Mad Max: Fury Road YIFY subtitles source Superficial action movie that lacks depth4/10 I'm not completely sure what I was expecting from Fury Road, but it was more than this. This is the latest example of Hollywood rehashing a successful and good movie franchise solely for profit. It's mindless, repetitive action sequences melded between horrible acting and overused cliches. One of the allures of this series is seeing the outlandish road vehicles that are used, and in this the movie mostly delivers. You have the high-powered Warrior Rig driven by Furiosa. There's battle vehicles equipped with spikes, rigs with counter-balanced poles for launching warriors into other vehicles, and there's even a vehicle equipped with large bass drums and a stack of speakers that would make KISS jealous with a psychotic guitarist wailing away for our musical enjoyment. And of course, each vehicle comes equipped with more explosive arsenal than a battle ship. And it's put to good use. However, once you get past the eye candy, you realize there's nothing else to it. The story is weak. The characters are weaker. And the acting is the worst. The movie never drew me in. Not even close.

Whenever the movie 'tried' to add depth and be dramatic, it was painful and embarrassing to watch. The scene where Furiosa reacts to finding out her birth home is gone by taking off her prosthetic arm and dropping down to her knees may be the worst movie scene I've ever watched. And it says something when the most interesting character is Nux, a relentless slave/warrior who actually has a mind of his own and decides to help Max and Furiosa in their quest. Of course, one of Immortan Joe's wives falls for him, representing one of the many poorly executed cliches this movie is riddled with. I can watch a superficial action movie and enjoy it for what it is, to a point. This one, however, is just generally so poorly executed that it leaves a lot to be desired. I didn't hate it, but I have absolutely no desire to see it again. source Dark Yet Visually Exhilarating. Beautifully Brutal and Yet Still Visceral9/10 Even at the beginning, there's no hint MAD MAX: FURY ROAD is going to a stop.

Right at the very start, the engines are already rewing, gathering furious fires of vengeance and redemption, and before the audience could snap out of the sheer moments of brutal grittiness and exhilarating high-octane drama, they are surely already held hostage within the confines of a post-apocalyptic world, where everything is horrendously scarce. Not that it's a bad thing, no it's not. I tell you, this is like being hurled into the space in a roller-coaster ride. It's dangerous, but it's also thrilling. Witnessing this dystopic world and all its hellish drama unfold might make you grope for seatbelt under your seat. The film shares Max Rockatansky's (Tom Hardy) adventures. Max is an ex highway patrolman. He's been haunted by the past, by family he never saved. He meets the Imperator Furiosa (Charlize Theron) who is being pursued by the dictatorial Wasteland leader "Joe".

Furiosa reaches for Max for help in keeping the 'Five Wives'women she brought with herinto safety, as Joe's deranged breed of warriors called The War Boys, that are barely humans, are raging across the desert to capture them. This pursuit throws the unlikely partners into the whalloping dangers of bloody escape, suddenly sending them into a game of survival. After a rip-roaring opening chase sequence, Max is held captive in the Citadel, the city where the ruthlessly totalitarian leader "Joe" is ruling over. The grotesquely brutal lord maintains tight grip of every valuable resouces across the land. This brings the entire populace crippling under his control. As for Max, he becomes merely a blood bag for Nux (Nick Hoult) one of Joe's War Boys, who is a fatal devout to the cause of their fascist leader, who has promised them the glory of getting into Valhalla, the promised land. Everything in this cinematic behemoth screams grandeur, even the feverish chase, even the dark erubescents spurred from the ruthless violence. Miller has molded a world where darkness is an escape from the stream of cliches and retreads, surging into the cinemas, today.

It's a visual feast, but surprisingly, with sense. It's explosive in every unimaginable ways, but it's not devoid of a human story, which in this case, is propelled by stellar performances from incredible actors on the movie's payroll. Tom Hardy is utterly capable as the main hero, but the emotional spine of the narrative mostly runs on Theron's character. At some point, there would be a sense that Max isn't the only one playing under the spotlight, as it gets evident Furiosa is equally as massive as his role is. Hardy here is singularly stunning, playing his role with utmost credibility as he is required. His mission transcends past his emotional torments and he's never pulled himself free from the ghosts if his past. Same can be said with Furiosa, who is not only running from Joe because she wants to get herself free from his cut throat grip, but also to bring every woman into safety, back to freedom where they belong. Much of the movie is spent with furious speed chases that goes from end to end of Joe's subjugated land, while also taking surprising twists and turns along the way.

