yz2022/T2P-DownstreamNLP huggingface dataset:
Classical_music

The key characteristic of classical music that distinguishes it from popular music and folk music is that the repertoire tends to be written down in musical notation, creating a musical part or score. This score typically determines details of rhythm, pitch, and, where two or more musicians (whether singers or instrumentalists) are involved, how the various parts are coordinated. The written quality of the music has enabled a high level of complexity within them: J.S. Bach's fugues, for instance, achieve a remarkable marriage of boldly distinctive melodic lines weaving in counterpoint yet creating a coherent harmonic logic that would be impossible in the heat of live improvisation. The use of written notation also preserves a record of the works and enables Classical musicians to perform music from many centuries ago. Musical notation enables 2000s-era performers to sing a choral work from the 1300s Renaissance era or a 1700s Baroque concerto with many of the features of the music (the melodies, lyrics, forms, and rhythms) being reproduced.

Question: J.S. Bach's fugues create a coherent harmonic logic that would be impossible for what other style of music?
Answer: live improvisation

Question: What has allowed Classical musicians to perform music from many centuries ago?
Answer: written notation

Question: The score determines how various parts are coordinated, pitch, and what other detail?
Answer: rhythm
Dialect

In Tunisia, Algeria, and Morocco, the Darijas (spoken North African languages) are sometimes considered more different from other Arabic dialects. Officially, North African countries prefer to give preference to the Literary Arabic and conduct much of their political and religious life in it (adherence to Islam), and refrain from declaring each country's specific variety to be a separate language, because Literary Arabic is the liturgical language of Islam and the language of the Islamic sacred book, the Qur'an. Although, especially since the 1960s, the Darijas are occupying an increasing use and influence in the cultural life of these countries. Examples of cultural elements where Darijas' use became dominant include: theatre, film, music, television, advertisement, social media, folk-tale books and companies' names.

Question: What is the dominant religion of North Africa?
Answer: Islam
Classical_music

The key characteristic of classical music that distinguishes it from popular music and folk music is that the repertoire tends to be written down in musical notation, creating a musical part or score. This score typically determines details of rhythm, pitch, and, where two or more musicians (whether singers or instrumentalists) are involved, how the various parts are coordinated. The written quality of the music has enabled a high level of complexity within them: J.S. Bach's fugues, for instance, achieve a remarkable marriage of boldly distinctive melodic lines weaving in counterpoint yet creating a coherent harmonic logic that would be impossible in the heat of live improvisation. The use of written notation also preserves a record of the works and enables Classical musicians to perform music from many centuries ago. Musical notation enables 2000s-era performers to sing a choral work from the 1300s Renaissance era or a 1700s Baroque concerto with many of the features of the music (the melodies, lyrics, forms, and rhythms) being reproduced.

Question: Who's fugues achieve a remarkable marriage of boldly distinctive melodic lines?
Answer: J.S. Bach's
Classical_music

Performance of classical music repertoire requires a proficiency in sight-reading and ensemble playing, harmonic principles, strong ear training (to correct and adjust pitches by ear), knowledge of performance practice (e.g., Baroque ornamentation), and a familiarity with the style/musical idiom expected for a given composer or musical work (e.g., a Brahms symphony or a Mozart concerto).

Question: Familiarty with the style expected for any given composer is required for what kind of performance?
Answer: classical music
Classical_music

Performers who have studied classical music extensively are said to be "classically trained". This training may be from private lessons from instrument or voice teachers or from completion of a formal program offered by a Conservatory, college or university, such as a B.mus. or M.mus. degree (which includes individual lessons from professors). In classical music, "...extensive formal music education and training, often to postgraduate [Master's degree] level" is required.

Question: To what level is training for classical music often required?
Answer: postgraduate
Classical_music

The dates are generalizations, since the periods and eras overlap and the categories are somewhat arbitrary, to the point that some authorities reverse terminologies and refer to a common practice "era" comprising baroque, classical, and romantic "periods". For example, the use of counterpoint and fugue, which is considered characteristic of the Baroque era (or period), was continued by Haydn, who is classified as typical of the Classical era. Beethoven, who is often described as a founder of the Romantic era, and Brahms, who is classified as Romantic, also used counterpoint and fugue, but other characteristics of their music define their era.

