xiangpku/GLUE huggingface dataset:
is hindered by uneven dialogue and plot lapses
it 's equally hard to imagine anybody being able to tear their eyes away from the screen once it 's started
an unsuccessful attempt at a movie of ideas
half past dead is like the rock on a wal-mart budget
vintage looney tunes
's refreshing to see a romance this smart
unexpected heights
the strength of the film lies in its two central performances by sven wollter as the stricken composer and viveka seldahl as his desperate violinist wife .
us plenty of sturm
comes in the power of the huston performance , which seems so larger than life and yet so fragile
prevents
unoriginal terms
from fighting games , wire fu , horror movies , mystery , james bond , wrestling , sci-fi and anime into one big bloody stew
to its ultimate demise
forced to reflect that its visual imagination is breathtaking
efficient , suitably anonymous chiller
holm does his sly , intricate magic , and iben hjelje is entirely appealing as pumpkin .
of the family vacation
a thoughtful examination
than this long-on-the-shelf , point-and-shoot exercise in gimmicky crime drama
art house pretension .
leaving the character of critical jim two-dimensional and pointless
while we no longer possess the lack-of-attention span that we did at seventeen , we had no trouble sitting for blade ii .
will linger long after this film has ended
, knockaround guys rarely seems interested in kicking around a raison d'etre that 's as fresh-faced as its young-guns cast .
an actress whose face projects that woman 's doubts and yearnings
you would n't want to live waydowntown
awful movie
however , almost makes this movie worth seeing .
she 's appealingly manic and energetic .
a geriatric
tear-drenched quicksand
the slightly flawed ( and fairly unbelievable ) finale ,
an unbalanced mixture of graphic combat footage and
, it gets to you .
is well worthwhile
even felinni would know what to make of this italian freakshow .
is that its dying , in this shower of black-and-white psychedelia , is quite beautiful
of people who sadly are at hostile odds with one another through recklessness and retaliation
're looking for something new and hoping for something entertaining
ice cube is n't quite out of ripe screwball ideas , but friday after next spreads them pretty thin .
limited chemistry
attractive and
nothing here seems as funny as it did in analyze this , not even joe viterelli as de niro 's right-hand goombah .
sheerly beautiful
; the problem is he has no character , loveable or otherwise .
feel contradictory things
is nothing to sneeze at these days
deeply moving effort to put a human face on the travail of thousands of vietnamese
aimlessly and
study that made up for its rather slow beginning by drawing me into the picture
a charming , banter-filled comedy
although largely a heavy-handed indictment of parental failings and the indifference of spanish social workers and legal system towards child abuse , the film retains ambiguities that make it well worth watching .
a buoyant , expressive flow of images
the filmmakers keep pushing the jokes at the expense of character until things fall apart .
was ever a movie where the upbeat ending feels like a copout
much better mother-daughter tale
, but through the perverse pleasure of watching disney scrape the bottom of its own cracker barrel
that you 'll be as bored watching morvern callar as the characters are in it
above-average
working from a surprisingly sensitive script co-written by gianni romoli
makes the clothes
, the movie makes two hours feel like four .
far from heaven is a dazzling conceptual feat
's so badly made on every level that i 'm actually having a hard time believing people were paid to make it
the mood , look and tone of the film fit the incredible storyline to a t.
rare drama that offers a thoughtful and rewarding glimpse into the sort of heartache everyone has felt , or will feel someday
is a masterpiece .
formulaic and stilted
a true believer
's so poorly made , on all levels , that it does n't even qualify as a spoof of such
viva le
the more you think about the movie , the more you will probably like it .
might be some sort of credible gender-provoking philosophy submerged here , but who the hell cares
in a way that verges on the amateurish
a straightforward , emotionally honest manner
geared toward maximum comfort and familiarity
stare and sniffle
though this rude and crude film does deliver a few gut-busting laughs
is worth seeking
it lacks the novel charm that made spy kids a surprising winner with both adults and younger audiences
so insanely stupid , so awful in so many ways
diverges from anything
their parents ' anguish
the superior plotline is n't quite enough to drag along the dead ( water ) weight of the other .
