Tomorrow Is Another Day (1951) - IMDb IMDb 17 January 2017 4:34 PM, UTC NEWS There was an error trying to load your rating for this title. Some parts of this page won't work property. Please reload or try later. X Beta I'm Watching This! Keep track of everything you watch; tell your friends. Error Tomorrow Is Another Day ( 1951 ) 1h 30min A man who spent his formative years in prison for murder is released, and struggles to adjust to the outside world and escape his lurid past. He gets involved with a cheap dancehall girl, ... See full summary » Director: Felix E.

Feist (as Felix Feist) Writers: Art Cohn (screen play by), Guy Endore (screen play by) | 1 more credit » Stars: a list of 31 titles created 25 May 2012 a list of 445 titles created 13 Jul 2012 a list of 49 titles created 06 Sep 2013 a list of 65 titles created 28 Dec 2013 a list of 3315 titles created 5 months ago Title: Tomorrow Is Another Day (1951) 7.1/10 Want to share IMDb's rating on your own site? Use the HTML below. You must be a registered user to use the IMDb rating plugin. The rise and fall of Stanton Carlisle, a mentalist whose lies and deceit prove to be his downfall. Director: Edmund Goulding Frank Johnson flees police after becoming an eyewitness to murder. He is pursued around scenic San Francisco by his wife, a reporter, the police, and... the real murderer. Director: Norman Foster Quiet, organised Dr Talbot meets nightclub singer Nora Prentiss when she is slightly hurt in a street accident.

Despite her misgivings they become heavily involved and Talbot finds he is ... See full summary » Director: Vincent Sherman Just before a wedding, the bridegroom hears a complex tale painting his lovely bride as devilish and unbalanced. Director: John Brahm A young doctor falls in love with a disturbed young woman, becomes involved in the death of her husband, and has to flee with her to the Mexican border. Director: John Farrow A meek pharmacist creates an alternate identity under which he plans to murder the bullying liquor salesman who has become his wife's lover. Director: John Berry A young married couple flee both police and a gangster out for revenge. Director: Anthony Mann A small town policeman is assisted by a Harvard professor when the skeletal remains of a pregnant prostitute turn up on a Massachusetts beach. Director: John Sturges A well-planned robbery goes awry, with tough cop Cordell in pursuit. Director: Richard Fleischer Sam Hurley, "Nation's No. 1 killer" with a cold contempt for "heroes," escapes prison with two companions and takes a mixed bag of hostages to Nevada ghost town Lost Hope City. He knows ...

See full summary » Director: Dick Powell To avoid the heat of a sweltering summer night a 9 year old Manhattan boy decides to sleep on the fire escape and witnesses a murder, no one will believe him. Director: Ted Tetzlaff Pursued by the big-time gambler he robbed, John Muller takes a new identity, with ironic results. Director: Steve Sekely Edit Storyline A man who spent his formative years in prison for murder is released, and struggles to adjust to the outside world and escape his lurid past. He gets involved with a cheap dancehall girl, and when her protector is accidentally killed, they go on the lam together, getting jobs as farm labourers. But some fellow workers get wise to them. Written by GoblinHairedGuy 22 September 1951 (USA) See more » Also Known As: Did You Know? Goofs In the beginning of the film, Steve Cochran's character leaves prison and boards a bus while being spied on by the mystery man (reporter) sitting in his car. When the bus drives away, the reporter starts his car and begins to follow the bus.

As his car drives away two men and a spotlight are clearly visible in the left rear window. See more » Quotes Prison Warden : You came in here when you were 13 years old. That means you've been here... Bill Clark : 18 years, 3 months and 6 days. – See all my reviews Yeah, I know, Scarlett O'Hara's favorite maxim. If by some weird set of circumstances this thoughtful little gem shows up on your TV after the latest infomercial, tape it, go to bed, and sometime when you're in the mood for some reflective film watching, shove it in the VCR maw. Steve Cochran plays a really dumb guy who gets entwined with Ruth Roman's cynical, smart loser dame through a series of preposterous events. If J. D. Salinger had written a crime film, it would have probably turned out like this. Why are films like this so hard to find?

Other '50's obscurities worth checking out: Eight Iron Men; Kiss Me Deadly; Rogue River; Violent Saturday; Blood And Steel; Paratroop Command; Convicts Four (actually '62, but a great prison film.) I give up, nobody seems to remember anything about movies since 1980 anyway. 20 of 22 people found this review helpful. Was this review helpful to you? Yes Scarlett O'Hara: Tomorrow I'll think of some way . . . after all, tomorrow is another day. Scarlett O'Hara Scarlett O'Hara (full name Katie Scarlett O'Hara Hamilton Kennedy Butler) is the protagonist in Margaret Mitchell's 1936 novel Gone with the Wind and in the later film of the same name. She also is the main character in the 1970 musical Scarlett and the 1991 book Scarlett, a sequel to Gone with the Wind that was written by Alexandra Ripley and adapted for a television mini-series in 1994.

During early drafts of the original novel, Mitchell referred to her heroine as "Pansy", and did not decide on the name "Scarlett" until just before the novel went to print Greatest Last Film Lines or Quotes Film Lines or Quotes 1910s-1930s Greatest Last Film Lines or Quotes: These are many of the best-known curtain call lines, fade-outs, and final words of dialogue in cinematic history - the last lingering words heard before the title "The End." In quite a few cases, the memorable final lines are also some of the greatest lines in film history. They often reveal a vital truth about the film, cap off a comedy with a punchline, or help to define what the film was all about in just a few words. The last phrases or words often help to set a mood or tone as the film concludes, or they can be great one-liners. See also Greatest Opening Lines or First Film Lines . Greatest Last Film Lines - "Well, go ahead, knock." - "Well, well, well, what's all this? What do you want, eh? What's this?" - "If you please, Herr Baron, we thought that Mr.

