xiangpku/GLUE huggingface dataset:
irritates and saddens me that martin lawrence 's latest vehicle can explode obnoxiously into 2,500 screens while something of bubba ho-tep 's clearly evident quality may end up languishing on a shelf somewhere .
-- all are irrelevant to the experience of seeing the scorpion king .
like their romances to have that french realism
the basic plot of `` lilo '' could have been pulled from a tear-stained vintage shirley temple script .
be two hours gained
humor and bite
are really going to love the piano teacher
growing strange hairs , getting a more mature body
is undoubtedly one of the finest films of the year .
of the worst movies of one year
miss wonton floats beyond reality with a certain degree of wit and dignity
grinds itself out in increasingly incoherent fashion
the everyday lives
dumbed-down approach
turns out to be more interesting than any of the character dramas , which never reach satisfying conclusions .
dynamism
coma-like state
feels as immediate as the latest news footage from gaza and , because of its heightened , well-shaped dramas , twice as powerful
cinema paradiso stands as one of the great films about movie love .
vardalos and corbett , who play their roles with vibrant charm
sounds , but strikes a tone that 's alternately melancholic , hopeful and strangely funny
winning and wildly fascinating
is a little scattered -- ditsy , even .
waste viewers ' time with a gobbler like this
that , like shiner 's organizing of the big fight , pulls off enough
portuguese master manoel de oliviera
banal and predictable
that it 'll probably be the best and most mature comedy of the 2002 summer season speaks more of the season than the picture
tense , terrific , sweaty-palmed fun
on a pedestal
to deliver awe-inspiring , at times sublime , visuals
god is great addresses interesting matters of identity and heritage
even bigger and more ambitious than the first installment , spy kids 2 looks as if it were made by a highly gifted 12-year-old instead of a grown man .
a scummy ripoff of david cronenberg 's brilliant ` videodrome . '
often pointless
setting off
desirable
of stale gags
is murder by numbers , and as easy to be bored by as your abc 's ,
gutless
an intriguing bit
shines like a lonely beacon
, it 's the best sequel since the empire strikes back ... a majestic achievement , an epic of astonishing grandeur and surprising emotional depth .
it lacks the detail of the book
all movies
see something that did n't talk down to them
explore its principal characters with honesty , insight and humor
in the characters you see
huppert 's show to steal and she makes a meal of it , channeling kathy baker 's creepy turn as the repressed mother on boston public just as much as 8 women 's augustine
clarity and audacity
from a fine cast
` drumline ' shows a level of young , black manhood that is funny , touching , smart and complicated .
people have lost the ability to think
frightening late fees
littered with zero-dimensional , unlikable characters and hackneyed , threadbare comic setups
's also somewhat clumsy
adds substantial depth to this shocking testament to anti-semitism and neo-fascism .
( gulpilil ) is a commanding screen presence ,
the picture seems uncertain whether it wants to be an acidic all-male all about eve or a lush , swooning melodrama in the intermezzo strain .
kids to watch too many barney videos
a fun family movie
about friendship , love , and the truth
all-powerful ,
sweetly
stale copy
make paid in full worth seeing
is so often less
does n't come close to justifying the hype that surrounded its debut at the sundance film festival two years ago .
an edgy thriller that delivers a surprising punch .
its charm
that the theme does n't drag an audience down
they 're stuck with a script that prevents them from firing on all cylinders
that 's critic-proof , simply because it aims so low
infuriatingly quirky and taken with its own style .
did the screenwriters just
still comes off as a touching , transcendent love story .
some soul
it 's loud and boring
there 's no discernible feeling beneath the chest hair
an essentially awkward version
the chateau is a risky venture that never quite goes where you expect and often surprises you with unexpected comedy .
ages-old slapstick and unfunny tricks
those reputedly `` unfilmable '' novels that has bucked the odds to emerge as an exquisite motion picture in its own right
the cinematic equivalent of a big , tender hug
a chilly , brooding but quietly resonant psychological study of domestic tension and unhappiness .
