xiangpku/GLUE huggingface dataset:
is so intimate and sensual and funny and psychologically self-revealing that it makes most of what passes for sex in the movies look like cheap hysterics .
boisterous and utterly charming
well integrated
as boring
the inspiration
does leblanc make one spectacularly ugly-looking broad
the scariest guy you 'll see all summer
the emperor 's club , ruthless in its own placid way ,
that plays like a 95-minute commercial for nba properties
gritty realism , crisp storytelling and radiant compassion that effortlessly draws you in
lacks in action
get the same love story and
i have returned from the beyond to warn you : this movie is 90 minutes long , and life is too short .
resurrecting performers who rarely work in movies now ...
plaintiveness
just about more stately than any contemporary movie this year ... a true study , a film with a questioning heart
generate a lot of energy
perfectly pitched between comedy and tragedy , hope and despair , about schmidt instead comes far closer than many movies to expressing the way many of us live -- someplace between consuming self-absorption and insistently demanding otherness .
sporting one of the worst titles in recent cinematic history
put hairs on your chest
is interesting to see where one 's imagination will lead when given the opportunity
're touched by the film 's conviction that all life centered on that place , that time and that sport
a cute partnership
is hilariously , gloriously alive , and quite often hotter than georgia asphalt .
, and of the thousands thereafter
more bizarre
produce another smash
, riveting and handsomely
attempts to be grandiloquent , but ends up merely pretentious -- in a grisly sort of way
offer audiences any way of gripping what its point is , or even its attitude toward its subject
slow and dreary
the way for adventurous indian filmmakers toward a crossover
is fontaine 's willingness to wander into the dark areas of parent-child relationships without flinching .
that would set it apart from other deep south stories
flawless film
unendurable
a small star with big heart
are all direct-to-video stuff
sets this romantic comedy apart from most hollywood romantic comedies
hits every cliche we 've come to expect , including the assumption that `` crazy '' people are innocent , childlike and inherently funny
you would n't want to live waydowntown , but it is a hilarious place to visit
open-hearted film
look so bad in a major movie
sickly entertainment at best and mind-destroying cinematic pollution at worst
jackson has done is proven that no amount of imagination , no creature , no fantasy story and no incredibly outlandish scenery
odd , inexplicable and unpleasant
her complicated characters be unruly , confusing and , through it all , human
from the start -- and , refreshingly , stays that way
why anyone should bother remembering it
you 'll like it .
lumps of coal
( taymor ) utilizes the idea of making kahlo 's art a living , breathing part of the movie , often catapulting the artist into her own work .
dramatic animated feature
director juan jose campanella
the funniest jokes
's an 88-minute highlight reel that 's 86 minutes too long .
goldmember has none of the visual wit of the previous pictures , and
but the movie that does n't really deliver for country music fans or for family audiences
being the barn-burningly bad movie it promised it would be
had released the outtakes theatrically and used the film as a bonus feature on the dvd
phenomenal , water-born cinematography
do n't add up to much more than trite observations on the human condition .
lyrical tale probes the ambiguous welcome extended by iran to the afghani refugees who streamed across its borders , desperate for work and food
as the treat of the title
like a splendid meal
anyone not into high-tech splatterfests is advised to take the warning literally , and log on to something more user-friendly .
it 's the type of film about growing up that we do n't see often enough these days : realistic , urgent , and not sugarcoated in the least .
... the reason to go see `` blue crush '' is the phenomenal , water-born cinematography by david hennings .
allows us to chuckle through the angst
is a great deal of fun
odd purity
which is good news to anyone who 's fallen under the sweet , melancholy spell of this unique director 's previous films
gorgeous exterior photography
a good music documentary , probably one of the best since the last waltz .
knucklehead
intelligent high school
dashing and resourceful hero
to surprising highs , sorrowful lows and hidden impulsive niches ... gorgeous , passionate , and at times uncommonly moving
a dazzling thing to behold -- as long as you 're wearing the somewhat cumbersome 3d goggles the theater
'd rather watch them on the animal planet .
