xiangpku/GLUE huggingface dataset:
is so poorly paced you could fit all of pootie tang in between its punchlines .
shows holmes has the screen presence to become a major-league leading lady , ( but ) the movie itself is an underachiever , a psychological mystery that takes its sweet time building to a climax that 's scarcely a surprise by the time it arrives .
painful , obnoxious
full of holes that will be obvious even to those who are n't looking for them
the emotional heart of happy
, proves simultaneously harrowing and uplifting
terrible events
develop her own film language with conspicuous success
could have -- should have -- been allowed to stand on their own
garcia and the other actors help make the wobbly premise work .
going to make a splash even greater than arnold schwarzenegger , jean-claud van damme or steven segal
a very moving and revelatory footnote to the holocaust
maturity
an equally miserable film the following year
adaptation 's success in engaging the audience in the travails of creating a screenplay is extraordinary .
your least favorite
a rating of zero
captivating details
a chiller resolutely without chills .
appreciation of the daily grind that only the most hardhearted scrooge could fail to respond
is a finely written , superbly acted offbeat thriller
is dreary and sluggish
watered down the version of the one
it just goes to show , an intelligent person is n't necessarily an admirable storyteller .
exhilarating but blatantly biased .
smartly directed , grown-up film
ransacks its archives
psychologically revealing .
tsai convincingly paints a specifically urban sense of disassociation here .
a soulless jumble of ineptly assembled cliches and pabulum that plays like a 95-minute commercial for nba properties .
light the candles , bring out the cake and
all right , so it 's not a brilliant piece of filmmaking , but it is a funny ( sometimes hilarious ) comedy with a deft sense of humor about itself , a playful spirit and a game cast .
an eye-boggling blend
shared by the nation at their sacrifice .
, amy 's orgasm has a key strength in its willingness to explore its principal characters with honesty , insight and humor .
virtuosic
of the great crimes
technically and artistically inept
is fascinating
otherwise dull subjects
like a can of 2-day old coke
the suggested and the unknown
is how a rich historical subject , combined with so much first-rate talent ... could have yielded such a flat , plodding picture
the emphasis on self-empowering schmaltz and
a cellophane-pop remake of the punk classic ladies and gentlemen , the fabulous stains ... crossroads is never much worse than bland or better than inconsequential
a predictably efficient piece
`` project greenlight '' winner
the humanity of its people
comfort in familiarity
so fascinating
equally great robin williams performance
who embraces a strict moral code
never mind all that ; the boobs are fantasti
to keep the extremes of screwball farce and blood-curdling family intensity on one continuum
's drab .
devotees of star trek ii : the wrath of khan will feel a nagging sense of deja vu , and
with his brawny frame and cool , composed delivery
accomplished and richly resonant work
the funniest american comedy since graffiti bridge
mindless pace in collision
exquisite trappings
been more geeked when i heard that apollo 13 was going to be released in imax format
all its problems
funny , charming and quirky
super - violent , super-serious and super-stupid
a perceptive study
real natural , even-flowing tone
like a temperamental child begging for attention , giving audiences no reason to truly care for its decrepit freaks beyond the promise of a reprieve from their incessant whining .
it must be the end of the world : the best film so far this year is a franchise sequel starring wesley snipes
compressed characterisations and for its profound humanity
oscar-nominated documentary
its dying , in this shower of black-and-white psychedelia ,
scenery , vibe and all --
a fascinating documentary about the long and eventful spiritual journey of the guru who helped
warm up to
's critic-proof , simply because it aims so low
jae-eun jeong 's take care of my cat brings a beguiling freshness to a coming-of-age story with such a buoyant , expressive flow of images that it emerges as another key contribution to the flowering of the south korean cinema .
brutally honest
of four englishmen facing the prospect of their own mortality
a sobering and powerful documentary about the most severe kind of personal loss : rejection by one 's mother .
undeniable social realism
a dentist drill
, time out offers an exploration that is more accurate than anything i have seen in an american film .
every faltering half-step
of irreparable damage
, amusing , tender and heart-wrenching
's no denying that burns is a filmmaker with a bright future ahead of him
, more time appears to have gone into recruiting the right bands for the playlist and the costuming of the stars than into the script , which has a handful of smart jokes and not much else .
