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AFTER THEATRE

ALTHOUGH THE "Anniversary Song" is not one of the numbers written for Hildegarde, no one at the Plaza would be surprised to hear her break out in a chorus of it one of these nights. This is practically anniversary year for the Milwaukee minnesinger—her 10th year on the 59th Street circle (five of them at the Savoy-Plaza's Cafe Lounge, across the street) and also what is billed as her "10th consecutive engagement" at the Persian Room. While we were puzzling over what order they could be in *except* consecutive, our more literate Fadiman-type companion brought up Webster's definition, "having no interval or break." Fortunately, just at this time all the lights went out, there was a tremendous burst of trumpets in the Ringling manner, and out whirled Hildegarde, dressed fit to kill in a slim-fitting sheath of black that drew a low gasp out of every girdle in the room. Hildy's songs, hanky-fluttering and arch by-play with the audience still panic them, apparently, but she has also obviously sweated out some long practice hours over her piano. In the early Cafe Lounge days, Hildegarde's left hand was something she was apparently trying to throw clear into 58th Street. All under control now. Joel Herron and Mark Monte alternate for dancing in the Persian Room, with shows around 9:30 and midnight.

HERE-AND-THERE: The Hotel New Yorker now has the world's largest collection of television sets under one roof: 100 sets have been installed in rooms and suites there... The Roosevelt's another NY hotel with television for the customers... Olga, the mathematical mentalist, is baffling the Pierre's Cotillion Room audiences with his adding-machine brain... Ed Wynn got held over for an additional two weeks at the Carnival... Larry Green, with his piano and orchestra, opens next Monday (16th) at the Biltmore's Bowman Room... Emery Deutsch and his orchestra are playing in the Ritz-Carlton's Oval Room at dinner... Val Ohlman and his band will play for those Sunday night celebrity parties at La Martinique... Hotel stars: Victor Borge at the Waldorf, Rosalind Courtright at the St. Regis Maisonette.

-J. A. T.

15

Many theatregoers save The Playbill for future reading and for reference. It is possible to build a theatrical reference library in this way, and to make it last a handy binder is sold, capable of holding a season's record of theatregoina.

If you are interested in obtaining one, send $2 (check or money order only) to Playbill, Incorporated, 108 Wooster Street, New York 12, New York.

16

NEW YORK'S LEADING THEATRES AND HIT ATTRACTIONS

A STREETCAR
NAMED DESIRE

A new play by
TENNESSEE WILLIAMS
Directed by ELIA KAZAN
with
JESSICA TANDY
Marion Kim Karl
Brando Hunter Malden
BARRYMORE THEATRE

• • •

AYOUNG MAN'S FANCY

The Co-ed Camp Comedy Hit
with
Leila Ernst
Anne Britten
Donald Murphy
CORT THEATRE

• • •

ALLEGRO

New Musical Play
Music by Richard Rodgers
Book and Lyric by
Oscar Hammerstein 2nd
Entire Production Staged by
Agnes De Mille
MAJESTIC THEATRE

• • •

ETHEL MERMAN
in the Musical Smash

ANNIE GET YOUR GUN

Music and Lyric by
IRVING BERLIN
Book by
HERBERT and DOROTHY FIELDS
with
RAY MIDDLETON
Directed by Joshua Logan
IMPERIAL THEATRE

• • •

JOHN GIELGUD

as Raskolnikoff in Dostoyevsky's
CRIME AND
PUNISHMENT

Dramatized by Rodney Ackland
with
LILLIAN GISH
Vladimir Sokoloff Alice John
Sanford Meisner
E. A. Krummschmidt
and DOLLY HAA'S
NATIONAL THEATRE

DR. SOCIAL

A Drama by Joseph L. Estry
with
DEAN JAGGER
VIRGINIA GILMORE
BOOTH THEATRE
Opens Feb. 11

• • •

D'OYLY CARTE OPERA CO.
in
GILBERT & SULLIVAN OPERAS

Repertoire
Feb. 9—"Patience"
Feb. 16—"The Mikado"
Feb. 23—"H.M.S. Pinafore"
and "Cox and Box"
Mar. 1—"The Gondoliers"
Mar. 8—"Trial by Jury"
and
"Pirates of Penzance"
Mar. 15—"Patience"
CENTURY THEATRE

• • •

HELEN HAYES
in
HAPPY BIRTHDAY

The comedy hit by Anita Loos
Directed by Joshua Logan
PLYMOUTH THEATRE

• • •

HIGH BUTTON SHOES

The New Musical Comedy
Starring PHIL SILVERS
with NANETTE FABRAY
Jack McCauley Mark Dawson
Joey Faye Lois Lee
Directed by
GEORGE ABBOTT

