'Fifteen minutes of fame' - the meaning and origin of this phrase Fifteen minutes of fame Numbers Meaning This is a well-known as a quotation from Andy Warhol. It does derive from Warhol but his actual line was somewhat different - "In the future everybody will be world famous for fifteen minutes.". Origin In February 1968 Warhol exhibited his first international retrospective exhibition at the Moderna Museet gallery in Stockholm. The exhibition catalogue contained "In the future everybody will be world famous for fifteen minutes.". It is far and away the best-known of the many quotations attributed to Warhol, in fact it is probably the only comment of his that most people know. The line began to bore Warhol in later years when interviewers kept asking him about it. In 1979 he did repeat it though, claiming that the line had truth - "my prediction from the sixties finally came true: In the future everyone will be famous for fifteen minutes.". As things have turned out the rise of celebrity culture and reality television in the Western world since then has shown Warhol to be quite prophetic. In The Future Everyone Will Be World Famous For 15 Minutes.

| Rachel's Design Blog In The Future Everyone Will Be World Famous For 15 Minutes. October 18, 2011 § Leave a comment While researching the evolution of technology and its role in communication I stumbled upon an NPR podcast, Warhol Was Right About ’15 Minutes Of Fame’ discussing how social media has seen Andy Warhol’s vision of fame realized. Warhol said that, “In the future everyone will be world famous for 15 minutes,” while this is a well known quote many have struggled to decipher exactly what he meant by this. I don’t think the 1960’s Pop artist was by any means a prophet or a time traveler, but I do think that he saw something about American culture and consumerism that most people were too close to see. Warhol saw that everything around us is manufactured and made to be consumed, even the news. Warhol also realized the vanity of people and how this vanity and need to feel important in the world fed largely into consumerism. Many people felt he made a mockery of the art scene by presenting commercial illustrations as art. What many people still don’t understand is that by doing this Warhol was able to create a visual conversation on manufacturing.

Warhol saw the idea of ‘celebrity’ as a not only manufactured product, but also something everyone desired. Warhol used images of Marilyn Monroe, Elvis Presley, Campbell’s Soup and electric chairs to celebrate the celebrity and how it is consumed. Warhol’s statement “In the future everyone will be world famous for 15 minutes,” has come true because of social media. Social media has given the public authorship and power in the media. The general public no longer has to sit back and simply consume news and information, we now have the ability to be not just a part of the flow of news and information but also a source. Warhol said in his book From A to B & Back Again: The Philosophy of Andy Warhol “I’m confused about who the news belongs to. I always have it in my head that if you name’s in the news, then the news should be paying you. Because it’s your news and they’re taking it and selling it as their product. But then they always say they’re helping you. And that’s true too, but still, if people didn’t give the news their news and if everybody kept their news to themselves, the news wouldn’t have any news.

So I guess you should pay each other. But I haven’t figured it out fully yet.” Social media gives people to a forum to share their news and to be famous in their own right for 15 minutes. I have been working on away to visually communicate how this idea. A way to say Warhol was right, everyone does have their 15 minutes of Fame and it’s come true on Facebook. I liked the idea of incorporating the Marilyn Monroe image, because I think its recognizable as a piece of Andy Warhol’s work and as Marilyn the celebrity. I hope using this image will make people think of Warhol’s philosophies of consumption and celebrity. I then thought to use Facebook avatar before you upload a profile picture to show that through Facebook Warhol’s prophecy has come true. The avatar representing that it can be anyone. I’ve made a few pieces but my problem currently is that although almost everyone my age is on Facebook the profile avatar isn’t really very recognizable. I’m not sure if this makes my idea more interesting, because it shows how much Facebook has permeated out culture, almost like we’re so close and involved with it that we can’t see our way out. Warhol’s Marylin Here Are my first few attempts.

My thought was to recreate Andy Warhol’s Marilyn through screen printing it with the Facebook Avatars on top. However, after consulting with the screen printing studio I’ve decided that would be too tricky and time consuming. My next idea was to print the image of Marilyn onto canvas and then simply screen print the Facebook avatar on top. I ran in trouble though because I couldn’t find the 3×3 image I had been using in high resolution, not good for printing. After some thought and looking through some more of Warhol’s pieces I’m wondering if it’s really necessary to use repetitive imagery. I’m trying to deconstruct this piece down to its simplest forms to best communicate my message of how anyone can have their Marilyn 15 minutes of fame on facebook. This is the next round I’ve done. The last piece, which I made yesterday, I think I like the best. It appears that Marilyn is fitting into the Facebook image, like a puzzle. I want it to look like anyone can fit into this space which why I left the white sliver. I’m not sure if it’s there yet.

