Gone with the Wind (1939) - Quotes - IMDb Gone with the Wind (1939) Scarlett : Rhett, Rhett... Rhett, if you go, where shall I go? What shall I do? Rhett Butler : Frankly, my dear, I don't give a damn. Share this: Facebook | Twitter | Permalink Hide options Scarlett : As God is my witness, as God is my witness they're not going to lick me. I'm going to live through this and when it's all over, I'll never be hungry again. No, nor any of my folk. If I have to lie, steal, cheat or kill. As God is my witness, I'll never be hungry again. Share this: Facebook | Twitter | Permalink Hide options Scarlett : What are you doing? Rhett Butler : I'm leaving you, my dear. All you need now is a divorce and your dreams of Ashley can come true. Scarlett : Oh, no! No, you're wrong, terribly wrong! I don't want a divorce. Oh Rhett, but I knew tonight, when I... when I knew I loved you, I ran home to tell you, oh darling, darling!

Rhett Butler : Please don't go on with this, Leave us some dignity to remember out of our marriage. Spare us this last. Scarlett : This last? Oh Rhett, do listen to me, I must have loved you for years, only I was such a stupid fool, I didn't know it. Please believe me, you must care! Melly said you did. Rhett Butler : I believe you. What about Ashley Wilkes? Scarlett : I... I never really loved Ashley. Rhett Butler : You certainly gave a good imitation of it, up till this morning. No Scarlett, I tried everything. If you'd only met me half way, even when I came back from London. Scarlett : I was so glad to see you. I was, Rhett, but you were so nasty. Rhett Butler : And then when you were sick, it was all my fault... I hoped against hope that you'd call for me, but you didn't. Scarlett : I wanted you. I wanted you desperately but I didn't think you wanted me. Rhett Butler : It seems we've been at cross purposes, doesn't it? But it's no use now.

As long as there was Bonnie, there was a chance that we might be happy. I liked to think that Bonnie was you, a little girl again, before the war, and poverty had done things to you. She was so like you, and I could pet her, and spoil her, as I wanted to spoil you. But when she went, she took everything. Scarlett : Oh, Rhett, Rhett please don't say that. I'm so sorry, I'm so sorry for everything. Rhett Butler : My darling, you're such a child. You think that by saying, "I'm sorry," all the past can be corrected. Here, take my handkerchief. Never, at any crisis of your life, have I known you to have a handkerchief. Scarlett : Rhett! Rhett, where are you going? Rhett Butler : I'm going back to Charleston, back where I belong. Scarlett : Please, please take me with you! Rhett Butler : No, I'm through with everything here. I want peace. I want to see if somewhere there isn't something left in life of charm and grace. Do you know what I'm talking about? Scarlett : No!

I only know that I love you. Rhett Butler : That's your misfortune. [Rhett turns to walk down the stairs] Share this: Facebook | Twitter | Permalink Hide options Scarlett : [pleads with Rhett as he is about to leave to join the Confederate Army] Oh, Rhett! Please, don't go! You can't leave me! Please! I'll never forgive you! Rhett Butler : I'm not asking you to forgive me. I'll never understand or forgive myself. And if a bullet gets me, so help me, I'll laugh at myself for being an idiot. There's one thing I do know... and that is that I love you, Scarlett. In spite of you and me and the whole silly world going to pieces around us, I love you. Because we're alike. Bad lots, both of us. Selfish and shrewd. But able to look things in the eyes as we call them by their right names. Scarlett : [struggles] Don't hold me like that! Rhett Butler : [holds her tighter] Scarlett! Look at me!

I've loved you more than I've ever loved any woman and I've waited for you longer than I've ever waited for any woman. [kisses her forehead] Scarlett : [turns her face away] Let me alone! Rhett Butler : [forces her to look him in the eyes] Here's a soldier of the South who loves you, Scarlett. Wants to feel your arms around him, wants to carry the memory of your kisses into battle with him. Never mind about loving me, you're a woman sending a soldier to his death with a beautiful memory. Scarlett! Kiss me! Kiss me... once... [he kisses her] Share this: Facebook | Twitter | Permalink Hide options Scarlett : You low-down, cowardly, nasty thing you! They were right! Everybody was right! You - You aren't a gentleman. Rhett Butler : A minor point at such a moment. Here, if anyone lays a hand on that Nag shoot him but don't make a mistake and shoot the Nag. Scarlett : Go on! I want you to go! I hope a cannonball lands slap on you! I hope your blown into a million pieces! I... Rhett Butler : Nevermind the rest.

