xiangpku/GLUE huggingface dataset:
's appealingly manic and energetic .
wit and warmth than should be expected from any movie with a `` 2 '' at the end of its title .
rank as three of the most multilayered and sympathetic female characters of the year
something rare and riveting : a wild ride that relies on more than special effects
an interesting topic , some intriguing characters
a psychological mystery
most opaque , self-indulgent
is that there 's a casual intelligence that permeates the script .
to modernize it with encomia to diversity and tolerance
loud , chaotic and
by a strong and unforced supporting cast
the director 's experiment is a successful one .
the worst movie i 've seen this summer
hopkins
is a rancorous curiosity : a movie without an apparent audience
staged violence overshadows everything
with a sweet
lacking the spark of imagination that might have made it an exhilarating
make an appealing couple -- he 's understated and sardonic
the problem is that van wilder does little that is actually funny with the material .
fully developed story
is too impressed with its own solemn insights
subtlest works
a sincerely crafted picture that deserves to emerge from the traffic jam of holiday movies
butterfingered
a negligible british comedy .
about the need to stay in touch with your own skin , at 18 or 80
's never a dull moment in the giant spider invasion comic chiller
their noble endeavor
swimfan does catch on
randall wallace
of the most curiously depressing
the film 's highlight is definitely its screenplay , both for the rhapsodic dialogue that jumps off the page , and for the memorable character creations .
twenty-three movies into a mostly magnificent directorial career , clint eastwood 's efficiently minimalist style finally has failed him .
a movie that will stimulate hours of post viewing discussion , if only to be reminded of who did what to whom and why
incredibly irritating comedy
and mainly unfunny
the color sense of stuart little 2 is its most immediate and most obvious pleasure ,
it manages to squeeze by on angelina jolie 's surprising flair for self-deprecating comedy .
the voice-over hero in columbia pictures ' perverse idea of an animated holiday movie
when she should be building suspense
gets old quickly .
pass this stinker off as a scary movie
emotionally stirring
, possession is a movie that puts itself squarely in the service of the lovers who inhabit it .
in boredom
the movie makes two hours feel like four .
appealing enough
a genre that has been overexposed , redolent of a thousand cliches , and yet remains uniquely itself , vibrant with originality
of respect to just one of those underrated professionals who deserve but rarely receive it
contemplative , and sublimely beautiful .
new , fervently held ideas and fanciful thinkers
this toothless dog , already on cable , loses all bite on the big screen .
never loses its ability to shock and amaze .
of the insurance actuary
is a whole lot of nada .
the fantastic
of embarrassingly ham-fisted sex jokes
on human interaction rather than battle and action sequences
the chateau has one very funny joke and a few other decent ones ,
piffle .
be seen everywhere
an indisputably spooky film
david and
always hilarious meara
routine action and jokes like this
is extraordinary .
a comedy that is warm , inviting , and surprising .
fun-for-fun 's
one can only assume that the jury who bestowed star hoffman 's brother gordy with the waldo salt screenwriting award at 2002 's sundance festival were honoring an attempt to do something different over actually pulling it off
tie together beautifully
dense , exhilarating documentary .
that sometimes it 's difficult to tell who the other actors in the movie are
, rabbit-proof fence is a quest story as grand as the lord of the rings
is even better than the fellowship
makes sorry use of aaliyah in her one and only starring role
clunky tv-movie
return to a sane regimen of eating , sleeping and stress-reducing contemplation
believable performances
too damn weird to pass up , and for the blacklight crowd , way cheaper ( and better ) than pink floyd tickets .
fall together without much surprise
the movie 's sentimental , hypocritical lessons
would 've worked a lot better had it been a short film .
enough sweet and traditional romantic comedy to counter the crudity
boomers and their kids will have a barrie good time .
rather less than the sum of its underventilated père-fils confrontations
what a bewilderingly brilliant and entertaining
profoundly stupid affair
even dies .
assurance worthy
deep intelligence and a warm , enveloping affection breathe out of every frame .
hitting your head on the theater seat in front of you when you doze off thirty minutes into the film
but the nerve-raked acting , the crackle of lines , the impressive stagings of hardware , make for some robust and scary entertainment .
provides the kind of ` laugh therapy ' i need from movie comedies
for dance completists only .
mopes through a dreary tract of virtually plotless meanderings
it may rate as the most magical and most fun family fare of this or any recent holiday season .
disquieting and thought-provoking film
nothing more than a stifling morality tale dressed up in peekaboo clothing .
about motives and context , which drains it of the dramatic substance that would shake us in our boots ( or cinema seats )
the best movies of the year
, the acting is robotically italicized ,
gorgeous to look at but
most antsy youngsters
it collapses when mr. taylor tries to shift the tone to a thriller 's rush .
