diptych - definition of diptych in English | Oxford Dictionaries Definition of diptych in English: diptych noun 1A painting, especially an altarpiece, on two hinged wooden panels which may be closed like a book.

Example sentences ‘David Bierk's long romance with art history was evident in this show of 21 oil paintings, mostly diptychs and triptychs, which included, among other things, reproductions of specific well-known paintings.’ ‘All of them are diptychs assembled from four squares of wood about a half-inch thick.’ ‘Adorned with pearls, distracted or in reverie, a plump child with pointed ears and a pale blue face graces one panel of Diane's Puppies as though unaware of her companion at play in the other panel of the diptych.’ ‘But in the 14th century it quickly spread over western Europe and was freely used in the decoration of chalices, crosses, diptychs, and other objects of religious use as well as for domestic plate and jewellery.’ ‘Though he painted altarpieces and other religious panels (the only signed work is a diptych with the Carrying of the Cross and Vanitas, 1560; Bonn, Rheinisches Landesmus.), he is best known for his portraits.’ ‘For that reason one is amused rather than taken aback by a Flemish diptych of the turn of the fifteenth century from the Cathari

jneconvent in Utrecht.’ ‘Featured are 29 oils, including two diptychs (the largest being 66 by 108 inches), and six smaller gouaches that span a period of 30 years.’ ‘They are usually found in the form of triptychs or diptychs.’ ‘Altarpieces and private devotional diptychs were commissioned from the painters de Beaumetz, Jean Malouel, Henri Bellechose, and Melchior Broederlam, all of whom were court painters at various times.’ ‘In 1864, Kunisada died and Kunichika designed two memorial prints - one as a diptych - of the deceased master.’ ‘In each auxiliary altar, diptychs display the most prominent saints.’ ‘The painting, divided in half vertically, resembles a diptych.’ ‘Triptychs and diptychs in good condition are more sought after.’ ‘The names of the two families are preserved on the two leaves of an ivory diptych, respectively in the Victoria and Albert, and Cluny, Museums.’ ‘The painting may originally have served as the left panel of a small-scale portable diptych - the right side would have depicted

 a donor in adoration.’ ‘It is therefore difficult even for an expert to recognize if a single sheet print was originally part of a diptych or a triptych.’ 2An ancient writing tablet consisting of two hinged leaves with waxed inner sides.

Origin Early 17th century: via late Latin from late Greek diptukha pair of writing tablets, neuter plural of Greek diptukhos folded in two, from di- twice + ptukhē a fold. Pronunciation Which of the following is correct? the classic film bears his name the classic film bares his name Which of the following is correct? he bears the brunt of blame he bares the brunt of blame Which of the following is correct? it is worth bearing in mind it is worth baring in mind Which of the following is correct? the landscape is bear Which of the following is correct? she bares her midriff Which of the following is correct? she can't bear to watch she can't bare to watch Which of the following is correct? the claim doesn't bear scrutiny the claim doesn't bare scrutiny Which of the following is correct? a bare mattress on the floor a bear mattress on the floor Which of the following is correct? it bears up well under strain it bares up well under strain Which of the following is correct? the costs are not borne by us the costs are not bared by us You scored /10 practise again?

Retry Most popular in the world Australia Diptych - definition of diptych by The Free Dictionary Diptych - definition of diptych by The Free Dictionary Also found in: Thesaurus , Encyclopedia , Wikipedia . dip·tych a. A work consisting of two painted or carved panels that are hinged together. b. A set of two related works, as in photography, painting, or literature. 2. An ancient writing tablet having two leaves hinged together. 3. A list of names, originally contained on such a tablet, of living and dead Christians for whom special prayers are made during the liturgy in many eastern and western churches. [Late Latin diptycha, from Greek diptukha, from neuter pl. of diptukhos, folded double : di-, two; see di-1 + ptukhē, fold (from ptussein, ptukh-, to fold).] diptych 1. (Antiques) a pair of hinged wooden tablets with waxed surfaces for writing 2.

