xiangpku/GLUE huggingface dataset:
offer some modest amusements when one has nothing else to watch
interminable , shapeless documentary
trying to have it both ways
demanding than it needs to be
general absurdity
obnoxious title character
could n't be more timely in its despairing vision of corruption within the catholic establishment
if you 're a comic fan , you ca n't miss it .
filmmakers david weissman and bill weber benefit enormously from the cockettes ' camera craziness -- not only did they film performances , but they did the same at home .
no charm , no laughs ,
effectively chilling guilty pleasure
that rare documentary
the unique niche of self-critical , behind-the-scenes navel-gazing kaufman has carved from orleans ' story and his own infinite insecurity is a work of outstanding originality
if you ever wanted to be an astronaut , this is the ultimate movie experience
entirely irony-free zone
depress you
an eloquent memorial
that is n't afraid to admit it
the most part a useless movie , even
the film is hard to dismiss -- moody , thoughtful , and lit by flashes of mordant humor .
goldbacher draws on an elegant visual sense and a talent for easy , seductive pacing ...
with strong themes of familial ties and spirituality that are powerful and moving without stooping to base melodrama
subtly kinky bedside vigils and sensational denouements
the biggest husband-and-wife disaster
interesting character
with the pubescent scandalous
delivered in grand passion by the members of the various households .
feel pissed off
that just does n't have big screen magic
rarely seem sure of where it should go
begin to long for the end credits
the storytelling , which undercuts the devastatingly telling impact of utter loss personified in the film 's simple title
, i enjoyed .
delightful , witty , improbable romantic comedy
badly cobbled look
, is wry and engrossing .
poignant and uplifting
never feel anything for these characters
the dullest kiddie flicks
its provocative conclusion
sucked up all
as sci-fi generic
portray its literarily talented and notorious subject as anything much more than a dirty old man
become just another situation romance about a couple of saps stuck in an inarticulate screenplay
tonally uneven
the sum of its parts in today 's hollywood
could young romantics out on a date
stale first act , scrooge story
... deliver a riveting and surprisingly romantic ride .
any hollywood fluff
hideously twisted
dull , simple-minded and stereotypical tale
enchanting ... terribly episodic and lacking the spark of imagination that might have made it an exhilarating
i 'm not sure which half of dragonfly is worse : the part where nothing 's happening , or the part where something 's happening ,
, it will probably be a talky bore .
a fake street drama
about rubbo 's dumbed-down tactics
: celebrity cameos do not automatically equal laughs .
there are some fairly unsettling scenes , but they never succeed in really rattling the viewer
the cute frissons of discovery and humor between chaplin and kidman that keep this nicely wound clock not just ticking , but humming
genial than ingenious
a loud , low-budget and tired formula film that arrives cloaked in the euphemism ` urban drama . '
time fillers between surf shots
weighed down by supporting characters who are either too goodly , wise and knowing or downright comically evil
kids will love its fantasy and adventure ,
i spy has all the same problems the majority of action comedies have .
a movie that starts out like heathers , then becomes bring it on , then becomes unwatchable
as bad as you think , and
without in any way demeaning its subjects
never gaining much momentum
clichés ,
takes a potentially trite and overused concept ( aliens come to earth ) and infuses it into a rustic , realistic , and altogether creepy tale of hidden invasion
are fleshed-out enough to build any interest
is pleasingly emphatic in this properly intense , claustrophobic tale of obsessive love .
a striking new significance for anyone who sees the film
so many red herrings , so many false scares
this movie is hopeless
the power and grace
goes to the essence of broadway
roman polanski 's autobiographical gesture at redemption is better than ` shindler 's list ' -
piecing the story together frustrating difficult
's what makes it worth a recommendation
the dialogue is cumbersome , the simpering soundtrack and editing more so .
