Songwriters Hall of Fame - Sigmund Romberg Biography Hal Leonard Biography Sigmund Romberg was born on July 29,1887 in Nagykanizsa, Hungary. He showed musical ability at an early age, but his parents wanted him to go into something more sensible. They sent him to Vienna to study engineering, but he immersed himself in the world of Viennese music. In 1909, he moved to the United States and settled in New York. His first job was in a pencil factory for seven dollars a week. He soon found work as a pianist in cafes, and formed his own European salon and light music orchestra in 1912. Some of his early compositions attracted the attention of Broadway producers J. J. and Lee Shubert, who employed him as their house composer. His first work for them was The Whirl of the World, written with lyricist Harold Atteridge, in 1914. Other shows Romberg wrote with Atteridge were The Midnight Girl (1914), The Passing Show (1914), Dancing Around (1914), and Maid in America (1915).

By 1917, Romberg had composed 275 numbers for seventeen musicals and revues. His first great success came in 1917 with Maytime, book and lyrics by Rida Johnson Young. The operetta was an adaptation of the Viennese operetta Wie einst im Mai. Another adaptation of a Viennese operetta, Das Dreimaederlhaus, book and lyrics by Dorothy Donnelly, was the major success Blossom Time in 1921. It was a fictionalized version of Franz Schubert's youth for which Romberg re-arranged several pieces of Schubert's music. He followed that with one of his greatest successes, The Student Prince, in 1924. With book and lyrics by Donnelly, it was an adaptation of a German play, Old Heidelberg.

It included the traditional "Gaudeamus Igitur," " The Drinking Song" and "Serenade." In 1926, Romberg teamed up with Oscar Hammerstein II and Otto Harbach for The Desert Song, and with Hammerstein for New Moon in 1928, which featured the standard "Lover Come Back to Me." Rosalie, co-written with George Gershwin, and with lyrics by Ira Gershwin and P.G. Wodehouse, was another hit show in 1928. Romberg continued to compose music for operettas after 1930, however none met with favor, for the vogue for operettas or Broadway had been eclipsed by musical comedy. Throughout the 1930s, he wrote the scores for several movies, including two with Hammerstein, Viennese Nights (1930) and The Night is Young (1934), which featured the song "When I Grow Too Old to Dream." In the 1940s he toured America with his own orchestra, and regularly appeared on radio.

His final Broadway show, written with Victor Herbert and Dorothy Fields, was Up in Central Park in 1945. Romberg died in New York on November 9, 1951. At the time of his death, he was working with lyricist Leo Robin on a musical The Girl in Pink Tights, which was produced posthumously on Broadway in 1954. Also in 1954, Jose Ferrer portrayed Romberg in the movie Deep in My Heart. "SONG OF LOVE" The Student Prince, operetta | Details | AllMusic The Student Prince, operetta google+ Description by Rita Laurance The Student Prince, a musical play with book and lyrics by Dorothy Donnelley and music by Sigmund Romberg , remains one of America's all-time musical theater classics. It was one of Romberg's greatest and most lasting successes, and came after a period of struggle with his producers, the Schubert brothers. He had to fight a legal battle with them in court over the content of the play; Romberg won and, ironically, the Schuberts enjoyed one of the biggest successes of their careers.

The musical opened in New York City's Jolson Theater on December 2, 1924, and ran for six hundred and eight performances. After that, it toured extensively throughout the U.S., and even entered the international repertoire. MGM made a very popular film version of the musical in 1954, and New York City Opera began staging productions of it. The writing of the book for the musical has quite an involved history of its own. The original version of Old Heidelberg was written by Wilhelm Meyer-Forster in 1901. It became well known internationally, and was especially popular in American theaters in its translation. It inspired several other theatrical version of the story, and even an Italian operetta. A version of Old Heidelberg in English by Rudolf Bleichmann was known to Dorothy Donnelly, and she based her musical play on this. The story is singular in the history of the early American theater, for it offers the audience no happy ending or fanfare conclusion; instead of dancing girls and light hearted comedy, it uses an all-male chorus of Heidelberg University students. Indeed, it is the type of story that might have been set by Lehár , given as a Viennese operetta.

