If Winter Comes Can Spring Be Far Behind Free Essays If Winter Comes Can Spring Be Far Behind If Winter Comes Can Spring be far behind? – Essay Day is followed by... night and night by day. Similarly, in life every period of sorrow and despair has at last to come to end. It is followed by a period of peace, comfort and joy. We must have a firm belief in the goodness of things and have a strong self-confidence. There is no occasion for feeling dismayed. “If hopes are dupes, fears may be liars.” Life is full of tears and smiles, tears predominate. Sufferings and misfortunes may loom large... Hope, Life, Meaning of life 1085 Words | 3 Pages If Winter Comes Can Spring Be Far Behind. , [pic] The quotation referred to is the last line of Shelley’s famous poem, "Ode to the West Wind". As winter is sure to be followed... by spring, in the same way, dark and unhappy days of life are bound to be followed by a period of happiness and joy. Winter is the symbol of desolation and barrenness whereas spring stands for joyousness and fruitfulness. The quotation assumes significant application to the present state of affairs.

The man today is passing through a period of miserable... Good and evil, Hope, Meaning of life 762 Words | 2 Pages if winter comes can spring be far away Short essay on the meaning of If winter comes can spring be far behind... The quotation referred to is the last line of shelley's famous poem, "Ode to the West Wind". In the poem, the poet identifies himself with West Wind, which, to him, is both the destroyer and the preserver. The poet has dead thoughts which he would like to be scattered by the West Wind like dead leaves. In place of these dead thoughts, he wants new and fresh thoughts to be born in him. As from an extinguished hearth, ashes and... Good and evil, Life, Meaning of life 581 Words | 2 Pages Can Man Be Far Behind the room to roam and populate has it's limits. For example, deer populations need to be restricted by the available food limits of their respective habitats....

Without hunting, the deer population would grow to the point of encroaching into human areas far worse than now, causing safety issues for humans and animals (many more vehicle/deer collision), and human crops being overrun by a deer population explosion; more deer require more food.<<< The true facts are... what you will find for all those who... Deer, Elephant, Endangered species 1510 Words | 6 Pages Spring, Summer, Fall, Winter,...and Spring Spring, Summer, Fall, Winter, . . .and Spring After weeks of studying and learning about the Buddhist religion,... it is easy to see the Buddhist ideals in the movie Spring, Summer, Fall, Winter, . . . and Spring. One of the main points that was stressed in the movie was some of the Buddhist precepts. One of the Buddhist precepts specifically says “To Refrain From Causing Harm To Other Living Beings” (Pauling 21). Another point that the movie focused on with the Buddhist precept involved “To... Boy, Buddhism, Dukkha 935 Words | 3 Pages Winter and Season beasts, men and angels eagerly wait for it. It is a time when the nature is at its best.

It is a time to pray to God. Sunrise is a time when there is calm... and quiet, the atmosphere is pure and fresh and there is no dust, no smoke, and no noise. We can inhale a lot of pure oxygen. A man who goes out for a long walk at sunrise never falls ill. The rising sun gives us light and warmth. It gives new life to withering plants and a new lease of life .to all living creatures. That is why even the gods worship... Autumn, Bird, Holi 2016 Words | 5 Pages Winter Dreams exploring the characterization of Fitzgerald “Winter Dreams”, I am going to show the use of seasonal changes of his protagonist, Dexter, from... his story. I believe that it is his every intention for us explore Dexter as a man by showing us where and how he developed to be such a man from his decisions in the past starting from his caddy days to college and finally as an establish businessman. His successes were completely self-made yet; he had issues when it comes to dealing with the matters of the heart... All the Sad Young Men, Dream, F.

Scott Fitzgerald 868 Words | 3 Pages WINTER Winter (/ˈwɪntər/) is the coldest season of the year in temperate climates, between autumn and spring. It is caused by the axis... of the Earth in the respective hemisphere being oriented away from the Sun. Different cultures define different dates as the start of winter, and some use a definition based on weather, but when it is winter in the Northern Hemisphere it is summer in the Southern Hemisphere, and vice versa. In many regions, winter is associated with snow and freezing temperatures. At the... Climate, Northern Hemisphere, Season 2018 Words | 7 Pages the time we are living in winter of the world ﻿The Time We Are Living is The Winter of The World Outline 1-Introduction: Problems and restrictions for the people in a time is... called winter of the world. 2.Analysis of past eras: a-Roman and French Revolutions-great examples. b-Arab darkness, before emergence of Islam-Islam a great help for the people. 3.The time we live in is the winter of the World: a-Natural Disasters. b-Man made problems. 4.

Causes of becoming the contemporary as winter: a-Misuse of natural resources... Contemporary history, Future, Human 568 Words | 3 Pages Snow and Winter Winter essay Now Embracing Winter Warmly Winter is a weather reality for most of us who live in North America.... While the extremes and severity of said weather vary, depending on the latitudinal coordinate where you reside, it amazes me how much more people complain these days about the cold, snow and even road conditions. Maybe this form of amnesia about the verisimilitude of winter’s ways is tied to our hubris, born from the post-modern belief that technology trumps everything else, including... Ice storm, New York, Northeastern United States 1028 Words | 3 Pages Where I Come from born – “People are made of places”. Wherever you go in life you will carry with you memories and echoes of your birthplace, whether it is a city, as in the...

first stanza, or the quiet Canadian countryside where Elizabeth herself was born – “Where I come from, people carry woods in their minds” – and certainly the picture she draws in the second stanza does seem at first to be idyllic and wonderful, strongly contrasting with the city images in the first stanza. This idea shows us that who we are is... Chicken, City, Mind 1370 Words | 4 Pages Winter Ecology of Chipmunks Going Nuts over March! Is spring simple and predictable, or is it volatile and filled with rage? Depending on which ecologist you ask, your... answer could vary greatly. Whilst both experts in the same field, both Hal Borland and John Hay will respond to what spring brings in very different ways. This is understandable to a certain extent given that they are ecologists of very different ecologies. However, there is something that both Hay and Borland can agree on; spring is a time of new beginning... Alvin and the Chipmunks, Chipmunk, Ecology 1433 Words | 4 Pages Spring Festival Spring Festival The first day of the first month by the Chinese Lunar Calendar is Spring Festival, also known as Chinese New...