It's like it doesn't know how to stop, and if it does, that's surely only to allow us breathe and catch up with the next electrifying action setpiece. There's an enigmatic style Miller has employed to provide distinctions in his fantasy world, and it keeps the momentum in tack, if not ever progressing. The tone of the movie, all those vividly dark colors, that magically shifts from something to another, imparts a drowning experience, only it's enjoying and looks festive to the eyes. This makes every eye-squashing spectacles take mammoth forms of visual extravaganza, turning all those burning combustions, metal blasts, and endless pursuits, from mere technical marvels into a hair-raising escapade. Amid these sanity-grabbing action sequences, though, is an emotional streak that keeps Max and Furiousa's humanity alive. This prompts them to survival, into carrying out their similar humane causes, clinging tightly to their only mission even if they get hurled into the barbaric hostilities of their dystopian society. This turns the movie into something visceral, cathartic in some ways that probably only a small fraction of the audience could understand.

It will not be enough to merit this achievement with merely a splurge of superlatives. This needs to be experienced, felt, and forever cherished. MAD MAX: FURY ROAD, ignites eternal fire, and it will keep burning through the stretches of cinematic history. source An absolutely insane action film that will blow you away10/10 Mad Max Fury Road is George Miller's return to the franchise he started way back in 1979 with Mad Max. I will start by saying this movie was absolutely batsh** insane. It was filled right to the brim with continuous over the top bloody ridiculous action sequences that keep you on the edge of the seat and just amazed at what Is happening on screen. Now this film doesn't have much of a plot at all but seriously you're not going into this film for an intense plot, this is a film that almost didn't even need one at all. The one thing I was worried about going in was whether I needed to have seen the previous films to understand this one and thankfully you don't, the story is independent of the previous film which was really helpful. The characters were all awesome and it did an amazing job to introduce them all almost instantly and get right into the action.

Max (Tom Hardy? and Furiosa (Charlize Theron) were were great and extremely likable characters. Even the villain who I will just call Sweet Tooth was so great, he wasn't anything too special but was a great threat throughout the film. I just absolutely loved this movie, intense action from start to finish and didn't slow down at all, that made it ridiculously fun to watch. The great characters and the performances are awesome on screen and we're always interesting to watch. If there was ever a Twisted Metal movie, this is what it would be. Nothing really let the film down and everything really worked, such a great time and the best cinema experience this year so far. - 10 source A masterpiece on a massive scale.10/10 George Miller returns with a bang and takes the helm of this crazy 2hr bonkers extravaganza named Mad Max: Fury Road. First of all, the stunts and action sequences are SPECTACULAR. Tom Hardy breaths life into Max Rockatansky and Charlize Theron is excellent and emotionally perfect as Furiosa.

The story opens, with Immortan Joe who has young ladies as his wives, but he'll goes down when they escape the sadist's hands. Max, who has a violent past with Joe's cronies, decides to help Imperior Furiosa take the girls somewhere safe. Furiosa can't trust Max, and neither can he. So it all comes down to Joe's cronies fighting against them reaching to their destination. The movie is a bananas car chase for the runtime, as Max and Furiosa work together to fight against the evils. And then, there is Nux, a bonkers "really skin coloured" guy, who works with Joe, played well by Nicholas Hoult. The 3D really pays off, and is worth the extra ticket. The movie puts all other action movies of shame, the effects really pop out. Well, this is a definite masterpiece. One of the best movies of the year, one of the best action movies ever made and the role of Theron's life. Miller is truly a mastermind as stated clearly in the trailer. This exceeded my expectations, and will exceed yours as well. The dark style, dark comedy and the over the top characters make a return in this reboot.

