Editing film history Richard "Rick" Blaine ( Humphrey Bogart's character) never says "Play it again, Sam." In fact, nobody does. There are two exchanges that come close. The first takes place between Ilsa Lund Laszlo ( Ingrid Bergman ) and Sam (Dooley Wilson). Ilsa Lund: Play it once, Sam. For old times' sake. Sam: [lying] I don't know what you mean, Miss Elsa. Ilsa Lund: Play it, Sam. Play "As Time Goes By." Sam: [lying] Oh, I can't remember it, Miss Elsa. I'm a little rusty on it. The second takes place between Rick and Sam. Rick: You played it for her, you can play it for me! Sam: [lying] Well, I don't think I can remember... Rick: If she can stand it, I can! Play it! It's been reported that "play it again, Sam" originated in the 1946 Marx Brothers film A Night in Casablanca, but we can't confirm that, not having seen the film ourselves. For more movie history and information check out the Movie channel at infoplease.com.

—The Editors Play it, Sam - YouTube Play it, Sam Want to watch this again later? Sign in to add this video to a playlist. Need to report the video? Sign in to report inappropriate content. Rating is available when the video has been rented. This feature is not available right now. Please try again later. Uploaded on Mar 8, 2008 From 'Casablanca' Greatest Film Misquotes Greatest Film Misquotes Greatest Movie Misquotes (Part 2) Greatest Movie Mis-Quotes: Some of the most classic film lines or scenes are really only legendary and/or apocryphal, or they are merely movie misquotes, but after many years of repetition and being misquoted in subsequent films, they have become part of the filmgoing public's consciousness. Many of these examples are film quotes that were either commonly attributed wrongly, or in fact were never actually spoken. The top 10 most misquoted film lines are marked with an icon Rhett Butler's (Clark Gable) scandalous, swear-word farewell to Scarlett (Vivien Leigh) in Gone With the Wind (1939) did not include Scarlett's name.

It was: "Frankly, my dear, I don't give a damn." (long version) It was NOT: "Frankly, Scarlett, I don't give a damn." The misquote was heard in Clue (1985), when Miss Scarlet (Lesley Ann Warren) begged Wadsworth (Tim Curry) to forgive her for trying to shoot him: Scarlet: "Wadsworth. Don't hate me for trying to shoot you." Wadsworth: "Frankly, Scarlet, I don't give a damn." Play clip from Clue (1985): And in The Mask (1994), the Mask/Stanley Ipkiss (Jim Carrey) spoofed the line (along with other semi-familiar lines) after being shot: - "Tell Scarlett I do give a damn." Play clip from The Mask (1994): The other lines were referential: - "Hold me closer, Ed." Flo (Esther Muir): "I want to be near you. I want you to hold me. Hold me closer! Closer! Closer!" Dr.

Hackenbush (Groucho Marx): "If I hold you any closer, I'll be in back of ya!" Referencing both The Wizard of Oz (1939) and Old Yeller (1957). - "Tell Tiny Tim I won't be comin' home this Christmas." Referencing A Christmas Carol. - "Thank you, You love me, you really love me." This line misquoted the end of Sally Field's Oscar acceptance speech in 1985 for her performance in Places in the Heart (1984): "...The first time, I didn't feel it, but this time I feel it, and I can't deny the fact that you like me, right now. You like me!" Play end of Sally Field's speech: Contrary to popular opinion, Gone With the Wind (1939) was not the first use of the word 'damn' in a film. It reportedly was said a few times in Glorifying the American Girl (1929) and in Pygmalion (1938, UK).

Also, the phrase "March and sweat the whole damned day" appeared on a dialogue card in the silent epic war film The Big Parade (1925) . In Only Angels Have Wings (1939) , Cary Grant said the name 'Judy' numerous times to costar Rita Hayworth (playing a character named Judith McPherson), such as: "Hello, Judy" - but never repeated her name in rapid succession. "Helly, Judy." Play clip from Only Angels Have Wings (1939) : "Judy...Judy...Judy" - was falsely attributed to Cary Grant. Cary Grant vaguely recalled that at a party he attended, someone introduced Judy Garland by saying, "Judy, Judy, Judy" and the phrase was attributed to him. A 1960 New Yorker ad for several Judy Garland albums ("Judy! Judy! Judy!") reinforced the incorrect quote.

The most beloved family film, The Wizard of Oz (1939) has had problems with one of its most famous lines spoken by Judy Garland (as Dorothy Gale) to her dog Toto: "Toto, I've a feeling we're not in Kansas anymore." Play clip from The Wizard of Oz (1939) : It's generally misquoted as: "Toto, I've got a feeling we're not in Kansas anymore" or "I don't think we're in Kansas anymore, Toto." A misquote was heard in Honey, I Shrunk the Kids (1989), when the two Szalinski siblings, Amy (Amy O'Neill) and Nick (Robert Oliveri) realized that they had been miniaturized and trapped in a plastic garbage bag in their backyard: Amy Szalinski: "I don't think we're in Kansas anymore, Toto." Nick Szalinski: "I don't think we're in the food chain anymore, Dorothy." Play clip from Honey, I Shrunk the Kids (1989): Quite often, an actual quote has been adapted or abbreviated.

This original lengthy line was from Knute Rockne: All-American (1940) , spoken by team coach Knute Rockne (Pat O'Brien) as a pep-talk to his losing team during half-time: "And the last thing he said to me, 'Rock,' he said, 'sometime when the team is up against it and the breaks are beating the boys, tell them to go out there with all they got and win just one for the Gipper." Play clip from Knute Rockne: All-American (1940) : He was recalling what his most famous player, George Gipp (portrayed by Ronald Reagan), had said earlier in the film: "Ask 'em to go in there with all they've got, win just one for the Gipper." It has often been stated simply as: "Win one for the Gipper," or "Win this one for the Gipper." George Gipp was a real-life football star who died young of pneumonia and provided an inspiring anecdote to his coach.

