Genie | Disney Wiki | Fandom powered by Wikia “What would you wish of me? The ever-impressive, the long-contained, the often imitated, but never duplicated... Genie of the Lamp!” ―Genie introducing himself to Aladdin Genie is the tritagonist in Disney 's 1992 animated feature film, Aladdin . He is an all-powerful spirit residing in a magical oil lamp hidden within the Cave of Wonders , meant to only serve the "diamond in the rough". Contents [ show ] Background Like most popular depictions of genies, Disney's Genie was originally a slave. Though he possesses "phenomenal cosmic powers", he is bound to an "itty bitty living space" and can only use his powers when the owner of the lamp (his master) makes a wish; he occasionally does things without granting a wish, but never anything that greatly affects the world around him. He is also bound by three laws; he cannot kill anyone, he cannot make people fall in love with each other, and he cannot revive the dead. It is possible, however, that he can do the third one, but as he puts it, "It's not a pretty picture.

I don't like doing it!". Alternatively, it could mean that while he can revive a person's corpse, he cannot bring them back proper. Each master has three wishes, and cannot exceed this amount by wishing for more wishes. The lamp comes into the possession of Aladdin during the course of the first film, and he remains in servitude until Aladdin uses his third and final wish to grant Genie his freedom at the end of the film. As well as largely driving the plot in the first movie, Genie serves as a comic relief element in each of his appearances. He is shown to have shape-shifting abilities, which allow for many and varied sight gags. His supernatural disposition permits him to break the fourth wall, as well as parody real-life people and popular culture completely outside of the boundaries of the universe in which he is contained. Robin Williams is responsible for most of these because he improvised many of the lines in the film. Genie's true name, if he has one, has never been revealed; he answers to being called "Genie", and never says that he has a real name, though it's implied he forgot his true name after ten thousand years.

Development John Musker and Ron Clements created Genie with Robin Williams in mind, even though Disney studio chief Jeffrey Katzenberg suggested names such as John Candy , Steve Martin and Eddie Murphy , Williams was approached and eventually accepted the role. Williams came for voice recording sessions during breaks in the shooting of his other two films at the time, Hook and Toys. Unusually for an animated film, much of Williams' dialogue was ad-libbed: for some scenes, Williams was given topics and dialogue suggestions but allowed to improvise his lines. [1] It was estimated that Williams improvised 52 characters. Eric Goldberg, the supervising animator for Genie, then reviewed Williams' recorded dialogue and selected the best gags and lines. Goldberg and his crew then created character animation to match Williams' jokes, puns, and impersonations. Robin Williams supplied the character with an unconventional method of voice acting which proved to be groundbreaking, resulting in universal acclaim and Genie becoming one of the most iconic and influential characters in the history of animated films. Personality Full of life, and bursting with positive energy, the Genie is a happy-go-lucky character, with power and abilities primarily used to concoct humorous jokes for the amusement of both himself and those around him.

Having spent a majority of his early life (over 10,000 years) trapped within a lamp, Genie tends to take advantage of his extremely rare moments of freedom by exploiting his incredible powers to, as mentioned above, entertain his new masters and acquaintances. Because of this, Genie comes off as a flamboyant showman when first introduced. In addition, when first greeted, the genie immediately becomes loyal to his new master, and continuously emphasizes the fact that his purpose is to magically enhance their lives by any means necessary (so long as it doesn't interfere with the three rules of wishing). Though generally loyal, and extremely devoted to whoever holds temporary ownership of the lamp, Genie has a will and mind of his own, outside the bounds of a typical genie slave. An example of this can easily be seen when confessing his ultimate dream to gain freedom from his lamp prison. Additionally, as seen with Aladdin, he is capable of forming meaningful relationships with those he must serve, and this genuine loyalty is what ultimately leads to his freedom. Though manic and explosive, Genie notably has a softer side to his character; one that is compassionate, wise, and serious when necessary.

This is indicated by his tone, which changes from wily and exuberant, to low and soft in order to get a serious point across. In the original film, as well as King of Thieves, he served as a mentor figure to Aladdin, often giving the latter advice and encouraging the act of being true to one's self. In King of Thieves, he showed genuine love and support for most Aladdin and his endeavors, despite being a freed genie, but never held his tongue when it came to objections towards more consequential choices. Powers and Abilities Genie is one of the most powerful major characters in the Disney universe shown so far. As shown in the first movie, he could easily break the laws of nature, shape-shift into virtually anything, break the fourth wall, warp reality at a whim, lift the palace of Agrabah with no problems, give other people his power, undo the works of any magic (though mixing his magic with someone else's had consequences), and escape a magically sealed cave.

However, he had three limits to his abilities (And also refuses to accept substitutions, exchanges, refunds and wishing for more wishes); he cannot kill, he cannot make people fall in love, and he cannot raise the dead (though he states that he can indeed perform resurrections, but simply does not enjoy doing so as the resurrected are implied to be turned zombies in which he describes as "not a pretty picture"). Aside from these three limitations, he was virtually omnipotent. After getting his freedom, it is unclear of these limitations still implied, although he stated that he had suffered a reduction in power due to his new freedom, describing his current powers as now being "semi-phenomenal, nearly cosmic power" as opposed to his previous "phenomenal cosmic power". Due to his weakened state as opposed to Jafar's full power, the now-genie Jafar defeated him during the "You're Only Second Rate", musical number as well as deflecting all of his magical attacks. However, he still has a nearly unlimited amount of magical knowledge and all his shape-shifting abilities.

