xiangpku/GLUE huggingface dataset:
of its title character
the bai brothers have taken an small slice of history and opened it up for all of us to understand ,
at once a testament to the divine calling of education and a demonstration of the painstaking process of imparting knowledge .
of good
this dubious product of a college-spawned ( colgate u. ) comedy ensemble known as broken lizard plays like a mix of cheech and chong and chips .
, let alone funny
an extraordinary dramatic experience .
splendidly
that they 're playing characters who sometimes feel more like literary conceits than flesh-and-blood humans
this quiet , introspective and entertaining independent
the manner of a golden book sprung to life
striking a blow for artistic integrity
justifies its own existence
on the strength of their own cleverness
time out is as serious as a pink slip .
be any flatter
most immediate and most obvious pleasure
a luis buñuel film
wish you had n't seen
fussy
brutally dry
airs just about every cliche in the war movie compendium across its indulgent two-hour-and-fifteen-minute length .
is almost an afterthought
medem may have disrobed most of the cast , leaving their bodies exposed , but the plot remains as guarded as a virgin with a chastity belt
feels like very light errol morris , focusing on eccentricity but failing , ultimately , to make something bigger out of its scrapbook of oddballs .
in the larger picture it paints - of a culture in conflict with itself , with the thin veneer of nationalism that covers our deepest , media-soaked fears
pleasure to watch
... begins with promise , but runs aground after being snared in its own tangled plot .
french cinema at its best
whose boozy , languid air is balanced by a rich visual clarity and deeply
insightful enough
the film 's length becomes a part of its fun
that offers no easy , comfortable resolution
film to drag on for nearly three hours
with a massive infusion of old-fashioned hollywood magic
must have been lost in the translation
empty exercise
predictable storyline and by-the-book scripting
disjointed mess
emerges as powerful rather than cloying
atop an undercurrent of loneliness and isolation
by an important director who has something new to say about how , in the flip-flop of courtship , we often reel in when we should be playing out
as the most offensive action
is sandler running on empty , repeating what he 's already done way too often
an excellent 90-minute film
a stylish but steady , and ultimately very satisfying , piece
i walked out of runteldat
it 's a treat -- a delightful , witty , improbable romantic comedy with a zippy jazzy score ...
( scherfig ) has made a movie that will leave you wondering about the characters ' lives after the clever credits roll .
wild , endearing , masterful documentary
is duly impressive in imax dimensions , as are shots of the astronauts floating in their cabins
, `` minority report '' astounds .
give blade fans another look at wesley snipes ' iconic hero doing battle with dozens of bad guys -- at once
a mawkish self-parody that plays like some weird masterpiece theater sketch with neither a point of view nor a compelling reason for being
comes off winningly ,
brutally honest and told with humor and poignancy
on humor that is not even as daring as john ritter 's glory days on three 's company
can admire
wondering -- sometimes amusedly , sometimes impatiently -- just what this strenuously unconventional movie is supposed to be
, changing lanes is also a film of freshness , imagination and insight .
a terrific role for someone like judd , who really ought to be playing villains
be numbing
credit director ramsay for taking the sometimes improbable story and making it
this dubious product
a heroic tale of persistence that is sure to win viewers ' hearts
though occasionally fun enough to make you
pure disney
has a true cinematic knack
this laboratory of laughter
audacious-impossible yet compelling
're treading water at best in this forgettable effort
a movie that is what it is : a pleasant distraction , a friday night diversion , an excuse to eat popcorn
basic flaws
this insufferable movie is meant to make you think about existential suffering .
memorable for a peculiar malaise that renders its tension flaccid and
they find new routes through a familiar neighborhood
unfunny and
wickedly fun
romped up and down the aisles for bathroom breaks
there 's something awfully deadly about any movie with a life-affirming message
, fits the bill perfectly
an unencouraging threefold expansion on the former mtv series , accompanying the stunt-hungry dimwits in a random series of collected gags , pranks , pratfalls , dares , injuries , etc. .
love a disney pic with as little cleavage as this one has
payami tries to raise some serious issues about iran 's electoral process ,
( stephen ) earnhart 's film is more about the optimism of a group of people who are struggling to give themselves a better lot in life than the ones they currently have .
