The Jungle Book Essay - Critical Essays - eNotes.com The Jungle Book Essay - Critical Essays link Link Rudyard Kipling wrote the Jungle Books in Vermont, where snow sometimes accumulated in drifts as high as the window sill. Usually classified as literature for children, the Jungle Books have many characteristics common to fiction written for children and young adults. The primary characters are children or animals, and the language, content, length of stories, and readability levels are suitable for young readers. All the stories show animals in an ordered existence, with a society, language, and law of their own. Humans often figure as authority and power figures, and within the animal world the larger and stronger animals dominate. Kipling’s work kept alive the magic and mystery that characterized the age of the British Empire. Critics estimate that Mowgli would have been born around 1860, and the stories take place from that time through the following seventeen years. The Jungle Books tell of a world full of grandiose events, deadly enemies, parents who are humans, and parent surrogates who are animals.

Mowgli’s world is filled with father figures: Kaa the python, Bagheera the panther, Baloo the bear, Father Wolf, and Hathi the elephant. Women are relegated to the background and play less heroic roles. Mowgli’s stories are by far the most popular tales of the Jungle Books. Mowgli reappears in the story “In the Rukh” published in 1896 and included in some later editions of the Jungle Books. In this story, Mowgli is a grown man and marries the daughter of Abdul Gafur. In the Jungle Books, the stories of Mowgli’s jungle adventures are complete: The first book begins with baby Mowgli being nursed by wolves, and the second ends with Mowgli leaving the jungle. “In the Rukh” brings the Mowgli story full circle by showing Mowgli’s son playing with wolves. Kaa | Disney Wiki | Fandom powered by Wikia “It's like you said...

You can't trust anyone!” ―Kaa to Mowgli Kaa is a sly and seductive character, speaking with a soft, often entrancing tone to either lure his victims into a weary, dreamlike state or manipulate them into bestowing their trust, thus allowing him to devour them unexpectedly. He furthers this by the use of his iconic ability to hypnotize his prey with his eyes, rendering them enchanted and under his command. A powerful and dangerous ability, Kaa is a feared member of the jungle, as evidenced by his interaction with the often composed and fearless Bagheera . Such fear, however, does not resonate with the unofficial ruler of the jungle, Shere Khan the tiger, who Kaa holds a disliking for, believing the act of killing for pleasure, as opposed to survival, to be dishonorable. The two beasts are often at odds, though Shere Khan views Kaa as an "eyes and ears" of the jungle, relying on him to assist his quest in finding Mowgli at one point in the film, though the manipulative Kaa was able to steer even Khan in the wrong direction, further showcasing his intelligence.

While not as cruel and bloodthirsty as Shere Khan, Kaa is still a fairly villainous character. His first attempt to devour Mowgli was a casual means to eat and survive, but over time, his goal to eat the man-cub was mainly driven out of spite, evidenced by his lines "Just you wait 'till I get you in my coils!" Furthermore, he is perfectly willing to kill those who get in the way of his meals, as seen when he sadistically tormented, and nearly killed, Bagheera. Though dangerous and cunning, Kaa is not without his faults, as he can be clumsy and easily sidetracked from his primary objective: to kill and eat Mowgli. This results in his interactions with the man-cub to often end in humiliation to some degree. Designs Kaa is a python that has grown to be extremely large in width. He was animated by Frank Thomas in his entrance appearance where he first met Mowgli and nearly ate him. Later on in the film, he was animated by Milt Kahl whose design for Kaa may be more iconic, being that his scene was longer and included his trademark song and Shere Khan's talk with the snake.

Kaa also has a slight Wile E. Coyote-like facial expression. Abilities Hypnosis/Mind Control: Kaa's most infamous power is his unique ability to hypnotize anyone through eye contact and make others follow his commands. This ability also works when someone sees his reflection in the water. Though despite this, it is implied that certain individuals of high willpower (or simply intelligence) can resist his hypnosis (as displayed by Shere Khan). Appearances The Jungle Book Kaa in The Jungle Book. Kaa comes across Mowgli and Bagheera in the branches of a large tree that the pair has chosen to spend the night in. As Bagheera is nearly asleep, he is unaware of Kaa as he investigates Mowgli. Annoyed, Mowgli angrily tells Kaa to leave him alone. Bagheera sleepily orders Mowgli to go to sleep, as he has assumed Mowgli was speaking to him. Kaa decides to take advantage of the situation, and hypnotizes Mowgli, wrapping the boy in his coils, with the intent of devouring him.