Must watch, and worth the extra IMAX 3D ticket. Mad Max: Fury Road subtitles | 287 subtitles Movie ID: Watch movies with subtitles using Open Subtitles MKV Player . It is free and clean, works under Windows. install opensearch for browser Results 1 - 40 >> of 287 (0.079 seconds) If you like to get search results as RSS after search, click on icon at bottom Mad Max: Fury Road subtitles Buy at Amazon Movie details "What a Lovely Day.". A apocalyptic story set in the furthest reaches of our planet, in a stark desert landscape where humanity is broken, and most everyone is crazed fighting for the necessities of life. Within this world exist two rebels on the run who just might be able to restore order. There's Max, a man of action and a man of few words, who seeks peace of mind following the loss of his wife and child in the aftermath of the chaos. And Furiosa, a woman of action and a woman who believes her path to survival may be achieved if she can make it across the desert back to her childhood homeland.

Movie rating: 8.1 / 10 (586947) Mad Max looks just as crazy with Japanese subtitles Mad Max looks just as crazy with Japanese subtitles New trailer for Mad Max: Fury Road has been released for Japan. Most Popular By Alex Nunez Feb 19, 2015 We'll be standing in line for Mad Max: Fury Road opening night, because George Miller's long awaited continuation of the dystopian epic looks absolutely bananas. Each trailer has given you a little more to look at, and we very much like what we've seen. The newest peek comes via this Japan-market trailer. A lot of the footage is recycled from the US clips we've seen, but pay attention, and you get glimpses here and there of new action, more of the utterly insane cars and, well, the world's most frightening chastity belt: Warner Brothers Advertisement - Continue Reading Below As you should know by now, Tom hardy steps into Mel Gibson's shoes to assume the role of Max, and he co-stars with Charlize Theron, who plays Furiosa, a one-armed, head-shaven badass.

Over the weekend, we got a look at some of the artwork that will be featured in Vertigo comics' prequel stories (those come out after the film release), as well as in a hardbound art book that will be released ahead of the movie premiere. Most Popular Fury Road opens on May 15th in the U.S. Here's the new Japanese trailer: For comparison's sake, here are the two US trailers— the Comic-Con tease and the one running in theaters now.

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কাজ ভালো লাগলে কষ্ট করে রেটিং দেবেন । আপনাদের উৎসাহই অনুবাদকদের অনুপ্রেরণা Mad Max: Fury Road (2015) - Plot Summary - IMDb Mad Max: Fury Road (2015) Plot Summary Showing all 6 plot summaries An apocalyptic story set in the furthest reaches of our planet, in a stark desert landscape where humanity is broken, and almost everyone is crazed fighting for the necessities of life. Within this world exist two rebels on the run who just might be able to restore order. There's Max, a man of action and a man of few words, who seeks peace of mind following the loss of his wife and child in the aftermath of the chaos. And Furiosa, a woman of action and a woman who believes her path to survival may be achieved if she can make it across the desert back to her childhood homeland.

- Written by Production In the stark desert wasteland populated by a broken humanity driven with survival and the unending ravage for gasoline, a loner named Max finds himself unwantedly caught in the middle of a chase while aiding the heroine Furiosa, and her female companions, she struggles to return to her homeland and escape the clutches of a ruthless desert gang leader, Immortan Joe. With the harsh desert sands in front of them and marauders behind, only the maddest will prevail the storm. Driven only by the will to survive in the desert wasteland he calls home, Max, a man of action and of few words, aids a new female companion in the search for her homeland while trying to stay one step ahead of a gang of ruthless marauders. - Written by vaughnd711 The former policeman Max is captured by the War Boys tribe, commanded by the Immortal Joe and assigned to be blood donor for the Wat Boy Nux that is sick. Meanwhile Imperator Furiosa drives a tank truck to collect gasoline for Joe. However her true intention is to flee from the tyrannical Joe with his five women selected to breed hidden in the truck to her homeland.

