Catherine Deneuve (Actress) - Pics, Videos, Dating, & News Catherine Deneuve Female Born Oct 22, 1943 Catherine Deneuve is a French actress. She gained recognition for her portrayal of aloof and mysterious beauties in films such as Repulsion (1965) and Belle de jour (1967). Deneuve was nominated for an Academy Award for Best Actress in 1993 for her performance in Indochine; she won CÃ©sar Awards for that film and The Last Metro (1980).… Read More related links Older Woman, Younger Man? A 'valid Comic Idea' To Woody Allen Yahoo News - May 11, 2016 ' After unveiling his latest film, \"Cafe Society\", in Cannes, featuring a love story between a young woman and powerful older man, Allen was asked if he would ever consider switching the roles -- something still somewhat taboo on the big screen.

As if to inspire him, French film queen <mark>Catherine Deneuve</mark>, 72, drew a standing ovation for a long and passionate kiss with French actor Laurent Lafitte, 42, on stage at the opening of the festival. Allen has had a turbulent personal lif... The Most Memorable Celebrity Ponytails Through The Decades Huffington Post - Jan 14, 2016 ' The ponytail doesn\'t get the respect that it\'s due. It may be a pretty straightforward hairstyle, but the versatility of this look proves why it has remained popular throughout history.Â Fifties actresses Sandra Dee and Audrey Hepburn sported ponytail hairstyles that are perfect for shoulder-length locks. There\'s no need to look further than <mark>Catherine Deneuve</mark> for voluminous pony inspiration. And we all know that Ariana Grande learned her high ponytail tricks from the orig... Fashion It Girl Sabine Ghanem Dishes On Her Personal Style And Impossibly Chic Wardrobe.

Huffington Post - Nov 04, 2015 'Jewelry designer Sabine G came on the scene just two years ago and has rapidly gained attention not only for her jewels, but for her flawless style and the jet-set company she keeps. Profiles by Vogue, W and Harper\'s Bazaar have immortalized her as a veritable fashion darling. But perhaps she is best known for her nuptials this past May to Joseph Getty which took place over the course of a weekend in Rome. Lavish parties and Liaisons Dangereux costumes headlined the festivities in advance o... Film Clip: 'in The Name Of My Daughter' Wall Street Journal - May 14, 2015 'Watch a film clip from \"In the Name of My Daughter,\" starring Guillaume Canet, <mark>Catherine Deneuve</mark> and AdÃ¨le Haenel. Photo: Cohen Media Group' Learn about the memorable moments in the evolution of Catherine Deneuve. CHILDHOOD 1943 Birth Born on October 22, 1943.

TEENAGE 1957 13 Years Old Deneuve made her film debut in 1957 and first came to prominence in Jacques Demy's 1964 musical The Umbrellas of Cherbourg, before going on to star for Polanski in Repulsion (1965) and for BuÃ±uel in Belle de Jour (1967) and Tristana (1970). … Read More She was nominated for the BAFTA Award for Best Actress for Belle de Jour, and the Academy Award for Best Actress for Indochine. She also won the 1998 Volpi Cup for Best Actress at the Venice Film Festival for Place VendÃ´me, and the 2002 Silver Bear for Best Actress at the Berlin Film Festival for 8 Women. Other films include Scene of the Crime (1986), My Favourite Season (1993) and Potiche (2010). Her English-language films include The April Fools (1969), Hustle (1975), The Hunger (1983) and Dancer in the Dark (2000).

Read Less TWENTIES 1964 20 Years Old … Deneuve was born Catherine Fabienne DorlÃ©ac in Paris, France, the daughter of French stage actors Maurice DorlÃ©ac and RenÃ©e Simonot. Deneuve has two sisters, FranÃ§oise DorlÃ©ac (an actress, who died in a car crash in 1967, aged 25) and Sylvie DorlÃ©ac (born 14 December 1946), as well as a maternal half-sister, Danielle, whom their mother had out of wedlock in 1937 with Aime Clariond, but who was later adopted by Maurice and took his surname. Deneuve was her mother's maiden name, which she chose for her stage name, in order to differentiate herself from her sisters. Deneuve attended Catholic schools.

<br /><br />Deneuve was 13 when she made her film debut with a small role in AndrÃ© Hunebelle's Les CollÃ©giennes (1957) with her younger sister Sylvie DorlÃ©ac, who, along with their older half-sister Danielle, was an occasional child actress. Read Less She subsequently appeared in several films for director Roger Vadim as well as in L'Homme Ã femmes (1960), which caught the eye of Jacques Demy, who cast Deneuve in his 1964 musical Les Parapluies de Cherbourg, the film that brought her to stardom. … Read More Deneuve first portrayed the cold but erotic persona, for which she would be nicknamed the "ice maiden", in Roman Polanski's horror classic Repulsion (1965), reinforcing it in Luis BuÃ±uel's Belle de Jour (1967), and reaching a peak in Tristana (1970).