During the hypnosis and coiling, Mowgli tries to call for help but is silenced when Kaa wraps and tightens Mowgli's neck with his tail and then squeezes the boy with all his coils, from legs to neck. But Mowgli's struggles awaken Bagheera, and he is able to rescue Mowgli by hitting Kaa in the face just before Mowgli is eaten. However, Kaa is angered by the interference and begins to hypnotize Bagheera. By now, the coils around Mowgli unravel and he has awakened, and he shoves Kaa's massive coils off the branch, resulting in Kaa falling to the ground in a heap. While Mowgli awakens Bagheera by slapping him, Kaa begins to slither off, swearing revenge. However, his slithering is inhibited by a knot in his tail, which Mowgli laughs at. Kaa later reappears coming across the now bitter Mowgli, who is lost in the jungle. He tries to hypnotize Mowgli again, who has learned from his last encounter and is wary of the snake. Mowgli tries to leave, with the response that he doesn't trust anyone.

However, Kaa uses the boy's desire to stay in the jungle as a means of gaining his trust. Kaa is able to hypnotize Mowgli again and sleepwalk him into his coils while singing the song " Trust in Me ". Before Kaa can devour Mowgli, Shere Khan stops by after hearing Kaa's singing. As Shere Khan is looking for Mowgli, Kaa is forced to hide the boy. Kaa is able to trick Shere Khan into believing that Mowgli is nowhere in the area, despite Shere Khan choosing to inspect Kaa's coils. Shere Khan walks off to continue the search, leaving Kaa safe to admit his disgust for the tiger. When Kaa shivers after seeing the tiger walk off, his coils unravel like before and Mowgli awakens. Kaa takes a moment to pity the helpless Mowgli but reverts once he remembers his own intentions. At that point, Mowgli is able to push Kaa's coils to the ground. On the ground, Mowgli confronts Kaa and accuses the python of lying, which he wasn't.

Kaa, assuring Mowgli that he indeed can't trust anyone, moves in to attack, but is once again stopped by a knot in his tail. Seeing Mowgli run off, Kaa apparently gives up trying to catch him as he slithers off again. The Jungle Book 2 Kaa in The Jungle Book 2. Kaa returned once again as the secondary antagonist and plays a relatively smaller role in the sequel than he did in the 1967 film. One night, Kaa appears when Mowgli meets up with Baloo near the beginning of the film. Like before, Kaa attempts to eat Mowgli but faces many accidents and injuries as he pursues them. Mowgli and Baloo remain unaware of Kaa's presence, and the two walk away unharmed. Kaa angrily states that he never wants to see another Man-Cub again, but changes his mind after he comes across Shanti . Kaa manages to corner and hypnotizes the young girl.

Before he can eat her, Shanti is saved by Ranjan , who pulls Shanti out of the way, beats up Kaa with a large stick which resulted in him swallowing down a large rock which Shanti was standing on and sends him sliding down a cliff to a coconut tree after Ranjan scares him. He is then encountered by Shere Khan in his search for Mowgli; Khan believes that Kaa knows about Mowgli's whereabouts (after hearing him say "man-cub"), but truthfully, Kaa has no idea where Mowgli is; but Shere Khan won't believe him and continues to threaten the python. To stop angering Khan, Kaa fearfully lies to the tiger that Mowgli is at the swamp, allowing him to flee. He isn't seen again for the rest of the film but is mentioned by Shere Khan when he arrives at the swamp where Mowgli is nowhere to be seen and angrily splashes the water saying "That snake lied to me!". Jungle Cubs Kaa in Jungle Cubs. Kaa appeared as a much younger snake in the Jungle Cubs, with Baloo , Bagheera , Colonel Hathi , King Louie and Shere Khan .

Unlike the movie, he is a protagonist, which interestingly, actually follows the original story, unlike the film. As a younger snake, Kaa has yet to master hypnosis at his young age, usually failing or hypnotizing the wrong person by mistake. Kaa is more of the cowardly friend in the group, often being doubtful when an adventure is at hand. Most of the time, his fearfulness can be understandable, being that the children often find themselves in some of the most dangerous predicaments in their jungle. Kaa is often seen attempting to eat a local shrew with a wise-cracking persona. However, as the shrew is too clever for the snake, he ultimately fails in the end. Many episodes revolve around Kaa, including one where his birthday arrived, and yet everyone forgot. To make up for it, they acted as if his hypnotism was excellent and pretended to be in trances. In the end, however, Kaa discovers this and breaks down. His friends comfort him and apologize, leaving all to be well. In the Jungle Cubs: Born to Be Wild DVD, Kaa, as an adult, was the first character to be revisited by Baloo, Mowgli, and Bagheera.

