Tam-o'-shanter | Define Tam-o'-shanter at Dictionary.com tam-o'-shanter [tam-uh-shan-ter, tam-uh-shan-ter] /ˈtæm əˌʃæn tər, ˌtæm əˈʃæn tɛr/ Spell noun 1. a cap of Scottish origin, usually made of wool, having a round, flat top that projects all around the head and has a pompon at its center. Expand 1880-85; named after the hero of Tam O'Shanter (1791), poem by Robert Burns Dictionary.com Unabridged British Dictionary definitions for tam-o'-shanter Expand noun 1. a Scottish brimless wool cap with a bobble in the centre, usually worn pulled down at one side Also called tam, tammy Word Origin C19: named after the hero of Burns' poem Tam o' Shanter (1790) Collins English Dictionary - Complete & Unabridged 2012 Digital Edition © William Collins Sons & Co. Ltd.

1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012 Word Origin and History for tam-o'-shanter Expand n. c.1840, type of bonnet formerly worn by Scottish plowmen, from Tam O'Shanter "Tom of Shanter," name of hero in a poem of the same name by Robert Burns, written 1790. The woolen cap became fashionable for ladies c.1887. Online Etymology Dictionary, © 2010 Douglas Harper Tam o' Shanter Interpretation Translation Tam o' Shanter noun Date: 1791 1. the hero of Burns's poem Tam o' Shanter 2. (usually tam-o'-shanter) a woolen cap of Scottish origin with a tight headband, wide flat circular crown, and usually a pompon in the center New Collegiate Dictionary. 2001.

tam o’ shanter — ➡ Tam o’ Shanter * * * … Universalium Tam-o'-shanter — Tam o shan ter, n. [So named after Tam o Shanter, a character in Burns s poem of the same name.] A kind of Scotch cap of wool, worsted, or the like, having a round, flattish top much wider than the band which fits the head, and usually having a… … The Collaborative International Dictionary of English tam-o'-shanter — (n.) c.1840, type of bonnet formerly worn by Scottish plowmen, from Tam O Shanter Tom of Shanter, name of hero in a poem of the same name by Robert Burns, written 1790. The woolen cap became fashionable for ladies c.1887 … Etymology dictionary tam-o'-shanter — [tam′ə shan′tər] n.

[&LT; the name of the main character of Robert Burns s poem “Tam o Shanter”] a Scottish cap with a wide, round, flat top and, often, a center pompom … English World dictionary Tam O'Shanter — (1791) a long, humorous poem by Robert Burns, which tells the frightening story of a farmer called Tam O Shanter who is chased by ↑witches (=women with magic powers) … Dictionary of contemporary English tam-o'-shanter — ► NOUN ▪ a round Scottish cap with a bobble in the centre. ORIGIN named after the hero of Robert Burns s poem Tam o Shanter (1790) … English terms dictionary tam-o'shanter — 7 [tam o shanter] [ˌtæməˈʃæntə(r)] [ˌtæməˈʃæntər] noun a round hat made of wool with a small ball made of wool in the centre, originally worn in Scotland … Useful english dictionary tam-o'-shanter — /tam euh shan teuhr, tam euh shan ter/, n.

a cap of Scottish origin, usually made of wool, having a round, flat top that projects all around the head and has a pompon at its center. Also called tam. [1880 85; named after the hero of Tam O Shanter … Universalium tam-o'-shanter — tam o shan•ter [[t]ˈtæm əˌʃæn tər[/t]] n. clo a round, flat cap of Scottish origin, usu. of wool, with a pompom at its center • Etymology: 1880–85; after the hero of Tam O Shanter (1791), poem by Robert Burns … From formal English to slang Tam o’ Shanter — /tam ə shanˈtər/ noun 1. The hero of Burns s poem of the same name 2. A cap with broad circular flat top (informal tam or tammˈy) … Useful english dictionary tam-o'-shanter — [ˌtamə ʃantə] noun a round Scottish cap with a bobble in the centre.

