Ghost (1990) - IMDb IMDb There was an error trying to load your rating for this title. Some parts of this page won't work property. Please reload or try later. X Beta I'm Watching This! Keep track of everything you watch; tell your friends. Error After a young man is murdered, his spirit stays behind to warn his lover of impending danger, with the help of a reluctant psychic. Director: From $2.99 (SD) on Amazon Video ON DISC a list of 31 titles created 19 May 2013 a list of 23 images created 06 Jan 2014 a list of 42 titles created 17 Feb 2015 a list of 48 titles created 23 Nov 2015 a list of 31 titles created 5 months ago Search for " Ghost " on Amazon.com Connect with IMDb Want to share IMDb's rating on your own site? Use the HTML below. You must be a registered user to use the IMDb rating plugin. Won 2 Oscars. Another 16 wins & 22 nominations.

See more awards » Videos Spending the summer at a Catskills resort with her family, Frances "Baby" Houseman falls in love with the camp's dance instructor, Johnny Castle. Director: Emile Ardolino When a worldly singer witnesses a mob crime, the police hide her as a nun in a traditional convent where she has trouble fitting in. Director: Emile Ardolino Good girl Sandy and greaser Danny fell in love over the summer. When they unexpectedly discover they're now in the same high school, will they be able to rekindle their romance? Director: Randal Kleiser A man in a legal but hurtful business needs an escort for some social events, and hires a beautiful prostitute he meets... only to fall in love. Director: Garry Marshall A former Secret Service agent takes on the job of bodyguard to a pop singer, whose lifestyle is most unlike a President's. Director: Mick Jackson A city teenager moves to a small town where rock music and dancing have been banned, and his rebellious spirit shakes up the populace.

Director: Herbert Ross 1 2 3 4 5 6 7 8 9 10 5.8/10 X After a single, career-minded woman is left on her own to give birth to the child of a married man, she finds a new romantic chance in a cab driver. Meanwhile, the point-of-view of the newborn boy is narrated through voice-over. Director: Amy Heckerling An FBI agent goes undercover to catch a gang of surfers who may be bank robbers. Director: Kathryn Bigelow A tough bouncer is hired to tame a dirty bar. Director: Rowdy Herrington A Pittsburgh woman with two jobs as a welder and an exotic dancer wants to get into ballet school. Director: Adrian Lyne A millionaire offers $1,000,000 to a young married couple for a night with the wife. Director: Adrian Lyne A Brooklyn teenager feels his only chance to succeed is as the king of the disco floor. His carefree youth and weekend dancing help him to forget the reality of his bleak life. Director: John Badham Edit Storyline Sam Wheat is a banker, Molly Jensen is an artist, and the two are madly in love.

However, when Sam is murdered by friend and corrupt business partner Carl Bruner over a shady business deal, he is left to roam the earth as a powerless spirit. When he learns of Carl's betrayal, Sam must seek the help of psychic Oda Mae Brown to set things right and protect Molly from Carl and his goons. Written by Jwelch5742 Before Sam was murdered he told Molly he'd love and protect her forever. See more » Genres: 13 July 1990 (USA) See more » Also Known As: Did You Know? Trivia Starting in the early 1990s (shortly after the release of Ghost), hip-hop lyrics often included Patrick Swayze 's name or the phrase "I'm Swayze" as a reference to or replacement for the earlier slang, "I'm ghost", meaning "I'm leaving/out of here/gone, etc." The Notorious B.I.G. was one artist who was especially fond of including this phrase in his songs. Swayze's appearance in the video for Ja Rule 's "Murder Reigns" was also a reference to the movie's and his own interesting place in hip-hop culture.

See more » Goofs When the ghost of Orlando enters Oda Mae's body, he speaks to his widow Ortisha as if it's the first time he's seen her with the new hair color but he was standing alongside the séance and fully able to see Ortisha all the while. See more » Quotes Carl Bruner : [Answers the phone nervously] Carl Bruner speaking. Voice: Hi, Carl. Voice: Balistrari? Carl, it's me, John. Carl Bruner : John. John, sorry, um, what - what - what - what's up? The opening credits are half transparent like a ghost. See more » Connections Performed by Dorothy Love Coates and The Original Gospel Harmonettes Courtesy of Specialty Records, Inc. A Zucker for Love Sories 27 May 2005 | by marcosaguado (Los Angeles, USA) – See all my reviews In 1970 we had "Love Story" remember? Ryan O'Neal and Ali McGraw crying and loving all the way to the bank? 1990 gave us "Ghost" love beyond death and corporate shenanigans.

I saw it last night for the first time and surprise, surprise, 15 years later I do understand why people all over the world flocked to see, to devour this soufflé, again and again. Bruce Joel Rubin won an Academy Award for the screenplay, I remember Jodie Foster handing him the statuette with a smile worthy of a British diplomat. But in fact, the screenplay should have propelled the Academy to create a separate category alongside Best Original Screenplay and Best Adapted Screenplay. Yes, Smart Ass Screenplay of the year or Most Commercial Screenplay. Jerry Zucker does a masterful job allowing Rubin's stroke of genius to unfold without major interference. Demi Moore is scrumptious and what Maurice Jarre does with her tears deserves an award of its own. Patrick Swayze suffers with a certain amount of dignity, his anger is very virile but his expressions of longing are pure Lana Turner. What makes the whole calculated enterprise worth every bit of its hype is Whoopi Goldberg. She brings the tale where it really belongs. A comedy. A ghostly comedy about enduring love. 62 of 111 people found this review helpful. Was this review helpful to you?

Yes Ghost (1990) - Quotes - IMDb Ghost (1990) Sam Wheat : It's amazing, Molly. The love inside, you take it with you. See ya. Molly : See ya. Bye. Share this: Facebook | Twitter | Permalink Hide options Sam : Molly, you're in danger. Oda Mae Brown : You can't just blurt it out like that! And quit moving around, because you're starting to make me dizzy. I'll just tell her in my own way. [pause; then] Sam Wheat : Would you stop rambling? Oda Mae Brown : I don't think I'm rambling, I'm just answering the question. He's got a attitude now. Sam Wheat : I don't have an attitude. Oda Mae Brown : Yes, you do have an attitude. If you didn't have an attitude, you would not have raised your voice at me now, would you? Sam Wheat : God dammit... Oda Mae Brown : Don't you "God dammit" me. Don't you take the Lord's name in vain with me. I don't take that! Sam Wheat : Would you relax?

Oda Mae Brown : No, you relax, you're the dead guy! Oda Mae Brown : I know you don't think I'm giving this 4 million dollars to a bunch of nuns! Sam : Think of it this way, you'll go to Heaven. Oda Mae Brown : I don't want to go to Heaven, I want to go to the bank and cash a GODDAMN CHECK! Sam Wheat : No, a cashier's check! Oda Mae Brown : Actually... I think better a cashier's check. Rosa Santiago : Sí, sí! His mamá! She is Maria! Oda Mae Brown : Yes! Praise God, I knew he was with his mama! Oda Mae Brown : I don't know you! I don't know Sam, but let me tell you what he did to me. He kept me up all night singing "I'm Henry the Eighth I Am." Molly Jensen : That's how he got me to go out with him. Sam Wheat : Who? Subway Ghost : What, you don't believe me? You think I fell? You think I jumped? Well, fuck you! It wasn't my time! I wasn't supposed to go!

