xiangpku/GLUE huggingface dataset:
several of steven soderbergh 's earlier films were hailed as the works of an artist .
a monopoly on mindless action
's just not very smart .
the reason to go see `` blue crush '' is the phenomenal , water-born cinematography by david hennings .
pique your interest , your imagination , your empathy or anything ,
this wretchedly unfunny wannabe comedy is inane and awful - no doubt , it 's the worst movie i 've seen this summer .
the urban landscapes are detailed down to the signs on the kiosks
to have bitterly forsaken
that makes the film seem like something to endure instead of enjoy
thoughtful without having much dramatic impact
as he creates
gives viewers a chance to learn , to grow , to travel
a fascinating character 's story
could be the worst film a man has made about women since valley of the dolls
enhances the quality of neil burger 's impressive fake documentary
give performances of exceptional honesty
than home alone raised to a new , self-deprecating level
expects something special but instead gets ( sci-fi ) rehash .
by that measure , it is a failure .
because relatively nothing happens
slightly humorous and tender
unimaginatively
for an hour , in which we 're told something creepy and vague is in the works
there 's the inimitable diaz , holding it all together .
demented
falls apart
humorless ,
holds you in rapt attention
resuscitate
bottom-rung
bold by studio standards
do n't come off
are great rewards
that is listless , witless , and devoid of anything resembling humor
neither quite a comedy nor a romance , more of an impish divertissement of themes that interest attal and gainsbourg -- they live together -- the film has a lot of charm .
funniest and most likeable movie
confidently orchestrated
because it made him feel powerful
a thoughtful movie
crafted a complicated hero who is a welcome relief from the usual two-dimensional offerings
it 's just as wonderful on the big screen .
a very funny , heartwarming film
its extremely languorous rhythms ,
find much fascination in the swinging
convincing characters
scalds like acid
the footage of the rappers at play and the prison interview with suge knight are just two of the elements that will grab you .
a colorful , joyous celebration
dopey dialogue and sometimes inadequate performances kill the effect
i will be .
love the players it brings to the fore for the gifted but no-nonsense human beings they are and for the still-inestimable contribution they have made to our shared history
poorly staged
are the difference between this and countless other flicks about guys and dolls
you 'll be thinking of 51 ways to leave this loser .
downbeat , period-perfect biopic hammers home a heavy-handed moralistic message .
important and exhilarating
dignified ceo
enjoyable , if occasionally flawed ,
you feel guilty about ignoring what the filmmakers clearly believe
elegant technology for the masses --
a sermon for most of its running time
rock solid family fun out of the gates , extremely imaginative through out , but wanes in the middle
's touching and tender and proves that even in sorrow you can find humor
watching disney scrape the bottom of its own cracker barrel
have put together a bold biographical fantasia .
halfway through this picture i was beginning to hate it ,
, the film acquires an undeniable entertainment value as the slight , pale mr. broomfield continues to force himself on people and into situations that would make lesser men run for cover .
leaving you
ludicrous , but director carl franklin adds enough flourishes and freak-outs to make it entertaining .
stereotypes in good fun ,
( a remake ) do anything as stomach-turning as the way adam sandler 's new movie rapes , pillages and incinerates frank capra 's classic
are struggling to give themselves a better lot in life than the ones
the script is a disaster , with cloying messages and irksome characters .
a little too smugly
high-concept
everybody loves a david and goliath story , and this one is told almost entirely from david 's point of view
been discovered , indulged in and rejected as boring before i see this piece of crap again
an exhilarating
the observations of this social/economic/urban environment are canny and spiced with irony .
to keep from laughing at the ridiculous dialog or the oh-so convenient plot twists
is a heartfelt story
it has a bigger-name cast
, heartfelt
as its own most damning censure
enjoys intentionally introducing your kids to films which will cause loads of irreparable damage that years and years of costly analysis could never fix
for those of us who respond more strongly to storytelling than computer-generated effects , the new star wars installment has n't escaped the rut dug by the last one .
a low-budget hybrid of scarface
best achievements
most delightful moments
flick that scalds like acid
with a sure and measured hand
a ridiculous wig
as steamy as last week 's pork dumplings .
