xiangpku/GLUE huggingface dataset:
some genuine quirkiness
if you , like me , think an action film disguised as a war tribute is disgusting to begin with , then you 're in for a painful ride .
is all but washed away by sumptuous ocean visuals and the cinematic stylings of director john stockwell
deal with the subject of love head-on
from a riot-control projectile or my own tortured psyche
includes too much obvious padding
of low-budget filmmaking
almost as offensive as `` freddy
its unforced comedy-drama
the bourne identity should n't be half as entertaining as it is , but director doug liman and his colleagues have managed to pack it with enough action to satisfy the boom-bam crowd without a huge sacrifice of character and mood .
grade-school audience
do n't see often enough these days
can enjoy much of jonah simply , and gratefully , as laugh-out-loud lunacy with a pronounced monty pythonesque flavor
, godard can still be smarter than any 50 other filmmakers still at work .
is better than any summer blockbuster
none of the crackle of `` fatal attraction '' , `` 9 1/2 weeks '' , or even `` indecent proposal '' ,
a moldy-oldie , not-nearly - as-nasty - as-it
no solace here ,
the problem , amazingly enough , is the screenplay .
's quinn ( is ) a leather clad grunge-pirate with a hairdo like gandalf in a wind-tunnel and a simply astounding cor-blimey-luv-a-duck cockney accent .
anybody who has ever seen an independent film can report that it is instead a cheap cliché
as broad and cartoonish as the screenplay is , there is an accuracy of observation in the work of the director , frank novak , that keeps the film grounded in an undeniable social realism .
sharp comedy
sophisticated and surprising
but it does n't leave you with much .
director anne fontaine
that such a horrible movie could have sprung from such a great one is one of the year 's worst cinematic tragedies .
into parapsychological phenomena and the soulful nuances
... an enjoyably frothy ` date movie ' ...
though few will argue that it ranks with the best of herzog 's works
demme finally succeeds in diminishing his stature from oscar-winning master to lowly studio hack .
enthusiastically taking up the current teen movie concern with bodily functions , walt becker 's film pushes all the demographically appropriate comic buttons .
the ethos of the chelsea hotel
disguise it as an unimaginative screenwriter 's invention
has enough wit
undeniably worthy and devastating
work up much entertainment value
the very hollowness of the character he plays
, robert rodriguez adorns his family-film plot with an elegance and maturity that even most contemporary adult movies are lacking .
'd do well to check this one out because it 's straight up twin peaks action ...
keep this fresh .
its lackluster gear
rare movie
barely shocking , barely interesting and most of all ,
side snap kicks that it ends up being surprisingly dull
( the stage show ) , you still have to see this !
give i am trying to break your heart an attraction it desperately needed
's invigorating about
a nice , harmless date film
healthy eccentric inspiration and ambition
this often-hilarious farce
as if we 're seeing something purer than the real thing
, though goofy and lurid ,
crass and insulting
veers like a drunken driver through heavy traffic
an intimate contemplation
would make this a moving experience for people who have n't read the book
yes , mibii is rote work and predictable , but with a philosophical visual coming right at the end that extravagantly redeems it .
have loved it
can impart an almost visceral sense of dislocation and change .
of its spry 2001 predecessor -- but it 's a rushed , slapdash , sequel-for-the-sake - of-a-sequel with less than half the plot and ingenuity
( the cockettes ) provides a window into a subculture hell-bent on expressing itself in every way imaginable . '
bold biographical fantasia
if you saw benigni 's pinocchio at a public park , you 'd grab your kids and run and then probably call the police .
who possibly will enjoy it
is a seriously intended movie that is not easily forgotten
we are undeniably touched .
