PROGRAM

I. RELIGIOUS MUSIC

Ave María
Salvation Belongeth to Our God

Tomás Luíz de Victoria (1540-1608)

Paul Tchesnokov

II. SONGS BY CONTEMPORARY COMPOSERS

Preces sem palavres
*Tarantella
Words by Hilaire Belloc
Mountain Nights
* Composed for the Yale Glee Club

Heitor Villa-Lobos
Randall Thompson

Zoltán Kodály

III. OLD ENGLISH SONGS

Sound the Trumpet
How Merrily We Live
The Nightingale

Now Is the Month of Maying

Henry Purcell (1658-1695)
Michael Este (1600)
Thomas Weelkes (1623)
Arr. by Archibald T. Davison
Thomas Morley (157-1603)

IV. LATIN AMERICAN SONGS

Meu Sao Benedito (Brasil)
Na Bahia Tem (Brasil)
Hallazgo (Chile)
Poem by Gabriela Mistral
La Conch'é perla
(Folklore Costeño, Perú)

Francisco Mignone
Arr. by Heitor Villa-Lobos
Arr. by Alfonso Letelier

Arr. by Rosa Mercedes A. de Morales

— INTERMISSION —

V. AMERICAN FOLK SONGS

Away to Rio (Sea Chantey)
Lowlands (Sea Chantey)
Solo by Duane M. Thomas
The Battle of Jericho (Negro Spiritual)
Poor Mourner's Got A Home At Last (Negro Spiritual)
Careless Love (Cowboy Song)
Black-Eyed Susie (Mountain Song)

Arr. by M. Bartholomew

Arr. by E. R. Larson

Arr. by M. Bartholomew

Arr. by Keith McLeod

Arr. by M. Bartholomew

VI. STUDENT SONGS

Laughing Song (German)
O Tremsinho (Brasil)
A Barn Song (Norway)
'Neath the Elms

Franz Abt
Villa-Lobos
Edvard Grieg
Yale Song Book

Direction: M. BARTHOLOMEW

16

YALE COMMENCEMENT PROGRAM

# YALE GLEE CLUB
## 85th Commencement Concert

SUNDAY EVENING, JUNE 10, 1951

WOOLSEY HALL

AT 8:30 P. M.

### PROGRAM

#### I.

<table><tr><td>A Song For Old Yale</td><td>Thomas G. Shepard</td></tr><tr><td colspan="2">Words by J. K. Lombard, 1854</td></tr><tr><td>As Freshmen First We Came to Yale<br/>Solo by Samuel P. W. Carter, '52</td><td>From the Yale Song Book</td></tr><tr><td>The Scotchman</td><td></td></tr></table>

#### II.

<table><tr><td>Tarantella</td><td>Randall Thompson</td></tr><tr><td colspan="2">Composed for the Yale Glee Club</td></tr></table>

#### III.

OLD ENGLISH SONGS

<table><tr><td>How Merrily We Live</td><td>Michael Este (1600)</td></tr><tr><td>The Nightingale</td><td>Thomas Weelkes ( -1623)</td></tr><tr><td>The Bells in the Steeple</td><td>Giuseppe Samartini (1693-1750)</td></tr><tr><td colspan="2">Semi-Chorus</td></tr></table>

#### IV.

AMERICAN FOLK SONGS

<table><tr><td>The Drunken Sailor</td><td>Sea Chanteys</td></tr><tr><td>Shenandoah</td><td></td></tr><tr><td>Poor Mourner's Got A Home At Last</td><td>Negro Spirituals</td></tr><tr><td>Little Innocent Lamb</td><td></td></tr><tr><td>This Ol' Hammer</td><td>Arr. by John W. Work</td></tr><tr><td colspan="2">Solo by Richard G. Mason, '52</td></tr><tr><td>Black-Eyed Susie</td><td>North Carolina Mountain Song</td></tr></table>

### INTERMISSION

#### V.

SONGS FROM LATIN AMERICA

<table><tr><td>Na Bahia Tem (Brazil)</td><td>Arr. by H. Villa-Lobos</td></tr><tr><td>La Bayamesa (Cuba)</td><td>Arr. by Marshall Bartholomew</td></tr><tr><td colspan="2">Solo by Duane M. Thomas, '52</td></tr><tr><td>La conch'e perla (Peru)</td><td>Rosa Mercedes A. deMorales</td></tr></table>

MENCEMENT PROGRAM

UB
Concert

0, 1951

.................. Thomas G. Shepard
s by J. K. Lombard, 1854

rom the Yale Song Book

.................. Randall Thompson
Club

.................. Michael Este (1600)
.................. Thomas Weelkes ( -1623)
.................. Samuel Samartini (1693-1750)

.................. Sea Chanteys

.................. Negro Spirituals

Arr. by John W. Work

2
Carolina Mountain Song

Arr. by H. Villa-Lobos
Marshall Bartholomew

2
Mercedes A. deMorales

YALE COMMENCEMENT PROGRAM

17

VI.

OLD FAVORITES

This famous quartet was made up of singers from New London, Norwich, Glastonbury and Branford. These gentlemen first met for rehearsal in Boston early in 1853 but soon adjourned to the quieter town of Pawtucket. After a successful debut there they toured the principal cities of the United States. The Woonsocket Patriot, in reporting their singing, said: "They have, individually, good voices, each one being a solo singer of the first order and the quartette appears as a unit, so harmoniously, so exquisitely, do the voices blend. In addition, they have qualities of head and heart that will ever preserve their selections from impurity in sentiment or music, and such as will recommend them, as well as their entertainment, to every community they may visit. We endorse them as gentlemen in the concert-room, hotel and printing office."

