xiangpku/GLUE huggingface dataset:
the film has not a trace of humanity or empathy
to activate girlish tear ducts does n't mean it 's good enough for our girls
, soderbergh 's solaris is a gorgeous and deceptively minimalist cinematic tone poem .
, redundant , sloppy
insightfully written
with raw emotions
ear-pleasing
the only surprise
, it will remind them that hong kong action cinema is still alive and kicking .
the slack complacency
from the bland songs to the colorful but flat drawings
the comedy
instead comes far closer than many movies to expressing the way many of us live -- someplace between consuming self-absorption and insistently demanding otherness .
is rather like being trapped while some weird relative trots out the video he took of the family vacation to stonehenge
k-19 will not go down in the annals of cinema as one of the great submarine stories , but
requisite faux-urban vibe
after you laugh once ( maybe twice )
a french film with a more down-home flavor .
have seen before , but beneath the exotic surface ( and exotic dancing ) it 's surprisingly old-fashioned
over-dramatic at times
so many flaws
to appeal to women looking for a howlingly trashy time
a journey that is as difficult for the audience to take as it
he 's going to make a splash even greater than arnold schwarzenegger , jean-claud van damme or steven segal
, haphazard , and inconsequential romantic
ambitious , sometimes beautiful adaptation
on mindless action
is rigid and evasive in ways that soderbergh 's best films , `` erin brockovich , '' `` out of sight '' and `` ocean 's eleven , ''
impossible , irrevocable choices
for both children and parents
motivate
insufferably tedious and turgid
sketchy with actorish notations on the margin of acting
see a movie that takes such a speedy swan dive from `` promising '' to `` interesting '' to `` familiar ''
fine production
monotony
crippled by poor casting .
walk out of the good girl
adrift , bentley and hudson
be something really good
to infamy
'll probably be the best and most mature comedy of the 2002 summer season speaks more of the season than the picture
by even the corniest and most hackneyed contrivances
daughter from danang reveals that efforts toward closure only open new wounds .
gives everyone
poetic , heartbreaking .
worthy of the gong .
its visual imagination
savor the pleasure of his sounds and images
only defies credibility
of the other
the immediate aftermath of the terrorist attacks
its true-to-life characters , its sensitive acting , its unadorned view of rural life
best moments
by african-americans because of its broad racial insensitivity towards african-americans
interesting cinematic devices ( cool visual backmasking ) , a solid cast , and some wickedly sick and twisted humor
you should be able to find better entertainment .
the cutting-room floor of any given daytime soap
good cast
is funny , insightfully human and a delightful lark for history buffs
sounds like a cruel deception carried out by men of marginal intelligence , with reactionary ideas about women and a total lack of empathy
drawn engaging characters while peppering the pages with memorable zingers
the flaws
a real audience-pleaser
achieve a shock-you-into-laughter intensity of almost dadaist proportions .
gutless direction
thoughtful dialogue
has been overexposed , redolent of a thousand cliches , and yet
have a case of masochism and an hour and a half to blow
ultimately defeated the film ... it was the unfulfilling , incongruous , `` wait a second
like a skillful fisher
the film 's manipulative sentimentality and annoying stereotypes
the problems and characters it reveals
is laughable in the solemnity with which it tries to pump life into overworked elements from eastwood 's dirty harry period .
the bad sound , the lack of climax and , worst of all , watching seinfeld ( who is also one of the film 's producers ) do everything he can to look like a good guy
an exercise in chilling style
cletis is playful but highly studied and dependent for its success on a patient viewer .
underdog movie since the bad news bears
if you 're looking for a smart , nuanced look at de sade and what might have happened at picpus , sade is your film .
my greatest pictures , drunken master
but i sometimes felt as though i was in the tiny two seater plane that carried the giant camera around australia , sweeping and gliding , banking
a captivating coming-of-age story that may also be the first narrative film to be truly informed by the wireless age .
a glorified sitcom ,
some sort of martha stewart decorating program run amok
drags the film down
the superficial way
elicit a chuckle
a strong narrative
about this silly , outrageous , ingenious thriller
assembled cliches and pabulum that plays like a 95-minute commercial for nba properties
featuring reams of flatly delivered dialogue and a heroine who comes across as both shallow and dim-witted .
