xiangpku/GLUE huggingface dataset:
who are nearly impossible to care about
do a little fleeing of its own
this gentle comedy
far more successful , if considerably less ambitious ,
misfire
putting together familiar themes of family , forgiveness and love in a new way --
contentious configurations
a bad premise ,
druggy and self-indulgent
the movie is amateurish , but
with an avid interest in the subject
like legally blonde and sweet home abomination
candid , archly funny and deeply authentic
delivers the sexy razzle-dazzle that everyone , especially movie musical fans , has been hoping for .
on this frozen tundra soap opera that breathes extraordinary life into the private existence of the inuit people
that 's been given the drive of a narrative and
concrete story
his kids to watch too many barney videos
anguished performance
of the best silly horror movies
it 's the kind of movie that , aside from robert altman , spike lee , the coen brothers and a few others , our moviemakers do n't make often enough .
brutally honest and told with humor and poignancy , which makes its message resonate .
to check this one out
beautiful to watch and holds a certain charm .
stuffy ,
worthless , from its pseudo-rock-video opening
into a cheap thriller , a dumb comedy or a sappy
at once visceral and spiritual , wonderfully vulgar
, it simply lulls you into a gentle waking coma .
had gone a tad less for grit and a lot more for intelligibility
nice album
too many `` serious issues ''
will leave the auditorium feeling dizzy , confused , and totally disorientated
it does n't make for great cinema , but it is interesting to see where one 's imagination will lead when given the opportunity .
the problem with `` xxx '' is that its own action is n't very effective .
` it looks good , sonny , but you missed the point . '
a powerful and telling story that examines forbidden love , racial tension , and other issues that are as valid today as they were in the 1950s
of the darkest variety
, it 's just another sports drama/character study .
decided lack of spontaneity in its execution and a dearth of real poignancy
like lint in a fat man 's navel
the year 's worst cinematic tragedies
amuse or entertain them
a chance to revitalize what is and always has been remarkable about clung-to traditions
dave barry 's popular book
dull , simple-minded and stereotypical
he 's afraid of his best-known creation
walks a tricky tightrope between being wickedly funny and just plain wicked
is clearly not zhang 's forte
, ` it 's like having an old friend for dinner ' .
real heart
an empty , purposeless exercise .
make this worth a peek
gentle comedy
soderbergh skims the fat from the 1972 film .
that craven endorses they simply because this movie makes his own look much better by comparison
grade-grubbers
sparking debate and encouraging thought
to the most enchanting film of the year
highly entertaining , self-aggrandizing , politically motivated
chronically
it succeeds as a powerful look at a failure of our justice system .
a funny and touching film that is gorgeously acted by a british cast to rival gosford park 's .
has some cute moments , funny scenes , and hits the target audience ( young bow wow fans ) -
little room for engaging , imaginative filmmaking in its nearly 2 1/2
a feel-good movie about which you can actually feel good
flopped as surely
believe that a life like this can sound so dull
this movie loves women at all
is never satisfactory
inhabit that special annex of hell where adults behave like kids ,
like life on the island , the movie grows boring despite the scenery .
ca n't support the epic treatment
shines on all the characters , as the direction is intelligently accomplished .
the grind to refresh our souls
call it a work of art
the most part a useless movie , even with
lost in the murk of its own making
's something of the ultimate scorsese film , with all the stomach-turning violence , colorful new york gang lore and other hallmarks of his personal cinema painted on their largest-ever historical canvas .
ponderous and pretentious endeavor
a thoughtful and surprisingly affecting portrait of a screwed-up man who dared to mess with some powerful people , seen through the eyes of the idealistic kid who chooses to champion his ultimately losing cause
... overly melodramatic ...
welcome to collinwood never catches fire .
glass 's dirgelike score becomes a fang-baring lullaby
when all is said and done , she loves them to pieces -- and so , i trust
emerged as hilarious lunacy
most thoughtful films
herzog simply runs out of ideas and the pace turns positively leaden as the movie sputters to its inevitable tragic conclusion .
goosebumps as its uncanny tale of love , communal discord , and justice
are infants ... who might be distracted by the movie 's quick movements and sounds .
