FENNO HEATH, '50 Director

JOHN H. STEWART, '62 Assistant Conductor

CARL F. KAESTLE, '62 Accompanist

PROGRAM

I. Guadeamus Igitur

(Sung at the first Yale Glee Club Concert at Guilford, Conn., Feb. 27, 1861)

II. SACRED MUSIC

Ave Maria .................................................................................... Tomas Luis de Victoria (1548-1611)

Repleti Sunt Omnes .................................................................... Jacob (Gallus) Handl (1550-1591)

Double-chorus

III. CONTEMPORARY MUSIC

Chanson a Boire (Drinking Song) .................................................... Francois Poulenc (1922)

Death, Be Not Proud .................................................................... Fenno Heath (1960)

(Written in honor of the Yale Glee Club's Centennial Year)

Poem by John Donne

IV.

The Silver Swan .................................................................... Orlando Gibbons (1583-1625)

The Nightingale .................................................................... Thomas Weelkes (d. 1623)

The Turtle Dove (English Folksong) .................................................... arr. by Ralph Vaughan Williams

Baritone solo: Patrick L. Calleo, '61

Semi-chorus prepared by John H. Stewart

V. Coronation Scene from "Boris Goudonov" .................................... Modest Petrovitch Moussorgsky (1835-1881)

Accompanists: Carl F. Kaestle, '62
Irwin R. Gage, '62 Mus.

INTERMISSION

VI. THE WHIFFENPOOFS OF 1961

VII. NEGRO SPIRITUALS

Little Innocent Lamb .................................................................... arr. Marshall Bartholomew, '07S

Didn't My Lord Deliver Daniel ............................................................ ) arr. Fenno Heath

My Lord, What A Morning .................................................................... )

Baritone solo: William C. Gross, '62

This Old Hammer .................................................................... arr. John Work, '33 Mus.

Tenor solo: John H. Stewart

Soon-ah Will Be Done .................................................................... arr. William Dawson

VIII. SONGS OF YALE

Mother of Men .................................................................... Seth Bingham, '04

Words by Brian Hooker, '02

Eli Yale

Bandelero

'Neath The Elms .................................................................... arr. Gustave H. Stoeckel

Medley of Football Songs ............................................................ arr. Fenno Heath

Bright College Years .................................................................... Words by H. A. Durand, '01

## INTERMEDIO

### VI. UN GRUPO DE CANCIONES por el Tenor, Blake Stern

<table><tr><td>St. Ita's Vision</td><td>Samuel Barber</td></tr><tr><td>Wonne de Wehmut</td><td>Beethoven</td></tr><tr><td>Clair de Lune</td><td>Fauré</td></tr><tr><td>Paloma Blanca</td><td>Blas Galindo</td></tr><tr><td>Canción al Arbol del Olvido</td><td>Alberto Ginastera</td></tr><tr><td>Vai, Azulao</td><td>Camargo Guarnieri</td></tr><tr><td colspan="2">Acompañante: Víctor B. Weber</td></tr></table>

### VII. ESPIRITUALES NEGROS

<table><tr><td>Little Innocent Lamb</td><td>arr. Marshall Bartholomew</td></tr><tr><td>Didn't My Lord Deliver Daniel?</td><td>arr. Fenno Heath</td></tr><tr><td>My Lord, What a Mornin'</td><td>arr. Fenno Heath</td></tr><tr><td colspan="2">Solista: Barítono William G. Gross</td></tr><tr><td>Humble</td><td>arr. Marshall Bartholomew</td></tr><tr><td colspan="2">Solista: Tenor Amos T. Wilder</td></tr><tr><td>Soon-ah Will Be Done</td><td>arr. William Dawson</td></tr></table>

### VIII. CANCIONES DE ESTUDIANTES

<table><tr><td>Brothers, Sing On (Noruega)</td><td>Edward Grieg</td></tr><tr><td>Summer Evening (Finlandesca)</td><td>arr. Selim Palmgren</td></tr><tr><td colspan="2">Solista: Tenor John H. Stewart</td></tr><tr><td>Switzer Boy</td><td></td></tr><tr><td>Yodelers:</td><td></td></tr><tr><td>Crossan H. O' Donovan</td><td></td></tr><tr><td>Richard C. Carroll, Jr.</td><td></td></tr><tr><td>Douglas M. Griswold</td><td></td></tr><tr><td>Neath The Elms</td><td>arr. Gustave H. Stoeckel</td></tr><tr><td colspan="2">Palabras por H. Baldwin (1871)</td></tr></table>

I. MUSICA SACRA

<table><tr><td>Ave María</td><td>Tomas Luis de Vittoria</td><td>(1548-1611)</td></tr><tr><td>Repleti Sunt Omnes</td><td>Jacob (Gallus) Handl</td><td>(1550-1591)</td></tr><tr><td>Diffusa Est Gratia</td><td>Giovanni Maria Nanino</td><td>(1545-1607)</td></tr></table>

II. MUSICA CONTEMPORANEA

<table><tr><td>Tarantella</td><td>Randall Thompson</td><td>(1937)</td></tr><tr><td colspan="3">(Escrita para el Yale Glee Club)</td></tr><tr><td colspan="3">Acompañante: Carl. F. Kaestle</td></tr><tr><td>Death, Be Not Proud</td><td>Fenno Heath</td><td>(1960)</td></tr><tr><td colspan="3">(Escrito en honor del centenario del coro de Yale Glee Club)</td></tr><tr><td colspan="3">Poema de John Donne.</td></tr></table>

III. MUSICA INGLESA

<table><tr><td>We Be Soldiers Three (Air)</td><td>(1614)</td></tr><tr><td>The Nightingale</td><td>Thomas Weelkes</td><td>(1623)</td></tr><tr><td>The Turtle Dove (Canción Folklórica Inglesa)</td><td></td><td></td></tr><tr><td>arr. R. Vaughan Williams.</td><td></td><td></td></tr><tr><td colspan="3">Solista: Barítono William G. Gross</td></tr><tr><td colspan="3">Semi-coros preparados por John H. Stewart</td></tr></table>

IV. MUSICA SURAMERICANA

<table><tr><td>Na Bahía Tem (Brazil)</td><td>Heitor Villa Lobos</td></tr><tr><td>Pues Bien Yo Necesito (Perú)</td><td>Sánchez Málaga<br>arr. Arthur Hall</td></tr></table>

V.

<table><tr><td>The Omnipotence</td><td>Franz Schubert</td></tr><tr><td colspan="2">Solista: Tenor Blake Stern</td></tr><tr><td colspan="2">Acompañante: Víctor B. Weber</td></tr></table>

PROGRAMA:

I.-MUSICA SAGRADA.

Ave Maria .................................... Tomás Luis de Vittoria (1548-1611)

Repleti Sunt Omnes .......................... Jacob (Gallus) Handl (1550-1591)

Diffusa Est Gratia ............................ Giovanni Maria Nanino (1545-1607)

II.-MUSICA CONTEMPORANEA

Tarantella .................................... Randall Thompson (1937)
(Escrita para el Yale Glee Club)

(Acompañante: Carl F. Kaestle)

Muerte, No Seais Orgullosa .................... Fenno Heath (1960)
(Escrita para el Centenario del Yale Glee Club)

Poema de John Donne

III.-MUSICA INGLESA

Somos Tres Soldados (Tonadilla) .................... (1614)

El Ruiseñor .................................... Thomas Weelkes (1623)

La Tórtola (Canción Popular Inqlesa) ............ Arreg. R. Vaughan Williams
Barítono Solista: Williams G. Gross '62 - con el coro Semi-coro preparado
por John H. Stewart

IV.-MUSICA SUDAMERICANA

Na Bahia Tem (Brasil) ............................ Heitor Villa Lobos

Pues Bien Yo Necesito (Perú) .................... Sánchez Málaga
Arreg. Arthur Hall

V.-

La Omnipotencia .................................... Franz Schubert

Tenor Solista: Blake Stern con coro

Acompañante: Victor B. Weber

INTERMEDIO

VI.-UN GRUPO DE CANCIONES - Por el Tenor Blake Stern

Visión de Sta. Ita .................................... Samuel Barber

Wonne de Wehmut .................................... Beethoven

Clair de Lune .................................... Fauré

Paloma Blanca .................................... Blas Galindo

Canción al Arbol del Olvido ........................ Alberto Ginastera

Vai, Azulao .................................... Camargo Guarnieri

Acompaña: Victor B. Weber

VII.-CANTOS RELIGIOSOS DE LOS NEGROS

Corderito Inocente .................................... Arreg. Marshall Bartholomew

¡Acaso El Señor No Salvó a Daniel? ............ Arreg. Fenno Heath

Señor, Qué Mañana! ............................ Arreg. Fenno Heath

Barítono Solista: William G. Gross

Humilde .................................... Arreg. Marshall Bartholomew

Tenor Solits: Amos T. Wilder, '62

Pronto Acabaré .................................... Arreg. William Dawson

VII.-CANTOS ESTUDIANTILES

Hermanos, Seguid Cantando (Noruega) .................... Edvard Grieg

Noche de Verano (Finlandia) ............................ Arreg. Selim Palmgren

El Niño Suizo
Falsetistas: Crossan H. O'Donovan, '61

Richard C. Carroll, Jr. '62

Douglas M. Griswold, '61

Bajo Los Olmos .................................... Arreg. Gustave H. Stoeckel (1871)

Letra de H. Baldwin, '71

YALE GLEE CLUB PERSONNEL—1960-1961

Fenno F. Heath, Jr., '50...................Director
Degget Lee...................Concert Manager
Francis C. Pratt, '61...................President

Allan, Daniel S.
Anthony, Richard C.
Arscott, John G.
Barrett, John H.
Bingham, David B.
Bingham, John H. L.
Bowles, Wm. Carter, Jr.
Brandt, John H.
Calleo, Patrick L., Jr.
Carey, Cameron
Carroll, Richard, Jr.
Dalton, Charles F.
Dean, William L.
Deines, Johann P.
Dionne, Walter A.
Fleishman, Joel I.
Elson, R. Anthony

Gage, Irwin R.
Garrison, John D., Jr.
Gerlach, John Allen
Girdler, Lewis
Grandy, Jeffrey R.
Grant, Charles M.
Griswold, Douglas M.
Gross, William G.
Gryboski, Robert A.
Hagele, F. John
Hamada, Paul M.
Harkness, John F.
Hausman Warren H.
Heinz, Thomas C.
Kaestle, Carl F.
Knoll, Samuel H.

Richard C. Anthony, '61...................Manager
Warren H. Hausman, '61...................Historian
Amos T. Wilder, '62...................Stage Manager

Knudson, Peder H.
Knutson, John F.
Koehler, David J.
Lindsay, Dale A.
Leonard, Harry E.
Lew, Robert A.
Long, Jeffrey W.
McLane, James W.
McMillan, Francis W.
Marshall, Peter J.
Mathis, John B.
Mazza, Thomas C.
Neely, Frank W.
North, Daniel W.
O'Donovan, John C.
Parker, Thomas G.

Periman, Phillip O'K.
Pratt, Francis C.
Pruett, Gordon E.
Richelson, Paul W.
Russ, James H.
Simpson, Daniel H.
Simek, Charles J.
Sipple, Peter W.
Siphron, David C.
Spratlan, M. Lewis
Stewart, John H.
Tewksbury, Baird R.
Veale, William W. B.
Walsh, John J., Jr.
Wheeler, Murray, Jr.
Wilder, Amos T.