that both thrills the eye and , in its over-the-top way ,
purpose and finesse
my enjoyment came at the expense of seeing justice served , even if it 's a dish that 's best served cold
if you can push on through the slow spots
is the word for the big-fisted direction of jez butterworth , who manages to blast even the smallest sensitivities from the romance with his clamorous approach
there 's a heaven for bad movies
mckay shows crushingly little curiosity about , or is ill-equipped to examine , the interior lives of the characters in his film , much less incorporate them into his narrative .
touchingly
been responsible for putting together any movies of particular value or merit
maintaining the appearance of clinical objectivity
it 's a fantastic movie
achieves its emotional power and moments of revelation with restraint and a delicate ambiguity .
big box office bucks
is overlong and not well-acted , but credit writer-producer-director
the story is also as unoriginal as they come , already having been recycled more times than i 'd care to count .
reeking of research library dust
when a documentary fails to live up to -- or offer any new insight into -- its chosen topic
proves tiresome , with the surface histrionics failing to compensate for the paper-thin characterizations and facile situations .
brash young men set out to conquer the online world with laptops , cell phones and sketchy business plans
of joy and energy
iben hjelje is entirely appealing as pumpkin
press the delete key
, shoot-em-up scene
wonder of wonders --
the two leads , nearly perfect in their roles
to be spectacularly outrageous
without lectures or confrontations
singing long after the credits roll
forget about one oscar nomination for julianne moore this year - she should get all five
the subtlest and most complexly evil uncle ralph i 've ever seen in the many film
the first half of sorority boys
may be surprised at the variety of tones in spielberg 's work .
is ... determined to treat its characters , weak and strong , as fallible human beings , not caricatures , and to carefully delineate the cost of the inevitable conflicts between human urges and an institution concerned with self-preservation .
honest and loving one
reveals itself slowly ,
ad i suffered and bled on the hard ground of ia drang
lucy liu never comes together
that if the filmmakers just follow the books
hits the target audience ( young bow wow fans )
that burn themselves upon the viewer 's memory
offers an intriguing what-if premise .
human power
that the accidental spy is a solid action pic that returns the martial arts master to top form
scenes and vistas and pretty moments
a funny yet dark and seedy clash
an unprecedented tragedy
'll wait in vain for a movie to happen
it 's unlikely we 'll see a better thriller this year .
several scenes of this tacky nonsense
good-hearted
the performances are immaculate , with roussillon providing comic relief .
even a hardened voyeur would require the patience of job to get through this interminable , shapeless documentary about the swinging subculture .
it 's a beautiful film , full of elaborate and twisted characters - and
as often it 's meandering , low on energy , and too eager to be quirky at moments when a little old-fashioned storytelling would come in handy
comes along only occasionally , one so unconventional
few things more frustrating to a film buff than seeing an otherwise good movie marred beyond redemption by a disastrous ending
a properly spooky film about the power of spirits to influence us whether we believe in them or not
's no disguising this as one of the worst films of the summer
is historical filmmaking without the balm of right-thinking ideology , either liberal or conservative
message-mongering moralism
a tawdry b-movie scum
undisputed is nearly incoherent , an excuse to get to the closing bout ... by which time it 's impossible to care who wins .
casting call
this fascinating -- and timely -- content
a case of two actors who do everything humanly possible to create characters who are sweet and believable , and are defeated by a screenplay that forces them into bizarre , implausible behavior
's yet another cool crime movie that actually manages to bring something new into the mix .
reign of fire never comes close to recovering from its demented premise , but it does sustain an enjoyable level of ridiculousness .
berling and béart ... continue to impress , and
is a dazzling , remarkably unpretentious reminder of what ( evans ) had , lost , and got back
are so believable that you feel what they feel
is never satisfactory .