But I kinda of like that people can’t recognize the Facebook Avatar at fist, its like the arrow in the FedEx logo, at first you don’t notice it, but then that’s all you can see. Any thoughts, comments are welcome! Like this: Andy Warhol's '15 minutes' of fame are not up yet - CNN.com Andy Warhol's '15 minutes' of fame are not up yet By Katherine Dorsett Bennett, CNN Updated 8:33 PM ET, Wed September 5, 2012 Chat with us in Facebook Messenger. Find out what's happening in the world as it unfolds. Photos: Andy Warhol's 15 minutes – The Campbell Soup Company celebrates the 50th anniversary of Andy Warhol's soup can series with special edition labels. Hide Caption Andy Warhol's 15 minutes – Campbell's has produced four specially-designed labels reflecting Warhol's pop art style. Hide Caption Andy Warhol's 15 minutes – Andy Warhol once famously stated, "Pop art is for everyone." Hide Caption 3 of 9 Photos: Andy Warhol's 15 minutes – Marilyn Monroe was one of many celebrities Warhol used in his works.

Hide Caption 4 of 9 Photos: Andy Warhol's 15 minutes – "Double Elvis (Ferus Type)" by Andy Warhol at Sotheby's auction house in central London. Hide Caption Andy Warhol's 15 minutes – The Andy Warhol Museum is in Pittsburgh. Hide Caption 6 of 9 Photos: Andy Warhol's 15 minutes – The Andy Warhol painting "Shadows," which is longer than a football field, is on exhibit at the Hirshhorn Museum in Washington. Hide Caption 7 of 9 Photos: Andy Warhol's 15 minutes – Andy Warhol, Self-Portrait © 2012 The Andy Warhol Foundation for the Visual Arts Inc. / Artists Rights Society (ARS), New York. Hide Caption 8 of 9 Photos: Andy Warhol's 15 minutes – Andy Warhol, Self-Portrait © 2012 The Andy Warhol Foundation for the Visual Arts Inc. / Artists Rights Society (ARS), New York.

Hide Caption Campbell's has produced limited-edition soup can labels honoring Andy Warhol Some of Warhol's famous quotes are printed on the soup cans, too Andy Warhol once famously stated that "Pop art is for everyone" Iconic Pop artist Andy Warhol is often quoted for his statement, "In the future, everybody will be world-famous for 15 minutes." Twenty-five years after his death, his influence on contemporary art has well surpassed the 15-minute mark. Campbell Soup Company is the latest entity to honor his legacy. This week, 1.2 million limited-edition cans of condensed tomato soup with labels inspired by his Pop art go on sale. The specially designed Campbell's soup cans pay tribute to his lively color palette, using orange, blue, pink and teal to spruce up the familiar design. The labels commemorate the 50th anniversary of Warhol's famed art piece "32 Campbell's Soup Cans." Some of Warhol's famous quotes are printed on the Campbell's cans, too, including "Pop art is for everyone." This quote is significant as his wide-ranging body of work helped "blur the boundaries between high and low culture," said Michael Hermann, director of licensing at The Andy Warhol Foundation .

Warhol appealed to a massive audience from all walks of life, he said. Warhol's humble roots stem from a working-class neighborhood in Pittsburgh, where he was born in 1928. As an adult, he moved to New York City, where he set up a studio and built his fame and fortune. His enormous body of work included multiple mediums and featured subjects ranging from celebrities such as Marilyn Monroe to simple, everyday items such as a banana. "I believe Warhol's popularity is certainly due in part to his uncanny ability to present the familiar from unexpected perspectives through visually and conceptually impactful works of art. However, it seems his influence today comes as much from his biography as someone who embodied the American dream and celebrated creativity and individuality," said Hermann. When once asked why he painted the soup cans, Warhol noted, "I used to have the same (Campbell's soup) lunch every day for 20 years." He was also known to say, "I was looking for something that was the essence of nothing, and that was it." His unique style of artistic expression and world view is credited for launching his career and the Pop art movement.

Art collectors have paid millions of dollars for some of Warhol's pieces, but shoppers at Target, where the limited-edition soup cans are on sale, will have to shell out only 75 cents for a 10.75-ounce can. "What continues to amaze me is that 25 years after his death, Warhol continues to have a profound influence on our culture," said Hermann. "For me, this is a true testament to his genius, and I can only imagine that Andy would have loved shopping at Target for this soup." Campbell Soup Company never commissioned Warhol to paint the original soup cans. Former president and CEO of the company, William Beverly Murphy, initially had reservations about Warhol's work 50 years ago, and Campbell took a "wait and see approach" before fully supporting him. Now, the company takes great pride in its association with the iconic artist. "Thanks to Andy Warhol's inspired paintings, Campbell's soup will always be linked to the Pop art movement," Ed Carolan, vice president and general manager, of Campbell North America stated in a news release to CNN.

"It is only fitting that 50 years later, we celebrate the enduring legacy of these two American icons by coming full circle and bringing his art back to the Campbell's soup cans that provided him with inspiration," noted Hermann. The Campbell's soup labels were produced under license from The Andy Warhol Foundation, a not-for-profit corporation that promotes the visual arts. Some revenue generated from the project will fund the foundation's endowment, from which it distributes grants that support the "creation, presentation and documentation of contemporary visual art," according to Hermann. In addition to the soup cans, Campbell has partnered with The Metropolitan Museum of Art in New York as a sponsor of the educational programs associated with an exhibit paying tribute to Warhol. The show, "Regarding Warhol: Sixty Artists, Fifty Years," opens September 18. Warhol's piece "Big Campbell's Soup Can, 19¢" is included in the exhibition, along with some of his other famous works. What are your favorite Andy Warhol images? Share your opinions in the comments section below. Who coined the phrase ’15 minutes of fame’? | What can I learn today? What can I learn today?

