yusuke1997/dblp-id-title huggingface dataset:
Interactive Arts Festival Columbia University, New York, New York, USA, 6-9 April 1999
Electroacoustic Evening, Belo Horizonte, Brazil
Ocarina: Designing the iPhone's Magic Flute
SICIB: An Interactive Music Composition System Using Body Movements
FMOL: Toward User-Friendly, Sophisticated New Musical Instruments
Tempo Induction from Music Recordings Using Ensemble Empirical Mode Decomposition Analysis
Roger Reynolds: Watershed IV Compact discs (series), 1999-2000, Electroshock Records; available from Electroshock Records, Ul Krilatskaya 31-1-321, 121614 Moscow, Russia; telephone +7 (095) 415-3046; fax +7 (095) 415-6689; eshock@cityline.ru; World Wide Web www.electroshock.ru
Sony Media Acid 5.0 Music Studio and Acid 5.0 Pro
Jon Welstead and Yehuda Yannay: The Ghost in the Machine
The Generation of Natural-Synthetic Spectra by Means of Adaptive Frequency Modulation
Buttons, Handles, and Keys: Advances in Continuous-Control Keyboard Instruments
Investigations of Between-Hand Synchronization in Magaloff's Chopin
Sound Anthology: Content
Computational Creation and Morphing of Multilevel Rhythms by Control of Evenness
The Work of Reproduction in the Mechanical Aging of an Art: Listening to Noise
ChordWizard Chord Reference Software
David Cope: Virtual Music Hardcover, 2001, ISBN 026203283X, 292 pages, illustrated, appendices, audio CD, US$ 45.00; The MIT Press, Five Cambridge Center, Cam-bridge, Massachusetts 02142-1493, USA; telephone (+1) 800-356-0343; electronic mail mitpress-order@mit.edu; Web mitpress.mit.edu/
Generative Audio Systems Using Power-Preserving All-Pass Filters
Enhancing Orchestration Technique via Spectrally Based Linear Algebra Methods
Paul Lansky: Ride Compact disc, 2000, Bridge 9103; available from Bridge Records, Inc., 200 Clinton Avenue, New Rochelle, New York 10801, USA; electronic mail bridgerec@bridgerecords.com; World Wide Web www.BridgeRecords.com
Cell-Utes and Flutter-Tongued Cats: Sound Morphing Using Loris and the Reassigned Bandwidth-Enhanced Model
A Loudspeaker-Based Projection Technique for Spatial Music Applications Using Virtual Microphone Control
A High-Fidelity Orchestra Simulator for Individual Musicians' Practice
Eric Chasalow: Left to His Own Devices
A Few Remarks on Algorithmic Composition
Propellerheads ReCycle!, ReBirth, and Reason Audio Software
Xopher Davidson: Antimatter
Rhythmic Concatenative Synthesis for Electronic Music: Techniques, Implementation, and Evaluation
Interacting with Symbol, Sound, and Feature Spaces in Orchidée, a Computer-Aided Orchestration Environment
Leonardo Music Journal CD, Volume 9, curated by Guy Van Belle: Power and Responsibility: Converted to Streaming Between Machines Compact disc (enhanced), 2000, LMJ CD 9; available from MIT Press Journals, 5 Cambridge Center, Cam-bridge, Massachusetts 02142, USA; telephone (+1) 617-253-2889; fax (+1) 617-577-1545; electronic mail jour-nal-orders@mit.edu; World Wide Web mitpress.mit.edu/Leonardo/
Bob Ostertag: Creative Life: Music, Politics, People, and Machines
The Arditti String Quartet: Roger Reynolds Compact discs (2), 2000, Auvidis/Naïve MO-782083 2CD; available from Auvidis/Naïve Distribution, 12-14 Avenue François Sommer, F-92160 Antony, France; telephone (+33) 1-55-59-07-55; World Wide Web www.mcm.asso.fr/dossier_inedit/distribution-auvidis.html
Foundations of a Visual Music
Perry R. Cook: Real Sound Synthesis for Interactive Applications
Exploring New Perspectives in Network Music Performance: The DIAMOUSES Framework
Frequency-Slope Estimation and Its Application to Parameter Estimation for Non-Stationary Sinusoids
