The Mixtures’s Biography — Free listening, videos, concerts, stats and photos at Last.fm There are at least two bands named the mixtures. 1)The Mixtures were a rock band formed in Melbourne, Australia in 1965. Australian musicians Terry Dean and Rod De Clerk met in Tasmania in 1965. They then met Laurie Arthur, a member of The Strangers, and the three decided to form a band together after a jam session. They quickly signed to EMI that same year and released three singles. They went through several line-up changes over the following few years, then signed to CBS Records in 1969. A few further singles followed before transferring to Fable Records in 1970. As a result of the 1970 radio ban, during which many Australian radio stations refused to play Australian and British music released by major labels, the Mixtures recorded a cover of Mungo Jerry's "In the Summertime" and received much more airplay than had initially been expected for a group on a small record label. The single went to #1 in Australia for six weeks.

They followed up with "The Pushbike Song" (produced by David Mackay), which went to #1 in Australia for two weeks, hit #2 in the UK Singles Chart, and went to #44 on the Billboard Hot 100 in the U.S. after being released on Sire Records. The next single, "Henry Ford", peaked at #43 in Australia. Further line-up changes ensued before "Captain Zero" went to #5 in Australia in 1971, their last big hit. The group underwent some more line-up changes including Brenton Fosdike (Guitar, vocals), John Petcovich (Drums, Vocals) and the last member to join was Keyboard Player Rob Scott. In 1978 the band travelled to Perth to do some recording and put together a new show. During this time Bass Player Chris Spooner tragically died from a fishing accident at Trigg Beach. The band only carried on for a further three months as a four piece before breaking up in early 1979. .

-wikipedia 2)The Mixtures (50s-60s R&B from Oxnard, CA) The Mixtures were a racially mixed r&b band of the '60s from Ventura County, California, sixty miles north of Los Angeles. However, they are considered part of the Eastside Sound because they were managed by Eddie Davis, who was involved with many East Los Angeles bands, and played many of the Eastside venues, such as Rainbow Gardens in Pomona and El Monte Legion Stadium. The Mixtures recorded one album and seven singles and were the house band at both Rainbow Gardens and on a popular Los Angeles television show. To devotees of the Eastside Sound, they are best known for two of their recordings, "Olive Oyl" and "Stompin' At the Rainbow." These tracks and others have been featured on various Eastside Sound CD and vinyl album compilations. The seeds of The Mixtures were planted at Oxnard High School in 1957. The Playboys, who would evolve into the Mixtures, were started by Steve Mendoza, Del Franklin, and Jess Porras.

Steve, Del, and Jess were all in the high school band, Steve on trumpet and Del and Jess on tenor sax. They would get together after school and jam off campus, sometimes with an upright bass player. Steve would also play piano at the jams. Eventually, they were invited to play at an assembly at their high school. For their first gig, Steve played piano, Jess, alto sax, Del, tenor sax, Johnny Trueblood, drums, and a bass player. One of the songs they played that day was a jazzed up version of "The Bunny Hop." It went over very well with the student body. Encouraged by the experience, they kept rehearsing. Jess Porras came from a musical family. His uncles on his mother's side of the family were professional musicians. Jess' mom and uncles grew up in Garden City, Kansas. They were part of a Mexican migration to work in the fields. Jess' dad played guitar and sang, but never went professional. He taught Jess some guitar and some classic Mexican songs. Jess played violin from age nine to twelve, before switching to sax. Jess would also sit in with his uncles' bands on percussion and got the bug to be in a band.

Getting back to the Playboys, their next opportunity was to play at their high school prom. By this time, they had added Dick Halstead on guitar and Autry Joe Johnson on baritone sax, augmenting the alto and tenor saxes which gave them a fat sound. The Playboys began playing local gigs and were off and running. Meanwhile Dan Pollock had a band at Hueneme High School called the Hysterics. The other band members were Doug Phillips, Dave Nuñez, and later Dick Burns. When Dan left the band to join the Playboys, the Hysterics went on to have a hit record as the Dartells called "Hot Pastrami." Dan, who's true leanings were toward r&b music, really admired the Playboys and wanted to become a member. Eventually, he was able to do so by trading his 1956 Fender Telecaster for a Fender Precision Bass and joining as their bass player. He'd never played the bass before, but at the time Fender basses were a rarity so it got him into the band. Dan also knew their guitarist, Dick Halstead, was a Navy brat and that his dad would eventually be transferred away.

When that did happen, Dan moved into the guitar slot in the band, Leroy "Zag" Soto took over on bass, and Eddie DeRobles came in on drums. In 1960, The Playboys changed their name to the Mixtures. The name came from the obvious fact that the band was a mixture of races made up of two Chicanos, a Puerto Rican-American, an African-American, a half black-half Chicano, and Dan, an r&b loving white kid. Leroy "Zag" Soto was born in Hawaii, where many Puerto Ricans went at the turn of the century to work on the plantations. Zag's grandparents were part of that migration. Zag's grandfather gave him his nickname, which he made up because he didn't like the name Leroy. Zag's father joined the military and the family moved to Maryland. While back east in the late 50s, Zag saw Little Richard with the Upsetters, Ike & Tina Turner, and other r&b greats. He started to play r&b music while still in high school.

The drummer in his band for at least a year was one Bernard Purdie, who went on to become one of the world's great drummers. Zag's father was transferred to Port Hueneme in the Oxnard area. It was there that he would see the Mixtures play. It was his kind of music they were playing. He first joined the Mixtures as a drummer, before moving over to bass. The Mixtures felt they needed more vocal help so Del Franklin brought in a black singer from the projects named Phillip Tucker. The ladies loved him because he had blue-green eyes and was well built. Phil brought in another singer, who was also African-American, by the name of Willis Junior Harvey. Phil and Harv would be featured singers with the Mixtures for a couple of years. However, Phil and Harv would often get into trouble with the law and would sometimes miss gigs because they were in jail. Ironically, Harv is now a probation officer in Oxnard.

The members of the Mixtures at this time were Del Franklin (sax and vocals), Leroy "Zag" Soto (bass), Dan Pollock (guitar), Jess Porras (sax), Eddie DeRobles (drums), Johnny Wells (congas), and Steve Mendoza (piano). Phil and Harv were their featured vocalists. The Mixtures were introduced to Eddie Davis by Ventura disc jockey Dick Moreland, who would go on to become a big time DJ at KRLA in Los Angeles. Eddie loved the band and became their promoter and producer. Davis took the Mixtures into the studio and began booking the band at high school dances, ballrooms, and quincenieras. On one memorable high school assembly gig, the Mixtures backed up Lou Rawls, who was still scufflin' around at the time. The first record the Mixtures did was as a backup band for a female singer named Cookie Comp. The song was "I Won't Cry," a song written by Cookie. The "B" side was an instrumental version of "I Won't Cry," the same track with a sax in place of the lead vocal.

