xiangpku/GLUE huggingface dataset:
too heavy for the plot
for reverence and a little wit
too campy to work as straight drama and too violent and sordid to function as comedy , vulgar is , truly and thankfully , a one-of-a-kind work .
fun ,
an uneasy mix
if it wants to be a retro-refitting exercise in campy recall for older fans or a silly , nickelodeon-esque kiddie flick
drawn engaging characters
most good-hearted yet sensual
a decided lack of spontaneity in its execution and a dearth of real poignancy in its epiphanies .
muddled , melodramatic paranormal romance is an all-time low for kevin costner .
are incredibly captivating and insanely funny ,
manages to be both hugely entertaining and uplifting .
the film is not only a love song to the movies
just a string of stale gags
this film can only point the way -- but thank goodness for this signpost .
is little else
because ( the leads ) are such a companionable couple
lacks the utter authority of a genre gem
, this loose collection of largely improvised numbers would probably have worked better as a one-hour tv documentary .
, it already has one strike against it .
where a masterpiece should be
'll like it
solondz may well be the only one laughing at his own joke
liked by the people who can still give him work
exudes the fizz of a busby berkeley musical and the visceral excitement of a sports extravaganza
the picture uses humor and a heartfelt conviction to tell a story about discovering your destination in life , but
with its own cuteness
chasing who
engaging mix
take a reality check before you pay the full ticket price to see `` simone , '' and consider a dvd rental instead
's dull , spiritless , silly and monotonous : an ultra-loud blast of pointless mayhem , going nowhere fast
but because of the startling intimacy
are acting horribly
the way tiny acts of kindness make ordinary life survivable
mostly , shafer and co-writer gregory hinton lack a strong-minded viewpoint , or a sense of humor .
at 2002 's sundance festival
a way that verges on the amateurish
strikes a potent chemistry
old-fashioned but thoroughly satisfying entertainment .
buy is an accomplished actress ,
hugely entertaining and uplifting
certainly the performances are worthwhile .
too bland and fustily tasteful to be truly prurient .
intensely lived
is bad
about this love story
me want to bolt the theater in the first 10 minutes
dark humor , gorgeous exterior photography
may have made a great saturday night live sketch , but a great movie it is not
impostor is a step down for director gary fleder .
is nothing compared to the movie 's contrived , lame screenplay and listless direction .
heated sexuality
reinvigorated
... watching it was painful .
evelyn 's strong cast and surehanded direction make for a winning , heartwarming yarn .
` unfaithful ' cheats on itself and retreats to comfortable territory .
world trade center tragedy
refreshingly smart and newfangled variation
constantly touching , surprisingly funny , semi-surrealist exploration of the creative act .
plod
a riveting documentary .
, featuring reams of flatly delivered dialogue and a heroine who comes across as both shallow and dim-witted .
went 8 movies ago
are an immensely appealing couple
discover that tian 's meticulous talent has not withered during his enforced hiatus
it promised it would be
are incredibly captivating and insanely funny
is lost , leaving the character of critical jim two-dimensional and pointless
too mushy
dazzling thing to behold -- as long as you 're wearing the somewhat cumbersome 3d goggles the theater
's just rather leaden and dull .
all as very important
the only question ... is to determine how well the schmaltz is manufactured -- to assess the quality of the manipulative engineering .
of what it actually means to face your fears
the ensemble cast turns in a collectively stellar performance , and
is vivacious
von sydow ... is itself intacto 's luckiest stroke
lumbering , wheezy
you feel like a sucker
is n't one true ` chan moment '
delivers without sham the raw-nerved story .
routine is offensive , puerile and unimaginatively foul-mouthed if it was at least funny
florid but ultimately vapid crime melodrama
a cheap scam put together by some cynical creeps at revolution studios and imagine entertainment to make the suckers out there surrender $ 9 and 93 minutes of unrecoverable life .
the story is predictable , the jokes are typical sandler fare , and the romance with ryder is puzzling
charismatic
clumsiness
an amazing breakthrough
due to stodgy , soap opera-ish dialogue , the rest of the cast comes across as stick figures reading lines from a teleprompter .
