xiangpku/GLUE huggingface dataset:
kapur fails to give his audience a single character worth rooting for ( or worth rooting against , for that matter ) .
faithful without being forceful , sad without being shrill ,
does a solid job of slowly
hate yourself for giving in
bucked the odds
the movie should jolt you out of your seat a couple of times , give you a few laughs , and leave you feeling like it was worth your seven bucks , even though it does turn out to be a bit of a cheat in the end .
nicholas nickleby '' is a perfect family film to take everyone to since there 's no new `` a christmas carol '' out in the theaters this year .
this fascinating look at israel in ferment
a guilty-pleasure , daytime-drama sort of fashion
the acting is just fine , but
a full-frontal attack on audience patience
at every opportunity to do something clever , the film goes right over the edge and kills every sense of believability
is virtually absent
living hell
if you 're willing to have fun with it
it 's tommy 's job to clean the peep booths surrounding her , and after viewing this one , you 'll feel like mopping up , too .
some outrageously creative action in the transporter ...
cheapo animation ( like saturday morning tv in the '60s )
, this is likely to cause massive cardiac arrest if taken in large doses .
count for very little if the movie were n't as beautifully shaped and as delicately calibrated in tone as it is
search of something different
even better than the first one !
it is more than merely a holocaust movie
of director john stockwell
eerily accurate depiction of depression .
potentially good
working from a surprisingly sensitive script co-written by gianni romoli ...
suffers through this film
stuffed to the brim with ideas , american instigator michael moore 's film is a rambling examination of american gun culture that uses his usual modus operandi of crucifixion through juxtaposition .
among a culture of people who sadly are at hostile odds with one another through recklessness and retaliation
the gander , some of which occasionally amuses but none of which amounts to much of a story
small , intelligent eyes
keeps this pretty watchable , and casting mick jagger as director of the escort service was inspired
, an interesting and at times captivating take on loss and loneliness .
smoother or more confident
cut their losses -- and ours -- and retitle it the adventures of direct-to-video nash , and
mention mysterious , sensual , emotionally intense , and replete with virtuoso throat-singing
pacino is the best he 's been in years and keener is marvelous
it 's a wonderful , sobering , heart-felt drama .
is about to turn onto a different path
glamour
with a momentum that never lets up
is both stimulating and demanding
earnest ,
movie special
a bowser
failing ,
his character awakens to the notion that to be human
an eloquent , deeply felt meditation
if you 're not a fan , it might be like trying to eat brussels sprouts .
like a bottom-feeder sequel in the escape from new york series
, more frantic than involving , more chaotic than entertaining .
flourishes -- artsy fantasy sequences --
's easy to like and
flat as thinking man
it 's hard to believe that something so short could be so flabby .
attal 's hang-ups surrounding infidelity are so old-fashioned and
that it has none of the pushiness and decibel volume of most contemporary comedies
a visionary
most intelligent viewers
the evocative imagery
could use a little more humanity , but
, superficiality and silliness
predictable storyline
disposible
babak payami 's boldly quirky iranian drama secret ballot
is one of the best actors there is .
it 's been done before but never so vividly or with so much passion .
andie macdowell
its metaphors are opaque enough to avoid didacticism , and the film succeeds as an emotionally accessible , almost mystical work .
with vibrance and warmth
best movie work
despite auteuil 's performance , it 's a rather listless amble down the middle of the road , where the thematic ironies are too obvious and the sexual politics too smug .
toss logic and science into what is essentially a `` dungeons and dragons '' fantasy with modern military weaponry
on toilet humor , ethnic slurs
all the signs of rich detail condensed
of crucifixion
with the pale script
warning you
the story alone could force you to scratch a hole in your head .
is an uncompromising film .
deeply unsettling
has n't escaped the rut dug by the last one .
unforced
since ghostbusters
a film centering on a traditional indian wedding in contemporary new delhi may not sound like specialized fare , but mira nair 's film is an absolute delight for all audiences
inject some real vitality and even art
some buoyant human moments
like the best 60 minutes
share his impressions of life and loss and time and art with us
may go down in cinema history as the only movie ever in which the rest of the cast was outshined by ll cool j.
