xiangpku/GLUE huggingface dataset:
has the courage of its convictions and excellent performances on its side .
if i want music , i 'll buy the soundtrack .
worldly knowledge
is pushed into the margins by predictable plotting and tiresome histrionics
drumline ably captures the complicated relationships in a marching band .
the story , once it gets rolling , is nothing short of a great one .
a smile , just sneers and bile
and murky cinematography
is a sweet treasure and something well worth your time
pixar 's
makes the experience worthwhile
that it no longer recognizes the needs of moviegoers for real characters and compelling plots
the movie has a script ( by paul pender ) made of wood , and it 's relentlessly folksy , a procession of stagy set pieces stacked with binary oppositions
string together enough charming moments to work
to create characters who are sweet and believable , and are defeated by a screenplay that forces them into bizarre , implausible behavior
be an important movie , or even a good one
wickedly funny , visually engrossing , never boring
to be a part of that elusive adult world
as blasphemous and nonsensical as a luis buñuel film
sassy interpretation of the oscar wilde play
feels strangely hollow at its emotional core
water torture
you wo n't care
most sincere and artful movie
alternately melancholic , hopeful
paint-by-number american blockbusters like pearl harbor
everyone , especially movie musical fans
the best film so far this year is a franchise sequel starring wesley snipes
than awe
partly a shallow rumination on the emptiness of success --
cyndi lauper
its contrivances
it 's tough to be startled when you 're almost dozing .
the movie 's major and most devastating flaw is its reliance on formula , though , and
created a substantive movie out of several cliched movie structures : the road movie , the coming-of-age movie , and the teenage sex comedy
too-frosty
a journey spanning nearly three decades of bittersweet camaraderie and history , in which we feel that we truly know what makes holly and marina tick , and our hearts go out to them as both continue to negotiate their imperfect , love-hate relationship .
gives a superb performance full of deep feeling
this is one of those war movies that focuses on human interaction rather than battle and action sequences ... and
polished and vastly entertaining caper
hugely enjoyable
negligible work
she boxes these women 's souls right open for us .
that any art-house moviegoer is likely to find compelling
the kids in the audience at the preview screening seemed bored , cheering the pratfalls but little else
clear and reliable
irresistible package
gets under our skin and draws us in long
sad and rote exercise
is one of those war movies that focuses on human interaction rather than battle and action sequences
is extraordinarily good
an unintentionally surreal kid 's picture ... in which actors in bad bear suits enact a sort of inter-species parody of a vh1 behind the music episode .
once ice-t sticks his mug in the window of the couple 's bmw and begins haranguing the wife in bad stage dialogue , all credibility flies out the window .
draw people together
derring-do
femme fatale offers nothing more than a bait-and-switch that is beyond playing fair with the audience .
prove too convoluted for fun-seeking summer audiences
every individual will see the movie through the prism of his or her own beliefs and prejudices ,
have been this odd , inexplicable and unpleasant .
what makes it transporting is that it 's also one of the smartest
slam-bang extravaganza
can see the forest for the trees
up as the worst kind of hubristic folly
devastating indictment
this thing is just garbage .
makes its point too well
bold ( and lovely ) experiment
might benefit from a helping hand and a friendly kick in the pants
the wild thornberrys movie is pleasant enough and the message of our close ties with animals can certainly not be emphasized enough
is a little tired
an off-beat and fanciful film
jostling against farce , thoughtful dialogue elbowed aside by one-liners , and a visual style that incorporates rotoscope animation for no apparent reason except , maybe ,
will be friends through thick and thin
brought something fresher
through the gloomy film noir veil
the film 's crisp , unaffected style and air of gentle longing
from the script 's bad ideas and awkwardness
the more influential works
simple and innocent
result in a movie that works against itself
his reserved but existential poignancy
a sensitive , modest comic tragedy that works
bollywood/hollywood will undoubtedly provide its keenest pleasures to those familiar with bombay musicals
stay with the stage versions
be me : fighting off the urge to doze
simple but absorbing
in the pantheon of the best of the swashbucklers
this time , the hype is quieter , and while the movie is slightly less successful than the first , it 's still a rollicking good time for the most part
work with , sort of like michael jackson 's nose
with its lackadaisical plotting and mindless action , all about the benjamins evokes the bottom tier of blaxploitation flicks from the 1970s .
the film is old-fashioned , occasionally charming and as subtle as boldface .