He also has high magic power, but was unable to undo certain forms of magic; a weakness with disastrous consequences in the television series, such as when he had trouble turning Jasmine back to normal after she was turned into a rat by a magic mirror, or his inability to break a spell cast by Sadira that brainwashed Aladdin into thinking that he was a dragon-slaying knight. It was revealed in The Return of Jafar that he can also flawlessly imitate the voices and appearances of others, as seen when he shape-shifts into Aladdin in the ultimately failed attempt to distract Jafar while the real Aladdin grabs the latter's lamp. In the series, it is often shown that one of his exploited weaknesses (often by Abis Mal and Mechanicles) are that he can be tricked into getting into a bottle but then cannot get out until someone releases him. Items that can affect magic also affect him, such as the magic-eating creature Thirdack, nearly succeeded in eating Genie from the episode "Citadel". It is also shown in " Sneeze the Day " that guava juice is the only thing that can give Genies a cold, which makes their magic uncontrollable and unpredictable (along with dangerous).

Eventually, though, Genie was shown to have regained his strength in Aladdin and the King of Thieves , where he had no problem with anything he tried. Genie is perhaps the 3rd (possibly 4th) strongest character to be shown in the series, with the only characters shown to be stronger are Fate, Chaos, and Jafar. Appearances Aladdin Genie in his debut appearance, Aladdin. On a dark night, a shady man named Jafar seeks the location of the Cave of Wonders, plotting to use Genie to take control of a nearby kingdom known as Agrabah . Unfortunately for Jafar, only one individual may enter the cave—the "diamond in the rough" street-rat named Aladdin . Jafar manages to manipulate Aladdin into entering the cave to retrieve the lamp for him, but Aladdin's monkey sidekick, Abu , touches a piece of forbidden treasure, resulting in the cave sinking back into the sand and trapping Aladdin inside. There, Abu reveals to have the lamp intact and hands it over to Aladdin, who accidentally unleashes the Genie.

Genie immediately introduces himself as a servant, willing to grant Aladdin a total of three wishes, be they food, riches, or any other form of luxury that sticks within the confines of the genie laws. To ensure he doesn't waste any wish, Aladdin tricks Genie into freeing he and Abu from the cave, which Genie falls for, taking the duo, as well as Genie's Magic Carpet companion, to an oasis in the desert. Genie revealing his desire to experience freedom to Aladdin. There, Genie realizes Aladdin's trickery but quickly gets past it to return to his job at hand, waiting patiently as Aladdin ponders on his wishes. The street rat, out of genuine curiosity, eventually asks Genie what the latter would wish for, which sparks the reveal of the Genie's longing to experience freedom, explaining he can never escape his lamp prison unless his master wishes him out. Feeling sympathy, Aladdin promises to use his third wish to free Genie, though the latter is initially hesitant to agree.

Once Aladdin reassures he's telling the truth, hope reigns over Genie, and a promise is set before attention is given to Aladdin's first wish: making him a prince to legally allow a relationship with Princess Jasmine , as only a prince can marry the princess. Along with new attire, Aladdin is given the alias "Prince Ali" and travels to Agrabah with the accompaniment of an elaborate parade led by a disguised Genie. Genie's advice on how to properly establish a relationship with Jasmine. Though the front is enough to impress the Sultan , Jasmine is less than amused by Ali's flashy nature, disregarding him as another pompous suitor who sees her as nothing but a prize to be won. That night, Aladdin laments his foolishness, feeling lost as to what more he can do. He asks for Genie's advice, though he merely advises Aladdin to drop the act and be himself, to which Aladdin scoffs, feeling Jasmine would never want association with a mere street rat. Aladdin gives himself a boat of false confidence and flies up to Jasmine's balcony on Carpet, making another attempt to earn the princess' attention, but fails again as a result of keeping with the "Prince Ali" persona.

Genie disguises himself as a bee to couch Aladdin but is shooed off. Aladdin nevertheless apologizes to Jasmine for his behavior and starts to make his leave due to the latter's apparent intolerance, though the appearance of Carpet sparks her curiosity. Knowing Jasmine craves the feeling of freedom just as much as he does, Aladdin offers the princess a ride on Carpet, to which she accepts. Afterward, the two have successfully blossomed a romantic relationship, but this causes trouble for Jafar, who wishes to marry Jasmine for power. Aladdin is kidnapped by the royal guards per Jafar's orders and thrown into the bottom of the sea. He manages to rub the lamp just before he loses conciseness. A panicked Genie forcefully uses Aladdin's second wish to rescue him, carrying him back to land, thus saving his life. Aladdin warmly thanks Genie for his compassion, who responds by admitting to have a growing fondness for the street rat. Genie then takes Aladdin back to the palace, where Jafar's treachery is revealed.

Just before he escapes the Sultan's guards, Jafar notices Genie's lamp hidden inside Aladdin's turban, and subsequently sends his parrot, Iago , to steal it. As Aladdin expresses his guilt and frustration, Genie's hopes of freedom lowers. The next day, Genie congratulates Aladdin on his success, as Jasmine has officially chosen Ali as her suitor. Unfortunately, Aladdin feels unworthy of Jasmine's love, due to the fact that his persona is built on a lie. Genie, however, feels happiness and hopeful that Aladdin would now keep his promise and set him free. Because of his aforementioned feeling of guilt, Aladdin believes he's unable to keep up the ruse without Genie, denying the latter's freedom out of desperation. A downhearted Genie laments his feeling of betrayal, before returning to his lamp, leaving Aladdin to think over his choice. With remorse and selflessness having consumed him, Aladdin makes the decision to tell Jasmine the truth, leaving the lamp behind as he leaves to do so, and allowing it to fall into the hands (er, wings) of Iago. A demonic Genie lifting the Sultan's palace, under Jafar's control.

