Vellum Tissue Inventory - Karl Weigl Works

February 1980

<table><thead><tr><th>#</th><th>Work</th><th>Form (score, etc.)</th><th>Comments</th></tr></thead><tbody><tr><td>1</td><td>String Quartet # 1, op. 20, c-minor</td><td>Mini-score<br>Parts</td><td>Breitkopf, 2 sets<br>" 1 "</td></tr><tr><td>2</td><td>String Quartet # 2, E-major</td><td>Score<br>Parts</td><td>Manuscript<br>" (by copyist)</td></tr><tr><td>3</td><td>String Quartet # 3, op. 4, A-major</td><td>Mini-score<br>Parts</td><td>Universal, 2 sets (plus print, for reference to page sequence)<br>" 2 "</td></tr><tr><td>4</td><td>String Quartet # 4, d-minor</td><td>Parts</td><td>Manuscript (by copyist)<br>Note: tissues of score sent to Kapp</td></tr><tr><td>5</td><td>Five Songs for Soprano and<br>String Quartet (Consolation...)</td><td>Parts</td><td>Markert (Dupl. of better set at ACA)</td></tr><tr><td>6</td><td>Three Intermezzi for Strings<br>(Revelation, ...)</td><td>Score<br>Parts</td><td>Manuscript (copyist)<br>" "</td></tr><tr><td>7</td><td>Three Poems for Chorus on poems<br>by Lenau (Evening...) Op. 6<br>Four Poems for Chorus Op. 7<br>(Come, gentle Death...)<br>Five Songs for Tenor, op. 3<br>(Pfingstlied...)<br>Seven Songs for Baritone<br>Op. 1 (Hiob - Job, ...)<br>Two religious choruses<br>(Who knows ?, Hymn)<br>Four songs from Des Knaben Wunderhorn<br>Op. 13 (Im Frühling wenn die Maiglöckchen Läuten...)<br>Chorus "Natur"</td><td>Choral score<br>Choral score<br>Voice &amp; piano<br>Voice &amp; piano<br>Choral Score<br>Voice &amp; piano<br>Choral score</td><td>Yellowed vellum, need to be done over<br>Universal<br>Universal<br>Universal<br>Associated Music Publ. (Schirmer)<br>NOW TRANSFERRED TO ACA<br>MS avail. at ACA<br>Universal</td></tr></tbody></table>

Vellum Tissue Inventory - cont. Feb. 1980

| # | Work | Form | Comments | |
|---|---|---|---|---|
| 8 | Pictures and Tales, suite<br>Twenty Eight Variations Op. 15<br>Fräludium | Piano score | Universal | now Belwin Music Co. |
| 8 | | Piano score | Universal | |
| 8 | | Organ score | Manuscript - dupl. of better set at ACA | |
| 9 | Shouting Sun (Early Easter Morning) | Baritone & piano<br>(C-major) | Manuscript | now ACA |
| 9 | | Tenor & piano<br>(E-flat major) | Manuscript | now ACA |
| 9 | | Choral score | Opaque print only, publ. by Belwin | |
| 9 | | with solo option | | |
| 10 | Symphony # 1, Op. 5, E-major | Piano reduction | Manuscript | |
| 10 | | (by Paul Frankl) | | |
| 11 | Rhapsody for String Orchestra (Sextet)<br>Op. 30, d-minor | Score | Universal | |
| 11 | | Parts | " | |
| 12 | Pictures and Tales - suite for<br>small orchestra | Score | Manuscript (2 sets) | Belwin Music |
| 13 | Cello Concerto | Solo part | Manuscript (dupl. of better set at Belwin | |
| 13 | | Piano reduction | " " " " " " " | |
| 14 | Symphony # 6 | Score | Manuscript (in Karl Weigl's handwriting | |
| 14 | | | on original vellum) | |
| 15 | Liebeslieder (Love Songs)<br>for Soprano, op. 22 | To be re-copied onto secondary tissues and sent to NYPL | | |
| 15 | | Voice & piano | Full-size MS, reduced-size MS (2 sets) | |

Feb. 1980

# Work Form Comments

16 Miscellaneous

Requiem for Eva (from string quartet

\# 2 ?)

