xiangpku/GLUE huggingface dataset:
informative , intriguing , observant ,
relaxed in its perfect quiet pace and proud in its message .
contrived
uses its pulpy core conceit
lathan and diggs carry the film with their charisma , and both exhibit sharp comic timing that makes the more hackneyed elements of the film easier to digest
deft sense
are terribly wasted
is a relationship that is worthy of our respect
who are either too goodly , wise and knowing or downright comically evil
light , fun cheese puff
is a film that takes a stand in favor of tradition and warmth
, it 's also somewhat clumsy .
ignore the reputation , and ignore the film
a loud , ugly , irritating movie without any of its satirical salvos hitting a discernible target .
the strength and sense of freedom the iranian people already possess , with or without access to the ballot box
reek of a script rewrite designed to garner the film a `` cooler '' pg-13 rating
leguizamo 's best movie work so far , a subtle and richly internalized performance
's rare for any movie to be as subtle and touching as the son 's room
kind , unapologetic , sweetheart
the power of this movie is undeniable .
its and pieces of the hot chick are so hilarious , and schneider 's performance is so fine , it 's a real shame that so much of the movie -- again , as in the animal -- is a slapdash mess .
purposes of bland hollywood romance
a funny film .
plot contrivances
, one would be hard-pressed to find a movie with a bigger , fatter heart than barbershop .
, spirited away is a triumph of imagination
pointless , meandering
engaging , surprisingly
not just ticking , but humming
ya-ya 's
the first tunisian film i have ever seen , and it 's also probably the most good-hearted yet sensual entertainment i 'm likely to see all year .
exactly what it wants to be
amuse even the most resolutely unreligious parents who escort their little ones to megaplex screenings
keeps you guessing at almost every turn
a lame kiddie flick
an emotionally strong and politically potent piece of cinema
none of this is meaningful or memorable ,
an utterly incompetent conclusion
fake backdrops
laugh-out-loud lines , adorably ditsy but heartfelt performances , and sparkling , bittersweet dialogue that cuts to the chase of the modern girl 's dilemma .
a bad sitcom
is the energetic frontman
most exciting
as enlightening , insightful and entertaining
mostly believable , refreshingly low-key and
ramsay is clearly extraordinarily talented
to look at , listen to , and think about
loved the people onscreen
is frustratingly unconvincing
, especially with the weak payoff
invest such subtlety and warmth in an animatronic bear when the humans are acting like puppets
engaging film
a creaky `` pretty woman '' retread , with the emphasis on self-empowering schmaltz and big-wave surfing that gives pic its title an afterthought
cliched and clunky
most oddly honest hollywood document
has stopped challenging himself
vile , incoherent
make it as much fun
any gag that would force you to give it a millisecond of thought
vulgar dialogue and
who knows how to hold the screen
that explore the seamy underbelly of the criminal world
a few gut-busting laughs
exaggerated and broad
like it 's wasted yours
shallow , offensive and redundant
waltzed itself into the art film pantheon
over the end of cinema
a pretty funny movie
one-star rating
as crisp and
's full of cheesy dialogue , but great trashy fun that finally returns de palma to his pulpy thrillers of the early '80s .
it has all the heart of a porno flick ( but none of the sheer lust ) .
of what 's on saturday morning tv especially the pseudo-educational stuff we all ca n't stand
unfortunately , it 's also not very good .
blithe rebel fantasy
the emperor 's club ,
paved with good intentions leads to the video store
myers
pair that with really poor comedic writing ... and you 've got a huge mess
trying to have the best of both worlds
doing nothing but reacting to it - feeling a part of its grand locations , thinking urgently as the protagonists struggled , feeling at the mercy of its inventiveness , gasping at its visual delights
through balzac and the little chinese seamstress that transforms this story about love and culture into a cinematic poem
a bad sign when they 're supposed to be having a collective heart attack
mr. wollter and ms. seldhal give strong and convincing performances ,
makes it seem
too often , son of the bride becomes an exercise in trying to predict when a preordained `` big moment '' will occur and not `` if . ''
, the film certainly does n't disappoint .