bad of a movie
the sensational true-crime hell-jaunt purists might like and more experimental in its storytelling
hand in hand
the overall feeling is genial and decent
let 's see , a haunted house , a haunted ship , what 's next ... ghost blimp ?
power-lunchers
offbeat humor , amusing characters
ridiculous dialog
no good inside dope , and
beautifully crafted and brutally honest
do n't have a clue on the park
ca n't go wrong
gooeyness
walked out muttering words like `` horrible '' and `` terrible
an empty exercise ,
totally overwrought
above the ordinary
tries and tries hard
in a low-key , organic way that encourages you to accept it as life and go with its flow
quirky , original
the storytelling may be ordinary , but the cast is one of those all-star reunions that fans of gosford park have come to assume is just another day of brit cinema .
strikes a very resonant chord
but tongue-in-cheek preposterousness has always been part of for the most part wilde 's droll whimsy helps `` being earnest '' overcome its weaknesses and parker 's creative interference ...
's impossible to shake .
it should pay reparations to viewers .
is way , way off
simple in form but rich with human events
get in the way
about the startling transformation of a tradition-bound widow who is drawn into the exotic world of belly dancing
has none of the charm and little of the intrigue from the tv series
subtle and richly
we had to endure last summer , and
notwithstanding my problem with the movie 's final half hour , i 'm going to recommend secretary , based on the wonderful acting clinic put on by spader and gyllenhaal , and also the unique way shainberg goes about telling what at heart is a sweet little girl
if you like an extreme action-packed film with a hint of humor , then triple x marks the spot .
in some terrific setpieces
could relish
, they ca n't generate enough heat in this cold vacuum of a comedy to start a reaction .
be shaking your head all the way to the credits
consistently clever and suspenseful
but because it has a bigger-name cast , it gets a full theatrical release
amazingly dopey
touch you to the core in a film you will never forget -- that you should never forget
reveals how bad an actress she is
a well made indieflick in need of some trims and a more chemistry between its stars .
's funny and human and really pretty damned wonderful ,
contemptuous of the single female population
one of the year 's most weirdly engaging and unpredictable character pieces .
laughs and insight into one of the toughest ages a kid can go through .
garner the film a `` cooler '' pg-13 rating
's refreshing to see a movie that embraces its old-fashioned themes and in the process comes out looking like something wholly original .
engaging examination
is something of a triumph .
, involving aragorn 's dreams of arwen , this is even better than the fellowship .
vaporize from your memory minutes after it ends
the performances of the children , untrained in acting , have an honesty and dignity that breaks your heart .
will at least have a dream image of the west to savor whenever the film 's lamer instincts are in the saddle .
lacks the generous inclusiveness that is the genre 's definitive , if disingenuous , feature
hard ground
has all the enjoyable randomness of a very lively dream and
is also as unoriginal as they come , already having been recycled more times than i 'd care to count
terms with his picture-perfect life
the kids in the audience at the preview screening seemed bored , cheering the pratfalls but little else ;
is not only a pianist , but a good human being
through recklessness and retaliation
imagine benigni 's pinocchio becoming a christmas perennial
during the long build-up of expository material
was at least funny
that fly at such a furiously funny pace that the only rip off that we were aware of
its three-hour running time plays closer to two .
delivers a terrific performance in this fascinating portrait of a modern lothario .
amusing and
overrun
well shot
sense-of-humour
this thriller is too loud and thoroughly overbearing
exciting moviemaking
, offensive and redundant
rarely comes alive as its own fire-breathing entity in this picture .
it also treats the subject with fondness and respect
the story itself it mostly told through on-camera interviews with several survivors , whose riveting memories are rendered with such clarity that it 's as if it all happened only yesterday .
various victimized audience members
you may be surprised at the variety of tones in spielberg 's work .
that works .
animation is such a perfect medium for children , because of the way it allows the mind to enter and accept another world
a big box of consolation candy
`` gory mayhem '' is your idea of a good time
the obnoxious special effects ,
giggles and
say you were n't warned
a great premise
cinematic intoxication , a wildly inventive mixture of comedy and melodrama ,
a remarkable movie with an unsatisfying ending , which is just the point
a fun family movie that 's suitable for all ages -- a movie that will make you laugh
cheapo animation ( like saturday morning tv in the '60s ) ,
a crowdpleaser as
she lacks the skill or presence to regain any ground
a low-rent retread of the alien
's great cinematic polemic
littered with zero-dimensional , unlikable characters and hackneyed , threadbare comic setups .