Music and Lyric by
Jule Styne and Sammy Cahn
Book by Stephen Longstreet
Dances and Staging
by Jerome Robbins
SHUBERT THEATRE

NANCY WALKER
in

LOOK. MA.
I'M DANCIN'

A New Musical Comedy
Conceived by JEROME ROBBINS
Music and Lyric by
HUGH MARTIN
Book by JEROME LAWRENCE &
ROBERT E. LEE

Direction and Choreography by
GEORGE ABBOTT
and
JEROME ROBBINS
ADELPHI THEATRE

• • •

MAKE MINE
MANHATTAN

A New Musical Revue
Staged by
HASSARD SHORT
Sketches and Lyric by
Arnold B. Horritt
Music by Richard Lewine
with

Sid David Sheila Joshua
CAESAR BURNS BOND SHELLEY
Kyle Jack Danny
MacDONNELL KILTY DANIELS
Nelle Ray Eleanor
FISHER HARRISON BAGLEY
BROADHURST THEATRE

• • •

Judith Dennis Florence
ANDERSON KING REED
in

MEDEA

Adapted from the "Medea"
of Euripides
by ROBINSON JEFFERS
Staged by JOHN GIELGUD
ROYALE THEATRE

• • •

OKLAHOMA!

Musical Hit
Music by RICHARD RODGERS
Book and Lyric by
OSCAR HAMMERSTEIN 2nd
Directed by
ROUBEN MAMOULIAN
Dances by AGNES DE MILLE
ST. JAMES THEATRE

1.

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(It may mean money to you!)

THE FIRST TWO, of course, are very easy.

The sea captain (1) goes with Cape Horn
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Contributed by this magazine in co-operation
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Please consult newspapers for matinees and Sunday performances

17

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SINGERS: Mary O'Fallon, Lily Paget, Helen Hunter, Sylvia Karlton, Christina Lind, Gay Lawrence, Josephine Lambert, Julie Humphries, Patricia Bybell, Yolanda Renay, Mia Stenn, Devida Stewart, Nanette Vezina, Ruth Vrana, Lucille Udovick. Gean Tobin, Walter Kelvin, Bernard Green, David Collyer, Joseph Caruso, Tommy Barragan, Victor Clark, Edward Platt, Robert Reeves, Wilson Smith, James Jewell, Robert Neukum, Raymond Keast, Wesley Swails, Clarence Hall, Blake Ritter, Ralph Patterson, Robert Byrn, William McCully, Robert Arnold.

DANCERS: Jean Tachau, Evelyn Taylor, Mariane Oliphant, Patricia Gianinoto, Andrea Downing, Jean Houloose, Therese Miele, Frances Rainer, Susan Svetlik, Ruth Ostrander, Patricia Barker. William Bradley, James Barron, Bob Herget, John Laverty, Ralph Linn, Harrison Muller, Stanley Simmons, Charles Tate, Frank Westbrook, Edward Weston, Ralph Williams, Sam Steen.

The story starts in 1905 on the day Joseph Taylor, Jr., is born, and follows his life to his thirty-fifth year.

The three major locations of action are:

## ACT I.

His home town and his college town.

## ACT II.

A large city.

38

## Who's who in the cast

JOHN BATTLES (Joseph Taylor, Jr.) is of New England stock. Born in New York City and raised in Rutland, Vermont, he made his Broadway debut in "Something for the Boys" with Ethel Merman. He followed this with an outstanding performance of a small part, that of the Yokel Sailor, in "Follow the Girls." Next, he casually walked into an audition for "On the Town," and walked out with a leading role in that musical—that of Gaby, the blond sailor. Auditions are lucky for John. The roles in "Something For The Boys", "Follow The Girls", "On The Town" and "Allegro" were all achieved through successful auditions.

ROBERTA JONAY (Jennie Brinker) comes from the Hollywood studios to make her Broadway stage debut in "Allegro." In Hollywood she appeared in a number of films including "Masquerade in Mexico," "Suddenly It's Spring," "Ladies' Man," "Emperor Waltz" and "Whispering Smith." She also staged the dances for the picture, "Calcutta." Before appearing on the screen Miss Jonay had extensive experience touring the country in "tab" shows, singing, dancing and acting. She was a student at New York's Neighborhood Playhouse, specializing in dancing and dramatic art. At an early age she was taken from her birthplace, Philadelphia, to St. Petersburg, Florida, where she began ballet school at the age of seven.

JOHN CONTE (Charlie Townsend) had most of his professional activity prior to the war

in radio and films. He was the singing master-of-ceremonies of "Maxwell House Coffee Time" for five years. His pictures included "As Thousands Cheer" and "Lost in a Harem." After honorable discharge from the service, he played the role of Danny O'Brien in "Windy City" in Chicago. Two summers ago he appeared as The Devil in Westport Country Playhouse tryout of "Devil Take a Whittler." Not so long ago he was playing that genial villian, Jigger Craigin in "Carousel," a role he left to join "Allegro."

