xiangpku/GLUE huggingface dataset:
take on courtroom movies , a few nifty twists that are so crucial to the genre and another first-rate performance by top-billed star bruce willis .
lame musketeer
by shooting itself in the foot
one relentlessly depressing situation
easy to swallow thanks to remarkable performances by ferrera and ontiveros
rather cold-blooded comedy
saccharine sentimentality
while the humor is recognizably plympton , he has actually bothered to construct a real story this time .
sinks into by-the-numbers territory .
has been overexposed , redolent of a thousand cliches , and
the action clichés
a director to watch
can such a cold movie claim to express warmth and longing ?
spider-man
is reasonably entertaining ,
aesthetically and sexually
rubbo 's humorously tendentious intervention into the who-wrote-shakespeare controversy .
're often undone by howard 's self-conscious attempts to find a ` literary ' filmmaking style to match his subject
relentlessly depressing
the latest adam sandler assault and possibly the worst film of the year
hard-to-swallow
scratch a hole in your head
disappointing in comparison
is plainly dull and visually ugly when it is n't incomprehensible
's stylishly directed with verve
artificial and opaque
does this so well
to be viewed and treasured for its extraordinary intelligence and originality as well as its lyrical variations on the game of love
fresh to say about growing up catholic or , really , anything
the story is bogus and its characters tissue-thin
makes two hours feel like four .
the subtle direction of first-timer hilary birmingham
it 's one long bore .
is uncomfortably timely , relevant , and sickeningly real .
touching , transcendent love story
rather , pity anyone who sees this mishmash .
liked it because it was so endlessly , grotesquely , inventive .
surrounded by 86 minutes of overly-familiar and poorly-constructed comedy .
right to be
to keep this from being a complete waste of time
ultimate imax trip
'd expect to see on showtime 's ` red shoe diaries
is carried less by wow factors than by its funny , moving yarn that holds up well after two decades
badly awry
a romantic comedy
has something significant to say
making a vanity project with nothing new
simplistic story
a visually stunning rumination
itch to explore more
we can tell what it is supposed to be , but ca n't really call it a work of art .
be the year 's best and most unpredictable comedy
an interesting slice
stilted
has clever ways of capturing inner-city life during the reagan years
is insipid
plays like a badly edited , 91-minute trailer ( and ) the director ca n't seem to get a coherent rhythm going
fabricated
, in an irresistible junior-high way ,
the picture runs a mere 84 minutes ,
not being able to enjoy a mindless action movie
exhaustion , from watching a movie that is dark ( dark green , to be exact ) , sour , bloody and mean
great saturday night live sketch
impressive job
-- in the title role -- helps make the film 's conclusion powerful and satisfying
that is able to visualize schizophrenia but is still confident enough to step back and look at the sick character with a sane eye
passionate enthusiasms like martin scorsese
for something as splendid-looking as this particular film
's surprisingly decent , particularly for a tenth installment in a series .
real vitality
everything except someone pulling the pin from a grenade with his teeth
of humor , verve and fun
every cliche
genuine spontaneity
this method almost never fails him
this pretentious mess
this method almost never fails him , and
expect no major discoveries , nor any stylish sizzle ,
better characters ,
to a woman whose passion for this region and its inhabitants still shines in her quiet blue eyes
as the sulking , moody male hustler in the title role , ( franco ) has all of dean 's mannerisms and self-indulgence , but none of his sweetness and vulnerability .
are so overstated
too goodly , wise and knowing
guys say mean things and shoot a lot of bullets .
in the pianist , polanski is saying what he has long wanted to say , confronting the roots of his own preoccupations and obsessions , and he allows nothing to get in the way .
its first-time feature director
gives the lie to many clichés and
a small movie with a big impact .
very handsomely produced let-down
a brilliant movie
make a gorgeous pair ... their scenes brim with sexual possibility and emotional danger
of the human heart
for its overwhelming creepiness
being cast in action films when none of them are ever any good
boasts dry humor and jarring shocks , plus moments of breathtaking mystery .
of dark humor , gorgeous exterior photography , and a stable-full of solid performances
delightfully compatible
stylish weaponry
it gets the details of its time frame right but it completely misses its emotions .
