yusuke1997/dblp-id-title huggingface dataset:
Position Papers for the Second Panel on Algorithmic Music
From Score-Based Approach Towards Real-Time Control in PWGLSynth
Inventing New Instruments Based on a Computational "Hack" to Make an out-of-tune or unpitched Instrument Play in Perfect Harmony
The Carnegie Mellon Laptop Orchestra
Towards Defining the Potential of Electroacoustic Infrasonic Music
Quill: An Interpreter for Creating Music-objects within the Dmix Environment
A Semiotic Approach to Music Interaction
Ecosystem Models for Real-Time Generative Music: A Methodology and Framework
Technology, Real-Time Notation, and Audience Participation in Flock
A Program of Tomographic Analysis of Musical Texts
Recursive Generation of Rhythmic Structures with PTGGs
A Lisp Environment for Creating and Applying Rules for Musical Performance
Second-Order Universal Processing Device for Real-time Music Synthesis
Efficient Pitch Detection Techniques for Interactive Music
Open SoundControl: A New Protocol for Communicating with Sound Synthesizers
Distributed Musical Rehearsal
RAMIT: Neural Network for Recognition of Musical Notes
Commonalities in the Time-Based Arts: A New Approach to the Teaching and Practice of the Electronic Arts
Path Difference Learning for Guitar Fingering Problem
Lose control, gain influence - Concepts for Metacontrol
Chaotic Predictive Modelling of Sound
Carnegie-Mellon University Studio Report
ML.* Machine Learning Library as a Musical Partner in the Computer-Acoustic Composition Flight
Spectral Pre-Processing for Audio Digital Filter Design
Principles of Visual Design for Computer Music
Acoustic Quanta
The Vodhran - Design and Development of a Virtual Instrument
Why Does the acoustic Space of churches EXALT Gregorian chant? A First Step towards acoustic characterization by means of the modulation Transfer Function
New techniques to model reverberant instrument body responses
Real Time Sound Processing and Synthesis on Multiple DSPs Using the Music Kit and the Ariel Quint Processor
Whatever Happened to CMAP for Macintosh? A Status Report
A Survey Of Chord Distances With Comparison For Chord Analysis
Music Technology: Pedagogy and Research @ the University of Limerick
The IRCAM "Real-Time Platform" - Evolutions and Perspectives
Real-Time Virtual Audio Reality
Squawk: A Graphical Software for Spectral Audio Processing
Towards a Data Base in Musicology: The Computer Processing of the Bridgman File
1-D, 2-D and 3-D Interpolation Tools for Max/MSP/Jitter
Computer Counterpoint
Implicit Patching for Dataflow-Based audio Analysis and synthesis
Design Considerations for Computer-Assisted Music Instruction
Tangible Virtual Patch Cords
A Demonstration of Bow Articulation Recognition with Wekinator and K-Bow
Spatial Composition in the Multi-Channel Domain: Aesthetics and Techniques
Interactive Virtual Soundscapes: A Research Report
Towards Timbre Recognition of Percussive Sounds
Ecologically-based Granular Synthesis
The ArtsSync Project: Methods and Architectures for Mapping Foreground, Middle-ground and Background Musical Structures to Visual Images
Split-sideband synthesis
NeXTSTEP Graphical Interfaces to Control Sound Processing and Spatialization Instruments
Musical Experiments with Prolog II
Computer Game Piece: Exploring Video Games as Means for Controlled Improvisation
A Distributed Real-time System for Interactive Music Mapping with Multiple Inputs
Combining EEG Frontal asymmetry studies with affective algorithmic composition and expressive performance models
Integrating complementary spectral models in the design of a musical synthesizer
An Integrated Music Information Processing System: PSB-er
A User Friendly Synthesizer by Means of a Touch Input Wide LCD Graphic Display
Time after Time : Short-circuiting the Emotional Distance between Algorithm and Human Improvisors
Synthesis and Control of Hundreds of Sinusoidal Partials on a Desktop Computer without Custom Hardware
Loudness of musical sounds in a reverberant environment
Conceptual Blending in Biomusic Composition Space: The "Brainswarm" Paradigm
Preserving the Structure of the Moog VCF in the Digital Domain
Armenian Universal Structural-Analytical Catalogue of Musical Texts - UNSACAT
The Synchronization of Audio Production in Computer Music
Permutation Groups and Chord Tesselations
Sound Communication: a Standard Syntax for Inter-Application, Inter-Device and Interplayer Communication over OSC
Experiments in Computer Controlled Acoustic Modelling (A Step Backwards??)
