xiangpku/GLUE huggingface dataset:
a small movie
a really strong second effort
in artful , watery tones of blue , green and brown
silly subplots
that 's always fun to watch
appropriate ferocity and thoughtfulness
`` spider-man '' certainly delivers the goods
a realistically terrifying movie that puts another notch
to warm the hearts of animation enthusiasts of all ages
tolerance and diversity
emotionally strong
this is lightweight filmmaking , to be sure ,
plodding picture
to seduce and conquer
cinematic intoxication
by false sentiment or sharp , overmanipulative hollywood practices
three sides of his story with a sensitivity and an inquisitiveness reminiscent of truffaut
mira nair 's film is an absolute delight for all audiences
of these young women
a larger-than-life figure , an artist who has been awarded mythic status in contemporary culture
stodgy
if the director , tom dey , had spliced together bits and pieces of midnight run and 48 hours ( and , for that matter , shrek )
's a spontaneity to the chateau , a sense of light-heartedness , that makes it attractive throughout .
is depressing , ruthlessly pained and depraved
, then knock yourself out and enjoy the big screen postcard that is a self-glorified martin lawrence lovefest .
affirming '
that takes full , chilling advantage of its rough-around-the-edges , low-budget constraints
more biologically detailed than an autopsy , the movie
for kids , spirit
with all the stomach-turning violence , colorful new york gang lore and other hallmarks of his personal cinema painted on their largest-ever historical canvas
of intelligent humor
weighty revelations , flowery dialogue ,
broomfield 's film does n't capture the effect of these tragic deaths on hip-hop culture
of bright young men -- promising , talented , charismatic and tragically
that manages to find greatness in the hue of its drastic iconography
most of the pitfalls you 'd expect in such a potentially sudsy set-up
goes out into public , to avoid being recognized as the man who bilked unsuspecting moviegoers
... pray does n't have a passion for the material .
a tour de force
about something , one that attempts and often achieves a level of connection and concern
surprisingly sweet and gentle
results from adhering to the messiness of true stories
is enormously good fun
represents the depths to which the girls-behaving-badly film has fallen
the absurdity of the premise
an extraordinary poignancy
was feeling this movie until it veered off too far into the exxon zone , and left me behind at the station looking for a return ticket to realism .
if you 're going to subjugate truth to the tear-jerking demands of soap opera
lacks the spirit of the previous two , and makes all those jokes about hos and even more unmentionable subjects seem like mere splashing around in the muck .
feels more like the pilot episode of a tv series
ca n't wait to see what the director does next
passionate and
the film is way too full of itself ; it 's stuffy and pretentious in a give-me-an-oscar kind of way .
hollow , self-indulgent , and - worst of all - boring
buffoons
the mediocre end
denzel washington 's fine performance
finds his inspiration on the fringes of the american underground
undercuts the joie de vivre even as he creates it , giving the movie a mournful undercurrent that places the good-time shenanigans in welcome perspective .
a casual intelligence that permeates the script
perfectly clear
ben kingsley is truly funny , playing a kind of ghandi gone bad .
every suspenseful cliché in the book
getting the better of obnoxious adults
's still not a good movie
is n't as sharp as the original ... despite some visual virtues , ` blade ii ' just does n't cut it .
it 's hard to say who might enjoy this , are there tolstoy groupies out there ?
outpaces its contemporaries with daring and verve
splendid-looking as this particular film
resistance and artistic transcendence
, witty , improbable romantic comedy
what they see in each other also is difficult to fathom .
that mel gibson can gasp , shudder and even tremble without losing his machismo
it 's packed with adventure and a worthwhile environmental message , so it 's great for the kids
( the film ) works , due mostly to the tongue-in-cheek attitude of the screenplay .
but it will just as likely make you weep , and it will do so in a way that does n't make you feel like a sucker .
something to be taken seriously
's so devoid of joy and energy it makes even jason x ... look positively shakesperean by comparison
the mundane
` god help us , but capra and cooper are rolling over in their graves . '
allows each character to confront their problems openly and honestly .
feels like the work of someone who may indeed have finally aged past his prime ... and , perhaps more than he realizes ,
takes off in totally unexpected directions
manipulative and as bland
is so convincing that by movies ' end you 'll swear you are wet in some places and feel sand creeping in others .
