1000+ images about delacroix (1798 – 1863) on Pinterest | Attila the hun, Self portraits and George sand Pinterest • The world’s catalog of ideas delacroix (1798 – 1863) Ferdinand Victor Eugène Delacroix (1798 – 1863) was a French Romantic artist regarded from the outset of his career as the leader of the French Romantic school. Delacroix's use of expressive brushstrokes and his study of the optical effects of colour profoundly shaped the work of the Impressionists, while his passion for the exotic inspired the artists of the Symbolist movement. 108 Pins791 Followers Eugene Delacroix: Romantic History Painter The Death of Sardanapalus (1827) Louvre, Paris. See also: Best Artists of All Time . Biography Arguably the most influential artist of the 19th century, and undoubtedly one of the best history painters of the modern era in French painting , Eugene Delacroix was also the leading figure in the French Romanticism art movement.

With images created solely out of glowing colour , he deviated from the "official" style of neoclassical academic art as embodied by J.A.D.Ingres. Furthermore, his passionate brushwork had a significant impact on the style of Impressionism , and his experimentation with exotic subject matter inspired exponents in the Symbolism movement. He was influenced early in his career by French Romantic artists like Antoine-Jean Gros (1771-1835) and Theodore Gericault (1791-1824), as well as English landscapists such as John Constable (1776-1837) and Richard Parkes Bonington (1802-28), and portraitists like William Hogarth. His best-known works include The Massacre at Chios (1824, Louvre), The Death of Sardanapalus (1827, Louvre), and Liberty Leading the People (1830, Louvre, Paris).

In addition to his easel art, which included portraiture, landscapes and still lifes, Delacroix was a master of mural painting , as exemplified by the central ceiling of the Galerie d'Apollon at the Louvre. The Women of Algiers in their Apartment (1834) Best Genre Painters . Origins Born at Charenton, near Paris in 1798 it is believed his father was infertile, and his real father may have been the renowned diplomat Charles Maurice de Talleyrand, who was later to become Prime Minister of France. Delacroix certainly resembled Talleyrand in looks and character, and Talleyrand went on to protect the artist throughout his career. Delacroix was educated at the Lycee Louis-le-Grand, where he learned the classics and won awards for drawing. His uncle, impressed with his drawing , encouraged him to study art at the Ecole des Beaux-Arts , in Paris. Early Career In 1815 he entered the studio of artist Pierre-Narcisse Guerin, whose neoclassical painting was in the style of Jacques-Louis David (1748-1825).

His early works from this period show influences of Raphael and Rubens, in colour and style, which can be seen in two works of religious art , The Virgin of the Harvest (1819, Orcement Church) and The Virgin of the Sacred Heart (1821, Ajaccio Cathedral). Around this time, he befriended the artist Theodore Gericault, and the populist Paul Delaroche (1797-1856), two other leading members of the Romantic movement in Paris. It was Gericault's famous work, the Raft of the Medusa (1819, Louvre) that inspired Delacroix to produce his first major painting: Dante and Virgil in Limbo (1822, Louvre). This painting was accepted by the Paris Salon in 1822 but widely condemned by the public. However, two years later, at the 1824 Salon, he received public acclaim for his work The Massacre at Chios (1824, Louvre).

This large painting, inspired by the struggle of the Greeks against the Turks, proclaimed his affinity with the Romantic - as opposed to the Classical - painters, who were then grouped around J.A.D.Ingres (1780-1867), who was himself showing The Vow of Louis XIII (1824, Montauban Cathedral). Delacroix, despite his misgivings, found himself regarded inside the French Academy as the leader of the Romantic school. Visits England: Inspired By Shakespeare and Goethe Delacroix spent the summer of 1825 in England, where - being already knowledgable about the work of John Constable and Richard Parkes Bonington - he studied the works of other artists, and used his skill in lithography to illustrate works by Sir Walter Scott, Shakespeare and Lord Byron. In fact, motifs from Shakespearean plays proved a fruitful source of inspiration until the end of his life: see, for instance, paintings like Cleopatra and the Peasant (1839, William Acland Memorial Art Centre); Hamlet (1839, Louvre); Desdemona Cursed by her Father (1852, Reims Museum).

