yusuke1997/dblp-id-title huggingface dataset:
Merged-Output Hidden Markov Model for Score Following of MIDI Performance with Ornaments, Desynchronized Voices, Repeats and Skips
Encyclopedia of Classical Music
Hegel, Heidegger and Borgmann's Substantive Implications for Music and Technology
Sound and musical representation: the Acousmographe software
Spatial Transformations in Simplicial Chord Spaces
A Tuning System Laboratory for the NeXT Computer
miniAudicle and ChucK Shell: New Interfaces for ChucK Development and Performance
Maintaining and using Provenance Data in Computer Music
Using Fractals in Timbre Construction: An Exploratory Study
Hidden City: 'Being with' in Improvised Performance
The RUBATO Performance Workstation on NeXTSTEP
Dixieland-Gamelan Band? Encounters of an Algorithmic Kind
Flocking in the Time/Dissonance Plane
Virtual Conducting Practice Environment
The Aesthetics, History and Future Challenges of Interconnected Music Networks
User Interfaces in Music-Notation Systems
Intelligent Rhythm Tracking
The Use of Rhythmograms in the Analysis of Electroacoustic Music, with Application to Normandeau's Onomatopoeias Cycle
Timbral Hauntings: An Interactive System Re-Interpreting the Present in Echoes of the Past
Swarm Lake: A Game of Swarm Intelligence, Human Interaction and Collaborative Music Composition
Popularity of Music Player parameters and Features
New Media Music at Hanyang University: Studio Report
Controlling Mozart's Dice Music using acceleration sensors
Hierarchical Waveguide Networks
Discrete Cepstrum Coefficients as Perceptual Features
Polyphonic note tracking using Multimodal Retrieval of Musical Events
The University Music Technology Lab
Copy-synth-patch: A Tool for Visual Instrument Design
In and Out, Over and Under: An Interactive Audio-Visual Installation Responding to Percy Grainger's Free Music and the Grainger Museum
A Framework for Developing Signal Processing and Synthesis Algorithms for the Motorola 56001
Developing a Windows and Macintosh Graphical User Interface for the Mathews Radio-Baton System
MuBu and Friends - Assembling Tools for Content Based Real-Time Interactive Audio Processing in Max/MSP
Ava: An Experimental, Grammar/Case-based Composition System to Variate Music Automatically Through the Generation of Scheme Series
The Use of Apprenticeship Learning Via Inverse Reinforcement Learning for Generating Melodies
A Logic-based Language for Modeling and Verifying Musical Processes
AISE: A Prototype Laboratory for Musical Research and the Development of Conceptual Tools
Connection Machine Tracking of Polyphonic Audio
The effect of Timbre in Clarinet Interpretation
Plucking - One Aspect of Plucked String Synthesis and its Realization by Computer and a Musical Application
Low-Level Topology of Spatial Texture
Heterogeneously-coupled feedback Systems: the |. (Bar dot) Project
Applying ImprovisationBuilder to Interactive Composition with MIDI Piano
The implications of commercial 5.1 and 7.1 surround formats for computer music sound design: an environmental approach to aesthetics and practical techniques
An On-Line Algorithm for Real-Time Accompaniment
SCATLAVA: Software for Computer-Assisted Transcription Learning through Algorithmic Variation and Analysis
Textual and Sonic Feedback Loops: Simultaneous conversations as a collaborative process in cmetq
Music Technology As a Tool For Exploring the Creative Aspects of Music
Introducing Oscar
Topographic Synthesis: Parameter Distribution in Spatial Texture
PerfComp: A Heuristic-Based Program for Analysis of MIDI Performance Files
DBAP - Distance-Based Amplitude Panning
A Musical Application of Real-time Granular Sampling Using the IRCAM Signal Processing Workstation
A Binomial Representation of the Pitch Parameter for Computer Processing of Musical Data
Automated Music, interdisciplinary aspects of a developmental history
