yz2022/T2P-DownstreamNLP huggingface dataset:
Hard_rock

Often categorised with the New Wave of British Heavy Metal, in 1981 Def Leppard released their second album High 'n' Dry, mixing glam-rock with heavy metal, and helping to define the sound of hard rock for the decade. The follow-up Pyromania (1983), reached number two on the American charts and the singles "Photograph", "Rock of Ages" and "Foolin'", helped by the emergence of MTV, all reached the Top 40. It was widely emulated, particularly by the emerging Californian glam metal scene. This was followed by US acts like Mötley Crüe, with their albums Too Fast for Love (1981) and Shout at the Devil (1983) and, as the style grew, the arrival of bands such as Ratt, White Lion, Twisted Sister and Quiet Riot. Quiet Riot's album Metal Health (1983) was the first glam metal album, and arguably the first heavy metal album of any kind, to reach number one in the Billboard music charts and helped open the doors for mainstream success by subsequent bands.

Question: What was Def Leppard's second album called?
Answer: High 'n' Dry
Hard_rock

The term "retro-metal" has been applied to such bands as Texas based The Sword, California's High on Fire, Sweden's Witchcraft and Australia's Wolfmother. Wolfmother's self-titled 2005 debut album combined elements of the sounds of Deep Purple and Led Zeppelin. Fellow Australians Airbourne's début album Runnin' Wild (2007) followed in the hard riffing tradition of AC/DC. England's The Darkness' Permission to Land (2003), described as an "eerily realistic simulation of '80s metal and '70s glam", topped the UK charts, going quintuple platinum. The follow-up, One Way Ticket to Hell... and Back (2005), reached number 11, before the band broke up in 2006. Los Angeles band Steel Panther managed to gain a following by sending up 80s glam metal. A more serious attempt to revive glam metal was made by bands of the sleaze metal movement in Sweden, including Vains of Jenna, Hardcore Superstar and Crashdïet.

Question: What is the title of Airbourne's debut lp?
Answer: Runnin' Wild
Hard_rock

Hard rock entered the 1990s as one of the dominant forms of commercial music. The multi-platinum releases of AC/DC's The Razors Edge (1990), Guns N' Roses' Use Your Illusion I and Use Your Illusion II (both in 1991), Ozzy Osbourne's No More Tears (1991), and Van Halen's For Unlawful Carnal Knowledge (1991) showcased this popularity. Additionally, The Black Crowes released their debut album, Shake Your Money Maker (1990), which contained a bluesy classic rock sound and sold five million copies. In 1992, Def Leppard followed up 1987's Hysteria with Adrenalize, which went multi-platinum, spawned four Top 40 singles and held the number one spot on the US album chart for five weeks.

Question: Adrenalize followed what 1987 Def Leppard record?
Answer: Hysteria
Hard_rock

While these few hard rock bands managed to maintain success and popularity in the early part of the decade, alternative forms of hard rock achieved mainstream success in the form of grunge in the US and Britpop in the UK. This was particularly evident after the success of Nirvana's Nevermind (1991), which combined elements of hardcore punk and heavy metal into a "dirty" sound that made use of heavy guitar distortion, fuzz and feedback, along with darker lyrical themes than their "hair band" predecessors. Although most grunge bands had a sound that sharply contrasted mainstream hard rock, several, including Pearl Jam, Alice in Chains, Mother Love Bone and Soundgarden, were more strongly influenced by 1970s and 1980s rock and metal, while Stone Temple Pilots managed to turn alternative rock into a form of stadium rock. However, all grunge bands shunned the macho, anthemic and fashion-focused aesthetics particularly associated with glam metal. In the UK, Oasis were unusual among the Britpop bands of the mid-1990s in incorporating a hard rock sound.

Question: What are some grunge bands with a strong 1970s influence?
Answer: Pearl Jam, Alice in Chains, Mother Love Bone and Soundgarden

Question: What 1990s hard rock band had a big stadium rock sound?
Answer: Stone Temple Pilots
Hard_rock

