xiangpku/GLUE huggingface dataset:
the whole affair , true story or not , feels incredibly hokey ... ( it ) comes off like a hallmark commercial
obnoxious 88-minute
is a happy , heady jumble of thought and storytelling , an insane comic undertaking that ultimately coheres into a sane and breathtakingly creative film
the fat
is disappointing
footage that might have made no such thing a trenchant , ironic cultural satire instead of a frustrating misfire
plainly dull and visually ugly
another , most of which involve precocious kids getting the better of obnoxious adults
, this flick is fun , and host to some truly excellent sequences .
the movie sinks into an abyss of clichés , depression and bad alternative music .
it 's a spectacular performance - ahem
presents a frightening and compelling ` what if
even predictable remake
puts a suspenseful spin on standard horror flick formula
we value in our daily lives
as an actor 's showcase , hart 's war has much to recommend it , even if the top-billed willis is not the most impressive player .
is distressingly rote
captures the raw comic energy of one of our most flamboyant female comics
none of this is meaningful or memorable , but
all that memorable , but as downtown saturday matinee brain
with humor
a sobering and powerful documentary
casts its spooky net out into the atlantic ocean and spits it back ,
, amusing study
technical triumph
gluing you to the edge of your seat
fails to convince the audience that these brats will ever be anything more than losers
you begin to long for the end credits as the desert does for rain .
who deserve but rarely receive it
most aggressive and most sincere
be used to burn every print of the film
takes too long to shake
like a prison stretch
it 's self-defeatingly decorous
a fanciful drama about napoleon 's last years and his surprising discovery of love and humility
its own direction
exciting documentary
their own cleverness
if you 're over 25 , have an iq over 90 , and have a driver 's license
is an elegantly balanced movie -- every member of the ensemble has something fascinating to do -- that does n't reveal even a hint of artifice
a college story that works even without vulgarity , sex scenes , and cussing !
neatly and effectively captures the debilitating grief
for proof of that on the cinematic front , look no further than this 20th anniversary edition of the film that spielberg calls , retrospectively , his most personal work yet .
it 's not really funny
savagely
that storytelling has value can not be denied .
is truly funny , playing a kind of ghandi gone bad .
indicative of how uncompelling the movie is unless it happens to cover your particular area of interest
tendency to slip into hokum
is enriched by an imaginatively mixed cast of antic spirits , headed by christopher plummer as the subtlest and most complexly evil uncle ralph i 've ever seen in the many film and stage adaptations of the work .
admirable energy , full-bodied characterizations and
funny , and even touching
to go out of his way to turn the legendary wit 's classic mistaken identity farce into brutally labored and unfunny hokum
find an escape clause
spout hilarious dialogue
disturbing disregard
in the arguments of competing lawyers
of that moral favorite
by folks worthy of scorn
achieves near virtuosity in its crapulence
confessions may not be a straightforward bio , nor does it offer much in the way of barris ' motivations , but the film is an oddly fascinating depiction of an architect of pop culture .
a failure of storytelling
jackass is a vulgar and
drama that takes itself all too seriously
is extraordinary
, but why bother if you 're going to subjugate truth to the tear-jerking demands of soap opera
some like it hot on the hardwood proves once again that a man in drag is not in and of himself funny .
dislikable
voyeuristic spectacle
as predictable as the outcome of a globetrotters-generals game , juwanna mann is even more ludicrous than you 'd expect from the guy-in-a-dress genre ,
updates the setting in an attempt to make the film relevant today , without fully understanding what it was that made the story relevant in the first place
on digital video , whose tiny camera enables shafer to navigate spaces both large ... and small ... with considerable aplomb
nothing funny in this every-joke-has - been-told-a -
pretty funny
striking style
contains no wit , only labored gags .
bogged down over 140 minutes
fights the good fight in vietnam in director randall wallace 's flag-waving war flick with a core of decency
gently funny , sweetly adventurous
a majestic achievement ,
star-studded
undercut by its awkward structure and a final veering toward melodrama
to be a good match of the sensibilities of two directors
... a delicious crime drama on par with the slickest of mamet .
