xiangpku/GLUE huggingface dataset:
an incoherent jumble of a film that 's rarely as entertaining as it could have been
, luridly colored ,
is thinking that we needed sweeping , dramatic , hollywood moments to keep us
once the downward spiral comes to pass , auto focus bears out as your typical junkie opera ...
a canny crowd pleaser , and the last kiss
this is a movie full of grace and ,
an authentically vague , but ultimately purposeless , study in total
a sick and evil woman
the story of trouble every day ... is so sketchy it amounts to little more than preliminary notes for a science-fiction horror film , and
in a thriller , and the performances
interesting slice
once intimate and universal cinema
bo derek made the ridiculous bolero
cruel and
not all of the stories work and the ones that do are thin and scattered ,
wants to be a retro-refitting exercise in campy recall for older fans or a silly , nickelodeon-esque kiddie flick
would stoop so low
somewhat dilutes the pleasure of watching them
devastating , eloquent clarity
eddie murphy and owen wilson have a cute partnership in i spy ,
unpaid intern
it is too bad that this likable movie is n't more accomplished .
its worst harangues are easy to swallow thanks to remarkable performances by ferrera and ontiveros
disconcertingly slack
wonderful life
distinctly minor effort
opposed to the manifesto
all too familiar ... basically the sort of cautionary tale that was old when ` angels with dirty faces ' appeared in 1938 .
that work -- is charming , is moving
bittersweet comedy/drama full of life , hand gestures , and some
this u-boat does n't have a captain .
a convincing one
is very much of a mixed bag , with enough negatives to outweigh the positives .
is n't something to be taken seriously
entirely infantile
for great cinema
is a remarkable piece of filmmaking
dupe the viewer into taking it all as very important
too long , and larded with exposition , this somber cop drama ultimately feels as flat as the scruffy sands of its titular community .
own meager weight
easy feel-good sentiments
a relaxed firth displays impeccable comic skill
a porno flick ( but none of the sheer lust )
unlikable , uninteresting
than sketches ... which leaves any true emotional connection or identification frustratingly out of reach
a funny and well-contructed black comedy where the old adage `` be careful what you wish for ''
one funny popcorn
warm without ever succumbing to sentimentality
deuces wild treads heavily into romeo and juliet/west side story territory , where it plainly has no business going .
could have been crisper and punchier
unfortunately the story and the actors are served with a hack script .
clearly a manipulative film
thoroughly winning flight of revisionist fancy .
poor editing , bad bluescreen , and ultra-cheesy dialogue highlight the radical action .
been this odd , inexplicable and unpleasant
jackie chan movies are a guilty pleasure - he 's easy to like and always leaves us laughing
a powerful drama
genuinely moving and
it 's not just the vampires that are damned in queen of the damned -- the viewers will feel they suffer the same fate
is existential drama without any of the pretension associated with the term .
both oscar winners , a fact which , as you watch them clumsily mugging their way through snow dogs , seems inconceivable
truly distinctive and
playful
elevates the material above pat inspirational status and
offers flickering reminders of the ties that bind us
it 's an utterly static picture
p.t. anderson understands the grandness of romance and how love is the great equalizer that can calm us of our daily ills and bring out joys in our lives that we never knew were possible .
more like the pilot episode of a tv series
dismissed as mindless
that 's why sex and lucia is so alluring .
obvious .
`` being earnest '' overcome its weaknesses
a children 's party clown gets violently gang-raped
muccino seems to be exploring the idea of why human beings long for what they do n't have , and how this gets us in trouble .
goofball action comedy
to the core of what it actually means to face your fears , to be a girl in a world of boys , to be a boy truly in love with a girl , and
it 's crafty , energetic and smart
inventive , fun
all in all , a great party
live in if argento 's hollywood counterparts ... had this much imagination and nerve
is all over the place
's not very good either
everywhere will forgive the flaws and love the film .
if you have the patience for it
rounded and revealing overview
it 's a treat -- a delightful , witty , improbable romantic comedy with a zippy jazzy score ... grant and bullock make it look as though they are having so much fun
it has a caffeinated , sloppy brilliance , sparkling with ideas you wish had been developed with more care , but animated by an energy that puts the dutiful efforts of more disciplined grade-grubbers to shame .
