裙子在西方時尚文化當道的現代社會，多被當成是女性的典型服裝，然而在非西方文化及歐洲歷史的不同時期，男性的主要服裝其實包括裙裝及類似長裙的袍子，例如聖職人員穿著的法衣和蘇格蘭男性現在仍有穿著的短裙。熱帶地區男性穿著罩袍，至今仍是日常普遍的傳統服裝。 現今西方社會曾有人嘗試提倡男性穿裙，並企圖消除這種性別角色的差異；但是，裙子自 16 世紀以來，一直被當成是女性的服裝，絕大部分男性已經拋棄穿裙的習俗，因此這項倡議僅取得有限的成功 despite the best efforts of designers like Jean Paul Gaultier and others the mens skirt has failed to gain popularity though the kilt appears appropriate wear for men on certain special occasions Fiona Margaret Wilson 2003 Organizational Behaviour and Gender Ashgate Publishing Ltd p 199，並遭遇巨大的文化阻力 The Guardian January 2002。 西方文化 古代 裙子自史前時代起就被穿著，成為古代各文化中男女的標準服飾。例如，在美索不達米亞的蘇美爾王國記錄了兩種服裝類別。男性的儀式服裝是用綁在腰間的毛皮裙，叫做。最初指的是羊毛，後來也用來指代這種衣物。起初用的動物皮毛被 Kaunakes 布料所替代，這種布料模仿羊皮的毛茸茸感。Kaunakes 布料也在宗教藝術中被用作象徵，如施洗約翰的毛皮斗篷。 Boucher Francois 1987 20000 Years of Fashion The History of Costume and Personal Adornment New York Harry N Abrams The Bible Genesis 1245 Roberts JM 1998 The Illustrated History of the World TimeLife Books Volume 1 p 84 和巴比倫的國王及其侍從在文物上的描繪顯示，他們穿著圍繞在袖套束腰束起來的編邊布。 Rief Anawalt Patricia 2007 The Worldwide History of Dress London Thames Hudson p 22 古埃及的服裝主要是白色亞麻製成。 Barber Elisabeth JW 1991 Prehistoric Textiles The Development of Cloth in the Neolithic and Bronze Ages with Special Reference to the Aegean Princeton Princeton University Press p 12 古埃及服裝的主要特徵是男女穿著類似的直筒式亞麻衣，這種風格在古埃及時期幾乎未有改變。從公元前 2130 年左右的古埃及早期王國時期開始，男性也開始穿著包裹式的長裙（褶裙），稱為。它們由一塊長方形布料裹繞在下半身，並系在前面。到了中王國時期，出現了更長的褶裙，幾乎像裙子一樣，從腰部延伸到腳踝，有時從腋下垂下。在新王國時期，男性流行穿帶有褶皺三角部分的褶裙。 Rief Anawalt Patricia 2007 The Worldwide History of Dress London Thames Hudson p 25 底下還穿著三角形的腰布，名為或 shente，其兩端用繩子繫緊。 Rief Anawalt Patricia 2007 The Worldwide History of Dress London Thames Hudson p 24 在 Ancient Greece，簡單的有袖 T 形束腰外衣是由三塊縫在一起的布管構成的，這種風格起源於閃米特近東地區，並且與基於 Semitic 的單詞 khiton 有關，也被稱作。Rief Anawalt Patricia 2007 The Worldwide History of Dress London Thames Hudson p 88 束有腰帶的亞麻 chiton 是男性和女性的主要服裝。Rief Anawalt Patricia 2007 The Worldwide History of Dress London Thames Hudson p 89 FileEgyptian kiltjpgStatue of Ramaat an official from Gizeh wearing a pleated Egyptian kilt ca 2250 BC FileA Griechen Wagenlenker 02jpgA Greek charioteer from Delphi wearing a long chiton ca 470 BC ImageLuttrell servantjpgAn illustration from between 1325 and 1335 showing an English man in a skirted garment FileGotik MaennerrockFarbejpgMens dress made of red silk 148090 to be buttoned on the front History Museum of Bern Switzerland FileUlrich3mecklenburgjpgDuke Ulrich of Mecklenburg wearing a doublet and diverted skirt with and black tights 1573 FileAfter Hans Holbein the Younger Portrait of Henry VIII Google Art ProjectjpgHenry VIII wearing a doublet and diverted skirt with The Romans adopted many facets of Greek culture including the same manner of dressing The Celts and Germanic peoples wore a skirted garment which the historian Diodorus Siculus fl 1st century BC called chiton Below they wore kneelength trousers The AngloSaxons Normans Franks and other people of Western and Northern Europe continued this fashion well into the Middle Ages as can be seen in the Bayeux TapestryKochMertens Wiebke 2000 Der Mensch und seine Kleider Die Kulturgeschichte der Mode bis 1900 Düsseldorf Zürich Artemis Winkler p 114 thumbright267pxVictorian interpretation of the Normans 10001100 national dress Technological advances in weaving with foottreadle floor looms and the use of scissors with pivoted blades and handles in the 1315th century led to new designs The upper part of dresses could now be tailored exactly to the body Mens dresses were buttoned on the front and womens dresses got a décolletage The lower part of mens dresses were much shorter in length than those for women They were wide cut and often pleated with an Aline so that horse riding became more comfortable Even a knights armor had a short metal skirt below the breastplate It covered the straps attaching the upper legs iron cuisse to the breastplateTortora Phyllis et Al 2014 Dictionary of Fashion New York