Musical Sound Synthesis by Means of Two-Variable Functions: Experimental Criteria and Results
Mediating a Comprovisation Performance: the Comprovisador's Control Interface
An Expert System for Teaching Piano to Novices
Exploring the potential of the dedicated XML syntax for diatonic harmonica tablatures
Introducing Fuzzy Logic And Computing With Words Paradigms In Realtime Processes For Performance Arts
A Content-Aware Sound Browser
TransMIDI: A System for MIDI Sessions Over the Network Using Transis
Soundium2: An Interactive Multimedia Playground
CYCLIC-N, a real-time mobile multi-touch application for composition, improvisation and education
Audio-Rate Modulation of Physical Model Parameters
The Making of an All-Digital Facility for Artistic Production and Research under the Label "avantgarde"
Encoding 3D sound scenes and music in XML
NVM - A Modular Real-time Physical Modelling Synthesis System for MSP
A flexible and modular crosslingual voice conversion system
Spectral Synthesis Of Rhythms
Using a 3D Modelling Program as a Musical controller
The Influence of Body Morphology on Preferred Dance Tempos
Some perspectives in the artistic rendering of music scores
Pure Data Barcamp
Max Neuhaus: Pioneer of Invisible and (Almost) Inaudible sound Installations
Musical Acoustics & Instrument Design: When Engineering Meets Music
The CREATE Signal Library ("Sizzle"): Design, Issues, and Applications
Real-Time Software Synthesis on Superscaler Architectures
A Systematic Approach to Musical vibrotactile feedback
The University of Texas Accelerando Project: An Update
New Media for Musicological Research and Education - The Country Blues in HyperMedia
An XML-based SDIF Stream Relationships Language
Fast sound Texture synthesis using Overlap-Add
Combining audio and gestures for a Real-Time Improviser
Motivic Through-Composition Applied to a Network of Intelligent Agents
Digital Preservation of Interactive Multimedia performances
Modeling Wind Instrument Sound Radiation Using Digital Waveguides
Radio drum gesture detection system using only sticks, antenna and computer with audio interface
Recreating Gerard Grisey's Vortex Temporum with cage
The MARS Station: Algorithm Design and Real Time Performance
SoundScapeTK: A Platform for Mobile Soundscapes
Phenomenology of Musical Communication
LC: A New Computer Music Programming Language with Three Core Features
Controlling Aural and Visual Particle Systems through Human movement
The Electro-acoustic Music Mine (EAMM): an Initiative for the Archival Preservation of Electro-acoustic Music
Latency Tolerance for Gesture Controlled Continuous Sound Instrument without Tactile Feedback
Diegetic Affordances and Affect in Electronic Music
Expansion Through the Machine: A Composition for Harmonica and Wearable
Sound Morphing using Loris and the Reassigned Bandwidth-Enhanced Additive Sound Model: Practice and Applications
Algorithmic Explorations of Juxtaposition and Simultaneity in Computer-aided Composition
Singing Voice Impersonator Application for PC
Harmonizing Music as a Discipline in Constraint Logic Programming
Understanding the Mathematics of the Frequency Transform: An Interactive Tutorial for Computer Musicians
On Perfoming a Listener: What is Missing, Paganini?
