yz2022/T2P-DownstreamNLP huggingface dataset:
Gramophone_record

There is a theory that vinyl records can audibly represent higher frequencies than compact discs. According to Red Book specifications, the compact disc has a frequency response of 20 Hz up to 22,050 Hz, and most CD players measure flat within a fraction of a decibel from at least 20 Hz to 20 kHz at full output. Turntable rumble obscures the low-end limit of vinyl but the upper end can be, with some cartridges, reasonably flat within a few decibels to 30 kHz, with gentle roll-off. Carrier signals of Quad LPs popular in the 1970s were at 30 kHz to be out of the range of human hearing. The average human auditory system is sensitive to frequencies from 20 Hz to a maximum of around 20,000 Hz. The upper and lower frequency limits of human hearing vary per person.

Question: What is generally the lowest sound a human can hear?
Answer: 20 Hz

Question: What is the higher end of typical human hearing?
Answer: 20,000 Hz
Gramophone_record

West in 1930 and later P. G. A. H. Voigt (1940) showed that the early Wente-style condenser microphones contributed to a 4 to 6 dB midrange brilliance or pre-emphasis in the recording chain. This meant that the electrical recording characteristics of Western Electric licensees such as Columbia Records and Victor Talking Machine Company in the 1925 era had a higher amplitude in the midrange region. Brilliance such as this compensated for dullness in many early magnetic pickups having drooping midrange and treble response. As a result, this practice was the empirical beginning of using pre-emphasis above 1,000 Hz in 78 rpm and 33 1⁄3 rpm records.

Question: In which Era was this finding most significant?
Answer: 1925 era
Gramophone_record

There is a theory that vinyl records can audibly represent higher frequencies than compact discs. According to Red Book specifications, the compact disc has a frequency response of 20 Hz up to 22,050 Hz, and most CD players measure flat within a fraction of a decibel from at least 20 Hz to 20 kHz at full output. Turntable rumble obscures the low-end limit of vinyl but the upper end can be, with some cartridges, reasonably flat within a few decibels to 30 kHz, with gentle roll-off. Carrier signals of Quad LPs popular in the 1970s were at 30 kHz to be out of the range of human hearing. The average human auditory system is sensitive to frequencies from 20 Hz to a maximum of around 20,000 Hz. The upper and lower frequency limits of human hearing vary per person.

Question: What is believed to better offer sounds of higher frequencies, compact discs or records?
Answer: vinyl records
Gramophone_record

The newly invented Western Electric moving coil or dynamic microphone was part of the Wide Range System. It had a flatter audio response than the old style Wente condenser type and didn't require electronics installed in the microphone housing. Signals fed to the cutting head were pre-emphasized in the treble region to help override noise in playback. Groove cuts in the vertical plane were employed rather than the usual lateral cuts. The chief advantage claimed was more grooves per inch that could be crowded together, resulting in longer playback time. Additionally, the problem of inner groove distortion, which plagued lateral cuts, could be avoided with the vertical cut system. Wax masters were made by flowing heated wax over a hot metal disc thus avoiding the microscopic irregularities of cast blocks of wax and the necessity of planing and polishing.

Question: How was the moving coil microphone unique to the Wente type?
Answer: didn't require electronics installed in the microphone housing
Gramophone_record

Groove recordings, first designed in the final quarter of the 19th century, held a predominant position for nearly a century—withstanding competition from reel-to-reel tape, the 8-track cartridge, and the compact cassette. In 1988, the compact disc surpassed the gramophone record in unit sales. Vinyl records experienced a sudden decline in popularity between 1988 and 1991, when the major label distributors restricted their return policies, which retailers had been relying on to maintain and swap out stocks of relatively unpopular titles. First the distributors began charging retailers more for new product if they returned unsold vinyl, and then they stopped providing any credit at all for returns. Retailers, fearing they would be stuck with anything they ordered, only ordered proven, popular titles that they knew would sell, and devoted more shelf space to CDs and cassettes. Record companies also deleted many vinyl titles from production and distribution, further undermining the availability of the format and leading to the closure of pressing plants. This rapid decline in the availability of records accelerated the format's decline in popularity, and is seen by some as a deliberate ploy to make consumers switch to CDs, which were more profitable for the record companies.

