Music History 102 Born: Halle, February 23, 1685 Died: London, April 14, 1759 Born in the same year and country as Johann Sebastian Bach , young Georg Friederich Händel (the original German spelling of his name) was playing the violin, harpsichord, oboe, and organ by the age of eleven. Drawn to the theater from an early age, Handel went to Hamburg in 1703 and began composing Italian operas. From 1706 to 1710, he sojourned in Italy where he met both Domenico Scarlatti and Arcangelo Corelli , and came under the influence of Italian melody. Upon his return to Germany, Handel became Kapellmeister to the Elector Georg of Hanover. Unhappy with his duties there, however, Handel made a trip later in 1710 to London, where Italian opera was fast becoming all the rage. He produced an opera to great acclaim in London and, having tasted success, reluctantly returned to Germany.

Obtaining permission to return to England in 1712, Handel once again composed several operas as well as some ceremonial music for Queen Anne. The Queen gave the young composer an annual stipend of £200 in hopes of keeping him in London as court composer. Handel never did return to Hanover. He remained in England for the rest of his life, becoming a naturalized citizen in 1726 and anglecizing his name to George Frideric Handel. A potentially embarrassing situation arose for the composer when Queen Anne died in 1714 and was succeeded by King George I -- the very Georg of Hanover to whose court Handel had never returned! But relations between the two must have remained amicable, for Handel's royal stipend was doubled before too long, on top of which he was granted another stipend from the Princess of Wales. Throughout his career, Handel continually composed much wonderful instrumental music, including many fine organ concertos, a good amount of keyboard music, and celebratory music such as the suite of airs and dances known as the Water Music, written to accompany a royal barge trip down the Thames in 1717.

There is also the Musick for the Royal Fireworks, composed in 1749 to celebrate the peace of Aix-la-Chappelle, which had been declared the previous year. Following the model of Corelli, Handel also completed two sets of concerti grossi, some of the finest examples of the genre from the late Baroque, an example of which is the Concerto Grosso, Op. 6 no. 5. Of course, he was obliged to compose much choral music for the court, too. Among these works are the anthems written for the Duke of Chandos, various odes, and the four majestic Coronation anthems from 1727. But these compositions were incidental to Handel's main reason for having settled in England: the composition and production of Italian opera for a fashionable and eager audience. And produce them he did, becoming as much involved with the business end of things as with the creative. Beginning with Rinaldo in 1711, Handel rapidly composed over forty operas between 1712 and 1741. Many of these met with great success and brought Handel a great deal of fame and money.

Some of the more famous of these operas are Giulio Cesare (1724), Alcina (1735), and Serse (1738). Many of these scores contain much fine music, and an aria such as "Or la tromba" from Rinaldo illustrates the pomp, grandeur, and vocal virtuosity to be found in the Italian operas of the late Baroque. Yet as dramatic entertainment these works fail to stand up today, mostly because of the ridiculously stilted librettos to which they are set. Indeed, even at that time it was recognized that some changes had to be made, and within the next thirty years, Christoph von Gluck began implementing those changes. Although Handel's operas were immensely popular when they were written, by the 1730s public interest in opera had faded considerably, and Handel ended up losing a great deal of money continually attempting to find further success in the genre. Eager to find a new audience, Handel turned to the composition of oratorio: dramatic, non-staged works for the concert hall, usually with a great deal of choral music, and most often with a Biblical subject, the text in English.

His first such composition (Esther) had been written in 1732, and its success was followed with other oratorios. By 1740 Handel had already composed two of his greatest works in the genre, Saul, and Israel in Egypt. Handel infused these Biblical stories with the melody, majesty, and drama he had previously lavished on his operas, and such works as Solomon, Jephtha, Samson, Joshua, Israel in Egypt, and Judas Maccabeus brought the composer ever more fame and recognition. But Handel's genius is nowhere more evident than in the sublime music he provided for his most famous oratorio, Messiah, which had its premiere in Dublin in 1741. Its success was immediate and resounding, and the work has never been out of the repertory since. The incredible successes of Handel's oratorios made a deep and lasting impression on English music for the next century, and no native-born musicians were able to gain a foothold with the public due to their continuing popularity. Not until the Nationalist movement of the late eighteenth century would England produce any composers of lasting international stature.

