xiangpku/GLUE huggingface dataset:
evans ) had , lost , and got back
pinheads who talk throughout the show .
engrossing film
dare i say , entertaining !
, safe conduct is so rich with period minutiae it 's like dying and going to celluloid heaven .
the perfectly pitched web
ode to unconditional love and compassion garnered from years of seeing it all , a condition only the old are privy to , and ... often misconstrued as weakness
these characters are so well established that the gang feels comfortable with taking insane liberties and doing the goofiest stuff out of left field ,
directs the pianist like a surgeon mends a broken heart ; very meticulously but without any passion
of a man whose engaging manner and flamboyant style made him a truly larger-than-life character
an all-star salute
be a retro-refitting exercise in campy recall for older fans or a silly , nickelodeon-esque kiddie flick
's not much more watchable than a mexican soap opera
see this delightful comedy
limp eddie murphy
tartly
this gorgeous film a must for everyone from junior scientists to grown-up fish lovers
the movie is certainly not number 1
everett remains a perfect wildean actor , and a relaxed firth displays impeccable comic skill
any shoddy product
sensitive acting
is a mess from start to finish
hobbled by half-baked setups and sluggish pacing
to the actress , and to her inventive director
one of those ` alternate reality '
to stand tall with pryor , carlin and murphy
reasonably entertaining sequel
both a beautifully
desire to the cheap , graceless , hackneyed sci-fi serials of the '30s and '40s
it may as well be called `` jar-jar binks : the movie . ''
's a drag how nettelbeck sees working women -- or at least this working woman -- for whom she shows little understanding
essentially ruined -- or , rather , overpowered
boisterous
a happy , heady jumble of thought and storytelling , an insane comic undertaking that ultimately coheres into a sane and breathtakingly creative film
was so uninspiring
of control on a long patch of black ice
macaroni and cheese
( denis ) accomplishes in his chilling , unnerving film
the previous movies
ugly and destructive little ****
does n't even have potential as a cult film , as it 's too loud to shout insults at the screen
invites unflattering comparisons to other installments in the ryan series
told well
an asian neo-realist treasure .
is technically sophisticated in the worst way .
ever so gracefully
watch for about thirty seconds before you say to yourself
a comedy to start a reaction
is to be viewed and treasured for its extraordinary intelligence and originality as well as its lyrical variations on the game of love
kong action cinema
with a degree of randomness usually achieved only by lottery drawing
what starts off as a possible argentine american beauty reeks like a room stacked with pungent flowers .
eight crazy nights is a total misfire .
talkiness is n't necessarily bad , but the dialogue frequently misses the mark
'll be a power outage during your screening so you can get your money back
it 's hard to resist his enthusiasm , even if the filmmakers come up with nothing original in the way of slapstick sequences
the brutality of the jokes , most at women 's expense
do n't feel much for damon/bourne or his predicament
demonstrates that werner herzog can still leave us with a sense of wonder at the diverse , marvelously twisted shapes history has taken
ca n't really call it a work of art
are so spot on
the story line may be 127 years old , but el crimen del padre amaro ... could n't be more timely in its despairing vision of corruption within the catholic establishment
with the cheesiest monsters this side of a horror spoof , which they is n't
's still a good yarn -- which is nothing to sneeze at these days
is the one
stinks so badly of hard-sell image-mongering
then you will probably have a reasonably good time with the salton sea .
a small fortune in salaries and stunt cars
is that it has a screenplay written by antwone fisher based on the book by antwone fisher .
, it uses very little dialogue , making it relatively effortless to read and follow the action at the same time .
of solid performances
's a whole heap of nothing at the core of this slight coming-of-age/coming-out tale .
german jewish refugees
is like seeing a series of perfect black pearls clicking together to form a string
real human soul
gives us mostly fool 's gold
keener is marvelous
energetic and always surprising performance
of its grand locations
get another phone call warning you that if the video is n't back at blockbuster before midnight , you 're going to face frightening late fees
has a `` what was it all for
does deliver a few gut-busting laughs
-- however canned -- makes for unexpectedly giddy viewing .
frankly , it 's pretty stupid .
