Super Mario Bros. (film) - Super Mario Wiki, the Mario encyclopedia Super Mario Bros. (film) “This Ain't No Game.” —Film Tagline Super Mario Bros. is an American science fiction live-action movie adaptation of and is loosely based on the Super Mario series of video games, released in theaters on May 28, 1993 [1] . While the film draws inspiration from the series, it spins elements from the games into a more realistic and darker fashion. The movie was originally written as a fantasy-style film, but gradually evolved to the point where it became a sci-fi/action film. It was written by Parker Bennett, Terry Runte, and Ed Solomon, and directed by Annabel Jankel and Rocky Morton. [2] Produced on an estimated budget of $42 million for its high-profile cast and special effects, Super Mario Bros. was the first Hollywood film based upon a video game property. [3] It is rated PG for sci-fi action and mild violence. The movie involves Brooklyn plumbers and brothers Mario (Bob Hoskins) and Luigi Mario (John Leguizamo), who are struggling to get by due to their lack of money.

They meet a girl, Daisy (Samantha Mathis), who is working on an excavation site while also trying to stop Scapelli from taking over the site for construction purposes. During this time, Luigi falls in love with Daisy, though she is soon after kidnapped by two men, Iggy (Fisher Stevens) and Spike (Richard Edson), who take her to a parallel dimension created by the meteorite impact 65 million years ago, where the dinosaurs were teleported to as soon as it struck. Here, they, like the other mammals in our dimension, evolved into vicious humans, led by President Koopa (Dennis Hopper). The brothers now have to go to the other dimension in order to save Daisy and stop Koopa from uniting the two dimensions once more and ruling both. In a 1990 issue of TV Guide magazine listing some upcoming animated movies, this movie was among those listed (suggesting it was originally meant to be animated) and scheduled for release in summer of 1991. [4] Super Mario Bros. was released on VHS later in 1993, and was later re-released on DVD in 2003.

On August 15, 2010, the DVD version was re-released in memory of Dennis Hopper, who had died two months earlier. [5] United Kingdom film distributer Second Sight Films later re-released the movie on both DVD and Blu-ray formats, originally stated to be released on August 11, 2014 [6] before being delayed to November 3 due to needing to work on new extras [7] . A SteelBook special edition of the Blu-ray release with even more special features is set to be released on February 13, 2017, exclusively through UK retailer Zavvi [8] . Contents Introduction[ edit ] The animated intro. In an animated segment, a prologue to the film is given, taking place in Brooklyn, sixty-five million years before the present (1993, at time of film's release). The dinosaurs are shown to be content, intelligent creatures that rule over the earth while mammals scurry about unnoticed. However, when a meteorite crashes into Earth, the impact carries a force so powerful it both killed off many dinosaurs while creating a parallel dimension.

In this dimension the evolution of dinosaurs continues parallel to our world's mammals, resulting in human beings, some with reptilian traits and temperaments. The narration then offers the question, "What if they found a way back?" The film then cuts to live-action, twenty years before present day (1973 using 1993 as the present), with a young woman hurriedly running down a Brooklyn street to a cathedral, carrying a bundle covered in a red blanket. There, she places her bundle down, revealing a metallic oval case. After locking a blue crystalline-shard into an opening on the case, she lovingly strokes it before pounding on the door repeatedly, then flees, running through the streets of Brooklyn once more. A nun eventually opens the cathedral front door and, noticing the metallic case at their doorstep, takes it inside. Meanwhile, the young lady continues to run down the Brooklyn streets, narrowly dodging honking drivers before reaching an open manhole, and climbs down inside. Back at the church, the nuns observe the case as it opens, revealing a large egg . The sewer scene featured in the introduction. The woman continues to run down a long sewer tunnel, eventually reaching the end, while frequently looking back in fear.

As she backs into another tunnel, a tall, sinister man emerges from the dark and demands the location of "the rock". She jumps away from him in surprise, exclaiming, " Koopa !" He grabs her, accidentally knocking a support beam which causes the tunnel to collapse around them. Koopa blocks the exit, leaving her to be crushed as she screams. Back at the cathedral, the nuns watch as the egg they discovered hatches, hearing human crying as it does. The egg then fully hatches, revealing a baby human girl . The nuns then look at the rock shard that came with the metallic case they found. Present day[ edit ] Mario and Luigi, at their home. In the present day (1993), Mario Mario and Luigi Mario are at their home and business, Mario Brothers Plumbing Services . Luigi lies on the couch, eating snacks while watching a television program, Our Miraculous World, in which the host introduces the concept of other dimensions. As the show continues, Mario receives a call in the other room for a job at the River Front Café. As the brothers hastily prepare to leave for the job, the two argue about lack of money.

Mario, as he drops Luigi's boots on him, complains that Luigi has spent money on the New York Post, a tabloid magazine. Luigi protests that it has the article on the missing Brooklyn girls, which doesn't satisfy Mario. The two set off in their van to the job, still arguing over their lack of money. Luigi decides to use his instincts instead of Mario's directions, taking a "shortcut" through an alleyway. The Mario brothers eventually arrive at the Café, get their work gear, and start to walk toward the entrance, only see that the Scapelli Construction plumbing van, their corporate rivals, have beaten them to it. Iggy and Spike. Meanwhile, a newscaster discusses the closing of one of New York's largest construction projects, located near the Brooklyn Bridge, to allow New York University students to continue excavation in the advent of the discovery of dinosaur bones in the area. Head construction contractor Anthony Scapelli arrives to attempt to persuade excavation to cease so he can continue construction. Noticing his arrival, a blonde, female student named Daisy approaches him and holds her ground, refusing to quit until work is finished. Scapelli threatens the project, forcing Daisy to walk off in hopes of gaining increased security.

Elsewhere, an oddly dressed man, Spike gets into a car, where another oddly dressed man, Iggy is sitting in the passenger seat. As they notice Daisy walking into town, they begin discussing their previous failures, and that if they make another, Koopa will "kill them". They then begin their attempt at capturing her. At that moment Mario and Luigi are driving down the street, their van stalling. They pull over and open the hood, steam flowing into their faces. Mario tells Luigi to check their messages for work while he attempts to fix the radiator. Daisy continues to walk down the street, oblivious to Spike's following her. Just as Spike is about to move in, several men carrying a pane of glass walk between him and Daisy and he hits his face against the glass. Defeated, he returns to their car. Luigi first meeting his love interest, Daisy. Mario enters a nearby store for water to cool the radiator just as Daisy approaches the pay phone. She paces about, waiting for Luigi to finish checking their messages. Rather than doing so, he wordlessly hands her the phone. Mario emerges, asking if they had any work, to which Luigi replies by simply saying, "No," as his brother walks toward the van.