The musical great-grandchildren of this estimable quartet appearing on tonight's program originate from a rather wider territory:

First Tenor, Richard G. Mason, Woonsocket, R. I.

Second Tenor, Samuel P. W. Carter, Irvington, N. Y.

First Bass, Conner M. Fay, Indianapolis, Ind.

Second Bass, Duane M. Thomas, Boise, Idaho

VII.

Steamboat Bill (Mississippi River Song of the 1860's)
Solo by Konrad H. Matthaei, '52

The Fireman's Heart Is Brave and Bold ... Composed by Benjamin Jepson,
of New Haven, in 1855

The Dutch Company (Yale Song Book of 1867)

Double yodel by David M. Gillespie, '50, and Peter T. Jones, '51

The Yale Glee Club of 1867 is represented tonight by the
Spizzwinks of 1951, Messrs. Oliver Carpenter, Samuel Carter,
Vere Chappell, Richard Mason, Konrad Matthaei, William
Rhangos, David Swanson, Duane Thomas and John Trattner.

VIII.

The Whiffenpoofs of 1951

Thomas Aikens

Conner Fay

John Kittredge

Thomas Babbitt

William Frech

Carl Koehler

James Duffy

Thomas Hawes

David Platt

John Eden

James Hickox

John Ross

John Hoagland

IX.

STUDENT SONGS

Fill Every Glass (English) From the Beggar's Opera

A Barn Song (Norwegian) ............................................ Edvard Grieg
'Neath the Elms ............................................................ Arr. by Gustave J. Stoeckel

Words by H. Baldwin, 1871

Bright College Years .................................................... Carl Wilhelm
Words by H. S. Durand, 1881

PROGRAM

I. STUDENT SONGS

<table><tr><td>Neath the Elms</td><td>From the Yale Song Book</td></tr><tr><td>Show Me the Scotchman</td><td>" "</td></tr><tr><td>Laughing Song (German)</td><td>Franz Abt</td></tr><tr><td>O Tremsinho (Brazilian)</td><td>Heitor Villa Lobos</td></tr><tr><td>Hinking Song (Swedish)</td><td>Arr. by Channing Lefebvre</td></tr><tr><td>Fill Every Glass (English)</td><td>Arr. by Frederic Austin</td></tr><tr><td colspan="2">(From "The Beggar's Opera")</td></tr></table>

II. OLD ENGLISH SONGS

<table><tr><td>How Merrily We Live</td><td>Michael Este (1600)</td></tr><tr><td>The Bells In the Steeple</td><td>Giuseppe Sammartini (1693-1750)</td></tr><tr><td>The Nightingale</td><td>Thomas Weelkes (1623)<br>Arr. by Archibald T. Davison</td></tr><tr><td>Now is the Month of Maying</td><td>Thomas Morley (1557-1603)</td></tr></table>

III. SONGS BY CONTEMPORARY COMPOSERS

<table><tr><td>Truth Shall Deliver</td><td>William Schuman<br>(Text adapted from Geoffrey Chaucer (1340 - 1400))</td></tr><tr><td>Preces sem palavres</td><td>Heitor Villa Lobos</td></tr><tr><td>Tarantella</td><td>Randall Thompson<br>Composed for the Yale Glee Club</td></tr></table>

. NTERMISSION

IV. LATIN AMERICAN SONGS

<table><tr><td>La Bayamesa (Cuba)</td><td>Francisco Castillo<br>Words by Jose Fornaris</td></tr><tr><td>Borinquen (Puerto Rico)</td><td>Fernandez Juncos<br>(Arranged for the Yale Glee Club by Augusto Rodriguez)</td></tr><tr><td>Na Bahia Tem (Brazil)</td><td>Arr. by Rosa Mercedes A. de Morales<br>(Folklore Costeno -Peru)</td></tr></table>

AMERICAN FOLK SONGS

<table><tr><td>Shenandoah (Sea Chantey)</td><td>Arr. by M Bartholomew</td></tr><tr><td>What Shall We Do With A Drunken Sailor? (Sea Chantey)</td><td>Arr. by M. Bartholomew</td></tr><tr><td>This Ol' Hammer (Work Song)</td><td>Arr. by John W. Work</td></tr><tr><td>Black - Eyed Susie (Mountain Song)</td><td></td></tr><tr><td>Roll, Jordan, Roll (Negro Spiritual)</td><td>Arr. by M. Bartholomew</td></tr><tr><td>Little Innocent Lamb (Negro Spiritual)</td><td></td></tr></table>

Printed in the College of
Agriculture & Mech. Arts.

April 5, 1951

College Auditorium

3:00 P.M.

RÉCITAL

OFFERT PAR

LE CHŒUR DE
L'UNIVERSITÉ DE YALE

EN

L'HONNEUR

DE

Son Excellence Le PRESIDENT DE LA REPUBLIQUE

ET

Madame PAUL E. MAGLOIRE

Théâtre de Verdure
Port-au-Prince, Haïti

1er Avril 1951
Huit heures du soir.

