Oliver Reed - IMDb IMDb 17 January 2017 4:34 PM, UTC NEWS Actor | Soundtrack Oliver Reed was born on February 13, 1938 in Wimbledon, London, England as Robert Oliver Reed. He was an actor, known for Gladiator (2000), Oliver! (1968) and Tommy (1975). He was married to Josephine Burge and Kate Byrne. He died on May 2, 1999 in Valletta, Malta. See full bio » Born: a list of 35 people created 17 Jun 2011 a list of 40 people created 18 Jun 2011 a list of 42 people created 02 Mar 2014 a list of 24 people created 02 Apr 2014 a list of 37 people created 2 weeks ago Do you have a demo reel? Add it to your IMDbPage How much of Oliver Reed's work have you seen? User Polls Nominated for 1 BAFTA Film Award. Another 1 win & 2 nominations.

See more awards » Known For 1968 Film Review (TV Mini-Series) Andrew Quint - Backs British Films (1968) ... Andrew Quint 1967 Omnibus (TV Series documentary) 1965 It's Dark Outside (TV Series) Sebastian 1959-1964 The Third Man (TV Series) Pepi / Theodore 1963-1964 The Saint (TV Series) Aristides Koralis / Joe Catelli 1959 H.G.Wells' Invisible Man (TV Series) Man at Roulette Table / Cafe Patron Soundtrack (1 credit) 1975 Tommy (performer: "Bernie's Holiday Camp", "1951/What About the Boy", "Christmas", "Do You Think It's Alright? (I)", "Do You Think It's Alright? (II)", "Do You Think It's Alright? (III)", "There's A Doctor", "Go to the Mirror", "Welcome", "T.V.

Studio" - uncredited) Hide 2000 HBO First Look (TV Series documentary) Himself 1994 The World of Hammer (TV Series documentary) Narrator / Harry Cobtree / Leon 1993 Without Walls (TV Series documentary) Himself 1992 The Word (TV Series) Himself 1991 After Dark (TV Series) Himself 1990 This Week (TV Series) Himself 1984-1990 Aspel & Company (TV Series) Himself 1974-1986 This Is Your Life (TV Series documentary) Himself 1985 All Star Secrets (TV Series) Himself 1982 Sin on Saturday (TV Series) Himself 1972-1974 Russell Harty Plus (TV Series) Himself - Guest 1973 Opportunity Knocks (TV Series) Himself - Guest 1971 Director of Devils (Documentary short) Himself 1971 Cinema (TV Series documentary) Himself 1962 Needle Match (TV Series) Himself - British Promoter 2016 Secret History (TV Series documentary) Himself / Colonel Leachman 20

15 It Was Alright in the...

(TV Series documentary) Himself 2008 TV's Believe It or Not (TV Movie documentary) Himself (uncredited) 2005 20 to 1 (TV Series documentary) Himself 2004 Room 101 (TV Series) Himself 2001 Legends (TV Series documentary) Himself 2000 Hellraisers (TV Movie documentary) Himself 1995 Empire of the Censors (TV Movie documentary) Himself 1990 That's Action (Video documentary) General Turner (uncredited) Personal Details Other Works: 6/18/95: Appeared as Aleister Crowley , in the Radio 4 play, "The Death of Alexander Scriabin". See more » Publicity Listings: 4 Print Biographies | 2 Interviews | 3 Articles | 5 Pictorials | See more » Height: Did You Know? Personal Quote: There is, of course, a world of difference between cricket and the movie business . . . I suppose doing a love scene with Raquel Welch roughly corresponds to scoring a century before lunch.

See more » Trivia: In 1979 he published an autobiography, entitled "Reed All About Me". Asked to describe the book by an interviewer he replied, "It's a load of bollocks really.". See more » Trademark: Outspoken views a trademark especially his opinions of his co-stars or women in general. See more » Nickname: Oliver Reed - Biography - IMDb Oliver Reed Biography Showing all 114 items Jump to: Overview (5) | Mini Bio (1) | Spouse (2) | Trade Mark (4) | Trivia (65) | Personal Quotes (35) | Salary (2) Overview (5) 5' 11" (1.8 m) Mini Bio (1) Oliver Reed was born on February 13, 1938 in Wimbledon, London, England as Robert Oliver Reed. He was an actor, known for Gladiator (2000), Oliver! (1968) and Tommy (1975). He was married to Josephine Burge and Kate Byrne. He died on May 2, 1999 in Valletta, Malta.

Spouse (2) Outspoken views a trademark especially his opinions of his co-stars or women in general. Marvellous speaking voice Often sported a thick handle-bar moustache Ocean blue eyes Trivia (65) Shared the same dentist as horror star Christopher Lee Needed 36 stitches to repair cuts on his face after a bar fight in 1963. The incident left him with a permanent scar, which he initially feared would put an end to his screen career. He had two brothers. David Reed became his business manager and his half-brother Simon Reed became his press agent. Nephew of the film director Sir Carol Reed , who directed him in one of his best roles, as the villainous Bill Sikes in Oliver! (1968). Father of Mark Thurloe Reed (born January 21, 1961) with his first wife Kate Byrne and of Sarah Reed (born 1970) from his 12-year relationship to dancer Jacqueline Daryl .

He died of a heart attack in a bar after downing three bottles of Captain Morgan's Jamaica rum, eight bottles of German beer, numerous doubles of Famous Grouse whiskey and Hennessy cognac, and beating five much younger Royal Navy sailors at arm-wrestling. His bar bill for that final lunch time totaled 270 Maltese lira, almost £450, about $594.72. He was severely injured and almost died during the filming of The Three Musketeers (1973) when he was stabbed in the throat during the windmill duel scene. Grandson of actor-manager Herbert Beerbohm Tree , who founded the Royal Academy of Dramatic Art (RADA) in 1904. His first job (at the age of 17) was as a bouncer at a Soho nightclub. Was dyslexic. Cousin of actress Tracy Reed and of the actor David Tree . He was related by marriage to fellow actor Edward Fox , who was once married to his cousin, Tracy Reed , daughter of director Sir Carol Reed . Narrowly missed out on playing superspy James Bond because of his love of alcohol and fighting.