Her work for BuÃ±uel would be her most famous.<br /><br /> Further prominent films from this early time in her career included Jean-Paul Rappeneau's A Matter of Resistance (1966), and Demy's musical Les Demoiselles de Rochefort (1967). Deneuve remained active in European films during the 1960s and 1970s, though she limited her appearances in American movies of the period to The April Fools (1969), a romantic comedy with Jack Lemmon, and Hustle (1975), a crime drama with Burt Reynolds. Her starring roles at the time were featured in such films as A Slightly Pregnant Man (1973) with Marcello Mastroianni and Le Sauvage (1975) with Yves Montand. Read Less 1965 21 Years Old Deneuve has been married only once, to photographer David Bailey from 1965 to 1972.

… Read More She has lived with director Roger Vadim, actor Marcello Mastroianni, cinematographer Hugh Johnson, and Canal+ tycoon Pierre Lescure.<br /><br /> Deneuve has two children: actor Christian Vadim, from her relationship with Roger Vadim, and actress Chiara Mastroianni, from her relationship with Marcello Mastroianni. She has five grandchildren.<br /><br /> In 2000, a Golden Palm Star on the Palm Springs, California, Walk of Stars was dedicated to her. Read Less FORTIES 1988 44 Years Old … In the 1980s, Deneuve's films included FranÃ§ois Truffaut's Le Dernier mÃ©tro (1980), for which she won the CÃ©sar Award for Best Actress, and Tony Scott's The Hunger (1983) as a bisexual vampire, co-starring with David Bowie and Susan Sarandon, a role which brought her a significant lesbian following.

Read Less She made her debut film as a producer in 1988, DrÃ´le d'endroit pour une rencontre, alongside frequent co-star Gerard Depardieu. 1992 48 Years Old In the early 1990s, Deneuve's more significant roles included 1992's Indochine opposite Vincent Perez, for which she was nominated for an Academy Award for Best Actress and won a second CÃ©sar Award for Best Actress; and AndrÃ© TÃ©chinÃ©'s two movies, Ma saison prÃ©fÃ©rÃ©e (1993) and Les Voleurs (1996). … Read More In 1997, Deneuve was the protagonist in the music video for the song N'Oubliez Jamais sung by Joe Cocker. Read Less FIFTIES 1998 54 Years Old In 1998 she won acclaim and the Volpi Cup at the Venice Film Festival for her performance in Place VendÃ´me.

… Read More In the late 1990s, Deneuve continued to appear in a large number of films such as 1999's five films Est-Ouest, Le temps retrouvÃ©, Pola X, Belle maman, and Le Vent de la nuit.<br /><br /> In 2000, Deneuve's part in Lars von Trier's musical drama Dancer in the Dark alongside Icelandic singer BjÃ¶rk was subject to considerable critical scrutiny. The film was selected for the Palme d'Or at the Cannes Film Festival. She made another foray into Hollywood the following year, starring in The Musketeer (2001) for Peter Hyams. Read Less 2002 58 Years Old In 2002, she shared the Silver Bear Award for Best Ensemble Cast at the Berlin International Film Festival for her performance in 8 Women.

LATE ADULTHOOD 2005 61 Years Old In 2005, Deneuve published her diary A l'ombre de moi-meme ("In My Own Shadow", published in English as Close Up and Personal: The Private Diaries of Catherine Deneuve); in it she writes about her experiences shooting the films Indochine and Dancer in the Dark. … Read More She also provided the voice role of Marjane Satrapi's mother in Satrapi's animated autobiographical film Persepolis (2007), based on the graphic novel of the same name. Read Less 2008 64 Years Old In 2008, she appeared in her 100th film, Un conte de NoÃ«l. … Read More Deneuve's more recent work in the 2010s includes Potiche (2010) with Depardieu, Les Bien-aimÃ©s (2012), in which she acts alongside former co-stars Ludivine Sagnier and Chiara Mastroianni, and Emmanuelle Bercot's On My Way (2014).

During an interview at the Cannes Film Festival with Ali Naderzad, Deneuve was asked which was her own favorite film. "I still say it was The Umbrellas of Cherbourg. To do a film completely with music like an opera was an incredible experience. But to work with music all the time, it's such a lift, you know? It's an opera, it's very different." Deneuve continues to work steadily making at least two or three films per year.<br /><br /> Deneuve appeared nude in two Playboy pictorials in 1963 and 1965. Her image was used to represent Marianne, the national symbol of France, from 1985 to 1989. As the face of Chanel No. 5 in the late 1970s, she caused sales of the perfume to soar in the United Statesso much so that the American press, captivated by her charm, nominated her as the world's most elegant woman. In 1983, American Home Products retained her to represent their cosmetics line and hired world-renowned photographer Richard Avedon to promote its line of Youth Garde cosmetics, for which she famously proclaimed, "Look closely.

