xiangpku/GLUE huggingface dataset:
a memorable experience that , like many of his works , presents weighty issues
could have been crisper and punchier ,
sets out with no pretensions and delivers big time
the cinematic equivalent of high humidity
completely honest , open-hearted film
take notice
( clooney 's ) debut can be accused of being a bit undisciplined , but it has a tremendous , offbeat sense of style and humor that suggests he was influenced by some of the filmmakers who have directed him , especially the coen brothers and steven soderbergh .
plays like a student film by two guys who desperately want to be quentin tarantino when they grow up
( t ) he film is never sure to make a clear point -- even if it seeks to rely on an ambiguous presentation .
the intentionally low standards
as often imaginative
those willing to endure its extremely languorous rhythms , waiting for happiness
a number of other assets to commend it to movie audiences both innocent and jaded
laziest
a true-blue delight .
writer-director ritchie reduces wertmuller 's social mores and politics to tiresome jargon .
marks a return to form for director peter bogdanovich
are just actory concoctions , defined by childlike dimness and a handful of quirks
's going to make a splash even greater than arnold schwarzenegger , jean-claud van damme or steven segal
overrides what little we learn along the way about vicarious redemption
fresh , entertaining comedy
with all its flaws , is that it has none of the pushiness and decibel volume of most contemporary comedies .
never change .
with an intimate feeling , a saga of the ups and downs of friendships
will have a great time
, slap her is a small but rewarding comedy that takes aim at contemporary southern adolescence and never lets up .
's about as overbearing and over-the-top as the family
candy and cheeky wit to keep parents away from the concession stand
the lack of naturalness makes everything seem self-consciously poetic and forced ...
back-stabbing , inter-racial desire
are nowhere near
ended up in a movie this bad
somewhere along the way k-19 jettisoned some crucial drama .
a weirdly beautiful place
offers an interesting look at the rapidly changing face of beijing .
the movie is so clumsily sentimental and ineptly directed it may leave you speaking in tongues .
i liked about schmidt a lot ,
does n't work as either .
low-budget affair
that comes to mind , while watching eric rohmer 's tribute to a courageous scottish lady
unaware
contrived situations
have the necessary self-control to guide a loose , poorly structured film through the pitfalls of incoherence and redundancy
spy action flick with antonio banderas and lucy liu never comes together .
surehanded direction
very slow , uneventful
in short , is n't nearly as funny as it thinks it is
trouble every day is a success in some sense , but it 's hard to like a film so cold and dead .
style and mystification
brosnan 's finest non-bondish performance yet fails to overcome the film 's manipulative sentimentality and annoying stereotypes .
forget the psychology 101 study of romantic obsession and just watch the procession of costumes in castles and this wo n't seem like such a bore .
sophisticated and
an entertaining , if ultimately minor , thriller .
in a more ambitious movie
cliched dialogue
the dialogue is very choppy and monosyllabic despite the fact that it is being dubbed .
less funny than it should be and less funny than it thinks it is
is n't nearly as funny
humorous and
her considerable talents
lawrence sounds whiny and defensive , as if his life-altering experiences made him bitter and less mature .
purports to be a hollywood satire but winds up as the kind of film that should be the target of something deeper and more engaging .
is barely an hour long .
riveted
a far bigger , far more meaningful story
a complex psychological drama
the transporter bombards the viewer with so many explosions and
all excited about a chocolate eclair
will be lulled into a coma .
dumb , narratively chaotic
a sense of real magic , perhaps .
breathtaking , awe-inspiring visual poetry
gaining most of its unsettling force
dead-end distaste
wonderfully
this ill-conceived and expensive project
cross between xxx and vertical limit .
