xiangpku/GLUE huggingface dataset:
is clever and funny , is amused by its special effects ,
laughs -- sometimes a chuckle , sometimes a guffaw and , to my great pleasure ,
a bad way
foster and whitaker are especially fine .
dreary and sluggish
re-creation
that uses its pulpy core conceit to probe questions of attraction and interdependence
in other words , it 's just another sports drama/character study .
bask in your own cleverness
wastes the talents of its attractive young leads
the low-key direction is pleasingly emphatic in this properly intense , claustrophobic tale of obsessive love .
like a mere excuse for the wan , thinly sketched story
it 's not a bad premise , just a bad movie .
, this could be a movie that ends up slapping its target audience in the face by shooting itself in the foot .
a hunky has-been
complete denial about his obsessive behavior
a movie of riveting power and sadness
that may also be the first narrative film to be truly informed by the wireless
... built on the premise that middle-class arkansas consists of monster truck-loving good ol' boys and peroxide blond honeys whose worldly knowledge comes from tv reruns and supermarket tabloids .
an ugly-duckling tale so hideously and clumsily told it feels accidental .
a more down-home flavor
feels familiar and tired .
versatile stanley kwan
are every bit as distinctive as his visuals .
ai n't art , by a long shot
fingering problems than finding solutions
can not even be dubbed hedonistic
fine star performances
a scummy ripoff
world traveler might not go anywhere new , or arrive anyplace special ,
leaving the theater
an odd but ultimately satisfying blend of the sophomoric and the sublime
it almost feels as if the movie is more interested in entertaining itself than in amusing us .
they will have a showdown , but , by then , your senses are as mushy as peas
it sticks rigidly to the paradigm , rarely permitting its characters more than two obvious dimensions and repeatedly placing them in contrived , well-worn situations .
( grant ) goes beyond his usual fluttering and stammering and captures the soul of a man in pain who gradually comes to recognize it and deal with it .
punch-drunk love is so convinced of its own brilliance that , if it were a person , you 'd want to smash its face in . '
despite downplaying her good looks
an astounding performance that deftly , gradually reveals a real human soul buried beneath a spellbinding serpent 's smirk .
promises a new kind of high
has a laundry list of minor shortcomings
sensational , real-life 19th-century crime
puzzle whose pieces do not fit .
he seems embarrassed to be part of
much panache , but with material this rich it does n't need it
works spectacularly well ... a shiver-inducing , nerve-rattling ride .
courtroom movies , a few nifty twists that are so crucial to the genre and another first-rate performance by top-billed star bruce willis
an enjoyable choice
( dong ) makes a valiant effort to understand everyone 's point of view , and
injects freshness and spirit
filmmaking with a visually masterful work of quiet power
surrealist
morality , family
yet engrossing piece
things will turn out
not one clever line of dialogue
that contains some hefty thematic material on time , death , eternity , and what
drug abuse
exploitative garbage
handbag-clutching
greg kinnear gives a mesmerizing performance as a full-fledged sex addict who is in complete denial about his obsessive behavior .
an in-depth portrait of an iconoclastic artist who was fundamentally unknowable even to his closest friends
does n't give you enough to feel good about
is a wonderful thing
-- and far less crass -
the perverse pleasure of watching disney scrape the bottom of its own cracker barrel
the clumsy cliché
tackles the difficult subject of grief and loss with such life-embracing spirit that the theme does n't drag an audience down
exceeding expectations
so integrated with the story
the work of an artist
to feel like you were n't invited to the party
limited and so embellished by editing that there 's really not much of a sense of action
diane lane 's sophisticated performance ca n't rescue adrian lyne 's unfaithful from its sleazy moralizing .
too often strains
dogs who are smarter than him
although no pastry is violated , this nasty comedy pokes fun at the same easy targets as other rowdy raunch-fests -- farts , boobs , unmentionables -- without much success .
for intelligibility
with jaw-dropping action sequences , striking villains , a gorgeous color palette , astounding technology , stirring music and a boffo last hour
's still quite worth
, joyous celebration
has a strong dramatic and emotional pull that gradually sneaks up on the audience
somewhat problematic
a sweet , even delectable diversion
too often into sugary sentiment and withholds delivery on the pell-mell pyrotechnics its punchy style promises .
beyond mild disturbance or detached pleasure at the acting
you get to see the one of the world 's best actors , daniel auteuil ,
pays earnest homage to turntablists and
the transporter bombards the viewer with so many explosions and side snap kicks that it ends up being surprisingly dull .
kiddie-oriented stinker
potentially incredibly
ultimately worthwhile
bolster director and co-writer
with grace and humor
directs this film always keeping the balance between the fantastic and the believable ...
