xiangpku/GLUE huggingface dataset:
it required viewing in university computer science departments for years to come
every possible angle has been exhausted by documentarians
bounds along with the rat-a-tat energy of `` his girl friday , '' maintaining a light touch while tackling serious themes
to see over and over again
generic drama
one of the most highly-praised disappointments i 've had the misfortune to watch in quite some time .
us too drunk on the party favors to sober us up with the transparent attempts at moralizing
feel alive - which is what they did
i could have looked into my future and saw how bad this movie was
chafing
on a board
the cast is spot on and the mood is laid back
those prone to indignation need not apply ; those susceptible to blue hilarity , step right up .
who would not likely be so stupid as to get
a highly watchable , giggly little story
said that he is an imaginative filmmaker who can see the forest for the trees
dialogue and preposterous moments
choosing his roles with the precision of the insurance actuary
is duly impressive in imax dimensions , as are shots of the astronauts floating in their cabins .
was kind of terrific
there must be an audience that enjoys the friday series , but
weighs down his capricious fairy-tale
alone is worth the price of admission .
will nevertheless find moving .
does n't really know or care about the characters , and uses them as markers for a series of preordained events .
by its smallness
is the gabbiest giant-screen movie
to scoring high for originality of plot
a banal spiritual quest
filmmaker stacy peralta has a flashy editing style that does n't always jell with sean penn 's monotone narration , but
tends to place most of the psychological and philosophical material in italics rather than trust an audience 's intelligence
skin of man gets a few cheap shocks from its kids-in-peril theatrics , but
solid acting and
joan and philip 's repetitive arguments , schemes and treachery
the nicest thing that can be said about stealing harvard ( which might have been called freddy gets molested by a dog )
their quirky and fearless ability
drooling over michael idemoto as michael
often imaginative
great scares
ill-conceived and expensive project
rhetoric and cliché
mitch davis 's wall of kitsch hard going
photographed in the manner of a golden book sprung to life
a few nice twists
die hideously
well-intentioned ,
, colin hanks is in bad need of major acting lessons and maybe a little coffee .
recognize that there are few things in this world more complex -- and , as it turns out , more fragile
that rare movie that works on any number of levels -- as
becomes more specimen than character
a terrific b movie -- in fact , the best in recent memory .
is a welcome and heartwarming addition to the romantic comedy genre .
lazy , miserable and smug .
consider a dvd rental instead
and no one )
, i.e. peploe 's , it 's simply unbearable
oddballs
angel presents events partly from the perspective of aurelie and christelle , and infuses the film with the sensibility of a particularly nightmarish fairytale .
you wanting more
smart and fun
see nothing in it to match the ordeal of sitting through it
remarkable for its excellent storytelling , its economical , compressed characterisations and for its profound humanity , it 's an adventure story and history lesson all in one .
the premise itself is just sooooo tired .
lost in the translation ... another routine hollywood frightfest in which the slack execution italicizes the absurdity of the premise
will give you goosebumps as its uncanny tale of love , communal discord , and justice
reveals itself slowly , intelligently
as a girl-meets-girl romantic comedy , kissing jessica steinis quirky , charming and often hilarious .
for its boundary-hopping formal innovations and glimpse
are so crucial to the genre and another first-rate performance by top-billed star bruce willis
's a piece of handiwork that shows its indie tatters and self-conscious seams in places , but has some quietly moving moments and an intelligent subtlety .
a china shop , a provocateur crashing into ideas and special-interest groups as he slaps together his own brand of liberalism
, harry potter and the chamber of secrets finds a way to make j.k. rowling 's marvelous series into a deadly bore .
be significantly different ( and better ) than most films
of the people who loved the 1989 paradiso will prefer this new version
a comedy as i 've seen in a while , a meander through worn-out material
self-hating , self-destructive ways
of the other foul substances
one of the most moronic screenplays of the year , full of holes that will be obvious even to those who are n't looking for them
enriched by a strong and unforced supporting cast
the film with his effortless performance and that trademark grin of his -- so perfect for a ballplayer
too crazy
a fragile framework upon which to hang broad , mildly fleshed-out characters that seem to have been conjured up only 10 minutes prior to filming .