Romberg, a transplant to America from Hungary, had studied in Vienna, and he laced his score with polkas, marches, and operatic dance music. He filled the musical with memorable tunes, including both romantic ballads and vigorous set pieces. A poignant youthful romance, a university setting in Old Heidelberg, royalty and humbleness, all gave Romberg food for musical variety and inventiveness. "Golden Days," "Drinking Song," and "Serenade" are just of the few songs of enduring popularity from the show. The Student Prince is perhaps Romberg's finest masterpiece. Parts/Movements To the Inn We're Marching Drinking Song Come Boys, Let's All Be Gay, Boys Gaudeamus Igitur Deep in My Heart, Dear Serenade Thoughts Will Come to Me of Days Just We Two Sigmund Romberg | American composer | Britannica.com American composer Rudolf Friml Sigmund Romberg, (born July 29, 1887, Nagykanizsa , Austria-Hungary [now in Hungary]—died November 9, 1951, New York , New York, U.S.), Hungarian-born American composer whose works include several successful operettas.

Romberg was educated in Vienna as an engineer, but he also studied composition and became a skilled violinist and organist. In 1909 he went to New York City . There, as conductor of an orchestra in a fashionable restaurant, he started the practice, then rare, of playing music for dancing. Employed as staff composer by the impresario Jacob Shubert, Romberg prepared scores for about 40 musical shows. His first outstanding operetta , Maytime, was produced in 1917. Blossom Time (1921), based on the life of Franz Schubert , featured songs derived from that composer’s works. There followed in the 1920s a series of operettas popular for their romantic plots and richly melodic songs.

They include the operetta The Student Prince (1924; based on the German play Alt Heidelberg by Wilhelm Meyer-Förster), with the songs “ Deep in My Heart ”; The Desert Song (1926), remembered for the title song and “ One Alone ”; and The New Moon (1928), with “ Lover, Come Back to Me ” (melody adapted in part from Pyotr Ilyich Tchaikovsky’s June: Barcarolle). From 1929 Romberg wrote songs for motion pictures and in 1933 composed an operetta, Rose de France, produced in Paris. In 1942–43 he led a series of concerts, “An Evening with Sigmund Romberg.” His last successful work was a musical comedy, Up in Central Park (1945). Learn More in these related articles: in musical Much of American popular music of the first decades of the 20th century was written by European immigrants, such as Victor Herbert, Rudolf Friml, and Sigmund Romberg.

They brought a form of operetta to the United States that was, in every sense, the generic source for musical comedy; it was sentimental and melodious and established a tradition of the play based on musical numbers and songs.... 1 Reference found in Britannica Articles Assorted Reference contribution to popular music (in musical ) External Links (1887-1951). Hungarian-born U.S. composer Sigmund Romberg’s works include several popular operettas. He specialized in romantic comedy that includes songs and dancing. Article History Corrections? Updates? Help us improve this article! Contact our editors with your feedback. MEDIA FOR: You have successfully emailed this. Error when sending the email. Try again later. Edit Mode Submit Tips For Editing We welcome suggested improvements to any of our articles. You can make it easier for us to review and, hopefully, publish your contribution by keeping a few points in mind. Encyclopædia Britannica articles are written in a neutral objective tone for a general audience. You may find it helpful to search within the site to see how similar or related subjects are covered. Any text you add should be original, not copied from other sources.

At the bottom of the article, feel free to list any sources that support your changes, so that we can fully understand their context. (Internet URLs are the best.) Your contribution may be further edited by our staff, and its publication is subject to our final approval. Unfortunately, our editorial approach may not be able to accommodate all contributions. Submit Thank You for Your Contribution! Our editors will review what you've submitted, and if it meets our criteria, we'll add it to the article. Please note that our editors may make some formatting changes or correct spelling or grammatical errors, and may also contact you if any clarifications are needed. Uh Oh There was a problem with your submission. Please try again later. Close Date Published: July 02, 2012 URL: Access Date: January 19, 2017 Share A really old version (1924) of Drink Drink Drink - Victor Male Chorus - YouTube A really old version (1924) of Drink Drink Drink - Victor Male Chorus Want to watch this again later? Sign in to add this video to a playlist. Need to report the video? Sign in to report inappropriate content. The interactive transcript could not be loaded. Loading...

Rating is available when the video has been rented. This feature is not available right now. Please try again later. Published on Jan 10, 2013 The Sigmund Romberg-Dorothy Donnelly operetta "The Student Prince in Heidelberg" opened in December 1924 (the same month that this recording was produced) and, at 608 performances, became the longest-running Broadway show of the decade.

