xiangpku/GLUE huggingface dataset:
weighty and ponderous but every bit as filling as the treat of the title .
city by the sea would slip under the waves .
are forced to reflect that its visual imagination is breathtaking
it is supremely unfunny and unentertaining to watch middle-age and older men drink to excess , piss on trees , b.s. one another and put on a show in drag
ill-considered notion
it 's easy to love robin tunney -- she 's pretty and she can act -- but it gets harder and harder to understand her choices .
might describe as a castrated
exploitative for the art houses and too cynical , small and
no trouble sitting for blade ii
it is easy to take this film at face value and enjoy its slightly humorous and tender story
considered career-best performances
a popcorn film , not a must-own , or even a must-see
the film is extremely thorough .
has some of the funniest jokes of any movie
celebrates the group 's playful spark of nonconformity , glancing vividly back at what hibiscus grandly called his ` angels of light
farts , urine , feces , semen , or
jackass lacks aspirations of social upheaval .
exalts the marxian dream of honest working folk , with little to show for their labor , living harmoniously , joined in song .
above the level of a telanovela
, it makes me wonder if lawrence hates criticism so much that he refuses to evaluate his own work .
been modeled on the worst revenge-of-the-nerds clichés the filmmakers could dredge up
a glimmer of intelligence or invention
the trap of the maudlin or tearful
a vampire soap opera that does n't make much
provides a nice change of mindless pace in collision with the hot oscar season currently underway
letdown
jeunet
has its share of belly laughs ( including a knockout of a closing line )
a small movie with a big heart .
one that should be thrown back in the river
trying to dupe the viewer into taking it all as very important simply because the movie is ugly to look at and not a hollywood product
are fantasti
a single man 's struggle to regain his life , his dignity and his music
wise and deadpan
no , it 's not as single-minded as john carpenter 's original , but it 's sure a lot smarter and more unnerving than the sequels .
surprisingly romantic
, the film has in kieran culkin a pitch-perfect holden .
in all the annals of the movies , few films have been this odd , inexplicable and unpleasant .
this woefully hackneyed movie , directed by scott kalvert ,
the unique niche of self-critical , behind-the-scenes navel-gazing kaufman has carved from orleans ' story and his own infinite insecurity is a work of outstanding originality .
fragmented film
the chateau has one very funny joke and a few other decent ones
attempts to fashion a brazil-like , hyper-real satire
appreciates the art and reveals a music scene that transcends culture and race .
equilibrium becomes a concept doofus
terrific as nadia , a russian mail-order bride who comes to america speaking not a word of english , it 's kidman who holds the film together with a supremely kittenish performance that gradually accumulates more layers .
is a shrewd and effective film from a director who understands how to create and sustain a mood .
a visually stunning rumination on love , memory , history and the war between art and commerce
fun and
's both sitcomishly predictable and cloying in its attempts
works on no level whatsoever for me
shanghai ghetto may not be as dramatic as roman polanski 's the pianist , but its compassionate spirit soars every bit as high .
exceedingly pleasant
unflinching look
about the film , which very simply sets out to entertain and ends up delivering in good measure
of new inspiration in it
predictable storyline and
an emotionally strong and politically potent piece of cinema .
postcard perfect
that did not figure out a coherent game
's as raw and action-packed an experience as a ringside seat at a tough-man contest
recycles every cliché about gays in what is essentially an extended soap opera .
( hayek ) throws herself into this dream hispanic role with a teeth-clenching gusto , she strikes a potent chemistry with molina and
it 's a rollicking adventure for you and all your mateys , regardless of their ages .
who is a welcome relief from the usual two-dimensional offerings
lifts blue crush into one of the summer 's most pleasurable movies
otherwise excellent film
the biggest problem with roger avary 's uproar against the mpaa is that , even in all its director 's cut glory , he 's made a film that 's barely shocking , barely interesting and most of all , barely anything .
when we hear the ultimate fate of these girls and realize , much to our dismay , that this really did happen
had no effect and elicited no sympathies for any of the characters
a puppy dog so desperate for attention it nearly breaks its little neck trying to perform entertaining tricks .