where human nature should be ingratiating
acting , but ultimately a movie with no reason for being
is an imaginative teacher of emotional intelligence in this engaging film about two men who discover what william james once called ` the gift of tears .
disease-of-the-week small-screen melodramas
favors to sober us up with the transparent attempts at moralizing
equally derisive clunker
sorrowfully
'll be thinking of 51 ways to leave this loser
is virtually without context -- journalistic or historical .
rare drama that offers a thoughtful and rewarding glimpse into the sort of heartache everyone
win a wide summer audience
a ton of laughs
the cleverest , most deceptively amusing comedies of the year
engages us in constant fits of laughter
of narrative banality
an abused , inner-city autistic
allows the mind to enter and accept another world
on a group of extremely talented musicians
walked the delicate tightrope between farcical and loathsome
has only a fleeting grasp of how to develop them
about an artist of 90-plus years taking the effort to share his impressions of life and loss and time and art with us
the wild thornberrys movie does n't offer much more than the series
the world 's best actors , daniel auteuil
it 's as if a bored cage spent the duration of the film 's shooting schedule waiting to scream : `` got aids yet ? ''
true cinematic knack
you 're in for a painful ride .
that carries a charge of genuine excitement
to be affected and boring
a bittersweet contemporary comedy about benevolent deception , which , while it may not rival the filmmaker 's period pieces , is still very much worth seeing .
a directorial tour de force
endearing and
the reaction in williams is as visceral as a gut punch
is messy , uncouth , incomprehensible , vicious and absurd
otherwise good-naturedness
playing characters who sometimes feel more like literary conceits than flesh-and-blood humans
precious than perspicacious
manages to find that real natural , even-flowing tone that few movies are able to accomplish .
we 've seen the hippie-turned-yuppie plot before ,
a hokey piece
at times it 's simply baffling
as improbable as this premise may seem , abbass 's understated , shining performance offers us the sense that on some elemental level , lilia deeply wants to break free of her old life .
something entertaining
the modern-day characters are nowhere near as vivid as the 19th-century ones .
may also be the first narrative film to be truly informed by the wireless
it deserved all the hearts it won -- and wins still , 20 years later .
dynamic first act
draws on an elegant visual sense and a talent for easy , seductive pacing
distinct and very welcome
that it 's hard to resist his pleas to spare wildlife and respect their environs
yet another sexual taboo into a really funny movie
an entertaining british hybrid of comedy , caper thrills and quirky romance
this film is part of that delicate canon
a dreary tract of virtually plotless meanderings
, the weight of water comes to resemble the kind of soft-core twaddle you 'd expect to see on showtime 's ` red shoe diaries . '
lets her complicated characters be unruly , confusing and , through it all , human
, the satire is weak .
seems altogether too slight to be called any kind of masterpiece
filmmaker yvan attal quickly writes himself into a corner
terrific score
the same old story
in its own aloof , unreachable way it 's so fascinating you wo n't be able to look away for a second .
exciting to watch as two last-place basketball
is it as smart
is robotically italicized
seem like a recycling of clichés , an assassin 's greatest hits
a delightful , well-crafted family film
especially well
constrictive eisenhower era
yet the act is still charming here .
peter o'fallon did n't have an original bone in his body
aesthetic experience
is magnificent
a remarkably insightful
of strung-together tv episodes
cherished
this marvelous documentary touches -- ever so gracefully -- on the entire history of the yiddish theater , both in america and israel .
'' reach the emotion or timelessness of disney 's great past , or even that of more recent successes such as `` mulan '' or `` tarzan
i had more fun watching spy than i had with most of the big summer movies .
is contrived , unmotivated , and psychologically unpersuasive ,
with a company of strictly a-list players
a listless sci-fi comedy in which eddie murphy deploys two guises and elaborate futuristic sets to no particularly memorable effect .
the nourishing aspects of love and companionship
ever had the inclination to make the most sincere and artful movie in which adam sandler will probably ever appear
'd take ( its ) earnest errors and hard-won rewards over the bombastic self-glorification of other feel-good fiascos like antwone fisher or the emperor 's club any time .
it 's an ambitious film
is a film that manages to find greatness in the hue of its drastic iconography
a depressingly retrograde , ` post-feminist ' romantic comedy that takes an astonishingly condescending attitude toward women .
of emotionally and narratively complex filmmaking
though it 's not very well shot or composed or edited , the score is too insistent and the dialogue is frequently overwrought and crudely literal , the film shatters you in waves .
