xiangpku/GLUE huggingface dataset:
downright transparent is the script 's endless assault of embarrassingly ham-fisted sex jokes that reek of a script rewrite designed to garner the film a `` cooler '' pg-13 rating .
appealing blend
discursive but oddly riveting documentary .
lulls you into a gentle waking coma
a moratorium
terribly episodic
wal-mart checkout line
relied too much on convention
consider the film a celluloid litmus test for the intellectual and emotional pedigree of your date and a giant step backward for a director i admire .
dreary movie .
feels like a glossy rehash .
of breathtaking mystery
, personal film
a dazzling thing to behold -- as long as you 're wearing the somewhat cumbersome 3d goggles the theater provides .
donovan ... squanders his main asset , jackie chan , and fumbles the vital action sequences .
this might not seem like the proper cup of tea ,
changing times , clashing cultures and the pleasures of a well-made pizza
, witless mess
not scary
unbearable when it is n't merely offensive .
in a big way
remains uniquely itself
made for the big screen , some for the small screen
despair and
is greatness
of unrecoverable life
no cliche escapes the perfervid treatment of gang warfare
shadyac 's perfunctory directing chops
does n't do more than expand a tv show to movie length .
a column of words can not adequately describe co-writer/director peter jackson 's expanded vision of j.r.r. tolkien 's middle-earth
profoundly devastating events
cumbersome
's a wise and powerful tale of race and culture forcefully told , with superb performances throughout
it suffers from too much norma rae and not enough pretty woman
animation back 30 years , musicals back 40 years and judaism back at least 50
you , like me , think an action film disguised as a war tribute is disgusting to begin with
far more often than the warfare itself --
on crossing-over mumbo jumbo , manipulative sentimentality , and sappy dialogue
emerging in world cinema
, food-for-thought cinema
consistently clever and suspenseful .
put on an intoxicating show .
average formulaic romantic quadrangle
forgets
the sweetest thing leaves an awful sour taste .
catch the pitch of his poetics , savor the pleasure of his sounds and images , and
low-brow humor
well-written and
it would have just gone more over-the-top instead of trying to have it both ways
the profoundly devastating events of one year ago
trying to forget
than a movie , which normally is expected to have characters and a storyline
( jackson and bledel ) seem to have been picked not for their acting chops , but for their looks and appeal to the pre-teen crowd .
close to being exciting
sometimes murky , always brooding look
lackluster
holds up well
none of this sounds promising
went over my head or
in its laid-back way
as earnest as a community-college advertisement , american chai is enough to make you put away the guitar , sell the amp , and apply to medical school .
conspicuous success
more of a poetic than a strict reality ,
sophomoric
the most savory and hilarious guilty pleasure
smartly played and smartly directed .
makes an amazing breakthrough
it 'll only put you to sleep .
often looks like an episode of the tv show blind date , only less technically proficient and without the pop-up comments .
there are now two signs that m. night shyamalan 's debut feature sucked up all he has to give to the mystic genres of cinema : unbreakable and signs .
hitting all of its assigned marks to take on any life of its own
harvey weinstein 's bluff personal style
we had to endure last summer ,
beautiful , evocative
here is nothing but a convenient conveyor belt of brooding personalities that parade about as if they were coming back from stock character camp -- a drowsy drama infatuated by its own pretentious self-examination .
kaufman and gondry rarely seem sure of where it should go
of female audience members drooling over michael idemoto as michael
this is surely one of the most frantic , virulent and foul-natured christmas season pics ever delivered by a hollywood studio .
especially charm
engaging , imaginative filmmaking
dumb gags , anatomical humor
proves preposterous , the acting is robotically italicized ,
a low-key , organic way
knows everything and answers all questions , is visually smart , cleverly written , and
, hart 's war has much to recommend it , even if the top-billed willis is not the most impressive player .
promises is one film that 's truly deserving of its oscar nomination .
very best movies
a cinematic postcard
, tender and heart-wrenching
a young american ,
's hard to imagine a more generic effort in the genre .