Faith

1st violin part only - poor quality

Voice & piano Needs to be re-copied to new vellum
unless otherwise available

Zwischenspiel (Interlude)

from orig. version of Pied Piper (now separate)

Piano Universal

Five Songs for soprano, op. 8

Voice & piano Probably duplicates of ACA file copies
Two sets of tissues - from MS and from
original publ. print !

Love Song - transcribed for

Horn in F (from Two Cello Pieces, op. 33)

Horn solo Should this be added to B&H collection ?
Boosey & Hawkes now have Cello Pieces

17 Miscellaneous Karl Weigl Handwritten MSS on Vellum

Lullaby

Meditation (or: Revelation)

Hymne, Duets

Violin & piano MS by KW (direct on vellum)

Piano, 4-hands MS by KW (direct on vellum)

Incomplete Seem to be vellum copies of sketches

WESTSIDER
EAST SIDE EXPRESS

CHELSEA CLINTON NEWS
JANUARY 29, 1981

By JACK DIETHER

An all-Viennese concert of unusual interest was given in the Bruno Walter Auditorium at Lincoln Center Library. It was a Mahler-Weigl program, helping to celebrate the centenary of Karl Weigl's birth on February 9, 1881. Songs and chamber works by both composers were given, ranging in time from the student *Piano Quartet* of 1876 by Mahler, to the *Viola Sonata* and cello pieces of 1940 and 1943 by Weigl. Violist Jennie Hansen and pianist Paul Rosenbloom proved especially ingratiating in the *Sonata*.

THE UNIVERSITY OF ROCHESTER LIBRARY BULLETIN

52
Gifts and Acquisitions

THE WEIGL COLLECTION. Dr. John Weigl of Rochester and his mother, Mrs. Vally Weigl of New York, have presented the Library with scores and recordings of the works of the eminent Austrian-American composer, Karl Weigl. Born in Vienna in 1881, Weigl was not only a pupil of Robert Fuchs and Alexander Zemlinsky, both renowned teachers, but also studied musicology under Guido Adler at the University of Vienna, receiving his doctorate in 1903. For several years, beginning in 1904, he was Gustav Mahler's assistant at the Court Opera, serving as rehearsal conductor. He left this position when Mahler resigned as music director. While devoting much of his career to composition, he also taught at the Neues Wiener Konservatorium and lectured at the University of Vienna. As a member of the Vereinigung schaffender Tonkünstler, organized in 1904 by Arnold Schoenberg to promote the cause of modern music, he was among the illustrious group of composers and performers who exerted a positive influence upon twentieth-century music.

In 1938, when Weigl came to the United States with his family, he was a well-established composer, with four symphonies, orchestral works, chamber music, and songs, most of them already published in Austria. His *Fourth String Quartet* had won a prize given by the Gesellschaft der Musikfreunde in Vienna. Making his permanent home in

the United States, he taught at the New York Philharmonic Symphony Society School, the Julius Hartt School of Music, Brooklyn College, the Boston Conservatory, and the Philadelphia Academy of Music, while continuing to compose. At his death in 1949 he left a rich heritage of compositions, some published in Austria and others issued in America, and these works form the Weigl Collection, together with selected recordings of his loveliest pieces.

The Weigl œuvre includes six symphonies dating from 1912 to 1947, of which two were written in the United States; miscellaneous orchestral works; a symphonic cantata entitled *Weltfeier*, op. 17, for tenor and bass solos, chorus, organ, and orchestra; chamber music (sonatas for various instruments with piano, among which is the *Viola Sonata*, considered a significant addition to viola literature; and eight string quartets); several concertos, including one for piano, left hand, dedicated to Paul Wittgenstein, the famous one-armed virtuoso; and more than a hundred songs, mostly written to German texts.

