yusuke1997/dblp-id-title huggingface dataset:
Recognition of Assamese Phonemes Using RNN Based Recognizer
Interactive Sound Texture Synthesis Through Semi-Automatic User Annotations
MUSICNTWRK: Data Tools for Music Theory, Analysis and Composition
Rule-Based Expressive Modifications of Tempo in Polyphonic Audio Recordings
Hierarchical Clustering of Music Database Based on HMM and Markov Chain for Search Efficiency
Analysis of Musical Dynamics in Vocal Performances
From Sunrise to Sunset: Investigating Diurnal Rhythmic Patterns in Music Listening Habits in India
Maps and Legends: Designing FPS-Based Interfaces for Multi-user Composition, Improvisation and Immersive Performance
Estilhaço 1 and 2: Conversations Between Sound and Image in the Context of a Solo Percussion Concert
Melodic Similarity through Shape Similarity
A Live Performance Rule System Informed by Irish Traditional Dance Music
Programming in Style with bach
Melody and Rhythm Through Network Visualization Techniques
ArtDoc - An Experimental Archive and a Tool for Artistic Research
Cent Filter-Banks and its Relevance to Identifying the Main Song in Carnatic Music
SANGEET: An XML Based Open Dataset for Research in Hindustani Sangeet
Comparing the Timing of Movement Events for Air-Drumming Gestures
Musical Meter, Rhythm and the Moving Body: Designing Methods for the Analysis of Unconstrained Body Movements
Chord Function Identification with Modulation Detection Based on HMM
A Review on Techniques for the Extraction of Transients in Musical Signals
Cognitive Implications of Musical Perception
Modeling Affective Responses to Music Using Audio Signal Analysis and Physiology
Sound and Gesture
Evaluating AI as an Assisting Tool to Create Electronic Dance Music
Spatially Situated Media and Spatial Sampler XR-Genealogy and Organology of a Family of Gestural and Spatial Musical Instruments in Mixed Reality
Gesture-Timbre Space: Multidimensional Feature Mapping Using Machine Learning and Concatenative Synthesis
Automatic Dastgah Recognition Using Markov Models
Comparing Pitch Spelling Algorithms on a Large Corpus of Tonal Music
Music with Unconventional Computing: Granular Synthesis with the Biological Computing Substrate Physarum Polycephalum
Between Mapping, Sonification and Composition: Responsive Audio Environments in Live Performance
Fugue Composition with Counterpoint Melody Generation Using Genetic Algorithms
Analysis of Mimed Violin Performance Movements of Neophytes - Patterns, Periodicities, Commonalities and Individualities
Intuitive Control of Rolling Sound Synthesis
Parichaykrama - An Exploratory Interface of Indian Classical Music Using Experiential Framework
Decomposing a Composition: On the Multi-layered Analysis of Expressive Music Performance
KSQuant - Complex Score Manipulation in PWGL through Quantization
Fundamental Frequency Modulation in Singing Voice Synthesis
Chunking Sound for Musical Analysis
Timbre Perception of Sounds from Impacted Materials: Behavioral, Electrophysiological and Acoustic Approaches
Using Sound to Identify Correlations in Market Data
Evaluation of Sensors as Input Devices for Computer Music Interfaces
Extraction of Structural Patterns in Popular Melodies
Evaluating the Utility of Auditory Perspective-Taking in Robot Speech Presentations
Exploring Trends in Trinidad Steelband Music Through Computational Ethnomusicology
Automatic Music Genre Classification in Small and Ethnic Datasets
Strategies and Methods for Creating Symbolic Electroacoustic Scores in ENP
Estimating Interaction Time in Music Notation Editors
Focal Impulses and Expressive Performance
Notes on Nonnegative Tensor Factorization of the Spectrogram for Audio Source Separation: Statistical Insights and Towards Self-Clustering of the Spatial Cues
Designing a Web-Based Tool That Informs the Audio Design Process
The Effect of Auditory Pulse Clarity on Sensorimotor Synchronization
A New Probabilistic Spectral Pitch Estimator: Exact and MCMC-approximate Strategies
Collaborative Computer-Aided Parameter Exploration for Music and Animation
Musically Meaningful or Just Noise? An Analysis of On-line Artist Networks
Groove on the Brain
Metris: A Game Environment for Music Performance
Music Genre Classification Using an Auditory Memory Model
Intensity Shaping in Sustained Notes Encodes Metrical Cues for Synchronization in Ensemble Performance
