Diego Rivera - Painter - Biography.com Diego Rivera Painter and muralist Diego Rivera sought to make art that reflected the lives of the working class and native peoples of Mexico. IN THESE GROUPS Diego Rivera - Mini Biography (TV-14; 4:01) A short biography of Diego Rivera whose view that art should belong to everyone profoundly impacted the international art scene and led to his reintroduction of Fresco paintings in the 1930s. Synopsis Born on December 8, 1886, in Guanajuato, Mexico, Diego Rivera sought to make art that reflected the lives of the Mexican people. In 1921, through a government program, he started a series of murals in public buildings. Some were controversial; his Man at the Crossroads in New York City's RCA building, which featured a portrait of Vladmir Lenin, was stopped and destroyed by the Rockefeller family. Early Life Now thought to be one of the leading artists of the 20th century, Diego Rivera was born on December 8, 1886, in Guanajuato, Mexico. His passion for art emerged early on. He began drawing as a child.

Around the age of 10, Rivera went to study art at the San Carlos Academy of Fine Arts in Mexico City. One of his early influences was artist José Posada who ran a print shop near Rivera's school. In 1907, Rivera traveled to Europe to further his art studies. There, he befriended many leading artists of the day, including Pablo Picasso. Rivera was also able to view influential works by Paul Gaugin and Henri Matisse, among others. Famous Muralist Diego Rivera had some success as a Cubist painter in Europe, but the course of world events would strongly change the style and subject of his work. Inspired by the political ideals of the Mexican Revolution (1914-15) and the Russian Revolution (1917), Rivera wanted to make art that reflected the lives of the working class and native peoples of Mexico. He developed an interest in making murals during a trip to Italy, finding inspiration in the Renaissance frescos there. Returning to Mexico, Rivera began to express his artistic ideas about Mexico. He received funding from the government to create a series of murals about the country's people and its history on the walls of public buildings.

In 1922, Rivera completed the first of the murals at the Escuela Nacional Preparatoria in Mexico City. Known for numerous dalliances with women, Rivera married fellow artist Frida Kahlo in 1929. He already had been twice before he wed Kahlo, who was 20 years his junior, and had several children from his past relationships. Rivera and Kahlo shared an interest in radical politics and Marxism. Commerical Success In the 1930s and '40s, Diego Rivera painted several murals in the United States. Some of his works created controversy, especially the one he did for the Rockefeller family in the RCA building in New York City. The mural, known as "Man at the Crossroads," featured a portrait of Russian Communist leader Vladimir Lenin. The artist had reportedly included Lenin in his piece to portray the turbulent political atmosphere at the time, which was largely defined by conflicting capitalist and socialist ideologies and escalating fears surrounding the Communist Party. The Rockefellers disliked Rivera's insertion of Lenin and, thusly, asked Rivera to remove the portrait, but the painter refused. The Rockefellers then had Rivera stop work on the mural.

In 1934, Nelson Rockefeller famously ordered the demolition of "Man at the Crossroads." Publish backlash against the Rockefellers ensued; after long proclaiming a deep dedication to the arts, the powerful family now looked both hypocritical and tyrannical. John D. Rockefeller Jr. later attempted to explain the destruction of the mural, stating, "The picture was obscene and, in the judgment of Rockefeller Center, an offense to good taste. It was for this reason primarily that Rockefeller Center decided to destroy it." Later Life and Work In the late 1930s, Rivera went through a slow period, in terms of work. He had no major mural commissions around this time so he devoted himself to painting other works. While they always had a stormy relationship, Rivera and Kahlo decided to divorce in 1939. But the pair reunited the following year and remarried. The couple hosted Communist exile Leon Trotsky at their home during this period. Rivera returned to murals with one made for the 1940 Golden Gate International Exposition held in San Franciso.

In Mexico City, he spent from 1945 to 1951 working on a series of murals known as "From the Pre-Hispanic Civilization to the Conquest." His last mural was called "Popular History of Mexico." Personal Life and Death Diego Rivera lost his wife, Frida Kahlo, in 1954. The following year, He married Emma Hurtado, his art dealer. By this time, Rivera's health was in decline. He had traveled abroad for cancer treatment, but doctors were unable to cure him. Diego Rivera died of heart failure on November 24, 1957, in Mexico City, Mexico. Since his death, Diego Rivera is remembered as an important figure in 20th century art. His childhood home is now a museum in Mexico. His life and relationship with Frida Kahlo has been remained a subject of great fascination and speculation. On the big screen, actor Ruben Blades portrayed Rivera in the 1999 movie Cradle Will Rock. Alfred Molina later brought Rivera to life, co-starring with Salma Hayek in the 2002 acclaimed biographical film Frida. Related Videos Fact Check We strive for accuracy and fairness.