KATHRYN LEE (Hazel) first began studying ballet at the age of nine in her home town, Fort Worth, Texas, and continued her studies with the San Francisco Ballet Company. At fourteen she was appearing in solo spots in Fort Worth's season of Shubert operettas. She came to New York to study with George Balanchine on a scholarship at the School of American Ballet. Subsequently she appeared on Broadway in the musicals, "Helen Goes to Troy," "Laffing Room Only," and "Are You With It?", interspersed with appearances at the Radio City Music Hall, touring with "Ballet for America" and Massine's "Ballet Russe Highlights." "Allegro" represents her first speaking role.

ANNAMARY DICKEY (Marjorie Taylor), a native of Decatur, Ill., received a contract with the Metropolitan Opera Association in 1939, and for four years sang in opera in New York and major cities of the United States,

(Continued on page 40)

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Who's who in the cast (continued)

Canada and Porto Rico. Her performances for servicemen during the war resulted in an invitation to follow Frank Sinatra in the Wedgwood Room of the Waldorf Astoria, where she remained for twelve successful weeks. Previous to "Allegro" she was seen on Broadway in "Rhapsody" and "Hollywood Pinafore." She has appeared in many concerts and has also been very active on radio.

WILLIAM CHING (Dr. Joseph Taylor), despite his Oriental name, is a thorough Occidental, born in St. Louis, Missouri. At Spring Hill College, in Mobile, Alabama, he distinguished himself in drama, singing, football and baseball, and eventually wound up with a B.S. degree. He saw almost three years of action with the Coast Guard in the South Pacific, emerged intact and was signed to a long-term movie contract. He spent over a year in Hollywood portraying a variety of picture roles from a Russian naval cadet to that of an American cowboy, and finally left the Coast to join "Allegro," in which he makes his Broadway stage debut.

MURIEL O'MALLEY (Grandma Taylor), Australian-born, had her first operatic experience with Australia's Melba-Williamson Opera Co. She was only seventeen at the time. Since then she has toured throughout England, Australia and the Far East. In 1937-38 she played concerts for Chinese relief in Hong Kong, Singapore and the Philippines. For the past few years she has been touring America, playing in such musicals as "Irene," "Anything Goes," "The Great Waltz," "Robin Hood," "The Vagabond King," and last year scored in the title role of "Roberta" in Detroit and Pittsburgh. Her most recent Broadway appearance was in the role of Aurelia in "The Chocolate Soldier."

LISA KIRK (Emily) was born in Brownsville, Pa., grew up in western Pennsylvania, and attended high school in Charleroi. An early (Continued on page 42)

41

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ambition to attend law school was completely obliterated when she won a singing job through an audition. Since then she has become a top entertainer in supper clubs throughout the country, and has been heard around the world via radio on her own programs and as guest star. On Broadway she has appeared in "Good Night Ladies," and in out of town productions of "Windy City," "Are You With It?" and "Count Your Blessings."

LAWRENCE FLETCHER (Dr. Bigby Denby) had his first professional stage experience with the Stuart Walker Stock Company in Dayton, Ohio. "Allegro" represents his twenty-first Broadway show, having appeared in numerous productions including "The King Can Do No Wrong," "The Rugged Path," "Made in Heaven," "Sailor, Beware!", "Anthony and Cleopatra" with Tallulah Bankhead, and "Julius Caesar" with Orson Welles.

PAUL PARKS (Ned Brinker) made his Broadway stage debut with Charles Coburn in 1927 in a musical version of "Falstaff." For ten years he toured the U. S. and Canada as a concert baritone. For the last five years he served with the U. S. State Department Office of War Information. For two years, in New York and on the road, he played Postmaster General Farley in "I'd Rather Be Right."

STEPHEN CHASE (Brook Lansdale) has appeared in a number of films for the major Hollywood studios. His Broadway stage appearances include such productions as "Reflected Glory," "School for Brides," "Uncle Harry," "The Wooden Kimona," and "Strange Fruit." He is also active in radio. Although he changed his first name over six years ago, his old friends still call him "Alden."

BOB HERGET (Bertram Woolhaven) was a concert dancer with the Weidman Dance Company before his three-and-a-half-year stint in the Army. He studied dramatics at the Royal Academy in London and had his dance

(Continued on page 44)

43

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*Who's who in the cast (continued)*

training with Hanya Holm and Charles Weidman. "Allegro" represents his Broadway debut.

KATRINA VAN OSS (Beulah) last appeared on Broadway as "the-girl-with-the-bouquet" in "Annie Get Your Gun." Prior to that she was seen as a tavern girl in "The Vagabond King." Miss Van OSS began her musical career at the Paper Mill Playhouse, Millburn, N. J., after attending the Juilliard Institute. She was born at Mt. Pleasant, Pa., and lived nine years in Holland.