Shown on the label by its original title "Drinking Song," this rousing tune is now best-remembered by most as "Drink, Drink, Drink" via its Mario Lanza recording included in the soundtrack of the 1954 musical film "The Student Prince" (lip synced on-screen by Edmund Purdom) and the hugely popular RCA Victor LP "Mario Lanza sings the hit songs from the Student Prince and other great musical comedies." Transferred from the original (pre-electric) 78rpm: Victor 19550 - Drinking Song (Donnelly-Romberg) by Victor Male Chorus, orchestra conducted by Nat Shilkret, recorded December 18,1924 MusicProf78 on Facebook: romberg.html From Romberg [Rosenberg], Sigmund (b Nagykanizsa, 29 July 1887; d New York, 9 Nov 1951). American composer and conductor of Hungarian birth. He was born into a cultured Jewish household: his father was an amateur pianist who spoke four languages, while his mother was a respected writer of poetry and short stories.

Romberg studied at various places in the Austro-Hungarian Empire before eventually going to Vienna, where his parents' intent was for him to study civil engineering. Instead, Romberg focussed on music, working as a coach and accompanist at the Theater an der Wien, and studying composition and orchestration with operetta composer Victor Heuberger, thereby absorbing the world of Viennese operetta. In 1909, he arrived in New York City and found work as a pianist at various restaurants. He formed and conducted a small orchestra at Bustanoby's, a venue frequented by the theatre world, where he came to the attention of the Shubert brothers who, in 1914, employed him as a staff composer for their revues. He contributed to many of their revues, including the famed The Passing Show series, and, knowing of Romberg's background, they also contracted him to rework Viennese operettas for American audiences. His first adaptation was The Blue Paradise (1915), a version of Edmund Eysler's Ein Tag im Paradies. Among Romberg's additions to the score was the waltz Auf Wiedersehn, his first hit.

Two other adaptations proved to be very successful in subsequent years: Maytime (1917; from Kollo's Wie einst in Mai) and Blossom Time (1921; from Berte's Das Dreimaderlhaus). Both works contained waltzes which became among Romberg's most famous compositions: Will you remember? from Maytime and Song of Love from Blossom Time. Romberg's primary significance lies in the original operettas he created during the 1920s. His first original operetta was The Student Prince (1924) whose libretto and score both exude the concept of 'nevermore', portrayed musically through the waltz. Three of his most famous songs, Deep in my heart, dear, Golden Days and Drinking Song, are waltzes from The Student Prince; other important numbers from the show are Students marching song and Serenade. The Desert Song (1926) romanticized the then-current Riff wars and capitalized on the fame of Rudolf Valentino. (The Sheik). Its score uses waltzes such as the title song and One Alone, and marches such as The Riff Song and The French Military Marching Song.

My Maryland (1927), set during the American Civil War, included the immensely popular march Your land and My land, while The New Moon (1928), Romberg's last operetta of the decade, included the waltz One Kiss, the tango Softly, as in a morning sunrise, and the march Stouthearted Men. His principal orchestrators during this period were Emil Gerstenberger and Alfred Goodman. During the 1930s he lived in California, working in the motion picture industry; another of Romberg's most popular waltzes, When I grow too old to dream, comes from the film The Night is Young (1935). During the 1940s, he formed his own orchestra and travelled throughout the country giving programmes of what he himself termed 'middle-brow music': too low-brow for symphony conductors, too high-brow for jazz conductors. He often included his own music in these concerts. He returned to Broadway operetta later in life.

While these shows, which included Up in Central Park (1945) and The Girl in Pink Tights (1954), possessed some significant single numbers, they did not achieve the same success as his works from the 1920s. Romberg excelled at writing nostalgic waltzes and stirring marches, two forms which permeate Viennese operetta. His general approach was conservative in terms of form, melody and harmony, but it is melody, fundamentally diatonic and therefore easily remembered, which dominates a Romberg score. He was an amazingly prolific composer, writing all or most of the music for nearly 60 shows. His legacy also includes his adaptation and transformation of the essence of Viennese operetta for American audiences. Romberg, who worked with such legendary librettists as Oscar Hammerstein II and Dorothy Fields, is an important link between Viennese operetta and the mature American musical theatre. Romberg was also an avid collector of musical scores, and his personal music library, purchased by the University of California after his death, contained over 4500 items.

