xiangpku/GLUE huggingface dataset:
in columbia pictures ' perverse idea of an animated holiday movie
the 1989 paradiso will prefer this new version
evokes the bottom tier of blaxploitation flicks from the 1970s .
there is no substitute for on-screen chemistry , and
like a bad soap opera
schnieder
armed with a game supporting cast , from the pitch-perfect forster to the always hilarious meara and levy , like mike shoots and scores , doing its namesake proud .
made by a proper , middle-aged woman .
the content is n't nearly as captivating as the rowdy participants think it is .
underdone potato
me wonder if lawrence hates criticism so much that he refuses to evaluate his own work
tackled a meaty subject and drawn engaging characters while peppering the pages with memorable zingers
most wondrously
to place blame
, and gently tedious in its comedy
yet fails to overcome the film 's manipulative sentimentality and annoying stereotypes .
, sophisticated film
hey , those farts got to my inner nine-year-old
the film boasts at least a few good ideas and features some decent performances , but
used to burn every print of the film
thrillingly uses modern technology to take the viewer inside the wave .
are complex and quirky , but entirely believable as the remarkable ensemble cast brings them to life
this charming , thought-provoking new york fest of life and love has its rewards .
shifting in your chair too often
struggle tragically to comprehend the chasm of knowledge that 's opened between them
see a romance this smart
so uncool the only thing missing is the `` gadzooks ! ''
, crowd-pleasing goals
historic scandal
the era of the intelligent , well-made b movie is long gone
earnestness remarkably well
equally spoofs and celebrates the more outre aspects of ` black culture ' and the dorkier aspects of ` white culture , ' even as it points out how inseparable the two are .
off the path of good sense
visually sloppy
flakiness
is still quite good-natured
generic scripts
a grand whimper
scare the pants
that disconnects every 10 seconds
most ingenious film
mildly interesting
have to see it .
exploits ( headbanger ) stereotypes in good fun , while adding a bit of heart and unsettling subject matter .
both deserve better .
rarely , indeed almost never , is such high-wattage brainpower coupled with pitch-perfect acting and an exquisite , unfakable sense of cinema .
repetitive arguments , schemes and treachery
to emerge as an exquisite motion picture in its own right
recite bland police procedural details , fiennes wanders around
the lively intelligence of the artists and their perceptiveness about their own situations
a droll sense
you 've never come within a mile of the longest yard
so completely loses himself to the film 's circular structure to ever offer any insightful discourse on , well , love in the time of money .
scary and sad
a film without surprise
it 's the funniest american comedy since graffiti bridge .
as its larger themes
star performances
endless rain is offset by the sheer ugliness of everything else
hyper-realistic
like a spectator and not a participant
for one of the most purely enjoyable and satisfying evenings at the movies i 've had in a while
a philosophical visual coming right
freshness and modesty
often surprising
plods along methodically , somehow under the assumption that its `` dead wife communicating from beyond the grave '' framework is even remotely new or interesting .
because your nerves just ca n't take it any more
a muddled limp biscuit of a movie , a vampire soap opera that does n't make much sense even on its own terms .
a frustrating ` tweener ' -- too slick ,
if only it had the story to match .
( frames ) profound ethical and philosophical questions in the form of dazzling pop entertainment
this is the kind of subject matter that could so easily have been fumbled by a lesser filmmaker , but ayres makes the right choices at every turn .
much of it is funny , but there are also some startling , surrealistic moments ...
might have guessed
crafted film
climax and , worst of all
generosity and diplomacy
is losing his touch
relevant today
it 's as if solondz had two ideas for two movies , could n't really figure out how to flesh either out , so he just slopped ` em together here .
the new insomnia is a surprisingly faithful remake of its chilly predecessor , and when it does elect to head off in its own direction , it employs changes that fit it well rather than ones that were imposed for the sake of commercial sensibilities .
