yusuke1997/dblp-id-title huggingface dataset:
Automating the Explanation of Jazz Chord Progressions Using Idiomatic Analysis
Guerino Mazzola: Elemente der Musikinformatik: Ausgearbeitet von Roland Bärtschi unter Mitarbeit von Stefan Göller
Ossatura and Tim Hodgkinson: Dentro
The CARL System: Premises, History, and Fate
The Microsound Synthesis Framework in the LC Computer Music Programming Language
An Analysis of the Compositional Techniques in John Chowning's Stria
Multimedia Festival Transmediale 05 in Berlin International Media Art Festival, Haus der Kulturen der Welt, Berlin, Germany, 4-8 February 2005
The Paradox of Creating a Cocreator
Electroshock: Electroacoustic Volumes III-VI Compact discs (series), 1999-2000, Electroshock Records; available from Electroshock Records, Ul Krilatskaya 31-1-321, 121614 Moscow, Russia; telephone +7 (095) 415-3046; fax +7 (095) 415-6689; eshock@cityline.ru; World Wide Web www.electroshock.ru
klipp av: Live Algorithmic Splicing and Audiovisual Event Capture
EyesWeb: Toward Gesture and Affect Recognition in Interactive Dance and Music Systems
An Interview with Annette Vande Gorne, Part One
Georgina Born: Rationalizing Culture: IRCAM, Boulez, and the Institutionalization of the Musical Avant-Garde Paperback, 1995, ISBN 0-520-08507-8, 390 pages, $US 19.95, illustrated, bibliography, index; University of California Press, Berkeley, California 94720, USA; World Wide Web http: //www.ucpress.edu/books/pages/6347.html
Algorithms for Chordal Analysis
Frances White: Centre Bridge: Electroacoustic Works
Various: -40, Canadian Propaganda Films of the 1940s Reworked
Bálint András Varga: Conversations with Iannis Xenakis Faber and Faber, 1996, 255 pages, softcover, illustrated, notes, list of compositions, discography, bibliography, index, ISBN 0-571-17959-2; available from Faber and Faber, 3 Queen Square, London WC1N 3AU, UK; World Wide Web www.faber.co.uk
Art | 40 | Basel: Media Art with Music
Dartmouth Symposium on the Future of Computer Music Software: A Panel Discussion
Seventeenth Florida Electroacoustic Music Festival
HPSCHD@50
Mapping Through Listening
Electroacoustic Music: The Continuing Tradition Electroacoustic Music Festival at the University of Maryland, College Park, Maryland, USA 20-22 February 2002
A Multi-Layered, Time-Based Music Description Approach Based on XML
Thomas DeLio: amounts. to. John Donald Robb Composers' Symposium/University Art Museum, University of New Mexico, Albuquerque, New Mexico, USA, 30 March-2 April 2003
The Sonic Affordances of a System for Multitouch Manipulation of Stereophonic Noise Spectra
James Dashow: 60 th Birthday USA Concert Tour College Park, Maryland; Ann Arbor, Michigan; Champaign, Illinois; Seattle, Washington; Eugene, Oregon; Berkeley, California; Dominguez Hills, California; Albuquerque, New Mexico; 14-20 October 2004
Gaudeamus Muziekweek
Performer Experience on a Continuous Keyboard Instrument
Masayoshi Fujita and Jan Jelinek: Schaum
Gary Berger, Michael Horowitz, Simon Jaunin, Martin Neukom, Kit Powell, Nicolas Sordet, Bruno Spoerri, and Harold Vasquez: Swiss Center for Computer Music
A Fuzzy-Logic Mapper for Audiovisual Media
The Scientific Evaluation of Music Information Retrieval Systems: Foundations and Future
Two Reviews of Hannah B. Higgins and Douglas Kahn (Eds.): Mainframe Experimentalism: Early Computing and the Foundations of the Digital Arts
Spectral Tools for Dynamic Tonality and Audio Morphing