Archives of his manuscripts, performance materials and orchestral materials are held at the Library of Congress, the New York Public Library, the Shubert Archive and the University of California. WORKS (selective list) stage all dates are those of first New York performance, and are operettas unless otherwise stated; many early revues and musicals include interpolations by other composers; where different, authors shown as (lyricist; librettist) The Whirl of the World (revue, H. Atteridge), 10 Jan 1914 The Passing Show of 1914 (revue, Atteridge), collab. H. Carroll, 10 June 1914 The Blue Paradise (H. Reynolds; E. Smith), collab. L. Edwards and C. Lean, after E. Eysler: Ein Tag im Paradies, 5 Aug 1915 [incl. Auf Wiedersehen] Ruggles of Red Gap (musical play, Atteridge), 25 Dec 1915 Robinson Crusoe, Jr.

(musical, Atteridge), 17 Feb 1916 The Passing Show of 1916 (revue, Atteridge), collab. O. Motzan, 22 June 1916 The Girl from Brazil (Smith and M. Woodward), 30 Aug 1916 Follow me (musical, R.B. Smith), 29 Nov 1916 Her Soldier Boy (R.J. Young), 6 Dec 1916 The Passing Show of 1917 (revue, Atteridge), collab. Motzan, 26 April 1917 Maytime (Young and C. Wood), 16 Aug 1917 [incl. Will you remember?]; film, 1937 Over the Top (revue, Atteridge and P. Bartholomae), 1 Dec 1917 Sinbad (musical, Atteridge), 14 Feb 1918 The Passing Show of 1918 (revue, Atteridge), collab. J.

Schwartz, 25 July 1918 Monte Cristo, Jr. (musical, Atteridge), collab. Schwartz, 12 Feb 1919 The Passing Show of 1919 (revue, Atteridge), collab. Schwartz, 23 Oct 1919 Poor Little Ritz Girl (musical, L. Hart, G. Campbell and L. Fields), collab. R. Rodgers, 28 July 1920 Blossom Time (D. Donnelly), 29 Sept 1921 [incl. Song of Love] Bombo (musical, Atteridge), 6 Oct 1921 The Blushing Bride (musical, Wood), 6 Feb 1922 The Rose of Stamboul (Atteridge), after L. Fall: Die Rose von Stambul, 7 March 1922 The Passing Show of 1923 (revue, Atteridge), collab.

Schwartz, 14 June 1923 The Passing Show of 1924 (revue, Atteridge and A. Gerber), collab. Schwartz, 3 Sept 1924 Artists and Models of 1924 (revue, H.W. Gribble, S. Coslow and C. Grey), 15 Oct 1924 Annie Dear (musical, C. Kummer and Grey), 4 Nov 1924 The Student Prince (Donnelly), 2 Dec 1924 [incl. Deep in my heart, dear, Drinking Song, Golden Days, Serenade]; films, 1927, 1954 Louie the 14th (musical, A. Wimperis), 3 March 1925 Princess Flavia (H.B. Smith), 2 Nov 1925 The Desert Song (Harbach, Hammerstein and F. Mandel), 30 Nov 1926 [incl.

The Desert Song, One Alone, The Riff Song, Romance]; films, 1929, 1942, 1953 Cherry Blossoms (H.B. Smith), 28 March 1927 My Maryland (Donnelly), 12 Sept 1927 [incl. Mother, Silver Moon, Won't you marry me?, Your Land and My Land] My Princess (Donnelly), 6 Oct 1927 The Love Call (H.B. Smith and E. Locke), 24 Oct 1927 Rosalie (musical, I. Gershwin and Wodehouse; W.A. McGuire and G. Bolton), collab. G. Gershwin, 10 Jan 1928 The New Moon (Hammerstein, Mandel and L. Schwab), 19 Sept 1928 [incl. Lover, come back to me, Softly, as in a morning sunrise, Stouthearted Men, Wanting You]; films, 1930, 1940 Nina Rosa (Harbach and I.

Caesar), 20 Sept 1930 East Wind (Mandel and Hammerstein), 27 Oct 1931 Melody (E.C. Carpenter and Caesar), 14 Feb 1933 May Wine (Mandel and Hammerstein), orchd D. Walker, 5 Dec 1935 [incl. I built a dream] Forbidden Melody (Harbach), orchd Walker, 2 Nov 1936 Sunny River (Hammerstein), orchd Walker, 4 Dec 1941 Up in Central Park (H. and D. Fields), orchd Walker, 27 Jan 1945 [incl. Close as Pages in a Book]; film, 1948 My Romance (R. Leigh), orchd Walker, 19 Oct 1948 The Girl in Pink Tights (J. Chodorov and J. Fields; L. Robin), completed and orchd Walker, 5 March 1954 films Viennese Nights (Hammerstein), 1930 [incl.