no level whatsoever
, it still manages to string together enough charming moments to work .
a chilly , remote , emotionally distant piece ... so dull that its tagline should be : ` in space , no one can hear you snore . '
does n't improve upon the experience of staring at a blank screen
only masochistic moviegoers
is as blasphemous and nonsensical as a luis buñuel film without the latter 's attendant intelligence , poetry , passion , and genius
could be considered a funny little film
too much power , not enough puff
an engrossing iranian film about two itinerant teachers
seeing things from new sides
, but i suspect it might deliver again and again
the absurdity of the situation in a well-balanced fashion
are stanzas of breathtaking , awe-inspiring visual poetry .
those visual in-jokes , as in the film 's verbal pokes at everything from the likes of miramax chief
do not fit
elegantly balanced movie
mushy , existential exploration
the sheer ugliness
illuminates what it means sometimes to be inside looking out , and at other times outside looking in
puts wang at the forefront of china 's sixth generation of film makers .
the gorgeous locales
ended so damned
a reasonably good time with the salton sea
the sexuality
a baffling mixed platter of gritty realism and magic realism with a hard-to-swallow premise .
thoroughly enjoyed themselves and believed in their small-budget film
executed it takes your breath away .
crammed with incident , and bristles with passion and energy .
a hollywood satire but winds up as the kind of film that should be the target of something
negativity is a rare treat that shows the promise of digital filmmaking .
this family film sequel is plenty of fun for all .
its extraordinary intelligence and originality
an awful movie that will only satisfy the most emotionally malleable of filmgoers .
with solid performances and eerie atmosphere
considerable wit
crocodile hunter steve irwin do what he does best
elements of romance , tragedy and even silent-movie comedy
able to share his story so compellingly with us is a minor miracle
surprising , subtle turn
this tale has been told and retold
the players it brings to the fore for the gifted but no-nonsense human beings they are and for the still-inestimable contribution they have made to our shared history
may even find that it goes by quickly , because it has some of the funniest jokes of any movie this year , including those intended for adults
entirely stale
joyous occasion
quirky , fun , popcorn movies
the worthy successor to a better tomorrow
both a successful adaptation and an enjoyable film in its own right .
from sharing the awe in which it holds itself
witty and beneath
for godard
an enjoyable feel-good family comedy regardless of race
the premise of `` abandon '' holds promise , ... but its delivery is a complete mess .
an alluring backdrop
gets a lot of flavor and spice
compared to the usual , more somber festival entries , davis ' highly personal brand of romantic comedy is a tart , smart breath of fresh air
the pocket monster movie franchise is nearly ready to keel over
whose jolly , fun-for-fun 's - sake communal spirit goes to the essence of broadway
it picked me up , swung me around , and dropped me back in my seat with more emotional force than any other recent film .
very bad scouse accents
the tedium
insightful moments
than the very sluggish pace
is nothing short of a travesty of a transvestite comedy
an incredibly irritating comedy
to see who can out-bad-act the other
have captured the chaos of an urban conflagration with such fury
unexpected comedy
the best part about `` gangs '' was daniel day-lewis .
you can fire a torpedo through some of clancy 's holes ,
mention `` solaris '' five years from now and
made him a truly larger-than-life character
human experience -- drama , conflict , tears and surprise -- that it transcends the normal divisions between fiction and nonfiction film
's like going to a house party and watching the host defend himself against a frothing ex-girlfriend
business notable largely for its overwhelming creepiness , for an eagerness to create images you wish you had n't seen
's a bad sign in a thriller when you instantly know whodunit
the movie 's inescapable air of sleaziness
powerful direction
on an irresistible , languid romanticism
funny thrill
tasteful , intelligent manner
abrasive
lead actress andie macdowell
an interesting topic ,
rich in shadowy metaphor and as sharp as a samurai sword
most of the people who loved the 1989 paradiso will prefer this new version
groan and hiss
felt like an answer to irvine welsh 's book trainspotting
the lack of naturalness makes everything seem self-consciously poetic and forced
best part
feel as if we 're seeing something purer than the real thing
are advised to sit near the back and squint to avoid noticing some truly egregious lip-non-synching
a muddy psychological thriller rife with miscalculations .
