yusuke1997/dblp-id-title huggingface dataset:
Jeff Rona: The Reel World: Scoring for Pictures. A Practical Guide to the Art, Technology, and Business of Composing for Film and Television Softcover, 2000, ISBN 0-87930-591-6, 272 pages, illustrated, appendix, resources, index; Miller Freeman, Inc., 600 Harrison Street, San Francisco, California 94107, USA; telephone (415) 808-3900; fax (415) 808-3997; electronic mail mfbooks@mfi.com; World Wide Web www.books.mfi.com
A Physically Inspired Implementation of Xenakis's Stochastic Synthesis: Diffusion Dynamic Stochastic Synthesis
Pimmon: Electronic Tax Return; Pimmon: Secret Sleeping Birds
The Assembling of Stria by John Chowning: A Philological Investigation
Barry Truax: Acoustic Communication and Compositional Techniques
An Environment for Physical Modeling of Articulated Brass Instruments
InTune: A System to Support an Instrumentalist's Visualization of Intonation
Perceptual Recognition of Sound Trajectories in Space
Deborah Thurlow: I Am
Bill Purse: The PrintMusic! Primer - Mastering the Art of Music Notation with Finale PrintMusic!
A Max Library for Musical Notation and Computer-Aided Composition
Percussa AudioCubes Sensors/Controllers
Life and Times of the Samson Box
A Multidimensional Environment for the Exploration of Musical Content
Grenseland by Gunhild Seim, Marilyn Crispell, and David Rothenberg
ChucK: A Strongly Timed Computer Music Language
Optimizing Chew and Chen's Pitch-Spelling Algorithm
Computer Music Languages, Kyma, and the Future
Electronic Music Midwest Festival Lewis University, Romeoville, Illinois, USA; 16-18 September 2004
A Multi-Instrument, Force-Feedback Keyboard
Margaret Fisher: Ezra Pound's Radio Operas: The BBC Experiments, 1931-1933
Toward Reality Equivalence in Spatial Sound Diffusion
Expressive Robotic Guitars: Developments in Musical Robotics for Chordophones
Larry Austin: OCTO MIXES Compact disc, 2001, EMF CD 039; available from Electronic Music Foundation, 116 North Lake Avenue, Albany, New York 12206, USA; telephone (+) 888-749-9998 or (+) 518-434-4110; fax (+) 518-434-0308; electronic mail emf@emf.org; Web www.cdemusic.org
Karlheinz Stockhausen: Mikrophonie I red fish blue fish, Steven Schick, director, Green Umbrella, Los Angeles, California, USA, 26 January 1999
Anssi Klapuri, Manuel Davy, Eds: Signal Processing Methods for Music Transcription
2017 New York City Electroacoustic Music Festival: Abrons Arts Center, New York
A Camera-Based Music-Making Tool for Physical Rehabilitation
Coupled Map Lattices as Musical Instruments
Evaluating Gesture-Augmented Keyboard Performance
Örjan Sandred: Sonic Trails
Interactive Learning of Timbral Rhythms for Percussion Robots
softVNS 2 Real Time Video Processing and Tracking Software
Applied Accoustics Tassman 3.0Applied Acoustics Lounge Lizard EP-2 Applied Acoustics, 486 Ste-Catherine West, Suite 301, Montreal, Quebec H3B 1A6, Canada; telephone (+1) 888-441-8277; fax (+1) 514-845- 1875; electronic mail info@applied-acoustics.com; Web www.applied-acoustics.com
Generating Musical Performances with Director Musices
Dynamic Computer-Aided Orchestration in Practice with Orchidea
CJ Symon: Twelve Day Today Preludes and Fugues
Automatic Orchestration in Practice
Heidi Grundmann, Editor: Sound Drifting. I Silenzi Parlando Tra Loro Compact discs (2) with booklet (49 pages), 2000, Triton Verlag/ORF Kunstradio; available from ORF Kunstradio, Argentinierstrasse 30 A, A-1040 Vienna, Austria; telephone (+43) 1-501-18277; electronic mail kunstradio@thing.at; World Wide Web kunstradio.at/SD