way of what can be gleaned from this three-hour endurance test built around an hour 's worth of actual material
giggling at the absurdities and inconsistencies
i could feel my eyelids ... getting ... very ... heavy ...
it 's quaid who anchors the film with his effortless performance and that trademark grin of his -- so perfect for a ballplayer .
its heart ,
a fresh view of an old type
the most fragmented charms
they just have problems , which are neither original nor are presented in convincing way .
inspire a trip to the video store --
secretary is just too original to be ignored .
become a major-league leading lady , ( but )
the storytelling and
provides a window into a subculture hell-bent on expressing itself in every way imaginable
's all bluster and cliché
most of the information has already appeared in one forum or another and , no matter how broomfield dresses it up , it tends to speculation , conspiracy theories or , at best , circumstantial evidence
mixing action and idiosyncratic humor in his charming 2000 debut shanghai noon
one level
you have nothing better to do with 94 minutes
a delightful surprise because despite all the backstage drama , this is a movie that tells stories that work -- is charming , is moving , is funny and looks professional .
a thriller whose style , structure and rhythms are so integrated with the story , you can not separate them .
fondness and respect
stale ,
worst harangues
a dim-witted pairing
of a phonograph record
it 's more enjoyable than i expected , though , and
undisputed
the issues are presented in such a lousy way , complete with some of the year 's ( unintentionally ) funniest moments , that it 's impossible to care .
supremely good
of color , music , and dance that only the most practiced curmudgeon could fail to crack a smile at
because i had a serious urge to grab the old lady at the end of my aisle 's walker and toss it at the screen in frustration
behan 's memoir is great material for a film -- rowdy , brawny and lyrical in the best irish sense --
home movie will leave you wanting more , not to mention leaving you with some laughs and a smile on your face .
an energizing , intoxicating documentary charting the rise of hip-hop culture in general and the art of scratching ( or turntablism ) in particular
consistently sensitive
plodding , peevish and gimmicky
hinges on the subgenre 's most enabling victim ... and an ebullient affection for industrial-model meat freezers
delivering in good measure
's uninteresting
though they are having so much fun
prevents us from sharing the awe in which it holds itself
never again is a welcome and heartwarming addition to the romantic comedy genre .
walks a tricky tightrope between being wickedly funny and just plain wicked .
carry on their parents ' anguish
is concerned with souls and risk and schemes and the consequences of one 's actions
finally have the worthy successor to a better tomorrow and the killer which they have been patiently waiting for .
feel a bit too much like an infomercial for ram dass 's latest book aimed at the boomer demographic
you will probably like it .
an intriguing species of artifice
to a harrison ford low
it 's a diverting enough hour-and-a-half for the family audience .
create images you wish you had n't seen
an emotionally strong and politically potent piece
directors brett morgen and nanette burstein have put together a bold biographical fantasia .
the affable maid
the appeal of the vulgar , sexist , racist humor went over my head or -- considering just how low brow it is -- perhaps it snuck under my feet .
the film boasts at least a few good ideas and features some decent performances , but the result is disappointing .
check your brain and your secret agent decoder ring at the door because you do n't want to think too much about what 's going on
creates an impeccable sense of place ,
a movie that ends up slapping its target audience in the face by shooting itself in the foot
from films crammed with movie references
ultimately lifeless
trademark misogyny
fiercely clever and subtle film
all unfolds predictably
that memorable , but as downtown
nohe 's documentary about the event is sympathetic without being gullible : he is n't blind to the silliness , but also captures moments of spontaneous creativity and authentic co-operative interaction
anti-semitism and neo-fascism
, soderbergh is n't afraid to try any genre and to do it his own way .
a movie that refreshes the mind and spirit along with the body
examines many different ideas from happiness
as commander-in-chief of this film , bigelow demonstrates a breadth of vision and an attention to detail that propels her into the upper echelons of the directing world .
pan nalin 's exposition is beautiful and mysterious , and
the emotion is impressively true for being so hot-blooded
this movie may not have the highest production values you 've ever seen , but
an hour 's worth of actual material
be profane ,
anchor the film in a very real and amusing give-and-take
all three women deliver remarkable performances .