It was released on one of Eddie Davis' record labels, First President Records. The next Mixtures record was "Darling (Please Bring Your Love)." However, the Mixtures' lead singers, Phil and Harv, were the only band members on the record. Because the Mixtures didn't have studio experience, Eddie brought in some experienced studio musicians for this session. Two of them were Bobby Gross (of the Olympics) on drums and Gaynell Hodge (a doo wop veteran who had played with the Penguins of "Earth Angel" fame) on piano. The record was released on Eddie Davis' Rampart Records on March 10, 1961 and, according to Dan, sold 200,000 copies. The "B" side of the record was "Friendship," which was a song from the '30s given a rocked up treatment. "Darling (Please Bring Your Love)" was later recorded by The Salas Brothers on Eddie Davis' Faro label and sold well again.

(The Salas Brothers went on to form the legendary Chicano band Tierra in the early 70s.) The success of the Mixtures record led to better gigs, such as the aforementioned Rainbow Gardens, El Monte Legion Stadium, the Cinnamon Cinder in Studio City, and the popular Santa Monica amusement park, Pacific Ocean Park. Another venue they often played was Pop Leuder's Park in Compton, where they were often on the bill with the Beach Boys. At the time Compton had a large white population. The Beach Boys also played at Rainbow Gardens with the Mixtures, but didn't go over a well there because it was a Chicano rock & roll venue at the time. Surf music wasn't the thing there. The Mixtures repertoire consisted of r&b and doo wop covers with some originals mixed in. Some of the artists they covered were James Brown, Little Richard, King Curtis, Bobby Blue Bland, and Joey Dee & the Starlighters. In 1961, the Mixtures became the house band on Friday nights at Rainbow Gardens in Pomona. Rainbow Gardens had been a venue for major big bands of the 40s such as Harry James, Les Brown, and Count Basie.

It later became a hot spot for top Latin big bands including Beto Villa, Rene Touzet, Tito Puente, Tin Tan, and Perez Prado. By the early 60s it became a rock & roll venue. The Mixtures would pack 'em in at the Rainbow, which held up to 800 people. Soon many East L.A. bands started to play at Rainbow Gardens. My teenage East L.A. band, Mark & the Escorts played there several times in 1964 on their Sunday afternoon (tardeada) shows, which would run from around 4 pm to 10 pm. We were on the bill with bands such as the Romancers, the Desires, and the Jaguars with the Salas Brothers. The Mixtures got the idea for their song and record "Rainbow Stomp" from the experience that when there was any small lull between songs at Rainbow Gardens, the dancers would stomp their feet showing their impatience for the next song. The Mixtures also were the house band on a television show called "Parade of Hits" on KCOP- Los Angeles.

On the show they would back up the hit artists of the day, including Roy Orbison, Bobby Rydell, Frankie Avalon, Gene McDaniels, Bobby Day, Paul Anka, Freddy Cannon, the Letterman, April and Nino Tempo, and Ketty Lester of "Love Letters" fame. With all this success, the Mixtures still couldn't get into certain venues because of their racial mixture. Bigotry was alive and well in Los Angeles in the early 60s. Sometimes after the taping of the television show, the Mixtures would go to see Pat & Lolly Vegas play down on the Sunset Strip in Hollywood. Still in their television make up, they would dig the music Pat & Lolly were putting out and marvel at Lolly's guitar playing. Pat & Lolly had to change their names from Vasquez to Vegas to open doors for their own careers in Hollywood. On February 12, 1962 the Mixtures recorded a "live" album called "Stompin' At the Rainbow." It included covers such as "Peter Gunn," "Peppermint Twist," "So Fine," "Besame Mucho," and "St. James Infirmary," along with some originals.

Most of the album was in fact recorded "live" at Rainbow Gardens, however, "Rainbow Stomp (Pt. 1)," "Rainbow Stomp (Pt. 2)," and "Turkey Time," were studio recordings added in. (Larry Tamblyn, later to be a member of the Standells of "Dirty Water" fame, played guitar on "Turkey Time," with Dan Pollock on banjo.) On the studio cuts, band friends and relatives, along with people literally brought in off the street, yelled and screamed into a microphone. This track was mixed into the recordings to make them sound "live." This technique was later used on other Eastside Sound records such as "Farmer John" by The Premiers, "La La La La La" by The Blendells, and on my band, Mark & the Escorts' single "Get Your Baby." The "live" tracks on the "Stompin' At the Rainbow" album were recorded by Wally Heider, who would go on to become the pre-eminent "live" recording engineer of the era.

(Crosby, Stills and Nash recorded their first classic album at Wally Heider's studio in 1969.) One track on "Stompin' At the Rainbow" features a lead vocal by Chick Carlton, who was not a member of the Mixtures. Chick often wrote songs for many of Eddie Davis' label artists, sometimes playing on sessions and performing "live" with them. Carlton also recorded for Davis' Faro label with Chick Carlton and the Majestics. The Chick Carlton vocal on the Mixtures' album was a medley of Little Richard's "Jenny Jenny," "Lucille," "Good Golly Miss Molly," "The Girl Can't Help It," and Don & Dewey's "Justine." The Mixtures often backed up other artists in their "live" performances such as Bobby Hart (later of the hit songwriting team of Boyce and Hart) and Chris Montez of "Let's Dance" fame. "Stompin' At the Rainbow" by the Mixtures was released on March 19, 1962 on Eddie Davis' Linda Records.

Perhaps the Mixtures best known record was "Olive Oyl," which was released November 7, 1962. The flip side was the Mixtures version of "Canadian Sunset." "Olive Oyl" is an instrumental featuring the rhythmic guitar of Dan Pollock, Del Franklin's sax solos, and Leroy "Zag" Soto providing the impressions of Popeye and Olive Oyl on the breaks. It's similar to the way the word "tequila" is said in the breaks of the song "Tequila" by the Champs. The idea for the song came about because Zag had been doing the impressions around the band for fun. The band thought it would be a good idea to write a song around the impressions. "Olive Oyl" was created in rehearsal with writing credit going to Del Franklin and Eddie Davis. "Olive Oyl" backed with "a cover of "Canadian Sunset" was released on November 7, 1962.

