George Orwell (Author of 1984) Fiction , Politics , Journalism Influences edit data Eric Arthur Blair, better known by his pen name George Orwell, was an English author and journalist. His work is marked by keen intelligence and wit, a profound awareness of social injustice, an intense opposition to totalitarianism, a passion for clarity in language, and a belief in democratic socialism. In addition to his literary career Orwell served as a a police officer with the Indian Imperial Police in Burma from 1922-1927 and fought with the Republicans in the Spanish Civil War from 1936-1937. Orwell was severely wounded when he was shot through his throat. Later the organization that he had joined when he joined the Republican cause,The Workers Party of Marxist Unification (POUM), was painted by the pro-Soviet Communists as a Trotsk Eric Arthur Blair, better known by his pen name George Orwell, was an English author and journalist. His work is marked by keen intelligence and wit, a profound awareness of social injustice, an intense opposition to totalitarianism, a passion for clarity in language, and a belief in democratic socialism.

In addition to his literary career Orwell served as a a police officer with the Indian Imperial Police in Burma from 1922-1927 and fought with the Republicans in the Spanish Civil War from 1936-1937. Orwell was severely wounded when he was shot through his throat. Later the organization that he had joined when he joined the Republican cause,The Workers Party of Marxist Unification (POUM), was painted by the pro-Soviet Communists as a Trotskyist organization (Trotsky was Joseph Stalin's enemy) and disbanded. Orwell and his wife were accused of "rabid Trotskyism" and tried in absentia in Barcelona, along with other leaders of the POUM, in 1938. However by then they had escaped from Spain and returned to England. Between 1941 and 1943, Orwell worked on propaganda for the BBC. In 1943, he became literary editor of the Tribune, a weekly left-wing magazine. He was a prolific polemical journalist, article writer, literary critic, reviewer, poet and writer of fiction, and, considered perhaps the twentieth century's best chronicler of English culture.

Orwell is best known for the dystopian novel Nineteen Eighty-Four (published in 1949) and the satirical novella Animal Farm (1945) — they have together sold more copies than any two books by any other twentieth-century author. His 1938 book Homage to Catalonia, an account of his experiences as a volunteer on the Republican side during the Spanish Civil War, together with numerous essays on politics, literature, language, and culture, are widely acclaimed. Orwell's influence on contemporary culture, popular and political, continues decades after his death. Several of his neologisms, along with the term "Orwellian" — now a byword for any oppressive or manipulative social phenomenon opposed to a free society — have entered the vernacular. ...more George Orwell Biography | List of Works, Study Guides & Essays | GradeSaver Orwell, George Biography of George Orwell George Orwell is the pen name of Eric Arthur Blair: essayist, novelist, literary critic, advocate and fighter for political change, and man of contradictions. Blair was born on June 25, 1903, in the Bengal region of Eastern India, which was a British territory.

He was the son of Richard Walmesley Blair, a civil servant, and Ida Mabel Blair. Their only son was the middle child. He moved to England with his mother and sisters at the age of one. He displayed academic talent from a young age, so his mother took pains to ensure his attendance at a well-known boarding school called St. Cyprian’s. His family was neither poor nor wealthy, and Blair attended St. Cyprian’s on a scholarship. Blair excelled academically there but faced many hardships in its puritanical, cutthroat environment. In the autobiographical essay “Such, Such Were the Joys,” Blair/Orwell describes the social challenges he endured as a scholarship student among England’s wealthy elite. (These challenges would inform his satires of social stratification in his literary works, including Animal Farm .) In the essay, he describes his child self with much sympathy and feeling for the child's perspective. Such experiments in empathy prepared him to create Animal Farm's brilliantly naive narrator. Blair’s academic prowess continued in secondary school at Eton, a renowned secondary school (more recently famous for Prince William's attendance there). Blair graduated from Eton in 1921.

Despite his intelligence, he could not afford to attend college. In 1922, he joined the Indian Imperial Police in Burma. He had spent the first year of his life in a British colony, and this time, he got a thorough experience of British colonial life and despised what he saw. His experiences made him a champion of the poor and downtrodden, a role in which he would continue for the rest of his life. Moreover, he could not stand the fact that his job put him directly in the position of privileged oppressor. He resigned from the Indian Imperial Police five years later while on leave in England. Blair/Orwell thus became devoted to the problems of class and government power long before he wrote Animal Farm. As Louis Menand writes, "He turned his life into an experiment in classlessness, and the intensity of his commitment to that experiment was the main reason that his friends and colleagues found him a perverse and sometimes exasperating man." To complete his rejection of elitism, Blair lived after the fashion of the poorest Englanders. This included refusing to wear warm clothing in winter or to display table manners.

It is questionable whether his destitute lifestyle contributed to his frequent illnesses, but such choices indubitably influenced his written works. Blair tried his luck in Paris briefly but found he could not make a living there as a writer. He returned to England in 1929, where he published essays and continued his fascination with and incorporation into the dregs of society. He began to slip into poverty in earnest, so he took a job as a teacher at Frays College. He also secured himself a literary agent. Blair/Orwell published Down and Out in Paris in 1932. Before the book’s publication, Blair assumed the pen name by which he would become famous. Accounts of why the writer chose the pen name “George Orwell” vary. Some say the name is deeply symbolic while others state that it was merely one of a list of names from which he allowed his publishers to choose. From 1934 on, Orwell thrust himself fully into the writer’s arena. He quit his teaching job and moved to Hempstead, an epicenter for young writers at the time, where he worked in a used-book store.

