PROGRAM

I. Mother of Men. . . . . . . . . . . . Seth Bingham, '04
Words by Brian Hooker, '02

II. Tenebrae Factae Sunt. . Giovanni da Palestrina (1526-1594)
Repleti Sunt Omnes. . . . . . . Jacob Handl (1550-1591)

III. Vigil Strange I Kept on the Field One Night . . . . . . Fenno Heath, '50
(1969)
Poem by Walt Whitman
Baritone soloist: Richard Anderson, grad.

IV. Now Is The Month of Maying. . . Thomas Morley (1557-1603)
Mon Coeur Se Recommend A Vous . . . . . . . . . . Orlando di Lasso (1532-1594)
Matona, Lovely Maiden . . . . Orlando di Lasso (1532-1594)

SEMI CHORUS

V. Er Is Een Kindeke (Dutch Carol). . . arr. Fenno Heath, '50
Tenor soloist: Robert Camargo, '70
Shepherds Rejoice . . . . . . . . . Arthur Franckenpohl
Words from a shape-note book
The Social Harp, Philadelphia, 1868
Tenor soloist: Robert Bell, '71

INTERMISSION

VI. The Whiffenpoofs of 1970

VII. Mountain Nights . . . . . . Zoltan Kodaly (1882-1967)
Ride The Chariot (Negro Spiritual). . . arr. Wm. Henry Smith
Baritone soloist: Bruce E. More, grad.
Tenor soloist: Mercer Sullivan, '71
Guide My Head . . . . . . . . . . arr. Fenno Heath, '50
Baritone soloist: David Sauvage, '70
In That Great Gettin' Up Mornin' (Negro Spiritual) . . . .
arr. Fenno Heath, '50
Baritone soloist: Richard Peiser, '70

VIII. Eli Yale . . . . . . . . . . . . . . . . Traditional
Medley of Football Songs
Bright College Years . . . . . . . . . . . Carl Wilhelm
Words by H. S. Durand, '01

A stereo recording of THE YALE GLEE CLUB IN CONCERT, recorded live in
1967 at Symphony Hall, Boston, will be available for sale by Yale Glee Club mem-
bers in the outer lobby after the concert for $5.00. The proceeds from the sale of
these records will help to finance our European Tour this summer.

VI. The Whiffenpoofs of 1970

VII. Mountain Nights—dedicated to PEPE. Zoltan Kodaly
(1882-1967)

Ride The Chariot. Negro Spiritual
arr. William Henry Smith

Tenor soloist: Mercer Sullivan '71

Guide My Head. arr. Fenno Heath '50
Baritone soloist: David Sauvage '70

In That Great Gettin' Up Mornin'. Negro Spiritual
arr. Fenno Heath '50
Baritone soloist: Richard Peiser '70

VIII. Eli Yale. Traditional

Medley of Football Songs

Bright College Years. Carl Wilhelm
Words by H. S. Durand '01

The Yale Club

OF NEW YORK CITY

YALE GLEE CLUB
PROGRAM
CHRISTMAS TRIP
1969

<table><tr><td>Fenno Heath '50</td><td>Director</td></tr><tr><td>James K. Weber '70</td><td>President</td></tr><tr><td>Steven Wagenseil '70</td><td>Manager</td></tr><tr><td>Mark L. Fulford '70</td><td>Tour Manager</td></tr><tr><td>Charles R. Gates, II '70</td><td>Tour Manager</td></tr><tr><td>Robert J. Camargo '70</td><td>Publicity Manager</td></tr><tr><td>Bernt K. Sanden '71</td><td>Stage Manager</td></tr><tr><td>William S. Stockham '70</td><td>Historian</td></tr></table>

I. Mother of Men..................................................Seth Bingham '04
Words by Brian Hooker '02

II. Tenebrae Factae Sunt....................................Giovanni da Palestrina
(1526-1594)

Repleti Sunt Omnes...........................................Jacob Handl
(1550-1591)

III. Vigil Strange I Kept on the Field One Night..................Fenno Heath '50
Poem by Walt Whitman
Baritone soloist: Richard Anderson, grad.

