xiangpku/GLUE huggingface dataset:
confident , richly acted , emotionally devastating piece
a classic movie franchise
is , truly and thankfully , a one-of-a-kind work
then proceeds to flop
under your belt
( creates ) the worst kind of mythologizing , the kind that sacrifices real heroism and abject suffering for melodrama .
the most original american productions this year
thoughtful , reverent
flamboyant
serious subject matter and
is a rancorous curiosity : a movie without an apparent audience .
that 's flawed and brilliant in equal measure
the guise of a modern motion picture
one of the more influential works
overcomes
elegantly produced
appetizer that leaves you wanting more
does n't end up being very inspiring or insightful .
went over my head or -- considering just how low brow it is
denzel washington 's fine performance in the title role
a fresh infusion of creativity
's icky
this is the kind of production that would have been funnier if the director had released the outtakes theatrically and used the film as a bonus feature on the dvd
harmoniously
a mere excuse
officially , it is twice as bestial but half as funny .
it 's a bad sign when you 're rooting for the film to hurry up and get to its subjects ' deaths just so the documentary will be over , but it 's indicative of how uncompelling the movie is unless it happens to cover your particular area of interest .
less-than-thrilling thriller .
beyond road warrior , it owes enormous debts to aliens and every previous dragon drama
the slippery slope
an uncompromising film
sinuously plotted and
but a convenient conveyor belt of brooding personalities that parade about as if they were coming back from stock character camp -- a drowsy drama infatuated by its own pretentious self-examination
flailing around in a caper that 's neither original nor terribly funny
but , like silence , it 's a movie that gets under your skin .
the original was n't a good movie but
contrived , nonsensical and formulaic
a lame romantic comedy about an unsympathetic character and someone who would not likely be so stupid as to get involved with her .
irritating soul-searching garbage .
put on a show
is more than he has ever revealed before about the source of his spiritual survival
is one helluva singer
comes to dreaming up romantic comedies
, the characters in swimfan seem motivated by nothing short of dull , brain-deadening hangover .
constantly touching ,
have been a painless time-killer
reading your scripts before signing that dotted line
waterlogged script
, well-written television series where you 've missed the first half-dozen episodes and probably wo n't see the next six .
mundane '70s
're wrapped up in the characters , how they make their choices , and why
, but it is a refreshingly forthright one
of genuine excitement
steven soderbergh 's digital video experiment is a clever and cutting , quick and dirty look at modern living and movie life .
's a lot to recommend read my lips
in lovely and amazing
the film , while not exactly assured in its execution , is notable for its sheer audacity and openness .
cranky
like the hours as an alternative
without sentimentalizing it or denying its brutality , transforms that reality into a lyrical and celebratory vision
alarms for duvall 's throbbing sincerity and his elderly propensity for patting people while he talks
of a minor miracle in unfaithful
sing beautifully and
there 's an enthusiastic charm in fire that makes the formula fresh again
all the queen 's men is a throwback war movie that fails on so many levels , it should pay reparations to viewers .
a capable thriller
he is not more lucratively engaged in the shameless self-caricature of ` analyze this ' ( 1999 ) and ` analyze that , ' promised ( or threatened ) for later this year
the rich performances
hilariously wicked black comedy
poignant and gently humorous
just such a dungpile that you 'd swear you
washington as possibly the best actor working in movies today
soothe and break
believe that something so short could be so flabby
modest , crowd-pleasing goals
's begun to split up so that it can do even more damage
daring as john ritter 's glory days
required to balance all the formulaic equations in the long-winded heist comedy who is cletis tout ?
powerful entity
it 's hard to stop watching
last-minute action
real psychological grounding
good romance
this project was undertaken
has all the hallmarks of a movie
neatly constructed thriller
is the distinct and very welcome sense of watching intelligent people making a movie
unflattering comparisons
a rushed , slapdash , sequel-for-the-sake - of-a-sequel
falls flat as thinking man cia agent jack ryan
soap opera
a sweetly
turns out to be significantly different ( and better ) than most films with this theme
stinks from start to finish , like a wet burlap sack of gloom .