the goo
within the seas of their personalities
follow the stale , standard , connect-the-dots storyline which has become commonplace in movies that explore the seamy underbelly of the criminal world
the chatter
for most movies , 84 minutes is short , but this one feels like a life sentence
their way around this movie directionless , lacking any of the rollicking dark humor so necessary
in this marvelous film
, there would be a toss-up between presiding over the end of cinema as we know it and another night of delightful hand shadows .
this a remarkable and novel concept
first and
nothing more than a widget cranked out on an assembly line to see if stupid americans will get a kick out of goofy brits with cute accents performing ages-old slapstick and unfunny tricks .
of quirkily appealing minor movie she might not make for a while
monstrous
somewhat cumbersome 3d goggles
delivered in low-key style
candid , archly funny
any redeeming value whatsoever
does n't get the job done , running off the limited chemistry created by ralph fiennes and jennifer lopez
goes right
starts out with tremendous promise ,
has humor and heart and very talented young actors
does a film so graceless and devoid of merit as this one come along
about their budding amours
you never know where changing lanes is going to take you but it 's a heck of a ride .
can cross swords with the best of them and helm a more traditionally plotted popcorn thriller while surrendering little of his intellectual rigor or creative composure
a powerful sequel and
all great films about a life you never knew existed
we do n't get williams ' usual tear and a smile , just sneers and bile ,
is n't funny .
you-are-there immediacy
it 's propelled by the acting
your interest , your imagination , your empathy
is a former film editor
a riveting , brisk delight
is hugely overwritten , with tons and tons of dialogue -- most of it given to children
sweet and
kung pow seems like some futile concoction that was developed hastily after oedekerk and
whose riveting memories are rendered with such clarity that it 's as if it all happened only yesterday
a document of what it felt like to be a new yorker -- or , really , to be a human being -- in the weeks after 9/11
even though we know the outcome , the seesawing of the general 's fate in the arguments of competing lawyers has the stomach-knotting suspense of a legal thriller , while the testimony of witnesses lends the film a resonant undertone of tragedy .
about as inspiring
keen eye ,
oblivious
depress you about life itself
there is a real subject here , and
a sharp and quick documentary
oddly , the film is n't nearly as downbeat as it sounds , but strikes a tone that 's alternately melancholic , hopeful and strangely funny .
on intimate relationships
as literary desecrations go , this makes for perfectly acceptable , occasionally very enjoyable children 's entertainment .
to see if stupid americans will get a kick out of goofy brits with cute accents performing ages-old slapstick and unfunny tricks
unambitious
straight to video
in its characterizations
is little more than home alone raised to a new , self-deprecating level .
limited and so embellished by editing that there 's really not much of a sense of action or even action-comedy
almost entirely witless and inane ,
like schindler 's list , the grey zone attempts to be grandiloquent , but ends up merely pretentious -- in a grisly sort of way .
special effects that run the gamut from cheesy to cheesier to cheesiest
vain for a movie
the most purely enjoyable and satisfying evenings at the movies
it still comes from spielberg , who has never made anything that was n't at least watchable
75 wasted minutes of sandler as the voice-over hero in columbia pictures ' perverse idea of an animated holiday movie
, the characters make italian for beginners worth the journey
, it rises in its courageousness , and comedic employment .
's much to recommend the film .
the art direction is often exquisite , and
winds up looking like a bunch of talented thesps slumming it .
the worst films
this film , which may be why it works as well as it does
celebrity cameos do not automatically equal laughs .
its unerring respect for them
true talent
with terrific computer graphics , inventive action sequences and a droll sense of humor
succumbs to gravity and plummets to earth .
is never dull
is more interesting than the screenplay , which lags badly in the middle and lurches between not-very-funny comedy , unconvincing dramatics and some last-minute action strongly reminiscent of run lola run .
accept it as life and
a little less extreme than in the past , with longer exposition sequences between them , and with fewer gags to break the tedium .
it can not even be dubbed hedonistic
not to mention absolutely refreshed .
said to squander jennifer love hewitt
a single good film
see nothing in it
interesting effort
, schaeffer 's film never settles into the light-footed enchantment the material needs , and the characters ' quirks and foibles never jell into charm .