Luigi eventually follows, asking Mario if he thought Daisy was beautiful. Mario then urges his younger brother to talk to her, and, as soon as she finishes her call, she approaches Luigi to thank him. He awkwardly offers her a ride, leaving Mario to "translate" his message for him. She looks about and sees Iggy and Spike in their car, and, thinking them thugs of Scappelli's, accepts their offer back to the dig site. Once there Luigi asks her out for dinner later that evening, which she agrees to. Their van eventually arrives at the excavation site, and Daisy thanks the brothers for the ride. Mario then convinces Luigi to ask her to dinner that night, which Daisy accepts. That night, Luigi with Daisy, and Mario with his girlfriend, Daniella , have a double-date at an Italian restaurant together. Here the two girls discuss the dig and how it began: Scapelli's dig-team found iridium, suggesting that a meteorite had struck there at one time. Findings suggest that the meteorite could have been the same one that caused extinction of the dinosaurs. The conversation then shifts to the rock shard Daisy wears around her neck.

She reveals that she never takes it off because it is the one connection with the life she never had when she was abandoned. On hearing this, Luigi excitedly tells that he also doesn't know his parents due to their death in his childhood. Because of this, his brother Mario brought him up as a parent as well as a brother. Daisy and Luigi looked into each others eyes before in shy connection before awkwardly looking away. At this point Daniella suggests that she and Mario take the van back themselves to allow Luigi to walk Daisy home. The restaurant the four of them visit. As Mario and Daniella leave the restaurant and and enter their van, Iggy wakes Spike, who was sleeping in their car. Iggy, upon seeing Daniella, believes her to be Daisy in disguise in an attempt to trick them, and gets out of the car to try and capture her, but Spike pulls him back in. Spike notices that she is not Daisy, but Iggy tells him that she is, but she is wearing a disguise. They then decide to follow Daniella to where she lives and kidnap her there. Down the street, Luigi and Daisy start talking, eventually leading to a discussion about what Daisy is working on.

They then decide to go to the excavation site so Daisy can show Luigi more about her work. Meanwhile, Mario is saying goodbye to Daniella near her apartment. Iggy and Spike then arrive at their location on foot, waiting for Mario to drive off before grabbing her. Her screams for help go unnoticed. At the excavation site, Daisy and Luigi finally arrive, and she tells him about how Scapelli himself showed up earlier, and that she was calling her university for extra money that they wouldn't give. Daisy then leads Luigi into an underground sewer-like area, and shows him various dinosaur fossils lined the floor, one of which had opposable thumbs and looks to her as if "...it was a monster, trying to be a human being," unaware this was her mother. The two move in to kiss, but are interrupted by the sound of water spraying and the sight of two of Scapelli plumbers fleeing, after having broken a set of pipes in an effort to flood the site. Luigi and Daisy run back to Mario's apartment to get help in repairing the damage. Mario and Luigi then set to work. Iggy and Spike then show up, arguing over how they have failed in capturing Daisy five times.

Hearing a noise nearby, Iggy senses the presence of Daisy. They then find the Mario's, having fixed the pipes and stopping the flooding, and knock both of them out and capture Daisy. Mario and Luigi searching for Daisy. The brothers soon regain consciousness and frantically follow the sound of Daisy's voice, utilizing Mario's knowledge of pipe echoes to guide them through the cave. They finally come to a ledge over a steep drop, a river having formed from the flooding. across which Daisy's voice seems to come though the solid rock wall. As they stand there, Daisy's face appears through the rock and Luigi tries to jump for her, but is held back by Mario. Daisy leans herself though the rock again and Luigi attempts to grab her, but only succeeds in taking her necklace. With her necklace in his hand, Luigi looks back at the rock; Mario commenting that it was impossible. With a feeling, Luigi kisses Mario's forehead in goodbye and leaps straight through the solid rock. Mario then slips and falls through himself, transporting through a psychedelic landscape before disintegrating and reassembling on the other side in a large chamber. "...We're not in Brooklyn no more"[ edit ] The city of Dinohatten.

Circling around a giant meteorite embedded into the floor, Luigi and Mario chase after Daisy and her kidnappers, who claim to be taking her back to where she belongs. The brothers burst out of the tunnel, through a metallic door, and emerge into a crowded, noisy, and fungus-covered street in the city of Dinohattan . Pushing through the crowds, they stop dead in their tracks and look around, taking in their strange surroundings. Suddenly, they see Iggy, Spike, and Daisy on the street below. The kidnappers pull Daisy screaming into a cab. A cop then arrives and pulls the brothers away for creating an "incident." They fall through a railing, and fall onto the streets below. They then decide to take in their surroundings before taking the next step. As they are walking away from an area in the city, a hidden Goomba peers from the shadows. In Koopa's Tower , Koopa and his lover, Lena , discuss how pathetic and disgusting their world is. Koopa notes the situation is worsening by the day, while in the parallel world the mammal-evolved humans have plenty of resources, such as food and clean air and water.

He continues to bemoan the germs and fungus that fill their world, which he claims they were "exiled" too by the meteorite strike sixty-five million years ago. However, he claims that the mammals may roam free in the other dimension now, but not for much longer. With ecstatic pleasure, Koopa claims that with the rock and Princess Daisy, he will finally be able to merge their world with that of the mammals, as well as destroy them. As he sits at his desk, Iggy and Spike enter, greeting him as their cousin and reporting that the princess has been captured. Excited, Koopa asks where the rock is. The two admit that "the plumbers took it", referring to Mario and Luigi. Instantly, Koopa demands Lena to put up an alert for their capture. Toad, a musician on the streets of Dinohattan. Outside, Mario and Luigi are trying to figure out where they are, and are eventually confronted by an old lady who asks if they are "new in town", citing that the city is dangerous to be in without a weapon. When Luigi admits they are unarmed, the old lady pulled out a large taser and demands " Koopa coins ".

Noticing Daisy's necklace around Luigi's neck, she pulls it off just as a large black woman in red, Big Bertha , approaches from behind. Seeing the necklace, Bertha grabs the old lady and throws her down into the street, causing much confusion below, and taking the necklace for herself. Mario asks for the rock back, but she then activates a pair of Thwomp Stompers and escapes to the other side of the street. Having noticed their dismay, a friendly street-musician named Toad begins to play an anti-Koopa song on his guitar detailing the far-worse things in his world. Two police officers then drive up and arrest him, then arrest the brothers after noticing they have plumber's gear. Meanwhile, two Goombas drag Daisy to a prison room in Koopa's Tower. Daniella and four other women are also inside. The two share a joyful reunion, with Daniella explaining that Koopa is looking for a princess, but took the wrong girls. Elsewhere, Mario, Luigi, and Toad arrive at the police station. The two brothers are "de-fungused", then placed in a prison resembling a chicken coop. Toad is placed above Mario and Luigi, who are sharing a cell.

Playing on his harmonica, Toad sings about the brothers being from another dimension. Luigi then asks what he meant by that. The musician clarifies by explaining that, according to history, the impact of a meteorite divided their universes into two parallel dimensions. He goes on to explain that he believes that the fungus infesting the city was their old king , who was de-evolved by Koopa and is now seeking revenge. The police chief calls for the Mario Bros. to be brought before their lawyer. The lawyer is actually Koopa, claiming to be a "Larry Lazard of Lazard Lazard Conda Dactyl" in an attempt to trick them into giving him the necklace. His attempts fail, however, because Mario and Luigi don't understand what he's talking about. After his patience fails, Koopa drops the facade and attacks Luigi before ordering them to be taken to the de-evolution chamber. The de-evolution chamber[ edit ] The Devo Chamber. Koopa casually walks into a large chamber with an elaborate throne-machine, in which Toad is strapped into. He insults Koopa while saying the King has returned and is all around them. Unfazed, Koopa orders the machine activated and Toad de-evolved.