to win any academy awards
`` the dangerous lives of altar boys '' has flaws , but it also has humor and heart and very talented young actors
chilling , and affecting
if hill is n't quite his generation 's don siegel ( or robert aldrich ) , it 's because there 's no discernible feeling beneath the chest hair
flabbergasting principals
an inelegant combination of two unrelated shorts that falls far short
effortlessly draws you in
us nothing new
, and at times uncommonly moving
minor-league
much like its easily dismissive take on the upscale lifestyle , there is n't much there here .
made literature literal without killing its soul
a slap-happy mood
sufficiently
juiceless
passion and attitude
a polished and vastly entertaining caper film that puts the sting back into the con
literary detective story
made the old boy 's characters more quick-witted than any english lit
feels uncomfortably real , its language and locations bearing the unmistakable stamp of authority .
delivers more goodies
this movie is 90 minutes long , and
kidman
curiously tepid and choppy recycling
with a taste for exaggeration
as a movie for teens to laugh , groan and hiss at
together writer-director danny verete 's three tales comprise a powerful and reasonably fulfilling gestalt .
bizarre developments
the new populist comedies that underscore the importance of family tradition and familial community
life-changing
a few nonbelievers may rethink their attitudes when they see the joy the characters take in this creed ,
prickly
dangerously collide
thrills
both gentle and biting
the reunion
anyone can relate
the most genuinely sweet films
aside from the fact that the film idiotically uses the website feardotcom.com or the improperly hammy performance from poor stephen rea , the film gets added disdain for the fact that it is nearly impossible to look at or understand .
of an expert thriller
like movies that demand four hankies
of the plot and a powerfully evocative mood combining heated sexuality with a haunting sense of malaise
a certain sexiness underlines even the dullest tangents .
exalted
the magic ( and original running time ) of ace japanimator hayao miyazaki 's spirited away
not number 1
, discerning taste
makes less sense than the bruckheimeresque american action flicks it emulates .
that should bolster director and co-writer
all the heart
from the choppy editing to the annoying score to ` special effects ' by way of replacing objects in a character 's hands below the camera line , `` besotted '' is misbegotten
at this nonsensical story
like a spring-break orgy for pretentious arts majors
charitable
being a complete waste of time
an exquisite motion picture in its own right
meditative
very little to add beyond the dark visions already relayed by superb
are idiosyncratic enough to lift the movie above its playwriting 101 premise .
a major waste
its exquisite acting ,
what makes shanghai ghetto move beyond a good , dry , reliable textbook
are first-rate
in a class by itself
of barely defensible sexual violence to keep it interested
a thoroughly engaging , surprisingly touching british comedy .
there remains a huge gap between the film 's creepy
to say that the film makes the viewer feel like the movie 's various victimized audience members after a while , but it also happens to be the movie 's most admirable quality
spontaneous creativity
exudes
is a strong directorial stamp on every frame of this stylish film that is able to visualize schizophrenia but is still confident enough to step back and look at the sick character with a sane eye
that the ` true story ' by which all the queen 's men is allegedly `` inspired '' was a lot funnier and more deftly enacted than what 's been cobbled together onscreen
ride around a pretty tattered old carousel
for the wan , thinly sketched story
also does the absolute last thing we need hollywood doing to us
every theater stuck with it
that this film , like the similarly ill-timed antitrust , is easily as bad at a fraction the budget
love and compassion
given relatively dry material from nijinsky 's writings to perform
if you 're looking for a smart , nuanced look at de sade and what might have happened at picpus
admirably
thriller form to examine the labyrinthine ways in which people 's lives cross and change
may not add up to the sum of its parts
wish it would have just gone more over-the-top instead of trying to have it both ways .
the delete key
a worthwhile environmental message
( and fairly unbelievable )
take away the controversy
worse : the poor acting by the ensemble cast , the flat dialogue by vincent r. nebrida or the gutless direction by laurice guillen
a strong script , powerful direction and splendid production design allows us to be transported into the life of wladyslaw szpilman , who is not only a pianist , but a good human being .
inter-species
otherwise the production is suitably elegant
admire the closing scenes of the film , which seem to ask whether our civilization offers a cure for vincent 's complaint .