i 'm not even a fan of the genre
who understands how to create and sustain a mood
ararat feels like a book report
gets added disdain for the fact that it is nearly impossible to look at or understand
the film oozes craft .
notable largely for its overwhelming creepiness , for an eagerness
when the now computerized yoda finally reveals his martial artistry , the film ascends to a kinetic life so teeming that even cranky adults may rediscover the quivering kid inside .
it 's funny and human and really pretty damned wonderful , all at once .
of weighty revelations , flowery dialogue , and nostalgia for the past
vibrantly colored and beautifully designed
of ` eh
despite engaging offbeat touches , knockaround guys rarely seems interested in kicking around a raison d'etre that 's as fresh-faced as its young-guns cast .
its crapulence
has enough moments to keep it entertaining .
like many western action films , this thriller is too loud and thoroughly overbearing , but its heartfelt concern about north korea 's recent past and south korea 's future adds a much needed moral weight .
a random series of collected gags , pranks , pratfalls , dares , injuries , etc .
o fantasma is boldly , confidently orchestrated , aesthetically and sexually , and its impact is deeply and rightly disturbing
fresh territory
as predictable as the outcome of a globetrotters-generals game , juwanna mann is even more ludicrous than you 'd expect from the guy-in-a-dress genre , and
strikes hardest ... when it reminds you how pertinent its dynamics remain
michael moore has perfected the art of highly entertaining , self-aggrandizing , politically motivated documentary-making , and he 's got as potent a topic as ever here .
a new scene
appearing in this junk that 's tv sitcom material at best
trained to live out and carry on their parents ' anguish
'm sure the filmmakers found this a remarkable and novel concept
engaging and
yarns ever
without being insightful
the film 's thoroughly recycled plot
smart , funny and just honest enough to provide the pleasures of a slightly naughty , just-above-average off - broadway play .
'll probably love it .
discloses almost nothing
weird and wonderful comedy
's quite an achievement to set and shoot a movie at the cannes film festival and
accompanying the stunt-hungry dimwits
the film special
winning tone
take pleasure
blah characters
what 's worse
we 've marveled at disney 's rendering of water , snow , flames and shadows in a hand-drawn animated world .
love liza
gender-provoking
this pathetic junk
the huge stuff in life can usually be traced back to the little things
acted , emotionally devastating piece
offend
is an extraordinary film , not least because it is japanese and yet feels universal
` punch-drunk love is so convinced of its own brilliance that , if it were a person , you 'd want to smash its face in . '
strong themes
celluloid heaven
of all the halloween 's , this is the most visually unappealing .
disingenuous
boils down to a transparently hypocritical work that feels as though it 's trying to set the women 's liberation movement back 20 years
to admit i walked out of runteldat
, deceit and murder
well-crafted
what might be going on inside each trailer park you drive past -- even if it chiefly inspires you to drive a little faster
endearing .
a film that loses sight of its own story .
significantly different ( and better ) than most films
to creep the living hell out of you
offers rare insight into the structure of relationships .
'' never cuts corners .
's mildly sentimental , unabashedly consumerist ... studiously inoffensive and completely disposable
so vivid
life and small delights
you expect and often surprises you with unexpected comedy
even more indistinct than it is were it not for the striking , quietly vulnerable personality of ms. ambrose
you to give it a millisecond of thought
vividly demonstrates that the director of such hollywood blockbusters as patriot games can still turn out a small , personal film with an emotional wallop .
is a monumental achievement in practically every facet of inept filmmaking : joyless , idiotic , annoying , heavy-handed , visually atrocious , and often downright creepy .
i have a new favorite musical
flopping
minor classic
you will probably have a reasonably good time with the salton sea .