(Art Terms) a painting or carving on two panels, usually hinged like a book [C17: from Greek diptukhos folded together, from di1 + ptukhos fold; compare triptych] dip•tych n. 1. a pair of pictures on two panels, usu. hinged together. 2. a pair of hinged writing tablets, used in antiquity for letters, notes, etc., usu. by inscribing the wax-coated inner surfaces with a stylus. [1615–25; < Late Latin diptycha < Greek díptycha, neuter pl. of díptychos folded together] diptych 1. a two-leafed waxed tablet for writing with a stylus. 2. a pair of paintings or other images on two hinged leaves. A work of art with two panels, as in a two-panelled altarpiece. ThesaurusAntonymsRelated WordsSynonymsLegend: Noun 1.

diptych - a painting or carving (especially an altarpiece) on two panels (usually hinged like a book) art , fine art - the products of human creativity; works of art collectively; "an art exhibition"; "a fine collection of art" Translations diptych n → Diptychon nt Want to thank TFD for its existence? Tell a friend about us , add a link to this page, or visit the webmaster's page for free fun content . Link to this page: triptych References in classic literature ? Brother Luke hath given me some skill in damask work, and in the enamelling of shrines, tabernacles, diptychs and triptychs. The Model: Figuratively figuring more of the same His commission in the 1390s of a personal devotional diptych, whose present location is unknown but whose iconography is recorded to have included the Man of Sorrows and the Madonna and Child with Saints, allows us to visualize the merchant's recourse to prayer and devotion to allay the fear, pain, and death unleashed by the plague.

Francesco di Marco Datini: Tuscan "Man of Sorrows" and the devotional image during the aftermath of the Black Death in the late Trecento The Huddersfield Art Gallery paintings include Pendent, produced by Edward Wadsworth in 1942, Moorland Benediction, by Sonia Lawson in 1985, Tea in the Bedsitter, a 1916 work by Harold Gilman, John Atkinson Grimshaw's Silver Moonlight from 1886 and Diptych for a Tame Spider, produced by Alan Davie in 1967. diptych - definition, etymology and usage, examples and related words diptych Definitions WordNet 3.6 n diptych a painting or carving (especially an altarpiece) on two panels (usually hinged like a book) *** Webster's Revised Unabridged Dictionary Diptych A double catalogue, containing in one part the names of living, and in the other of deceased, ecclesiastics and benefactors of the church; a catalogue of saints. Diptych A picture or series of pictures painted on two tablets connected by hinges. See Triptych.

Diptych A writing tablet consisting of two leaves of rigid material connected by hinges and shutting together so as to protect the writing within. Diptych Anything consisting of two leaves. *** Century Dictionary and Cyclopedia n diptych A hinged two-leaved tablet of wood, ivory, or metal, with waxed inner surfaces, used by the Greeks and Romans for writing with the style. In Rome, during the empire, consuls and other officials were in the habit of sending as presents to their friends artistic dip-tychs inscribed with their names, date of entering upon office, etc. n diptych In the early church: The tablets on which were written the names of those who were to be especially commemorated at the celebration of the eucharist. n diptych The list of names so recorded. n diptych The intercessions in the course of which these names were introduced. The recitation of the name of any prelate or civil ruler in the diptychs was a recognition of his orthodoxy; its omission, the reverse. The mention of a person after death recognized him as having died in the communion of the church, and the introduction of his name into the list of saints or martyrs constituted canonization.

In liturgics the diptychs are distinguished as the diptychs of the living and the diptychs of the dead, the latter including also the commemoration of the saints. In most liturgies the diptychs are included in the great intercession (see intercession). In the Western Church the use of the diptychs died out between the ninth and the twelfth century; in the Eastern Church it still continues. [In the ecclesiastical sense it is always plural with the definite article—the diptychs.] n diptych In art, a pair of pictures or carvings on two panels hinged together. They are common in Byzantine and medieval art, and in the later examples are generally of a religious character. See triptych. [In this sense usually singular.] *** Chambers's Twentieth Century Dictionary n Diptych dip′tik a double-folding writing-tablet: a register of bishops, saints, &c. read aloud during the eucharist: a pair of pictures as folding-tablets. *** Gr. diptychos—di-, and ptyssein, to fold.