It was in London, too, that he unearthed another source of dramatic subjects when he went to an opera inspired by Goethe's Faust; the series of 17 lithographs that he made the following year brought warm praise from Goethe himself. The Death of Sardanapalus On his return to France Delacroix (inspired by Byron's tragedy Sardanapalus) painted his great romantic work, The Death of Sardanapalus (1827, Louvre), depicting the defeated Assyrian King who watches impassively as his servants, concubines and animals are slaughtered on his order. The painting is both gruesome and beautiful, it is graphic in its scenes of death but beautiful in its sensuous use of colour. Exhibited at the Salon of 1827, the boldness of this work aroused violent opposition from the critics.

While working assiduously on portrait art as well as literary subjects - see Assassination of the Bishop of Liege (1831, Louvre) - and history painting - such as Battle of Poitiers (1830, Louvre) and Battle of Nancy (1831, Musee de Nancy) - Delacroix was leading a particularly active social life, meeting people like Stendhal, Merimee and Dumas in the Parisian salons. It was in these circles that he made the acquaintance of the author George Sand, to whom he took such a liking and whom he painted standing behind Chopin as he improvised at the piano (Portrait of Frederic Chopin 1838, Louvre). Liberty Leading the People Around this time be also painted Liberty Leading the People (1830, Louvre). The latter is probably Delacroix's best known oil painting , and depicts Parisians taking up arms with the Tricolour flag representing liberty and freedom in an echo of the Revolution of 1830. The Government bought the painting but soon removed it from public view, deeming it too inflammatory.

The work confirmed him as the successor of Gros and Gericault, but with a deeper register. Gifted with a powerful sense of the heroic, in this masterpiece Delacroix converts historical fact into an epic. Orientalism - Morocco In 1832 he spent 6 months in Morocco on attachment to the French Embassy. Thanks to the sketchbooks that he kept (two in the Louvre, one in Chantilly) and to his letters, we can follow almost day by day his journey through Morocco, Algiers and Spain, which to Delacroix was a revelation not only of classical antiquity, but also of the magic of colour and light. Indeed, the colours, life and customs of the locals fascinated him, and went on to inspire works such as Women of Algiers (1834, Louvre), The Fanatics of Tangier (1837, The Minneapolis Institute of Arts), Jewish Wedding in Morocco (1841, Louvre), and The Sultan of Morocco and His Entourage (1845, Musee des Augustins, Toulouse).

His colourful style of orientalist painting was well received at the Salon, and Delacroix became renowned for his ability to raise the ordinary out of drabness by infusing his compositions with drama. Public Commissions On his return to France from North Africa, he received a number of public commissions such as: the decoration of the Church of St. Denis du Saint Sacrament with a large Pieta ; and fresco painting in the Salon du Roi of the Palais Bourbon (1833-8). These commissions allowed him to paint on a large scale, reminiscent of the masters he admired, such as Rubens and Tintoretto. And his love of Renaissance art led him to paint subjects which had been popular at that time including musicians, religious figures, and trompe l'oeil illusionist murals. But throughout this period he never stopped exhibiting at the Salon.

Among the historical works he painted at this time, with a view to showing them at the Academy, were Medea about to Kill Her Children (1838, Louvre), The Shipwreck of Don Juan (1840, Louvre), The Entry of the Crusaders into Constantinople (1841, Louvre), The Abduction of Rebecca (1846, Metropolitan Museum of Art, New York), and Michelangelo in His Studio (1849, Musee Fabre, Montpelier). After 1842 he also found fresh themes for his still life painting in the study of nature, and bouquets of flowers - painted mostly at George Sand's house at Nohant. In addition, he displayed Impressionist-like sensitivity in his landscape painting , in works such as The Sea from above Dieppe (1852, Private Collection). Finally, between 1848 and 1861, he produced numerous sketches and paintings of wild animals, such as The Lion Hunt in Morocco (1854, Hermitage, St Petersburg).