( soderbergh ) tends to place most of the psychological and philosophical material in italics rather than trust an audience 's intelligence , and he creates an overall sense of brusqueness
makes it a comic book with soul
it accurately reflects the rage and alienation that fuels the self-destructiveness of many young people
unstoppable superman
hilarious ode
counter-cultural
deflated
a very entertaining , thought-provoking film with a simple message
dull , a road-trip movie that 's surprisingly short of both adventure and song
piffle
there is a difference between movies with the courage to go over the top and movies that do n't care about being stupid
dreary piece
of magic
birthday girl does n't try to surprise us with plot twists , but rather seems to enjoy its own transparency .
entirely witless and
erotically
unpleasant excuse
a must-see for fans of thoughtful war films and those interested in the sights and sounds of battle .
could be , by its art and heart , a necessary one .
it wo n't hold up over the long haul , but in the moment , finch 's tale provides the forgettable pleasures of a saturday matinee .
has hugely imaginative and successful casting to its great credit , as well as one terrific score and attitude to spare .
... even if you 've never heard of chaplin , you 'll still be glued to the screen .
is so rich with period minutiae it 's like dying and going to celluloid heaven
make a hip comedy
perfectly pleasant
jackson 's
and plastic knickknacks
ambitious ` what if
, it has considerable charm .
artistes
stretched out to feature
is so earnest that it 's hard to resist his pleas to spare wildlife and respect their environs
quite tasty
a tightly directed , highly professional film that 's old-fashioned in all the best possible ways .
go down as one of the all-time great apocalypse movies
makes a feature debut that is fully formed and remarkably assured .
all the trappings of an energetic , extreme-sports adventure
any rock pile will do for a set .
too shallow for an older one .
have stayed there
is a story that zings all the way through with originality , humor and pathos .
lacks the skill or presence to regain any ground
any stylish sizzle
is a director to watch
with a cast of a-list brit actors , it is worth searching out .
even in terms of the low-grade cheese standards on which it operates , it never quite makes the grade as tawdry trash .
the filmmakers just follow the books
a wholly unnecessary pre-credit sequence
loveable
you can feel the love .
the devastation of this disease
, this is a must !
could make a person who has lived her life half-asleep suddenly wake up and take notice
love to have their kids
into a rustic , realistic , and altogether creepy tale of hidden invasion
slick and
robinson 's web of suspense matches the page-turning frenzy that clancy creates .
begins as a conventional thriller evolves into a gorgeously atmospheric meditation on life-changing chance encounters
is the stuff that disney movies are made of
bears ... should keep parents amused with its low groan-to-guffaw ratio
all looks and plays like a $ 40 million version of a game you 're more likely to enjoy on a computer .
that i just did n't care
even when there are lulls , the emotions seem authentic ,
is the stuff of high romance , brought off with considerable wit .
familial
absorbing and unsettling psychological drama
this 10th film in the series looks and feels tired .
comes across as a relic from a bygone era , and its convolutions ... feel silly rather than plausible
, alone , should scare any sane person away .
a touching drama about old age and grief with a tour de force performance by michel piccoli .
look at the star-making machinery of tinseltown .
a masterfully made one
preposterous , the movie will likely set the cause of woman warriors back decades .
not a film for the faint of heart or conservative of spirit , but for the rest of us -- especially san francisco lovers --
meditation )
a not-so-bright mother and daughter
funny , even punny 6
may be shallow
absolutely , inescapably gorgeous , skyscraper-trapeze motion
no unifying rhythm
` time waster '
drains it of the dramatic substance that would shake us in our boots ( or cinema seats )
aggravating and
stops being clever and devolves into flashy , vaguely silly overkill
unwieldy contraption .
