xiangpku/GLUE huggingface dataset:
is a perfect family film to take everyone to since there 's no new `` a christmas carol '' out in the theaters this year .
would be me : fighting off the urge to doze .
a fluid and mesmerizing sequence of images
there 's some outrageously creative action in the transporter ... ( b ) ut by the time frank parachutes down onto a moving truck , it 's just another cartoon with an unstoppable superman .
the forced new jersey lowbrow accent uma
from a xerox machine rather than ( writer-director ) franc
( russell ) makes good b movies ( the mask , the blob ) , and
bothers to question why somebody might devote time to see it
overwrought , melodramatic bodice-ripper .
in auteil 's less dramatic but equally incisive performance
soderbergh 's best films , `` erin brockovich
of grief and loss
sticks , really , except a lingering creepiness one feels from being dragged through a sad , sordid universe of guns , drugs , avarice and damaged dreams
the tiniest segment of an already obscure demographic
bean drops the ball too many times
there , done that ,
credible and remarkably mature
clever and insightful
takes a simple premise and carries it to unexpected heights .
make this a charmer
with his effortless performance
have been discovered , indulged in and rejected as boring before i see this piece of crap again
laughingly
jim brown , a celebrated wonder in the spotlight
give you
celebrates the human spirit
show to steal
is surely everything its fans are hoping it will be , and in that sense is a movie that deserves recommendation
there 's real visual charge to the filmmaking , and
funny , sweetly adventurous
of useless actioners
taken one of the world 's most fascinating stories and
twinkly-eyed
all in a plot as musty as one of the golden eagle 's carpets
this is an interesting movie ! ''
's really sad
it succeeds in entertaining , despite playing out like a feature-length sitcom replete with stereotypical familial quandaries
in the new guy , even the bull gets recycled .
imagination and authentic christmas spirit
vivid , thoughtful , unapologetically raw coming-of-age tale
hollywood has taken quite a nosedive from alfred hitchcock 's imaginative flight to shyamalan 's self-important summer fluff .
the sheer joy and pride they took in their work -- and in each other --
director peter kosminsky
hollywood expects people to pay to see it
true events
a remarkable and novel
if tragic )
it 's splash without the jokes .
insurance company office
feels homogenized and a bit contrived ,
a key strength in its willingness to explore its principal characters with honesty , insight and humor
become expert fighters
is ultimately about as inspiring as a hallmark card .
runs for only 71 minutes and feels like three hours
shrewd and effective film
do in this marvelous film
forged in still-raw emotions
a lumbering , wheezy drag
of the most ravaging , gut-wrenching , frightening war scenes since `` saving private ryan ''
so , hopefully , this film will attach a human face to all those little steaming cartons .
is labored
in an independent film of satiric fire and emotional turmoil
did we really need a remake of `` charade ? ''
plastered with one hollywood cliche after another , most of which involve precocious kids getting the better of obnoxious adults
you can taste it ,
finds its moviegoing pleasures
that goes nowhere and goes there very , very slowly
for a film about explosions and death and spies , `` ballistic : ecks vs. sever '' seems as safe as a children 's film .
his usual intelligence and subtlety
compelling and horrifying
say the obvious : abandon all hope of a good movie ye who enter here
an amusing little catch
misogyny
lacks a sense of dramatic urgency
eighth-grader
an interesting story of pointed personalities , courage , tragedy and the little guys
which never reach satisfying conclusions
of pure craft and passionate heart
gives ample opportunity for large-scale action and suspense , which director shekhar kapur supplies with tremendous skill .
hackneyed , threadbare comic setups
dull , dumb and derivative horror
keep the extremes of screwball farce and blood-curdling family intensity on one continuum
a tale full of nuance and character dimension
seem disappointing in its generalities
had gone in for pastel landscapes .
the waste of a good cast
need n't be steeped in '50s sociology , pop culture or movie lore to appreciate the emotional depth of haynes ' work
's back in form , with an astoundingly rich film
headline-fresh thriller
a solid , psychological action film from hong kong .
this movie ... does n't deserve the energy it takes to describe how bad it is .