Electronic_Khipu_: Thinking in Experimental Sound from an Ancestral Andean Interface
Erratum: The Laptop Orchestra as Classroom
Various: Presence II Compact discs (2) PeP 002, 2000; available from Canadian Electroa-coustic Community, Concordia University, 7141 Sherbrooke West, RF-310, Montreal, Quebec H4B 1R6, Canada; electronic mail cec@vax2.concordia.ca; World Wide Web cec.concordia.ca
Narrative, Activism, and Aesthetics: Composing Electroacoustic Music for Mexicans
PLAY!: Sound Toys for Non-Musicians
Elainie Lillios: Entre Espaces
Jorge Antunes: Musica Eletronica 70's I; Musica Eletronica 70's II; Musica Eletronica 90's I
Methods for Modeling Realistic Playing in Acoustic Guitar Synthesis
From Fiction to Function: Imagining New Instruments through Design Workshops
Virtual Reality Musical Instruments: State of the Art, Design Principles, and Future Directions
The 1998 Home Theater and Specialty Audio Show (HiFi' 98)
Marc Leman, ed.: Music, Gestalt, and Computing: Studies in Cognitive and Systematic Musicology Springer-Verlag, 1997, 524 pages, softcover, Lecture Notes in Artificial Intelligence vol. 1317, recorded examples on CD, illustrated, index, ISBN 3-540-63526-2; available in North America from Springer-Verlag New York, Inc., P.O. Box 2485, Secaucus, New Jersey 07096-2485, USA; telephone 1-800-777-4643; World Wide Web www.springer-ny. com/catalog/np/jan98np/3-540-63526-2.html; available outside of North America from Springer-Verlag Heidelberg, Tiergartenstrasse 17, D-69121 Heidelberg, Germany; telephone (+49-62) 214870; electronic mail orders@springer.de
David Mahler: Hearing Voices
Experimental Media and Performing Arts Center: Coming of Age
Rolf Inge Godøy & Harald Jørgensen, Editors: Musical Imagery Hardcover, 2001, ISBN 90-265-1831-5, xi + 319 pages, name index, subject index, Swets & Zeitlinger Studies on New Music Research, Vol. 5, US$ 89.00; Swets & Zeitlinger Publishers, P.O. Box 825, 2160 SZ Lisse, The Netherlands; electronic mail pub@swets.nl; Web www.szp.swets.nl/
Zack Browning: Breakpoint Screamer; Eun-Bae Kim: Sounds of Pusan
Mauri Edo: The Present Time
Complex Adaptation in Audio Feedback Networks for the Synthesis of Music and Sounds
SLEW TEW - A Compilation of Compilation Tracks 2003-2017
David W. Bernstein, Ed.: The San Francisco Tape Music Center: 1960s Counterculture and the Avant-Garde
Complementary Roles of Note-Oriented and Mixing-Oriented Software in Student Learning of Computer Science Plus Music
Roger Hannay: Architecture in Sound Compact discs (2), 1998, Aucourant Records AUREC 9801-1/9804-1; available from Aucourant Records USA, P.O. Box 2231, Roswell, Geor-gia 30075, USA; World Wide Web www.gsu.edu/∼musrst/aurec0.html
Computing Methodologies Supporting the Preservation of Electroacoustic Music from Analog Magnetic Tape
Virtos Noise Wizard Noise Reduction DirectX Plug-Ins
Wendy Carlos: Clockwork Orange, Sonic Seasonings, Tales of Heaven and Hell Compact discs, 1998 (reissues), ESD 81362/81382/81352; available from East Side Digital, 530 North 3rd St., Minneapolis, Minnesota 55401, USA; telephone (612) 375-0233; fax (612) 375-9580; electronic mail esd@noside.com; World Wide Web http: //www.noside.com/esd/wendycarlos.html
Sabina Covarrubias: Viaje
Martin Supper: Elektroakustische Musik und Computermusik: Geschichte, Ästhetik, Methoden, Systeme
Contemporary Noise Ensemble: An Excellent Spiritual Serviceman
Leo Magnien: Clarières
The Effects of Convolution Reverberation on the Emotional Characteristics of Musical Instrument Sounds
