yusuke1997/dblp-id-title huggingface dataset:
An Intelligent SP-MIDI Polyphonic Reduction Algorithm
DISCO: An Object-Oriented System for Music Composition and Sound Design
Frankenstein: A Low-Cost Multip-DSP Computer Engine for the Music Kit
From the visualization of sound to real-time sonification: different prototypes in the Max/MSP/Jitter environment
Panoramix: 3D mixing and post-production workstation
Background Music Generaton Based on Scene Analysis
The Development of a Piano Player
DSP Programming with Faust, Q and SuperCollider
Counterlines: Studies in Interfacing Graphic and Melodic Lines
Flexible Scheduling for DataFlow Audio Processing
SuperSampler: A New Polyphonic Concatenative Sample Synthesizer in SuperCollider for Sound Motive Creative, Live Coding, and Improvisation
The MIDIM System
SCMIR: A SuperCollider Music Information Retrieval Library
Pocket Gamelan: mobile media for microtonal performance
The Featsynth Framework for Feature-Based synthesis: Design and Applications
Mapping a Virtual Sound Space into a Real Visual Space
Using the PLATO/TI980A Music Synthesis System: The PLACOMP Language
Swivel: Analysis and Systems Overview of a New robotic Guitar
Structured Cell: a Work in Space
Evolving Adaptive sensors in a Synthetic listener
Goldsmiths Electronic Music Studios: 40 Years
A physically informed model of a musical toy: the singing tube
The Challenges and Opportunities of Multiple Processors: Why Multi-Core Processors are Easy and Internet is Hard
VOCEL: New implementations fo the FOF synthesis method
Silver Apples, Electric Circus, Electronic Arts, and Commerce in Late 1960s New York
AMAI: Adaptive Music for Affect Improvement
A Sound File System for UNIX
MacMusic, the MUSIC N Environment for Macintosh: Algorithmic Synthesis and Composition Made Easy
Performing Computer Network Music. Well-known challenges and new possibilities
Musical Pattern Design Using Contour Icons
Common Practice Notation View: a Score Representation for the Construction of Algorithms
SYSTab: A proactive real-time expert system for ancient Greek music theory and notation
Rulebased models of initial beat induction and an analysis of their behavior
A Microprocessor Based Digital Flute
Computer Music as Born-Digital Heritage
Extraction of gestural Meaning from a Fabric-Based Instrument
Proceedings of the 1986 International Computer Music Conference, ICMC 1986, Den Haag, The Netherlands, October 20-24, 1986
The TR-808 Cymbal: a Physically-Informed, Circuit-Bendable, Digital Model
fXfD, A Digital Approach to the No-Input Practice
The Equidome, a Personal Spatial Reproduction array
Vertically Read Notation
ENSEMBLE: An Object-oriented Real-time Perfomance System
The Effect of Visual Modalities on Human Perception of Emotion from Music
Victoria University of Wellington Electroacoustic Music Studios
Laptop Performance: Techniques, Tools, and a New Interface Design
Geometries of Flight - remix as nodal Practice
Declarative Composition and Reactive Control in Marsyas
Real-Time Granulation of Sampled Sound with the DMX-1000
Audio Interfacing of the PLATO Computer-Assisted Instructional System for Music Performance Judging
Tactile Composition Systems for Collaborative Free sound
Studio Report: the GRM - Groupe de Recherches Musicales, Institut National de l'Audiovisuel
Automatic Singer Identification For Improvisational Styles Based On Vibrato, Timbre And Statistical Performance Descriptors
University of Leeds Interdisciplinary Centre for Scientific Research in Music
The Gestures of Flowing: Using PureData as a Backbone for Interactive Sculpture Animation, Video and Sound
Music, Sculpture, Light and Text: A Study in Installation Art
MAX + UniSon - Interactive Control of a Digital Signal Multiprocessor
T-MAX: a parallel processing development system for MAX
Spectral analysis of timing profiles of piano performances
Using the iPhone for live-electronics in my composition Irrgaerten for two pianos
A Pragmatic Approach to Set-Based Algorithmic Composition
A Research of Automatic Composition and Singing Voice Synthesis System for Taiwanese Popular Songs