Final Works: Decorative Art The last decade of Delacroix's life was marked by three important projects of decorative art ; the central ceiling of the Galerie d'Apollon at the Louvre (1850), the Salon de la Paix at the Hotel de Ville in Paris - destroyed by fire in 1871 (but see a sketch of the design at the Musee Carnavalet) - and the Chapelle des Saints Anges at the Church of St Sulpice. In 1855 he exhibited 48 paintings at the World Expo in Paris in 1855, and in 1857, on his 8th submission to the Salon , was finally made a full member of the Academy. In 1859, he exhibited at the Salon for the last time, his last works being Ovid among the Scythians (1858, National Gallery, London) and Erminia with the Shepherds (1858, Museum of Art, Stockholm). After this he devoted himself exclusively to the decoration of St Sulpice, which he finished in 1861, after superhuman efforts.

Of the two large compositions that decorate the side-walls of the chapel - Heliodorus Chased from the Temple and Jacob Wrestling with the Angel - the second can be considered as Delacroix's spiritual testament; after it, he was to paint only a few canvases. In 1862 he helped to establish the Societe Nationale des Beaux-Arts, where two societies combined to organise group exhibitions. The writer Theophile Gautier, a longtime friend of Delacroix, chaired the organization and the painter Aime Millet became deputy chairman. Suffering from tuberculosis, Delacroix passed away on 13 August 1863 at his apartment in Paris. He was 65 years old. The Societe Nationale des Beaux-Arts held a retrospective of his works later that year, exhibiting over 248 paintings and lithographs. He was hugely prolific during his lifetime, creating over 800 oil paintings, 1500 pastel drawings and watercolour paintings , and nearly 7,000 other drawings. He once said "colour always occupies me, but drawing preoccupies me".

Reputation and Legacy The last of the great masters in the tradition of the Italian High Renaissance by virtue of his taste for large historical, mythological, religious or literary compositions, and his profoundly decorative sense, Delacroix was also among the earliest modern artists . His studies of colours and their complementary qualities as well as his 'ragged' brushwork foreshadowed the coming Impressionism , and, in particular, his recognition that colour must primarily be representational of light, and that shadow is light's coloured reflection, was of special importance to Impressionist painters . In the same way, his tachisme and the violence of his tones paved the way for important movements of modern art , such as Fauvism and Expressionism. A key representative of Romanticism in nineteenth century French painting, his works influenced a wide variety of artists, including the Impressionists Pierre Renoir and Edouard Manet. Edgar Degas even purchased a painting for his private collection. Paintings by Delacroix hang in the best art museums throughout the world, including the Louvre Museum and the Delacroix Museum in Paris.  For more biographies of 19th century French artists, see Famous Painters .

 For information about modernist painting in France, see: Homepage . ENCYCLOPEDIA OF VISUAL ARTISTS July 28: Liberty Leading the People | artble.com July 28: Liberty Leading the People July 28: Liberty Leading the People July 28: Liberty Leading the People Date of Creation: July 28, 1830, Liberty on the Barricades Height (cm): July 28: Liberty Leading the People Story / Theme Delacroix writing to his brother: "I have undertaken a modern subject, a barricade, and although I may not have fought for my country, at least I shall have painted for her. It has restored my good spirits." July 28: Liberty Leading the People Eugene Delacroix Charles X Through July 28: Liberty Leading the People, Delacroix tells the story of Trois Glorieuses - Three Glorious Days - the Parisian uprising on July 27, 28, and 29 of 1830. The liberal republicans were outraged by the violation of the Constitution, and overthrew Charles X, who was to be the last Bourbon king of France.

His predecessor was Louis Philippe, the Duke of Orleans. In this artwork Liberty is personified in the form of a vibrant, rebellious, bare breasted woman who leads the people to victory. She carries the flag proudly. Thrilled to have a modern subject to paint, Delacroix took to the canvas with great pride and patriotism. Though he had not taken an active part in the fighting of the revolution he had done his share for his country. Instead of guns and cannons he used an easel and a paintbrush - he felt it was his duty as a painter to record this event as the revolutionists felt it was their duty to fight. The artist was touched by the three days of revolt by the upper-class, the middle-class, and the lower-class in France all fighting to overthrow Charles X to show their outrage of the violation of the constitution and thus he paid honor to this event by providing a historical recount of French history. July 28: Liberty Leading the People is one of his most remembered and favored works today.

