Catherine Deneuve (Actress) - Pics, Videos, Dating, & News Catherine Deneuve Female Born Oct 22, 1943 Catherine Deneuve is a French actress. She gained recognition for her portrayal of aloof and mysterious beauties in films such as Repulsion (1965) and Belle de jour (1967). Deneuve was nominated for an Academy Award for Best Actress in 1993 for her performance in Indochine; she won CÃ©sar Awards for that film and The Last Metro (1980).… Read More related links Older Woman, Younger Man? A 'valid Comic Idea' To Woody Allen Yahoo News - May 11, 2016 ' After unveiling his latest film, \"Cafe Society\", in Cannes, featuring a love story between a young woman and powerful older man, Allen was asked if he would ever consider switching the roles -- something still somewhat taboo on the big screen.

As if to inspire him, French film queen <mark>Catherine Deneuve</mark>, 72, drew a standing ovation for a long and passionate kiss with French actor Laurent Lafitte, 42, on stage at the opening of the festival. Allen has had a turbulent personal lif... The Most Memorable Celebrity Ponytails Through The Decades Huffington Post - Jan 14, 2016 ' The ponytail doesn\'t get the respect that it\'s due. It may be a pretty straightforward hairstyle, but the versatility of this look proves why it has remained popular throughout history.Â Fifties actresses Sandra Dee and Audrey Hepburn sported ponytail hairstyles that are perfect for shoulder-length locks. There\'s no need to look further than <mark>Catherine Deneuve</mark> for voluminous pony inspiration. And we all know that Ariana Grande learned her high ponytail tricks from the orig... Fashion It Girl Sabine Ghanem Dishes On Her Personal Style And Impossibly Chic Wardrobe.

Huffington Post - Nov 04, 2015 'Jewelry designer Sabine G came on the scene just two years ago and has rapidly gained attention not only for her jewels, but for her flawless style and the jet-set company she keeps. Profiles by Vogue, W and Harper\'s Bazaar have immortalized her as a veritable fashion darling. But perhaps she is best known for her nuptials this past May to Joseph Getty which took place over the course of a weekend in Rome. Lavish parties and Liaisons Dangereux costumes headlined the festivities in advance o... Film Clip: 'in The Name Of My Daughter' Wall Street Journal - May 14, 2015 'Watch a film clip from \"In the Name of My Daughter,\" starring Guillaume Canet, <mark>Catherine Deneuve</mark> and AdÃ¨le Haenel. Photo: Cohen Media Group' Learn about the memorable moments in the evolution of Catherine Deneuve. CHILDHOOD 1943 Birth Born on October 22, 1943.

TEENAGE 1957 13 Years Old Deneuve made her film debut in 1957 and first came to prominence in Jacques Demy's 1964 musical The Umbrellas of Cherbourg, before going on to star for Polanski in Repulsion (1965) and for BuÃ±uel in Belle de Jour (1967) and Tristana (1970). … Read More She was nominated for the BAFTA Award for Best Actress for Belle de Jour, and the Academy Award for Best Actress for Indochine. She also won the 1998 Volpi Cup for Best Actress at the Venice Film Festival for Place VendÃ´me, and the 2002 Silver Bear for Best Actress at the Berlin Film Festival for 8 Women. Other films include Scene of the Crime (1986), My Favourite Season (1993) and Potiche (2010). Her English-language films include The April Fools (1969), Hustle (1975), The Hunger (1983) and Dancer in the Dark (2000).

Read Less TWENTIES 1964 20 Years Old … Deneuve was born Catherine Fabienne DorlÃ©ac in Paris, France, the daughter of French stage actors Maurice DorlÃ©ac and RenÃ©e Simonot. Deneuve has two sisters, FranÃ§oise DorlÃ©ac (an actress, who died in a car crash in 1967, aged 25) and Sylvie DorlÃ©ac (born 14 December 1946), as well as a maternal half-sister, Danielle, whom their mother had out of wedlock in 1937 with Aime Clariond, but who was later adopted by Maurice and took his surname. Deneuve was her mother's maiden name, which she chose for her stage name, in order to differentiate herself from her sisters. Deneuve attended Catholic schools.

<br /><br />Deneuve was 13 when she made her film debut with a small role in AndrÃ© Hunebelle's Les CollÃ©giennes (1957) with her younger sister Sylvie DorlÃ©ac, who, along with their older half-sister Danielle, was an occasional child actress. Read Less She subsequently appeared in several films for director Roger Vadim as well as in L'Homme Ã femmes (1960), which caught the eye of Jacques Demy, who cast Deneuve in his 1964 musical Les Parapluies de Cherbourg, the film that brought her to stardom. … Read More Deneuve first portrayed the cold but erotic persona, for which she would be nicknamed the "ice maiden", in Roman Polanski's horror classic Repulsion (1965), reinforcing it in Luis BuÃ±uel's Belle de Jour (1967), and reaching a peak in Tristana (1970).

Her work for BuÃ±uel would be her most famous.<br /><br /> Further prominent films from this early time in her career included Jean-Paul Rappeneau's A Matter of Resistance (1966), and Demy's musical Les Demoiselles de Rochefort (1967). Deneuve remained active in European films during the 1960s and 1970s, though she limited her appearances in American movies of the period to The April Fools (1969), a romantic comedy with Jack Lemmon, and Hustle (1975), a crime drama with Burt Reynolds. Her starring roles at the time were featured in such films as A Slightly Pregnant Man (1973) with Marcello Mastroianni and Le Sauvage (1975) with Yves Montand. Read Less 1965 21 Years Old Deneuve has been married only once, to photographer David Bailey from 1965 to 1972.

… Read More She has lived with director Roger Vadim, actor Marcello Mastroianni, cinematographer Hugh Johnson, and Canal+ tycoon Pierre Lescure.<br /><br /> Deneuve has two children: actor Christian Vadim, from her relationship with Roger Vadim, and actress Chiara Mastroianni, from her relationship with Marcello Mastroianni. She has five grandchildren.<br /><br /> In 2000, a Golden Palm Star on the Palm Springs, California, Walk of Stars was dedicated to her. Read Less FORTIES 1988 44 Years Old … In the 1980s, Deneuve's films included FranÃ§ois Truffaut's Le Dernier mÃ©tro (1980), for which she won the CÃ©sar Award for Best Actress, and Tony Scott's The Hunger (1983) as a bisexual vampire, co-starring with David Bowie and Susan Sarandon, a role which brought her a significant lesbian following.

