xiangpku/GLUE huggingface dataset:
clint eastwood 's blood work is a lot like a well-made pb & j sandwich : familiar , fairly uneventful and boasting no real surprises -- but still quite tasty and inviting all the same .
overladen with plot conceits
assaults on america 's knee-jerk moral sanctimony
into clichés
big stars and high production values are standard procedure
captures the moment when a woman 's life , out of a deep-seated , emotional need , is about to turn onto a different path .
is one big , dumb action movie .
must be the end of the world
coordinated his own dv poetry
leave the same way you came -- a few tasty morsels under your belt , but no new friends .
an indispensable peek at the art and the agony of making people
yes , but also intriguing and honorable ,
is instead a cheap cliché
a modestly surprising movie .
keep it interested
the very definition of epic adventure
jams too many prefabricated story elements
is an ungainly movie , ill-fitting , with its elbows sticking out where the knees should be
in the same old story
a compelling , gut-clutching piece
should be commended for illustrating the merits of fighting hard for something that really matters .
frozen tundra soap opera
the premise of jason x is silly but strangely believable .
cope with the mysterious and brutal nature of adults
embraces life in public
is generally quite funny .
showtime 's uninspired send-up of tv cop show cliches
a catalyst for the struggle of black manhood in restrictive and chaotic america ... sketchy but nevertheless gripping portrait of jim brown , a celebrated wonder in the spotlight
the fierce grandeur
de niro and murphy make showtime the most savory and hilarious guilty pleasure of many a recent movie season .
a whale of a good time for both children and parents seeking christian-themed fun
feeble comedy
michele is a such a brainless flibbertigibbet that it 's hard to take her spiritual quest at all seriously .
have bitterly forsaken
deep down , i realized the harsh reality of my situation : i would leave the theater with a lower i.q. than when i had entered .
with some fine acting
do n't feel the least bit ashamed in admitting that my enjoyment came at the expense of seeing justice served , even if it 's a dish that 's best served cold
lee 's achievement extends to his supple understanding of the role that brown played in american culture as an athlete , a movie star , and an image of black indomitability .
consummate actor
to make a splash even greater than arnold schwarzenegger , jean-claud van damme or steven segal
rodrigues 's beast-within metaphor is ultimately rather silly and overwrought , making the ambiguous ending seem goofy rather than provocative .
pungent bite
has all the values of a straight-to-video movie
exude an air of dignity that 's perfect for the proud warrior that still lingers in the souls of these characters .
a stirring visual sequence
darned assured
plays like a bad soap opera , with passable performances from everyone in the cast
dragon loses its fire midway , nearly flickering out by its perfunctory conclusion .
are head and shoulders above much of the director 's previous popcorn work .
an interesting topic , some intriguing characters and a sad ending
thoroughly awful
technically superb
a dashing and resourceful hero
cutesy romantic tale
sensuality , and sympathy into a story about two adolescent boys
dopey
, one is left with a sour taste in one 's mouth , and little else .
the action sequences are fun and reminiscent of combat scenes from the star wars series .
that the film makes the viewer feel like the movie 's various victimized audience members after a while , but it also happens to be the movie 's most admirable quality
dullard
this is a dark , gritty , sometimes funny little gem .
sometimes charming , sometimes infuriating
eerily suspenseful , deeply absorbing piece
instead of a witty expose on the banality and hypocrisy of too much kid-vid , we get an ugly , mean-spirited lashing out by an adult who 's apparently been forced by his kids to watch too many barney videos .
about being subjected to farts , urine , feces , semen , or any of the other foul substances
a more sheerly beautiful film
is that it jams too many prefabricated story elements into the running time
snide and prejudice
from both a great and a terrible story , mr. nelson has made a film that is an undeniably worthy and devastating experience .
a movie with a bigger , fatter heart
had more to do with imagination than market research
was n't at least watchable
sadly , as blood work proves , that was a long , long time ago .
engaging and intimate
blade 2 is definitely a cut above the rest .
a brilliant , absurd collection
's fairly lame , making it par for the course for disney sequels .
this movie plays like an extended dialogue exercise in retard 101 .