gives poor dana carvey nothing to do that is really funny
i ca n't begin to tell you how tedious , how resolutely unamusing , how thoroughly unrewarding all of this is , and what a reckless squandering of four fine acting talents ...
find it with ring , an indisputably spooky film ;
comes along only occasionally , one so unconventional ,
can truly be
is that they 're stuck with a script that prevents them from firing on all cylinders .
the funniest person
be lost on the target audience
quite entertaining
thrills , too many flashbacks
too infuriatingly quirky and taken with its own style .
punchy dialogue
the only reason you should see this movie is if you have a case of masochism and an hour and a half to blow .
michael myers for good
from a consummate actor incapable of being boring
go over the top and movies that do n't care about being stupid
, provocative and vainglorious
flounders under the weight of too many story lines
miscalculates badly by forcing the star to play second fiddle to the dull effects that allow the suit to come to life .
ringside seat
start reading your scripts before signing that dotted line .
gets the tone just right -- funny in the middle of sad in the middle of hopeful
they have been patiently waiting for
, the film never recovers from the clumsy cliché of the ugly american abroad , and the too-frosty exterior ms. paltrow employs to authenticate her british persona is another liability .
a story whose restatement is validated by the changing composition of the nation
to boring , self-important stories of how horrible we are to ourselves and each other
adding flourishes -- artsy fantasy sequences -- that simply feel wrong
aching
tear-drenched
often shocking but ultimately worthwhile
most thrillers send audiences out talking about specific scary scenes or startling moments ; `` frailty '' leaves us with the terrifying message that the real horror may be waiting for us at home .
this remake of lina wertmuller 's 1975 eroti-comedy might just be the biggest husband-and-wife disaster since john and bo derek made the ridiculous bolero .
it is n't entirely persuasive
mesmerised
the barn-burningly bad movie it promised it would be
the benjamins that 's hard to resist
further sad evidence that tom tykwer , director of the resonant and sense-spinning run lola run , has turned out to be a one-trick pony -- a maker of softheaded metaphysical claptrap
hopefully inspire action
plumbs uncharted depths of stupidity , incoherence and sub-sophomoric sexual banter
take before indigestion sets
to keep upping the ante on each other , just as their characters do in the film
steals the show without resorting to camp as nicholas ' wounded and wounding uncle ralph .
nearly every attempt at humor here is doa .
ditched the saccharine sentimentality of bicentennial man in favor of an altogether darker side
rosenthal ( halloween ii )
is a movie that will stimulate hours of post viewing discussion , if only to be reminded of who did what to whom and why
what should have been a painless time-killer
stirring road movie .
rather brilliant little cult item
from any cinematic razzle-dazzle but from its recovery of an historical episode that , in the simple telling , proves simultaneously harrowing and uplifting
is just such an achievement .
resonant
is neither dramatic nor comic
in heaven
albeit a visually compelling one ,
all the story gives us is flashing red lights , a rattling noise , and a bump on the head
the most original in years
comes to resemble the kind of soft-core twaddle you 'd expect to see on showtime 's ` red shoe diaries .
should bolster director and co-writer
few ` cool ' actors
i must have failed
is even lazier and far less enjoyable
a cheap , ludicrous attempt at serious horror
, the film ascends to a kinetic life so teeming that even cranky adults may rediscover the quivering kid inside .
, doing its namesake proud
been a lighthearted comedy
been any easier to sit through than this hastily dubbed disaster
seems to be missing a great deal of the acerbic repartee of the play .
distracted
for the fine star performances
enigmatic features
is more fun than conan the barbarian
both the scenic splendor of the mountains
stiflingly unfunny and unoriginal mess
irresponsible sandlerian
have been perfect for an old `` twilight zone '' episode
does n't have anything really interesting to say .
this is a movie full of grace
rip off that we were aware of
seems to have in mind an ( emotionally at least ) adolescent audience demanding regular shocks and bouts of barely defensible sexual violence to keep it interested
smacks of exhibitionism
the flash of rock videos fused with solid performances and eerie atmosphere .
big mistake .
