xiangpku/GLUE huggingface dataset:
a kind of ghandi gone bad
set the cause of woman warriors back decades
misguided acts of affection
would quickly change the channel
how this one escaped the lifetime network i 'll never know .
are funny .
retread , with the emphasis on self-empowering schmaltz and big-wave surfing that gives pic its title an afterthought
appropriately cynical social commentary aside
's work as well as a remarkably faithful one .
most damning censure
dylan thomas alive to witness first-time director
old disease-of-the-week small-screen melodramas
the journey to the secret 's eventual discovery is a separate adventure ,
heavyweights joel silver and robert zemeckis
reflected in almost every scene
jackass is a vulgar and cheap-looking version of candid camera staged for the marquis de sade set .
the movie is amateurish
fortify this turgid fable
, the attention process tends to do a little fleeing of its own .
most hollywood romantic comedies
skill and determination
the pre-teen crowd
humor and poignancy
has settled for a lugubrious romance
enter the fist is hilarious
an astonishingly condescending attitude toward women
rife with nutty cliches and far too much dialogue
quick-witted than any english lit
of those rare pictures
redeeming feature
-- full of life and small delights --
such a perfect medium for children
a treasure chest
mishandle the story 's promising premise of a physician who needs to heal himself .
's a treat -- a delightful , witty , improbable romantic comedy with a zippy jazzy score
are powerful and moving without stooping to base melodrama
it 's a spectacular performance - ahem , we hope it 's only acting .
when he goes out into public , to avoid being recognized as the man who bilked unsuspecting moviegoers
it has fun with the quirks of family life , but
a heartening tale of small victories and enduring hope .
him to churn out one mediocre movie after another
a life like this can sound so dull
as comfort food often can
to just die already
vibrantly
, this does not really make the case the kissinger should be tried as a war criminal .
it 's never laugh-out-loud funny , but it is frequently amusing .
the hypnotic imagery and fragmentary tale explore the connections between place and personal identity .
devotees of star trek ii : the wrath of khan will feel a nagging sense of deja vu , and the grandeur of the best next generation episodes is lacking .
often touching
too bad maggio could n't come up with a better script .
the charisma of a young woman who knows how to hold the screen
just another voyeuristic spectacle
munch 's screenplay is tenderly observant of his characters .
played game of absurd plot twists , idiotic court maneuvers and stupid characters
have received such a sophisticated and unsentimental treatment on the big screen as they do in this marvelous film
an awful lot like one of ( spears ' ) music videos in content -- except that it goes on for at least 90 more minutes and , worse , that you have to pay if you want to see it .
blacked out in the lobby
downright movie penance
like you were n't invited to the party
honesty , insight and humor
their computer-animated faces
it 's an effort to watch this movie
where tom green stages his gags as assaults on america 's knee-jerk moral sanctimony , jackass lacks aspirations of social upheaval .
puts a refreshing and comical spin on the all-too-familiar saga of the contemporary single woman
by extension , accomplishments
gender politics
gorgeous beaches
a dashing and resourceful hero ; a lisping , reptilian villain ; big fights
( jeff 's ) gorgeous , fluid compositions
makes sure the salton sea works the way a good noir should
comes alive
13 conversations about one thing '' is an intelligent flick that examines many different ideas from happiness to guilt in an intriguing bit of storytelling .
, paralyzed
are so well established that the gang feels comfortable with taking insane liberties and doing the goofiest stuff out of left field
stands as one of the great films about movie love .
deliver a fair bit of vampire fun
the actors involved in the enterprise
always has been remarkable about clung-to traditions
in suspense , surprise and consistent emotional conviction
i 'm not sure which will take longer to heal : the welt on johnny knoxville 's stomach from a riot-control projectile or my own tortured psyche .
a fascinating examination of the joyous , turbulent self-discovery
delighted
to make the stones weep -- as shameful as it
thanks to huston 's revelatory performance
is entry number twenty the worst of the brosnan bunch
my little eye is the best little `` horror '' movie i 've seen in years .
like one long
beautifully crafted and cooly unsettling ... recreates the atmosphere of the crime expertly .