Among Weigl's older contemporaries and friends were Gustav Mahler (1860-1911) and Richard Strauss (1864-1949), while his direct contemporaries included Arnold Schoenberg (1874-1951), Anton Webern (1883-1945), and Alban Berg (1885-1935). All of them were dedicated to the cause of contemporary music, but they took different paths. Unlike Schoenberg and his two great disciples, Berg and Webern, Weigl did not espouse the cause of serialism and the 12-tone system; instead, he continued to write in the richly melodic tradition of Mahler. He was not an imitative composer but developed a style of his own, which was individual and lyric. Moreover, he had a rare gift for writing chamber music, plus a definitely poetic sensitivity which makes his songs the work of sheer beauty that they are. Due perhaps to his Romanticism, Weigl did not enjoy acclaim during his lifetime like that which was accorded to Schoenberg, but now, with attention being focused upon Romantic and Post-Romantic music, his compositions may become increasingly important. One has only to listen to such recordings as those of his *Three Songs for Contralto and String Quartet* or his *Sonata for Viola and Piano* or his string quartets to realize their beauty. The Weigl Collection, which also contains some of the works of Vally Weigl, a composer in her own right, has been given to the Library for study and for performance; it is currently in the process of being cataloged.

1e

MANHATTAN SCHOOL OF MUSIC

GEORGE SCHICK, President

DEPARTMENT OF MUSIC HISTORY

December 28, 1981.

To Whom it may Concern:

This statement concerns part of the musical estate of distinguished composer Karl Weigl (1881-1949), which his widow, Mrs. Valerie Weigl donated to the American Music Center, and a smaller part to the Eastman School Library in Rochester, New York, in 1981. It contains both manuscripts and published music, some of them out of print and only copies.

An extensive collection of Karl Weigl's works was previously donated to the research division of the Lincoln Center N.Y. Public Library. However, there they can only be studied on the premises, therefore a number of works were set aside for the American Music Center in 1981, and for the Eastman School Libraries which allow outside availability for performance and inspection.

Mrs. Weigl has also donated quite a number of her own compositions (both printed and manuscripts) to the American Music Center in 1981.

The music by Karl Weigl and Vally Weigl donated to the American Music Center represents a value of $3,000.00—given to the Eastman School Library $1,000.00. (Most of the published works are single copies, by now out of print).

Joseph Braunstein
Former Librarian of the N.Y. Public Library
Music Division and the
Manhattan School of Music Department of
Music History

120 Claremont Ave., New York, NY 10027 RI 9-2802

The University Press of Virginia

Box 3608 University Station
Charlottesville, Virginia 22903
Tel.804 924-3468

State University of New York at Albany

1400 Washington Avenue
Albany, New York 12222

ANNOUNCING !!

The University Press of Virginia is pleased to announce a new publication that will be an immensely valuable bibliographical tool.

GUIDE TO THE ARCHIVAL MATERIALS OF THE GERMAN-SPEAKING EMIGRATION TO THE UNITED STATES AFTER 1933

John M. Spalek, Adrienne Ash, and Sandra H. Hawrylchak $27.50

Albert Einstein, Thomas Mann, Walter Gropius, Mies van der Rohe, Edward Teller, Max Reinhardt, Erik Erikson, Hannah Arendt, Paul Lazarsfeld, Richard Courant, Kurt Weill, Bertolt Brecht, Billy Wilder, Max Wertheimer, Bruno Walther, and Victor Gruen are among the exiles from Nazi Germany and Austria who emigrated to the United States during the 1930s and 1940s. Their move liberally fertilized American culture, notably in the fields of physics, architecture, psychoanalysis, music, art history, mathematics, philosophy, and the theater. This bibliography of the manuscripts of over 300 of these exiles identifies all the known archival material related to them, including information in private collections that has been especially difficult to obtain. It will become a standard reference for future scholarly inquiry. The comprehensive index allows scholars to trace interconnections among the exiles and their colleagues.

John M. Spalek is Professor of German at the State University of New York at Albany, Adrienne Ash and Sandra H. Hawrylchak were research associates at the same institution.

Please send me ______ copy(ies) of GUIDE TO THE ARCHIVAL MATERIALS OF THE GERMAN-SPEAKING EMIGRATION TO THE UNITED STATES AFTER 1933 at $27.50. Academicians may purchase the book at a 10% discount, or $24.75.

Book code: SPGE

Note: Orders from individuals must be accompanied by remittance. Virginia residents must add 4% sales tax.

Name

Institution

Street

City

State

The University Press of Virginia is located at Bemiss House on Sprigg Lane in Charlottesville.

