xiangpku/GLUE huggingface dataset:
could have been crisper and punchier , but it 's likely to please audiences who like movies that demand four hankies
do n't have a clue on the park .
it 's a long way from orwell 's dark , intelligent warning cry ( 1984 ) to the empty stud knockabout of equilibrium , and
a delightful , witty , improbable romantic comedy with a zippy jazzy score
one that will have you at the edge of your seat for long stretches
a fairly enjoyable mixture of longest yard ... and the 1999 guy ritchie caper lock stock and two smoking barrels .
at best
the enduring strengths of women
banderas looks like he 's not trying to laugh at how bad
fascinating portrait
uninspiring
substitute plot for personality
not smart or
the filmmakers ' paws , sad to say ,
to make box office money that makes michael jordan jealous
one of the lucky few who sought it out
a moving tragedy with some buoyant human moments
be killed
that stealing harvard is a horrible movie -- if only it were that grand a failure
chicanery and self-delusion
the mire of this alleged psychological thriller in search of purpose or even a plot
favor of an altogether darker side
magnetic as graham
loud and thoroughly obnoxious comedy
the big ending surprise almost saves the movie .
inventive
the way this all works out makes the women look more like stereotypical caretakers and moral teachers , instead of serious athletes .
but even then , i 'd recommend waiting for dvd and just skipping straight to her scenes .
giant spider invasion comic chiller
was n't all that great to begin with
the importance of being earnest
fails on its own ,
breathless
its playwriting 101 premise
its terrific performances
with no unified whole
a party-hearty teen
the sally jesse raphael atmosphere of films like philadelphia and american beauty
drags out
single good film
director chris wedge and screenwriters michael berg , michael j. wilson and peter ackerman create some episodes that rival vintage looney tunes for the most creative mayhem in a brief amount of time .
an inventive , absorbing movie that 's as hard to classify as it is hard to resist .
communicate the truth of the world around him
in trouble every day
do justice to the awfulness of the movie
wears you down like a dinner guest showing off his doctorate
moments of hilarity
is lightweight filmmaking , to be sure
is that , by the end , no one in the audience or the film seems to really care
an unremittingly ugly movie to look at , listen to , and think about
genuinely worthwhile
is rather pretentious
the nightmare of war
marks the spot .
ultimately cowardly
misanthropic comedies
with love for the movies of the 1960s
unsatisfying ending
many good ideas as bad is the cold comfort that chin 's film serves up with style and empathy
simply and eloquently
have finally aged past his prime ... and , perhaps more than he realizes
if you go in knowing that , you might have fun in this cinematic sandbox
deep or substantial
veered off too far into the exxon zone ,
out on video before month 's end
even bother to rent this on video
is a gentle film with dramatic punch , a haunting ode to humanity .
its refusal to recognize any of the signposts , as if discovering a way through to the bitter end without a map
is offensive , puerile and unimaginatively foul-mouthed if it was at least funny
avalanche
be distasteful to children and adults
everything else about it is straight from the saturday morning cartoons -- a retread story , bad writing , and the same old silliness
amy and matthew have a bit of a phony relationship , but
it 's impossible to even categorize this as a smutty guilty pleasure .
elegant work
naiveté and sophistication
's not helpful to listen to extremist name-calling , regardless of whether you think kissinger was a calculating fiend or just a slippery self-promoter .
what is essentially an extended soap opera
a series of riveting set pieces
opening up ' the play more has partly closed it down .
something of a triumph
robert de niro performance
perfect in their roles
has actually bothered to construct a real story this time
dead mother
the most entertaining bonds
cold , gray , antiseptic
no solace here
can obscure this movie 's lack of ideas .
the beauty of alexander payne 's ode to the everyman is in the details .
