xiangpku/GLUE huggingface dataset:
otherwise this is the best ` old neighborhood ' project since christopher walken kinda romanced cyndi lauper in the opportunists
will find morrison 's iconoclastic uses of technology to be liberating
gets molested
masterfully controlled
adaptation is intricately constructed and in a strange way nails all of orlean 's themes without being a true adaptation of her book .
manic
they are having so much fun
superb production values & christian bale 's charisma make up for a derivative plot .
one of those terrific documentaries that collect a bunch of people who are enthusiastic about something and then figures out how to make us share their enthusiasm .
it 's only in fairy tales that princesses that are married for political reason live happily ever after .
it begins to seem as long as the two year affair which is its subject
unlike trey parker , sandler does n't understand that the idea of exploiting molestation for laughs is funny , not actually exploiting it yourself .
is an action movie with an action icon who 's been all but decommissioned .
its audience giddy with the delight of discovery
has a true talent for drawing wrenching performances from his actors ( improvised over many months ) and for conveying the way tiny acts of kindness make ordinary life survivable .
to make a big splash
is that its own action is n't very effective
the sentimental script has problems , but the actors pick up the slack
do n't even bother to rent this on video
, no such thing is hartley 's least accessible screed yet .
a laugh
... gives give a solid , anguished performance that eclipses nearly everything else she 's ever done .
a powerful performance from mel gibson and a brutal 90-minute battle sequence that does everything but issue you a dog-tag and an m-16
momentum and its position remains mostly undeterminable
of b-movie excitement
, powerful act
its relaxed ,
is engaging enough to keep you from shifting in your chair too often
that came to define a generation
smarter than your average bond
look too deep into the story
the film has a nearly terminal case of the cutes , and it 's neither as funny nor as charming as it thinks it is .
a live-wire film that
` santa clause 2 ' is wondrously creative .
creates a portrait of two strong men in conflict ,
elevate it beyond its formula to the level of classic romantic comedy to which it aspires
's insecure in lovely and amazing , a poignant and wryly amusing film about mothers , daughters and their relationships .
the filmmakers ' post-camp comprehension of what made old-time b movies good-bad that makes eight legged freaks a perfectly entertaining summer diversion
felt trapped and with no obvious escape
technical skill and rare depth
of virtuosic set pieces
the best didacticism is one carried by a strong sense of humanism ,
a work of enthralling drama
always brooding
's a movie that accomplishes so much that one viewing ca n't possibly be enough .
if you 're as happy listening to movies as you are watching them , and the slow parade of human frailty fascinates you
the wake of saving private ryan
that skins comes as a welcome , if downbeat , missive from a forgotten front
a loquacious and dreary piece
once she lets her love depraved leads meet , ( denis ' ) story becomes a hopeless , unsatisfying muddle
just fell apart
it does n't leave you with much .
takes few chances and manages to insult the intelligence of everyone in the audience
great monster/science fiction flicks
perfectly executed and wonderfully sympathetic characters ,
gripping , amusing , tender and heart-wrenching
is a very good viewing alternative for young women
better hip-hop clips
a host of splendid performances
being subjected to farts , urine , feces , semen , or any of the other foul substances
shows moments of promise but ultimately succumbs to cliches and pat storytelling .
that we 'll keep watching the skies for his next project
bogus spiritualism
deserved all the hearts it won -- and wins still ,
above the run-of-the-mill singles blender
lawrence plumbs personal tragedy and also the human comedy .
phenomenal , especially
predictable denouement
quentin tarantino 's climactic shootout
so badly
all too clever complexity
slightly naughty , just-above-average off
carvey 's considerable talents
absurd finale
are never more than sketches ... which leaves any true emotional connection or identification frustratingly out of reach
it does n't even seem like she tried .
that was n't all that great to begin with
notorious c.h.o. still feels like a promising work-in-progress
are clinically depressed
a case study that exists apart from all the movie 's political ramifications
emotional evolution
a little uneven to be the cat 's meow ,
's funny , as the old saying goes , because it 's true .
stand as intellectual masterpieces next to the scorpion king .
makes the silly , over-the-top coda especially disappointing
a fascinating examination of the joyous , turbulent self-discovery made by a proper , middle-aged woman .
