yusuke1997/dblp-id-title huggingface dataset:
Developing Tools for Studying Musical gestures within the Max/MSP/jitter Environment
Spatial and Kinematic Models for Procedural Audio in 3D Virtual Environments
Algorithmic Generation of Temporal Forms: Hierarchical Organization of Stasis and Transition
High-frequency compensation of low sample-rate audio files: A wavelet-based spectral excitation algorithm
The Cro-Magnon Advanced Additive Analysis/Synthesis System
Computer Music at the Peabody Conservatory of the Johns Hopkins University
Composing in Bohlen-Pierce and Carlos Alpha scales for solo clarinet
Electroacoustic Performance Interfaces that Learn from their Users
Design and Development of an Interactive Sonification Interface for hearing Images
Deep Neural Network Based Music Source Conducting System
A Real-Time Beat Tracking System for Audio Signals
The Design of a C++ Library for MIDI Applications
The CUIDADO Project: New Applications based on Audio and Music Content Description
Real-time Acoustic Analysis of Polyphonic Music
Banded Waveguides: Towards Physical Modeling of Bowed Bar Percussion Instruments
Harmonization of Musical Progressions with Genetic Algorithms
Sound Re-synthesis from rhythm Pattern Features - audible insight into a Music Feature Extraction Process
Using Real-time Csound MIDI With Windows
Automatic Competency Assessment of Rhythm Performances of Ninth-grade and Tenth-grade Pupils
Enp expression Designer: a Visual Tool for Creating ENP-Expressions
My View of the Future of Real-Time Computer Music
Analysis and Resynthesis of Percussion Sounds: Two Methods Compared
NICO: An Open-Source Interface, Bridging the Gap Between Musician and Tesla Coil
Music Languages and Preprocessors: A Tutorial
Cellular Automation as a Means of High Level Compositional Control of Granular Synthesis
Computer-aided Composition and Performance with AMUS
Computer Music Interpretation in Practice
The Recursive Allpass as a Resonance Filter
Expressive Irish Fiddle Performance Model Informed with Bowing
Instruction of Computer Music for Computer Engineering Students and Professionals
Infrared vs. Ultrasonic Finger Detection on a Virtual Piano Keyboard
A Study on the Audiovisual Art of Nam June Paik in the Context of Multimodality and Synesthesia
Locative Sonification: Playing the World through Citygram
Using Software Emulation to Explore the Creative and Technical Processes in Computer Music: John Chowning's Stria, a case study from the TaCEM project
(CCM) 2 - College-Conservatory of Music Center for Computer Music, University of Cincinnati
A Symbolic Sonification of L-Systems
Composition on Distributed RUBATO by Affine Transformations and Deformations of Musical Structures
Effects Processing on Audio Subband Data
Development of a Real-Time gestural Interface for hands-Free Musical Performance control
RTcmix and the Open Source / Free Software Model
Water Music: Sonificiation of Ocean Buoy Spectral Data
An Evaluation Study on Music Perception for Music Content-based Information Retrieval
Generalized Diphone Control
Corpora for Music Information Research in Indian Art Music
A New Method for Interactive Sound Spatialisation
MARS: DSP Environment and Applications
A Selection Method for Organization of Proportions and Musical Intervals for Composition and Analytic Purpose
Studio Report for the Center for Computer Music at Brooklyn College
SonART: A framework for data sonification, visualization and networked multimedia applications
Self-Proliferating Musical Objects
OPENDRAMA: Networking Opera: a report of a project in progress
Collage: Sound Colors Installation Software
A Computer Assisted Approach to Music Analysis
A Rhythm Composing Program for Percussion Ensemble
The Residents: Musical Deconstruction of Popular Culture
A Digital Signal Processing System and A Graphic Editor for Synthesis Algorithms
Security in Network Connected Performance Environments
From live to interactive electronics. Symbiosis: a study on sonic human-computer synergy
Frequency Scheduling: Realtime Scheduling in Multiprocessing Systems