If you see something that doesn't look right, contact us ! Citation Information Diego Rivera | About the Artist | American Masters | PBS About the Artist Diego Rivera: Rivera In America About the Artist Comments “An artist is above all a human being, profoundly human to the core. If the artist can’t feel everything that humanity feels, if the artist isn’t capable of loving until he forgets himself and sacrifices himself if necessary, if he won’t put down his magic brush and head the fight against the oppressor, then he isn’t a great artist.” Considered the greatest Mexican painter of the twentieth century, Diego Rivera had a profound effect on the international art world. Among his many contributions, Rivera is credited with the reintroduction of fresco painting into modern art and architecture. His radical political views and tempestuous romance with the painter Frieda Kahlo were then, and remain today, a source of public intrigue. In a series of visits to America, from 1930 to 1940, Rivera brought his unique vision to public spaces and galleries, enlightening and inspiring artists and laymen alike. Diego Rivera was born in Guanajuato, Mexico in 1886.

He began to study painting at an early age and in 1907 moved to Europe. Spending most of the next fourteen years in Paris, Rivera encountered the works of such great masters as Cézanne, Gauguin, Renoir, and Matisse. Rivera was searching for a new form of painting, one that could express the complexities of his day and still reach a wide audience. It was not until he began to study the Renaissance frescoes of Italy that he found his medium. It was with a vision of the future of the fresco and with a strong belief in public art that Rivera returned to Mexico. Frescoes are mural paintings done on fresh plaster. Using the fresco form in universities and other public buildings, Rivera was able to introduce his work into the everyday lives of the people. Rivera concerned himself primarily with the physical process of human development and the effects of technological progress. For him, the frescoes’ size and public accessibility was the perfect canvas on which to tackle the grand themes of the history and future of humanity. A life long Marxist, Rivera saw in this medium an antidote to the elite walls of galleries and museums.

Throughout the twenties his fame grew with a number of large murals depicting scenes from Mexican history. His work appealed to the people’s interest in the history of technology and progress. The desire to understand progress was visible in the growing industrial societies of the 1930s, and Rivera saw the workers’ struggle as a symbol of the fragile political ground on which that capitalism trod. In 1930, Rivera made the first of a series of trips that would alter the course of American painting. In November of that year, Rivera began work on his first two major American commissions: for the American Stock Exchange Luncheon Club and for the California School of Fine Arts. These two pieces firmly but subtly incorporated Rivera’s radical politics, while maintaining a sense of simple historicity. One of Rivera’s greatest gifts was his ability to condense a complex historical subject (such as the history of California’s natural resources) down to its most essential parts. For Rivera, the foundation of history could be seen in the working class, whose lives were spent by war and industry in the name of progress. In these first two commissions and all of the American murals to follow, Rivera would investigate the struggles of the working class.

In 1932, at the height of the Great Depression, Rivera arrived in Detroit, where, at the behest of Henry Ford, he began a paean to the American worker on the walls of the Detroit Institute of Arts. Completed in 1933, the piece depicted industrial life in the United States, concentrating on the car plant workers of Detroit. Rivera’s radical politics and independent nature had begun to draw criticism during his early years in America. Though the fresco was the focus of much controversy, Edsel Ford, Henry’s son, defended the work and it remains today Rivera’s most significant painting in America. Rivera, however, did not fare nearly so well in his association with the Rockefellers in New York City. In 1933 the Rockefellers commissioned Rivera to paint a mural for the lobby of the RCA building in Rockefeller Center. “Man at the Crossroads” was to depict the social, political, industrial, and scientific possibilities of the twentieth century. In the painting, Rivera included a scene of a giant May Day demonstration of workers marching with red banners. It was not the subject matter of the panel that inflamed the patrons, but the clear portrait of Lenin leading the demonstration.

When Rivera refused to remove the portrait, he was ordered to stop and the painting was destroyed. That same year, Rivera used the money from the Rockefellers to create a mural for the Independent Labor Institute that had Lenin as its central figure. Rivera remained a central force in the development of a national art in Mexico throughout his life. In 1957, at the age of seventy, Rivera died in Mexico City. Perhaps one his greatest legacies, however, was his impact on America’s conception of public art. In depicting scenes of American life on public buildings, Rivera provided the first inspiration for Franklin Delano Roosevelt’s WPA program. Of the hundreds of American artists who would find work through the WPA, many continued on to address political concerns that had first been publicly presented by Rivera. Both his original painting style and the force of his ideas remain major influences on American painting. What did you think? Diego Rivera Biography (Artist) Best known as: Mexican muralist and husband of artist Frida Kahlo Name at birth: José Diego Rivera Barrientos Diego Rivera is the Mexican artist best known for his expansive and politically-charged murals, and for his love affair with artist Frida Kahlo .

Diego Rivera studied painting in Mexico before going to Europe in 1907. While in Europe he took up cubism and had exhibitions in Paris and Madrid in 1913; he then had a show in New York City in 1916. In 1921 he returned to Mexico, where he undertook government-sponsored murals that reflected his communist politics in historical contexts. He married Frida Kahlo in 1929, and their tempestuous marriage got to be just as famous as their art. Rivera worked in the United States and Mexico in the 1930s and '40s, and many of his paintings drew controversy. His 1933 mural for the RCA Building at Rockefeller Center in Manhattan featured a portrait of Communist Party leader V.I. Lenin ; the resulting uproar led to his dismissal and to the mural's official destruction in 1934. Similarly, a 1948 mural for the Hotel de Prado in Mexico that included the words "God does not exist" was covered and held from public view for nine years.