could be looking at his 12th oscar nomination by proving that he 's now , more than ever , choosing his roles with the precision of the insurance actuary .
suited to capture these musicians in full regalia
this humbling little film ,
laughing at ' variety
of the oscar wilde play
be called `` jar-jar binks : the movie
abandon ''
circa
a familiar road with a few twists
thrills , too many flashbacks and a choppy ending
spectacular performance - ahem
more precious than perspicacious
like a side dish no one ordered
takes every potential laugh
far too cliched
splatterfests
important film
todd solondz ' oftentimes funny , yet ultimately cowardly autocritique
to indulge the fanciful daydreams of janice beard ( eileen walsh ) when her real-life persona is so charmless and vacant
we keep getting torn away from the compelling historical tale to a less-compelling soap opera
most surprising thing
's sweet , funny , charming , and completely delightful
, memories and one fantastic visual trope
interview with the assassin is structured less as a documentary and more as a found relic ,
does n't really go anywhere .
the great american comedy
are also
approach to the workplace romantic comedy
in fact , it does n't even seem like she tried .
unimaginative screenwriter 's
too drunk on the party favors to sober us up with the transparent attempts at moralizing
sandra bullock and hugh grant make a great team , but this predictable romantic comedy should get a pink slip
the astonishingly pivotal role of imagination in the soulful development of two rowdy teenagers
liotta is put in an impossible spot because his character 's deceptions ultimately undo him and the believability of the entire scenario .
a mostly magnificent directorial career
gloriously alive
executed with such gentle but insistent sincerity , with such good humor and appreciation of the daily grind that only the most hardhearted scrooge could fail to respond
is nevertheless efficiently amusing for a good while
be prescribed than recommended -- as visually bland as a dentist 's waiting room , complete with soothing muzak and a cushion of predictable narrative rhythms
has the charisma of a young woman who knows how to hold the screen
a sad , sordid universe
bitchy frolic which pokes fun at the price of popularity and small-town pretension in the lone star state
is a stunning new young talent in one of chabrol 's most intense psychological mysteries
is like sitting in a downtown café , overhearing a bunch of typical late-twenty-somethings natter on about nothing , and desperately wishing you could change tables .
did n't find much fascination in the swinging .
wewannour money
the funniest idea
bean drops the ball too many times ...
could be intriguing
wonders , enhancing the cultural and economic subtext , bringing richer meaning to the story 's morals
been remarkable about clung-to traditions
a zippy 96 minutes
also one of the most curiously depressing
that affirms the nourishing aspects of love and companionship
takes your breath away
unsettling psychodrama that takes full , chilling advantage of its rough-around-the-edges , low-budget constraints
dull-witted and disquietingly
a high-spirited buddy movie about the reunion of berlin anarchists who face arrest 15 years after their crime .
a tasty performance from vincent gallo
commands attention .
off spookily enough
could have been crisper and punchier , but it 's likely to please audiences who like movies that demand four hankies .
overwhelmed by its lack of purpose
enjoy a couple of great actors hamming it up
a tremendous , offbeat sense of style and humor that suggests he was influenced by some of the filmmakers who have directed him , especially the coen brothers and steven soderbergh
again , in a better movie , you might not have noticed .
's a rather listless amble down
it sounds like another clever if pointless excursion into the abyss , and that 's more or less how it plays out
what it lacks in outright newness
is a sweet treasure and something well worth
`` frailty '' offers chills much like those that you get when sitting around a campfire around midnight , telling creepy stories to give each other the willies .
eight legged freaks is clever and funny , is amused by its special effects , and leaves you feeling like you 've seen a movie instead of an endless trailer .
with several survivors , whose riveting memories are rendered with such clarity that it 's as if it all happened only yesterday
far too tragic
promising cast
overflows with wisdom and emotion .
a surfeit of weighty revelations , flowery dialogue , and nostalgia for the past
an elegant film with often surprising twists and an intermingling of naiveté and sophistication .
the plot is paper-thin and the characters are n't interesting enough to watch them go about their daily activities for two whole hours
hell-jaunt purists
expressive power
did they deem it necessary to document all this emotional misery
it gives poor dana carvey nothing to do that is really funny , and then expects us to laugh because he acts so goofy all the time
manages to breathe life into this somewhat tired premise .
fessenden continues to do interesting work , and it would be nice to see what he could make with a decent budget
glaring and unforgettable .
the benefit of being able to give full performances
being insightful
before it builds up to its insanely staged ballroom scene , in which 3000 actors appear in full regalia
is that , even in all its director 's cut glory , he 's made a film that 's barely shocking , barely interesting and most of all , barely anything .
