xiangpku/GLUE huggingface dataset:
can not help be entertained by the sight of someone getting away with something
even the hastily and amateurishly drawn animation can not engage .
problem is , we have no idea what in creation is going on .
so exaggerated and broad that it comes off as annoying rather than charming .
those farts got to my inner nine-year-old
it 's an odd show , pregnant with moods , stillborn except as a harsh conceptual exercise .
illogic
starts slowly , but adrien brody -- in the title role -- helps make the film 's conclusion powerful and satisfying .
the pool with an utterly incompetent conclusion
this all works out
shows all the signs of rich detail condensed into a few evocative images and striking character traits .
, dumb action movie
some of the filmmakers who have directed him , especially the coen brothers and steven soderbergh
holes punched through by an inconsistent , meandering , and sometimes dry plot
it 's goofy ( if not entirely wholesome ) fun
magical enough
is an insultingly inept and artificial examination of grief and its impacts upon the relationships of the survivors .
an exquisite , unfakable sense
fresh and raw like a blown-out vein
a little wit
unmemorable filler .
to being the barn-burningly bad movie it promised it would be
just do n't really care too much about this love story .
bullock and grant still look ill at ease sharing the same scene .
an exceptional thriller
with all its botches
a good ear for dialogue ,
's the gift of the magi relocated to the scuzzy underbelly of nyc 's drug scene .
is predictable
who could too easily become comic relief in any other film --
mawkish dialogue
it 's at once laughable and compulsively watchable , in its committed dumbness .
it 's a very sincere work , but it would be better as a diary or documentary .
cellophane-pop remake
runs for only 71 minutes and
every now and again , a movie comes along to remind us of how very bad a motion picture can truly be .
the surface histrionics
, the movie has a cinematic fluidity and sense of intelligence that makes it work more than it probably should .
there 's nothing to gain from watching they .
a pleasing way
for veggietales fans , this is more appetizing than a side dish of asparagus .
have to check your brain at the door
damned wonderful
resentment
beautiful to watch and holds a certain charm
if you like quirky , odd movies and/or the ironic , here 's a fun one .
hard to imagine that even very small children will be impressed by this tired retread
promise by georgian-israeli director dover kosashvili
as exciting to watch as two last-place basketball teams
blond honeys
schmaltzy , by-the-numbers romantic comedy
'll enjoy this movie
combines a comically dismal social realism with a farcically bawdy fantasy of redemption and regeneration .
, is such high-wattage brainpower coupled with pitch-perfect acting and an exquisite , unfakable sense of cinema .
a taste for the quirky
extraordinary debut
a life-affirming message
in the long-winded heist comedy
mean it 's good enough for our girls
a long , dull procession of despair , set to cello music
... while certainly clever in spots , this too-long , spoofy update of shakespeare 's macbeth does n't sustain a high enough level of invention .
ca n't think of a thing to do with these characters except have them run through dark tunnels , fight off various anonymous attackers , and evade elaborate surveillance technologies
roger the sad cad that really gives the film its oomph
a two-way time-switching myopic mystery that stalls in its lackluster gear of emotional blandness
stranded
old movies , when you could just rent those movies instead , let alone seek out a respectable new one
the rare imax movie that you 'll wish
you 're more likely to enjoy on a computer
unromantic
acted and directed , it 's clear that washington most certainly has a new career ahead of him if he so chooses .
felt and vividly detailed story about newcomers in a strange new world
inspiring , ironic ,
earns the right to be favorably compared to das boot .
labyrinthine
this is one of the best-sustained ideas i have ever seen on the screen .
a film that will be best appreciated by those willing to endure its extremely languorous rhythms , waiting for happiness is ultimately thoughtful without having much dramatic impact .
third time 's the charm ... yeah , baby
overstated
little more than a particularly slanted , gay s/m fantasy , enervating and
that puts another notch
powerful and moving without stooping to base melodrama
trying figure out whether or not some cocky pseudo-intellectual kid has intentionally left college or was killed
things so nice
` film aficionados can not help but love cinema paradiso , whether the original version or new director 's cut . '
no affinity for most of the characters
on cue
so-so , made-for-tv
really funny movie
gaining much momentum
at once visceral and spiritual , wonderfully vulgar and
disappointed by a movie in a long time
now here 's a sadistic bike flick that would have made vittorio de sica proud .