PROGRAM
DU YALE GLEE CHorus
Port-au-Prince, le

I. MUSIQUES RELIGIEUSES

<table><tr><td>Ave Maria</td><td>Tomas Luiz de Victoria (1540-1608)</td></tr><tr><td>Salvation Belongeth to Our God</td><td>Paul Tchesnokov</td></tr></table>

II. CHANSONS DE COMPOSITEURS CONTEMPORAINS

<table><tr><td>Preces Sem Palavres</td><td>Heitor Villa-Lobos</td></tr><tr><td>*Tarantella (Paroles de Hilaire Belloc)</td><td>Randall Thompson</td></tr><tr><td>Mountain Nights</td><td>Zoltan Kodaly</td></tr></table>

* Composée pour le Yale Glee Club

III. VIEILLES CHANSONS ANGLAISES

<table><tr><td>How Merrily We Live</td><td>Michael Este (1600)</td></tr><tr><td>The Bells In the Steeple</td><td>Giuseppe Sammartini (1693-1750)</td></tr><tr><td>The Nightingale</td><td>Thomas Weelkes (1623)</td></tr></table>

Arr. par Archibald T. Davison

<table><tr><td>Now Is the Month of Maying</td><td>Thomas Morley (1557-1603)</td></tr></table>

AMME
LEE CLUB

1er Avril 1951

IV. CHANSONS LATINO-AMERICAINES

Na Bahia Tem ....................................Arr. par Heitor Villa-Lobos

Meu Sao Benedito (Bresil) ....................Francisco Mignone

Hallazgo (Chili) .................................Arr. par Alfonso Letelier
Poème par Gabriela Mistral

La Conch'é Perla ....................Arr. par Rosa Mercedes A. de Morales
Costeno Folklore (Perou)

15 MINUTES D'ENTRACTE

V. CHANSONS FOLKLORIQUES AMERICAINES

Away to Rio (Sea Chantey)

Poor Mourner's Got A Home At Last (Spiritual Negre)

The Battle of Jericho (Spiritual Negre)

Little Innocent Lamb (Spiritual Negre)

Arr. par
M. Bartholomew

This Ol' Hammer (Chanson de Travail)

Arr. par John W. Work

Careless Love (Chanson Cowboy)

Arr. par Keith Mc Leod

Black-Eyed Susie (Chanson de la Montagne)

Arr. par M. Bartholomew

VI. CHANSONS D'ETUDIANTS

Laughing Song (Allemaagne)

Franz Abt

A Barn Song (Norvège)

Edvard Greig

'Neath the Elms

Du Recueil de Chansons de Yale

## PERSONNEL DU YALE GLEE CLUB:

*Directeur:* Marshall Bartholomew

*Asst. Directeur:* Fenno F. Heath, Jr.

*Accompagnateur:* James S. Darling

### Membres du Chœur :

* John A. Bauer, Jr., Ephrata, Wash.

* T. Whitney Blake, Litchfield, Conn.

* C. Philip Cardeiro, Hingham, Mass.

* Oliver T. Carpenter, Amityville, N. Y.

* Samuel P. W. Carter, Irvington, N. Y.

* Peyton G. Craighill, Lothian, Md.

* William M. Cruikshank, Monticello, Ill.

* William G. Curran, Jr., Grosse Pointe, Mich.

* James E. Duffy, 3d, Guilford, Conn.

* Albert E. Evans, Jr., Briarcliff Manor, N. Y.

* Conner M. Fay, Indianapolis, Ind.

* Justus J. Fennel, Stratford, Conn.

* William F. Frech, Jr., Floral Park, N. Y.

* Schuyler Hamilton, Jr., Toledo, Ohio

* Earl A. Helgeson, Fargo, No. Dakota

* James Hickox, Litchfield, Conn.

* Warren H. Higgins, Jr., Tucson, Ariz.

* John H. Hoagland, Jr., Boston, Mass.

* Peter T. Jones, Pelham, N. Y.

* Richard A. Kimball, Jr., New York, N. Y.

* Carl J. Koehler, Jr., Clayton, Mo.

* Alfred Kuraner, Jr., Kansas City, Mo.

* Thornton C. Lockwood, Bridgeport, Conn.

* James S. MacNider, Forest Hills, N. Y.

THIRD ANNUAL JAMBOREE
YALE GLEE CLUBS

Friday, May 4, 1951, 8:15 p.m., Woolsey Hall

PROGRAM

I. We Meet Again Tonight } From the Yale Song Book
Bright Stars Do Shine }

FRESHMAN CHORUS, Frederick S. Pratt, *Conductor*

Steal Away } ...Negro Spirituals arranged by
Battle of Jericho }

Marshall Bartholomew

FRESHMAN GLEE CLUB, Arthur Frantz, *Conductor*

Grass ................................ Fenno Heath
Poem by Carl Sandburg

Song of the Blacksmith ................................................................. Gustav Holst
APOLLO GLEE CLUB, Fenno F. Heath, Jr., *Conductor*

How Merrily We Live ........................................................ Michael Este (1600)

The Nightingale ................................................................. Thomas Weelkes (1623)
MADRIGAL SINGERS, Fenno F. Heath, Jr., *Conductor*

La Bayamesa (Cuban) ........................................................ Francisco Castillo
Solo by Duane M. Thomas

A Barn Song (Student Song of Norway) ................................. Edvard Grieg
YALE GLEE CLUB, Marshall Bartholomew, *Conductor*

II. **QUARTET FINALS**

1. W. Bovey, G. Hotchkiss, E. S. Bonnie, C. Simmons
   Why So Pale and Wan? .................................................... L. Hemingway
   Baby Needs A New Pair of Shoes

2. R. G. Mason, S. P. W. Carter, K. H. Matthaei, D. M. Thomas
   Lady of the Lagoon .................................................... Granville Bantock
   Quartet from Rigoletto ............................................ With Apologies to Verdi