CENTENNIAL YEAR

1860-1861

The 1960-61 season marks the Hundredth Anniversary of the Yale Glee Club.

Throughout its career the organization has been fortunate in having directors of high caliber. Much of the early growth and success of the club was due to the efforts of Gustav Stoeckel, an outstanding Bavarian musician who joined the Yale faculty in 1855. Many of his compositions and arrangements are still popular today. He was succeeded as director of the club by Thomas G. Shepard in 1873, and then by G. Frank Goodale until 1921 when Marshall Bartholomew took over.

Under Mr. Bartholomew's leadership, the group achieved national prominence by winning the National Championship in the Intercollegiate Glee Club contests of 1924 and 1925. To the winning of these trophies were added numerous regional contest victories, and the Yale Glee Club soon became synonymous with male chorus singing at its finest. With Mr. Bartholomew at the helm, the singers appeared in every principal city of the United States and were enthusiastically received abroad in the course of five European concert tours. It was in Germany during the 1949 tour that the Glee Club reintroduced numerous German yodels and student songs which had not been heard for many years since Hitler had banned the traditional university singing organizations. In this way, after nearly a century, the songs which Stoeckel had brought to the United States in 1849 had completed a full circle.

In addition to directing the Yale Glee Club, Marshall Bartholomew did much to enrich the repertoire of male choruses throughout the world with his arrangements of American folk music. His retirement

1960-1961

introduced Fenno Heath, who had graduated from Yale College only three years before and had sung in the Yale Glee Club and the Whiffenpoofs, as well as having served as the director of the Apollo Glee Club while still an undergraduate. His talent as a composer and his excellence in conducting have won him a reputation as one of America's most gifted young musicians.

Under Mr. Heath's direction, the Glee Club has embarked upon two additional summer tours of Europe. At the Eisteddfod at Llangollen, Wales in 1954, the Yale singers came in with a highly respectable second place in competition with eighteen of the best adult European male choruses. The most recent tour, that of 1958, found the group behind the Iron Curtain in Poland and Czechoslovakia for the first time since the outbreak of the Second World War.

Not limiting itself to Europe, the Yale Glee Club was the first student chorus from North America to sing south of the Equator when it toured South America in 1941. Ten years later it was the first North American university glee club to make a trip to the West Indies. Added to these excursions have been two extended Pacific Coast tours. At the close of the second of these tours in 1956, the Club sang at the famous Berkshire Festival with the Boston Symphony Orchestra at Tanglewood.

Since the termination of the Second World War the Yale Glee Club has performed a major choral work either with the New Haven Symphony or the University Orchestra, professional soloists and the chorus of either Smith or Connecticut College. A combination of serious and light music is the Glee Club's distinguishing feature and explains the degree of success it has enjoyed since its inception.

6

YALE GLEE CLUB PROGRAM

Richmond, Va., December 22, 1960

FENNO F. HEATH, Jr., '50, Director

JOHN H. STEWART, '62, Assistant conductor

CARL F. KAESTLE, '62, Accompanist

IRWIN R. GAGE, '63 Mus., Accompanist

I. Gaudeamus Igitur

II. Sacred Music

a. Ave Maria.................................................... TOMAS LUIS DE VICTORIA (1548-1611)

b. Repleti Sunt Omnes.................................... JACOB (GALLUS) HANDL (1550-1591)

Double-chorus

III. Contemporary Music

a. Chanson à Boire (Drinking Song).................... FRANCIS POULENC (1922)

b. Death, Be Not Proud.................................... FENNO F. HEATH, JR. (1960)

Poem by JOHN DONNE

IV. The Silver Swan............................................ ORLANDO GIBBONS (1583-1625)

The Nightingale................................................ THOMAS WEELKES (d. 1623)

The Turtle Dove................................................ English Folksong arr. by RALPH VAUGHAN WILLIAMS

Baritone solo: PATRICK L. CALLEO, '61

Semi-chorus prepared by JOHN H. STEWART '62

V. Coronation Scene from "Boris Goudonov"................... MODEST PETROVICH MUSSORGSKY (1835-1881)

Accompanists: CARL F. KAESTLE, '62
IRWIN R. GAGE, '63 Mus.

VI. Christmas Music

Good King Wenceslaus.................................... arr. CHANNING LEFEBVRE

In Dulci Jubilo............................................ Ancient German Carol, arr. ARCHIBALD T. DAVISON

Deck The Hall.................................................... arr. FENNO F. HEATH, JR.

INTERMISSION

VII. The Whiffenpoofs of 1961 (See page 7)

VIII. Negro Spirituals

a. Little Innocent Lamb.................................... arr. MARSHALL BARTHOLOMEW '07s

b. Didn't My Lord Deliver Daniel? ............................ arr. FENNO F. HEATH, JR.

c. My Lord, What a Morning { ............................ Baritone solo: WILLIAM GROSS, '62

d. This Old Hammer.................................... arr. JOHN WORK '33 M.

e. Soon-ah Will Be Done.................................... Tenor solo: JOHN H. STEWART '62

e. Soon-ah Will Be Done.................................... arr. WILLIAM DAWSON

IX. Songs of Yale

Mother of Men.................................................... SETH BINGHAM, '04

Eli Yale—Bass Soloist: WILLIAM L. DEAN, '61

Bandolero
The Switzer Boy (triple yodel)—Yodelers: DOUGLAS M. GRISWOLD '61

Bandolero
The Switzer Boy (triple yodel)—Yodelers: DOUGLAS M. GRISWOLD '61
JEFFREY R. GRANDY, '61

Bandolero
The Switzer Boy (triple yodel)—Yodelers: DOUGLAS M. GRISWOLD '61
RICHARD C. CARROLL, JR., '62

Neath the Elms.................................................... arr. GUSTAVE H. STOECKEL

Bright College Years Words by: H. A. DURAND, '01

BRIGHT COLLEGE YEARS

Bright college years, with pleasure rife,
The shortest, gladdest years of life;
How swiftly are ye gliding by,
Oh, why doth time so quickly fly!
The seasons come, the seasons go,
The earth is green, or white with snow;
But time and change shall nought avail
To break the friendships formed at Yale.

In after-years, should troubles rise
To cloud the blue of sunny skies,
How bright will seem, through memory's haze,
The happy, golden, bygone days!
Oh, let us strive that ever we
May let these words our watch-cry be,
Where'er upon life's sea we sail:
"For God, for Country, and for Yale."

4

### III.

Coronation Scene from "Boris Goudonov"
Modest Petrovitch Moussorgsky (1835-1881)

## THE COMBINED GLEE CLUBS

### — INTERMISSION —

### IV.

Little Innocent Lamb .................................... arr. Marshall Bartholomew, '07S
Didn't My Lord Deliver Daniel? .......................... } arr. Fenno Heath
My Lord, What a Morning .................................. 
Baritone solo: William G. Gross, '62

This Old Hammer ............................................ arr. John Work, '33 Mus
Tenor solo: John H. Stewart

Soon-ah Will Be Done .................................... arr. William Dawson

Medley of Football songs .................................. arr. Fenno Heath

## THE YALE GLEE CLUB

### V.

The WHIFFENPOOFS of 1961

### VI.

Amo Amas I Love A Lass (English Glee) .................... Anonymous (18th Century)

Two Negro Spirituals ............................................ arr. Walter Nollner

Listen To The Lambs
Tenor: Robert Low, '63

You Better Git Religion, Sinner Man
Bass: Jon Smidt Baritone: Elliott Chapin, '64

He Is There! ........................................................................ Charles Ives
Soloists: Joel Rosenman, '63, Warren Emley, '63,
Paul Festersen, Yale '61, Piccolo

To the Tiger (with apologies to J.H.)

Princeton Football Medley .................................... arr. by J. Merrill Knapp

## THE PRINCETON GLEE CLUB

### VII.

Old Nassau
Bright College Years

YALE AND PRINCETON GLEE CLUBS

Yale-Princeton Glee Clubs

Friday, November 11, 1960

CONDUCTORS:

Fenno Heath, Yale

Walter Nollner, Princeton

PROGRAM

I.

Buccinate in neomenia tuba .................................................. Heinrich Schütz
Clarinet: Robert Sholz, '61      Keyboard: James Fisher, '64
Oboe: Tuck Howe, '64

Lullay lullow (British carol) ................................. Anonymous (15th Century)
Soloists: Wilbur Belt, '63, Michael Hewitt, '62,
Clinton Jakeman, '61, Edward Wilson, '63

Mein Lieb will mit mir kriegen ............................................ Hans Leo Hassler
arr. by Walter Nollner

To the women .................................................................... Joseph Haydn

Contradiction .................................................................... Franz Schubert

THE PRINCETON GLEE CLUB

II.

Gaudeamus Igitur
(Sung at the first Yale Glee Club concert at Guilford, Conn., Feb. 27, 1861)

Ave Maria .................................................... Tomas Luis de Victoria (1548-1611)

Repleti Sunt Omnes .................................... Jacob (Gallus) Handl (1550-1591)
Double-chorus

The Turtle Dove .................................................................... English Folksong
arr. by Ralph Vaughan Williams
Baritone solo: Patrick L. Calleo, '61
Semi-chorus prepared by John H. Stewart, '62

Chanson à Boire (Drinking Song) ........................ Francis Poulenc (1922)

THE YALE GLEE CLUB

YALE GLEE CLUB

1860 - 1861

CENTENNIAL YEAR

Director - FENNO HEATH

— PROGRAM —

AVON OLD FARMS - NOVEMBER 4, 1960

1960 - 1961

I. Gaudeamus Igitur

(Sung at the first Yale Glee Club Concert at Guilford, Conn., February 27, 1861)

II. Sacred Music

Ave Maria .................................... Tomas Luis de Victoria (1548-1611)

Repleti Sunt Omnes Jacob (Gallus) Handl (1550-1591)

Double-Chorus

III. Contemporary Music

Chanson a Boire (Drinking Song) ............ Francois Poulenc (1922 )

Death, Be Not Proud .................................... Fenno Heath (1960)

Poem by John Donne

IV.

The Silver Swan .................................... Orlando Gibbons (1583-1625)

The Nightingale .................................... Thomas Weelkes (d. 1623)

The Turtle Dove .................................... English Folksong
arr. by Ralph Vaughan Williams

V.

Coronation Scene from "Boris Goudonov"............Modest Petrovitch
Moussorgsky (1835-1881)

— INTERMISSION —

VI. The Wiffenpoofs of 1961

VII. Negro Spirituals

Little Innocent Lamb .................... arr. Marshall Bartholomew '07S

Didn't My Lord Deliver Daniel ............ arr. Fenno Heath

My Lord, What a Morning

Baritone Solo: William G. Gross, III '62

This Old Hammer ............................ arr. John Work '33 Mus.

Tenor Solo: John H. Stewart

VIII. Song of Yale

Mother of Men .................................... Seth Bingham, '04

Words by Brian Hooker, '02

Eli Yale .................................... Solist: William G. Gross, III '62

Bandolero

Neath The Elms .................................... arr. Gustave H. Stoeckel

Medley of Football Songs .................................... arr. Fenno Heath

Bright College Years ............................ Words by H. A. Durant, '01

VIII. CANÇÕES ESTUDANTIS

Brothers, Sing On (Noruega) ... Edward Grieg
Summer Evening (Finlandia)... arr. Selim Palmgren
Solista (Tenor): John H. Stewart
Switzer Boy
"Yodel" por: Crossan H. O'Donovan, '61
Richard C. Carroll Jr., '62
Douglas M. Griswold, '61

'Neath The Elms' ... arr. Gustave H. Stoeckel (1871)

Letra de H. Baldwin, '71

Fenno Heath, '50, Director
John H. Stewart, '62 Diretor-Assistente
Artista Convidado: Blake Stern (Tenor)
Acompanhadores:
Carl F. Kaestle, '62
Victor B. Weber, '61

THE YALE GLEE CLUB

Comemora o "YALE GLEE CLUB" este ano o Primeiro Centenário.