Even so, Diego Rivera's talent for historical murals and his tributes to earthy folk traditions made him one of the most influential artists in the Americas and one of Mexico's most beloved painters. Extra credit: One of his most famous works is a tribute to workers in Detroit, Michigan, commissioned in 1932 by Henry Ford … Diego Rivera was born a twin, but his brother, Carlos María, died before he turned two… Never very faithful romantically, Diego Rivera was married four times to three different women: to Guadalupe Marin (1922-27), to Kahlo (1929-39, then again from 1940 until her death in 1954), and to art dealer Emma Hurtado (from 1955 until his death in 1957). He also lived with the artist Angelina Beloff for many years in Paris, and she is sometimes counted among his spouses as a common-law wife… Diego Rivera was honored with a Google Doodle on December 8th, 2011 — the 125th anniversary of his birth. Copyright © 1998-2017 by Who2?, LLC.

All rights reserved. Frida Kahlo - Biography - IMDb Frida Kahlo Jump to: Overview (4) | Mini Bio (1) | Spouse (2) | Trade Mark (1) | Trivia (5) Overview (4) Magdalena Carmen Frida Kahlo y Calderón Height 5' 3" (1.6 m) Mini Bio (1) Magdalena Carmen Frieda Kahlo y Calderon was born on July 6, 1907 in Mexico City, Mexico. She was the seventh daughter of Guillermo Kahlo (born Carl Wilhelm Kahlo), a successful German photographer who emigrated to Mexico from Pforzheim, and of a Mexican-Indian mother, Matilde Calderón y González. Her father encouraged her interest in art, photography and archaeology; her mother was not so well educated, and also very religious. At the age of 6, Frida suffered an attack of poliomyelitis, which left her with a deformed leg, although exercise and determination helped her to make a good recovery.

At 14, she enrolled into one of Mexico's best schools hoping to forge a career in medicine; however, on September 17, 1925, she suffered serious injury in a traffic accident in Mexico City, breaking her spinal column and pelvis in three places, as well as her collar bone and two ribs. Her right leg, already deformed by polio, was shattered and fractured in 11 places and her right foot was dislocated. Frida spent the next month in hospital, and another 2 months at home recuperating, followed by 32 operations during her life-time. Her first prolonged hospitalization gave her the opportunity to rethink her life and become a painter, in spite of constant pain and discomfort. She met her future husband, painter Diego Rivera , when he painted a mural at her school in 1923; they re-met in 1927 and began an affair.

Although her mother objected to Frida dating Diego mostly because of their age differences (he was exactly 20 years older) and their awkward appearance together (she was 5' 3" tall and weighed only 100 lbs, he was 6' and weighed nearly 300 lbs), they were married in a traditional Catholic civil ceremony in 1929. Melancholia, illness, separation, divorce, and re-marriage marked their relationship; Diego Rivera was a womanizer and their marriage was stormy. Frustrated by his philandering, Frida (a closet lesbian/bisexual) had affairs with both men and women, including a fling with exiled Russian revolutionary Leon Trotsky in 1938. Her career as an artist was highly successful and took her around Mexico, New York and Europe. Frida and Diego divorced early in 1940, and soon after, Frida's health deteriorated. Her moderate to heavy drinking, chain-smoking, and a steady diet of candy exacerbated her infirmity.

In the early 1930s, she developed an atrophic ulcer on her right foot, from which several gangrenous toes were amputated in 1934. Frida and Diego Rivera reconciled and were re-married on his 54th birthday, in December 1940, in San Francisco, California. Following the amputation of her right leg in 1953, Frida became a recluse and more deeply depressed, finally losing the will to live. She was found dead at home in Mexico City on July 13, 1954, allegedly from kidney, liver and heart failure, although some believe she committed suicide by taking an overdose of pills. - IMDb Mini Biography By: Matthew Patay Spouse (2) Diego Rivera - Shopping-Fashion-Mode-Style Diego Rivera You are here: Home / Lifestyle / Malerei / Diego Rivera / Diego Rivera Diego Rivera By admin Leave a Comment Diego Rivera: Self-portrait Dedicated to Irene Rich. (1941) Diego Rivera was born December 8, 1886, in Guanajuato in Mexico, to Diego and Maria Barrientos Rivera.

Being a family of rather modest means, they lived in Guanajuato until 1892, when they moved to Mexico City. At the age of ten Diego Rivera was doing well in school, and, passionately fond of drawing from an early age, started taking evening painting classes at the San Carlos Academy. In 1898 he enrolled there as a full time student, and in 1906, at the annual show, he exhibited for the first time, with 26 works. Thus at age twenty Diego Rivera was established as a painter. Diego Rivera: Self-portrait, um Irene Rich gewidmet. (1941) Diego Rivera war geboren 8. Dezember 1886, in Guanajuato in Mexiko, Diego und Maria Barrientos Rivera. Als Familienunternehmen eher bescheidenen Mitteln, lebten sie in Guanajuato bis 1892, als sie nach Mexiko-Stadt zog. Im Alter von zehn Diego Rivera war gut in der Schule, und leidenschaftlich gern der Zeichnung von einem frühen Alter, fing an, am Abend Malkurse an der San Carlos Academy.