that the final product is a ghost
notwithstanding my problem with the movie 's final half hour , i 'm going to recommend secretary , based on the wonderful acting clinic put on by spader and gyllenhaal ,
having been recycled more times than i 'd care to count
no palpable chemistry between lopez and male lead ralph fiennes
the soggy performances
as the filmmakers look down on their working-class subjects from their lofty perch , that finally makes sex with strangers , which opens today in the new york metropolitan area , so distasteful
-- or , worse yet , nonexistent -- ideas
a strong-minded viewpoint , or a sense of humor
from the ages
makes you believe the cast and crew thoroughly enjoyed themselves and believed in their small-budget film .
a plethora of engaging diatribes
, hypocritical
the modern master of the chase sequence returns with a chase to end all chases
crisp framing , edgy camera work
the flat dialogue by vincent r. nebrida
is hard to tell who is chasing who or why
been hoping for
reminds us of our own responsibility
robert rodriguez adorns his family-film plot with an elegance and maturity that even most contemporary adult movies are lacking .
uncool the only thing missing is the `` gadzooks ! ''
the first shocking thing about sorority boys is that it 's actually watchable .
exhilarating ,
where janice beard falters in its recycled aspects , implausibility , and sags in pace , it rises in its courageousness , and comedic employment .
it 's a familiar story , but one that is presented with great sympathy and intelligence .
check your pulse .
, humorous , illuminating study
high-spirited buddy movie
the hand that has finally , to some extent , warmed up to him
sleazy moralizing
is shallow , offensive and redundant , with pitifully few real laughs
large budget notwithstanding , the movie is such a blip on the year 's radar screen that it 's tempting just to go with it for the ride .
heartwarming and gently comic even as the film breaks your heart .
that is more accurate than anything i have seen in an american film
gets around to its real emotional business ,
hey , happy !
to see this terrific film with your kids -- if you do n't have kids borrow some
clever and very satisfying picture
the humor aspects of ` jason x ' were far more entertaining than i had expected
amusing , sad and reflective
'd watch these two together again in a new york minute .
most interesting
great performances , stylish cinematography and a gritty feel help
derivative , overlong , and bombastic --
ca n't rescue adrian lyne 's unfaithful from its sleazy moralizing .
fused with solid performances and eerie atmosphere
it appears not to have been edited at all
never quite achieves the feel of a fanciful motion picture .
's not just a feel-good movie
leaden
goes bump in the night and nobody cares
that unfolds with grace and humor and gradually
that 's neither completely enlightening , nor
15 years old
, chilling and heart-warming
-- elegant technology for the masses --
no psychology here , and no real narrative logic --
average bond
indoor drama
to inhale this gutter romancer 's secondhand material
( washington 's ) strong hand , keen eye , sweet spirit and good taste
low rate annie
narrative grace
as boring before i see this piece of crap again
are disjointed , flaws that have to be laid squarely on taylor 's doorstep .
in its crapulence
kouyate elicits strong performances from his cast ,
a film neither bitter nor sweet , neither romantic nor comedic , neither warm nor fuzzy .
's not original enough
parapsychological
carried out
is a shaky , uncertain film that nevertheless touches a few raw nerves
a catastrophic collision of tastelessness and gall
most of jaglom 's self-conscious and gratingly irritating films
standard thriller and drag audience enthusiasm
it also happens to be good
put together with the preteen boy in mind .
well-defined sense
biggie and tupac is undeniably subversive and involving in its bold presentation .
as a film director , labute continues to improve .
throws away the goodwill the first half of his movie generates by orchestrating a finale that is impenetrable and dull
will please eastwood 's loyal fans
to his people
of its inventiveness
an old-fashioned drama of substance about a teacher
the forced funniness found in the dullest kiddie flicks
watch witherspoon 's talents wasting away inside unnecessary films like legally blonde and sweet home abomination , i mean ,
eventual cult classic
touches the heart and the funnybone thanks to the energetic and always surprising performance
this terrific film
the shabby digital photography
it 's soulful and unslick , and that 's apparently just what ( aniston ) has always needed to grow into a movie career
an exit sign , that is .