The Worldscape Laptop Orchestra: Creating Live, Interactive Digital Music for an Ensemble of Fifty performers
Out of Sync: a Simple Score Based GUI for quick Correction in Performer Computer Interaction
Vocal Tract Modulation of Instrumental Sounds by Digital Filtering
MPI Revisited: Aga Matter for Piano and Tape
High-Level Control of Granular Synthesis Using the Concepts of Inheritance and Social Interaction
Characterizing Musical Textures
A Virtual Patchbay for robust Distributed Interactive Music Systems
Computer Analysis of Surface Details in Tonal Music
MyoSpat: A hand-gesture controlled system for sound and light projections manipulation
Mozzi: Interactive sound synthesis on the Open Source Arduino Microprocessor
A Streaming Object Oriented Implementation of the Modal Distribution
ArmKeyBoard: A Mobile Keyboard Instrument Based on Chord-scale System and Tonal Hierarchy
Between Technology and Creativity, Challenges and Opportunity for Music Technology in Higher Education
The Interaction of Sound Identities in Electroacoustic Music
On the Realization of NoaNoa and Près, Two Pieces for Solo Instruments and Ircam Signal Processing Workstation
Effects of Musically Meaningful operators in Evolutionary Composition
Noise on the Grid: rhythmic pulse in Experimental and Electronic noise Music
Reconstructing AnthèMES 2: Addressing the Performability of Live-Electronic Music
Heightening Access and Cohesion within the Worlds of Electroacoustic Music: The Promotion of Triangulation in Creativity, Development and Scholarship
Studio Report IASM Napoli
Can Computer Music Benefit from Cognitive Models of Rhythm Perception?
MIDI Generation of Sound Morphologies
Investigating How Convolution Reverberation Effects the Space of Instrument Emotional Characteristics
The MIDI Time Clip: A Performer/Machine Synchronization System for Life Performance
Evaluation of a Sketching Interface to control a concatenative synthesiser
Influence of timbre, presence/absence of tonal hierarchy and musical training on the perception of musical tension and relaxation schemas
A WWW-based Melody Retrieval System
The Quest for 'Musically Interesting' Structures in Computer Music
Sound Shapes and Spatial Texture: Frequency-Space Morphology
Musical Analysis of Conducting Gestures Using Methods from Computer Vision
Cincinnati's Center for Computer Music in 2007: (CCM) 2
Counterpoint Compositions in Non-tempered Systems: Theory and Algorithms
The phase Project : Haptic and Visual Interaction for Music Exploration
A Flexible Real-Time Software Synthesis System
Litter Mutators: Moving Morphological Mutation inside Time
Proceedings of the 1987 International Computer Music Conference, ICMC 1987, Champaign/Urbana, Illinois, USA, August 23-26, 1987
Deriving a Quarter-Tone Harmonic Language Using Harmonic Spectra and their Formant Regions as a Model for Chord Voicings
The Stringball: a ball Interface with Strings for Collaborative Performance
"Blip, Buzz, Blurp": The Challenge of Teaching New Ways to Listen
CalmusWaves: Where Dancers Compose Music in Real-Time
Study of the Perceptual and Semantic Divergence of Digital Audio Processed by Restoration Algorithms
Music Poet: A Performance-Driven Composing System
DSP-Sound: A Software Synthesis Package for Real-Time DPS-Based Systems
Sal: a Simple Algorithmic Language in Common Music
Stochastic Estimation of Bsf
MUSE: An Integrated Software Environment for Computer Music Applications
Panel: the Need of Formats for Streaming and Storing Music-Related movement and Gesture Data
The MIDI Baton III
An Experimental Classification of the Programming Patterns for Scheduling in Computer Music Programming
A Protocol for Audiovisual Cutting
Interactive Music Composition with a Minimum of Input States
Multi-Agent Multimodal Performance Analysis
A Microprocessor Oriented Toward the Frequency Synthesis
The Development of an Automatic Bagpipe Playing Device
Statistical Pattern Recognition for Prediction of Solo Piano Performance
The Use of Mel-frequency Cepstral Coefficients in Musical Instrument Identification