In 1751, Handel began having trouble with his eyes. He endured three operations on his eyes at the hands of the same surgeon who had unsuccessfully operated on Johann Sebastian Bach , and the results were the same -- complete blindness. Handel kept performing though, and died a week after suffering a collapse following a performance of Messiah in 1759. He was buried in state in Westminster Abbey. A biography of Handel was written the year after his death by the Reverend John Mainwaring -- the very first biography to be written of a composer.

Music History 102: a Guide to Western Composers and their music Designed, compiled and created by Robert Sherrane Astrology of George Frederic Handel with horoscope chart, quotes, biography, and images England .ï¿½ï¿½ (Ascendant, Aquarius with Venus in Aquarius conjunct the Ascendant from H12; Mercury retrograde is also in Aquarius loosely conjunct the Ascendant; Sun and Moon are conjunct in Pisces and Neptune also is in Pisces; Mars is in Sagittarius near the MC; Jupiter in Libra; Saturn in Virgo opposing the Sun and Moon; Uranus in Taurus; Pluto in Cancer) Handel was born in the same year as Bachï¿½a vintage year for the music of the world. Although the power of the fourth ray cannot be denied in Handelï¿½s music, the sixth ray is even more powerful.

Of him the following words by the Tibetan apply: ï¿½He is devoted to beauty and colour and all things lovely, but his productive skill is not great unless under the influence of one of the practically artistic rays, the fourth or seventh.ï¿½ His music will always be of a melodious order, and he will often be the composer of oratories and of sacred music.ï¿½ (EP I 209-210) ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ Handel does, of

 course, have the seventh ray in abundance as well as the fourth.

His powerful Sun/Moon conjunction in sixth ray Pisces and his elevated sixth ray Mars in sixth ray Sagittarius, greatly reinforce the presence of the sixth ray in his energy system. It is for his sacred musicï¿½his oratorios, such as The Messiah, that he is best loved and remembered. One can only say of this religious music that is it sublime. He touched the higher worlds and evoked angelic blessing.ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ The influence of the Aquarian Ascendant with Venus and Mercury on either side, can be understood as a harmonizing and ï¿½angelicizingï¿½ of the etheric body, as a service to the world.

The music of Handel purifies and re-orders the ethers.ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½

ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ï¿½ The Messiah was written in twenty one days; for those who wonder what ï¿½channelingï¿½ really is, they should attend to this exampleï¿½one of the purest.

“Whether I was in my body or out of my body as I wrote it I know not. God knows." "Milord, I should be sorry if I only entertained them. I wished to make them better. " The famous composer Handel was born at Halle in Saxony in 1685, son of Georg and Dorothea, and died in London in 1759. He worked first at the opera house in Hamburg and spent several years in Italy before making his first visit to London in 1710. By 1717 he had settled permanently in England and in February 1727 was naturalized as an Englishman by Act of Parliament. Handel made his reputation as a composer of Italian opera for the London stage, but like most composers of the period, he wrote music for a wide range of occasions and patrons. Some of his earliest works setting English words - a birthday ode for the Queen and a Te Deum and Jubilate in celebration of the Treaty of Utrecht – were performed before Queen Anne in 1713.

The accession of George I caused Handel some embarrassment, however, for he had previously been employed by the new king in Germany (where George was Elector of Hanover) and had broken his terms of employment by remaining in England. Fortunately, the new monarch forgave Handel this misdemeanour and the composer enjoyed much royal patronage for the remainder of his life. The works that associate Handel most closely with Westminster Abbey are the four anthems written for the coronation of George II in 1727. The best known, ‘Zadok the Priest’, has been used at every coronation since then, but all four continue to be regularly performed and recorded. Handel also wrote an anthem, ‘The ways of Zion do mourn’, for the funeral of Queen Caroline (George II’s consort) who was buried in the Abbey in December 1737. A less well-known link between Handel and the Abbey involves Esther, the composer’s first oratorio, performed privately at the Crown and Anchor Tavern in the Strand in 1732 under the direction of Bernard Gates.