I follow your general idea. And when I'm dead on the altar of my country I hope your conscience hurts you. Goodbye, Scarlett. Charles Hamilton - Her Brother : What do you mean, sir? Rhett Butler : I mean, Mr. Hamilton, there's not a cannon factory in the whole South. Man: What difference does that make, sir, to a gentleman? Rhett Butler : I'm afraid it's going to make a great deal of difference to a great many gentlemen, sir. Charles Hamilton - Her Brother : Are you hinting, Mr. Butler, that the Yankees can lick us? Rhett Butler : No, I'm not hinting. I'm saying very plainly that the Yankees are better equipped than we. They've got factories, shipyards, coalmines... and a fleet to bottle up our harbors and starve us to death. All we've got is cotton, and slaves and... arrogance. Man: That's treacherous! Share this: Facebook | Twitter | Permalink Hide options Scarlett : Now I didn't come to talk silliness about me, Rhett. I came 'cause I was so miserable at the thought of you in trouble.

Oh, I know I was mad at you the night you left me on the road to Tara, and I still haven't forgiven you! Rhett Butler : Oh, Scarlett! Don't say that! Scarlett : Well I must admit I might not be alive now, only for you. And when I think of myself with everything I could possibly hope for, and not a care in the world... And you here in this horrid jail... and not even a human jail, Rhett, a horse jail! Belle Watling : It's Miss Watling Melanie Hamilton : Oh, Miss Watling, won't you come in the house? Belle Watling : Oh, no, I couldn't do that Mrs Wilkes; you come in and set a minute with me [Melanie gets in & sits beside Belle] Melanie Hamilton : How can I thank you enough for what you did for us? How can any of us thank you enough? Belle Watling : I got your note saying you were going to call on me and thank me. Oh Mrs Wilkes, you must have lost your mind. I come up here as soon as it was dark to tell you you mustn't even think of such things. Why I'm...

Why you're... Well it wouldn't be fittin' at all Melanie Hamilton : Wouldn't be fitting for me to call on a kind woman who saved my husband's life? Belle Watling : Mrs Wilkes, there ain't never been a woman in town that's been nice to me the way you was; I mean about the money for the hospital, you know, and I don't forget a kindness. I got to thinkin' about you bein' left a widow, with a little boy - he's a nice little boy, your boy, Mrs Wilkes. I got a boy myself... Melanie Hamilton : Oh you have? Does he live Belle Watling : Oh, no, he ain't in Atlanta; he ain't never been here. He's off at school. I ain't seen him since he was little, and I... Well, anyways, if it had been that Mrs Kennedy's husband by himself, I wouldn't lift a finger to help. She's a mighty cold woman, prancin' about Atlanta by herself. She killed her husband, same as if she shot him Melanie Hamilton : You mustn't say unkind things about my sister-in-law Belle Watling : Oh.

Please don't haze me Mrs Wilkes; I forgot how you liked her. But she just ain't in the same class with you, and I can't help it if I think so. Well, anyways, I gotta be goin'. I'm scared somebody'll recognize this carriage if I stay here any longer; that wouldn't do you no good. And Mrs Wilkes, if you ever see me on the street, you don't have to speak to me; I'll understand Melanie Hamilton : I shall be proud to speak to you, proud to be under obligation to you. I hope we meet again Belle Watling : Oh, no, that wouldn't be fittin'. Goodnight Mrs Wilkes Melanie Hamilton : Goodnight Miss Watling. [Melanie gets out of the carriage] Melanie Hamilton : And you're wrong about Mrs Kennedy; she's broken hearted about her husband Share this: Facebook | Twitter | Permalink Hide options Scarlett : Why don't you just say it, you coward? You're afraid to marry me. You'd rather live with that silly little fool who can't open her mouth except to say, "yes" and "no" and raise a passle of mealy-mouthed brats just like her!