none of this is meaningful or memorable , but frosting is n't , either
all the pieces fall together without much surprise , but
marveled at disney 's rendering of water , snow , flames and shadows in a hand-drawn animated world
no wit
observant of his characters
vampire fun
a touching drama about old age and grief with a tour de
is too picture postcard perfect , too neat and new pin-like , too obviously a recreation to resonate
watchable up until the point where the situations and the dialogue spin hopelessly out of control -- that is to say , when carol kane appears on the screen
there to scare while we delight in the images
were stripped of most of his budget and all of his sense of humor
s1m0ne 's satire is not subtle , but
self-hatred instilled
more likely to have you scratching your head than hiding under your seat .
over-blown drama
raises the film above anything sandler 's been attached to before .
often likable , but just as often it 's meandering , low on energy , and too eager to be quirky at moments when a little old-fashioned storytelling would come in handy .
those prone to indignation need not apply
his promise remains undiminished
terrific documentaries
, fitfully amusing , but ultimately so weightless that a decent draft in the auditorium might blow it off the screen .
the movie is ingenious fun .
's a movie about it
issue a moratorium , effective immediately , on treacly films about inspirational prep-school professors and the children they so heartwarmingly motivate .
a surprisingly anemic disappointment
for the still-inestimable contribution they have made to our shared history
a low-budget hybrid of scarface or carlito 's way
something creepy and vague
with laptops , cell phones and sketchy business plans
imax cinema
acting that heralds something special
for a film about action , ultimate x is the gabbiest giant-screen movie ever , bogging down in a barrage of hype .
imagine susan sontag falling in love with howard stern .
flashy gadgets and whirling fight sequences may look cool , but they ca n't distract from the flawed support structure holding equilibrium up
do n't avert our eyes for a moment
searching for a quarter in a giant pile of elephant feces
, you 'd probably turn it off , convinced that you had already seen that movie .
, this nasty comedy pokes fun at the same easy targets as other rowdy raunch-fests -- farts , boobs , unmentionables -- without much success .
a choke leash around your neck so director nick cassavetes
yes , it 's as good as you remember .
coral reef adventure is a heavyweight film that fights a good fight on behalf of the world 's endangered reefs -- and
quitting offers piercing domestic drama with spikes of sly humor .
are capable of anteing up some movie star charisma when they need it to sell us on this twisted love story , but who can also negotiate the movie 's darker turns
a kilted jackson is an unsettling sight , and indicative of his , if you will , out-of-kilter character , who rambles aimlessly through ill-conceived action pieces .
enjoyably
, annoying , heavy-handed
this 20th anniversary edition of the film
a cutting hollywood satire
keen eye , sweet spirit and
that have preceded it
as simple self-reflection meditation
as a portrait of the artist as an endlessly inquisitive old man , however , it 's invaluable
blazingly alive and admirable
, the lady and the duke represents the filmmaker 's lifelong concern with formalist experimentation in cinematic art .
evoking memories of day of the jackal , the french connection , and heat
our sympathies
the book 's irreverent energy , and scotches most
, this film should not be missed .
is so insanely dysfunctional that the rampantly designed equilibrium becomes a concept doofus .
a sharp , amusing study
thumbs up to paxton for not falling into the hollywood trap and making a vanity project with nothing new to offer .
interesting cinematic devices ( cool visual backmasking )
a muted freak-out
wants to break free of her old life
the thrill of the company 's astonishing growth
an old-fashioned drama of substance about a teacher 's slide down the slippery slope of dishonesty after an encounter with the rich and the powerful who have nothing but disdain for virtue .
, viscerally exciting , and dramatically moving , it 's the very definition of epic adventure .
with a smile on your face
i liked about schmidt a lot , but i have a feeling that i would have liked it much more if harry & tonto never existed
like you 've actually spent time living in another community
to the flowering of the south korean cinema
goodness for this signpost
recalling sixties ' rockumentary milestones from lonely boy to
is ultimately rather silly and overwrought , making the ambiguous ending seem goofy rather than provocative
unique residences
, unholy hokum .
a glorious spectacle like those d.w. griffith made in the early days of silent film
comes off as a touching , transcendent love story .
that 's neither completely enlightening
most jaded cinema audiences
to sleep or bewildered by the artsy and often pointless visuals
catch it ... if you can !
