xiangpku/GLUE huggingface dataset:
nothing happens , and it happens to flat characters
are more involving than this mess .
intriguing questions
a respectable new one
more like a travel-agency video
this humbling little film , fueled by the light comedic work of zhao benshan and the delicate ways of dong jie
scenery , vibe and all -- the cinematic equivalent of a big , tender hug
serves as a rather thin moral
very ugly , very fast
poignant and
full of life and small delights
emptiness and maddeningly
a main character who sometimes defies sympathy
begins to vaporize from your memory minutes after it ends
been saved if the director , tom dey , had spliced together bits and pieces of midnight run and 48 hours ( and , for that matter , shrek )
if you 're willing to have fun with it , you wo n't feel cheated by the high infidelity of unfaithful .
ultimate insignificance
which may be why it works as well as it does
those rare docs that paints a grand picture of an era and makes the journey feel like a party
rather than provocative
of the movie 's charm
succeed in producing that most frightening of all movies -- a mediocre horror film too bad to be good and too good to be bad .
in its own direction
an appalling ` ace ventura ' rip-off that somehow manages to bring together kevin pollak , former wrestler chyna and dolly parton
the characters are based on stock clichés , and
, like i already mentioned ... it 's robert duvall !
have been lost in the translation this time
bertrand tavernier 's oft-brilliant safe conduct ( `` laissez-passer '' )
spent the duration of the film 's shooting schedule waiting to scream
leguizamo and jones are both excellent and
will no doubt rally to its cause , trotting out threadbare standbys like ` masterpiece ' and ` triumph ' and all that malarkey , but
some fairly unsettling scenes
fascinating and
with results that are sometimes bracing , sometimes baffling and quite often ,
long gone bottom-of-the-bill fare
remains the real masterpiece
a plotline that 's as lumpy as two-day old porridge ... the filmmakers ' paws , sad to say , were all over this `` un-bear-able '' project
even when crush departs from the 4w formula ... it feels like a glossy rehash .
god bless crudup and his aversion to taking the easy hollywood road and cashing in on his movie-star
banality
the passion , creativity , and fearlessness of one of mexico 's most colorful and controversial artists
the price of admission for the ridicule factor
it 's hard to take her spiritual quest at all seriously
is a fragmented film
manic and energetic
the best irish sense
comfortably
grant is certainly amusing ,
in increasingly incoherent fashion
and moving portrait
franchise possibilities
's on par with the first one
to share his story so compellingly with us is a minor miracle
thoughtless , random , superficial humor and a lot of very bad scouse accents
it 's really little more than a particularly slanted , gay s/m fantasy , enervating and deadeningly drawn-out .
this trifling romantic comedy in which opposites attract for no better reason than that the screenplay demands it
make an old-fashioned nature film that educates viewers with words and pictures while entertaining them
caring for animals and respecting other cultures
the film exudes the urbane sweetness that woody allen seems to have bitterly forsaken .
effective in all its aspects , margarita happy hour represents an auspicious feature debut for chaiken .
the dialogue is frequently overwrought and crudely literal
ca n't see why any actor of talent would ever work in a mcculloch production again if they looked at how this movie turned out .
the wit and hoopla
is a movie that is what it is : a pleasant distraction , a friday night diversion , an excuse to eat popcorn
would leave you cold
two weeks notice has appeal beyond being a sandra bullock vehicle or a standard romantic comedy .
a deeply unpleasant experience
another example of how sandler is losing his touch
( dong ) makes a valiant effort to understand everyone 's point of view ,
in the midwest that held my interest precisely because it did n't try to
comes out on video
has the uncanny ability to right itself precisely when you think it 's in danger of going wrong
spreading a puritanical brand of christianity
gentle , mesmerizing portrait
is an in-your-face family drama and black comedy that is filled with raw emotions conveying despair and love .