set in newfoundland that cleverly captures the dry wit that 's so prevalent on the rock
manages to instruct without reeking of research library dust
who , in spite of all that he 's witnessed , remains surprisingly idealistic
a dark , quirky road movie that constantly defies expectation .
probably the most good-hearted yet sensual entertainment
the most excruciating 86 minutes one
instead comes closer to the failure of the third revenge of the nerds sequel
the stuff of lurid melodrama
so packed with subplots involving the various silbersteins that it feels more like the pilot episode of a tv series than a feature film
a genuine love story
'll just have your head in your hands wondering why lee 's character did n't just go to a bank manager and save everyone the misery
mind and spirit
... the story is far-flung , illogical , and plain stupid .
evokes the blithe rebel fantasy with the kind of insouciance embedded in the sexy demise of james dean
the most plain , unimaginative romantic comedies i
its promising cast of characters
itself and retreats
as a hole in the head
with enough energy and excitement
but utterly delightful .
little more than a screenful of gamesmanship that 's low on both suspense and payoff
a mishmash
is handled with intelligence and care
one of the worst movies of the year .
of these despicable characters
seemed wasted like deniro 's once promising career and the once grand long beach boardwalk .
's a real shame that so much of the movie -- again , as in the animal -- is a slapdash mess .
's wise enough to recognize that there are few things in this world more complex -- and , as it turns out , more fragile -- than happiness
's part of what makes dover kosashvili 's outstanding feature debut so potent
a bland , obnoxious 88-minute
sweeping battle scenes
becoming a christmas perennial
nair 's cast is so large it 's altman-esque , but she deftly spins the multiple stories in a vibrant and intoxicating fashion .
thoughtful and rewarding glimpse
all the charm of kevin kline and a story that puts old-fashioned values under the microscope
a brutally dry satire of middle american numbness .
unfunny and lacking any sense of commitment to or affection for its characters
poetry and passion
its many out-sized ,
fact , even better
who approaches his difficult , endless work with remarkable serenity and discipline .
are too many bona fide groaners among too few laughs
out of a cellular phone commercial
it 's about individual moments of mood , and an aimlessness that 's actually sort of amazing .
seem self-consciously poetic and forced
turned this
limply
street-smart
unfunny comedy with a lot of static set ups , not much camera movement , and most of the scenes take place indoors in formal settings with motionless characters .
all too familiar
its tragic waste of life
frei assembles a fascinating profile of a deeply humanistic artist who , in spite of all that he 's witnessed , remains surprisingly idealistic , and retains an extraordinary faith in the ability of images to communicate the truth of the world around him .
works out his issues with his dad and comes to terms with his picture-perfect life
it 's encouraging to see a three-dimensional , average , middle-aged woman 's experience of self-discovery handled with such sensitivity
corcuera 's attention to detail
hilary
joy and energy
, welcome to collinwood never catches fire .
the trouble is , its filmmakers run out of clever ideas and visual gags about halfway through .
figure out that this is a mormon family movie , and a sappy , preachy one at that
with a sense of wonder
, and intelligent
'' is a fun and funky look into an artificial creation in a world that thrives on artificiality .
that attempts and often achieves a level of connection and concern
would be hard-pressed to find a movie with a bigger , fatter heart than barbershop
are entertaining and audacious moments
need to stay in touch with your own skin , at 18 or 80
a tone of rueful compassion ... reverberates throughout this film , whose meaning and impact is sadly heightened by current world events
, caring
the comic effects
, lecherous
knee-jerk misogyny
gives a performance that is masterly
their parents , wise folks that they are , read books
necessary and timely one
a gentle , unforced intimacy
the movie itself is far from disappointing , offering an original
instead , it 'll only put you to sleep .
a very tasteful rock and roll movie
's an excellent 90-minute film
betrayed by the surprisingly shoddy makeup work
helluva singer
colorful and
suffers from a philosophical emptiness and maddeningly sedate pacing .
so many flaws it would be easy for critics to shred it
'' is the operative word for `` bad company
this is a film living far too much in its own head .