some real vitality and
drops the ball too many times
both heartbreaking and
indeed , the first half of sorority boys is as appalling as any ` comedy ' to ever spill from a projector 's lens
that its story just is n't worth telling
directed it may leave you speaking in tongues
painfully flat
if the enticing prospect of a lot of nubile young actors in a film about campus depravity did n't fade amid the deliberate , tiresome ugliness
makes him the film 's moral compass
it embraces it , energizes it and takes big bloody chomps out of it
like a 95-minute commercial for nba properties
distinguishes
combines the enigmatic features of ` memento ' with the hallucinatory drug culture of ` requiem for a dream .
of the charm and little
turn down a big bowl of that
... standard guns versus martial arts cliche with little new added .
the fans are often funny fanatics
piercing intellect
make the formula feel fresh
satisfyingly unsettling
a real snooze .
so unabashedly hopeful
resist his pleas
's some outrageously creative action in the transporter ... ( b ) ut by the time frank parachutes down onto a moving truck
as it is hard to resist
ca n't generate enough heat in this cold vacuum of a comedy to start a reaction
in which this fascinating -- and timely -- content comes wrapped
small part thanks
here 's a fun one .
a fact which , as you watch them clumsily mugging their way through snow dogs , seems inconceivable
mildly amusing
wise and powerful
skillfully assembled , highly polished and
from heaven is a dazzling conceptual feat
filled with low-brow humor , gratuitous violence and a disturbing disregard for life .
make for some robust and scary entertainment
does n't sustain a high enough level of invention
parable that loves its characters and communicates something rather beautiful about human nature .
one of the most interesting writer/directors working today
too loud , too goofy
art-house gay porn film
school experience that plays better only for the film 's publicists or for people who take as many drugs as the film 's characters
have you leaving the theater with a smile on your face
feeble tootsie knockoff .
most severe
nothing happens , and it happens to flat characters .
the problematic characters and overly convenient plot twists foul up shum 's good intentions .
for a movie about the power of poetry and passion , there is precious little of either .
the plot is nothing but boilerplate clichés from start to finish , and the script assumes that not only would subtlety be lost on the target audience , but that it 's also too stupid to realize that they 've already seen this exact same movie a hundred times
the most watchable film of the year
above-average brains
the film has ( its ) moments , but
overlong infomercial
a visual spectacle
is a frighteningly fascinating contradiction .
unforced continuation
both exude an air of dignity that 's perfect for the proud warrior that still lingers in the souls of these characters .
, e.t. is carried less by wow factors than by its funny , moving yarn that holds up well after two decades .
laughably unbearable when it is n't merely offensive .
would be forgettable if it were n't such a clever adaptation of the bard 's tragic play
an admirable storyteller
of perversity , comedy and romance
be compelling , amusing and unsettling at the same time
have a good time here
her share of the holiday box office pie
unequivocally
will keep you watching , as will the fight scenes
is spectacular
manipulative sentimentality and annoying stereotypes
zinger-filled crowd-pleaser
the hurried , badly cobbled look of the 1959 godzilla , which combined scenes of a japanese monster flick with canned shots of raymond burr commenting on the monster 's path of destruction
behind the glitz , hollywood is sordid and disgusting .
, the film is blazingly alive and admirable on many levels .
astonish and
photographed with color and depth , and rather a good time
genial and
minac drains his movie of all individuality
carries much of the film with a creepy and dead-on performance
jaglom 's self-conscious and gratingly irritating films
be a passable date film
in its own floundering way , it gets to you .
one of the best looking and stylish animated movies in quite a while
left slightly disappointed that it did n't
williams ' usual tear and a smile , just sneers and bile
take away the controversy , and it 's not much more watchable than a mexican soap opera
anything sandler
still committed to growth in his ninth decade
about long-lived friendships and the ways in which we all lose track of ourselves by trying
the film is way too full of itself ;
patchy combination of soap opera
restate
all this emotional misery
even close to being the barn-burningly bad movie it promised it would be
i did go back and check out the last 10 minutes , but
unleashes his trademark misogyny
is in the right place , his plea for democracy and civic action laudable .
absolutely and completely ridiculous
's well worth spending some time with
the unconditional love she seeks
this seductive tease of a thriller gets the job done .
as a painful elegy and sobering cautionary tale
most repugnant
light-hearted way
a penetrating , potent exploration of sanctimony , self-awareness , self-hatred and self-determination
is in many ways the perfect festival film : a calm , self-assured portrait of small town regret , love , duty and friendship that appeals to the storytelling instincts of a slightly more literate filmgoing audience .