Usage In literature: The sacred diptychs, of which many are preserved in the Vatican Library, were easily saved from the fury of the Iconoclasts. "The Ceremonies of the Holy-Week at Rome" by Charles Michael Baggs Here are ivory bindings, whether as diptychs, or attached to regular volumes. "A Bibliographical, Antiquarian and Picturesque Tour in France and Germany, Volume Two" by Thomas Frognall Dibdin In the diptych, although the portrait of Richard himself was a likeness, the setting was imaginary and symbolic. "The Book of Art for Young People" by Agnes Conway The celebrated Consular Diptychs date from the fourth century onwards. "Arts and Crafts in the Middle Ages" by Julia De Wolf Addison The form is conveniently dated at its highest development by its occurrence on the ivory diptych of Stilicho at Monza (c. A.D. 400). "Encyclopaedia Britannica, 11th Edition, Volume 4, Part 3" by Various He met that supreme act of authority by the counter act of removing the Pope's name from the diptychs. "The Formation of Christendom, Volume VI" by Thomas W.

(Thomas William) Allies Vigilius was excommunicated, and his name erased from the diptychs. "Encyclopaedia Britannica, 11th Edition, Volume 7, Slice 2" by Various The names thus written were read from the ambo, in which the diptych was kept. "Encyclopaedia Britannica, 11th Edition, Volume 8, Slice 5" by Various The diptychs are the prototypes of the modern book. "Encyclopaedia Britannica, 11th Edition, Volume 4, Slice 2" by Various *** Diptychs - definition of diptychs by The Free Dictionary Diptychs - definition of diptychs by The Free Dictionary Also found in: Thesaurus , Encyclopedia , Wikipedia . dip·tych a. A work consisting of two painted or carved panels that are hinged together. b. A set of two related works, as in photography, painting, or literature. 2. An ancient writing tablet having two leaves hinged together. 3.

A list of names, originally contained on such a tablet, of living and dead Christians for whom special prayers are made during the liturgy in many eastern and western churches. [Late Latin diptycha, from Greek diptukha, from neuter pl. of diptukhos, folded double : di-, two; see di-1 + ptukhē, fold (from ptussein, ptukh-, to fold).] diptych diptych - definition and meaning diptych from The American Heritage® Dictionary of the English Language, 4th Edition n. A work consisting of two painted or carved panels that are hinged together. n. An ancient writing tablet having two leaves hinged together. n. A list of names, originally contained on such a tablet, of living and dead Christians for whom special prayers are made during the liturgy in many eastern and western churches. from Wiktionary, Creative Commons Attribution/Share-Alike License n. A writing tablet consisting of two leaves of rigid material connected by hinges and shutting together so as to protect the writing within. n. A picture or series of pictures painted on two tablets, usually connected by hinges. n.

A double catalogue, containing in one part the names of living, and in the other of deceased, ecclesiastics and benefactors of the church. n. A catalogue of saints. n. Artistically-wrought tablets distributed by consuls, etc. of the later Roman Empire to commemorate their tenure of office; hence transferred to a list of magistrates n. a. a literary work consisting of two contrasting parts (as a narrative telling the same story from two opposing points of view) "a diptych, a pastoral in which the author narrates the birth of Christ ... first as it has impressed the rich countryman Asveer, then as it has been seen by the skeptic Nicodemus" -- François Closset b. any work made up of two matching parts treating complementary or contrasting pictorial phases of one general topic "the first volume of a diptych Vegetation and Flora of the Sonoran Desert" -- F.E. Egler from the GNU version of the Collaborative International Dictionary of English n. Anything consisting of two leaves. n. A writing tablet consisting of two leaves of rigid material connected by hinges and shutting together so as to protect the writing within. n.

