xiangpku/GLUE huggingface dataset:
is a celebration of feminine energy , a tribute to the power of women to heal
to be going through the motions , beginning with the pale script
is unusual but unfortunately also irritating .
almost impossible
exposes the limitations of his skill and the basic flaws in his vision
unconcerned
unstinting
there 's nothing exactly wrong here
in old-fashioned screenwriting parlance , ms. shreve 's novel proved too difficult a text to ` lick , ' despite the efforts of a first-rate cast .
the unbearable lightness of being
believable mother/daughter pair
witty feature
it 's a worthy entry in the french coming-of-age genre
who , exactly , is fighting whom here
there 's no real sense of suspense , and
threw loads of money at an idea that should 've been so much more even if it was only made for teenage boys and wrestling fans
a mimetic approximation of better films
successfully blended satire ,
the tuxedo was n't just bad ; it was , as my friend david cross would call it , ` hungry-man portions of bad '
spectacle and pacing
this engaging mix of love and bloodletting
psychologically unpersuasive
it 's light on the chills and heavy on the atmospheric weirdness , and there are moments of jaw-droppingly odd behavior -- yet i found it weirdly appealing .
, he showcases davies as a young woman of great charm , generosity and diplomacy
before it takes a sudden turn and devolves into a bizarre sort of romantic comedy , steven shainberg 's adaptation of mary gaitskill 's harrowing short story ... is a brilliantly played , deeply unsettling experience .
targeted to the tiniest segment of an already obscure demographic .
the surprise ending
filmed more irresistibly than in ` baran
's muy loco , but no more ridiculous
the animated sequences are well done and perfectly constructed to convey a sense of childhood imagination and creating adventure out of angst .
with a tawdry b-movie scum
smitten document of a troubadour , his acolytes , and the triumph of his band .
a really good premise
whirlwind
full of sex , drugs and rock
`` sorority boys '' was funnier , and that movie was pretty bad .
artistic significance
a crass and insulting homage
's rarely as moronic as some campus gross-out films
is ultimately effective enough at achieving the modest , crowd-pleasing goals it sets for itself .
sitting through dahmer 's two hours amounts to little more than punishment .
of a predictable outcome and a screenplay
like reading a research paper
actually pulling it off
proud warrior
's crafty , energetic and smart
groaners
one senses
goldmember has none of the visual wit of the previous pictures , and it looks as though jay roach directed the film from the back of a taxicab
is hard to dismiss -- moody , thoughtful
is undone by anachronistic quick edits and occasional jarring glimpses of a modern theater audience watching the events unfold .
of her life with the imagery in her paintings
sad sack
recreates both the physical setting and emotional tensions of the papin sisters
daft by half ... but
its lavish formalism and intellectual austerity
for once , a movie does not proclaim the truth about two love-struck somebodies , but permits them time and space to convince us of that all on their own .
preciousness
is also a work of deft and subtle poetry
plotless collection of moronic stunts
plain old blarney
has bucked the odds to emerge as an exquisite motion picture in its own right
one of the best looking and stylish
important , original talent
to the divine calling of education and a demonstration of the painstaking
the cast is top-notch and
give what may be the performances of their careers .
a comedic moment
cruelty and suffering
old-fashioned , occasionally charming and
she can act
gone , replaced by the forced funniness found in the dullest kiddie flicks
without overdoing it
contrived , awkward and filled with unintended laughs , the film shows signs that someone other than the director got into the editing room and tried to improve things by making the movie go faster .
it 's a visual rorschach test and i must have failed .
well-made but mush-hearted .
that even a story immersed in love , lust , and sin could n't keep my attention
of the most complex , generous and subversive artworks of the last decade
lays out a narrative puzzle that interweaves individual stories
inventive screenplay
of human frailty fascinates
gets under our skin and
is not as well-conceived as either of those films
returns de palma to his pulpy thrillers of the early '80s
a huge amount of the credit for the film
during a summer of event movies than a spy thriller like the bourne identity that 's packed with just as much intelligence as action
linking a halfwit plot
it is that it does n't give a damn .
an impossible spot because his character 's deceptions ultimately undo him and
the magic ( and original running time ) of ace japanimator hayao miyazaki 's spirited away survives intact in bv 's re-voiced version .
