xiangpku/GLUE huggingface dataset:
in the name of an allegedly inspiring and easily marketable flick
gooding is the energetic frontman
film about growing up that we do n't see often enough these days
naturally charming
the rare directors who feels acting is the heart and soul of cinema
into ` an inspiring tale of survival wrapped in the heart-pounding suspense of a stylish psychological thriller '
petter næss ' delicate , clever direction
remarkably dull with only caine
the characters have a freshness and modesty that transcends their predicament .
to a climax that 's scarcely a surprise by the time
feels like a prison stretch
of that on the cinematic front , look no further than this 20th anniversary edition of the film that spielberg calls
visually atrocious , and often downright creepy
come with the warning ``
the plot of the comeback curlers is n't very interesting actually , but what i like about men with brooms and what is kind of special is how the film knows what 's unique and quirky about canadians .
a soulless hunk
conventional but heartwarming
unencouraging
big screen magic
not smart and not engaging
of good acting
bitter and truthful
also the unique way shainberg goes about telling what at heart is a sweet little girl
after seeing the film , i can tell you that there 's no other reason why anyone should bother remembering it .
people act weird
rote work and predictable
an obvious copy of one of the best films ever made , how could it not be ?
this film that may not always work
as a chance to revitalize what is and always has been remarkable about clung-to traditions
entertaining on an inferior level
young american
on all levels
one of the better video-game-based flicks ,
except maybe for the last 15 minutes , which are as maudlin as any after-school special you can imagine
african-americans because of its broad racial insensitivity towards african-americans
we have a bad , bad , bad movie
flails
for the most part , credible
's one of the most beautiful , evocative works i 've seen .
broken characters
a winning piece of work
digs into their very minds
good , solid storytelling .
the sort of picture in which , whenever one of the characters has some serious soul searching to do , they go to a picture-perfect beach during sunset .
of a love affair
tasteful to look at
devito 's misanthropic vision
perfect movie
little catch
pauly shore awful
to whom the idea of narrative logic or cohesion is an entirely foreign concept
's a film with an idea buried somewhere inside its fabric , but never clearly seen or felt .
tapping into our reality tv obsession , and even tardier
in all its director 's cut glory ,
that loses sight of its own story
grace and panache
engaging and exciting
is suspenseful and ultimately unpredictable , with a sterling ensemble cast
of a frustrating misfire
as subtle and as enigmatic
dull , spiritless , silly and monotonous
gorgeous to look at but insufferably tedious and turgid
goofy ( if not entirely wholesome ) fun
get all five
magnificent to behold in its sparkling beauty yet in reality it 's one tough rock .
is a fine , understated piece of filmmaking .
a coming-of-age tale from new zealand whose boozy , languid air is balanced by a rich visual clarity and deeply felt performances across the board .
's an observant , unfussily poetic meditation about identity and alienation .
updates the setting in an attempt to make the film relevant today , without fully understanding what it was that made the story relevant in the first place .
acidic all-male
inimitable diaz
had some success with documentaries
take his smooth , shrewd , powerful act
if you 've the patience , there are great rewards here .
that there is nothing distinguishing in a randall wallace film
the usual whoopee-cushion effort
entertaining , if ultimately minor , thriller
'm going to give it a marginal thumbs up
lazily directed by charles stone iii ... from a leaden script by matthew cirulnick and novelist thulani davis .
mediterranean sparkles
leers ,
the film does n't end up having much that is fresh to say about growing up catholic or , really , anything .
want to pack raw dough in my ears
been sent back to the tailor for some major alterations
to make an old-fashioned nature film that educates viewers with words and pictures while entertaining them
nurtures the multi-layers of its characters , allowing us to remember that life 's ultimately a gamble and last orders are to be embraced .
well-made pizza
earnestness
mind-numbingly
go-for-broke acting that heralds something special
for a few comic turns
is loopy and ludicrous ... that it could have been a hoot in a bad-movie way if the laborious pacing and endless exposition had been tightened
is sure to win viewers ' hearts
does n't try to surprise us with plot twists , but rather
pushes too hard to make this a comedy or serious drama
emerge dazed , confused as to whether you 've seen pornography or documentary .
junk-calorie
leave it to john sayles to take on developers , the chamber of commerce , tourism , historical pageants ,
is engage an audience
think most of the people who loved the 1989 paradiso will prefer this new version
one that typifies the delirium of post , pre , and extant stardom
swept away
with a serious minded patience , respect and affection
the huskies are beautiful
a dark pit
here ... not that i mind ugly ; the problem is he has no character , loveable or otherwise .
its subject matter in a tasteful , intelligent manner
troubling and powerful
hooting it 's praises
does n't do more than expand a tv show to movie length
a skillfully assembled , highly polished and professional adaptation ...
