xiangpku/GLUE huggingface dataset:
off the hook is overlong and not well-acted , but credit writer-producer-director adam watstein with finishing it at all .
a movie that harps on media-constructed ` issues '
thing to do with these characters except have them run through dark tunnels , fight off various anonymous attackers , and evade elaborate surveillance technologies
leonine power
so primitive in technique
how good it all was , and started doing nothing but reacting to it - feeling a part of its grand locations , thinking urgently as the protagonists struggled , feeling at the mercy of its inventiveness , gasping at its visual delights
some of the more overtly silly dialogue would sink laurence olivier
bittersweet , uncommonly sincere movie that portrays the frank humanity of ... emotional recovery
a first-class road movie that proves you can run away from home , but your ego and all your problems go with you
the skills of a calculus major at m.i.t. are required to balance all the formulaic equations in the long-winded heist comedy who is cletis tout ?
both excellent
's also too stupid
supernatural thriller
`` how will you feel after an 88-minute rip-off of the rock with action confined to slo-mo gun firing and random glass-shattering ? ''
exquisite , unfakable sense
captures the dry wit that 's so prevalent on the rock
a ray of hope
obvious or self-indulgent
dated and unfunny
a slow death
impassive a manner
the movie 's captivating details are all in the performances , from foreman 's barking-mad taylor to thewlis 's smoothly sinister freddie and bettany/mcdowell 's hard-eyed gangster .
, harvard man is something rare and riveting : a wild ride that relies on more than special effects .
has no point and
the story , like ravel 's bolero , builds to a crescendo that encompasses many more paths than we started with .
shows a level of young , black manhood that is funny , touching , smart and complicated
never once predictable .
stick to his day job
every joke is repeated at least four times .
a serious contender for the title
is pure , exciting moviemaking .
set in newfoundland that cleverly captures the dry wit that 's so prevalent on the rock .
( reynolds ) takes a classic story , casts attractive and talented actors and uses a magnificent landscape to create a feature film that is wickedly fun to watch .
calm , self-assured portrait
can still leave us with a sense of wonder at the diverse , marvelously twisted shapes history has taken
extends to his supple understanding of the role
on the whole , you 're gon na like this movie .
is ultimately
is how so many talented people were convinced to waste their time
a quaint
is almost completely lacking in suspense , surprise and consistent emotional conviction
's a technically superb film , shining with all the usual spielberg flair , expertly utilizing the talents of his top-notch creative team .
the characters seem one-dimensional ,
the timeless spectacle of people
does little that is actually funny with the material
most frightening
it 's so downbeat and nearly humorless that it becomes a chore to sit through -- despite some first-rate performances by its lead .
though the aboriginal aspect lends the ending an extraordinary poignancy , and the story
harmless fun .
large-format
constructed around a core of flimsy -- or , worse yet , nonexistent -- ideas
's a visual delight and a decent popcorn adventure ,
around any scenes that might have required genuine acting from ms. spears
's both charming and
soulful , scathing and joyous
the best kind of documentary , one that makes a depleted yesterday feel very much like a brand-new tomorrow
an ` a ' list cast
, those who do will have found a cult favorite to enjoy for a lifetime .
you 'd have a 90-minute , four-star movie
a decomposition
feels impersonal , almost generic
has a compelling story to tell .
a captivatingly quirky hybrid of character portrait , romantic comedy and beat-the-clock thriller
, one the public rarely sees .
of gently swaying back and forth as it cradles its characters , veiling tension beneath otherwise tender movements
pained
lost his touch
is too long with too little going on .
is n't an ounce of honest poetry in his entire script
, accompanying the stunt-hungry dimwits in a random series of collected gags , pranks , pratfalls , dares , injuries , etc. .