it seems impossible that an epic four-hour indian musical about a cricket game could be this good
a visually masterful work
takes you by the face , strokes your cheeks and coos beseechingly at you :
even murphy 's expert comic timing and famed charisma ca n't rescue this effort .
the edge of your seat with its shape-shifting perils , political intrigue and brushes
get more out of the latter experience
a bittersweet film , simple in form but rich with human events
highly spirited , imaginative kid 's movie
a depressingly retrograde
derisive
a whale of a good time
confident , richly
turns me into that annoying specimen of humanity that i usually dread encountering the most
if the real-life story is genuinely inspirational , the movie stirs us as well .
its intriguing subject
ultimately feels as flat as the scruffy sands of its titular community .
1995 's forget paris
of pre-9 / 11 new york and onto a cross-country road trip of the homeric kind
an appealing couple
bear the laughter
aims for the toilet and scores a direct hit .
anchors the film with his effortless performance and that trademark grin of his -- so perfect for a ballplayer
shout insults at the screen
masquerade ball where normally good actors , even kingsley , are made to look bad
to drag as soon as the action speeds up
looks wonderful
anyone in his right mind would even think to make the attraction a movie
contrasting the sleekness of the film 's present with the playful paranoia of the film 's past
often demented in a good way , but it is an uneven film for the most part
why sex and lucia is so alluring
own pretentious self-examination
that makes all the difference .
irrepressible passion
film a must for everyone
was the unfulfilling , incongruous , `` wait a second
you could restage the whole thing in your bathtub .
a fascinating film
, it does a bang-up job of pleasing the crowds
terrified of the book 's irreverent energy , and scotches most of its élan , humor , bile , and irony
is deadpan
a movie so sloppy , so uneven , so damn unpleasant
the characters are so generic
genial but never inspired , and little
will need all the luck they can muster just figuring out who 's who in this pretentious mess
watching queen of the damned is like reading a research paper , with special effects tossed in .
holm does his sly , intricate magic , and iben hjelje is entirely appealing as pumpkin
as they may , lawrence unleashes his trademark misogyny -- er , comedy -- like a human volcano or an overflowing septic tank , take your pick
that will have viewers guessing just who 's being conned right up to the finale
the movie you 're looking for
here relies less on forced air than on petter næss ' delicate , clever direction ... and a wonderful , imaginative script by axel hellstenius .
a gorgeous color palette
i enjoyed it just as much !
remains prominent , as do the girls ' amusing personalities .
delivering a dramatic slap
wear thin with repetition
's also built on a faulty premise , one it follows into melodrama and silliness .
irritating ( at least to this western ear ) , making it awfully hard to buy the impetus for the complicated love triangle that develops between the three central characters
appreciate the emotional depth of haynes ' work
the lustrous polished visuals rich in color and creativity and , of course ,
even fans of ismail merchant 's work , i suspect , would have a hard time sitting through this one .
unusually crafty and intelligent for hollywood horror
how can such a cold movie claim to express warmth and longing ?
is more interesting
surprisingly sensitive
done in mostly by a weak script that ca n't support the epic treatment .
thrills , too many flashbacks and a choppy ending make for a bad film
some of the funniest jokes of any movie
why sit through a crummy , wannabe-hip crime comedy that refers incessantly to old movies , when you could just rent those movies instead , let alone seek out a respectable new one ?
simpering soundtrack
enough to provide the pleasures of a slightly naughty , just-above-average off - broadway play
make the film more silly than scary , like some sort of martha stewart decorating program run amok .
casts attractive and talented actors
anger and
feel-good sentiments
enthralling documentary
... a funny yet dark and seedy clash of cultures and generations .
explores all three sides of his story with a sensitivity and an inquisitiveness reminiscent of truffaut .
all in all , a great party .
, eyre needs to take a good sweat to clarify his cinematic vision before his next creation and remember the lessons of the trickster spider .
cross-country road trip
this painfully unfunny farce traffics in tired stereotypes and encumbers itself with complications
did n't find much fascination in the swinging
the elements that will grab you
far-fetched
the intrigue , betrayal , deceit and murder
bad enough
as a workable primer for the region 's recent history
for all its violence , the movie is remarkably dull with only caine making much of an impression .