irritating films
stopped challenging himself
the four feathers is definitely horse feathers , but
an unabashedly romantic picture
play fine
that 's not saying much
sleazy
a homage
the shameless self-caricature of ` analyze this ' ( 1999 ) and ` analyze that , ' promised ( or threatened ) for later this year
forgets about her other obligations , leading to a tragedy which is somehow guessable from the first few minutes , maybe because it echoes the by now intolerable morbidity of so many recent movies
nervy and memorable
photographed and beautifully recorded
tired retread
never takes hold .
is ironically just the sort of disposable , kitchen-sink homage that illustrates why the whole is so often less than the sum of its parts in today 's hollywood
ill-wrought hypothesis
ararat far more demanding than it needs to be
take any 12-year-old boy to see this picture , and he 'll be your slave for a year .
so that it certainly does n't feel like a film that strays past the two and a half mark
original talent
was beginning to hate it
not too fancy , not too filling , not too fluffy , but definitely tasty and sweet .
has a handful of smart jokes
ca n't get sufficient distance from leroy 's
are woven together skilfully
barry convinces us he 's a dangerous , secretly unhinged guy who could easily have killed a president because it made him feel powerful .
is too picture postcard perfect , too neat and new pin-like ,
... with the gifted pearce on hand to keep things on semi-stable ground dramatically , this retooled machine is ultimately effective enough at achieving the modest , crowd-pleasing goals it sets for itself .
your own cleverness
disoriented but occasionally
voice is rather unexceptional
a really cool bit
reach satisfying conclusions
director marcus adams just copies from various sources -- good sources , bad mixture
a beautiful film for people who like their romances to have that french realism
refreshingly ,
nearly every cliché
something about watching a squad of psychopathic underdogs whale the tar out of unsuspecting lawmen that reaches across time and distance
manages to embody the worst excesses of nouvelle vague without any of its sense of fun or energy
pretentious in a way that verges on the amateurish
speaks more of the season than the picture
the type of film about growing up that we do n't see often enough these days :
cleaner , and deeper
a lot of people wasted a lot of their time ( including mine ) on something very inconsequential .
chris rock , ' ` anthony hopkins ' and ` terrorists
loud , low-budget and tired formula film
's weird , wonderful , and not necessarily for kids
see scratch for the music , see scratch for a lesson in scratching , but , most of all , see it for the passion .
is a brilliant movie
is that the movie has no idea of it is serious or not .
of time , money and celluloid
because the consciously dumbed-down approach wears thin
be depressing ,
is a movie that makes it possible for the viewer to doze off for a few minutes or make several runs to the concession stand and/or restroom and not feel as if he or she has missed anything .
into a 90-minute movie that feels five hours long
with such confidence
that , in itself , is extraordinary .
starts off as a satisfying kids flck becomes increasingly implausible as it races through contrived plot points
the enigmatic mika and anna mouglalis
coheres into a sane and breathtakingly creative film
some of the year 's ( unintentionally ) funniest moments , that it 's impossible to care
uses some of the figures from the real-life story to portray themselves in the film .
a film of magic and whimsy for children , a heartfelt romance for teenagers and a compelling argument about death , both pro and con , for adults
own brightly colored dreams
of pretension about the film , which very simply sets out to entertain and ends up delivering in good measure
is a crime that should be punishable by chainsaw
's a satisfying summer blockbuster and worth a look .
the downward spiral
, they succeed
, directors dean deblois and chris sanders valiantly keep punching up the mix .
... `` bowling for columbine '' remains a disquieting and thought-provoking film ...
indispensable
invincible shows he 's back in form , with an astoundingly rich film .
a heavy stench of ` been there , done
brims with passion : for words , for its eccentric , accident-prone characters , and for the crazy things that keep people going in this crazy life .
from one of french cinema 's master craftsmen
` it 's better to go in knowing full well what 's going to happen , but willing to let the earnestness of its execution and skill of its cast take you down a familiar road with a few twists .
extremely languorous rhythms
as it provides a fresh view of an old type
as a bitter pill
even if you 're an elvis person , you wo n't find anything to get excited about on this dvd .