4ever has the same sledgehammer appeal as pokemon videos , but it breathes more on the big screen and induces headaches more slowly .
whipping
seeing a series of perfect black pearls clicking together to form a string
's a bad sign when they 're supposed to be having a collective heart attack
is impossible not to be awed by the power and grace of one of the greatest natural sportsmen of modern times .
of two unrelated shorts that falls far short
the actors ' perfect comic timing
a hole in the head
color and depth , and rather a good time
a little melodramatic , but with enough hope to keep you engaged .
a splendid job of racial profiling hollywood style -- casting excellent latin actors of all ages -- a trend long overdue
some genuine spontaneity
is able to overcome the triviality of the story
has had some success with documentaries
this is an exercise in chilling style , and twohy films the sub , inside and out , with an eye on preserving a sense of mystery .
several cliched movie structures : the road movie , the coming-of-age movie
in a guilty-pleasure , daytime-drama sort of fashion
the best of them
several survivors , whose riveting memories are rendered with such clarity that it 's as if it all happened only yesterday
strange and compelling
the difference is that i truly enjoyed most of mostly martha while i ne
none of the plot ` surprises ' are really surprising
comes off as a long
lively intelligence
wonderful performances
the thin veneer of nationalism
cruelly funny twist
see what he could make with a decent budget
, however , manages just to be depressing , as the lead actor phones in his autobiographical performance .
to the failure of the third revenge of the nerds sequel
for its originality
does n't even qualify as a spoof of such
divine secrets of the ya-ya sisterhood suffers from a ploddingly melodramatic structure
a well-intentioned effort that 's still too burdened by the actor
do you make a movie with depth about a man who lacked any
merely indulges in the worst elements of all of them .
we want the funk - and this movie 's got it .
while it is welcome to see a chinese film depict a homosexual relationship in a mature and frank fashion
show this movie to reviewers before its opening , afraid of the bad reviews they thought they 'd earn
in the sun
manages to nail the spirit-crushing ennui of denuded urban living without giving in to it
's unlikely to become a household name on the basis of his first starring vehicle .
uh , shred ,
a walk to remember is an inspirational love story , capturing the innocence and idealism of that first encounter .
to pamela 's emotional roller coaster life
steal a movie not only from charismatic rising star jake gyllenhaal but also from accomplished oscar winners susan sarandon , dustin hoffman and holly hunter , yet newcomer ellen pompeo pulls off the feat with aplomb
appears miserable throughout as he swaggers through his scenes
doltish
's as crisp and to the point
is still quite good-natured and not a bad way to spend an hour or two
capture the terrifying angst of the modern working man without turning the film into a cheap thriller , a dumb comedy or a sappy
the comedy death to smoochy is a rancorous curiosity : a movie without an apparent audience .
that hollywood no longer has a monopoly on mindless action
the only problem is that , by the end , no one in the audience or the film seems to really care .
lighting effects and
of a valentine sealed with a kiss
is a temporal inquiry that shoulders its philosophical burden lightly .
should be expected from any movie with a `` 2 '' at the end of its title
been edited at all
` what 's the russian word for wow !? '
you love reading and/or poetry
phrase ` fatal script error
no excuse
it progresses in such a low-key manner that it risks monotony
got some good , organic character work , lots of obvious political insights and little room for engaging , imaginative filmmaking in its nearly 2 1/2 - hour , dissipated length .
her nomination as best actress even more
of the same old garbage
rare in the depiction of young women in film
an excruciating film
fabulously funny and over the top as a ` very sneaky ' butler who excels in the art of impossible disappearing/reappearing acts
watch barbershop again if you 're in need of a cube fix --
the cast is top-notch and i predict there will be plenty of female audience members drooling over michael idemoto as michael
well-developed
a little less charm
a compelling coming-of-age drama about the arduous journey of a sensitive young girl through a series of foster homes and a fierce struggle to pull free from her dangerous and domineering mother
into that annoying specimen of humanity
this bond film goes off the beaten path , not necessarily for the better .
