1980's Music played in the 80's Bands groups singers memories from The People History Site Hair Metal Madonna, Cyndi Lauper, Prince, Michael Jackson, Janet Jackson, Whitney Houston, Lionel Richie, Cher, Hall & Oates, David Bowie, Bruce Springsteen, Don Henley, John Mellencamp, George Michael, Tiffany, New Kids on the Block, Debbie Gibson, Wham! Run DMC, Beastie Boys, Grandmaster Flash, Africa Bambaata, LL Cool J, Kurtis Blow, Salt-n-Pepa, Boogie Down Productions, Public Enemy, Biz Markie, Eric B.

& Rakim, Ice-T, NWA, Jungle Brothers, Gang Starr Culture Club, Duran Duran, Devo, A Flock of Seagulls, Blondie, Talking Heads, The Cars, The Pretenders, Elvis Costello, The B-52s, The Go-Gos, The Beat, Soft Cell, Depeche Mode, The Police, The Clash, Billy Idol, The Cure, Spandeau Ballet, The Bangles Van Halen, Poison, Twisted Sister, Motley Crue, Warrant, Cinderella, Europe, Guns n' Roses, Skid Row, Metallica, Anthrax, Ratt, Pantera, Bon Jovi, Whitesnake, Quiet Riot, Iron Maiden, Ozzy Osbourne, Def Leppard, Aerosmith MTV Arguably the most important event to influence music during the 1980s was the creation of the cable network MTV (Music Television). MTV was the first network to exclusively showcase music videos, making its debut on August 1st, 1981.

The first music video to be played on the channel was, appropriately, the Buggles' "Video Killed the Radio Star," as music would forever change and the focus would shift from music and lyrics to fashion and theatrics, at least in the world of pop music. The original concept of the network was to play music videos twenty-four hours a day, every day. And, while this has obviously changed since then, the innovative concept created a whole new breed of pop star. Digital download "Happy Birthday" prints Just $3.39 New Pop Superstars Pop stars and their music changed in the 1980s with the help of MTV and a greater focus on image. A new breed of mega-stars emerged, becoming iconic mascots for the genre and defining the decade through fashion, talent and persona. Some of the superstars to emerge were Madonna, Michael Jackson, Whitney Houston and Prince. They experienced a level of fame and success not seen since Elvis Presley and the Beatles. These stars influenced fashion through their music videos, giving fans a first hand glimpse into emerging trends. Their songs set the gold standard for what pop music should be, and through constant reinvention they were able to navigate the pop culture world and keep themselves relevant.

Thirty years on, they are still the standard that today's pop stars get compared to. There are several reasons they these pop mega-stars emerged, the main one being they were genuinely talented artists. Other reasons include a greater public interest in celebrity gossip, fashion and and increased obsession with pop culture. It also was related to the public having an increased disposable income and a want to imitate celebrity affluence. Changes in technology also contributed to the availability of music (MTV), better ways to listen (CDs and cassettes), and portability of music (the Walkman and boom-boxes). Lastly, a lot of these superstars' success can be accounted for through smart marketed by record companies and the artists' ability to look at themselves as brands. Old Pop Stars and Their New Solo Careers One trend in pop music during the decade was the re-emergence of older musicians who had once been popular as a part of a group or duo into their own solo careers. Some examples include Diana Ross, Cher, Lionel Richie, Tina Turner and Paul McCartney. These artists had already experienced success during the 1960s and 1970s and a few of them had even tried becoming actors during that time.

They also came into successful solo careers after adapting to the new musical landscape. Cher, Tina Turner and Diana Ross all updated their looks to keep up with fashion, Lionel Richie made memorable music videos and adapted his soulful sound into the new style of pop music and Paul McCartney collaborated with other successful musicians to keep himself relevant. Part of the reason these artists were successful had to do with the fact that the Baby Boom generation was coming into adulthood and had an influx of disposable income to spend on the records of artists they had grown up listening to. They brought a sense of nostalgia for the good old days of music and yet their songs and styles were updated, combining the best of both worlds. One Hit Wonders The eighties was the decade of one hit wonders, where an artist would achieve massive success with one or two extremely popular songs and then seemingly fade away, never able to re-create their success. Part of this had to do with the expansion of the music industry, facilitated by MTV and technology. Record companies could now make just as much money by manufacturing one-hit artists in succession while not having to invest the time and money that would make a mediocre musician into a star with more longevity.

Trends were also changing more quickly and many artists could not keep up and adapt fast enough. As the world's society became more globalized, the pool of talent became bigger, making it easier to move onto the next new artist. The changes in technology and societal attitudes also meant that consumers' attention spans got shorter. Some of the most memorable one hit wonders from the decade include, a-ha's "Take On Me," Soft Cell's "Tainted Love," Toni Basil's "Mickey," Nena's "99 Luftballoons," and Dexy's Midnight Runners' "Come On Eileen." Hip Hop & Rap Hip Hop/Rap music originated in African American communities in New York City in the 1970s and became more mainstream and part of popular culture in the mid to late 1980s. Hip hop music originally had a difficult time breaking into the mainstream due to MTV's reluctance to show music videos of black artists. After much criticism, the network started to embrace black musicians like Michael Jackson, whose videos were amongst the most popular, paving the way for hip hop artists like Run DMC and LL Cool J to usher in the era of commercialized rap music.

As the genre gained traction on MTV, it gave the white middle class a glimpse into inner city culture and many conservative parents of the time were disapproving of the genre that had been called the "new rock n' roll." Key elements of the genre include sampling old records, rapping lyrics, fun sounds with an underlying message, beat-boxing and electronic sounds. Hip hop music sounded like nothing that had been heard before in mainstream music and the late 1980s was thought of as the Golden Age, were everything seemed original and innovative. By the end of the decade MTV started airing the program "Yo! MTV Raps" making the hip hop and rap music a global phenomenon. Important hip hop acts like Run DMC and LL Cool J made the genre commercial and were style icons, the Beastie Boys made the music "white friendly" and added elements of rock music, and Salt-n-Pepa were female pioneers of the genre. New Wave The New Wave genre began in the 1970s and was popular until the mid-1980s. The focus of this music was on artistic themes and the sound was tied to punk rock, dance music, synthesizers and other electronic instruments.

New Wave eventually became tied to pop music as music videos from the genre were heavily promoted on MTV. The term "New Wave" is meant as an all encompassing term that allows a variety of highly diverse artists to fit into the same category. Some artists had a futuristic sound while others were closer to punk rock. New Wave bands and artists had an impact on fashion with their unique clothing and hairstyles that the youth culture would adopt. Many of the decades one hit wonders fell into this genre. Some of the definitive New Wave bands were Duran Duran, Blondie, Billy Idol, the Talking Heads, and Culture Club. Hair Metal Hair Metal had its roots in the 1970s Glam Rock. Popular bands in the genre often came from the L.A. Sunset Strip music scene and the United Kingdom. Hair metal bands would pull influences from heavy metal, punk rock, and traditional rock music to develop their sound. Lyrically, songs had catchy hooks and a pop sensibility. Songs were often party anthems or power ballads and would focus on themes of being an outlaw, drugs and women.