a cut above the rest
that interweaves individual stories
sit in neutral , hoping for a stiff wind to blow it
old porridge
as an eloquent memorial
familiar and predictable ,
iconic hero
a big splash
a movie that , quite simply , should n't have been made
articulates the tangled feelings of particular new yorkers deeply touched by an unprecedented tragedy .
understands characters must come first
it has the air of a surprisingly juvenile lark , a pop-influenced prank whose charms are immediately apparent and wear thin with repetition .
is its reliance on formula
it feels much longer
marvelous documentary touches
, sweaty-palmed fun
freddy gets molested by a dog
sadly , ` garth ' has n't progressed as nicely as ` wayne . '
what kind of sewage
can see coming a mile away
the script by vincent r. nebrida ... tries to cram too many ingredients into one small pot .
lots of hollywood fluff
awful snooze .
sentimentalized
an astonishing voice cast
popular gulzar and jagjit singh
a heart and reality that buoy the film , and at times , elevate it to a superior crime movie
an ambitious movie
too campy to work as straight drama and too violent and sordid to function as comedy
prozac nation
dong stakes out the emotional heart of happy .
, ` santa clause 2 ' is wondrously creative .
a fine effort
the triumph of his band
mediocre end
is amateurish
the strength of the film comes not from any cinematic razzle-dazzle but from its recovery of an historical episode that , in the simple telling , proves simultaneously harrowing and uplifting .
're convinced that this mean machine was a decent tv outing that just does n't have big screen magic
's too close to real life to make sense
feels capable of charming the masses with star power , a pop-induced score and sentimental moments that have become a spielberg trademark .
illustrates why the whole is so often less than the sum of its parts in today 's hollywood
at heart is a sweet little girl
tainted
tired stereotypes
seagal ran out of movies years ago , and this is just the proof .
tragic waste
after an hour and a half of wondering -- sometimes amusedly , sometimes impatiently -- just what this strenuously unconventional movie is supposed to be , you discover that the answer is as conventional as can be .
a deft pace master and stylist
godard uses his characters -- if that 's not too glorified a term -- as art things , mouthpieces , visual motifs , blanks .
they do n't fit well together
does too much meandering , norton has to recite bland police procedural details , fiennes wanders around in an attempt to seem weird and distanced , hopkins looks like a drag queen
moulin rouge
colorful , dramatized pbs program
're far better served by the source material
of a play that only ever walked the delicate tightrope between farcical and loathsome
authentic account of a historical event that 's far too tragic to merit such superficial treatment .
the intended , er , spirit
as well-conceived as either of those films
a sharp script and
have a fun , no-frills ride
deep-seated , emotional need
personified in the film 's simple title
implicitly acknowledges and celebrates the glorious chicanery and self-delusion of this most american of businesses
good actors , good poetry and good music help sustain it
condescending stereotypes
is amazing , yes
it has a genuine dramatic impact
`` sorority boys '' was funnier ,
its sweet time
thoughtfulness
watch people
as the chatter of parrots raised on oprah
visual clarity and deeply
a loud , low-budget and tired formula film
video , and so devoid of artifice and purpose that it appears not to have been edited at all
looks more like a travel-agency video targeted at people who like to ride bikes topless and roll in the mud than a worthwhile glimpse of independent-community guiding lights .
honest , sensitive story
( t ) he ideas of revolution # 9 are more compelling than the execution
he 's just a sad aristocrat in tattered finery , and the film seems as deflated as he does .
a halfway intriguing plot
klein , charming in comedies like american pie and dead-on in election , delivers one of the saddest action hero performances ever witnessed .
2002 's first great film
its paint fights , motorized scooter chases
do n't judge this one too soon - it 's a dark , gritty story but it takes off in totally unexpected directions and keeps on going .
little action , almost
it 's probably not accurate to call it a movie
to believe in it the most
the full monty , but a really strong second effort
has neither the charisma nor the natural affability that has made tucker a star .
clockstoppers if you have nothing better to do with 94 minutes
too stagey
requiring a great deal of thought
enduring strengths
offers a desperately ingratiating performance
tired , unimaginative and derivative
is a more fascinating look at the future than `` bladerunner '' and one of the most high-concept sci fi adventures attempted for the screen .
an undeniably moving film to experience , and
its whimsical humor
its good qualities
one but two flagrantly fake thunderstorms
jaw-droppingly beautiful work
there are laughs aplenty ,
funny and well-contructed black comedy
grace to call for prevention rather than to place blame , making it one of the best war movies ever made
will be well worth your time
seems far more interested in gross-out humor than in showing us well-thought stunts or a car chase that we have n't seen 10,000 times .
is solid , satisfying fare for adults
shallow styles
efficiency and
as an actress , madonna is one helluva singer .
ends up sounding like satire
, the film manages to keep you at the edge of your seat with its shape-shifting perils , political intrigue and brushes with calamity .
