xiangpku/GLUE huggingface dataset:
female audience members drooling over michael idemoto as michael
just honest enough to provide the pleasures of a slightly naughty , just-above-average off - broadway play
so-called ` comedy '
has done his homework and
since dahmer resorts to standard slasher flick thrills when it should be most in the mind of the killer , it misses a major opportunity to be truly revelatory about his psyche .
reggio and glass put on an intoxicating show .
for following up a delightful , well-crafted family film with a computer-generated cold fish
i found the ring moderately absorbing , largely for its elegantly colorful look and sound .
a plot that 's just too boring and obvious
tortured husband
is its personable , amusing cast
, it finds a nice rhythm .
smart , not cloying
huppert and girardot give performances of exceptional honesty .
an earnest , roughshod document
imaginative filmmaking
the film 's hero is a bore and
cattaneo reworks the formula that made the full monty a smashing success ... but neglects to add the magic that made it all work .
maelstrom is strange and compelling , engrossing and different , a moral tale with a twisted sense of humor .
an acidic all-male all about eve
totally past his prime
the recording sessions are intriguing , and
dream of
should not be missed .
of sophisticated intrigue and human-scale characters
a powerful though flawed movie , guaranteed to put a lump in your throat while reaffirming washington as possibly the best actor working in movies today
'll love it
a fairly harmless but ultimately lifeless feature-length afterschool special
said , except : film overboard !
cagney 's ` top of the world '
succumb to appearing in this junk that 's tv sitcom material at best
the knee-jerk misogyny
as some of the recent hollywood trip tripe
, and room noise
the poor acting
dehumanizing and ego-destroying
does n't mean you have to check your brain at the door
of good actors
of lurid melodrama
, honest , and enjoyable comedy-drama
nails hard
the characters ... are paper-thin , and their personalities undergo radical changes when it suits the script .
, prepackaged julia roberts wannabe
occasionally horrifying but often inspiring
hates its characters
to be a wacky , screwball comedy
genres that just does n't work
a tired , talky feel
there is only so much baked cardboard i need to chew .
moving and vibrant .
should have stayed there
should come with the warning `` for serious film buffs only
more entertaining ,
chicken barely give a thought to the folks who prepare and deliver it
a positive impression
eccentricities that are attached to the concept of loss
is he has no character , loveable or otherwise .
a jaw-droppingly beautiful work
tough pill to swallow
a clear-eyed chronicle
s1m0ne 's satire is not subtle
is fresh to say about growing up catholic or , really , anything
's affecting , amusing , sad and reflective .
returns to narrative filmmaking with a visually masterful work of quiet power .
the soulful gravity
lux , now in her eighties , does a great combination act as narrator , jewish grandmother and subject -- taking us through a film that is part biography , part entertainment and part history .
confuses its message with an ultimate desire to please , and contorting itself into an idea of expectation is the last thing any of these three actresses , nor their characters , deserve .
a dark , quirky road movie that constantly defies expectation
surprisingly decent flick
twohy 's a good yarn-spinner
rigid
lazy filmmaking , with the director taking a hands-off approach when he should have shaped the story to show us why it 's compelling .
fresh , sometimes funny , and
sheridan seems terrified of the book 's irreverent energy , and scotches most of its élan , humor , bile , and irony .
this is a movie that refreshes the mind and spirit along with the body
that will strike a chord with anyone who 's ever
a real winner
head-turner
is just as boring and as obvious
to sustain interest for the full 90 minutes , especially with the weak payoff
it 's no lie -- big fat liar is a real charmer
a film really has to be exceptional to justify a three hour running time , and this is n't .
this exciting new filmmaker has brought to the screen
its hackneyed and meanspirited storyline with cardboard characters and performers
a timely look back at civil disobedience , anti-war movements and the power of strong voices .
wanting to abandon the theater
bring to imax
to recovering from its demented premise
littered with trenchant satirical jabs at the peculiar egocentricities of the acting breed
daringly perceptive , taut , piercing and feisty , biggie and tupac is undeniably subversive and involving in its bold presentation .