Groups from this genre were called "Hair Bands" because members of these male-dominated bands would often have long and big-styled hair and would wear makeup and spandex clothing, creating an androgynous look. Bands in this genre fell on large spectrum from being almost pop music/soft rock to a heavier and grittier sound and nearly all of them had a flamboyant and outgoing lead singer. Hair metal bands were also associated with a hard-partying lifestyle, groupies and drug-use. Notable hair bands from the decade include Bon Jovi, Van Halen, Aerosmith, Def Leppard, Guns n' Roses, and Poison. Charity Music As many pop stars became excessive and affluent during the eighties, they wanted to show that they could be generous and have a serious purpose by taking up causes. The best way for many of them to do so was to create or contribute to charity concerts and recordings. These were bigger and better than ever during the decade and there were plenty of causes from which to choose. Musicians would organize these songs and televised concerts and contribute the profits to the cause. Others would hold the concerts solely to increase public awareness of an issue.

Bob Geldof's "Band Aid" super-group recording of "Do They Know It's Christmas?" and subsequent "Live Aid" concert were amongst the most memorable and arguably the largest of these charitable events. Both Band Aid's recording and Live Aid's July 13th, 1985 concert aimed at raising funds for victims of famine in Ethiopia. The group featured mainly British artists which would influence its American equivalent, USA for Africa, created by Michael Jackson and Lionel Richie. USA for Africa recorded the charity song "We Are the World" and their May 25th, 1986 benefit was called "Hands Across America," both aiming to raise money for victims of famine, poverty and homelessness in African countries. Another notable musical charity event during the decade was hosted by Willie Nelson, John Mellencamp and Neil Young. It was held on September 22nd in 1985 and was called Farm Aid. The concert was held to raise money for struggling farmers in the United States. There were various other charitable events formed by musicians in the 1980s and the enduring popularity and seemingly effective outcomes of these events have made them a lasting fixture in public charity.

Top Songs of the 1980s Popular songs from the Eighties Decade, arranged by year but in no particular order. Do you remember listening to these songs on the radio? 1980 Rock With You - Michael Jackson Lady - Kenny Rogers Bette Davis Eyes - Kim Carnes Tainted Love - Soft Cell In the Air Tonight - Phil Collins Physical - Olivia Newton John Down Under - Men at Work Come On Eileen - Dexy's Midnight Runners Eye of the Tiger - Survivor Ebony & Ivory - Paul McCartney and Stevie Wonder Don't You Want Me - The Human League Billie Jean - Michael Jackson Flashdance.. What a Feeling - Irene Cara 1999 - Prince Girls Just Want to Have Fun - Cyndi Lauper Wake Me Up Before You Go Go - Wham!

Relax - Frankie Goes to Hollywood Borderline - Madonna Boys of Summer - Don Henley How Will I Know - Whitney Houston 1986 Take My Breath Away - Berlin Papa Don't Preach - Madonna You Can Call Me Al - Paul Simon Never Gonna Give You Up - Rick Astley With or Without You - U2 Alone - Heart I Wanna Dance With Somebody - Whitney Houston Bad - Michael Jackson Don't Worry Be Happy - Bobby McFerrin Orinoco Flow - Enya The 50 Greatest British Bands of All-Time – jimcofer.com jimcofer.com is licensed under a Creative Commons License . The 50 Greatest British Bands of All-Time So something really awful happened recently, and to take my mind off it I decided to make a list of the 50 greatest British bands of all time. The actual list only took an hour or so to make, but it’s taken me a couple of weeks to write the necessary paragraph or two about each artist. I did my best to keep my personal tastes out of this list, insofar as that’s even possible. This isn’t a list of my favorite British bands of all time.

I’ve tried to use record sales and chart performance to justify my positions as much as I could. But, at the end of the day, my musical tastes did dictate at least a little of the list. Not many of these lists would include the Cocteau Twins over, say, Squeeze, but hey – it’s my list and I’ll do it as I please. Keep in mind that the list implicitly includes spin-off acts. If you’re wondering how I could leave Peter Gabriel and Phil Collins off the list, note that they’re included under “Genesis”. My reasoning is that if I gave Gabriel his own entry, I’d have give Collins one, too. And if I did that, I’d have to have separate entries for Joy Division and New Order, Bryan Ferry and Brian Eno, and maybe Marc Bolan. And if I did all that, my list of “50 Greatest British Bands” would become the “15 Greatest English Bands, and their 35 Spin-Off Acts”. Of course, the list also includes artists who are primarily known for being solo acts, like David Bowie.

You typically wouldn’t call Bowie a “band”, but “50 Greatest British Musical Artists of All-Time” just doesn’t have the same ring that “50 Greatest British Bands of All-Time” does. * * * 50) The Verve: They weren’t my favorite band (“No shit? Your #50 band isn’t your favorite?”), but there’s no denying that The Verve had a certain degree of magic when they weren’t busy arguing with each other. These guys were tight, but seemed to have more personnel issues than Spinal Tap. And it’s kind of ironic that their most popular song… is now a Rolling Stones song. The band worked out an agreement to sample an orchestral version of the Rolling Stones’ song “The Last Time” for their single “Bitter Sweet Symphony”. Originally, the deal called for a 50-50 profit split between The Verve and the license holder. But when the song turned into a major hit, Allen Klein sued (he’s the former Stones manager who managed to steal the rights to most of their pre-1970 catalog), saying that The Verve had sampled it “too much”. Unbelievably, a court agreed.

All profits were given to Klein, and songwriting credit was given to Mick Jagger and Keith Richards. This led Verve frontman Richard Ashcroft to quip that “Symphony” was “the best song Jagger and Richards have written in 20 years” (and it was true: “Symphony” was the highest-charting Jagger\Richards single since 1971’s “Brown Sugar”!) 49) Japan – One wonders what British pop music might have been like had Yuka Fujii never existed. She was the girlfriend of Japan’s bassist, Mick Karn. In the early 80s, she packed up her things and, without telling Karn, moved in with lead singer David Sylvian. Not surprisingly, the band broke up shortly thereafter. Japan’s catalog is inconsistent, pretentious, and slightly dated. They started as a glam rock knock-off, moved in to disco for an album, then settled into art pop. But they did create some of the most unique pop music in British pop culture history. Their “Ghosts” single hit the Top 5 in 1982, and is one of the most… unique records to ever chart that high.

And Sylvian’s solo work varies from esoteric to brilliant. 48) Bananarama – I know what you’re thinking: “Bananarama?” But hear me out on this one. Until the Spice Girls came along, Bananarama had sold more records than any girl band in history. The Go-Go’s… The Supremes… Salt-n-Pepa… Bananarama outsold them all. And the band still holds the Guinness World Record for the most chart entries by a girl group: Destiny’s Child and the Spice Girls might have sold more records overall, but Bananarama have had more hits than any girl group in history. Ever. And it’s a sad, sad soul who doesn’t perk up when “Venus” or “Cruel Summer” come on the radio. The girls are still together after 33 years too, so they’re one of the few bands on this list that are still making new music! 47) Nick Lowe: To most Americans, Lowe is “the ‘Cruel to Be Kind’ guy.” And it’s true that Lowe hasn’t sold a billion records.