The last line of the film noirish detective story The Maltese Falcon (1941) was a two-line conversation between Police Sergeant Tom Polhaus (Ward Bond) and Sam Spade (Humphrey Bogart): - "It's heavy. What is it?" - "The uh, stuff that dreams are made of." - "Huh?" Play clip from The Maltese Falcon (1941) : The actual final word of the film was the sergeant's puzzled response, "Huh?" The unusual reference paraphrased Prospero's speech in Act IV of Shakespeare's The Tempest, although it was a misquote of: "We are such stuff as dreams are made on" (NOT "made of"). "Play it again, Sam" - was a line never spoken by either Ingrid Bergman or Humphrey Bogart in Casablanca (1942) to Sam (Dooley Wilson), the nightclub pianist and reluctant performer of the sentimental song 'As Time Goes By' (written by Herman Hupfeld).

When "Play It Again Sam" became the title of a Woody Allen comedy Play It Again, Sam (1972) that, in part, spoofed the classic 1942 film, the misquote was further reinforced. Variations on the line were spoken, however, by both leads in the 1942 film: Ingrid Bergman (as Ilsa Lund) requested: "Play it once, Sam, for old time's sake...Play it, Sam. Play 'As Time Goes By'." I Want Candy (2007) - "Well, play it again, Sam." - "OK. I will...That was a misquote from Casablanca, by the way. I don't know if I can look at you." Play clip from I Want Candy (2007): (excerpt) In Casablanca (1942) , Humphrey Bogart never said: "Drop the gun, Louis." However, he did gave the following warning: "Not so fast, Louis. Nobody is gonna be arrested.

Not for a while yet." Play clip from Casablanca (1942) : The last line of Casablanca (1942) is also often misquoted (and the name Louis, pronounced 'Louie' (in French), is often mis-spelled as Louie) - the correct line, spoken by Humphrey Bogart, is: "Louis, I think this is the beginning of a beautiful friendship." Play clip from Casablanca (1942) : It is often mis-stated as: "This could be the beginning of a beautiful friendship," or "I think this is the start of a beautiful friendship." One of the most oft-quoted lines in cinema history was in director John Huston's The Treasure of the Sierra Madre (1948) : "Badges? We ain't got no badges. We don't need no badges. I don't have to show you any stinkin' badges!" (short) (long) It has often been misquoted or paraphrased, notably in director Mel Brooks' Blazing Saddles (1974) , spoken by a Mexican bandit (Rick Garcia) as: "Badges?

We don't need no stinkin' badges!" Play clip from Blazing Saddles (1974) : It was also misquoted in: The Ninth Configuration (1980) Manolo (Nick Corri): "Don't show me your badges, we don't know nothing about no stinking badges." "Weird Al" Yankovic's UHF (1989): Animal Deliveryman (Cliff Stephens): "Well, let's see. I got one aardvark, one flamingo, four porcupines, two armadillos, three badgers..." Raul Hernandez (Trinidad Silva): "Badgers??? Badgers??? We don't need no steenkin' badgers!" Play clip from UHF (1989): Troop Beverly Hills (1989): (regarding the patches of the Wilderness Girls Troop) Rosa the Maid (Shelley Morrison): "Patches? We don't need no stinkin' patches." The 1935 novel by B. Traven consisted of the following similar dialogue, with some Spanish obscenities thrown in: "All right, "Curtain shouted back.

"If you are the police, where are your badges? Let's see them." "Badges, to god-damned hell with badges! We have no badges. In fact, we don't need badges. I don't have to show you any stinking badges, you god-damned cabrón and ching' tu madre! Come out there from that s--t-hole of yours. I have to speak to you." The following popular catchphrase has multiple origins, and probably goes way back. It was first heard in the movies in Otto Preminger's film-noir Fallen Angel (1945), and then was famously uttered by Bette Davis (as Rose Moline) in Beyond the Forest (1949) . Eric Stanton (Dana Andrews): "What a dump!" June Mills (Alice Faye): "It isn't so bad." Play clip from Fallen Angel (1945): Rose Moline (Bette Davis): "What a dump!" Play clip from Beyond the Forest (1949) : It was not popularized until heard in the opening scene of the 1961 Edward Albee play, upon which the highly-acclaimed film Who's Afraid of Virginia Woolf?

(1966) was based. In the film, the exact same line was uttered by actress Elizabeth Taylor (as 52 year-old wife Martha) who then berated her professor-husband Richard Burton (as George) for not remembering the film the line was from: "...What's it from, for Christ's sake?...some damn Bette Davis picture, some god-damned Warner Bros epic." Play clip from Who's Afraid of Virginia Woolf? (1966) : Actor John Derek (Bo Derek's future husband) in his first major film role (as young Italian hoodlum Nick Romano in the Chicago slums, who was accused of murdering a cop) stated the following line in the classic Humphrey Bogart film noir Knock on Any Door (1949), directed by Nicholas Ray. He told his girlfriend Emma (Allene Roberts) that his motto or credo in life remained as: "What I used to say still goes.

Live fast, die young and have a good-looking corpse!" Play clip from Knock on Any Door (1949): This saying, although wrongly modified as “Live fast, die young and leave a good-looking corpse!” has often been wrongly attributed to actor James Dean - a quintessential symbol of disenfranchised youth. The last part of the phrase is fairly original (derived from the text of the 1947 novel written by the African-American novelist Willard Motley), while the phrase "live fast and die young" dates back to the early 1900s. In the classic gangster film White Heat (1949) , James Cagney's triumphant shout atop a oil tank before blasting himself into oblivion has often been erroneously quoted. The actual line was: "Made it, Ma. Top of the world!" Play clip from White Heat (1949) : The line was not: "Top of the world, Ma!" Bette Davis' most famous film line as aging, jealous stage actress Margo Channing in All About Eve (1950) was delivered after she took another stiff drink during a birthday party.