Year; it is the most important traditional holiday in China. Spring Festival dates back to four thousand years ago, originated in the Shang Dynasty. The year of 2011 was the Year of the Rabbit; due to my parents went to Bengal for missionary work, my uncle who lives in the countryside invited me to his house for Spring Festival this year. I didn’t like the idea at first... Chinese calendar, Chinese New Year, Firecracker 1395 Words | 4 Pages Winter and Spring Poems Spring ﻿Winter Poems A Winter Message A flake of snow in flurry thro’ the air Had landed as a kiss upon my cheek: A secret... message, just for me to share; To take to heart but never dare to speak About or presuppose to other eyes Your open feelings – distant though they are. And so, upon your lips, my OWN surprise: A flake of snow returned from me afar. Copyright © Mark R Slaughter 2010 As Winter raged And Winter was at war. Her... Sleater-Kinney, Sun, The Spring 2042 Words | 12 Pages Spring Autumn ------------------------------------------------- Spring (season) From Wikipedia, the free encyclopedia "Spring festival"...

redirects here. For the Chinese celebration, see Spring Festival. For other uses, see Spring. Spring is one of the four conventional temperate seasons following winter and precedingsummer. The specific definition of the exact timing of "spring" varies according to local climate, cultures and customs. At the spring equinox, days are close to 12 hours long with day length increasing as the season progresses. Spring and... Climate, Earth, Equator 895 Words | 3 Pages Where I Come From ﻿Where I come From The poem “Where I come from” is a three versed poem with a lot of literary devices. The poem is... trying to show the influence of one’s upbringing, how it can change how they present themselves or how their character is developed. The poem shows the different variety of people in the world who all come from different settings hence holding different beliefs and being absolutely different people. The second paragraph is also a comparison between the countryside and... Consciousness, Mind, Olfaction 1553 Words | 3 Pages The Similarities and Differences Between Autumn and Spring between Autumn and Spring There is exquisite beauty in the seasons of autumn and spring. There are also distinctions which...

allow each season to stand out on its own. During spring everyday something new is born from a beautiful flower to a buzzing bee. The plants and trees begin to wither in autumn as the days grow longer and cooler. Though, autumn and spring are similar seasons, they have many drastic differences such as climate, holidays, and changes in appearance. Spring is the giver of... Autumn, Autumn leaf color, Color 831 Words | 3 Pages Can you can never leave the past behind? ﻿“Can we ever leave the past behind?” To answer this question I will be considering the theories of Melanie Klein and Erik... Erickson, as highlighted in module 2. I will be describing these stage theories of development in children, and how these theories suggest that successful or unsuccessful development of each stage may have an effect on a person in their adult life, thus supporting the notion that you can never leave the past behind you. I will then be looking at some of the other popular theories... Developmental psychology, Erik Erikson, Erikson's stages of psychosocial development 2590 Words | 5 Pages Spring and Autumn Compare and Contrast life comes the changing of the seasons, two of which are spring and autumn.

Signaling a new beginning, spring... offers new hope and new life begins. Autumn on the other hand signifies a time in which many things see an imminent death. This paper will explore the exquisite beauty both spring and autumn share, giving you a glimpse of their unique characteristics that are necessary to keep the circle of life going strong as it has for billions of years. Perhaps the first notice of spring can be... American films, Death, Hibernation 1041 Words | 3 Pages | |Listening to stories and rhymes on ‘Out in the Garden’... | |Sight Words - has, can | |Revisit sight word – I, ... Alliteration, Language, Orthography 777 Words | 4 Pages Palm Springs Project Marketing Giant of the Desert Palm Springs is a city in California mostly known for its great attractions and countless fun exciting things... to do. In a way it's more of a Vacation Resort than anything else. Palm Springs strives off tourism, it is the most important income in the whole city after sales taxes and property taxes. Tourists visit Palm Springs mostly in the winter when everything is open to the public. During the winter is when most events in Palm Springs occur aswell.

It is a city of numerous... Bisexuality, Gay, Homosexuality 1168 Words | 3 Pages The Spring Festival ancestors created lots of festivals such as The Spring Festival, The Lantern Festival, The Dragon Boat Festival, Moon Festival. The Dragon Boat... Festival was created to commemorate the poet 'quyuan' who jumped into the 'Han river' and committed suicide when he heard that Qin troops finally conquered Chu's capital. We eat moon cake only on the day of the Moon Festival that was created to commemorate a love story between Chang E and Hou Yi. However, they can only meet each other on the 15th day of the eighth... Chinese calendar, Chinese language, Chinese New Year 1326 Words | 4 Pages spring ﻿'Spring' 'How does Hopkins use language and style to convey his message to his readers?' Gerard Manley Hopkins was a... 19th-century poet whose poetry work mainly consisted of religion, nature and inner anguish as the main themes. Hopkins celebrated beauty in the nature world and he loved the season of spring, especially the freshness it brought.

In most of his poems, like 'Spring', Hopkins linked in nature to prayer and religion; he thought that the pure beauty in nature alone, was enough... Garden of Eden, Gerard Manley Hopkins, Meter 1117 Words | 3 Pages How Far Have We Come ﻿The Internet: How Far Have We Come? Have you ever thought about how different everyday life would be if we did not have the... Internet? Whether or not we realize it, the Internet plays numerous roles in our lives, both important and not important. From business and medical fields to students and the elderly, most, if not all of us use the Internet daily in some aspect. Without the Internet, businesses wouldn’t be able to connect with distant customers, and the medical field would not be able to... E-learning, Freedom of information, History of the Internet 1144 Words | 4 Pages Celia Behind Me what we fear is what we do not want to happen. One of the greatest fears in childhood is probably the fear of not being accepted by peers, and instead being... frozen out. Many children are willing to go far to eradicate the possibility of being in a similar situation.

Some children are even pushed so far that they show a side of personality, they never wanted to see because of the fear. This is a topic that the short story Girls deals with. Celia has always been seen as the black sheep. She’s chubby... Anger, Bullying, Girl 825 Words | 3 Pages Arab Spring ﻿Arab Spring Arab Spring is the name given to the recent series of rebellions and revolts against the undemocratic regimes... in Middle East and North Africa. Various factors such as poverty, unemployment, inflation and undemocratic practices were the main causes of these revolts.(This sentence should have been in the present participle since your first sentence is in present, avoid switching between tenses in one paragraph) Nobody had contemplated that what started as a small protest against police... Egypt, Hosni Mubarak, Jordan 1378 Words | 2 Pages lunch and then its winter ﻿LUNCH AND THEN IT IS WINTER !!! > > > > I FIRST STARTED READING THIS EMAIL & WAS READING FAST UNTIL I REACHED > > THE THIRD SENTENCE. I... STOPPED AND STARTED OVER READING SLOWER AND > > THINKING ABOUT EVERY WORD.

THIS EMAIL IS VERY THOUGHT PROVOKING. MAKES > > YOU STOP AND THINK. READ SLOWLY! > > > > AND THEN IT IS WINTER > > > > You know. . . time has a way of moving quickly and catching you > > unaware of the passing years. It seems just yesterday that I was > > young, just married and... 2006 albums, 2008 singles, Aerosmith 854 Words | 3 Pages Spring There are two torques, gravitational and spring, in this system. The condition that will produce an infinite period is that the two torques... balance each other exactly for any angle 0. Since the gravitational torque varies as sin 0, the spring torque must also. However, the spring torque is the product of two variables, the pull of the spring and the lever arm. Can we expresssin 8 as a product of two trigonometric functions? Yes,sin 0 = 2 sin 8/2 cos 8/2. Next, can we show that a! = /3 = 0/2? Since we...