He published his first fictional work, Burmese Days , in 1934, and followed with A Clergyman’s Daughter in 1935. Orwell’s presence in Hempstead and his interest in the lower class did not go unnoticed. In 1936, the Left Book Club commissioned him to write an account of the destitute state of Northern England. Orwell threw himself into the project, conducting firsthand research in his quest for authenticity. In his travels, he met and married Eileen O’Shaughnessy. The controversial account was published in 1936 under the name The Road to Wigan Pier. He published Aspidistra Flying in the same year. Around the time The Road to Wigan Pier was published, Orwell took his offensive against elitism and tyranny a step further, volunteering to fight in the Spanish Civil War on the side of the Republicans. He joined POUM, a Trotskyist socialist party that emphasized the need for a working-class uprising and opposed the Spanish Communist Party’s belief in collaborating with the middle class (Orwell was a revolutionary socialist). Orwell’s experiences in the war, including being shot almost fatally, cemented his hatred of totalitarianism in its many guises.

This included Stalinism, against which he held a lifetime grudge. Ironically, Orwell’s neck injury very nearly—and literally—robbed the outspoken writer of his voice. However, he did recover, and while doing so Orwell completed a novel, Coming Up for Air. Orwell described his social observations of Spain in Homage to Catalonia. In 1940, Orwell and his wife moved to central London, where he worked as a reviewer. When World War II began, he rose to fight for the cause of freedom again, this time for England. He joined the Home Guard and worked for the BBC to compose and disseminate wartime propaganda. Orwell knew of what he spoke when he skewered propaganda in Animal Farm and 1984. Orwell based his satires not just on hearsay and research but also on personal experience; writing propaganda is said to have made him feel corrupt. He was also a war correspondent. During wartime, Orwell and his wife adopted a son, but his wife died shortly afterwards. Also during this time, Orwell completed Animal Farm, which was published in England in 1945. It was at this point, just when Orwell’s personal life was in shambles, that his legend took flight.

The book met with immediate and far-reaching public success, especially since it was so topical. Orwell continued to write for periodicals while completing his second renowned novel, 1984. He remarried in 1949, to Sonia Brownell. Orwell, who was prone to illness, had his career and his life cut short when he died of tuberculosis on January 21, 1950. Orwell’s friend, David Astor, saw to it that he was buried in a small county churchyard. Orwell is buried under his birth name. He left a strong literary and political legacy, being one of those artists who influenced not only the literary universe, but also the real world in which he lived. As he wrote in "Politics and the English Language": "In our age there is no such thing as 'keeping out of politics.' All issues are political issues, and politics itself is a mass of lies, evasions, folly, hatred and schizophrenia." This statement also illustrates the pessimism for which Orwell was known. Like some other disillusioned people of his generation, Orwell believed that totalitarian governments would inevitably take over the West.

George Orwell | British author | Britannica.com British author Alternative Title: Eric Arthur Blair George Orwell Virginia Woolf George Orwell, pseudonym of Eric Arthur Blair (born June 25, 1903, Motihari , Bengal, India —died January 21, 1950, London , England ), English novelist, essayist, and critic famous for his novels Animal Farm (1945) and Nineteen Eighty-four (1949), the latter a profound anti- utopian novel that examines the dangers of totalitarian rule. George Orwell. BBC Copyright Born Eric Arthur Blair, Orwell never entirely abandoned his original name, but his first book, Down and Out in Paris and London , appeared in 1933 as the work of George Orwell (the surname he derived from the beautiful River Orwell in East Anglia). In time his nom de plume became so closely attached to him that few people but relatives knew his real name was Blair. The change in name corresponded to a profound shift in Orwell’s lifestyle, in which he changed from a pillar of the British imperial establishment into a literary and political rebel. Early life He was born in Bengal, into the class of sahibs.

His father was a minor British official in the Indian civil service; his mother, of French extraction, was the daughter of an unsuccessful teak merchant in Burma (Myanmar). Their attitudes were those of the “landless gentry,” as Orwell later called lower-middle-class people whose pretensions to social status had little relation to their income. Orwell was thus brought up in an atmosphere of impoverished snobbery. After returning with his parents to England, he was sent in 1911 to a preparatory boarding school on the Sussex coast, where he was distinguished among the other boys by his poverty and his intellectual brilliance. He grew up a morose, withdrawn, eccentric boy, and he was later to tell of the miseries of those years in his posthumously published autobiographical essay , Such, Such Were the Joys (1953). Orwell won scholarships to two of England’s leading schools, Winchester and Eton, and chose the latter. He stayed from 1917 to 1921. Aldous Huxley was one of his masters, and it was at Eton that he published his first writing in college periodicals.

Instead of accepting a scholarship to a university, Orwell decided to follow family tradition and, in 1922, went to Burma as assistant district superintendent in the Indian Imperial Police. He served in a number of country stations and at first appeared to be a model imperial servant. Yet from boyhood he had wanted to become a writer, and when he realized how much against their will the Burmese were ruled by the British, he felt increasingly ashamed of his role as a colonial police officer. Later he was to recount his experiences and his reactions to imperial rule in his novel Burmese Days and in two brilliant autobiographical sketches, “ Shooting an Elephant” and “ A Hanging,” classics of expository prose. Against imperialism Scientists Ponder Menopause in Killer Whales In 1927 Orwell, on leave to England, decided not to return to Burma, and on January 1, 1928, he took the decisive step of resigning from the imperial police. Already in the autumn of 1927 he had started on a course of action that was to shape his character as a writer.

