ヨーク・ヘラー
1982. Gestaltkomposition oder Die Konstruktion des Organischen. In Neuland Jahrbuch II, 1981/82, edited by Herbert Henck, 140–43. Bergisch Gladbach: Neuland.
1989. "Composition of the Gestalt, or the Making of the Organism." Translated by Nigel Osborne. Contemporary Music Review 1, no. 1 ("1984: Musical Thought at IRCAM"): 35–40.
1989. "Resonance: Composition Today." Translated by Nigel Osborne.
Chroma, for large orchestra and live electronics (1972–74)
Klanggitter, for cello, piano, synthesizer, and tape (1975–76)
Antiphon (String Quartet no. 1), for string quartet and electronically transformed string quartet on tape (1976, rev. 1984)
Arcus, for 15 instruments, percussion, and tape (1978)
Moments musicaux, for flute and piano (1979)
Mythos, tone poem for 13 instruments, percussion, and electronic sounds (1979–80)
Umbra, for large orchestra and tape (1979–80)
Résonance, for orchestra and computer-generated sounds on tape (1981)
Schwarze Halbinseln, for large orchestra, with vocal and electronic sounds on tape (1982)