I'm not supposed to be here! [the ghost kicks a cigarette machine, causing cigarette packs to fall out. He looks longingly at the cigarettes] Subway Ghost : Oh, I'd give anything for a drag! Just one drag! [to the bank employee after messing up the signature card] Oda Mae Brown : I'm sorry, but, could I get another one? I... uh... signed the wrong name. Carl Bruner : [Answers the phone nervously] Carl Bruner speaking. Voice: Hi, Carl. Voice: Balistrari? Carl, it's me, John. Carl Bruner : John. John, sorry, um, what - what - what - what's up? Molly Jensen : Carl, are you all right? Carl Bruner : It's just my stomach! Do you have anything like Pepto Bismol or something like that? [Oda Mae just gave a four-million-dollar check to some nuns] Sam Wheat : I'm proud of you, Oda Mae. Oda Mae Brown : You know something, Sam? I don't care if you're proud of me. You just stay away from me from now on. What is that nun going to do with it?

She can't even buy underwear. NOTHING! I HATE YOU! Leave me alone! Never talk to me again! Sam Wheat : I think you're wonderful, Oda Mae! Oda Mae Brown : [she stops and gives a raspberry to Sam] [When handing the check to the nuns] Sam : Hand her the check. Workman in Loft : I hear you! Oda Mae Brown : Aw, shut up, nobody's talking to you. Workman in Loft : Didn't you ever hear of a phone? Oda Mae Brown : You wanna kiss my butt? [pause, to Molly again] Share this: Facebook | Twitter | Permalink Hide options [Sam is crouching on the subway station floor, trying to move a bottle cap with his fingers. The Subway Ghost is laughing at him] Subway Ghost : What are you doing? What the hell are you doing? You're trying to move it with your finger. You can't push it with your finger! You're dead! It's all in your mind. The problem with you is that you still think you're real. You think you're wearing those clothes? You think you're crouched on that floor? Bullshit!

You ain't got a body no more, son! [Taps his forehead] Subway Ghost : It's all up here now! You want to move something, you got to move it with your mind! You got to focus, you hear what I'm sayin'? Sam Wheat : How? How do you focus? Subway Ghost : I don't know *how* you focus! You just focus! [Subway Ghost uses his finger to flick away the bottle cap] Sam Wheat : How did you do that? Subway Ghost : You take all your emotions! All your anger, all your love, all your hate! And push it way down here into the pit of your stomach! And then let it explode, like a reactor! Pow!

[Subway Ghost kicks a soda can across the floor] Romance Films ROMANCE FILMS Part 1 | Part 2 | Part 3 | Part 4 | Examples Romantic Pairings in the 90s: the oft-repeated response "Ditto" of Sam Wheat (Patrick Swayze) to girlfriend Molly Jensen (Demi Moore), when she told him, "I really love you," and the passionate pottery wheel scene in which spirit-ghost Sam revealed himself to grieving Molly in Ghost (1990) the association of Hollywood hooker Julia Roberts and corporate businessman/client Richard Gere in Pretty Woman (1990) the severely-punished, fateful love affair between Kevin Costner and Anthony Quinn's wife (Madeleine Stowe) in Revenge (1990) the attraction between widowed Jewish lawyer (James Spader) and older Missouri waitress and barfly (Susan Sarandon) in the sexy White Palace (1990) the wild and sensational coupling of Elvis-worshipping, rebellious convicted murderer Sailor Ripley (Nicolas Cage) and sexy lady Lula Pace Fortune (Laura Dern) in David Lynch's road film Wild at Heart (1990) the tensions that arose from an

 inter-racial romance between a married architect (Wesley Snipes) and an Italian-American office worker (Annabella Sciorra) in Spike Lee's urban romance Jungle Fever (1991) the protective wooing of repressed ex-Secret Service agent (Kevin Costner) for client/pop star Whitney Houston (in her film debut) in The Bodyguard (1992) the pledged love between frontiersman Hawkeye (Daniel Day-Lewis) and the beautiful British officer's daughter Cora (Madeleine Stowe) in the lush film from James Fenimore Cooper's novel The Last of the Mohicans (1992); with the famous promise: "You stay alive, no matter what occurs!

I will find you! No matter how long it takes, no matter how far, I will find you" the offbeat dance/romance and the Cinderella blossoming of young love between love-struck novice dancer and plain-Jane wallflower (Tara Morice) and her daring dance partner (Paul Mercurio) in Australian director Baz Luhrmann's debut film, Strictly Ballroom (1992) the sexually-liberating love between a 19th century imported mute bride (Best Actress-winning Holly Hunter) and a sensual, blackmailing overseer (Harvey Keitel) in New Zealand director Jane Campion's romantic drama The Piano (1993) the formal relationship between repressed English butler Mr. Stevens (Anthony Hopkins) and younger housekeeper Sally (Emma Thompson) in The Remains of the Day (1993) the real-life joyous love affair and marriage between Narnia books British author C.S.

Lewis (Anthony Hopkins) and divorced American fan/poet Joy Gresham (Debra Winger) - until her tragic terminal illness that was both uplifting and heartbreaking in Shadowlands (1993) the bittersweet romance between co-workers: a busboy (Christian Slater) and a waitress (Marisa Tomei) in Untamed Heart (1993) the unfolding, 14-hour, conversational romance between two strangers who were a perfectly-matched couple: American Jesse (Ethan Hawke) and young Frenchgirl Celine (Julie Delpy), who met on the Eurail and then explored Vienna together before saying goodbye at a train station - in one of the most romantic of films, director Richard Linklater's Before Sunrise (1995); their story was continued (nine years later) in the witty Before Sunset (2004) with the same cast of two, now older and wiser, who reunited in Paris on a sunny afternoon - in real-time - with Jesse having only a few hours before a flight home to New York as they begin talking again and sharing thoughts about Life's Big Questions, with the film ending with Nina Simone singing Just in Time; the two lovers reprised their roles by

 appearing in a segment of Waking Life (2001) the brave and bold love of one's country and one woman (Catherine McCormack) by a Scottish patriot (Mel Gibson) in the Best Picture-winning Braveheart (1995) the four-day summer affair between Clint Eastwood as a bridge photographer and a repressed Iowa farmwife (Meryl Streep) in The Bridges of Madison County (1995), adapted from Robert James Waller's best selling short story the platonic, long-term love relationship between English painter Dora Carrington (Emma Thompson) and eccentric homosexual writer Lytton Strachey (Jonathan Pryce) in Carrington (1995) the assistive concern of counselor/nun Sister Helen Prejean (Susan Sarandon) for a convicted Death Row Louisiana killer (Sean Penn) in director Tim Robbins' Dead Man Walking (1995) the discovery of true love by Sandra Bullock with the brother of one's supposed, comatose fiancee in the light-hearted While You Were Sleeping (1995) the flashbacked, remembered WWII tragic, mismatched love affair of a mysterious, disfigured plane crash survivor ("The English Patient" - Ralph Fiennes),

