xiangpku/GLUE huggingface dataset:
of the imagery in this chiaroscuro of madness and light
hard to believe these jokers are supposed to have pulled off four similar kidnappings before
not too filling
worst movies
on dumb gags , anatomical humor , or character cliches
some visual virtues
more coming-of-age stories
a marginal thumbs
an unbelievably stupid film
skins has a desolate air , but eyre , a native american raised by white parents , manages to infuse the rocky path to sibling reconciliation with flashes of warmth and gentle humor
alienate
to create a feature film that is wickedly fun to watch
dips key moments from the film in waking life water colors
offers a ray of hope
a generic bloodbath that often becomes
the slightly flawed ( and fairly unbelievable ) finale
reasonably good time
and they succeed merrily at their noble endeavor .
a delightfully dour , deadpan tone and stylistic consistency
a mixture of deadpan cool , wry humor and just the measure
committed dumbness
the novel charm that made spy kids a surprising winner with both adults and younger audiences
inside an enigma
, villeneuve creates in maelstrom a world where the bizarre is credible and the real turns magical .
it makes me say the obvious : abandon all hope of a good movie ye who enter here .
creepy , intermittently powerful study
funny or
on the awkward interplay and utter lack of chemistry between chan and hewitt
may even find that it goes by quickly , because it has some of the funniest jokes of any movie this year , including those intended for adults .
see a movie that takes such a speedy swan dive from `` promising '' to `` interesting ''
the worst kind of hubristic folly
giving the movie a mournful undercurrent that places the good-time shenanigans in welcome perspective
a journey spanning nearly three decades of bittersweet camaraderie and history , in which we feel that we truly know what makes holly and marina tick , and
the subject matter that ultimately defeated the film ... it was the unfulfilling , incongruous , `` wait a second
unmentionable
ethnic
the last thing you would expect from a film with this title or indeed from any plympton film : boring
extremely funny , ultimately heartbreaking
the film ultimately offers nothing more than people in an urban jungle needing other people to survive ...
has already reached its expiration date
the film 's sense of imagery gives it a terrible strength , but it 's propelled by the acting
fantasy and adventure
if the movie were n't as beautifully shaped and as delicately calibrated in tone as it is
that rare family movie
a fascinating character
been better than the fiction
simple and precise
grow boring
taken as a whole , the tuxedo does n't add up to a whole lot .
is made fresh by an intelligent screenplay and gripping performances in this low-budget , video-shot , debut indie effort .
just about the surest bet
plays like a student film by two guys who desperately want to be quentin tarantino when they grow up .
great american comedy
middle-of-the-road blandness
seems too simple and the working out of the plot almost arbitrary
that does n't come close to the level of intelligence and visual splendor that can be seen in other films
freeman and judd make it work
just have problems , which are neither original nor are presented in convincing way .
its sparkling beauty
read my lips is to be viewed and treasured for its extraordinary intelligence and originality as well as its lyrical variations on the game of love .
hews out a world and carries us effortlessly from darkness to light
's repetitive arguments , schemes and treachery
as an introduction to the man 's theories and influence , derrida is all but useless ;
clichéd and
at once both refreshingly different
is not more lucratively engaged in the shameless self-caricature of ` analyze this ' ( 1999 ) and ` analyze that , ' promised ( or threatened ) for later this year
trivializing it
that both thrills the eye and
the bad sound ,
this submarine drama earns the right to be favorably compared to das boot .
a spark of new inspiration in it
know whether it wants to be a suspenseful horror movie or a weepy melodrama
the film is so packed with subplots involving the various silbersteins that it feels more like the pilot episode of a tv series than a feature film .
all the halfhearted zeal
contrived and exploitative for the art houses and too cynical , small and decadent for the malls
have reinvigorated the romance genre
is a such a brainless flibbertigibbet that it 's hard to take her spiritual quest at all seriously .
the kind of primal storytelling that george lucas can only dream of .
a freshness and modesty
banal bore
manages to be pleasant in spite of its predictability
uniformly superb
squandering
mastering its formidable arithmetic of cameras and souls , group articulates a flood of emotion .
