yusuke1997/dblp-id-title huggingface dataset:
Towards Digital "Musical Actions"
Interactive Music Composer Based on Neural Networks
Echoes in Plato's Cave: Ontology of Sound Objects in Computer Music and Analysis
Center for New Music and Audio Technologies (CNMAT): Studio Report
CriticalEd: A Tool for Assisting with the Creation of Critical Commentaries
A Hierarchical Analysis of Ruggles' Portals
Current Research in Music Technology at the Audiovisual Institute of the Pompeu Fabra University
LiveCell: Real-Time Score Generation Through Interactive Generative Composition
A Learning-Based Quantization: Unsupervised Estimation of the Model Parameters
Evaluations of Artificial-Neural-Network Types for the Determination of Pitch
A Study into the perception of envelopment in Electroacoustic Music
The Timelessness of Maximal Music
Model-Based Musical Transcription
Examples of Using Amplitude Control Systems in Music Synthesis
Experiments with Chaotic Oscillators
The Shiraz Festival: avant-garde arts performance in 1970s Iran
Aurafx: A Simple And Flexible Approach To Interactive Audio Effect-Based Composition And Performance
Bridging the Gulf Between Music and Listener: Effect of Style Label and Descriptive Notes on Listeners' Ratings of Understanding, Liking, and Artistic Merit of Computer Music
Low Cost Sound Analysis/Synthesis Technique
From Timbre Modulation Method to Research the Relation Between Electronic Music and Chinese Musical Tradition
Psychoacoustic Aids for the Musician's Exploration of New Material
GRM Report
Scape Synthesis: Generation of a Novel Acoustical Space Based on Auditory Perceptual Features
Unisoner: An Interactive Interface for Derivative Chorus Creation from Various Singing Voices on the Web
Suspended Imprints: An Exploration of Sound, Space and the Inner Monologue
Knowledge Representation of Sounds and Sonic-Structures Based on Constraints and Mulitple Inheritance
Between Mapping, Sonification and Composition: Responsive audio Environments in Live Performance
The Integra Framework for rapid modular audio application development
Musical Composition as a Constraint Satisfaction Problem
"weeds in the cracks": interdisciplinarity and Music Technology in Higher Education
Sound Base: Phonetic Searching in Sound Archives
Not Just More FMS: Taking IT to the Next Level
MIDI-LISP: A LISP-Based Music Programming Environment for the Macintosh
Resource Allocation in an Additive Synthesis System for Audio Waveform Generation
Time-Frequency Analysis in the Context of a Perceptual Model
The Organization of Microtonal Sets in Computer Music
The Paradox of Random Order
IANA: A Real-Time Environment for Analysis and Extraction of Frequency Components of Complex Orchestral Sounds and its Application within a Musical Realization
Where's the beat? Tools for Dynamic Tempo calculations
Dipole Instruments for Sketching in Hardware with Embedded Acoustics
Polytempo Network: A System for Technology-Assisted Conducting
Digitizing North Indian Performance
Studio Report: Arizona State University
The Pre-Production Process of New York Counterpoint for Clarinet and Tape Written by Steve Reich
Proceedings of the 1980 International Computer Music Conference, ICMC 1980, New York City, USA, 1980
Position Paper for Music Representation Panel
Keyboard Interface with Shape-Distortion Expression for Interactive Performance
Studio Report: Music Research Centre, Department Of Music, University Of York
Proceedings of the 1992 International Computer Music Conference, ICMC 1992, San Jose, California, USA, October 14-18, 1992
Composition Techniques for the Ilinx Vibrotactile Garment
Telematic Music - Restrictions and Advantages Compared to Traditional One-Site Music Events
WebHexIso: A CustomizableWeb-based Hexagonal Isomorphic Musical Keyboard Interface
Following an Improvisation in Real Time
Using Java to stream audio over ATM
The Effects of MP3 Compression on Emotional Characteristics
Modelling the Motivic Process of Melodies with Markov Chains
The Micro-computer as an Input Device for Music Analysis or Composition by Computer