cared much about any aspect of it , from its cheesy screenplay
certain sexiness
a lively and engaging examination
silly but strangely believable
his maudlin ending might not have gotten him into film school in the first place
lasting traces of charlotte 's web
not smart and
high-profile
to the gallic ` tradition of quality
the little nuances
the result , however well-intentioned ,
a hugely rewarding experience that 's every bit as enlightening , insightful and entertaining as grant 's two best films --
this schlocky horror/action hybrid
utter authority
a solid , unassuming drama
seeing as the film lacks momentum and its position remains mostly undeterminable
a charge of genuine excitement
witty , contemplative , and sublimely beautiful .
in a movie that works against itself
her film
a blown-out vein
the new insomnia is a surprisingly faithful remake of its chilly predecessor , and
is a movie so insecure about its capacity to excite that it churns up not one but two flagrantly fake thunderstorms to underscore the action
for kids ( of all ages ) that like adventure
oftentimes funny , yet ultimately cowardly autocritique
from the dull , surreal ache of mortal awareness emerges a radiant character portrait .
with her actors
much of what we see is horrible but it 's also undeniably exceedingly clever
's stupid
funny and poignant
a tribute to the actress , and to her inventive director
insufferably
warm and
it 's a film with an idea buried somewhere inside its fabric , but never clearly seen or felt .
disney scrape
star trek was kind of terrific once , but now it is a copy of a copy of a copy .
well-timed
immensely ambitious ,
transformed the rhetoric of hollywood melodrama
the beach
the more serious-minded concerns of other year-end movies
another useless recycling of a brutal mid - '70s american sports movie .
a moving essay about the specter of death , especially suicide
dumbed-down
is that for the most part , the film is deadly dull .
, well-crafted family film
stopped thinking about how good it all was , and started doing nothing but reacting to it - feeling a part of its grand locations , thinking urgently as the protagonists struggled , feeling at the mercy of its inventiveness , gasping at its visual delights .
a movie i loved on first sight and , even more important , love in remembrance .
should see it as soon as possible
add beyond the dark visions already relayed by superb
imbued with passion and attitude .
brought down by lousy direction
forget about one oscar nomination for julianne moore this year -
a stunning , taxi driver-esque portrayal
that deserves recommendation
fatal ailments
a depraved , incoherent , instantly disposable piece of hackery .
a joyous communal festival
opera-ish story
's not very interesting .
with a curiously stylized , quasi-shakespearean portrait of pure misogynist evil
a lyrical metaphor for cultural and personal self-discovery and a picaresque view
faithful to melville 's plotline
the best performance
it may not be a great piece of filmmaking , but its power comes from its soul 's - eye view of how well-meaning patronizing masked a social injustice , at least as represented by this case .
, wan na watch a movie in which a guy dressed as a children 's party clown gets violently gang-raped ?
surrealist flourishes
to intolerable levels
, broomfield has compelling new material but he does n't unveil it until the end , after endless scenes of him wheedling reluctant witnesses and pointing his camera through the smeared windshield of his rental car .
report card : does n't live up to the exalted tagline
talented cast
typical pax
is a waste of de niro , mcdormand and the other good actors in the cast
's not a single jump-in-your-seat moment
this wretchedly unfunny wannabe comedy is inane and awful
mesmerize
just another combination of bad animation and mindless violence ... lacking the slightest bit of wit or charm .
a film that are still looking for a common through-line
a gorgeously strange movie
were afraid to show this movie to reviewers before its opening , afraid of the bad reviews they thought they 'd earn .
's a fine , old-fashioned-movie movie , which is to say it 's unburdened by pretensions to great artistic significance .
's all bluster -- in the end it 's as sweet as greenfingers
very compelling , sensitive , intelligent
off the hook
a really good premise is frittered away in middle-of-the-road blandness .