qualities
almost everyone growing up believes their family must look like `` the addams family '' to everyone looking in ... `` my big fat greek wedding '' comes from the heart
predictable and
of soliloquies about nothing delivered by the former mr. drew barrymore
a bad clive barker movie
a great piece to watch with kids and use to introduce video as art
of de niro , mcdormand and the other good actors
is nicely shot , well-edited and
usual intelligence and subtlety
as it stands i
which director michael cacoyannis displays with somber earnestness in the new adaptation of the cherry orchard
is one that any art-house moviegoer is likely to find compelling
rediscover the quivering kid inside
the world devastated by war , famine and poverty and documented the cruelty and suffering he has found with an devastating , eloquent clarity
unlikely to be appreciated by anyone outside the under-10 set
its agonizing , catch-22 glory
the acting is fine
a terrible movie in every regard
a gorgeously strange movie , heaven is deeply concerned with morality ,
of major acting lessons and maybe a little coffee
i admire
if even the filmmakers did n't know what kind of movie they were making
to skip it
their charm does n't do a load of good
hampered -- no , paralyzed -- by a self-indulgent script
coos beseechingly
the rare trick of seeming at once both refreshingly different and reassuringly familiar
so stoked to make an important film about human infidelity and happenstance that he tosses a kitchen sink onto a story already overladen with plot conceits
how resolutely unamusing , how thoroughly unrewarding all of this is ,
vapid actor 's exercise
the divine calling
warped logic by writer-director kurt wimmer at the screenplay level
slap me , i saw this movie .
to finish , like a wet burlap sack of gloom
this deeply spiritual film taps into the meaning and consolation in afterlife communications .
like a bad blend of an overripe episode of tv 's dawson 's creek and a recycled and dumbed-down version of love story .
with its parade of almost perpetually wasted characters
a dream image of the west to savor whenever the film 's lamer instincts are in the saddle
treads heavily into romeo and juliet/west side story territory , where it plainly has no business going
the avant garde director of broadway 's the lion king and the film titus
none are useful in telling the story , which is paper-thin and decidedly unoriginal
with great help from kevin kline
hopkins ) does n't so much phone in his performance as fax it .
tov to a film about a family 's joyous life
a frightful vanity film
, there is n't much there here .
uses a magnificent landscape to create a feature film that is wickedly fun to watch
for those for whom the name woody allen was once a guarantee of something fresh , sometimes funny , and usually genuinely worthwhile , hollywood ending is a depressing experience
takes a backseat in his own film to special effects
words and
stimulate
with enthusiasm , sensuality and a conniving wit
a moving and important film .
a raunchy and frequently hilarious follow-up to the gifted korean american stand-up
though it begins to drag two-thirds through , when the melodramatic aspects start to overtake the comedy
is guaranteed to lift the spirits of the whole family .
beautifully read
( denis ' ) story becomes a hopeless , unsatisfying muddle
the film never recovers from the clumsy cliché of the ugly american abroad , and the too-frosty exterior ms. paltrow employs to authenticate her british persona is another liability
the integrity
are as subtle and as enigmatic
the year 's greatest adventure , and
hilariously , gloriously alive ,
is terrific , although the actors must struggle with the fact that they 're playing characters who sometimes feel more like literary conceits than flesh-and-blood humans
provocative and prescient
we have poignancy jostling against farce , thoughtful dialogue elbowed aside by one-liners , and a visual style that incorporates rotoscope animation for no apparent reason except , maybe , that it looks neat .
features one of the most affecting depictions of a love affair
recent hollywood trip tripe
jaw-dropping action sequences , striking villains ,
struggled to remain interested , or at least conscious
even the corniest and most hackneyed contrivances
never plays as dramatic even when dramatic things happen to people .
a hallucinatory dreamscape
put in an impossible spot because his character 's deceptions ultimately undo him and the believability of the entire scenario
fake documentary
appeals to you
a fiercely clever and subtle film ,
making this character understandable , in getting under her skin , in exploring motivation ...
made for the tube
michael moore gives us the perfect starting point for a national conversation about guns , violence , and fear .
has some unnecessary parts and is kinda wrong in places
saccharine as
a particularly amateurish episode
a sleep-inducingly slow-paced crime drama with clumsy dialogue , heavy-handed phoney-feeling sentiment , and an overly-familiar set of plot devices
sustain interest for the full 90 minutes , especially with the weak payoff
tediously
of advocacy cinema that carries you along in a torrent of emotion as it explores the awful complications of one terrifying day
should be punishable by chainsaw
that the e-graveyard holds as many good ideas as bad is the cold comfort that chin 's film serves up with style and empathy .
it succeeds .