She walked over to the staircase, turned, and told everyone to buckle up their airplane seatbelts (cars didn't have seatbelts in the 1950s!): "Fasten your seatbelts, it's going to be a bumpy night." The line has often been misquoted, substituting the word "ride" for "night." "Fasten your seatbelts, it's going to be a bumpy ride." "I'm ready for my closeup, Mr. DeMille" has often been presented as Norma Desmond's (Gloria Swanson) line, but it's actually a misquote of her original closing in Sunset Boulevard (1950) : "All right, Mr. DeMille, I'm ready for my closeup." Play clip from Sunset Boulevard (1950) : The line was misquoted in Mrs. Doubtfire (1993) by Daniel Hillard/Mrs.

Doubtfire (Robin Williams), while speaking to Frank (Harvey Fierstein) as he/she was made up: - "I feel like Gloria Swanson." - "You look like her mother." - "I'm ready for my close-up, Mr. DeMille." Play clip from Mrs. Doubtfire (1993): In Disney's animated classic Alice in Wonderland (1951), the Cheshire Cat (voice of Sterling Holloway) has often been thought to say, "We're all mad here." The actual lines in the film were: - "Of course, he's mad too." - "But I don't want to go among mad people." - "Oh, you can't help that. Most everyone's mad here. You may have noticed that I'm not all there myself." Play clip from Alice in Wonderland (1951): In Lewis Carroll's original novel, Alice's Adventures in Wonderland published in 1865 however, the extended quote was: "But I don't want to go among mad people," Alice remarked. "Oh, you can't help that," said the Cat: "We're all mad here. I'm mad.

You're mad." "How do you know I'm mad?" said Alice. "You must be," said the Cat, "or you wouldn't have come here." One of the more interesting misquotes was attributed to actor Tony Curtis. In many tributes and obituaries when he died in the year 2010, he was quoted as having said the following line with a heavy New York accent: "Yonder lies the castle of my father." "Yonda (or yonda) lies da castle of my fodder (faddah, fodda, or fadda)." Although many sources claim that Curtis said the line in The Prince Who Was a Thief (1951) and/or The Black Shield of Falworth (1954), Curtis didn't utter the above quote in either film. However, a variation on the line was spoken by Curtis in Son of Ali Baba (1952): "This is my father’s palace.

And yonder lies the Valley of the Sun." Play clip from Son of Ali Baba (1952): Director Vincente Minnelli's melodramatic Tea and Sympathy (1956) began as playwright Robert Anderson's stage play, debuting in NYC in 1953. The controversial film was about bullying and social prejudice against an "unmanly" prep school student named Tom Lee (John Kerr), who was shown understanding and friendship by Laura Reynolds (Deborah Kerr) - the lonely, frustrated wife of Bill (Leif Erickson), the school's coach.

The film's title came from his description of his wife's role at the school, when she completed his sentence: - "All you're supposed to do is once in a while give the boys a little tea..." - "...tea and sympathy." Play clip from Tea and Sympathy (1956): The Rolling Stones 1969 song Let It Bleed, written by Mick Jagger and Keith Richards (and performed by Mick Jagger) modified the line in one of the verses: She said, "My breasts, they will always be open Baby, you can rest your weary head right on me And there will always be a space in my parking lot When you need a little coke and sympathy." Play clip of Let It Bleed (1969): The film, bowdlerized with a tacked-on ending, should have ended with Laura's advice to Tom: "Years from now, when you talk about this, and you will, be kind." Play clip from Tea and Sympathy (1956): There were a few variations on the famous James Bond 007 drink preference quote: "...shaken, not stirred," first heard uttered by the Bond character (Sean Connery) himself in Goldfinger (

1964) : "...Just a drink.

A martini, shaken, not stirred." Play clip from Goldfinger (1964) : Villain Dr. Julius No (Joseph Wiseman) offered the familiar drink to Bond in the earlier first Bond film Dr. No (1962) - with the words: "A medium dry martini, lemon peel. Shaken, not stirred." Play clip from Dr. No (1962) : In You Only Live Twice (1967) , the drink instructions were reversed, with Bond politely agreeing with his host Henderson (Charles Gray) and accepting the altered drink: "Perfect!" "Oh, that's, uh, stirred, not shaken. That was right, wasn't it?" In the UK film Alfie (1966), Michael Caine (as the title character) said: "Not many people know this." One of his many trivia books was titled, "Not Many People Know That." In the film, he never said: "(And) not a lot of people know that." The tagline from Cool Hand Luke (1967) has often been modified from its original.

In its most famous utterance, the Captain (Strother Martin) said to recalcitrant chain gang prisoner Luke (Paul Newman): "What we've got here is (pause) failure to communicate." Play clip from Cool Hand Luke (1967) : (Captain's line) It was NOT: "What we have here is a failure to communicate" (although the line with the word 'a' was later sarcastically repeated by character Luke to the prison warden before he was shot) -- as: "What we got here is a failure to communicate." Play clip from Cool Hand Luke (1967) : (Luke's line) In The Graduate (1967) , Benjamin Braddock (Dustin Hoffman) made a statement and then asked a question of the Mrs. Robinson (Anne Bancroft) character. As he naively asked his question, the camera shot under her upraised leg, framing Ben underneath: - "For God's sake, Mrs. Robinson, here we are, you've got me into your house. You give me a drink. You put on music, now you start opening up your personal life to me and tell me your husband won't be home for hours... Mrs.