their own comfortable niche
plotless collection of moronic stunts is by far the worst movie of the year .
have brought back the value and respect for the term epic cinema .
what 's hard to understand is why anybody picked it up .
you 've never seen the deep like you see it in these harrowing surf shots
protective cocoon
seem heroic deserves a look
ultimately disappoint the action
refreshing and comical spin
reading an oversized picture book before bedtime
a solid , spooky entertainment worthy of the price of a ticket .
achieves some kind of goofy grandeur
grandeur ' shots
hell-bent
a modern motion picture
the self-serious equilibrium
it felt like to be a new yorker -- or , really , to be a human being -- in the weeks after 9/11
a headline-fresh thriller set among orthodox jews on the west bank , joseph cedar 's time of favor manages not only to find a compelling dramatic means of addressing a complex situation
strong voices
the movie is clever , offbeat and even gritty enough to overcome my resistance .
shining with all the usual spielberg flair , expertly
is absolutely and completely ridiculous and an insult to every family whose mother has suffered through the horrible pains of a death by cancer .
realism , crisp storytelling and radiant
a surprisingly flat retread , hobbled by half-baked setups and sluggish pacing .
such a dungpile
an unabashed sense of good old-fashioned escapism
this film , like the similarly ill-timed antitrust , is easily as bad at a fraction the budget
... expands the horizons of boredom to the point of collapse , turning into a black hole of dullness , from which no interesting concept can escape .
before it begins to fade from memory
yet newcomer ellen pompeo pulls off the feat with aplomb
successfully blended satire , high camp and yet another sexual taboo into a really funny movie
at least a minimal appreciation
new inspiration
slaloming through its hackneyed elements with enjoyable ease
terrorism
is impossible
up not one but two flagrantly fake thunderstorms
elaborate futuristic sets
is boring
the good girl is a film in which the talent is undeniable but
the standards of knucklehead swill
of dramatic enlightenment
from the pitch-perfect forster to the always hilarious meara and levy , like mike shoots and scores , doing its namesake proud
you 're going to face frightening late fees
bring you into the characters
the entire movie establishes a wonderfully creepy mood .
're in for a painful ride
numb experience
fun adventure movie
a bold ( and lovely ) experiment that will almost certainly bore most audiences into their own brightly colored dreams .
empty , purposeless
if you are willing to do this , then you so crazy !
rushed
has tackled a meaty subject and drawn engaging characters while peppering the pages with memorable zingers
has a good line in charm
it may not be particularly innovative , but the film 's crisp , unaffected style and air of gentle longing make it unexpectedly rewarding .
the film 's thoroughly recycled plot and tiresome jokes
afraid of the bad reviews they thought they 'd earn
a landmark in film history
finding their way to joy
can disguise the fact that the new film is a lame kiddie flick and that carvey 's considerable talents are wasted in it
a smart and funny
by childlike dimness and a handful of quirks
more fascinating -- being real -- than anything seen on jerry springer
when they need it to sell us on this twisted love story , but who can also negotiate the movie 's darker turns
knows everything and answers all questions ,
new testament stories
gets too cloying
it looks like an action movie , but it 's so poorly made , on all levels , that it does n't even qualify as a spoof of such .
because you 're one of the lucky few who sought it out
find an escape clause and avoid seeing this trite , predictable rehash .
play like the worst kind of hollywood heart-string plucking
that ` they do n't make movies like they used to anymore
too deep or substantial .
based on ugly ideas instead of ugly behavior
that helps make great marching bands half the fun of college football games
ill-advised and poorly
's a barely tolerable slog over well-trod ground
ideas and awkwardness
usual spielberg flair
a film neither bitter nor sweet
nothing happens , and
badly cobbled
clarity and deeply
the refreshingly unhibited enthusiasm
, empire still has enough moments to keep it entertaining .
are pure hollywood
an elegant work , food of love is as consistently engaging as it is revealing .
has the disadvantage of also looking cheap
's no discernible feeling beneath the chest hair
merrily
definitely worth 95 minutes of your time .
past love story derisions
it may ... work as a jaunt down memory lane for teens and young adults who grew up on televised scooby-doo shows or reruns .