Originando de vários grupos formados para a execução de obras sacras, e, posteriormente de canções profanas e estudantís em reuniões colegiais, foi a 27 de fevereiro de 1861, em Guilford, que surgiu, no concerto inaugural o "YALE GLEE CLUB" que logo tomou vulto ocupando hoje, ao completar cem anos de existência, grande renome, dentro e fora de seu país, pela excelência de seu Côro Masculino integrado por Universitários de Yale.

A trajetória fulgurante tida pelo Glee Club deve-se aos diretores artísticos de elevada categoria desde sua fundação. Um dos primeiros foi Gustav Stoeckel, músico bávaro que integrou a Faculdade de Yale em 1855. Muitas das suas composições e arranjos encontram até hoje grande popularidade. Seu conhecidíssimo arranjo do "Neath the Elm" (Sob o Ulmo) figura constantemente nos programas do Club. Sucedeu a Stoeckel como Diretor, Thomas G. Shepard em 1873, e, após êste, G. Frank Goodale até 1921, quando assumiu a direção Marshall Bartholomew, o qual havia de guindar o conjunto a renomada nacional, vencendo consecutivamente em 1924 e 1925, o Campeonato Nacional nos Concursos Intercolegiais dos Glee Clubs. A êstes troféus foram acrescidas numerosas vitórias em certames regionais e o Yale Glee Club como côro masculino tornou-se *primus inter pares*. Aplaudido nas principais cidades dos Estados Unidos, também o foi nas suas excursões constantes a Europa. Na Alemanha, em 1949, o Glee Club re-introduziu numerosas canções de "yodel" e outras estudantís que deixaram de ser ouvidas desde que Hitler baniu as tradicionais organizações universitárias de canto coral. Destarte, após quase um século, as canções outrora trazidas por Stockel aos Estados Unidos em 1848, descreveram um círculo completo.

O vulto de Marshall Bartholomew não se restringiu à direção do Yale Glee Club, pois contribuiu também para enriquecer o repertório universal da música para côro masculino, por via de seus ótimos arranjos da música folclórica americana. A retirada de Marshall Bartholomeu em 1953, trouxe para o seu pôsto o musicista FENNO HEATH que três anos antes havia graduado de Yale onde sempre se identificou com as atividades corais. É também compositor contando com muitas obras, tanto para vozes masculinas como para coros mistos. Em homenagem ao Ano Centenário, Fenno Heath musicou o poema "Death, Be Not Proud" de John Donne, obra incluída no programa de hoje. Sob a direção do atual diretor, o Yale Glee Club já atuou com a Orquestra Sinfônica de Boston. Em 1954, no País de Gales, no famoso Concurso de Eisteddfod em LLangollen, tirou o honroso

PROGRAMA

I. MÚSICA SACRA

<table><tr><td>Ave Maria</td><td>Tomas Luis de Vittoria (1548-1611)</td></tr><tr><td>Repleti Sunt Omnes</td><td>Jacob (Gallus) Handl (1550-1591)</td></tr><tr><td>Diffusa Est Gratia</td><td>Giovanni Maria Nanino (1545-1607)</td></tr></table>

II. MÚSICA CONTEMPORÂNEA

<table><tr><td>Tarantella</td><td>Randall Thompson (1937)</td></tr></table>

(Composta para o Yale Glee Club)

Acompanhador: Carl F. Kaestle

<table><tr><td>Death, Be Not Proud</td><td>Fenno Heath (1960)</td></tr><tr><td colspan="2">(Composta em homenagem ao Centenário do Yale Glee Club)</td></tr><tr><td colspan="2">Poema de John Donne</td></tr></table>

III. MÚSICA INGLÊSA

<table><tr><td>The Nightingale</td><td>Thomas Weelkes (— 1623)</td></tr><tr><td>Matona, Lovely Maiden</td><td>Orlando Di Lassus</td></tr><tr><td>The Turtle Dove (Canção in-glêsa folclórica)</td><td>arr. R. Vaughan Williams</td></tr></table>

Solista (barítono): William G. Gross '62 com côro. Côro reduzido pre-parado por John H. Stewart.

IV. MÚSICA SUL-AMERICANA

<table><tr><td>Na Bahia Tem (Brasil)</td><td>Heitor Villa Lobos</td></tr><tr><td>Pues Bien Yo Necesito (Peru)</td><td>Sanchez Malaga</td></tr><tr><td>(Solo W. G. Gross)</td><td>arr. Arthur Hall</td></tr><tr><td>O Tremzinho</td><td>Villa-Lobos</td></tr></table>

<table><tr><td>V. The Omnipotence</td><td>Franz Schubert</td></tr></table>

Solista (Tenor): Blake Stern com côro.

Acompanhador: Victor B. Weber

— INTERVALO —

V. GRUPO DE CANÇÕES por Blake Stern, Tenor

<table><tr><td>St. Ita' Vision</td><td>Samuel Barber</td></tr><tr><td>Wonne de Wehmut</td><td>Beethoven</td></tr><tr><td>Clair de Lune</td><td>Fauré</td></tr><tr><td>Paloma Blanca</td><td>Blas Galindo</td></tr><tr><td>Canción al Arbol del Olvido</td><td>Alberto Ginastera</td></tr><tr><td>Vai, Azulão</td><td>Camargo Guarnieri</td></tr></table>

Acompanhador: Victor B. Weber

VII. NEGRO SPIRITUALS

<table><tr><td>Little Innocent Lamb</td><td>arr. Marshall Bartholomew, '07S</td></tr><tr><td>Didn't My Lord Deliver Daniel?</td><td>arr. Fenno Heath</td></tr><tr><td>My Lord, What a Mornin'</td><td>arr. Fenno Heath</td></tr></table>

Solista (Barítono): William G. Gross

<table><tr><td>Humble</td><td>arr. Marshall Bartholomew</td></tr><tr><td>Solista (Tenor): Amos T. Wilder, '62</td><td></td></tr><tr><td>Soon-ah Will Be Done</td><td>arr. William Dawson</td></tr></table>

IVERSIDAD DE YALE

ENNO HEATH

Tenor Solista

RAMA

HORA 18 y 30.

Escena de la Coronación (de "Boris Godounov")

Modesto Petrovitch Moussorgsky (1835 - 1881)

Acompañantes al piano: Victor B. Weber

Carl F. Kaestle

SEGUNDA PARTE

V. SELECCION DE CANCIONES

Tenor solista: Blake Stern

Acompañante: Victor B. Weber

VI. CANCIONES DE SUD AMERICA

No Bahía Tem ...

Heitor Villa Lobos

VII. NEGRO SPIRITUALS

Little Innocent Lamb ... arreglo: Marshall Bartolomew

My Lord, What a Mornin' ... " Fenno Heath

Barítono solista: William G. Gross

Didn't My Lord Deliver Daniel? arreglo: Fenno Heath

This Old Hammer ... " John Work

Tenor solista: John H. Bingham

Soon-ah Will Be Done ... arreglo: William Dawson

IVERSIDAD DE YALE

ENNO HEATH

Tenor Solista

RAMA

HORA 21.00

Carl F. Kaestle

SEGUNDA PARTE

V. SELECCION DE CANCIONES

Tenor solista: Blake Stern

Acompañante: Victor B. Weber

VI. CANCIONES DE SUD AMERICA

<table><tr><td>Na Bahía Tem</td><td>Heitor Villa Lobos</td></tr><tr><td>O Tremsinho</td><td></td></tr></table>

VII. NEGRO SPIRITUALS

Little Innocent Lamb ... arrego: Marshall Bartolomew
My Lord, What a Mornin' ... " Fenno Heath

Didn't My Lord Deliver Daniel? arrego: Fenno Heath
This Old Hammer ... " John Work

Soon-ah Will Be Done ... arrego: William Dawson

PROGRAMA (Continuación)

Canciones a cargo de BLAKE STERN (tener)

<table><tr><td>St Ita's vision</td><td>Samuel Barber</td><td>Paloma blanca</td><td>Blas Galindo</td></tr><tr><td>Wonne der Wemuth</td><td>Beethoven</td><td>Cancion al arbol del olvido</td><td>A. Ginastera</td></tr><tr><td>Clair de lune</td><td>Fauré</td><td>Seligkeit</td><td>Schubert</td></tr></table>

Acompaña al piano, VICTOR B. WEBER

MUSICA SUDAMERICANA

<table><tr><td>Na Bahia Tem (Brasil)</td><td>H. Villalobos</td></tr><tr><td>Hallazgo (Chile)</td><td>arr. Alfonso Letelier</td></tr><tr><td>O Tremsinho (Brasil)</td><td>H. Villalobos</td></tr><tr><td>Pués bien te necesito (Perú)</td><td>Sánchez Málaga</td></tr></table>

CORO Y TENOR BLAKE STERN

<table><tr><td>The Omnipotence</td><td>Schubert</td></tr></table>

II

MADRIGALES

<table><tr><td>Matona Mia cara</td><td>Orlando de Lassus</td></tr><tr><td>The Nightingale</td><td>Thomas Weekes</td></tr><tr><td>The Turtle Dove (Canción folklórica inglesa)</td><td>arr. R. Vaughan Williams</td></tr></table>

NEGRO SPIRITUALS

<table><tr><td>This Old Hammer</td><td>Coro y tenor solista JOHN BINGHAM</td><td>arr. de John Work</td></tr><tr><td>Didnt My Lord Deliver Daniel</td><td>Coro y baritono solista WILLIAM G. GROSS</td><td>arr. Fenno Heath</td></tr><tr><td>My Lord, What a Morning</td><td>Coro y tenor solista AMOS T. WILDER</td><td>arr. Fenno Heath</td></tr><tr><td>Humble</td><td>Coro y solistas PHILIP OKSEN y RICHARD CARROLL</td><td>arr. Marshall Bartholomew</td></tr><tr><td>Ride the Chariot</td><td>Coro y solistas PHILIP OKSEN y RICHARD CARROLL</td><td>arr. William Smith</td></tr></table>

Superación...
permanente deseo de
ofrecer siempre el mejor
traje al precio más
módico

He ahí el éxito de Vega

VEGA
ESMERALDA 150

ENTRE POR LA PUERTA GRANDE DE VEGA

TEMPORADA OFICIAL

SABADO 15 DE JULIO DE 1961, A LAS 17.30

Quinto Concierto del Abono a 8 de Grandes Selistas y Conjuntos de Cámara

Presentación del

CORO DE LA UNIVERSIDAD DE YALE

Director

FENNO HEATH

I

4-20

AVE MARIA T. L. DE VITORIA 3 min

REPLETI SUNT OMNES J. GALLUS 2 min

DIFFUSA EST GRATIA G. M. NANINO

Pluckat Filie Israel

*

4-20

TARANTELLA R. THOMPSON

(Escrita para el coro de Yale)

Acompañante: Carl F. Kaestle

DEATH BE NOT PROUD F. HEATH 4min 15 sec.