Placement of Sound Sources in the Stereo Field Using Measured Room Impulse Responses
Musical Sonification of Avatar Physiologies, Virtual Flight and Gesture
Music and Dementia: Two Case-Studies
Finding Repeated Patterns in Music: State of Knowledge, Challenges, Perspectives
Seismic Sound Lab: Sights, Sounds and Perception of the Earth as an Acoustic Space
Evaluating Input Devices for Dance Research
Visual Representations for Music Understanding Improvement
Cognitive Styles and Computer-Based Creativity Support Systems: Two Linked Studies of Electro-acoustic Music Composers
Automated Arrangements of Multi-part Music for Sets of Monophonic Instruments
Perceptive and Cognitive Evaluation of a Piano Synthesis Model
The BabelBox: An Embedded System for Score Distribution on Raspberry Pi with INScore, SmartVox and BabelScores
COMPOSITES 1: An Exploration into Real-Time Animated Notation in the Web Browser
PhysioSonic - Evaluated Movement Sonification as Auditory Feedback in Physiotherapy
Auditory Time-Frequency Masking: Psychoacoustical Data and Application to Audio Representations
deepGTTM-IV: Deep Learning Based Time-Span Tree Analyzer of "A Generative Theory of Tonal Music"
Methods and Datasets for DJ-Mix Reverse Engineering
Predictive Modeling of Expressed Emotions in Music Using Pairwise Comparisons
An Audio-to-Audio Approach to Generate Bass Lines from Guitar's Chord Backing
Bridging People and Sound - 12th International Symposium, CMMR 2016, São Paulo, Brazil, July 5-8, 2016, Revised Selected Papers
Co-creation and Deep Listening Between Humans and Machines in a Telematic Workshop Environment
Estimation of Guitar Fingering and Plucking Controls Based on Multimodal Analysis of Motion, Audio and Musical Score
About the Determination of Key of a Musical Excerpt
Learning to Make Feelings: Expressive Performance as a Part of a Machine Learning Tool for Sound-Based Emotion Control
Deep Learning-Based Music Instrument Recognition: Exploring Learned Feature Representations
Evolving Automatically High-Level Music Descriptors from Acoustic Signals
FMF(Fast Melody Finder): A Web-Based Music Retrieval System
Modelling Moral Traits with Music Listening Preferences and Demographics
Classification of 1950 to 1960 Electronic Music Using the VGGish Neural Network and Random Forest
A Meta-analysis of Timbre Perception Using Nonlinear Extensions to CLASCAL
Automatic Classification of Guitar Playing Modes
Multimodal Analysis of Piano Performances Portraying Different Emotions
Bipartite Network Analysis of the Stylistic Evolution of Sample-Based Music
Syncopation as Transformation
Automatic Recognition of Sound Categories from Their Vocal Imitation Using Audio Primitives Automatically Found by SI-PLCA and HMM
BioComputer Music: Generating Musical Responses with Physarum polycephalum-Based Memristors
Predicting Agreement and Disagreement in the Perception of Tempo
Musical Note Attacks Description in Reverberant Environments
Making Data Sing: Embodied Approaches to Sonification
MusicGalaxy: A Multi-focus Zoomable Interface for Multi-facet Exploration of Music Collections
Speech, Sound and Music Processing: Embracing Research in India - 8th International Symposium, CMMR 2011, 20th International Symposium, FRSM 2011, Bhubaneswar, India, March 9-12, 2011, Revised Selected Papers
Imagine the Sounds: An Intuitive Control of an Impact Sound Synthesizer
Computer Music Modeling and Retrieval, Third International Symposium, CMMR 2005, Pisa, Italy, September 26-28, 2005, Revised Papers
Objective Assessment of Ornamentation in Indian Classical Singing
Scoregram: Displaying Gross Timbre Information from a Score
(Re)Shaping Musical Gesture: Modelling Voice Balance and Overall Dynamics Contour
A Polytemporal Model for Musical Scheduling
Music Generation with Relation Join
Emergent Rhythms through Multi-agency in Max/MSP
Polyphonic Alignment Algorithms for Symbolic Music Retrieval
Towards an Aesthetic of Hybrid Performance Practice - Incorporating Motion Tracking, Gestural and Telematic Techniques in Audiovisual Performance
Gran Cassa and the Adaptive Instrument Feed-Drum
Revolt and Ambivalence: Music, Torture and Absurdity in the Digital Oratorio The Refrigerator
A Music Exploration Interface Based on Vocal Timbre and Pitch in Popular Music
