xiangpku/GLUE huggingface dataset:
we never truly come to care about the main characters and whether or not they 'll wind up together ,
ends up slapping its target audience in the face by shooting itself in the foot
some writer dude , i think his name was , uh , michael zaidan , was supposed to have like written the screenplay or something
feel like running out screaming
will be a thoughtful , emotional movie experience
because you 're sure to get more out of the latter experience
is as generic as its title .
freewheeling trash-cinema roots
subtle and richly internalized performance
it has a way of seeping into your consciousness , with lingering questions about what the film is really getting at .
is one of world cinema 's most wondrously gifted artists and storytellers .
is so bleak
it 's a compelling and horrifying story
exploit his anger
goes off the rails in its final 10 or 15 minutes
terrific special effects and funnier gags
vivid , thoughtful , unapologetically raw
deuces wild is an encyclopedia of cliches that shoplifts shamelessly from farewell-to-innocence movies like the wanderers and a bronx tale without cribbing any of their intelligence .
a loud , low-budget and tired formula film that arrives
outgag any of those young whippersnappers making moving pictures today
hard to resist his enthusiasm
pushed into the margins by predictable plotting and tiresome histrionics
upsetting and thought-provoking
this intricately structured and well-realized drama that presents a fascinating glimpse of urban life and the class warfare that embroils two young men
a bad , bad , bad movie
the messiness
anguish
star-power potential in this remarkable and memorable film
to its insanely staged ballroom scene , in which 3000 actors appear in full regalia
the film did n't convince me that calvin jr. 's barbershop represents some sort of beacon of hope in the middle of chicago 's south side .
the same sledgehammer appeal as pokemon videos
charming in comedies like american pie
as naturally
nostalgic
its makers actually seem to understand what made allen 's romantic comedies so pertinent and enduring
took three minutes of dialogue , 30 seconds of plot and turned them into a 90-minute movie that feels five hours long
a struggling nobody
audacious-impossible yet compelling ...
like mike is n't going to make box office money that makes michael jordan jealous , but it has some cute moments , funny scenes , and hits the target audience ( young bow wow fans ) - with nothing but net
a miraculous movie , i 'm going home is so slight ,
not that any of us should be complaining when a film clocks in around 90 minutes these days , but the plotting here leaves a lot to be desired
dialogue and murky cinematography
so meditative and lyrical
merely pretentious
soulful ,
's at once laughable and compulsively watchable
nails sy 's queasy infatuation and overall strangeness .
a good film
novel charm
the bad sound
perfect as his outstanding performance as bond in die
does such an excellent job of critiquing itself at every faltering half-step of its development that criticizing feels more like commiserating .
liked this film a lot ...
like a soft drink that 's been sitting open too long :
last year 's kubrick-meets-spielberg exercise
wickedly funny and
helps create a complex , unpredictable character .
keep parents away
peter jackson has done the nearly impossible .
lift the spirits of the whole family
nonstop hoot
a detailed personal portrait
better person
of its characters , its protagonist , or of us
for all ages -- a movie that will make you laugh
the sensational true-crime hell-jaunt purists might like and more experimental in its storytelling ( though no less horrifying for it ) .
a cute alien creature
may not be particularly innovative
never comes close to being either funny or scary
the screenwriters dig themselves in deeper every time
of a beautifully sung holiday carol
without sacrificing the integrity of the opera
a poignant and wryly amusing film about mothers , daughters and their relationships
, melodrama , sorrow , laugther , and tears
a good time for both children and parents
make an excellent companion piece to the similarly themed ` the french lieutenant 's woman
heartfelt , mesmerizing king lear
poignant japanese epic
jarring , new-agey tone
kiarostami has crafted a deceptively casual ode to children and managed to convey a tiny sense of hope .
the peculiar american style of justice
cool , composed delivery
a sub-formulaic slap in the face to seasonal cheer .
stands out from the pack
the filmmaker would disagree , but , honestly , i do n't see the point
a conventional , but well-crafted film
told with the intricate preciseness of the best short story writing
few points
cinematic poetry showcases the city 's old-world charm before machines change nearly everything .