Gates was Master of the Children of the Chapel Royal, but he was also a long-standing member of the Abbey’s choir and had assembled a number of his Westminster colleagues to sing in the chorus. Three days before his death in 1759 Handel signed a codicil to his will saying he hoped he might be buried in the Abbey and desired that his executor erect a monument for him. The funeral was attended by about 3,000 people and the choirs of the Abbey, St Paul’s Cathedral and the Chapel Royal sang the service. His gravestone in the south transept reads “GEORGE FREDERIC HANDEL BORN YE 23 FEBRUARY 1684 DIED YE 14 OF APRIL 1759”. The date of his birth inscribed on the stone is not a mistake but is due to the fact that the new year in England at this period did not begin on 1 January but on 25 March (Lady Day). Therefore, to the contemporary Englishman, Handel was born in February 1684, as the year 1685 would not have begun until 25 March.

The coat of arms on his gravestone is now very worn. On the wall above his grave is a fine monument by the sculptor Louis Francois Roubiliac (with the same inscription as on the stone but with the dates in Roman numerals). The life-size statue, unveiled in 1762, is said to be an exact likeness as the face was modelled from a death mask. Behind the figure, among clouds, is an organ with an angel playing a harp. On the left of the statue is a group of musical instruments and an open score of his most well-known oratorio Messiah, composed in 1741. Directly in front of him is the musical score I know that my Redeemer liveth. Above the monument a small additional tablet records the Handel festival or ‘Commemoration’ of 1784. This series of concerts of Handel’s music was given in the Abbey by vast numbers of singers and instrumentalists and established a fashion for large-scale performances of Handel’s choral works throughout the nineteenth century and much of the twentieth.

George Frideric Handel (German Georg Friedrich Händel), (February 23, 1685 – April 14, 1759) was a German Baroque music composer who lived much of his life in England, a leading composer of concerti grossi, operas and oratorios. His best-known works are Water Music, Music for the Royal Fireworks and especially Messiah, an oratorio set to texts from the King James Bible. He was also deeply influential on many composers after him, including Haydn, Mozart, and Beethoven. Handel was born at Halle in Saxony. He displayed considerable musical talent at an early age, by the age of seven he was a skilful performer on the harpsichord and organ, and at nine he began to compose music. However his father, a barber-surgeon to the court of Saxe-Weissenfels, opposed George Frideric pursuing a musical career, preferring him to study law. Nevertheless, the young Handel was permitted to take lessons in musical composition and keyboard techniques from Friedrich Wilhelm Zachau, the organist of Liebfrauenkirche, Halle.

In 1702, in obedience to his father's wishes, he began the study of law at the University of Halle, but after his father's death the following year, he abandoned law for music, becoming the organist at the Calvinist Cathedral. The following year he moved to Hamburg, accepting a position as violinist in the orchestra of the opera-house at Hamburg. Here his first two operas, Almira and Nero, were produced early in 1705. Two other early operas, Daphne and Florindo, were produced at Hamburg in 1708. During the years 1707-1709 Handel travelled and studied in Italy. His Rodrigo was produced at Florence in 1707, and his Agrippina at Venice in 1708. Two oratorios, La Resurrezione and Il Trionfo del Tempo, were produced at Rome in 1709 and 1710, respectively. In 1710 Handel became Kapellmeister to George, Elector of Hanover, who would soon be George I of Great Britain.

He visited London in 1710 and settled there permanently in 1712, receiving a yearly income of £200 from Queen Anne. In 1726 Handel's opera Scipio (Scipione) was performed for the first time, the march from which remains the regimental slow march of the British Grenadier Guards. He was naturalised a British subject in the same year. In 1727 Handel was commissioned to write four anthems for the coronation ceremony of King George II. One of these, Zadok the Priest, has been played at every coronation ceremony since. Handel was director of the Royal Academy of Music 1720-1728, and a partner of J. J. Heidegger in the management of the King's Theatre 1729-1734. Handel also had a long association with the Royal Opera House at Covent Garden, where many of his Italian operas were premiered. Handel gave up operatic management entirely in 1740, after he had lost a fortune in the business. In 1751 he became blind, and died some eight years later in London.