Im Jahr 1898 schrieb er sich dort als Vollzeit-Student, und im Jahre 1906, bei der jährlichen Show stellte er zum ersten Mal, mit 26 Werken. So im Alter von 20 Diego Rivera wurde als Maler etabliert. Diego’s father was a municipal councellor in Guanajuato, and was a liberal and anticlerical man. Diego’s two aunts, who lived with the family, were rather religious. Diego was interested in military issues, and he was especially fascinated by the Russian army and the conflict it was facing; the Tsar and the Orthodox Church versus Marxist Revolutionaries. Diegos Vater war ein kommunales Ratgeber in Guanajuato, und war eine liberale und antiklerikale Menschen. Diegos zwei Tanten, die mit der Familie lebte, waren eher religiös. Diego war daran interessiert, militärische Fragen, und er war vor allem von der russischen Armee und der Konflikt wurde vor fasziniert; des Zaren und der orthodoxen Kirche gegenüber marxistischen Revolutionäre.

Diego Rivera Self-Portrait, 1907. In 1907 Diego got a travel grant, and went to Spain. There he travelled around, and he also went to France, Belgium, and England. In Brussels in 1909 he met Angelina Belhoff, a slender, blond young Russian painter, a kind, sensitive, almost unbelievably decent person, and she became Diego’s partner for the next twelve years. They travelled together, mostly in Europe, and spent much time in Paris, where Diego Rivera participated in several exhibitions. During this time they had many friends, and several of these were Russians. The First World War broke out in Europe, and in Mexico the revolutionary folk hero Emiliano Zapata promoted returning the land to the people. It was in these years Diego Rivera became a revolutionary himself, and felt the call of his country. His friend, David Sternberg, the Soviet People’s Commissar of Fine Arts had invited him to Russia, and Diego was tempted to go, but in 1921 he returned to Mexico instead.

In addition to his painting activities, which by now was focused increasingly on murals, Diego Rivera participated in the founding of the Revolutionary Union of Technical Workers, Painters and Sculptors in the autumn of 1922, and later that year he joined the Mexican Communist Party. In the years that followed, Diego was engaged by The (Soviet) Revolution, as his signature on the mural The Agitator illustrates: Signature detail of The Agitator, mural 1926. In the autumn of 1927 Diego took a trip to the Soviet Union, as a member of an official delegation of Mexican Communist Party functionaries and various workers representatives, to take part in the tenth anniversary celebrations of the October Revolution. Diego’s interest in the Workers Movement clearly show in the mural below, which shows Frida Kahlo , Diego’s third wife and longtime (1929 to 1954) partner, handing out guns to workers who have decided to fight: The Arsenal – Frida Kahlo Distributes Arms, 1928.

Frida Kahlo was Diego’s great admirer, and she shared Diego’s revolutionary feelings, as the picture below illustrates: Diego Rivera Self-Portrait, 1907. Im Jahr 1907 Diego bekam ein Stipendium und ging nach Spanien. Es bereiste er, und auch er ging nach Frankreich, Belgien und England. In Brüssel im Jahre 1909 traf er Angelina Belhoff, eine schlanke, blonde junge russische Maler, eine Art, einfühlsam, fast unglaublich anständiger Mensch , und sie wurde Diego-Partner für die nächsten 12 Jahre. Sie reisten zusammen, vor allem in Europa, und verbrachte viel Zeit in Paris, wo Diego Rivera in mehreren Ausstellungen teilgenommen. Während dieser Zeit hatten sie viele Freunde, und einige von ihnen waren Russen . Der Erste Weltkrieg ausbrach, in Europa und in Mexiko die revolutionäre Volkshelden Emiliano Zapata befördert wieder das Land zu den Menschen. Es war in diesen Jahren Diego Rivera ein revolutionäres wurde selbst und fühlte den Ruf seines Landes.

Sein Freund, David Sternberg, der sowjetische Volkskommissar für Bildende Künste hatte ihn nach Russland eingeladen, und Diego war versucht zu gehen, aber im Jahre 1921 kehrte er nach Mexiko statt. Neben seiner Malerei Aktivitäten, die inzwischen zunehmend auf Wandmalereien konzentriert war, nahm Diego Rivera in der Gründung der Revolutionären Vereinigung der technische Angestellte, Maler und Bildhauer im Herbst 1922 und im selben Jahr trat er in die Kommunistische Partei Mexikos. In den Jahren, die folgten, wurde Diego von der (sowjetischen) Revolution engagiert, wie seine Unterschrift auf dem Wandbild The Agitator veranschaulicht: Signature Detail The Agitator, Wandmalerei 1926.