Henry could do with a glass of his great-grandmother's wine." - "Fine old lady, my grandmother. Very foreseeing of her to prevent my grandfather drinkin' this. Mr. Henry doesn't need this. Well, as I said before, I say again: 'Here's, here's to a son, to the House of Frankenstein.'" - (in unison) "Indeed, sir. We hope so, sir." Play clip (excerpt): - "Please change your mind, Jan, don't go." - "If I were only sure that it would make you happy always." - "I'm sure, Jan." - "Wait a little while, darling. I'll be in New York, working at something." - "I'll follow you there." - "If you ever do, l'll follow you to the ends of the earth." - "That's a date." - "The secret of my success is never say die." Play clip (excerpt): The Front Page (1931) "Duffy. Listen, Duffy! What's the first stop of the 12:40 to New York? That's right. I want you to send a wire to Chief of police there.

Tell him to stop that train and arrest Hildy Johnson. Bring him back here. Wire him a full description. The son of a (bitch) stole my watch." Play clip (excerpt): - "I can't see no one." - "Excuse me, sir. You can't come in." - "Oh, can't I?" - "No, sir. I have my orders." - "Who's gonna stop me?" - "Well, I have my orders." - "Well, I'm in, ain't I? Oh yes, you can, Hansie, old boy. There's someone you've just gotta see." - "Why did you come here?" - "Please, Hans. Don't be angry. Venus and Phroso have been so kind by me." - "Please go away. I can see no one." - "But, Hans, you tried to stop them. It was only the poison you wanted. It wasn't your fault. Don't, don't cry, Hans. Come to me, my Liebchen. Don't cry. Don't, Hans. Don't cry. I love you. I love you." Play clip (excerpt): - "The Grand Hotel.

Always the same. People come. People go...nothing ever happens." - "Grand Hotel." - "No offense to you in that last crack I made, handsome." - "Aw, that's all right." - "I'm going to Sydney with you, if the invitation still holds good. Let's go." - "I understand, Miss Thompson. I'm sorry for him, and I'm sorry for you." - "I'm sorry for everybody in the world, I guess." Play clip (excerpt): Red Dust (1932) - "'And the next day, when the big round sun was high in the heaven, little Bobby Chipmunk could hardly believe his eyes, because there across Farmer Brown's meadows he saw little Molly Cottontail.' (whistle) A chipmunk and a rabbit! Say I wonder how this comes out? 'But the faster he ran across the ground, the faster she went, hippity hop hippity hop, hippity...' Fred! Stop it!" - "Ouch!" - "Sorry. Once more and you get the works right there!" - "Can't you read anything but bedtime stories?" - "I've read you everything four times.

Except one certain item." - "What?" - "Well, I didn't want to upset you. You're not well yet, you know." - "Let me see." - "I'll read it. Where is it? Oh, hmm. Here: 'Sailing for San Francisco on the Mohawa Maroo, was Mr. Gary Willis and his attractive wife of...' Look how they spelled 'Philadelphia'! 'Ffil'. Well anyway, let's see now. Uhm. 'Way across the meadow...' Come on Fred, shake out of it. 'Way across the meadow, as old Daddy Sun was setting behind the purple hills, little Molly Cottontail went hippity hop, hippity hop, hippity hop, hip...' Fred?" - "What, Lily?" - "Denham? Oh, that's the man that captured the monster." - "Well, Denham, the airplanes got him." - "Oh, no. It wasn't the airplanes.

It was Beauty killed the Beast." Play clip (excerpt): "...Nellie, I could make him happy." - "Of course you can, my dear." - "And he could make me happy too." - "Certainly he can." - "Nellie, they've all been trying to frighten me. They've been trying to frighten me into being sensible, but they can't do it. Not now. Not yet. They've got to let me be as foolish as I wanna be. I-I wanna ride through the park. I want a, I want to have a white ermine coat. And I'll buy you a beautiful present. And Mr. Hedges, I'll buy Mr. Hedges a little house. And I'll have rooms full of white orchids. And they've got to tell me that I'm much more wonderful than anyone else, because, Nellie - Nellie, I'm not afraid. I'm not afraid of being just a morning glory. I'm not afraid. I'm not afraid. I'm not afraid. Why should I be afraid?

I'm not afraid." Play clip (excerpt): - "Where'd you get that, dark and handsome?" - "You Bad-Girl." Sons of the Desert (1933) - "What did Betty say?" - "Betty said that 'Honesty was the best politics.' (He holds up a cigarette) Look! (coughs) (singing) Honolulu Baby! Won't you close those eyes..." Play clip (excerpt): The Gay Divorcee (1934) - "Egbert and I are going to be married too." - "Yes. Why, darling, why, what's the mat...? We were married last night, on our way back from London." - "Last night? Were we? Why, of course, sir, we were. Darling, I'd forgotten about it. Isn't it wonderful? I'll tell you what we'll do. We'll all hurry back to London to have a big celebration." "Oh, Scusi! Scusi! I'm also very good at parties!" Play clip (excerpt): - (reading a telegram) "'What's holding up the annulment, you slowpoke.

The walls of Jericho are toppling.' Send him a telegram right away. Just say, 'Let 'em topple.'" - "Funny couple, ain't they?" - "If you ask me, I don't believe they're married." - "They're married, all right. I just seen the license." - "They made me get 'em a rope and a blanket, on a night like this. What do you reckon that's for?" - "Blamed if I know. I just brung 'em a trumpet." - "A trumpet?" - "Yeah, one of them toy things. They sent me to the store to get it." - "But what in the world do they want a trumpet for?" - "Dunno." [Trumpet sounds] Play clip (excerpt): A Tale of Two Cities (1935) "It's a far, far better thing I do than I have ever done.