intrepid
a convolution of language that suggests it
fang-baring lullaby
omits
interplay and utter lack
has directed not only one of the best gay love stories ever made
shows crushingly little curiosity about , or is ill-equipped to examine , the interior lives of the characters in his film , much less incorporate them into his narrative
a saga
is funny .
appropriate comic buttons
a lovely , sad dance
only masochistic moviegoers need apply .
whenever you think you 've figured out late marriage , it throws you for a loop .
enough originality in ` life ' to distance it from the pack of paint-by-number romantic comedies that so often end up on cinema screens
a middle-aged romance pairing clayburgh and tambor
as disney 's 1937 breakthrough
, the humor dwindles .
pleasure or
, well-made b movie
such as skateboarder tony hawk or bmx rider mat hoffman , are about a half dozen young turks angling to see how many times they can work the words `` radical '' or `` suck '' into a sentence .
ambitiously naturalistic
lends itself beautifully to filming the teeming life on the reefs , making this gorgeous film a must for everyone from junior scientists to grown-up fish lovers .
falls flat as a spoof
already relayed by superb
generous and deep
's a sit down and ponder affair
if ever a concept came handed down from the movie gods on a silver platter , this is it .
fake , dishonest , entertaining and , ultimately , more perceptive moment
a subtlety that is an object lesson in period filmmaking
our most flamboyant female comics
passionate and truthful
the acting is amateurish , the cinematography is atrocious , the direction is clumsy , the writing is insipid and the violence is at once luridly graphic and laughably unconvincing .
added clout to this doc
exploitative for the art houses and too cynical , small
far more meaningful story
not only to his craft , but to his legend
keep the film entertaining
the histrionic muse still eludes madonna and , playing a charmless witch , she is merely a charmless witch .
this filmed tosca -- not the first , by the way -- is a pretty good job , if it 's filmed tosca that you want .
's a smart , solid , kinetically-charged spy flick worthy of a couple hours of summertime and a bucket of popcorn
seriously intended movie
they 've already seen this exact same movie a hundred times
a mediocre exercise
were more repulsive than the first 30 or 40 minutes
charm and heart
of critiquing itself at every faltering half-step of its development that criticizing feels more like commiserating
a sickening thud
for its courage , ideas , technical proficiency and great acting
it amounts to is a mildly funny , sometimes tedious , ultimately insignificant film
irksome , tiresome nature
miraculous as its dreamworks makers
wrong with a comedy where the only belly laughs come from the selection of outtakes tacked onto the end credits
brian tufano 's handsome widescreen photography and paul grabowsky 's excellent music turn this fairly parochial melodrama into something really rather special .
` best part ' of the movie
judith and zaza 's extended bedroom sequence ... is so intimate and sensual and funny and psychologically self-revealing that it makes most of what passes for sex in the movies look like cheap hysterics .
pretends to be passionate and truthful
is too optimistic a title .
create characters who are sweet and believable , and are defeated by a screenplay that forces them into bizarre , implausible behavior
by its end offers a ray of hope to the refugees able to look ahead and resist living in a past
will see nothing in it to match the ordeal of sitting through it
a welcome relief from baseball movies that try too hard to be mythic , this one is a sweet and modest and ultimately winning story .
hard to resist his pleas to spare wildlife and respect their environs
full of grace
a dearth
is the stuff of high romance , brought off with considerable wit
yeah , baby
, amusing , sad and reflective
enjoyable ...
comedy that also asks its audience -- in a heartwarming , nonjudgmental kind of way -- to consider what we value in our daily lives
at least terribly monotonous
able to look ahead and resist living in a past
contains very few laughs and even less surprises .
lackluster script
might to resist
could have written a more credible script , though with the same number of continuity errors
which is nothing to sneeze at these days
which means he can be forgiven for frequently pandering to fans of the gross-out comedy
alienating most
perfectly acceptable , occasionally very enjoyable children 's entertainment
cloaked in the euphemism ` urban drama
neither is well told
natural and lovely
is superficial and
this woefully hackneyed movie ,
dropped me back in my seat with more emotional force than any other recent film
through the audience 's meat grinder one more
one of the funnier movies in town .
brave and sweetly rendered love story .
compromise with reality enough to become comparatively sane and healthy
olympia , wash. , based filmmakers anne de marcken and marilyn freeman did just that and it 's what makes their project so interesting
a twisting , unpredictable , cat-and-mouse thriller
's a lovely , eerie film that casts an odd , rapt spell .
of the war
ambitious , unsettling psychodrama that takes full , chilling advantage of its rough-around-the-edges , low-budget constraints
in the conception than it does in the execution
is amused by its special effects
literary purists may not be pleased , but as far as mainstream matinee-style entertainment goes , it does a bang-up job of pleasing the crowds .
