xiangpku/GLUE huggingface dataset:
hide new secretions from the parental units
contains no wit , only labored gags
that loves its characters and communicates something rather beautiful about human nature
remains utterly satisfied to remain the same throughout
on the worst revenge-of-the-nerds clichés the filmmakers could dredge up
that 's far too tragic to merit such superficial treatment
demonstrates that the director of such hollywood blockbusters as patriot games can still turn out a small , personal film with an emotional wallop .
of saucy
a depressed fifteen-year-old 's suicidal poetry
are more deeply thought through than in most ` right-thinking ' films
goes to absurd lengths
for those moviegoers who complain that ` they do n't make movies like they used to anymore
the part where nothing 's happening ,
saw how bad this movie was
lend some dignity to a dumb story
the greatest musicians
cold movie
with his usual intelligence and subtlety
redundant concept
swimming is above all about a young woman 's face , and by casting an actress whose face projects that woman 's doubts and yearnings , it succeeds .
equals the original and in some ways even betters it
if anything , see it for karen black , who camps up a storm as a fringe feminist conspiracy theorist named dirty dick .
a smile on your face
comes from the brave , uninhibited performances
excruciatingly unfunny and pitifully unromantic
enriched by an imaginatively mixed cast of antic spirits
which half of dragonfly is worse : the part where nothing 's happening , or the part where something 's happening
in world cinema
very good viewing alternative
the plot is nothing but boilerplate clichés from start to finish ,
the action is stilted
on all cylinders
will find little of interest in this film , which is often preachy and poorly acted
by far the worst movie of the year
sit through ,
more than another `` best man '' clone by weaving a theme throughout this funny film
it 's about issues most adults have to face in marriage and i think that 's what i liked about it -- the real issues tucked between the silly and crude storyline
oblivious to the existence of this film
sharply
the entire point of a shaggy dog story , of course , is that it goes nowhere , and this is classic nowheresville in every sense .
sometimes dry
as they come , already having been recycled more times than i 'd care to count
covers this territory with wit and originality , suggesting that with his fourth feature
a $ 40 million version of a game
gorgeous and deceptively minimalist
cross swords with the best of them and
as a fringe feminist conspiracy theorist
proves once again he has n't lost his touch , bringing off a superb performance in an admittedly middling film .
disappointments
the horrors
a muddle splashed with bloody beauty as vivid as any scorsese has ever given us .
many pointless
a beautifully
contrived , well-worn situations
a doa
poor ben bratt could n't find stardom if mapquest emailed him point-to-point driving directions .
to be as subtle and touching as the son 's room
starts with a legend
far less sophisticated and
rich veins of funny stuff in this movie
no apparent joy
shot on ugly digital video
... a sour little movie at its core ; an exploration of the emptiness that underlay the relentless gaiety of the 1920 's ... the film 's ending has a `` what was it all for ? ''
though ford and neeson capably hold our interest , but its just not a thrilling movie
is pretty damned funny .
we never feel anything for these characters
's a lousy one at that
the corporate circus that is the recording industry in the current climate of mergers and downsizing
the storylines are woven together skilfully , the magnificent swooping aerial shots are breathtaking , and the overall experience is awesome .
of the most highly-praised disappointments i
sounds like a cruel deception carried out by men of marginal intelligence , with reactionary ideas about women and a total lack of empathy .
seem fresh
to the dustbin of history
as a director , eastwood is off his game
pays earnest homage to turntablists
weak and
skip this dreck ,
contains very few laughs and even less surprises
film to affirm love 's power to help people endure almost unimaginable horror
are an absolute joy
generates
, like life , is n't much fun without the highs and lows
based on a true and historically significant story
well-rounded tribute
, though many of the actors throw off a spark or two when they first appear , they ca n't generate enough heat in this cold vacuum of a comedy to start a reaction .
so much like a young robert deniro
khouri manages , with terrific flair , to keep the extremes of screwball farce and blood-curdling family intensity on one continuum .