Coil spring, Force, Leaf spring 1583 Words | 7 Pages The Rite of Spring Dance Critique: The Rite of Spring The Rite of Spring was choreographed by Vaslav Nijinsky, a Russian dancer and... choreographer. He joined The Imperial School of Ballet in 1900 and was later the lead dancer of the Ballet Russes. He eventually choreographed many works, one of them being Le Sacre du Printemps (The Rite of Spring) in 1913. He “exceeded the limits of traditional ballet” and the Rite was an example of this. In 1919 he was diagnosed with schizophrenia and spent the rest of his... Ballet, Ballets Russes, Dance 1620 Words | 4 Pages Can we leave the past behind? Can We Leave The Past Behind? Within this essay I will be looking at whether we can truly leave our pasts... behind or whether they remain a part of us within our present and future. My own belief is that our past is what makes us who we are today.

Our experiences from childhood through to adulthood make up our coping mechanisms for future situations and even if we have dealt with issues that may arise they will still remain in our conscious and unconscious minds. Looking at the theories of Melanie... Attachment theory, Ego psychology, Erik Erikson 2743 Words | 7 Pages Grass in Winter mending a Pasture in winter, I spent many hours researching how to do it correctly and the types of plants that would be the best fit. The... plants used to seed are often the most neglected part of a pasture, yet it usually provides the majority of nutrients to the stock. Well-managed pastures that are properly grazed have the potential to minimize feed costs and increase long-term health or your field. Pasture is the most natural diet for animals. Pasture plants A pasture can be comprised of many... Grassland, Grazing, Legume 1191 Words | 4 Pages Can we leave the past behind Anghelatos Words 2863 Can we ever leave the past behind? Firstly I shall... briefly discuss Erik Erikson’s life stage theory. Secondly this essay shall look at Object relation theory and discuss the work of Melanie Klein.

Following on I shall discuss the power of the past and the effect it has on the presence. I shall conclude by deciding whether we can leave the past behind us or not. Erik Erikson described development that occurs throughout the entire... Developmental psychology, Emotion, Melanie Klein 2887 Words | 6 Pages The Arab Spring The Arab Spring – Can It Avoid Death? A high degree of pessimism continues to hold a strong grip over the enthusiasts of... democracy in the Arab world. In the last one year or so, the popular uprisings for social and political change have stalled in Bahrain, Syria and Yemen. In Egypt, Libya and Tunisia, where the populace succeeded in toppling the authoritarian rulers, things did not change that much. Violence, conflicts, and killings of political opponents disturbingly characterize all the Arab countries... Arab League, Arab World, Arabian Peninsula 2642 Words | 7 Pages Spring Break Spring break is supposed to be a great time from the second it begins, until the second it ends. Now there is always that boring time it takes... to get to wherever you may be going no matter how far that may be it is always the least fun of the entire vacation.

My last spring break’s car ride happened to be the least fun by far of any trip I have taken up to this point in my life. It all started out not so good before I had even left to pick up my buddies who were riding with me for the trip. My... Apartment, Debit card, Panama City Beach, Florida 1466 Words | 4 Pages Blackberry Winter Blackberry Winter Robert Penn Warren's "Blackberry Winter" is the story of one young boy's sudden and painfully... realistic venture from behind the blissful cloak of childhood innocence into the more brutal reality of the world. Warren captures this transition through the eyes of the young and happily naïve Middle Tennessee farm boy, Seth. When the story begins, the nine year old Seth is lingering on the very edge of his innocence, but is undoubtedly still in the throws of the methodical... Boy, Childhood, Life 941 Words | 3 Pages Nothing Gold Can Stay Nothing Gold Can Stay The title of the poem is metaphorical which, makes comparisons to the young and youth. Gold represents value and... wealth. Therefore when it says “Nothing Gold Can Stay” it simply that nothing precious or of great value in the materialistic sense can stay forever.

Gold symbolizes materialism, it would not last for long and it will give a false sense of security and happiness. Gold, which is money based, can take years to accumulate but can be washed away in a millisecond... George Green, Green's identities, Human 881 Words | 2 Pages Winter Dreams Human desires can be very uncontrollable once we have found what we want in life. Sometimes what we desire may not be a benefit to us nor does... it alleviate even after trying to fulfill it. The greed in people restrain our feelings of satisfaction with what we already have, but rather reminds us of what we still lack even after achieving. In the short story "Winter Dreams" by F. Scott Fitzgerald, he introduces the character Dexter, a young man who struggles with desires which encompass wealth, status... 22nd century, F. Scott Fitzgerald, Ginevra King 1282 Words | 3 Pages The Exploration of the Rite of Spring Costumes anniversary of Vaslav Nijinsky’s creation of Le Sacre du Printemps, The Right of Spring that premiered in 1913. This question in mind has many...

dimensions when asked, to compare the relationship between the costumes of Nijinsky’s The Right of Spring and Pina Bausch interpretation of the score. When researching both ballets in relationship to the costumes that were represented in each version it becomes unclear of the real reasons behind the choices that Nijinsky and Bausch made to develop the style, design... Ballet, Ballets Russes, Igor Stravinsky 2285 Words | 6 Pages Heber Hot Springs Are a Natural Ecosystem Heber Hot Springs are a Natural Ecosystem Laura Jones SCI/256 September 16, 2010 Lynn Hart Heber Hot Springs are a Natural... Ecosystem Natural ecosystems make up the planet on which we live as well as the entire universe. They are dynamic and interconnected. An ecosystem is a collection of all plants, animals, microorganisms, bacterium and fungus as well as the non-living components that function together as one unit in a given area. A natural ecosystems is “the complex of a community and... Abiotic component, Biology, Biotic component 766 Words | 3 Pages Silent Springs Micaela Quiroga Silent Spring Rough Draft Ms. Evans, AP Lang, pd.

3 September 2012 In America today, many people do not realize the... impact they have on the environment. We come from a more educated generation, yes, but many people do not realize, that even just recycling can led to less deforestation, and ensuring that the environment of many animals is still there and safe. Much like how deforestation can negatively affect animals, it negatively affects us, less trees means less oxygen... DDT, Environmental movement, Environmentalism 979 Words | 3 Pages Hot Springs National Park Hot Springs National Park A Brief History of Hot Springs National Park The area we now know as Hot Springs... National Park, was first a territory of the United States in 1803. It was part of the Louisiana Purchase. In 1807, settlers came and soon realized it was an area that had potential to be used as a health resort. A short time after, in the 1830s, log cabins and a store was built to meet the needs of visitors. Today, thousands of people go to the springs every year. ...

A Great Way to Care, Bathing, Hiking 1201 Words | 7 Pages "Fast Food Nation" by Eric Schlosser: Chapter 3, "Behind the Counter", summary/response. Behind the Counter. In his book "Fast Food Nation", Eric Schlosser shows how the fast food industry has infiltrated every corner of American... Society. He tells of the disturbing reality that is American life today; almost every aspect of American life has been franchised or chained. Beginning in California and spreading throughout the entire country, Schlosser gives the history of the fast food industry and the evils and changes that developed with it. In Chapter three, Schlosser begins by describing... Fast food, Fast Food Nation, Fast food restaurant 1483 Words | 4 Pages Where I Come From ﻿where i come from - elizabeth brewster Discuss the way brewster uses language to convey her ideas about the link between identity and... place. The main subject of the poem is the contrast between the city and the countryside where the speaker came from.