Origin C19: named after the hero of Robert Burns s poem Tam o Shanter (1790) … English new terms dictionary 16+ Tam-o'-shanter dictionary definition | tam-o'-shanter defined A traditional Scottish wool hat , with a bobble in the centre. Origin From the eponymous hero of Burns's poem Tom of Shanter. Noun (plural tam o'shanters) A type of woolen hat developed in Scotland , a toorie bunnet. Originally they were worn by both genders, but now they are mostly worn by men and boys. Origin The meaning of ‘Auld Lang Syne’ and other Scottish words | OxfordWords blog Home > The meaning of ‘Auld Lang Syne’ and other Scottish words The meaning of ‘Auld Lang Syne’ and other Scottish words The following is adapted from the Oxford Dictionary of Word Origins . Scotland has given English many words—some from the Gaelic language, some from Scots, and others reflecting links to further shores. The Scots poet Robert Burns (1759–96) has also weighed in with memorable expressions.

‘Auld Lang Syne’ Anyone who has ever been to a New Year’s Eve party will have linked arms to the song ‘Auld Lang Syne’, but probably not known what the expression means. Auld lang syne is literally ‘times long past’, and for auld lang syne is ‘for old times’ sake’. The phrase was popularized as the title and refrain of a 1788 song by Robert Burns. Syne is an old Scottish and northern English spelling of ‘since’. Wee Another word with which Burns has left his mark is wee, meaning ‘small’, which was originally a noun meaning ‘a little or young thing, a child’ and ‘a small quantity’. It is from Old English wēġ or wēġe, which was connected with weigh. The word is particularly associated with the opening of Burns’s poem ‘To a Mouse’ (1786): ‘Wee, sleekit, cowrin’, tim’rous beastie / O what a panic’s in thy breastie!’ Sleekit or sleeked means ‘having smooth, glossy skin or fur’.

Haggis Scotland is known as the ‘Land of Cakes’, but the phrase refers to oatcakes rather than to sweet treats. It is also famous for a dish addressed by Burns as ‘Great chieftain o’ the puddin’-race’. This was not a dessert, though, but the haggis. Scots have been eating a dish called haggis, consisting of chopped offal with suet and oatmeal boiled in a casing (traditionally a sheep’s stomach), since the late Middle Ages. The word probably comes from hag ‘to hack, cut’, a Scottish and northern English equivalent of hew. Tam-o-shanter Burns is also responsible for the name of the tam-o-shanter, a woollen cap of a kind originally worn by ploughmen and other workers in Scotland. It is named after the hero of the poem ‘Tam o’ Shanter’ (1790), a farmer who, returning home late after a long evening in the pub, came upon witches dancing in a churchyard and was chased by them over a bridge, escaping only because his horse’s tail came off as the leading witch grasped it. Contemporary illustrations of the poem often showed Tam in this kind of cap.

Tartan Many Scots words refer to distinctive clothing. Nothing could be more Scottish than tartan, a woollen cloth woven in a pattern of coloured checks and intersecting lines, but the word is probably from Old French tertaine, a kind of cloth that may have got its name because it was imported from the distant east through Tartary, a region that included what are now Siberia, Turkestan, and Mongolia. Kilt The origins of the kilt are less distant. In medieval English kilt was a verb meaning ‘to tuck up the skirt around the body’ that came from Scandinavia. As an item of male Highland dress it is not recorded until around 1750. Plaid You are most likely to see a plaid as part of the ceremonial dress of the pipe band of a Scottish regiment—it is a piece of tartan worn over the shoulder. Although people now associate it with the Scottish Highlands, the plaid was formerly also worn as a shawl or cloak in other parts of Scotland and in the north of England. In the Highlands it was often a person’s principal, if not only, garment.

The word may come from Scottish Gaelic plaide ‘blanket’, though it is possible that plaid is an early form of plied: to ply originally meant ‘to fold’. Brogue A brogue was originally a crude kind of shoe worn by the inhabitants of the wilder parts of Ireland and the Scottish Highlands. The word comes from Gaelic, though in origin it is Scandinavian and related to breeches. In the early 20th century the brogue emerged as a stout shoe for outdoor pursuits. The use of brogue to mean an Irish or Scottish accent may come from the way that those who wore brogues spoke. Oxford Dictionary of Word Origins is also available on Oxford Reference. The opinions and other information contained in OxfordWords blog posts and comments do not necessarily reflect the opinions or positions of Oxford University Press. Published Tam o’ Shanter Interpretation Translation Tam o’ Shanter a poem (1790) by Robert Burns . Tam o’ Shanter, a Scottish farmer, gets drunk one night, and when he is riding home he sees three witches and they begin to follow him. He rides away as fast as possible and escapes by crossing a bridge over a river that the witches cannot cross.

