yusuke1997/dblp-id-title huggingface dataset:
Sensattice: An emerging collaborative and modular sound sculpture
Stellar Command: a planetarium software based cosmic performance interface
Mechanisms for Controlling Complex Sound Sources: Applications to Guitar Feedback Control
An Interactive 3D Network Music Space
Surface Electromyography for Direct Vocal Control
MidiGrid: Past, Present and Future
Mobile DJ: a Tangible, Mobile Platform for Active and Collaborative Music Listening
PHYSMISM: A Control Interface for Creative Exploration of Physical Models
Non-invasive sensing and gesture control for pitched percussion hyper-instruments using the Kinect
Aobachi: A New Interface for Japanese Drumming
Cutaneous Grooves: Composing for the Sense of Touch
Expanding the Role of the Instrument
Steelpan-specific pitch detection: a dataset and deep learning model
A Musical Performance Evaluation System for Beginner Musician based on Real-time Score Following
Music Maker: 3d Printing and Acoustics Curriculum
Marie: monochord-aerophone robotic instrument ensemble
P(l)aying Attention: Multi-modal, multi-temporal music control
Navigating descriptive sub-representations of musical timbre
Church Belles: An Interactive System and Composition Using Real-World Metaphors
Realtime classification of hand-drum strokes
Gyrotyre. A Hand-held Dynamic Computer-Music Controller Based on a Spinning Wheel
3DinMotion A Mocap Based Interface for Real Time Visualisation and Sonification of Multi-User Interactions
Bespoke Anywhere
Tactophonics: Your Favourite Thing Wants to Sing
Plink Jet
Kontrol: Hand Gesture Recognition for Music and Dance Interaction
5500: performance, control, and politics
Immersive Dreams: A Shared VR Experience
A platform for low-latency continuous keyboard sensing and sound generation
New Interfaces for Traditional Korean Music and Dance
The extended clarinet
A New Keyboard-Based, Sensor-Augmented Instrument For Live Performance
Notation for 3D Motion Tracking Controllers: A Gametrak Case Study
The Wahwactor: A Voice Controlled Wah-Wah Pedal
Learning Musical Instrument Skills Through Interactive Sonification
Ping-Pong: Musically Discovering Locations
Digital Musical Instruments as Research Products
Expression and Its Discontents: Toward an Ecology of Musical Creation
A Notation System for the Karlax Controller
OSC-Namespace and OSC-State: Schemata for Describing the Namespace and State of OSC-Enabled Systems
A Function-Oriented Interface for Music Education and Musical Expressions: "the Sound Wheel"
Interaction Taxonomy for Sequencer-Based Music Performances
Fields: an exploration into the use of mobile devices as a medium for sound diffusion
The Half-Physler: An oscillating real-time interface to a tube resonator model
HMusic: A domain specific language for music programming and live coding
MadPad: A Crowdsourcing System for Audiovisual Sampling
Drumming with style: From user needs to a working prototype
Comparing Motion Data from an iPod Touch to a High-End Optical Infrared Marker-Based Motion Capture System
SnoeSky and SonicDive - Design and Evaluation of Two Accessible Digital Musical Instruments for a SEN School
A "voice" instrument based on vocal tract models by using soft material for a 3D printer and an electrolarynx
The Modular Backward Evolution - Why to Use Outdated Technologies
Modeling an air percussion for composition and performance
Interfacing Sounds: Hierarchical Audio-Content Morphologies for Creative Re-purposing in earGram 2.0
Buttons, Sliders, and Keys - A Survey on Musical Grid Interface Standards
PLOrk Beat Science 2.0
MAGE 2.0: New Features and its Application in the Development of a Talking Guitar
MOM: an Extensible Platform for Rapid Prototyping and Design of Electroacoustic Instruments
Making of VITESSIMO for Augmented Violin: Compositional Process and Performance
Schwelle: Sensor Augmented, Adaptive Sound Design for Live Theatrical Performance
Support Vector Machine Learning for Gesture Signal Estimation with a Piezo-Resistive Fabric Touch Surface
Gesture ≈ Sound Experiments: Process and Mappings