` this movie sucks . '
if there 's no art here , it 's still a good yarn -- which is nothing to sneeze at these days .
about as humorous
fluffy neo-noir
casting excellent latin actors of all ages
dramatic punch and depth
repulse
pleasuring
watch for that sense of openness , the little surprises .
acclaimed
a company of strictly a-list players
the cinema world 's great visual stylists
the entire exercise has no real point
solidly constructed
high crimes flog the dead horse of surprise as if it were an obligation
the chateau has one very funny joke and a few other decent ones , but
'' has n't much more to serve than silly fluff
represents some sort of beacon of hope in the middle of chicago 's south side
most moronic
murky cinematography
is able to visualize schizophrenia
this long-on-the-shelf , point-and-shoot exercise in gimmicky crime drama
brims with passion
always fairly
for the memorable character creations
an extraordinary faith
inventive cinematic tricks and an ironically killer soundtrack
yet this one makes up for in heart what it lacks in outright newness .
watch and -- especially -- to listen to
an interesting slice of history
a hugely rewarding experience that 's every bit as enlightening , insightful and entertaining as grant 's two best films -- four weddings and a funeral and bridget jones 's diary
( somebody suggested the stills might make a nice coffee table book )
sticks his mug in the window of the couple 's bmw and begins haranguing the wife in bad stage dialogue
striking new significance
while the movie is slightly less successful than the first , it 's still a rollicking good time for the most part
to be mildly amusing
grown tired of going where no man has gone before
bring out the cake
thoughtful , emotional
all the blanket statements and dime-store ruminations on vanity
that shoplifts shamelessly from farewell-to-innocence movies like the wanderers and a bronx tale without cribbing any of their intelligence
the suspense never rises to a higher level
may fall fast asleep
of its rough-around-the-edges , low-budget constraints
a great shame that such a talented director as chen kaige has chosen to make his english-language debut with a film
dirty jokes
, it 's still a good yarn -- which is nothing to sneeze at these days .
which ones shtick
complaints i might have
tear ducts does n't mean it 's good enough for our girls
, unconvincing dramatics
no amount of blood and disintegrating vampire cadavers can obscure this movie 's lack of ideas .
local flavor
a brilliant , absurd collection of vignettes that , in their own idiosyncratic way , sum up the strange horror of life in the new millennium
that borders on rough-trade homo-eroticism
, someone , stop eric schaeffer before he makes another film .
the plot has a number of holes , and
build some robots , haul 'em to the theater with you for the late show , and put on your own mystery science theatre 3000 tribute to what is almost certainly going to go down as the worst -- and only -- killer website movie of this or any other year .
a massive infusion of old-fashioned hollywood magic
a genial romance that maintains a surprisingly buoyant tone throughout , notwithstanding some of the writers ' sporadic dips into pop freudianism
, far more meaningful story
like a classroom play in a college history course
, jackass lacks aspirations of social upheaval .
spy kids 2 also happens to be that rarity among sequels
an enormous amount of affection
dress up in drag
jersey lowbrow accent uma
she is a lioness , protecting her cub , and he a reluctant villain
the problems and characters it reveals are universal and involving
'' is a perfect family film to take everyone to since there 's no new `` a christmas carol '' out in the theaters this year .
does n't care about cleverness , wit or any other kind of intelligent humor .
touching , raucously amusing , uncomfortable , and
creates sheerly cinematic appeal .
sense-spinning
come to life
a stupid , derivative horror film that substitutes extreme gore for suspense .
a fake street drama that keeps telling you things instead of showing them .