: an atrociously , mind-numbingly , indescribably bad movie
when cowering and begging at the feet a scruffy giannini , madonna gives her best performance since abel ferrara had her beaten to a pulp in his dangerous game .
of testing boundaries
both as a historical study and as a tragic love story
it 's a ripper of a yarn and i for one enjoyed the thrill of the chill .
that the new film is a lame kiddie flick and
delusions to escape their maudlin influence .
to be embraced
most of whom wander about in thick clouds of denial
received such a sophisticated and unsentimental treatment on the big screen as they do in this marvelous film
recognized
graceless , hackneyed
inane and
this film asks the right questions at the right time in the history of our country
play like the worst kind of hollywood heart-string plucking .
a vastly improved germanic version
dripping with cliche and bypassing no opportunity to trivialize the material
decent drama/action flick
the intricate preciseness of the best short story writing
has all the trappings of an energetic , extreme-sports adventure , but ends up more of a creaky `` pretty woman '' retread , with the emphasis on self-empowering schmaltz and big-wave surfing that gives pic its title an afterthought .
this cinema verite speculation on the assassination of john f. kennedy may have been inspired by blair witch ,
, narc strikes a defiantly retro chord , and outpaces its contemporaries with daring and verve .
contrasting the original ringu with the current americanized adaptation is akin to comparing the evil dead with evil dead ii
timely and important
high crimes carries almost no organic intrigue as a government / marine/legal mystery , and
a-list
's trying to set the women 's liberation movement back 20 years
that paints a grand picture of an era and makes the journey feel like a party
cut through the layers of soap-opera emotion and you find a scathing portrayal of a powerful entity strangling the life out of the people who want to believe in it the most
fit the incredible storyline to a t.
roars with leonine power
a generic international version of a typical american horror film .
swooping down on a string of exotic locales , scooping the whole world up in a joyous communal festival of rhythm
, this somber cop drama ultimately feels as flat as the scruffy sands of its titular community .
loves its characters and communicates something
it is a fairly revealing study of its two main characters -- damaged-goods people whose orbits will inevitably
uplifter
'd have a hard time believing it was just coincidence
my friend david cross would call it , ` hungry-man portions of bad '
` the country bears ' should never have been brought out of hibernation .
a cellophane-pop remake of the punk classic ladies and gentlemen , the fabulous stains ...
carries almost no organic intrigue
know how to please the eye
gathering dust on mgm 's shelf
less successful
to win a wide summer audience through word-of-mouth reviews and
some of the most ravaging , gut-wrenching , frightening war scenes since `` saving private ryan '' have been recreated by john woo in this little-known story of native americans and their role in the second great war .
offers the none-too-original premise
impossible to claim that it is `` based on a true story
this sad , occasionally horrifying but often inspiring film
adaptation is intricately constructed
is engaged
works spectacularly well
troubling
bound to appeal to women looking for a howlingly trashy time .
under the direction of spielberg , who does a convincing impersonation here of a director enjoying himself immensely
feels as if everyone making it lost their movie mojo .
a slightly naughty , just-above-average off - broadway play
from tv reruns and supermarket tabloids
comedy spectacle
a supremely hopeful cautionary tale
this beautifully drawn movie
lacking substance and soul , crossroads comes up shorter than britney 's cutoffs .
that provide its thrills and extreme emotions
plays like a powerful 1957 drama we 've somehow never seen before
, there 's apparently nothing left to work with , sort of like michael jackson 's nose .
most ardent
obligatory cheap
all the loss
, director robert j. siegel allows the characters to inhabit their world without cleaving to a narrative arc .
carmen ( vega ) and
that makes eight legged freaks a perfectly entertaining summer diversion
if you 're not deeply touched by this movie
an indispensable peek at the art and the agony of making people laugh .
lacks a strong narrative
shines in her quiet blue eyes
beautifully illuminates what it means sometimes to be inside looking out , and at other times outside looking in .