Although there is no straight forward judgment made, the poet very cleverly, leaves subtle hints by showing a big difference in the tone of the two stanzas, which leads us to believe that she speaks in favour of the countryside, yet at the same... Elizabeth Brewster, Meaning of life, Place 1342 Words | 4 Pages Winter World Cup ﻿English Discursive essay A winter World Cup FIFA president Sepp Blatter has recently admitted to the Daily Mail that by electing Qatar... to host the 2022 could have been a “ mistake”. Soaring temperatures in the Middle East will make it almost impossible to play the tournament in the traditional months of June and July therefore, the first ever winter world cup looks likely. This has caused much heated discussion within the footballing sector. The wonderful game of football has always been... 2006 FIFA World Cup, Association football, Earth 806 Words | 3 Pages Final Paper Spring and Summer Spring and Summer...

1 How I Compare and Contrast Andrea Young Ashford University of Iowa ABC1102E January 24, 2011 2 I picked these two seasons, spring and summer because the both of these seasons are items I can compare and contrast, it seems much easier than the two items I picked before the two... Difference, Season, Spring 955 Words | 3 Pages Sun and Winter Solstice this assignment to your teacher by the due date for full credit. (2 points) Score | The region north of 66½° N latitude is the Arctic Circle.... Use the simulator to describe the length of the day during winter, spring, summer, and fall. Answer: Winter | | Spring | | Summer | | Fall | | (6 points) Score | Use the simulator to complete the table. Use the angle measurements on the left side of the dome to get the maximum angle of... Arctic Circle, Earth, Equator 474 Words | 4 Pages Winter Dreams - Literary Concerns 18th September 2010 What can we learn about Fitzgerald’s literary concerns from Winter Dreams? In this essay I am going to... analyze the literary concerns of F. Scott Fitzgerald in Winter Dreams.

F. Scott Fitzgerald’s short story ‘Winter Dreams’ first appeared in the Metropolitan Magazine, December 1922. ‘Winter Dreams’ tells the story of Dexter Green and the pursuit of his dreams as he aspires to be one of the ‘old money elite’, from his humble beginnings as a caddie at a golf club to becoming... Dream, F. Scott Fitzgerald, Golf 1343 Words | 4 Pages Arab Spring of food, high unemployment rate, and unreasonably high product prices, the citizens began to protest against their government’s selfish ways ,and then later... moved on to revolt completely causing the Arab spring risings of 2011. Today, the year of 2014 is soon to arrive and the Arab countries are far off from achieving their goals of establishing a democracy causing many people to conclude that the war is over and the selfish governments have won. Though it may seem that the Arab countries have failed... Egypt, Israel, Jordan 1844 Words | 5 Pages The Truth Behind the Disguise in Far from Heaven The truth behind the disguise in Far from Heaven Have you ever found yourself in a moment, where you lied about your true... feelings or kept it to yourself?

Or, have you ever been attracted to someone, and you do not speak to that person but your friends know you are attracted to them? Even more so, have you ever gotten into a conversation, already knowing what you are going to say? Because of questions like these, sociologists study the social and psychological actions people undertake in our... Communication, Group dynamics, Nonverbal communication 1759 Words | 5 Pages Poetry Explication of "Spring & Fall", by Gerard Manley Hopkins The poem "Spring and Fall" by Gerard Manley Hopkins is a poem focusing on the brevity of life, and the grief that is felt in the hearts of all... mankind throughout our lives. It is also about the sadness felt by humans as we see ourselves aging, and ultimately about the fact that sin and separation from God bring sorrow and sadness that can never be fully explained by man. The poet is seemingly speaking to a young child, Margaret, who in her naivety and youth is only beginning to learn about aging...

Duns Scotus, Gerard Manley Hopkins, Meter 901 Words | 3 Pages Nothing Gold Can Stay Paper poem, “Nothing Gold Can Stay.” This poem goes to great lengths to emphasize it’s message; that each line of this piece strengthens the idea... that bliss, and life itself are truly “golden” with the use of metaphors, but inevitably these feelings fade away. Throughout this piece Frost uses the aid of metaphors to convey his message, and these metaphors were comparisons with nature. “Nature’s first green is gold”, now when the thought of nature’s first green comes to mind, it can only be assumed that... Alfred, Lord Tennyson, Flower, Garden of Eden 1140 Words | 3 Pages Winter sonnet ﻿Winter sonnet 3 areas, build to TWIST, don’t make obvious what the couplet will “resolve” or conclude or point out! I enclosed some...

specific negatives for reference, but frankly, I wouldn’t go there; I wouldn’t mention much in the way of negatives; I would just talk about the activities in each setting and how good they feel>>>> and then highlight how even as good as they are, that the whole of them together in the winter season is more than simply the sum of their parts; it’s the combination... Christmas, Ice, Precipitation 736 Words | 3 Pages ACCEPTABILITY OF CHILI (CAPSICUM) IN MAKING SPRING ROLLS Comments and Suggestions:... __________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________ This research study is entitled ACCEPTABILITY OF CHILI (CAPSICUM) IN SPRING ROLLS. Usually to answer what are the standard... Capsaicin, Capsicum, Chili pepper 913 Words | 4 Pages Winter Dreams Literary Analysis Winter Dreams Literary Analysis The short story, “Winter Dreams”, by F. Scott Fitzgerald holds lasting impact today, mainly for... the author’s ability to weave love, desire, emotion, and the moral fiber of an individual into a story.

The underlying theme is centered on how charisma can drives a person to lose sight of their true goal in life, thereby finding pleasure in selfish gain which results in eventual loss. I will develop an analysis of characterization and theme in this famed short story... A Story, All the Sad Young Men, Dexter by Design 1282 Words | 4 Pages Spring and Fall Spring and Fall, written by Gerard Manley Hopkins, is a simple and graceful poem that has a powerful religious theme. It is about changing... seasons and mankind's mortality. The poem addresses Margaret, which is generally assumed to be a young girl. We assume this based on the use of the word Golden grove, which can mean a simple, dream-like, play-world. The narrator asks the young girl why Golden grove is "unleaving", or losing its leaves. This falling of the leaves occurs in the autumn as...

Duns Scotus, Gerard Manley Hopkins, Meter 993 Words | 3 Pages Pina Bausch's "Rite of Spring" ﻿Parth Patel May 2, 2014 Dance 111 Final Paper Pina Bausch's "Rite of Spring" With over 7 billion people living worldwide, there is one... thing that everyone can appreciate and that is dance. No matter your race, gender, religious background, etc. dance is one of the few things that everyone can enjoy. Despite being around since the beginning of time, dance has a way of evolving into various forms to captivate viewers, which is why it is one of the most beautiful forms of art that we as a population... Dance, Doris Humphrey, Igor Stravinsky 829 Words | 4 Pages A Winters tale ﻿Introduction to Shakespeare Final Paper Assignment Defiance in The Winters Tale From Shakespeare’s work The Winters... Tale, the audience is given a vivid representation of gender politics. Like most of Shakespeare’s plays, the character development of the women is particularly profound, specifically Hermione and Paulina.