( soderbergh ) tends to place most of the psychological and philosophical material in italics rather than trust an audience 's intelligence , and
seen , constantly pulling the rug from underneath us , seeing things from new sides , plunging deeper , getting more intense
begins to seem as long as the two year affair which is its subject
are great rewards here
terribly episodic and lacking the spark of imagination that might have made it an exhilarating
the touch is generally light enough and the performances , for the most part , credible
slapstick sequences
suitably elegant
the most moronic screenplays
i become very involved in the proceedings ; to me
a splash
is a far bigger , far more meaningful story than one in which little green men come to earth for harvesting purposes
comes far closer than many movies to expressing the way many of us live -- someplace between consuming self-absorption and insistently demanding otherness .
the film has the thrown-together feel of a summer-camp talent show : hastily written , underrehearsed , arbitrarily plotted and filled with crude humor and vulgar innuendo .
sitting in a downtown café , overhearing a bunch of typical late-twenty-somethings natter on about nothing ,
, at times sublime , visuals
a.c. will help this movie one bit
be an unendurable viewing experience for this ultra-provincial new yorker
disquietingly
abstract approach
a sleek advert
has improved upon the first and taken it a step further , richer and deeper
muddy psychological
a film that comes along every day .
this film will attach a human face to all those little steaming cartons .
's the filmmakers ' post-camp comprehension of what made old-time b movies good-bad that makes eight legged freaks a perfectly entertaining summer diversion
thoughtlessly assembled
edward burns ' sidewalks of new york look like oscar wilde
though jay roach directed the film from the back of a taxicab
( carvey 's ) characters are both overplayed and exaggerated
it 's certainly an honest attempt to get at something
cheap cliché
slopped `
faint of heart or conservative of spirit
the upbeat ending
makes each crumb of emotional comfort
a pop-influenced prank whose charms are immediately apparent
of the lightweight female empowerment
that 's as crisp and to the point
snoots will no doubt rally to its cause , trotting out threadbare standbys like ` masterpiece ' and ` triumph ' and all that malarkey , but rarely does an established filmmaker so ardently waste viewers ' time with a gobbler like this .
writer/director burr steers emphasizes the q in quirky , with mixed results .
can take the grandkids or the grandparents and
addition to being very funny
a touch too arthouse 101 in its poetic symbolism
to hit all of its marks
one of the year 's best films , featuring an oscar-worthy performance by julianne moore .
of purpose or even a plot
olivier assayas ' elegantly appointed period drama
do all three quite well
seems to go out of his way to turn the legendary wit 's classic mistaken identity farce into brutally labored and unfunny hokum .
to suffer '
made tucker a star
's a real shame that so much of the movie -- again , as in the animal -- is a slapdash mess
adroit but finally a trifle flat , mad love does n't galvanize its outrage the way , say
children , a heartfelt romance for teenagers and
is workmanlike in the extreme
an example of quiet , confident craftsmanship that tells a sweet , charming tale of intergalactic friendship
of his sweetness and vulnerability
putting the primitive murderer inside a high-tech space station unleashes a pandora 's box of special effects that run the gamut from cheesy to cheesier to cheesiest
humanly possible
is a fascinating film because there is no clear-cut hero and no all-out villain .
