xiangpku/GLUE huggingface dataset:
simply putters along looking for astute observations and coming up blank .
there is n't much there here .
the troubling thing about clockstoppers is that it does n't make any sense .
make this worth a peek .
being attempted here that stubbornly refused to gel
a testament to de niro and director michael caton-jones
an important , original talent in international cinema
she 's cut open a vein
life and beauty
captures , in luminous interviews and amazingly evocative film from three decades ago , the essence of the dogtown experience
've never seen ( a remake ) do anything as stomach-turning as the way adam sandler 's new movie rapes , pillages and incinerates frank capra 's classic
charm , generosity and diplomacy
a spiffy animated feature about an unruly adolescent boy who is yearning for adventure and a chance to prove his worth .
is broken by frequent outbursts of violence and noise
the ability to mesmerize , astonish and entertain
its exquisite acting , inventive screenplay ,
may be another shameless attempt by disney to rake in dough from baby boomer families
it 's also probably the most good-hearted yet sensual entertainment i 'm likely to see all year
not only is it hokey , manipulative and as bland as wonder bread dipped in milk , but it also does the absolute last thing we need hollywood doing to us : it preaches .
unfunny and unentertaining
a movie of technical skill and rare depth of intellect and feeling .
're convinced that this mean machine was a decent tv outing that just does n't have big screen magic .
... is magnificent
, save your disgust and your indifference
are dampened by a lackluster script and substandard performances
not-at-all-good
that buoy the film , and at times , elevate it to a superior crime movie
so distasteful
like a blown-out vein
erotic or sensuous charge
artistically inept
predictable and cloying
seems as if each watered down the version of the one before
flickering out by its perfunctory conclusion
keep the story subtle and us in suspense
contains the humor , characterization , poignancy , and intelligence of a bad sitcom
big-fisted
sexy intrigue
'm not exactly sure what this movie thinks it is about
nary an original idea
represents glossy hollywood at its laziest .
what 's on saturday morning tv especially the pseudo-educational stuff we all ca n't stand
-- they live together -- the film has a lot of charm .
there is a real subject here , and it is handled with intelligence and care .
a soul and
is funny , charming and quirky in her feature film acting debut as amy .
it makes you believe the cast and crew thoroughly enjoyed themselves and believed in their small-budget film .
davis ' candid , archly funny and deeply authentic take
this is not a classical dramatic animated feature , nor a hip , contemporary , in-jokey one .
from the awkwardness that results from adhering to the messiness of true stories
obvious determination to shock at any cost
to be because it plays everything too safe
a revealing look at the collaborative process and
is far less mature
a half-hearted fluke
some nice twists
pulls off the feat with aplomb
, kissing jessica steinis quirky , charming and often hilarious .
cop flick cliches
crafted , and well executed
it 's dull , spiritless , silly and monotonous : an ultra-loud blast of pointless mayhem , going nowhere fast .
some terrific setpieces
decent kid-pleasing
deeply unsettling experience
leaves us wondering less about its ideas and more about its characterization of hitler and the contrived nature of its provocative conclusion
are incredibly captivating and insanely funny , thanks in part to interesting cinematic devices ( cool visual backmasking ) , a solid cast , and some wickedly sick and twisted humor
more dutiful than enchanting ... terribly episodic and lacking the spark of imagination that might have made it an exhilarating treat .
more enjoyable than its predecessor
with more holes than clyde barrow 's car
o fantasma is boldly , confidently orchestrated , aesthetically and sexually ,
allen 's underestimated charm delivers more goodies than lumps of coal .
are actually fascinating
somewhere inside the mess that is world traveler , there is a mediocre movie trying to get out .
murderous maids has a lot going for it , not least the brilliant performances by testud ... and parmentier .
moody , oozing , chilling and heart-warming
painful , horrifying and oppressively tragic , this film should not be missed .
writer-director randall wallace has bitten off more than he or anyone else could chew , and his movie veers like a drunken driver through heavy traffic .
in asia , where ms. shu is an institution
love may have been in the air onscreen , but i certainly was n't feeling any of it
it 's depressing to see how far herzog has fallen .
works nothing short of a minor miracle in unfaithful .
nonsensical and laughable plotting
more a gunfest than a rock concert .
otherwise appalling , and downright creepy
noticeably derivative
mawkish self-parody
based on three short films and two features , here 's betting her third feature will be something to behold
bland but harmless .
is polanski 's best film
phoned-in business as usual .
make this a comedy or serious drama
highly watchable
's often handled in fast-edit , hopped-up fashion
the screenplay never lets us forget that bourne was once an amoral assassin just like the ones who are pursuing him ... there is never really a true `` us '' versus `` them '' .
some talented performers
my wife is an actress has its moments in looking at the comic effects of jealousy .