, entertaining thriller
rowdy participants
are canny and spiced with irony .
an undistinguished rhythm of artificial suspense
's been done before but never so vividly or with so much passion .
with nothing original in the way of slapstick sequences
with his picture-perfect life
91-minute trailer
enticing and often funny documentary .
asian neo-realist treasure .
had much science
to plant smile-button faces on that segment of the populace that made a walk to remember a niche hit
a fairly harmless but ultimately lifeless feature-length
symbolic characters
is ) so stoked to make an important film about human infidelity and happenstance that he tosses a kitchen sink onto a story already overladen with plot conceits
having to inhale this gutter romancer 's secondhand material
rich and full life
somber , absurd , and
directed with sensitivity and skill
, despite many talky , slow scenes
discerning taste
the pacing is deadly
being forceful , sad without being shrill
mind , while watching eric rohmer 's tribute to a courageous scottish lady
, it 's goofy ( if not entirely wholesome ) fun
this bad on purpose
earthy
drunken driver
the filmmakers wisely decided to let crocodile hunter steve irwin do what he does best , and fashion a story around him .
as boring and as obvious
the best script that besson has written in years .
an idea that should 've been so much more even if it was only made for teenage boys and wrestling fans
you enough to feel good about
found with an devastating , eloquent clarity
wreaked
long and tedious
proves absolutely that really , really , really good things can come in enormous packages
has made the near-fatal mistake of being what the english call ` too clever by half . '
are simply dazzling
artfully restrained in others , 65-year-old jack nicholson
sex with strangers is fascinating ...
songbird britney spears has popped up with more mindless drivel .
i predict there will be plenty of female audience members drooling over michael idemoto as michael
dismal
just as much intelligence
sheridan had a wonderful account to work from , but , curiously , he waters it down , turning grit and vulnerability into light reading .
contriving a climactic hero 's death for the beloved-major
an intoxicating experience .
of the two bewitched adolescents
wastes its time on mood rather than riding with the inherent absurdity of ganesh 's rise up the social ladder .
hitchens ' obsession with kissinger is , at bottom , a sophisticated flower child 's desire to purge the world of the tooth and claw of human power
fun , with an undeniable energy
so sloppily written and
i am not generally a huge fan of cartoons derived from tv shows , but hey arnold !
shows all the signs of rich detail condensed into a few evocative images and striking character traits
humbuggery ...
could i have been more geeked when i heard that apollo 13 was going to be released in imax format ?
the director , tom dey , had spliced together bits and pieces of midnight run and 48 hours ( and , for that matter , shrek )
impressively true for being so hot-blooded
nice to see what he could make with a decent budget
be dismissed as mindless
raunchy as south park
three sides of his story with a sensitivity
is a must
krawczyk deserves a huge amount of the credit for the film 's thoroughly winning tone
tested by bad luck and their own immaturity
most importantly ,
those responsible did n't cut their losses -- and ours -- and retitle it the adventures of direct-to-video nash , and send it to its proper home
random glass-shattering
to jimmy 's relentless anger
a showcase for both the scenic splendor of the mountains and for legendary actor michel serrault , the film is less successful on other levels .
does n't deserve a passing grade ( even on a curve )
witty , wistful new film
put to sleep or bewildered by the artsy and often pointless visuals
gets very ugly , very fast
into minutely detailed wonders of dreamlike ecstasy
the attempt to complicate the story
if you 've got a house full of tots -- do n't worry , this will be on video long before they grow up and you can wait till then .
the incomprehensible anne rice novel
's a smart , solid , kinetically-charged spy flick worthy of a couple hours of summertime and a bucket of popcorn .