3. N. Peay, J. E. Donellan, T. Coleman, P. Coughlan
   Why So Pale and Wan? .................................................... L. Hemingway
   Medley of Popular Songs

4. R. McWade, J. P. Clark, J. Carr, J. Monde
   The Dreaming Lake .................................................... Robert Schumann
   Adams Rib

10 MINUTE INTERMISSION

Program

Judge Me, O God..................................................Mendelssohn

Steal Away ..................................................................................Spiritual

Spin! Spin! ..................................................................................Jungst

The Serenade ............................................................................Tourtellot

Solo by HARRY B. ADAMS

The Testament ............................................................................Marschner

GLEE CLUB

Lord Jesu, With Us Abide..................................................Bach

Ave Maria ..................................................................................Rossini

Agnus Dei ..................................................................................Bizet

Soloist, MAUREEN REIDY

CHORAL CLUB

Indian Love Call............................................................................Friml

The Country Song.................................................................Dell 'Acqua

MAUREEN REIDY

Spanish Dance, duet 2 pianos............................................De Falla

MARY ELLEN FITZGERALD, CARLYNE ANN GITLITZ

INTERMISSION

Program

<table><tr><td>Selections from "Mam'zelle Taps"....................................</td><td>Penn</td></tr><tr><td>A Tribute to Romberg............................................</td><td>MacLean</td></tr></table>

CHORAL CLUB

Cindy................................................... arr. by Arthur Hall

Old Tom Wilson

Sister Mary Wore Three

Lengths of Chain

Solo by THOMAS COLEMAN

Arr. by Marshall Bartholomew

Erie Canal

Solo by JOHN CARR

The Battle of Jericho

Eli Yale

The Scotchman

Bright College Years

........................... from the Yale Song Book

Acappella
GLEE CLUB

Psalm 150 .................................................. Cesar Franck

COMBINED CLUBS

THE PLAINFIELD COLLEGE CLUB

and
THE PLAINFIELD YALE CLUB

Present

THE YALE GLEE CLUB

Saturday, December 2, 8:15 P.M.

PLAINFIELD HIGH SCHOOL AUDITORIUM

Plainfield, New Jersey

Benefit of
SCHOLARSHIP FUNDS

I. A Song For Old Yale
Thomas G. Shepard
Words by J. K. Lombard, 1854

II. Anthems
Hosanna to the Living Lord
J. S. Bach
Salvation Belongeth to Our God
Paul Tchesnokov

Songs from Finland
Evening Revery
Toivo Kuula
Terve, Suomeni Maa!
Emil Genetz

III. English Glees and Madrigals.
Happy Are We Met
Published in London, 1764
How Merrily We Live
Michael Este (1600)
The Nightingale
Thomas Weelkes ( -1623)
Semi-Chorus

IV. Mountain Nights (Song Without Words)
Zoltán Kodály
Fill Every Glass (From the "Beggar's Opera")
Gay-Austin

— INTERMISSION —

V. American Folk Songs
Lowlands (Sea Chantey)
Arr. Earl Roland Larson
Baritone solo by Duane Thomas

Black-Eyed Susie
North Carolina Mountain Song
Steamboat Bill
Mississippi River Song

This Ol' Hammer (Negro Work Song)
Arr. John W. Work

Poor Mouner's Got a Home at Last
Negro Spirituals

Little Innocent Lamb

VI. Whiffenpoofs of 1951

VII. Student Songs
Gaudeamus
From the Yale Song Book
'Neath the Elms
Battle of the Books
Arthur E. Hall
Words by Fairfax Downey

Bright College Years
Carl Wilhelm
Words by H. S. Durand, '81

## LLE GLEE CLUB

Yale han tenido una existencia continua y orga-
nió en la clase de tercer año de esa fecha fun-
idad Musical de Yale cuyo número de miembros
doce. La primera colección de canciones de Yale
coral de tamaño considerable empezó en 1860,
a Clase de 1863. Esta Coral dio conciertos en
es cercanas e hizo una gira por las Montañas

1849 a 1950 el Yale Glee Club ha estado bajo
res. Gustav Stoeckel vino a Yale en 1849 desde
ta y profesor de música. Desarrolló y organizó
en la Universidad y ocupó la primera cátedra
fué Thomas G. Shepard, desde 1873 hasta su
dale dirigió el Club desde 1906 a 1921.

ado bajo la dirección de Marshall Bartholomew
que la Coral ha establecido su gran reputación.
ntado, no sólo en todas las ciudades principales
cinco giras europeas - 1928, 1932, 1936, 1939 y
te recibido en Londres, París, Bruselas, Viena,
peciales ciudades de Escandinavia y Alemania.

b tomó parte en el acercamiento amistoso del
viaje a Sur América, siendo el primer coro estu-
teamericana que cantó al sur del ecuador. Esta
uyó veinticinco conciertos en el Brasil, Uruguay,
má.

el Yale Glee Club efectuó su Quinta Gira Europea
ocho naciones europeas. El itinerario incluyó
erdan. Groningen y La Haya, Copenhague, Goth-
rurhu y Helsinki, Oslo y Voss. A su regreso de
marca, el Yale Glee Club, aceptando la invitación
os Estados Unidos, dió conciertos en la Zona
fueron cantados en Alemania, diez de los cuales
s universitarias de Berlín, Marburg, Darmstadt,
bingen, Stuttgart y Heidelberg.

ector del Yale Glee Club, nació en 1885 en Belle-
sical comenzó en edad muy temprana. Fué miembro
de, solista a los trece en una iglesia de New
ela de Ciencias Sheffield de Yale en 1907. Más
ara dedicarse por entero a la música, estudiando
ter. Alcanzó su doctorado en Música en la Uni-
dió también Composición y Dirección de Orquesta
en Berlín.