Next year I will be 40." Read Less 2013 69 Years Old In 2013, she was honoured for her lifetime achievement at the 26th European Film Awards. Catherine Deneuve Profile Remind Me Catherine Deneuve A paradigm of Gallic beauty, Catherine Deneuve's flawless features and chilly onscreen persona made her the art house muse of Europe's greatest directors and an unrelenting object of desire for men the world over. Though her talent was undisputed, it was often overshadowed by her extraordinary beauty. Any doubts that she was fated to be a star were dispelled once Jacques Demy cast her in his critically acclaimed feature film musical "The Umbrellas of Cherbourg" (1964). Three years later, the French actress became an international movie star after starring as a bored housewife who fulfills her sexual fantasies while working as an afternoon call girl in Luis Bunuel's classic, "Belle de Jour" (1967). Living a glamorous life filled with more than its share of drama and passion, the great beauty proved herself a great artist as well, particularly as she aged and played down that which had made her famous.

The third child of four daughters, she was born Catherine Fabienne Dorleac on Oct. 22, 1943 in Paris, France to stage actors Maurice Dorleac and Renee Deneuve. Unlike her extroverted sister, Francoise, who was one year her senior, Deneuve's interests lied more with graphic art than acting, but her stunning features and family history would dictate her fate in front of the camera. She first waded into the acting pool as a teenager when Francoise convinced Deneuve to audition for the part of her sister in the feature film, "Les Portes Claquent" (1960). The experience did little to convince the shy teen that she wanted to make acting a habit. In spite of her indifference, success came quickly. If that was not enough to persuade her, then an encounter with a famous French director would. Roger Vadim - former husband of famous French sex kitten Brigitte Bardot and American actress Jane Fonda - was a known as a bit of a Svengali with a reputation for attracting beautiful younger women, despite his own peculiar visage. Stunning and only 17 years old, Deneuve fit Vadim's requirements perfectly.

He was 32 years old when he began romancing the teenage starlet, so it was not long before Deneuve left the close-knit confines of her parent's home to live with the possessive director. Deeply in love with Vadim, it was because of him that Deneuve made a possibly life altering decision. She dyed her naturally brown hair to blonde to please her man, thus unwittingly cementing her destiny as one of the most sought after, yet elusive blonde goddesses in French cinema history. In 1963, Vadim directed Deneuve in the disappointing "La Vice et la Vertu," in which the still green actress gave a rare bland performance, as Justine, the beacon of innocence and virtue versus evil, in a script loosely inspired by the Marquis de Sade and set during the Nazi occupation of Paris in 1944. While there was no shortage of starring roles with world renowed directors, Deneuve's personal life ran less smoothly. At the age of 19, she found herself pregnant with Vadim's child.

Just month after giving birth to their son, Christian, in 1963, the relationship with Vadim ended, leaving her to face the daunting task of raising a child as a single mother. In an ironic twist of fate, her real life began to resemble her art, as Deneuve soon began filming "The Umbrellas of Cherbourg," portraying a young girl who enters a loveless marriage with a rich man, after she is left pregnant and alone when her boyfriend is sent to war (1964). The experience of being able to channel her own pain and fears into her performance suddenly ignited within her a newfound passion for acting. Controversial director, Roman Polanski was no different than the rest of Europe's hot directors, in his desire to work with the young and relatively inexperienced actress. In her English speaking film debut, he cast Deneuve in his thriller masterpiece "Repulsion" (1965). In it, Deneuve delivered a creepy performance, as Carol, a sexually repressed, paranoid schizophrenic, whose descent into madness results with her murdering men who lust after her.

In 1967, Deneuve was having a landmark year, hitting amazing career highs and suffering unspeakable personal lows. She starred in the most iconic role of her career in "Belle de Jour," confirming her as not only a movie star, but as a fashion icon as well. She was not only the fantasy of Europe's greatest directors; she also became the muse of legendary fashion designer Yves Saint Laurent, who was inspired by Deneuve after designing her timelessly chic wardrobe for "Belle de Jour." That same year, she co-starred with her sister Francois Dorleac in "The Young Girls of Rochefort," (1967), directed by one of her favorite filmmakers, Jacques Demy. At the age of just 24, Deneuve was already a major movie star and sitting on top of the world. However, that same year, she would suffer one of the greatest losses of her young life when her beloved older sister, Francois, was killed in a fatal car accident on the French Riviera at the age of 25. The sisters were extremely close and Deneuve was devastated.

Despite her grief - or perhaps because of it - Deneuve barely paused to catch her breath in the wake of her sister's death, working continuously. Though Deneuve found Spanish director, Luis Bunuel, difficult to work with the first time, she wisely reteamed with her "Belle de Jour" director in "Tristana" (1970). Yet again, she expertly portrayed the innocent beauty exploited by a lecherous older man; however, unlike in "Belle," this time her character achieved independence and eventually exacted revenge on the man who exploited her. Critics raved and the film garnered an Academy Award nomination for "Best Foreign Language Film." With her career at its peak, Deneuve shifted focus to finding true love - someone who could love her for her and not the larger-than-life Venus on the screen. Never suffering from a shortage of male companionship, Deneuve was pursued relentlessly by all manner of men. However, getting a relationship to stick was another story. In 1965, she married hipster British photographer David Bailey. They separated in 1970, officially divorcing in 1972.

