Blade Runner Characters | GradeSaver Buy Study Guide Rick Deckard The film's titular Blade Runner, played by Harrison Ford. At the beginning of the film, Deckard is disillusioned, and retired from hunting replicants. His old inspector, Bryant, drags him back into the fold to apprehend six Nexus 6 Replicants who have staged a mutiny and escaped to Earth. Over the course of the film, Deckard falls in love with Rachael, a sophisticated model of Replicant - leading to the final revelation that Deckard may be a replicant himself. Roy Batty The leader of the Nexus 6 Replicants, played by Rutger Hauer. His goal is to find Tyrell, his creator, to get reprogrammed for a longer life. Batty kills Tyrell when he finds out that this won't be possible. Roy Batty eventually saves Deckard's life before expiring in the film's final battle scene. Rachael A beautiful young replicant who works in Tyrell's office, played by Sean Young. She does not know she is a replicant until Deckard tells her. The 1982 Blade Runner Press Kit described Rachael as "a cool executive, in complete control.

Deckard penetrates her smooth-running facade and she becomes an innocent little girl." At the end of the film, Deckard and Rachael run away together. Gaff Another Blade Runner who works with Bryant, played by Edward James Olmos. He is highly intelligent and speaks many languages. At the end of the film, he lets Rachael, a Replicant, live and also gives Deckard the most definitive clue that he might be a Replicant himself. Bryant The Police Inspector played by M. Emmet Walsh. In an interview, Walsh said, "Ridley told me that Bryant's stomach was all shot to hell... he liked to see other people drink because he couldn't" (Sammon 119). He is hard-edged and cynical, referring to replicants as "skinjobs". Pris One of the Nexus 6 Replicants - a "pleasure model" designed for soldiers, played by Daryl Hannah. She is doll-like and naive. Daryl Hannah had the idea that Pris could do gymnastics, because Hannah herself was very skilled.

According to Hannah, "Pris was eternally grateful to Roy [Batty] because she'd been designed as a pleasure unit and he'd saved her from a life of prostitution" (Sammon 169). Eventually, Deckard shoots and kills Pris. J.F. Sebastian A genetically abnormal genetic designer played by William Sanderson. He is sweet and genuine and takes Pris in off the street. Sebastian spends his free time producing "astonishingly realistic toys as playthings for the upper strata of 2019's rigidly defined society, and as mechanical companions to offset his own loneliness" (Sammon 141). Roy Batty eventually kills Sebastian and his employer, Tyrell. Leon Kowalski A male Nexus 6 replicant played by Brion James. He specializes in combat and loading weapons. He shoots Holden during his Voigt-Kampff Test. Rachael eventually kills Kowalski while trying to protect Deckard. Dr. Eldon Tyrell The founder of the Tyrell Corp, played by Joe Turkel. Tyrell wants to make replicants "more human than human" and is responsible for creating all the Nexus 6 Replicants as well as Rachael.

He dies at the hands of one of his creations (Roy Batty). Zhora One of the Nexus 6 Replicants, played by Joanna Cassidy. She performs as "Miss Salome", dancing with a snake at Taffey Lewis' club, The Snake Pit. Deckard figures out Miss Salome's real identity - she is the first Replicant he takes down. Hannibal Chew A genetic designer who specializes in eyes, played by James Hong. Hong said he played Chew as "a brilliant scientist who was on the edge of senility" (Sammon 133). Chew is obsessed with his work and thinks of his eyeballs as his children. Holden Another Blade Runner, played by Morgan Paull. He performs a Voigt-Kampff test on Leon Kowalski, who shoots him midway through (he survives). Taffey Lewis Blade Runner (1982 movie): Why does Roy Batty save Deckard? - Quora Quora Answer Wiki 13 Answers Mark Hughes , I'm a lifelong cinephile, collect films on DVD/Blu-ray, review films for Forbes, & write scripts. Movies are my favor...

Written Jul 17, 2011 Batty saved Deckard for three primary reasons. First, Deckard was tasked with hunting down and killing the replicants, and dehumanized them in his own mind to make these killings easier. Batty probably knows full well that this view of replicants is the dominant attitude, and by sparing Deckard's life and expressing to him the fear and sorrow of dying, letting Deckard bear witness to the death in this more intimate fashion after a show of mercy (by saving Deckard), there is the hope that Batty's death will have more meaning by being recognized AS "death" by someone (Deckard) who previously didn't see Batty as human. Second, Batty is in his own final moments, and recognizes the preciousness of life -- and comes to see the preciousness of all life. He cannot save his own, but he can save Deckard's.