Question: What composer continued the counterpoint and fugue?
Answer: Haydn

Question: Haydn is classified as typical of what era?
Answer: Classical

Question: Who is classified as Romantic, but also uses counterpoint and fugue?
Answer: Brahms
Dialect

Unlike most languages that use alphabets to indicate the pronunciation, Chinese characters have developed from logograms that do not always give hints to its pronunciation. Although the written characters remained relatively consistent for the last two thousand years, the pronunciation and grammar in different regions has developed to an extent that the varieties of the spoken language are often mutually unintelligible. As a series of migration to the south throughout the history, the regional languages of the south, including Xiang, Wu, Gan, Min, Yue (Cantonese), and Hakka often show traces of Old Chinese or Middle Chinese. From the Ming dynasty onward, Beijing has been the capital of China and the dialect spoken in Beijing has had the most prestige among other varieties. With the founding of the Republic of China, Standard Mandarin was designated as the official language, based on the spoken language of Beijing. Since then, other spoken varieties are regarded as fangyan (dialects). Cantonese is still the most commonly used language in Hong Kong, Macau and among some overseas Chinese communities, whereas Southern Min has been accepted in Taiwan as an important local language along with Mandarin.

Question: Hakka is a language from what geographic part of China?
Answer: the south
Classical_music

The prefix neo is used to describe a 20th-century or contemporary composition written in the style of an earlier era, such as Classical or Romantic. Stravinsky's Pulcinella, for example, is a neoclassical composition because it is stylistically similar to works of the Classical era.

Question: A Contemporary composition written in the style of an earlier era is described with what prefix?
Answer: neo
Dialect

Unlike most languages that use alphabets to indicate the pronunciation, Chinese characters have developed from logograms that do not always give hints to its pronunciation. Although the written characters remained relatively consistent for the last two thousand years, the pronunciation and grammar in different regions has developed to an extent that the varieties of the spoken language are often mutually unintelligible. As a series of migration to the south throughout the history, the regional languages of the south, including Xiang, Wu, Gan, Min, Yue (Cantonese), and Hakka often show traces of Old Chinese or Middle Chinese. From the Ming dynasty onward, Beijing has been the capital of China and the dialect spoken in Beijing has had the most prestige among other varieties. With the founding of the Republic of China, Standard Mandarin was designated as the official language, based on the spoken language of Beijing. Since then, other spoken varieties are regarded as fangyan (dialects). Cantonese is still the most commonly used language in Hong Kong, Macau and among some overseas Chinese communities, whereas Southern Min has been accepted in Taiwan as an important local language along with Mandarin.

Question: What is another name for the Yue language?
Answer: Cantonese

Question: From what did Chinese characters derive?
Answer: logograms
Classical_music

The prefix neo is used to describe a 20th-century or contemporary composition written in the style of an earlier era, such as Classical or Romantic. Stravinsky's Pulcinella, for example, is a neoclassical composition because it is stylistically similar to works of the Classical era.

Question: What century were Neoclassical compositions written in?
Answer: 20th-century

Question: Who wrote Pulcinella?
Answer: Stravinsky's

Question: What era is Pulcinella similar to?
Answer: Classical
Dialect

Unlike most languages that use alphabets to indicate the pronunciation, Chinese characters have developed from logograms that do not always give hints to its pronunciation. Although the written characters remained relatively consistent for the last two thousand years, the pronunciation and grammar in different regions has developed to an extent that the varieties of the spoken language are often mutually unintelligible. As a series of migration to the south throughout the history, the regional languages of the south, including Xiang, Wu, Gan, Min, Yue (Cantonese), and Hakka often show traces of Old Chinese or Middle Chinese. From the Ming dynasty onward, Beijing has been the capital of China and the dialect spoken in Beijing has had the most prestige among other varieties. With the founding of the Republic of China, Standard Mandarin was designated as the official language, based on the spoken language of Beijing. Since then, other spoken varieties are regarded as fangyan (dialects). Cantonese is still the most commonly used language in Hong Kong, Macau and among some overseas Chinese communities, whereas Southern Min has been accepted in Taiwan as an important local language along with Mandarin.