Description of Chord Progressions by Minimal Transport Graphs Using the System & Contrast Model
Towards a Typology of feedback Systems
Centre d'Etudes de Mathematique et Automatique Musicales
Maximillian: An easy to use, cross platform C++ Toolkit for interactive audio and synthesis applications
Ftm - Complex Data Structures for Max
Designing a Generalized Sonification Environment
Using a perceptually Based Timbre Metric for parameter control estimation in Physical Modeling synthesis
Looking Back, Looking Forward: Proceedings of the 41st International Computer Music Conference, ICMC 2015, Denton, TX, USA, September 25 - October 1, 2015
A Microcomputer-controlled Synthesis System for Live Performance
Controlling Spatial sound within an Installation Art Context
Concatenative Synthesis Using Score-Aligned Transcriptions
Time variable Tempo Detection and beat Marking
Personal-Computer Microworlds for Learning About Signals and Sound
A Physical Model of Lips and Trumpet
Computer Music: Some Problems and Objectives in Applied Aesthetics
A Bottom-Up Approach to Chord Detection
An experimental SDIF-sampler in Max/MSP
Introduction of DIPS Programming Technique
Experiments with a Gestural Controller
SEE - A Structured Event Editor: Visualizing Compositional Data in Common Music
Real Time Tempo Canons with Antescofo
Using the Computer in a Search for New Aspects of Timbre Organisation and Composition
An Allpass Approach to Digital Phasing and Flanging
The Methodology and Research of the Interactive Intermedia Art using the gyroscope Sensor for sound and Vision
A Microprocessor-based Conducting System
Hear Me Now: the implication and significance of the female composer's voice as sound source in her electroacoustic music
Synthesis of Bowed Strings
An Extensible Real-time Signal Processing Environment for Max
Combining Physical Modeling and additive synthesis as a Mapping Strategy for Realtime control
The Transformation Engine
The Combination of Visual and Sonic Generative Processes in a Digital Landscape
Progress Report on the 4X Machine and Its Use
The GRID Musical-Signal Processing System
Navigating the Oracle: a Heuristic Approach
Orthogonal Transforms for Sound Synthesis
Dynamic Audio Mixing
An Online Interactive Course on Computer Music
Performance Factors in Control of High-Dimensional Space
The Center for Research in Electronic Art Technology (CREATE)
A High-Level Review of Mappings in Musical iOS Applications
The Casheab Synthesizer: How it Works
The CARL Computer Music Workstation - an Overview
RMCP: Remote Music Control Protocol - Design and Applications
Icon Notation for Electroacoustic and Computer Music
Glass tube Gamelan Design for Preparation on Installation Art Applications
Using Concatenative Synthesis for Expressive Performance in Jazz Saxophone
The ICMC 92 CD Stack
Composition Of Sound Mixtures With Spectral Maquettes
Physical Models That Learn
An Open Architecture for Real-time Music Software
Spectral Signal Processing in Csound 5
Design and Implementation of Stetho: Network Sonificiation System
Male and Female Voices in Computer Music
Mood Mapping Technologies Within Hybrid Audio Design
The Specification of Digital-to-Analog Converters for Audio
Emotion, Theme And Structure: Enhancing Computer Music Through System Dynamics Modelling
Managing Complexity with Explicit Mapping of Gestures to Sound Control with OSC
A Neural Organist improvising baroque-style melodic variations
Experiments with Non-Linear Filters
The Alles Machine Revisited
Proceedings of the 2003 International Computer Music Conference, ICMC 2003, Singapore, September 29 - October 4, 2003
"Maiden Voyages" - A Score Produced with MP1
Using Singing Voice Vibrato as a Control Parameter in a Chamber Opera
A Review of Interactive Conducting Systems: 1970-2015
New Methods of Formant Analysis-Synthesis for Musical Applications
Computer Assisted Analysis of Tonal Structure in the Classical Symphony