While Toad transforms into a Goomba, Koopa explains that evolution is an upward process, while de-evolution is the opposite. Using this process, he can create a strong, loyal, and, most importantly, stupid subject. In anger, Luigi tries to attack Koopa but is held back by Mario. Mario asks him what he evolved from, to which Koopa replies that his ancestor was the Tyrannosaurus rex. He then threatens to de-evolve them if they don't tell him where the meteorite piece was. Instead, the brothers shove Koopa into the de-evolution chair and take out his men. Luigi then sets the machine to the Jurassic period and the pair push the chair into the de-evolution device before running off. However, their speeding up of the process causes it to end prematurely. Koopa's eye briefly fluctuates to a reptilian-slit before returning to normal. Pursued by Goombas, Mario and Luigi flee. They hide behind a support and Luigi notices that the fungus appears to be offering them a Bob-omb . Mario pulls him away before he can take it, though, and the two escape using a zipline-like contraption.

Two Goombas attempt to blast them with flamethrowers, but fail to hit them. They brothers enter the police garage, where they steal a police car. Although Mario struggles to turn it on, Luigi successfully operates the computer as a result of his video game playing, and they drive off with two other police cars in pursuit. After a short chase, Mario tricks the officers into destroying each other. The two brothers celebrate their vicotry and enter a tunnel leading to the Koopahari Desert . The computer warns them that the tunnel is unfinished, but the car leaves the city's power grid and powers down before they can brake. The car propels out of the tunnel and nearly crashes into the rocks below but is caught by the fungus, allowing them to climb out and escape into the desert. Back at his tower, Koopa and Lena are enjoying a mud bath together when Iggy and Spike hurry into the room. Apologizing for interrupting, they report on the location of Mario and Luigi, and Koopa tells them to go capture them. He then orders Lena to have Daisy cleaned and brought to him. She does so, bursting into the prison cell where the women are being held.

She identifies Daisy as, "Princess Daisy," prompting surprised looks from the other women, and leads her away. Meanwhile, Iggy bids farewell to a nervous Spike, who is locked into the de-evolution machine. On Koopa's signal, the machine is flipped from "de-evolve" to "evolve," resulting in a more intelligent Spike. Two nearby workers pull Spike from the chair and force in Iggy, who is unaware he will also be evolved. The two cousins, now intelligent, are ordered by Koopa to retrieve Mario and Luigi and the meteorite shard from the desert or be personally killed. Koopa's plan[ edit ] Daisy prepares to meet Koopa, now wearing a purple dress that belonged to her mother. Lena then enters and tells Daisy more about her mother, telling her that she took Daisy to the other dimension before she was "born," then died. Daisy asks if her father is alive, but she doesn't reveal anything. Lena then states that Koopa thinks she is the only one with the ability to merge the dimensions, and that she isn't ready to let her efforts go to waste. Meanwhile, Mario and Luigi wander in the desert lost, arguing over who is to blame for their situation.

At his tower, Koopa discusses the Goomba's Devolution Gun training with the police chief until Lena enters, announcing Daisy is ready. Daisy waits nervously in another room lit with candles and a fire, with Yoshi , a dinosaur resembling a Velociraptor walking about the room, chained by its neck. He curiously observes Daisy, who is initially frightened, then fascinated. Koopa, who had walked in seconds earlier, then surprises her by speaking and confirming that Yoshi truly is a dinosaur. He remains cool, introducing himself as ruler of this dimension. He ignores Daisy's demands about the whereabouts of her father, instead flirting while confirming that Daisy also descended from the dinosaurs. Koopa's face then begins to show lizard-like features again, which scares Daisy. She runs from Koopa and into Toad, whom Koopa instructs to take her away. Yoshi chained to the floor. The Marios fight back[ edit ] Back in the desert, Iggy and Spike locate Mario and Luigi, driving a small, six-wheeled vehicle towards them. They accidentally drive off a cliff, attracting the attention of the Mario Bros. Quickly, the brothers tie them up, demanding information.

They reveal the purpose of Daisy's necklace and Koopa's plan with it. Luigi offers a trade: the meteorite shard in exchange for Daisy. Iggy and Spike agree and, based off of Luigi's description of Big Bertha, head to the Boom Boom Bar . At Koopa's Tower, Daisy is looking out the window, but turns her attention to Yoshi when she sees him trying to bite his chain in two, and offers the dinosaur sympathy. Back in the desert, the Marios, along with Iggy and Spike, notice a garbage truck, which is unloading the trash in the middle of the desert. They knock out the garbage men, hijack the truck, and drive back into the city. At the Boom Boom Bar, Mario and Luigi don Spike's ex-wife's dance clothes to fit into the dance club. Once inside, Mario and Luigi attempt to locate Big Bertha. Iggy and Spike head to the bar, ordering drinks as a toast to Koopa's downfall. Mario finds and confronts Big Bertha, attempting to seduce her, but resulting with a punch in the face.

Mario then walks over to her again, trying reverse psychology this time, and Big Bertha demands he dance with her, during which he attempts to snatch Daisy's necklace back. He finally does so, just as the song ends, but Lena and a squad of Goombas arrive after having been tipped off by the coat check. Mario and Luigi attempt escape, but lose the necklace in the process before being aided by Big Bertha. She lends them each a pair of Thwomp Stompers, instructing them on their use. They then escape through the roof, and, while they are moving, Luigi notices that the fungus is once again trying to give them a Bob-omb. The brothers then continue running from Goombas, only to be cornered on a catwalk by cops, but escape by jumping into the back of a moving garbage truck. Mario complains that it will be impossible for them to enter the tower, but Luigi insists that nothing is impossible, only improbable. Back at Koopa's tower, the president enters a chamber filled with a type of fungus, a portion of which retreats into a larger section when Koopa enters.

He then engages in small-talk with the fungus, eventually leading to him stating that, once the dimensions are merged, all its rebellion will have been in vain. Mario and Luigi don their famous suits The garbage truck then dumps its load, Mario and Luigi included, outside Koopa's tower. Entering, they observe the badly-maintained heating pipes that serve the tower. Under Mario's instruction, Luigi begins blocking off all of the valves. An alarm is set off, forcing them to leave quickly. As they head for the elevator, Mario stops at a locker, opens it, and pulls out two mechanics' uniforms (Which look just like the clothes that Mario and Luigi wear in the video games). As the two celebrate in the elevator, the door opens and two Goombas enter. They manage to hide behind the oblivious Goombas, and as the elevator continues upwards, more and more Goombas enter, all unaware of the Marios. Meanwhile, Lena, secretly in possession of the meteorite piece, has returned to the tower with Iggy and Spike as her prisoners. She reports to Koopa that they were preaching his overthrow, to which Koopa orders them killed. He walks off, followed by Lena.

