ジョージ・ルイス (トロンボーン奏者)
1, No. 1, ISSN 1712-0624, www.criticalimprov.com.
Lewis, George E. 2004. "Leben mit kreativen Maschinen: Reflexionen eines improvisierenden Musikers". In Knauer, Wolfram, ed. Improvisieren: Darmstädter Beiträge zur Jazzforschung, Band 8. Hofheim: Wolke Verlag, 123-144.
Lewis, George. 2004. Afterword to "Improvised Music After 1950": The Changing Same. In Fischlin, Daniel, and Ajay Heble, eds. The Other Side of Nowhere: Jazz, Improvisation, and Communities in Dialogue. Middletown: Wesleyan University Press, 163-72.
Lewis, George E., "Too Many Notes: Computers, complexity and culture in Voyager." Leonardo Music Journal 10, 2000, 33-39.
139–53 (2008).
Lewis, George E., "Stan Douglas's Suspiria: Genealogies of Recombinant Narrativity." In Stan Douglas, Past Imperfect: Works 1986-2007. Ostfildern, Germany: Hatje Cantz Verlag, 42-53 (2008).
Lewis, George E., "Improvising Tomorrow's Bodies: The Politics of Transduction." E-misférica, Vol. 4.2, November 2007.
Lewis, George E., "Mobilitas Animi: Improvising Technologies, Intending Chance." Parallax, Vol. 13, No. 4, (2007), 108–122.
Lewis, George E., "Living with Creative Machines: An Improvisor Reflects." In Anna Everett and Amber J. Wallace, eds. AfroGEEKS: Beyond the Digital Divide.
"Interactive Trio" (2007年) for interactive computer-driven piano, human pianist, and additional instrumentalist
"Virtual Concerto" (2004年) for improvising computer piano soloist and orchestra
"Voyager" (1987年) for improvising soloist and interactive “virtual orchestra"
"Rainbow Family" (1984年) for soloists with multiple interactive computer systems
"Chamber Music for Humans and Non-Humans" (1980年) for micro-computer and improvising musician
"The KIM and I" (1979年) for micro-computer and improvising musician
舞台音楽
"The Empty Chair" (1986年) computer-driven videosonic music theatre work
"Changing With The Times" (1991年) radiophonic/music theatre work
創作オーケストラ
"Triangle" (2009年)