The opening years of the 1980s saw a number of changes in personnel and direction of established hard rock acts, including the deaths of Bon Scott, the lead singer of AC/DC, and John Bonham, drummer with Led Zeppelin. Whereas Zeppelin broke up almost immediately afterwards, AC/DC pressed on, recording the album Back in Black (1980) with their new lead singer, Brian Johnson. It became the fifth-highest-selling album of all time in the US and the second-highest-selling album in the world. Black Sabbath had split with original singer Ozzy Osbourne in 1979 and replaced him with Ronnie James Dio, formerly of Rainbow, giving the band a new sound and a period of creativity and popularity beginning with Heaven and Hell (1980). Osbourne embarked on a solo career with Blizzard of Ozz (1980), featuring American guitarist Randy Rhoads. Some bands, such as Queen, moved away from their hard rock roots and more towards pop rock, while others, including Rush with Moving Pictures (1981), began to return to a hard rock sound. The creation of thrash metal, which mixed heavy metal with elements of hardcore punk from about 1982, particularly by Metallica, Anthrax, Megadeth and Slayer, helped to create extreme metal and further remove the style from hard rock, although a number of these bands or their members would continue to record some songs closer to a hard rock sound. Kiss moved away from their hard rock roots toward pop metal: firstly removing their makeup in 1983 for their Lick It Up album, and then adopting the visual and sound of glam metal for their 1984 release, Animalize, both of which marked a return to commercial success. Pat Benatar was one of the first women to achieve commercial success in hard rock, with three successive Top 5 albums between 1980 and 1982.

Question: What are some thrash metal bands?
Answer: Metallica, Anthrax, Megadeth and Slayer
Hard_rock

In the 1960s, American and British blues and rock bands began to modify rock and roll by adding harder sounds, heavier guitar riffs, bombastic drumming, and louder vocals, from electric blues. Early forms of hard rock can be heard in the work of Chicago blues musicians Elmore James, Muddy Waters, and Howlin' Wolf, The Kingsmen's version of "Louie Louie" (1963) which made it a garage rock standard, and the songs of rhythm and blues influenced British Invasion acts, including "You Really Got Me" by The Kinks (1964), "My Generation" by The Who (1965), "Shapes of Things" (1966) by The Yardbirds and "(I Can't Get No) Satisfaction" (1965) by The Rolling Stones. From the late 1960s, it became common to divide mainstream rock music that emerged from psychedelia into soft and hard rock. Soft rock was often derived from folk rock, using acoustic instruments and putting more emphasis on melody and harmonies. In contrast, hard rock was most often derived from blues rock and was played louder and with more intensity.

Question: When did the Rolling Stones release "(I Can't Get No" Satisfaction"?
Answer: 1965
Hard_rock

Some established acts continued to enjoy commercial success, such as Aerosmith, with their number one multi-platinum albums: Get a Grip (1993), which produced four Top 40 singles and became the band's best-selling album worldwide (going on to sell over 10 million copies), and Nine Lives (1997). In 1998, Aerosmith released the number one hit "I Don't Want to Miss a Thing", which remains the only single by a hard rock band to debut at number one. AC/DC produced the double platinum Ballbreaker (1995). Bon Jovi appealed to their hard rock audience with songs such as "Keep the Faith" (1992), but also achieved success in adult contemporary radio, with the Top 10 ballads "Bed of Roses" (1993) and "Always" (1994). Bon Jovi's 1995 album These Days was a bigger hit in Europe than it was in the United States, spawning four Top 10 singles on the UK Singles Chart. Metallica's Load (1996) and ReLoad (1997) each sold in excess of 4 million copies in the US and saw the band develop a more melodic and blues rock sound. As the initial impetus of grunge bands faltered in the middle years of the decade, post-grunge bands emerged. They emulated the attitudes and music of grunge, particularly thick, distorted guitars, but with a more radio-friendly commercially oriented sound that drew more directly on traditional hard rock. Among the most successful acts were the Foo Fighters, Candlebox, Live, Collective Soul, Australia's Silverchair and England's Bush, who all cemented post-grunge as one of the most commercially viable subgenres by the late 1990s. Similarly, some post-Britpop bands that followed in the wake of Oasis, including Feeder and Stereophonics, adopted a hard rock or "pop-metal" sound.

Question: What Aerosmith ballad debuted at number one on the charts?
Answer: "I Don't Want to Miss a Thing"
Hard_rock

In the 1960s, American and British blues and rock bands began to modify rock and roll by adding harder sounds, heavier guitar riffs, bombastic drumming, and louder vocals, from electric blues. Early forms of hard rock can be heard in the work of Chicago blues musicians Elmore James, Muddy Waters, and Howlin' Wolf, The Kingsmen's version of "Louie Louie" (1963) which made it a garage rock standard, and the songs of rhythm and blues influenced British Invasion acts, including "You Really Got Me" by The Kinks (1964), "My Generation" by The Who (1965), "Shapes of Things" (1966) by The Yardbirds and "(I Can't Get No) Satisfaction" (1965) by The Rolling Stones. From the late 1960s, it became common to divide mainstream rock music that emerged from psychedelia into soft and hard rock. Soft rock was often derived from folk rock, using acoustic instruments and putting more emphasis on melody and harmonies. In contrast, hard rock was most often derived from blues rock and was played louder and with more intensity.

