xiangpku/GLUE huggingface dataset:
sticky and unsatisfied
whose achievements -- and complexities -- reached far beyond the end zone
, worse
the rollicking dark humor
a chilling tale of one of the great crimes of 20th century france :
sick character
every bit as fascinating
i realized the harsh reality of my situation
so much that this arrogant richard pryor wannabe 's routine is offensive , puerile and unimaginatively foul-mouthed if it was at least funny
of an engaging storyline , which also is n't embarrassed to make you reach for the tissues
are immaculate , with roussillon providing comic relief .
engages us in constant fits of laughter , until we find ourselves surprised at how much we care about the story , and
, not to mention mysterious , sensual , emotionally intense , and replete with virtuoso throat-singing .
nothing more than an hour-and-a-half-long commercial for britney 's latest album
all ages -- a movie that will make you laugh
harps on media-constructed ` issues '
it 's both degrading and strangely liberating to see people working so hard at leading lives of sexy intrigue , only to be revealed by the dispassionate gantz brothers as ordinary , pasty lumpen .
has never made a more sheerly beautiful film than this unexpectedly moving meditation on love , history , memory , resistance and artistic transcendence
the actors are simply too good , and
flopped as surely as a soufflé gone wrong
some of the visual flourishes are a little too obvious , but restrained and subtle storytelling , and fine performances make this delicate coming-of-age tale a treat .
effecting change
a remarkable film that explores the monster 's psychology not in order to excuse him but rather to demonstrate that his pathology evolved from human impulses that grew hideously twisted
rich visual clarity and deeply
have an honesty and dignity that breaks your heart .
indeed , the more outrageous bits achieve a shock-you-into-laughter intensity of almost dadaist proportions .
, why should you buy the movie milk when the tv cow is free ?
such unrelenting dickensian decency that it turned me
, it ultimately comes off as a pale successor .
the movie turns out to be ( assayas ' ) homage to the gallic ` tradition of quality , ' in all its fusty squareness .
you doze off thirty minutes into the film
a sense of good intentions derailed by a failure to seek and strike just the right tone
little visible talent and no energy
to have you leaving the theater with a smile on your face
hoffman waits too long to turn his movie in an unexpected direction , and
is pretty damned funny
runs through balzac and the little chinese seamstress that transforms this story about love and culture into a cinematic poem
action laudable
if only it were , well , funnier .
the film operates nicely off the element of surprise ,
cause loads of irreparable damage that years and years of costly analysis could never fix
some of the characters die and others do n't , and the film pretends that those living have learned some sort of lesson
moving and stark
is certainly easy to watch
exceptionally good idea
'' is a big time stinker .
an impressive achievement
thumbs down .
seasonal holiday kids
fun with the quirks of family life
such self-amused trash
mixed-up
ballistic :
succeeds with its dark , delicate treatment of these characters and its unerring respect for them
this chiaroscuro of madness and light
a wonderful subject for the camera
written , flatly , by david kendall and directed , barely , by there
of dumb drug jokes and predictable slapstick
foul up shum 's good intentions .
doltish and
directed , barely
an unabashedly romantic picture of a nation whose songs spring directly from the lives of the people
the thing about guys like evans is this : you 're never quite sure where self-promotion ends and the truth begins .
going to recommend secretary , based on the wonderful acting clinic put on by spader and gyllenhaal
like ` praise the lord , he 's the god of second chances '
upbeat
berry 's saucy
makes the silly original cartoon seem smart and well-crafted in comparison
can be safely recommended as a video/dvd babysitter .
an achingly enthralling premise , the film
i 've never seen or heard anything quite like this film , and
is always watchable
lowered your entertainment standards
the tragedy beneath it
can feel the love
good action
much like its easily dismissive
too many characters saying too many clever things and
this odd , poetic road movie , spiked by jolts of pop music
well told .
jfk conspiracy nuts
filled with crude humor and vulgar innuendo
has little insight into the historical period and its artists
family togetherness
with grace and humor and gradually
the things this movie tries to get the audience to buy just wo n't fly with most intelligent viewers .
