yz2022/T2P-DownstreamNLP huggingface dataset:
Madonna_(entertainer)

In The Madonna Companion biographers Allen Metz and Carol Benson noted that more than any other recent pop artist, Madonna had used MTV and music videos to establish her popularity and enhance her recorded work. According to them, many of her songs have the imagery of the music video in strong context, while referring to the music. Cultural critic Mark C. Taylor in his book Nots (1993) felt that the postmodern art form par excellence is video and the reigning "queen of video" is Madonna. He further asserted that "the most remarkable creation of MTV is Madonna. The responses to Madonna's excessively provocative videos have been predictably contradictory." The media and public reaction towards her most-discussed songs such as "Papa Don't Preach", "Like a Prayer", or "Justify My Love" had to do with the music videos created to promote the songs and their impact, rather than the songs themselves. Morton felt that "artistically, Madonna's songwriting is often overshadowed by her striking pop videos."

Question: The most remarkable creation in MTV is whom?
Answer: Madonna
Madonna_(entertainer)

Madonna's Italian-Catholic background and her relationship with her parents are reflected in the album Like a Prayer. It was an evocation of the impact religion had on her career. Her video for the title track contains Catholic symbolism, such as the stigmata. During The Virgin Tour, she wore a rosary and prayed with it in the music video for "La Isla Bonita". The "Open Your Heart" video sees her boss scolding her in the Italian language. On the Who's That Girl World Tour, she dedicated the song "Papa Don't Preach" to Pope John Paul II.

Question: In which video does it show Madonna being scolded by her boss in Italian?
Answer: Open Your Heart
Madonna_(entertainer)

Madonna's initial music videos reflected her American and Hispanic mixed street style combined with a flamboyant glamor. She was able to transmit her avant-garde downtown New York fashion sense to the American audience. The imagery and incorporation of Hispanic culture and Catholic symbolism continued with the music videos from the True Blue era. Author Douglas Kellner noted, "such 'multiculturalism' and her culturally transgressive moves turned out to be highly successful moves that endeared her to large and varied youth audiences." Madonna's Spanish look in the videos became the fashion trend of that time, in the form of boleros and layered skirts, accessorizing with rosary beads and a crucifix as in the video of "La Isla Bonita".

Question: What influence did Madonna music video reflects?
Answer: American and Hispanic mixed street style

Question: What type of Spanish clothings were worn for the video La Ista Bonita?
Answer: boleros and layered skirts
Madonna_(entertainer)

Besides singing Madonna has the ability to play several musical instruments. She learned to play drum and guitar from her then-boyfriend Dan Gilroy in the late 1970s before joining the Breakfast Club line-up as the drummer. This helped her to form the band Emmy, where she performed as the guitarist and lead vocalist. Madonna later played guitar on her demo recordings. On the liner notes of Pre-Madonna, Stephen Bray wrote: "I've always thought she passed up a brilliant career as a rhythm guitarist." After her career breakthrough, Madonna focused mainly in singing but was also credited for playing cowbell on Madonna (1983) and synthesizer on Like a Prayer (1989). In 1999, Madonna had studied for three months to play the violin for the role as a violin teacher in the film Music of the Heart, before eventually leaving the project. After two decades, Madonna decided to perform with guitar again during the promotion of Music (2000). She took further lessons from guitarist Monte Pittman to improve her guitar skill. Since then Madonna has played guitar on every tour, as well as her studio albums. At the 2002 Orville H. Gibson Guitar Awards, she received nomination for Les Paul Horizon Award, which honors the most promising up-and-coming guitarist.

Question: Who taught Madonna how to play the drum and guitar?
Answer: Dan Gilroy
Madonna_(entertainer)

Madonna's initial music videos reflected her American and Hispanic mixed street style combined with a flamboyant glamor. She was able to transmit her avant-garde downtown New York fashion sense to the American audience. The imagery and incorporation of Hispanic culture and Catholic symbolism continued with the music videos from the True Blue era. Author Douglas Kellner noted, "such 'multiculturalism' and her culturally transgressive moves turned out to be highly successful moves that endeared her to large and varied youth audiences." Madonna's Spanish look in the videos became the fashion trend of that time, in the form of boleros and layered skirts, accessorizing with rosary beads and a crucifix as in the video of "La Isla Bonita".