One of the witches pulls off his horse’s tail before it crosses the bridge. The hat which Tam wears in many illustrations of the poem, a traditional round Scottish cap made of wool, is now called a tam o’ shanter. * * * tam o’ shanter — ➡ Tam o’ Shanter * * * … Universalium Tam-o'-shanter — Tam o shan ter, n. [So named after Tam o Shanter, a character in Burns s poem of the same name.] A kind of Scotch cap of wool, worsted, or the like, having a round, flattish top much wider than the band which fits the head, and usually having a… … The Collaborative International Dictionary of English tam-o'-shanter — (n.) c.1840, type of bonnet formerly worn by Scottish plowmen, from Tam O Shanter Tom of Shanter, name of hero in a poem of the same name by Robert Burns, written 1790. The woolen cap became fashionable for ladies c.1887 … Etymology dictionary tam-o'-shanter — [tam′ə shan′tər] n.

[&LT; the name of the main character of Robert Burns s poem “Tam o Shanter”] a Scottish cap with a wide, round, flat top and, often, a center pompom … English World dictionary Tam O'Shanter — (1791) a long, humorous poem by Robert Burns, which tells the frightening story of a farmer called Tam O Shanter who is chased by ↑witches (=women with magic powers) … Dictionary of contemporary English tam-o'-shanter — ► NOUN ▪ a round Scottish cap with a bobble in the centre. ORIGIN named after the hero of Robert Burns s poem Tam o Shanter (1790) … English terms dictionary tam-o'shanter — 7 [tam o shanter] [ˌtæməˈʃæntə(r)] [ˌtæməˈʃæntər] noun a round hat made of wool with a small ball made of wool in the centre, originally worn in Scotland … Useful english dictionary tam-o'-shanter — /tam euh shan teuhr, tam euh shan ter/, n.

a cap of Scottish origin, usually made of wool, having a round, flat top that projects all around the head and has a pompon at its center. Also called tam. [1880 85; named after the hero of Tam O Shanter … Universalium tam-o'-shanter — tam o shan•ter [[t]ˈtæm əˌʃæn tər[/t]] n. clo a round, flat cap of Scottish origin, usu. of wool, with a pompom at its center • Etymology: 1880–85; after the hero of Tam O Shanter (1791), poem by Robert Burns … From formal English to slang Tam o’ Shanter — /tam ə shanˈtər/ noun 1. The hero of Burns s poem of the same name 2. A cap with broad circular flat top (informal tam or tammˈy) … Useful english dictionary tam-o'-shanter — [ˌtamə ʃantə] noun a round Scottish cap with a bobble in the centre.

Origin C19: named after the hero of Robert Burns s poem Tam o Shanter (1790) … English new terms dictionary 16+ Types of hats Alphabetic List N - Z Types of hats alphabetic list N - Z Below, you will find even more of the many different types of hats that have been recorded in the history of Millinery. While this is not a complete list, I am still discovering more as my research continues and I suspect that I will be researching for the rest of my life. I love all hats and to list every style I would have a massive list, and as I don't profess to know them all, I will list those that I do know, and as you read on, you will see how many types there really are. Listed are many different types of hats, spanning over centuries, and each have different means of technique to produce. Given time, you will find a link to "how to Make" some of the styles which are worn currently, however, you will also find that some hats are called by several different names, so you are sure to find repetition on occasions.

Over the years, the millinery techniques used are very similar, but of course, some of the materials used in millinery today is different to that of years gone by. Types of Hats NEMES HEADDRESS - See KLAFT NEWSBOY CAP - Soft fabric cap with full crown and visor that snaps to crown. Cap worn by children around 1920, who were also newsboys. Also CARNABY, style revived in 1970's. Adapted for women's wear in 1980's. OVERSEAS CAP - Olive drab cloth cap worn by soldiers in WW II and WW I. A 1979 fashion in wool that includes a cuff. Theses types of hats proved to be a popular shape in 1981. NIGHT CAP A small cap worn to bed 18th century OPERA HAT Another name for the gibus, which is a folding top hat. OPTIMO - Straw ( Panama or other ) hat with full crown that has a ridge extending from front to back.

