, which operated in England. He then became a newspaper reporter and this gave him a detailed knowledge of London and its inhabitants, both rich and poor. Throughout Great Expectations, Dickens explores the class system of Victorian England, ranging from the most wretched criminals (Magwitch) to the poor peasants of the marsh country (Joe and Biddy) to the middle class (Pumblechook) to the very rich (Miss Havisham). The theme of social class is central to the novel's plot and to the ultimate moral theme of the book--Pip's realization that wealth and class are less important than affection, loyalty, and inner worth. Pip achieves this realization when he is finally able to understand that, despite the esteem in which he holds Estella, one's social status is in no way connected to one's real character.

Drummle, for instance, is an upper-class lout, while Magwitch, a persecuted convict, has a deep inner worth. Perhaps the most important thing to remember about the novel's treatment of social class is that the class system it portrays is based on the post-Industrial Revolution model of Victorian England. Dickens generally ignores the nobility and the hereditary aristocracy in favor of characters whose fortunes have been earned through commerce. Even Miss Havisham's family fortune was made through the brewery that is still connected to her manor. In this way, by connecting the theme of social class to the idea of work and self-advancement, Dickens subtly reinforces the novel's overarching theme of ambition and self-improvement. Miss Havisham is the wealthy, eccentric old woman who lives in a manor called 'Satis House' near Pip's village, 'Satis' means enough in Latin and Hebrew calling the house by this name is very ironic. She is maniac and often seems insane, flitting around her house in a faded wedding dress 'She in her once white white dress, all yellow and withered', and keeping a decaying feast on her table, and surrounding herself with clocks stopped at twenty minutes to nine.

As a young woman, Miss Havisham was jilted by her fiance minutes before her wedding, and now she has a vendetta against all men 'on this day of the year, long before you were born, this heap of decay; stabbing with her crutched stick at the pile of cobwebs on the table but not touching it was bought here. It and I have worn away together. She adopts a girl and called her Estella, she had adopted her so that she would not fall into the same things Miss Havisham fell into, however she had a change of heart and deliberately raises Estella to be the tool of her revenge, training her beautiful ward to break men's hearts. Miss Havisham has isolated herself from society, she has locked her gates, barred up her windows, some windows are bricked in, nothing has been moved, she has stopped the clocks, she does not know the day of the week, this is some proof of her isolation. Miss Havisham has also blocked out sunlight, Dickens uses the metaphor that sunlight as a sign of life, when it says she has blocked out sunlight it also means she has blocked out life.

When Pip first meets Miss Havisham she was wearing a bridle gown, which was once white, now yellow 'The bridle dress looked like grave clothes', she is old and her dress does not fit her, she was only wearing one shoe and looked shrunk and shrivelled,'She sat corpse-like', that quote is telling us that she looked dead and pale 'She had the appearance of having dropped, body and soul, wirthin and without, under the weight of the crushing blow'. Pip was called upon by Miss Havisham so that he could play with Estella, she had the power to do this, the power is her money and her status, this is an example of how upper class abuse and use the working class. After Pips first visit he starts hating himself, Miss Havisham made him aware of his working class position in society he looses his self-esteem and confidence.

The reason Miss Havisham has isolated herself is because she was Jilted at the alter, it was on her marriage day, her fianc&eacute; had sent her a letter telling her that he could not make it, however she had already left and was heart broken when he did not show up, she had everything taken to her, she had the clocks stop, and had shut out all the light. Women in Victorian era were bought up to rely on men. Their main expectation was to get married start a family and look after them, this was all taken away from her, because she was rich she could isolate her, which is not a option for the poor people because they could not afford to got into isolation. She was probably spoilt and proud due to her background and therefore was more reluctant to carry on with life, here Dickens could be criticizing the rich and their attitude. Miss Havisham represents the rich class, because Dickens is showing she could use her status and he money to lock herself away from society.