Here, he attempts to devour Mowgli whilst he rested, but Baloo foiled the snake by grabbing his tail and throwing him into a gorge. House of Mouse Kaa in Mickey's House of Villain. Kaa makes several cameos in the show House of Mouse . In the episode "Ask Von Drake", he is seen being threatened by Shere Khan while Ludwig Von Drake sings a song. In "Turkey Day", Kaa was seen attempting to devour Mowgli after not receiving a turkey for dinner. In "Jiminy Cricket", he is seen sitting at a table with Baloo, Mowgli, Shere Khan and Bagheera. In "Max's Embarrassing Date", he is seen sitting a table with Sir Hiss. In "Goofy's Menu Magic", Kaa is seen having coiled and hypnotized Mowgli when Mickey mentioned the guests were getting hungry. In Mickey's House of Villains , Kaa joins his fellow villains in taking over the House of Mouse on Halloween. He joins in the hostile takeover during the song " It's Our House Now! ", while attempting to hypnotize Minnie, during which he briefly reprises "Trust in Me".

He later stands by Jafar 's side when he battles Mickey and soon enough flees with the other villains when Mickey and his friends defeat Jafar. Cameos A snake-like character resembling Kaa made a cameo during the final scene of Who Framed Roger Rabbit , with the other Disney characters. Live-action appearances Rudyard Kipling's The Jungle Book Kaa in Rudyard Kipling's The Jungle Book. A far more menacing incarnation of the character appeared in the 1994 live-action adaptation. He was brought to life using an anaconda but the bulk of his appearances were made using a mixture of CGI and animatronics. Kaa seemed to serve King Louie , killing any intruders to the city when the orangutan clapped his hands 9 times to summon him. Kaa attacked Mowgli inside the monkey city by tackling him into the moat and attempted to drown him, but Mowgli wounded him with a bejeweled dagger, the python is then seen fleeing in a cloud of his blood. By the time Mowgli returns to the city with Captain William Boone (the main villain of the film) and Kitty , Kaa has fully healed from their prior confrontation.

Mowgli flees with Kitty when he hears King Louie summoning the snake. Boone starts gathering as much treasure as he can, but suddenly notices that the monkeys have gone silent; Kaa suddenly appears, then scares the injured Boone into the moat, where the heavy load of treasure he is carrying weighs him straight to the bottom in a cloud of his own blood. Desperately trying to struggle free, Boone sees the skeletal remains of Kaa's past victims, just seconds before the villain finally meets his death by the snake. The most likely reason for this change in adaptation is because, in the original story of The Jungle Book, the treasure within the monkey city was guarded by a cobra. The Jungle Book (2016) Kaa in the 2016 film. Kaa appears in the 2016 live-action film adaptation as the tertiary antagonist. Unlike in the previous adaptations, this incarnation of Kaa is a female, voiced by Scarlett Johansson . In this version, she is depicted as a Reticulated python (due to the fact that she is, even more, longer).

Kaa first appears when Mowgli stumbles upon her territory deep in the forest, after he is separated from Bagheera by the evil tiger named Shere Khan, where he discovers her shed snakeskin. After climbing into the trees and chasing animals that stole his food, Kaa begins to speak to him from above the trees before revealing herself to him. Luring him in by promising to keep him safe, Kaa hypnotizes him and reveals that Mowgli came to live in the jungle because Shere Khan killed his father as they were traveling between villages, and that Bagheera later found Mowgli and brought him over to the wolves for protection. She also reveals to him the power of the "Red Flower" (fire) and its dangers in her vision. During her storytelling, she attempts to devour him, but a passing sloth bear named Baloo attacks Kaa and rescues Mowgli, freeing him in the process. Kaa isn't seen again for the rest of the film; it is unknown if Baloo killed her or she went away and never came back. During the end credits however, she is heard singing her song, "Trust in Me".