When Genie is summoned once more, he starts to berate Aladdin, only to find that Jafar is now the master of the lamp. Genie is then forced to abide Jafar's first wish to rule on high as sultan, stripping Jasmine's father of his title and transforming to a monstrous size to place the palace upon a high mountain. Aladdin tries to stop Genie, but the latter can only apologize, explaining that he must follow the orders of his new master. Craving dominance through the use of fear, Jafar wishes to become the most powerful sorcerer in the world, which Genie fearfully grants. Jafar uses his new powers to reveal Ali's true identity to Jasmine, and subsequently banishes him to the ends of the earth, alongside Abu and Carpet. Genie can only watch the scene unfold in despair, and just as Jafar assumes control of the world. In the dystopian Agrabah, Genie sits in depressed silence as Jafar continuously tortures the imprisoned Jasmine and former sultan.

Fortunately, Aladdin, Abu, and Carpet return, elating Genie, though he warns Aladdin that he won't be able to assist him, being that his lamp was in the ownership of Jafar. Aladdin makes a stealthy attempt to steal the lamp, but Jafar spots him and attacks. Genie watches helplessly as the two adversaries battle, though he cheers Aladdin on throughout. When Aladdin is cornered, he looks to a fearful Genie for help and gets the idea to trick Jafar into wishing to become an all-powerful genie. Though horrified by the thought of such a cruel man having all the power in the universe, Genie reluctantly grants Jafar's wish. Unfortunately for Jafar, the powers of a genie come with a price, and the former vizier soon becomes trapped in his own black lamp. The now freed Genie warmly bidding farewell to Aladdin. Jafar's magic upon the kingdom and its inhabitants are lifted, and a joyous Genie celebrates the villain's defeat by flinging the latter's lamp to the Cave of Wonders, to ensure 10,000 years of imprisonment.

Afterward, Aladdin apologizes to Jasmine for lying to her and accepts the fact that they can never be together. Genie watches sadly and urges Aladdin to use his final wish to become a prince again, willing to lose his freedom for the love Aladdin and Jasmine share. Aladdin refuses to continue living a lie, and wishes for Genie's freedom, much to the latter's shock. Genie undergoes a transformation, losing his shackles and misty tail, symbolizing his newfound freedom. Genie is ecstatic, and eagerly sets his sight on seeing the world, but not before bidding Aladdin farewell, claiming the latter will always be a prince in his eyes. Genie's words prompt the Sultan to abolish the law separating Aladdin and Jasmine, believing Aladdin has proven himself worthy enough for Jasmine's love. Genie joyously celebrates the romantic moment before leaving Agrabah to begin his travels, with Aladdin and Jasmine seeing him off as he does so. In honor of their engagement, Aladdin and Jasmine share a lavish magic carpet ride. As they fly off into the night, a zestful Genie (in the form of a moon) watches over them.

The Return of Jafar Genie in The Return of Jafar. In the 1994 direct-to-video sequel The Return of Jafar, Genie returns to Agrabah, deciding that the world is not all that great without his friends to share it with. He tells Aladdin and Jasmine that he is no longer as powerful as he once was because free genies are not as strong as genies bound by lamps. Instead of having phenomenal cosmic powers with an itty bitty living space, he now has "semi-phenomenal, nearly cosmic powers" and is as free as a bird. Despite the fact that he lost some of his power when he was freed, he still appears to be roughly as powerful as Jafar is in the first film after he makes his second wish and becomes the most powerful sorcerer in the world. He can fly, shape-shift, conjure things out of thin air, and make them disappear. That night, when Jasmine gets angry at Aladdin for hiding from her the fact that he brought Iago back to the palace, Genie convinces Iago to help get Aladdin and Jasmine back together. Later, he is confronted by Jafar and imprisoned alongside Abu.

Jafar is able to do this because he was still bound by his lamp and thus had access to all the power that came with it. If Jafar had been freed from his lamp by Abis Mal, his power would have been downgraded and he would have most likely been just as powerful as Genie, but no more powerful. Ironically, Jafar wishes to become a genie to become even more powerful than he already was, and it came with a price. If Jafar had been freed, he would only have been as powerful as he was before becoming a genie, making his third wish a waste. After being freed from Jafar's imprisonment by a morally confused Iago, Genie saves Aladdin from being executed by the palace guards, who Jafar had tricked into believing that Aladdin had murdered the Sultan. Together they decide that Jafar must be stopped once and for all and Genie says that the only way to destroy Jafar is to destroy his lamp. Genie later attempts to discreetly grab Jafar's lamp but is unable to do so.

When Aladdin attempts to grab the lamp in front of Jafar, Jafar blows him out of the throne room into the palace garden, and Genie saves Aladdin from serious injury by catching him when he falls. He then assists Aladdin in the final battle against Jafar by shape-shifting into Aladdin in an attempt to distract him while Aladdin grabs his lamp. However, Jafar catches on in time to stop Aladdin from reaching his lamp. Fortunately, the reformed Iago manages to kick Jafar's lamp into lava, thus destroying Jafar. While this happens, Genie saves Jasmine and Abu from a dangerous situation as the ground is closing back up. When he finds out that Iago survived the battle, he celebrates by turning into a firework. Aladdin: The Series Genie in the Aladdin TV series. Genie has a major supporting role in the Aladdin television series, set between The Return of Jafar and Aladdin and the King of Thieves. In the series, being that his power lowered after his freedom, the villains in the series hold a better chance a succeeding but not extremely.

While he beats monsters and saves the day when the heroes are in trouble, he does not do everything for them. Because he lost some of his power when he was freed, he cannot solve every problem that comes up with the snap of a finger, so it is often up to Aladdin and his friends to do their own fighting and save themselves. However, he is still an indispensable member of the group. There are many, many occasions in the TV series where Genie's magic is crucial for the heroes to win and the situation would have been hopeless without him. It is also shown throughout various times in the show that he tries to hide his identity as a Genie to ensure that no one tries to abuse his power like "Do the Rat Thing" where Aladdin says he never wants to misuse his powers again, in "Never Say Nefir" where he took on a human appearance, in "Fowl Weather" where he hides from a young orphan boy, and in "Moonlight Madness" where he transforms his tail into a pair of legs while he has a food fight with Iago and Abu in the marketplace where many bystanders are. During the course of the show, Genie meets a love interest, a genie named Eden .