there 's a delightfully quirky movie to be made from curling ,
it actually improves upon the original hit movie
smart , provocative drama
, common sense flies out the window , along with the hail of bullets , none of which ever seem to hit sascha .
parker and co-writer catherine di napoli are faithful to melville 's plotline , they
could restage the whole thing in your bathtub
a low-budget affair , tadpole
make it as much fun as reading an oversized picture book before bedtime
funny ( sometimes hilarious ) comedy
is hartley 's least accessible screed
conrad l. hall 's cinematography will likely be nominated for an oscar next year
's so tedious that it makes you forgive every fake , dishonest , entertaining and , ultimately , more perceptive moment in bridget jones 's diary
slightly less successful than the first
a great shame that such a talented director as chen kaige
there are n't many conclusive answers in the film ,
it 's a work of enthralling drama
meets his future wife
, we do n't get williams ' usual tear and a smile , just sneers and bile , and the spectacle is nothing short of refreshing .
instantly forgettable
unsatisfying
a glorified episode
's a lousy one at that .
unlike most anime , whose most ardent fans outside japan seem to be introverted young men with fantasy fetishes , metropolis never seems hopelessly juvenile .
honestly nice little film
the humor and humanity
bolstered by exceptional performances and a clear-eyed take on the economics of dealing and the pathology of ghetto fabulousness
because despite all the backstage drama , this is a movie that tells stories that work -- is charming , is moving
are neither original
unfaithful is at once intimate and universal cinema .
a polished and vastly entertaining caper film that puts the sting back into the con .
life affirming and heartbreaking , sweet without the decay factor , funny and sad
his intellectual rigor
honesty that is tragically rare in the depiction of young women in film
dealing with dreams , visions or being told what actually happened as if it were the third ending of clue
a disney pic
, crazy as hell marks an encouraging new direction for la salle .
undeniably moving
into a lyrical and celebratory vision
walked out muttering words like `` horrible '' and `` terrible , '' but had so much fun dissing the film that they did n't mind the ticket cost .
does n't live up to material
is rather choppy
of the movie 's success
the astonishingly pivotal role
that fuels the self-destructiveness of many young people
the average white band 's `` pick up the pieces
grow boring ...
invites unflattering comparisons
the right conditions
brisk , reverent , and subtly different
shakes you vigorously
proves it 's never too late to learn
why anyone who is not a character in this movie should care is beyond me .
oddly moving
a lot of laughs in this simple , sweet and romantic comedy
that breathes extraordinary life into the private existence of the inuit people
mock the kind of folks they do n't understand , ones they figure the power-lunchers do n't care to understand , either .
, imagination and insight
the edge of your seat
it 's a lovely , eerie film that casts an odd , rapt spell .
jack o '
naturalistic acting
's secondary to american psycho but still has claws enough to get inside you and stay there for a couple of hours .
by john woo in this little-known story of native americans and their role in the second great war
sex with strangers is a success .
, director/co-writer jacques audiard , though little known in this country , belongs in the very top rank of french filmmakers
compassion , sacrifice , and christian love
they are pitted against shimmering cinematography that lends the setting the ethereal beauty of an asian landscape painting .
is anyone else out there getting tired of the whole slo-mo , double-pistoled , ballistic-pyrotechnic hong kong action aesthetic ?
permits laughter
, standard disney animated fare , with enough creative energy and wit to entertain all ages .
it 's affecting , amusing , sad and reflective .
by now intolerable
although made on a shoestring and unevenly
with steven seagal
is consistently amusing and engrossing ...
you feel good , you feel sad ,
is cheap junk and an insult to their death-defying efforts
( sports ) admirable energy , full-bodied characterizations and narrative urgency .
captures the unsettled tenor of that post 9-11 period far better
, credible
the picture is constructed around a core of flimsy -- or , worse yet , nonexistent -- ideas
's quite an achievement to set and shoot a movie at the cannes film festival
this waste of time
that it can not even be dubbed hedonistic
conjure proper respect for followers of the whole dead-undead genre , who deserve more from a vampire pic than a few shrieky special effects
a stark portrait of motherhood deferred and desire
wishing for a watch that makes time go faster rather than the other way
cheap , b movie way
i was entranced .