clarke-williams 's
has done is proven that no amount of imagination , no creature , no fantasy story and no incredibly outlandish scenery
intimidated by both her subject matter
leaden as the movie sputters
playfully profound ... and crazier than michael jackson on the top floor of a skyscraper
than on petter næss ' delicate , clever direction ... and a wonderful , imaginative script
go from stark desert to gorgeous beaches
weird , wonderful
( gosling 's ) combination of explosive physical energy and convincing intelligence helps create a complex , unpredictable character .
despite the film 's bizarre developments , hoffman keeps us riveted with every painful nuance , unexpected flashes of dark comedy and the character 's gripping humanity .
sustain its initial promise with a jarring , new-agey tone creeping into the second half
old bad trip
, it manages to instruct without reeking of research library dust .
so tedious
goes beyond his usual fluttering and stammering and
as bad as you think , and worse than you can imagine
embraced
dishonest
this beautifully animated epic is never dull .
a phlegmatic bore
's the prince of egypt from 1998 .
scherfig , the writer-director
standard horror flick formula
there are some movies that hit you from the first scene and you know it 's going to be a trip
thanks to its cast , its cuisine and its quirky tunes
nothing but boilerplate clichés from start
profanity and violence
a vivid , sometimes surreal
follow the same blueprint from hundreds of other films
handled correctly
encounter than the original could ever have hoped to be
by a pack of dogs who are smarter than him
deniro 's once promising career
a movie in which a guy dressed as a children 's party clown gets violently gang-raped
remote , emotionally distant piece
disarmingly
direct-to-video/dvd category
they wo n't much care about
halfwit plot
a small but rewarding comedy
a great , participatory spectator sport . '
than money why this distinguished actor would stoop so low
more revealing , more emotional
does n't offer audiences any way of gripping what its point is , or even its attitude toward its subject
of joyful solo performance
respect to just one of those underrated professionals who deserve but rarely receive it
the journey to the secret 's eventual discovery
while you have to admit it 's semi-amusing to watch robert deniro belt out `` when you 're a jet , you 're a jet all the way , '' it 's equally distasteful to watch him sing the lyrics to `` tonight . ''
, with enough negatives
it 's not a motion picture ;
to quibble with a flick boasting this many genuine cackles
with originality , humor and pathos
, it is worth searching out .
overwrought ,
the beautiful images and solemn words can not disguise the slack complacency of ( godard 's ) vision , any more than the gorgeous piano and strings on the soundtrack can drown out the tinny self-righteousness of his voice .
while his characters are acting horribly
with such life-embracing spirit
has the right stuff for silly summer entertainment and
equally beautiful , self-satisfied
a dim-witted and lazy spin-off
thinly sketched story
this cinema verite speculation on the assassination of john f. kennedy may have been inspired by blair witch , but it takes its techniques into such fresh territory that the film never feels derivative .
excels in spectacle and pacing
lacks the charisma and ability
, we hope it 's only acting .
has layered , well-developed characters and some surprises
feels five hours long
is terrific , although the actors must struggle with the fact that they 're playing characters who sometimes feel more like literary conceits than flesh-and-blood humans .
hey everybody , wan na watch a movie in which a guy dressed as a children 's party clown gets violently gang-raped ?
mess that it feels less like bad cinema than like being stuck in a dark pit having a nightmare about bad cinema
it 's supposed to be post-feminist breezy but ends up as tedious as the chatter of parrots raised on oprah .
unless you 're an absolute raving star wars junkie
sincere performance
poignant japanese epic about adolescent anomie and heartbreak .
to keel over
bittersweet film
a decent-enough nail-biter that stands a good chance of being the big
makes you feel genuinely good
's understanding of the expressive power of the camera .
an all-inclusive world where uptight , middle class bores like antonia can feel good about themselves
were worried
this too-long , spoofy update of shakespeare 's macbeth
humanize its subject
provocative film
about as big a crowdpleaser as they possibly come .
david spade as citizen kane ?