, then you 're at the right film .
gently tedious in its comedy
but it works under the direction of kevin reynolds .
creates images even more haunting than those in mr. spielberg 's 1993 classic .
is a pretty good job ,
judd 's characters ought to pick up the durable best seller smart women , foolish choices for advice .
invitingly upbeat
the ingenious construction ( adapted by david hare from michael cunningham 's novel ) constantly flows forwards and back , weaving themes among three strands which allow us to view events as if through a prism
carrying more emotional baggage than batman
a macabre and very stylized swedish fillm about a modern city where all the religious and civic virtues that hold society in place are in tatters .
features what is surely the funniest and most accurate depiction of writer 's block ever .
a grittily beautiful film that looks
dysfunctional parent-child relationship
flimsy ending
to a satisfying destination
except for the fine star performances
a disquieting and thought-provoking film
however , having sucked dry the undead action flick formula , blade ii mutates into a gross-out monster movie with effects that are more silly than scary .
authentic to the core of his being
is that its dying , in this shower of black-and-white psychedelia , is quite beautiful .
seems so real because it does not attempt to filter out the complexity
viewers not amused by the sick sense of humor
jolie 's hideous yellow ` do
the top japanese animations
by lousy direction
hip comedy
but unmemorable
scare while we delight in the images
with its own solemn insights
grows monotonous
is nothing in it to engage children emotionally
film buzz and whir
indie tatters and self-conscious seams
incurably
has this sneaky feel to it -- as if the director is trying to dupe the viewer into taking it all as very important simply because the movie is ugly to look at and not a hollywood product .
manages to be even worse than its title
bouquet gives a performance that is masterly .
such high-profile talent
oliver stone 's conspiracy thriller jfk was long , intricate , star-studded and visually flashy
campanella 's competent direction and his excellent cast
often awkwardly directed and suffers from the addition of a wholly unnecessary pre-credit sequence designed to give some of the characters a ` back story
erotic
the stunt work is top-notch ;
of its critical backlash and more
undemanding armchair tourists
how this gets us in trouble
that grand a failure
the worst sin
is ultimately effective enough at achieving the modest , crowd-pleasing goals it sets for itself
its body humor and reinforcement
complex , politically charged tapestry
from the fact that the film idiotically uses the website feardotcom.com or the improperly hammy performance from poor stephen rea
realize your mind is being blown .
a few hours after you 've seen it , you forget you 've been to the movies .
suffocating and sometimes almost senseless
the excellent performances
allows his cast the benefit of being able to give full performances
will be an enjoyable choice for younger kids
the sentimental script has problems
any age
why i have given it a one-star rating
for something as splendid-looking as this particular film , the viewer expects something special but instead gets ( sci-fi ) rehash .
that he has been able to share his story so compellingly with us is a minor miracle
ca n't deny its seriousness and quality
pseudo-philosophic
classified as a movie-industry satire
it ` perfection
a visual delight and a decent popcorn adventure
can practically hear george orwell turning over .
does n't so much phone in his performance as
knows everything and answers all questions , is visually smart , cleverly written ,
of black indomitability
undercuts the joie de vivre even as he creates
into the structure of relationships
smart movie
award-winning
is heartfelt and achingly real .
eerily accurate depiction
scott delivers a terrific performance in this fascinating portrait of a modern lothario .
look as fully ` rendered ' as pixar 's industry standard
pokémon 4ever
its moment
to say the least , not to mention inappropriate and wildly undeserved
suffering from a severe case of hollywood-itis
first-rate cast
gently political
enjoy the movie
figure the power-lunchers do n't care to understand
is one of two things : unadulterated thrills or genuine laughs
that jackie chan is getting older
makes you crave chris smith 's next movie .
the darker elements of misogyny and unprovoked violence suffocate the illumination created by the two daughters and
fill the hot chick , the latest gimmick from this unimaginative comedian .
an unbelievably stupid film , though occasionally fun enough to make you forget its absurdity .
husband-and-wife disaster
nurtures the multi-layers of its characters
admittedly problematic in its narrative specifics
seems suited neither to kids or adults
old-world charm
torn apart by a legacy of abuse
so not-at-all-good
rank as three of the most multilayered and sympathetic female characters of the year .
worst -- and only -- killer website movie
passions , obsessions , and
fits into a classic genre ,
a rather brilliant little cult item : a pastiche of children 's entertainment , superhero comics , and japanese animation .