Read Less She made her debut film as a producer in 1988, DrÃ´le d'endroit pour une rencontre, alongside frequent co-star Gerard Depardieu. 1992 48 Years Old In the early 1990s, Deneuve's more significant roles included 1992's Indochine opposite Vincent Perez, for which she was nominated for an Academy Award for Best Actress and won a second CÃ©sar Award for Best Actress; and AndrÃ© TÃ©chinÃ©'s two movies, Ma saison prÃ©fÃ©rÃ©e (1993) and Les Voleurs (1996). … Read More In 1997, Deneuve was the protagonist in the music video for the song N'Oubliez Jamais sung by Joe Cocker. Read Less FIFTIES 1998 54 Years Old In 1998 she won acclaim and the Volpi Cup at the Venice Film Festival for her performance in Place VendÃ´me.

… Read More In the late 1990s, Deneuve continued to appear in a large number of films such as 1999's five films Est-Ouest, Le temps retrouvÃ©, Pola X, Belle maman, and Le Vent de la nuit.<br /><br /> In 2000, Deneuve's part in Lars von Trier's musical drama Dancer in the Dark alongside Icelandic singer BjÃ¶rk was subject to considerable critical scrutiny. The film was selected for the Palme d'Or at the Cannes Film Festival. She made another foray into Hollywood the following year, starring in The Musketeer (2001) for Peter Hyams. Read Less 2002 58 Years Old In 2002, she shared the Silver Bear Award for Best Ensemble Cast at the Berlin International Film Festival for her performance in 8 Women.

LATE ADULTHOOD 2005 61 Years Old In 2005, Deneuve published her diary A l'ombre de moi-meme ("In My Own Shadow", published in English as Close Up and Personal: The Private Diaries of Catherine Deneuve); in it she writes about her experiences shooting the films Indochine and Dancer in the Dark. … Read More She also provided the voice role of Marjane Satrapi's mother in Satrapi's animated autobiographical film Persepolis (2007), based on the graphic novel of the same name. Read Less 2008 64 Years Old In 2008, she appeared in her 100th film, Un conte de NoÃ«l. … Read More Deneuve's more recent work in the 2010s includes Potiche (2010) with Depardieu, Les Bien-aimÃ©s (2012), in which she acts alongside former co-stars Ludivine Sagnier and Chiara Mastroianni, and Emmanuelle Bercot's On My Way (2014).

During an interview at the Cannes Film Festival with Ali Naderzad, Deneuve was asked which was her own favorite film. "I still say it was The Umbrellas of Cherbourg. To do a film completely with music like an opera was an incredible experience. But to work with music all the time, it's such a lift, you know? It's an opera, it's very different." Deneuve continues to work steadily making at least two or three films per year.<br /><br /> Deneuve appeared nude in two Playboy pictorials in 1963 and 1965. Her image was used to represent Marianne, the national symbol of France, from 1985 to 1989. As the face of Chanel No. 5 in the late 1970s, she caused sales of the perfume to soar in the United Statesso much so that the American press, captivated by her charm, nominated her as the world's most elegant woman. In 1983, American Home Products retained her to represent their cosmetics line and hired world-renowned photographer Richard Avedon to promote its line of Youth Garde cosmetics, for which she famously proclaimed, "Look closely.

Next year I will be 40." Read Less 2013 69 Years Old In 2013, she was honoured for her lifetime achievement at the 26th European Film Awards. Legendary screen beauty Catherine Deneuve expresses her hatred for 'selfies' - Celebrity News - Entertainment - News - Catholic Online Legendary screen beauty Catherine Deneuve expresses her hatred for 'selfies' Legendary screen beauty Catherine Deneuve expresses her hatred for 'selfies' By Catholic Online (NEWS CONSORTIUM) 5/10/2015 (1 year ago) Catholic Online ( ) Social media spells the death knell of movies stars, she says "Selfies," digital photos taken by the subject, as well as social media have been the death of film stars, iconic French actor Catherine Deneuve said in a recently published interview. Into her seventies, Catherine Deneuve remains one of filmdom's most radiant and perfect beauties.

Highlights Keywords: Catherine Deneuve , acting , selfies , social media , stardom , France LOS ANGELES, CA (Catholic Online) - "There are no more stars in France," the 71-year-old said just days before her latest film "La Tete Haute" or "Standing Tall" opens this year's Cannes Film Festival. The Grande Dame of French cinema was speaking to the Journal du Dimanche newspaper about her acting career, which has made her one of her country's best-known actors abroad. Deneuve admitted that she did not think much of the new generation of celebrities addicted to social media. "A star is someone who must show themselves only a little and remain discreet. With the introduction of the digital age there is an intrusion of everything, everywhere, all the time," she said. "We see a tremendous amount of people who are very famous, with millions of followers, and who have done absolutely nothing." Deneuve also admitted she had a very "limited" relationship to technology. "It's wonderful to be able to take photos (with your cell phone) but I detest selfies, photographing yourself all the time ... it makes everything banal," she told the newspaper.

"And this idea that we are looking at ourselves doing things, without actually experiencing them, is horrible." Deneuve in "Standing Tall" plays a children's magistrate working on the case of a troubled adolescent. Deneuve speaks fluent French, Italian, English and some German. Her hobbies and passions include gardening, drawing, photography, reading, music, cinema, fashion, antiques and decoration. Deneuve has been married only once, to photographer David Bailey from 1965 to 1972. She has had relationships with director Roger Vadim, actor Marcello Mastroianni, director Francois Truffaut, and Canal+ tycoon Pierre Lescure. Deneuve has two children: actor Christian Vadim, from her relationship with Roger Vadim, and actor Chiara Mastroianni, from her relationship with Marcello Mastroianni. --- Copyright 2017 - Distributed by THE CALIFORNIA NETWORK Pope Francis Prayer Intentions for DECEMBER 2016 Universal: End to Child-Soldiers: That the scandal of child-soldiers may be eliminated the world over.

Evangelization: Europe: That the peoples of Europe may rediscover the beauty, goodness, and truth of the Gospel which gives joy and hope to life. Catherine Deneuve Biography Catherine Deneuve Biography Catherine Deneuve (born October 22, 1943, Paris) is an Academy Award-nominated French actress. Biography A model of Gallic elegance, cultivated lust object for art house filmgoers everywhere, and one of the best-respected actresses in the French film industry, Catherine Deneuve made her reputation playing a series of beautiful ice maidens for directors such as Luis Buï¿½uel and Roman Polanski. The daughter of French stage and film actor Maurice Dorlï¿½ac, Deneuve was born in Paris on October 22, 1943. She made her screen debut at the age of 13, with a role in the 1956 film Les Collegiennes, and went on to make a string of films with directors such as Roger Vadim (with whom she had a child) before getting her breakthrough role in Jaques Demy's charming musical, Les Parapluies de Cherbourg(1964).