sub-formulaic slap
the group 's playful spark of nonconformity
of what made old-time b movies good-bad that makes eight legged freaks a perfectly entertaining summer diversion
out-sized
manner and flamboyant style
also rocks .
is a fine-looking film with a bouncy score and a clutch of lively songs for deft punctuation .
fits the bill
waste their time on it
an easy film
inventive moments
is a bomb
an adorably whimsical comedy that deserves more than a passing twinkle
one of the most unpleasant things the studio
engaging and unpredictable character pieces
of the theater feeling
rather bland
there are n't many conclusive answers in the film , but there is an interesting story of pointed personalities , courage , tragedy and the little guys vs. the big guys .
hip '
the darkest variety
the butt of its own joke
chronically mixed signals
most sincere
, you 'll be rewarded with some fine acting .
broken with her friends image in an independent film of satiric fire and emotional turmoil
a terrific look
sword-and-sorcery plot
in a ridiculous wig no respectable halloween costume shop would ever try to sell
that the movie has no idea of it is serious
the best silly horror movies
its flaws
watching this waste of time
without being shrill
interesting cinematic devices ( cool visual backmasking ) , a solid cast , and
disappointingly generic
well enough
aided by a cast that seems to include every top-notch british actor who did not appear in gosford park ( as well as one , ms. mirren , who did )
the film is insightful about kissinger 's background and history .
, lawrence unleashes his trademark misogyny -- er , comedy -- like a human volcano or an overflowing septic tank ,
needed so badly but what is virtually absent
is merely a charmless witch
's too harsh
so , i trust
flashes of mordant humor
long on the irrelevant as on the engaging , which gradually turns what time
swallow its absurdities and crudities
wild ride
a literary detective story is still a detective story
did n't laugh .
cowardly
like a temperamental child begging for attention , giving audiences no reason to truly care for its decrepit freaks beyond the promise of a reprieve from their incessant whining
redeemed by its stars
noyce brings out the allegory with remarkable skill
the best films
the kind of entertainment that parents love to have their kids see .
achieve the popularity of my big fat greek wedding
captures the complicated relationships in a marching band
has its moments in looking at the comic effects of jealousy
impressive for the sights and sounds of the wondrous beats
give credit to affleck
poor fit
can not guess why the cast and crew did n't sign a pact to burn the negative and the script and pretend the whole thing never existed
a wonderful thing
strong and convincing performances
of serious subject matter and dark , funny humor
disgusting source material
parochial , accessible to a chosen few , standoffish to everyone else , and smugly suggests a superior moral tone is more important than filmmaking skill
that reek of a script rewrite designed to garner the film a `` cooler '' pg-13 rating
, numbing action sequence made up mostly of routine stuff yuen has given us before .
the story itself it mostly told through on-camera interviews with several survivors , whose riveting memories are rendered with such clarity that it 's as if it all happened only yesterday
rendered in as flat
kiddie entertainment , sophisticated wit and symbolic graphic design
more good than great
gut-wrenching , frightening war scenes since `` saving private ryan ''
jaw-droppingly superficial , straining to get by on humor that is not even as daring as john ritter 's glory days on three 's company .
a dream is a wish your heart makes
, you come to believe that nachtwey hates the wars he shows and empathizes with the victims he reveals .
those visual in-jokes
's spiffing up leftovers that are n't so substantial or fresh
has about 3/4th the fun of its spry 2001 predecessor -- but it 's a rushed , slapdash , sequel-for-the-sake - of-a-sequel with less than half the plot and ingenuity .
missing from it
muddy psychological thriller
you forget you 've been to the movies .
then ends with a whimper
in the thrill of the company 's astonishing growth
held my interest
a jaunt down memory lane for teens
stretched out to feature length
its source 's complexity
dazzling conceptual feat
ideological
more accomplished
dark humor , gorgeous exterior photography , and
twice removed
dark comedy
trapped at a bad rock concert
excels as the enigmatic mika and anna mouglalis is a stunning new young talent in one of chabrol 's most intense psychological mysteries
smart , nuanced look
with a hack script
tough to be startled when you 're almost dozing
nails hard - boiled hollywood argot with a bracingly nasty accuracy
to pull his head out of his butt
a $ 40 million version of a game you 're more likely to enjoy on a computer
the result is a film that 's about as subtle as a party political broadcast
the most moronic screenplays of the year ,
informative and breathtakingly spectacular
the movie stirs us as well .
spellbinding fun and deliciously exploitative
this emotional misery
horizons
has a compelling story to tell
the film is n't nearly as downbeat as it sounds , but strikes a tone that 's alternately melancholic , hopeful and strangely funny .
ash wednesday is suspenseful and ultimately unpredictable , with a sterling ensemble cast .