You will remember Vienna, I bring a love song] Children of Dreams (Hammerstein), 1931 [incl. That Rare Romance] The Night is Young (Hammerstein), 1935 [incl. When I grow too old to dream] The Girl of the Golden West (G. Kahn), 1938 [incl. Who are we to say?] songs (most associated with shows or films) Come back to the old cabaret (Paulton), in The Midnight Girl, 1914; Honeymoon Land (Atteridge), in Follow the Girl, 1918; When Hearts are Young (Wood), in The Lady in Ermine, 1922; All Year Around (Atteridge), in The Dream Girl, 1924; Mothers of the World (Grey), in Artists and Models of 1925, 1924; Twilight Rose (Atteridge), in Marjorie, 1924; Go south young man (E.

Heyman) (1934); The Night you Name the Day (Heyman), in Ice Follies of 1939 (film), 1938; Beneath the Winter Snows (Kahn), in Balalaika (film), 1939; No time to argue (Kahn), in Broadway Serenade (film), 1939; Where's the girl (Kahn), in Honolulu (film), 1939; Faithfully Yours (C. Tobias) (1943) other works Inst: Pf Qnt, 1922; Cl Conc., 1935--7 Pf: Leg of Mutton (1913); Le poeme (1913); Some Smoke (De la fumee), (1913); Valse parfumee (1918) Principal publishers: Harms, G.

Schirmer WRITINGS 'A Peep into the Workshop of a Composer', Theatre Magazine, xlvii/6 (1928), 27, 72, 74 'Screen Operetta', Pacific Coast Musician (3 May 1930) 'A Short History of American Operetta', Music and Dance in California, ed. J. Rodriguez (Hollywood, 1940), 88--103 'So You've a Song to Publish', Notes i/4 (1944), 7--13 'Can there be Television without Music?', Variety (4 Jan 1950) 'How to Write a Song', Etude lxviii/12 (1950), 15 E. Arnold: Deep in My Heart (New York, 1949) S. Green: The World of Musical Comedy (New York, 1960, 4/1980) G. Bordman: American Operetta (New York, 1981) G. Bordman: American Musical Comedy (New York, 1982) R.

Traubner: Operetta: a Theatrical History (Garden City, NY, 1983) J. Koegel: The Film Operettas of Sigmund Romberg (thesis, California State U., Los Angeles, 1984) W. Everett: Sigmund Romberg's Operettas 'Blossom Time', 'The Student Prince', 'My Maryland', and 'My Princess' (diss., U. of Kansas, 1991) W. Everett: 'Golden Days in Old Heidelberg: the First-Act Finale of Romberg's ''The Student Prince''', American Music, xii/3 (1994), 255--82 W. Everett: 'Sigmund Romberg and the American Operetta of the 1920s', Arti musices: musikoloski zbornik, xxvi/1 (1995), 49--64 Songwriters Hall of Fame - Sigmund Romberg Exhibit Home Hal Leonard Sigmund Romberg was born on July 29,1887 in Nagykanizsa, Hungary.

He showed musical ability at an early age, but his parents wanted him to go into something more sensible. They sent him to Vienna to study engineering, but he immersed himself in the world of Viennese music. In 1909, he moved to the United States and settled in New York. His first job was in a pencil factory for seven dollars a week. He soon found work as a pianist in cafes, and formed his own European salon and light music orchestra in 1912. Some of his early compositions attracted the attention of Broadway producers J. J. and Lee Shubert, who employed him as their house composer. His first work for them was The Whirl of the World, written with lyricist Harold Atteridge, in 1914. Other shows Romberg wrote with Atteridge were The Midnight Girl (1914), The Passing Show (1914), Dancing Around (1914), and Maid in America (1915). By 1917, Romberg had composed 275 numbers for seventeen musicals and revues. His first great success came in 1917 with Maytime, book and lyrics by Rida Johnson Young.