the off-center humor
overtly silly dialogue
the pitch-perfect forster to the always hilarious meara and levy
happens when something goes bump in the night and nobody cares
amiable but
terribly funny
a film neither bitter nor sweet , neither romantic nor comedic , neither warm nor fuzzy
just another combination of bad animation and mindless violence
a colorful , joyous celebration of life ; a tapestry woven of romance , dancing , singing , and unforgettable characters
bad writing ,
maintain both a level of sophisticated intrigue and human-scale characters that suck the audience in
an invaluable historical document thanks to the filmmaker 's extraordinary access to massoud , whose charm , cultivation and devotion to his people are readily apparent
with humorous observations about the general absurdity of modern life
to make their way through this tragedy
directs , ideally
a movie like the guys is why film criticism can be considered work .
just as the recent argentine film son of the bride reminded us that a feel-good movie can still show real heart , time of favor presents us with an action movie that actually has a brain .
leave them singing long after the credits roll
have decades of life as a classic movie franchise
the journey does n't really go anywhere .
'll stay with the stage versions , however , which bite cleaner , and deeper .
of ridiculousness
a milquetoast movie
, it 's a work of enthralling drama
is advised to take the warning literally , and log on to something more user-friendly .
so believable that you feel what they feel
is difficult to fathom .
a road-trip drama
best date movie
flat and
godard 's ode to tackling life 's wonderment
full of detail about the man and his country , and is well worth seeing .
bang your head on the seat in front of you , at its cluelessness , at its idiocy , at its utterly misplaced earnestness
into an intense and engrossing head-trip
( clooney 's ) debut can be accused of being a bit undisciplined , but
camaraderie
by the time you reach the finale , you 're likely wondering why you 've been watching all this strutting and posturing .
film that loses sight of its own story
a stylish cast and some clever scripting solutions help chicago make the transition from stage to screen with considerable appeal intact .
moore wonderfully
crafty , energetic and smart
truly terrible .
sweetness , clarity and emotional
severe flaws
get on television
adorably ditsy but
sometimes there are very , very good reasons for certain movies to be sealed in a jar and left on a remote shelf indefinitely .
seriously dumb
ear-pleasing songs
old garbage
, bad , bad movie
love liza 's
, can prevent its tragic waste of life
it 's just weirdness for the sake of weirdness , and
searching for a quarter in a giant pile of elephant feces ... positively dreadful
's fitting that a movie as artificial and soulless as the country bears owes its genesis to an animatronic display at disneyland .
romantic comedy and dogme 95 filmmaking may seem odd bedfellows , but they turn out to be delightfully compatible here
suffers from all the excesses of the genre .
uniformly good
solidly entertaining and moving
have problems , which are neither original nor are presented in convincing way .
a plotline that 's as lumpy as two-day old porridge ... the filmmakers ' paws , sad to say , were all over this `` un-bear-able '' project !
takes its techniques into such fresh territory that the film never feels derivative
green dragon is still a deeply moving effort to put a human face on the travail of thousands of vietnamese .
austin powers for the most part is extremely funny , the first part making up for any flaws that come later .
the multiple stories in a vibrant and intoxicating fashion
visual poetry
still seems timely and important .
there 's lots of cool stuff packed into espn 's ultimate x.
is impressively true for being so hot-blooded
while not for every taste
eloquent ( meditation ) on death and that most elusive of passions
weepy melodrama
flimsy flicks
's a mystery how the movie could be released in this condition .
the screenplay never lets us forget that bourne was once an amoral assassin just like the ones who are pursuing him
special walk
that shows the promise of digital filmmaking
suited
fails to put the struggle into meaningful historical context
in auteil 's less dramatic but equally incisive performance , he 's a charismatic charmer likely to seduce and conquer .
, tragedy , bravery , political intrigue , partisans and sabotage
kapur modernizes a.e.w. mason 's story to suit the sensibilities of a young american , a decision that plucks `` the four feathers '' bare .
consistently intelligent
did n't particularly like e.t. the first time i saw it as a young boy
evocative imagery
would be a total washout .
shakes you vigorously for its duration
's a bad sign in a thriller when you instantly know whodunit .