, remains surprisingly idealistic
the best animated
that provides a rounded and revealing overview of this ancient holistic healing system
a fine , old-fashioned-movie movie , which is to say it 's unburdened by pretensions to great artistic significance
presents a frightening and compelling ` what if ?
another iteration of what 's become one of the movies ' creepiest conventions , in which the developmentally disabled
have been much better
of his rental car
is eerily convincing as this bland blank of a man with unimaginable demons within
just another teen movie , which means he can be forgiven for frequently pandering to fans of the gross-out comedy
the kind of movie that leaves vague impressions and a nasty aftertaste but little clear memory of its operational mechanics
crass , then gasp for gas ,
taking them to surprising highs , sorrowful lows and hidden impulsive niches ... gorgeous , passionate , and at times uncommonly moving
( allen 's ) best works understand why snobbery is a better satiric target than middle-america diversions could ever be .
cutting and blurry
begins on a high note and sustains it beautifully .
semi-surrealist exploration of the creative act
through the perverse pleasure of watching disney scrape the bottom of its own cracker barrel
have to see this !
a director enjoying himself immensely
doubt the filmmakers ' motives
satin rouge is not a new , or inventive , journey , but it 's encouraging to see a three-dimensional , average , middle-aged woman 's experience of self-discovery handled with such sensitivity
can not overcome blah characters
wrapped up in the characters
the depths
a lyrical metaphor for cultural and personal self-discovery and a picaresque view of a little-remembered world
horrible '' and `` terrible
appetizer that leaves you wanting more .
elevates the experience
the intelligent , well-made b movie
as well-written as sexy beast , not as gloriously flippant as lock , stock and two smoking barrels , but stylish and moody and exceptionally well-acted
i thought the relationships were wonderful , the comedy was funny , and the love ` real ' .
deflated as he does
through all too painfully
a meditation on the deep deceptions of innocence
as deflated as he does
soap opera that tornatore was right to cut
this is a smart movie that knows its classical music , knows its freud and knows its sade .
effort to understand everyone 's point of view
shorter than britney 's cutoffs
the film occasionally tries the viewer 's patience with slow pacing and a main character who sometimes defies sympathy
make the most of the large-screen format
of a film that are still looking for a common through-line
its impressive images of crematorium chimney fires and stacks of dead bodies
smack of a hallmark hall of fame
a movie that is concerned with souls and risk and schemes and the consequences of one 's actions
unsympathetic
she 's all-powerful , a voice for a pop-cyber culture that feeds on her bjorkness .
his most ardent fans
overeager
is not a bad film .
this listless feature
no clear-cut hero
to mind : so why is this so boring ?
my two hours better watching
out there !
wes craven 's presence is felt ; not the craven of ' a nightmare on elm street ' or ` the hills have eyes , ' but the sad schlock merchant of ` deadly friend . '
bothered to construct a real story this time
oozing with attractive men
lucks out with chaplin and kidman , who are capable of anteing up some movie star charisma when they need it to sell us on this twisted love story , but who can also negotiate the movie 's darker turns
the grieving process
appealing veneer
a fairly inexperienced filmmaker
the plot kicks into gear
distanced us from the characters
pleasure .
zero .
is dreary and sluggish .
delights for adults as there are for children and dog lovers
we 've seen ( eddie ) murphy do the genial-rogue shtick to death , but because the plot is equally hackneyed
before landing squarely on `` stupid ''
into a few evocative images and striking character traits
offensive and nothing at all like real life
debut effort by `` project greenlight '' winner
garnered from years of seeing it all , a condition only the old are privy to , and ...
the full monty , but
making the proceedings more bizarre than actually amusing
has none of the crackle of `` fatal attraction '' , `` 9 1/2 weeks '' , or even `` indecent proposal '' ,
will once again be an honest and loving one
manipulating our collective fear without bestowing the subject with the intelligence or sincerity it unequivocally deserves
filled with low-brow humor , gratuitous violence and a disturbing disregard
aggressively anti-erotic
does probably as good a job as anyone at bringing off the hopkins/rock collision of acting styles and onscreen personas
what a concept , what an idea , what a thrill ride .
teeth-gnashing
that might otherwise separate them
really , really good things can come in enormous packages
smart , steamy mix
has never been smoother or more confident .
eloquently about the symbiotic relationship between art and life
very well shot or composed or edited
drowns out
seems like someone going through the motions .
k 19 stays afloat as decent drama/action flick
has intentionally left college or was killed
learned the hard way just
carvey 's rubber-face routine is no match for the insipid script he has crafted with harris goldberg .
good and ambitious film
a movie that will surely be profane , politically charged music to the ears of cho 's fans .
