What's the start of the phrase "the salad days"? The days of one's youthful inexperience. Origin From Shakespeare's Anthony and Cleopatra, 1606: CLEOPATRA: My salad days, When I be green in sentence: cold in blood, To read out as I said then! But, come, away; Get me ink and tabloid: He shall have every light of day a several greeting, Or I'll unpeople Egypt. 'Salad days' is used these days to refer to the days of casual innocence and pleasure of our youth. It has also be used to refer to the time of material affluence within our more mature years, when the pressures of go have begin to ease - something akin to 'the golden years'. Shakespeare designed the former, and the clue is in the colour. While he used green within other contexts to signify jealousy - 'the green-eyed monster' within Othello and, in Love's Labours Lost "Green indeed is the colour of lovers", it is used here to tight-fisted immature. The green of salad leaves, which are invariably short-lived, is an barefaced allusion to youthfulness.

Green is also used in other expressions to penny-pinching unready for use, for example, 'green (unripe) corn', 'green (unseasoned) timber and 'greenhorn' (an inexperienced recruit). The phrase 'salad days' lay dormant for two hundred years or more but became used widely contained by the 19th century. For example, this citation from the Oregon newspaper The Morning Oregonian, June 1862: "What fools men are contained by their salad days." Salad Days was latter used as the title of a highly successful is a musical, which premiered at the Bristol Old Vic contained by 1954. The music was written by Julian Slade and the lyrics by Dorothy Reynolds and Julian Slade. This be also the inspiration for the Monty Python spoof sketch Sam Peckinpah's Salad Days, in which the merry young things feature in the musical be hacked to pieces surrounded by a typically gory Sam Peckinpah deportment. Salad days Meaning: Youthful inexperience, a time of early nouns and promise. Example: The salad days for Apple computer are over.

Origin: Popularized in Shakespeare's "Antony and Cleopatra," Act 1, scene 5, written contained by 1606. Cleopatra, at one point, is lavishing praise on her current love, Antony. One of Cleo's female attendants reminds her that she (Cleo) once feel the same agitation about Caesar. Cleopatra retorts that be in her "salad days, when I be green in shrewdness: cold in blood". In this specific context, the phrase resources "naive," but it also have the sense of "in one's youth," a time of blooming robustness and infinite prospect. One might wonder if those were Cleo's "Caesar salad days"! Perhaps Shakespeare's statement be a reference to green human being the color of salad, and cold the temperature of said salad. Green is frequently used to describe youth or inexperience. Of course salad refers to copious dishes (potato salad, egg salad, pasta salad) not just the lettuce base salad so popular today. The phrase was coined within Shakespeare's Antony and Cleopatra in 1606.

In the speech at the wrap up of Act One in which Cleopatra is regretting her infantile dalliances with Julius Caesar she say: "...My salad days, / When I was green within judgment, cold contained by blood..." "Salad days" is an idiomatic expression, referring to a youthful time, accompany by the inexperience, enthusiasm, idealism, innocence, or indiscretion that one associates with a youthful person From Shakespeare's Anthony and Cleopatra, 1606: CLEOPATRA: My salad days, When I be green in sensitivity: cold in blood, To say-so as I said then! But, come, away; Get me ink and daily: He shall have every afternoon a several greeting, Or I'll unpeople Egypt. 'Salad days' is used these days to refer to the days of unthinking innocence and pleasure of our youth. It has also be used to refer to the time of material affluence contained by our more mature years, when the pressures of go have begin to ease - something akin to 'the golden years'. Shakespeare designed the former, and the clue is in the colour.

While he used green contained by other contexts to signify jealousy - 'the green-eyed monster' within Othello and, in Love's Labours Lost "Green indeed is the colour of lovers", it is used here to tight-fisted immature. The green of salad leaves, which are invariably short-lived, is an lucid allusion to youthfulness. Green is also used in other expressions to close-fisted unready for use, for example, 'green (unripe) corn', 'green (unseasoned) timber and 'greenhorn' (an inexperienced recruit). The phrase 'salad days' lay dormant for two hundred years or more but became used widely surrounded by the 19th century. For example, this citation from the Oregon newspaper The Morning Oregonian, June 1862: "What fools men are surrounded by their salad days." Salad Days was then used as the title of a highly successful is a musical, which premiered at the Bristol Old Vic surrounded by 1954. The music was written by Julian Slade and the lyrics by Dorothy Reynolds and Julian Slade.

This be also the inspiration for the Monty Python spoof sketch Sam Peckinpah's Salad Days, in which the casual young things feature in the musical be hacked to pieces within a typically gory Sam Peckinpah posture. It appears in Shakespeare’s Antony and Cleopatra of 1606, contained by the speech at the end of Act One contained by which Cleopatra is regretting her youthful dalliances near Julius Caesar: “My salad days, When I was green contained by judgment”. So the phrase came to miserable “a period of infantile inexperience or indiscretion”, though it only become popular from the middle of the nineteenth century on. The link here is green, which have already had a description for a couple of centuries at least up to that time Shakespeare’s day of someone juvenile, just resembling the young green shoots of spring, and also of somebody who be as yet inexperienced or emergent. Incidentally, for Shakespeare a salad wasn’t just lettuce beside some dressing, but a much more complicated dish of chopped, mixed and seasoned vegetables (its name comes from the Latin word for salt); the word be also used for any vegetable that could be included in that dish.

However, Jan Freeman pointed out contained by one of her word columns for the Boston Globe back surrounded by April 2001 that the expression has shifted sense contained by the US in times gone by twenty years or so. It now habitually refers to a period contained by the past when somebody be at the peak of their ability or earning power, contained by their heyday, not necessarily when they were childlike. The shift isn’t so hard to comprehend when you think how few ethnic group actually know their Shakespeare. Salad days are the days of youth, when one is green and fresh. It be coined by Shakespeare in his 1606 Antony & Cleopatra This article contents is post by this website user, EduQnA.com doesn't promise its exactness. More Questions & Answers... Salad days - Everything2.com Salad days by clampe Sat Nov 13 1999 at 10:06:36 The Golden Era , the time when all was right in the world , before everything turned to crap . Maybe these are your salad days. Maybe they passed long ago . It could even be that they are still to come.

by Lometa Sat Aug 20 2005 at 3:17:07 Tumbling-hair picker of buttercups violets dandelions And the big bullying daisies through the field wonderful with eyes a little sorry Another comes also picking flowers e.e. cummings – (1923) Rendered unto Caesar The phrase salad days describes the period of youth, innocence and inexperience. Coined by William Shakespeare in his play Antony and Cleopatra it made its debut in Act I, Scene V where Cleopatra is missing Antony a great deal. Musing over her fading beauty and youth, she even though she was still attractive, in her youth men like Julius Caesar and Pompey the Great could not take their eyes off her. In the midst of contemplating the beginning the signs of aging a messenger arrives carrying a pearl and a letter from Antony pledging to her many kingdoms to make up for his absence. Cleopatra inquires about Antony's disposition and hearing that was neither sad nor happy she rejoices in the news as a sign of his divine nature.