Fairchild Books p 11KochMertens Wiebke 2000 Der Mensch und seine Kleider Die Kulturgeschichte der Mode bis 1900 Düsseldorf Zürich Artemis Winkler pp 156162 Other similar garments worn by men around the world include the Greek and Balkan a short flared cotton skirt 衰退 The innovative new techniques specially improved tailoring trousers and tights which designs needed more differently cut pieces of cloth than most skirts Real trousers and tights increasingly replaced the prevalent use of the hose clothing which like stockings covered only the legs and had to be attached with garters to underpants or a KochMertens Wiebke 2000 Der Mensch und seine Kleider Die Kulturgeschichte der Mode bis 1900 Düsseldorf Zürich Artemis Winkler p 130 A skirtlike garment to cover the crotch and bottom were no longer necessary In an intermediate stage to openly wearing trousers the upper classes favoured voluminous pantskirts and diverted skirts like the padded hose or the latter KochMertens Wiebke 2000 Der Mensch und seine Kleider Die Kulturgeschichte der Mode bis 1900 Düsseldorf Zürich Artemis Winkler pp 216217 Though during most of history men and especially dominant men have been colourful in pants and skirts like Hindu maharajas decked out in silks and diamonds or the high heeled King Louis XIV of France with a diverted skirt stockings and long wigNoah Harari Yuval 2014 Sapiens A Brief History of Humankind Vintagebooks pp 168 169 The French Revolution and the Industrial Revolution changed the dress code for men and women not only in France From the early Victorian era there was a decline in the wearing of bright colours and luxurious fabrics by men with a definite preference for sobriety of dressRibeiro Aileen 2003 Dress and Morality Berg Publishers p 169 This phenomenon the English psychologist termed The Great Masculine RenunciationRoss Robert 2008 Clothing A Global History Cambridge Polity pp 35 36 Skirts were effeminized Henceforth trousers became the ultimate clothing for men to wear while women had their essential frivolity forced on them by the dresses and skirts they were expected to wearRoss Robert 2008 Clothing A Global History Cambridge Polity p 59 By the mid20th century orthodox Western male dress especially business and semiformal dress was dominated by sober suits plain shirts and ties The connotation of trousers as exclusively male has been lifted by the power of the while the connotation of skirts as female is largely still existing leaving the Scottish kilt and the Albanian and Greek as the only traditional mens skirts of Europe 復興 在 20 世紀 60 年代，出現了廣泛反對被北美和歐洲普遍接受的男女著裝慣例的現象。這種 unisex 時尚運動旨在消除男性和女性之間的服裝差異。在實踐中，這通常意味著女性會穿男裝，即襯衫和長褲。而男性很少採用傳統的女性著裝方式。在 20 世紀 60 年代，大多數男性在此方面最多隻到穿天鵝絨長褲、有花或荷葉邊的襯衫和領帶，以及留長髮的地步。 In the 1970s David Hall a former research engineer at the Stanford Research Institute SRI actively promoted the use of skirts for men appearing on both and the In addition he was featured in many articles at the time In his essay Skirts for Men the advantages and disadvantages of various forms of bodily covering he opined that men should wear skirts for both symbolic and practical reasons Symbolically wearing skirts would allow men to take on desirable female characteristics In practical terms skirts he suggested do not chafe around the groin and they are more suited to warm climates In 1985 the French fashion designer JeanPaul Gaultier created his first skirt for a men Transgressing social codes Gaultier frequently introduces the skirt into his mens wear collections as a means of injecting novelty into male attire most famously the sarong seen on David BeckhamFogg Marnie 2011 The Fashion Design Directory London Thames Hudson p 165 Other famous designers such as Vivienne Westwood Giorgio Armani John Galliano Kenzo Rei Kawakubo and Yohji Yamamoto also created mens skirtsFogg Marnie 2011 The Fashion Design Directory London Thames Hudson p 316 In the US Marc