The Ragman's Daughter (1972) - IMDb IMDb There was an error trying to load your rating for this title. Some parts of this page won't work property. Please reload or try later. X Beta I'm Watching This! Keep track of everything you watch; tell your friends. Error | Crime , Drama , Romance | 1972 (UK) A cheese warehouse worker with wife and two kids hates his dull life. He reminisces about the time he met the late love of his life and the days they spent riding around on his motorbike and her horse committing petty thievery.

Director: 2 March 2010 1:47 AM, -08:00 | The Hollywood Interview Around The Web a list of 87 titles created 22 Jul 2012 a list of 9999 titles created 09 Mar 2013 a list of 9995 titles created 26 Nov 2013 a list of 292 titles created 07 Jul 2014 Title: The Ragman's Daughter (1972) 7.2/10 Want to share IMDb's rating on your own site? Use the HTML below. You must be a registered user to use the IMDb rating plugin. Add Image Add an image Do you have any images for this title? A romantic comedy which explores the pressures on police officers. Director: Harold Becker Lenny Brown moves to California to find his fortune in tax shelter investments. When the federal government changes the tax laws, poor Lenny finds himself $700,000 in hock with nowhere to ...

See full summary » Director: Harold Becker Greg Powell is a disturbed ex-con who recruits Jimmy Smith (aka Jimmy Youngblood), a petty thief, as his partner in crime. Powell panics one night when the two of them are pulled over by a ... See full summary » Director: Harold Becker 1 2 3 4 5 6 7 8 9 10 5.9/10 X It is 1957. J.C. Cullen is a young man from a small town, with a talent for winning at craps, who leaves for the big city to work as a professional gambler. While there, he breaks the bank ... See full summary » Directors: Ben Bolt, Harold Becker Stars: Matt Dillon, Diane Lane, Tommy Lee Jones U.K. gay activists work to help miners during their lengthy strike of the National Union of Mineworkers in the summer of 1984. Director: Matthew Warchus A divorced father discovers that his 12-year-old son's new stepfather is not what he made himself out to be.

Director: Harold Becker A high school wrestler in Spokane, Washington has trouble focusing on his training regimen when a beautiful young drifter takes up temporary residence at his home. Director: Harold Becker The accidental shooting of a boy in New York leads to an investigation by the Deputy Mayor, and unexpectedly far-reaching consequences. Director: Harold Becker A tale about a happily married couple who would like to have children. Tracy teaches art, Andy's a college dean. Things are never the same after she is taken to hospital and operated upon by Jed, a "know all" doctor. Director: Harold Becker A detective investigating a series of murders becomes involved with a woman who may be the culprit. Director: Harold Becker In the 1990s, a South American city is rocked by the imminent outbreak of a plague. While many attempt to flee the city, Dr Bernard Rieux sends his sick wife away and does his best to care ... See full summary » Director: Luis Puenzo Military cadets take extreme measures to insure the future of their academy when its existence is threatened by local condo developers. Director: Harold Becker Edit Storyline A cheese warehouse worker with wife and two kids hates his dull life.

He reminisces about the time he met the late love of his life and the days they spent riding around on his motorbike and her horse committing petty thievery. (United States) – See all my reviews Filmed nine years after the last of the authentic kitchen sink films ('This Sporting Life' and 'Billy Liar'), 'The Ragman's Daughter' seems to me to be director Harold Becker's wistful homage to the original genre. The period kitchen sink films were shot in black & white, and here Becker shot in Technicolor, though the cinematography here is quite good, and yet in its frequent atmospheric moments supportive of my sense that this film is an homage by an American director who had earlier been smitten with the early crop of kitchen sink and "angry young man" pictures. 'The Ragman's Daughter' was the first feature film for all of its acting and crew principals, including Becker. Perhaps their having been collectively fond of and in awe of the original kitchen sink films lends this latter-day hearkening-back to the genre a haunting subtext or mystique that's quite appealing.

The screenwriter is Alan Sillitoe - from whose novels the period kitchen sink films 'Saturday Night And Sunday Morning' and 'The Loneliness Of The Long Distance Runner' were adapted - whose native Nottingham is the location for 'The Ragman's Daughter,' and the setting is captured in frame here with charm and warmth bordering on the fondly nostalgic which that Midlands industrial city perhaps never really afforded its working class inhabitants; there's little of the chill one catches from the early, period, black & white kitchen sinkers. Also, the conflict here isn't played out, as it is classically in the originals of the genre, among working class or even between working class and establishment characters; instead 'The Ragman's Daughter's' conflict is between the protagonist couple's working class male lead, Tony (Simon Rouse) and its second generation nouveau riche, but entrée-lacking, female lead, Doris (Victoria Tennant). With captivating, absorbing inter-cutting Becker gave, in the form of the older male protagonist recalling the story of his lost youth, the film much of its haunting, "nature of regret" appeal.

The pacing is quite slow, which suits the plot and characters and it contributes considerable gravitas to the storytelling's empathic profundity. While not a opus major, 'The Ragman's Daughter' works its soft magic on several levels, not the least of which is nowadays its time capsule value - but I shan't spoil it for anyone by parsing the other levels here: see it for yourself and let this little gem's gleam catch and please your eye, mind, and heart. 10 of 14 people found this review helpful. Was this review helpful to you? Yes The Loneliness Of The Long Distance Runner DVD review | Den of Geek Search The Loneliness Of The Long Distance Runner DVD review The BFI reissues The Loneliness Of The Long Distance Runner, complete with extras of real value j “Running’s always been a big thing in our family. Especially running away from the police.” Colin Smith (a young Tom Courtenay) is the epitome of the angry young man and the working class anti-hero. We join Smith as he enters Ruxton Towers Reformatory, a centre for juvenile offenders.

His talent for long distance running quickly attracts the attention of the Governor (Michael Redgrave) who sees in Smith an opportunity to beat the local private school in an upcoming sports day. The Governor gives Smith preferential treatment allowing him to practice running and training him “like a greyhound” ready for the big race. Through a series of flashbacks we learn about the series of unfortunate events that brought Smith to the penitentiary. Growing up in near-poverty in Nottingham, opportunities were simply not there for a bright young man like Smith. He watches his father die young after spending his days working in grimy industrial factories. Smith chooses life, turning down a job at his father’s factory. Smith’s mother wastes no time in moving her “fancy man” into the family home adding to Smith’s frustrations. Bored and aimless, Smith takes up petty crime, stealing cars and breaking into a bakery which leads to his eventual arrest. The screenplay for The Loneliness Of The Long Distance Runner is by Alan Sillitoe, adapted from his own short story of the same name following the successful adaptation of Saturday Night And Sunday Morning. Though the film is now well over 40 years old, it still holds pertinence for a modern audience.