(Escrita en honor del centenario del Coro de Yale)

(Poema de John Donne)

*

WE BE SOLDIERS THREE Anónimo

THE NIGHTINGALE T. WEELKES

THE TURTLE DOVE Arr. de R. VAUGHAN WILLIAMS

Baritono solista

William G. Gross

(Semi-coros preparado por Jhon H. Stewart)

*

2 min 15 sec NA BAHIA TEM H. VILLA-LOBOS

2 55

2 43

2 min 55 sec PUES BIEN YO NECESITO SANCHEZ MALAGA*

2 45

(Arr. de A. Hall)

4 00

2 min 45 sec O TREMSINHO H. VILLA-LOBOS*

10

THE OMNIPOTENCE F. SCHUBERT

1

1 20

Tenor Solista

BLAKE STERN

12.20

2

14.20

Programa

PRIMERA PARTE

Música Sagrada

Ave María
Repleti Sut Omnes
Diffusa Est Gratia

VITTORIA
HANDEL
GIOVANNI MARIA NANINO
(1545-1607)

Música Contemporánea

Tarantella (escrita para el Yale Glee Club)
Death be not Proud (Que la muerte no sea orgullosa)

(Escrita en honor del centenario del Yale Club)
Poema de John Donne.

RANDALL THOMPSON
FENNO HEATH

Música Para Pequeño Coro

We be Soldiers Three (Air 1614)
El Ruiseñor
La Tórtola

(solo del baritono, William G. Gross con semi-coro preparado por John H. Stewart)

Aónimo
THOMAS WEELKES
ARR. R. VAUGHAN WILLIAMS

Canciones de Sud América

Na Bahia Tem
Pues Bien Yo Necesito (Perú)
O Tremsinho

HECTOR VILLALOBOS (Brasil)
SANCHEZ MALAGA, arr.
ARTHUR HALL
HECTOR VILLALOBOS

Obras Grandes (con acompañamiento de piano)

El Omnipotente (Solo del tenor, Blake Stern, con coro)

FRANZ SCHUBERT

INTERMEDIO

SEGUNDA PARTE

Canciones por el tenor Blake Stern

St. Ita's Vision
Wonne Der Wehmut
Claire de Lune
Paloma Blanca
Canción del Arbol del Olvido
Vai Azulao

SAMUEL BARBER
BEETHOVEN
GABRIEL FAURE
BLAS GALINDO
ALBERTO GINASTERA
CAMARGO GUARNIERI

Acompañante: VÍCTOR B. WEBER

Negro Spirituals

Little Innocent Lamb
Didn't My Lord Deliver Daniel
My Lord, What a Mornin' (solo por William G. Gross con coro)
Humble (solo del tenor Amos T. Wilder con coro)
Soon-ah Will be Done

WILLIAM GROSS
MARSHALL BARTHOLOMEW

## INTERMEDIO

St. Ita' Visión Samuel Barber

Wonne de Wehmut Beethoven

Clair de Lune Fauré

Paloma Blanca Blas Galindo

Canción al Arbol del Olvido Alberto Ginastera

Vai, Azulao Camargo Guarnieri

Acompañante: Víctor B. Weber

### VII. Espirituales Negros

Little Innocent Lamb arr. Marshall Bartholomew

Didn't My Lord Deliver Daniel? arr. Fenno Heath

My Lord, Wat a Mornin! arr. Fenno Heath

Humble arr. Marshall Bartholomew

Solista: Tenor Amos T. Wilder

Soon-ah Will Be Done arr. Willian Dawson

### VIII. Canciones de Estudiantes

Brothers, Sing On Noruega Edwad Grieg

Summer Evening Finlandesa arr. Selim Palmgren

Solista: Tenor John H. Stewart

### Switzer Boy

Yodelers: Crossan H. O' Donovan

Richard C. Carroll, Jr.

Douglas M. Griswold

Neath The Elms arr. Gustave H. Stoeckel

Pielabras por H. Baldwin 1871

Homenaje de los Coros Unibersitarios Chilenos al Coro de la
Unibersidad de Yale en el Centenario de su Fundación.-
Canta el Coro del Instituto de Educación Física de la
Unibersidad de Chile.- Dirije: Mario Baeza

I. MUSICA SACRA

Ave María Temos Luis de Victoria (1548 - 1611)
Repleti Sunt Omnes Jabob (Gallus) Handl (1550 - 1591)
Diffusa Est Gratia Giovanni María Nanino (1545 - 1607)

II. MUSICA CONTEMPORANEA

Tarantella
Randall Thompson
(1937)
(Escrita para el Yale Glee Club)
Acompañante Carl. F. Kaestle

Deah, Be Not Proud
Fenno Heath
(1960)

Escrito en el centenario del coro de
Yale Glee Club
Poema de John Donne,

III. MUSICA INGLESA

We Be Soldiers Three (Air) (1614)
The Nightingale Thomas Weelkes (1623)
The Turtle Dove (Canción Folklórica Inglesa)
arr. R. Vaughan Williams.

Solista: Barítono William G, Gross

Semi-coros preparados por John H, Stewart

IV. MUSICA SUDAMERICANA

Na Bahía Tem (Brazil Heitor Villa Lobos
Pues Bien Yo Necesito "Perú" Sánchez Málaga
arr. Arthur Hall

V. Hallasgo Letelier
The Omnipence Franz Schubert

SOLISTA TENOR BLAKE STERN

Acompañante Víctor B. Weber

DE LOS PROGRAMAS

TEATRO MUNICIPAL

Lima 5 de Julio de 1961

A las 7 y 15 p.m.

COROS DE LA
UNIVERSIDAD DE YALE

PROGRAMA I

I MUSICA SAGRADA

<table><tr><td>Ave María</td><td>de Tomas Luis de Vittoria (1548-1621)</td></tr><tr><td>Repleti Sunt Omnes</td><td>de Jacob (Gallus) Handl (1550-1591)</td></tr><tr><td>Diffusa Est Gratia</td><td>Giovanni María Nanino (1545-1607)</td></tr></table>

II MUSICA CONTEMPORANEA

<table><tr><td>Tarantela</td><td>Randall Thompson (1937)<br>(Escrita para el Coro de Yale)<br>(Acompañante: Karl F. Kaestle)</td></tr><tr><td>Death, Be Not Proud</td><td>de Fenno Health (1960)<br>(Escrita en honor del Centenario del Coro de Yale)<br>Poema de John Donne</td></tr></table>

III CANCIONES por Blake Stern, Tenor

Tenor solista: Blake Stern y Coro

<table><tr><td>St. Ita' Vision</td><td>Samuel Barber</td></tr><tr><td>Wonne de Wehmut</td><td>Beethoven</td></tr><tr><td>Clair de Lune</td><td>Fauré</td></tr><tr><td>Paloma Blanca</td><td>Blas Galindo</td></tr><tr><td>Canción al Arbol del Olvido</td><td>Alberto Ginastera</td></tr><tr><td>Vai, Azulao</td><td>Camargo Guarnieri</td></tr><tr><td colspan="2">Acompañante: Víctor B. Weber</td></tr></table>

IV MUSICA SUR AMERICANA

<table><tr><td>Na Bahia Tem (Brasil)</td><td>Heitor Villa Lobos</td></tr><tr><td>Pues Bien Yo Necesito (Perú)</td><td>Sánchez Málaga<br>(arreglos: Arthur Hall)</td></tr></table>

<table><tr><td>V The Omnipotence</td><td>Franz Schubert</td></tr></table>

INTERMEDIO

VI MUSICA INGLESA

<table><tr><td>We Be Soldiers Three (Air)</td><td>(1614)</td></tr><tr><td>The Nightingale</td><td>Thomas Weelkes (....-1623)</td></tr><tr><td>The Turtle Dove</td><td>arr. R. Vaughan Williams</td></tr><tr><td colspan="2">Barítono solista: William G. Gross y Coro</td></tr><tr><td colspan="2">Semi-coro preparado por John H. Stewart</td></tr></table>

VII NEGRO SPIRITUALS

<table><tr><td>Little Innocent Lamb</td><td>arr. Marshall Bartholomew</td></tr><tr><td>Didn't My Lord Deliver Daniel?</td><td>arr. Fenno Heath</td></tr><tr><td>My Lord, What a Mornin'</td><td>arr. Fenno Heath</td></tr><tr><td colspan="2">Barítono solista: William G. Gross</td></tr><tr><td>Humble</td><td>arr. Marshall Bartholomew</td></tr><tr><td colspan="2">Tenor solista: Amos T. Wilder</td></tr></table>

<table><tr><td>Soon-ah Will Be done</td><td>arr. William Dawson</td></tr></table>

VIII CANCIONES ESTUDIANTILES

<table><tr><td>Brothers Sing On (Noruega)</td><td>Edvard Grieg</td></tr><tr><td>Summer Evening (Finlandia)</td><td>arr. Selim Palmgren</td></tr><tr><td colspan="2">Tenor solista: John H. Stewart</td></tr></table>

<table><tr><td>Switzer Boy</td></tr><tr><td>Yodelers: Crossan H. O'Donovan</td></tr><tr><td>Richard C. Carrol Jr.</td></tr><tr><td>Douglas M. Griswold</td></tr></table>

<table><tr><td>'Neath The Elms</td><td>arr. Gustavo H. Stoeckel (1871)</td></tr><tr><td colspan="2">Letra de H. Baldwin</td></tr></table>

Hausman, Warren H., New Britain, Conn.

Heinz, Thomas C., Roseburg, Oregon

Hoge, Warren McC., New York, N. Y.

Girdler, Lewis, Old Greenwich, Conn.

Huang, Po-Wen, Jr., New York, N. Y.

Kaestle, Carl F., Scotia, N. Y.

Knoll, Samuel H., Cincinnati, Ohio

Knudson, Peder H., River Forest, Ill.

Knutson, John F., Millbrook, N. Y.

Koehler, David J., Ontario, Canada

Lindsay, Dale A., Greenwich, Conn.

Leonard, Harry E., Waterbury, Conn.

LeVine, Charles J., New Rochelle, N. Y.

Lew, Robert A., Larchmont, N. Y.

Long, Jeffrey W., Cleveland, Ohio

McLane, James W., New Canaan, Conn.

McMillan, Francis W., Grosse Pointe, Mich.

Marshall, Peter J., Chappaqua, N. Y.

Mathis, John B., Rye, N. Y.

Mazza, Tomas C., Erie, Pa.

Michener, Charles T., Cleveland, Ohio

Murray, Boyd S., Beaver, Pa.

Neely, Frank W., Amarillo, Texas

North, Daniel W., Wilton, Conn.

O'Donovan, John C., Baltimore, Md.

Parekr, Thomas G., Greenwich, Conn.

Periman, Phillip O'K., Amarillo, Texas

Pratt, Francis C., New Canaan, Conn.

Preutt, Gordon E., Indianapolis, Ind.

Resor, Griffith L., Cincinnati, Ohio

Richelson, Paul W., Montepelier, Idaho

Russ, James H., Pittsfield, Mass.

impsonS, Daniel H., Bellaire, Ohio

Simek, Charles J., Cleveland, Ohio

Sipple, Peter W., Pompano Beach, Fla.

Siphron, David C., Warrior's Mark, Pa.

Spratlan, M. Lewis, Miami, Fla.

Stewart, John H., Alliance, Ohio

Tewksbury, Baird R., Hillsboro Bch., Fla.

Veale, William W. B., New Haven, Conn.

Walsh, John J., Jr., Mamaroneck, N. Y.

Wheeler, Murray Jr., Greenwich, Conn.

Wilder, Amos T., Cambridge, Mass.

Willis, David F., Andover, Mass.

