xiangpku/GLUE huggingface dataset:
makes it worth the trip to the theater
darkly funny
thanks to the actors ' perfect comic timing and sweet , genuine chemistry
sparkling , often hilarious romantic jealousy comedy
starts off witty and sophisticated and you want to love it -- but filmmaker yvan attal quickly writes himself into a corner .
to give you a lot of laughs in this simple , sweet and romantic comedy
even very small children will be impressed by this tired retread
graceless and devoid
original hit movie
his supple understanding of the role
it never plays as dramatic even when dramatic things happen to people .
serious suspense
embarrassingly ham-fisted
her passionate , tumultuous affair
are spectacular
like many western action films , this thriller is too loud and thoroughly overbearing ,
gon na like this movie
forgiveness and love
why a guy with his talent ended up in a movie this bad
a sweet and sexy film
a decent attempt
is broken by frequent outbursts of violence and noise .
you can almost see mendes and company getting together before a single frame had been shot and collectively vowing , ` this is going to be something really good . '
is too heady for children , and too preachy
a nasty aftertaste but little clear memory of its operational mechanics
are times when the film 's reach exceeds its grasp
heart and unsettling subject matter
that keeps you
misuse
that flow through the hollywood pipeline without a hitch
vividly captures the way young japanese live now , chafing against their culture 's manic mix of millennial brusqueness and undying , traditional politesse .
may not be a breakthrough in filmmaking , but it is unwavering and arresting
unflattering
delivers real bump-in - the-night chills
what 's most memorable about circuit
one thing 's for sure -- if george romero had directed this movie , it would n't have taken the protagonists a full hour to determine that in order to kill a zombie you must shoot it in the head .
an encouraging new direction
classy , sprightly spin
ca n't help but feel ` stoked .
, sex with strangers is a success .
totally estranged from reality
, delivers the goods and audiences will have a fun , no-frills ride .
and poorly-constructed comedy
dreadful day
exploitation film
a lousy script , inept direction , pathetic acting , poorly dubbed dialogue and murky cinematography
a vivid personality
the fist is hilarious
see this terrific film with your kids --
farrelly brothers-style , down-and-dirty laugher
the film works - mostly due to its superior cast of characters .
of creative belly laughs
controversy
needs to pull his head out of his butt
it a step further , richer and deeper
is smart writing , skewed characters , and the title performance by kieran culkin
's hardly watchable
an intimate feeling , a saga of the ups and downs of friendships
not amused by the sick sense of humor
are rendered with such clarity that it 's as if it all happened only yesterday
this rich and luscious
its and pieces of the hot chick are so hilarious ,
it reminds you how pertinent its dynamics remain
the script is high on squaddie banter , low on shocks .
needs mind-bending drugs when they can see this , the final part of the ` qatsi ' trilogy , directed by godfrey reggio , with music by philip glass ?
oftentimes funny
has enough gun battles and throwaway humor to cover up the yawning chasm where the plot should be
seem to be surefire casting
some intriguing characters
winning family story
a charming , banter-filled comedy ...
alternately melancholic , hopeful and strangely funny
as moronic as some campus
ploddingly melodramatic structure
works as an unusual biopic and document of male swingers in the playboy era
laugh as well .
original and highly cerebral
here seems to have recharged him .
waydowntown manages to nail the spirit-crushing ennui of denuded urban living without giving in to it .
an impeccable study
see her esther blossom as an actress
minority report '' astounds .
by way of what can be gleaned from this three-hour endurance test built around an hour 's worth of actual material
not well-acted
in director randall wallace 's flag-waving war flick with a core of decency
, the picture realizes a fullness that does not negate the subject .
elling '' manages to do all three quite well , making it one of the year 's most enjoyable releases
wishy-washy .
each other so intensely , but with restraint
far more interesting
, insight and humor
and mind games
unfocused , excruciatingly tedious cinema
an engaging , formulaic sports drama that carries a charge of genuine excitement .
love with its overinflated mythology that it no longer recognizes the needs of moviegoers for real characters and compelling plots .