Unlike Genie, she still has a master. Several episodes revolve around Genie as well as some recurring series plots. In some episodes Genie is being hunted down by the evil sorcerer Mozenrath so that he can use Genie's powers for evil. Other episode plots involve being chased down by a Genie's natural enemy the Mukhtar who later becomes friends with Genie after Genie saves his life while they are working together towards a common goal. Aladdin and the King of Thieves Genie in Aladdin and the King of Thieves. Aladdin and Jasmine are about to wed and the excited Genie spends the morning preparing. He decorates the city and informs the citizens of the special event . He is also Aladdin's best man as well as wedding planner, decorator, valet and more. During the ceremony, Genie and his friends are attacked by the Forty Thieves. Genie battles with ease having the villains retreat. After the dust settles, Genie has the task of rebuilding and reorganizing the wedding. Aladdin learns they were after a scepter that unleashes an Oracle. The Oracle has the answer to every question and Aladdin uses the opportunity to learn the whereabouts of his father.

Genie and the others find out he's the King of Thieves and while Aladdin goes to find him, Genie stays behind to fix up the wedding pavilion. After time passes, Jasmine begins to worry for Aladdin's safety until Genie comes in and uses a mix of comedy and heart to re-ensure Jasmine of Aladdin's safety and to cheer her up. He and Jasmine spend time planning the theme for the wedding and different outfits to try. That morning, Aladdin and the others arrive with a mysterious man. Genie is told that the man is the King of Thieves. Genie, in shock, uses his high-tech security system to prepare an attack, but is told that the man is Aladdin's father, Cassim . Genie quickly welcomes him into the family . That night, Cassim is exposed as the king of thieves and caught attempting to steal the scepter with Iago. After Razoul alerts the Sultan, he has no choice but to put him behind bars. After requesting from Genie his father's clothes, Aladdin breaks Cassim and Iago out and is ready for the punishment but Genie and Jasmine take up for him having the Sultan forgive and forget.

Genie tries to ease Aladdin's anger and convinces him to save his father after he's been double-crossed by his former henchman. They go off to an island where lies the Hand of Midas. Genie begins to sink the island while Aladdin and the others battle the thieves and save Cassim. After all is good, Genie attends the wedding and watches Aladdin and Jasmine fly off on Carpet. During the post-credits scene, Genie appears on the black screen and says "Game over man! Game over!" (a reference to a similar line by the character Hudson from Aliens (1986) before disappearing magically, indicating that the film is the last installment of the Aladdin trilogy. Disney's One Saturday Morning In a series of short segments called Great Minds Think For Themselves, played during the first two seasons of Disney's One Saturday Morning, Genie talks about historical characters and events like George Washington Carver and Louis Armstrong. Robin Williams reprised his role for these segments. Cameos and other appearances Genie makes a brief cameo appearance in the Quack Pack episode "Ducks By Nature" on the television set that Huey, Dewey and Louie are watching.

In the 101 Dalmatians: The Series episode " Home is Where the Bark Is ", Genie's silhouette can be seen, as well as Aladdin, as one of the passengers of a subway train the dalmatians ride on. Genie makes a cameo in the Hercules: The Animated Series crossover episode " Hercules and the Arabian Night ", in which he punches Pain and Panic back to the Underworld when they are tricked into looking into the lamp by Aladdin (only his hand is seen). Genie with several other Disney characters in House of Mouse. Genie makes numerous appearances in the series House of Mouse , usually found with Abu, Iago, and Jafar. In Mickey's Magical Christmas , Genie takes part of the ending song and seen on stage with a microphone. Genie was seen poofing out of his lamp during the headcount of all of the guest in the episode " Ask Von Drake ". In " Big Bad Wolf Daddy ", he was seen in the crowd during the eponymous character's finale number .

Genie is also seen being trapped in the kitchen with other heroes in Mickey's House of Villains , as well as the finale song of Mickey's Magical Christmas: Snowed in at the House of Mouse . Genie is featured prominently in two animated shorts featured on the Platinum and Diamond Editon releases of Aladdin—Inside the Genie's Lamp and The Genie World Tour. In the first, Iago escapes Jafar's lamp and enters Genie's, which happens to be the opposite of an "itty bitty living space", as it was described. In the latter short, he teasingly sends a magical postcard containing photos from his trip around the world to Jafar's lamp inside the Cave of Wonders. In 2004 , Genie appeared in a commercial promoting the Make-A-Wish foundation. Genie makes a non-speaking cameo in the form of a silhouette during the finale of The Lion King 1½ , joining several other Disney characters in watching the film. An emoticon version of Genie appeared in the Aladdin entry of the As Told by Emoji short series. In the short, his lamp prison was stylized as a smartwatch.

Musical James Monroe Iglehart as Genie in the Broadway musical Genie plays a large, and notable role in the Broadway stage adaptation of the film, portrayed by James Monroe Iglehart. Since the show's debut in 2014, Iglehart's portrayal of Genie has received critical acclaim from audiences and critics, alike, winning a Tony Award for Best Actor and interestingly echoing the reception of Robin Williams' original portrayal of him back in 1992. In this version, Genie replaces the Peddler famous for singing " Arabian Nights "; harkening back to the original concept of having the Peddler reveal to be him at the end of the first film. As such, he performs "Arabian Nights" and disappears until his iconic introduction in the Cave of Wonders. Like in the original, Genie provides heavy comedy and fast-paced dialogue throughout the story, some of which includes pop culture references, self-aware humor, and fourth wall jokes.