The Hands: The Making of a Digital Musical Instrument
The Role of Nonlinear Dynamics in Musicians' Interactions with Digital and Acoustic Musical Instruments
trans_canada Festival: Trends in Acousmatics and Soundscapes
Estimation of Parameters in Rule Systems for Expressive Rendering of Musical Performance
A Perceptual Investigation into Spatialization Techniques Used in Multichannel Electroacoustic Music for Envelopment and Engulfment
Group of the Electronic Music Studio of McGill: Vox Machina Compact disc (enhanced), 1999; McGill Systems, Inc., 550 Sherbrooke Street West, Suite 990, Montreal, Quebec H3A 1B9, Canada; telephone (514) 398-4477; fax (514) 398-4488; electronic mail mus@msi.mcgill.ca; World Wide Web www.msi.mcgill.ca
Virtual Slide Guitar
Genesis of the Cube: The Design and Deployment of an HDLA-Based Performance and Research Facility
CreativeSynth/Cycling '74: MODE Plug-Ins
David Cope: Virtual Bach
Electrotap Teabox Sensor Interface
Virtual Gesture Control and Synthesis of Music Performances: Qualitative Evaluation of Synthesized Timpani Exercises
The Systems Concepts Digital Synthesizer: An Architectural Retrospective
Two Reviews of Synthèse 98: The 28th International Festival of Electroacoustic Music
Compositeurs d'aujourd'hui: Magnus Lindberg. Compact disc, 1994, Adés 203 582; available from IRCAM, 1 Place Igor Stravinsky, F-75004 Paris, France
Simon Emmerson: Spaces and Places
Dynamic Techniques for Genetic Algorithm-Based Music Systems
Laurie Spiegel: Obsolete Systems Compact disc, EMF Media CD 019, 2001; available from Electronic Music Foundation, 116 North Lake Avenue, Albany, New York 12206, USA; telephone (+1) 888-749-9998 or (+1) 518-434-4110; fax (+1) 518-434-0308; electronic mail emf@emf.org; World Wide Web www.cdemusic.org/
Classification and Generation of Composer-Specific Music Using Global Feature Models and Variable Neighborhood Search
Evan Parker, Ghost-in-the-Machine: New Excursions Compact disc Ninth World Music NWM 019, 1998; available from Ninth World Music, Humlebaekvej 56, DK-3480 Fredensborg, Denmark; Evan Parker Electro-Acoustic Ensemble: Drawn Inward
Kaija Saariaho: Private Gardens Compact disc, 1997, Ondine ODE 906-2; available from Electronic Music Foundation, 116 North Lake Ave., Albany, New York 12206, USA; World Wide Web http: //www.cdemusic.org/
Neil Rolnick: Shadow Quartet
The Studio PANaroma and Electroacoustic Music in Brazil
Kenneth Gaburo: Tape Play Compact disc Pogus P21020-2, 2000; available from Pogus Productions, 50 Ayr Road, Chester, New York 10918-2409, USA; fax (509) 357-4319; electronic mail pogal@pogus.com; World Wide Web www.pogus.com
An Audio Watermarking Technique That Is Robust Against Random Cropping
Demos and Late-Breaking Session of the Thirteenth International Society for Music Information Retrieval Conference (ISMIR 2012)
Architecture for Real-Time Granular Synthesis With Per-Grain Processing: EmissionControl2
Construction and Performance Applications of an Augmented Violin: TRAVIS II
Techniques for Generative Melodies Inspired by Music Cognition
Sonification of a 3-D Spider Web and Reconstitution for Musical Composition Using Granular Synthesis
Cocreative Interaction: Somax2 and the REACH Project
Software for Interactive and Collaborative Creation in the Classroom and Beyond: An Overview of the Soundcool Software
From Circles to Nets: On the Signification of Spatial Sound Imagery in New Music
