フーゴー・ライヒテントリット
604-622
Die Quellen des Neuen in der Musik, in: Melos 1, 1920, S. 28-33
Nationalism and Internationalism in Music, in: Sackbut 2, 1921/22, Heft 12, S. 13-16
Philipp Jarnach, in: Musikblätter des Anbruch 5, 1923, S. 258-262
Das Händelsche Opernwerk, in: Die Musik 16, 1923/24, S. 551-557
German Music of the Last Decade, in: Musical Qarterly 10, 1924, S. 193-218
Harmonic Daring in the 16th Century, in: Modern Music 5, 1927/28, Heft 1, S. 12-21
Schönberg and Tonality, in Modern Music 5, 1927/28, Heft 4, S.
3-10
Schubert's early operas, in: Musical Quarterly 14, 1928, S. 620 638
Arnold Schönbergs op.19, in: Die Musik 25, 1932/33, S. 405-412
Bartók and the Hungarian Folk-Song, in: Modern Music 10, 1932/33, S. 130-139
Handel's Harmonic Art, in: Musical Qarterly 21, 1935, S. 208-223
On Editing Netherlands Music, in: Musical Mercury 2, 1935, S. 5-11
On the Prologue in Early Opera, in: Papers of the American Musicological Society 1936, S. 88-95
The Reform of Trent and Its Effect on Music, in: Musical Quarterly 30, 1944, S. 319-328