But he’s a great songwriter, and has done some excellent production work, too (including The Damned’s “New Rose”, which most consider the first British punk rock single). Like Bob Dylan, Lowe is famous for other people covering his work: Elvis Costello’s “(What’s So Funny ‘Bout) Peace, Love, and Understanding” and Johnny Cash’s “The Beast in Me” were originally Lowe songs. 46) Cliff Richard – Oh sure, Cliff Richard is a bit of a joke in the music world. He’s kind of like England’s Barry Manilow or Neil Diamond, or whatever other unhip singer your parents (or grandparents, or great grandparents) listened to. But Richard is literally an icon of British music. His 1958 single “Move It” is considered by many of be the very first British rock song, and in Richard’s 53 year career he’s had 130 Top 20 singles and albums. He’s the third largest-selling singles artist in British music history and is the only artist to have a #1 song in every decade from the 1950s to the 2010s.

Like him or not, you can’t argue with fourteen #1 singles. 45) Cocteau Twins – You could argue that my personal bias is showing here. After all, the Cocteau Twins never really had much mainstream success. But they certainly changed alternative music forever. In fact, I’d argue that the Cocteau Twins were the first true dream pop band (unlike say, “crossover” bands like The Cure who often get lumped in the dream pop category for some reason). But the real reason the band made the list is because of Elizabeth Fraser’s voice. Name any post-Cocteau Twins band with a whispy-voiced female singer – The Sundays, Sixpence None the Richer, Grimes, School of Seven Bells, The Innocence Mission, The Cranberries – and I’ll show you someone who was influenced by the band. 44) Blur: Oasis might have won the Battle of Britpop, but Blur were right behind them every step of the way. They were huge in the UK from almost the moment they started.

Their first album, Leisure, “only” made it to #7, and the follow-up, Modern Life Is Rubbish, only made it to #15. But every album since (including 1995’s The Great Escape, the album that broke them worldwide) has gone to #1. Oh, and every single one of their albums has gone at least gold, with Parklife going 4x platinum in the UK. These guys were huge. 43) The Animals: This is one of those bands that other musicians just love. Sure, “The House of the Rising Sun” belongs on any “Best of the 60s” compilation, but what about songs like “It’s My Life” and “We Gotta Get Out of This Place”, which was practically the theme song of US soldiers in Vietnam (and of which Bruce Springsteen said: “That’s every song I’ve ever written… That’s ‘Born to Run,’ ‘Born in the U.S.A.,’ everything I’ve done for the past 40 years including all the new ones. That struck me so deep.

It was the first time I felt I heard something come across the radio that mirrored my home life, my childhood.”) I don’t know if I’d go quite as far as to call them the “British Doors”, but there are certainly a lot of similarities in sound between the two bands. Oh, and I have to give the band some love for hiring a pre-Police Andy Summers all the way back in 1968. 42) Manic Street Preachers: Yeah, these guys were a blip on college radio in the US for a brief period back in the 90s. But in their homeland they had eight Top 10 albums and fifteen Top 10 singles (and three #1s: the 1998 album This Is My Truth Tell Me Yours and two singles). One wonders, however, if they’d be ranked as high as they are on this list if Richey Edwards hadn’t mysteriously disappeared . 41) The Human League – Sure, they might be “Three Hit Wonders” in the United States, and many in the UK would probably prefer to forget they ever existed. But The Human League were incredibly influential in the electronic music scene.

Whereas a lot of 80s electronic bands were influenced by Kraftwerk, Neu! and other German acts, almost every single synthpop and electroclash band around today sounds like, was influenced by, pays homage to, does covers of, or owes a deep debt to The Human League. I daresay that one could even call them “The Beatles of Electronic Pop”, at least as far as their influence on modern bands is concerned. Without The Human League, acts like La Roux, Marsheaux, Foretaste, Class Actress, Ambra Red, Sound of Arrows and dozens of others would never had existed. 40) Oasis: Me? I always found the Gallagher brothers to be insufferable, especially since they basically killed the goose that laid the golden egg. The band won 15 NME Awards, 6 Brit Awards and 9 Q Awards. In fact, at the 2010 Brit Awards (What’s the Story) Morning Glory? was named the best British album over the past 30 years.

They had eight #1 singles, and had an unprecedented 22 consecutive singles reach the Top 10, the latter a Guinness World Record, one of two the band holds (the other is for spending 765 weeks in the Top 75 charts). Unfortunately, the band inspires fear and loathing amongst many, mostly for the prima donna act Noel and Liam always seemed to engage in. I’m not a huge fan, but it’s obvious they were THE British band of the 1990s. 39) The Cure: What can I say about The Cure that hasn’t been written a hundred times already? They’re not the most popular band in the world: selling 27 million albums worldwide over a 36 year career isn’t all that, especially compared to others on this list. But the band certainly has a unique style and have had a huge impact on alternative music. In fact, I’d say they’re almost up there with Depeche Mode in being “most influential alternative band ever”. Unfortunately, I’m a fan of their early, dreary albums, especially Seventeen Seconds, Faith and Pornography.

Later albums, like Disintegration and Wild Mood Swings, might be far more complex musically than their more straightforward early work, but I think the band really ran out of gas with Kiss Me Kiss Me Kiss Me. I don’t want “teddy bear Robert Smith”, I want “creepy Robert Smith”. 38) Buzzcocks: In the early days of British punk rock, far too many bands were of the “three-chord, shouty vocals” variety. But the Buzzcocks created some of the best tunes of the era, hell… the best songs of any era. “Ever Fallen in Love (With Someone You Shouldn’t’ve)” and “What Do I Get?” can stand proudly with “Stairway to Heaven”, “Hotel California” and “Dream On” as some of the best rock songs of all time. Yes, I’m serious. The band’s singles compilation album, Singles Going Steady, only ranks at #358 on Rolling Stone’s list of the 500 greatest albums of all time. In my book, it’s in the Top 50.

37) Muse: OK, so Muse is kind of the poor man’s Radiohead, and despite having huge cultural awareness, the band has “only” sold 15 million records. Still, Muse was a great “filler band” in the late 90s British music scene, and the fact that the Brits are using “Survival” as the official song of the 2012 Olympics says a lot about what they mean to the UK. 36) The Happy Mondays: To paraphrase the old joke: if you can remember The Happy Mondays, you weren’t there. The band were Ground Zero of the “Madchester” scene, and although they didn’t have the chart success of other bands, their tunes rocked enough Ecstasy-fueled raves for the band to become legendary. 35) Pet Shop Boys: I liked the Pet Shop Boys back in the early 80s, but if you’d asked me back then, I would have said they’d be around as long as Ebn-Ozn or Men Without Hats. 100 million records later, the band are the most successful duo in British music history, with 22 Top 10 hits.