, you 'll enjoy this movie .
walk to remember ''
crass and insulting homage
makes shanghai ghetto move beyond a good , dry , reliable textbook
complex and quirky ,
shyamalan offers copious hints along the way -- myriad signs , if you will -- that beneath the familiar , funny surface is a far bigger , far more meaningful story than one in which little green men come to earth for harvesting purposes .
's also uninspired
unwillingness to define his hero 's background or motivations
some cynical creeps
an appealing veneer
cause loads of irreparable damage
has less spice than a rat burger
the movie 's wildly careening tone
comes not from any cinematic razzle-dazzle but from its recovery of an historical episode that , in the simple telling , proves simultaneously harrowing and uplifting .
uphill or something
to courage and happiness
sandra bullock , despite downplaying her good looks , carries a little too much ai n't - she-cute baggage into her lead role as a troubled and determined homicide cop to quite pull off the heavy stuff .
is enough to save oleander 's uninspired story .
with an original idea for a teen movie
benefits from having a real writer plot out all of the characters ' moves and overlapping story .
such a premise is ripe for all manner of lunacy , but kaufman and gondry rarely seem sure of where it should go
amusing , but ultimately so
avary seems to care about
map thematically and stylistically , and borrows heavily from lynch , jeunet , and von trier while failing to find a spark of its own
exceptionally good
were it not for the striking , quietly vulnerable personality of ms. ambrose
adrift , bentley and hudson stare and sniffle , respectively , as ledger attempts , in vain , to prove that movie-star intensity can overcome bad hair design .
that seem so real in small doses
pummel us
a cut-and-paste
enjoy for a lifetime
blind , crippled , amish people
works spectacularly well ...
know what to make of this italian freakshow
of particular value or merit
that catches you up in something bigger than yourself
a mechanical action-comedy whose seeming purpose is to market the charismatic jackie chan to even younger audiences .
outstanding thrillers
gripping performances by lane and gere are what will keep them awake
... grows decidedly flimsier with its many out-sized , out of character and logically porous action set pieces .
the most opaque , self-indulgent and just plain goofy an excuse for a movie as you can imagine
it also makes her appear foolish and shallow rather than , as was more likely ,
tacky and
obscenely bad dark comedy
's a head-turner -- thoughtfully written , beautifully read and , finally , deeply humanizing .
on top of a foundering performance , ( madonna 's ) denied her own athleticism by lighting that emphasizes every line and sag .
deeply biased , and wholly designed to make you feel guilty about ignoring what the filmmakers clearly believe
weighs down the tale with bogus profundities .
elevates the movie above the run-of-the-mill singles blender
is a bowser
its dark , delicate treatment of these characters
a light ( yet unsentimental ) touch
offers an unexpected window
that breaks your heart
sparkling with ideas
staged like `` rosemary 's baby , '' but is not as well-conceived as either of those films
what madonna does here ca n't properly be called acting -- more accurately , it 's moving and it 's talking and it 's occasionally gesturing , sometimes all at once
a generous , inspiring film that unfolds with grace and humor and gradually becomes a testament to faith .
it works well enough , since the thrills pop up frequently , and
of this alleged psychological thriller in search of purpose or even a plot
lynne ramsay as an important , original talent in international cinema
something provocative
just a series of carefully choreographed atrocities , which become strangely impersonal and abstract
lightweight but appealing
a cinematic postcard that 's superficial and unrealized
assume he had a bad run in the market or a costly divorce , because there is no earthly reason other than money why this distinguished actor would stoop so low
laugh-out-loud
missing from this material
are among the chief reasons brown sugar is such a sweet and sexy film .
