xiangpku/GLUE huggingface dataset:
like bartleby , is something of a stiff -- an extra-dry office comedy that seems twice as long as its 83 minutes .
is twice as bestial but half as funny
terrible , banal dialogue ; convenient , hole-ridden plotting ; superficial characters
is a such a brainless flibbertigibbet that it 's hard to take her spiritual quest at all seriously
, fierce grace reassures us that he will once again be an honest and loving one .
, i hate myself most mornings .
as long as you 're wearing the somewhat cumbersome 3d goggles
sweet , funny ,
are flat
make paid in full worth seeing .
make it as much fun as reading an oversized picture book before bedtime .
victimized
the film to drag on for nearly three hours
what makes the film special is the refreshingly unhibited enthusiasm that the people , in spite of clearly evident poverty and hardship , bring to their music .
well-written as sexy beast
that even tunney ca n't save
the art direction and costumes are gorgeous and finely detailed ,
our close ties with animals
as they may be , the cartoons look almost shakespearean -- both in depth and breadth -- after watching this digital-effects-heavy , supposed family-friendly comedy .
stunningly
is life affirming and heartbreaking , sweet without the decay factor , funny and sad
inhabit into a poem of art , music and metaphor
fails to overcome the film 's manipulative sentimentality and annoying stereotypes
a yawn-provoking little farm melodrama .
emotionally devastating
sits in the place where a masterpiece should be .
its namesake proud
with unimaginable demons
the grossest movie
catch the pitch of his poetics , savor the pleasure of his sounds and images ,
a jumbled fantasy comedy that did not figure out a coherent game plan at scripting , shooting or post-production stages .
ensemble cast romances recently
makes us believe she is kahlo
alternately hilarious and sad , aggravating and soulful , scathing and joyous .
charmless witch
into elaborate choreography
too simplistic to maintain interest
like having a real film of nijinsky
worst kind
sermonize
be a breath of fresh air
bang-bang , shoot-em-up scene
drink to excess , piss on trees , b.s. one another
instantly know whodunit
the atmosphere
all-time low
me realize that we really have n't had a good cheesy b-movie playing in theaters since ... well ... since last week 's reign of fire
deliberately and skillfully uses
the french-produced `` read my lips '' is a movie that understands characters must come first .
an ungainly movie , ill-fitting
there are many definitions of ` time waster ' but
the plot has a number of holes
the mothman prophecies , which is mostly a bore
a thoughtful , reverent portrait of what is essentially a subculture , with its own rules regarding love and family , governance and hierarchy .
hitchcockian suspense
fine , focused piece
anyone not into high-tech splatterfests
a highly spirited , imaginative kid 's movie that broaches neo-augustinian theology : is god stuck in heaven because he 's afraid of his best-known creation ?
who ca n't act
nubile young actors
impressed by the skill of the actors involved in the enterprise
where one 's imagination will lead when given the opportunity
it is about irrational , unexplainable life and it seems so real because it does not attempt to filter out the complexity
does a great combination act as narrator , jewish grandmother and subject
rumor , a muddled drama about coming to terms with death ,
sets animation back 30 years , musicals back 40 years and judaism back at least 50 .
other than to employ hollywood kids and people who owe favors to their famous parents .
ridiculous and
fade amid the deliberate , tiresome ugliness
found the perfect material
that the era of the intelligent , well-made b movie is long gone
convince us of that all on their own
what a reckless squandering of four fine acting talents
irreparably drags the film down .
berry 's saucy ,
, eight crazy nights is a total misfire .
too amateurishly square
terribly monotonous
it 's the kind of effectively creepy-scary thriller that has you fixating on a far corner of the screen at times because your nerves just ca n't take it any more .
and unoriginal mess
the extent to which it succeeds is impressive .
so insanely stupid
's a rock-solid little genre picture
of healthy eccentric inspiration and ambition
enjoyable film
horrors !
adorns his family-film plot with an elegance and maturity that even most contemporary adult movies are lacking
that makes as much of a mess as this one
be particularly innovative
a heartening tale
though intrepid in exploring an attraction that crosses sexual identity , ozpetek falls short in showing us antonia 's true emotions ...
a cheap , ludicrous attempt at serious horror .
own staggeringly unoriginal terms
can disguise the fact that the new film is a lame kiddie flick and that carvey 's considerable talents are wasted in it .
the only thing i laughed at
is too insistent
to squeeze a few laughs out of the material
feels like a streetwise mclaughlin group ... and never fails to entertain .