In Antony's communiqué he wonders why she has sent so many messengers--at least one every day-- and she replies with a note that it is a sign of the scope of her love. Failing to distract herself from missing Antony, Cleopatra begins to query her most trusted servant Charmian as to what she thinks Antony is doing right now. Charmian is a dynamic character in custody of an independent spirit and when she thinks the queen's treatment of Antony is unreasonable or imprudent, she tells her so. Not only is Charmian on familiar grounds with her mistress, can tease her about her past life and former lovers. It's at this point in Shakespeare’s play when Cleopatra asks Charmian whether, in her opinion, she ever loved Julius Caesar as much as she now loves Antony . Charmian is quick to point out her adoration for the Emperor and goes into raptures over the likes of Caesar. This perturbs the queen and she commands her, "Say, 'the brave Antony,'" only Charmian saucily retorts: Charmian O! that brave Caesar. Cleopatra Be chok’d with such another emphasis! Say the brave Antony. Charmian The valiant Caesar!

Cleopatra By Isis , I will give thee bloody teeth, thou with Caesar paragon again My man of men. Charmian By your most gracious pardon, I sing but after you. Cleopatra My salad days, When I was green in judgment, cold in blood, To say as I said then! But come, away; Get me ink and paper: He shall have every day a several greeting, Or I’ll unpeople Egypt Antony and Cleopatra I.V The chief overtone of the expression is the sense of young bright vigor tossed with delight and drenched with a flavorful dressing of limitless potential. When Cleopatra explains her change of heart to Charmin by saying, “My salad days, when I was green in judgment,” Not only is green used to refer to the color of a salad , but Shakespeare is also having his character describe the days of her youth when she was without experience. Written around 1606-1607 Antony and Cleopatra is one of Shakespeare's best known tragedies. The play represents tangible events and persons from Roman history encompassing the love story of its title characters.

Drawn from the tales of the ancient Roman historian who wrote Plutarch's Lives ( Sir Thomas North's 1579 English version) Shakespeare borrowed the historical setting to stage his intrigue and intimate love story between the Roman general and the Egyptian queen. One note of interest is that the portrayal of Cleopatra upon her barge offered by the character Enobarbus in the play ( II.ii ) is almost a literal rendition of a passage from Plutarch . Composed late in his career the romantic comedy was originally published in the First Folio (1623), reviewer G. Merritt summarizes the play: It tells the story of a doomed romance between two charismatic lovers, Roman military leader, Marc Antony , and the captivating Queen of Egypt (and former mistress of Julius Caesar), Cleopatra. When his wife, Fulvia unexpectedly dies, Antony is summoned from Egypt to Rome to mend a political rift with Octavius by marrying his recently widowed sister, Octavia . Of course, this news enrages passionate Cleopatra. She vents her anger on the messenger, but is quick to realize that Octavia is no real rival to her when it comes to beauty.

However, Antony soon follows his heart back to Cleopatra's arms, abandoning his new wife in Athens. This leads to war, when Octavius declares war on Egypt. After Octavius eventually defeats Antony at Alexandria , Cleopatra sends a false report of her suicide, which prompts Antony to wound himself mortally. Antony dies in his lover's arms, and rather than submit to Roman rule under the new Caesar (Octavius), the heart-broken Cleopatra asks to have a poisonous snake delivered to her in a basket of figs. In the end, Antony and Cleopatra is as much about new sparks re-igniting the flames of love as new political forces supplanting old political regimes. Shakespeare wrote the play shortly after the tragic death of his only son Hamnet . His marriage was in turmoil and both events combined brought out a more disparaging and wry Bard than the young and naive one who had penned Julius Caesar ten years earlier. Disillusionments are seen not only in the tragic deaths of Antony and Cleopatra, but can also be found undermining the clash and dishonesty of an imaginary driving force in the pretext of their love for one another.

Both lovers incessantly and almost tenaciously deceive each other throughout the play – destabilizing both of their leaderships that leads to their tragic and untimely downfall. Caesar salad days! Derived from the Latin term for salt, the word salad has been around since the fifteenth century and wasn't just a mixture of lettuces served with dressing, but it described any green vegetable that was used to season a dish. Well before Shakespeare’s day green described someone youthful and alluded to the young green shoots of spring. The Oxford English Dictionary notes that in 1865 the May issue of Cornhill Magazine used the phase in the following context, “Being in want of a horse at the time it was in my salad days, reader I looked through the advertisements in The Times, and noticed one which at any rate promised well.

“ By 1882 English journalist Charles Peabody reported that, “ All the newspapers that flourished in the green and sallet days of the Press have been replaced by more adventurous rivals.” And playwright Dylan Marlais Thomas included the following in his 1953 play Under Milk wood , “She whispers to her salad-day deep self.“ The expression continued to grow in popularity during the 19th century until it gained the meaning of “the period when one is young and inexperienced" and a “the peak or heyday of something.” Today salad days has become a metaphor for “unflagging, enthusiastic youth” describing the time of life between childhood and maturity. Some useful synonyms are adolescence , greenness , juvenescence , juvenility , puberty , spring , youth , and youthfulness . And that about all there is to a-dressing salad days! Sources The Mavens' Word of the Day, Salad days: Origin of Phrases - Have Origins,Salad Dyas: Words and Phrases Coined by Shakespeare Words and Phrases Coined by Shakespeare NOTE: This list (including some of the errors I originally made) is found in several other places online.

That's fine, but I've asked that folks who want this on their own sites mention that I am the original compiler. For many English-speakers, the following phrases are familiar enough to be considered common expressions, proverbs, and/or clichés. All of them originated with or were popularized by Shakespeare.

All our yesterdays (Macbeth) All that glitters is not gold (The Merchant of Venice)("glisters") All's well that ends well (title) As good luck would have it (The Merry Wives of Windsor) As merry as the day is long (Much Ado About Nothing / King John) Bated breath (The Merchant of Venice) Bag and baggage (As You Like It / Winter's Tale) Bear a charmed life (Macbeth) Be-all and the end-all (Macbeth) Beggar all description (Antony and Cleopatra) Better foot before ("best foot forward") (King John) The better part of valor is discretion (I Henry IV; possibly already a known saying) In a better world than this (As You Like It) Neither a borrower nor a lender be (Hamlet) Brave new world (The Tempest) Break the ice (The Taming of the Shrew) Breathed his last (3 Henry VI) Brevity is the soul of wit (Hamlet) Refuse to budge an inch (Measure for Measure / Taming of the Shrew) Catch a cold (Cymbeline; claimed but seems unlikely, seems to refer to bad weather) Cold comfort (The

 Taming of the Shrew / King John) Conscience does make cowards of us all (Hamlet) Come what come may ("come what may") (Macbeth) Comparisons are odorous (Much Ado about Nothing) Crack of doom (Macbeth) Dead as a doornail (2 Henry VI) A dish fit for the gods (Julius Caesar) Cry havoc and let slip the dogs of war (Julius Caesar) Dog will have his day (Hamlet; quoted earlier by Erasmus and Queen Elizabeth) Devil incarnate (Titus Andronicus / Henry V) Eaten me out of house and home (2 Henry IV) Elbow room (King John; first attested 1540 according to Merriam-Webster) Farewell to all my greatness (Henry VIII) Faint hearted (I Henry VI) Fancy-free (Midsummer Night's Dream) Fight till the last gasp (I Henry VI) Flaming youth (Hamlet) Forever and a day (As You Like It) For goodness' sake (Henry VIII) Foregone conclusion (Othello) The game is afoot (I Henry IV) The game is up (Cymbeline) Give the devil his due (

I Henry IV) Good riddance (Troilus and Cressida) Jealousy is the green-eyed monster (Othello) It was Greek to me (Julius Caesar) Heart of gold (Henry V) Her infinite variety (Antony and Cleopatra) 'Tis high time (The Comedy of Errors) Hoist with his own petard (Hamlet) Household words (Henry V) A horse, a horse!