Other characters from this book: The Memorable Characters In The Great Expectations English Literature Essay The Memorable Characters In The Great Expectations English Literature Essay Published: Last Edited: 23rd March, 2015 This essay has been submitted by a student. This is not an example of the work written by our professional essay writers. Charles Dickens is one of the many celebrated authors who successfully changed certain views and beliefs held by society using Literature; some even considered him a spokesman for the poor. Dickens was born into an upper class family meaning he was able to recognise some of the characteristics and expectations the richer people had. Later on in his life, Dickens father got himself into debt and therefore Dickens became responsible for earning part of the family's living. In 'Great Expectations', Dickens carefully uses characters and plot to portray society prejudices as he tells the 'rag to riches' story of Phillip Pirrip. He was able to represent his ideas and feelings in such a powerful manner and with great impact due to his past personal experience. He managed this through his ability to create iconic characters. The story is based on Charles Dickens use of bildungsroman to lead us through the adventurous life of young Pip.

The reason behind all the achievements and success Dickens has experienced in his life and writing is due to his ability to use many powerful presentational, structural and linguistic devices such as gothic imagery to depict the lifestyles of the Victorian audience as they made it seem as if violence, death and illnesses were a common and acceptable factor of life. At the start of the novel, we are gradually introduced, to an ex-convict who appears to be the antagonist of the novel. Pathos is created right away, when the narrator and protagonist explains in a child like manner, his situation at the beginning of his retrospective "on the authority of his tombstone." The fact that Pip is spending Christmas Eve in a graveyard all by himself is justification for the reader to begin to empathise with him. What's more is that it purposefully reminds us of the social context at the time, emphasising the lack of advanced medicine available which had caused extremely devastating issues such as Cholera and difficulties in child birth. This is made clear to us when Pip mentions, "before the days of photographs." Nowadays, with the amount of technology we are entitled to, Pip's situation and lifestyle is very rare in western society, meaning we can sympathise more for him.

However, back then, situations like these were awfully common making them a lot easier to dispute. Another thing that would have created an opposite reaction to the modern audience is that Pip was in a graveyard at the age of seven. The events we are introduced to during Pip's childhood culminate into reflecting the danger that would have been recognised as normal during the specific era. This emphasises Pip's pure innocence. Settings play big roles in this novel, helping to make the prisoner (Magwitch) seem so mysterious. It's partially due to us having such a small amount of knowledge about including his name until further into the novel. The techniques used to illustrate and create a vivid image of the surrounding has made the characters become memorable and striking, "the raw afternoon, towards evening." This is almost a metaphor for his life as it gets darker in the late afternoon/evening. It mirrors how his life is gradually getting darker and torn apart. Another intimidating technique that was used in the novel was the powerful description, "the distant savage lair from which the wind was rushing was the sea." Imagery is incredibly effective in this specific quote as the wind is compared to the unpleasant surroundings producing the personification of the wind 'rushing' in a frightening way.

This assembles strong contrast to Pip who is a petite and weak child. This emphasises the dangers and issues that he is carrying on his shoulders. In addition to this, Magwitch's personality is cautiously being mirrored through the use of pathetic fallacy validating his aggression and animalistic features. Sibilance has been used by Dickens to exaggerate the sound of the wind and sea, 'distant', 'savage', 'rushing' and 'sea'. This creates a mysterious atmosphere and makes the wind and sea seem unpredictable reflecting on Magwitch's personality as he is seen to be unpredictable. Dickens builds on the tension and negative opinion towards Magwitch that the readers are feeling through the description of his appearance, "a fearful man, all in coarse grey, with an iron on his leg." Firstly, powerful adjectives are used when the word 'fearful' was mentioned as it exaggerates the image of the ex-convict making him appear a lot worse than what he really is. This adds onto the negative thought that the readers have for Magwitch, emphasising that he is possibly the antagonist.

