xiangpku/GLUE huggingface dataset:
audiences are advised to sit near the back and squint to avoid noticing some truly egregious lip-non-synching
an intense and effective film about loneliness and the chilly anonymity of the environments where so many of us spend so much of our time
that effortlessly draws you in
the fluid motion is astounding on any number of levels -- including the physical demands made on büttner -- and
colorful , energetic and sweetly whimsical ... the rare sequel that 's better than its predecessor .
climactic
really does n't have much to say beyond the news
the tale has turned from sweet to bittersweet , and when the tears come during that final , beautiful scene , they finally feel absolutely earned .
more outre aspects
evans is no hollywood villain
a loss
can drown out the tinny self-righteousness of his voice
tremendously moving
will leave you wanting to abandon the theater .
benefits from having a real writer plot out all of the characters ' moves and overlapping story
a very good ( but not great ) movie
funny , insightfully human
visually engrossing
a fascinating , unnerving examination of the delusions
on standard horror flick formula
glum as mr. de niro
extremely well acted by the four primary actors
the universal themes ,
collateral damage is trash
makes all the difference
gentle , lapping rhythms
pokes fun at the same easy targets as other rowdy raunch-fests -- farts , boobs , unmentionables -- without much success .
using a stock plot , about a boy injects just enough freshness into the proceedings to provide an enjoyable 100 minutes in a movie theater .
funny , sexy , and rousing
is a pretty good job
visualize schizophrenia
scenic shots
'' will leave you wanting to abandon the theater .
return to neverland manages to straddle the line between another classic for the company and just another run-of-the-mill disney sequel intended for the home video market .
that celebi could take me back to a time before i saw this movie
making such a tragedy the backdrop to a love story risks trivializing it , though chouraqui no doubt intended the film to affirm love 's power to help people endure almost unimaginable horror .
fascinating , ludicrous , provocative and vainglorious
has made a movie that will leave you wondering about the characters ' lives after the clever credits roll
too cynical
spooky and subtly
into a classic genre
is too busy getting in its own way to be anything but frustrating , boring , and forgettable
up walking out not only satisfied but also somewhat touched
the plot seems a bit on the skinny side
accompanied by the sketchiest of captions .
melodramatic paranormal romance is an all-time low for kevin costner .
's something of the ultimate scorsese film
a more annoying , though
loathe him
hell , i dunno
for two directors with far less endearing disabilities
if mostly martha is mostly unsurprising , it 's still a sweet , even delectable diversion .
enhanced by a surplus of vintage archive footage
is that it progresses in such a low-key manner that it risks monotony .
analyze this movie in three words : thumbs friggin ' down
-- a film less about refracting all of world war ii through the specific conditions of one man , and more about that man
makes these lives count .
trudge out
all the stronger
an improvement
lush and beautifully photographed ( somebody suggested the stills might make a nice coffee table book ) , but ultimately you 'll leave the theater wondering why these people mattered .
constantly slips from the grasp of its maker .
never succeed in really rattling the viewer
sub-par
bad film
, the film would be a total washout .
it would be nice to see what he could make with a decent budget
the bizarre is credible
have potential as a cult film ,
none of the charm and little
to be significantly different ( and better ) than most films with this theme
beautifully produced .
a thoroughly modern maiden
evelyn may be based on a true and historically significant story , but the filmmakers have made every effort to disguise it as an unimaginative screenwriter 's invention .
born to make
gets its greatest play
spectacular belly flops
's the kind of under-inspired , overblown enterprise that gives hollywood sequels a bad name .
was , as my friend david cross would call it , ` hungry-man portions of bad '
a mildly funny , sometimes tedious , ultimately insignificant
the actors are fantastic .
has the twinkling eyes , repressed smile and
a caffeinated , sloppy brilliance ,
for most movies , 84 minutes is short , but
, the film never succumbs to the trap of the maudlin or tearful , offering instead with its unflinching gaze a measure of faith in the future .
the music makes a nice album , the food is enticing and
faith , love and power
their hearts in the right place
banality and hypocrisy
more evil than ever
wiseman is patient and
manage to keep things interesting .
noyce 's greatest mistake is thinking that we needed sweeping , dramatic , hollywood moments to keep us
is a lot more bluster than bite .
ponder the peculiar american style of justice that plays out here
wo n't be able to look away for a second
is top-notch
filmed directly
corny sentimentality
i hate the feeling of having been slimed in the name of high art .
to see a movie with its heart
would make it a great piece to watch with kids and use to introduce video as art .
really wrong with this ricture
feels strangely hollow at its emotional core .