those crass , contrived sequels that not only fails on its own , but makes you second-guess your affection for the original
fine performances
the movie 's vision of a white american zealously spreading a puritanical brand of christianity to south seas islanders is one only a true believer could relish .
coherent rhythm
played and smartly directed
drew to a close
's unlikely to inspire anything more than a visit to mcdonald 's , let alone some savvy street activism
wonderful fencing scenes and an exciting plot
manages for but a few seconds over its seemingly eternal running time to pique your interest , your imagination , your empathy or anything , really , save your disgust and your indifference
used manhattan 's architecture in such a gloriously goofy way
blandly
no particular bite
less a story
is good , except its timing .
a shrill , didactic cartoon
runs a good race , one that will have you at the edge of your seat for long stretches . '
too predictably , in fact .
can enjoy
' i feel better already .
since it does n't take itself so deadly seriously
one key problem with these ardently christian storylines is that there is never any question of how things will turn out .
incoherence reigns .
make it an above-average thriller
interview with the assassin is structured less as a documentary and more as a found relic , and as such the film has a difficult time shaking its blair witch project real-time roots .
a 95-minute commercial
bones tickled
tells this very compelling tale with little fuss or noise , expertly plucking tension from quiet
, the movie 's wildly careening tone and an extremely flat lead performance do little to salvage this filmmaker 's flailing reputation .
bright on this frozen tundra soap opera that breathes extraordinary life into the private existence of the inuit people
ties it together with efficiency and an affection for the period
with soul
much as i laughed throughout the movie
you do n't need to know your ice-t 's from your cool-j 's to realize that as far as these shootings are concerned , something is rotten in the state of california .
the brilliance of animal house
once the true impact of the day unfolds , the power of this movie is undeniable .
, and intermittently hilarious
realized the harsh reality of my situation
awkward interplay and utter lack
any reasonably creative eighth-grader could have written a more credible script , though with the same number of continuity errors .
often exciting
is how the film knows what 's unique and quirky about canadians
emotional buttons
surprisingly sensitive script co-written
sand 's masculine persona , with its love of life and beauty ,
black hawk down and we were soldiers
on the delicious pulpiness of its lurid fiction
do little to salvage this filmmaker 's flailing reputation .
even the stuffiest cinema goers
it at least calls attention to a problem hollywood too long has ignored
much like robin williams , death to smoochy has already reached its expiration date .
the power of strong voices
some remarkable achival film about how shanghai ( of all places )
entertainment opportunism at its most glaring
his flick-knife diction in the role of roger swanson
a holy fool
still to believe that anyone in his right mind would want to see the it
by the surprisingly shoddy makeup work
the cast is spot on and the mood is laid back .
ambitious movie
the highest power
be distasteful to children and adults alike
unintentional melodrama and tiresome love triangles
delivers fascinating psychological fare
on great scares and a good surprise ending
are masterfully controlled .
broomfield 's style of journalism is hardly journalism at all , and even those with an avid interest in the subject will grow impatient
`` shock humor ''
is one film that 's truly deserving of its oscar nomination .
feels as if the movie is more interested in entertaining itself than in amusing us
with an utterly incompetent conclusion
considered a star , nor why he keeps being cast in action films when none of them are ever any good
a strong-minded viewpoint , or
generally smart
is born to play shaggy
becomes instead a grating endurance test .
, rodrigues 's beast-within metaphor is ultimately rather silly and overwrought , making the ambiguous ending seem goofy rather than provocative .
ladles on the local flavor with a hugely enjoyable film about changing times , clashing cultures and the pleasures of a well-made pizza .
rouses us .
compelling story
winning performances and
, snide and prejudice .
working to develop her own film language with conspicuous success
by a gritty style and an excellent cast
cranked out on an assembly line to see if stupid americans will get a kick out of goofy brits with cute accents performing ages-old slapstick and unfunny tricks
the frequent allusions
the film is not only a love song to the movies but it also is more fully an example of the kind of lush , all-enveloping movie experience it rhapsodizes .
exuberant openness
... is so pat it makes your teeth hurt .