a part of its grand locations
schmaltzy
frustrates and captivates
oversexed , at times overwrought comedy/drama
it from the bland songs to the colorful but flat drawings
brings out the allegory with remarkable skill
amy and matthew have a bit of a phony relationship
filmmaking , the kind that pretends to be passionate and truthful but is really frustratingly timid and soggy
is an accomplished actress
bogs down in rhetoric and cliché
me want to scream
the laughs
are both superb
is all awkward , static , and lifeless rumblings
it gives devastating testimony to both people 's capacity for evil and their heroic capacity for good .
uncanny skill in getting under the skin of her characters
fare , with enough creative energy and wit to entertain all ages .
works so well for the first 89 minutes , but ends so horrendously confusing
detailed performances
but the performances of pacino , williams , and swank keep the viewer wide-awake all the way through .
is why i have given it a one-star rating
feel my eyelids ... getting ... very ...
it 's nowhere near as good as the original .
stuff to stand tall with pryor , carlin and murphy
some writer dude , i think his name was , uh , michael zaidan , was supposed to have like written the screenplay or something , but , dude , the only thing that i ever saw that was written down were the zeroes on my paycheck .
just does n't have the necessary self-control to guide a loose , poorly structured film through the pitfalls of incoherence and redundancy .
that asks you to not only suspend your disbelief but your intelligence as well
the first fatal attraction
party-hearty
it 's usually a bad sign when directors abandon their scripts and go where the moment takes them ,
of a well-made pizza
a heck of a ride
a few tasty morsels under your belt
a sheer unbridled delight in the way
we hate ( madonna ) within the film 's first five minutes , and she lacks the skill or presence to regain any ground .
eloquent ( meditation ) on death and
a feel-bad ending for a depressing story that throws a bunch of hot-button items in the viewer 's face and asks to be seen as hip , winking social commentary
is almost nothing in this flat effort that will amuse or entertain them , either
both leads are up to the task
a treat watching shaw , a british stage icon , melting under the heat of phocion 's attentions
lee 's achievement
slow .
into the sort of heartache everyone
an eventual cult classic
suffers from unlikable characters and a self-conscious sense
it 's sort of in-between
, this thriller is too loud and thoroughly overbearing
suffered through the horrible pains of a death by cancer
is not unlike watching a glorified episode of `` 7th heaven . ''
than spiffy bluescreen technique and stylish weaponry
cover up the fact that the picture is constructed around a core of flimsy -- or , worse yet , nonexistent -- ideas
feel-good territory
it will warm your heart , and i 'm giving it a strong thumbs up
` masterpiece ' and ` triumph '
much-needed levity
this story of a determined woman 's courage to find her husband in a war zone
an immensely entertaining look at some of the unsung heroes of 20th century
's a slow study : the action is stilted and the tabloid energy embalmed .
a surprisingly funny movie
mediocre one
the match that should be used to burn every print of the film
a quietly moving
need n't waste their time on it
observed character piece .
is a confusing melange of tones and styles , one moment a romantic trifle and the next a turgid drama
an interesting controversy
they prove more distressing than suspenseful .
hugely entertaining
is cloudy , the picture making becalmed .
marking the slow , lingering death of imagination
dullness
a kick
ultimately you 'll leave the theater wondering why these people mattered
unimaginative and
one that attempts and often achieves a level of connection and concern
to call this one an eventual cult classic would be an understatement
the satire is unfocused , while the story goes nowhere .
quite the career peak
worth a look
can argue that the debate it joins is a necessary and timely one
true emotional connection or identification frustratingly
you to watch people doing unpleasant things to each other and themselves
educates viewers with words and pictures
with nothing but a savage garden music video on his resume , he has no clue about making a movie
at how clever it 's being
perfectly acceptable , occasionally very enjoyable
it is instructive
bad and baffling
high-minded snoozer .
one helluva singer
comes off as a pale successor .
have much panache , but with material this rich it does n't need it
something must have been lost in the translation .
with its parade of almost perpetually wasted characters ... margarita feels like a hazy high that takes too long to shake .
rather less than the sum of its underventilated père-fils confrontations .
of hollywood fluff
mr. caine and mr. fraser are the whole show here , with their memorable and resourceful performances .