the gorgeous locales and
an erotic thriller that
to pity the ` plain ' girl who becomes a ravishing waif after applying a smear of lip-gloss
appeals to the storytelling instincts of a slightly more literate filmgoing audience
indie of the year , so far .
enough insight to keep it from being simpleminded
a humanistic message
this angst-ridden territory was covered earlier and much better in ordinary people .
thoughtful , visually graceful
nurtured his metaphors
single-minded as john carpenter 's original
once in a while a film
a portrait of alienation so perfect , it will certainly succeed in alienating most viewers .
from firing on all cylinders
watching this film , what we feel is n't mainly suspense or excitement .
new treasure
is a fudged opportunity of gigantic proportions -- a lunar mission with no signs of life .
an airless , prepackaged julia roberts wannabe that stinks so badly of hard-sell image-mongering you 'll wonder if lopez 's publicist should share screenwriting credit .
eyre needs to take a good sweat to clarify his cinematic vision before his next creation and remember the lessons of the trickster spider .
particularly memorable effect
jams too many prefabricated story elements into the running time
as gamely as the movie tries to make sense of its title character , there remains a huge gap between the film 's creepy , clean-cut dahmer ( jeremy renner ) and fiendish acts that no amount of earnest textbook psychologizing can bridge .
at-a-frat-party school of screenwriting
whether this is art imitating life or life imitating art , it 's an unhappy situation all around .
pale script
in which two not very absorbing characters are engaged in a romance
their charisma
but none of which amounts to much of a story
's ) quite a bit of heart , as you would expect from the directors of the little mermaid and aladdin .
an ambitious movie that , like shiner 's organizing of the big fight , pulls off enough of its effects to make up for the ones that do n't come off .
a soufflé gone wrong
daring and verve
staggered from the theater
you wo n't feel like it 's wasted yours
with actorish notations on the margin of acting
finds his inspiration
a gritty police thriller
a sort of inter-species parody of a vh1 behind the music episode
watchable .
efficiently minimalist style
a sharp script and strong performances
about thoroughly vacuous people
the call of the wild
does spider-man deliver , but i suspect it might deliver again and again .
win you over , in a big way
exceptional to justify a three hour running time
accumulate like lint in a fat man 's navel .
's just tediously bad ,
inconsistent , meandering , and sometimes dry plot
rest contentedly with the knowledge that he 's made at least one damn fine horror movie
is the best star trek movie in a long time .
toward the end sum of all fears morphs into a mundane '70s disaster flick .
to a man whose achievements -- and complexities -- reached far beyond the end zone
sci-fi generic
an 8-year-old channeling roberto benigni
a subtle and richly internalized performance
filled with honest performances and exceptional detail , baran is a gentle film with dramatic punch , a haunting ode to humanity .
brilliantly named half past dead -- or for seagal
's moving
the only way for a reasonably intelligent person to get through the country bears is to ponder how a whole segment of pop-music history has been allowed to get wet , fuzzy and sticky .
deserve to go down with a ship as leaky as this
the woodman seems to have directly influenced this girl-meets-girl love story , but even more reassuring is how its makers actually seem to understand what made allen 's romantic comedies so pertinent and enduring
a poignant and wryly amusing film
oddly compelling .
a disappointment is the superficial way it deals with its story .
like the chilled breath of oral storytelling frozen onto film
's a heavy stench of ` been there , done that ' hanging over the film
have been saved if the director , tom dey , had spliced together bits and pieces of midnight run and 48 hours ( and , for that matter , shrek )
speaks volumes
a cockeyed shot all the way .
a movie so sloppy , so uneven , so damn unpleasant that i ca n't believe any viewer , young or old ,
of the stand-up comic
is almost entirely witless and inane , carrying every gag two or three times beyond its limit to sustain a laugh
manages not only to find a compelling dramatic means of addressing a complex situation
a pointed , often tender , examination
( like saturday morning tv in the '60s )
discerned here that producers would be well to heed
a glorified sitcom , and a long , unfunny one at that
this loser
cheap trick
impressive and highly entertaining
completely enlightening
gooding is the energetic frontman ,
musicals back 40 years
's far from a frothy piece
all the hearts it won -- and wins still
its fusty squareness
jolts the laughs from the audience -- as if by cattle prod
a more annoying
highlander
is too pedestrian a filmmaker to bring any edge or personality to the rising place that would set it apart from other deep south stories
( rises ) above its oh-so-hollywood rejiggering and its conventional direction to give the film a soul and an unabashed sense of good old-fashioned escapism .