A new biography of the star uncovered a letter from Bond mastermind Albert R. Broccoli outlining how close he came to replacing Sean Connery in the role. Broccoli wrote, "With Reed we would have had a far greater problem to destroy his image and re-mold him as James Bond. We just didn't have the time or money to do that." According to Cliff Goodwin , author of the book "Evil Spirits", "Oliver was probably within a sliver of being cast as Bond." He adds, "But by 1968 his affairs were public and he was already drinking and fighting - as far away from the refined Bond image as you could get.". By the mid-1970s he was considered by many to be Britain's biggest movie star. He declined roles in The Sting (1973) and Jaws (1975) because he didn't want to relocate to Los Angeles. Both of these roles were taken by fellow British hellraiser Robert Shaw . However, a Hollywood executive claimed, "Reed didn't turn us down. We turned him down.

We like our stars to have respect - Oliver Reed didn't respect anyone and he showed it." The actor he admired most was Errol Flynn . He was a close friend of The Who 's drummer Keith Moon . In 1973 Steve McQueen flew to England to meet Reed and discuss a possible film collaboration. "Reed showed me his country mansion and we got on well," recalled McQueen. "He then suggested he take me to his favorite London nightclub." The drinking, which started at Reed's home, Broome Hall, continued into the night until Reed could hardly stand. Suddenly, and with no apparent warning, he vomited over McQueen's shirt and trousers. "The staff rushed around and found me some new clothes, but they couldn't get me any shoes," said McQueen. "I had to spend the rest of the night smelling of Oliver Reed's sick." Along with Michael Winner, former snooker champion Alex Higgins, himself suffering from throat cancer, were the only celebrities to attend Reed's funeral in Ireland. His wrestling scene with Alan Bates in Women in Love (1969) was the first time full frontal male nudity had featured in a mainstream movie.

Reed died during the filming of Ridley Scott 's Gladiator (2000), and it cost the company $3 million to recreate his face so he could "appear" in the scenes he still had left to shoot. Agreed to appear in the small but vital role of casino boss Eddie Mars in The Big Sleep (1978) just because he admired the film's star Robert Mitchum so much. Described his role as Father Grandier in Ken Russell 's The Devils (1971) as the best performance he ever gave. He named his favorite American actors as Lee Marvin , Rock Hudson and Rod Steiger . In 1968 he was signed to star as William the Conqueror in a British film about the Norman Conquest, but the project fell through. He never had any acting training or stage experience. For a brief period in the late 1960s Reed was the highest paid actor in Europe, but by the early 1980s he was reduced to starring in dire European films. At the time of his death he was signed to play Albert Finney 's role in My Uncle Silas (2001).

During the Falklands War in 1982, the highly patriotic Reed covered his house in a huge Union Jack flag and decorated every room with military memorabilia. According to director Ken Russell , the original script for Women in Love (1969) did not include the famous nude wrestling scene because he felt it wouldn't pass the censors and would be difficult to shoot. It wasn't until Reed talked him into it by literally throwing his weight around--he wrestled Russell in his kitchen, pinned him down, and wouldn't let him up unless he agreed to shoot it. At age 22, Reed was paid £90 per week for his first starring role in The Curse of the Werewolf (1961). But the film would not be seen in Spain for many years. It was banned because it was thought the film portrayed Spain as a backward nation. He never forgot his Hammer roots. After hitting the big time, he went back to pay homage to his horror beginnings to narrate the full Hammer retrospective, a reminder that his voice was the one quality the English critics admired about him. Reed remains the only British film star who never had any stage work of any kind.

A 1980s National Portrait Gallery show noted this, saying he was their only pure film actor. He starred in the first film to say "fuck", I'll Never Forget What's'isname (1967). He also starred in the first British film to be rated X just for the violent content, Sitting Target (1972). The public house in Malta in which he died, previously known as "The Pub", was renamed "Ollie's Last Pub" in his memory. Some obituaries mentioned the similarity between Reed's death and Robert Newton 's. Newton, who had played Bill Sykes in David Lean 's non-musical version of Oliver Twist (1948), was a notoriously heavy drinker. He remained sober while filming Around the World in Eighty Days (1956), which was supposed to be a big comeback for him as an actor. Toward the end of filming, however, he indulged in one final drinking marathon and died from a heart attack, aged only 50. Similarly, Reed remained sober while filming Gladiator (2000) - intended as a big comeback - but died from a heart attack after allowing himself one final binge.

Owned a villa in the south of France next door to Jack Hawkins ' villa. On location for The Hunting Party (1971), Reed bemoaned the necessity of faking an American accent and this, coupled with his love of Broome Hall and English pubs, was enough to cement his decision not to move to Hollywood. Bought Broome Hall, a 63-bedroom Victorian mansion in Surrey, in 1970. He was a fan of James Dean in East of Eden (1955) and Rebel Without a Cause (1955). Lost weight to appear in Castaway (1986) on a diet of vodka. Had a tattoo on his penis. According to Patrick Warburton , Reed showed him the tattoo the first day they worked together. He was nearly killed in a friendly sword-fight with director Ken Russell . He described the incident in the December 1973 issue of Photoplay Film Monthly: "Ken Russell came down here last Sunday and we had a fight. I have two large, double-handed swords and he nearly killed me.

He tore my shirt right down to here, and I was only fighting with a small sword, from The Three Musketeers (1973), and I said, "I'm going to kill you!" So, he said, "I'm going to kill you!!" All his viewfinders and his pince nez, and his silver hearts with "I am allergic to aspirin" on them, his Mickey Mouse shoes, his pontification about people's varicose veins, that was all blown to the wind. He left here at four. He said, "you didn't really mean that about killing me, did you?" But we were very serious at the time. But whatever it is that allows for that lunacy or sense of the ridiculous comes across in the work that we do. He's extraordinarily talented.". Once reckoned that the strenuous filming of The Devils (1971) took four years off his natural life. Had an intense dislike for Jack Nicholson , whom he called "a balding midget". (Reed claimed Nicholson was only 5'7" tall).