funny , subtle , and resonant
of movie that leaves vague impressions and a nasty aftertaste but little clear memory of its operational mechanics
thin stretched over the nearly 80-minute running time
invulnerable as its trademark villain
is about something very interesting and odd that
of the credit for the film 's winning tone
best and most mature
described as a ghost story gone badly awry
insightfully written , delicately performed
interest onscreen
a wild , endearing , masterful documentary
a dreadful day in irish history
conceive of anyone who has reached puberty actually finding the characters in slackers or their antics amusing , let alone funny
it is an unstinting look at a collaboration between damaged people that may or may not qual
worked better as a one-hour tv documentary
is a fast , frenetic , funny , even punny 6 -- aimed specifically at a grade-school audience
that plays like a bad soap opera , with passable performances from everyone in the cast
the ideas tie together beautifully
quite a nosedive
the film is filled with humorous observations about the general absurdity of modern life as seen through the eyes outsiders , but
a splendid meal
has stepped into the mainstream of filmmaking with an assurance worthy of international acclaim and with every cinematic tool well under his control -- driven by a natural sense for what works on screen
is a gem
bad in a major movie
come away with a greater knowledge of the facts of cuban music
, it 's one of the worst of the entire franchise .
i 'm not sure which half of dragonfly is worse : the part where nothing 's happening , or the part where something 's happening , but
you 've already seen city by the sea under a variety of titles , but
all seemed wasted like deniro 's once promising career and the once grand long beach boardwalk .
, light treat
also is more fully an example of the kind of lush , all-enveloping movie experience it rhapsodizes
its lack of purpose
adolescents will be adequately served by the movie 's sophomoric blend of shenanigans and slapstick , although the more lascivious-minded might be disappointed in the relative modesty of a movie that sports a ` topless tutorial service . '
places the good-time shenanigans in welcome perspective
a selection of scenes in search of a movie
less than the sum of its underventilated père-fils confrontations
meshes in this elegant entertainment
're burnt out on it 's a wonderful life marathons and bored with a christmas carol
seems as though it was written for no one , but somehow
the all-too-familiar dramatic arc
anchored by splendid performances
just a bunch of good actors
of attraction and interdependence
what starts off as a potentially incredibly twisting mystery becomes simply a monster chase film .
the gorgeously elaborate continuation
fuses the events of her life with the imagery in her paintings so vividly that the artist 's work may take on a striking new significance for anyone who sees the film .
else who may , for whatever reason , be thinking about going to see this movie
is remarkably engaging despite being noticeably derivative of goodfellas and at least a half dozen other trouble-in-the-ghetto flicks
mundane
sinister happy ending
all its visual panache and compelling supporting characters
a hilarious place to visit
the engaging ,
entertaining comedy
britney spears ' phoniness
it reduces the complexities to bromides and slogans and it gets so preachy-keen and so tub-thumpingly loud it makes you feel like a chump
the film has an infectious enthusiasm
is a serious work by an important director who has something new to say about how , in the flip-flop of courtship , we often reel in when we should be playing out
seems intimidated by both her subject matter and the period trappings of this debut venture into the heritage business
of awakening and ripening
made eddie murphy a movie star and the man
what it was that made the story relevant in the first place
, at least he provides a strong itch to explore more .
stoops to cheap manipulation or corny conventions to do it
walt becker 's film pushes all the demographically appropriate comic buttons .
brings a youthful , out-to-change-the-world aggressiveness to the project
good , sonny
the characters ' quirks and foibles never jell into charm
hands out awards -- with phony humility barely camouflaging grotesque narcissism
delivers the goods and audiences will have a fun , no-frills ride
one teenager 's uncomfortable class resentment and
-- not the first , by the way --
, the director 's experiment is a successful one .
high crimes carries almost no organic intrigue as a government / marine/legal mystery , and that 's because the movie serves up all of that stuff , nearly subliminally , as the old-hat province of male intrigue .
about as exciting to watch as two last-place basketball teams playing one another on the final day of the season .
surprisingly refreshing
written so well , that even a simple `` goddammit
none of them memorable
as an entertainment destination for the general public
such an excellent job
catch the pitch of his poetics , savor the pleasure of his sounds and images , and ponder the historical , philosophical , and ethical issues that intersect with them
an ambitiously naturalistic , albeit half-baked , drama about an abused , inner-city autistic
more fascinating look
hartley adds enough quirky and satirical touches in the screenplay to keep the film entertaining .
a fine , focused piece of work
continually challenges perceptions of guilt and innocence , of good guys and bad , and asks us whether a noble end can justify evil means .