8 Jan Back when Big Brother first began in Australia, I was hooked. I absolutely loved Sara-Marie Fedele – her bunny ears, her infectious laugh and, most of all, what seemed to be her burgeoning romance with fellow inmate housemate Blair McDonough, who went on to star in Neighbours. Sadly, none of the following seasons could quite hold my interest in the same way, but they did herald the arrival of a genre I’ve come to love and loathe in equal parts – reality TV. At it’s best, this sort of programing is part instructional and part entertaining. Think Project Runway, The Biggest Loser, MasterChef, Survivor, The Block or even Go Back To Where You Came From. At middling it can be a bit over the top and/or cheesy, but reasonably inoffensive. See Dog the Bounty Hunter or Farmer Wants A Wife But at it’s worst it’s an absolute waste of space, with the mental nourishment of a soft cheese that’s been left in the sun for a day. Think Jersey Shore, The Only Way is Essex, Girls of the Playboy Mansion, Rock of Love, Paris Hilton’s My New BFF etc etc.

Now in these latter cases, the ONLY reason for such shows to exist is to prove that any halfwit/bogan/skank/racial stereotype can be famous for 15 minutes. I mean good on Snooki for extracting every last dollar from her profile through avenues such as animal print and self tanners. But when you hang out with someone who calls himself The Situation with no sense of irony, we’re not exactly looking at the next generation of Nobel prize winners, are we? And truthfully, that’s not the point or plan. It’s all about cashing in on those 15 minutes of fame before the spotlight invariably (and thankfully) fades. Which prompted me to wonder exactly who coined the phrase. I had heard vague rumours the concept originated with Andy Warhol. And this turned out to be true, although it’s actually a paraphrase of his words. The original line – featured in a catalogue for an exhibition in Stockholm in 1968 – proclaimed that “In the future everybody will be world-famous for 15 minutes.” The way things are going he will turn out to be right.

Although please god, in the case of anyone who lists ‘Real Housewife’ as their occupation or classifies all critics as ‘haters’, let it come down to 10. At the very least, let the TV powers-that-be pick up on my reality show, Hasbeen Hideaway. This involves sending former reality TV ‘stars’ (air quotes intended) to an island where they must forage for themselves and complete set challenges. Each week one of them gets voted out by the public, except in my version they don’t just get banished, they get summarily executed. Who’s with me? 15 Minutes of Fame - TV Tropes 15 Minutes of Fame You need to login to do this. Get Known if you don't have an account Share In the future, everyone will be world-famous for 15 minutes . — Andy Warhol , predicting YouTube with a surprising degree of accuracy. They love you when you're on all the covers... When you're not, then they love another... — Marilyn Manson , "The Dope Show" So, it looks like it's just going to be another one of those normal regular old days when, all of a sudden, something exciting happens!

One character does something unusual enough that there's a sudden media spotlight on them- there's all this attention headed their way and they can't get enough of it! ...Until, inevitably, the media gets bored and moves onto some other bizarre story. Ah well. At least you had your fifteen minutes. Has a high chance of leading to An Aesop about being satisfied with what you have, and not to be too bummed when everybody gets bored by your one-note gag. Note that what activity, exactly, causes the 15 Minutes of Fame differs depending on the portrayal. More dramatic works will use a somewhat plausible act of heroism to get the point across—say, rescuing someone from a fire, or from drowning. This will be done to get a point across via Character Development . In comedy, the act will be something unusual but ultimately ridiculous. Like eating a thousand scoops of ice cream, or shaking the hand of a celebrity. Here, the point will often be to make jokes at the expense of the media. A character trying to keep a low profile will often let another soak in the fifteen minutes, for fear of being discovered. See A Day in the Limelight for this trope in the meta-sense.

Often leads to Acquired Situational Narcissism . Compare A Fool and His New Money Are Soon Parted , where it is money rather than popularity that comes and goes. Examples: open/close all folders Anime and Manga Volume #11 of School Rumble . Lala Gonzales accidentally adopts a new, very distinctive temporary look, then displays her fighting ability in Shibuya. She becomes "Queen of Shibuya", with girls aping her odd style, and for a week becomes a poster girl for cosmetics and the like. But when her CD single flops, Lala returns to her normal exchange student life. Film One of the stories in the movie The Ten had a guy get stuck in the ground after a skydiving accident and wrest fifteen minutes of fame and a short-lived sitcom out of it ... until the media got bored with the story. The aptly-named 15 Minutes (a Robert De Niro movie) had this as the motivation for one of the murderers. The movie Hero (1992) is about a man who rescues people from a crashed aircraft and gets 15 minutes of fame, only he doesn't want it.