Other singles by The Mixtures were: "Rainbow Stomp (Part 1) b/w "Rainbow Stomp (Part 2)," March 19, 1962; "Jawbone" b/w "It's Gonna Work Out Fine," September 9, 1962; "Poochum" b/w "Tiki," March 5, 1963; "The Last Minute" b/w "Sen-Sa-Shun," July 16, 1964, and "Chinese Checkers" b/w "Dig These Blues," December 8, 1965. Dan Pollock's guitar teacher and mentor was Jimmy Nolen, who was Johnny Otis' guitar player. Jimmy had played on Otis' "Willie and the Hand Jive" and later was James Brown's guitarist on "Papa's Got a Brand New Bag." What better r&b credentials can one have? Nolen passed away in 1983.

Dan Pollack believes he was forced out of the Mixtures in August of 1962 because his father, who was a city official and county sheriff in Ventura was investigating why the Mixtures were making only $40 a piece a week when they were packing Rainbow Gardens. The reason he was given was that he was fired because the owner of the Rainbow saw him kissing a black girl in the parking lot of the establishment. She was a singer in one of the other acts on the bill that night. Whether or not it was the real reason, once again racism reared its ugly head. Dan went back home and formed his own band with Phil Tucker and a soul singer named Linda Brown. Dan Pollock soon joined the army where he would play guitar with special services. He also was in a band that played off base in Huntsville, Alabama. One of the band members in this band was Fred Wesley, who had played with Ike & Tina Turner. He was a trombonist and music director. Later Wesley would fulfill the same duties for no less than the "Godfather of Soul," James Brown. Fred Wesley also worked with Hank Ballard & the Midnighters, Bootsy Collins and George Clinton.

I don't think one can have a better r&b and funk resume. After Dan Pollock got out of the army, Wesley hooked him up with an audition for Ike & Tina Turner's band. Dan was hired and went out on the road with Ike & Tina. Eventually, Dan and the band quit the revue in Phoenix, Arizona because they didn't like the way Ike was treating Tina. They went to Los Angeles and became the house band at the California Club on Santa Barbara and Western. There they backed such greats as Little Richard, Etta James, Johnny Guitar Watson, and T Bone Walker. Dan Pollock eventually got a day job as a dispatcher for the Ventura County Sheriff's Department as he put it "to support his music habit." He would play weekends. He also had a local NPR radio show called "Blues Shack." In 1998, Dan got fed up with club owners and the music business in general and quit the radio show and playing music professionally. He figures he played from 1957 to 1998, forty one years ain't bad! Pollock believes that the Mixtures didn't go farther in the business for two reasons.

First, he thinks the Mixtures didn't come off on record as excitingly as they did "live." He feels what they created on stage was never duplicated on record. The second reason was the racial prejudice they were faced with, being denied many opportunities because of the band's racial make up. Another source of frustration to the Mixtures, according to Dan Pollock and Zag Soto, was that Eddie Davis was always trying to turn them into a surf band. Surf music was a huge craze at the time, with Dick Dale & the Deltones, the Ventures, the Shan-tays, the Surfaris, et. al. The Mixtures were an r&b band and were not comfortable doing anything else. When Dan Pollock left the Mixtures, his guitar spot was first taken by Mike Hufford, who did one or two recordings with the Mixtures. Hufford was then replaced by East L.A. legend Andy Tesso. Andy had played with the pioneering East L.A. band, The Romancers.

In addition to Andy Tesso, this latter phase of the Mixtures was made up of Randy Thomas on piano, Wayne Edwards on drums, and from the earlier Mixtures, Del Franklin, Leroy "Zag" Soto, and Johnny Wells. Randy Thomas and Wayne Edwards were to gain "Eastside Sound" immortality by writing an instrumental called "Get Your Baby," which was recorded by the Blendells, the Premiers, and my Eastside band, Mark & the Escorts. This Mixtures lineup played on Mixtures recordings such as "Poochum," "Chinese Checkers," and "Sen-Sa-Shun," featuring Andy Tesso on lead guitar. "Poochum" was used in the 2005 television movie "Walkout," about the Chicano student walkouts in East Los Angeles in 1968. This version of the Mixtures, like the earlier version of the band, also played at Pacific Ocean Park. From P.O.P., as it was called for short, by this time a television show was broadcast called "Where the Action Is." The Mixtures would perform on this show, which had the major recording artists of the mid-sixties as guests.

They also played "live" gigs with Barry White, the Rivingtons (of "Pah Pah Ooh Maw Maw" fame), and others. There was also more discrimination faced. They had an opportunity to play in Las Vegas with Herb Alpert, but the promoters in Vegas didn't want the racially mixed band. (According to Dan Pollock, Herb Alpert used to jam with the Mixtures at Rainbow Gardens and had previously asked Dan, Zag, and Jess to go with him to form the Tijuana Brass, but they declined the offer.) There was also a club in Santa Monica called the Dovell Club. The Mixtures played there for Latin nights, but were not allowed to play on other nights. The Mixtures broke up in the mid-60s, leaving behind a musical legacy and a great story. Jess Porras was drafted around 1964. After his military service, he went to Santa Barbara City College, where he had Chicano Studies classes during the beginning of the Chicano movement. He transferred to San Diego State, where he earned bachelors and masters degrees in speech pathology and audiology.

He's now a professor at San Diego State, teaching teachers in the fields of special education and learning disabilities. Leroy "Zag" Soto was a helicopter pilot in the Viet Nam war. After his service, he went to medical school and trained as a pediatrician. He then did emergency medicine, general practice, and is now a physician and medical director at a federal prison in Texas. He says he's known by many as Dr. Zag. The nickname stuck. Dan Pollock is retired from working for the Ventura County Sheriff's department.

Recordings by the Mixtures are available on the following CD compilations: "The Eastside Sound - 1959-1968," Dionysus Records (1996) "Rainbow Stomp," "Jawbone," "Olive Oyl," "Tiki," "Chinese Checkers," and "Sen-Sa-Shun"; "The West Coast Eastside Sound, Volumes one through four," Varese Sarabande Records (1999) "Darling (Please Bring Your Love)," "Olive Oyl," "Rainbow Stomp (Part 1)," "Karen" by Little Ray with the Mixtures, "My Girl" by Phil and Del with the Mixtures, "Chinese Checkers," "Don't Play with Love" by Phil and Del with the Mixtures, and "Poochum"; and "East L.A.- Rockin' the Barrio," Varese Sarabande Records (2005) "Rainbow Stomp (Pt.