Robinson, you're trying to seduce me. Aren't you?" Play clip from The Graduate (1967) : (short version) (long version) He did NOT ask either of these two questions: "Mrs. Robinson, are you trying to seduce me?" or "Are you trying to seduce me, Mrs. Robinson?" Shortly later upstairs in her home, Mrs. Robinson went further and asked Benjamin: "Would you like me to seduce you?...Is that what you're trying to tell me?" Play clip from The Graduate (1967) : The misquote (in a number of variations) was heard in, for example, The Ladies Man (2000), Van Wilder (2002), and A Walk to Remember (2002). "Mrs. Robinson, are you trying to seduce me?" (The Ladies Man (2000)) Ms. Doris Haver (Cynthia Fancher): "Mr. Wilder, are you trying to seduce me?" Van Wilder (Ryan Reynolds): "Who, me? No!

Hey, hey..." (Van Wilder (2002)) In Planet of the Apes (1968) , captured astronaut George Taylor (Charlton Heston) screamed: "Take your stinkin' paws off me, you damn dirty ape!" Play clip from Planet of the Apes (1968) : He did NOT say: "Get your stinkin' paws off me, you damn dirty ape." In the original British caper film The Italian Job (1969) about a gang stealing gold bullion from a bank vault in Turin, this famous quote was heard from Cockney gangster Charlie Croker (Michael Caine) as the film ended: "Hang on a minute, lads, I’ve got a great idea." Play clip from The Italian Job (1969): He did not say: "I've got an idea," or "Hang on, lads.

I've got a great idea." "You were only supposed to blow the bloody doors off!" Play clip from The Italian Job (1969): The above line by actor Michael Caine was voted the favorite film one-liner in a 2003 poll of 1,000 British film fans, reported in The Telegraph. It demoted the previous most favorite line down to the # 2 spot - Rhett Butler's (Clark Gable) retort to Scarlett O'Hara (Vivien Leigh): "Frankly, my dear, I don't give a damn!" Vigilante SF cop 'Dirty' Harry Callahan (Clint Eastwood), while holding his giant-sized .44 Magnum at a downed bank robber in the opening of Dirty Harry (1971) , said: "I know what you're thinkin'. 'Did he fire six shots or only five?' Well, to tell you the truth, in all this excitement, I've kinda lost track myself.

But being as this is a .44 Magnum, the most powerful handgun in the world, and would blow your head clean off, you've got to ask yourself one question: 'Do I feel lucky?' Well, do ya punk?" Play clip from Dirty Harry (1971) : (beginning of film) He never said: "Do you feel lucky, punk?" The same full quotation is ritualistically repeated again almost verbatim at the film's conclusion, when Callahan confronted the killer Scorpio: "I know what you're thinkin', punk. You're thinkin': 'Did he fire six shots or only five?' And to tell you the truth, I forgot myself in all this excitement.

But bein' this is a .44 Magnum, the most powerful handgun in the world, and will blow your head clean off, you could ask yourself a question: 'Do I feel lucky?' Well, do ya, punk?" Play clip from Dirty Harry (1971) : (end of film) Misquotes were heard in a number of films, including: Short Circuit 2 (1988) - Robot Johnny Five imitates both Sylvester Stallone and Clint Eastwood in one line - Johnny Five: "Yo, come on, you bug-eyed geek! Do you feel lucky, punk?" Play clip from Short Circuit 2 (1988): Scary Movie 2 (2001) - Dwight Hartman confronting the Hell House Ghost Dwight (David Cross): "I know what you're thinkin'. Did I fire three shots or a hundred and seventeen? Well, do you feel lucky, (pause) punk? Do you (pause) feel lucky?

Do you feel lucky, punk?" Hell House Ghost (Richard Moll): "Shoot me, motherf--ker." Play clip from Scary Movie 2 (2001): Showtime (2002) - "Confessional" Camera Scene Detective Mitch Preston (Robert DeNiro): "Do you feel lucky, punk? Who said that?" “As Time Goes By” – Casablanca – The Original Sam (Dooley Wilson) song | From the Trenches World Report “As Time Goes By” – Casablanca – The Original Sam (Dooley Wilson) song Posted on March 15, 2016 by GrayRider Published on Apr 3, 2013 by J.R. Ramos Casablanca won three Academy Awards, including Best Picture. Its lead character Humphrey Bogart, it’s memorable line “Play it again Sam” and pervasive theme song “As Time Goes By” have all become iconic; and the film consistently ranks near the top of lists of the greatest films of all time.

And so this brings us to Arthur “Dooley” Wilson (April 3, 1886 — May 30, 1953) an American actor and singer who is best remembered as the piano-player and singer “Sam” who sings “As Time Goes By” at the request of Ingrid Bergman in this Classic 1942 Film ‘Casablanca’ — the Sam in the famously misremembered line “Play it again, Sam” — is a phrase which was never actually spoken in the film. And so I have made it a point to intro this video with the actual film clip of the spoken line in the Movie – J.R. Share this: by Piper As Time Goes By -- Casablanca "As Time Goes By" was written by Herman Hupfeld for the 1931 Broadway musical, Everybody's Welcome and re-introduced in the 1942 in the film, Casablanca. It's truly a work of genius. The whole song is on only two pages of sheet music (treble and bass). This is due to its clever structure. I have translated it into Smule and have the whole song on 8 lines.