the dialogue is cumbersome , the simpering soundtrack and editing more so
a pleasing , often-funny comedy
wise and knowing
despite terrific special effects and funnier gags , harry potter and the chamber of secrets finds a way to make j.k. rowling 's marvelous series into a deadly bore .
distaste
spectacularly outrageous
an inventive
gives us episodic choppiness , undermining the story 's emotional thrust .
the most horrific movie experience
... one resurrection too many .
is holofcener 's deep , uncompromising curtsy to women she knows , and very likely is .
an exclamation point
( allen )
of holes that will be obvious even to those who are n't looking for them
wilco is a phenomenal band with such an engrossing story that will capture the minds and hearts of many .
a so-called ` comedy ' and not laugh
while cherish does n't completely survive its tonal transformation from dark comedy to suspense thriller
the visuals and enveloping sounds of blue crush make this surprisingly decent flick worth a summertime look-see .
ice-t sticks his mug in the window of the couple 's bmw and begins haranguing the wife in bad stage dialogue
found his groove these days
all its moodiness
has some special qualities and the soulful gravity of crudup 's anchoring performance .
zero compelling storyline
the color sense of stuart little 2 is its most immediate and most obvious pleasure
is meaningful or memorable
's so badly made on every level that i 'm actually having a hard time believing people were paid to make it .
such a bore
what makes this film special
that reopens an interesting controversy and never succumbs to sensationalism
is so deadly dull that watching the proverbial paint dry would be a welcome improvement
, the movie stirs us as well .
otherwise appalling
a mediocre one
in execution
in its chicken heart , crush goes to absurd lengths to duck the very issues it raises .
are less than adorable
a shabby script
that everyone can enjoy
dim-witted and lazy spin-off
had more fun watching spy than i had with most of the big summer movies .
grand as the lord of the rings
to and wai ka fai are ) sure to find an enthusiastic audience among american action-adventure buffs , but the film 's interests
biting and witty feature
a chuckle
a vat of failed jokes , twitchy acting , and general boorishness
it ai n't art , by a long shot , but unlike last year 's lame musketeer , this dumas adaptation entertains .
olivier assayas ' elegantly appointed period drama seems , at times , padded with incident in the way of a too-conscientious adaptation
on character
any way of gripping what its point is ,
totally overwrought , deeply biased , and wholly designed to make you feel guilty about ignoring what the filmmakers clearly believe are the greatest musicians of all time .
but very pleasing at its best moments
is small in scope , yet perfectly formed .
was vile enough .
love affair
he forgets to make it entertaining
have a hard time believing it was just coincidence
knockaround guys plays like a student film by two guys who desperately want to be quentin tarantino when they grow up .
is a treat .
is turning in some delightful work on indie projects
into a genre that has been overexposed , redolent of a thousand cliches , and yet remains uniquely itself , vibrant with originality
someone other than the director got into the editing room and tried to improve things by making the movie go faster
passions , obsessions , and loneliest dark spots are pushed to their most virtuous limits , lending the narrative an unusually surreal tone .
by the incessant use of cell phones
dredge
ca n't help but feel ` stoked . '
from oscar-winning master
still , it just sits there like a side dish no one ordered .
will argue that it ranks with the best of herzog 's works
get back to your car in the parking lot
some futile concoction
it 's an interesting effort ( particularly for jfk conspiracy nuts ) , and barry 's cold-fish act makes the experience worthwhile
hollywood concoction
heartening
some savvy producer
way off
swooping down on a string of exotic locales ,
offers chills much like those that you get when sitting around a campfire around midnight , telling creepy stories to give each other the willies
it dabbles all around , never gaining much momentum .
might go down as one of the all-time great apocalypse movies .
ever see one of those comedies that just seem like a bad idea from frame one
designed to give some of the characters a ` back story
offers some flashy twists and turns that occasionally fortify this turgid fable .
see a movie
the master of disguise represents adam sandler 's latest attempt to dumb down the universe .
love the piano teacher
a live-wire film that never loses its ability to shock and amaze .
hardly an objective documentary , but it 's great cinematic polemic ... love moore or loathe him , you 've got to admire ... the intensity with which he 's willing to express his convictions .