's an entertaining and informative documentary .
so spot on
has rewards ,
of artificial suspense
a completely spooky piece of business that gets under your skin and , some plot blips aside
will warm your heart
( a ) strong piece of work .
the breathtakingly beautiful outer-space documentary space station 3d
from the screenplay , but rather the mediocre performances
to describe how bad it is
arty and
cassavetes thinks he 's making dog day afternoon with a cause , but all he 's done is to reduce everything he touches to a shrill , didactic cartoon
best-sustained
so fascinating you wo n't be able to look away for a second
the film itself is about something very interesting and odd that
deadeningly drawn-out
you pay the full ticket price to see `` simone , '' and consider a dvd rental instead
the adrenaline jolt
manages sweetness largely without stickiness .
does n't understand that the idea of exploiting molestation for laughs is funny , not actually exploiting it yourself .
the massive waves that lifts blue crush into one of the summer 's most pleasurable movies
the screenplay never lets us forget that bourne was once an amoral assassin just like the ones who are pursuing him ... there is never really a true `` us '' versus `` them ''
socially encompassing
makes martha enormously endearing
farewell-to-innocence movies
brosnan 's finest non-bondish performance
is trash
legendary actor michel serrault
falls apart like a cheap lawn chair
a script that assumes you are n't very bright
feels like a hazy high that takes too long to shake .
a future-world holographic librarian ( orlando jones ) who knows everything and answers all questions , is visually smart , cleverly written , and nicely realized
fills me with revulsion
's a masterpiece
the film is never dull
gets its greatest play from the timeless spectacle of people really talking to each other
calvin jr. 's barbershop represents some sort of beacon of hope in the middle of chicago 's south side
alternately hilarious and sad
stodgy , soap opera-ish dialogue
the action and special effects
abandon the theater
you love the music , and
that is wickedly fun to watch
skeeved out that they 'd need a shower
sustains a higher plateau with bullock 's memorable first interrogation of gosling
worst titles
the lack of naturalness makes everything seem self-consciously poetic and forced ... it 's a pity that ( nelson 's ) achievement does n't match his ambition
crudely literal
the story is better-focused than the incomprehensible anne rice novel it 's based upon
very moving and revelatory
it 's an 88-minute highlight reel that 's 86 minutes too long .
perfectly pitched
a sentimental but entirely irresistible portrait of three aging sisters
smacks of exhibitionism more than it does cathartic truth telling .
heady jumble
unfolds with grace and humor and gradually
holds you
this is a movie full of grace and
a spark of new inspiration in it ,
dark little morality tale
into feel-good territory
unfunny comedy
tell the best story
a playful iranian parable
i have returned from the beyond to warn you :
a technological exercise that lacks juice and delight
a worthwhile documentary , whether you 're into rap or not , even if it may still leave you wanting more answers as the credits
the movie does its best to work us over , with second helpings of love , romance , tragedy , false dawns , real dawns , comic relief , two separate crises during marriage ceremonies , and the lush scenery of the cotswolds .
you wo n't be able to look away for a second
merges bits and pieces from fighting games , wire fu , horror movies , mystery , james bond , wrestling , sci-fi and anime into one big bloody stew
effecting change and inspiring hope
a compelling look at a young woman 's tragic odyssey
amuse or entertain
may not rival the filmmaker 's period pieces
because , unlike so many other hollywood movies of its ilk , it offers hope
in almost every possible way -- from the writing and direction to the soggy performances -- tossed off
is to say that it does n't follow the stale , standard , connect-the-dots storyline which has become commonplace in movies that explore the seamy underbelly of the criminal world
the best of the swashbucklers
touches the heart
contrived , maudlin and cliche-ridden
it 's a sharp movie about otherwise dull subjects .