July 28: Liberty Leading the People Analysis July 28: Liberty Leading the People Eugene Delacroix July 28: Liberty Leading the People Critical Reception July 28: Liberty Leading the People Eugene Delacroix Musée du Luxembourg Paris It comes as no surprise that July 28: Liberty Leading the People, as most works of genius, was rejected by contemporary critics. As it was hidden from public view until the year of Eugene Delacroix's death, it wasn't until afterward that the painting received positive reflections from critics. Contemporary reception: July 28: Liberty Leading the People was not available for public viewing during the king's reign. Critics failed to respond to this innovative work, accustomed to a more classical representation of reality. Delacroix's mix of reality with allegory, actuality and fiction, symbolism and documentary proved too advanced and imaginative for them. Posthumous reception: July 28: Liberty Leading the People entered the Musée du Luxembourg in 1863, the same year that Delacroix died. It was moved to the Louvre 11 years later.

The response to the work was slightly more favorable after being relocated but it didn't receive the credit it duly deserved until much later on. Modern day reception: Critics of today perceive July 28: Liberty Leading the People as a masterpiece and a universal work. They admire the Romantic historical painting and appreciate Delacroix's unique take on this historical landmark. July 28: Liberty Leading the People Related Paintings Statue of Liberty Statue of Liberty (Liberty Enlightening the World), 1886: It is said that the Statue of Liberty was inspired by Delacroix's very own personified character of Liberty in his July 28: Liberty Leading the People. A gift from France to New York City, the Statue of Liberty was designed by Frédéric Auguste Bartholdi and was constructed just 50 years after Delacroix's masterpiece. The statue, with a raised right arm holds a torch proudly, very similar to the pose in which Liberty holds the French flag. July 28: Liberty Leading the People Locations Through Time - Notable Sales Musée du Louvre Paris July 28: Liberty Leading the People was purchased by the French government in 1831.

Its intention was to display the painting in the throne room of the Palais du Luxembourg as a reminder of the July Revolution and how the "citizen king," Louis-Philippe had come to power. Instead the painting decorated the walls of the Palace museum before being taken down because of its political message just a few months later. It was exhibited in 1848 and then again at the Salon of 1855 before being transferred to the Louvre in 1874. July 28: Liberty Leading the People Artist Paul Cezanne It was important to Eugene Delacroix to paint historical subject matter, whether it was from the ancient past or a more recent occurrence. As the Parisian uprising of July 1830 was a poignant event in Parisian history, Delacroix worked quickly to pay his homage to this life changing event. He painted July 28: Liberty Leading the People at the age of 32. After developing the plan for the painting by preliminary sketches, he completed the work in just three months. It was finished in November of 1830 and exhibited at the Salon in May of 1831.

Delacroix believed that although he did not actively participate in the actual fighting, he had done his duty for his country by painting July 28: Liberty Leading the People. Known as a "master of color," Delacroix became a pupil of the English Romantic landscapists and extracted from their techniques, to develop a unique and memorable approach to color. The impact of literature and both historical and contemporary events, coupled with his innate artistic technique created an explosive viewing experience on canvas, as seen in July 28: Liberty Leading the People. Delacroix's work changed the art world forever and his technique had a lasting impact on the Impressionist and Post-Impressionist movements such as van Gogh and Cezanne . Today, he is remembered as one of the world's most influential French Romantic painters and his expertise and genius is fully recognized and appreciated by modern day art critics. July 28: Liberty Leading the People Art Period Peter Paul Rubens Romanticism is sometimes viewed as a reaction to its more serious predecessor, the Neoclassical movement.

As Neoclassical artists focused on properly accounting history through close attention to detail, Romantic artists flirted with themes of man's self glorification, man's part in nature, divinity found in nature, and emotion. Romanticism emphasizes the individual sense of self, creativity, imagination, and the value of art to make a statement. This emphasis on the individual is reflected in the ideas of self-realization through the act of contemplating nature. There is the idea that the individual can only directly understand nature, free from society. Peace and salvation come through the individual rather than through political movements. Romantic painters like Delacroix were part of a complex multimedia philosophical movement, involving the literary, visual, and intellectual arts. Eugene Delacroix fine-tuned Romanticism, incorporating the influences of great masters such as Michelangelo and Peter Paul Rubens. He developed his own personal style, with an affinity for showing pain and suffering in his work through brightly colored canvases. July 28: Liberty Leading the People Bibliography To find out more about Delacroix and his work please refer to the recommended reading list below. • Bussy, Dorothy. Eugene Delacroix.

