シェンカー理論
Travis, R. (1959). "Towards a New Concept of Tonality?". Journal of Music Theory. 3 (2): 257–284. doi:10.2307/842853. JSTOR 842853.
Travis, R. (1966). "Directed Motion in Schoenberg and Webern". Perspectives of New Music. 4 (2): 85–89. doi:10.2307/832217. JSTOR 832217.
Komar, Arthur (1971/1980). Theory of Suspensions: A Study of Metrical Pitch Relations in Tonal Music. Princeton: Princeton University Press/Austin, Texas: Peer Publications. (Beach 1983)
Yeston, Maury (1976). The Stratification of Musical Rhythm. New Haven: Yale University Press. (Beach 1983)
Narmour, Eugene (1977). Beyond Schenkerism: The Need for Alternatives in Music Analysis. Chicago: The University of Chicago Press.
1926 "Das Organische der Fuge, aufgezeigt an der I. C-Moll-Fuge aus dem Wohltemperierten Klavier von Joh. Seb. Bach", Das Meisterwerk in der Musik II, p. 55-95 1973 Transl. by S. Kalib, "Thirteen Essays from the Three Yearbooks Das Meisterwerk in der Musik: An Annotated Translation," PhD diss., Northwestern University.
1926 "Joh. Seb. Bach: Suite III C-Dur für Violoncello-Solo, Sarabande", Das Meisterwerk in der Musik II, 1926, pp. 97–104. 1970 Transl. by H. Siegel, The Music Forum 2, pp. 274–282.
"Mozart: Sinfonie G-Moll", Das Meisterwerk in der Musik II, pp. 105–157. 1973 Transl. by S.
Edward Aldwell and Carl Schachter, Harmony and Voice Leading, Boston, Schirmer, Cengage Learning, 4th edition (with Allen Cadwallader), 2011 (1st edition, 2003).
Tom Pankhurst, Schenkerguide. A Brief Handbook and Website for Schenkerian Analysis, New York and London, Routledge, 2008 Schenkerguide website.
William Renwick and David Walker, Schenkerian Analysis Glossary.
Larry J. Solomon, A Schenkerian Primer.
Nicolas Meeùs, Análise schenkeriana, Portuguese (Brasil) translation from the French by L. Beduschi, 2008.
Luciane Beduschi and Nicolas Meeùs, Analyse schenkérienne (in French), 2013; several earlier versions archived on the same page. Albanian translation by Sokol Shupo, available on the same webpage.
基本線(Urlinie(英語版))の訳語には、他に 「原旋律」(芦津丈夫訳)、 「根元線」(吉田秀和訳)があるが、ここでは日本語訳書『ベートーヴェン第5交響曲の分析』がある野口剛夫訳に準じた。これは、旋律の細かい音や装飾的な部分などを取り除いて単純化し、音楽の最も基本的な動き・骨格を把握するものである。シェンカーはこれをもとに「基本線表」と称する独自の楽譜を使用して楽曲を分析した。シェンカーは、基本線の追究に生涯をかけてとりくみ、『自由作曲法』で最終的な形を示すに至った。ロマン・ロランは「これを見出したことがベートーヴェンの文献学上、ハインリヒ・シェンカーの最大の功績だった」 と述べている。
Beach, David, ed. (1983). Aspects of Schenkerian Theory. New Haven: Yale University Press. ISBN 9780300028003
Berry, David Carson (2004). A Topical Guide to Schenkerian Literature: An Annotated Bibliography with Indices. Hillsdale, NY: Pendragon Press; ISBN 9781576470954. A thorough documentation of Schenker-related research and analysis. The largest Schenkerian reference work ever published, it has 3600 entries (2200 principal, 1400 secondary) representing the work of 1475 authors. It is organized topically: fifteen broad groupings encompass seventy topical headings, many of which are divided and subdivided again, resulting in a total of 271 headings under which entries are collected.