She attempts to tell him she has the necklace, as well as tell him to not use Daisy, feeling he only cares for her, but he ignores her out of anger, and mentions that the only thing he truly cares about is the future of his species. Lena then privately decides to work on her own. Back in the elevator, Luigi gets an idea from the elevator music. Gently rocking each of the Goombas individually, he begins making the Goombas dance, distracting them. At the top of the tower, Toad enters the chamber Daisy is held in, offering her some dinner, though she replies that she is a vegetarian, and requests some steamed vegetables. Lena then enters the chamber. Daisy asks her if she would help her escape, though Lena replies by pulling a knife in an attempt to kill her, her reason being that, "everyone deserves what they've earned." Yoshi uses his long tongue to pull Lena over, allowing Daisy to escape through the open door. However, Lena then stabs Yoshi and chases after her. In the hall, Daisy runs into Toad, carrying her plate of steamed vegetables, and runs away from him before encountering two Goombas escorting Iggy and Spike for execution.

They beg for her help as the Goombas pull out flamethrowers, and ignite Toad. Iggy, Spike, and Daisy escape, though she takes the fire extinguisher off the wall and puts out Toad. As the trio continue their escape, Iggy and Spike claim that they were her most loyal supporters, having been with her father since his demise. They take her to Devo 4, the chamber in which her father, as a fungal mass, is kept and leave her alone to take it all in. As Mario and Luigi make their way to Daisy, they encounter a seemingly bottomless pit. Luigi tries to jump across, and both brothers are surprised when he finds he is suspended in midair. Eventually, he is able to convince Mario to jump as well; however, Luigi finds that his belt was caught by a hook attached to a rope, and tries to tell Mario, but is too late. Mario begins the plummet to his doom, only to be saved by the fungus below, which creates a trampoline for him. Luigi then grabs Mario's hands. As Daisy is taking in the sight of her father, Yoshi enters the room.

Daisy runs over to him, notices the knife in his neck, and pulls it out. The dinosaur then directs her attention to a special gun, which she uses to activate a speaker. Mario and Luigi, having heard Daisy over the speakers, then find a grate. Daisy then tells the brothers her location, Devo 4, before they knock the grate in, unaware that Koopa is watching. Walking through the air ducts, Luigi notices that the fungus is trying to communicate, and picks the mushroom, but Mario is still unconvinced. The police chief then contacts Koopa to alert him that, per instructions, the troops were in place for the invasion of Earth. Koopa, surprised, then questions who supplied the order, to which the chief explains that he did, according to Lena. Realizing Lena possesses the meteorite piece, he demands her arrest. In Devo 4, Daisy meets up with Mario and Luigi and introduces them to her father. Luigi then realizes and tells Mario that he was the fungus that has been helping them the entire time. Daisy then reminds Mario of Daniella and tells him that she is held prisoner in the Goomba barracks. Mario quickly dashes away to save her.

However, Luigi and Daisy ran straight into Koopa and an entourage of Goombas and were immediately captured. Koopa mobilizes[ edit ] Immediately after capturing Luigi and Daisy, Koopa orders preparations for the invasion of Earth. Meanwhile, Lena attempts her escape, but is ambushed and caught by the police chief, who takes the meteorite shard from her. In the tower, Mario locates the Goomba barracks and defeats the Goombas inside, saving Daniella and the rest of the missing Brooklyn girls. He hastily barricades the door just as more Goombas attempt to enter, then sets to work on the ventilation shaft. The police chief presents the meteorite shard to Koopa, who orders Lena's release and begins rallying the Goombas. At the barracks, several Goombas blow the door open with flamethrowers, but are greeted by an empty room. They realize that the women had escaped with Mario by riding on a mattress down the frozen pipe, and they do the same in pursuit. The chase continues until Mario leaves a wrench in a hole, causing the Goomba's mattress to flip over and its passengers to fly off.

Mario and the girls then notice the exit of the air vent, with the two Goombas still following them, one on top of the other. The mattress and its passengers fly out of the shaft, while the Goombas stop short. Their crash landing distracting Koopa and allows Luigi and Daisy to join Mario's side. Koopa approaches with a flamethrower, declaring that he has won and Earth's humans will soon be de-evolved. Several announcements then come through his communicator, distracting him. This allows Luigi to grab a Banzai Bill from a broken shop display and hand it to Mario. Mario inserts it into a Thwomp Stomper from the shop, then activates the shoe. It flies into Koopa and knocks him into an empty vat located over the street. However, Koopa quickly recovers and starts to fire his flamethrower. Using some fungus, Mario swings onto the vat, climbs up it, and begins fighting Koopa, hitting him from above and causing Koopa to drop the meteorite shard, which he held in his mouth, to the ground below. Lena catches it, but falls off the ledge and onto some electrical wiring.

However, Mario tricks Koopa into believing he has the shard, and he is attacked. Lena then runs off to the meteorite chamber to merge the dimensions. Luigi, Daisy, and the other girls run after her, hoping to stop her while Mario and Koopa continue to fight, Koopa unaware Lena has the shard. Merging the dimensions[ edit ] The Bob-omb ready to go off at any moment. Luigi and Daisy enter the chamber, just in time to see Lena about to insert the shard into the meteor. Daisy begs her to stop, but she continues with her progress anyway. Koopa and Mario continue their fight on a catwalk. Looking into his belt, Mario pulls out the Bob-omb , prompting mass panic on the surrounding streets and walkways. Realizing his power, Mario winds the Bob-omb's key and places it onto the ground, where it begins walking towards a panicking Koopa. However, it falls through a crack. Unaware of its continued progress, Mario gave up on the Bob-omb and the two enemies approach each other menacingly. As the girls escape through the rock wall, Lena inserts the shard completely. The resulting energy burst destroys her.

Daisy then realizes that Koopa was correct; only she could merge the dimensions, because only she could withstand the energies the meteorite would create. Back on the street, Koopa and Mario start to disappear as the dimensions merge and Koopa begins to laugh maniacally. Daisy and Luigi begin to work together to pull out the shard, using an assortment of Mario's tools. In Brooklyn, Daniella and the other women warn those at the dig site about the coming invasion. Danielle then notes that the World Trade Center has merged with Koopa's tower. Scapelli is there, yet believes the whole thing is a hoax for publicity. Mario, Koopa, and his legion of Goombas appear next as Koopa attempted unsuccessfully to hit Mario with his fire gun, which was broken again. Casting it aside, Koopa takes a de-evolution gun from a Goomba and fires it at Mario, who dodges, allowing the beam to instead hit Scapelli, de-evolving him into an ape. Koopa then turns to de-evolve Mario, but he pulls out Luigi's mushroom and used it to absorb the beam.