of its plot contrivances
that ( nelson 's ) achievement does n't match his ambition
something awfully deadly
ill-equipped to examine , the interior lives of the characters in his film , much less incorporate them into his narrative
grinds itself out
any other kind of intelligent humor
a muddle
comes off as self-parody .
jay russell
this is popcorn movie fun with equal doses of action , cheese , ham and cheek ( as well as a serious debt to the road warrior ) , but
a really special walk in the woods
, this nervy oddity , like modern art should .
bland animated sequel
in constant fits of laughter
emerges as a surprisingly anemic disappointment .
that 's refreshing after the phoniness of female-bonding pictures like divine secrets of the ya-ya sisterhood
unlike ( scorsese 's mean streets ) , ash wednesday is essentially devoid of interesting characters or even a halfway intriguing plot .
getting torn away from the compelling historical tale to a less-compelling soap opera
be the only one laughing at his own joke
gives hollywood sequels a bad name
makes the silly original cartoon seem smart and well-crafted in comparison .
`` austin powers in goldmember '' has the right stuff for silly summer entertainment and has enough laughs to sustain interest to the end .
achieving some honest insight into relationships
one of the summer 's most pleasurable movies
their scenes brim with sexual possibility and emotional danger
that suck the audience in
energy and wit
real-life basis is , in fact , so interesting that no embellishment is
an engrossing story about a horrifying historical event and the elements which contributed to it
return to neverland manages to straddle the line between another classic for the company
a much better documentary -- more revealing , more emotional and more surprising --
dwells on crossing-over mumbo jumbo , manipulative sentimentality , and sappy dialogue
starts as a tart little lemon drop of a movie and ends up as a bitter pill
is bright and flashy in all the right ways
imponderably stilted
of law enforcement , and a visceral , nasty journey
both a level of sophisticated intrigue and human-scale characters
to see people working so hard at leading lives of sexy intrigue , only to be revealed by the dispassionate gantz brothers as ordinary , pasty lumpen
for sick and demented humor
with a philosophical visual coming right
casting shatner as a legendary professor and kunis as a brilliant college student -- where 's pauly shore as the rocket scientist ?
balance pointed , often incisive satire and unabashed sweetness , with results that are sometimes bracing , sometimes baffling and quite often , and in unexpected ways , touching
is not always the prettiest pictures that tell the best story
the only young people who possibly will enjoy it are infants ... who might be distracted by the movie 's quick movements and sounds .
is that it 's actually watchable .
what ensues are much blood-splattering , mass drug-induced bowel evacuations , and none-too-funny commentary on the cultural distinctions between americans and brits .
's a terrible movie in every regard , and utterly painful to watch
mean-spirited second half
, it eventually works its way up to merely bad rather than painfully awful .
marvel again
kids will love its fantasy and adventure , and grownups should appreciate its whimsical humor .
everything humanly possible to create characters who are sweet and believable , and are defeated by a screenplay that forces them into bizarre , implausible behavior
story is almost an afterthought
did n't mean much to me and played too skewed to ever get a hold on
quite tasteful to look at
a deft pace master
with the gifted pearce on hand to keep things on semi-stable ground dramatically
best little
simone is not a bad film .
precious new star wars movie
that her life is meaningless , vapid and devoid of substance , in a movie that is definitely meaningless , vapid and devoid of substance
my loved ones
skillfully assembled , highly polished and professional
radioactive hair
what the movie lacks in action it more than makes up for in drama , suspense , revenge , and romance .
looking like a bunch of talented thesps slumming it
a baffling subplot involving smuggling drugs inside danish cows falls flat , and if you 're going to alter the bard 's ending , you 'd better have a good alternative
to rush through the intermediary passages , apparently hoping that the audience will not notice the glaring triteness of the plot device
is small in scope , yet perfectly formed
i thoroughly enjoyed the love story
romp pile
grows on you
's a well-written and occasionally challenging social drama that actually has something interesting to say
the movie 's progression into rambling incoherence gives new meaning to the phrase ` fatal script error . '
humorless , self-conscious art drivel
arch and rather cold-blooded comedy
the film buzz and whir ;
why this did n't connect with me would require another viewing
disgusted
a genre that 's already a joke in the united states .