Question: When did compact disc popularity take hold?
Answer: 1988
Gramophone_record

The newly invented Western Electric moving coil or dynamic microphone was part of the Wide Range System. It had a flatter audio response than the old style Wente condenser type and didn't require electronics installed in the microphone housing. Signals fed to the cutting head were pre-emphasized in the treble region to help override noise in playback. Groove cuts in the vertical plane were employed rather than the usual lateral cuts. The chief advantage claimed was more grooves per inch that could be crowded together, resulting in longer playback time. Additionally, the problem of inner groove distortion, which plagued lateral cuts, could be avoided with the vertical cut system. Wax masters were made by flowing heated wax over a hot metal disc thus avoiding the microscopic irregularities of cast blocks of wax and the necessity of planing and polishing.

Question: How was wax used to improve recordings?
Answer: avoiding the microscopic irregularities

Question: How was sound improved using the moving coil microphone?
Answer: override noise in playback
Gramophone_record

In March 1949, as RCA released the 45, Columbia released several hundred 7 inch 33 1/3 rpm small spindle hole singles. This format was soon dropped as it became clear that the RCA 45 was the single of choice and the Columbia 12 inch LP would be the 'album' of choice. The first release of the 45 came in seven colors: black 47-xxxx popular series, yellow 47-xxxx juvenile series, green (teal) 48-xxxx country series, deep red 49-xxxx classical series, bright red (cerise) 50-xxxx blues/spiritual series, light blue 51-xxxx international series, dark blue 52-xxxx light classics. All colors were soon dropped in favor of black because of production problems. However, yellow and deep red were continued until about 1952. The first 45 rpm record created for sale was "PeeWee the Piccolo" RCA 47-0147 pressed in yellow translucent vinyl at the Sherman Avenue plant, Indianapolis Dec. 7, 1948, R.O. Price, plant manager.

Question: Which colors of 45 were available as late as 1952 before being discontinued?
Answer: yellow and deep red
Gramophone_record

Groove recordings, first designed in the final quarter of the 19th century, held a predominant position for nearly a century—withstanding competition from reel-to-reel tape, the 8-track cartridge, and the compact cassette. In 1988, the compact disc surpassed the gramophone record in unit sales. Vinyl records experienced a sudden decline in popularity between 1988 and 1991, when the major label distributors restricted their return policies, which retailers had been relying on to maintain and swap out stocks of relatively unpopular titles. First the distributors began charging retailers more for new product if they returned unsold vinyl, and then they stopped providing any credit at all for returns. Retailers, fearing they would be stuck with anything they ordered, only ordered proven, popular titles that they knew would sell, and devoted more shelf space to CDs and cassettes. Record companies also deleted many vinyl titles from production and distribution, further undermining the availability of the format and leading to the closure of pressing plants. This rapid decline in the availability of records accelerated the format's decline in popularity, and is seen by some as a deliberate ploy to make consumers switch to CDs, which were more profitable for the record companies.

Question: What was a major cause of declined vinyl sales?
Answer: major label distributors restricted their return policies
Gramophone_record

The complete technical disclosure of the Columbia LP by Peter C. Goldmark, Rene' Snepvangers and William S. Bachman in 1949 made it possible for a great variety of record companies to get into the business of making long playing records. The business grew quickly and interest spread in high fidelity sound and the do-it-yourself market for pickups, turntables, amplifier kits, loudspeaker enclosure plans, and AM/FM radio tuners. The LP record for longer works, 45 rpm for pop music, and FM radio became high fidelity program sources in demand. Radio listeners heard recordings broadcast and this in turn generated more record sales. The industry flourished.