Having felt guilty that the barriers of race and caste had prevented his mingling with the Burmese, he thought he could expiate some of his guilt by immersing himself in the life of the poor and outcast people of Europe. Donning ragged clothes, he went into the East End of London to live in cheap lodging houses among labourers and beggars; he spent a period in the slums of Paris and worked as a dishwasher in French hotels and restaurants; he tramped the roads of England with professional vagrants and joined the people of the London slums in their annual exodus to work in the Kentish hopfields. British Culture and Politics Those experiences gave Orwell the material for Down and Out in Paris and London, in which actual incidents are rearranged into something like fiction. The book’s publication in 1933 earned him some initial literary recognition. Orwell’s first novel, Burmese Days (1934), established the pattern of his subsequent fiction in its portrayal of a sensitive, conscientious , and emotionally isolated individual who is at odds with an oppressive or dishonest social environment .

The main character of Burmese Days is a minor administrator who seeks to escape from the dreary and narrow-minded chauvinism of his fellow British colonialists in Burma. His sympathies for the Burmese, however, end in an unforeseen personal tragedy. The protagonist of Orwell’s next novel, A Clergyman’s Daughter (1935), is an unhappy spinster who achieves a brief and accidental liberation in her experiences among some agricultural labourers. Keep the Aspidistra Flying (1936) is about a literarily inclined bookseller’s assistant who despises the empty commercialism and materialism of middle-class life but who in the end is reconciled to bourgeois prosperity by his forced marriage to the girl he loves. Britannica Lists & Quizzes Editor Picks: Exploring 10 Types of Basketball Movies Orwell’s revulsion against imperialism led not only to his personal rejection of the bourgeois lifestyle but to a political reorientation as well.

Immediately after returning from Burma he called himself an anarchist and continued to do so for several years; during the 1930s, however, he began to consider himself a socialist , though he was too libertarian in his thinking ever to take the further step—so common in the period—of declaring himself a communist . From The Road to Wigan Pier to World War II Orwell’s first socialist book was an original and unorthodox political treatise entitled The Road to Wigan Pier (1937). It begins by describing his experiences when he went to live among the destitute and unemployed miners of northern England, sharing and observing their lives; it ends in a series of sharp criticisms of existing socialist movements. It combines mordant reporting with a tone of generous anger that was to characterize Orwell’s subsequent writing. By the time The Road to Wigan Pier was in print, Orwell was in Spain; he went to report on the Civil War there and stayed to join the Republican militia, serving on the Aragon and Teruel fronts and rising to the rank of second lieutenant. He was seriously wounded at Teruel, with damage to his throat permanently affecting his voice and endowing his speech with a strange, compelling quietness.

Later, in May 1937, after having fought in Barcelona against communists who were trying to suppress their political opponents, he was forced to flee Spain in fear of his life. The experience left him with a lifelong dread of communism, first expressed in the vivid account of his Spanish experiences, Homage to Catalonia (1938), which many consider one of his best books. Returning to England, Orwell showed a paradoxically conservative strain in writing Coming Up for Air (1939), in which he uses the nostalgic recollections of a middle-aged man to examine the decency of a past England and express his fears about a future threatened by war and fascism. When World War II did come, Orwell was rejected for military service, and instead he headed the Indian service of the British Broadcasting Corporation (BBC). He left the BBC in 1943 and became literary editor of the Tribune, a left-wing socialist paper associated with the British Labour leader Aneurin Bevan .

At this period Orwell was a prolific journalist, writing many newspaper articles and reviews, together with serious criticism , like his classic essays on Charles Dickens and on boys’ weeklies and a number of books about England (notably The Lion and the Unicorn , 1941) that combined patriotic sentiment with the advocacy of a libertarian , decentralist socialism very much unlike that practiced by the British Labour Party . Animal Farm and Nineteen Eighty-four Connect with Britannica Facebook Twitter YouTube Instagram Pinterest In 1944 Orwell finished Animal Farm , a political fable based on the story of the Russian Revolution and its betrayal by Joseph Stalin . In the book a group of barnyard animals overthrow and chase off their exploitative human masters and set up an egalitarian society of their own. Eventually the animals’ intelligent and power-loving leaders, the pigs, subvert the revolution and form a dictatorship whose bondage is even more oppressive and heartless than that of their former human masters. (“All animals are equal, but some animals are more equal than others.”) At first Orwell had difficulty finding a publisher for the small masterpiece, but when it appeared in 1945, Animal Farm made him famous and, for the first time, prosperous.

Dust jacket for the first American edition (1946) of George Orwell’s Animal … Advertising Archive/Courtesy Everett Collection Animal Farm was one of Orwell’s finest works, full of wit and fantasy and admirably written. It has, however, been overshadowed by his last book, Nineteen Eighty-four (1949), a novel he wrote as a warning after years of brooding on the twin menaces of Nazism and Stalinism . The novel is set in an imaginary future in which the world is dominated by three perpetually warring totalitarian police states. The book’s hero, the Englishman Winston Smith , is a minor party functionary in one of those states. His longing for truth and decency leads him to secretly rebel against the government, which perpetuates its rule by systematically distorting the truth and continuously rewriting history to suit its own purposes. Smith has a love affair with a like-minded woman, but then they are both arrested by the Thought Police.

The ensuing imprisonment, torture, and reeducation of Smith are intended not merely to break him physically or make him submit but to root out his independent mental existence and his spiritual dignity until he can love only the figure he previously most hated: the apparent leader of the party, Big Brother . Smith’s surrender to the monstrous brainwashing techniques of his jailers is tragic enough, but the novel gains much of its power from the comprehensive rigour with which it extends the premises of totalitarianism to their logical end: the love of power and domination over others has acquired its perfected expression in the perpetual surveillance and omnipresent dishonesty of an unassailable and irresistible police state under whose rule every human virtue is slowly being suborned and extinguished. Orwell’s warning of the potential dangers of totalitarianism made a deep impression on his contemporaries and upon subsequent readers, and the book’s title and many of its coined words and phrases (“Big Brother is watching you,” “ newspeak ,” “doublethink”) became bywords for modern political abuses. Trending Topics BBC Radio 4 - The Real George Orwell - The Real George Orwell The Real George Orwell Read more about sharing.