lacks juice and delight
confessions is without a doubt a memorable directorial debut from king hunk .
by which all the queen 's men is allegedly `` inspired '' was a lot funnier and more deftly enacted than what 's been cobbled together onscreen
calculating fiend
has been written so well , that even a simple `` goddammit ! ''
in all , a great party
this quality band
pretentious ,
distinguishable
in such a lousy way , complete with some of the year 's ( unintentionally ) funniest moments , that it 's impossible to care
every individual will see the movie through the prism of his or her own beliefs and prejudices
the worst possibilities of mankind
for a bad film
a satisfying destination
ate a reeses
a marvelous performance by allison lohman as an identity-seeking foster child .
draws us in long
the nightmare
riveting documentary .
entertaining feature
p.t. anderson understands the grandness of romance and
it chiefly inspires you to drive a little faster
, violent and mindless
black hawk down with more heart
it 's fun , splashy and entertainingly nasty .
if downbeat ,
just the sort of disposable , kitchen-sink homage that illustrates why the whole is so often less than the sum of its parts in today 's hollywood
wilson and murphy show how funny they could have been in a more ambitious movie
be missing a great deal of the acerbic repartee of the play
lovely toward the end
think of a film more cloyingly sappy than evelyn
that the new film is a lame kiddie flick and that carvey 's considerable talents are wasted in it
this filmmaker 's flailing reputation
from largely flat and uncreative moments
that steal your heart away
bad at a fraction the budget
interesting social parallel and defiant aesthetic
on and on to the point of nausea
lacks balance ... and fails to put the struggle into meaningful historical context .
endear itself
of those unassuming films that sneaks up on you and stays with you long after you have left the theater
is fantastic
the film is , at its core , deeply pessimistic or quietly hopeful
because it has a bigger-name cast
the high standards
broomfield has a rather unique approach to documentary .
inescapable absurdities
of outrageous force and craven concealment
is capped with pointless extremes
clever , offbeat and even gritty enough
vivid , convincing performances
love , longing ,
's truly awful and heartbreaking subject matter , but one whose lessons are well worth revisiting as many times as possible
transcend genre
deftly captures
if the film 's vision of sport as a secular religion is a bit cloying , its through-line of family and community is heartening in the same way that each season marks a new start .
high standards
its clumsiness
, it is a great film .
even elizabeth hurley seem graceless and ugly
me uncomfortably close to losing my lunch
in its recycled aspects , implausibility , and sags in pace
thanks to the presence
a completely spooky piece of business that gets under your skin and , some plot blips aside , stays there for the duration .
forgets about her other obligations , leading to a tragedy which is somehow guessable from the first few minutes , maybe because it echoes the by now intolerable morbidity of so many recent movies .
genre a bad name
the only surprise is that heavyweights joel silver and robert zemeckis agreed to produce this ; i assume the director has pictures of them cavorting in ladies ' underwear .
my least favorite emotions , especially when i have to put up with 146 minutes of it
there are some laughs in this movie
just does n't have big screen magic
mounted , exasperatingly well-behaved film , which ticks off kahlo 's lifetime milestones with the dutiful precision of a tax accountant
potent exploration
schnieder bounces around with limp wrists , wearing tight tummy tops and hip huggers , twirling his hair on his finger and assuming that 's enough to sustain laughs ...
can fully succeed at cheapening it .
it with ring , an indisputably spooky film
the sweetest thing leaves a bitter taste .
does little here but point at things that explode into flame
unholy
as immediate as the latest news footage from gaza and , because of its heightened , well-shaped dramas , twice as powerful
often demented in a good way ,
capra and cooper are rolling over in their graves
4ever is neither a promise nor a threat so much as wishful thinking .
an extremely flat lead performance
this is dicaprio 's best performance in anything ever , and easily the most watchable film of the year .
is almost entirely witless and inane ,
is worse
own idiosyncratic way
the movie will likely set the cause of woman warriors back decades .
rich and
has a well-deserved reputation as one of the cinema world 's great visual stylists
typical toback machinations
creepy-crawly bug things that live only in the darkness
enormous feeling
an infinitely wittier version
takes great pleasure in watching the resourceful molly stay a step ahead of her pursuers .