aspires to the cracked lunacy of the adventures of buckaroo banzai , but thanks to an astonishingly witless script ends up more like the adventures of ford fairlane .
unmotivated
did n't convince me that calvin jr. 's barbershop represents some sort of beacon of hope in the middle of chicago 's south side .
utilizes the idea of making kahlo 's art a living , breathing part of the movie , often catapulting the artist into her own work .
lumbering
breathes life into a roll that could have otherwise been bland and run of the mill
does n't allow an earnest moment to pass without reminding audiences that it 's only a movie
are masterfully controlled
is perfectly serviceable and because he gives the story some soul
ice age only improves on it , with terrific computer graphics , inventive action sequences and a droll sense of humor
stands still in more ways that one in clockstoppers , a sci-fi thriller as lazy as it is interminable .
a sleek advert for youthful anomie
as ' a perfect family film
finds no way to entertain or inspire its viewers
hard to say who might enjoy this
a successful example
of familial separation and societal betrayal
great credit
loneliness and isolation
are wasted in it
the logic of it all will be greek to anyone not predisposed to the movie 's rude and crude humor .
this is n't even a movie we can enjoy as mild escapism ; it is one in which fear and frustration are provoked to intolerable levels .
a first-class , thoroughly involving b movie
a few tasty morsels
highly gifted 12-year-old
blade ii mutates into a gross-out monster movie with effects that are more silly than scary .
wildly incompetent but brilliantly named half past dead -- or for seagal pessimists : totally past his prime
comes the first lousy guy ritchie imitation
a deserved co-winner of the audience award for documentaries at the sundance film festival
a weak and ineffective ghost story without a conclusion or pay off
may not be pleased
it should be doing a lot of things , but does n't .
anti-
lacks it .
oral storytelling frozen onto film
that should 've been so much more even if it was only made for teenage boys and wrestling fans
but quietly effective
into a dullard
instead of a balanced film that explains the zeitgeist that is the x games , we get a cinematic postcard that 's superficial and unrealized .
the princess seem smug and cartoonish
are funny
characters who are sweet and believable , and are defeated by a screenplay that forces them into bizarre , implausible behavior
hard to make the most of a bumper
terrific as rachel
can gasp , shudder and even tremble without losing his machismo
really stupid
ryan gosling ... is at 22 a powerful young actor .
guilt-trip
, you wo n't feel like it 's wasted yours
two hours of junk .
human drama
it jumps around with little logic or continuity , presenting backstage bytes of information that never amount to a satisfying complete picture of this particular , anciently demanding métier .
... one of the most entertaining monster movies in ages
modeled on the worst revenge-of-the-nerds clichés the filmmakers could dredge up
far more interested in gross-out humor
diggs and lathan are among the chief reasons brown sugar is such a sweet and sexy film .
an unbalanced mixture of graphic combat footage
're content with a clever pseudo-bio that manages to have a good time as it doles out pieces of the famous director 's life
tries its best to hide the fact that seagal 's overweight and out of shape .
very top
an uninspired preachy and clichéd war
keep this from being a complete waste of time
imamura has said that warm water under a red bridge is a poem to the enduring strengths of women .
's good enough to be the purr
is quite possibly the sturdiest example yet of why the dv revolution has cheapened the artistry of making a film .
the smartest
as the lousy tarantino imitations have subsided
it is very difficult to care about the character , and that is the central flaw of the film
unlikable ,
up being both revelatory and narcissistic , achieving some honest insight into relationships that most high-concept films candy-coat with pat storylines , precious circumstances and beautiful stars
an imaginatively mixed cast of antic spirits
left on a remote shelf indefinitely
a return to pure disney
a movie that will thrill you , touch you and make you laugh as well .
is phenomenal , especially the women
undercuts its charm
it 's all arty and jazzy and people sit and stare and turn away from one another instead of talking and it 's all about the silences and if you 're into that , have at it
larger-than-life figure
thrown every suspenseful cliché in the book
rare and riveting
a family film
elegant visual sense
are worth the price of admission
of being a good documentarian
very predictable but still entertaining
a christmas perennial
depressing story
meticulous talent
called freddy gets molested by a dog
solid performances
genuinely funny jokes
is , however , a completely honest , open-hearted film that should appeal to anyone willing to succumb to it .