The Real George Orwell Radio 4 presents a journey through the life and work of George Orwell, running from late January 2013. Of course there is no real George Orwell – it was the pen name of Eric Blair – but he was a writer and political commentator who is very hard to pin down. Ever since his early death in 1950, he has been at one and the same time the darling of some on both the left and the right of British politics - whilst being reviled by others. For all the beautiful simplicity of his writing and storytelling Orwell/Blair is a complex mass of confusions – an anti-establishment, pro-English, ex-Etonian ex-policeman and socialist, who was ardently anti-authoritarian. He was as anti-fascist as he was anti-communist, a former Spanish Civil War soldier who was anti-war but pro the Second World War, and so on and so on.

Through dramatisations of the key books, through four newly commissioned plays that explore the disjuncture between the man who was Eric Blair and the writer who was George Orwell, and through factual programming and readings, Radio 4 will take you on a journey from Burma via Catalonia, Wigan, Jura, Manor Farm along the road that led to Nineteen Eighty-Four, one of the most influential novels of the twentieth century. The series of dramas and readings will begin in late January 2013 and will include the following. Dramas Why did Eric Blair write under the pen name of George Orwell? - Quora Quora Written Feb 11, 2016 Many authors choose to write using a pseudonym or a pen name, just like many actors choose different screen names instead of their own. Eric Arthur Blair, who used the pen name George Orwell, was an English novelist, essayist, journalist and critic. His work under his born name wasn't quite noticed as his work under George Orwell. The name Orwell is also more of a mouthful, unlike Blaire, which is forgettable. Another aspect to consider is his history before he 'became' George Orwell.

He'd already established a lackluster reputation under his original name. So when his publisher suggested using George Orwell instead, Blair went with it - to great success. Steven King is another example of an author using a pen name. Many people know Steven King and what he's written, and the genre he writes. What they might not know is that Steven King is also Richard Bachman. Under this name he wrote books such as Thinner, and The Running Man. One of the most well-known pen names of all time is Mr Ellis Bells. Emily Brontë' wrote Wuthering Heights (published in 1847 by Thomas Cautley Newby) using this name because during the 1840s, women authors were not perceived to have the credibility that male authors had. In fact, women were thought to be frivolous, frilly, and dainty creatures who had no perception of "the real world." Another reason for using a pen name is to explore other genre outside of one's own field. You can find authors that are famous for writing science fiction, but have also written fantasy under another name. Or the mysteries writer that decides she wants to write about the development of dolphins. I use two names, myself.

It gives me the freedom to truly explore my world and give voice to my observations. Let me know your opinion. Written Jan 28, 2016 I guess it has something to do with him being part of the English middle class but advocating for working class rights. "Eric Blair" sounded too embedded in the British establishment, and maybe the fact that his father was an official in India, something that he despised (yet imitated in Burma), also played a role. Then came his paranoia over the ubiquitous vigilance of the NKVD, after he accidentally saw himself involved in the tragic downfall of the Spanish left in the Spanish Civil War of 1936-39, promoted by the USSR itself. His pen name may have given him relief over being watched by secret services, specially after the publication of Animal Farm and Nineteen Eighty-Four. BBC - History - Historic Figures: George Orwell (1903 - 1950) Historic Figures z George Orwell © Orwell was a British journalist and author, who wrote two of the most famous novels of the 20th century 'Animal Farm' and 'Nineteen Eighty-Four'.

Orwell was born Eric Arthur Blair on 25 June 1903 in eastern India, the son of a British colonial civil servant. He was educated in England and, after he left Eton, joined the Indian Imperial Police in Burma, then a British colony. He resigned in 1927 and decided to become a writer. In 1928, he moved to Paris where lack of success as a writer forced him into a series of menial jobs. He described his experiences in his first book, 'Down and Out in Paris and London', published in 1933. He took the name George Orwell, shortly before its publication. This was followed by his first novel, 'Burmese Days', in 1934. An anarchist in the late 1920s, by the 1930s he had begun to consider himself a socialist. In 1936, he was commissioned to write an account of poverty among unemployed miners in northern England, which resulted in 'The Road to Wigan Pier' (1937). Late in 1936, Orwell travelled to Spain to fight for the Republicans against Franco's Nationalists.

He was forced to flee in fear of his life from Soviet-backed communists who were suppressing revolutionary socialist dissenters. The experience turned him into a lifelong anti-Stalinist. Between 1941 and 1943, Orwell worked on propaganda for the BBC. In 1943, he became literary editor of the Tribune, a weekly left-wing magazine. By now he was a prolific journalist, writing articles, reviews and books. In 1945, Orwell's 'Animal Farm' was published. A political fable set in a farmyard but based on Stalin's betrayal of the Russian Revolution, it made Orwell's name and ensured he was financially comfortable for the first time in his life. 'Nineteen Eighty-Four' was published four years later. Set in an imaginary totalitarian future, the book made a deep impression, with its title and many phrases - such as 'Big Brother is watching you', 'newspeak' and 'doublethink' - entering popular use. By now Orwell's health was deteriorating and he died of tuberculosis on 21 January 1950.