're not likely to have seen before , but beneath the exotic surface ( and exotic dancing ) it 's surprisingly old-fashioned .
packed with subplots involving the various silbersteins that it feels more like the pilot episode of a tv series than a feature film
under a rock
make an alluring backdrop for this sensuous and spirited tale of a prim widow who finds an unlikely release in belly-dancing clubs .
overlong
... pays tribute to heroes the way julia roberts hands out awards -- with phony humility barely camouflaging grotesque narcissism .
, this is a film that takes a stand in favor of tradition and warmth .
is no solace here , no entertainment value , merely a fierce lesson in where filmmaking can take us
behind the project
the capable cast
passion , and genius
deliver again and again
one whose lessons are well worth revisiting as many times as possible
to protect your community from the dullest science fiction
the emotion or timelessness of disney 's great past , or
, loud , bang-the-drum
it establishes its ominous mood and tension swiftly , and if the suspense never rises to a higher level , it is nevertheless maintained throughout .
that is funny , touching , smart and complicated
cinematography and exhilarating point-of-view shots and fewer slow-motion ` grandeur ' shots
do n't mind crappy movies as much as adults , provided there 's lots of cute animals and clumsy people .
, spiteful idiots
`` the best disney movie since the lion king ''
a script ( by paul pender ) made of wood
not all that bad of a movie
a bomb
a wild ride with eight boarders from venice beach that was a deserved co-winner of the audience award for documentaries at the sundance film festival .
that woman 's doubts
is wickedly fun
the part where nothing 's happening , or the part where something 's happening
but this new jangle of noise , mayhem and stupidity must be a serious contender for the title .
taken the protagonists a full hour
smartly written motion picture
distinguished and thoughtful
chaiken ably balances real-time rhythms with propulsive incident .
it 's a loathsome movie , it really is and
makes little attempt to give voice to the other side
a web of dazzling entertainment
'll love it and probably want to see it twice
which director shekhar kapur supplies with tremendous skill
to be a bit of a cheat in the end
more traditionally plotted popcorn thriller
celebrates universal human nature
while dark water is n't a complete wash ( no pun intended ) , watched side-by-side with ringu , it ultimately comes off as a pale successor .
that proceeds from a stunningly unoriginal premise
makes the grade as tawdry trash
that 's good enough .
... a great , participatory spectator sport . '
tug at your heart in ways that utterly transcend gender
hip-hop prison thriller of stupefying absurdity
felt like to be a new yorker -- or , really , to be a human being -- in the weeks after 9/11
most savagely hilarious social critics
emotionally malleable
are missing -- anything approaching a visceral kick , and anything approaching even a vague reason to sit through it all .
's really unclear
agreeably
sordid of human behavior on the screen
too bad to be good
a disappointingly thin slice of lower-class london life ; despite the title ... amounts to surprisingly little
looked like crap ,
attractive men
's a road-trip drama with too many wrong turns
bears out as your typical junkie opera
layer of action man cliché atop wooden dialogue and a shifting tone that falls far short of the peculiarly moral amorality of ( woo 's ) best work
like a tired tyco ad
a one-of-a-kind tour de force
deftly manages to avoid many of the condescending stereotypes that so often plague films dealing with the mentally ill
a terrific date movie , whatever your orientation .
bears a grievous but obscure complaint against fathers , and circles it obsessively , without making contact
the courage of its convictions and
has its heart ( and its palate )
unsatisfied
, but to his legend
as lively an account as seinfeld is deadpan .
's certainly laudable that the movie deals with hot-button issues in a comedic context
a kiss
can almost see mendes and company getting together before a single frame had been shot and collectively vowing , ` this is going to be something really good .
dead-on in election
unusually dry-eyed , even analytical approach
has all the hallmarks of a movie designed strictly for children 's home video , a market so insatiable it absorbs all manner of lame entertainment , as long as 3-year-olds find it diverting .
knows it 's won
hollywood has crafted a solid formula for successful animated movies ,
to remain an unchanged dullard
vulgarity
rabbit-proof fence is a quest story as grand as the lord of the rings
, the film is doing something of a public service -- shedding light on a group of extremely talented musicians who might otherwise go unnoticed and underappreciated by music fans .