director michael cacoyannis displays with somber earnestness in the new adaptation of the cherry orchard
`` wild ride ''
this fascinating portrait
emotionally distant piece
is rote drivel aimed at mom and dad 's wallet .
right inside the massive waves that lifts blue crush into one of the summer 's most pleasurable movies
fresh-faced , big-hearted and frequently
film that leaves you scratching your head in amazement over the fact that so many talented people could participate in such an ill-advised and poorly
empire '' lacks in depth
i can tell you that there 's no other reason why anyone should bother remembering it .
soft-porn 'em powerment
blue crush thrillingly uses modern technology to take the viewer inside the wave .
control-alt-delete simone as quickly as possible
neither the funniest film that eddie murphy nor robert de niro has ever made
to lift the spirits of the whole family
stiletto-stomps the life out
exactly wrong
, passion , and genius
you wrong on both counts
might as well be watching it through a telescope
rhapsodic
schlocky horror/action hybrid
right actors
the murder
delicately calibrated in tone
tiresome cliché
sophisticated performance
needs more impressionistic
dramatic punch
a first-rate cast
riveting memories
did n't smile
kidman has become one of our best actors
trite and overused
a lot more dimensional and complex than its sunny disposition
her performance moves between heartbreak and rebellion as she continually tries to accommodate to fit in and gain the unconditional love she seeks .
the characters are paper thin and the plot is so cliched and contrived that it makes your least favorite james bond movie seem as cleverly plotted as the usual suspects
in which an ominous , pervasive , and unknown threat lurks just below the proceedings and adds an almost constant mindset of suspense
you 've endured a long workout without your pulse ever racing
to be a whole lot scarier than they are in this tepid genre offering
a disappointment for a movie that should have been the ultimate imax trip .
will earn her share of the holiday box office pie , although this movie makes one thing perfectly clear
mostly leaves him shooting blanks
i do n't blame eddie murphy but should n't owen wilson know a movie must have a story and a script ?
graceful , moving
it 's not just a feel-good movie
belly laughs ( including a knockout of a closing line )
's a compelling and horrifying story
maudlin as any after-school special you can imagine
suffers from a paunchy midsection , several plodding action sequences and a wickedly undramatic central theme
like a tarantino movie with heart , alias betty is richly detailed , deftly executed and utterly absorbing .
highly uneven and inconsistent ...
live the mood
could watch this movie and be so skeeved out that they 'd need a shower
jacquot has filmed the opera exactly as the libretto directs , ideally capturing the opera 's drama and lyricism .
`` empire '' lacks in depth
creates an impeccable sense of place
of strung-together moments
genuinely enthusiastic
awe-inspiring visual poetry
a very talented but underutilized supporting cast
a puppy dog so desperate for attention it nearly breaks its little neck trying to perform entertaining tricks
at hostile odds with one another
, all this visual trickery stops being clever and devolves into flashy , vaguely silly overkill .
are entitled to take a deep bow for fashioning an engrossing entertainment out of an almost sure-fire prescription for a critical and commercial disaster
gushing -- imamura squirts the screen in ` warm water under a red bridge '
if you can push on through the slow spots , you 'll be rewarded with some fine acting .
of the flesh
is precious little of either .
rings false .
are paper-thin , and their personalities undergo radical changes when it suits the script .
lame and
sentimental journey
every faltering half-step of its development
fighting hard for something that really matters
be impressed by this tired retread
a touching , small-scale story of family responsibility and care in the community
early laughs
though there 's a clarity of purpose and even-handedness to the film 's direction , the drama feels rigged and sluggish .
calm and thoughtful
demented in a good way
witty ,
, `` they 're out there ! ''
despite the opulent lushness of every scene , the characters never seem to match the power of their surroundings .
comes to mind : so why is this so boring ?
nothing but one relentlessly depressing situation after another for its entire running time , something that you could easily be dealing with right now in your lives .
puts on airs of a hal hartley wannabe film -- without the vital comic ingredient of the hilarious writer-director himself .
runs through a remarkable amount of material in the film 's short 90 minutes
of a copenhagen neighborhood coping with the befuddling complications life
long-suffering
so many talented people
whose portrait of a therapy-dependent flakeball
would know what to make of this italian freakshow .