Through a case of Mistaken Identity another passenger is identified as the rescuer and claims credit and the media spotlight that the real Hero has shunned. Gladys Glover gets her fifteen in It Should Happen to You by posting her name on billboards all around New York City. But begins to hate it when she has to be in an ï¿½crookedï¿½ ad. Literature Happens in Audrey, Wait! when Audrey's ex-boyfriend writes a hit song about his break-up with her. So You've Been Publicly Shamed by Jon Ronson is about people who get their 15 minutes for the wrong reasons. Live Action TV In The Secret World of Alex Mack , Alex and one of her friends runs across a kid trapped under a giant pipe. Her friend tries to lift it and Alex uses her powers to make it seem like he does in order to save the kid. The kid turns out to be the governor's son- which promptly puts the spotlight (and, consequently, suspicion from the main villain) on this kid who somehow manages to lift a pipe that weighs hundreds of kilograms.

In Heroes , after Claire rescues a man from a fire early on, she lets Jackie lie about being the one who did it (all anyone saw was that the rescuer was wearing a cheerleader uniform), since she herself is mortified about the existence of her superpowers. This happens to Sally on 3rd Rock From The Sun after she punches out Mark Hamill in a restaurant. When Mary tells a jealous Dick that this is Sally's "fifteen minutes of fame", he interprets it literally and is maddened by her "fifteen minutes" lasting considerably longer than that. It ends after a few days, however, causing Sally to start acting like a White-Dwarf Starlet . Natalie on Monk gets a ridiculous amount of fame from a brief stint as a lottery girl. The crew in Leverage does this to their mark deliberately in the aptly named episode "The Fifteen Minutes Job". Married... with Children : Jefferson made a commercial and his wife didn't like the attention he got from that, his friends tried to assure her it'd be just his fifteen minutes of fame.

In the Wings episode "Just Call Me Angel", Brian becomes a media sensation when he lands a commercial flight (on which he and Joe had been passengers) when the pilots fall ill. His celebrity vanishes almost instantly when everyone becomes obsessed instead with a cat who saved her owners from a house fire. Brian is extremely depressed over this, but Joe pulls him out of it by reminding him that while the rest of the world may no longer care, everyone who was on that flight will always remember his heroism. Music Sugar Ray referenced the phrase by naming their post-breakthrough album 14:59. Kraftwerk has a song named exactly this. The main thrust of the Eagles' "New Kid In Town" is the fleeting nature of both love and fame. "They will never forget you 'til somebody new comes along..." Theatre In Anyone Can Whistle , the mayoress of a town and her cronies set up a "miracle" to attract pilgrims and boost the town's economy. Their plan works at first, but is complicated by a number of things.

The mayoress gets it straightened out just in time to see all the pilgrims (and a couple of her cronies) rushing off to the next town over, where a new "miracle" has occurred. Also used in how quickly the people in the town turn from Hapgood, whose praises they were literally singing, once they heard that he was responsible for the "miracle" running dry. Video Game Dead Rising 2 : Off the Record shows that Frank West was celebrated as a hero and even shook hands with the President after the events of the first game. He lived off the riches and fame he got until it dried up, and now people consider him a washed up D-lister. Saving the day again in this story presumably reignited his popularity. Web Original is "The Shock of Instant, Unintentional Fame". Western Animation A common plot device on The Simpsons . To wit: Homer bowls a perfect game. The excitement the townspeople have over this is lampshaded when Brockman notes how pathetic the town must be for him to be covering a story like this.

Apu and Manjula have octuplets, which briefly results in them getting copious baby supplies from well-wishes, but leaves them in a dreadful situation once the reporters move on to a story about a couple who has nonuplets. ( "Nine babies? That's barbaric!" ) Bart accidentally destroys a set while on the Krusty the Klown show, and reflexively says " I didn't do it " to the audience. They find it incredibly amusing, and he gets promoted from being Krusty's off-screen "gofer" to having an entire sketch on the show dedicated to him. He loves it, then gets sick of the repetition, then accepts it again - only for it to become a Discredited Meme in-universe. Men in Black : Agent X called for a TV crew from his home planet so they'd make him the star of their show. Being unable to get rid of them, Zed punished X by offering a chance to have K instead of X as the star, which they quickly accepted. As J pointed out, fame was so fickle X didn't even had fifteen minutes of it.

My Little Pony: Friendship Is Magic had an episode with a similar theme to it, with the Aesop being directed at Rainbow Dash. After she rescued a resident of Ponyville and the town cheered her for it, her ego started to grow. This prompted the rest of the Mane Six to teacher her a lesson in humility, dressing up as Mare Do Well. :: Indexes :: 15 Minutes of Fame_v3 - Nevertheless, the experience made her feel famous, if 15 Minutes of Fame_v3 15 Minutes of Fame_v3 - Nevertheless, the experience made... SCHOOL View Full Document “In the future, everyone will be world famous for 15 minutes,” artist Andy Warhol said, in a program for his 1968 art exhibition in Stockholm, Sweden. Warhol coined a phrase that is fast becoming a reality. In a world where anyone can get live coverage of nearly anything, virtually everyone has the opportunity to become ‘famous’ – if only for 15 minutes. Traditionally, when one thinks of fame, one thinks of television, movies, concerts… But the people of Northwest Guilford High School have a diFerent opinion.