Secondly, the description of the clothing that the ex-convict was described wearing illustrates the social gaps in society at the time, for instance "all in coarse grey." During the Victorian era the poor were considered unintelligent and worthless. The words 'coarse grey' suggests that he is lower class as he is in an unkempt outfit. Moreover, the fact that he had "a great iron on his leg" substantiates that he is exceptionally physically powerful. This makes him seem striking and creates contrast between him and the petite, feeble Pip. In addition, it gives the impression that he is incredibly determined as we soon find out he swam his way out of prison and isolation showing his determination to gain freedom. This also makes both modern and Victorian audiences start to think more about the way he is made to stand out in being unrealistically strong. As a result of this depiction of Magwitch in chapter one and the attack that took place, it placed a traditional ideology to the audience's mind of the ogre-like character. However, Dickens defeats the traditional ideology of ogres later in the novel and goes into the context of Magwitch's behaviour.

In the Victorian era, verbose writing was quite popular of the successful authors of the period, "a man with no hat and with broken shoes and with an old rag tied around his head." The word 'and' was repeated countless times to add depth to the statement. Along with this, the verbose style of writing looks as if it is a list of all the injuries and pain that the convict is going through. This constructs the reader to feel yet more disgust towards Magwitch. In contrast, Dickens hints to his audience the complexity of the characters in the novel by using verbose writing as he does not summon a character such as Magwitch to a single word but uses verbose writing when describing him to demonstrate his complication of his character. In addition, the effect of this style of writing magnifies the character as it goes beyond one description of Magwitch. for instance, Dickens purposefully describes Magwitch "with no hat" so that the Victorian audience would build up his image in their minds as a traditional lower class person. This is due to the fact that during that era, a man with a hat was considered respectful as they were following society's expectations.

However, he further elaborates the description of Magwitch by saying he has "broken shoe and with an old rag tied to his head". Dickens persistently uses the technique of repetition to extend the sentences painting a vivid image in the readers mind, "A man who had been soaked in water, and smothered in mud, and lamed by stones, and cut by flints, and stung by nettles, and torn by briors, who limped and shivered, and glared and growled, and whose tooth chattered in his head as he seized me by the chin". The effect of the compound sentence is that it reflects onto Magwitch's desperation, creating a sense of pathos towards him. Also, this demonstrates for us everything that he has been through, almost sounding like an autobiography. This is because it explains the issues that Magwitch has, steadily changing out opinion of him. The words: 'soaked', 'smothered', 'lamed', 'cut', 'stung', 'torn', 'limped', 'shivered', 'glared', 'growled', and 'chattered' are all very powerful and violent words exaggerating the issues that both Pip and Magwitch are going through.

The combination of words that have been skilfully used in this sentence creates mixed emotions to the audience as it includes powerful and vulnerable adjectives. This creates confusion to the audience as the villain is portrayed as being vulnerable and the non-conventional idea of a villain being a victim. Moreover this creates a unity and a common ground between the two characters as it places 'the predator' in the position of 'the prey'. Adding to this, alliteration is used to create a fearful and frightening atmosphere, 'glared and growled'. This emphasises the contrast between the two characters. Furthermore, it portrays the animalistic features and wildness of Magwitch making him a lot more memorable. Exaggeration is used by the author to make the characters additionally striking as they shock the reader of Magwitch's behaviour, "turned me upside down and emptied my pockets." This adds to the violence that we have already noticed from Magwitch. It clarifies the desperation of the convict leading him to resort to such actions. Moreover, this plays on the audience's prejudice about the poor and reinforces the traditional ideology of the working class. Exaggeration is also a feature of fairytales used to elaborate a point.

The greatest exaggeration in this novel relates back to the title of the novel; the idea that not all expectations in life are met. This becomes more evident later in the novel when characters such as Magwitch are not who they first seemed to be. In addition to this, Magwitch's strength is exaggerated whilst Pip as a character becomes the contrast of Magwitch (particularly during the attack). There is an instant twist to our judgement of Magwitch as contrast is once again created showing a different side to him, "he ate the bread ravenously." Pathos is brought in as a dichotomy occurs of Magwitch's character in the reader's imagination and moral is changed. This is due to the way he ate the bread (a basic food) making him seem vulnerable and hungry. Pity begins to dawn on the audience as some context of 'the villain' begins to show. This would create a major reaction in the Victorian time as the wealthy readers would be new to this as they have not experienced such feeling. A lower class reader would be able to relate to the situation and begin to see more of the context than a reader who had never experienced such a feeling before. The phrase 'ravenously' is also an exaggeration being such a powerful adverb.