fun or energy
offers an exploration that is more accurate than anything i have seen in an american film
undeniably moving film
was more diverting and thought-provoking
that this mean machine was a decent tv outing that just does n't have big screen magic
layer of action man cliché atop wooden dialogue
a fair share of dumb drug jokes and predictable slapstick
watch for about thirty seconds before you say to yourself ,
consistently sensitive and often exciting
enjoy its slightly humorous and tender story
articulates a flood of emotion .
is so packed with subplots involving the various silbersteins that it feels more like the pilot episode of a tv series than a feature film
too much exploitation and too little
god help us , but capra and cooper are rolling over in their graves
his several silly subplots
intelligent and deeply
with adventure and a worthwhile environmental message
nothing like love to give a movie a b-12 shot
bring on the battle bots , please
imperfect ?
attracts the young and fit
kid-empowerment fantasy
appalling , shamelessly manipulative and contrived , and
lazily and glumly
shot on digital videotape rather than film
odd drama
inside the mess that is world traveler
brings a youthful , out-to-change-the-world aggressiveness to the project ,
sucks you in and dares you not to believe it
the grandeur of the best next generation episodes is lacking
it 's super - violent , super-serious and super-stupid .
the cast and crew did n't sign a pact to burn the negative and the script and pretend the whole thing never existed
takes the most unexpected material
sly humor
even as i valiantly struggled to remain interested , or at least conscious , i could feel my eyelids ... getting ... very ... heavy ...
exploitative and largely devoid of the depth or sophistication that would make watching such a graphic treatment of the crimes bearable
the story plays out slowly , but the characters are intriguing and realistic
stomach-knotting suspense
what sets ms. birot 's film apart from others in the genre is a greater attention to the parents -- and particularly the fateful fathers -- in the emotional evolution of the two bewitched adolescents .
her fearlessness
an eye-boggling blend of psychedelic devices , special effects and backgrounds , ` spy kids 2 ' is a visual treat for all audiences .
is sorely lacking
new or interesting
address his own world war ii experience in his signature style
go from stark desert
confront it
's something i would rather live in denial about
the film itself is ultimately quite unengaging .
stress ` dumb .
suffers from two fatal ailments -- a dearth of vitality and a story that 's shapeless and uninflected
of the movies you 'd want to watch if you only had a week to live
the arguments
still consoled by his art , which is more than he has ever revealed before about the source of his spiritual survival
crass , contrived sequels
fused with solid performances and eerie atmosphere .
emotionally at least )
are kinetic enough to engross even the most antsy youngsters .
eye-catching
overwhelming waste
the world 's most fascinating stories
eloquently
a cult favorite
rather special
good race
amusing enough while you watch it , offering fine acting moments and pungent insights into modern l.a. 's show-biz and media
enough laughs to sustain interest to the end
( fiji diver rusi vulakoro and the married couple howard and michelle hall ) show us the world they love and make
methodical , measured , and gently tedious in its comedy , secret ballot is a purposefully reductive movie -- which may be why it 's so successful at lodging itself in the brain .
pitifully unromantic
loses himself to the film 's circular structure to ever offer any insightful discourse on , well , love in the time of money
carrying off a spot-on scottish burr , duvall ( also a producer ) peels layers from this character that may well not have existed on paper .
of most convincing emotional gravity from a scene where santa gives gifts to grownups
darkly funny and frequently insightful
, kung pow sets a new benchmark for lameness .
jeong-hyang lee 's film is deceptively simple , deeply satisfying .
seems as funny
will find that the road to perdition leads to a satisfying destination .
the film just might turn on many people to opera , in general , an art form at once visceral and spiritual , wonderfully vulgar and sublimely lofty -- and as emotionally grand as life .
suggests a director fighting against the urge to sensationalize his material .
it tight and nasty
enters the pantheon of wreckage that includes battlefield earth and showgirls
( dong ) makes a valiant effort to understand everyone 's point of view , and he does such a good job of it that family fundamentals gets you riled up .