It is lyric driven, and I've repeated the following instructions on the downloadable image at my Music with Lyrics link below. The second right arrow after the "And" signals one repeat from the first right arrow so the lyrics go "And when two lovers woo â¦" and end two notes short so the lyrics go "â¦ as time goes by ('by' with a low C on the next line as opposed to the "by" with an E as it was on the first pass). Then, after the following bridge, the next right arrow after "It's" signals a return to first right arrow so the lyrics go "It's still the same old story," end 6 notes short, and return to the final line so the lyrics go and end, "The world will always welcome lovers as time goes by." By the way, the words "Play it again, Sam" are never uttered in the film, Casablanca. The two dialogues that concern this song are the following: Ilsa: Play it once, Sam. For old times' sake. Sam: I don't know what you mean, Miss Ilsa. Ilsa: Play it, Sam.

Play "As Time Goes By." Sam: Oh, I can't remember it, Miss Ilsa. I'm a little rusty on it. Ilsa: I'll hum it for you. Da-dy-da-dy-da-dum, da-dy-da-dee-da-dum... [Sam begins playing] Ilsa: Sing it, Sam. Sam: You must remember this / A kiss is still a kiss / A sigh is just a sigh / The fundamental things apply / As time goes by. / And when two lovers woo, / They still say, "I love you" / On that you can rely / No matter what the future brings-... Rick: [rushing up] Sam, I thought I told you never to play-... [Sees Ilsa. Sam closes the piano and rolls it away] ...

Luxemburger Wort - "Play it, Sam" - Casablanca piano to go on sale at auction "Play it, Sam" - Casablanca piano to go on sale at auction Photo: AP Published on Thursday, 29 November, 2012 at 13:55 (CS/AP) The piano used for the iconic rendition of "As Time Goes By" in 1942 film Casablanca is expected to fetch up to 1.2 million USD at auction. The instrument is going up for sale at Sotheby's in New York on December 14. A Japanese collector is giving up the movie prop, which he bought at a Sotheby's auction in 1988 for 154,000 USD, in light of the film's 70th anniversary. Humphrey Bogart and Ingrid Bergman star as ill-fated lovers Rick Blaine and Ilsa Lund in the Oscar-winning WWII drama. Dooley Wilson as pianist Sam offered the film's musical centre-piece "As Time Goes By" prompting the equally famous line "Play it, Sam.

Play 'As Time Goes By'" from Ingrid Bergman, which has also become one of the most commonly misquoted lines, as she does not in fact say "Play it again, Sam." While not quite the same as owning an original prop, Luxembourg Casablanca lovers can at least see the film on the big screen at the Cinémathèque on Saturday, December 1, at 8pm. And this for just 3.70 euros! Please note that the comments published on this site are carefully monitored and validated before publication by our staff. Saint-Paul Luxembourg will not be held responsible for comments and public reactions published by users on social networks (Facebook, Twitter etc.) relating to articles published on one of their websites. Also of interest Dooley Wilson Biography (Actor/Pianist) Best known as: Sam in the movie Casablanca Name at birth: Arthur Wilson Dooley Wilson played Sam, the cheerful piano player and sidekick to saloonkeeper Rick Blaine in the classic 1942 film Casablanca. He was the Sam in the famously misremembered line "Play it again, Sam" -- a phrase which was never actually spoken in the film.

Wilson, an African-American, was a drummer and singer who led his own band in the 1920s, touring nightclubs in London and Paris. In the 1930s he took up acting for good, playing supporting roles onstage and in a series of modest films. Casablanca, in which he sang the romantic tune "As Time Goes By" to Humphrey Bogart as Rick and Ingrid Bergman as the beautiful Ilsa Lund, was by far Wilson's most famous role. His other films included My Favorite Blonde (1942, with Bob Hope ), Stormy Weather (1943, with Lena Horne and the Nicholas Brothers ), and the 1951 western Passage West. Extra credit: Wilson sang his own part in Casablanca, but his piano playing was dubbed by a studio pianist… According to Roger Ebert’s commentary on the Casablanca DVD, Wilson got the nickname “Dooley” from playing vaudeville Irish characters in whiteface makeup. Copyright © 1998-2017 by Who2?, LLC. All rights reserved. Casablanca 1942: Jacques Renard's Orch.

- As Time Goes By - YouTube Casablanca 1942: Jacques Renard's Orch. - As Time Goes By Want to watch this again later? Sign in to add this video to a playlist. Need to report the video? Sign in to report inappropriate content. Rating is available when the video has been rented. This feature is not available right now. Please try again later. Published on Jun 23, 2013 As Time Goes By (Herman Hupfeld) Featured in Warner Bros. Picture "Casablanca" -- Jacques Renard & His Orchestra with Vocal Refrain (by Frank Munn?), Brunswick 1942 (re-issue of original recording from 1931) NOTE: American composer Herman Hupfeld wrote "As Time Goes By" for the 1931 Broadway musical Everybody's Welcome. In the original show, it was sung by Frances Williams. It was recorded that year by Rudy Vallée, Fred Rich and Jacques Renard's Cocooanut Grove Orchestra. In terms of popularity at the time, it was a modest hit.

The song was re-introduced in 1942 in the film Casablanca, sung by Dooley Wilson accompanied by pianist Elliot Carpenter and heard throughout the film as a leitmotif. Wilson was unable to record his version of the song at the time due to a musicians' strike, leading Brunswick to reissue the Jacques Renard's 1931 recording, as well as Victor to re-issue Vallée's 1931 recording and giving Vallee a number one hit in 1942. Herman Hupfeld lived his whole life in Montclair, New Jersey and spent many hours at a watering hole Robin Hood Inn, built in 1922 on Valley Road. In this location, Hupfeld spent most of the time by the piano, playing and writing songs. A plaque located on Valley Road in Clifton, New Jersey commemorates the writing of "As Tim e Goes By". Although the building was extensively renovated in 2000--2003, the owners retained the plaque and left it where it was, on the second floor of the facility. Now, the song belongs to the set of international evergreens and famous line starting the chorus "You must remember this...