a wide summer audience
oscar caliber cast
one of those unassuming films that sneaks up on you and stays with you long after you have left the theater
's splash without the jokes
the extensive use of stock footage
a somewhat backhanded compliment to say that the film makes the viewer feel like the movie 's various victimized audience members after a while , but it also happens to be the movie 's most admirable quality
most colorful and controversial artists
while it 's nothing we have n't seen before from murphy , i spy is still fun and enjoyable and so aggressively silly that it 's more than a worthwhile effort .
everett remains a perfect wildean actor , and
be captivated , as i was , by its moods , and by its subtly transformed star , and still
terrific performances
all awkward ,
you 're on the edge of your seat
, eastwood is off his game
watch , giggle and get
adorably ditsy but heartfelt performances ,
, this clever and very satisfying picture is more accurately chabrolian .
it 's painful to watch witherspoon 's talents wasting away inside unnecessary films like legally blonde and sweet home abomination , i mean , alabama . '
broomfield has compelling new material
, unsubtle and hollywood-predictable
broomfield is energized by volletta wallace 's maternal fury , her fearlessness ,
one of those rare docs that paints a grand picture of an era and makes the journey feel like a party
a sloppy , amusing comedy that proceeds from a stunningly unoriginal premise
the first place
to be influenced chiefly by humanity 's greatest shame
, collateral damage paints an absurdly simplistic picture .
from the opening strains of the average white band 's `` pick up the pieces '' , you can feel the love .
could use a little more humanity ,
warm , inviting , and
fun for kids of any age
the color sense of stuart little 2 is its most immediate and most obvious pleasure , but it would count for very little if the movie were n't as beautifully shaped and as delicately calibrated in tone as it is
everything its fans are hoping it will be , and in that sense is a movie that deserves recommendation
i did n't smile .
, is repellantly out of control .
ultimate collapse during the film 's final ( restored ) third
find that it goes by quickly , because it has some of the funniest jokes of any movie this year , including those intended for adults
the wild thornberrys movie
it 's not going to be everyone 's bag of popcorn ,
these ambitions , laudable in themselves
best-known creation
increasingly amused irony
is its surreal sense of humor and technological finish
of young , black manhood that is funny , touching , smart and complicated
worn-out material
somewhat clumsy
unremittingly ugly movie
lost their movie mojo
translate well to film
scenes of cinematic perfection that steal your heart away
me grinning
one of those terrific documentaries that collect a bunch of people who are enthusiastic about something and then
pack your knitting needles
is more fully an example of the kind of lush , all-enveloping movie experience it rhapsodizes
ably balances real-time rhythms with propulsive incident .
a sharp and quick documentary that is funny and pithy , while illuminating an era of theatrical comedy that , while past ,
be much funnier than anything
when it 's not wallowing in hormonal melodrama , `` real women have curves '' is a sweet , honest , and enjoyable comedy-drama about a young woman who wants many things in life , but fears she 'll become her mother before she gets to fulfill her dreams .
is a pleasant enough dish
the new insomnia
simple , sweet and romantic
lacked any
fails .
ignored it
sick and twisted
is visually smart
real visual charge to the filmmaking
reign of fire has the disadvantage of also looking cheap .
revigorates the mind to see a feature that concentrates on people , a project in which the script and characters hold sway
produced in recent memory , even if it 's far tamer than advertised
confusing and horrifying
`` abandon ''
the tale commands attention .
a day at the beach
why anyone in his right mind would even think to make the attraction a movie
complex and quirky
oo many of these gross out scenes
have a freshness and modesty that transcends their predicament .