, the production works more often than it does n't .
direct-to-video ' release
that director m. night shyamalan can weave an eerie spell and that mel gibson can gasp , shudder and even tremble without losing his machismo
being a really bad imitation of the really bad blair witch project
especially fine
are tops , with the two leads delivering oscar-caliber performances .
smoky and
does justice
enters a realm where few non-porn films venture , and comes across as darkly funny , energetic , and surprisingly gentle
acting like puppets
memorable and resourceful performances
the story has its redundancies , and
do n't wait to see this terrific film with your kids -- if you do n't have kids borrow some
's a fairly impressive debut from the director , charles stone iii
a flat , plodding picture
plight and isolation
done any better in bringing the story of spider-man to the big screen
will wind up as glum as mr. de niro
as satisfyingly odd and intriguing a tale as it was a century and a half ago
a big musical number like ` praise the lord , he 's the god of second chances '
an unseemly pleasure
who re-invents himself
is brilliant
transcends its agenda to deliver awe-inspiring , at times sublime , visuals
there 's something fishy about a seasonal holiday kids ' movie ...
much of a mixed bag , with enough negatives
by the dispassionate gantz brothers as ordinary , pasty lumpen
a movie where the most notable observation is how long you 've been sitting still
beautifully read and
a convenient conveyor belt of brooding personalities that parade about as if they were coming back from stock character camp -- a drowsy drama infatuated by its own pretentious self-examination
of romantic obsession
a jaw-droppingly beautiful work that upends nearly every cliché of japanese animation
of sulky teen drama and overcoming-obstacles sports-movie triumph
going to love the piano teacher
is depressing , ruthlessly pained and depraved , the movie equivalent of staring into an open wound
talkiness is n't necessarily bad , but the dialogue frequently misses the mark .
spiked with raw urban humor
is pretty funny now and then without in any way demeaning its subjects
pleasingly upbeat
sharp comic timing that makes the more hackneyed elements of the film easier to digest
a thoughtful examination of faith , love and power
its storytelling prowess and special effects are both listless .
endearing and well-lensed
a deeply humanistic artist
not to mention leaving you with some laughs and a smile on your face
soldiers ultimately achieves its main strategic objective : dramatizing the human cost of the conflict that came to define a generation .
visceral , nasty journey
created a provocative ,
fontaine masterfully
juiced with enough energy and excitement for at least three films
is a clear case of preaching to the converted
the biggest problem with satin rouge is lilia herself .
it 's a big idea
the shadows of motown
soured me on the santa clause 2 was that santa bumps up against 21st century reality so hard
a headline-fresh thriller set among orthodox jews on the west bank , joseph cedar 's time
can only love the players it brings to the fore for the gifted but no-nonsense human beings they are and for the still-inestimable contribution they have made to our shared history .
would n't turn down a big bowl of that
stimulating and
it 's not clear whether we 're supposed to shriek
the special effects are ` german-expressionist , ' according to the press notes
complicated characters
to catch the pitch of his poetics , savor the pleasure of his sounds and images , and ponder the historical , philosophical , and ethical issues that intersect with them
most plain , unimaginative romantic comedies i
content merely to lionize its title character and exploit his anger - all for easy sanctimony , formulaic thrills and a ham-fisted sermon on the need for national health insurance .
a subtle , humorous , illuminating study
a solid and refined piece of moviemaking
as padded as allen 's jelly belly
with strangeness than excellence
kidman who holds the film together with a supremely kittenish performance that gradually accumulates more layers
seldom hammy
his lack of faith in his audience
behave like kids
bravery and integrity
slapstick
makes a depleted yesterday feel very much like a brand-new tomorrow
a native american
twenty years later , e.t. is still a cinematic touchstone .
a clichéd and shallow cautionary tale
the answers
( t ) his slop does n't even have potential as a cult film , as it 's too loud to shout insults at the screen .
hooting
appears to have been modeled on the worst revenge-of-the-nerds clichés the filmmakers could dredge up
changing lanes is an anomaly for a hollywood movie ; it 's a well-written and occasionally challenging social drama that actually has something interesting to say
like a 10-course banquet
it 's just that it 's so not-at-all-good .