Novel Methods in Facilitating Audience and Performer Interaction Using the Mood Conductor Framework
The BRASS Project, from Physical Models to Virtual Musical Instruments: Playability Issues
Kinetic Design - From Sound Spatialisation to Kinetic Music
Perception, Representations, Image, Sound, Music - 14th International Symposium, CMMR 2019, Marseille, France, October 14-18, 2019, Revised Selected Papers
Vibrotactile Feedback for an Open Air Music Controller
The Role of Time in Music Emotion Recognition: Modeling Musical Emotions from Time-Varying Music Features
Continuous Parameter Control Using an On/Off Sensor in the Augmented Handheld Triangle
Perception of Harmonic and Inharmonic Sounds: Results from Ear Models
Exploration of Sonification Strategies for Guidance in a Blind Driving Game
Musicians Outperform Nonmusicians in Speech Imitation
Perceptual Characteristic and Compression Research in 3D Audio Technology
Augmentation of Sonic Meditation Practices: Resonance, Feedback and Interaction Through an Ecosystemic Approach
Recognizing Chords with EDS: Part One
Learning Movement Kinematics with a Targeted Sound
EarGram: An Application for Interactive Exploration of Concatenative Sound Synthesis in Pure Data
Exploring the Perceptual Relevance of Inherent Variability of Drum Sounds
Investigation of the Harpist/Harp Interaction
Abstracting Musical Queries: Towards a Musicologist's Workbench
Source Separation and Beat Tracking: A System Approach to the Development of a Robust Audio-to-Score System
DECONcert: Making Waves with Water, EEG, and Music
Semiotics of Sounds Evoking Motions: Categorization and Acoustic Features
Computer Music Modeling and Retrieval. Sense of Sounds, 4th International Symposium, CMMR 2007, Copenhagen, Denmark, August 27-31, 2007. Revised Papers
On Linear Algebraic Representation of Time-span and Prolongational Trees
Escaping from the Abyss of Manual Annotation: New Methodology of Building Polyphonic Datasets for Automatic Music Transcription
Why People with a Cochlear Implant Listen to Music
Tools for Designing Emotional Auditory Driver-Vehicle Interfaces
Generating and Modifying Melody Using Editable Noise Function
Maximum a Posteriori Estimation of Piecewise Arcs in Tempo Time-Series
The Clarinet Timbre as an Attribute of Expressiveness
The Perception of Auditory-Visual Looming in Film
The Perception of Sound Movements as Expressive Gestures
Exploring Diverse Sounds: Identifying Outliers in a Music Corpus
Does Social Interaction Activate Music Listeners?
Comparing Approaches to the Similarity of Musical Chord Sequences
Some Projects and Re.ections on Algorithmic Music
Interval Distinction on Melody Perception for Music Information Retrieval
Audio-Motor Synchronization: The Effect of Mapping Between Kinematics and Acoustic Cues on Geometric Motor Features
Interpretable Rule Learning and Evaluation of Early Twentieth-Century Music Styles
Composing and Improvising. In Real Time
Pitch Gestures in Generative Modeling of Music
Knowledge Transfer from Neural Networks for Speech Music Classification
Music Segmentation: An XML-oriented Approach
Internet Archive of Electronic Music IAEM - internet Audio Rendering System iARS
A Multiple-Expert Framework for Instrument Recognition
Feasibility Study of Deep Frequency Modulation Synthesis
VERSNIZ Audiovisual Worldbuilding Through Live Coding as a Performance Practice in the Metaverse
On Hierarchical Clustering of Spectrogram
A Hierarchical Harmonic Mixing Method
An Interactive Musical Exhibit Based on Infrared Sensors
deepGTTM-I&II: Local Boundary and Metrical Structure Analyzer Based on Deep Learning Technique
BOEUF: A Unified Framework for Modeling and Designing Digital Orchestras
On Tanpura Drone and Brain Electrical Correlates
A Virtual Reality Platform for Musical Creation: GENESIS-RT
Pitch Class and Octave-Based Pitch Embedding Training Strategies for Symbolic Music Generation
Two-Dimensional Hybrid Spatial Audio Systems with User Variable Controls of Sound Source Attributes
Score-PCM Music Synchronization Based on Extracted Score Parameters
Handel, a Free-Hands Gesture Recognition System
Networked and Collaborative Musical Play Amongst Humans and Virtual Biological Agents in Locus Diffuse
Meter Detection from Audio for Indian Music
Interdisciplinarity and Computer Music Modeling and Information Retrieval: When Will the Humanities Get into the Act?