Notably, in the extended Broadway version of "Friend Like Me", he adds a medley of popular Alan Menken (the man behind the music of both versions of Aladdin) including Beauty and the Beast , The Little Mermaid , and Pocahontas . On the day that the news arrived that Robin Williams had died, James performed the song "Friend Like Me," with the rest of the cast, at the end of the show as a tribute to the legendary actor. Video games Aladdin video games In the video game adaptations of Aladdin, Genie's role is more or less the same as in the film. Kingdom Hearts series In the popular RPG franchise, Genie plays a recurring role, originally featured as a major character in the world of Agrabah, reliving his role from the original film during the adventures of the heroic Sora , Donald Duck , and Goofy as they travel throughout Disney worlds to defeat enemies known as the heartless, whom Genie is able to take out with great ease, being that his power was so immense.

Since his debut in the original Kingdom Hearts , Genie has regularly been featured as a " summon " for Sora, a Disney companion who aids Sora during his adventures outside the respective worlds they originate from. The role would continue in Kingdom Hearts: Chain of Memories and Kingdom Hearts II (which he played a considerably smaller role in). Alongside Carpet, though in Agrabah, Genie would also be featured in Kingdom Hearts 358/2 Days during the adventures of the character Roxas . A data version of Genie would also appear in Kingdom Hearts Re:coded . In the first game, Genie utilizes magic in a technique known as "Showtime," in which he casts random magic like the Thunder, Gravity, and Stop families. He retains this ability in Chain of Memories (and it's remake Kingdom Hearts Re:Chain of Memories ), though in this game the level of Showtime determines how many spells of these three spell types Genie will randomly cast before leaving. In Kingdom Hearts II, he wields a replica of the Keyblade and can also replicate Sora's Drive Forms, using Limits associated with the Forms to attack enemies on Sora's whim.

The only exception is Sora's Limit Form as that form was originally introduced in Kingdom Hearts II Final Mix . Kinect Disneyland Adventures Genie accompanies Aladdin in the " Mickey's Soundsational Parade " mini-game. Like in the actual parade, Genie is seen in front of Aladdin's float. He also appears as an unlocked meet-and-greet character in Adventureland . After he comes out of hiding, Genie asks the player to take pictures of the outfits being worn by the other princesses throughout the park, as he has promised to make a new gown for Jasmine but is not up to date with princess fashion styles. Later on in the game, Aladdin needs to find the pieces of some scarabs so that he can make a new necklace for Jasmine. After the player recovers the scarabs, they take them to Genie to fix. Unfortunately, when Genie fixes them, they turn into flying golden scarabs and fly off. The player then has to go catch them and take them to Aladdin. Disney INFINITY Genie makes an appearance in Disney INFINITY as a townsperson. In the 3DS version, he will grant a player three wishes.

One is an Emblem, the second is to power up all characters, and the third is 200 coins. There may be more wishes. He is also mentioned by Jasmine and Aladdin when they get leveled up, which Jasmine states that she believes there are more people that have magic like him, and Aladdin says that he will soon be as powerful as Genie. Disneyland Resort Genie appears in the water spectacular in World of Color at Disney California Adventure . In the middle of the show, following Aladdin and Jasmine, he sings "Friend Like Me" in dazzling light and water sparks. He also appeared as a puppet in the pre-show, Carnival of Color. The puppet was later reused in the Paint the Night parade, along with Tigger and Lumière . Genie also appeared as the main attraction of Aladdin: A Musical Spectacular , formerly played at Disney's California Adventure and currently aboard the Disney Fantasy cruise ship. In the show, Genie plays out the same role in the film, and each actor channels Robin Willams' original performance by incorporating pop culture references and mixing the jokes nearly each show to reflect current events in the world and entertainment.

Walt Disney World Resort Genie appears in the Disney's Hollywood Studios version of Fantasmic! , during the bubble sequence where he dances to "Friend Like Me". He later appeared in the steamboat finale in 2013 . In SpectroMagic , Genie appeared in the band unit of the parade, conducting Goofy , Chip 'n' Dale and the Golden Harp . Genie's part was initially taken on by Roger Rabbit , but issues with Amblin led to Roger's replacement. Genie was one of the heroes that Mickey Mouse called out to help in the former Castle Show Cinderella's Surprise Celebration . He fights off Jafar , who had been called by The Evil Queen in her attempts to take over the kingdom. Genie is also an unofficial mascot of DisneyQuest . Upon entering at ground level, one is brought by an elevator (here called a "cybrolator," containing a short & humorous animation of Genie welcoming you) up to the center of the third floor (the "Ventureport"), where one's visit begins. He is also heard on the end-of-day closing announcements. When a game or attraction is down, a sign reading "The Genie has spotted a technical problem..." is displayed.

In Sorcerers of the Magic Kingdom , Genie guides the park guests during their quest to defeat Jafar in Adventureland . Genie also assists the guests in the final battle but is tied to a chair and gagged by Jafar's magic. After Jafar is defeated, Genie is freed and rejoices in the defeat of his foe alongside Merlin . In Star Tours: The Adventures Continue , Genie makes a cameo on the luggage scanner run by G2-9T . Other Disney Characters and droids are also being smuggled onto the Star Speeders. Genie can also be seen in a poster in the queue area of Mickey's PhilharMagic . For meet-and-greets, he can sometimes be found with Aladdin and Jasmine in Adventureland . Tokyo Disney Resort In the Tokyo DisneySea version of Fantasmic!, Genie gets a full sequence based on "Friend Like Me". At this 3-D film and live-action hybrid show, The Magic Lamp Theater , at Tokyo DisneySea, Genie plays a part in a magic act, but he and his lamp are locked away when the magician he is helping grows jealous of his power.

