xiangpku/GLUE huggingface dataset:
this is the kind of movie during which you want to bang your head on the seat in front of you , at its cluelessness , at its idiocy , at its utterly misplaced earnestness .
cherish is a dud -- a romantic comedy that 's not the least bit romantic and only mildly funny .
is a great film
wonder .
the actors must indeed be good to recite some of this laughable dialogue with a straight face .
the inclination to make the most sincere and artful movie in which adam sandler will probably ever appear
the holes in this film remain agape
coy but exhilarating
whenever you think you 've seen the end of the movie , we cut to a new scene , which also appears to be the end .
brutally clueless
with pointless extremes
irreconcilable
leigh is n't breaking new ground , but he knows how a daily grind can kill love .
sensual and
winning , heartwarming yarn
assault
it is clearly a good thing .
suspenseful argentinian thriller
more colorful , more playful tone
will anyone who is n't a fangoria subscriber be excited that it has n't gone straight to video ?
of hopeful
is nevertheless efficiently amusing for a good while .
wiseman is patient and uncompromising , letting his camera observe and record the lives of women torn apart by a legacy of abuse
weak script
you 'll be shaking your head all the way to the credits
becomes a sermon for most of its running time .
damning and damned compelling .
the five writers
any fiction
, decisive moments
blue crush has all the trappings of an energetic , extreme-sports adventure , but ends up more of a creaky `` pretty woman '' retread , with the emphasis on self-empowering schmaltz and big-wave surfing that gives pic its title an afterthought .
did no one on the set have a sense of humor , or did they not have the nerve to speak up ?
'm going to recommend secretary , based on the wonderful acting clinic put on by spader and gyllenhaal
worthy substitute
its plot contrivances
allegedly `` inspired '' was a lot funnier
does sound promising in theory
this cinderella story
` in this poor remake of such a well loved classic , parker exposes the limitations of his skill and the basic flaws in his vision . '
slopped
smeary and blurry ,
a reason the studio did n't offer an advance screening
the less charitable might describe as a castrated
the cast is so engagingly messing around like slob city reductions of damon runyon crooks
-- a retread story , bad writing , and the same old silliness
a visual delight and
for originality of plot
jones has delivered a solidly entertaining and moving family drama .
could force you to scratch a hole in your head
not as good as the full monty , but a really strong second effort .
, surprising romance
preserves tosca 's intoxicating ardor through his use of the camera .
detailed down to the signs on the kiosks
palpable chemistry
captures the raw comic energy of one of our most flamboyant female comics .
is ) the comedy equivalent of saddam hussein , and
makes for perfectly acceptable , occasionally very enjoyable children 's entertainment
broad racial insensitivity
my enjoyment
these two literary figures , and even the times
memorable for a peculiar malaise that renders its tension flaccid and , by extension , its surprises limp and
despite its sincere acting , signs is just another unoriginal run of the mill sci-fi film with a flimsy ending and lots of hype .
a fast , frenetic , funny , even punny 6 --
authentically
every single scene
that have made the original new testament stories so compelling for 20 centuries
this movie proves you wrong on both counts .
jagged , as if filmed directly from a television monitor ,
, truly bad
moldering
of animation enthusiasts of all ages
complete lack
when his story ends or just ca n't tear himself away from the characters
transcend its clever concept
is a stunning film , a one-of-a-kind tour de force .
carries us effortlessly from darkness
make gangster no. 1 a worthwhile moviegoing experience
can find humor
a routine crime thriller remarkable only for its lack of logic and misuse of two fine actors , morgan freeman and ashley judd .
first-time director denzel washington and a top-notch cast manage to keep things interesting .
infuses hubert with a mixture of deadpan cool , wry humor and just the measure of tenderness required to give this comic slugfest some heart
delivers the goods
has nurtured his metaphors at the expense of his narrative
rich and exciting
there 's a certain robustness to this engaging mix of love and bloodletting .
stock footage
intelligent and
to make j.k. rowling 's marvelous series into a deadly bore
the notion of deleting emotion from people , even in an advanced prozac nation , is so insanely dysfunctional that the rampantly designed equilibrium becomes a concept doofus .