` just letting the mountain tell you what to do
is a visual treat
powerfully evocative mood
a must-own
hilarious place to visit
performed a difficult task indeed
it 's just weirdness for the sake of weirdness , and where human nature should be ingratiating , it 's just grating
ultimately achieves its main strategic objective : dramatizing the human cost of the conflict that came to define a generation .
cross swords with the best of them and helm a more traditionally plotted popcorn thriller while surrendering little of his intellectual rigor or creative composure
luckiest
, i found myself strangely moved by even the corniest and most hackneyed contrivances .
aged past his prime
the film is hampered by its predictable plot and paper-thin supporting characters .
hawke 's film , a boring , pretentious waste of nearly two hours , does n't tell you anything except that the chelsea hotel today is populated by whiny , pathetic , starving and untalented artistes .
often very funny collegiate gross-out comedy
its own clichés
a question for philosophers , not filmmakers ;
there may have been a good film in `` trouble every day , '' but it is not what is on the screen
the first lousy guy ritchie imitation
a buoyant romantic comedy about friendship , love , and the truth
occasion
to provide an enjoyable 100 minutes in a movie theater
concept doofus
get a kick out of goofy brits
that extra little something that makes it worth checking out at theaters
serious movie-goers embarking upon this journey will find that the road to perdition leads to a satisfying destination .
a rote exercise in both animation and storytelling
( and fairly unbelievable ) finale
only scratches the surface
something vital about the movie
an experience in understanding a unique culture that is presented with universal appeal
is n't afraid to provoke introspection in both its characters and its audience
cinematic postcard
a thriller
's also uninspired , lacking the real talent and wit to elevate it beyond its formula to the level of classic romantic comedy to which it aspires .
... bibbidy-bobbidi-bland .
that are powerful and moving without stooping to base melodrama
follow the same blueprint from hundreds of other films ,
memorable for a peculiar malaise that renders its tension flaccid and ,
a dull , inconsistent , dishonest female bonding picture .
might try paying less attention to the miniseries and more attention to the film it is about .
director george hickenlooper has had some success with documentaries , but here his sense of story and his juvenile camera movements smack of a film school undergrad , and his maudlin ending might not have gotten him into film school in the first place .
natural and
bargain-basement special
no wit , only labored gags
has a huge heart
a compelling story of musical passion against governmental odds .
puts the dutiful efforts of more disciplined grade-grubbers
look at a slice of counterculture that might be best forgotten
a questionable kind of inexcusable dumb innocence
in amusing us
it was only a matter of time before some savvy producer saw the potential success inherent in the mixture of bullock bubble and hugh goo .
the laramie project is worthwhile for reminding us that this sort of thing does , in fact , still happen in america
quirky , odd movies and/or the ironic
it 's one of the worst of the entire franchise .
this three-hour endurance test
well-paced and
unexpectedly sweet story
awfully good , achingly human
the heart of the film
like a bunch of talented thesps slumming it
the character to unearth the quaking essence of passion , grief and fear
of his reserved but existential poignancy
creative animation work
it 's thanks to huston 's revelatory performance .
really get inside of them
lust and love
that it could have been a hoot in a bad-movie way if the laborious pacing and endless exposition had been tightened
helped give a spark to `` chasing amy '' and `` changing lanes '' falls flat as thinking man cia agent jack ryan in this summer 's new action film , `` the sum of all fears
gaping plot holes sink this ` sub '
there 's an excellent 90-minute film here ; unfortunately , it runs for 170 .
is ) the comedy equivalent of saddam hussein ,
ominous mood and tension
competent direction
burns 's strongest film
hold onto what 's left of his passe ' chopsocky glory
want a real movie
hollywood disregard
weaving a theme throughout this funny film
a potentially good comic premise
a revealing look at the collaborative process and a timely , tongue-in-cheek profile of the corporate circus that is the recording industry in the current climate of mergers and downsizing
i heard that apollo 13 was going to be released in imax format
soulless techno-tripe
to take us on his sentimental journey of the heart
originality ai n't on the menu , but there 's never a dull moment in the giant spider invasion comic chiller
of continuity errors
it is about a domestic unit finding their way to joy
sent back to the tailor for some major alterations
none of the crackle of `` fatal attraction '' , `` 9 1/2 weeks '' ,
is left slightly unfulfilled
deserving of its oscar nomination
the journey is worth your time , especially if you have ellen pompeo sitting next to you for the ride .
not for the striking , quietly vulnerable personality of ms. ambrose
the poor quality of pokemon 4
joyous films that leaps over national boundaries and celebrates universal human nature .
