喬瓦尼・費利切・桑切斯（義大利語：Giovanni Felice Sances，「Sances」也寫作「Sancies」「Sanci」「Sanes」或「Sanchez」，約 1600 年 - 1679 年 11 月 24 日），義大利歌唱家、巴洛克時期作曲家，在世時享譽歐洲。

1609 年 - 1614 年間，桑切斯在位於羅馬的日耳曼大學學習。1614 年，他曾在歌劇 _Amor pudico_ 中上台演出。他的職業生涯始於博洛尼亞與威尼斯這兩座城市。桑切斯的第一部歌劇 _Ermiona_ 於 1636 年首次亮相，其本人也親自登台演唱 Sances studied at the Collegio Germanico in Rome from 1609 to 1614. He appeared in the opera _Amor pudico_ in Rome in 1614. His career then took him to Bologna and Venice. His first opera _Ermiona_ was staged in Padua in 1636, in which he also sang.

1636 年，桑切斯前去維也納，在此地他最初受僱於皇家宮廷，成為一名男高音。在 1649 年斐迪南三世統治期間，他委任副宮廷樂長，此時正樂長為安東尼奧・貝塔利。二人相互協作，定期將義大利歌劇搬上舞台。桑切斯還創作了如 _sepolcri_、聖樂及室內樂這些類型的作品。In 1636 he moved to Vienna, where he was initially employed at the imperial court chapel as a tenor. In 1649, during the reign of Ferdinand III he was appointed vice-_Kapellmeister_ under Antonio Bertali. He collaborated with Bertali to stage regular performances of Italian opera. He also composed _sepolcri_, sacred works and chamber music.

1669 年貝塔利去世後，他成功任命宮廷樂長一職。出於健康原因，從 1673 年始，他的副手約翰・海因里希・施梅爾策逐漸承擔他的工作。1679 年，桑切斯逝於維也納。In 1669 he succeeded to the post of Imperial _Kapellmeister_ upon Bertali's death. From 1673, due to poor health, many of his duties were undertaken by his deputy Jodhann Heinrich Schmelzer. He died in Vienna in 1679.



作品

宗教音樂作品 Sacred works

出版的經文歌集 Published motet collections


* Motetti a una, due, tre, e quattro voci (1638)

* Motetti a 2, 3, 4, a cinque voci con Litania della BVM (1642) dedicated to Guglielmo Slavata chancellor

* Salmi a 8 voci (1643) dedicated to Archduke Leopold Wilhelm

* Salmi brevi a 4 v. concertate (1647, Cardano) dedicated to Ferdinand IV, King of the Romans

* Antiphonae sacrae una voce decantandae (1648, Cardano) dedicated to Antonio Spindler abbot of the Schottenkirche

* Motetti a quattro voci ; Venice, 1658

Various works


* 60 Mass settings including
  
* _Missa Sanctae Maria Magdalenae_ (for 6 wind instruments, 6 string instruments, 7 voices, and organ)
  
* _Missa Solicita_

* _Stabat Mater_ (1670)

* _O Domine Jesu_

* _O Deus Meus_

* _O Maria Dei genetrix_

* _Caro Mea_

* _Improperium expectavit cor meum_

* _Vulnerasti cor meum_

* _Domine quid multiplicati sunt_

* _Plagae tuae Domine_

* _Iste confessor_

世俗音樂作品 Secular works

Six operas, of which three lost


* Opera: _L』Ermiona_ (1636) - lost - libretto by Pio Enea degli Obizzi (1592–1674) on the story of Cadmus and Hermione, performed as an introduction to a tournament.

* Oratorios: _Lachrime di San Pietro_ (1666) La morte de bellata (1669), Sette consolazioni a Maria Vergine per la morte di Cristo (1670), Il trionfo della Croce (1671), Il Paradiso aperto per la morte di Cristo (1672), L' ingiustitia della sentenza di Pilato (1676)

Published secular music


* Cantatas book I - lost (date unknown)

* Cantatas for one voice (Venice 1633)

* Cantatas for two voices (Venice 1633)

* Il Quarto Libro, cantatas for one voice, with two duets and one for three voices. (Venice 1636)

* Capricci Poetici, 23 works (Venice 1649)

* Trattenimenti musicali per camera, (Venice, 1657), 16 works

Various


* _Mi fai peccato_ (for 2 voices & basso continuo)

* _Si fera s'uccida_, (for 2 voices, strings & basso continuo)

* _Misera, hor si ch'il pianto_

* _Chi sa amare e tracer mercede aspetti_ (_canzonetta_ for 2 voices)

* _Presso l'onde tranquille_ (for voice & basso continuo)

* _Traditorella che credi_ (for voice & basso continuo)

* _Perché Vechia gli dissi_ (for voice & basso continuo)

* _Che sperasti ò mio cor_ (for voice & basso continuo)

* Cantata: _Lagrimosa beltà (ciaccona)_ (for 2 voices)

* Cantata: _Non sia chi mi riprende_ (1636)

* _Dialogo a due. Pastor e Ninfa_ (1649)

* Pianto della Madonna cantata per alto e organo



參考資料


* _Il quarto libro delle cantate et arie a voce sola_, Venetia, Vincetini, 1636

* _Capricci poetici di Gioan Felice Sances_, Venetia, Gardano, 1649

* Carter, Stewart, "Trombone Obbligatos in Viennese Oratorios of the Baroque", Historic Brass Society Journal, p55, July 1, 1990.

* Sadie, Julie Anne, ed., "Companion to Baroque Music", University of California Press, 1998. ISBN 0-520-21414-5. Pages 257–8

* Weaver, Andrew H., "Music in the Service of Counter-Reformation Politics: The Immaculate Conception at the Habsburg Court of Ferdinand III (1637–1657)", Oxford University Press, 2006.

* Rosand, Ellen, "The Descending Tetrachord: An Emblem of Lament", The Musical Quarterly, 1979 LXV(3):346–359; doi:10.1093/mq/LXV3.346, Oxford University Press, 1979

Specific



Recordings


* _Tirsi Morir Volea,_ Sacro & Profano, Marco Mencoboni E lucevan le stelle records （頁面存檔備份，存於網際網路檔案館）

* _Dulcis amor Iesu._ Scherzi Musicali with Nicolas Achten, conductor. 2010, Ricercar RIC 292

* _Stabat Mater & Motets to the virgin Mary - Philippe Jaroussky - Warner Classics - Aout 2009_



外部連結


* 公有領域聲樂檔案館上喬瓦尼・費利切・桑切斯的作品

* 喬瓦尼・費利切・桑切斯的樂譜，來自烏托邦計劃