Click on the link below to see many more different types of Hats PADRE - Hat with a low crown and a broad, straight brim that has a slight curve a outer edge. Adapted from the types of hats that priests and missionaries wore. In 1978, Adri designed felt and straw. Popular style in the 1980's both felt and straw. Also PARSON'S HAT. PALLA - ( term from Roman occupation ) Medieval European head drapery that evolved from head rail. PANAMA - Hand woven straw hat from leaves of the jipijapa (he pi ha pa) plant that grows in Central and South America. These types of hats take its name from Panama where it is sold. PETASOS ( pet a sos, PETASUS pet a sus ) - Earliest hats, of felt or straw, with brims that curved upward or downward. Introduced into pre-Hellenic Europe by Cretans, who had knowledge of felt making. Later, part of Greek traveling costume. These types of Hats could be permitted to hang down the back when not in use by means of a thin chin strap or cords that tied under the chin.

Many variations developed, an example would be the winged hat of ( Greek ) Hermes or ( Roman ) Mercury. Other examples are found in the IV and III B.C. Tanagra statuettes. PHRYGIAN BONNET ( frij I an ) - Ancient ( Oriental ) cone-shaped cap with a point that falls forward if made of felt or woolen cloth, or remains erect if made of leather. Cap of freed slaves of Ancient Rome. Cap of liberty or "le BONNET ROUGE " during French Revolution in 18c. Illustration shows Scythian-Persian influence, later adapted by the Greeks. The female " Liberty " statue shows the style. PICTURE HAT A hat with a wide, flattering brim, usually lavishly trimmed PILEUS ( py lee us, Roman, of PILOS Greek ) - A close fitting cap of felt or leather or wool, similar to skullcap. Common to Ancient people. During the Renaissance, the cap evolved into BIRETTA. PILGRIM HAT - See PURITAN HAT. PILLBOX - Small cap that has a flat crown with straight sides. In Medieval times developed from a FILLET.

Fashion made popular in 1960's by Jackie Kennedy. Also GARIBALDI PILLBOX. These types of hats have enjoyed many revivals throughout fashion history. PITH HELMET - ( 19c. ) Helmet-shaped hat of English army in India. Made from pith of the Indian spongewood tree, covered with white cotton and faced with green cloth. Originally worn in tropical regions as protection from the sun. worn by polo players in the 20c. Hindu name TOPE or TOPI. PLANTERS HAT - Worn by sugar planters of Jamaica. Various weaves. Style of hat worn by golfer J. C. Snead in 1980's. POKE BONNET - By 1800, coiffures were " smaller heads, " and bonnets were replacing the huge MOBS and CALASH styles. The poke shaped bonnet with rounded front brim had a small crown. The bonnet came in various shapes and fabrics. PORK PIE - ( 1930's ) A new shape in men's hats had a low crown with telescoped flat top.

A small, round sporty hat with a low crown and a small up-turned brim. These types of hats have enjoyed many revivals throughout fashion history. First shown in felt, then straw. Adapted for women. POSTILION HAT ( poce till yon ) - Also called the REMBRANDT or REUBENS from the great painters of the 17c. Revivals of the style in 18c. and 19c. The post riders of early 19c., traveling coaches wore a high hat with tapering crown. It became a very fashionable ladies hat 1795-1799 PRAIRIE BONNET a bonnet with a straight horizontal brim. worn by pioneer women PROFILE HAT - Hat that is worn tilted to one side to show profile. PUGGAREE ( pug ree ) or PUGGREE - From agric, East Indian word for a turban or scarf that is worn as protection against the sun. Now the pleated scarf worn as a band on a straw or felt hat.

PURITAN HAT - High, flat-crowned felt hat with wide uncocked brim and a silver buckle on a ribbon band. CAVALIER and PURITAN hats ( 17c. ) had the same basic form, but CAVALIER hats had ostrich plumes and were worn cocked. Click on the link below to see many more different types of Hats Back to Types of Hats - Alphabetical list A - D QUAKE HAT - ( 17c. ) Men's high quality, broad brimmed hat of felt or beaver, worn cocker or rolled. Colors were gray or brown. QUAKER BONNET - Quaker women wore very high quality, simplified versions of the prevailing fashion. Black hood replaced by the beaver hat of 18c., then the POKE BONNET in 19c., in which the crown was gathered not pleated. RANELAGH MOB - ( 18c. ) A form of mob cap adapted from the style worn by market women. RETICULATED HEADDRESS - ( 14c., 15c.