A picture or series of pictures painted on two tablets connected by hinges. See triptych. n. A double catalogue, containing in one part the names of living, and in the other of deceased, ecclesiastics and benefactors of the church; a catalogue of saints. from The Century Dictionary and Cyclopedia n. A hinged two-leaved tablet of wood, ivory, or metal, with waxed inner surfaces, used by the Greeks and Romans for writing with the style. n. In the early church: The tablets on which were written the names of those who were to be especially commemorated at the celebration of the eucharist. n. The list of names so recorded. n. The intercessions in the course of which these names were introduced. n. In art, a pair of pictures or carvings on two panels hinged together. from WordNet 3.0 Copyright 2006 by Princeton University. All rights reserved. n.

a painting or carving (especially an altarpiece) on two panels (usually hinged like a book) Etymologies from The American Heritage® Dictionary of the English Language, 4th Edition Late Latin diptycha, from Greek diptukha, from neuter pl. of diptukhos, folded double : di-, two; see di-1 + ptukhē, fold (from ptussein, ptukh-, to fold). from Wiktionary, Creative Commons Attribution/Share-Alike License From Late Latin diptycha, plural, from Ancient Greek, neuter plural of δίπτυχος (diptychos, "folded, doubled"), from δι (di) + -πτυχος (-ptychos) (akin to Greek πτυχή (ptyche, "fold, layer")). Examples Diptych, Altarpiece Panel-Painting LH panel: Koninklijk Museum, Antwerp; RH Panel: Gemaldegalerie, Berlin. What is a Diptych?

In fine art , the term "diptych" - whose name derives from the Greek words di (two) + ptyche (fold) - commonly describes a pair of tablets/panels made of wood (sometimes covered in wax) or more rarely ivory, which are hinged together to open like a book. A type of devotional Christian art , which was occasionally made into an altarpiece , diptychs were a popular form of medieval painting and maintained this popularity during the Renaissance. When it came to use as an altarpiece, however, the two-panel format was not as popular as the larger three-panel format ( triptych ), or the multi-panel format ( polyptych ). Wax diptychs were originally used as writing tablets for secular purposes (example: consular diptychs). Notes or drawings could be made in the wax, by a metal stylus, and could be later smoothed over and reused. Later, diptychs were used in early Christian art as personal items, and also to record living and deceased members of the local church congregation. As personal devotion items, diptychs became widespread during the era of Byzantine art during which they were known as travelling icons.

See: Christian Art (Byzantine Era) (c.400-1200). In a way, when used for personal devotional purposes, diptychs resemble smaller, static versions of Books of Hours, like the Tres Riches Heures du Duc de Berry (1413), created in the International Gothic style by the Limbourg Brothers at the French court in Burgundy. Their use spread to Italy during the 13th century, and they were a regular feature of Italian Renaissance art . They were also widely used for religious paintings during the Northern Renaissance in Flanders (c.1400-1580), among Flemish painters like Jan van Eyck (1390-1441), Rogier van der Weyden (1400-64), Hans Memling (c.1433-94) and Hugo van der Goes (14401482). Typical subjects for this personal form of Biblical art , included portraits of the Holy Family and scenes from the Bible, as well as secular portraiture.

A common format involved a right-hand panel depicting a Madonna and Child, with a left-hand panel showing a portrait of the owner in prayer, next to his portrait saint. Diptychs are occasionally produced today by twentieth century painters for works consisting of two paintings that are not physically joined, but are displayed side-by-side as a pair.  Barberini Diptych (c.500-550 CE) Louvre Museum, Paris. By unknown artist * Diptych (Fine arts) - Definition,meaning - Online Encyclopedia Diptych A diptych is a painting or relief carving made of two parts, which are usually joined by hinges. They are invariably small in size and, if an altarpiece , were used for private devotion. Diptych A diptych is any object with two flat plate s attached at a hinge. Devices of this form were quite popular in the ancient world, types existing for recording notes and for measuring time and direction. The term is also used figurative ly for a thematically-linked sequence of two books.

A diptych is an artwork consisting of two painted or carved panel s 1 of 3 Andy Warhol Marilyn Diptych 1962 ï¿½ 2015 The Andy Warhol Foundation for the Visual Art s, Inc. / Artists Right Society (ARS), New York and DACS, London ... Diptychs are hinged so that they can be closed like a book to protect the interior painting s. Often they include a depiction of the donor on one panel ; he or she is posed offering prayers to an image of the Virgin and Child which appears on the other section. A diptych refers to a painting , engraving , drawing or relief that is composed of two distinct parts, as compared to a polyptych , which has two or more parts. diptych An artwork having two panel s either hinged together, or simply displayed as a pair. The works can be hung edge to edge or with some space between them depending on the intent. Works designed this way can be very striking and being a diptych offers an additional composition al element. Diptych An artwork on two panel s hung together.