 cared for by Canadian nurse Juliette Binoche in an Italian monastery, with a lovely Englishwoman (Kristin Scott Thomas) in The English Patient (1996), director Anthony Minghella's Oscar-winning romantic tearjerker; includes the famous line: "Swoon, I'll catch you." the restorative relationship between previously hateful and annoying romance novelist Jack Nicholson and waitress Helen Hunt in As Good As It Gets (1997); "You make me want to be a better man" the grand, star-crossed love story between a steerage passenger (Leonard DiCaprio) and a high-class debutante Rose (Kate Winslet and Gloria Stuart) in director James Cameron's sweeping epic Titanic (1997) the unlikely pairing of charming bank robber George Clooney and federal agent Jennifer Lopez - in a cramped car trunk during a getaway and in a dreamy hotel love sequence - in Steven Soderbergh's Out of Sight (1998) the quirky, mismatched romance between 15 year-old Rushmore Academy student Max (Jason Schwartzman) and his teacher Miss Cross (Olivia Williams) in the very original Rushmore (1998) the romantic feelings of Jessie the Cowgirl when entr

anced by the dashing Buzz Lightyear: "Well, aren't you the sweetest space toy I ever met!" in the digitally-animated Toy Story 2 (1999) the twelve-year relationship of childhood friends and high-school sweethearts Monica (Sanaa Lathan) and Quincy (Omar Epps) during their entire basketball careers, in Love and Basketball (2000), Gina Prince-Bythewood's first feature film - a character study and sports romance the independent hit film My Big Fat Greek Wedding (2002) Cameron Crowe's Recent Works: John Cusack romanced Ione Skye outside her window at dusk, by holding a boom box aloft playing Peter Gabriel's In Your Eyes in rock reporter/director Cameron Crowe's debut film Say Anything...

(1989). He also confessed: "I gave her my heart and she gave me a pen." In subsequent years, Crowe would also direct the insightful Singles (1992) about Seattle twenty-somethings searching for romance (in the film, Campbell Scott jokingly admitted to Kyra Sedgwick: "I was just nowhere near your neighborhood"). Another Crowe film was the slick comedy-romance Jerry Maguire (1996), that popularized the phrase delivered to gushing sports agent Tom Cruise by secretary/single mother Renee Zellweger: "You had me at hello." The film also popularized the phrase: "You complete me." And Almost Famous (2000), a coming-of-age romance/drama, followed a teenaged rock journalist as he pursued a rock-band story and its prime groupie Penny Lane (Kate Hudson).

Jane Austen Film Adaptations: Many romance-laced period films have been adaptations of the dialogue-rich, socially-observant, and satirical novels by 19th century novelist Jane Austen (1775-1817), including these appealing films and their over two dozen mini-series versions, BBC films and TV movies - not to mention stage productions. These romantic, often sexually-charged film adaptations reached a zenith in the mid-90s: Pride and Prejudice (1940) - published in 1813 by Jane Austen; it was a classic MGM box-office success - a story about five unmarried sisters in the Bennet household in Georgian England; the romantic comedy of manners starred Greer Garson as Elizabeth Bennet and Laurence Olivier as Mr.

Darcy; it was also a 5-part BBC-TV adaptation in 1980 (telecast in the US on PBS' Masterpiece Theatre in the fall of 1980) and a five hour BBC mini-series in 1995 with Colin Firth (first shown in the US on the A&E cable network); a Bollywood variation by director Gurinder Chadha was titled Bride and Prejudice (2004); and Joe Wright directed the latest iteration Pride & Prejudice (2005) starring Oscar-nominated Keira Knightley as strong-willed Elizabeth Northanger Abbey (1986, UK) - published in 1818; a made-for-TV BBC film, telecast in the US as PBS' second Masterpiece Theatre presentation of the 1987-88 season Sense & Sensibility (1995) - published in 1811; director Ang Lee, a tale of 19th century manners, morals and romantic fulfillment; garnered 7 Oscar nominations (including Best Picture, Best Supporting Actress-Kate Winslet, Best Actress-Emma Thompson, Best Cinematography, Best Costume Design, and Best Original Dramatic Score) with only one

 Oscar win (Best Adapted Screenplay-Emma Thompson); also a BBC-TV miniseries in 1985 Persuasion (1995, UK), published in 1818; director Roger Michell, a made-for-BBC TV film Emma (1996) - published in 1816; director Douglas McGrath, with Gwyneth Paltrow as the title character in a film about courtship; inspired director Amy Heckerling's remake Clueless (1995) with Alicia Silverstone as the Emma character (named Cher Horowitz) going to school at Beverly Hills High; also a TV miniseries in 1997 with Kate Beckinsale as Emma, and broadcast on A&E Mansfield Park (1999, UK) - published in 1814; director Patricia Rozema, with feminist character Fanny Price (Frances O'Connor); also appeared as a made-for-BBC-TV miniseries in 1983 Jane Austen was the subject of a biopic from Columbia Pictures and British producer Tony Garnett titled Becoming Jane (2005), about her early life (played by Natalie Portman) and a

 romance with a young Irishman before she achieved fame as a writer.

Hugh Grant's British Romantic Comedies: In recent years, charming British romantic comedies with actor Hugh Grant have taken various shapes and forms, with the Brit: as a reserved, bumbling, and stammering 30-ish bachelor in pursuit of American Andie MacDowell after their meeting at a wedding in Four Weddings and a Funeral (1994); as a shy, travel bookstore owner who romances neurotic movie star Julia Roberts in Notting Hill (1999), and who is told: "I'm just a girl, standing in front of a boy. Asking him to love her"; and as the dashing romantic conquest of the overweight heroine Renee Zellweger in Bridget Jones's Diary (2001). Grant also appeared in first-time screenwriter Emma Thompson's adaptation of Jane Austen's dramatic costume romance Sense and Sensibility (1995), as one of the potential husbands for three headstrong Dashwood daughters (Elinor (Emma Thompson), Marianne (Kate Winslet) and Margaret (Emilie Francois)).

In Love, Actually (2003), Hugh Grant appeared as the newly-elected British Prime Minister who was competing with the US President (Billy Bob Thornton) over the affections of shapely staff secretary Natalie (former UK soap star Martine McCutcheon).

Julia Roberts in 90s Romantic Comedies: After her successes in Steel Magnolias (1989) and Pretty Woman (1990), Julia Roberts found her stride with mostly light-hearted romantic comedies, including the following: I Love Trouble (1994), with Nick Nolte Something to Talk About (1995), with Dennis Quaid Woody Allen's Everyone Says I Love You (1996) My Best Friend's Wedding (1997) Notting Hill (1999), with Hugh Grant (see above) Runaway Bride (1999), reunited with Richard Gere The Mexican (2001), with Brad Pitt America's Sweethearts (2001), with Billy Crystal Supernatural Romantic Comedies: Supernatural romantic comedies have featured ghostly characters, in such films as I Married a Witch (1942), Capra's It's A Wonderful Life (1946) , the fantasy/romance Here Comes Mr.