Editors' Notes: Geysers, Bacteria, Electricity, and a Flippin' Pompom
Digital Harmony of Sound and Light
Electric Rainbow Coalition Festival Hopkins Center for the Arts, Dartmouth College, Hanover, New Hampshire, USA, 22-24 August 2003
Automatic Composition of Electroacoustic Art Music Utilizing Machine Listening
A Musical Learning Algorithm
Real-Time Music Notation in Mixed Laptop-Acoustic Ensembles
Generating New Musical Works in the Style of Milton Babbitt
Adaptive Threshold Determination for Spectral Peak Classification
Matthew Burtner: Winter Raven (Ukiuq Tulugaq) Old Cabell Hall, University of Virginia, Charlottesville, Virginia, USA, 28 March 2003
Sound Synthesis of a Gaussian Quantum Particle in an Infinite Square Well
Computational Fugue Analysis
Making Music with Algorithms: A Case-Study System
Mapping Control Structures for Sound Synthesis: Functional and Topological Perspectives
Henry Gwiazda: noTnoTesnoTrhyThms
Smart Interfaces for Granular Synthesis of Sound by Fractal Organization
Pozzi Escot: The Poetics of Simple Mathematics in Music Softcover, 1999, ISBN 0-9634500-5-0, 124 pages, illustrated, index; Publication Contact International, 24 Avon Hill, Cambridge, Massachu-setts 02140, USA; telephone/fax (617) 868-0215
The Extraction of Expressive Shaping in Performance
Listening to the Anthropocene: A Queda do Céu
Online Pen-Based Recognition of Music Notation with Artificial Neural Networks
The New GENDYN Program
A Large-Scale Evaluation of Acoustic and Subjective Music-Similarity Measures
Bill Vine: Norwich Under the Water
Constraint Application with Higher-Order Programming for Modeling Music Theories
Alec Nisbett: The Sound Studio: Audio Techniques for Radio, Television, Film and Recording, Seventh Edition Softcover, ISBN 0-240-51911-6, 388 pages, illustrated, US$ 54.95; Focal Press, Linacre House, Jordan Hill, Oxford OX2 8DP, UK; 200 Wheeler Road, Burlington, Massachusetts 01803, USA; Web www.focalpress.com/
International Conference on Music Information Retrieval 2003 Johns Hopkins University/Library of Congress, Baltimore, Maryland, USA, 26-30 October, 2003
David Tudor: Rainforest (Versions I and IV) Compact disc, 1998, mode 64; available from mode records, PO Box 1026, New York, New York 10116, USA; fax (212) 979-1027; electronic mail info@mode.com; World Wide Web http: //www.mode.com
Bob Gluck: Stories Heard and Retold
MCM 2013: The Fourth International Conference on Mathematics and Computation in Music
Barry Truax, editor: Handbook of Acoustic Ecology, 2nd edition (CD-ROM version) CD-ROM, 1999; Cambridge Street Records, 4346 Cambridge Street, Burnaby, British Columbia V5C 1H4, Canada
Ingrid Laubrock: Dreamt Twice, Twice Dreamt
The Bifurcators, with "Blue" Gene Tyranny: Like a Bird in the Wilderness
Thomas DeLio, Agostino Di Scipio, Linda Dusman, Wesley Fuller, Michael Hamman: MUSIC/TEXT II
Trimpin: An Interview
A Zoomable Mapping of a Musical Parameter Space Using Hilbert Curves
Using Strange Attractors to Control Sound Processing in Live Electroacoustic Composition
A Visual Programming Interface for Digital Luthiery: Implementing Circuits with Veneer
The Machine Orchestra: An Ensemble of Human Laptop Performers and Robotic Musical Instruments
Sonic Arts Circuit VIII: International Electronic Music Festival American Composers Forum, Boston Area Chapter & Boston Cyberarts Festival, Institute of Contemporary Art, Boston, Massachusetts, USA, 27-28 April 2001
Plug.In 4th Annual Music Industry Forum, New York, New York USA, 19-20 July 1999