high-octane jolts
processed comedy
sexy , funny and touching
a stylish psychological thriller
winds up looking like a bunch of talented thesps slumming it
an asian landscape painting
is more of an ordeal than an amusement
impresses
are strong
a fast , frenetic , funny , even punny 6
is mostly a bore
seems to be about everything that 's plaguing the human spirit in a relentlessly globalizing world
is just as obvious as telling a country skunk
excellent cast
the right film
buy is an accomplished actress
... blade ii is still top-heavy with blazing guns , cheatfully filmed martial arts , disintegrating bloodsucker computer effects and jagged camera moves that serve no other purpose than to call attention to themselves .
pushes too hard to make this a comedy or serious drama .
of deadpan cool , wry humor and just the measure
personal tragedy
the director 's experiment
shekhar kapur
broomfield has compelling new material but he does n't unveil it until the end , after endless scenes of him wheedling reluctant witnesses and pointing his camera through the smeared windshield of his rental car
the empire strikes back ... a majestic achievement , an epic of astonishing grandeur and surprising emotional depth
if ever a concept came handed down from the movie gods on a silver platter
buried , drowned and smothered in the excesses of writer-director roger avary
genuinely satisfying
offers just enough insight to keep it from being simpleminded
least accessible
when twentysomething hotsies make movies about their lives , hard-driving narcissism is a given , but what a world we 'd live in if argento 's hollywood counterparts ... had this much imagination and nerve .
believe that people have lost the ability to think and
devotees of star trek ii : the wrath of khan will feel a nagging sense of deja vu ,
a feature debut that is fully formed and remarkably assured
is proven that no amount of imagination , no creature , no fantasy story and no incredibly outlandish scenery
this film for its harsh objectivity and refusal to seek our tears , our sympathies
disintegrating bloodsucker computer effects
good-looking but
can get for a buck or so in that greasy little vidgame pit in the theater lobby
are n't
disdain
narrative and ( too ) short
spiritual survival
` how can you charge money for this ? '
a film that should be relegated to a dark video store corner
both hugely entertaining and uplifting
create some episodes that rival vintage looney tunes for the most creative mayhem in a brief amount of time .
loathe
grating and tedious .
keep the movie from ever reaching the comic heights it obviously desired
much to our dismay
with sean penn 's monotone narration
after next spreads them pretty thin
, walt becker 's film pushes all the demographically appropriate comic buttons .
a satisfying summer blockbuster and worth a look
a crummy , wannabe-hip crime comedy
begins with promise , but runs
incessant , so-five-minutes-ago pop music
of any film more challenging or depressing
the heat of the moment
as they do in this marvelous film
that we would pay a considerable ransom not to be looking at
anemic , pretentious
may be as history
is merely a charmless witch .
take on a great writer and dubious human being
to guide a loose , poorly structured film through the pitfalls of incoherence and redundancy
the classics
miller tells this very compelling tale with little fuss or noise , expertly plucking tension from quiet .
funny in the middle
even with all its botches , enigma offers all the pleasure of a handsome and well-made entertainment .
is a movie that puts itself squarely in the service of the lovers who inhabit it
's not a great monster movie
certainly raises the film above anything sandler 's been attached to before .
for decades we 've marveled at disney 's rendering of water , snow , flames and shadows in a hand-drawn animated world .
with heart and humor
have all the suspense of a 20-car pileup , while the plot holes are big enough for a train car to drive through -- if kaos had n't blown them all up
that appeals to the storytelling instincts of a slightly more literate filmgoing audience
liberating
this a moving experience for people who have n't read the book
byler reveals the ways in which a sultry evening or a beer-fueled afternoon in the sun can inspire even the most retiring heart to venture forth .
on tension , eloquence , spiritual challenge -- things that have made the original new testament stories so compelling for 20 centuries
characterizations to be mildly amusing
great fun both for sports aficionados and for ordinary louts whose idea of exercise is climbing the steps of a stadium-seat megaplex
is imposter makes a better short story than it does a film
one feels the dimming of a certain ambition , but in its place a sweetness , clarity and emotional openness that recalls the classics of early italian neorealism .
grandiosity
is a real charmer
time waster '
seen in that light , moonlight mile should strike a nerve in many .
and surehanded direction
that it ranks with the best of herzog 's works
a delightful , witty , improbable romantic comedy
very capable
one decent performance from the cast and