He was buried in Westminster Abbey. Handel's compositions include some fifty operas, twenty-three oratorios, and a large amount of church music, not to speak of his superb instrumental pieces, such as the organ concerti, the Opus 6 Concerti Grossi, the Water Music, and the Fireworks Music. With the rediscovery of his theatrical works, Handel, in addition to his renown as instrumentalist, orchestral writer, and melodist, is now perceived as being one of opera's great musical dramatists. Handel adopted the spelling "George Frideric Handel" on his naturalization as a British citizen. His name is spelled "Händel" in Germany and elsewhere, and "Haendel" in France, which causes no small grief to cataloguers everywhere. There was another composer with a similar name, Handl, who was a Slovenian (without umlaut; so not Händel). He was usually known as Jacobus Gallus. Handel's works were edited by S. Arnold (40 vols., London, 1786), and by F.

Chrysander, for the German Händel-Gesellschaft (100 vols., Leipzig, 1859-1894). Handel lived at 25 Brook Street, London from 1723 until his death in 1759. It was here that he composed Messiah, Zadok the Priest, and Fireworks Music. Brief biography: George Frederic Handel was born on February 23, 1685 in Halle, Germany. His father was a barber surgeon that discouraged Handel's music interest while his mother supported him. Handel tried the local university unsuccessfully and dropped out after one year. He then left home and went to Hamburg. There he conducted at opera houses and quickly became the second violinist in the orchestra. Exposed to the Italian operatic style, Handel learned all that he could and applied it to his first opera, Almira, which he wrote at age 20. After his brief stay in Hamburg, Handel moved on to Italy and stayed there for the next few years composing operas and oratorios. When Handel left Italy he carried with him the reputation of a composer.

Handel's next move was to England, where he eventually settled. There he was appointed one of the musical directors of the Royal Academy of Music. In England, Handel wrote many English operas including Julius Caesar. After the success of John Gay's The Beggar's Opera that closed the Royal Academy, Handel focused his attention on writing oratorios again. His Israel in Egypt, Messiah, Judas Maccabaeus, and Jephtha were some of his best works that were well received in that time. Eventually Handel suffered from cataracts that lead to blindness and suffered from a series of paralytic strokes. Handel later died in London, England on April 14, 1759 and was buried in Westminster Abbey. One London papers wrote: "Last night about Eight O' clock the remains of the late great Mr. Handel were deposited...in Westminster Abbey...There was almost the greatest Concourse of People of all Ranks ever seen upon such, or indeed upon any other Occasion." Handel was a truly well known and liked composer of his time. Handel wrote his music within the Baroque era. He used diatonic harmony with expressive melodies and tone color for atmosphere and dramatic expression.

His operas were based on heroes and adventurers and his oratorios were choral dramas using the Old Testament. Handel also produced instrumental works such as his Water Music and Music for the Royal Fireworks. HANDEL, George Frideric (1685-1759) | English Heritage English Heritage Blue Plaque Stories HANDEL, George Frideric (1685-1759) Plaque erected in 2001 by English Heritage at 25 Brook Street, Mayfair, London W1K 4HB, City of Westminster All images © English Heritage GEORGE FRIDERIC HANDEL 1685-1759 Composer lived in this house from 1723 and died here Material Ceramic Notes The current plaque replaces the LCC plaque of 1952, which replaced a brown SoA plaque of 1870. George Frideric Handel was an 18th-century composer, famous for his operas, oratorios, organ concertos and anthems.