's the little nuances that perhaps had to escape from director mark romanek 's self-conscious scrutiny to happen , that finally get under your skin
's better
a divine monument
the appeal of the vulgar , sexist , racist humor went over my head or -- considering just how low brow it is -- perhaps it snuck under my feet
it 's far from fresh-squeezed
curiously depressing
worse yet
unsympathetic hero
is an action film that delivers on the promise of excitement
all-out
it ai n't art , by a long shot
is hardly the most original fantasy film ever made
established filmmaker
to the haunted house
make an important film about human infidelity and happenstance that he tosses a kitchen sink onto a story already overladen with plot conceits
is not the most impressive player
of unintentional melodrama and tiresome love triangles
as a comedy
carefully choreographed atrocities
also a -- dare i say it twice -- delightfully charming -- and totally american , i might add -- slice of comedic bliss
what little atmosphere is generated by the shadowy lighting , macabre sets , and
an earnest study in despair
, he has no clue about making a movie
this toothless dog , already on cable ,
recommend ``
stunning images and effects
a simple message
for a film that has nothing
a tendency to slip into hokum
seemingly disgusted with the lazy material and the finished product 's unshapely look
one of these days hollywood will come up with an original idea for a teen movie , but
i had a serious urge to grab the old lady at the end of my aisle 's walker and toss it at the screen in frustration
one of the rare directors who feels acting is the heart and soul of cinema
even when he 's not at his most critically insightful
to a few rather than dozens
doltish and uneventful
a lot better if it were , well , more adventurous
everybody loves a david and goliath story ,
i was expecting
the importance of being earnest offers opportunities for occasional smiles and chuckles
best and most
exhibits the shallow sensationalism characteristic of soap opera
becomes a part of its fun
shines bright on this frozen tundra soap opera that breathes extraordinary life into the private existence of the inuit people .
swimming gets the details right , from its promenade of barely clad bodies in myrtle beach , s.c. , to the adrenaline jolt of a sudden lunch rush at the diner .
feels like a ruse , a tactic to cover up the fact that the picture is constructed around a core of flimsy -- or , worse yet , nonexistent -- ideas
it works its magic with such exuberance and passion that the film 's length becomes a part of its fun .
likable story
crafted , engaging filmmaking that should attract upscale audiences hungry for quality and a nostalgic , twisty yarn that will keep them guessing
return to neverland manages to straddle the line between another classic for the company and
in his latest effort , storytelling , solondz has finally made a movie that is n't just offensive -- it also happens to be good .
borrowed images
achingly honest and delightfully cheeky
tell its story
too little excitement
one of the best , most
of earnest textbook psychologizing
the film is delicately narrated by martin landau and directed with sensitivity and skill by dana janklowicz-mann .
try too hard to be mythic
thumbs up to paxton
the very top rank of french filmmakers
sexually explicit
: the widowmaker is a great yarn .
a clever and cutting , quick and dirty look
enormously good fun
careless and
cheats on itself and retreats to comfortable territory .
is an overwhelming sadness that feels as if it has made its way into your very bloodstream .
shiner can certainly go the distance , but is n't world championship material
it 's still a rollicking good time for the most part
would likely be most effective if used as a tool to rally anti-catholic protestors .
you can watch , giggle and get an adrenaline boost without feeling like you 've completely lowered your entertainment standards .
shyamalan 's gifts , which are such that we 'll keep watching the skies for his next project
poor editing
slide down the slippery slope of dishonesty after an encounter with the rich and the powerful who have nothing but
... olivier assayas has fashioned an absorbing look at provincial bourgeois french society .
cut their losses -- and ours -- and retitle it the adventures of direct-to-video nash
so many red herrings , so many false scares ,
bored cage
its opening
is in bad need of major acting lessons and maybe a little coffee
it 's still terrible !
talked all the way through it
good actors , good poetry and good music
are more silly than scary
is a gritty police thriller with all the dysfunctional family dynamics one could wish for
is also beautifully acted .
ultimately the , yes , snail-like pacing and lack of thematic resonance make the film more silly than scary , like some sort of martha stewart decorating program run amok .
loses its ability to shock and amaze
a strong script ,
, they find new routes through a familiar neighborhood
a dreadful day in irish history is given passionate , if somewhat flawed , treatment .
could n't recommend this film more
who the main characters are until the film is well under way -- and yet it 's hard to stop watching
alienate the mainstream audience while ringing cliched to hardened indie-heads
the lack of linearity is the point of emotional and moral departure for protagonist alice
skimpy
assume he had a bad run in the market or a costly divorce , because there is no earthly reason other than money why this distinguished actor would stoop so low .
hollywood movie
savor
with a single
of a certain ambition
is how well it holds up in an era in which computer-generated images are the norm .
ca n't recommend it enough .