The rehabilitation debate is played out through the opposing approaches of the old-fashioned Governor and the borstal’s young psychiatrist. The Governor believes that discipline, occupation and, above all, sport will mould young offenders into model citizens, but the psychiatrist believes talking and understanding holds the key. For Smith, neither approach cuts it, he rejects all forms of authority and resents becoming the athletic showpiece for the institution. He bides his time before finally taking a stand with a significant and defiant gesture. Colin Smith is an endlessly fascinating character. Tom Courtenay is perfect in the role, bringing a sinewy and restless quality to Sillitoe’s creation. We see Smith’s embryonic political consciousness begin to develop; he doesn’t yet know what to believe in, he only knows what he doesn’t believe in. In one scene Smith burns some money after seeing the corrupting influence it can have. He finds running therapeutic, allowing him the time and freedom to think and if he keeps on running and running he attains blurry oblivion. Director Tony Richardson was a key figure in the British New Wave movement (the “it’s-grim-up-north” brigade).

Richardson endeavoured to achieve realism in his early films; he used real borstal inmates as extras in The Loneliness Of The Long Distance Runner and it gives the film an edge that Hollywood veneer usually irons out. One of the most memorable scenes in the film depicts the simmering dissatisfaction of the inmates rising as they beat their cutlery rhythmically on the tables, until it spills over into a full-blown riot. Though the film’s depiction of working class hardship and incarceration seems tame by contemporary cinematic standards, it is easy to see how this film whipped up controversy, being condemned as communist propaganda, on its release. The BFI is re-releasing The Loneliness Of The Long Distance Runner alongside Karel Reisz’s Saturday Night And Sunday Morning on DVD and Blu-ray in recognition of the importance of the post-war cinematic movement that sought to portray life in Britain in all its unglamorous glory. No escapism here then, but you could always try going for a run instead. Extras Audio commentary is provided by film historian Robert Murphy, actor Tom Courtenay and writer Alan Sillitoe. Unlike new DVD releases, this commentary has the benefit of hindsight and an awareness of the film’s longevity.

For this reason, it is far more interesting than most DVD commentaries and well worth listening to. Cinematographer Walter Lassally contributes a Video Essay to the DVD extras, describing how certain scenes were shot. Finally, for New Wave buffs, Momma Don’t Allow is included on the disc. Momma Don’t Allow is a short documentary made by Lassally and directors Tony Richardson and Karel Reisz in 1956. It captures the essence of working class youth culture, set primarily in a jazz club. Film: The Loneliness Of The Long Distance Runner is released on 23rd March. 2/5 Saturday Night Sunday Morning DVD review | Den of Geek Search Saturday Night Sunday Morning DVD review With Albert Finney in the lead, Saturday Night Sunday Morning gets a very welcome special edition DVD release... j Arthur Seaton is a factory worker at Raleigh bicycles in Nottingham. Angry and headstrong, Seaton is convinced the middle-aged have been ground down by the system and is determined not to follow them. After an evening out of hard drinking, Seaton spends the night with Brenda, the wife of his straight-laced colleague Jack. Next day Seaton meets his Aunt Ada and cousin Bert for a lunchtime drink.

An attractive girl called Doreen catches his eye. Seaton arranges a date at the cinema. Later whilst fishing, Bert warns Seaton about his dangerous affair with Brenda. Leaving for work, Seaton and his father share their dislike of "Ma" Bull, a nosey neighbourhood rumour monger. At work Seaton finds a dead rat, which he hides in his shirt and later places on a woman's bench as a practical joke. In a boastful conversation with Jack, Seaton reveals he used his dad's vote in the recent election. Jack has been told to work nights. Seaton and Brenda worry Jack may suspect their affair. Seaton has a drink with Jack and learns Jack's brother, a squaddie with a penchant for beating up blokes who misbehave, is about to visit. Later Seaton's cinema date with Doreen is soured by a frosty reception from her mother when he visits her family home. Flush with wages, Seaton takes his little cousin Bill to the sweet shop, where he antagonises Ma Bull. Later Seaton and Bert visit Doreen and her sister Betty but their dancing is interrupted by the girls' disapproving mother.

An unhappy Seaton meets Brenda who reveals she is pregnant. He persuades Brenda to visit his Aunt Ada to try and end the pregnancy. Seaton and Bert witness a drunk breaking the window of the funeral directors. The man is held by a gang of do-gooders headed by Ma Bull until the police arrive. Seaton and Bert encourage the man to make a run for it. Next day an angry Seaton fires an air gun pellet at Ma Bull. Seeking an apology, Ma Bull and her timid husband try to confront Seaton. She returns with a constable but Seaton's father covers for his son. Aunt Ada's abortion methods - sitting in a hot bath and downing a pint of gin - have failed. Brenda is concerned Seaton has been seen with another girl. Seaton denies this and offers to pay for Brenda to end the pregnancy by other means. Seaton takes Doreen to the fair where they are observed by a jealous Brenda. Jack is there too with his squaddie brother. Managing to get Seaton alone, Brenda reveals she is keeping the child. When the two are seen together on a ride, Jack sends his brother and another squaddie after Seaton. Jack angrily rebukes his wife.

Seaton is beaten up by the squaddies. Seaton lies badly beaten in bed having told his mother he fell off a gasometer for a bet. He tells Doreen he was knocked down by a horse and cart. Doreen suspects otherwise and finally learns the truth. After reconciling things with Jack, Seaton concentrates on a legitimate relationship with Doreen. Karel Reisz's classic British New Wave film caused outrage when originally released in 1960. From the outset the film signals its intentions as Arthur Seaton outlines his view of the world: "...What I'm out for is a good time. All the rest is propaganda." Reisz was determined to show the working class on screen with some sensitivity rather than the 'salt of the earth', almost music hall stereotypes of the past. Much of the film's subject matter was considered daring for the time. An extramarital affair and attempts at abortion show the cinema is growing up and has a newfound honesty. There was much discussion with the censor as to how graphic the bedroom scenes should be and to what extent the realistic language should be toned down. Fifty years on, both these aspects of the film seem tame, yet the story is still striking and holds up well.

Albert Finney shines in the lead role and there are first rate performances from Shirley Anne Field as Doreen and Rachel Roberts as Brenda. Hylda Baker is very effective in a rare straight role. Bryan Pringle is suitably dour as Jack. Norman Rossington adds a dash of humour as Seaton's cousin Bert. Edna Morris is excellent as the battleaxe Ma Bull. There is also a fleeting appearance from an uncredited Peter Sallis. The excellent cinematography by Freddie Francis, depicts the beauty and the grime of a working town. The contrast of the terraced housing and the new estate, which provides the backdrop in the final scene, underpins Seaton's determination not to be ground down. Sometimes Francis had moments of serendipity. A sequence just after the drunk is arrested shows Seaton and Bert walking up a hill cursing Ma Bull and almost on cue a train rattles past in the distance. The film is scored by jazz great John Dankworth, producing a surprisingly upbeat feel. Saturday Night Night And Sunday Morning was an exponent of social-realist cinema which had begun with Room At The Top and continued with films such as A Taste Of Honey, A Kind Of Loving and The Loneliness Of The Long Distance Runner.

