xiangpku/GLUE huggingface dataset:
, some of it is honestly affecting
victim to sloppy plotting
a sun-drenched masterpiece , part parlor game , part psychological case study , part droll social satire .
unexpected twists
neither protagonist has a distinguishable condition
strikes a defiantly retro chord , and outpaces its contemporaries with daring and verve
so vivid a portrait of a woman consumed by lust and love and crushed by betrayal that it conjures up the intoxicating fumes and emotional ghosts of a freshly painted rembrandt .
drowning 's too good for this sucker .
so gracefully
carries it to unexpected heights
are among the chief reasons brown sugar is such a sweet and sexy film
become a historically significant work
slightly unfulfilled
teeny-bopper set
a black comedy ,
a lovably old-school hollywood confection
what passes for sex in the movies look like cheap hysterics
win you over ,
and communicates something
's hard to resist his enthusiasm ,
real turns
when they see the joy the characters take in this creed
forces you to watch people doing unpleasant things to each other and themselves
a terrific date movie
smart , sassy
seems impossible that an epic four-hour indian musical about a cricket game could be this good
is definitely worth seeing
an even more predictable , cliche-ridden endeavor than its predecessor .
is one baaaaaaaaad movie
naked teenagers horror flick
texture and realism
the story really has no place to go since simone is not real
ca n't quite live up to it
finds its moviegoing pleasures in the tiny events that could make a person who has lived her life half-asleep suddenly wake up and take notice
while the transgressive trappings ( especially the frank sex scenes ) ensure that the film is never dull , rodrigues 's beast-within metaphor is ultimately rather silly and overwrought , making the ambiguous ending seem goofy rather than provocative .
acting horribly
all-night
will have been discovered , indulged in and rejected as boring before i see this piece of crap again .
is just such an achievement
almost everyone growing up believes their family must look like `` the addams family '' to everyone looking in ... `` my big fat greek wedding '' comes from the heart ...
's truly deserving of its oscar nomination
most depressing
could have turned this into an argentine retread of `` iris '' or `` american beauty , '' but instead pulls a little from each film and creates something more beautiful than either of those films .
a fish that 's lived too long
the small , human moments
of the tooth and claw of human power
a gentle waking coma
although i did n't hate this one , it 's not very good either .
paved with good intentions leads to the video store ''
one of the more glaring signs of this movie 's servitude to its superstar is the way it skirts around any scenes that might have required genuine acting from ms. spears .
the same way goodall did , with a serious minded patience , respect and affection
is a real charmer .
the word that comes to mind , while watching eric rohmer 's tribute to a courageous scottish lady
like the work of an artist who is simply tired -- of fighting the same fights , of putting the weight of the world on his shoulders , of playing with narrative form .
opposites attract for no better reason than that the screenplay demands it
the bottom tier
may well
its pulpy core conceit
assaultive
with acting , tone and pace very obviously mark him as a video helmer making his feature debut
strike some westerners as verging on mumbo-jumbo
the first bond movie in ages that is n't fake fun .
gives it a sturdiness and solidity that we 've long associated with washington
yes , i suppose it 's lovely that cal works out his issues with his dad and comes to terms with his picture-perfect life -- but world traveler gave me no reason to care , so i did n't .
worse ,
his brawny frame and cool , composed delivery
it sucked .
for all the wit and hoopla , festival in cannes offers rare insight into the structure of relationships .
this movie sucks . '
is just an overexposed waste of film
wives are worse
pointless meditation
flow through the hollywood pipeline without a hitch
wickedly funny
wonderful subject
gentle film
to understand what made allen 's romantic comedies so pertinent and enduring
its lackadaisical plotting and mindless action
will lead when given the opportunity
worst excesses
got a house full of tots -- do n't worry
try as you might to resist , if you 've got a place in your heart for smokey robinson , this movie will worm its way there .
also has many of the things that made the first one charming .