SBASS-1 Features
Studio Report: UC Berkeley Center for New Music and audio Technologies (CNMAT)
Sound and Interaction for K-12 Mediated Education
Grafting Synthesis Patches Onto Live Musical Instruments
Networked Sonic Spaces
An Application of The System, "BodySuit" and "RoboticMusic" - Its Introduction and Aesthetics
The electric hydraulophone: A hyperacoustic instrument with acoustic feedback
An evaluation of input devices for use in the ISEE human-synthesizer interface
A Microcomputer-Based Keyboard Music System
User Software for Realtime Input by a Musical Instrument
DSP Approach to Multichannel Audio Mixing
Simulating the Cues of Spatial Hearing in Natural Environments
PhaVoRIT: A Phase Vocoder for Real-Time Interactive Time-Stretching
Raster Scanning: A New Approach to Image Sonification, Sound Visualization, Sound Analysis And Synthesis
Sound diffusion using hand-held light-emitting Pen controllers
Audio Analysis for Content-Based Retrieval
A Computer Accompaniment System with Independence
Electronic Music Documentations, Practices and Models
PITCH: the Percussion Instruments' Tinbral Classification Hierarchy
Secrets of Life in Music: Musicality Realised by Computer
Voice Source and Acoustic Output Qualities for Singing Synthesis
The Process of Entrainment and its Application to Computer Music
DARRT: Distributed Audio Rendering & Retrieval using Triana - Experiments in applying Grid Computing technologies for audio processing
The GUIDO Notation Format: A Novel Approach for Adequately Representing Score-Level Music
Towards a Model of Parallelism
Modeling the Woodstock Gamelan for Synthesis
Ontology Management for Preservation of Interactive Multimedia performances
From Piano String Vibrations to the Acoustic Field Radiated by the Soundboard
Preparation for Improvised Performance in Collaboration with a Khyal Singer
History of electroacoustic music through filmed sources: an example at IRCAM
Spectral Envelope Estimation and Representation for Sound Analysis-Synthesis
The Effects of Reverberation Time and Amount on the Emotional Characteristics
CBPSC: Corpus-based Processing for SuperCollider
Real-Time Implementation of a General Model for Spatial Processing of Sounds
Introducing the Zirkonium MK2 System for Spatial Composition
Analytical Tools for Group Additive Synthesis
An interface to support creative studio practice
Sine Circuitu: 10, 000 high quality sine waves without detours
Harmonic, Melodic, and Functional Automatic Analysis
New Tools for Aspect-Oriented Programming in Music and Media Programming Environments
Bioinformatic Response Data as a Compositional Driver
Large-Scale Duration Organization in 'Hodoi tô Ergô'
An Auditory-Motor Model of Beat Induction
AutoChorusCreator: Four-Part Chorus Generator with Musical Feature Control, Using Search Spaces Constructed from Rules of Music Theory
INScore Time Model
iSuperColliderKit: A Toolkit for iOS Using an Internal SuperCollider Server as a Sound Engine
A New, Flexible Framework for Audio and Image Synthesis
Harmonic Analysis Using Neural Networks
The Effects of Mode, Pitch, and Dynamics on Valence in Piano Scales and Chord Progressions
The "Conductor's Jacket": A Device for Recording Expressive Musical Gestures
Interactive Works: New Problems and Potentials
Inherent Meanings From the Environmental Impacts of the Production and Performance of Electronic Music
The 4CED Program
The Computer-Assisted Music Classroom: A Catalyst for Creativity
An Introduction to Eco-Structuralism
Evolution of Interactive Control and Real-time Synthesis in a Digtital Music System
Studio based composers in collaboration: a socioculturally framed study
Musique Lab 2: a three Level Approach for Music Education at School
Automatic rag classification using spectrally derived tone profiles
New sound Decomposition Method Applied to Granular synthesis
Mapping Tone Helixes to Cylindrical Lattices Using Chiral Angles
