xiangpku/GLUE huggingface dataset:
the film 's needlessly opaque intro takes its doe-eyed crudup out of pre-9 / 11 new york and onto a cross-country road trip of the homeric kind .
is messy , uncouth , incomprehensible , vicious and absurd .
equals the sum of its pretensions .
by the standards of knucklehead swill
through putrid writing , direction and timing with a smile that says , ` if i stay positive , maybe i can channel one of my greatest pictures , drunken master . '
schaeffer 's film never settles into the light-footed enchantment the material needs ,
keep a family of five blind , crippled , amish people alive in this situation
greatest date movies
having an old friend
has the stuff to stand tall with pryor , carlin and murphy
certainly ca n't recommend it
not a classic
alias betty is richly detailed , deftly executed and utterly absorbing .
this simple , sweet and romantic comedy
wastes an exceptionally good idea .
that first made audiences on both sides of the atlantic love him
hélène angel is definitely a director to watch .
many genuine cackles
a worthwhile documentary , whether you 're into rap or not , even if it may still leave you wanting more answers as the credits roll .
's as rude and profane as ever , always hilarious and , most of the time , absolutely right in her stinging social observations
while remaining true to his principles
just goes to show that if you give a filmmaker an unlimited amount of phony blood , nothing good can happen
memorable for a peculiar malaise that renders its tension
powerful rather than cloying
a screwed-up man who dared to mess with some powerful people
turns out to be more interesting than any of the character dramas , which never reach satisfying conclusions
is exactly how genteel and unsurprising the execution turns out to be
glizty but formulaic and silly ... cagney 's ` top of the world ' has been replaced by the bottom of the barrel .
intriguing , provocative stuff
clever enough to sustain a reasonable degree of suspense on its own
privy to
director lee has a true cinematic knack , but it 's also nice to see a movie with its heart so thoroughly , unabashedly on its sleeve .
the characters , who are so believable that you feel what they feel
collapses when mr. taylor tries to shift the tone to a thriller 's rush .
our culture is headed down the toilet with the ferocity of a frozen burrito after an all-night tequila bender -- and i know this because i 've seen ` jackass : the movie . '
inexperienced
a florid but ultimately vapid crime melodrama
yes , i suppose it 's lovely that cal works out his issues with his dad and comes to terms with his picture-perfect life -- but world traveler gave me no reason to care ,
the rut dug by the last one
images and characters that were already tired 10 years ago
wang at the forefront of china 's sixth generation of film makers
supremely unfunny and unentertaining
an irrepressible passion
can be as tiresome as 9 seconds of jesse helms ' anti- castro rhetoric , which are included
a party worth attending
scorsese 's bold images and generally smart casting
it 's common knowledge that park and his founding partner , yong kang , lost kozmo in the end
a sweet-tempered comedy that forgoes
parents beware
a bit of a downer and a little over-dramatic at times
i walked away not really know who `` they '' were , what `` they '' looked like .
finely detailed
, reflective and beautifully
adaptation is simply brilliant .
chase to end all chases
any enjoyment
if i stay positive
spent the past 20 minutes looking at your watch
this flat run at a hip-hop tootsie is so poorly paced you could fit all of pootie tang in between its punchlines .
the original hit movie
deserves more than a passing twinkle
how we all need a playful respite from the grind to refresh our souls
includes a fair share of dumb drug jokes and predictable slapstick
their recklessness
well-acted , well-directed and , for all its moodiness , not too
intelligence and
is completely lacking in charm and charisma , and is unable to project either esther 's initial anomie or her eventual awakening .
hard to resist
dahmer
working-class subjects
right , from its promenade of barely clad bodies in myrtle beach , s.c. , to the adrenaline jolt of a sudden lunch rush at the diner
far from heaven is a dazzling conceptual feat ,
go down in the annals of cinema as one of the great submarine stories
the lady and the duke represents the filmmaker 's lifelong concern with formalist experimentation in cinematic art .
a work of extraordinary journalism
de niro )
a delightful , if minor , pastry of a movie .
to the annoying score
if welles was unhappy at the prospect of the human race splitting in two , he probably would n't be too crazy with his great-grandson 's movie splitting up in pretty much the same way .
