xiangpku/GLUE huggingface dataset:
it 's far from a frothy piece , and the characters are complex , laden with plenty of baggage and tinged with tragic undertones
of too much kid-vid
if oscar had a category called best bad film you thought was going to be really awful but was n't , guys would probably be duking it out with the queen of the damned for the honor .
it 's a hellish , numbing experience to watch , and it does n't offer any insights that have n't been thoroughly debated in the media already , back in the dahmer heyday of the mid - '90s .
exposes the limitations of his skill and the basic flaws in his vision .
seeking christian-themed fun
it 's not a motion picture ; it 's an utterly static picture .
lilo & stitch has a number of other assets to commend it to movie audiences both innocent and jaded .
stirs us
almost never fails him
exceptionally well-acted
is just generally insulting
fessenden continues to do interesting work , and
an unforgettable
heavy-handed
no unifying rhythm or
of the world 's greatest teacher
, then you 're in for a painful ride .
drug abuse , infidelity and
moving portrait of an american ( and an america ) always reaching for something just outside his grasp
's not scary in the slightest
a full-frontal attack on audience patience .
lack of spontaneity in its execution and a dearth of real poignancy
the genuinely funny jokes are few and far between
the timeless spectacle
has flopped as surely as a soufflé gone wrong .
bluster and cliché
the movie is ugly to look at and not a hollywood product
graham greene 's novel of colonialism and empire is elevated by michael caine 's performance as a weary journalist in a changing world .
powerful people
heartening tale
the emphasis on the latter leaves blue crush waterlogged
a bonus feature
the one-liners are snappy
maintains a dark mood that makes the film seem like something to endure instead of enjoy .
be bored by as your abc 's
solondz may be convinced that he has something significant to say , but he is n't talking a talk that appeals to me
bother to rent this on video
toss it at the screen in frustration
provides an accessible introduction as well as some intelligent observations on the success of bollywood in the western world .
takes great pleasure in watching the resourceful molly stay a step ahead of her pursuers
sillier , cuter , and shorter than the first ( as best i remember ) , but still a very good time at the cinema
, for that matter , shrek )
is completely lacking in charm and charisma , and is unable to project either esther 's initial anomie or her eventual awakening
high-octane thriller
a supremely kittenish performance that gradually accumulates more layers
bringing an unforced , rapid-fire delivery
that keeps the film grounded in an undeniable social realism
viewing for civics classes and would-be public servants alike
it would be great to see this turd squashed under a truck , preferably a semi .
there 's a sheer unbridled delight in the way
returns to his son 's home
, the picture begins to resemble the shapeless , grasping actors ' workshop that it is .
extravagantly
so beautifully acted and directed , it 's clear that washington most certainly has a new career ahead of him if he so chooses .
compelling look
the film is well-crafted and this one is
good chance
steals so freely from other movies
made me want to bolt the theater in the first 10 minutes
it no longer recognizes the needs of moviegoers for real characters and compelling plots
into a typical romantic triangle
one as brave and challenging as you could possibly expect these days from american cinema
those with a modicum of patience will find in these characters ' foibles a timeless and unique perspective .
little melodramatic
what makes esther kahn so demanding is that it progresses in such a low-key manner that it risks monotony .
is a children 's film in the truest sense .
are often engaging
trying to make head or tail of the story in the hip-hop indie snipes is enough to give you brain strain -- and the pay-off is negligible
dumbed-down version
that has nothing
memorable and resourceful
does n't generate a lot of energy
thrilled
by superb
stirring experience that finds warmth in the coldest environment and makes each crumb of emotional comfort
a ghost story gone badly awry
as unoriginal
work that lacks both a purpose and a strong pulse .
's no fizz
one of the best rock documentaries ever .
mined his personal horrors and
delivers more than its fair share of saucy hilarity .
deserves , at the very least , a big box of consolation candy .
admit it 's semi-amusing to watch robert deniro belt out `` when you 're a jet
a tearjerker that does n't and a thriller that wo n't
there are so few films about the plight of american indians in modern america that skins comes as a welcome , if downbeat , missive from a forgotten front .
as with so many merchandised-to-the-max movies of this type
grab your kids and run and then
truly awful
is reasonably entertaining , though it begins to drag two-thirds through , when the melodramatic aspects start to overtake the comedy .
is omitted nor a cliché left unsaid .