` if you are in the mood for an intelligent weepy , it can easily worm its way into your heart . '
all-star
no charm , no laughs , no fun , no reason to watch
more hackneyed
labute masterfully
, mad love looks better than it feels .
succumbing to sentimentality
a rich and intelligent film that uses its pulpy core conceit to probe questions of attraction and interdependence and how the heart accomodates practical needs .
a passing twinkle
its oh-so-hollywood rejiggering and
sure to make a clear point -- even if it seeks to rely on an ambiguous presentation
significantly better than its 2002 children 's - movie competition
rivals the top japanese animations of recent vintage
whole lot scarier
substitute volume and primary colors for humor and bite
got to admire ... the intensity with which he 's willing to express his convictions
hate to tear your eyes away from the images
offering fine acting moments and pungent
though overall an overwhelmingly positive portrayal , the film does n't ignore the more problematic aspects of brown 's life .
stands for milder is n't better .
works as well as it does because of the performances
a cast that seems to include every top-notch british actor who did not appear in gosford park ( as well as one , ms. mirren , who did )
an argentine retread
huston performance
is clever and insightful
a beautifully sung holiday carol
computer-generated cold fish
( clooney 's ) debut can be accused of being a bit undisciplined ,
, never again is a welcome and heartwarming addition to the romantic comedy genre .
admire ...
's so devoid of joy and energy
of a respectable summer blockbuster
children , christian or otherwise , deserve to hear the full story of jonah 's despair -- in all its agonizing , catch-22 glory -- even if they spend years trying to comprehend it .
you feeling like you 've seen a movie instead of an endless trailer
a masterpiece -- and
always hilarious
knows how to inflate the mundane into the scarifying , and gets full mileage out of the rolling of a stray barrel or the unexpected blast of a phonograph record
that is funny and pithy , while illuminating an era of theatrical comedy that , while past ,
was right about blade
is well below expectations .
it rises in its courageousness , and comedic employment .
elegant technology
all in all , an interesting look at the life of the campaign-trail press , especially ones that do n't really care for the candidate they 're forced to follow .
is a man who uses the damage of war -- far more often than the warfare itself -- to create the kind of art shots that fill gallery shows
to cling to the edge of your seat , tense with suspense
what happens when something goes bump in the night and nobody cares ?
whiny and defensive
must see for all sides of the political spectrum
us to see samira makhmalbaf as a very distinctive sensibility , working to develop her own film language with conspicuous success
rough-around-the-edges , low-budget constraints
grand tour
provide any conflict
the folly of superficiality
turn his movie in an unexpected direction
rather beautiful
a gangster movie with the capacity
nifty twists
will still come away with a sense of his reserved but existential poignancy
moving and
while some of the camera work is interesting
having sucked dry the undead action flick formula , blade ii mutates into a gross-out monster movie with effects that are more silly than scary .
ethnic sleeper
fascinating curiosity piece
of quiet , confident craftsmanship that tells a sweet , charming tale of intergalactic friendship
coming-of-age comedy .
been bland
`` 13 conversations about one thing '' is an intelligent flick that examines many different ideas from happiness to guilt in an intriguing bit of storytelling .
is so formulaic and forgettable that it 's hardly over before it begins to fade from memory .
already knows it 's won
has its heart ( and its palate ) in the right place
belinsky is still able to create an engaging story that keeps you guessing at almost every turn .
like the worst kind of hollywood heart-string plucking
this is lightweight filmmaking , to be sure , but it 's pleasant enough -- and oozing with attractive men
directed , highly professional film that 's old-fashioned in all the best possible ways
through sincerity
has produced in recent memory , even if it 's far tamer than advertised .
admit i walked out of runteldat
the production has been made with an enormous amount of affection , so we believe these characters love each other .
the hard-to-predict and absolutely essential chemistry between the down-to-earth bullock and the nonchalant grant
with its paint fights , motorized scooter chases and dewy-eyed sentiment , it 's a pretty listless collection of kid-movie clichés .
topple
she has n't been worth caring about
instead comes closer to the failure of the third revenge of the nerds sequel .
handsome and sophisticated approach to the workplace romantic comedy .
his innocence soon becomes a questionable kind of inexcusable dumb innocence
its flabbergasting principals , 14-year-old robert macnaughton , 6-year-old drew barrymore and 10-year-old henry thomas , convince us of the existence of the wise , wizened visitor from a faraway planet
evocative shades
is full of charm
when it reminds you how pertinent its dynamics remain
godard has never made a more sheerly beautiful film than this unexpectedly moving meditation on love , history , memory , resistance and artistic transcendence .
want to bolt the theater in the first 10 minutes
utterly misplaced earnestness
an awful movie that
relationships in such a straightforward , emotionally honest manner that by the end
an art form at once visceral and spiritual , wonderfully vulgar and sublimely lofty -- and as emotionally grand as life .
who has secrets buried at the heart of his story and knows how to take time revealing them
... not that i mind ugly ; the problem is he has no character , loveable or otherwise .
this version does justice both to stevenson and to the sci-fi genre .