Now, the magician's apprentice seeks to release Genie and give the audience a real magic show. Genie also appeared in the show Springtime Surprise performed at Arabian Coast , and is a centerpiece of a topiary of himself holding Duffy in his hand located near the entrance to the port-of-call. His likeness can also be found in the same park; some of which has him appearing as other Disney characters such as Ariel from The Little Mermaid . The current version of the Tokyo Disneyland Electrical Parade: DreamLights includes the Genie float. LED lights on the Genie's skin change into various Disney characters (Mickey Mouse, Donald Duck, Tigger, etc.). Hong Kong Disneyland Genie appears in Mickey and the Wondrous Book in Storybook Theater . After he performs "Friend like Me", he tells the guests that a genie's life is like all wishes and no play. Suddenly, he hears a trumpet playing in the next page of the Wondrous Book, and he feels a blast. He then tells Mickey to follow the music beyond the Cave of Wonders. Shanghai Disneyland In Shanghai, Genie is featured on a float during Mickey's Storybook Express parade.

He also appears as the centerpiece of the Aladdin display in Voyage to the Crystal Grotto . Genie also stars in his own segment during Ignite the Dream , performing "Friend Like Me" after being released from the lamp by Mickey Mouse. Disney Cruise Line In Disney Believe , Genie is the lead Disney character and the leader of the "magic makers" that help a practical father believe in magic. Genie first appears inside the father's home and informs him about the journey he's about to venture on. At the end, Genie and the magic makers celebrate the father's new imagination. Gallery The Disney Wiki has a collection of images and media related to Genie . Trivia Genie was listed #20 in Empire Magazine's The 50 Best Animated Movie Characters. Stating his stroke of genius as the " Prince Ali " musical number, which sees Genie perform the main song but also transform himself into crowd members to start a hundred different rumors as Aladdin, disguised as a prince, makes his triumphal entry into the city. Before Robin Williams was cast, actors like Eddie Murphy , John Candy , and Steve Martin were considered to voice him.

Genie's weakness is sealed bottles and containers, which he's (unfortunately) easily tricked into. The designers had a hard time creating Genie, because they wanted him to be a character that could only exist in the realm of imagination, and to do that, they shaped him like a living cloud of smoke. Animator Eric Goldberg once said that he always imagined Genie as being Jewish. This could be why Genie sometimes uses Yiddish phrases. In Aladdin and the King of Thieves, Genie turned into one of his voice actor's (Robin Williams) characters, Mrs. Doubtfire, when trying to cheer Jasmine up. Genie's appearance may have been inspired by a type of Djinn known as the Marid. Traditionally believed to be the most powerful classification of Djinn, the Marida (plural form of Marid) are known also as the "Blue Djinn" for their likewise skin texture. There is an homage made to Genie in The Princess and the Frog . As Mama Odie quickly digs through a pile of magical objects during " Dig a Little Deeper ", his magic lamp gets tossed to one side.

This makes him one of the four Disney characters referenced in the movie, with Magic Carpet , King Triton and Prince Charming being the other three. Robin Williams was allowed to improvise much of his performance, which is pretty unusual in animation. His initial recordings included about 52 separate characters, which Eric Goldberg then took and worked with, picking the funniest bits to animate. When Genie is discussing his wish for freedom, he briefly assumes a form resembling that of Genie Jafar and stands before a similar cosmic background to what Jafar was at the climax of the first movie. Whether this is intentional on Disney's part (i.e., foreshadowing Jafar's comeuppance), or merely coincidental is unknown. Ironically, the two images have opposite contexts: Genie assumes the form to lament his great power but a lack of freedom, while Jafar assumes the form while reveling in his great power. Furthermore, both scenes have the phrase "phenomenal cosmic power and itty bitty living space" spoken, the first by the (blue) Genie and the second by Aladdin himself.

Genie is one of several Disney characters to break the fourth wall during his appearances in Kingdom Hearts , others include Donald and Mushu ; in the Kingdom Hearts: Chain of Memories manga, after Genie is free, he lists the places he wants to go. He then says "Heck, I could even go behind the page." The reason why Robin Williams refused to reprise his role as Genie in The Return of Jafar is because he had an agreement with Disney to not exaggerate his role, but they broke it as Genie appeared as the biggest part of Aladdin merchandising. Even though Genie said that one of the natural limitations of a genie is that they can't bring people back from the dead, it's implied that Genie can bring people back from the dead, but he just simply doesn't like doing it. Genie once made a speaking cameo appearance in The Simpsons episode "Mypods and Boomsticks," where he talked to Homer Simpson, which was intended as an inside joke, as Dan Castellaneta also voices Homer. Genie's Goofy costume worn at the end of Aladdin is a nod to Robin Williams' costume worn in the 1989 Disney short, Back to Never Land .

There is a common popular fan theory about the Peddler who appears in the beginning of the film to be Genie in disguise. In an article by Laura Bradley on the Slate website , says that the rumor has been confirmed by Ron Clements where he explains that there was supposed to be a big reveal at the end but it was ultimately cut. However, fans were able to pick up on subtle hints that the merchant was Genie such as his blue clothing, red sash, bushy eyebrows and beard ending in a curl, the fact both characters had only four fingers in contrast to everyone else who had five, and the fact both were voiced by Robin Williams. He is mentioned in Once Upon a Time though in respect for Robin Williams , the Genie doesn't appear. When Aladdin steals a Genie's Lamp from Mr. Gold 's pawnshop, Jasmine asks whether the Genie is inside, to which Aladdin replies that he is free and has moved on. See also Genie | Disney Movies See More Genie The Genie is a joke-cracking, shape-changing, big blue motor mouth who makes your wishes come true… and makes a great friend, too.