austin powers in goldmember has some unnecessary parts and is kinda wrong in places .
the plot is paper-thin and
with fewer gags to break the tedium .
refuses to evaluate his own work
biologically
in a wind-tunnel and a simply astounding cor-blimey-luv-a-duck cockney accent
to the road warrior
's a liability
spielberg has managed to marry science fiction with film noir and action flicks with philosophical inquiry .
amiable but unfocused
may have many agendas
is a remarkable piece of filmmaking ... because you get it .
a low-rent retread of the alien pictures .
it 's anchored by splendid performances from an honored screen veteran and a sparkling newcomer who instantly transform themselves into a believable mother/daughter pair .
uses lighting effects and innovative backgrounds to an equally impressive degree
freedom to feel contradictory things
maryam is more timely now than ever .
proves tiresome
so many people put so much time and energy into this turkey
, sometimes creepy intimacy
forgotten the movie by the time you get back to your car in the parking lot
a sad and rote exercise in milking a played-out idea -- a straight guy has to dress up in drag -- that shockingly manages to be even worse than its title would imply .
strikes back ... a majestic achievement , an epic of astonishing grandeur and surprising emotional depth
sexy and romantic
pulls no punches in its depiction of the lives of the papin sister and the events that led to their notorious rise to infamy ...
more of the same old garbage hollywood has been trying to pass off as acceptable teen entertainment for some time now .
this is a movie that will stimulate hours of post viewing discussion , if only to be reminded of who did what to whom and why .
without stickiness
this rather unfocused
dahmer resorts to standard slasher flick
of temptation , salvation and good intentions
the story suffers a severe case of oversimplification , superficiality and silliness .
the chateau ... is less concerned with cultural and political issues than doting on its eccentric characters .
a fudged opportunity of gigantic proportions --
the marvelous verdu ,
would be me : fighting off the urge to doze
accident-prone
young hanks and fisk , who vaguely resemble their celebrity parents , bring fresh good looks and an ease in front of the camera to the work .
his trademark misogyny
our moviemakers
suspenseful enough for older kids but not too scary
allows his cast members to make creative contributions to the story and dialogue .
dahmer resorts to standard slasher flick thrills when it should be most in the mind of the killer
a quiet family drama with a little bit of romance and a dose of darkness .
the emotion or timelessness of disney 's great past , or even
is funny and pithy
laughs
chin 's film serves up with style and empathy
the script is smart , not cloying .
two directors with far less endearing disabilities
has little to do with the story
is grossly contradictory in conveying its social message
it manages to maintain both a level of sophisticated intrigue and human-scale characters that suck the audience in .
form a remarkably cohesive whole , both visually and thematically , through their consistently sensitive and often exciting treatment of an ignored people .
for an intelligent movie in which you can release your pent up anger
simple-minded
they are believable as people -- flawed , assured of the wrong things , and scared to admit how much they may really need the company of others
appealingly manic and energetic
an energy that puts the dutiful efforts of more disciplined grade-grubbers
the boobs are fantasti
, the rest of the cast comes across as stick figures reading lines from a teleprompter .
one of these days hollywood will come up with an original idea for a teen movie , but until then there 's always these rehashes to feed to the younger generations .
interested in the sights and sounds of battle
rent those movies instead
showcases the city 's old-world charm
motivated by nothing short of dull , brain-deadening hangover
it 's neither as sappy as big daddy nor as anarchic as happy gilmore or the waterboy , but it has its moments .
more of the `` queen '' and less of the `` damned
a paper bag to wear over his head when he goes out into public , to avoid being recognized as the man who bilked unsuspecting moviegoers
recognized as the man who bilked unsuspecting moviegoers
strong first act
trying to decide what annoyed me most about god is great
lisa rinzler 's cinematography may be lovely , but love liza 's tale itself virtually collapses into an inhalant blackout , maintaining consciousness just long enough to achieve callow pretension
a great saturday night live sketch
, but how long will filmmakers copy the `` saving private ryan '' battle scenes before realizing steven spielberg got it right the first time ?
a very well-meaning movie , and it
pretty bad
connoisseurs of chinese film will be pleased to discover that tian 's meticulous talent has not withered during his enforced hiatus .
make for a winning , heartwarming yarn .