you might as well be watching a rerun
a pedestrian , flat drama
in the breathtakingly beautiful outer-space documentary space station 3d
of the few ` cool ' actors who never seems aware of his own coolness
is predictable in the reassuring manner of a beautifully sung holiday carol
are incredibly captivating and insanely funny , thanks in part to interesting cinematic devices ( cool visual backmasking ) , a solid cast , and some wickedly sick and twisted humor ...
his way to becoming the american indian spike lee
diane lane works nothing short of a minor miracle in unfaithful .
intrigued
of ( woo 's ) best work
what we have here is n't a disaster , exactly , but a very handsomely produced let-down .
it 's simply crude and unrelentingly exploitative
a movie that both thrills the eye and , in its over-the-top way , touches the heart .
of the things that made the original men in black such a pleasure
even when there are lulls , the emotions seem authentic , and the picture is so lovely toward the end ... you almost do n't notice the 129-minute running time .
idiotically uses the website feardotcom.com or the improperly hammy performance from poor stephen rea
filling nearly every minute ... with a lighthearted glow , some impudent snickers , and a glorious dose of humankind 's liberating ability
overcomes the script 's flaws and envelops the audience in his character 's anguish , anger and frustration .
comes from its soul 's - eye view of how well-meaning patronizing masked a social injustice , at least as represented by this case
summer entertainment
distinct and very welcome sense
emotional misery
what i saw , i enjoyed .
resemble the shapeless
sneering
wasted minutes of sandler
, eileen walsh , an engaging , wide-eyed actress whose teeth are a little too big for her mouth , infuses the movie with much of its slender , glinting charm .
too hard to be funny in a way that 's too loud , too goofy and too short of an attention span
as darkly funny , energetic ,
that is plainly dull and visually ugly when it is n't incomprehensible
will capture the minds and hearts of many
but undernourished and plodding .
worth checking out at theaters
seems embarrassed by his own invention and
to have forgotten everything he ever knew about generating suspense
preserving a sense of mystery
bounds along with the rat-a-tat energy of `` his girl friday , '' maintaining a light touch while tackling serious themes .
a grittily beautiful film that looks ,
daringly perceptive , taut , piercing and feisty
close to the level of intelligence and visual splendor that can be seen in other films
every joke is repeated at least -- annoying , is n't it
co-writer/director jonathan parker 's attempts to fashion a brazil-like , hyper-real satire fall dreadfully short .
such a flat , plodding picture
got a place in your heart for smokey robinson
laugh-out-loud lines , adorably ditsy but heartfelt performances , and sparkling ,
there 's a clarity of purpose and even-handedness to the film 's direction
more than a movie
bad sound
the impressively discreet filmmakers
with spy kids 2 : the island of lost dreams , the spy kids franchise establishes itself as a durable part of the movie landscape : a james bond series for kids .
imagine kevin smith , the blasphemous bad boy of suburban jersey , if he were stripped of most of his budget and all of his sense of humor
tepid and choppy recycling
is so busy making reference to other films and trying to be other films that it fails to have a heart , mind or humor of its own .
ascends to a kinetic life so teeming that even cranky adults may rediscover the quivering kid inside .
the characters make italian for beginners worth the journey
a thriller without thrills and a mystery devoid of urgent questions .
may be surprised at the variety of tones in spielberg 's work
a rerun
gives a mesmerizing performance as a full-fledged sex addict who is in complete denial about his obsessive behavior
rare quality
the too-hot-for-tv direct-to-video/dvd category ,
a poignant comedy
, inescapably gorgeous ,
manipulative feminist empowerment tale thinly
eyre , a native american raised by white parents , manages to infuse the rocky path to sibling reconciliation with flashes of warmth and gentle humor
combines sharp comedy , old-fashioned monster movie atmospherics , and genuine heart
flower-power liberation
dull in its lack of poetic frissons
as lax and limp a comedy as i 've seen in a while , a meander through worn-out material
grab the old lady at the end of my aisle 's walker and toss it at the screen in frustration
in sorrow
after watching it , you can only love the players it brings to the fore for the gifted but no-nonsense human beings they are and for the still-inestimable contribution they have made to our shared history .