The Genie is a joke-cracking, shape-changing, big blue motor mouth who makes your wishes come true… and makes a great friend, too. Live-Action Aladdin Genie Movie in the Works at Disney Disney Developing ‘Aladdin’ Prequel ‘Genies’; ‘Aladdin’ Movie Could Follow Posted on Wednesday, July 15th, 2015 by Angie Han Tinker Bell’s getting a spinoff , Cinderella’s prince is getting a spinoff , and now Aladdin‘s Genie is getting a spinoff, too. (Which we totally called , by the way.) Disney is developing Genies, a live-action comedy adventure that’ll reveal how the jolly blue giant wound up in that tiny little lamp. And don’t worry, Aladdin isn’t getting left out in the cold here either. The tentative plan is for Genies to eventually lead into an Aladdin live-action movie. More details on the Aladdin Genie movie after the jump. THR reports Genies is being written by Damian Shannon and Mark Swift. Tripp Vinson is producing. No director or stars have been announced, and there’s no word yet on a start date or release date.

Based on an Arabic folk tale, Disney’s 1992 animated feature Aladdin followed a street urchin who picks up a lamp containing a friendly Genie (famously voiced by Robin Williams) with the power to grant wishes. With the Genie’s help he wins the heart of Princess Jasmine, and he uses his final wish to set the Genie free. Genies will delve into the realm of the Genies, and explain how this particular Genie came to end up in Aladdin’s lamp. If all goes according to plan, the film will also set up a live-action Aladdin movie. Disney’s made a lot of money mining its animated vault for live-action source material. Maleficent (a Sleeping Beauty retelling) and Cinderella were both hits, and updated versions of The Jungle Book, Beauty and the Beast, Mulan, and Pinocchio are on the way. Shannon and Swift are mostly known for horror movies including Freddy vs. Jason and Friday the 13th. However, they’ve recently branched out into comedy, working on the long-gestating Baywatch movie and the Peter Dinklage leprechaun pic O’Lucky Day. Both of those are set up at Paramount.

Vinson executive produced this summer’s San Andreas, and is working on a couple of upcoming Disney projects including Prince Charming and Bob the Musical. He previously served as exec producer on Hansel & Gretel: Witch Hunters. Cool Posts From Around the Web: 'Aladdin' Live-Action Prequel in the Works at Disney (Exclusive) | Hollywood Reporter 3:16pm PT by Borys Kit 'Aladdin' Live-Action Prequel in the Works at Disney (Exclusive) Photofest/Alex Ardenti 'Aladdin'; Inset: Damian Shannon and Mark Swift If you've ever wondered how the Genie got into that lamp in the first place ... Disney is going back to the world of Aladdin, its 1992 animated classic, with a live-action prequel. The studio is developing Genies, a live-action comedy adventure that is being written by Damian Shannon and Mark Swift. Tripp Vinson is on board to produce via his Vinson Films banner. Aladdin is a centuries-old Arabic folk tale that got the animated Disney treatment in 1992 in a film featuring Robin Williams as the voice of the blue-skinned Genie.

The movie tells the story of Aladdin, a street urchin who finds a lamp that unleashes a Genie who grants him three wishes. A love interest and a sorcerer also figure into the proceedings. The new project would focus on the realm of the Genies and reveal how Aladdin's Genie ended up enslaved in the lamp. Although Genies is only in the early stages of development, the long-term plan is to have the project lead into an Aladdin live-action movie. Vinson, an exec producer on this summer’s hit San Andreas, is producing Bob the Musical, Disney’s music-inclined comedy which Michel Hazanavicius is directing, as well as Prince Charming, also for the studio. Shannon and Swift made their mark early working on horror movies such as Freddy vs. Jason and the Friday the 13th remake. But they segued into comedy, working most recently on the Baywatch movie project and O’Lucky Day, which has Peter Dinklage attached, both at Paramount. The duo are repped by UTA and attorney Jeff Frankel at McKuin Frankel.

Borys Kit Movie Review - - Review/Film; Disney Puts Its Magic Touch on 'Aladdin' - NYTimes.com Review/Film; Disney Puts Its Magic Touch on 'Aladdin' By JANET MASLIN Published: November 11, 1992 "Master, I hear and obey," said the Genie in the storybook version of "Aladdin," and his comments seldom went further than that. For an exercise in contrast, consider the dizzying, elastic miracle wrought by Robin Williams, Walt Disney Pictures' bravura animators and the Oscar-winning songwriting team of Alan Menken and Howard Ashman in "Aladdin," the studio's latest effort to send the standards for animated children's films into the stratosphere. It may be nothing new to find Mr. Williams, who provides the voice of a big blue Genie with a manic streak, working in a wildly changeable vein. But here are animators who can actually keep up with him. Thanks to them, the Genie is given a visual correlative to the rapid-fire Williams wit, so that kaleidoscopic visions of Groucho Marx, Arnold Schwarzenegger, William F.

Buckley Jr., Travis Bickle and dozens of other characters flash frantically across the screen to accompany the star's speedy delivery. Much of this occurs to the tune of "Friend Like Me," a cake-walking, show-stopping musical number with the mischievous wit that has been a hallmark of Disney's animated triumphs. If the makers of "Aladdin" had their own magic lamp, it's easy to guess what they might wish for: another classic that crosses generational lines as successfully as "Beauty and the Beast" did, and moves as seamlessly from start to finish. "Aladdin" is not quite that, but it comes as close as may have been possible without a genie's help. The fundamentals here go beyond first-rate: animation both gorgeous and thoughtful, several wonderful songs and a wealth of funny minor figures on the sidelines, practicing foolproof Disney tricks. (Even a flying Oriental rug is able to frolic, sulk and move its thumb, which has evolved out of a tassel.) Only when it comes to the basics of the story line does "Aladdin" encounter any difficulties.