touching drama
to pass up , and for the blacklight crowd , way cheaper ( and better ) than pink floyd tickets
though it 's told with sharp ears and eyes for the tenor of the times
that even the stuffiest cinema goers will laugh their *** off for an hour-and-a-half
a film you will never forget -- that you should never forget
that it also makes her appear foolish and shallow rather than , as was more likely ,
lives up
making moving pictures today
the inherent limitations of using a video game as the source material movie
makes compelling , provocative and prescient viewing
are up to the task
unamusing
the rarest kinds
rich in shadowy metaphor
it asks nothing of the audience other than to sit back and enjoy a couple of great actors hamming it up .
like mike is a slight and uninventive movie : like the exalted michael jordan referred to in the title , many can aspire but none can equal .
get this thing over with
who has lived her life half-asleep suddenly wake up
true-blue delight .
the gags
the film has a problem
power and grace
irritating display
it makes most of what passes for sex in the movies look like cheap hysterics
musty as one of the golden eagle 's carpets
succeeds where its recent predecessor miserably
to blue hilarity
with liberal doses of dark humor , gorgeous exterior photography , and a stable-full of solid performances
toward keeping the picture compelling
it 's hard to like a film so cold and dead
fustily tasteful
nair 's attention to detail
puts history in perspective
dishonest and
has crafted here a worldly-wise and very funny script
is a movie filled with unlikable , spiteful idiots
was n't feeling any of it
satisfying entertainment
adventurous indian filmmakers toward a crossover
a photographic marvel of sorts , and it
a first-class road movie that proves you can run away from home , but your ego and
a moral tale
secondhand material
presents a frightening and compelling ` what if ? '
i can easily imagine benigni 's pinocchio becoming a christmas perennial .
has all the outward elements of the original
jaw-dropping action sequences , striking villains , a gorgeous color palette , astounding technology ,
wo n't find anything to get excited about on this dvd
ever such a dependable concept was botched in execution
a grenade
too mainstream
, dong stakes out the emotional heart of happy .
even when he 's not at his most critically insightful , godard can still be smarter than any 50 other filmmakers still at work .
it does n't offer audiences any way of gripping what its point is , or even its attitude toward its subject .
kind , unapologetic ,
like time fillers between surf shots
it made me want to get made-up and go see this movie with my sisters .
a rich visual clarity and deeply
rare for any movie
grasping actors ' workshop that it is
a summer entertainment adults can see without feeling embarrassed ,
the most brilliant and brutal uk crime film
, its hard to imagine having more fun watching a documentary ...
should strike a nerve in many
in reverse
argentine retread
a comedy , both gentle and biting
is its personable , amusing cast .
an old-fashioned drama
that someone other than the director got into the editing room and tried to improve things by making the movie go faster
that there 's a casual intelligence that permeates the script
is a triumph of imagination
, it 's black hawk down with more heart .
too evident
is way too stagy
'm afraid .
the script is about as interesting as a recording of conversations at the wal-mart checkout line
is wholly unconvincing
its script and execution
shoot it in the head
done with noticeably less energy and imagination
ticking time bombs and other hollywood-action cliches
intriguing and
perfectly pitched web
makes it work more than it probably should
schindler 's
an overwhelming sadness that feels as if it has made its way into your very bloodstream
takes a walking-dead , cop-flick subgenre and beats new life into it
rises to its clever what-if concept
cheap , graceless , hackneyed sci-fi serials
given audiences
used soap
'm left slightly disappointed that it did n't .
no such thing breaks no new ground and treads old turf like a hippopotamus ballerina .
it 's worth the concentration .
unlikable characters and
to endure its extremely languorous rhythms , waiting for happiness
sweetly conspiratorial
that trademark grin
hollywood magic
cruel but weirdly likable
is a beautiful , aching sadness to it all
it ai n't art , by a long shot ,
're gon na like this movie .
this would-be ` james bond for the extreme generation ' pic is one big , dumb action movie .
cliches and
( woo 's ) most resonant film since the killer .
nominated for an oscar next year
eastwood is off his game
the story is -- forgive me -- a little thin , and the filmmaking clumsy and rushed
satisfyingly
a modestly made but profoundly moving documentary
a head-turner
is less compelling than the circumstances of its making .