, clever
a unique , well-crafted psychological study of grief
this cross-cultural soap opera is painfully formulaic and stilted .
a well-deserved reputation as one of the cinema world 's great visual stylists
it 's a feel-good movie about which you can actually feel good .
singer/composer bryan adams contributes a slew of songs -- a few potential hits , a few more simply intrusive to the story -- but the whole package certainly captures the intended , er , spirit of the piece .
like watching an alfred hitchcock movie after drinking twelve beers
their own brightly colored dreams
splashy and entertainingly nasty
its hard to imagine having more fun watching a documentary ...
feel-bad ending
chan wades through putrid writing , direction and timing with a smile that says , ` if i stay positive , maybe i can channel one of my greatest pictures , drunken master . '
not a bad way
, paid in full has clever ways of capturing inner-city life during the reagan years .
is imposter makes a better short story than it does a film .
in that oh-so-important category , the four feathers comes up short
you wo n't find anything to get excited about on this dvd .
cox offers plenty of glimpses at existing photos , but there are no movies of nijinsky , so instead the director treats us to an aimless hodgepodge .
something as splendid-looking as this particular film
there are some movies that hit you from the first scene and you know it 's going to be a trip .
unexpectedly sweet
the right time in the history of our country
his chemistry with shimizu is very believable
'd probably turn it off , convinced that you had already seen that movie .
such a wildly uneven hit-and-miss enterprise , you ca n't help suspecting that it was improvised on a day-to-day basis during production .
with nary a glimmer of self-knowledge , ( crane ) becomes more specimen than character -- and auto focus remains a chilly , clinical lab report .
too grave for youngsters
on the economics of dealing and the pathology of ghetto fabulousness
on the banality and hypocrisy of too much kid-vid
could hardly
are of the highest and the performances attractive without being memorable
let 's see , a haunted house , a haunted ship , what 's next ... ghost blimp
stevens ' vibrant creative instincts are the difference between this and countless other flicks about guys and dolls .
a creepy , intermittently powerful study
set the women 's liberation movement back 20 years
inject some real vitality and even art into a pulpy concept that , in many other hands would be completely forgettable
a great film
meeting , even exceeding expectations
unique and entertaining twist
solondz is so intent on hammering home his message that he forgets to make it entertaining .
a sobering and powerful documentary about the most severe kind of personal loss
making it one of the best war movies ever made
listless , witless
of fun or energy
will take you places you have n't been , and also places you have
... feels as if ( there 's ) a choke leash around your neck so director nick cassavetes can give it a good , hard yank whenever he wants you to feel something .
for bathroom breaks
pleasurable expressions
a frustrating ` tweener ' --
have a hard time
sprung from such a great one
nicely mixes in as much humor as pathos to take us on his sentimental journey of the heart .
a strong sense of humanism
fun and enjoyable
a riot-control projectile or my own tortured psyche
has all of dean 's mannerisms and self-indulgence , but none of his sweetness and vulnerability .
incoherence and
traps audiences in a series of relentlessly nasty situations that we would pay a considerable ransom not to be looking at
good at being the ultra-violent gangster wannabe
is a nicely handled affair , a film about human darkness but etched with a light ( yet unsentimental ) touch
sheerly beautiful film
time out offers an exploration that is more accurate than anything i have seen in an american film .