My kingdom for a horse! (Richard III) Ill wind which blows no man to good (2 Henry IV) Improbable fiction (Twelfth Night) In a pickle (The Tempest) In my heart of hearts (Hamlet) In my mind's eye (Hamlet) Infinite space (Hamlet) In my book of memory (I Henry VI) It is but so-so(As You Like It) It smells to heaven (Hamlet) Itching palm (Julius Caesar) Kill with kindness (Taming of the Shrew) Killing frost (Henry VIII) Knit brow (The Rape of Lucrece) Knock knock! Who's there?

(Macbeth) Laid on with a trowel (As You Like It) Laughing stock (The Merry Wives of Windsor) Laugh yourself into stitches (Twelfth Night) Lean and hungry look (Julius Caesar) Lie low (Much Ado about Nothing) Live long day (Julius Caesar) Love is blind (Merchant of Venice) Men's evil manners live in brass; their virtues we write in water (Henry VIII) Melted into thin air (The Tempest) Though this be madness, yet there is method in it ("There's a method to my madness") (Hamlet) Make a virtue of necessity (The Two Gentlemen of Verona) The Makings of(Henry VIII) Milk of human kindness (Macbeth) Ministering angel (Hamlet) Misery acquaints a man with strange bedfellows (The Tempest) More honored in the breach than in the observance (Hamlet) More in sorrow than in anger (Hamlet) More sinned against than sinning (King Lear) Much Ado About Nothing (title) Murder most foul (Hamlet) Naked truth (Love's Labours Lost) Neither rhyme nor reason (As You Like It) Not slept one wink (Cymbeline

) Nothing in his life became him like the leaving it (Macbeth) [Obvious] as a nose on a man's face (The Two Gentlemen of Verona) Once more into the breach (Henry V) One fell swoop (Macbeth) One that loved not wisely but too well (Othello) Time is out of joint (Hamlet) Out of the jaws of death (Twelfth Night) Own flesh and blood (Hamlet) Star-crossed lovers (Romeo and Juliet) Parting is such sweet sorrow (Romeo and Juliet) What's past is prologue (The Tempest) [What] a piece of work [is man] (Hamlet) Pitched battle (Taming of the Shrew) A plague on both your houses (Romeo and Juliet) Play fast and loose (King John) Pomp and circumstance (Othello) [A poor] thing, but mine own (As You Like It) Pound of flesh (The Merchant of Venice) Primrose path (Hamlet) Quality of mercy is not strained (The Merchant of Venice) Salad days (Antony and Cleopatra) Sea change (The Tempest) Seen better days (As You Like It?

Timon of Athens?) Send packing (I Henry IV) How sharper than the serpent's tooth it is to have a thankless child (King Lear) Shall I compare thee to a summer's day (Sonnets) Make short shrift (Richard III) Sick at heart (Hamlet) Snail paced (Troilus and Cressida) Something in the wind (The Comedy of Errors) Something wicked this way comes (Macbeth) A sorry sight (Macbeth) Stony hearted (I Henry IV) Such stuff as dreams are made on (The Tempest) Smooth runs the water where the brook is deep ("Still waters run deep") (2 Henry VI) The short and the long of it (The Merry Wives of Windsor) Sweet are the uses of adversity (As You Like It) Sweets to the sweet (Hamlet) Swift as a shadow (A Midsummer Night's Dream Tedious as a twice-told tale (King John) Set my teeth on edge (I Henry IV) Tell truth and shame the devil (1 Henry IV) Thereby hangs a tale (Othello; in context, this seems to have been already in use) There's no such thing (?) (Macbeth) There's the rub

 (Hamlet) To gild refined gold, to paint the lily ("to gild the lily") (King John) To thine own self be true (Hamlet) Too much of a good thing (As You Like It) Tower of strength (Richard III) Towering passion (Hamlet) Trippingly on the tongue (Hamlet) Truth will out (The Merchant of Venice) Violent delights have violent ends (Romeo and Juliet) Wear my heart upon my sleeve (Othello) What the dickens (The Merry Wives of Windsor) What's done is done (Macbeth) What's in a name?

A rose by any other name would smell as sweet. (Romeo and Juliet) What fools these mortals be (A Midsummer Night's Dream) What the dickens (The Merry Wives of Windsor) Wild-goose chase (Romeo and Juliet) Wish is father to that thought (2 Henry IV) Witching time of night (Hamlet) Working-day world (As You Like It) The world's my oyster (Merry Wives of Windsor) Yeoman's service (Hamlet) Words Supposedly Coined by Shakespeare I compiled these from multiple sources online in 2003. Each of these words and compounds supposedly is not known to have appeared in print prior to the publication of Shakespeare's works. For this reason, people claim that Shakespeare invented these words. How many of these are true coinages by "the Bard", and how many are simply the earliest written attestations of a word or words already in use, I can't tell you. The ones that seem real are new forms of words already in the language.

Words like "advertising", "assassination", "bedazzled", "consanguineous", "dishearten", "enmesh", "eventful", "eyesore", "lackluster", "moonbeam", outbreak", "quarrelsome", "radiance", "reclusive", "seamy-side", "stealthy", "submerge", "time-honored", "undervalued", "unmitigated", "unreal", "well-read", "watchdog", and "whirligig" would have been meaningful to the audience. A few words are first attested in Shakespeare and seem to have caused extra problems for the typesetters. This suggests they are really coined by Shakespeare. One example is "denote". The popular book Coined by Shakespeare acknowledges that it is presenting first attestations rather than certain inventions. For example, "alligator" appeared for the first time in print as an English word in "Romeo and Juliet", but it has Spanish antecedents, and only the terminal "-r" seems to be new with Shakespeare.