, at 66 , has stopped challenging himself
leave feeling as shaken as nesbitt 's cooper looks when the bullets stop flying
relatively flavorless
subversive
mind-numbingly , indescribably bad
the story line may be 127 years old , but el crimen del padre amaro ... could n't be more timely in its despairing vision of corruption within the catholic establishment .
and unsettling subject matter
exercise in sham actor workshops and an affected malaise .
to drag along the dead ( water ) weight of the other
he will once again be an honest and loving one
promises is a compelling piece that demonstrates just how well children can be trained to live out and carry on their parents ' anguish .
trip tripe
their contrast is neither dramatic nor comic
into an excruciating film
as beautiful , desirable ,
unusual , food-for-thought cinema that 's as entertaining as it is instructive
bolstered by exceptional performances and a clear-eyed take on the economics of dealing and the pathology of ghetto fabulousness .
suffer '
an admirably dark first script by brent hanley
rehearsals are frequently more fascinating than the results .
of genres that just does n't work
slowed down by a stroke
blatant product placement
been lost in the translation
little more than a particularly slanted , gay s/m fantasy , enervating
to triumph over a scrooge or two
this starts off with a 1950 's doris day feel and it gets very ugly , very fast
an invaluable service
a sappy , preachy one
gone straight to video
an ultra-loud blast
several times here and reveals how bad an actress she is .
asylum material
astonishingly pivotal role
's an odd show , pregnant with moods , stillborn except as a harsh conceptual exercise
made me unintentionally famous -- as the queasy-stomached critic who staggered from the theater and blacked out in the lobby .
seems to remain an unchanged dullard
winning story
of a romantic crime comedy that turns out to be clever , amusing and unpredictable
of the year 's most intriguing movie experiences
i liked the movie , but
stamina and vitality
to be more than another `` best man '' clone by weaving a theme throughout this funny film
elling never gets too cloying thanks to the actors ' perfect comic timing and sweet , genuine chemistry .
that chirpy songbird britney spears has popped up with more mindless drivel .
is richly detailed , deftly executed and utterly absorbing .
feeble
you 're a fan of the series
this mess of a movie
mcgrath
provide an intense experience when splashed across the immense imax screen .
roman polanski 's autobiographical gesture at redemption is better than ` shindler 's list ' - it is more than merely a holocaust movie
bolstered by an astonishing voice cast ( excepting love hewitt ) , an interesting racial tension , and a storyline that i have n't encountered since at least pete 's dragon
's best
is visually smart , cleverly written
; not the craven of ' a nightmare on elm street ' or ` the hills have eyes , '
director sara sugarman stoops to having characters drop their pants for laughs and not the last time
slim travel incognito in a ridiculous wig no respectable halloween costume shop would ever try to sell
is a subzero version of monsters , inc. , without the latter 's imagination
at once overly old-fashioned in its sudsy plotting
straight-ahead thriller
quite simply , should n't have been made
into a cinematic poem
assume is just another day of brit cinema
, you 'll wait in vain for a movie to happen .
the sense of fierce competition
an infectious enthusiasm
and , because of its heightened , well-shaped dramas , twice as powerful
does n't work as either
how horrible
elevates the material above pat inspirational status
it adds up to big box office bucks all but guaranteed .
is that i ca n't wait to see what the director does next
it is hard to resist
a domestic unit finding their way to joy
gets a lot of flavor and spice into his charade remake
environmental pollution
alternating between facetious comic parody and pulp melodrama , this smart-aleck movie ... tosses around some intriguing questions about the difference between human and android life .
katzenberg
funny , sexy
other rowdy raunch-fests -- farts , boobs , unmentionables --
, but thanks to the gorgeous locales and exceptional lead performances
run out screaming
is richer than anticipated
a sexy , peculiar and always entertaining costume drama
a tone of rueful compassion ... reverberates throughout this film , whose meaning and impact is sadly heightened by current world events .
