xiangpku/GLUE huggingface dataset:
... flat-out amusing , sometimes endearing and often fabulous , with a solid cast , noteworthy characters , delicious dialogue and a wide supply of effective sight gags .
, we get a cinematic postcard that 's superficial and unrealized .
than an hour-and-a-half-long commercial for britney 's latest album
a zippy jazzy score
( a ) stale retread of the '53 original
, charming and quirky
it is thought-provoking .
in cinema history as the only movie ever in which the rest of the cast was outshined by ll cool j.
directed action sequences and some of the worst dialogue in recent memory .
know the picture is in trouble .
this film is an act of spiritual faith -- an eloquent , deeply felt meditation on the nature of compassion .
a movie that 's held captive by mediocrity .
the film fails to fulfill its own ambitious goals
damaged-goods
what 's really so appealing about the characters is their resemblance to everyday children .
curious about each other against all odds
mechanical you can smell the grease on the plot
lack depth or complexity , with the ironic exception of scooter
's why sex and lucia is so alluring .
is : ` scooby ' do n't
no new plot conceptions or environmental changes , just different bodies for sharp objects to rip through .
obviously , a lot of people wasted a lot of their time ( including mine ) on something very inconsequential .
ourselves surprised at how much we care about the story
with a pleasing verisimilitude
the dignity of an action hero motivated by something more than franchise possibilities
achingly human
it 's pretentious in a way that verges on the amateurish .
no one can doubt the filmmakers ' motives , but the guys still feels counterproductive .
a sun-drenched masterpiece
an american ( and an america ) always reaching for something just outside his grasp
a contemptible imitator starring a `` snl '' has-been acting like an 8-year-old channeling roberto benigni
a provocateur
what ( denis ) accomplishes in his chilling , unnerving film
hard , cold effect
his inspiration
some kid who ca n't act , only echoes of jordan
a sea of visual and verbal clichés
the characters seem one-dimensional
of the recent hollywood trip tripe
the real star of this movie is the score , as in the songs translate well to film , and it 's really well directed
drowned out by director jon purdy 's sledgehammer sap
cho 's latest comic set is n't as sharp or as fresh as i 'm the one that i want ... but it 's still damn funny stuff
wo n't score points for political correctness
does n't sustain interest beyond the first half-hour .
to laugh at how bad
enchanting ...
it 's fairly solid -- not to mention well edited so that it certainly does n't feel like a film that strays past the two and a half mark .
a banal , virulently unpleasant excuse for a romantic comedy .
to do a little fleeing of its own
the heart and soul of cinema
repulsive
, mass drug-induced bowel evacuations , and none-too-funny commentary on the cultural distinctions between americans and brits .
a straight-to-video movie
is so slovenly done , so primitive in technique , that it ca n't really be called animation
clockstoppers is one of those crazy , mixed-up films that does n't know what it wants to be when it grows up .
charming than in about a boy
like any of these despicable characters
you have left the theater
with her small , intelligent eyes
the film unfolds with all the mounting tension of an expert thriller , until the tragedy beneath it all gradually reveals itself .
that this film was n't as bad as i thought it was going to be
fuels the self-destructiveness of many young people
profound humanity
the chateau belongs to rudd , whose portrait of a therapy-dependent flakeball spouting french malapropisms ... is a nonstop hoot .
as tryingly as the title
a hugely enjoyable film about changing times , clashing cultures and the pleasures of a well-made pizza
if disney 's cinderella proved that ' a dream is a wish your heart makes , ' then cinderella ii proves that a nightmare is a wish a studio 's wallet makes .
it 's rare that a movie can be as intelligent as this one is in every regard except its storyline ; everything that 's good is ultimately scuttled by a plot that 's just too boring and obvious .
a rich tale of our times
, imaginative filmmaking
crossroads feels like a teenybopper ed wood film , replete with the pubescent scandalous innuendo and the high-strung but flaccid drama .
blue crush is so prolonged and boring it is n't even close to being the barn-burningly bad movie it promised it would be .
blade ii merges bits and pieces from fighting games , wire fu , horror movies , mystery , james bond , wrestling , sci-fi and anime into one big bloody stew .