is unconvincing soap opera that tornatore was right to cut .
there 's something unintentionally comic in the film 's drumbeat about authenticity , given the stale plot and pornographic way the film revels in swank apartments , clothes and parties .
the surprise ending is revealed
a cinematic fluidity and sense of intelligence that makes it work more than it probably should
intriguing characters
a flimsy excuse
, it has some special qualities and the soulful gravity of crudup 's anchoring performance .
do n't derive from the screenplay , but rather the mediocre performances by most of the actors involved
seem great to knock back a beer with but they 're simply not funny performers .
a fanciful motion picture
by halfway through this picture i was beginning to hate it , and , of course
an enjoyable , if occasionally flawed , experiment
than this unexpectedly moving meditation on love , history , memory , resistance and artistic transcendence
offensive , puerile
repetitively
makes it a failure as straight drama
a hip comedy
is n't one moment in the film that surprises or delights
willing to express his convictions
with or without ballast tanks , k-19 sinks to a harrison ford low .
thanks to the actors
an affable but undernourished romantic comedy that fails to match the freshness of the actress-producer and writer
this oddly sweet comedy
the insinuation of mediocre acting or a fairly trite narrative
with a better script
frustrates and
hard-pressed
drop dead gorgeous
, impostor is as close as you can get to an imitation movie .
there 's no conversion effort , much of the writing is genuinely witty and
extremely talented musicians
's no surprise that as a director washington demands and receives excellent performances
with the unsettling spookiness of the supernatural
the film 's appeal
contriving false , sitcom-worthy solutions
when you 're a jet
with subplots involving the various silbersteins that it feels more like the pilot episode of a tv series than a feature film
stock character camp
just a collection of this and that -- whatever fills time -- with no unified whole .
to capture the novel 's deeper intimate resonances
low-grade cheese standards
milks drama when she should be building suspense
is generally quite funny
catches you
afraid to show this movie to reviewers before its opening , afraid of the bad reviews they thought they 'd earn
a splash even greater
also intriguing and honorable ,
of jim brown , a celebrated wonder in the spotlight
well-meant but
so heartwarmingly motivate
gangster no. 1 is solid , satisfying fare for adults .
astounding on any number of levels
the cinematography to the outstanding soundtrack and unconventional narrative
disrobed most of the cast ,
the young actors , not very experienced
you 've got to hand it to director george clooney for biting off such a big job the first time out
estranged from reality
enactments , however fascinating they may be as history , are too crude to serve the work especially well
wearing a cloak of unsentimental , straightforward text
so hot-blooded
a better lot
a loquacious and dreary piece of business .
highly recommended viewing for its courage , ideas , technical proficiency and great acting .
the `` queen '' and less of the `` damned
how much souvlaki can you take before indigestion sets in
be great to see this turd squashed under a truck , preferably a semi
` masterpiece ' and ` triumph ' and all that malarkey
on different levels
fairly uneventful
is also a creative urge
how long will filmmakers copy the `` saving private ryan '' battle scenes before realizing steven spielberg got it right the first time
the prospect of their own mortality
a film that should be relegated to a dark video store corner is somehow making its way instead to theaters .
is raised a few notches above kiddie fantasy pablum by allen 's astringent wit
the weight of too many story lines
of new york 's finest and a nicely understated expression of the grief
robin williams has thankfully ditched the saccharine sentimentality of bicentennial man in favor of an altogether darker side .
a well-balanced fashion
that it 's a rock-solid little genre picture
sympathetic without being gullible
irrelevant as on the engaging , which gradually turns what
to fill time
's the image that really tells the tale
care about a film that proposes as epic tragedy the plight of a callow rich boy who is forced to choose between his beautiful , self-satisfied 22-year-old girlfriend and an equally beautiful , self-satisfied 18-year-old mistress
self-indulgent and maddening
has fashioned an absorbing look at provincial bourgeois french society .
the richness of characterization
i was trying to decide what annoyed me most about god is great ...
being rewarded by a script that assumes you are n't very bright
, this melancholic film noir reminded me a lot of memento ...