The mushroom becomes larger and larger, eventually to the point where Mario uses it to knock the ray out of Koopa's. Meanwhile, Luigi and Daisy manage to remove the shard from the meteor, causing the two dimensions to separate once more. Up on the catwalk, Toad gives Luigi and Daisy each a de-evolution gun. Koopa orders his Goombas to de-evolve Mario, but Toad distracts them with his harmonica. They begin dancing as they did in the elevator. As Luigi and Daisy pass, Big Bertha throws Luigi a pair of stompers. Koopa, evidentially enraged at both the failure of his plans and the Goombas' failure to comply to his orders, angrily yells "Stupid!" and punches them, likewise resulting in them falling down dominoes-style due to their being in a single-file line. As the Bob-omb continued its trek, Koopa turned his attention to Luigi, who was coming over by using the stompers. Koopa fired at him using his fire gun, but missed, allowing Luigi to land next to his brother and hand off a de-evolution gun.

As the Bob-omb walked below Koopa, the brothers began de-evolving him into a fierce, dinosaur-like form. The Bob-omb then finally reached Koopa, exploding from beneath him causing him to shoot into the air and land in the empty vat above the street. Mario, Luigi, and the city's inhabitants watched the container in silence. Suddenly, Koopa, de-evolved into a Tyrannosaurus rex, emerges with a roar. After initially panicking, the brothers aim the guns and fire once more, devolving the tyrant into another dinosaur, a lizard, a slug, and finally primordial ooze. Immediately, all of Dinohattan cheers at the defeat of their dictator. Victory[ edit ] Stepping onto Luigi's stompers, the brothers wave and flash a victory sign to the crowd as they jump over to Daisy, who embraces them. Meanwhile in Devo 4, Daisy's father transforms back into a human from his fungus form. The three of them enter the meteorite chamber, prepared to leave for home. Unfortunately, the wall is now sealed, prompting Daisy to re-open it by refracting the power of the shard.

Luigi then beckons her to join them, but she sadly tells him she must stay to help rebuild Dinohattan and get to know her father. With an intimate kiss, they part ways. Three weeks later, Daniella has now moved into the brothers' apartment and is preparing dinner for them. Just as Luigi stands up to join them, Our Miraculous World comes on with the host discussing the Mario brothers, whom he calls the "Super Mario Bros.", having saved both Earth and the parallel dimension. Someone knocks on the door, Mario stating that it is open, and it bursts open to reveal Daisy, wearing torn military clothes and wielding a flamethrower, asking Mario and Luigi for help. The two strap on their tool belts, prepared to leave. During the post-credits scene, two Japanese businessmen comment to someone that they have a proposal: a video game based on their adventures; they are then asked for the game's name. The camera pans to reveal an oddly dressed Iggy and Spike, who suggest "Iggy's World" and "The Indomitable Spike," respectively, but then agree upon "The Super Koopa Cousins." Reception[ edit ] At release, Super Mario Bros.

received mostly mixed reviews from critics that praised the acting, set design and special effects while criticizing the writing and directing. Gene Siskel & Roger Ebert, on their program Siskel & Ebert At the Movies , gave the film two thumbs down; while they praised the film for its special effects work, their complaints were mostly about the indecision of the movie being aimed for children or adults. The film also made their list of the worst movies of 1993. Super Mario Bros. currently maintains an average review score of 15% on film review aggregator Rotten Tomatoes, with 29 out of 34 reviews being negative, their consensus stating that, "Despite flashy sets and special effects, Super Mario Bros. is too light on story and substance to be anything more than a novelty." [9] Bob Hoskins was particularly praised for his performance as Mario. Dennis Hopper's performance was praised as well, causing him to land villainous roles for more successful films. John Leguizamo's and Samantha Mathis's performances helped kick them off into more successful productions. The film was also nominated for two Saturn Awards, one being for Best Costume and the other for Best Make-up.

However, in spite of reaching a cult film status, some of the main cast members were still displeased with the film. Bob Hoskins, despite being praised and well-known for his role, did not approve of his experience working on the film (during the filming of a chase scene, Hoskins had suffered a minor hand injury in an accident with a vehicle, and therefore had to wear a pink-painted cast afterward). In an August 2007 interview with The Guardian, he complained, "The worst thing I ever did? Super Mario Brothers". In a December 2008 interview, Dennis Hopper admitted he was also unhappy with the project (Hopper's work weeks expanded from five weeks to seventeen, which he found very exhausting and frustrating). Both claimed they did their roles to support and satisfy their children. Mario's creator, Shigeru Miyamoto , stated, "[In] the end, it was a very fun project that they put a lot of effort into," but also said, "The one thing that I still have some regrets about is that the movie may have tried to get a little too close to what the Mario Bros. video games were.

And in that sense, it became a movie that was about a video game, rather than being an entertaining movie in and of itself." [10] Bob Hoskins, who played Mario in the film, expressed a distaste for his role. For a list of elements cut during the film's production, see here . “Overall, what’s your abiding memory from working on this movie?” “Humiliation.” —Director Rocky Morton, in a 2014 interview with Nintendo Life . Film producer Roland Joffé visited Nintendo of America’s headquarters in 1991, and pitched his concept for a Super Mario Bros. film to then-president Minoru Arakawa , after the idea was originally decided upon during a script meeting at Lightmotive Studios. Nintendo had already received several offers for a Super Mario movie, but Arakawa was interested by Joffé’s pitch, and the producer later flew to Nintendo's headquarters in Kyoto to present his pitch directly to Hiroshi Yamauchi .

[11] Joffé pitched the film as a prequel to the game [12] , described by him in his pitch as "'a food chain game — it tells us we’re all just somebody else’s dinner.'" [11] Nintendo later agreed to sell Joffé and Jake Eberts the rights to produce a Super Mario Bros. film for $2 million [11] , while Nintendo would retain merchandising rights [13] . Other than imposing a deadline on production [13] , Nintendo exerted little creative control over the project; Joffé would later speculate that Nintendo was mostly interested in seeing if a big-budget movie would have any impact on the Mario brand [11] . Joffé initially met with Harold Ramis to direct the film, who took the meeting because he loved the Super Mario Bros. game, but he declined the offer. [14] Joffé then chose filmmaker Greg Beeman as the director, but, after losing faith in him, replaced him with duo Rocky Morton and Annabel Jankel , best known for Max Headroom [12] .

Morton hated the script they were sent after reading it, but saw potential in the concept, and thought of the idea of the dinosaurs living in a parallel universe rather than going extinct, which Mario and Luigi happen to discover [15] . Dustin Hoffman , looking to impress his kids, was the first to offer to play the role of Mario, but was let down by Bill White, who handled Nintendo of America's promotions at the time, as Nintendo wanted Danny DeVito to direct and play Mario. However, DeVito declined their offer in order to focus on his movie {{wp|Hoffa]}. Tom Hanks later agreed to the lead role, but it was decided that his offer of $5 million was too much [12] . Arnold Schwarzenegger and Michael Keaton were both offered to play King Koopa but turned the role down [13] . A treatment for the script was done by Barry Morrow , but was turned down as it was seen as too dramatic. The job was then handed to Jim Jennewein and Tom S. Parker, who wrote a light-hearted fantasy tale comparatively closer to the source material.