These characters are arguably the most discerning characters Shakespeare has every created, and when they are faced with such tremendous adversity; they exemplify a virtuous... Ben Jonson, First Folio, Gender role 1406 Words | 6 Pages Ode to the West Wind versus Life Will - final version "Ode to the West Wind" and Elshabby, in his "Life Will" follow the tradition of romantic poets in recognizing nature as a rebellious force capable of making... a change in our life. Shelly both admires and fears the changes nature's rebellious forces can wreak. Elshabby, however, is consumed by the hope that people will take their cue from nature and become so fully rebellious against oppression till they eliminate all sorts of oppression. Shelley's "Ode to the West Wind" expresses the hope that its... John Keats, Mary Shelley, Ode to the West Wind 1744 Words | 5 Pages Come Intergroup relations between two or more groups and their respective members are often necessary to complete the work required to operate a business. Many... times, groups inter-relate to accomplish the organization's goals and objectives, and conflict can occur.

Some conflict, called functional conflict, is considered positive, because it enhances performance and identifies weaknesses. Dysfunctional conflict, however, is confrontation or interaction between groups that harms the organization or hinders... Alternative dispute resolution, Conflict, Conflict management 1417 Words | 5 Pages Season and Winter the weather like in spring? 1 2 3 4 5 6 7 8 9 10 SUMMER COLD WEAR SUNGLASSES MITTENS COAT DECEMBER... SPRING WEATHER DRY Across Down 5. We wear _____ to keep the hands warm in the winter. 7. In China, the winter is usually in ______ , January and February. 9. We wear _______ and shorts in the summer. 10. What's the opposite of wet? 1. I usually wear my orange _____ in the winter. 2. It's usually hot and sunny in _______ . 3. In winter the weather is snowy...

Autumn, Jon Foreman, Lowercase people records 264 Words | 5 Pages <a name="Ode to the West Wind">Ode to the West Wind Thou on whose stream , mid the steep sky's commotion, Loose clouds like earth's decaying leaves are shed, Shook from the tangled boughs of Heaven and Ocean, Angels of rain and lightning: there are spread On the blue surface of thine airy surge, Like the bright hair uplifted from the head Of some fierce Maenad , even from the dim verge Of the horizon to the zenith's height The locks of the approaching storm. Thou dirge Of the dying year, to which this closing night Will be the dome of a vast sepulchre, Vaulted with all thy congregated might Of vapours, from whose solid atmosphere Black rain, and fire, and hail will burst: O hear!

III Thou who didst waken from his summer dreams The blue Mediterranean, where he lay, Lulled by the coil of his crystalline streams, Beside a pumice isle in Baiae's bay , And saw in sleep old palaces and towers Quivering within the wave's intenser day, All overgrown with azure moss and flowers So sweet, the sense faints picturing them! Thou For whose path the Atlantic's level powers Cleave themselves into chasms, while far below The sea-blooms and the oozy woods which wear The sapless foliage of the ocean, know Thy voice , and suddenly grow grey with fear, And tremble and despoil themselves: O hear! IV If I were a dead leaf thou mightest bear; If I were a swift cloud to fly with thee; A wave to pant beneath thy power, and share The impulse of thy strength, only less free Than thou, O uncontrollable ! If even I were as in my boyhood, and could be The comrade of thy wanderings over heaven, As then, when to outstrip the skyey speed Scarce seemed a vision; I would ne'er have striven As thus with thee in prayer in my sore need. Oh!

lift me as a wave, a leaf, a cloud! I fall upon the thorns of life! I bleed! A heavy weight of hours has chained and bowed One too like thee: tameless, and swift, and proud. V Make me thy lyre , even as the forest is: What if my leaves are falling like its own! The tumult of thy mighty harmonies Will take from both a deep, autumnal tone, Sweet though in sadness. Be thou, Spirit fierce, My spirit! Be thou me, impetuous one! Like withered leaves to quicken a new birth; And, by the incantation of this verse, Scatter, as from an unextinguished hearth Ashes and sparks, my words among mankind! Be through my lips to unawakened earth wild West Wind Apart from the alliteration it is also worth noting the capitalisation of West Wind in the poem.

In typically Romantic fashion an abstract quality or aspect of Nature is personified and addressed in the poem, such that it appears divine or god-like, or as an expression of the divine breath of Autumn's being The West Wind is, as this phrase suggests, a manifestation of spiritual or supernatural energy, associated with breath, respiration and inspiration, with pneuma and anima, the Holy Ghost or Spirit, the spirit of life itself. This is important in a stanza which contains so many references and allusions to death and decay, reaffirming the energy and vitality of the west wind. The phrase also carries neo-platonic associations, with the wind as visible expression of the abstract and intangible Nature itself, "Autumn's being": the reference to "unseen presence" in the next line carries on this sense of an order beyond the visible. This neo-platonic imagery is recurrent throughout Shelley's poetry, and is vital to an understanding of Shelley's own developing ideas about nature and the "unseen".

leaves dead Leaves here refer to trees and the wind-borne seeds, but the phrase also carries associations with paper (leaves from books?), the "withered leaves" (and "dead thoughts") referred to in stanza 5, which are driven across the universe by the power of the wind. There is a further suggestion that "leaves", in the poem, may refer to Shelley's own fears of losing his own hair, a suggestion which becomes more credible in reading the final stanza. The leaves here are dead and fall to the Earth, a recurrent theme in this stanza, but there they may give rise to new life. ghosts The phrase clearly helps build up the sense of death, but also life after death, which is brought about by Autumn, and by the west Wind. There are a number of images in this stanza which help build up this sense of death, haunting and the sepulchre, such as "Pestilence", "dark wintry bed", "cold and low", "corpse within its grave", emphasizing the West Wind's quality as a harbinger of Death. enchanter Like "ghosts" the word emphasizes the supernatural power of the West Wind, holding the observer spell-bound, but remaining invisible.

Is the Wind here but the expression of this invisible and supernatural power, rather than the force itself? The reference to enchantment anticipates the next line and the references to the Pestilence-driven multitudes, hypnotised by the dance of Death and unable to resist its power. It is also worth noting that enchantment originally meant incantation, the singing or weaving of a spell, like the violent noise made by the wind itself. Yellow, and black, and pale, and hectic red The colours of the leaves swept from the trees, but possible also a reference to the colours of the world's races, swept away by the forces of Change and Destruction at work throughout the world, i.e. not just in Europe. The word hectic here means feverish, with its related associations of frenzy, energy and writhing, picked up in the next line's reference to Pestilence, the Plague which destroys whole communities. Chariotest to their dark wintry bed to carry or steer, but with possible associations of transport to the Underworld. Note that in this stanza there is recurrent emphasis on the Earth, as opposed to the Air in Stanza 2 and Water/Sea in Stanza 3.