Question: Who recorded "You Really Got Me"?
Answer: The Kinks
Hard_rock

The term "retro-metal" has been applied to such bands as Texas based The Sword, California's High on Fire, Sweden's Witchcraft and Australia's Wolfmother. Wolfmother's self-titled 2005 debut album combined elements of the sounds of Deep Purple and Led Zeppelin. Fellow Australians Airbourne's début album Runnin' Wild (2007) followed in the hard riffing tradition of AC/DC. England's The Darkness' Permission to Land (2003), described as an "eerily realistic simulation of '80s metal and '70s glam", topped the UK charts, going quintuple platinum. The follow-up, One Way Ticket to Hell... and Back (2005), reached number 11, before the band broke up in 2006. Los Angeles band Steel Panther managed to gain a following by sending up 80s glam metal. A more serious attempt to revive glam metal was made by bands of the sleaze metal movement in Sweden, including Vains of Jenna, Hardcore Superstar and Crashdïet.

Question: What are some Swedish sleaze metal revivalist bands?
Answer: Vains of Jenna, Hardcore Superstar and Crashdïet
Hard_rock

Emerging British acts included Free, who released their signature song "All Right Now" (1970), which has received extensive radio airplay in both the UK and US. After the breakup of the band in 1973, vocalist Paul Rodgers joined supergroup Bad Company, whose eponymous first album (1974) was an international hit. The mixture of hard rock and progressive rock, evident in the works of Deep Purple, was pursued more directly by bands like Uriah Heep and Argent. Scottish band Nazareth released their self-titled début album in 1971, producing a blend of hard rock and pop that would culminate in their best selling, Hair of the Dog (1975), which contained the proto-power ballad "Love Hurts". Having enjoyed some national success in the early 1970s, Queen, after the release of Sheer Heart Attack (1974) and A Night at the Opera (1975), gained international recognition with a sound that used layered vocals and guitars and mixed hard rock with heavy metal, progressive rock, and even opera. The latter featured the single "Bohemian Rhapsody", which stayed at number one in the UK charts for nine weeks.

Question: When did Free break up?
Answer: 1973

Question: What band did Free lead singer Paul Rodgers help form?
Answer: Bad Company

Question: Bad Company's self titled debut album was released in what year?
Answer: 1974

Question: What nationality was the band Nazareth?
Answer: Scottish
Hard_rock

In the 1960s, American and British blues and rock bands began to modify rock and roll by adding harder sounds, heavier guitar riffs, bombastic drumming, and louder vocals, from electric blues. Early forms of hard rock can be heard in the work of Chicago blues musicians Elmore James, Muddy Waters, and Howlin' Wolf, The Kingsmen's version of "Louie Louie" (1963) which made it a garage rock standard, and the songs of rhythm and blues influenced British Invasion acts, including "You Really Got Me" by The Kinks (1964), "My Generation" by The Who (1965), "Shapes of Things" (1966) by The Yardbirds and "(I Can't Get No) Satisfaction" (1965) by The Rolling Stones. From the late 1960s, it became common to divide mainstream rock music that emerged from psychedelia into soft and hard rock. Soft rock was often derived from folk rock, using acoustic instruments and putting more emphasis on melody and harmonies. In contrast, hard rock was most often derived from blues rock and was played louder and with more intensity.

Question: Who were three Chicago blues players who influenced hard rock?
Answer: Elmore James, Muddy Waters, and Howlin' Wolf
Hard_rock