Interactive Arts Performance Series Frederick Loewe Theater, New York University, 20 November 2000
Andrew J. Nelson: The Sound of Innovation - Stanford and the Computer Music Revolution
Automated Harmonization of Bass Lines from Bach Chorales: A Hybrid Approach
Perry R. Cook, ed.: Music, Cognition, and Computerized Sound: An Introduction to Psychoacoustics MIT Press, 1999, 372 pages, hardcover, sound examples on CD, illustrated, suggested problems and lab exercises, references, index, ISBN 0-262-03256-2; available from MIT Press, Five Cambridge Center, Cambridge, Massachusetts 02142, USA; telephone (617) 253-5646; fax (6l7) 258-6779; electronic mail books@mit.edu; World Wide Web mitpress.mit.edu/book-home.tcl ?isbn=0262032562
Some Ontological Remarks about Music Composition Processes
Open Ears Festival of Music and Sound
Wave Studies: Sailing an Ocean with Max and Marjorie Mathews
Four Decades of Music Research, Creation, and Education at Padua's Centro di Sonologia Computazionale
Technology and Teaching Music 1999 Annual Meeting for the Association for Technology in Music Instruction, Denver, Colorado, USA, 14-17 October 1999
Wireless Interactive Sonification of Large Water Waves to Demonstrate the Facilities of a Large-Scale Research Wave Tank
Dynamic Independent Mapping Layers for Concurrent Control of Audio and Video Synthesis
Thomas Licata, Editor: Electroacoustic Music: Analytical Perspectives
Andrew May: Imaginary Friends
International Conference on Auditory Display 2004: Listening to the Mind Listening Sydney, Australia, 6-9 July 2004
Experiments in Modular Design for the Creative Composition of Live Algorithms
Bob Snyder: Music and Memory: An Introduction Softcover, 2000, ISBN 0-262-69237-6, 291 pages, illustrated, glossary, bibli-ography/references, index, appendix: listening examples; The MIT Press, 5 Cambridge Center, Cambridge, Massachusetts 02142-1493, USA; telephone (+1) 800-356-0343; electronic mail mitpress-order@mit.edu; World Wide Web mitpress.mit.edu/
Thomas Licata, Ed.: Essays on the Music and Theoretical Writings of Thomas DeLio, Contemporary American Composer, with Accompanying CD of Selected Compositions of Thomas DeLio
Mark Kahrs and Karlheinz Brandenburg, eds.: Applications of Digital Signal Processing to Audio and Acoustics Kluwer Academic Publishers, 1998, 545 pages, hardcover, illustrated
Sound and Video Anthology: Content
Synthesis of Resonance by Nonlinear Distortion Methods
A Genetic Rule-Based Model of Expressive Performance for Jazz Saxophone
Tangible Distributed Computer Music for Youth
Makis Solomos, editor: Presences of/Présences de Iannis Xenakis Softcover, 2001, ISBN 2-9516440-1-9, 268 pages, annotated bibliography; Centre de Documentation de la Musique Contemporaine, 16, place de la Fontaine aux Lions, 75019 Paris, France; telephone (+33) 1-47-15-49-85; electronic mail cdmc@cdmc.asso.fr, World Wide Web www.cdmc.asso.fr/
Composing with Algorithms: An Interview with David Cope
The Frog Peak Collaborations Project
Synchronizing Sequencing Software to a Live Drummer
Jürgen Bräuninger, Curator: Southern Cones: Music Out of Africa and South America Compact disc, Leonardo Music Journal CD Series Volume 10, 2000; available from Leonardo, The MIT Press Journals, Five Cambridge Cen-ter, Cambridge, Massachusetts 02142-1493, USA; telephone (+1) 800-356-0343; electronic mail journals-orders@mit.edu; Web muse.jhu.edu/journals/lmj/
Digital Music under the Stars
The Waseda Flutist Robot WF-4RII in Comparison with a Professional Flutist
Georg Hajdu: Der Sprung Wireworks Orchestra, Pumpenhaus Theater, Münster, Germany, 2-3 October 1999
Steven Kemper: Mythical Spaces. By Seth Rozanoff. (Glascow, Scotland, UK .)