Ashley : You mustn't say things like that about Melanie. Scarlett : Who are you to tell me I mustn't! You led me on! You made me believe you wanted to marry me! Ashley : Now, Scarlett be fair. I never at any time... Scarlett : You did! It's true! You did! I'll hate till I die! I can't think of anything bad enough to call you! [she slaps him] 'Tomorrow is another day' - the meaning and origin of this phrase Tomorrow is another day Origin The last line of the American Civil War novel Gone With The Wind: Scarlett O'Hara: "Tara. Home. I'll go home, and I'll think of some way to get him back. After all, tomorrow is another day" This joins "Fiddle-dee-dee!" and " Great balls of fire !" as lines spoken by Scarlett O'Hara that have become commonplace in the language.

Greatest Last Film Lines or Quotes Film Lines or Quotes 1910s-1930s Greatest Last Film Lines or Quotes: These are many of the best-known curtain call lines, fade-outs, and final words of dialogue in cinematic history - the last lingering words heard before the title "The End." In quite a few cases, the memorable final lines are also some of the greatest lines in film history. They often reveal a vital truth about the film, cap off a comedy with a punchline, or help to define what the film was all about in just a few words. The last phrases or words often help to set a mood or tone as the film concludes, or they can be great one-liners. See also Greatest Opening Lines or First Film Lines . Greatest Last Film Lines - "Well, go ahead, knock." - "Well, well, well, what's all this? What do you want, eh? What's this?" - "If you please, Herr Baron, we thought that Mr. Henry could do with a glass of his great-grandmother's wine." - "Fine old lady, my grandmother. Very foreseeing of her to prevent my grandfather drinkin' this. Mr. Henry doesn't need this.

Well, as I said before, I say again: 'Here's, here's to a son, to the House of Frankenstein.'" - (in unison) "Indeed, sir. We hope so, sir." Play clip (excerpt): - "Please change your mind, Jan, don't go." - "If I were only sure that it would make you happy always." - "I'm sure, Jan." - "Wait a little while, darling. I'll be in New York, working at something." - "I'll follow you there." - "If you ever do, l'll follow you to the ends of the earth." - "That's a date." - "The secret of my success is never say die." Play clip (excerpt): The Front Page (1931) "Duffy. Listen, Duffy! What's the first stop of the 12:40 to New York? That's right. I want you to send a wire to Chief of police there. Tell him to stop that train and arrest Hildy Johnson. Bring him back here. Wire him a full description.

The son of a (bitch) stole my watch." Play clip (excerpt): - "I can't see no one." - "Excuse me, sir. You can't come in." - "Oh, can't I?" - "No, sir. I have my orders." - "Who's gonna stop me?" - "Well, I have my orders." - "Well, I'm in, ain't I? Oh yes, you can, Hansie, old boy. There's someone you've just gotta see." - "Why did you come here?" - "Please, Hans. Don't be angry. Venus and Phroso have been so kind by me." - "Please go away. I can see no one." - "But, Hans, you tried to stop them. It was only the poison you wanted. It wasn't your fault. Don't, don't cry, Hans. Come to me, my Liebchen. Don't cry. Don't, Hans. Don't cry. I love you. I love you." Play clip (excerpt): - "The Grand Hotel. Always the same. People come.

People go...nothing ever happens." - "Grand Hotel." - "No offense to you in that last crack I made, handsome." - "Aw, that's all right." - "I'm going to Sydney with you, if the invitation still holds good. Let's go." - "I understand, Miss Thompson. I'm sorry for him, and I'm sorry for you." - "I'm sorry for everybody in the world, I guess." Play clip (excerpt): Red Dust (1932) - "'And the next day, when the big round sun was high in the heaven, little Bobby Chipmunk could hardly believe his eyes, because there across Farmer Brown's meadows he saw little Molly Cottontail.' (whistle) A chipmunk and a rabbit! Say I wonder how this comes out? 'But the faster he ran across the ground, the faster she went, hippity hop hippity hop, hippity...' Fred! Stop it!" - "Ouch!" - "Sorry. Once more and you get the works right there!" - "Can't you read anything but bedtime stories?" - "I've read you everything four times.