The thing PSB has going for them is consistency. Their flavor of dancey pop hasn’t changed much over the years, except as technology has improved. Their latest albums are as good as their earlier ones. But the flip side of consistency is similarity. The 2009 singles “Love etc.” and Did You See Me Coming?” were as good as anything they’ve ever put out… but they also could have been recorded in 1987, too. Still, PSB are titans of Britain’s electronic music scene and deserve props for putting out great tunes for 31 years. 34) T. Rex: Marc Bolan and T. Rex only released four albums, but the number of hit singles they had were extraordinary: “Bang a Gong (Get It On)”, “Jeepster”, “20th Century Boy”, “Telegram Sam”, “Hot Love”, “Children of the Revolution”, and “Metal Guru” to name just a few. More importantly, T. Rex (along with Gary Glitter) personified the entire glam-rock movement.

Kiss, Twisted Sister, Mötley Crüe, Japan, Duran Duran, Adam Ant, Flock of Seagulls, Prince and Marilyn Manson were all heavily influenced the the band’s style, if not their music, too. 33) The Police: You know U2 are like, globally popular? How they can sell out concerts in not just English-speaking countries, but all over Europe, Asia and South America, too? Well, The Police were the first New Wave band to do that, and they did it in the early 80s. They were the darlings of 80s college radio, often called the “thinking man’s punk band”. But then Synchronicity hit, and it turned out to be one of the biggest albums of the 1980s. In fact, Synchronicity was the album that finally knocked Michael Jackson’s Thriller off the top of the Billboard charts, and the most popular song from the album, “Every Breath You Take”, was #1 in the US for 8 weeks. Sadly, Sting’s ego got the best of him, and he left Copeland and Summers holding the bag.

Had the band stayed together and released a few more awesome albums, they might have held the spot in pop culture that U2 holds today (By the way, U2 being an Irish band, are not British, which is why they’re not on this chart). 32) Coldplay: This is the most boring band in the whole world, but people seem to love them for some reason. The band has won seven Grammy Awards, four MTV Video Music Awards, and seven Brit Awards (including three for “Best British Group”). I’m putting them on this list because I feel obligated to, not because I want to. 31) Dire Straits: I’m not a fan of Dire Straits, either. But at least when I listen to them I think “hey, that dude can play the guitar!” Mark Knopfler and company started off with basic pub rock, but brought in elements of beat and jazz over time to make a unique sound. And, as mentioned, I think Knopfler is one of the most underrated guitarists ever.

The band’s most popular album, Brothers in Arms, sold 30 million copies, which is more than Pink Floyd’s The Wall or Nirvana’s Nevermind and only 2 million fewer than Sgt. Pepper’s Lonely Hearts Club Band. I’m not sure if Dire Straits has a rabid fan base, but the band deserves one. 30) The Specials: The Specials brought ska into the British mainstream, and the band had seven consecutive UK Top 10 singles from ’77 to ’81. “Too Much Too Young” and “Ghost Town” are still great tunes all these years later. At the end of the day, though, I actually prefer spin-off band Fun Boy Three. But The Specials make the list because they were the first multiracial band to become big in the UK. 29) Kate Bush: Does Kate Bush really need an introduction? We all know her and her work, but sometimes you have to put things in perspective.

In a world of Kate Nashes, Pixie Lotts, Amy Winehouses and Lilly Allens, it’s easy to forget that Kate Bush was the first female British solo artist to ever top the UK album charts, and was the first female artist (British or not) to enter the UK album charts at #1. The fact that Bush almost never tours hurts her ranking here (her 1979 “Tour of Life”, in which she played 24 shows, is the only tour she ever embarked on, and she’s only played a handful of shows since). And Bush’s music can be… dense and radio-unfriendly. Frankly, I find much of her music a challenge to listen to. Still, with the possible exception of Madonna, Bush has inspired more singers than just about any other woman on the planet. Florence Welch, Tori Amos, Alison Goldfrapp, PJ Harvey, KT Tunstall and (especially) Björk all show clear signs of Bush’s influence. And the list of other musicians who are fans – Peter Gabriel, Rufus Wainwright and John Lydon – is impressive, too.

28) Fleetwood Mac: OK, so they’re not entirely British, but Fleetwood Mac were truly gigantic back in the 1970s. When I was a kid, it seemed like every white female I knew had a copy of Rumors on 8-track or vinyl. And why not? The album was #1 on the US charts for 31 weeks and produced four US Top 10 singles. As of today, it is the eighth best-selling album of all-time. Of course, the band’s lineup has changed considerably over the years, and this affected the quality and frequency of their output. Take Tusk, for example. It’s not exactly my thing, but it’s decent enough. As a follow-up to Rumors, however, it was considered a failure, which led the band to record the more commercial Mirage, of which, I can only remember the catchy, but limp, “Hold Me”. 27) The Stone Roses: Why? Because if you take New Order out of the picture, The Stone Roses were my favorite Madchester band. I also liked that they could “rock”, but had a mellow, non-ballady, side (“I Wanna Be Adored”).

Methinks The Stone Roses were early fans of the Pixies. 26) Iron Maiden: I’m not a metal fan. But my friend Richard sure is. So in high school I heard him play a lot of Slayer, Metallica, Zepplin, Judas Priest and every other metal or hard rock act you can think of (and many you’ve probably never heard of). Of those bands, the only one I could ever really stand was Iron Maiden. As far as rock bands go, Maiden was as solid and tight as they come. Bruce Dickinson could sing, and his lyrics weren’t bad, either. But the best thing about the band was that they didn’t rely on gimmicks like make-up (like Poison) or contrived offensiveness (like W.A.S.P.). They just brought it. In fact, other than the fact that they make loud-ass noise, I can’t think of a reason to NOT like Maiden. And the fact that they were so influential – selling 85 million records with little radio play or TV support – tells me that they’re one of the most popular metal acts of all time.

25) Small Faces: Small Faces are interesting in that they had immense influence on two different genres of music: mod and psychedelic rock. They became mod icons in their early years for their blue-collar work ethic. They toured almost constantly, becoming one of the highest grossing live acts of the day in the UK. Those early days were lean ones for the band, but when singles like “Lazy Sunday” and “Itchycoo Park” hit the shelves, the band finally got the recognition they deserved. Ogdens’ Nut Gone Flake is remembered as a classic album, and rightfully so. And let’s not forget that when Small Faces broke up, three members coaxed Ronnie Wood and Rod Stewart, two more British music icons, into joining the reformed Faces. 24) Duran Duran: Duran Duran were one of the most derided bands of their day. Most “serious” music magazines proclaimed them pretty boys with little talent. But guess what? The band made some of the most solid pop hits of the 80s. “Rio”? “Hungry Like The Wolf”? “Girls on Film”? Those were great tunes!

But what really puts Duran Duran on this list actually is the chief complaint from Rolling Stone: that Duran Duran, for better or worse, changed the way pop music was sold. Sure, the band had 14 Top 10 singles in the UK. But Duran Duran became, at least for a while, the biggest band in the world thanks to their looks, music videos and album art. Although they long to be remembered for their music, many will remember the band for their packaging. Which is a shame, because John Taylor is the most underrated bass player ever! 23) Genesis: Genesis is, of course, a tale of two bands. You have the awesome, if slightly over the top, art-rock band fronted by Peter Gabriel. But then he left and the world had to deal with the hooky, yet cheesy, pop of Phil Collins. Fans of the band have long split into three camps: those who only like Gabriel-era Genesis; those who only like Collins-era Genesis; and those weirdos who like both. But let’s not forget that before the blockbuster pop of Invisible Touch, Genesis was a band who greatly influenced prog acts like Yes and King Crimson.