Infamously clashed with Shelley Winters on The Tonight Show Starring Johnny Carson: Episode #11.137 (1972). He got angry at her for constantly jokingly interrupting the stories he was trying to tell and, when Winters had to leave the show early, Reed told Johnny Carson that he thought that women belong in the kitchen. She returned and poured a cup of water over his head. He then claimed it was whiskey that she poured over him. Said that when he made the infamous drunken appearance on the Michael Aspel chat show when he sang a raucous rendition of "Wild Thing", that the producers of that show had plied him with spirits in the green room prior to the interview so that he was already plastered when he came on stage. In 1979 he published an autobiography, entitled "Reed All About Me". Asked to describe the book by an interviewer he replied, "It's a load of bollocks really.". He once described his purpose in life as "shafting the girlies and downing the sherbie.".

Was heavily criticized in the late 1980s for appearing in exploitation films produced by the infamous impresario Harry Alan Towers , most of which were filmed in South Africa under the apartheid regime, and released straight to video in the US and UK. In order to avoid charges of nepotism Reed deliberately avoided working for his uncle, director Sir Carol Reed , until he was already established as a star in British movies. He stated in 1974 his favorite book was "The House on Pooh Corner" by A.A. Milne . He enjoyed playing golf and (lawn) bowls. He loved horses all his life and also enjoyed breeding and rearing them. He suffered from acute tinnitus for many years. He won army sprint races while serving his national service. Buried in Bruhenny Cemetery in Buttevant, Cork (Ireland). His grave-site was picked so that it was in full view of his favorite pub. His paternal great-grandfather, Julius Ewald Edward Beerbohm, was of German, Lithuanian, and Dutch ancestry. He appeared in four Robert Louis Stevenson adaptations: The Two Faces of Dr. Jekyll (1960), Dr. Heckyl and Mr.

Hype (1980), Black Arrow (1985) and Treasure Island (1990). He appeared in two Best Picture Academy Award winners: Oliver! (1968) and Gladiator (2000). He played Yvonne Romain 's son in The Curse of the Werewolf (1961) and her brother in The Brigand of Kandahar (1965). He turned down the role of Doyle Lonnegan in The Sting (1973) but later played the role in The Sting II (1983). He was arrested for walking in public without clothes while filming The Brood (1979) and for fighting in a bar just after filming had ended on Spasms (1983). At his trial in 2014 Max Clifford claimed he had helped cover up Reed's liking for underage girls. Personal Quotes (35) You meet a better class of people in pubs. I do not live in the world of sobriety. My only regret is that I didn't drink every pub dry and sleep with every woman on the planet. I believe that my woman shouldn't work outside the home.

When I come home and I'm tired from filming all day, I expect her to be there and make sure that everything is cool for me. You know, like drawing my bath and helping me into bed. That's the kind of job she had and, in return for it, she can bear my children and if any man talks bad to her, I'll hit him. The Adventures of Baron Munchausen (1988) was about the only time I've been allowed to do what I want with a part. You can be over-directed by people, but Terry [ Terry Gilliam ] let me have my own way. There was a scene we rehearsed on Saturday where we really hit our stride. When we resumed, Terry said on the Sunday, "You seemed to be having much more fun with the character yesterday. Could you take it a bit further? I didn't need to be told twice! Once I realized I could get away with it, off I went! There is, of course, a world of difference between cricket and the movie business . . . I suppose doing a love scene with Raquel Welch roughly corresponds to scoring a century before lunch.

American men like their women to have these special teeth and be perfectly coiffured and have amazing breasts. Have you seen an Italian mama with those kinds of teeth, that kind of hair, and that kind of waist? They're not like that. They're in the kitchen cooking for their families - doing what they should do. I believe my woman shouldn't work outside the home. I also use women as a sex object; maybe I'm kinky. However, I like to talk to them as well. I like the effect drink has on me. What's the point of staying sober? I'm the biggest star this country has got, destroy me and you destroy the whole British film industry. Richard Burton was hitting the bottle with Jimmy Hurt the night before his death. He knew it was going to kill him, but he did not stop. I don't have a drink problem. But if that was the case and doctors told me I would have to stop, I'd like to think I would be brave enough to drink myself into the grave. Life shouldn't be about sitting around staring at frosted glass. Life should be lived and that's all there is to it. Nicholson [ Jack Nicholson ]?

As far as I'm concerned, he's a balding midget. He stands five-foot-seven, you know. He tries to play heavies and doesn't quite make it. I'm not a villain. I've never hurt anyone. I'm just a tawdry character who explodes now and again. I like to give my inhibitions a bath now and then. I do think a carpenter needs a good hammer to bang on the wall. I have made many serious statements -- I just can't remember any of them. I guess they mustn't have been very important. I have two ambitions in life: one is to drink every pub dry, the other is to sleep with every woman on earth. Once a pirate, always a pirate. I'm a buccaneer - a bucco - through and through. I'm the same old Ollie I was years ago. Ollie Reed doesn't change. My acting school was, and still is, life in the raw - the whole wide world as a stage. I didn't go into a shop full of mirrors, I stayed outside and gazed at the reflections of life.

I've got a lot of performances stored away at the back of my mind, ready to come out in front of the cameras when they are needed. I was disappointed in Sonja Henie . Her legs were muscle-bound and unattractive and didn't give me the urge to give her one. At one point I would have liked the role of Heathcliff in Wuthering Heights (1970). Then I saw it done by Laurence Olivier on television and he was so good that I decided to forget about it. [on The Devils (1971)] It vividly shows a side of the church that was never scrutinized attentively or even less accepted. The film shows that the monarchy can be weak, that the church can be corrupt, that society can admit that it has a lot to learn. I think these kinds of things were hidden from audiences for a long time. The masses go to the movies, not the intellectual elites. I didn't go to acting school, only to normal school. I'm not for acting schools because I suspect that the majority of the teachers are there because they can't find work as actors or because they think they can teach people to act but haven't had much experience themselves in the field.