Historically, a diptych refers to a two- panel ed painting or bas-relief attached at a hinge. In painting , a suspension of small globules of one liquid in a second liquid with which the first will not mix or dissolve. Diptych A painting done in two, individual panel s with each part being complete in itself but when presented together forming a larger, fully integrated work. Dispersion ... Diptych- Two panel s of equal size , usually decorated with painting s or relief , hinged together. Dogu- Small human figurines made in Japan during the Jomon period. Shaped from clay with exaggerated expression s and in contorted poses, dogu were probably used in religious rituals. Diptych two separate painting s which are attached by hinges or other means, displayed as one artwork Drawing pencil , pen, ink, charcoal or other similar mediums on paper or other support, tending toward a linear quality rather than mass, and also with a tendency toward black-and-white, ... DIPTYCH two painted panel s that are usually hinged together. DONOR a client or patron of an artist who donates the work to an institution; in altarpiece s the donor and family were often included in the painting .

DRAWING usually a work in pen, pencil , or charcoal on paper. Diptych (dip'tik) - A painting done in two separate panel s. Each part is a complete work in itself, but when presented together they form a larger fully integrated work. DIPTYCH. A work in the form of two related painting s or panel s placed side by side. DIVISIONISM . See POINTILLISM . DRY MEDIUM. This term is used to describe all forms of drawing materials, CHALK , CHARCOAL , GRAPHITE , PASTEL , etc. diptych - A picture or bas-relief made of two panel s hinged together, often an altarpiece . Also, any picture consisting of two individual surfaces. Also, an ancient Roman or Early Christian two-hinged writing tablet, or two ivory memorial panel s. Diptych Portrait of Battista Sforza (1472) Get a wallpaper picture of Diptych Portrait of Battista Sforza for your computer desktop. The Montefeltro family in Urbino was Piero's most generous patron towards 1465. Diptych A work of art made up of two parts, usually hinged together. Direct positive ...

Diptychs[edit] Diptychs were widely popular in northern Europe from the mid-15th to the early 16th century. They consisted of two equally sized panel s joined by hinges (or, less often, a fixed frame);[137] the panel s were usually linked thematically. Diptych The same as ALLA PRIMA . Diptych Distortion ... diptych in medieval art a picture, often an altarpiece , consisting of two folding wings without a fixed central area. Dominicans A Roman Catholic order of mendicant friars founded by St. Dominic in 1216 to spread the faith through preaching and teaching. Diptych Drypoint ... diptych 1) A set of two prints making one complete image. 2) An ancient writing tablet consisting of two pieces of wood or ivory hinged together, with the inner sides waxed for writing on with a stylus. ... Diptych A painting or relief carving on two hinged panel s so it can be opened and closed like a book, it is usually an altarpiece but is also a technique used by modernist artists.

Source: Ralph Mayer, "A Dictionary of Art Terms and Techniques" Direct Carving (Also See Carver, Carving ) ... The diptych The Justice of Emperor Otto III belongs to the genre of the justice scene. It was painted by Bouts towards the end of his life for the council room in the town hall at Leuven, which had been completed in 1460. Wilton Diptych (detail), ( silkscreen on canvas, 1962) Tate Gallery, London ... The portrait of Durer's mother (1452-1514), together with the portrait of his father, also called Albrecht, was part of a diptych that appears as number 19 in the 1573-74 inventory owned by Willibald imhoff, a Nuremberg patrician. Each diptych brings together one image from each group. The contemporary photographs are interpreted in brilliant glossy color chromes while the historical monochrome photographs are digitally printed on mirror-like mylar material.