This is to insist on the idea of his vulnerability During the Victorian period, gothic novels were incredibly popular, thus a reasons of why Charles Dickens wrote in this fashion, "he looked in my young eyes as if he were eluding the hands of the dead people, stretching up cautiously out of their graves, to get a twist upon his ankle and pull him in." Gothic imagery is created in when Pip mentions 'dead people' and 'graves'. It was used by Dickens as he knows the readers at the time would be extremely fascinated by the concept. As well as making the novel interesting via using gothic imagery, Dickens embarks upon important social attitudes. We see that Magwitch feels the need to escape not just from prison but from society's negative views of him as an ex-convict. This reflects society's class systems and the way they judge him due to his lack of wealth. Some of the upper class audience may have thought he deserves to be 'pulled down' and that he is a person who is not worth their time and worry. However Dickens' aims throughout this novel are to change the social ideology of such persons. Another technique used by Dickens to make Magwitch stand out is through the way the characters communicate.

Magwitch's speech is violent and aggressive towards Pip, "what fat cheeks you ha' got...Darn me if couldn't eat 'em." First of all, the prisoner threatens Pip in an unreasonable manner depicting him as a bully, disrespectful and ignorant. Next, the assumption is that he will eat him, meaning we are straight away unimpressed by what Magwitch has said as he has obviously frightened a seven year old boy and possibly commit an unreligious act. Dialect is used to emphasise the fact that Magwitch is working class and is not well-educated, adding to the already made assumption of him. At the time, most novelists would mainly be writing about the upper class as they were considered to have better lifestyles. This made the audience believe that life was a lot more interesting if you were wealthy due to the texts which was written about them. However some novelists began to appreciate the fall of the upper class and the failing expectations of the typical norm and began to write about this, for instance Charlotte Bronte's novel of Jane Eyre. Fairytales were also extremely popular during this period therefore making the audience focus on the ogre-like character making Magwitch so striking.

The imaginative nature of fairytales to the reader makes the novel light hearted, however it is very effective in demonstrating a point; which arguably could be the reason why Dickens chose this style of writing in this novel. Religion was exceptionally important at the time; which is why Dickens links his narrative to religion, "say Lord Strike me dead if you don't!" The philosophical meaning behind this is that Magwitch is fully aware that people were seriously religious at the time, meaning that Pip would do as he was told if he made him commit in swearing to God. This helps us empathise with Pip and realise the religious views that society had at the time. It starts to make us question whether Magwitch was genuinely religious or was using religion as a tool against Pip. This is also linked to the crimes that were committed as this was seen to be a crime to religion. It makes the reader feel resentful as Magwitch is forcing him to include religion in crime. This is not just the connotations behind the crime of religion but also relates to the major crimes that were held by society. This being theft. Theft was a massive issue in the Victorian period as many were of the lower class and could not afford a living and had to therefore resort to stealing.

Another extremely striking character in 'Great Expectations' is Miss Havisham. Dickens prepares the reader for the introduction of Miss Havisham in a very similar way to Magwitch; through the use of imagery and description. It helps the reader become prepared for the red herring as we later find out Miss Havisham is the real 'villain' in the novel. At the start of chapter eight, Miss Havisham's house is described as 'Satis house.' This means 'enough' house. By doing this, Dickens mirrors Miss Havisham's situation as she seems to have had "enough" of her life. Symbolism is one of the most important and effective in making Miss Havisham memorable and striking, "off old brick and dismal, and had a great many iron bars to it. Some of the windows had been walled up...all the lower were rustily barred." Firstly, the words 'old' and 'rustily' are clear symbols for the idea of Miss Havisham being so old and yet not married. This was an extremely unusual thing at the time as women were expected to be married at an early age.