The ultimate expression of Batty's realization that even his enemy's life is precious and holds value, then, becomes shared by Deckard, and reinforces the theme of questioning what it means to be "human" and "humane." Third, Batty is about to die alone, and he wants Deckard to hear his last words. It's a final plea for recognition that his (Batty's) life has meaning, that it matters, and once he's dead the final weight of his life will not be felt by the countless actions and fights etc but by those final moments and words of humanity, after that act of unexpected mercy to a mortal enemy who represents the entire concept of dehumanizing and oppressing Batty's people. Some of these themes are touched upon in the added voice-over narrative from the theatrical version (which is inferior to the later revised versions removing the voice-over narration). 11.4k Views · View Upvotes · Answer requested by Searching around, it seems there is another more shallow alternative interpretation as mentioned to Rutger Hauer by Ridley Scott ( that is somewhat far more disappointing to fans ) - he does it because of a reflex reaction. The beauty of the film is that it is left open to interpretation.

From [1]: According to Rutger Hauer, however, there is an altogether more mundane reason behind Roy's actions; "Ridley insisted that one thing Batty had to have was absolutely no sense of hesitation. He doesn't reflect, he reacts. He's faster than anybody. A characteristic of the Nexus 6. So, if you follow that thought, you reach a point where you realize that if somebody falls, Batty grabs. It has nothing to do with how he feels about Deckard, it's just a reactive moment. That's what Roy's built for. In fact, while we were shooting this moment, we had a problem with the rain machines and had to wait around for them to be fixed. And I actually asked, "Ridley, what do you think? Why does Roy save this fucker?" And Ridley looked at me and said, "It's purely a reflex. Other than that, I don't know." This response might bother some people, because so many folks have read a lot of meaning into Batty saving Deckard's life. But actions always come first. Then we think about them. Roy doesn't know why he saves Deckard or grabs a dove.

He just does it" (Future Noir, 194). Updated Jan 29, 2014 Batty never wanted Deckard to die. He had more than enough opportunity to kill him if that's what he wanted. Remember when he pulled his hand through a wall, broke two fingers, then gave the gun back? In the entire final scene he's just trying to make a point to Deckard. If he kills Deckard (or lets him die) that effort would be wasted. I sometimes suspect that Batty's motivation in the entire final chase scene is actually to wear Deckard out enough that Deckard will be still enough to witness Batty dying. I always wonder something. Why do people reference Ridley Scott's opinion of the matter? Why don't people ask David Peoples or Hampton Fancher? I would think that the writers of the screen play would be more important in answering this question. Written Jul 18, 2011 Roy's development as a character ascends to an experience that is as close to human as is possible for a replicant. His death, a moment and experience that is supposed to make sense of it all, needs a witness.

Deckard must be that witness, for as a pursuer and as Roy's near equal in battle, he is the only one who has earned the right to be forgiven. And for us, the audience, to sympathize with Roy in his final moments, his forgiveness of Deckard makes us witness to his humanity also. Structurally, furthermore, it's the only way to resolve and conclude the theme of pursuit -- that chase has to end, and can only end with Roy's death. For it not to be witnessed is unthinkable. Written Jan 28, 2014 As Robert says, if you think Batty wanted to kill Deckard, you missed the whole point. Batty was a highly trained super soldier with a huge tolerance to pain. Deckard never stood a chance against him. But that wasn't what Batty was doing. Instead Batty was teaching him, through hard experience, what it was like to live on the run and in fear for your life. He was showing him what Deckard's job had put others through. The whole conclusion being made even more poignant by the strong suggestion that Deckard himself was a replicant all along and never knew it.