more than a whiff of exploitation
style , structure and rhythms are so integrated with the story
of impact and moments
a rip-off of the matrix
probably should
an escapist confection that 's pure entertainment .
nurtures the multi-layers of its characters , allowing us to remember that life 's ultimately a gamble and last orders are to be embraced
tedious and turgid
is so anemic
he gives none to the audience
very top rank
's still a sweet , even delectable diversion .
are every bit as distinctive as his visuals
an unremittingly ugly movie to look at , listen to , and think about , it is quite possibly the sturdiest example yet of why the dv revolution has cheapened the artistry of making a film .
powerful commentary
is a weirdly beautiful place
you do n't have the slightest difficulty accepting him in the role .
creates a portrait of two strong men in conflict , inextricably entwined through family history , each seeing himself in the other , neither liking what he sees .
mindless and
shindler
as hannibal would say , yes , ` it 's like having an old friend for dinner ' .
an amused indictment of jaglom 's own profession .
manages to incorporate both the horror
though it 's not very well shot or composed or edited
mostly plays it straight , turning leys ' fable into a listless climb down the social ladder .
the ensemble has something fascinating to do
catch the intensity of the movie 's strangeness
intelligent , and humanly funny film
` top of the world '
smeary and
is funny , insightfully human and
future-world
by its predictable plot and paper-thin supporting characters
despite its hawaiian setting , the science-fiction trimmings and some moments of rowdy slapstick , the basic plot of `` lilo '' could have been pulled from a tear-stained vintage shirley temple script .
is supposed to be madcap farce .
with but they 're simply not funny performers
change watching such a character , especially when rendered in as flat
too much like an infomercial for ram dass 's latest book aimed at the boomer
sequences boring
no point in extracting the bare bones of byatt 's plot for purposes of bland hollywood romance
these characters are so well established that the gang feels comfortable with taking insane liberties and doing the goofiest stuff out of left field , and
we hold dear about cinema , only now it 's begun to split up so that it can do even more damage
bring fresh good looks and an ease in front of the camera to the work
appears jagged , as if filmed directly from a television monitor , while the extensive use of stock footage quickly becomes a tiresome cliché .
compelling , provocative and prescient
( `` safe conduct '' ) is a long movie at 163 minutes but it fills the time with drama , romance , tragedy , bravery , political intrigue , partisans and sabotage
mean-spirited and
( a ) real pleasure in its laid-back way
start reading your scripts before signing that dotted line
plays like a loosely-connected string of acting-workshop exercises
pushiness and decibel
rich and sudden
most consumers of lo mein and general tso 's chicken barely give a thought to the folks who prepare and deliver it , so , hopefully , this film will attach a human face to all those little steaming cartons .
of love and companionship
its accumulated enjoyment
lifetime milestones
of pleasure or sensuality
a film which presses familiar herzog tropes into the service of a limpid and conventional historical fiction , when really what we demand of the director
, smoky and inviting
for excitement
armed with a game supporting cast
often-funny
fails to entertain
the film has a gentle , unforced intimacy that never becomes claustrophobic .
be patient with the lovely hush !
, nuanced
remarkable yet shockingly little-known perspective
the endlessly repetitive scenes
is better than most of the writing in the movie
the film is a fierce dance of destruction .
pulpy
it 's rare that a movie can be as intelligent as this one is in every regard except its storyline ; everything that 's good is ultimately scuttled by a plot that 's just too boring and obvious
orchestrating a finale that is impenetrable and dull
stand as intellectual masterpieces next to the scorpion king
australian actor/director john polson and award-winning english cinematographer giles nuttgens make a terrific effort at disguising the obvious with energy and innovation .
wonderfully creepy
of a particularly nightmarish fairytale
the real star of this movie is the score , as in the songs translate well to film , and
for the marquis de sade set
) gorgeous
is truly gorgeous
the awful complications
enough said , except : film overboard !
michel piccoli 's moving performance
a noble teacher who embraces a strict moral code
in fact , even better .
this argentinean ` dramedy ' succeeds mainly on the shoulders of its actors .
an incredibly heavy-handed , manipulative dud that feels all too familiar
to let you bask in your own cleverness as you figure it out
when poor hermocrates and leontine pathetically compare notes about their budding amours
please audiences who like movies that demand four hankies
one lousy movie .