By that time, Deneuve had already moved on to a very public affair with her married "La Cagna" (1971) co-star, Marcello Mastroianni. That same year, Deneuve gave birth for the second time, to their daughter Chiara Mastroianni. The relationship with Mastroianni hit a wall in 1975, but the two remained friends until his death in 1996, when Deneuve and their daughter both sat at his bedside to bid him goodbye. Not all men were durable enough to withstand Deneuve's intoxicating charms. Such was the case for director, Francoise Truffaut. Exactly when Truffaut and Deneuve had an affair was unclear, but reportedly he had a nervous breakdown when she ended the relationship. It was perhaps around that time when Truffaut cast Deneuve in one of her few villainous roles, playing a mail order bride who absconds with her naïve husband's money in "Mississippi Mermaid" (1969). The 1970s found the constantly employed actress adding model to her resume when she signed on as the face of Chanel No 5.

The campaign was a huge success around the world; particularly in the U.S., where sales soared. In the ensuing decades, Deneuve's enduring beauty would continue to win her lucrative endorsement deals. At the unheard of age of 62, she inked a deal with Mac Cosmetics in 2006, and a year later, nabbed a contract modeling for Louis Vuitton. Americans were so intrigued with the French beauty that the American press nominated her as the world's most elegant woman. Deneuve made a few attempts at acting in American films, but despite her stardom in France and America's fascination with the face of Chanel, Deneuve and Hollywood never totally clicked. In 1969, she had starred with Jack Lemmon in the comedy "The April Fools" (1969), as a couple who fall in love with each other, but with one caveat - they are unhappily married to other people, The film did little to raise Deneuve's profile in the states, but six years later, she returned to U.S.

theaters as half of one of the most mismatched pairs in film history when she co-starred with Burt Reynolds in the crime drama, "Hustle" (1975). Though the reviews were decent, it barely made a dent at the box office. By 1980, Francoise Truffaut had recovered from his breakup with Deneuve enough to direct her in "The Last Metro" (1980). Set in Paris during the Nazi occupation, Deneuve played a woman trying to conceal her Jewish husband from the Nazis while also trying to keep the rest of their lives afloat. The film won an Academy Award for "Best Foreign Language Film" and Deneuve took home the French Cesar for Best Actress. Deneuve's third Hollywood strike was in 1983 when she leapt at the chance to star as a seductive vampire in the slick Tony Scott feature, "The Hunger" (1983). Deneuve and David Bowie portrayed a stylish, vampire couple living in Manhattan who set out in search of new blood; they soon meet and seduce Sarah (Susan Sarandon), making her one of the un-dead.

For once, Deneuve was playing the powerful seducer and not the seduced. Critics generally hated the movie, but it developed a cult following among Goths and lesbians for its dark tone and Sapphic love scenes between Deneuve and Sarandon. After her uneventful forays into Hollywood, Deneuve was always happy to return to her homeland and her usual fare of art house projects. It was, after all, where her best roles came from. As was the case in 1992 when, at the age of 49, she was nominated for an Academy Award for Best Actress in a Motion Picture for her portrayal of a plantation owner in 1930s Indochina in "Indochine" (1992). Deneuve lost the statue to Emma Thompson for her role in "Howard's End," but "Indochine" took the Oscar and the Golden Globe for Best Foreign Language Film and Deneuve won a Cesar for Best Actress. By the late 1990s, she was well past the age when most American actresses would be virtually forced into retirement.

Fortunately, for Deneuve, the French were more forgiving of women over 30 and she continued working at her usual productive pace. Still beautiful, yet no longer defined by her beauty, Deneuve was finally free to take on roles other than of the fantasy woman. That was never more clear than when she co-starred in "Dancer in the Dark" (2000) with the eccentric Icelandic singer, Bjork, in which she portrayed the singer's factory worker sidekick, of all things. Deneuve had seen director Lars Von Trier's "Breaking the Waves" (1996) and was so impressed with the Danish director; she wrote him a letter requesting a part in one of his upcoming projects. He obliged, and her performance provided further proof - though none was needed by this time of her life - that she was much more than a pretty face, and had always been. Deneuve made another brief return to Hollywood in 2006, following in the footsteps of other stars vying to make guest appearances on the outrageous drama series "Nip/Tuck" (FX 2003- ).