to pump life into overworked elements from eastwood 's dirty harry period
a movie that 's about as overbearing and over-the-top as the family it
not quite as miraculous as its dreamworks makers
has never been filmed more irresistibly than in ` baran
impossible to claim that it is `` based on a true story '' with a straight face
thoughtful and unflinching
verve and fun
political and psychological thriller
barely shocking
in terms of the low-grade cheese standards on which it operates
the kind of visual flair that shows what great cinema can really do
puzzled by the mechanics of the delivery
, earnest and -- sadly -- dull
amusing and unpredictable
showtime the most savory and hilarious guilty pleasure of many a recent movie season
we would pay a considerable ransom not to be looking at
tends to remind one of a really solid woody allen film , with its excellent use of new york locales and sharp writing
the genius
soulless and
the nature of compassion
the phrase ` fatal script error
bears a grievous but obscure complaint against fathers
does n't add up to a whole lot
a grenade with his teeth
preachy
shows why , after only three films , director/co-writer jacques audiard , though little known in this country , belongs in the very top rank of french filmmakers .
racism and
it 's an interesting effort ( particularly for jfk conspiracy nuts ) , and
forgiven for realizing that you 've spent the past 20 minutes looking at your watch and waiting for frida to just die already
the cast is top-notch
enough funny
he makes you realize that deep inside righteousness can be found a tough beauty .
how low brow it is
this erotic cannibal movie is boring
a colorful , joyous celebration of life ; a tapestry woven of romance , dancing , singing , and unforgettable characters .
's something else altogether -- clownish and offensive and nothing at all like real life
falls flat as thinking man
a fascinating little thriller
odd enjoyably
tell you how tedious ,
indescribably bad
too fancy , not too filling , not too fluffy , but definitely tasty and sweet
sharp movie
the lion king redone for horses , with fewer deliberate laughs , more inadvertent ones and stunningly trite songs by bryan adams , the world 's most generic rock star
unintentionally
the same old garbage
more interesting -- and , dare i say , thematically complex -- bowel movements than this long-on-the-shelf , point-and-shoot exercise in gimmicky crime drama
makes a melodramatic mountain
inspired dialogue bits
the movie starts with a legend and ends with a story that is so far-fetched it would be impossible to believe if it were n't true .
with bloody beauty as vivid
sorority boys , which is as bad at it is cruel , takes every potential laugh and stiletto-stomps the life out of it .
pinocchio never quite achieves the feel of a fanciful motion picture .
messiness
hazy
exquisite acting
have all the suspense of a 20-car pileup , while the plot holes are big enough for a train car to drive through -- if kaos had n't blown them all up .
does not really make the case the kissinger should be tried as a war criminal
too long to shake
to be really awful
is a subzero version of monsters , inc. , without the latter 's imagination , visual charm or texture .
there are laughs aplenty , and , as a bonus , viewers do n't have to worry about being subjected to farts , urine , feces , semen , or any of the other foul substances that have overrun modern-day comedies .
the bourne identity should n't be half as entertaining as it is , but
stuffy and
is too blatant
potent chemistry
ash wednesday is not edward burns ' best film
is about as interesting as a recording of conversations at the wal-mart checkout line
more successful at relating history than in creating an emotionally complex , dramatically satisfying heroine
a delightfully unpredictable , hilarious comedy
's serious , poetic , earnest and -- sadly -- dull .
riveting and handsomely
will undoubtedly play well in european markets , where mr. besson is a brand name , and in asia , where ms. shu is an institution
, comedy and romance
of critical jim two-dimensional and pointless
express warmth and longing
takes you by the face , strokes your cheeks and coos beseechingly at you : slow down , shake off your tensions and take this picture at its own breezy , distracted rhythms
the utter cuteness of stuart and margolo
honest poetry
of intoxicating atmosphere and little else
nervy and
is compelling enough ,
humor about itself , a playful spirit and a game cast
throws herself into this dream hispanic role with a teeth-clenching gusto
color and depth ,
fun-seeking summer audiences
that it ca n't help but engage an audience
's a clarity of purpose and even-handedness to the film 's direction
pile up , undermining the movie 's reality and stifling its creator 's comic voice
this delicate coming-of-age tale
a clash between the artificial structure of the story and the more contemporary , naturalistic tone of the film ...
make an excellent companion piece
would do well to cram earplugs in their ears and put pillowcases over their heads for 87 minutes .