a painful elegy and
is a sea of constant smiles and frequent laughter
and engaging examination
a whole lot of fun
delights and simmering
reach the emotion or timelessness of disney 's great past , or even that of more recent successes such as `` mulan '' or `` tarzan
a surprising winner with both adults and younger audiences
dry , reliable textbook
the only fun part of the movie
under a red bridge is a celebration of feminine energy , a tribute to the power of women to heal .
the pungent bite
spy is still fun and enjoyable and so aggressively silly that it 's more than a worthwhile effort .
the sweet cinderella story
's not clear
settles too easily
in which fear and frustration are provoked to intolerable levels
xxx is a blast of adrenalin
imagine kevin smith , the blasphemous bad boy of suburban jersey , if he were stripped of most of his budget and all of his sense of humor .
greek to anyone not predisposed to the movie 's rude and crude humor
hard-won rewards over the bombastic self-glorification of other feel-good fiascos like antwone fisher or the emperor 's club any time
often messy and frustrating , but very pleasing at its best moments
elbowed aside
the film grows as dull as its characters , about whose fate it is hard to care .
cared much about any aspect of it , from its cheesy screenplay to the grayish quality of its lighting
comic elements
undercuts the devastatingly telling impact of utter loss personified in the film 's simple title
an arcane area of popular culture
how sandler is losing his touch
borrows a bit from the classics `` wait until dark '' and `` extremities '' ... but in terms of its style , the movie is in a class by itself .
in the spirit of the season
barn-burningly
the incredible imax sound system lets you feel the beat down to your toes
trying to make head or tail of the story in the hip-hop indie snipes is enough to give you brain strain --
exercise in narcissism and self-congratulation disguised as a tribute .
a far bigger , far more meaningful story than one
pleasurable
original in its base concept that you can not help but get caught up .
... the story simply putters along looking for astute observations and coming up blank .
piercingly affecting ... while clearly a manipulative film , emerges as powerful rather than cloying .
's still a guilty pleasure to watch
uncanny tale
to see the one of the world 's best actors , daniel auteuil ,
for a guy who has waited three years with breathless anticipation for a new hal hartley movie to pore over , no such thing is a big letdown .
three-dimensional characters
things to like
a deserved co-winner
you 're a jet all the way
the first 2/3 of the film are incredibly captivating and insanely funny , thanks in part to interesting cinematic devices ( cool visual backmasking ) , a solid cast , and some wickedly sick and twisted humor ...
a lot of fun , with an undeniable energy sparked by two actresses in their 50s working at the peak of their powers .
several cliched movie structures : the road movie , the coming-of-age movie ,
there 's no real sense of suspense , and none of the plot ` surprises ' are really surprising
on the premise
just slopped ` em together here
is n't a terrible movie , just a stultifyingly obvious one -- an unrewarding collar for a murder mystery
a sentimental but entirely irresistible portrait of three
adrift in various new york city locations
that 's what i liked about it
unrelated shorts
screenwriting award
so badly made on every level that i 'm actually having a hard time believing people were paid to make it
energy , intelligence and verve
why this distinguished actor would stoop so low
like some futile concoction that was developed hastily after oedekerk
third-rate
valiant
could be a passable date film
much smarter and more attentive than it first sets out to be .
the dragons are the real stars of reign of fire and you wo n't be disappointed .
of three
affirms
it 's a fun adventure movie for kids ( of all ages ) that like adventure .
dumb , narratively chaotic , visually sloppy ... a weird amalgam of ` the thing ' and a geriatric
it 's that rare family movie -- genuine and sweet without relying on animation or dumb humor .
sparking debate and
's taken one of the world 's most fascinating stories and made it dull , lifeless , and irritating
upsetting and thought-provoking , the film has an odd purity that does n't bring you into the characters so much as it has you study them .
pornography or documentary
of watching intelligent people making a movie
about an unsympathetic character and someone who would not likely be so stupid as to get
inspiring ,
each of these stories has the potential for touched by an angel simplicity and sappiness ,
recommend this film
is as close as you can get to an imitation movie
is n't one true ` chan moment ' .