BiblioBazaar, 2009 • Gombrich, E. H. The Story of Art. Phaidon Press Limited, 1995 • Jobert, Barthélémy. Delacroix. Princeton University Press, 1997 • Johnson, Dorothy. David to Delacroix: The Rise of Romantic Mythology (Bettie Allison Rand Lectures in Art History). The University of North Carolina Press, 2011 • Johnson, Lee. Delacroix. New York Press, 1963 • Kauffman, Jean-Paul. Wrestling with the Angel: The Mystery of Delacroix's Mural. The Harvill Press, 2003 • Noon, Patrick, et al. Crossing the Channel: British and French Painting in the Age of Romanticism. Tate Publishing, 2003 • Prideaux, Tom. The World of Delacroix: 1798-1863. Time Life Education, 1966 Want a Printed Poster or Replica?

Eugène Delacroix Paintings and Oil Painting Reproduction French Romantic painter, lithographer, muralist, author, pastellist & draftsman born 26 April 1798 - died 13 August 1863 Also known as: Ferdinand-Victor-Eugène Delacroix. Student of: Pierre-Narcisse Guérin (1774-1833). Teacher of: Léon Bonnat (1833-1922), Pierre Cécile Puvis de Chavannes (1824-1898). Friend of: Léon Cogniet (1794-1880), Henri Fantin-Latour (1836-1904), Newton Fielding (1797-1856). Patronized by: Duchesse de Berry Caroline (1798-1870). Rival of: Jean Auguste Dominique Ingres (1780-1867), Ary Scheffer (1795-1858).

DELACROIX, FERDINAND VICTOR EUGENE (1798-1863), French historical painter, leader of the Romantism movement, was born at Charenton-St-Maurice, near Paris, on the 26th of April 1798. Eugène Delacroix was first nearly burned to death in the cradle by a nurse falling asleep over a novel and the candle dropping on the coverlet; this left permanent marks on his arms and face. The artist was next dropped into the sea by another bonne, who was climbing up a ship’s side to see her lover. He was nearly poisoned, and nearly choked, and, to crown all, Eugène Delacroix tried to hang himself, without any thought of suicide, in imitation of a print exhibiting a man in that position of final ignominy. Eugène Delacroix entered the atelier of Baron Guérin, who affected to treat him as an amateur. His fellow-pupil was Ary Scheffer, who was alike by temperament and antecedents the opposite of the bizarre Delacroix, and the two remained antagonistic to the end of life.

Acknowledged power of Eugène Delacroix and yet want of success with artists and critics — Thiers being his only advocate — perhaps mainly resulted from his bravura and rude dash in the use of the brush, at a time when smooth roundness of surface was general. The first important Delacroix painting, Dante and Virgil, was painted in his own studio; and when Guérin went to see it he flew into a passion, and told him Delacroix art was absurd, detestable, exaggerated. Liberty Leading the People The most influential Delacroix painting came in 1830 with the painting Liberty Leading the People, which for choice of subject and technique highlights the differences between the romantic approach and the neoclassical style. Less obviously, it also differs from the Romanticism of Géricault and the Raft of the Medusa. Probably the best known Delacroix art, it is an unforgettable image of Parisians, having taken up arms, marching forward under the banner of the tricolour representing liberty, equality, and fraternity; Eugène Delacroix was inspired by contemporary events to invoke the romantic image of the spirit of liberty.

The soldiers lying dead in the foreground offer poignant counterpoint to the symbolic female figure, who is illuminated triumphantly, as if in a spotlight. The French government bought the Delacroix painting Liberty Leading the People, but officials deemed its glorification of liberty too inflammatory and removed it from public view. Following the Revolution of 1848 that saw the end of the reign of King Louis Philippe, Delacroix' painting, Liberty Leading the People, was finally put on display by the newly elected President, Louis Napoleon (Napoleon III). ------------------------------------------------------------------------- Delacroix paintings were received at the Salon, and produced an enthusiasm of debate (1822). Some said Géricault had worked on it, but all treated it with respect. Still in private his position, even after the larger tragic picture, the Massacre of Chios, had been deposited in the Luxembourg by the government (1824), became that of an Ishmaelite.