1)" and "Darling (Please Bring Your Love." The Top 10 Songs of 1971 in the UK The Top 10 Songs of 1971 in the UK Updated on November 15, 2015 Number 1 in 1971 | George Harrison | Source Source 1971: The Top 10 Songs of the Year The UK's Top 10 best selling songs of 1971 certainly made for strange companions, considering the music that was on offer during this particular year. You probably could not create a list of ten songs as diverse as those that captured the attention of the British record buying public during 1971. Who would have thought that George Harrison, Tony Orlando and Rod Stewart could end up appearing on the same countdown? But, that is exactly what happened. Note that these songs have not been picked as my favourites of this year, but to show which records sold the most during 1971. Number 1 : George Harrison My Sweet Lord: Chart Topper: January 30 - March 5 This song is taken from Harrison's UK Number One hit triple album All Things Must Pass.

Session musicians on the track included Eric Clapton. When released as a single, My Sweet Lord topped the charts on both sides of the Atlantic. In October 1970, Harrison told the British press that it was going to be his first solo single, but a few days later he changed his mind and said it would not be made available as he did not want sales in that format to detract from those of the album. It was released as a single in the US in November 1970. Within a few weeks, EMI and Apple Records bowed to media and public demand and the UK release followed in January 1971. Entering the British charts in its first week at Number Seven and then hitting the summit for five weeks, it was the first single by an ex-Beatle to reach Number One. It did so again in the UK when reissued in January 2002 after Harrison's death from cancer. Number 2 : Rod Stewart Maggie May: Chart Topper: October 5 - November 9 Maggie May was recorded by Stewart in 1971 for his album Every Picture Tells A Story.

It was initially released in the UK as the B-side of the single Reason to Believe, but DJs became more fond of the B-side and, after two weeks in the chart, the song was flipped with Maggie May as the A-side. In October 1971, the single went to Number One in the UK, and simultaneously topped the charts in the United States; Every Picture Tells a Story achieved the same feat at the same time -- something achieved by only a handful of performers, notably The Beatles, Simon and Garfunkel and Beyonce. In 2004 Rolling Stone ranked the song #130 on their list of The 500 Greatest Songs of All Time. Number 3 : Middle of the Road Chirpy Chirpy Cheep Cheep: Chart Topper: June 19 - July 17 Written by Lally Stott, Chirpy Chirpy Cheep Cheep was a minor hit in Italy and Australia for the composer, as well as charting on the US Billboard Hot 100 where it peaked at a lowly Number 92.

Its failure in achieving significant American sales was mainly due to a cover by Mac and Katie Kissoon, which became the more popular version in the States. Stott's record company were reluctant to release his recording overseas, so he offered it to Scottish folk-pop group Middle Of The Road , which was working in Italy at the time. This version of the song initially became a massive hit in Europe and then repeated the feat in the UK, as returning holidaymakers searched out a copy. However, Middle of the Road's recording very nearly flopped in Britain because Mac and Katie Kissoon issued their interpretation just before them, but aided by incessant radio airplay, the Scottish band's disc became the only hit version in the UK. It reached Number One in the UK for five weeks from mid-June 1971. The Kissoon version failed to chart in the UK, but reached Number 20 on the US Billboard Hot 100. Number 4 : Dawn Ft. Tony Orlando Knock Three Times: Chart Topper: May 11 - June 12 Knock Three Times was released as a single by Dawn in November 1970, paired with their other hit song Candida.

The single hit Number One in the UK in May 1971. It eventually sold nine million copies worldwide, having also claimed the Number One spot in the US in January. It was covered by Billy "Crash" Craddock the same year and also became a Number One US Country hit. Number 5 : T. Rex Hot Love: Chart Topper: March 20 - April 24 Hot Love was T.Rex's first UK Number One, staying at the top of the British charts for six weeks from March 1971, while it fared less well in the USA where it peaked at Number 72. It was also the first T.Rex single to feature both a bass guitar and drums. Its success was propelled by a legendary Top of the Pops TV appearance, where frontman Marc Bolan appeared in androgynous clothes and covered in glitter, thus inventing the style that came to be known as Glam Rock. Number 6 : The Mixtures The Pushbike Song Written by brothers Idris and Evan Jones, The Pushbike Song was released in 1970 and reached the top spot for two weeks in the Australian charts in March 1971.

It also proved popular in the UK too, reaching the Number 2 position for four straight weeks, beginning during February. The song was beaten to Number One by George Harrison's My Sweet Lord. Number 7 : The New Seekers Never Ending Song Of Love: UK No.2 Single: August 1971 Originally recorded by US group Delaney & Bonnie and Friends, Never Ending Song of Love was picked up in the UK by The New Seekers, who turned the song into a more pop friendly recording. The single peaked at Number 2, where it stayed for five consecutive weeks during August and September, 1971. Number 8 : Diana Ross The Mixtures Lyrics, Song Meanings, Videos, Full Albums & Bios | SonicHits There are at least two bands named the mixtures. 1)The Mixtures were a rock band formed in Melbourne, Australia in 1965. Australian musicians Terry Dean and Rod De Clerk met in Tasmania in 1965. They then met Laurie Arthur, a member of The Strangers, and the three decided to form a band together after a jam session. They quickly signed to EMI that same year and released three singles.

They went through several line-up changes over the following few years, then signed to CBS Records in 1969. A few further singles followed before transferring to Fable Records in 1970. As a result of the 1970 radio ban, during which many Australian radio stations refused to play Australian and British music released by major labels, the Mixtures recorded a cover of Mungo Jerry's "In the Summertime" and received much more airplay than had initially been expected for a group on a small record label. The single went to #1 in Australia for six weeks. They followed up with "The Pushbike Song" (produced by David Mackay), which went to #1 in Australia for two weeks, hit #2 in the UK Singles Chart,[1] and went to #44 on the Billboard Hot 100 in the U.S. after being released on Sire Records. The next single, "Henry Ford", peaked at #43 in Australia. Further line-up changes ensued before "Captain Zero" went to #5 in Australia in 1971, their last big hit.