Concatenative synthesis via Chord-based Segmentation for an Experiment with Time
Musical Analysis by Computer Following Cognitive Model of Induction Analogies
Tangibility and Low-Level Live Coding
Toward a Complete Open Source Software Environment for the Creation of Interactive poly-Artistic Works
Designing Interactive Audience Participation using Smart phones in a Musical Performance
A Study on Cross-cultural and Cross-dataset Generalizability of Music Mood Regression Models
Spectral and Granular Spatialization with Boids
Do Nested Dichotomies Help in Automatic Music Genre Classification? An Empirical Study
Audio Matching for the Philological Analysis of Electroacoustic Music
Case Study of a Sensor Platform System Using the Wireless Microprocessor Module TWE-LITE for Media Art and Computer Music
A Hybrid Guitar Physical Model Controller: The BladeAxe
An HTTP Interface to Salieri
A New Connectionist Model for Associative Retrieval of Harmonic Tunes
The Audicle: A Context-Sensitive, On-the-fly Audio Programming Environ/mentality
Music Style Analysis among Haydn, Mozart, and Beethoven: an Unsupervised Machine Learning Approach
CARTAH/SMCC Studio Report
Granulation and Time-Shifting of Sampled Sounds in Real-Time with a QUAD DSP Audio Computer System
Computer Music Courses Using Supercomputers: An Educational Experiment at NCSA/UIUC
Embodied Sonic Meditation and its Proof-of-Concept: "Resonance of the Heart"
Modeling of Woodwind Bores with Finger Holes
Xspect: A New X/Motif Signal Visualization and Editing Program
A ToolBox for Music Notation
Musical Technical Issues in Using Interactive Instrument Technology with Application to the BioMuse
Teaching Robots to Conduct: Automatic Extraction of Conducting Information from Sheet Music
Making Music with Csound for the Macintosh
Manifold Compositions: Formal control, Intuition, and the Case for Comprehensive Software
AutoRhythmGuitar: Computer-aided Composition for Rhythm Guitar in the Tab Space
Real-time Recognition of Melodic Fragments Using the Dynamic Timewarp Algorithm
SoundCipher: A Music and Sound Library for Processing
On the Scheduling of Multiple Parallel Processors Executing Synchronously
A Jazz Session System for Interplay Among All Players - VirJa Session (Virtual Jazz Session System)
Towards a Model for Instrumental Mapping in Expert Musical Interaction
Combining DJ Scratching, tangible Interfaces and a Physics-Based Model of friction sounds
Musical Analysis of a Computer Music Project, by Computer-Assistance, for Computer Music Applications
A Novel Approach to mixed Model discrete-Time Domain Simulation of the sound Field Generated by a String
Solving Specific Compositional Problems with MPI
Suac Studio Report
Computer Music: The State of the Nation
Towards a Model for the Humanisation of Pitch Drift in Singing Voice Synthesis
A Sound Design
Computer Based Experimental Research in Music Perception and Cognition at the CMR-FSU
On Artistic Research in the Context of the Project Embodied Generative Music
Implementation of a Highly Diffusing 2-D DigitalWaveguide Mesh with a Quadratic Residue Diffuser
Helsinki Music Tools
LISP in Max: Exploratory Computer-Aided Composition in Real-Time
Direct Design of Parallel second-order filters for Instrument Body Modeling
Antescofo: Anticipatory Synchronization and control of Interactive parameters in Computer Music
Filter Design Using Second-Order Peaking and Shelving Sections
Towards a "Computer Composing Instrument" for Children
The Interactive Arts System: Introduction to a Real Time Performance Tool
Compositional Tools for Adding Expression to Music in DMIX
Perceptual Wavetable Matching for Synthesis of Musical Instrument Tones
The Hisstools impulse response Toolbox: convolution for the Masses
A WWW-based Melody-Retrieval System: An Indexing Method for a Large Melody Database
Airduino: an inexpensive DIY MIDI wind controller
Synthesis fo the Singing Voice Using a Physically Parameterized Model of the Human Vocal Tract
A Memory-Based Model for Music Analysis: Challenging the Gestalt Principles