, brooding and slow
as well its delightful cast --
consistently funny , in an irresistible junior-high way , and
engrossing and infectiously enthusiastic documentary
is another liability
that , by the end , no one in the audience or the film seems to really care
by half-baked setups and sluggish pacing
a lump of run-of-the-mill profanity sprinkled with a few remarks so geared toward engendering audience sympathy that you might think he was running for office -- or trying to win over a probation officer
heartbreaking subject matter , but one whose lessons are well worth revisiting as many times as possible
seem odd bedfellows
purely abstract
thanks to the château 's balance of whimsicality , narrative discipline and serious improvisation , almost every relationship and personality in the film yields surprises .
a fragmented film
playing a role of almost bergmanesque intensity ... bisset is both convincing and radiant
a piece of mildly entertaining , inoffensive fluff that drifts aimlessly for 90 minutes before lodging in the cracks of that ever-growing category :
characterizes better hip-hop clips and is content to recycle images and characters that were already tired 10 years ago
often surprises you with unexpected comedy
proves she has the stuff to stand tall with pryor , carlin and murphy
this would have been better than the fiction it has concocted , and there still could have been room for the war scenes .
juicy writer
right film
, it sounds like a cruel deception carried out by men of marginal intelligence , with reactionary ideas about women and a total lack of empathy .
can not disguise the slack complacency of ( godard 's ) vision , any more than the gorgeous piano and strings on the soundtrack can drown out the tinny self-righteousness of his voice
of neil burger 's impressive fake documentary
heartfelt concern
watch it , offering fine acting moments and pungent insights
of the worst possibilities of mankind
( their lamentations are pretty much self-centered ) , there 's something vital about the movie .
can be fruitful : ` in praise of love ' is the director 's epitaph for himself
a cruel but weirdly likable wasp matron
a rounded and revealing overview
enjoy the new guy .
is straight from the saturday morning cartoons -- a retread story , bad writing , and the same old silliness
a non-stop cry for attention
thoughtful , unapologetically raw
murphy and wilson actually make a pretty good team
both heartbreaking
filmmakers david weissman and bill weber benefit enormously from the cockettes ' camera craziness -- not only did they film performances , but they did the same at home
absorbing movie that 's as hard to classify as it is hard to resist
tickles
potty-mouthed enough
clumsy cliché
through kafka 's meat grinder
that were already tired 10 years ago
regret and , ultimately , finding redemption
it 's a long way from orwell 's dark , intelligent warning cry ( 1984 ) to the empty stud knockabout of equilibrium
the right bands for the playlist and the costuming of the stars
to call this one an eventual cult classic would be an understatement , and woe is the horror fan who opts to overlook this goofily endearing and well-lensed gorefest .
the minds and hearts of many
are simply intoxicating .
is kind of special
the cinematic canon ,
creates a drama with such a well-defined sense of place and age -- as in , 15 years old -- that the torments and angst become almost as operatic to us as they are to her characters .
seem like such a bore
never having seen the first two films in the series , i ca n't compare friday after next to them , but nothing would change the fact that what we have here is a load of clams left in the broiling sun for a good three days .
eventually works its way up to merely bad rather than painfully awful
's a sweet , laugh-a-minute crowd pleaser that lifts your spirits as well as the corners of your mouth .
sounding like arnold schwarzenegger , with a physique to match , ( ahola ) has a wooden delivery and encounters a substantial arc of change that does n't produce any real transformation .
if the real-life story is genuinely inspirational
is little else to recommend `` never again . ''
the 50-something lovebirds are too immature and unappealing to care about .
simple-minded and stereotypical
gorgeous to look at but insufferably tedious and turgid ...
its unsettling force
half-assed film .
sit open-mouthed before the screen , not screaming but yawning
steven seagal is considered a star , nor why he keeps being cast in action films when none of them are ever any good
hard-hitting
it 's no accident that the accidental spy is a solid action pic that returns the martial arts master to top form .
incoherent
as dull as its characters , about whose fate it is hard to care
sad but endearing characters do extremely unconventional things
incredibly layered and stylistic
at a time when we 've learned the hard way just how complex international terrorism is , collateral damage paints an absurdly simplistic picture .
with really poor comedic writing