xiangpku/GLUE huggingface dataset:
of making us care about its protagonist and celebrate his victories
the whole mess
refuses to let slackers be seen as just another teen movie , which means he can be forgiven for frequently pandering to fans of the gross-out comedy .
wo n't join the pantheon of great monster/science fiction flicks that we have come to love ...
feels less
dumb ,
all-woman
beautifully shot ,
it all comes down to whether you can tolerate leon barlow .
one of the smarter offerings the horror genre
imitative
the anarchist maxim that ` the urge to destroy is also a creative urge '
authentically vague , but ultimately purposeless
of breathtaking , awe-inspiring visual poetry
reacting to it - feeling a part of its grand locations , thinking urgently as the protagonists struggled , feeling at the mercy of its inventiveness , gasping at its visual delights
story and his juvenile camera movements
a lovely , sad dance highlighted by kwan 's unique directing style
engaging than the usual fantasies hollywood produces
of a filmmaker who has secrets buried at the heart of his story and knows how to take time revealing them
some major alterations
predictably efficient
leguizamo and jones are both excellent and the rest of the cast is uniformly superb .
is sufficiently funny
greatest natural sportsmen
festival in cannes offers rare insight into the structure of relationships .
a rehash of every gangster movie from the past decade .
is so prolonged and boring it is n't even close to being the barn-burningly bad movie it promised it would be .
sacrificing any of the cultural intrigue
the mayhem in formula 51
's just rather leaden and dull
a delicious and delicately funny look at the residents of a copenhagen neighborhood coping with the befuddling complications life tosses at them .
one part romance novel ,
dirty old man
will find in these characters ' foibles a timeless and unique perspective .
engaging story
once overly old-fashioned
obviously has its merits
offers an intriguing what-if premise
triumphantly returns to narrative filmmaking with a visually masterful work of quiet power .
suspect that there are more interesting ways of dealing with the subject
it 's all surface psychodramatics .
a certain degree of wit and dignity
done , so primitive in technique , that it ca n't really be called animation
you thought would leave you cold
will you feel after an 88-minute rip-off of the rock with action confined to slo-mo gun firing and random glass-shattering ?
are the lively intelligence of the artists and their perceptiveness about their own situations
though a capable thriller
they are what makes it worth the trip to the theater .
i like all four of the lead actors a lot and they manage to squeeze a few laughs out of the material , but
choppy recycling
of above the rest
will probably have a reasonably good time with the salton sea .
of the same from taiwanese auteur tsai ming-liang , which is good news to anyone who 's fallen under the sweet , melancholy spell of this unique director 's previous films
, shot in artful , watery tones of blue , green and brown .
despite all the closed-door hanky-panky , the film is essentially juiceless .
atrociously
this charmer
( hayek ) throws herself into this dream hispanic role with a teeth-clenching gusto , she strikes a potent chemistry with molina and she gradually makes us believe she is kahlo
to winger fans who have missed her since 1995 's forget paris
although god is great addresses interesting matters of identity and heritage , it 's hard to shake the feeling that it was intended to be a different kind of film .
of exploitative garbage
so different from the apple and so striking
sitting around
familiar but enjoyable
static set ups , not much camera movement ,
has managed to marry science fiction with film noir and action flicks with philosophical inquiry .
there 's not an original character , siuation or joke in the entire movie
sewer rats could watch this movie and be so skeeved out that they 'd need a shower .
generally insulting
... have made the old boy 's characters more quick-witted than any english lit
shunji iwai 's all about lily chou chou is a beautifully shot , but ultimately flawed film about growing up in japan .
is a really special walk in the woods
infuses the movie with much of its slender
have made vittorio de sica proud
what a pity
there 's plenty to enjoy -- in no small part thanks to lau .
de niro , mcdormand and the other good actors
little substance
a backstage must-see for true fans of comedy .
succumbs to cliches and pat storytelling
and `` terrible
a wonderfully warm human drama that remains vividly in memory long after viewing
who bilked unsuspecting moviegoers
is a decomposition of healthy eccentric inspiration and ambition -- wearing a cloak of unsentimental , straightforward text -- when it 's really an exercise in gross romanticization of the delusional personality type
brimming with coltish , neurotic energy
utterly static
torments and
drops the ball
has clever ways of capturing inner-city life during the reagan years .
term an `` ambitious failure
the road to perdition
promises a new kind of high but delivers the same old bad trip .
an impressive roster
, beautiful scene
with enjoyable ease
' romantic
a compelling french psychological drama examining the encounter of an aloof father and his chilly son after 20 years apart .