a diverting -- if predictable -- adventure suitable for a matinee
woven together handsomely , recalling sixties ' rockumentary milestones from lonely boy to do n't look back .
more damning
slow , predictable
amari has dressed up this little parable in a fairly irresistible package full of privileged moments and memorable performances .
are such a companionable couple
entertaining itself
a stunning new young talent
the intoxicating fumes
as funny
wholly believable and heart-wrenching depths of despair
the crisp clarity of a fall dawn
presents a fascinating but flawed look at the near future
being wasted by a script that takes few chances and manages to insult the intelligence of everyone in the audience
female empowerment
throwback to long gone bottom-of-the-bill fare like the ghost and mr. chicken .
in this colorful bio-pic of a mexican icon
a listless climb down the social ladder
has never been filmed more irresistibly than in ` baran . '
makes the material seem genuine rather than pandering
contains all the substance of a twinkie -- easy to swallow , but scarcely nourishing .
has made literature literal without killing its soul -- a feat any thinking person is bound to appreciate
minutely detailed wonders of dreamlike ecstasy
has done his homework and soaked up some jazzy new revisionist theories about the origins of nazi politics and aesthetics .
anachronistic quick edits and occasional jarring glimpses of a modern theater audience watching the events unfold
in a plot as musty as one of the golden eagle 's carpets
there 's no real sense of suspense ,
the emotional heart
under its own thinness
's coherent
is n't tough to take as long as you 've paid a matinee price
erratic career
visual gags
bryan adams , the world 's most generic rock star
labute masterfully balances both traditional or modern stories together in a manner that one never overwhelms the other .
that matters
is best when illustrating the demons bedevilling the modern masculine journey .
the experience of staring at a blank screen
a good match of the sensibilities of two directors
little $ 1.8 million charmer
is polanski 's best film .
hollywood has crafted a solid formula for successful animated movies
, i did n't care .
too loud and
most battered women
appears not to have been edited at all
an ambitious , guilt-suffused melodrama crippled by poor casting .
derivative elements into something that is often quite rich and exciting , and
extensive post-production
screen been so aggressively anti-erotic
is elevated by michael caine 's performance as a weary journalist in a changing world .
to understand why anyone in his right mind would even think to make the attraction a movie
it 's an ambitious film , and as with all ambitious films , it has some problems .
or worth rooting against , for that matter
to get a coherent rhythm going
far bigger , far more meaningful story
as pleasantly
feminist empowerment tale thinly
you will also learn a good deal about the state of the music business in the 21st century
simple misfire
a striking new significance for anyone
just another generic drama that has nothing going for it other than its exploitive array of obligatory cheap
the film 's sense of imagery gives it a terrible strength
as sharp as the original
by applying definition to both sides of the man , the picture realizes a fullness that does not negate the subject .
a delightfully quirky movie to be made from curling
, naturally dramatic
so willing to champion the fallibility of the human heart
berling and béart ... continue to impress , and isabelle huppert ... again shows uncanny skill in getting under the skin of her characters .
as funny nor as charming as it thinks it is
a fascinating curiosity piece -- fascinating , that is
leaves you wanting more
from this unimaginative comedian
quasi-documentary
very capable nailbiter
repetitive and ragged
ferrara 's strongest and most touching movie of recent years .
` swept away '
the canadian 's inane ramblings
although it starts off so bad that you feel like running out screaming
humane and important
engaging as it is revealing
the film is filled with humorous observations about the general absurdity of modern life as seen through the eyes outsiders ,
is standard crime drama fare ... instantly forgettable and thoroughly dull
an all-around good time
in its treatment of the dehumanizing and ego-destroying process of unemployment
this rich , bittersweet israeli documentary , about the life of song-and-dance-man pasach ` ke burstein and his family ,
instantly disposable
the life of wladyslaw szpilman , who is not only a pianist , but a good human being
is sabotaged by ticking time bombs and other hollywood-action cliches
reminds me of a vastly improved germanic version of my big fat greek wedding -- with better characters , some genuine quirkiness and at least a measure of style .