Except one certain item." - "What?" - "Well, I didn't want to upset you. You're not well yet, you know." - "Let me see." - "I'll read it. Where is it? Oh, hmm. Here: 'Sailing for San Francisco on the Mohawa Maroo, was Mr. Gary Willis and his attractive wife of...' Look how they spelled 'Philadelphia'! 'Ffil'. Well anyway, let's see now. Uhm. 'Way across the meadow...' Come on Fred, shake out of it. 'Way across the meadow, as old Daddy Sun was setting behind the purple hills, little Molly Cottontail went hippity hop, hippity hop, hippity hop, hip...' Fred?" - "What, Lily?" - "Denham? Oh, that's the man that captured the monster." - "Well, Denham, the airplanes got him." - "Oh, no. It wasn't the airplanes.

It was Beauty killed the Beast." Play clip (excerpt): "...Nellie, I could make him happy." - "Of course you can, my dear." - "And he could make me happy too." - "Certainly he can." - "Nellie, they've all been trying to frighten me. They've been trying to frighten me into being sensible, but they can't do it. Not now. Not yet. They've got to let me be as foolish as I wanna be. I-I wanna ride through the park. I want a, I want to have a white ermine coat. And I'll buy you a beautiful present. And Mr. Hedges, I'll buy Mr. Hedges a little house. And I'll have rooms full of white orchids. And they've got to tell me that I'm much more wonderful than anyone else, because, Nellie - Nellie, I'm not afraid. I'm not afraid of being just a morning glory. I'm not afraid. I'm not afraid. I'm not afraid. Why should I be afraid?

I'm not afraid." Play clip (excerpt): - "Where'd you get that, dark and handsome?" - "You Bad-Girl." Sons of the Desert (1933) - "What did Betty say?" - "Betty said that 'Honesty was the best politics.' (He holds up a cigarette) Look! (coughs) (singing) Honolulu Baby! Won't you close those eyes..." Play clip (excerpt): The Gay Divorcee (1934) - "Egbert and I are going to be married too." - "Yes. Why, darling, why, what's the mat...? We were married last night, on our way back from London." - "Last night? Were we? Why, of course, sir, we were. Darling, I'd forgotten about it. Isn't it wonderful? I'll tell you what we'll do. We'll all hurry back to London to have a big celebration." "Oh, Scusi! Scusi! I'm also very good at parties!" Play clip (excerpt): - (reading a telegram) "'What's holding up the annulment, you slowpoke.

The walls of Jericho are toppling.' Send him a telegram right away. Just say, 'Let 'em topple.'" - "Funny couple, ain't they?" - "If you ask me, I don't believe they're married." - "They're married, all right. I just seen the license." - "They made me get 'em a rope and a blanket, on a night like this. What do you reckon that's for?" - "Blamed if I know. I just brung 'em a trumpet." - "A trumpet?" - "Yeah, one of them toy things. They sent me to the store to get it." - "But what in the world do they want a trumpet for?" - "Dunno." [Trumpet sounds] Play clip (excerpt): A Tale of Two Cities (1935) "It's a far, far better thing I do than I have ever done.

It's a far, far better rest I go to than I have ever known." (title card) "I am the Resurrection and the Life: he that believeth in me, though he were dead, yet shall he live" Play clip (excerpt): The Thirty-Nine Steps (1935) - "Mr. Memory, what was the secret formula you were taking out of the country?" - "Would it be all right, me telling you, sir? It was a big job to learn it, the biggest job I ever tackled, and I don't want to throw it all away." - "It'll be quite all right." - "The first feature of the new engine is its greatly increased ratio of compression represented by R minus one over R to the power of gamma where R represents the ratio of compression and gamma. Seen in end elevation, the axis of the two lines of cylinders. Angle of 65 degrees. Dimensions of cylinders as follows. This device renders the engine completely silent. Am I right, sir?" - "Quite right, old chap." - "Thank you, sir. Thank you. I'm glad it's off my mind.

Glad." Play clip (excerpt): Top Hat (1935) - "And in order to put you off the scent, I thought of many little disguises. This evening, I met Mr. Beddini and Miss Tremont, and fearing that they might recognize me, I turned my collar around, like this. And very cleverly, I became a clergyman." - "You are the one who married us!?" - "Yes, sir." - "Then we've never been really married?" - "Precisely, Miss." - "Well, well, well. Mr. Beddini, what are you doing in this young lady's room?" Play clip (excerpt): After the Thin Man (1936) - "Nora!" - (gunshots) "Can it... Is she?" - "She's all right." - "Out there. Janet, open your eyes." - "Oh, Jeffrey!" - "There's your vampire, Sir Basil.