The war for the freedom of Greece then going on moved him deeply, and the next two Delacroix art — Marino Faliero Decapitated on the Giant’s Staircase of the Ducal Palace (which has always remained a European success), and Greece Lamenting on the Ruins of Missolonghi — with many smaller Delacroix paintings, were exhibited for the benefit of the patriots in 1826. This exhibition was much visited by the public, and next year he produced another important Delacroix painting, Sardanapalus, from Byron’s drama. The patrimony he inherited, or perhaps it should be said, what remained of it, was 10,000 livres de rente, and with economy he lived on this, and continued the expensive process of painting large historical pictures. In 1831 Eugène Delacroix reappeared in, the Salon with six paintings, and immediately after left for Morocco, where he found much congenial matter. Delacroix never went to Italy; he refused to go on principle, lest the old masters, either in spirit or manner, should impair his originality and self-dependence.

His greatest admiration in literature was the poetry of Byron; Shakespeare also attracted him for tragic inspirations; and of course classic subjects had their turn of his easel. He continued Eugène Delacroix painting indefatigably, having his pictures very seldom favorably received at the Salon. These were sometimes very large, full of incidents, with many figures. Drawing of Lots in the Boat at Sea, from Byron’s Don Juan, and the Taking of Constantinople by the Christians were of that character, and the former was one of his noblest creations. In 1845 Eugène Delacroix was employed to decorate the library of the Luxembourg, that of the chamber of deputies in 1847, the ceiling of the gallery of Apollo in the Louvre in 1849 and that of the Salon de la Paix in the hotel de ville in 1853. Eugène Delacroix died on the 13th of August 1863, and in August 1864 an exhibition of his works was opened on the Boulevard des Italiens.

It contained 174 pictures, many of them of large dimensions, and 303 drawings, showing immense perseverance as well as energy and versatility. As a colourist, and a romantic painter, Eugène Delacroix now ranks among the greatest of French artists. List of Delacroix Paintings Toperfect supply oil painting masterpiece reproductions of the famous painter above, you are welcome to send us your own picture to copy. Specially for individual customers and collectors, you're suggested to own a Museum Collection by famous artists for such oil painting classic. No Copyright Infringement of Toperfect's script! Eugene Delacroix Prints, Posters & Paintings Michelangelo Eugene Delacroix Eugene Delacroix is a famous French Romanticist artist whose paintings are available to buy here as high quality handmade reproductions – see our Delacroix paintings gallery below. All Delacroix paintings are available in any size you need, simply contact us if you need an exact quote. Eugene Delacroix’s use of expressive brushstrokes and his study of the effects of colour helped bring about the Impressionists art movement, which soon followed the works of artists like Delcroix, Constable and Turner.

Delacroix even illustrated various works of William Shakespeare, the Scottish writer Sir Walter Scott and the German writer Johann Wolfgang von Goethe. Delacroix is the most famous French romanticist painter, ranking alongside Britains Turner and Constable, plus Germany’s Friedrich in terms of achievements and influence on later artists. Delacroix took for his inspiration the art of Rubens and painters of the Venetian Renaissance. Probably Delacroix’s best known painting, it is an unforgettable image of Parisians, having taken up arms, marching forward under the banner of the tricolore representing liberty, equality, and fraternity; Delacroix was inspired by contemporary events to invoke the romantic image of the spirit of liberty. The soldiers lying dead in the foreground offer poignant counterpoint to the symbolic female figure, who is illuminated triumphantly, as if in a spotlight. After the French Revolution of 1848 that saw the end of the reign of King Louis Philippe, Delacroix’s painting, Liberty Leading the People, was finally put on display by the newly elected President, Louis Napoleon (Napoleon III.) Today, it is visible in the Louvre museum.

Delacroix spent some time travelling around the UK in the early 19th century in an attempt to further his knowledge, experience and ideas. Delacroix’s paintings such as The Combat of the Giaour and Hassan and Woman with Parrot shows violence and sensuality in his paintings for the first time, which was later to become much more common. It was here that Shakespeare became the topic for Delacroix as well. A few years later after his return from the UK, Delacroix decided to travel to Morocco to further his experience and career and seek an even more exotic influence in his career. It was his desire to understand more primitive ways of life from his native France and North-African countries proved ideal, with beautiful architecture and varied culture. During his time here Delacroix made over 100 paintings and drawings of scenes depicting modern life which people at home found interesting and artistically bold for the time.