" has been included into thesaurus of the popular "Casablanca" phrases, which are still frequently used throughout the world in the informal "yuppie speech". E.g. Annina: Monsieur Rick, what kind of a man is Captain Renault? Rick: Oh, he's just like any other man, only more so. -------------------------- Ilsa: Play it once, Sam. For old times' sake. Sam: [lying] I don't know what you mean, Miss Ilsa. Ilsa: Play it, Sam. Play "As Time Goes By." Sam: [lying] Oh, I can't remember it, Miss Ilsa. I'm a little rusty on it. Ilsa: I'll hum it for you. Da-dy-da-dy-da-dum, da-dy-da-dee-da-dum... [Sam begins playing] Ilsa: Sing it, Sam. Sam: [singing] You must remember this / A kiss is still a kiss / A sigh is just a sigh / The fundamental things apply / As time goes by. / And when two lovers woo, / They still say, "I love you" / On that you can rely / No matter what the future brings-...

Rick: [rushing up] Sam, I thought I told you never to play-... [Sees Ilsa. Sam closes the piano and rolls it away] --------------------------------------------- Ilsa: I wasn't sure you were the same. Let's see, the last time we met... Rick: Was La Belle Aurore. Ilsa: How nice, you remembered. But of course, that was the day the Germans marched into Paris. Rick: Not an easy day to forget. Ilsa: No. Rick: I remember every detail. The Germans wore gray, you wore blue. -------------------------------------- Senor Ferrari: As the leader of all illegal activities in Casablanca, I am an influential and respected man. ------------------------------------- Major Strasser: Are you one of those people who cannot imagine the Germans in their beloved Paris? Rick: It's not particularly my beloved Paris. Heinz: Can you imagine us in London? Rick: When you get there, ask me! Captain Renault: Hmmh! Diplomatist! Major Strasser: How about New York? Rick: Well there are certain sections of New York, Major, that I wouldn't advise you to try to invade. ------------------------------------- Yvonne: Where were you last night?

Rick: That's so long ago, I don't remember. Yvonne: Will I see you tonight? Rick: I never make plans that far ahead. --------------------------------------- Captain Renault: What in heaven's name brought you to Casablanca? Rick: My health. I came to Casablanca for the waters. Captain Renault: The waters? What waters? We're in the desert. Rick: I was misinformed. Ilsa: Kiss me. Kiss me as if it were the last time. Category Casablanca (film) - Wikiquote Casablanca (film) Jump to: navigation , search The fundamental things apply … As time goes by. Casablanca is a 1942 film about an American expatriate owner of an upscale club and gambling den in the Moroccan city of Casablanca who meets a former lover, with unforeseen complications. Directed by Michael Curtiz . Written by Julius J. Epstein , Philip G. Epstein , and Howard Koch , based on the play Everybody Comes to Rick's by Murray Burnett and Joan Alison . Mysterious City of Sin and Intrigue!

Rick Blaine[ edit ] Of all the gin joints in all the towns in all the world , she walks into mine. Play it, Sam. Play As Time Goes By. Of all the gin joints in all the towns in all the world, she walks into mine. [repeated line] I stick my neck out for nobody. [after inspecting a dossier about him] Are my eyes really brown? [on Captain Renault] Oh, he's just like any other man, only more so. Captain Louis Renault[ edit ] I am shocked—shocked—to find that gambling is going on in here! [about Ugarte] I'm making out the report now. We haven't quite decided whether he committed suicide or died trying to escape. Oh, please, monsieur. It is a little game we play. They put it on the bill, I tear up the bill. It is very convenient. Well, Rick is the kind of man that…well, if I were a woman, and I were not around, I should be in love with Rick. But what a fool I am talking to a beautiful woman about another man. I have no conviction, if that's what you mean.

I blow with the wind, and the prevailing wind happens to be from Vichy. Ilsa Lund[ edit ] [to Rick, in Paris as the Germans are invading] I love you so much. And I hate this war so much. Oh, it's a crazy world. Anything can happen. If you shouldn't get away, I mean, if something should keep us apart, wherever they put you and wherever I'll be, I want you to know that…Kiss me. Kiss me as if it were the last time. You want to feel sorry for yourself, don’t you? With so much at stake, all you can think of is your own feelings. One woman has hurt you, and you take your revenge on the rest of the world. You’re a coward and a weakling. Here's looking at you, kid. Ugarte: You despise me, don't you? Rick: If I gave you any thought I probably would. Ugarte: But why? Oh, you object to the kind of business I do, huh? But think of all those poor refugees who must rot in this place if I didn't help them.

Well that's not so bad, through ways of my own, I provide them with exit visas. Rick: For a price, Ugarte, for a price. Ugarte: But think of all the poor devils who can't meet Renault's price. I get it for them for half. Is that so parasitic? Rick: I don't mind a parasite. I object to a cut-rate one. ... Ugarte: You know, Rick, I have many a friend in Casablanca, but somehow, just because you despise me, you are the only one I trust. Rick: [about his club] It's not for sale. Ferrari: You haven't heard my offer. Rick: It's not for sale at any price. Ferrari: What do you want for Sam? Rick: I don't buy or sell human beings. Ferrari: Too bad. That's Casablanca's leading commodity. In refugees alone, we could make a fortune, if you work with me through the black market. Rick: Suppose you run your business and let me run mine. Ferrari: Suppose we ask Sam. Maybe he'd like to make a change? Rick: Suppose we do.