Orwell and me | Books | The Guardian George Orwell Orwell and me Margaret Atwood cried her eyes out when she first read Animal Farm at the age of nine. Later, its author became a major influence on her writing. As the centenary of George Orwell's birth approaches, she says he would have plenty to say about the post-9/11 world Shared dystopias: George Orwell and Margaret Atwood Margaret Atwood Monday 16 June 2003 05.45 EDT First published on Monday 16 June 2003 05.45 EDT Share on Messenger Close I grew up with George Orwell . I was born in 1939, and Animal Farm was published in 1945. Thus, I was able to read it at the age of nine. It was lying around the house, and I mistook it for a book about talking animals, sort of like Wind in the Willows. I knew nothing about the kind of politics in the book - the child's version of politics then, just after the war, consisted of the simple notion that Hitler was bad but dead.

So I gobbled up the adventures of Napoleon and Snowball, the smart, greedy, upwardly mobile pigs, and Squealer the spin-doctor, and Boxer the noble but thick-witted horse, and the easily led, slogan-chanting sheep, without making any connection with historical events. To say that I was horrified by this book is an understatement. The fate of the farm animals was so grim, the pigs so mean and mendacious and treacherous, the sheep so stupid. Children have a keen sense of injustice, and this was the thing that upset me the most: the pigs were so unjust. I cried my eyes out when Boxer the horse had an accident and was carted off to be made into dog food, instead of being given the quiet corner of the pasture he'd been promised. The whole experience was deeply disturbing to me, but I am forever grateful to Orwell for alerting me early to the danger flags I've tried to watch out for since. In the world of Animal Farm, most speechifying and public palaver is bullshit and instigated lying, and though many characters are good-hearted and mean well, they can be frightened into closing their eyes to what's really going on.

The pigs browbeat the others with ideology, then twist that ideology to suit their own purposes: their language games were evident to me even at that age. As Orwell taught, it isn't the labels - Christianity, Socialism, Islam, Democracy, Two Legs Bad, Four Legs Good, the works - that are definitive, but the acts done in their name. I could see, too, how easily those who have toppled an oppressive power take on its trappings and habits. Jean-Jacques Rousseau was right to warn us that democracy is the hardest form of government to maintain; Orwell knew that to the marrow of his bones, because he had seen it in action. How quickly the precept "All Animals Are Equal" is changed into "All Animals Are Equal, but Some Are More Equal Than Others". What oily concern the pigs show for the welfare of the other animals, a concern that disguises their contempt for those they are manipulating. With what alacrity do they put on the once-despised uniforms of the tyrannous humans they have overthrown, and learn to use their whips.

How self-righteously they justify their actions, helped by the verbal web-spinning of Squealer, their nimble-tongued press agent, until all power is in their trotters, pretence is no longer necessary, and they rule by naked force. A revolution often means only that: a revolving, a turn of the wheel of fortune, by which those who were at the bottom mount to the top, and assume the choice positions, crushing the former power-holders beneath them. We should beware of all those who plaster the landscape with large portraits of themselves, like the evil pig, Napoleon. Animal Farm is one of the most spectacular Emperor-Has-No-Clothes books of the 20th century, and it got George Orwell into trouble. People who run counter to the current popular wisdom, who point out the uncomfortably obvious, are likely to be strenuously baa-ed at by herds of angry sheep. I didn't have all that figured out at the age of nine, of course - not in any conscious way. But we learn the patterns of stories before we learn their meanings, and Animal Farm has a very clear pattern. Then along came Nineteen Eighty-Four, which was published in 1949.

Thus, I read it in paperback a couple of years later, when I was in high school. Then I read it again, and again: it was right up there among my favourite books, along with Wuthering Heights. At the same time, I absorbed its two companions, Arthur Koestler's Darkness At Noon and Aldous Huxley's Brave New World. I was keen on all three of them, but I understood Darkness At Noon to be a tragedy about events that had already happened, and Brave New World to be a satirical comedy, with events that were unlikely to unfold in exactly that way. (Orgy-Porgy, indeed.) Nineteen Eighty-Four struck me as more realistic, probably because Winston Smith was more like me - a skinny person who got tired a lot and was subjected to physical education under chilly conditions (this was a feature of my school) - and who was silently at odds with the ideas and the manner of life proposed for him.

(This may be one of the reasons Nineteen-Eighty-Four is best read when you are an adolescent: most adolescents feel like that.) I sympathised particularly with Winston's desire to write his forbidden thoughts down in a deliciously tempting, secret blank book: I had not yet started to write, but I could see the attractions of it. I could also see the dangers, because it's this scribbling of his - along with illicit sex, another item with considerable allure for a teenager of the 50s - that gets Winston into such a mess. Animal Farm charts the progress of an idealistic movement of liberation towards a totalitarian dictatorship headed by a despotic tyrant; Nineteen Eighty-Four describes what it's like to live entirely within such a system. Its hero, Winston, has only fragmentary memories of what life was like before the present dreadful regime set in: he's an orphan, a child of the collectivity.

His father died in the war that has ushered in the repression, and his mother has disappeared, leaving him with only the reproachful glance she gave him as he betrayed her over a chocolate bar - a small betrayal that acts both as the key to Winston's character and as a precursor to the many other betrayals in the book. The government of Airstrip One, Winston's "country", is brutal. The constant surveillance, the impossibility of speaking frankly to anyone, the looming, ominous figure of Big Brother, the regime's need for enemies and wars - fictitious though both may be - which are used to terrify the people and unite them in hatred, the mind-numbing slogans, the distortions of language, the destruction of what has really happened by stuffing any record of it down the Memory Hole - these made a deep impression on me. Let me re-state that: they frightened the stuffing out of me. Orwell was writing a satire about Stalin's Soviet Union, a place about which I knew very little at the age of 14, but he did it so well that I could imagine such things happening anywhere. There is no love interest in Animal Farm, but there is in Nineteen Eighty-Four.