Jordan (1941) [remade as Heaven Can Wait (1978)] about a young boxer sent to heaven but because of a mix-up returned to Earth in the body of a soon-to-be-murdered millionaire, Ernst Lubitsch's classic satire Heaven Can Wait (1943) in which a roguish dandy Henry Van Cleeve tries to convince the devil in Hell that he deserves eternal damnation, The Bishop's Wife (1947) with Cary Grant as a heavenly angel sent into the household of the bishop's neglected wife (Loretta Young), Joseph L. Mankiewicz's The Ghost and Mrs. Muir (1947) about a cranky, former naval captain ghost (Rex Harrison) who falls impossibly in love with the widow/occupant (Gene Tierney) of his seaside cottage, or One Touch of Venus (1948) about a store window statue of Venus de Milo (Ava Gardner) that comes to life for a young department store window decorator (Robert Walker).

More recently, the top grossing film Ghost (1990) featured the enduring and passionate connection between a murdered investment consultant (Patrick Swayze) and his lover (Demi Moore) - with the memorable scene at a pottery wheel backed by the Righteous Brothers' Unchained Melody - ("Sam...I can hear you"). And Anthony Minghella directed Truly, Madly, Deeply (1991) - a tale of a mourning and depressed Nina (Juliet Stevenson) for her musician lover Jamie (Alan Rickman) who suddenly and briefly was brought back as a ghost. Homosexual Love: Early on, homosexuality was examined in director William Friedkin's The Boys in the Band (1970), compared to both Who's Afraid of Virginia Woolf? (1966) and Steel Magnolias (1989). The first modern mainstream film to feature an explicit gay romance (with a sensual gay kiss) was Arthur Hiller's romantic soap opera Making Love (1982) with Kate Jackson, Harry Hamlin and Michael Ontkean.

Gay love was also explored in modern-day England in director Stephen Frears' My Beautiful Launderette (1985) between young Pakistani immigrant Omar (Gordan Warnecke) and working-class fascist punk-rocker Johnny (Daniel Day-Lewis). Longtime Companion (1990) detailed the devastating effects of AIDS in vignettes involving seven gay men (especially the caring of Bruce Davidson's David for deteriorating, dying AIDS-stricken lover Sean (Mark Lamos)). And Neil Jordan's surprising and controversial The Crying Game (1992) told the unexpected story of growing love between Dil (Jaye Davidson) and IRA footsoldier Fergus (Stephen Rea). Joseph Fiennes as Elizabethan playwright William Shakespeare found inspiration for his famous play 'Romeo and Juliet' after loving cross-dressing beauty Viola De Lesseps (Gwyneth Paltrow) in John Madden's Shakespeare in Love (1998).

Best Director-winning Ang Lee's Best Picture-nominated film Brokeback Mountain (2005) was the first mainstream gay/bi-sexual romance film heavily promoted by the media, told about a secret lifelong bond and longing for forbidden love between two young men in the early-mid 1960s - ranch-hand Ennis del Mar (Oscar-nominated Heath Ledger) and rodeo cowboy Jack Twist (Oscar-nominated Jake Gyllenhaal), who grew close while herding sheep in the summer on an isolated Wyoming mountain. If Romantic Movies Were Real | Smosh Wiki | Fandom powered by Wikia If Romantic Movies Were Real 4,086pages on If Romantic Movies Were Real Released: February 13, 2015 (Smosh) February 15, 2015 (El Smosh) Video Length: Ian , Anthony , Romantic Movie Characters Previous Video: If Romantic Movies Were Real is a Smosh video uploaded on February 13, 2015. It is the sixteenth installment of the If... Were Real series Contents Since the beginning of film, romantic movies have been filling people's hearts with hope and love.

But what happens if they were written the way life ACTUALLY plays out? Plot (the characters are not 100% accurate) Introduction Edit Ian and Anthony are watching Scott Pilgrim vs. The World and Ian wishes that he had a girlfriend like Ramona Flowers, stating that he would fight her Seven Evil Exes to be with her. Anthony disagrees, but Ian tells him he will do so and that real life love is boring. Ian tells Anthony to imagine if romance is like in the movies, but Anthony was annoyed by the fact that in the past five years in every single subject, Ian doesn't understand that it would suck if they are real. What Women Want Nick Marshall asks Darcy McGuire if she wants to have sex with him. But when Darcy refuses to do so, Nick yells "Dammit!" When Harry Met Sally... During a dinner with Harry Burns, Sally Albright fakes an orgasm crazily. Harry leaves to save himself from embarrassment. Ghost Edit Molly Jensen pretends to make out with a ghost, possibly Sam Wheat. Oda Mae Brown asks Molly what she's doing and tells her she is nasty before leaving. As Brown does so, Molly asks "the ghost" if his penis is inside her.

Pretty Woman In a party, Edward Lewis introduces an ugly Vivian Ward to the guests, much to their disgust. Edward tells them that she is precious. William Shakespeare's Romeo + Juliet Romeo stands on Juliet's body and takes poison. Just as he takes it, Juliet wakes up and Romeo dies. Juliet was happy, saying it was the "easiest breakup ever." Her Theodore Twombly has sex with his computer. Mannequin Jonathan Switcher has sex with a mannequin. Marley & Me NOTE: Just kidding. You guys are sick... Gone with the Wind Edit As Rhett Butler is leaving, Scarlett O'Hara asks him what is she going to do and where is she going. Rhett responds with his popular line, "Frankly, my dear, I don't give a damn." and then the scouts and Rhett make fun of Scarlett. The 40 Year-Old Virgin In a room, Andy Stitzer is sitting in a bed with a prostitute, who tells him to pay her $10. As he does so, the prostitute forces Andy's head onto her vagina, possibly to have oral sex.

(500) Days of Summer Tom Hansen is standing on a hot desert, saying "Global warming is not real, my ass". How to Lose a Guy in 10 Days While on a date with Benjamin Barry, Andie Anderson tells him that she defecates while she sleeps, prompting Benjamin to leave. Fifty Shades of Grey Edit Christian Grey tells Anastasia Steele, who is handcuffed in his chamber that they have already went through "49 shades" of gray paint palettes. While holding the fiftieth shade in his hand, Ana tells him it's perfect, which relieves Christian, saying that they can finally go to the "creepy stuff." Brokeback Mountain Edit Ennis Del Mar and Jack Twist are in a tent, where Jack tells Ennis that it's difficult to hide their homosexual relationship and that he wish he knew how to quit Ennis, who tells him that gay marriage is legal in 36 states. Suddenly, two cowboys open the tent and tell Ennis and Jack that they support their bromance and that no one cares if they are gay. Knocked Up (Deleted Scene) Allison Scott can't remember who she had sex with and asks her friend about it.

Allison's friend shows her a picture of Ben Stone and is shocked about it. Ending Edit Anthony clarifies that it would suck if romantic movies are real, but Ian is tired of that and leaves. Later at Ramona's apartment, Ian sees Ramona and starts acting weird. Ramona notices him, who asks her if he can be her boyfriend. Ramona agrees, only if he defeated her seven evil exes. Ian takes the challenge, but is beaten up by her seven evil exes. Script Best Film Kisses Director Jerry Zucker's popular romantic melodrama (and slightly supernatural film) told about the love between: young stockbroker Sam Wheat (Patrick Swayze) his beloved Molly Jensen (Demi Moore) During an early scene at her hypnotically-spinning pottery wheel, she sensuously molded, formed and sculpted a phallic-shaped clay object to the tune of "Unchained Melody" when she couldn't sleep. Shirtless Sam kissed his lover Molly as he was seated behind her. He assisted her in reshaping a collapsed piece of pottery (her failed "masterpiece") by putting his hands together with hers.