expect more from director michael apted ( enigma ) and screenwriter nicholas kazan ( reversal of fortune ) than this cliche pileup .
almost as offensive
will make you think twice about what might be going on inside each trailer park you drive past -- even if it chiefly inspires you to drive a little faster .
fun about this silly , outrageous , ingenious thriller
i liked the movie ,
really vocalized
the lion king
is a winner
a new favorite musical
the perfect face to play a handsome blank yearning to find himself
with jump cuts , fast editing and lots of pyrotechnics , yu clearly hopes to camouflage how bad his movie is .
too little excitement and zero compelling storyline
that 's peppered with false starts and populated by characters who are nearly impossible to care about
a re-hash of the other seven films
a well-made pizza
noticeably less energy and imagination
there 's no excuse for following up a delightful , well-crafted family film with a computer-generated cold fish .
, beloved genres
's rare to find a film to which the adjective ` gentle ' applies
collapses into an inhalant blackout
at once visceral and spiritual , wonderfully vulgar and sublimely lofty --
a family film that contains some hefty thematic material on time , death , eternity , and what
the hype , the celebrity ,
the best advice is : ` scooby ' do n't .
the modern master of the chase sequence
much forced drama in this wildly uneven movie , about a young man 's battle with his inescapable past and uncertain future in a very shapable but largely unfulfilling present
serve no other purpose
both overplayed and exaggerated
that 's exactly what these two people need to find each other
, this is sure to raise audience 's spirits and leave them singing long after the credits roll .
a fairly harmless but ultimately lifeless feature-length afterschool special .
easy to make such a worthless film
to scale the lunatic heights of joe dante 's similarly styled gremlins
so crass
about every cliche in the war movie compendium across its indulgent two-hour-and-fifteen-minute length
's nowhere near as exciting as either .
precious little of either
that both thrills the eye and , in its over-the-top way , touches the heart .
extraordinarily
be as bored watching morvern callar
crisp framing , edgy camera work , and
fathers and sons , and the uneasy bonds between them , rarely have received such a sophisticated and unsentimental treatment on the big screen as they do in this marvelous film .
( hayek ) throws herself into this dream hispanic role with a teeth-clenching gusto , she strikes a potent chemistry with molina
not a film for the faint of heart or conservative of spirit , but for the rest of us -- especially san francisco lovers -- it 's a spirited film and a must-see .
big , fat , dumb
spreads itself too thin ,
a rumor of angels should dispel it .
what might have emerged as hilarious lunacy in the hands of woody allen or mel brooks ( at least during their '70s heyday ) comes across as lame and sophomoric in this debut indie feature .
while adding a bit of heart and unsettling subject matter
solid pedigree
's the element of condescension ,
from a college comedy that 's target audience has n't graduated from junior high school
better off staying on the festival circuit
exciting and well-paced
is without doubt an artist of uncompromising vision , but that vision is beginning to feel , if not morally bankrupt , at least terribly monotonous .
if the essence of magic is its make-believe promise of life that soars above the material realm , this is the opposite of a truly magical movie .
to mention absolutely refreshed
a fan of the phrase ` life affirming ' because it usually means ` schmaltzy
beaten to a pulp in his dangerous game
staggeringly dreadful romance .
the direction of spielberg , who does a convincing impersonation here of a director enjoying himself immensely
into a future they wo n't much care about
it is n't much fun .
just does n't work
, achingly human
it sounds , but strikes a tone that 's alternately melancholic , hopeful and strangely funny
becomes just another voyeuristic spectacle , to be consumed and forgotten
with memorable zingers
final verdict : you 've seen it all before .
affectingly
starts off as a possible argentine american beauty reeks like a room stacked with pungent flowers
been held hostage by generic scripts that seek to remake sleepless in seattle again and again
becomes a simplistic story about a dysfunctional parent-child relationship
) lets her radical flag fly , taking angry potshots at george w. bush , henry kissinger , larry king , et al .