Studio Report: SUNY, Buffalo
The Future of Spatial Computer Music
Discrete Summation Synthesis and Hybrid Sampling-Wavetable Synthesis of Acoustic Instruments with Genetic Algorithms
A Collaborative Composition System Based On A Service Oriented Architecture
Graphics Interfaces for MIDI-Equipped Synthesizers
Design of a Flute Interface to Control Synthesis Models
The Counterpoint Game: Rules, Constraints and Computational Spaces
A Smarter Way to Find pitch
Zero-Discount Partially Observable Markov Decision Processes For Computational Improvising Agents
Flexible spatial design for dance performance
Musical Performance Using the IRCAM Workstations
Melodic Clustering Within Topological Spaces of Schumann's Träumerei
Exploring concatenative synthesis units in VR
What Ever Happened to our Beautiful Schematics
Using Recurrent Neural Networks to Dream Sequences of Audio
Ornament as Data Structure: An Algorithmic Model based on Micro-Rhythms of Csángó Laments and Funeral Music
Composing with Swarm Algorithms - Creating interactive audio-visual pieces with flocking behavior
Proposal for a Roundtable Discussion on the Role of Abstract Mathematics in Computer Music
Towards an Explanation of Shape of the Violin
The Wave Digital Tonehole Model
Interactive Music and Media at Rensselaer: Studio Report 2017
Harmonizations of time with non periodic ordered structures in discrete geometry and astronomy
Sound Image Synthesis
Sinusoidal and Residual Decomposition and Residual Modeling of Musical Tones Using the QUASAR Signal Model
Snd3D; a 3D sound system for VR and interactive applications
An approach to visualization of complex event data for generating sonic structures
Timelab: Yet, Yet Another Real-Time audio Programming System
A Modal Distribution Approach to Piano Analysis and Synthesis
Articulation Rules For Automatic Music Performance
Grouping, Similarity and the Recognition of Rhythmic Structure
PRAESCIO-II: Amnesia Toward Dynamic Tapeless Performance
Music Creation from Moving Image and Environmental Sound
Guessing the Composer's Mind: Applying Universal Prediction to Musical Style
Iconic Programming for HMSL
A Hierarchical System for Controlling Synthesis by Phyical Modeling
UniSon: A Real-time Interactive System for Digital Sound Synthesis
'Local/field': towards a typology of live electroacoustic music
High Quality Music Notation: Interactive Editing and Input by Piano Keyboard
Tracking rests and Tempo changes: Improved Score following with Particle filters
Remote Control Applications using 'Smart-Controllers' in Versatile Hardware Configurations
Tonehole Radiation Directivity: A Comparison of Theory to Measurements
The Effects of Pitch, Dynamics, and Vowel on the Emotional Characteristics of The Soprano Voice
An Artificial Neural Net for Harmonizing Melodies
Notation and 3D Animation of Dance Movement
A Visual Programming Environment for Composing Interactive Performance Systems
>From Symbol to Semiotic: Computation as Interaction
Peak Extraction and Partial tracking of Music signals using Kalman filtering
A Personal Computer, Musical Knowledge-Based System Using Active Objects
Live coding: an Overview
Cymatic. Restoring the Physical Manifestation of Digital Sound Using Haptic Interfaces to Control a New Computer Based Musical Instrument
Motifviewer: Hierarchical Pattern Detection
Georgia State University Music Technology Studio Report
Linux as a Mature Digital Audio Workstation in Academic Electroacoustic Studios - Is Linux Ready for Prime Time?