Winston finds a soulmate in Julia; outwardly a devoted Party fanatic, secretly a girl who enjoys sex and makeup and other spots of decadence. But the two lovers are discovered, and Winston is tortured for thought-crime - inner disloyalty to the regime. He feels that if he can only remain faithful in his heart to Julia, his soul will be saved - a romantic concept, though one we are likely to endorse. But like all absolutist governments and religions, the Party demands that every personal loyalty be sacrificed to it, and replaced with an absolute loyalty to Big Brother. Confronted with his worst fear in the dreaded Room 101, where a nasty device involving a cage-full of starving rats can be fitted to the eyes, Winston breaks: "Don't do it to me," he pleads, "do it to Julia." (This sentence has become shorthand in our household for the avoidance of onerous duties. Poor Julia - how hard we would make her life if she actually existed. She'd have to be on a lot of panel discussions, for instance.) After his betrayal of Julia, Winston becomes a handful of malleable goo. He truly believes that two and two make five, and that he loves Big Brother.

Our last glimpse of him is sitting drink-sodden at an outdoor cafe, knowing he's a dead man walking and having learned that Julia has betrayed him, too, while he listens to a popular refrain: "Under the spreading chestnut tree/ I sold you and you sold me ..." Orwell has been accused of bitterness and pessimism - of leaving us with a vision of the future in which the individual has no chance, and where the brutal, totalitarian boot of the all-controlling Party will grind into the human face, for ever. But this view of Orwell is contradicted by the last chapter in the book, an essay on Newspeak - the doublethink language concocted by the regime. By expurgating all words that might be troublesome - "bad" is no longer permitted, but becomes "double-plus-ungood" - and by making other words mean the opposite of what they used to mean - the place where people get tortured is the Ministry of Love, the building where the past is destroyed is the Ministry of Information - the rulers of Airstrip One wish to make it literally impossible for people to think straight.

However, the essay on Newspeak is written in standard English, in the third person, and in the past tense, which can only mean that the regime has fallen, and that language and individuality have survived. For whoever has written the essay on Newspeak, the world of Nineteen Eighty-Four is over. Thus, it's my view that Orwell had much more faith in the resilience of the human spirit than he's usually been given credit for. Orwell became a direct model for me much later in my life - in the real 1984, the year in which I began writing a somewhat different dystopia, The Handmaid's Tale. By that time I was 44, and I had learned enough about real despotisms - through the reading of history, travel, and my membership of Amnesty International - so that I didn't need to rely on Orwell alone. The majority of dystopias - Orwell's included - have been written by men, and the point of view has been male. When women have appeared in them, they have been either sexless automatons or rebels who have defied the sex rules of the regime.

They have acted as the temptresses of the male protagonists, however welcome this temptation may be to the men themselves. Thus Julia; thus the cami-knicker-wearing, orgy-porgy seducer of the Savage in Brave New World; thus the subversive femme fatale of Yevgeny Zamyatin's 1924 seminal classic, We. I wanted to try a dystopia from the female point of view - the world according to Julia, as it were. However, this does not make The Handmaid's Tale a "feminist dystopia", except insofar as giving a woman a voice and an inner life will always be considered "feminist" by those who think women ought not to have these things. The 20th century could be seen as a race between two versions of man-made hell - the jackbooted state totalitarianism of Orwell's Nineteen Eight-Four, and the hedonistic ersatz paradise of Brave New World, where absolutely everything is a consumer good and human beings are engineered to be happy.

With the fall of the Berlin Wall in 1989, it seemed for a time that Brave New World had won - from henceforth, state control would be minimal, and all we would have to do was go shopping and smile a lot, and wallow in pleasures, popping a pill or two when depression set in. But with 9/11, all that changed. Now it appears we face the prospect of two contradictory dystopias at once - open markets, closed minds - because state surveillance is back again with a vengeance. The torturer's dreaded Room 101 has been with us for millennia. The dungeons of Rome, the Inquisition, the Star Chamber, the Bastille, the proceedings of General Pinochet and of the junta in Argentina - all have depended on secrecy and on the abuse of power. Lots of countries have had their versions of it - their ways of silencing troublesome dissent. Democracies have traditionally defined themselves by, among other things - openness and the rule of law. But now it seems that we in the west are tacitly legitimising the methods of the darker human past, upgraded technologically and sanctified to our own uses, of course.

For the sake of freedom, freedom must be renounced. To move us towards the improved world - the utopia we're promised - dystopia must first hold sway. It's a concept worthy of doublethink. It's also, in its ordering of events, strangely Marxist. First the dictatorship of the proletariat, in which lots of heads must roll; then the pie-in-the-sky classless society, which oddly enough never materialises. Instead, we just get pigs with whips. I often ask myself: what would George Orwell have to say about it? Quite a lot. · This is an edited extract from Margaret Atwood's contribution to BBC Radio 3's Twenty Minutes: The Orwell Essays series, broadcast tonight at 8.05pm. Roy Hattersley's and John Carey's essays will be broadcast at the same time on Tuesday and Wednesday respectively. Margaret Atwood's latest novel, Oryx and Crake, is published by Bloomsbury. George Orwell Biography - A Biography of George Orwell Biography of George Orwell Biography Eric Blair was born in 1903 in Motihari, Bengal, in the then British colony of India, where his father, Richard, worked for the Opium Department of the Civil Service.