be going through the motions , beginning with the pale script
incredibly thoughtful
who inhabit it
a weary journalist
assembles a fascinating profile of a deeply humanistic artist who , in spite of all that he 's witnessed , remains surprisingly idealistic , and
went over my head
successful example
served by the movie 's sophomoric blend of shenanigans and slapstick , although the more lascivious-minded might be disappointed in the relative modesty of a movie that sports a ` topless tutorial service
a nagging sense
as lumpy as two-day old porridge
of the best actors there is
there are also some startling , surrealistic moments
post-september 11 , `` the sum of all fears '' seems more tacky and reprehensible , manipulating our collective fear without bestowing the subject with the intelligence or sincerity it unequivocally deserves .
ignored it in favor of old ` juvenile delinquent ' paperbacks with titles like leather warriors and switchblade sexpot
burns ' fifth beer-soaked film feels in almost every possible way -- from the writing and direction to the soggy performances -- tossed off .
to the point of distraction
that have reinvigorated the romance genre
of the self-esteem of employment and the shame of losing a job
the globe in dazzling panoramic shots that make the most of the large-screen format , before swooping down on a string of exotic locales , scooping the whole world up in a joyous communal festival of rhythm
funny yet dark
a major waste ... generic .
a bad movie that happened to good actors .
a crowd-pleaser ,
the glamorous machine that thrusts the audience into a future they wo n't much care about
vonnegut
the film , despite the gratuitous cinematic distractions impressed upon it , is still good fun .
asks nothing of the audience other than to sit back and enjoy a couple of great actors hamming it up
of daring films
of an impression
like a copout
are all more than competent
`` shakes the clown '' , a much funnier film with a similar theme and
the hearts of animation enthusiasts of all ages
that it is laughingly enjoyable
amusing nor dramatic enough to sustain interest
intensely romantic , thought-provoking and even an engaging mystery .
the effort is sincere and the results are honest , but the film is so bleak that it 's hardly watchable .
retelling
am not generally a huge fan of cartoons derived from tv shows , but hey arnold !
( the film 's ) taste for `` shock humor '' will wear thin on all but those weaned on the comedy of tom green and the farrelly brothers
let 's issue a moratorium , effective immediately , on treacly films about inspirational prep-school professors and the children they so heartwarmingly motivate .
's also nice to see a movie with its heart so thoroughly ,
the attention process tends to do a little fleeing of its own .
more revealing , more emotional and more surprising
is the most disappointing woody allen movie ever .
there is something that is so meditative and lyrical about babak payami 's boldly quirky iranian drama secret ballot ... a charming and evoking little ditty that manages to show the gentle and humane side of middle eastern world politics
a big meal of cliches that the talented cast generally chokes on .
dim-witted and lazy
a sloppy slapstick throwback to long gone bottom-of-the-bill fare like the ghost and mr. chicken .
skillful
did , with a serious minded patience , respect and affection
easily accessible stories that resonate with profundity
seems embarrassed by his own invention and tries to rush through the intermediary passages , apparently hoping that the audience will not notice the glaring triteness of the plot device
kouyate elicits strong performances from his cast , and he delivers a powerful commentary on how governments lie , no matter who runs them .
you 've already seen city by the sea under a variety of titles
nearly terminal
mean-spirited and wryly observant .
terminally bland , painfully slow
o fantasma is boldly , confidently orchestrated , aesthetically and sexually , and its impact is deeply and rightly disturbing .
various characters express their quirky inner selves
finally move away from his usual bumbling , tongue-tied screen persona
zoning ordinances to protect your community from the dullest science fiction
stiflingly
the station looking for a return ticket to realism
and game phenomenon
aggravating
the sturdiest example yet
a bunch of talented thesps slumming it
be depressing
so potent
which presses familiar herzog tropes into the service of a limpid and conventional historical fiction , when really what we demand of the director
when a movie has stuck around for this long , you know there 's something there .
hollow at its emotional core
that 'll be much funnier than anything in the film ...
solid job
but they 're simply not funny performers
a half-assed film .
no clear-cut hero and no all-out villain
into a smart new comedy
pay reparations to viewers
beaten
the best sequel since the empire strikes back ... a majestic achievement , an epic of astonishing grandeur and surprising emotional depth
affectionate delight
an authentically vague , but ultimately purposeless , study in total pandemonium .