The burst of stardom that accompanied her portrayal led to two of her archetypal ice maiden roles, first in Roman Polanski's terrifying Repulsion in 1965 and then in Buï¿½uel's 1967 Belle de Jour. Deneuve's startling portrayal of an icy, s--ually adventurous housewife in the latter film helped to establish her as one of the most remarkable and compelling actresses of her generation. She further demonstrated her talent that year in Demy's Umbrellas musical follow-up, Les Demoiselles de Rochefort, which she starred in with her sister, Franï¿½oise Dorlï¿½ac. Catherine Deneuve continued to work steadily through the 1960s and 1970s in films such as the 1970 Tristana (her second collaboration with Buï¿½uel) and A Slightly Pregnant Man (1973), in which she starred with her lover at the time, Marcello Mastrioanni.

Despite or perhaps because of her stardom, Deneuve chose to avoid Hollywood, limiting her appearances in American films to The April Fools (1969) and Hustle (1975). Deneuve also did prolific work through the 1980s, appearing in such films as Franï¿½ois Truffaut's Le Dernier Mï¿½tro (1980) and Tony Scott's The Hunger (1983). The latter film saw Deneuve playing a bis--ual vampire alongside David Bowie and Susan Sarandon , and her performance won her an indelible cult status in the States among lesbians, goths, and artistically inclined teenage boys.

In the 1990s, Catherine Deneuve garnered further international acclaim for her roles in several films, including the 1992 film Indochine (for which she won a Cï¿½sar Award and received an Academy Award nomination for Best Actress) and two films directed by Andrï¿½ Tï¿½chinï¿½, Ma Saison Prï¿½fï¿½rï¿½e (1993) and Les Voleurs (1995). In 1996, she paid homage to the director who had first given her fame by taking part in the documentary L'Univers de Jacques Demy. Closing out the final years of the 1990's Deneuve remained consistantly working in numerous films (in 1999 alone she appeared in no less than five films : Est-ouest, Le temps retrouvï¿½, Pola X, Belle-maman, and Le vent de la nuit ) continuing to turn in compelling performances. In 2000 Catherine Deneuve received much critical attention when cast alongside eccentric Icelandic singer Bjork in the Lars von Trier's melancholy musical Dancer in the Dark.

Though it polarized critics and audiences alike, Dancer nevertheless won the Palme d'Or at the Cannes Film Festival. Catherine made her movie debut in Les Collï¿½giennes in 1956. Catherine Deneuve breakthroughs came with the musical film The Umbrellas of Cherbourg) (1964, Jacques Demy), the late Surrealist masterpiece Belle de Jour (Luis Buï¿½uel, 1967), and the Franco-English production Repulsion (Roman Polanski, 1965). Catherine Deneuve won the Cï¿½sar Award for Best Actress in 1981 for her performance in Le Dernier mï¿½tro (1980). She won the Cï¿½sar Award for Best Actress a second time for her starring role in the 1992 film, Indochine and was nominated for an Academy Award for Best Actress for the same performance. Cï¿½sar Award Nominations 2006 - Palais royal!

(by Valï¿½rie Lemercier) (Best Supporting Actress) 1999 - Place Vendï¿½me (by Nicole Garcia) (Best Actress) 1997 - Thieves (by Andrï¿½ Tï¿½chinï¿½) (Best Actress) 1994 - My Favorite Season (by Andrï¿½ Tï¿½chinï¿½) (Best Actress) 1989 - Drï¿½le d'endroit pour une rencontre (by Franï¿½ois Dupeyron) (Best Actress) 1988 - Agent trouble (by Jean-Pierre Mocky) (Best Actress) 1982 - Hï¿½tel des Amï¿½riques (by Andrï¿½ Tï¿½chinï¿½) (Best Actress) 1976 - Le Sauvage (by Jean-Paul Rappeneau) (Best Actress) Deneuve was the face of Chanel No. 5 in the seventies and caused sales of the perfume to soar in the United States.

So much so that the American press, captivated by her charm, had nominated the French actress as the world's most elegant woman. Deneuve is currently a model for Mac Cosmetics and L'Orï¿½al Paris. Her visage has also been used to symbolize 'Marianne', the national symbol of France. Catherine Deneuve is the mother of two children: Christian Vadim (born 1963), by her relationship with the director Roger Vadim, and Chiara Mastroianni (born 1972), by her four-year relationship with Marcello Mastroianni. She has been married once, from 1965 to 1972, to the British photographer David Bailey. Deneuve possesses two homes: a country house in France and an apartment in the luxe Parisian neighborhood of Saint-Germain-de-Prï¿½s.

Film List Princesse Marie (TV) (2004, by Benoï¿½t Jacquot) Les temps qui changent (2004, by Andrï¿½ Tï¿½chinï¿½) Roi et reine (2004) A Talking Picture (2003, by Manoel de Oliveira) Les liaisons dangereuses (TV) (2003) Au plus prï¿½s du paradis (2002) 8 Women (2002) Je rentre ï¿½ la maison (2001, by Manoel de Oliveira) Dancer In The Dark (2000, by Lars von Trier) Belle maman (1999) Le Temps retrouvï¿½ (1999) Pola X (1999) Le vent de la nuit (1999, by Philippe Garrel) Place Vendï¿½me (1998) Gï¿½nï¿½alogies d'un crime (1997, by Raoul Ruiz) Court toujours : L'inconnu (TV) (1996) Th

ieves (1996, by Andrï¿½ Tï¿½chinï¿½) The Convent (1995, by Manoel de Oliveira) Ma saison prï¿½fï¿½rï¿½e (1993, by Andrï¿½ Tï¿½chinï¿½) Indochine (1992) Drï¿½le d'endroit pour une rencontre (1988) Frï¿½quence meurtre (1988) Agent trouble (1987) The Scene of the Crime (1986, by Andrï¿½ Tï¿½chinï¿½) Paroles et musique (1984) The Hunger (1983, by Tony Scott) L'Africain (1983, by Philippe de Broca) Le choc (1982) Hï¿½tel des Amï¿½riques (1981, by Andrï¿½ Tï¿½chinï¿½) Le choix des armes (1981) Je vous aime (1980, by Claude Berri) Le dernier mï¿½

tro (1980, Franï¿½ois Truffaut) Courage fuyons (1979) A nous deux (1979, by Claude Lelouch) Ils sont grands ces petits (1979) Ecoute voir...