— 13 —

PROGRAM

I. Himno Nacional del Ecuador . Antonio Neumane

## II. MUSICA SAGRADA

Ave María .................... Tomás Luis de Vittoria
(1548-1611)

Repleti Sunt Omnes ............ Jacob (Gallus) Handl
(1550-1591)

Diffusa Est Gratia ............ Giovanni María Nanino
(1545-1607)

## III. MUSICA CONTEMPORANEA

Tarantella .................... Randall Thompson (1937)
(Escrita para el Coro de Yale)

Acompañante: Carl F. Kaestle

Death Be Not Proud ............ Fenno Heath (1960)

(Escrita en honor del centenario del Coro de Yale)
Poema de John Donne

## IV. MUSICA INGLESA

We Be Soldiers Three (Air) ...... (1614)

The Nightingale .................... Thomas Weelkes (....-1623)

The Turtle Dove .................... arr. R. Vaughan Williams

Barítono solista: William G. Gross y Coro
Semi-coro preparado por John H. Stewart

## V. MUSICA SUR AMERICANA

Na Bahia Tem (Brasil) ............ Heitor Villa Lobos

Pues Bien Yo Necesito ............ Sánchez Málaga
arr. Arthur Hall

## VI

The Omnipotence .................... Franz Schubert

## INTERMEDIO

— 14 —

YALE GLEE CLUB

FENNO HEATH, Director

FUNCION BENEFICA

A BENEFICIO DE LA

SANTA CASA DE LA MISERICORDIA

TEATRO DARIO

VIERNES 23 de junio

8:30 p. m.

I. MUSICA SACRA

<table><tr><td>Ave María</td><td>Tomas Luis de Vittoria</td><td>(1548-1611)</td></tr><tr><td>Repleti Sunt Omnes</td><td>Jacob (Gallus) Handl</td><td>(1550-1591)</td></tr><tr><td>Diffusa Est Gratia</td><td>Giovanni María Nanino</td><td>(1545-1607)</td></tr></table>

II. MUSICA CONTEMPORANEA

III. MUSICA INGLESA

<table><tr><td>We Be Soldiers Three (Air)</td><td>(1614)</td></tr><tr><td>The Nightingale</td><td>Thomas Weelkes</td><td>(1623)</td></tr><tr><td>The Turtle Dove (Canción Folklórica Inglesa)</td><td>arr. R. Vaughan Williams.</td></tr><tr><td colspan="2">Solista: Barítono William G. Gross</td></tr><tr><td colspan="2">Semi-coros preparados por John H. Stewart</td></tr></table>

IV. MUSICA SURAMERICANA

V.

VI. CONTEMPORARY MUSIC

Tarantella .................................................... Randall Thompson (1937)
Pianist: Carl F. Kaestle
(Written for the Yale Glee Club)

Death, Be Not Proud ........................................ Fenno Heath (1961)
(Written in honor of the Yale Glee Club's Centennial Year)
Poem by John Donne
(Text on last page)

INTERMISSION

VII. THE WHIFFENPOOFS OF 1961

VIII. NEGRO SPIRITUALS

<table><tr><td>Little Innocent Lamb</td><td>arr. Marshall Bartholomew, '07S</td></tr><tr><td>Didn't My Lord Deliver Daniel?</td><td>arr. Fenno Heath</td></tr><tr><td>My Lord, What a Mornin'</td><td>arr. Fenno Heath</td></tr><tr><td>Baritone Soloist: William G. Gross</td><td></td></tr><tr><td>Humble</td><td>arr. Marshall Bartholomew</td></tr><tr><td>Tenor Soloist: Amos T. Wilder, '62</td><td></td></tr><tr><td>Soon-ah Will Be Done</td><td>arr. William Dawson</td></tr></table>

IX. STUDENT SONGS

Brothers, Sing On (Norwegian) .................................... Edvard Grieg

Summer Evening (Finnish) ............................................ arr. Selim Palmgren
Tenor Soloist: John H. Stewart

Eli Yale
Soloist: William L. Dean, '61

Switzer Boy
Yodelers: Jeffrey R. Grandy, '61
Richard C. Carroll, Jr., '62
Douglas M. Griswold, '61

'Neath The Elms ............................................ arr. Gustave J. Stoeckel (1871)
Words by H. Baldwin, '71

Bright College Years ............................................ words by H. S. Durand, '81

Yale Glee Club--Commencement Concert

Sunday, June 11, 1961

FENNO HEATH, '50, Director

Guest Soloist: BLAKE STERN, Tenor

JOHN H. STEWART, '62, Assistant Director

VICTOR B. WEBER, '61

PROGRAM

I. GAUDEAMUS IGITUR

Sung at the first Yale Glee Club Concert in Guilford, Conn., February 27, 1961

II. SACRED MUSIC

Ave Maria .................................... Tomas Luis da Vittoria (1548-1611)

Repleti Sunt Omnes ........................ Jacob (Gallus) Handl (1550-1591)
(Double Chorus)

III. SOUTH AMERICAN MUSIC

Na Bahia Tem (Brazil) .................................... Heitor Villa Lobos

Pues Bien Yo Necesito (Peru) .................................... Sanchez Malaga
Baritone Soloist: William G. Gross, '62

IV. THE OMNIPOTENCE .................................... Franz Schubert

Tenor Soloist: Blake Stern

Pianist: Victor B. Weber

V. ENGLISH MUSIC

The Nightingale .................................... Thomas Weelkes ( -1623)

The Turtle Dove .................................... arr. R. Vaughan Williams
Baritone Soloist: William G. Gross

Semi-Chorus prepared by John H. Stewart

Yale Glee Club

Fenno Heath, '50
Conductor

Ave Maria .................... Tomas Luis de Victoria (1548-1611)

Repleti Sunt Omnes ............. Jacob (Gallus) Handl (1550-1591)
(Double Chorus)

Death, Be Not Proud .................... Fenno Heath (1960)
(Written in honor of the Yale Glee Club's Centennial Year)
(Poem by John Donne)

Didn't My Lord Deliver Daniel? .................... arr. Fenno Heath

My Lord, What A Mornin' .................... arr. Fenno Heath
Baritone soloist: William G. Gross, '62

Switzer Boy (Triple Yodel) ..... Yodelers: Douglas M. Griswold, '61
Jeffrey R. Grandy, '61
Richard C. Carroll, Jr., '62

## II. FINALS OF THE QUARTET CONTEST

Quartet #1 Peter Clark, '62

Richard Carroll, Jr., '62

Sherman Chickering, '62

Peter Sipple '62

Quartet #2 John Stewart, '62

William Gross, '62

Louis Spratlan, '62

William Reed '63

a) Prize Song: De Animals A'comin'
(Negro spiritual) ............ arr. Marshall Bartholomew, '07S

b) Choice Song

c) Entertainment Song

## III. INFORMAL SINGING GROUPS

The Society of Orpheus and Bacchus
The Duke's Men
The Spizzwinks
The Whiffenpoofs of 1961

## IV. THE PRESENTATION OF THE QUARTET CUP

## V. YALE SONGS BY EVERYONE

PROGRAM

I. The Glee Clubs

Freshman Glee Club
Duncan Phyfe
Conductor

For Us The Easter Lamb Was Slain .................... J. S. Bach
(Cantata No. 4, Verse Five)

Mass in B-flat .................................... Antonio Lotti

Little Innocent Lamb .................... arr. Marshall Bartholomew
Conducted by: Carl A. Ziegler, '64

The Deitch Company ............................ The Yale Songbook
Conducted by: Carl A. Ziegler

Apollo Glee Club
Herbert Richmann
Conductor

More Was Lost at Mohacs Field (Hungarian) .... arr. Harvey Enders
Baritone soloist: Thomas Rusling, '63

Salvation Belongeth to Our God .................... Paul Tchesnokov

L'il Liza Jane (American) .................... arr. Hunter/Shaw
Baritone soloist: Allen Overmyer, '62

Abraham Lincoln Walks at Midnight .................... Fenno Heath '50
(Poem by Vachel Lindsay)
Baritone soloist: Frank Estes, '63
Accompanist: William K. Wangensteen, '63

Benefit Concert Program (cont.)

II. The Yale Glee Club

Gaudeamus Igitur

Ave Maria .................................... *Tomas Luis de Victoria* (1548-1611)

Repleti Sunt Omnes .......................... *Jacob (Gallus) Handl* (1550-1591)

Death, Be Not Proud .................................... *Fenno Heath* (1960)

POEM BY JOHN DONNE

Little Innocent Lamb .................................... *arr. Marshall Bartholomew*

Don't My Lord Deliver Daniel?  }
My Lord, What a Mornin ! }  *arr. Fenno Heath*

BARITONE SOLO: WILLIAM G. GROSS

This Old Hammer .................................... *arr. John Work '33 Mus.*

TENOR SOLO: JOHN H. STEWART

III. The Albertus Magnus College Chorus and the Yale Glee Club

Soon Ah Will Be Done .................................... *arranged by Dawson*

# ORDER OF SERVICE

The congregation is reminded that the service begins with the organ prelude, and quiet is requested.

PRELUDE: Prelude and Fugue in B minor

J. S. Bach
(1685-1750)

Organist: Derek Ferris

INVOCATION: Alice Birmingham Colburn, Assistant Professor of History

HYMN: No. 100 Love Divine (Hyfrydol)

Rowland Prichard

SCRIPTURE READING

PRAYER

Requiem (K. V. 626)

Wolfgang Amadeus Mozart
(1756-1791)

1. REQUIEM aeternam dona eis, Domine, et lux perpetua luceat eis, te decet hymnus, Deus in Sion, et tibi reddetur votum in Jerusalem; exaudi orationem meam, ad te omnis caro veniet. Requiem aeternam dona eis, Domine, et lux perpetua luceat eis. Kyrie eleison, Christe eleison, Kyrie eleison.

2. DIES IRAE, dies illa solvet saeculum in favilla, teste David cum Sybilla. Quantus tremor est futurus, quando judex est venturus, cuncta stricte discussurus.

3. TUBA MIRUM spargens sonum per sepulchra regionum, coget omnes ante thronum. Mors stupebit et natura, cum resurget creatura, judicanti responsura. Liber scriptus proferetur, in quo totum continetur, unde mundus judicetur. Judex ergo cum sedebit, quidquid latet apparebit, nil inultum remanebit. Quid sum miser tunc dicturus? quem patronum rogaturus, cum vix justus sit securus?

4. REX TREMENDAE majestatis, qui salvandos salvas gratis, salva me, fons pietatis.

5. RECORDARE Jesu pie, quod sum causa tuae viae, ne me perdas illa die. Quaerens me sedisti lassus, redemisti crucem passus, tantus labor non sit cassus. Juste judex ultionis, donum fac remissionis ante diem rationis. Ingemisco tanquam reus, culpa rubet vultus meus; supplicanti parce, Deus. Qui Mariam absolvisti, et latronem exaudisti, mihi quoque spem dedisti. Preces meae non sunt dignae, sed tu bonus, fac bengine, ne perenni cremer igne.

Inter oves locum praesta, et ab hoedis me sequestra, statuens in parte dextra.

Eternal rest give unto them, O Lord; and let perpetual light shine on them, A hymn becometh Thee, O God, in Sion: and a vow shall be paid to Thee in Jerusalem. O hear my prayer: all flesh shall come to Thee. Eternal rest give unto them, O Lord, and let perpetual light shine on them. Lord have mercy on us, Christ have mercy on us, Lord have mercy on us.