In fact, if you look at all the acts directly influenced by Genesis, it starts to read like a Who’s Who of prog and art rock. And of course, I feel compelled to mention the solo work of Gabriel and Collins. Gabriel created some of my favorite songs ever, like “Red Rain”, “Solsbury Hill” and “Games Without Frontiers”. I didn’t like Collins’ solo work nearly as much, but you can’t deny his talent as a songwriter. His tunes seemed to dominate pop radio in the 80s. 22) Status Quo: It’s hard to think of a band I like less than Status Quo. There’s nothing “wrong” with their music, it’s really just not my thing. But they’ve had more songs in the UK charts (over 60) than any other band in history, and 22 of them have made in into the Top 10. More importantly, the list of popular bands covering Status Quo tunes is literally like a mile long, so they’ve been pretty influential, too.

21) Depeche Mode: If you’d asked me twenty-five years ago which current band would still be around in the 2010s, Depeche Mode would have been way down the list. Sure, they put out some great pop tunes with awesome hooks… but they didn’t seem like a band with a lot of staying power. Yet here we are, twelve Top 10 albums and 100 million records later. DM are probably the most successful electronic band ever, eclipsing even New Order for the title. And the fact that so many current bands have been influenced by Depeche Mode only helps their cause. 20) The Jam: One of my all-time favorite bands, and yet another British band that was huge in their homeland, but mostly unknown in the US outside college radio and New Wave circles. What was their appeal? For one thing, they began as a typical punk band, but quickly evolved into a Northern Soul\Mod Revival act while still retaining punk’s energy. And Paul Weller was a master at painting pictures with his lyrics. “Down in the Tube Station at Midnight” and “That’s Entertainment” paint a bleak, yet poignant and beautiful picture of the English working class of the era.

But what’s more, Weller didn’t (at the time) wear his politics on his sleeve. Whereas, say, Bono and Sting also wrote songs that shared Weller’s sense of social justice, they beat you over the head with it. Weller let his songs speak for themselves. And here’s an amazing fact: every single released by The Jam – all 18 of them – hit the UK Top 40, with four of them going to #1. One of my favorite stories about the band is actually about their fans. So the story goes, Weller broke up the band in late 1982 because he’d “said all he could with the band”. Fans, hurt and angry that the band had broken up, took to wearing t-shirts that said “Paul Weller 1958-1982”, indicating that he was dead to them. That’s love for a band, folks!

19) Madness: The nutty boys from Camden Town are yet another band thought of as a “One-Hit Wonder” in the United States, but consider this: they’ve had 22 Top 20 singles in the UK, and 15 of those made it to the Top 10. The lowest any Madness album has ever charted in the UK was #17 (1999’s Wonderful). And from 1980 to 1986 (a period of 312 total weeks), there was a Madness single in the UK charts for 214 weeks. Where The Specials might have been the first big ska band in the UK, Madness made the genre a household name. 18) Black Sabbath: I think it’s fair (and quite obvious, actually) to say that Sabbath were one of the most influential hard rock acts of all time. Paranoid is a classic no matter where you’re coming from musically, and the fact that it’s 4x platinum kind of bears that out. Along with Alice Cooper, Sabbath pioneered the dramatic, occult-inspired image that so many later metal bands would use.

Would pentagrams and allusions to black masses have become so ubiquitous in the metal world without Black Sabbath? Maybe. But its genesis is obviously in Sabbath. And, of course, Sabbath made Ozzy Osbourne a star, and made Ronnie James Dio a star, too (his earlier work with Rainbow notwithstanding). 17) The Jesus and Mary Chain: Sure, these guys had a bit of popularity with the 80s alternative crowd. But how do they manage to get all the way to #17 on this list with just two Top 10 singles and one Top 10 album in the UK? Have you listened to indie radio lately? I swear, every single band coming out of Brooklyn and LA these days sounds like “a mixture of The Jesus and Mary Chain and [some other band]”, or “The Jesus and Mary Chain, only with [something different, like a female singer, or heavy keyboard effects]”. Which is fitting in a way. Like The Ramones, Jim and William Reid loved 60s girl bands. But when they tried to emulate The Shangri-Las, they ended up just sounding like a Scottish version of The Ramones.

So they started playing with noise and feedback and created something new… just like how Asobi Seksu mixed the Cocteau Twins and The Jesus and Mary Chain to get their sound. And The Radio Dept., Bowery Electric, M83, Over the Atlantic, A Place to Bury Strangers, Sleigh Bells, Beach House, Ringo Deathstarr, The Raveonettes… and 3,000 other current bands have done. The mainstream might not have listened to The Jesus and Mary Chain then, but the bands who make music now sure did. 16) Radiohead: Radiohead’s first single, “Creep”, was first released in the UK in 1992 and only made it to #78 in the charts, selling a paltry 6,000 copies. But the music industry can be a funny thing sometimes. An Israeli radio DJ named Yoav Kutner fell in love with the song and put it into heavy rotation on his show. The song became a hit in Israel, and the band booked several gigs there to capitalize on the success.

And then the same thing happened in Spain, then New Zealand, then Scandinavia, and in San Francisco, where a DJ at KITS fell in love with the song, too. What had been a chart disaster slowly became a worldwide hit. And thus, the Radiohead phenomenon was born. Oddly, I’m not a huge fan of the group, which is weird, because you’d think it’d be right up my alley. But I do love how the band is not afraid to play with their sound – could any other modern band have gotten away with Kid A? The band is also not afraid to take on the music industry (their infamous “pay what you want” strategy for In Rainbows). The band are one of the most innovative in pop music today. 15) Elvis Costello: If punk rock had a crooner, it was Elvis Costello.

Sure, the music he makes today might be “just a little more exciting than John Tesh”, but let’s not forget how awesome his early catalog was: “Alison”, “(The Angels Wanna Wear My) Red Shoes”, “Watching the Detectives”, “(I Don’t Want to Go To) Chelsea”, “Pump It Up”, “Radio Radio”, “Oliver’s Army” and “I Can’t Stand Up for Falling Down” are just a few of his early hits. Costello is perhaps the best songwriter alive today. He is thoughtful and intelligent and is a student of music. If you’ve ever read any of his music articles in Vanity Fair you know the man knows his music, and is keen to let the world know about other acts he likes. Aside from, I dunno… EYEBALLING YOUR THEN-GIRLFRIEND FOR AN ENTIRE CONCERT, Costello seems like a great guy all around. He might not have sold as many records as others on this list, nor has he had a huge influence on subsequent artists, but he’s a treasure all the same.

