xiangpku/GLUE huggingface dataset:
think of it as gidget , only with muscles and a lot more smarts , but just as endearing and easy to watch
buoyant energy level
younger generations
feel absolutely
showcases tom hanks as a depression era hit-man in this dark tale of revenge
schizo
process of imparting knowledge .
as well as rank frustration from those in the know about rubbo 's dumbed-down tactics )
a mix of gritty realism , crisp storytelling and radiant compassion that effortlessly draws you in .
what lee does so marvelously compelling is present brown as a catalyst for the struggle of black manhood in restrictive and chaotic america ... sketchy but nevertheless gripping portrait of jim brown , a celebrated wonder in the spotlight
guts and crazy beasts stalking men with guns though ... you will likely enjoy this monster .
astounds
live happily ever
often exquisite
if ( jaglom 's ) latest effort is not the director at his most sparkling , some of its repartee is still worth hearing .
are too cute
kids = misery
pointed personalities
whenever it threatens to get bogged down in earnest dramaturgy , a stirring visual sequence like a surge through swirling rapids or a leap from pinnacle to pinnacle rouses us .
funny and , in the end ,
often watchable , though goofy and lurid ,
expect more from director michael apted ( enigma ) and screenwriter nicholas kazan ( reversal of fortune )
will probably be a talky bore
it could be , by its art and heart , a necessary one .
a zinger-filled crowd-pleaser that open-minded elvis fans ( but by no means all )
transforms one of ( shakespeare 's ) deepest tragedies into a smart new comedy .
give credit to affleck .
discordant
invaluable service
gross-out flicks ,
am more offended by his lack of faith in his audience than by anything on display
shows moments of promise
sham actor workshops and
serving sara is little more than a mall movie designed to kill time .
funny , somber , absurd , and , finally , achingly sad , bartleby is a fine , understated piece of filmmaking .
interesting technical exercise
is like having two guys yelling in your face for two hours .
slice of hitchcockian suspense .
than anything seen on jerry springer
contemporary chinese life this exciting new filmmaker has brought to the screen
aimlessly
solemn insights
a collection of wrenching cases is corcuera 's attention to detail .
should avoid this like the dreaded king brown snake
with an adequate reason why we should pay money for what we can get on television for free
watching it was painful
one gets the feeling that the typical hollywood disregard for historical truth and realism is at work here
reminds at every turn of elizabeth berkley 's flopping dolphin-gasm
paul grabowsky 's excellent music
if disingenuous ,
a few cheap shocks
the actors improvise and scream their way around this movie directionless , lacking any of the rollicking dark humor so necessary to make this kind of idea work on screen .
troubled and determined homicide cop
is an intelligent flick that examines many different ideas from happiness to guilt in an intriguing bit of storytelling .
without any of its satirical
the delicate tightrope between farcical and loathsome
matches the page-turning frenzy
be inside looking out , and at other times outside looking in
it 's too long
stealing harvard ca n't even do that much .
good for the goose
what new best friend does not have , beginning with the minor omission of a screenplay
a huge disappointment coming , as it does
it already has one strike against it .
an exhilarating new interpretation in morvern callar
ben affleck
unfolds with such a wallop of you-are-there immediacy that when the bullets start to fly , your first instinct is to duck .
comedic bliss
to have been conjured up only 10 minutes prior to filming
sleepwalk through vulgarities in a sequel you can refuse .
is a terrific role for someone like judd , who really ought to be playing villains
more abhorrent
powerful and universal
quaid is utterly fearless as the tortured husband living a painful lie , and moore wonderfully underplays the long-suffering heroine with an unflappable '50s dignity somewhere between jane wyman and june cleaver .
peculiarly moral amorality
bespeaks an expiration date passed a long time ago
is wondrously creative .
's surprisingly bland despite the heavy doses of weird performances and direction .
a bizarre piece of work , with premise and dialogue at the level of kids ' television and plot threads as morose as teen pregnancy , rape and suspected murder
you 'll forget about it by monday , though , and
( caine ) proves once again he has n't lost his touch , bringing off a superb performance in an admittedly middling film .
a sane regimen
of the most interesting writer/directors
an undercurrent of loneliness and isolation
the narrator and the other characters try to convince us that acting transfigures esther , but she 's never seen speaking on stage ; one feels cheated ,
my big fat greek wedding is a non-stop funny feast of warmth , color and cringe .