is as padded as allen 's jelly belly
a baffling subplot involving smuggling drugs inside danish cows
impossible to claim that it is `` based on a true story ''
the bad things
flaccid satire
bolado credit for good intentions
ca n't deny its seriousness and quality .
as refreshing as a drink from a woodland stream .
her feature film
best and
happy times maintains an appealing veneer without becoming too cute about it .
you ca n't believe anyone would really buy this stuff .
like most of jaglom 's films , some of it is honestly affecting , but
the problem with the bread , my sweet is that it 's far too sentimental .
fantastic dual performance
beautifully sung
will be impressed by this tired retread
the movie is n't painfully bad , something to be ` fully experienced '
that years and years of costly analysis could never fix
... fuses the events of her life with the imagery in her paintings so vividly that the artist 's work may take on a striking new significance for anyone who sees the film .
to show this movie to reviewers before its opening , afraid of the bad reviews they thought they 'd earn
to crack a smile at
barbershop gets its greatest play from the timeless spectacle of people really talking to each other .
is so huge that a column of words can not adequately describe co-writer/director peter jackson 's expanded vision of j.r.r. tolkien 's middle-earth
its excellent storytelling , its economical
misunderstanding of marivaux 's rhythms , and mira sorvino 's limitations as a classical actress
its boundary-hopping formal innovations and glimpse
marveled at disney 's rendering of water , snow , flames and shadows
a sweet treasure and something
laconic and
but they do n't fit well together and neither is well told .
is the one thing that holds interest in the midst of a mushy , existential exploration of why men leave their families
as a call for pity and sympathy
of a man we only know as an evil , monstrous lunatic
the arduous journey of a sensitive young girl through a series of foster homes and
director shekhar kapur supplies with tremendous skill
has usually been leavened by a charm that 's conspicuously missing from the girls ' big-screen blowout .
pleasure to have a film like the hours as an alternative
turn out a small , personal film with an emotional wallop
neil burger here succeeded in
graphic sex may be what 's attracting audiences to unfaithful , but gripping performances by lane and gere are what will keep them awake
that rare family movie -- genuine and sweet
ridiculous wig
to overcome my resistance
near-masterpiece
makes the movie fresh
it 's better than the phantom menace .
the connected stories of breitbart and hanussen are actually fascinating ,
likely to leave a lasting impression
its rather routine script
this is n't a movie ; it 's a symptom .
goes by quickly , because it has some of the funniest jokes of any movie this year , including those intended for adults
and intermittently hilarious
for this story to go but down
like a precious and finely cut diamond , magnificent to behold in its sparkling beauty yet in reality it 's one tough rock .
, the rising place never quite justifies its own existence .
of his way to turn the legendary wit 's classic mistaken identity farce into brutally labored and unfunny hokum
ultimately comes off as insultingly simplistic
to be somebody , and to belong to somebody
the film is a pleasant enough dish .
flat-out amusing , sometimes endearing and often fabulous , with a solid cast ,
to be anything but frustrating , boring , and forgettable
joyless
the intimate , unguarded moments of folks who live in unusual homes -- which pop up in nearly every corner of the country
certainly wo n't be remembered as one of ( witherspoon 's ) better films .
best korean film
should be served an eviction notice at every theater stuck with it .
drowns out the promise of the romantic angle .
is silly beyond comprehension
the movie could be released in this condition
`` the dangerous lives of altar boys '' has flaws , but
a buoyant romantic comedy about friendship , love , and the truth that we 're all in this together
by supporting characters who are either too goodly , wise and knowing or downright comically evil
an overwhelmingly positive portrayal
to make its subject interesting to those who are n't part of its supposed target audience
a real filmmaker 's eye
this makes it not only a detailed historical document , but an engaging and moving portrait of a subculture
rap and r&b names
brings a beguiling freshness to a coming-of-age story with such a buoyant , expressive flow of images that it emerges as another key contribution to the flowering of the south korean cinema
( a ) wonderfully loopy tale of love , longing , and voting
that rare documentary that incorporates so much of human experience -- drama , conflict , tears and surprise -- that it transcends the normal divisions between fiction and nonfiction film .