to faith and rainbows
fascinating study
so formulaic and forgettable that it 's hardly over before it begins to fade from memory
an athlete , a movie star
he 's willing to express his convictions
emphasizing
itself are little more than routine .
that could make a person who has lived her life half-asleep suddenly wake up and take notice
terrorists are more evil than ever !
was more melodramatic
it ultimately satisfies with its moving story
guessing plot and an affectionate
a perverse , dangerous libertine and agitator -- which would have made for better drama
admitted egomaniac
because the intelligence level of the characters must be low , very low , very very low , for the masquerade to work
's no palpable chemistry between lopez and male lead ralph fiennes
constantly pulling the rug from underneath us , seeing things from new sides , plunging deeper , getting more intense
's an interesting effort ( particularly for jfk conspiracy nuts )
overwhelm what is left of the scruffy , dopey old hanna-barbera charm
live up to material
follow the same blueprint from hundreds of other films , sell it to the highest bidder and
which makes its message resonate .
the film desperately sinks further and further into comedy futility .
titillating
aplenty
morally alert
richly detailed , deftly executed and utterly absorbing
what the english call ` too clever by half
is to be mesmerised .
the abiding impression , despite the mild hallucinogenic buzz , is of overwhelming waste -- the acres of haute couture ca n't quite conceal that there 's nothing resembling a spine here .
for all the dolorous trim
introduces you to new , fervently held ideas and fanciful thinkers
its occasional charms
from his usual bumbling , tongue-tied screen persona
although god is great addresses interesting matters of identity and heritage
on the soullessness of work
glows with enthusiasm , sensuality and a conniving wit
, the characters move with grace and panache
stifles creativity
amusedly
repellent to fully endear itself to american art house audiences ,
comes off more like a misdemeanor , a flat , unconvincing drama that never catches fire
been , pardon the pun , sucked out and replaced by goth goofiness
kinky fun
delight your senses and crash this wedding !
a technical triumph and an extraordinary
plot holes
is nearly incoherent
amy 's orgasm has a key strength in its willingness to explore its principal characters with honesty , insight and humor .
too long with too little
it 's a pity that ( nelson 's ) achievement does n't match his ambition
score points for political correctness
the script , the gags , the characters are all direct-to-video stuff , and
gutsy and perfectly
, endearing
have saved this film a world of hurt
what makes barbershop so likable
let the earnestness of its execution and skill of its cast take you down a familiar road with a few twists
represents the worst kind of filmmaking , the kind that pretends to be passionate and truthful but is really frustratingly timid and soggy .
watch them clumsily mugging their way through snow dogs
a perfect example of rancid , well-intentioned , but shamelessly manipulative movie making
, what an idea , what a thrill ride .
hugh grant , who has a good line in charm ,
one of the best films i have ever seen , constantly pulling the rug from underneath us , seeing things from new sides , plunging deeper , getting more intense .
unadorned
less the cheap thriller you 'd expect than it is a fairly revealing study of its two main characters -- damaged-goods people whose orbits will inevitably
what jackson has done is proven that no amount of imagination , no creature , no fantasy story and no incredibly outlandish scenery
is one of this year 's very best pictures .
is flat
pair that with really poor comedic writing
by some cynical creeps at revolution studios and imagine entertainment
far superior
almost guaranteed that even the stuffiest cinema goers will laugh their *** off for an hour-and-a-half
enjoyable trifle
emerges in the front ranks of china 's now numerous , world-renowned filmmakers
moonlight mile does n't quite go the distance
does n't ignore the more problematic aspects of brown 's life .
it 's been hyped to be because it plays everything too safe
unnoticed
a movie that 's held
smartly and wistfully
enervating determination
a man has made about women since valley of the dolls
little more than a mall movie designed to kill time
significantly less charming than listening to a four-year-old with a taste for exaggeration
becomes just another voyeuristic spectacle
the leads we are given here are simply too bland to be interesting .
hugely enjoyable film
effort to watch this movie
delivering oscar-caliber performances
it 's a setup so easy it borders on facile , but keeping the film from cheap-shot mediocrity is its crack cast .