An Analysis of Startup and Dynamic Latency in phase vocoder-Based Time-stretching Algorithms
Transient detection and preservation in the phase vocoder
Gestural Control at IRCAM
Revisiting Kontakte: Issues of History, Performance, and Intuition
Scaling Up Live Internet Performance with The Global Net Orchestra
AREM/ARMS - Reinterpretation of musical structures
Digital Modeling of the Vintage Telephone Sound
"This hardware is now obsolete." Marc-André Dalbavie's Diadèmes
An Improvisational Accompaniment System Observing Performer's Musical Gesture
Cross-Pollination: towards an Aesthetics of the Real
Cross-Coding SDIF into MPEG-4 Structured Audio
Rock Music: Granular and Stochastic Synthesis based on the Matanuska Glacier
SuperCollider, a New Real Time Synthesis Language
Mathews' Diagram and Euclid's Line: Fifty Years Ago
Thinking Inside the Box: A New Integrated Approach to Mixed Music Composition and Performance
Semantic Segmentation of Music audio Contents
Towards Machine Learning of Expressive Microtiming in Brazilian Drumming
An Analysis of Interviews with Composers From a Cognitive Styles Perspective
The Musical Intrigue of Pole-Zero Pairs
Toward Real-time Recognition of Acoustic Musical Instruments
Eye.Breathe.Music: A Multimeadia Controller That Uses Eye Movement And Breathing
M.I.N.I. (Musical Instruments Numerical Interface)
Agents in ChucK: A Timely Programming Experience
Time Domain Computation of Three Dimensional Acoustic Field by Retarded Potential Holophonic Synthesis
Behave: a Heatmap-based Audiovisual Representation of Personal Data
Kuatro: A Motion-Based Framework for Interactive Music Installations
Live Performance and Virtuosic Pitch-blend Technique for the Synthesizer
A Music Loop Explorer System
Wavelet Analysis of Rhythm in Expressive Musical Performance
A Lossless, Click-free, Pitchbend-able Delay Line Loop Interpolation Scheme
InMuSIC: an Interactive Multimodal System for Electroacoustic Improvisation
A Touch Sensitive Dance Floor/MIDI Controller
A Library of Orchestral Instrument Spectra
An Interactive Bio-Music Improvisation System
Modalys demonstration
Timbre Representation of a Single Musical Instrument
Soundspotter / remix-TV: Fast Approximate Matching for audio and video Performance
Using Pd as a score language
Sound Spatializations in Real Time By First-Reflection Simulation
Partial tracking in two Steps
An Object Oriented ARTMAP System for Classifying Pitch
A Real-time Implementation of Physical Models
Towards the One-Man Indian Computer Music Performance System
Features extraction and temporal segmentation of acoustic signals
Real-Time Computer Accompaniment of Keyboard Performances
Tiny Jungle: Psychedelic Techniques in Audio-Visual Composition
Score Following in Open Form Compositions
Statistical Analysis of Structure of Azerbaijan Folk Songs
Whose Playground, Which Games and What Rules?: Women Composers in the Digital Playground
A Real-Time Genetic Algorithm in Humanrobot Musical Improvisation
Architecture in Motion: a Model for Music Composition
Using a Grammar for a Reliable Full Score Recognition System
Real-Time Tempo Tracking Using Rules to Analyze Rythmic Qualities
Parameters Estimation for Non-linear Resynthesis Methods with the Help of a Time-Frequency Analysis for Real Sounds
Locustream Open Microphone Project
DYC12 agents: merging the "free", "reactive", and "scenario-based" music generation paradigms
Aspects of second order feedback AM synthesis
Visualization and Predictive Modelling of Musical Signals using Embedding Techniques
Wavetable and FM Matching Synthesis of Musical Instrument Tones
Algorithmic Composition in Contrasting Music Styles
Performance with Electronics: Gesture Interfaces and Software Toolkit
Third-Order Ambisonic Extensions for Max/MSP with Musical Applications
A cross-genres (ec)static perspective on contemporary experimental music