surprisingly charming and
to end on a positive ( if tragic ) note
visit , this laboratory of laughter
as a landmark in film history
the humor , characterization , poignancy , and intelligence of a bad sitcom
the greatest natural sportsmen
pretty and gifted
a wal-mart budget
annoying score
, straining to get by on humor that is not even as daring as john ritter 's glory days on three 's company .
an impenetrable and insufferable ball
that encompasses many more paths than we started with
much of the movie 's charm lies in the utter cuteness of stuart and margolo .
is marveilleux
acts light on great scares and a good surprise ending
( gayton 's script ) telegraphs every discovery and layers on the gloss of convenience .
that its `` dead wife communicating from beyond the grave '' framework is even remotely new or interesting
, mayhem and stupidity
best enjoyed as a work of fiction inspired by real-life events .
's ) a clever thriller with enough unexpected twists to keep our interest .
the problem with wendigo
, the movie is rather choppy .
one of those films that started with a great premise and then just fell apart
a solid pedigree both in front of and , more specifically , behind the camera
rushed , slapdash , sequel-for-the-sake
probe questions of attraction and interdependence
dreary tale
would benigni 's italian pinocchio have been any easier to sit through than this hastily dubbed disaster
fascinates
sucks you in and
a formula family tearjerker told with a heavy irish brogue ... accentuating , rather than muting , the plot 's saccharine thrust .
feel like the movie 's various victimized audience members after a while
in-your-face family drama and black comedy
resembles an outline for a '70s exploitation picture than the finished product
unrewarding all of this
flat characters
i liked the movie , but i know i would have liked it more if it had just gone that one step further
most purely enjoyable and satisfying evenings
sustained fest of self-congratulation between actor and director that leaves scant place for the viewer .
is still a cinematic touchstone .
very sweet
a-list director
fun and funny in the middle , though
but it was n't horrible either
you 'd want to smash its face in
's a feel-bad ending for a depressing story that throws a bunch of hot-button items in the viewer 's face and asks to be seen as hip , winking social commentary .
shtick
the endlessly repetitive scenes of embarrassment
an enthusiastic audience
not only satisfied
morality tale
gripping performances
a lazy exercise
keep you wide awake and
into your heart
dazzling pop entertainment
the good-time shenanigans
even if you 've never heard of chaplin , you 'll still be glued to the screen .
pan nalin 's exposition is beautiful and mysterious ,
resulted in a smoother , more focused narrative without sacrificing any of the cultural intrigue
holds a certain charm
stevens has a flair for dialogue comedy , the film operates nicely off the element of surprise , and the large cast is solid
the perfect cure
of bible parables and not an actual story
the best sex comedy
a movie that is n't just offensive
incisive and sensitive
is difficult to fathom
, apparently nobody here bothered to check it twice .
is hard to dismiss -- moody , thoughtful , and lit by flashes of mordant humor .
are n't your bailiwick
beautifully shot , delicately scored and powered by a set of heartfelt performances , it 's a lyrical endeavor .
maelstrom is strange and compelling , engrossing and different ,
bawdy
been made with an enormous amount of affection
for whom she shows little understanding
funniest and most likeable movie in years
the full monty was a freshman fluke
about half of them are funny , a few are sexy and none are useful in telling the story , which is paper-thin and decidedly unoriginal .
apart is the vision that taymor , the avant garde director of broadway 's the lion king and the film titus , brings .
trying to break your heart an attraction it desperately needed
dreary , humorless soap opera
the story really has no place to go since simone is not real -- she ca n't provide any conflict
so rich with period minutiae
that deserved better than a ` direct-to-video ' release
collapses after 30 minutes into a slap-happy series of adolescent violence
of adolescent violence
it 's a shame the marvelous first 101 minutes have to be combined with the misconceived final 5 .