IV. Now Is The Month of Maying..................................Thomas Morley
(1557-1603)

Mon Cœur Se Recommend A Vous..................................Orlando di Lasso
(1532-1594)

Matona, Lovely Maiden...........................................Orlando di Lasso
(1532-1594)

SEMI CHORUS

V. Er Is Een Kindeke (Dutch Carol)..........................arr. Fenno Heath '50
Tenor soloist: Robert Camargo '70

Shepherds Rejoice...........................................Arthur Franckenpohl
Words from a shape-note book,
The Social Harp, Philadelphia, 1868
Tenor soloist: Robert Bell '71

—INTERMISSION—

THE YALE WOMEN'S CHORUS

Soprano I

Candace Adams
Barbara DeGrange
Karla Forsythe
Paula Greenman
Sarah Heath
Rachel Kurshan
Ellen Marshall
Jacqueline Norman
Peggy Peretzky
Debbie Perlick
Laurie Treuhaft
Darcy Walker
Alice Welt
Joanne Wible
Patricia Williams

Soprano II

Janet Beals
Cayce Blanchard
Dale Brown
Susan Brumbaugh
Candace Chandler
Barbara Deinhardt
Gretchen Dietz
Ann Gilmore
Carol Godfrey
Kathleen Henrikson
Sheila Jackson
Katherine Jelly
Wyn Kelley
Jerylle Kemp
Linda Kent
Winifred Li
Mary McLeod
Susan O'Conner
Holly Russell
Andrea Schweitzer
Louisa Smith
Sarah Wicks
Mary Jo Williams

Alto

Denise Baker
Amalie Buchanan
Margaret Buttenheim
Sarah Coffin
Jane Curtis
Barbara Davis
Abigail Freedman
Rhona Isaacs
Kathleen Keenan
Kathleen Kelly
Ellen Lerner
Jane Porcelan
Tracey Rouault
Rochelle Sorgen
Claudia Versfelt
Cherry Whitcomb

THE CAROL CHOIR

Sopranos

Paula Greenman
Sarah Heath
Jacqueline Norman
Peggy Peretzky
Joanne Wible
Patricia Williams
Darcy Walker

Tenors

David Anderson
Douglas McKinney
Lawrence Schneider
Mercer Sullivan
Steven Wagenseil
James Wilson

Altos

Denise Baker
Cayce Blanchard
Barbara Davis
Ellen Lerner
Catherine Lutter
Tracey Rouault
Sarah Wicks

Basses

James Babst
Jerred Blanchard
Joseph Cone
Bernt Sanden
Jonathan Stevens
William Stockham
James Weber

Richard Alexander: *Organist*

Vivian Perlis: *Harpist:*

YALE UNIVERSITY

CHRISTMAS MUSIC

PERFORMED BY THE YALE WOMEN'S
CHORUS AND MEMBERS OF THE
YALE GLEE CLUB UNDER THE
DIRECTION OF

BRUCE MORE AND FENNO HEATH

BATTELL CHAPEL

FRIDAY, 5 DECEMBER 1969, 8 P.M.

This is the fifty-seventh annual program in the series founded by Edward Bliss Reed in
1913 and sponsored by the New Haven Carol Society from 1926 to 1946.

V

Whiffenpoofs of 1970

Richard A. Alfieri

Gerard G. Cameron II

William F. Corell

Scott D. Drum

Lawrence L. Eyre

Charles W. Harwood IV

Richard B. Hays

Philip K. Howard

Richard B. Peiser

Orrin Persky

David C. Sauvage

Albert L. Sokol

Franklin R. Thomas

Richard C. Zuckerman

VI

The Defense of Corinth .................... Elliot Carter (1908- )

(Text by Rabelais)

Narrator: D. William Baker, '70

Tenor soloists: Frederick J. Murphy, '71
             Robert A. Hutchison, '71

Bass soloists: James M. Asher, '70
             Jon von Brieson, '71

Loch Lomond (Scottish Air) ............ R. Vaughan Williams (1872-1958)

Bass soloist: Robert C. Lower, 1L

Tavern Song .................................... Zoltan Kodaly (1882-1967)

Tenor soloists: Allan S. Haley, 3L
             D. William Baker, '70

Bass soloist: Mark S. Holland, '71

HARVARD GLEE CLUB

VII

Mountain Nights .................... Zoltan Kodaly (1882-1967)

Ride The Chariot (Negro Spiritual) ............ arr. Wm. Henry Smith

Baritone soloist: Bruce E. More, Grad.