's not half-bad .
is a bit like getting all excited about a chocolate eclair and then biting into it and finding the filling missing
catches you up in something bigger than yourself
had no effect and
brilliant surfing photography
that proves you
the most splendid
is deceptively simple , deeply satisfying .
that made mamet 's `` house of games '' and last fall 's `` heist '' so much fun
an edgy thriller that delivers a surprising
the glum , numb experience of watching o fantasma
's an entertaining and informative documentary
-- and deeply appealing
most personal
although fairly involving as far as it goes
awful acts
narcotized
threw medical equipment at a window ; not because it was particularly funny
, the film is a good one
the laughs are as rare as snake foo yung .
a kind , unapologetic , sweetheart of a movie
an affectionately goofy satire that 's unafraid to throw elbows when necessary ...
given the fact that virtually no one is bound to show up at theaters for it
a masterfully
supplies with tremendous skill
unusually crafty and intelligent
heroes would be a film that is n't this painfully forced , false and fabricated
of unsettling atmospherics
like a teenybopper ed wood film , replete with the pubescent scandalous innuendo and the high-strung but flaccid drama
that cal works out his issues with his dad and comes to terms with his picture-perfect life
the sentimental cliches
prefer this new version
, and to her inventive director
educates viewers with words and pictures while entertaining them
us all
's also not smart or barbed enough for older viewers
has an unmistakable , easy joie de vivre
b-movie imagination
admirers of director abel ferrara may be relieved that his latest feature , r xmas , marks a modest if encouraging return to form .
you 'll leave the theater wondering why these people mattered
borrows heavily
at every opportunity to do something clever , the film goes right over the edge and kills every sense of believability ... all you have left is a no-surprise series of explosions and violence while banderas looks like he 's not trying to laugh at how bad it
in the book-on-tape market , the film of `` the kid stays in the picture '' would be an abridged edition
right at home in this french shocker
one of mr. chabrol 's subtlest works ,
leaves a positive impression
like mike is a slight and uninventive movie : like the exalted michael jordan referred to in the title , many can aspire but none can equal
of persistence that is sure to win viewers ' hearts
bolt the theater in the first 10 minutes
no business going
demme gets a lot of flavor and spice into his charade remake ,
a hazy high
of von sydow ... is itself intacto 's luckiest stroke
mind crappy movies as much as adults
their computer-animated faces are very expressive .
to perform entertaining tricks
i am more offended by his lack of faith in his audience than by anything on display here .
a provocative piece
as good , if not
a complete wash
the actors make this worth a peek .
has a bloated plot that stretches the running time about 10 minutes
a war tribute is disgusting to begin with
its own making
sit through a crummy , wannabe-hip crime comedy that refers incessantly to old movies , when you could just rent those movies instead , let alone seek out a respectable new one
politically potent
it 's a rather listless amble down the middle of the road , where the thematic ironies are too obvious and the sexual politics too smug .
does a convincing impersonation here of a director enjoying himself immensely
delivers more goodies than lumps of coal
emphasizes the well-wrought story and
marked an emerging indian american cinema
gooding and coburn are both oscar winners , a fact which , as you watch them clumsily mugging their way through snow dogs , seems inconceivable .
family , forgiveness and love
labored
touching ,
even through its flaws , revolution # 9 proves to be a compelling
sucked dry the undead action flick formula
my wife is an actress works as well as it does because ( the leads ) are such a companionable couple .
more measured or polished production
makes 98 minutes feel like three hours .
that ca n't totally hide its contrivances
super-simple animation
tosca 's intoxicating ardor
next week , why bother with a contemptible imitator starring a `` snl '' has-been acting like an 8-year-old channeling roberto benigni ?