would probably be duking it out with the queen of the damned for the honor .
things that elevate `` glory '' above most of its ilk
lies in the utter cuteness of stuart and margolo .
deeply spiritual film taps into the meaning and consolation in afterlife communications .
could have written a more credible script , though with the same number of continuity errors .
in the translation ... another routine hollywood frightfest in which the slack execution italicizes the absurdity of the premise
give the transcendent performance
they succeed
it 's not only dull because we 've seen ( eddie ) murphy do the genial-rogue shtick to death , but because the plot is equally hackneyed .
love is the great equalizer that can calm us of our daily ills and bring out joys in our lives that we never knew
she might not make for a while
is wrong in its sequel
the be-all-end-all of the modern-office anomie films
of him wheedling reluctant witnesses and pointing his camera through the smeared windshield of his rental car
with enough negatives
a charmer from belgium .
try hard but come off too amateurish and awkward
in such a potentially sudsy set-up
a poetic
a kind of abstract guilt
but mush-hearted .
a rambling and incoherent manifesto about the vagueness of topical excess
make it unexpectedly rewarding
two fine actors , morgan freeman
made allen 's romantic comedies so pertinent and enduring
at least one damn fine
a lighthearted comedy
pointed , often incisive satire and unabashed sweetness
built on a faulty premise , one it follows into melodrama and silliness
any number of metaphorical readings
unlikable , uninteresting , unfunny , and completely , utterly inept .
dared to mess with some powerful people
has one strike against it
i for one enjoyed the thrill of the chill
a substantial arc of change that does n't produce any real transformation
sillier , cuter , and shorter than the first ( as best i remember ) , but still a very good time at the cinema .
delivers the goods and audiences will have a fun , no-frills ride .
with an action movie that actually has a brain
a sentimental hybrid that could benefit from the spice of specificity .
by flashes of mordant humor
congratulate himself for having the guts to confront it
he creates
an enjoyable film in its own right
going at a rapid pace
only obscure the message
a comic fan
somewhat flawed ,
as rude and profane
is just too original to be ignored .
that no wise men will be following after it
i do n't know if frailty will turn bill paxton into an a-list director , but he can rest contentedly with the knowledge that he 's made at least one damn fine horror movie
narc takes a walking-dead , cop-flick subgenre and beats new life into it .
hugely imaginative and successful casting to its great credit , as well as
a sad and rote exercise in milking a played-out idea -- a straight guy has to dress up in drag -- that shockingly manages to be even worse than its title
've been trying to forget
recommended -- as visually bland as a dentist 's waiting room , complete with soothing muzak
nonsensical and formulaic
astonishingly pivotal
first-class , natural acting
's far too tragic
be moved by this drama
it concentrates far too much on the awkward interplay and utter lack of chemistry between chan and hewitt .
should be interesting
a guiltless film for nice evening out .
unfolds predictably
like it was worth your seven bucks ,
is meaningless , vapid and devoid of substance
sight gags
a pleasant distraction , a friday night diversion , an excuse to eat popcorn
each one of these people stand out and
fine music
one of the greatest date movies in years
ponderous , plodding soap opera disguised as a feature film
triple x is a double agent , and he 's one bad dude .
this did n't connect with me would require another viewing
eerily suspenseful
is suitable summer entertainment that offers escapism without requiring a great deal of thought
, but it 's great cinematic polemic
be significantly different ( and better ) than most films with this theme
the incredible imax sound system
, flat dialogue
moments of spontaneous creativity and authentic co-operative interaction
not all of the stories work and the ones that do are thin and scattered , but
some of the best special effects
really , really , really good things can come in enormous packages
offers a clear-eyed chronicle of a female friendship that is more complex and honest than anything represented in a hollywood film
a naturally funny film
millions of eager fans
callow
... contains very few laughs and even less surprises .
it makes me wonder if lawrence hates criticism so much that he refuses to evaluate his own work .
a delightful entree in the tradition of food movies
itself is just sooooo tired .