Development and Evaluation of a ZigFlea-based Wireless Transceiver Board for CUI32
Manager or Musician? - About virtuosity in live electronic music
Managing Gesture and Timbre for Analysis and Instrument Control in an Interactive Environment
Septar: audio breakout design for multichannel guitar
The EMvibe: An Electromagnetically Actuated Vibraphone
Shader-based physical modelling for the design of massive digital musical instruments
Examining How Musicians Create Augmented Musical Instruments
When is a Guitar not a Guitar? Cultural Form, Input Modality and Expertise
Intimate Musical Control of Computers with a Variety of Controllers and Gesture Mapping Metaphors
Gamelan Elektrika: An Electronic Balinese Gamelan
Timbre morphing: near real-time hybrid synthesis in a musical installation
Glasstra: exploring the use of an inconspicuous head mounted display in a live technology-mediated music performance
Motion and Synchronization Analysis of Musical Ensembles with the Kinect
Snare drum motion capture dataset
Graphic Score Grammars for End-Users
Demystifying tabla through the development of an electronic drum
A Voice Interface for Sound Generators: adaptive and automatic mapping of gestures to sound
SonNet: A Code Interface for Sonifying Computer Network Data
Support System for Improvisational Ensemble Based on Long Short-Term Memory Using Smartphone Sensor
Computer Assisted Melo-rhythmic Generation of Traditional Chinese Music from Ink Brush Calligraphy
Intra-Actions: Experiments with Velocity and Position in Continuous Controllers
Sensors on stage: conquering the requirements of artistic experiments and live performances
Composing for DMIs Entoa, a Dedicate Piece for Intonaspacio
Mobilefaust: a set of tools to make musical mobile applications with the faust programming language
Passively augmenting mobile devices towards hybrid musical instrument design
robotcowboy: 10 Years of Wearable Computer Rock
Vibration , Volts and Sonic Art: A Practice and Theory of Electromechanical Sound
Mapper4Live: Using Control Structures to Embed Complex Mapping Tools into Ableton Live
Hey Man, You're Invading my Personal Space ! Privacy and Awareness in Collaborative Music
TGarden: Wearable Instruments and Augmented Physicality
A Tabletop Waveform Editor for Live Performance
Haptic Music Player - Synthetic audio-tactile stimuli generation based on the notes' pitch and instruments' envelope mapping
Developing Block-Movement, Physical-Model Based Objects for the Reactable
Magpick: an Augmented Guitar Pick for Nuanced Control
TorqueTuner: A self contained module for designing rotary haptic force feedback for digital musical instruments
Distributed mechanical actuation of percussion instruments
Active Listening to a Virtual Orchestra Through an Expressive Gestural Interface: The Orchestra Explorer
The joystyx: a quartet of embedded acoustic instruments
Machine yearning: an industrial robotic arm as a performance instrument
Design and evaluation of a digital theatre wind machine
Rhythm Apparatus on Overhead
Network Latency Adaptive Tempo in the Public Sound Objects System
New Interfaces for Spatial Musical Expression
INTIMAL: Walking to Find Place, Breathing to Feel Presence
Expressive Control of Music and Visual Media by Full-Body Movement
Human noise at the fingertip: Positional (non)control under varying haptic × musical conditions
Designing and Building Expressive Robotic Guitars
A simple practical approach to a wireless data acquisition board
NIME, Musicality and Practice-led Methods
Towards fast multi-point force and hit detection in tabletops using mechanically intercoupled force sensing resisors
GeoGraphy: a Real-Time, Graph-Based Composition Environment
The MIDI Pick: Trigger Serial Data , Samples, and MIDI from a Guitar Pick
Bd: A Sound Installation with Swarming Robots
The Body Electric: A NIME designed through and with the somatic experience of singing
Patch-corde: an expressive patch-cable for the modular synthesizer
Acoustic Localisation as an Alternative to Positioning Principles in Applications presented at NIME 2001-2013