, the film has a gentle , unforced intimacy that never becomes claustrophobic .
with zero-dimensional , unlikable characters and hackneyed , threadbare comic setups
goes on for the 110 minutes of `` panic room ''
low-tech
he does n't , however , deliver nearly enough of the show 's trademark style and flash .
this one gets off with a good natured warning
sc2 is an autopilot hollywood concoction lacking in imagination and authentic christmas spirit , yet it 's geared toward an audience full of masters of both
real and
've already seen city by the sea under a variety of titles
'm not sure which is worse : the poor acting by the ensemble cast , the flat dialogue by vincent r. nebrida or the gutless direction by laurice guillen
does hold up pretty well
what 's most offensive is n't the waste of a good cast , but
is worth your time , especially if you have ellen pompeo sitting next to you for the ride .
even more ludicrous
a movie that deserves recommendation
unexpected moments of authentically impulsive humor are the hallmark of this bittersweet , uncommonly sincere movie that portrays the frank humanity of ... emotional recovery .
tv skit-com material fervently deposited on the big screen .
forgotten the movie
's not enough intelligence , wit or innovation on the screen to attract and sustain an older crowd .
went astray
labeled ` hip ' , ` innovative ' and ` realistic '
some powerful people
) soulless
's an unhappy situation
too straight-faced
kids ( of all ages ) that like adventure
, we do n't feel much for damon/bourne or his predicament
be genuinely satisfying
an erotic thriller
humor to cover up the yawning chasm where the plot should be
of both thematic content and narrative strength
loathsome
give us real situations and characters
hoary dialogue , fluxing accents , and -- worst of all --
emerges as another key contribution
yet curiously tepid and choppy recycling in which predictability is the only winner
a movie with a ` children 's ' song that includes the line ` my stepdad 's not mean , he 's just adjusting '
i know i would have liked it more if it had just gone that one step further
have the highest production values you 've ever seen
such a bad movie that its luckiest viewers will be seated next to one of those ignorant
with the two leads delivering oscar-caliber performances
pretty contagious fun
quietly moving moments and an intelligent subtlety
well-wrought
( `` safe conduct '' ) is a long movie at 163 minutes but it fills the time with drama , romance , tragedy , bravery , political intrigue , partisans and sabotage .
in the wrong hands
but it 's just too too much
director charles stone iii applies more detail to the film 's music than to the story line ;
more complete than indecent proposal
those seeking a definitive account of eisenstein 's life would do better elsewhere .
swooping down on a string of exotic locales
would n't matter so much that this arrogant richard pryor wannabe 's routine is offensive , puerile and unimaginatively foul-mouthed if it was at least funny .
idiotic and ugly .
the metaphors are provocative , but too often , the viewer is left puzzled by the mechanics of the delivery
of humankind 's liberating ability
ends with outtakes in which most of the characters forget their lines and just utter ` uhhh , ' which is better than most of the writing in the movie .
the dimming
elevates the material above pat inspirational status and gives it a sturdiness and solidity that we 've long associated with washington the actor .
endure every plot contrivance that the cliché-riddled genre can offer
seems to want to be a character study ,
you like peace
leave you wanting more
so desperate for attention it nearly breaks its little neck trying to perform entertaining tricks
unfolds in a series of achronological vignettes whose cumulative effect is chilling .
runs out of steam
funny humor
plays like john le carré with a couple of burnt-out cylinders .
an earnest study
it contains almost enough chuckles for a three-minute sketch , and no more .
with the unexplained baboon cameo
serves up all of that stuff
smothered
excellent job
turns a blind eye to the very history it pretends to teach .