Question: What kind of recordings worked best for pop music?
Answer: 45 rpm
Turner_Classic_Movies

Turner Classic Movies essentially operates as a commercial-free service, with the only advertisements on the network being shown between features – which advertise TCM products, network promotions for upcoming special programs and the original trailers for films that are scheduled to be broadcast on TCM (particularly those that will air during the primetime hours), and featurettes about classic film actors and actresses. In addition to this, extended breaks between features are filled with theatrically released movie trailers and classic short subjects – from series such as The Passing Parade, Crime Does Not Pay, Pete Smith Specialties, and Robert Benchley – under the banner name TCM Extras (formerly One Reel Wonders). In 2007, some of the short films featured on TCM were made available for streaming on TCM's website. Partly to allow these interstitials, Turner Classic Movies schedules its feature films either at the top of the hour or at :15, :30 or :45 minutes past the hour, instead of in timeslots of varying five-minute increments.

Question: When did short films from TCM begin to stream on TCM's website?
Answer: 2007
Gramophone_record

The complete technical disclosure of the Columbia LP by Peter C. Goldmark, Rene' Snepvangers and William S. Bachman in 1949 made it possible for a great variety of record companies to get into the business of making long playing records. The business grew quickly and interest spread in high fidelity sound and the do-it-yourself market for pickups, turntables, amplifier kits, loudspeaker enclosure plans, and AM/FM radio tuners. The LP record for longer works, 45 rpm for pop music, and FM radio became high fidelity program sources in demand. Radio listeners heard recordings broadcast and this in turn generated more record sales. The industry flourished.

Question: What was used for longer recordings?
Answer: LP record

Question: What opened doors for long recordings?
Answer: The complete technical disclosure of the Columbia LP by Peter C. Goldmark, Rene' Snepvangers and William S. Bachman
Turner_Classic_Movies

Turner Classic Movies essentially operates as a commercial-free service, with the only advertisements on the network being shown between features – which advertise TCM products, network promotions for upcoming special programs and the original trailers for films that are scheduled to be broadcast on TCM (particularly those that will air during the primetime hours), and featurettes about classic film actors and actresses. In addition to this, extended breaks between features are filled with theatrically released movie trailers and classic short subjects – from series such as The Passing Parade, Crime Does Not Pay, Pete Smith Specialties, and Robert Benchley – under the banner name TCM Extras (formerly One Reel Wonders). In 2007, some of the short films featured on TCM were made available for streaming on TCM's website. Partly to allow these interstitials, Turner Classic Movies schedules its feature films either at the top of the hour or at :15, :30 or :45 minutes past the hour, instead of in timeslots of varying five-minute increments.

Question: Along with :45, :30 and :15 past the hour, at what time do TCM features begin?
Answer: top of the hour
Turner_Classic_Movies

At the time of its launch, TCM was available to approximately one million cable television subscribers. The network originally served as a competitor to AMC – which at the time was known as "American Movie Classics" and maintained a virtually identical format to TCM, as both networks largely focused on films released prior to 1970 and aired them in an uncut, uncolorized, and commercial-free format. AMC had broadened its film content to feature colorized and more recent films by 2002 and abandoned its commercial-free format, leaving TCM as the only movie-oriented cable channel to devote its programming entirely to classic films without commercial interruption.

Question: How many subscribers had access to TCM upon it launch?
Answer: one million

Question: When TCM premiered, what was AMC called?
Answer: American Movie Classics

Question: What sorts of films did American Movie Classics primarily show?
Answer: released prior to 1970

Question: By what year was AMC showing commercials?
Answer: 2002
Gramophone_record

Groove recordings, first designed in the final quarter of the 19th century, held a predominant position for nearly a century—withstanding competition from reel-to-reel tape, the 8-track cartridge, and the compact cassette. In 1988, the compact disc surpassed the gramophone record in unit sales. Vinyl records experienced a sudden decline in popularity between 1988 and 1991, when the major label distributors restricted their return policies, which retailers had been relying on to maintain and swap out stocks of relatively unpopular titles. First the distributors began charging retailers more for new product if they returned unsold vinyl, and then they stopped providing any credit at all for returns. Retailers, fearing they would be stuck with anything they ordered, only ordered proven, popular titles that they knew would sell, and devoted more shelf space to CDs and cassettes. Record companies also deleted many vinyl titles from production and distribution, further undermining the availability of the format and leading to the closure of pressing plants. This rapid decline in the availability of records accelerated the format's decline in popularity, and is seen by some as a deliberate ploy to make consumers switch to CDs, which were more profitable for the record companies.