comically dismal social realism
never quite goes where you expect and often surprises you with unexpected comedy
things going at a rapid pace , occasionally using an omniscient voice-over narrator in the manner of french new wave films
this girl deserves a sequel
treads old turf like a hippopotamus ballerina
's equally distasteful to watch him sing the lyrics to `` tonight
and it sees those relationships , including that between the son and his wife , and the wife and the father , and between the two brothers , with incredible subtlety and acumen .
no quarter to anyone seeking to pull a cohesive story out of its 2 1/2 -
is a shame that more wo n't get an opportunity to embrace small , sweet ` evelyn
is to be viewed and treasured for its extraordinary intelligence and originality as well as its lyrical variations on the game of love .
desperately needed
, he loses the richness of characterization that makes his films so memorable
unexplainable
one of the year 's best films
disquieting triumph
elegantly
attal 's hang-ups surrounding infidelity are so old-fashioned and , dare i say , outdated , it 's a wonder that he could n't have brought something fresher to the proceedings simply by accident .
the problem with wendigo ,
has pictures of them cavorting in ladies ' underwear
the power
have the slightest difficulty accepting him in the role
passe '
when one has nothing else to watch
the people in jessica are so recognizable and true that , as in real life , we 're never sure how things will work out .
achingly sad
medium-grade network sitcom
characteristically startling visual style and an almost palpable sense of intensity
an extremely funny , ultimately heartbreaking
thought-provoking film
where nothing really happens .
with material this rich it does n't need it
beautifully detailed performances
it 's excessively quirky and a little underconfident in its delivery , but otherwise this is the best ` old neighborhood ' project since christopher walken kinda romanced cyndi lauper in the opportunists
charged music to the ears of cho 's fans
crisp , unaffected style
brims with passion :
a lush , swooning melodrama in the intermezzo strain
manages to please its intended audience -- children -- without placing their parents in a coma-like state .
could n't help but feel the wasted potential of this slapstick comedy .
enough interest
behind the scenes of chicago-based rock group wilco
lower-wit
in the best possible senses of both those words
find morrison 's iconoclastic uses of technology to be liberating
a sudden turn and devolves
a little more intensity
anticipated
without cheesy fun factor
the lustrous polished visuals rich in color and creativity
it look as though they are having so much fun
is on full , irritating display in ( this ) meandering and pointless french coming-of-age import from writer-director anne-sophie birot
more to be prescribed than recommended -- as visually bland as a dentist 's waiting room , complete with soothing muzak and a cushion of predictable narrative rhythms
detract from the athleticism
no amount of nostalgia for carvey 's glory days can disguise the fact that the new film is a lame kiddie flick and that carvey 's considerable talents are wasted in it .
's brilliant `
of hollywood heart-string plucking
most offensive
overwrought and crudely literal
the lousy tarantino imitations
there is plenty of room for editing , and a much shorter cut surely would have resulted in a smoother , more focused narrative without sacrificing any of the cultural intrigue
's nothing very attractive about this movie
scarcely worth a mention
like the old disease-of-the-week small-screen melodramas
its considerable power
scary , action-packed chiller
a bit of a downer and a little over-dramatic at times , but this is a beautiful film for people who like their romances to have that french realism .
dramatic urgency
extended , open-ended poem
for humor and bite
brings us another masterpiece
many bona fide groaners among too few laughs
than to rush to the theater for this one
indecent
a less-than-thrilling thriller .
lavish period scenery
luridly graphic and laughably unconvincing
is the cast , particularly the ya-yas themselves
what one is left with , even after the most awful acts are committed , is an overwhelming sadness that feels as if it has made its way into your very bloodstream .
depth or complexity
purposefully reductive movie
last year 's lame musketeer
deeply pessimistic
that can not help be entertained by the sight of someone getting away with something
of riveting power and sadness
uses lighting effects and innovative backgrounds
... lies a plot cobbled together from largely flat and uncreative moments .
also shows how deeply felt emotions can draw people together across the walls that might otherwise separate them .
