シェンカー理論
1986 Transl. by J. Bent, Music Analysis 5/2-3, pp. 187–191. 2011 French transl. by N. Meeùs.
1926 "Fortsetzung der Urlinie-Betrachtungen", Das Meisterwerk in der Musik II, pp. 9–42. 1973 Transl. by S. Kalib, "Thirteen Essays from the Three Yearbooks Das Meisterwerk in der Musik: An Annotated Translation," PhD diss., Northwestern University.
1926 "Vom Organischen der Sonatenform", Das Meisterwerk in der Musik II, pp. 43–54. 1968 Transl. by O. Grossman, Journal of Music Theory 12, pp. 164–183, reproduced in Readings in Schenker Analysis and Other Approaches, M. Yeston ed., New Haven, 1977, pp. 38–53. 1973 Transl. by S. Kalib, "Thirteen Essays from the Three Yearbooks Das Meisterwerk in der Musik: An Annotated Translation," PhD diss., Northwestern University.
特にアメリカで広まり、強い影響を与えた。基本理論、楽曲分析、演奏技法に大別され、以下に代表的著作を挙げる。
Sonata III, Largo", Das Meisterwerk in der Musik I, pp. 61–73. 1973 Transl. by S. Kalib, "Thirteen Essays from the Three Yearbooks Das Meisterwerk in der Musik: An Annotated Translation," PhD diss., Northwestern University. 1976 Transl. by J. Rothgeb, The Music Forum 4, p. 141-159.
1925 "Joh. S. Bach: Zwölf kleine Präludien, Nr. 6 [BWV 940]", Das Meisterwerk in der Musik I, pp. 99–105. 2010 French transl. by N. Meeùs.
1925 "Joh. S. Bach: Zwölf kleine Präludien, Nr. 12 [BWV 942]", Das Meisterwerk in der Musik I, 1925, pp. 115–123. 2006 French transl. by N. Meeùs.
1925 "Domenico Scarlatti: Keyboard Sonata in D minor, [L.413]", Das Meisterwerk in der Music I, pp. 125–135. 1986 Transl. by J. Bent, Music Analysis 5/2-3, pp.
シェンカー理論(シェンカーりろん、英: Schenkerian analysis)は、オーストリアの音楽学者ハインリヒ・シェンカーが提唱した音楽理論。