The group underwent some more line-up changes including Brenton Fosdike (Guitar, vocals), John Petcovich (Drums, Vocals) and the last member to join was Keyboard Player Rob Scott. In 1978 the band travelled to Perth to do some recording and put together a new show. During this time Bass Player Chris Spooner tragically died from a fishing accident at Trigg Beach. The band only carried on for a further three months as a four piece before breaking up in early 1979. . -wikipedia 2)The Mixtures (50s-60s R&B from Oxnard, CA) The Mixtures were a racially mixed r&b band of the '60s from Ventura County, California, sixty miles north of Los Angeles. However, they are considered part of the Eastside Sound because they were managed by Eddie Davis, who was involved with many East Los Angeles bands, and played many of the Eastside venues, such as Rainbow Gardens in Pomona and El Monte Legion Stadium. The Mixtures recorded one album and seven singles and were the house band at both Rainbow Gardens and on a popular Los Angeles television show.

To devotees of the Eastside Sound, they are best known for two of their recordings, "Olive Oyl" and "Stompin' At the Rainbow." These tracks and others have been featured on various Eastside Sound CD and vinyl album compilations. The seeds of The Mixtures were planted at Oxnard High School in 1957. The Playboys, who would evolve into the Mixtures, were started by Steve Mendoza, Del Franklin, and Jess Porras. Steve, Del, and Jess were all in the high school band, Steve on trumpet and Del and Jess on tenor sax. They would get together after school and jam off campus, sometimes with an upright bass player. Steve would also play piano at the jams. Eventually, they were invited to play at an assembly at their high school. For their first gig, Steve played piano, Jess, alto sax, Del, tenor sax, Johnny Trueblood, drums, and a bass player. One of the songs they played that day was a jazzed up version of "The Bunny Hop." It went over very well with the student body. Encouraged by the experience, they kept rehearsing. Jess Porras came from a musical family.

His uncles on his mother's side of the family were professional musicians. Jess' mom and uncles grew up in Garden City, Kansas. They were part of a Mexican migration to work in the fields. Jess' dad played guitar and sang, but never went professional. He taught Jess some guitar and some classic Mexican songs. Jess played violin from age nine to twelve, before switching to sax. Jess would also sit in with his uncles' bands on percussion and got the bug to be in a band. Getting back to the Playboys, their next opportunity was to play at their high school prom. By this time, they had added Dick Halstead on guitar and Autry Joe Johnson on baritone sax, augmenting the alto and tenor saxes which gave them a fat sound. The Playboys began playing local gigs and were off and running. Meanwhile Dan Pollock had a band at Hueneme High School called the Hysterics. The other band members were Doug Phillips, Dave Nuñez, and later Dick Burns.

When Dan left the band to join the Playboys, the Hysterics went on to have a hit record as the Dartells called "Hot Pastrami." Dan, who's true leanings were toward r&b music, really admired the Playboys and wanted to become a member. Eventually, he was able to do so by trading his 1956 Fender Telecaster for a Fender Precision Bass and joining as their bass player. He'd never played the bass before, but at the time Fender basses were a rarity so it got him into the band. Dan also knew their guitarist, Dick Halstead, was a Navy brat and that his dad would eventually be transferred away. When that did happen, Dan moved into the guitar slot in the band, Leroy "Zag" Soto took over on bass, and Eddie DeRobles came in on drums. In 1960, The Playboys changed their name to the Mixtures. The name came from the obvious fact that the band was a mixture of races made up of two Chicanos, a Puerto Rican-American, an African-American, a half black-half Chicano, and Dan, an r&b loving white kid.

Leroy "Zag" Soto was born in Hawaii, where many Puerto Ricans went at the turn of the century to work on the plantations. Zag's grandparents were part of that migration. Zag's grandfather gave him his nickname, which he made up because he didn't like the name Leroy. Zag's father joined the military and the family moved to Maryland. While back east in the late 50s, Zag saw Little Richard with the Upsetters, Ike & Tina Turner, and other r&b greats. He started to play r&b music while still in high school. The drummer in his band for at least a year was one Bernard Purdie, who went on to become one of the world's great drummers. Zag's father was transferred to Port Hueneme in the Oxnard area. It was there that he would see the Mixtures play. It was his kind of music they were playing. He first joined the Mixtures as a drummer, before moving over to bass. The Mixtures felt they needed more vocal help so Del Franklin brought in a black singer from the projects named Phillip Tucker. The ladies loved him because he had blue-green eyes and was well built.

Phil brought in another singer, who was also African-American, by the name of Willis Junior Harvey. Phil and Harv would be featured singers with the Mixtures for a couple of years. However, Phil and Harv would often get into trouble with the law and would sometimes miss gigs because they were in jail. Ironically, Harv is now a probation officer in Oxnard. The members of the Mixtures at this time were Del Franklin (sax and vocals), Leroy "Zag" Soto (bass), Dan Pollock (guitar), Jess Porras (sax), Eddie DeRobles (drums), Johnny Wells (congas), and Steve Mendoza (piano). Phil and Harv were their featured vocalists. The Mixtures were introduced to Eddie Davis by Ventura disc jockey Dick Moreland, who would go on to become a big time DJ at KRLA in Los Angeles. Eddie loved the band and became their promoter and producer. Davis took the Mixtures into the studio and began booking the band at high school dances, ballrooms, and quincenieras.

On one memorable high school assembly gig, the Mixtures backed up Lou Rawls, who was still scufflin' around at the time. The first record the Mixtures did was as a backup band for a female singer named Cookie Comp. The song was "I Won't Cry," a song written by Cookie. The "B" side was an instrumental version of "I Won't Cry," the same track with a sax in place of the lead vocal. It was released on one of Eddie Davis' record labels, First President Records. The next Mixtures record was "Darling (Please Bring Your Love)." However, the Mixtures' lead singers, Phil and Harv, were the only band members on the record. Because the Mixtures didn't have studio experience, Eddie brought in some experienced studio musicians for this session. Two of them were Bobby Gross (of the Olympics) on drums and Gaynell Hodge (a doo wop veteran who had played with the Penguins of "Earth Angel" fame) on piano. The record was released on Eddie Davis' Rampart Records on March 10, 1961 and, according to Dan, sold 200,000 copies.

The "B" side of the record was "Friendship," which was a song from the '30s given a rocked up treatment. "Darling (Please Bring Your Love)" was later recorded by The Salas Brothers on Eddie Davis' Faro label and sold well again. (The Salas Brothers went on to form the legendary Chicano band Tierra in the early 70s.) The success of the Mixtures record led to better gigs, such as the aforementioned Rainbow Gardens, El Monte Legion Stadium, the Cinnamon Cinder in Studio City, and the popular Santa Monica amusement park, Pacific Ocean Park. Another venue they often played was Pop Leuder's Park in Compton, where they were often on the bill with the Beach Boys. At the time Compton had a large white population. The Beach Boys also played at Rainbow Gardens with the Mixtures, but didn't go over a well there because it was a Chicano rock & roll venue at the time. Surf music wasn't the thing there. The Mixtures repertoire consisted of r&b and doo wop covers with some originals mixed in.