Investigating Narrative and Performative Sound Design Strategies for Interactive Commodities
A Statistical Approach to Analyzing Sound Tracings
Embodied Cognition in Performers of Large Acoustic Instruments as a Method of Designing New Large Digital Musical Instruments
Music Similarity Evaluation Using the Variogram for MFCC Modelling
Speech/Music Discrimination in Audio Podcast Using Structural Segmentation and Timbre Recognition
Exploring Design Cognition in Voice-Driven Sound Sketching and Synthesis
DiffVel: Note-Level MIDI Velocity Estimation for Piano Performance by a Double Conditioned Diffusion Model
Music Cognition: Learning, Perception, Expectations
Ontological Substance and Meaning in Live Electroacoustic Music
Towards a General Architecture for Musical Archive Information Systems
DIGIT: A Digital Foley System to Generate Footstep Sounds
Feeling Sound: Exploring a Haptic-Audio Relationship
A Musical Framework with Swarming Robots
Labelling the Structural Parts of a Music Piece with Markov Models
Auditory Display, 6th International Symposium, CMMR/ICAD 2009, Copenhagen, Denmark, May 18-22, 2009. Revised Papers
Use the Force: Incorporating Touch Force Sensors into Mobile Music Interaction
Automatic Estimation of Harmonic Tension by Distributed Representation of Chords
Songs2See and GlobalMusic2One: Two Applied Research Projects in Music Information Retrieval at Fraunhofer IDMT
Machine Learning for Computer Music Multidisciplinary Research: A Practical Case Study
Psychoacoustic Manipulation of the Sound-Induced Illusory Flash
Toward Empirical Analysis for Stylistic Expression in Piano Performance
End-to-End Classification of Ballroom Dancing Music Using Machine Learning
WaVAEtable Synthesis
A Rule-Based Method for Implementing Implication-Realization Model
Improving Prototypical Artist Detection by Penalizing Exorbitant Popularity
Instruments and Sounds as Objects of Improvisation in Collective Computer Music Practice
Zero-Emission Vehicles Sonification Strategy Based on Shepard-Risset Glissando
Sonifying Twitter's Emotions Through Music
Using Sound to Enhance Taste Experiences: An Overview
Symbolic Segmentation: A Corpus-Based Analysis of Melodic Phrases
Considerations for Developing Sound in Golf Putting Experiments
NN Music: Improvising with a 'Living' Computer
Deploying Prerecorded Audio Description for Musical Theater Using Live Performance Tracking
Assessing Sound Perception Through Vocal Imitations of Sounds that Evoke Movements and Materials
Music Genre Classification Revisited: An In-Depth Examination Guided by Music Experts
Perceptual Control of Environmental Sound Synthesis
Reconstructing Human Expressiveness in Piano Performances with a Transformer Network
Analyzing Music to Music Perceptual Contagion of Emotion in Clusters of Survey-Takers, Using a Novel Contagion Interface: A Case Study of Hindustani Classical Music
Timbre Variations as an Attribute of Naturalness in Clarinet Play
3CMS: An Interactive Decision System for Live Performance
Musical Instrument Identification Based on New Boosting Algorithm with Probabilistic Decisions
A Virtual Musical Instrument for 3D Performance with Short Gestures: Exploring Mapping Strategies with Virtual Reality
Conchord: An Application for Generating Musical Harmony by Navigating in the Tonal Interval Space
Simulating the Soundscape through an Analysis/Resynthesis Methodology
A Learning-Based Model for Musical Data Representation Using Histograms
Ensemble Size Classification in Colombian Andean String Music Recordings
Multimodal Design for Enactive Toys
Computer Music Modeling and Retrieval. Genesis of Meaning in Sound and Music, 5th International Symposium, CMMR 2008, Copenhagen, Denmark, May 19-23, 2008, Revised Papers
Determination of Perceptual Tempo of Music