Creativity and Access in Electronic Music: Cracked and Pirated Software Instruments
On Searching the Model Parameters Of Digital Waveguide Filters By Using Error Backpropagation Methods
A Single Performer Controlled Interface for Electronic Dance/Music Theatre
Automatic Composition, Connectionism, and Musiconomy
Physical Models of Trumpet-like Instruments, Detailed Behavior and Model Improvements
Audioverdrive: Exploring Bidirectional Communication between Music and gameplay
Relative Sound Localization for Sources in a Haphazard Speaker Array
Soft Machine: A Real Time Fully Programmable Computer Music System
Free Sound Within Culturally Specific Practice
The M Orchestra Language
Instrument Recognition Beyond Separate Notes - Indexing Continuous Recordings
The Computer Music Education in the Music Composition & Engineering Department of Wuhan Conservatory of Music
Assessment Techniques for New Mechatronic Instruments as Applied to speaker.motion
Cinemacraft: Immersive Live Machinima as an Empathetic Musical Storytelling Platform
The Sound Analysis Toolbox (SATB)
How Computer Music Modeling and Retrieval Interface with Music-and-Meaning studies: Overview of Panelists' Suggestions for Discussion Topics
Some Simplifications and Improvements in the Stochastic Music Program
Real-Time Composition and Notation in Network Music Environments
Tonality Visualization of Polyphonic audio
Lime* Music Notation Software for the Macintosh
RtAudio: A Cross-Platform C++ Class for Realtime Audio Input/Output
Sound&media Studios @ Londonmet, Commercial RD. London Metropolitan University
Impact of MIDI on Electroacoustic Art Music
Technological Advances for Conducting a Virtual Ensemble
Ml-Maquette / Musique Lab 2
Dynamic Models for Musical Interaction in Virtual Reality
CCRMA Studio Report
Algorithmic multi-genre classification of music: an empirical study
Dissonance, sex and noise: (Re)Building (Hi)Stories of Electroacoustic Music
Studio Report: Creama - Center for Research in electro-acoustic Music and audio at Hanyang University
Aspects of gesture in Digital Musical Instrument Design
The Electromagnetically-prepared Piano and its Compositional Implications
Bayesian Real-time Adaptation for Interactive Performance Systems
Real-time audio analysis tools for Pd and MSP
Short-term and Long-term Evaluations of Melody Editing Method based on Melodic Outline
Aa-cell in Practice: an Approach to Musical Live coding
Computer Composition of Melodic Deep Structures
Autobusk: An Algorithmic Real-time Pitch and Rhythm Improvisation Programme
Computer Pitch Recognition: A New Approach
A Computer-assisted Analysis of Melodic Borrowing from the Cantus Firmus in the Chorale Preludes of Bach's Orgelbüchlein
Low-Delay Singing Voice Alignment to Text
Realtime Performance Strategies for the Electronic Opera K
Questions About Interactive Computer Performance as a Resource for Music Composition and Probelms of Musicality
Decomposing Autumn: A Component-Wise Recomposition
The Development of a Computer Music Facility at The American University
Audio Oracle: a New Algorithm for Fast Learning of audio Structures
Towards the Beat of a Different Drummer: A Journey into the Loss of Fidelity in Drums and Electronics
Power-Scaled Spectral Flux and Peak-Valley Group-Delay Methods for Robust Musical Onset Detection
A Physical Piano Model for Music Performance
Loop-based Composition with RTcmix and Hula
Automating Ensemble Performance
GrIPD: A Graphical Interface Editing Tool and Run-time Environment for Pure Data
CSound Tutorial
The HOA library, review and prospects
The effect of inharmonicity on pitch in string instrument sounds
The Analysis and Transcription of Musical Sound
An Extendible Tool for CAC
Sound Explorer: A Workbench for Investigating Source Separation
A New Network and Communications Protocol for Electronic Musical Devices
Smule = Sonic Media: An Intersection of the Mobile, Musical, and Social
Guitar Fingering for Music Performance
Tracking Monophonic Music for Modelling Melodic Segmentation Processes
SINOLA: A New Analysis/Synthesis Method using Spectrum Peak Shape Distortion, Phase and Reassigned Spectrum
Correct Automatic Accompaniment Despite Machine listening or Human errors in Antescofo
Improving Robotic Chordophones with Closed-Loop Embedded Audio Feedback Systems
Adaptive bottle
The SmOKE Music Representation, Description Language, and Interchange Format