Day of wrath and doom impending, David's word with Sibyl's blending! Heaven and earth in ashes ending! Oh, what fear man's bosom rendeth, when from heaven the Judge descendeth, on whose sentence all dependeth!

Wondrous sound the trumpet flingeth, through earth's sepulchres it ringeth, all before the throne it bringeth. Death is struck and nature quaking. All creation is awakening, to its Judge an answer making. Lo! the book exactly worded, Wherein all hath been recorded; Thence shall judgment be awarded. When the Judge His seat attaineth. And each hidden deed arraigneth. Nothing, unavenged remaineth. What shall I, frail man, be pleading? Who for me be interceding, when the just are mercy needing?

King of majesty tremendous, who dost free salvation send us, fount of pity, then befriend us.

Think, kind Jesu, my salvation caused Thy wondrous Incarnation; leave me not to reprobation. Faint and weary Thou hast sought me, on the Cross of suffering bought me, shall such grace be vainly brought me? Righteous Judge, for sin's pollution, grant Thy gift of absolution, ere that day of retribution.

Guilty now I pour my moaning, all my shame with anguish owning; spare O God, Thy supplicant groaning. Through the sinful woman shriven, through the dying thief forgiven. Thou to me a hope hast given.

Worthless are my prayers and sighing, yet, good Lord, in grace complying, rescue me from fires undying.

With thy sheep a place provide me, from the goats afar divide me, to Thy right hand do Thou guide me.

6. CONFUTATIS maledictis, flammis
acribus addictis, vocame cum benedictis.
Oro supplex et acclinis, cor contritum
quasi cinis, gere curam mei finis.

7. LACRYMOSA dies illa, qua resurget
ex favilla judicandus homo reus.
Huic ergo parce Deus, pie Jesu Domine,
dona eis requiem! Amen!

8. DOMINE JESU Christe! Rex gloriae!
Libera animas omnium fidelium de-
functorum de poenis inferni et de
profundo lacu! Libera eas de ore
leonis, ne absorbeat eas Tartarus, ne
cadant in obscurum: sed signifer
sanctus Michael repraesentet eas in
lucem sanctam, quam olim Abrahae
promisisti, et semini ejus.

9. HOSTIAS et preces tibi, Domine,
laudis offerimus. Tu suscipe pro
animabus illis, quarum hodie memoriam
facimus: faceas, Domine, de morte
transire ad vitam, quam olim Abrahae
promisisti, et semini ejus.

10. SANCTUS, sanctus, sanctus Dominus
Deus Sabaoth! pleni sunt coeli et terra
gloria tua. Osanna in excelsis.

11. BENEDICTUS, qui venit in
nomine Domini.
Osanna in excelsis.

12. AGNUS DEI, qui tollis peccata
mundi, dona eis requiem. Agnus Dei,
qui tollis peccata mundi, dona eis
requiem semper ternam.
Lux aeterna luceat eis, Domine, cum
sanctis in aeternum, quia pius es.
Requiem aeternam dona eis, Domine,
et lux perpetua luceat eis.

When the wicked are confounded,
doomed to flames of woe unbounded,
to call me, with Thy Saints surrounded.
Low, I kneel, with heart submission!
See, like ashes my contrition! Help
me in my last condition!

Ah! that day of tears and mourning!
From the dust of earth returning, man
for judgement must prepare him.
Spare, O God, in mercy spare him!
Lord, all pitying, Jesu blest, grant
them Thine eternal rest! Amen!

Lord Jesus Christ, King of glory,
deliver the souls of all the faithful
departed from the pains of hell, and
from the deep pit. Deliver them from
the lion's mouth, lest hell swallow
them, lest they fall into darkness:
and let the standard-bearer, St. Michael,
bring them into the holy light, which Thou
didst promise of old to Abraham and
his seed.

We offer Thee, O Lord, a sacrifice
of praise and prayer: accept them in
behalf of the souls we commemorate
this day: and let them, O Lord, pass
from death to life. That life which
Thou didst promise of old to Abraham
and his seed

Holy, Holy, Holy, Lord of Hosts.
Heaven and earth are full of Thy
glory.
Hosanna in the highest.

Blessed is He that cometh in the
name of the Lord.
Hosanna in the highest.

Lamb of God, who takest away the
sins of the world, give them rest.
Lamb of God, who takest away the
sins of the world, give them eternal
rest.

Let eternal light shine upon them,
O Lord, with Thy saints for ever,
because Thou art merciful.

Eternal rest give unto them, O Lord:
and let perpetual light shine upon them.

Conductor: William A. Herrmann

Organist: Derek Ferris

Soloists: Susan Stokes, 1962, and Margaret McFee, 1962,

Sopranos: Colleen Ryan, 1961, Alto, Thomas Heinz, Tenor, James Schulz, Bass

PRAYER

BENEDICTION

POSTLUDE: Fantasia in G minor

J. S. Bach

Organist: Kathleen Kuzmick, 1963

YALE GLEE CLUB

Daniel S. Allan
Richard C. Anthony
James Arnold
John G. Arscott
John J. Barrett
Hugh A. Baysinger
David B. Bingham
John H. L. Bingham
Bruce M. Bloxom
James Bowditch
Wm. Carter Bowles, Jr.

John H. Brandt

Cameron Carey

Richard Carroll, Jr.

James D. Clark

Peter L. Clark

Andrew L. Clarke

Charles F. Dalton, Jr.

William L. Dean

Walter A. Dionne

R. Anthony Elson

Roger Ermili

Joel L. Fleishman

Irwin R. Gage

Peter Garlock

John D. Garrison, Jr.

John A. Gerlach

William H. Gilbert

Lewis Girdler

Jeffrey R. Grandy

Douglas M. Griswold

William G. Gross

Robert A. Gryboski

F. John Hagele

Paul M. Hamada

George W. Hamlin

John F. Harkness

Warren H. Hausman

Thomas C. Heinz

Warren McC. Hoge

Po-Wen Huang, Jr.

Karl F. Kaestle

Samuel H. Knoll

Peder H. Knudson

John F. Knutson

David J. Koehler

Harry E. Leonard

Charles J. LeVine

Robert A. Lew

Dale A. Lindsay, Jr.

Jeffrey W. Long

James W. McLane

Francis W. McMillan

Peter J. Marshall

John B. Mathis

Thomas C. Mazza

Charles T. Michener

Boyd S. Murray

Frank W. Neely

Daniel W. North

John C. O'Donovan

Thomas G. Parker

Phillip O'K. Periman

Francis C. Pratt

Gordon E. Pruett

William Reed

Griffith L. Resor

Paul W. Richelson

James H. Russ

Charles J. Simek

Daniel H. Simpson

Peter W. Sipple

David C. Siphron

M. Lewis Spratlan

John H. Stewart

Baird R. Tewksbury

William W. B. Veale

John J. Walsh, Jr.

Murray Wheeler, Jr.

Amos T. Wilder

David F. Willis

Yale University

Apollo Glee Club

and

The Spizzwinks

at Naugatuck High School

Naugatuck, Conn.

Saturday, February 25, 1961, 8:30 P. M.

Tickets $2.00

Sponsored by

Naugatuck Chapter of the American Red Cross

Wake, Freshmen, Wake

Shall I, Wasting in Despair?

Bandolero

Aura Lee

'Neath the Elms' .................................................... arr. Gustave H. Stoeckel

Words by H. Baldwin, '71

'Neath the Elms', one of Yale's best songs, was born in 1871 when Henry Baldwin (Class of '71) wrote the poem to which Gustave Stoeckel set music, partly borrowed from a famous German tune, but with a middle section of original music by Stoeckel himself. 'Neath the Elms' found immediate popularity at a time when New Haven, known as the City of Elms, could boast great numbers of these noble trees, and the old Yale Fence which ran the length of College Street between Chapel and Elm, was a favorite gathering place for the Class Glee Clubs which played an important part in nurturing that deep and very personal sense of love and loyalty to the College which was the essence of what came to be known among our forebears as the Yale spirit. The fence, the ancient trees, and the singers who gathered there are long gone and will soon be forgotten but a few of the songs live on.

"Louder yet the chorus raise,
Friendships last, though youth must fail;
Jolly, jolly are the days
'Neath the elms of dear old Yale."

Bright College Years .............................................. Carl Wilhelm

Words by H. S. Durand, '81

On Sale in the Lobby Now!

$1.00 per copy

"THE FIRST HUNDRED YEARS"

1861 - 1961

The story of the Yale Glee Club

*Program notes on the Alumni Chorus are taken from Marshall Bartholomew's forthcoming History of the Yale Glee Club.*

*My Lord What a Mornin!* expresses the deep faith found in so many spirituals and the feeling of triumph, peace, and joy which comes on Judgment Day.

This Old Hammer ....................................arr. John Work '33 Mus.

Tenor solo: John Stewart

*This Old Hammer* tells of the contest which John Henry, a famous hammer-man, had with a steam-drill during tunnel construction work in West Virginia. The hammer-man died after the all day fight. John Work, the arranger, is on the faculty of Fisk University in Memphis, Tennessee.

Soon-ah Will Be Done ....................................arr. William Dawson

The group closes with one of the most popular of all spiritual arrangements, *Soon-ah Will Be Done*. William Dawson the arranger, is on the faculty of Tuskegee Institute in Tuskegee, Alabama and the Tuskegee Series of spirituals from which this piece comes is widely known and used. The music begins quietly and gradually picks up momentum until the listener is swept to a thrilling climax on the final repetition of the words, "I'm goin' to live with God!"

V.

## Songs by the Four Yale Glee Clubs

Mother of Men ....................................Seth Bingham, '04

Words by Brian Hooker, '02

*Mother of Men* is an outstanding exception to the truism that prizes seldom produce prize songs of enduring merit. Of the several original songs of Yale awarded the John O. Heald prize during the first decade of the 20th century, only *Mother of Men*, with words by Brian Hooker, '02 and music by Seth Bingham '04 has held first place for over half a century.

## The Deitch Company

Yodel by William S. Coffin

*Deitch Company.* No program reminiscent of the 1860's would be complete without examples of the many traditional Swiss and Bavarian yodels which have been warbled by succeeding generations of Yale Glee Clubs. Among the most enduring were *Switzer Boy*, *Matin Bell* and *Little Dog*.

Matin Bell

Yodel by Mark L. Mitchell

## SEA CHANTEYS

In the days of sailing vessels, when men still sang at their work, the chanteyman was an important member of every crew. *A-Roving, Away to Rio, and High Barbary* are sung tonight as typical examples of this thoroughly masculine type of folksong which remains as popular among contemporary landlubbers as it was many years ago with sailormen. *High Barbary*, with which our group of old songs is concluded, was freely arranged by Arthur E. Hall, '24Mus, and his setting of the famous battle with the Barbary Coast pirates is widely sung as a concert piece.

# IV.
The Yale Glee Club

## NEGRO SPIRITUALS:

These five arrangements show both the rhythmically exciting and the profoundly serious sides of the negro spiritual. The two arrangements by Fenno Heath are being sung for the first time this season, while the other three pieces are old favorites of the Yale Glee Club and have been sung by a large number of college choruses in this country.

*Little Innocent Lamb* has become a "standard" on Yale Glee Club concerts and is one of the most popular of the many arrangements by Marshall Bartholomew, conductor of the Yale Glee Club for 33 years until his retirement in 1953. The tune was collected by Mr. Bartholomew at Oak Grove, North Carolina on April 4, 1926.