He lived for much of his life at 25 (formerly 57) Brook Street in Mayfair, and it was there that he composed his best-known work, the oratorio Messiah (1741). A portrait of Handel in old age by Thomas Hudson, painted in 1756 © National Portrait Gallery, London HANDEL IN LONDON Born in Halle in what is now Germany, Handel was a talented musician by the age of seven and saw the staging of his earliest opera, Almira, at the age of 20. Five years later he paid his first visit to London, and he settled in the capital permanently in 1712, becoming a naturalised British citizen in 1727. Handel moved to 25 Brook Street in July 1723, when the house was newly built, and remained here until his death 36 years later. This was the period of his greatest eminence.

Here he wrote masterpieces including Israel in Egypt (1739), ‘Zadok the Priest’ (composed for the coronation of George II, 1727), Messiah and Samson (both 1741) and ‘Music for the Royal Fireworks’ (1749). Number 25 – a terraced house now bearing a late 19th-century attic floor and a shop front added in 1905 – was conveniently placed. From here, Handel could walk to the King’s Theatre, Haymarket, where many of his operas were performed, and to St James’s Palace, where he served as Composer of Music for the Chapel Royal. Unmarried, and a lover of good food and wine, he held frequent dinner parties, but was in increasing poor health in his later years, suffering from failing eyesight. He died at his Brook Street home on 14 April 1759, at the age of 74. A PLAQUE FIRST Handel’s residence at number 25 was first commemorated, by the Society of Arts, in about 1870 – making his the first plaque to be erected to a musician.

However, by the middle of the 20th century, the plaque – chocolate-brown in colour – had become illegible and so was replaced by the London County Council in 1952. In 2001 English Heritage replaced the plaque again, taking the opportunity to correct the Anglicisation of Handel’s middle name – given as ‘Frederick’ – and to move the plaque lower down on the façade. Later the same year, the Handel House Museum opened in numbers 25 and 23, with rooms restored to their early Georgian appearance. In 1997 Handel’s plaque was joined by that to the guitarist and songwriter Jimi Hendrix (1942–70) at 23 Brook Street, creating one of the most famous pairings of blue plaques in London.

1000+ images about Handel Aria Competition on Pinterest | Dance company, Baroque and Daniel o'connell Pinterest • The world’s catalog of ideas Handel Aria Competition The Handel Aria Competition was established in 2013 as part of the Madison Early Music Festival in Madison, Wisconsin in order to encourage emerging singers to explore the operatic repertoire of George Frideric Handel. For more information see 192 Pins1.05k Followers George Frideric Handel - Composer - MariinskyKirov.com George Frideric Handel Composer George Frideric Handel (23 February 1685 – 14 April 1759) was a German-born British Baroque composer who was a leading composer of concerti grossi, operas and oratorios. Born in Germany as Georg Friedrich Handel, he lived most of his adult life in England, becoming a subject of the British crown on 22 January 1727. His most famous work is Messiah, an oratorio set to texts from the King James Bible; other well-known works are Water Music and Music for the Royal Fireworks.

He deeply influenced many composers who came after him, including Haydn, Mozart, and Beethoven, and his work helped lead the transition from the Baroque to the Classical era. Biography Handel was born in Halle at Saxony-Anhalt to Georg and Dorothea (nйe Taust) Handel in 1685, the same year that both Johann Sebastian Bach and Domenico Scarlatti were born. He displayed considerable musical talent at an early age; by the age of seven he was a skillful performer on the harpsichord and pipe organ, and at nine he began to compose music. However, his father, an eminent barber-surgeon who served as valet and barber to the Courts of Saxony and Brandenburg, as well as a distinguished citizen of Halle, was opposed to George Frideric pursuing a musical career, preferring him to study law, whereas his mother, Dorothea, encouraged him in his music. Nevertheless, the young Handel was permitted to take lessons in musical composition and keyboard techniques from Friedrich Wilhelm Zachau, the organist of the Liebfrauenkirche, Halle.