What I mean is that my skepticism derives from the fact that I believe that for an actor it's much more important to learn with the audience . . . the audience is the real teacher and it's the audience that has taught me what I know. The audience's reaction tells me what I need to do, just as the audience's reaction makes you into a first-rate star. It's easy: the important thing is that a sufficient number of people, an audience, in a sufficient number of countries is willing to spend money to go see this actor. At this point the movie producers interfere and ask you to work on this or that film. And then one becomes an actor with international success depending on the public's reaction. Theatre doesn't interest me. It doesn't interest me because in England theatre means warm gin during intermission, not being able to smoke in the theatre, eat chocolates and try to find out who else is present in order to then greet them in the foyer. Going to this or that theatre premiere is very much an "in" thing to do. But this is only one of the reasons; the second reason is a bit more professional.

Logically speaking, I think that for an actor or an actress working in the theatre is boring, but I am not referring to theatre actors who have always worked there, and this my own boring opinion, but because it means reciting the same lines every night six nights a week, not counting matinées . . . boring, don't you think? I think that the most important achievement of my career was getting paid for something that I really wanted to do. [on his role as Father Grandier in The Devils (1971)] You would think from the critics' hostility that Ken Russell had tried to pull off some obscene hoax. On the contrary, the film is, I think, an utterly serious attempt to understand the nature of religious and political persecution. It is not in any way exaggerated. If anything, the horrors perpetrated in Loudun in the 17th century were worse than Russell has chosen to show . . . the character of the priest was a marvelous one to act. Ken Russell's brother-in-law is an historian and he helped me research Grandier's life, with particular reference to his thesis in celibacy. The people of Loudun loved him. He walked among the plague victims and comforted them.

I started to play him as a priest and realized that he was a politician. I bluster my way through, and I sing rather like a rugby forward. Tommy (1975) is an amazing visual film and the music is astonishing. I think for anyone to translate The Who 's music in terms of images, it must be somebody like [ Ken Russell ]--or a lunatic! [on his role as Father Grandier in The Devils (1971)] It was certainly the most difficult and the most strenuous part I have ever played. And I think, quite important. [on public reaction to The Devils (1971)] I remember noticing the gleam in [ Ken Russell 's] eye while everybody was working away on the set, so I knew something good was going on. What they said afterward was totally incredible. We were regarded as pornographers in Italy. We'd have been arrested if we went there. [on directors Michael Winner and Ken Russell ] Winner gave me my bread and Russell gave me my art. [on making The Devils (1971)] It was a difficult and tiring role. I don't think anyone in their right mind would say that they had fun shooting that film.

It wasn't created with the intent of having fun or being pleasurable; on the contrary, it was analyzed acutely and made with extreme seriousness. It was definitely a film about a certain society and the things that society did. We tried to show that humans are diabolical or can be as diabolical as in the film. I didn't have fun, it was four months of hard work and if anyone has the courage or the desire to sit his ass down on a firecracker and scream for four months with Ken Russell yelling in your ears, well . . . [on criticism of The Devils (1971)] It was very disturbing to make. I still haven't got over it... Where do you draw the line? This is the way it happened - those nuns were used for political ends, toted round France as a side show for a year. Do you ignore the actual historical accuracy and the fact that the Church, the politicians and the aristocracy were corrupt? I get so angry with the opinion makers who class it with the sex films. If we ignore history because it was unpleasant we're going to end up with nothing but nature films. One day I should like to live in Ireland.

I love the Irish, the more I see of other races the more I believe the Irish are the only real people left, and apart from that they have space and clear air in which to wander and think and to feel free. [on claims he only got into movies because of his uncle] I am not a product of nepotism. Salary (2) BBC News | UK | Actor Oliver Reed dies Actor Oliver Reed dies Oliver Reed with his wife Josephine Actor Oliver Reed has died suddenly in Malta after being taken ill. The BBC's Arts Correspondent Nick Higham looks back at Oliver Reed's career Reed, 61, who appeared in more than 60 films, was in Malta for filming of The Gladiator. He was taken ill while having a drink with friends and died on his way to St Luke's Hospital, two miles from Valletta, police said. A Malta police spokesman said: "He was in a pub called The Pub in Archbishop Street, Valletta, at 1430 our time when he was taken ill.

"They called an ambulance about five minutes later and 10 minutes after that he died on the way to hospital." He said there would be a post-mortem examination on Monday but there was not thought to be anything suspicious about the death. Michael Winner: "He will be remembered for his terriffic acting" Director Michael Winner said: "He was my closest friend for 40 years. I loved him. I feel ill." Born in Wimbledon, south-west London, Reed reached his acting peak in the 1960s and 1970s in films such as Oliver!, Women in Love, The Jokers and The Devils. He was seen as one of the brightest prospects of the British film industry, but his later career was overshadowed by his reputation for drunken behaviour. Variety of jobs Robert Oliver Reed was born in Wimbledon, the nephew of film director Carol Reed. He went from school into the Army for National Service, and then to a variety of jobs before becoming an actor without any formal training. Reed, pictured in 1981 His first break was on television, as Richard I in a children's serial, but most of his later work was for the cinema.

A series of small roles in Hammer horror films led to the screen version of Oliver!. Ken Russell provided him with some memorable roles in Women in Love and The Devils in the cinema, and as Debussy in a BBC television programme. Richard Fitzwilliams, film critic, pays tribute to Oliver Reed: "An outrageous hellraiser" Reed had a career of more than 30 years, but from the early 1970s he had acquired a reputation for bad behaviour off the screen - heavy drinking and brawling in pubs and during public appearances. In 1991 his appearance on a live programme on Channel 4 led the Broadcasting Standards Council to urge producers to use firm action when necessary to eject abusive guests. He married twice and leaves two children.

Oliver Reed; 'Women in Love' Star Was Infamous for Drinking - latimes Oliver Reed; 'Women in Love' Star Was Infamous for Drinking May 03, 1999 |MYRNA OLIVER | TIMES STAFF WRITER Oliver Reed, the British actor as well-known for his off-camera drinking, brawling and outspoken opinions as for his roles in more than 50 motion pictures ranging from horror films to the highly respected "Women in Love" and "Oliver!" died Sunday. He was 61. Reed died on the Mediterranean island of Malta, where he was filming "The Gladiator." He fell ill while drinking in a bar in the town of Valetta and died en route to the hospital, according to Malta officials, who plan an autopsy. Although Reed was the nephew of the late, highly respected Oscar-winning British director Sir Carol Reed, the actor often said he cared more about living than making movies. He frequently threatened to retire--even at the peak of his success with "Women in Love" in 1969 when he was only 30. That film of a D.H.