(1979) Si c'ï¿½tait ï¿½ refaire (1976) Hustle (1975) La femme aux bottes rouges (1974) Touche pas ï¿½ la femme blanche (1974, by Marco Ferreri) Fatt di gente per bene (1974) A Slightly Pregnant Man (1973, by Jacques Demy) Un flic (1972) Liza (1972, by Marco Ferreri) Ca n'arrive qu'aux autres (1971) Peau d'ï¿½ne (1970, by Jacques Demy) Tristana (1970, by Luis Buï¿½uel) The Mississippi Mermaid (1969, by Franï¿½ois Truffaut) The April Fools (1969) Mayerling (1968, by Terence Young) Manon 70 (1968) Belle de jour (1967, by Luis Buï¿½uel) Les demoiselles de Rochefort (1967,

 by Jacques Demy) Les crï¿½atures (1966) La vie de chï¿½teau (1966) Le chant du monde (1965) Repulsion (1965, by Roman Polanski) Un monsieur de compagnie (1965, by Philippe de Broca) La chasse ï¿½ l'homme (1964) Les Parapluies de Cherbourg (1964, by Jacques Demy) La costanza della ragione (1964) Vacances portugaises (1963) Le vice et la vertu (1963, by Roger Vadim) Les portes claquent (1960) Catherine Deneuve - WOW.com Catherine Deneuve "Deneuve" redirects here.

For the magazine formerly published with this name, see Curve (magazine) . Catherine Deneuve Actress, model, occasional singer, film producer Years active David Bailey ( m. 1965; div. 1972) Partner(s) Catherine Deneuve ( French: [katʁin dənœv] ; born 22 October 1943) is a French actress as well as occasional singer, model and producer. She gained recognition for her portrayal of aloof, mysterious beauties for various directors, including Luis Buñuel , Francois Truffaut and Roman Polanski . [1] In 1985, she succeeded Mireille Mathieu as the official face of Marianne , France's national symbol of liberty. A 14-time César Award nominee, she won for her performances in Truffaut's The Last Metro (1980) and Régis Wargnier 's Indochine (1992). She is also noted for her support for a variety of liberal causes .

Deneuve made her film debut in 1957 and first came to prominence in Jacques Demy 's 1964 musical The Umbrellas of Cherbourg , before going on to star for Polanski in Repulsion (1965) and for Buñuel in Belle de Jour (1967) and Tristana (1970). She was nominated for the BAFTA Award for Best Actress for Belle de Jour, and the Academy Award for Best Actress for Indochine. She also won the 1998 Volpi Cup for Best Actress at the Venice Film Festival for Place Vendôme . Other films include Scene of the Crime (1986), My Favourite Season (1993), 8 Women (2002), and Potiche (2010). Her English-language films include The April Fools (1969), Hustle (1975), The Hunger (1983) and Dancer in the Dark (2000). In 2015, she starred in The Brand New Testament and Standing Tall .

Contents 12 External links Early life Deneuve was born Catherine Fabienne Dorléac in Paris , France , the daughter of French stage actors Maurice Dorléac and Renée Simonot . Deneuve has two sisters, Françoise Dorléac (an actress, who died in a car crash in 1967, aged 25) and Sylvie Dorléac (born 14 December 1946), [2] as well as a maternal half-sister, Danielle, whom their mother had out of wedlock in 1937 with Aime Clariond , but who was later adopted by Maurice and took his surname. Deneuve was her mother's maiden name, which she chose for her stage name, in order to differentiate herself from her sisters. Deneuve attended Catholic schools. [3] Film career Deneuve was 13 when she made her film debut with a small role in André Hunebelle 's Les Collégiennes (1957) with her younger sister Sylvie Dorléac, who, along with their older half-sister Danielle, was an occasional child actress.

[4] She subsequently appeared in several films for director Roger Vadim as well as in L'Homme à femmes (1960), which caught the eye of Jacques Demy , who cast Deneuve in his 1964 musical Les Parapluies de Cherbourg , the film that brought her to stardom. [4] Deneuve first portrayed the cold but erotic persona, for which she would be nicknamed the "ice maiden", in Roman Polanski 's horror classic Repulsion (1965), reinforcing it in Luis Buñuel 's Belle de Jour (1967), and reaching a peak in Tristana (1970). [5] Her work for Buñuel would be her most famous. [6] [7] Further prominent films from this early time in her career included Jean-Paul Rappeneau 's A Matter of Resistance (1966), and Demy's musical Les Demoiselles de Rochefort (1967).

Deneuve remained active in European films during the 1960s and 1970s, though she limited her appearances in American movies of the period to The April Fools (1969), a romantic comedy with Jack Lemmon , and Hustle (1975), a crime drama with Burt Reynolds . Her starring roles at the time were featured in such films as A Slightly Pregnant Man (1973) with Marcello Mastroianni and Le Sauvage (1975) with Yves Montand . In the 1980s, Deneuve's films included François Truffaut 's Le Dernier métro (1980), for which she won the César Award for Best Actress , and Tony Scott 's The Hunger (1983) as a bisexual vampire, co-starring with David Bowie and Susan Sarandon , a role which brought her a significant lesbian following. [8] She made her debut film as a producer in 1988, Drôle d'endroit pour une rencontre , alongside frequent co-star Gerard Depardieu .

In the early 1990s, Deneuve's more significant roles included 1992's Indochine opposite Vincent Perez , for which she was nominated for an Academy Award for Best Actress and won a second César Award for Best Actress; and André Téchiné 's two movies, Ma saison préférée (1993) and Les Voleurs (1996). In 1997, Deneuve was the protagonist in the music video for the song N'Oubliez Jamais sung by Joe Cocker . In 1998 she won acclaim and the Volpi Cup at the Venice Film Festival for her performance in Place Vendôme . In the late 1990s, Deneuve continued to appear in a large number of films such as 1999's five films Est-Ouest , Le temps retrouvé , Pola X , Belle maman , and Le Vent de la nuit . In 2000, Deneuve's part in Lars von Trier 's musical drama Dancer in the Dark alongside Icelandic singer Björk was subject to considerable critical scrutiny.