It's a far, far better rest I go to than I have ever known." (title card) "I am the Resurrection and the Life: he that believeth in me, though he were dead, yet shall he live" Play clip (excerpt): The Thirty-Nine Steps (1935) - "Mr. Memory, what was the secret formula you were taking out of the country?" - "Would it be all right, me telling you, sir? It was a big job to learn it, the biggest job I ever tackled, and I don't want to throw it all away." - "It'll be quite all right." - "The first feature of the new engine is its greatly increased ratio of compression represented by R minus one over R to the power of gamma where R represents the ratio of compression and gamma. Seen in end elevation, the axis of the two lines of cylinders. Angle of 65 degrees. Dimensions of cylinders as follows. This device renders the engine completely silent. Am I right, sir?" - "Quite right, old chap." - "Thank you, sir. Thank you. I'm glad it's off my mind.

Glad." Play clip (excerpt): Top Hat (1935) - "And in order to put you off the scent, I thought of many little disguises. This evening, I met Mr. Beddini and Miss Tremont, and fearing that they might recognize me, I turned my collar around, like this. And very cleverly, I became a clergyman." - "You are the one who married us!?" - "Yes, sir." - "Then we've never been really married?" - "Precisely, Miss." - "Well, well, well. Mr. Beddini, what are you doing in this young lady's room?" Play clip (excerpt): After the Thin Man (1936) - "Nora!" - (gunshots) "Can it... Is she?" - "She's all right." - "Out there. Janet, open your eyes." - "Oh, Jeffrey!" - "There's your vampire, Sir Basil.

The arrow, a wooden shaft through her heart, just as I drove the stake through his." - "The woman is beautiful." - "She was beautiful when she died...a hundred years ago." Play clip (excerpt): The Great Ziegfeld (1936) - "Mr. Ziegfeld. Mr. Z--" - "Hello. Is Dr. Hassel still in the building, please? Would you ask him to come up to Mr. Ziegfeld's apartment at once? Yes. Hurry, please." - "I've got to have more steps. I need more steps. I've got to get higher, higher!" Libeled Lady (1936) - "What is this? What's going on here?" - "Oh, Hello, Father." - "I got your telephone call. Now what is the meaning of this?" - "Now be calm, please." - "Mr. Allenbury, I can explain everything." - "Well, you'd better explain fast!

You mean to tell me that you married him?" - "Yes, Father." - "Well, who is this woman?" - "Well, that's Bill's wife." - "Quiet, will you please be quiet!" Play clip (excerpt): - "May I come in?" - "Oh, Mr. Courtney." - "Mr. Gray said there were a couple of people over here who wanted to get married. Are you it?" - "Yes, we're it. Can you marry us without a license?" - "Without a... It may get me into a lot of trouble, but, uh, I guess I've known your family long enough to take a chance. Who are you going to marry?" - "Godfrey. Oh, this is Godfrey." - "Oh. How do you do, uh, Godfrey? Does your father know about this?" - "Oh, everybody knows about it, except Godfrey." - "Well, I guess we better have a witness." - "Oh, we can use, Clarence. Clarence, you can be the witness. Come down here. Come, stand right down here. That's fine. Right there. Come on, Godfrey.

Right there." - "Well, now, uh, join hands, please. No, the right hand." - "Oh. Stand still, Godfrey, it'll all be over in a minute. (giggles)" Play clip (excerpt): - "There's your prisoner, General Merritt." - "We won't forget what Bill Hickok has done, Cody. We'll remember." - "All of us will. All of us." (she kisses him) "That's one kiss you won't wipe off." (epilogue title card): "It shall be as it was in the past... Not with dreams, but with strength and with courage... Shall a nation be molded to last." Play clip (excerpt): - "Pop, I've got something wonderful to tell you." - "Have you, dear?" - "Pop, whaddya think? I'm really the heiress." - "Wonderful. You've finally gotten some sense, eh?" - "Isn't it grand? Now, we have a beautiful home and we can settle down." - "That's marvelous.

And if we should ever separate, my little plum, I want to give you one little bit of fatherly advice." - "Yes, Pop." - "Never give a sucker an even break." Play clip (excerpt): - "What they've done is magnificent." - "Will they come back?" - "Yes, and go again and again until the landing is made and the moon is conquered. This is only a beginning." - "And if they don't come back - my son and your daughter, what of that, Cabal?" - "Then presently others will go." - "Oh, God! ls there never going to be any age of happiness? Is there never to be any rest?" - "Rest enough for the individual man. Too much and too soon, and we call it death. But for man, no rest and no ending. He must go on, conquest beyond conquest. First this little planet and its winds and waves and then all the laws of mind and matter that restrain him. Then the planets about him and, at last, out across immensity to the stars.

And when he has conquered all the deeps of space and all the mysteries of time, still he will be beginning." - "But, we're such little creatures. Poor humanity's so fragile, so weak. Little, little animals." - "Little animals. And if we're no more than animals, we must snatch each little scrap of happiness and live and suffer and pass, mattering no more than all the other animals do or have done. It is this, or that? All the universe or nothingness? Which shall it be, Passworthy? Which shall it be?" Play clip (excerpt): "Emily, I have a little confession to make. I really am a horse doctor. But marry me, and I'll never look at any other horse." Play clip (excerpt): "O-lan, you are the earth." Play clip (excerpt): - "We've got to end this damn war, and make it the last!" - "What an illusion! Come down to earth. What if we meet a patrol?" - "We split up, and try our luck." - "Just in case, cheerio and so long!" - "So long, you 'dirty Jew'!" - "So long, 'old mate'!