The sequence continued with their extended love-making and kissing ("hunger for your love") in their darkened apartment. Extended Kissing Following the Pottery Scene Shortly later, the film shocked with a serious and unexpected incident, when Sam was violently murdered and died in the hands of his beloved. But then he came back as a spirit to warn her about a threat to her endangered life. While she was seated at her pottery wheel, she spoke to herself about how she was still reeling from his death: "...I broke into tears. It's like I think about you every minute. It's like I can still feel you." The recently-murdered ghost-spirit Sam was crouched next to her and reassured her: "I'm here, Mol." She sensed his presence and asked: "Sam?" Ghost (1990) Final Goodbye Heavenly Kiss In the finale's tear-jerking scene, Sam became visible to the grieving Molly. He explicitly told her about his love and gave her his last goodbye - within the light, before he passed on into heaven: Molly: "Sam?" Sam: "Molly." Molly: "I can hear you. Oh, God." (They kissed.

He bid goodbye to spiritualist Oda Mae (Whoopi Goldberg).) Sam: "I love you, Molly. I've always loved you." Molly (tearfully): "Ditto." Sam: "It's amazing, Molly. The love inside, you take it with you. See ya." Molly: (responding likewise) "See ya. Bye." The Grifters (1990) Seductive, 'Incestual' Kiss Before Accidental Murder Director Stephen Frears' complex post-noir crime-drama story (with the tagline: "SEDUCTION. BETRAYAL. MURDER. WHO WAS CONNING WHO?") set in Los Angeles was about three con artists whose lives were inextricably intertwined, especially the two females who were engaged in a deadly power-struggle love-triangle for the male's attention: professional grifter Lilly Dillon (Anjelica Huston) small-time, two-bit con Roy Dillon (John Cusack), Lilly's estranged son Myra Langtry (Annette Bening), Roy's sexy girlfriend In the film's conclusion, Lilly (who had just murdered Myra) was confronted by Roy as she appeared to be stealing his money in his place.

She argued that she was on the run and needed his money, and claimed she might make a break to get out of the con games and grifting (although she'd never had a legitimate job in her life) - she desperately begged and begged for his money, to tide her over: "I need this money! I can't run without money! And if I can't run, I'm dead!...I want that money, Roy, I need it. Now, what do I have to do to get it? You mean you won't give it to me, Roy? Will you or won't you? What can I do to get it? Is there nothing I can do?" When she came close and seductively kissed him, he asked: "Lilly, Jesus, what are you doing?" She replied: "Nothing at all, nothing at all," but then in a bizarre twist, she swung a suitcase full of cash at her son's head as he was drinking water from a glass. The glass smashed and cut an artery in his neck - and he profusely bled to death on the floor in front of her! Red-dressed Lilly gathered up the strewn cash, descended in an elevator, and calmly drove away.

Mermaids (1990) Sinful Kissing Director Richard Benjamin's enjoyable comedic drama told about a Jewish family of fatherless daughters living with their eccentric mother Mrs. Rachel Flax (Cher) in a small Massachusetts town in 1963. Precocious, gawky 15 year-old Charlotte Flax (Winona Ryder) dreamed of becoming a Catholic nun, but was torn between God and sex. For example, she prayed in voice-over: "Please God, don't let me fall in love and want to do disgusting things." First time sexual kisses for her weren't what she thought they would be, when she developed an immense crush on handsome, 26 year-old local Roman Catholic nunnery-convent caretaker/handyman Joe Porretti (Michael Schoeffling) who was ringing the church bells in the tower next door to her home. As she kissed him (on the day of President Kennedy's assassination), the guilt-ridden Jewish girl feared that the religious statuary around her was witnessing their forbidden lust. She broke off the embrace and ran hurriedly down the tower stairs, repeating The Lord's Prayer as fast as possible.

She took a cleansing shower to purge her sinful ways (and thoughts), as she worried and feared eternal damnation (in voice-over) and fantasized that she was pregnant (although she was still a virgin): "I'd turned into a fallen woman overnight and no one can tell. I've been as bad as I can be. I should be burned at the stake. Bless me father for I have sinned. And in a holy place, I kissed him. I will starve myself until I purge every single thought about Joe Porretti from my soul...The sins of the saints never go unpunished. Joan of Arc got burned at the stake. OK, so what are you gonna do to me, Lord? Flagellation? Mutilation?...Well you think about it. Get back to me...Oh Lord, no. Anything but that...I'm pregnant. Lord, how could you do this to me?

How could you be so strict?...Mary didn't even kiss Joseph and look what happened to her...I may be pregnant with the next Jewish-Italian messiah." Pretty Woman (1990) Fire-Escape "Hollywood" Kiss Director Garry Marshall's improbable Pygmalion story told about how a Hollywood hooker was transformed by a business tycoon into a stylish modern princess. In the film's famous Cinderella-like fairy tale ending, rich businessman client Edward Lewis (Richard Gere) pulled up outside Hollywood prostitute Vivian's (Julia Roberts) hotel apartment in a white limousine with the horn-honking and opera music blaring. From the open sunroof, he held out his arms to her with a closed black umbrella in one hand and a bouquet of red roses in the other; he called out: "Princess Vivian, come down!" and then commented: "It had to be the top floor, right?" Fearing heights, he climbed up her outside fire-escape ladder with the bouquet of flowers clenched between his teeth while she climbed down partway on the ladder to meet him.

He held out his arms with the roses and professed his love, by asking about the ending of her childhood fantasy of a knight's rescue: Edward: "So what happened after he climbed up the tower and rescued her?" Vivian: "She rescues him right back." The film ended with the camera pulling back, overhearing the words of a Happy Man (Abdul Salaam El Razzac) crossing the street: "Welcome to Hollywood! What's your dream? Everybody comes here. This is Hollywood! The land of dreams. Some dreams come true, some don't. But keep on dreamin'. This is Hollywood! Always time to dream, so keep on dreamin'." Total Recall (1990) Dream (?) "Kiss Me Quick" Kiss In the conclusion of director Paul Verhoeven's mind-bending, futuristic science-fiction action film, Martian settler and resistance fighter Melina (Rachel Ticotin) gazed at the breathtaking vista, now that fresh air had been pumped onto the red planet's surface, and spoke to secret agent (?) Douglas Quaid (Arnold Schwarzenegger): Melina: "I can't believe it. It's like a dream.