's a movie that ends with truckzilla , for cryin ' out loud
is pushed into the margins by predictable plotting and tiresome histrionics .
writer and director burr steers knows the territory
being a true adaptation of her book
is clever and funny
undeniably gorgeous
the evening to end
, and genius
her life half-asleep
what 's missing is what we call the ` wow ' factor .
profound ethical and philosophical questions in the form of dazzling pop entertainment
, it is more likely to induce sleep than fright .
spend 110 claustrophobic minutes
false and fabricated
of rancid , well-intentioned , but shamelessly manipulative movie making
is n't a product of its cinematic predecessors so much as an mtv , sugar hysteria , and playstation cocktail .
there is a mediocre movie trying to get out .
compelling plots
food-for-thought cinema
crushingly self-indulgent spectacle
, luridly colored , uni-dimensional nonsense machine that strokes the eyeballs while it evaporates like so much crypt mist in the brain
tremendous chemistry
the writing is clever and the cast is appealing
brilliantly shines on all the characters , as the direction is intelligently accomplished .
its spry 2001 predecessor -- but it 's a rushed , slapdash , sequel-for-the-sake - of-a-sequel with less than half the plot and ingenuity
intimate than spectacular
a portrait of two strong men in conflict
its appeal
in bad stage dialogue
deep , uncompromising curtsy
quality band
the movie 's various victimized audience members
this picture is mostly a lump of run-of-the-mill profanity sprinkled with a few remarks so geared toward engendering audience sympathy that you might think he was running for office -- or trying to win over a probation officer .
, but because of the startling intimacy
scorcher
recognize it
real-life hollywood fairy-tale
is grand-scale moviemaking for a larger-than-life figure , an artist who has been awarded mythic status in contemporary culture .
increasingly emphasizes the computer and the cool
enjoyable feel-good family comedy
, evelyn comes from the heart .
dark , intelligent
fluid and mesmerizing sequence
gross-out flicks , college flicks , or even flicks in general
tries to rush through the intermediary passages , apparently hoping that the audience will not notice the glaring triteness of the plot device
, you know there 's something there .
the german film industry can not make a delightful comedy centering on food
as a cult film
revisionist fancy
is greatness here .
get out your pooper-scoopers .
i say , entertaining
is to ponder how a whole segment of pop-music history has been allowed to get wet , fuzzy and sticky .
thanks to remarkable performances
pushing the jokes at the expense of character
that something hip and transgressive was being attempted here that stubbornly refused to gel
contrived , lame screenplay
is n't as compelling or as believable
is that i truly enjoyed most of mostly martha while i ne
intelligent subtlety
in itself , is extraordinary .
clear-cut hero
exceedingly memorable one for most people
about the thousands of americans who die hideously
you can practically hear george orwell turning over .
a zany mix
after that it becomes long and tedious like a classroom play in a college history course .
are very , very good reasons
the best films of the year with its exquisite acting , inventive screenplay , mesmerizing music , and many inimitable scenes
's actually sort of amazing
we have absolutely no idea who the main characters are until the film is well under way -- and yet it 's hard to stop watching .
it 's a bad sign when you 're rooting for the film to hurry up and get to its subjects ' deaths just so the documentary will be over , but it 's indicative of how uncompelling the movie is unless it happens to cover your particular area of interest
offers big , fat , dumb laughs that may make you hate yourself for giving in .
scarcely worth
whatever flaws igby goes down may possess , it is undeniably that
, the film grows as dull as its characters , about whose fate it is hard to care .
shakespeare 's better known tragedies
you 'd do well to check this one out because it 's straight up twin peaks action ...
an interesting character
please history fans
few seconds
that something so short could be so flabby
are telegraphed in the most blithe exchanges gives the film its lingering tug
two big things are missing -- anything approaching a visceral kick , and anything approaching even a vague reason to sit through it all .
to escape from director mark romanek 's self-conscious scrutiny
and just plain dumb
is like nothing we westerners have seen before .