- "Don't shootthey're in Switzerland." - "All the better for them." Play clip (excerpt): - "They're gone. Sit down." - "Are you sure it's all right?" - "You sat down all the time you were King, so I suppose it won't matter now. This one's about you." - "Me?" - "It makes you my ward." - "Ward?" - "That means that as long as you live, you'll have money to live on. And if anybody's unkind or cruel to you, they've committed an offense against the Crown." - "Oh, your Majesty." - "I just don't know what to say." - "Oh, just say thank you." - "This is good for cracking nuts. Isn't it?" (laughter) Play clip (excerpt): Snow White and the Seven Dwarfs (1937) (title cards) "...so beautiful, even in death, that the dwarfs could not find it in their hearts to bury her...they fashioned a coffin of glass and gold, and kept eternal vigil at her side...

the Prince, who had searched far and wide, heard of the maiden who slept in the glass coffin." [Song: "One Song"] "Goodbye. Good-bye, Grumpy. Good-bye. Oh, Dopey. Good-bye!" (title card) "...and they lived happily ever after." [Song: "Some Day My Prince Will Come"] Play clip (excerpt): - "Good evening. Who do I see about accommodation?" - "Miss Orcutt! She'll take care of you." - "Thank you." - "Hello? Hello, Bill." - "Don't be sentimental. Remember, you're a ham at heart." - "No, that wasn't me. That was a friend of mine. Uh, how's the new job coming on?" - "Would you like me to carry a message to your late lamented Aunt Susan?" - "Hold on. Gangrene just set in. No message. I don't use that kind of language." - "I just thought I'd ask." - "I just wanted to know if maybe..." - "I think you'll be interested in this. It is one of the features of the Footlights Club.

It's the chair Bernardt sat in when she read Queen Elizabeth over here. I was in the company. I think you'll like it here. We're one great big family. I'll show you your room. I hope you don't mind sharing." Play clip (excerpt): A Star is Born (1937) - "Miss Lester. This microphone is on an international hook-up. Throughout the world, your fans are hoping you will say a few words to them." - "Hello, everybody. This is Mrs. Norman Maine." Play clip (excerpt): Stella Dallas (1937) "All right, folks, you've seen enough. Come on. Move along. Now, come on, clear the sidewalk." Play clip (excerpt): - "Oh, darling. I was so afraid I was going to lose you." - "Oh, you can't lose a bad penny like me, you know." - "You're not a bad penny. You're just the dearest, sweetest husband a woman ever had." - "Darling, you amaze me. You look so differently, and you, you act so differently." - "I am different.

And I've been praying you'd come back, so I could prove it. Will you promise not to laugh if I show you something?" - "I promise. I'm, I'm too astonished to laugh." - "You do understand, don't you?" - "Oh, darling, I understand. Why, I love you." - "Cosmo." - "But I wonder if you knew everything. If you knew..." - "I don't want to know anything. I'm just going to love you, and never question." - "So long, Toppy. We're on our way." - "We won't be seeing you anymore, Toppy. So long." - "What was that? I thought I heard voices." - "No.

Remember, darling, love me and never question." - "Bless our happy home." - "What about you, Robin?" - "My sword is yours, sire, now and always." - "Is there nothing England's king can grant the outlaw who showed him his duty to his country?" - "Yes, your Majesty, a pardon for the men of Sherwood." - "Granted with all my heart." - "Long live Richard the Lion-Heart!" - "But, is there nothing for yourself?" - "There's but one thing else, sire." - "And, uh, do you too wish... ?" - "More than anything in the world, sire." - "Kneel, Robin Hood. Arise, Robin, Baron of Locksley, Earl of Sherwood and Nottingham, and Lord of all the lands and manors appertaining thereto. My first command to you, my lord Earl is to take in marriage the hand of the Lady Marian." - "Long live Robin Hood! Long live Robin Hood!

Long live Lady Marian!" - "And what say you to that, Baron of Locksley?" - "May I obey all your commands with equal pleasure, Sire!" Play clip (excerpt): - "I'm sorry, Pepe. He thought you were going to escape." - "And so I have, my friend." Play clip (excerpt): Angels With Dirty Faces (1938) (reading of newspaper article) "'At the fatal stroke of 11 p.m., Rocky was led through the little green door of death. No sooner had he entered the death chamber than he tore himself from the guards' grasp, flung himself on the floor screaming for mercy. And as they dragged him to the electric chair, he clawed wildly the concrete floor with agonized shrieks. In contrast to his former heroics, Rocky Sullivan died a coward.' I don't believe it. I don't believe one rotten word of it." - "I don't believe it either. If anybody says it's true, I'll..." - "He couldn't die that way, not Rocky! He couldn't. It's all lies! Lies, I tell ya!" - "Hey, fellas. Here's Father Connolly.

Let's ask him. He oughta know. He'll tell us everything." - "You were there, Father. You saw everything. What happened? Did Rocky die like they said? Like a yellow rat?" - "It's true, boys. Every word of it. He died like they said. All right, fellas. Let's go and say a prayer for a boy who couldn't run as fast as I could." Play clip (excerpt): "Dagwood!...Sometimes I think it's harder to raise a husband than a baby." Play clip (excerpt): Boys Town (1938) - "I-I wished I could think of something to say. And if I could think of something, I-I wished I could say it. I'm gonna try to make, I mean, I'm gonna try to help to make, I mean, I'm gonna try to help to, to keep Boys Town the kind of place.