Video games Kaa is one of the characters set to be part of Garden of the Twelve Friends at Shanghai Disneyland , representing the Chinese Zodiac symbol of the Snake. Gallery The Disney Wiki has a collection of images and media related to Kaa . Trivia In the original book by Rudyard Kipling , Kaa was one of Mowgli's friends and his wisest mentor. Throughout the book, Kaa was quite loyal to Mowgli and very protective of him, but in the film and following appearances, Kaa is a dangerous threat to Mowgli's life. The reason Kaa is an antagonist is because Walt Disney found it hard to believe that a snake would be well received as a protagonist. Ironically, Kaa has proven to be one of the movie's most popular characters, and one of Disney's most recognizable villains. Interestingly enough, the incarnation of the character in Jungle Cubs is by far the most accurate depiction of said character when compared to the original novels. Despite popular belief, Kaa is not a henchman to Shere Khan , being the fact that he does none of his evil biddings and the two appear to dislike each other.

In the books and movies, Kaa is depicted as being an Indian Rock Python (Python molurus), a species that usually grows to 3 meters (9.8 feet). Kaa, however, is closer to 9 meters (30 feet long), much larger than normal for his/her species. The only snakes capable of reaching such sizes, in reality, are Green Anacondas and Reticulated Pythons, both of which can grow to such lengths and weigh from 200-500 lb. In the book, Kaa was able to hypnotize via dancing. Whereas in the Disney films, he does so via colorful spirals in his eyes. But in the book, humans are immune to Kaa's hypnosis while in the films his hypnotic powers appear to work on anyone who looks directly into his eyes. In the 2016 film, Kaa's hypnosis via color-changing patterns in her eyes remains and is further augmented with undefined psychic powers, as Kaa is able to show Mowgli a vision of the man cub's past. Kaa means "snake" in Hindi.

Kaa is the second character who was originally voiced by Sterling Holloway and later taken over by Hal Smith and then Jim Cummings . Holloway also voiced Winnie the Pooh , another Disney character played by Jim Cummings. Coincidentally, when Jim Cummings voiced Kaa in the Jungle Book 2, he sounded like Pooh. Although Kaa is colored golden yellow in the original film and all of his other animated appearances, in The Jungle Book 2 however, he was a shade of green. Kaa was seen in concept art for the attraction Sorcerers of the Magic Kingdom over at Walt Disney World , but did not appear in the finished project. During one of the attempts at the classic musical number " The Bare Necessities " from the second film, two prickly pears land on Kaa's head and one tiny pear on his nose, making him look like Mickey Mouse . This could possibly be an example of a Hidden Mickey . Though Kaa was not one of the ringleader villains in Mickey's House of Villains , he is featured on the cover of the DVD and VHS. However, he does assist in kicking Mickey and Minnie out of the club. Kaa is the only Disney villain voiced by Sterling Holloway.

The other Disney characters Holloway voiced were protagonists (or anti-heroes, as with the Cheshire Cat ). Even though Kaa is thought of as a villain, he is not actually malevolent as, like real life predators, Kaa simply desires to eat Mowgli for survival rather than selfish goals. So basically, he's doing what nature intended for him to do. Even though Kaa wants to eat Mowgli in the films, real life pythons do not usually view humans as a part of their food chain or prey in any way and usually do not attack humans unless threatened or provoked. Moreover, real Indian Rock Pythons are too small to eat a human; only the closely related Reticulated Python, African Rock Python, and the Green Anaconda are known to have tried to eat humans. Kaa is changed into a Reticulated python, due to the fact that she is even longer. Kaa's hypnosis faculty appear to be increased in 2016 film as he is able to see the past of Mowgli. Kaa is the second Disney character to be gender-swapped in the live-action version of their film.

He was preceded by Jaq , who was a female mouse called Jacqueline in the 2015 version of Cinderella . The decision to make Kaa a female in the 2016 film was based on the need for gender diversity within the primarily male-driven cast of the 1967 animated film. [1] External links The Jungle Book: Mowgli's Story: Rudyard Kipling, Nicola Bayley: 9780744586435: Amazon.com: Books Editorial Reviews From School Library Journal Grade 1-6–Three stories–"Mowgli's Brothers," "Kaa's Hunting," and "Tiger! Tiger!"–and six of the poetic songs from Kipling's classic work are accompanied by painterly illustrations. Floral-patterned borders decorate the gutter of every spread, drawing the eye to what is customarily an empty space. A combination of detailed miniature drawings and small framed paintings is strategically placed throughout the text. As is typical of Bayley's style, the masterful use of light, detail, rich color, and texture creates striking and evocative visual effects. The images of the tiger are especially expressive.