The arrow, a wooden shaft through her heart, just as I drove the stake through his." - "The woman is beautiful." - "She was beautiful when she died...a hundred years ago." Play clip (excerpt): The Great Ziegfeld (1936) - "Mr. Ziegfeld. Mr. Z--" - "Hello. Is Dr. Hassel still in the building, please? Would you ask him to come up to Mr. Ziegfeld's apartment at once? Yes. Hurry, please." - "I've got to have more steps. I need more steps. I've got to get higher, higher!" Libeled Lady (1936) - "What is this? What's going on here?" - "Oh, Hello, Father." - "I got your telephone call. Now what is the meaning of this?" - "Now be calm, please." - "Mr. Allenbury, I can explain everything." - "Well, you'd better explain fast!

You mean to tell me that you married him?" - "Yes, Father." - "Well, who is this woman?" - "Well, that's Bill's wife." - "Quiet, will you please be quiet!" Play clip (excerpt): - "May I come in?" - "Oh, Mr. Courtney." - "Mr. Gray said there were a couple of people over here who wanted to get married. Are you it?" - "Yes, we're it. Can you marry us without a license?" - "Without a... It may get me into a lot of trouble, but, uh, I guess I've known your family long enough to take a chance. Who are you going to marry?" - "Godfrey. Oh, this is Godfrey." - "Oh. How do you do, uh, Godfrey? Does your father know about this?" - "Oh, everybody knows about it, except Godfrey." - "Well, I guess we better have a witness." - "Oh, we can use, Clarence. Clarence, you can be the witness. Come down here. Come, stand right down here. That's fine. Right there. Come on, Godfrey.

Right there." - "Well, now, uh, join hands, please. No, the right hand." - "Oh. Stand still, Godfrey, it'll all be over in a minute. (giggles)" Play clip (excerpt): - "There's your prisoner, General Merritt." - "We won't forget what Bill Hickok has done, Cody. We'll remember." - "All of us will. All of us." (she kisses him) "That's one kiss you won't wipe off." (epilogue title card): "It shall be as it was in the past... Not with dreams, but with strength and with courage... Shall a nation be molded to last." Play clip (excerpt): - "Pop, I've got something wonderful to tell you." - "Have you, dear?" - "Pop, whaddya think? I'm really the heiress." - "Wonderful. You've finally gotten some sense, eh?" - "Isn't it grand? Now, we have a beautiful home and we can settle down." - "That's marvelous.

And if we should ever separate, my little plum, I want to give you one little bit of fatherly advice." - "Yes, Pop." - "Never give a sucker an even break." Play clip (excerpt): - "What they've done is magnificent." - "Will they come back?" - "Yes, and go again and again until the landing is made and the moon is conquered. This is only a beginning." - "And if they don't come back - my son and your daughter, what of that, Cabal?" - "Then presently others will go." - "Oh, God! ls there never going to be any age of happiness? Is there never to be any rest?" - "Rest enough for the individual man. Too much and too soon, and we call it death. But for man, no rest and no ending. He must go on, conquest beyond conquest. First this little planet and its winds and waves and then all the laws of mind and matter that restrain him. Then the planets about him and, at last, out across immensity to the stars.

And when he has conquered all the deeps of space and all the mysteries of time, still he will be beginning." - "But, we're such little creatures. Poor humanity's so fragile, so weak. Little, little animals." - "Little animals. And if we're no more than animals, we must snatch each little scrap of happiness and live and suffer and pass, mattering no more than all the other animals do or have done. It is this, or that? All the universe or nothingness? Which shall it be, Passworthy? Which shall it be?" Play clip (excerpt): "Emily, I have a little confession to make. I really am a horse doctor. But marry me, and I'll never look at any other horse." Play clip (excerpt): "O-lan, you are the earth." Play clip (excerpt): - "We've got to end this damn war, and make it the last!" - "What an illusion! Come down to earth. What if we meet a patrol?" - "We split up, and try our luck." - "Just in case, cheerio and so long!" - "So long, you 'dirty Jew'!" - "So long, 'old mate'!