His aunt, Anna, had given him a spinet, an early harpsichord with a single keyboard and only one string for each note, for his seventh birthday, which they moved into the attic and he went there to play it whenever he could. In 1702, in obedience to his father‘s wishes, he began the study of law at the University of Halle, but after his father‘s death the following year, he abandoned law for music, becoming the organist at the Protestant Cathedral. The following year he moved to Hamburg, accepting a position as violinist and harpsichordist in the orchestra of the opera-house. Here his first two operas, Almira and Nero, were produced early in 1705. Two other early operas, Daphne and Florindo, were produced at Hamburg in 1708. During the years 1707–1709 Handel traveled and studied in Italy. When opera was banned by local authorities, Handel found work as a composer of sacred music and wrote some pieces in operatic style. The famous Dixit Dominus (1707) is from this era.

His Rodrigo was produced in Florence in 1707, and his Agrippina at Venice in 1709. Agrippina, which ran for an unprecedented 27 performances, exhibited a mature technique in Handel‘s writing and established his reputation as an opera composer. Two oratorios, La Resurrezione and Il Trionfo del Tempo, were produced at Rome in 1709 and 1710, respectively. In 1710 Handel became Kapellmeister to George, Elector of Hanover, who would soon be King George I of Great Britain. He visited London in 1710 and settled there permanently in 1712, receiving a yearly income of Ј200 from Queen Anne. In 1723 Handel moved into a newly built house in Brook Street, London, where he rented until his death 36 years later. The Handel House Museum is now a restored Georgian house open to the public with an events programme of Baroque music.

In 1726 Handel‘s opera Scipio (Scipione) was performed for the first time, the march from which remains the regimental slow march of the British Grenadier Guards. He was naturalised a British subject in the following year. In 1727 Handel was commissioned to write four anthems for the coronation ceremony of King George II. One of these, Zadok the Priest, has been also played at every coronation ceremony since. Handel was director of the Royal Academy of Music 1720–1728, and a partner of J. J. Heidegger in the management of the King‘s Theatre 1729–1734. Handel also had a long association with the Royal Opera House at Covent Garden, where many of his Italian operas were premiered. Handel gave up operatic management entirely in 1740, after he had lost a fortune in the business. In April 1737, aged 52, he suffered a stroke or other injury which left his right arm temporarily paralysed and stopped him from performing. He also complained that he had trouble focusing after the event.

In 1750 Handel arranged a performance of The Messiah in aid of the Foundling Hospital. In recognition of his patronage Handel was made a governor of the Hospital bequething to it a collection of his manuscripts including a fair copy of The Messiah. In August, 1750, on a journey back from Germany to London, Handel was seriously injured in a carriage accident between The Hague and Haarlem in the Netherlands. In 1751 he started turning blind, and by age 65 was completely blind in one eye. The cause was unknown and progressed into his other eye as well. He died some eight years later,in 1759, in London, his last attended performance being his own Messiah. He had more than 3,000 mourners attending at his funeral—which was given full state honours—and was buried in Westminster Abbey. Handel never married, and kept his personal life very private.

Unlike many composers, he left a sizable estate at his death, worth Ј20,000 (a rather enormous amount for the day), the bulk of which he left to a niece in Germany, as well as leaving gifts to his other relations, servants, friends and favourite charities. Handel has generally been accorded a high esteem from fellow composers, both in his own time and since. Bach apparently said "[Handel] is the only person I would wish to see before I die, and the only person I would wish to be, were I not Bach." Mozart is reputed to have said of him "Handel understands effect better than any of us. When he chooses, he strikes like a thunder bolt", and to Beethoven he was "the master of us all", and emphasised above all, the simplicity and popular appeal of Handel‘s music when he said "go to him to learn how to achieve great effects, by such simple means". In the twenty-first century, we are still making progress into the performance practices of Handel‘s day, leading us to a deeper and more rounded understanding of Handel‘s music.