Bartholomew sirvió como voluntario en el plan
guerra en Alemania y Rusia. Por más de un año
de Siberia. En 1917, cuando los Estados Unidos
brado Director de la División de Música del Con-
uerra y en esta capacidad sirvió con las fuerzas
nidos, Inglaterra y Francia.

ión del Yale Glee Club, empezó a recolectar can-
os Unidos y organizó el Consejo Estudiantil Inter-
del cual los coros estudiantiles de Europa y los
amistosas relacionadas. Un gran número de giras
e organizaciones estudiantiles han sido hechos po-
ban las giras en los Estados Unidos de los coros
est, Helsinki y Oslo. La Segunda Guerra Mundial
onsejo, pero el señor Bartholomew ha comenzado
institución visitando Europa en 1947 y presidiendo
ntes de catorce universidades de cinco países.

## P R O G R A M A

### 1. Música Religiosa

Ave María .................................... Tomás Luis de Victoria
(1540-1609)

Salvation Belongeth To Our God ............ Paul Echesnokov

### 2. Canciones de Compositores Contemporáneos

Preces sem palavres .................................... Heitor Villa-Lobos

Tarantella ............................................ Randall Thompson

(Letra de Hilaire Belloc) (Compuesta para el Yale Glee Club)

Mountain Nights .................................... Zoltán Kodály

### 3. Viejas Canciones Inglesas

Sound the Trumpet .................................... Henry Purcell
(1658-1695)

How Merrily We Live .................................... Michael Este
(1600)

The Nightingale .................................... Thomas Weekles
(Arr. de Archival T. Davison) (1632)

Now is the Month of Maying ......................... Thomas Morley
(1557-1608)

### 4. Canciones Latinoamericanas

Borinquen (Puerto Rico) ............................ Fernández Juncos

Meu Sao Benedito (Brasil) ............................ Francisco Mignone

Na Bahía Tem (Brasil) ............................ Arr. de H. Villa-Lobos

Hallazgo (Chile) .................................... Arr. de Alfonso Letelier
(Poema de Gabriela Mistral)

La conch'é perla .................... Arr. de Rosa Mercedes A. de Morales
(Folklore Costeño) (Perú)

## INTERMEDIO

### 5. Canciones Folklóricas Norteamericanas

Away to Río (Sea Chantey) .................... Arr. de M. Bartholomew

Lowlands (Sea Chantey) .................... Arr. de R. E. Larson
(Solo de Duane M. Thomas)

The Battle of Jericho (Negro Spiritual)  
Poor Mourner's Got a Home At Last  
(Negro Spiritual) ....................

Careless Love (Cowboy Song) .................... Arr. de Keith McLeod
Black-Eyed Susie (Mountain Song) ......... Arr. de M. Bartholomew

### 6. Canciones Estudiantiles

Laughing Song (Alemania) .................................... Franz Abt

O Tremsinho (Brasil) .................................... Villa-Lobos

A Barn Song (Noruega) .................................... Edvard Grieg

Neath the Elms .................................... Yale Song Book

YALE GLEE CLUB PROGRAM

For the Second Concert in Ciudad Trujillo, Wednesday, April 4, 1951

Marshall Bartholomew
Conductor

I. STUDENT SONGS

<table><tr><td>(36)</td><td>'Neath the Elms</td></tr><tr><td>(37)</td><td>Show Me the Scotchman</td></tr><tr><td>(31)</td><td>Laughing Song (German)</td></tr><tr><td>(32)</td><td>O Tremsinho (Brazilian)</td></tr><tr><td>(35)</td><td>Hiking Song (Swedish)</td></tr><tr><td>(30)</td><td>Fill Every Glass (English)<br/>From "The Beggar's Opera"</td></tr></table>

<table><tr><td>From the Yale Song Book</td></tr><tr><td>Franz Abt</td></tr><tr><td>Heitor Villa-Lobos</td></tr><tr><td>Arr. by Channing Lefebvre</td></tr><tr><td>Arr. by Frederic Austin</td></tr></table>

II. OLD ENGLISH SONGS

<table><tr><td>(26)</td><td>How Merrily We Live</td><td>Michael Este (1600)</td></tr><tr><td>(27)</td><td>The Bells In the Steeple</td><td>Giuseppe Sammartini (1693-1750)</td></tr><tr><td>(28)</td><td>The Nightingale</td><td>Thomas Weelkes (1623)</td></tr><tr><td></td><td></td><td>Arr. by Archibald T. Davison</td></tr><tr><td>(29)</td><td>Now Is the Month of Maying</td><td>Thomas Morley (1557-1603)</td></tr></table>

<table><tr><td>(3)</td><td>*Truth Shall Deliver<br/>Text adapted from Geoffrey Chaucer (1340-1400)<br/>Preces sem palavres</td><td>William Schuman<br/>Heitor Villa-Lobos<br/>Randall Thompson</td></tr><tr><td>(5)</td><td>*Tarantella<br/>* Composed for the Yale Glee Club</td><td></td></tr></table>