Im Herbst 1927 Diego nahm eine Reise in die Sowjetunion, als Mitglied einer offiziellen Delegation der mexikanischen Kommunistischen Partei-Funktionäre und verschiedene Arbeitnehmervertreter , die Teilnahme an den zehnten Jubiläum der Oktoberrevolution zu nehmen. Diego Interesse an der Arbeiterbewegung zeigen deutlich, in dem Wandbild unten, was zeigt, Frida Kahlo, Diego dritte Ehefrau und langjährige (1929 bis 1954) Partner verteilen Waffen für die Arbeitnehmer, die beschlossen zu kämpfen haben: Das Arsenal – Frida Kahlo Verteilt Arms, 1928. Frida Kahlo war Diego große Verehrer, und sie teilte Diego revolutionäre Gefühle, wie das Bild unten zeigt: Diego Rivera and Frida Kahlo demonstating in 1936. In 1933 Diego started work on a mural, Man at the Crossroads, in Radio City in the Rockefeller Center in New York .

However, a conflict arose over a portrait of Lenin, the first leader of the Soviet Union, and the mural was chipped off the wall and destroyed February 9, 1934. The picture below was shot before the mural was broken into into pieces: Man at the Crossroads, detail, 1933. Diego was determined to complete the mural, but in a different place, and after doing several murals at the New Workers School, including the Workers of the World Unite panel, he left the US. Then he did a new version of the Crossroads mural, called Man, Controller of the Universe, in Mexico City. Below is a detail: Man, Controller of the Universe, detail of mural, 1934. To the right of Lenin, the founder of the Soviet Union, we spot Leon Trotsky, another principal leader of the Russian Revolution. In his later years, Leon moved to Mexico, where he was a close friend of Diego. In 1938 the picture below was taken: Diego Rivera und Frida Kahlo NACHWEIS im Jahr 1936.

In 1933 Diego begann die Arbeit an einem Wandbild, Man at the Crossroads, in Radio City im Rockefeller Center in New York. Allerdings entstand ein Konflikt über ein Porträt von Lenin, der erste Führer der Sowjetunion, und das Wandbild wurde von der Wand abgeschlagen und zerstört 9. Februar 1934. Das Bild unten wurde erschossen, bevor das Wandbild wurde in in Stücke gebrochen: Man at the Crossroads, Detail, 1933. Diego war entschlossen, das Wandbild zu vervollständigen, sondern in einem anderen Ort, und nachdem ich einige Wandmalereien an der New Workers School, einschließlich der Workers of the World Unite Panel, verließ er die USA . Dann tat er eine neue Version des Crossroads Wandbild, als Mann, Controller des Universums, in Mexico City. Unten ist ein Detail: Man, Controller of the Universe, Detail der Wandmalerei, 1934.

Auf der rechten Seite Lenin, der Gründer der Sowjetunion, entdecken wir Leo Trotzki , ein anderes wichtigsten Führer der russischen Revolution. In seinen späteren Jahren zog Leon in Mexiko, wo er ein enger Freund von Diego war. In 1938 wurde das Bild unten genommen wurde: Diego Rivera, Leon Trotsky, and Andre Breton, 1938. Diego Rivera remained loyal to the revolutionary cause all his life, and below we see him, speaking to the Mexican Communist Party, late in his life. Diego Rivera making a speech to the Mexican Communist Party, 1956. We speculate that Diego’s view of himself is portrayed to some extent in his murals, and in the mural Alameda Park, painted in 1948, Diego himself makes an appearance. We see a Diego who is not so grown up and serious, but rather youthful and happy, with many friends, many of them beautiful ladies, having a party, with death not so far away… Diego Rivera, Leon Trotzki und André Breton, 1938.

Diego Rivera blieb loyal gegenüber der revolutionären Sache sein ganzes Leben lang, und unten sehen wir ihn, im Gespräch mit der mexikanischen Kommunistischen Partei, spät in seinem Leben. Diego Rivera eine Rede an die mexikanische Kommunistischen Partei, 1956. Wir spekulieren, dass Diego Sicht von sich selbst zu einem gewissen Grad in seine Wandmalereien dargestellt wird, und in dem Wandbild Alameda Park, im Jahre 1948 gemalt, macht Diego selbst einen Auftritt. Wir sehen einen Diego, die nicht so erwachsen ist und ernst, sondern jung und glücklich, mit vielen Freunden, viele von ihnen schönen Damen, mit einer Partei, mit dem Tod nicht so weit weg … Dream of a Sunday Afternoon in Alameda Park, detail of mural, 1948. Diego Rivera always enjoyed painting the beautiful ladies… – Portrait of Mrs Dreyfus, painted in 1927. – Lupe Marin, Diego’s second wife (1922-27), 1938. Once again, interesting informations for our german visitors.