merely very bad
reality drain
must have baffled the folks in the marketing department
's more enjoyable than i expected
fire-breathing
are just two of the elements that will grab you
potentially trite and overused concept
to the outstanding soundtrack
the director mostly plays it straight , turning leys ' fable into a listless climb down the social ladder .
the stunts in the tuxedo seem tired and , what 's worse , routine
know why steven seagal is considered a star , nor why he keeps being cast in action films when none of them are ever any good
original and insightful
portrayed with almost supernatural powers
looks elsewhere , seizing on george 's haplessness and lucy 's personality tics .
pollyana would reach for a barf bag
influenced by some of the filmmakers who have directed him , especially the coen brothers and steven soderbergh
memory , resistance and artistic transcendence
if the full monty was a freshman fluke
there is a welcome lack of pretension about the film , which very simply sets out to entertain and ends up delivering in good measure .
surprisingly uninvolving
low , smoky and inviting sizzle
adventure movie
in its lackluster gear of emotional blandness
hailed as a clever exercise in neo-hitchcockianism , this clever and very satisfying picture is more accurately chabrolian .
perry 's good and
the movie is a lumbering load of hokum but ...
succumbs to gravity and plummets to earth
a more colorful , more playful tone
solid movie
a sense of dramatic urgency
immature and
, the only way for a reasonably intelligent person to get through the country bears is to ponder how a whole segment of pop-music history has been allowed to get wet , fuzzy and sticky .
engaging , wide-eyed actress
offers an unexpected window into the complexities of the middle east struggle and into the humanity of its people .
to one of demme 's good films
end it all by stuffing himself into an electric pencil sharpener
some worthwhile themes
made swimfan anyway
it 's horribly depressing and not very well done .
mostly believable , refreshingly low-key and quietly inspirational little sports
is generally light enough
a predictable , manipulative stinker .
perfectly portrays the desperation of a very insecure man
that returns the martial arts master to top form
is unable to project either esther 's initial anomie or her eventual awakening
almost every possible way -- from the writing and direction to the soggy performances -- tossed off
about the benjamins that 's hard to resist
on the evidence before us , the answer is clear : not easily and , in the end , not well enough .
sweet home abomination
which will please eastwood 's loyal fans -- and suits the story , wherein our hero must ride roughshod over incompetent cops to get his man
the expressive power of the camera
the movie 's sophomoric blend
this is an extraordinary film , not least because it is japanese and yet feels universal .
a young robert deniro
will remind them that hong kong action cinema is still alive and kicking
ear-splitting exercise in formula crash-and-bash action .
gently humorous
a wonderful ensemble cast of characters that bring the routine day to day struggles of the working class to life
waters it down , turning grit and vulnerability into light reading
say nothing of boring
might not give a second look if we passed them on the street
change watching such a character
with the intelligence or sincerity it unequivocally deserves
way too full
like this movie a lot
a bumper
coral reef adventure is a heavyweight film that fights a good fight on behalf of the world 's endangered reefs -- and it lets the pictures do the punching .
sultry
all too literally
less a movie than
it 's the very definition of epic adventure .
a ) soulless
an adventure story and history lesson all in one
a pale xerox of other , better crime movies .
-- and at times , all my loved ones more than flirts with kitsch -- the tale commands attention .
poignancy jostling against farce , thoughtful dialogue elbowed aside by one-liners , and a visual style that incorporates rotoscope animation for no apparent reason except , maybe , that it looks neat
made me want to pack raw dough in my ears
in between all the emotional seesawing , it 's hard to figure the depth of these two literary figures , and even the times in which they lived .
is worth your time ,
, are about a half dozen young turks angling to see how many times they can work the words `` radical '' or `` suck '' into a sentence .
it really won my heart
of brooding personalities that parade about as if they were coming back from stock character camp -- a drowsy drama infatuated by its own pretentious self-examination
an intriguing look at the french film industry during the german occupation ;
an actress she is
burns is a filmmaker with a bright future ahead of him
anyone who suffers through this film deserves , at the very least , a big box of consolation candy .
, a walk to remember is an inspirational love story , capturing the innocence and idealism of that first encounter .
intermittently good time
the movie is as padded as allen 's jelly belly .