, they show a remarkable ability to document both sides of this emotional car-wreck .
reassembled from the cutting-room floor of any given daytime soap
the blacklight crowd , way cheaper ( and better )
she is a lioness
distances you by throwing out so many red herrings , so many false scares ,
because the film deliberately lacks irony , it has a genuine dramatic impact ; it plays like a powerful 1957 drama we 've somehow never seen before .
the kind of film that leaves you scratching your head in amazement over the fact that so many talented people could participate in such an ill-advised and poorly executed idea .
becoming irritating
delivering a series of abrasive , stylized sequences that burn themselves upon the viewer 's memory
the improbable `` formula 51 '' is somewhat entertaining
laugh-out-loud lines , adorably ditsy but heartfelt performances , and sparkling
's still tainted by cliches , painful improbability and murky points
of nostalgic comments from the now middle-aged participants
deceit
young man 's
is frittered away in middle-of-the-road blandness
guilt-free
smarter and much funnier version of the old police academy flicks .
farts , urine , feces
the martial arts master to top form
bargain-basement european pickup
successful adaptation
nevertheless will leave fans clamoring for another ride
its metaphors
wait to see this terrific film with your kids -- if you do n't have kids borrow some
borderline insulting
disingenuous ,
does not proclaim the truth about two love-struck somebodies , but
god bless crudup and his aversion to taking the easy hollywood road and cashing in on his movie-star gorgeousness .
cheap , graceless , hackneyed
we 're left thinking the only reason to make the movie is because present standards allow for plenty of nudity
to be fully forgotten
pretend like your sat scores are below 120 and you might not notice the flaws .
watching slim travel incognito in a ridiculous wig no respectable halloween costume shop would ever try to sell
're desperate for the evening to end .
surprisingly short of both adventure and song
for all the wit and hoopla
excellent use
absorbing look
searing lead performance
aging series
i ca n't remember the last time i saw worse stunt editing or cheaper action movie production values than in extreme ops .
this is a finely written , superbly acted offbeat thriller .
good than great
combined with so much first-rate talent ... could have yielded such a flat , plodding picture
has thankfully ditched the saccharine sentimentality of bicentennial man in favor of an altogether darker side
thinks-it-is joke
this dog of a movie
seem like the proper cup of tea
falters
are far more alienating than involving .
a true study , a film with a questioning heart
lots of effort and intelligence are on display
has more in common with a fireworks display than a movie , which normally is expected to have characters and a storyline
`` horrible '' and `` terrible
if the poor quality of pokemon 4 ever is any indication
the shining , the thing ,
it 's tough to tell which is in more abundant supply in this woefully hackneyed movie , directed by scott kalvert , about street gangs and turf wars in 1958 brooklyn -- stale cliches , gratuitous violence , or empty machismo .
rent the disney version
have been the ultimate imax trip
, wit and warmth than should be expected from any movie with a `` 2 '' at the end of its title .
ability to think
is one summer film that satisfies
a lot to recommend read my lips
beauty and
dupe the viewer
valiant attempt to tell a story about the vietnam war before the pathology set in
ultimately life-affirming
humorous and heartfelt , douglas mcgrath 's version of ` nicholas nickleby ' left me feeling refreshed and hopeful .
two fine actors ,
love it , too .
there are no special effects , and no hollywood endings .
ultimately ... the movie is too heady for children , and too preachy for adults .
hugely enjoyable in its own right though not really
expertly plucking tension from quiet
america 's knee-jerk moral sanctimony
within a wallflower
superb performers
little-known perspective
is stiff or just plain bad .
be something to behold
executed with such gentle but insistent sincerity , with such good humor and appreciation of the daily grind that only the most hardhearted scrooge could fail to respond .
doubt that peter o'fallon did n't have an original bone in his body
drags it back
'll be treated to an impressive and highly entertaining celebration of its sounds
mildly funny , sometimes tedious , ultimately insignificant
jumps to the head of the class of women 's films that manage to avoid the ghetto of sentimental chick-flicks by treating female follies with a satirical style
fun , splashy and entertainingly nasty
a minimalist beauty and the beast
is n't quite out of ripe
toilet humor , ethnic slurs
any less entertaining
overflowing septic tank
objective documentary
then you get another phone call warning you that if the video is n't back at blockbuster before midnight , you 're going to face frightening late fees .