not-so-funny gags
all the annals
to direct-to-video irrelevancy
inventive action sequences
well-done supernatural thriller with keen insights
go unnoticed and underappreciated
meets friday the 13th by way of clean and sober , filmed on the set of carpenter 's the thing and loaded with actors you 're most likely to find on the next inevitable incarnation of the love boat
that made up for its rather slow beginning by drawing me into the picture
be excited that it has n't gone straight to video ?
very inspiring or insightful
the movie is more interested in entertaining itself than in amusing us
his maudlin ending
more interesting --
the wonderful acting clinic put on by spader and gyllenhaal
anyone who welcomes a dash of the avant-garde fused with their humor should take pleasure in this crazed
be too narrow to attract crossover viewers
what 's best about drumline is its energy
modern-day royals
amazing film work
more like a travel-agency video targeted at people who like to ride bikes
often hilarious
lulled into a coma
portrays young brendan with his usual intelligence and subtlety ,
the bard as black comedy -- willie would have loved it .
haranguing the wife in bad stage dialogue
is interminable
put off by the film 's austerity
many a moon about the passions that sometimes fuel our best achievements and other times
proves once again that a man in drag is not in and of himself funny .
el crimen del padre amaro would likely be most effective if used as a tool to rally anti-catholic protestors .
one can honestly describe as looking , sounding and simply feeling like no other film in recent history
balances both traditional or modern stories together
though jackson does n't always succeed in integrating the characters in the foreground into the extraordinarily rich landscape , it must be said that he is an imaginative filmmaker who can see the forest for the trees .
is nothing short of a great one
uncovers a trail of outrageous force and craven concealment .
runs around and
its message has merit and , in the hands of a brutally honest individual like prophet jack , might have made a point or two regarding life .
unerring respect
screenplay to keep the film entertaining
seventy-minute running time
overcome the sense that pumpkin is a mere plot pawn for two directors with far less endearing disabilities
intelligent manner
jackass is a vulgar
what ` blade runner ' would 've looked like as a low-budget series on a uhf channel .
soderbergh 's best films , `` erin brockovich , '' `` out of sight ''
is darkly funny in its observation of just how much more grueling and time-consuming the illusion of work is than actual work .
cold , pretentious
too much of the movie feels contrived , as if the filmmakers were worried the story would n't work without all those gimmicks .
a deep vein of sadness
's pleasant enough
is still a deeply moving effort to put a human face on the travail of thousands of vietnamese
've never seen ( a remake ) do anything as stomach-turning as the way adam sandler 's new movie rapes , pillages and incinerates frank capra 's classic ...
be as subtle and touching as the son 's room
hold our attention
believe the cast and crew thoroughly enjoyed themselves and believed in their small-budget film
holmes has the screen presence to become a major-league leading lady , ( but )
never lets you off the hook .
designed to fill time
saddest
it gets so preachy-keen and so tub-thumpingly loud it makes you feel like a chump
by sparking debate and encouraging thought
never quite gel
though you rode the zipper after eating a corn dog and an extra-large cotton candy
though it runs 163 minutes
boasts a handful of virtuosic set pieces and
find ourselves surprised at how much we care about the story
's good enough .
gets close to the chimps the same way goodall did , with a serious minded patience , respect and affection .
a listless sci-fi comedy in which eddie murphy deploys two
of warmth and gentle humor
south korea 's future
an ideal love story for those intolerant of the more common saccharine genre .
one of those joyous films that leaps over national boundaries and celebrates universal human nature .
makes a valiant effort to understand everyone 's point of view
a more ambitious movie
surprisingly well
sordid of human behavior on the screen ,
feel fully
works spectacularly well ... a shiver-inducing , nerve-rattling ride
are very , very good reasons for certain movies to be sealed in a jar and left on a remote shelf indefinitely .
dogtown & z-boys evokes the blithe rebel fantasy with the kind of insouciance embedded in the sexy demise of james dean .
the uncanny , inevitable and seemingly shrewd facade of movie-biz farce
uncompromising artists trying to create something original
... wise and elegiac ...
the plot holes
wending its way to an uninspired philosophical epiphany