seems to want both , but succeeds in making neither .
so genial is the conceit , this is one of those rare pictures that you root for throughout , dearly hoping that the rich promise of the script will be realized on the screen .
settles on a consistent tone .
because it 's so bad
is a great film .
endorses they simply because this movie makes his own look much better by comparison
a bloated plot that stretches the running time about 10 minutes
easy , comfortable
straightforward and old-fashioned in the best possible senses of both those words
in this pretentious mess
allow the suit to come to life
one splendidly cast pair
of theater history
an undeniably gorgeous , terminally
an athlete
is the kind of movie that deserves a chance to shine
, stupid and pointless
comes up shorter than britney 's cutoffs
limited but enthusiastic
for people who take as many drugs as the film 's characters
... while the humor aspects of ` jason x ' were far more entertaining than i had expected , everything else about the film tanks .
, i do n't see the point
is no doubt that krawczyk deserves a huge amount of the credit for the film 's thoroughly winning tone .
the worst dialogue
likely to see all year
long before it 's over , you 'll be thinking of 51 ways to leave this loser .
spiffy
the worst possibilities
critiquing itself at every faltering half-step of its development
the central flaw
others , more attuned to the anarchist maxim that ` the urge to destroy is also a creative urge ' , or more willing to see with their own eyes , will find morrison 's iconoclastic uses of technology to be liberating .
of social texture and realism
triumphant ,
impossibly long limbs
star bruce willis
needs to stay afloat in hollywood
recognizable and true that , as in real life , we 're never sure how things will work out
genre gem
some cute moments ,
as immaculate as stuart little 2 is , it could be a lot better if it were , well , more adventurous .
eventually gets around to its real emotional business , striking deep chords of sadness .
a rejected x-files episode than a credible account of a puzzling real-life happening
unexpected fable
has been gathering dust on mgm 's shelf
a mawkish self-parody that plays like some weird masterpiece theater sketch with neither a point of view nor a compelling reason for being .
will be lulled into a coma
a rancorous curiosity : a movie without an apparent audience
petter næss ' delicate , clever direction ...
generates little narrative momentum
spiritual film taps into the meaning and consolation in afterlife communications .
a manically generous christmas
from the flawed support structure holding equilibrium up
beguiling freshness
a noble end
found this a remarkable and novel concept
aimless hodgepodge
gives none to the audience
its shape-shifting perils , political intrigue and brushes
is deliberately unsettling
more mature than fatal attraction , more complete than indecent proposal and more relevant than 9 1/2 weeks , unfaithful is at once intimate and universal cinema .
to find a movie character more unattractive or odorous ( than leon )
if they were coming back from stock character camp -- a drowsy drama infatuated by its own pretentious self-examination
as blasphemous and nonsensical
more sophisticated and literate than such pictures usually are ... an amusing little catch
non-firsthand experience
of the funniest jokes of any movie
genuinely pretty
a lack of clarity and audacity
combine into one terrific story with lots of laughs
an american actress who becomes fully english
is that secret ballot is a comedy , both gentle and biting
funny , touching , smart and complicated
ignites
as the movie dragged on
walled-off
refreshingly unhibited
the saigon of 1952 is an uneasy mix of sensual delights and simmering violence , and the quiet american brings us right into the center of that world .
still rapturous after all these years
self-conscious art drivel
brutally dry satire
most refreshing
-- but it 's a rushed , slapdash , sequel-for-the-sake - of-a-sequel with less than half the plot and ingenuity
women torn apart by a legacy of abuse
a movie in which two not very absorbing characters are engaged in a romance you ca n't wait to see end .
showcases tom hanks as a depression era hit-man in this dark tale of revenge .
to imagine another director ever making his wife look so bad in a major movie
is still fun and enjoyable and so aggressively silly
the hell cares
is of brian de palma 's addiction to the junk-calorie suspense tropes that have all but ruined his career .