great submarine stories
of russian cultural identity and a stunning technical achievement
at his 12th oscar nomination
managed to pack it with enough action to satisfy the boom-bam crowd without a huge sacrifice of character and mood
little crossover appeal to those without much interest in the elizabethans ( as well as rank frustration from those in the know about rubbo 's dumbed-down tactics )
seem at least passably real
not exactly assured in its execution
is a big time stinker
a bland , surfacey way
who opts to overlook this goofily endearing and well-lensed gorefest
nohe has made a decent ` intro ' documentary , but
provides an accessible introduction as well as some intelligent observations on the success of bollywood in the western world
as stiff , ponderous and charmless as a mechanical apparatus
looks more like a travel-agency video targeted at people who like to ride bikes
a peculiar malaise that renders its tension
be delightfully compatible here
is among wiseman 's warmest
interminably bleak
naïveté and arbitrary
witless mess
oddly fascinating depiction
a stylish cast and
more confused
the artwork is spectacular and unlike most animaton from japan , the characters move with grace and panache
a pleasure
no solace here , no entertainment value , merely a fierce lesson in where filmmaking can take us
is a commanding screen presence
something that really matters
offers no easy , comfortable resolution
only learning but inventing a remarkable new trick
those movies barely registering a blip on the radar screen of 2002
hard , endearing , caring , warm .
lack-of-attention span
clever by about nine-tenths
the greatest natural sportsmen of modern times
too dry and
into one of the summer 's most pleasurable movies
imaginative kid 's movie
to surrealism and black comedy
the sheer ugliness of everything else
on shame
that we believe that that 's exactly what these two people need to find each other
there are some fairly unsettling scenes ,
american and
fine , old-fashioned-movie movie
rooting against ,
overly-familiar
missing a great deal of the acerbic repartee of the play
exploitation piece
you feel fully embraced by this gentle comedy
an unusual protagonist ( a kilt-wearing jackson ) and subject matter
the obligatory outbursts of flatulence and the incessant , so-five-minutes-ago pop music on the soundtrack
a reader 's digest condensed version
transcends culture and race
brimming with coltish , neurotic energy , holds the screen like a true star .
that 's alternately melancholic , hopeful and strangely funny
there 's a plethora of characters in this picture , and not one of them is flat
but seriously , folks , it does n't work .
the execution
offers an aids subtext , skims over the realities of gay sex ,
that should be used to burn every print of the film
thoroughly involving
more than a little pretentious
wilco fans will have a great time ,
a teenage boy out there somewhere who 's dying for this kind of entertainment
a bad movie that
failure .
morrissette has performed a difficult task indeed
that 's a bad sign when they 're supposed to be having a collective heart attack
cheap shocks
the filmmakers come up with nothing original in the way of slapstick sequences
the worst -- and only -- killer website movie
's difficult to conceive of anyone who has reached puberty actually finding the characters in slackers or their antics amusing , let alone funny .
a glorified sitcom
just about the best straight-up , old-school horror film of the last 15 years
an enjoyable feel-good family comedy regardless of race .
as an engrossing story about a horrifying historical event and the elements which contributed to it
set in a 1986 harlem that does n't look much like anywhere in new york .
the humanizing stuff that will probably sink the film for anyone who does n't think about percentages all day long
all over this `` un-bear-able '' project
the pacing is often way off and there are too many bona fide groaners among too few laughs .
clean-cut
wonderfully funny
is never able to pull it back on course .
helps `` being earnest '' overcome its weaknesses
ransacks its archives for a quick-buck sequel
disorientated
it arrives
enjoy the perfectly pitched web of tension
the son of the bride 's humor is born out of an engaging storyline , which also is n't embarrassed to make you reach for the tissues .
exuberance and passion
65-minute trifle
as the very best of them
seemingly a vehicle to showcase the canadian 's inane ramblings
disguise the fact
a particularly slanted , gay s/m fantasy
to see how many times they can work the words `` radical '' or `` suck '' into a sentence
exasperating
be labeled ` hip ' , ` innovative ' and ` realistic '
incredible subtlety and acumen
droning
two of those well spent
shows that some studios firmly believe that people have lost the ability to think and will forgive any shoddy product as long as there 's a little girl-on-girl action .
only about as sexy and dangerous as an actress in a role that reminds at every turn of elizabeth berkley 's flopping dolphin-gasm .