Lawrence novel earned the first best actress Oscar for Glenda Jackson, who remembered Reed on Sunday as "immaculately professional." Reed sometimes resented interviewers asking about his drinking feats (like downing 106 pints of beer in 24 hours) instead of his current film. But he readily told The Times in 1971 that he had to drink a whole bottle of vodka before shooting his nude wrestling scene with Alan Bates in "Women in Love." "I don't mind exposing myself in a bedroom or a urinal, but I had to get drunk before I could get in front of the camera," he said. "I haven't been offered a nude scene since. And I don't want one. Some of the girls I date got very jealous." Reed never lacked for opinions of his co-stars (once excoriating Raquel Welch only to be cast opposite her in a subsequent film) or women in general. "Women are good for nothing but sex and pillow talk," he told The Times in the same 1971 interview, at the outset of the feminist movement.

"I don't care if they take off their bras and pants as long as they jump into my bed afterward." By 1987, Reed was living on the isle of Guernsey with his second wife, Josephine Burge, whom he began dating when she was 16, and again considering retirement. In some three-score movies, he told The Times then, he could count the good ones on one hand--"Oliver!" in which he played Bill Sykes for his director uncle in 1968, "Women in Love" the next year, and "The Devils" in 1971. But then along came "Castaway," which he wanted to shoot for director Nicolas Roeg, and that kept him in the business. After "Castaway" (the true story of writer Gerald Kingsland, who advertised for a woman to accompany him to a deserted island) appeared in 1987, a Times reviewer evaluated: "Oliver Reed is a strange actor, and his barrel-like physiognomy and menacing eyes often seem best suited for the gargoyle roles (British director) Ken Russell gives him.

But here Reed gives a vulnerable, deeply human performance, one of the best of his career. As Gerald, he reminds you of an ersatz Hemingway with his pants down, besotted on mortality." Born in Wimbledon, England, Reed was expelled from 13 schools and by age 17 had worked in a mortuary, washed floors, been an audit clerk in a seed factory, a taxi driver, a bouncer, a boxer and a hospital orderly. After military service, he asked his famous uncle how to become an actor and was told to study at the Royal Academy of Dramatic Arts. He didn't. "I just queued up in line with other fellows and got a part in Adam Faith's 'Beat Girl,' " Reed once told The Times. From 1955, he worked steadily, predominantly in horror films--"The Two Faces of Dr.

Jekyll," "Curse of the Werewolf," "The Fall of the House of Usher," "The Pit and the Pendulum"--and costume adventures--"Sword of Sherwood Forest," "The Three Musketeers," "The Four Musketeers," "Crossed Swords (The Prince and the Pauper)," "The Return of the Musketeers." He was also remembered for Russell's 1975 rock opera "Tommy" with Roger Daltry and Ann-Margret. Reed occasionally appeared on television, most notably in "Return to Lonesome Dove." He is survived by his wife of 13 years, Josephine, and a daughter, Sarah. MORE: Oliver Reed obituary | Film | The Guardian Movies Oliver Reed obituary He washed in and out of life on a wave of alcohol, but without it might have been a substantial actor Oliver Reed in Tommy, directed by Ken Russell.

Photograph: Sportsphoto Ltd/Allstar/Paramount Norman King Monday 3 May 1999 11.19 EDT First published on Monday 3 May 1999 11.19 EDT Share on Messenger Close Oliver Reed began his film acting career through friends he made from drinking in pubs, and has died at the age of 61 while out drinking with friends in Valetta, Malta. But while in front of the camera, he was a professional whose distinctive looks and fine speaking voice made him a striking presence in more than 90 films. Born in Wimbledon, south London, to warring parents, he knew about trouble from the outset, and was sent away to boarding school - the first of 14 - at the age of four. From the schools, he learnt to look after himself, and from his mother and the holiday nannies arranged by his army officer father he learnt to be indulged by women. At his final school, Ewel Castle, he was captain of athletics. National service took him along the same path as his father (though he served in the medical corps), and he would happily have continued the military life but for the obstacle of dyslexia.

Drinking in Earl's Court gave him the idea of following his friends into becoming a film extra, and his breakthrough came with a children's television serial called Golden Spur. Among the lower decks, lower ranks and lower orders in British films around the join of the 1950s and 1960s, you can spot many blokes, the Conneries and the Caines, who shortly after metamorphosed into heroes - officers, if never exactly gentlemen. You may also notice briefly the young Reed, whose personal ineptitudes - the booze, the weight, the consistently shot-off mouth - cured him into a particularly thick-skinned ham, and did for what might have been a more interesting movie career. In thick set of muscle, growling voice and manner, he was a type generally more useful to a Hollywood casting agency than to British cinema of the time - the young heavy; but that scowl won him his first lead role in a Hammer horror of ritual creakiness, The Curse Of The Werewolf.

But physicality, and rough trade at that, not the fake-elegant tapping the cigarette on the monogrammed case sort, was then rare in a British actor, and Reed had enough of it to interest Ken Russell, who had begun his series of television biographies of musicians and artists: 'He struck me as vivacious, cheeky and not run-of-the-mill,' said Russell. 'He came to see me and looked terrific. I remember him being very moody and glowering. I liked his spirit - everyone else seemed to fade into insignificance.' So in 1963, Reed was cast in the TV Debussy life; and later Russell used his lubberliness, and willingness to expose himself in every possible way, in his 1969 feature film Women In Love (in which Reed was rather more like Seth Starkadder in Cold Comfort Farm, undoing another button of his shirt, than DH Lawrence's Gerald Crich); and, better, as Urbain Grandier in The Devils (1971). Reed's voice was excellent at this period, with considerable control; it would have sounded well in Jacobean tragedy.