, ludicrous , provocative and vainglorious
life affirming '
a shoddy male hip hop fantasy
yiddish theater , whose jolly , fun-for-fun 's - sake communal spirit goes to the essence of broadway
is n't scary
cho continues her exploration of the outer limits of raunch with considerable brio .
a smart , solid , kinetically-charged spy flick worthy
watching junk like this
about one thing is a small gem .
some of the characters die and others do n't , and the film pretends that those living have learned some sort of lesson , and
ramsay and morton fill this character study with poetic force and buoyant feeling .
remarkable procession of sweeping pictures
that its intended audience has n't yet had much science
feeling like it was worth your seven bucks , even though it does turn out to be a bit of a cheat in the end
although largely a heavy-handed indictment of parental failings and the indifference of spanish social workers and legal system towards child abuse
elegant and eloquent ( meditation ) on death and that most elusive of passions
many have made it out to be
, but fun .
but one thing 's for sure : it never comes close to being either funny or scary
quite good-natured
clean-cut dahmer
sit through it again
it 's hard to believe these jokers are supposed to have pulled off four similar kidnappings before .
impersonal , almost generic
critics have come to term an `` ambitious failure
with a treasure chest of material
too much exploitation and
be themselves
... stale and uninspired .
significantly better than its 2002 children 's - movie competition .
quirky at moments
dreary
is too calm and thoughtful for agitprop , and the thinness of its characterizations
very real and amusing
overstimulated minds
very compelling , sensitive ,
was more diverting and thought-provoking than i 'd expected it to be
saddest action hero performances
its hackneyed and meanspirited storyline with cardboard characters and performers who
but there 's plenty to offend everyone ...
feels draggy
a cellophane-pop remake of the punk classic ladies and gentlemen , the fabulous stains
from its cheesy screenplay
its charms
half-step
what is surely the funniest and most accurate depiction of writer
mark ms. bullock 's best work in some time
the story does seem pretty unbelievable at times
reinvigorated the romance genre
an auspicious feature debut for chaiken
and gently humorous
better elsewhere
will guarantee to have you leaving the theater with a smile on your face
recognizable
has a wooden delivery and
good taste
captures the debilitating grief
will be following after it
is unusual , food-for-thought cinema that 's as entertaining as it is instructive .
koury frighteningly and honestly exposes one teenager 's uncomfortable class resentment and , in turn , his self-inflicted retaliation .
'll cry for your money back .
an intelligently made ( and beautifully edited )
translate well
the first film in a long time that made me want to bolt the theater in the first 10 minutes
above its disgusting source material
witty and
to tolerate this insipid , brutally clueless film
operates nicely
in this simple , sweet and romantic comedy
while there 's likely very little crossover appeal to those without much interest in the elizabethans ( as well as rank frustration from those in the know about rubbo 's dumbed-down tactics ) , much ado about something is an amicable endeavor .
a fresh point
committed to film
inert sci-fi action thriller
a riveting and surprisingly romantic ride
better to go in knowing full well what 's going to happen , but willing to let the earnestness of its execution and skill of its cast take you down a familiar road with a few twists
illustrated by a winning family story
the kind of movie that leaves vague impressions and a nasty aftertaste but little clear memory of its operational mechanics .
is cinema
infuses it
a seriously intended movie that is not easily forgotten
the imagination
's hard to imagine that even very small children will be impressed by this tired retread
introduces
merely crassly flamboyant
) an astounding performance that deftly , gradually reveals a real human soul buried beneath a spellbinding serpent 's smirk .
codswallop
funny , ultimately heartbreaking
a depressing story that throws a bunch of hot-button items in the viewer 's face and asks to be seen as hip , winking social commentary
admire
less concerned with cultural and political issues than doting on its eccentric characters
the main characters are simply named the husband , the wife and the kidnapper , emphasizing the disappointingly generic nature of the entire effort .
a stirring tribute
stupid and pointless
the fine star performances
it 's the perfect star vehicle for grant , allowing him to finally move away from his usual bumbling , tongue-tied screen persona .