"Puke" appears as a vulgar term for vomiting in the near-contemporary "Duchess of Malfi", and it seems well-known; so Shakespeare's use in "As You Like It" seems more likely just a first attestation. The region of Dalmatia is as old as the Roman Empire, and obviously Shakespeare did not coin the adjectival form. Words like "anchovy", "bandit", and "zany" are just first attestations of loan-words. By contrast, in "Troilus and Cressida", Shakespeare seems to have been having fun introducing new forms of old words, even though "orgulous" and "deracinate" never did catch on. Right now I'm in the process of referencing these. I would like to hear from anyone who knows for certain about any item on this page. I stand corrected; one of my sources misattributed "fool's paradise" to Romeo and Juliet though it appears in Tyndale's Bible and probably earlier.

abstemious (The Tempest -- a Latin word that meant "to abstain from alcoholic drink" was generalized to sexual behavior as well) academe (Love's Labour's Lost; this is just an English form of "Academy", the Greek for Plato's grove) accommodation (Othello) accused (n.) (Richard II -- first known use as a noun, meaning person accused of a crime) addiction (Henry V / Othello) advertising (adj.)(Measure for Measure; in context, means "being attentive"; the noun was already in use) aerial (Othello) alligator (Romeo and Juliet; Spanish "aligarto" was already in use in English) amazement (13 instances; first known use as a noun) anchovy (I Henry IV; first attestation in English of the Spanish word for dried edible fish) apostrophe ("apostrophas")(Love's Labour's Lost; seems to be a well-known word already) arch-villain (Measure for Measure / Timon of Athens) to arouse (2 Henry VI / Hamlet; "rouse" was the usual form) assassination (Macbeth; "assassin" was already in use and derives from

 "hashish eater") auspicious (several; "auspice" was a Roman practice of fortune-telling by bird flight) bachelorship (I Henry VI) backing (I Henry VI; this is just a pun on a known word) bandit (II Henry VI, actually "bandetto", the first attestation in English of a familiar Italian word for people "banned", i.e., outlaws) barefaced (in the sense of "barefaced power") (Macbeth) baseless (in the sense of fantasy without grounding in fact) (The Tempest) beached (several, merely means "possessing a beach") bedazzled (The Taming of the Shrew) bedroom (A Midsummer Night's Dream, merely means a place to sleep on the ground) belongings (Measure for Measure) bump (Romeo and Juliet; first attestation of onomopoeic word) buzzer (Hamlet; means gossipper) to cake (Timon of Athens, first attestation as a verb) to castigate (Timon of Athens) to cater (As You Like It; from coetous, a buyer of provisions) clangor (3 Henry VI / 2 Henry IV

) to champion (Macbeth; first attestation as a verb, and in an older sense of "to challenge"; though the noun was familiar as someone who would fight for another) circumstantial (As You Like It / Cymbeline; first attestation in the sense of "indirect") cold-blooded (King John; first use to mean "lack of emotion") coldhearted (Antony and Cleopatra) compact (several; seems to have been a common word) to comply (Othello) to compromise (The Merchant of Venice, several of the histories; seems to have been already in use) to cow (Macbeth; first use in English of a Scandinavian verb) consanguineous (Twelfth Night; "consanguinity" was already in use) control (n.) (Twelfth Night) critic (Love's Labour's Lost; Latin term) critical (not in today's sense) (Othello, A Midsummer Night's Dream) cruelhearted (The Two Gentlemen of Verona) Dalmatians (Cymbeline) dauntless (Macbeth) dawn (I Henry IV, King John; first use as a noun, the standard had been "dawning") day's

 work (several, must have been a common expression) deafening (II Henry IV; in the sense of a noise that is loud but does not produce real deafness) to denote (several; already a word in Latin) depository (???) discontent (Richard III / Titus Andronicus; the verb was in use but this is the first attestation as a noun) design (several, seems unlikely) dialogue (several, seems already familiar) disgraceful (I Henry VI; means "not graceful") dishearten (Henry V) to dislocate (King Lear, refers to anatomy) distasteful (Timon of Athens) distracted (Hamlet / Measure for Measure; seems possible) divest (Henry V / King Lear; probably already in use as referring to a royal title) domineering (Love's Labour's Lost; from a Dutch word) downstairs (I Henry IV, supposedly first use as an adjective) droplet (Timon of Athens) to drug (Macbeth; first use as a verb) to dwindle (I Henry IV / Macbeth, seems already familiar as a term for body wasting) to educate (Love's Labour's Lost) to elbow (King Lear; first use as a

 verb) embrace (I Henry VI; first use as a noun) employer (Much Ado about Nothing) employment (several, obviously familiar) engagement (several, seems simply the first attestation) to enmesh (Othello) enthroned (Antony and Cleopatra) epileptic (King Lear; first use as an adjective, though the noun was old) equivocal (Othello / All's Well that Ends Well; first use as adjective, though the verb "to equivocate" was familiar) eventful (As You Like It) excitement (Hamlet / Troilus and Cressida; both times as plural; first use as a noun) expedience (several, supposedly first use as noun) exposure (several, supposedly first use as noun) eyeball (The Tempest) eyedrops (II Henry IV; means "tears") eyesore (The Taming of the Shrew) fanged (Hamlet, first attestation) farmhouse (The Merry Wives of Windsor; first known use of the compound) far-off (several, seems already familiar) fashionable (Timon of Athens / Troilus and Cressida) fathomless (not today's sense) (Tro

ilus and Cressida) fitful (Macbeth) fixture (not current sense) (Merry Wives of Windsor / Winter's Tale) flawed (King Lear; first use as an adjective) flowery (A Midsummer Night's Dream) foppish (King Lear) fortune-teller (The Comedy of Errors) to forward (I Henry IV; first use as a verb) foul-mouthed (several, seems already familiar) freezing (Cymbeline) frugal (several; "frugality" was already in common use) full-grown (Pericles) generous (several, obviously already known) gloomy (several, "to gloom" was a verb) glow (several; the word had originally meant red-and-warm) gnarled (Measure for Measure; alteration of knurled which was a standard word for bumpy) go-between (several, seems familiar) to gossip (The Comedy of Errors; first use as a verb; "gossip" was one's familiar friends) gust (III Henry VI, seems already familiar and was an Old Norse word) half-blooded (King Lear) hint (Othello, first use in today's sense) hob-nails (