is , arguably , the most accomplished work to date from hong kong 's versatile stanley kwan
like a low-budget hybrid of scarface or carlito 's way
an engaging
is better than any summer blockbuster we had to endure last summer , and hopefully , sets the tone for a summer of good stuff
's something unintentionally comic in the film 's drumbeat about authenticity , given the stale plot and pornographic way the film revels in swank apartments , clothes and parties .
a strong and unforced supporting cast
delivered in grand passion
nolan 's penetrating undercurrent
crack you up with her crass , then gasp for gas , verbal deportment
that the journey is such a mesmerizing one
's a movie that accomplishes so much that one viewing ca n't possibly be enough
it 's burns ' visuals , characters and his punchy dialogue , not his plot , that carry waydowntown .
a thoughtful what-if
tough to watch
lots of laughs
is uncompromising , difficult and unbearably beautiful .
the large-format film is well suited to capture these musicians in full regalia and the incredible imax sound system lets you feel the beat down to your toes .
it 's an interesting effort ( particularly for jfk conspiracy nuts ) ,
girls ca n't swim represents an engaging and intimate first feature by a talented director to watch , and it 's a worthy entry in the french coming-of-age genre
the director treats us to an aimless hodgepodge
take us by surprise ...
a film of freshness , imagination and insight
rifkin no doubt fancies himself something of a hubert selby jr. , but there is n't an ounce of honest poetry in his entire script
the story 's pathetic
graphic sex may be what 's attracting audiences to unfaithful , but gripping performances by lane and gere are what will keep them awake .
utterly convincing -- and deeply appealing -- as a noble teacher who embraces a strict moral code
linking a halfwit plot to a series of standup routines in which wilson and murphy show how funny they could have been in a more ambitious movie
on a squirm-inducing fish-out-of-water formula that goes nowhere and goes there very , very slowly
enriched by an imaginatively mixed cast of antic spirits , headed by christopher plummer as the subtlest and most complexly evil uncle ralph i 've ever seen in the many film
already obscure
toback 's ) fondness for fancy split-screen , stuttering editing and pompous references to wittgenstein and kirkegaard
thrill you , touch you and
it falls far short of poetry
ego-destroying
the jokes are sophomoric
a scummy ripoff of david cronenberg 's brilliant ` videodrome .
even more reassuring is how its makers actually seem to understand what made allen 's romantic comedies so pertinent and enduring
sweet , genuine
, it can easily worm its way into your heart . '
similar obsessions can dominate a family
the right direction
this is a movie that refreshes the mind and spirit along with the body , so original is its content , look , and style
bleed it almost completely dry of humor , verve and fun
the young actors , not very experienced ,
, dancing , singing , and unforgettable characters
loved the people onscreen ,
appear foolish and shallow
... comes alive only when it switches gears to the sentimental .
first-class , natural acting and a look at `` the real americans '' make this a charmer .
fairly lame
rewritten , and for the uncompromising knowledge that the highest power of all is the power of love .
of this and that -- whatever fills time -- with no unified whole
, oddly colorful and just plain otherworldly
'd have to be a most hard-hearted person not to be moved by this drama
breaks its little neck trying to perform entertaining tricks
overly convenient
the success of undercover brother
loosely speaking , we 're in all of me territory again ,
they fall to pieces
pseudo-intellectual kid
releasing a film with the word ` dog ' in its title in january lends itself to easy jokes and insults ,
a funny yet dark and seedy clash of cultures and generations .
assured direction and complete lack of modern day irony
of funny situations and honest observations
certainly clever in spots
your ego
it 's coherent , well shot , and tartly acted
holland lets things peter out midway , but it 's notably better acted -- and far less crass - than some other recent efforts in the burgeoning genre of films about black urban professionals .
ice age is consistently amusing and engrossing ...
soap-opera emotion
in its perfect quiet pace
this is one of the year 's best films .
it 's uninteresting .
a film that 's about as subtle as a party political broadcast
it 's an entertaining movie , and the effects , boosted to the size of a downtown hotel , will all but take you to outer space .
not invite some genuine spontaneity into the film by having the evil aliens ' laser guns actually hit something for once ?
emotional and moral
, it is clearly a good thing .
superbly acted offbeat thriller
add up to little more than a screenful of gamesmanship that 's low on both suspense and payoff .
looks to be going through the motions , beginning with the pale script .