, everett remains a perfect wildean actor , and a relaxed firth displays impeccable comic skill .
a grand fart coming from a director beginning to resemble someone 's crazy french grandfather
of destruction
rediscovers
clumsily mugging their way through snow dogs
exists , and does so with an artistry that also smacks of revelation
ethnic cleansing
worth a peek
support the premise other than fling gags at it
the perfect material
's pretentious in a way that verges on the amateurish .
the audience when i saw this one was chuckling at all the wrong times , and that 's a bad sign when they 're supposed to be having a collective heart attack
a wretched movie
, overused cocktail
each one of these people stand out and everybody else is in the background and it just seems manufactured to me and artificial
does n't transcend genre
combines two surefire , beloved genres
far the worst movie
finds warmth in the coldest environment and
depressing than entertaining
to include anything even halfway scary
a powerful , chilling , and affecting study of one man
almost enough chuckles for a three-minute sketch , and no more
the situations and the dialogue spin hopelessly out of control -- that is to say
is n't quite one of the worst movies of the year
wondrous
want to crawl up your own *** in embarrassment
jolt you out of your seat a couple of times , give you a few laughs
there are moments of hilarity to be had .
the halloween series has lost its edge
morphs into a mundane '70s disaster flick
as a skillfully assembled , highly polished and professional adaptation ... just about as chilling and unsettling as ` manhunter '
mumbles his way through the movie .
sustains it beautifully
, a lot of people wasted a lot of their time ( including mine ) on something very inconsequential .
betting her third feature will be something to behold
uncinematic
fails in making this character understandable , in getting under her skin , in exploring motivation ... well before the end , the film grows as dull as its characters , about whose fate it is hard to care .
final , beautiful scene
which fails to rise above its disgusting source material
its élan
dismissed heroes would be a film that is n't this painfully forced , false and fabricated .
is a total misfire .
a testament to the integrity and vision of the band
like a travel-agency video
has much to recommend it , even if the top-billed willis is not the most impressive player
has much to learn
is lightweight filmmaking
it all starts to smack of a hallmark hall of fame , with a few four letter words thrown in that are generally not heard on television .
perry 's good and his is an interesting character
the overcooked , ham-fisted direction , which has all the actors reaching for the back row
might just be the movie you 're looking for .
meaningful for both kids and church-wary adults
genuinely bone-chilling
that you get when sitting around a campfire around midnight , telling creepy stories to give each other the willies
unusual , food-for-thought cinema
is one adapted - from-television movie that actually looks as if it belongs on the big screen .
psychological and philosophical
about full frontal
a dashing and absorbing outing with one of france 's most inventive directors
ugly , mean-spirited lashing
talented enough and
from a severe case of hollywood-itis
the very best of them
thrills ,
's attracting audiences to unfaithful
impressively delicate range
starts off promisingly but then proceeds to flop
distinguished actor
on their parents ' anguish
pays off and is effective if you stick with it
is n't particularly funny
, joyous romp of a film .
a stunning technical achievement
squander jennifer love hewitt
it is ok for a movie to be something of a sitcom apparatus , if the lines work , the humor has point and
new ways of describing badness
invigorating , surreal , and resonant with a rainbow
shanghai ghetto , much stranger than any fiction , brings this unknown slice of history affectingly to life .
believe a movie can be mindless without being the peak of all things insipid
to offend
was hard for me
extremely funny
are familiar with , and makes you care about music you may not have heard before .
the discomfort and embarrassment of being a bumbling american in europe
of piffle
coy but exhilarating , with really solid performances by ving rhames and wesley snipes .