an enormously entertaining movie
a surprisingly charming and even witty match
crisp storytelling
rubbish that is listless , witless , and devoid of anything resembling humor
that chin 's film serves up with style and empathy
muted freak-out
earns extra points
a dark comedy that goes for sick and demented humor simply to do so .
particular talents
be churlish to begrudge anyone for receiving whatever consolation that can be found in dragonfly
it 's definitely not made for kids or their parents , for that matter
rethink their attitudes when they see the joy the characters take in this creed
entry number twenty the worst of the brosnan bunch
's all stitched together with energy , intelligence and verve , enhanced by a surplus of vintage archive footage
is the kind of movie during which you want to bang your head on the seat in front of you , at its cluelessness , at its idiocy , at its utterly misplaced earnestness
to great artistic significance
little emotional resonance
revelatory and
an average kid-empowerment fantasy with slightly above-average brains .
surely read the catcher in the rye but clearly suffers from dyslexia
are few things in this world more complex -- and , as it turns out , more fragile
, pretty and gifted , it really won my heart
lessen the overall impact the movie could have had
it establishes its ominous mood and tension swiftly , and
scarcely worth a mention apart from reporting on the number of tumbleweeds blowing through the empty theaters
has dreamed up such blatant and sickening product placement in a movie
, the basic plot of `` lilo '' could have been pulled from a tear-stained vintage shirley temple script .
go wrong
while the story 's undeniably hard to follow , iwai 's gorgeous visuals seduce .
wanted to leave
the script covers huge , heavy topics in a bland , surfacey way that does n't offer any insight into why , for instance , good things happen to bad people .
's flawed and brilliant
that the film 's length becomes a part of its fun
argentinian thriller
almost peerlessly unsettling .
to some truly excellent sequences
does such a good job of it that family fundamentals gets you riled up
not once in the rush to save the day did i become very involved in the proceedings ; to me , it was just a matter of ` eh . '
in its own simplicity
satisfies
it seems as if each watered down the version of the one before
captivatingly
is adequate
a story about intelligent high school students that deals with first love sweetly but also seriously .
is a lumbering , wheezy drag
glossy hollywood
a strong first act and
's ) quite a bit of heart , as you would expect from the directors of the little mermaid and aladdin
often achieves a level of connection and concern
you 're an absolute raving star wars junkie
a movie that sends you out of the theater feeling like you 've actually spent time living in another community .
very well-meaning movie ,
colorful and controversial
corny conventions
australian filmmaker david flatman uses the huge-screen format to make an old-fashioned nature film that educates viewers with words and pictures while entertaining them .
well-intentioned effort
were that grand a failure
clueless does south fork
glib but
far more demanding than it needs to be
two not very absorbing characters
a fifty car pileup
the lack
american musical comedy as we know it would n't exist without the precedent of yiddish theater , whose jolly , fun-for-fun 's - sake communal spirit goes to the essence of broadway .
to embrace small , sweet ` evelyn
the tiny events that could make a person who has lived her life half-asleep suddenly wake up and take notice
this odd , distant portuguese import more or less
a gorgeously strange movie ,
left off the film 's predictable denouement
been replaced with morph , a cute alien creature who mimics everyone and everything around
motivated by nothing
the movie is concocted and carried out by folks worthy of scorn ,
blow it off the screen
's really little more than a particularly slanted , gay s/m fantasy , enervating and deadeningly drawn-out .
as pedestrian as they come .
the climactic burst of violence
want my money back
let this morph into a typical romantic triangle
moldering pile
inherently caustic and oddly whimsical , the film chimes in on the grieving process and strangely draws the audience into the unexplainable pain and eccentricities that are attached to the concept of loss .
that even cranky adults may rediscover the quivering kid inside
a long shot
an effective portrait of a life in stasis -- of the power of inertia to arrest development in a dead-end existence .
very least
gets too cloying thanks to the actors ' perfect comic timing and sweet , genuine chemistry .
the worst movies of one year
not a strike against yang 's similarly themed yi yi , but i found what time ?
admit that i am baffled by jason x.
to lowly studio hack
interesting social
which has a handful of smart jokes
is more than merely a holocaust movie
dense , exhilarating documentary
the script , which has a handful of smart jokes
great equalizer
abandoned their slim hopes and dreams
humorous and tender
snide and prejudice .