Carl Stone: Electronic Music from 1972-2022
Andrew Czink, Susan Frykberg, Damián Keller, Giorgio Magnanensi, Hildegard Westerkamp, John Oliver: Harangue I
Real-Time Timbre Classification for Tabletop Hand Drumming
Stockhausen on Electronics, 2004
Regular Expressions as Violin Bowing Patterns
Sibelius 2 Notation Software
Digital Audio Effects 1998, Barcelona, Spain
Cex: Oops! I did it again! Compact disc, Tigerbeat6 Records, meow031, 2001; available from Ti-gerbeat 6 Records, 310 Oakland Avenue, Oakland, California 94611, USA; fax (+1) 510-465-3213; elec-tronic mail cex@tigerbeat6.com; Web www.tigerbeat6.com or www.rjyan.com
Charles O. Nussbaum: The Musical Representation: Meaning, Ontology, and Emotion
Halou: Wholeness E.P
Iannis Xenakis: Persepolis Compact disc, 2000, FractalOX; available from Fractal Records, 26 rue Garnier, 92200 Neuilly-sur-Seine, France; fax (+33) 1-4745-1702; electronic mail fractal.rec@wanadoo.fr; World Wide Web www.fractal-records.com
Bill Alves: The Terrain of Possibilities Compact disc, EMF CD 002, 1997; available from Electronic Music Foundation, 116 North Lake Avenue, Albany, New York 12206, USA; tele-phone (888) 749-9998; (518) 434-4110; fax (518) 434-0308; electronic mail emf@emf.org; Web www.cdemusic.org
Musical Applications of Banded Waveguides
Laura Zattra: Studiare La Computer Music: Definizioni, Analisi, Fonti
A Networking Framework and Mobile Node Controller for Sound Diffusion with Audience Participation
A Fuzzy Gestural AI Approach for Expressive Interactivity in Multitouch Digital Musical Instruments Based on Laban Descriptors
Fourth MUSICNETWORK Open Workshop Universitat Pompeu Fabra, Barcelona, Spain; 15-16 September 2004
Eric Lyon: Designing Audio Objects for Max/MSP and Pd
Trevor Pinch and Frank Trocco: Analog Days: The Invention and Impact of the Moog Synthesizer
A Multimodal System for Gesture Recognition in Interactive Music Performance
pDM: An Expressive Sequencer with Real-Time Control of the KTH Music-Performance Rules
Using Multiattribute Prediction Suffix Graphs to Predict and Generate Music
What Can the Language of Musicians Tell Us about Music Interaction Design?
Natasha Barrett/Tanja Orning: DR.OX
Generative Musical Tension Modeling and Its Application to Dynamic Sonification
An Evaluation System for Metrical Models
Dan Hosken: An Introduction to Music Technology
Évelyne Gayou, Editor: Polychrome Portraits 14: Pierre Schaeffer
My Experiences with Max Mathews in the Early Days of Computer Music
Évelyne Gayou: GRM - Le Groupe de Recherches Musicales: Cinquante ans d'histoire
Linda Ceff: Mistika Compact disc, 1998, Move CD-MD3168; available from Move Records, P.O. Box 266, Carlton South, Victoria 3053, Australia
Stephen Travis Pope: Ritual and Memory
SONDA Festival 2022
Artificial Evolution of Expressive Performance of Music: An Imitative Multi-Agent Systems Approach
Lawrence Casserley: The Edge of Chaos
The Eleventh International Society for Music Information Retrieval Conference (ISMIR 2010)
Automatic Synthesizer Articulation
Canceling and Selecting Partials from Musical Tones Using Fractional-Delay Filters
Erdem Helvacioglu: Resonating Universes
21st Century Piano Composition Competition Concert
Commuted Waveguide Synthesis of the Clavichord
Natasha Barrett: Trade Winds
Study Day on Computer Simulation of Musical Creativity
Melia Watras: Prestidigitation