a powerful , chilling , and affecting study
howard and his co-stars all give committed performances
sad , occasionally horrifying but often inspiring film
promises offers an unexpected window into the complexities of the middle east struggle and into the humanity of its people .
a sweet , laugh-a-minute crowd pleaser that lifts your spirits
screenwriting cliches that sink it faster than a leaky freighter
make a splash even greater
the plot grows thin soon
his own preoccupations and obsessions
, unfaithful is at once intimate and universal cinema .
is a vh1 behind the music special that has something a little more special behind it : music that did n't sell many records but helped change a nation .
just about more stately than any contemporary movie this year ... a true study , a film with a questioning heart and
give a taste of the burning man ethos , an appealing blend of counter-cultural idealism and hedonistic creativity
it does sustain an enjoyable level of ridiculousness
there is a certain sense of experimentation and improvisation to this film that may not always work , but it is nevertheless compelling .
deep or
lacking any sense of commitment
, the more outrageous bits achieve a shock-you-into-laughter intensity of almost dadaist proportions .
rigid and
merely ( and literally ) tosses around sex toys and offers half-hearted paeans to empowerment that are repeatedly undercut by the brutality of the jokes , most at women 's expense .
santa gives gifts to grownups
of spontaneous creativity and authentic co-operative interaction
dreary and
spiritual journey
and , in the end , not well enough
grant is certainly amusing , but the very hollowness of the character he plays keeps him at arms length
is the case of a pregnant premise being wasted by a script that takes few chances and manages to insult the intelligence of everyone in the audience
although this idea is `` new ''
a way of gently swaying back and forth as it cradles its characters , veiling tension beneath otherwise tender movements
falling into the hollywood trap and
can be expected from a college comedy that 's target audience has n't graduated from junior high school
, only with muscles and a lot more smarts , but just as endearing and easy to watch
curiously , super troopers suffers because it does n't have enough vices to merit its 103-minute length .
enjoyably fast-moving
earnest , unsubtle and hollywood-predictable
the dispassionate gantz brothers as ordinary , pasty lumpen
that trademark grin of his
the group 's playful spark
are so unmemorable , despite several attempts at lengthy dialogue scenes , that one eventually resents having to inhale this gutter romancer 's secondhand material .
claude chabrol 's camera has a way of gently swaying back and forth as it cradles its characters , veiling tension beneath otherwise tender movements .
makes a great impression
is destined to be the 21st century 's new `` conan '' and that he 's going to make a splash even greater than arnold schwarzenegger , jean-claud van damme or steven segal
's nice to see piscopo again after all these years
it was so endlessly , grotesquely , inventive
raises some worthwhile themes while delivering a wholesome fantasy for kids
entertain or inspire its viewers
more than it does cathartic truth telling
once playful and haunting , an in-depth portrait of an iconoclastic artist who was fundamentally unknowable even to his closest friends
has all the wiggling energy of young kitten
is a perfect family film to take everyone to since there 's no new `` a christmas carol '' out in the theaters this year
comes along to remind us of how very bad a motion picture can truly be
sticks with its subjects a little longer
nicholson 's understated performance is wonderful .
even fans of sandler 's comic taste may find it uninteresting
terry is a sort of geriatric dirty harry , which will please eastwood 's loyal fans -- and suits the story , wherein our hero must ride roughshod over incompetent cops to get his man .
no such thing is hartley 's least accessible screed yet .
for happiness
reworking to aim the film at young males in the throes of their first full flush of testosterone
wilde 's droll whimsy helps `` being earnest '' overcome its weaknesses
accept the characters and the film , flaws and all
an intelligent romantic thriller
of anyone who has reached puberty actually finding the characters in slackers or their antics amusing , let alone funny
looked as beautiful , desirable , even delectable ,
if the film has a problem , its shortness disappoints : you want the story to go on and on .
a filmmaking methodology that 's just experimental enough to alienate the mainstream audience while ringing cliched to hardened indie-heads
a penetrating , potent exploration
is a gorgeous and deceptively minimalist cinematic tone poem .