KARL WEIGL
Composer, 1881-1949

Mrs. Vally Weigl, 50 West 95th Street, New York, N.Y. 10025.

Mrs. Vally Weigl, the widow of Karl, has retained all mate-
rials, with the exception of the music manuscripts, from the
papers of her late husband.

Frau Vally Weigl, die Witwe des Komponisten, befindet sich -
mit Ausnahme der Notenmanuskripte - noch im Besitz aller
Materialien aus der Sammlung ihres verstorbene's Mannes.

A2 Notebooks, mostly music.

B1,2 Correspondence, including L. to and from: Alfred Ein-
stein, Gustav Mahler, Artur Schnabel, Bruno Walter,
Zemlinsky.

C13a Musical sketches of several poems that Weigl had in-
tended to set to music.

D7 Printed articles by Weigl.

F Ca. 70 tapes and records of Weigl's performances.

H4 Reviews and cl. on Weigl's compositions, performances.

I Miscellaneous documents.

J Numerous photos.

K Personal library.

M Medals, prizes, etc.

New York Public Library at Lincoln Center, Library and Museum of the Performing Arts, 111 Amsterdam Avenue, New York, N.Y. 10023.

This collection of ca. 60 original manuscripts of Karl Weigl
(1940-1949) was donated by Mrs. Vally Weigl in 1968. Copies
of the materials are also located in the Edwin A. Fleischer
Collection of Orchestral Music at the Free Library of Phila-
delphia, Logan Square, Philadelphia, Pennsylvania 19103.

Diese Sammlung von etwa 60 Originalmanuskripten von Karl
Weigl (aus der Zeit von 1940 - 1949) ist eine Schenkung von

956

KARL WEIGL

Frau Vally Weigl aus dem Jahre 1968. Kopien der Materialien
befinden sich in der Edwin A. Fleischer Collection of Orches-
tral Music at the Free Library of Philadelphia, Logan Square,
Philadelphia, Pennsylvania 19103.

C13a "Collection of chamber music." 4 pieces. [194-?]. A.

"Collection of choral music." 17 pieces. Undated. A.

"Collection of short orchestral works." 4 pieces.
[1922-1940]. A.

"Collection of organ music." 3 pieces. [1933-1939]. A.

"Aus Phantasus (Arno Holz) Gesänge für eine hohe
Frauenstimme." Feb. 1905. A. 13p.

"Konzert für Violine und Orchester." [1928]. A. 73p.,
21p., 61p.

"Konzert für Violoncello und mittleres Orchester."
[1939]. A. 34p., llp., 37p.

"Festspielouvertüre für großes Orchester." Dated Feb.
1938. A. 58p. Earlier version. Dated Jan. 1938. A.
15p.

"4 Gedichte von Richard Dehmel, für eine tiefe Männer-
stimme." [1904?]. A.

"["Gesänge, op. 1"). "7 Gesänge für eine tiefe Männer-
stimme." [1903-1904]. A. 26p.

"5 Kinderlieder für eine Frauenstimme." [Ca. 1904-1906].
A.

"["Lieder, op. 3"). "5 Lieder für Tenor." [1903-1905].
A.

"Lieder, op. 23"). "5 Lieder für eine hohe Männer-
stimme und Klavier." Ca. 1911. A.

"5 Lieder von Heinrich Heine." [1904]. A.

"10 Lieder von Heinrich Heine, für hohe Singstimme und
Klavier." [1906]. A.

"6 Lieder von O. J. Bierbaum, für eine hohe Singstimme."
Undated. A.

"3 Mädchenlieder für eine hohe Frauenstimme mit Kla-
vier." [Ca. 1900-1915]. A.

"Nachtphantasien für Klavier zu zwei Händen." [1911].
2 Exemplare. A.

"["Old Vienna"). "Tänze aus Wien/Dances from Vienna,
for big orchestra." [1939]. A. 64p. Another version.
A. 20p.

"Phantast. Zwischenspiel." [1921]. A. 91p.

"[Quartet, strings, no. 2, E major"). "Streichquartett

957

KARL WEIGL

"Sonata." 1940.

"Sonata (in G)." 1923.

"Sonata No. 1 (in C)." 1922.

"Sonata No. 2 (in G)." 1937.