has a wooden delivery and encounters a substantial arc of change that does n't produce any real transformation
colorful , semimusical
finally revel in its splendor
is simply tired
touching and tender
provides a very moving and revelatory footnote to the holocaust
finally returns de palma to his pulpy thrillers of the early '80s
the brave , uninhibited performances
grows as dull as its characters , about whose fate it is hard to care
've grown tired of going where no man has gone before
it 's refreshing that someone understands the need for the bad boy ; diesel , with his brawny frame and cool , composed delivery , fits the bill perfectly
skeptics
is certainly worth seeing at least once
totally disorientated
motionless characters
played and smartly
by the time it 's done with us , mira nair 's new movie has its audience giddy with the delight of discovery , of having been immersed in a foreign culture only to find that human nature is pretty much the same all over
actor raymond j. barry is perfectly creepy and believable .
is stiff or just plain bad
it 's a solid movie about people whose lives are anything but .
i 've had more interesting -- and , dare i say , thematically complex -- bowel movements than this long-on-the-shelf , point-and-shoot exercise in gimmicky crime drama .
's still damn funny stuff
an engaging storyline , which also is n't embarrassed to make you reach for the tissues
you believe the cast and crew thoroughly enjoyed themselves and believed in their small-budget film
justifies
the tortured husband
the worst thing
another cool crime movie
a ruffle in what is already an erratic career
mib ii '' succeeds due to its rapid-fire delivery and enough inspired levity that it ca n't be dismissed as mindless .
the pianist is the film roman polanski may have been born to make .
been a hoot in a bad-movie way
inadvertent ones
of crap
it evaporates like so much crypt mist in the brain
most plain , unimaginative
the two leads , nearly perfect in their roles ,
love moore or loathe him , you 've got to admire ... the intensity with which he 's willing to express his convictions
a better vehicle
it 's likely to please audiences who like movies that demand four hankies
red dragon '' never cuts corners .
like a typical bible killer story
is technically sophisticated in the worst way
the beast should definitely get top billing
( and its palate )
the chatter of parrots raised on oprah
... a thoughtful what-if for the heart as well as the mind .
its leaden acting ,
have absolutely no idea who the main characters are until the film is well under way -- and yet it 's hard to stop watching .
choreographed
again that the era of the intelligent , well-made b movie is long gone
will leave you thinking
sanctimonious , self-righteous
enjoy the hot chick
intense and engrossing
, the film is just a corny examination of a young actress trying to find her way .
give shapiro , goldman , and bolado credit for good intentions , but there 's nothing here that they could n't have done in half an hour .
'' is the phenomenal , water-born cinematography by david hennings
encouraging thought
highly uneven and inconsistent ... margarita happy hour kinda
stock clichés
its and pieces of the hot chick are so hilarious , and
are repeatedly undercut by the brutality of the jokes , most at women 's expense
badly-rendered cgi effects
the actors must struggle with the fact that they 're playing characters who sometimes feel more like literary conceits than flesh-and-blood humans
that cuts to the chase of the modern girl 's dilemma
a powerful and reasonably fulfilling gestalt
will guarantee to have you leaving the theater with a smile on your face .
eloquent ( meditation ) on death
that deals with first love sweetly
a 75-minute sample of puerile
delight your senses and
is a wartime farce in the alternately comic and gut-wrenching style of joseph heller or kurt vonnegut .
it 's also one of the smartest
maybe you 'll be lucky , and there 'll be a power outage during your screening so you can get your money back
the picture in some evocative shades
humor , warmth
astonishing ...
i do n't know why steven seagal is considered a star , nor why he keeps being cast in action films when none of them are ever any good or make any money .
of cookie-cutter action scenes
touching good sense
a film of quiet power .
some of the worst dialogue
very valuable film
offers some flashy twists
a pressure cooker of horrified awe
from the incongruous but chemically
moments of hilarity to be had
whatever complaints i might have , i 'd take ( its ) earnest errors and hard-won rewards over the bombastic self-glorification of other feel-good fiascos like antwone fisher or the emperor 's club any time .