Jacobs became the most prominent supporter of the skirt for men The Milan mens fashion shows and the New York fashion shows frequently show skirts for men the lead singer of Korn has been known to wear kilts at live shows and in music videos throughout his 18year career with that band Mick Jagger from the Rolling Stones and Anthony Kiedis from the Red Hot Chili Peppers were photographed wearing dresses by Anton CorbijnCorbijn Anton 2000 Werk Schirmer Mosel Germany p 70 For an antidiscrimination campaign Iggy Pop was seen wearing a black dress and handbag Guns N Roses singer Axl Rose was known to wear mens skirts during the period Robbie Williams and Martin Gore from Depeche Mode also performed on stage in skirts During his Berlin time 19841985 Martin Gore was often seen in public wearing skirts In an interview with the Pop Special Magazin 71985 he said Sexual barriers and gender roles are old fashioned and out I and my girlfriend often share our clothes and Makeup Brand Nubian criticized Kanye West wearing skirts saying that his style has no place in hiphop In 2008 in France an association was created to help spur the revival of the skirt for men Hot weather has also encouraged use In June 2013 Swedish train drivers won the right to wear skirts in the summer when their cabins can reach whilst in July 2013 parents supported boys wearing skirts at in Wales America is also not without its own contemporary advocates of skirts as menswear One male blogger denies that skirts are exclusively feminine garments and suggests that the prevailing societal view reflects a symbology of power that persisted even in wake of the He suggests an apparent causality paradox in the perception of skirts as exclusively womenswear are skirts perceived as feminine because women wear them or do women wear them because skirts are perceived as feminine Though lamenting the lack skirts designed specifically for men he discusses in detail how to advance a viewpoint of masculine aesthetics in his howto guide for men Other internet denizens echo these sentiments with varying degrees of anonymity in the Skirt Cafe internet forum dedicated to exploring promoting and advocating skirts and kilts as a fashion choice for men However the forums moderators conspicuously assert that this is NOT a transvestite or crossdresser forum We are committed to a fundamentally masculine gender identity 大都會藝術博物館展覽 In 2003 the Metropolitan Museum of Art displayed an exhibition organized by and of the Museums Costume Institute and sponsored by Gaultier entitled Bravehearts Men in Skirts The idea of the exhibition was to explore how various groups and individuals from hippies through pop stars to fashion designers have promoted the idea of men wearing skirts as the future of menswear It displayed mens skirts on mannequins as if in the window of a department store in several historical and crosscultural contexts The exhibition display pointed out the lack of a natural link between an item of clothing and the masculinity or femininity of the wearer mentioning the kilt as one of the most potent versatile and enduring skirt forms often looked upon by fashion designers as a symbol of a natural uninhibited masculinity It pointed out that fashion designers and male skirtwearers employ the wearing of skirts for three purposes to transgress conventional moral and social codes to redefine the ideal of masculinity and to inject novelty into male fashion It linked the wearing of mens skirts to youth movements and countercultural movements such as punk grunge and glam rock and to popmusic icons such as Boy George Miyavi and Many male musicians have worn skirts and kilts both on and off stage The wearing of skirts by men is also found in the goth subculture Elizabeth Ellsworth a professor of media studies eavesdropped on several visitors to the exhibition noting that because of the exhibitions placement in a selfcontained