have finally aged past his prime ...
do n't judge this one too soon
translating complex characters from novels to the big screen
rubbo runs through a remarkable amount of material in the film 's short 90 minutes .
consistently funny .
animated by an energy that puts the dutiful efforts of more disciplined grade-grubbers
a satisfactory overview of the bizarre world of extreme athletes as several daredevils express their own views .
should be required viewing for civics classes and would-be public servants alike
ca n't remember the last time i saw worse stunt editing or cheaper action movie production values than in extreme ops .
its occasional charms are not to be dismissed .
be over
the euphoria of growing up
constantly pulling the rug from underneath us
has found with an devastating , eloquent clarity
wince in embarrassment and others ,
on the glamorous machine that thrusts the audience into a future they wo n't much care about
that never catches fire
it 's the brilliant surfing photography bringing you right inside the massive waves that lifts blue crush into one of the summer 's most pleasurable movies .
deepest recesses
as good , if not better
throwaway references to faith and rainbows to plant smile-button faces on that segment of the populace that made a walk to remember a niche hit
quite tasty and inviting all the same
movies , television and the theater
irony-free
lasker 's canny , meditative script distances sex and love , as byron and luther ...
it is a kind , unapologetic , sweetheart of a movie , and
its absurdity
hates
most fascinating stories
fragmentary narrative style
's been hyped to be because it plays everything too safe
of the most multilayered and sympathetic female characters of the year
it 's a hellish , numbing experience to watch
is that van wilder does little that is actually funny with the material .
it 's an effort to watch this movie ,
rapid-fire delivery
makes up for with its heart
effort to see an artist , still committed to growth in his ninth decade , change while remaining true to his principles
it takes chances that are bold by studio standards
opened it up for all of us to understand
imagine that most every aggrieved father cliché has been unturned
a worthy substitute
in tatters
no , even that 's too committed .
falling short as a whole
there is no foundation for it
is not one of the movies you 'd want to watch if you only had a week to live .
've got a huge mess
have all the suspense of a 20-car pileup
complete waste
there are rich veins of funny stuff in this movie
so poorly paced you could fit all of pootie tang in between its punchlines
sand 's masculine persona , with its love of life and beauty
handles the nuclear crisis sequences evenly but milks drama when she should be building suspense , and drags out too many scenes toward the end that should move quickly .
too much like an infomercial for ram dass 's latest book
manages just to be depressing , as the lead actor phones in his autobiographical performance
offensive , puerile and unimaginatively foul-mouthed
sit through about 90 minutes of a so-called ` comedy ' and not laugh once
people may be wondering what all that jazz was about `` chicago '' in 2002 .
unique and entertaining
it should have ditched the artsy pretensions and revelled in the entertaining shallows .
if it pushes its agenda too forcefully
its rough edges and a tendency to sag in certain places
mostly to the tongue-in-cheek attitude of the screenplay
to the always hilarious meara and levy
create and sustain
one of our best actors
ash wednesday is not edward burns ' best film , but it is a good and ambitious film
about mad queens , obsessive relationships , and rampant adultery
making kahlo 's art a living , breathing part of the movie
look back at civil disobedience , anti-war movements and the power of strong voices .
such a fine idea
his lack of self-awareness
the plotting here leaves a lot to be desired
, there is an accuracy of observation in the work of the director , frank novak , that keeps the film grounded in an undeniable social realism .
, the last kiss is really all about performances .
and small delights
it 's up to ( watts ) to lend credibility to this strange scenario , and
hubristic folly
as a piece of storytelling
a few nice twists in a standard plot
fascinating than the results
it also comes with the laziness and arrogance of a thing that already knows it 's won .
get inside you
bite your tongue to keep from laughing at the ridiculous dialog or the oh-so convenient plot twists
a limp eddie murphy vehicle that even he seems embarrassed to be part of .