thought out
drowsy drama
savage full-bodied wit
make like the title and dodge this one .
a skillful fisher
clumsy and
his effortless performance
a brutal and funny work .
feel the wasted potential of this slapstick comedy
enjoyed most of mostly martha
' i know how to suffer ' and if you see this film you 'll know too .
introduce video as art
good and ambitious
viewer to doze off for a few minutes or make several runs to the concession stand and/or restroom and not feel as if he or she has missed anything
a first-class , thoroughly involving b movie that effectively combines two surefire , beloved genres -- the prison flick and the fight film
considerable skill and determination , backed by sheer nerve
makes a feature debut that is fully formed and remarkably assured
can get on television for free
the movie 's plot is almost entirely witless and inane , carrying every gag two or three times beyond its limit to sustain a laugh .
soulful , incisive meditation
is n't scary .
seen and debated with appropriate ferocity and thoughtfulness
of lazy humor
in the film , which gives you an idea just how bad it was
just bad
added clout
wholly unconvincing
most appealing
the subtle direction
comes from tv reruns and supermarket tabloids
such a dependable concept was botched in execution
there 's no rooting interest
kitschy , flashy , overlong soap opera .
distracts
with so much passion
a few big laughs
director carl franklin adds enough flourishes and freak-outs to make it entertaining
is still very much worth
a sequel you can refuse
bad soap opera
pacing and lack
my seat trying to sneak out of the theater
worthwhile themes
threw medical equipment at a window
infinitely wittier version
ebullient tunisian film
acting , poorly dubbed dialogue and murky cinematography
invite some genuine spontaneity into the film by having the evil aliens ' laser guns actually hit something for once ?
forcefully told , with superb performances throughout
are laughs aplenty
incapable
that 's because panic room is interested in nothing more than sucking you in ... and making you sweat .
a fascinating study
festers in just such a dungpile that you 'd swear you were watching monkeys flinging their feces at you .
the treat of the title
a vanity project
horrifyingly ,
intriguing story
chouraqui no doubt intended the film to affirm love 's power to help people endure almost unimaginable horror
hampered
missing a beat
's not an original character , siuation or joke in the entire movie
an odd show , pregnant with moods , stillborn except as a harsh conceptual exercise
ensures the film never feels draggy
mr. deeds is , as comedy goes , very silly -- and in the best way
the film 's intimate camera work and searing performances pull us deep into the girls ' confusion and pain as they struggle tragically to comprehend the chasm of knowledge that 's opened between them .
utter cuteness
one of the most splendid
spikes of sly humor
confusing sexual messages
screenplay to die for
one-sided documentary
, it 's really little more than a particularly slanted , gay s/m fantasy , enervating and deadeningly drawn-out .
that is revelatory
artsy and
'd grab your kids and run and then probably call the police .
refracting all of world war ii through the specific conditions of one man
such a lousy way
to be intimate and socially encompassing
jumps around with little logic or continuity ,
overflows with wisdom and emotion
realistic characters
induces a kind of abstract guilt ,
wear thin on all
leaves a bitter taste .
of strictly a-list players
not completely loveable -- but what underdog movie since the bad news bears has been ?
a spirited film and
she 's pretty and she can act --
tends to speculation , conspiracy theories or , at best , circumstantial evidence
to see another car chase , explosion or gunfight again
the lively appeal of the last kiss lies in the ease with which it integrates thoughtfulness and pasta-fagioli comedy .
life-embracing spirit
grievous but obscure complaint
paced at a speed that is slow to those of us in middle age and deathly slow to any teen
makes the right choices at every turn
a bored cage
without cheesy fun factor .
while certainly clever in spots , this too-long , spoofy update of shakespeare 's macbeth does n't sustain a high enough level of invention .
deliver awe-inspiring , at times sublime , visuals
a bore
a fourth-rate jim carrey who does n't understand the difference between dumb fun and just plain dumb
start to drag as soon as the action speeds up
to do with 94 minutes
a cinematic touchstone
just how well
's a lot to ask people to sit still for two hours and change watching such a character , especially when rendered in as flat and impassive a manner as phoenix 's .
embarrassment and others
poignancy , and intelligence
's just merely very bad
feels secondhand , familiar -- and not in a good way .