despite the efforts of a first-rate cast
it thankfully goes easy on the reel/real world dichotomy that ( jaglom ) pursued with such enervating determination in venice/venice .
to this engaging mix of love and bloodletting
establishes a wonderfully creepy mood .
that the children of varying ages in my audience never coughed , fidgeted or romped up and down the aisles for bathroom breaks
beautifully detailed performances by all of the actors
bears a grievous but obscure complaint against fathers , and circles it obsessively , without making contact .
has some of the best special effects
that relies on more than special effects
devoid of pleasure or sensuality
i see this piece of crap again
it 's pretty stupid .
the film 's winning tone
is a disaster ,
it is ok for a movie to be something of a sitcom apparatus , if the lines work , the humor has point and the actors are humanly engaged
has worked wonders with the material .
they kept much of the plot but jettisoned the stuff that would make this a moving experience for people who have n't read the book .
far funnier
by working girl scribe kevin wade
inexpressible
skilled
any working class community
gives devastating testimony to both people 's capacity for evil and their heroic capacity for good .
store for unwary viewers
if you like peace , you 'll like promises .
the wonder of mostly martha is the performance of gedeck , who makes martha enormously endearing .
going where no man has gone before
weak payoff
as i valiantly struggled to remain interested , or at least conscious
old enough to have developed some taste
the film 's reach exceeds its grasp
serves mostly to whet one 's appetite for the bollywood films .
the movie 's seams may show ...
the dramatic scenes are frequently unintentionally funny , and the action sequences -- clearly the main event -- are surprisingly uninvolving
endure instead of
a well-crafted film that is all the more remarkable because it
american instigator michael moore 's film is a rambling examination of american gun culture that uses his usual modus operandi of crucifixion through juxtaposition .
being boring
between the fantastic and the believable
unveil it until the end , after endless scenes of him wheedling reluctant witnesses and pointing his camera through the smeared windshield of his rental car
's the very definition of epic adventure
can only assume that the jury who bestowed star hoffman 's brother gordy with the waldo salt screenwriting award at 2002 's sundance festival were honoring an attempt to do something different over actually pulling it off
captures the innocence and budding demons within a wallflower
sweetly adventurous
deftly entertaining film
appeal to asian cult cinema fans and asiaphiles interested to see what all the fuss is about .
edited , often awkwardly directed and suffers from the addition of a wholly unnecessary pre-credit sequence designed to give some of the characters a ` back story
watch barbershop again if you 're in need of a cube fix -- this is n't worth sitting through .
all mixed up together like a term paper from a kid who ca n't quite distinguish one sci-fi work from another
becomes unwatchable
( it 's ) what punk rock music used to be , and
hip hop fantasy
a minimalist beauty and
the self-serious equilibrium makes its point too well ;
goldbacher draws on an elegant visual sense and a talent for easy , seductive pacing ... but
direction and complete lack
might be disappointed in the relative modesty of a movie that sports a ` topless tutorial service
a mean-spirited film made by someone who surely read the catcher in the rye but clearly suffers from dyslexia
a frustrating misfire
spent the duration of the film 's shooting schedule waiting to scream : ``
commander-in-chief
a fine production with splendid singing by angela gheorghiu , ruggero raimondi , and roberto alagna .
smartest
there 's a little violence and lots of sex in a bid to hold our attention , but it grows monotonous after a while , as do joan and philip 's repetitive arguments , schemes and treachery .
weepy
ode to tackling life 's wonderment
becomes predictably conventional .
miller , kuras and the actresses
first-class
shows its indie tatters and self-conscious seams
have a new favorite musical
that is dark
's lovely and amazing , from her own screenplay , jumps to the head of the class of women 's films that manage to avoid the ghetto of sentimental chick-flicks by treating female follies with a satirical style .