episode ii -- attack of the clones is a technological exercise that lacks juice and delight
the mediterranean sparkles
does a good job
seems to take an unseemly pleasure in ( the characters ' ) misery and at the same time to congratulate himself for having the guts to confront it
for lameness
have given audiences the time of day by concentrating on the elements of a revealing alienation among a culture of people who sadly are at hostile odds with one another through recklessness and retaliation
... while each moment of this broken character study is rich in emotional texture , the journey does n't really go anywhere .
the film knows what 's unique and quirky about canadians
truly in love with a girl
hashiguchi covers this territory with wit and originality , suggesting that with his fourth feature -- the first to be released in the u.s.
comedy only half as clever as it thinks it is
the origins
something of a stiff --
a disaster of a story
disappoint the action
wo n't be placed in the pantheon of the best of the swashbucklers but it is a whole lot of fun and you get to see the one of the world 's best actors , daniel auteuil , have a whale of a good time .
's really wrong with this ricture
worthy and devastating
the same blueprint
never succumbs to the trap of the maudlin or tearful , offering instead with its unflinching gaze a measure of faith in the future .
impressed by how many tit-for-tat retaliatory responses the filmmakers allow before pulling the plug on the conspirators and averting an american-russian armageddon
an awkwardly contrived exercise in magic realism
with unimpeachable clarity
too is a bomb .
kong action
a walk to remember ''
superficially written
rush to the theater for this one
compromise is the death of self ... this orgasm ( wo n't be an ) exceedingly memorable one for most people
much of a plunge
` hip ' , ` innovative ' and ` realistic '
you 've seen it all before
seems just as expectant of an adoring , wide-smiling reception
the slapstick is labored ,
frequently misses the mark
congrats disney on a job well done , i enjoyed it just as much !
... another example of how sandler is losing his touch .
of visual flair
us deep into the girls ' confusion and pain as they struggle tragically to comprehend the chasm of knowledge that 's opened between them
, to find a place among the studio 's animated classics
their lofty perch
quirky characters and an engaging story
alfred hitchcock 's thrillers ,
goes right over the edge and kills every sense of believability
what 's nice is that there 's a casual intelligence that permeates the script .
comic touch
has little clue
meandering , low on energy , and
gives her best
bolstered by an astonishing voice cast ( excepting love hewitt ) , an interesting racial tension , and a storyline that i have n't encountered since at least pete 's dragon .
like being trapped at a bad rock concert
forgot to include anything even halfway scary as they poorly rejigger fatal attraction into a high school setting
enticing prospect
swung me around
for most of the movie 's success
essentially ruined --
treats us
remarkable ensemble cast
i do n't blame eddie murphy but should n't
be another shameless attempt by disney to rake in dough from baby boomer families
in the dullest kiddie flicks
interesting cinematic devices ( cool visual backmasking ) ,
at best , i 'm afraid .
's , it 's simply unbearable
lucratively
an engrossing portrait of uncompromising artists trying to create something original against the backdrop of a corporate music industry that only seems to care about the bottom line .
are a little too big for her mouth
dramatically forceful , and beautifully shot
between them , de niro and murphy make showtime the most savory and hilarious guilty pleasure of many a recent movie season .
intended for the home video market
'' manages to do all three quite well , making it one of the year 's most enjoyable releases
works well enough to make it worth watching
it 's a real shame that so much of the movie -- again , as in the animal -- is a slapdash mess .
the best , most
the self-image of drooling idiots
toilet-humor codswallop
combined with the misconceived final 5
for those who like quirky , slightly strange french films
hold dear about cinema
while broomfield 's film does n't capture the effect of these tragic deaths on hip-hop culture , it succeeds as a powerful look at a failure of our justice system .
have taken an small slice of history and opened it up for all of us to understand
the viewers will feel they suffer the same fate
a serious urge to grab the old lady at the end of my aisle 's walker and toss it at the screen in frustration
... a powerful sequel and one of the best films of the year .
a film that 's flawed and brilliant in equal measure .
if you 're burnt out on it 's a wonderful life marathons and bored with a christmas carol , it might just be the movie you 're looking for .