I Henry IV, alleged; seems already familiar) hobnob (Twelfth Night; older term was "hab, nab", and not in today's sense) homely (several, seems already familiar) honey-tongued (Love's Labour's Lost) hoodwinked (already known from falconry) hostile (several, seems like a word that is already familiar) hot-blooded (The Merry Wives of Windsor / King Lear) housekeeping (The Taming of the Shrew; seems unlikely) howl (several, clearly familiar) to humor (Love's Labour's Lost, first attestation as a verb) hunchbacked (can't find) to hurry (Comedy of Errors, first attestation as verb) ill-tempered (can't find) immediacy (King Lear, first use as noun) impartial (2 Henry IV) to impede (Macbeth, first use as verb, though "impediment" was already widely used) import (several, and not used in the modern sense) immediacy (King Lear, first attestation as a noun) importantly (Cymbeline, first attestation as an adverb) inaudible (All's Well that Ends Well; "

audible" was already in use) inauspicious (Romeo and Juliet) indistinguishable (not in today's sense)(Troilus and Cressida) inducement (several, seems unlikely) investment (II Henry IV, not in present sense) invitation (The Merry Wives of Windsor; signifies "flirting") invulnerable King John / Hamlet / The Tempest; first attestation for the negative; Coriolanus has unvulnerable) jaded (several, seems already a term of contempt) Judgement Day (I Henry VI; usual term had been "Day of Judgement") juiced (Merry Wives of Windsor; first attestation as an adjective) kissing (several, first attestation of the participle, though surely not its first use) lackluster (As You Like It) ladybird (Romeo and Juliet) to lament (several, seems already familiare) to lapse (several, first attestation as a verb, though already familiar as a noun) to launder (first use as a verb; "laundress" was in common use) laughable (The Merchant of Venice) leaky (Antony and Cleopatra / The Tem

pest) leapfrog (Henry V; first attestation but seems unlikely as a coinage) lonely (several, seems unlikely) to lower (several, seems already known) luggage (first use as noun) lustrous (Twelfth Night / All's Well that Ends Well) madcap (several, attestation as adjective; the noun had become popular just before) majestic (several, first use as adjective) majestically (I Henry IV; first attestation as adverb) malignancy (Twelfth Night, seems possible) manager (Love's Labour's Lost / Midsummer Night's Dream; first attestation as noun) marketable (As You Like It; first use as adjective) militarist (All's Well that Ends Well) mimic (Midsummer Night's Dream) misgiving (Julius Caesar; first use as noun, though "to misgive" was in common use) misplaced (several, seems unlikely) to misquote (1 Henry IV; not in the present sense) money's worth (Love's Labours Lost) monumental (several, seems unlikely) moonbeam (A Midsummer Night's Dream) mortifying (Merchant of Venice / Much Ado About Nothing ) motionless (Henry V

) mountaineer (Cymbeline; the sense is "hillbilly") multitudinous (Macbeth) neglect (several, obviously already known) to negotiate (Much Ado about Nothing / Twelfth Night; verb from the Latin) new-fallen (Venus and Adonis / I Henry IV) new-fangled (Love's Labour's Lost / As You Like It) nimble-footed (several, seems already a familiar expression) noiseless (King Lear / All's Well that Ends Well) to numb (King Lear, first attestation as a transitive verb) obscene (several; straight from Latin) obsequiously (first use of the adverb; comes from "obsequies", or funeral rites) outbreak (Hamlet, first attestation as a noun) to outdare (I Henry IV) to outgrow (can't find) over-ripened (II Henry VI ;first-use of the familiar compound) over-weathered The Merchant of Venice) overview (can't find) pageantry (Pericles Prince of Tyre) pale-faced (A Midsummer Night's Dream) to pander (several; was already a proverb) pedant (several, seems already in common

 use for a stuffy teacher) perplex (King John / Cymbeline) perusal (Sonnets / Hamlet; first use as a noun) to petition (Antony and Cleopatra / Coriolanus; first use as a verb) pious (several, seems very unlikely) posture (several, seems known) premeditated (several; first attestation of the adjective, though the noun was in use) priceless (???) Promethean (Othello / Love's Labour's Lost) protester (not today's sense) (Julius Caesar) published (2 Henry VI) puking (As You Like It) puppy-dog (King John / Henry V) on purpose (several; seems very unlikely) quarrelsome (As You Like It / Taming of the Shrew) questing (As You Like It; first use of the gerund) in question (several, seems already in use) radiance (several; first use as noun) to rant (The Merry Wives of Windsor / Hamlet; loan-word from Dutch or previously-unattested English word?) rancorous (2 Henry VI, Comedy of Errors, Richard III, all early plays, seems unlikely)

 raw-boned (I Henry VI) reclusive (Much Ado about Nothing; first use as adjective) reinforcement (Troilus and Cressida / Coriolanus; seems already in use) reliance (???) remorseless (several, first attestation of this form) reprieve (several, obviously already in use) resolve (several, obviously already in use) restoration (King Lear) restraint (several, seems already familiar) retirement (II Henry IV; refers to military retreat; first use as noun) revolting (several, obviously already familiar) to rival (King Lear; first attestation as verb; noun was well-known) rival (Midsummer Night's Dream; first attestation as adjective, noun was well-known) roadway (II Henry IV; first attestation of the compound) rumination (As You Like It; first use as noun) sacrificial (Timon of Athens; not today's usage) sanctimonious (Measure for Measure / Tempest) satisfying (Othello / Cymbeline) savage (several; the word was obviously already in use) savagery (King John / Henry V; first use as this form) schoolboy (Julius Caesar / Much Ado about

 Nothing) scrubbed (The Merchant of Venice) scuffle (Antony and Cleopatra; first use as noun, though the verb was familiar) seamy-side (Othello) to secure (II Henry VI; first use as a verb; the adjective was well-known) shipwrecked (Pericles Prince of Tyre, seems unlikely) shooting star (Richard II; first known use of the phrase) shudder (Timon of Athens; first use as a noun; verb already well-known) silk (alleged; obviously not Shakespeare's) stocking (obviously not Shakespeare's) skim milk (I Henry IV; first use of the familiar term) to sneak (Measure for Measure; supposed first use of the verb) soft-hearted (2 Henry VI / 3 Henry VI; first use of the familiar phrase) spectacled (Coriolanus; not in today's sense) splitting (II Henry VI; first use as adjective) sportive (Richard III / Comedy of Errors / All's Well that Ends Well; supposed first use) to squabble (Othello; supposed first use, as with "to swagger") stealthy (Macbeth; first use as adjective) stillborn (can't find, obviously not Shakespeare

's) to submerge (Antony and Cleopatra) successful (Titus Andronicus, seems dubious) suffocating (Othello; supposed first use as a descriptor) to sully (I Henry VI) superscript (Love's Labour's Lost) to supervise (Love's Labour's Lost; also Hamlet but not in today's sense) to swagger (II Henry IV, others; in context this seems to be already a well-known word) switch (first use to mean "twig") tardily (All's Well that Ends Well; first use of adverb) tardiness (King Lear; "tardy" as adjective was well-known) threateningly (All's Well that Ends Well; first use of the adverb) tightly (The Merry Wives of Windsor; first use as an adverb) time-honored (Richard II) title page (can't find; seems unlikely) to torture (several; first use as a verb) traditional (Richard III; first use as adjective) tranquil (Othello; "tranquility" was an old word) transcendence (All's Well that Ends Well; first attestation of the noun) tongue-tied (III Henry VI / Julius Caesar / Troil