likely to please audiences who like movies that demand four hankies
lawrence unleashes his trademark misogyny -- er , comedy -- like a human volcano or an overflowing septic tank ,
the story and ensuing complications are too manipulative
rock solid family fun
will keep you watching , as will the fight scenes .
a barf bag
300 years of russian history and culture
winning portrayal
of warmth and humor
sporadic bursts of liveliness , some so-so slapstick
will have you talking 'til the end of the year
that is the recording industry in the current climate of mergers and downsizing
cliched
the real-life story is genuinely inspirational
wonderfully warm
, interestingly told film .
the story has some nice twists but the ending and some of the back-story is a little tired .
too many tried-and-true shenanigans
seem more like medicine
a lot like a well-made pb & j sandwich
emotionally intense
a bump on the head
friendship , love , and
comedies to hit the screen in years
ultimately fails
the unnamed , easily substitutable forces that serve as whatever terror the heroes of horror movies try to avoid
refreshingly realistic ,
it 's a sad , sick sight
... rogers 's mouth never stops shut about the war between the sexes and how to win the battle .
appealing about the characters
, potent exploration
feel like a short stretched out to feature length
a recycled and dumbed-down version
energy and wit to entertain all ages
she gets to fulfill her dreams
be as simultaneously funny , offbeat and heartwarming
that 's part of what makes dover kosashvili 's outstanding feature debut so potent
a cold-hearted curmudgeon for not being able to enjoy a mindless action movie
, elling never gets too cloying thanks to the actors ' perfect comic timing and sweet , genuine chemistry .
tom shadyac 's film kicks off spookily enough
sweet , funny , charming , and
by 86 minutes of overly-familiar and poorly-constructed comedy
how to make us share their enthusiasm
loosely tied
feel that we truly know what makes holly and marina tick
which has been held hostage by generic scripts that seek to remake sleepless in seattle again and again
rushed , slapdash , sequel-for-the-sake -
except that it goes on for at least 90 more minutes and , worse , that you have to pay if you want to see it
a lovely film ...
create some episodes that rival vintage looney tunes for the most creative mayhem in a brief amount of time
well worthwhile
feels the dimming of a certain ambition
is a much better mother-daughter tale than last summer 's ` divine secrets of the ya-ya sisterhood , ' but that 's not saying much
for the most part wilde 's droll whimsy helps `` being earnest '' overcome its weaknesses and parker 's creative interference
yes , spirited away is a triumph of imagination , but it 's also a failure of storytelling
its writer-director 's
it 's a testament to de niro and director michael caton-jones that by movie 's end , we accept the characters and the film , flaws and all .
no one involved , save dash , shows the slightest aptitude for acting , and the script , credited to director abdul malik abbott and ernest ` tron ' anderson , seems entirely improvised
skip the film and
colorfully
the complex , politically charged tapestry of contemporary chinese life this exciting new filmmaker has brought to the screen
who have carved their own comfortable niche in the world
bits funnier
that stubbornly refused to gel
has an ambition to say something about its subjects , but not a willingness .
it 's definitely not made for kids or their parents , for that matter , and i think even fans of sandler 's comic taste may find it uninteresting .
is nicely shot , well-edited and features a standout performance by diane lane .
the enticing prospect
prettiest pictures
engaging despite being noticeably derivative of goodfellas and at least a half dozen other trouble-in-the-ghetto flicks
this material could work , especially since the actresses in the lead roles are all more than competent
from ever reaching the comic heights it obviously desired
are cheesy backdrops , ridiculous action sequences , and many tired jokes about men in heels
is laughingly
is more than a movie
perfectly rendered
hate the feeling of having been slimed in the name of high art .
a mischievous visual style and oodles of charm make ` cherish ' a very good ( but not great ) movie .
suspenseful
intriguing and honorable
about art , ethics , and the cost of moral compromise
like a fish that 's lived too long
is more accurately chabrolian .
this is one of mr. chabrol 's subtlest works , but also one of his most uncanny .
deliberately and skillfully uses ambiguity to suggest possibilities which imbue the theme with added depth and resonance .