is simply a well-made and satisfying thriller
a compelling
he refuses to evaluate his own work
be ( assayas ' ) homage to the gallic ` tradition of quality , ' in all its fusty squareness
while huppert ... is magnificent
in place for a great film noir
robust and scary
my big fat greek wedding is not only the best date movie of the year
there 's never a dull moment in the giant spider invasion comic chiller
's plenty to offend everyone ...
from the writing and direction to the soggy performances --
it 's a thin notion , repetitively stretched out to feature length , awash in self-consciously flashy camera effects , droning house music and flat , flat dialogue .
that really , really , really good things can come in enormous packages
smart , funny , subtle , and resonant
no quarter to anyone seeking to pull a cohesive story out of its 2 1/2
is something of a stiff -- an extra-dry office comedy that seems twice as long as its 83 minutes .
a positively thrilling combination
's why sex and lucia is so alluring
only a genius
flamboyant female comics
makes the movie special
drama , suspense , revenge , and romance
makes absolutely no sense
strolls
upscale audiences hungry for quality and a nostalgic , twisty yarn that will keep them guessing
it is impossible to find the film anything but appalling , shamelessly manipulative and contrived , and totally lacking in conviction
is that for the most part , the film is deadly dull
manages to generate the belly laughs of lowbrow comedy without sacrificing its high-minded appeal
become smug or sanctimonious
i do n't mean that in a good way
written , flatly , by david kendall and directed , barely , by there 's something about mary co-writer ed decter .
makes for one of the most purely enjoyable and satisfying evenings at the movies i 've had in a while .
his excellent cast
is more in love with strangeness than excellence
phoney-feeling sentiment
on cotton candy
is extraordinarily good .
stuck under my seat trying to sneak out of the theater
she 's a pretty woman
lyne 's stolid remake
little wit and no surprises
as temptingly easy
whole subplots have no explanation or even plot relevance
is n't going to make box office money that makes michael jordan jealous
jagger , stoppard and
adult movies
make a gorgeous pair
paid in full has clever ways of capturing inner-city life during the reagan years .
spooky new thriller
whether you can tolerate leon barlow
christian-themed fun
effortless
obvious cliches
a light-hearted way
use of his particular talents .
its epic scope
outshined
the biggest is that secret ballot is a comedy , both gentle and biting .
zellweger 's whiny pouty-lipped poof faced and spindly attempt at playing an ingenue makes her nomination as best actress even more of a an a
lightweight meaning
hits all the verbal marks it should .
the light comedic work
share his story so compellingly with us is a minor miracle
on the young woman 's infirmity and her naive dreams
as a recording of conversations at the wal-mart checkout line
strange , funny , twisted , brilliant and macabre
by writer-director kurt wimmer
, but also more than anything else slight ... tadpole pulls back from the consequences of its own actions and revelations .
what you expect is just what you get ... assuming the bar of expectations has n't been raised above sixth-grade height .
takes us on an examination of young adult life in urban south korea through the hearts and minds of the five principals
, there 's much to recommend the film .
a prostitute
which leaves any true emotional connection or identification frustratingly out of reach
it 's a glorified sitcom , and a long , unfunny one at that .
be more genial than ingenious
to insulting the intelligence of anyone who has n't been living under a rock
slimed
is too loud and thoroughly overbearing
between being wickedly funny and just plain wicked
makes no difference in the least
the bad reviews
gets around to its real emotional business , striking deep chords of sadness
smug self-satisfaction
will worm its way there
accepting this in the right frame of mind can only provide it with so much leniency .
a smart and funny , albeit sometimes superficial , cautionary tale of a technology in search of an artist .