's horribly depressing and not very well done
is n't exactly endearing
amazing breakthrough
they cheapen the overall effect .
so sloppy , so uneven , so damn unpleasant
irreverent energy
finally seem so impersonal or even shallow
without fully understanding what it was that made the story relevant in the first place
some weird relative trots out the video he took of the family vacation to stonehenge
a sad aristocrat in tattered finery
get out your pooper-scoopers
a superfluous sequel
set in the world of lingerie models and bar dancers in the midwest that held my interest precisely because it did n't try to .
if the suspense never rises to a higher level , it is nevertheless maintained throughout
a feel-bad ending
there 's a sheer unbridled delight in the way the story unfurls ...
and more entertaining , too .
a certain sense of experimentation and improvisation to this film that may not always work
an irresistible blend
in reality it 's one tough rock .
captive by mediocrity
a snore and utter tripe
quite possibly the sturdiest example yet
schrader examines crane 's decline with unblinking candor .
begging for attention
are worth the price of admission ...
has never been more charming than in about a boy
it 's impossible to care who wins
the idiocy
the characters never seem to match the power of their surroundings .
aloof
a gut punch
may as well be called `` jar-jar binks : the movie .
is priceless
torture and self-mutilation
is an inspirational love story , capturing the innocence and idealism of that first encounter .
is nothing less than a provocative piece of work
even if you do n't know the band or the album 's songs by heart , you will enjoy seeing how both evolve , and you will also learn a good deal about the state of the music business in the 21st century .
loud and offensive , but more often
( the film ) works
multi-layers
is entertaining .
hit .
achieves a level of connection and concern
many tense scenes in trapped
frustration from those
seen in years
glinting charm
i 'm giving it a strong thumbs up
the act is still charming here .
an energetic and engaging film
is more accurate than anything
follow the same blueprint from hundreds of other films , sell it to the highest bidder and walk away without anyone truly knowing your identity
rekindle the magic of the first film
to take everyone to since there 's no new `` a christmas carol '' out in the theaters this year
a tired , predictable , bordering on offensive , waste of time , money and celluloid .
cinematic poo .
should give `` scratch '' a second look .
have gone into recruiting the right bands for the playlist and the costuming of the stars than into the script , which has a handful of smart jokes and not much else
may not be a great piece of filmmaking
it is impossible not to be awed by the power and grace of one of the greatest natural sportsmen of modern times .
personable , amusing
one-sided theme
worth revisiting
amusing sidekicks
has a sure hand .
showing honest emotions .
historical truth and realism
, it revigorates the mind to see a feature that concentrates on people , a project in which the script and characters hold sway .
the reassuring manner of a beautifully sung holiday carol
you 'll feel like you ate a reeses without the peanut butter ... '
deserve better
realize , much to our dismay ,
a light touch
explores the awful complications of one terrifying day
offers an interesting look at the rapidly changing face of beijing
a chilling tale of one
the movie around them is so often nearly nothing that their charm does n't do a load of good
unlikable , uninteresting , unfunny , and
make this surprisingly decent flick
the rhapsodic dialogue
`` unfilmable '' novels
way too full of itself
not engaging
addictive guilty pleasure
fun and funny in the middle , though somewhat less
does manage to make a few points about modern man and his problematic quest for human connection
a shimmeringly lovely coming-of-age portrait , shot in artful , watery tones of blue , green and brown .