Her character was no less over-the-top than the series itself, with Deneuve portraying a grief stricken mistress who wants her deceased lover's ashes inserted into her breast implants; that is, until her former lover's angry wife storms the office and ends the romantically creepy gesture. A year later, in true Deneuve fashion, she chose another unique project; lending her voice to the edgy Academy Award-nominated French animated feature, "Persepolis" (2007). Based on the graphic/memoir novels by Marjane Satrapi, the film was praised for its anti-Disney heroine, a rebellious, teenaged Iranian girl who loves heavy metal. Keeping it all in the family, Deneuve's real-life daughter Chiara Mastroianni voiced the teenage girl in the critically acclaimed hit. (Bio courtesy of TCMDb) Catherine Deneuve Profile @ ClickTheCity Movies [ Freebase ] Catherine Deneuve (born 22 October 1943) is a French actress. She gained recognition for her portrayal of aloof and mysterious beauties in films such as Repulsion (1965) and Belle de jour (1967).

Deneuve was nominated for an Academy Award for Best Actress in 1993 for her performance in Indochine; she also won César Awards for that film and The Last Metro (1980). One of France's most renowned actresses, she has also appeared in seven English-language films, most notably the 1983 cult classic The Hunger. In 2008, she appeared in her 100th film, Un conte de Noël. --- Deneuve was born Catherine Fabienne Dorléac in occupied Paris to French stage and screen actor Maurice Dorléac and actress Renée Deneuve (born 1911). Deneuve is the second of their three daughters. Her older sister was Françoise Dorléac (1942–1967) and her younger sister is Sylvie Dorléac (born 1946). They have a maternal half-sister, Danielle (born 1937). Deneuve attended Catholic schools. As Catherine Dorléac, she made her film debut at age eleven in Les Collégiennes (1957), filmed in 1955 but not released until two years later.

Deneuve subsequently began using her mother's surname professionally so she wouldn't be confused with her elder sister, Françoise Dorléac, who was using their father's name. Deneuve then starred in films such as Vice and Virtue (1962), directed by Roger Vadim. The film that brought her stardom was Jacques Demy's 1963 musical Les Parapluies de Cherbourg. She made two more films with Demy, most notably another musical, Les Demoiselles de Rochefort (1967), with Dorléac – who was killed in a car accident the following year – as her twin sister.

Further prominent films from this early time in her career included Roman Polanski's Repulsion (1965), Jean-Paul Rappeneau's La Vie de château (1966), which employed her 'underused comic skills', and Luis Buñuel's Belle de Jour (1967), – as the ' haut-bourgeois housewife who achieves sexual satisfaction working in a Parisian brothel.' In the Polanski film, Deneuve first portrayed the character archetype for which she would be nicknamed the "ice maiden", playing a beautiful Belgian girl, an emotionally distant and mysterious woman 'going homicidally insane in Kensington.' Her work for Buñuel would be her most famous, and her screen persona as "a cold, remote erotic object which dreams are made on" reached a peak, according to the critic Philip French, in her second Buñuel film Tristana, (1970). Deneuve remained active in European films throughout the 1960s and 70s, but limited her appearances in American films of the period to The April Fools (1969) and Hustle (1975).

--- In 1965, Deneuve appeared nude in a Playboy pictorial. One of the world's great beauties, her image was used to represent Marianne, the national symbol of France, from 1985 to 1989. As the face of Chanel No. 5 in the late 1970s, she caused sales of the perfume to soar in the United States – so much so that the American press, captivated by her charm, nominated her as the world's most elegant woman. --- In 1961, at age 17, Deneuve moved in with director Roger Vadim, who was 16 years her senior. They had a son, Christian Vadim, on 18 June 1963. The pair ended their relationship a month later. On August 19, 1965, Deneuve married British photographer David Bailey. They divorced in 1972 but remain friends, and Deneuve has since said, "Marriage is obsolete and a trap." Following her separation from Bailey, Deneuve had a relationship with actor Marcello Mastroianni, with whom she co-starred in five films.

Deneuve gave birth to their daughter, Chiara Mastroianni, on 28 May 1972. The couple split in 1975 but remained friends. Deneuve was present at his bedside when he died of pancreatic cancer on December 19, 1996. Deneuve also had a brief relationship with actor Clint Eastwood in 1966, while on a break from Bailey, and dated director François Truffaut in the late 1970s. She had an on-and-off, long-term relationship with Canal+ tycoon Pierre Lescure during the 1980s and '90s. In an August 2007 interview, the intensely private Deneuve stated that she was in a relationship but would not disclose the name of her partner. Deneuve has four grandchildren. She became a grandmother for the first time at age 43 in September 1987, when Christian's 18-year-old girlfriend gave birth to their son Igor. Her other grandchildren are: Milo (b. 1996, Chiara's son with Pierre Torreton), Anna (b.