(The unicorn dreams being the primary pointer to this.) Blade Runner | Off-world: The Blade Runner Wiki | Fandom powered by Wikia IMDb Page Blade Runner is a 1982 science fiction film directed by Ridley Scott , depicting a dystopic Los Angeles in November 2019. The screenplay , which was written by Hampton Fancher and David Peoples , is loosely based on the novel Do Androids Dream of Electric Sheep? by Philip K Dick . The film itself features: Harrison Ford , Rutger Hauer , Sean Young , Edward James Olmos , M Emmet Walsh , Daryl Hannah , William Sanderson , Brion James , Joe Turkel and Joanna Cassidy ; lead designer: Syd Mead , soundtrack composer Vangelis . The film describes a future in which genetically manufactured beings called replicants are used for dangerous and degrading work in Earth 's " off-world colonies ." Built by the Tyrell Corporation to be 'more human than human', the Nexus-6 generation appear to be physically identical to humans — although they have superior strength and agility — while lacking comparable emotional responses and empathy. Replicants became illegal on Earth after a bloody mutiny.

Specialist police units — blade runners — hunt down and "retire" (i.e., kill) escaped replicants on Earth. With a particularly brutal and cunning group of replicants on the loose in Los Angeles, a reluctant Rick Deckard is recalled from semi-retirement for some of "the old blade runner magic." Blade Runner initially received polarized reviews from film critics, some who were confused and disappointed it didn't have the pacing expected from an action film, while others appreciated its thematic complexity. The film perfomed poorly in North American theaters while achieving success overseas. Despite poor early ticket sales, it was adored by fans and academia and quickly attained cult classic status. It gained such great popularity as a video rental, partly due to the film's ability to reward repeated viewing, that it was chosen to be one of the first DVDs to be released. Blade Runner has been widely hailed as a modern classic for its immersive special effects and prefiguring important themes and concerns of the 21st century. It has been praised as being one of the most influential films of all time because of its detailed and original setting, serving as a postmodern visual benchmark with its realistic depiction of a decayed future.

Blade Runner brought author Philip K Dick to the attention of Hollywood, and numerous films have since been based on his literature. Contents Edit Philip K Dick died before its release, yet did see a forty-minute test reel. The screenplay, by Hampton Fancher , attracted producer Michael Deeley (who secured several financing sources, later problematic when one delayed the release of the film's Special Edition) who convinced director Ridley Scott to create his first American film; Scott was unhappy with the script and had David Peoples rewrite it. The title derives from Alan E. Nourse's novel The Bladerunner (1974), whose protagonist smuggles black-market surgical instruments. William S. Burroughs' wrote Bladerunner, A Movie a cinema treatment. Aside from the title, neither Nourse's novel nor Burroughs's treatment are relevant to the film. Screenwriter Fancher happened upon a copy of Bladerunner, A Movie whilst Scott searched for a commercial title for his film; Scott liked the title, obtained rights to it, but not to the novel; (Note: some editions of Burroughs' treatment-novel use the two-word spacing: Blade Runner.) Blade Runner owes much to Fritz Lang's 1927 film Metropolis.

Scott credits Edward Hopper's painting Nighthawks and the proto-cyberpunk short story comic "The Long Tomorrow" (by Dan O'Bannon, art by Moebius) as stylistic mood sources. Scott hired Syd Mead as conceptual artist, both were influenced by the French science fiction comic magazine Métal Hurlant (Heavy Metal), to which Moebius contributed. Moebius was offered pre-production of Blade Runner, he declined, to work on René Laloux's animated film [es Maîtres du temps — a decision Moebius later regretted. Lawrence G. Paull (production designer) and David Snyder (art director) realised Scott's and Mead's sketches. Jim Burns briefly worked designing the Spinner hovercars; Douglas Trumbull and Richard Yuricich supervised the special effects for the film. A police spinner flies alongside an advertising-laden skyscraper in LA. Prior to principal photography, Paul M. Sammon was commissioned by Cinefantastique magazine to do a special article on the making of Blade Runner. His detailed observations and research later became the book Future Noir: The Making of Blade Runner , which is also called the Blade Runner Bible by the cult following of the film.