Automated Violin Fingering Transcription Through Analysis of an Audio Recording
Various: [re]
Larry Austin at Eighty: A Fifty-Year Retrospective, Part I
An Interview with Tristan Murail
Andrey Smirnov: Sound in Z: Experiments in Sound and Electronic Music in Early 20th Century Russia
International Computer Music Conference 2004: Papers
A Review of Automatic Rhythm Description Systems
Various: Recovery/Discovery - 40 Years of Surround Electronic Music in the UK
Paisaje Sonoro Social: Socially Engaged Soundscapes in Mexico
The Experience of Sound: An Interview with Thomas DeLio
Trevor Wishart: voiceprints
Digitizing the Txalaparta: Computer-Based Study of a Traditional Practice
Philippe Manoury: Jupiter By Elizabeth McNutt, flute , Miller Puckette. computer, Mandeville Recital Hall University of California at San Diego, La Jolla, California, USA. 26 January 1999
Synthése '99 29th Festival International des Musiques et Créations Electroniques, 28 May to 06 June 1999, Bourges, France
Designing Musical Instruments for the Browser
Jon Rose: The Hyperstring Project. The New Dynamic of Rogue Counterpoint
Esther Lamneck: Tárogáto Constructions
A Physical Model of a Single-Reed Wind Instrument, Including Actions of the Player
The Gmebaphone Concept and the Cybernéphone Instrument
Institut National de l'Audiovisuel: Portraits Polychromes: Max Mathews
Kobe DSP Off Summer School 2003: Robots and Music Xebec Hall, Kobe, Japan, 18-23 March 2003
International Computer Music Conference 2003: Paper Sessions Yong Siew Toh Conservatory of Music, National University of Singapore, 29 September-4 October, 2003
Perception of Spatial Sound Phenomena Created by the Icosahedral Loudspeaker
Influences of Signal Processing, Tone Profiles, and Chord Progressions on a Model for Estimating the Musical Key from Audio
Audible Interfaces Festival Ensemble Mosaik, Kulturbrauerei, Berlin, Germany, 19-21 February 2002
Description-Based Design of Melodies
Robert Normandeau: Figures Compact disc empreintes DIGITALes IMED 9944, 1999; available from DIFFUSION i MéDIA, 4850 avenue de Lorimier, Montreal, Quebec H2H 2B5, Canada; tele-phone (514) 526-4096; fax (514) 526-4487; electronic mail info@electrocd.com; World Wide Web www.electrocd.com
Freight Elevator Quartet: Fix It In Post
Matthew Burtner: Noise Plays Burtner
International Conference on Auditory Display 2002
KYMA 7: The Search for the Ultimate Sound Creation Instrument
Theory of Banded Waveguides
Charles Madden: Fractals in Music: Introductory Mathematics for Musical Analysis
User-Driven Techniques for the Design and Evaluation of New Musical Interfaces
Nonlinear Dynamics in Physical Models: Simple Feedback-Loop Systems and Properties
A Shift-Invariant Latent Variable Model for Automatic Music Transcription
DVD Creation/Duplication Software
OMChroma: Compositional Control of Sound Synthesis
Performing the Electric Violin in a Sonic Space
Tara Rodgers: Pink Noises: Women on Electronic Music and Sound
Extending Spectral Modeling Synthesis with Transient Modeling Synthesis
Functional Harmonic Analysis Using Probabilistic Models
Drew Krause: Powder
Jacques Tremblay: Alibi Compact disc, 1998, empreintes DIGITALes IMED 9842; available from DIFFUSION i MéDIA, 4850 avenue de Lorimier, Montreal, Quebec H2H 2B5, Canada; telephone (514) 526-4096; fax (514) 526-4487; electronic mail info@electrocd.com; World Wide Web www.electrocd.com/
Sound Anthology: Program Notes