Two New Courses in Computer Music Performance @ Berklee: Alternate Controllers and the Techno/Rave Ensemble
Towards a Universal Algorithmic System for Composition of Music and Audio-Visual Works
Realtime Selection of Percussion Samples Through Timbral Similarity in Max/MSP
Fifty Years of Computer Music: Ideas of the Past Speak to a Future-immersed in Rich Detail
Defining Spectral Surfaces
The LDR Controller
Armadillo: Real Time and Non-Real Time Analysis of Musical Sounds on a Power Macintosh
Hugh Le Caine's 1948 Sackbut Synthesizer: Performance Mode of Electronic Instruments
University of Helsinki Electronic Music Studio
Automatic Thorough-Bass Realization in Baroque Music
Exploring "Artist Image" Using Content-Based Analysis Of Promotional Photos
Stochastic resonance sound synthesis
Integrating Tempo Tracking and Quantization using Particle Filtering
Feature modulation synthesis (FMS)
The Computermusic Department at the Peabody Conservatory of the Johns Hopkins University
SYSTHEMA - Analysis and Automatic Synthesis of Classical Themes
Multi Sensor tracking for Live sound Transformation
Evaluating spatial sound with binaural auditory model
Learning the Craft of Musical Composition
Shifty Looping: meter-aware, non-repeating rhythmic loops
Self-organizing Control Sturctures Using Multiple Cellular Automata
Chronotope: the mutual dependency of time and space in visual music
Music Technology at Florida International University
The Computer and Electronic Music Studio at the CDMC, Madrid
Formal Semantics for Music Notation control Flow
Designing a Computer Music Workstation from Musical Imperatives
MacMix: Mixing with a Mouse
Midi Share
Music-11 and ST-10: Classic Stochastic Concepts Revisited
Composing the Means With Which I Compose: Waveforms With Multiple Paths and Cycle-lengths
Evolutionary Based Algorithmic Composition: A Demonstration of Recent Developments in GeNotator
Ghi Project : New Approach for Musical Instruments
RackFX: A Cloud-Based Solution for Analog Signal Processing
Libxtract: a Lightweight Library for audio Feature Extraction
MARS: The X20 Device and SM100 Board
Processes and tools used in the sound design for computer games
Reinforcement Learning of Musical scales from Human Emotions
High Quality Synthesis-by-Rule of Consonants
New Roles for Computer Musicians in S.T.E.A.M
DSP Based Reliable Pitch-to-MIDI Converter by Harmonic Matching
An Agent Based Approach to Interaction and Composition
The Fuzziness of 'expression' in Relation to Algorithmic Music
Data Anticipation for Gesture Recognition in the Air Percussion
A Modular Approach to Excitator-Resonator Interaction in Physical Models Synthesis
Computer-Assisted Training of Timbre Perception Skills
The Resource - Instance Model of Music Representation
Fourier Oracles for Computer-Aided Improvisation
A Comparison between Local Search and Genetic Algorithm Methods forWavetable Matching
A Structural Analysis Tool for Expressive Performance
Citygram One: Seven Years Later
Implicit Physiological Interaction for the Generation of Affective Musical sounds
ATS: a Lisp Environment for Spectral Modeling
Towards a Virtual Membrane: New Algorithms and Technology for Analyzing Gestural Data
Tele-detection and Large Dimension Gestual Control
The Algorithmic Muse: New Listening Paradigms and the Harmonies of Chaos
Realtime Chord Recognition of Musical Sound: a System Using Common Lisp Music
Interactive Swarm Orchestra an Artificial Life Approach to Computer Music
Augmented Exercise Biking with Virtual Environments for Elderly Users: Considerations on the use of auditory
Www.Lovelyweather.Com: A Web-Based Interactive Audio-Visual Environment
Concurrent CSound: Parallel Execution fro High Speed Direct Synthesis
The Electro-acoustic Music Studio at the Royal Academy of Music, Copenhagen
IRCAM: Studio Report
Perceptual Parameters-Their Specification, Scoring and Control within Two Software Composition Systems
Visualization Tools for Musical Timing Applied to Afro-Cuban Percussion
Visualization of perceptual qualities in Textural sounds