Immortal Joe commands a party to hunt down Furiosa and Max is chained to Nux's car. Furiosa heads the truck into a sand storm but Nux continues to pursue her. After the storm, Max succeeds to escape from the car and brings Nux chained with him. He sees Furiosa and the five wives and decides to flee in their truck; but there is a secret to operate the truck and he teams up with Furiosa, leaving Nux in the desert. When Joe's gang arrives, they retrieve Nux and follow Furiosa. Will Max and the women succeed in escaping from Joe's gang? - Written by Claudio Carvalho, Rio de Janeiro, Brazil Set in a post-apocalyptic future, an evil ruler, Immortal Joe, keeps his subjects under tight rule. Then one of his most trusted lieutenants, Imperator Furiosa, sets out to escape his regime, taking with her all his wives. Along the way she meets Max Rockatansky. - Written by grantss A woman rebels against a tyrannical ruler in postapocalyptic Australia in search for her home-land with the help of a group of female prisoners, a psychotic worshipper, and a drifter named Max.

Dana Stevens Dana Stevens is Slate’s movie critic. The way the world ends, for Miller, is not in overpopulated high-tech megacities slicked with film-noir rain, but in something like the polar opposite. Miller’s nightmare of the future posits the planet as a parched desert landscape against which the world’s few remaining humans scratch out a meager, violent existence, equipped only with the salvaged remains of mid-20th-century technology. It’s that future that, 36 years after Mel Gibson first put the pedal to the metal as Max Rockatansky, is looking more like the one we may be leaving to our own survivors—which makes the now 70-year-old Miller’s decades-later entry in the series, Mad Max: Fury Road, opening Friday, feel like less of a reboot of glory days past than a prequel of scary days to come. Miller was always influential, but we didn’t know he would turn out to be an environmental prophet.

* That same Max Rockatansky—now played by Tom Hardy, the fine English actor best known to American movie audiences as the dapper Eames in Inception (since he was all but unrecognizable as the masked Bane in The Dark Knight Rises )—is the first human we encounter in Fury Road’s moisture-deprived but color-saturated world. He’s sitting on a rock in the middle of nowhere, making a meal of a two-headed lizard as he catches us up on the state of things in a terse philosophical voice-over: “As the world fell, each of us in our own way was broken. It was hard to know who was more crazy—me or everyone else.” Advertisement Shortly thereafter, the answer to at least that question becomes clear: There are plenty of people in Fury Road who are considerably further along the insanity continuum than Max, beginning with the despotic god-king Immortan Joe. Played by Hugh Keays-Byrne, who portrayed the sadistic villain Toecutter in the 1979 original, this grotesque figure—the lower half of his face concealed by a mask that appears to be fashioned from a human skull—has somehow managed to gain control of the world’s remaining water supply.

Below his cliff-top cave the desperate populace waits, rusty buckets upraised, for him to pump when and for whatever length of time he pleases. Immortan Joe also seems to have cornered the future’s market on good-looking, fertile young women. He keeps five “wives,” dressed in diaphanous white and looking cleaner and better-nourished than anyone else in sight, as prisoners in his well-defended fortress, the Citadel. Led by the warrior-gone-rogue Imperator Furiosa (Charlize Theron), these young women—at least two of whom are pregnant with the warlord’s longed-for heir—manage to escape in one of the Citadel’s tricked-out salvage vehicles. Get Slate in your inbox. Enraged at the loss of the royal harem, Immortan Joe and his minions give chase in a convoy of even crazier-looking cars, many of them consisting of multiple chassis welded together in towering piles. Max and the melancholy white-painted War Boy Nux (Nicholas Hoult) join Furiosa in her mission to find a safe haven for the fleeing women, at first out of an instinct for self-preservation and, later, with a sense of true solidarity.