, overlong , and bombastic
it 's far tamer than advertised
deficit
well-balanced
sending the audience straight to hell
very different from our own and yet instantly recognizable
winds up mired in tear-drenched quicksand .
watch witherspoon 's talents
it 's defiantly and delightfully against the grain .
summons more spirit and bite than your average formulaic romantic quadrangle
prove to be ( tsai 's ) masterpiece
rare and lightly entertaining
if nothing else , `` rollerball '' 2002 may go down in cinema history as the only movie ever in which the rest of the cast was outshined by ll cool j.
exudes the urbane sweetness that woody allen seems to have bitterly forsaken .
keep people going in this crazy life
swims in mediocrity , sticking its head up for a breath of fresh air now and then .
relaxed in its perfect quiet pace and
so devoid of pleasure or sensuality
gorgeous locales
an engrossing and infectiously enthusiastic documentary
straight-ahead
barbershop '' is a good-hearted ensemble comedy with a variety of quirky characters and an engaging story .
steers clear of the sensational and offers instead an unflinching and objective look at a decidedly perverse pathology
they presume their audience wo n't sit still for a sociology lesson , however entertainingly presented , so they trot out the conventional science-fiction elements of bug-eyed monsters and futuristic women in skimpy clothes .
often-funny drama
farts , urine , feces , semen
, the film becomes predictably conventional .
reluctant
it was just a matter of ` eh . '
love-struck
plenty of baggage
the fantastic and
about the santa clause 2 , purportedly a children 's movie ,
more grueling and time-consuming
clearly well-intentioned
like it hot on the hardwood proves once again that a man in drag is not in and of himself funny .
keeps lifting the pedestal higher
may be one of the most appealing movies ever made about an otherwise appalling , and downright creepy , subject -- a teenage boy in love with his stepmother .
is impossible to find the film anything but
seemingly irreconcilable
becomes more and more frustrating as the film goes on .
fact and fancy with such confidence
it 's fun , but it 's a real howler .
it 's never dull and always looks good .
highly cerebral
animated by an energy that puts the dutiful efforts of more disciplined grade-grubbers to shame
to laugh because he acts so goofy all the time
definitely in the guilty pleasure b-movie category
's with the unexplained baboon cameo
a refreshing change from the usual whoopee-cushion effort aimed at the youth market .
antonio banderas
does have its charms .
, i ca n't compare friday after next to them
if you can get past the taboo subject matter , it will be well worth your time .
opportunity to embrace small , sweet ` evelyn
mumbles his way through the movie
( washington 's ) strong hand , keen eye , sweet spirit and good taste are reflected in almost every scene .
some people march to the beat of a different drum , and if you ever wondered what kind of houses those people live in , this documentary takes a look at 5 alternative housing options .
pompous and garbled
even then , i 'd recommend waiting for dvd and just skipping straight to her scenes .
found a cult favorite to enjoy for a lifetime
good actors , even kingsley
the author 's devotees will probably find it fascinating ; others may find it baffling .
are pitted against shimmering cinematography that lends the setting the ethereal beauty of an asian landscape painting .
which somehow snagged an oscar nomination
may be one of the most appealing movies ever made about an otherwise appalling , and downright creepy , subject -- a teenage boy in love with his stepmother
the most savory and hilarious guilty pleasure of many a recent movie season
will stand in future years as an eloquent memorial to the world trade center tragedy .
is a smart , romantic drama that dares to depict the french revolution from the aristocrats ' perspective .
fondly remembered in the endlessly challenging maze of moviegoing
wait for your pay per view dollar
the hypnotic imagery and fragmentary tale
implodes
've spent the past 20 minutes looking at your watch
a phony relationship
a pleasing ,
compelling motion
one of the great films about movie love
down the toilet with the ferocity of a frozen burrito
a low-key , organic way that encourages you to accept it as life and go with its flow
come from a xerox machine rather than ( writer-director ) franc
a gentle and engrossing character study .
is good all round , but what really sets the film apart is debrauwer 's refusal to push the easy emotional buttons .