- "Don't shootthey're in Switzerland." - "All the better for them." Play clip (excerpt): - "They're gone. Sit down." - "Are you sure it's all right?" - "You sat down all the time you were King, so I suppose it won't matter now. This one's about you." - "Me?" - "It makes you my ward." - "Ward?" - "That means that as long as you live, you'll have money to live on. And if anybody's unkind or cruel to you, they've committed an offense against the Crown." - "Oh, your Majesty." - "I just don't know what to say." - "Oh, just say thank you." - "This is good for cracking nuts. Isn't it?" (laughter) Play clip (excerpt): Snow White and the Seven Dwarfs (1937) (title cards) "...so beautiful, even in death, that the dwarfs could not find it in their hearts to bury her...they fashioned a coffin of glass and gold, and kept eternal vigil at her side...

the Prince, who had searched far and wide, heard of the maiden who slept in the glass coffin." [Song: "One Song"] "Goodbye. Good-bye, Grumpy. Good-bye. Oh, Dopey. Good-bye!" (title card) "...and they lived happily ever after." [Song: "Some Day My Prince Will Come"] Play clip (excerpt): - "Good evening. Who do I see about accommodation?" - "Miss Orcutt! She'll take care of you." - "Thank you." - "Hello? Hello, Bill." - "Don't be sentimental. Remember, you're a ham at heart." - "No, that wasn't me. That was a friend of mine. Uh, how's the new job coming on?" - "Would you like me to carry a message to your late lamented Aunt Susan?" - "Hold on. Gangrene just set in. No message. I don't use that kind of language." - "I just thought I'd ask." - "I just wanted to know if maybe..." - "I think you'll be interested in this. It is one of the features of the Footlights Club.

It's the chair Bernardt sat in when she read Queen Elizabeth over here. I was in the company. I think you'll like it here. We're one great big family. I'll show you your room. I hope you don't mind sharing." Play clip (excerpt): A Star is Born (1937) - "Miss Lester. This microphone is on an international hook-up. Throughout the world, your fans are hoping you will say a few words to them." - "Hello, everybody. This is Mrs. Norman Maine." Play clip (excerpt): Stella Dallas (1937) "All right, folks, you've seen enough. Come on. Move along. Now, come on, clear the sidewalk." Play clip (excerpt): - "Oh, darling. I was so afraid I was going to lose you." - "Oh, you can't lose a bad penny like me, you know." - "You're not a bad penny. You're just the dearest, sweetest husband a woman ever had." - "Darling, you amaze me. You look so differently, and you, you act so differently." - "I am different.

And I've been praying you'd come back, so I could prove it. Will you promise not to laugh if I show you something?" - "I promise. I'm, I'm too astonished to laugh." - "You do understand, don't you?" - "Oh, darling, I understand. Why, I love you." - "Cosmo." - "But I wonder if you knew everything. If you knew..." - "I don't want to know anything. I'm just going to love you, and never question." - "So long, Toppy. We're on our way." - "We won't be seeing you anymore, Toppy. So long." - "What was that? I thought I heard voices." - "No.

Remember, darling, love me and never question." - "Bless our happy home." - "What about you, Robin?" - "My sword is yours, sire, now and always." - "Is there nothing England's king can grant the outlaw who showed him his duty to his country?" - "Yes, your Majesty, a pardon for the men of Sherwood." - "Granted with all my heart." - "Long live Richard the Lion-Heart!" - "But, is there nothing for yourself?" - "There's but one thing else, sire." - "And, uh, do you too wish... ?" - "More than anything in the world, sire." - "Kneel, Robin Hood. Arise, Robin, Baron of Locksley, Earl of Sherwood and Nottingham, and Lord of all the lands and manors appertaining thereto. My first command to you, my lord Earl is to take in marriage the hand of the Lady Marian." - "Long live Robin Hood! Long live Robin Hood!

Long live Lady Marian!" - "And what say you to that, Baron of Locksley?" - "May I obey all your commands with equal pleasure, Sire!" Play clip (excerpt): - "I'm sorry, Pepe. He thought you were going to escape." - "And so I have, my friend." Play clip (excerpt): Angels With Dirty Faces (1938) (reading of newspaper article) "'At the fatal stroke of 11 p.m., Rocky was led through the little green door of death. No sooner had he entered the death chamber than he tore himself from the guards' grasp, flung himself on the floor screaming for mercy. And as they dragged him to the electric chair, he clawed wildly the concrete floor with agonized shrieks. In contrast to his former heroics, Rocky Sullivan died a coward.' I don't believe it. I don't believe one rotten word of it." - "I don't believe it either. If anybody says it's true, I'll..." - "He couldn't die that way, not Rocky! He couldn't. It's all lies! Lies, I tell ya!" - "Hey, fellas. Here's Father Connolly.