The legacy of Saturday Night Night And Sunday Morning can be seen in the Michael Caine vehicle Alfie which explored similar themes. Its depiction of community was mirrored in the early years of Coronation Street with Ma Bull almost a prototype Ena Sharples. Extras Commentary Eschewing the traditional approach to DVD commentary, this is an audio documentary which puts the film in context and introduces relevant contributions from the writer Alan Sillitoe and cameraman Freddie Francis. The commentary is very informative and benefits from its more structured approach. Amongst the gems of trivia is the revelation the film's success essentially funded the purchase of the James Bond novels and so indirectly instigated the Bond film franchise. Albert Finney Interview (4 minutes) Extracts from Finney's 1982 NFT interview with Michael Billington. A rather paltry offering given Finney's top billing. Shirley Anne Field interview (10 minutes) An enjoyable up to date interview with the film's leading lady. At the time Shirley Anne Field was the most experienced film actress in the cast. We Are The Lambeth Boys (48 minutes) A classic documentary made by Karel Reisz for Ford's Look At Britain series.

This is a fascinating insight into the lives of the members of Alford House youth club in Kennington, South London. It explores the hopes and dreams of the youngsters through their social interaction and their day jobs as well as examining their political attitudes and opinions. Like the main feature, the documentary has a jaunty musical score by John Dankworth. All in all a very good DVD. The film transfer is crisp and clean. The extras do justice to the seminal nature of the main feature, although a fresh interview with Albert Finney would have enhanced the disc somewhat. Film: Barbra Streisand Barbra Streisand Barbra Streisand Barbra Joan Streisand (born Barbara Joan Streisand, April 24, 1942) is an American singer-songwriter, author, actress, film producer, and director. She has won two Academy Awards,[1] eight Grammy Awards,[2] five Emmy Awards including one Daytime Emmy,[3] a Special Tony Award, an American Film Institute award, a Kennedy Center Honors award,[4] a Peabody Award,[4] and is amongst twelve entertainers who have won an Oscar, Emmy, Grammy, and Tony Award.

She is one of the best selling female artists of all time, with more than 71.5 million albums in the United States and 245 million records sold worldwide.

She is the best-selling female artist on the Recording Industry Association of America’s (RIAA) Top Selling Album Artists list, the only female recording artist in the top ten, and the only artist outside of the rock and roll genre.[5] After beginning a successful recording career in the 1960s, by the end of the decade, Streisand ventured into film starring in the critically acclaimed Funny Girl, for which she won the Academy Award and Golden Globe Award for Best Actress.[6] Other notable films include The Owl and the Pussycat, The Way We Were, and A Star Is Born, for which she received her second Academy Award for composing the music to the picture’s main song, “Evergreen”.[7] By the 1980s, Streisand established herself as one of the film industry’s most notable figures by becoming the first woman to direct, produce, script and star in her own picture.[8] According to the RIAA, Streisand holds the record for the most top ten albums of any female recording artist – a total of 32 since 1963.[9] Streisand has the widest span (48 years) between first and latest top ten albums of

 any female recording artist.

With her 2009 album, Love Is the Answer, she became one of the rare artists to achieve number one albums in five consecutive decades.[10] According to the RIAA, she has released 51 Gold albums, 30 Platinum albums, and 13 Multi-Platinum albums in the United States.[2] Early Life Family Barbara Joan Streisand was born on April 24, 1942, in Brooklyn, New York, the daughter of Diana (born Ida Rosen) and Emanuel Streisand. Her mother was a singer at one time but earned her income as a school secretary[11] and her father was a high school teacher.

Her family was Jewish; her paternal grandparents immigrated from Galicia (Poland–Ukraine) and her maternal grandparents from Russia.[12] In August 1943, fifteen months after Streisand’s birth, her father died from complications from an epileptic seizure[13] and the family fell into near-poverty.[14] She has an older brother, Sheldon, and a half-sister, the singer Roslyn Kind,[14][15][16][17] from her mother’s re-marriage to Louis Kind in 1949.[14] Kind is nine years younger than Streisand.[18] Education Streisand went to the Jewish Orthodox Yeshiva of Brooklyn, giving a solo performance at the age of seven.[19] She later attended Erasmus Hall High School in Brooklyn and joined the Freshman Chorus and Choral Club.[20][21] Streisand has recollected, “I’m so glad I came from Brooklyn – it’s down to earth.”[19] Early Career Streisand recorded her first demos in 1955, at the age of 13, at Nola Recording Studios in New York City.

She sang “Zing! Went the Strings of My Heart” and “You’ll Never Know”. The first remains unreleased while the latter was included on Streisand’s 1991 retrospective box set Just For The Record.[22] Streisand later became a nightclub singer while in her teens. She wanted to be an actress and appeared in summer stock and in a number of Off-Off-Broadway productions, including Driftwood (1959), with then-unknown Joan Rivers. (In her autobiography, Rivers wrote that she played a lesbian with a crush on Streisand’s character, but this was later denied by the play’s author.) Driftwood ran for only six weeks.[23] Her boyfriend, Barry Dennen, helped her create a club act – first performed at The Lion, a popular gay nightclub in Manhattan’s Greenwich Village in 1960 – and she achieved success as a singer. While singing at The Lion for several weeks, she modified her name from Barbara to Barbra.[24][25] Afterward she appeared at other New York nightclubs, including the Bon Soir and the Blue Angel.

One early appearance outside of New York City was at Enrico Banducci’s hungry i nightclub in San Francisco in 1963.[26] In 1961, Streisand appeared at the Town and Country nightclub in Winnipeg, Manitoba, Canada, but her appearance was cut short because the club owner did not appreciate her singing style.[27] Streisand appeared at Baker’s Keyboard Lounge in Detroit in 1961.[28] Streisand’s first television appearance was on The Tonight Show, then hosted by Jack Paar, in 1961, singing Harold Arlen’s “A Sleepin’ Bee”.[29] Orson Bean, who substituted for Paar that night, had seen the singer perform at a gay bar and booked her for the telecast. (Her older brother Sheldon paid NBC for a kinescope film so she could use it in 1961 to promote herself. Decades later the film was preserved through digitizing and is available for viewing on a website.)[30] Later in 1961, Streisand became a semi-regular on PM East/PM West, a talk/variety series.

PM East was hosted by Mike Wallace and Joyce Davidson.[31] PM West was hosted by Terrence O’Flaherty. Westinghouse Broadcasting, which aired the television show in a select few cities (Boston, New York, Baltimore, Washington DC, Pittsburgh, Cleveland, Chicago and San Francisco), wiped all the videotapes soon after broadcasting them.[31] Audio segments from some episodes, which were saved by Streisand’s fans, are part of the compilation CD Just for the Record, which went platinum in 1991. The singer said on 60 Minutes in 1991 that 30 years earlier Wallace had been “mean, very mean” to her on PM East/PM West.[32] He countered that she had been “totally self-absorbed”. (Her response: “You invited me on your show to talk about subjects that interested me, and you dare to call me self-absorbed?”) 60 Minutes included the audio of Streisand saying to him in 1961, “I like the fact that you are provoking.