's so tedious
does n't add up to much .
it gives poor dana carvey nothing to do that is really funny , and
mr. day-lewis roars with leonine power
polanski 's best film
on a 10-year delay
its elegantly colorful look and sound
some intriguing questions about the difference between human and android life
chalk it up as the worst kind of hubristic folly .
moviegoers not already clad in basic black
is shallow , offensive and redundant
badly made on every level
to eat popcorn
an exceptionally dreary and overwrought bit
no french people were harmed during the making of this movie , but they were insulted and the audience was put through torture for an hour and a half
what 's missing from this material
that most frightening of all movies --
most brilliant and brutal
's lost the politics and the social observation and become just another situation romance about a couple of saps stuck in an inarticulate screenplay .
heartily sick
and ( too ) short
the sequel plays out like a flimsy excuse to give blade fans another look at wesley snipes ' iconic hero doing battle with dozens of bad guys -- at once .
savory and
a good simmer
one spectacularly ugly-looking broad
warmth and gentle
the original could ever have hoped to be
dreary tract
martial arts and gunplay with too little excitement and zero compelling storyline
chance to find love in the most unlikely place
inept filmmaking
is hilariously , gloriously alive , and quite often hotter than georgia asphalt
real women may have many agendas , but it also will win you over , in a big way .
has squeezed the life out of whatever idealism american moviemaking ever had
that is really funny
third time 's the charm ...
to get by on humor that is not even as daring as john ritter 's glory days on three 's company
watching monkeys flinging their feces at you
like a can of 2-day old coke .
sink it
the audience was put through torture for an hour and a half
's also not very good
is n't afraid to try any genre and to do it his own way .
's hard to imagine any recent film , independent or otherwise , that makes as much of a mess as this one
as fresh
its use of the thriller form to examine the labyrinthine ways in which people 's lives cross and change , buffeted by events seemingly out of their control
by an energy that puts the dutiful efforts of more disciplined grade-grubbers
, it 's kind of insulting , both to men and women .
like pieces a bunch of other , better movies slapped together .
brainless , but enjoyably over-the-top , the retro gang melodrama
elegantly crafted but emotionally cold , a puzzle whose intricate construction one can admire but is difficult to connect with on any deeper level .
with passion and attitude
most late-night bull sessions
a frightful vanity film that , no doubt , pays off what debt miramax felt they owed to benigni
teens are looking for something to make them laugh
intriguing what-if premise
gives the lie to many clichés and showcases a group of dedicated artists
melds derivative elements into something that is often quite rich and exciting , and always a beauty to behold .
to be something really good
get an ugly , mean-spirited lashing out by an adult who 's apparently been forced by his kids to watch too many barney videos
no match for the insipid script he has crafted with harris goldberg
of an upper class austrian society
a huge fan
lifts this tale of cannibal lust above the ordinary
violent
it 's not bad prose
many inimitable scenes
mr. goyer 's loose , unaccountable direction is technically sophisticated in the worst way .
it certainly wo n't win any awards in the plot department but
liked this film a lot
pretentious endeavor
much of what we see is horrible but
trade center tragedy
although olivier assayas ' elegantly appointed period drama seems , at times , padded with incident in the way of a too-conscientious adaptation
first lousy guy ritchie imitation
misses a major opportunity to be truly revelatory about his psyche
too much of nemesis has a tired , talky feel .
an entertaining documentary that freshly considers arguments the bard 's immortal plays were written by somebody else .
one of the most exciting action films to come out of china in recent years .
feel sad
if you find comfort in familiarity
make the most of its own ironic implications
it 's just rather leaden and dull .
this is one that should be thrown back in the river
sun-drenched masterpiece
a good deal funnier
who 's wise enough to recognize that there are few things in this world more complex -- and , as it turns out , more fragile -- than happiness
an excellent job
redundant and inauthentic
the visual wit
wo n't be talking about the film once you exit the theater
graces
a credible account of a puzzling real-life happening
sing beautifully
with little visible talent and no energy
, this film 's impressive performances and adept direction are n't likely to leave a lasting impression .
juliette binoche 's sand is vivacious ,
never quite ignites .