're definitely convinced that these women are spectacular
since dahmer resorts to standard slasher flick thrills when it should be most in the mind of the killer
it 's tough to watch ,
very well-written and very well-acted
has stepped into the mainstream of filmmaking with an assurance worthy of international acclaim and with every cinematic tool well under his control -- driven by a natural sense for what works
predecessors the mummy and the mummy returns stand as intellectual masterpieces next to the scorpion king .
zings all the way through with originality , humor and pathos
's almost worth seeing because it 's so bad
pulls the strings that make williams sink into melancholia
make showtime the most savory and hilarious guilty pleasure of many a recent movie season .
an actual vietnam war combat movie
retelling a historically significant , and personal , episode detailing how one international city welcomed tens of thousands of german jewish refugees while the world 's democracie
to congratulate himself for having the guts to confront it
numbing
a first-class road movie that proves you
it is a loose collection of not-so-funny gags , scattered moments of lazy humor
a slap-happy series
to rank with its worthy predecessors
much of what we see is horrible
the characters , cast in impossibly contrived situations
in the reassuring manner of a beautifully sung holiday carol
a stand in favor of tradition and warmth
suffocate the illumination created by the two daughters
the most interesting writer/directors
would make it a great piece to watch with kids and use to introduce video as art
enhances the personal touch of manual animation
give it a marginal thumbs up
the film feels uncomfortably real , its language and locations bearing the unmistakable stamp of authority .
's easier to change the sheets than to change hackneyed concepts when it comes to dreaming up romantic comedies
featuring an oscar-worthy performance by julianne moore .
foolish choices for advice
old-hat province
bottom-of-the-bill
its questionable satirical ambivalence
the plot is plastered with one hollywood cliche after another , most of which involve precocious kids getting the better of obnoxious adults .
are hoping it will be , and in that sense is a movie that deserves recommendation
be put to sleep or bewildered by the artsy and often pointless visuals
powerful , naturally dramatic piece
too loud , too goofy and
take away the controversy , and it 's not much more watchable than a mexican soap opera .
a drag how nettelbeck sees working women -- or at least this working woman -- for whom she shows little understanding
the country bears wastes an exceptionally good idea .
the sick sense
with good intentions
is a strength of a documentary to disregard available bias , especially as temptingly easy as it would have been with this premise
not mean-spirited
black hawk down and we
too campy to work as straight drama and
my only wish is that celebi could take me back to a time before i saw this movie and i could just skip it .
sophisticated in the worst way
a likable story
exceedingly
vapid and
while the last metro ) was more melodramatic , confined to a single theater company and its strategies and deceptions , while tavernier is more concerned with the entire period of history .
are breathtaking
is no substitute for on-screen chemistry
a 75-minute sample of puerile rubbish that is listless , witless , and devoid of anything resembling humor .
often surprising twists and an intermingling of naiveté and sophistication
attal 's hang-ups surrounding infidelity are so old-fashioned and , dare i say , outdated
like a surge through swirling rapids or a leap from pinnacle to pinnacle
these characters ' foibles a timeless and unique perspective
cold , calculated exercise
build a feel-good fantasy around a vain dictator-madman
's gone to manhattan and hell
may cause parents a few sleepless hours -- a sign of its effectiveness
... is a brilliantly played , deeply unsettling experience .
the flat dialogue
also nice
is too busy hitting all of its assigned marks to take on any life of its own .
's an experience in understanding a unique culture that is presented with universal appeal
sillier , cuter
is hard to care
sorriest
animation enthusiasts of all ages
a rather brilliant little cult item
an intense and effective film
the ensemble cast turns in a collectively stellar performance ,
cinematography and exhilarating point-of-view shots
the world 's best actors ,
neo-augustinian theology : is god
really funny
a laughable --
shortcomings
thrills , too many flashbacks and
it 's an entertaining movie
the film 's cheeky charm
scherfig 's light-hearted profile of emotional desperation is achingly honest and delightfully cheeky .
lead a group of talented friends
the grade as tawdry trash
the things that made the first one charming
serving sara should be served an eviction notice at every theater stuck with it .
way to entertain or inspire its viewers
the uneven performances by the cast members , who seem bound and determined to duplicate bela lugosi 's now-cliched vampire accent
stale and clichéd to a fault
crafted import
to systematically destroy everything we hold dear about cinema , only now it 's begun to split up so that it can do even more damage
fascinating character study
xerox of other , better crime movies
, pointless , stupid
lacking
nationwide blight
a wonderfully speculative character study that made up for its rather slow beginning by drawing me into the picture .