, to say nothing of boring .
in this film , which may be why it works as well as it does
a major opportunity to be truly revelatory about his psyche
unholy hokum .
the original was n't a good movie but this remake makes it look like a masterpiece !
have to give them credit for : the message of the movie
whose style , structure and rhythms are so integrated with the story
perfect comic timing
be funny , uplifting and moving , sometimes
wallace , who wrote gibson 's braveheart as well as the recent pearl harbor , has such an irrepressible passion for sappy situations and dialogue
a riveting profile of law enforcement , and a visceral , nasty journey
it is a good and ambitious film
could have -- should have
too dry
it 's rare to find a film to which the adjective ` gentle ' applies , but the word perfectly describes pauline & paulette .
stay in touch with your own skin
does n't wrap the proceedings up neatly
been there , done that , liked it much better the first time around - when it was called the professional .
a long , dull procession of despair
lack contrast
the movie that does n't really deliver for country music fans or for family audiences
) best works understand why snobbery is a better satiric target than middle-america
pollute the summer movie pool
's not a fresh idea
a bland animated sequel that hardly seems worth the effort .
lowbrow
left with a sour taste in one 's mouth , and little else
while there 's likely very little crossover appeal to those without much interest in the elizabethans ( as well as rank frustration from those in the know about rubbo 's dumbed-down tactics )
teen-speak and animal gibberish
this deeply moving french drama
an athlete , a movie star ,
not in order to excuse him but rather to demonstrate that his pathology evolved from human impulses that grew hideously twisted
works because of the universal themes , earnest performances ... and excellent use of music by india 's popular gulzar and jagjit singh
of the pushiness and decibel volume of most contemporary comedies
spirit is a visual treat
display than a movie , which normally is expected to have characters and a storyline
how a skillful filmmaker can impart a message without bludgeoning the audience over the head .
the pathetic idea
going to be everyone 's bag of popcorn
95-minute commercial
pure adrenalin
puts wang at the forefront of china 's sixth generation of film makers
seems uncertain whether it wants to be an acidic all-male all about eve or a lush , swooning melodrama in the intermezzo strain
the relationships were wonderful
this `` un-bear-able '' project
humorless and
positively shakesperean
offer any insights that have n't been thoroughly debated in the media already , back in the dahmer heyday of the mid - '90s
ironically has little to do with the story , which becomes something about how lame it is to try and evade your responsibilities and that you should never , ever , leave a large dog alone with a toddler .
even a story immersed in love , lust , and sin
own preciousness
and even touching
painfully forced , false and fabricated
fill this character study with poetic force and buoyant feeling
does n't completely
a good alternative
hoffman keeps us riveted with every painful nuance , unexpected flashes of dark comedy and the character 's gripping humanity .
by having the evil aliens ' laser guns actually hit something for once
in the pianist
the cumulative effect of watching this 65-minute trifle
the final effect is like having two guys yelling in your face for two hours .
depraved , incoherent , instantly disposable
if you believe that the shocking conclusion is too much of a plunge or
, painful , obnoxious
more interested in entertaining itself than in amusing us
but is sabotaged by ticking time bombs and other hollywood-action cliches .
one of those movies that catches you up in something bigger than yourself
dramatized pbs program
an enjoyable above average summer diversion
sucking you in ...
it would count for very little if the movie were n't as beautifully shaped and as delicately calibrated in tone as it is
, the movie is certainly easy to watch .
a tiny sense of hope
delicious dialogue
prevails
allowed to use the word `` new '' in its title , because there 's not an original character , siuation or joke in the entire movie
splashed with bloody beauty as vivid as any scorsese has ever given us .
of establishing a time and place , and of telling a fascinating character 's story
most irresponsible
quirky comedy
is little more than home alone raised to a new , self-deprecating level
affectionately goofy
has tackled a meaty subject and drawn engaging characters while peppering the pages with memorable zingers .
might want to take a reality check before you pay the full ticket price to see `` simone , '' and consider a dvd rental instead
managed to find something new to add to the canon of chan
ultimately losing cause
warm and winning
is completely
is just too original to be ignored
best 60 minutes
flashbulb editing as cover for the absence of narrative continuity
are all in the performances , from foreman 's barking-mad taylor to thewlis 's smoothly sinister freddie and bettany/mcdowell 's hard-eyed gangster
that caruso takes an atypically hypnotic approach to a world that 's often handled in fast-edit , hopped-up fashion
nudity , profanity and violence
directed - a powerful drama with enough sardonic wit to keep it from being maudlin
a besotted and obvious drama that tells us nothing new
impostor deviously adopts the guise of a modern motion picture
like arnold schwarzenegger
monumental achievement
murphy 's expert comic timing
lacks considerable brio
delivers the sexy razzle-dazzle that everyone , especially movie musical fans , has been hoping for
is a celebration of feminine energy , a tribute to the power of women to heal .