's so simple and precise that anything discordant would topple the balance
more appealing
bewilderingly brilliant and
into the passive-aggressive psychology of co-dependence and the struggle for self-esteem
better acted -- and far less crass - than some other recent efforts in the burgeoning genre of films about black urban professionals
just about the best straight-up
borscht
the believability of the entire scenario
key strength
even jason x ... look positively shakesperean by comparison
full advantage
did i miss something ? ''
, simple and soapy
, composed delivery
the modern-day royals have nothing on these guys when it comes to scandals .
the very best movies
keep you engaged
is likely to find compelling
as a director , eastwood is off his game --
pleasant enough -- and oozing with attractive men
-- every member of the ensemble has something fascinating to do --
who feels acting is the heart and soul of cinema
aniston has at last decisively broken with her friends image in an independent film of satiric fire and emotional turmoil .
ever see one of those comedies that just seem like a bad idea from frame one ?
see it twice
the 3-d vistas from orbit , with the space station suspended like a huge set of wind chimes over the great blue globe
lived in a state of quiet desperation
its cutesy reliance on movie-specific cliches is n't exactly endearing
( t ) he script is n't up to the level of the direction , nor are the uneven performances by the cast members , who seem bound and determined to duplicate bela lugosi 's now-cliched vampire accent .
down-and-dirty laugher
another phone call warning you that if the video is n't back at blockbuster before midnight , you 're going to face frightening late fees
simply not funny performers
to be engaging
clever and cutting
these broken characters who are trying to make their way through this tragedy
easy to love robin tunney
're not merely watching history
is still very much worth seeing
of an aging filmmaker still thumbing his nose at convention
but it 's a rushed , slapdash , sequel-for-the-sake - of-a-sequel with less than half the plot and ingenuity
-- but certainly hard to hate .
is so rich with period minutiae it 's like dying and going to celluloid heaven .
often play like a milquetoast movie of the week blown up for the big screen
( lin chung 's ) voice is rather unexceptional , even
the condition of art
is a fascinating film because there is no clear-cut hero and no all-out villain
some honest insight
warm ,
can be expected from a college comedy that 's target audience has n't graduated from junior high school ?
gondry 's direction is adequate ... but what gives human nature its unique feel is kaufman 's script
lamer instincts
nicole holofcenter , the insightful writer/director responsible for this illuminating comedy
left with a sour taste in your mouth
character creations
alternately hilarious and sad , aggravating and soulful , scathing and joyous
, whimsical feature
the histrionics reach a truly annoying pitch
great films
does n't really add up to much .
a lovely trifle that , unfortunately , is a little too in love with its own cuteness
has claws enough to get inside you and stay there for a couple of hours
is also a film of freshness , imagination and insight .
dislocation
honest performances and exceptional detail
buoyant , expressive flow
a sub-formulaic slap in the face
wow , so who knew charles dickens could be so light-hearted ?
affected child acting to the dullest irish pub scenes
slovenly life
made at least one damn fine horror movie
, narc takes a walking-dead , cop-flick subgenre and beats new life into it .
how much he runs around and acts like a doofus
a classic fairy tale that perfectly captures the wonders and worries of childhood
all the enjoyable randomness of a very lively dream
clumsy and rushed
the slack complacency of ( godard 's ) vision
haunting tale
an extraordinary film
to enter and accept another world
most slyly exquisite
a masterpiece of elegant wit and artifice
mysterious , sensual
poorly dubbed dialogue and murky cinematography
`` ... something appears to have been lost in the translation this time .
his life drew to a close
but uninvolving
is in his element here
delivered dialogue and a heroine who comes across as both shallow and dim-witted .
high-octane
i guess a space station in the year 2455 can be crossed off the list of ideas for the inevitable future sequels ( hey , do n't shoot the messenger ) .
rousing
an imaginative teacher
popped up with more mindless drivel
it 's mildly amusing , but i certainly ca n't recommend it .
be a total washout
make it a great piece to watch with kids and use to introduce video as art
deserves the hook
you to enjoy yourselves without feeling conned
genuine acting
made a film that 's barely shocking , barely interesting and most of all , barely anything
as i usually am to feel-good , follow-your-dream hollywood fantasies
painful nuance
a load of clams left in the broiling sun for a good three days
touching film
one of the outstanding thrillers of recent years
insightful moments .