's like a drive-by
can fire a torpedo through some of clancy 's holes
urban south korea
to grant , who has n't lost a bit of the dry humor that first made audiences on both sides of the atlantic love him
has done the nearly impossible .
brother hoffman 's script stumbles over a late-inning twist that just does n't make sense
simply feel wrong
is extremely thorough
to get bogged down in earnest dramaturgy
a fun family movie that 's suitable for all ages -- a movie that will make you laugh , cry and realize , ` it 's never too late to believe in your dreams . '
filmmakers david weissman and bill weber benefit enormously from the cockettes ' camera craziness -- not only did they film performances ,
feel free to go get popcorn whenever he 's not onscreen .
involved , starting with spielberg and going right through the ranks of the players -- on-camera and off -- that he brings together .
a 1986 harlem that does n't look much like anywhere in new york
visual flourishes
is n't really about anything .
it 's got all the familiar bruckheimer elements ,
astonishing growth
its surreal sense of humor and technological finish
much further than we imagine
their work is fantastic .
it 's hard to quibble with a flick boasting this many genuine cackles ,
do n't
a most hard-hearted person
your seat a couple of times
serves as a workable primer for the region 's recent history , and would make a terrific 10th-grade learning tool .
... bright , intelligent , and humanly funny film .
an imaginative filmmaker
for unexpectedly giddy viewing
summer season
if you shoot something on crummy-looking videotape , it must be labeled ` hip ' , ` innovative ' and ` realistic '
to be grandiloquent
was daniel day-lewis .
the feature-length stretch ... strains the show 's concept .
love and power
sit through , enjoy on a certain level and
but though he only scratches the surface , at least he provides a strong itch to explore more .
makes their project so interesting
moralizing
spectacular completion one
at once visceral and spiritual , wonderfully vulgar and sublimely lofty -- and as emotionally grand
if it had been only half-an-hour long or a tv special , the humor would have been fast and furious -- at ninety minutes , it drags .
an adventure story and history lesson
to soothe and break your heart with a single stroke
a plethora of engaging diatribes on the meaning of ` home , ' delivered in grand passion by the members of the various households .
, the movie is in a class by itself
need not apply
may be disappointed .
a sane regimen of eating , sleeping and stress-reducing contemplation
where janice beard falters in its recycled aspects , implausibility , and sags in pace
absolutely no idea
was developed hastily after oedekerk
quite simply , a joy to watch and -- especially -- to listen to .
than like a bottom-feeder sequel in the escape from new york series
a teen movie with a humanistic message
pieces of the famous director 's life
its electronic expression through cyber culture
to be the movie 's most admirable quality
iwai 's gorgeous visuals
, but with material this rich it does n't need it
joyous films that leaps over national boundaries and celebrates universal human nature
could n't have done any better in bringing the story of spider-man to the big screen
damn unpleasant
bittersweet drama
feel the screenwriter at every moment ` tap
clear point
of rich detail condensed
esther seems to remain an unchanged dullard
much panache
moments to keep it entertaining
a question comes to mind : so why is this so boring ?
is a genuinely bone-chilling tale .
the screenplay flounders under the weight of too many story lines .
find greatness
too many films that can be as simultaneously funny , offbeat and heartwarming ( without a thick shmear of the goo , at least )
to please others
does n't try to surprise us with plot twists , but rather seems to enjoy its own transparency
so bland
consider the film a celluloid litmus test for the intellectual and emotional pedigree of your date and a giant step backward for a director i admire
is interested in nothing
, quirky , original
also a -- dare i say it twice -- delightfully charming -- and totally american ,
the beauty of the piece is that it counts heart as important as humor .
repellent