survive its tonal transformation from dark comedy to suspense thriller
the idiocy of its last frames
the ethereal beauty of an asian landscape painting
sexy , peculiar and always entertaining costume drama
demonstrate how desperate the makers of this ` we 're - doing-it-for - the-cash ' sequel were
for a sketchy work-in-progress that was inexplicably rushed to the megaplexes before its time
unforgivingly inconsistent
is n't as sharp as the original
a convincing brogue
, slow scenes
a touching , sophisticated film
purposefully shocking in its eroticized gore , if unintentionally dull in its lack of poetic frissons .
give committed performances
hits all the verbal marks it should
an engrossing iranian film about two itinerant teachers and some lost and desolate people they encounter in a place where war has savaged the lives and liberties of the poor and the dispossessed .
no means a slam-dunk and
a period story about a catholic boy who tries to help a jewish friend get into heaven by sending the audience straight to hell .
genuinely sweet
become very involved
ca n't help but get caught up in the thrill of the company 's astonishing growth .
an architect of pop culture
with a lighthearted glow , some impudent snickers , and a glorious dose of humankind 's liberating ability
broomfield 's style of journalism is hardly journalism at all ,
something that is so meditative and lyrical about babak payami 's boldly quirky iranian drama secret ballot ... a charming and evoking little ditty that manages to show the gentle and humane side of middle eastern world politics
conceit
stays close to the ground in a spare and simple manner and does n't pummel us with phony imagery or music
a testament to the film 's considerable charm
brutally labored and unfunny hokum
a superfluous sequel ... plagued by that old familiar feeling of ` let 's get this thing over with ' : everyone has shown up at the appointed time and place
with humor , warmth , and intelligence , captures a life interestingly lived
though it runs 163 minutes , safe conduct is anything but languorous .
to like any of these despicable characters
touching , raucously amusing , uncomfortable , and , yes , even sexy
so true and heartbreaking
son of the bride becomes an exercise in trying to predict when a preordained `` big moment '' will occur and not `` if . ''
a well-crafted film that is all the more remarkable because it achieves its emotional power and moments of revelation with restraint and a delicate ambiguity .
a strangely tempting bouquet
, accessible to a chosen few , standoffish to everyone else , and smugly suggests a superior moral tone is more important than filmmaking skill
about as exciting to watch as two last-place basketball teams
's fairly lame
wildly popular
being about nothing is sometimes funnier than being about something
the stars
author 's
much colorful eye candy , including the spectacle of gere in his dancing shoes
suffers because it does n't have enough vices to merit its 103-minute length .
sweet gentle jesus
its lavish formalism
strangely believable
scooby doo is surely everything its fans are hoping it will be , and in that sense is a movie that deserves recommendation .
visual virtuosity
, see scratch for the music , see scratch for a lesson in scratching , but , most of all , see it for the passion .
the heart-pounding suspense of a stylish psychological thriller
an overripe episode of tv 's dawson 's creek and
terribly
is the director 's talent .
a catastrophic collision
that gives pic its title an afterthought
thanks largely
is a cinematic car wreck , a catastrophic collision of tastelessness and gall that nevertheless will leave fans clamoring for another ride .
that what we have here is a load of clams left in the broiling sun for a good three days
his subject justice
brain strain
an oscar nomination
her inventive director
a few nice twists in a standard plot and
amused and entertained by the unfolding of bielinsky 's cleverly constructed scenario , and
humanistic
with morph , a cute alien creature who mimics everyone and everything around
the film works in spite of it
to be a boy truly in love with a girl
comes along that is so insanely stupid , so awful in so many ways that watching it leaves you giddy
sillier , cuter ,
can not be revived
as pretty contagious fun
in its lack of poetic frissons
screaming but yawning
unfolds in a low-key , organic way that encourages you to accept it as life and go with its flow
plays like a series of vignettes -- clips of a film that are still looking for a common through-line .
a pleasant and engaging enough sit ,
probes in a light-hearted way the romantic problems of individuals for whom the yearning for passion spells discontent
foster breathes life into a roll that could have otherwise been bland and run of the mill .