An ecologically valid experiment for the comparison of established spatial techniques
Progress Report on the EAVI BCI Toolkit for Music: Musical Applications of Algorithms for use with consumer brain computer interfaces
Integration of Physical Modeling for Synthesis and Animation
Cymatic synthesis of a Series of Bells
Linguistics and Music Composition: Logical Structures
Interoperability and the MARSYAS 0.2 Runtime
Flatter Frequency Response from Feedback Delay Network Reverbs
From Small Beginnings
The Criterion of Data Complexity in Rhythm Recognition
Towards a New Paradigm for the Representation of Musical Information
Genetic Algorithms as a Tool for Melodic Development
Extended Convolution Techniques for Cross-Synthesis
Balancing Defiance and Cooperation: The Design and Human Critique of a Virtual Free Improviser
SMaTBaM! - Serving Time-Based Media in the Performing Arts
Sonifying Animated Graphical Scores and Visualising sound in the Hearimprov Performance
Enmeshed: live in 3D fog~
OLW: An Extension to MSP for the Implementation of Overlap-Windowing Techniques
Realitv
Imaging Sonic Structure
The Center for Computer Music Research and Composition
Turnector: Tangible ControlWidgets For Capacitive Touchscreen Devices
Panel: Touched by Machine? Composition and Performance in the Digital Age
Real-time Broadband Noise Reduction
Degrees of Interpretation in Computer Aided Algorithmic Composition
A Procedural Control Language for a Digital Signal Processor
Sybil: Synthesis by Interactive Learning
A Multi-Workstation Environment for Joint Computer Music/Computer Graphics Production
Musical Applications of New, Multi-axis Guitar String Sensors
Instruments, Cybernetics, and Computer Music
Applying Psychoacoustic Principles to Soundfield Reconstruction
Java Music Specification Language and Max/MSP
Contour Hierarchies, Tied Parameters, Sound Models and Music
Audiovisual concatenative synthesis
Kyma: An Object-oriented Language for Music Composition
Federazione CEMAT and Centres of Computer Music Research and Production in Italy
Visual and Adaptive Constraint Programming in Music
Sound Utilities 2.0: A Software System for Creating Virtual Acoustic Spaces
Content-based Retrieval and Indexing Methods for Music Databases
Orchestrating wall reflections in space by icosahedral loudspeaker: findings from first artistic research exploration
Trumpet and Trumpet Player: Model and Simulation in a Musical Context
Grab-and-Play Mapping: Creative Machine Learning Approaches for Musical Inclusion and Exploration
A Brief Survey of the Current Applications of ENP
Low-dimensional parameter mapping using spectral envelopes
The Bradford Musical Instrument Simulator
Tabula Vigilans
iEAR Studios Rensselaer Polytechnic Institute
Sound Synthesis Affected by Physical Gestures in Real-time
Music Library of the Future: A Pilot Project
Spinning the sounds in real-time
Sonic Beams / Acoustic Shadows
Tuned Cyclic Tone Systems
On the Use of Schrodinger's Equation in the Analytic Determination of Horn Reflectance
"SNAP" - Sound Network Agent Project - Multi Agent System Using Csound in the Internet
The Errant Syncretizer
An Automated Event Analysis System with Compositional Applications
Audio Analysis for Rhythmic Structure
A Cost Effective Input Processor-Pitch Detector for Electronic Violin
Network Gyre - Exercising the Network's Rhythmic Potential
BESSIE: A Real Time Interactive Computer Tutorial on Frequency Modulation Synthesis for the NeXT Computer
Extraction of Conducting Gestures in 3D Space
Algorithmic Composition: Quantum Mechanics and the Musical Domain
Ensemble Timing in Computer Music
Real-Time Digital FM Audio Synthesis
Real-time Spectrum/cepstrum games
Real-Time Timbre Modificiations Using Sinusoidal Parameter Streams
Proceeding from Performance: an ethnography of the Birmingham Laptop Ensemble
Some Technical and Aesthetic Considerations in Software for Live Interactive Performance
The Machine Lab: A Modern Classroom to Teach Mechatronic Music
Demo: Using Jamama's MVC features to design an audio effect interface
The Musical Session System with the Visual Interface