The book outlines not only the evolution of Blade Runner but the politics and difficulties on-set; particularly on Scott's expectations (coming from Britain) of his first American crew. Also, his directing style with actors created friction with the cast and likely contributed to Ford's subsequent reluctance to discuss the film. Synopsis In Los Angeles, November 2019 , Rick Deckard ( Harrison Ford ) is called out of retirement when an overconfident Blade Runner — Holden ( Morgan Paull ) — is shot during a Voight-Kampff test by Leon ( Brion James ), an escaped replicant. Tyrell dimming the sun. A reluctant Deckard is brought to his old boss Bryant ( M. Emmet Walsh ), who informs him that the recent escape of Nexus-6 replicants is the worst yet. Bryant briefs Deckard on the replicants: A total of six replicants have escaped on Earth. Roy Batty ( Rutger Hauer ) is a commando, Leon a soldier and manual laborer, Zhora ( Joanna Cassidy ) a sex worker retrained as an assassin, and Pris ( Daryl Hannah ) a 'basic pleasure model'.

Bryant also explains that the Nexus-6 model has a four-year lifespan as a failsafe against their developing unstable emotions. Deckard is teamed up with Gaff ( Edward James Olmos ) and sent to the Tyrell Corporation to ensure that the Voight-Kampff test works on Nexus-6 models. While there Deckard discovers that Tyrell 's ( Joe Turkel ) young secretary Rachael ( Sean Young ) is an experimental replicant with implanted memories which provide a cushion for her emotions. Deckard and Gaff then search Leon's apartment as Roy and Leon force Hannibal Chew ( James Hong ), an eye designer, to direct them to J.F. Sebastian ( William Sanderson ) who can lead them to Tyrell. Later, Rachael visits Deckard at his apartment to prove her humanity to him, but leaves in tears upon hearing that her memories are artificial. Pris meets up with Sebastian and takes advantage of his kind nature to gain access to his apartment. Clues from Leon's apartment lead Deckard to Taffy Lewis ' ( Hy Pyke ) bar where the tattooed Zhora is performing with a snake.

Zhora makes a desperate attempt to get away from Deckard into the crowded streets, yet Deckard tracks her down and "retires" her. After the shooting, Gaff and Bryant show up and inform Deckard that Rachael will also need to be "retired". Deckard conveniently spots Rachael in the distance, though as he follows her he is suddenly disarmed by Leon who then proceeds to beat him. Rachael kills Leon, saving Deckard's life, and they go back to Deckard's apartment where they discuss her options, and in a quiet moment of musical intimacy they begin to fall in love. Meanwhile, Roy arrives at Sebastian's apartment and with Pris' charms they convince Sebastian to help Roy meet Tyrell. Once in Tyrell's bedroom Roy demands an extension to his lifespan and requests absolution for his sins; upon receiving neither he kills Tyrell and Sebastian. The Bradbury Building Deckard is sent to Sebastian's apartment after the murders and is ambushed by Pris, though he manages to shoot her after a struggle. Roy returns moments later, trapping Deckard in the apartment and playfully hunting him throughout the dilapidated Bradbury Building , eventually forcing him to the roof.

Deckard attempts a jump to another building and ends up desperately hanging from a beam. Roy easily makes the jump and stares down at Deckard — just as Deckard loses his grip Roy grabs his wrist and saves his life. Roy is deteriorating quickly (his 4-year lifespan is up) as he sits down in the rain and eloquently marvels at the highlights of his life and concludes, "All those moments... will be lost... in time... like... tears in rain. Time... to die." Roy quietly dies as Deckard looks on in silence. Gaff arrives in a spinner shortly afterward and, as he's leaving, cryptically shouts, "It's too bad she won't live, but then again, who does?" Deckard returns to his apartment and cautiously enters when he sees the door is ajar. He finds Rachael alive and as they leave Deckard comes across an origami calling card left by Gaff; he has allowed them to escape, and they depart toward an uncertain future together. Themes Edit Blade Runner had a significant number of then-unknown actors in its cast: Harrison Ford as Rick Deckard.

Coming off some success with Star Wars Episode IV: A New Hope , but still a year before Raiders of the Lost Ark was released, Ford was looking for a role with dramatic depth. After Steven Spielberg praised Ford and showed some Raiders rushes to Michael Deeley and Ridley Scott they got Ford onboard. Due to the initially poor reception of Blade Runner and friction with Scott, Ford has usually avoided discussing the film. Rutger Hauer as Roy Batty. Hauer gave a brief performance as the violent yet complex leader of replicants with nothing to lose. Sean Young as Rachael. The picture of female "perfection" at 22 years old, Young still counts Blade Runner among her favorite films, despite friction with Ford and Scott as a result of her inexperience and young age. Edward James Olmos as Gaff. Olmos used his diverse ethnic background to help create the Cityspeak his character uses in the film. This helps, along with his cane, to create mystery around a character whose exact role isn't clarified while he observes and comments (through his origami) on Deckard. Daryl Hannah as Pris. Hannah managed to bring out the dangerous innocence of a replicant in love with Roy Batty. Gaff with his cane.