INTERMISSION

IV. LATIN AMERICAN SONGS

<table><tr><td>(11)</td><td>La Bayamesa (Cuba)<br/>Words by José Fornaris</td><td>Francisco Castillo<br/>Fernández Juncos</td></tr><tr><td>(10)</td><td>Borinquen (Puerto Rico)<br/>Arranged for the Yale Club by Augusto Rodríguez</td><td>Arr. by Heitor Villa-Lobos<br/>Arr. by Rosa Mercedes A. de Morales</td></tr><tr><td>(9)</td><td>Na Bahia Tem (Brazil)</td><td></td></tr><tr><td>(6)</td><td>La conch'é perla<br/>Folklore Costeño (Perú)</td><td></td></tr></table>

V. AMERICAN FOLK SONGS

<table><tr><td>(14)</td><td>Shenandoah (Sea Chantey)</td><td>Arr. by M. Bartholomew</td></tr><tr><td>(16)</td><td>What Shall We Do With A Drunken Sailor?<br/>(Sea Chantey)</td><td>Arr. by John W. Work</td></tr><tr><td>(22)</td><td>This Ol' Hammer (Work Song)</td><td>Arr. by M. Bartholomew</td></tr><tr><td>(24)</td><td>Black-Eyed Susie (Mountain Song)</td><td></td></tr><tr><td>(21)</td><td>Roll, Jordan, Roll (Negro Spiritual)</td><td>Arr. by M. Bartholomew</td></tr><tr><td>(20)</td><td>Little Innocent Lamb (Negro Spiritual)</td><td></td></tr></table>

Program

(38) I. A SONG FOR OLD YALE

Thomas G. Shepard
Words by J. K. Lombard, '54

II. SONGS BY CONTEMPORY COMPOSERS

(3) *TRUTH SHALL DELIVER . . . . . William Schuman
Text adapted from Geoffrey Chaucer (1340-1400)
PRECES SEM PALAVRES . . . . . Heitor Villa-Lobos

(5) *TARANTELLA . . . . . . . . . . Randall Thompson
Words by Hilaire Belloc
MOUNTAIN NIGHTS . . . . . . . . Zoltán Kodály
*Composed for the Yale Glee Club

III. OLD ENGLISH SONGS

(25) SOUND THE TRUMPET . . Henry Purcell (1658-1695)

(26) HOW MERRILY WE LIVE . . . . Michael Este (1600)

(28) THE NIGHTINGALE . . . . . Thomas Weelkes (1623)
Arr. by Archibald T. Davison

(29) NOW IS THE MONTH OF MAYING
Thomas Morley (1557-1603)

IV. RELIGIOUS MUSIC

(1) AVE MARIA . . . . Tomás Luíz de Victoria (1540-1608)

(2) SALVATION BELONGETH TO OUR GOD
Paul Tchesnokov

# YALE GLEE CLUB

## *Conductor*

MARSHALL BARTHOLOMEW

## OFFICERS

* JOHN H. HOAGLAND, JR., '51, *President*

* CONNER M. FAY, '51, *Manager*

* JOHN S. ROSS, JR., '51, *Publicity Manager*

* JOHN P. STEVENS, III, '51, *Historian*

Student singing at Yale has had a continuous and organized existence since 1813. Inaugurated by members of the Junior class of that year, it was first called the Yale Musical Society, and its membership was limited to twelve men. The first Glee Club at Yale of any considerable size was founded in 1860 by members of the class of 1863.

Over the past twenty-five years the Yale Glee Club has established an outstanding reputation for excellence in performance. It has appeared in every principal city of the United States, has made five European tours and a thirteen thousand mile tour of South America.

In 1921 Marshall Bartholomew, '07, became Director of the Yale Glee Club and also since 1931 has been President of the International Student Music Council, created to promote friendly relations between the singing students of Europe and the United States. Not neglecting his own native music, Mr. Bartholomew has been instrumental in keeping alive an interest in American folk songs. His collections and arrangements are to be found in most of the libraries of male chorus music in this country.

ITINERARY OF THE

YALE GLEE CLUB

1951 Spring Vacation Tour

MARCH 28 — APRIL 8

MARSHALL BARTHOLOMEW, 07S
Director

FENNO F. HEATH, JR., 49
Assistant Director

JOHN H. HOAGLAND, 51
President

CONNERS M. FAY, 51
Manager

RICHARD G. MASON, 52e
Assistant Manager

JOHN S. ROSS, JR., 51
Publicity Manager

JOHN P. STEVENS, 3d, 51
Historian

MAIL AND TELEGRAPH ADDRESSES
(Always state "c/o Yale Glee Club")

MARCH 29-30—Hotel Vedado, Havana, Cuba

MARCH 31—Hotel Imperial, Santiago de Cuba

APRIL 1-2—Thorland International Club,
Port-au-Prince, Haiti

APRIL 3-4—Hotel Jaragua, Ciudad Trujillo,
Dominican Republic

APRIL 5-6—Hotel Caribe-Hilton, San Juan,
Puerto Rico

APRIL 7—c/o David Hume, c/o August Dorr
Advertising, Inc., 130 Biscayne
Blvd., Miami, Florida

ITINERARY

March 28 (Wednesday) Leave **New Haven** by train 12:50 p.m. Arrive **New York** 2:15. Check baggage PAA office, Air Terminal Bldg., 80 East 42d Street. Leave by chartered bus 4:30. Leave Idlewild Airport PAA chartered plane at 6:00.