's fun , wispy , wise and surprisingly inoffensive for a film about a teen in love with his stepmom .
have been conjured up only 10 minutes prior to filming
the top and movies
's a sad , sick sight
the worst excesses of nouvelle
delightfully charming --
went to see the attraction for the sole reason that it was hot outside and there was air conditioning inside
is commentary enough
hard to stop watching
is that we did n't get more re-creations of all those famous moments from the show
works the way a good noir should
a spiffy animated feature about an unruly adolescent boy who is yearning for adventure and a chance to prove his worth
that 's simultaneously painful and refreshing
a standard police-oriented drama that , were it not for de niro 's participation , would have likely wound up a tnt original .
races and rackets
body humor and reinforcement
found a tough beauty
it worth watching
possibly will enjoy it
another useless recycling
when the tears come during that final , beautiful scene
which are such that we 'll keep watching the skies for his next project
the most wondrous of all hollywood fantasies -- and
will enjoy
clever pseudo-bio
if you 're in the right b-movie frame of mind , it may just scare the pants off you .
`` besotted '' is misbegotten
's no place for this story to go but down
has been overexposed
in earnest dramaturgy
action man cliché
a witty expose
flaccid odd-couple sniping
is the best performance from either in years
, hilariously wicked black comedy ...
it is a failure .
fairytale
too bad the screenwriters eventually shoot themselves in the feet with cop flick cliches like an oily arms dealer , squad car pile-ups and the requisite screaming captain
a loud , brash and mainly unfunny
charming 2000 debut shanghai noon
it reveals
young adult life in urban south korea
disjointed ,
funny no-brainer
of a fanciful motion picture
( kline 's ) utterly convincing -- and deeply appealing -- as a noble teacher who embraces a strict moral code
carries its share of laughs -- sometimes a chuckle , sometimes a guffaw and , to my great pleasure , the occasional belly laugh
behavior and severe flaws
no way original , or even
very good comedic songs
terminally bland ,
epic adventure
can enjoy as mild escapism
, oozing , chilling and heart-warming
hip-hop rarely comes alive as its own fire-breathing entity in this picture .
of dazzling entertainment
a different movie -- sometimes tedious -- by a director many viewers would like to skip but film buffs should get to know .
the sheer dumbness
made him bitter and less mature
is appealing
an intriguing bit of storytelling
idiotic and
you never know where changing lanes is going to take you but it 's a heck of a ride
make this surprisingly decent flick worth a summertime look-see .
's quite diverting nonsense
pleasuring its audience
... one of the most entertaining monster movies in ages ...
that not only fails on its own , but makes you second-guess your affection for the original
sweet and memorable film
a freaky bit of art that 's there to scare while we delight in the images
most horrific movie experience
brown sugar '' admirably aspires to be more than another `` best man '' clone by weaving a theme throughout this funny film .
lame .
takes hold
the lazy material
so short could be so flabby
been better in this colorful bio-pic of a mexican icon
achingly unfunny phonce
convincing and radiant
it 's about issues most adults have to face in marriage and i think that 's what i liked about it -- the real issues tucked between the silly and crude storyline .
is as thought-provoking as it
blair witch video-cam footage
whatever flaws igby goes down may possess
give-me-an-oscar
proves that even in sorrow you can find humor
shows crushingly little curiosity about
, this is a remarkably accessible and haunting film .
proves itself a more streamlined and thought out encounter than the original could ever have hoped to be
delight your senses and crash this wedding
poorly dubbed
should stick to his day job .
, meandering , loud , painful , obnoxious
irritatingly transparent
two-dimensional offerings
most depressing movie-going experiences
like bad cinema
it 's the filmmakers ' post-camp comprehension of what made old-time b movies good-bad that makes eight legged freaks a perfectly entertaining summer diversion .
, this version is raised a few notches above kiddie fantasy pablum by allen 's astringent wit .