Roy (left) meets his maker, Tyrell. Supporting roles: Morgan Paull as Holden . Holden didn't have much of a chance when going up against a Nexus-6 for the first time, but he did manage to draw his gun while being shot and warn Deckard about the replicants in a deleted hospital scene. Brion James as Leon . Although at first glance a dumb replicant used for muscle, Leon did have an undertone of intuitive intelligence that helped him nearly kill Holden, torture Chew and beat Deckard. M. Emmet Walsh as Captain Bryant. Walsh lived up to his reputation as a great character actor with the role of a hard drinking police veteran. Joe Turkel as Dr. Eldon Tyrell . With a confident penetrating voice and a panache for self-aggrandizement, this corporate mogul directed scientific progress to create a successful enterprise built on a gradual recreation of slavery with few sympathetic characteristics. James Hong as Hannibal Chew. An elder geneticist who loves his work, especially with synthesizing eyes. William Sanderson as J.F. Sebastian, a quiet and lonely genius who provides a compassionate yet compliant portrait of humanity. This led to more varied work for Sanderson.

Ben Astar as Abdul Ben-Hassan . Hy Pyke as Taffey Lewis . Despite only having one scene, Pyke conveys Lewis' sleasiness with ease and apparently with one take; something unheard of with Scott's drive for perfection resulting at times in double digit takes. Joanna Cassidy as Zhora. In a limited time Cassidy conveys a strong woman who has seen the worst humanity has to offer, and her death has a profound impact on Deckard. Reception For more, see Awards Won . Influence Edit Roy Batty ( Rutger Hauer ) with a dove. Initially avoided by North American audiences, Blade Runner was popular internationally and has become a cult classic. The film's popularity and cult status has made it popular to reference in other media. The television show Futurama has made multiple references to Blade Runner, and the shows Cutting It and Stargate SG-1 have used quotes from the film. Actor William Sanderson , who played Sebastian, voiced a similar character in the cartoon series Batman: The Animated Series. In the action film The 6th Day, a virtual psychologist says, "You seem to be avoiding talking about your parents.

Imagine, two turtles are walking through the desert..." The film is often thought to have inspired William Gibson's Neuromancer.Template:Ref Gibson has said in interviews that he was already writing Neuromancer when Blade Runner was released, and was actually inspired by the implied background of the film Alien. The film arguably marks the introduction of the cyberpunk genre into popular culture. Blade Runner continues to reflect modern trends and concerns, and an increasing number consider it one of the greatest science fiction films of all time.Template:RefTemplate:Ref The film was selected for preservation in the United States National Film Registry in 1993 and is frequently used in university courses. Its memorable quotations and soundtrack have made it the most musically sampled film of the 20th century. "Ridley Scott's film remains the defining vision of futuristic science fiction." – Steve Biodrowski Blade Runner also served to influence the cyberpunk role-playing game, Shadowrun, the seminal computer game System Shock and the Syndicate games. Iron Maidens' album "Somewhere in Time" features artwork influenced by the city scenes in the movie.

The song "More Human Than Human" by White Zombie, found on their 1995 album "Astro Creep:2000" is a direct reference to the film, which was a favorite of Rob Zombie's at the time. The song's title as the tagline of the Tyrell Corporation is obvious. Near the end of the song, the lyrics "I am the nexus one, I want more life, fucker, I ain't done" are inspired by Roy Batty's conversation with Eldon Tyrell. The Fear Factory album Demanufacture features a song entitled "Replica" which was influenced by the movie. Versions See the main article on Blade Runner versions Five versions of the film exist: The original 1982 international cut, which included more graphic violence than the U.S. theatrical release, and which was released on VHS and on Criterion Collection Laserdisc. The U.S. theatrical version, also called the domestic cut.