Various: Music from SEAMUS, Volume 17
Uli Aumüller: My Cinema for the Ears: The Musique Concrète of Francis Dhomont and Paul Lansky
Synthesizing Natural Sounds Using Dynamic Models of Sound Attractors
Computer-Assisted Composition at IRCAM: From PatchWork to OpenMusic
Ludger Brümmer: CRI Compact disc, 1996, Akademie der Künste/Production Sender Freies Berlin, edel 0014522TLR; available from Akademie der Künste, Hanseatenweg 10, D-10557 Berlin-Tiergarten, Germany; telephone +30 390-76-0; electronic mail info@adk.de; World Wide Web www.adk.de
Zipf's Law, Music Classification, and Aesthetics
A Robotic Flutist Framework for Exploring Acoustics, Human-Instrument Interaction, and Musical Creation
Kronos: A Declarative Metaprogramming Language for Digital Signal Processing
Laptop Performers, Compact Disc Designers, and No-Beat Techno Artists in Japan: Music from Nowhere
An Accessible, Browser-Based Gestural Controller for Web Audio, MIDI, and Open Sound Control
McGill Electronic Music Studio 35th Anniversary: Tornado-Electroacoustic Compositions Compact discs (2), McGill Records 2001-01-2, 2001; available from Electronic Music Studio, Faculty Music, McGill University, 555 Sherbrooke Street West, Montreal, Quebec H3A 1E3, Canada
The Third Annual Cube Fest
Priscilla McLean: Cries and Echoes
Various: Harangue II
jMax: An Environment for Real-Time Musical Applications
Automatic Tonal Analysis: Toward the Implementation of a Music Theory Workbench
How I Learned to Love a Program That Does Nothing
Susan Frykberg: Astonishing Sense of being taken over by something far greater than me Compact disc, 1998, es 98003; available from earsay productions, Suite 308, 620 Sixth St., New Westminster, British Columbia V3L 3C5, Canada; telephone (604) 527-2358; fax (604) 524-9456; World Wide Web http: //www.earsay.com
FURT: defekt
Douglas B. Doty: Uncommon Practice, Selected Compositions 1983-1995
Hans Fjellestad: Moog
William Kleinsasser: Available Instruments
Barry Schrader: EAM Compact disc, innova 575, 2002; available from innova Recordings, 332 Minnesota Street #E-145, St. Paul, Minnesota 55101, USA; telephone (+1) 651-251-2823; fax (+) 651-291-7978; electronic mail innova@composersforum.org; Web www.innovarecordings.org
David Toop, Curator: Not Necessarily "English Music": A Collection of Experimental Music from Great Britain, 1960-1977
An Interview with Philippe Leroux
The Aesthetics of Failure: "Post-Digital" Tendencies in Contemporary Computer Music
The PRIE MIDI Environment
Compositeurs d'aujourd'hui: Philippe Manoury. Compact disc, 1997, Adés 206 062; available from IRCAM, 1 Place Igor Stravinsky, F-75004 Paris, France; Philippe Manoury: En écho, Neptune Compact disc, 1998, Accord 206762 MU 750 (Musidisc); available from IRCAM, 1 Place Igor Stravinsky, F-75004 Paris, France
Sever Tipei: raw cuts Compact disc, 1998; available from Computer Music Project, University of Illinois Experimental Music Studios, 1114 West Nevada, Urbana, Illinois 61801, USA; electronic mail s-tipei@uiuc.edu; World Wide Web cmp-rs.music.uiuc.edu/people/tipei/index.html
Ken Greenebaum and Ronen Barzel (Editors): Audio Anecdotes: Tools, Tips, and Techniques for Digital Audio
Groven.Max: An Adaptive Tuning System for MIDI Pianos
A Subsumption Agent for Collaborative Free Improvisation
Phase-Continuous Frequency Change in the Direct-Form, Second-Order Recursive Oscillator
Gonzalo Biffarella: Mestizaje