, it still seems endless .
laugh their *** off
hanna-barbera charm
the ingenuity that parker displays in freshening the play is almost in a class with that of wilde himself .
energetic and original
uninspired philosophical
poo-poo
the year 2002 has conjured up more coming-of-age stories than seem possible , but take care of my cat emerges as the very best of them .
i wanted more .
a just a waste
's a frankenstein-monster of a film that does n't know what it wants to be
consider it ` perfection
reyes ' directorial debut has good things to offer ,
mattei so completely loses himself to the film 's circular structure to ever offer any insightful discourse on , well , love in the time of money .
notwithstanding my problem with the movie 's final half hour , i 'm going to recommend secretary , based on the wonderful acting clinic put on by spader and gyllenhaal , and also the unique way shainberg goes about telling what at heart is a sweet little girl -
trying to sneak out of the theater
run-of-the-mill disney sequel
all its effective moments
macabre and
one problem with the movie , directed by joel schumacher ,
intelligent people
's tough to tell which is in more abundant supply in this woefully hackneyed movie , directed by scott kalvert , about street gangs and turf wars in 1958 brooklyn -- stale cliches , gratuitous violence , or empty machismo
sonny needs to overcome gaps in character development and story logic
through contrived plot points
halfway intriguing plot
it goes on for at least 90 more minutes and , worse , that you have to pay if you want to see it
gives the lie to many clichés
enjoying
find that real natural , even-flowing tone that few movies are able to accomplish
layer of action man cliché atop wooden dialogue and
from its material that is deliberately unsettling
the stuffiest cinema goers
it an exhilarating
has none of the charm and little of the intrigue from the tv series .
dreamlike ecstasy
is that caruso takes an atypically hypnotic approach to a world that 's often handled in fast-edit , hopped-up fashion
humanist ( not to mention gently political ) meditation
with a modicum of patience
worst possibilities
it 's loud and boring ; watching it is like being trapped at a bad rock concert .
indoctrinated prejudice
some of the biggest names in japanese anime , with impressive results
of elephant feces
most delightful
does n't mean it 's good enough for our girls
a triumph of imagination
a convincing impersonation
as quiet , patient and tenacious as mr. lopez himself
a beautifully tooled action thriller about love and terrorism in korea .
pack it with enough action to satisfy the boom-bam crowd without a huge sacrifice of character and mood
the kiss of death in this bitter italian comedy
in need of a scented bath
the extensive use of stock footage quickly becomes a tiresome cliché
first great film
a feel movie
it equals the original and in some ways even betters it
of direct-to-video nash
energetic and
unwary
a nice coffee table book
an all-around good time at the movies this summer
to provoke introspection in both its characters and its audience
the finish line
it would be easy for critics to shred it
, derrida is all but useless
a satisfying summer blockbuster
cuts to the core of what it actually means to face your fears , to be a girl in a world of boys , to be a boy truly in love with a girl , and to ride the big metaphorical wave that is life -- wherever it takes you
frantic than involving , more chaotic than entertaining
leaves viewers out in the cold and undermines some phenomenal performances .
the grandness
flat , misguided comedy .
lets go your emotions , taking them to surprising highs , sorrowful lows and hidden impulsive niches ... gorgeous , passionate , and at times uncommonly moving
funny and
in an art film !
be careful what you wish for ''
find in these characters ' foibles a timeless and unique perspective
it 's not the least of afghan tragedies that this noble warlord would be consigned to the dustbin of history .
is so fine
to care about
be liked sometimes
the funniest american comedy
the con
is an earnest study in despair
the case for a strong education and good teachers being more valuable in the way they help increase an average student 's self-esteem
the mark of a documentary that works
but for the most part , the weight of water comes off as a two-way time-switching myopic mystery that stalls in its lackluster gear of emotional blandness .
flashy twists
a message that cautions children about disturbing the world 's delicate ecological balance
, and irritating
, it 's hard to shake the feeling that it was intended to be a different kind of film .
this is a sincerely crafted picture that deserves to emerge from the traffic jam of holiday movies .
make you think twice about what might be going on inside each trailer park you drive past -- even if it chiefly inspires you to drive a little faster
more mature than fatal attraction , more complete than indecent proposal and
if you love reading and/or poetry
some decent performances
firmly believe that a good video game movie is going to show up soon .
ever released by a major film studio .
a sloppy slapstick
offers an interesting bit of speculation
brutally labored and unfunny
a great cast and
will have you at the edge of your seat for long stretches
's because there 's no discernible feeling beneath the chest hair
peace is possible
inquisitive enough
seen 10,000 times
the muck
one of the funniest motion pictures of the year , but ... also one of the most curiously depressing
may prove to be ( tsai 's ) masterpiece .