A workprint version, shown only as an audience test preview and occasionally at film festivals; This version was distributed in 1991, as a Director's Cut without Scott's approval (and was later included on the 2012 30th Anniversary Blu-ray set). The Ridley Scott-approved 1992 Director&apos;s Cut, prompted by the unauthorized 1991 release. A fifth version, Blade Runner: The Final Cut, was shown in theaters in Los Angeles and New York in October, 2007. A 3-DVD set and a 5-disc Blu-ray set followed in 2007. It was then re-released on Blu-ray for the film's 30th anniversary in 2012. Music Edit Vangelis, fresh off of his wikipedia:Academy Award winning score from Chariots of Fire, composed and performed the music on his synthesizers. The musicscape of the 2019 was created in Vangelis' "space" mode of new age music, as heard on such albums of his as Heaven and Hell . He also made use of various chimes and the vocals of collaborator Demis Roussos.

Ridley Scott also used "Memories of Green" from Vangelis' album See You Later (an orchestral version of which Scott would later use in his film Someone To Watch Over Me). "Both emotional and unsettling, the Blade Runner score plays off conflict (discord versus harmony, light against dark) for a rich, textured tapestry of sound." – musicoutfitter.com Despite the promise of a soundtrack album from Polydor Records in the end titles of the film, the release of the original soundtrack recording was delayed for over a decade. There are two official releases of the music from Blade Runner. In light of the lack of a release of an album, The New American Orchestra recorded an orchestral adaptation in 1982 which bore little resemblance to the original. Some of the film tracks would in 1989 surface on the compilation Themes, but it wasn't until the 1992 release of the Director's Cut version would a substantial amount of the film's score see the light of day. However, while most of the tracks on the album are from the film, there were a few that Vangelis composed but were ultimately not used and some new pieces.

Many do not consider this to be a satisfying representation of the score. These delays and poor reproductions led to the production of many bootleg recordings over the years. A bootleg tape surfaced in 1982 at science fiction conventions and became popular given the delay of an official release of the original recordings, and in 1993 "Off World Music, Ltd." created a bootleg CD that would prove more comprehensive than Vangelis' official CD in 1994. A disc from "Gongo Records" features most of the same material, but with slightly better sound quality. In 2003, two other bootlegs surfaced, the "Esper Edition," closely preceded by "Los Angeles - November 2019." The double disc "Esper Edition" combined tracks from the official release, the Gongo boot and the film itself. Finally "2019" provided a single disc compilation almost wholly consisting of ambient sound from the film, padded out with some sounds from the Westwood game "Blade Runner." The Gongo release is considered the best presentation of the music, while Los Angeles - November 2019 and the Esper Edition are excellent mementos of the film.

"Dreamy, evocative, beautiful and essential." – moviegrooves.com Documentaries Edit From the Edge documentary, featuring the Blade Runner screenwriters Fancher (left) and Peoples (now friends). On the Edge of Blade Runner (55 minutes), produced in 2000 by Nobles Gate Ltd. (for Channel 4), was directed by Andrew Abbott and hosted/written by Mark Kermode, and will be included in the Special Edition. Interviews with production staff, including Ridley give details into the creative process and turmoil during preproduction. Stories from Paul M. Sammon and Fancher provide insight into Philip K Dick and the origins of Do Androids Dream of Electric Sheep? Interweaved are cast interviews with the notable exceptions of Harrison Ford and Sean Young . Through these interviews we get a sense of how difficult and frustrating the film was to make as a result of an exacting director without allies and hot, wet, smoggy conditions; which added to the high pressure atmosphere everyone increasingly felt as the film went over budget.

There is also a tour of some locations, most notably the Bradbury Building and the Warner Brothers backlot that was the LA 2019 streets, which look very different from Ridley's dark version. The documentary then details the test screenings postproduction editing/changes (voice over and happy ending, deleted Holden hospital scene), special effects, soundtrack by Vangelis, and the unhappy relationship between the filmmakers and the investors; which culminated in Deeley and Ridley being fired but still working on the film. The question of whether or not Deckard is a replicant surfaces. After being a "disaster" in the box office (a financial loss initially) Blade Runner was reborn in the video rental market, and a great reception of a chance screening of Ridley's workprint at the Fairfax Theater, Los Angeles, in May 1990 led to Warner Bros. having the "Director's Cut" done by film archivist Michael Arick. Future Shocks (27 minutes), a more recent documentary from 2003 by TVOntario (as part of their Film 101 series), has interviews with executive producer Bud Yorkin, Syd Mead , and the cast along with Sean Young , but again without Harrison Ford .