There’s a mythic land known as “the green place”—don’t all apocalyptic movie futures share such an idyll?—where Furiosa intends to deliver these five supermodel-gorgeous sex slaves, or die trying. But does the green place still exist? And even if it does, is there any hope of reaching it while being chased across the salt flats by a fleet of vehicles so freakishly elaborate that one of them includes an electric guitarist suspended from its front as a living hood ornament, shredding away as the dusty miles fly by? Riley Keough as Capable, Courtney Eaton as Cheedo the Fragile, Rosie Huntington-Whiteley as the Splendid Angharad in Mad Max: Fury Road. Photo courtesy Jasin Boland/Warner Bros Miller has said that he likes to envision all the Mad Max movies as films that could play anywhere in the world without subtitles, and Fury Road could almost function as a silent film, albeit one with a deafeningly loud soundtrack. (The score is by the Dutch music producer Junkie XL , the sound design by Christopher S.

Aud.) Essentially, the story is one extended, spectacular car chase, which changes directions mid-movie to retrace its own footsteps as the stunts grow bigger and more outrageous with each passing mile. Dialogue is minimal, flinty and brusque—sometimes effectively so, but equally often not. The fleeing wives are generally indistinguishable in their catalog-ready prettiness (though Zoë Kravitz stands out as the marvelously named Toast the Knowing), and Hoult is a sweet, otherwordly presence as the once-fanatical War Boy turned love-struck peacenik. Then there’s Theron’s grimly determined Furiosa, her head shaved, her forehead blackened with axle grease, and one arm digitally severed near the elbow and replaced by a prosthetic metal hand. Furiosa manages to come across as a real and touching character despite being given very little backstory. In fact, if the movie has a central protagonist, it’s Furiosa, not Max.

Hardy’s character remains more indistinct, perhaps because he’s usually (sometimes comically) placed in positions of extreme passivity; for instance, he spends most of one long chase sequence suspended upside down from the window of a moving vehicle, his ankles secured only by Furiosa’s metal-enhanced grip. A late encounter with a pack of elderly female warriors brings the film’s feminist subtext to the fore: This is a story about rescuing beautiful damsels in distress, yes, but most of the characters doing the truly competent rescue work are women too. Most of all, though, Mad Max: Fury Road is about the cars, the costumes, and the generally whacked-out production design (by Colin Gibson, who also worked as art director on Miller’s underrated 1998 live-action animal tale Babe: Pig in the City ). The sheer variety of bizarre conveyances on display brings to mind a perverse update of Richard Scarry’s Busytown , with its cars made of pencils, pickles, and toothpaste tubes.

One grandly imagined war rig has the shell of an old Volkswagen Beetle mounted whimsically to its top; another is a porcupine-like solid mass of metal spikes on wheels; yet another seems to be a Chevy Chevelle mounted on tank treads. The undercarriage of a petrol tanker is decorated with rows of rusted skulls, barnacle-like encrustations that look as if they grew there on their own. One gearshift—Furiosa’s—features a knob made from the top of a human femur. These design details, executed with wit, imagination, and care, gave me something to appreciate even when the adrenaline from the nonstop virtuosic car stunts started to run dry around the 45-minute point. It may be the case, as Miller has claimed, that the majority of Fury Road’s effects were done without using CGI, but even so, the onslaught of action is so fast-paced and overpowering there’s little time to appreciate Miller’s analog artistry, and the feeling of being inside a video game—a sinking sensation familiar from less carefully orchestrated action movies—sometimes takes over.

There will be viewers—including many with no connection at all to the old Mad Max trilogy—who will thrill to every pulse-pumping, fuel-tank-exploding second of Mad Max: Fury Road. I wasn’t one of them, but it’s impossible not to appreciate the septuagenarian Miller’s boundless energy and investment in a film franchise that’s older by a few decades than many of its most enthusiastic audience members are likely to be. Correction, May 15, 2015: This review misspelled the character of Max Rockatansky’s last name. ( Return .) 60 Mad Facts About the Original 'Mad Max' Films 60 Mad Facts About the Original 'Mad Max' Films Yahoo Movies• Share Mel Gibson in ‘The Road Warrior’ (Everett) As far as unlikely film trilogies go, there’s nothing quite like the Mad Max series. The original 1979 movie didn’t exactly have the hallmarks a global phenomenon — it was a post-apocalyptic Australian action flick made on a tiny budget with unknown actors. But that’s just what it became, thanks to brutal, daredevil stunt sequences and a baby-faced lead named Mel Gibson.