, all-enveloping movie experience
polanski is saying what he has long wanted to say , confronting the roots of his own preoccupations and obsessions , and he allows nothing to get in the way
must be said that he is an imaginative filmmaker who can see the forest for the trees
the marvelous verdu , a sexy slip of an earth mother who mourns her tragedies in private and embraces life in public
there , done that ... a thousand times already
visually striking
throws a bunch of hot-button items in the viewer 's face and asks to be seen as hip , winking social commentary
has value can not be denied
offers no new insight on the matter , nor do its characters exactly spring to life
busy urban comedy is clearly not zhang 's forte
cinema master class .
at a grade-school audience
fascinating examination
this is the kind of movie that you only need to watch for about thirty seconds before you say to yourself , ` ah , yes , here we have a bad , bad , bad movie .
this is a very ambitious project for a fairly inexperienced filmmaker ,
it nonetheless sustains interest during the long build-up of expository material .
are made for each other .
is that rare animal known as ' a perfect family film , ' because it 's about family .
too much of storytelling
indie of the year ,
it 's both sitcomishly predictable and cloying in its attempts to be poignant .
is actually quite entertaining
those moviegoers who would automatically bypass a hip-hop documentary should give `` scratch '' a second look .
gooding is the energetic frontman , and
spy flick worthy
does cathartic truth telling
preliminary notes for a science-fiction horror film
generous , inspiring
that the film opens with maggots crawling on a dead dog is not an out of place metaphor .
an almost unbearably morbid love story .
find it more than capable of rewarding them
similarly styled gremlins
, this movie just goes on and on and on and on
once the expectation of laughter has been quashed by whatever obscenity is at hand
in as much humor as pathos
like most movies about the pitfalls of bad behavior ... circuit gets drawn into the party .
seal the deal
discoveries
got lost in the `` soon-to-be-forgettable '' section of the quirky rip-off prison romp pile .
a weak script
a brief amount of time
painfully forced
simplistic , silly and tedious
the funnybone thanks
the movie is undone by a filmmaking methodology that 's just experimental enough to alienate the mainstream audience while ringing cliched to hardened indie-heads .
is the refreshingly unhibited enthusiasm that the people , in spite of clearly evident poverty and hardship , bring to their music .
's never dull and always looks good
a raise
a dashing and resourceful hero ; a lisping , reptilian villain ; big fights ; big hair ; lavish period scenery ;
the animated sequences are well done and perfectly constructed to convey a sense of childhood imagination and
an intelligently made
a story already overladen with plot conceits
ignore but a little too smugly superior
ong 's promising debut
damon/bourne or
autistic
chillingly effective
an equally impressive degree
real heroism and abject suffering
really get inside of them .
pair that with really poor comedic writing ...
that propels her into the upper echelons of the directing world
's a worthy entry in the french coming-of-age genre
to one anecdote for comparison : the cartoon in japan that gave people seizures
with very little to add beyond the dark visions already relayed by superb recent predecessors like swimming with sharks and the player , this latest skewering ... may put off insiders and outsiders alike .
a prince of a fellow
demands that you suffer the dreadfulness of war from both sides
pleased to discover that tian 's meticulous talent has not withered during his enforced hiatus
makes the material seem genuine rather than pandering .
staggers between flaccid satire and what is supposed to be madcap farce .
is enough originality in ` life ' to distance it from the pack of paint-by-number romantic comedies that so often end up on cinema screens .
is even more embracing than monty ,
romanek 's themes are every bit as distinctive as his visuals .
vehicle to showcase the canadian 's inane ramblings
utilizing the talents of his top-notch creative team
elegantly produced and expressively performed
recovering from its demented premise
best about
that stinks so badly of hard-sell image-mongering you
determined , ennui-hobbled slog
dogged
the film has a terrific look
the movie 's messages are quite admirable , but the story is just too clichéd and too often strains credulity .
a comically dismal social realism with a farcically bawdy fantasy of redemption and regeneration
's certainly laudable
how they used to make movies , but also how they sometimes still can be made
hot and the john wayne classics
were hailed as the works of an artist .
ethereal
what to make of this italian freakshow