Innovation, Interaction, experience and imagination in computer music education
SLINC 1.0: A GUI for controlling synthesis and linking instruments in RTcmix
Subband HTLS
Augmenting Room Acoustics and System Interaction for Intentional Control of Audio Feedback
Aspects of Pitch-Tracking and Timbre Separation: Feature Detection in Digital Audio Using Adapted Local Trigonometric Bases and Wavelet Packages
The SensOrg: Time-complexity and the Design of a Musical Cyberinstrument
tactile.motion: An iPad Based Performance Interface For Increased Expressivity In Diffusion Performance
Combination Product Sets and Other Harmonic And Melodic Structures
Towards an Aesthetic of Instrumental Plausibility for Mixed Electronic Music
"Voice Networks" - Exploring the Human Voice as a Creative Medium for Musical Collaboration
Meta-Issues in Music Representation: Notes of a Panel Discussion
Alignment of Monophonic and Polyphonic Music to a Score
Note Recognition of Polyphonic Music by Using Timbre Similarity and Direction Proximity
Cantabile: A Rule-based System for Composing Melody
The Design of a Pen-based Music Notation System
Composing With Multi-channel Spatialisation As an Aspect of Synthesis
The Table is The Score: An Augmented-Reality Interface for Real-Time, Tangible, Spectrographic Performance
MusicTalk: A Tool Driven Approach to Computer Aided Composition
Probado Music: a Multimodal Online Music Library
Spectralconway: Cellular Automata Off The Grid
The Toncolarium - Immersive Color-Music Instrument
The Impact of MIDI upon Compositional Methodology
Report of the COMDASUAR: A Significant and Unknown Chilean Contribution in the History of Computer Music
Micro Textures with Macro-Notes
Application of Image Sonification Methods to Music
Physical modeling for sound synthesis with particle-interaction Networks: Study of the percussion phenomena and conception of a generic module for percussion
Time-shifting of Sampled Sound with a Real-time Granulation Technique
Rhythmic Rendering
A Programmable MIDI Instrument Controller Emulating a Hammer Dulcimer
Combining Visual and Textual Representations for Flexible Interactive Audio Signal Processing
New Developments in Data-Driven Concatenative Sound Synthesis
GenJam: A Genetic Algorithm for Generating Jazz Solos
Towards Synthia II: An Assessment of Design Strategies for Computer Assisted Learning of Sound Synthesis
Multi-touch interaction principles for collaborative real-time music activities: towards a pattern language
The Continuum: A Continuous Music Keyboard
An Overview of the Research Approaches on Musical Performance robots
Computer Aided Melodic Analysis using Suffix Tree
Imagination and Linear Prediction
The CHANT Project: Modelization and Production, an Environment for Composers Including the FORMES Language for Describing and Controlling Sound and Musical Processes
Generic panning tools for MAX/MSP
The International Digital Electroacoustic Music Archive
Kara: a BCI approach to composition
Physical Modeling of Aeroacoustic Sources in Flute-like Instruments
Strange Loops in CFML: a Livecoder's Riddle
Reflections on Spent Time
A Support System for Basic Practice of Playing the Drums
An Integrated Environment for Music Education
Towards a Better Software-Design for Supporting Creative Musical Activity (CMA)
On Identification of Violin Strokes in a Real-Time Performance System
A Confluence of Computer Music and Ancient Chinese Aesthetics
Additive Synthesis and Resynthesis: A Tentatively Objective Evaluation
Addressing the Network: performative Strategies for Playing apart
The Computer Music World View: Sketch of an Ethnomusicalogical and Aesthetic Approach
Computer Music through the Cloud: Evaluating a Cloud Service for Collaborative Computer Music Applications
Modular Physical Modeling Synthesis Environments on GPU
A Dispersive Resonator in Real Time on MARS Workstation
The Fairlight CMI and Its Uses in Advanced Laser Graphics
A New Interactive Performance System for Real-time Sound Synthesis
QSketcher: An Environment for Composing Music for Film
Evolutionary Strategies for Spontaneous Man-Machine Interaction
Creating a Place as a Medium for Musical Communication Using Multiple Electroencephalography
Interactive Signal Processing for Acoustic Instruments
Studio Report: the Program in Electronic Music Composition and Musical production at the School of the arts of the Polytechnic Institute of Castelo Branco