pat storylines , precious circumstances and beautiful stars
realizing that you 've spent the past 20 minutes looking at your watch and
transcend its genre with a curiously stylized , quasi-shakespearean portrait of pure misogynist evil
mind-numbingly awful that you hope britney wo n't do it one more time , as far as movies
for fashioning an engrossing entertainment out of an almost sure-fire prescription for a critical and commercial disaster
a dim-witted and lazy spin-off of the animal planet documentary series , crocodile hunter is entertainment opportunism at its most glaring .
is enjoyable family fare
, instantly disposable
an almost sure-fire prescription
sees those relationships , including that between the son and his wife , and the wife and the father , and between the two brothers , with incredible subtlety and acumen .
one oscar nomination for julianne moore this year
smart and fun , but far more witty than it is wise
a good shot
redundant , sloppy
do n't even like their characters
little doubt that kidman has become one of our best actors
will wish there had been more of the `` queen '' and less of the `` damned . ''
others in its genre in that it is does not rely on dumb gags , anatomical humor , or character cliches
good things happen to bad people
if there was ever a movie where the upbeat ending feels like a copout , this is the one .
no one involved , save dash , shows the slightest aptitude for acting ,
lifeless rumblings
major problem
not to be awed by the power and grace of one of the greatest natural sportsmen of modern times
is analytical
works because of the ideal casting of the masterful british actor ian holm
coupling disgracefully written dialogue with flailing bodily movements that substitute for acting
is warm , inviting , and surprising
a fine idea
the charm of the first movie is still there , and
vanity project
's very beavis and butthead , yet always
a vibrant whirlwind of love , family and all that
warm your heart
, no-frills ride
, unmemorable filler .
the proud warrior that still lingers in the souls of these characters
emotional intelligence
fincher takes no apparent joy in making movies
visceral and spiritual
he 's a better actor than a standup comedian .
, this dumas adaptation entertains
there 's likely very little crossover appeal to those without much interest in the elizabethans ( as well as rank frustration from those in the know about rubbo 's dumbed-down tactics )
confessions is n't always coherent ,
flamboyant in some movies and artfully restrained in others , 65-year-old jack nicholson could be looking at his 12th oscar nomination by proving that he 's now , more than ever , choosing his roles with the precision of the insurance actuary .
but it was n't .
crummy-looking videotape
this is downright movie penance
the slow , lingering death of imagination
director douglas mcgrath
of a first-rate cast
nearly glows with enthusiasm , sensuality and a conniving wit .
all the outward elements of the original
of riveting set pieces
a very valuable film
openness , the little surprises
is only so much baked cardboard i need to chew
, it 's a film that affirms the nourishing aspects of love and companionship .
no thanks .
this comic slugfest
a horror movie with seriously dumb characters , which somewhat dilutes the pleasure of watching them
, uncommonly sincere movie that portrays the frank humanity of ... emotional recovery
is lacking
buy the movie milk when the tv cow is free
, the hot chick is pretty damned funny .
a lot of talent
what 's even more remarkable
has a whip-smart sense of narrative bluffs .
should share screenwriting credit
chicago make the transition from stage to screen with considerable appeal intact
, hollywood has crafted a solid formula for successful animated movies , and ice age only improves on it , with terrific computer graphics , inventive action sequences and a droll sense of humor .
feel fresh
the off-center humor is a constant , and the ensemble gives it a buoyant delivery
it 's his strongest performance since the doors
's a great performance and a reminder of dickens ' grandeur .
embraces it , energizes it
del toro maintains a dark mood that makes the film seem like something to endure instead of enjoy .
without reeking of research library dust
a much needed kick , making `` die another day '' one of the most entertaining bonds in years
fling gags at it
stylish but steady , and ultimately very satisfying
it does give exposure to some talented performers
's never dull and
only a fleeting grasp of how to develop them
gets way too mushy -- and in a relatively short amount of time .
michael moore 's latest documentary about america 's thirst for violence is his best film yet ...
unfunny tricks
stale , standard , connect-the-dots storyline
cruel , misanthropic stuff
bland police procedural details , fiennes
succeeds mainly on the shoulders of its actors .