Here we go: Nachdem sich Frida Kahlo und Diego Rivera 1939 von einander trennten, gab es zu dieser Zeit viele Menschen, die entweder auf der Seite Rivera’s oder auf der Seite Kahlo’s standen und beiden Mut zusprachen. Diese Verbundenheit und Sympathie fÃ¼r die beiden lÃ¤sst sich auch heute noch beobachten. So ist es in dem Heimatland der beiden heute beispielsweise möglich, verschiedenes Merchandising wie zum Beispiel Kalender zu kaufen. Doch wer denkt, dass hier vor allem Frida Kahlo die Nase vorn hat, der irrt. Interessierte können sich inzwischen sogar ein Fotobuch und Fotokalender erstellen von Diego Rivera und / oder seiner Ex-Frau Frida Kahlo. Desmond Rochfort, Mexican Muralists, Chronicle Books, p72, p131, 1998. Andrea Kettenmann, Rivera, Benedikt Tashen Verlag GmbH, p6, p35, p71, p55, p75, p80, 1997.

Patrick Marnham, Dreaming with his Eyes open…, Alfred A. Knopf, p242, 1998. Diego Rivera, My Art, My life An Autobiography, Dover Publications, p66, 1991. Cynthia Newman Helms, Diego Rivera, Norton, p64, 1986. Check out the Diego Rivera Web Museum to find out more about Diego and see pictures of some of his works! Diego’s own musem is MUSEO MURAL DIEGO RIVERA, and it has pictures of several of Diego’s murals, and maps showing who is who in them… Who is the man in this oil painting by D. Rivera, and when and where was it done? Traum von einem Sonntag Nachmittag in Alameda Park, Detail der Wandmalerei, 1948. Diego Rivera immer genossen Malerei der schönen Damen … – Porträt von Frau Dreyfus, 1927 gemalt. – Lupe Marin, Diego zweite Frau (1922-27), 1938.

Wieder einmal interessante Informationen für unsere Deutsch Besucher. Here we go: Once Sich Frida Kahlo und Diego Rivera 1939 von Einander trennten, GAB es zu of this Zeit Viele Menschen, sterben entweder auf der Seite Rivera oder auf der Seite Kahlos Standen und two Mut zusprachen. This Verbundenheit und Sympathie fÃ ¼ r die two lÃ ¤ sst Sich Auch heute NOCH Beobachten. So IST es in DEM Heimatland der two heute beispielsweise Möglich, verschiedenes Merchandising Wie zum beispiel Kalender zu kaufen. DOCH wer denkt, dass. hier vor Allem Frida Kahlo Die Nase vorn hat, der irrt. Interessierte can Sich inzwischen sogar Ein Fotobuch und Fotokalender erstellen von Diego Rivera und / oder Wadenfänger Ex-Frau Frida Kahlo. Desmond Rochfort, mexikanischen Wandmaler, Chronicle Books, p72, p131, 1998.

Andrea Kettenmann, Rivera, Benedikt Tashen Verlag GmbH, p6, p35, p71, p55, p75, p80, 1997. Patrick Marnham, Träumen mit offenen Augen …, Alfred A. Knopf, P242, 1998. Diego Rivera, meine Kunst, Mein Leben An Autobiography, Dover Publications, p66, 1991. Cynthia Newman Helms, Diego Rivera, Norton, p64, 1986. Schauen Sie sich die Diego Rivera Web Museum erfahren Sie mehr über Diego und sehen Bilder von einigen seiner Werke! Diego eigenen musem ist Museo Mural Diego Rivera, und es hat auch Bilder von mehreren Diegos Wandmalereien und Karten mit, wer wer ist in ihnen … Wer ist der Mann in diesem Ölgemälde von D. Rivera, und wann und wo wurde es gemacht?

Diego Rivera Most Important Art | The Art Story Web Services & Hosting by The Computer Studio | Designed by DesArtLab Paul Cézanne Paul Cézanne Paul Cézanne was an influential French Post-Impressionist painter whose depictions of the natural world, based on internal geometric planes, paved the way for Cubism and later modern art movements. Henri Rousseau Henri Rousseau Henri Rousseau was a French self-taught painter. His most famous works, done in his characteristic flat figurative style, show surreal and dream-like scenes in primitive or natural settings. Pablo Picasso Pablo Picasso Picasso dominated European painting in the first half of the last century, and remains perhaps the century's most important, prolifically inventive, and versatile artist. Alongside Georges Braque, he pioneered Cubism. He also made significant contributions to Surrealist painting and media such as collage, welded sculpture, and ceramics. Social Realism Social Realism Social Realism refers to a style of figurative art with social concerns - generally left-wing. Inspired in part by nineteenth-century Realism, it emerged in various forms in the twentieth century.

Political radicalism prompted its emergence in 1930s America, while distaste for abstract art encouraged many in Europe to maintain the style into the 1950s. Mexican Muralists Mexican Muralists The Mexican Muralists were active in the first half of the twentieth century, especially in the 1930s. The large-scale works, executed in Mexico and the US, were frequently done in a figurative, allegorical style, and dealt with political, social, and radical themes. André Breton André Breton André Breton, author of the 1924 Surrealist Manifesto, was an influential theorizer of both Dada and Surrealism. Born in France, he emigrated to New York during World War II, where he greatly influenced the Abstract Expressionists. Gerardo Murillo Gerardo Murillo Gerardo Murillo (aka Dr. Atl, the name he used to sign his works) was a Mexican painter, writer, and Socialist political activist. His work focused mainly on panoramic landscapes and mythological subjects, painted in the tradition of the Mexican Muralists.