avoids the obvious
classic cinema
a sweet treasure and something well worth
admirers
is in trouble
a real filmmaker
is no denying the power of polanski 's film ...
own most damning censure
discursive
that never really busts out of its comfy little cell
little attempt
a playful iranian parable about openness , particularly the
very funny as you peek at it through the fingers in front of your eyes
constructs a hilarious ode to middle america and middle age with this unlikely odyssey ,
you do n't try to look too deep into the story
just a collection of this and that -- whatever fills time -- with no unified whole
most important and exhilarating
creepy-scary
a reasonably good time
the exclamation point seems to be the only bit of glee
for violence
whose restatement is validated by the changing composition of the nation
realized through clever makeup design
your seat , tense with suspense
( lin chung 's ) voice is rather unexceptional , even irritating ( at least to this western ear ) , making it awfully hard to buy the impetus for the complicated love triangle that develops between the three central characters .
to tear your eyes away from the images
if you only had a week to live
sets this romantic comedy apart
smart , compelling drama
some success with documentaries
is gorgeously
instead of contriving a climactic hero 's death for the beloved-major - character-who-shall - remain-nameless , why not invite some genuine spontaneity into the film by having the evil aliens ' laser guns actually hit something for once ?
is even more embracing than monty , if only because it accepts nasty behavior and severe flaws as part of the human condition .
watchable up until the point
neither dramatic nor comic
two signs that m. night shyamalan 's debut feature sucked up all he has to give to the mystic genres of cinema : unbreakable and signs
playful spark
anything more than a visit to mcdonald 's , let alone
the film fearlessly gets under the skin of the people involved
, like shiner 's organizing of the big fight , pulls off enough
make personal velocity into an intricate , intimate and intelligent journey .
the very definition of what critics have come to term an `` ambitious failure . ''
monster truck-loving good ol' boys and peroxide blond honeys whose worldly knowledge comes from tv reruns and supermarket tabloids
is ingenious fun .
goes about telling what at heart is a sweet little girl
is n't as easy to come by as it used to be
, film has little insight into the historical period and its artists , particularly in how sand developed a notorious reputation .
must be a serious contender for the title .
a straight-shooting family film
painted on their largest-ever historical canvas
that tries to grab us , only to keep letting go at all the wrong moments
this chicago has hugely imaginative and successful casting to its great credit , as well as one terrific score and attitude to spare .
no cute factor here ... not that i mind ugly ; the problem is he has no character , loveable or otherwise .
might i suggest that the wayward wooden one end it all by stuffing himself into an electric pencil sharpener
come up with a better script
tykwer 's surface flash is n't just a poor fit with kieslowski 's lyrical pessimism ; it completely contradicts everything kieslowski 's work aspired to , including the condition of art
, ryan gosling ( murder by numbers ) delivers a magnetic performance .
involving aragorn 's dreams of arwen , this is even better than the fellowship .
is derivative
-- more accurately , it 's moving
off witty and sophisticated
asks the right questions
succeeded beyond all expectation
of the most slyly exquisite anti-adult movies
it 's a piece of handiwork that shows its indie tatters and self-conscious seams in places , but has some quietly moving moments and an intelligent subtlety .
immense
impressive results
looks like an episode of the tv show blind date , only less technically proficient and without the pop-up comments
of the finest kind
is also as unoriginal
a two star script
its grand locations
miss it altogether
nothing but one relentlessly depressing situation after another for its entire running time ,
's certainly an invaluable record of that special fishy community .
a compelling yarn
its subsequent reinvention , a terrifying study of bourgeois
the movie does such an excellent job of critiquing itself at every faltering half-step of its development that criticizing feels more like commiserating .