Question: From the time of the Ming dynasty, what city was the capital of China?
Answer: Beijing
Classical_music

Some "popular" genre musicians have had significant classical training, such as Billy Joel, Elton John, the Van Halen brothers, Randy Rhoads and Ritchie Blackmore. Moreover, formal training is not unique to the classical genre. Many rock and pop musicians have completed degrees in commercial music programs such as those offered by the Berklee College of Music and many jazz musicians have completed degrees in music from universities with jazz programs, such as the Manhattan School of Music and McGill University.

Question: What brothers have had significant classical training?
Answer: Van Halen brothers

Question: Rock and pop musicians may have degrees in what type of music?
Answer: commercial
Classical_music

The Renaissance era was from 1400 to 1600. It was characterized by greater use of instrumentation, multiple interweaving melodic lines, and the use of the first bass instruments. Social dancing became more widespread, so musical forms appropriate to accompanying dance began to standardize.

Question: When was the Renaissance era?
Answer: from 1400 to 1600

Question: What era was from 1400 to 1600? 
Answer: Renaissance

Question: The use of the first ass instruments occurred in what era?
Answer: Renaissance

Question: Musical forms for dance began to standardize during what era?
Answer: Renaissance

Question: What became widespread in the Renaissance era?
Answer: Social dancing
Classical_music

Some "popular" genre musicians have had significant classical training, such as Billy Joel, Elton John, the Van Halen brothers, Randy Rhoads and Ritchie Blackmore. Moreover, formal training is not unique to the classical genre. Many rock and pop musicians have completed degrees in commercial music programs such as those offered by the Berklee College of Music and many jazz musicians have completed degrees in music from universities with jazz programs, such as the Manhattan School of Music and McGill University.

Question: Billy Joel and Elton John have both had what type of training?
Answer: classical
Dialect

Unlike most languages that use alphabets to indicate the pronunciation, Chinese characters have developed from logograms that do not always give hints to its pronunciation. Although the written characters remained relatively consistent for the last two thousand years, the pronunciation and grammar in different regions has developed to an extent that the varieties of the spoken language are often mutually unintelligible. As a series of migration to the south throughout the history, the regional languages of the south, including Xiang, Wu, Gan, Min, Yue (Cantonese), and Hakka often show traces of Old Chinese or Middle Chinese. From the Ming dynasty onward, Beijing has been the capital of China and the dialect spoken in Beijing has had the most prestige among other varieties. With the founding of the Republic of China, Standard Mandarin was designated as the official language, based on the spoken language of Beijing. Since then, other spoken varieties are regarded as fangyan (dialects). Cantonese is still the most commonly used language in Hong Kong, Macau and among some overseas Chinese communities, whereas Southern Min has been accepted in Taiwan as an important local language along with Mandarin.

Question: At its founding. what was the official language of the Republic of China?
Answer: Standard Mandarin
Classical_music

Historically, major professional orchestras have been mostly or entirely composed of male musicians. Some of the earliest cases of women being hired in professional orchestras was in the position of harpist. The Vienna Philharmonic, for example, did not accept women to permanent membership until 1997, far later than the other orchestras ranked among the world's top five by Gramophone in 2008. The last major orchestra to appoint a woman to a permanent position was the Berlin Philharmonic. As late as February 1996, the Vienna Philharmonic's principal flute, Dieter Flury, told Westdeutscher Rundfunk that accepting women would be "gambling with the emotional unity (emotionelle Geschlossenheit) that this organism currently has". In April 1996, the orchestra's press secretary wrote that "compensating for the expected leaves of absence" of maternity leave would be a problem.