compelling yarn
humorous and heartfelt ,
a rather brilliant little cult item :
potentially just as rewarding
energetic and always surprising
overuse
never come up with an adequate reason why we should pay money for what we can get on television for free
make for great cinema
'll still have a good time
of flatly
makes a nice album
strong piece of work
your 20th outing shows off a lot of stamina and vitality , and get this
attempts , in vain , to prove that movie-star intensity can overcome bad hair design
a sweet-tempered comedy that forgoes the knee-jerk misogyny that passes for humor in so many teenage comedies
a lackluster script and substandard performances
suffers because of its many excesses
badly interlocked stories drowned by all too clever complexity .
garbage .
is funny and looks professional .
so-called satire
there 's no conversion effort , much of the writing is genuinely witty and both stars are appealing enough to probably have a good shot at a hollywood career , if they want one
tear-jerking
are faithful to melville 's plotline , they
a strong and confident work which works so well for the first 89 minutes , but ends so horrendously confusing in the final two
one of those decades-spanning historical epics that strives to be intimate and socially encompassing but fails to do justice to either effort in three hours of screen time .
definitely funny stuff , but it 's more of the ` laughing at ' variety than the ` laughing with
fuss or noise
's not really funny
at once overly old-fashioned in its sudsy plotting and
many definitions of ` time waster '
five screenwriters are credited with the cliché-laden screenplay ; it seems as if each watered down the version of the one before
celebrated wonder
heartwarming , nonjudgmental kind
fascination
fumbles the vital action sequences
easy , seductive
like me , think an action film disguised as a war tribute is disgusting to begin with
may also be the best sex comedy about environmental pollution ever made
at the absurdities and inconsistencies
the `` soon-to-be-forgettable '' section of the quirky rip-off prison
into its intriguing subject
all bluster and cliché
his personal obstacles
's still unusually crafty and intelligent for hollywood horror .
both refreshingly different
a wild ride of a movie that keeps throwing fastballs .
excellent performances
nothing more than an amiable but unfocused bagatelle that plays like a loosely-connected string of acting-workshop exercises
, the film works - mostly due to its superior cast of characters .
like a cruel deception carried out by men of marginal intelligence , with reactionary ideas about women and a total lack of empathy
above the globe in dazzling panoramic shots that make the most of the large-screen format , before swooping down on a string of exotic locales , scooping the whole world up in a joyous communal festival of rhythm
the filmmakers look down on their working-class subjects from their lofty perch , that finally makes sex with strangers , which opens today in the new york metropolitan area , so distasteful
loneliness and desperate grandiosity
his sweetness and vulnerability
will be upstaged by an avalanche of more appealing holiday-season product
the percussion rhythm , the brass soul and the sense of fierce competition that helps make great marching bands half the fun of college football games
is a gritty police thriller with all the dysfunctional family dynamics one could wish for .
remarkable new trick
most multilayered and sympathetic female characters
been worth caring about
's still terrible !
with a chase to end all chases
by turns very dark and very funny .
never fails him
a few zingers aside , the writing is indifferent , and jordan brady 's direction is prosaic .
stylish and moody
episode ii --
begins as a seven rip-off ,
a cross between blow and boyz n the hood , this movie strives to be more , but does n't quite get there .
a family-oriented non-disney film that is actually funny without hitting below the belt
documentary to make the stones weep -- as shameful as it
even if the enticing prospect of a lot of nubile young actors in a film about campus depravity did n't fade amid the deliberate , tiresome ugliness
produce adequate performances
trailer-trash
to a problem hollywood too long has ignored
you get the impression that writer and director burr steers knows the territory ... but his sense of humor has yet to lose the smug self-satisfaction usually associated with the better private schools .
uses the last act to reel in the audience since its poignancy hooks us completely
love a disney pic
worthwhile environmental message
of those decades-spanning historical epics that strives to be intimate and socially encompassing but fails to do justice to either effort in three hours of screen time
is one of the best-sustained ideas i have ever seen on the screen
it 's a tribute to the actress , and to her inventive director , that the journey is such a mesmerizing one
a beautiful , timeless and universal tale of heated passions -- jealousy , betrayal , forgiveness and murder .