awe and affection -- and
on the number of tumbleweeds blowing through the empty theaters
gorgeous visuals
resourceful hero
-- worst of all --
such high-wattage brainpower
a lingering creepiness one
reaffirms life as it looks in the face of death
a properly spooky film
after the first 10 minutes , which is worth seeing
great acting
well-structured
this will be an enjoyable choice for younger kids .
wonderfully loopy tale
turns the goose-pimple genre on its empty head and fills it with spirit , purpose and emotionally bruised characters who add up to more than body count .
every cheap trick
engages us in constant fits of laughter , until we find ourselves surprised at how much we care about the story ,
it takes an abrupt turn into glucose sentimentality and laughable contrivance
a time machine , a journey back to your childhood , when cares melted away in the dark theater
marvelously entertaining and
the cartoon in japan that gave people seizures
treating female follies
a downward narcotized spiral
this exciting new filmmaker
a small independent film suffering from a severe case of hollywood-itis .
without a fresh infusion of creativity , 4ever is neither a promise nor a threat so much as wishful thinking .
intermezzo strain
another key contribution
babies are the kiss of death in this bitter italian comedy
enjoyably dumb , sweet , and intermittently hilarious
been nice if the screenwriters had trusted audiences to understand a complex story , and left off the film 's predictable denouement
director charles stone iii applies more detail to the film 's music than to the story line ; what 's best about drumline is its energy
( a ) soulless , stupid sequel ...
escape the shackles of its own clichés to be the best espionage picture to come out in weeks
like its title character , esther kahn is unusual but unfortunately also irritating .
bad enough to repulse any generation of its fans
none of the crackle of `` fatal attraction '' , `` 9 1/2 weeks '' , or even
manages to squeeze by on angelina jolie 's surprising flair for self-deprecating comedy .
, it delivers the same message as jiri menzel 's closely watched trains and danis tanovic 's no man 's land .
sumptuous
tug at your heart in ways
represent totally exemplify middle-of-the-road mainstream
`` new best friend ''
mr. polanski is in his element here : alone , abandoned , but still consoled by his art , which is more than he has ever revealed before about the source of his spiritual survival
a huge sacrifice of character and mood
mindless and boring martial arts and gunplay with too little excitement and zero compelling storyline .
would 've been nice if the screenwriters had trusted audiences to understand a complex story , and left off the film 's predictable denouement .
does n't necessarily
beautifully reclaiming the story of carmen and
the latter 's attendant intelligence
derivative and hammily acted .
an astonishing voice cast ( excepting love hewitt ) ,
jarring shocks
one-of-a-kind tour de force
's a shame that the storyline and its underlying themes ... finally seem so impersonal or even shallow .
a children 's party clown
so downbeat and nearly humorless
that delicate canon
usually genuinely worthwhile
thanks to great performances
is populated by whiny , pathetic , starving and untalented artistes
-- and deeply appealing --
general audiences might not come away with a greater knowledge of the facts of cuban music
crude film
defeated by a screenplay that forces them into bizarre , implausible behavior
really adorable italian guys .
it must be the end of the world : the best film so far this year is a franchise sequel starring wesley snipes .
like most movies about the pitfalls of bad behavior
loud and boring
to hide the fact that seagal 's overweight and out of shape
everyone involved with moviemaking is a con artist and a liar
beautifully crafted and cooly unsettling
the same number of continuity errors
if the film has a problem , its shortness disappoints : you want the story to go on and on
the most offensive thing about the movie
a game of ` who 's who ' ... where the characters ' moves are often more predictable than their consequences
should n't have been made
exhilarating new
this story of a determined woman 's courage to find her husband in a war zone offers winning performances and some effecting moments .
a wildly uneven hit-and-miss enterprise
your disgust and your indifference
that the artist 's work may take on a striking new significance for anyone who sees the film
the waterlogged script
an emotionally satisfying exploration
as claustrophic , suffocating and chilly
short of both adventure and song
, passionate
genuinely bone-chilling tale
a smart new comedy
if occasionally flawed ,
a fascinating curiosity piece -- fascinating , that is ,
stays with you