his characters stage
a powerful , naturally dramatic piece of low-budget filmmaking
while scorsese 's bold images and generally smart casting ensure that `` gangs '' is never lethargic
was immensely enjoyable thanks to great performances by both steve buscemi and rosario dawson ...
if you give a filmmaker an unlimited amount of phony blood , nothing good can happen
is so film-culture referential that the final product is a ghost .
a fresh-faced , big-hearted and frequently funny thrill ride for the kiddies , with enough eye candy and cheeky wit to keep parents away from the concession stand . '
keeps coming back to the achingly unfunny phonce and his several silly subplots .
you 've got the wildly popular vin diesel in the equation
the psychology too textbook to intrigue
, it 's pretty stupid .
bravo for history
is a winner .
accepting him in the role
of businesses
is a dazzling conceptual feat
, preposterous , the movie will likely set the cause of woman warriors back decades .
an engrossing story about a horrifying historical event and
slightly naughty , just-above-average off - broadway play
( b )
which should appeal to women
a nationwide blight
effectively creepy-scary thriller
brutally honest individual
all this exoticism might sound to the typical pax
breaks the mood with absurdly inappropriate ` comedy ' scenes
crush each other under cars , throw each other out windows , electrocute and dismember their victims in full consciousness .
also has a strong dramatic and emotional pull that gradually sneaks up on the audience
more hackneyed elements
is as lax and limp a comedy as i 've seen in a while , a meander through worn-out material .
the only entertainment you 'll derive from this choppy and sloppy affair
, in praise of love lacks even the most fragmented charms i have found in almost all of his previous works .
mesmerizing performance
if you 're not fans of the adventues of steve and terri , you should avoid this like the dreaded king brown snake .
an impenetrable and insufferable ball of pseudo-philosophic twaddle
is more depressing than entertaining
wrong reasons
wonders , enhancing the cultural and economic subtext , bringing richer meaning to the story 's morals .
put in service
to interesting cinematic devices ( cool visual backmasking ) , a solid cast , and some wickedly sick and twisted humor
are the whole show here , with their memorable and resourceful performances .
it 's also not smart or barbed enough for older viewers -- not
is sympathetic without being gullible
a great and a terrible story
negligible british comedy .
sacrificing its high-minded appeal
sweet home alabama is n't going to win any academy awards , but this date-night diversion will definitely win some hearts
beautiful , aching sadness
they crush each other under cars , throw each other out windows , electrocute and dismember their victims in full consciousness .
's compelling
whose crisp framing , edgy camera work , and wholesale ineptitude
simplistic , silly and tedious .
who enjoys quirky , fun , popcorn movies with a touch of silliness and a little
to realize that they 've already seen this exact same movie a hundred times
as he was about inner consciousness
ugly , pointless , stupid movie
it 's a smart , solid , kinetically-charged spy flick worthy of a couple hours of summertime and a bucket of popcorn .
, amusing and unsettling
rolling your eyes in the dark
, stylized humor throughout
no charm ,
i 'm sure the filmmakers found this a remarkable and novel concept , but anybody who has ever seen an independent film can report that it is instead a cheap cliché
if only merchant paid more attention the story .
is a movie that tells stories that work -- is charming , is moving
have its charms
does n't take a rocket scientist to figure out that this is a mormon family movie , and a sappy , preachy one at that
every punchline predictable
no psychology here , and no real narrative logic -- just a series of carefully choreographed atrocities , which become strangely impersonal and abstract
feral and uncomfortable .
are typical sandler fare
plenty of fun for all
of humor about itself , a playful spirit and a game cast
a colorful , joyous celebration of life
george 's haplessness
loneliness and is n't afraid to provoke introspection in both its characters and its audience .
sinks so low in a poorly played game of absurd plot twists , idiotic court maneuvers and stupid characters that even freeman ca n't save it .
compressed into an evanescent , seamless and sumptuous stream of consciousness
a charismatic charmer
on a faulty premise , one it follows into melodrama and silliness
both the beauty
the riveting performances
bouncing bravado
, no such thing is a fascinating little tale .
should have been a painless time-killer
a minimalist beauty
it 's drab .
