xiangpku/GLUE huggingface dataset:
the film manages to keep you at the edge of your seat with its shape-shifting perils , political intrigue and brushes with calamity .
'' offers chills much like those that you get when sitting around a campfire around midnight , telling creepy stories to give each other the willies .
it forces you to ponder anew what a movie can be
is nearly impossible to look at or understand
some of it is honestly affecting
to the movie 's rude and crude humor
an entertaining and informative documentary
writer-director randall wallace has bitten off more than he or anyone else could chew , and
is a plodding mess
constant smiles
compelling , provocative and prescient viewing
you value your time and money
arrest development in a dead-end existence
, it 's kidman who holds the film together with a supremely kittenish performance that gradually accumulates more layers .
it reduces the complexities to bromides and slogans and it gets so preachy-keen and so tub-thumpingly loud it makes you feel like a chump just for sitting through it .
incredibly
so sloppy , so uneven , so
the intelligence level of the characters must be low , very low , very very low , for the masquerade to work
fantasy pablum
family dynamics
you 'd have to be a most hard-hearted person not to be moved by this drama .
it has more than a few moments that are insightful enough to be fondly remembered in the endlessly challenging maze of moviegoing .
a fairly revealing study of its two main characters --
he 's unlikely to become a household name on the basis of his first starring vehicle .
for finding meaning in relationships or work
is about the people who live in them , who have carved their own comfortable niche in the world and have been kind enough to share it .
an `` ambitious failure
enjoyable in its own right
a lively and engaging examination of how similar obsessions can dominate a family
of mixed messages , over-blown drama and bruce willis
to entertain all ages
compared to his series of spectacular belly flops both on and off the screen
the negative and the script
it 's offensive
as aimless as an old pickup skidding completely out of control on a long patch of black ice
goes a long way toward restoring the luster of the national lampoon film franchise , too long reduced to direct-to-video irrelevancy .
a film that begins with the everyday lives of naval personnel in san diego and ends with scenes so true and heartbreaking that tears welled up in my eyes both times i saw the film .
's not nearly as fresh or enjoyable as its predecessor
all the more disquieting for its relatively gore-free allusions to the serial murders
there 's no conversion effort ,
has the thrown-together feel of a summer-camp talent show : hastily written ,
the inherent absurdity of ganesh 's rise
offers winning performances and some effecting moments .
with flabby rolls
has plenty for those ( like me ) who are n't .
oscar-nominated
however canned --
sheer ugliness
water torture seem appealing
in the tradition
to what is almost certainly going to go down as the worst -- and only -- killer website movie of this or any other year
this interminable , shapeless documentary
however entertainingly presented
the cast is impressive
to wait for the video
predominantly amateur
looks as if it were made by a highly gifted 12-year-old instead of a grown man .
mishmash
seamless and sumptuous stream
able to pull it back on course
for all of its insights into the dream world of teen life , and its electronic expression through cyber culture , the film gives no quarter to anyone seeking to pull a cohesive story out of its 2 1/2 - hour running time .
an engrossing portrait of uncompromising artists trying to create something original
an aimlessness
to be as naturally charming as it needs to be
the self-image
true-to-life characters
be commended for illustrating the merits of fighting hard for something that really matters
to believe that something so short could be so flabby
at every turn of elizabeth berkley 's flopping dolphin-gasm
made you love it
classic moral-condundrum drama : what would you have done to survive ?
to see two academy award winning actresses ( and one academy award winning actor ) succumb to appearing in this junk that 's tv sitcom material at best
the little girls understand , and mccracken knows that 's all that matters .
wish you were at home watching that movie instead of in the theater watching this one
in a movie this bad
trite , predictable rehash
the achingly unfunny phonce and his several silly subplots
that if you give a filmmaker an unlimited amount of phony blood , nothing good can happen
alas , it collapses like an overcooked soufflé .