Question: Women were first hired in professional orchestras for what position?
Answer: harpist
Classical_music

The "standard complement" of double winds and brass in the orchestra from the first half of the 19th century is generally attributed to Beethoven. The exceptions to this are his Symphony No. 4, Violin Concerto, and Piano Concerto No. 4, which each specify a single flute. The composer's instrumentation usually included paired flutes, oboes, clarinets, bassoons, horns and trumpets. Beethoven carefully calculated the expansion of this particular timbral "palette" in Symphonies 3, 5, 6, and 9 for an innovative effect. The third horn in the "Eroica" Symphony arrives to provide not only some harmonic flexibility, but also the effect of "choral" brass in the Trio. Piccolo, contrabassoon, and trombones add to the triumphal finale of his Symphony No. 5. A piccolo and a pair of trombones help deliver "storm" and "sunshine" in the Sixth. The Ninth asks for a second pair of horns, for reasons similar to the "Eroica" (four horns has since become standard); Beethoven's use of piccolo, contrabassoon, trombones, and untuned percussion—plus chorus and vocal soloists—in his finale, are his earliest suggestion that the timbral boundaries of symphony should be expanded. For several decades after he died, symphonic instrumentation was faithful to Beethoven's well-established model, with few exceptions.

Question: How long was symphonic instrumentation faithful to Beethoven's after he died?
Answer: several decades

Question: What did Beethoven expand in his Symphonies, 3, 5, 6 and 9?
Answer: timbral "palette"
Classical_music

Saxophones appear in some scores from the late 19th century onwards. While appearing only as featured solo instruments in some works, for example Maurice Ravel's orchestration of Modest Mussorgsky's Pictures at an Exhibition and Sergei Rachmaninoff's Symphonic Dances, the saxophone is included in other works, such as Ravel's Boléro, Sergei Prokofiev's Romeo and Juliet Suites 1 and 2 and many other works as a member of the orchestral ensemble. The euphonium is featured in a few late Romantic and 20th-century works, usually playing parts marked "tenor tuba", including Gustav Holst's The Planets, and Richard Strauss's Ein Heldenleben.

Question: How is the saxophone features in Ravel's Bolero?
Answer: as a member of the orchestral ensemble

Question: Who wrote The Planets?
Answer: Gustav Holst

Question: Saxophone was featured as a solo instrument in what Sergei Rachmaninoff piece?
Answer: Symphonic Dances
Classical_music

Historically, major professional orchestras have been mostly or entirely composed of male musicians. Some of the earliest cases of women being hired in professional orchestras was in the position of harpist. The Vienna Philharmonic, for example, did not accept women to permanent membership until 1997, far later than the other orchestras ranked among the world's top five by Gramophone in 2008. The last major orchestra to appoint a woman to a permanent position was the Berlin Philharmonic. As late as February 1996, the Vienna Philharmonic's principal flute, Dieter Flury, told Westdeutscher Rundfunk that accepting women would be "gambling with the emotional unity (emotionelle Geschlossenheit) that this organism currently has". In April 1996, the orchestra's press secretary wrote that "compensating for the expected leaves of absence" of maternity leave would be a problem.

Question: Which major orchestra was the last to appoint a woman to a permanent position?
Answer: the Berlin Philharmonic

Question: Who was the principal flute for the Vienna Philharmonic in 1996?
Answer: Dieter Flury
Classical_music

The "standard complement" of double winds and brass in the orchestra from the first half of the 19th century is generally attributed to Beethoven. The exceptions to this are his Symphony No. 4, Violin Concerto, and Piano Concerto No. 4, which each specify a single flute. The composer's instrumentation usually included paired flutes, oboes, clarinets, bassoons, horns and trumpets. Beethoven carefully calculated the expansion of this particular timbral "palette" in Symphonies 3, 5, 6, and 9 for an innovative effect. The third horn in the "Eroica" Symphony arrives to provide not only some harmonic flexibility, but also the effect of "choral" brass in the Trio. Piccolo, contrabassoon, and trombones add to the triumphal finale of his Symphony No. 5. A piccolo and a pair of trombones help deliver "storm" and "sunshine" in the Sixth. The Ninth asks for a second pair of horns, for reasons similar to the "Eroica" (four horns has since become standard); Beethoven's use of piccolo, contrabassoon, trombones, and untuned percussion—plus chorus and vocal soloists—in his finale, are his earliest suggestion that the timbral boundaries of symphony should be expanded. For several decades after he died, symphonic instrumentation was faithful to Beethoven's well-established model, with few exceptions.