His mother, Ida, brought him to England at the age of one. He did not see his father again until 1907, when Richard visited England for three months before leaving again until 1912. Eric had an older sister named Marjorie and a younger sister named Avril. With his characteristic humour, he would later describe his family's background as "lower-upper-middle class." Education At the age of five, Blair was sent to a small Anglican parish school in Henley, which his sister had attended before him. He never wrote of his recollections of it, but he must have impressed the teachers very favourably for two years later he was recommended to the headmaster of one of the most successful preparatory schools in England at the time: St Cyprian's School, in Eastbourne, Sussex. Young Eric attended St Cyprian's on a scholarship that allowed his parents to pay only half of the usual fees. Many years later, he would recall his time at St Cyprian's with biting resentment in the essay "Such, Such Were the Joys," but he did well enough to earn scholarships to both Wellington and Eton colleges.

After a term at Wellington, Eric moved to Eton, where he was a King's Scholar from 1917 to 1921. Later in life he wrote that he had been "relatively happy" at Eton, which allowed its students considerable independence, but also that he ceased doing serious work after arriving there. Reports of his academic performance at Eton vary: some claim he was a poor student, others deny this. It is clear that he was disliked by some of his teachers, who resented what they perceived as disrespect for their authority. In any event, during his time at the school Eric made lifetime friendships with a number of future British intellectuals. Burma and afterwards After finishing his studies at Eton, having no prospect of gaining a university scholarship and his family's means being insufficient to pay his tuition, Eric joined the Indian Imperial Police in Burma. He resigned and returned to England in 1928 having grown to hate imperialism (as shown by his first novel Burmese Days, published in 1934, and by such essays as 'A Hanging', and 'Shooting an Elephant'). He adopted his pen name in 1933, while writing for the New Adelphi.

He chose a pen name that stressed his deep, lifelong affection for the English tradition and countryside: George is the patron saint of England (and George V was monarch at the time), while the River Orwell in Suffolk was one of his most beloved English sites. Orwell lived for several years in poverty, sometimes homeless, sometimes doing itinerant work, as he recalled in the book Down and Out in Paris and London. He eventually found work as a schoolteacher until ill health forced him to give this up to work part-time as an assistant in a secondhand bookshop in Hampstead, an experience later recounted in the short novel Keep the Aspidistra Flying. Spanish Civil War Soon after the outbreak of the Spanish Civil War, Orwell volunteered to fight for the Republicans against Franco's Nationalist uprising. As a sympathiser of the Independent Labour Party (of which he became a member in 1938), he joined the militia of its sister party in Spain, the non-Stalinist far-left POUM (Workers' Party of Marxist Unification), in which he fought as an infantryman. In Homage to Catalonia he described his admiration for the apparent absence of a class structure in the revolutionary areas of Spain he visited.

He also depicted what he saw as the betrayal of that workers' revolution in Spain by the Spanish Communist Party, abetted by the Soviet Union and its secret police, after its militia attacked the anarchists and the POUM in Barcelona in May 1937. Orwell was shot in the neck (near Huesca) on May 20, 1937, an experience he described in his short essay "Wounded by a Fascist Sniper", as well as in Homage to Catalonia. He and his wife Eileen left Spain after narrowly missing being arrested as "Trotskyites" when the communists moved to suppress the POUM in June 1937. World war and after Orwell began supporting himself by writing book reviews for the New English Weekly until 1940. During World War II he was a member of the Home Guard and in 1941 began work for the BBC Eastern Service, mostly working on programmes to gain Indian and East Asian support for Britain's war efforts.

He was well aware that he was shaping propaganda, and wrote that he felt like "an orange that's been trodden on by a very dirty boot." Despite the good pay, he resigned in 1943 to become literary editor of Tribune, the left-wing weekly then edited by Aneurin Bevan and Jon Kimche. Orwell contributed a regular column entitled 'As I Please.' In 1944 Orwell finished his anti-Stalinist allegory Animal Farm, which was published the following year with great critical and popular success. The royalties from Animal Farm provided Orwell with a comfortable income for the first time in his adult life. From 1945 Orwell was the Observer's war correspondent and later contributed regularly to the Manchester Evening News. He was a close friend of the Observer's editor/owner, David Astor and his ideas had a strong influence on Astor's editorial policies. In 1949 his best-known work, the dystopian Nineteen Eighty-Four, was published. He wrote the novel during his stay on the island of Jura, off the coast of Scotland.

Between 1936 and 1945 Orwell was married to Eileen O'Shaughnessy, with whom he adopted a son, Richard Horatio Blair (b. May of 1944). She died in 1945 during an operation. In the autumn of 1949, shortly before his death, he married Sonia Brownell. In 1949 Orwell was approached by a friend, Celia Kirwan, who had just started working for a Foreign Office unit, the Information Research Department, which had been set up by the Labour government to publish pro-democratic and anti-communist propaganda. He gave her a list of 37 writers and artists he considered to be unsuitable as IRD authors because of their pro-communist leanings. The list, not published until 2003, consists mainly of journalists (among them the editor of the New Statesman, Kingsley Martin) but also includes the actors Michael Redgrave and Charlie Chaplin. Orwell's motives for handing over the list are unclear, but the most likely explanantion is the simplest: that he was helping out a friend in a cause - anti-Stalinism - that both supported.

There is no indication that Orwell ever abandoned the democratic socialism that he consistently promoted in his later writings - or that he believed the writers he named should be suppressed. Orwell's list was also accurate: the people on it had all at one time or another made pro-Soviet or pro-communist public pronouncements. Orwell died at the age of 46 from tuberculosis which he had probably contracted during the period described in Down and Out in Paris and London. He was in and out of hospitals for the last three years of his life. Having requested burial in accordance with the Anglican rite, he was interred in All Saints' Churchyard, Sutton Courtenay, Oxfordshire with the simple epitaph: Here lies Eric Arthur Blair, born June 25th 1903, died January 21st 1950.