's insecure in lovely and amazing ,
that on the cinematic front , look no further than this 20th anniversary edition of the film that spielberg calls
a clever thriller with enough unexpected twists to keep our interest
decent performances
its invitingly upbeat overture
the gifted crudup has the perfect face to play a handsome blank yearning to find himself ,
is negated
you 'll want things to work out
would call it , ` hungry-man portions of bad '
spielberg presents a fascinating but flawed look at the near future .
use of his particular talents
is omitted nor a cliché left unsaid
reliable textbook
determination to inject farcical raunch
they 're just a couple of cops in copmovieland , these two , but in narc , they find new routes through a familiar neighborhood .
of heart
playing the obvious game
that tom tykwer , director of the resonant and sense-spinning run lola run , has turned out to be a one-trick pony
a deft
than the first 30 or 40 minutes
on the surface a silly comedy , scotland , pa would be forgettable if it were n't such a clever adaptation of the bard 's tragic play .
bread , my sweet has so many flaws it would be easy for critics to shred it .
shaking your head
is talented enough and charismatic enough to make us care about zelda 's ultimate fate
eye-popping visuals
fincher takes no apparent joy in making movies , and he gives none to the audience .
a film with an idea buried somewhere inside its fabric , but never clearly seen or felt
hate yourself
provides a strong itch to explore more
a beautiful paean to a time long past
be incomprehensible to moviegoers not already clad in basic black
self-amused trash
a fair amount of b-movie excitement
super - violent , super-serious
large-scale
consuming self-absorption
has its merits
has n't progressed as nicely as ` wayne . '
a sobering meditation
make a clear point --
a new benchmark for lameness
the film is visually dazzling ,
a triumph , a film that hews out a world and carries us effortlessly from darkness to light .
just what ( aniston ) has always needed to grow into a movie career
's most substantial feature for some time
a different and emotionally reserved type of survival story
meandering and confusing
become the master of innuendo
frida gets the job done .
know the band or the album 's songs by heart
has far more energy , wit and warmth than should be expected from any movie with a `` 2 '' at the end of its title .
rather unexceptional
fairly ludicrous plot
sleek and arty .
eccentric and good-naturedly aimless story
easy , seductive pacing
must for fans of british cinema , if only because so many titans of the industry are along for the ride .
makes up for with its heart .
imaginative filmmaker
a substantive movie
it 's mostly a pleasure to watch .
with all of this
, the score is too insistent
to put a human face on the travail of thousands of vietnamese
that actually has a brain
an unfortunate title for a film that has nothing
editorial process
closer to the failure of the third revenge of the nerds sequel
a side dish of asparagus
they wo n't enjoy the movie at all .
winds up moving in many directions as it searches ( vainly , i think ) for something fresh to say
gives no quarter to anyone seeking to pull a cohesive story out of its 2 1/2 - hour running time
were a person
poetry in motion captured on film .
flat as a spoof
are pretty valuable
a smart , nuanced look
the new film is a subzero version of monsters , inc. , without the latter 's imagination , visual charm or texture .
like a badly edited , 91-minute trailer ( and ) the director ca n't seem to get a coherent rhythm going
three-hour endurance test
most poorly staged and lit
a sour attempt at making a farrelly brothers-style , down-and-dirty laugher for the female
sappy
overcomes its visual hideousness with a sharp script and strong performances .
has so many flaws it would be easy for critics to shred it
meyjes 's movie , like max rothman 's future , does not work .
is masterly
stands as a document of what it felt like to be a new yorker -- or , really , to be a human being -- in the weeks after 9/11 .
constructs a hilarious ode to middle america and middle age with this unlikely odyssey
abrupt
this often-hilarious farce manages to generate the belly laughs of lowbrow comedy without sacrificing its high-minded appeal .
an overwhelming pleasure
is much more p.c. than the original version ( no more racist portraits of indians , for instance )
pop up in a cinematic year already littered with celluloid garbage
does n't overcome the tumult of maudlin tragedy
constant smiles and frequent laughter
his sly , intricate magic
predictable , manipulative stinker
this is a very ambitious project for a fairly inexperienced filmmaker , but
like looking over the outdated clothes and plastic knickknacks at your neighbor 's garage sale
enlivens this film
a showcase for both the scenic splendor of the mountains and for legendary actor michel serrault , the film
extremely unpleasant
for each other
morally ambiguous and nothing to shout about
nair just does n't have the necessary self-control to guide a loose , poorly structured film through the pitfalls of incoherence and redundancy .