See also the line "like a corpse" within its grave, 2 lines on. Wild Spirit, which art moving everywhere; The stanza ends with a final couplet which returns us to the sense of the Wind as wild and ever in motion, after the brief respite of Spring described in the previous four lines. The emphasis here on "moving" "everywhere" might suggest that the Wind, or spirit behind the wind, is continually in motion in all created nature, and not just in this one Mediterranean location, in other words, the winds of change. Destroyer and Preserver The Wind possesses these two attributes, coupled also with its role as Creator. In Hindu mythology the three principal gods are Siva (Destroyer), Brahma (Creator) and Vishnu (Preserver), and it is significant that Shelley's poem invokes all three gods as manifested in the one abstract force of (or within or behind) the West Wind. The phrase neatly expresses the ambivalent attitude which Shelley feels towards the Wind. stream in other words, the flow of the wind or air.

This stanza is predominantly concerned with the violence and terror of air storms, and it begins with a description which expresses the powerful spectacle of fractocumulus turbulence ("clouds running beside thunderstorms, which can be seen discharging water into the sea, but which themselves are composed of water evaporated from the sea"), which bring air (Heaven) and water (Ocean) together as one powerful force. Note the use of the phrase "decaying leaves", which continues on from the reference to the "leaves" of Stanza 1. summer dreams At the beginning of this third stanza there is an apparent change of mood and tone, as the poem recalls the mood both of Summer, and of older aristocratic civilisations now buried beneath the Mediterranean waters. The connection between Summer and older political and social orders, the political implication of the poem, is that of the West Wind itself, which Shelley typifies as acting at first below the water, and now on its surface. In the first part of the stanza the emphasis, however, is on the sensuous and luxuriant, in phrases such as "lulled" and "sleep". Baie's Bay...

old palaces and towers An area west of Naples, a notoriously volcanic area, (hence the reference to "pumice"), and a former tourist resort in Roman times. In 1818 Shelley had taken a boat trip in the Bay and observed "the ruins of its antique grandeur standing like rocks in its transparent sea under our boat". As the Roman town had been renowned for its luxury, immorality and even cruelty Shelley uses the image of the now underwater parts of the resort as a symbol of an older aristocratic order, overgrown with "moss and flowers", and levelled by the Atlantic's power: As in Ozymandias Shelley here introduces a reflection on the futility and transitoriness of human authority when set against the forces of nature, manifested in phenomenon such as volcanoes and tempests. Atlantic's level powers The West Wind has had its origins in the Atlantic, and Shelley suggests here the impact of the Wind as its effects reach across Europe to the Mediterranean. The political implications, in terms of "waves of revolution" sweeping eastwards across the continent, are clear: the Atlantic's influence is a "levelling" one, breaking down the social divisions brought about by tyranny and injustice.

Alternatively, even the Atlantic is whipped into chasms by the force of the wind, so it is inevitable that the Mediterranean's waters will do so also. know thy voice Shelley comments here "The phenomenon alluded to at the conclusion of the third stanza is well known to naturalists. the vegetation at the bottom of the sea, of rivers, and of lakes, sympathizes with that of the land in the change of the seasons, and is consequently influenced by the winds which announce it." In the context of what has preceded them, these lines suggest that even the older aristocratic Roman order had to recognise the inevitability of its fall under the forces of time and of nature. Yet again the West Wind is typified as both agent and harbinger of radical and violent change. Within the stanza as a whole these closing lines radically disrupt the mood of calm and sensuality created in the first eleven lines or so tremble and despoil themselves "Despoil" here refers to the loss of leaves. Shelley's reference to the underwater trees losing its leaves echoes the earlier references to the loss of leaves in the first two stanzas, which is picked up and drawn together in stanzas 4 and 5.

If At this point there is a break in the poem, a radical shift of argument and a pulling together. Shelley likes himself, hypothetically, to a leaf, a cloud and a wave, subject to the force of the West Wind, and asks to be borne aloft with it: he may be talking about "inspiration" or "enthusiasm", both words which are derived from the sense of being filled with air, inflated, rising above experience and age. O Uncontrollable! The Wind is not subject to the forces of self-regulation and the Appollonian urge to order and give form, unlike Shelley himself. He is asking, in effect, for a return to the raw power and energy he felt and knew as a child. Make me thy lyre This is an important motif which runs throughout Shelley's poetry, but is most clearly articulated in his Defence of Poetry. Like Coleridge and Wordsworth before him, Shelley uses the image of that favourite romantic toy, the aeolian lyre, as a symbol of the relationship between the mind of man and the "external world".

For Shelley, as for Coleridge, the human mind could be likened to the strings of a lyre, which makes music when the wind (experience, outward sense impressions) blows through the strings and creates both melody and harmony. As a poet there is an obvious connection here with the concept of poetic "inspiration", the ability to be moved and drawn by the spiritual rush of the spirit in the air. The West Wind in the poem does, as Stanzas 1-3 suggest, rush through the trees, drawing leaves down to the ground and making its own sound. At this point in the poem Shelley makes the direct connection with his need to be inspired by seeing the Wind's force, and the impact made by the Wind on forests, creating harmonies in his own mind and verse. Drive my dead thoughts The Wind, as a force of inspiration, will hopefully enable him to spread his message across the universe, both awakening the "embers" of Shelley's art, and also the political urgency of the message itself. The reference to "withered leaves" suggests how dispirited the poet is that his poetry has not yet been effective in helping to bringing about radical changes of opinion, the "new birth" referred to in the following line.

The final line of Shelley's Defence of Poetry proclaims that "poets are the unacknowledged legislators of the world": this line puts more emphasis on the "unacknowledged" than it does on the attempt to legislate. Is this Shelley recognising the limits of his attempts to write poetry that will make something happen? unawakened earth This phrase hearkens back to the opening lines of the poem, but in this context takes on additional associations, the attempt to bring (political and social) ideas to fruition in the dead "Earth", i.e. the world is asleep to new possibilities for society and politics. The trumpet of a prophecy! There is a conscious echo here back to the clarion call of stanza 1: there the call was associated with Spring, and there are similar suggestions here of the proclamation of a new era in human society, preceded by the apocalyptic energy symbolised by the West Wind. If Winter comes, can Spring be far behind? The poem ends it with a question, which might appear rhetorical, but is more probably intended to indicate Shelley's own uncertainty.

It is important to note that Shelley did not advocate the willing application of force and revolution, as his defence of the doctrine and strategy of passive resistance in The Mask of Anarchy indicates. Clearly hoped that radical social change, or a rebirth of personal inspiration, could be accomplished without violence. His comments in his notebook are useful to help us to read this final line: "the spring rebels not against winter but it succeeds it - the dawn rebels not against night but it disperses it." The unanswered question in this poem is whether or not the same cyclical inevitability will apply to social and political change as it does to the changes within Nature. Ode to the West Wind: Notes Written in the Autumn, 1819, and published in the following year, this poem has become one of the most popular and best-known of Shelley's verses. In a note Shelley outlined the circumstances behind the poem's making: This poem was conceived and chiefly written in a wood that skirts the Arno, near Florence, and on a day when the tempestuous wind, whose temperature is at once mild and animating, was collecting the vapours which pour down the autumnal rains.