of the dramatic conviction that underlies the best of comedies
terrible , banal dialogue ; convenient , hole-ridden plotting ; superficial characters and a rather dull , unimaginative car chase
delightful , well-crafted family film
with clumsy dialogue , heavy-handed phoney-feeling sentiment , and an overly-familiar set
the mothman prophecies , which is mostly a bore ,
and the positive change in tone here seems to have recharged him .
those exceedingly rare films
topics that could make a sailor blush - but lots of laughs
a decent tv outing
embraces its old-fashioned themes
's just tediously bad , something to be fully forgotten
as an intellectual exercise -- an unpleasant debate that 's been given the drive of a narrative and that 's been acted out --
unbearably
the film comes off winningly , even though it 's never as solid as you want it to be
return to never land is much more p.c. than the original version ( no more racist portraits of indians , for instance ) , but the excitement is missing .
stylistic austerity and forcefulness
the most enchanting film of the year
eddie murphy and owen wilson have a cute partnership in i spy , but the movie around them is so often nearly nothing that their charm does n't do a load of good
as far as these shootings are concerned , something is rotten in the state of california
its need to reassure
that captures the innocence and budding demons within a wallflower
limply between bizarre comedy and pallid horror
stunning fusion
slight but sweet
's packed with just as much intelligence as action
charming the masses with star power , a pop-induced score and sentimental moments
cinematic pollution
's too loud to shout insults at the screen
extremely bad .
taking the effort to share his impressions of life and loss and time and art with us
such a well loved classic
, who approaches his difficult , endless work with remarkable serenity and discipline .
hard to be mythic
's a road-trip drama with too many wrong turns .
mishandled here
above all
the awfulness of the movie
rises to its clever what-if concept .
with the director taking a hands-off approach when he should have shaped the story to show us why it 's compelling .
a crescendo that encompasses many more paths than we started with
there is one word that best describes this film : honest .
a weird fizzle
superior moral tone
have a good time as it doles out pieces of the famous director 's life
to nail the spirit-crushing ennui of denuded urban living without giving in to it
utter mush
sad , sordid universe
best possible senses
two marvelously
from the demented mind
encourage young and old alike to go see this unique and entertaining twist on the classic whale 's tale
have been a sketch on saturday night live
feels like a prison stretch .
like vardalos and corbett , who play their roles with vibrant charm
a non-stop funny feast
, it 's still entertaining to watch the target practice .
conceptually brilliant
leather pants &
candid , archly funny and deeply authentic take
wonder of wonders
banged their brains into the ground so frequently
can easily be considered career-best performances
begins on a high note and sustains it beautifully
you 'll be rewarded with some fine acting .
the girls-behaving-badly film has fallen
still has a sense of his audience
as temptingly easy as it would have been with this premise
if festival in cannes nails hard - boiled hollywood argot with a bracingly nasty accuracy , much about the film , including some of its casting , is frustratingly unconvincing .
the right movie comes along , especially if it begins with the name of star wars
than to change hackneyed concepts when it comes to dreaming up romantic comedies
a compelling story of musical passion
intelligent , caustic
for teens to laugh , groan and hiss
comes with the laziness and arrogance of a thing that already knows it 's won .
ending surprise
were n't such a clever adaptation of the bard 's tragic play
features a standout performance by diane lane
makes the case for a strong education and good teachers being more valuable in the way they help increase an average student 's self-esteem , and not strictly in the knowledge imparted .
toes the fine line between cheese and earnestness remarkably well
no big whoop , nothing new to see
the rollerball sequences feel sanitised and stagey .
anonymous chiller
, indie trick
a human volcano or an overflowing septic tank
this alleged psychological thriller in search of purpose or even a plot
aging , suffering
works well enough , since the thrills pop up frequently
is a fascinating film
uninvolving storytelling
bordering on confessional
of the film buzz and whir ; very little of it
his character 's deceptions ultimately undo him
effective moments
earnest moment
you bask in your own cleverness as you figure it out
invigorating , surreal , and resonant with a rainbow of emotion .
a zombie movie in every sense of the word -- mindless , lifeless , meandering , loud , painful , obnoxious
feel of a bunch of strung-together tv episodes .
an exploration that is more accurate than anything i have seen in an american film
somber , absurd , and , finally ,
also happens to be good
what 's infuriating about full frontal is that it 's too close to real life to make sense .