us and Cressida; seems first attestation of a phrase already in use) unaccommodated (King Lear) unaware (Venus and Adonis; first use as an adverb; the adjective was not yet in use) to unclog (Coriolanus, first use as a negative) unappeased (Titus Andronicus) unchanging (The Merchant of Venice) unclaimed (As You Like It; not in today's sense) uncomfortable (Romeo and Juliet) to undervalue (The Merchant of Venice) to undress (The Taming of the Shrew; seems unlikely) unearthly (Winter's Tale) uneducated (Love's Labour's Lost, seems possible) ungoverned (Richard III / King Lear) to unhand (Hamlet) unmitigated (Much Ado about Nothing) unpublished (King Lear; in the sense of "still unknown") unreal (Macbeth, first use of the negative) unsolicited (Titus Andronicus / Henry VIII; supposed first use of the form) unswayed (Richard III; not in today's sense, but "is the sword unswung?") unwillingness (Richard III / Richard II) upstairs (I Henry IV; supposedly first

 use as an adjective) urging (Richard III / Comedy of Errors; first attestation as a noun useful (several, seems already familiar) varied (Love's Labour's Lost, others) vastly (Rape of Lucrece, not present sense) viewless (Measure for Measure; means "invisible") vulnerable (Macbeth; used in today's sense) watchdog (The Tempest; first use of the phrase) well-behaved (The Merry Wives of Windsor; first known use of the compound) well-bred (II Henry IV; first use of the familiar compound) well-read (I Henry IV) 'Salad days' - the meaning and origin of this phrase Salad days The days of one's youthful inexperience.

Origin From Shakespeare's Anthony and Cleopatra, 1606: CLEOPATRA: My salad days, When I was green in judgment: cold in blood, To say as I said then! But, come, away; Get me ink and paper: He shall have every day a several greeting, Or I'll unpeople Egypt. 'Salad days' is used these days to refer to the days of carefree innocence and pleasure of our youth. It has also been used to refer to the time of material affluence in our more mature years, when the pressures of life have begun to ease - something akin to 'the golden years'. Shakespeare meant the former, and the clue is in the colour. While he used green in other contexts to signify jealousy - ' the green-eyed monster ' in Othello and, in Love's Labours Lost "Green indeed is the colour of lovers", it is used here to mean immature. The green of salad leaves, which are invariably short-lived, is an obvious allusion to youthfulness.

Green is also used in other expressions to mean unready for use, for example, 'green (unripe) corn', 'green (unseasoned) timber and 'greenhorn' (an inexperienced recruit). The phrase 'salad days' lay dormant for two hundred years or more but became used widely in the 19th century; for example, this citation from the Oregon newspaper The Morning Oregonian, June 1862: "What fools men are in their salad days." Salad Days was later used as the title of a highly successful musical, which premiered at the Bristol Old Vic in 1954. The music was written by Julian Slade and the lyrics by Dorothy Reynolds and Julian Slade. This was also the inspiration for the Monty Python spoof sketch Sam Peckinpah's Salad Days, in which the carefree young things featured in the musical were hacked to pieces in a typically gory Sam Peckinpah manner. Shakespeare Soup | Wordnik by Angela Tung Shakespeare Soup Today marks what is observed as William Shakespeare’s birthday. How will you celebrate? Perhaps you’ll talk like Shakespeare , or maybe you’ll conduct some computational analysis on the Bard’s plays.

As for us, we’re Word Soup -ing some now-common words and phrases that Shakespeare coined or popularized. bated breath Shylock: “Shall I bend low, and in a bondman’s key, / With bated breath and whispering humbleness / Say this: / ‘Fair sir, you spit on me on Wednesday last?’” Act 1.

Scene I , The Merchant of Venice With bated breath means “eagerly; with great anticipation.” According to World Wide Words , “Shakespeare was the first known writer to use” the phrase, and “bated here is a contraction of abated ,” which means “reduced, lessened, lowered in force.” Thus, bated breath “refers to a state in which you almost stop breathing as a result of some strong emotion, such as terror or awe.” be-all and end-all Macbeth: “It were done quickly: if the assassination / Could trammel up the consequence, and catch / With his surcease success; that but this blow / Might be the be-all and the end-all here.” Shakespeare was the first to use this phrase meaning “the essential factor; the all-important element; the supreme aim.” Brave New World Act 5.

Scene I , The Tempest The use of this phrase is ironic in both The Tempest and Aldous Huxley’s dystopian novel : in the play, it’s used to describe the first strangers Miranda has seen, “drunken sailors staggering off the wreckage of their ship,” while in the novel, “Huxley employs the same irony when the ‘savage’ John refers to what he sees as a ‘brave new world.’” The novel also contains numerous quotes from Shakespeare’s plays. foul-mouthed Hostess: “So I told him, my lord; and I said I heard your grace say so: and, my lord, he speaks most vilely of you, like a foul-mouthed man as he is; and said he would cudgel you.” Foul-mouthed is defined as “using scurrilous, opprobrious, obscene, or profane language; given to abusive or filthy speech.” hazel Mercutio: “Thou wilt quarrel with a man for cracking nuts, having no other reason but because thou hast hazel eyes;–what eye but such an eye would spy out such a quarrel?” Act 3.

Scene I , Romeo and Juliet Shakespeare was the first to use hazel in reference to eye color, according to the Online Etymology Dictionary . In the play, hazel refers to a “reddish-brown color. . .in reference to the color of ripe hazel-nuts.” Today hazel eyes may also be yellowish- or greenish-brown. misquote Act V. Scene II , Henry IV Misquote , in this context, “to misread; misconstrue; misinterpret,” was first recorded in Shakespeare in the 1590s.

Quote is attested to the 14th century and comes from the Middle English coten,”to mark a book with numbers or marginal references,” which comes from the Medieval Latin quotare, “to number chapters.” Nick Bottom “Nick Bottom is a weaver and a bottom was, at the time Shakespeare was writing, a skein of thread or a structure around which thread was wound.” “ Shakespeare’s Bottom ,” The Virtual Linguist, November 9, 2011 Weaver-related definitions for bottom include “the cocoon of a silkworm,” and “a color applied to a fabric with a view of giving a peculiar hue to a dye which is to be subsequently applied.” As for the buttocks meaning of bottom, the Virtual Linguist says that “only dates back to the late 18th century, well after Shakespeare.” odds Prince of Wales: “I am content that he shall take the odds / Of his great name and estimation, / And will, to save the blood on either side, / Try fortune with him in a single fight.” Act 5.

Scene I , Henry IV Odds meaning “the amount or proportion by which the bet of one party to a wager exceeds that of the other” and hence, the “probability or degree of probability in favor of that on which odds are laid,” was first found in Shakespeare in 1597 . Odds is the plural of odd , which comes from the Old Norse oddi, “point of land, triangle, odd number.” one fell swoop Macduff: “What, all my pretty chickens and their dam / At one fell swoop?” Act 4. Scene III, Macbeth Shakespeare was the first to use this phrase meaning “in one stroke.” According to World Wide Words , fell here doesn’t refer to falling but to an old meaning of the word, “of a strong and cruel nature; eager and unsparing; grim; fierce; ruthless,” and comes from the Old French fel, “cruel, fierce, vicious.” Related is felon . petard Hamlet: “Let it work; / For ’tis the sport to have the engineer / Hoist with his own petard.” Act 3.