Some of the artists they covered were James Brown, Little Richard, King Curtis, Bobby Blue Bland, and Joey Dee & the Starlighters. In 1961, the Mixtures became the house band on Friday nights at Rainbow Gardens in Pomona. Rainbow Gardens had been a venue for major big bands of the 40s such as Harry James, Les Brown, and Count Basie. It later became a hot spot for top Latin big bands including Beto Villa, Rene Touzet, Tito Puente, Tin Tan, and Perez Prado. By the early 60s it became a rock & roll venue. The Mixtures would pack 'em in at the Rainbow, which held up to 800 people. Soon many East L.A. bands started to play at Rainbow Gardens. My teenage East L.A. band, Mark & the Escorts played there several times in 1964 on their Sunday afternoon (tardeada) shows, which would run from around 4 pm to 10 pm. We were on the bill with bands such as the Romancers, the Desires, and the Jaguars with the Salas Brothers.

The Mixtures got the idea for their song and record "Rainbow Stomp" from the experience that when there was any small lull between songs at Rainbow Gardens, the dancers would stomp their feet showing their impatience for the next song. The Mixtures also were the house band on a television show called "Parade of Hits" on KCOP- Los Angeles. On the show they would back up the hit artists of the day, including Roy Orbison, Bobby Rydell, Frankie Avalon, Gene McDaniels, Bobby Day, Paul Anka, Freddy Cannon, the Letterman, April and Nino Tempo, and Ketty Lester of "Love Letters" fame. With all this success, the Mixtures still couldn't get into certain venues because of their racial mixture. Bigotry was alive and well in Los Angeles in the early 60s. Sometimes after the taping of the television show, the Mixtures would go to see Pat & Lolly Vegas play down on the Sunset Strip in Hollywood. Still in their television make up, they would dig the music Pat & Lolly were putting out and marvel at Lolly's guitar playing.

Pat & Lolly had to change their names from Vasquez to Vegas to open doors for their own careers in Hollywood. On February 12, 1962 the Mixtures recorded a "live" album called "Stompin' At the Rainbow." It included covers such as "Peter Gunn," "Peppermint Twist," "So Fine," "Besame Mucho," and "St. James Infirmary," along with some originals. Most of the album was in fact recorded "live" at Rainbow Gardens, however, "Rainbow Stomp (Pt. 1)," "Rainbow Stomp (Pt. 2)," and "Turkey Time," were studio recordings added in. (Larry Tamblyn, later to be a member of the Standells of "Dirty Water" fame, played guitar on "Turkey Time," with Dan Pollock on banjo.) On the studio cuts, band friends and relatives, along with people literally brought in off the street, yelled and screamed into a microphone.

This track was mixed into the recordings to make them sound "live." This technique was later used on other Eastside Sound records such as "Farmer John" by The Premiers, "La La La La La" by The Blendells, and on my band, Mark & the Escorts' single "Get Your Baby." The "live" tracks on the "Stompin' At the Rainbow" album were recorded by Wally Heider, who would go on to become the pre-eminent "live" recording engineer of the era. (Crosby, Stills and Nash recorded their first classic album at Wally Heider's studio in 1969.) One track on "Stompin' At the Rainbow" features a lead vocal by Chick Carlton, who was not a member of the Mixtures. Chick often wrote songs for many of Eddie Davis' label artists, sometimes playing on sessions and performing "live" with them. Carlton also recorded for Davis' Faro label with Chick Carlton and the Majestics.

The Chick Carlton vocal on the Mixtures' album was a medley of Little Richard's "Jenny Jenny," "Lucille," "Good Golly Miss Molly," "The Girl Can't Help It," and Don & Dewey's "Justine." The Mixtures often backed up other artists in their "live" performances such as Bobby Hart (later of the hit songwriting team of Boyce and Hart) and Chris Montez of "Let's Dance" fame. "Stompin' At the Rainbow" by the Mixtures was released on March 19, 1962 on Eddie Davis' Linda Records. Perhaps the Mixtures best known record was "Olive Oyl," which was released November 7, 1962. The flip side was the Mixtures version of "Canadian Sunset." "Olive Oyl" is an instrumental featuring the rhythmic guitar of Dan Pollock, Del Franklin's sax solos, and Leroy "Zag" Soto providing the impressions of Popeye and Olive Oyl on the breaks. It's similar to the way the word "tequila" is said in the breaks of the song "Tequila" by the Champs.

The idea for the song came about because Zag had been doing the impressions around the band for fun. The band thought it would be a good idea to write a song around the impressions. "Olive Oyl" was created in rehearsal with writing credit going to Del Franklin and Eddie Davis. "Olive Oyl" backed with "a cover of "Canadian Sunset" was released on November 7, 1962. Other singles by The Mixtures were: "Rainbow Stomp (Part 1) b/w "Rainbow Stomp (Part 2)," March 19, 1962; "Jawbone" b/w "It's Gonna Work Out Fine," September 9, 1962; "Poochum" b/w "Tiki," March 5, 1963; "The Last Minute" b/w "Sen-Sa-Shun," July 16, 1964, and "Chinese Checkers" b/w "Dig These Blues," December 8, 1965. Dan Pollock's guitar teacher and mentor was Jimmy Nolen, who was Johnny Otis' guitar player.

Jimmy had played on Otis' "Willie and the Hand Jive" and later was James Brown's guitarist on "Papa's Got a Brand New Bag." What better r&b credentials can one have? Nolen passed away in 1983. Dan Pollack believes he was forced out of the Mixtures in August of 1962 because his father, who was a city official and county sheriff in Ventura was investigating why the Mixtures were making only $40 a piece a week when they were packing Rainbow Gardens. The reason he was given was that he was fired because the owner of the Rainbow saw him kissing a black girl in the parking lot of the establishment. She was a singer in one of the other acts on the bill that night. Whether or not it was the real reason, once again racism reared its ugly head. Dan went back home and formed his own band with Phil Tucker and a soul singer named Linda Brown. Dan Pollock soon joined the army where he would play guitar with special services. He also was in a band that played off base in Huntsville, Alabama. One of the band members in this band was Fred Wesley, who had played with Ike & Tina Turner.