He was in two of the more lumbering caper films of the 1960s, Michael Winner's Hannibal Brooks (1968), as a prisoner-of-war escaping - appropriately by elephant - and Basil Dearden's lumpen 1968 The Assassination Bureau, in which he attempted (unconvincingly) to be seductively charming to Diana Rigg. His Bill Sikes, in the 1968 musical Oliver!, was powerful - it was all in the hunch of the shoulders - and he brought off a coolly sinister smoothie in Anatole Litvak's 1970 threatened-woman thriller, The Lady In The Car. But he was already making duff choices, and after the early 1970s, was infrequently in respectable movies. Though his Athos, in Richard Lester's The Three Musketeers (1973), genuinely suggested a considerable leader with a dark past; certainly nobody ever practised with more gusto fight director William Hobbs's style of duelling dirtily with sword (or boot to groin) when the opponent was distracted.

After that, it was film after film in Italy or France or worse, although just occasionally even into the 1990s Reed might be glimpsed - for instance in the 1993 television sequel to Lonesome Dove - heftily suggesting a mis-spent life. Throughout his career, Reed had a great love of drinking in pubs and the camaraderie - always liable to spill over into fighting - that went with it. The press offered him every encouragement, so that, as he despairingly put it, 'People want you to be a hellraiser.' His 10-year marriage to the Irish model Kate Byrne produced his son Mark, but came to an end in 1970. He also had a daughter, Sarah, from an overlapping long relationship with a ballet dancer, Jacquie Daryl. However, in 1985 he married Josephine Burge, then 21, but his companion since she was 16, and found a measure of peace. Robert Oliver Reed, actor, born February 13, 1938; died May 2, 1999 15 Things You Genuinely Didnï¿½t Know About Oliver Reed.

15 Things You Genuinely Didnï¿½t Know About Oliver Reed. Oliver Reed died from a heart attack on May 2nd 1999 while ï¿½ true to form - drinking with his wife and friends in a bar in Malta. A little over a year later, weï¿½re finally getting the chance to witness Reedï¿½s final acting role, as Maximusï¿½ trainer, in Ridley Scottï¿½s much anticipated Gladiator. In a career that spanned over 40 years, and 60 films, Reed was once described as ï¿½Always word perfect and unfailingly courteous to colleagues and techniciansï¿½. However, despite being famous for his professional behaviour among colleagues, it was Reedï¿½s notoriety as one of this countryï¿½s finest hellraisers for which most will remember him. Bubblegun is happy to add further fuel to fire of Ollieï¿½s legend. Where Oliver Reed went, controversy would follow. Starring in Ken Russellï¿½s Women in Love - the first English speaking commercial film to feature full frontal male nudity ï¿½ Reed famously wrestled naked with Alan Bates.

Reed also starred in the first film to include the word ï¿½fuckï¿½ (Iï¿½ll Never Forget Whatï¿½s ï¿½Is Name), as well as the first British film to be rated X due to its violent content (Sitting Target). According to Ken Russell, the aforementioned homo-erotic wrestling scene was not actually included in the original script, due to his feeling that the censors of the time would not allow it to pass. Hearing this, Reed was none too pleased, and apparently demonstrated his displeasure by wrestling Russell to the floor in his kitchen, and pinning him to the ground until he agreed to include itï¿½ For the nude wrestling, Reed admitted to considering ï¿½a fiddleï¿½ in order to ï¿½enhanceï¿½ his performance. However, after much deliberation, Reed simply challenged Bates to ï¿½get it outï¿½ in order to dispel any differences between the two actorï¿½s cocks. Upon doing so, the pair decided there wasnï¿½t much in it either way, and filmed the scene sans manipulation.

While on the subject of Reedï¿½s ï¿½Mighty Malletï¿½ ï¿½ as he liked to call it ï¿½ during the seventies, Reed became famed for his ï¿½party trickï¿½ which, consisted of him exposing the thespian twig and berries, in order to proudly display the ï¿½bird-clawï¿½ tattoo that adorned them. Apparently, police were once called to a remote rural location close to Reedï¿½s home in the early hours of the morning, due to complaints that a number of naked men had been seen running across fields. The naked men were a rugby team who Reed had spent the evening entertaining. Having consumed vast quantities of alcohol, the whole lot of them stripped off and went for a run through the fields surrounding Reedï¿½s house, their muscled white buttocks probably glistening in the moonlight. Due to his notorious public appearances while under the influence, Reed became forever synonymous with alcohol. It was alleged that during the stag weekend prior to his second marriage (to long time sweetheart Josephine, in 1985) Reed downed an unhealthy 104 pints of beer.

However, Reed was quick to dispel this rumour: ï¿½The event that was reported actually took place during an arm-wrestling competition in Guernsey about 15 years ago.ï¿½ Reed was also famed for his various public-feuds and opinions concerning certain well-known celebrities, among them Shelley Winters, Lee Marvin, Richard Harris, and Jack Nicholson. During an interview, when asked about Jack Nicholson, Reed once stated: ï¿½Nicholson? As far as Iï¿½m concerned, heï¿½s a balding midget. He stands five-foot-seven, you know. He tries to play heavies and doesnï¿½t quite make it.ï¿½ Reedï¿½s comments concerning long time adversary and fellow hellraiser, Richard Harris, were also often amusing: ï¿½ï¿½Even though people say Richard Harris and I have been having a great feud, itï¿½s not true. After all, how could be feuding for years? Iï¿½d never heard of him until two weeks ago. ï¿½Raquel Welch is someone I can also live without.

Weï¿½ve got some love scenes together and I am dreading them! I cabled Richard Harris to see if he wanted to be my stand-in for those scenes. With his toupee and her falsies they would be perfect for each otherï¿½ï¿½ Lee Marvin, describing his first encounter with Reed, said: ï¿½I was expecting to meet up with this actor who was supposed to be Britainï¿½s hellraiser, and what do I see but this tailorï¿½s dummy in a pinstripe suit looking more like a fucking bankerï¿½. Reed, during his infamous 80s appearance on The David Letterman Show, continued the feud by pretending to forget Marvinï¿½s surname, and claimed to have ï¿½screwed Marvin at drinkingï¿½ during a drinking competition that allegedly took place between the pair.