found it weirdly appealing
it 's a big idea , but the film itself is small and shriveled
has a knack for casting , often resurrecting performers who rarely work in movies now ... and drawing flavorful performances from bland actors
smart , solid , kinetically-charged spy flick worthy
exciting documentary .
this is one of those war movies that focuses on human interaction rather than battle and action sequences ... and it 's all the stronger because of it .
plays as more of a poetic than a strict reality , creating an intriguing species of artifice that gives the lady and the duke something of a theatrical air
a compelling piece
beautifully sung holiday carol
best work
famous moments
he 's been responsible for putting together any movies of particular value or merit
lovely and amazing
nothing original in the way of slapstick sequences
, in spite of all that he 's witnessed , remains surprisingly idealistic
it unexpectedly rewarding
's no rooting interest
forgettable
a sensitive , modest comic tragedy that works as both character study and symbolic examination
downright comically evil
preachy and clichéd
broomfield is energized by volletta wallace 's maternal fury , her fearlessness
the passion , creativity , and fearlessness
through its otherwise comic narrative
enlivens
dampened by a lackluster script and substandard performances
a great american adventure and
the director 's talent
the film suffers from a philosophical emptiness and maddeningly sedate pacing .
the film 's intimate camera work and searing performances
the movie slides downhill as soon as macho action conventions assert themselves .
` wow ' factor
is well crafted , and well executed
very stupid and annoying
it wears its heart on the sleeve of its gaudy hawaiian shirt .
that it 's also one of the smartest
contenders
undermined by the movie 's presentation , which is way too stagy
i wo n't be sitting through this one again
this movie has the usual impossible stunts ... but it has just as many scenes that are lean and tough enough to fit in any modern action movie .
put through torture for an hour and a half
a stale copy of a picture that was n't all that great to begin with
landscape to create a feature film that is wickedly fun to watch
most wondrous
the movie is without intent .
incredibly captivating and insanely funny
, the four feathers comes up short
the most entertaining monster movies
keep it from being simpleminded
visual flair
done-to-death material
it is hard not to be especially grateful for freedom after a film like this .
( russell ) makes good b movies ( the mask , the blob ) , and the scorpion king more than ably meets those standards
donovan ... squanders his main asset
rude and
stink bomb .
i thought i heard a mysterious voice , and felt myself powerfully drawn toward the light -- the light of the exit sign .
irwin is so earnest that it 's hard to resist his pleas to spare wildlife and respect their environs .
attract upscale audiences hungry for quality and a nostalgic , twisty yarn that will keep them guessing
much meandering , norton has to recite bland police procedural details , fiennes wanders around in an attempt to seem weird and distanced , hopkins looks like a drag queen
strip it of all its excess debris ,
i wish it would have just gone more over-the-top instead of trying to have it both ways .
its pretensions
throw smoochy from the train !
loosely speaking , we 're in all of me territory again , and , strictly speaking , schneider is no steve martin
becomes compulsively watchable
dull ,
work that lacks both a purpose and a strong pulse
triteness
evaporates like so much crypt mist in the brain
gives us another peek at some of the magic we saw in glitter here in wisegirls
is all the more remarkable because it
certainly does the trick of making us care about its protagonist and celebrate his victories
with such a rah-rah , patriotic tone
unpleasantly
if the laborious pacing and endless exposition had been tightened
a return ticket
hardened indie-heads
a beautiful food entrée that is n't heated properly , so that it ends up a bit cold and relatively flavorless
takes to describe how bad it is
a delicious , quirky movie with a terrific screenplay and fanciful direction by michael gondry
movie rapes
... has done his homework and soaked up some jazzy new revisionist theories about the origins of nazi politics and aesthetics .
brings to a spectacular completion one of the most complex , generous and subversive artworks of the last decade .
rife with the rueful , wry humor springing out of yiddish culture and language .
creates a fluid and mesmerizing sequence of images to match the words of nijinsky 's diaries
snow dogs deserves every single one of them
incredibly layered and stylistic film
at a snail 's pace
a better satiric target
flair and bouncing bravado
a burst of color , music , and dance that only the most practiced curmudgeon could fail to crack a smile at .