PulsarGenerator Synthesis Software for MacOS Available from CREATE (Center for Research in Electronic Art Technology), Department of Music, University of California, Santa Barbara, California 93106, USA; electronic mail info@create.ucsb.edu; Web www.create.ucsb.edu/PulsarGenerator/
Susumu Yokota: Image 1983-1998 Compact disc, 1998, Bay 9CD; available from Skintone Records, Japan, licensed to The Leaf Label, fax +44 (0)20-7733-5818; electronic mail leaf@posteverything.com; World Wide Web www.posteverything.com/leaf/
Learning of Hierarchical Temporal Structures for Guided Improvisation
3rd Spark Festival of Electronic Music and Art School of Music, University of Minnesota, Minneapolis, Minnesota, USA, 16-20 February 2005
An Anthology of Noise & Electronic Music/First A-chronology 1921-2001, Volume #1; Second A-chronology 1936-2003, Volume #2; Third A-chronology 1952-2004, Volume #3
A Physical Model of the Classical Guitar, Including the Player's Touch
Alvin Lucier: 40 Rooms CD-ROM, 1998, iEAR Studios, Rensselaer Polytechnic Institute, Troy, New York, USA; available from Electronic Music Foundation, 116 North Lake Ave., Albany, New York 12206, USA; telephone (518) 434-4110; fax (518) 434-0308; electronic mail cde@emf.org; World Wide Web www.cdemusic.org/
An Interview with Annette Vande Gorne, Part 2
Juilliard Music Technology Center: Annual Concert The Juilliard School, New York City, New York, USA, 23 April 1999
Holophonic Sound in IRCAM's Concert Hall: Technological and Aesthetic Practices
Cycling '74 radiaL Loop-Based Performance Software
Reflections on Music Programming for Conferences: The Case of SMC 2009
Curtis Bahn: r!g
David Temperley: Music and Probability
Linear and Nonlinear Digital Filters: From the Analog and Beyond
An Intuitive Synthesizer of Continuous-Interaction Sounds: Rubbing, Scratching, and Rolling
Neil Leonard: For Kounellis
Gareth Loy: Musimathics: The Mathematical Foundations of Music, Volume 2
Interactive Spatial Sonification of Multidimensional Data for Composition and Auditory Display
An Interview with Max Mathews
The Wannsee Recordings. By Gunnar Geisse. (München, Germany: NEOS Music GmbH, 2017, two compact discs.)
CD Program Notes
Jack Callahan and Jeff Witscher: Stockhausen Syndrome
Miniatures concrétes Compact disc, 1998, Empreintes DIGITALes IMED 9837; available from DIFFUSION i MéDIA, 4580 avenue de Lorimier, Montreal, Quebec H2H 2B5, Canada; electronic mail dim@cam.org; World Wide Web http: //www.cam.org/∼dim/Presence Compact discs (2-CD set), 1998, PeP-001; available from Productions électro Productions, RF310 Music Department, Concordia University, 7141 Sherbrooke West, Montreal, Quebec H4B 1R6, Canada; electronic mail cec@vax2.concordia.ca; World Wide Web http: //cec.concordia.ca
PWGLSynth: A Visual Synthesis Language for Virtual Instrument Design and Control
A Tutorial on Design Patterns for Music Notation Software
International Computer Music Festival
New San Francisco Tape Music Center: Transparent Tape Music Festival Transparent Theater, Berkeley, California, USA, 11-12 January 2002
Academy Now!: Academy Light & Magic Chandler Studio Theatre, Royal Scottish Academy of Music and Drama, Glasgow, Scotland, 04 May 1999
John Cage: Bird Cage Compact disc, 2000, EMF CD 013; available from Electronic Music Foundation, 116 North Lake Avenue, Albany, New York 12206, USA; telephone (518) 434-4110; fax (518) 434-0308; electronic mail emf@emf.org; World Wide Web www.cdemusic.org