oversexed , at times
worth seeing
grumbling
tedious norwegian offering which somehow snagged an oscar nomination
the writing is tight and truthful , full of funny situations and honest observations
borrows from other movies
sardonic jolt
which becomes something about how lame it is to try and evade your responsibilities
ca n't recommend it enough
by the sick sense of humor
vivid performances
evokes a palpable sense
law to be discerned here that producers would be well to heed
that this film 's cast is uniformly superb
whatever complaints i might have
the script was reportedly rewritten a dozen times -- either 11 times too many or else too few
though overall an overwhelmingly positive portrayal
informative , intriguing , observant , often touching
take longer to heal : the welt on johnny knoxville 's stomach from a riot-control projectile or my own tortured psyche
, i love it ... hell , i dunno .
imagine o. henry 's the gift of the magi relocated to the scuzzy underbelly of nyc 's drug scene .
there 's some good material in their story about a retail clerk wanting more out of life , but the movie too often spins its wheels with familiar situations and repetitive scenes .
a gripping documentary that reveals how deep the antagonism lies in war-torn jerusalem .
so marvelously compelling is present brown as a catalyst for the struggle of black manhood in restrictive and chaotic america ... sketchy but nevertheless gripping portrait of jim brown , a celebrated wonder in the spotlight
featherweight romantic comedy has a few nice twists in a standard plot and the charisma of hugh grant and sandra bullock .
lot funnier
self-indulgent and
the filmmaking in invincible
their luster
cool visual backmasking
slapped together .
was that movie nothing more than a tepid exercise in trotting out a formula that worked five years ago but has since lost its fizz
in addition to the overcooked , ham-fisted direction , which has all the actors reaching for the back row
incessant whining
timid parsing
would make an excellent companion piece to the similarly themed ` the french lieutenant 's woman
, the world 's political situation seems little different , and ( director phillip ) noyce brings out the allegory with remarkable skill .
sustains interest
chopsocky
interview with the assassin is structured less as a documentary and more as a found relic , and as such the film has a difficult time shaking its blair witch project real-time roots
spirited away is a triumph of imagination
twitchy acting
doubtful this listless feature will win him any new viewers
demonstrated a knack for mixing action and idiosyncratic humor in his charming 2000 debut shanghai noon
enough gun battles and
know as an evil , monstrous lunatic
sadly imitative of innumerable
most compelling performance
then triple x marks the spot .
mr. koshashvili is a director to watch .
's in the action scenes that things fall apart
a wildly inventive mixture of comedy and melodrama
a movie about the power of poetry and passion
ill-timed
swill
, the film is n't nearly as downbeat as it sounds , but strikes a tone that 's alternately melancholic , hopeful and strangely funny .
a conventional , but well-crafted film about a historic legal battle in ireland over a man 's right to raise his own children .
the passion , creativity , and fearlessness of one
caffeinated , sloppy
he slaps together his own brand of liberalism
shenanigans and
by the time the plot grinds itself out in increasingly incoherent fashion , you might be wishing for a watch that makes time go faster rather than the other way around .
no amount of burning , blasting , stabbing , and shooting can hide a weak script .
scuttled
, the final effect is like having two guys yelling in your face for two hours .
most sincere and artful
resolutely unamusing , how thoroughly unrewarding all of this
is infectious .
excellent performances from jacqueline bisset and martha plimpton grace this deeply touching melodrama .
the rare movie that 's as crisp and to the point as the novel on which it 's based
symbolically , warm water under a red bridge is a celebration of feminine energy , a tribute to the power of women to heal .
a photographic marvel of sorts , and it 's certainly an invaluable record of that special fishy community .
gets violently gang-raped
sit near the back
should attract upscale audiences hungry for quality and a nostalgic , twisty yarn that will keep them guessing
with sharp ears and eyes
return to neverland manages to straddle the line between another classic for the company and just another run-of-the-mill disney sequel intended for the home video market
has a number of other assets to commend it to movie audiences both innocent and jaded
to keep it interested
to care about them
outright bodice-ripper
becomes increasingly implausible as it races
a graceful , moving tribute
every gag two or three times
is a feast for the eyes .
a three-dimensional , average , middle-aged woman 's experience
oscar-worthy performance
finally , the french-produced `` read my lips '' is a movie that understands characters must come first .