, the plot 's saccharine thrust
you do n't need to be a hip-hop fan to appreciate scratch
a rollicking adventure
, despite the gratuitous cinematic distractions impressed upon it , is still good fun .
denied her own athleticism by lighting that emphasizes every line and sag
is authentic to the core of his being
annoying orgy
( orlando jones )
overly melodramatic ...
often surprising twists
bother thinking it all through
an intelligent person is n't necessarily an admirable storyteller .
one of the best of a growing strain of daring films ... that argue that any sexual relationship that does n't hurt anyone and works for its participants is a relationship that is worthy of our respect .
wooden dialogue
a tedious picture
cuts to the core of what it actually means to face your fears , to be a girl in a world of boys , to be a boy truly in love with a girl , and to ride the big metaphorical wave that is life -- wherever it takes you .
some truly excellent sequences
, satan is throwing up his hands in surrender , is firing his r&d people , and has decided he will just screen the master of disguise 24/7 .
even if you 're an agnostic carnivore , you can enjoy much of jonah simply , and gratefully , as laugh-out-loud lunacy with a pronounced monty pythonesque flavor .
abandoned , but
very hollowness
the rich details
exceeds expectations .
the jokes are sophomoric , stereotypes are sprinkled everywhere and the acting ranges from bad to bodacious .
gifted korean american stand-up
the simple fact
a strangely tempting bouquet of a movie
there is a real subject here
the film is competent
none-too-original premise
for a critical and commercial disaster
bogs down in a surfeit of characters and unnecessary
, flat drama
the people laughing in the crowd
the film makes up for it with a pleasing verisimilitude .
is talented enough and charismatic enough to make us care about zelda 's ultimate fate .
... its solemn pretension prevents us from sharing the awe in which it holds itself .
balanced or fair
by the movie 's presentation , which is way too stagy
overbearing and over-the-top as the family
unbridled delight
my precious new star wars movie is a lumbering , wheezy drag ...
miyazaki is one of world cinema 's most wondrously gifted artists and storytellers .
into sugary sentiment and withholds delivery on the pell-mell
their own mortality
a fascinating glimpse
an engrossing story about a horrifying historical event
new ways of describing badness need to be invented to describe exactly how bad it is .
put you to sleep
was , and started doing nothing but reacting to it - feeling a part of its grand locations , thinking urgently as the protagonists struggled , feeling at the mercy of its inventiveness , gasping at its visual delights
that not only would subtlety be lost on the target audience , but
puts itself squarely in the service of the lovers who inhabit it
what punk rock music
might inspire a trip to the video store -- in search of a better movie experience
images you wish you had n't seen
witless , pointless , tasteless and idiotic
in its bold presentation
it 's provocative stuff , but the speculative effort is hampered by taylor 's cartoonish performance and the film 's ill-considered notion that hitler 's destiny was shaped by the most random of chances
this one is a sweet and modest and ultimately winning story .
the result is disappointing
it follows the blair witch formula for an hour , in which we 're told something creepy and vague is in the works , and then it goes awry in the final 30 minutes
chance to revitalize what is and always has been remarkable about clung-to traditions
it 's nice to see piscopo again after all these years ,
simply and eloquently articulates the tangled feelings of particular new yorkers deeply touched by an unprecedented tragedy .
walked out on a movie
dong never pushes for insights beyond the superficial tensions of the dynamic he 's dissecting , and
is powerful and provocative
taken it a step further , richer and deeper
all the hallmarks of a movie
wonderfully speculative character
not that any of us should be complaining when a film clocks in around 90 minutes these days , but the plotting here leaves a lot to be desired .
managing to steal a movie not only from charismatic rising star jake gyllenhaal but also from accomplished oscar winners susan sarandon , dustin hoffman and holly hunter , yet newcomer ellen pompeo pulls off the feat with aplomb
a much better documentary -- more revealing , more emotional and more surprising -- than its pedestrian english title
squeeze a few laughs out of the material
the sorriest and most
a terrible movie that some people will nevertheless find moving .
real humor
collapses into exactly the kind of buddy cop comedy
the screenwriter and director michel gondry restate it to the point of ridiculousness
a confident , richly acted , emotionally devastating piece
does the absolute last thing we need hollywood doing to us
creating the layered richness of the imagery in this chiaroscuro of madness and light
hampered -- no , paralyzed -- by a self-indulgent script ... that aims for poetry and ends up sounding like satire .