, unlike so many other hollywood movies of its ilk , it offers hope
incomprehensible
with every cinematic tool
rival the filmmaker 's period pieces
far-flung ,
oscar-caliber performances
( the kid 's ) just too bratty for sympathy
captivates and
under his control
skid-row
it 's stupid
their lofty perch , that finally makes sex with strangers , which opens today in the new york metropolitan area , so distasteful
mostly undeterminable
soap-opera quality twist
melodrama and rough-hewn vanity project
never inspired
that this is n't something to be taken seriously
see a devastating comic impersonation
some cocky pseudo-intellectual kid
kline 's superbly nuanced performance ,
street gangs and turf wars in 1958 brooklyn -- stale cliches , gratuitous violence , or empty machismo
self-consciously poetic
this remarkable and memorable film
love stories you will ever see .
deserves a sequel
surprisingly flat
celebrates the group 's playful spark of nonconformity ,
as the princess , sorvino glides gracefully from male persona to female without missing a beat .
this is classic nowheresville in every sense
she ca n't provide any conflict
is a film -- full of life and small delights -- that has all the wiggling energy of young kitten .
simple , sweet and romantic comedy
a fascinating examination
` the country bears ' should never have been brought out of hibernation
an impressive hybrid .
its relaxed , natural-seeming actors
an insultingly inept and artificial examination
feels contrived ,
like a cold old man going through the motions .
intriguing and honorable ,
that neither protagonist has a distinguishable condition hardly matters because both are just actory concoctions , defined by childlike dimness and a handful of quirks .
to forgive that still serious problem
minor-league soccer remake
humor , characterization , poignancy , and intelligence
boasts eye-catching art direction but has a forcefully quirky tone that quickly wears out its limited welcome .
really a thriller
a loud , brash and mainly unfunny high school comedy
the film 's problems
a refreshingly forthright one
an improvement on the feeble examples of big-screen poke-mania that have preceded it .
, hoffman keeps us riveted with every painful nuance , unexpected flashes of dark comedy and the character 's gripping humanity .
a look at the `` wild ride '' that ensues when brash young men set out to conquer the online world with laptops , cell phones and sketchy business plans
painful and refreshing
, the film suffers from a simplistic narrative and a pat , fairy-tale conclusion .
gentle , unforced intimacy
a bit of heart
an alluring backdrop for this sensuous and spirited tale of a prim widow who finds an unlikely release in belly-dancing clubs
being `` in the mood '' to view a movie as harrowing and painful as the grey zone
like its bizarre heroine , it irrigates our souls .
belongs in the very top rank of french filmmakers
it 's leaden and predictable , and laughs are lacking .
falling into the hollywood trap
well , it 's probably not accurate to call it a movie
that the film comes off winningly , even though it 's never as solid as you want it to be
a group of extremely talented musicians
much more ordinary
through vulgarities in a sequel you can refuse
the ability of the human spirit to overcome adversity
cuaron repeatedly , perversely undercuts the joie de vivre even as he creates it , giving the movie a mournful undercurrent that places the good-time shenanigans in welcome perspective .
a painfully slow cliche-ridden film
that finally makes sex with strangers , which opens today in the new york metropolitan area , so distasteful
the precious trappings
director alfonso cuaron gets vivid , convincing performances from a fine cast , and generally keeps things going at a rapid pace , occasionally using an omniscient voice-over narrator in the manner of french new wave films .
, i must report that the children of varying ages in my audience never coughed , fidgeted or romped up and down the aisles for bathroom breaks .
undistinguished
like a comedian who starts off promisingly but then proceeds to flop , comedian runs out of steam after a half hour .
natural-seeming actors
is unusual but unfortunately also irritating
of knucklehead swill
filmmaker tian zhuangzhuang triumphantly returns to narrative filmmaking with a visually masterful work of quiet power .
cross between highlander and lolita
's fallen under the sweet , melancholy spell of this unique director 's previous films
burnt out on it 's a wonderful life marathons and bored
prefer to keep on watching
throwing up
offers much colorful eye candy , including the spectacle of gere in his dancing shoes , hoofing and crooning with the best of them
the enterprise
, and by casting an actress whose face projects that woman 's doubts and yearnings
seen as hip ,
this charming , thought-provoking new york fest of life and love
wonderful but
it ends up falling short as a whole
makes this film special
been better
the story compelling
self-indulgent
an undistinguished attempt to make a classic theater piece cinematic .
just plain dumb
sacrifices its promise
brisk delight
their surroundings
holofcener 's film offers just enough insight to keep it from being simpleminded , and
his ( nelson 's ) screenplay needs some serious re-working to show more of the dilemma , rather than have his characters stage shouting
it 's a perfect show of respect to just one of those underrated professionals who deserve but rarely receive it .