Survey of Music Analysis and Visualization Tools in PWGL
SeeMusic: A Tool for Music Visualization
A μ-Processor-Based System for Music Composition and Production
Techniques of Timbral Interpolation
Using the cordis-Anima Formalism for the Physical Modeling of the Greek zournas Shawm
A GA Tool for Computer Assisted Music Composition
Rasterpiece: a Cross-Modal Framework for Real-Time Image Sonification, sound synthesis, and Multimedia Art
The Systematic Grouping of Detection Tools for Properties of Acousmaticity: Binary Tension Between Sonority and Pulse
Studio Report of The Centre for Music Technology, University of Glasgow
Autocorrelation and the Study of Musical Expression
Musical Production and Related Issues at CARL
A Bowed String Physical Model Including Finite-Width Thermal Friction and Hair Dynamics
Sound Synthesis by Rule
A Computational Model of Meter Cognition During the Audition of Functional Tonal Music: Modeling A-Priori Bbias in Meter Cognition
Modeling the Degree of Realized Expectation in Functional Tonal Music: A Study of Perceptual and Cognitive Modeling Using Neural Networks
Improved Score Following for Acoustic Performances
Amber: A Granular Sampling Application for Mac OS X
"The Fingers" - A Tribute to "The Hands"
Experience with a Harmony-Learning Program
The Musical Use of Non Linear Distortion
Correlated Sound and Image in a Digital Medium
Advanced issues in beat induction modeling: syncopation, tempo and timing
The Yin Yang Theory in sound and Music: a First Exploration
Signal-theoretic Characterization of Wavelength Mesh Geometries for Membrane Simulation
Computer-Assisted Composition by Interactive Rhythm Transformations
A Machine Learning Approach to Musical Style Recognition
Automatic Modeling of Musical Style
Argos: An Open Source Application For Building Multi- Touch Musical Interfaces
The Emulator II Computer Music Environment
A General Synthesis Package Based on Principles of Auditory Perception
A Dynamic Model of Metric Rhythm in Electroacoustic Music
Towards an Interchange Format for Spatial audio Scenes
New warped LPC-Based Feature for Fast and robust speech/Music Discrimination
Musical Tapestry: Re-composing Natural Sounds
The Bregman Electronic Music Studio at Dartmouth College
An Analysis-by-Synthesis Approach to Sinusoidal Modeling Applied to the Analysis and Synthesis of Musical Tones
A Binaural Recording and Playback System for the Reproduction of Virtual Concert Halls
An Expandable Real-Time Transputer Sound Generator
Substructure Discovery of Symbolic Musical Information using the Minimum Description Length Principle
Modality
What's in a Note?
NBody: Interactive Multidirectional Musical Instrument Body Radiation Simulators, and a Database of Measured Impulse Responses
A System for Memorizing Songs by Presenting Musical Structures Based on Phrase Similarity
Signal-dependent Nonlinearities for Physical Models Using Time-varying Fractional Delay Filters
New Public-Domain Realizations of Standard Pieces for Instruments and Live Electronics
The integral Music controller: Introducing a Direct Emotional Interface to gestural control of sound synthesis
MARS Application Using APPLI20 Development Tools: A Case Study
Interactive Swarm Orchestra a Generic Programming Environment for Swarm Based Computer Music
Lemur - A Tool for Timbre Manipulation
Flexible control of Composite parameters in Max/MSP
A High-Performance Dylan Implementation
Stability/Instability of Periodic Solutions and Chaos in Physical Modles of Musical Instruments
On tempo tracking: Tempogram Representation and Kalman filtering
Sonification of Social Data
Richard Wagner was the First Network Artist
Research on Morphological Similarities in Sound Signals Originated from Instrumental Sounds
A Musical View of Analysis-Synthesis
The Sound of Fruits and Vegetables: Scientific Visualization with Auditory Tokens
Collaboration Software for Music Analysis: A Case Study
Do People With Absolute Pitch Really Produce the P300 Response When Processing Tones?