But don’t provoke me.”[33] In 1962, after several appearances on PM East/PM West, Streisand first appeared on Broadway in the small but star-making role of Miss Marmelstein in the musical I Can Get It for You Wholesale. Her first album, The Barbra Streisand Album, won two Grammy Awards in 1963. Following her success in I Can Get It for You Wholesale, Streisand made several appearances on The Tonight Show in 1962 and 1963. Topics covered in her interviews with host Johnny Carson included the empire-waisted dresses that she bought wholesale and her “crazy” reputation at Erasmus Hall High School.[34] As is the case with Wallace, only audio survives from small portions of her telecast conversations with Carson. It was at about this time that Streisand entered into a long and successful professional relationship with Lee Solters and Sheldon Roskin as her publicists with the firm Solters/Roskin (later Solters/Roskin/Friedman). Streisand returned to Broadway in 1964 with an acclaimed performance as entertainer Fanny Brice in Funny Girl at the Winter Garden Theatre .

The show introduced two of her signature songs, “People” and “Don’t Rain on My Parade”, Because of the play’s overnight success, she appeared on the cover of Time. In 1964 Streisand was nominated for a Tony Award for Best Actress in a Musical but lost to Carol Channing in Hello, Dolly ! Streisand received an honorary “Star of the Decade” Tony Award in 1970.[35] In 1966, she repeated her success with Funny Girl in London’s West End at the Prince of Wales Theatre . From 1965 to 1967 she appeared in her first four solo television specials. Video Career Singing Streisand has recorded 50 studio albums, almost all with Columbia Records. Her early works in the 1960s (her debut The Barbra Streisand Album, The Second Barbra Streisand Album, The Third Album, My Name Is Barbra, etc.) are considered classic renditions of theater and cabaret standards, including her pensive version of the normally uptempo “Happy Days Are Here Again”. She performed this in a duet with Judy Garland on The Judy Garland Show.

Garland referred to her on the air as one of the last great belters. They also sang “There’s No Business Like Show Business” with Ethel Merman joining them. Beginning with My Name Is Barbra, her early albums were often medley-filled keepsakes of her television specials. Starting in 1969, she began attempting more contemporary material, but like many talented singers of the day, she found herself out of her element with rock. Her vocal talents prevailed, and she gained newfound success with the pop and ballad-oriented Richard Perry-produced album Stoney End in 1971. The title track, written by Laura Nyro, was a major hit for Streisand. During the 1970s, she was also highly prominent on the pop charts, with Top 10 recordings such as “The Way We Were” (US No. 1), “Evergreen (Love Theme from A Star Is Born)” (US No. 1), “No More Tears (Enough Is Enough)” (1979, with Donna Summer), which as of 2010 is reportedly still the most commercially successful duet, (US No.

1), “You Don’t Bring Me Flowers” (with Neil Diamond) (US No. 1) and “The Main Event” (US No. 3), some of which came from soundtrack recordings of her films. As the 1970s ended, Streisand was named the most successful female singer in the U.S. — only Elvis Presley and The Beatles had sold more albums.[36] In 1980, she released her best-selling effort to date, the Barry Gibb-produced Guilty. The album contained the hits “Woman in Love” (which spent several weeks on top of the pop charts in the fall of 1980), “Guilty”, and “What Kind of Fool”. After years of largely ignoring Broadway and traditional pop music in favor of more contemporary material, Streisand returned to her musical-theater roots with 1985’s The Broadway Album, which was unexpectedly successful, holding the coveted No. 1 Billboard position for three straight weeks, and being certified quadruple platinum. The album featured tunes by Rodgers and Hammerstein, George Gershwin , Jerome Kern, and Stephen Sondheim , who was persuaded to rework some of his songs especially for this recording.

The Broadway Album was met with acclaim, including a Grammy nomination for album of the year and, ultimately, handed Streisand her eighth Grammy as Best Female Vocalist. After releasing the live album One Voice in 1986, Streisand was set to release another album of Broadway songs in 1988. She recorded several cuts for the album under the direction of Rupert Holmes, including “On My Own” (from Les Misérables ), a medley of “How Are Things in Glocca Morra?” and “Heather on the Hill” (from Finian’s Rainbow and Brigadoon , respectively), “All I Ask of You” (from The Phantom of the Opera ), “Warm All Over” (from The Most Happy Fella ) and an unusual solo version of “Make Our Garden Grow” (from Candide ). Streisand was not happy with the direction of the project and it was ultimately scrapped. Only “Warm All Over” and a reworked, lite FM-friendly version of “All I Ask of You” were ever released, the latter appearing on Streisand’s 1988 effort, Till I Loved You.

At the beginning of the 1990s, Streisand started focusing on her film directorial efforts and became almost inactive in the recording studio. In 1991, a four-disc box set, Just for the Record, was released. A compilation spanning Streisand’s entire career to date, it featured over 70 tracks of live performances, greatest hits, rarities and previously unreleased material. The following year, Streisand’s concert fundraising events helped propel former Pres. Bill Clinton into the spotlight and into office.[37] Streisand later introduced Clinton at his inauguration in 1993. Streisand’s music career, however, was largely on hold. A 1992 appearance at an APLA benefit as well as the aforementioned inaugural performance hinted that Streisand was becoming more receptive to the idea of live performances. A tour was suggested, though Streisand would not immediately commit to it, citing her well-known stage fright as well as security concerns. During this time, Streisand finally returned to the recording studio and released Back to Broadway in June 1993. The album was not as universally lauded as its predecessor, but it did debut at No.

1 on the pop charts (a rare feat for an artist of Streisand’s age, especially given that it relegated Janet Jackson’s Janet to the No. 2 spot). One of the album’s highlights was a medley of “I Have A Love” / “One Hand, One Heart”, a duet with Johnny Mathis, who Streisand said is one of her favorite singers.[38][39] In 1993, New York Times music critic Stephen Holden wrote that Streisand “enjoys a cultural status that only one other American entertainer, Frank Sinatra, has achieved in the last half century”.[40] In September 1993, Streisand announced her first public concert appearances in 27 years (if one does not count her Las Vegas nightclub performances between 1969 and 1972). What began as a two-night New Year’s event at the MGM Grand Las Vegas eventually led to a multi-city tour in the summer of 1994. Tickets for the tour were sold out in under one hour.

Streisand also appeared on the covers of major magazines in anticipation of what Time magazine named “The Music Event of the Century.” The tour was one of the biggest all-media merchandise parlays in history. Ticket prices ranged from US$50 to US$1,500 – making Streisand the highest-paid concert performer in history. Barbra Streisand: The Concert went on to be the top-grossing concert of the year and earned five Emmy Awards and the Peabody Award, while the taped broadcast on HBO is, to date, the highest-rated concert special in HBO’s 30-year history. Following the tour’s conclusion, Streisand once again kept a low profile musically, instead focusing her efforts on acting and directing duties as well as a burgeoning romance with actor James Brolin. In 1996, Streisand released “I Finally Found Someone” as a duet with Canadian singer/songwriter Bryan Adams. The song was nominated for an Oscar as it was part of the soundtrack of Streisand’s self-directed movie The Mirror Has Two Faces.