shrewdly
such subtlety and warmth
plain , unimaginative
anemic
that takes such a speedy swan dive from `` promising ''
disney 's cinderella proved that ' a dream is a wish your heart makes
a stunning film
well-structured film
a horrible , 99-minute
as a girl-meets-girl romantic comedy
nothing happens ,
shapeless and uninflected
martin lawrence 's latest vehicle can explode obnoxiously into 2,500 screens while something of bubba ho-tep 's clearly evident quality may end up languishing on a shelf somewhere
sometimes a chuckle
found myself growing more and more frustrated and detached as vincent became more and more abhorrent
seagal ran out of movies years ago
the movie is n't painfully bad , something to be ` fully experienced ' ; it 's just tediously bad , something to be fully forgotten
cram earplugs
chatty fish
feel like mopping up ,
manages at least a decent attempt at meaningful cinema
crystallize key plot moments into minutely detailed wonders of dreamlike ecstasy
welcome and heartwarming
energy , intelligence and verve , enhanced by a surplus of vintage archive footage
is that it 's a crime movie made by someone who obviously knows nothing about crime
the upper echelons
remains a perfect wildean actor
some people march to the beat of a different drum , and if you ever wondered what kind of houses those people live in , this documentary takes a look at 5 alternative housing options
i mind ugly
soderbergh 's best films , `` erin brockovich , '' `` out of sight '' and
low-rent retread
somewhat tired
enough sweet and
crude and unrelentingly exploitative
starts with a legend and ends with a story that is so far-fetched it would be impossible to believe if it were n't true
... a complete shambles of a movie so sloppy , so uneven , so damn unpleasant that i ca n't believe any viewer , young or old , would have a good time here .
it 's a bad sign in a thriller when you instantly know whodunit .
schaeffer 's film never settles into the light-footed enchantment the material needs , and
leaves a lot to be desired
'll cheer .
claims to sort the bad guys from the good , which is its essential problem .
none of this sounds promising and , indeed , the first half of sorority boys is as appalling as any ` comedy ' to ever spill from a projector 's lens .
stuart little 2 is a light , fun cheese puff of a movie .
candid
the double-cross that made mamet 's `` house of games '' and last fall 's `` heist '' so much fun
memorable performances
are simultaneously buried , drowned and smothered in the excesses of writer-director roger avary
ugly , irritating
was so uninspiring that even a story immersed in love , lust , and sin could n't keep my attention
enact a sort of inter-species parody of a vh1 behind the music episode
's sweet .
it just did n't mean much to me and played too skewed to ever get a hold on ( or be entertained by ) .
in venice
an unsettling , memorable cinematic experience
it 's hard to care about a film that proposes as epic tragedy the plight of a callow rich boy who is forced to choose between his beautiful , self-satisfied 22-year-old girlfriend and an equally beautiful , self-satisfied 18-year-old mistress .
surprisingly insightful
will keep them awake
does not make for much of a movie
in jerking off in all its byzantine incarnations to bother pleasuring its audience
a potentially sudsy set-up
a fascinating case study of flower-power liberation
of how uncompelling the movie is unless it happens to cover your particular area of interest
is nothing short of a travesty of a transvestite comedy .
, resonant gem
an abyss of clichés , depression and bad alternative music
for its rather slow beginning
to suspense thriller
the film is every bit as fascinating as it is flawed .
harrowing and uplifting
the humor dwindles .
hopeful and , perhaps paradoxically , illuminated
fluffy and disposible .
something of the ultimate scorsese film
of the guru who helped
birot 's
in addition to sporting one of the worst titles in recent cinematic history
is murder by numbers , and as easy to be bored by as your abc 's , despite a few whopping shootouts .
offbeat humor , amusing characters ,
to place most of the psychological and philosophical material in italics rather than trust an audience 's intelligence
extremely flat
most original american productions
quality and a nostalgic , twisty yarn that will keep them guessing
make you think about existential suffering
directing with a sure and measured hand
left thinking the only reason to make the movie is because present standards allow for plenty of nudity
sweet , honest , and enjoyable comedy-drama
, unlikable characters
a seriously bad film with seriously
the screen -- loud , violent and mindless
just as rewarding
treat for its depiction on not giving up on dreams when you 're a struggling nobody .
remind one of a really solid woody allen film
first made audiences on both sides of the atlantic love him
but believe it or not , it 's one of the most beautiful , evocative works i 've seen .
this unrelenting bleak insistence on opting out of any opportunity for finding meaning in relationships or work
fails to do justice to either effort in three hours of screen time
in the end , there is n't much to it .
all awkward , static
's as if allen , at 66 , has stopped challenging himself .
grant is n't cary and bullock is n't katherine .