Guide My Head .................................... arr. Fenno Heath

In That Great Gettin' Up Mornin' (Negro Spiritual) .................... arr. Fenno Heath

YALE GLEE CLUB

VIII

Fair Harvard

Bright College Years

HARVARD-YALE GLEE CLUBS

Yale-Harvard Glee Clubs

Friday, November 21, 1969

Conductors:

FENNO HEATH, Yale Glee Club

ELLIOT FORBES, Harvard Glee Club

BRUCE E. MORE, Yale Women's Chorus

PROGRAM

I

Laetenur Coeli .................................... Hans Leo Hassler (1564-1612)

Ad Aequales ............................................ Jacob Handl (1550-1591)

(Te Deum Patrae ingenitum)

Imitatione del Venationo ............................ Orazio Vecchi (1550-1605)

Perche Se M'odiavi ................................. Claudio Monteverdi (1567-1643)

Quis Multa Gracilis .............................. Randall Thompson (1899- )

(Horace Odes I, V)

HARVARD GLEE CLUB

II

Excerpts from A *Ceremony of Carols* .... Benjamin Britten (1913- )

1. Procession

2. Wolcum Yole!

3. There is no Rose

4.b. Balulalow

6. This little Babe

THE YALE WOMEN'S CHORUS

III

Tenebrae Factae Sunt ............................ Giovanni da Palestrina (1526-1594)

Repleti Sunt Omnes .................................... Jacob Handl (1550-1591)

Er Is Een Kindeke (Dutch Carol) ............................ arr. Fenno Heath

Vigil Strange I Kept On The Field One Night (1969) ...... Fenno Heath

Poem by Walt Whitman

Baritone soloist: Richard Anderson, Grad.

YALE GLEE CLUB

IV

Your voices raise ................................ Georg Friedrich Handel (1685-1759)

(from the Sixth Chandos Anthem)

HARVARD-YALE GLEE CLUBS

INTERMISSION

PROGRAMMA

— Agnus Dei

— Crucifixus

Thomas Morley

Antonio Lotti

YALE CHAMBER CHORUS
direttore Fenno Heath

— da « A Ceremony of Carols »

Processional - There is no Rose - This little
Babe - Spring Carols - Deo Gracias

Benjamin Britten

YALE WOMEN'S CHORUS
direttore Bruce E. More

— Mountain Nights

— Vigil Strange I kept on the Field one Night
testo di Walt Whitman
baritono solista Paul Guida

— Matona, Lovely Maiden

— Mon coeur, se reccommande à vous

Zoltan Kodaly

Fenno Heath

Orlando Di Lasso

Orlando Di Lasso

YALE GLEE CLUB
direttore Fenno Heath

— Six Chansons

La biche - Un cygne - Puisque tout passe -
Printemps - En hiver - Verger

— Kyrie (da una Messa a cappella)

— Alleluia

Paul Hindemith

Fenno Heath
Randall Thompson

***

— There is a Balm In Gilead

— O Rise, Shine

arr. Dawson

arr. Parrish

— Er is Een Kindeke
tenore solista Mercer Sullivan

— In That Great Gettin' Up Mornin'
baritono solista Richard Peiser

arr. Heath

arr. Heath

— My Lord, What a Mornin'

— Soon-ah Will Be Done

arr. Work

arr. Dawson

TONIGHT

17.45 — 18.20

RECITAL OF MUSIC

by

YALE UNIVERSITY GLEE CLUB

Agnus Dei Thomas Morley

*Lobet den Herrn J. S. Bach

Alleluia Randall Thompson

Kyrie Fenno Heath

**Chamber Chorus** — Fenno Heath, Director

Repleti Sunt Omnes Jacob (Gallus) Handl

Er Is Een Kindeke (Dutch Carol) arr. Fenno Heath

Tenor Solo: James Somerville

**Glee Club** — Fenno Heath, Director

O Rise, Shine (Negro Spiritual) arr. Carl Parrish

**Women's Chorus** — Bruce More, Director

My Lord, What a Mornin' arr. John Work

Soprano Solo: Cynthia Parker

Baritone Solo: David Sauvage

12

WESTMINSTER ABBEY

Third Sunday after Trinity

14 June 1970

HOLY COMMUNION at 08.00 hrs.