It reached #8 on the Billboard Hot 100, and was her first significant hit in almost a decade and her first top 10 hit on the Hot 100 (and first gold single) since 1981. In 1997, she finally returned to the recording studio, releasing Higher Ground, a collection of songs of a loosely-inspirational nature which also featured a duet with Céline Dion. The album received generally favorable reviews and, remarkably, once again debuted at No. 1 on the pop charts. Following her marriage to Brolin in 1998, Streisand recorded an album of love songs entitled A Love Like Ours the following year. Reviews were mixed, with many critics complaining about the somewhat syrupy sentiments and overly-lush arrangements; however, it did produce a modest hit for Streisand in the country-tinged “If You Ever Leave Me”, a duet with Vince Gill.

On New Year’s Eve 1999, Streisand returned to the concert stage, selling out in the first few hours, eight months before her return.[41] At the end of the millennium, she was the number one female singer in the U.S., with at least two No. 1 albums in each decade since she began performing. A two-disc live album of the concert entitled Timeless: Live in Concert was released in 2000. Streisand performed versions of the Timeless concert in Sydney and Melbourne, Australia, in early 2000. In advance of four concerts (two each in Los Angeles and New York) in September 2000, Streisand announced that she was retiring from playing public concerts. Her performance of the song “People” was broadcast on the Internet via America Online. Streisand’s most recent albums have been Christmas Memories (2001), a somewhat somber collection of holiday songs (which felt entirely —albeit unintentionally— appropriate in the early post-9/11 days), and The Movie Album (2003), featuring famous film themes and backed by a large symphony orchestra.

Guilty Pleasures (called Guilty Too in the UK), a collaboration with Barry Gibb and a sequel to their Guilty, was released worldwide in 2005. In February 2006, Streisand recorded the song “Smile” alongside Tony Bennett at Streisand’s Malibu home. The song is included on Bennett’s 80th birthday album, Duets. In September 2006, the pair filmed a live performance of the song for a special directed by Rob Marshall entitled Tony Bennett: An American Classic. The special aired on NBC November 21, 2006, and was released on DVD the same day. Streisand’s duet with Bennett opened the special. In 2006, Streisand announced her intent to tour again, in an effort to raise money and awareness for multiple issues.

After four days of rehearsal at the Sovereign Bank Arena in Trenton, New Jersey, the tour began on October 4 at the Wachovia Center in Philadelphia, continued with a featured stop in Fort Lauderdale, Florida, (this was the concert Streisand chose to film for a TV special), and concluded at Staples Center in Los Angeles on November 20, 2006. Special guests Il Divo were interwoven throughout the show. The show was known as Streisand: The Tour. Streisand’s 20-concert tour set box-office records. At the age of 64, well past the prime of most performers, she grossed $92,457,062 and set house gross records in 14 of the 16 arenas played on the tour. She set the third-place record for her October 9, 2006 show at Madison Square Garden, the first- and second-place records of which are held by her two shows in September 2000.

She set the second-place record at the MGM Grand Garden Arena, with her December 31, 1999 show being the house record and the highest-grossing concert of all time. This led many people to openly criticize Streisand for price gouging, as many tickets sold for upwards of $1,000.[42] A collection of performances culled from different stops on this tour, Live in Concert 2006, debuted at No. 7 on the Billboard 200, making it Streisand’s 29th Top 10 album.[43] In the summer of 2007, Streisand gave concerts for the first time in continental Europe. The first concert took place in Zürich (June 18), then Vienna (June 22), Paris (June 26), Berlin (June 30), Stockholm (July 4, canceled), Manchester (July 10) and Celbridge, near Dublin (July 14), followed by three concerts in London (July 18, 22 and 25), the only European city where Streisand had performed before 2007.

Tickets for the London dates cost between £100.00 and £1,500.00 and for the Ireland date between €118 and €500. The Ireland date was marred by problems, with serious parking and seating problems leading to the event’s being dubbed a fiasco by Hot Press.[44] The tour included a 58-piece orchestra.

In February 2008, Forbes listed Streisand as the No.-2-earning female musician, between June 2006 and June 2007, with earnings of about $60 million.[45] On November 17, 2008, Streisand returned to the studio to begin recording what would be her sixty-third album[46] and it was announced that Diana Krall was producing the album.[47] Streisand is one of the recipients of the 2008 Kennedy Center Honors.[48] On December 7, 2008, she visited the White House as part of the ceremonies.[46] On April 25, 2009, CBS aired Streisand’s latest TV special, Streisand: Live in Concert, highlighting the aforementioned featured stop from her 2006 North American tour, in Fort Lauderdale, Florida.

On September 26, 2009, Streisand performed a one-night-only show at the Village Vanguard in New York City’s Greenwich Village.[49] This performance was later released on DVD as One Night Only: Barbra Streisand and Quartet at The Village Vanguard. On September 29, 2009, Streisand and Columbia Records released her newest studio album, Love is the Answer, produced by Diana Krall.[50] On October 2, 2009, Streisand made her British television performance debut with an interview on Friday Night with Jonathan Ross to promote the album. This album debuted at No. 1 on the Billboard 200 and registered her biggest weekly sales since 1997, making Streisand the only artist in history to achieve No. 1 albums in five different decades. On February 1, 2010, Streisand joined over eighty other artists in recording a new version of the 1985 charity single “We Are the World”. Quincy Jones and Lionel Richie planned to release the new version to mark the 25th anniversary of its original recording.

These plans changed, however, in view of the devastating earthquake that hit Haiti on January 12, 2010, and on February 12, the song, now called “We Are the World 25 for Haiti”, made its debut as a charity single to support relief aid for the beleaguered island nation. In 2011, she sang Somewhere from the Broadway musical West Side Story , with child prodigy Jackie Evancho, on Evancho’s album Dream with Me.[51] Streisand was honored as MusiCares Person of the Year on February 11, 2011, two days prior to the 53rd Annual Grammy Awards.[52] On October 11, 2012, Streisand gave a three-hour concert performance before a crowd of 18,000 as part of the ongoing inaugural events of Barclays Center (and part of her current Barbra Live tour) in her native Brooklyn (her first-ever public performance in her home borough). Streisand was joined onstage by trumpeter Chris Botti, Italian operatic trio Il Volo, and her son Jason Gould.

The concert included musical tributes by Streisand to Donna Summer and Marvin Hamlisch, both of whom had died earlier in 2012. Confirmed attendees included Barbara Walters, Jimmy Fallon, Sting, Katie Couric, Woody Allen, Michael Douglas and New York City mayor Michael Bloomberg, as well as designers Calvin Klein, Donna Karan, Ralph Lauren and Michael Kors.[53][54] In June 2013 she gave two concerts in Bloomfield Stadium, Tel Aviv. Streisand is one of many singers who use teleprompters during their live performances.

