input: Text: Nuts to wild talents! Mine was no satisfaction, never earned me a penny—and now it had me fighting for my life in... THE LITTLE RED BAG By JERRY SOHL About an hour out of San Francisco on the flight to Los Angeles, I made the discovery. I had finished reading the Chronicle, folded and put it beside me, turned and looked out the window, expecting to see the San Joaquin Valley but finding only a sea of clouds instead. So I returned my attention to the inside of the plane, to the overstuffed gray-haired woman asleep beside me, to the backs of heads in seats before me, across the aisle to other heads, and down to the blonde. I had seen her in the concourse and at the gate, a shapely thing. Now she had crossed her legs and I was privileged to view a trim ankle and calf, and her profile as she stared moodily across the aisle and out a window where there was nothing to see. I slid my eyes past her to others. A crossword-puzzle worker, a togetherness-type-magazine reader. Inventory completed, I went back to looking at the clouds, knowing I should be thinking about the printing order I was going to Los Angeles for, and not wanting to. So I started going through the purse of the woman next to me. Perhaps that sounds bad. It wasn't. I'd been doing it for years and nobody ever complained. It started when I was a kid, this business of being able to explore the insides of things like purses and sealed boxes and locked drawers and—well, human beings. But human beings aren't worth the trouble
  Question: Why does the narrator make a phone call before explaining the bomb to Julia?
  
   (A) The narrator needs to call airport security so that they can evacuate the area before he explains the situation to Julia.
   (B) The narrator needs to call the FBI and report the bomb before he explains the situation to Julia.
   (C) The narrator fakes making a phone call so that he can focus on stopping the bomb again.
   (D) The narrator needs to alert the bomb squad before he explains the situation to Julia.
  Answer:
output: The narrator fakes making a phone call so that he can focus on stopping the bomb again.