The operetta was an adaptation of the Viennese operetta Wie einst im Mai. Another adaptation of a Viennese operetta, Das Dreimaederlhaus, book and lyrics by Dorothy Donnelly, was the major success Blossom Time in 1921. It was a fictionalized version of Franz Schubert's youth for which Romberg re-arranged several pieces of Schubert's music. He followed that with one of his greatest successes, The Student Prince, in 1924. With book and lyrics by Donnelly, it was an adaptation of a German play, Old Heidelberg. It included… Drink! THE STUDENT PRINCE (the same yes) - YouTube Drink! THE STUDENT PRINCE (the same yes) Want to watch this again later? Sign in to add this video to a playlist. Need to report the video? Sign in to report inappropriate content. Rating is available when the video has been rented. This feature is not available right now. Please try again later.

Uploaded on Nov 7, 2007 Category Sigmund Romberg - IMDb IMDb Sigmund Romberg was born on July 29, 1887 in Nagykanizsa, Austria-Hungary. He was married to Lillian Harris. He died on November 9, 1951 in New York City, New York, USA. See full bio » Born: a list of 87 people created 13 Sep 2012 a list of 521 people created 01 Jul 2014 a list of 5865 people created 11 months ago a list of 2301 people created 2 weeks ago Do you have a demo reel? Add it to your IMDbPage How much of Sigmund Romberg's work have you seen?

User Polls 2016 Sing (writer: "Stout-Hearted Men") 2015/I Aloha (writer: "When I Grow Too Old to Dream") 2015 Dark Horse (Documentary) (writer: "Stout Hearted Man") 2013 The Mark of Beauty (TV Series) (writer - 1 episode) - Ayu (2013) ... (writer: "Softly As In A Morning Sunrise") 2011 Mildred Pierce (TV Mini-Series) (writer - 1 episode) - Part One (2011) ... (writer: "Serenade" (from The Student Prince)) 2010 Rock & Chips (TV Series) (writer - 1 episode) - Pilot (2010) ...

(writer: "How Long" - uncredited) 2009 Jekyll & Canada (Video) (writer: "The Ragtime Pipe of Pan") 2009 BBC Proms (TV Series) (music - 1 episode) 2008 Dancing with the Stars (TV Series) (music - 1 episode) - Episode #7.2 (2008) ... (music: "Lover, Come Back to Me" - uncredited) 2000 Strangers with Candy (TV Series) (music - 1 episode) - Blank Relay (2000) ... (music: "I Love to Go Swimmin' with Wimmen" - uncredited) 2000 U-571 (writer: "Lover, Come Back to Me") 1999 Flawless (writer: "Stouthearted Men") 1997 Money Talks (writer: "Will You Remember") 1995 Mr.

Holland's Opus (writer: "STOUTHEARTED MEN") 1995 Great Performances (TV Series) (music - 1 episode) - The Glee Club (1990) ... (writer: "Stout-hearted Men" - uncredited) 1989 E.M.U. TV (TV Series) (music - 1 episode) - Episode #1.4 (1989) ... (music: "Stouthearted Men" - uncredited) 1985 Sherrill Milnes: An All Star Gala (TV Special) (music: "Up in Central Park: Close as Pages in a Book") 1978 Pennies from Heaven (TV Mini-Series) (music - 1 episode) - Painting the Clouds (1978) ... (music: "Lover Come Back to Me" - uncredited) 1978 The Muppet Show (TV Series) (music - 1 episode) - Cloris Leachman (1978) ...

(music: "Serenade", "Stouthearted Men") 1976 That's Entertainment, Part II (Documentary) (music: "Stouthearted Men" (1928), "Lover, Come Back to Me" (1928) - uncredited) 1974 Columbo (TV Series) (music - 1 episode) 1973 The Benny Hill Show (TV Series) (writer - 1 episode) - Jackie Wright's Holiday (1973) ... (writer: "Lover, Come Back to Me") - The Great Talent Hunt (1967) ... (music: "One Alone" - uncredited) 1966 Petticoat Junction (TV Series) (music - 1 episode) 1963 The Judy Garland Show (TV Series) (music - 1 episode) - Episode #1.1 (1963) ...