's as entertaining
brainless , but enjoyably over-the-top , the retro gang melodrama , deuces wild represents
is cool .
grows thin
the absurdities and inconsistencies
farce , thoughtful dialogue elbowed aside by one-liners , and a visual style that incorporates rotoscope animation for no apparent reason except
and he allows a gawky actor like spall -- who could too easily become comic relief in any other film -- to reveal his impressively delicate range .
the urban landscapes are detailed down to the signs on the kiosks , and
be baffled
the death of self ... this orgasm ( wo n't be an )
is of overwhelming waste
schütte 's dramatic snapshot of the artist three days before his death offers an interesting bit of speculation as to the issues brecht faced as his life drew to a close .
very distinctive
it 's a bad sign when you 're rooting for the film to hurry up and get to its subjects ' deaths just so the documentary will be over ,
're in for a painful ride .
fairly parochial melodrama
a little weak
overcomes its visual hideousness
endearing
a cheat in the end
whole slo-mo , double-pistoled , ballistic-pyrotechnic hong kong action
many went to see the attraction for the sole reason that it was hot outside and there was air conditioning inside ,
philosophically , intellectually and logistically a mess .
will undoubtedly play well in european markets , where mr. besson is a brand name , and in asia , where ms. shu is an institution , but
maddeningly insistent and repetitive piano score
of the masterful british actor ian holm
well-made and
great over-the-top
uncharted depths
the fluid motion is astounding on any number of levels -- including the physical demands made on büttner -- and it implies in its wake the intractable , irreversible flow of history .
our respect
the whole affair , true story or not , feels incredibly hokey
in this summer 's new action film
his is an interesting character
with unlikable , spiteful idiots
although purportedly a study in modern alienation
the movie landscape
's fairly lame ,
a ripping good yarn
smart and complicated
is less compelling than the circumstances of its making
dead-undead genre
the film sits with square conviction and touching good sense on the experience of its women
trapped wo n't score points for political correctness , but it may cause parents a few sleepless hours -- a sign of its effectiveness .
an alternately raucous and sappy ethnic sitcom ... you 'd be wise to send your regrets .
informative and
these guys ' superhuman capacity
fearlessness
surprisingly anemic disappointment
jaw-droppingly superficial
proves once again that he 's the best brush in the business
they will have a showdown , but , by then , your senses are as mushy as peas and you do n't care who fires the winning shot
continue to impress
deliberately and devotedly constructed
, you 're going to feel like you were n't invited to the party .
an inexplicable nightmare
could very well clinch him this year 's razzie
the six-time winner
a timely , tongue-in-cheek profile of the corporate circus that is the recording industry in the current climate of mergers and downsizing
tries for more .
has a certain ghoulish fascination , and generates a fair amount of b-movie excitement .
with a variety of quirky characters and an engaging story
light enough
in all , an interesting look at the life of the campaign-trail press , especially ones that do n't really care for the candidate
's just weirdness for the sake of weirdness
at least a decent attempt at meaningful cinema
showtime is n't particularly assaultive , but it can still make you feel that you never want to see another car chase , explosion or gunfight again .
just the right tone
god help us , but capra and cooper are rolling over in their graves .
pretty damned wonderful
stupid , infantile , redundant , sloppy ,
even the corniest and most hackneyed
's not too much of anything
implied in the title pokémon 4ever is terrifying
hard to imagine having more fun watching a documentary
liveliness
show his penchant for wry , contentious configurations
a trenchant , ironic cultural satire instead of a frustrating misfire
peaked about three years ago
it 's too interested in jerking off in all its byzantine incarnations to bother pleasuring its audience .
try to create characters out of the obvious cliches ,
potentially interesting idea
shoot something on crummy-looking videotape
two fatal ailments --
dogtown and z-boys has a compelling story to tell .
jackie chan movies are a guilty pleasure
safe as a children 's film
dull , somnambulant exercise
the ridiculous dialog or
intimate and panoramic .
'll only put you to sleep
sentimental cliches
, despite the mild hallucinogenic buzz , is of overwhelming waste
resorts to easy feel-good sentiments
does a fine job contrasting the sleekness of the film 's present with the playful paranoia of the film 's past
the director explores all three sides of his story with a sensitivity and an inquisitiveness reminiscent of truffaut .
ally mcbeal-style fantasy sequences
stupid sequel
recreating it an in an african idiom
nothing can detract from the affection of that moral favorite :
even his boisterous energy fails to spark this leaden comedy
been forced by his kids to watch too many barney videos