fashioning an engrossing entertainment out
spiffy animated feature
that 's so sloppily written and cast that you can not believe anyone more central to the creation of bugsy than the caterer
alternating between facetious comic parody and pulp melodrama , this smart-aleck movie ... tosses around some intriguing questions about the difference between human and android life
strung-together moments
, generous and subversive artworks
it does n't follow the stale , standard , connect-the-dots storyline which has become commonplace in movies that explore the seamy underbelly of the criminal world
funny yet
overbearing and over-the-top
it 's robert duvall !
rich and sudden wisdom
acted and directed , it 's clear that washington most certainly has a new career ahead of him
respectable new one
yet this grating showcase
hate to tear your eyes away from the images long enough to read the subtitles
addition to sporting one of the worst titles in recent cinematic history
, this gender-bending comedy is generally quite funny .
build some robots , haul 'em to the theater with you for the late show , and put on your own mystery science theatre 3000 tribute to what is almost certainly going to go down as the worst -- and only -- killer website movie of this or any other year
do n't work in concert
the direction has a fluid , no-nonsense authority , and the performances by harris , phifer and cam ` ron seal the deal .
would have liked it more if it had just gone that one step further
it 's too harsh to work as a piece of storytelling ,
takes a classic story , casts attractive and talented actors and uses a magnificent landscape to create a feature film that is wickedly fun to watch .
provide its keenest pleasures
altogether too slight to be called any kind of masterpiece
grievous but
after you laugh once ( maybe twice ) , you will have completely forgotten the movie by the time you get back to your car in the parking lot .
unpretentious , charming , quirky , original
nicks and steinberg match their own creations for pure venality -- that 's giving it the old college try .
very well-written and very well-acted .
are n't many conclusive answers in the film
clumsy dialogue , heavy-handed phoney-feeling sentiment ,
proves a lovely trifle that , unfortunately , is a little too in love with its own cuteness .
bring tissues .
the film 's mid-to-low budget is betrayed by the surprisingly shoddy makeup work .
brings the proper conviction to his role as ( jason bourne ) .
as a young woman of great charm , generosity and diplomacy
there 's something poignant about an artist of 90-plus years taking the effort to share his impressions of life and loss and time and art with us .
just too silly
cinematic bon bons
it is supremely unfunny and unentertaining to watch middle-age and
a lively and engaging examination of how similar obsessions can dominate a family .
irritates and
so many of the challenges it poses for itself that one can forgive the film its flaws
, it serves as a workable primer for the region 's recent history , and would make a terrific 10th-grade learning tool .
wide-awake all the way through
( vainly , i think )
is one big excuse to play one lewd scene after another .
is effective if you stick with it
that underscore the importance of family tradition and familial community
delivers what it promises : a look at the `` wild ride '' that ensues when brash young men set out to conquer the online world with laptops , cell phones and sketchy business plans
watching this digital-effects-heavy , supposed family-friendly comedy
absolutely and completely ridiculous and
's a very tasteful rock and roll movie .
the movie is almost completely lacking in suspense , surprise and consistent emotional conviction .
realistic portrayal
as if trying to grab a lump of play-doh , the harder that liman tries to squeeze his story
well-thought stunts or
reveals how important our special talents can be when put in service of of others .
no lika da
a welcome relief
the promise of digital filmmaking
just one that could easily wait for your pay per view dollar
justify a theatrical simulation of the death camp of auschwitz ii-birkenau
extraordinary faith
have i seen a film so willing to champion the fallibility of the human heart
, sometimes beautiful adaptation
about as interesting
caruso sometimes descends into sub-tarantino cuteness ... but for the most part he makes sure the salton sea works the way a good noir should , keeping it tight and nasty .
overlong , and bombastic
derivative and hammily
most audacious , outrageous ,
at its best moments
disney again ransacks its archives for a quick-buck sequel .
that final , beautiful scene
some movies suck you in despite their flaws ,
eats , meddles , argues , laughs , kibbitzes and fights
the problem with the film is whether these ambitions , laudable in themselves , justify a theatrical simulation of the death camp of auschwitz ii-birkenau .
, compelling
infectiously
the picture runs a mere 84 minutes , but it 's no glance .
think of this dog of a movie
's remarkable procession of sweeping pictures that have reinvigorated the romance genre .
those so-so films that could have been much better
a passable date film
imax in short
i hate it .