They began, as I foresaw, at sunset with a violent tempest of hail and rain, attended by that magnificent thunder and lightning peculiar to the Cisalpine regions. Although the poem contains reference to this localised setting, it moves out from this to associate the West Wind with biographical, social and spiritual significance. At this time of the year, Autumn, the west wind blowing across Europe from the Atlantic can be extremely violent. In this apocalyptic poem Shelley characterises it as a destructive and fearsome force, yet it is also a harbinger of the inevitable coming of Spring. It is, therefore, both Destroyer and Creator, and Shelley sees the West Wind as a symbol of the regeneration which will follow the destruction and Death of Winter. In a personal sense Shelley addresses the Wind as a force which will reinvigorate him, the Wind of Spirit and Inspiration, at a time (aged 27) when he feels his own powers as a poet are on the decline. Socially and politically, the Wind represents the destructive and revolutionary energies which had been seen in Europe over the previous thirty years, overthrowing long-established and corrupt social orders in France and Italy.

Would there be a "Spring" to follow the destructiveness of this European Autumn and Winter, leading to a new renaissance in political and social affairs? This symbolism is most clearly evident in Section III of the poem. In spiritual terms the West Wind, invoked here as either god, or manifestation of the divine Spirit, is both celebrated as a harbinger of new creation, manifested in Spring, and also feared for its destructiveness and great power. The "West Wind", in a spiritual sense, becomes an abstract expression or manifestation of the spirit - the anima, the "divine wind" - within Nature, a driving force behind the turning wheel of the seasons and the cycles of Life-and-Death. The final effect of the poem is ambivalent, a mixture of depression and hope, signalled by the question-mark which ends the poem. Is Shelley here affirming that Spring (in a personal, social and spiritual sense) will inevitably follow this Winter, or is that simply imposing a human construction on Nature, with no guarantee that new life and purpose will follow the destructiveness of the Autumn wind?

The form of the poem is highly regular and tightly controlled: five stanzas, each of which is a sonnet made up of four units of terza rima and a final couplet, but will fluidity and run-on lines within and between the stanzas. Stanzas 1 to 3 each conclude with a phrase of formal invocation, "O hear", in the manner of a prayer or hymn, describing the attributes of the deity. In the final 2 stanzas the poet's personal voice of supplication is introduced, calling for the deity to work in and through him, restoring him to spiritual health and creative vigour, but with no final and ultimate conviction that this will happen in his own life-time. SparkNotes: Shelley’s Poetry: “Ode to the West Wind” “Ode to the West Wind” “Ode to the West Wind” → “The Indian Serenade” Summary The speaker invokes the “wild West Wind” of autumn, which scatters the dead leaves and spreads seeds so that they may be nurtured by the spring, and asks that the wind, a “destroyer and preserver,” hear him.

The speaker calls the wind the “dirge / Of the dying year,” and describes how it stirs up violent storms, and again implores it to hear him. The speaker says that the wind stirs the Mediterranean from “his summer dreams,” and cleaves the Atlantic into choppy chasms, making the “sapless foliage” of the ocean tremble, and asks for a third time that it hear him. The speaker says that if he were a dead leaf that the wind could bear, or a cloud it could carry, or a wave it could push, or even if he were, as a boy, “the comrade” of the wind’s “wandering over heaven,” then he would never have needed to pray to the wind and invoke its powers. He pleads with the wind to lift him “as a wave, a leaf, a cloud!”—for though he is like the wind at heart, untamable and proud—he is now chained and bowed with the weight of his hours upon the earth.

The speaker asks the wind to “make me thy lyre,” to be his own Spirit, and to drive his thoughts across the universe, “like withered leaves, to quicken a new birth.” He asks the wind, by the incantation of this verse, to scatter his words among mankind, to be the “trumpet of a prophecy.” Speaking both in regard to the season and in regard to the effect upon mankind that he hopes his words to have, the speaker asks: “If winter comes, can spring be far behind?” Form Each of the seven parts of “Ode to the West Wind” contains five stanzas—four three-line stanzas and a two-line couplet, all metered in iambic pentameter. The rhyme scheme in each part follows a pattern known as terza rima, the three-line rhyme scheme employed by Dante in his Divine Comedy. In the three-line terza rima stanza, the first and third lines rhyme, and the middle line does not; then the end sound of that middle line is employed as the rhyme for the first and third lines in the next stanza. The final couplet rhymes with the middle line of the last three-line stanza.

Thus each of the seven parts of “Ode to the West Wind” follows this scheme: ABA BCB CDC DED EE. Commentary The wispy, fluid terza rima of “Ode to the West Wind” finds Shelley taking a long thematic leap beyond the scope of “Hymn to Intellectual Beauty,” and incorporating his own art into his meditation on beauty and the natural world. Shelley invokes the wind magically, describing its power and its role as both “destroyer and preserver,” and asks the wind to sweep him out of his torpor “as a wave, a leaf, a cloud!” In the fifth section, the poet then takes a remarkable turn, transforming the wind into a metaphor for his own art, the expressive capacity that drives “dead thoughts” like “withered leaves” over the universe, to “quicken a new birth”—that is, to quicken the coming of the spring. Here the spring season is a metaphor for a “spring” of human consciousness, imagination, liberty, or morality—all the things Shelley hoped his art could help to bring about in the human mind.

Shelley asks the wind to be his spirit, and in the same movement he makes it his metaphorical spirit, his poetic faculty, which will play him like a musical instrument, the way the wind strums the leaves of the trees. The thematic implication is significant: whereas the older generation of Romantic poets viewed nature as a source of truth and authentic experience, the younger generation largely viewed nature as a source of beauty and aesthetic experience. In this poem, Shelley explicitly links nature with art by finding powerful natural metaphors with which to express his ideas about the power, import, quality, and ultimate effect of aesthetic expression. More Help The last line of the poem "Ode to the West Wind" is often quoted. "If Winter comes, can Spring be far behind?" What does this mean? | eNotes The last line of the poem "Ode to the West Wind" is often quoted. "If Winter comes, can Spring be far behind?" What does this mean? pohnpei397 | College Teacher | (Level 3) Distinguished Educator Posted on August 9, 2010 at 10:31 PM In this poem, Shelley talks about the west wind as both a creator and a destroyer.

He says that as it destroys things (through storms) it is also recreating new landscapes and new life. He hopes that his poetry will be able to do the same for the human world. It is in that context that we can understand the last line. What Shelley is saying in this line is something like the proverb that it is always darkest before the dawn. He is saying that when winter comes (in the darkest and bleakest time of the year) we should not be discouraged. This is because spring, the time of rebirth, will be coming soon. The same processes that destroy (the west wind, the passage of time) will also cause renewal. like 2 dislike 1 January 7, 2011 at 3:42 AM Melancholy, which is a salient characteristics of Romantic Art, is a typical feature of Shelley's poetry. Ode to the West Wind is an impassioned call to the abiding reality of nature wherein he implores it to blaze away things which are dull and sick. He urges the Wild West Wind to Bring on the wind of change. The poem is divided into 5 stanzas, and Shelley has finely distributed the roles on the West Wind in each of them.