What's wrong?" Quaid: "I just had a terrible thought. What if this IS a dream?" Melina (invitingly): "Well then, kiss me quick before you wake up!" As they passionately kissed, the screen faded to a brilliant white, hinting with previous hidden clues that the entire film was indeed a fantasy memory implanted by Rekall, as promised by the "Blue Skies on Mars" dream vacation ("By the time the trip is over, you get the girl, kill the bad guys, and save the entire planet!") Quaid was either actually waking up (and everything was a dream), or maybe he had to be lobotomized to cure his delusionary state, brought on by a glitch in the programming? Was everything part of the VR 'dream' vacation implant? Or was what he experienced real? Did he get lobotomized (the flash of white light), to bring him back to the real world from a failed memory implant procedure that caused psychotic delusions and psychological trauma? Best and Most Memorable Film Kisses (in chronological order by film title) Screen Junkies 10 Most Romantic Movie Couples something here Fall in love with the 10 most romantic movie couples .

In the romance genre the movie is nothing if they leading man and woman can’t make the audience feel like they are in love. These romantic movie couple did just that and even though the romance only existed on set, they are some timeless duos. Danielle De Barbarac and Prince Henry in “Ever After.” Played by Drew Barrymore and Dougray Scott this romantic couple added a new twist to the classic fairy tale “Cinderella”. When Prince Henry says “I kneel before you not as a prince, but as a man in love. But I would feel like a king if you, Danielle De Barbarac, would be my wife.” your heart just might melt. Noah Calhoun and Allie Hamilton in “The Notebook”. Played by Ryan Gosling and Rachel McAdams this is easily one of the most romantic movies of all time. The couple was amazing together. Buttercup and Westley in “The Princess Bride”. Played by Robin Wright Penn and Cary Elwes this is one of the most romantic movie couples ever. The movie is a modernized fairy tale that is fun for the whole family. Who could forget when Westley says to Buttercup “Death cannot stop true love.

All it can do is delay it for a while.” Henry Roth and Lucy Whitmore in “50 First Dates”. Played by Adam Sandler and Drew Barrymore this romantic movie couple know how to mix comedy with love. The pair also made an amazing couple in “The Wedding Singer.” Edward Lewis and Vivian Ward in “Pretty Woman”. Played by Richard Gere and Julia Roberts this romantic movie couple make a story about falling in love with a prostitute timeless. Rick Blaine and Ilsa Lund in “Casablanca”. Played by Humphrey Bogart and Ingrid Bergman this couple set the bar for many of the romantic movies that have followed. Frances ‘Baby’ Houseman and Johnny Castle in “ Dirty Dancing”. Played by Jennifer Grey and Patrick Swayze this couple warmed the hearts of America. This is a timeless romantic movie that showed audiences that love does not know social status. Patrick Verona and Kat Straford in “10 Things I Hate About You.” Played by Heath Ledger and Julia Stiles this romantic movie couple had sparks in their teen love story. Kat’s poem “I hate it when you make me laugh, even worse when you make me cry.

I hate it when you're not around, and the fact that you didn't call. But mostly I hate the way I don't hate you. Not even close, not even a little bit, not even at all.” is one of the best parts of the movie. Allen Bauer and Madison in “Splash”. Played by Tom Hanks and Daryl Hannah this romantic movie couple added a modern twist to a grown up version of the “Little Mermaid”. Sam Wheat and Molly Jensen in “Ghost.” Played by Patrick Swayze and Demi Moore this romantic movie couple showed that love could even conjure death. There were few movie couples that could top this pair in the '90s. Super Reviewer ½ Iconic and heartwarming, this romantic thriller film delivers strong performances and memorable sequences despite an occasional lack of sophistication in the production. Matthew Samuel Mirliani Super Reviewer Movie about a man (Patrick) who is murdered and he has to come to terms with being a ghost. He uses a medium (Whoopi) to communicate to his partner (Demi) as she is in danger. A very moving love story. Great cast. The shadows still scare me!

Candy Rose Super Reviewer "Ghost" is one of those films that is filmmaking at its most effective: It is uncomplicated, entertaining and engrossing with surprisingly good performances. And while many may scoff at the film as pure fluff, their scoffs unfairly overlook "Ghost"'s amazing balance of drama, comedy and action - a feat that is very hard to achieve in films. "Ghost" is smart enough to work off a very uncomplicated script. The plot is very basic and doesn't try to fool you with too many twists and turns - keeping the twists to just one very effective one at the film's climax. This allows the viewer to just engross themselves into the lives of the characters without having too much to figure out. You become invested in the central relationship. The performances work. "Ghost" takes advantage of Whoopi Goldberg at her best and she plays Oda Mae Brown with a gusto that makes her irresistible. She carries the film's comedy squarely on her shoulder but doesn't venture into cartoonish territory allowing Oda Mae's journey to be just as important to the viewer as Sam and Molly's.

Speaking of Molly Jensen and her doomed lover Sam Wheat (the titular Ghost), they are played with uncomplicated effectiveness by star-on-the-rise Demi Moore and hot-after-"Dirty Dancing" Patrick Swayze. She cries. He swoons. And Swayze proves to have just as much chemistry with Goldberg as he does with Moore. While Goldberg got the Academy Award and Moore became an A-lister, Swayze is the one that anchors the film. Jerry Zucker assembles this film amazingly well. He keeps it simple, he knows that when a scene is meant to make you swoon he puts it on overdrive (the use of "Unchained Melody" in the pottery scene is brilliant). When the scene is meant to make you laugh he doesn't get in the way of the joke - nothing else happens. When he wants you to feel Molly's sadness, a major close up of her crying face and falling tears is in frame. Zucker guides the movie effectively. "Ghost" is an underrated gem. Not the most substantive film, but so what? It's funny, it's sad, it's romantic, it's thrilling. Just what a pure Hollywood film needs to be. Nothing more, nothing less.

Tony Gandía The 14 Best Movie Kisses :: Movies :: Lists :: Paste The 14 Best Movie Kisses By Stephanie Fang | September 5, 2013 | 8:25am Share Tweet Submit Pin We live in the age of Tinder and OK Cupid, which has replaced our sense of romance with a certain hit-it-and-quit-it cynicism. These days, quick-and-dirty gratification often supersedes getting to know someone, and it can seem as though romance is dead. But one thing still has the power to make us forget how jaded we’ve become, if only momentarily: A well executed movie kiss can reduce even the most hardened romantic cynic into a mess of swooning, ooey-gooey feelings, as fictional characters put themselves on the line in a way we might never dare. Here are our 14 favorite big-screen kisses. 14. Pride and Prejudice (2005) Mr.

Darcy (Matthew Macfayden) + Elizabeth Bennett ( Keira Knightley ) There have been many adaptations of the popular Jane Austen novel Pride and Prejudice, but this one stands out in particular because of the exceptional chemistry between actors Matthew Macfayden and Keira Knightley, which plays out in the romance between their characters. Mr. Darcy and Elizabeth Bennett don’t kiss until the very end of the film, which is rife with sexual tension until the last few minutes. However, when they do kiss, it’s worth the nearly two-hour wait. The kiss, which left Jane Austen purists upset (the characters never kiss in the novel), is sweet and chaste and comes right after Mr. Darcy confesses his love to Elizabeth Bennett — leaving teen girls everywhere squealing in their seats. However, the characters never actually press their lips together. We can only assume that is what comes next after Mr. Darcy grabs Elizabeth by the cheeks and presses his forehead to hers. 13.