masterly
the story of trouble every day ... is so sketchy it amounts to little more than preliminary notes for a science-fiction horror film ,
loses himself to the film 's circular structure
with wit it plays like a reading from bartlett 's familiar quotations
unfocused
an auspicious feature debut
as original and insightful as last week 's episode of behind the music .
a mediocre collection of cookie-cutter action scenes
like this movie
this stylish film
an undeniably intriguing film from an adventurous young talent who finds his inspiration on the fringes of the american underground
's horribly wrong
a historically significant , and personal , episode
are committed
a dull , somnambulant exercise
rare treat
developed characters so much as caricatures , one-dimensional buffoons that get him a few laughs but nothing else
werner herzog can still leave us with a sense of wonder at the diverse , marvelously twisted shapes history has taken
with verve
with mcconaughey in an entirely irony-free zone and bale reduced mainly to batting his sensitive eyelids
fanciful
an unflinching ,
is a matter of plumbing arrangements and mind games , of no erotic or sensuous charge
sensitive story
a huge box-office hit in korea , shiri is a must for genre fans .
other words , about as bad a film
a true star
's hard to imagine that even very small children will be impressed by this tired retread .
the integrity and vision
little too ponderous to work as shallow entertainment , not remotely incisive enough to qualify as drama , monsoon
may also be the best sex comedy about environmental pollution ever made .
baffled by jason x.
philosophical void
an exercise in chilling style ,
actually makes the heart soar
normally , rohmer 's talky films fascinate me , but when he moves his setting to the past , and relies on a historical text , he loses the richness of characterization that makes his films so memorable
like an extreme action-packed film with a hint of humor
no psychology
meandering , low on energy
's only in fairy tales
vivid personality
in addition to hoffman 's powerful acting clinic , this is that rare drama that offers a thoughtful and rewarding glimpse into the sort of heartache everyone has felt , or will feel someday .
to be oblivious to the existence of this film
more sophisticated and literate than such pictures usually are ... an amusing little catch .
a true pleasure .
's something vital about the movie
touching , raucously amusing
the worst films of the summer
pat , fairy-tale conclusion
a grating , emaciated flick .
among the many pleasures are the lively intelligence of the artists and their perceptiveness about their own situations .
lose their luster when flattened onscreen .
the picture 's fascinating byways are littered with trenchant satirical jabs at the peculiar egocentricities of the acting breed .
charming and witty
simply ca n't recommend it enough .
buried at the heart of his story
through torture
that sometimes the dreams of youth should remain just that
'' leaves us with the terrifying message that the real horror may be waiting for us at home
touches the heart and the funnybone thanks
but oddly compelling
sophisticated and unsentimental treatment
portrays their cartoon counterparts well
... a solid , unassuming drama .
a visual delight
's a heck of a ride
standard formula
even after 90 minutes of playing opposite each other
's as comprehensible as any dummies guide , something
to have been lost in the translation this time
is simply brilliant .
gives his best screen performance with an oddly winning portrayal of one of life 's ultimate losers
engaging enough
second-rate
a little too ponderous to work as shallow entertainment , not remotely incisive enough to qualify as drama , monsoon wedding
of the great films about movie love
pale
ranks with the best of herzog 's works
an inelegant combination
harrowing account
this is going to be something really good
substandard performances
the movie is amateurish ,
to the awfulness of the movie
it 's as if solondz had two ideas for two movies , could n't really figure out how to flesh either out , so he just slopped ` em together here
sappy dialogue
's probably worth catching solely on its visual merits
his surprising discovery of love and humility
such an engrossing story
have been any easier to sit through than this hastily dubbed disaster
flatter it
triple x marks the spot .
put on an intoxicating show
one 's appetite for the bollywood films
a domestic melodrama with weak dialogue and biopic
most offensive thing
... gets vivid performances from her cast and pulls off some deft ally mcbeal-style fantasy sequences .
the film 's lack of personality permeates all its aspects -- from the tv movie-esque , affected child acting to the dullest irish pub scenes ever filmed .
is by far the worst movie of the year .
repellantly out of control
as well-written as sexy beast , not as gloriously flippant as lock , stock and two smoking barrels , but stylish and moody and exceptionally well-acted .
go unnoticed and underappreciated by music fans
tremble without losing his machismo
but it 's hardly a necessary enterprise .
by a cast that seems to include every top-notch british actor who did not appear in gosford park ( as well as one , ms. mirren , who did )
be depressing , as the lead actor phones in his autobiographical performance
return to never land may be another shameless attempt by disney to rake in dough from baby boomer families , but
their lack of chemistry makes eddie murphy and robert deniro in showtime look like old , familiar vaudeville partners
's as raw and action-packed an experience as a ringside seat at a tough-man contest .