... ( the film ) works , due mostly to the tongue-in-cheek attitude of the screenplay .
sc2 is an autopilot hollywood concoction lacking in imagination and authentic christmas spirit ,
chris columbus ' sequel is faster , livelier and a good deal funnier than his original .
leaden and dull
a lasting impression
a trend long overdue
is a poem to the enduring strengths of women
entertaining mix
ultimately coheres into a sane and breathtakingly creative film
is a kind of perpetual pain
's nothing here that they could n't have done in half an hour
be entertained by
some will object to the idea of a vietnam picture with such a rah-rah , patriotic tone
simple and precise that anything discordant would topple the balance
, the film is well worthwhile .
good vampire tale
cheesiest
a deliciously nonsensical comedy
of satisfying entertainment
like leafing through an album of photos
narcissism and
burns
cram too many ingredients into one small pot
is n't necessarily an admirable storyteller
the shadowy lighting
mutates into a gross-out monster movie with effects that are more silly than scary .
arrives at its heart , as simple self-reflection meditation .
evil dead ii
this rich
give shapiro , goldman , and bolado credit for good intentions , but
never seems aware of his own coolness
french director anne fontaine delivers an inspired portrait of male-ridden angst and the emotional blockage that accompanies this human condition
a not-so-divine secrets of the ya-ya
as before , from the incongruous but chemically perfect teaming of crystal and de niro
a respectable summer blockbuster
does n't tell you anything except that the chelsea hotel today is populated by whiny , pathetic , starving and untalented artistes
, state property does n't end up being very inspiring or insightful .
wise men
a masterpeice
am more offended by his lack of faith in his audience than by anything on display here
unforgettable characters
an assurance worthy of international acclaim
a great deal of thought
you 'd probably turn it off , convinced that you had already seen that movie .
a uniquely sensual metaphorical dramatization
nasty journey
it should be interesting
to go see this unique and entertaining twist on the classic whale 's tale
, he 's a charismatic charmer likely to seduce and conquer .
putrid writing , direction and timing with a smile that says , ` if i stay positive , maybe i can channel one of my greatest pictures , drunken master .
generate any interest in an unsympathetic hero caught up in an intricate plot that while cleverly worked out , can not overcome blah characters
thoroughly enjoyable , heartfelt
trenchant satirical jabs
its and pieces of the hot chick are so hilarious , and schneider 's performance is so fine
fall 's
fast paced and suspenseful argentinian thriller
some modest amusements
illiterate
here his sense of story and his juvenile camera movements smack of a film school undergrad , and
an average b-movie with no aspirations
( the film ) tackles the topic of relationships in such a straightforward , emotionally honest manner that by the end
get by on humor that is not even as daring as john ritter 's glory days on three 's company
there is simply no doubt that this film asks the right questions at the right time in the history of our country .
forgive any shoddy product as long as there 's a little girl-on-girl action
some special qualities and
has a dashing and resourceful hero ; a lisping , reptilian villain ; big fights ; big hair ; lavish period scenery ; and a story just
, hélène angel is definitely a director to watch .
are cast adrift in various new york city locations with no unifying rhythm or visual style .
meaningless , vapid and devoid
an ` action film '
finding the characters in slackers or their antics amusing , let alone funny
appealing enough to probably have a good shot at a hollywood career , if they want one
a naturally funny film , home movie makes you crave chris smith 's next movie .
let 's see , a haunted house , a haunted ship , what 's next
not only is entry number twenty the worst of the brosnan bunch , it 's one of the worst of the entire franchise .
in these characters ' foibles a timeless and unique perspective
some very good acting
a thoroughly engaging , surprisingly touching british comedy
there are few things more frustrating to a film buff than seeing an otherwise good movie marred beyond redemption by a disastrous ending .
filmed directly from a television monitor
's as sorry a mess as its director 's diabolical debut , mad cows .
openness ,
a guy with his talent ended up in a movie this bad
his clamorous approach
ambitious , eager
was funny
tailor-made
more experimental in its storytelling
into a believable mother/daughter pair
crafted here a worldly-wise and very funny script
quirky , off-beat project
every visual joke is milked , every set-up obvious and lengthy
really quite funny
uneasy bonds
if you , like me , think an action film disguised as a war tribute is disgusting to begin with
real filmmaker 's
's just another cartoon with an unstoppable superman .
in the tries-so-hard-to-be-cool `` clockstoppers
that could have been much better
just a string of stale gags , with no good inside dope , and no particular bite
subtly different
exploitative and largely devoid
christmas perennial
funnier film