The opening years of the 1980s saw a number of changes in personnel and direction of established hard rock acts, including the deaths of Bon Scott, the lead singer of AC/DC, and John Bonham, drummer with Led Zeppelin. Whereas Zeppelin broke up almost immediately afterwards, AC/DC pressed on, recording the album Back in Black (1980) with their new lead singer, Brian Johnson. It became the fifth-highest-selling album of all time in the US and the second-highest-selling album in the world. Black Sabbath had split with original singer Ozzy Osbourne in 1979 and replaced him with Ronnie James Dio, formerly of Rainbow, giving the band a new sound and a period of creativity and popularity beginning with Heaven and Hell (1980). Osbourne embarked on a solo career with Blizzard of Ozz (1980), featuring American guitarist Randy Rhoads. Some bands, such as Queen, moved away from their hard rock roots and more towards pop rock, while others, including Rush with Moving Pictures (1981), began to return to a hard rock sound. The creation of thrash metal, which mixed heavy metal with elements of hardcore punk from about 1982, particularly by Metallica, Anthrax, Megadeth and Slayer, helped to create extreme metal and further remove the style from hard rock, although a number of these bands or their members would continue to record some songs closer to a hard rock sound. Kiss moved away from their hard rock roots toward pop metal: firstly removing their makeup in 1983 for their Lick It Up album, and then adopting the visual and sound of glam metal for their 1984 release, Animalize, both of which marked a return to commercial success. Pat Benatar was one of the first women to achieve commercial success in hard rock, with three successive Top 5 albums between 1980 and 1982.

Question: Who was the original lead singer of AC/DC who died?
Answer: Bon Scott
Hard_rock

Emerging British acts included Free, who released their signature song "All Right Now" (1970), which has received extensive radio airplay in both the UK and US. After the breakup of the band in 1973, vocalist Paul Rodgers joined supergroup Bad Company, whose eponymous first album (1974) was an international hit. The mixture of hard rock and progressive rock, evident in the works of Deep Purple, was pursued more directly by bands like Uriah Heep and Argent. Scottish band Nazareth released their self-titled début album in 1971, producing a blend of hard rock and pop that would culminate in their best selling, Hair of the Dog (1975), which contained the proto-power ballad "Love Hurts". Having enjoyed some national success in the early 1970s, Queen, after the release of Sheer Heart Attack (1974) and A Night at the Opera (1975), gained international recognition with a sound that used layered vocals and guitars and mixed hard rock with heavy metal, progressive rock, and even opera. The latter featured the single "Bohemian Rhapsody", which stayed at number one in the UK charts for nine weeks.

Question: What was Queen's massive 1975 hit single called?
Answer: "Bohemian Rhapsody"
Hard_rock

Often categorised with the New Wave of British Heavy Metal, in 1981 Def Leppard released their second album High 'n' Dry, mixing glam-rock with heavy metal, and helping to define the sound of hard rock for the decade. The follow-up Pyromania (1983), reached number two on the American charts and the singles "Photograph", "Rock of Ages" and "Foolin'", helped by the emergence of MTV, all reached the Top 40. It was widely emulated, particularly by the emerging Californian glam metal scene. This was followed by US acts like Mötley Crüe, with their albums Too Fast for Love (1981) and Shout at the Devil (1983) and, as the style grew, the arrival of bands such as Ratt, White Lion, Twisted Sister and Quiet Riot. Quiet Riot's album Metal Health (1983) was the first glam metal album, and arguably the first heavy metal album of any kind, to reach number one in the Billboard music charts and helped open the doors for mainstream success by subsequent bands.

Question: What band had the first glam metal album to hit number one on the Billboard charts?
Answer: Quiet Riot
Hard_rock

The opening years of the 1980s saw a number of changes in personnel and direction of established hard rock acts, including the deaths of Bon Scott, the lead singer of AC/DC, and John Bonham, drummer with Led Zeppelin. Whereas Zeppelin broke up almost immediately afterwards, AC/DC pressed on, recording the album Back in Black (1980) with their new lead singer, Brian Johnson. It became the fifth-highest-selling album of all time in the US and the second-highest-selling album in the world. Black Sabbath had split with original singer Ozzy Osbourne in 1979 and replaced him with Ronnie James Dio, formerly of Rainbow, giving the band a new sound and a period of creativity and popularity beginning with Heaven and Hell (1980). Osbourne embarked on a solo career with Blizzard of Ozz (1980), featuring American guitarist Randy Rhoads. Some bands, such as Queen, moved away from their hard rock roots and more towards pop rock, while others, including Rush with Moving Pictures (1981), began to return to a hard rock sound. The creation of thrash metal, which mixed heavy metal with elements of hardcore punk from about 1982, particularly by Metallica, Anthrax, Megadeth and Slayer, helped to create extreme metal and further remove the style from hard rock, although a number of these bands or their members would continue to record some songs closer to a hard rock sound. Kiss moved away from their hard rock roots toward pop metal: firstly removing their makeup in 1983 for their Lick It Up album, and then adopting the visual and sound of glam metal for their 1984 release, Animalize, both of which marked a return to commercial success. Pat Benatar was one of the first women to achieve commercial success in hard rock, with three successive Top 5 albums between 1980 and 1982.