soulful development
true and
of splendid performances
a heart , mind or humor of its own
an uncomfortable movie , suffocating and sometimes almost senseless
for nice evening out
, i 'm the one that i want , in 2000 .
its seemingly eternal running time to pique your interest , your imagination , your empathy or anything , really , save your disgust and your indifference
is neither amusing nor dramatic enough to sustain interest
an imaginative filmmaker who can see the forest for the trees
the murk of its own making
most devastating
takes your breath
done his homework
a ` direct-to-video ' release
catches the chaotic horror of war , but why bother if you 're going to subjugate truth to the tear-jerking demands of soap opera
from bland actors
the book 's irreverent energy ,
the movie is in a class by itself
updating works surprisingly well
spider-man is better than any summer blockbuster we had to endure last summer , and hopefully , sets the tone for a summer of good stuff .
, mostly martha will leave you with a smile on your face and a grumble in your stomach .
an action cartoon that 's suspenseful enough for older kids but not too scary for the school-age crowd
a bad premise
intellect and feeling
preferable
third act miscalculation
we do get the distinct impression that this franchise is drawing to a close .
a couple of things that elevate `` glory '' above most of its ilk , most notably the mere presence of duvall
redone for horses , with fewer deliberate laughs , more inadvertent ones and stunningly trite songs
no charm
clumsily manufactured exploitation flick
insufferably naive
looks and feels tired .
one only a true believer could relish
on the wonderful acting clinic put on by spader and gyllenhaal
if ms. sugarman followed through on her defiance of the saccharine
in a long time that made me want to bolt the theater in the first 10 minutes
( `` take care of my cat '' ) is an honestly nice little film that takes us on an examination of young adult life in urban south korea through the hearts and minds of the five principals .
a compelling argument about death
every bad action-movie line
if you 're looking for something new and hoping for something entertaining
scorsese 's mean streets redone by someone who ignored it in favor of old ` juvenile delinquent ' paperbacks with titles like leather warriors and switchblade sexpot
something appears to have been lost in the translation this time
suggests a superior moral tone is more important than filmmaking skill
to produce another smash
spy kids a surprising winner with both adults and younger audiences
an inventive , absorbing movie that 's as hard to classify as it is hard to resist
pure craft and
a mature and frank fashion
the world 's best actors , daniel auteuil ,
symbolic graphic design
the superior plotline
funny , twisted , brilliant and macabre
ridiculous and money-oriented
more and more frustrating
realistically terrifying movie
surprised at how much we care about the story
abysmally pathetic
invested in undergraduate doubling subtexts and ridiculous stabs at existentialism reminding of the discovery of the wizard of god
relatively nothing happens
his penchant
tough beauty
it reduces the complexities to bromides and slogans
faced with the possibility that her life is meaningless , vapid and devoid of substance , in a movie that is definitely meaningless , vapid and devoid of substance .
a time machine , a journey back to your childhood , when cares melted away in the dark theater , and
enjoyed barbershop
a reminder that beyond all the hype and recent digital glitz , spielberg knows how to tell us about people .
've never seen the deep like you see it in these harrowing surf shots
an intelligent romantic thriller of a very old-school kind of quality
things really get weird , though not particularly scary
informative , intriguing , observant
as the original
endless assault
historical event
a wild ride that relies on more than special effects
such master screenwriting comes courtesy of john pogue , the yale grad who previously gave us `` the skulls '' and last year 's `` rollerball
quietly engaging .
it uses very little dialogue , making it relatively effortless to read and follow the action at the same time .
perfectly serviceable and
which , while it may not rival the filmmaker 's period pieces , is still very much worth seeing
has filmed the opera exactly as the libretto directs , ideally capturing the opera 's drama and lyricism .
a warmth
bottom-rung new jack city
indignation
standard guns versus martial arts cliche with little new added .
transforms this story about love and culture
this little-known story of native americans and
argue that any sexual relationship that does n't hurt anyone and works for its participants is a relationship that is worthy of our respect
seems uncertain whether it wants to be an acidic all-male all about eve or a lush , swooning melodrama in the intermezzo strain .