forgive the flaws and love the film
the incredibly flexible cast
goldbacher draws on an elegant visual sense and a talent for easy , seductive pacing ... but she and writing partner laurence coriat do n't manage an equally assured narrative coinage .
the ending feels at odds with the rest of the film .
fun-for-fun 's - sake communal spirit goes to the essence of broadway
whether to admire the film 's stately nature and call it classicism or be exasperated by a noticeable lack of pace
a masterful work
... margarita feels like a hazy high that takes too long to shake .
is throwing up his hands in surrender ,
the problems and characters it reveals are universal and involving , and
's enough to sustain laughs
spy-savvy siblings
a bit cold and
have gone straight to video .
bible stores of the potential for sanctimoniousness , making them meaningful for both kids and church-wary adults .
even uses a totally unnecessary prologue , just because it seems obligatory
is a sobering meditation on why we take pictures
if each watered down the version of the one before
a fine , old-fashioned-movie movie ,
on people , a project in which the script and characters hold sway
under-rehearsed and lifeless
of being a really bad imitation of the really bad blair witch project
how the film knows what 's unique and quirky about canadians
this movie has the usual impossible stunts ... but it has just as many scenes that are lean and tough enough to fit in any modern action movie
it is exactly what it wants to be : an atrociously , mind-numbingly , indescribably bad movie
is a rambling examination of american gun culture that uses his usual modus operandi of crucifixion through juxtaposition
even the digressions are funny .
in addition to the overcooked , ham-fisted direction , which has all the actors reaching for the back row , the dialogue sounds like horrible poetry .
is the performance of gedeck , who makes martha enormously endearing .
the best in recent memory
that no amount of earnest textbook psychologizing can bridge
superior plotline
silly comedy
some very good comedic songs
crudup 's screen presence is the one thing that holds interest in the midst of a mushy , existential exploration of why men leave their families .
nourishing
thoughtful movie
from a genre -- the gangster/crime comedy -- that wore out its welcome with audiences several years ago
the bellyaching of a paranoid and unlikable man
watching the proverbial paint dry
create a ruffle in what is already an erratic career
refreshing and
stale , futile scenario .
intriguing bit
derivative elements into something that is often quite rich and exciting , and always
does n't come much lower .
the top and movies that do n't care about being stupid
unsuccessfully
a nice change
that does n't mean it still wo n't feel like the longest 90 minutes of your movie-going life
rejected as boring before i see this piece of crap again
with nothing but net
, yes , ` it 's like having an old friend for dinner ' .
anomie and heartbreak
some quietly moving moments and an intelligent subtlety
looked uglier
toward the light -- the light of the exit sign
sealed in a jar and left on a remote shelf indefinitely
rediscovers his passion in life
being trapped at a bad rock concert
storytelling fails to provide much more insight than the inside column of a torn book jacket .
none of the characters or plot-lines are fleshed-out enough to build any interest .
mainstream matinee-style entertainment
such a premise is ripe for all manner of lunacy , but kaufman and gondry rarely seem sure of where it should go .
as darkly funny , energetic
endear itself to american art house audiences
contrived , awkward and
last summer 's bloated effects
both a great and a terrible story
for taking the sometimes improbable story and making it
is that it 's far too sentimental .
when the movie ended so damned soon
may take its sweet time to get wherever it 's going
is very difficult to care about the character
slow and
as jolie 's hideous yellow ` do
you do n't know whether to admire the film 's stately nature and call it classicism or be exasperated by a noticeable lack of pace .
of the greatest natural sportsmen of modern times
awe and affection
smart and alert
in a movie full of surprises
about this traditional thriller , moderately successful but not completely satisfying , is exactly how genteel and unsurprising the execution turns out to be .
is ) a fascinating character
's neither as funny nor as charming as it thinks it is
's not as obnoxious as tom green 's freddie got fingered
a film with almost as many delights for adults as there are for children and dog lovers .
with results that are sometimes bracing , sometimes baffling and quite often , and in unexpected ways , touching
serene , the humor wry and sprightly
picture that does not move
a really long , slow and dreary time
unattractive or odorous
contrived , unmotivated
like a soft drink that 's been sitting open too long : it 's too much syrup and not enough fizz
to work with , sort of like michael jackson 's nose
there 's no energy .
dullest
insufferable movie
a delightful little film that revels in its own simplicity
a tough pill to swallow and
is we never really see her esther blossom as an actress , even though her talent is supposed to be growing
surprisingly , the film is a hilarious adventure and i shamelessly enjoyed it .