's the type of film about growing up that we do n't see often enough these days : realistic , urgent
to call this one an eventual cult classic would be an understatement ,
donovan ... squanders his main asset ,
would be a lot better if it pared down its plots and characters to a few rather than dozens ... or if it were subtler ... or if it had a sense of humor .
above all about a young woman 's face , and by casting an actress whose face projects that woman 's doubts and yearnings
a bore that tends to hammer home every one of its points .
see a movie that takes such a speedy swan dive from `` promising '' to `` interesting '' to `` familiar '' before landing squarely on `` stupid ''
bo derek
edward burns ' best film
overproduced piece
cutting impressions
is that her confidence in her material is merited .
noble endeavor
shows he 's back in form , with an astoundingly rich film
loses its overall sense of mystery and becomes a tv episode rather than a documentary that you actually buy into
of a chafing inner loneliness and desperate grandiosity that tend to characterize puberty
to top form
that i 'm actually having a hard time believing people were paid to make it
is n't quite one of the worst movies of the year .
an inelegant combination of two unrelated shorts that falls far short of the director 's previous work in terms of both thematic content and narrative strength
spend $ 9 on the same stuff you can get for a buck or so in that greasy little vidgame pit in the theater lobby ?
, it 's a rather listless amble down the middle of the road , where the thematic ironies are too obvious and the sexual politics too smug .
this and that -- whatever fills time -- with no unified whole
the border collie is funny
is both convincing and radiant
with chaplin and kidman , who are capable of anteing up some movie star charisma when they need it to sell us on this twisted love story , but who can also negotiate the movie 's darker turns
weighted down
where the film ultimately fails
intense and effective film
, indeed almost never , is such high-wattage brainpower coupled with pitch-perfect acting and an exquisite , unfakable sense of cinema .
pointed personalities , courage ,
maintains your interest until the end and even leaves you with a few lingering animated thoughts .
... if this sappy script was the best the contest received , those rejected must have been astronomically bad .
it might as well have been titled generic jennifer lopez romantic comedy
bland hollywood romance
intelligent flick
strong and unforced
rohmer 's talky films fascinate me
a film that will be best appreciated by those willing to endure its extremely languorous rhythms , waiting for happiness
, ` how can you charge money for this ? '
thin -- then out -- when there 's nothing else happening
the substance it so desperately needs
the wild thornberrys movie is pleasant enough and the message of our close ties with animals can certainly not be emphasized enough .
car-wreck
could be this good
an adorably whimsical comedy that deserves more than a passing twinkle .
meticulously mounted , exasperatingly well-behaved film , which ticks off kahlo 's lifetime milestones with the dutiful precision of a tax accountant .
one hears harry shearer is going to make his debut as a film director
it 's in the action scenes that things fall apart .
to the empty stud knockabout of equilibrium
a quirky , off-beat project
it does n't take itself so deadly seriously
impressive fake documentary
either 11 times too many or else
the new star wars installment has n't escaped the rut dug by the last one .
conveys the passion , creativity , and fearlessness of one of mexico 's most colorful and controversial artists -- a captivating drama that will speak to the nonconformist in us all .
what makes salton sea surprisingly engrossing is that caruso takes an atypically hypnotic approach to a world that 's often handled in fast-edit , hopped-up fashion .
e.t. remains the most wondrous of all hollywood fantasies -- and the apex of steven spielberg 's misunderstood career .
by whiny , pathetic , starving and untalented artistes
struggled
who is too crazy to be interesting
seen such self-amused trash since freddy got fingered
a naturally funny film , home movie
no good inside dope , and no particular bite
a film with a great premise but only a great premise
millions of dollars heaped upon a project of such vast proportions need to reap more rewards than spiffy bluescreen technique and stylish weaponry .
smokers only
snaps under the strain of its plot contrivances and its need to reassure .
watching a walk to remember
a smart , compelling drama .
a chilling movie without oppressive
that 's 86 minutes too long
the new thriller proves that director m. night shyamalan can weave an eerie spell and that mel gibson can gasp , shudder and even tremble without losing his machismo .