Admired for his grand and often dramatic style, Handel‘s status as one of the ‘greats‘ is very much deserved. He is commemorated as a musician in the Calendar of Saints of the Lutheran Church on July 28 with Johann Sebastian Bach and Heinrich Schutz. WORK Handel‘s compositions include some fifty operas, twenty three oratorios, a large number of ecumenical pieces, and sixteen organ concerti. Among the most popular of these works are the "The Cuckoo and the Nightingale", in which birds can are heard calling during passages played in different keys representing the vocal ranges of two birds; The Opus 3 and 6 Concerti Grossi; the Water Music; and the Fireworks Music. After his death, Handel‘s Italian operas fell into obscurity, save for selections such as the ubiquitous aria from Serse, "Ombra mai fu"; his reputation throughout the 19th century and first half of the 20th century, particularly in the anglophone countries, rested primarily on his English oratorios, which were customarily performed by enormous choruses of amateur singers on solemn occasions.

These include Esther (1718); Athalia (1733); Saul (1739); Israel in Egypt (1739); Messiah (1742); Samson (1743); Judas Maccabaeus (1747); Solomon (1748); and Jephtha (1752). Since the 1960s, with the revival of interest in baroque music, original instrument playing styles, and the prevalence of countertenors who could more accurately replicate castrato roles, interest has revived in Handel‘s Italian operas, and many have been recorded and performed onstage. Of the fifty he wrote between 1705 and 1738, Agrippina (1709), Rinaldo (1711, 1731), Orlando (1733), Alcina (1735), Ariodante (1735), and Serse (1738, also known as Xerxes) stand out and are now performed regularly in opera houses and concert halls.

Arguably the finest, however, are Giulio Cesare (1724) and Rodelinda (1725), which, thanks to their superb orchestral and vocal writing, have entered the mainstream opera repertoire. Also revived in recent years are a number of secular cantatas and what one might call secular oratorios or concert operas. Of the former, Ode for St. Cecilia‘s Day (1739) (set to texts of John Dryden) and Ode for the Birthday of Queen Anne (1713) are particularly noteworthy. For his secular oratorios, Handel turned to classical mythology for subjects, producing such works as Acis and Galatea (1719), Hercules (1745), and Semele (1744). In terms of musical style, particularly in the vocal writing for the English-language texts, these works have close kinship with the above-mentioned sacred oratorios, but they also share something of the lyrical and dramatic qualities of Handel‘s Italian operas. As such, they are sometimes performed onstage by small chamber ensembles.

With the rediscovery of his theatrical works, Handel, in addition to his renown as instrumentalist, orchestral writer, and melodist, is now perceived as being one of opera‘s great musical dramatists. Handel adopted the spelling "George Frideric Handel" on his naturalization as a British subject. His name is spelled "Handel" in Germany and elsewhere, and "Haendel" in France, which causes no small grief to cataloguers everywhere. There was another composer with a similar name, Handl, who was a Slovene and is more commonly known as Jacobus Gallus. Handel‘s works were edited by S. Arnold (40 vols., London, 1786), and by Friedrich Chrysander, for the German Handel-Gesellschaft (100 vols., Leipzig, 1859–1894). Handel lived at 25 Brook Street, London from 1723 until his death in 1759, now commemorated by a blue plaque on the outside of the building. It was here that he composed Messiah, Zadok the Priest, and Fireworks Music.

In 2000, the upper stories of 25 Brook Street were leased to the Handel House Trust, and, after an extensive restoration program, the Handel House Museum opened to the public on 8 November 2001. Next door at 23 Brook Street is another blue plaque for a more modern musician, Jimi Hendrix. Messiah was first performed in New Musick Hall in Fishamble Street, Dublin on 13 April, 1742, with 26 boys and five men from the combined choirs of St Patrick‘s and Christ Church cathedrals participating. This article includes content derived from the Schaff-Herzog Encyclopedia of Religious Knowledge, 1914, which is in the public domain. - City Choir Dunedin: It's all in the name Monday, November 16, 2009 It's all in the name George Frideric Handel (German: Georg Friedrich Händel) (23 February 1685 – 14 April 1759) was a German-English Baroque composer, who is famous for his operas, oratorios, and concerti grossi.