) Style consisting of braided coils of hair worn over each ear, covered with CAULS or nets of fine gold or silver wire strung with jewels or pearls. Later a CRESPINE or band was added. Many forms evolved, based on the position of the braids or buns. RIDING HAT A heavily stiffened felt hat, with a small brim. These types of hats could have a domed crown or be a version of the top hat. ROBIN HOOD HAT - ( 12c. ) The English hero and outlaw, Robin Hood, was portrayed wearing the conical hood with self brim that was turned up at the back and worn down to a point in front. Hat was trimmed with a long quill. ROUGH RIDER HAT - Khaki felt soldier hat of Spanish American War of 1898-99. Crown was creased and brim was cocked on one side. Named after Colonel Theodore Roosevelt's troop of Rough Riders. ROUNDLET - ( 14c., 15c. ) Stuffed roll of velvet, worn turban fashion over a close fitting cap that covered all the hair.

RUEBBENS or REMBRANDT HAT - ( 17c. ) Large felt hat decorated with feathers or flowers. Hat made fashionable from portraits of the period. Self portrait by Rubens with Isabella Brant is an example of Dutch costume, Isabella wears a mannish hat of straw over a lace cap. Click on the link below to see many more different types of Hats Back to Types of Hats - Alphabetical list E - M SAILOR - Flat-crowned, straight brimmed hat, usually made of straw. Grosgrain headband trimmed with flat bow at the side worn from 1880 to the present day. Also BOATER, SENNIT. SHAKO ( shak o ) - Flat-topped, rigid, cylindrical military dress hat with a visor and tassels, plumes or pompoms. Originally of fur, later of leather. Originally worn by Hungarian military in early 1800. Also TARBUCKET. SHERHERDESS - ( 18c. ) Shallow crowned hat with wide brim that dips in front and back. Made of fine straw ( Leghorn ). Also CHURCHILLS, GYPSY.

SILK HAT - ( 18c., 19c. ) Black hat of silk plush, with a high, cylindrical shaped crown and a stiff rolled edge brim. As the beaver supply decreased, the SILKER became popular. Also OPERA HAT, TOPPER, GIBUS. SINAMAY HATS The material used in these types of hats is probably the most popular blocking material of today, which is banana leaf fibres woven to create sinamay SKULL CAP - Close fitting cap, worn on the back of the head. BEANIE (American), CALOTTE (French), YARMULKES (Male Jew). SLOUCH CAP - Soft felt hat with broad flexible brim in various shapes. Also CIVIL WAR OFFICER'S HAT, HUNGARIAN HAT, (made popular, 1853, Louis Kossuth) GARBO, FEDORA. SLOUCH HAT The name given to the Australian Military hat, a sporty large fedora with a creased crown and curved brim, turned up at one side.

A similar version, without the turned -up side is said to have been created for Greta Garb to wear in the film "Woman of Affairs" SNAP BRIM - Brim turns down in front and up in back. Mad of felt, straw, or fabric. Worn tilted slightly over the right eye. SNOOD Ancient woven head covering like a hairnet. Some were made of cloth of gold adorned with precious jewels. In Medieval times, the support that holds or covers the hair was called a CAUL. In 19c., the support was called a net, sometimes SNOOD, and consisted of a net-like bag at the back of the head that held the hair or wig. In 1930, Schiaparelli designed a small fur toque to which a chenille net was attached in back to hold the hair ( SNOOD ). SOMBRERO ( som bray ro ) - Spanish word meaning hat. The high crown keeps the head cool and the broad brim protects the wearer from the sun or rain. The peon's sombrero is made of straw, the gentleman's of felt.

Also COWBOY HAT, TEN-GALLON HAT, AMERICAN STETSON ( 1870 ). SOUTHWESTER ( sou wee ter ) - Originally waterproof hat of oiled canvas worn to protect seaman from storms, it is a hat with a roomy crown and a large turned-down brim. Then rubberises by the Mackintosh process. Now the hat is usually plastic coated. Originally worn by sailors as protection against the weather. The brim is broader in back to protect the neck in stormy weather. SPANISH TOQUE - ( Mid 16c. ) The crown of the beret took on height when worn over a wired frame. The brim was narrow and the hat had a jeweled band and feathers. SPOON BONNET A Victorian bonnet that came to a small spoon shaped peak at the top and trimmed with lace and flowers STATUE CAP - A statue, passed in England in 1571, to encourage the wool workers, made wearing this cap compulsory for the common men-folk.