Question: She transmit her avant garde style to which audience?
Answer: American audience
Madonna_(entertainer)

Various music journalists, critical theorists, and authors have deemed Madonna the most influential female recording artist of all time. Author Carol Clerk wrote that "during her career, Madonna has transcended the term 'pop star' to become a global cultural icon." Rolling Stone of Spain wrote that "She became the first viral Master of Pop in history, years before the Internet was massively used. Madonna was everywhere; in the almighty music television channels, 'radio formulas', magazine covers and even in bookshops. A pop dialectic, never seen since The Beatles's reign, which allowed her to keep on the edge of tendency and commerciality." Laura Barcella in her book Madonna and Me: Women Writers on the Queen of Pop (2012) wrote that "really, Madonna changed everything the musical landscape, the '80s look du jour, and most significantly, what a mainstream female pop star could (and couldn't) say, do, or accomplish in the public eye." William Langley from The Daily Telegraph felt that "Madonna has changed the world's social history, has done more things as more different people than anyone else is ever likely to." Alan McGee from The Guardian felt that Madonna is a post-modern art, the likes of which we will never see again. He further asserted that Madonna and Michael Jackson invented the terms Queen and King of Pop.

Question: Who is the most influential recording artist of all time?
Answer: Madonna
Madonna_(entertainer)

Besides singing Madonna has the ability to play several musical instruments. She learned to play drum and guitar from her then-boyfriend Dan Gilroy in the late 1970s before joining the Breakfast Club line-up as the drummer. This helped her to form the band Emmy, where she performed as the guitarist and lead vocalist. Madonna later played guitar on her demo recordings. On the liner notes of Pre-Madonna, Stephen Bray wrote: "I've always thought she passed up a brilliant career as a rhythm guitarist." After her career breakthrough, Madonna focused mainly in singing but was also credited for playing cowbell on Madonna (1983) and synthesizer on Like a Prayer (1989). In 1999, Madonna had studied for three months to play the violin for the role as a violin teacher in the film Music of the Heart, before eventually leaving the project. After two decades, Madonna decided to perform with guitar again during the promotion of Music (2000). She took further lessons from guitarist Monte Pittman to improve her guitar skill. Since then Madonna has played guitar on every tour, as well as her studio albums. At the 2002 Orville H. Gibson Guitar Awards, she received nomination for Les Paul Horizon Award, which honors the most promising up-and-coming guitarist.

Question: Which instruments can Madonna play?
Answer: drum and guitar
Madonna_(entertainer)

Various music journalists, critical theorists, and authors have deemed Madonna the most influential female recording artist of all time. Author Carol Clerk wrote that "during her career, Madonna has transcended the term 'pop star' to become a global cultural icon." Rolling Stone of Spain wrote that "She became the first viral Master of Pop in history, years before the Internet was massively used. Madonna was everywhere; in the almighty music television channels, 'radio formulas', magazine covers and even in bookshops. A pop dialectic, never seen since The Beatles's reign, which allowed her to keep on the edge of tendency and commerciality." Laura Barcella in her book Madonna and Me: Women Writers on the Queen of Pop (2012) wrote that "really, Madonna changed everything the musical landscape, the '80s look du jour, and most significantly, what a mainstream female pop star could (and couldn't) say, do, or accomplish in the public eye." William Langley from The Daily Telegraph felt that "Madonna has changed the world's social history, has done more things as more different people than anyone else is ever likely to." Alan McGee from The Guardian felt that Madonna is a post-modern art, the likes of which we will never see again. He further asserted that Madonna and Michael Jackson invented the terms Queen and King of Pop.

Question: Who said that Madonna is like post-moderm art?
Answer: Alan McGee from The Guardian
Madonna_(entertainer)

Madonna's initial music videos reflected her American and Hispanic mixed street style combined with a flamboyant glamor. She was able to transmit her avant-garde downtown New York fashion sense to the American audience. The imagery and incorporation of Hispanic culture and Catholic symbolism continued with the music videos from the True Blue era. Author Douglas Kellner noted, "such 'multiculturalism' and her culturally transgressive moves turned out to be highly successful moves that endeared her to large and varied youth audiences." Madonna's Spanish look in the videos became the fashion trend of that time, in the form of boleros and layered skirts, accessorizing with rosary beads and a crucifix as in the video of "La Isla Bonita".