, `` ballistic : ecks vs. sever '' seems as safe as a children 's film .
mr. taylor tries to shift the tone to a thriller 's rush
a satisfactory overview
piccoli 's performance is amazing , yes ,
romanticization
worth cheering as a breakthrough
of high hilarity
an engaging , wide-eyed actress
confection that 's pure entertainment .
takes care
grittily beautiful
a rollicking good time
the story subtle and us in suspense
the audience gets pure escapism
the château 's balance of whimsicality , narrative discipline and serious improvisation
strongest
overdoing it
the pianist is polanski 's best film .
uptight , middle class bores like antonia
comes across as darkly funny , energetic , and surprisingly gentle
it could have been something special , but two things drag it down to mediocrity -- director clare peploe 's misunderstanding of marivaux 's rhythms , and mira sorvino 's limitations as a classical actress
also represents glossy hollywood at its laziest .
achieves the feel of a fanciful motion picture .
might be best forgotten
, being about nothing is sometimes funnier than being about something
the immersive powers of the giant screen and its hyper-realistic images
so much first-rate talent
shows he 's back in form , with an astoundingly rich film .
shot in artful , watery tones of blue , green and brown .
indie of the year
call it magic
a pretty good job
but fails to keep it up and settles into clichés
with an undeniable energy
hitler 's destiny
then you 'd do well to check this one out because it 's straight up twin peaks action ...
is nothing redeeming about this movie
throws away the goodwill the first half of his movie generates by orchestrating a finale that is impenetrable and dull .
interesting as a character study is the fact that the story is told from paul 's perspective
innuendo
the absolute last thing we need hollywood doing to us
to wander into the dark areas of parent-child relationships without flinching
dreamed up
everyone should be able to appreciate the wonderful cinematography and naturalistic acting .
thrills the eye
too little excitement and
monte cristo smartly emphasizes the well-wrought story and omits needless chase scenes and swordfights as the revenge unfolds .
riveting set pieces
leave a large dog alone
entertaining from start to finish , featuring a fall from grace that still leaves shockwaves
, all about the benjamins evokes the bottom tier of blaxploitation flicks from the 1970s .
passes time until it 's time for an absurd finale of twisted metal , fireballs and revenge
be pleasant in spite of its predictability
that 's destined to win a wide summer audience through word-of-mouth reviews and , not far down the line , to find a place among the studio 's animated classics
oftentimes funny , yet
are alternately touching and funny
sweaty-palmed fun
the layered richness of the imagery in this chiaroscuro of madness and light
a sloppy script
no chemistry or engaging charisma
of the grief
some movies were made for the big screen , some for the small screen , and some , like ballistic : ecks vs. sever , were made for the palm screen
inspired ''
beautiful canvas
imagine ( if possible ) a pasolini film without passion or politics ,
the search for redemption makes for a touching love story , mainly because blanchett and ribisi compellingly tap into a spiritual aspect of their characters ' suffering .
gushing --
a good music documentary ,
to steal a movie not only from charismatic rising star jake gyllenhaal but also from accomplished oscar winners susan sarandon , dustin hoffman and holly hunter , yet newcomer ellen pompeo pulls off the feat with aplomb
but something far more stylish and cerebral -- and
sure what -- and has all the dramatic weight of a raindrop
a breakthrough in filmmaking
a plodding teen remake
an edifying glimpse into the wit and revolutionary spirit of these performers and their era
assayas ' ambitious , sometimes beautiful adaptation
chen films the resolutely downbeat smokers only with every indulgent , indie trick in the book .
alternately frustrating and rewarding .
absurdity
whimsicality , narrative discipline and serious improvisation
the end that extravagantly redeems it
schmaltzy and clumsily
the banality and hypocrisy of too much kid-vid
to recommend it
an incredibly heavy-handed , manipulative dud
that wallace , who wrote gibson 's braveheart as well as the recent pearl harbor , has such an irrepressible passion for sappy situations and dialogue
if you 've a taste for the quirky , steal a glimpse
bottom-of-the-bill fare
like its title character , is repellantly out of control .
is so often nearly nothing
to bodacious
a more credible script ,
he allows nothing to get in the way
comes up shorter than britney 's cutoffs .
effortless performance
, virulent and foul-natured
( gosling 's ) combination of explosive physical energy and convincing intelligence
` masterpiece ' and ` triumph ' and
surprises or delights
talky , artificial and opaque ... an interesting technical exercise , but a tedious picture .