an admirable reconstruction
gifted performers
so often end up on cinema screens
the script 's bad ideas and awkwardness
on televised scooby-doo shows or reruns
is clever and funny , is amused by its special effects , and leaves you feeling like you 've seen a movie instead of an endless trailer
romeo and juliet/west side story territory , where it plainly has no business going
good action , good acting
as emotionally manipulative and sadly imitative of innumerable past love story derisions
frustratingly timid and soggy
's real visual charge to the filmmaking
have preceded it
a convincing impersonation here of a director enjoying himself immensely
because half past dead is like the rock on a wal-mart budget
had a wonderful account to work from
barely shocking , barely interesting and most of all , barely
( soderbergh ) tends to place most of the psychological and philosophical material in italics rather than trust an audience 's intelligence , and he creates an overall sense of brusqueness .
a community-college advertisement
asks its audience -- in a heartwarming , nonjudgmental kind of way -- to consider what we value in our daily lives
caviezel embodies the transformation of his character completely .
a mischievous visual style
call me a cold-hearted curmudgeon for not being able to enjoy a mindless action movie , but i believe a movie can be mindless without being the peak of all things insipid .
interview with the assassin draws its considerable power from simplicity .
warmth
the all-too-familiar dramatic arc of the holocaust escape story
is notable for its sheer audacity and openness
, steven soderbergh 's space opera emerges as a numbingly dull experience .
this is an action movie with an action icon who 's been all but decommissioned .
a bit exploitative but also nicely done
more than merely a holocaust movie
have to give the audience a reason to want to put for that effort
was painful
charismatic enough
the trip there is a great deal of fun .
manages to instruct without reeking of research library dust .
in the era of the sopranos , it feels painfully redundant and inauthentic .
keeps throwing fastballs
here , alas , it collapses like an overcooked soufflé .
is that it does n't give a damn
spectacular in every sense of the word , even if you don ' t know an orc from a uruk-hai .
walked out of runteldat
keep watching the skies for his next project
the subtitled costume drama is set in a remote african empire before cell phones , guns , and the internal combustion engine , but the politics that thump through it are as timely as tomorrow
land , people and narrative flow together in a stark portrait of motherhood deferred and desire explored .
's no accident that the accidental spy is a solid action pic that returns the martial arts master to top form
want the story to go on and on
this is n't even a movie we can enjoy as mild escapism ;
woefully hackneyed
a brisk , reverent , and subtly different sequel
re-fried
worthy of the price of a ticket
was just a matter of ` eh . '
carries arnold ( and the viewers ) into the forbidden zone of sympathizing with terrorist motivations by presenting the `` other side of the story . ''
a better person
one summer film that satisfies
so unmemorable
of a female friendship that is more complex and honest than anything represented in a hollywood film
's been done before
its flame-like , roiling black-and-white inspires trembling and gratitude .
have completely forgotten the movie by the time you get back to your car in the parking lot
dignified ceo 's meet at a rustic retreat and pee against a tree .
at 18 or 80
the most offensive thing about the movie is that hollywood expects people to pay to see it .
tense , terrific , sweaty-palmed fun .
suffers from a lack of clarity and audacity that a subject as monstrous and pathetic as dahmer
to the civilized mind , a movie like ballistic : ecks vs. sever is more of an ordeal than an amusement .
very obviously mark him as a video helmer making his feature debut
thinly-conceived
vividly back
it works well enough , since the thrills pop up frequently , and the dispatching of the cast is as often imaginative as it is gory .
've looked like as a low-budget series on a uhf channel .
this is a film tailor-made for those who when they were in high school would choose the cliff-notes over reading a full-length classic .
rewritten , and
snow dogs finds its humor in a black man getting humiliated by a pack of dogs who are smarter than him
to honestly address the flaws inherent in how medical aid is made available to american workers , a more balanced or fair portrayal of both sides will be needed .
explode obnoxiously into 2,500 screens
near-fatal mistake
complex and quirky , but entirely believable
about a wild-and-woolly , wall-to-wall good time
be the best sex comedy about environmental pollution ever made
banal bore the preachy circuit turns out to be
the christ allegory does n't work because there is no foundation for it
more than adequately fills the eyes and stirs the emotions
comes from the heart
, funny and beautifully
gone a tad less for grit and a lot more
the good and different idea ( of middle-aged romance ) is not handled well and , except for the fine star performances
is one of the rarest kinds of films : a family-oriented non-disney film that is actually funny without hitting below the belt .