The film was selected for the Palme d'Or at the Cannes Film Festival. She made another foray into Hollywood the following year, starring in The Musketeer (2001) for Peter Hyams . In 2002, she shared the Silver Bear Award for Best Ensemble Cast at the Berlin International Film Festival for her performance in 8 Women . In 2005, Deneuve published her diary A l'ombre de moi-meme ("In My Own Shadow", published in English as Close Up and Personal: The Private Diaries of Catherine Deneuve); in it she writes about her experiences shooting the films Indochine and Dancer in the Dark . She also provided the voice role of Marjane Satrapi 's mother in Satrapi's animated autobiographical film Persepolis (2007), based on the graphic novel of the same name . In 2008, she appeared in her 100th film, Un conte de Noël .

[9] Deneuve's more recent work in the 2010s includes Potiche (2010) with Depardieu, Les Bien-aimés (2012), in which she acts alongside former co-stars Ludivine Sagnier and Chiara Mastroianni , and Emmanuelle Bercot 's On My Way (2014). During an interview at the Cannes Film Festival with Ali Naderzad, Deneuve was asked which was her own favorite film. "I still say it was The Umbrellas of Cherbourg . To do a film completely with music like an opera was an incredible experience. But to work with music all the time, it's such a lift, you know? It's an opera, it's very different." [10] Deneuve continues to work steadily making at least two or three films per year. Career outside of film Modeling Deneuve in 1999 Deneuve appeared nude in two Playboy pictorials in 1963 and 1965. [11] Her image was used to represent Marianne , the national symbol of France, from 1985 to 1989.

As the face of Chanel No. 5 in the late 1970s, she caused sales of the perfume to soar in the United States – so much so that the American press, captivated by her charm, nominated her as the world's most elegant woman. [12] In 1983, American Home Products retained her to represent their cosmetics line and hired world-renowned photographer Richard Avedon to promote its line of Youth Garde cosmetics, for which she famously proclaimed, "Look closely. Next year I will be 40." She is considered the muse of designer Yves Saint Laurent ; he dressed her in the films Belle de Jour , La Chamade , La sirène du Mississipi , Un flic , Liza , and The Hunger . In 1992, she became a model for his skincare line. In 2001, she was chosen as the new face of L'Oréal Paris . In 2006, Deneuve became the third inspiration for the M•A•C Beauty Icon series and collaborated on the colour collection that became available at M•A•C locations worldwide in February that year.

Deneuve began appearing in the new Louis Vuitton luggage advertisements in 2007. Deneuve was listed as one of the fifty best-dressed over 50s by the Guardian in March 2013. [13] Entrepreneurial Deneuve introduced her own perfume, Deneuve, in 1986. [14] She is also a designer of glasses, shoes, jewelery, and greeting cards.[ citation needed ] Charities Deneuve was appointed UNESCO Goodwill Ambassador for the Safeguarding of Film Heritage in 1994 until her resignation on 12 November 2003. Deneuve asked that the rights owed to her from her representation of Marianne be given to Amnesty International . [15] Deneuve is also involved with Children Action , Children of Africa , Orphelins Roumains and Reporters Without Borders . Douleur sans frontiers (Pain Without Borders) – At the end of 2003, Deneuve recorded a radio commercial to encourage donations to fight against the pain in the world, notably for the victims of landmines.

[16] Handicap International – In the middle of July 2005, Deneuve lent her voice to the message of radio commercials, TV and cinema, which denounced the use of the BASM (cluster bombs). Voix de femmes pour la démocratie (Voice of women for democracy) – Deneuve read the text, "Le petit garçon", of Jean-Lou Dabadie , on the entitled CD, "Voix de femmes pour la démocratie." The CD was sold for the benefit of the female victims of the war and the fundamentalisms that fight for democracy. Deneuve has also been involved with various charities in the fight against AIDS and cancer. [16] Political involvement Deneuve at the 2011 César Awards . In 1972, Deneuve signed the Manifesto of the 343 . The manifesto was an admission by its signers to have practiced illegal abortions and therefore exposed themselves to judicial actions and prison sentences. It was published in Le Nouvel Observateur on 5 April 1971.

That same year, feminist lawyer Gisèle Halimi founded the group, Choisir ("To Choose"), to protect the women who had signed the Manifesto of the 343. Deneuve is involved with Amnesty International's program to abolish the death penalty. In 2001, Deneuve delivered a petition organized by the French-based group, "Together Against the death penalty", to the U.S. Embassy in Paris. [17] In April 2007, Deneuve signed a petition on the internet protesting against the "misogynous" treatment of socialist presidential candidate Ségolène Royal . More than 8,000 French men and women signed the petition, including French actress Jeanne Moreau . [18] Personal life Deneuve speaks fluent French, Italian, English and some German. Her hobbies and passions include gardening, drawing, photography, reading, music, cinema, fashion, antiques and decoration. [16] Deneuve has been married only once, [19] to photographer David Bailey from 1965 to 1972.

[2] She has lived with director Roger Vadim , [20] actor Marcello Mastroianni , [2] cinematographer Hugh Johnson , [21] and Canal+ tycoon Pierre Lescure . [2] Deneuve has two children: actor Christian Vadim , from her relationship with Roger Vadim, and actress Chiara Mastroianni , from her relationship with Marcello Mastroianni. She has five grandchildren. [2] Filmography Catherine the great - Film - Entertainment - smh.com.au Catherine the great April 6, 2007 Catherine Deneuve stars in 'Repulsion'. SOMETHING MUST BE wrong with the arithmetic. Fifty years in films? Catherine Deneuve? How could that be possible? And yet it is. The iconic French actress, still top of many people's lists of the most beautiful women in the world, made her first appearance in a movie in 1957. She was only 13 years old and nine years away from becoming a star - and a blonde. Deneuve's half-century in the cinema is being celebrated with an extensive festival at the Cinematheque in Paris.

Not many people have acted alongside Gene Kelly, Jack Lemmon, Johnny Hallyday, Yves Montand, Burt Reynolds and Bjork. At 63, Deneuve remains stunningly good-looking. She is one of the most popular people in France. She is one of the best-known, most admired French people in the world. A few years ago an American film magazine included her among the 100 most important cinema figures of all time. And yet Deneuve remains a rather elusive figure. Her private life escapes the zoom lenses of the "people" magazines. She has a reputation for being frosty and distant, as in many of her roles. Those who know her say she is a warm, bubbly and approachable person, not at all "a star", or as the French now say, "un people". She often wanders alone around Parisian flea markets. She has appeared in 99 movies (and is making the 100th) yet her memorable screen appearances can be counted on one hand, perhaps two. Deneuve makes a few films a year, none of which have been worthy of her for years.