Scene IV , Hamlet A petard is “an engine of war used to blow in a door or gate,” or “a small paper cartridge used in ornamental fireworks.” World Wide Words says the word only survives in the phrase hoist with one’s own petard , which means getting “injured by the device that you intended to use to injure others.” Petard ultimately comes from the Latin peditum, “to break wind.” puckish “Mischievous behavior is called puckish ostensibly after Shakespeare’s Puck from ‘A Midsummer Night’s Dream,’ but the Bard of Avon was following a folkloric tradition in which spirits called pucas caused trouble for travelers.” “’ Puckish’ lifted from Bard’s play ,” The Deseret News, July 17, 1990 Puck probably comes from the Middle English pouke, “goblin,” which comes from the Old English puca. salad days Cleopatra: “My salad days, / When I was green in judgement, cold in blood, / To say as I said then.” Act 1.

Scene 5 , Antony and Cleopatra Salad days refer to “a time of youth, innocence, and inexperience.” Although it first appears in Antony and Cleopatra in 1606, “it only became popular,” says World Wide Words , “from the middle of the nineteenth century on.” The link between salad and youth is the color green, like that of “young green shoots of spring.” Today salad days also refers to “a period in the past when somebody was at the peak of their abilities or earning power, in their heyday, not necessarily when they were young.” sea change Ariel: “Nothing of him that doth fade / But doth suffer a sea-change / Into something rich and strange.” Act 1. Scene 2 , The Tempest Sea change has the literal meaning of “a change caused by the sea,” as well as the figurative, “a marked transformation.” World Wide Words cites one of the first figurative uses occuring in 1877.

We found one from slightly earlier, in 1861: “A year or two ago they would have foreboded nothing more than a straggling riot; but kings and people have undergone a sea-change in the interval, and such indications can no longer be safely set down at their old value.” seamy Emilia: “O, fie upon them! Some such squire he was / That turn’d your wit the seamy side without, / And made you to suspect me with the Moor.” Act 4. Scene II, Othello Shakespeare popularized the figurative use of seamy , “sordid; base.” This comes from the idea, says the Online Etymology Dictionary , that “the seamy side of a sewn garment [is] the less attractive, and thus typically turned in.” swagger Act 3.

Scene I , A Midsummer’s Night Dream Swagger , “to strut with a defiant or insolent air, or with an obtrusive affectation of superiority,” was first recorded in this 1590 play , and is a frequentative of swag , meaning “to move as something heavy and pendent; sway.” (A frequentative is “a verb which denotes the frequent occurrence or repetition of an action.”) What are some of your favorite Shakespeare words and phrases? Salad days S Salad days "Salad days" is an idiomatic expression, referring to a youthful time, accompanied by the inexperience, enthusiasm, idealism, innocence, or indiscretion that one associates with a young person. More modern use, especially in the United States , refers to a person's heyday when somebody was at the peak of his/her abilities—not necessarily in that person's youth. The phrase was coined in Shakespeare's Antony and Cleopatra in 1606.

In the speech at the end of Act One in which Cleopatra is regretting her youthful dalliances with Julius Caesar she says: "...My salad days, / When I was green in judgment, cold in blood..." The phrase became popular only from the middle of the 19th century, coming to mean “a period of youthful inexperience or indiscretion". The metaphor comes from Cleopatra's use of the word 'green'—meaning someone youthful, inexperienced, or immature. In Popular Culture Name of a Minor Threat song with lyrics describing punk's early hey days and how the scene had changed, mostly for the worse. It was used in the lyrics to the intro to '80s pop group Spandau Ballet's 1983 song Gold: "These are my salad days, Slowly being eaten away, Just another play for today" In the Coen brothers' film Raising Arizona, the character H.I., played by Nicolas Cage, uses the phrase when describing the earlier part of his marriage to Ed (Edwina). In episode "Simpson and Delilah" of The Simpsons, Mr. Burns uses this expression to describe the days in high school before he went bald.

In Green Day's song "¡Viva La Gloria!" from the 21st Century Breakdown album: "You made your bed in salad days amongst the ruins" (Wikipedia) Etymology of 'Salad Days' : snopes.com Claim: The phrase "salad days" was coined by William Shakespeare. TRUE Origins: Every summer, articles in the food sections of newspapers across the country make interminable and even unforgivable punning uses of "salad days." In those august tomes, as soon as ways to foist cold lettuce upon one's nearest and dearest get mentioned, out trots the linguistic side-slapper in all its hee-haw glory. And we, the docile readers, merely sigh in exasperation, as yet another instance of the triteness of the phrase once again blinds us to our not knowing a darned thing about where that horribly overused term came from. Our salads are dazed no more; here's the skinny: Coined by William Shakespeare, the phrase appears in his 1606 Antony and Cleopatra in Act 1, Scene 5.

In that first time around the block, after Cleopatra rhapsodizes about the intensity of her love for Antony, her servant Charmian points out that the Egyptian queen had once felt the same way about Julius Caesar. Disclaims Cleopatra: "My salad days, When I was green in judgment: cold in blood, To say as I said then!" In that earliest airing, "salad days" indicated a distant time of youthful naïveté. The descriptor "green in judgment" explains the curious phrase's meaning: salads are green, and "green" is often used in the English language to denote someone who is inexperienced (e.g., greenhorn), hence the play on words. Salads are also cold, hence the further tying of "cold in blood" back to the phrase. As for why Cleopatra would describe her youthful self as being "cold in blood," many historians view her romance with Julius Caesar as motivated not by passion for the man himself, but of a political need for a strong military ally to aid her in wresting the throne away from her brother. Her "love" for the aging commander (she was 21 to his 52) could therefore be regarded as cold-blooded.

The following 1865 sighting of the phrase bears out the "foolish on account of one's youth" meaning. In it, the author ascribes his shopping for a horse via newspaper classifieds to being too young and inexperienced to know better: Being in want of a horse at the time — it was in my salad days, reader — looked through the advertisements in The Times, and noticed one which at any rate promised well. Over time, the meaning of the phrase has moved away from being foolish because of a lack of experience and into a quick way of identifying a time in a person's life when he was full of vim and vigor. The "foolish" component of "salad days" has dropped away, leaving only the "young" aspect in play. "Salad days" now also describes being at the peak of one's abilities, which just goes to show how much a phrase's meaning can change, if you wait long enough. Barbara "passage of thyme" Mikkelson Last updated: 23 April 2011 Sources: Salad days - Wikipedia, Photos and Videos Salad days NEXT GO TO RESULTS [51 ..

100] WIKIPEDIA ARTICLE For other uses, see Salad Days (disambiguation) . "Salad days" is a Shakespearean idiomatic expression to refer to a youthful time, accompanied by the inexperience, enthusiasm, idealism, innocence, or indiscretion that one associates with a young person. A more modern use, especially in the United States , refers to a heyday, a period when somebody was at the peak of their abilities—not necessarily in that person's youth. Contents History[ edit ] The phrase was coined in Shakespeare 's Antony and Cleopatra in 1606. [1] In the speech at the end of Act One in which Cleopatra is regretting her youthful dalliances with Julius Caesar she says: [2] ...My salad days, / When I was green in judgment, cold in blood... The phrase became popular only from the middle of the 19th century, coming to mean “a period of youthful inexperience or indiscretion." The metaphor comes from Cleopatra's use of the word 'green' — presumably meaning someone youthful, inexperienced, or immature. Her references to "green" and "cold" both suggest qualities of salads.