's pleasant enough -- and oozing with attractive men
no one involved , save dash , shows the slightest aptitude for acting
in this wildly uneven movie
pokes , provokes , takes expressionistic license
like one of ( spears ' ) music videos in content -- except that it goes on for at least 90 more minutes and , worse , that you have to pay if you want to see it
with color and depth , and rather a good time
silly , outrageous , ingenious
being able to hit on a 15-year old when you 're over 100
the story of trouble every day ... is so sketchy it amounts to little more than preliminary notes for a science-fiction horror film , and the movie 's fragmentary narrative style makes piecing the story together frustrating difficult .
the year 's best and most unpredictable comedy
starts off so bad that you feel like running out screaming
men in black ii achieves ultimate insignificance -- it 's the sci-fi comedy spectacle as whiffle-ball epic .
elvira fans could hardly ask for more .
, plodding picture
the character dramas , which never reach satisfying conclusions
lost in the translation this time
speak for it while it forces you to ponder anew what a movie can be
enables shafer to navigate spaces both large ... and small ... with considerable aplomb
a plot cobbled together from largely flat and uncreative moments
inane and awful
told in scattered fashion
takes chances that are bold by studio standards
believe it or not , jason actually takes a backseat in his own film to special effects
only thing to fear about `` fear dot com ''
whole mess
manages to infuse the rocky path to sibling reconciliation with flashes of warmth and gentle humor
working from a surprisingly sensitive script co-written by gianni romoli ... ozpetek avoids most of the pitfalls you 'd expect in such a potentially sudsy set-up .
a résumé loaded with credits like `` girl in bar # 3
very little to add beyond the dark visions already relayed by superb recent predecessors
the , yes , snail-like pacing
an extremely unpleasant film .
if it is n't entirely persuasive , it does give exposure to some talented performers
the whole affair , true story or not , feels incredibly hokey ...
are all things we 've seen before
poignant and leavened
breathless anticipation
significantly better
as predictable as the tides
bewilderingly brilliant and entertaining
it 's smooth and professional
, unassuming , subordinate
a technically superb film
the positive change in tone here seems to have recharged him .
pays earnest homage to turntablists and beat jugglers , old schoolers and current innovators
a dim
, vicious and absurd
because he acts so goofy all the time
to a kinetic life so teeming that even cranky adults may rediscover the quivering kid inside
's at once laughable and compulsively watchable ,
merit its 103-minute length
the value and respect for the term epic cinema
as a dentist 's waiting room
showing honest emotions
amazingly lame .
confessions may not be a straightforward bio
seems a disappointingly thin slice of lower-class london life ; despite the title ... amounts to surprisingly little
the story is bogus and
this comic gem is as delightful as it is derivative .
to spare wildlife
ugly as the shabby digital photography
understand the difference between dumb fun and just plain dumb
traditionally structured
frida is n't that much different from many a hollywood romance .
does point the way for adventurous indian filmmakers toward a crossover into nonethnic markets .
are worth the price of admission ... if `` gory mayhem '' is your idea of a good time
was produced by jerry bruckheimer and directed by joel schumacher , and reflects the worst of their shallow styles : wildly overproduced , inadequately motivated every step of the way and demographically targeted to please every one ( and no one )
carnage and
degraded , handheld blair witch video-cam footage
about the folly of superficiality that is itself
serves as auto-critique , and its clumsiness as its own most damning censure .
tedious norwegian offering which somehow snagged an oscar nomination .