OFFERINGS FOR THE ABBEY WELFARE AND CHARITABLE FUND

MATINS 10.30 hrs.

Responses: Morley

We are requested to remember in our prayers and thoughts "World Children's Day" which is to be observed on Monday this week. A prayer with this intention will be included in Morning Prayer.

When the Choir and Clergy have taken their places the Hymn following shall be sung:

Hymn 7 A. & M.R.

Christ, whose glory fills the skies,
Christ, the true, the only Light,
Sun of Righteousness, arise,
Triumph o'er the shades of night;
Dayspring from on high, be near;
Daystar, in my heart appear.

RATISBON

Dark and cheerless is the morn
Unaccompanied by thee;
Joyless is the day's return,
Till thy mercy's beams I see,
Till they inward light impart,
Glad my eyes, and warm my heart.

Visit then this soul of mine,
Pierce the gloom of sin and grief;
Fill me, radiancy divine,
Scatter all my unbelief;
More and more thyself display,
Shining to the perfect day.

J. G. Werner, Choralbuch, 1815

Charles Wesley (1707-1788)

V. O Lord, open thou our lips;

R. And our mouth shall shew forth thy praise.

V. O God, make speed to save us;

R. O Lord, make haste to help us.

V. Glory be to the Father, and to the Son : and to the Holy Ghost;

R. As it was in the beginning, is now, and ever shall be : world without end. Amen.

V. Praise ye the Lord;

R. The Lord's name be praised.

VENITE

O come, let us sing unto the Lord : let us heartily rejoice in the strength of our salvation.

Let us come before his presence with thanksgiving : and shew ourselves glad in him with psalms.

For the Lord is a great God : and a great King above all gods.

In his hand are all the corners of the earth : and the strength of the hills is his also.

The sea is his, and he made it : and his hands prepared the dry land.

O come, let us worship, and fall down : and kneel before the Lord our Maker.

V

Vigil Strange I Kept on the Field One Night .................................... Fenno Heath, '50

Poem by Walt Whitman

Bariton soloist: Richard Anderson, grad.

INTERMISSION

VI

The WHIFFENPOOFS of 1970

VII

Mountain Nights .................................................................... Zoltan Kodaly (1882-1967)

Ride the Chariot (Negro Spiritual) ............................................ arr. Wm. Henry Smith

Tenor Soloist: Mercer Sullivan, '71

Guide My Head .................................................................... arr. Fenno Heath, '50

In That Great Gettin' Up Mornin' (Negro Spiritual) .................... arr. Fenno Heath, '50

VIII

Eli Yale .................................................................................... Traditional

Medley of Football Songs

Bright College Years .................................................................... Carl Wilhelm

Words by H. S. Durand, '01

YALE GLEE CLUB

FENNO HEATH
*Director*

BRUCE E. MORE
*Associate Director*

PROGRAM

I

Mother of Men .................................. Seth Bingham, '04

Words by Brian Hooker, '02

II

Tenebrae Factae Sunt ............................................................ Giovanni da Palestrina (1526-1594)

Repleti Sunt Omnes ............................................................................ Jacob Handl (1550-1591)

III

Er is een kindeke (Dutch Carol) .................................................... arr. Fenno Heath, '50

IV

Now is the Month of Maying .................................................... Thomas Morley (1557-1603)

Mon Coeur se recommend a vous ............................................ Orlando di Lasso (1532-1594)

Matona, Lovely Maiden ............................................................ Orlando di Lasso (1532-1594)