Two (Diptych), four (Tetraptych), five (Pentaptych), even six piece (Hexatych) Canvas Art Sets are also available, and favored by the modern collector. All multiple Canvas Art Sets work within the same concepts of the more familiar, classic , Triptych Painting s. Polyptych : A single work comprised of multiple sections, panel s, or canvas. Diptych= two, triptych =three. Positive Space : The areas of an artwork that IS the primary subject or object. Positive Space defines the subjects outline . see: Negative Space , Notan ... He was born with a curious and adventurous spirit and traveled widely. During the reign of French monarch King Charles VII, Fouquet was commissioned to paint The Melun Diptych. The artist used Charles favorite mistress as the model for the Virgin Mary. that emerged as a reaction to World War 1 in Zurich and spread elsewhere, based largely upon chance and absurdity. Key figures include Marcel Duchamp, Jean Arp and Francis Picabia. Photographs taken using a digital camera and often processed with computer technology. Diptych ...

Diptych A two part piece of artwork meant to be hung together in a specific orientation so the composition flows from one to the other. Duotone An artwork consisting only of two tones of color, one of which could be black. E Encaustic Literally, to burn in. Often working for Italian and Spanish clients, Memling was also open to such Renaissance elements as a new sense for abstract form, and for the characterization of the Child that was close to these foreign sources. His Madonna and Child, painted for Benedetto Portinari, was originally a diptych ... Altarpiece Art: Types of Altarpieces, Triptych, Polyptych, Diptych  Diptych Introduction The altarpiece was one of the highpoints of Christian art during the Late Gothic, Italian Renaissance, Northern Renaissance, and Counter-Reformation periods. This type of religious art typically consists of one or more paintings, or sculptures (stone or wood-carvings) carved in the round or in relief, or simply a screen or decorated wall. It can stand on, above or behind the altar.

Historically, most altarpieces date from about 1000 CE onwards, when the shrine was relocated to make the altar the focal point of the church. Altar panel-paintings only became common in the 15th century; they were created using either oil paint or egg tempera, on wooden panels. Most altarpiece iconography is closely linked to Biblical art , typically featuring Saints and members of the Holy Family. From about the mid-sixteenth century - the time of the Catholic Counter-Reformation Art (c.1560-1700) - altarpieces made up of linked panel paintings were replaced with canvas paintings. Types of Altarpieces There are two basic types of altarpiece. (1) The reredos, a large and often elaborate construction in wood or stone, typically rising from the floor behind the altar.

Examples include: St Mary, Krakow (1477-89) carved by Veit Stoss ; St Jakob Kirche, Rothenburg (1499-1504) carved by Tilman Riemenschneider ; High Altar of the Virgin Mary (1613-16), at Saint Nicholas at Uberlingen, by Jorg Zurn . (2) The retable - a simpler structure featuring relief sculpture or painted panels, standing at the back of the altar itself, or on a surface behind it. Examples include: The Dijon Altarpiece (1394-99) by Melchior Broederlam; The Ghent Altarpiece (1432) Saint Bavo Cathedral, by Hubert and Jan van Eyck; The Avignon Pieta (1454-6) by Enguerrand Quarton; The Isenheim Altarpiece (1506-15) Monastery of St. Anthony, by Matthias Grunewald; and the Pala d'Oro, Basilica di San Marco, Venice.

Lastly, some altarpieces were simply religious paintings (painted on canvas or wood) fixed to the altar wall, like: Giovanni Bellini's celebrated San Zaccaria Altarpiece (1505, Church of San Zaccaria, Venice); Raphael's Sistine Madonna (1515, Gemaldegalerie Alte Meister, Dresden) which was designed for the high altar of the Benedictine abbey church of San Sisto (St. Sixtus) in Piacenza, and his Transfiguration (1518-20) intended originally for the French Cathedral of Narbonne. The Madonna of the Harpies (1517) painted by Andrea del Sarto (1486-1530) for the high altar of San Francesco de'Macci in Florence, is another example, as is Titian's extraordinary Assumption of the Virgin (1516-18) - arguably the greatest altarpiece of the Italian Renaissance - which can still be seen in the church of Saint Maria Gloriosa dei Frari, Venice. For more of Titian's innovations in altarpiece painting, please see Venetian altarpieces of the sixteenth century.