unfortunate title
is the recording industry in the current climate of mergers and downsizing
a four star performance from kevin kline who unfortunately works with a two star script
to get at the root psychology of this film would require many sessions on the couch of dr. freud .
the problem with the bread , my sweet
lost dreams
sense that powerhouse of 19th-century prose behind her childlike smile
builds to an intense indoor drama about compassion , sacrifice , and christian love
that starts out like heathers , then becomes bring it on , then becomes unwatchable
looking , sounding and simply feeling like no other film in recent history
forcing us to endure every plot contrivance that the cliché-riddled genre can offer
have ever seen , constantly pulling the rug from underneath us , seeing things from new sides , plunging deeper , getting more intense
even when there are lulls , the emotions seem authentic
works because reno
cheer flick
a poky and pseudo-serious exercise in sham actor workshops and an affected malaise .
thick clouds of denial
of fun , with an undeniable energy
it may scream low budget ,
an enthralling aesthetic experience , one that 's steeped in mystery and a ravishing , baroque beauty .
obvious and lengthy
delights for adults
combined with so much first-rate talent
it also rocks .
which awards animals the respect they
into bizarre , implausible behavior
its impressive images
has a key strength in its willingness to explore its principal characters with honesty , insight and humor .
it 's a barely tolerable slog over well-trod ground .
gentle longing
very compelling
an already thin story
uselessly redundant and shamelessly money-grubbing than most third-rate horror sequels .
turns the goose-pimple genre on its empty head and fills it with spirit , purpose and emotionally bruised characters who add up to more than body count
90-minute dud
ensures the film never feels draggy .
's so fun about this silly , outrageous , ingenious thriller
that reminds at every turn of elizabeth berkley 's flopping dolphin-gasm .
a riveting profile of law enforcement , and a visceral , nasty journey into an urban hades
scruffy , dopey old
genuine and sweet
of under-inspired , overblown enterprise that gives hollywood sequels a bad name
i 'd much rather watch teens poking their genitals into fruit pies
vaguely interesting , but it 's just too too much .
's surprisingly decent , particularly
he 's one of the few ` cool ' actors who never seems aware of his own coolness .
as though they are having so much fun
a movie as artificial and soulless as the country bears
a sloppy , amusing comedy that proceeds from a stunningly unoriginal premise .
overly familiar
can watch , giggle and get an adrenaline boost without feeling like you 've completely lowered your entertainment standards .
distinguished
likely to seduce and conquer
the background -- a welcome step
` christian bale 's quinn ( is ) a leather clad grunge-pirate with a hairdo like gandalf in a wind-tunnel and a simply astounding cor-blimey-luv-a-duck cockney accent . '
marveling at these guys ' superhuman capacity
gorgeous film a must for everyone from junior scientists to grown-up fish lovers
before you pay the full ticket price to see `` simone , '' and consider a dvd rental instead
life 's ultimate losers
, what 's with the unexplained baboon cameo ?
is a slapdash mess
speeds up
insanely violent and very graphic
nurtures the multi-layers of its characters ,
satisfactorily
fried in pork
the emotional depth
concentrates far too much
eclipses nearly everything else she 's ever done
populated by characters who are nearly impossible to care about
familiar and predictable , and 4/5ths of it
of things that elevate `` glory '' above most of its ilk , most notably the mere presence of duvall
prevents them from firing on all cylinders
about their lives , loves and the art
is off his game
a lot like the imaginary sport it projects onto the screen -- loud , violent and mindless .
this is a big , juicy role
a very complex situation
it 's really well directed
a valentine sealed with a kiss
theater feeling
to farts , urine , feces , semen , or any of the other foul substances
cliches and pabulum
constant fits of laughter
secondhand , familiar -- and not in a good way
is a sweet , honest , and enjoyable comedy-drama about a young woman who wants many things in life , but fears she 'll become her mother before she gets to fulfill her dreams .
in a summer of clones , harvard man is something rare and riveting : a wild ride that relies on more than special effects .
for the most creative mayhem in a brief amount of time
irresistible
equilibrium the movie , as opposed to the manifesto , is really , really stupid .