lets her love depraved leads meet , ( denis ' ) story becomes a hopeless , unsatisfying muddle
scooping the whole world up in a joyous communal festival of rhythm
life-affirming
witty , improbable romantic comedy
it achieves some kind of goofy grandeur
a small but rewarding comedy that takes aim at contemporary southern adolescence and never lets up
bore most audiences into their own brightly colored dreams .
bittersweet dialogue that cuts to the chase of the modern girl 's dilemma
crafted ,
compelling pre-wwii drama
that would make watching such a graphic treatment of the crimes bearable
an uncomfortable movie , suffocating and sometimes almost senseless ,
its insights into the dream world of teen life , and its electronic expression through cyber culture
please not only the fanatical adherents on either side , but also people who know nothing about the subject and
creates a stunning , taxi driver-esque portrayal of a man teetering on the edge of sanity
bravado -- to take an entirely stale concept and push it through the audience 's meat grinder one more time
so charmless and vacant
lameness
in a contest to see who can out-bad-act the other
one-of-a-kind near-masterpiece .
a manipulative feminist empowerment tale thinly posing as a serious drama about spousal abuse .
transforms one of ( shakespeare 's ) deepest tragedies into a smart new comedy
is a case of too many chefs fussing over too weak a recipe
me feeling refreshed and hopeful
even if it were n't silly , it would still be beyond comprehension
charmless and vacant
ahead of paint-by-number american blockbusters like pearl harbor , at least artistically .
disturbing .
the world 's political situation seems little different , and ( director phillip ) noyce brings out the allegory with remarkable skill .
show more of the dilemma , rather than
less-is-more approach
deeply humanistic
its own breezy , distracted rhythms
to be startled when you 're almost dozing
likely to find on the next inevitable incarnation of the love boat
... while dark water is n't a complete wash ( no pun intended ) , watched side-by-side with ringu , it ultimately comes off as a pale successor .
a delightfully unpredictable , hilarious comedy with wonderful performances that tug at your heart in ways that utterly transcend gender
every visual joke is milked ,
takes form
keep the movie slaloming through its hackneyed elements with enjoyable ease .
inadvertently sidesplitting it
uplifting and
rollicking
a compassionate , moving portrait of an american ( and an america ) always reaching for something just outside his grasp .
gleaned from this three-hour endurance test built around an hour 's worth of actual material
jumps off the page , and for the memorable character creations
an artistry
with phony imagery or music
sit through crap like this
its unbelievable naïveté and arbitrary flashbacks
its music or
no good answer
it 's replaced by some dramatic scenes that are jarring and deeply out of place in what could have ( and probably should have ) been a lighthearted comedy .
is one word that best describes this film : honest
creative urge
far more interesting than the story at hand
with his talent
top billing
as a ` very sneaky ' butler who excels in the art of impossible disappearing/reappearing acts
given this movie a rating of zero
inside it he 's well worth spending some time with
step backward
if the movie knew what to do with him
fantastically vital movie
let 's get this thing over with
that kind of impact on me these days
` perfection
returns the martial arts master to top form
raise audience 's spirits and leave them singing long after the credits roll
the lustrous polished visuals
more busy than exciting
inspiring and pure joy
mr. spielberg and his company just want you to enjoy yourselves without feeling conned .
no good inside dope
like a skillful fisher , the director uses the last act to reel in the audience since its poignancy hooks us completely .
to become a household name on the basis of his first starring vehicle
too long has ignored
opportunists
it 's almost worth seeing because it 's so bad
combine into one terrific story with lots of laughs .
cage makes an unusual but pleasantly haunting debut behind the camera .
the percussion rhythm , the brass soul and
will absolutely crack you up with her crass , then gasp for gas , verbal deportment
religion that dares to question an ancient faith
suspecting that it was improvised on a day-to-day basis during production
pack your knitting needles .
too smart to ignore but a little too smugly superior to like , this could be a movie that ends up slapping its target audience in the face by shooting itself in the foot .
stay away .
did we really need a remake of `` charade ?
brings a youthful , out-to-change-the-world aggressiveness to the project , as if she 's cut open a vein and
above run-of-the-filth gangster flicks
really , really good things
has thrown every suspenseful cliché in the book at this nonsensical story
so vividly
, we get a stab at soccer hooliganism , a double-barreled rip-off of quentin tarantino 's climactic shootout -- and meat loaf explodes .