2003, Chiara's daughter with Benjamin Biolay), and Lou (b. 2010, Christian's daughter with Julia Livage). Actress Catherine Deneuve to sell her £3.2million chateau in the Parisian countryside | Daily Mail Online Actress Catherine Deneuve to sell her £3.2million chateau in the Parisian countryside Chateau de Primard, in Guainville, west of Paris, boasts home cinema, 750-sq-ft sauna suite, 700-sq-foot bedrooms Outdoors designed by famed landscape gardener Jacques Wirtz, who sculpted hedges of the Elysee Palace in Paris Oscar-nominated actress, 70, 'wants to retreat to countryside' after decades in 18th century estate comments Oscar-nominated French actress Catherine Deneuve has put her sprawling 18th century chateau on the market for £3.2million. Chateau de Primard, set in a leafy pocket west of Paris, boasts a home cinema cinema, 750-square-foot sauna suite, and a staggering 530-square-foot kitchen.

The garden, complete with an outdoor pool, was famously designed by landscape gardener Jacques Wirtz, who sculpted the hedges of the Elysee Palace in the capital. For sale: Chateau de Primard, in Guainville, 46 miles west of Paris, boasts a home cinema, 530-square-foot kitchen and two 700-square-foot bedrooms Ms Deneuve, who was married to celebrated British photographer David Bailey between 1965 and 1972, is widely regarded as one of French cinema's greatest exports. The 70-year-old cinema star made her name playing aloof characters for directors including Roman Polanski and Luis Bunuel - earning her BAFTA and Oscar nominations. For decades, she has split her time between the 1,300-square-foot estate and an inner-city flat for decades - but now hopes to retreat to the countryside to 'relax'. RELATED ARTICLES Share this article Share With eight master bedrooms, numerous outbuildings, and an outdoor pool, demand for the four-floor property in Guainville, 46 miles from central Paris, has rocketed since it was put up for sale this month by Sotheby's.

The ground floor features a dining room, a 'lounge boudoir', a living room, and the 530-square-foot kitchen. The 18th century mansion is one of just around 300 homes in the leafy pocket of northern France hugging the Eure river. It was converted into a farm in the 1960s but has since been restored Retreat: Catherine Deneuve, 70, has spent decades splitting her time between Guainville and Paris. Recently, the cinema doyenne, who starred in Roman Polanski's Repulsion (right) revealed she wants to retreat to the countryside On the first floor, the future owner will inherit a 700-square-foot master bedroom, a further two smaller bedrooms, a bathroom, guest suite, and a child's room. Alongside another 700-square-foot master bedroom, the second floor has a 750-square-foot sauna suite, two more children's rooms, another guest suite, and a lounge. The top floor is made up simply of a lounge and a home cinema.

The estate, was remodelled into a farm during the 1960s, but has since been restored to its 18th century style. Ms Deneuve, who was married to British photographer David Bailey, is lauded as French cinema's greatest export, but has lived a quiet and solitary life on the estate, locals say Locals said Ms Deneuve led a quiet life on her own in the village, home to just 300 properties. She was regularly seen out in the Eure-et-Loir region shopping for plants and mingling with residents. According to the mayor of Guainville, Jocelyne Poussard, Ms Deneuve also paid regular visits to her 18th century mansion nearby. Last month, Ms Deneuve told local media she wants to be in the countryside to relax. Ms Deneuve recently waded in on the scandal of President Hollande's alleged affair, defending him from a tirade of abuse. It came after fellow actress Sophie Marceau branded the leader 'a jerk' and 'a coward' - words Ms Deneuve slammed as 'rude' and 'astonishing'.

Catherine Deneuve: 'Beauty has always been a burden for me' | Daily Mail Online Catherine Deneuve: 'Beauty has always been a burden for me' comments But, as the French screen legend tells Jane Gordon, things get a lot better with time… 'The way a woman ages has much to do with genetics. My mother has very good bone structure, which I have inherited, and it certainly helps' Catherine Deneuve is puffing on the latest device invented for nicotine addicts, an ‘electric cigarette’ – a replica of the real thing with a light at its tip that simulates a flame. It is a tribute to her enduring elegance that the iconic French actress – who is struggling to give up smoking – can make the action of inhaling this fake fag look chic and alluring. Often described as the ‘ice queen’ of French cinema, she emits a froideur that is frankly just a little frightening, crossing her legs purposefully when faced with a question she doesn’t like.

Her career is, of course, fascinating: her part in Les Demoiselles de Rochefort, alongside her sister Françoise Dorléac, who died shortly afterwards in a car accident, her role in Belle de Jour as a young woman leading a double life as a frustrated housewife who becomes a daytime prostitute, and her performance as a psychopath in Roman Polanski’s Repulsion. But I am much more interested in the private Catherine Deneuve. As a young actress she fell in love with director Roger Vadim with whom, at the age of 19, she had a son, Christian (now 48 and also an actor). Two years later, at 21, she married British photographer David Bailey (her only marriage), and when they divorced she became involved with actor Marcello Mastroianni, with whom she had a daughter, Chiara, in 1972. These days, the only personal facts known about Catherine are that she has an apartment in Paris, a country house in Normandy and is a proud grand-mère of five. Catherine, now 68, is in London to promote her latest film, Beloved, in which she stars alongside Chiara, 40.