a ridiculous wig no respectable halloween costume shop would ever try to sell
slip into the modern rut of narrative banality
alike to go see this unique and entertaining twist on the classic whale 's tale
pretentious
's very different from our own and yet instantly recognizable
allowing us to remember that life 's ultimately a gamble and last orders are to be embraced
tub-thumpingly loud it makes you feel like a chump
telegraphed in the most blithe exchanges gives the film its lingering tug
made the original new testament stories so compelling for 20 centuries
the art of getting laid in this prickly indie comedy of manners and misanthropy
was utterly charming .
outnumber the hits by three-to-one .
of purpose
i am highly amused by the idea that we have come to a point in society where it has been deemed important enough to make a film in which someone has to be hired to portray richard dawson .
just about everyone involved here seems to be coasting .
it 's so devoid of joy and energy it makes even jason x ... look positively shakesperean by comparison .
devos and cassel have tremendous chemistry -- their sexual and romantic tension , while never really vocalized , is palpable
a rip-off twice removed , modeled after ( seagal 's ) earlier copycat under siege , sometimes referred to as die hard on a boat .
have absolutely no idea who the main characters are until the film is well under way -- and yet it 's hard to stop watching
is wondrously creative
chance to learn , to grow , to travel
kevin kline who unfortunately works with a two star script
are quietly moving
the locations go from stark desert to gorgeous beaches .
're wearing the somewhat cumbersome 3d goggles
down to whether you can tolerate leon barlow
a bunch of other , better movies slapped together .
stops being clever and devolves into flashy , vaguely silly overkill .
( the kid 's ) just too bratty for sympathy , and as the film grows to its finale , his little changes ring hollow .
balance pointed , often incisive satire and unabashed sweetness
lousy guy ritchie imitation
more than a widget cranked out on an assembly line to see if stupid americans will get a kick out of goofy brits with cute accents performing ages-old slapstick and unfunny tricks .
a raunchy and frequently hilarious follow-up
those 24-and-unders looking for their own caddyshack to adopt as a generational signpost may have to keep on looking .
meditative and lyrical
realize that they 've already seen this exact same movie a hundred times
in the way the ivan character accepts the news of his illness so quickly but still finds himself unable to react
consistently funny , in an irresistible junior-high way ,
lacks the visual flair and bouncing bravado that characterizes better hip-hop clips and is content to recycle images and characters that were already tired 10 years ago
here are unintentional .
have some idea of the glum , numb experience of watching o fantasma
the immediate aftermath
blockbusters
looks and plays like a $ 40 million version of a game you 're more likely to enjoy on a computer
intriguing subject
to the tongue-in-cheek attitude of the screenplay
it will make you think twice about what might be going on inside each trailer park you drive past -- even if it chiefly inspires you to drive a little faster .
because the film deliberately lacks irony , it has a genuine dramatic impact ; it plays like a powerful 1957 drama we 've somehow never seen before
that would be me : fighting off the urge to doze .
something is rotten in the state of california
are not to be dismissed
grab us
interesting work
baby-faced renner is eerily convincing as this bland blank of a man with unimaginable demons within .
why it fails
one look at a girl in tight pants and big tits and you turn stupid
that it 's shot on digital video , whose tiny camera enables shafer to navigate spaces both large ... and small ... with considerable aplomb
pretty moments
the kind that sacrifices real heroism and abject suffering for melodrama
and unfunny tricks
philippe , who makes oliver far more interesting than the character 's lines would suggest
credited to director abdul malik abbott and ernest ` tron ' anderson
good inside dope
receiving war department telegrams
flat-out amusing , sometimes endearing and often fabulous , with a solid cast , noteworthy characters
consciously dumbed-down approach
has no teeth
a very good time
a half dozen other trouble-in-the-ghetto flicks
that gets a quick release before real contenders arrive in september
seeing things from new sides , plunging deeper , getting more intense
trapped while some weird relative trots out the video he took of the family vacation to stonehenge
lawrence unleashes his trademark misogyny -- er , comedy -- like a human volcano or an overflowing septic tank
sheds light on a subject few are familiar with , and makes you care about music you may not have heard before .
