# RIVER SCENERY.

## DIRECTIONS TO THE BINDER.

The Binder is requested to place the Plates immediately after the Engraved Title, and the List of Plates and Descriptions at the end of the Volume. The printed list will show the order in which the Plates are to appear.

Plate of Eton, in No. I., to be cancelled.

Ditto of Totness, in No. IV., to be cancelled.

Ditto of Ripon Minster, in No. IV., to be cancelled.

The above three subjects are cancelled in consequence of the imperfections in the manufacture of the steel-plates on which they have been engraved. This accidental circumstance, in the early invention of Steel Mezzotinto Plates, defeated all the exertions made by the Artists to restore them, and the work is consequently more choice and uniform by the above Plates being cancelled.

The Plate of Shields, on the River Tyne, in No. I. and marked Plate I., is to be placed the last view in the work, and that of Stangate Creek to be placed the first, according to the printed list.

RIVER SCENERY.

DIRECTIONS TO THE BINDER.

Plate of Eton, in No. I., *to be cancelled*.

Ditto of Totness, in No. IV., *to be cancelled*.

Ditto of Ripon Minster, in No. IV., *to be cancelled*.

The above three subjects are cancelled in consequence of the im-
perfections in the manufacture of the steel-plates on which they have
been engraved. This accidental circumstance, in the early invention
of Steel Mezzotinto Plates, defeated all the exertions made by the
Artists to restore them, and the work is consequently more choice
and uniform by the above Plates being cancelled.

The Plate of Shields, on the River Tyne, in No. I. and marked
Plate I., is to be placed the *last* view in the work, and that of Stangate
Creek to be placed the *first*, according to the printed list.

97L

50L

20L

Yale Center for British Art, 2013