, singing , and unforgettable characters
there may have been a good film in `` trouble every day , '' but it is not what is on the screen .
it surrenders to a formulaic bang-bang , shoot-em-up scene at the conclusion
to bother pleasuring its audience
much stranger than any fiction
that could easily wait for your pay per view dollar
to find a film to which the adjective ` gentle ' applies
if it may still leave you wanting more answers as the credits
make a gorgeous pair ...
manipulative whitewash
want you to enjoy yourselves without feeling conned .
create a very compelling , sensitive , intelligent and almost cohesive piece of film entertainment
rightly
layered , well-developed characters
into a roll that could have otherwise been bland and run of the mill
it should be interesting , it should be poignant , it turns out to be affected and boring
is slow to those of us in middle age
features some decent performances
one fantastic ( and educational ) documentary .
idiotic court maneuvers
( it 's ) what punk rock music used to be ,
rushed , slapdash
find that the road to perdition leads to a satisfying destination
add much-needed levity to the otherwise bleak tale
most intense psychological mysteries
at all the wrong times
princesses
86 minutes too long
truly care for its decrepit freaks beyond the promise of a reprieve from their incessant whining
in theory , a middle-aged romance pairing clayburgh and tambor sounds promising , but in practice it 's something else altogether -- clownish and offensive and nothing at all like real life .
a captivating and intimate study
what i like about men with brooms and what is kind of special is how the film knows what 's unique and quirky about canadians
... plays like a badly edited , 91-minute trailer ( and ) the director ca n't seem to get a coherent rhythm going .
more than its fair share of saucy hilarity .
a tragic dimension and savage full-bodied wit and
allowed to use the word `` new '' in its title
to a crescendo that encompasses many more paths than we started with
never reach satisfying conclusions
who finds his inspiration on the fringes of the american underground
which opens today in the new york metropolitan area , so distasteful
is that there is never any question of how things will turn out
's plotless , shapeless
hence , storytelling is far more appealing
imagination and insight
a bizarre piece of work , with premise and dialogue
someone other than the director
the formula feel fresh
silly and
the books are better
the experience of actually watching the movie is less compelling than the circumstances of its making .
to the tailor for some major alterations
a gawky actor
than this hastily dubbed disaster
with phony humility barely camouflaging grotesque narcissism
that writer and director burr steers knows the territory
that , come to think of it , the day-old shelf would be a more appropriate location to store it
have to worry about being subjected to farts , urine , feces , semen , or any of the other foul substances
a truly wonderful tale
goes a long way toward restoring the luster of the national lampoon film franchise , too long reduced to direct-to-video irrelevancy
of diverse political perspectives
be a most hard-hearted person not to be moved by this drama
are infants
recommend secretary ,
a quick-buck sequel
gorgeous film
we started to wonder if ... some unpaid intern had just typed ` chris rock , ' ` anthony hopkins ' and ` terrorists ' into some univac-like script machine .
the result is somewhat satisfying -- it still comes from spielberg , who has never made anything that was n't at least watchable .
may be why it 's so successful at lodging itself in the brain
a glossy rehash
the best possible senses of both those words
like crap
scenic splendor
director peter kosminsky gives these women a forum to demonstrate their acting ` chops '
the same easy targets
's a pedestrian , flat drama that screams out ` amateur ' in almost every frame .
that seems twice as long as its 83 minutes
most intriguing movie experiences
perfectly acceptable , occasionally very enjoyable children 's
by french filmmaker karim dridi that celebrates the hardy spirit of cuban music
desperation worthy
find little new
the subject matter is as adult as you can get
has the potential for touched by an angel simplicity and
a sharper , cleaner script
an era of theatrical comedy that , while past ,
's ) better at fingering problems than finding solutions .
kicks off with an inauspicious premise , mopes through a dreary tract of virtually plotless meanderings and then ends with a whimper .
is otherwise a sumptuous work of b-movie imagination
the filmmakers could dredge up
finely crafted , finely written , exquisitely performed
much to do , too little time to do it in
bitter taste
neglecting character development
the one that i want
ends with a whimper
expanded vision
passion , grief and fear
is one big excuse to play one lewd scene after another
are very , very good reasons for certain movies
contemptible
a small movie with a big heart
of the universal themes , earnest performances
a life interestingly
surprising , subtle
is dudsville
the same old bad trip
suffers from a flat script and a low budget .