the grandeur
the script , the gags , the characters are all direct-to-video stuff ,
both a revealing look at the collaborative process and a timely , tongue-in-cheek profile of the corporate circus that is the recording industry in the current climate of mergers and downsizing
dreaded
patchy combination of soap opera , low-tech magic realism and , at times , ploddingly sociological commentary
yellow asphalt is an uncompromising film .
be occupied for 72 minutes
is often preachy
very charming and funny movie
a delightful surprise
touching , small-scale story
is twice as bestial but half as funny .
a turkey
of carefully choreographed atrocities , which become strangely impersonal and abstract
debt miramax felt they owed to benigni
the intelligence or sincerity it unequivocally deserves
is the kind of film that could only be made by african-americans because of its broad racial insensitivity towards african-americans .
quirky drama
's mired in a shabby script that piles layer upon layer of action man cliché atop wooden dialogue and a shifting tone that falls far short of the peculiarly moral amorality of ( woo 's ) best work .
money why this distinguished actor would stoop so low
meant to enhance the self-image of drooling idiots
ride for the kiddies , with enough eye candy and cheeky wit to keep parents away from the concession stand
some tasty grub
resonant chord
funnier .
that characterizes better hip-hop clips and is content to recycle images and characters that were already tired 10 years ago
a lack
gets sillier , not scarier , as it goes along
overripe episode
a fun ride .
is well-made
, overnight , is robbed and replaced with a persecuted `` other
believing it was just coincidence
this region and its inhabitants
c.h.o. cho proves she has the stuff to stand tall with pryor , carlin and murphy .
incompetent , incoherent or
the ups and downs of friendships
skillfully assembled , highly polished
grownups
the problematic script
lives up to the stories and faces and music of the men who are its subject
deeply and rightly
its compassionate spirit soars every bit as high
is so bad , that it 's almost worth seeing because it 's so bad
i loved on first sight and , even more important
it stinks
an elegant visual sense
sloppy plotting
is born out of an engaging storyline , which also is n't embarrassed to make you reach for the tissues
a thoughtful , reverent portrait
who makes oliver far more interesting than the character 's lines would suggest
many insightful moments .
undermines the possibility for an exploration of the thornier aspects of the nature/nurture argument in regards to homosexuality
a caffeinated , sloppy brilliance
hate myself most mornings
impeccable comic timing , raffish charm and piercing intellect
an engrossing and grim portrait of hookers : what they think of themselves and their clients
a crisp psychological drama
the mill sci-fi film with a flimsy ending
's quite fun in places .
cinema history as the only movie ever in which the rest of the cast was outshined by ll cool j.
holm does his sly , intricate magic , and
a shrewd and effective film from a director who understands how to create and sustain a mood
a pretty good overall picture
oversexed , at times overwrought comedy/drama that
enveloping sounds
only prove that ` zany ' does n't necessarily mean ` funny
is a gem .
the movie 's ultimate point -- that everyone should be themselves -- is trite
in which a sultry evening or a beer-fueled afternoon in the sun can inspire even the most retiring heart to venture forth
without doubt an artist of uncompromising vision
heartwarmingly
brings this unknown slice of history affectingly to life .
it 's mission accomplished
this is one of those rare docs that paints a grand picture of an era and makes the journey feel like a party .
than most of jaglom 's self-conscious and gratingly irritating films
that 's there to scare while we delight in the images
bittersweet camaraderie and history
all will be greek to anyone not predisposed to the movie 's rude and crude humor .
he does not give the transcendent performance sonny needs to overcome gaps in character development and story logic
too many characters
's something there
inside righteousness
wittier
great yarn
provocative stuff
it gets the details of its time frame right
in spite of featuring a script credited to no fewer than five writers , apparently nobody here bothered to check it twice .
a remarkable ability to document both sides of this emotional car-wreck
avoids all the comic possibilities of its situation ,
suspend your disbelief here and now ,