You have to go back to 1992 - to Indochine, directed by Regis Wargnier - to find a Deneuve film that was a critical and popular success. (The film won the Oscar for best foreign movie.) Deneuve gives a powerful, emotionally understated performance as a plantation owner in Vietnam's final years as a French colony. "[Gerard] Depardieu makes too many movies. Deneuve makes too few. Rarely do either of them make movies that would stretch their abilities," says one French movie industry executive. "That may partly be the fault of the French cinema industry, for failing to use them properly. In Deneuve's case, I fear, it is partly a kind of mental laziness or a lack of confidence in her own ability." John Baxter, an acclaimed Australian-born film writer based in France, says: "Everyone loves Catherine Deneuve. How could you not love Catherine Deneuve? But it is true that, unlike, say, a Jeanne Moreau, she has been unwilling to try riskier, more demanding roles as she has got older." Some critics suggest that Deneuve has simply recognised the limitations of her own talent.

Catherine Deneuve was born Catherine Fabienne Dorleac in Nazi-occupied Paris on October 23, 1943. Both her father, Maurice Dorleac, and her mother, Renee Deneuve, had acting careers. Catherine, though, had never intended to be an actress. She was drawn into the profession by her older sister, Francoise Dorleac. It was Francoise, not Catherine, who seemed destined to be one of the great French movie stars. After a few child roles, the 16-year-old Deneuve agreed to make her first proper film, Les Portes Claquent, in 1960 - to take the role of her sister's sister. She adopted her mother's name, Deneuve, to distinguish herself from Francoise. In 1967, aged 25, Francoise was killed in a road accident. Deneuve hates to talk about her private life or emotions, though she has occasionally described her sister's early death as "the greatest tragedy" or the "most painful event" in her life.

In a diary published a few years ago, she said of Francoise: "She haunts me at night, always." She has sometimes implied that Francoise was the only real actress in the family. But Deneuve had emerged as a great talent, and great beauty, before her sister's death. The year before Francoise died, she made two of her greatest movies, each absurdly different in tone and character from the other. In Les Demoiselles de Rochefort, Deneuve, as a natural brunette, plays alongside Francoise and Gene Kelly in a sweet musical about innocent, twin French sisters in search of love and a good tune. In Belle de Jour, the film that made her an international star, Deneuve plays a wealthy, erotically driven woman who leads a secret life as a prostitute. In a book published three years ago, A l'Ombre de Moi-Meme (In My Own Shadow), Deneuve revealed that she had felt betrayed by the Spanish director Luis Bunuel, after some of the nude scenes in the movie. "I was very exposed, in all senses of the word, and especially exposed physically, and I suffered terribly," she said.

"There were moments when I had the impression of being simply exploited." Nonetheless, Belle de Jour, and another movie made by Bunuel, Tristana, are now counted by Deneuve as among her best films. Most critics would agree. The other great influences on her early career - professionally and romantically - were the director and impresario, Roger Vadim, and the film-critic turned director, Francois Truffaut. Vadim had "discovered" Brigitte Bardot in the 1950s. He swept the young Deneuve off her feet in the early 1960s. They had a son together (Christian Vadim, an actor, now 43) and made a few forgettable movies. Truffaut, with whom Deneuve also had a long romantic entanglement, pushed her to take more serious roles. Deneuve was also swept off her feet by the British photographer David Bailey. They met at a nude photo shoot for Playboy in 1965 and married 15 days later. This was Deneuve's only marriage. They divorced in 1972.

A relationship in the 1970s with the Italian actor Marcello Mastroianni resulted in Deneuve's second child, a daughter, Chiara Mastroianni, now 34 and also an actress. She also had a relationship with Burt Reynolds, her co-star in Hustle (1975), in which she again plays a prostitute. It is by far her best American movie. "I defy anyone not to be moved by her in that film," says John Baxter. The Deneuve diaries of life on film sets, published three years ago, are strewn with clues about her approach to acting and her buttoned-up personality. She refuses to learn her lines thoroughly because she believes doing so makes her act mechanically. Some directors approve of this. Others are incandescent. She feels a great burden from her reputation, not only as a star but as one of the most beautiful women in the world. "That's an even heavier weight to carry," she says.

"It falsifies all relationships." In one passage Deneuve suggests that the French movie industry's difficulty in finding an audience abroad in recent years comes partly from its obsession with the director as the sole creative force, minimising the role of producers, scriptwriters and actors. "The French concept of the 'author's rights' in a movie puts the director in a position of too much solitude and demands an inhuman degree of excellence." One industry insider says Deneuve has a reputation for being "not too bright ... more a personality than an actor". This is almost certainly unfair. The performances Bunuel extracted from her in the 1960s and Truffaut in Le Dernier Metro in 1980 suggest that there is a great actress in there who occasionally comes out to play. Says Baxter: "Yes, she is in a kind of comfort zone, but that is the way the French like her.

They like her because she went away to America but came back to them and she is now part of the family, someone they recognise playing similar roles on screen and someone who does not seem too different to them off the screen." There was certainly no national hue and cry a few years ago when she admitted taking cash to make public appearances with a disgraced Algerian businessman, Rafik Khalifa, and failed to declare the money to the tax authorities. And last week it was French television producer Jean-Louis Remilleux who was penalised for his dealings with Deneuve: he was given a 10-month suspended jail sentence for having paid the actress's bills in return for her appearing on his TV show in 2004. Deneuve is notoriously naive with money. She told Le Monde that she has little to show for her long career as an icon of world cinema except her apartment on Paris's Left Bank and her house (and beloved garden) in Normandy. Deneuve once said that Truffaut "used to push me a great deal, because he knew me privately ... He always said that there was a Sleeping Beauty side to me, something that was ready to give but also refused to unbutton ...

Something that has to be unlocked." Since Truffaut's death in 1984, few people have found the key. Five of her finest roles Les Parapluies de Cherbourg (1964) Jacques Demy gave Deneuve her breakthrough role in this charmingly romantic film-opera. She plays a 17-year-old shopgirl who falls in love with a young car mechanic. When she falls pregnant, she has to choose between waiting for him to return from military service or marrying a wealthy diamond merchant. Repulsion (1965) The first and most chilling of Deneuve's classic ice-maiden roles. In Roman Polanski's superlative psychological thriller the 22-year-old actress plays a repressed virgin who is simultaneously repelled and fascinated by sex and becomes progressively tormented by paranoid delusions and hallucinations. Belle de Jour (1967) Deneuve's best-known role. Soon after Repulsion Luis Bunuel cast her as a beautiful and oppressed housewife, Severine Serizy, who makes her daydreams of bondage and sadomasochism a reality when, unbeknown to her husband, she begins work in a brothel.