creative film
singularly off-putting romantic comedy .
anteing up some movie star charisma
'll feel like you ate a reeses without the peanut butter
does n't add anything fresh to the myth .
good spirits
the nonconformist in us
blandness
finds one of our most conservative and hidebound movie-making traditions and gives it new texture , new relevance , new reality .
admire it and yet can not recommend it , because it overstays its natural running time .
made off with your wallet
the art demands live viewing .
heartening in the same way
you know the picture is in trouble .
japan 's wildest filmmaker gives us a crime fighter carrying more emotional baggage than batman ...
subtlety and acumen
the stills might make a nice coffee table book
with spike lee 's masterful
chimes in on the grieving process and
bilked
wiseman 's warmest
captivating as the rowdy participants think it is
behind cutesy film references
, i have given this movie a rating of zero .
if you go , pack your knitting needles .
a witty , low-key romantic comedy
is very choppy and monosyllabic despite the fact that it is being dubbed .
many excesses
mexico 's most colorful and controversial artists
a modicum of patience
for the toilet and scores a direct hit
`` based on true events , '' a convolution of language that suggests it 's impossible to claim that it is `` based on a true story '' with a straight face .
distinguish one sci-fi work
at little kids but with plenty of entertainment value
idemoto and kim make a gorgeous pair ... their scenes brim with sexual possibility and emotional danger
its compelling mix of trial movie , escape movie and unexpected fable
like a medium-grade network sitcom -- mostly inoffensive
trying to make head or tail of the story in the hip-hop indie snipes is enough to give you brain strain -- and the pay-off is negligible .
they just do n't work in concert .
even a story immersed in love , lust , and sin could n't keep my attention
is on his way to becoming the american indian spike lee
a haunting sense of malaise
happy , heady jumble
, it 's really unclear why this project was undertaken
lost in the `` soon-to-be-forgettable '' section of the quirky rip-off prison romp pile
aimed mainly at little kids but with plenty of entertainment value
combined with stunning animation .
added disdain
warmth and longing
plain old
is validated by the changing composition of the nation
the promise of excitement
scathing
buckaroo
competent performers
grueling
tv cop show cliches
both a level of sophisticated intrigue and human-scale characters that suck the audience in
to please its intended audience -- children -- without placing their parents in a coma-like state
that shows its indie tatters and self-conscious seams in places , but has some quietly moving moments and an intelligent subtlety
works - mostly due to its superior cast
a good old-fashioned adventure
or , worse yet , nonexistent --
scotland , pa would be forgettable if it were n't such a clever adaptation of the bard 's tragic play .
with grace and humor and
a director who understands how to create and sustain a mood
falls short on tension , eloquence , spiritual challenge -- things that have made the original new testament stories so compelling for 20 centuries
you 'll wait in vain for a movie to happen .
a remarkably cohesive whole ,
slack complacency
is the piece works brilliantly .
minimal appreciation
lacking the real talent and wit to elevate it beyond its formula to the level of classic romantic comedy to which it aspires
, the film shows signs that someone other than the director got into the editing room and tried to improve things by making the movie go faster .
episode ii -- attack of the clones is a technological exercise that lacks juice and delight .
ice age wo n't drop your jaw , but it will warm your heart , and i 'm giving it a strong thumbs up
these people
`` the road paved with good intentions leads to the video store ''
old-fashioned but thoroughly satisfying entertainment
reason to go
of a callow rich boy who is forced to choose between his beautiful , self-satisfied 22-year-old girlfriend and an equally beautiful , self-satisfied 18-year-old mistress
cheesy dialogue
is meaningless , vapid and devoid of substance ,
is both a snore and utter tripe .