Computer Music: A Grand Adventure and Some Thoughts About Loudness
Sonic Scenography - Equalized Structure-borne Sound for Aurally Active Set Design
3DMIN - Challenges and Interventions in Design, Development and Dissemination of New Musical Instruments
ICE - towards distributed networked computermusic ensemble
VLSI and the Design of Real-Time Digital Sound Processors
Sndtools: Real-Time audio DSP and 3D Visualization
GranCloud - A New SuperCollider Class for Real-time Granular Synthesis
Browsing Music and sound using gestures in a Self-Organized 3D Space
Tuning a Neural Network for Harmonizing Melodies in Real-Time
Interactive Composing: An Overview
A Graphical User Interface for Supercollider Audio Units
How Does Parametric Reverberation Change the Space of Instrument Emotional Characteristics?
NEYMA, interactive soundscape composition based on a low budget motion capture system
MOXIE: A Language for Computer Music Performance
The international sound art festival in Mexico City: Sound, its relationship to the art disciplines and to the new technologies
Electro Contra: Innovation for Tradition
Interactive Dance/Music Systems
Implementing Temporal Type Constructors for Music Programming
Architecture and Aesthetics: The Construction and the Objectives of Elektronikus Mozaïk
Musical Audio Synthesis Using Autoencoding Neural Nets
A Wireless, Real-Time, Social Music Performance System For Mobile Phones
Cellular Automata in MIDI based Computer Music
Capacitance sensing gestural Music controller
The Things of Shapes: Waveform Generation using 3D Vertex Data
MixNet - A Comprehensive Realtime Automated Production System: Progress Report
Modeling Musical Structures as EventGenerators
Implementing algebraic methods in OpenMusic
Designing for Emergent Behavior: a John Cage realization
Auksalaq, A telematic opera
Towards a comprehensive framework for electro-acoustic music analysis
Abstraction In A Unit-Based Audio Processing System
Spatial Sound Effects in a Software Effects Processor
A Model of Real-Time Computation for Computer Music
ComputerMusic Enaction
Synthesizing Trumpet Performances
Setting up of a self-organised multi-agent system for the creation of sound and visual virtual environments within the framework of a collective interactivity
The Dynamic Aspects of Trumpet Phrases
Studio Report: The Bregman Electronic Music Studio at Darthmouth College and the MA Program in Electro-Acoustic Music
SoundMaker: a Web-Based Teaching Tool for Sound Design
Toward Synthesized Environments: A Survey of Analysis and Synthesis Methods for Sound Designers and Composers
Production Systems: Three Applications in Music
A Modal Distribution Study of Violin Vibrato
Exemplar-based Learning in Adaptive Optical Music Recognition System
Implementation and Evaluation of Real-Time Interactive User Interface Design in Self-learning Singing Pitch Training Apps
Non-Real-Time transduction and its Use as a Compositional Technique for the Creation of Visual Music
A Computer Model for Bar Percussion Instruments
Polyphonic Timbral Construction in "Androgyny"
Indirect Acquisition of Fingerings of harmonic Notes on the Flute
workshop SMARTER MUSIC
The Implementation of Nyquist, A Sound Synthesis Language
Modeling Processes of Musical Invention
MidiShare Joins the Open Source Softwares
Combfilters and coloration in music
The Use of Hierarchy and Instance in a Data Structure for Computer Music
Digital Music Collections: a Place of Knowledge Emergence?