Question: When were groove recordings developed?
Answer: final quarter of the 19th century,
Turner_Classic_Movies

Turner Classic Movies essentially operates as a commercial-free service, with the only advertisements on the network being shown between features – which advertise TCM products, network promotions for upcoming special programs and the original trailers for films that are scheduled to be broadcast on TCM (particularly those that will air during the primetime hours), and featurettes about classic film actors and actresses. In addition to this, extended breaks between features are filled with theatrically released movie trailers and classic short subjects – from series such as The Passing Parade, Crime Does Not Pay, Pete Smith Specialties, and Robert Benchley – under the banner name TCM Extras (formerly One Reel Wonders). In 2007, some of the short films featured on TCM were made available for streaming on TCM's website. Partly to allow these interstitials, Turner Classic Movies schedules its feature films either at the top of the hour or at :15, :30 or :45 minutes past the hour, instead of in timeslots of varying five-minute increments.

Question: What were TCM Extras previously known as?
Answer: One Reel Wonders
Gramophone_record

In 2014 artist Jack White sold 40,000 copies of his second solo release, Lazaretto, on vinyl. The sales of the record beat the largest sales in one week on vinyl since 1991. The sales record was previously held by Pearl Jam's, Vitalogy, which sold 34,000 copies in one week in 1994. In 2014, the sale of vinyl records was the only physical music medium with increasing sales with relation to the previous year. Sales of other mediums including individual digital tracks, digital albums and compact discs have fallen, the latter having the greatest drop-in-sales rate.

Question: What medium has seen the biggest fall in sales as of late?
Answer: compact discs
Turner_Classic_Movies

TCM's film content has remained mostly uncut and uncolorized (with films natively filmed or post-produced in the format being those only ones presented in color), depending upon the original content of movies, particularly movies released after the 1968 implementation of the Motion Picture Association of America's ratings system and the concurrent disestablishment of the Motion Picture Production Code. Because of this, TCM is formatted similarly to a premium channel with certain films – particularly those made from the 1960s onward – sometimes featuring nudity, sexual content, violence and/or strong profanity; the network also features rating bumpers prior to the start of a program (most programs on TCM, especially films, are rated for content using the TV Parental Guidelines, in lieu of the MPAA's rating system).

Question: In what year did the Motion Picture Production Code cease?
Answer: 1968
Gramophone_record

In 2014 artist Jack White sold 40,000 copies of his second solo release, Lazaretto, on vinyl. The sales of the record beat the largest sales in one week on vinyl since 1991. The sales record was previously held by Pearl Jam's, Vitalogy, which sold 34,000 copies in one week in 1994. In 2014, the sale of vinyl records was the only physical music medium with increasing sales with relation to the previous year. Sales of other mediums including individual digital tracks, digital albums and compact discs have fallen, the latter having the greatest drop-in-sales rate.

Question: Prior to 2014 when was the most recent large sale of vinyl records?
Answer: 1991
Turner_Classic_Movies

TCM's film content has remained mostly uncut and uncolorized (with films natively filmed or post-produced in the format being those only ones presented in color), depending upon the original content of movies, particularly movies released after the 1968 implementation of the Motion Picture Association of America's ratings system and the concurrent disestablishment of the Motion Picture Production Code. Because of this, TCM is formatted similarly to a premium channel with certain films – particularly those made from the 1960s onward – sometimes featuring nudity, sexual content, violence and/or strong profanity; the network also features rating bumpers prior to the start of a program (most programs on TCM, especially films, are rated for content using the TV Parental Guidelines, in lieu of the MPAA's rating system).