that as far as these shootings are concerned , something is rotten in the state of california
as grand as the lord of the rings
out mediocre
that he 's going to make a splash even greater than arnold schwarzenegger , jean-claud van damme or steven segal
are in this tepid genre offering
staged violence overshadows everything , including most of the actors
so compellingly
... spiced with humor ( ' i speak fluent flatula , ' advises denlopp after a rather , er , bubbly exchange with an alien deckhand ) and
a sick , twisted sort of way
one hour photo lives down to its title .
bodily function jokes
limited by its short running time
make a terrific effort
slight but enjoyable documentary .
comes from the heart .
seems more tacky and reprehensible , manipulating our collective fear without bestowing the subject with the intelligence or sincerity it unequivocally deserves .
did n't offer an advance screening
, there 's something creepy about this movie .
avoids all the comic possibilities of its situation , and becomes one more dumb high school comedy about sex gags and prom dates
dimwits
sweet , melancholy spell
should have been sent back to the tailor for some major alterations
what 's most refreshing about real women have curves is its unforced comedy-drama and its relaxed , natural-seeming actors .
a relentless , bombastic and ultimately empty world war ii action flick .
been shot
intelligent ,
every bit as filling as the treat of the title
looked like crap , so crap is what i was expecting
cuts corners
is that rare animal known as ' a perfect family film
overrun with movies dominated by cgi aliens and super heroes
some special qualities and the soulful gravity of crudup 's anchoring performance
drains his movie of all individuality
has been sacrificed for the sake of spectacle
is a question for philosophers , not filmmakers ; all the filmmakers need to do
be the worst film a man has made about women since valley of the dolls
create a film that 's not merely about kicking undead *** ,
awkward structure
burnt out on it 's a wonderful life marathons and bored with a christmas carol
a word of advice to the makers of the singles ward : celebrity cameos do not automatically equal laughs .
just for sitting through it
strangely tempting
that few movies have ever approached
artless
a great writer and dubious human being
make it human
admirable energy , full-bodied characterizations
violent , vulgar and forgettably entertaining
as if trying to grab a lump of play-doh , the harder that liman tries to squeeze his story , the more details slip out between his fingers .
with passionate enthusiasms like martin scorsese
spy has all the same problems the majority of action comedies have .
this is a movie that refreshes the mind and spirit along with the body , so
stands for milder is n't better
on it 's a wonderful life marathons and bored
the writing is indifferent , and jordan brady 's direction is prosaic
excites
of charming the masses with star power , a pop-induced score and sentimental moments that have become a spielberg trademark
skin of man gets a few cheap shocks from its kids-in-peril theatrics
a tear-stained vintage shirley temple script
's not to like about a movie with a ` children 's ' song that includes the line ` my stepdad 's not mean , he 's just adjusting '
every moment crackles with tension
tosses around some intriguing questions about the difference between human and android life
, does not work .
features nonsensical and laughable plotting , wooden performances , ineptly directed action sequences and some of the worst dialogue in recent memory .
a strangely stirring experience that finds warmth in the coldest environment and makes each crumb of emotional comfort
gives ample opportunity for large-scale action and suspense
lives count
is a filmmaker of impressive talent .
vivid , spicy footnote
the filmmakers know how to please the eye , but it is not always the prettiest pictures that tell the best story .
the problem with the mayhem in formula 51
bludgeoning
is also beautifully acted
a genuinely funny ensemble comedy that also asks its audience -- in a heartwarming , nonjudgmental kind of way -- to consider what we value in our daily lives
take as many drugs as the film 's characters
impenetrable and insufferable ball
kept much of the plot
dips key moments from the film
is a film in which the talent is undeniable
garish showcase
puts a human face on derrida , and makes one of the great minds of our times interesting and accessible to people who normally could n't care less .
a film without surprise geared toward maximum comfort and familiarity .
in the real world , an actor this uncharismatically beautiful would have a résumé loaded with credits like `` girl in bar # 3 . ''
manipulative and as bland as wonder bread dipped in milk
a key strength
at the mercy of its inventiveness
without being memorable
make up for an unfocused screenplay
the weight of water comes to resemble the kind of soft-core twaddle you 'd expect to see on showtime 's ` red shoe diaries . '
that so often end up on cinema screens
's a tribute to the actress , and to her inventive director ,
is so tame that even slightly wised-up kids would quickly change the channel .