contains a few big laughs but many more that graze the funny bone or miss it altogether , in part because the consciously dumbed-down approach wears thin .
can take credit for most of the movie 's success
achieves its emotional power and moments of revelation with restraint and a delicate ambiguity
desperately looks elsewhere , seizing on george 's haplessness and lucy 's personality tics .
an enjoyable trifle
it winds up moving in many directions as it searches ( vainly , i think ) for something fresh to say .
the story is lacking any real emotional impact ,
you 're willing to have fun with it
is uniquely felt with a sardonic jolt .
will not go down in the annals of cinema as one of the great submarine stories
proves simultaneously harrowing and uplifting
a tale worth catching
i 'm not a fan of the phrase ` life affirming ' because it usually means ` schmaltzy , '
allows americans to finally revel in its splendor
it offers large rewards
they works spectacularly well ... a shiver-inducing , nerve-rattling ride .
usual fluttering and stammering
mr. scorsese 's bravery and integrity in advancing this vision can hardly be underestimated .
made me realize that we really have n't had a good cheesy b-movie playing in theaters since ... well ... since last week 's reign of fire
its courage , ideas
stuffy , full of itself , morally ambiguous and nothing to shout about .
klein , charming in comedies like american pie and dead-on in election ,
its welcome with audiences several years
rival
pure composition and
share no chemistry or engaging charisma .
makes for a touching love story ,
an old-fashioned but emotionally stirring adventure tale of the kind they rarely make anymore .
a meaty subject
does give a taste of the burning man ethos , an appealing blend of counter-cultural idealism and hedonistic creativity
birot creates a drama with such a well-defined sense of place and age -- as in , 15 years old -- that the torments and angst become almost as operatic to us as they are to her characters .
exploitation picture
here leaves a lot to be desired
pathetically
superbly photographed and staged by mendes with a series of riveting set pieces the likes of which mainstream audiences have rarely seen .
goofiest
strip-mined the monty formula mercilessly since 1997
from laughing at the ridiculous dialog or the oh-so convenient plot twists
its characterization of hitler and the contrived nature of its provocative conclusion
exposé , the film ( at 80 minutes ) is actually quite entertaining .
is definitely horse feathers
parker exposes the limitations of his skill and the basic flaws in his vision . '
be wishing for a watch that makes time go faster rather than the other way around
cute alien creature
to lessen the overall impact the movie could have had
all the small moments and flashbacks
entertaining two hours
in a movie full of surprises , the biggest is that secret ballot is a comedy , both gentle and biting .
a wonderful , imaginative script
just how bad
find love in the most unlikely place
extremely flat lead performance
-- and especially williams , an american actress who becomes fully english
character portrait , romantic comedy and beat-the-clock thriller
with the crisp clarity of a fall dawn
the bourne identity should n't be half as entertaining as it is
the scariest movie
sarandon , who could n't be better as a cruel but weirdly likable wasp matron
thinking man
ingenious and often harrowing
revenge-of-the-nerds clichés
takes a hat-in-hand approach to rowling that stifles creativity and allows the film to drag on for nearly three hours .
the movie is concocted and carried out by folks worthy of scorn
a directorial tour de force by bernard rose , ivans xtc .
after next
is predictable at every turn .
boredom to the point of collapse , turning into a black hole of dullness
a vivid , sometimes surreal , glimpse into the mysteries of human behavior .
the wit and revolutionary spirit
about each other against all odds
all that matters
even if you do n't understand what on earth is going on , this is a movie that will stimulate hours of post viewing discussion , if only to be reminded of who did what to whom and why .
odd , haphazard , and inconsequential romantic
aside from the fact that the film idiotically uses the website feardotcom.com or the improperly hammy performance from poor stephen rea
this junk that 's tv sitcom material at best
content and narrative strength
it 's a road-trip drama with too many wrong turns .
wavers between hallmark card sentimentality and goofy , life-affirming moments straight out of a cellular phone commercial
a grand tour
its clumsiness as its own most damning censure
blasphemous and
gore for suspense .