is at once luridly graphic and laughably unconvincing
slack and uninspired , and peopled mainly by characters so unsympathetic that you 're left with a sour taste in your mouth .
it 's a pretty good execution of a story that 's a lot richer than the ones hollywood action screenwriters usually come up with on their own .
beautifully shot , but
infused frida with a visual style unique and inherent
as offensive
too many story lines
a peculiar misfire that even tunney ca n't save .
a discreet moan
this is a heartfelt story
yakusho , as always , is wonderful as the long-faced sad sack ... and
this little $ 1.8 million charmer
easy to swallow ,
has been made with an enormous amount of affection
a kind of perpetual pain
the film has an infectious enthusiasm and
might be some sort of credible gender-provoking philosophy submerged here , but who the hell cares ?
venture forth
visually captivating .
more sophisticated and literate than such pictures
, signs is a tribute to shyamalan 's gifts , which are such that we 'll keep watching the skies for his next project .
a first-class road movie
her good looks
biographical melodramas
lacking any sense of commitment to or
's meandering , low on energy , and too eager
to be seen as hip , winking social commentary
peralta captures , in luminous interviews and amazingly evocative film from three decades ago , the essence of the dogtown experience .
there 's a great deal of corny dialogue and preposterous moments .
a very good film
stultifying
great premise
to figure out that this is a mormon family movie , and a sappy , preachy one at that
a summer
scuzzy
draws you
would have liked it much more if harry & tonto never existed
idea ( of middle-aged romance ) is not handled well and ,
the sketchiest
the kind of movie that 's critic-proof , simply because it aims so low
left me feeling refreshed and hopeful
intoxicating documentary charting the rise of hip-hop culture in general and the art of scratching ( or turntablism ) in particular
hollow tribute
to proceed as the world implodes
good-natured fun
hunky has-been
is serene , the humor wry and sprightly
derailed by bad writing
neither reaches into the deepest recesses of the character to unearth the quaking essence of passion , grief and fear
surprisingly charming and even witty match
the most severe kind
the nerve-raked acting , the crackle of lines , the impressive stagings of hardware , make for some robust and scary entertainment .
turns a potentially interesting idea into an excruciating film school experience that plays better only for the film 's publicists or for people who take as many drugs as the film 's characters
pretty unbelievable
it 's the perfect cure for insomnia .
touched by the film 's conviction that all life centered on that place , that time and that sport
good action ,
remains fairly light , always entertaining , and smartly written
too damn weird
has stepped into the mainstream of filmmaking with an assurance worthy of international acclaim and with every cinematic tool well under his control --
defeats the possibility of creating a more darkly edged tome
lightweight female empowerment
should catch this imax offering .
catching solely on its visual merits
i liked about schmidt a lot
painful improbability
to see how far herzog has fallen
as dahmer
( seems ) even more uselessly redundant and shamelessly money-grubbing than most third-rate horror sequels .
had to escape from director mark romanek 's self-conscious scrutiny
the elements were all there
overdone
tartakovsky 's team has some freakish powers of visual charm , but the five writers slip into the modern rut of narrative banality
has created a brilliant motion picture
a film tailor-made for those who when they were in high school would choose the cliff-notes over reading a full-length classic
has arrived for an incongruous summer playoff , demonstrating yet again that the era of the intelligent , well-made b movie is long gone .
for a winning , heartwarming yarn
whimsicality , narrative discipline
drowns in a sea of visual and verbal clichés
lighting effects and innovative backgrounds
starts out with tremendous promise , introducing an intriguing and alluring premise , only to fall prey to a boatload of screenwriting cliches that sink it faster than a leaky freighter
any of these despicable characters
the rotting underbelly
yet , it must be admitted
charm , cultivation and devotion to his people are readily apparent
lovably
will find little of interest in this film , which is often preachy and poorly acted .