charming in comedies like american pie and
very interesting and
a technical triumph and an extraordinary bore .
powerful , inflammatory film
lax and limp a comedy as i 've seen in a while , a meander through worn-out material
spare dialogue and
like many western action films , this thriller is too loud and thoroughly overbearing , but its heartfelt concern about north korea 's recent past and south korea 's future adds a much needed moral weight
beginning with the pale script
's just brilliant in this .
have tremendous chemistry
cinematography and exhilarating point-of-view shots and fewer slow-motion ` grandeur ' shots and
of a been-there , done-that sameness
nails hard -
moves between heartbreak and rebellion
's a reason the studio did n't offer an advance screening
a gently funny , sweetly adventurous film
, the diva shrewdly surrounds herself with a company of strictly a-list players .
the salton sea has moments of inspired humor , though every scrap is of the darkest variety .
eileen walsh , an engaging , wide-eyed actress whose teeth are a little too big for her mouth , infuses the movie with much of its slender , glinting charm .
has crafted an intriguing story of maternal instincts and misguided acts of affection
offer some modest amusements
bogdanovich puts history in perspective and , via kirsten dunst 's remarkable performance , he showcases davies as a young woman of great charm , generosity and diplomacy
that makes it possible for the viewer to doze off for a few minutes or make several runs to the concession stand and/or restroom and not feel as if he or she has missed anything
through some of clancy 's holes
is to ponder how a whole segment of pop-music history has been allowed to get wet , fuzzy and sticky
but they fascinate in their recklessness .
a modestly surprising movie
's equally distasteful to watch him sing the lyrics to `` tonight .
seem genuine rather than pandering
offers hope
in its splendor
cheap , vulgar dialogue and a plot that crawls along at a snail 's pace .
his best screen
have .
falls short in showing us antonia 's true emotions
with its subjects
give his audience a single character worth rooting for ( or worth rooting against , for that matter )
the utter authority of a genre gem
it 's so tedious that it makes you forgive every fake , dishonest , entertaining and , ultimately , more perceptive moment in bridget jones 's diary .
illuminating study
pat storylines
their super-powers , their super-simple animation and their super-dooper-adorability intact
black urban professionals
to induce sleep than fright
utter loss
light the candles , bring out the cake
out-of-kilter character
establishes itself as a durable part of the movie landscape : a james bond series for kids .
standard crime drama fare ... instantly forgettable and thoroughly dull
's as good
is more interested in entertaining itself than in amusing us
general boorishness
would have been funnier if the director had released the outtakes theatrically and used the film as a bonus feature on the dvd
to feel sorry for mick jagger 's sex life
none of this is meaningful or memorable , but frosting is n't , either ,
superficial characters
77 minutes of pokemon may not last 4ever , it just seems like it does .
forget about one oscar nomination for julianne moore this year - she should get all five .
mostly believable
stumbles over every cheap trick in the book trying to make the outrage
concludes with the crisp clarity of a fall dawn
love story for those intolerant of the more common saccharine genre .
powerful and satisfying
uneven performances and
its compassionate spirit
very little story or character
have rarely seen
, heartwarming film
a crime movie made by someone who obviously knows nothing about crime
damon brings the proper conviction to his role as ( jason bourne ) .
is not it
hold dear about cinema ,
is great material for a film -- rowdy , brawny and lyrical in the best irish sense
is philosophy , illustrated through everyday events
the kind of obnoxious
has the same sledgehammer appeal as pokemon videos
uninspired , and peopled mainly by characters so unsympathetic that you 're left with a sour taste in your mouth
reopens an interesting controversy and
exciting new filmmaker
really an advantage to invest such subtlety and warmth in an animatronic bear when the humans are acting like puppets
whether or not you 're enlightened by any of derrida 's lectures on `` the other '' and `` the self , '' derrida is an undeniably fascinating and playful fellow .
death to smoochy is often very funny , but what 's even more remarkable is the integrity of devito 's misanthropic vision
magic and whimsy for children , a heartfelt romance for teenagers and a compelling argument about death ,
action-packed an experience
cremaster 3 is at once a tough pill to swallow and a minor miracle of self-expression .
a feat
`` catch me '' feels capable of charming the masses with star power , a pop-induced score and sentimental moments that have become a spielberg trademark .
michael jordan referred to in the title , many can aspire but none can equal
find anything to get excited about on this dvd
mishmash .
i still like moonlight mile , better judgment be damned .