Question: Which look of Madonna became a fashion trend?
Answer: Spanish look
Madonna_(entertainer)

Madonna's use of sexual imagery has benefited her career and catalyzed public discourse on sexuality and feminism. As Roger Chapman documents in Culture Wars: An Encyclopedia of Issues, Viewpoints, and Voices, Volume 1 (2010), she has drawn frequent condemnation from religious organizations, social conservatives and parental watchdog groups for her use of explicit, sexual imagery and lyrics, religious symbolism, and otherwise "irreverent" behavior in her live performances. The Times wrote that she had "started a revolution amongst women in music ... Her attitudes and opinions on sex, nudity, style and sexuality forced the public to sit up and take notice." Professor John Fiske noted that the sense of empowerment that Madonna offers is inextricably connected with the pleasure of exerting some control over the meanings of self, of sexuality, and of one's social relations. In Doing Gender in Media, Art and Culture (2009), the authors noted that Madonna, as a female celebrity, performer, and pop icon, is able to unsettle standing feminist reflections and debates. According to lesbian feminist Sheila Jeffreys, Madonna represents woman's occupancy of what Monique Wittig calls the category of sex, as powerful, and appears to gleefully embrace the performance of the sexual corvée allotted to women. Professor Sut Jhally has referred to Madonna as "an almost sacred feminist icon."

Question: Madonna used what to benefit her career?
Answer: sexual imagery
Madonna_(entertainer)

Madonna is dedicated to Kabbalah, and in 2004 she adopted the name Esther which in Persian means "star". She has donated millions of dollars to New York and London schools teaching the subject. She faced opposition from rabbis who felt Madonna's adoption of the Kabbalah was sacrilegious and a case of celebrity dilettantism. Madonna defended her studies, saying: "It would be less controversial if I joined the Nazi Party", and that her involvement with the Kabbalah is "not hurting anybody". The influence of the Kabbalah was subsequently observed in Madonna's music, especially albums like Ray of Light and Music. During the Re-Invention World Tour, at one point in the show, Madonna and her dancers wore T-shirts that read "Kabbalists Do It Better". Her 2012 MDNA album has also drawn many influences from her Catholic upbringing, and since 2011 she has been attending meetings and services at an Opus Dei center, a Catholic institution that encourages spirituality through every day life.

Question: The influence of Kabbalah is seen in which album?
Answer: Ray of Light

Question: Which religion was Madonna dedicated to?
Answer: Kabbalah

Question: Which year did she adopt the name Esther?
Answer: 2004

Question: Where did Madonna attend Catholic services in 2011?
Answer: Opus Dei center
Madonna_(entertainer)

Madonna's use of sexual imagery has benefited her career and catalyzed public discourse on sexuality and feminism. As Roger Chapman documents in Culture Wars: An Encyclopedia of Issues, Viewpoints, and Voices, Volume 1 (2010), she has drawn frequent condemnation from religious organizations, social conservatives and parental watchdog groups for her use of explicit, sexual imagery and lyrics, religious symbolism, and otherwise "irreverent" behavior in her live performances. The Times wrote that she had "started a revolution amongst women in music ... Her attitudes and opinions on sex, nudity, style and sexuality forced the public to sit up and take notice." Professor John Fiske noted that the sense of empowerment that Madonna offers is inextricably connected with the pleasure of exerting some control over the meanings of self, of sexuality, and of one's social relations. In Doing Gender in Media, Art and Culture (2009), the authors noted that Madonna, as a female celebrity, performer, and pop icon, is able to unsettle standing feminist reflections and debates. According to lesbian feminist Sheila Jeffreys, Madonna represents woman's occupancy of what Monique Wittig calls the category of sex, as powerful, and appears to gleefully embrace the performance of the sexual corvée allotted to women. Professor Sut Jhally has referred to Madonna as "an almost sacred feminist icon."