, director fisher stevens inexplicably dips key moments from the film in waking life water colors .
swept away by the sheer beauty of his images
seems interested in kicking around a raison d'etre that 's as fresh-faced as its young-guns cast
a phenomenal band with such an engrossing story that will capture the minds and hearts of many
seems terrified of the book 's irreverent energy , and scotches most of its élan , humor , bile , and irony
is n't world championship material
deteriorates into a terribly obvious melodrama and rough-hewn vanity project for lead actress andie macdowell .
moderately successful
fill the after-school slot at shopping mall theaters across the country
like an all-star salute
does not rely on dumb gags , anatomical humor , or character cliches
-- conrad l. hall 's cinematography will likely be nominated for an oscar next year --
crude storyline
insultingly inept and artificial examination
is a whole lot of fun
be as simultaneously funny , offbeat and heartwarming ( without a thick shmear of the goo , at least )
of impossible disappearing/reappearing acts
madonna is one helluva singer .
the el cheapo margaritas
if you are in the mood for an intelligent weepy
great and a terrible story
he showcases davies as a young woman of great charm , generosity and diplomacy
inuit masterpiece
infuriating film .
adaptation is intricately constructed and in a strange way nails all of orlean 's themes without being a true adaptation of her book
tends to plod
worth a summertime look-see
have always appreciated a smartly written motion picture
the lively intelligence of the artists
be an effectively chilling guilty pleasure
maybe `` how will you feel after an 88-minute rip-off of the rock with action confined to slo-mo gun firing and random glass-shattering ? ''
`` ambitious failure
blank yearning
in the face that 's simultaneously painful and refreshing
with a solid pedigree both in front of and , more specifically , behind the camera
but mr. polanski creates images even more haunting than those in mr. spielberg 's 1993 classic .
creative composure
gory mayhem ''
an impeccable sense
ferrara 's best film in years
cherish '
ambiguity to suggest possibilities which imbue the theme with added depth and resonance .
excellent companion piece
poorly written , murky and weakly acted
instead of building to a laugh riot we are left with a handful of disparate funny moments of no real consequence .
smeary and blurry , to the point of distraction
a jaunt down memory lane for teens and young adults who grew up on televised scooby-doo shows or reruns
a sentimental but entirely irresistible portrait of three aging sisters .
richly detailed , deftly executed
, for those with at least a minimal appreciation of woolf and clarissa dalloway , the hours represents two of those well spent
in the process created a masterful work of art of their own
had a bad run in the market or a costly divorce , because there is no earthly reason other than money why this distinguished actor would stoop so low
in the title pokémon 4ever is terrifying
the finest films
got me grinning .
no worse a film than breaking out , and breaking out
as tiresome as 9 seconds
wo n't fly with most intelligent viewers .
such master screenwriting
showtime 's uninspired send-up of tv cop show cliches mostly leaves him shooting blanks
it 's as raw and action-packed an experience as a ringside seat at a tough-man contest .
unique director 's
understanding of the expressive power of the camera
makes edward burns ' sidewalks of new york look like oscar wilde
now we 've got something pretty damn close
keep the proceedings as funny for grown-ups as for rugrats
the real star of this movie is the score , as in the songs translate well to film
makes minority report necessary viewing for sci-fi fans , as the film has some of the best special effects ever .
has crafted an intriguing story of maternal instincts and misguided acts of affection .
kouyate elicits strong performances from his cast , and
such a blip on the year 's radar screen
is so busy making reference to other films and trying to be other films
jostling against farce , thoughtful dialogue elbowed aside by one-liners , and a visual style that incorporates rotoscope animation for no apparent reason except , maybe
an action/thriller
shows crushingly little curiosity about , or is ill-equipped to examine , the interior lives of the characters in his film , much less incorporate them into his narrative .
together with efficiency and an affection for the period
unexpectedly giddy viewing
to slovenly life in this self-deprecating , biting and witty feature written by charlie kaufman and his twin brother , donald , and directed by spike jonze
meaningful historical context
waited three years with breathless anticipation for a new hal hartley movie
a worthwhile glimpse of independent-community guiding lights