Unfortunately, the decorative layout and small size of the images don't fully capture the lush setting and drama of Mowgli's adventures. Still, this is a beautifully designed book. Jerry Pinkney's The Jungle Book (HarperCollins, 1995) is another visually appealing version that includes 18 of Kipling's original stories.– Heide Piehler, Shorewood Public Library, WI Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title. Rudyard Kiplings "The Jungle Book": India, Colonialism, and the Orient | LetterPile Rudyard Kiplings "The Jungle Book": India, Colonialism, and the Orient Updated on May 10, 2016 Profile Joined: 7 years agoFollowers: 39Articles: 13 Joseph Rudyard Kipling’s ‘The Jungle Book’ is a series of seven short stories that mostly take place in the jungles of India.

Since the book’s publishing in 1893, there has been much thought of how ‘The Jungle Book’ somewhat represents the colonization of India by Western culture and how the Western ideal of orientalism, the Orient, and the Other are created through the power of Western culture and is represented in the writing. According to the Introduction to Post Colonialism and Ethnic Studies in the text The Critical Tradition, Michel Foucault has a theory that knowledge is a way in itself to have power over another people, and this is where Edward Said takes and builds his theories about Orientalism and the Other. Agreeing with Foucault’s theory, it makes sense that a Western nation would think they know how to colonize better than another nation because Western nations are so much more advanced in every way than nations that have not yet been colonized. Imposing their knowledge on these nations is what gives the West power, because these nations are being forced to colonize faster by following (or mostly following) the example and leadership of the Western cultures. According to Said, Orientalism is a creation of the Western culture and allows the West to have domination over another culture because of the political power and force the West has cultivated.

The Orient is also a creation of the Western culture and therefore is based on the view of this culture, making the ‘Other’ as viewed in Western terms. Said also points out that there are certain traits given to the Orient and these traits are held in place by the literature of that culture, ‘The Jungle Book’ for example. Advertisement Click thumbnail to view full-size The British had a hand in colonizing several nations. Indian women The British soldiers killing Indian people who no longer wanted to be under British rule Jane Hotchkiss mentions that the typical qualities attributed to the Other, according to European culture, are indolence (lazy), licentiousness (sexually immoral), cunning (crafty/deceitful), cruelty, and brutality, the last of which were emphasized. According to the Introduction to Post Colonialism and Ethnic Studies in the text The Critical Tradition, Edward Said implicates the Orient as having these characteristics; irrational, depraved, childlike, or different. Having this foundation for what it is to be the Orient or the Other, Said also has a definition of what it is to be a part of the Western nation. Said defined the West as being rational, virtuous, mature, and normal.

We see most of these traits in the novel, and both Said and Hotchkiss seem to be right about what it is to be the Orient or the Other according to the West. These traits are given to both the villagers (according to the jungle animals) and to the jungle animals (according to the villagers), but it seems they mostly fit the lifestyle of the jungle animals. In the novel, animals altogether are seen as cunning, as in ‘Tiger, tiger’ when the wolf turns into a human. This is an example of the way animals are seen; cruel (taking villager children), brutal (the ferocity of their lifestyle), and different (not of the same species). In the history of India, we see that Britain invades the land in order to help make them a colonized nation, according to their idea of colonization. Labeling India as a nation under Orientalism, as the Other, allowed the British power to seep through and give the British the power to colonize India according to their standards and beliefs. It is obvious that Britain has allowed themselves to be defined in the terms Said would define the Western nations as; rational, virtuous, mature, and normal, as opposed to the Indian natives who are not.

According to Danielle Sered, the Orient is given the traits of the ‘Other’ according to the Western idea of what the ‘Other’ is to their culture. This takes other cultures (the Indian culture in ‘The Jungle Book’) that seem alien to the Western idea of culture and labels them as the ‘Other’ in terms of the West. Being labeled as the ‘Other’ by the West gives the Western culture the political power and strength to turn the ‘Other’ as a whole into the culture that is less alien to Western nations, thus redefining their culture and colonizing their culture to fit the Western idea of what the structure of a nation should be. Advertisement Kaa trying to Eat Mowgli In ‘The Jungle Book’, Orient or the Other is the title given to the jungle animals because they are seen as un-colonized and having no workable society according to the villagers. We see the title of the Other being silently given to the jungle animals as Mowgli is thrown into the village, and the villagers try to change Mowgli, who is more like a jungle animal, into what they believe he should be like according to their society.