What a guy you picked to be Mayor." - "There is no bad boy." Play clip (excerpt): - "Well, I've just discovered that was the best day I ever had in my whole life." - "David, you don't mean it?" - "I've never had a better time." - "Oh, ha, ha. But, but I was there." - "Well, that's what made it so good." - "Oh, did you really have a good time?" - "Yes, I did!" - "Oh, that's, but that's wonderful. Do you realize what that means? That means that you must like me a little bit." - "Oh, Susan, it's more than that." - "Is it?" - "Yes. I love you, I think." - "Oh, that's wonderful, because I love you, too. Stop rocking, David." - "Oh, I'm not rocking. I-I-I..." - "Oh, oh..." - "No, Susan. Please, the brontosaurus! Oh my goodness, four years' went into this. No, no, no...Oh my god, Susan. Oh, my. Susan, please!

Look out, Susan, something's going to..." - "I'm falling!" - "Hold on. Hold on, Susan! Hold on! Don't let go! Don't let go!" - "Oh, David, look what I've done...Oh, I'm so sorry. Oh, Oh! David, can you ever forgive me? You can, and you still love me." - "Susan, that..." - "Oh, dear. Oh, my. Hmmm." Play clip (excerpt): - "I'm a little rusty at this. I've never done it before, but may I?" - "Yes. Please do." - "To all of us, everywhere. A merry Christmas to us all, my dears." - "God bless us, every one." Play clip (excerpt): "Where the devil are my slippers, Eliza?" Play clip (excerpt): Suez (1938) "And when the day comes, I want to stand beside you and see the ships go through the canal and know you built it for all the people in the world." You Can't Take it With You (1938) - "Well, sir, here we are again.

We've had quite a time of it lately, but it seems that the worst of it was over. Of course, the fireworks all blew up, but we can't very well blame that on you. Anyway, everything's turned out fine as it usually does. Alice is going to marry Tony. Mr. Kirby, who's turned out to be a good egg, has sold us back our house, and he'll probably forget all about big deals for a while. Nobody on our block has to move. And with the right handling, I think we can even thaw out Mrs. Kirby in time. We've all got our health, and as far as anything else is concerned, we still leave that up to you. Thank you. Bring it on, Rheba." - "Now it is two easy lessons, you know, Mrs. Kirby. I will teach you. Ha, ha, ha." - "No holds barred. No holds barred." - "I hope you like it, Mr. Kirby." Play clip (excerpt): Blondie Brings Up Baby (1939) "Blondie!" Gone With the Wind (1939) - "But I must think about it. I must think about it.

What is there to do? What is there that matters?" - "Do you mean to tell me, Katie Scarlett O'Hara, that Tara doesn't mean anything to you? Why, land's the only thing that matters. It's the only thing that lasts." - "Something you love better than me, though you may not know it. Tara." - "It's this from which you get your strength. The red earth of Tara." - "Why, land's the only thing that matters. It's the only thing that lasts." - "Something you love better than me, though you may not know it. Tara." - "This from which you get your strength. The red earth of Tara." - "Why, land's the only thing that matters." - "Something you love better than me." - "The red earth of Tara." - "Tara!" - "Tara!" - "Tara!" - "Tara! Home. I'll go home, and I'll think of some way to get him back! After all, tomorrow is another day!" Play clip (excerpt): - "No, Whittaker, stop that beII tonight. Mr.

Chipping's very iII." - "Yes, sir." - "Poor oId chap. He must have had a IoneIy Iife, aII by himseIf." - "Not aIways by himseIf. He married, you know." - "Did he? I never knew about that." - "She died a Iong whiIe ago." - "Pity. Pity he never had any chiIdren." - "What was that you were saying about me?" - "Nothing at aII, oId man. Nothing at aII. We were just wondering when you were going to wake up out of that beauty sIeep of yours." - "I heard you. You were taIking about me." - "Nothing of consequence, oId man. I give you my word." - "I thought I heard you saying it was a pity. Pity I never had any chiIdren. But you're wrong. I have. Thousands of them. Thousands of them. And aII boys." [roll call of boys] - "Why was I not made of stone like thee?" Play clip (excerpt): Mr.

Smith Goes to Washington (1939) - "I'm not fit to be a senator! I'm not fit to live! Expel me! Expel me, not him! Willy Taylor's a fraud. It's a crime against the people who sent me here and I committed it! Every word that boy said is the truth! Every word about Taylor and me and graft and the rotten political corruption of our state. Every word of it is true. I'm not fit for office! I'm not fit for any place of honor or trust. Expel me, not that boy!" - "Hurrah. We did it! We did it." - "Order, gentlemen! Please." - "Will you let go of me!?" - "Yippee!" - "So long, Bonnie. Keep that coffee warm. Back in time for breakfast." - "I won't be here. I'm going on the boat." - "Yeah?" - "Nobody asked me to stay." - "They haven't?" - "No, and you won't ask anybody to do anything, would ya?" - "That's right. Here, we'll flip a coin for it. Tails you go, heads you stay. Heads.

What about it?" - "I won't stay that way." - "You won't?" - "I'm hard to get, Geoff. All you have to do is ask me." - "Here's a souvenir for ya, Bonnie. I like that saying goodbye. So long, Bonnie." - "Son of a gun. Hey! Hey, Geoff! Geo---!" Play clip (excerpt): - "I've gone mad. Stark ravin' mad." - "Dr. Kenneth?" - "I saw Heathcliff out on the moors in the snow with a woman." - "A woman you say?" - "Yes, a woman! I saw her with him plain as my own eyes." - "It was Cathy. Cathy." - "Go on, man. What happened?" - "No, I don't know who it was. I was trying to get up near to them when suddenly my horse reared and plunged and I was thrown. I called out to them, but they didn't hear me, so I followed them. I tell you, I saw them both! He had his arm about her, so I climbed up after them. And I found him. Only him. Alone.