Senior Jessica Meadath was interviewed for ±ox 8 News this summer. “I was extremely and excruciatingly awkward,” Meadath said. Being put on the spot, when interviewed without warning, can be stressful. “I was just coming up with random things…I couldn’t think,” she said. This preview has intentionally blurred sections. Sign up to view the full version. View Full Document This is the end of the preview. Sign up to access the rest of the document. Unformatted text preview: Nevertheless, the experience made her feel famous, if just for a moment, because the reporter wanted to hear about what she had to say. Being interviewed allows people to voice their opinions, Meadath said. Senior Michael Edwards agreed with this opinion. He was interviewed for the school newspaper last year. It makes people feel special, Edwards said. Senior Haley Combrinck Graham was interviewed for the Northwest Observer this summer. Discrete and Pre Calculus teacher, Joseph Hamilton, categorizes fame as recognition and appreciation. Seeing people that I know recognize that they have succeededthats powerful, Hamilton said.... Northwest Guilford High A 101 - Fall 2014 Name Reagan Rutledge Module 15 Lecture and Study Guide 1.

What is the definition of t 15.1 Study Guide Andy Warhol Quotes - BrainyQuote Andy Warhol Quotes Find on Amazon: Andy Warhol Cite this Page: Citation Andy Warhol - Wikiquote Andy Warhol Jump to: navigation , search In the future everyone will be world-famous for 15 minutes. Andy Warhol - in sourced quotes of the artist. Andy Warhol ( 6 August 1928 – 22 February 1987 ) was an American painter, filmmaker, publisher, actor and major figure in the Pop Art movement. Contents Quotes of Andy Warhol[ edit ] I think everybody should like everybody. They always say that time changes things, but you actually have to change them yourself. Andy Warhol: I think everybody should like everybody. Gene Swenson: Is that what Pop Art is all about? Andy Warhol: Yes, it's liking things. ** 'What is Pop Art? Answers from 8 Painters', Art News 62, November 1963 The reason I'm painting this way is that I want to be a machine, and I feel that whatever I do and do machine-like is what I want to do. 'What is Pop Art?

Answers from 8 Painters', Part 1, G. R. Swenson, in Art News 62, November 1963 Therefore, everything seen – every object, that is, plus the process of looking at it – is a Duchamp . Turn it over and it is. In: Avant-garde Performance and the Effervescent Body, Sally Banes, Greenwich Village 1963; p. 124 The farther West we drove [to California, Fall of 1963, with w:Gerard Malanga , w:Wynn Chamberlain , and w:Taylor Mead for an opening of Warhol's 'Liz & Elvis paintings' at the Ferus Gallery in Los Angeles], the more Pop everything looked on the highways. Suddenly we all felt like insiders because even though Pop was everywhere – that was the thing about it, most people still took it for granted, whereas we were dazzled by it – to us, it was the new Art. Once you 'got' Pop, you could never see a sign the same way again. And once you thought Pop, you could never see America the same way again.

The moment you label something, you take a step – I mean, you can never go back again to seeing it unlabeled. We were seeing the future and we knew it for sure.. ..the mystery was gone, but the amazement was just starting. [quote in 1963] In: Warhol in his own words – Untitled Statements ( 1963 – 1987), selected by Neil Printz; as quoted in Andy Warhol, retrospective, Art and Bullfinch Press / Little Brown, 1989, pp. 457 – 467 I think of myself as an American artist: I like it here.. .I feel I represent the U.S. in my art but I’m not a social critic. I just paint those things in my paintings because those things are the things I know best. I’m not trying to criticize the U.S. in any way, not trying to show up any ugliness at all. I’m just a pure artist, I guess. But I can’t say if I take myself seriously as an artist. I just hadn’t thought about it. I don’t know how they consider me in print, though.

In: Andy, My true Story 3, Gretchen Berg, Los Angeles Free Press (17 March 1967); as quoted in Andy Warhol, retrospective, Art and Bullfinch Press / Little Brown, 1989, pp. 457 – 467 * If you want to know all about Andy Warhol, just look at the surface; of my paintings and films and me, and there I am. There's nothing behind it. In: Andy, My true Story 3, Gretchen Berg, Los Angeles Free Press (17 March 1967); as quoted in Andy Warhol, retrospective, New York and Boston Museum of modern Art & Bullfinch Press / Little Brown, 1989, pp. 457 – 67 What Is Pop Art? Interviews with Eight Painters, Part 1 (1963)[ edit ] by Gene Swenson 'What Is Pop Art?

Interviews with Eight Painters (Part 1)', Art News 62, New York, November 1963; reprinted in Pop Art Redefined, John Russell and Suzi Gablik (eds.), London, 1969 It's hard to be creative and it's also hard not to think what you do is creative or hard not to be called creative because everybody is always talking about that and individuality. Everybody's always creative. Ans it is so funny when you say things aren't, like the shoe I would draw for an advertisement was called a 'creation', but the drawing of it was not.. .There are millions of actors. They're all pretty good. And how many painters are there? Millions of painters and all pretty good. How can you say one style is better then another. You ought to be able to be an Abstract-expressionist next week, or a Pop artist, or a realist, without feeling you're given up something. pp. 116-19 If an artist can't do anymore, then he should just quit; and an artist ought to be able to change his style without feeling bad.