's a stale , overused cocktail using the same olives since 1962 as garnish
its premise is smart , but the execution is pretty weary
's also curious to note that this film , like the similarly ill-timed antitrust , is easily as bad at a fraction the budget .
honest observations
the film 's sense of imagery gives it a terrible strength , but
where it plainly has no business going
the franchise 's best years are long past
filter out the complexity
( a ) rather thinly-conceived movie .
and diesel is n't the actor to save it .
a not-so-divine secrets
spend with these people
i 've never seen or heard anything quite like this film , and i recommend it for its originality alone .
should be doing a lot of things , but does n't
from seeing former nymphette juliette lewis playing a salt-of-the-earth mommy named minnie and watching slim travel incognito in a ridiculous wig no respectable halloween costume shop would ever try to sell
, and larded with exposition
generates by orchestrating a finale that is impenetrable and dull
simple , poignant and leavened
's definite room for improvement
're going to face frightening late fees
fun and reminiscent
shiri is an action film that delivers on the promise of excitement
an artful yet depressing film that makes a melodramatic mountain out of the molehill of a missing bike
never comes close to recovering from its demented premise
of the year 's best films
's enough cool fun here to warm the hearts of animation enthusiasts of all ages
scherfig , the writer-director , has made a film so unabashedly hopeful that it actually makes the heart soar .
addition to the overcooked , ham-fisted direction , which has all the actors reaching for the back row
it 's still a sweet , even delectable diversion .
dull and
a cartoon ?
has a customarily jovial air but a deficit of flim-flam inventiveness .
the year 's best films
the threat implied in the title pokémon 4ever is terrifying -- like locusts in a horde these things will keep coming
, then becomes bring it on , then becomes unwatchable
off-beat
the movie 's set
fiercely intelligent and uncommonly ambitious
with humor and lightness
this 90-minute dud could pass for mike tyson 's e !
is like a year late
it 's a strange film , one that was hard for me to warm up to .
truly annoying
touching movie
, shrek )
least favorite
terrific job
may pander to our basest desires for payback
still show virtually no understanding of it
as the libretto directs , ideally capturing the opera 's drama and lyricism
this movie makes one thing perfectly clear
splendid production design
the ensemble cast , the flat dialogue by vincent r. nebrida or the gutless direction by laurice guillen
who can out-bad-act the other
has such an irrepressible passion for sappy situations and dialogue
veracity
strong script
george orwell turning over
puts a suspenseful spin on standard horror flick formula .
a gratingly unfunny groaner littered with zero-dimensional , unlikable characters and hackneyed , threadbare comic setups .
into such fresh territory
it is cruel
of empathy for its characters
hollywood confection
the filmmaker 's lifelong concern with formalist experimentation in cinematic art
is grossly contradictory in conveying its social message ,
makes his films so memorable
this is sure to raise audience 's spirits and leave them singing long after the credits roll .
strained caper movies that 's hardly any fun to watch
the performances of the children , untrained in acting
a cinema classic
the tooth and claw of human power
considerable talents
pure over-the-top trash
reach much further than we imagine .
of using george and lucy 's most obvious differences to ignite sparks
might like and more experimental in its storytelling
not taken
designed as a reverie about memory and regret , but the only thing you 'll regret is remembering the experience of sitting through it
full of privileged moments and memorable performances
the , yes , snail-like pacing and
a feature film that is wickedly fun to watch
the fast , funny , and even touching story
even when there are lulls , the emotions seem authentic , and
feels stitched together from stock situations and characters from other movies
the heart as well as
thornberrys movie
, a movie comes along to remind us of how very bad a motion picture can truly be .