[3] Fowler's Dictionary of Modern English Usage summarizes several other possible meanings of the metaphor: Whether the point is that youth, like salad, is raw, or that salad is highly flavoured and youth loves high flavours, or that innocent herbs are youth's food as milk is babes' and meat is men's, few of those who use the phrase could perhaps tell us; if so, it is fitter for parrots' than for human speech. [4] Usage[ edit ] Queen Elizabeth II during her Silver Jubilee Loyal Address, referring to her vow to God and her people when she made her 21st birthday broadcast: "Although that vow was made in my salad days, when I was green in judgment, I do not regret nor retract one word of it." The phrase has been used as the title of several books, including the novels Salad Days by Francoise Sagan [5] and by Charles Romalotti , [6] the autobiography The Salad Days by Douglas Fairbanks Jr. , [7] and numerous cookbooks.

[8] [9] Paul Greenberg , "Tuna's End," New York Times Magazine article: "Aboard one Zodiac, Frank Hewetson, a 20-year Greenpeace veteran who in his salad days as a protester scaled the first BP deepwater oil rigs off Scotland, tried to direct his pilot toward the net so that he could throw a daisy chain of sandbags over its floating edge and allow the bluefin to escape." [10] In film, television, and theatre[ edit ] In the 1987 Joel and Ethan Coen film Raising Arizona , Nicolas Cage as H.I. “Hi” McDunnough uses the expression twice in the first few minutes of the film. Speaking as the background voiceover rather than as a character, he first says, “These were the happy days, the salad days as they say, and Ed felt that having a critter was the next logical step.

It was all she thought about." A few moments later, again as the voiceover, he says, "Our love for each other was stronger than ever, but I preminisced [sic] no return of the salad days." In a 1990 episode of the television series The Simpsons , Mr. Burns explains his reasons for not firing Homer after he was caught claiming hair restorer on the company health plan. "You may find this hard to believe, but in my salad days, my crowning glory was a bright shock of strawberry blonde curls." Mr. Burns goes on to say that he can empathise with Homer's experience with male pattern baldness . The 1996 film Independence Day contains the line "Are the salad days over for President Whitmore?" Salad Days is a musical with music by Julian Slade and lyrics by Dorothy Reynolds and Julian Slade. Episode 33 of the television series Monty Python's Flying Circus is called "Salad Days", and features a grotesque parody of Slade's musical as interpreted by Sam Peckinpah .

Salad Days is the name of a documentary film released in 2014 about the evolving punk and hardcore scene in Washington DC during the 1980s and 1990s. The choice of name hints at the 1985 Salad by the Washington DC band Minor Threat . In the television series Frasier , season 10, episode 20, Frasier sarcastically tells the cafe owner, "Perhaps you two used to gig together in your salad days." In the television series Californication , season 1, episode 2, Hank Moody refers to the period when he was writing the original film adaptation of his novel God Hates Us All as his "salad days." A subsequent reference is made in season 1, episode 10, by Hank's agent Charlie Runkle as the two commiserate while drinking. Used in the 2010 Taiwanese drama Gloomy Salad Days c In music[ edit ] Procol Harum has a song on their eponymous debut album entitled "Salad Days (Are Here Again)". The phrase is used in the Spandau Ballet song " Gold ": "These are my salad days, slowly being eaten away".

The idiom is used again in the opening line of the track " Lovers Who Uncover " by the Little Ones : "Where do all the lovers meet with one another, in an effort to uncover what has happened to their salad days?" In 1985, Washington, D.C., hardcore punk band Minor Threat released the song " Salad Days ", reflecting on days of spirited youth in contrast to a time of adult disillusionment. The phrase is also used in the track "Spotlight (Oh Nostalgia)" from Patrick Stump 's Truant Wave EP: "Oh, nostalgia I don't need you anymore. 'Cause the salad days are over and the meat is at my door." Frank Zappa 's song "Electric Aunt Jemima" contains the phrase as well: "Holiday and salad days, and days of moldy mayonnaise". Dave Carter and Tracy Grammer use the phrase in the song "Frank to Valentino," on the album When I Go. Cursive uses the phrase on the last song of their 2006 release Happy Hollow .

Talib Kweli 's song "Friends & Family" on his album Gutter Rainbows uses the phrase in reference to his early career: "Rhyming in Greenwich Village circa 1993. Yeah those were the salad days, my career's appetizer." Talib Kweli's song "Ms. Hill" on his album Right About Now uses the phrase, saying, "We used to kick it in the salad days, but she look at me like she don't know me when she see me nowadays." "Salad Days" is a song by the Cardiff post-punk band Young Marble Giants . The lyrics are "Think of salad days, they were folly and fun, they were good, they were young".

The phrase is also used in the chorus of the track "Vince The Loveable Stoner" from The Fratellis 's Costello Music album: "And I haven't seen a pupil in his eyes for 16 days, the catholic girls love him in a hundred million different ways, and he's been up for days, in a thick malaise, he's only listened to the salad days." [11] Adrian Belew's 1999 album, Salad Days , consists of acoustic recordings of solo work as well as songs from his King Crimson era. In Modest Mouse 's song "Guilty Cocker Spaniels", Isaac Brock sings this: "Salad days add up to daily shit". The song "What Would Jimi Do?", on bassist Tony Levin 's album Resonator begins with the lyric "Lately, I've been thinking back, back into my salad days" The pop-punk / emo band Misser has a song called "Goddamn, Salad Days" from their 2013 EP Distancing. [12] Canadian musician Mac DeMarco 's third album, released in 2014, is titled Salad Days .

[13] Geddy Lee refers to the phrase in Rush's 2010 documentary called Beyond the Lighted Stage. [14] Green Day 's song "¡Viva la Gloria!" uses the phrase: "You made your bed in salad days amongst the ruins". Desaparecidos ' song "City on the Hill" from their 2015 record Payola includes the lyric: "All the stolen melodies they played in the hit parade / all the borrowed spirituals they fade in the salad days." Stone Temple Pilots ' song "Trippin On A Hole (In A Paper Heart)" from their 1996 record "The Vatican Gift Shop" includes the lyric: "so keep your bankroll lottery eat your salad day deathbed motorcade" References[ edit ] ^ The phrase is a simple one with a simple origin provided, once again, by Shakespeare. In 1606 the Bard wrote the play Antony And Cleopatra, which includes the line: 'They were my salad days, when I was green in judgement.'

Question: Which Shakespeare play coined the phrase 'Salad Days' to describe a time of youth and inexperience?
Answer: ANTONY AND CLEOPATRA