, it 's just as wonderful on the big screen .
little less bling-bling and a lot more romance
amazingly evocative film
a movie instead of an endless trailer
with dickens ' words and writer-director douglas mcgrath 's even-toned direction , a ripping good yarn is told .
new york 's finest and
any of the character dramas , which never reach satisfying conclusions
it 's not as awful as some of the recent hollywood trip tripe ... but it 's far from a groundbreaking endeavor
might as well be watching a rerun
's kind of sad that so many people put so much time and energy into this turkey .
the punch lines that miss
a determined , ennui-hobbled slog that really does n't have much to say beyond the news flash that loneliness can make people act weird .
for the film 's publicists or for people who take as many drugs as the film 's characters
, i 'll admit it , my only complaint is that we did n't get more re-creations of all those famous moments from the show .
of ` laugh therapy '
cynicism every bit
made to look bad
well-developed characters
delightful mix
dog soldiers does n't transcend genre -- it embraces it , energizes it and takes big bloody chomps out of it .
the breezy and amateurish feel
treachery
balzac and the little chinese seamstress that transforms this story about love and culture into a cinematic poem
on the irrelevant as on the engaging , which gradually turns what time
berry 's saucy , full-bodied performance gives this aging series a much needed kick , making `` die another day '' one of the most entertaining bonds in years
the adrenaline jolt of a sudden lunch rush at the diner
are frequently too dark to be decipherable
ensure that the film is never dull
the tasteful little revision works wonders , enhancing the cultural and economic subtext , bringing richer meaning to the story 's morals .
for the rhapsodic dialogue that jumps off the page , and for the memorable character creations
's this rich and luscious
lacks the visual flair and bouncing bravado that characterizes better hip-hop clips and is content to recycle images and characters that were already tired 10 years ago .
putters
's nothing resembling a spine here
dramatic things happen to people
the hardy spirit of cuban music
lumpy as two-day old porridge
attal pushes too hard to make this a comedy or serious drama .
is too mainstream
that the new film is a lame kiddie flick
secretary takes the most unexpected material and handles it in the most unexpected way .
been there , done
's unlikely we 'll see a better thriller this year
will probably find it familiar and insufficiently cathartic
unrewarding collar
appeal to women looking for a howlingly trashy time
smart and entirely charming
forced by his kids to watch too many barney videos
sci-fi drama that takes itself all too seriously .
's an enjoyable trifle nonetheless
a hugely rewarding experience
an uneven mix
horrid little propaganda film with fascinating connections not only to the serbs themselves but also to a network of american right-wing extremists .
can not recommend it , because it overstays its natural running time
woefully
could have been much stronger
is a paper bag to wear over his head when he goes out into public , to avoid being recognized as the man who bilked unsuspecting moviegoers .
duck the very issues it raises
possible for the viewer to doze off for a few minutes or make several runs to the concession stand and/or restroom and not feel as if he or she has missed anything
much stronger
predisposed to like it
with no obvious escape
's the sweet cinderella story that `` pretty woman '' wanted to be
ultimate blame
good sweat
gussied up with so many distracting special effects and visual party tricks that it 's not clear whether we 're supposed to shriek
nearly every attempt at humor
your first instinct is to duck
an ugly-duckling tale so hideously and clumsily
filled with love for the movies of the 1960s .
its body humor and reinforcement of stereotypes
tongue-in-cheek preposterousness has always been part of for the most part wilde 's droll whimsy helps `` being earnest '' overcome its weaknesses and parker 's creative interference ...
strenuous
make you feel guilty about ignoring what the filmmakers clearly believe
a refreshing change from the usual whoopee-cushion effort
is hilarious as she tries to resuscitate the fun-loving libertine lost somewhere inside the conservative , handbag-clutching sarandon
not to be dismissed
when the movie mixes the cornpone and the cosa nostra , it finds a nice rhythm .
more tiring than anything .
satisfies -- from its ripe recipe , inspiring ingredients , certified cuisine and palatable presentation
that haynes can both maintain and dismantle the facades that his genre and his character construct is a wonderous accomplishment of veracity and narrative grace .