this loose collection of largely improvised numbers
more dutiful than enchanting ... terribly episodic and lacking the spark of imagination that might have made it an exhilarating
there are some movies that hit you from the first scene
a clumsily manufactured exploitation flick , a style-free exercise in manipulation and mayhem
reeked of a been-there , done-that sameness
the last 15 minutes
the gentle and humane side
stays in formula -- which is a waste of de niro , mcdormand and the other good actors in the cast
solid formula
the script boasts some tart tv-insider humor , but the film has not a trace of humanity or empathy
often inspiring
about the optimism of a group of people who are struggling to give themselves a better lot in life than the ones
results that are sometimes bracing
there 's a scientific law to be discerned here that producers would be well to heed : mediocre movies start to drag as soon as the action speeds up
a compelling investigation
is a such a brainless flibbertigibbet
a way to make j.k. rowling 's marvelous series into a deadly bore
felt work about impossible , irrevocable choices and the price of making them .
will certainly succeed in alienating most viewers
tender ,
binks
comedy fare
is akin to a reader 's digest condensed version of the source material .
rank frustration from those in the
could n't care less
very ugly ,
a distinctly minor effort
are acting like puppets
really horrible
martha will leave you with a smile on your face and a grumble in your stomach .
might more accurately be titled mr. chips off the old block
beautifully shot against the frozen winter landscapes of grenoble and geneva , the film unfolds with all the mounting tension of an expert thriller , until the tragedy beneath it all gradually reveals itself .
perfectly captures the wonders and worries of childhood
friday the 13th
the surest bet
a lush , swooning melodrama
glaring and unforgettable
undeniable entertainment value
profane and exploitative as the most offensive action flick you 've ever seen .
laughed throughout the movie
uglier
crafted a deceptively casual ode to children and
while the highly predictable narrative falls short , treasure planet is truly gorgeous to behold .
talk to her is so darned assured
the art direction is often exquisite , and the anthropomorphic animal characters are beautifully realized through clever makeup design , leaving one to hope that the eventual dvd release will offer subtitles and the original italian-language soundtrack
thrills and extreme emotions
has flopped as surely as a soufflé gone wrong
a slam-bang extravaganza that
a set of heartfelt performances
deserves a better vehicle than this facetious smirk of a movie
nicholas nickleby celebrates the human spirit with such unrelenting dickensian decency that it turned me ( horrors ! )
a forceful drama of an alienated executive who re-invents himself .
such exuberance and passion
as gory as the scenes of torture and self-mutilation may be , they are pitted against shimmering cinematography that lends the setting the ethereal beauty of an asian landscape painting .
a story that 's shapeless and uninflected
's as sweet as greenfingers
the distinct and very welcome sense
's quite fun in places
is an act of spiritual faith -- an eloquent , deeply felt meditation on the nature of compassion .
attempts to fuse at least three dull plots into one good one .
the script manages the rare trick of seeming at once both refreshingly different and reassuringly familiar .
with bogus profundities
as well as a masterfully made one
a passion for cinema , and indeed sex ,
tremendous promise
a shallow rumination
career peak
, they 're merely signposts marking the slow , lingering death of imagination .
though , there is a really cool bit -- the movie 's conception of a future-world holographic librarian ( orlando jones ) who knows everything and answers all questions , is visually smart , cleverly written , and nicely realized .
shamelessly money-grubbing
in trapped
is a convincing one
believable and heart-wrenching
vibrant , colorful world
confessions is n't always coherent , but it 's sharply comic and surprisingly touching , so hold the gong
funny little film
that one in clockstoppers , a sci-fi thriller as lazy as it is interminable
the testosterone-charged wizardry of jerry bruckheimer productions
misguided comedy
about a horrifying historical event
seems inconceivable
rare combination
groundbreaking
plot conceits
the poor quality of pokemon 4 ever is any indication
solid performances and eerie atmosphere
fails to provide much more insight than the inside column of a torn book jacket
it 's awfully entertaining to watch .
ritchie 's film is easier to swallow than wertmuller 's polemical allegory , but it 's self-defeatingly decorous .