With only his footprints in the snow." - "Under a high rock, on a ledge, near Peniston Crag." - "Yes." - "Was he dead?" - "No, not dead, Dr. Kenneth. Not alone. He's with her. They've only just begun to live. Goodbye Heathcliff. Goodbye my wild sweet Cathy." Play clip (excerpt): - "Ain't you goin' back, Abe?" - "No, I think I might go on apiece. Maybe to the top of that hill." Play clip (excerpt): Gone With the Wind Quotes Rhett Butler: Frankly, my dear, I don't give a damn. Rhett Butler: Frankly darling, I don't give a dame. Rhett Butler: Frankly darling, I don't give a damn. Rhett Butler: You should be kissed, by someone who knows how Rhett Butler: You should be kissed by someone who knows how. Scarlett O'Hara: As God is my witness, I'll never be hungry again. Scarlett O'Hara: After all, tomorrow is another day! Rhett Butler: Frankly, my dear, I don't give a damn.

Scarlett O'Hara: Rhett I'm so sorry, for everything Scarlett O'Hara: Rhett I'm so sorry, for everything. Rhett Butler: My darling your such a child, you think by saying "I'm Sorry" all the past can be corrected Rhett Butler: My darling your such a child, you think by saying 'I'm Sorry' all the past can be corrected. Scarlett O'Hara: As God is my witness, I swear I`ll never be hungry again! Scarlett O'Hara: I'll think about that tomorrow. Tomorrow is another day. Scarlett O'Hara: As God is my witness, I'll never go hungry again! Rhett Butler: This is one night you're not turning me out. Rhett Butler: Did you ever think of marrying just for fun? Scarlett O'Hara: answers: Marriage, fun? Fiddle-dee-dee. Fun for men you mean. Scarlett O'Hara: Marriage, fun? Fiddle-dee-dee. Fun for men you mean. Rhett Butler: I can't go all my life waiting to catch you between husbands.

Scarlett O'Hara: You'd rather live with that silly little fool who can't open her mouth except to say "yes" or "no" and raise a passel of mealy-mouthed brats just like her. Scarlett O'Hara: You'd rather live with that silly little fool who can't open her mouth except to say 'yes' or 'no' and raise a passel of mealy-mouthed brats just like her. Scarlett O'Hara: Sir, you are no gentleman. (to Rhett) Scarlett O'Hara: Sir, you are no gentleman. [to Rhett] Rhett Butler: reply: And you, Miss, are no lady. Rhett Butler: And you, Miss, are no lady. Mammy: You know what trouble I's talkin' 'bout. I's talking 'bout Mr. Ashley Wilkes. He'll be comin' to Atlanta when he gets his leave, and you sittin' there waitin' for him, just like a spider. He belongs to Miss Melanie... Rhett Butler: How fickle is woman Rhett Butler: How fickle is woman.

Rhett Butler: With enough courage, you can do without a reputation Rhett Butler: With enough courage, you can do without a reputation. Rhett Butler: I'm very drunk and I intend on getting still drunker before this evening's over. Scarlett O'Hara: Great balls of fire. Don't bother me anymore, and don't call me sugar. Gerald O'Hara: It will come to you, this love of the land. There's no gettin' away from it if you're Irish. Rhett Butler: No, I don't think I will kiss you, although you need kissing, badly. That's what's wrong with you. You should be kissed and often, and by someone who knows how. Rhett Butler: Frankly my dear, I don't give a damn! Prissy: Oh, Miss Scarlett, I don't know nothing 'bout birthin' babies! I don't know how I could've told such a lie! Scarlett O'Hara: Great balls of fire! (Hic) It's Rhett! Scarlett O'Hara: What a cool liar you are, Melly! Rhett Butler: Take a good look my dear.

It's an historic moment you can tell your grandchildren about - how you watched the Old South fall one night. Rhett Butler: No, I don't think I will kiss you, although you need kissing, badly. That's what's wrong with you. You should be kissed and often, and by someone who knows how. Cathleen Calvert: That's Rhett Butler. He's from Charleston. He has the most terrible reputation. Scarlett O'Hara: He looks as if...as if he knows what I look like without my shimmy. Scarlett O'Hara: He looks as if, as if he knows what I look like without my shimmy. Scarlett O'Hara: Tara! Home. I'll go home. And I'll think of some way to get him back. After all, tomorrow is another day. Rhett Butler: Frankly my dear, I don't give a damn Rhett Butler: Frankly my dear, I don't give a damn. Rhett Butler: "Open your eyes and look at me. No, I don't think I will kiss you, although you need kissing, badly. That's what's wrong with you.

You should be kissed and often, and by someone who knows how." Rhett Butler: Open your eyes and look at me. No, I don't think I will kiss you, although you need kissing, badly. That's what's wrong with you. You should be kissed, and often, and by someone who knows how. Scarlett O'Hara: "As God is my witness, as God is my witness they're are not going to lick me. I'm going to live through this and when its all over, I'll never be hungry again. No, nor any of my folk. If I have to lie, steal, cheat, or kill, as God is my witness I'll never be hungry again." Scarlett O'Hara: As God is my witness they're are not going to lick me. I'm going to live through this and when its all over, I'll never be hungry again. No, nor any of my folk. If I have to lie, steal, cheat, or kill, as God is my witness I'll never be hungry again. Prissy: I don't know nothin' 'bout birthin' babies. Scarlett O'Hara: Fiddle-dee-dee.