wonderfully loopy
loud , ugly , irritating
resorting to camp
so bland and
care for its decrepit freaks beyond the promise of a reprieve from their incessant whining
funny pace
, it 's a pale imitation .
will most likely doze off during this one .
an exceptionally dreary and overwrought bit of work
stop-and-start pacing
sucked .
logic and misuse
you have to check your brain at the door
, timeless and universal tale
ruined his career
the pool drowned me in boredom .
it 's what makes their project so interesting
good thriller .
little more than a particularly slanted , gay s/m fantasy ,
good fun , good action , good acting , good dialogue , good pace , good cinematography .
rescue brown sugar from the curse of blandness
provocative
love , memory , history
's thoroughly winning tone
as saccharine movies go
seems based on ugly ideas instead of ugly behavior , as happiness was
is a stunning film , a one-of-a-kind tour de force
to believe in your dreams
he is n't talking a talk that appeals to me
only self-aware neurotics engage in
contriving
for a silly hack-and-slash flick
of education
provide an intense experience when splashed across the immense imax screen
it 's still quite worth seeing
's indicative of how uncompelling the movie is unless it happens to cover your particular area of interest
a well-written and occasionally challenging social drama that actually has something interesting to say
finds its humor
walter hill 's undisputed is like a 1940s warner bros. .
the perfect star vehicle for grant
as telling a country skunk
the perfect movie many have made it out to be
, sometimes funny
contribute to a mood that 's sustained through the surprisingly somber conclusion .
a dull , inconsistent , dishonest female bonding
offers all the pleasure of a handsome and well-made entertainment .
a perfectly pleasant if slightly pokey comedy .
long , intricate , star-studded and visually flashy
the story passes time until it 's time for an absurd finale of twisted metal , fireballs and revenge .
intelligence , wit or innovation
though its story is only surface deep
exceptionally dreary and overwrought bit
its clever concept
like a rejected x-files episode than a credible account of a puzzling real-life happening
well-mounted history lesson
the komediant is a tale worth catching .
is what we call the ` wow ' factor .
may be based on a true and historically significant story
so muddled and derivative that few will bother thinking it all through
the plot and a powerfully evocative mood
the kind of film that could only be made by african-americans because of its broad racial insensitivity towards african-americans
to keep grown-ups from squirming in their seats
is to imply terror by suggestion , rather than the overuse of special effects .
's a sweet , laugh-a-minute crowd pleaser that lifts your spirits as well as the corners of your mouth
the result is a powerful , naturally dramatic piece of low-budget filmmaking .
is so intent on hammering home his message that he forgets to make it entertaining
a very tasteful rock and
poor remake
brought off with considerable wit
its weaknesses
stevens has a flair for dialogue comedy , the film operates nicely off the element of surprise , and the large cast is solid .
non-stop funny feast
with this silly little puddle of a movie
's uninteresting .
a smart comedy would come along to rescue me from a summer of teen-driven , toilet-humor codswallop
destroy is also a creative urge
has been held hostage by generic scripts that seek to remake sleepless in seattle again and again
's a part of us that can not help be entertained by the sight of someone getting away with something
there is a certain sense of experimentation and improvisation to this film that may not always work ,
's not too fast and not too slow .
lucky break is ( cattaneo ) sophomore slump .
pilot episode
evokes the frustration , the awkwardness and the euphoria of growing up
, eventually the content is n't nearly as captivating as the rowdy participants think it is .
the film sounds like the stuff of lurid melodrama , but
already littered with celluloid garbage
the script by david koepp is perfectly serviceable and because he gives the story some soul ...
scrutiny
on the party favors to sober us up with the transparent attempts at moralizing
give i am trying to break your heart an attraction it desperately needed .
an imaginatively mixed cast
the full ticket price to see `` simone , '' and consider a dvd rental instead
to look american angst in the eye and end up laughing
did n't smile .
the story is far-flung , illogical , and plain stupid .
at a tough-man contest
be sealed in a jar and left on a remote shelf indefinitely
infantile cross-dressing routines
plays like the old disease-of-the-week small-screen melodramas .