14) Joy Division: I remember the first time I really heard Joy Division: I’d asked for (and received) the Unknown Pleasures CD for Christmas. After the holiday festivities died down, I went to my room and put my headphones on and had a listen. I’d “heard” songs like “She’s Lost Control” and “Love Will Tear Us Apart” before, obviously, but this was the first time that I really gave the band my full attention. And as soon as “Disorder” started I was hooked. For some reason, that song has always reminded me of a factory where all the giant industrial machines were started one by one and just happened to make a great tune together… and then Ian Curtis’ haunting voice came over the top of it all. Joy Division weren’t hugely popular, at least not in the strictly commercial sense. But they kicked off the entire post-punk movement and (for better or worse) became the father of all gothic rock bands. And that’s just Joy Division.

Minus Curtis, the band continued as New Order, making some of the most popular electronic music of all time (it’s amazing that, despite all the huge club hits since the 80s, “Blue Monday” is still the most popular 12″ single of all time). Joy Division and New Order left huge marks on the history of British music. 13) Pink Floyd – This legendary band wasn’t as big as Lepplin, and their influence on future musicians was perhaps the most subtle of any of this list. Sure, there are a lot of bands that might have copied Floyd’s sound, but I’m thinking their influence wasn’t as obvious as most. For example, the opening riff of Animals inspired a young David Evans to go out and buy his first delay pedal (you probably know him better as “The Edge”). The Pet Shop Boys and Nine Inch Nails have called Floyd an inspiration, two bands for whom the Floyd influence is not immediately obvious.

And the thing is, I don’t know that the Barrett or Waters-led band ever released a bad album: The Piper at the Gates of Dawn, A Saucerful of Secrets, Ummagumma, Atom Heart Mother, Meddle, Obscured by Clouds, The Dark Side of the Moon, Wish You Were Here, Animals, The Wall and The Final Cut are all, without question, rock classics, with not a clunker among them. Of course, Dark Side of the Moon was in the US charts from 1973 to 1988, a run of 741 weeks that has never been equaled, nor likely to be repeated. And film adaptation of The Wall was a cultural phenomenon of its own, providing endless entertainment to stoned teenagers everywhere. 12) The Smiths: There was a point in time in the 1980s where British music fans were on the verge of the ultimate heresy: naming The Smiths, and not The Beatles, as the best British band of all time. I don’t know if I would go quite that far, but the fact is that The Smiths just might be the biggest cult band of all time.

It’s hard to believe it now, but the band only had one single that cracked the Top 10 (“This Charming Man” hit #8 as a re-issue in 1992, long after they’d broken up). And while each of their four studio albums charted at either #1 (Meat is Murder) or #2 (The Smiths, The Queen is Dead and Strangeways, Here We Come) in the UK, their success outside the UK was limited. No Smiths album charted higher than #55 in the US, #28 in Australia, #27 in Canada, #33 in Germany, or #13 in the Netherlands. Still, Johnny Marr’s guitar work was widely imitated, Morrissey’s controversial views kept him in the music press, and the band’s popularity seemed to grow and grow and grow, albeit slowly. To state that the band was influential is stating the obvious: The Smiths begat the entire Britpop movement, and bands like Blur, The Stone Roses, Oasis, and The Libertines owe much of their ethos to The Smiths. And emo, or the act of wearing teenage depression on your sleeve, is all Morrissey.

11) Roxy Music: If you’re a fan of New Wave, you probably know that most New Wave bands were influenced by two music acts. Roxy Music was one of them. The band, although not unknown in the US, was huge in the UK and Australia. They released eight studio albums, and the lowest any of them charted in the UK was #10 (Roxy Music). With the exception of 1979’s Manifesto (which “only” hit #7), their remaining 6 discs all charted into the top 5. And while rock music had been loosely associated with art and fashion since the 1960s, it was Roxy Music who consciously tried to bring them together into one coherent package. Roxy’s influence on bands like Duran Duran, Spandau Ballet, Japan, ABC, and Ultravox was legion. And let’s also not forget that Bryan Ferry and Brian Eno were once in the same band at the same time! If you include Ferry’s solo singing career with Eno’s pioneering ambient work and massive production credits, the band is even bigger than you might think. 10) The Who: I’ve always felt a bit sorry for The Who.

They were incredibly popular and had a huge influence on a lot of early punk bands, especially The Jam. They were a big influence on Mod culture, have had 18 Top 20 singles in the UK and put on some of the most famous concerts in rock history. But they always seemed to be a second-tier band compared to The Beatles or The Stones. In my mind, The Who is Wake Forest compared to The Beatles (UNC) and The Rolling Stones (Duke). Maybe I just have a cultural blind spot for The Who… but it just seemed like, growing up, they were everyone’s fifth or sixth favorite band, never anyone’s favorite band. 9) Elton John: People under the age of 35 have probably always thought of Elton John as a bitchy old gay man who used to be popular. And I can’t say that I blame them. John has been coasting since at least 1985, popping up now and then on Disney soundtracks, at some charity event or a “Feed the Sun City Ferry Disaster AIDS Victims” single. If that’s you, you can’t possibly imagine how big Elton John was in the late 1960s and early 1970s.

He’s sold over 250 million records, has had 56 Top 40 singles, had seven consecutive #1 albums in the US charts, and has won almost every music award you can think of. More important, I think, is that Elton John was perhaps the last “universal” pop star. When I was a kid in the 70s, Elton John’s music was everywhere. Teens liked him. Grandmothers liked him. Little kids liked him. Rock stations played his edgier tunes while AOR stations played his ballads. There was a good chance you could find an Elton John song on the radio at any given moment, and you’d hear Muzak versions of his songs at the doctor’s office or grocery store. Even black folks (as a rule, not John’s core audience) could name five or more of his songs, and they could probably sing along, too. The guy was huge. 8) The Kinks: Sure, musicians love them, but The Kinks just might be the most under-appreciated band of all time.

Everyone knows their 1964 hit “You Really Got Me”, a tune which had a huge influence on later metal and punk bands as it was the first to use what would become the rock staple of “power chords”. But what The Kinks really have going for them is their longevity. Few bands existed from 1964 to 1996, and it’s only a tiny few that cranked out hit after hit like The Kinks did. And it wasn’t just the power chords that brought the fans, either. Ray Davies might be one of the best, most eloquent songwriters in English music… like, ever. Although The Kinks had pretty good success in the charts – seventeen Top 20 singles and five Top 10 albums in the UK and five Top 10 singles and nine Top 40 albums in the US – their lasting contribution to music has been their great influence on later generations. 7) Sex Pistols: The Pistols weren’t the first punk band. They weren’t even the best punk band. They were only together for two years, and released just one album. But no single band, not even The Beatles, changed the course of music history more than the Sex Pistols.

English pop music of the early 1970s was a dreary world of disco and progressive rock, the latter of which was described by Duran Duran keyboardist Nick Rhodes as “men with beards singing songs about gnomes in obscure time signatures”. Acts like David Bowie and Roxy Music led jet-setting lifestyles that the average English teen couldn’t dream of. And bands like Pink Floyd lived in secluded estates that gave Buckingham Palace a run for the money. It was bad enough that England’s teenagers faced alienation from the workplace and society at large… but it was flat-out tragic that they couldn’t even relate to their own music. And suddenly, out of nowhere, the Sex Pistols showed up and begged the youth of the UK to “wake the fuck up”. And wake up they did. Where Pink Floyd’s music required an army of engineers and lots of expensive equipment, the Sex Pistols required only drums, bass, a guitar and a singer. Just as The Ramones convinced thousands of American kids to start their own bands, the Pistols did the same for the UK. And although the band crashed and burned way too soon, in their place came thousands of bands, all doing their own (beautiful) thing.