EXPANDING ACCESS TO MUSIC TECHNOLOGY- Rapid Prototyping Accessible Instrument Solutions For Musicians With Intellectual Disabilities
9th International Conference on New Interfaces for Musical Expression, NIME 2009, Pittsburgh, PA, USA, June 4-6, 2009
Musical Composition by Regressional Mapping of Physiological Responses to Acoustic Features
The Drummer: a Collaborative Musical Interface with Mobility
Augmented Stage for Participatory Performances
ixi software: The Interface as Instrument
Direct and surrogate sensing for the Gyil african xylophone
A Robot Musician Interacting with a Human Partner through Initiative Exchange
A low-cost Sonar Interface for Unobtrusive Man-Machine Interfacing
Bottom-up live coding: Analysis of continuous interactions towards predicting programming behaviours
Gestus: teaching soundscape composition and performance with a tangible interface
Taking Back Control: Taming the Feral Cello
Separating sound from source: sonic transformation of the violin through electrodynamic pickups and acoustic actuation
You're The Conductor: A Realistic Interactive Conducting System for Children
nJam User Experiments: Enabling Remote Musical Interaction from Milliseconds to Seconds
A Component Model of Gestural Primitive Throughput
Musical Exploration of Volumetric Textures in Mixed and Virtual Reality
Tools and Techniques for the Maintenance and Support of Digital Musical Instruments
Dooremi: a Doorway to Music
Real Time Gesture Learning and Recognition: Towards Automatic Categorization
SWAF: Towards a Web Application Framework for Composition and Documentation of Soundscape
Creating Integrated Music and Video for Dance: Lessons Learned and Lessons Ignored
Vesball: a ball-shaped instrument for music therapy
Ha Dou Ken Music: Different mappings to play music with joysticks
Music for Sleeping & Waking Minds (paper submission)
Taptop, Armtop, Blowtop: Evolving the Physical Laptop Instrument
The Puara Framework: Hiding complexity and modularity for reproducibility and usability in NIMEs
Meta-Instrument 3: a look over 17 years of practice
Instant Instrument Anywhere: A Self-Contained Capacitive Synthesizer
Beyond 0-5V: Expanding Sensor Integration Architectures
Satellite CCRMA: A Musical Interaction and Sound Synthesis Platform
Multitouch Interface for Audio Mixing
OSC Virtual Controller
Performing Audiences: Composition Strategies for Network Music using Mobile Phones
Sound Lanterns
Sonicstrument: A Musical Interface with Stereotypical Acoustic Transducers
Optical Measurement of Acoustic Drum Strike Locations
Probabilistic Model of Pianists' Arm Touch Movements
Dynamic Patching for Live Musical Performance
"3rd. Pole" - A Composition Performed via Gestural Cues
endo/exo Making Art and Music with Distributed Computing
The 3D Helical Keyboard
Show Them My Screen: Mirroring a Laptop Screen as an Expressive and Communicative Means in Computer Music
Orb3 - Adaptive Interface for Realtime Sound Synthesis & Diffusion within Socially Mediated Spaces
Mobile Controls On-The-Fly: An Abstraction for Distributed NIMEs
Mm-rt: a tabletop musical instrument for musical wonderers
Parameterized Melody Generation with Autoencoders and Temporally-Consistent Noise
Auditory Illusion and Violin: Demonstration of a Work by Jean-Claude Risset written for Mari Kimura
Life Game Orchestra as an Interactive Music Composition System Translating Cellular Patterns of Automata into Musical Scales
Rule-Based Performative Synthesis of Sung Syllables
Strategies for Engagement in Computer-Mediated Musical Performance
Chess-Based Composition and Improvisation for Non-Musicians
A Large-Scale Networked Robotic Musical Instrument Installation
SketchSynth: a browser-based sketching interface for sound control
Novel and Forgotten Current-steering Techniques for Resistive Multitouch, Duotouch, and Polytouch Position Sensing with Pressure
Improved Position Tracking of a 3-D Gesture-Based Musical Controller Using a Kalman Filter
Augmented Piano Performance using a Depth Camera