'll only put you to sleep .
cold light
based on dave barry 's popular book of the same name , the movie benefits from having a real writer plot out all of the characters ' moves and overlapping story .
is what it is -- a nice , harmless date film
more than that , it 's an observant , unfussily poetic meditation about identity and alienation .
a technically superb film , shining with all the usual spielberg flair , expertly utilizing the talents of his top-notch creative team
, the trip there is a great deal of fun .
be fondly remembered in the endlessly challenging maze of moviegoing
funny situations
as those monologues stretch on and on
is a career-defining revelation
is a mere plot pawn for two directors with far less endearing disabilities
make green dragon seem more like medicine than entertainment .
and sickening product placement
of the startling intimacy
yet another entry in the sentimental oh-those-wacky-brits genre that was ushered in by the full monty and is still straining to produce another smash hit .
a cinematic year already littered with celluloid garbage
enigma offers all the pleasure of a handsome and well-made entertainment .
listless and desultory
a surprisingly faithful remake of its chilly predecessor
poor casting
a tour de force of modern cinema .
underrated professionals
of elegant wit and artifice
's horribly depressing and not very well done .
the master of disguise falls under the category of ` should have been a sketch on saturday night live . '
farts , urine
're merely signposts marking the slow , lingering death of imagination .
while i ca n't say it 's on par with the first one , stuart little 2 is a light , fun cheese puff of a movie .
left us cold
lifeless execution .
evokes the style and flash of the double-cross that made mamet 's `` house of games '' and last fall 's `` heist '' so much fun
an art film
including a knockout of a closing line
a strong first act and absolutely , inescapably gorgeous , skyscraper-trapeze motion of the amazing spider-man
a harrowing account
predictably
bland , surfacey
admire this film for its harsh objectivity and refusal to seek our tears , our sympathies
belongs to the marvelous verdu , a sexy slip of an earth mother who mourns her tragedies in private and embraces life in public
what 's infuriating about full frontal
the buoyant energy level
think that 's what i liked about it -- the real issues tucked between the silly and crude storyline
when various characters express their quirky inner selves
few will argue that it ranks with the best of herzog 's works
that 's not the least bit romantic and only mildly funny
to cram earplugs
, it may rate as the most magical and most fun family fare of this or any recent holiday season .
's funny and human and really pretty damned wonderful , all at once .
you wanting to abandon the theater
can write and deliver a one liner as well as anybody .
as perfect as his outstanding performance as bond in die
its awkward structure
excuse to eat popcorn
the plot remains as guarded as a virgin with a chastity belt
over the head with a moral
are actually releasing it into theaters
are included
-- you 'll love this movie .
it has its faults , but
brings a youthful , out-to-change-the-world aggressiveness
quirkily appealing minor movie
hitchcock 's
media-soaked
a hands-off approach
its most delightful moments
daring and beautifully made .
lost on the target audience
hopelessly out
far from disappointing
suck up
's not one decent performance from the cast and not one clever line of dialogue
are relegated to the background -- a welcome step forward from the sally jesse raphael atmosphere of films like philadelphia and american beauty
to seek our tears , our sympathies
- hour , dissipated length .
photographed and beautifully recorded .
be the most oddly honest hollywood document of all
of its broad racial insensitivity towards african-americans
falls short
collateral damage is trash , but it earns extra points by acting as if it were n't .
will probably
is as deep as a petri dish and as well-characterized as a telephone book but still
too placid
shows crushingly little curiosity about ,
if the filmmakers come up with nothing original in the way of slapstick sequences
in its treatment of the dehumanizing and ego-destroying process of unemployment , time out offers an exploration that is more accurate than anything i have seen in an american film .
one big blustery movie where nothing really happens .
will leave you with a smile on your face and a grumble in your stomach
is marvelous
hoary dialogue , fluxing accents
some of the more overtly silly dialogue
the mushy finale turns john q into a movie-of-the-week tearjerker .
look ahead and resist living in a past
the complex , politically charged tapestry of contemporary chinese life this exciting new filmmaker has brought to the screen is like nothing we westerners have seen before .
sc2 is an autopilot hollywood concoction lacking in imagination and authentic christmas spirit
crafted , and well
highly entertaining , self-aggrandizing , politically motivated documentary-making