They see their society as superior to what Mowgli knows (the ways of the jungle animals) and want to impose their ways on him in order to separate him from the jungle animals. The villagers would only try to change Mowgli if they labeled him/his actions as the Other, since his lifestyle is much different than theirs. The villagers try to change Mowgli into something more familiar to them, less of the Other and more of what they know as a culture, but Mowgli is somewhat resistant to their changes. Said then looks at how the culture that has been defined as the Other is kept in the generalization and is only seen as the Other in literature. Applying this statement to ‘The Jungle Book’, we see that the Indian nation has been labeled as the Other from the beginning, and are constantly shown as the Other in the stories. When Mowgli first shows up in the story, he is known to be human, not of the animal’s species, yet the animals take him in and treat him as their own for the most part.

Mowgli is not clearly seen as the Other by the jungle animals until Shere Khan labels him as the Other, giving Shere Khan the power to define the normal and try to change (or eat) the abnormal (Mowgli). On the other hand, we also see other humans in this book, and they are always seen as the Other in terms of the jungle animals, because humans are the Other species when seeing from the view of the animals. However, when it comes to humans, the animals are given the title of the Other because they are of a different species than the humans. The representation of Indian people as the Other is the most constant structure in this novel, and it is by these means that India is kept under the constant title of the Other in terms of the Western culture. It is as if the Western culture is seeing the same view as the animals in the novel, because both see the Indian people as the Other who are alien to them, and who are seen as extremely different than themselves.

According to Jane Hotchkiss, Kipling himself was born in India and spent some time there, but he also lived in America, and therefore experienced two stories of who the Other was; Indian people whom he was a part of, (according to the Americans), and also the Americans whom he was also a part of, (according to the people of India). We see this same concept in ‘The Jungle Book’ because Mowgli is, in fact, a part of the animals from a young age and a part of the Indian people biologically speaking. In this light, the animals could be seen as the Indian people and the Indian people could be seen as Britain in terms of the existence of colonization within each nation. Being a part of both sides gives Mowgli the benefit of first seeing the humans as the Other since he grew up in the wolf pack, and then seeing the animals as somewhat the Other when he lives with the humans for a while.

This concept being in the novel embellishes the point that who the Other is depends on what group you are a part of, something that the Western civilization did not care to think of since they saw everyone who was not their culture or close to it as the Other, not thinking about the fact that they themselves were the Other according to these other nations. Advertisement According to Hotchkiss, the song at the end of ‘Mowgli’s Brother’s’ represents the dilemma that Mowgli had with being caught in between two cultures, that of the jungle people, and that of his biological people, the cultural Indians. Mowgli says ‘I fly between the village and the jungle’, meaning that he is living among those in the village and those in the jungle, a part of both species, seeming to also represent how Kipling himself could have felt since he was also in between two cultures at once (Indian and American).

According to Laura Stevenson, when speaking of the politics in ‘The Jungle Book’, Kipling “endorses, for example, Shamsul Islam's discussion of the Mowgli stories as expositions of imperial law, and he quotes with evident approval Norman McClure's statement that collectively the stories compose "a fable of imperial education and rule" that shows "Mowgli behaving towards the beasts as the British do to the Indians.” The imperial law is represented by the law of the jungle, which are the laws of which Mowgli follows over the laws of man. Stevenson saying Mowgli’s treatment of the beasts is similar to that of how the British treated the Indians is defining the Other as it is seen in Mowgli’s position. He defeats the beasts that threatens his livelihood, as the British work to defeat un-colonized nations in colonizing India and other nations. Another view by Hotchkiss is that the villagers represent the colonial settlers and the animals represent the native population in rebellion. Historically, India rebelled against Britain as they tried to take control over the nation and colonize it beginning in 1857 and continuing throughout the late 1800’s in India.

In the novel, the animals could be seen as the rebellious Indian natives because although they are not ‘colonized’ in the jungle, they still have rules and a society, just as the native population did before Britain decided to help change them into a more ‘colonized’ nation. Another example of how the jungle animals represent the native population in rebellion is that, as mentioned before (page 2, paragraph 2) Mowgli is resistant to the changes set before him by the villagers who want him to become more as they are, entirely representing the rebelling natives. The villagers in the novel could very well represent the colonial British settlers because, first of all, they do not understand that the society of the jungle animals is somewhat organized, and does not need their understanding or help to be colonized as they are. The villagers also see the jungle animals as wild and savage, as they first see Mowgli, because they place the animals as the Other, thus giving them reason to change Mowgli to what they think is colonized and settled into changing for the better.