He was a trombonist and music director. Later Wesley would fulfill the same duties for no less than the "Godfather of Soul," James Brown. Fred Wesley also worked with Hank Ballard & the Midnighters, Bootsy Collins and George Clinton. I don't think one can have a better r&b and funk resume. After Dan Pollock got out of the army, Wesley hooked him up with an audition for Ike & Tina Turner's band. Dan was hired and went out on the road with Ike & Tina. Eventually, Dan and the band quit the revue in Phoenix, Arizona because they didn't like the way Ike was treating Tina. They went to Los Angeles and became the house band at the California Club on Santa Barbara and Western. There they backed such greats as Little Richard, Etta James, Johnny Guitar Watson, and T Bone Walker. Dan Pollock eventually got a day job as a dispatcher for the Ventura County Sheriff's Department as he put it "to support his music habit." He would play weekends. He also had a local NPR radio show called "Blues Shack." In 1998, Dan got fed up with club owners and the music business in general and quit the radio show and playing music professionally.

He figures he played from 1957 to 1998, forty one years ain't bad! Pollock believes that the Mixtures didn't go farther in the business for two reasons. First, he thinks the Mixtures didn't come off on record as excitingly as they did "live." He feels what they created on stage was never duplicated on record. The second reason was the racial prejudice they were faced with, being denied many opportunities because of the band's racial make up. Another source of frustration to the Mixtures, according to Dan Pollock and Zag Soto, was that Eddie Davis was always trying to turn them into a surf band. Surf music was a huge craze at the time, with Dick Dale & the Deltones, the Ventures, the Shan-tays, the Surfaris, et. al. The Mixtures were an r&b band and were not comfortable doing anything else. When Dan Pollock left the Mixtures, his guitar spot was first taken by Mike Hufford, who did one or two recordings with the Mixtures. Hufford was then replaced by East L.A. legend Andy Tesso. Andy had played with the pioneering East L.A. band, The Romancers.

In addition to Andy Tesso, this latter phase of the Mixtures was made up of Randy Thomas on piano, Wayne Edwards on drums, and from the earlier Mixtures, Del Franklin, Leroy "Zag" Soto, and Johnny Wells. Randy Thomas and Wayne Edwards were to gain "Eastside Sound" immortality by writing an instrumental called "Get Your Baby," which was recorded by the Blendells, the Premiers, and my Eastside band, Mark & the Escorts. This Mixtures lineup played on Mixtures recordings such as "Poochum," "Chinese Checkers," and "Sen-Sa-Shun," featuring Andy Tesso on lead guitar. "Poochum" was used in the 2005 television movie "Walkout," about the Chicano student walkouts in East Los Angeles in 1968. This version of the Mixtures, like the earlier version of the band, also played at Pacific Ocean Park. From P.O.P., as it was called for short, by this time a television show was broadcast called "Where the Action Is." The Mixtures would perform on this show, which had the major recording artists of the mid-sixties as guests.

They also played "live" gigs with Barry White, the Rivingtons (of "Pah Pah Ooh Maw Maw" fame), and others. There was also more discrimination faced. They had an opportunity to play in Las Vegas with Herb Alpert, but the promoters in Vegas didn't want the racially mixed band. (According to Dan Pollock, Herb Alpert used to jam with the Mixtures at Rainbow Gardens and had previously asked Dan, Zag, and Jess to go with him to form the Tijuana Brass, but they declined the offer.) There was also a club in Santa Monica called the Dovell Club. The Mixtures played there for Latin nights, but were not allowed to play on other nights. The Mixtures broke up in the mid-60s, leaving behind a musical legacy and a great story. Jess Porras was drafted around 1964. After his military service, he went to Santa Barbara City College, where he had Chicano Studies classes during the beginning of the Chicano movement. He transferred to San Diego State, where he earned bachelors and masters degrees in speech pathology and audiology.

He's now a professor at San Diego State, teaching teachers in the fields of special education and learning disabilities. Leroy "Zag" Soto was a helicopter pilot in the Viet Nam war. After his service, he went to medical school and trained as a pediatrician. He then did emergency medicine, general practice, and is now a physician and medical director at a federal prison in Texas. He says he's known by many as Dr. Zag. The nickname stuck. Dan Pollock is retired from working for the Ventura County Sheriff's department.

Recordings by the Mixtures are available on the following CD compilations: "The Eastside Sound - 1959-1968," Dionysus Records (1996) "Rainbow Stomp," "Jawbone," "Olive Oyl," "Tiki," "Chinese Checkers," and "Sen-Sa-Shun"; "The West Coast Eastside Sound, Volumes one through four," Varese Sarabande Records (1999) "Darling (Please Bring Your Love)," "Olive Oyl," "Rainbow Stomp (Part 1)," "Karen" by Little Ray with the Mixtures, "My Girl" by Phil and Del with the Mixtures, "Chinese Checkers," "Don't Play with Love" by Phil and Del with the Mixtures, and "Poochum"; and "East L.A.- Rockin' the Barrio," Varese Sarabande Records (2005) "Rainbow Stomp (Pt. 1)" and "Darling (Please Bring Your Love." rock, australian, pop, 60s, oldies.

The Greatest Hits 1971 (UK) Here they are, the absolutely greatest hits from the history of popular music. The very best music. These are the year's Favorites in the UK, the top 20 single records. Lynn Anderson - Rose Garden - 3-71 Ashton Gardner & Dyke - Ressurrection Shuffle - 02-71 Atomic Rooster - Tomorrow Night - 03-71 Atomic Rooster - Devil's Answer - 08-71 Badfinger - No Matter What - 02-71 Joan Baez - The Night They Drove Old Dixie Down - 11-71 Shirley Bassey - For All We Know - 09-71 The Bay City Rollers - Keep On Dancing - 10-71 Cilla Black - Something Tells Me (Something Is Gonna Happen Tonight) - 12-71 Blue Mink - Banner Man - 06-71 Bob & Marcia - Pied Piper - 07-71 C.C.S. - Walkin' - 04-71 C.C.S.