boundary-hopping formal innovations and glimpse
intrigue and human-scale characters
a crisp psychological drama ( and )
attracting
entertaining , if somewhat standardized ,
blue crush , a late-summer surfer girl entry , should be as entertaining as it is
where this was lazy but enjoyable
hindered by uneven dialogue and plot lapses
traditional layers of awakening and ripening and
's unlikely we 'll see a better thriller this year .
though flawed
the depths to which the girls-behaving-badly film has fallen
feels like a cold old man going through the motions .
ca n't even
the film itself -- as well its delightful cast -- is so breezy
it 's unfortunate that wallace , who wrote gibson 's braveheart as well as the recent pearl harbor , has such an irrepressible passion for sappy situations and dialogue .
i think is supposed to be an attempt at hardass american but sometimes just lapses into unhidden british
very well shot
an ideal
manages to bleed it almost completely dry of humor , verve and fun
wants to be liked by the people who can still give him work .
another visit
clearly hopes to camouflage how bad his movie is .
actually make a pretty good team
it may be a no-brainer , but at least it 's a funny no-brainer
a four star performance
not only to record the events for posterity , but to help us
breaks no new ground
mariah carey gives us another peek at some of the magic we saw in glitter here in wisegirls .
ill-equipped
alternates between deadpan comedy and heartbreaking
than indecent proposal
is contrived , unmotivated , and psychologically unpersuasive , with an inconclusive ending
might as well have been titled generic jennifer lopez romantic comedy
godard 's ode to tackling life 's wonderment is a rambling and incoherent manifesto about the vagueness of topical excess
who starts off promisingly but then proceeds to flop
may not look as fully ` rendered ' as pixar 's industry standard
certainly not without merit
leguizamo 's best movie work so far ,
too fancy
fulfill its own ambitious goals
his genre and his character construct is a wonderous accomplishment of veracity and narrative grace
while obviously aimed at kids , the country bears ... should keep parents amused with its low groan-to-guffaw ratio .
an emotional wallop
is if you have a case of masochism and an hour and a half to blow
speak for it while it forces you to ponder anew what a movie can be .
a delightful lark for history buffs
obnoxiously
we 've seen the hippie-turned-yuppie plot before , but there 's an enthusiastic charm in fire that makes the formula fresh again .
the extreme generation '
is not easily dismissed or forgotten .
this painfully unfunny farce
it looks good , sonny
on badly-rendered cgi effects
i found it slow , predictable and not very amusing .
his audience an epiphany
its unadorned view
the material is so second-rate
where 's the movie here ?
metaphor
the bourne identity should n't be half as entertaining as it is , but director doug liman and his colleagues have managed to pack it with enough action to satisfy the boom-bam crowd without a huge sacrifice of character and mood
of ' a nightmare
boring before i see this piece of crap again
we hate ( madonna ) within the film 's first five minutes , and
control-alt-delete simone as quickly
an oily arms dealer , squad car pile-ups and the requisite screaming captain
given too much time to consider the looseness of the piece
the huskies are beautiful ,
suitably anonymous chiller
convinced of its own brilliance
indulge the fanciful daydreams of janice beard ( eileen walsh ) when her real-life persona is so charmless and vacant
a conventional , but well-crafted film about a historic legal battle in ireland over a man
is too busy
's not just the vampires that are damned in queen of the damned
making kahlo 's art a living , breathing part of the movie ,
is anything but languorous
for the character at all stages of her life
been allowed to get wet , fuzzy and sticky
as the queasy-stomached critic who staggered from the theater and blacked out in the lobby
heart-pounding suspense
wo n't hold up over the long haul
has the usual impossible stunts
the most consistently funny
's sure a lot smarter and more unnerving than the sequels
sexual jealousy , resentment and the fine
it has become apparent that the franchise 's best years are long past .
silly-looking morlocks
( lin chung 's ) voice is rather unexceptional ,
the striking , quietly vulnerable personality
wonderful ensemble cast
often funny way
loves a david and goliath story
is the power of love
a talk that appeals to me
static set ups ,
stirring tribute
felt trapped and with no obvious escape for the entire 100 minutes .
the subject with fondness and respect
reveals a music scene that transcends culture and race
the locale ... remains far more interesting than the story at hand .
mindless pace
might be distracted by the movie 's quick movements and sounds
very depressing
governmental odds
he 's the best brush in the business
a living testament to the power of the eccentric and the strange .
is a very funny , heartwarming film
the best movie in many a moon about the passions that sometimes fuel our best achievements and other times leave us stranded with nothing more than our lesser appetites .
as best actress
safely recommended as a video/dvd babysitter
watch barbershop again if you 're in need of a cube fix
into a really funny movie
too goodly , wise and knowing or downright comically evil
it does n't disappoint .