in this flat effort
the dv revolution has cheapened the artistry of making a film
trite
this ready-made midnight movie probably wo n't stand the cold light of day , but
the lack-of-attention span
adroit but finally a trifle flat , mad love does n't galvanize its outrage the way , say , jane campion might have done , but at least it possesses some .
makes little attempt
of the match that should be used to burn every print of the film
by forming a chain of relationships that come full circle to end on a positive ( if tragic ) note
we do n't avert our eyes for a moment .
's also uninspired ,
shanghai ghetto may not be as dramatic as roman polanski 's the pianist , but its compassionate spirit soars every bit as high
a touching love story
a gentle , unforced intimacy that never becomes claustrophobic
's certainly an invaluable record of that special fishy community
too fluffy
rent this on video
a treat for its depiction on not giving up on dreams when you 're a struggling nobody .
dwindles .
is powerful and provocative .
an honest attempt to get at something
its botches
inertia to arrest development in a dead-end existence
boring and obvious
is that van wilder does little that is actually funny with the material
... director john schultz colors the picture in some evocative shades .
these characters love each other
benefit enormously from the cockettes ' camera craziness -- not only did they film performances
an engrossing and grim portrait
it 's not quite the genre-busting film it 's been hyped to be because it plays everything too safe .
bogdanich is unashamedly pro-serbian and makes little attempt to give voice to the other side .
punctuated by sudden shocks
its otherwise comic narrative
reenacting a historic scandal
is such a blip on the year 's radar screen that it 's tempting just to go with it for the ride .
ends with scenes so true and heartbreaking
will talk about for hours .
the-night
as the most original in years
from start to finish , featuring a fall from grace that still leaves shockwaves
adam sandler 's heart may be in the right place
why he keeps being cast in action films when none of them are ever any good
regardless of race
's not nearly enough that 's right
, the first film 's lovely flakiness is gone , replaced by the forced funniness found in the dullest kiddie flicks .
about as unsettling to watch as an exploratory medical procedure or an autopsy
feels like a spectator and not a participant
adorably ditsy but heartfelt
the performance of gedeck , who makes martha enormously endearing
lacks the spirit of the previous two , and makes all those jokes about hos
the film to affirm love 's power to help people endure almost unimaginable horror
modern-day comedies
sloppy script
not only is it hokey
biggest disappointments
enough throwaway references to faith and rainbows to plant smile-button faces on that segment of the populace that made a walk to remember a niche hit
in the screenplay to keep the film entertaining
glimpse into the mysteries of human behavior
has moments of inspired humor ,
sensuous and
is its most immediate and most obvious pleasure
is predictable at every turn
, yellow asphalt is an uncompromising film .
rhapsodize cynicism , with repetition and languorous slo-mo sequences ,
former gong show addict
still works .
, provocative and prescient
too-hot-for-tv direct-to-video/dvd category
about as much resemblance to the experiences of most battered women as spider-man
a sweet , tender sermon
miyazaki 's nonstop images are so stunning , and his imagination so vivid , that the only possible complaint you could have about spirited away is that there is no rest period , no timeout .
a riddle wrapped in a mystery inside an enigma
you enjoy being rewarded by a script that assumes you are n't very bright
of tastelessness and gall
is it possible for a documentary to be utterly entranced by its subject and still show virtually no understanding of it
life 's harshness
much about the film , including some of its casting ,
long-lived friendships
) do anything as stomach-turning as the way adam sandler 's new movie rapes , pillages and incinerates frank capra 's classic
sit through it all
holds the screen like a true star
the emperor 's club , ruthless in its own placid way
turn on many people to opera , in general
no obvious escape
laugh riot
that should n't stop die-hard french film connoisseurs from going out and enjoying the big-screen experience
been done before but never so vividly
long and relentlessly saccharine film
the film can depress you about life itself .
botching a routine assignment
this like the dreaded king brown snake
the film would have been more enjoyable had the balance shifted in favor of water-bound action over the land-based ` drama , ' but the emphasis on the latter leaves blue crush waterlogged .
a creepy , intermittently powerful study of a self-destructive man ...
is smart and dark - hallelujah for small favors .
upper west sidey
, it might be like trying to eat brussels sprouts .
on its own , big trouble could be considered a funny little film .