- Tap Turns On The Water - 09-71 Chairmen Of The Board - Everything's Tuesday - 03-71 Cher - Gipsies Tramps & Thieves - 11-71 Tony Christie - I Did What I Did For Maria - 06-71 Dave & Ansil Collins - Double Barrel - 04-71 Dave & Ansil Collins - Monkey Spanner - 07-71 Judy Collins - Amazing Grace - 01-71 Perry Como - It's Impossible - 02-71 Perry Como - I Think Of You - 06-71 The Congregation - Softly Whispering I Love You - 12-71 Curved Air - Back Street Luv - 09-71 Dana - Who Put The Lights Out? - 03-71 Dawn - Candida - 02-71 Dawn - Knock Three Times - 05-71 Dawn Featuring Tony Orlando - What Are You Doing Sunday - 08-71 Waldo De Los Rios - Mozart Symphony No.

40 in G Minor - 04-71 Deep Purple - Strange Kind Of Woman - 03-71 Deep Purple - Fireball - 12-71 Neil Diamond - Sweet Caroline - 02-71 Neil Diamond - I Am ...I Said - 06-71 East Of Eden - Jig A Jig - 05-71 The Elgins -Heaven Must Have Sent You - 05-71 Scott English - Brandy - 11-71 The Equals - Black Skin Blue Eyed Boys - 01-71 Fame And Price Together - Rosetta Family - In My Own Time - 08-71 The Fantastics - Something Old, Something New - 04-71 The Fortunes - Freedom Come Freedom Go - 10-71 The Four Tops - Simple Game - 10-71 Free - My Brother Jake - 05-71 Danyel Gerard - Butterfly - 10-71 Al Green - Tired Of Being Alone - 11-71 Greyhound - Black And White - 07-71 George Harrison - My Sweet Lord - 01-7

1 George Harrison - Bangla Desh - 08-71 Isaac Hayes - Theme From 'Shaft' - 12-71 Benny Hill - Ernie (The Fastest Milkman In The West) - 11-71 Vince Hill - Look Around - 11-71 Hot Chocolate - I Believe (In Love) - 09-71 Engelbert Humperdinck - Another Time Another Place - 10-71 Jethro Tull - Life Is A Long Song/Up The Pool - 10-71 Elton John - Your Song - 02-71 Tom Jones - She's A Lady - 02-71 Tom Jones - Till - 11-71 Carole King - It's Too Late - 09-71 Kinks - Apeman - 01-71 John Kongos - He's Gonna Step On You Again - 06-71 John Kongos - Tokoloshe Man - 12-71 Jackie Lee - Rupert - 02-71 John Lennon & The Plastic Ono Band - Power To The People - 03-71 Lobo - Me

 And You And A Dog Named Boo - 07-71 Tami Lynn - I'm Gonna Run Away From You - 06-71 The Marmalade - Cousin Norman - 09-71 Martha & The Vandellas - Forget Me Not - 03-71 Paul McCartney - Another Day - 03-71 McGuinness Flint - Malt And Barley Blues - 05-71 Middle Of The Road - Chirpy Chirpy Cheep Cheep - 06-71 Middle Of The Road - Tweedle Dee Tweedle Dum - 09-71 Middle Of The Road - Soley Soley - 12-71 The Mixtures - The Pushbike Song - 01-71 Gerry Monroe - It's A Sin To Tell A Lie - 05-71 The Move - Tonight - 07-71 Mungo Jerry - Baby Jump - 02-71 Mungo Jerry - Lady Rose - 06-71 Mungo Jerry - You Don't Have To Be In The Army to Fight In The War - 10-71 The Newbeats - Run

, Baby Run (Back Into My Arms) - 11-71 The New Seekers - Never Ending Song Of Love - 07-71 The New Seekers - I'd Like To Teach The World To Sing - 12-71 New World - Rose Garden - 03-71 New World - Tom-Tom Turnaround - 07-71 Olivia Newton-John - If Not For You - 04-71 Olivia Newton-John - Banks Of The Ohio - 11-1 Peter Noone - Oh You Pretty Thing - 06-71 Gilbert O'Sullivan - No Matter How I Try - 12-71 The Piglets - Johnny Reggae - 11-71 The Pioneers - Let Your Yeah Be Yeah - 08-71 Elvis Presley - You Don't Have To Say You Love Me - 01-71 Elvis Presley - There Goes My Everything - 04-71 Elvis Presley - Rags To Riches - 06-71 Elvis Presley - Heartbreak Hotel/Hound Dog - 08-71 Redbone - Witch Queen Of New Orleans - 10-

71 Cliff Richard - Sing A Song Of Freedom - 12-71 Smokey Robinson & The Miracles - (Come 'Round Here) I'm The One You Need - 02-71 Smokey Robinson & The Miracles - I Don't Blame You At All - 07-71 Clodagh Rogers - Jack In The Box - 03-71 The Rolling Stones - Brown Sugar/Bitch/Let It Rock - 05-71 Diana Ross - Remember Me - 05-71 Diana Ross - I'm Still Waiting - 08-71 Diana Ross - Surrender - 11-71 Buffy Sainte-Marie - Soldier Blue - 08-71 Sakkarin - Sugar Sugar - 05-71 Severine - Un Banc, Un Arbre, Une Rue - 05-71 Labi Siffre - It Must Be Love - 12-71 Nancy Sinatra & Lee Hazlewood - Did You Ever - 09-71 Slade - Get Down And Get With It - 08-71 Slade - Coz I Luv You - 11-71

 Hurricane Smith - Don't Let It Die - 06-71 Springwater - I Will Return - 11-71 St.

Cecilia - Leap Up And Down (Wave Your Knickers In The Air) - 08-71 Ringo Starr - It Don't Come Easy - 05-71 Ray Stevens - Bridget The Midget (The Queen Of The Blues) - 03-71 Rod Stewart - Maggie May - 09-71 The Supremes - Stoned Love - 02-71 The Supremes - Nathan Jones - 09-71 The Supremes & The Four Tops - River Deep-Mountain High - 07-71 The Sweet - Funny Funny - 04-71 The Sweet - Coco - 06-71 T. Rex - Hot Love - 03-71 T. Rex - Get It On - 07-71 T. Rex - Jeepster - 11-71 The Tams - Hey Girl Don't Bother Me - 08-71 James Taylor - You've Got A Friend - 09-71 R.

Dean Taylor - Indiana Wants Me - 05-71 The Temptations - Just My Imagination (Runnin' Away With Me) - 07-71 Titanic -Sultana - 10-71 Frankie Valli - You're Ready Now - 01-71 White Plains - When You Are A King - 07-71 The Who - Won't Get Fooled Again - 08-71 Andy Williams - (Where Do I Begin) Love Story - 04-71

Question: Which group in 1971 had a top ten hit with the record The Pushbike Song?
Answer: THE MIXTURES