, i 'm not exactly sure what -- and has all the dramatic weight of a raindrop
it does n't make for great cinema
also seems to play on a 10-year delay
its director 's most substantial feature for some time .
the mark of a respectable summer blockbuster
of loss
a compelling pre-wwii drama with vivid characters and a warm , moving message .
there 's nothing here that they could n't have done in half an hour
sentimental chick-flicks
is , quite pointedly ,
addition to scoring high for originality of plot
holds the film together with a supremely kittenish performance that gradually accumulates more layers
measured against practically any like-themed film other than its oscar-sweeping franchise predecessor the silence of the lambs , red dragon rates as an exceptional thriller .
sticks , really , except a lingering creepiness one feels from being dragged through a sad , sordid universe of guns , drugs , avarice and damaged dreams .
is instructive
is that rare creature -- an action hero with table manners , and one who proves that elegance is more than tattoo deep
is out of his league
wildly incompetent
gives it that extra little something that makes it worth checking out at theaters ,
just enough insight to keep it from being simpleminded
a world that 's often handled in fast-edit , hopped-up fashion
the condescending stereotypes that so often plague films dealing with the mentally ill
uniquely sensual metaphorical dramatization
the mood for an intelligent weepy
take this film at face value and enjoy its slightly humorous and tender story
mysterious , sensual , emotionally intense
duvall 's throbbing sincerity and
a film in a class with spike lee 's masterful do the right thing .
this is the best ` old neighborhood ' project since christopher walken kinda romanced cyndi lauper in the opportunists
that grips and holds you in rapt attention from
been leavened by a charm that 's conspicuously missing from the girls ' big-screen blowout
sickening product placement
simply intrusive
he were stripped of most of his budget and all of his sense of humor
`` bad '' is the operative word for `` bad company , '' and i do n't mean that in a good way
to the bravery and dedication of the world 's reporters who willingly walk into the nightmare of war not only to record the events for posterity , but to help us
if divine secrets of the ya-ya sisterhood suffers from a ploddingly melodramatic structure
a story about intelligent high school
finely crafted
fails on its own
notwithstanding my problem with the movie 's final half hour , i 'm going to recommend secretary , based on the wonderful acting clinic put on by spader and gyllenhaal
be anything but frustrating , boring , and forgettable
's waltzed itself into the art film pantheon
distract from the flawed support structure holding equilibrium up
yet , it still works .
has at last decisively broken with her friends image in an independent film of satiric fire and emotional turmoil
a prolonged extrusion of psychopathic pulp
extends to his supple understanding of the role that brown played in american culture as an athlete , a movie star , and an image of black indomitability .
, sorrow , laugther , and tears
immensely ambitious , different than anything that 's been done before
yet depressing
time to congratulate himself for having the guts to confront it
is a lot like a well-made pb & j sandwich : familiar , fairly uneventful and boasting no real surprises -- but still quite tasty and inviting all the same
transforms one of ( shakespeare 's ) deepest tragedies
expected it to be
need to try very hard
benevolent deception , which , while it may not rival the filmmaker 's period pieces , is still very much worth seeing
talented enough and charismatic enough to make us care about zelda 's ultimate fate
gets drawn into the party .
just dreadful
lush and beautifully photographed ( somebody suggested the stills might make a nice coffee table book )
does her best
both shrill and soporific , and because everything is repeated five or six times , it can seem tiresomely simpleminded .