's a terrible movie in every regard , and utterly painful to watch .
that it 's offensive , but that it 's boring
control-alt-delete simone
's something awfully deadly about any movie with a life-affirming message
with one of france 's most inventive directors
character to avoid the fate that has befallen every other carmen before her
the accidental spy is a solid action pic that returns the martial arts master to top form
the cultural distinctions
tiresome jargon
even more predictable , cliche-ridden
unrelentingly grim --
heartwarming and gently comic even as the film breaks your heart
a fascinating glimpse into an insular world that gives the lie to many clichés and showcases a group of dedicated artists .
rock 's stand-up magic
fear and paranoia
high-adrenaline documentary
above anything sandler
there 's not nearly enough that 's right
is a riveting , brisk delight
the movie is all portent and no content
creates a fluid and mesmerizing sequence of images
ensues when brash young men set out to conquer the online world with laptops , cell phones and sketchy business plans
incurably romantic
take for granted in most films are mishandled here .
remarkable yet
i have given this movie a rating of zero .
well-thought stunts
but certainly hard to hate
a wry , affectionate delight
scores a direct hit .
is n't downright silly
every moment crackles with tension , and
wildlife
is careless and unfocused .
a bit exploitative
welled up in my eyes both times
inspires more
fill the hot chick , the latest gimmick from this unimaginative comedian
the leads ) are such a companionable couple
gutter romancer 's
this is a more fascinating look at the future than `` bladerunner '' and one of the most high-concept sci fi adventures attempted for the screen .
of wladyslaw szpilman , who is not only a pianist , but a good human being
shrewd
a journey spanning nearly three decades of bittersweet camaraderie and history , in which we feel that we truly know what makes holly and marina tick , and our hearts go out to them as both continue to negotiate their imperfect , love-hate relationship
heart-felt
make a splash even greater than arnold schwarzenegger , jean-claud van damme or steven segal
peculiar and always entertaining costume drama
shamelessly enjoyed it
the most part a useless movie
crap on a leash -- far too polite to scale the lunatic heights of joe dante 's similarly styled gremlins
thumbs down due to the endlessly repetitive scenes of embarrassment
the best film of the year 2002
ca n't disguise that he 's spiffing up leftovers that are n't so substantial or fresh
the material and the production itself are little more than routine .
to be taken seriously
this is a heartfelt story ... it just is n't a very involving one
a thoughtful and surprisingly affecting portrait of a screwed-up man who dared to mess with some powerful people , seen through the eyes of the idealistic kid who chooses to champion his ultimately losing cause .
an ingenious and often harrowing
shabby digital photography
a pretty good execution
, wendigo is a genuinely bone-chilling tale .
of the most affecting depictions of a love affair
is an inexpressible and drab wannabe looking for that exact niche
a technical triumph and
the middle of the road , where the thematic ironies are too obvious and the sexual politics too smug
's an excellent 90-minute film here
fun and nimble
allowing us to find the small , human moments , and leaving off with a grand whimper
purposefully
the filmmakers try to balance pointed , often incisive satire and unabashed sweetness , with results that are sometimes bracing , sometimes baffling and quite often , and in unexpected ways , touching .
cheesier to cheesiest
muddled
tongue to keep from laughing at the ridiculous dialog or the oh-so convenient plot twists
an ambitious ` what if ? '
enjoying himself immensely
will be two hours gained
bore most audiences
a clumsily manufactured exploitation flick
a crisp psychological drama ( and ) a fascinating little thriller that would have been perfect for an old `` twilight zone '' episode
feels from being dragged through a sad , sordid universe of guns , drugs , avarice and damaged dreams
a few good laughs
is more fully
the film has the high-buffed gloss and high-octane jolts you expect of de palma , but what makes it transporting is that it 's also one of the smartest , most pleasurable expressions of pure movie love to come from an american director in years .
takes its central idea way too seriously
annoying and
you 'll want to crawl up your own *** in embarrassment
would require many sessions on the couch of dr. freud .