Question: Who started a revolution in music with women?
Answer: Madonna

Question: Who wrote that Madonna is an almost scared feminist icon?
Answer: Professor Sut Jhally
Madonna_(entertainer)

Various music journalists, critical theorists, and authors have deemed Madonna the most influential female recording artist of all time. Author Carol Clerk wrote that "during her career, Madonna has transcended the term 'pop star' to become a global cultural icon." Rolling Stone of Spain wrote that "She became the first viral Master of Pop in history, years before the Internet was massively used. Madonna was everywhere; in the almighty music television channels, 'radio formulas', magazine covers and even in bookshops. A pop dialectic, never seen since The Beatles's reign, which allowed her to keep on the edge of tendency and commerciality." Laura Barcella in her book Madonna and Me: Women Writers on the Queen of Pop (2012) wrote that "really, Madonna changed everything the musical landscape, the '80s look du jour, and most significantly, what a mainstream female pop star could (and couldn't) say, do, or accomplish in the public eye." William Langley from The Daily Telegraph felt that "Madonna has changed the world's social history, has done more things as more different people than anyone else is ever likely to." Alan McGee from The Guardian felt that Madonna is a post-modern art, the likes of which we will never see again. He further asserted that Madonna and Michael Jackson invented the terms Queen and King of Pop.

Question: Who said that Madonna changed the world social history?
Answer: William Langley from The Daily Telegraph
Madonna_(entertainer)

Besides singing Madonna has the ability to play several musical instruments. She learned to play drum and guitar from her then-boyfriend Dan Gilroy in the late 1970s before joining the Breakfast Club line-up as the drummer. This helped her to form the band Emmy, where she performed as the guitarist and lead vocalist. Madonna later played guitar on her demo recordings. On the liner notes of Pre-Madonna, Stephen Bray wrote: "I've always thought she passed up a brilliant career as a rhythm guitarist." After her career breakthrough, Madonna focused mainly in singing but was also credited for playing cowbell on Madonna (1983) and synthesizer on Like a Prayer (1989). In 1999, Madonna had studied for three months to play the violin for the role as a violin teacher in the film Music of the Heart, before eventually leaving the project. After two decades, Madonna decided to perform with guitar again during the promotion of Music (2000). She took further lessons from guitarist Monte Pittman to improve her guitar skill. Since then Madonna has played guitar on every tour, as well as her studio albums. At the 2002 Orville H. Gibson Guitar Awards, she received nomination for Les Paul Horizon Award, which honors the most promising up-and-coming guitarist.

Question: How long did Madonna spent learning to play the violin?
Answer: three months
Madonna_(entertainer)

Various music journalists, critical theorists, and authors have deemed Madonna the most influential female recording artist of all time. Author Carol Clerk wrote that "during her career, Madonna has transcended the term 'pop star' to become a global cultural icon." Rolling Stone of Spain wrote that "She became the first viral Master of Pop in history, years before the Internet was massively used. Madonna was everywhere; in the almighty music television channels, 'radio formulas', magazine covers and even in bookshops. A pop dialectic, never seen since The Beatles's reign, which allowed her to keep on the edge of tendency and commerciality." Laura Barcella in her book Madonna and Me: Women Writers on the Queen of Pop (2012) wrote that "really, Madonna changed everything the musical landscape, the '80s look du jour, and most significantly, what a mainstream female pop star could (and couldn't) say, do, or accomplish in the public eye." William Langley from The Daily Telegraph felt that "Madonna has changed the world's social history, has done more things as more different people than anyone else is ever likely to." Alan McGee from The Guardian felt that Madonna is a post-modern art, the likes of which we will never see again. He further asserted that Madonna and Michael Jackson invented the terms Queen and King of Pop.