Self-resonating Vibrotactile Feedback Instruments \textbar\textbar: Making, Playing, Conceptualising : \textbar\textbar
Gestural electronic music using machine learning as generative device
The Overtone Fiddle: an Actuated Acoustic Instrument
Missing the hubbub: Memory and Identity in the Interactive Audio
Examining the Spectator Experience
Interpolating Audio and Haptic Control Spaces
Rapid prototyping of new instruments with codecircle
From Mozart to MIDI: A Rule System for Expressive Articulation
Articulated Paint: Musical Expression for Non-Musicians
Sharing Data in Collaborative, Interactive Performances: the SenseWorld DataNetwork
Embedded Digital Shakers: Handheld Physical Modeling Synthesizers
Multi-Laser Gestural Interface - Solutions for Cost-Effective and Open Source Controllers
Ensemble feedback instruments
Bi-manual mapping experimentation, with angular fundamental frequency control and sound color navigation
JamSpace: Designing A Collaborative Networked Music Space for Novices
Issues for Designing a flexible expressive audiovisual system for real-time performance & composition
Gluisax: Bent Leather Band's Augmented Saxophone Project
Sound Based Sensors for NIMEs
A New Mix of Forgotten Technology: Sound Generation, Sequencing and Performance Using an Optical Turntable
Score-Transformer: A Deep Learning Aid for Music Composition
Near-Field Optical Reflective Sensing for Bow Tracking
A Machine Learning Toolbox For Musician Computer Interaction
20 NIMEs: Twenty Years of New Interfaces for Musical Expression
Creating Contexts of Creativity: Musical Composition with Modular Components
From interface design to the software instrument - mapping as an approach to fx-instrument building
JunctionBox: A Toolkit for Creating Multi-touch Sound Control Interfaces
The Decentralized Pianola: Evolving Mechanical Music Instruments Using a Genetic Algorithm
A sustained relationship with large instruments - a case against the convenient interface
A Gesture Control Interface for a Wave Field Synthesis System
Creativity in Children's Digital Music Composition
Multidimensional sound spatialization by means of chaotic dynamical systems
The Dual-Analog Gamepad as a Practical Platform for Live Electronics Instrument and Interface Design
"playing robot": An Interactive Sound Installation in Human-Robot Interaction Design for New Media Art
Eobody3: a Ready-to-use Pre-mapped & Multi-protocol Sensor Interface
Playing the "MO" - Gestural Control and Re-Embodiment of Recorded Sound and Music
DIRTI - Dirty Tangible Interfaces
Indoor localization during installations using wifi
New Interfaces for Musical Expression, NIME-06, Proceedings, Paris, France, June 4-8, 2006
Performance: Modal Kombat Plays PONG
MuDI -Multimedia Digital Instrument for Composing and Performing Digital Music for Films in Real-time
Ergonomic Design of a Portable Musical Instrument
Unsupervised Play: Machine Learning Toolkit for Max
Sensitiv - Designing a Sonic Co-play Tool for Interactive Dance
Shard-Speakers: An Inquiry into the History, Sonic Properties, and Musical Possibilities of Quartz Crystal Singing Bowls
Performing with a Mobile Computer System for Vibraphone
phrases from Paul Lansky's Six Fantasies
ReImagining: Cross-cultural Co-Creation of a Chinese Traditional Musical Instrument with Digital Technologies
Telemetron: A Musical Instrument for Performance in Zero Gravity
An Approach to Instrument Augmentation: the Electric Guitar
Performance with an electronically excited didgeridoo
i-Maestro: Technology-Enhanced Learning and Teaching for Music
Movement in a Contemporary Dance Work and its Relation to Continuous Emotional Response
On making and playing an electronically-augmented saxophone
Generative Improv. & Interactive Music Project (GIIMP)
'PegLegs in Music' - Processing the Effort Generated by Levels of Expressive Gesturing in Music
Reactive Video: Movement Sonification for Learning Physical Activity with Adaptive Video Playback
Firmata: Towards Making Microcontrollers Act Like Extensions of the Computer
Improvised duet interaction: learning improvisation techniques for automatic accompaniment