a paunchy midsection , several plodding action sequences and a wickedly undramatic central theme
sade achieves the near-impossible :
is impressive for the sights and sounds of the wondrous beats the world has to offer .
satisfy the boom-bam crowd without a huge sacrifice of character and mood
about the pitfalls of bad behavior
which is in more abundant supply in this woefully hackneyed movie , directed by scott kalvert , about street gangs and turf wars in 1958 brooklyn -- stale cliches , gratuitous violence , or empty machismo
gorgeously
porno flick
a character faced with the possibility that her life is meaningless , vapid and devoid of substance , in a movie that is definitely meaningless , vapid and devoid of substance .
rather toothless take
as an evil , monstrous lunatic
, inflammatory film
cutesy reliance
a more graceful way of portraying the devastation of this disease
in spite of all that he 's witnessed , remains surprisingly idealistic
choppy and sloppy affair
as i 'm the one that i want
down to mediocrity
crisp framing , edgy camera work , and wholesale ineptitude
an uncomfortable experience
`` ( hopkins ) does n't so much phone in his performance as fax it .
no solace here , no entertainment value ,
's as lumpy as two-day old porridge ... the filmmakers ' paws , sad to say , were all over this `` un-bear-able '' project
intensely romantic ,
of a surprisingly juvenile lark , a pop-influenced prank whose charms are immediately apparent
ever-watchful
comes across as lame and sophomoric
a sensational , real-life 19th-century crime as a metaphor
overwrought , melodramatic bodice-ripper
there are some fairly unsettling scenes , but they never succeed in really rattling the viewer .
utter mush ... conceited pap .
... most viewers will wish there had been more of the `` queen '' and less of the `` damned . ''
across its indulgent two-hour-and-fifteen-minute length
and there 's an element of heartbreak to watching it now , with older and wiser eyes , because we know what will happen after greene 's story ends .
take heart
ultimately that 's what makes it worth a recommendation
odd , poetic road movie
... too contrived to be as naturally charming as it needs to be .
to have decades of life as a classic movie franchise
, very enjoyable ...
for a barf bag
he 's the scariest guy you 'll see all summer .
doze off thirty minutes
this is a remake by the numbers , linking a halfwit plot to a series of standup routines in which wilson and murphy show how funny they could have been in a more ambitious movie .
concocted
warm , inviting ,
the most magical and most fun family fare
shows excess in business and pleasure , allowing us to find the small , human moments , and leaving off with a grand whimper
it 's also disappointing to a certain degree .
poignant lyricism
it 's tommy 's job to clean the peep booths surrounding her , and after viewing this one , you 'll feel like mopping up , too
vivid , convincing
gives it a buoyant delivery
rises )
is n't much to it .
, violent movie
proves that elegance is more than tattoo deep
comprise a powerful and reasonably fulfilling gestalt .
that deserves to emerge from the traffic jam of holiday movies
of dazzling pop entertainment
which is somehow guessable from the first few minutes , maybe because it echoes the by now intolerable morbidity of so many recent movies
depraved , incoherent , instantly disposable piece
a welcome relief from the usual two-dimensional offerings
very sincere work
precious little substance in birthday girl
it 's the sweet cinderella story that `` pretty woman '' wanted to be .
short-story quaint
big selling point
, energetic and smart
the fact that virtually no one is bound to show up at theaters for it
return to never land may be another shameless attempt by disney to rake in dough from baby boomer families , but it 's not half-bad .
it 's like rocky and bullwinkle on speed , but that 's neither completely enlightening , nor does it catch the intensity of the movie 's strangeness .
love that strikes a very resonant chord
a bang-up job
fascinating stories
will probably be a talky bore .
watch if you only had a week to live
we 're seeing something purer than the real thing
lovely , eerie film
luckiest stroke
in the place where a masterpiece should be
breaks no new ground and treads old turf like a hippopotamus ballerina
youthful affluence not as a lost ideal but a starting point
that 's what i liked about it -- the real issues tucked between the silly and crude storyline
guy ritchie 's lock ,
cracked lunacy
is a variant of the nincompoop benigni persona , here a more annoying , though less angry version of the irresponsible sandlerian manchild , undercut by the voice of the star of road trip .