'Understood at Last'?: A Memetic Analysis of Beethoven's 'Bloody Fist'
A Quantitative Evaluation of a Musical Performance Support System Utilizing a Musical Sophistication Test Battery
The ImmApp: A Digital Application for Immersive Interaction with Sound Art Archives
Interactive Music Applications and Standards
Music Technology with Swing - 13th International Symposium, CMMR 2017, Matosinhos, Portugal, September 25-28, 2017, Revised Selected Papers
Extracting Commands from Gestures: Gesture Spotting and Recognition for Real-Time Music Performance
The Deep Learning Revolution in MIR: The Pros and Cons, the Needs and the Challenges
Computer Music Cloud
Automatic String Detection for Bass Guitar and Electric Guitar
AllThatSounds: Associative Semantic Categorization of Audio Data
Development of Audio Descriptors Inspired by Schaefferian Criteria: A Set of Tools for Interactive Exploration of Percussive Sounds
Strictly Rhythm: Exploring the Effects of Identical Regions and Meter Induction in Rhythmic Similarity Perception
On Cross-Modal Perception of Musical Tempo and the Speed of Human Movement
A Psychoacoustic-Based Methodology for Sound Mass Music Analysis
Augmenting Virtuality with a Synchronized Dynamic Musical Instrument: A User Evaluation of a Mixed Reality MIDI Keyboard
Capturing Expressive and Indicative Qualities of Conducting Gesture: An Application of Temporal Expectancy Models
Aspects of the Topology of Interactions on Loop Dynamics in One and Two Dimensions
Musical Variation and Improvisation Based on Multi-resolution Representations
Enriching Musical Interaction on Tactile Feedback Surfaces with Programmable Friction
Mathematics and Music: Loves and Fights
A Sound Design for Acoustic Feedback in Elite Sports
From Signal to Substance and Back: Insights from Environmental Sound Research to Auditory Display Design
Adaptive and Iterative Wiener Filter for Oriya Speech Processing Applications
Methods for Combining Statistical Models of Music
What Signal Processing Can Do for the Music
Toward Augmented Familiarity of the Audience with Digital Musical Instruments
Music with Unconventional Computing: A System for Physarum Polycephalum Sound Synthesis
JAZZVAR: A Dataset of Variations Found within Solo Piano Performances of Jazz Standards for Music Overpainting
Perceptual Dimensions of Short Audio Clips and Corresponding Timbre Features
Reenacting Sensorimotor Features of Drawing Movements from Friction Sounds
Modelling 4-Dimensional Tonal Pitch Spaces with Hopf Fibration
John Cage's Number Pieces, a Geometric Interpretation of "Time Brackets" Notation
Music and Musical Sonification for the Rehabilitation of Parkinsonian Dysgraphia: Conceptual Framework
Investigating the Role of Auditory Feedback in a Multimodal Biking Experience
New Music in the Atomic Age
Making Explicit the Formalism Underlying Evaluation in Music Information Retrieval Research: A Look at the MIREX Automatic Mood Classification Task
Interactive Music with Active Audio CDs
Multimodal Hand Tracking for XR Musical Instruments Using Electromyography
Error-Tolerant Content-Based Music-Retrieval with Mathematical Morphology
Mobile Music with the Faust Programming Language
Subject and Counter-Subject Detection for Analysis of the Well-Tempered Clavier Fugues
"GMU" - An Integrated Microsound Synthesis System
Towards an Intelligent Score Following System: Handling of Mistakes and Jumps Encountered During Piano Practicing
Towards Timbre Modeling of Sounds Inside Accelerating Cars
A Self-Organizing Map Based Knowledge Discovery for Music Recommendation Systems
Music, Mind, and Embodiment - 11th International Symposium, CMMR 2015, Plymouth, UK, June 16-19, 2015, Revised Selected Papers
A Possible Model for Predicting Listeners' Emotional Engagement
The Large Time-Frequency Analysis Toolbox 2.0
Melody Transformation with Semiotic Patterns