Mapping with planning agents in the Max/MSP environment: the GO/Max language
Radear: A Tangible Spinning Music Sequencer
Towards Rhythmic Analysis of Human Motion Using Acceleration-Onset Times
A Left Hand Gesture Caption System for Guitar Based on Capacitive Sensors
The Siren Organ
The Sabotaging Piano: key-to-pitch remapping as a source of new techniques in piano improvisation
Composing for the (dis)Embodied Ensemble: Notational Systems in (dis)Appearances
Sonigraphical Instruments: From FMOL to the reacTable*
Toward The Future Practice Room: Empowering Musical Pedagogy through Hyperinstruments
AutoScale: Automatic and Dynamic Scale Selection for Live Jazz Improvisation
Anigraphical Etude 9
Musical Interaction Design with the CUI32Stem: Wireless Options and the GROVE system for prototyping new interfaces
BLIKSEM: An Acoustic Synthesis Fuzz Pedal
Sensemble: A Wireless, Compact, Multi-User Sensor System for Interactive Dance
Rapid Creation and Publication of Digital Musical Instruments
Music jamming as a participatory design method. A case study with disabled musicians
The Mobile Audience as a Digital Musical Persona in Telematic Performance
Convolution Brother's Instrument Design
Jam On: a new interface for web-based collective music performance
Principles of Instrument and System Design for LaptOperas
Physical modelling concepts for a collection of multisensory virtual musical instruments
A Multi-Point 2D Interface: Audio-Rate Signals for Controlling Complex Multi-Parametric Sound Synthesis
NIME Identity from the Performer's Perspective
Where Is The Quiet: Immersive Experience Design Using the Brain, Mechatronics, and Machine Learning
Decay in Collaborative Music Making
Quick Live Coding Collaboration In The Web Browser
Being With The Waves: An Ultrasonic Art Installation Enabling Rich Interaction Without Sensors
A Tactile Closed-Loop Device for Musical Interaction
Monalisa: "See the Sound , Hear the Image"
An Analogue Interface for Musical Robots
Music Interfaces for Novice Users: Composing Music on a Public Display with Hand Gestures
A Toolkit for the Analysis of the NIME Proceedings Archive
Multi Rubbing Tactile Instrument
The Scale Navigator: A System for Networked Algorithmic Harmony
A System for Improvisational Musical Expression Based on Player ' s Sense of Tempo
The 'Interface' in Site-Specific Sound Installation
Ben Neill and LEMUR
8th International Conference on New Interfaces for Musical Expression, NIME 2008, Genova, Italy, June 5-7, 2008
Interactive Tango Milonga: Designing DMIs for the Social Dance Context
AbletonOSC: A unified control API for Ableton Live
Dynamical Interactions with Electronic Instruments
The Rearranger Ball: Delayed Gestural Control of Musical Sound using Online Unsupervised Temporal Segmentation
Audience Experience in Sound Performance
Creating Ad Hoc Instruments with Pin&Play&Perform
Creating Order and Progress
The ZKM Klangdom
Using the augmented trombone in "I will not kiss your f.ing flag"
Design considerations for instruments for users with complex needs in sen settings
Entangling Practice with Artistic and Educational Aims: Interviews on Technology-based Movement-Sound Interactions
Rhythm Performance from a Spectral Point of View
Augmenting the iPad: the BladeAxe
An Iterative Design 'by proxy' Method for Developing Educational Music Interfaces
Musical Interface Design: An Experience-oriented Framework
Design for longevity: ongoing use of instruments from nime 2010-14
The Metasurface: Applying Natural Neighbour Interpolation to Two-to-Many Mapping
Music Programming in Minim
The halldorophone: The ongoing innovation of a cello-like drone instrument
Synchronization of Multimodal Recordings for Musical Performance Research
The finer the musician, the smaller the details: nimecraft under the microscope
Perspectives on Time: performance practice, mapping strategies, & composition with MIGSI
HandSketch Bi-Manual Controller Investigation on Expressive Control Issues of an Augmented Tablet
Brainwaves-driven Effects Automation in Musical Performance