, big trouble could be considered a funny little film .
cell phones , guns , and
undeniably subversive and involving in its bold presentation
the wasted potential
are uniformly good .
about a pair of squabbling working-class spouses
becomes a soulful , incisive meditation on the way we were , and the way we are .
none of the crackle of `` fatal attraction '' , `` 9 1/2 weeks '' , or
to find that real natural , even-flowing tone that few movies are able to accomplish
steers refreshingly clear
in the film 's verbal pokes
cliches and pat storytelling
be sorry
defined by childlike dimness and a handful of quirks
an overexposed waste
a satisfying evening
's not helpful to listen to extremist name-calling , regardless of whether you think kissinger was a calculating fiend or just a slippery self-promoter
an interesting psychological game of cat-and-mouse , three-dimensional characters and believable performances
that bring the routine day to day struggles of the working class to life
a sweet , charming tale of intergalactic friendship
unfaithful ' cheats on itself and retreats to comfortable territory .
curse
completely contradicts everything kieslowski 's work aspired to , including the condition of art
haphazard theatrical release
destined to be the 21st century 's new `` conan '' and that he 's going to make a splash even greater than arnold schwarzenegger , jean-claud van damme or steven segal
, the film unfolds with all the mounting tension of an expert thriller , until the tragedy beneath it all gradually reveals itself .
garcía bernal and talancón are an immensely appealing couple , and even though their story is predictable , you 'll want things to work out
clichés and sneering humor
that jim brown treats his women -- as dumb , credulous , unassuming , subordinate subjects
the junk-calorie suspense tropes
transcend its genre
entertainment that parents love to have their kids
mr. soderbergh 's direction and visual style struck me as unusually and unimpressively fussy and pretentious .
has no real point
they poorly rejigger fatal attraction into a high school setting
, we never really get inside of them .
witty and often surprising , a dark little morality tale disguised as a romantic comedy .
seems so real
to easy jokes and insults
reign of fire is hardly the most original fantasy film ever made -- beyond road warrior , it owes enormous debts to aliens and every previous dragon drama
a fresh and absorbing look
of jaglom 's own profession
it makes up for with its heart .
cliched to hardened indie-heads
of ` should have been a sketch on saturday night live
is a success in some sense
it 's easy to love robin tunney -- she 's pretty and she can act --
has bitten off more than he or anyone else could chew
miss congeniality
it 's at least watchable
'll end up moved
fits into a classic genre , in its script and execution
in his latest effort , storytelling , solondz has finally made a movie that is n't just offensive -- it also happens to be good
more confused ,
a low rate annie
insufficiently
goldmember has none of the visual wit of the previous pictures
is a magician
wore out its welcome with audiences several years ago
the perkiness
a wild ride juiced with enough energy and excitement for at least three films .
it will be well worth your time .
immensely ambitious , different than anything that 's been done before and amazingly successful
the wounds of the tortured and self-conscious material
enlightening , insightful and entertaining
like every other tale of a totalitarian tomorrow
spent elsewhere
please the eye
a complex story
awe-inspiring , at times sublime , visuals
escapes the precious trappings of most romantic comedies , infusing into the story very real , complicated emotions
disservice
's too loud , too goofy and too short of an attention span
celluloid garbage
this tepid genre offering
nothing wrong with performances here
strong finish
i 've never seen ( a remake ) do anything as stomach-turning as the way adam sandler 's new movie rapes , pillages and incinerates frank capra 's classic ...
soderbergh is n't afraid to try any genre and to do it his own way .
delightfully against the grain
insultingly
, the writing is indifferent , and jordan brady 's direction is prosaic .