His life and music may justly be described as "cosmopolitan": he was born in Germany, trained in Italy, and spent most of his life in England. Born in Halle in the Duchy of Magdeburg, he settled in England in 1712, becoming a naturalised subject of the British crown on 22 January 1727. Handel adopted the spelling "George Frideric Handel" on his naturalization as a British subject, and this spelling is generally used in English-speaking countries. The original form of his name (Georg Friedrich Händel) is generally used in Germany and elsewhere, but he is known as "Haendel" in France, which causes no small amount of grief to cataloguers everywhere. The picture is of a carved marble statue of Handel, created for the Vauxhall Gardens in 1738 by Louis-François Roubiliac, and now preserved in the Victoria and Albert Museum. Vauxhall Gardens was a pleasure garden, one of the leading venues for public entertainment in London, England from the mid 17th century to the mid 19th century.

[Extract from Wikipedia.] Don't miss the City of Dunedin Choir's performance of Handel's Messiah on 8 December 2009 at 7:30 pm in the Dunedin Town Hall. Tickets are on sale now! George Frideric Handel - MusicBrainz George Frideric Handel Edit Annotation On 22 January 1727 Georg Friedrich Händel became a naturalised subject of the British crown with the legally accepted name George Frideric Handel. FIXME: Due to a recent edit ( link ) that changed his name from Georg Friedrich Händel to George Frideric Handel (no artist credits renamed), majority of the releases filed under this artist are still left with the old artist name (Georg Friedrich Händel). It might help to change the artist credits to the new one, especially those releases that use Handel or George Frideric Handel on cover art. (Majority of the releases do use the English name). Annotation last modified on 2013-07-08 09:19 UTC.

Legal name: Georg Friedrich Händel, Georg Friedrich Händel, George Frideric Handel HANDEL - Sinfonia from "The Messiah" & Entry of the Queen of Sheba - YouTube HANDEL - Sinfonia from "The Messiah" & Entry of the Queen of Sheba Want to watch this again later? Sign in to add this video to a playlist. Need to report the video? Sign in to report inappropriate content. Rating is available when the video has been rented. This feature is not available right now. Please try again later. Uploaded on Oct 15, 2009 HANDEL: Overture from The Messiah - Arrival of the Queen of Sheba from Solomon The Scottish Chamber Orchestra directed by George Malcolm (Overture) and Jaime Laredo (Solomon) (1985, Innovative Music products Ltd.-Hallmark Classics-Carlton Music) Georg Friedrich Händel (23 February 1685 14 April 1759) was a German-English Baroque composer, who is famous for his operas, oratorios, and concerti grossi.

His life and music may justly be described as "cosmopolitan": he was born in Germany, trained in Italy, and spent most of his life in England. Born in Halle in the Duchy of Magdeburg, he settled in England in 1712, becoming a naturalised subject of the British crown on 22 January 1727. His works include Messiah, Water Music, and Music for the Royal Fireworks. Strongly influenced by the techniques of the great composers of the Italian Baroque era, as well as the English composer Henry Purcell, Handel's music became well-known to many composers, including Haydn, Mozart, and Beethoven. Messiah (HWV 56) is an oratorio by George Frideric Handel based on a libretto by Charles Jennens. Composed in the summer of 1741 and premiered in Dublin on 13 April 1742, Messiah is Handel's most famous creation and is among the most popular works in Western choral literature. It includes the very well-known chorus, "Hallelujah!". The work is a presentation of Jesus's life and its significance according to Christian doctrine.

The name of the oratorio is taken from the Abrahamic concept of the Messiah ("the anointed one"). In Christianity, Jesus is the Messiah. Solomon (HWV 67) is an oratorio by George Frideric Handel. Its libretto is based on the biblical stories of wise king Solomon and is attributed to Newburgh Hamilton. The music was composed between May 5 and June 13, 1748 and the first performance took place in London on March 17, 1749. The Queen of Sheba was the woman who ruled the ancient kingdom of Sheba and is referred to in Habeshan history, the Hebrew Bible, the New Testament, and the Qur'an. The location of the historical kingdom may have included part or all of modern day Eritrea, Ethiopia, and Yemen. Category

Question: Name the composer born in Germany in 1685, he settled in England in 1712, was naturalised English in 1727 and died in London in 1759?
Answer: Handel