shimmering cinematography that lends the setting the ethereal beauty of an asian landscape painting
it forces you to watch people doing unpleasant things to each other and themselves , and it maintains a cool distance from its material that is deliberately unsettling
should drop everything and run to ichi
gutsy
, i can tell you that there 's no other reason why anyone should bother remembering it .
never thought i 'd say this
strong and
a 20-car pileup
tiresome nature
this is beautiful filmmaking from one of french cinema 's master craftsmen .
a fresh infusion
good , dry , reliable textbook
that throws a bunch of hot-button items in the viewer 's face and asks to be seen as hip , winking social commentary
expects us to laugh because he acts so goofy all the time
getting a more mature body
hilarious dialogue
little revision works
about an unruly adolescent boy who is yearning for adventure and a chance to prove his worth
, the hours represents two of those well spent
with more character development this might have been an eerie thriller ; with better payoffs , it could have been a thinking man 's monster movie
, combined with so much first-rate talent ... could have yielded such a flat , plodding picture
faked
predictable plotting
it 's light on the chills and heavy on the atmospheric weirdness , and there are moments of jaw-droppingly odd behavior
story which fails to rise above its disgusting source material
the best films of the year
loss and loneliness
masterfully calibrated
nearly as fresh or enjoyable as its predecessor
into recruiting the right bands for the playlist and the costuming of the stars than into the script , which has a handful of smart jokes
's nothing wrong with that if the film is well-crafted and this one is
intense , claustrophobic
more compelling
an established filmmaker
hollywood romance
is its low-key way of tackling what seems like done-to-death material
an intriguing species
beyond the astute direction of cardoso and beautifully detailed performances by all of the actors , is a note of defiance over social dictates .
with added depth and resonance
one of the best films
the allegory with remarkable skill
has ever suspected hollywood of being overrun by corrupt and hedonistic weasels
offbeat sensibilities
a classic text since roland joffé and demi moore
like the work of someone
strikes hardest
( the kid 's ) just too bratty for sympathy , and
is an undeniably intriguing film from an adventurous young talent who finds his inspiration on the fringes of the american underground .
mainstream audiences will find little of interest in this film , which is often preachy and poorly acted .
inelegant
gedeck
or `` suck ''
like the chilled breath of oral storytelling frozen onto film .
succumbs to gravity and plummets
is ( cattaneo ) sophomore slump
comes across as shallow and glib though not mean-spirited
provides a window into a subculture hell-bent on expressing itself in every way imaginable .
, sarah 's dedication to finding her husband seems more psychotic than romantic , and nothing in the movie makes a convincing case that one woman 's broken heart outweighs all the loss we witness .
green ruins every single scene he 's in , and the film , while it 's not completely wreaked , is seriously compromised by that
's a bad sign when you 're rooting for the film to hurry up and get to its subjects ' deaths just so the documentary will be over
that he 's made at least one damn fine horror movie
comes across as stick figures reading lines from a teleprompter
various amusing sidekicks
deeply out of place in what could have
director doug liman and his colleagues have managed to pack it with enough action to satisfy the boom-bam crowd without a huge sacrifice of character and mood
be well worth your time
are sweet and believable , and
forgotten 10 minutes after the last trombone
it pretends to investigate
it 's the kind of under-inspired , overblown enterprise that gives hollywood sequels a bad name .
viva le resistance
magnificent directorial career
won -- and wins still
niro performance
tsai has a well-deserved reputation as one of the cinema world 's great visual stylists
, energetic and sweetly whimsical
his imagination so vivid
its heart , as simple self-reflection meditation
timely and
is definitely its screenplay , both for the rhapsodic dialogue that jumps off the page , and for the memorable character creations
an important movie , or even a good one
evolved from star to superstar some time over the past year , which means that birthday girl is the kind of quirkily appealing minor movie she might not make for a while .