An altarpiece might even be attached to a church pillar, as in the case of the St Matthew Altarpiece (1367-8) designed for the Florentine church of Or San Michele, now in the Uffizi Gallery, Florence. Most Retables of painted panels were either in triptych form (3-panels), or polyptych form (more than 3 panels). The 2-panel variety, known as a diptych was typically created for personal veneration, rather than public worship. Triptych A Triptych was a popular format for altar paintings from the Middle Ages onwards (c.1000 CE). Consisting of a central panel and two hinged "wings", triptychs were installed in Eastern Orthodox as well as Western Christian churches. From the 15th century onwards, non-church triptychs were popular with Netherlandish Renaissance painters such as Hans Memling and Hieronymus Bosch, while modern exponents have included Francis Bacon (see: Three Studies for Figures at the Base of a Crucifixion, 1944), among others.

Famous Triptych Altarpieces  Raising of the Cross (1610) by Peter Paul Rubens Polyptych A polyptych was a hinged altarpiece with more than 3 panels. Polyptychs usually had one large central panel, to which a number of "side" panels, or "wing panels" were attached. This form of altarpiece was especially common in Early Renaissance churches and cathedrals. Famous Polyptych Altarpieces  Maesta Altarpiece (1311) by Duccio di Buoninsegna  Ghent Altarpiece (1425-32) by Hubert van Eyck and Jan van Eyck.  Madonna della Misericordia (14451462) by Piero della Francesca .  The Last Judgment Polyptych (1446-52) by Rogier van der Weyden.  The Santo Domingo el Antiguo Altarpieces (1577-79) by El Greco .

Note: Polyptych altarpieces include: tetraptychs (4 panels); pentaptychs (5 panels); hexaptychs (6 panels); heptaptychs (7 panels); octaptychs (8 panels). Diptych A diptych has 2 hinged panels that fold together. Diptychs have been made for personal use since Roman times, after which they served as devotional religious items during the Early Christian Art era. Such personal diptychs were also known as "travelling icons ". They were popular in early Flemish painting , among artists like Jan van Eyck , Rogier van der Weyden, Hans Memling and Hugo van der Goes, for secular portraiture as well as portraits of the Holy Family and scenes from the Bible. Early examples include: the Wilton Diptych (1395-99) by unknown artists; the Melun Diptych (1450-55), by Jean Fouquet . A modern example of the format is the Marilyn Diptych (1964) by Andy Warhol.  For details of major movements of religious painting, see: History of Art .

 For more about Christian or Biblical paintings, see: Homepage . ENCYCLOPEDIA OF ART HISTORY Diptych : definition of Diptych and synonyms of Diptych (English) Barberini Ivory , Constantinople , 6th century, Louvre . A diptych ( / ˈ d ɪ p t ɪ k / ; from the Greek δίπτυχον, [1] di "two" + ptychē "fold") is any object with two flat plates attached at a hinge . Devices of this form were quite popular in the ancient world, wax tablets being coated with wax on inner faces, for recording notes and for measuring time and direction. In Late Antiquity , ivory diptychs with covers carved in low relief on the outer faces were a significant art-form: the " consular diptych " was made to celebrate an individual's becoming Roman consul , but some, perhaps including the Poet and Muse diptych at Monza , may have been made for private use. Some of the most important surviving works of the Late Roman Empire are diptychs, of which some dozens survive, preserved in some instances by being reversed and re-used as book covers.

The largest surviving Byzantine ivory panel (428 mm × 143 mm), is a leaf from a diptych in the Justinian court manner of c. 525–50, which features an archangel. [2] From the Middle Ages many panel paintings took the diptych form, as small portable works for personal use; large altarpieces tended to be made in triptych form, with two outer panels that could be closed across the main central representation. They are one type of the multi-panel forms of painting known as polyptych s. Contents Usage Ecclesiastical Deesis , 17th-century icon . Left to right: Archangel Michael , Theotokos , John the Baptist , Archangel Gabriel (Historic Museum in Sanok , Poland ). It is in this form that the mention of "diptychs" in early Christian literature is found. The term refers to official lists of the living and departed that are commemorated by the local church. The living would be inscribed on one wing of the diptych, and the departed on the other.