, savvy , compelling
sometimes it 's difficult to tell who the other actors in the movie are
is expressly for idiots who do n't care what kind of sewage they shovel into their mental gullets to simulate sustenance
put you off
downbeat , period-perfect biopic hammers home a heavy-handed moralistic message
the story , like ravel 's bolero , builds to a crescendo that encompasses many more paths than we started with
it 's a square , sentimental drama that satisfies , as comfort food often can .
a superfluous sequel ... plagued by that old familiar feeling of ` let 's get this thing over with ' : everyone has shown up at the appointed time and place , but visible enthusiasm is mighty hard to find
solid , kinetically-charged spy flick worthy
carries the day with impeccable comic timing , raffish charm and piercing intellect
some unpaid intern
low-grade dreck that usually goes straight to video -- with a lousy script , inept direction , pathetic acting , poorly dubbed dialogue and murky cinematography
a moving and weighty depiction of one family
at ease sharing the same scene
where bergman approaches swedish fatalism using gary larson 's far side humor
adams just copies from various sources
an interesting slice of history .
add up to a moving tragedy with some buoyant human moments
is too much of a plunge
of our making
makes it possible for the viewer to doze off for a few minutes or make several runs to the concession stand and/or restroom and not feel as if he or she has missed anything
fast-paced and wonderfully edited
the biggest husband-and-wife disaster since john
the most compelling performance of the year
the best actors there is
twice as bestial but half as funny
there are just too many characters saying too many clever things and getting into too many pointless situations .
a phlegmatic bore ,
the ethos of the chelsea hotel may shape hawke 's artistic aspirations , but he has n't yet coordinated his own dv poetry with the beat he hears in his soul
's almost impossible not to be swept away by the sheer beauty of his images
self-discovery handled with such sensitivity
will probably limited to lds church members and undemanding armchair tourists .
every individual will see the movie through the prism of his or her own beliefs and prejudices , but the one thing most will take away is the sense that peace is possible
not to mention mysterious , sensual , emotionally intense , and replete with virtuoso throat-singing
intimate and panoramic
of paint-by-number american blockbusters like pearl harbor
in unexpected ways , touching
first-rate performances
cat-and-mouse , three-dimensional characters and
anguished
make for a bad film
to the rising place that would set it apart from other deep south stories
is truth
shows us a slice of life that 's very different from our own and yet instantly recognizable
in a cinematic year already littered with celluloid garbage
unfocused and tediously exasperating
genuine excitement
on its icy face , the new film is a subzero version of monsters , inc. , without the latter 's imagination , visual charm or texture .
will take longer to heal : the welt on johnny knoxville 's stomach from a riot-control projectile or my own tortured psyche
they succeed merrily at their noble endeavor .
a total washout
summer fluff
unmistakable , easy
a clear-eyed
the conventional science-fiction elements of bug-eyed monsters
as ex-marine walter , who may or may not have shot kennedy , actor raymond j. barry is perfectly creepy and believable .
flat-out amusing , sometimes endearing and often fabulous
entertained by the unfolding of bielinsky 's
manages to escape the shackles of its own clichés to be the best espionage picture to come out in weeks .
attributable to a movie like this
boll uses a lot of quick cutting and blurry step-printing to goose things up , but dopey dialogue and sometimes inadequate performances kill the effect
craig bartlett and director tuck tucker should be commended for illustrating the merits of fighting hard for something that really matters .
presents events partly from the perspective of aurelie and christelle , and infuses the film with the sensibility of a particularly nightmarish fairytale
hard-driving narcissism is a given
being surprisingly dull
in a fat man 's navel
rejected must have been astronomically bad
a simple `` goddammit
thornier
while most films these days are about nothing , this film seems to be about everything that 's plaguing the human spirit in a relentlessly globalizing world .
film buffs will eat up like so much gelati
claustrophobic
with tremendous skill
blazingly alive and admirable on many levels
of cinema 's directorial giants
drags during its 112-minute length
enthralling aesthetic experience
gets the tone just right
turns out to be ( assayas ' ) homage to the gallic ` tradition of quality , ' in all its fusty squareness
fairly harmless but ultimately lifeless
paper-thin and
can almost see mendes and company getting together before a single frame had been shot and collectively vowing , ` this is going to be something really good
no real surprises -- but still quite tasty and inviting all the same
the next a turgid drama
is such a perfect medium for children , because of the way it allows the mind to enter and accept another world
proves itself a more streamlined and thought out encounter than the original could ever have hoped to be .
negotiate their imperfect , love-hate relationship
this is that rare drama that offers a thoughtful and rewarding glimpse into the sort of heartache everyone has felt , or will feel someday .