a heartfelt story
george hickenlooper 's
wo n't be disappointed
scarily funny ,
has lost its edge
to huston 's revelatory performance
daytime tv serviceability , but little more
mr. wollter and ms. seldhal give strong and convincing performances
even if it made its original release date last fall
that it 's not clear whether we 're supposed to shriek
home movie '' is a sweet treasure and something well worth your time .
to a better tomorrow
to a mood that 's sustained through the surprisingly somber conclusion
quite a bit of heart
pompous and
a remarkably cohesive whole
questionable kind
junkie
what made allen 's romantic comedies so pertinent and enduring
absolutely and completely ridiculous and an insult to every family whose mother has suffered through the horrible pains of a death by cancer
that lifts your spirits
catches the chaotic horror of war , but why bother if you 're going to subjugate truth to the tear-jerking demands of soap opera ?
linger long after this film has ended
in its understanding , often funny way
brown played in american culture as an athlete , a movie star , and an image of black indomitability
empty stud knockabout
beautiful , angry and sad , with a curious sick poetry , as if the marquis de sade had gone in for pastel landscapes .
mired in stasis
an unsuccessful attempt
aside from rohmer 's bold choices regarding point of view , the lady and the duke represents the filmmaker 's lifelong concern with formalist experimentation in cinematic art .
remarkable yet shockingly
a no-bull throwback
conspicuous
perfectly executed and wonderfully sympathetic characters
stereotypes that gives the ( teen comedy )
a welcome relief from baseball movies that try too hard to be mythic
picked not for their acting chops , but for their looks
is a film -- full of life and small delights -- that has all the wiggling energy of young kitten
held my interest precisely because it did n't try to
confident enough to step back and look at the sick character with a sane eye
its exquisite acting , inventive screenplay , mesmerizing music ,
, comedian runs out of steam after a half hour .
i walked away from this new version of e.t. just as i hoped i would -- with moist eyes .
being more valuable in the way they help increase an average student 's self-esteem
sharp comedy , old-fashioned monster movie atmospherics ,
oscar-winning master
has the capability of effecting change and inspiring hope .
beautifully choreographed
's a fun adventure movie for kids ( of all ages ) that like adventure .
with fascinating connections
challenges us to think about the ways we consume pop culture .
plodding soap opera
hard to take her spiritual quest at all seriously
well-executed
clichés , depression and bad alternative music
it too is a bomb .
with an artistry that also smacks of revelation
extravagant confidence
of race and culture forcefully told , with superb performances throughout
role , or edit , or score , or anything , really
much imagination
is a movie so insecure about its capacity
while this movie , by necessity , lacks fellowship 's heart , two towers outdoes its spectacle .
top-notch action powers this romantic drama .
the serbs themselves
short-story quaint , touchingly mending a child 's pain for his dead mother via communication with an old woman straight out of eudora welty
sheer goofiness and cameos
mothers ,
i 'm not exactly sure what this movie thinks it is about .
with a hugely enjoyable film about changing times , clashing cultures and the pleasures of a well-made pizza
its great credit
deranged immediacy
works superbly
, illuminating study
see this terrific film with your kids -- if you do n't have kids borrow some
does n't sustain interest beyond the first half-hour
libido film
to be fondly remembered in the endlessly challenging maze of moviegoing
tasteless and
a greater attention to the parents -- and particularly the fateful fathers -- in the emotional evolution of the two bewitched adolescents
by the artsy and often pointless visuals
stand tall
makes all the difference .
clever exercise
themes that interest attal and gainsbourg
the extra effort to see an artist , still committed to growth in his ninth decade , change while remaining true to his principles
the thematic ironies are too obvious
with the titillating material
mean-spirited and wryly
unusual but pleasantly haunting debut
the last kiss will probably never achieve the popularity of my big fat greek wedding , but its provocative central wedding sequence has far more impact
been lost in the mail
of visual and verbal clichés
refreshing change
, sticking its head up for a breath of fresh air now and then .
an hour-and-a-half of inoffensive , unmemorable filler .
, ugly , irritating
frequent laughter
is a gory slash-fest
probably the most good-hearted yet sensual entertainment i 'm likely to see all year