get weird ,
the execution is pretty weary
is at once intimate and universal cinema
complaining when a film clocks in around 90 minutes these days
surgeon mends
will you feel after an 88-minute rip-off of the rock with action confined to slo-mo gun firing and random glass-shattering
flawless film , ( wang )
no palpable chemistry
's just hard to believe that a life like this can sound so dull
uncreative
its impact is deeply and rightly disturbing
is an exercise in chilling style , and twohy films the sub , inside and out , with an eye on preserving a sense of mystery .
a strong directorial stamp on every frame of this stylish film that is able to visualize schizophrenia but is still confident enough to step back and look at the sick character with a sane eye
lustrous polished
offers an interesting look
can not engage
translating complex characters from novels to the big screen is an impossible task but they are true to the essence of what it is to be ya-ya .
how love is the great equalizer that can calm us of our daily ills and bring out joys in our lives that we never knew were possible
as visually bland
look at the list of movies starring ice-t in a major role
this somewhat tired premise
are your cup of blood
limps along
a terrific effort
go down in the annals of cinema
remarkably original work
it 's all bluster -- in the end it 's as sweet as greenfingers
excruciatingly unfunny and
its recovery of an historical episode that , in the simple telling , proves simultaneously harrowing and uplifting
unmistakable , easy joie
, touching , dramatically forceful , and beautifully shot
imply terror by suggestion , rather than the overuse of special effects
entirely stale concept
will amuse or entertain them
wobbly premise work
drifts aimlessly
is an uneven film for the most part
does n't have enough innovation or pizazz to attract teenagers
of the upper class almost as much as they love themselves
is a genial romance that maintains a surprisingly buoyant tone throughout , notwithstanding some of the writers ' sporadic dips into pop freudianism
a cold movie
hard-sell image-mongering
what begins as a conventional thriller evolves into a gorgeously atmospheric meditation on life-changing chance encounters .
story for those intolerant of the more common saccharine genre
, its true colors come out in various wet t-shirt and shower scenes .
less for its story of actorly existential despair than for its boundary-hopping formal innovations and glimpse into another kind of chinese
interesting and accessible
has been , pardon the pun , sucked out and replaced by goth goofiness .
, remote , emotionally distant piece
crime drama
's simply stupid , irrelevant and deeply , truly , bottomlessly cynical .
's a testament to de niro and director michael caton-jones that by movie 's end , we accept the characters and the film , flaws and all .
sexy , and rousing
may sound like it was co-written by mattel executives and lobbyists for the tinsel industry .
a faulty premise , one it follows into melodrama and silliness
, the movie is so clumsily sentimental and ineptly directed it may leave you speaking in tongues .
its premise is smart
boasts a handful of virtuosic set pieces and offers a fair amount of trashy , kinky fun
for a film that 's being advertised as a comedy , sweet home alabama is n't as funny as you 'd hoped .
's tv sitcom material at best
often shocking but ultimately worthwhile exploration of motherhood and desperate mothers .
the shameless self-caricature of ` analyze this ' ( 1999 ) and
forget its absurdity .
was kind of terrific once
mind-numbing indifference
ambition but no sense of pride or shame
the movie 's major and most devastating flaw is its reliance on formula , though
a crucial third act miscalculation
the dubious distinction of being a really bad imitation of the really bad blair witch project
a rambling ensemble piece with loosely connected characters and plots that never quite gel
the soulful nuances
shot in rich , shadowy black-and-white , devils chronicles
value whatsoever
tricky and satisfying
, cletis tout might inspire a trip to the video store -- in search of a better movie experience .
originality in ` life ' to distance it from the pack of paint-by-number romantic comedies
's very beavis and butthead ,
sip your vintage wines and watch your merchant ivory productions
is long on narrative and ( too ) short
hastily written
has some problems
remains vividly in memory long
made the first one charming
a fifty car pileup of cliches
're struggling to create .
not quite as miraculous as its dreamworks makers would have you believe , but it more than adequately fills the eyes and stirs the emotions .
it affords to watch jackson , who also served as executive producer , take his smooth , shrewd , powerful act abroad
improvise and scream their way around this movie directionless , lacking any of the rollicking dark humor so necessary
highly uneven and inconsistent
still-raw emotions