During the same show, Reed also caused David Letterman to lose his footing by pulling him forward during their greeting handshake; punctuated the interview by adopting an American accent, pointing at the camera and claiming ï¿½Iï¿½m after you, Stalloneï¿½; replied to Lettermanï¿½s questions in German; spoke nonsense claiming he was a fisherman who wore boots in his ears; took the piss out of Lettermanï¿½s nose by pressing his own down in imitation; and removed his glasses and stared Letterman down, forcing Letterman to plead to band leader, Paul Schaffer to accompany him. In fact, on both sides of the Atlantic, Reed became well known for his ï¿½performancesï¿½ on chat shows. On The Merv Griffin Show in the 70s, Reed sat listening attentively whilst Griffin reeled off some anecdote about Peter Oï¿½Toole in order to illustrate the temperamental nature of English actors. After enduring the entire story, Reed sat forward and, quite politely, pointed out that Oï¿½Toole was in fact Irish, and not English.

More famously still, he once asked perma-tanned British talk show host Richard Madley why he had ï¿½orange skinï¿½. During his first appearance on The Tonight Show, Johnny Carson watched on in horror as Shelly Winters ï¿½ reacting to Reedï¿½s somewhat misogynistic comments ï¿½ poured a drink over Reedï¿½s head. When later quizzed about the incident, Reed stated: ï¿½My row with Shelly Winters was caused by her abominable lack of manners. She is getting old now and I think she is quite crazy.ï¿½ In fact, Reedï¿½s outspoken views on women often landed him in trouble. Once prompted about the fairer sex, Reed stated: ï¿½American men like their women to have these special teeth and be perfectly coiffured and have amazing breasts. Have you seen an Italian mama with those kinds of teeth, that kind of hair, and that kind of waist? Theyï¿½re not like that.

Theyï¿½re in the kitchen cooking for their families ï¿½ doing what they should doï¿½ I believe my woman shouldnï¿½t work outside the homeï¿½. However, despite such vocal opinions on the subject, Reed did show some elements of compromise: ï¿½I also use women as a sex object; maybe Iï¿½m kinky. However, I like to talk to them as well.ï¿½ It could never have been considered a good idea for Channel 4 to have invited Reed to a late night, serious debate programme involving a panel of toffs and one lesbian feminist discussing male violence on TV. Quizzed afterwards about his experience ï¿½ which resulted in him being ejected from the studio ï¿½ Reed agreed that he ï¿½mightï¿½ have told the feminist that he had had more fights in pubs than ï¿½youï¿½ve had hot dinnersï¿½, before kissing her, quite uninvited, on the lips. Reed ï¿½ who once asked, ï¿½I like the effect drink has on me.

Whatï¿½s the point of staying sober?ï¿½ ï¿½ realised, upon his arrival at Galway airport, Ireland, while lying drunk on the baggage conveyor, that he was slowly killing himself with his constant alcohol binges. He tried to make amends for his past behaviour, which included spiking snooker star Alex Higginsï¿½ whisky with Chanel perfume. Higgins reacted by squirting washing-up liquid in Reedï¿½s crï¿½me de menthe. Reed passed away prematurely, while filming Scottï¿½s Gladiator in Malta. His role was completed by means of placing a CGI replica of Reedï¿½s head onto a body double, comprised of various ï¿½jigsaw-likeï¿½ pieces of filming that Reed had completed. Scott admits that it was his intention to provide Reedï¿½s screen career with a fitting end by having had him utter the final line of the film. However, after much trial and error, Scott was forced to abandon the idea due to the lack of useable footage.

Reedï¿½s views on the subject of death were relatively well documented (and before he died he arranged to have ï¿½10,000 out of his estate spent at his local pub, but only for ï¿½those who are cryingï¿½). Discussing potential body-disposal methods, Reed refuted the deep-freeze method adopted by those such as ï¿½rich Americans like Walt Disneyï¿½.

Also slated was the idea of him being laid out for days in his Sunday best in order to ï¿½have people gawping at me to see what a dead hellraiser looks likeï¿½, as was cremation, as was burial due to his disgust at ï¿½maggots having a ball crawling up my nose and out of my mouthï¿½, and burial at sea: ï¿½Who wants to be gobbled up by a big fish and become excrement that is swallowed up by a prawnï¿½ ending up as mayonnaise, being nibbled at by a pretty girlï¿½ I donï¿½t want to be permanent shit.ï¿½ï¿½ Reedï¿½s ideal form of post-life disposal? ï¿½I would much rather end up a fertiliser under a sunflower which is eventually made into sunflower seed oil so that instead of nibbling me in her prawn cocktail, the pretty girl will rub me on her bristols as she suns herself on a beach in the Caribbeanï¿½. Gawd bless you, Oliver Reed. Gladiator goes on general release May 12th throughout the UK.

Oliver Reed, Diverse Actor For Film and TV, Dies at 61 - The New York Times The New York Times Arts |Oliver Reed, Diverse Actor For Film and TV, Dies at 61 Search Continue reading the main story Oliver Reed, whose red-faced exuberance brought earthiness to film appearances as varied as a swashbuckling musketeer, a brutal Dickensian burglar and his best-known role as a coal mine owner's son in Ken Russell's version of ''Women in Love,'' died on Sunday while filming a movie in Malta. He was 61. In what would have been his 100th film or television role, Mr. Reed was appearing in ''The Gladiator,'' a movie directed by Ridley Scott and produced by Steven Spielberg. He was playing Proximo, a gladiator trainer. Agence France-Press reported that Mr. Reed fell ill in a bar in Valetta, Malta, accompanied by his wife, Josephine, and friends. The cause of death for Mr. Reed, who was pronounced dead before he reached the hospital, was not immediately known and an autopsy is scheduled for early this week. Funeral arrangements were not announced.