though the aboriginal aspect lends the ending an extraordinary poignancy , and the story itself could be played out in any working class community in the nation .
could be so flabby
musty
the extent to which it succeeds
disjointed , flaws that have to be laid squarely on taylor 's doorstep
schizo cartoon
gives an intriguing twist
conceal that there 's nothing resembling a spine here
masterfully calibrated psychological thriller
nearly as dreadful
in the worst sense of the expression
fast and funny , an action cartoon that 's suspenseful enough for older kids but not too scary for the school-age crowd .
tasty and sweet
is achingly honest and delightfully cheeky
more timely than its director could ever have dreamed , this quietly lyrical tale probes the ambiguous welcome extended by iran to the afghani refugees who streamed across its borders , desperate for work and food .
all the comic possibilities of its situation
his most personal work yet .
's fun , wispy , wise and surprisingly inoffensive for a film about a teen in love with his stepmom
astounding performance
gets us
's supposed to be post-feminist breezy but ends up as tedious as the chatter of parrots raised on oprah
an incredibly irritating comedy about thoroughly vacuous people ... manages to embody the worst excesses of nouvelle vague without any of its sense of fun or energy .
would probably have worked better as a one-hour tv documentary
can write and deliver a one liner as well as anybody
an underlying seriousness that sneaks up on the viewer , providing an experience that is richer than anticipated
stereotypes
lacks the wit necessary to fully exploit the comic elements of the premise , making the proceedings more bizarre than actually amusing .
avoid being recognized as the man who bilked unsuspecting moviegoers
the small moments
is a pretty good job , if it 's filmed tosca that you want .
effective portrait
do n't really seem all that profound , at least by way of what can be gleaned from this three-hour endurance test built around an hour 's worth of actual material
idling in neutral
is a film living far too much in its own head
shooting itself in the foot
capped with pointless extremes
a brutal 90-minute battle sequence that does everything but issue you a dog-tag and an m-16
as an articulate , grown-up voice in african-american cinema
with a few four letter words thrown in that are generally not heard on television
complex than your average film
as an introduction to the man 's theories and influence , derrida is all but useless
's boring
as kooky and overeager as it is spooky and subtly in love with myth
a ` girls gone wild ' video for the boho art-house crowd , the burning sensation
its cutesy reliance on movie-specific cliches
spot-on scottish burr
true-blue
'm giving it a strong thumbs up
the case for a strong education and good teachers being more valuable in the way they help increase an average student 's self-esteem , and not strictly in the knowledge imparted
the year 's greatest adventure ,
against farce , thoughtful dialogue elbowed aside by one-liners , and a visual style that incorporates rotoscope animation for no apparent reason except
clooney 's ) debut can be accused of being a bit undisciplined
when all is said and done , she loves them to pieces
starts slowly , but adrien brody -- in the title role -- helps make the film 's conclusion powerful and satisfying
doze off for a few minutes or make several runs to the concession stand and/or restroom and not feel as if he or she has missed anything
strictly a-list players
a grand tour through 300 hundred years of russian cultural identity and a stunning technical achievement
integrating the characters in the foreground into the extraordinarily rich landscape
hoffman waits too long to turn his movie in an unexpected direction , and even then his tone retains a genteel , prep-school quality that feels dusty and leatherbound .
how bad an actress she is
it 's one of the most beautiful , evocative works i 've seen .
manages , with terrific flair ,
something of a public service
, hoffman 's quirks and mannerisms , particularly his penchant for tearing up on cue -- things that seem so real in small doses -- become annoying and artificial .
, it does n't work .
takes you by the face ,
is smart and dark - hallelujah for small favors
just ca n't tear himself away from the characters
the plot holes are big enough for a train car to drive through -- if kaos had n't blown them all up
this story is really all about
distinctive discourse
an annoying orgy
have no bearing on the story
rivals the top japanese animations of recent vintage .
are simply dazzling , particularly balk , who 's finally been given a part worthy of her considerable talents .
to have ransacked every old world war ii movie for overly familiar material
the innocence
a nice change of mindless pace in collision
this one aims for the toilet and scores a direct hit .
puportedly `` based on true events , '' a convolution of language that suggests it 's impossible to claim that it is `` based on a true story '' with a straight face .
the movies you 'd want to watch if you only had a week to live
their struggle is simply too ludicrous and borderline insulting .