The fact the Mowgli would rather live with the animals seems insane, but from Mowgli’s perspective, the villagers are the savages and the animals are his family because he has placed the humans as the Other for his entire life. There is sufficient evidence supporting the theories that Rudyard Kipling’s ‘The Jungle Book’ helps to identify the time in which the British colonized India and the presence of Orientalism in the novel itself. The novel supports two different and (both correct views) of who and what the Oriental or Other is depending on the view we are looking at. Furthermore, the strength and superiority given to the Western nations is proved to have a hand in being able to colonize a nation, imposing their beliefs, ways, and society upon others to help ‘better’ these societies. It is in these ways ‘The Jungle Book’ helps depict Orientlaism, the idea or the Other, and colonizing India as a whole. Advertisement "Bear Necessities" Disney's The Jungle Book Sources Hotchkiss, Jane. “The Jungle of Eden: Kipling, Wolf Boys, and the Colonial Imagination.” Victorian Literature and Culture 29.2 (2001) : 435-449.

Print. Introduction. “Postcolonialism and Ethnic Studies.” The Critical Tradition. Ed. David H. Richter. Queens, NY: Bedford/St. Martin’s, 2007. 1753-1776. Print. Kipling, Rudyard. The Jungle Book. New York: Grosset & Dunlap Publishers, 1893. Print. Said, Edward. “From the Introduction to Orientalism.” The Critical Tradition. Ed. David H. Richter. Queens, NY: Bedford/St. Martin’s, 2007. 1801-1814. Print. Sered, Danielle. Orientalism. 1996. Web. 18 Apr. 2011.

< > Rudyard Kipling's The Jungle Book | Disney Wiki | Fandom powered by Wikia Rudyard Kipling's The Jungle Book 40,860pages on [Source] Rudyard Kipling's The Jungle Book is a 1994 Disney film based on the Mowgli stories in The Jungle Book and The Second Jungle Book by Rudyard Kipling , and is a live-action remake of the 1967 film The Jungle Book . This time, the animals do not speak. The film stars Jason Scott Lee as Mowgli and Cary Elwes as his main adversary, William Boone . It was directed by Stephen Sommers . The original music score was composed by Basil Poledouris . Contents [ show ] Plot Mowgli is the five year old son of Nathoo, an Indian tour guide. Nathoo is guiding a group of soldiers in the jungle. Among them is Colonel Geoffrey Brydon , his five year old daughter Katherine "Kitty" Brydon and Dr. Julius Plumford . Mowgli and Kitty are extremely close friends and often give signs of a young romance. Kitty gives Mowgli a bracelet which once belonged to her mother.

The group soon learn that Shere Khan , the mighty tiger, is on the move, because he knows some of Brydon's men have broken the jungle law by killing several animals for fun, to which Shere Khan opposes. Later that night, Shere Khan attacks the camp, killing Nathoo and two of Brydon's men. Mowgli and his pet wolf cub are lost in the confusion - Mowgli is now assumed to be dead. The next day, Bagheera the panther finds Mowgli and his wolf cub - he brings them to the wolf pack who adopt them. Mowgli also befriends Baloo the bear cub. The boy develops a strong bond with the animals. Years later, Mowgli finds Monkey City whilst chasing a small monkey who has stolen the bracelet belonging to Kitty. In the City, King Louie refuses to give the bracelet back, and he summons his pet and guardian, Kaa , an enormous and deadly python. Kaa engages Mowgli in a fierce duel, but Mowgli eventually defeats Kaa, and is given back the bracelet afterwards. Kitty and her father have returned to India. She again encounters Mowgli, but they do not recognize one another.