Question: Who was the Led Zeppelin drummer who passed away?
Answer: John Bonham
Hard_rock

Often categorised with the New Wave of British Heavy Metal, in 1981 Def Leppard released their second album High 'n' Dry, mixing glam-rock with heavy metal, and helping to define the sound of hard rock for the decade. The follow-up Pyromania (1983), reached number two on the American charts and the singles "Photograph", "Rock of Ages" and "Foolin'", helped by the emergence of MTV, all reached the Top 40. It was widely emulated, particularly by the emerging Californian glam metal scene. This was followed by US acts like Mötley Crüe, with their albums Too Fast for Love (1981) and Shout at the Devil (1983) and, as the style grew, the arrival of bands such as Ratt, White Lion, Twisted Sister and Quiet Riot. Quiet Riot's album Metal Health (1983) was the first glam metal album, and arguably the first heavy metal album of any kind, to reach number one in the Billboard music charts and helped open the doors for mainstream success by subsequent bands.

Question: What were the three Top 40 singles from Def Leppard's Pyromania album?
Answer: "Photograph", "Rock of Ages" and "Foolin'"
Hard_rock

In the 1960s, American and British blues and rock bands began to modify rock and roll by adding harder sounds, heavier guitar riffs, bombastic drumming, and louder vocals, from electric blues. Early forms of hard rock can be heard in the work of Chicago blues musicians Elmore James, Muddy Waters, and Howlin' Wolf, The Kingsmen's version of "Louie Louie" (1963) which made it a garage rock standard, and the songs of rhythm and blues influenced British Invasion acts, including "You Really Got Me" by The Kinks (1964), "My Generation" by The Who (1965), "Shapes of Things" (1966) by The Yardbirds and "(I Can't Get No) Satisfaction" (1965) by The Rolling Stones. From the late 1960s, it became common to divide mainstream rock music that emerged from psychedelia into soft and hard rock. Soft rock was often derived from folk rock, using acoustic instruments and putting more emphasis on melody and harmonies. In contrast, hard rock was most often derived from blues rock and was played louder and with more intensity.

Question: "Shapes of Things" was a 1966 single by what band?
Answer: The Yardbirds
Hard_rock

While these few hard rock bands managed to maintain success and popularity in the early part of the decade, alternative forms of hard rock achieved mainstream success in the form of grunge in the US and Britpop in the UK. This was particularly evident after the success of Nirvana's Nevermind (1991), which combined elements of hardcore punk and heavy metal into a "dirty" sound that made use of heavy guitar distortion, fuzz and feedback, along with darker lyrical themes than their "hair band" predecessors. Although most grunge bands had a sound that sharply contrasted mainstream hard rock, several, including Pearl Jam, Alice in Chains, Mother Love Bone and Soundgarden, were more strongly influenced by 1970s and 1980s rock and metal, while Stone Temple Pilots managed to turn alternative rock into a form of stadium rock. However, all grunge bands shunned the macho, anthemic and fashion-focused aesthetics particularly associated with glam metal. In the UK, Oasis were unusual among the Britpop bands of the mid-1990s in incorporating a hard rock sound.

Question: What element made Oasis unique among 1990s Britpop bands?
Answer: a hard rock sound
Hard_rock

In the 1960s, American and British blues and rock bands began to modify rock and roll by adding harder sounds, heavier guitar riffs, bombastic drumming, and louder vocals, from electric blues. Early forms of hard rock can be heard in the work of Chicago blues musicians Elmore James, Muddy Waters, and Howlin' Wolf, The Kingsmen's version of "Louie Louie" (1963) which made it a garage rock standard, and the songs of rhythm and blues influenced British Invasion acts, including "You Really Got Me" by The Kinks (1964), "My Generation" by The Who (1965), "Shapes of Things" (1966) by The Yardbirds and "(I Can't Get No) Satisfaction" (1965) by The Rolling Stones. From the late 1960s, it became common to divide mainstream rock music that emerged from psychedelia into soft and hard rock. Soft rock was often derived from folk rock, using acoustic instruments and putting more emphasis on melody and harmonies. In contrast, hard rock was most often derived from blues rock and was played louder and with more intensity.

Question: What garage rock classic was recorded by The Kingsmen?
Answer: "Louie Louie"