-- however canned --
offers an aids subtext , skims over the realities of gay sex , and presents yet another tired old vision of the gay community as an all-inclusive world where uptight , middle class bores like antonia can feel good about themselves
gut-wrenching examination
works so well for the first 89 minutes , but
to merit such superficial treatment
is a small gem
peaked
kudos to the most enchanting film of the year .
a weak and ineffective ghost story without a conclusion or pay off .
irrational
comedy , caper thrills and
equally distasteful
shared by the nation
are too immature and unappealing to care about
a fairly irresistible package
where its recent predecessor miserably
a great performance
its courageousness ,
, time of favor presents us with an action movie that actually has a brain .
all the scenic appeal of a cesspool
george 's haplessness and
her agreeably startling use of close-ups
that is apparently as invulnerable as its trademark villain
is compelling enough , but it 's difficult to shrug off the annoyance of that chatty fish
that deserves a chance to shine
's a lyrical endeavor .
the film 's messages of tolerance and diversity are n't particularly original , but one ca n't help but be drawn in by the sympathetic characters .
it will gratify anyone who has ever suspected hollywood of being overrun by corrupt and hedonistic weasels .
decidedly flimsier with its many out-sized , out of character and logically porous action set pieces
lousy way
love , memory
the working class to life
that , quite simply , should n't have been made
the middle and lurches between not-very-funny comedy , unconvincing dramatics
a portrait of alienation so perfect ,
ugly , revolting
schepisi , aided by a cast that seems to include every top-notch british actor who did not appear in gosford park ( as well as one , ms. mirren , who did ) ,
the lousy john q
mike white 's deft combination of serious subject matter and dark , funny humor
warm , inviting
zero thrills , too many flashbacks and a choppy ending make for a bad film
worst way
in its poetic symbolism
a happy , heady jumble
the 3-d vistas from orbit
an endearing cast
glaring
remind one of a really solid woody allen film , with its excellent use of new york locales and sharp writing
made nature film and a tribute to a woman whose passion for this region and its inhabitants still shines in her quiet blue eyes .
rolling your eyes
she loves them to pieces
to make a big splash .
offers an aids subtext , skims over the realities of gay sex , and
would be rendered tedious by avary 's failure to construct a story with even a trace of dramatic interest
is still charming here
a real shame
no amount of earnest textbook psychologizing can bridge
the world 's best actors
the visual panache , the comic touch ,
accused of being a bit undisciplined
the silver screen
a nostalgic , twisty yarn that will keep them guessing
it is a popcorn film , not a must-own , or even a must-see .
is repeated at least four times .
the evocative imagery and gentle , lapping rhythms of this film
also need movies like tim mccann 's revolution no. 9 .
-- an unpleasant debate that 's been given the drive of a narrative and that 's been acted out --
savory and hilarious
appealing leads
has sex on screen been so aggressively anti-erotic
has the perfect face to play a handsome blank yearning to find himself
ranges from bad to bodacious
as dumb and cheesy as they may be , the cartoons look almost shakespearean -- both in depth and breadth -- after watching this digital-effects-heavy , supposed family-friendly comedy .
relatively gore-free
, but i suspect it might deliver again and again .
is concocted and carried out by folks worthy of scorn
inadequately
all-around good time
exceptional detail
its own meager weight
the best of the pierce brosnan james bond films to date .
neither as scary-funny as tremors nor demented-funny as starship troopers , the movie is n't tough to take as long as you 've paid a matinee price .
jaw-dropping action sequences ,
of political corruption
fun-loving
allows him to churn out one mediocre movie after another
is a fast , frenetic , funny , even punny 6 -- aimed specifically at a grade-school audience .