Also can be seen in some illustrations of King Edward VI STOCKING CAP - Knit cap with long tapering end ( liripipr ), usually finished with a pompom or tassel. STOVEPIPE HAT - ( Late 18c. ) Hat of felt, napped with beaver, with tall rounded crown , and rolled small brim. Evolved into high silk hat. STRAW HATS Many types of hats produced in straw. SUGAR LOAF - ( 14c., 15c. ) A very tall tapering, conical hat first worn in the 14th century in the medieval times. It resembles the loaf shape into which refined sugar was made. SUNBONNET - A bonnet for women and girls that has a large stiff brim and a flap at the back for protection from the sun. Click on the link below to see many more different types of Hats Back to Types of Hats - Alphabetical list A - D TAJ - Persian and Arabic for crown. A brimless, tall, cone shaped cap of distinction. TAM O' SHANTER - A variation of the Scottish bonnet named after a character in the poem by Robert Burns.

Cap was made of heavy brushed wool with a center tassel or pompom on the top. TANAGRA - Straw hat with a tall conical crown from Ivc., IIIc., B.C. Greece. Example from terra cotta statuette of a woman from Boeotion town of Tanagra. Also PETASOS, THOLIA. TARBOOSH - Arabic for cap. Brimless felt or cloth skullcap, worn by both men and women of the Mohammedan faith. Usually , red, sometimes has a scarf draped around it or covered with a veil. Larger than a FEZ. TASHASHIT - ( berber ) See CHECHIA. THEATRICAL HATS Many types of Hats which are worn for theatrical performances THERESE - ( Late 16c. ) Large hood of gauze over a frame of wire or whale bone. Also CALASH. TIARA ( tee ar a ) - Greek origin, crown. Woman's crown-like headdress of jewels. Also ancient Persian, Assyrian head covering of the king. A tall conical cap.

Also TIRE, MITRE TOONGABBIE - ( 1960 ) A washable toweling hat, mad of cotton terry cloth. TOP HAT - Worn for formal occasions with tail coat. Tall cylindrical crown in various heights. Late 19c., changed from beaver to silk hat. Originally a man's hat but has been worn by women since the seventeenth century. Very popular for horseriding for ladies. Also TOPPER, SILKER. TOPEE, TOPI - Hindu, hat worn in India and other tropical countries as protection from the sun. See PITH HELMET. TOPPER Same as the Top Hat. Originally a man's hat but has been worn by women since the seventeenth century. Very popular for horseriding TOQUE ( toke ) - small brimless hat or cap full crown and draped of decorated with puffs, lace. Can be decorated with feathers or veiling. Formerly a 16c. small hat, full crown, feather. Some versions have a small brim. Queen Mary of England ( 20c. ) favored this style.

At the inauguration of President Reagan in 1981, Nancy Reagan wore a red, braided toque that matched her coat. TOREADOR HAT - Bicorne shape, set crosswise on the head. TRICORNE - Three cornered hat with upturned wide brim. As the Cavalier hat grew larger and the brim began to droop, fashion led to " cocking " the brim up on one side. Last half of 17c., the hat was cocked on three sides, thus becoming the TRICORNE. TRILBY A fedora style hat, probably a little more tapered towards the top. TRUNCATED TIARA - Ancient Babylonian and Assyrian hat of wool or felt with short lappets. TUDOR BERET, RENAISSANCE BERET - From 1539 painting of Henry VIII portrait by Holbein. Hat of velvet with jewel and feather. TUQUE ( tuke ) - Winter knitted hat, tapered and closed at both end. Worn with one end tucked into the other. Seen at Canadian winter sporting events. TURBAN - Ancient Oriental headdress, consisting of long pieces of cloth rolled and formed over a cap.

Periodically the fashion is revived in various forms, especially when European culture is exposed to the Orient. Todays version is usually draped in a similar manner but secured permanently to a firm base. The Moors in Spain, the returning Crusaders in 11-13c., the capture of Constantinople in 1453, all brought Eastern influence in costume and hairstyles. The Napolenic campaign in Egypt brought this influence to Europe( Empire fashion) in early 19c. The illustration is of an 1931 French turban executed by Mr. Alexander. Early 20c., fashion was influenced by Paul Poiret's fascination with costumes and fabrics of Eastern styles. Throughout the 20c., various styles of the turban have been presented. TUTULUS - Etruscan ( 700-300 B.C. ) Braided hairstyle of women evolved into conical shaped cap, as worn by peasants and soldiers.