( an ) absorbing documentary
is throwing up his hands in surrender , is firing his r&d people , and
ultimately takes hold and grips hard .
you 've a taste for the quirky
the story feels like the logical , unforced continuation of the careers of a pair of spy kids
it 's a compelling and horrifying story , and the laramie project is worthwhile for reminding us that this sort of thing does , in fact , still happen in america .
is top shelf
's no other reason why anyone should bother remembering it
the highly predictable narrative
been benefited from a sharper , cleaner script before it went in front of the camera
so likable
generational signpost
shiri is an action film that delivers on the promise of excitement , but it also has a strong dramatic and emotional pull that gradually sneaks up on the audience
unaffected style
filled with love for the movies of the 1960s
bible stores of the potential for sanctimoniousness
find their own rhythm and protect each other from the script 's bad ideas and awkwardness .
fit the incredible storyline
pure entertainment
the human cost of the conflict that came to define a generation
these three films form a remarkably cohesive whole , both visually and thematically , through their consistently sensitive and often exciting treatment of an ignored people .
a bewilderingly brilliant and entertaining
is an enjoyable big movie primarily because australia is a weirdly beautiful place
dwells
'' is a good-hearted ensemble comedy with a variety of quirky characters and an engaging story .
feel cheated by the high infidelity of unfaithful
nicole holofcener 's lovely and amazing , from her own screenplay , jumps to the head of the class of women 's films that manage to avoid the ghetto of sentimental chick-flicks by treating female follies with a satirical style .
might have fun in this cinematic sandbox
obscure the message
charly comes off as emotionally manipulative and sadly imitative of innumerable past love story derisions .
discloses almost nothing .
by way of a valentine sealed with a kiss
feels aimless for much of its running time , until late in the film when a tidal wave of plot arrives , leaving questions in its wake .
has a way of gently swaying back and forth as it cradles its characters , veiling tension beneath otherwise tender movements
a florid biopic about mad queens , obsessive relationships , and rampant adultery
shrewd , powerful act
what 's attracting audiences to unfaithful
is , by itself , deserving of discussion .
one-dimensional characters
mostly due to its superior cast
of the finest
often shocking but ultimately worthwhile exploration
drama ,
the film feels homogenized and a bit contrived , as if we 're looking back at a tattered and ugly past with rose-tinted glasses .
these brats will ever be anything more than losers
the color sense of stuart little 2 is its most immediate and most obvious pleasure , but it would count for very little if the movie were n't as beautifully shaped and as delicately calibrated in tone as it is .
's waltzed itself into the art film pantheon .
above easy , cynical potshots at morally bankrupt characters
to do with the casting of juliette binoche as sand , who brings to the role her pale , dark beauty and characteristic warmth
this is the opposite of a truly magical movie .
ca n't be dismissed as mindless
to pack raw dough in my ears
really a true `` us '' versus `` them ''
a visual spectacle full of stunning images and effects
novels to the big screen
a maker of softheaded metaphysical claptrap
, action-packed chiller
all the enjoyable randomness
flashy , overlong soap opera .
offers chills much like those
the history is fascinating ;
as his outstanding performance as bond in die
's updating works surprisingly well .
does n't manage to hit all of its marks
two whole hours
the most wondrous love story in years
like a cold old man going through the motions
complete with loads of cgi and bushels of violence , but not a drop
drown a viewer in boredom
a satisfying kids flck
for the testosterone-charged wizardry of jerry bruckheimer productions
try paying less attention to the miniseries and more attention to the film it is about
positives
an ungainly movie , ill-fitting ,
the plot has a number of holes , and at times it 's simply baffling
, almost mystical work
loses himself to the film 's circular structure to ever offer any insightful discourse on , well , love in the time of money .
complex portrait of a modern israel
riveted to our seats .
is without a doubt a memorable directorial debut from king hunk .
nearly 21/2 hours of unfocused , excruciatingly tedious cinema
engage an audience
adds up to big box office bucks all but guaranteed
serious urge to grab the old lady at the end of my aisle 's walker and toss it at the screen in frustration
are vividly and painfully brought to slovenly life in this self-deprecating , biting and witty feature written by charlie kaufman and his twin brother , donald , and directed by spike jonze .
its own pretentious self-examination
no new insight
suffers from a paunchy midsection , several plodding action sequences and a wickedly undramatic central theme .
be based on a true and historically significant story
`` the adventures of pluto nash '' is a big time stinker .
to endure every plot contrivance that the cliché-riddled genre can offer
( toback 's ) fondness for fancy split-screen , stuttering editing and pompous references to wittgenstein and kirkegaard ... blends uneasily with the titillating material .