The Creation of Evolutionary rhythms within a Multi-Agent Networked Drum Ensemble
Maestro: using Technology to Improve kinesthetic Skill Learning of Music conductors
PLOrk: The Princeton Laptop Orchestra, Year 1
Developing Chinese Style Algorithmic Composition using Markov Chains - from the Classical Chinese-Poetry Perspective
Studio Reort from the KACOR Multimedia Lab
Voice and Speech in Computer Music Composition
The jMax environment: an overview of new features
The Machine Learning and Intelligent Music Processing Group at the Austrian Research Institute for Artificial Intelligence (öFAI), Vienna
Quantifying the Differences between Music Performers: Score vs. Norm
A System for the Separation of Simultaneous Musical Audio Signals
Beyond Pythagoras
Time-Domain Synthesis of Conical Bore Instrument Sounds
Bring Your Own Control to Additive Synthesis
Audio Descriptors and Descriptor Schemes in the Context of MPEG-7
The Impact of the Digital Interface and the Score on Controlled Improvisation When Using Acoustic Instruments in an Electroacoustic Context
Organizing the parameter space of physical models with sounds feature maps
A Realtime MIDI Library for an Inexpensive General-Purpose Microcontroller-Based Interactive Performance System
A Continuous Music Keyboard Controlling Polyphonic Morphing Using Bandwidth-Enhanced Oscillators
RCCM Canons: Not Only a Problem of Cage
Opensemble: A framework for collaborative algorithmic music
Interactive Compositional Algorithms
Gibber: Live coding audio in the Browser
Towards the synthesis of Wavefront Evolution in 2-d
A Theory of Poetry as Music and Its Exploration through a Computer Aid to Composition
Hypermusic and the Sighting of Sound - A Nomadic Studio Report
A System for Computer Assisted Gestural Improvisation
Supernova - A scalable parallel audio synthesis server for SuperCollider
Simple resonators with shape control
Perception-based control of vibrato parameters in string instrument synthesis
Virtual Sound Compostion for the CAVE
Streaming Structured Audio
Real-time analysis of expressive cues in human movement
New Method for the Directional Representation of Musical Instruments in Auralizations
Musical Applications of the Phase Vocoder
FugueGenerator - Collaborative Melody Composition Based on a Generative Approach for Conveying Emotion in Music
Sampling and Composition with the Kurzweil 250: Today's Aesthetic Choices
Adaptive Melodic Segmentation and Motivic identification
The notion of Ethos in Arabic music: computational modeling of Al-Urmawi's modes (13th Century) in Csound
Adapting Polyphonic pickup Technology for Spatial Music Performance
Java Music Specification Language, v103 update
Design and Implementation of Automatic Evaluation of recorder Performance in Imutus
The Virtual Electronic POEM (VEP) Project
Motion-sensing Music: Artistic and Technical Challenges In Two Works For Dance
Perception And Interpretation Of Concurrent Aural Shapes Using Dream Interface
Sonic Explorations of Gumowski-Mira Maps
Glottal source modeling for singing voice synthesis
A Model for Musical Rhythm
The SoundLab: a wearable computer music instrument
Recommending Music to Groups in Fitness Classes
Automatic Timbral Morphing Of Musical Instruments Sounds By High-Level Descriptors
Performance Practice of Electroacoustic Music. Towards a practice-based exchange between musicology and performance
Timbral Migration: Stochastic Processes for the Control of Smooth Spectral Transformation
Designing a Digital Gamelan
A Simplified Approach to Modeling Dispersion Caused by Stiffness in Strings and Plates
The Effect of DJs' Social Network on Music Popularity
The effect of Air turbulence on sound and its Application to Musical signal Processing
Centre for Digital Music: Studio Report
Some Remarks on Computer-Assisted Composition
Paths on Stern-Brocot Tree and Winding numbers of modes
Do Mobile phones Dream of Electric Orchestras?