I heard that Lichtenstein said he might not be painting comic strips a year of two from now [1963]. I think that would be so great, to be able to change styles. And I think that’s what’s going to happen; that's going to be the whole new scene. pp. 116-19 We went to see 'Dr No' [first James Bond film, 1962] at Fort-Second Street. It's a fantastic movie, so cool. We walked outside and somebody threw a cherry bomb right in front of us, in this bog crowd. And there was blood. I saw blood on people and all over. I felt like I was bleeding all over. I saw in the paper last week that there are more people throwing them - it's just part of the scene - and hurting people. My show in Paris is to be called 'Death in America'. I'll show the 'Electric-chair' pictures and the Dogs in Birmingham and car wrecks and some suicide pictures. pp. 116-19 I guess it was the big plane crash picture [why Warhol started his 'Death'-series], the front page of a newspaper: '129 DIED'.

I was also painting the Marilyns [the w:Marylin Monroe portraits, Warhol started after her tragic death in 1962] I realized that everything I was doing must have been death. It was Christmas or Labor Day - a holiday - and very time that you turned on the radio they said something like '4 millions are going to die'. That started it. But when you see I gruesome picture over and over again, it doesn't really have any effect. pp. 116-19 I started those [the ' w:Elisabeth Taylor ' pictures, Warhol made from a publicity photo of her 1960 film ' w:BUtterfield 8 a long time ago when she was so sick and everybody said she was going to die [but she recovered]. Now I'm doing them all over, putting bright colors on her lips and eyes. My next series will be pornographic pictures, they will look blank; when you turn on the black lights, then you will see them - big breast and.. .If a cop came in, then you could just flick out the lights or turn to the regular lights. How could you say that was pornography?. ..

Segal did a sculpture of two people making love, but he cut it all up, I guess because he thought it was too pornographic to be art.. .The thing I like about it is that it makes you forget about style and that sort of things; style isn't really important. pp. 116-19 The name [Pop] sounds so awful. Dada must have something to do with Pop. it's so funny, the names are really synonyms. Does anyone know what they're supposed to mean or have to do with, those names? Johns and Rauschenberg , Neo-Dada for all those years, and everyone calling them derivative and unable to transform the things they use, are now called progenitors of Pop . It's funny the way things change. I think w:John Cage has been very influential, and w:Merce Cunningham too, I think.. ..History books are being rewritten all the time. pp. 116-19 In the future everyone will be world-famous for 15 minutes.

Catalogue of an exhibition of his art in Stockholm, Sweden (1968) This quotation has produced a common cliché about fame in pop-culture which is called "15 minutes of fame" ; it has often been paraphrased or misquoted in various ways, including: In the future, everybody will be world famous for 15 minutes. In the future everyone will have their fifteen minutes of fame When asked about this quote, he would corrupt it intentionally, including: In the future, fifteen people will be famous. In fifteen minutes, everyone will be famous. Electric chair quote[ edit ] Warhol's electric chair quote (date not established) is found in many books with variations. The earliest and most reported version is: You'd be surprised how many people want to hang an electric chair on their living-room wall. Specially if the background color matches the drapes. As quoted in Moderna Museet (1968), Andy Warhol: Stockholm, Moderna Museet, February–March 1968 (exhib. cat.), Malmö: Sydsvenska Dagbladets, [ISBN]; repr.

1970, Boston: Boston Book and Art, [ISBN] As quoted in Mike Wrenn (1991), Andy Warhol: In His Own Words, London & New York: Omnibus Press [Music Sales Group], ISBN 0-7119-2400-7 [ ISBN 978-0-7119-2400-0 ] As quoted in Isabel Kühl (2007), Andy Warhol: Living Art, Munich & New York: Prestel, ISBN 978-3-7913-3814-9 [ ISBN 3-7913-3814-5 ] Common variants include: (You'd be surprised who'll hang an electric chair in the living room.

Especially if the background matches the drapes.) As quoted in Jan Greenberg, Sandra Jordan (2004), Andy Warhol: Prince of Pop, New York: Delacorte, ISBN 0-385-90079-1 [ ISBN 978-0-385-90079-9 ] Additional variants with "curtains" for "drapes" came by way of French translations being re-translated back into English for bilingual books or exhibition notices: (You wouldn't believe how many people will hang up a picture of an electric chair? especially if it matches the color of their curtains.) As quoted in Sylvie Fleury et al. (2001), Sylvie Fleury: Identity, Pain, Astral Projection (exhib.

cat., Magasin, Grenoble, France, 2001–2002), Paris: RMN (Réunion des musées nationaux) & Dijon: Presses du réel, ISBN 2-7118-4313-0 [ ISBN 978-2-7118-4313-8 ] (You wouldn't believe how many people will hang a picture of an electric chair in their room – especially if the color of the picture matches the curtains.) As quoted in Geoff Nicholson (2002), Andy Warhol: A Beginner's Guide, London: Hodder & Stoughton, ISBN 0-340-84620-8 [ ISBN 978-0-340-84620-9 ] (You wouldn't believe the number of people who hang the electric chair painting in the homes, especially if the colour of the canvas matches the curtains.) As quoted in Marie Deparis (2009), "Mounir Fatmi: Gardons Espoir / Keeping Faith" (bilingual exhibition notice, as a retranslation from the French "On n'imagine pas le nombre de

 personnes qui accrocheraient chez elles le tableau de la chaise électrique, surtout si les coloris de la toile s'harmonisent avec les rideaux.") If you want to know all about Andy Warhol, just look at the surface; of my paintings and films and me, and there I am.

