input: Text: JUDAS RAM BY SAM MERWIN, Jr. Illustrated by JAMES VINCENT The house was furnished with all luxuries, including women. If it only had a lease that could be broken— Roger Tennant, crossing the lawn, could see two of the three wings of the house, which radiated spoke-like from its heptagonal central portion. The wing on the left was white, with slim square pillars, reminiscent of scores of movie sets of the Deep South. That on the right was sundeck solar-house living-machine modern, something like a montage of shoeboxes. The wing hidden by the rest of the house was, he knew, spired, gabled and multicolored, like an ancient building in pre-Hitler Cracow. Dana was lying under a tree near the door, stretched out on a sort of deck chair with her eyes closed. She wore a golden gown, long and close-fitting and slit up the leg like the gown of a Chinese woman. Above it her comely face was sullen beneath its sleek cocoon of auburn hair. She opened her eyes at his approach and regarded him with nothing like favor. Involuntarily he glanced down at the tartan shorts that were his only garment to make sure that they were on properly. They were. He had thought them up in a moment of utter boredom and they were extremely comfortable. However, the near-Buchanan tartan did not crease or even wrinkle when he moved. Their captors had no idea of how a woven design should behave. "Waiting for me?" Tennant asked the girl. She said, "I'd rather be dead. Maybe I am. Maybe we're all dead and this is Hell
  Question: Why does Roger allude to Tristan and Isolde when confronting his wife and Cass Gordon?
  
   (A) He knows that Cass Gordon and his wife will both be transported to the fourth dimension.
   (B) He knows that his wife will ultimately choose him over Cass Gordon.
   (C) He knows that Cass Gordon and his wife will never get to be together.
   (D) He knows that his wife will ultimately choose Cass Gordon over him.
  Answer:
output: He knows that his wife will ultimately choose Cass Gordon over him.