the power of polanski 's film
transcends its agenda to deliver awe-inspiring , at times sublime , visuals and offer a fascinating glimpse into the subculture of extreme athletes whose derring-do puts the x into the games .
a joint promotion for the national basketball association and
a changing world
sick and demented
still could have been room for the war scenes
eventually gets around to its real emotional business , striking deep chords of sadness
reflects the worst of their shallow styles
this is rote drivel aimed at mom and dad 's wallet .
succeed merrily at their noble endeavor .
brings a beguiling freshness to a coming-of-age story with such a buoyant , expressive flow of images that it emerges as another key contribution to the flowering of the south korean cinema .
no way original ,
is about the worst thing chan has done in the united states
genuinely inspirational
a disturbing disregard
a scruffy
besides its terrific performances , is fontaine 's willingness to wander into the dark areas of parent-child relationships without flinching .
in the worst elements of all of them
hard as this may be to believe , here on earth , a surprisingly similar teen drama , was a better film .
under a red bridge is a poem to the enduring strengths of women
the artist as an endlessly inquisitive old man
if any of them list this ` credit ' on their resumes in the future
despite lagging near the finish line
most offensive action
trying to pass off as acceptable teen entertainment for some time now
hard for me
is a remarkably accessible and haunting film
is nicely shot ,
as if it has made its way into your very bloodstream
nicks refuses to let slackers be seen as just another teen movie , which means he can be forgiven for frequently pandering to fans of the gross-out comedy .
all the values of a straight-to-video movie
well edited so that it certainly does n't feel like a film that strays past the two and a half mark
jealousy , betrayal , forgiveness and murder
a provocative
it weirdly appealing
verging on mumbo-jumbo
form at once visceral and spiritual , wonderfully vulgar and sublimely lofty -- and as emotionally grand as life
sewing together what could have been a confusing and horrifying vision into an intense and engrossing head-trip
what is missing from it
has a film used manhattan 's architecture in such a gloriously goofy way .
that worked five years ago but has since lost its fizz
prove that movie-star intensity can overcome bad hair design
of crudup 's anchoring performance
one that allows him to churn out one mediocre movie after another
but mainstream audiences will find little of interest in this film , which is often preachy and poorly acted .
the second half of the movie really goes downhill .
moving and solidly entertaining
it still comes off as a touching , transcendent love story .
that never quite equals the sum of its pretensions .
is well crafted , and well executed .
different from others in its genre in that it is does not rely on dumb gags , anatomical humor , or character cliches
decided to let crocodile hunter steve irwin do what he does best , and fashion a story around him .
after another , most of which involve precocious kids getting the better of obnoxious adults
the best ,
involving the various silbersteins that it feels more like the pilot episode of a tv series than a feature film
all of dean 's mannerisms and self-indulgence ,
found in almost all of his previous works
truly excellent
director to watch
sharp and quick
orgy
warm your heart without making you feel guilty about it
the magnificent jackie chan
, vapid and devoid
by a plot that 's just too boring and obvious
winning performances
its love of life and beauty
soulless and -- even more damning --
cold fish
a degree of randomness usually achieved only by lottery drawing
the the wisdom and humor of its subjects
the town has kind of an authentic feel
entirely believable
that old adage about women being unknowable
have potential as a cult film
is advised to take the warning literally , and log on to something more user-friendly
discomfort
you never want to see another car chase , explosion or gunfight again
totally overwrought ,
sunny disposition
excellent use of music by india 's popular gulzar and jagjit singh
makes a joke out of car chases for an hour and then gives us half an hour of car chases .
ably captures the complicated relationships in a marching band .
lax and limp
a paint-by-numbers picture
does a solid job of slowly , steadily building up to the climactic burst of violence
through this summer that do not involve a dentist drill
i heard a mysterious voice , and felt myself powerfully drawn toward the light -- the light of the exit sign
nights feels more like a quickie tv special than a feature film ...
is a winning comedy that excites the imagination and tickles the funny bone
is so resolutely
hilariously , gloriously alive , and
drawn-out
true to its title
and often contradictory
a stereotype
puts a human face