a paunchy midsection , several plodding action sequences
feel after an 88-minute rip-off of the rock with action confined to slo-mo gun firing and random glass-shattering
vanity film
are some fairly unsettling scenes
venice beach that was a deserved co-winner of the audience award for documentaries at the sundance film festival
watered-down it almost loses what made you love it
remarkably mature
fall dreadfully short .
the condescending stereotypes
going to feel like you were n't invited to the party
it 's definitely worth taking a look
gives the film its lingering tug
`` barbershop '' is a good-hearted ensemble comedy with a variety of quirky characters and an engaging story .
of motherhood and desperate mothers
recommended -- as visually bland as a dentist 's waiting room , complete with soothing muzak and a cushion of predictable narrative rhythms
guide a loose , poorly structured film through the pitfalls of incoherence and redundancy
dishes out a ton of laughs that everyone can enjoy
quick-cut edits that often detract from the athleticism
derivative elements into something that is often quite rich and exciting ,
flies out the window
bill morrison 's decasia is uncompromising , difficult and unbearably beautiful .
the choppy editing to the annoying score to ` special effects ' by way of replacing objects in a character 's hands below the camera line
secret ballot is a funny , puzzling movie ambiguous enough to be engaging and oddly moving .
one of the all-time great apocalypse movies
sweet , genuine chemistry
drags it
real pleasure
heavy-handed moralistic
that you 've wasted nearly two hours of your own precious life with this silly little puddle of a movie
there 's an excellent 90-minute film here
this rich , bittersweet israeli documentary
see coming a mile away
do what he does best
a smart , arch and rather cold-blooded comedy .
proves a lovely trifle that , unfortunately , is a little too in love with its own cuteness
works as pretty contagious fun
would that greengrass had gone a tad less for grit and a lot more for intelligibility .
at the future than `` bladerunner '' and one of the most high-concept sci fi adventures attempted for the screen
as one of the all-time great apocalypse movies
of the company 's astonishing growth
unappealing
its own staggeringly unoriginal terms
a positively thrilling combination of ethnography and all the intrigue , betrayal , deceit and murder of a shakespearean tragedy or a juicy soap opera .
a coming-of-age movie
were once amusing
show blind date , only less
as it turns out , you can go home again .
trial movie , escape movie and unexpected fable
's hard to believe these jokers are supposed to have pulled off four similar kidnappings before .
as you are watching them , and the slow parade of human frailty fascinates you
sure , it 's contrived and predictable ,
, it misses a major opportunity to be truly revelatory about his psyche .
the film starts promisingly , but
sparkling beauty
be one of those movies barely registering a blip on the radar screen of 2002 .
playing an ingenue makes her nomination as best actress even more of a an a
's not so much a movie as a joint promotion for the national basketball association and teenaged rap and adolescent poster-boy lil ' bow wow .
reassuringly familiar
beloved genres
that likely
clearly evident poverty and hardship
amusing from time
the most thoughtful fictional examination
with the hail of bullets , none of which ever seem to hit
parapsychological phenomena and the soulful nuances
without chills
, overblown enterprise
with scenes so true and heartbreaking
beautifully crafted and
in his charming 2000 debut shanghai noon
it 's not really funny .
story and pace
joyless , idiotic , annoying , heavy-handed , visually atrocious , and often downright creepy
a powerful entity
down-and-dirty
funny feast
ever seen , constantly pulling the rug from underneath us , seeing things from new sides , plunging deeper , getting more intense
does display an original talent
praises
of the ultimate scorsese film
fascinating , compelling story
physical energy
to a tragedy which is somehow guessable from the first few minutes , maybe because it echoes the by now intolerable morbidity of so many recent movies
make the film relevant today
who , exactly , is fighting whom here ?
as monumental as disney 's 1937 breakthrough snow white and the seven dwarfs
cute moments
takes such a speedy swan dive from `` promising ''
maintains your sympathy for this otherwise challenging soul by letting you share her one-room world for a while .