*Didn't My Lord Deliver Daniel?*, like the opening spiritual is full of exciting syncopations and expresses the longing of the slaves for deliverance from bondage. One line runs, "he delivered Daniel from the lion's den, Jonah from the belly of the whale, and the Hebrew children from the fiery furnace, then why not every man?"

## Amici

Amici was written by William H. Goodyear, Class of 1867, for the Sophomore Society of Phi Theta Psi which had been founded in the fall of 1864 and had chosen for its motto the ancient Latin phrase "Amici usque ad aras." A popular and very sentimental ballad, Annie Lisle, which had been published in 1857, provided an appropriate tune for this fraternity song. The words of the original refrain:

Wave willows, murmur waters,
Golden sunbeams smile;
Earthly music cannot waken
Lovely Annie Lisle.

became the fraternal

Amici usque ad aras,
Deep graven on each heart,
Shall be found unwav'ring, true,
When we from life shall part.

It appears that Annie had begun her collegiate career at Bowdoin when she was only two years old. She probably entered other colleges by way of local music halls rather than as a transfer. It was her debut at Cornell, nevertheless, that made the deeply loved Annie immortal when, in 1872, Archibald Weeks, Class of '72, wrote the Alma Mater Song of Cornell "Far Above Cayuga's Waters." Annie Lisle proved to be so popular after she came to Cornell that we now find her as the lyric alma mater of about four dozen American colleges. Perhaps the Latin refrain "Amici usque ad aras," which, according to Professor Emeritus George L. Hendrickson, became transformed over the centuries into a sense that might be translated as "Friends, faithful to the end" had considerably to do with the survival of this song at Yale long after Phi Theta Psi had been abolished as a fraternity.

## The Pope

The Pope needs no special introduction to Yale audiences. Words and music were both German. The English translation as sung at Yale was made by the famous novelist Charles Lever in 1837. Soon after Gustave Stoeckel came to New Haven in 1848 he arranged The Pope for male voices with piano accompaniment. Twenty years later Thomas Shepard, who was engaged to coach the Yale Glee Club in 1873, made the four-part, unaccompanied arrangement which has become traditional throughout the American College world.

## My Last Cigar

Soloist: Stephen Harbachick

My Last Cigar was composed by a local New Haven musician, James Hubbard, and was published in 1854. His songs and piano pieces became popular in the College as well as in the Town and his Last Cigar as arranged for male voices by Gustave Stoeckel was much sung at Yale for the following seventy years. Now, midway in the 20th century, cigarettes having largely displaced cigars in the academic world, and sailing vessels having been superseded by outboard motors at home and ocean liners on the high seas, this old song has lost much of its popular appeal except in the hearts of the few surviving alumni of the late 19th century.

## II.

### The Freshman, Apollo and Yale Glee Clubs

#### The Omnipotence

Franz Schubert

Tenor soloist: Charles Kullman

Pianist: Irwin R. Gage

This arrangement is an adaptation for male chorus and tenor solo taken from a song by Schubert titled in German "Die Allmacht." Charles Kullman was a member of the Yale Glee Club in the Class of 1924S and for many years was a leading tenor in the Metropolitan Opera Company. He is now a member of the voice department of the University of Indiana and continues to appear as a concert artist.

#### Coronation Scene from "Boris Goudonov"

Accompanists: Carl F. Kaestle

Irwin R. Gage

This music is taken from the great opera "Boris Goudonov" by the Russian composer Modeste Moussorgsky, first produced in Leningrad in 1928. Since that time this opera has become a standard item in the repertory of every major opera company in the world and has established such singers as Chaliapin, Kipnis, Pinza, London, and Christoff, all of whom have played the leading role with great success. This version of the music is arranged by G. W. Woodworth from the original version for mixed voices. The accompaniment has been reduced from the orchestral version to piano, four-hands. The opening bars with their rather ominous sound (a figure used throughout the opera to foreshadow the tragedy of Boris) soon gives way to a percussive, rhythmic figure descriptive of the ringing of bells. The chorus immediately begins the stately, hymnlike theme which is the basic musical idea of this section recurring in its most exciting form at the end of the scene.

## INTERMISSION

## III.

### The Alumni Glee Club
Marshall Bartholomew, Conductor

A contributor to the Yale Literary Magazine in 1953 wrote: "I am assured that there is no college at which the students so universally sing as at ours." Such a burst of enthusiasm might be dismissed as youthful boasting were it not that there is good evidence to indicate that the singing spirit at Yale has indeed flourished for almost two centuries. In 1827, when the Beethoven Society was founded, organized student singing became an important element of campus life out of which the Class Glee Clubs evolved which sang almost every night, weather permitting, on the old College Fence and developed a deep-rooted singing tradition. The Glee Club Alumni Chorus participating in tonight's concert includes singers of the last sixty years and it will revive a few of the songs that our grandfathers enjoyed a century ago, many of which, having originated at Yale, have since found their way into American college song books over a wide area.

Weelkes is regarded by many as the greatest of all madrigalists though, like Gibbons his contemporary, he wrote a large number of anthems for church. *The Nightingale* comes from a collection of 25 madrigals called "Airs or fantastic spirits for three and six voices," published in 1608, and shows a flair for satiric wit. Altogether, Weelkes wrote more than one hundred madrigals for three, four, five and six voices.

The Vaughan Williams arrangement is one of the best-known of his many arrangements of English folk music for mixed, male, and women's voices. Ralph Vaughan Williams, who died in 1958, stands as a giant in the musical life of the British Isles. A prolific composer, his works encompass virtually every medium of musical expression and his influence upon other composers throughout the world has been strong. His great love for the English folksong led him to collect a large number of them, and in *The Turtle Dove*, he shows his gift for simplicity and charm in the setting of this material.

## Chanson à Boire .................................................. Francis Poulenc (1922)

This is an original composition for men's chorus written by Poulenc in 1922 and dedicated to the Harvard Glee Club. Poulenc was one of the group of French composers known as "Les Six," the other members being Eric Satie, Arthur Honegger, George Auric, Darius Milhaud, and Germaine Tailleferre. These composers banded together to oppose what seemed to them to be the excessive sensitiveness and refinement of the French "impressionist school" which preceded their generation. As a result, Poulenc's early works (of which the *Chanson a Boire* is one) show a complete avoidance of anything suggesting romantic sentiment and he is an exponent of the sophisticated, "witty" school of French composers. This rollicking song is a paean to the pleasures of drink and is a setting of an anonymous text from the 17th century which consists for the most part of praise for "our hostess" who "with her glass in hand . . . leads the band" and "drives away . . . all grief and care." The song ends as the chorus becomes, figuratively speaking, roaring drunk.

Poulenc's works include operas, ballets, incidental music, film music, choral works, concertos, chamber music, piano and violin music, and a large body of songs for which he is widely known and admired.

## Death, Be Not Proud ........................................ Fenno Heath (1960)

*(Written in honor of the Yale Glee Club's Centennial Year)*

Poem by John Donne

Fenno Heath has composed and arranged a great deal of music for the Yale Glee Club, much of which has been performed by college glee clubs throughout the United States. The music begins in a somber, dark mood, illustrated by the low placement of the voices and the use of open fifths. As the text gradually describes the triumph over death, the music climbs, and the final phrase "Death, thou shall die!" leads to a high, brilliant major chord.

I.

The Yale Glee Club, Fenno Heath, Conductor

Gaudeamus Igitur

The Yale Glee Club celebrates its 100th Anniversary this season and each program presented will begin with *Gaudeamus Igitur*, one of the best known student songs in the world. This song was on the first program sung by the Yale Glee Club in 1861 and therefore has particular significance at this time.

Ave Maria ................................. *Tomas Luis de Victoria* (1548-1611)

Victoria is generally regarded as belonging to the Roman School of Palestrina and is considered, next to that master, as the greatest musician of that school. All of his works are for voices in various combinations and the approximately 180 works that are known are divided into masses, motets for four, five, six and eight voices, hymns, offices, litanies, antiphons, canticles, and sacred songs. The *Ave Maria* sung tonight comes from the last category. The music was originally written for four mixed voices and this transcription for 4-part male chorus was made by Frank Damrosch.

Repleti Sunt Omnes .................... *Jacob (Gallus) Handl* (1550-1591)

Jacob Handl belonged to the Venetian school of composition and, like Giovanni Gabrieli, had a great predilection for large ensembles, often scoring his works for 2, 3, or 4 antiphonal choirs. His sense of harmony made him a "modern" among his contemporaries and many of his progressions seem pleasantly startling to us even today. *Repleti sunt* is taken from Handl's "Opus Musicum Harmoniarum," four volumes of motets for the entire church calendar. This version has been edited by Paul Boepple and is performed by a large 4-part chorus and a small 4-part antiphonal (answering) chorus. The Latin text is from Acts 2:4, 11, and is translated, "They were all filled with the holy ghost, and began to speak the wonderful works of God. Alleluja."

The Nightingale .................................... *Thomas Weelkes* (d.1623)

The Turtle Dove .................................................... *English Folksong*
arr. by Ralph Vaughan Williams

Baritone solo: William G. Gross, '62
Semi-chorus prepared by John H. Stewart, '62

The two pieces in this group have two things in common: each one tells about a different kind of bird, and each is the work of an English composer. *The Nightingale* is a transcription for male voices, while *The Turtle Dove* is an arrangement of an English Folk song.

FRESHMAN GLEE CLUB

1960-1961

Karl A. Ziegler, '64, President

William D. Buss, 2nd, '64, Manager

Richard D. McKee, '64, Secretary

Thomas H. Baker, '64

Donald G. Leka, '64

Accompanists

Thomas H. Baker

Nicholas S. Baskey

Thomas L. Barton

Franklin C. Basler, Jr.

John Peter Bermon

Bruce B. Brown

Arthur Andrews Burrows, 3rd

William D. Buss, 2nd

Michael Cheever Church

Alexander Stephen Clay

John D. Conley

Robert M. Cushman

Nicholas W. Danforth

Stephen R. Davies

Bruce C. Driver

Donald B. Edwards

John Martin Evans, Jr.

James Fulton Ferguson, III

Michael Percy Finlay

Peter H. Flint

Douglas A. Grandgeorge

Douglas M. Griggs

Donald Francis Haggerty, Jr.

John Terrance Hanold

Peter M. Harding

Andrew C. Harris

James G. R. Hart

John D. Henderson, II

Frederic A. Hopf

Frank Root Hotchkiss

Walter Y. Howson

Bryon Keith Huffman, Jr.

Gerard M. Ives, Jr.

David A. Johnson

John Pike Judson

Donald Gene Leka

William S. Lear

Richard D. McKee

Maynard Mack, Jr.

Ivan G. Marcus

Jonathan Evans McBride

John Merrill

Stephen A. Muscanto

John C. Morrison

Robert K. Musil

John Gilbert Ogilvie

John Herbert Ostrich

James M. Park

Richard S. Rosenkranz

Walter Allen Rossiter

R. David Roderick

Bruce E. Scheim

James Schulz

William Fielding Secor

David E. Steuber

James E. Thompson

George J. Wallace

Soren P. West

Gerardus H. Wynkoop

Karl August Ziegler

YALE GLEE CLUB

GALA CENTENNIAL CONCERT

1860-61 — 1960-61

FRIDAY EVENING, FEBRUARY 17, AT 8:30

YALE GLEE CLUB

FENNO HEATH, '50, Conductor

APOLLO GLEE CLUB

HERBERT RICHMANN, '53 Mus., Conductor

FRESHMAN GLEE CLUB

DUNCAN PHYFE, Conductor

ALUMNI GLEE CLUB

MARSHALL BARTHOLOMEW, '07S, Conductor

CHARLES S. KULLMAN, '24S

Guest Soloist

APOLLO GLEE CLUB MEMBERS

1960-1961

Thomas DeWitt Tilson, '63, President

Frank William Estes, '63, Manager

John R. Merrick, '62, Librarian

Laurence Huey Boles, '63, Historian

Richard K. Zeeman, Stage Manager

Ron C. Alessio

Philip Bruno Arnold

Stephen Robb Billings

Howard Preston Boggess

Laurence Huey Boles

Roscoe Willett Browne

Thomas W. Buckner

David Walter Budding

Albert Godfrey Conrad, Jr.