, esther kahn is unusual but unfortunately also irritating .
a stylish exercise
halfway through this picture i was beginning to hate it
a setup so easy it borders on facile
a thoroughly awful movie
takes hold and grips hard
look smeary and blurry , to the point of distraction
the picture 's fascinating byways
guns , cheatfully filmed martial arts , disintegrating bloodsucker computer effects and jagged camera moves
breezy , distracted rhythms
than this mess
evanescent , seamless and sumptuous stream
slick and manufactured to claim street credibility .
take care is nicely performed by a quintet of actresses ,
valuable messages
in no small part thanks to lau
two guys who desperately want to be quentin tarantino when they grow up
no new plot conceptions
essentially a collection of bits --
does n't bode well for the rest of it
elevated by it -- the kind of movie
usual worst
hugh grant , who has a good line in charm
arrive early and stay late
is a pan-american movie , with moments of genuine insight into the urban heart .
i could have used my two hours better watching being john malkovich again .
shot in artful , watery tones of blue , green and brown
an unorthodox little film noir organized crime story that includes one of the strangest
considerable aplomb
acted by diane lane and richard gere .
scant
an admittedly middling film
too ludicrous
the rock 's fighting skills are more in line with steven seagal
rich and full
warm water under a red bridge is a celebration of feminine energy , a tribute to the power of women to heal .
that uses a sensational , real-life 19th-century crime as a metaphor for
, home movie will leave you wanting more , not to mention leaving you with some laughs and a smile on your face .
, the film retains ambiguities that make it well worth watching .
ultra-cheesy dialogue
added depth and resonance
the sensational
huge-screen format to make an old-fashioned nature film that educates viewers with words and pictures while entertaining them
handsome but unfulfilling suspense drama
's not very good either .
in her most charmless
makes an unusual but pleasantly haunting debut behind the camera .
a fine , rousing , g-rated family film , aimed mainly at little kids but with plenty of entertainment value to keep grown-ups from squirming in their seats .
everything about girls ca n't swim , even its passages of sensitive observation , feels secondhand , familiar -- and not in a good way .
the cast is spot on and
ugly digital video
can only love the players it brings to the fore for the gifted but no-nonsense human beings they are and for the still-inestimable contribution they have made to our shared history
rather choppy
becomes one more dumb high school comedy about sex gags and prom dates
demands and receives excellent performances
xxx is a blast of adrenalin ,
pure escapism
create a film that 's not merely about kicking undead ***
about love and culture
is worse :
mourns her tragedies in private
the action scenes are poorly delivered
it 's so bad
, 84 minutes is short
dabbles all around , never gaining much momentum
a lot to do with the casting of juliette binoche as sand , who brings to the role her pale , dark beauty and characteristic warmth
does n't leave you with much .
good acting
like most of jaglom 's films , some of it is honestly affecting
marivaux 's rhythms , and mira sorvino 's limitations as a classical actress
is less successful on other levels
's still quite worth seeing
intelligent and moving .
he appears miserable throughout as he swaggers through his scenes
accomplish what few sequels can
a clunky tv-movie approach to detailing a chapter in the life of the celebrated irish playwright , poet and drinker
i 'm not sure which half of dragonfly is worse : the part where nothing 's happening , or the part where something 's happening
exhilarating , funny and fun .
bound to appeal to women looking for a howlingly trashy time
, it never quite makes the grade as tawdry trash .
has the right stuff for silly summer entertainment and has enough laughs to sustain interest to the end .
endearing , caring
seagal , who looks more like danny aiello these days
enactments , however fascinating they may be as history , are too crude to serve the work especially well .
not everything in this ambitious comic escapade works , but coppola , along with his sister , sofia , is a real filmmaker
the dehumanizing and ego-destroying process
taboo subject matter
utterly incompetent conclusion
has always been part of for the most part wilde 's droll whimsy helps `` being earnest '' overcome its weaknesses and parker 's creative interference ...
you find yourself rooting for gai 's character to avoid the fate that has befallen every other carmen before her
run for cover
low budget
a deceptively casual ode
walked out muttering words like `` horrible '' and `` terrible , ''
help chicago make the transition from stage to screen with considerable appeal intact
you have ellen pompeo sitting next to you for the ride
a giant step backward
true fans
just copies
quite rich and exciting
luminous interviews and amazingly evocative film from three decades ago
from lynch , jeunet , and von trier while failing to find a spark of its own
, you ca n't help but get caught up in the thrill of the company 's astonishing growth .
this frozen tundra soap opera
a showdown
is simply too overdone
greatly
intriguing species
try and evade
scherfig , who has had a successful career in tv
watching it leaves you giddy
beautifully acted and directed , it 's clear that washington most certainly has a new career ahead of him if he so chooses .