low-brow humor , gratuitous violence and a disturbing disregard
's not too bad
good human
introspective portrait
everything that was right about blade
most slyly exquisite anti-adult movies
enters a realm where few non-porn films venture ,
profound ethical and philosophical questions
just becomes sad
well-mounted
is so intimate and sensual and funny and psychologically self-revealing that it makes most of what passes for sex in the movies look like cheap hysterics
the characters are complex and quirky , but entirely believable as the remarkable ensemble cast brings them to life .
from unlikable characters and a self-conscious sense
lying if i said my ribcage did n't ache by the end of kung pow
steven soderbergh 's earlier films
so much to look
violent and a bit exploitative but also nicely done , morally alert and street-smart
seeing things from new sides ,
ash wednesday is not edward burns ' best film ,
dumb action movie
a brilliant , absurd collection of vignettes that , in their own idiosyncratic way , sum up the strange horror of life in the new millennium .
good noir
plucking tension from quiet
the most memorable moment
that it stinks
like scorsese 's mean streets redone by someone who ignored it in favor of old ` juvenile delinquent ' paperbacks with titles like leather warriors and switchblade sexpot
tension , eloquence , spiritual challenge
is pleasingly emphatic in this properly intense , claustrophobic tale of obsessive love
-- wearing a cloak of unsentimental , straightforward text --
a florid biopic about mad queens , obsessive relationships , and rampant adultery so dull
this an eminently engrossing film
live in denial about
purely enjoyable
pull a cohesive story out
chai 's structure and pacing are disconcertingly slack .
in a good way
give a backbone to the company and provide an emotional edge to its ultimate demise
this ill-conceived and expensive project winds up looking like a bunch of talented thesps slumming it .
take the grandkids or the grandparents
schaeffer 's film never settles into the light-footed enchantment the material needs , and the characters ' quirks and foibles never jell into charm .
sets out to entertain and ends up delivering in good measure
is generally amusing from time to time
one of the most genuinely sweet films to come along in quite some time
leave feeling like you 've endured a long workout without your pulse ever racing
like whether compromise is the death of self ... this orgasm ( wo n't be an ) exceedingly memorable one for most people
would leave the theater with a lower i.q. than when i had entered
presume their audience wo n't sit still for a sociology lesson
murderous
generates little narrative momentum , and
a smartly directed , grown-up film of ideas
is one of mr. chabrol 's subtlest works , but also one of his most uncanny .
actresses ( and one academy award winning actor ) succumb to appearing in this junk that 's tv sitcom material at best
between passion and pretence
a moving and solidly entertaining comedy/drama that should bolster director and co-writer
misfiring
... might i suggest that the wayward wooden one end it all by stuffing himself into an electric pencil sharpener ?
smart and
the piece works
to be interesting
a bit of the dry humor that first made audiences on both sides of the atlantic love him
a refreshingly realistic , affectation-free coming-of-age tale
have been worth cheering as a breakthrough but is devoid of wit and humor
of smart jokes
directs the pianist like a surgeon mends a broken heart ; very meticulously but without any passion .
to be more complex than your average film
the film high above run-of-the-filth gangster flicks
a bad blend of an overripe episode of tv 's dawson 's creek and a recycled and dumbed-down version of love story
welles groupie/scholar peter bogdanovich took a long time to do it , but he 's finally provided his own broadside at publishing giant william randolph hearst .
the movie 's seams may show ... but pellington gives `` mothman '' an irresistibly uncanny ambience that goes a long way toward keeping the picture compelling .
enigma looks great , has solid acting and a neat premise .
by laurice guillen
the movie has no idea of it is serious
often watchable , though goofy and lurid , blast
coppola has made a film of intoxicating atmosphere and little else .
is truly funny
silly overkill
this charmer has a spirit that can not be denied
an inept , tedious spoof
it 's consistently funny , in an irresistible junior-high way , and consistently free of any gag that would force you to give it a millisecond of thought .
it 's just a kids ' flick
the film has a kind of hard , cold effect .
some of the computer animation is handsome , and various amusing sidekicks add much-needed levity to the otherwise bleak tale , but
i killed my father
... ` the country bears ' should never have been brought out of hibernation .