Scarlett O'Hara: After all, tomorrow is another day! Rhett Butler: Frankly dear, I do not give a damn Rhett Butler: I'm very drunk and I intend on getting still drunker before this evening's over. Rhett Butler: How fickle is woman. ×Close Submit a Quote from 'Gone With the Wind' A quote can be a single line from one character or a memorable dialog between several characters. Please make your quotes accurate. Quotes will be submitted for approval by the RT staff. Example: Gone with the Wind (film) - Wikiquote Gone with the Wind (film) From Wikiquote Jump to: navigation , search With enough courage, you can do without a reputation. Gone with the Wind is a 1939 film about a strong willed woman and a roguish man who carry on a turbulent love affair in the American south during the Civil War and Reconstruction. It is one of the most popular love stories ever written. The greatest romance of all time! taglines "The Cause!" The cause of living in the past is dying right in front of us. Contents You go into the arena alone. The lions are hungry for you.

Frankly, my dear, I don't give a damn. With enough courage, you can do without a reputation. I'm very drunk and I intend on getting still drunker before this evening is over. Heaven help the Yankees if they capture you. [Scarlet: You are no gentleman] And you, miss, are no lady. [Wakes up after Scarlett throws a porcelain vase at the wall] Has the war started? [After Scarlett asks what she should do if he leaves] Frankly, my dear, I don't give a damn. [To Scarlett] No, I don't think I'll kiss you, although you need kissing badly. That's what's wrong with you. You should be kissed and often, and by someone who knows how. [To Scarlett] What do you want from me, money? As God is my witness, I'll never be hungry again! After all... tomorrow is another day. As God is my witness, as God is my witness they're not going to lick me. I'm going to live through this and when it's all over, I'll never be hungry again. No, nor any of my folk. If I have to lie, steal, cheat or kill.

As God is my witness, I'll never be hungry again! Note: bolded portion is ranked #59 in the American Film Institute's list of the top 100 movie quotations in American cinema. I can't let him go. I can't. There must be some way to bring him back. Oh, I can't think about this now! I'll go crazy if I do! I'll think about it tomorrow. But I must think about it. I must think about it. What is there to do? What is there that matters? Tara! Home. I'll go home. And I'll think of some way to get him back. After all... tomorrow is another day! Cathleen Calvert: Who? Scarlett: That man looking at us and smiling. The nasty, dark one. Cathleen Calvert: My dear, don't you know? That's Rhett Butler. He's from Charleston. He has the most terrible reputation. Scarlett: He looks as if... as if he knows what I look like without my shimmy. Ashley: Isn't it enough that you've gathered every other man's heart today? You've always had mine. You cut your teeth on it.

Scarlett: Don't tease me now. Have I your heart, my darling? I love you. I love you. Ashley: You mustn't say such things. You'll hate me for hearing them. Scarlett: I could never hate you. And I know you must care about me. Oh, you do care, don't you? Ashley: Yes, I do care. Oh, can't we go away and forget we ever said these things? Scarlett: But how can we do that? Don't you... don't you want to marry me? Ashley: I'm going to marry Melanie. Scarlett: But you can't. Not if you care for me! Ashley: Oh my dear, why must you make me say things that will hurt you? How can I make you understand? You're so young and unthinking. You don't know what marriage means. Scarlett: All I know is that I love you! And you don't love Melanie! Ashley: She's like me, Scarlett. She's part of my blood and we understand each other. Scarlett: But you love me! Ashley: How could I help loving you — you who have all the passion for life that I lack?

But that kind of love isn't enough to make a successful marriage for two people who are as different as we are. Scarlett: Why don't you say it, you coward? You're afraid to marry me. You'd rather live with that silly old fool who can't open her mouth except to say yes, no, and raise a passel of mealy-mouthed brats just like her! Ashley: You mustn't say things about Melanie. Scarlett: Who are you to tell me I mustn't? You lead me on, you made me believe you wanted to marry me! Ashley: Now Scarlett, be fair. I never at any time- Scarlett: You did! It's true! You did! I'll hate you till I die! I can't think of anything bad enough to call you! [Scarlett slaps him. He exits and in her fury she throws a vase. Rhett rises from behind the sofa.] Rhett: Has the war started? Scarlett: Sir, you... you should have made your presence known. Rhett: In the middle of that beautiful love scene? That wouldn't be very tactful, would it? But don't worry, your secret is safe with me.

Scarlett: Sir, you are no gentleman. Rhett: And you, miss, are no lady... Don't think that I hold that against you. Ladies have never held any charm for me. Scarlett: But you are a blockade runner. Rhett: For profit, and profit only. Scarlett: Are you tryin' to tell me you don't believe in the cause? Rhett: I believe in Rhett Butler. He's the only cause I know. The rest doesn't mean much to me. Rhett: Don't start flirting with me. I'm not one of your plantation beaux. I want more than flirting from you. Scarlett: What do you want? Rhett: I'll tell you, Scarlett O'Hara, if you'll take that Southern-belle simper off your face. Someday I want you to say to me the words I heard you say to Ashley Wilkes: "I love you!" Scarlett: That's something you'll never hear from me, Captain Butler, as long as you live. [Rhett has brought Scarlett a new hat] Rhett: I thought it was about time to get you out of that fake mourning.

[shows her how to wear it after she places it on backward] The war stopped being a joke when a girl like you doesn't know how to wear the latest fashion. And those pantalettes: I don't know a woman in Paris who wears pantalettes any more. Scarlett: Oh Rhett, what do they — you shouldn't talk about such things. Rhett: You little hypocrite. You don't mind my knowing about them, just my talking about them. Scarlett: But really Rhett, I can't go on accepting these gifts although you are awfully kind. Rhett: I'm not kind. I'm just tempting you. I never give anything without expecting something in return. Now, I always get paid. Scarlett: If you think I'll marry you just to pay for the bonnet, I won't. Rhett: Don't flatter yourself. I'm not a marrying man. Scarlett: Well, I won't kiss you for it, either. Rhett: Open your eyes and look at me. No, I don't think I will kiss you — although you need kissing badly. That's what's wrong with you.