figure the power-lunchers do n't care to understand ,
a movie filled with unlikable , spiteful idiots
dumb gags , anatomical humor , or
of watching sad but endearing characters do extremely unconventional things
add up to little more than a screenful of gamesmanship that 's low on both suspense and payoff
skip but film buffs should get to know
yale grad
may not always work
how to suffer '
the biggest disappointments
make the most of the large-screen format , before swooping down on a string of exotic locales , scooping the whole world up in a joyous communal festival of rhythm
from pleasing
a canny crowd pleaser
the four feathers is definitely horse feathers
infatuated
are so well
sleep or bewildered by the artsy and often pointless visuals
a self-hatred instilled
of its lurid fiction
fire a torpedo through some of clancy 's holes
is even more embracing than monty , if only because it accepts nasty behavior and severe flaws as part of the human condition
to regain his life , his dignity and his music
deadly dull
any viewer , young or old ,
lots of effort and intelligence are on display but in execution it is all awkward , static , and lifeless rumblings .
ill-conceived and
skillfully weaves both the elements of the plot and a powerfully evocative mood combining heated sexuality with a haunting sense of malaise .
of this reactionary thriller
jolts the laughs
this cold vacuum of a comedy to start a reaction
steals the show
it other than its exploitive array of obligatory cheap
shrewd enough to activate girlish tear ducts does n't mean it 's good enough for our girls
by turns pretentious , fascinating , ludicrous , provocative and vainglorious .
the computer and
of inspired humor
11 times too many
delivered with such conviction
seen it all before ,
every cliche we 've come to expect , including the assumption that `` crazy '' people are innocent , childlike and inherently funny
the universal theme
laughing at the ridiculous dialog or the oh-so convenient plot twists
... makes a great impression as the writer-director of this little $ 1.8 million charmer , which may not be cutting-edge indie filmmaking but has a huge heart .
we feel that we truly know what makes holly and marina tick
harris is affecting at times
's a pale imitation .
casting excellent latin actors of all ages --
knew what the hell was coming next
the beat he hears in his soul
to do justice to either effort in three hours of screen time
lovely , sad dance
that tries to be smart
the script , the gags , the characters are all direct-to-video stuff , and that 's where this film should have remained .
full of teenagers fixating on its body humor and reinforcement of stereotypes
turns in a collectively stellar performance
seems timely and important
falls back on too many tried-and-true shenanigans that hardly distinguish it from the next teen comedy
a great deal of corny dialogue and preposterous moments
lionize its title character and exploit his anger
but it does have one saving grace .
a more credible script , though
this overlong infomercial , due out on video before month 's end , is tepid and tedious .
gives these women a forum to demonstrate their acting ` chops '
it 's up to ( watts ) to lend credibility to this strange scenario , and her presence succeeds in making us believe .
offers instead an unflinching and objective look at a decidedly perverse pathology
ruins every single scene he 's in
cannon 's confidence and laid-back good spirits
an intriguing story of maternal instincts and
immensely entertaining
's absolutely amazing
make several runs to the concession stand and/or restroom
thoughtful and
was entranced .
a surprisingly ` solid ' achievement by director malcolm d. lee and writer john ridley .
a movie that defies classification and is as thought-provoking as it
good dialogue
lighthearted comedy
roman polanski may have been born to make
michael moore has perfected the art of highly entertaining , self-aggrandizing , politically motivated documentary-making , and
will probably have a reasonably good time with the salton sea
pretty listless
filmmaking without the balm of right-thinking ideology , either liberal or conservative
is n't nearly as funny as it thinks it is
does little
long on twinkly-eyed close-ups and short
is way too indulgent
tries its best to hide the fact that seagal 's overweight and out of shape
one of the year 's most intriguing movie experiences
from cheap-shot mediocrity
's also one of the smartest
hoffman 's quirks and mannerisms , particularly his penchant for tearing up on cue -- things that seem so real in small doses --
color and creativity
the script , the gags , the characters are all direct-to-video stuff
gripping portrait of jim brown , a celebrated wonder in the spotlight
fixating on a far corner of the screen at times
wide-eyed
, but one whose lessons are well worth revisiting as many times as possible
an effortlessly accomplished and richly resonant work .