There is extensive commentary by science fiction author Robert J. Sawyer and film critics as the documentary focuses on the themes, visual impact and influence of the film. Olmos goes into Ford's participation and personal experiences during filming are related by Young, Walsh, Cassidy and Sanderson. They also relate a story where crew members created t-shirts which took pot shots at Ridley. The versions of the film are critiqued and how closely Blade Runner predicted the future is discussed. Novel See also: Differences Between the Novel and Film The original screenplay by Hampton Fancher was based loosely on Philip K Dick 's Do Androids Dream of Electric Sheep?, which he optioned in 1980 after an unsuccesful previous attempt. However, Fancher's script focused more on environmental issues and less on issues of humanity and faith, which weighed heavily in the novel. When Ridley Scott became involved with the film, he wanted changes to the script made, and eventually hired David Peoples to perform the re-writes after Fancher refused.

The film's title also changed several times during the writing process, it was to be called Dangerous Days in Fancher's last draft before eventually taking the name Blade Runner, actually borrowed (with permission) from a William S. Burroughs science fiction novel titled Blade Runner: A Movie. As a result of Fancher's divergence from the novel, numerous re-writes before and throughout shooting the film and Ridley Scott never having entirely read the novel it was based on, the film diverged significantly from its original inspiration. The changes have led many critics and fans to consider them as independent works of fiction; despite the fact Do Androids Dream of Electric Sheep? was reprinted for a time with the title Blade Runner to help promote sales. Some of the themes in the novel that were minimized or entirely removed include fertility/sterility of the population, religion, mass media, Deckard's uncertainty that he is human, real versus synthetic pets, and emotions. Sequels Edit Three official and authorized Blade Runner novels have been written by Philip K Dick's friend K. W. Jeter that continue the story of Rick Deckard and attempt to resolve many of the differences between Blade Runner and Do Androids Dream of Electric Sheep?.

The novel Blade Runner 2 contains numerous inconsistencies with the film, however, including the resurrection of a dead character and a complete reworking of the nature of another. The final result is more of an alternate universe than a direct sequel. Blade Runner 4: Eye and Talon (2000) David Peoples, who co-wrote Blade Runner and wrote the 1998 film Soldier , has said that Soldier is intended to be a "sidequel" to Blade Runner. Soldier takes place in the same universe, and the spinners used in Blade Runner are also used in Soldier. However, Soldier is an unofficial sidequel, as it was never formally approved by the Blade Runner partnership, who own the rights to the elements of Blade Runner that appear in Soldier, and to that overall universe. Though not an official sequel to Blade Runner, many fans have noted the similarity of the 1999 TV series Total Recall 2070 to the Blade Runner universe. Many consider the series a sequel to, or at least set in, the same universe as Blade Runner. Some truth actually lies in this assumption. Total Recall 2070 was based on two works by Phillip K.

Dick: the short story, We Can Remember It for You Wholesale (on which the film Total Recall is based), and the novel Do Androids Dream of Electric Sheep?, on which Blade Runner is based. As of 2015, a sequel was announced but with no release date given. Ridley Scott will not return to direct the movie but Harrison Ford is said to return as Deckard. Games and comics Edit PC game cover. There are two computer games based on the film, one for Commodore 64 and ZX Spectrum by CRL Group PLC (1985) based on the music by Vangelis (due to licensing issues), and another action adventure PC game by Westwood Studios (1997). The latter game featured new characters and branching storylines based on the Blade Runner world, coupled with voice work from some of the original cast from the film. A prototype board game was also created in California (1982) that had game play similar to Scotland Yard. The cult computer game wikipedia:Snatcher was heavily influenced by Blade Runner, so much so that websites exist detailing the numerous similarities between the two.