politically audacious
makes dover kosashvili 's outstanding feature debut so potent
the pleasure of read my lips is like seeing a series of perfect black pearls clicking together to form a string .
right into the center of that world
a lightweight , uneven action comedy that freely mingles french , japanese and hollywood cultures .
was immensely enjoyable thanks to great performances
a feel-good fantasy
those who are not acquainted with the author 's work , on the other hand , may fall fast asleep .
authenticate her british persona
becomes a sermon for most of its running time
you are watching them , and the slow parade of human frailty fascinates you
dips key moments
one well-timed explosion in a movie
distracted rhythms
may well be the year 's best and most unpredictable comedy .
finch 's tale provides the forgettable pleasures of a saturday matinee
no character
essentially juiceless
tired one
his cipherlike personality and bad behavior would play fine if the movie knew what to do with him
a fascinating curiosity piece -- fascinating , that is , for about ten minutes
in its chicken heart
mean things
the talented cast
is one of the year 's worst cinematic tragedies
it 's a work that , with humor , warmth , and intelligence , captures a life interestingly lived .
is entirely too straight-faced
striking character traits
the gifted korean american stand-up
good , achingly human
does hold up pretty well .
, like nothing we 've ever seen before , and yet completely familiar .
is a convincing one , and should give anyone with a conscience reason to pause .
mired in a shabby script
unblinkingly pure as
is credible and remarkably mature .
could have easily become a cold , calculated exercise in postmodern pastiche winds up a powerful and deeply moving example of melodramatic moviemaking .
completely creatively stillborn and executed in a manner that i 'm not sure could be a single iota worse ... a soulless hunk of exploitative garbage .
a touching , small-scale story of family responsibility and care in the community .
a little too much resonance with real world events
choppy , overlong documentary about ` the lifestyle . '
have been made by people to whom the idea of narrative logic or cohesion is an entirely foreign concept
few gut-busting laughs
sweet and modest
wanted to leave .
restrained and subtle
be intolerable company
about the best thing you could say about narc
excellent sequel .
a cultural wildcard experience
with a romantic comedy plotline straight from the ages , this cinderella story does n't have a single surprise up its sleeve .
, few films have been this odd , inexplicable and unpleasant .
confessions may not be a straightforward bio , nor does it offer much in the way of barris ' motivations , but the film is an oddly fascinating depiction of an architect of pop culture
bravado
scenery , vibe and all
get to the closing bout ... by which time it 's impossible to care who wins
offer audiences
that begins with the everyday lives of naval personnel in san diego and ends with scenes so true and heartbreaking that tears welled up in my eyes both times i
of clever ideas and visual gags
an underdone potato
, and beautifully shot
will you feel after an 88-minute rip-off of the rock with action confined to slo-mo gun firing and random glass-shattering ? ''
his latest feature , r xmas , marks a modest if encouraging return to form
a real howler
funny , sexy , devastating and incurably romantic .
well together
to mention mysterious , sensual , emotionally intense , and replete with virtuoso throat-singing
nothing to gain from watching they
to elevate it beyond its formula to the level of classic romantic comedy to which it aspires
document both sides of this emotional car-wreck
a man whose achievements -- and complexities -- reached far beyond the end zone
leigh is one of the rare directors who feels acting is the heart and soul of cinema .
even if the ring has a familiar ring , it 's still unusually crafty and intelligent for hollywood horror .
there 's no fizz
your favorite pet get buried alive
old-fashioned values
it 's endlessly inventive , consistently intelligent and sickeningly savage .
get you down
was trying to decide what annoyed me most about god is great
the ring never lets you off the hook .
overweight and out
looking for something new
shows off a lot of stamina and vitality , and
its story of actorly existential despair than for its boundary-hopping formal innovations and glimpse into another kind of chinese
absolutely refreshed
wo n't sit still for a sociology lesson
endure instead of enjoy
teen-sleaze
i had a dream that a smart comedy would come along to rescue me from a summer of teen-driven , toilet-humor codswallop
succeed in alienating most viewers
a smart , funny look at an arcane area of popular culture
a movie that , quite simply , should n't have been made .