Semi-Chorus

PROGRAM

********

I. FRESHMAN GLEE CLUB

Wake, Freshmen, Wake

Crucifixus

In Taberna Quando Sumus
(from Carmina Burana)
Pianist: Robert Goldstone '73

Kalinka
Baritone solo: Steve Davis
Tenor solo: Ed Dickens

RICHARD ANDERSON
Director

Traditional

A. Lotti

Carl Orff

arr. R. Anderson

II. INFORMAL SINGING GROUPS

THE SPIZZWINKS

THE SOCIETY OF ORPHEUS AND BACCHUS

THE ALLEY CATS

III. THE YALE WOMEN'S CHORUS

O Rise, Shine

There is a Balm in Gilead
Soprano solo: Paula Greenman '72F

Only Tell Me

Prelude for Women's Voices
Soprano solo: Cayce Blanchard '73
Pianist: Tracey Rouault '73

BRUCE E. MORE
Director

arr. Parrish

arr. Dawson

B. Bartok

W. Schuman

*********************

INTERMISSION

*********************

THE FLOWERS THIS MORNING are given to the glory of God and in loving memory of Mr. & Mrs. C.E.P. Sanford by their family.

THE MEMBERS OF UNITED CHURCH are pleased indeed to welcome visitors and newcomers. Please know of our personal interest in you and our desire to be of service in any way possible. You are invited to sign our guest book in the narthex. Immediately after the Service, there will be a period of refreshments and conversation in the Bradley Room directly beneath this Sanctuary. Please come and get acquainted.

There will be NO COFFEE HOUR on Easter Sunday.

WE ARE ESPECIALLY PLEASED to welcome to our Service today the "Yale-Connecticut Tour Chorus", a fine singing group composed of the members of the student bodies of Connecticut College and Yale. We very much appreciate their sharing this significant occasion with us.

WITH THE EXCEPTION of the organ prelude and the congregational hymns, all the musical selections in today's service are from J.S. Bach's Cantata No. 4. We are grateful indeed that our Palm Sunday can thus be enriched by guest musicians. The "Yale-Connecticut Tour Chorus" is directed by James Armstrong (who conducts the Cantata today) and Bruce More and is composed of members of the Connecticut College (New London) Chamber Chorus, the Yale Women's Chorus, the Yale Apollo Glee Club, the Yale Freshman Glee Club, and the Yale Glee Club.

WE ARE REMINDED OF THE IMPORTANT FILM which is to be shown on Tuesday evening, March 24, at the Paramount and Lowes College Theatres on the Life of Dr. Martin Luther King, Jr. Seats are $5.00 at the door and all proceeds go to the causes which were started by Dr. King. It is to be hoped that many of our white citizens will share this occasion with our Black friends.

MAUNDY THURSDAY COMMUNION, 7:30 p.m. in the Meeting House. This is, of course, a very special service and one which will be made deeply meaningful by the participation of musicians who will join with us in the service in the pulpit area of the Church. Please make every effort to be present.

anglo
BULLETINS

©1967 Goldsmith Creative Service, Mpls. 55422

No. A-4145

["PROGRAM", "I. MOTHER OF MEN . . . . . . . . . . . . . . . . . . . .

INTERMISSION

VI.

THE YALE SPIZZWINKS

VII.

MOUNTAIN NIGHTS .................................... Zoltan Kodaly
(1882-1967)

RIDE THE CHARIOT (Negro Spiritual) ...... arr. Wm. Henry Smith
Baritone soloist: Bruce E. More, grad.
Tenor soloist: Mercer Sullivan, '71

GUIDE MY HEAD .................................... arr. Fenno Heath, '50
Baritone soloist: David Sauvage, '70

IN THAT GREAT GETTIN' UP MORNIN' ....... arr. Fenno Heath, '50
(Negro Spiritual)
Baritone soloist: Richard Peiser, '70

VIII.