Secondly, the description of the house states that she has blocked any sort of life from entering her house as the windows had been "barred." This also reminds us of the isolation from life and freedom that she is experiencing which is similar to a situation of being in a prison. Adding to this, it also creates a dark and depressing atmosphere as there is literally no life going on in the house making Miss Havisham's life seem mortal. This matches the popular theme that was around in that specific period being Gothic. The settings has been described to be a cold, and depressing winter helping the audience start to realise Miss Havisham's personality and become prepared for what her characteristics would be like. The description of the settings prepares us and sets our expectations of Miss Havisham, "No brewing was going on in it, and none seemed to have gone on for a long, long time." This is almost a metaphor for Miss Havisham as the place seems to be untidy and not well looked after. This right away makes the audience start to make judgements of what the reader's expectations would be of Miss Havisham from the description of the settings.

Miss Havisham's life has been reflected onto the metaphor describing the brewery as no human activity had gone on for a very long time. This links to the religious beliefs that mostly existed in the Victorian era and may still occur nowadays of women not losing their virginity until marriage. We automatically assume that Miss Havisham is still a virgin as she was abandoned before she got the chance to loose it. This exaggerates the sense of no activity occurring anywhere around her or in her. The word 'long' has been repeated in the quote, exaggerating the fact that no brewing had been going on for such a long period of time. This emphasises Miss Havisham's concept of blocking any kind of life going on around her. Pathetic fallacy is the most effective technique used by Dickens in making Miss Havisham stand out as her mood was constantly reflected in the weather and atmosphere around her. It has been used to describe the depressing weather reflecting on Miss Havisham's mood and life style. "The cold wind seemed to blow colder there...it made a shrill noise in howling in and out." The coldness of her personality is constantly repeated making her seem like such a 'cold' hearted person.

Onomatopoeia is used when the word 'howling' is mentioned making the audience wonder and think about the possibility that Miss Havisham's crying is creating the 'shrill' sound. This also creates a major effect on not only the Victorian audience but the modern audience as it constructs a sense of fear of her as she is made, by Dickens, to be shocking and memorable reminding us once again of the similarities of the introduction of Magwitch. This is use of red herring as she is compared to who the readers believe is the antagonist. This is done by the simple use of personification making the settings and situation seem a lot more realistic and lively. It cautiously prepares us for when we soon find out that she isn't the "fairy godmother" in the story and is in fact the ogre!

Miss Havisham mainly stands out due to her unusual appearance in being at such an old age and yet still in her wedding dress, "she had a long white veil dependant from her hair, and she had bridal flowers in her hair but her hair was white." The word "white is repeated for various reasons: Firstly, it could be used, to once again exaggerate the purity in her still being a virgin at such an old age. The second reason for this is to call attention to her "white hair." It was strongly unconventional at the time, for a woman to have white hair and to be dressed in a white, wedding dress. In contrast to this, a modern audience would react differently as it is seen to be common for women to be newlywed at an old age. Dickens main intention in this particular section of the chapter is to change the views of society. This was because upper class people were seen to be constantly happy and living their life to the most. This plays upon the cliché 'money buys happiness'. It shows a side to the wealthy that had never been seen before making Miss Havisham become an legendary character in the novel.

Through the appearance of Miss Havisham, we see her context in a clearer way to show us her wealth and placement in society. This helps the reader understand her situation in depth, "she was dressed in rich materials - satins, and lace, and silks - all of white." This unmistakably states that Miss Havisham's clothing was of 'rich' materials. We are right away informed that she is of the upper-class and has obviously been born into the richness. Adding to this, the materials mentioned are: 'satin', 'lace' and 'silks.' These are all materials used by the rich and wealthy as they were extremely expensive at the time. This makes her stand out yet more as until this part of the novel we have only met the lower-class creating contrast between the characters. Furthermore, Miss Havisham is made to be as striking as she is, still half dressed in her wedding outfit, "she had not quite finished dressing for she had but one shoe on." This makes Miss Havisham appear to be exceptionally strange and unnatural as she has been in the same condition from the day of her wedding.