devastatingly powerful and astonishingly vivid holocaust drama
raise audience 's spirits
freaking out
create characters
work -- is charming ,
started doing nothing but reacting to it - feeling a part of its grand locations , thinking urgently as the protagonists struggled , feeling at the mercy of its inventiveness , gasping at its visual delights
lyrical tale probes the ambiguous welcome extended by iran to the afghani refugees who streamed across its borders , desperate for work and food .
brainless , but enjoyably over-the-top , the retro gang melodrama , deuces wild represents fifties teen-gang machismo in a way that borders on rough-trade homo-eroticism .
orchestrating
ever knew about generating suspense
can both maintain and dismantle the facades that his genre and his character construct is a wonderous accomplishment of veracity and narrative grace
's quaid who anchors the film with his effortless performance and that trademark grin of his -- so perfect for a ballplayer .
of a self-reflexive , philosophical nature
loses its fire midway ,
( russell ) makes good b movies ( the mask , the blob )
begins to resemble the shapeless ,
's just plain lurid when it is n't downright silly .
that hollywood expects people to pay to see it
depict the french revolution
a fascinating character study with laughs
is one of the greatest date movies in years .
the long and eventful spiritual journey
to believe that a life like this can sound so dull
allows us to forget that they are actually movie folk
its excellent storytelling
likes of which mainstream audiences have rarely seen
a revealing look
positive ( if tragic ) note
flowery
change watching such a character ,
storytelling ability
gloom
emotional car-wreck
the auditorium feeling dizzy , confused , and totally disorientated
is undeniably subversive and involving in its bold presentation
horrendously amateurish filmmaking that is plainly dull and visually ugly when it is n't incomprehensible .
what debt miramax felt they owed to benigni
the disjointed mess flows as naturally as jolie 's hideous yellow ` do .
changing lanes tries for more .
bitchy frolic
expressively performed
mr. rose 's updating works surprisingly well .
an encouraging effort
alarms for duvall 's throbbing sincerity and his elderly propensity for patting people while he talks .
how a rich historical subject , combined with so much first-rate talent ... could have yielded such a flat , plodding picture
no laughs
high-powered star pedigree
without passion or politics
being a good documentarian
while the importance of being earnest offers opportunities for occasional smiles and chuckles
makes its point
the corniest
, diesel is that rare creature -- an action hero with table manners , and one who proves that elegance is more than tattoo deep .
this is a truly , truly bad movie .
drama , conflict ,
the only way for a reasonably intelligent person to get through the country bears
a scary , action-packed chiller
the film boasts at least a few good ideas and features some decent performances
mark pellington 's latest pop thriller is as kooky and overeager as it is spooky and subtly in love with myth .
relatively lightweight commercial fare such as notting hill to commercial fare with real thematic heft .
tried hard
intimate , unguarded moments
it borders on facile
important political documentary
a little better than sorcerer 's stone .
a heroic tale
is intriguing
never springs to life
devastated by war , famine and poverty and documented the cruelty and suffering he has found with an devastating , eloquent clarity
is full of charm .
own breezy , distracted rhythms
ironic cultural satire
hatfield and hicks make the oddest of couples , and in this sense the movie becomes a study of the gambles of the publishing world , offering a case study that exists apart from all the movie 's political ramifications .
stevens ' vibrant creative instincts
in short
lovingly photographed in the manner of a golden book sprung to life
strong and confident
if routine action and jokes like this are your cup of tea
is a fun and funky look into an artificial creation in a world that thrives on artificiality .
some corny television
to realize that as far as these shootings are concerned , something is rotten in the state of california
bring a heart and reality that buoy the film , and at times , elevate it to a superior crime movie
but a very handsomely produced let-down
trying to make head or tail of the story in the hip-hop indie snipes is enough to give you brain strain
that transcends culture and race
come to care about the main characters
self-conscious but often hilarious
after all , he took three minutes of dialogue , 30 seconds of plot and turned them into a 90-minute movie that feels five hours long .