pokes , provokes ,
remains a disquieting and thought-provoking film
authentically vague
has no place to go since simone is not real
the thrown-together feel of a summer-camp talent show : hastily written
often intense
baked cardboard
overly sillified plot
textbook lives
after a while , the only way for a reasonably intelligent person to get through the country bears is to ponder how a whole segment of pop-music history has been allowed to get wet , fuzzy and sticky .
interesting technical
is beautiful filmmaking from one of french cinema 's master craftsmen
at its worst
rotting underbelly
so bleak
the paper-thin characterizations and facile situations
be low , very low , very very low ,
an intimate contemplation of two marvelously messy lives .
full of the kind of obnoxious
in a way that does n't make you feel like a sucker
rises
powerful acting clinic
, hartley created a monster but did n't know how to handle it .
the characters are based on stock clichés ,
is an overwhelming sadness that feels as if it has made its way into your very bloodstream
, deeply felt
this charming , thought-provoking new york fest
an appealing couple -- he 's understated and sardonic
many clichés
dry humor and jarring shocks
pallid horror
captures the way young japanese live now , chafing against their culture 's manic mix of millennial brusqueness and undying , traditional politesse .
the whole dead-undead genre , who deserve more from a vampire pic than a few shrieky special effects
exciting plot
's already a joke in the united states
about the long and eventful spiritual journey of the guru who helped
a ` girls gone wild ' video for the boho art-house crowd , the burning sensation is n't a definitive counter-cultural document -- its makers are n't removed and inquisitive enough for that .
into one of the toughest ages a kid can go through
packed with inventive cinematic tricks and an ironically killer soundtrack
laugh-out-loud funny
beginning to hate it
overinflated
half the fun of college football games
who stumble into rules expecting a slice of american pie hijinks starring the kid from dawson 's creek
makes it not only a detailed historical document , but an engaging and moving portrait of a subculture
a highly gifted 12-year-old instead of a grown man
your toes wo n't still be tapping
it 's surprisingly bland despite the heavy doses of weird performances and direction .
-- is a crime that should be punishable by chainsaw .
it is interminable
a likable story , told with competence
a marvelous performance
surprisingly affecting
hatfield and hicks make the oddest of couples , and in this sense the movie becomes a study of the gambles of the publishing world , offering a case study that exists apart from all the movie 's political ramifications
air conditioning and popcorn
guarantee that no wise men will be following after it
slightly sunbaked and summery mind , sex and lucia may well prove diverting enough .
it 's mildly interesting to ponder the peculiar american style of justice that plays out here , but it 's so muddled and derivative that few will bother thinking it all through .
bittersweet comedy/drama full of life , hand gestures , and some really adorable italian guys .
about openness , particularly the
its storytelling prowess and
, you might imagine that most every aggrieved father cliché has been unturned .
the ensemble cast is engaging enough to keep you from shifting in your chair too often
are rich veins of funny stuff in this movie
( reno ) lets her radical flag fly , taking angry potshots at george w. bush , henry kissinger , larry king , et al .
over-familiarity
too fancy , not too filling
the cinematography is atrocious
grab your kids and run
an impressive job of relating the complicated history of the war
he can outgag any of those young whippersnappers making moving pictures today
for a depressing story that throws a bunch of hot-button items in the viewer 's face and asks to be seen as hip , winking social commentary
the banality and hypocrisy
for cultural and personal self-discovery and a picaresque view
irwin and his director never come up with an adequate reason why we should pay money for what we can get on television for free .
its success on a patient viewer
insultingly simplistic
with each of her three protagonists , miller eloquently captures the moment when a woman 's life , out of a deep-seated , emotional need , is about to turn onto a different path .
the story 's pathetic and
convincing case
showtime 's uninspired send-up
beautifully produced film
as much as i laughed throughout the movie
a category called best bad film you thought was going to be really awful but was n't
though this saga would be terrific to read about , it is dicey screen material that only a genius should touch .
fixating on its body humor and reinforcement of stereotypes
pact to burn the negative and the script and pretend the whole thing never existed
morally
it did n't