Borrowed Gestures: The Body as an Extension of the Musical Instrument
A Computer-Assisted Version of Stockhausen's Solo for a Melody Instrument with Feedback
Benjamin O'Brien: For In-Between Times
Live Electronics in Luciano Berio's Music
Pierre Boeswillwald: Chrysopée Électronique-Bourges, Volume 3
An Architect Draws Sound and Light: New Perspectives on Iannis Xenakis's Diatope and La Légende d'Eer (1978)
On Developing and Performing with a 4-Foot SpiderHarp Instrument
Tornado Project: Trios for Flute, Clarinet, and Computer
Amnon Wolman: The Marilyn Series
Center for Experimental Music and Intermedia: Forty Years on the Edge Merrill Ellis Intermedia Theater, University of North Texas, Denton, Texas, USA, 19-20 April 2004
An Electronic Bandoneon with a Dynamic Sound Synthesis System Based on Measured Acoustic Parameters
Matthew Ostrowski: vertebra
Direct Simulation of Reed Wind Instruments
Cube Fest 2022
The Fifth Brazilian Symposium on Computer Music: Super and Parallel Computing Applied to Music
Alan Kefauver: Fundamentals of Digital Audio Softcover, 1999, ISBN 0-89579-405-5, 174 pages, illustrated, glossary, bibliography, index; A-R Editions, Inc., 801 Deming Way, Madison, Wisconsin 53717-1903, USA; tele-phone (800) 736-0070 or (608) 836-9000; fax (608) 831-8200; electronic mail orders@areditions.com; World Wide Web www.areditions.com
How Did Computer Music Journal Come to Exist?
Composing for Laptop Orchestra
Automatic Phrase Continuation from Guitar and Bass Guitar Melodies
Perspectives on the Contribution of Timbre to Musical Structure
Musical Style, Psychoaesthetics, and Prospects for Entropy as an Analytic Tool
Lefteris Papadimitriou: Objects
Creating Visual Music in Jitter: Approaches and Techniques
Francisco Kröpfl: Música Electroacústica 1988-2000
Make Me a Match: An Evaluation of Different Approaches to Score - Performance Matching
Nicolas Isherwood: The Techniques of Singing
Music Information Retrieval in Live Coding: A Theoretical Framework
Michael Kallstrom: Stories
Erratum: Musical Style, Psychoaesthetics, and Prospects for Entropy as an Analytic Tool
Electronic Music and Generative Remixing: Improving L-Systems Aesthetics and Algorithms
Methods and Prospects for Human-Computer Performance of Popular Music
Playing Music in Just Intonation: A Dynamically Adaptive Tuning Scheme
Micromat SoundMaker with SoundMagic FX for Mac OS
Alessandro Cipriani: Al Nur Compact disc, Compagnia Nuove In-dye CNDL 13172, 2001; available from Compagnia Nuove Indye, Via Vivaldi 9, 00199 Rome, Italy; telephone (+39) 6-8639-8559; fax (+39) 6-8632-9627; electronic mail staff@cnimusic.it; World Wide Web www.cnimusic.it/ciprianing.htm
Live Coding Machine Learning: Finding the Moments of Intervention in Autonomous Processes
Ralph Paland and Christoph von Blumröder, Eds.: Iannis Xenakis: Das elektroakustiche Werk
Parametric Electric Guitar Synthesis
Lexikon Musikautomaten: Die Welt der selbstspielenden Musikinstrumente
Enabling Programmatic Data Mining as Musicking: The Fluid Corpus Manipulation Toolkit
NAMM 2000, International Music Market
Nurturing Young Composers: Morton Subotnick's Late-1960s Studio in New York City
Physical Modeling, Algorithms, and Sound Synthesis: The NESS Project
Sound Synthesis Procedures as Texts: An Ontological Politics in Electroacoustic and Computer Music