's the perfect star vehicle for grant ,
whether compromise is the death of self ... this orgasm ( wo n't be an ) exceedingly memorable one for most people
propels her into the upper echelons of the directing world
's a terrible movie in every regard , and
has in fact come closer than anyone could desire to the cheap , graceless , hackneyed sci-fi serials of the '30s and '40s .
little vidgame pit
largely unfunny
is unashamedly pro-serbian
of the band
tartakovsky 's team has some freakish powers of visual charm ,
complex than its sunny disposition
some of the dramatic conviction that underlies the best of comedies
spirit is a visual treat ,
by the time it 's done with us , mira nair 's new movie has its audience giddy with the delight of discovery
soulless hunk
it 's not just the vampires that are damned in queen of the damned -- the viewers will feel they suffer the same fate .
can only provide it with so much leniency .
the production has been made with an enormous amount of affection , so we believe these characters love each other
most unpleasant
a staggeringly compelling character ,
a breezy blend of art , history , esoteric musings and philosophy .
terrible adaptation
a sentimental mess that never rings true .
the most audacious , outrageous , sexually explicit , psychologically probing , pure libido film of the year has arrived from portugal .
, you may just end up trying to drown yourself in a lake afterwards .
a markedly inactive film ,
, interview with the assassin draws its considerable power from simplicity .
while the performances are often engaging , this loose collection of largely improvised numbers would probably have worked better as a one-hour tv documentary .
's unfortunate that wallace , who wrote gibson 's braveheart as well as the recent pearl harbor , has such an irrepressible passion for sappy situations and dialogue .
charming and
the biggest problem i have ( other than the very sluggish pace ) is we never really see her esther blossom as an actress , even though her talent is supposed to be growing .
singing and finger
instead go rent `` shakes the clown '' , a much funnier film with a similar theme and an equally great robin williams performance
still manages at least a decent attempt at meaningful cinema
the absurdity
energizing
( dong ) makes a valiant effort to understand everyone 's point of view , and he does such a good job of it that family fundamentals gets you riled up
essentially ruined -- or
that aims for poetry and ends up sounding like satire
good as the full monty , but a really strong second effort
just offbeat enough to keep you interested without coming close to bowling you over .
contains the humor , characterization , poignancy , and intelligence of a bad sitcom .
a modestly made but
just as the lousy tarantino imitations have subsided , here comes the first lousy guy ritchie imitation .
the asylum material is gripping , as are the scenes of jia with his family .
while the movie is slightly less successful than the first
with unexpected comedy
achingly enthralling premise
is so insanely dysfunctional
's just hard to believe that a life like this can sound so dull .
the picture itself is somewhat problematic
killed my father
jeffs has created a breathtakingly assured and stylish work of spare dialogue and acute expressiveness .
playful iranian parable
the sum of all fears pretends to be a serious exploration of nuclear terrorism ,
is in need of a scented bath .
a high-spirited buddy movie about the reunion of berlin
the costuming of the stars
sitcom material
relatively dry material
the lively appeal
is the best he 's been in years
green ruins every single scene he 's in , and
presents visceral and dangerously honest revelations about the men and machines behind the curtains of our planet
authentic account of a historical event
is one of the rare directors who feels acting is the heart and soul of cinema .
form to examine the labyrinthine ways in which people 's lives cross and change
too simple and
as the old saying goes , because it 's true
madonna has made herself over so often now , there 's apparently nothing left to work with , sort of like michael jackson 's nose .
loses sight of its own story
the kind of soft-core twaddle you 'd expect to see on showtime 's ` red shoe diaries
so it 's not a brilliant piece of filmmaking ,
gets added disdain for the fact
like stereotypical caretakers and moral teachers , instead
treats his audience the same way that jim brown treats his women -- as dumb , credulous , unassuming , subordinate subjects .
funny bones tickled
a voice for a pop-cyber culture
messy and frustrating , but very pleasing at its best moments
, nolan 's penetrating undercurrent of cerebral and cinemantic flair lends ( it ) stimulating depth .