March 29 (Thursday) Arrive **Havana** 12:30 a.m. Headquarters Country Club (45 men), Hotel Vedado (8 men). Rehearsal Teatro Auditorium de la Sociedad Pro-Arte Musical. Afternoon free. Two concerts in Pro-Arte Auditorium at 5:00 and 9:00. Curfew 2:00 a.m.

March 30 (Friday) Morning free. Rehearsal in Pro-Arte Auditorium 11:30 a.m. Lunch at Havana Yacht Club 1:00 p.m. Reception American Embassy 6:00. Concert in Pro-Arte Auditorium 9:30. Midnight curfew.

March 31 (Saturday) Leave Airport 7:00 a.m. Arrive **Santiago** 10:30. Headquarters Hotels Casa Granda and Imperial. Lunch at 12:00 and supper at 6:00 in these hotels. Siesta 1:00 to 3:30. Reception Universidad de Oriente 4:00. Concert in Teatro Cuba 9:00. Dance at the Country Club. 2:00 a.m. curfew.

April 1 (Sunday) Leave Airport 10:00 a.m. and 2:30 p.m. Arrive **Port-au-Prince** 11:30 a.m. and 4:00 p.m. Headquarters

Thorland International Club. All meals at the Club. Afternoon free—transportation provided. Concert in Théâtre de Verdure 8:00 p.m. Reception in the Palais National 10:30.

April 2 (Monday) Trip through city and to Kenscoff starting 9:00 a.m. Lunch at Châtelet des Fleurs 1:00 p.m. Reception at American Embassy at 5:00. Dinner and entertainment in Cabane Choucoune, Pétionville, 8:00. Curfew 1:00 a.m.

April 3 (Tuesday) Leave Airport at 9:00 a.m. Arrive **Ciudad Trujillo** 11:00. Headquarters Hotel Jaragua. **Laundry service available.** Rehearsal 11:30 Palacio Nacional. Luncheon and afternoon free—transportation provided. Reception American Embassy 5:00. Concert Palacio Nacional 8:30, followed by reception.

April 4 (Wednesday) Morning free—transportation provided. Rehearsal 11:30 in hotel. Luncheon 12:30 as guests of Yale Alumni. Afternoon free. Concert in Universidad de Santo Domingo 7:00, followed by reception and dance at the University. Midnight curfew.

April 5 (Thursday) Leave Airport at 8:00 a.m. Arrive **San Juan** 10:30 and change immediately to Caribbean-Atlantic Airlines for short flight to **Mayaguez**. Lunch at Shooting Club at 12:00 noon. Concert

at University (College of Agriculture and
Mechanical Arts) 3:00 p.m. Return by
air to **San Juan** 5:30 p.m. Headquarters
Caribe-Hilton Hotel. **Laundry service
available.** Dinner and joint concert with
Coro Universitario de Puerto Rico in the
Club Caribe 7:30 p.m.

**April 6 (Friday)** Concert at San Patricio Veterans Hospital 10:30 a.m. Lunch by invitation of the Mayoress, Honorable Felissa Rinconde Gauthier in the San Juan City Hall. Sight-seeing trip 2:15. Supper in Caribe-Hilton at 6:00. Concert in Auditorium of Universidad de Puerto Rico, Rio Piedras, 8:30. Reception at residence of Chancellor Jaime Benítez 11:00. Curfew 1:00 a.m.

**April 7 (Saturday)** Leave Airport 10:00 a.m. Arrive **Miami** 2:30 p.m. Headquarters University of Miami. Bus leaves University for concert 7:30 p.m. Concert in Dade County Auditorium 8:30. Midnight bus to University, or return later at your own expense.

**April 8 (Sunday)** Leave Miami Airport 10:00 a.m. Arrive Idlewild at 2:30 p.m. Chartered bus directly from Airport to **New Haven**.

Hasta la vista!

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STAMFORD HIGH SCHOOL AUDITORIUM

Friday, November 10, 1950, at 8:00 P.M.

Sponsored by
THE STAMFORD ROTARY CLUB
Community Service Fund

Program

I. A Song for Old Yale .................................................... Thomas G. Shepard
Words by J. K. Lombard, 1854

II. Hosanna to the Living Lord ............................................ J. S. Bach
Salvation Belongeth to Our God ...................................... Paul Tchesnokov
Evening Revery .................................................................... Toivo Kuula
Mountain Nights .................................................................... Zoltán Kodály

<table><tr><td>Happy Are We Met</td><td>Published in London in 1764</td></tr><tr><td>How Merrily We Live</td><td>Michael Este (1600)</td></tr><tr><td>The Nightingale</td><td>Thomas Weelkes ( -1623)</td></tr></table>

Semi-Chorus

IV. Let Us Take the Road} From the "Beggar's Opera" .................... Gay-Austin
Fill Every Glass }

—INTERMISSION—

V. American Folk Songs

Lowlands (Sea Chanty) ............................................ Arr. Earl Roland Larson

Baritone solo by Duane M. Thomas

Black-Eyed Susie } Mountain Songs of the Southern Appalachians
The First On My Charm }

Poor Mourner's Got A Home At Last } Negro Spirituals
Same Train
Little Innocent Lamb

This Ol' Hammer .................................................... Arr. John W. Work

VI. Whiffenpoofs of 1951

VII. Songs of Yale

Gaudeamus } From the Yale Song Book
Mother of Men
'Neath the Elms }

Battle of the Books .................................................... Arthur Hall
Words by Fairfax Downey, 1915

Words by H. S. Durand, 1881

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Yale Glee Club

CONCERT SEASON OF 1950-1951

Marshall Bartholomew, *Director*

OFFICERS

JOHN H. HOAGLAND, JR. — President

CONNER M. FAY — Manager

JOHN S. ROSS, JR. — Publicity Manager

JOHN P. STEVENS, III — Historian

MEMBERS OF THE CHORUS

Theodore W. Blake, Litchfield, Conn.