Ferrari: My dear Rick, when will you realize that in this world, today, isolationism is no longer a practical policy? Yvonne: Where were you last night? Rick: That's so long ago, I don't remember. Yvonne: Will I see you tonight? Rick: I never make plans that far ahead. Renault: Hello Rick. Rick: Hello Louis. Renault: How extravagant you are, throwing away women like that. Someday they may be scarce. You know, now I think I shall pay a call on Yvonne. Maybe get her on the rebound. Hmm? Rick: When it comes to women, you're a true democrat. Renault: I've often speculated on why you don't return to America. Did you abscond with the church funds? Did you run off with a Senator's wife? I like to think that you killed a man. It's the romantic in me. Rick: It's a combination of all three. Renault: And what in heaven's name brought you to Casablanca? Rick: My health. I came to Casablanca for the waters. Renault: The waters? What waters? We're in the desert.

Rick: I was misinformed. Renault: Rick, there are many exit visas sold in this café, but we know that you've never sold one. That is the reason we permit you to remain open. Rick: Oh? I thought it was because I let you win at roulette. Renault: That is another reason. Renault: Carl, see that Major Strasser gets a good table, one close to the ladies. Carl: I have already given him the best, knowing he is German and would take it anyway. Strasser: What is your nationality? Rick: I'm a drunkard. Renault: And that makes Rick a citizen of the world. Rick: I was born in New York City if that'll help you any. Strasser: I understand that you came here from Paris at the time of the occupation. Rick: Well, there seems to be no secret about that. Strasser: Are you one of those people who cannot imagine the Germans in their beloved Paris? Rick: It's not particularly my beloved Paris. Heinz: Can you imagine us in London? Rick: When you get there, ask me! Renault: Hmmh! Diplomatist! Strasser: How about New York?

Rick: Well there are certain sections of New York, Major, that I wouldn't advise you to try to invade. Ilsa: Play it once, Sam, for old times' sake. Sam: I don't know what you mean, Miss Ilsa. Ilsa: [whispered] Play it, Sam. Play As Time Goes By. Sam: Why, I can't remember it, Miss Ilsa. I'm a little rusty on it. Ilsa: I'll hum it for you. [Ilsa hums two bars. Sam starts to play] Sing it, Sam. Sam: [singing] You must remember this A kiss is just a kiss A sigh is just a sigh The fundamental things apply And when two lovers woo They still say, 'I love you' On that you can rely No matter what the future brings As Time Goes By. Lyrics and Music by Herman Hupfeld (1931). Bolded section ranked #28 in the AFI's list of the top 100 movie quotations; it is often misquoted as "Play it again, Sam." Ilsa: I wasn't sure you were the same. Let's see, the last time we met was...

Rick: La Belle Aurore. Ilsa: How nice, you remembered. But of course, that was the day the Germans marched into Paris. Rick: Not an easy day to forget. Ilsa: No. Rick: I remember every detail. The Germans wore gray, you wore blue. Ilsa: Yes. I put that dress away. When the Germans march out, I'll wear it again. Strasser: I strongly suspect that Ugarte left the letters of transit with Mr. Blaine. I would suggest you search the cafe immediately and thoroughly. Renault: If Rick has the letters, he's much too smart to let you find them there. Strasser: You give him credit for too much cleverness. My impression was that he's just another blundering American. Renault: You mustn't underestimate American blundering. I was with them when they "blundered" into Berlin in 1918. Rick: That was some going-over your men gave my place. We just barely got cleaned up in time to open. Renault: Well, I told Major Strasser that he wouldn't find the letters here, but I told my men to be especially destructive. You know how that impresses Germans.

[leans in] Rick. Have you got those letters? Rick: Louis, are you pro-Vichy or Free French? Renault: [smiling] Serves me right for asking a direct question. The subject is closed. Strasser: [after Laszlo leads the band in playing the French national anthem] You see what I mean? If Laszlo's presence in a cafe can inspire this unfortunate demonstration, what more will his presence in Casablanca bring on? I advise that this place be shut up at once. Renault: But everybody's having such a good time. Strasser: Yes, much too good a time. The place is to be closed. Renault: But I've no excuse to close it! Strasser: Find one. [Strasser leaves, ending the conversation; Renault walks into the middle of the room and blows his whistle] Renault: Everybody is to leave here immediately! This cafe is closed until further notice. Clear the room, at once! Rick: How can you close me up? On what grounds? Renault: I am shocked- shocked- to find that gambling is going on in here! Croupier: [hands Renault money] Your winnings, sir.

Renault: Oh, thank you very much. Everybody out at once! Rick: Your unexpected visit isn't connected by any chance with the letters of transit? It seems as long as I have those letters, I'll never be lonely. Ilsa: You can ask any price you want, but you must give me those letters. Rick: I went all through that with your husband. It's no deal. Ilsa: I know how you feel about me, but I'm asking you to put your feelings aside for something more important. Rick: Do I have to hear again what a great man your husband is? What an important Cause he's fighting for? Ilsa: It was your cause too. In your own way, you were fighting for the same thing. Rick: I'm not fighting for anything anymore except myself. I'm the only Cause I'm interested in. Ilsa: Richard, we loved each other once. If those days meant anything at all to you... Rick: I wouldn't bring up Paris If I were you. It's poor salesmanship. Ilsa: I can't fight it anymore. I ran away from you once. I can't do it again. Oh, I don't know what's right any longer.

You have to think for both of us. For all of us. Rick: All right, I will. Here's looking at you, kid. Ilsa: [smiles] I wish I didn't love you so much. Bolded section ranked #5 in the American Film Institute's list of the top 100 movie quotations in American cinema. Rick: Don't you sometimes wonder if it's worth all this? I mean what you're fighting for. Laszlo: You might as well question why we breathe. If we stop breathing, we'll die. If we stop fighting our enemies, the world will die. Rick: Well, what of it? It'll be out of its misery. Laszlo: You know how you sound, Mr. Blaine? Like a man who's trying to convince himself of something he doesn't believe in his heart. Each of us has a destiny - for good or for evil. Rick: I get the point. Laszlo: I wonder if you do. I wonder if you know that you're trying to escape from yourself, and that you'll never succeed. Rick: You seem to know all about my destiny.