The Robotic Taishogoto: A New Plug 'n Play Desktop Performance Instrument
Mixxx: Towards Novel DJ Interfaces
Hand Posture Recognition: IR, IMU and sEMG
A responsive user body suit (rubs)
Being (A)part of NIME: Embracing Latin American Perspectives
17th International Conference on New Interfaces for Musical Expression, NIME 2017, Aalborg University, Copenhagen, Denmark, May 15-18, 2017
SynthAssist: Querying an Audio Synthesizer by Vocal Imitation
Redesigning the Chowndolo: a Reflection-on-action Analysis to Identify Sustainable Strategies for NIMEs Design
Netpixl: Towards a New Paradigm for Networked Application Development
Designing a Flexible Workflow for Complex Real-Time Interactive Performances
A "Ballet mécanique" for the 21st Century: Performing George Antheil's Dadaist Masterpiece with Robots
Reflection On Action in NIME Research: Two Complementary Perspectives
Leimu: Gloveless Music Interaction Using a Wrist Mounted Leap Motion
Epi-thet: A Musical Performance Installation and a Choreography of Stillness
Interactive Gesture Music Performance Interface
Designing Sound for Recreation and Well-Being
The Smart Controller Workbench
The Whammy Bar as a Digital Effect Controller
Sound Feedback for Powerful Karate Training
Screen-Based Musical Interfaces as Semiotic Machines
A Theory of Modulated Objects for New Shamanic Controller Design
Mapping Everyday Objects to Digital Materiality in The Wheel Quintet: Polytempic Music and Participatory Art
Co-Tuning Virtual-Acoustic Performance Ecosystems: observations on the development of skill and style in the study of musician-instrument relationships
Musical Trinkets
Acoustic Localisation for Spatial Reproduction of Moving Sound Source: Application Scenarios & Proof of Concept
conga: A Framework for Adaptive Conducting Gesture Analysis
Inexpensive Colour Tracking to Overcome Performer ID Loss
Reflets: combining and revealing spaces for musical performances
Pin&Play&Perform: A rearrangeable tangible interface for musical composition and performance
Practical Hardware and Algorithms for Creating Haptic Musical Instruments
Towards an Interface for Music Mixing based on Smart Tangibles and Multitouch
A Morphological Analysis of Audio-Objects and their Control Methods for 3D Audio
Introducing the t-Tree: Using Multiple t-Sticks for Performance and Installation
Morphological evolution of musical interface: design case studies
Designing for Conversational Interaction
Daft Datum - An Interface for Producing Music Through Foot-based Interaction
BASIS: A Genesis in Musical Interfaces
The GRIP MAESTRO: Idiomatic Mappings of Emotive Gestures for Control of Live Electroacoustic Music
Tweet Harp: Laser Harp Generating Voice and Text of Real-time Tweets in Twitter
Peacock: A Non-Haptic 3D Performance Interface
The design of technological interfaces for interactions between music, dance and garment movements
x2Gesture: how machines could learn expressive gesture variations of expert musicians
Digital Instruments and Players: Part I - Efficiency and Apprenticeship
AI-terity 2.0: An Autonomous NIME Featuring GANSpaceSynth Deep Learning Model
ForceHost: an open-source toolchain for generating firmware embedding the authoring and rendering of audio and force-feedback haptics
MusicGrip: A Writing Instrument for Music Control
Visualizing Song Structure on Timecode Vinyls
Beholden to our tools: negotiating with technology while sketching digital instruments
Kanchay_Yupana\slash \slash: Tangible rhythm sequencer inspired by ancestral Andean technologies
The WiSe Box: a Multi-performer Wireless Sensor Interface using WiFi and OSC
The Perception of Live-sequenced Electronic Music via Hearing and Sight
Improvasher: A Real-Time Mashup System for Live Musical Input
Making Grains Tangible: Microtouch for Microsound
Designing for Style in New Musical Interactions
Ephemeral instruments
Working methods and instrument design for cross-adaptive sessions
Design and Evaluation of a Hybrid Reality Performance
Triplexer: An Expression Pedal with New Degrees of Freedom
The Quarterstaff, a Gestural Sensor Instrument