6) Queen: You can’t think of 1970s music without thinking of Queen. The band were gigantic in their day. They’ve sold 300 million records worldwide, had eighteen #1 singles and eighteen #1 albums, currently hold the UK record for the top-selling album of all-time, Queen’s Greatest Hits, and have spent a grand total of 1,322 weeks in the UK charts, another record. They’re also the only band in which each member wrote a #1 single (sorry, Ringo). We Will Rock You, a musical based on Queen, opened in London in 2002, and is the longest-running musical in West End history, eclipsing even Mamma Mia and Grease. There are more websites hosting Queen bootlegs – in 2001, 12,225 such sites – than any other band. In fact, the popularity of their bootlegs led to Queen’s huge popularity in countries where Western music is banned or frowned upon, like Iran or the old Soviet Union. A list of musicians who have named Queen as an influence would take up all 50GB of my allotted space on this server.

In numerous British polls, “Bohemian Rhapsody” has been named the “best single in history”, and you’ve gotta love it for it’s sheer cheesiness and the balls it took to release it as a single in the first place. And let’s not forget that Queen’s performance at Live Aid in 1985 was probably the greatest televised rock performance ever. 5) David Bowie: If Roxy Music formed one pillar of New Wave, then David Bowie surely formed the other. After starting his chart career with what amounts to a novelty single (“Space Oddity”), Bowie transformed himself into alter-ego Ziggy Stardust and became the biggest cult phenomenon in the world. Bowie’s sound was constantly evolving in the 70s, as evidenced by Young Americans and then Low, “Heroes”, and Lodger. His sound changed again with Scary Monsters (and Super Creeps), which included the smash hit “Ashes to Ashes”, a callback to “Space Oddity”. Although Bowie had millions of fans by that point, he’d never really had much in the way of mainstream success. Sure, teenagers and hipsters knew who Bowie was, but few parents did. Enter Let’s Dance, Bowie’s most popular album to date.

Thanks to the catchy, Nile Rodgers-produced tunes and the heavy rotation of his videos on MTV, Bowie finally became a household name. But since then… ehhhh. Tonight and Never Let Me Down were flat-out embarrassments to his catalog, and Tin Machine (and all subsequent solo releases) just scream “LOOK AT ME! I’M STILL RELEVANT!” desperation to me. Still, Bowie’s mountain of quality earlier work, his willingness to try anything, and an acting career that’s only enhanced, not detracted from, his music cements his place as a music icon for the ages. One thing you can say about Bowie is that there’s only one of him! 4) The Rolling Stones: In their early days, The Beatles were cute guys, with their charming accents, mop-top haircuts and matching suits. It was almost as if mothers would have been proud to have their daughters bring home John, Paul, George or Ringo. But no parent anywhere wanted his daughter to bring home Mick Jagger, Keith Richards or Brian Jones. They were the anti-Beatles. While the Fab Four were singing safe, cheery songs like “Can’t Buy Me Love”, the Stones played dirty, sexy rock and roll heavily inspired by American R&B.

The Beatles were “safe”; the Stones were “dangerous”. Girls liked The Beatles; dudes liked the Stones. And, until the late 80s, the Stones cranked out hit after hit after hit after hit. I’m not even that much of a Stones fan, but looking at their singles discography , I know half of them by heart. Although they only rank #14 on the list of all-time best-selling artists in the US, their impact is far greater than that. Every “bad boy” rock act since comes from Jagger and Richards, two of the most heralded songwriters of the rock era. 3) Led Zepplin: Zepplin were one of the biggest acts in music history anywhere. They’ve sold more records than any musical act in the US save for The Beatles, Elvis Presley and Garth Brooks (gross). I think part of this is because Zepplin offers something for everyone: drunk rednecks love their balls-out rock and roll; more intellectual types can try to decipher Robert Plant’s opaque, yet seemingly meaningful, lyrics; and musicians can appreciate the pure talent that Jimmy Page, John Paul Jones and John Bonham brought to the table.

And Zepplin hated singles, so refused to release them, ushering in the era of album rock. To say that Zepplin “influenced a lot of bands” would be the understatement of the century. More than that, I think Jimmy Page should be given a lifetime achievement award by the guitar industry; there’s no telling how many millions of white dudes heard Zepplin and rushed out to buy an electric guitar because of Page’s work. 2) The Beatles: Oh no! The Beatles aren’t number one? Put your torches and pitchforks down, people. Yes, The Beatles are probably the most popular band in history, ever. Yes, they inspired at least six million bands. Yes, there’s a Beatles song being played on the radio every second of every day. But I’m just done with The Beatles. Their early work – the “Love Me Dos” and ” I Want To Hold Your Hands” – were solid bubblegum pop of their day, but they’re all but unlistenable to me now, cheesier than a cave in Leicestershire. Of course, that all started to change on Revolver, and yes, Sgt.

Pepper’s Lonely Hearts Club Band, The Beatles and Abbey Road are all classics. But if a band ever suffered from overexposure, it was these guys. Held up as some kind of Rock Gods, the band’s material has been packaged and repackaged so many times, it’s almost nauseating. What’s worse is a certain type of Beatles fan, usually found on the Internet, who refuses to believe that any band could ever be anywhere near as good as the Beatles. Mention The Smiths or Oasis, and they’ll either argue with you until they’re blue in the face or they’ll stick their fingers in their ears and say they can’t hear you. None of this is band’s fault, of course. And Beatles fans are right when they say that no band will ever have the per capita fanbase that the Beatles did. But that doesn’t mean I have to like it. 1) The Clash: They were called “the only band that matters”, and with good reason. Where the Sex Pistols epitomized punk rock’s “angry, three-chord” side, The Clash represented the musically adventurous, thoughtful side.

Had Joe Strummer been born a couple of decades earlier, he might have gone down as England’s answer to Woody Guthrie. But he wasn’t, and while The Clash started off as your standard rock band, they quickly branched out into ska, reggae, funk, dub and rockabilly… all backed up with Strummer’s incredible (if annoyingly leftist at times) message. And the band put their money where the mouth was… literally. They wanted their third album, the great London Calling, to be released as a double album, but sold for the price of a single album. Their label, CBS, flat-out refused, and told them they’d either sell the disc at the double album price or cut the existing album down to a single disc. The band refused this, and the two sides negotiated for several days. Eventually CBS agreed to release London Calling as a double album at the single album price if the band agreed to eat the cost out of their share of the profits. The band agreed, and one of the most important albums in music history came to be. But the best example of The Clash’s mindset comes from a music festival the band played in 1977.