offering fine acting moments
have any trouble getting kids to eat up these veggies
`` interesting ''
the concept of loss
maintaining a light touch
without sacrificing any of the cultural intrigue
somewhat satisfying
cutes
recycled and dumbed-down version
powerhouse
a realistically terrifying movie that puts another notch in the belt of the long list of renegade-cop tales
an adult who 's apparently been forced by his kids to watch too many barney videos
, this is that rare drama that offers a thoughtful and rewarding glimpse into the sort of heartache everyone has felt , or will feel someday .
is high on squaddie banter ,
soar .
at his most critically insightful
who anchors the film with his effortless performance and that trademark grin of his -- so perfect for a ballplayer
messy and
superficial treatment
feels a bit anachronistic .
harks
take movies by storm
compassion , good-natured humor
absolutely , inescapably gorgeous ,
its subject matter is too calm and thoughtful for agitprop , and the thinness of its characterizations makes it a failure as straight drama . '
it 's difficult to feel anything much while watching this movie , beyond mild disturbance or detached pleasure at the acting .
humorously
looks like the six-time winner of the miss hawaiian tropic pageant , so i do n't know what she 's doing in here
what does n't this film have that an impressionable kid could n't stand to hear ?
emerges with yet another remarkable yet shockingly little-known perspective .
uncomfortably timely , relevant
the milieu is wholly unconvincing ...
is a visually stunning rumination on love , memory , history and the war between art and commerce .
holes that will be obvious even to those who are n't looking for them
and lurches between not-very-funny comedy , unconvincing dramatics
rambles
ineptly directed action sequences and some of the worst dialogue in recent memory .
at every faltering half-step of its development
with the right actors and with the kind of visual flair that shows what great cinema can really do
blustery
feeling guilty for it
gloomy film noir veil
very amusing
miss you .
a gently funny , sweetly adventurous film that makes you feel genuinely good , that is to say
is a good-hearted ensemble comedy with a variety of quirky characters and an engaging story .
unwavering and arresting
an uneven look into a grim future that does n't come close to the level of intelligence and visual splendor that can be seen in other films
ever to look as if it were being shown on the projection television screen of a sports bar
is doomed by its smallness
the movie would seem less of a trifle if ms. sugarman followed through on her defiance of the saccharine .
dylan kidd
is felt ; not the craven of ' a nightmare on elm street ' or ` the hills have eyes , ' but the sad schlock merchant of ` deadly friend . '
's also too stupid to realize that they 've already seen this exact same movie a hundred times
as each of them searches for their place in the world , miller digs into their very minds to find an unblinking , flawed humanity .
rhapsodize cynicism , with repetition and languorous slo-mo sequences , that glass 's dirgelike score becomes a fang-baring lullaby .
connect with on any deeper level
entertaining film
a fascinating case study of flower-power liberation --
more challenging or depressing
could watch this movie and be so skeeved out that they 'd need a shower .
takes a classic story
all for easy sanctimony , formulaic thrills and a ham-fisted sermon
fincher takes no apparent joy in making movies ,
reveals the ways in which a sultry evening or a beer-fueled afternoon in the sun can inspire even the most retiring heart to venture forth
is n't as compelling or as believable as it should be .
a female friendship that is more complex and honest than anything represented in a hollywood film
has all the heart of a porno flick ( but none of the sheer lust ) .
forced drama in this wildly uneven movie , about a young man 's battle with his inescapable past and uncertain future in a very shapable but largely unfulfilling present
flawless amounts of acting , direction , story and pace
the fascination comes in the power of the huston performance , which seems so larger than life and yet so fragile
they go to a picture-perfect beach during sunset .
's hard to stop watching
is an undeniably intriguing film from an adventurous young talent who finds his inspiration on the fringes of the american underground
despite an impressive roster of stars and direction from kathryn bigelow , the weight of water is oppressively heavy .
followers of the whole dead-undead genre , who deserve more from a vampire pic than a few shrieky special effects
are fascinating
, notorious c.h.o. hits all the verbal marks it should .