Streisand has defended her choice in using teleprompters to display lyrics and, sometimes, banter.[55] Streisand is a mezzo-soprano who has a range consisting of well over two octaves from “low E to a high G and probably a bit more in either direction”.[56][57] While she is predominantly a pop singer, Streisand’s voice has been described as “semi-operatic” due to its strength and quality of tone.[58] She is known for her ability to hold relatively high notes, both loud and soft, with great intensity, as well as for her ability to make slight but unobtrusive embellishments on a melodic line. The former quality led classical pianist Glenn Gould to call himself “a Streisand freak”.[59] In recent years, critics and audiences have noted that her voice has “lowered and acquired an occasionally husky edge”.

However, New York Times music critic Stephen Holden noted that her distinctive tone and musical instincts remain, and that she still “has the gift of conveying a primal human longing in a beautiful sound”.[58] Acting[ Her first film was a reprise of her Broadway hit, Funny Girl (1968), an artistic and commercial success directed by Hollywood veteran William Wyler. Streisand won the 1968 Academy Award for Best Actress for the role,[60] sharing it with Katharine Hepburn (The Lion in Winter), the only time there has been a tie in this Oscar category.[61] Her next two movies were also based on musicals, Jerry Herman ‘s Hello, Dolly! , directed by Gene Kelly (1969); and Alan Jay Lerner’s and Burton Lane’s On a Clear Day You Can See Forever , directed by Vincente Minnelli (1970); while her fourth film was based on the Broadway play The Owl and the Pussycat (1970).[62] During the 1970s, Streisand starred in several screwball comedies, including What’s Up, Doc?

(1972) and The Main Event (1979), both co-starring Ryan O’Neal, and For Pete’s Sake (1974) with Michael Sarrazin. One of her most famous roles during this period was in the drama The Way We Were (1973) with Robert Redford, for which she received an Academy Award nomination as Best Actress. She earned her second Academy Award for Best Original Song (with lyricist Paul Williams) for the song “Evergreen”, from A Star Is Born in 1976.[63] Along with Paul Newman, Sidney Poitier and later Steve McQueen, Streisand formed First Artists Production Company in 1969, so that the actors could secure properties and develop movie projects for themselves. Streisand’s initial outing with First Artists was Up the Sandbox (1972).[64] From a period beginning in 1969 and ending in 1980, Streisand appeared in the annual motion picture exhibitors poll of Top 10 Box Office attractions a total of 10 times, often as the only woman on the list.

After the commercially disappointing All Night Long in 1981, Streisand’s film output decreased considerably. She has acted in only seven films since. Streisand produced a number of her own films, setting up Barwood Films in 1972. For Yentl (1983), she was producer, director, and star, an experience she repeated for The Prince of Tides (1991) and The Mirror Has Two Faces (1996). There was controversy when Yentl received five Academy Award nominations, but none for the major categories of Best Picture, Actress, or Director.[65] The Prince of Tides received even more Oscar nominations, including Best Picture, but the director was not nominated. Streisand also scripted Yentl, something for which she is not always given credit.

According to The New York Times editorial page editor Andrew Rosenthal in an interview (story begins at minute 16) with Allan Wolper, “the one thing that makes Barbra Streisand crazy is when nobody gives her the credit for having written Yentl.” In 2004, Streisand made a return to film acting, after an eight-year hiatus, in the comedy Meet the Fockers (a sequel to Meet the Parents), playing opposite Dustin Hoffman, Ben Stiller, Blythe Danner and Robert De Niro. In 2004, Streisand made a return to film acting, after an eight-year hiatus, in the comedy Meet the Fockers (a sequel to Meet the Parents), playing opposite Dustin Hoffman, Ben Stiller, Blythe Danner and Robert De Niro.

In 2005, Streisand’s Barwood Films, Gary Smith, and Sonny Murray purchased the rights to Simon Mawer’s book Mendel’s Dwarf.[66] In December 2008, she stated that she was considering directing an adaptation of Larry Kramer’s play The Normal Heart, a project she has worked on since the mid-1990s.[67] In 2009, Andrew Lloyd Webber stated that Streisand was one of several actresses (alongside Meryl Streep and Glenn Close) who was interested in playing the role of Norma Desmond in the film adaptation of Webber’s musical version of Sunset Boulevard . [ 68] In December 2010, Streisand appeared in Little Fockers, the third film from the Meet the Parents trilogy. She reprised the role of Roz Focker alongside Dustin Hoffman. On January 4, 2011, the New York Post reported that Streisand was in negotiations to produce, direct, and star in a new film version of Gypsy.

In an interview with the New York Post, Arthur Laurents said: “We’ve talked about it a lot, and she knows what she’s doing. She has my approval.” He said that he would not write the screenplay.[69][70] The following day, The New York Times reported that Arthur Laurents clarified in a telephonic interview that Streisand would not direct the film, “but playing Rose is enough to make her happy”.[70][71] Streisand’s spokesperson confirmed that “there have been conversations”.[71] After Laurents’ subsequent death, there was no official word on the status of the film for months, until it was announced on March 13, 2012 that Gypsy would be moving forward, with Julian Fellowes writing the screenplay for the project. On January 28, 2011, The Hollywood Reporter announced that Paramount Pictures had given the green light to begin shooting the road-trip comedy My Mother’s Curse, with Seth Rogen playing Streisand’s character’s son. Anne Fletcher directed the project with a script by Dan Fogelman, produced by Lorne Michaels, John Goldwyn, and Evan Goldberg.

Executive producers included Streisand, Rogen, Fogelman, and David Ellison, whose Skydance Productions co-financed the road movie.[72] Shooting began in spring 2011 and wrapped in July; the film’s title was eventually altered to The Guilt Trip, and the movie was released in December 2012. Relationships and family Streisand has been married twice. Her first husband was actor Elliott Gould, to whom she was married from 1963 until 1971. They had one child, Jason Gould, who appeared as her on-screen son in The Prince of Tides. In 1969 and 1970, Streisand dated Canadian Prime Minister Pierre Trudeau. Streisand with husband Elliot Gould and son Jason (1967) She started dating her hairdresser Jon Peters in 1974. He went on to be her manager and producer.[76] She is the godmother of his daughters, Caleigh Peters and Skye Peters.[77] Streisand dated actor Don Johnson between 1988 and 1989.

Johnson duetted with Streisand on the title song from her 1988 album Till I Loved You. Streisand was also in a relationship with ice cream heir Richard Baskin lasting at least until 1986. Baskin produced her 1985 album The Broadway Album as well as her 1987 live album One Voice. Baskin also collaborated with her on the song “Here We Are At Last” from her 1984 album Emotion .[78] Streisand dated tennis champion Andre Agassi in the early 1990’s. Writing about the relationship in his 2009 autobiography, Agassi said: “We agree that we’re good for each other, and so what if she’s twenty-eight years older? We’re simpatico, and the public outcry only adds spice to our connection. It makes our friendship feel forbidden, taboo — another piece of my overall rebellion.