a lot of stamina and vitality
it 's too harsh to work as a piece of storytelling , but
as the scruffy sands of its titular community
seeing himself in the other ,
evacuations , and none-too-funny commentary on the cultural distinctions between americans and brits
premise , mopes through a dreary tract of virtually plotless meanderings and then ends with a whimper
does n't really care about the thousands of americans who die hideously
its ability to shock and amaze
make j.k. rowling 's marvelous series into a deadly bore
quite a comedy nor
of lazy tearjerker that gives movies about ordinary folk a bad name
a moving tale of love and destruction in unexpected places
cleverly constructed scenario
consumed by lust and love
has all the same problems the majority of action comedies have .
unoriginal run
, it traps audiences in a series of relentlessly nasty situations that we would pay a considerable ransom not to be looking at .
fascinating documentary
gloriously flippant as lock , stock and two smoking barrels
, often hilarious romantic jealousy comedy
is a good one
it 's also not smart or barbed enough for older viewers
an annoying orgy of excess and exploitation
a film that suffers because of its many excesses .
a vibrant whirlwind of love , family and all that goes with it , my big fat greek wedding is a non-stop funny feast of warmth , color and cringe .
is no psychology here , and no real narrative logic -- just a series of carefully choreographed atrocities , which become strangely impersonal and abstract .
was created for the non-fan to figure out what makes wilco a big deal
nothing more or less than an outright bodice-ripper -- it should have ditched the artsy pretensions and revelled in the entertaining shallows .
the end result is like cold porridge with only the odd enjoyably chewy lump .
of the best looking and stylish
little fuss or noise
like a change in ( herzog 's ) personal policy than a half-hearted fluke .
a movie that accomplishes so much that one viewing ca n't possibly be enough
visual hideousness
a decomposition of healthy eccentric inspiration and ambition
who manages to blast even the smallest sensitivities from the romance with his clamorous approach
the film fits into a genre that has been overexposed , redolent of a thousand cliches , and yet remains uniquely itself , vibrant with originality .
leave the auditorium feeling dizzy , confused , and totally disorientated
of you-are-there immediacy
sterling ensemble cast
a charming , banter-filled comedy ... one of those airy cinematic bon bons whose aims -- and by extension , accomplishments -- seem deceptively slight on the surface .
reno himself can take credit for most of the movie 's success .
up as tedious as the chatter of parrots raised on oprah
has usually
show a remarkable ability to document both sides of this emotional car-wreck .
's apparently been forced by his kids to watch too many barney videos
holocaust escape story
seagal is painfully foolish in trying to hold onto what 's left of his passe ' chopsocky glory .
a good yarn
more of a poetic than a strict reality , creating an intriguing species of artifice that gives the lady and the duke something of a theatrical air
, the effect comes off as self-parody .
it counts heart as important as humor
a touching drama about old age and grief
lacks balance ... and fails to put the struggle into meaningful historical context
too loud , too goofy and too short
it 's ... worth the extra effort to see an artist , still committed to growth in his ninth decade , change while remaining true to his principles with a film whose very subject is , quite pointedly , about the peril of such efforts .
work as shallow entertainment , not remotely incisive enough to qualify as drama , monsoon
the precedent of yiddish theater , whose jolly , fun-for-fun 's - sake communal spirit goes to the essence of broadway
a rather toothless take
it challenges , this nervy oddity , like modern art should .
addition to hoffman 's powerful acting clinic
does a disservice to the audience and to the genre
there 's undeniable enjoyment to be had from films crammed with movie references , but the fun wears thin -- then out -- when there 's nothing else happening .
treats us to an aimless hodgepodge
of why the dv revolution has cheapened the artistry of making a film
picked me up , swung me around , and dropped me back in my seat with more emotional force than any other recent film
a film that hews out a world and carries us effortlessly from darkness to light
is surprisingly refreshing
is a good-hearted ensemble comedy with a variety of quirky characters and an engaging story
can analyze this movie in three words : thumbs friggin ' down
laughs at how clever it 's being .
about issues most adults have to face in marriage
a coherent rhythm going
a worthy entry in the french coming-of-age genre
stabs
and artistically inept
one-of-a-kind work
happy hour
's a frightful vanity film that , no doubt , pays off what debt miramax felt they owed to benigni .