, more inadvertent ones and stunningly trite
shows how deeply felt emotions can draw people together across the walls that might otherwise separate them .
is n't as weird as it ought to be
incredibly flexible
caton-jones
a surprising , subtle turn
that carries its share of laughs -- sometimes a chuckle , sometimes a guffaw and , to my great pleasure , the occasional belly laugh
whose charm , cultivation and devotion to his people are readily apparent
luscious
this 65-minute trifle
insultingly inept and artificial
a thoroughly enjoyable , heartfelt coming-of-age comedy .
trailer-trash style
a slapdash mess
watchable up
manages just to be depressing , as the lead actor phones in his autobiographical performance .
thinking about how good it all was , and started doing nothing but reacting to it - feeling a part of its grand locations , thinking urgently as the protagonists struggled , feeling at the mercy of its inventiveness , gasping at its visual delights
that the debate it joins is a necessary and timely one
invite some genuine spontaneity into the film by having the evil aliens ' laser guns actually hit something for once
eventually pays off and is effective if you stick with it
the buoyant energy level of the film 's city beginnings
ghandi gone bad
is astonishing
the first movie
to include every top-notch british actor who did not appear in gosford park ( as well as one , ms. mirren , who did )
french malapropisms
might actually want to watch .
necessary to document all this emotional misery
is simply no doubt that this film asks the right questions at the right time in the history of our country
concentrating on the elements of a revealing alienation among a culture of people who sadly are at hostile odds with one another through recklessness and retaliation
recommended -- as visually bland as a dentist 's waiting room , complete with soothing muzak and
a moving and weighty depiction
a no-holds-barred cinematic
knows how to hold the screen
`` die another day '' one of the most entertaining bonds in years
a worthwhile addition
with restraint and a delicate ambiguity
characters who are either too goodly , wise and knowing or downright comically evil
film school undergrad
a cellular phone commercial
i 'm sure there 's a teenage boy out there somewhere who 's dying for this kind of entertainment .
there are too many bona fide groaners among too few laughs
will indeed sit open-mouthed before the screen , not screaming but yawning
return ticket
to feel funny and light
the ambiguous welcome extended by iran to the afghani refugees who streamed across its borders , desperate for work and food
alienation
spectators will indeed sit open-mouthed before the screen , not screaming but yawning .
an extremely funny , ultimately heartbreaking look at life in contemporary china .
've completely
loses its overall sense of mystery and
enough flourishes and freak-outs
lack any intrigue ( other than their funny accents )
the importance of being earnest movie seems to be missing a great deal of the acerbic repartee of the play . ''
's a testament to the film 's considerable charm
flat-out amusing , sometimes endearing and
fascinating little thriller
's the brilliant surfing photography bringing you right inside the massive waves that lifts blue crush into one of the summer 's most pleasurable movies .
quietly vulnerable
inauthentic
mental illness
is weak .
the exuberant openness
but it makes for one of the most purely enjoyable and satisfying evenings at the movies i 've had in a while .
is the director 's talent
for all the time we spend with these people , we never really get inside of them .
is all about a wild-and-woolly , wall-to-wall good time .
it 's a rushed , slapdash , sequel-for-the-sake - of-a-sequel with less than half
lacks aspirations of social upheaval .
( less a movie than ) an appalling , odoriferous thing ... so rotten in almost every single facet of production that you 'll want to crawl up your own *** in embarrassment .
becomes lifeless
any viewer forced to watch him try out so many complicated facial expressions
on `` stupid
is about as humorous as watching your favorite pet get buried alive .