space accessed by a staircase at the far end of the museums first floor the visitors were primarily selfselected as those who would be intrigued enough by such an idea in the first place to actually seek it out According to her report the reactions were wideranging from the number of women who teased their male companions about whether they would ever consider wearing skirts to which several men responded that they would to the man who said A caftan after a shower or in the gym Can you imagine Excuse me Coming through An adolescent girl rejected in disgust the notion that skirts were similar to the wide pants worn by hiphop artists Two elderly women called the idea utterly ridiculous One man reading the exhibitions presentation on the subject of male skirtwearing in cultures other than those in North America and Europe observed God Three quarters of the worlds population wear skirts The exhibition itself attempted to provoke visitors into considering how historically maledress codes have come to this point and whether in fact a trend towards the wearing of skirts by men in the future actually exists It attempted to raise challenging questions of how a simple item of dress connotes in Ellsworths words huge ramifications in meanings behaviours everyday life senses of self and others and configurations of insider and outsider 現代風格 The wearing of skirts kilts or similar garments on an everyday basis by men in Western cultures is an extremely small minority One manufacturer of contemporary kilt styles claims to sell over 12000 such garments annually resulting in over 2 million annually worth of sales and has appeared at a major fashion show According to a CNN correspondent At Seattles Fremont Market men are often seen sporting the In 2003 US News said that the Seattlemade utilikilt a rugged everyday riff on traditional Scottish garb has leapt from idea to over 10000 sold in just three years via the Web and word of mouth alone Theyve become a common sight around Seattle especially in funkier neighbourhoods and at the citys many alternative cultural events They often are worn with chunky black boots writes AP reporter Anne Kim I actually see more people wearing kilts in Seattle than I did when I lived in Scotland one purchaser remarked in 2003 In addition since the mid1990s a number of clothing companies have been established to sell skirts specifically designed for men These include Macabi Skirt in the 1990s Menintime in 1999 Midas Clothing in 2002 and Skirtcraft in 2015 In 2010 the fashion chain HM featured skirts for men in its lookbook In 2018 Zara added a skirt for men in its Reshape collection 威卡與新異教主義 In Wicca and neopaganism especially in the United States men just as women are encouraged to question their traditional gender roles Amongst other things this involves the wearing of robes at festivals and celebrations as ritual clothing which Eilers equates to the church clothes worn by Christians on Sundays Some denominations called traditions of Wicca even encourage their members to include robes tunics cloaks and other such garments in their daytoday wardrobes 歐美 在北美與歐洲的大部分地方，除非是著傳統服飾，男人穿裙子通常被看做是女性角色的體現。儘管如此，人們做了各種男人穿裙的種種嘗試，然而取得的成功很少，且遭受了相當的習慣阻力。 蘇格蘭裙，是蘇格蘭高地的民族服裝，一種以格子花紋布料製造的及膝裙子，常被用作儀仗隊制服。 歷史 1960 年代，一場打破傳統（歐美）男女服裝界限的運動被廣泛發起。這場時尚運動的目的是消滅男女服裝的差異。但實際行動上，通常是女性穿著男性服裝，如襯衫與褲子。相反的，男性卻很少採用女式服裝。 1980 年代，一些男性名流穿著裙裝，服裝設計師如尚 保羅高緹耶、喬治亞曼尼、約翰加利亞諾、高田賢三、川久保玲、山本耀司等試圖推動男人穿裙的設想，但未推廣開來。男性穿裙仍然被與女性化聯絡在一起。 2003 年，在美國紐約大都會藝術博物館舉行了一場男裙展覽，展覽名為 勇敢的心：男人穿上裙子。 亞洲 在熱帶地區，男子裙則是很常見的傳統服裝。東南亞、南亞、阿拉伯半島、東非等地區的男性筒裙稱為紗籠。而緬甸男子穿的筒裙，則稱為 籠基（籠吉）。 位於西亞的葉門，當地男子通常四季皆著裙 中國 中國古代男女皆穿裙。上衣下裳是中國最早的服裝形制之一。安廣祿，趣話古代的男裙。文史天地，2007 年 11 期《辭海》釋 裙：古謂下裳，男女通用。六朝之時，男子著裙頗為盛行。裙子與木屐是六朝貴族子弟的常見裝束，成語 裙屐少年 即源於此時。語出《魏書》卷六十五列傳第五十三蕭淵藻是裙屐少年，未洽治務。 非洲 由於氣候炎熱，索馬利亞男子也有穿裙子的習俗。 大洋洲 在斐濟，湯加，庫克群島等南太平洋國家和地區，男子著裙也很普遍。 故事 在故事中，男性角色穿裙的一個著名例子是科幻電視劇《星際旅行：下一代》中較早幾集中的若干情節。 參見 蘇格蘭裙 穿褲禮 參考資料 Category 裙 Category 服裝文化 Category 男性主義 Category 男性服裝