Six years after the film’s release, director George Miller had made two sequels — 1981’s Mad Max 2: The Road Warrior and 1985’s Mad Max Beyond Thunderdome — and Gibson was on the verge of superstardom. The story of Mad Max was written. Or so it seemed. This Friday the fourth installment hits theaters. To get geared up for Mad Max: Fury Road , we revisited the first three films and dug through director’s commentary and old interviews to compile this list of little known facts. Read it before you hit that Road one more time. Mad Max (1979) 1. Director George Miller was a medical doctor who began taking film classes in his down time. Much of the physical violence in the movie was informed by what he learned treating car-crash victims. 2. Miller has said when he set out to make Mad Max, his goal was to make a modern silent film with sound. “The kind of movie that Hitchcock would say, ‘They didn’t have to read the subtitles in Japan,’” he says . 3. Gibson’s story about how he landing the role of Max starts with him showing up at the audition bruised from a bar fight.

The filmmakers, he says, invited him back a few weeks later because they were “looking for freaks.” When he returned, healed and handsome, he won the leading role. According to TCM , that story has been refuted by everyone else at the audition, who say Gibson was immediately seen as leading-man material. 4. As Miller remembers it, he first tried to cast Max with an American star, but quickly found out he couldn’t afford one. So he began auditioning Aussie actors. After running through dozens of young men, Gibson arrived. “I remember watching through the video camera lens as he’s running this scene, and I suddenly started to believe it. And I thought, 'Oh my God, there’s something going on here,’” Miller says . 5. Rosie Bailey, the actress originally slated to play Jessie, was injured in a motorcycle accident four days before the start of shooting. Joanne Samuel was a last-minute replacement. Stunt coordinator Grant Page was also hurt in a pre-production motorcycle crash. He reported for duty anyway. 6. Production was pushed back a month because Gibson’s professors at Australia’s National Institute of Dramatic Art wouldn’t let him out of classes early. 7.

Writer James McCausland, an economist whose ideas were influenced by the 1973 oil crisis and looming fears of peak oil , makes a cameo as the bearded cook outside of Fat Nancy’s Cafe. 8. The red, yellow and blue Main Force Patrol cars were V8-equipped Ford Falcon sedans that had all been police cars. There were only three used for the film and Miller often had them strategically moved around so it would look like there were more of them. 9. The supercharger poking through the hood of Max’s black Police Interceptor, a Ford Falcon XB Coupe, was just for show. It didn’t actually work. Hugh Keays Bryne as the Toecutter in ‘Mad Max’ (Everett) Read More 10. The motorcycles driven by the Toecutter (Hugh Keays Bryne) and his gang were donated by Kawasaki, which sent them to the actors a month before production so they could practice riding. 11. Because Miller couldn’t afford to fly the Toecutter and his gang from Sydney to location in Melbourne (the budget was only $350,000), they rode their motorcycles and “rehearsed being a bikie gang on the way down,” Miller says.

12. Members of the Hells Angels and Vigilantes bike gangs played extras in the Toecutter’s gang. 13. Of all the outfits in Mad Max, only Mel Gibson’s was made from actual leather. The rest were vinyl, which was more affordable, but also required constant sewing because it ripped easily. Mel Gibson in ‘Mad Max’ (Everett) 14. Much of the film was shot using old lenses that Sam Peckinpah used to shoot The Getaway with Steve McQueen in the early '70s. Miller says t he busted-up lenses were dumped in Australia, and they were his only option for shooting in wide angle. 15. Miller was forced to shoot in a guerrilla style, without permits, because, “there was no one to go to really get a permit.” The production actually got help from police though: Miller says they took an interest in the movie and would often block traffic for the production. 16. The fire that comes shooting out of the Nightrider’s car — a former Melbourne taxi — came from a Naval booster rocket.