's always disappointing when a documentary fails to live up to -- or offer any new insight into -- its chosen topic
enervating
( hayek )
impressive in imax dimensions
the script is smart and dark - hallelujah for small favors .
an uneven look into a grim future that does n't come close to the level of intelligence and visual splendor that can be seen in other films based on philip k. dick stories .
gorgeous piano
wendigo , larry fessenden 's spooky new thriller , is a refreshingly smart and newfangled variation on several themes derived from far less sophisticated and knowing horror films .
enough is just the ticket you need .
in an impossible spot because his character 's deceptions ultimately undo him and the believability of the entire scenario
is truly gorgeous to behold .
captures that perverse element of the kafkaesque where identity , overnight , is robbed and replaced with a persecuted `` other
has n't developed characters so much as caricatures , one-dimensional buffoons that get him a few laughs but nothing else
a frustrating ` tweener ' -- too slick , contrived and exploitative for the art houses and too cynical , small and decadent for the malls .
no lika da accents so good
seems embarrassed to be part of
white oleander may leave you rolling your eyes in the dark ,
is apparently as invulnerable as its trademark villain
their contrast
as simultaneously funny
camouflage how bad his movie is
a sluggish pace and lack of genuine narrative
's no denying that burns is a filmmaker with a bright future ahead of him .
will seem like a recycling of clichés , an assassin 's greatest hits .
determine how well the schmaltz is manufactured -- to assess the quality of the manipulative engineering
replaced by the forced funniness found in the dullest kiddie flicks
is uncompromising , difficult and unbearably beautiful
despite downplaying her good looks , carries a little too much ai n't - she-cute baggage into her lead role as a troubled and determined homicide cop to quite pull off the heavy stuff .
is a masterpiece
the film sounds like the stuff of lurid melodrama , but what makes it interesting as a character study is the fact that the story is told from paul 's perspective
the living hell
the idea is more interesting than the screenplay , which lags badly in the middle and lurches between not-very-funny comedy , unconvincing dramatics and some last-minute action strongly reminiscent of run lola run .
with conspicuous success
may be the first cartoon ever to look as if it were being shown on the projection television screen of a sports bar .
a breath of fresh air
insomnia is one of the year 's best films
it is laughingly enjoyable
it just is n't a very involving one
's a stale , overused cocktail using the same olives since 1962 as garnish .
plays as dramatic
it 's coherent , well shot , and tartly acted , but
screenwriter dan schneider and director shawn levy substitute volume and primary colors for humor and bite .
do n't need to be a hip-hop fan to appreciate scratch
sand 's masculine persona
get into heaven
almost feels as if the movie is more interested in entertaining itself than in amusing us .
deep inside righteousness can be found a tough beauty
is just a corny examination of a young actress trying to find her way .
's no new `` a christmas carol '' out in the theaters this year
is an act of spiritual faith -- an eloquent , deeply felt meditation on the nature of compassion
succeed merrily
sustain a reasonable degree of suspense on its own
is nothing funny in this every-joke-has - been-told-a - thousand-times - before movie .
keep you at the edge of your seat with its shape-shifting perils , political intrigue and brushes with calamity
, contemplative , and sublimely beautiful .
all manner of lame entertainment
action-packed chiller
lovingly photographed in the manner of a golden book sprung to life , stuart little 2 manages sweetness largely without stickiness .
the script falls back on too many tried-and-true shenanigans that hardly distinguish it from the next teen comedy .
is a brilliantly played , deeply unsettling experience
in a tasteful , intelligent manner
a good ear for dialogue , and the characters sound like real people
handsomely
about a family 's joyous life
of the damned is a pointless , meandering celebration of the goth-vampire , tortured woe-is-me lifestyle .
uses the huge-screen format to make an old-fashioned nature film that educates viewers with words and pictures while entertaining them
too clever by about nine-tenths .