Richard William Couchman

Gary Allen Cunningham

John F. Davenport

John David DeHatre

Charles Day Dilkes

Frank William Estes

Charles Bailey Faulhaber

Edward A. Foster

Nicholas Steven Freud

Robert S. Goldman

Thomas John Hagerty

Robert B. Hempstead

William Julian Heron, Jr.

Joseph Horne Holmes, Jr.

David N. Hopkins

William David Jack, II

Jerome Johnston

John Burton Jones

Daniel Konigsberg

Lewis Anderson Knox

Eugene L. Lewis

Christopher Mark Little

Barry Lydgate

James C. McCormick

Peter Stuart McDougall

Richard Alan Markus

John R. Merrick

Nathan Milikowsky

Richard E. Moser

Michael W. B. Nagel

William Edward Nierintz

Allen Overmeyer

Rutherford H. Platt

David Ragaini

Christopher Reaske

Thomas Griswold Rusling

Roger W. Squire

Jon Spencer Stasney

Lew Howell Strohl

Duward F. Sumner

Thomas DeWitt Tilson

William K. Wangensteen

Richard K. Zeeman

Richard Laurence Zorn

ALUMNI GLEE CLUB

James R. Bjorge, '53

C. Frazier Booth, '42

Granville A. Burland, '50

*Prescott S. Bush, '17

Prescott S. Bush, Jr., '44

Richard C. Camp, '47

Frederick D. Carter, Jr., '47

*Samuel P. W. Carter, '52

*William B. Chappell, '27

*Joe D. Clayton, '57

Stuart H. Clement, '17

Henry H. Clifford, '32

Edmund Coffin, '43

*William S. Coffin, '49

*James W. Cooper, '26

*A. Douglas Dodge, II, '42

*James D. Downey, '56

Wolcott G. Ely

*Job L. Emerson, '58E

William Y. Gard, '47

William E. S. Griswold, Jr., '34

Alden W. Hammond, '43

Stephen Harbachick, '50

Fenno Heath, '50

Louis L. Hemingway, Jr., '42

*Basil D. Henning, '32

*John G. Holmes, '34

*John H. Hoagland, '51

Frank E. House, III, '43

Philip Ives, '27

Robert DeL. Johnson, '43

*Theodore S. Jones, '33

Howard D. Kellogg, Jr., '35

*Richard A. Kimball, '22

*J. Merrill Knapp, '36

Imre Kovacs, '32

Charles Kullman, '24S

Francis T. S. Lavery, '41

*W. Gray Mattern, Jr., '46

*Mark L. Mitchell, '08

William H. Oler, II, '45E

Jerry J. Phillips, '56

*George C. Pratt, '50

*Thomas B. S. Quarles, '47

Charles M. D. Reed, '33

*Russell S. Reynolds, Jr., '54

Fletcher D. Richards, Jr., '47

David E. Schrieber, '49

George D. Selden, '45

Grant G. Simmons, Jr., '42

Theodore R. Sizer, '53

Benjamin A. Smith, '42

*Charles M. Spofford, '24

Robert O. Sprague, '35

Carol M. Thomas, '53

Benoni J. Truslow, '34S

*George D. Vaill, '35

Clayton J. Westerman, '53

*Frederick H. Wiggin, '04

Frank O. H. Williams, '22S

Roderick O. Williams, '34

Donald R. Weisman, '47N

George D. Younger, '46

* Presidents (Leaders) of the Yale Glee Club.

TEATRO ARGENTINO

DOMINGO 16 DE JULIO, A LAS 18.30

Presentación del

CORO DE LA UNIVERSIDAD DE YALE (EE. UU.)

Dada la especial significación que tiene esta audición, el YALE GLEE CLUB ha solicitado se le permita organizar el programa a su criterio

Su repertorio para esta gira comprende:

MUSICA SACRA

<table><tr><td>3</td><td>- Ave María</td><td>Victoria</td></tr><tr><td>4-20</td><td>Plorate Filii Israel</td><td>Carissimi</td></tr><tr><td>2 min</td><td>O Magnun Mysterium-Repleti<br/>Sunt Ommes</td><td>Handl</td></tr></table>

MUSICA CONTEMPORANEA

<table><tr><td>- Tarantella (escrita para el Yale Glee Club)</td><td>Randall Thompson</td></tr><tr><td>Chanson a boire</td><td>Francis Poulenc</td></tr><tr><td>- Que la muerte no sea orgullosa</td><td>Fenno Heath</td></tr></table>

MUSICA PARA PEQUEÑO CORO

<table><tr><td>El cisne de plata</td><td>Orlando Gibbons</td></tr><tr><td>El ruiseñor</td><td>Thomas Weelkes</td></tr><tr><td>La tórtora</td><td>arr. Vaughan Williams</td></tr></table>

Solo de baritono con semicoro

OBRA MAYORES CON ACOMPAÑAMIENTO DE PIANO

<table><tr><td>El omnipotente</td><td>Schubert</td></tr></table>

Tenor con coro

<table><tr><td>Escena de la coronación de "Boris Godunov"</td><td>Mussorgsky</td></tr></table>

Negro Spirituals

1:46 - Little Innocent Lamb

4m. - My Lord, What A Mornin (solo de baritono con coro)

2:22 - Didn't My Lord Deliver Daniel

4:06 - This Old Hammer

2-45 - Soon-ah Will Be done

- The Battle of Jericho

2-4 - Humble (tenor con coro) Marshall Bartolomey

- Steal Away

CANCIONES FOLKLORICAS AMERICANAS

<table><tr><td>Carelees love</td><td>arr. Arthur Hall</td></tr><tr><td>Cindy</td><td></td></tr></table>

3:35 - Shenandoah

Eight Bells arr. Marshall Bartolomey

1:30 - Away to Rio

CANCIONES DE SUD AMERICA

2:15 - Na bahía tem Villa-Lobos

Preces sem palabras Villa-Lobos

2:43 - O tremsinho Villa-Lobos

3:10 - Hallazgo (Chile) arr. Alfonso Letelier

2:45 - Pues bien yo necesito (Perú) Sánchez Málaga
El arroyo (Uruguay) Eduardo Fabini

CANCIONES ESTUDIANTILES

Brothers, Sing on (Noruega) Eduardo Grieg

Hiking Song (Suecia)

Laughing Song (Alemania)

Summer Evening (Finlandia)

1:30 - Gaudeamus Igitur (tradicional)
Cantos de YALE

1:45 - Neath The Elms

2:42 - Ride The Chariot

1:27 - Yo Bel - Switzerland Boy

GRAM

H, '50

JOHN H. STEWART, '62

KAESTLE, '62

GAGE, '63 Mus.

VIII. SONGS OF YALE

Mother of Men ..................................................Seth Bingham, '04
Words by Brian Hooker, '02

Eli Yale ..........................................................Soloist: William L. Dean, '61
Bandolero

The Switzer Boy (Triple Yodel) Yodelers: Douglas M. Griswold, '61
Jeffrey R. Grandy, '61

Richard C. Carroll, Jr., '62
'Neath the Elms ............................................arr. Gustave H. Stoeckel

Bright College Years .................................Words by: H. A. Durand, '01

DEATH, BE NOT PROUD

Fenno Heath has composed and arranged a great deal of music for the Yale Glee Club, much of which has been performed by college glee clubs throughout the United States. *Death, Be Not Proud* was written especially in honor of the Centennial Year of the Glee Club and is a setting of one of the most dramatic poems of John Donne. The music begins in a somber, dark mood, illustrated by the low placement of the voices and the use of open fifths. As the text gradually describes the triumph over death, the music climbs, and the final phrase "Death, thou shalt die!" leads to a high, brilliant major chord. The text of *Death, Be Not Proud* is as follows:

Death, be not proud, though some have called thee mighty and dreadful,

For thou are not so,

For those thou thinkst thou dost overthrow die not, poor death,

Nor yet cans't thou kill me.

From rest and sleep which but thy picture be, much pleasure,

Then much more from thee must flow,

And soonest our best men with thee do go,

Rest of their bones and soul's delivery.

Thou are slave to fate, chance, kings, and desperate men,

And dost with poison, war, and sickness dwell,

And poppy and charms can make us sleep as well

And better than thy stroke.

Why swells't thou, them? One short sleep past,

We wake eternally and death shall be no more.

Death, thou shal't die!

PROG

Director: FENNO HEATH

Assistant Conductor: John

Accompanists: CARL F.

IRWIN R.

I. Gaudeamus Igitur

(Sung at the first Yale Glee Club Concert in Guilford, Conn., Feb. 27, 1861)

II. SACRED MUSIC

Double-chorus

III. CONTEMPORARY MUSIC

Chanson a Boire (Drinking Song) ............ *Francis Poulenc* (1922)

Poem by John Donne

IV. The Silver Swan .................................... *Orlando Gibbons* (1583-1625)

The Nightingale .................................... *Thomas Weelkes* (d. 1623)

The Turtle Dove .................................... *English Folksong*
arr. by Ralph Vaughn Williams

V. Coronation Scene from "Boris Goudonov"
*Modeste Petrovitch Moussorgsky* (1835-1881)

INTERMISSION

VI. THE WHIFFENPOOFS OF 1961

VII. Negro Spirituals

Little Innocent Lamb ............................ *arr. Marshall Bartholomew, '07S*

Didn't My Lord Deliver Daniel } ............ *arr. Fenno Heath*

My Lord, What A Morning } Baritone solo: William G. Gross, '62

This Old Hammer .................................... *arr. John Work, '33 Mus.*

Tenor solo: John H. Stewart

Soon-ah Will Be Done .................................... *arr. William Dawson*

CENTENNIAL YEAR

1860-1861

YALE GLEE CLUB

1960-1961

THE YALE ALUMNI ASSOCIATION
OF NEW CANAAN

100th ANNIVERSARY CONCERT

YALE GLEE CLUB

THE WHIFFENPOOFS OF 1961

New Canaan High School Auditorium

February 4, 1961

INTERMISSION

V. The Baker's Dozen

VI. Old Favorites

Doney Gal...................arr. Norman Luboff
Visions (Tonerna............arr. Alberto Bimboni

VII. Spirituals

Go Down Moses............arr. Raymond Porter
If I Got My Ticket, Can I Ride?....

arr. Robert Shaw
Soon-Ah Will Be Done....arr. William L. Dawson

VIII. From the Yale Songbook

Wake, Freshmen, Wake
Aura Lee
Deitch Company

Bandolero
Eli Yale
Neath the Elms

IX. Bright College Years (Alma Mater)............

....ed. Marshall Bartholomew
Conducted by Thomas D. Tilson '63
President, Apollo Glee Club 1960-1961

["APOLLO GLEE CLUB", "Concert Program\nSeason 1960-1961", "Herbert Richmann-Conductor\nWilliam Wangensteen-Accompanist", "I. Mother of Men ... ... ... ... ... ... ... ...