The Princess Bride (1987) Westley (Cary Elwes) + Buttercup ( Robin Wright ) “Since the invention of the kiss, there have only been five kisses that were rated the most passionate, the most pure. This one left them all behind.” Who knew that we’d all want Peter Falk narrating life’s most passionate moments? At the beginning of the story, the young boy played by Fred Savage wants to skip the kissing parts, but by the end, even he wants to hear about this king of all kisses. It’s the perfect ending to a movie that continues to endure.—Josh Jackson 12. Cruel Intentions (1999) Sebastian Valmont (Ryan Phillippe) + Annette Hargrove ( Reese Witherspoon ) This was the movie that sparked an off-screen romance between its two leads, Ryan Phillippe and Reese Witherspoon . And if the palpable sexual tension between the characters they play is any indication of their actual relationship, we know why. Cruel Intentions is slightly campy and subtly dark in the tradition of the self-aware ‘90s.

Phillippe’s Sebastian is a philandering, wealthy bad boy whose issues with his family make him nothing but trouble. Witherspoon’s Annette is a moderately self-righteous good girl whose decision to save herself until marriage makes Sebastian all the more determined to get her into bed. Despite rooting against their relationship for most of the movie, we can’t help but reel at how passionate (and steamy) their first kiss is. 11. Never Been Kissed (1999) Josie Baker ( Drew Barrymore ) + Sam Coulson (Michael Vartan) Drew Barrymore plays the ultimate underdog in this rom-com classic as Josie Geller, a 30-year-old woman whose first kiss is long overdue. On assignment from the newspaper where she works, Geller masquerades as a teenager and lives one of most people’s worst nightmares: heading back to high school. Predictably, Geller finds a love interest in her off-limits English teacher Sam (played by Michael Vartan) , and even more predictably, she messes up her chances with him.

She goes to extreme (public lengths) to atone and at the end of the movie, you can breathe a sigh of relief as she receives both her first kiss and his forgiveness. The kiss is cheesy (as is the rest of the film), and we know it was coming all along, but it is nonetheless heart-meltingly adorable to watch Geller get the guy. Watch the trailer below. 10. It’s A Wonderful Life (1946) George Bailey had plans—big ones—and none of them involved falling in love and getting tied down to someone in sleepy, old Bedford Falls. So when he starts to realize he’s fallen for Mary, he fights it, treating her like crap and storming out of her house before being called to the phone. It’s his friend Sam with a foolproof investment opportunity, and he wants Mary on the line to hear about it too. Forced to lean in close to share the phone, George and Mary exchange a lot of intense gazes before finally the sexual tension becomes too much to bear. George puts up one last fight, shaking Mary and screaming “Now, you listen to me!

I don’t want any plastics, and I don’t want any ground floors, and I don’t want to get married—ever—to anyone! You understand that?” (in a scene that unfortunately was chopped out of the YouTube clip below) before finally giving in to his feelings and making out with a weepy Mary for as long as the puritanical 1940s censors would allow.—Bonnie Stiernberg 9. Love Actually (2003) Juliet ( Keira Knightley ) and Mark (Andrew Lincoln) There are few things more terrible in this world than unrequited love (though, airport security lines and bad coffee come in at a close second and third). This kissing scene in the British rom-com classic Love Actually illustrates that sensation with heartbreaking precision. Andrew Lincoln plays Mark, a man who has fallen in love with Juliet ( Keira Knightley ). Juliet is off limits — not only because she doesn’t return his feelings but because she has just married Mark’s best friend. In this scene, Mark confesses his feelings for her with a series of cleverly designed posters.

He also acknowledges the fact that he can’t have, simultaneously breaking our hearts and hers because after he leaves, she runs after him and kisses him a quick, consolatory peck on the lips. She kisses him out of pity, and we can’t help but feel his pain. 8. Ghost (1990) Sam Wheat (Patrick Swayze) + Molly Jensen (Demi Moore) The kiss between Demi Moore and Patrick Swayze in Ghost stands out as one of the sexiest in film. No, we’re not referring to the kiss that prompts Moore’s character to sleep with the spirit of her dead husband via the body of her current love interest (yeah, the film is a little bizarre). We’re referring to the kiss at the beginning of the film; as Moore’s character shapes a vase on a pottery wheel, Swayze’s character sneaks up behind her, and the casual, chaste pecks they exchange quickly morph into a steamy make-out as he lifts her up and spins her around to “Unchained Melody” by the Righteous Brothers. It can’t get any steamier than this. 7.

Brokeback Mountain (2005) Ennis Del Mar (Heath Ledger) + Jack Twist ( Jake Gyllenhaal ) This kiss is huge in a number of ways. First is sheer force—it’s so passionate, Heath Ledger reportedly nearly broke Jake Gyllenhaal ’s nose while filming the scene. But it also represents a major breakthrough for his character, Ennis Del Mar; prior to meeting Jack Twist, Ennis is shy and repressed, barely communicating more than a few grunts and mumbles, but when he and Jack are reunited after years away from Brokeback Mountain, he’s so overcome that he can’t help but slam him against a wall for a quick makeout sesh right in front of his house. That brings us to another big turning point in this movie—when Ennis’ wife Alma silently catches the two in the heat of the moment.—Bonnie Stiernberg 6. The Notebook (2004) Noah Calhoun (Ryan Gosling) + Allie Hamilton ( Rachel McAdams ) No list of famous movie kisses would be complete without mention of this one.

Ryan Gosling and Rachel McAdams star as Noah and Allie, former lovers who are reunited when Noah returns from war. Noah ferries Allie across a lake to his house while she, drenched from the pouring rain, demands why he didn’t keep in touch with her while he was off fighting. When Noah tells her that he wrote her 365 letters, one for each day he was gone, we melt a little. When he grabs her and kisses her, all of the desire he’d pent up while he was gone apparent, we are nothing but a puddle of mush. 5. Sixteen Candles (1984) Sam Baker (Molly Ringwald) + Jake Ryan (Mike Schoeffling) The kiss in this Brat Pack coming-of-age staple makes us swoon. Sixteen Candles is cliché in all the right ways, and Molly Ringwald stars as Sam, a mousy high school girl who develops a crush on Jake (Mike Schoeffling). Jake is older and more popular than Sam could ever dream to be; therefore, he seems unattainable, which makes the film’s ending — when Sam finally snags him — all the more exciting.

Sam and Jake share their first kiss over her a cake lit with 16 candles for her birthday after a series of snafus that almost jeopardize their relationship. Their kiss is sweet and endearing and gives hope to girls-next-door everywhere. 4. Titanic (1997) Jack Dawson ( Leonardo DiCaprio ) + Rose Bukater (Kate Winslet) If the romance between Leonardo DiCaprio and Rose Bukater’s characters in the nineties’ classic The Titanic can’t sweep you off your feet, nothing will. They are star-crossed lovers whose ultimately tragic relationship is so earnest that we can’t help but root for them. This kiss takes place during one of the more tender and iconic moments of the film, and it is also responsible for making Celine Dion’s “My Heart Will Go On” one of the most recognized songs of the late nineties. Rose and Jack climb up to the top deck of the ship they’ve been sailing, and he kisses her just as the sun begins to rise. The man has game. 3. Lady and the Tramp (1955) Lady + The Tramp Multiple generations first encountered Hollywood romance via a “Cocker-al Spanish girl,” a mutt and a bowl of spaghetti.