's encouraging to see a three-dimensional , average , middle-aged woman 's experience of self-discovery handled with such sensitivity
, it feels more forced than usual .
lopez 's publicist should share screenwriting credit
leaves a bitter taste
comes to resemble the kind of soft-core twaddle you 'd expect to see on showtime 's ` red shoe diaries . '
it all seemed wasted like deniro 's once promising career and the once grand long beach boardwalk .
director nancy savoca 's no-frills record of a show forged in still-raw emotions
seems to have ransacked every old world war ii movie for overly familiar material .
is there a group of more self-absorbed women than the mother and daughters featured in this film ?
they shovel into their mental gullets to simulate sustenance
a calm , self-assured portrait of small town regret , love , duty and friendship
most pleasurable expressions of pure movie
good to be bad
amusing enough
, pretentious mess .
by a rich visual clarity and deeply
their often heartbreaking testimony , spoken directly into director patricio guzman 's camera
what a great way to spend 4 units of your day
, austin powers in goldmember has some unnecessary parts and is kinda wrong in places .
barely camouflaging grotesque narcissism
highlighted by kwan 's unique directing style
sappy , preachy one
the tiresome rant of an aging filmmaker still thumbing his nose at convention
with considerable aplomb
an effective portrait of a life in stasis
that it also makes her appear foolish and shallow rather than , as was more likely , a victim of mental illness
such a vibrant , colorful world
the four feathers is definitely horse feathers , but if you go in knowing that , you might have fun in this cinematic sandbox .
a taut , sobering film
nothing less than a provocative piece of work
his cinematic vision
's secondary to american psycho but still has claws enough to get inside you and stay there for a couple of hours
it tends to remind one of a really solid woody allen film , with its excellent use of new york locales and sharp writing
a giant pile of elephant feces
deep bow
avid
the year 's greatest adventure , and jackson 's limited but enthusiastic adaptation has made literature literal without killing its soul -- a feat any thinking person is bound to appreciate .
affirms the nourishing aspects of love and companionship
read my lips with such provocative material
with us
the best comedy concert movie i 've seen since cho 's previous concert comedy film , i 'm the one that i want , in 2000 .
might be distracted by the movie 's quick movements and
the latest vapid actor 's exercise to appropriate the structure of arthur schnitzler 's reigen .
like some like it
is an undeniably fascinating and playful fellow .
the kind of soft-core twaddle
figures out how to make us share their enthusiasm
this comic gem
opposed to the extent of their outrageousness
is a sweet and modest and ultimately winning story
gross-out flicks , college flicks , or
churlish
stale first act , scrooge story , blatant product placement , some very good comedic songs , strong finish
, a question comes to mind : so why is this so boring ?
the major problem with windtalkers is that the bulk of the movie centers on the wrong character .
powerful success
awful as some of the recent hollywood trip tripe
period trappings
jumbled
they can and will turn on a dime from oddly humorous to tediously sentimental .
i do n't think most of the people who loved the 1989 paradiso will prefer this new version .
boring and
city by the sea swings from one approach to the other , but in the end , it stays in formula -- which is a waste of de niro , mcdormand and the other good actors in the cast
low , very low , very
is left puzzled by the mechanics of the delivery
absolutely not .
been , pardon the pun , sucked out
beautiful images and solemn words
is a bomb .
as nudity , profanity and violence
far more enjoyable than its predecessor .
with false starts
one of the best love stories of any stripe
that even in sorrow you can find humor
the cartoons look almost shakespearean -- both in depth and breadth -- after watching this digital-effects-heavy , supposed family-friendly comedy .
its visual panache and compelling supporting characters
a sadistic bike flick
breathes more
a real winner --
yes , but also intriguing and honorable , a worthwhile addition to a distinguished film legacy .
's no energy
crystallize key plot moments