This is particularly peculiar as she had not completed dressing; stressing the point that she was abandoned by the man she was meant to marry hours before the wedding. In both Victorian times and our time this would seem unusual creating a major effect of the readers. This was written by Dickens to emphasise that you didn't have to be wealthy and rich to be happy as Miss Havisham had a large mansion and many jewels telling us she is wealthy yet she is still unhappy. Also, another thing that is shown by Dickens is the truth that people are unaware of about the rich and wealthy. He almost reveals a secret behind the lives of the upper class being that they are not always as respectful and well mannered as they have been made to look. This is to help change views of the people in the Victorian era and help make everyone in society feel equal. Sympathy is suddenly created towards Miss Havisham in an odd matter as she, after moments of meeting Pip, explains her lifestyle, in being heartbroken, "Laying her hands, one upon the other, on her left side." As Miss Havisham touches her source of pain, we start to empathise with her as we feel her vulnerability and desperation.

This is as she feels the need to tell Pip or anyone she meets about her situation almost feeling proud of it in a sense. This once again reminds us of the social context at the time and creates shock as she, an upper classed person, shares with Pip who is a lower classed person her troubles which were alone, shocking. Later on, her weakness is once again exaggerated making her so memorable and remarkable, "she kept her hands there for a little while, and slowly took them away as if they were heavy." This is great use of emphasis as it helps us imagine how hard it is for her to stay alive as she has trouble lifting her own hands. It somehow reminds the reader of the dead as it seems that someone is moving her arms like a puppet. This refers to the fact that she is almost a puppet following her certain beliefs of not carrying on in life. Also the word 'heavy' makes us think that she is too feeble to carry her own strength.

The way Miss Havisham had been made to communicate with others in the novel is almost a metaphor for her personality and place in society, "you are not afraid of a woman who has never seen the sun since you were born?" We can clearly see that she seems proud of the situation she is in, making us wonder whether it is because of the fact that she has enough money to be able to afford being in that bizarre situation and stay living. Moreover, it shows her hatred towards men as she keeps trying to put poor Pip in awkward situations asking him that sort of question. When Miss Havisham asks Pip if he is 'afraid' of her, it suddenly creates contrast between them and helps us recognise her strange characteristics as she confidently knows he must be afraid being such a young child and yet she still feels the need to ask him. Also, it makes the audience start to be, similarly to Pip, afraid of her. Dickens develops on Miss Havisham's ignorance when she is seen to communicate with Pip being a lower class. "Are you sullen and obstinate boy?" This makes her truly stand out as she was of the upper class and was meant to be well mannered.

This was purposefully written by Dickens so that he could get the point across to the Victorian's that rich and wealthy people are not always of the better kind. This contrasts with Pips way of communicating as he is so respectful and brought up well. It makes the audience realise that lower class people could be well educated as well as higher class people. This was mainly written towards the Victorian audience as they believed that people with no money were worthless and should not have existence in society. To end with, Miss Havisham is always made to stand out as she is powerfully described very carefully by dickens. Furthermore, emphasis and exaggeration is constantly used by Charles Dickens in a subconscious manner making her a lot more striking than she really is. This simply constructs shock making her memorable causing a vivid image of her to stay in the readers mind. One of the other prominent characters Dickens has creates through this novel is Estella. Estella is made to be unforgettable in a different manner to the other characters in the novel.

She is described in a positive way by Pip as we soon find out that he likes her, "She seemed much older than I, of course, being a girl, and beautiful and self-possessed; and she was a scornful of me as if she had been one-and-twenty, and a queen." Estella is made to be memorable through the speech of Pip as he makes her seem so brilliant and 'beautiful'. The reason for Estella to be made outstanding is so that she contrasts with Miss Havisham who is not as well looked after and doesn't have a pleasant and inviting appearance. This is major contrast as she seems to be the only life going on in the house and the only happy thing in Miss Havisham's life. Dickens also makes Estella stand out in a hidden way through the use of imagery, "We went through more passages and up a staircase, and still it was all dark, and only the candle lightened us." This is exaggerating the angel-like feature to Estella. The name 'Estella' simply means star. This is more or less a metaphor for Estella being the only lively thing in the house with a bright attitude to life.