There's nothing behind it.. .I see everything that way, the surface of things, a kind of mental Braille. I just pass my hands over the surface of things. [1973] In: Warhol in his own words – Untitled Statements ( 1963 – 1987), selected by Neil Printz; as quoted in Andy Warhol, retrospective, Art and Bullfinch Press / Little Brown, 1989, pp. 457 – 467 ISBN 978-0156717205 At the times in my life when I was feeling the most gregarious and looking for bosom friendships, I couldn't find any takers so that exactly when I was alone was when I felt the most like not being alone. The moment I decided I'd rather be alone and not have anyone telling me their problems, everybody I'd never even seen before in my life started running after me to tell me things I'd just decided I didn't think it was a good idea to hear about.

As soon as I became a loner in my own mind, that's when I got what you might call a "following." As soon as you stop wanting something you get it. I've found that to be absolutely axiomatic. Ch. 1: Puberty During the 60's, I think, people forgot what emotions were supposed to be. And I don't think they've ever remembered. I think that once you see emotions from a certain angle you can never think of them as real again. That's what more or less has happened to me. I don't really know if I was ever capable of love, but after the '60's I never thought in terms of "love" again. Ch. 1: Puberty I don't see anything wrong with being alone, it feels great to me. People make a big thing about personal love. It doesn't have to be such a big thing. The same for living - people make a big thing about that too. But personal living and personal loving are the two things the Eastern-type wise men don't think about. Ch.

3: Senility I love every "lib" movement there is, because after the "lib" the things that were always a mystique become understandable and boring, and then nobody has to feel left out if they're not part of what is happening. For instance, single people looking for husbands and wives used to feel left out because the image marriage had in the old days was so wonderful. w:Jane Wyatt and Robert Young. w:Nick and Nora Charles , Ethel and Fred Mertz, Dagwood and Blondie. Ch. 3: Senility What I was actually trying to do in my early movies was show how people can meet other people and what they can do and what they can say to each other. That was the whole idea: two people getting acquainted. And then when you saw it and you saw the sheer simplicity of it, you learned what it was all about. Those movies showed you how some people act and react with other people. They were like actual sociological 'For instance's.

They were like documentaries, and if you thought it could apply to you, it was an example, and if it didn't apply to you, at least it was a documentary, it could apply to somebody you knew and it could clear up some questions you had about them. Ch. 3: Senility I've never met a person I couldn't call a beauty. Ch. 4: Beauty I really don't care that much about "Beauties." What I really like are Talkers. To me, good talkers are beautiful because good talk is what I love. The word itself shows why I like Talkers better than Beauties, why I tape more than I film. It's not "talkies." Talkers are doing something. Beauties are being something. Which isn't necessarily bad, it's just that I don't know what it is they're being. It's more fun to be with people who are doing things. Ch. 4: Beauty When you're interested in somebody, and you think they might be interested in you, you should point out all your beauty problems and defects right away, rather than take a chance they won't notice them..

.On the other hand, say you have a purely temporary beauty problem—a new pimple, lackluster hair, no-sleep eyes, five extra pounds around the middle. Still, whatever it is, you should point it out.. .If you don't point out these things they might think that your temporary beauty problem is a permanent beauty problem.. .If they really do like you for yourself, they'll be willing to use their imagination to think of what you must look like without your temporary beauty problem. Ch. 4: Beauty In some circles where very heavy people think they have very heavy brains, words like "charming" and "clever" and "pretty" are all put-downs; all the lighter things in life, which are the most important things, are put down. Ch. 4: Beauty I know a girl who just looks at her face in the medicine cabinet mirror and never looks below her shoulders, and she's four or five hundred pounds but she doesn't see all that, she just sees a beautiful face and therefore she thinks she's a beauty.

And therefore, I think she's a beauty, too, because I usually accept people on the basis of their self-images, because their self-images have more to do with the way they think than their objective-images do. Ch. 4: Beauty The most beautiful thing in Tokyo is McDonald's. The most beautiful thing in Stockholm is McDonald's. The most beautiful thing in Florence is McDonald's. Peking and Moscow don't have anything beautiful yet. Ch. 4: Beauty I'm confused about who the news belongs to. I always have it in my head that if your name's in the news, then the news should be paying you. Because it's your news and they're taking it and selling it as their product. But then they always say that they're helping you, and that's true too, but still, if people didn't give the news their news, and if everybody kept their news to themselves, the news wouldn't have any news. So I guess you should pay each other. But I haven't figured it out fully yet. Ch.