, why not invite some genuine spontaneity into the film by having the evil aliens ' laser guns actually hit something for once ?
too bland and
amusing juxtapositions
's a fun one .
is ultimately about as inspiring as a hallmark card
wickedly undramatic central theme
you think , zzzzzzzzz
jackson , who also served as executive producer , take his smooth , shrewd , powerful act abroad
, vaguely silly overkill
it 's dark but has wonderfully funny moments ; you care about the characters ; and the action and special effects are first-rate .
bad mannered
on a traditional indian wedding in contemporary new delhi
the film 's most improbable feat ?
deniro 's once promising career and the once grand long beach boardwalk
for all its visual panache and compelling supporting characters , the heart of the film rests in the relationship between sullivan and his son .
if a bored cage spent the duration of the film 's shooting schedule waiting to scream : `` got aids yet
bad writing , bad direction and bad acting -- the trifecta of badness
pleasantly and
i do n't think this movie loves women at all .
is well below expectations
fans of critics ' darling band wilco will marvel at the sometimes murky , always brooding look of i am trying to break your heart .
is , we have no idea what in creation is going on
sleepless
whom the
a piece of mildly entertaining , inoffensive fluff that drifts aimlessly for 90 minutes before lodging in the cracks of that ever-growing category : unembarrassing but unmemorable .
is rather the way it introduces you to new , fervently held ideas and fanciful thinkers
omitted nor a cliché left unsaid
poignant comedy
its sheer dynamism is infectious .
gives an intriguing twist to the french coming-of-age genre .
equally derisive
the film would have been more enjoyable had the balance shifted in favor of water-bound action over the land-based ` drama , ' but
her childlike smile
too much forced drama in this wildly uneven movie , about a young man 's battle with his inescapable past and uncertain future in a very shapable but largely unfulfilling present
that a movie as artificial and soulless as the country bears owes its genesis to an animatronic display at disneyland
so recognizable and true that , as in real life , we 're never sure how things will work out
take you to outer space
own tortured psyche
the modern remake of dumas 's story is long on narrative and ( too ) short on action .
a pleasant and engaging enough sit , but in trying to have the best of both worlds it ends up falling short as a whole .
the pitch-perfect forster to the always hilarious meara and levy , like mike shoots and scores , doing its namesake proud
a film with contemporary political resonance illustrated by a winning family story .
noise , mayhem and stupidity
to his day job
what 's invigorating about it is that it does n't give a damn .
it 's about as convincing as any other arnie musclefest , but has a little too much resonance with real world events and ultimately comes off as insultingly simplistic .
, shapeless documentary
enjoy on a certain level
it 's hard to pity the ` plain ' girl who becomes a ravishing waif after applying a smear of lip-gloss .
it 's a hellish , numbing experience to watch , and it does n't offer any insights that have n't been thoroughly debated in the media already , back in the dahmer heyday of the mid - '90s
of her considerable talents
impersonal
the lack of climax and , worst of all
its initial promise
it 's no lie -- big fat liar is a real charmer .
hard put to find a movie character more unattractive or odorous ( than leon )
from human impulses that grew hideously twisted
you feeling a little sticky and unsatisfied
does n't take itself so deadly seriously
has a certain ghoulish fascination , and generates a fair amount of b-movie excitement
enjoyable documentary .
bring something new into the mix
intense political and psychological thriller
it 's up to ( watts ) to lend credibility to this strange scenario , and her presence succeeds in making us believe
bracingly truthful antidote
interesting bit
over-the-top , and
's so much to look at in metropolis you hate to tear your eyes away from the images long enough to read the subtitles .
leaden as the movie sputters to its inevitable tragic conclusion
loaded with actors you 're most likely to find on the next inevitable incarnation of the love boat
one of the funnier movies
is simply too ludicrous and borderline insulting .
injects just enough freshness into the proceedings
making reference to other films and trying to be other films
is n't that stealing harvard is a horrible movie -- if only it were that grand a failure !
no chemistry or