Erratum: New Digital Musical Instruments: Control and Interaction Beyond the Keyboard
Sonic Circuits 2012: A Festival of Experimental Music
Dmitri Tymoczko: A Geometry of Music: Harmony and Counterpoint in the Extended Common Practice
The Electroacoustic Music of Iannis Xenakis
Generation of Musical Sequences with Genetic Techniques
Fon: Fakt Compact disc, 2000, Werkzeug; available from Werkzeug; World Wide Web www.wrkzg.net/
Sonic Composition in Tongues of Fire
Zbigniew Karkowski/Atsuko Nojiri: Continuity
Systems of Embers, Dust, and Clouds: Observations after Xenakis and Brün
Jonty Harrison, Adrian Moore, Denis Smalley: The British Connection Compact discs (3), empreintes DIGI-TALes IMED 0052, 0053, 0054, 2000; available from DIFFUSION i MeéDIA, 4580, avenue de Lorimier, Montreal, Quebec H2H 2B5, Canada; telephone (514) 526-4096; fax (514) 526-4487; electronic mail info@electrocd.com; World Wide Web www.electrocd.com/
A Conversation with Beatriz Ferreyra
The Second International Symposium on Computer Music Modeling and Retrieval (CMMR 2004) Aalborg University Esbjerg, Esbjerg, Denmark, 26-29 May 2004
Algorithms for Computing Geometric Measures of Melodic Similarity
Iced Bodies: Ice Music for Chicago at The Arts Club of Chicago. By Spencer Topel. (12 August 2017, performed by Seth Parker Woods.)
Following Gesture Following: Grounding the Documentation of a Multi-Agent Music Creation Process
Wedelmusic: First International Conference on Web Delivering of Music Florence, Italy, 23-24 November 2001
Leo Kupper: Ways of the Voice Compact disc, 1999, Pogus P21018-2; available from Pogus Productions, 50 Ayr Road, Chester, New York 10918-2409, USA; fax (509) 357-4319; electronic mail pogal@frontiernet.net; World Wide Web www.pogus.com
Iannis Xenakis's Achorripsis : The Matrix Game
Agostino Di Scipio and Dario Sanfilippo: Machine Milieu
Agostino Di Scipio: Concrezioni Sonore
Symbolic Melodic Similarity: State of the Art and Future Challenges
Modal Synthesis for Arbitrarily Shaped Objects
Electroacoustic Music Studies Network 2008: Musique concrète - 60 Years Later
Margaret Lancaster: Future Flute Compact disc, Sound's Bounty SB 001, 2000; available from Sound's Bounty; electronic mail pegs@webspan.net; Web home.earthlink.net/∼malancaster/recordings.html
Algorithmic Clustering of Music Based on String Compression
A Classifier-Based Approach to Score-Guided Source Separation of Musical Audio
Celebrating Electronics: Music by John Bischoff (Concert) and John Bischoff: Bitplicity (Album)
Elaine Barkin, Benjamin Boretz, et al. Steven Mackey, J.K. Randall: Open Space 3, 4, & 5 Compact discs, 1992/1993; available from Open Space Publications, Sycamore Drive, Red Hook, New York 12571, USA; telephone (914) 758-5785; fax (914) 758-6740; electronic mail postmaster@the-open-space.org; World Wide Web www.the-open-space.org/
Elizabeth Hoffman: Intérieurs Harmoniques
Machine Learning of Jazz Grammars
Roger T. Dean, Editor: Oxford Handbook of Computer Music
Howard W. Ferstler: The Digital Audio Music List: A Critical Guide to Listening
The Evolution of Spatial Audio in the AlloSphere
Beatnik Mixman StudioPro 4.0 Remix Software DM2 Digital Music Mixer
The Audio Programming Book, Edited by Richard Boulanger and Victor Lazzarini
JackTrip/SoundWIRE Meets Server Farm
Designing Constraints: Composing and Performing with Digital Musical Systems
Computer Tools for Modeling Swing in a Jazz Ensemble
Ludger Brümmer, Compositions; Silke Braemer, Videos: Thrill