Indochine (1992) Perhaps Deneuve's most lauded role, garnering her an Oscar nomination and a Cesar Award. Directed by Regis Wargnier, the film tells the story of Eliane (Deneuve), whose adopted Indochinese daughter, Camille, rejects the husband chosen for her by her family in favour of an older French naval officer, Jean-Baptiste (Vincent Perez). Dancer in the Dark (2000) Keen to maintain her status as a darling of art-house cinema, Deneuve played Cvalda to Bjork's Selma in Lars von Trier's musical-drama, the third in the controversial director's Golden Heart Trilogy. This was another singing role for Deneuve, who also steals the show in Francois Ozon's funny, camp musical murder mystery 8 Women. Alice Jones Catherine Deneuve: 'Beauty has always been a burden for me' | Daily Mail Online Catherine Deneuve: 'Beauty has always been a burden for me' comments But, as the French screen legend tells Jane Gordon, things get a lot better with time… 'The way a woman ages has much to do with genetics.

My mother has very good bone structure, which I have inherited, and it certainly helps' Catherine Deneuve is puffing on the latest device invented for nicotine addicts, an ‘electric cigarette’ – a replica of the real thing with a light at its tip that simulates a flame. It is a tribute to her enduring elegance that the iconic French actress – who is struggling to give up smoking – can make the action of inhaling this fake fag look chic and alluring. Often described as the ‘ice queen’ of French cinema, she emits a froideur that is frankly just a little frightening, crossing her legs purposefully when faced with a question she doesn’t like. Her career is, of course, fascinating: her part in Les Demoiselles de Rochefort, alongside her sister Françoise Dorléac, who died shortly afterwards in a car accident, her role in Belle de Jour as a young woman leading a double life as a frustrated housewife who becomes a daytime prostitute, and her performance as a psychopath in Roman Polanski’s Repulsion. But I am much more interested in the private Catherine Deneuve.

As a young actress she fell in love with director Roger Vadim with whom, at the age of 19, she had a son, Christian (now 48 and also an actor). Two years later, at 21, she married British photographer David Bailey (her only marriage), and when they divorced she became involved with actor Marcello Mastroianni, with whom she had a daughter, Chiara, in 1972. These days, the only personal facts known about Catherine are that she has an apartment in Paris, a country house in Normandy and is a proud grand-mère of five. Catherine, now 68, is in London to promote her latest film, Beloved, in which she stars alongside Chiara, 40. The film, in which the two play mother and daughter, is a witty but slightly twisted romantic comedy, written and directed by Christophe Honoré, in which the characters occasionally slip from speaking to singing the dialogue.

In an exclusive interview with YOU she talks about getting older, the burden of beauty and the best decade of a woman’s life… Catherine in Luis Buñuel’s Belle de Jour, 1967 The other day I saw a Chanel No 5 advertisement that I made 30-odd years ago – apparently it is a big hit on YouTube, and you can see why people today find it so sexy. In it I am wearing a black dress and you see nothing more than one knee in opaque tights, and I talk about my lover and the little things he does. It was sexy because of what I was saying, not what I was revealing. You saw nothing. Today it’s all about showing everything and saying nothing. These days I only encounter the paparazzi at festivals or premieres or public events. They no longer follow me all the time. But I do have to deal with people who recognise me in the street in Paris and ask if they can have their photo taken with me. Most of the time I say no. I did worry that it might be difficult to be in a film with my daughter Chiara.

I play her mother in Beloved but our experience is very different from the characters we play and I was concerned that it might not feel natural. But once I was on the set and saying the lines, I became the character and it was fine. Chiara has a particularly difficult scene that to talk about would reveal too much about the story, and she is brilliant. I had read the script, and I knew the story, but when I saw her playing the role in the finished film I was very moved. My daughter is adorable. We are very close. Some people don’t get on with their daughters and that is very sad. I am so glad and grateful that we have a good relationship. Working with her was wonderful. Singing is good for the soul. Singing in Beloved was not so difficult because I have done musical films since I was young. I enjoy singing in a role – it’s another way to interpret things. I gave up smoking a few months ago so now I am using electric cigarettes. They work if you have decided to stop smoking, but there is something very satisfying about a real cigarette that is missing from the electric fakes. When I smoke one I am disappointed. ‘I wouldn’t want to be a young actress today.

They are not allowed to be individual. They all have to look the same, like Barbie dolls’ The way a woman ages has much to do with genetics. My mother has very good bone structure, which I have inherited, and it certainly helps. My mother also gave me my two most important beauty tips – to be careful of the sun and to drink lots of water. Have I had surgery? Ah! That is very personal. I have no comment on surgery. Catherine and Roger Vadim with their son Christian in 1963 Catherine Deneuve with former husband David Bailey in a French cafe in 1965 My mother turned 100 this year. She lives alone in Paris; very independent but near to me, and she is quite incredible. She has a very good head; she still plays bridge, she still wins. Longevity may be in my genes but I don’t know if I will live to be 100 because I have not had the same lifestyle as my mother – she never smoked. It may be different for me. I am a feminist through experience not choice. I was a feminist from a very early age because I am from a family of women, so it comes naturally to me.

Over the years I have been involved with various causes for women. I think the best decade of my life was between 40 and 50. Forty was the turning point for me as an actress. I remember François Truffaut saying that he wanted to give me a part that had responsibilities, not just a role of a woman who was the seductress. The Last Metro, set during the occupation of Paris during the Second World War, was very important in my career. I was cast as the gentile wife of a Jewish theatre director, who I struggle to hide from the Nazis while working as an actress and taking over his job running the theatre. After that I started to get stronger roles. Catherine Deneuve and Francoise Dorleac I am close to my family: my son Christian, my daughter Chiara, my sisters, my nieces, my grandchildren. Family and friends should come first, but sometimes they have to take second place to work. Do I love clothes? Love is maybe too strong a word. I like clothes and when you are an actress you get used to dressing up for events, in costumes in films. I worked with Yves Saint Laurent for a long time; I was his friend but never his muse.

I met him in 1966 on Belle de Jour and it was quite something to be so young and wearing YSL. More recently I admire Prada. It is not true that Roger Vadim – who loved blondes – persuaded me to go from brunette to blonde when we were having a relationship. It was my decision. I wanted to try it and I liked it. Later I played several roles as a brunette, but I was always happier blonde. I still am… I have a lot of shoes. Shoes are something I have always found interesting. When you choose a dress you have to have the right shoes to balance the look – it has to be the right heel, shape, colour and so on. Roger Vivier and Manolo Blahnik are probably my favourites. In life shoes may not seem that important but in dressing they are. Am I vain? I don’t understand – does the word vain in English mean vanity? I know the song [she sings] ‘You’re so vain you probably think this song is about you’. No, I am not obsessed by the way I look. But cinema is a visual medium and you have to look good.