However, after the departure of Greg Beeman, the script went through multiple rewrites and revisions, each adding increasingly "darker" content and science-fiction elements [16] . Both the new directing team and Roland Joffé wanted a more adult-oriented production, justifying this direction by stating that Super Mario Bros. appealed to many demographics besides children [11] . A satirical, Mad Max -inspired script impressed the directors [17] and actors Bob Hoskins , Dennis Hopper , and Fiona Shaw [16] , but was revised after receiving concerns from the studio that the film was straying too far from the family-friendly license. Ed Solomon , one of the writers for Bill & Ted's Excellent Adventure , was brought in to make further revisions, and despite production being well underway the directors were forbidden from working with him [13] . Director Rocky Morton has since defended the film's more dark direction and departure from the games, stating his intention for the movie was that it would be the "real story", while the Super Mario Bros. game was an unfaithful retelling after the Japanese had heard the story [17] [15] . There were frequent conflicts between the directors and the rest of the staff.

Most of the film crew disliked Morton and Jankel, referring to them with nicknames such as "Rocky and Annabel, the Flying Squirrel Show". Furthermore, the script was rewritten and revised on a daily basis even after filming had begun [13] , making the lead actors feel apathetic toward the shoot [18] . Filming was originally scheduled to last ten weeks, but due to these issues ended up going for fifteen. [13] The directors were shut out of the production after most of the main scenes were filmed, and other production companies were brought in to complete the late and overbudget shoot [13] . Morton and Jankel were able to get back into the production during editing with help from the Directors Guild of America , and wanted the movie cut digitally, but the editors insisted on using Moviola and Steenbeck , leading to a slow editing process. [13] In a 2007 interview with The Guardian, Bob Hoskins stated that Super Mario Bros. was "the worst thing I ever did" [19] , and was especially critical of the directors, whom he thought of as arrogant [20] .

Dennis Hopper , when asked about his time on set, echoed Hoskins's statement, and stated that he did not like working on Super Mario Bros., despite enjoying his time on Waterworld , a film notorious for its troubled production [21] . John Leguizamo also expressed a dislike of his role, writing in his 2006 autobiography Pimps, Hos, Playa Hatas, And All the Rest of My Hollywood Friends: My Life, "Oh man [Super Mario Bros.] sucks. And I suck in it.", although he has since developed a somewhat more positive outlook of the film [22] . The opinions of various background staff on the overall production was also more positive [23] [24] . Director Rocky Morton has also said that the movie's production was "a harrowing experience", but that he is proud that the film is still remembered and discussed among fans. [15] A featurette of the development of the film was also made, called The Making of... Super Mario Bros. . It describes in detail the production of the movie, with behind-the-scenes interviews with much of the key cast and production staff.

Sequel webcomic[ edit ] A webcomic sequel, written by Steven Applebaum and Ryan Hoss and illustrated by Eryk Donovan, is currently being written and published under the name Super Mario Bros. 2 [25] . The film's surviving original writer, Parker Bennett, helped outline the webcomic's storyline, making it canonical to the film and finally revealing what would have been a sequel film [26] . The comic is loosely based on the American Super Mario Bros. 2 , directly following the end of the original film, and features Mario and Luigi trying to stop the game's villain Wart from taking over the parallel world. It can be read here . References to the games[ edit ] Though the story is only loosely inspired by the games, the movie includes many in-jokes and references relating to the games. Some can only be caught in a frame-by-frame viewing, such as the presence of Shigeru Miyamoto in the crowd. The following is a list of some of these references: The Snifits featured in the film.

"King Koopa" is used by Toad in his anti-Koopa song, by Koopa when placing a pizza delivery, and as the character's name in the credits; "King Koopa" is Bowser's original Japanese name, as well as his name in the various cartoons related to the games. Ironically, his localized name, King Bowser, was utilized with the previous ruler that he deposed and de-evolved into fungus. Dinohattan being infested with the King 's fungus is referred to derisively as a " Mushroom Kingdom " by President Koopa. Charges used for the Thwomp Stomper-boots resemble Banzai Bills, while the boots themselves are inspired by the item Goomba's Shoe and enemy Thwomps . The sound the boots make when activated is also the effect made when Mario takes a hit and dies. The junkyard workers are referred to as Snifits with a vague resemblance, while a group known as the " Fungus Unit " resemble snifits and (debatably) Shy Guys . A Bob-omb is used prominently near the end of the film after appearing twice before.

Big Bertha is a large woman in red at the Boom Boom Bar. She is based off of the giant red fish in Super Mario Bros. 3 . The Boom Boom Bar features graphics from Super Mario World projected onto the dance floor's wall, such as the Valley of Bowser rock-protrusion in the sea and a Boo . Boom Boom is also the name of the enemy boss at the end of every fortress in Super Mario Bros. 3 . Iggy is named after one of Bowser's Koopalings (who, at the time the film was released, were considered Bowser's children) while Spike is named for the minor enemy from Super Mario Bros. 3. Several neon signs displayed in shots of the city read names of Mario characters/enemies. These include "Thwomp", "Bullet Bill's", " Hammer Bros . tattoos", and " Ostro ". When Daisy is first captured, she is forced into a taxi advertising the brand of a drink known as " Wiggler ". King Bowser's transformation back into human form at the end of the film is a reference to the end of each world in Super Mario Bros. 3 where the king of that world changes back into his normal form after the defeat of a Koopalings .

Yoshi appears in the film as an actual dinosaur, complete with use of his trademark long tongue. When Koopa is talking to one of the policemen about the Devo Guns, the sound effect of getting an extra life can be heard in the background. After the credits end, two Japanese businessmen are seen proposing a deal to make a video game on unseen persons' adventures. The people are then revealed to be Iggy and Spike, with Iggy suggesting the game be titled Iggy's World and Spike suggesting The Indomitable Spike. Both then agree that the game should be titled the Super Koopa Cousins, a parody of Super Mario Bros. During the film's climax, Mario faces Koopa first as Koopa hangs suspended above in a bucket, then with the two on a bridge overlooking Dinohattan, approximating the confrontations with Bowser at the end of Super Mario World and Super Mario Bros.. The original Super Mario Bros. theme can be heard over the production logo and on the DVD version's menus. Super Mario Bros Movie - 1993 Ed Solomon "Are you telling me a guy can be arrested for being a plumber?" The Mario Brothers hit the streets in their work van to save a world that's not their own.

The Story in a Nutshell Princess Daisy welcomes the efforts of New York City plumbers Mario and Luigi to make things right in an alternative dimensional world where her father, the rightful ruler, has been usurped by hated dictator "King Koopa." Mario, My Mario The film Super Mario Bros has a poor reputation. The script changed the names of some key characters and made drastic changes to the fairy tale setting of "the mushroom kingdom." Instead, a dystopian, junior-league Blade Runner environment (except with dancing and dinosaurs, and Soylent Green Police Cars and trash trucks) welcomes Mario and Luigi as they battle to defeat Koopa. The ideas that power the film are few and are repeated frequently, though stars Bob Hoskins and John Leguizamo do what professional actors do and try to carry the whole mass of drab dialogue forward. The cast gives it a strong try (maybe too strong). Phony New York accents abound, and the reference is not complimentary, but seems to suggest brain damage with people from the Big Apple.