The inscribing of a bishop's name in the diptychs means that the local church considers itself to be in communion with him, the removal of a bishop's name would indicate breaking communion with him. The names in the diptychs would be read publicly by the deacon during the Divine Liturgy ( Eucharist ), and by the priest during the Liturgy of Preparation . Diptychs were also used to inscribe the names of the saints. Although the wax tablets themselves are no longer used, the term is still used in the Eastern Orthodox Church and Eastern Catholic Churches to describe the contents of the diptychs, with all the same connotations. A diptych is also a type of icon whereby two panels are joined together with a hinge, so that they may fold together for protection when travelling, and then be unfolded for veneration when one's destination has been reached. Such diptychs are also called "travelling icons". Often the subjects on the two panels will be a matched set, such as Christ and the Theotokos , or the Annunciation (with the Archangel Gabriel on one side and the Virgin Mary on the other), or Saints Peter and Paul .

Diptych sundial Main article: Sundial#Diptych (tablet) sundial Diptych sundial in the form of a lute , circa 1612. A face was on the inside of each leaf. One leaf formed a vertical sundial, the other a horizontal sundial. The shadow caster, or gnomon was a string between them, and calibrated as to how far they should open, as the angle is critical. Such a sundial can be adjusted to any latitude by tilting it so its gnomon is parallel to the Earth's axis of rotation. A common error states that if both dials show the same time, the instrument is oriented correctly and faces north (in the northern hemisphere). A Diptych made as stated as a combined vertical and horizontal sundial with a string gnomon will show the same time on both dials regardless of orientation. [3] This property of self alignment is only true for diptychs historically in the case for a combination of an analemmatic and a vertical sundial. A double dial on a flat plate consisting of a horizontal and an analemmatic dial will also be aligned properly if both dials show the same time.

[4] Some diptychs had rough calendars, in the form of pelekinons calibrated to a nodus in the form of a bead or knot on the string. These are accurate to about a week, which was good enough to time planting of crops. Writing tablet Main article: Wax tablet The more common form of diptych in Antiquity was like a shallow box. It had two wooden leaves with hollows on the inside edges, filled with wax , and space for a small wooden scriber . This permitted one to take waterproof notes in the wax without wasting money on paper. The wax could be smoothed and reused. In later art Main article: Polyptych Andy Warhol, Marilyn Diptych (1962) The diptych was a common format in Early Netherlandish painting and depicted subjects ranging from secular portraiture to religious personages and stories. Often a portrait and a Madonna and Child had a leaf each. It was especially popular in the 15th and 16th centuries. Painters such as Jan van Eyck , Rogier van der Weyden , Hans Memling and Hugo van der Goes used the form.

Some modern artists have used the term in the title of works consisting of two paintings never actually connected, but intended to be hung close together as a pair, such as Andy Warhol ’s Marilyn Diptych (1962) [5] is a modern pop culture icon. See also Diptych An altarpiece with a pair of ivory carvings or panel - ARHT - 101 View Full Document An altarpiece with a pair of ivory carvings or panel paintings, usually hinged together. Triptych An altarpiece or devotional picture either carved or painted with on central panel and two hinged wings. Polyptcyh An altarpiece or devotional piece made of several panels, joined together, often hinged. Predella Panel The base of an altarpiece often decorated with small scenes of the main panel or panels. Illuminated Manuscript Is a manuscript in which the text is supplemented by the addition of decoration, such as decorated initials, borders and miniature illustrations. Monastic Scriptorium Literally "a place for writing", is commonly used to refer to a room in medieval European monasteries devoted to the copying of manuscripts by monastic scribes.

Mendicant Orders Religious orders which depend directly on the charity of the people for their livelihood. Black Death One of the most devastating pandemics in human history, peaking in Europe between 1348 and 1350. It is widely thought to have been an outbreak of bubonic plague. Fresco Painting on wet plaster. Or San Michele A church in the Italian city of Florence, it was converted into a church used as the chapel of Florence's powerful craft and trade guilds. Guilds Economic and social organizations that control the making and marketing of given products in a medieval city. Patronage The support, encouragement, privilege, or financial aid that an organization or individual bestows to another. Commission What an artist gets paid to create anything. This is the end of the preview. Sign up to access the rest of the document. TERM

Question: A diptych is a painting or altarpiece of how many panels, commonly hinged together?
Answer: Two