Air Flow Related Improvements for Basic Physical Models of Brass Instruments
A Human Factors Approach to Computer Music Systems User-Interface Design
An autonomous timbre matching improviser
A Musical Instrument Based on a Bioacoustic Model of a Cicada
Reinforcement Learning for Live Musical Agents
Toward a new model of performance
Music Server
A model for selective segregation of a target instrument sound from the mixed sound of various instruments
Making Digital Filters Sound "Analog"
Speech-Based Computer Music: Selected Works by Charles Dodge and Paul Lansky
Hogeschool voor de Kunsten Utrecht Studio Report: Centrum voor Muziek en Informatica (CMI)
MATConcat: An Application for Exploring Concatenative Sound Synthesis Using MATLAB
A Toolkit for Interactive Digital Art
A Flexible Authoring Tool for wave Field synthesis
Nonlinear Interaction in the Digital Waveguide With the Application to Piano Sound Synthesis
Electroacoustic Scoring with Phase-Vocoding Instruments Using the E-Scape Composition System
A Structure for Representing, Displaying, and Editing Music
Computer Music Project of the University of Illinois Experimental Music Studios
Partial-Balancing Instruments with Dynamically Refreshed Wavetables
LIPM Studio Report
Sensor Integration for Interactive Digital Art
Some recent actions to preserve, document and disseminate electroacoustic music by Latin American composers
Musical Information Retrieval Using Musical Parameters
Abstract Behaviors for Structured Music Programming
Metamodels and Design Patterns in CSL4
Neural Networks that Learn and Reproduce Various Styles of Harmonization
Automatic Bass Line Transcription from Polyphonic Music
Feature Extraction and Database Design for Music Software
Virtual audio Reproduction Engine for Spatial Environments
PheroMusic: Navigating a Musical Space for Active Music Experiences
Durham Music Technology: Active Report
Cellular automata dynamic control for sound design with histogram mapping synthesis and the multitype voter model
Petri Nets Applicability to Music Analysis and Composition
Computer, Formalisms, Intuition and Metaphors. A Xenakian and Post-Xenakian Approach
Interactive High Performance Computing for Music
Towards a Dynamic Model of the Palm Mute Guitar Technique Based on Capturing Pressure Profiles Between the Guitar Strings
Real-Time Implementation of HMM-Based Chord Estimation in Music Audio
Toward Real-Time Estimation of Tonehole Configuration
Sustainability of Compositions Involving Electronic Technology: Part I - in Conversation With Alcides Lanza
Strange Attractors: A Virtual Instrument Algorithm for Acoustic Instruments
Use of High-Speed Microprocessors for Digital Synthesis
Moxie for the Atari ST
Distal Learning of Musical Instrument Control Parameters
On the Perception of Transients: Applying Psychophysical Constraints to Improve Audio Analysis and Synthesis
Drum'n'Bayes: on-Line variational Inference for beat tracking and rhythm Recognition
Active Music Representations
Wireless Sensor Networks And Computer Music, Dance And Installation Implementations
Remote 3D-audio Performance with spatialized Distribution
Spatial Swarm Granulation
Analytical and Compositional Applications of a Network-Based Scale Model in music21
Proceedings of the 1975 International Computer Music Conference, ICMC 1975, Champaign/Urbana, Illinois, USA, 1975
Asdf: audio Scene Description Format
Designing and Implementing the Chuck Programming Language
Adaptive oscillator networks for partial tracking and piano music transcription
Interactive Physical Design and Haptic Playing of Virtual Musical Instruments
Towards a General Methodological Classification of Computer-Assisted Music Analysis
A Meta-Wind-Instrument Physical Model, and a Meta-Controller for Real-Time Performance Control
Dj SPAT: spatialized Interactions for DJs
Concepts and Practical Considerations of Platform-Independent Design of Mobile Music Environments
Ntccrt: A Concurrent Constraint Framework for Real-Time Interaction
Csound GM: Designing Real-Time Instruments with Csound's New MIDI Opcodes
Segmentation and Interpretation in Atonal Music
Physiological Measurement of Performers' Tension and its Utilization for Media Control
PHANTASMAGORIA: A Chronicle of Computer-Assisted Composition/Performance
Multi-touch Interface for Acousmatic Music Spatialization
Large-scale Induction of Expressive Performance Rules: First Quantitative Results