Charles P. Cardeiro, Hingham, Mass.

Oliver T. Carpenter, Amityville, N.Y.

Samuel P. W. Carter, Irvington, N.Y.

Vere C. Chappell, Rochester, N.Y.

James S. Darling, Jr., Hampton, Va.

James E. Duffy, III, Guilford, Conn.

Albert E. Evans, Jr., Briarcliff Manor, N.Y.

William F. Frech, Jr., Floral Park, N.Y.

Gordon Hattersley, Philadelphia, Pa.

Peter T. Jones, Pelham, N.Y.

James D. Kenney, Waterbury, Conn.

Richard A. Kimball, Jr., New York, N.Y.

Walter G. Langlois, Jr., Springfield, Mass.

James S. MacNider, Forest Hills, N.Y.

Richard G. Mason, Woonsocket, R.I.

Craig Mathews, Columbus, Ohio

Konrad H. Matthaei, Ann Arbor, Mich.

William H. Moorhead, Larchmont, N.Y.

Stephen Moulton, Boston, Mass.

Gerald O. Payne, Dubuque, Iowa

Daniel S. Pettee, Summit, N.J.

David N. Platt, Bronxville, N.Y.

David S. Powell, East Northfield, Mass.

George C. Pratt, Corning, N.Y.

John L. Preston, Ishpeming, Mich.

Douglas C. Prizer, West Orange, N.J.

Stanley A. Ransom, Jr., West Hartland, Conn.

William C. Rhangos, Lowell, Mass.

Jean F. Ross, Colorado Springs, Col.

John S. Ross, Jr., Rye, N.Y.

Jay A. Schlaikjer, Weston, Mass.

Leonard M. Sperry, Jr., Chicago, Ill.

John P. Stevens, III, S. Plainfield, N.J.

William A. Stone, Uniontown, Pa.

David S. Swanson, Scarsdale, N.Y.

Carol M. Thomas, Washington, D.C.

Duane M. Thomas, Boise, Idaho

Oakleigh Thorne, II, Islip, N.Y.

John H. Trattner, Richmond, Va.

John L. Wallace, St. Albans, N.Y.

David Weild, III, Brooklyn, N.Y.

Clayton J. Westermann, New York, N.Y.

David B. Woodworth, River Edge, N.J.

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YALE GLEE CLUB

MARSHALL BARTHOLOMEW, Conductor
assisted by the
APOLLO GLEE CLUB OF YALE UNIVERSITY

BENEFIT CONCERT
YALE WESTCHESTER SCHOLARSHIP FUND

WESTCHESTER COUNTY CENTER

White Plains, New York

APRIL 20, 1951

AUSPICES: YALE WESTCHESTER ALUMNI ASSOCIATION

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YALE GLEE CLUB

APRIL 20, 1951

PROGRAM — *Continued*

IV. RELIGIOUS MUSIC

AVE MARIA................... *Tomas Luiz de Victoria* (1540-1608)

YALE GLEE CLUB

ECCE JAM NOCTIS.................. *George W. Chadwick*

Hymn by St. Gregory

YE WATCHERS AND YE HOLY ONES.. *17th Century German Melody*

Arr. by Archibald T. Davison

YALE AND APOLLO GLEE CLUBS

INTERMISSION

PART II

V. FOLK SONGS OF LATIN AMERICA

Conducted by AUGUSTO RODRIGUEZ, Director of the
Coro Universitario de Puerto Rico

BORIQUEN (Puerto Rico).................. *Fernandez Juncos*

NA BAHIA TEM (Brazil)................... *H. Villa-Lobos*

LA BAYAMESA (Cuba)..................... *Francisco Castillo*

Words by José Fornaris, Solo by Duane M. Thomas

LA CONCH'E PERLA (Peru)............ *Rosa Mercedes A. de Morales*

VI. FOLK SONGS OF THE U.S.A.

THE DRUNKEN SAILOR } Arr. by Marshall Bartholomew
SHENANDOAH

Sea Chanteys

BATTLE OF JERICHO } 
LITTLE INNOCENT LAMB } 

Arr. by Marshall Bartholomew

Negro Spirituals

CARELESS LOVE (Cowboy Song)........... *Arr. by Keith McLeod*

BLACK-EYED SUSIE.................. *North Carolina Mountain Folk Fancy*

VII. THE WHIFFENPOOFS OF 1951

Thomas Aikens

Conner Fay

John Kittredge

Thomas Babbitt

William Frech

Carl Koehler

James Duffy

Thomas Hawes

David Platt

John Eden

James Hickox

John Ross

John Hoagland

VIII. SONGS OF YALE

MOTHER OF MEN
AURA LEE
SHOW ME THE SCOTCHMAN
'NEATH THE ELMS
BRIGHT COLLEGE YEARS

From the Yale Song Book

YALE AND APOLLO GLEE CLUBS

YALE GLEE CLUB

and

WHIFFENPOOF

CONCERT

Marshall Bartholomew

Conductor

PHILIP LIVINGSTON JUNIOR HIGH SCHOOL

Albany, New York

DECEMBER 18, 1950

YALE ALUMNI ASSOCIATION OF NORTHEASTERN NEW YORK