Catherine with Gerard Depardieu in The Last Metro in 1980 When I was young I sometimes found being regarded as a beauty a burden. I didn’t like the attention. But now that I am older, I can live a normal life. I wouldn’t want to be a young actress today. They are not allowed to be individual in their look. The film industry now is closely related to fashion, and actresses walking on the red carpet have to look like supermodels. In my day we had to look fantastic for a special event, but now an actress has to look perfect all the time because they know that if they don’t, someone will take a picture, it will fly round the world on the internet and they will be finished. As a result, there is no individuality. They all look the same, like Barbie dolls. I think English actresses do better at maintaining an individual image because they are more eccentric. I love Carey Mulligan – even on the red carpet she still looks like herself. I think she is a wonderful actress. And I really like the Australian actresses Naomi Watts and Cate Blanchett. I could never have been a model in the way actresses today are expected to be; I was never thin enough.

I love a wonderful meal at the end the day and a good burgundy. I try to be careful but I am not American – I am not always worrying about calories and working out. Catherine in Beloved alongside daughter Chiara I have had two children, many relationships, but only one husband, David Bailey. We are still friends. I saw him in Paris recently. He makes me laugh; he has always been very funny. I like men who have a light spirit. It’s OK to be serious about your work but in everyday life it’s difficult to find men who are very alive and positive. In life I like people who are cheerful. My grandchildren are a big part of my life – I have five now, the youngest, a wonderful little girl, arrived two months ago. They certainly do not call me grand-maman. I won’t tell you what they call me. It’s a short, very nice name, but it’s private. I have no fear of ageing. I am still working. When you are young you suffer and worry so much more – everything is so important and serious, but with time things get better.

Beloved is in cinemas now MOVIES : Hello, I'm Catherine Deneuve : The French actress has always been cool and aloof, but even an international star has to serve the PR machine sometimes - latimes MOVIES : Hello, I'm Catherine Deneuve : The French actress has always been cool and aloof, but even an international star has to serve the PR machine sometimes December 27, 1992 |HILARY de VRIES | Hilary de Vries is a frequent contributor to Calendar For one of the world's most beautiful women, Catherine Deneuve talks awfully, awfully fast. The icon of French chic is still gorgeous enough at 49, as her American publicist puts it, "to make you sick." But perched on the sofa in her Los Angeles hotel suite, the Parisian actress who has come to symbolize French womanhood on a global scale is talking, talking, talking (about film, about France, about Hollywood, about the difference between European and American stardom and the startling fact that you can get a meal in the U.S. at almost any hour) with the slightly bored, agitated air of someone who has heard it all before.

"In America," she says pronouncing it Ah-mer-eek-a , "it is 'never too young, never too rich.' " Rich as in reech . Maybe it's the language differences, although Deneuve's English seems pretty up to speed, that causes her to be given to these kind of sweeping generalities delivered with a certain obvious impatience. On her position in French cinema: "In France I am very loved, very privileged." On the many famous European directors she has worked with: "I have been lucky enough to do films with directors who write their own stories." On being an older actress: "It is nicer to grow old in Europe. In America, it is always the question--'The face-lift?' " Well, perhaps Deneuve's rectitude is simply the result of her first working visit to the United States in four years, to promote her latest film, "Indochine," an epic saga of France's occupation of Indochina in the 1930s written for Deneuve by director and screenwriter Regis Wargnier. "I have done so many interviews," the actress says somewhat wearily.

"The meaning of life, the meaning of a woman's life--everything except what you supposed to be talking about, work and promotion for a film. Even in France, where people are used to talking about personal feelings, I don't answer many things." Indeed, Deneuve's defense of her briskly businesslike behavior on this recent afternoon could also serve as a tartly worded subtitle to her screen presence. Her ethereal beauty notwithstanding, the Deneuve persona has been consistently, coldly aloof throughout her 30-year career. She has been called "the ice queen" by more than one reviewer and her acting theories, based on nuance and a minimalist approach toward behavior, seem to bear that out. "I try not to think that I am acting, but that I am the person," Deneuve says. "And instead of giving the audience your fantasies completely (in a performance), I think it is more interesting to give them a place where they can imagine things instead of knowing everything," Deneuve says.

"But maybe that is very French." The actress's best performances--Jacques Demy's "The Umbrellas of Cherbourg," for which she won a Palme d'Or award at Cannes in 1964, Roman Polanski's 1965 thriller "Repulsion" and Luis Bunuel's surrealist fairy tale "Belle du Jour" in 1967--have capitalized on her impassive but singular physicality, using it as a prism through which repressed passion, and particularly sexual passion, has been filtered. Polanski said that he cast Deneuve as the schizophrenic young woman who becomes a murderer, "because I needed an angelic girl who could kill a man with a razor." Bunuel, who is Spanish by birth, is said to have found in Deneuve "an Anglo-Saxon, someone with a static visage, a constant deadpan," as the actress herself once put it. It is a peculiarly Gallic persona, this opaque siren, and one that has been buttressed by the actress's off-screen life.

Although Deneuve was married to the British photographer David Bailey for five years in the late 1960s, her better-known relationships include a liaison with director Roger Vadim, who directed Deneuve in the films "Le Vice et la Virtue" and "Et Satan Conduit le Bal" when she was still only a teen-ager and with whom she has a son, Christian. She also had an affair with actor Marcello Mastroianni, her co-star in Nadine Trintignant's "It Only Happens to Others" and the father of her daughter, Chiara, born in 1972. Indeed, American audiences tend to know the actress largely by reputation. Only a handful of Deneuve's foreign-made films met with significant box office in the United States., and her infrequent forays into Hollywood films--"The April Fools" with Jack Lemmon in 1969 and "Hustle" with Burt Reynolds in 1975--have not been successful.

Until the release of "Indochine" here this month, Deneuve's most recent film to attract a major international audience was Francois Truffaut's "The Last Metro" in 1980, which paired the actress with that other French cinematic icon, Gerard Depardieu. "There is no such thing as a Hollywood career for a French actress today," says Deneuve, suddenly turning voluble. "You can come here and do films like Juliette Binoche, but you can't come here and have a career."

Question: French actress Catherine Deneuve has been married once, from 1965 to 1972, to whom?
Answer: Photographer David Bailey