Orwell's work During most of his career Orwell was best known for his journalism, both in the British press and in books of reportage such as Homage to Catalonia (describing his experiences during the Spanish Civil War), Down and Out in Paris and London (describing a period of poverty in these cities), and The Road to Wigan Pier (which described the living conditions of poor miners in northern England). According to Newsweek, Orwell "was the finest journalist of his day and the foremost architect of the English essay since Hazlitt." Contemporary readers are more often introduced to Orwell as a novelist, particularly through his enormously successful titles Animal Farm and Nineteen Eighty-Four. The former is considered an allegory of the corruption of the socialist ideals of the Russian Revolution by Stalinism, and the latter is Orwell's prophetic vision of the results of totalitarianism. Orwell denied that Animal Farm was a reference to Stalinism. Orwell had returned from Catalonia a staunch anti-Stalinist and anti-Communist, but he remained to the end a man of the left and, in his own words, a 'democratic socialist'. Orwell is also known for his insights about the political implications of the use of language.

In the essay "Politics and the English Language", he decries the effects of cliche, bureaucratic euphemism, and academic jargon on literary styles, and ultimately on thought itself. Orwell's concern over the power of language to shape reality is also reflected in his invention of Newspeak, the official language of the imaginary country of Oceania in his novel Nineteen Eighty-Four. Newspeak is a variant of English in which vocabulary is strictly limited by government fiat. The goal is to make it increasingly difficult to express ideas that contradict the official line - with the final aim of making it impossible even to conceive such ideas. (cf. Sapir-Whorf Hypothesis). A number of words and phrases that Orwell coined in Nineteen Eighty-Four have entered the standard vocabularly, such as "memory hole," "Big Brother," "Room 101," "doublethink," "thought police," and "newspeak." George Orwell Day begins annual commemoration | Books | The Guardian George Orwell Day begins annual commemoration Celebration of author's enduring influence marked with radio season and essay giveaway George Orwell: 'In the air'.

Photograph: BBC Monday 21 January 2013 05.40 EST First published on Monday 21 January 2013 05.40 EST Share on Messenger Close A major celebration of George Orwell kicks off today with the inaugural "Orwell Day", to be followed by a month-long Orwell season on Radio 4 and a mass giveaway of one of his most famous essays, Politics and the English Language . The author of Nineteen Eighty-Four and Animal Farm died on 21 January 1950, and 2013 also marks the 110th anniversary of his birth on 25 June 1903. The Orwell Estate, The Orwell Prize and the author's publisher Penguin has decided to launch an annual event, "Orwell Day", on 21 January in "recognition of one of Britain's greatest and most influential writers of the 20th century", and to "celebrate his writing in all its forms and explore the profound influence he has had on the media and discourse of the modern world", it said.

Orwell's 1946 essay Politics and the English Language is being given away for free from the Orwell prize's website , as well as published in a 99p edition by Penguin. "We're aiming to get everyone reading it – in schools, everywhere. It's just one essay, and it's such a radical essay, with the message that language is corrupt, but you can do something about it," said Jean Seaton, chair of the Orwell prize judges, professor of media history at the University of Westminster and the official historian of the BBC. "Political language – and with variations this is true of all political parties, from conservatives to anarchists – is designed to make lies sound truthful and murder respectable, and to give an appearance of solidity to pure wind," wrote Orwell in the essay, and Seaton said "we are now in a battle for the kind of nation we will live in just as much as he was".

Today also marks the launch of new-look editions of four Orwell books, Animal Farm, Down and Out in Paris and London , Homage to Catalonia and Nineteen Eighty-Four, from Penguin Classics, with the latter sporting a new jacket with the book's title almost entirely blacked out , in recognition of the novel's topic of censorship. On 26 January, BBC Radio 4 begins a major Orwell season , including adaptions of Animal Farm, Homage to Catalonia and Nineteen Eighty-Four, a reading of Down and Out in Paris and London as the station's "Book at Bedtime", and glimpses of Orwell's own life through looks at his time as a young policeman in Burma, his relationships and his last days on Jura writing Animal Farm. "Of course there is no real George Orwell – it was the pen name of Eric Blair – but he was a writer and political commentator who is very hard to pin down," said the BBC.

"Through dramatisations of the key books, through four newly commissioned plays that explore the disjuncture between the man who was Eric Blair and the writer who was George Orwell, and through factual programming and readings, Radio 4 will take the listener on a journey from Burma via Catalonia, Wigan, Jura and Manor Farm along the road that led eventually to Nineteen Eighty-Four, one of the most influential novels of the 20th century." The Orwell prize is also taking part in the first ever international literary festival in Burma, in honour of the author, taking out thousands of pounds' worth of Orwell books to give away. Attending authors at the Irrawaddy literary festival include Timothy Garton Ash, William Dalrymple, Jung Chang, and the festival's patron Aung Sang Suu Kyi. "Orwell is in the air," said Seaton. "I think he is very relevant today. He puts truth before self. Very few of us can bear to do that. It's a vocation. But nonetheless, we need people to do that, and he reminds us of that.

It's that bleak realism, expressed beautifully – it is what will keep us decent … Both his writing and in an odd kind of way his personal life stand for integrity. If there was one value that politicians, bankers and journalists, and in a curious way our society as a whole, needs, it's no jargon, and more integrity."

Question: What was the real name of author George Orwell?
Answer: Eric Arthur Blair