WILSON SMITH (Coach and Buckley) is a native of Smithfield, Virginia. He made his initial Broadway appearance in "Knickerbocker Holiday," and has since been seen as a leading singer with the New Opera Company, as Coleman in "Park Avenue" and as Olsen in "Street Scene." He served during the war in the Army Air Forces rising to the rank of Captain.

LILY PAGET (Mrs. Lansdale), American-born soprano, has sung in grand and light opera in Europe and in this country. She made her operatic debut in Cincinnati as Elsa in "Lohengrin" and has also sung with some of the country's leading symphonic orchestras and with the New York Opera Festival Company in Newark. Recently she toured for fourteen months in "Bloomer Girl."

HARRISON MULLER (Georgie), a 21-year-old New Yorker, attended Carnegie Tech and studied dancing under Gene Kelly in Pittsburgh. He left high school at the age of 16 to appear in "Best Foot Forward" and made his Broadway debut soon afterward in "Early to Bed." He served for two years in the Army Air Force, one of them in the Pacific as a tailgunner in a B-29. After his discharge, he entered the American Theatre Wing school and then joined "Allegro."

SUSAN SVETLIK (Molly) was born in Johns town, Pa., and attended St. Paul's Convent in New York. She made her Broadway debut as the June-Girl in "Carousel" and went right from that musical into "Allegro."

EVELYN TAYLOR (Mabel) was born in Laurel, Mississippi, and attended Mississippi State College and Louisiana State University. She came to New York last year to study dancing with Albertina Rasch, and is making her Broadway debut in "Allegro."

"Allegro" premiere, October 10, 1947.

# Make Mine RUPPERT

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## SUNDAY, cont'd.

<table><tr><td>Beasley Smith conducotr<br/>Snooky Lansonvocal</td><td>WNBC</td><td>12:05 am<br/>midnight</td><td>"A Fellow Needs A Girl"</td></tr><tr><td>Hank Russell conductor<br/>Ken Carson vocal</td><td>WNBC</td><td>12:30 am<br/>midnight</td><td>"A Fellow Needs A Girl"</td></tr><tr><td>Vera Massey -vocal</td><td>WJZ</td><td>11:15 pm</td><td>"So Far"</td></tr><tr><td>Hoagy Carmichael vocal<br/>Hoagy Carmichael-pianist</td><td>WCBS</td><td>5:30 pm</td><td>"A Fellow Needs A Girl"</td></tr><tr><td>Elliot Lawrence Orch.<br/>Jack Hunter vocal</td><td>WCBS</td><td>12:30 am<br/>midnight</td><td>"So Far"</td></tr><tr><td>Feenamint Commercial<br/>Jim Backus Show</td><td>WOR</td><td>9:30 pm</td><td>"A Fellow Needs A Girl"</td></tr></table>

## MONDAY, December 1

<table><tr><td>Lou Webb -organist</td><td>WNBC</td><td>8:45 am</td><td>"So Far"....network</td></tr><tr><td>Russ Favid conductor<br/>Julie O'Neil vocal</td><td>WNBC</td><td>12:05<br/>midnight</td><td>"A Fellow Needs A Girl"</td></tr><tr><td>Tommy Ryan Orch.<br/>Tommy Ryan vocal</td><td>WNBC</td><td>12:30 am<br/>midnight</td><td>"A Fellow Needs A Girl"</td></tr><tr><td>Paul Whiteman Club</td><td>WJZ</td><td>3:30 pm</td><td>"A Fellow Needs A Girl"</td></tr><tr><td>John Bainbridge-conductor</td><td>WCBS</td><td>5:30 pm</td><td>"A Fellow Needs A Girl"<br/>network</td></tr><tr><td>Michael Zarin Orch.</td><td>WOR</td><td>12:30 am<br/>midnight</td><td>"A Fellow Needs A Girl"</td></tr></table>

## TUESDAY, December 2

<table><tr><td>Clevelandaires-vocal</td><td>WNBC</td><td>9:30 am</td><td>"A Fellow Needs A Girl"<br/>network</td></tr><tr><td>original copy not clear</td><td>WNBC</td><td>6:20 pm</td><td>"A Fellow Needs A Girl"<br/>network</td></tr><tr><td>original copy not clear</td><td>WJZ</td><td>4:30 pm</td><td>"A Fellow Needs A Girl"</td></tr><tr><td>Breakfast Club<br/>Eddie Ballintine conductor<br/>Patsy Lee vocal</td><td>WJZ</td><td>9:00 am</td><td>"A Fellow Needs A Girl"</td></tr></table>