Prints Published by JAMES BULCOCK, 163, Strand,
11 doors East of Somerset House.

Just Published,

DEDICATED BY PERMISSION, TO CHARLES KEMBLE, ESQ.

A PORTRAIT OF MRS. SIDDONS,
IN THE CHARACTER OF THE TRAGIC MUSE.

FROM THE CELEBRATED PICTURE
BY SIR JOSHUA REYNOLDS.

Engraved on Steel, in Mezzotinto, by Henry Dawe.

Prints, 10s. 6d.—Proofs, 15s.—India Proof, 18s.

Just Ready,
A MOST BEAUTIFUL ENGRAVING

OF THE
Escape of Mary Queen of Scots,

FROM LOCHLEVEN CASTLE.

Painted by H. Fradelle, Esq. and Engraved on Steel, in Mezzo-
tinto, by H. Dawe.

Prints, 7s. 6d.—Proofs, 10s. 6d.—Proofs on India Paper, 15s.

A PORTRAIT
OF THE
RIGHT HON. GEORGE CANNING.

ENGRAVED BY J. KENNERLEY, FROM A DRAWING BY C. PENNY.

Prints, 7s.—India Proofs, 10s. 6d.

Shortly will be Published,

PORTRAITS
OF
THE RIGHT HON. THE EARL OF LIVERPOOL, MR. PEEL,

AND MR. HUSKISSON;

Uniform with that of MR. CANNING.

TAM O'SHANTER.

Engraved in the line manner, by T.C.ALLEN, from the Celebrated Picture

PAINTED BY A. COOPER, R.A.

IN THE POSSESSION OF THE EARL OF UPPER OSSORY.

Prints, 3s.—Proofs, 4s.—India Proofs, 5s.

*Prints Published by J. Bulcock, 163, Strand.*

PORTRAITS OF
MICHAELANGELO BONORROTI,
AND
REMBRANDT,

FROM PAINTINGS BY THEMSELVES.

Drawn on Stone, by W. Fairland.

*Prints, 3s. each.—Proofs on India Paper, 5s.*

CANOVA'S GRACES.

Shortly will be Published,
A BEAUTIFUL ENGRAVING FROM THE CELEBRATED
GROUP OF CANOVA.

Engraved by J. Kennerley.

*Prints, 6s.—Proofs on French Paper, 8s.—Proofs on India Paper, 10s. 6d.*

PORTRAIT OF NAPOLEON,
AFTER DAVID.

NAPOLEON CROSSING MOUNT ST. BERNARD.

FROM THE CELEBRATED PICTURE BY DAVID.

DRAWN ON STONE, BY THOMAS FAIRLAND,

Size of the Drawing, 15½ inches, by 12¾.

*Prints on India Paper, 7s. 6d.—Proofs on Ditto, 10s. 6d.*

THE LOVER'S VIGILS.

"Then the lover,
Sighing like furnace, with woful ballad,
Made to his mistress' eyebrow."

DRAWN ON STONE, BY W. FAIRLAND, FROM THE ORIGINAL PICTURE,
BY R. SMIRKE, R.A.

Size of the Drawing, 10 nches by 8.

*Prints on India Paper, 5s.—Proofs on Ditto, 7s. 6d.*

HEAD OF A LION AND TIGER,
DRAWN FROM NATURE, ON STONE, BY
THOMAS FAIRLAND.

Size of the Engraving, 10½ inches, by 9.

*Prints on India Paper, 3s. each.—Proofs, 4s. each.*

CHANTRY'S MONUMENT OF
TWO CHILDREN.

A BEAUTIFUL ENGRAVING,

From the Celebrated Monument Erected in Lichfield Cathedral,
executed in Marble

By F. CHANTRY, Esq. R.A.

ENGRAVED BY J. KENNERLEY, FROM AN ORIGINAL DRAWING.

Prints, 4s.—Proofs, 5s.—Proofs on India Paper, 6s.

The following description of this Beautiful Specimen of
Monumental Sculpture is given by Mr. Britton, in his history
of Lichfield Cathedral:—

"At the Eastern extremity of the South Aisle is a modern Monument, which justly attracts the attention and admiration of all visitors. It is a small tomb, raised to commemorate the guiltless characters and elegant forms of two female children. They are represented as lying on a couch, the head of the eldest impressing the downy pillow, and that of the youngest reclining on the other's bosom. One of its arms is beneath her sister's head, and the other extends over the body. In one hand is a bunch of snow-drops, the blossoms of which are apparently just broken off, but not withered; the faces of both incline towards each other with apparent affection. The eyelids are closed, and every muscle seems lulled into still and serene sleep; all the bodily members partake of the same serenity and repose. The arms and the legs, the fingers and the very toes, are all alike equally slumbering; the drapery is also smooth and unruffled, and is strictly in unison and in harmony with every other part of the design."—*Vide Britton's Lichfield Cathedral*, p. 50.

Just Published, a most Beautiful Print of
THE MISERS.

From the Celebrated Picture in His Majesty's Collection, Windsor Castle.

BY QUINTIN MATSYS.

Drawn on Stone by Thomas Fairland.

This Extraordinary Picture, produced by Quintin Matsys, offers, as a celebrated writer has observed, another proof, if any were needed, that high intellect has no predilection for either station or climate.—Matsys, as it is related, following the occupation of a Blacksmith at Antwerp, became deeply enamoured with a beautiful young female, who disliked his pursuit, and preferred that of an Artist: Matsys however resolved to become a Painter, and devoted himself with so much resolution and perseverance to his new profession, that he produced several very extraordinary pictures, of which the present, so remarkable for character and intensity of expression, is sufficient evidence.—Continued application and industry, with such a stimulus, became triumphant, and obtained for him the object of his wishes—his talents and assiduity being rewarded with the affections of his mistress. He died at Antwerp, in 1529, at the age of 69.

Prints on India Paper, 5s.—Proofs on Ditto, 8s.