The rocket produced 6,500 pounds of thrust over 1.8 seconds and sent the car 400 meters off course, leading everyone to believe that the shot was ruined. After watching it back though, the production team discovered it was clearly a keeper. 17. The blue van sent spinning through the street near the end of the Nightrider’s joyride belonged to Miller’s father. The engine was taken out so it would bounce around better. 18. The scene in which the Toecutter’s gang chases down an innocent couple and ravages them and their car was edited out in some countries because it was too graphic. 19. When Max visits Goose in the hospital after his crash and subsequent immolation, the charred hand that appears from under the hospital sheets belonged to Sheila Florence, the actress who played May Swaisey. Mel Gibson and Steve Bisley in ‘Mad Max’ (Everett) 20. Cundalini’s hand, which Jessie finds hanging from the back of the family station wagon, was a five-dollar prop bought from a novelty shop with a piece of pork attached to attract the dog. 21.

To outfit the ice cream shop where Jessie and Sprog grab a snack before meeting the Toecutter’s gang, art director Jon Dowding stole signage and milk crates from a store near his house. He returned it all the next day when shooting was complete. 22. Max’s son is named Sprog, which is an Australian slang term for child. 23. Max Fairchild, who played Benno, the mentally-challenged adult in overalls, is the only actor other than Gibson to appear in the sequel The Road Warrior, where he’s credited as “Broken Victim.” 24. The scene in which the Toecutter’s gang siphons gas from a moving tanker was shot without harnesses or anything else to protect the actors. 25. The close-up of Max’s knee getting shot is not Gibson’s knee. It belonged to special effects guru Chris Murray. And the close-up of Max’s arm getting run over by a motorcycle was actually stunt coordinator Grant Page’s arm. He cut a hole in the asphalt to make sure he wasn’t hurt. 26. Though persistent rumors say otherwise , the biker hit in the head with a flying motorcycle during the climactic chase did not die.

In fact, he got up and walked away right after the sequence. Watch the ‘Mad Max’ trailer: 27. The semi-truck that killed the Toecutter had its front end covered with a giant metal plate on which lights and a grill were painted, because the trucker didn’t want to let a motorcycle destroy his ride for the measly $50 he was getting paid. 28. A latex rig stood in for the Toecutter’s face for the shot of his eyes bulging out of his head just before hitting the truck. The eyes on the rig, which was shot in a studio after principal photography, were spring-loaded. 29. The Toecutter’s epaulets were made of possum fur. 30. When it was originally released in the U.S., Mad Max was dubbed with American accents, possibly because Australian accents were then considered too hard for American audiences to understand. 31. Beer was currency on the set: An ambulance driver and tractor driver were among those paid by the case. 32. After the film was finished, Miller said he was so dissatisfied with it that he couldn’t bring himself to watch.

Mad Max 2: The Road Warrior (1981) 33. In fleshing out the Mad Max character for The Road Warrior, Miller consulted with the works of Joseph Campbell, a mythology scholar. Max became more of an archetypal hero. 34. Mad Max 2 was known as The Road Warrior in the U.S. because Warner Bros. assumed no one would watch a sequel to a film they had never seen in the first place. Emil Minty and Mel Gibson in ‘The Road Warrior’ (Everett) 35. A good rule of thumb for determining whether a car was moving during production is to look at the road. If you can see the asphalt speeding by in the shot, the car is moving. If you can’t, it’s not. 36. Max’s dog was chosen from a local pound, which was set to kill him the next day. (The role was originally written for a three-legged dog, but producers couldn’t find one.) On the dog’s first day on set, he “ disgraced himself ” in Max’s car after being frightened by the loud noises. From then on, he wore makeshift earplugs fashioned from cotton balls. 37.

Miller used an already-dead kangaroo for a scene that called for carcass and built a fur harness for a scene in which a rabbit was shot with an arrow. The rabbit solution was devised partially because actor David Slingsby (Quiet Man) said he wouldn’t do the film if they planned to actually kill a rabbit. 38. Bruce Spence’s character, the Gyro Captain, was written specifically for the actor. Watch the ‘Road Warrior’ trailer: 39. Kjell Nilsson, who played the Humungus, was a former Mr. Sweden. The character was imagined as a former military man who suffered severe burns, which is why he wore the hockey mask. The bald-head prosthetic, complete with throbbing vein, broke during production. That’s why it’s seen throbbing only once. 40. While getting his hair cut for the film, Gibson insisted on helping out, indiscriminately hacking off large chunks and pieces of his eyebrows to make Max look weirder. 41. Costumes were made from old football pads, interesting pieces found at S&M stores, and other “bits of junk,” according to Miller. 42. Costume designer Norma Moriceau had previously lived next to Malcolm McLaren.