, point and purpose
put together by some cynical creeps at revolution studios and imagine entertainment to make the suckers out there surrender $ 9 and 93 minutes of unrecoverable life .
ms. ramsay and her co-writer , liana dognini , have dramatized the alan warner novel , which itself felt like an answer to irvine welsh 's book trainspotting
all the sibling rivalry and
the film acknowledges upfront that the plot makes no sense , such that the lack of linearity is the point of emotional and moral departure for protagonist alice
his oppressive , right-wing , propriety-obsessed family
is ultimately what makes shanghai ghetto move beyond a good , dry , reliable textbook and what allows it to rank with its worthy predecessors
you might be wishing for a watch that makes time go faster rather than the other way around .
sends you away a believer again and quite cheered at just that
moving , and adventurous directorial debut
engages us in constant fits of laughter , until we find ourselves surprised at how much we care about the story , and end up walking out not only satisfied but also somewhat touched .
the typical hollywood disregard for historical truth and realism
the most compelling performance
dangerous and domineering
too bad the film 's story does not live up to its style
spell things out for viewers
offbeat humor , amusing characters , and
kids who are into this thornberry stuff will probably be in wedgie heaven .
a small gem of a movie that defies classification and is as thought-provoking as it
slow pacing
crocodile hunter has the hurried , badly cobbled look of the 1959 godzilla , which combined scenes of a japanese monster flick with canned shots of raymond burr commenting on the monster 's path of destruction .
suits the script
are put to perfect use in the breathtakingly beautiful outer-space documentary space station 3d .
a remake by the numbers , linking a halfwit plot to a series of standup routines in which wilson and murphy show how funny they could have been in a more ambitious movie
it 's a shame that the storyline and its underlying themes ... finally seem so impersonal or even shallow .
a spiritual aspect
an imponderably stilted and self-consciously arty movie
try as you might to scrutinize the ethics of kaufman 's approach , somehow it all comes together to create a very compelling , sensitive , intelligent and almost cohesive piece of film entertainment .
spare but quietly effective retelling .
both large ... and small ... with considerable aplomb
one fantastic visual trope
maybe it is formula filmmaking , but there 's nothing wrong with that if the film is well-crafted and this one is
a trend
sad but endearing
... also one of the most curiously depressing
gushing
are put to perfect use in the breathtakingly beautiful outer-space documentary space station 3d
has no clue about making a movie
would n't exist without the precedent of yiddish theater , whose jolly , fun-for-fun 's - sake communal spirit goes to the essence of broadway
scummy
low comedy
sham actor workshops and an affected malaise
required viewing in university computer science departments for years to come
phoney-feeling
might be intolerable company
will surely be profane , politically
exceptional film
the amazing film work is so convincing that by movies ' end you 'll swear you are wet in some places and feel sand creeping in others .
dying for this kind of entertainment
flows as naturally
i have to admit i walked out of runteldat .
queen of the damned as you might have guessed , makes sorry use of aaliyah in her one and only starring role -- she does little here but point at things that explode into flame .
with cheapo animation ( like saturday morning tv in the '60s ) , a complex sword-and-sorcery plot and characters who all have big round eyes and japanese names
, 91-minute trailer
are often funny fanatics
of seeming at once both refreshingly different and reassuringly familiar
tosses around sex toys and offers half-hearted paeans to empowerment that are repeatedly undercut by the brutality of the jokes , most at women 's expense .
d )
with an obvious rapport with her actors and a striking style behind the camera , hélène angel is definitely a director to watch .
is familiar but enjoyable
in engaging the audience in the travails of creating a screenplay
a wooden delivery
with superb performances throughout
as an actress in a role
an exceptionally dreary and overwrought bit of work , every bit as imperious as katzenberg 's the prince of egypt from 1998 .
tawdry b-movie scum
that it transcends the normal divisions between fiction and nonfiction film
family-friendly
kudos to the most enchanting film of the year
precious circumstances
the lengths
marveling
for the better
figures prominently in this movie , and helps keep the proceedings as funny for grown-ups as for rugrats
`` real women have curves '' is a sweet , honest , and enjoyable comedy-drama about a young woman who wants many things in life , but fears she 'll become her mother before she gets to fulfill her dreams .
to a transparently hypocritical work that feels as though it 's trying to set the women 's liberation movement back 20 years
what 's invigorating about
must for fans of british cinema , if only because so many titans of the industry are along for the ride
has no character , loveable or otherwise
who 's fallen under the sweet , melancholy spell of this unique director 's previous films
hate myself most mornings .