Niall Griffith and Peter Todd, editors: Musical Networks: Parallel Distributed Perception and Performance Hardcover, 1999, 385 pages, ISBN 0-262-07181-9, illustrated, bibliography; The MIT Press, 5 Cambridge Center, Cambridge, Massachusetts 02142, USA; World Wide Web http: //mitpress.mit.edu
A Funny Thing Happened on the Way to the Formula: Algorithmic Composition for Musical Theater
Remarks on Computer Music Culture
From Dance! to "Dance": Distance and Digits
The Internet, A Musical Instrument in Perpetual Flux
Assessing Optical Music Recognition Tools
Robert Normandeau: Claire de terre
Clouds, Pyramids, and Diamonds: Applying Schrödinger's Equation to Granular Synthesis and Compositional Structure
Orchestra Tech National Conference American Composers Orchestra, New York, New York, USA, 10-14 October 2001
Mike E. Collins: A Professional Guide to Audio Plug-Ins and Virtual Instruments
Exploring Music Collections by Browsing Different Views
Matthew Burtner: Portals of Distortion Compact disc Innova CD 526, 1998; available from American Composers Forum, 332 E. Minnesota St. E-145, St. Paul, Minnesota 55101, USA; World Wide Web http: //www.composersforum.org
Moving Sound Source Synthesis for Binaural Electroacoustic Music Using Interpolated Head-Related Transfer Functions (HRTFs)
An Overview of PWGL, a Visual Programming Environment for Music
Using Music Features for Managing Revisions and Variants of Musical Scores
Dual Reflections: A Conversation with Kaija Saariaho and Jean-Baptiste Barrière on Music, Art, and Technology
2013 Performance Studies Network International Conference
The Laptop Orchestra as Classroom
EMS 2014: The Twelfth Electroacoustic Music Studies Network Conference
Sonifying Data from the Human Microbiota: Biota Beats
Molecular Music: The Acoustic Conversion of Molecular Vibrational Spectra
Yannis Kyriakides and Andy Moor: A Life Is a Billion Heartbeats
Surface Tensions: Dynamics of Stria
Barry Schrader: The Barnum Museum (2009-2012)
Arnold Pacey: The Meaning of Technology Softcover, 2001, ISBN 0-262-66120-9, 264 pages, notes, index; The MIT Press, 5 Cambridge Center, Cam-bridge, Massachusetts 02142-1493, USA; telephone (+1) 800-356-0343; electronic mail mitpress-order@mit.edu; World Wide Web mitpress.mit.edu/
Robert Reigle and Paul Whitehead (Editors): Spectral World Musics: Proceedings of the Istanbul Spectral Music Conference
An Automatic Translator for Semantically Encoded Musical Languages
Functional Scaffolding for Composing Additional Musical Voices
From Wire to Computer: Francis Dhomont at 80
Electroacoustic Works
Richard Boulanger, editor: The Csound Catalog with Audio CD-ROM, 2000; US$ 19.95; available from cSounds.com; http: //www.cSounds.com
Nick Peck: Positive Signal Flow
Interconnected Musical Networks: Toward a Theoretical Framework
Roger Reynolds: last things, I think, to think about
J. D. Mulder and R. van Liere, editors: Virtual Environments 2000 Softcover, 2000, ISBN 3-211-83516-4, 217 pages, illustrated, references; Springer Wien New York, Sachsen-platz 4-6, P.O. Box 89, A-1201 Vi-enna, Austria; fax (+43) 1-330-24-26; electronic mail books@springer.at; World Wide Web www.springer.at
SEAMUS 2012: The National Conference of the Society for Electro-Acoustic Music in the United States
Brandon LaBelle and Christof Migone, Editors: Writing Aloud - The Sonics of Language
The Second Santa Fe International Festival of Electroacoustic Music
The Instrumental Remodeling of Elements of Musical Electronics in Moon Veiled by Clouds