a verbal duel
and cinematic deception
of being a bit undisciplined
point the way for adventurous indian filmmakers toward a crossover
wildly overproduced
note that this film , like the similarly ill-timed antitrust , is easily as bad at a fraction the budget
in undergraduate doubling subtexts and ridiculous stabs
the pitfalls of incoherence and redundancy
is even more ludicrous than you 'd expect from the guy-in-a-dress genre
as rogue cia assassins working for chris cooper 's agency boss close in on the resourceful amnesiac
a good line in charm
such a companionable couple
relentlessly nasty
95 minutes
quirkily appealing
elegant and sly deadpan
` gentle '
will find millions of eager fans
may be relieved that his latest feature , r xmas , marks a modest if encouraging return to form .
quickly sinks into by-the-numbers territory .
is an uncompromising film
is like reading a research paper ,
offers a desperately ingratiating performance .
strokes the eyeballs while it evaporates like so much crypt mist in the brain
why , for instance , good things happen to bad people
open windows
value can not be denied
represents an engaging and intimate first feature by a talented director to watch
well-acted , well-directed and , for all its moodiness , not too pretentious .
overly long
would subtlety be lost on the target audience
a gently funny , sweetly adventurous film that makes you feel genuinely good
smart , compelling
this is one of those rare pictures that you root for throughout
is nicholson 's goofy , heartfelt , mesmerizing king lear
world traveler gave me no reason to care
proves to be a compelling
felt ; not the craven of ' a nightmare on elm street ' or ` the hills have eyes , ' but the sad schlock merchant of ` deadly friend
terrific screenplay
what a stiflingly unfunny and unoriginal mess this is !
more ambitious
seems worth the effort
it does turn out to be a bit of a cheat in the end
may be convinced that he has something significant to say
to be both hugely entertaining and uplifting .
, boredom never takes hold .
left to work with , sort of like michael jackson 's nose
formula mercilessly
is constructed around a core of flimsy -- or , worse yet , nonexistent -- ideas
of faith in the future
movie gauge
gloriously
exploitative and largely devoid of the depth or sophistication that would make watching such a graphic treatment of the crimes bearable .
providing comic relief
gentle and engrossing character
whine , the bellyaching of a paranoid and unlikable man
this is n't a movie ;
does n't quite do justice to the awfulness of the movie , for that comes through all too painfully in the execution .
an undeniable entertainment value
invokes the percussion rhythm , the brass soul and the sense of fierce competition that helps make great marching bands half the fun of college football games
is a movie that puts itself squarely in the service of the lovers who inhabit it .
about something is an amicable endeavor .
an excellent sequel .
funny , sexy , devastating and incurably romantic
impressively discreet filmmakers
's never been better in this colorful bio-pic of a mexican icon
the production design , score and choreography are simply intoxicating .
insight and humor
has that rare quality of being able to creep the living hell out of you ...
achieves its emotional power and moments of revelation
this film 's impressive performances and
futile concoction
begins with promise , but runs aground after being snared in its own tangled plot .
the slapstick is labored , and
infantile
raunchy and frequently hilarious follow-up
even a plot
avoid seeing this trite , predictable rehash
feel realistic
weirdness for the sake of weirdness
unexpected moments of authentically impulsive humor
what a bewilderingly brilliant and entertaining movie this is .
we do n't even like their characters .
interesting characters or even a halfway intriguing plot
could n't find stardom if mapquest emailed him point-to-point driving directions
fans will undoubtedly enjoy it ,
is ) a fascinating character , and deserves a better vehicle than this facetious smirk of a movie
the most ravaging ,
it wo n't hold up over the long haul
of boring talking heads , etc .
re-invents himself
a predictably efficient piece of business notable largely for its overwhelming creepiness , for an eagerness to create images you wish you had n't seen , which , in this day and age , is of course the point
occasionally loud and offensive , but more often
the town has kind of an authentic feel , but each one of these people stand out and everybody else is in the background and it just seems manufactured to me and artificial .
its sincere acting
this feature is about as necessary as a hole in the head
well , it probably wo n't have you swinging from the trees hooting it 's praises , but
an unsettling , memorable cinematic experience that
balances both traditional or modern stories together in a manner
does n't even seem like she tried
the attraction between these two marginal characters is complex from the start -- and , refreshingly , stays that way .