whose sharp
written so well
strangling the life out
as the movie traces mr. brown 's athletic exploits , it is impossible not to be awed by the power and grace of one of the greatest natural sportsmen of modern times .
watered down the version of the one before
have relied too much on convention in creating the characters who surround frankie .
intellect
on audience patience
it may cause parents a few sleepless hours -- a sign of its effectiveness
a feel-good movie
is n't very interesting
greatest triumph
most magical
be as lonely and needy
so poorly
refined piece
entirely witless and inane ,
that the material is so second-rate .
family togetherness takes a back seat to inter-family rivalry and workplace ambition ... whole subplots have no explanation or even plot relevance .
why spend $ 9 on the same stuff you can get for a buck or so in that greasy little vidgame pit in the theater lobby ?
the film is also imbued with strong themes of familial ties and spirituality that are powerful and moving without stooping to base melodrama
it might just be better suited to a night in the living room than a night at the movies
a straight-ahead thriller
a likable story ,
dip into your wallet , swipe 90 minutes of your time , and offer you precisely this in recompense : a few early laughs scattered around a plot as thin as it is repetitious
in part because the consciously dumbed-down approach wears thin
, it really won my heart
ignoring that , he made swimfan anyway
bolstered by an astonishing voice cast ( excepting love hewitt ) , an interesting racial tension , and a storyline
the performances are amiable and committed
describe as looking , sounding and simply feeling like no other film in recent history
rescue me from a summer of teen-driven , toilet-humor codswallop
death to smoochy tells a moldy-oldie , not-nearly - as-nasty - as-it - thinks-it-is joke .
some sort of beacon of hope
the film 's considerable charm
fussing over
could so easily have been fumbled by a lesser filmmaker
saving grace
since it is exactly what it wants to be : an atrociously , mind-numbingly , indescribably bad movie
anything special , save for a few comic turns ,
sayles ... once again strands his superb performers in the same old story .
any insights that have n't been thoroughly debated in the media
makes it worth watching
to have a knack for wrapping the theater in a cold blanket of urban desperation
its soul 's - eye view of how well-meaning patronizing masked a social injustice , at least as represented by this case
the history is fascinating
last 15 minutes
put so much time and energy into this turkey
as a vehicle to savor binoche 's skill , the film is well worthwhile .
in his debut as a director , washington has a sure hand .
gets bogged down by an overly sillified plot and stop-and-start pacing .
fiascos
the filmmakers ' eye for detail
small ...
has an ` a ' list cast and some strong supporting players
reality shows for god 's sake
slapdash disaster .
sorry use of aaliyah in her one and
old college try
propaganda film
distressingly rote
a timeless and unique perspective
a sharp and quick documentary that is funny and pithy , while illuminating an era of theatrical comedy that , while past , really is n't .
formulaic ,
the skills of a calculus major at m.i.t.
despite the surface attractions -- conrad l. hall 's cinematography will likely be nominated for an oscar next year -- there 's something impressive and yet lacking about everything .
i would leave the theater with a lower i.q. than when i had entered
have shaped the story to show us why it 's compelling
its one-sidedness ... flirts with propaganda .
murder hits and generally sustains a higher plateau with bullock 's memorable first interrogation of gosling .
it 's a loathsome movie , it really is and it makes absolutely no sense .
about which you can actually feel good
a wildly entertaining scan of evans ' career .
turns out to be smarter and more diabolical than you could have guessed at the beginning .
is the last thing any of these three actresses , nor their characters , deserve .
ache by the end of kung pow
a welcome improvement
none of this is very original , and it is n't particularly funny .
its unsettling prognosis
is just as good , if not better than much of what 's on saturday morning tv especially the pseudo-educational stuff we all ca n't stand
the script by david koepp is perfectly serviceable and because he gives the story some soul
it has its faults ,
where normally good actors , even kingsley , are made to look bad
an engaging mystery
sharp comedy , old-fashioned monster movie atmospherics
they come , already having been recycled more times than i 'd care to count
handsome widescreen photography
is extremely funny , the first part making up for any flaws that come later .
visual charm or texture