CDCM Computer Music Series Volume 38: Music from Bowling Green State University, MidAmerican Center for Contemporary Music
Dynamic Convolution Modeling, a Hybrid Synthesis Strategy
DEGEM: Klangkunst in Deutschland (Sonic Arts in Germany) CD-ROM, 2000, Wergo T 5150; available from Schott Music & Media, GmbH, Weihergarten 5, 55116 Mainz, Germany; telephone (+49) 6131-246-883/888; fax (+49) 6131-246-252; World Wide Web www.schott-music.com
MTC Express Multi-touch Controller Tactex Controls, Inc., #3 203 Harbour Road, Victoria, British Columbia V9A 3S2, Canada; telephone (250) 480-1132; fax (250) 480-1142; electronic mail sales@tactex.com; World Wide Web www.tactex.com
The Perceived Affective Expression of Computer-Manipulated Sung Sounds
Third International Conference on Music Information Retrieval
Raging with the Machine in the Uncanny Valley: Human-AI Cocreativity in the Eurovision-Themed AI Song Contest
Various: Foro De Comunicaciones Electroacústicas Vol. III
"I"-Tunes: Multiple Subjectivities and Narrative Method in Computer Music
Computational Music Representation Based on the Generative Theory of Tonal Music and the Deductive Object-Oriented Database
Bob Starrett and Josh McDaniel: The Little Audio CD Book
Design and Implementation of a Real-Time Digital Resonator for the Electric Cello
Classification of Musical Timbre Using Bayesian Networks
Large-Scale Physical Modeling Synthesis, Parallel Computing, and Musical Experimentation: The NESS Project in Practice
MusicMatch Jukebox MP3 Software for Macintosh Distributed by Macmillan USA, Inc., 201 West 103rd Street, Indianapolis, Indiana 46290, USA; telephone (+1) 800-858-7674; World Wide Web www.macmillansoftware.com
Mapping Out the Origins of Electroacoustic Music Studios in Brazil
Fundamental Sound: A Conversation with Hubert Howe
Brian Baumbusch: Polytempo Music and Michael J. Schumacher: Living Room Pieces
Martin Russ: Sound Synthesis and Sampling
An Introduction to Grain Wave
Design and Evaluation of Agents that Sequence and Juxtapose Short Musical Patterns in Real Time
Alessandro Cipriani and Stefano Taglietti: Il Pensiero Magmatico Compact disc, 1998, EDIPAN CD 3059; available from Edizioni Musicali EDIPAN, Viale Mazzini 6, 00195 Rome, Italy; telephone (+39-6) 322-3474
Automatic Transcription of Melody, Bass Line, and Chords in Polyphonic Music
Paul Lansky: Things She Carried Compact disc, 1997, Bridge 9076; available from Bridge Records, P.O.Box 1864, New York, New York 10116, USA; electronic mail bridgerec@bridgerecords.com; World Wide Web www.bridgerecords.com
Recent Research and Development at IRCAM
Web.La.Radia: Social, Economic, and Political Aspects of Music and Digital Media
James Phelps: AT all Mirror Compact disc, TH100, 1999; available from Electronic Music Foundation, 116 North Lake Avenue, Albany, New York 12206, USA; telephone (888) 749-9998; (518) 434-4110; fax (518) 434-0308; electronic mail emf@emf.org; World Wide Web www.cdemusic.org
Time-Domain Adaptive Algorithms for Low- and High-Level Audio Information Processing
David Cope: Techniques of the Contemporary Composer Paperback, 1997, ISBN 0-02-864737-8, 250 pages, illustrated, bibliography, index; Schirmer Books, 1633 Broadway, New York, New York 10019, USA
DaevlMakr.Plugs Audio Software Effects
Futura 2000 Festival International D'Arts Acousmatique, Crest, France, 23-26 August 2000