The audience was drunk and rowdy, and a chain-link fence had been put up to protect the musicians from the hundreds of beer bottles that had been thrown at the stage. During the set, Strummer jumped off the stage and tried to pull the fence down. That he was more offended by the fence keeping the fans away than he was afraid of taking a bottle to the head says everything you need to know about The Clash. Share this: The 11 Best UK Girl Groups Of The Past 25 Years: From Spice Girls To Sugababes | Idolator The 11 Best UK Girl Groups Of The Past 25 Years: From Spice Girls To Sugababes Sam Lansky | October 17, 2012 - 5:30 am Share < br />this article: British boy bands are on the rise, with groups like One Direction and The Wanted making a monster impact on the US charts, but what about the ladies?

Just as our neighbors across the pond have produced an inordinate share of the best boy band pop of the last few decades , so have they contributed some absolutely showstopping girl groups, from the iconically well-known ( Spice Girls ) to the relatively obscure — on these shores, at least (Atomic Kitten, anyone?). With Brits carving out a bigger space than ever in the US charts, we’re taking a look back at the finest girl groups that the UK has had to offer from the last 25 years, and the hits that make them still compulsively listenable. 11. Mis-Teeq: An urban girl group whose smartly produced R&B made them a chart sensation in the UK, Mis-Teeq had a minor US hit in 2004 with “Scandalous” (featured, memorably, in the critically reviled box office bomb Catwoman) before their label went bankrupt. But with seven consecutive Top 10 hits in the their home country and production from Stargate — who went on to create Rihanna ’s signature sound with songs like “What’s My Name?” — Mis-Teeq’s garage-inflected chart pop is remembered fondly. 10.

B*Witched: Best remembered in the US as a bubblegum pop novelty act for their 1998 hit “C’est La Vie,” the Irish (not British, but they were a hit there!) girl group B*Witched only released two albums, which spawned four consecutive UK #1 singles. But, the members enjoyed unexpected career longevity in a handful of other ways: singer Edele Lynch wrote songs for Girls Aloud and Sugababes , and later re-teamed up with her sister Keavy to create the dance duo Barbarellas, who released an album in 2011. 9. Atomic Kitten: With a string of UK #1 hits, teen pop trio Atomic Kitten’s US impact was minimal. But when they were good, they were really good. Formed around the millennium in the midst of the post-Spice Girls girl group renaissance, Atomic Kitten went through a handful of line-up changes.

However, their output remained consistent: their cover of Blondie ’s “The Tide Is High” went to #1 (and just missed the Top 40 in the US), as did the skittering mid-tempo single “Whole Again,” which is one of the sweetest, loveliest pop offerings from the early ’00s. 8. Eternal: The girl group who were largely considered the UK’s answer to the US R&B phenomena En Vogue and TLC , Eternal’s four studio albums earned them a string of radio smashes in their native UK, as well as the US Top 20 hit “Stay” back in 1993. Their smooth, sultry stylings made such an impression that Monica — then one of the hottest stars in the States — covered their single “Angel Of Mine” for her album The Boy Is Mine. 7. The Saturdays: Upon their debut in 2008, The Saturdays were initially perceived as an off-brand iteration of the UK’s reigning queens Girls Aloud, since — like Aloud — The Saturdays were a five-piece girl group who sang chic, club-ready dance-pop.

But over the last half-decade, they’ve carved out a real niche as the originators of consistently high-quality radio pop that wasn’t quite as cluttered as Girl Aloud’s overstuffed style. Occasionally — like with their debut single “If This Is Love” — they’re even brilliant. A US launch reportedly in the works, meaning The Saturdays may be the newest girl group to storm American shores. 6. All Saints: The hipper, sulkier counterpart to the Spice Girls’ hyperactive euphoria, All Saints had a big late-’90s hit in the US with “Never Ever.” Alas, they were relegated to stateside one-hit-wonder status after their successive UK smashes failed to perform, even as their music got better and better. That said, the quartet’s 2006 LP Studio 1 is one of the sharpest, grimiest pop records of the last decade, and that spoken-word intro to “Never Ever” — which went to #1 in the UK and earned them a Brit Award — remains one of the best moments of ’90s girl group mania. 5.

Bananarama: The girl group that dominated the ’80s and early ’90s with their ebullient dance-pop, Bananarama paved the way for acts like the Spice Girls to take the reins years later. Their songs like the much-covered global hit “Venus,” the iconic “Cruel Summer” and the US Top 10 hit “I Heard a Rumour” made them a household name. And although they’ve undergone line-up changes (and have since gone from trio to duo), they’re still on their grind: their 2009 album Viva was a mix of covers and original material, turning out the dance single “Love Comes,” and Bananarama just wrapped their first US tour in decades. 3 – 4.

Sugababes/Mutya Keisha Siobhan: Originally created in 1998 as the brainchild of three teenage girls — Siobhan Donaghy , Mutya Buena and Keisha Buchanan — the Sugababes made an instant splash with their innovative hit “Overload.” Over the following decade, they went through so many Destiny’s Child -esque line-up changes that by 2010, the group no longer featured any of its original members (each having been replaced, over time, by Heidi Range, Amelle Berrabah and Jade Ewen, respectively). Sugababes were at their best in their second iteration (after Donaghy left and was replaced by Range), but the original girls have reunited under the name Mutya Keisha Siobhan (with tracks courtesy of Emeli Sande , no less). Both groups — the original ‘babes and their 2.0 version — deserve a space on this list for their sleek R&B-pop and effortlessly cool attitude. Sugababes 1.0/Mutya Keisha Siobhan: Sugababes 2.0 2.

Girls Aloud: Founded on the inauspiciously titled Pop Stars: The Rivals TV show back in 2002, Girls Aloud became the most cutting-edge girl group in British history as a result of their risk-taking, inventiveness and close collaboration with the critically acclaimed production troupe Xenomania. (They’re also the Most Successful Reality TV Group in history, according to the Guinness World Records.) The quintet reunited this year for an upcoming greatest hits collection (the lead single from that compilation, “Something New,” dropped this week). The Cheryl Cole -featuring band’s impact can be heard in the current dance sound that dominates the charts on both sides of the pond, which Girls Aloud were doing even when R&B dominated the airwaves. Their sweet, retro single “The Promise” topped the UK chart and earned them their first Brit Award in 2009 for Best British Single. While they’ve never cracked the US, Girls Aloud also never bothered trying. Why would they? They’re a quintessentially British treasure. 1.

Spice Girls: The Spice Girls are the best-selling girl group of all time, and the most successful British band since The Beatles — and their music remains some of the most searingly brilliant pop ever created. Like, ever. The global smash “Wannabe” remains their best-known hit (it did, after all, go to #1 in 30 countries), though it’s the group’s legacy that lives on, both via the Girl Power movement that’s cemented in the cultural consciousness, and the fact that they ushered in the teen-pop tsunami that dominated the late ’90s and early millennium. Spice Girls’ most memorable smashes like “Say You’ll Be There,” “2 Become 1″ and “Spice Up Your Life” are the stuff of pop legend. In the space of only three albums, they managed to inarguably redefine what pop meant to the world. Do you agree with the rankings our list of the Top 11 UK girl groups, or did we leave off your favorite? Let us know below, or by hitting us up on Facebook and Twitter !

Question: Which British pop group had a hit with 'Brontosaurus'?
Answer: 'THE MOVE'