i love the robust middle of this picture .
hill looks to be going through the motions , beginning with the pale script .
disappointingly thin
bogs down in insignificance , saying nothing about kennedy 's assassination and revealing nothing about the pathology it pretends to investigate .
other , better crime movies
we ca n't accuse kung pow for misfiring , since it is exactly what it wants to be : an atrociously , mind-numbingly , indescribably bad movie .
succeeded in
genuinely moving and wisely unsentimental
capture the chaos of france in the 1790 's
it is one in which fear and frustration are provoked to intolerable levels
a perfectly entertaining summer diversion
swallow than julie taymor 's preposterous titus
can honestly describe as looking , sounding and simply feeling like no other film in recent history
moving and solidly entertaining comedy/drama
affection
from the people laughing in the crowd
between bursts of automatic gunfire , the story offers a trenchant critique of capitalism .
a retread story , bad writing , and the same old silliness
the intimate , unguarded moments of folks who live in unusual homes
make ` cherish ' a very good ( but not great ) movie .
frank capra played this story straight .
as a clever exercise in neo-hitchcockianism
boldly stroked , luridly colored , uni-dimensional nonsense machine that strokes the eyeballs while it evaporates like so much crypt mist in the brain .
a moving and important film
then becomes unwatchable
immersive
about discovering your destination in life
slow scenes
how bad his movie is
the film 's story does not live up to its style
has rewards , from the exoticism of its seas of sand to the fierce grandeur of its sweeping battle scenes .
it might be ` easier ' to watch on video at home , but that should n't stop die-hard french film connoisseurs from going out and enjoying the big-screen experience .
delectable
there 's too much forced drama in this wildly uneven movie , about a young man 's battle with his inescapable past and uncertain future in a very shapable but largely unfulfilling present .
does n't even in passing mention political prisoners , poverty and the boat loads of people who try to escape the country
so bland that even as rogue cia assassins working for chris cooper 's agency boss close in on the resourceful amnesiac , we do n't feel much for damon/bourne or his predicament
the only winner
gut-wrenching style of joseph heller or kurt vonnegut
a paunchy midsection ,
` yes , that 's right : it 's forrest gump , angel of death . '
of a pregnant premise being wasted by a script that takes few chances and manages to insult the intelligence of everyone in the audience
an uncomfortable experience ,
almost unbearably morbid
may really need the company of others
a vivid , sometimes surreal ,
grabs you in the dark and shakes you vigorously for its duration
best story
entirely wholesome
the viewer wide-awake all the way through
an unusual biopic and document of male swingers in the playboy era
is well done
needed sweeping , dramatic , hollywood moments to keep us
this flat run
'll forget about it by monday , though
the story is lacking any real emotional impact
a third-person story now , told by hollywood , and much more ordinary for it
's not one decent performance from the cast and not one clever line of dialogue .
made the near-fatal mistake of being what the english call ` too clever by half
precocious smarter-than-thou wayward teen
the movie 's rude and crude humor
beginning with the minor omission of a screenplay
is one of the rare directors who feels acting is the heart and soul of cinema
a perfectly rendered period piece
thriller as lazy
, slow and dreary
the film is weighed down by supporting characters who are either too goodly , wise and knowing or downright comically evil .
i loved this film .
is funny
to live up to -- or offer any new insight into -- its chosen topic
one of a really solid woody allen film
the ways in which extravagant chance can distort our perspective and throw us off the path of good sense
soulless techno-tripe .
in a mess of mixed messages , over-blown drama and bruce willis
in terms of execution this movie is careless and unfocused .
the most amazing super-sized dosage of goofball stunts any `` jackass '' fan
`` shakes the clown '' , a much funnier film with a similar theme and an equally great robin williams performance
the magnificent swooping aerial shots
it 's not particularly well made , but
is never especially clever and often
enough moments to keep it entertaining
for the whole family
halfway through the movie , the humor dwindles .
to recognize that there are few things in this world more complex -- and , as it turns out , more fragile -- than happiness
a genuine dramatic impact
deeply felt and vividly detailed story about newcomers in a strange new world .
'll see a better thriller this year
villains
to the concession stand and/or restroom