... it has sporadic bursts of liveliness , some so-so slapstick and a few ear-pleasing songs on its soundtrack .
is a rambling and incoherent manifesto about the vagueness of topical excess
so devoid of pleasure or sensuality that it can not even be dubbed hedonistic .
cultivated
delicate balance
stoops to having characters drop their pants for laughs and not the last time
incessant use
the most original
candid , archly funny and
, while it may not rival the filmmaker 's period pieces , is still very much worth seeing
what a dumb , fun , curiously adolescent movie this
for a movie that tries to be smart
maybe twice
likely to induce sleep than fright
social injustice
is as often imaginative
flick cliches
more revealing , more emotional and
an action hero with table manners , and one who proves that elegance is more than tattoo deep
the mantra behind the project seems to have been ` it 's just a kids ' flick . '
of event movies than a spy thriller like the bourne identity
something hip
phenomenal ,
the story plays out slowly , but the characters are intriguing and realistic .
is clever and funny , is amused by its special effects , and
incredible imax sound system
the director , with his fake backdrops and stately pacing
dim-witted
you see the movie and you think , zzzzzzzzz
i 'm left slightly disappointed that it did n't .
acted by a british cast to rival gosford park 's .
a delicious , quirky movie with a terrific screenplay and fanciful direction
starts to smack of a hallmark hall of fame , with a few four letter words thrown in that are generally not heard on television .
would have a hard time sitting through this one
serves as a workable primer for the region 's recent history
to kline 's superbly nuanced performance , that pondering
fanciful , grisly and engagingly quixotic
the film does n't ignore the more problematic aspects of brown 's life .
big letdown
the images often look smeary and blurry , to the point of distraction
special fishy community
sour , bloody and mean
's absolutely amazing how first-time director kevin donovan managed to find something new to add to the canon of chan .
is never much worse than bland or better than inconsequential
soon-to-be-forgettable '' section
what enlivens this film
is , as comedy goes ,
is more frustrating than a modem that disconnects every 10 seconds .
is ... very funny as you peek at it through the fingers in front of your eyes
an erratic career
wasted .
most purely enjoyable and
it 's a pale imitation .
... one of the more influential works of the ` korean new wave ' .
fascinating look
, this film 's heart is even more embracing than monty , if only because it accepts nasty behavior and severe flaws as part of the human condition .
a wannabe comedy of manners about a brainy prep-school kid with a mrs. robinson complex
on action
dramatic and emotional pull
should be expected from any movie with a `` 2 '' at the end of its title .
helps make great marching bands half the fun of college football games
real characters and compelling plots
truly funny
a bilingual charmer ,
of the most exciting action films
offers little insight
as both shallow and dim-witted
lean and tough enough to fit in any modern action movie
imagine another director ever making his wife look so bad in a major movie
dazzling
a better film
ambitious , moving , and adventurous directorial debut
he fails .
sweet , laugh-a-minute crowd pleaser
any easier to sit through than this hastily dubbed disaster
the film 's final hour , where nearly all the previous unseen material resides , is unconvincing soap opera that tornatore was right to cut .
fly with most intelligent viewers
fly at such a furiously funny pace
ai n't art ,
wit and compassion
it 's also cold , gray , antiseptic and emotionally desiccated .
completely awful iranian drama ... as much fun as a grouchy ayatollah in a cold mosque
a cinematic car wreck ,
nothing but net
a sour attempt at making a farrelly brothers-style , down-and-dirty laugher for the female set .
you second-guess your affection for the original
was followed by the bad idea
is a film living far too much in its own head .
an unforced , rapid-fire delivery
is and always has been remarkable about clung-to traditions
a movie that takes such a speedy swan dive from `` promising ''
` amateur ' in almost every frame
is filled with strange and wonderful creatures
the film has a lot of charm .
quirky iranian drama secret ballot
punch and depth
arrive early and stay late ,
so tedious it makes the silly spy vs. spy film the sum of all fears , starring ben affleck , seem downright hitchcockian
that it goes by quickly , because it has some of the funniest jokes of any movie this year , including those intended for adults
of love and destiny