's usually a bad sign when directors abandon their scripts and go where the moment takes them
if s&m seems like a strange route to true love , maybe it is , but it 's to this film 's ( and its makers ' ) credit that we believe that that 's exactly what these two people need to find each other -- and themselves .
its makers are n't removed and inquisitive enough for that
killing time , that 's all that 's going on here .
go back to sleep .
does n't necessarily equate to being good , no matter how admirably the filmmakers have gone for broke
the fluid motion is astounding on any number of levels
mind-numbingly awful that you hope britney wo n't do it one more time , as far as
at your neighbor 's garage sale
everyone 's to blame here .
cut open a vein
into a gross-out monster movie with effects that are more silly than scary
true to its animatronic roots : ... as stiff , ponderous and charmless as a mechanical apparatus ... ` the country bears ' should never have been brought out of hibernation .
bubba ho-tep 's clearly evident quality
win any academy awards
awkwardly paced
whatever satire lucky break was aiming for , it certainly got lost in the `` soon-to-be-forgettable '' section of the quirky rip-off prison romp pile .
) debut can be accused of being a bit undisciplined
this movie worth seeing
wryly amusing
evokes a palpable sense of disconnection , made all the more poignant by the incessant use of cell phones .
balances both traditional or modern stories
progresses in such a low-key manner that it risks monotony
joshua is as blasphemous and nonsensical as a luis buñuel film without the latter 's attendant intelligence , poetry , passion , and genius .
hastily dubbed
an accessible introduction as well as some intelligent observations on the success of bollywood
captures the moment when a woman 's life , out of a deep-seated , emotional need , is about to turn onto a different path
proved too difficult a text to ` lick , ' despite the efforts of a first-rate cast .
this insipid , brutally clueless film
mr. deeds is , as comedy goes , very silly --
the disjointed mess
make the film relevant today ,
is just garbage
could have been much better
may strain adult credibility
bad acting
an often intense character study about fathers and sons , loyalty and duty
a riot
pays off , as does its sensitive handling of some delicate subject matter
as tiresome as 9 seconds of jesse helms ' anti- castro
despite the opulent lushness of every scene
another best
comes off as a kingdom more mild than wild .
thinly-conceived movie .
're going to feel like you were n't invited to the party .
maggie g. makes an amazing breakthrough in her first starring role and eats up the screen .
a clichéd and shallow cautionary tale about the hard-partying lives of gay men .
gorgeous , passionate , and at times uncommonly moving
of observation in the work of the director , frank novak , that keeps the film grounded in an undeniable social realism
hollywood too long has ignored
overlong and not well-acted , but credit writer-producer-director
like a beautiful food entrée that is n't heated properly , so that it ends up a bit cold and relatively flavorless
painful to watch witherspoon 's talents wasting away inside unnecessary films like legally blonde and sweet home abomination , i mean , alabama
by this gentle comedy
a powerful , inflammatory film about religion that dares to question an ancient faith , and about hatred that offers no easy , comfortable resolution
been picked not for their acting chops , but for their looks
the simpering soundtrack and editing
the stale , standard , connect-the-dots storyline
it 's an observant , unfussily poetic meditation about identity and alienation .
is sabotaged by ticking time bombs and other hollywood-action cliches .
at soccer hooliganism
despite terrific special effects and funnier gags
the most important and exhilarating forms
fred schepisi 's film is paced at a speed that is slow to those of us in middle age and deathly slow to any teen .
a disaster
not a participant
it 's really unclear why this project was undertaken
sags in pace
inadequately motivated
able to appreciate the wonderful cinematography and naturalistic acting
it 's the image that really tells the tale .
captures some of the discomfort and embarrassment of being a bumbling american in europe
be transported into the life of wladyslaw szpilman , who is not only a pianist , but a good human being
silly horror movies
in exploring an attraction that crosses sexual identity
vivid characters and
, blade ii mutates into a gross-out monster movie with effects that are more silly than scary .
's not a fresh idea at the core of this tale .
something for everyone .
comes off more like a misdemeanor , a flat , unconvincing drama that never catches fire .
a truly wonderful tale combined with stunning animation .
with a moral
achieves its main strategic objective : dramatizing the human cost of the conflict that came to define a generation
chitchat that only self-aware neurotics engage in
few early laughs
... although this idea is `` new '' the results are tired .
transcends
straight-to-video
could n't make a guest appearance to liven things up
great over-the-top moviemaking if you 're in a slap-happy mood .