She was an early photographer of his and Vivienne Westwood’s punk-rock clothing designs. Her work caught the eye of musicians Billy Idol and Duran Duran, who wanted her to dress them. She declined. 43. Miller was given to forcibly shaking the camera during action sequences to make the movement look more frenetic. 44. Director of photography Dean Semler followed the tanker in the first chase. It was such an intense ride, and he was being pelted by so many rocks, that he had to take his eye away from the camera’s viewfinder and just point it at the action. That footage found its way into the final cut. 45. During the climatic tanker chase, Miller was in costume, driving a dune buggy. After he proved himself incapable of operating the on-board camera, he was taken off. 46. Also during that chase, two people strapped to the front of a car slam into the back of the tanker and their heads explode. Those heads were actually watermelons with wigs. 47. All told, Mel Gibson has only 16 lines of dialogue in the whole movie. 48. Years later, Gibson would say The Road Warrior was his favorite of the three films.

“It still holds up because it’s so basic,” he told Playboy . “It’s about energy — it didn’t spare anyone: people flying under wheels, a girl gets it, a dog gets it, everybody gets it. It was the first Mad Max, but done better. The third one didn’t work at all.” Mel Gibson in ‘Mad Max: Beyond Thunderdome’ (Everett) Mad Max Beyond Thunderdome (1985) 49. After concocting the idea for a third Mad Max, producer Byron Kennedy was killed in a helicopter crash in 1983. Miller says he was reluctant to continue after that, but ultimately decided to press on as a way to cope. He also decided to split directing duties with George Ogilvie, a theater veteran who handled the dramatic scenes, while Miller directed the action. 50. The movie’s working title was Desert World. 51. Spence plays a different character in Beyond Thunderdome than The Road Warrior. Here, he’s credited as Jedediah the Pilot. 52. After considering Jane Fonda and Lindsay Wagner for the role of Aunty Entity, Miller saw Tina Turner on TV talking about her desire to act.

The character was then written with her mind. Tina Turner in ‘Mad Max: Beyond Thunderdome’ (Everett) 53. Aunty’s iconic costume was a “70-pound soldered amalgam of dog muzzles, coat hangers and chicken wire, the whole overlaid with gleaming chain-mail butcher aprons,” according to Rolling Stone . 54. Turner had to shave her head for the Aunty wig to fit. 55. At least three camels died on set and crew members regularly suffered from heat stroke during the hot summer shoot in Australia. 56. A former brickworks in Sydney served as the location of Bartertown, while Underworld was built in a facility typically used for bull sales. 57. Underworld was home to 600 pigs, which the production crew rented from a pig farmer. 58. In order to learn to hunt, climb and work with primitive tools, the children of the Crack in the Earth spent two months in training. 59. Borrowing a technique from Mary Poppins, special effects supervisor Mike Wood shot Max and Blaster around the Thunderdome with hand-controlled compressed air cannons. 60.

The film’s final shot of Sydney was a scale model that covered some 3,000 square feet. Watch our interview with ‘Mad Max’ director George Miller below: Subtitles for movie Mad Max Fury Road The subtitles are not in sync with your movie? Synchronize in three easy steps! · Biru Mad Max Fury Road (2015).srt Indonesian subtitle (Sub judul bahasa indonesia) · Kuning Mad Max Fury Road (2015).srt Indonesian subtitle (Sub judul bahasa indonesia) · Putih Mad Max Fury Road (2015).srt Indonesian subtitle (Sub judul bahasa indonesia)

Question: What is the subtitle of the latest "Mad Max" film?
Answer: Fury Road