The best parts of the film are the bits of dialogue that are both ridiculous and somehow right at home: Lena (Fiona Shaw): "I think you should know that Iggy and Spike have been preaching your overthrow at the bolo bar." Koopa (Dennis Hopper): "Really? I am very disappointed in you, cousins." Spike (Richard Edson): "Fascist!" Koopa:"KIll them!" Redeeming Qualities This is potentially the Plan 9 from Outer Space of gaming movies. Creative incompetence played a major role in the making of Plan 9 and the jumble of Super Mario Bros suffers from a similar problem. There's a difference, though, Ed Wood's movie is brimming with sincerity, and that's certainly not the case with the cynicism that clouds SMB. It's as if the creative minds behind Mario had no confidence in the qualities that had made the original game popular, and so "helped along" the bare plot, moving from fantasy adventure into science-fiction. Set design and outrageous costuming helps this movie, though, but badly directed action sequences sabotage the movie's momentum repeatedly.

These bits are so tame and without originality that, for example, cars ploughing into each other (and it looks like the same six cars throughout the whole film) has the appearance of a high school production of The Road Warrior taking place in Brooklyn. The movie set of Koopa's empire is small and claustrophobic, it seems to be about two blocks of New York City decorated with neon and steel staircases (though it is more likely a studio warehouse in Hollywood, USA). The director's camera angles are so pitiful that instead of making the large crowd scenes seem expansive and limitless, Super Mario Brothers starts to look like a Broadway stage play, with too much stuffed into much too little space. This conflux of badness comes together to make for many entertaining scenes, and it isn't clear if the directors realized the badness and milked it by letting the actors chew-up the scenery (Dennis Hopper, for example, seems to think his co-actors are deaf and does a great deal of shouting) or if an outright strategy to wreck the chances for box office appeal was underlying the direction of Super Mario Brothers.

Perhaps with the action scenes being so obviously pedestrian and boring , someone had the great idea to inject some Blake Edwards Pink Panther style farce into the script, but handled with an adolescent stupidity and a spirit of under-achieving that points out no one really knows what they're doing. The plot is machine-like heading toward the predictable triumph of Mario and Luigi, and an undeserved bid for a sequel ends the tale. The Actors The element that best provides the entertainment on this film are the actors, all of whom seem to be slumming. Hoskins throws himself forward as the impervious Mario, totally committed to whatever ridiculous moment the director and script have thought up. Luigi (John Leguizamo) alternates between mock-New York sub-IQ idiocy and then solemn intelligence. Samantha Mathis has only to appear sincere and alternatively naive and helpless as Princess Daisy (though at the end she is toting a weapon).

Dana Kaminski is onscreen wearing a tight dress (with vertical stripes, something Fiona Shaw is also outfitted with) and Kaminski has little to do since she is taken hostage early in the tale and only has to wait for rescue, kept in a room with other New Yorkers chosen apparently for their accent and outfits (Kaminski never gets into a different outfit until the very last scene of the film). Fiona Shaw seems to be playing a role that serves King Koopa (Dennis Hopper) that echoes that of Baroness Bomburst (Anna Quayle) as the stockinged consort to evil Baron Bomburst in Chitty Chitty Bang Bang. This comparison helps pin-point another failing of the Super Mario Bros film: it's not clear who the audience for the movie is - it needs to cater to kids in order to be a legitimate Nintendo tie-in, but the attitudes and ideas are for a much older demographic. What if pop star Madonna made a kid's film? Francesca P. Roberts (as "Bertha") has the thankless task of being a mushroom kingdom street thief, then a dancer who throws punches, and then helps Mario and Luigi escape. Why?

Apparently because Mario is a great dancer, and because whomever was in charge of the writers cannot think their way out of plot dead-ends. Dennis Hooper (King Koopa) raves (without much sincerity it seems to me) about his kingdom being in exile "65 million years" due to a meteor that split the dinosaurs and mammals into separate dimensions. His world has foul air, foul food and foul water (or so he complains, though everyone seems to be happily eating the strange food and dancing at Soul Train discos) and the other world would be a much more suitable kingdom, if combined with his existing one (of course). The script writers use bureaucratic whining to input humor into Hopper's cardboard villain, with some success. But like everything else in the film, there are only brief flashes of real creativity and then the film falls back into lock-stop predictability. Samantha Mathis - Princess Daisy Fiona Shaw - Lena Summary It is meant to be a heroic tale, but instead it is mostly mock-heroic, underscoring how badly the creative direction underestimates the source material.

Plenty of joking and innuendo is thrown around to let the audience know that someone in charge of making this film thought it important to announce they just couldn't take it very seriously, which wastes so much of the potential of the movie. A good cast and art direction cannot make up for cowardness at the top. Whatever appetites the producers thought this movie might satisfy proved to be phantoms, because the movie flopped badly on original release. With time a certain kind of cult-following has developed, and for the fun of mocking a movie there's plenty to work with in Super Mario Brothers 104 minutes. Top Earning World Wide Superhero Films List Updated Dec 26, 2016 *Currently in release in movie theatres The Avengers (2012 Marvel Studios) $1,511,757,910 Billion View All Critic Reviews (34) Audience Reviews for Super Mario Bros. So bad I have not enough words to describe it. I can nitpick as a fan of the video game how this live action version fails and I can tear it apart as a film fan, but why bother.

You can either avoid this film like a plague of fungus, or you can watch it over a few beers and laugh your ass off at its awfulness. Edward Boxler Super Reviewer So could this be one of the worst films ever made?? yep we have a contender. Huge on hype and anticipation but hugely sole destroying upon release. Its hard to comprehend what the creators of this film were looking to achieve, the style, looks, soundtrack, plot, basically any links to the classic legendary videogame are none existent. The main issue with this film is the blatant fact it has NOTHING to do with the classic videogame. Apart from the two leads and the villain there is zero here to please anyone unless you have a metal and dinosaur fetish. True Hoskins does look wonderfully like 'Mario' in his red n blue jumpsuit and I did quite like the sliminess of Hopper as 'Koopa' but that's as far as it goes. The whole thing is just so damn odd, its a corny thing to say but its basically 'Mad Max' 'Highlander II' and 'Blade Runner' styled futuristic visuals aimed at children but utter nonsense.

I guess this could be forgiven if the visuals were good or original but its all so ugly and scrappy looking. As if no one could really be too bothered so they just tossed a load of sparking metal, badly dressed extras and the most bizarre designed cars I've ever seen...everywhere. Nothing really makes much sense in any way whatsoever, sure its a kids film and 'Mario Bros' isn't a stern reality based concept but some of the decisions in this film!. The effects of course are horribly dated now which you can't poke fun at really but geez its nasty!. Early CGI effects, terrible stunts with obvious wire work, awful costumes, the fungus king and awful hairstyles...yet the dino model/puppet of 'Yoshi' looks good and moves quite nicely. It really does feel as if the bigwigs had gotten halfway through making one film and suddenly decided to turn it into a Mario film for kids. Just take the tonne of crappy looking junk they already had going and stick in some very loose references to Nintendo's big franchise and voila! instant Mario Bros movie hurrah!.