The film, in which the two play mother and daughter, is a witty but slightly twisted romantic comedy, written and directed by Christophe Honoré, in which the characters occasionally slip from speaking to singing the dialogue. In an exclusive interview with YOU she talks about getting older, the burden of beauty and the best decade of a woman’s life… Catherine in Luis Buñuel’s Belle de Jour, 1967 The other day I saw a Chanel No 5 advertisement that I made 30-odd years ago – apparently it is a big hit on YouTube, and you can see why people today find it so sexy. In it I am wearing a black dress and you see nothing more than one knee in opaque tights, and I talk about my lover and the little things he does. It was sexy because of what I was saying, not what I was revealing. You saw nothing. Today it’s all about showing everything and saying nothing. These days I only encounter the paparazzi at festivals or premieres or public events. They no longer follow me all the time. But I do have to deal with people who recognise me in the street in Paris and ask if they can have their photo taken with me.

Most of the time I say no. I did worry that it might be difficult to be in a film with my daughter Chiara. I play her mother in Beloved but our experience is very different from the characters we play and I was concerned that it might not feel natural. But once I was on the set and saying the lines, I became the character and it was fine. Chiara has a particularly difficult scene that to talk about would reveal too much about the story, and she is brilliant. I had read the script, and I knew the story, but when I saw her playing the role in the finished film I was very moved. My daughter is adorable. We are very close. Some people don’t get on with their daughters and that is very sad. I am so glad and grateful that we have a good relationship. Working with her was wonderful. Singing is good for the soul. Singing in Beloved was not so difficult because I have done musical films since I was young. I enjoy singing in a role – it’s another way to interpret things. I gave up smoking a few months ago so now I am using electric cigarettes.

They work if you have decided to stop smoking, but there is something very satisfying about a real cigarette that is missing from the electric fakes. When I smoke one I am disappointed. ‘I wouldn’t want to be a young actress today. They are not allowed to be individual. They all have to look the same, like Barbie dolls’ The way a woman ages has much to do with genetics. My mother has very good bone structure, which I have inherited, and it certainly helps. My mother also gave me my two most important beauty tips – to be careful of the sun and to drink lots of water. Have I had surgery? Ah! That is very personal. I have no comment on surgery. Catherine and Roger Vadim with their son Christian in 1963 Catherine Deneuve with former husband David Bailey in a French cafe in 1965 My mother turned 100 this year. She lives alone in Paris; very independent but near to me, and she is quite incredible. She has a very good head; she still plays bridge, she still wins.

Longevity may be in my genes but I don’t know if I will live to be 100 because I have not had the same lifestyle as my mother – she never smoked. It may be different for me. I am a feminist through experience not choice. I was a feminist from a very early age because I am from a family of women, so it comes naturally to me. Over the years I have been involved with various causes for women. I think the best decade of my life was between 40 and 50. Forty was the turning point for me as an actress. I remember François Truffaut saying that he wanted to give me a part that had responsibilities, not just a role of a woman who was the seductress. The Last Metro, set during the occupation of Paris during the Second World War, was very important in my career. I was cast as the gentile wife of a Jewish theatre director, who I struggle to hide from the Nazis while working as an actress and taking over his job running the theatre. After that I started to get stronger roles.

Catherine Deneuve and Francoise Dorleac I am close to my family: my son Christian, my daughter Chiara, my sisters, my nieces, my grandchildren. Family and friends should come first, but sometimes they have to take second place to work. Do I love clothes? Love is maybe too strong a word. I like clothes and when you are an actress you get used to dressing up for events, in costumes in films. I worked with Yves Saint Laurent for a long time; I was his friend but never his muse. I met him in 1966 on Belle de Jour and it was quite something to be so young and wearing YSL. More recently I admire Prada. It is not true that Roger Vadim – who loved blondes – persuaded me to go from brunette to blonde when we were having a relationship. It was my decision. I wanted to try it and I liked it. Later I played several roles as a brunette, but I was always happier blonde. I still am… I have a lot of shoes. Shoes are something I have always found interesting.

When you choose a dress you have to have the right shoes to balance the look – it has to be the right heel, shape, colour and so on. Roger Vivier and Manolo Blahnik are probably my favourites. In life shoes may not seem that important but in dressing they are. Am I vain? I don’t understand – does the word vain in English mean vanity? I know the song [she sings] ‘You’re so vain you probably think this song is about you’. No, I am not obsessed by the way I look. But cinema is a visual medium and you have to look good. Catherine with Gerard Depardieu in The Last Metro in 1980 When I was young I sometimes found being regarded as a beauty a burden. I didn’t like the attention. But now that I am older, I can live a normal life. I wouldn’t want to be a young actress today. They are not allowed to be individual in their look. The film industry now is closely related to fashion, and actresses walking on the red carpet have to look like supermodels.