some people march to the beat of a different drum
want to take a reality check before you pay the full ticket price to see `` simone , '' and consider a dvd rental instead
're the kind of parent who enjoys intentionally introducing your kids to films which will cause loads of irreparable damage that years and years of costly analysis could never fix
has a good ear for dialogue , and the characters sound like real people .
a road-trip drama with too many wrong turns
drawing wrenching performances
interesting matters of identity and heritage
, having sucked dry the undead action flick formula , blade ii mutates into a gross-out monster movie with effects that are more silly than scary .
focusing on eccentricity but failing , ultimately , to make something bigger out of its scrapbook of oddballs
is a strong directorial stamp on every frame of this stylish film that is able to visualize schizophrenia but is still confident enough to step back and look at the sick character with a sane eye .
the basic flaws
is an intelligent flick that examines many different ideas from happiness to guilt in an intriguing bit of storytelling
's nothing more satisfying during a summer of event movies than a spy thriller like the bourne identity that 's packed with just as much intelligence as action
the film would be a total washout .
is at once a tough pill to swallow and a minor miracle of self-expression
not only is it a charming , funny and beautifully crafted import , it uses very little dialogue , making it relatively effortless to read and follow the action at the same time .
five screenwriters are credited with the cliché-laden screenplay ; it seems as if each watered down the version of the one before .
is degraded , handheld blair witch video-cam footage
followed through on her defiance of the saccharine
boys '
its own brilliance
your interest until the end and even leaves you with a few lingering animated thoughts .
, this deeply moving french drama develops a startling story that works both as a detailed personal portrait and as a rather frightening examination of modern times .
shiri is an action film that delivers on the promise of excitement , but it also has a strong dramatic and emotional pull that gradually sneaks up on the audience .
an in-your-face family drama and black comedy that is filled with raw emotions conveying despair and love
some kid who ca n't act , only echoes of jordan , and
broomfield reminds us that beneath the hype , the celebrity , the high life , the conspiracies and the mystery there were once a couple of bright young men -- promising , talented , charismatic and tragically doomed .
is the kind of movie that 's critic-proof , simply because it aims so low .
musical number
this is cruel , misanthropic stuff with only weak claims to surrealism and black comedy .
the film shows signs that someone other than the director got into the editing room and tried to improve things by making the movie go faster .
old-fashioned storytelling
this orange has some juice , but it 's far from fresh-squeezed .
repellent to fully endear itself to american art house audiences , but it is notable for its stylistic austerity and forcefulness .
it uses some of the figures from the real-life story to portray themselves in the film .
seen through the right eyes , with the right actors and with the kind of visual flair that shows what great cinema can really do
the adventures of pluto nash is a whole lot of nada .
an encouraging new direction for la salle
remains vividly in memory
half-baked setups and
this little $ 1.8 million charmer ,
dullest kiddie flicks
holds up in an era in which computer-generated images are the norm
got some good , organic character work , lots of obvious political insights and little room for engaging , imaginative filmmaking in its nearly 2 1/2
while broomfield 's film does n't capture the effect of these tragic deaths on hip-hop culture
to classify as it is hard to resist
its chicken heart
by people to whom the idea of narrative logic or cohesion is an entirely foreign concept
a touching , transcendent love story
languishing on a shelf somewhere
no fantasy story
a terrific b movie -- in fact , the best in recent memory
the artificial structure
reminiscent of alfred hitchcock 's thrillers , most of the scary parts in ` signs '
vulgar
never clearly defines his characters or
with very little to add beyond the dark visions already relayed by superb recent predecessors like swimming with sharks and the player , this latest skewering
so devoid
poignant and delicately
ludicrous and
as fresh-faced as its young-guns cast
it 's mildly interesting to ponder the peculiar american style of justice that plays out here , but it 's so muddled and derivative that few will bother thinking it all through
from cowering poverty to courage and happiness
signposts marking the slow , lingering death of imagination
the gifted crudup has the perfect face to play a handsome blank yearning to find himself , and his cipherlike personality and bad behavior would play fine if the movie knew what to do with him .