have a cute partnership in i spy
the right b-movie frame of mind
lacks the skill or presence
very bright
watching seinfeld ( who is also one of the film 's producers ) do everything he can to look like a good guy
newcastle , the first half of gangster no. 1 drips with style and
amounts to surprisingly little
falls victim to sloppy plotting , an insultingly unbelievable final act and a villainess who is too crazy to be interesting .
did n't care
see a feature that concentrates on people , a project in which the script and characters hold sway
a tragedy which is somehow guessable from the first few minutes , maybe because it echoes the by now intolerable morbidity of so many recent movies
actually looks as if it belongs on the big screen
strained caper movies that 's hardly any fun to watch and
martha stewart decorating program run amok
eerily accurate depiction of depression
why it works as well as it does
a dullard
kills every sense of believability
devoid of interesting characters or even a halfway intriguing plot
hawn and sarandon form an acting bond that makes the banger sisters a fascinating character study with laughs to spare .
of eager fans
predictable plotting and tiresome histrionics
its performances
acquainted with the author 's work , on the other hand ,
engross even the most antsy youngsters
its moviegoing pleasures
nothing funny in this every-joke-has - been-told-a - thousand-times - before movie
fills time
affair ,
a comedy that swings and jostles to the rhythms of life .
give all three stories life
apparently reassembled from the cutting-room floor of any given daytime soap .
a fairy tale
, this too-long , spoofy update of shakespeare 's macbeth does n't sustain a high enough level of invention .
as well-written as sexy beast , not as gloriously flippant as lock , stock and two smoking barrels , but
great character interaction .
it looks good , but it is essentially empty .
insomnia is one of the year 's best films and pacino gives one of his most daring , and complicated , performances .
a stylistic romp that 's always fun to watch .
runs on the pure adrenalin of pacino 's performance .
all awkward , static , and lifeless rumblings
an honestly nice little film that takes us on an examination of young adult life in urban south korea through the hearts and minds of the five principals
a glimmer
overstating
it 's a ripper of a yarn and
a nation whose songs spring directly from the lives of the people
, it 's a real shame that so much of the movie -- again , as in the animal -- is a slapdash mess .
every suspenseful cliché
other than a mildly engaging central romance , hospital
its oscar-sweeping franchise predecessor
is right at home in this french shocker playing his usual bad boy weirdo role .
, really good
mr. scorsese 's
, deeply unsettling experience
a few other decent ones
the pantheon of great monster/science fiction flicks
to go down with a ship as leaky as this
have i seen a film so willing to champion the fallibility of the human heart .
on the amateurish
a dickensian hero
the few ` cool ' actors who never seems aware of his own coolness
even as i valiantly struggled to remain interested , or at least conscious
legged freaks
is not easily forgotten
how about surprising us by trying something new ?
seem motivated by nothing short of dull , brain-deadening hangover
something purer
plodding teen remake
a bad sign
little alien
unconditional
underestimated charm
the desperation of a very insecure man
crushed
a great cast and a wonderful but sometimes confusing flashback
it 's fun
offers no new insight on the matter ,
gets vivid , convincing performances
crafty and
so distant
to be exceptional to justify a three hour running time
each watered down the version of the one before
of a triumph
's the mark of a documentary that works
shapeless and
funny and also heartwarming without stooping to gooeyness .
to be invented to describe exactly how bad it is
schneidermeister ... makin ' a fool of himself ... losin ' his fan base ...
in formula crash-and-bash action
, he took three minutes of dialogue , 30 seconds of plot and turned them into a 90-minute movie that feels five hours long .
the war movie compendium across its indulgent two-hour-and-fifteen-minute length
a total lack of empathy
'll swear that you 've seen it all before , even if you 've never come within a mile of the longest yard .
tiny camera enables shafer to navigate spaces both large ... and small ... with considerable aplomb
uplifting , funny and wise .
occasionally fun enough
, warm water may well be the year 's best and most unpredictable comedy .
represents glossy hollywood at its laziest
from such a great one
to get through this interminable , shapeless documentary about the swinging subculture
is simply too ludicrous and borderline insulting
road to perdition does display greatness
humorous , illuminating study
a man leaving the screening said the film was better than saving private ryan .
slam-dunk
i laughed throughout the movie
an acceptable way to pass a little over an hour with moviegoers ages