, and among the best films of the year .
a valiant effort to understand everyone 's point of view
seriously dumb characters ,
the burning sensation
as chilling and fascinating as philippe mora 's modern hitler-study , snide and prejudice .
martha enormously endearing
disguise the fact that it 's inauthentic at its core and that its story just is n't worth telling
the performances are amiable and committed , and
fixating
sticks with its subjects a little longer and tells a deeper story
while bollywood/hollywood will undoubtedly provide its keenest pleasures to those familiar with bombay musicals , it also has plenty for those ( like me ) who are n't .
captures all the longing , anguish and ache , the confusing sexual messages and the wish
it 's hardly a necessary enterprise .
it has no affect on the kurds , but it wore me down .
riveting
maggie smith as the ya-ya member with the o2-tank will absolutely crack you up with her crass , then gasp for gas , verbal deportment .
with the inescapable conclusion
notorious rise
satisfyingly scarifying ,
to have their kids
could pass for a thirteen-year-old 's book report on the totalitarian themes of 1984 and farenheit 451
abandon their scripts and go where the moment takes them
the movie has a tougher time balancing its violence with kafka-inspired philosophy
makes it a party worth attending .
disgusting to begin with
that while cleverly worked out , can not overcome blah characters
as imaginative as one might have hoped
children and adults enamored of all things pokemon wo n't be disappointed .
due to the endlessly repetitive scenes of embarrassment
is the point of emotional and moral departure for protagonist alice
bugged me
can tolerate leon barlow
british comedy .
the one thing most will take away is the sense that peace is possible
was worse .
the thought of watching this film with an audience full of teenagers fixating on its body humor and reinforcement of stereotypes
off too far
is so charmless and vacant
is far from disappointing
draws its considerable power from simplicity .
smoochy
delia , greta , and paula rank as three of the most multilayered and sympathetic female characters of the year .
of one of the greatest natural sportsmen of modern times
drag it down to mediocrity --
of the greatest date movies in years
too predictably
a woozy quality
none of which amounts to much of a story
too long to turn his movie in an unexpected direction
is extremely thorough .
dead production
a talented director
superficiality and
a distinguished and thoughtful film , marked by acute writing and a host of splendid performances .
you will likely enjoy this monster
assuredly
are underwhelming
always the prettiest pictures
giddy viewing
pathos-filled but ultimately life-affirming
makes you feel like a chump
family-oriented
almost every possible way -- from the writing and direction to the soggy performances --
familiar situations and repetitive scenes
is a pretty decent little documentary
, a formula comedy redeemed by its stars , that is even lazier and far less enjoyable .
a little melodramatic , but with enough
speculation , conspiracy theories or , at best , circumstantial evidence
resolutely unamusing
cast and well directed - a powerful drama with enough sardonic wit to keep it from being maudlin
a confluence of kiddie entertainment , sophisticated wit and symbolic graphic design .
( gulpilil ) is a commanding screen presence , and his character 's abundant humanism makes him the film 's moral compass .
keenly
mr. haneke 's own sadistic tendencies toward his audience
lazily and glumly settles into a most traditional , reserved kind of filmmaking .
he brings together
this film is so different from the apple and so striking that it can only encourage us to see samira makhmalbaf as a very distinctive sensibility , working to develop her own film language with conspicuous success .
one reason it 's so lackluster
an enjoyable comedy
give full performances
affecting , amusing , sad and reflective
except as a harsh conceptual exercise
is misbegotten
becomes a fascinating study of isolation and frustration that successfully recreates both the physical setting and emotional tensions of the papin sisters
the lady and the duke surprisingly manages never to grow boring ... which proves that rohmer still has a sense of his audience .
the sensational true-crime
little atmosphere is generated by the shadowy lighting
the improperly hammy performance
followed through
many different ideas from happiness
the scenes of torture and self-mutilation
when it drags
cultural intrigue
heaven proves to be a good match of the sensibilities of two directors .
flat , misguided comedy
while the humor aspects of ` jason x ' were far more entertaining than i had expected , everything else about the film tanks .
to a picture-perfect beach
an objective documentary
's something impressive and yet lacking about everything .
, sets the tone for a summer of good stuff