A Piano Learning Support System considering Motivation
Inclusive Interconnections: Retaining Diversity in Networked Laptop Performance
The Audio Composition System at The Defense and Civil Institute for Environmental Medicine
A Score-to-singing voice synthesis System for the Greek Language
Music Technology's Influence on Flute Pedagogy: A Survey of Their Intersection
Tuning to Trust: System Calibration as Creative Enabler
Scheduling and composing with Risset eternal accelerando rhythms
Using Circulant Markov Chains to Generate Waveforms for Music
Banded Waveguides on Circular Topologies and of Beating Modes: Tibetan Singing Bowls and Glass Harmonicas
Ambisonics Equivalent Panning
Topology, Geometry, Matter of Vibrating Structures Simulated with CORDIS-ANIMA. Sound Synthesis Methods
Refinements in Phase-Vocoder-Based Modification of Music
Chaos and Non-Linear Models
Audio Time Compansion for Studio and Performance Synchronization
Placement of sound Sources in the Stereo Field using measured Room impulse responses
"Chorale" Violin Harmonization: A Practical, Compositionally-based System for Generating Live Harmonies
Pocket Gamelan: a Blueprint for Performance using Wireless Devices
A Modular Approach to Sound Synthesis Software
Modeling a Hypermedia Composition/Performance System
The Procedural Sounds and Music of ECHO: : Canyon
Flood Tide See Further: Sonification as Musical Performance
Beyond Concatenation: Some Ideas for the Creative Use of Corpus-Based Sonic Material
Hierarchical Genomes in a Genetic Algorithm for Control of a Guitar Synthesizer
Stella: Persistent Score Representation in Common Music
PTL, a new sequencer dedicated to graphical scores
From Fux to Ragas-Morphing Contrapuntal Worlds
Real-time temporal segmentation of note objects in music signals
Connections between Feedback Delay Networks and Waveguide Networks for Digital Reverberation
A Real Time Computer Music Synthesis System Based on the Motorola 56001
Multimodal Control of Music and Fire Patterns
"Les Chants de l'Amour", a Piece for Computer Generated Tape and Mixed Choir
UDKOSC: An immersive musical environment
The electro-acoustic Music Center at the University of Wisconsin-Milwaukee
Enhancing Musical Experience through Proximal Interaction
Musical control of Granular Textures generated by Iterated Function Systems
Investigating Artistic potential of the Dream Interface: the Aural Painting
A musical instrument using in vitro neural networks
Callas as Violetta: A Computer-Assisted Study on Her Recorded Performances of La Traviata
Virtual Objects as Mediation between Sonic Textures and Interactive gestures
GDS (Global Delayed Session) Music - new improvisational music with network latency
Efficient Synthesis of Stringed Musical Instruments
Cybersongosse 7Mi
Imroved Modelling of Attack Transients in Music Analysis-Resynthesis
A Network for Music Research, Composition and Pedagogy in the University of Glasgow
A Practice-Based Approach to using Acoustics and Technology in Musicianship Training
The Effects of Multi-Channel Signal Decorrelation in Audio Reproduction
Organization of Clang-tint
Digital Waveguide Modelling of Reed Woodwinds: An Interactive Development
Interactive Performance
XTH SENSE: a study of muscle sounds for an experimental paradigm of musical performance
Computer Music Workstations I Have Known and Loved
Composing with Brainwaves: Minimal Trial P300 Recognition as an Indication of subjective Preference for the control of a Musical Instrument
Interactive Performance Systems Conceptual interacting strategies in forming electroacoustic sound identities
Acoustic-Aggregate-synthesis
A Temporal Generative Graph Grammar for harmonic and Metrical Structure
Spectral Anticipations
Dynamic Message-Oriented Middleware with Open Sound Control and Odot
Measuring the Performance of Realtime DSP using Pure Data and GPU
Novel percussive Instrument Design - Converting Mathematical Formulae into engaging Musical Instruments
The Investment of Play: expression and affordances in Digital Musical Instrument Design
A design exploration on the effectiveness of vocal imitations
Design of an Intelligent Tutoring System in Harmony
Organic Oscillator: Experiments using Natural Oscillation Sources from Audiences
Live 4 Life - A Spatial Performance Tool Focused On Rhythm And Parameter Loops
Piano Case, Keyboard, And Strings: Separation-Derived Musical Instruments In An Interactive Composition