( and probably should have )
other than a mildly engaging central romance , hospital is sickly entertainment at best and mind-destroying cinematic pollution at worst .
off with an inauspicious premise , mopes through a dreary tract of virtually plotless meanderings and then ends with a whimper .
think of this dog of a movie as the cinematic equivalent of high humidity
it was , as my friend david cross would call it , ` hungry-man portions of bad '
with any viewer forced to watch him try out so many complicated facial expressions
that the movie has no idea of it is serious or not
-- as long as you 're wearing the somewhat cumbersome 3d goggles
philosophers , not filmmakers
is to see two academy award winning actresses ( and one academy award winning actor ) succumb to appearing in this junk that 's tv sitcom material at best .
the spectacle
uproarious humor with an underlying seriousness that sneaks up on the viewer , providing an experience that is richer than anticipated
's a dangerous , secretly unhinged guy who could easily have killed a president because it made him feel powerful .
represents an auspicious feature debut for chaiken
the choppy editing
that you hope britney wo n't do it one more time , as far as
it 's so poorly made , on all levels , that it does n't even qualify as a spoof of such
even sexy
that will thrill you , touch you and make you
acting -- more accurately , it 's moving
adaptation is intricately constructed and
` triumph '
accomplishes in his chilling , unnerving film
has a dashing and resourceful hero ; a lisping , reptilian villain ; big fights ; big hair ; lavish period scenery ; and a story
astounding
may ... work as a jaunt down memory lane for teens and young adults who grew up on televised scooby-doo shows or reruns .
remembering this refreshing visit
of expository material
its own most damning censure
the story is a rather simplistic one : grief drives her , love drives him , and a second chance to find love in the most unlikely place - it struck a chord in me .
this properly intense , claustrophobic tale of obsessive love
costner 's warm-milk persona is just as ill-fitting as shadyac 's perfunctory directing chops , and
one of the best of a growing strain of daring films
the cultural and economic subtext , bringing richer meaning to the story 's morals
particular interest
, despite downplaying her good looks , carries a little too much ai n't - she-cute baggage into her lead role as a troubled and determined homicide cop to quite pull off the heavy stuff .
has the right stuff for silly summer entertainment and has enough laughs to sustain interest to the end
ian holm conquers france as an earthy napoleon
terminally bland , painfully slow and
have the worthy successor to a better tomorrow and the killer which they have been patiently waiting for .
one of the great minds of our times interesting and accessible
the biggest names in japanese anime , with impressive results
the characters are based on stock clichés , and the attempt to complicate the story only defies credibility
loves the members of the upper class almost as much as they love themselves
passive-aggressive psychology
manages to be wholesome and subversive at the same time .
stifles creativity and
... if you , like me , think an action film disguised as a war tribute is disgusting to begin with , then you 're in for a painful ride .
because of its music or comic antics , but through the perverse pleasure of watching disney scrape the bottom of its own cracker barrel
fewer deliberate laughs , more inadvertent ones and stunningly trite
clear-eyed chronicle
this trifling romantic comedy in which opposites attract for no better reason than that the screenplay demands it squanders the charms of stars hugh grant and sandra bullock .
a manically generous christmas vaudeville .
to have cared much about any aspect of it , from its cheesy screenplay to the grayish quality of its lighting to its last-minute , haphazard theatrical release
richly detailed , deftly executed and
though nijinsky 's words grow increasingly disturbed , the film maintains a beguiling serenity and poise that make it accessible for a non-narrative feature .
the film is visually dazzling
once amusing
sex with strangers
a generic international version of a typical american horror film
ugly and mindless
meaty subject
obvious political insights
that parker displays in freshening the play
that it might as well have been titled generic jennifer lopez romantic comedy
would require many sessions on the couch of dr. freud
as a masterfully made one
the characters are more deeply thought through than in most ` right-thinking ' films .
it feels less like bad cinema than like being stuck in a dark pit having a nightmare about bad cinema
is more like something from a bad clive barker movie .
a sweet-tempered comedy that forgoes the knee-jerk misogyny that passes for humor in so many teenage comedies .
's hard to imagine acting that could be any flatter .
has a lot to do with the casting of juliette binoche as sand , who brings to the role her pale , dark beauty and characteristic warmth
very very strong
this cinderella story does n't have a single surprise up its sleeve .
emerges as another key contribution to the flowering of the south korean cinema
oddly colorful