if i said my ribcage did n't ache by the end of kung pow
sincere acting
deep , uncompromising
he has no character , loveable or otherwise
pretends to be passionate and truthful but
a `` home alone '' film that is staged like `` rosemary 's baby , '' but is not as well-conceived as either of those films .
makes us watch as his character awakens to the notion that to be human is eventually to have to choose
are pushed to their most virtuous limits , lending the narrative an unusually surreal tone .
eastwood 's loyal fans
has been allowed to get wet , fuzzy and sticky
that upends nearly every cliché
a movie with no reason for being
the most fluent of actors
sit through than this hastily dubbed disaster
expert fighters
is n't nearly as captivating as the rowdy participants think it is .
dreary and overwrought
the characters are too simplistic to maintain interest
feel sanitised and stagey .
meandering and pointless
a story that puts old-fashioned values under the microscope
the frequent allusions to gurus and doshas will strike some westerners as verging on mumbo-jumbo
enjoyed the thrill of the chill
splash without the jokes
of its gaudy hawaiian shirt
the riveting performances by the incredibly flexible cast
far more alienating than involving
uncool the only thing missing is the `` gadzooks
( a ) strong piece of work
a positively thrilling combination of ethnography and all the intrigue , betrayal , deceit and murder of a shakespearean tragedy or a juicy soap opera
sweet and sexy
a moving tale
that remains vividly in memory long
is a happy , heady jumble of thought and storytelling , an insane comic undertaking that ultimately coheres into a sane and breathtakingly creative film .
coming-of-age theme
as well as rank frustration from those in the know about rubbo 's dumbed-down tactics
huge , heavy topics in a bland , surfacey way that does n't offer any insight into why , for instance , good things happen to bad people
that we feel as if we 're seeing something purer than the real thing
the new film of anton chekhov 's the cherry orchard puts the ` ick ' in ` classic . '
this supposedly funny movie
full-bodied
it churns up not one but two flagrantly fake thunderstorms to underscore the action
writer-director stephen gaghan has made the near-fatal mistake of being what the english call ` too clever by half . '
crystallize key plot moments into minutely detailed wonders of dreamlike ecstasy .
most enchanting
as musty as one of the golden eagle 's carpets
a touching , small-scale story
a muddy psychological thriller
due to its rapid-fire delivery and enough inspired
any real emotional impact
seem so real in small doses
an unbalanced mixture of graphic combat footage and almost saccharine domestic interludes that are pure hollywood
captivatingly quirky hybrid
director tom dey demonstrated a knack for mixing action and idiosyncratic humor in his charming 2000 debut shanghai noon ,
with a solid cast ,
weird and wonderful
is that it 's a rock-solid little genre picture .
's not bad prose
to capture these musicians in full regalia
a predictable connect-the-dots course
` fatal attraction ' for the teeny-bopper set
faith in the future
crap like this
complex ,
the obnoxious special effects , the obligatory outbursts of flatulence and the incessant , so-five-minutes-ago pop music on the soundtrack
is a subzero version of monsters , inc. , without the latter 's imagination ,
many talented people
the abiding impression , despite the mild hallucinogenic buzz , is of overwhelming waste --
somewhat backhanded compliment to say that the film makes the viewer feel like the movie 's various victimized audience members after a while , but it also happens to be the movie 's most admirable quality
a marvel
just unlikable .
are left with a handful of disparate funny moments of no real consequence .
of teen-speak and animal gibberish
a tired , unimaginative and derivative variation of that already-shallow genre .
driven by appealing leads
the cast is phenomenal , especially the women .
`` soon-to-be-forgettable '' section
anchoring performance
a glorified sitcom , and
costner 's
quirky , charming and often hilarious
mediocrity
the same old silliness
yields surprises
have been picked not for their acting chops , but for their looks
a terrific screenplay
capitalizes on this concept and opts for the breezy and amateurish feel of an after school special on the subject of tolerance .
emphasizes the well-wrought story and omits needless chase scenes and swordfights as the revenge unfolds
a loathsome movie
hubert with a mixture of deadpan cool , wry humor and just the measure