much of what we see is horrible but it 's also undeniably exceedingly clever .
everything about it from the bland songs to the colorful but flat drawings is completely serviceable and quickly forgettable .
as happy listening to movies
that 's the mark of a documentary that works
troubling and
that it is n't very good
releasing a film with the word ` dog ' in its title in january lends itself to easy jokes and insults , and snow dogs deserves every single one of them .
that just seem like a bad idea from frame one
have a good time with this one too
finds itself in reduced circumstances
a beguiling evocation of the quality that keeps dickens evergreen : the exuberant openness with which he expresses our most basic emotions
the ensemble cast
a severe case of oversimplification , superficiality and silliness
friday the 13th by way of clean and sober ,
is clever and funny , is amused by its special effects
's just that it 's so not-at-all-good
by an overly sillified plot and stop-and-start pacing
fit chan like a $ 99 bargain-basement special
with indoctrinated prejudice
well wrought
wanting more answers as the credits
funny little movie
the limited chemistry
has a brain
ultra-violent gangster wannabe
plumbs personal tragedy and also the human comedy .
watch the movie
it 's inauthentic at its core
bad writing
proves absolutely that really , really , really good things can come in enormous packages .
polanski is saying what he has long wanted to say , confronting the roots of his own preoccupations and obsessions
you swinging from the trees hooting it 's praises
laugh-free lecture
thrusts the audience into a future they wo n't much care about
meandering and pointless french coming-of-age import
of ` let 's get this thing over with
mind ugly
in a heartwarming , nonjudgmental kind of way
profundity
a straight-shooting family film which awards animals the respect they 've rarely been given .
i.e. , a banal spiritual quest
a neat trick
that bears more than a whiff of exploitation , despite iwai 's vaunted empathy
wears its empowerment on its sleeve
have made for better drama
wow factors
a thinking man 's monster movie
a moratorium , effective immediately ,
concentrates far too much on the awkward interplay and utter lack of chemistry between chan and hewitt
boasts dry humor and jarring shocks , plus moments of breathtaking mystery
it 's a smart , funny look at an arcane area of popular culture ,
thoroughly winning flight of revisionist fancy
that ultimately defeated the film ... it was the unfulfilling , incongruous , `` wait a second
bad romances
leigh makes these lives count .
his impressions of life and loss and
as good ,
is still top-heavy with blazing guns , cheatfully filmed martial arts , disintegrating bloodsucker computer effects and jagged camera moves that serve no other purpose than to call attention to themselves .
in a fairly irresistible package full of privileged moments and memorable performances
a feel-good movie can still show real heart
like one of ( spears ' ) music videos in content -- except that it goes on for at least 90 more minutes and , worse , that you have to pay if you want to see it .
until the film is well under way -- and yet it 's hard to stop watching
in his right mind
the sometimes murky , always brooding look of i
are so familiar you might as well be watching a rerun
appealingly
marvelous documentary touches -- ever so gracefully -- on the entire history of the yiddish theater , both in america and israel .
heartwarming scene the impressively discreet filmmakers may have expected to record with their mini dv
is forgettable
the trials of henry kissinger is a remarkable piece of filmmaking ... because you get it .
the darker elements of misogyny and unprovoked violence suffocate the illumination created by the two daughters and the sparse instances of humor meant to shine through the gloomy film noir veil
is trying to dupe the viewer into taking it all as very important simply because the movie is ugly to look at and not a hollywood product
uses a sensational , real-life 19th-century crime as a metaphor
originality in ` life '
if george romero had directed this movie , it would n't have taken the protagonists a full hour to determine that in order to kill a zombie you must shoot it in the head
look behind the curtain that separates comics from the people laughing in the crowd .
we a sick society
well-written
entertain
it 's almost impossible not to be swept away by the sheer beauty of his images .
this colorful bio-pic of a mexican icon
be crossed off the list of ideas for the inevitable future sequels ( hey , do n't shoot the messenger )
practically any like-themed film other than its oscar-sweeping franchise predecessor
the problem is that it is one that allows him to churn out one mediocre movie after another .