"2 Songs of the Time." 1942.

"3 Songs." Op. 12. 1909.

"3 Songs." 1936.

"3 Songs." 1958.

"3 Songs from Op. 1." 1906.

"3 Songs for Baritone and Orchestra." 1916.

"3 Songs for High Woman's Voice and Orchestra." 1916.

"4 Songs." 1904-1908.

"4 Songs from 'Des Knaben Wunderhorn'." 1905.

"5 Songs." Op. 3.

"5 Songs." Op. 8. 1904.

"5 Songs." Op. 10. 1913.

"5 Songs"/"Fünf Lieder." Op. 23. 1955.

"5 Songs." 1934.

"5 Songs from 'Phantasus'." 1905.

"6 Songs." 1926.

"6 Songs on Poems of O. J. Bierbaum." 1905.

"7 Songs." Op. 1. 1908.

"10 Songs." 1906.

"Spring Overture (Music for the Young)." 1939.

"Summer Evening Music." 1940.

"Symphonic Fantasy (F min.)." 1905.

"Symphonic Prelude to a Tragedy." 1933.

"Symphony No. 1 (in E)." Op. 5. 1908.

"Symphony No. 2 in D minor." Op. 19. 1922.

"Symphony No. 3." 1931.

"Symphony No. 4 (F min.)." 1936.

"Symphony No. 5 (C min.), Apocalyptic." 1945.

"Symphony No. 6 (A min.)." 1947.

"To Baby Christine." 1941.

"Toteninsel"/"Island of the Dead." 1903.

"Trio." 1939.

"Variations on an Original Theme." Op. 15. 1910.

"The Watchman's Report." Op. 39. 1941.

"Wiegenlied"/"Lullaby for John." 1929.

"Women's Choruses." Op. 26. 1906-1927.

"World Festival"/"Weltfeier." Op. 17. 1924.

962

KARL WEIGL

Immigration History Research Center of the University of
Minnesota, 826 Berry Street, St. Paul, Minnesota 55101.

AMERICAN COUNCIL FOR EMIGRÉS IN THE PROFESSIONS ARCHIVES

A3 Curriculum vitae, short biographies, questionnaires.
13p. Also 2 pamphlets. 8p. ea.

B1 2 L. to Else Staudinger. 1946-1947.

B2 5 L. 1945-1947.

B3 7 L., including 5 recommendations. 1945, 1971.

O 8 programs.

University of Georgia, The University Libraries, Athens,
Georgia 30601.

GUIDO ADLER PAPERS

B1,2 Correspondence between Karl Weigl and Guido Adler.
14 L.

New York Public Library, Manuscript Division, Fifth Avenue
and 42nd Street, New York, N.Y. 10018.

EMERGENCY COMMITTEE IN AID OF DISPLACED FOREIGN SCHOLARS,
1933-1945

* File compiled when assistance was granted. 1938-1945.

963

This is the first volume of a two-volume study of German Literature in Exile after 1933 in the United States. Since the representatives of German Literature in Exile were located almost exclusively in California and on the East Coast, the first volume of the series deals with the exiled writers on the West Coast, while the second (in preparation) will treat the authors on the East Coast of the United States. This collection of essays provides the first detailed description and critical evaluation of the German-speaking writers, including screen writers, who chose California as their place of residence and work after escaping from Nazi Germany.

Because of its unique wealth of biographical, historical, and bibliographical information, this volume should be a part of every library's collection.

## BESTELLSCHEIN / ORDER FORM

Zu senden an / Mail to:

Francke Buchhandlung / Booksellers

Neuengasse 43, CH-3001 Bern, Schweiz / Switzerland

Ich bestelle / I order ......... Stück(e) / copy(ies) of:

Deutsche Exilliteratur seit 1933. Band I: KALIFORNIEN

Name / Name

Adresse / Address

Stadt / City

Staat / State

Postleitzahl / Zip Code

Unterschrift / Signature

# DEUTSCHE EXILLITERATUR
SEIT 1933

## Band I: KALIFORNIEN

Teil 1: Herausgegeben von John M. Spalek und Joseph Strelka. 868 Seiten

Teil 2: Bibliographie und Quellenkunde. Herausgegeben von John M. Spalek, Joseph Strelka und Sandra H. Hawrylchak. 216 Seiten