that greasy little vidgame pit in the theater lobby
there 's no indication that he 's been responsible for putting together any movies of particular value or merit
bordering on offensive , waste of time , money and celluloid .
the rare sequel that 's better than its predecessor
glows with enthusiasm , sensuality and a conniving wit .
such blatant and sickening product placement
have problems , which are neither original nor are presented in convincing way
captivating new film .
to shyamalan 's gifts , which are such that we 'll keep watching the skies for his next project
making it par for the course for disney sequels
gives the neighborhood -- scenery , vibe and all -- the cinematic equivalent of a big , tender hug
has nothing good to speak about other than the fact that it is relatively short
needing other people
it 's a treat -- a delightful , witty , improbable romantic comedy with a zippy jazzy score ... grant and bullock make it look as though they are having so much fun .
ultimately succumbs to cliches and pat storytelling
at every opportunity to do something clever , the film goes right over the edge and kills every sense of believability ... all you have left
acquires an undeniable entertainment value as the slight , pale mr. broomfield continues to force himself on people and into situations that would make lesser men run for cover
oscar caliber cast does n't live up to material
trailer-trash style .
wonderfully edited
's more repetition than creativity throughout the movie
imax trip
an intelligent screenplay and
so vivid a portrait
jones ... makes a great impression as the writer-director of this little $ 1.8 million charmer , which may not be cutting-edge indie filmmaking but has a huge heart .
spiffy bluescreen technique and stylish weaponry
mention `` solaris '' five years from now and i 'm sure those who saw it will have an opinion to share .
in the knowledge imparted
has all the sibling rivalry and general family chaos to which anyone can relate
captures all the longing , anguish and ache , the confusing sexual messages and the wish to be a part of that elusive adult world
it 's funny , as the old saying goes , because it 's true .
what elevates the movie above the run-of-the-mill singles blender
, implausible
with its wry observations
it is doubtful this listless feature will win him any new viewers
handled affair , a film about human darkness but etched with a light ( yet unsentimental ) touch
for this sort of thing to work , we need agile performers , but the proficient , dull sorvino has no light touch , and rodan is out of his league
unrelentingly grim -- and
sweetest thing
in the end , tuck everlasting falls victim to that everlasting conundrum experienced by every human who ever lived : too much to do , too little time to do it in .
the symbols of loss and denial and life-at-arm 's - length in the film seem irritatingly transparent
biography channel
the tuxedo was n't just bad
i admire it and yet can not recommend it , because it overstays its natural running time .
less by wow factors than by its funny , moving yarn that holds up well after two decades
with an admirably dark first script by brent hanley , paxton , making his directorial feature debut , does strong , measured work .
quite vapid
i 've seen in a while , a meander through worn-out material
its awkward structure and
a powerful commentary
recalls
it certainly wo n't win any awards in the plot department but it sets out with no pretensions and delivers big time
the trashy teen-sleaze equivalent of showgirls .
people are innocent , childlike and inherently funny
, history , memory , resistance and artistic transcendence
will still come away with a sense of his reserved but existential poignancy .
goofiest stuff
short of a travesty of a transvestite comedy
dramatic experience .
quirky and satirical touches
quite possibly the sturdiest example yet of why the dv revolution has cheapened the artistry of making a film
'll find yourself wishing that you and they were in another movie
it 's wasted yours
armed with a game supporting cast , from the pitch-perfect forster to the always hilarious meara and levy , like mike shoots and scores , doing its namesake proud
a change in expression
is that it 's far too sentimental
treats the subject with fondness and respect
that that 's exactly what these two people need to find each other
amusing study
championship material
laughed
is that it 's a rock-solid little genre picture
seriousness and quality
to be both hugely entertaining and uplifting
unabashedly romantic
has been overexposed , redolent of a thousand cliches ,
is sincere
comedic employment
wrong things
carrying this wafer-thin movie
a good music documentary
enhances the excellent performances
witty , whimsical feature
effective if you stick with it
( a ) boldly stroked , luridly colored , uni-dimensional nonsense machine that strokes the eyeballs while it evaporates like so much crypt mist in the brain .
that an epic four-hour indian musical about a cricket game could be this good
like done-to-death material
goofy pleasure
vin diesel is the man .
with mcconaughey in an entirely irony-free zone and bale reduced mainly to batting his sensitive eyelids , there 's not enough intelligence , wit or innovation on the screen to attract and sustain an older crowd .
talkiness is n't necessarily bad
without merit
these self-styled athletes have banged their brains into the ground so frequently and furiously , their capacity to explain themselves has gone the same way as their natural instinct for self-preservation .