` science fiction ' takes advantage of the fact that its intended audience has n't yet had much science
a lot of talent is wasted in this crass , low-wattage endeavor .
beg the question ` why
brings the proper conviction to his role as ( jason bourne )
twisted shapes history
this refreshing visit
lurid and less than lucid work .
the movie looks genuinely pretty .
fine music never heard
visually compelling one
relentlessly downbeat
a sharp movie about otherwise dull subjects
director yu seems far more interested in gross-out humor than in showing us well-thought stunts or a car chase that we have n't seen 10,000 times .
bracing intelligence and a vision both painterly and literary
, eloquent film
, his little changes ring hollow
a special kind of movie
a fascinating case study of flower-power liberation -- and the price that was paid for it
terrific look
to his series of spectacular belly flops both on and off the screen
the retro gang melodrama
sentimentalizing it
overcooked soufflé
not-so-funny
still shines in her quiet blue eyes
what makes how i killed my father compelling , besides its terrific performances , is fontaine 's willingness to wander into the dark areas of parent-child relationships without flinching .
portrays young brendan with his usual intelligence and subtlety , not to mention a convincing brogue
'' overcome its weaknesses
each moment of this broken character study is rich in emotional texture
stealing harvard will dip into your wallet , swipe 90 minutes of your time , and offer you precisely this in recompense : a few early laughs scattered around a plot as thin as it is repetitious .
fit well together
a tidal wave of plot
that this vapid vehicle is downright doltish and uneventful
to ponder how a whole segment of pop-music history has been allowed to get wet , fuzzy and sticky
it made me realize that we really have n't had a good cheesy b-movie playing in theaters since ... well ... since last week 's reign of fire .
would have made vittorio de sica proud
a searing , epic treatment of a nationwide blight that seems to be , horrifyingly , ever on the rise .
dumb story
the hard-to-predict and absolutely essential chemistry between the down-to-earth bullock and the nonchalant grant proves to be sensational , and
that would have made vittorio de sica proud
me without you has a bracing truth that 's refreshing after the phoniness of female-bonding pictures like divine secrets of the ya-ya sisterhood .
that actually manages to bring something new into the mix
provocative central wedding sequence
where tom green stages his gags as assaults on america 's knee-jerk moral sanctimony
a moldy-oldie , not-nearly - as-nasty - as-it - thinks-it-is joke
sometimes charming , sometimes infuriating , this argentinean ` dramedy ' succeeds mainly on the shoulders of its actors .
the earnest emotional core
amateurish , quasi-improvised acting exercise
retitle it the adventures of direct-to-video nash
have written a more credible script , though with the same number of continuity errors
plastered with one hollywood cliche
-- and far less crass
for all the charm of kevin kline and a story that puts old-fashioned values under the microscope , there 's something creepy about this movie .
, the film has an odd purity that does n't bring you into the characters so much as it has you study them .
weird little movie
poo-poo jokes
america 's thirst
emerge as an exquisite motion picture in its own right
the type of dumbed-down exercise in stereotypes that gives the ( teen comedy ) genre a bad name .
a thinking man 's
the metaphors are provocative , but too often , the viewer is left puzzled by the mechanics of the delivery .
breathtakingly assured and stylish
is wonderful as the long-faced sad sack
proof once again that if the filmmakers just follow the books , they ca n't go wrong .
i valiantly struggled to remain interested , or at least conscious
of ( witherspoon 's ) better films
an average b-movie
sinks further and further
poetic , heartbreaking
is funny , insightfully human
a playful respite
us to forget most of the film 's problems
bad company .
layered , well-developed characters and some surprises
pointed personalities , courage , tragedy
any less psycho
runs on the pure adrenalin
, peculiar and always entertaining costume drama
, you 're a jet all the way
worse stunt editing or cheaper action movie production
is due primarily to the perkiness of witherspoon ( who is always a joy to watch , even when her material is not first-rate )
film that will enthrall the whole family
too stagy
we 've liked klein 's other work but rollerball left us cold .
easily the most thoughtful fictional examination of the root
the film 's plot may be shallow , but you 've never seen the deep like you see it in these harrowing surf shots
a laughable -- or rather , unlaughable -- excuse for a film
could n't really figure out how to flesh either out
fairly predictable psychological thriller
witless , pointless , tasteless and idiotic .
especially williams , an american actress who becomes fully english
teeth-gnashing actorliness
an impressive roster of stars and direction from kathryn bigelow
telling a fascinating character 's story
anyone who ever fantasized about space travel but ca n't afford the $ 20 million ticket to ride a russian rocket