Question: What rating system is often used by TCM?
Answer: TV Parental Guidelines
Gramophone_record

In March 1949, as RCA released the 45, Columbia released several hundred 7 inch 33 1/3 rpm small spindle hole singles. This format was soon dropped as it became clear that the RCA 45 was the single of choice and the Columbia 12 inch LP would be the 'album' of choice. The first release of the 45 came in seven colors: black 47-xxxx popular series, yellow 47-xxxx juvenile series, green (teal) 48-xxxx country series, deep red 49-xxxx classical series, bright red (cerise) 50-xxxx blues/spiritual series, light blue 51-xxxx international series, dark blue 52-xxxx light classics. All colors were soon dropped in favor of black because of production problems. However, yellow and deep red were continued until about 1952. The first 45 rpm record created for sale was "PeeWee the Piccolo" RCA 47-0147 pressed in yellow translucent vinyl at the Sherman Avenue plant, Indianapolis Dec. 7, 1948, R.O. Price, plant manager.

Question: PeeWee the Piccolo was what?
Answer: The first 45 rpm record created for sale

Question: What significance does Dec 7/ 1948 hold?
Answer: The first 45 rpm record created for sale
Gramophone_record

In 2014 artist Jack White sold 40,000 copies of his second solo release, Lazaretto, on vinyl. The sales of the record beat the largest sales in one week on vinyl since 1991. The sales record was previously held by Pearl Jam's, Vitalogy, which sold 34,000 copies in one week in 1994. In 2014, the sale of vinyl records was the only physical music medium with increasing sales with relation to the previous year. Sales of other mediums including individual digital tracks, digital albums and compact discs have fallen, the latter having the greatest drop-in-sales rate.

Question: Who sold 34,000 vinyl records in 1994?
Answer: Pearl Jam

Question: What was unique to vinyl sales in 2014?
Answer: was the only physical music medium with increasing sales with relation to the previous year
Turner_Classic_Movies

TCM's film content has remained mostly uncut and uncolorized (with films natively filmed or post-produced in the format being those only ones presented in color), depending upon the original content of movies, particularly movies released after the 1968 implementation of the Motion Picture Association of America's ratings system and the concurrent disestablishment of the Motion Picture Production Code. Because of this, TCM is formatted similarly to a premium channel with certain films – particularly those made from the 1960s onward – sometimes featuring nudity, sexual content, violence and/or strong profanity; the network also features rating bumpers prior to the start of a program (most programs on TCM, especially films, are rated for content using the TV Parental Guidelines, in lieu of the MPAA's rating system).

Question: In what year did the Motion Picture Association of America introduce its rating system?
Answer: 1968
Gramophone_record

Groove recordings, first designed in the final quarter of the 19th century, held a predominant position for nearly a century—withstanding competition from reel-to-reel tape, the 8-track cartridge, and the compact cassette. In 1988, the compact disc surpassed the gramophone record in unit sales. Vinyl records experienced a sudden decline in popularity between 1988 and 1991, when the major label distributors restricted their return policies, which retailers had been relying on to maintain and swap out stocks of relatively unpopular titles. First the distributors began charging retailers more for new product if they returned unsold vinyl, and then they stopped providing any credit at all for returns. Retailers, fearing they would be stuck with anything they ordered, only ordered proven, popular titles that they knew would sell, and devoted more shelf space to CDs and cassettes. Record companies also deleted many vinyl titles from production and distribution, further undermining the availability of the format and leading to the closure of pressing plants. This rapid decline in the availability of records accelerated the format's decline in popularity, and is seen by some as a deliberate ploy to make consumers switch to CDs, which were more profitable for the record companies.

Question: When did vinyl record sales decline?
Answer: between 1988 and 1991

Question: Which allows for more profits, vinyl or compact discs?
Answer: CDs, which were more profitable for the record companies