filming the teeming life on the reefs , making this gorgeous film a must for everyone from junior scientists to grown-up fish lovers
turns very dark and very funny
junk-calorie suspense tropes
unentertaining
ambiguous ending
... simultaneously degrades its characters , its stars and its audience .
also treats the subject with fondness and respect
's surprisingly decent , particularly for a tenth installment in a series
curiously , he waters it down , turning grit and vulnerability into light reading
with minimal imagination
a fan film that for the uninitiated plays better on video with the sound turned down .
he was reading the minds of the audience .
dramatically satisfying heroine
musicals back
acted meditation on both the profoundly devastating events of one year ago and the slow , painful healing process that has followed in their wake
portrays young brendan with his usual intelligence and subtlety
assuredly rank as one of the cleverest , most deceptively amusing comedies of the year .
you will likely prefer to keep on watching .
to be especially grateful for freedom after a film like this
quite makes it to the boiling point , but manages to sustain a good simmer for most of its running time .
a stirring , funny and finally transporting re-imagining of beauty and the beast and 1930s horror films
cruelly
nickleby with all the halfhearted zeal of an 8th grade boy delving
is one of mr. chabrol 's subtlest works , but also one of his most uncanny
feels in almost every possible way -- from the writing and direction to the soggy performances -- tossed off .
trusts the story it sets out to tell
the result is so tame that even slightly wised-up kids would quickly change the channel .
that plays things so nice
be post-feminist breezy
as you might to scrutinize the ethics of kaufman 's approach , somehow it all comes together to create a very compelling , sensitive , intelligent and almost cohesive piece of film entertainment
such a horrible movie could have sprung from such a great one
a refreshing and comical spin
loads of irreparable damage
chimes in on the grieving process and strangely draws the audience into the unexplainable pain and eccentricities that are attached to the concept of loss .
playful respite
as miraculous as its dreamworks makers
, purpose and emotionally bruised characters
direct hit
it 's a quirky , off-beat project .
its execution and skill of its cast
of magic and whimsy for children , a heartfelt romance for teenagers and a compelling argument about death , both pro and con , for adults
the bizarre is credible and the real turns magical
an effective portrait of a life in stasis -- of the power of inertia to arrest development in a dead-end existence
but its just not a thrilling movie
brings a youthful , out-to-change-the-world aggressiveness to the project , as if she 's cut open a vein
that is slow to those of us in middle age
relying on the viewer to do most of the work
insufferable
a decent ` intro ' documentary
the creative animation work may not look as fully ` rendered ' as pixar 's industry standard , but it uses lighting effects and innovative backgrounds to an equally impressive degree
scoring high
artsy fantasy sequences --
when are bears bears and
impossible to care about
's too much syrup and not enough fizz
overly long and worshipful bio-doc .
something a little more special behind it
high-profile talent
of shakespeare 's better known tragedies
thought-provoking and often-funny drama
together , miller , kuras and the actresses make personal velocity into an intricate , intimate and intelligent journey .
chan 's uniqueness
looks and plays like a $ 40 million version of a game you 're more likely to enjoy on a computer .
sloughs one 's way through the mire of this alleged psychological thriller in search of purpose or even a plot
driven by a natural sense for what works
steinis quirky , charming and often hilarious
the cast is top-notch and i predict there will be plenty of female audience members drooling over michael idemoto as michael .
, pasty lumpen
surprisingly ` solid ' achievement
slip into hokum
is a welcome lack of pretension about the film , which very simply sets out to entertain and ends up delivering in good measure .
the third revenge of the nerds sequel
narc is all menace and atmosphere .
's enough to watch huppert scheming , with her small , intelligent eyes as steady as any noir villain , and to enjoy the perfectly pitched web of tension that chabrol spins
inspired portrait
is a battle of witlessness between a not-so-bright mother and daughter and an even less capable trio of criminals
sensuous and spirited
awfully hard
shines on all the characters ,
oleander 's uninspired story
at once overly old-fashioned in its sudsy plotting and heavy-handed in its effort to modernize it with encomia to diversity and tolerance
roughly equal amounts of beautiful movement and inside information .
has created a film that one can honestly describe as looking , sounding and simply feeling like no other film in recent history
cultivation
a visual style that incorporates rotoscope animation for no apparent reason except
you 're desperate for the evening to end .