Sergi Jordà: Faust Music Online CD-ROM, 1998; La Fura Dels Baus; electronic mail sergi.jorda@iua.upf.es; World Wide Web www.iua.upf.es/∼sergi/FMOL/fmoltrio/history_fmol.htm
Heinrich K. Taube: Notes from the Metalevel: Introduction to Algorithmic Music Composition
Bruce Haring: Beyond the Charts: MP3 and the Digital Music Revolution Softcover, 2000, ISBN 0-9674517-0-1, 174 pages, illustrated, index; OTC Press, 6363 Sunset Boulevard, 7th floor, Los Angeles, California 90028, USA; World Wide Web www.OFFtheCHARTS.com
EMusic Indaba 2010: Home Made - Hand Made
Computational Modeling of Reproducing-Piano Rolls
James Dashow, Thomas DeLio, Wesley Fuller, and Shirish Korde: MUSIC/TEXT
Towards a Hybrid Temporal Paradigm for Musical Composition and Performance: The Case of Musical Interpretation
Tom Erbe, Chris Mann, Larry Polansky, douglas repetto, Christian Wolff: Trios
Andrew R. Brown: Computers in Music Education: Amplifying Musicality
Towards Computer-Assisted Flamenco Transcription: An Experimental Comparison of Automatic Transcription Algorithms as Applied to A Cappella Singing
Exploring the Many Tunings of Balinese Gamelan
Neil Leonard: Timaeus
Douglas A. Lyon and Hayagriva V. Rao: Java Digital Signal Processing
Surrounded by Sound: The 109 th Convention of the Audio Engineering Society Los Angeles, California, USA, 22-25 September 2000
Sound Entities: A Practice in Spatial Composition
Changing Musical Emotion: A Computational Rule System for Modifying Score and Performance
Immersion Melbourne, Australia, 7-14 June 1999
Two Live Sets
A New Timbre Visualization Technique Based on Semantic Descriptors
Dynamic Networks of Sonic Interactions: An Interview with Agostino Di Scipio
Mother Mallard's Portable Masterpiece Co. 1974-1976: Like a Duck to Water Compact disc, Cuneiform Rune 147, 2001 (remastered); available from Cuneiform Records, P.O. Box 8427, Silver Spring, Maryland 20907-8427, USA; telephone (+1) 301-589-8894; fax (+1) 301-589-1819; electronic mail cuneiform2@aol.com; World Wide Web www.cuneiformrecords.com
Design and Evaluation of Human-Computer Rhythmic Interaction in a Tutoring System
A Parametric Piano Synthesizer
Sonification and Animation of Multivariate Data to Illuminate Dynamics of Geyser Eruptions
Jan Boerman: The Complete Tape Music Dick Raaijmakers: The Complete Tape Music
A Musical Pattern Discovery System Founded on a Modeling of Listening Strategies
Alexander Lerch: An Introduction to Audio Content Analysis: Applications in Signal Processing and Music Informatics
Iara Lee: Modulations
Mary Lee Roberts: Six Compositions
Kristoff K. Roll, Xavier Charles: La PièceSophie Agnel, Lionel Marchetti, Jérôme Noetinger: rouge gris bruitBurkhard Beins, Alessandro Bosetti, Axel Dorner, Robin Hayward, Annette Krebs, Andrea Neuman, Michale Renkel, Ignaz Schick: Phosphor
GRM Tools
Paul Lansky: Conversation Pieces
Igor Music Notation Software, Version 1.3 Noteheads Musical Expert Systems AB, Sveavägen 166, SE-113 46 Stockholm, Sweden; telephone (+46) 8-50-30-33-05; electronic mail info@noteheads.com; World Wide Web www.noteheads.com
Rethinking Instrumental Interface Design: The MetaBow
A System for Tuning Instruments Using Recorded Music Instead of Theory-Based Frequency Presets
Journées d'Informatique Musicales 1999 Centre de Recherche et Développement de France Télécom, Issy-Les-Moulineaux, France, 17-19 May 1999
Peter Manning: Electronic and Computer Music, Revised and Expanded Edition
Electroacoustic Music Practice in Latin America: An Interview with Juan Amenábar