Dating Barbra Streisand is like wearing Hot Lava.” Her second husband is actor James Brolin, whom she married on July 1, 1998.[79] While they have no children together, Brolin has two children from his first marriage, including actor Josh Brolin, and one child from his second marriage. Both of her husbands, Gould and Brolin, starred in the 1970s conspiracy sci-fi thriller Capricorn One. Name Streisand changed her name from Barbara to Barbra because, she said, “I hated the name, but I refused to change it.”[80] Streisand further explained, “Well, I was 18 and I wanted to be unique, but I didn’t want to change my name because that was too false. You know, people were saying you could be Joanie Sands, or something like that.

(My middle name is Joan.) And I said, ‘No, let’s see, if I take out the ‘a,’ it’s still ‘Barbara,’ but it’s unique.”[81] A 1967 biography with a concert program said, “the spelling of her first name is an instance of partial rebellion: she was advised to change her last name and retaliated by dropping an “a” from the first instead.”[82] Politics Streisand has long been an active supporter of the Democratic Party and many of its causes.

In 1971, Streisand was one of the celebrities listed on President Richard Nixon’s infamous Enemies List.[83] Streisand is a supporter of gay rights, and in 2007 helped raise funds in an unsuccessful attempt to defeat Proposition 8 in California.[84] Philanthropy In 1984, Streisand donated the Emanuel Streisand Building for Jewish Studies to the Hebrew University of Jerusalem, in the Mount Scopus campus, in memory of her father, an educator and scholar who died when she was young.[85][86][87] Streisand has personally raised $25 million[88] for organizations through her live performances. The Streisand Foundation,[89] established in 1986, has contributed over $16 million through nearly 1,000 grants to “national organizations working on preservation of the environment, voter education, the protection of civil liberties and civil rights, women’s issues[90] and nuclear disarmament”.[91] In 2006, Streisand donated $1 million to the William J.

Clinton Foundation in support of former President Bill Clinton’s climate change initiative.[92] In 2009, Streisand gifted $5 million to endow the Barbra Streisand Women’s Cardiovascular Research and Education Program at Cedars-Sinai Medical Center’s Women’s Heart Center.[93] In September that year, Parade magazine included Streisand on its Giving Back Fund’s second annual Giving Back 30 survey, “a ranking of the celebrities who have made the largest donations to charity in 2007 according to public records”,[94] as the third most generous celebrity. The Giving Back Fund claimed Streisand donated $11 million, which The Streisand Foundation distributed. In 2012 she raised $22 million to support her women’s cardiovascular center, bringing her own personal contribution to $10 million. The program was officially named the Barbra Streisand Women’s Heart Center. At Julien’s Auctions in October 2009, Streisand, a longtime collector of art and furniture, sold 526 items, with all the proceeds going to her foundation.

Items included a costume from Funny Lady and a vintage dental cabinet purchased by the performer at 18 years old. The sale’s most valuable lot was a painting by Kees van Dongen.[95] In December 2011, she agreed to sing at a fundraising gala for Israel Defense Forces charities.[96] References in Popular Culture In Television On the sketch comedy show Saturday Night Live, in the recurring skit “Coffee Talk”, character Linda Richman, played by Mike Myers, hosts a talk show dedicated to, among other things, the adoration of Streisand. Streisand, in turn, made an unannounced guest appearance on the show, surprising Myers and guests, Madonna and Roseanne Barr. Mike Myers also appeared as the Linda Richman character on stage with Streisand at her 1994 MGM Grand concert, as well as a few of the 1994 Streisand tour shows.[97] Streisand is mentioned in the sitcom Will & Grace, particularly by the character Jack McFarland.

Songs made famous by Streisand, such as “Papa, Can You Hear Me?” from Yentl and “Can’t Help Lovin’ Dat Man” from The Broadway Album are reproduced by characters in the show. Also, in the episode “Fagmalion”, Will and Jack, who are making over their “gay-in-training” Barry, make him recite “Judy, Liza, Barbra, Bette, these are names I shan’t forget”, as part of his “gay” affirmations. At least five episodes of the animated sitcom The Simpsons refer to Streisand. Outside Springfield Elementary School, announcing Lisa’s jazz concert and noting tickets have been sold out, is an advertisement for a Streisand concert in the same venue for the following day, with tickets still on sale. In “Fear of Flying”, after Marge undergoes therapy, she informs the therapist that whenever she hears the wind blow, she’ll hear it saying “Lowenstein”, Streisand’s therapist character in The Prince of Tides, even though Marge’s therapist is named Zweig.

(This is actually only one in a series of references to the film in that episode.) Another reference comes in “Sleeping with the Enemy” when Bart exclaims after seeing Lisa make a snow-angel in a cake on the kitchen table, “At least she’s not singing Streisand”, in reference to Nelson Muntz singing “Papa Can You Hear Me?” from Yentl earlier in the episode. In “Simple Simpson”, a patriotic country singer says that Streisand is unpatriotic and could be pleased by spitting on the flag and strangling a bald eagle. Another enduring satirical reference is in the animated series South Park, most notably in the episode “Mecha-Streisand”, where Streisand is portrayed as a self-important, evil, gigantic robotic dinosaur with a terrible singing voice about to conquer the universe before being defeated by Robert Smith of The Cure. On another occasion, the Halloween episode “Spookyfish” is promoted for a week as being done in “Spooky-Vision”, which involves Streisand’s face seen at times during the episode in the four corners of the screen.

At the end of the feature film South Park: Bigger, Longer & Uncut, her name is used as a powerful curse word, a gag repeated in the episode “Osama bin Laden Has Farty Pants”. The Mecha-Streisand character made a return in the Season 14 episodes “200” and “201”, as one of several celebrities the show had lampooned over the years. In the DreamWorks Animation CGI series Father of the Pride, in the episode “And The Revolution Continues”, Streisand appears as a guest at MGM Mirage hotel in Las Vegas, where Siegfried & Roy are entertaining her and her husband James Brolin. She was about to eat a lobster named Emerson, but was saved by the series main protagonist; Larry the White Lion after he has a confrontation with Barbera. Streisand is referenced frequently on the Fox TV musical series Glee. The character Rachel (Lea Michele) mentions that Streisand refused to alter her nose in order to become famous in the show’s third episode “Acafellas”. Also, in the mid-season finale of Glee, Rachel sings the Streisand anthem “Don’t Rain on My Parade”.

In the episode “Hell-O”, she says that she will be heartbroken for life, “Like Barbra in The Way We Were“. In the same episode, Jesse St. James (Jonathan Groff) criticizes Rachel’s performance of “Don’t Rain on My Parade” by saying that she “lacked Barbra’s emotional depth”. In the episode “Theatricality”, Rachel is spying on the opposing team’s dance rehearsal when the director, Shelby Corcoran (Idina Menzel), expresses dissatisfaction at the team’s routine. She demonstrates how it’s done with the title song from Funny Girl, and Rachel, sitting in the audience, whispers to her friend, “Exactly what I would have done—Barbra. I could do it in my sleep.” In the episode “Grilled Cheesus” Rachel sings Streisand’s famous song from the movie Yentl—”Papa, Can You Hear Me?”—to help support Kurt’s (Chris Colfer) dad Burt after undergoing a heart attack. Rachel sang it in a park with Finn sitting at her side/in Burt Hummel’s hospital room.