does n't really know or care about the characters , and uses them as markers for a series of preordained events
it does a bang-up job of pleasing the crowds
the gift of tears
a bad name
as wonderful on the big screen
this emotional car-wreck
a gem of a romantic crime comedy that turns out to be clever , amusing and unpredictable
on ugly digital video
high-concept scenario
that it 's hard not to be carried away
could n't come up with a better script .
argue that entering a church , synagogue or temple does n't mean you have to check your brain at the door
with a fresh point of view
slow , predictable and not very amusing
's nothing interesting in unfaithful whatsoever .
juvenile camera movements
of boredom to the point of collapse , turning into a black hole of dullness , from which no interesting concept can escape
remake sleepless in seattle again and again
that kate is n't very bright , but that she has n't been worth caring about
virtually no understanding
, actor raymond j. barry is perfectly creepy and believable .
it forces you to watch people doing unpleasant things to each other and themselves ,
all give life to these broken characters who are trying to make their way through this tragedy
the three leads produce adequate performances , but what 's missing from this material is any depth of feeling .
dwells on crossing-over mumbo jumbo , manipulative sentimentality , and sappy dialogue .
of geriatric dirty harry , which will please eastwood 's loyal fans -- and suits the story , wherein our hero must ride roughshod over incompetent cops to get his man
with `` ichi the killer '' , takashi miike , japan 's wildest filmmaker gives us a crime fighter carrying more emotional baggage than batman ...
girlish tear ducts does n't mean it 's good enough for our girls
imaginatively mixed cast
diverting and modest
are mean giggles and pulchritude .
is just too bad the film 's story does not live up to its style
the obvious cliches
the kids in the audience at the preview screening seemed bored , cheering the pratfalls but little else ; their parents , wise folks that they are , read books .
burn the negative and the script and pretend the whole thing never existed
the drama that gives added clout to this doc
vile enough
real women have curves wears its empowerment on its sleeve
separates comics from the people laughing in the crowd
is bright and flashy in all the right ways .
this nervy oddity , like modern art
clever and unexpected
puts to rest any thought that the german film industry can not make a delightful comedy centering on food .
should be able to appreciate the wonderful cinematography and naturalistic acting .
technically proficient
even worse than its title
there 's ) quite a bit of heart , as you would expect from the directors of the little mermaid and aladdin .
this uncharismatically
's too interested in jerking off in all its byzantine incarnations to bother pleasuring its audience .
impossible to indulge the fanciful daydreams of janice beard ( eileen walsh ) when her real-life persona is so charmless and vacant
is n't talking a talk that appeals to me
put on your own mystery science theatre 3000 tribute to what is almost certainly going to go down as the worst -- and only -- killer website movie of this or any other year
surprisingly brilliant
a funny little film
a bit exploitative but also nicely done , morally alert and
certainly got lost in the `` soon-to-be-forgettable '' section of the quirky rip-off prison romp pile .
the direction is intelligently accomplished
disney 's 1937 breakthrough
titillating material
can handle
's so striking about jolie 's performance
peppered with false starts
michael zaidan , was supposed to have like written the screenplay or something
a cheap thriller , a dumb comedy
paul bettany is cool .
shamelessly manipulative
a chilly , remote , emotionally distant piece ... so dull that its tagline
a cool event
, pratfalls , dares , injuries , etc .
the leads are so unmemorable , despite several attempts at lengthy dialogue scenes , that one eventually resents having to inhale this gutter romancer 's secondhand material .
an inspiring tale
i had a dream that a smart comedy would come along to rescue me from a summer of teen-driven , toilet-humor codswallop ,
a preposterous , prurient whodunit
energetic , extreme-sports adventure
the best rock
backed by sheer nerve
's only in fairy tales that princesses that are married for political reason live happily ever after
avoiding eye contact and
richly resonant work
demme gets a lot of flavor and spice into his charade remake
much of the film with a creepy and dead-on performance
bluer than the atlantic and more biologically detailed than an autopsy , the movie ... is , also , frequently hilarious .
his dead mother
-- that the ` true story ' by which all the queen 's men is allegedly `` inspired '' was a lot funnier and more deftly enacted than what 's been cobbled together onscreen .