Learning Style-Specific Rhythmic Structures
Wavefolding: Modulation of Adjustable Symmetry in Sawtooth and Triangular Waveforms
Automatic Real-Time Extraction of Musical Expression
An Object Oriented Model for the Representation of Temporal Data in the Integra Framework
Inductive Logic Programming and Music
Towards 'a Beautiful land': the Influence of Rothko and Abstract expressionism in Composing five panels (no. 5)
Toward a Computer Model of a Jazz Improviser
From Score to Unit Generator: A Hierarchical View of MIDAS
From Harmonization to Recolorization: Ant Foraging Inspired Auditory-Visual Synesthetic Pattern Transformation
Signal Analysis of the Singing Voice: Low-Order Representations of Singer Identity
Knowledge Information Processing in Conducting Computer Music Performer
Implementation and Performance Issues with OpenSound Control
Sounds of a Community: An Interactive Sound Installation
Synthesis of Trumpet Tones Using a Fixed Wavetable and a Centroid-Controlled Second Order Filter
Spatial Utilization of Sensory Dissonance and the Creation of Sonic Sculpture
Understanding and Tuning Mass-Interaction Networks Through Their Modal Representation
Real-Time Composition, why it still matters: A look at recent developments and potentially new and interesting applications
Score Generation in Voice-Leading and Chord Spaces
Adaptive Music Technology: History and Future Perspectives
Interpolation Error in Waveform Table Lookup
Philosophical Underpinnings of Environmental Music
Zirkonium 3.1 - a toolkit for spatial composition and performance
The FCurve Sound Generator with Granular Synthesis
Mostly-Strongly-Timed Programming in LC
Michelangelo Lupone: "Corda di Metallo" (1997)
The First Retrospective of Mexican Electroacustic Music
From Musical Score to Graphic Plan: the Development of Sum as a Design Tool
Patchmix and StochGran: Two Graphical Interfaces
A Supervised Approach for Rhythm Transcription Based on Tree Series Enumeration
Roulette: A Customized Circular Sequencer for Generative Music
Discrimination of Sustained Musical Instrument Sounds Resynthesized with Randomly Altered Spectra
A Fuzzy Hierarchical System Model for Real-time Visual Interpretation in Musical Experiences
MUSIC30 - SCORE30
Using Relative Interval Slope in Music Information Retrieval
Analysis of "Touch Effect" on the Transient of Pipe Organs with Mechanical Transmission
SPEECH: creating a virtual audio-visual artwork
A General-Purpose Object-Oriented System for Musical Graphics
Time Slices, Graphic Scores and Music Composition
Fractional Delay Lines using Lagrange Interpolators
Idiomatic Instruments
Re-coupling: the uBlotar synthesis instrument and the sHowl speaker-feedback controller
Building the Erbe-Verb: Extending the Feedback Delay Network Reverb for Modular Synthesizer Use
Spatial Organization in Musical Form
A.A.S. Acoustic Ambience Simulator System
Composer's Underscoring Environment (CUE)
Dynamic Large-Scale gestural control in Supercollider Server
Control Mechanisms into the MOSAIC Synthesis Program
Building a Harmonically Ecosystemic Machine: Combining Sonic Ecosystems with Models of Contemporary Harmonic Language
"OBJED" and the Design of Timbral Resources
The Decibel ScorePlayer: New Developments and Improved Functionality
Control of Phrasing and Articulation in Synthesis
Man-Machine Interaction
Application of Mathematical Models to the Generation of Organic Musical Structure and Discourse in Composition: Research Summary
Creating Music in a Machine Age: the Relationships Between Computer Tools, Composers, and Music Making Machines
Proceedings of the 1998 International Computer Music Conference, ICMC 1998, Ann Arbor, Michigan, USA, October 1-6, 1998
Mobile Phones as Ubiquitous Instruments: Towards Standardizing Performance Data on the Network
Center for New Music & Audio Technologies: Studio Report
If I had a Hammer: Design and Theory of an Electromagnetically-prepared Piano
Pyschoacoustic Feature Based Perceptual Segmentation
An Overview Demonstration of the SSSP System