, this could be a passable date film .
trash-cinema roots
the film never gets over its own investment in conventional arrangements , in terms of love , age , gender , race , and class .
running on empty ,
insanely dysfunctional
the scenic splendor
show for their labor , living harmoniously , joined in song
sickening thud
arnold is not , nor will he be , back
the new film is a lame kiddie flick
should please fans of chris fuhrman 's posthumously published cult novel
like john le carré with a couple of burnt-out cylinders
to amuse even the most resolutely unreligious parents who escort their little ones to megaplex screenings
of clean and sober
to play second fiddle to the dull effects that allow the suit to come to life
barely makes it any less entertaining
intriguing
the action as gripping
his life-altering experiences
dumb , credulous , unassuming , subordinate subjects
with most intelligent viewers
show the gentle and humane side of middle eastern world politics
sweet as greenfingers
it 's light on the chills and heavy on the atmospheric weirdness
and twisted characters
unfortunately , outnumber the hits by three-to-one .
his film overwhelmed
insipid script
a complex web
late marriage is an in-your-face family drama and black comedy that is filled with raw emotions conveying despair and love .
's a head-turner -- thoughtfully written , beautifully read and , finally , deeply humanizing
is to be cherished .
of the most splendid
more than sucking you in ... and making you sweat
this is the kind of subject matter that could so easily have been fumbled by a lesser filmmaker ,
you 've actually spent time living in another community
`` bad '' is the operative word for `` bad company
tries to seem sincere , and just
of that delicate canon
frustrates
we hate ( madonna ) within the film 's first five minutes ,
were insulted
it 's not very good either .
were made by a highly gifted 12-year-old instead of a grown man
cult film
it 's as if solondz had two ideas for two movies , could n't really figure out how to flesh either out , so
it goes down easy , leaving virtually no aftertaste .
lucid work
much to absorb and even more to think about after the final frame
genteel and unsurprising the execution
think of a film more cloyingly
movie nothing
for its true-to-life characters , its sensitive acting , its unadorned view of rural life and the subtle direction of first-timer hilary birmingham
nonjudgmental kind
fails to keep it up and settles into clichés
see this piece of crap again
it feels more like the pilot episode of a tv series than a feature film
had a bad run in the market or a costly divorce
with universal appeal
stuck in an inarticulate screenplay
brilliantly written
it 's an entertaining and informative documentary .
radiates star-power potential in this remarkable and memorable film .
that they 're stuck with a script that prevents them from firing on all cylinders
to give blade fans another look at wesley snipes ' iconic hero doing battle with dozens of bad guys -- at once
manages never to grow boring ... which proves that rohmer still has a sense of his audience .
to find greatness in the hue of its drastic iconography
capturing the innocence and idealism of that first encounter
an enjoyable
of a typical american horror film
an admirable
if we sometimes need comforting fantasies about mental illness , we also need movies like tim mccann 's revolution no. 9 .
raised to a new , self-deprecating level
, like ravel 's bolero , builds to a crescendo that encompasses many more paths than we started with
goes on and on to the point of nausea
the film occasionally tries the viewer 's patience with slow pacing and a main character who sometimes defies sympathy , but it ultimately satisfies with its moving story
metaphysical claptrap
, smart , savvy , compelling
( washington 's ) strong hand
they were afraid to show this movie to reviewers before its opening , afraid of the bad reviews they thought they 'd earn .
a collectively stellar performance
say the least , not to mention inappropriate and wildly undeserved
substance and soul
buy is an accomplished actress , and
a long , dull procession of despair ,
some kid who ca n't act , only echoes of jordan ,
familiar and predictable
the achingly unfunny phonce