The suddenness of that first kiss—as the two dogs slurp up the same noodle—makes it a classic. So does the way that Lady shyly looks away before the Tramp—known as “Butch” to Tony—noses over a meatball to share. There’s a twinkle in her eye as the mandolin and accordion set the mood. That’s amore.—Josh Jackson 2. Spiderman (2002) Peter Parker ( Tobey Maguire ) + Mary Jane Watson (Kirsten Dunst) Not only does this kiss make our heart melt but it also defies gravity, making it the one scene in Spiderman that everyone seems to remember the most. Spiderman (played by the ever-beautiful, ever-suave Tobey Maguire ) plants a wet one on his not-quite girlfriend Mary Jane Watson in the rain after saving her from a group of thugs. The most heart-stopping part of this kiss? Spiderman kisses her as he hangs upside-down from a building, right after Mary Jane peels off his mask to reveal his true identity as Peter Parker. 1.

Casablanca (1942) Rick Blaine (Humphrey Bogart) + Ilsa Lund (Ingrid Bergman) This film is an emotional roller coaster but it showcases one of the greatest moments in cinematic romance. Rick Blaine (played by Humphrey Bogart) and Ilsa Lund (played by Ingrid Bergman) are star-crossed lovers whose relationship was never meant to work. However, we can’t help but wish their relationship would work when Ilsa confesses her love for Rick in the scene below. And the kiss that follows is just about as passionate as it gets. Photo Flash: Exclusive First Look at Liz Shivener, Gregg Goodbrod and More in New Immersive GHOST THE MUSICAL Photo Flash: Exclusive First Look at Liz Shivener, Gregg Goodbrod and More in New Immersive GHOST THE MUSICAL Tweet Share The "nationally regarded" Fulton Theatre and Maine State Music Theatre present the exclusive premiere of the new chamber version of Ghost: The Musical through May 14 (Performances at Maine State Music Theatre are June 8 - June 25, 2016).

The romantic and heart-wrenching story will feature a cast of 10, focusing on the central characters of the original story, with a 6 piece orchestra. New acoustic versions of the songs from the original Broadway production will include, "Unchained Melody," "Here Right Now," "Suspend My Disbelief - I Had a Life," and more! BroadwayWorld has an exclusive first look below! The first draft was presented in a premiere reading in the Fulton's 4th-floor studio space in 2014 and has since had numerous revisions. It is now ready to present in the Fulton's subscription series for four weeks. Rehearsals began in March, and included Academy Award®-winner Bruce Joel Rubin and multi-Grammy Award-winning writer Glen Ballard , who worked with the Fulton's artistic and production teams to recreate this piece. This production will become a licensed version of the show through Theatrical Rights Worldwide, and will be available to be performed by theatres across the country and internationally. A tour of the United Kingdom has just been announced and will use this version created for the Fulton Theatre and Maine State Music Theatre.

The Fulton Theatre and Maine State Music Theatre's production stars Gregg Goodbrod as Sam Wheat and Liz Shivener as Molly Jensen. Goodbrod returns to the Fulton where he has previously played Jean Valjean in LES MISERABLES, Archibald Craven in The Secret Garden, and Alfred/Sam in Romance/Romance. He was an original cast member in the Broadway production of Thoroughly Modern Millie. Other credits include the 1st National Tour Dolly Parton 's 9 to 5, and he has appeared at Paper Mill Playhouse , Ogunquit Playhouse, Maine State Music Theatre and many regional theatres across the country. Shivener also returns to the Fulton where she most recently starred as Dorothy Gale in the acclaimed 2015 production of The Wizard of Oz. She has appeared Off-Broadway in the productions of Hell's Belles and The Underclassman. Other credits include the National Tours of Disney's Beauty and the Beast as Belle and Shrek the Musical as Fiona. Joining Goodbrod and Shivener is co-star E. Faye Butler as Oda Mae Brown .

Butler is the recent recipient of the 2016 Rosetta LeNoire Award and has been awarded six Joseph Jefferson Awards, two Helen Hayes Awards along with many other awards and accolades. She has appeared at theatres across the country including the Goodman Theatre , Steppenwolf, Arena Stage and La Jolla Playhouse . Rounding out the cast in alphabetical order are Mike Backes (Carl Bruner), Kyle E. Baird (Subway Ghost/Orlando), Ceasar F. Barajas (Willie Lopez) Jessica Lorion , Janelle McDermoth , Linnaia McKenzie , and Billy Clark Taylor (Hospital Ghost).

The creative team for the production includes Marc Robin (Fulton Theatre's Artistic Director and Ghost Director and Choreographer), David Abbinanti (Orchestrations), Aaron McAllister (Music Director) and Jason Wetzel (Music Director/Conductor), Robert Kovach (Scenic Designer), Beth Dunkelberger (Costume Designer), Paul Black (Lighting Designer), Colin Reble (Assistant Lighting Designer), (Jacob Mishler ( Sound Designer ), Matthew Moran (Associate Sound Designer ), Katelin Walsko (Props Designer), Mark Johnson (Stage Manager) Timothy Markus (Assistant Stage Manager), Aaron Young (Fulton Theatre's Managing Director), Curt Dale Clark (Maine State Music Theatre's Artistic Director), and Stephanie Dupal (Main State Music Theatre's Managing Director). With special thanks to our Season Co-Sponsor, Fulton Bank, Production Co-Sponsor Lancaster General Health/Penn Medicine and our Audiences Services Sponsor Turkey Hill. Ghost: The Musical will begin previews on Tuesday, April 19, with the official opening on Thursday, April 21.

The Thursday opening will welcome creators, Bruce Joel Rubin (Book and Lyrics), Dave Stewart (Music and Lyrics), Glen Ballard (Music and Lyrics), Jerry Zucker (Original Film Director), and other VIPs at a red carpet event. News crews are welcome on the red carpet, beginning at 6:45pm - 7:15pm. For more information contact Eric Pugh, Director of Marketing at epugh@thefulton.org. New York Casting is done by Bob Cline Casting. Interviews are available with the cast and/or director based on availability. Production photos are available upon request. Performance Schedule follows at the end of the release. Single ticket prices range from $25 - $68, with Student Rush available. Fulton Theatre performs in its home, the national historic landmark Fulton Opera House located at 12 North Prince Street in Lancaster, PA. For more information or to purchase tickets call 717.397.7425 or visit TheFulton.org. Ghost: The Musical is a co-production with Maine State Music Theatre who will present the show June 8 - 25, 2016.

For 56 years, Maine State Music Theatre has brought first class, Broadway-quality theatre to the picturesque town of Brunswick. The Theatre, contracted with the Actors' Equity Association's Council of Resident Stock Theatres (CORST), produces four main stage musicals, two children's musicals, and three special concert events each summer at the Pickard Theatre on the beautiful campus of Bowdoin College. Visit them online at . Jesus Christ Superstar; and most recently The UPS Man in Legally Blonde the Fulton's. Photo Credit: Kinectiv

Question: Sam Wheat and Molly Jensen are the central characters in which 1990’s romantic film?
Answer: Ghost