A New Music Keyboard with Continuous Key-position Sensing and High-speed Communication
Sound Color and Filters: The Hybrid Studio Revisited
Nuance Blending for the Synthesis of a Brass Choir
Music Processing by Transputer Networks at the Electronic Music Studio in Cardiff
The Interactive Multi-media Computer System using SGI and NeXT/ISPW computers
Sound Onset Localization and Partial Tracking in Gaussian White Noise
Connectionist Models of Musical Thinking
Localisation of Subwoofers in Concert Hall Environment
CACIE CB: Genetic programming based composition-aid system by shopping basket interface
Predicting Reinforcement of Pitch Sequences via LSTM and TD
Sonenvir - a Progress Report
Handling Asynchrony in Audio-Score Alignment
Real-Time Chord Recognition for Live Performance
Rts: Real Time Scheduling in Common Music
Proceedings of the 1981 International Computer Music Conference, ICMC 1981, Denton, Texas, USA, 1981
Grainstick: A Collaborative, Interactive Sound Installation
Spectromorphology and Spatiomorphology of Sound Shapes: Audio-Rate AEP and DBAP Panning of Spectra
Creating and Exploring Huge Parameter Spaces: Interactive Evolution as a Tool for Sound Generation
curvePainter: A New Compositional Tool
Complex Musical Pattern Description in Common Music
Binary Decision Tree Classification of Musical Sounds
Sound Synthesis by Hierarchic Sampling
Pegasus-2: Real-Time Composing Environment with Chaotic Interaction Model
Adding a Graphical User Interface to FORMES
Implementations of the Leap Motion in sound synthesis, effects modulation and assistive performance tools
SAOL: The MPEG-4 Structured Audio Orchestra Language
Exploring Meaning And Intention In Music Conducting
Motion as the Connection Between Audio and Visuals
Recorderology - development of a web based instrumentation tool concerning recorder instruments
An Unconference Unsession On Computer Music Performance
Real-Time, low Latency audio Processing in Java
Studio Report: Computer Music Activities at the Interdisciplinary Nucleus of Sound Communication
Visualization of low Dimensional Structure in tonal pitch Space
The KiOm: A Paradigm for Collaborative Controller Design
Toward Modular, Portable, Real-Time Software
Le_Loup, an Object-Oriented Extension of Le_Lisp for an Integrated Computer Music Environment
Computational Ethnomusicology in Hungary in 1978
Model based interactive sound for an immersive virtual environment
Construction of an Electronic Timbre Dictionary for Environmental sounds by Timbre symbol
Block-Based Physical Modeling for Digital sound synthesis of Membranes and plates
The ADS 200 Advanced Digital Synthesizer
Spectral synthesis and control with Cellular Automata
Music Graphs For Algorithmic Composition and Synthesis With an Extensible Implementation in JAVA
Appliance of Music Information Retrieval System for Arabian Woodwinds in Music Education
Genre-specific Key Profiles
Prokaryotic Groove: Rhythmic Cycles as Real-Value Encoded Genetic Algorithms
Parameter Estimation of Non-Linear Physical Models by Simulated Evolution - Application to the Flute Model
Tiling problems in music composition: Theory and Implementation
About GRADIENT
Flavors Band: Beyond Computer Improvisation and/or A Meta-Composition Language
Waveguide Filter Tutorial
Arno: Constraints Programming in Common Music
Mechatronic Keyboard Music: Design, Evaluation, and Use of a New Mechatronic Harmonium
Real-Time Synthesis at the University of Victoria
Time-stretching using the instantaneous frequency Distribution and Partial tracking
Virtual Acoustics Rendering in MPEG-4 Multimedia Standard
Is Music Audio Processing Embarrassingly Parallel?
Machine Learning Techniques for Real-time Improvisational Solo Trading
Enhancing sound description in VRML
Innovative Programming Method for Sound Waveform Production: A Plucked String Sound
Waiting and Uncertainty in Computer Music Networks
Gregory's Scribe: Interactive Graphics for Music Notation before 1600
BRASS: Visualizing Scores for Assisting Music Learning
The Simulation and Extrapolation of Instrumental Sounds Using Direct Synthesis at IRCAM
Evolving electroacoustic music: the application of genetic algorithms to time-domain waveforms
Integration of Machine Learning Algorithms in the Computer-acoustic Composition Goldstream variations
Expresso, a Strong and Small Editor for Expression
Creating Three-Dimensional Computer Animations Using Spectral Data and OpenGL
Aesthetics, Score Generation, and Sonification in a Game Piece
Haptic Feedback in a Computer Music Performance Interface
DSP Driver Software for Performance-oriented Music Synthesis Systems
Un Modele Informatique pour la Transformation Continue de Sons Inharmoniques
A New Algorithm for Horizontal Spacing of Printed Music
Studio Report S.I.M./Rome (Use of Advanced Digital Technology for Musical Purpose)
Developments in Audio File Formats
A fractional delay application: time-varying propagation speed in waveguides
MIT-Media Lab