TYROLESE (TYROLEAN) A hat with a tall pointed crown and a narrow brim, Worn by Robin Hood Click on the link below to see many more different types of Hats VAGABOND HAT - Casual hat, has Dobbs trademark. VOLENDAM - See DUTCH CAP. VULTURE HEADDRESS - Ancient Egyptian. WATCH CAP - Knitted cap, navy blue, such as worn by sailors. Cap rolls down to keep forehead and neck warm. Formerly in worsted wool, now in synthetic fibers. WATTEAU - ( 18c. ) Following the tall FONTANGE, the small cap appeared. The French painter and engraver, Watteau, showed the small hat in his illustrations, thereby setting a fashion. These types of hats was worn tipped forward to accommodate the high back hairstyles. WEDDING RING - ( 1979 ) Frank Olive's round-crown, rolled-brim hat, in shiny straw. Similar versions called " Krizia hat, " " bowler." WHIMSIES A name given to small headpieces in 1950 -60s WIDOW'S HAT/VEIL Made of translucent black silk crepe for mourning.

The veil is attached to a black hat WIDOW'S PEAK HAT A Hat coming from the centre point in the middle of the forehead. These types of hats were named for Mary, Queen of Scots WIMPLE - ( late 12c., 13c., 14. ) The veil evolved into the wimple, a cloth draped across the throat, cheeks and chin, leaving the face exposed. The illustration shows a wimple worn with a headveil. Certain orders of nuns still wear the wimple. In 14c., the cloth wimple worn without a veil, pinned over coils of hair on either side of the head was known as a GORGET. In 1938, a toque of Persian lamb, with black georgette wimple. WITCH HAT - At the time of the persecution of witches in England, the costume of the times included the steeple hennin. These types of hats remained as a symbol of the garb of witches. YARMULKE - Skullcap worn by male Jews. Orthodox Jews wear the skullcap everyday. Cap consists of four or six pie-shaped pieces, and is lines or unlined.

ZOUVE CAP - See CHECHIA. ZUCCHETTO ( tsook ket toe ) - Ecclesiastical calotte, skullcap. The types of hats listed above is by no means the complete list. If you are familiar with any other different types of hats, please contact me. It is really interesting to research and find out the many varied types of hats that have been worn in the past. No doubt, many too, will be re-worn in the future, perhaps not as they were in their hayday, especially those from the 18th century and prior, but none the less fancy dress and theatrical types of hat are aways featured when the past is replicated in any the story. Robert Burns | Poetry | Scottish Poetry Library Scottish Poetry Library Robert Burns by Iain McIntosh © Scottish Poetry Library Biography Summary If ever a poet understood the character of his nation, he was Robert Burns. The language he was most fluent in wasn’t so much Scots or English – it was the language of the heart. All too human in his personal life, he carried that humanity over onto the page. Nothing was too small or too large to escape his notice, from a mouse in the mud to God in his heavens.

A poet for all seasons, Burns speaks to all, soul to soul. Full Biography ‘The best laid schemes o’ mice an’ men Gang aft agley’ Robert Burns was born on 25 January 1759 in the village of Alloway, near Ayr. His father was William Burnes, a gardener turned tenant farmer from the north-east of Scotland, and his mother was Agnes Brown, an Ayrshire woman of farming stock. Burns’s early life was marked by constant back-breaking work on a succession of small farms, but his father saw to it that he never lacked another kind of culture. He learned the three Rs, some French and much Scripture. Added to that, he was a voracious reader and also absorbed huge amounts of traditional stories and songs from his mother and a kinswoman of hers, Betty Davidson. Poetry sprang early into his heart, at the same time as love, and his first composition was a song for the girl he partnered in the harvest. Rarely having much time to sit and ponder poems, it became his habit to compose as he worked.