For most of his career Murillo was a key fixture in Mexican art, helping to promote the work of such artists as Diego Rivera and Francisco de la Torre. Leon Trotsky Leon Trotsky Leon Trotsky was a Russian revolutionary and Marxist theorist. In October 1917, Trotksy and Vladimir Lenin led the Bolshevik Revolution that eventually helped form the Soviet Union. In the years that followed, Trotsky founded and led the Red Army, and was an original member of the Politburo, the Soviet governing body. As a leading leftist and political contrarian, Trotksy was eventually banished from Russia and assassinated on the order of Premier Joseph Stalin, his biggest political and ideological rival. Guillaume Apollinaire Guillaume Apollinaire Guillaume Apollinaire was a French writer and art critic who in the early twentieth century was a member of the avant-garde group of artists based in the Montparnasse community of Paris, which included Picasso, André Breton and Henri Rousseau. He is credited with coining the term "Surrealism." Frida Kahlo Frida Kahlo Frida Kahlo is a twentieth-century Mexican artist whose work has a strong autobiographical component as it addresses issues of feminism and nationalism.

Her work is often associated with Surrealism and she is best known for her many, often uncanny self-portraits. Post-Impressionism Post-Impressionism Post-Impressionism refers to a number of styles that emerged in reaction to Impressionism in the 1880s. The movement encompassed Symbolism and Neo-Impressionism before ceding to Fauvism around 1905. Its artists turned away from effects of light and atmosphere to explore new avenues such as color theory and personal feeling, often using colors and forms in intense and expressive ways. Cubism Cubism Cubism was developed by Pablo Picasso and Georges Braque between 1907-1911, and it continued to be highly influential long after its decline. This classic phase has two stages: 'Analytic', in which forms seem to be 'analyzed' and fragmented; and 'Synthetic', in which pre-existing materials such as newspaper and wood veneer are collaged to the surface of the canvas.

Surrealism Surrealism Perhaps the most influential avant-garde movement of the century, Surrealism was founded in Paris in 1924 by a small group of writers and artists who sought to channel the unconscious as a means to unlock the power of the imagination. Much influenced by Freud, they believed that the conscious mind repressed the power of the imagination. Influenced also by Marx, they hoped that the psyche had the power to reveal the contradictions in the everyday world and spur on revolution. Pre-Columbian Art Pre-Columbian Art Pre-Columbian Art is a term that applies to all art from Mexico, Central and South America created before these areas were colonized by Europe ("before Columbus") in the sixteenth century. These art forms cover vast media and subject matter. The uniting factor among most works is that they were discovered in tombs, which suggests a purpose of paying tribute to fallen leaders, accompanying them as they enter the afterlife. Fernando Botero Fernando Botero Fernando Botero is a Columbian painter, whose work is characterized by exaggerated figurative depictions of current and historical events, often infused with irony and/or harsh political criticism.

Painting in a distinct style known as "Boterismo," the artist often focuses on situational portraiture and depicts his subjects as disproportionately fat almost in spite of context. Rufino Tamayo Rufino Tamayo Rufino Tamayo was a twentieth-century Zapotecan Indian painter from Mexico. Tamayo was known as an artistic rebel in his day. While his contemporaries, such as Diego Rivera, painted large murals charged with leftist politics and revolutionary zeal, Tamayo painted in a more avant-garde style, inspired by Cubism, Fauvism and Post-Impressionism. Ben Shahn Ben Shahn Ben Shahn was a Lithuanian-born American artist and painter. Inspired by the European Expressionists and Fauves, as well as muralists like Diego Rivera, Shahn's Social Realist paintings and murals reflected his leftist political views, focusing on themes like urban life, immigration and organized labor. Jackson Pollock Jackson Pollock Jackson Pollock was the most well-known Abstract Expressionist and the key example of Action Painting. His work ranges from Jungian scenes of primitive rites to the purely abstract "drip paintings" of his later career.

Tina Modotti Tina Modotti Tina Modotti was a twentieth-century Italian photographer, actress, model and political activist. She is perhaps best known for documenting the artistic practices of Mexican muralists Diego Rivera and Jose Clemente Orozco, as well as for her photographic work with architectural interiors, landscapes and urban scenes. Modotti was also an active member of the Mexican Communist Party. Her untimely death from heart failure at age 42 is something that remains highly suspicious. David Alfaro Siqueiros David Alfaro Siqueiros Jose David Alfaro Siquieros was a Mexican social realist painter, an active member of the Mexican Communist Party, and one of three artists - along with Diego Rivera and Jose Clemente Orozco - who gave rise to the Mexican Mural Renaissance in the early twentieth century. Siqueiros's large-scale fresco murals are defined by their anti-Fascist politics and near expressionistic aesthetic. Bertram Wolfe Bertram Wolfe Bertram Wolfe was a Jewish-American writer and former Communist activist (eventually opposing the Party because of Stalin), best known for his biographies on such subjects as Lenin, Trotsky and Diego Rivera.