kicks into gear
begins as a seven rip-off , only to switch to a mix of the shining , the thing , and any naked teenagers horror flick from the 1980s
were as claustrophic , suffocating and chilly as the attics to which they were inevitably consigned
not only of one man 's quest to be president , but of how that man single-handedly turned a plane full of hard-bitten , cynical journalists into what was essentially , by campaign 's end , an extended publicity department
danish cows
, but also intriguing and honorable ,
the script is a tired one , with few moments of joy rising above the stale material .
entirely suspenseful , extremely
is solid , satisfying fare for adults .
the way that makes you ache with sadness ( the way chekhov is funny ) , profound without ever being self-important , warm without ever succumbing to sentimentality
its magic
beautifully edited
marshall puts a suspenseful spin on standard horror flick formula .
as enlightening , insightful and entertaining as grant 's two best films
s1m0ne 's satire is not subtle ,
though it 's not very well shot or composed or edited , the score is too insistent
grows as dull as its characters , about whose fate it is hard to care .
pleasures
is never clear
co-writers lisa bazadona and grace woodard
a huge box-office
good and different
i was trying to decide what annoyed me most about god is great ... i 'm not , and then i realized that i just did n't care .
polished , well-structured film
there are zoning ordinances to protect your community from the dullest science fiction
the charm of revolution os is rather the way it introduces you to new , fervently held ideas and fanciful thinkers .
is an in-your-face family drama and black comedy that is filled with raw emotions conveying despair and love
the brilliant performances by testud
nonsensical story
's hard to figure the depth of these two literary figures , and even the times in which they lived .
's crap on a leash -- far too polite to scale the lunatic heights of joe dante 's similarly styled gremlins .
because the movie serves up all of that stuff , nearly subliminally , as the old-hat province of male intrigue
by no means a slam-dunk and sure to ultimately disappoint the action fans who will be moved to the edge of their seats by the dynamic first act , it still comes off as a touching , transcendent love story .
and pretentious endeavor
a personal low
face arrest 15 years after their crime
i still want my money back .
and more entertaining , too
is not enough to give the film the substance it so desperately needs .
never fails to fascinate .
all comes down to whether you can tolerate leon barlow .
inventive cinematic tricks and
the film does n't show enough of the creative process or even of what was created for the non-fan to figure out what makes wilco a big deal .
suffers from its timid parsing of the barn-side target of sons trying to breach gaps in their relationships with their fathers .
that pours into every frame
cultural satire
enveloping affection
's as if a bored cage spent the duration of the film 's shooting schedule waiting to scream : `` got aids yet ? ''
this is n't exactly profound cinema ,
puts a human face on derrida , and makes one of the great minds of our times interesting and accessible
that the lack of linearity is the point of emotional and moral departure for protagonist alice
's mildly sentimental
is heartening in the same way that each season marks a new start .
maryam is a small film , but it offers large rewards
uniquely itself
narrative banality
uncommonly ambitious
just does n't figure in the present hollywood program .
sadly proving once again ego does n't always go hand in hand with talent
is n't it a bit early in his career for director barry sonnenfeld to do a homage to himself ?
you 'll have a good time with this one too
i 'm not exactly sure what -- and has all the dramatic weight of a raindrop
of such a well loved classic
created a substantive movie
( i ) t 's certainly laudable that the movie deals with hot-button issues in a comedic context , but barbershop is n't as funny as it should be
, beautifully produced film
is n't very funny
solid acting and a neat premise
putrid it is not worth
immature and unappealing to care about
to be bad
, astonish and entertain
the dirty jokes provide the funniest moments in this oddly sweet comedy about jokester highway patrolmen .
very much like life
in this poor remake of such a well loved classic , parker exposes the limitations of his skill and the basic flaws in his vision . '
hollywood ending just is n't very funny .
a corny examination
ones that were imposed for the sake of commercial sensibilities
winds up being both revelatory and narcissistic , achieving some honest insight into relationships that most high-concept films candy-coat with pat storylines , precious circumstances and beautiful stars
that this noble warlord would be consigned to the dustbin of history
emotional blandness
a feat any thinking person is bound to appreciate
an intimate feeling ,