5: Fame Before I was shot [June, 1968], I always thought that I was more half-there than all-there - I always suspected that I was watching TV instead of living life. People sometimes say that the way things happen in the movies is unreal, but actually it's the way things happen to you in life that's unreal. The movies make emotions look so strong and real, whereas when things really do happen to you, it's like watching television - you don't feel anything. Right when I was being shot and ever since, I knew that I was watching television. The channels switch, but it's all television. Ch. 6: Work I suppose I have a really loose interpretation of "work" because I think that just being alive is so much work at something you don't always want to do. Being born is like being kidnapped. And then sold into slavery. People are working every minute. The machinery is always going. Even when you sleep. Ch. 6: Work After being alive, the next hardest work is having sex. Of course, for some people it isn't work because they need the exercise and they've got the energy for the sex and the sex gives them even more energy.

Some people get energy from sex and some people lose energy from sex. I have found that it's too much work. But if you have the time for it, and if you need that exercise—then you should do it. But you could really save yourself a lot of trouble either way by first figuring out whether you're an energy-getter or an energy-loser. As I said, I'm an energy-loser. But I can understand it when I see people running around trying to get some. Ch. 6: Work I thought that young people had more problems than old people, and I hoped I could last until I was older so I wouldn't have all those problems. Then I looked around and saw that everybody who looked young had young problems and that everybody who looked old had old problems. The "old" problems to me looked easier to take than the "young" problems. So I decided to go gray so nobody would know now old I was and I would look younger to them than how old they thought I was.

I would gain a lot by going gray: (1) I would have old problems, which were easier to take than young problems, (2) everyone would be impressed by how young I looked, and (3) I would be relieved of the responsibility of acting young—I could occasionally lapse into eccentricity or senility and no one would think anything of it because of my gray hair. When you've got gray hair, every move you make seems "young" and "spry," instead of just being normally active. It's like you're getting a new talent. So I dyed my hair gray when I was about twenty-three or twenty-four. Ch. 6: Work The President has so much good publicity potential that hasn't been exploited. He should just sit down one day and make a list of all the things that people are embarrassed to do that they shouldn't be embarrassed to do, and then do them all on television. Ch. 6: Work What's great about this country is that America started the tradition where the richest consumers buy essentially the same things as the poorest. You can be watching TV and see Coca-Cola, and you know that the President drinks Coke, Liz Taylor drinks Coke, and just think, you can drink Coke, too.

A Coke is a Coke and no amount of money can get you a better Coke than the one the bum on the corner is drinking. All the Cokes are the same and all the Cokes are good. Liz Taylor knows it, the President knows it, the bum knows it, and you know it. Ch. 6: Work Sometimes you fantasize that people who are really up-there and rich and living it up have something you don't have, that their things must be better than your things because they have more money than you. But they drink the same Cokes and eat the same hot dogs and wear the same ILGWU clothes and see the same TV shows and the same movies. Rich people can't see a sillier version of w:Truth or Consequences , or a scarier version of w:The Exorcist . You can get just as revolted as they can—you can have the same nightmares. All of this is really American. Ch. 6: Work Sometimes you're invited to a big ball and for months you think about how glamorous and exciting it's going to be.

Then you fly to Europe and you go to the ball and when you think back on it a couple of months later what you remember is maybe the car ride to the ball, you can't remember the ball at all. Sometimes the little times you don't think are anything while they're happening turn out to be what marks a whole period of your life. I should have been dreaming for months about the car ride to the ball and getting dressed for the car ride, and buying my ticket to Europe so I could take the car ride. Then, who knows, maybe I could have remembered the ball. Ch. 7: Time Interview with w:Edward Lucie-Smith on BBC Radio 3 (17 March 1981) Edward Smith: Would you like to see your pictures on as many walls as possible, then? Andy Warhol: Uh, no, I like them in closets. Edward Smith: Why is it more of a pleasure to do 30 or 40 pictures than to do just one? Andy Warhol: Then I can, uh, listen to my soundabout which looks just like the thing that I'm wearing now, and you can listen to opera and stuff like that.

Edward Smith: Does that mean you don't have to think when you're painting? Andy Warhol: No, you can listen to really good music. Edward Smith: So, what, painting is an excuse to listen to really good music? Andy Warhol: Oh, yeah. Edward Smith: What do you think is the characteristic of a really nice person? Some people you obviously do like more than others. Andy Warhol: Ummm, well, if they talk a lot. Edward Smith: What, and don't make you talk? Andy Warhol: Yeah, yes, that's a really nice person. Edward Smith: Thank you, Andy. I still care about people but it would be so much easier not to care. I don't want to get to close: I don't like to touch things, that's why my work is so distant from myself [Nicolas Love, April 1987] In: Warhol in his own words – Untitled Statements ( 1963 – 1987), selected by Neil Printz, in Andy Warhol, retrospective, Art and Bullfinch Press / Little Brown, 1989, pp. 457 – 467

Question: Who made the phrase 'Famous for fifteen minutes' famous?
Answer: ANDY WARHOL