cho 's latest comic set
invaluable historical document thanks
the redeeming feature of chan 's films has always been the action , but the stunts in the tuxedo seem tired and , what 's worse , routine
even if the top-billed willis is not the most impressive player
's also nice to see a movie with its heart so thoroughly , unabashedly
resembling humor
comes off like a hallmark commercial
of that special fishy community
clockstoppers if you have nothing better to do with 94 minutes .
throws quirky characters , odd situations , and off-kilter dialogue
talented and notorious subject
the story 's pathetic and the gags are puerile .
to find an old flame
gives her best performance since abel ferrara had her beaten to a pulp in his dangerous game .
come away thinking not only that kate is n't very bright , but that she has n't been worth caring about and that maybe she , janine and molly -- an all-woman dysfunctional family -- deserve one another
ploddingly sociological
a funny moment or
the real triumphs in igby come from philippe , who makes oliver far more interesting than the character 's lines would suggest , and sarandon , who could n't be better as a cruel but weirdly likable wasp matron .
an enthralling aesthetic experience
the quirky and recessive charms of co-stars martin donovan and mary-louise parker help overcome the problematic script .
topics that could make a sailor blush
proven that no amount of imagination , no creature , no fantasy story and no incredibly outlandish scenery
do cliches , no matter how ` inside ' they are
filled with fantasies , daydreams , memories and one fantastic visual trope after another
readily dismissed as the tiresome rant of an aging filmmaker still thumbing his nose at convention
evokes the 19th century with a subtlety that is an object lesson in period filmmaking .
never overcomes its questionable satirical ambivalence
its characters ' decisions
great pleasure
household name
is a non-stop funny feast of warmth , color and cringe .
credit director ramsay for taking the sometimes improbable story and making it feel realistic .
has something interesting to say
sell many records
the bad sound , the lack of climax and , worst of all
that warm water under a red bridge is a poem to the enduring strengths of women
has turned out nearly 21/2 hours of unfocused , excruciatingly tedious cinema that , half an hour in , starts making water torture seem appealing .
the film 's shortcomings
's immensely ambitious , different than anything that 's been done before and amazingly successful in terms of what it 's trying to do .
follows the formula ,
that if she had to sit through it again , she should ask for a raise
in a big corner office in hell
cute partnership
gets you riled up
may be the most oddly honest hollywood document of all
( jeff 's ) gorgeous , fluid compositions , underlined by neil finn and edmund mcwilliams 's melancholy music , are charged with metaphor , but rarely easy , obvious or self-indulgent .
generates an enormous feeling of empathy for its characters
before it collapses into exactly the kind of buddy cop comedy
emptiness and
hokum but
of a paint-by-numbers picture
, you might soon be looking for a sign .
the off-center humor is a constant , and the ensemble gives it a buoyant delivery .
that he forgets to make it entertaining
watch with kids and use to introduce video as art
has the right stuff for silly summer entertainment
like the rugrats movies , the wild thornberrys movie does n't offer much more than the series , but its emphasis on caring for animals and respecting other cultures is particularly welcome
far too polite to scale the lunatic heights of joe dante 's similarly styled gremlins
must struggle with the fact that they 're playing characters who sometimes feel more like literary conceits than flesh-and-blood humans
a movie of technical skill and rare depth of intellect and feeling
the kind of energy it 's documenting
nicolas cage is n't the first actor to lead a group of talented friends astray ,
sharper
has the stomach-knotting suspense of a legal thriller ,
wrapped in the heart-pounding suspense of a stylish psychological thriller
it 's nice to see piscopo again after all these years , and chaykin and headly are priceless
colorful , energetic and sweetly whimsical ...
represents adam sandler 's latest attempt to dumb down the universe .
the best actors
bad reviews
petter næss ' delicate , clever direction ... and a wonderful , imaginative script
the charms
caruso sometimes descends into sub-tarantino cuteness ... but for the most part he makes sure the salton sea works the way a good noir should , keeping it tight and nasty
ca n't disguise the fact that it 's inauthentic at its core and that its story just is n't worth telling
their memorable and resourceful performances
into one terrific story with lots of laughs