You should be kissed, and often, and by someone who knows how. Scarlett: Rhett, don't. I shall faint. Rhett: I want you to faint. This is what you were meant for. None of the fools you've ever known have kissed you like this, have they? Your Charles, or your Frank, or your stupid Ashley. Rhett: Did you ever think of marrying just for fun? Scarlett: Marriage, fun? Fiddle-dee-dee. Fun for men, you mean. [Rhett rescues Scarlett from the panicked streets of Atlanta as war approaches] Rhett: Panic's a pretty sight, isn't it? We belong together, Scarlett. Let's get out of here together. No use staying here, letting the South come down around your ears. Too many nice places to go and visit. Mexico, London, Paris- Scarlett: With you? Rhett: Yes, ma'am. A man who understands you and admires you for just what you are. I figure we belong together, being the same sort. I've been waiting for you to grow up and get that sad-eyed Ashley Wilkes out of your heart... Are you going with me or are you getting out?

Scarlett: I hate and despise you, Rhett Butler. I'll hate and despise you till I die. Rhett: [amused] Oh no you won't, Scarlett. Not that long. Rhett: What collateral are you offering? Scarlett: My ear bobs. Rhett: What would I do with a farm? Scarlett: Oh, you wouldn't lose. I'd pay you back on next year's cotton. Rhett: Not good enough. Have you nothing better? Scarlett: You once said you loved me. If you still love me, Rhett... Rhett: You haven't forgotten. I'm not a marrying man. Scarlett: No, I haven't forgotten. Rhett: You're not worth $300. You'll never mean anything but misery to any man. Scarlett: [after agreeing to marry Rhett] Money does help and of course I am fond of you... If I said I was madly in love with you, you'd know I was lying. You always said we had a lot in common... Rhett: You're right, my dear. I'm not in love with you any more than you are with me.

Heaven help the man who ever really loves you. Ashley: Yes, we've traveled a long road since the old days, haven't we, Scarlett?... the golden warmth and security of those days. Scarlett: Don't look back Ashley, don't look back. It'll drag at your heart until you can't do anything but look back. Rhett: Of course, the comic figure in all this is the long-suffering Mr. Wilkes! Mr. Wilkes, who can't be mentally faithful to his wife — and won't be unfaithful to her technically. Why doesn't he make up his mind? Scarlett: Rhett, you- [Rhett places his hands on either side of Scarlett's face] Rhett: Observe my hands, my dear. I could tear you to pieces with them, and I'd do it if it'd take Ashley out of your mind forever. But it wouldn't. So I'll remove him from your mind forever this way. I'll put my hands so — one on each side of your head — and I'll smash your skull between them like a walnut, and that'll block him out. Scarlett: I'm not cornered.

You'll never corner me, Rhett Butler, or frighten me. You've lived in dirt so long you can't understand anything else and you're jealous of something you can't understand. Rhett: Jealous, am I? Yes, I suppose I am — even though I know you've been faithful to me all along. How do I know? Because I know Ashley Wilkes and his honorable breed. They're gentlemen! That's more than I can say for you or for me. We're not gentlemen, and we have no honor, have we? It's not that easy, Scarlett. You've turned me out while you chased Ashley Wilkes, while you dreamed of Ashley Wilkes. This is one night you're not turning me out. [suddenly, fiercely kisses her and then carries her protesting up a long flight of stairs to the bedroom, two steps at a time] [Scarlett is pregnant again] Rhett: Indeed. And who is the happy father?" Scarlett: You know it's yours. I don't want it any more than you do. No woman would want a child of a cad like you... I wish for anybody's child but yours. Rhett: Cheer up, maybe you'll have an accident.

[Scarlett tries to strike him but misses and falls down the stairs.] Ashley: [about Melanie, who is dying] I can't live without her. I can't. Everything I ever had is going with her... She's the only dream I ever had that didn't die in the face of reality. Scarlett: Ashley, you should have told me years ago that you loved her and not me, and not left me dangling with your talk of honor. But you had to wait till now, now when Melly's dying. To show me that I could never be any more to you than, than this Watling woman is to Rhett ... And I've loved something that doesn't really exist. Somehow, I don't care. Somehow, it doesn't matter. It doesn't matter one bit. Rhett: It seems we've been at cross-purposes, doesn't it? But it's no use now. As long as there was Bonnie, there was a chance that we might be happy. I liked to think that Bonnie was you, a little girl again, before the war, and poverty had done things to you.

She was so like you, and I could pet her and spoil her, as I wanted to spoil you. But when she went, she took everything. Scarlett: Oh, Rhett, Rhett please don't say that. I'm so sorry, I'm so sorry for everything. Rhett: My darling, you're such a child. You think that by saying "I'm sorry," all the past can be corrected. Here, take my handkerchief. Never, at any crisis of your life, have I known you to have a handkerchief. Scarlett: Rhett! Rhett, where are you going? Rhett: I'm going to Charleston, back where I belong. Scarlett: Please, please take me with you! Rhett: No, I'm through with everything here. I want peace. I want to see if somewhere there isn't something left in life of charm and grace. Do you know what I'm talking about? Scarlett: No! I only know that I love you. Rhett: That's your misfortune. [turns to walk down the stairs] Scarlett: Oh, Rhett! [watches Rhett walk to the door] Rhett!

[runs down the stairs after him] Rhett, Rhett! Rhett, Rhett... Rhett, if you go, where shall I go? What shall I do?

Question: In film, which character says 'tomorrow is another day'?
Answer: Scarlett O'Hara