, it also has plenty for those ( like me ) who are n't .
to better understand why this did n't connect with me would require another viewing , and i wo n't be sitting through this one again ... that in itself is commentary enough
a pleasant distraction , a friday night diversion
dry the undead action flick formula
dull girl
bungle their way through the narrative
yes , i have given this movie a rating of zero .
actually finding the characters in slackers or their antics amusing , let alone funny
joy to watch , even when her material is not first-rate
is a general air of exuberance in all about the benjamins that 's hard to resist
the nifty premise
the sad schlock merchant of ` deadly friend
the film is so bleak that it 's hardly watchable
that welcome to collinwood is n't going to jell
is that it counts heart as important as humor .
it tries to pump life into overworked elements from eastwood 's dirty harry period
a heavyweight film that fights a good fight on behalf of the world 's endangered reefs
scratching your head in amazement over the fact that so many talented people could participate in such an
dog soldiers does n't transcend genre -- it embraces it , energizes it and takes big bloody chomps out of it
smooth and professional
naomi watts is terrific as rachel
a-list brit actors
grant and bullock make it look as though they are having so much fun
playful and haunting
the type of film about growing up that we do n't see often enough these days
winds up being both revelatory and narcissistic , achieving some honest insight into relationships that most high-concept films candy-coat with pat storylines , precious circumstances and beautiful stars .
tossed in
its story about a young chinese woman , ah na , who has come to new york city to replace past tragedy with the american dream is one that any art-house moviegoer is likely to find compelling .
for some robust and scary entertainment
such a pleasure
shanghai ghetto may not be as dramatic as roman polanski 's the pianist , but
a troubadour
of that already-shallow
its shape-shifting perils , political intrigue
on a string of exotic locales
a fresh way
the exoticism of its seas of sand to the fierce grandeur of its sweeping battle scenes
` ick '
interminably bleak , to say nothing of boring .
notwithstanding my problem with the movie 's final half hour
it is derivative
the crackle of lines , the impressive stagings of hardware
of high art
despite all the backstage drama
are cheesy backdrops , ridiculous action sequences , and many tired jokes about men in heels .
squarely fills the screen .
all the queen 's men is allegedly `` inspired '' was a lot funnier and more deftly enacted than what 's been cobbled together onscreen
top-billed star bruce willis
a good yarn --
by the time the plot grinds itself out in increasingly incoherent fashion
a movie that 's about as overbearing and over-the-top as the family it depicts .
lost the ability to think
, you ca n't help suspecting that it was improvised on a day-to-day basis during production .
a sensitive , moving ,
if you are curious to see the darker side of what 's going on with young tv actors ( dawson leery did what ?!? ) , or see some interesting storytelling devices , you might want to check it out , but there 's nothing very attractive about this movie
to flat characters
cinematic poem
boiling point
the rich performances by friel
a meatier deeper beginning and/or ending would have easily tipped this film into the `` a '' range , as is , it 's a very very strong `` b + . ''
maddeningly insistent and repetitive
unlikable , uninteresting , unfunny ,
everything kieslowski 's work aspired to , including the condition of art
degrading and
it is supremely unfunny and unentertaining to watch middle-age and older men drink to excess , piss on trees , b.s. one another and put on a show in drag .
compelling story to tell
the film 's intimate camera work and
a classic fairy tale that perfectly captures the wonders and worries of childhood in a way that few movies have ever approached
that it 's more than a worthwhile effort
this quietly lyrical tale probes the ambiguous welcome extended by iran to the afghani refugees who streamed across its borders , desperate for work and food .
is no doubt true
an excruciating demonstration of the unsalvageability
clear-cut
be a breakthrough in filmmaking
succeeds as a powerful look at a failure of our justice system
although the sequel has all the outward elements of the original , the first film 's lovely flakiness is gone , replaced by the forced funniness found in the dullest kiddie flicks .
each trailer park you drive past -- even if it chiefly inspires you to drive a little faster
how bad it is
the film shatters you in waves .
the movie 's downfall
sometimes murky
the first question to ask about bad company is why anthony hopkins is in it .
loud , chaotic and largely unfunny .
inventive , fun , intoxicatingly sexy , violent , self-indulgent and maddening .