Below you can find a full list of famous Delacroix oil paintings: A corner of the studio A Mad Woman 1822 A Moroccan from the Sultan’s Guard A Moroccan Saddling A Horse A Mortally Wounded Brigand Quenches his Thirst A Turkish Man on a Grey Horse A Turkish Man on a Grey Horse attacking A Vase of Flowers on a Console A Young Tiger Playing with its Mother 1830 Adam and Eva African Pirates Abducting a Young Woman After the Shipwreck Alexander und die Epen Homers An Arab Horseman at the Gallop Andromeda 1852 arab horseman attacked by a lion (1849) Arab Horses Fighting in a Stable 1860 Arab Saddling his Horse 1855 Arabian Horses Fighting in a Stable Arabs Skirmishing in the Mountains 1863 Aspasia Attila and his Hordes Overrun Italy and the Arts (detail) 1843-47 Attila the Hun (c.406-453) and his hordes overrunning Italy and the Arts Babylonian shank Bay of Tanger in Morocco Before lightning shrinking of horse Bouquet of Flowers Charles VI

 and Odette de Champdivers Christ on the Cross Christ on the Lake of Gennesaret Cleopatra and the Peasant 1838 Cliff at Etretat Columbus and His Son at La Rábida Combat of Giaour and Hassan Combat of the Giaour and the Pasha Confrontation of knights in the countryside Conversation mauresque Count de Mornay’s Apartment Crossing a stream in Morocco Death of the Sardanapal (detail) Decoration of the west wall 1833-37 Driving Heliodors out from the temple Encampment in Morocco, between Tangiers and Meknes Etude pour la frise de ‘Agriculture’ pour le Salon du Roi Fan with Caricatures 1838 Faust Trying to Seduce Margarete (detail) 1828 Faust with Margarete in Prison (detail) 1828 Female Nude Killed From Behind Female Nude Reclining on a Divan 1825-26 Female Nude, Killed from Behind c.

1827 Femmes turques au bain Gentleman on a Dark Brown Hunter George Sand Girl Seated in a Cemetery 1824 Greece on the Ruins of Missolonghi Hamlet and Horatio in the Graveyard Head of an elderly woman Heliodoros Driven from the Temple Hesiod and the muse Illustration for Goethe’s Faust 1825-27 Interior of a Chapel Jacob fights with a man of the sky Jacob Wrestling with the Angel (detail) 1854-61 Jakob’s fight with the angel Jewish Bride 1832 Louis d’Orleans Showing his Mistress 1825-26 Louis-Auguste Schwiter 1826-27 Male Academy Figure Probably Polonais Standing Marocan And His Horse Medea about to Kill her Children 1838 Mephistopheles Over Wittenberg (From Goethe’s Faust) 1839 Michelangelo in His Studio Milton dictates the Paradise to its daughters draws Mlle Rose 1817-20 Moroccan sheikh visits his trunk Moroccan Women 1832 Murder of the bishop von Luettich Niche area in the palace

 of the Sultans of Meknes Odalisque Reclining on a Divan 1827-28 Page Of A Sketchbook Painting in the dome of the poetry Pieta Self-Portrait as Ravenswood c.

1821 Self-Portrait c. 1837 Shipwreck of Don Juan 1840 Sitting Arab in Tanger Sketch for Peace Descends to Earth Sketch for The Death of Sardanapalus c.

1827 Smoking Turk St George killing the dragon St Michael defeats the Devil Still-Life with Lobster 1826-27 Studies Of Horses And Tigers Study For Jenny Le Guillou And Josephine De Forget Study for The Death of Sardanapalus Study For The War Coffer 1833-37 Study of a Reclining Nude Study of helmet Study of Sky- Setting Sun Susan at the bath The Banks of the River Sebou The Barque of Dante 1822 The Battle of Taillebourg The Coast of Africa Seen from the Strait of Gibraltar The Coast of Spain at Salabrena The Death of Ophelia 1843 The death of Sardanapale The Entry of the Crusaders into Constantinople The Execution of Doge Marino Faliero 1825-26 The Fanatics of Tangier The lion and the caiman The Lion Hunt in Marocco The Maroccan and its horse The Massacre of Chios The Porte d’Amont, Etretat The prisoner of Chillon The Sea from the Heights of Dieppe The Sultan of Morocco and his Entourage The Women of Algiers Two Moroccans Seated In The Countryside Two Women at