It may date back to the early 18th century, but the "Aladdin" story has a 1980's ring. Here is the ultimate get-rich-quick tale of an idle boy (a cute, raffish thief in Disney's modified version) who has the good luck to be designated the only person able to retrieve a magic, Genie-filled lamp from a subterranean cave. Once in possession of the lamp, the original Aladdin goes to work improving his fortunes. He acquires slaves, loot and an extravagant dowry so as to win the hand of a princess, eventually ordering the Genie to build them a palatial home. Even in the movie version, this hero, who has been made more boyish and remains unmarried, dreamily tells his pet monkey: "Some day, Abu, things are going to change. We'll be rich, live in a palace and never have any troubles at all." Compared with the sounder underpinnings of "The Little Mermaid" and especially of "Beauty and the Beast," this has an unfortunately shallow ring, as do the two teen-age types on whom the story is centered.

The blandly intrepid Aladdin (with the speaking voice of Scott Weinger) and the sloe-eyed Princess Jasmine (Linda Larkin), a nymph in harem pants, use words like "fabulous" and "amazing" to express unremarkable thoughts. (Jasmine's main concern is deciding whom she will marry.) Luckily, they are surrounded by an overpowering array of secondary characters who make the film's sidelines much more interesting than its supposed center. The scene-stealing monkey Abu (with noises supplied by Frank Welker) is a particular treat, as when he jealously mimics the Princess or otherwise comments on Aladdin's adventures. As directed by John Musker and Ron Clements (the "Little Mermaid" team), "Aladdin" is a shade less smoothly paced than its recent predecessors. An opening number, "Arabian Nights," gets the film off to a grand start but ends sooner than viewers will wish. A sample lyric by the irreplaceable Mr. Ashman, who died of AIDS before completing this film's score: Oh I come from a land, From a faraway place, Where the caravan camels roam. Where they cut off your ear If they don't like your face.

It's barbaric, but hey, it's home. A lot of early exposition time is also used to explain the chicanery of Jafar (voice by Jonathan Freeman), the Sultan's evil vizier, whose chilling, bony features suggest a composite of Nancy Reagan (the animators have mentioned this as a deliberate reference, along with a more pointed one to Conrad Veidt in "The Thief of Bagdad") and Captain Hook. It's a long time before Mr. Williams's Genie makes his arrival, and some of the film's early moments -- notably Aladdin's descent into a daunting, computer-animated cave -- are on the scary side. But this "Aladdin" has so much in its favor that these drawbacks are truly minor. When it comes to Disney animators and children's films, this remains certain: nobody does it better. What will children make of a film whose main attraction -- the Genie himself -- has such obvious parent appeal? They needn't know precisely what Mr. Williams is evoking to understand how funny he is.

And the crazily antic pacing of the Genie's outbursts will be utterly familiar to small viewers, even if they can't identify a lightning-fast evocation of "The Ed Sullivan Show." What will come through clearly to audiences of any age is the breathless euphoria of Mr. Williams's free associations, in which no subject is off-limits, not even Disney itself. When Aladdin promises the Genie his freedom, the Genie mutters "Yeah, right" and turns into a nose-growing Pinocchio. Late in the story, the Genie cries out: "Aladdin! You've just won the heart of the Princess! What're you going to do next?" And the Genie even alludes to the centerpiece numbers of Disney's last two animated films by flashing an "Applause" sign after he sings "Friend Like Me," an heir apparent to the applause-getting "Under the Sea" (from "The Little Mermaid") and "Be Our Guest" (from "Beauty and the Beast"). "Aladdin" actually has two of these sensationally playful songs, the other being "Prince Ali," in which Abu the monkey becomes Abu the elephant, and Aladdin struts his stuff on a grand scale.

Half the film's lyrics are by Tim Rice ("Evita" and "Jesus Christ Superstar"), whose style is so much more conventional than Mr. Ashman's that the difference is instantly apparent. But the collaboration between Mr. Rice and Mr. Menken has produced a lilting ballad, "A Whole New World," that provides the film with a pretty interlude. The soaring voice of Jasmine in this duet is provided by Lea Salonga, who sings with Brad Kane (as Aladdin) and offers more evidence of just how shrewdly this film has been put together. Of special note are the warm, dark tones of the film's color palette and its playful allusions to Al Hirschfeld's drawings (in the many curving, seamless shapes of the Genie) and to Erte's designs (in the angular chic of Jafar). Among the many animators who made stellar contributions here, particular mention must be made of Randy Cartwright, who has nothing more to work with than a flying carpet, and turns it into a charming new fixture in Disney's Anthropomorphic Hall of Fame. This film is rated G (General audiences). Aladdin Directed by John Musker and Ron Clements; screeplay by Mr.

Clements, Mr. Musker, Ted Elliott and Terry Rossio; editor, H. Lee Peterson; music, Alan Menken; lyrics, Howard Ashman/Tim Rice; production designer, R. S. Vander Wende; produced by Mr. Musker, Mr. Clements, Donald W. Ernst and Amy Pell; presented by Walt Disney Pictures; distributed by Buena Vista Pictures. Running time: 90 minutes. This film is rated G. Voices: Aladdin . . . Scott Weinger/Brad Kane Genie . . . Robin Williams Jasmine . . . Linda Larkin/Lea Salonga Jafar . . . Jonathan Freeman Abu . . . Frank Welker Iago . . . Gilbert Gottfried Sultan . . . Douglas Seale

Question: In the Disney film Aladdin, what colour is the Genie?
Answer: Blue