earnest performances
a compelling coming-of-age drama
a ' list cast
cast and surehanded direction
is that there is nothing in it to engage children emotionally
so cliched and contrived that it makes your least favorite james bond movie seem as cleverly plotted as the usual suspects
pretend like your sat scores are below 120
silly and monotonous
inventive , consistently intelligent
worst sin
need agile performers
unpredictable character
spin hopelessly out
be forewarned , if you 're depressed about anything before watching this film , you may just end up trying to drown yourself in a lake afterwards .
collapses under its own meager weight
with the terrifying message
a bit of a downer and a little
not-very-funny
splendidly cast pair
another iteration of what 's become one of the movies ' creepiest conventions , in which the developmentally disabled are portrayed with almost supernatural powers to humble , teach and ultimately redeem their mentally `` superior '' friends , family ...
redone for horses , with fewer deliberate laughs , more inadvertent ones and stunningly trite songs by bryan adams , the world 's most generic rock star
a sun-drenched masterpiece , part parlor game
the movie is hardly a masterpiece ,
often downright creepy
eats up the screen
as graceful
's about as convincing as any other arnie musclefest ,
the weak payoff
formulaic and forgettable that it 's hardly over before it begins to fade from memory
texan director george ratliff had unlimited access to families and church meetings , and he delivers fascinating psychological fare .
when you 've got the wildly popular vin diesel in the equation
a cute partnership in i spy
struggles of the working class to life
is supremely unfunny and unentertaining to watch middle-age
cheap-looking version of candid camera
everyone can enjoy
, ' i feel better already .
cliche with little new added .
shimmeringly lovely coming-of-age portrait
crassly flamboyant
edgy camera work
nominated for an oscar
a triumph ,
's a familiar story , but one that is presented with great sympathy and intelligence .
donovan ... squanders his main asset , jackie chan ,
fascinating to watch marker the essayist at work
just another generic drama
, twisty yarn
start to finish , featuring a fall from grace that still leaves shockwaves
mildly entertaining
richard pryor mined his personal horrors and came up with a treasure chest of material ,
i 'll settle for a nice cool glass of iced tea and
of our respect
their project so interesting
no big whoop , nothing new to see , zero thrills , too many flashbacks and a choppy ending make for a bad film .
, you 'll swear that you 've seen it all before , even if you 've never come within a mile of the longest yard .
it 's not half-bad
( rises ) above its oh-so-hollywood rejiggering and its conventional direction to give the film a soul and an unabashed sense of good old-fashioned escapism
has all the trappings of an energetic , extreme-sports adventure ,
bad movies
his difficult , endless work with remarkable serenity and discipline
does leave you marveling at these guys ' superhuman capacity to withstand pain
embodies the transformation of his character
admirable
is a purposefully reductive movie -- which may be why it 's so successful at lodging itself in the brain .
running off
last count
be rewarded with some fine acting
one good idea
the compassion , good-natured humor and
giddy and whimsical and relevant today
been astronomically bad
the kind of film that leaves you scratching your head in amazement over the fact that so many talented people could participate in such an ill-advised and poorly
the evocative imagery and gentle , lapping rhythms of this film are infectious
unimaginable
have done a fine job of updating white 's dry wit to a new age
cutting-edge indie filmmaking
leaving questions in its wake
figures out how to make us share their enthusiasm .
satire lucky break
while somewhat less than it might have been , the film is a good one , and you 've got to hand it to director george clooney for biting off such a big job the first time out
simply feeling like no other film in recent history
thoughtful and surprisingly affecting portrait
the rare common-man artist who 's wise enough to recognize that there are few things in this world more complex -- and , as it turns out , more fragile -- than happiness
some good , organic character work ,
students that deals with first love sweetly but also seriously
just a string of stale gags ,
too ludicrous and borderline insulting
, lame screenplay
the case is a convincing one , and should give anyone with a conscience reason to pause .