's little to recommend snow dogs , unless one considers cliched dialogue and perverse escapism a source of high hilarity .
while the plot follows a predictable connect-the-dots course ... director john schultz colors the picture in some evocative shades .
contradicts everything we 've come to expect from movies nowadays .
actually thrilled
with zoe clarke-williams 's lackluster thriller `` new best friend '' , who needs enemies ?
the film works well enough to make it worth watching
predictable romantic comedy
fresnadillo has something serious to say about the ways in which extravagant chance can distort our perspective and throw us off the path of good sense .
given the stale plot and pornographic way the film revels in swank apartments , clothes and parties
video-cam footage
padded with incident in the way of a too-conscientious adaptation
slight but
old-fashioned-movie movie
strictly a ` guy 's film ' in the worst sense of the expression .
captures the combustible mixture of a chafing inner loneliness and desperate grandiosity that tend to characterize puberty
black-and-white inspires
fear permeates the whole of stortelling , todd solondz ' oftentimes funny , yet ultimately cowardly autocritique .
the looseness of the piece
tell you that there 's no other reason why anyone should bother remembering it
when a movie asks you to feel sorry for mick jagger 's sex life
take before indigestion sets in
when a woman 's life , out of a deep-seated , emotional need , is about to turn onto a different path
a solid action pic that returns the martial arts master to top form
producer john penotti surveyed high school students ... and came back with the astonishing revelation that `` they wanted to see something that did n't talk down to them . ''
aware of his own coolness
the bodily function jokes are about what you 'd expect , but there are rich veins of funny stuff in this movie
top-heavy
some serious re-working to show more of the dilemma , rather than have his characters stage shouting
could easily mistake it for a sketchy work-in-progress that was inexplicably rushed to the megaplexes before its time .
stirring visual sequence
despite its floating narrative , this is a remarkably accessible and haunting film .
, silly and monotonous
grows decidedly flimsier with its many out-sized , out of character and logically porous action set pieces
sometimes felt as though i was in the tiny two seater plane that carried the giant camera around australia , sweeping and gliding , banking
learns that believing in something does matter
the horrors of the killing field and the barbarism of ` ethnic cleansing
well done and perfectly
might be with a large dose of painkillers
without a map
piccoli
they love and make
late-summer
to be sealed in a jar and left on a remote shelf indefinitely
the setting in an attempt to make the film relevant today , without fully understanding what it was that made the story relevant in the first place
for it other than its exploitive array of obligatory cheap
is n't much fun
adorns his family-film plot with an elegance and maturity
keeping themselves kicking
sandler does n't understand that the idea of exploiting molestation for laughs is funny , not actually exploiting it yourself .
an inexperienced director , mehta has much to learn .
a worthy idea , but the uninspired scripts , acting and direction never rise above the level of an after-school tv special .
is a likable story , told with competence
-- putting together familiar themes of family , forgiveness and love in a new way -- lilo & stitch has a number of other assets to commend it to movie audiences both innocent and jaded .
very good acting
that may make you hate yourself for giving in
of small-town competition
makes for a touching love story , mainly because blanchett and ribisi compellingly tap into a spiritual aspect of their characters ' suffering
with the subject of love head-on
makes oliver far more interesting
a compelling and horrifying story
it 's stuffy and pretentious in a give-me-an-oscar kind of way
the lousy lead performances
awe and affection --
has an unmistakable , easy joie de vivre .
standard slasher flick
brings together some of the biggest names in japanese anime , with impressive results .
`` rollerball '' 2002 may go down in cinema history as the only movie ever in which the rest of the cast was outshined by ll cool j.
cute frissons
is no foundation for it
to mesmerize , astonish and entertain
simply , and surprisingly ,
shrill and soporific
has popped up with more mindless drivel
smart , funny and
the way the roundelay of partners functions , and the interplay within partnerships and among partnerships and the general air of gator-bashing are consistently delightful .