's hardly a necessary enterprise .
malcolm mcdowell is cool .
ice cube is n't quite out of ripe screwball ideas , but friday after next spreads them pretty thin
suits the story , wherein our hero must ride roughshod over incompetent cops to get his man
in all the best possible ways
, i fear , will be put to sleep or bewildered by the artsy and often pointless visuals .
smart , romantic drama
, you 're on the edge of your seat
um ... is n't that the basis for the entire plot ?
to the illogic of its characters
a low-budget series
's not trying to laugh at how bad
has delivered a solidly entertaining and moving family drama
has something serious to say about the ways in which extravagant chance can distort our perspective and throw us off the path of good sense
long and relentlessly saccharine
references to faith and rainbows to plant smile-button faces on that segment of the populace that made a walk to remember a niche hit
highlighted by a gritty style and an excellent cast
lacking a depth in storytelling usually found in anime like this
sensual and funny
written , flatly
she 's not funny
terrific special effects
is one of the year 's best .
if the material is slight and admittedly manipulative , jacquot preserves tosca 's intoxicating ardor through his use of the camera .
made , on all levels ,
as ill-fitting as shadyac 's perfunctory directing chops
enthusiastic charm
be prepared to cling to the edge of your seat , tense with suspense .
glancing vividly back
that one can honestly describe as looking , sounding and simply feeling like no other film in recent history
've reeked of a been-there , done-that sameness
remains as guarded as a virgin with a chastity belt
is a horrible movie
clever and suspenseful
a three-hour cinema master class .
the film 's desire to be liked sometimes
a smartly written motion picture
their outrageousness
is so warm and fuzzy you might be able to forgive its mean-spirited second half
relies less on forced air than on petter næss ' delicate , clever direction ... and a wonderful , imaginative script
a creepy and dead-on performance
unfortunately , a cast of competent performers from movies , television and the theater are cast adrift in various new york city locations with no unifying rhythm or visual style .
has a lot going for it , not least the brilliant performances by testud ... and parmentier .
give you a lot of laughs in this simple , sweet and romantic comedy
has the potential for touched by an angel simplicity and sappiness
deceptions
proves once again that a man in drag is not in and of himself funny
but a little too smugly
most flamboyant female comics
the filmmakers want nothing else than to show us a good time , and
the hard-to-predict and absolutely essential chemistry
a fascinating glimpse into an insular world that gives the lie to many clichés and showcases a group of dedicated artists
believe that resident evil is not it
well-crafted family film
piercing domestic drama
go back and choose to skip it
run-of-the-mill profanity
bittersweet
mediocre movie
all over the map thematically and stylistically , and borrows heavily from lynch , jeunet , and von trier while failing to find a spark of its own
the movie is about as deep as that sentiment .
solid and refined piece
it 's not too fast and not too slow .
with an unflappable air of decadent urbanity , everett remains a perfect wildean actor , and a relaxed firth displays impeccable comic skill .
93 minutes of unrecoverable life
's self-defeatingly decorous
but the feelings evoked in the film are lukewarm and quick to pass .
a sour taste in one 's mouth ,
high-profile name
of clams left in the broiling sun for a good three days
the little chinese seamstress that transforms this story about love and culture into a cinematic poem
this date-night diversion will definitely win some hearts
it is also beautifully acted .
sprightly spin
maintains your sympathy for this otherwise challenging soul
from its nauseating spinning credits sequence to a very talented but underutilized supporting cast , bartleby squanders as much as it gives out .
of the most genuinely sweet films