sweet-tempered
that underlies the best of comedies
fairly harmless
no big whoop
arrives at its heart , as simple self-reflection meditation
an old-fashioned scary movie , one that relies on lingering terror punctuated by sudden shocks and not constant bloodshed
solid performances and
occasional jarring glimpses of a modern theater audience watching the events unfold
to the movie 's contrived , lame screenplay and listless direction
mature and frank fashion
dopey old
craven
subplots involving the various silbersteins that it feels more like the pilot episode of a tv series than a feature film
most horrific
most immediate and most obvious
gaunt
be a bit of a cheat in the end
aimed mainly at little kids but with plenty of entertainment value to keep grown-ups from squirming in their seats
something else altogether -- clownish and offensive and nothing at all like real life
with enough unexpected twists
that rival vintage looney tunes for the most creative mayhem in a brief amount of time
a movie that understands characters must come first
being the ultra-violent gangster wannabe
weighty revelations , flowery dialogue , and nostalgia for the past
philosophical emptiness and maddeningly sedate pacing
also demonstrate how desperate the makers of this ` we 're - doing-it-for - the-cash ' sequel were .
as it should be
of fighting hard for something that really matters
amiable
unfulfilling
is worthwhile for reminding us that this sort of thing does , in fact , still happen in america
plays closer to two .
direct-to-video stuff
, e.t. is still a cinematic touchstone .
a can of 2-day old coke
charge money for this ?
feels like a streetwise mclaughlin group ... and never fails to entertain
over a late-inning twist that just does n't make sense
assayas ' ambitious , sometimes beautiful adaptation of jacques chardonne
through this picture i was beginning to hate it
so many red herrings ,
be low , very low , very very low , for the masquerade to work
technical flaws to get in the way
the triviality
articulates
kapur gives us episodic choppiness , undermining the story 's emotional thrust .
the superficially written characters ramble on tediously about their lives , loves and the art
substantive movie
is throwing up his hands in surrender , is firing his r&d people , and has decided he will just screen the master of disguise 24/7 .
is so pat it makes your teeth hurt
that pollyana would reach for a barf bag .
the film is an earnest try at beachcombing verismo , but it would be even more indistinct than it is were it not for the striking , quietly vulnerable personality of ms. ambrose
wildly inventive mixture
delightfully unpredictable , hilarious comedy
an uplifting , near-masterpiece .
is the gabbiest giant-screen movie ever , bogging down in a barrage of hype .
's relentlessly folksy , a procession of stagy set pieces stacked with binary oppositions
uncompromising knowledge
for perfectly acceptable , occasionally very enjoyable children 's entertainment
completely delightful
the teeny-bopper set
wish had been developed with more care
of those movies that catches you up in something bigger than yourself
of animal house
payne constructs a hilarious ode to middle america and middle age with this unlikely odyssey , featuring a pathetic , endearing hero who is all too human .
of american pie hijinks
a terrific screenplay and
the film 's creepy
an off-beat and fanciful film about the human need for monsters to blame for all that
's better than the phantom menace
... instead go rent `` shakes the clown '' , a much funnier film with a similar theme and an equally great robin williams performance .
an angel simplicity
an odd , haphazard , and inconsequential romantic comedy .
look as if it were being shown on the projection television screen of a sports bar
takes hold and grips
sad but endearing characters
outrageous or funny
it seeks to rely on an ambiguous presentation
, it irrigates our souls .
the ridiculousness of its premise
a smart , funny look
flakeball
, introspective and entertaining
the best of godard 's movies
no amount of good acting
nobody here bothered to check it twice .
`` cremaster 3 '' should come with the warning `` for serious film buffs only ! ''
more strongly
the believer is nothing less than a provocative piece of work
though he only scratches the surface , at least he provides a strong itch to explore more .
horrible pains
been there , done that ,
seems a bit on the skinny side
the story ... is inspiring , ironic , and revelatory of just how ridiculous and money-oriented the record industry really is .
same love story
i stopped thinking about how good it all was , and started doing nothing but reacting to it - feeling a part of its grand locations , thinking urgently as the protagonists struggled , feeling at the mercy of its inventiveness , gasping at its visual delights .
the cast , collectively a successful example of the lovable-loser protagonist , shows deft comic timing .
quaid is utterly fearless as the tortured husband living a painful lie , and
i have n't seen such self-amused trash since freddy got fingered .
works -
's coherent , well shot ,
guess a space station in the year 2455 can be crossed off the list of ideas for the inevitable future sequels ( hey , do n't shoot the messenger ) .
's already a joke in the united states .