Toward a Framework for Interactive Systems to Conduct Digital Audio and Video Streams
Stochos: Software for Real-Time Synthesis of Stochastic Music
Helga de la Motte-Haber, Editor: Klangkunst: Tönende Objekte und klingende Räume
An Interview with Barry Vercoe
Robot Opera: Bridging the Anthropocentric and the Mechanized Eccentric
Facilitating the Musician's Engagement with New Musical Interfaces: Counteractions in Music Performance
Ned Bouhalassa: Aérosol
Mario Diaz De Leon: Spark and Earth
Eve Beglarian and Kathleen Supové: t wis tedtu tu p lay n ice Compact disc, 2000, oodiscs oo66; available from oodiscs, inc., 261 Groovers Avenue, Black Rock, Con-necticut 06605-3452, USA; telephone (203) 367-7917; fax (203) 333-0603; electronic mail oodiscs@connix.com; World Wide Web www.oodiscs.com
Alexander Berne and The Abandoned Orchestra: Self Referentials Volumes 1&2
Feature Set Patterns in Music
Computation as Material in Live Coding
NAMM 2001 International Music Market International Music Products Association, Convention Center, Anaheim, California, USA, 18-21 January 2001
Seoul International Computer Music Festival 2008
Collaborative Textual Improvisation in a Laptop Ensemble
Division- and Addition-Based Models of Rhythm in a Computer-Assisted Composition System
Immersive Spatial Interactivity in Sonic Arts: The Acoustic Localization Positioning System
David Rothenberg and Korhan Erel: Berlin Bülbül
Simon Emmerson, Editor: Music, Electronic Media, and Culture Hardcover, 2000, ISBN 0-7546-0109-9, US$ 69.95, 252 pages, notes, references, discographies, index; Ashgate Publishing, Ltd., Gower House, Croft Road, Aldershot, Hampshire GU11 3HR, UK; telephone (+44) 1252-331-551; fax (+44) 1252-317-446; electronic mail info@ashgate.com; World Wide www.ashgate.com/
An Offline, Automatic Mixing Method for Live Music, Incorporating Multiple Sources, Loudspeakers, and Room Effects
Bézier Spline Modeling of Pitch-Continuous Melodic Expression and Ornamentation
Judy Malloy, Editor: Women, Art, and Technology
Thomas D. Rossing: Science of Percussion Instruments Hardcover, 2000, ISBN 981-02-4158-5, 208 pages, illustrated, references, name index, subject index; World Scientific, Series in Popular Science, Volume 3, World Scientific Publishing, Farrer Road, P. O. Box 128, Singapore 912805; telephone (+65) 466-5775; fax (+65) 467-7667; electronic mail wspc@wspc.com.sg; World Wide Web www.worldscientific.com
Charles Dodge and Thomas A. Jerse: Computer Music: Synthesis, Composition, and Performance, second edition Paperback, 1997, ISBN 0-02-864682-7, 455 pages, illustrated, glossary, notes, index; Schirmer Books, 1633 Broadway, New York, New York 10019, USA
Richard Boulanger, editor: The Csound Book: Perspectives in Software Synthesis, Sound Design, Signal Processing, and Programming Softcover, 2000, ISBN 0-262-52261-6, 740 pages, illustrated, appendices, bibliography, discography, index, CD-ROMs (2); The MIT Press, 5 Cambridge Center, Cambridge, Mas-sachusetts 02142-1493, USA; tele-phone (800) 356-0343; electronic mail mitpress-orders@mit.edu; World Wide Web mitpress.mit.edu
Emergent Sound Repertoires in Virtual Societies
Diptych by Kari Väkevä
Performing Musical Interaction: Lessons from the Study of Extended Theatrical Performances