a hoot watching the rock chomp on jumbo ants , pull an arrow out of his back , and leap unscathed through raging fire
forced funniness
there is no psychology here , and no real narrative logic -- just a series of carefully choreographed atrocities , which become strangely impersonal and abstract .
is unfocused
that the movie has virtually nothing to show
does `` lilo & stitch '' reach the emotion or timelessness of disney 's great past , or even that of more recent successes such as `` mulan '' or `` tarzan .
a stab
poetry , passion , and genius
what makes the movie special is its utter sincerity .
digs into their very minds to find an unblinking , flawed humanity .
add up to a satisfying crime drama .
settles into clichés
keep you interested without coming close to bowling you over
a fascinating literary mystery story
assembles a fascinating profile of a deeply humanistic artist who , in spite of all that he 's witnessed , remains surprisingly idealistic
jeff 's ) gorgeous
of director abel ferrara
a strange film , one that was hard for me to warm up to
nelson 's intentions are good , but the end result does no justice to the story itself .
has about 25 minutes of decent material
give us a reason to be in the theater beyond wilde 's wit and the actors ' performances
the film has a laundry list of minor shortcomings ,
into a pulpy concept that , in many other hands would be completely forgettable
burning , blasting , stabbing
miscalculation
the hard-to-predict and absolutely essential chemistry between the down-to-earth bullock and the nonchalant grant proves to be sensational , and everything meshes in this elegant entertainment
that 's target audience has n't graduated from junior high school
for two movies
a dream image
the sum of all fears is remarkably fuddled about motives and context , which drains it of the dramatic substance that would shake us in our boots ( or cinema seats ) .
with actors you 're most likely to find on the next inevitable incarnation of the love boat
of the pitfalls you 'd expect in such a potentially sudsy set-up
slopped ` em together
wrapping the theater in a cold blanket of urban desperation
a great premise but only a great premise
rare film
a heavyweight film
sarah 's dedication to finding her husband seems more psychotic than romantic , and
some unpaid intern had just typed ` chris rock , ' ` anthony hopkins ' and ` terrorists ' into some univac-like script machine
please , someone , stop eric schaeffer before he makes another film .
both thematic content and narrative strength
the large cast is solid
come close to justifying the hype that surrounded its debut at the sundance film festival two years ago
to enjoy for a lifetime
affectionately goofy satire
are to ourselves and each other
coupling disgracefully written dialogue
crafted but emotionally cold , a puzzle whose intricate construction one can admire but is difficult to connect with on any deeper level .
there 's not a fresh idea at the core of this tale .
spent watching this waste of time .
stereotypes in good fun , while adding a bit of heart and unsettling subject matter .
the optimism of a group of people who are struggling to give themselves a better lot in life than the ones
dialogue and inventive moments
a cinematic poem
rotten in almost every single facet of production
in this case zero .
its drastic iconography
, the magnificent swooping aerial shots are breathtaking ,
in praise of love remains a ponderous and pretentious endeavor that 's unfocused and tediously exasperating
a fairly slow paced ,
cinematic car wreck
peculiar malaise
full of the kind of energy it 's documenting
can be considered work
perfectly pitched between comedy and tragedy , hope and despair
psychological
break free of her old life
a fascinating , unnerving examination of the delusions of one unstable man
a gem of a movie
it one of the best war movies ever made
's smooth and professional
`` interview '' loses its overall sense of mystery and becomes a tv episode rather than a documentary that you actually buy into .
a lovely trifle
at the helm
the script has less spice than a rat burger and the rock 's fighting skills are more in line with steven seagal
not as well-written as sexy beast , not as gloriously flippant as lock , stock and two smoking barrels , but stylish and moody and exceptionally well-acted .
marvelously entertaining
saw that was written down
depressingly thin and exhaustingly contrived .
the film 's considered approach to its subject matter is too calm and thoughtful for agitprop , and the thinness of its characterizations makes it a failure as straight drama . '
better to do with 94 minutes
as do the girls ' amusing personalities
i certainly ca n't recommend it
pinheads who talk throughout the show
is somewhat problematic
finds a way to make j.k. rowling 's marvelous series into a deadly bore
am highly amused by the idea that we have come to a point in society where it has been deemed important enough to make a film in which someone has to be hired to portray richard dawson .
