The intention of most film editing is to create the impression of continuity by editing together discontinuous viewpoints. The techniques used to achieve this, the continuity editing rules are well established yet there exists an incomplete understanding of their cognitive foundations. In this essay I will present the Attentional Theory of Cinematic Continuity (AToCC). AToCC identifies the critical role visual attention plays in the perception of continuity across cuts and demonstrates how perceptual expectations can be matched across cuts without the need for a coherent representation of the depicted space. The theory explains several key elements of the continuity editing style including match-action, matched-exit/entrances, shot/reverse-shot, the 180° rule and point-of-view editing. AToCC formalizes insights about viewer cognition that have been latent in the filmmaking community for nearly a century and demonstrates how much vision science in general can learn from film. 4
REF performed an empirical study to understand how continuity editing aligns with our perceptual abilities, identifying the role of visual attention in the perception of continuity between edits.
The Attentional Theory of Cinematic Continuity
Projections
Psychology