Archie Goodwin scripted the comic book interpretation, A Marvel Comics Super Special: Blade Runner , published September, 1982. The Jim Steranko cover leads into a 45-page adaptation illustrated by the team of Al Williamson, Carlos Garzon, Dan Green and Ralph Reese. (This adaptation includes one possible explanation of the title's significance in story context: the narrative line, "Blade runner. You're always movin' on the edge.") Also there was a parody comic of Blade Runner called "Blade Bummer" by Crazy comics. Curse Edit Among the folklore that has grown up around the film over the years has been the belief that the film was a curse to the companies whose logos were displayed prominently in some scenes. While they were market leaders at the time, many of them experienced disastrous setbacks over the next decade and hardly exist today: Atari, which dominated the home video game market when the film came out, never recovered from the next year's downturn in the industry, and by the 1990s had ceased to exist as anything more than a brand, a back catalog of games and some legacy computers.

The Bell System monopoly was broken up that same year, and some of the resulting Regional Bell operating companies have since changed their names and merged with each other or other companies. Pan American World Airways went bankrupt in 1991, after a decade of mounting losses. Cuisinart similarly went bankrupt in 1989. Coca-Cola could have joined this list in the wake of its failed introduction of New Coke three years later, but has since experienced a thirty fold increase in share price. See also BBC - Films - review - Blade Runner Reviewed by Nick Cramp Updated 7 February 2001 Director Ridley Scott's 1982 film "Blade Runner" is arguably the most famous and influential science fiction film ever made. It has exerted a pervasive influence over all subsequent science fiction cinema, and indeed our cultural perceptions of the future. The film is a combination of 1940s film noir and futuristic detective thriller. The setting is the decayed, rain-soaked Los Angeles of 2019. Rick Deckard, played by Harrison Ford, is a retired Blade Runner, a cop who specialises in hunting down replicants.

The replicants are artificial humans, indistinguishable from the real thing in every way but two; they have no memories, and they have lifespans of only four years. Five replicants are loose in LA, led by the fearsome combat specialist Roy Batty. Deckard's job is to hunt them down. He stalks his prey through the neon-lit, future-noir city. The film climaxes in a showdown between the Blade Runner and his nemesis Batty. Ironically "Blade Runner" did not do well on its initial release. The film was burdened by numerous studio impositions, including an inane happy ending and a frankly embarrassing voice-over from Harrison Ford. The film was criticised for its thin story line, gaps in logic, and over reliance on spectacle. Reaction varied between indifference and hostility. Time, and a director's cut, have vindicated Ridley Scott's vision. Ford's voice-over is mercifully deleted, and other scenes restored. The spectacle is still there; the most richly detailed future ever seen on screen is visible for all to enjoy. But this alluring eye-candy conceals a rich thematic complexity.

"Blade Runner" impresses with its inquiry into the nature of memory, identity, and what it means to be human. The characters, behind their damaged and defensive facades, are complex and well realised. Ford's performance as the world-weary Deckard, and Rutger Hauer's portrayal of the terrifying yet sympathetic Batty, are noteworthy. "Blade Runner" fully and richly deserves its reputation. It is simply one of the most extraordinary films ever made. End Credits Roy Batty | Off-world: The Blade Runner Wiki | Fandom powered by Wikia Edit After a failed attempt to break into Tyrell's home and company headquarters (which results in the deaths of the two unnamed replicants), Roy and Leon had previously been investigating ways that they could lengthen their lifespans by viciously interrogating Hannibal Chew . Chew directs them to J.F. Sebastian , and Pris goes to meet J.F. first. Later on that day, Zhora is killed by Blade Runner Rick Deckard and Leon is killed by Rachel . Roy arrives the next morning at J.F.'s home, the abandoned Bradbury Building .

He tells Pris about Leon and Zhora's deaths, and is overwhelmed by emotion and barely able to share the news. Learning that J.F. is playing a lengthy game of chess with Eldon Tyrell. Roy shares the winning moves with J.F., who takes him to the Tyrell Corporation to meet with the man himself. Roy and Tyrell briefly debate the possibility of extending the lives of replicants, and Tyrell concludes that it is impossible. Roy asks Tyrell for forgiveness of his sins, but Tyrell seemingly does not, telling him that he's also done Roy Batty played by Rutger Hauer wondrous things; it does nothing to comfort Roy. Roy then kills Tyrell, and then kills J.F. before retreating back to the Bradbury Building. Last Hours

Question: Who played the character Roy Batty in the 1982 movie 'Blade Runner'?
Answer: Rutger Hauer