Operating Systems Latency Measurement and Analysis for Sound Synthesis and Processing Applications
Developing Cross-Platform audio and Music Applications with the CLAM Framework
Measuring Intention against Reception in Electroacoustic Music: A new opportunity for analysis
More Thorough Stochastic Music
Iklax: a New Musical audio Format for Interactive Music
The Electroacoustic Resource Site (Ears) Approaches its Next phase: Going Global and Addressing the Young
Frequency Shaping of Audio Signals
A Synthesizer Debugger
Generative sound Art as Poeitic Poetry for an Information Society
New Tools for Rapid Prototyping of Music Sound Synthesis Algorithms and Control Strategies
Java Music Specification Language, an introduction and overview
Kiwi: A Parallel System for Software Sound Synthesis
Using Advanced GUIDO as a Notation Interchange Format
The place and meaning of computing in a sound relationship of man, machines, and environment
Audification: The Use of Sound to Display Multivariate Data
Structured Additive Synthesis: Towards a Model of Sound Timbre and Electroacoustic Music Forms
A System of Rules for Computer Improvisation
Sounds of simulations: Data listening Space
Towards the Implementation of a Generic Platform for Networked Music Performance: the DIAMOUSES Approach
Elthar - A Signal Processing Expert that Learns
Digital Waveguide Modeling of Flared Acoustical Tubes
Macset: a Free Visual Cross-Platform pitch-class Set Theoretical Application
Computer Assisted Music Instruction: Toward a More Viable Philosophy of Software Architecture
The SYTER Project: Sound Processor Design and Software Overview
Pattern Matching as an Engine for the Computer Simulation of Musical Style
Characterizing Musical Signals with Wigner-Ville Interfaces
Brooklyn College Center for Computer Music
Synthesizing a choir in real-time using Pitch Synchronous Overlap Add (PSOLA)
New Techniques for Enhanced Quality of Computer Accompaniment
Robust Automated Music Transcription Systems
UGG: a Unit Generator Generator
Department of Music, University of California, San Diego
Metabolizing Music
Musical Creation at Ateliers UPIC and CEMAMu
Representation of Jazz Piano Knowledge Using a Deductive Object-Oriented Approach
Real-time Initiative Exchange Algorithm for Interactive Music System
Towards Interactive Sonification Based on Real-Time Physics simulations
Physmism: Re-Introducing Physical Modelling for Electronic Musical Exploration
KSM: An Essay in Knowledge Representation in Music
"Cooking a Canon with RUBATO®": Performance Aspects of J.S. Bach's "Kunst der Fuge"
Panel: New directions in Music Information Retrieval
Synthesis of the trumpet tone based on physical models
Women Innovators: Technology-Based Music Therapy
Play-Along Mapping of Musical Controllers
Synthesis of Acoustic Timbres using Principal Component Analysis
Modeling a processive Perspective on Meter in Music
Una teoria neurale della musica e tecniche compositive derivate
Signals and Systems Using MATLAB: An Effective Application for Exploring and Teaching Media Signal Processing
The Biniou Machine
Computer-Based Learning: Models and Lessons for Computer Music Systems
Applications of Principal Differential Analysis, to Data Reduction and Extraction of Musical Features of Sound
Higher-order Constraint applicators for Music Constraint Programming
Effects of Test Duration in Subjective Listening Tests
Sound Processing Kit
On the non-Cochlearity of the sounds Themselves
Software for Real-Time Microtonal Control
Human Perception of the Soundscape in a Metropolis through the Phenomenology of Neural Networks
Model-Based Synthesis of the Clavichord
Pacific Bell Tower, a sculptural sound installation for live sonification of earthquake data
Evolution And Embodiment: Playable Instruments for Free Music
The Application of Differential Equations to the Modeling of Musical Change
HarmonyMixer: Mixing the Character of Chords among Polyphonic Audio
Ursound - Live Patching Of Audio And Multimedia Using A Multi-Rate Normed Single-Stream Data-Flow Engine
Aural Simulation of Tactile Defensiveness