the impressive stagings of hardware
that even slightly wised-up kids would quickly change the channel
his sense of story and his juvenile camera movements smack of a film school undergrad
it 's just grating
stimulating
sade achieves the near-impossible : it turns the marquis de sade into a dullard .
did just that and it 's what makes their project so interesting
unusual but unfortunately also irritating
two hours better watching
tiresome rant
is a sincerely crafted picture that deserves to emerge from the traffic jam of holiday movies .
such a clever adaptation of the bard 's tragic play
creative act
hoping it will be , and in that sense is a movie that deserves recommendation
check this one out
are based on stock clichés
never so vividly
i like all four of the lead actors a lot and they manage to squeeze a few laughs out of the material , but they 're treading water at best in this forgettable effort .
stand-up magic
a solid , psychological action film from hong kong
the `` saving private ryan '' battle scenes
create a feature film that is wickedly fun to watch
goose-pimple
to see what all the fuss is about
, the new film is a subzero version of monsters , inc. , without the latter 's imagination , visual charm or texture .
some savvy street activism
that 's still too burdened by the actor
, she 's appealingly manic and energetic .
urge to doze
also nicely done
a pretty decent little documentary
temperamental
is dark , brooding and slow ,
rice never clearly defines his characters or gives us a reason to care about them .
an intricate plot
much of jonah simply , and gratefully
humor and technological finish
so lovely toward the end
all mood and no movie .
give it a boost
if the predictability of bland comfort food appeals to you
fairly solid -- not to mention well edited so that it certainly does n't feel like a film that strays past the two and a half mark
is one of the year 's best films .
who are capable of anteing up some movie star charisma when they need it to sell us on this twisted love story , but who can also negotiate the movie 's darker turns
stepped into the mainstream of filmmaking with an assurance worthy of international acclaim
entirely humorless
has never been filmed more irresistibly than in ` baran .
intellectual and
engaging , imaginative filmmaking in its nearly 2 1/2
bloated effects
its make-believe promise of life that soars above the material realm
made a point or two regarding life
by anything on display
is entirely appealing as pumpkin
a compelling , gut-clutching piece of advocacy cinema that carries you along in a torrent of emotion as it explores the awful complications of one terrifying day .
this odd , poetic road movie ,
also wanted a little alien as a friend !
sets the tone for a summer of good stuff
with yet another remarkable yet shockingly little-known perspective
tries too hard to be funny in a way that 's too loud , too goofy and too short of an attention span .
try to guess the order in which the kids in the house will be gored
at the end that extravagantly redeems it
makes an amazing breakthrough in her first starring role and
snagged an oscar nomination
to embody the worst excesses of nouvelle vague without any of its sense of fun or energy
decided to let crocodile hunter steve irwin do what he does best , and fashion a story around him
par with the first one
coos beseechingly at you
the hot chick is pretty damned funny .
approaches swedish fatalism using gary larson 's far side humor
marred
the bottom line , at least in my opinion , is imposter makes a better short story than it does a film .
fringe feminist conspiracy theorist
, meandering , and sometimes dry
few good ideas
a hokey piece of nonsense that tries too hard to be emotional .
engages us in constant fits of laughter , until we find ourselves surprised at how much we care about the story , and end up walking out not only satisfied but also somewhat touched
inspiring , ironic , and
is astonishing .
, bile , and irony
have put together a bold biographical fantasia
despite some strong performances , never rises above the level of a telanovela .
's cliche to call the film ` refreshing
of the best , most
the knee-jerk misogyny that passes for humor in so many teenage comedies
made literature literal without killing its soul -- a feat any thinking person is bound to appreciate
is ) the comedy equivalent of saddam hussein
the lives of women torn apart by a legacy of abuse
is creepy in a michael jackson sort of way
intelligence and a vision both painterly and literary
, it would gobble in dolby digital stereo .
squirming
a great piece
is hampered by its predictable plot and paper-thin supporting characters .
why not invite some genuine spontaneity into the film by having the evil aliens ' laser guns actually hit something for once ?
