クロード・カアン
2, no. 2, May 31, 2013, 19-26.
Jennifer L. Shaw, “Deconstructing Girlhood: Claude Cahun’s ‘Sophie la Symboliste,’ in Working Girls: Women’s Cultural Production During the Interwar Years, ed. Paula Birnbaum and Edwin Mellen Press, 2009.
Jennifer L. Shaw, “Narcissus and the Magic Mirror” in Don’t Kiss Me: The Art of Claude Cahun and Marcel Moore, ed. Louise Downie, Tate Publishing, 2006.
Colvile, Georgiana M.M. "Self-Representation as Symptom: The Case of Claude Cahun." Interfaces: Women, Autobiography, Image, Performance. The University of Michigan Press, Ann Arbor, 2005. p. 263-288.
Magnes Museum – 4 April – July 2005
Colby College Museum of Art, Waterville, ME, USA – September to October 2005
Jersey Museum – November 2005 to January 2006
Cahun Exhibition – Jeu de Paume, Place de la Concorde, Paris – 24 May to 25 September 2011.
Cahun Exhibition – Will also tour to Art Institute of Chicago and La Virreina Centre de la image, Barcelona in 2011/2012.
March 2012 in Cahun's home town of Nantes, as part of two seasons on 'Le film et l'acte de création: Entre documentaire et oeuvre d'art' ('Film and the creative act: Between documentary and the work of art').
Aux Amis des livres, La Gerbe, No. 5, February 1919 Electronic edition on Bibliothèque Nationale Gallica
La Sorbonne en robe de fête (Pseudonym Daniel Douglas), La Gerbe, No. 5, February 1919 Electronic edition on Bibliothèque Nationale Gallica
La possession du Monde, par Georges Duhamel, La Gerbe, No. 7, April 1919 Electronic edition on Bibliothèque Nationale Gallica
Les Gerbes (Pseudonym Daniel Douglas), La Gerbe, No. 7, April 1919 Electronic edition on Bibliothèque Nationale Gallica
L'amour aveugle (Pseudonym Daniel Douglas), La Gerbe, No. 12, September 1919
La machine magique (Pseudonym Daniel Douglas), La Gerbe, No. 12, September 1919
Mathilde Alanic. Les roses refleurissent, Le Phare de la Loire, 29 June 1919