nimble shoulders
by its awkward structure and a final veering
analyze that '' is one of those crass , contrived sequels that not only fails on its own , but makes you second-guess your affection for the original .
stage director sam mendes showcases tom hanks as a depression era hit-man in this dark tale of revenge .
much a home video , and so devoid of artifice and purpose that it appears not to have been edited at all .
proves tiresome , with the surface histrionics failing to compensate for the paper-thin characterizations and facile situations
a good cast
the vital comic ingredient
has its moments
the tortured and self-conscious material
made by people to whom the idea of narrative logic or cohesion is an entirely foreign concept
to anyone who loves both dance and cinema
no foundation for it
very funny , heartwarming film
completely serviceable and quickly forgettable
most remarkable not because of its epic scope , but because of the startling intimacy
an all-time low for kevin costner
resembles an outline for a '70s exploitation picture than the finished product .
manhattan , jennifer lopez 's most aggressive and most sincere attempt
to be released in imax format
the picture uses humor and a heartfelt conviction to tell a story about discovering your destination in life
good-time
sit and stare and turn away from one another instead of talking and it 's all about the silences and if you 're into that , have at it
enjoyably dumb , sweet , and intermittently hilarious -- if you 've a taste for the quirky , steal a glimpse .
with miscalculations
the powerful success of read my lips with such provocative material shows why , after only three films , director/co-writer jacques audiard , though little known in this country , belongs in the very top rank of french filmmakers .
naomi watts is terrific as rachel ; her petite frame and vulnerable persona emphasising her plight and isolation .
're in luck
deserve the energy it takes to describe how bad it is
watching these two actors play against each other so intensely , but with restraint
over with
cheapen the overall effect .
that powerhouse of 19th-century prose
his generation 's
there are enough high points to keep this from being a complete waste of time
fusty squareness
apparently , romantic comedy with a fresh point of view just does n't figure in the present hollywood program .
like the rugrats movies , the wild thornberrys movie does n't offer much more than the series ,
with drama , romance , tragedy , bravery , political intrigue , partisans and sabotage
was as superficial as the forced new jersey lowbrow accent uma had
expects people to pay to see it
juiced with enough energy and excitement
the entire film is one big excuse to play one lewd scene after another .
compelling , gut-clutching piece
it 's tough to watch , but it 's a fantastic movie .
while the humor aspects of ` jason x ' were far more entertaining than i had expected
sweet and gentle
second chance to find love in the most unlikely place
jaw-dropping action sequences , striking villains , a gorgeous color palette , astounding technology
lingering creepiness one
for those in search of something different , wendigo is a genuinely bone-chilling tale .
with familiar situations and repetitive scenes
this amiable picture talks tough , but it 's all bluster -- in the end it 's as sweet as greenfingers
'' has the right stuff for silly summer entertainment and has enough laughs to sustain interest to the end .
by the end you ca n't help but feel ` stoked . '
vainly
a florid but ultimately vapid crime melodrama with lots of surface
the worst films of 2002
it 's that good .
of superficiality
properly intense , claustrophobic tale
contemporary chinese life that many outsiders will be surprised to know
himself funny
plays like clueless does south fork .
this year 's very best pictures
a glorified episode of `` 7th heaven
desperate for work and food
puts flimsy flicks like this behind bars
's still entertaining to watch the target practice
the good girl '' a film worth watching
that does n't clue you in that something 's horribly wrong
plays like an extended dialogue exercise in retard 101 .
shankman ... and screenwriter karen janszen bungle their way through the narrative as if it were a series of bible parables and not an actual story .
unfolds with all the mounting tension of an expert thriller ,
offers no new insight
that lends the setting the ethereal beauty of an asian landscape painting
for the art-house crowd
with all the sympathy , empathy and pity fogging up the screen ... his secret life enters the land of unintentional melodrama and tiresome love triangles .
... certainly an entertaining ride , despite many talky , slow scenes .
for that matter , shrek )
sketch inspired by the works of john waters and todd solondz , rather than a fully developed story
venturesome , beautifully realized
from the characters