Kitty is in a relationship with William Boone , a loyal yet arrogant soldier. Mowgli enters the Man Village in search of Kitty. Kitty recognizes Mowgli when she sees he is wearing the bracelet she gave him when they were children. Boone and his men place Mowgli in prison. Kitty and Dr. Plumford decide that they must help Mowgli learn the ways of man again. Kitty and Mowgli find themselves falling in love but Brydon does not approve of this because he believes Mowgli is unacceptable for Kitty for being raised by animals, despite being relieved that Mowgli is alive. Boone, meanwhile, has discovered a dagger which Mowgli was in possession of. He learns that this treasure comes from Monkey City and he decides that he must force Mowgli to show he and his men the way to the city. Boone asks Kitty to marry him, to which she accepts. Mowgli leaves the village as he believes he does not belong there. Kitty calls off her engagement to Boone after his cruel treatment to Mowgli and Brydon decides to send her back to England. The next day, Boone teams up with Sgt. Harley , Lt.

Wilkins , Buldeo , and Tabaqui in order to capture Mowgli so they can get to the treasure. They nearly succeed until Baloo intervenes and is shot. The men then call bandits to ambush Kitty and her father. One of the bandits shoots Brydon in the leg, but Bagheera and the wolf pack intervene and kill most of the bandits. Boone and his men threaten to kill Kitty and her father if Mowgli does not lead them to the treasure. Mowgli agrees to take them. The next morning, Harley sinks in quicksand after trying to catch Mowgli after he escapes with Bagheera's aid. The rest of the group apart from Brydon, who is left to die by Boone, set off on the trail. Mowgli leads Brydon back to the village on an elephant and promises to bring Kitty back. As the expedition continues, Tabaqui engages in a fight-to-the-death with Mowgli (in which Mowgli wins) and Wilkins is mauled by Shere Khan. As the remaining group reaches the temple, Buldeo chases Mowgli and tries to shoot him but inadvertently sets off a booby trap, burying himself alive.

Only Mowgli, Kitty and Boone reach the treasure room. Mowgli defeats Boone in a fierce sword fight and he and Kitty escape. Boone starts gathering treasure when Kaa (summoned by King Louie) suddenly appears and scares Boone into falling into the moat. Boone is weighed to the bottom by a treasure-filled backpack, and after seeing the skeletons of Kaa's past victims, he is ambushed and killed by the huge snake. Outside the temple, Mowgli and Kitty are confronted by Shere Khan. Mowgli and Shere Khan stare one another down until Shere Khan sees Mowgli as a creature of the jungle - fulfilling a dream Mowgli had once had. Because of this, the honorable Shere Khan spares Mowgli and Kitty and allows them to go. When Mowgli and Kitty return, they are delighted to see Brydon and Baloo, both of whom have been cured by Dr. Plumford. Mowgli is now Lord of the Jungle and he and Kitty share a passionate kiss under a waterfall. Trivia The US release has Kenny Loggins 's song Two Different Worlds during the end credits, whereas the opening track simply plays in international releases.

While the film has Disney's involvement in the credits (including the plain green text-based Walt Disney Pictures logo), other regional versions of the film do not mention at all Disney's involvement in the credits; e.g. the "WALT DISNEY PICTURES PRESENTS" opening credit in the default release is replaced with "SHARAD PATEL PRESENTS" and the end credit "DISTRIBUTED BY BUENA VISTA PICTURES DISTRIBUTION, INC" and the plain green text-based Walt Disney Pictures logo are not seen at all. Anirudh Agarwal's name is incorrectly spelled in the credits as "Anirudh Agrawal". Cast Sean Naegeli as Mowgli, age 5 Joanna Wolff as Kitty Brydon, age 5 Baloo - Casey - A male brown bear (Ed Gale as Baby Baloo (uncredited)). Bagheera - Shadow - A male black panther. Grey Brother - Shannon - A female Indian Grey wolf. King Louie - Lowell - A male Bornean orangutan. Shere Khan - Bombay - A male Bengal tiger owned by Randy Miller. Kaa is portrayed by both a computer-generated and a real anaconda.

Other trained animals were monkeys, elephants, camels, horses, zebus, and wolves. Production Filming took place in India (Bombay and Jodhpur) and parts of the southern United States (South Carolina and Tennessee). Game The movie was adaptated into a 1996 game, which includes clips from the film, while providing an original story and new characters. The game follows the player in his/her quest to save the jungle. Soldiers have stolen King Louie's crown and the player must recover it to prevent the jungle from losing its magic. The player is aided by a Scotsman named Ilgwom ("Mowgli" spelled backwards) and his chimpanzee, Lahtee, while also guided by a spirit made from Mowgli's memories. Gallery

Question: What is the name of the Indian python in Rudyard Kipling’s ‘Jungle Book’?
Answer: Kaa