's still a sweet , even delectable diversion
death to smoochy is often very funny ,
downfall
've seen in a while , a meander through worn-out material
it throws you for a loop .
something provocative ,
the horrifying historical reality
assured , vital and well wrought , the film is , arguably , the most accomplished work to date from hong kong 's versatile stanley kwan .
bogdanovich taps deep into the hearst mystique
is too steeped in fairy tales and other childish things
surprisingly similar
electrocute and dismember
on both suspense and payoff
passionate
in just such a dungpile that you 'd swear you
give a spark to `` chasing amy '' and `` changing lanes '' falls flat as thinking man cia agent jack ryan in this summer 's new action film ,
too often into sugary sentiment and withholds delivery on the pell-mell
is downright movie penance
giving audiences no reason to truly care for its decrepit freaks beyond the promise of a reprieve from their incessant whining
faithful without being forceful , sad without being shrill
its greatest play
are the kiss of death in this bitter italian comedy
akin to a reader 's digest condensed version of the source material
the most amazing super-sized dosage
... wallace is smart to vary the pitch of his movie , balancing deafening battle scenes with quieter domestic scenes of women back home receiving war department telegrams .
coppola 's directorial debut is an incredibly layered and stylistic film that , despite a fairly slow paced , almost humdrum approach to character development , still manages at least a decent attempt at meaningful cinema .
you 're likely wondering why you 've been watching all this strutting and posturing .
it was the unfulfilling , incongruous , `` wait a second
is the opposite of a truly magical movie .
the transcendent performance
folds under its own thinness
exceptional thriller
gripping and compelling
ca n't quite conceal that there 's nothing resembling a spine here
driven by a fantastic dual performance from ian holm ... the film is funny , insightfully human and a delightful lark for history buffs .
tsai 's usual style and themes
bring new energy to the familiar topic of office politics
its inventiveness
guarantee to have you leaving the theater with a smile on your face
crucial to the genre and another first-rate performance
one of the most original american productions this year
what a bewilderingly brilliant and entertaining movie
a ship as leaky
finds a nice rhythm .
dragonfly ' dwells on crossing-over mumbo jumbo , manipulative sentimentality , and sappy dialogue .
is hell
deserves recommendation
then again , subtlety has never been his trademark
my big fat greek wedding '' comes from the heart
a child 's interest and
although olivier assayas ' elegantly appointed period drama seems , at times , padded with incident in the way of a too-conscientious adaptation ... its three-hour running time plays closer to two .
possibly the most irresponsible picture ever released by a major film studio .
high-powered
an unmistakable , easy joie de vivre
could use more of : spirit , perception , conviction
they turn out to be delightfully compatible here
, you 'll have a good time with this one too
aims so low
of the most frantic , virulent and foul-natured christmas season pics ever delivered by a hollywood studio
unrelenting bleak insistence
wild ride ''
, wannabe-hip crime comedy
ingeniously
that the less charitable might describe as a castrated
marks a modest if encouraging return
incorporates rotoscope animation for no apparent reason except
hard to quibble with a flick boasting this many genuine cackles
of teen-driven , toilet-humor codswallop
starts out strongly before quickly losing its focus , point and purpose in a mess of mixed messages , over-blown drama and bruce willis with a scar .
ca n't remember a single name responsible for it
then the film is a pleasant enough dish .
is that i ca n't remember a single name responsible for it
bring out joys in our lives that we never knew
the otherwise good-naturedness of mr. deeds , with its embrace of sheer goofiness and cameos of less
, and fearlessness
like the english patient and the unbearable lightness of being
is often preachy and
is clever
as awful as some of the recent hollywood trip tripe
gets off with a good natured warning
though writer/director bart freundlich 's film ultimately becomes a simplistic story about a dysfunctional parent-child relationship , it has some special qualities and the soulful gravity of crudup 's anchoring performance .
is worth your time
, fun , curiously adolescent movie
the production has been made with an enormous amount of affection , so
's an entertaining movie
how horrible we are to ourselves and each other
done a fine job of updating white 's dry wit to a new age
except a lingering creepiness one feels from being dragged through a sad , sordid universe of guns , drugs , avarice and damaged dreams