ELI YALE .................................................... Traditional

MEDLEY OF FOOTBALL SONGS

BRIGHT COLLEGE YEARS .................................... Carl Wilhelm
Words by H. S. Durand, '01

# PROGRAM

## THE YALE GLEE CLUB

FENNO HEATH, Director

### I.

MOTHER OF MEN .................................... Seth Bingham, '04
Words by Brian Hooker, '02

### II.

TENEBRAE FACTAE SUNT ........................ Giovanni da Palestrina
(1526-1594)

REPLETI SUNT OMNES .................................... Jacob Handl
(1550-1591)

YOUR VOICES RAISE .................................... Georg Friedrich Handel
(1685-1759)

### III.

ER IS EEN KINDEKE (Dutch Carol) ............ arr. Fenno Heath, '50
Tenor soloist: Robert Camargo, '70

### IV.

NOW IS THE MONTH OF MAYING .................... Thomas Morley
(1557-1603)

MON COEUR SE RECOMMEND A VOUS .................... Orlando di Lasso
(1532-1594)

MATONA, LOVELY MAIDEN ............................ Orlando di Lasso
(1532-1594)

Semi-Chorus

### V.

VIGIL STRANGE I KEPT ON THE FIELD ONE NIGHT
Poem by Walt Whitman
Fenno Heath, '50

PROGRAM

DWIGHT CHOIR

<table><tr><td>The Blessed Damozel</td><td>Debussy</td></tr><tr><td>At Times My Thoughts</td><td>Brahms</td></tr><tr><td>Mists</td><td>Respighi</td></tr><tr><td>I Wonder When I Shall Be Married</td><td>Kentucky Mt. song</td></tr></table>

YALE FRESHMAN GLEE CLUB

<table><tr><td>Tarantella</td><td>Randall Thompson</td></tr><tr><td>Turtle Dove</td><td>arr. by Richard Anderson</td></tr><tr><td>Kalinka</td><td>arr. by Richard Anderson</td></tr><tr><td>Selected Songs</td><td>Yale Song Book</td></tr></table>

DWIGHT CHORAL CLUB

<table><tr><td>Sophie Bell</td><td>President</td></tr><tr><td>Linda Coviello</td><td>Choir President</td></tr><tr><td>Karen Lathen</td><td>Secretary</td></tr><tr><td>Charlotte Frieze</td><td>Vice President - Treasurer</td></tr><tr><td>Dana Bogert, Michelle Hellem</td><td>Librarians</td></tr><tr><td>Joseph Erwin</td><td>Director</td></tr><tr><td>Grace Harrington</td><td>Accompanist</td></tr></table>

YALE FRESHMAN GLEE CLUB

<table><tr><td>Grant Rudolph</td><td>President</td></tr><tr><td>Edward Dickens</td><td>Secretary - Treasurer</td></tr><tr><td>Robert Goldstone</td><td>Accompanist</td></tr><tr><td>Ribbit Goldfrog</td><td>Assistant Accompanist</td></tr><tr><td>Richard Anderson</td><td>Director</td></tr></table>

PROGRAM

DWIGHT — YALE

Requiem ............................................................................ Maurice Durufle

Although this contemporary work follows the usual form
and uses the traditional Latin text of a Requiem, Durufle
neither restricts his imagination to the formal church service
nor to the compulsive modern idiom. The Gregorian flavor
set in a rich and original harmony is most pleasing to the
ear and reveals an atmosphere that can only exist in the re-
flective mind.

In the opening chorus we hear the sounds one might exper-
ience while seated in a quiet chapel. Perhaps Monks chanting
in unison in a distant cloister are joined in the memory, which
erases the words, by a second choir of boys. Both sound and
the memory of sound combine to create a sense of peace and
serenity, portrayed by the soothing and restful harmonic
background.

As the movements progress, M. Durufle expresses a wide
range of emotions which one might experience at the death
of a loved one. From anguish and despair he moves to con-
fidence and joy; from anger and rebellion to exhilaration
and exalted praise.

This work written less than 25 years ago seems destined to
an enduring place alongside the great masterpieces of choral
literature.

Introit ............................................................................ Chorus

Kyrie ............................................................................ Chorus

Domine Jesu Christe
Chorus with baritone soloist Richard Anderson

Sanctus ............................................................................ Chorus

Pie Jesu .................................................................... Sharon Austin, mezzo soprano soloist

Agnus Dei ........................................................................ Chorus

Lux Aeterna ........................................................................ Chorus

Libera Me ................................................................. Chorus with baritone soloist Richard Anderson

In Paradisum .................................................................... Chorus

INTERMISSION