Broadening Telematic Electroacoustic Music by Affective Rendering and Embodied Real-time Data Sonification
Robust Polyphonic Midi Score Following with Hidden Markov Models
A Computer Music System for Hierarchical Sound Construction
New Mappings for the MATRIX Interface
Real-Time Granular Morphing and Spatialisation of Sounds with Gestual Control within MAX/FTS
Optimizing Software Synthesis Performance
Algorithms for Harmonic Pitch Structure Generation
jMax Recent Developments
Integration of Music and Graphics through Algorithmic Congruence
Detection and modeling of fast attack transients
NoTAM Studio Report
Design Considerations of HKBU's Laboratory for Immersive Arts and Technology: a Studio Report
Understanding Interaction in Musical Multi-Touch Surfaces
Introduction of Computer Music Studio of Sonology Department, Kunitachi College of Music
Spectral Granular Synthesis
Music Production Mobile App with Voice-to-MIDI Feature
Affective Jukebox: A Confirmatory Study of EEG Emotional Correlates in Response to Musical Stimuli
Reconsidering Laptop Orchestras as a Computational Grid for Music Performance
Cuando CANTO Bajan los Cerros: an Initiative for Interface Development Informed by a Latin-American Context
SynthBuilder Demonstration - A Graphical Real-Time Synthesis, Processing and Performance System
Semi-Supervised Classification of Musical Genre using Multi-View Features
Mridangam Simulation
Multimedia Application of Time Compress/Stretch of Sound by Granulation
Comparative Style Analysis with Neural Networks
MfOM: a Library for Building and Controlling Physical Model Instruments in Open Music
Music Learning - Compositional Thinking
Melodic Topologies
Circulant Feedback Delay Networks for Sound Synthesis and Processing
Introduction to the Interactor Language
Towards a Closed System Automated Composition Engine: Linking 'Kansei' and Musical Language Recombinicity
Motographicon: a system for computer choreography
Counterpoint Assistant
Toward and Integrated Sound Analysis and Processing Framework for Expressiveness Rendering
Stochastic Generation of Note Parameters for Music Composition
Improvisational Builder: Improvisation as Conversation
Algorithmic Approaches to Interactive Composition
Neural Networks for Musical Tones Compression, Control and Synthesis
Rhythmic Pattern Processing Using a Self-Organising Neural Network
The Making of "Widlife": Species of Interaction
An Improved Cepstral Method for Deconvolution of Source-Filter Systems with Discrete Spectra: Application to Musical Sound Signals
Application of multi-agent whale modeling to an interactive saxophone and whales duet
Deriving Psychophysical Relations for Timbre
DIMI-6000: An Early Musical Microcomputer by Erkki Kurenniemi
The Horizontal Spacing of Graphical Notation
Functional Integration of Complex Instrumental Sounds in Musical Writing
A Survey of Recent Compositional and Musical Research at IRCAM
Engraving-Hammering-Casting: Exploring the Sonic-Ergotic Medium for Live Musical Performance
Key-Music: An Expert System Environment for Music Composition
The sound Installation
A New Software Package for Spectral Investigation and Analysis/Synthesis Using FFT and Sinusoidal Modelling Techniques
MIDI and Audio via ISDN
Computing Musical Meter - an Approach to an Integrated Formal Description
Center for New Music & Audio Technologies (CNMAT): Studio Report
The Hyper Drumhead: Making Music with a Massive Real-time Physical Model
Higher Order Ambisonic Systems for the Spatialisation of Sound
KLANGPILOT - a new interface for "writing" (not only) synthetic sounds
Cancellation of Unwanted Audio to Support Interactive Computer Music
Automatic Generation of Metrical Structure Based on GTTM
Sound Level of Detail in Interactive Audiographic 3D Scenes
How blue is Mozart? Non verbal sensory scales for describing music qualities
MixNet: A Comprehensive Digital Audio Production System
The ST AMPLE Music Composition Language, an Implemenation of AMPLE for the Atari ST
CSOUND Granular Synthesis Unit Generator
Brain-Computer Interfaces and Their Application as an Audiovisual Instrument