 the Well 1832 War 1833-37 Eugene Delacroix Eugene Delacroix Back to Romanticism Eugï¿½ne (Ferdinand Victor) Delacroix was born on April 26, 1798, at Charenton-Saint Maurice, and he studied under the French painter Pierre Guï¿½rin.

He was trained in the formal neoclassical style of the French painter Jacques-Louis David, but he was strongly influenced by the more colorful, opulent style of such earlier masters as the Flemish painter Peter Paul Rubens and the Italian painter Paolo Veronese. He also absorbed the spirit of his contemporary and countryman Thï¿½odore Gï¿½ricault, whose early works exemplify the violent action, love of liberty, and budding romanticism of the turbulent post-Napoleonic period. An exquisite portrait of Delacroix, engraved by Pierre Albuisson (France). Scan ï¿½ Pierre Albuisson. France 1951. Eugene Delacroix. Self-portrait. Semi-postal stamp issued for the benefit of French Red Cross. His artistic career began in 1822, when his first painting was accepted by the Paris Salon. On a trip to England in 1825, he studied the work of English painters. Delacroix remained the dominant French romantic painter throughout his life. A trip to North Africa in 1832 provided subjects for more than 100 sensuous canvases.

In addition, he received many government commissions for murals and ceiling paintings. USSR 1972. Moroccan Saddling Steed. Morocco 1964. Moulay Abd-er-Rahman in Prayer Procession. Delacroix's technique, in which he applied contrasting colours with small strokes of the brush, creating a particularly vibrant effect, was an important influence on the Impressionists. He is also well known for his Journals, which display considerable literary talent and express his wievs on art, politics, and life. Delacroix died in Paris on August 13, 1863. Eugene Delacroix has also appeared on French banknotes. Front Back France 1987. Bank note of 100 FF, with Delacroix's portrait on both the front and the back side. On the front side (left) is further a fragment of his "Liberty-painting". Pick # 154c. The watermark that shines through is a bust of Delacroix. An interesting interpretation of Delacroix's famous painting "Liberty Leading the People" is found in the Irish artist Robert Ballagh's lithographs.

Robert Ballagh (*1943) is considered Ireland's most important modern painter. Mr. David Scott wrote in the Irish Stamp News, Summer 1991: Ballagh's stamps are perhaps most interesting and original when they pick up or adapt motifs or preoccupations of his work as an artist. The 1977 design commemorating the 50th anniversary of the Electricity Supply Board, based on a mural by Ballagh, may not be the best example of this, but the stamp celebrating the centenary of the birth of Padraig Pearse two years later (1979) merits detailed attention. Ballagh's concern in the late 1960s with political issues, in particular that of violence and terrorism -- in Northern Ireland and abroad -- was reflected in a remarkable series of paintings that reproduced in starkly simplified forms scenes of insurrection or violence from classic masterpieces of European painting: David's "The Rape of the Sabine Women", Goya's "Third of May", Delacroix's "Liberty Leading the People". These works reappeared as a series of lithographs in the early 1970's. The original lithograph that was transformed into the Pearse-commemorative below.

One of them, based on Delacroix's "Liberty" became the basis of Ballagh's Pearse-commemorative of 1979. In this striking design, the Parisian barricade has been replaced by the GPO, O'Connell Street, the headquarters of the 1916 rebellion, the self-portrait of Delacroix being substituted by the profile of Padraig Pearse. Eire 1979. Robert Ballagh: "Patrick Pearse [Pï¿½draig Mac Piarais] Leading the People", commemorating Pearse's birth anniversary. Scott # 460. Most significantly, Ballagh has substituted the Irish for the French tricolour, thus in effect inscribing the Irish aspiration to nationhood into a long European tradition. Sources:

Question: Name the French artist (1798-1863) whose painting 'Liberty Leading The People' is in the Louvre?
Answer: Eugène Delacroix