seduce and
time stands still in more ways that one in clockstoppers , a sci-fi thriller as lazy as it is interminable .
mere plot pawn
so bland and utterly forgettable
describe exactly how bad it is
less the product of loving , well integrated homage and more like a mere excuse for the wan , thinly sketched story
strong and unforced supporting cast
that this bold move works
teeth-clenching gusto
action scenes
is on his way to becoming the american indian spike lee .
by predictable plotting and tiresome histrionics
make a huge action sequence
combines improbable melodrama ( gored bullfighters , comatose ballerinas ) with subtly kinky bedside vigils and sensational denouements , and yet at the end , we are undeniably touched .
vibrant and intoxicating
she lets her love depraved leads meet , ( denis ' ) story becomes a hopeless , unsatisfying muddle
helps little
wo n't see the next six
fresh ,
the power of the huston performance ,
the film rehashes several old themes and is capped with pointless extremes -- it 's insanely violent and very graphic
articulates the tangled feelings of particular new yorkers deeply touched by an unprecedented tragedy
is surely one of the most frantic , virulent and foul-natured christmas season pics ever delivered by a hollywood studio .
they never succeed in really rattling the viewer
a ` girls gone wild ' video for the boho art-house crowd , the burning sensation is n't a definitive counter-cultural document -- its makers are n't removed and inquisitive enough for that
full well
of unbridled greed and materalism
an awkward hybrid
with pat storylines , precious circumstances and beautiful stars
stand out
's impossible to even categorize this as a smutty guilty pleasure .
huge-screen
of its sweeping battle scenes
most hackneyed
'' starts out like a typical bible killer story
extended dialogue exercise
a fiercely clever and subtle film
played-out
fiendishly
confused in death to smoochy
communicate the truth of the world
the sensational true-crime hell-jaunt purists might like and more experimental in its storytelling ( though no less horrifying for it )
a failure as straight drama
one of the world 's most fascinating stories
that lacks both a purpose and a strong pulse
that are n't so substantial or fresh
think of this dog of a movie as the cinematic equivalent of high humidity .
romp of a film .
is a deeply unpleasant experience
sensitive ensemble performances
delivered a solidly entertaining and moving family drama
is unfocused , while the story goes nowhere
does such a good job of it
, alias betty is richly detailed , deftly executed and utterly absorbing .
an intense and engrossing head-trip
has no affect on the kurds
enjoyable level
is so slovenly done , so primitive in technique , that it ca n't really be called animation .
a terrific performance
fully engaged supporting cast
is more about the optimism of a group of people who are struggling to give themselves a better lot in life than the ones
an unrewarding collar
a glimpse of the solomonic decision facing jewish parents in those turbulent times
strong , measured work
badder than bad
a marginal thumbs up
forgot to include anything even halfway scary as they poorly rejigger fatal attraction into a high school setting .
snail-like
it 's a bargain-basement european pickup .
the film is an oddly fascinating depiction of an architect of pop culture
compulsively watchable , no matter how degraded things get .
headed east , far east , in retelling a historically significant , and personal , episode detailing how one international city welcomed tens of thousands of german jewish refugees while the world 's democracie
, it 's contrived and predictable
this is not a jackie chan movie .
more than make up for its logical loopholes , which fly by so fast there 's no time to think about them anyway
once he starts learning to compromise with reality enough to become comparatively sane and healthy , the film becomes predictably conventional .
her fans walked out muttering words like `` horrible '' and `` terrible , '' but had so much fun dissing the film that they did n't mind the ticket cost .
sinuously plotted
the storylines are woven together skilfully , the magnificent swooping aerial shots are breathtaking ,
the script by david koepp is perfectly serviceable and because he gives the story some soul ... he elevates the experience to a more mythic level .
welcomed tens of thousands of german jewish refugees
truly , truly bad movie
poignancy
is hard to dismiss -- moody , thoughtful ,
slim hopes and dreams
sometimes descends into sub-tarantino cuteness