Sensor BOWS & Application for Stringed Instruments
TC-Data: Extending Multi-Touch Interfaces for Generalized Relational Control
Approximation and Syntactic Analysis of Amplitude and Frequency Functions for Digital Sound Synthesis
Sound Exchange and Performance on Internet2
The Control Channels of Instrumental Playing in Computer Music - Real Time in Computer Music, Incidence on the Choice of the Basic Models
Ambisonics Spatialization Tools for Max/MSP
Musical Sonification of Super High Frequency Lighting
The Hyperbow: A Precision Violin Interface
Two Network Installations: '1133' & 'Computer Voices'
Beyond MIDI: Knowledge-based Support for Computer-Aided Composition
Emergent Behavior from Idiosyncratic Feedback Networks
Towards a Dynamic, Inclusive and Equalitarian Augmented Activity Space
A Multilevel Symbolic Music Alignment Algorithm
Scalability in Content-Based Navigation of Sound Databases
Luc Ferrari, Tautologos 1: the Crucial Repetition
Education with Computer Music in Colombia
Synthesis of Selected VCV-Syllables in Singing
Electroacoustic and Computer Music in Latin America
The aXi0 MIDI Controler
Felix-The DIEM Multiple DSP Box - Still in Progress
CREATE Studio Report 2016
Visual Feedback for DDMM: A Simple Approach for Connecting and Synchronizing Unity Animations with Events from VST Plugins
Vigorous Music-Making: The Inherent "Liveliness" Of A T-Stick Instrumentalist
Composing with Hyperscore: an Intuitive Interface for Visualizing Musical Structure
The CCM Center for Computer Music 2017
Generation of Complex Sound Sequences using Physical Models with Dynamical Structures
Non-linear Controller Mapping for Gestural Control of Gamaka
Adapting General Purpose Interfaces to synthesis Engines using Unsupervised Dimensionality Reduction Techniques and inverse Mapping from Features to parameters
Exploring the Design Space of hand-Controlled Guitar effects for Live Music
Development of a Versatile Interactive Performance System
Teaching Computer Science to Digital artists through Music and sound
Music Systemisers and Music Empathisers - Do they rate expressiveness of computer generated performances the same?
Musical Information from a Narrowed Autocorrelation Function
BoSSA: The Deconstructed Violin Reconstructed
MIDI Synthesizers in Performance: Realtime Dynamic Timbre Production
Gestural Mappings: Towards the Creation of a Three Dimensional Composition Environment
Polymorphic Transformations in Kyma
Foundations for on-the-Fly Learning in the Chuck Programming Language
A Method for Computer characterization of "Gesture" in Musical Improvisation
Drumtrack: beat Induction from an acoustic Drum Kit with synchronised Scheduling
Command-String Notation - A New Music Notational System
On the Use of an Effective Boltzmann Machine for Musical Style Recognition and Harmonisation
Considering Roughness to Describe and Generate Vertical Musical Structure in Content-Based Algorithmic-Assisted Audio Composition
TEMA: An "Open" Support Environment for Music Composition
Kronos as a Visual Development Tool for Mobile Applications
A framework for music analysis/resynthesis based on matrix factorization
A Physical Model of Recorder-Like Instruments
Toward An Organology Of Virtual Instruments In Computer Music
Dissemination of Computer Music Theory Outside Academia
Overview of the NeXT Music Kit
Timbre Recognition with Combined Stationary and Temporal Features
Midi to SP-MIDI transcoding using Phrase Stealing
An Overview of the Structured Sound Synthesis Project
Acceleration Sensor as an Input Device for Musical Environment
A Wavelet Based Sinusoid Model of Sound for Auditory Signal Separation
A Protocol for creating Multiagent Systems in Ensemble with Pure Data
On Mapping N Articulation Onto M Synthesiser-control Parameters
N-gon Waves - Audio Applications of the Geometry of Regular Polygons in the Time Domain
Composing for the Digital Dance Interface
Temporal Elements: A Cognitive System of Analysis for Electro-Acoustic Music
Instrument Sound Description in the Context of MPEG-7
The noise of Morphons and Bions