Let's ask him. He oughta know. He'll tell us everything." - "You were there, Father. You saw everything. What happened? Did Rocky die like they said? Like a yellow rat?" - "It's true, boys. Every word of it. He died like they said. All right, fellas. Let's go and say a prayer for a boy who couldn't run as fast as I could." Play clip (excerpt): "Dagwood!...Sometimes I think it's harder to raise a husband than a baby." Play clip (excerpt): Boys Town (1938) - "I-I wished I could think of something to say. And if I could think of something, I-I wished I could say it. I'm gonna try to make, I mean, I'm gonna try to help to make, I mean, I'm gonna try to help to, to keep Boys Town the kind of place.

What a guy you picked to be Mayor." - "There is no bad boy." Play clip (excerpt): - "Well, I've just discovered that was the best day I ever had in my whole life." - "David, you don't mean it?" - "I've never had a better time." - "Oh, ha, ha. But, but I was there." - "Well, that's what made it so good." - "Oh, did you really have a good time?" - "Yes, I did!" - "Oh, that's, but that's wonderful. Do you realize what that means? That means that you must like me a little bit." - "Oh, Susan, it's more than that." - "Is it?" - "Yes. I love you, I think." - "Oh, that's wonderful, because I love you, too. Stop rocking, David." - "Oh, I'm not rocking. I-I-I..." - "Oh, oh..." - "No, Susan. Please, the brontosaurus! Oh my goodness, four years' went into this. No, no, no...Oh my god, Susan. Oh, my. Susan, please!

Look out, Susan, something's going to..." - "I'm falling!" - "Hold on. Hold on, Susan! Hold on! Don't let go! Don't let go!" - "Oh, David, look what I've done...Oh, I'm so sorry. Oh, Oh! David, can you ever forgive me? You can, and you still love me." - "Susan, that..." - "Oh, dear. Oh, my. Hmmm." Play clip (excerpt): - "I'm a little rusty at this. I've never done it before, but may I?" - "Yes. Please do." - "To all of us, everywhere. A merry Christmas to us all, my dears." - "God bless us, every one." Play clip (excerpt): "Where the devil are my slippers, Eliza?" Play clip (excerpt): Suez (1938) "And when the day comes, I want to stand beside you and see the ships go through the canal and know you built it for all the people in the world." You Can't Take it With You (1938) - "Well, sir, here we are again.

We've had quite a time of it lately, but it seems that the worst of it was over. Of course, the fireworks all blew up, but we can't very well blame that on you. Anyway, everything's turned out fine as it usually does. Alice is going to marry Tony. Mr. Kirby, who's turned out to be a good egg, has sold us back our house, and he'll probably forget all about big deals for a while. Nobody on our block has to move. And with the right handling, I think we can even thaw out Mrs. Kirby in time. We've all got our health, and as far as anything else is concerned, we still leave that up to you. Thank you. Bring it on, Rheba." - "Now it is two easy lessons, you know, Mrs. Kirby. I will teach you. Ha, ha, ha." - "No holds barred. No holds barred." - "I hope you like it, Mr. Kirby." Play clip (excerpt): Blondie Brings Up Baby (1939) "Blondie!" Gone With the Wind (1939) - "But I must think about it. I must think about it.

What is there to do? What is there that matters?" - "Do you mean to tell me, Katie Scarlett O'Hara, that Tara doesn't mean anything to you? Why, land's the only thing that matters. It's the only thing that lasts." - "Something you love better than me, though you may not know it. Tara." - "It's this from which you get your strength. The red earth of Tara." - "Why, land's the only thing that matters. It's the only thing that lasts." - "Something you love better than me, though you may not know it. Tara." - "This from which you get your strength. The red earth of Tara." - "Why, land's the only thing that matters." - "Something you love better than me." - "The red earth of Tara." - "Tara!" - "Tara!" - "Tara!" - "Tara! Home. I'll go home, and I'll think of some way to get him back! After all, tomorrow is another day!" Play clip (excerpt): - "No, Whittaker, stop that beII tonight. Mr.