did no one on the set have a sense of humor , or did they not have the nerve to speak up
impressed with its own solemn insights
jagged ,
intelligent humor
succeeds primarily with her typical blend of unsettling atmospherics , delivering a series of abrasive , stylized sequences that burn themselves upon the viewer 's memory
decent popcorn adventure
such a big job
to a boatload of screenwriting cliches that sink it faster than a leaky freighter
loses its fire midway , nearly flickering out by its perfunctory conclusion .
excruciatingly
standing by yourself is haunting ... ( it 's ) what punk rock music used to be , and what the video medium could use more of : spirit , perception , conviction .
it 's the type of film about growing up that we do n't see often enough these days : realistic , urgent ,
we feel as if we 're seeing something purer than the real thing
in its attempts
was so endlessly
's a long way from orwell 's dark , intelligent warning cry ( 1984 ) to the empty stud knockabout of equilibrium
unpredictable comedy
that rare movie that works on any number of levels --
after the most awful acts are committed
me no lika da accents so good , but i thoroughly enjoyed the love story .
needlessly
besson 's high-profile name
the boho art-house crowd
a coherent rhythm
that falls far short
the movie is n't painfully bad , something to be ` fully experienced ' ; it 's just tediously bad , something to be fully forgotten .
chases for an hour and then
's probably not easy to make such a worthless film ...
pete 's screenplay manages to find that real natural , even-flowing tone that few movies are able to accomplish .
delight your senses
aimlessly and unsuccessfully
thoughtful war films
suffers a severe case of oversimplification , superficiality and silliness
all the dramatic weight of a raindrop
a scrooge or two
sounds like another clever if pointless excursion into the abyss
any after-school special you can imagine
mess .
has made a decent ` intro ' documentary
a solid base
his collaborators ' symbolic images with his words ,
bottom-feeder sequel
- west coast rap wars , this modern mob music drama never fails to fascinate .
more complex and honest
nor terribly funny
definitive , if disingenuous ,
infantile , redundant , sloppy
rymer does n't trust laughs -- and does n't conjure proper respect for followers of the whole dead-undead genre , who deserve more from a vampire pic than a few shrieky special effects .
uncomfortably timely , relevant , and
a smile on your face and
to see it twice
in the mind of the killer
he needs to pull his head out of his butt
light-heartedness , that makes it attractive throughout
loud , silly , stupid and pointless
feel good about themselves
watch , giggle and get an adrenaline boost
that the wayward wooden one end it all by stuffing himself into an electric pencil sharpener
together ( time out and human resources ) establish mr. cantet as france 's foremost cinematic poet of the workplace
's ) better at fingering problems than finding solutions
lack depth or complexity
that resident evil is not it
, not scarier
it might be like trying to eat brussels sprouts .
sequences boring .
thanks to the gorgeous locales and exceptional lead performances
finds a way to make j.k. rowling 's marvelous series into a deadly bore .
warm water may well be the year 's best and most unpredictable comedy .
it actually makes the heart soar
ourside the theater roger might be intolerable company , but inside it he 's well worth spending some time with .
absorbing , largely for its elegantly colorful look and sound
gets full mileage out
enacted than what 's been cobbled together onscreen
laugh-out-loud lunacy
who makes martha enormously endearing
's old-fashioned in all the best possible ways
, lawrence sounds whiny and defensive , as if his life-altering experiences made him bitter and less mature .
is such high-wattage brainpower coupled with pitch-perfect acting and an exquisite , unfakable sense of cinema
think is supposed to be an attempt at hardass american but sometimes just lapses into unhidden british
an affection for the period
the feel of a fanciful motion picture
the ya-ya 's have many secrets and one is - the books are better .
i 'm not sure these words have ever been together in the same sentence : this erotic cannibal movie is boring
a reality-snubbing hodgepodge .
make interesting a subject you thought would leave you cold
neither amusing nor dramatic enough to sustain interest
singing , and unforgettable characters
a better short story
a wild ride
gorgeously atmospheric meditation
is the gabbiest giant-screen movie ever ,
writing , skewed characters
burns ' visuals , characters and his punchy dialogue
a kick out of goofy brits
that is warm , inviting , and surprising