A Brooklyn native, Wolfe was a founding member of the Communist Party of America, and later became a delegate in Mexico for that nation's Communist party. Pop Art Pop Art British artists of the 1950s were the first to make popular culture the dominant subject of their art, and this idea became an international phenomenon in the 1960s. But the Pop art movement is most associated with New York, and artists such as Andy Warhol, who broke with the private concerns of the Abstract Expressionists, and turned to themes which touched on public life and mass society. Diego Rivera - 133 paintings and drawings - WikiArt.org References: A Mexican muralist painter, Diego Rivera was an outspoken member of the Mexican communist party and husband to painter Frida Kahlo. Rivera began drawing at the age of three, one year after the death of his twin brother Carlos. His father built him a studio with chalkboard and canvas on the walls to keep him from drawing on the walls and furniture. At the age of ten, he studied at the Academy of San Carlos, and at the age of 21 was sponsored by the governor of Veracruz to study art in Europe.

While in Europe, he traveled and studied in Madrid, Paris, and Italy, and befriended many of the famous Paris artists of the time, including Amadeo Modigliani, Ilya Ehrenburg, Chaim Soutine, Max Jacob, and Moise Kisling. He witnessed the birth of cubism, led by Pablo Picasso and Georges Braque, which he enthusiastically embraced, and was also inspired by the post-impressionism of Paul Cezanne. Rivera returned to Mexico in 1921, and quickly became involved with a Mexican mural program sponsored by the Mexican government. His completed his first mural, Creation, at the National Preparatory School in Mexico City, armed with a pistol, to defend himself from right-wing students. Rivera’s paintings exemplify his unique style of large, simplified figures with bold colors, and an Aztec influence. Many of them dealt with Mexican society and the Mexican Revolution of 1910. After painting a series of murals in Mexico, Rivera’s travels brought him to the Soviet Union to take part in the anniversary celebrations of the October Revolution, and later to the United States with his wife Frida Kahlo.

Rivera was a notorious womanizer, and was married five times throughout his lifetime, twice to Kahlo. His radical political beliefs, attacks on organized religion and his dealings with left-wing assassins made him a controversial figure while he alive, but the quality of his artwork surpassed his personal beliefs, and continued to be a successful painter until his death. Diego Rivera Web Museum | The premier museum of the renowned mexican muralist on internet The premier museum of the renowned mexican muralist on internet Posted by admin on Apr 27, 2015 in News | 0 comments “My Bartoli…I don’t know how to write love letters. But I wanted to tell you that my whole being opened for you. Since I fell in love with you everything is transformed and is full of beauty…. love is like an aroma, like a current, like rain. You know, my sky, you rain on me and I, like the earth, receive you.

Mara” — Frida Kahlo, October 1946 This group of twenty-five letters that the Mexican painter, Frida Kahlo wrote to a Spanish refugee named Jose Bartoli between August 1946, when she had just turned thirty-nine, and November 1949, show that she knew how to write love letters that flow with poetry and passion. Kahlo’s letters are steamy with unbridled sensuality and they are, like Kahlo’s paintings, extraordinarily direct and personal. They cry outwith a heart-breaking loneliness and with the misery of physical pain, for they were written while Kahlo was recuperating at home in Mexico City from a spinal fusion performed in June, 1946 at New York’s Hospital for Special Surgery. This was just one of several surgeries that never really cured her physical problems that stemmed from a 1925 bus accident that left the eighteen-year-old Kahlo a partial cripple. The agony of her spinal surgeries is expressed in Kahlo’s self-portraits starting with...

Posted by admin on Apr 27, 2015 in Collections , Exhibitions , Frida Kahlo , History , News | 0 comments A group of love letters written by Mexican artist Frida Kahlo sold for $137,000 at Doyle New York on April 15, 2015. The 25 letters were written by Frida Kahlo to Jose Bartoli, a Catalán émigré artist whom she met in New York. Many of the letters include keepsakes inserted by Kahlo, among them drawings, photographs, pressed flowers and other mementos. The successful bidder was a private collector in New York, who is also an artist and a great admirer of Frida Kahlo. These unpublished letters, dating from 1946 through 1949 and comprising more than 100 pages in Spanish, were secreted away and cherished by Bartoli until his death in 1995. They remained in the possession of Bartoli’s family, who made the decision to offer the letters at auction, 20 years after his death.

Frida Kahlo met José Bartoli in New York while she was recuperating from spinal surgery stemming from a bus accident in her youth. Their love affair continued after Kahlo returned to Mexico to her beloved home, La Casa Azul, and her husband, artist Diego Rivera. The clandestine correspondence lasted for three years, aided by friends and Kahlo’s sister, Cristina, who had introduced the pair. The letters provide new and unique insights into the life and career one of the 20th...

Question: What nationality was the painter Diego Rivera
Answer: Mexican