I really believe this was the set of 'Lawnmower Man 2' transformed at the eleventh hour, and they still fudged that up too. Its not too often that a film is really so bad, really its not!! and this was suppose to be a blockbuster and franchise builder!. Sure there are bad films but this is really really quite terrible in all areas with virtually nothing to save its ass. I did quite like the use of the old Nintendo Super Scope 6. But was that a clever little easter egg wink/nod for the legion of NES/SNES players or did they really think they could fool everyone into thinking it was a proper purpose build prop?. I'll let you decide. Phil Hubbs Super Reviewer Oh god this film... This film was every one of these actor's low points in their carrer's. From the second I was told there was a Super Mario Brothers movie, I knew it was going to be bad, but I wasent expecting it to be this bad. I should start off by saying the film was narrarated by Homer Simpson. I then new this would be the cheesiest thing EVER. Then it wasent til later in the film I was like, 'Wait, is that...

no, that cant be Dennis Hopper!' but saddly it's true. Bob Hoskins as Mario, Hopper as King Koopa and MOJO NIXON AS TOAD!!! COME ON! What's sad is you know they wanted to make a sequal to this and thank the beard of Zeus they didnt! They didnt include Peach, Wario, Donkey Kong or even the main bad guy BOWSER! Please avoid this film at all cost, for your own sake... I can never get those 114 minutes of my life back... Joshua Wilburn Super Reviewer One of the first awful video game to screen adaptation. This adaptation of the popular video game franchise, Super Mario Bros. To say that this film is trash is an understatement. This film is poorly constructed; everything about it seems out of place, poorly conceived, sloppy and lazy. I really don't know if Super Mario brothers could have been a good idea for a good film. But by having seen this film, evidently not. I saw it when it came out, and hated it back then, hate it now. This film is a poor waste of celluloid and money.

If this film would have been made today, it probably would have been directed by Uwe Boll, famed awful director of awful video game to screen adaptations. This films awful plot is decorated with lavish special effects, and unfortunately, it doesn't redeem this horrid film. The cast are terrible in their parts and it sinks the film even further. Sure, the idea of making a film based on the Mario Bros could have been cool, but this film is simply poorly executed. If you haven't seen this film, and are considering it, don't. This film is a waste of time. Stick with playing the classic video game, as it's far superior to this trash. Super Mario Bros was simply filmed to make a quick buck, and this film stands as a testament as no matter what kind of crap the studios greenlight, no matter how awful it is, the audience will go see. Luckily, this film sucks big time, and is a total waste. Avoid this if you haven't seen it. You'll be glad you did.

Alex roy The Man Who Played Luigi Recalls the Disastrous Super Mario Bros Movie The Man Who Played Luigi Recalls the Disastrous Super Mario Bros Movie Go to permalink Super Mario Bros., the 1993 film, paved the way video game movies for all time to come. Namely, that everyone would expect them to be terrible. It opened 20 years ago on Tuesday, and John Leguizamo, who starred as Luigi, had the grace and good humor to record this message for a Super Mario Bros. film fansite . Advertisement "I'm glad people appreciate the movie," he says. "It was the first, nobody had ever done it before." By that he means a cinematic video game adaptation and if he's not right, my memory can't produce the example where he is wrong. "We made a lot of great things and we made a lot of mistakes." Nearly every actor on the project hated it, few more than Bob Hoskins , who starred as Mario, calling it his worst job, biggest disappointment, and the one thing in his past he'd change. Leguizamo, in his biography, expressed dissatisfaction with his role and with the films direction. Bob Hoskins has One Regret. Guess What It Is.

Bob Hoskins has One Regret. Guess What It Is. Bob Hoskins has One Regret. Guess What It Is. From a Q&A with the actor published in today's Guardian. Read more Read more It's nice that, 20 years later, he can put the bad feelings behind him and record this kind message—which gives credit to everyone in the cast—for a fansite devoted to the film. That said, I wouldn't ask him to sign an autograph using the name Luigi. Advertisement ‎Super Mario Bros. (1993) directed by Annabel Jankel, Rocky Morton • Reviews, film + cast • Letterboxd 4 What would you do if you found an alternate dimension where the populace have evolved from the dinosaur and not from mammals, and that mentalist leader King Koopa (Dennis Hopper) was trying to merge both his and your reality so he could rule supreme? Who would you send? Brad Pitt? Well, there's nothing he can't sort out, is there? How about Bob Hoskins and John Leguziamo? No? Well SOME fucker did.

And they had the great idea of tempting that ill fated genre of game-to-movie adaption by throwing them into a red and green boiler suit respectively and hoping the Nintendo fan base would put their arses into cinema seats. Roland Joffe must have thought he… 30 Day Film Challenge Day Thirteen: A Film You Used to Love But Now Hate. I love Mario. That chubby little Italian plumber in red always brought joy to my childhood, and he brings back all manner of childhood memories for me whenever I think of him. Countless hours of Super Mario 64, Super Mario Sunshine, and tons of Mario Party games ate up my free time as a child, and I wouldn't change a single thing about it. But, if I could erase one memory, it would be the fact that I loved this steaming pile of feces that people dare to call a movie and relate to the greatness of Super Mario Bros. Where to begin with the… 5 What kind of film do you get when your two leads are taking shots of scotch between takes. When Fisher Stevens starts writing his own lines. And when you’re under tight deadlines to rush and finish the film in time only to release it up against Jurassic Park.

You get this masterpiece. The mushroom kingdom is in trouble when the Princess is kidnapped by the evil Bowser. Only Mario & Luigi, two Italian plumbers can rescue her traveling though this mystical land fighting evil turtle and squid-type creatures. Wait, sorry that’s the video game. The mushroom kingdom is replaced by Dinohatten. Kind of an alternative reality of New York where dinosaurs were evolved into humanoids. It’s hard to believe that Tom… Yes, Mario and Luigi are father and son, even though they're brothers. Yes, Bob Hoskins plays Mario, and John Leguizamo plays Luigi. Yes, they're both plumbers living in the real world, and their last name is Mario. Yes, there's no inventiveness to the plot, nor is there any colorful atmosphere like in the video game. Yes, instead of your "save the princess" plot, we have this even more ludicrous plot to save the world from human dinosaurs wanting to turn the human race into monkeys. Um.... that's retarded, and I typically don't use that word to describe a bad movie. Yes, Dennis Hopper hilariously plays a horrendous Koopa.

Yes, the clothing is horrendous, especially Mario and… Review by Leonora Lermontov "I'd high five you, but then you'd be an only child!" I'm not at all sure how to go about rating this movie, since my enjoyment of it is incredibly far away from its actual quality as a film or an adaptation. On one hand, I understand why this film still upsets people--it not only seems to lack a fundamental understanding of the source material on any level, even the most basic, but it also throws in the occasional snide jab at its theoretical target audience. On the other hand, it's a ton of ridiculous fun. This is the rare So-Bad-It's-Good movie that never gets boring at all, thanks to the ridiculously creative production design, aggressively bonkers dialogue (much of…

Question: Who plays Mario Mario in the 1993 film ‘Super Mario Bros’?
Answer: Bob Hoskins