Principal Components Analysis and Resynthesis of Spectral Cues to Perceived Direction
Visualizing Sound Environment during Orchestra Performance based on Time Frequency Analysis
Generating Musical Symbols to Perform Expressively by Appromimate Functions
A Processor for Locating Stationary and Moving Sound Sources in a Simulated Acoustical Environment
Wii Play Piano: Composing for Piano and Wii Remote
Rapd Event Deployment in a MIDI Environment
Cutting the cord - In-circuit programmable microprocessors and RF data links free the performer from cables
General Wierdness with the Karplus-Strong String
Studio Report 2015: New York University (NYU) Music Technology Program
Models and APIs for audio synthesis and Processing a Panel Discussion
Creativity Through Technology And Science In Xenakis
Gismo: an Application for Agent-Based Composition
Music as a Mediator of Emotion
Musical Interaction Design with the CREATE USB Interface Teaching HCI with CUIs instead of GUIs
A microphone array Interface for Real-Time Interactive Music Performance
Second-order Recursive Oscillators for Musical Additive Synthesis Applications on SIMD and VLIW Processors
Remembering Performance Gestures
A Search for Best Error Metrics to Predict Discrimination of Original and Spectrally Altered Musical Instrument Sounds
The Aesthetics of Robot Opera: Human-centric or Mechanized Eccentric?
Nonlinear filters
Software for Schenkerian Analysis
Learning to Play and Perform on Synthetic Instruments
Sensors for Playing Computer Music with Expression
Recent Trends in PWGL
Musical Tension Curves and its Applications
Geometry in sound: a speech/Music audio Classifier Inspired by an Image Classifier
Towards Soundscape Information Retrieval (SIR)
NoteAbility: A Music Notation System that Combines Musical Intelligence with Graphical Flexibility
The Notation of Interactive Music: Limitations and Solutions
A generalized parametric Reed Model for Virtual Musical Instruments
Automatic Raag Classification of Pitch-tracked Performances Using Pitch-class and Pitch-class Dyad Distributions
Munger1~: towards a Cross-Platform Swissarmy Knife of Real-Time Granular synthesis
The Activities of CRM (Centro Ricerche Musicali)
(Re)discovering Sounds of CCRMA - Towards Computer Music Preservation
The Mathematical Implications of a Pulse-Ribbon Perceptual Organization of Pitch
Semantic Time: Representing Time and Temporal Transformations for Digital Audio in Interactive ComputerMusic Systems
The Alternators of the Telharmonium, 1906
A Vector Field Model of Compositional Creativity
Music 3150, A Fortran Program for Composing Music for Conventional Instruments
Composing the Output Interface
The Compositional Processes of Electroacoustic Composers: Contrasting Perspectives
How to Feed Musical Gestures into Compositions
Sound Similarity as Interface between Human and Machine in Electroacoustic Composition
Sound of Rivers: Stone Drum: a Multimedia Collaboration, with Sonified Data, Computer-Processed Narration, and Electric Violin
Human Voice Treatments in Various Types of Electroacoustic Music
The Sounding Distance Sensation and Its Signification of Artistic Representation
NYU Music Technology Studio Report
Interactive GenJam: Integrating Real-time Performance with a Genetic Algorithm
Visual and sound Generation Driven by brain, heart and respiration signals
Sinusoidal Synthesis Optimization
SOMba: Multiuser Music Creation Using Self-Organizing Maps and Motion Tracking
Novelty, Progress and Research Method in Computer Music Composition
A stethoscope for imaginary sound Interactive sound in a Health Care Environment
Ccrma Studio Report
The Evolution of the Graphic Editing Environment for the IRCAM Musical Workstation
G³: GENESIS Software Environment Update
A Musical Framework with Swarming robots
Controlling Material Properties in Physical Models of Sounding Objects
A Multimedia Environment for Computer Music
The Automatic Transcription of German Lute Tabulatures: Researches Concerning Algorithms Polyphonic Structures
Composition as an Evolving Entity an Experiment in progress