David Rosenboom: Invisible Gold Compact disc, 2000, Pogus 21022-2; available from Pogus Productions, 50 Ayr Road, Chester, New York 10918-2409, USA; fax (509) 357-4319; electronic mail pogal@pogus.com; World Wide Web www.pogus.com
FirstAvenue: Shreds of Evidence Compact disc, 1998, O. O. Discs oo50; available from O. O. Discs, Inc., 261 Groovers Ave., Black Rock, Connecticut 06605-3452, USA; telephone (203) 333-0603; electronic mail Cellioo5@aol.com; World Wide Web www.hear.com/o.o./
Forays into Uncharted Territories: An Interview with Curtis Roads
14 th Florida Electroacoustic Music Festival, 2005 Black Box Theater, Phillips Center for the Performing Arts, University of Florida, Gainesville, Florida, USA, 7-9 April 2005
The Skipproof Virtual Turntable for High-Level Control of Scratching
Chris Brown: Talking Drum
Computer-Aided Composition Using a Sound-Based Notation
Echo Shaping Using Sums of Damped Complex Sinusoids
Sound in Space 2000 Symposium
Modularing: A Suite of MIDI Applications Modeled on the Analog Studio
Matthew Burtner: Soundscapes of Restoration: Music, Sonifications & Field Recordings
Dan Trueman: Machine Language
Gen: A Lisp Music Environment
Sound Synthesis Based on Ordinary Differential Equations
When Is Noise Speech? A Survey in Sonic Ambiguity
Priscilla McLean: Symphony of Seasons
An Interview with Trevor Wishart
Eduardo Reck Miranda: Mother Tongue
Dave Phillips: The Book of Linux Music and Sound
Creating Multiple Spatial Settings with "Granular Spatialisation" in the High-Density Loudspeaker Array of the Cube Concert Hall
Bill Purse: The Finale Primer: Mastering the Art of Music Notation with Finale 97
The Digital Score: Musicianship, Creativity and Innovation
Larry Austin and Douglas Kahn (Eds.): Source: Music of the Avant-Garde, 1966-1973
Eleanor Selfridge-Field, editor: Beyond MIDI: The Handbook of Musical Codes
Harnessing Virtualization to Transpose Place-Based Music
Henk Badings: More Electronic Music
Donald A. Hodges, editor: Handbook of Music Psychology, 2nd Edition Softcover, 2000, ISBN 0-9648803-0-X, 589 pages, illustrated, references, author index, subject index, CD-ROM; MMB Music, Inc., Contemporary Arts Building, 3526 Washington Avenue, Saint Louis, Missouri 63103-1019, USA
First International Conference on Musical Application Using XML
The Man and Machine Robot Orchestra at Logos
Preparing the Digital Piano: Introducing bitKlavier
Meme Hunting with the Humdrum Toolkit: Principles, Problems, and Prospects
Phil Winsor, Jon Christopher Nelson, Yu-Cheng Tseng, Michael Thompson, Joseph Klein, Thomas Clark, Larry Austin: CEMIsonics: The Threshold of Sound (CDMC Vol. 27) Compact disc, 1998, Centaur CRC 2407; available from Centaur Records, Inc., 8867 Highland Rd., Suite 206, Baton Rouge, Louisiana 70808, USA; telephone (225) 336-4877; fax (225) 336-9678; electronic mail info@centaurrecords.com; World Wide Web www.centaurrecords.com
Space/Sound: Multichannel Electroacoustic Music by Thomas DeLio, Thomas Licata, Agostino Di Scipio, Kristian Twombly, Kees Tazelaar, and Linda Dusman
Françoise Barriére Compact disc, 1999, Chrysopée Electronique-Bourges LDC 278 111; available from Mnémosyne Musique Média, Place André Malraux, B.P. 39, 18001 Bourges Cedex, France; telephone (+33) 2-48-20-41-87; fax (+33) 2-48-20-45-51; electronic mail ime-bourges@gmeb.fr; World Wide Web www.gmeb.fr
New Zealand Sonic Art
Karlheinz Stockhausen: Cosmic Pulses
The Map and the Flock: Emergence in Mapping with Swarm Algorithms