1976. Paperback. Beide Teile zusammen $49.00

Dies ist der erste Band eines zweibändigen Werkes über die deutsche Exilliteratur in den USA seit 1933. Da sich die Exilautoren fast ausschließlich an den beiden Küsten niederließen, ist der erste Band der Exilliteratur an der Westküste (Kalifornien) gewidmet, während sich der zweite Band mit der Exilliteratur an der Ostküste (New York) beschäftigen wird. Das faktenreiche Sammelwerk gibt erschöpfende Information über die deutschsprachigen Autoren, die nach der NS-Machtergreifung 1933 während kürzerer oder längerer Zeit im US-Bundesstaat Kalifornien lebten und wirkten.

Der Band stellt eine erste ausführliche und zusammenfassende Darstellung des Phänomens der deutschen Exilliteratur in Kalifornien dar und sollte schon infolge seiner reichen biographischen, bibliographischen und quellenkundlichen Auskünfte zu einem wichtigen Abschnitt der deutschen Literaturgeschichte in keiner Bibliothek fehlen.

FRANCKE VERLAG BERN UND MÜNCHEN

## INHALT

Vorwort — Exiljahre in den USA — Abkürzungen

### Sonderprobleme

* Exil in Hollywood: Leben und Haltung deutscher Exilautoren nach ihren auto-biographischen Berichten. Von Erna M. Moore (State Univ. of New York at Albany)

* Der Schriftstellerkongreß 1943 an der Universität von Kalifornien. Von Ehrhard Bahr (Univ. of California, Los Angeles)

* Bert Brecht und Thomas Mann im Streit über Deutschland. Von Herbert Lehnert (Univ. of California, Irvine)

* Die Exilschriftsteller und der amerikanische Buchmarkt. Von Wulf Koepke (Texas A & M Univ.)

* Ein amerikanischer Verleger und die Exilautoren. Von Andras Sandor (Howard Univ., Washington, D.C.)

* Der European Film Fund und die Exilschriftsteller in Hollywood. Von E. Bond Johnson (Univ. of California, Los Angeles)

* Die deutsche Literatur und Kultur im Exil und die Universitäten in Kalifornien. Von Ruth Goldschmidt Kunzer (Univ. of California, Los Angeles)

* Einwanderung und Radikalismus in der politischen Kultur der Vereinigten Staaten von Amerika. Von Herbert A. Strauss und Leonard P. Liggio (City College of New York)

* Exilliteratur und Exil im Spiegel der deutschsprachigen Presse der Westküste: 1933–1949. Von Carol Bander (Irvine, Calif.)

* Das Emergency Rescue Committee. Von Wolfgang D. Elfe (Univ. of South Carolina, Columbia)

### Autoren

* Günther Anders. Von Henri Paucker (Univ. of Vermont)

* Raoul Auernheimer. Von Donald Daviau (Univ. of California at Riverside) und Jorun B. Johns (San Bernardino State College)

* Vicki Baum. Von Robert F. Bell (Univ. of Alabama)

* Emil Bernhard (Cohn). Von Wolfgang D. Elfe (Univ. of South Carolina, Columbia)

* Bertolt Brecht. Von James K. Lyon (Univ. of California, La Jolla) und John B. Fuegi (Univ. of Wisconsin at Milwaukee)

* Alfred Döblin. Von Klaus H. Weissenberger (Rice Univ.)

* Paul Elbogen. Von John F. Fetzer (Univ. of California, Davis)

* Lion Feuchtwanger. Von Lothar Kahn (Central Connecticut State College)

* Bruno Frank. Von Virginia Sease (Occidental College, Los Angeles)

* Leonhard Frank. Von Otto F. Best (Univ. of Maryland)

* Curt Goetz. Von Wolfgang D. Elfe (Univ. of South Carolina, Columbia)

* Hans Habe. Von Robert C. Jespersen (Univ. of New Mexico)

* Oskar Jellinek. Von Eugene Timpe (Southern Illinois Univ., Carbondale)

* Hans Kafka. Von Harry Zohn (Brandeis Univ.)