Question: To whom is the "standard complement" attributed to?
Answer: Beethoven
Classical_music

Wind instruments became more refined in the Classical era. While double reeded instruments like the oboe and bassoon became somewhat standardized in the Baroque, the clarinet family of single reeds was not widely used until Mozart expanded its role in orchestral, chamber, and concerto settings.

Question: What type of instrument became more refined during the classical era?
Answer: Wind
Classical_music

Saxophones appear in some scores from the late 19th century onwards. While appearing only as featured solo instruments in some works, for example Maurice Ravel's orchestration of Modest Mussorgsky's Pictures at an Exhibition and Sergei Rachmaninoff's Symphonic Dances, the saxophone is included in other works, such as Ravel's Boléro, Sergei Prokofiev's Romeo and Juliet Suites 1 and 2 and many other works as a member of the orchestral ensemble. The euphonium is featured in a few late Romantic and 20th-century works, usually playing parts marked "tenor tuba", including Gustav Holst's The Planets, and Richard Strauss's Ein Heldenleben.

Question: When do saxophones first appear in scores?
Answer: the late 19th century
Classical_music

Wind instruments became more refined in the Classical era. While double reeded instruments like the oboe and bassoon became somewhat standardized in the Baroque, the clarinet family of single reeds was not widely used until Mozart expanded its role in orchestral, chamber, and concerto settings.

Question: What is the single reed family called?
Answer: the clarinet family
Classical_music

Saxophones appear in some scores from the late 19th century onwards. While appearing only as featured solo instruments in some works, for example Maurice Ravel's orchestration of Modest Mussorgsky's Pictures at an Exhibition and Sergei Rachmaninoff's Symphonic Dances, the saxophone is included in other works, such as Ravel's Boléro, Sergei Prokofiev's Romeo and Juliet Suites 1 and 2 and many other works as a member of the orchestral ensemble. The euphonium is featured in a few late Romantic and 20th-century works, usually playing parts marked "tenor tuba", including Gustav Holst's The Planets, and Richard Strauss's Ein Heldenleben.

Question: The euphonium usually played parts marked as what?
Answer: "tenor tuba"
Classical_music

The theories surrounding equal temperament began to be put in wider practice, especially as it enabled a wider range of chromatic possibilities in hard-to-tune keyboard instruments. Although Bach did not use equal temperament, as a modern piano is generally tuned, changes in the temperaments from the meantone system, common at the time, to various temperaments that made modulation between all keys musically acceptable, made possible Bach's Well-Tempered Clavier.

Question: What theories began to be put in wider practice?
Answer: equal temperament
Classical_music

In 2013, an article in Mother Jones stated that while "[m]any prestigious orchestras have significant female membership—women outnumber men in the New York Philharmonic's violin section—and several renowned ensembles, including the National Symphony Orchestra, the Detroit Symphony, and the Minnesota Symphony, are led by women violinists", the double bass, brass, and percussion sections of major orchestras "...are still predominantly male." A 2014 BBC article stated that the "...introduction of 'blind' auditions, where a prospective instrumentalist performs behind a screen so that the judging panel can exercise no gender or racial prejudice, has seen the gender balance of traditionally male-dominated symphony orchestras gradually shift."

Question: The National Symphony Orchestra is led by what gender of violinist?
Answer: female
Classical_music

The theories surrounding equal temperament began to be put in wider practice, especially as it enabled a wider range of chromatic possibilities in hard-to-tune keyboard instruments. Although Bach did not use equal temperament, as a modern piano is generally tuned, changes in the temperaments from the meantone system, common at the time, to various temperaments that made modulation between all keys musically acceptable, made possible Bach's Well-Tempered Clavier.

Question: What does equal temperament enabled in hard to tune keyboard instruments?
Answer: a wider range of chromatic possibilities

Question: A modern piano is generally what?
Answer: tuned

Question: What did Bach not use?
Answer: equal temperament