a confluence of kiddie entertainment , sophisticated wit and symbolic graphic design
less funny than it thinks it is
no amount of arty theorizing -- the special effects are ` german-expressionist , ' according to the press notes -- can render it anything but laughable .
belittle a cinema classic .
explores the seemingly irreconcilable situation between conservative christian parents and their estranged gay and lesbian children .
has skin looked as beautiful , desirable , even delectable , as it does in trouble every day
... there 's enough cool fun here to warm the hearts of animation enthusiasts of all ages .
of college dorm rooms , a subtlety that makes the silly , over-the-top coda especially disappointing
outdoes its spectacle .
credible account
traps audiences in a series of relentlessly nasty situations that we would pay a considerable ransom not to be looking at .
collapses like an overcooked soufflé
bumbling
definitely a crowd-pleaser , but then , so was the roman colosseum .
that made me want to scream
real winner
shaking your head all the way to the credits
very talented young actors
was , by its moods , and by its subtly
a clarity of purpose and even-handedness
ends up as a bitter pill
puts an exclamation point
topless and roll in the mud than a worthwhile glimpse of independent-community guiding lights
remains a film about something , one that attempts and often achieves a level of connection and concern .
perfectly creepy and believable
the project 's filmmakers forgot to include anything even halfway scary as they poorly rejigger fatal attraction into a high school setting .
say that it does n't follow the stale , standard , connect-the-dots storyline which has become commonplace in movies that explore the seamy underbelly of the criminal world
( davis ) wants to cause his audience an epiphany , yet he refuses to give us real situations and characters
, insightfully human
like ` praise the lord
a monologue that manages to incorporate both the horror and the absurdity of the situation in a well-balanced fashion
high romance ,
the top of their lungs
are jarring and deeply out of place in what could have ( and probably should have ) been a lighthearted comedy
appears as if even the filmmakers did n't know what kind of movie they were making
the screenwriter responsible for one of the worst movies of one year directs an equally miserable film the following year
watching your favorite pet get buried alive
flat run
is extremely funny ,
written for no one
it 's hardly over before it begins to fade from memory
the impossibly long limbs and sweetly conspiratorial smile
a definitive account of eisenstein 's life
an entertainment destination
overflowing
it 's a bad action movie because there 's no rooting interest
maybe she , janine and molly -- an all-woman dysfunctional family -- deserve one another
has all the scenic appeal of a cesspool
eye-catching art direction
sons , loyalty and duty
some fine acting
the honor
overcome its weaknesses
parker displays in freshening the play
better video-game-based flicks ,
making this character understandable ,
herzog simply runs out of ideas and the pace turns positively leaden as the movie sputters to its inevitable tragic conclusion
that cleverly captures the dry wit that 's so prevalent on the rock
more chillingly effective
the best-sustained ideas
so special
allows it to rank with its worthy predecessors
as an all-inclusive world where uptight , middle class bores like antonia can feel good about themselves
takes a classic story , casts attractive and talented actors and uses a magnificent landscape to create a feature film that is wickedly fun to watch
the picture emerges as a surprisingly anemic disappointment .
the few ` cool ' actors
as david letterman and the onion have proven , the worst of tragedies can be fertile sources of humor , but lawrence has only a fleeting grasp of how to develop them .
a film that plays things so nice 'n safe as to often play like a milquetoast movie of the week blown up for the big screen .
grand locations
'd be hard put to find a movie character more unattractive or odorous ( than leon )
more annoying
ludicrous attempt
's a cool event for the whole family
is that it 's actually watchable
boring and meandering .
the right choice
largely unfulfilling
with outtakes in which most of the characters forget their lines and just utter ` uhhh , ' which is better than most of the writing in the movie
ultimately winning story
the leaping story line , shaped by director peter kosminsky into sharp slivers and cutting impressions
as a thoughtful and unflinching examination of an alternative lifestyle , sex with strangers is a success .
a stale copy