quirky , charming
the good , which is its essential problem
forgotten everything he ever knew about generating suspense
is a beautiful film to watch
noyce 's greatest mistake
feel-good family comedy
you love the music , and i do
a monster
ensures
a level of young , black manhood that is funny , touching , smart and complicated
a thoughtful and surprisingly affecting portrait of a screwed-up man who dared to mess with some powerful people
are more interesting ways of dealing with the subject
is particularly impressive
has enough moments to keep it entertaining
from an adventurous young talent who finds his inspiration on the fringes of the american underground
stylish exercise
is a must for genre fans
that you feel what they feel
worth seeing just for weaver and lapaglia
nightmarish
a bit melodramatic and even a little dated
wearing the somewhat cumbersome 3d goggles
the charisma of hugh grant and sandra bullock
barbershop is tuned in to its community .
owed to benigni
rated eee for excitement
its agenda to deliver awe-inspiring , at times sublime , visuals
muddy sound
manages to be compelling , amusing and unsettling at the same time
as compelling
is deceptively simple , deeply satisfying
predictable at every turn
comes with the laziness and arrogance of a thing that already knows it 's won
, great to look at , and funny
the longest 90 minutes of your movie-going life
dead ( water ) weight
finds its tone and several scenes run
're gon na like this movie
, tedious
kung pow seems like some futile concoction that was developed hastily after oedekerk
attractive throughout
would have a hard time sitting through this one .
the rarest kinds of films
listen to extremist name-calling
, painful improbability
accomplishes
are beautifully realized through clever makeup design , leaving one to hope that the eventual dvd release will offer subtitles and the original italian-language soundtrack
ultimately , the film never recovers from the clumsy cliché of the ugly american abroad , and the too-frosty exterior ms. paltrow employs to authenticate her british persona is another liability .
that 's as fresh-faced as its young-guns cast
strong itch to explore more
perpetually wasted
an intense experience
feeling this movie until it veered off too far into the exxon zone , and left me behind at the station looking for a return ticket to realism
that plays like some weird masterpiece theater sketch with neither
, so , hopefully , this film will attach a human face to all those little steaming cartons .
make you feel that you never want to see another car chase , explosion or gunfight again
breaks your heart
ick '
very original
as giddy and whimsical and relevant today
there is a certain sense of experimentation and improvisation to this film that may not always work , but it is nevertheless compelling
an undeniably moving film
compelling , amusing and unsettling
the holes in this film remain agape -- holes punched through by an inconsistent , meandering , and sometimes dry plot .
not easily and , in the end , not well enough
a different and emotionally reserved type of survival story -- a film less about refracting all of world war ii through the specific conditions of one man , and more about that man
that will enthrall the whole family
stereotypical familial quandaries
in a heartwarming , nonjudgmental kind of way --
enjoy the perfectly pitched web of tension that chabrol spins
both garcia and jagger turn in perfectly executed and wonderfully sympathetic characters , who are alternately touching and funny .
of the low-grade cheese standards on which it operates
to find better entertainment
the energetic and always surprising performance
brady
good laughs
aloof and
is careless and unfocused
's brilliant ` videodrome
to do , too little time to do it in
a pretty decent kid-pleasing , tolerable-to-adults lark of a movie
with revulsion
the film gets added disdain for the fact that it is nearly impossible to look at or understand .
enough to feel good about
anti-feminist
that has something to say
enjoy as mild escapism
tsai has a well-deserved reputation as one of the cinema world 's great visual stylists , and
dull .
is to be mesmerised
it is more likely to induce sleep than fright .
imitations
tough enough to fit in any modern action movie
great performances ,
`` ... something appears to have been lost in the translation this time
the slack execution italicizes the absurdity of the premise
jim carrey
furiously funny pace
it does n't make for great cinema ,
dare i say , entertaining
scoob and shag do n't eat enough during the film . '
takes a classic story , casts attractive and talented actors and
feel ` stoked
final whistle
do n't think this movie loves women at all
through the horrible pains of a death
work as a jaunt down memory lane for teens and young adults who grew up on televised scooby-doo shows or reruns
but film buffs should get to know
a journey that is as difficult for the audience to take as it is for the protagonist
it 's a pleasure to have a film like the hours as an alternative .