a thrill ride
shows why , after only three films , director/co-writer jacques audiard , though little known in this country , belongs in the very top rank of french filmmakers
dismantle the facades that his genre and his character construct is a wonderous accomplishment of veracity and narrative grace
of a good vampire tale
is his best film
we just do n't really care too much about this love story .
polanski is saying what he has long wanted to say , confronting the roots of his own preoccupations and obsessions , and he allows nothing to get in the way .
kurys ' direction is clever and insightful
randomness usually achieved only by lottery drawing
, there 's no way you wo n't be talking about the film once you exit the theater .
that one viewing ca n't possibly be enough
at his most sparkling
chilling tale
italian freakshow
mordantly funny and
... a bland murder-on-campus yawner .
the master of innuendo
firmly believe that people have lost the ability to think and will forgive any shoddy product as long as there 's a little girl-on-girl action
deeply moving
can read the subtitles ( the opera is sung in italian ) and you like ` masterpiece theatre ' type costumes
feels like pieces a bunch of other , better movies slapped together .
, tiresome nature
named the husband , the wife and the kidnapper , emphasizing the disappointingly generic nature of the entire effort
slow and ponderous ,
will likely be nominated for an oscar next year
a smashing success
, well-developed characters
intriguing plot
sparkling with ideas you wish had been developed with more care
a plodding teen remake that 's so mechanical you can smell the grease on the plot twists .
glumly mishandle the story 's promising premise of a physician who needs to heal himself .
with morality
groan and
makes an amazing breakthrough in her first starring role and eats up the screen
for fun-seeking summer audiences
it may leave you feeling a little sticky and unsatisfied
smart and taut .
to play one lewd scene after another
the way this all works out
future years as an eloquent memorial
ratliff 's two previous titles , plutonium circus and purgatory county show his penchant for wry , contentious configurations ,
its oh-so-hollywood rejiggering and its conventional direction to give the film a soul and an unabashed sense of good old-fashioned escapism
swinging from the trees hooting it 's praises
does n't contain half the excitement of balto , or quarter the fun of toy story 2 .
leigh is n't breaking new ground , but he knows how a daily grind can kill love
a film in which the talent is undeniable
to care about the character
the flowers of perversity , comedy and romance
a lovely film ... elegant , witty and beneath a prim exterior unabashedly romantic ... hugely enjoyable in its own right though not really faithful to its source 's complexity
, it 's still a rollicking good time for the most part
you 're not fans of the adventues of steve and terri
flawed support structure
strong themes of familial ties and
vehicle that even he seems embarrassed to be part of
dreamed up such blatant and sickening product placement in a movie
to discover that tian 's meticulous talent has not withered during his enforced hiatus
weirdly likable
likely to witness in a movie theater for some time
intensely
the movie 's conception of a future-world holographic librarian ( orlando jones ) who knows everything and answers all questions , is visually smart , cleverly written , and nicely realized
its moment of most convincing emotional gravity from a scene where santa gives gifts to grownups
that 's pure entertainment
's an unhappy situation all around
that segment of the populace that made a walk to remember a niche hit
it will just as likely make you weep , and it will do so in a way that does n't make you feel like a sucker
unparalleled proportions
a perfect show
these women 's
and wai ka fai are ) sure to find an enthusiastic audience among american action-adventure buffs , but the film 's interests
a strong thumbs up
she 's a pretty woman ,
better than ` shindler 's list '
'' is a sweet treasure and something well worth your time .
resonant gem
a brutal 90-minute battle sequence
the dull
this tale has been told and retold ;
conniving wit
most of the movie is so deadly dull that watching the proverbial paint dry would be a welcome improvement .
passion , creativity , and fearlessness
give shapiro , goldman , and bolado credit for good intentions
most edgy piece
seems twice as long
revelatory about his psyche
the slow parade of human frailty fascinates
spent the duration of the film 's shooting schedule waiting to scream :
distinguish one sci-fi work from another
an epic of astonishing grandeur
might imagine that most every aggrieved father cliché has been unturned .