( depending upon where you live )
for no better reason
itself beautifully to filming the teeming life on the reefs , making this gorgeous film a must for everyone from junior scientists to grown-up fish lovers
's a hellish ,
a group of more self-absorbed women than the mother and daughters featured in this film
too much resonance
he allows a gawky actor like spall -- who could too easily become comic relief in any other film -- to reveal his impressively delicate range .
even after the most awful acts are committed , is an overwhelming sadness that feels as if it has made its way into your very bloodstream .
find their humor-seeking dollars best spent elsewhere
lost his touch ,
like the rugrats movies , the wild thornberrys movie does n't offer much more than the series
to be the best espionage picture to come out in weeks
in the pants
makes a better travelogue than movie .
the most gloriously unsubtle and adrenalized extreme
santa clause 2 ' is wondrously creative .
sweet home alabama is n't as funny as you 'd hoped .
more forced than usual
make a terrific effort at disguising the obvious with energy and innovation
nicely shot
excruciatingly unfunny
complex from the start -- and , refreshingly , stays that way
bad animation and
the director , mark pellington , does a terrific job conjuring up a sinister , menacing atmosphere though unfortunately all the story gives us is flashing red lights , a rattling noise , and a bump on the head .
a screenplay more ingeniously constructed than `` memento ''
grows boring despite the scenery .
pipe dream does have its charms .
what is and always has been remarkable about clung-to traditions
the feeble examples
shyamalan 's gifts
the narrator and the other characters try to convince us that acting transfigures esther , but she 's never seen speaking on stage
inquisitive
from an eccentric and good-naturedly aimless story
it does n't really know or care about the characters , and uses them as markers for a series of preordained events .
cerebral and cinemantic flair
is every bit as fascinating
in frustration
childhood innocence combined with indoctrinated prejudice
is as serious as a pink slip .
see samira makhmalbaf as a very distinctive sensibility , working to develop her own film language with conspicuous success
went over my head or -- considering just
outtakes in which most of the characters forget their lines and just utter ` uhhh , ' which is better than most of the writing in the movie
return to never land is reliable
boring man
mike leigh populates his movie with a wonderful ensemble cast of characters that bring the routine day to day struggles of the working class to life
to admire ... the intensity with which he 's willing to express his convictions
avoids all the comic possibilities of its situation , and becomes one more dumb high school comedy about sex gags and prom dates .
experience that finds warmth in the coldest environment and makes each crumb of emotional comfort
it is welcome to see a chinese film depict a homosexual relationship in a mature and frank fashion
kinnear ... gives his best screen performance with an oddly winning portrayal of one of life 's ultimate losers .
is frustratingly unconvincing .
, those farts got to my inner nine-year-old
better vehicle
from being dragged through a sad , sordid universe of guns , drugs , avarice and damaged dreams
while the production details are lavish , film has little insight into the historical period and its artists , particularly in how sand developed a notorious reputation .
a guy who has waited three years with breathless anticipation for a new hal hartley movie to pore over
for frequently pandering to fans of the gross-out comedy
one of the most incoherent features in recent memory .
like a grinning jack o ' lantern , its apparent glee is derived from a lobotomy , having had all its vital essence scooped out and discarded .
go to a picture-perfect beach
's unique and quirky about canadians
a charming , banter-filled comedy ... one of those airy cinematic bon bons whose aims -- and by extension , accomplishments -- seem deceptively slight on the surface
before indigestion sets
treat for its depiction
beyond the cleverness , the weirdness and the pristine camerawork
a polished and vastly entertaining caper
with considerable wit
arteta directs one of the best ensemble casts of the year
should n't the reality seem at least passably real
whether you think kissinger was a calculating fiend or just a slippery self-promoter
comprehend it
the best movies
the direction has a fluid , no-nonsense authority , and the performances by harris , phifer and cam ` ron seal the deal
is a canny crowd pleaser , and the last kiss ... provides more than enough sentimental catharsis for a satisfying evening at the multiplex .
the country bears ' should never have been brought out of hibernation
been preferable
frank capra 's classic
there is nothing funny in this every-joke-has - been-told-a - thousand-times - before movie .
to crawl up your own *** in embarrassment
is the script 's endless assault of embarrassingly ham-fisted sex jokes