His father died in 1784, worn out by the struggle to keep farm after farm going, leaving Burns as head of the family. This seemed to free him in some way and the next few years became a period of high creative energy, producing poems such as ‘To a Mouse’. He also developed a satiric strain and circulated caustic poems on local contemporaries. His reading of an earlier poet, Robert Fergusson, inspired him to think of himself as his successor ‘carrying forward and widening the range of vernacular Scots poetry’, according to D.M. Low in Robert Burns (1986). Burns began to think of gathering his poems together for publication and approached a printer in nearby Kilmarnock. Poems, Chiefly in the Scottish Dialect was published (by subscription) in July 1786 in an edition of 612 copies. He also entertained the notion of emigrating to Jamaica. He had fallen in love with and made pregnant a local girl, Jean Armour, and her father was not best pleased.

All was changed, however, by the almost immediate success of his book, taken up by the Scottish literati as the work of a ‘Heaven-taught ploughman’ (as the novelist Henry Mackenzie dubbed him). Off he went to Edinburgh to capitalise on this sudden fame, and, playing up to his new-found reputation, had a most enjoyable time being lionised by the great and the good – he created a striking impression, not just with his poems, but by his good looks, his charm and his ease of conversation in company: it was said that he ‘glowed’. He arranged a new edition of his poems with the Edinburgh publisher William Creech (selling his copyright for 100 guineas) and had put up in the Canongate churchyard a memorial stone to his literary hero Fergusson. He also found time to indulge in an intense but platonic relationship with a married woman, Nancy Mclehose, which in its ending produced one of his greatest songs, ‘Ae fond kiss’.

Increasingly seeing himself as ‘Scotia’s bard’, Burns embarked on several tours of Scotland, to observe the country (though as a farmer he was more interested in crops than scenery) and to absorb its history and traditions – including its songs. He became almost obsessed with songwriting from this period on – rescuing traditional songs, rewriting their words, writing new words. He was blessed with an amazingly retentive memory. And apart from his narrative verse masterpiece ‘Tam o’ Shanter’ (1788), he devoted the rest of his life to Scottish song, contributing to two main collections, the Scots Musical Museum and A Select Collection of Scotish Airs. There was, however, the problem of earning a living. Through a friend he was offered the tenancy of a farm in Dumfriesshire. He also, though a radical by inclination, took the King’s shilling and accepted a post as an Excise officer. The farm was not a success and he had to fall back on the excise work, moving with his family into the town of Dumfries in 1791 (by now he had married Jean Armour and had several children).

The next few years were marked by increasing ill-health – the heart trouble he had suffered since his hard farming days allied with a rheumatic condition – and despite (or because of) a course of water treatment (immersion in the sea), he died in Dumfries on 21 July 1796, at the age of thirty-seven. His last poem – song, rather – was written for the girl who nursed him at the end (‘O wert thou in the cauld blast’) and his last child was born on the day of his funeral. Burns has been described as a chameleon, that is, he was able to change his personality to suit the company or situation. This is best seen in his letters, where he adapts his tone to suit his correspondent, while never deviating from his lively, humorous and intelligent self. What enabled him to do this was his innate sympathy – or empathy – with people (indeed, all living creatures). He may have been admired by some more for his conversation than his poems, but it is the poems that live on and the poems which have made him such a universally loved figure, not only in the West, but in countries such as Russia and Japan.

Not even Shakespeare has as many statues to his memory, or an annual dinner in his name. Burns Suppers are celebrated every year on the anniversary of Burns’s birth. The poems can be satirical but also full of sentiment; they deal with love and lust (Burns being well versed in these), human foibles and hypocrisies; they show a deep knowledge of and love of the natural world (especially horses, dogs, mice and lice); they can be funny and moving by turns. What makes them special is the way he writes about all of the above: his craftsmanship and use of language (in Scots and English), his skill at rhyming; his use of traditional forms in a new way. He is one of those artists (like Bob Dylan in our own time) who absorbs everything and rewrites it. Essentially you feel this is a man who knows the truth about the human condition – whatever faults he may have had (and he admitted to plenty, especially where women were concerned) just add to that knowledge. He is truly a poet who speaks to all, a poet for all seasons.

And it is not too much to agree with the great Burns scholar Donald Low (in his Robert Burns, 1986) that Poems, Chiefly in the Scottish Dialect ranks with Blake’s Songs of Innocence and Experience (1794) and Wordsworth and Coleridge’s Lyrical Ballads (1798) in quality and importance.

Question: Which type of cloth cap is named after the hero of a poem by Robert Burns?
Answer: Tam-O’-Shanter