Question: Who wrote the book, Madonna and Me?
Answer: Laura Barcella
Madonna_(entertainer)

Madonna has received acclaim as a role model for businesswomen in her industry, "achieving the kind of financial control that women had long fought for within the industry", and generating over $1.2 billion in sales within the first decade of her career. Professor Colin Barrow from Cranfield School of Management described Madonna as "America's smartest businesswoman ... who has moved to the top of her industry and stayed there by constantly reinventing herself." London Business School academics called her a "dynamic entrepreneur" worth copying; they identified her vision of success, her understanding of the music industry, her ability to recognize her own performance limits (and thus bring in help), her willingness to work hard and her ability to adapt as the keys to her commercial success. Morton wrote that "Madonna is opportunistic, manipulative, and ruthless—somebody who won't stop until she gets what she wants—and that's something you can get at the expense of maybe losing your close ones. But that hardly mattered to her." Hazel Blackmore and Rafael Fernández de Castro in the book ¿Qué es Estados Unidos? from the Fondo de Cultura Económica, noted: "Madonna has been undoubtedly the most important woman in the history of popular music and a great businesswoman in herself; creating fashion, breaking taboos and provoking controversies."

Question: Who is an acclaim role model business woman?
Answer: Madonna

Question: Madonna generated how much in sales in the first 10 years of her career?
Answer: $1.2 billion in
Madonna_(entertainer)

Madonna holds the record for the most number-ones on all combined Billboard charts, including twelve number-one songs on the Billboard Hot 100 and eight number-one albums on the Billboard 200. With 45 songs topping the Hot Dance Club Songs chart, Madonna became the artist with the most number-one songs on an active Billboard chart, pulling ahead of George Strait with 44 number-one songs on the Hot Country Songs chart. She has also scored 38 top-ten singles on the Hot 100, more than any other artist in history. In 2008, Billboard magazine ranked her at number two, behind The Beatles, on the Billboard Hot 100 All-Time Top Artists, making her the most successful solo artist in the history of American singles chart.

Question: Who is the most successful solo artist in the history of American singles chart?
Answer: Madonna
Madonna_(entertainer)

Madonna has received acclaim as a role model for businesswomen in her industry, "achieving the kind of financial control that women had long fought for within the industry", and generating over $1.2 billion in sales within the first decade of her career. Professor Colin Barrow from Cranfield School of Management described Madonna as "America's smartest businesswoman ... who has moved to the top of her industry and stayed there by constantly reinventing herself." London Business School academics called her a "dynamic entrepreneur" worth copying; they identified her vision of success, her understanding of the music industry, her ability to recognize her own performance limits (and thus bring in help), her willingness to work hard and her ability to adapt as the keys to her commercial success. Morton wrote that "Madonna is opportunistic, manipulative, and ruthless—somebody who won't stop until she gets what she wants—and that's something you can get at the expense of maybe losing your close ones. But that hardly mattered to her." Hazel Blackmore and Rafael Fernández de Castro in the book ¿Qué es Estados Unidos? from the Fondo de Cultura Económica, noted: "Madonna has been undoubtedly the most important woman in the history of popular music and a great businesswoman in herself; creating fashion, breaking taboos and provoking controversies."

Question: Who called Madonna a dynamic entrepreneur?
Answer: London Business School academics

Question: Who wrote that Madonna is opportunistic, manipulative and ruthless?
Answer: Morton
Madonna_(entertainer)

Madonna's use of sexual imagery has benefited her career and catalyzed public discourse on sexuality and feminism. As Roger Chapman documents in Culture Wars: An Encyclopedia of Issues, Viewpoints, and Voices, Volume 1 (2010), she has drawn frequent condemnation from religious organizations, social conservatives and parental watchdog groups for her use of explicit, sexual imagery and lyrics, religious symbolism, and otherwise "irreverent" behavior in her live performances. The Times wrote that she had "started a revolution amongst women in music ... Her attitudes and opinions on sex, nudity, style and sexuality forced the public to sit up and take notice." Professor John Fiske noted that the sense of empowerment that Madonna offers is inextricably connected with the pleasure of exerting some control over the meanings of self, of sexuality, and of one's social relations. In Doing Gender in Media, Art and Culture (2009), the authors noted that Madonna, as a female celebrity, performer, and pop icon, is able to unsettle standing feminist reflections and debates. According to lesbian feminist Sheila Jeffreys, Madonna represents woman's occupancy of what Monique Wittig calls the category of sex, as powerful, and appears to gleefully embrace the performance of the sexual corvée allotted to women. Professor Sut Jhally has referred to Madonna as "an almost sacred feminist icon."

Question: Who is regarded as a feminist during her time?
Answer: Madonna