A Virtually Real Flute
Probabilistic Factor Oracles for Multidimensional Machine Improvisation
Missouri Experimental Sonic Arts Festival (MOXsonic)
Robert Scott Thompson: Shadow Gazing Compact disc, Aucourant Records AUREC 9401-2-CMS, 1994; available from Aucourant Records USA, P.O. Box 2231, Roswell, Georgia 30075, USA; Web www.gsu.edu/∼musrst/aurec0.html
The Aesthetics of Interactive Computer Music
Max Mathews's Influence on (My) Music
Believe in Music: NAMM Show 2004 International Music Products Association, Anaheim Convention Center, Anaheim, California, USA, 15-18 January 2004
Blue Gene Tyranny: go, Blue Compact disc, 2000, oodiscs oo64; available from oodiscs, inc., 261 Groovers Avenue, Black Rock, Connecticut 06605-3452, USA; telephone (+1) 203-367-7917; fax (+1) 203-333-0603; electronic mail oodiscs@connix.com; World Wide Web www.oodiscs.com
Reed Evan Rosenberg: At the End of an Endless Stream
John Oliver: Icicle Blue Avalanche
New Millennium: New Music: Karlheinz Essl Chicago Cultural Center, Chicago, Illinois, USA, 18 April 1999
An End-to-End Musical Instrument System That Translates Electromyogram Biosignals to Synthesized Sound
Constraints and Freedom: A Conversation with Georg Katzer
Computer Music and the Linux Operating System: A Report from the Front
John Cage/Lejaren Hiller: HPSCHD Compact disc, EMF CD 038, 2003; available from Electronic Music Foundation, 116 North Lake Avenue, Albany, New York 12206, USA; telephone (+) 888-749-9998 or (+) 518-434-4110; fax (+) 518-434- 0308; electronic mail emf@emf.org; Web www.cdemusic.org
International Computer Music Conference 2002
Qubais Reed Ghazala: Circuit-Bending: Build Your Own Alien Instruments
The MUSART Testbed for Query-by-Humming Evaluation
Renee Timmers: Freedom and Constraints in Timing and Ornamentation
Composing by Laypeople: A Broader Perspective Provided by Arithmetic Operation Grammar
Collaborative Resonances and Obstinate Interfaces: An Interview with Butch Rovan
Music, Arts, and Technology. A Critical Approach
Crusher-X Live! Granular Synthesis Software
Sónar in 2009: 16th Barcelona International Festival of Advanced Music and Multimedia Art
Eduardo Reck Miranda: Composing Music with Computers Softcover, 2001, ISBN 0195058348, xvii + 411 pages, illustrated, bibliography, glossary of rules, subject index, subject index, Focal Press Music Technology Series, US$ 49.95, CD-ROM; Butterworth-Heinenmann, Linacre House, Jordan Hill, Oxford OX2 8DP, UK, or 225 Wildwood Avenue, Woburn, Massachusetts 01801, USA; telephone (+1) 781-904-2500; fax (+1) 781-904-2620; electronic mail orders@bhusa.com; Web www.focalpress.com/
John Palmer: Jonathan Harvey's "Bhakti" for Chamber Ensemble and Electronics
An Interview with Gerard Pape
Musical Dice Games
Fourth Annual Mathematical Diderot Forum: Mathematics and Music
Finite State Machines with Data Paths in Visual Languages for Music
Studying the Timing of Discrete Musical Air Gestures
Textural Composition: Aesthetics, Techniques, and Spatialization for High-Density Loudspeaker Arrays
Coda Music Technology Finale 2000
AISB '99: Symposium on Musical Creativity Society for the Study of Artificial Intelligence and Simulation of Behaviour, Edinburgh, Scotland, 6-9 April 1999
Roboser: A Real-World Composition System
Mara Helmuth & Allen Otte: Implements of Actuation
Automata Bending: Applications of Dynamic Mutation and Dynamic Rules in Modular One-Dimensional Cellular Automata