She told Finn that she “wanted nothing to come between her and God, and Yentl sang it outside in the movie”.[98] On the episode “Born This Way”, Streisand is mentioned when Rachel is debating whether or not to get a nose job, Kurt Hummel and the rest of the glee club set up a “Barbra-vention” of a flashmob to the popular hit “Barbra Streisand” by Duck Sauce. The characters of Kurt and Rachel also sang the “Get Happy/Happy Days are Here Again” duet originally heard during Streisand’s 1963 appearance with Judy Garland on Garland’s weekly TV series. In the season three episode “I Am Unicorn”, Kurt sings Streisand’s “I’m the Greatest Star” from the musical Funny Girl, stating, “[He] has permission from the woman herself,” actually meaning Rachel Berry.

When Glee won the prize for “Best TV Series-Comedy Or Musical” at the 2010 Golden Globe Awards, creator Ryan Murphy quipped on stage, “Thank you to the Hollywood Foreign Press and Miss Barbra Streisand.” In the sitcom The Nanny, Streisand is viewed as a divine figure by Fran Fine throughout the sitcom’s run. When asked by her boss who she would save if her mother and Streisand were drowning, Fran replies, “I’d save Ma, Barbra can walk on water,” Another example is in “The Passed-Over Story”, when Fran hears that Streisand and James Brolin will be arriving at the airport, Fran runs towards the door yelling, “It’s the miracle of Passover, the Messiah is coming”. On Film In movies, Streisand is the favorite performer of Kevin Kline’s character Howard Brackett, who finally admits to being gay while standing at the altar in the 1997 romantic comedy In & Out.

His unfortunate bride-to-be, played by Joan Cusack, cries out in frustration to family and friends present, “Does anybody here KNOW how many times I’ve had to sit through Funny Lady?” In an earlier scene, Howard is taunted by a friend during an argument at a bar with a jeering, “The studio thought that Barbra was too ol-l-ld to play Yentl.” The film also mentions the album Color Me Barbra. Streisand’s signature tune, “People”, is played by a school orchestra in honor of teacher Howard as the story wraps at the end of the credits. This and similar references point to her popularity among gay men. In the 1996 comedy “The Associate”, Whoopi Goldberg plays a business woman, Laurel Ayers, who creates a business associate, Robert S. Cutty, who is said to have known and dated Streisand. In addition to having an autographed picture of Streisand in her office, Ayers also has a cross-dressing friend who dresses up to resemble Streisand throughout the film.

The characters Carla and Connie, as an aspiring song-and-dance act duo in the 2004 comedy Connie and Carla, include four Streisand references. They sing “Papa, Can You Hear Me?” and “Memory” at an airport lounge and “Don’t Rain on My Parade” onstage in a gay bar, and talk about the plot of Yentl at the climax of the film after they ask how many in their audience have seen the movie (everyone raised their hands). In a montage of makeovers in the 1993 film Mrs. Doubtfire, Robin Williams’ character is transformed into someone vaguely resembling Streisand and proceeds to sing the first verse of “Don’t Rain on My Parade”, even mimicking Streisand’s signature facial expressions. In Music Sound clips of Streisand’s heated exchange with a supporter of former U.S. president George W.

Bush were sampled in the 2009 Lucian Piane dance song “Bale Out”, making it sound as if she were arguing with actor Christian Bale (whose recorded outbursts during the filming of Terminator Salvation were the centerpiece of the song).[99] “Barbra Streisand” is a disco house song by American-Canadian DJ duo Duck Sauce (Armand Van Helden & A-Trak). It was released on September 10, 2010. The song peaked at number one in Poland, Belgium, the Netherlands, Finland, Switzerland and Austria. It became a top ten hit in Australia, the United Kingdom, France, Germany, Ireland, and Italy. On Stage Daniel Stern’s 2003 Off-Broadway play Barbara’s Wedding was set against the backdrop of Streisand’s 1998 wedding to James Brolin. The comedy play Buyer & Cellar, written by Jonathan Tolins, is set in Streisand’s cellar. A struggling actor finds a job there and one day meets the star.

It is a one-man show starring Michael Urie that premiered at Rattlestick Playwrights Theater in April 2013.[100] “Streisand Effect” In 2003, Streisand sued aerial photographer Kenneth Adelman for displaying a photograph of her Malibu, California home, along with 12,000 other photos of the California coastline taken to illustrate coastal erosion. The picture had at that point been downloaded a total of six times, two of which were by Streisand’s lawyers. The suit had the unintended consequence of drawing attention to the photograph, which suddenly became wildly popular and was rapidly copied to multiple mirrors outside the immediate reach of US law.

Her lawsuit was eventually dismissed under the anti-SLAPP provisions of California law.[101][102][103] Mike Masnick of Techdirt coined the term “Streisand effect” in January 2005 to describe the publicity generated by Streisand’s efforts to suppress the publication of the photograph Awards In 1984, Streisand was awarded the Women in Film Crystal Award for outstanding women who, through their endurance and the excellence of their work, have helped to expand the role of women within the entertainment industry.[104] She also received the National Medal of Arts[105] in 2000 and the Kennedy Center Honors in 2008. She was inducted as an officer of France’s Legion of Honour in 2007. She was accorded An Honorary Doctorate In Arts and Humanities by Brandeis University in 1995 and an Honorary Doctorate of Philosophy by the Hebrew University of Jerusalem in 2013.

In that year, she was also recipient of the Charles Chaplin lifetime achievement award by the Film Society of Lincoln Center as the only female artist who directed, wrote, produced and starred in the same major studio film (Yentl). Music Awards Streisand’s works have been nominated for 40 Grammy Awards; she won 8 of these, including two special awards. She has been inducted into the Grammy Hall of Fame three times. In 2011, she was honored as MusiCares Person of the Year by the Grammy Foundation. Adelman, Kenneth (May 13, 2007). “Barbra Streisand Sues to Suppress Free Speech Protection for Widely Acclaimed Website” . California Coastal Records Project. Archived from the original on April 7, 2008. Retrieved April 8, 2008. “Streisand’s Lawsuit to Silence Coastal Website Dismissed” (Press release). Mindfully.org. December 3, 2003. Archived from the original on April 17, 2008. Retrieved April 8, 2008. “Past Recipients” .

Wif.org. Archived from the original on July 24, 2011. Retrieved August 17, 2011. “Lifetime Honors – National Medal of Arts” . Nea.gov. Archived from the original on July 21, 2011. Retrieved August 17, 2011. CBS.com Online Schedule. Retrieved April 16, 2009.

Question: What connects Alan Sillitoe, John Travolta and The Drifters
Answer: Saturday Night