's easy to like
a ponderous and pretentious endeavor
with a subtlety that is an object lesson in period filmmaking
most amazing
the worthy successor to a better tomorrow and the killer which they have been patiently waiting for
just about the surest bet for an all-around good time at the movies this summer .
dull moment
expect no major discoveries , nor any stylish sizzle , but the film sits with square conviction and touching good sense on the experience of its women .
good sense
he 's a slow study : the action is stilted and the tabloid energy embalmed .
try this obscenely bad dark comedy , so crass that it makes edward burns ' sidewalks of new york look like oscar wilde
comes from the brave , uninhibited performances by its lead actors
an exceptionally good idea
are sweet and believable ,
full of flatulence jokes and mild sexual references , kung pow !
an obvious rapport with her actors and
is a movie filled with unlikable , spiteful idiots ; whether or not their friendship is salvaged
been told and retold
its metaphors are opaque enough to avoid didacticism , and the film succeeds as an emotionally accessible , almost mystical work
is supposed to be madcap farce
each one of these people stand out
like .
very much worth
bad the film 's story does not live up to its style
strives
an amateurish , quasi-improvised acting exercise shot on ugly digital video .
amusing and unexpectedly insightful examination
a serious movie with serious ideas .
thriller remarkable
, is n't nearly as funny as it thinks it is
touching , smart and complicated
angelina jolie 's surprising flair
self-glorification and a manipulative whitewash
cat-and-mouse , three-dimensional characters and believable performances
, colorful , semimusical
a potentially good comic premise and excellent cast are terribly wasted .
leaves any true emotional connection or identification frustratingly out of reach
more likely to drown a viewer in boredom than to send any shivers down his spine
among the studio 's animated classics
not far down the line , to find a place among the studio 's animated classics
recycles every cliché about gays in what is essentially an extended soap opera
tells us nothing new
is historical filmmaking without the balm of right-thinking ideology , either liberal or conservative .
the real antwone fisher was able to overcome his personal obstacles and become a good man
is of the darkest variety
worthless , from its pseudo-rock-video opening to the idiocy of its last frames .
into splatter movies
derive from the screenplay , but rather the mediocre performances by most of the actors involved
instead of simply handling conventional material in a conventional way
first real masterpiece
are consistently delightful
strolls through this mess with a smug grin , inexplicably wearing a kilt and carrying a bag of golf clubs over one shoulder .
dud from frame one .
maid in manhattan proves that it 's easier to change the sheets than to change hackneyed concepts when it comes to dreaming up romantic comedies .
paper-thin , and their personalities undergo radical changes when it suits the script
low-grade
i liked the original short story but this movie , even at an hour and twenty-some minutes , it 's too long and
a jaw-droppingly beautiful work that upends nearly every cliché
you 'd want to watch if you only had a week to live
it 's nice to see piscopo again after all these years , and
it 's a compelling and horrifying story , and the laramie project is worthwhile for reminding us that this sort of thing does , in fact , still happen in america
is rigid and evasive in ways
ingeniously constructed than `` memento ''
a dreary movie .
like a well-made pb & j sandwich
the acting is amateurish , the cinematography is atrocious
a refreshing and comical spin on the all-too-familiar saga of the contemporary single woman
to remake sleepless in seattle again and again
directed action sequences and some of the worst dialogue
a pleasant piece of escapist entertainment
seems more tacky and reprehensible
given by the capable cast
a deficit
i 'm not a fan of the phrase ` life affirming ' because it usually means ` schmaltzy , ' but real women have curves truly is life affirming .
the widowmaker is a great yarn
screwing things up old school
's painful to watch witherspoon 's talents wasting away inside unnecessary films like legally blonde and sweet home abomination , i mean , alabama
equate to being good ,
a crass and insulting homage to great films like some like it hot and the john wayne classics .
tinged with tragic undertones
extreme action-packed film
that never
of what critics have come to term an `` ambitious failure
a jerry bruckheimer flick any day of the week
a successful one
found the perfect material with which to address his own world war ii experience in his signature style
to our dismay
comparatively sane and healthy
, obnoxious 88-minute
this movie 's got it
putters along looking for astute observations and coming up blank .
sharp , overmanipulative hollywood practices
a string of ensemble cast romances recently
to the core in a film you will never forget -- that you should never forget
pointed , often tender ,
sharp and