In my day we had to look fantastic for a special event, but now an actress has to look perfect all the time because they know that if they don’t, someone will take a picture, it will fly round the world on the internet and they will be finished. As a result, there is no individuality. They all look the same, like Barbie dolls. I think English actresses do better at maintaining an individual image because they are more eccentric. I love Carey Mulligan – even on the red carpet she still looks like herself. I think she is a wonderful actress. And I really like the Australian actresses Naomi Watts and Cate Blanchett. I could never have been a model in the way actresses today are expected to be; I was never thin enough. I love a wonderful meal at the end the day and a good burgundy. I try to be careful but I am not American – I am not always worrying about calories and working out. Catherine in Beloved alongside daughter Chiara I have had two children, many relationships, but only one husband, David Bailey. We are still friends. I saw him in Paris recently. He makes me laugh; he has always been very funny. I like men who have a light spirit.

It’s OK to be serious about your work but in everyday life it’s difficult to find men who are very alive and positive. In life I like people who are cheerful. My grandchildren are a big part of my life – I have five now, the youngest, a wonderful little girl, arrived two months ago. They certainly do not call me grand-maman. I won’t tell you what they call me. It’s a short, very nice name, but it’s private. I have no fear of ageing. I am still working. When you are young you suffer and worry so much more – everything is so important and serious, but with time things get better. Beloved is in cinemas now Catherine Deneuve - Celebrity information Catherine Deneuve Biography: Catherine Deneuve (born October 22, 1943, Paris) is an Oscar-nominated French actress.

Born Catherine Dorléac to the actor Maurice Teynac (né Dorléac) and his wife Renée Deneuve, she made her movie debut in the 1956 film "Les Collegiennes," when she was still a teenager (her elder sister, Françoise Dorléac, 1942-1967, was a popular actress before dying in a car crash). Her breakthroughs came with the musical film Les Parapluies de Cherbourg (The Umbrellas of Cherbourg) (Jacques Demy, 1964), the late Surrealist masterpiece Belle de Jour (Luis Buñuel, 1967), and the Franco-English production Repulsion (Roman Polanski, 1965). She won the César Award for Best Actress in 1981 for her performance in Le Dernier métro. She won the César Award for Best Actress a second time for her starring role in the 1992 film, Indochine and was nominated for an Academy Award for Best Actress for the same performance.

She is a UNESCO Goodwill Ambassador and is the mother of two children: Christian Vadim (born 1963), by her relationship with the director Roger Vadim, and Chiara Mastroianni (born 1972), by her four-year relationship with Marcello Mastroianni. She has been married once, from 1965 to 1972, to the British photographer David Bailey. She was also nominated for a César Award for her roles in: 2001 - 8 Women (8 Femmes) 1999 - Place Vendôme 1997 - Les Voleurs 1994 - Ma saison préférée 1989 - Drôle d'endroit pour une rencontre 1988 - Agent trouble 1982 - Hôtel des Amériques 1976 - Le Sauvage Filmography Palais Royal!

(2005) Princesse Marie (TV) (2004) Les temps qui changent (2004) Roi et reine (2004) Un filme falado (2003) Les liaisons dangereuses (TV) (2003) Au plus près du paradis (2002) 8 femmes (2002) The musketeer (2001) Je rentre à la maison (2001) Dancer In The Dark (Lars von Trier), (2000) Belle maman (1999) Est-Ouest (1999) Le Temps retrouvé (1999) Pola X (1999) Le vent de la nuit (1999) Place Vendôme (1998) Sans titre (1997) Généalogies d'un crime (1997) Court toujours : l'inconnu (TV) (1996) Les voleurs (1996) O Convento (1995) Ma saison préférée (1993) Ind

ochine (1992) La reine blanche (1991) Drôle d'endroit pour une rencontre (1988) Fréquence meurtre (1988) Agent trouble (1987) Le lieu du crime (1986) Paroles et musique (1984) Fort Saganne (1984) Le bon plaisir (1984) The Hunger (1983) L'africain (1983) Le choc (1982) Hôtel des Amériques (1981) Le choix des armes (1981) Je vous aime (1980) Le dernier métro (François Truffaut), (1980) Courage fuyons (1979) A nous deux (1979) Ils sont grands ces petits (1979) Ecoute voir...

(1979) L'argent des autres (1978) Casotto (1977) March or die (1977) Anima persa (1977) Si c'était à refaire (1976) Hustle (1975) Le sauvage (1975) L'agression (1975) Zig zig (1975) La femme aux bottes rouges (1974) Touche pas à la femme blanche (1974) Fatt di gente per bene (1974) L'évènement le plus important depuis que l'homme a marché sur la lune (1973) Un flic (1972) Liza (1972) Ca n'arrive qu'aux autres (1971) Peau d'âne (Jacques Demy), (1970) Tristana (1970) La sirène du Mississippi (François Truffaut), (1969) The april fools (1969) Achievements:

Question: French actress Catherine Deneuve was the second wife of which photographer?
Answer: DAVID BAILEY