マイケル・フリード
Absorption and Theatricality: Painting and Beholder in the Age of Diderot, Berkeley: University of California Press, 1980. Awarded 1980 Gottschalk Prize. 〔『没入と演劇性──ディドロ時代の絵画と観者』伊藤亜紗訳、水声社、2020〕
« How Modernism Works: A Response to T. J. Clark », Critical Inquiry, Vol. 9, No. 1, The Politics of Interpretation (September 1982), pp. 217-234. Reprinted in The Politics of Interpretation, Ed. By W. J. T. Michell, Chicago and London: University of Chicago Press, 1983. 〔「モダニズムはいかに作動するのか」、上田高弘訳、『批評空間』1995年臨時増刊号「モダニズムのハード・コア」、122-141頁〕
Benjamin Buchloh, Michael Fried and Rosalind Krauss, « Theories of Art after Minimalism and Pop », Discussions in Contemporary Culture 1, ed. HalFoster, Seattle: Bay Press, 1987, pp.55-87.