's a mystery how the movie could be released in this condition
both people 's capacity
be a whole lot scarier than they are in this tepid genre offering
of good old-fashioned escapism
brash , intelligent and erotically perplexing , haneke 's portrait of an upper class austrian society and the suppression of its tucked away
a bracing
stumbles over a late-inning twist that just does n't make sense
would tax einstein 's brain
the paranoid claustrophobia of a submarine movie with the unsettling spookiness of the supernatural --
until it goes off the rails in its final 10 or 15 minutes , wendigo , larry fessenden 's spooky new thriller , is a refreshingly smart and newfangled variation on several themes derived from far less sophisticated and knowing horror films .
this particular , anciently demanding métier
brings this unknown slice of history affectingly
which is worth seeing
especially disappointing
as lazy
is intriguing but quickly becomes distasteful and downright creepy .
they were insulted and
would go back and choose to skip it .
an interesting storyline
harvard man is something rare and riveting : a wild ride that relies on more than special effects .
succeed in really rattling the viewer
flabby
numb experience of watching o fantasma
the backstage angst
immature character
busy urban comedy is clearly not zhang 's forte , his directorial touch is neither light nor magical enough to bring off this kind of whimsy .
preposterous moments
that are more silly than scary
at 90 minutes this movie is short , but it feels much longer
will make you laugh
remarkable for its intelligence and intensity .
's not wallowing in hormonal melodrama
complex , laden with plenty of baggage and
visually
a story which fails to rise above its disgusting source material .
is plastered with one hollywood cliche after another , most of which involve precocious kids getting the better of obnoxious adults .
nobody seems to have cared much about any aspect of it , from its cheesy screenplay to the grayish quality of its lighting to its last-minute , haphazard theatrical release .
easily forgotten
a lighthearted glow ,
lousy direction
her passionate , tumultuous affair with musset
bruised
as epic tragedy
enthusiasm ,
for adventurous indian filmmakers toward a crossover
entertaining and audacious moments
long and unfocused
try hard but
fresh air
-- and disposable story --
makes the women look more like stereotypical caretakers and moral teachers , instead of serious athletes
's just as wonderful on the big screen .
clever and
only a document of the worst possibilities of mankind can be
an evanescent , seamless and sumptuous stream
to be compelling , amusing and unsettling at the same time
drifts aimlessly for 90 minutes
the best korean film of 2002
a severe case of hollywood-itis
can tell you that there 's no other reason why anyone should bother remembering it
is left slightly unfulfilled .
that just does n't work
the big ending surprise
mostly honest
too dry and too placid
to blow it
ransacks its archives for a quick-buck sequel .
( evans is ) a fascinating character , and deserves a better vehicle than this facetious smirk of a movie .
we care about the story
another arnold vehicle that fails to make adequate use of his particular talents .
why bother with a contemptible imitator starring a `` snl '' has-been acting like an 8-year-old channeling roberto benigni ?
screams out ` amateur ' in almost every frame
a fun one
crazy , mixed-up films
a bit too much like an infomercial for ram dass 's latest book aimed at the boomer
a level of connection and concern
the film boasts at least a few good ideas and features some decent performances , but the result is disappointing
there is a great deal of fun .
it is quite a vision .
a winning , heartwarming yarn
might be like trying to eat brussels sprouts .
fairly basic comedic constructs
seen this summer
ahead of paint-by-number american blockbusters like pearl harbor , at least
, somehow it all comes together to create a very compelling , sensitive , intelligent and almost cohesive piece of film entertainment
a shifting tone that falls far short of the peculiarly moral amorality of ( woo 's ) best work
waydowntown may not be an important movie , or even a good one ,
's so fascinating you wo n't be able to look away for a second
a heroine who comes across as both shallow and dim-witted
the worst kind of hollywood heart-string plucking
a bittersweet film ,
of an authentic feel
flaccid
a huge box-office hit in korea
horribly depressing
is n't one moment in the film that surprises or delights .
restoring the luster of the national lampoon film franchise , too long reduced to direct-to-video irrelevancy
like a documentary in the way
the huskies are beautiful , the border collie is funny
a slick , engrossing melodrama .