Modern Technology and Creativity: an Approach to Composing at 11-14 Years
Computer Music Compositional Style Variation Between Genders and the Role of Education
Perception-Based Musical Pattern Discovery
Automatic Discovery of Right Hand Fingering in Guitar Accompaniment
"We Don't Write Songs. We Write Records": a compositional methodology based on late 20th century popular music
Imutus - an Effective Practicing Environment for Music Tuition
Music Recombination Using a Genetic Algorithm
Audio Analogies: Creating New Music from an Existing Performance by concatenative synthesis
MusiCloth: A Design Methodology for the Development of a Performance Initiative
The Tuning and Synthesis Issue of the Ancient Chinese Chime-bells Instrument From the Tomb of Marquis Yi of the Zeng State
Technology, Culture and Location in a Recent New Zealand Sonic Art Project
Adaptive High-level Classification of Vocal Gestures Within a Networked Sound Instrument
The Computer Music Project at the University of Illinois at Urbana-Champaign: 1989
"Warm Chorus": Re-Thinking the Chorus effect using an Orchestral Section Model
Musical Timbre and Emotion: The Identification of Salient Timbral Features in Sustained Musical Instrument Tones Equalized in Attack Time and Spectral Centroid
On SOM based time-series analysis and motivation of generic methods of musical pattern recognition
Physical Modelling as a Proposed Framework for the conception, the Design and the Implementation of sound Transformations
Non-linear guitar body models
The rhythm transform: towards a Generic rhythm Description
Envelope Control with an Optical Keyboard
The thing about the quotes: "Music Technology" degrees in Britain
Takt: A read-eval-play-loop interpreter for a structural/procedural score language
Urmus - An Environment For Mobile Instrument Design And Performance
Audio Collage as an Instrument for Musical Expression: Combining Freehand and Tangible Controllers
A History of Emerging Paradigms in EEG for Music
Nearest Centroid error Clustering for radial/elliptical Basis Function Neural Networks in Timbre Classification
Towards Open 3D Sound Diffusion Systems
TBone: An Interactive WaveGuide Brass Instrument Synthesis Workbench for the NeXT Machine
Using Haptics for Digital Audio Navigation
Space at Performer's Fingertips
Digital Transformations in 'Tides'
Cross-Modal Parametric Composition
Influence of Sensory Interactions between Vision and Audition on the Perceptual Characterisation of Room Acoustics
Embedding native audio-processing in a score following system with quasi sample accuracy
Audio-Visual Instruments in Live Performance
Acquisition of Violin instrumental gestures using a Commercial EMF tracking Device
A Modular Real-Time Digital Processor of Audio Signals
Composer-Centered Development - A Studio Report from Pittsburgh
DIEM Studio Report
Phase-bashed packet synthesis: a musical test
Participation and Response in Movement-Sensing Installations
Twenty Years of Ircam Spat: Looking Back, Looking Forward
Comparison of Sound Spatialization Techniques in MPEG-4 Scene Description
The Metasaxophone: Design of a New Computer Music Controller
Karaoke System with Spatial Acoustics estimation for vocal or instrumental removal
O2: Rethinking Open Sound Control
Synthesis and Analysis Tools with Physical Modeling: An Environment for Musical Sounds Production
A Real-Time Human Body Skeletonization Algorithm For Max/Msp/Jitter
Virtual Sound On Line - Computer Music Courses on the Internet
The use of Prony's Method for the Analysis of Musical Sounds. Application to Percussive Sounds
Demudi: The Debian Multimedia Distribution
Procedural Composition
Anitoo: Some Analysis Tools
Stochastic Music/Xenakis
Ace: a General-Purpose Classification Ensemble Optimization Framework
The Analysis and Resynthesis of Tones via Spectral Interpolation
Perceptual Categorization of Moving sounds for synthesis Applications
Detecting Pianist Hand Posture Mistakes for Virtual Piano Tutoring
Two Approaches for Interaction Management in Timbre-Aware Improvisation Systems