Chipping's very iII." - "Yes, sir." - "Poor oId chap. He must have had a IoneIy Iife, aII by himseIf." - "Not aIways by himseIf. He married, you know." - "Did he? I never knew about that." - "She died a Iong whiIe ago." - "Pity. Pity he never had any chiIdren." - "What was that you were saying about me?" - "Nothing at aII, oId man. Nothing at aII. We were just wondering when you were going to wake up out of that beauty sIeep of yours." - "I heard you. You were taIking about me." - "Nothing of consequence, oId man. I give you my word." - "I thought I heard you saying it was a pity. Pity I never had any chiIdren. But you're wrong. I have. Thousands of them. Thousands of them. And aII boys." [roll call of boys] - "Why was I not made of stone like thee?" Play clip (excerpt): Mr.

Smith Goes to Washington (1939) - "I'm not fit to be a senator! I'm not fit to live! Expel me! Expel me, not him! Willy Taylor's a fraud. It's a crime against the people who sent me here and I committed it! Every word that boy said is the truth! Every word about Taylor and me and graft and the rotten political corruption of our state. Every word of it is true. I'm not fit for office! I'm not fit for any place of honor or trust. Expel me, not that boy!" - "Hurrah. We did it! We did it." - "Order, gentlemen! Please." - "Will you let go of me!?" - "Yippee!" - "So long, Bonnie. Keep that coffee warm. Back in time for breakfast." - "I won't be here. I'm going on the boat." - "Yeah?" - "Nobody asked me to stay." - "They haven't?" - "No, and you won't ask anybody to do anything, would ya?" - "That's right. Here, we'll flip a coin for it. Tails you go, heads you stay. Heads.

What about it?" - "I won't stay that way." - "You won't?" - "I'm hard to get, Geoff. All you have to do is ask me." - "Here's a souvenir for ya, Bonnie. I like that saying goodbye. So long, Bonnie." - "Son of a gun. Hey! Hey, Geoff! Geo---!" Play clip (excerpt): - "I've gone mad. Stark ravin' mad." - "Dr. Kenneth?" - "I saw Heathcliff out on the moors in the snow with a woman." - "A woman you say?" - "Yes, a woman! I saw her with him plain as my own eyes." - "It was Cathy. Cathy." - "Go on, man. What happened?" - "No, I don't know who it was. I was trying to get up near to them when suddenly my horse reared and plunged and I was thrown. I called out to them, but they didn't hear me, so I followed them. I tell you, I saw them both! He had his arm about her, so I climbed up after them. And I found him. Only him. Alone.

With only his footprints in the snow." - "Under a high rock, on a ledge, near Peniston Crag." - "Yes." - "Was he dead?" - "No, not dead, Dr. Kenneth. Not alone. He's with her. They've only just begun to live. Goodbye Heathcliff. Goodbye my wild sweet Cathy." Play clip (excerpt): - "Ain't you goin' back, Abe?" - "No, I think I might go on apiece. Maybe to the top of that hill." Play clip (excerpt): After all tomorrow is another day - Vivien Leigh - Gone with the Wind - YouTube After all tomorrow is another day - Vivien Leigh - Gone with the Wind Want to watch this again later? Sign in to add this video to a playlist. Need to report the video? Sign in to report inappropriate content. Rating is available when the video has been rented. This feature is not available right now. Please try again later. Uploaded on Aug 13, 2010 "After all tomorrow is another day" - Quote from movie Gone with the wind by Vivien Leigh.

For more details visit - Category Tomorrow Is Another Day - Gone With the Wind - YouTube Tomorrow Is Another Day - Gone With the Wind Want to watch this again later? Sign in to add this video to a playlist. Need to report the video? Sign in to report inappropriate content. Rating is available when the video has been rented. This feature is not available right now. Please try again later. Uploaded on Jan 19, 2010 Having lost everything, Scarlett resolves to return to Tara and start her life anew. From the Warner Bros. film - "Gone With the Wind" License

Question: Tomorrow is another day is the last line in which film
Answer: Gone with the Wind