It has been sometimes shown as the destroyer and sometimes as the preserver. Shelley himself has been shown as somebody longing to share the brute force and the all-engulfing power of the West Wind. The last line "If Winter comes, can Spring be far behind?" is the key to hope in this poem which is full and locked with ideas pertaining to negativity although well-intentioned. Without this line, Shelley would have been typecast as the "great-mourner" without a reason to mourn. [He was the grandson of a rich country squire and had never experienced abstract poverty as Keats.] The 70 lines of the poem can be classified as the build up to the last two lines. Shelley wanted to unleash the power of change and positivity onto the youths of his age, [He was only 27 when he wrote this poem] and he chose the West Wind to carry his message. Autumnal decay and the barrenness of winter may make the world desolate, but beyond lies waiting the Spring of another year.

It is this ebb and flow, the endless 'baffling change' of the great tide of humanity, which Shelley sings, as well as the death and exit of dreary regenerative seasons. Shelley sings in exquisite melody of the advent of millennium. Possessed by the creative principle, his dead thoughts become ashes and sparks to feed a new conflagration. The poem ends on a note of hope and promise of triumph. like 1 dislike 0 275. Ode to the West Wind. P. B. Shelley. The Golden Treasury CCLXXV . Ode to the West Wind O WILD West Wind, thou breath of Autumn's being Thou from whose unseen presence the leaves dead Are driven, like ghosts from an enchanter fleeing, Yellow, and black, and pale, and hectic red, Ode to the West Wind Ode to the West Wind Bookmark this page Manage My Reading List Summary The autumnal west wind sweeps along the leaves and "wingèd seeds." The seeds will remain dormant until spring. The wind is thus a destroyer and a preserver. The west wind also sweeps along storm clouds. It is the death song of the year.

With the night that closes the year will come rain, lightning, and hail; there will be storms in the Mediterranean and the Atlantic. The poet pleads with the west wind to endow him with some of its power, for he feels depressed and helpless. If he were possessed of some of the power of the west wind, he would be inspired to write poetry which the world would read and by which it would be spiritually renewed, just as the renewal which is spring succeeds the dormancy of winter. Analysis Shelley appended a note to the "Ode to the West Wind" when it appeared in the Prometheus Unbound volume in 1820: "This poem was conceived and chiefly written in a wood that skirts the Arno, near Florence, and on a day when that tempestuous wind, whose temperature is at once mild and animating, was collecting the vapours which pour down the autumnal rains. They began, as I foresaw, at sunset with a violent tempest of hail and rain, attended by that magnificent thunder and lightning peculiar to the Cisalpine regions." The note is interesting in that it shows that the poem came out of a specific experience.

The imagery of the poem suggests a natural phenomenon that is observed while it is taking place. The fact that it was written near Florence, Dante's city, may explain why Shelley used terza nina, the stanza of Dante's Divine Comedy, but rare in English poetry, in the ode. Terza nina is a series of triplets with interlocking rhymes, aba, bcb, cdc, etc. Shelley modified the pattern by ending each of the five sections of the poem with a climactic couplet. In keeping with his terza nina stanza, he concentrates on the effects of the west wind on three classes of objects: leaves, clouds, and water. The combination of terza nina and the threefold effect of the west wind gives the poem a pleasing structural symmetry. In the ode, Shelley, as in "To a Skylark" and "The Cloud," uses the poetic technique of myth, with which he had been working on a large scale in Prometheus Unbound in 1818. The west wind is a spirit, as is the skylark. It possesses great powers and for this very reason Shelley can pray to it for what he feels he is deeply in need of.

He falls "upon the thorns of life," he bleeds; a "heavy weight of hours has chained and bowed" him. It was Shelley's belief that poetry, by appealing to the imagination, could stir the reader to action in a given direction. With Shelley, this direction was liberty and democracy. In Prometheus Unbound, he sketched the wonderful world of freedom that he dreamed of; readers, fascinated by Shelley's glowing descriptions, would be stimulated to want such a world too. Unfortunately, readers seemed uninterested in his poetry, and democracy was not making progress in the Europe of 1819, when he wrote the poem. Shelley was profoundly discouraged, chained and bowed by a "heavy weight of hours." If he had the power possessed by his west wind's mythical divinity, readers would listen and freedom would prosper. "Be thou, Spirit fierce, / My spirit / Be thou me, impetuous one! . . . Scatter . . . my words among mankind!

/ Be through my lips to unawakened earth / The trumpet of a prophecy!" By using the poetic device of myth, Shelley is able to indulge in wish-thinking without seeming to and, at the same time, he can strengthen the virtue of hope in himself. The poem ends optimistically: "O Wind, / If Winter comes, can Spring be far behind?" Freedom will grow, no matter what obstacles there may be, and Shelley's words will help it grow. Shelley's "Ode to the West Wind" is a good example of Shelley's poetic mind at work, and when it is at work, it is heaping up similes and metaphors. It is Shelley's extravagant fondness for metaphorical language that makes him all too often obscure and his subject matter thin. He is prone to be swept away by words, to be mastered by them, rather than to be a master of them. The leaves are driven from the presence of his west wind divinity "like ghosts from an enchanter fleeing." The simile is not based in reality nor is it functional.

No doubt it comes from Shelley's early reading, much of which consisted of pulp fiction that dealt in enchanters, demons, and all forms of the supernatural moving about in an atmosphere of horror. The wind then changes from an enchanter to a carter driving a load of wingèd seeds to "their dark wintry bed" where they will lie like corpses in their graves until they are summoned to arise by the trumpet of the spring wind. The spring wind drives sweet buds "like flocks to feed in air" just as the west wind drives the leaves. The buds are not left as buds; they are transformed into sheep. In the second stanza, the clouds are at once leaves "shook from the tangled boughs of Heaven and Ocean" and they are also "angels of rain and lightning." They are also, apparently, the "locks of the approaching storm," and they remind the poet of the locks on the head of "some fierce Maenad." The west wind is both a stream and a funeral song, and the coming night will be a huge tomb built by rain clouds carried by the wind.

In the third stanza, the west wind is the awakener of the Mediterranean Sea, lulled to sleep by its own currents and seeing in its sleep "old palaces and towers . . . overgrown with azure moss and flowers." The effect of the west wind on the Atlantic is to cut it into chasms as with a huge-bladed weapon and to inspire fear in the seaweed growing on the bottom. The contrast between the simplicity of the language in stanzas four and five, where Shelley is talking about himself, is the difference between dense jungle and treeless plain. When Shelley describes, the metaphors fall so thick and fast that the reader should perhaps simply yield without resistance to the incantation of the language. Shelley sometimes succeeds by sheer accumulation of language. Critics have noted Shelley's hypnotic power. The breathless sweep of accumulated language may perhaps be felt justifiable by the reader in a poem on a violent wind. Something which has the power of the wind is conveyed by the sheer mass of mellifluous, figurative language of the first three stanzas.

Question: Which poem contains the line 'If winter comes can spring be far behind'?
Answer: ODE TO THE 'WEST WIND