Enabling Live presence: Dynamic video Compression for the Telematic arts
Real-Time Stochastic Composition and Performance with AMPLE
iEAR Studios: Studio Report
Real-Time Gestural Control
Interprocess Communication and Timing in Real-Time Computer Music Performance
ANIMAL-A Rapid Prototyping Environment for Computer Music Systems
Estimation of Vocal Duration in Monaural Mixtures
Dynamic Playlist Generation: A Case Study
Refined Knowledge-Based ƒ0 Tracking: Comparing Three Frequency Extraction Methods
Man-Machine Dialog using MIDI Files
Melonet: Neural Networks that Learn Harmony-Based Melodic Variations
Developing Jazz Improvisional Skills with the Use of Music Sequencing Software
Sound-types: a new framework for symbolic sound analysis and synthesis
Evaluation of Positioning Learning Support System using True information and False Information and Vague Information for Violin Beginner
Audio Signal Representation and Processing in Time-Frequency Domain
Noise in the Clouds
The XQIFFT: Increasing the Accuracy of Quadratic Interpolation of Spectral Peaks via Exponential Magnitude Spectrum Weighting
A Network Sound System for UNIX
OBOEJS: a Constraint-based Approach to Instrument-specific Algorithmic Composition
The Morpho Concepts: Trends in a Software for Acousmatic Music Composition
Shaping A Compositional Network with Computer
The VideoHarp
Data driven identification and computer animation of bowed string model
Computer Applications in Music: A Bibliography
A Unified Approach to the Editing of Time-Ordered Events
La Transcription Automatique Des Tablatures: Le Langage D' Entree
Perceptual Characterization of a Tactile Display for a Live-Electronics Notification System
The presence of a Tri-Polar Dynamic in Sonic Art Installation
The IXI Lang: A SuperCollider Parasite for Live Coding
A Microcomputer-Based Analysis/Resynthesis Scheme for Processing Sampled Sounds using FM
Computer Applications in Music at McGill University
The Networked Performance Project for LO SPECCHIO Confuso dall'ombra of Roberto Girolin
An Accurate Signal Representation for Sound Resynthesis Utilizing a Time-Frequency Mapping of the DFT-Magnitude
Automatic Chord Recognition from Audio Using Enhanced Pitch Class Profile
TRAILS: An Interactive System for Sound Location
Ilearn: an iTunes audio Indexing Plug-in for Education
The Interdisciplining of Computer Music
Electronic and Computer Music at The Peabody Conservatory
Teaching More Students: Rethinking Studios & Classrooms at Rensselaer's iEAR Studios
Mondrian Music Description Language and Sequencer
Association of Sound movements in space to Takete and Maluma
An Audio-based Real-time Beat Tracking System and Its Applications
The Centro Tempo Reale
Music that Listens to What's Going to Happen: Internet Enhanced, Self-Adapting soundscapes
From the Physics of Piano Strings to Digital Waveguides
Combined Linear and Nonlinear Periodic Prediction in Calibrating Models of Musical Instruments to Recordings
Models of Continuity between Synthesis and Processing for the Elaboration and Control of Timbre Structures
The Just Intonation Automat - a Musically Adaptive Interface
Approaches to Real Time Ambisonic Spatialization and Sound Diffusion using Motion Capture
Interactive Orchestration Based on Score Analysis
The Premise Is That There Be Music
Controlling Real Time Sound Spatialization Using The Radiodrum
Analyzing the Moog VCF for Digital Implementation
Spectral Stochastic Resonance Sound Synthesis
Towards a Computer Research of Tonal Music
i-score, an Interactive Sequencer for the Intermedia Arts
State Space Models for Wind-Instrument Synthesis
The Sound Synthesis System "Otkinshi": Its Data Structure and Graphical User Interface
Making People Move: Dynamic musical notations
HMM-Based Automatic Arrangement for Guitars with Transposition and its Implementation
State Space Sound Synthesis and a State Space Sythensiser Builder
Ensemble: An Extensible Real-time Music Performance Environment
Biotools: Introducing a Hardware and Software Toolkit for Fast Implementation of Biosignals for Musical Applications