Also, when Pip is made to say that the candle is the only thing lightening them in the dark, it mirrors Miss Havisham's life and the fact that Estella is the only thing lightening up her life and making it bearable. Another thing that makes Estella so conspicuous is the way she talks to people such as Pip, "you have been crying till you are half blind, and you are near crying now." This clearly shows the audience that she has been almost trained by Miss Havisham to hurt men and upset them in a serious and strong way. Also, social context is really powerful in this statement as Dickens tries to show how the rich and wealthy would put the rest down for not having money and not being able to afford as many goods and services as they could. Another characteristic of the Victorians that Dickens tries to get across is the way Estella does not follow society's expectations of a respectful and obeying girl/young woman. Adding on to the idea of Estella becoming trained by Miss Havisham is the few powerful words she mentions to her, "you can break his heart". This quote would for sure shock any audience whether they are of the modern or Victorian readers.

This makes Estella stand out due to the contrast being created with Miss Havisham. She is extremely unusual and bizarrely violent towards Pip. This makes the reader focus on Estella and they way she obeys Miss Havisham. I summary, Charles Dickens makes certain characters in the novella become remarkable through the use of presentational, structural and linguistic devices throughout the storyline. His main intention was to change the negative views held by society towards the poor in the Victorian period and helps to give them a voice and gain importance, respect and appreciation as they should have. Dickens also tried to change the awful nature of humans which had been created over the years giving a bad name to the poor. Even in the modern world, ignorance is in our daily lives as many of the lower class members are being ignored and detested day in and day out. The only important difference there is between the modern and Victorian people is the fact that nowadays, everything is a secret. Dickens also uses this scene to develop Pips special - ANI - 1 Dickens also uses this scene to develop pips special SCHOOL View Full Document This is the end of the preview. Sign up to access the rest of the document.

Unformatted text preview: Dickens also uses this scene to develop Pips special relationship with Joe. Although Joe is not Pips father or even his brother, he is the most caring person in his lifea simple, honest man. Dickens contrasts Joes earnest good nature with the grasping ambition and self-satisfaction of Pumblechook and Mrs. Joe, implying even at this early stage of the novel that real self-improvement (the kind that leads to goodness) is not connected to social advancement or even education, but rather stems from honesty, empathy, and kindness. Pip will spend fifty chapters learning this lesson himself, and will then be struck by the fact that, in the figure of Joe, the best example had been in front of him all along. As he did in the first three chapters, throughout this section Dickens demonstrates a masterful ability to tell his story effectively without ever losing the perspective of childhood. Though the novel itself is narrated by the adult Pip remembering his life, Pip the character is still a little boy in these chapters, and the narrator comically and sympathetically conveys his immature impressions.

At the Christmas dinner in Chapter 4, for instance, Pip is terrified that his secret will be found out, but he balances his fear with a deep desire to tweak Mr. Wopsles large noseto pull it until he howled. His sense of guilt for sneaking behind his guardians backs is so great that he believes the whole world is busy trying to discover his secret, and he fully expects to find a constable in the kitchen, waiting to take me up. Chapters 810 Summary: Chapter 8 Over breakfast the next morning, Pumblechook sternly grills Pip on multiplication problems. At ten, he is taken to Miss Havishams manor, Satis House. The gate is locked, and a small, very beautiful girl comes to open it. She is rude to Pumblechook and sends him away when she takes Pip inside. She leads him through the ornate, dark mansion to Miss Havishams candlelit room, where the skeletal old woman waits by her mirror, wearing a faded wedding dress, surrounded by clocks stopped at twenty minutes to nine. The girl leaves, and Miss Havisham orders Pip to play.

He tells her earnestly that he is too affected by the newness and grandeur of the house to play. Miss Havisham forces him to call for the girl, whose name is Estella. Estella returns, and Miss Havisham orders her to play cards with Pip. Estella is cold and insulting, criticizing Pips low social class and his unrefined manners. Miss Havisham is morbidly delighted to see that Pip is nonetheless taken with the girl. Pip cries when he leaves Satis House. is morbidly delighted to see that Pip is nonetheless taken with the girl....

Question: What principal Dickens character wears a wedding dress throughout her appearance in the novel?
Answer: Miss Havisham