far tamer
outrageously creative action
the most purely enjoyable and satisfying evenings
is never any question of how things will turn out
only open new wounds
despite suffering a sense-of-humour failure
for a story
in addition to hoffman 's powerful acting clinic
right stuff
the wonderful cinematography and naturalistic acting
high-concept films
sleepwalk through vulgarities in a sequel you can refuse
with no reason for being
just about all of the film is confusing on one level or another , making ararat far more demanding than it needs to be .
invigorating , surreal , and resonant
the chateau , a sense of light-heartedness , that makes it attractive throughout
have a passion for the material
maybe it is formula filmmaking , but there 's nothing wrong with that if the film is well-crafted and this one is .
a movie that ca n't get sufficient distance from leroy 's
romanticized rendering
is terrific as rachel
of special effects that run the gamut from cheesy to cheesier to cheesiest
the worst film a man has made about women since valley of the dolls
come , already having been recycled more times than i 'd care to count
with awe
joyous romp of a film .
a nonstop hoot
, partisans and sabotage
gory as the scenes of torture and self-mutilation
just as the recent argentine film son of the bride reminded us that a feel-good movie can still show real heart
ub equally spoofs and celebrates the more outre aspects of ` black culture ' and the dorkier aspects of ` white culture , ' even as it points out how inseparable the two are .
the package in which this fascinating -- and timely -- content comes wrapped is disappointingly generic .
this obscenely bad dark comedy , so crass
naomi watts is terrific as rachel ; her petite frame and vulnerable persona emphasising her plight and isolation
exciting and
and in the best way
of our most flamboyant female comics
squareness that would make it the darling of many a kids-and-family-oriented cable channel
( less a movie than ) an appalling , odoriferous thing ... so
this film special
of the amazing spider-man
the stomach-turning violence
could use a little more humanity
not everything
acquires an undeniable entertainment value as the slight , pale mr. broomfield continues to force himself on people and into situations that would make lesser men run for cover .
a slow-moving police-procedural thriller
a bad idea from frame one
terrific , sweaty-palmed fun
very funny joke
volletta wallace 's maternal fury
complex story
atop wooden dialogue
that it progresses in such a low-key manner that it risks monotony
be burns 's strongest film since the brothers mcmullen
ca n't miss it
dover kosashvili 's outstanding feature debut so potent
of the best short story writing
it seeks excitement in manufactured high drama
feeble comedy .
an insult to every family
it is essentially empty
of the film 's problems
makes my big fat greek wedding look like an apartheid drama
is not even half the interest .
never achieve the popularity of my big fat greek wedding
`` auto focus '' works as an unusual biopic and document of male swingers in the playboy era
right now , they 're merely signposts marking the slow , lingering death of imagination .
appealing character quirks to forgive that still serious problem
often lingers just as long on the irrelevant as on the engaging , which gradually turns what time is it there ?
the energy it takes to describe how bad it is
wait to see it then .
could easily be called the best korean film of 2002
largest-ever historical canvas
a solid cast , assured direction and complete lack of modern day irony .
comatose ballerinas
oh-so-important
of the road , where the thematic ironies are too obvious and the sexual politics too smug
formulaic equations
's a work that , with humor , warmth , and intelligence , captures a life interestingly lived
deserve a passing grade
you 're gon na like this movie .
simply stupid , irrelevant
weaves both the elements of the plot and a powerfully evocative mood combining heated sexuality with a haunting sense of malaise .
a heavy-handed indictment of parental failings and
felt performances across the board .
seem weird and distanced
has finally made a movie that is n't just offensive
casual and fun
plodding mess
the weird thing about the santa clause 2 , purportedly a children 's movie , is that there is nothing in it to engage children emotionally .
the film 's intimate camera work
you 'll find yourself wishing that you and they were in another movie .
of dishonesty
as bestial
as it is a loose collection of not-so-funny gags , scattered moments of lazy humor
, they prove more distressing than suspenseful .
crackles
a fairly revealing study of its two main characters
high drama , disney-style
may be more genial than ingenious , but it gets the job done .