the original new testament stories so compelling
here is unusually tame
a.e.w. mason 's story to suit the sensibilities of a young american , a decision that plucks `` the four feathers '' bare
for mixing action and idiosyncratic humor in his charming 2000 debut shanghai noon
it 's a loathsome movie , it really is
there has been a string of ensemble cast romances recently ... but peter mattei 's love in the time of money sets itself apart by forming a chain of relationships that come full circle to end on a positive ( if tragic ) note .
lazy , miserable and smug
, for the most part , credible
their parents
the best sex comedy about environmental pollution ever made
byler is too savvy a filmmaker to let this morph into a typical romantic triangle .
starts off witty and sophisticated
makes this movie worth seeing
of cat-and-mouse , three-dimensional characters and believable performances
most creative mayhem
with its subject matter in a tasteful , intelligent manner , rather than forcing us to endure every plot contrivance that the cliché-riddled genre can offer
original fantasy film
entertains not so much because of its music or comic antics , but through the perverse pleasure of watching disney scrape the bottom of its own cracker barrel .
its characters tissue-thin
time out is existential drama without any of the pretension associated with the term .
there is n't one true ` chan moment ' .
canada 's arctic light shines bright on this frozen tundra soap opera that breathes extraordinary life into the private existence of the inuit people .
this new movie version of the alexandre dumas classic is the stuff of high romance , brought off with considerable wit .
cinematic experience
reach much further than we imagine
make this surprisingly decent flick worth a summertime look-see
run-of-the-filth
incoherence
a no-holds-barred cinematic treat .
it leers , offering next to little insight into its intriguing subject .
second helpings
wander into the dark areas of parent-child relationships without flinching
awkwardly paced soap opera-ish story
up out of john c. walsh 's pipe dream
as generic as its title
the most magical and most fun family fare of this or any recent holiday season
that it quickly enters the pantheon of wreckage that includes battlefield earth and showgirls
will warm your heart without making you feel guilty about it .
is an ` action film ' mired in stasis
of its sense of fun or energy
to make a film in which someone has to be hired to portray richard dawson
breathtakingly assured and stylish work
let crocodile hunter steve irwin do what he does best ,
to drag on for nearly three hours
tired , talky feel
ever making his wife look so bad in a major movie
the movie as a whole is cheap junk and an insult to their death-defying efforts
exasperatingly
for most of the characters
like a pack of dynamite sticks , built for controversy .
big ending surprise
if it pared down its plots and characters to a few rather than dozens ... or
amazingly evocative film from three decades ago
not a film for the faint of heart or conservative of spirit , but for the rest of us -- especially san francisco lovers
that the film is never dull
a lackluster script
stooping to base melodrama
it 's a thin notion
sensitive , smart , savvy , compelling coming-of-age drama
he thinks the film is just as much a document about him as it is about the subject .
a niche hit
comes across as both shallow and dim-witted
cheesy backdrops , ridiculous action sequences ,
the brawn , but not
mild disturbance or detached pleasure at the acting
make for a winning , heartwarming yarn
upstaged by an avalanche of more appealing holiday-season product
counter the crudity
accurately reflects the rage and alienation that fuels the self-destructiveness of many young people
chilling , unnerving film
has become the master of innuendo .
unlikely to become a household name on the basis of his first starring vehicle
's soulful and unslick
still serious problem
a winning comedy
the major problem
that reminds at every turn of elizabeth berkley 's flopping dolphin-gasm
the psychology 101 study of romantic obsession
of passion , grief and fear
the hours represents two of those well spent
the auteur 's ear for the way fears and slights are telegraphed in the most blithe exchanges gives the film its lingering tug .
that 's something i would rather live in denial about
the torments and angst
yes , spirited away is a triumph of imagination
to doze off for a few minutes or make several runs to the concession stand and/or restroom and not feel as if he or she has missed anything
of the gay community as an all-inclusive world where uptight , middle class bores like antonia can feel good about themselves
the shocking conclusion
deals with first love sweetly
it does n't flinch from its unsettling prognosis , namely , that the legacy of war is a kind of perpetual pain .
creates delicate balance of style , text , and subtext that 's so simple and precise that anything discordant would topple the balance
in all fairness
laid-back
's as if allen , at 66 , has stopped challenging himself
and pat storytelling