(music: "Will You Remember (Sweetheart)", "Stout Hearted Men" - uncredited) 1962 The Ed Sullivan Show (TV Series) (writer - 1 episode) - Episode #15.44 (1962) ... (writer: "Lover Come Back To Me" - uncredited) 1959 The Steve Allen Plymouth Show (TV Series) (music - 1 episode) - Episode #5.7 (1959) ... (music: "Lover, Come Back To Me") 1958 The Big Record (TV Series) (music - 1 episode) - Episode #1.37 (1958) ... (music: "Lover Come Back to Me" - uncredited) 1957 The Lux Show (TV Series) (music - 1 episode) - Episode #1.10 (1957) ... (music: "Lover Come Back to Me" - uncredited) 1954 Deep in My Heart (lyrics: "Leg of Mutton") / (music: "Softly, as in a Morning Sunrise", "Mr.

and Mrs.", "I Love to Go Swimmin' with Wimmen", "The Road to Paradise", "Will You Remember (Sweetheart)", "It", "Serenade", "One Alone", "Your Land and My Land", "Lover, Come Back to Me", "When I Grow Too Old to Dream", "Leg of Mutton", "Auf Wiedersehn", "You Will Remember Vienna", "Jazzadadadoo", "Stouthearted Men") - Episode dated 4 December 1954 (1954) ...

(music: "Lover Come Back to Me") 1954 The Student Prince (music: "Drinking Song", "To the Inn We're Marching", "Deep In My Heart, Dear", "Serenade", "Come Boys, Let's All Be Gay Boys", "Golden Days", "Just We Two") 1953 The Desert Song (music: "One Alone", "The Riff Song", "If One Flower Grows Alone in Your Garden", "The Desert Song", "Azuri's Dance", "Romance" - uncredited) / (writer: "Long Live the Night" - uncredited) 1950 Moments in Music (Documentary short) (music: "Wanting You") 1948 Up in Central Park (music: "Oh Say, Can You See (What I See)", "Carousel in the Park", "When She Walks in the Room" - uncredited) 1943 The Desert Song (lyrics: "French Military Marching Song") / (music: "One Alone", "The Riff Song", "The Desert Song", "Romance", "Fifi's Song", "Long Live the Night", "French Military March

ing Song") 1940 New Moon (music: "Dance Your Cares Away" (1940), "Paree (Stranger in Paris)" (1940), "The Way They Do It in Paris" (1940), "Shoes" (1940), "Softly, as in a Morning Sunrise" (1928), "One Kiss" (1928), "Wanting You" (1928), "Lover, Come Back to Me" (1928), "Stouthearted Men" (1928), "Marianne" (1928) - uncredited) 1939 Broadway Serenade (music: "No Time To Argue" (1939) - uncredited) 1939 Let Freedom Ring (music: "Where Else But Here" (1939) - uncredited) 1938 The Girl of the Golden West (music: "Sun-Up to Sun Down" (1938), "Shadows On The Moon" (1938), "Soldiers Of Fortune" (1938),

 "The Wind In The Trees" (1938), "Señorita" (1938), "Mariache" (1938), "The West Ain't Wild Anymore" (1938), "Who Are We To Say" (1938) - uncredited) 1937 They Gave Him a Gun (music: "A Love Song of Long Ago") 1937 Maytime (music: "Will You Remember (Sweetheart)?") 1935 Manhattan Monkey Business (Short) (music: "When I Grow Too Old to Dream" - uncredited) 1935 Annapolis Farewell (music: "When I Grow Too Old To Dream") 1935 The Night Is Young (music: "The Night is Young" (1935), "When I Grow Too Old to Dream" (1935), "My Old Mare" (1935), "The Noble Duchess" (1935), "Lift Your Glass" (1935), "There's a Riot in Havana" (1935) - uncredited) 1934 Music in

 Your Hair (Short) (music: "Lover, Come Back to Me" - uncredited) 1932/I The Red Shadow (Short) (music: "One Alone", "The Riff Song", "One Flower Grows Alone in Your Garden" - uncredited) 1932 A Mail Bride (Short) (music: "Auf Wiedersehen") 1931 Children of Dreams (music: "Fruit Picker's Song", "Oh, Couldn't I Love That Girl", "Her Professor", "Children of Dreams", "Sleeping Beauty", "If I Had a Girl Like You", "Seek Love", "Yes Sir") 1930 New Moon (music: "Lover Come Back to Me" (1928), "Wanting You" (1928), "One Kiss" (1928), "Stout Hearted Men" (1928) - uncredited) 1930 Viennese Nights (music: "You Will Remember Vienna", "I Bring a Love Song", "I'm Lonely", "Here We Are", "Regimental March", "Yes, Yes, Yes", "Viennese Nights")

Question: Which 1924 Sigmund Romberg operetta features the Drinking Song?
Answer: The Student Prince