Assessment of Level of Recovery of Cognitive Impairment in the Cerebrovascular Accident and Head Injuries Cases: Therapeutic Impact of North Indian Ragas
Computer Music Modeling and Retrieval, International Symposium, CMMR 2003,Montpellier, France, May 26-27, 2003, Revised Papers
Dynamic Simulation of Note Transitions in Reed Instruments: Application to the Clarinet and the Saxophone
Generative Grammar Based on Arithmetic Operations for Realtime Composition
Emotional Impact of Source Localization in Music Using Machine Learning and EEG - A Proof-of-Concept Study
Simulator Sickness in Mobile Spatial Sound Spaces
Reading Early Music Today: Between Reenactment and New Technologies
The pureCMusic (pCM++) Framework as Open-Source Music Language
Evaluation and Prediction of Harmonic Complexity Across 76 Years of Billboard 100 Hits
Eclipse: A Wearable Instrument for Performance Based Storytelling
Auditory Representations of a Graphical User Interface for a Better Human-Computer Interaction
Probabilistic and Logic-Based Modelling of Harmony
Evolutionary Optimization of Music Performance Annotation
Content-Based Music Discovery
Interactive Music 3.0: Empowering People to Participate Musically Inside Nightclubs
A Real-Time Genetic Algorithm in Human-Robot Musical Improvisation
Singing in Virtual Reality with the Danish National Children's Choir
Surface Interactions for Interactive Sonification
Moving with Beats and Loops: The Structure of Auditory Events and Sensorimotor Timing
Designing Musical Interfaces with Composition in Mind
Modulated Swing: Dynamic Rhythm Synthesis by Means of Frequency Modulation
Assessing the Influence of Constraints on Cellists' Postural Displacements and Musical Expressivity
The Hybrid Brain Computer Music Interface - Integrating Brainwave Detection Methods for Extended Control in Musical Performance Systems
Developing a Method for Identifying Improvisation Strategies in Jazz Duos
Music: Ars Bene Movandi
An IEEE 1599-Based Interface for Score Analysis
Iterative Phase Functions on the Circle and Their Projections: Connecting Circle Maps, Waveshaping, and Phase Modulation
An Auditory Model Based Approach for Melody Detection in Polyphonic Musical Recordings
Improving Musical Expressiveness by Time-Varying Brightness Shaping
Tree Representation in Combined Polyphonic Music Comparison
Experiencing Audio and Music in a Fully Immersive Environment
The Six Emotion-Face Clock as a Tool for Continuously Rating Discrete Emotional Responses to Music
New Atlantis: Audio Experimentation in a Shared Online World
Sonification and Information Theory
Real-Time Beat Estimation Using Feature Extraction
Autonomous Composition as Search in a Conceptual Space: A Computational Creativity View
Unifying Performer and Accompaniment
The Artistic Play of Spatial Organization: Spatial Attributes, Scene Analysis and Auditory Spatial Schemata
Building Low-Cost Music Controllers
Games Without Frontiers: Audio Games for Music Production and Performance
The Qualities of the Perceived Sound Forms: A Morphological Approach to Timbre Composition
Navigation Performance Effects of Render Method and Head-Turn Latency in Mobile Audio Augmented Reality
Intelligibility of HE-AAC Coded Japanese Words with Various Stereo Coding Modes in Virtual 3D Audio Space
Abstract Sounds and Their Applications in Audio and Perception Research
Characterization of Musical Performance Using Physical Sound Synthesis Models
From Sounds to Music and Emotions - 9th International Symposium, CMMR 2012, London, UK, June 19-22, 2012, Revised Selected Papers
Quantum Harmonic Oscillator Sonification
A Database Approach to Symbolic Music Content Management
Finding Drum Breaks in Digital Music Recordings
A Novel Local Alignment-Based Approach to Motif Extraction in Polyphonic Music