sprinkled with a few remarks so geared toward engendering audience sympathy
to pull together easily accessible stories that resonate with profundity
idealism
offers a guilt-free trip
violent , self-indulgent and maddening
paced and suspenseful argentinian thriller
for but a few seconds
sends you away a believer again and quite cheered at just that .
the idea of narrative logic or cohesion is an entirely foreign concept
with brutal honesty and respect for its audience
you to accept it as life and go with its flow
's apparently nothing left to work with , sort of like michael jackson 's nose
packed with adventure and a worthwhile environmental message
blood-curdling family intensity
shoot themselves in the feet with cop flick cliches like an oily arms dealer , squad car pile-ups and the requisite screaming captain
outstanding soundtrack
limp biscuit
seems to have cared much about any aspect of it , from its cheesy screenplay to the grayish quality of its lighting to its last-minute , haphazard theatrical release
plays like a student film
a flat , unconvincing drama that never catches fire
noyce has worked wonders with the material .
a great team
deeper every time
does not really
are the hallmark of this bittersweet , uncommonly sincere movie that portrays the frank humanity of ... emotional recovery
kooky and overeager
the biggest problem i have
's an unhappy situation all around .
drag as soon as the action speeds up
a breath of fresh air now and then
peerlessly
a vile , incoherent mess ... a scummy ripoff of david cronenberg 's brilliant ` videodrome . '
this is the kind of subject matter that could so easily have been fumbled by a lesser filmmaker , but ayres makes the right choices at every turn
slopped ` em together here
the perverse pleasure
makes the film special
just the labor involved in creating the layered richness of the imagery in this chiaroscuro of madness and light
punches
put away the guitar , sell the amp , and
dizzy , confused , and totally disorientated
really belongs with any viewer forced to watch him try out so many complicated facial expressions
does n't deserve a passing grade ( even on a curve ) .
independent-community
's the inimitable diaz
a great companion piece
this fascinating look
but something far more stylish and cerebral
an earnest , roughshod document , it serves as a workable primer for the region 's recent history , and would make a terrific 10th-grade learning tool .
it washed out despite all of that
illustrates the ability of the human spirit to overcome adversity .
terrifically entertaining specimen
emotionally and spiritually compelling journey
uneasy
have to be a most hard-hearted person not to be moved by this drama
reggio 's
gets the details right , from its promenade of barely clad bodies in myrtle beach , s.c. , to the adrenaline jolt of a sudden lunch rush at the diner
sex toys and offers
conceivable
the film seems as deflated as he does
was a better film
if it were subtler ... or if it had a sense of humor
even through its flaws , revolution # 9 proves to be a compelling , interestingly told film .
the gorgeously elaborate continuation of `` the lord of the rings '' trilogy
its personable , amusing cast
pompous
no excuse for following up a delightful , well-crafted family film with a computer-generated cold fish
of exceptional honesty
allegiance to chekhov , which director michael cacoyannis displays with somber earnestness in the new adaptation of the cherry orchard ,
can be a knockout
the extravagant confidence
intriguing and stylish
an inept , tedious spoof of '70s kung fu pictures
this little film is so slovenly done , so primitive in technique , that it ca n't really be called animation .
is a depressing experience
about 3/4th the fun of its spry 2001 predecessor -- but it 's a rushed , slapdash , sequel-for-the-sake - of-a-sequel with less than half the plot and ingenuity
the project should have been made for the tube .
let crocodile hunter steve irwin do what he does best , and fashion a story around him
does n't add up to much
several old themes
after several scenes of this tacky nonsense , you 'll be wistful for the testosterone-charged wizardry of jerry bruckheimer productions , especially because half past dead is like the rock on a wal-mart budget .
topless and roll in the mud than a worthwhile glimpse of independent-community guiding lights .
's the element of condescension , as the filmmakers look down on their working-class subjects from their lofty perch , that finally makes sex with strangers , which opens today in the new york metropolitan area , so distasteful
burns gets caught up in the rush of slapstick thoroughfare .
a film that plays things so nice
sexual jealousy , resentment
technically sumptuous
an invaluable historical document thanks to the filmmaker 's extraordinary access to massoud , whose charm , cultivation and devotion to his people are readily apparent .
self-determination
a dentist 's waiting room
at once both refreshingly different and reassuringly familiar