A glowering, stocky man renowned for telling stories about his fondness for pubs and fisticuffs, Mr. Reed gained his widest prominence as the boorish Gerald Crich, who falls in love with a schoolteacher, played by Glenda Jackson, in Mr. Russell's 1969 film adaptation of the D. H. Lawrence novel ''Women in Love.'' Advertisement Continue reading the main story The film also attracted attention for the then-shocking nude wrestling scene between Mr. Reed and the character played by Alan Bates. Mr. Reed became a favorite of Mr. Russell's, starring or appearing in such films as ''The Devils'' (1971), ''Lisztomania'' (1975) and ''Tommy'' (1975). Ms. Jackson, who won an Academy Award for her role opposite Mr. Reed in ''Women in Love,'' told SKY News in London on Sunday that Mr. Reed was ''immaculately professional.'' She added, ''I am very sorry he has gone, but I think he probably went the way he would have wished.'' Mr.

Reed was also memorable as the brutal Bill Sikes in ''Oliver!,'' the 1968 movie-musical version of Dickens's ''Oliver Twist.'' It was directed by his uncle, Sir Carol Reed, who also directed the 1949 classic ''The Third Man.'' Mr. Reed's powerful physique gave an unusual mystique to Athos in Richard Lester's 1973 film version of ''The Three Musketeers.'' Mr. Reed was born on Feb. 13, 1938, in south London. He held various jobs, according to Agence France-Press, including a bouncer for a strip club, sparring partner for boxers, and a factory worker. HELL-RAISING ACTOR OLIVER REED DIES OF BARROOM CARDIAC | New York Post HELL-RAISING ACTOR OLIVER REED DIES OF BARROOM CARDIAC Comment(required) May 3, 1999 | 4:00am Hard-boozing actor Oliver Reed – known for his lusty portrayals of English louts, lovers and lunatics both on-screen and in real life – died yesterday at the age of 61.

The feisty, bulldog-faced star died on the Mediterranean island of Malta where he was filming “The Gladiator.” Authorities said Reed collapsed as he enjoyed a cocktail in a bar in the town of Valetta, then suffered a fatal heart attack 15 minutes later as he was rushed to a hospital. An autopsy was to be performed today, although his death is not considered suspicious. His 53 movies included “Women in Love,” in which he wrestled nude with actor Alan Bates, and The Who’s rock opera, “Tommy,” in which he played the perverted dad of the title character. He also starred in the controversial X-rated film “The Devils,” “Oliver,” “The Three Musketeers,” “The Curse Of The Werewolf” and “Beat Girl.” Born Feb. 13, 1938, in Wimbledon, Reed was as famous for his wild nights of boozing and skirt-chasing as for his on-the-edge roles.

He once told an interviewer that his ideal woman was “a mute nymphomaniac whose father owns a pub.” And he claimed his only regret in life was “that I haven’t drunk every pub dry and slept with every woman on earth.” Reed was also notorious for jolting bar patrons by showing off a tattoo of an eagle’s talons – on his penis. In 1981, he was arrested and fined $1,200 for starting a barroom brawl in Stowe, Vt. But he never apologized for his boorish behavior, insisting, “I’m only an actor – not a priest beyond reproach.” He also scandalized Britain by dating a 16-year-old girl, Josephine Burge, when he was 42. He later married her when she reached 20. “I’m not a villain. I’ve never hurt anyone. I’m just a tawdry character who explodes now and again,” he said. Glenda Jackson, his “Women in Love” co-star, said Reed was “immaculately professional.

Once he was in front of the camera, he was all work.” “I am very sorry he has gone,” she said, “but I think he probably went the way he would have wished.” Reed is survived by his wife, Josephine, and a daughter, Sarah. Share this: Olly's Last Pub | 101 Malta Olly's Last Pub Marsaxlokk Fish Market Towns It’s one of those age-old questions that, appropriately in this case, often gets asked during a drinking session in a pub: “When and where would you like to die?” We don’t know if anyone ever asked the notorious hell-raiser Oliver Reed but we’re guessing he would have opted for: “During a drinking session in a pub!” And so it was immensely fitting, and hugely sad at the same time, that one of the finest actors of the last century did indeed drink his last drink, and draw his last breath, at the end of a ‘big night’ in a Valletta pub. It’s actually called The Pub, and the use of the definitive article in the title is again immensely apt. Olly didn’t just die in a pub, he died in The Pub - a famous watering hole in the capital.

That fateful day was May 2, 1999 when Reed had reached only 61-years of age, leaving behind him some excellent performances in films like Women in Love, The Devils, The Three Musketeers, Oliver and Castaway. Reed was on Malta working at the time, filming scenes for the brilliant Hollywood blockbuster and multi-Oscar-winning epic, Gladiator. Not surprisingly, having been given a decent role in a decent film for the first time in a long time, Reed was excellent. Many acknowledged his performance as one of the finest in the Ridley Scott film and one of the best of his career. Given that he was working with such luminaries as Russell Crowe, Joaquin Phoenix and Richard Harris that was no mean feat in itself. The film was dedicated to his memory. Though a troubled character who fought a long-running battle with alcoholism, Reed was immensely lovable – one of the last, great Hollywood hell-raisers. That’s why fans of the actor still flock to this boozer to pay their respects and take a drink where Olly enjoyed his last.

Typically, during his final drinking session Reed was the life and soul of the party, having bumped into and arm-wrestled many of the British Royal Navy crew from HMS Cumberland. The seamen were in Valletta on shore leave. Olly was having a riotous time – the landlord of The Pub revealed that the last round he bought was eight beers, 12 double rums and half a bottle of whisky. Heavily intoxicated he collapsed in the pub and died before an ambulance could get him to the nearest hospital. From that day, this city hostelry has been an unofficial shrine for Reed – a place where film-buffs, fans and any curious drinkers can converge to pay their respects. Toasts for the great man ring out every evening and you can almost imagine him with that cheeky grin on his face, raising his divine glass to acknowledge the tributes. So if you want to acknowledge the great man during a visit to Valletta then you need to find The Pub, in Archbishop Street or Triq l-Arcisqof. It runs at right angles to the main Republic Street alongside the Palace Armoury and Grandmaster’s Palace (between Merchants Street and the road called St Frederick).

Then simply stand and raise a glass “To Olly!” Further Information Address: Archbishop Street, Valletta VLT 1444 Phone: +356 7980 7042

Question: On which island did the actor Oliver Reed die in 1999 ?
Answer: MALTA