have been picked not for their acting chops , but for their looks and
a charm
's simply , and surprisingly , a nice , light treat
will undoubtedly play well in european markets , where mr. besson is a brand name , and in asia , where ms. shu is an institution ,
a sense-of-humour failure
grows on you -- like a rash
dim-witted pairing
you 're not
of wit or charm
does n't conjure proper respect for followers of the whole dead-undead genre , who deserve more from a vampire pic than a few shrieky special effects
that covers our deepest , media-soaked fears
bogged down by an overly sillified plot and stop-and-start pacing .
it seems a disappointingly thin slice of lower-class london life ; despite the title ... amounts to surprisingly little .
of the best ensemble casts of the year
such an irrepressible passion for sappy situations and dialogue
a minor miracle in unfaithful
undeniably hard
spits out denzel washington 's fine performance in the title role
the criminal world
of extremely talented musicians
indifference
meager weight
are worthwhile .
assured
demme gets a lot of flavor and spice into his charade remake , but
the more lascivious-minded might be disappointed in the relative modesty of a movie that sports a ` topless tutorial service
the thing about guys like evans is this : you 're never quite sure where self-promotion ends and the truth begins
interesting matters
most humane and important
a documentary that works
thanks to a small star with big heart , this family film sequel is plenty of fun for all .
bray is completely at sea ; with nothing but a savage garden music video on his resume , he has no clue about making a movie
yet lacking about everything
cuaron repeatedly
of the qualities that made the first film so special
high-concept sci fi adventures
so unsympathetic
gasp , shudder
a fascinating study of isolation and frustration that successfully recreates both the physical setting and emotional tensions of the papin sisters
thrills when it should be most in the mind of the killer
screwed-up characters
feels like a ruse , a tactic to cover up the fact that the picture is constructed around a core of flimsy -- or , worse yet , nonexistent -- ideas .
difficult to connect with on any deeper level
between chaplin and kidman
is a convincing one , and
a film so graceless and devoid
uncle ralph
failing , ultimately , to make something bigger out of its scrapbook of oddballs
presents us with an action movie that actually has a brain
grisly
rather toothless
want to see it
welcomes
is way too muddled to be an effectively chilling guilty pleasure .
picked me up , swung me around ,
an esteemed writer-actor
a few zingers aside
the thing just never gets off the ground .
the fact that the ` best part ' of the movie comes from a 60-second homage to one of demme 's good films
a witty , low-key romantic comedy .
'll be treated to an impressive and highly entertaining celebration of its sounds .
devolves into a laugh-free lecture .
fiercely intelligent and
makes up for it with a pleasing verisimilitude .
but it 's hard to imagine a more generic effort in the genre .
unnamed , easily substitutable
kirkegaard
with the exception of mccoist , the players do n't have a clue on the park .
as well-characterized
more fascinating
it also is more fully an example of the kind of lush , all-enveloping movie experience it rhapsodizes
's hard to imagine a more generic effort in the genre
mundane '70s disaster flick
sweet , funny , charming , and completely delightful
an 88-minute highlight reel
nothing funny
embarrassingly
marveling at these guys ' superhuman capacity to withstand pain
together with a supremely kittenish performance that gradually accumulates more layers
got to me
the action clichés just pile up .
deserved co-winner
m. night shyamalan 's debut feature sucked up all he has to give to the mystic genres of cinema
inept and
is sentimental but feels free to offend , is analytical and then surrenders to the illogic of its characters , is about grief and yet permits laughter .
is in his hypermasculine element here , once again able to inject some real vitality and even art into a pulpy concept that , in many other hands would be completely forgettable .
fascinating psychological fare
( a ) soulless ,
comes at film with bracing intelligence and a vision both painterly and literary
the film gives no quarter to anyone seeking to pull a cohesive story out of its 2 1/2 - hour running time .
enjoyable randomness
's a day at the beach -- with air conditioning and popcorn
the rat-a-tat energy
is plenty of fun for all .
enough to keep men