CNMAT Studio Report
Embracing the Composer: Optical Recognition of Handwritten Manuscripts
Analysis/Synthesis of Sound Using a Time-Varying Linear Model
A Turing Test for the singing voice as an Anthropological Tool: epistemological and Technical Issues
Virtual Performer
Demonstration of Gesture Sensors for the Shakuhachi
Alias-Free Synthesis by Stochastic Sampling
Recur: Composition and Synthesis
Feedback in Musical Computer Applications
Synthesis of Transients in Guitar Sounds
JSyn - A Real-time Synthesis API for Java
A Performer's Musicological Research in Performing Interactive Computer Music - The performance of Jean-Claude Risset: Duet for One Pianist-Eight Sketches for MIDI Piano and Computer (Max program) (1989)
A Qualitative Analysis of Composers at Work
Freedom within Structural Constraints in the darkride Composition Harrican Day
JackTrip: Under the Hood of an Engine for Network Audio
Soundanism: Blurred by Breathing
Q3osc or: How I Learned to Stopworrying and Love the Bomb Game
Vocable synthesis
Loudness-Based Display and Analysis Applied to Artificial Reverberation
A Model To Add Expressiveness To Automatic Musical Performance
RTSKED, A Scheduled Performance Language for the Crumar General Development System
Tactile Feedback Tool: approaching the foot pedal problem in live electronic music
Automatic Capture for Spectrum-Based Instrument Models
Towards Algorithmic Descriptions of Continuous Modulations of Musical Parameters
Mobile STK for Symbian OS
Data Reduction of Musical Signals
Assistance for Novice Users on Creating Songs from Japanese Lyrics
Integration of sound and Image in two Works for Piano and Computer
Center for Arts and Technologies at Seoul National University
Computational ethnomusicology: a music information retrieval perspective
The Overtone Violin: a New Computer Music Instrument
Computer Studio Report: Tri-College Group for Electronic Music and Related Research
Computer Audio Research Laboratory Report
System-Level MIDI Performance Testing
Subjective Preference Oriented Global Sound Database
The NLN-Player: A system for nonlinear music in games
Computer Audio Research Laboratory Studio Report
The M-Objects: a Small Library for Musical rhythm Generation and Musical Tempo control from Dance movement in Real Time
Extending Musical Mixing: Adaptive Composite Signal Processing
Interactive Paths Through Tree Music
On Bimodal Guitar-Chord Recognition
Surroundsound: A B-format Soundfield Processing Program for the Composers' Desktop Project Soundfile System
In flux - a New Approach to sound diffusion Performance Practice for fixed Media Music
Presic of the Standard Music Description Language
Studio Report: Music Technology At Penn State University
Modernising Live Electronics Technology in the Works of Jonathan Harvey
Haile - an Interactive robotic percussionist
A Graphical Editor for Building Unit Generator Patches
Detection of Random Spectral Alterations of Sustained Musical Instrument Tones in Repeated Note Contexts
Phthong - An Interactive System for Music Composition
Demonstrating MMorph: A System for Morphing Music in Real-Time
Networking Music Education: WWW applications in music teacher training: a praxial perspective
Using Streetlights To Generate Sound: Hidden And The Use Of Non-Incandescent Light Sources For Sound Generation
The Oculus Ranae
Krayola: A Flexible, Robust, and User-friendly Precompositional Sketching Environment
Software Agents and Creating Music/sound Art: Frames, Directions, and where to from here?
Home conducting - control the Overall Musical expression with gestures
From Kafka to K...: Documenting an Electronic Opera
A Software Compressor for Computer Music Applications
WONDER - a software interface for the application of Wave Field Synthesis in electronic music and interactive sound installations
Introduction of Computer Music Studio of Sonology Departmen Kunitachi College of Music
The Brooklyn College Center For Computer Music, City University Of New York
Musical Experience beyond audible sound and its Relevance for electro-acoustic Composition
Instrumental Gesture Modeling by Identification with Time-varying Mechanical Models
PAWN & SPAWN: Portable and Semi-Portable Audio Workstation
Six Techniques for Algorithmic Music Composition (Extend Abstract)
The Impact of Computer Music on the Small Liberal Arts College in the United States
Bowing Models for String Players