Interface: ./swank
A Study of Musical Pitch Distance Using a Self-Organized Hierarchical Linear Dynamical System on Acoustic Signals
Music for Humans: International Computer Music Conference 2000 "Gateways to Creativity" Berlin, Germany, 27 August 1 September 2000
Meta Duo: Korea-Sax
Tuning Playfully: Composed and Adaptive Tunings in bitKlavier
CyberQuilt: An ICMA CD-ROM Anthology CD-ROM (for Macintosh), 1999, ICMA CDR001; available from International Computer Music Association, 2040 Polk St., Suite 330, San Francisco, California 94109, USA; telephone (650) 493-9448; fax (650) 493-8045; electronic mail ICMA@email.sjsu.edu; World Wide Web music.dartmouth.edu/∼icma/
Electronic Music Midwest
From Radios to Biocomputers: An Interview with Eduardo Reck Miranda
Detecting Hand Posture in Piano Playing Using Depth Data
Composing Vocal Distortion: A Tool for Real-Time Generation of Roughness
Rocco Di Pietro: Dialogues with Boulez Hardcover, 2001, ISBN 0-8108-3932-6, US$ 35.00, 109 pages, foreword (Paul Griffiths), bibliography, index; Scarecrow Press, Inc., 4720 Boston Way, Lanham, Maryland 20706, USA; telephone (+1) 301-459-3366 or (800) 462-6420; electronic mail custserv@rowman.com; World Wide Web www.scarecrowpress.com
Hans Tutschku: Moment
Native Instruments: Reaktor 3 Software SynthesizerLen Sasso: Native Instruments Reaktor 3 - Wizoo Guide
Toronto Electroacoustic Symposium
Looking Back, Looking Forward: A Keynote Address for the 2015 International Computer Music Conference
Biota: Invisible Map Compact disc, ReR BCD5, 2000; available from ReR Records, 79 Beulah Road, Thornton Heath, Surrey CR7 8JG, UK; telephone (+44) 181-7711-063; fax (+44) 181-771-3138; Web www.rermegacorp.com/index.shtml
Composing with Objects, Networks, and Time Scales: An Interview with Horacio Vaggione
Extended Playing Techniques on an Augmented Virtual Percussion Instrument
From Time to Time: The Representation of Timing and Tempo
Mario Verandi: orillas distantes/distant shores
An Interview with Martin Matalon
Desde el Otro Lado [From the other side]: Electroacoustic Music from Latin America Compact disc oo45, 1998; available from O. O. Discs, 261 Grovers Ave., Black Rock, Connecticut 06605-3452, USA; telephone (203) 367-7917; fax (203) 333-0603; electronic mail Cellioo5@aol.com; World Wide Web http: //www.hear.com/o.o./
Rondà da Passeggio
Vocal Control of Sound Synthesis Personalized by Unsupervised Machine Listening and Learning
The Spatial Sound Description Interchange Format: Principles, Specification, and Examples
David Behrman: Performance at Roulette, Brooklyn, New York
Alessandro Cipriani and Maurizio Giri: Electronic Music and Sound Design: Theory and Practice with Max/MSP, Vol. 1
International Computer Music Conference 2004: Concerts University of Miami, Coral Gables, Florida, USA; 16 November 2004
Improving Human Connections and Audience Satisfaction in Online Concerts and Music Conferences
Visualizing Expressive Performance in Tempo - Loudness Space
Workshop in Algorithmic Computer Music 2004 Music Center, University of California, Santa Cruz, USA; 25 June-9 July 2004
Ricercare 1
Electronic Music, Vol. III, Música Viva Competition Prize Winners 2004 - 2005 - 2006: Adrian Moore, Joshua Goldman, Panayiotis Kokoras, Pedro Almeida, Santiago Díez Fischer, Ingrid Obled, Manuella Blackburn, Thomas Peter
A Framework for Modifying Orchestral Qualities in Computer-Aided Orchestration