* Stephan Lackner. Von Richard Exner (Univ. of California at Santa Barbara)

* Heinrich Mann. Von Ulrich Weisstein (Indiana Univ.)

* Thomas Mann. Von Erich Frey (Occidental College, Los Angeles)

* Ludwig Marcuse. Von Harold von Hofe (Univ. of Southern California)

* Alfred Neumann. Von Guy Stern (Univ. of Cincinnati)

* Alfred Neumeyer. Von Kenneth Weisinger (Univ. of California, Berkeley)

* Alfred Polgar. Von Anton Warde (Union College, Schenectady, New York)

* Erich Maria Remarque. Von Hans Wagener (Univ. of California, Los Angeles)

* Wilhelm Speyer. Von Johanna Roden (California State Univ., Long Beach)

* Friedrich Torberg. Von Joseph P. Strelka (State Univ. of New York at Albany)

* Joseph Wechsberg. Von Uwe K. Faulhaber (Wayne State Univ.) und Paul Wimmer (Wien)

* Franz Werfel. Von Lore B. Foltin (Univ. of Pittsburgh) und John M. Spalek (State Univ. of New York at Albany)

* Victoria Wolff. Von Rudolf Hirschmann (Univ. of Southern California)

### Drehbuchautoren

* Exilautoren als Drehbuchautoren. Von Hans-Bernhard Moeller (Univ. of Texas at Austin)

* Paul Frank. Von Gerhart Mack (Stanislaus State College, Turlock, Calif.)

* George Froeschel. Von Hans-Bernhard Moeller (Univ. of Texas at Austin)

* Felix Jackson. Von Joseph Kraus (San Fernando Valley State College, Calif.)

* Leopold Jessner. Von Marta Mierendorff (Univ. of Southern California)

* Gina Kaus. Von Dagmar Malone (California State Univ., Long Beach)

* Frederick Kohner. Von Gerhart Mack (Stanislaus State College, Turlock, Calif.)

* Henry Koster. Von Marta Mierendorff (Univ. of Southern California)

* Jan Lustig. Von Karl-Heinz Boewe (Univ. of Missouri)

* Max Reinhardt. Von Edward Harris (Univ. of Cincinnati)

* Walter Reisch. Von Hans Wagener (Univ. of California, Los Angeles) und Michael Winkler (Rice Univ.)

* Curt Siodmak. Von David Miles (Ohio State Univ.)

* Billy Wilder. Von Joseph Kraus (San Fernando Valley State College)

* Hans Wilhelm. Von Johanna Roden (California State Univ., Long Beach)

PARTIAL INVENTORY of KARL WEIGL'S LEGACY -- MOSTLY AUTOGRAPHED SCORES

 Symphonic I: Published score      185          18 x 12
                       Piano reduction  124          10½ x 15

 Symphonic II: Orch. score         240          18 x 12

 Symphonic III: Orch. score         238          18 x 12

 Symphonic IV:  Orch. Score         152          14 x 12

 Symphonic V:  Orch. Score          174          14 x 12

 Symphonic VI:  Orch. Score          101          18 x 12

 World Festival: Orch. Score       251          11 x 15
                       Piano Reduction   91           7½ x 11

 Phantastic Intermezzo:
                       Orch. Score         129          12 x 14½

 Orchestration of Schubert Marches:
                       Orch. Score          44           10½ x 13
 Old Vienna:  Orch. score          46           11 x 14
                       Piano red.         32           10 x 14

 Pictures and Tales: Orch. score     28           11 x 14
                       Piano reduction.   15           9 x 12
 No. 1 - Once Upon a time            15           11 x 14

 Summer Evening Music: Orch. Score   16           11½ x 15

 Cello Concerto: Orch. score        81           11½ x 14
                       Piano reduction   52           10 x 14

 Comedy Overture: Printed score      61            5 x 12

 Violin Concerto: Orch. score      158
                       Piano red.        62

2040 pages only of orchestra works

as many more pages in counting all the
chamber music (3 string quartets, 1 trio, 6 sextet
4 sonatas for string instruments & piano,
piano compositions, choral works & some)
150 "Lieder" with 3 cycles with string quartet,
organ works etc. Lee incl. condensed list of complete works