the slow parade
embedded in the sexy demise of james dean
less an examination of neo-nazism than a probe into the nature of faith itself
years and years of costly analysis could never fix
the movie completely transfixes the audience .
he ca n't disguise that he 's spiffing up leftovers that are n't so substantial or fresh
true and historically significant
fulford-wierzbicki ... deftly captures the wise-beyond-her-years teen .
easy , cynical potshots at morally bankrupt characters
pick up the durable best seller smart women , foolish choices for advice
little else
entertain all ages
fresh good looks and
about the passions that sometimes fuel our best achievements and other times
the stars may be college kids , but the subject matter is as adult as you can get : the temptations of the flesh are unleashed by a slightly crazed , overtly determined young woman and a one-night swim turns into an ocean of trouble
excellent performances from jacqueline bisset and martha plimpton
if only it were that grand a failure
a genuinely funny ensemble comedy that also asks its audience -- in a heartwarming , nonjudgmental kind of way -- to consider what we value in our daily lives .
of determination and the human spirit
has a delightfully dour , deadpan tone and stylistic consistency
passably
, it still comes off as a touching , transcendent love story .
little is done to support the premise other than fling gags at it to see which ones shtick .
beautifully shot against the frozen winter landscapes of grenoble and geneva
schnitzler does a fine job contrasting the sleekness of the film 's present with the playful paranoia of the film 's past . '
just brilliant in this
the talented
when it 's really an exercise in gross romanticization of the delusional personality type
terribly obvious
created a monster but did n't know how to handle it .
book-on-tape
the original was n't a good movie
the blair witch formula for an hour , in which we 're told something creepy and vague is in the works
would recommend big bad love only to winger fans who have missed her since 1995 's forget paris .
reminds me of a vastly improved germanic version of my big fat greek wedding
will no doubt
the screenwriter responsible for one of the worst movies of one year
bright future
an exhausted , desiccated talent who ca n't get out of his own way
it 's absolutely amazing how first-time director kevin donovan managed to find something new to add to the canon of chan .
delivers a magnetic performance
oscar winners
a dull , dumb and derivative horror film
manage to hit all of its marks
new texture , new relevance , new reality
look no further
nettelbeck has crafted an engaging fantasy of flavors and emotions , one part romance novel , one part recipe book .
too much of a plunge
singing and finger snapping it might have held my attention , but as it stands i kept looking for the last exit from brooklyn .
makes one of the great minds of our times interesting and accessible
wildly uneven movie
is so resolutely cobbled together out of older movies that it even uses a totally unnecessary prologue , just because it seems obligatory
begins to drag two-thirds through , when the melodramatic aspects start to overtake the comedy
talented people
is such a perfect medium for children ,
riveting , brisk delight
riveting memories are rendered with such clarity that it 's as if it all happened only yesterday
, it 's hard to figure the depth of these two literary figures , and even the times in which they lived .
stakes out the emotional heart of happy .
friday after next
's got just enough charm and appealing character quirks to forgive that still serious problem
looking for astute observations and coming up blank
raunchy and
acknowledges and celebrates the glorious chicanery and self-delusion of this most american of businesses
, organic character work
cinematic poet
the filmmakers ' eye for detail and
were all over this `` un-bear-able '' project
besotted and obvious drama
is fun , and host to some truly excellent sequences
scoring high for originality of plot
no signs of life
williams absolutely nails sy 's queasy infatuation and overall strangeness .
an absurdist spider web .
it 's a movie that gets under your skin .
move so easily across racial and cultural lines in the film
relationship and
does n't really know or care about the characters , and
the film never finds its tone and several scenes run too long .
comic parody and pulp melodrama , this smart-aleck movie ... tosses around some intriguing questions about the difference between human and android life
a deceptively simple premise
determined , ennui-hobbled
brave , uninhibited
, repetitive and ragged
an eye-boggling blend of psychedelic devices , special effects and backgrounds , ` spy kids 2 '
it 's pleasant enough
it 's also not smart or barbed enough for older viewers -- not everyone thinks poo-poo jokes are ` edgy . '
the great equalizer that can calm us of our daily ills and bring out joys in our lives that we never knew
a modestly made but profoundly moving documentary .
because he gives the story some soul