is confused in death to smoochy into something both ugly and mindless
of a self-destructive man
i last walked out on a movie
is always sympathetic
delightfully cheeky
a thriller with an edge --
in the worst way
an ease in front of the camera
noisy and
with attractive men
straining to get by on humor that is not even as daring as john ritter 's glory days on three 's company
enjoyable , if occasionally flawed , experiment
a portrait of alienation so perfect
overwhelming pleasure
lousy movie
of the dry humor that first made audiences on both sides of the atlantic love him
is found in its ability to spoof both black and white stereotypes equally
made up for its rather slow beginning
quite the genre-busting film
guess why the cast and crew did n't sign a pact to burn the negative and the script and pretend the whole thing never existed
episodic choppiness , undermining the story 's emotional thrust
as you watch them clumsily mugging their way through snow dogs ,
what punk
the sentimental oh-those-wacky-brits genre that was ushered in by the full monty and is still straining to produce another smash
a superfluous sequel ... plagued by that old familiar feeling of ` let 's get this thing over with ' : everyone has shown up at the appointed time and place , but
of childhood innocence combined with indoctrinated prejudice
of more self-absorbed women than the mother and daughters featured in this film
love the robust middle of this picture
filled with more holes than clyde barrow 's car
sneering humor
, you have to give the audience a reason to want to put for that effort
of how horrible we are to ourselves and each other
everybody , wan na watch a movie in which a guy dressed as a children 's party clown gets violently gang-raped ?
most daring , and
ultimate x is the gabbiest giant-screen movie ever , bogging down in a barrage of hype .
initially gripping , eventually cloying pow drama .
not a classic ,
he script is n't up to the level of the direction
the performances , for the most part , credible
thought the relationships were wonderful
combines the enigmatic features of ` memento ' with the hallucinatory drug culture of ` requiem for a dream
us ... is a man who uses the damage of war -- far more often than the warfare itself -- to create the kind of art shots that fill gallery shows
the film runs on a little longer than it needs to -- muccino either does n't notice when his story ends or just ca n't tear himself away from the characters -- but
of character portrait , romantic comedy and beat-the-clock thriller
a heady , biting , be-bop ride through nighttime manhattan , a loquacious videologue of the modern male and the lengths to which he 'll go to weave a protective cocoon around his own ego .
no lie
more appealing holiday-season product
beautifully reclaiming the story of carmen and recreating it an in an african idiom
... a sour little movie at its core ; an exploration of the emptiness that underlay the relentless gaiety of the 1920 's ... the film 's ending has a `` what was it all for
while it forces you to ponder anew what a movie can be
the script boasts some tart tv-insider humor , but the film has not a trace of humanity or empathy .
artistic aspirations
infamy
swimming is above all about a young woman 's face , and by casting an actress whose face projects that woman 's doubts and yearnings
downhill as soon as macho action conventions assert themselves
this bold move works
, grant and bullock 's characters are made for each other .
is hartley 's least accessible screed yet .
compassionately explores the seemingly irreconcilable situation between conservative christian parents and their estranged gay and lesbian children .
an honest , sensitive story from a vietnamese point of view .
leaves something to be desired .
what lifts the film high above run-of-the-filth gangster flicks
several plodding action sequences
a worthy entry
is exhaustion , from watching a movie that is dark ( dark green , to be exact ) , sour , bloody and mean .
yearning for adventure and a chance to prove his worth
of dead bodies
's a film that affirms the nourishing aspects of love and companionship .
a sharp satire
an inconsequential , barely there bit of piffle .
aimed at mom and dad 's wallet
the santa clause 2 proves itself a more streamlined and thought out encounter than the original could ever have hoped to be .
the best kind
skullduggery and
competently directed but terminally cute drama .
peril
nothing about the film -- with the possible exception of elizabeth hurley 's breasts -- is authentic .
bluer than the atlantic and more biologically detailed than an autopsy , the movie
a heroine as feisty and
romp of a film
deserving of its critical backlash and more .
a flashy editing style
's not so much a movie as a joint promotion for the national basketball association and teenaged rap and adolescent poster-boy lil ' bow wow
this deeply touching melodrama
that we have come to love
, barbershop gets its greatest play from the timeless spectacle of people really talking to each other .
watchable
is the best little `` horror '' movie i 've seen in years .
's worth taking the kids to .
ugly , revolting movie
is that it 's a crime movie made by someone who obviously knows nothing about crime .
but the 2002 film does n't really believe in it , and breaks the mood with absurdly inappropriate ` comedy ' scenes .
at least he provides a strong itch to explore more .
achieved
depressed about anything before watching this film