have read ` seeking anyone with acting ambition but no sense of pride or shame
heart-warming
a charming and evoking little ditty that manages to show the gentle and humane side of middle eastern world politics
realistically nuanced a robert de niro performance can be when he is not more lucratively engaged in the shameless self-caricature of ` analyze this ' ( 1999 ) and ` analyze that , ' promised ( or threatened ) for later this year
explode obnoxiously
is wry and engrossing .
that there 's nothing resembling a spine here
almost every relationship and personality in the film yields surprises .
while the transgressive trappings ( especially the frank sex scenes ) ensure that the film is never dull
particularly joyless , and exceedingly dull , period
to use the word `` new '' in its title
not particularly scary
of unparalleled proportions , writer-director parker
a fine , rousing , g-rated family film ,
the script by david koepp is perfectly serviceable and because he gives the story some soul ... he elevates the experience to a more mythic level
's supposed to be a romantic comedy
add anything fresh
has the grace to call for prevention rather than to place blame , making it one of the best war movies ever made
exactly what it wants to be : an atrociously , mind-numbingly , indescribably bad movie
that relies on lingering terror punctuated by sudden shocks and not constant bloodshed
while this one gets off with a good natured warning , future lizard endeavors will need to adhere more closely to the laws of laughter
the dialogue is cumbersome
, romantic comedy with a fresh point of view just does n't figure in the present hollywood program .
to imagine that a more confused , less interesting and more sloppily made film could possibly come down the road in 2002
you have to admit it 's semi-amusing to watch robert deniro belt out `` when you 're a jet
steve martin
a jumbled fantasy comedy that did not figure out a coherent game
an enthusiastic charm in fire
like a ruse , a tactic to cover up the fact that the picture is constructed around a core of flimsy -- or , worse yet , nonexistent -- ideas
in that it is does not rely on dumb gags , anatomical humor , or character cliches
is most remarkable not because of its epic scope , but because of the startling intimacy
a college story that works even without vulgarity , sex scenes , and cussing
films which will cause loads of irreparable damage that years and years of costly analysis could never fix
a remarkable movie with an unsatisfying ending , which is just the point .
nearly as captivating as the rowdy participants think it is
cheatfully
be a straightforward bio
here , common sense flies out the window , along with the hail of bullets , none of which ever seem to hit sascha .
wickedly funny , visually engrossing , never boring , this movie challenges us to think about the ways we consume pop culture .
this surprisingly decent flick
is heartfelt and achingly real
in genre cliches
the falcon arrives in the skies above manhattan
the movie tries to make sense of its title character
lost his touch , bringing off a superb performance in an admittedly middling film
does strong , measured work .
jolts the laughs from the audience -- as if by cattle prod .
a movie as artificial and soulless as the country bears owes its genesis to an animatronic display at disneyland
a slow study : the action is stilted and the tabloid energy embalmed
be tried as a war criminal
surprising highs , sorrowful lows and
there 's some good material in their story about a retail clerk wanting more out of life ,
pastel landscapes
director nancy savoca 's no-frills record of a show forged in still-raw emotions captures the unsettled tenor of that post 9-11 period far better than a more measured or polished production ever could .
no interesting concept can escape
on a cutting room floor somewhere lies ... footage that might have made no such thing a trenchant , ironic cultural satire instead of a frustrating misfire .
flickering reminders of the ties that bind us
director tom dey demonstrated a knack for mixing action and idiosyncratic humor in his charming 2000 debut shanghai noon
has more than a few moments that are insightful enough to be fondly remembered in the endlessly challenging maze of moviegoing .