... the tale of her passionate , tumultuous affair with musset unfolds as sand 's masculine persona , with its love of life and beauty , takes form .
over-indulgent tirade
songbird britney spears has popped up with more mindless drivel
, these components combine into one terrific story with lots of laughs .
engaging mystery
flat effort
dramatically satisfying
uncommonly moving
makes the move from pleasing
it 's also uninspired , lacking the real talent and wit to elevate it beyond its formula to the level of classic romantic comedy to which it aspires .
bogged down by an overly sillified plot and stop-and-start pacing
the worst film of the year .
funny , puzzling movie
rich and intelligent
hope and magic
one of the most depressing movie-going experiences i can think of is to sit through about 90 minutes of a so-called ` comedy ' and not laugh once .
rattling the viewer
gives her best performance since abel ferrara had her beaten to a pulp in his dangerous game
must-see
in the rush of slapstick thoroughfare
does n't know what it wants to be
stumbles over every cheap trick in the book trying to make the outrage come even easier .
more fun watching spy than i had with most of the big summer movies
treated to an impressive and highly entertaining celebration of its sounds
absurdist spider web .
refuses to spell things out for viewers
plays like one long , meandering sketch inspired by the works of john waters and todd solondz , rather than a fully developed story .
you might wind up remembering with a degree of affection rather than revulsion
not everyone will welcome or accept the trials of henry kissinger as faithful portraiture , but
a '' range
this movie may not have the highest production values you 've ever seen
of five blind , crippled , amish people alive in this situation
it makes even elizabeth hurley seem graceless and ugly .
all leather pants & augmented boobs , hawn
uneven performances
sometimes inadequate performances
have been richer and more observant if it were less densely plotted
breathes more on the big screen
humbling little film
only thing missing
humorous and heartfelt , douglas mcgrath 's version of ` nicholas nickleby '
are oscar-size
liked it just enough .
such a well-defined sense
, should n't the reality seem at least passably real ?
casting , often resurrecting performers who rarely work in movies now ... and drawing flavorful performances from bland actors
those who are n't put off by the film 's austerity will find it more than capable of rewarding them .
inspiration and ambition
inexplicable nightmare
the delight of discovery
enough cool
the memorable character creations
preserves tosca 's intoxicating ardor through his use of the camera
meandering , low on energy , and too eager
also captures moments of spontaneous creativity and authentic co-operative interaction
me say the obvious : abandon all hope of a good movie ye who enter here
shoplifts
assembled cliches and pabulum that plays like a 95-minute commercial for nba properties .
notice the 129-minute running time
the movie 's major and most devastating flaw is its reliance on formula , though ,
balk , who 's finally been given a part worthy of her considerable talents
as simultaneously funny ,
very funny romantic comedy
the latest adam sandler assault and possibly the worst film
dip into your wallet , swipe 90 minutes of your time
when the fire burns out , we 've only come face-to-face with a couple dragons and that 's where the film ultimately fails .
hatosy ... portrays young brendan with his usual intelligence and subtlety , not to mention a convincing brogue .
raucous and sappy
arrives from the margin that gives viewers a chance to learn , to grow , to travel
just a bunch of good actors flailing around in a caper that 's neither original nor terribly funny .
's no surprise that as a director washington demands and receives excellent performances , from himself and from newcomer derek luke
'm not sure these words have ever been together in the same sentence
that was a deserved co-winner of the audience award for documentaries at the sundance film festival
in the `` soon-to-be-forgettable '' section of the quirky rip-off prison
out there surrender $ 9 and 93 minutes of unrecoverable life