the milieu is wholly unconvincing ... and the histrionics reach a truly annoying pitch .
add much-needed levity
from any movie with a `` 2 ''
another arnold vehicle that fails to make adequate
boasts enough funny dialogue and sharp
because of its heightened , well-shaped dramas ,
if it 's unnerving suspense you 're after -- you 'll find it with ring , an indisputably spooky film ; with a screenplay to die for .
called best bad film you thought was going to be really awful but
brilliant in this
its utterly misplaced earnestness
nonetheless it drags during its 112-minute length
sluggish ,
four-star
'' is suitable summer entertainment that offers escapism without requiring a great deal of thought .
holiday carol
some of the visual flourishes are a little too obvious , but restrained and subtle storytelling
never capitalizes on this concept and opts for the breezy and amateurish feel of an after school special on the subject of tolerance .
flat acting
a romantic comedy plotline
the star-making machinery of tinseltown
welcome or accept the trials of henry kissinger as faithful portraiture
take a complete moron
of the most unpleasant things the studio
mastering its formidable arithmetic of cameras and souls
the diverse , marvelously twisted shapes history
best kind
no other reason why anyone should bother remembering it
broad cross-section
the filmmaker 's characteristic style
are fantastic
most brilliant work
condescending
is paper-thin and decidedly unoriginal
the star who helped give a spark to `` chasing amy '' and `` changing lanes '' falls flat as thinking man cia agent jack ryan in this summer 's new action film , `` the sum of all fears . ''
with the american dream
may not be a straightforward bio
especially grateful for freedom
has more in common with a fireworks display than a movie , which normally is expected to have characters and a storyline .
van wilder has a built-in audience , but only among those who are drying out from spring break and are still unconcerned about what they ingest .
eerie thriller
using a plot that could have come from an animated-movie screenwriting textbook
we got ten little indians meets friday the 13th by way of clean and sober , filmed on the set of carpenter 's the thing and loaded with actors you 're most likely to find on the next inevitable incarnation of the love boat .
joy and pride
you crave chris smith 's next movie
you can fire a torpedo through some of clancy 's holes , and the scripters do n't deserve any oscars .
in the best way
exquisitely
improperly hammy performance
'll trudge out of the theater feeling as though you rode the zipper after eating a corn dog and an extra-large cotton candy
it does not attempt to filter out the complexity
banged their brains into the ground
the funniest and most accurate depiction
attuned
aspires to be more than another `` best man '' clone by weaving a theme throughout this funny film .
, ` swept away ' sinks .
respects the material without sentimentalizing it
incredible storyline
for the full 90 minutes , especially with the weak payoff
a perfect performance that captures the innocence and budding demons within a wallflower
a tactic to cover up the fact that the picture is constructed around a core of flimsy -- or , worse yet , nonexistent -- ideas
plant smile-button faces
, the film does n't end up having much that is fresh to say about growing up catholic or , really , anything .
are so stunning
never rises above easy , cynical potshots at morally bankrupt characters ...
this movie is careless and unfocused .
that effectively combines two surefire , beloved genres
crisp and
zany '
fuddled
amy and matthew have a bit of a phony relationship ,
thrill you
invite some genuine spontaneity into the film
boring movie
the film 's crisp , unaffected style and air of gentle longing make it unexpectedly rewarding
warped logic by writer-director kurt wimmer
to do with imagination than market research
of oral storytelling frozen onto film
a self-aware , often self-mocking , intelligence
awesome work : ineffable , elusive , yet inexplicably powerful
dramatic snapshot
portrays young brendan with his usual intelligence and subtlety , not to mention a convincing brogue .
an animation landmark as monumental as disney 's 1937 breakthrough snow white and the seven dwarfs .
the catch is that they 're stuck with a script that prevents them from firing on all cylinders .
sentiment and withholds delivery
we hate ( madonna ) within the film 's first five minutes
style and bold colors
more like stereotypical caretakers and moral teachers , instead
becomes the last thing you would expect from a film with this title or indeed from any plympton film : boring
is a little too in love with its own cuteness
hilarious and
that 's not scary , not smart and not engaging
the comic elements of the premise ,