Riccardo Bianchini and Alessandro Cipriani: Virtual Sound: Sound Synthesis and Signal Processing-Theory and Practice with Csound Softcover, 2001, ISBN 88-900261-1-1, 506 pages, foreword (James Dashow), bibliography, index, CD-ROM; Contempo s.a.s., Rome, Italy; fax (+39) 06-355-020-25; electronic mail info@virtual-sound.com or info@contemponet.com; World Wide Web www.virtual-sound.com or www.contemponet.com
Computer Music Meets Unconventional Computing: Towards Sound Synthesis with In Vitro Neuronal Networks
Computer Sound Synthesis in 1951: The Music of CSIRAC
A Music Representation Requirement Specification for Academia
Ron Herrema: Changing Weights
Selected Compositions III (1986-2017)
An Interview With Edmund Campion
Howard Sandroff: Tephillah; Pierre Boulez: Dialogue de l'ombre double; Rami Levin: A New Leaf
Alternating Currents: Electronic Music from The University of Michigan
Gerard Pape: Electroacoustic Chamber Works Compact disc, 1998, mode 67; available from Mode Records, P.O. Box 1026, New York, New York 10116, USA; telephone/fax (212) 979-1027; electronic mail mode@mode.com; World Wide Web www.mode.com
A Framework for the Evaluation of Digital Musical Instruments
Nonlinear Dynamics in Physical Models: From Basic Models to True Musical-Instrument Models
Compositional and Performance Mapping in Computer Chamber Music: A Case Study
Felipe Otondo: Tutuguri
Robert Rowe: Machine Musicianship
David Borden: Make Way for Mother Mallard: 50 Years of Music Cuneiform Records
The 108 th Audio Engineering Society Convention
Dexter Morrill: Music for Stanford
FMOL Trio: Live at Metronom Compact disc, 2000, Hazard Records N. CD 010; available from Hazard Records, Adpo. 34017, 08080 Barcelona, Spain; World Wide Web www.lanzadera.com/hazard
Mapping the Klangdom Live: Cartographies for Piano with Two Performers and Electronics
Automatic Functional Harmonic Analysis
Marilyn Nonken: The Spectral Piano: From Liszt, Scriabin, and Debussy to the Digital Age
Max 5 Programming Language Update
Decompartmental: Conversing with Clarence Barlow
Jazz Harmonic Analysis as Optimal Tonality Segmentation
Phonograms, Elastic Couplings, and Trajectories
Nicolas Collins: Salvaged - Compositions 1986-2014
Erik Belgum: Strange Neonatal Cry
Thomas Clark: Larry Austin: Life and Works of an Experimental Composer
Ableton Live Sequencing Instrument, Version 1.5 US$ 299.95; available from Ableton AG, Schönhauser Allee 6-7, D-10119 Berlin, Germany; telephone (+49) 30-288-763-0; fax (+49) 30-288-763-11; electronic mail contact@ableton.com; Web www.ableton.com/
Annette Vande Gorne: Illusion
Electroacoustic Music by Women Composers Elainie Lillios, curator, University of North Texas, Denton, Texas, USA, 23 and 25 March 1999
Zenial: Minotaur
Two Reviews of the 1998 International Computer Music Conference
Sylvie Dallet: Itinéraires d'un chercheur - A Career in Research Paperback, 1997, 128 pages, ISBN 2-9510783-0-7, table of contents, photographs; CERPS, 37, rue Carnot, 93100 Montreuil-sous-Bois, France; telephone (+33-1) 4857-5780; World Wide Web http: //www.multimania.com/cerps/frame/cerps.html; in the USA available from Anomalous Records, P.O. Box 22195, Seattle, Washington 98122-0195, USA; telephone (206) 338-9339; fax (206) 328-9408; electronic mail orders@anomalousrecords.com; World Wide Web http: //www.anomalousrecords.com/
Trumpet Augmentation and Technological Symbiosis
A Review of Digital Techniques for Modeling Vacuum-Tube Guitar Amplifiers
New Interfaces for Musical Expression (NIME) Conference
David Cope: Virtual Mozart: Experiments in Musical Intelligence
The Effects of Network Delay on Tempo in Musical Performance