ジェイムズ・ディロン
反復語法が必ずしも非合理時価には支えられなくなり、作風はますますクラシカルな音楽性に傾斜している。Charmがその典型例とみなせる。70分を超える大作Stabat Mater Dolorosa (2014)では、Oceanos (1985–96)とムードは似ていてもかつての「複雑派」の時代からは隔たりのある簡明で静謐な作風である。
Windows and Canopies, small orchestra (20 players), 1985
Überschreiten, small orchestra (16 players), 1986
helle Nacht, large orchestra (90 players), 1986–87
Introitus – Nine Rivers 8, strings, fixed media, live electronics, 1989–90
ignis noster, large orchestra (100 players), 1991–92
Blitzschlag, flute, large orchestra (66 players), 1988–96
Via Sacra, large orchestra (80 players), 1999
Concerto, violin, large orchestra (79 players), 2000
La Navette, large orchestra, 2000–01
Physis I & II, large orchestra, 2004–05
Andromeda, piano, large orchestra (80 players), 2005–06
torii, small orchestra (17 players), 2009–10
White Numbers, large orchestra (77 players), 2011
THE GATES, string quartet, large orchestra, 2016