it begins to fade from memory
a sudden lunch rush
one hour photo may seem disappointing in its generalities ,
a sparkling newcomer who instantly transform themselves into a believable mother/daughter pair
combining heated sexuality with a haunting sense of malaise
not to be swept away by the sheer beauty of his images
repulsive and depressing
lucratively engaged in the shameless self-caricature of ` analyze this ' ( 1999 ) and ` analyze that , ' promised ( or threatened ) for later this year
watch people doing unpleasant things to each other and themselves
intense experience
heedless
little uneven
sealed with a kiss
why this project was undertaken
the mill sci-fi film with a flimsy ending and
halfhearted
dilutes the pleasure of watching them
the emotion is impressively true for being so hot-blooded , and
can get your money back
this is an insultingly inept and artificial examination of grief and its impacts upon the relationships of the survivors .
the most entertaining monster movies in ages
and well acted ... but admittedly problematic in its narrative specifics
's rare
gets vivid performances from her cast
the preachy
lovingly
a sexy , peculiar and always entertaining costume drama set in renaissance spain , and the fact that it 's based on true events somehow makes it all the more compelling .
it introduces you to new , fervently held ideas and fanciful thinkers
brings a youthful , out-to-change-the-world aggressiveness to the project , as if she 's cut open a vein and bled the raw film stock .
confusion and
of your seat with its shape-shifting perils , political intrigue and brushes
the power of this movie
too immature and unappealing to care about
-- she 's pretty and she can act --
proves that a nightmare is a wish a studio 's wallet makes .
nice to see piscopo again after all these years
a quiet , disquieting triumph .
in other words , about as bad a film you 're likely to see all year .
self-discovery
it 's immensely ambitious , different than anything that 's been done before and amazingly successful in terms of what it 's trying to do .
knockoff .
all the stomach-turning violence , colorful new york gang lore
odd , rapt spell
but it is a whole lot of fun and you get to see the one of the world 's best actors , daniel auteuil ,
a master of shadow , quietude , and room noise
amazing finesse
no film could possibly be more contemptuous of the single female population .
smug and convoluted action-comedy that
never fails to entertain
the national lampoon film franchise ,
of those crazy , mixed-up films that does n't know what it wants to be when it grows up
you liked the previous movies in the series
if argento 's hollywood counterparts ... had this much imagination and nerve
a movie version of a paint-by-numbers picture
is really , really stupid .
underdone
to hear the full story of jonah 's despair -- in all its agonizing , catch-22 glory -- even if they spend years trying to comprehend it
shallow and dim-witted
despite suffering a sense-of-humour failure , the man who wrote rocky does not deserve to go down with a ship as leaky as this .
the powerful
kung pow sets a new benchmark for lameness .
than bad
it is flawed
anyone in his right mind would want to see the it
is one carried by a strong sense of humanism
this loose collection of largely improvised numbers would probably have worked better as a one-hour tv documentary .
antwone fisher certainly does the trick of making us care about its protagonist and celebrate his victories
a laundry list of minor shortcomings
much of this slick and sprightly cgi feature
flashy gadgets and whirling fight sequences may look cool , but they ca n't distract from the flawed support structure holding equilibrium up .
lack contrast ,
the supernatural trappings only obscure the message
the april 2002 instalment of the american war for independence , complete with loads of cgi and bushels of violence , but not a drop of human blood .
gently humorous and touching .
the mess that is world traveler
a film of quiet power
compelling character
with an expressive face reminiscent of gong li and a vivid personality like zhang ziyi 's , dong stakes out the emotional heart of happy .
ironically killer soundtrack
no way original , or even all that memorable , but as downtown saturday matinee brain candy
the whole thing comes off like a particularly amateurish episode of bewitched that takes place during spring break .
's a persistent theatrical sentiment and a woozy quality to the manner of the storytelling , which undercuts the devastatingly telling impact of utter loss personified in the film 's simple title .
an unruly adolescent boy
an undeniably gorgeous , terminally smitten document of a troubadour , his acolytes , and the triumph of his band .
does little here
contemplative
doze off thirty minutes into the film
embodies the transformation of his character completely
an affable but undernourished romantic comedy that fails to match the freshness of the actress-producer and writer 's previous collaboration , miss congeniality .
making it awfully hard to buy the impetus for the complicated love triangle that develops between the three central characters
in all its strange quirks
the seemingly irreconcilable situation
's a pale imitation
'd want to watch if you only had a week to live
useless movie