Laszlo: I know a good deal more about you than you suspect. I know, for instance, that you're in love with a woman. It is perhaps a strange circumstance that we both should be in love with the same woman. The first evening I came to this café, I knew there was something between you and Ilsa. Since no one is to blame, I - I demand no explanation. I ask only one thing. You won't give me the letters of transit: all right, but I want my wife to be safe. I ask you as a favor, to use the letters to take her away from Casablanca. Rick: You love her that much? Laszlo: Apparently you think of me only as the leader of a cause. Well, I'm also a human being. Yes, I love her that much. Renault: There's still something about this business I don't quite understand. Miss Lund, she's very beautiful, yes. But you were never interested in any woman. Rick: She isn't just 'any woman.' Renault: I see. How do I know you'll keep your end of the bargain? Rick: I'll make the arrangements right now with Laszlo in the visitor's pen.

Renault: Ricky, I'm gonna miss you. Apparently, you're the only one in Casablanca who has even less scruples than I. Rick: And remember, this gun is pointed right at your heart. Renault: That is my least vulnerable spot. Rick: Because you're getting on that plane. Ilsa: I don't understand. What about you? Rick: I'm staying here with him [Renault] 'til the plane gets safely away. Ilsa: No, Richard. No. What has happened to you? Last night... Rick: Last night, we said a great many things. You said I was to do the thinking for both of us. Well, I've done a lot of it since then and it all adds up to one thing. You're getting on that plane with Victor where you belong. Ilsa: But Richard, no, I've... Rick: Now, you've got to listen to me. Do you have any idea what you have to look forward to if you stayed here? Nine chances out of ten, we'd both wind up in a concentration camp. Isn't that true, Louis? Renault: I'm afraid Major Strasser would insist.

Ilsa: You're saying this only to make me go. Rick: I'm saying it because it's true. Inside of us, we both know you belong with Victor. You're part of his work, the thing that keeps him going. If that plane leaves the ground and you're not with him, you'll regret it. Maybe not today, maybe not tomorrow, but soon and for the rest of your life. Ilsa: But what about us? Rick: We'll always have Paris . We didn't have it before...we'd...we'd lost it until you came to Casablanca. We got it back last night. Ilsa: When I said I would never leave you... Rick: And you never will. But I've got a job to do too. Where I'm going, you can't follow. What I've got to do, you can't be any part of. Ilsa, I'm no good at being noble, but it doesn't take much to see that the problems of three little people don't amount to a hill of beans in this crazy world. Someday you'll understand that. Now, now. Here's looking at you, kid.

Bolded section ranked #43 in the American Film Institute's list of the top 100 movie quotations in American cinema. Rick: There's something you should know before you leave. Laszlo: Mr. Blaine, I don't ask you to explain anything. Rick: I'm going to anyway because it may make a difference to you later on. You said you knew about Ilsa and me. Laszlo: Yes. Rick: What you didn't know was that she was at my place last night when you were. She came there for the letters of transit. Isn't that true, Ilsa? Ilsa: Yes. Rick: She tried everything to get them and nothing worked. She did her best to convince me she was still in love with me but that was over long ago. For your sake she pretended it wasn't and I let her pretend. Laszlo: I understand. Rick: Here it is. [hands the letters to Lazlo] Laszlo: Thanks. I appreciate it. Welcome back to the fight. This time I know our side will win. Are you ready, Ilsa? Ilsa: Yes, I'm ready. Good-bye Rick. God bless you.

Rick: You better hurry. You'll miss that plane. Rick: [drawing a pistol] Get away from that phone! Strasser: I would advise you not to interfere. Rick: I was willing to shoot Captain Renault and I'm willing to shoot you. Strasser: [into the phone]Hello? Rick: Put that phone down! Strasser: Get me the radio tower. Rick: Put it down! [Strasser draws his gun; Rick fires, killing him, which is immediately followed by the arrival of the Vichy police] Renault: Major Strasser has been shot. [pause] Round up the usual suspects. Bolded section ranked #32 in the the American Film Institute's list of the top 100 movie quotations in American cinema. Renault: Well, Rick, you're not only a sentimentalist, but you've become a patriot. Rick: Maybe, but it seemed like a good time to start. Renault: I think perhaps you're right.

[he pours the Vichy water into a glass, but then sees its label; with a look of disgust, he quickly drops the bottle into a trash basket and kicks it over] It might be a good idea for you to disappear from Casablanca for a while. There's a Free French garrison over at Brazzaville. I could be induced to arrange a passage. Rick: My letter of transit? I could use a trip. But it doesn't make any difference about our bet. You still owe me ten thousand francs. Renault: And that ten thousand francs should pay our expenses. Rick: Our expenses? [Rick walks off with Renault across the wet runway into the mist] Louis, I think this is the beginning of a beautiful friendship. Bolded section ranked #20 in the American Film Institute's list of the top 100 movie quotations in American cinema. Mysterious City of Sin and Intrigue! They had a date with fate in Casablanca! As big and timely a picture as ever you've seen! You can tell by the cast it's important! Gripping! Big! Misattributed[ edit ] Play it again, Sam.

While the lines "Play it" and "Play it, Sam" both appear in the film, the line "Play it again, Sam" never appears in the film.

Question: Which 1942 film features the line "Play it Sam, play 'As time goes by'"?
Answer: Casablanca