such a bad movie
i shamelessly enjoyed it
or maybe `` how will you feel after an 88-minute rip-off of the rock with action confined to slo-mo gun firing and random glass-shattering ? ''
corny examination
the wit
even life on an aircraft carrier --
too hard to be mythic
a self-indulgent script
having a real writer plot
afghan tragedies
dumb , narratively chaotic , visually sloppy ...
to the dullest irish pub scenes
goes to absurd lengths to duck the very issues it raises
what makes this film special is serry 's ability to take what is essentially a contained family conflict and put it into a much larger historical context .
truly funny bits
pseudo-philosophic twaddle
hard-to-swallow premise
hallmark commercial
ends up offering nothing more than the latest schwarzenegger or stallone flick
this wo n't seem like such a bore
we 've seen it all before in one form or another , but director hoffman , with great help from kevin kline , makes us care about this latest reincarnation of the world 's greatest teacher .
straightforward , emotionally honest manner
truly enjoyed most of mostly martha while i ne
develops a startling story that works both as a detailed personal portrait and as a rather frightening examination of modern times .
at its best , which occurs often
threadbare standbys
literate material
eventually works its way up to merely bad rather than painfully awful .
director ever making his wife look so bad in a major movie
despite its floating narrative
's no good answer to that one .
has a more colorful , more playful tone than his other films .
in eye-popping visuals
all-time great apocalypse movies
more than adequately fills the eyes and
salma hayek has a feel for the character at all stages of her life
its salient points are simultaneously buried , drowned and smothered in the excesses of writer-director roger avary .
than i 'd expected it to be
well worth revisiting
a gracious , eloquent film that by its end offers a ray of hope to the refugees able to look ahead and resist living in a past
remarkable procession
loses all bite on the big screen .
our emotions
it 's pretty linear and only makeup-deep , but bogdanovich ties it together with efficiency and an affection for the period .
take his smooth , shrewd , powerful act abroad
the world 's political situation seems little different , and ( director phillip ) noyce brings out the allegory with remarkable skill
an insultingly inept and artificial examination of grief and its impacts upon the relationships of the survivors
a compelling film .
makes you realize that deep inside righteousness can be found a tough beauty
's some good material in their story about a retail clerk wanting more out of life
a stab at soccer hooliganism , a double-barreled rip-off of quentin tarantino 's climactic shootout --
it would n't matter so much that this arrogant richard pryor wannabe 's routine is offensive , puerile and unimaginatively foul-mouthed if it was at least funny .
as one of the great submarine stories
lagaan
provide its thrills and extreme emotions
marred beyond redemption by a disastrous ending
seems hopelessly juvenile
appreciates the art and reveals a music scene that transcends culture and race
laggard drama wending its way to an uninspired philosophical epiphany
attempt to pass this stinker off as a scary movie
a movie full of surprises
bolstered by exceptional performances and
` butterfingered ' is the word for the big-fisted direction of jez butterworth , who manages to blast even the smallest sensitivities from the romance with his clamorous approach .
a heavy stench of ` been there , done that ' hanging over the film
turns out to be clever , amusing and unpredictable
entertaining tricks
more than competent
frequently veers into corny sentimentality , probably
the miniseries
at once visceral and spiritual , wonderfully vulgar and sublimely lofty -- and
turn and devolves
have brought back the value and respect for the term epic cinema
the power of the huston performance
super troopers suffers because it does n't have enough vices to merit its 103-minute length .
done his subject justice
are undeniably touched
, parker exposes the limitations of his skill and the basic flaws in his vision . '
good action , good acting , good dialogue , good pace ,
dull as its characters , about whose fate it is hard to care
transforms that reality into a lyrical and celebratory vision
its story is only surface deep
is listless , witless , and devoid of anything
an incredibly thoughtful , deeply meditative picture that neatly and effectively captures the debilitating grief felt in the immediate aftermath of the terrorist attacks .
movie that portrays the frank humanity of ... emotional recovery
one funny popcorn flick .
although ... visually striking and slickly staged
, masterful
wonderfully warm human drama
bigger and more ambitious than the first installment
now , told by hollywood , and much more ordinary for it
worst movie
it made me feel unclean , and i 'm the guy who liked there 's something about mary and both american pie movies
great minds
a winning comedy with its wry observations about long-lived friendships and the ways in which we all lose track of ourselves by trying to please others .
ultimately offers nothing more than people in an urban jungle needing other people to survive
scotland looks wonderful ,
disposable , kitchen-sink homage
spirit is a visual treat , and it takes chances that are bold by studio standards , but
powerful look
such high-wattage brainpower coupled with pitch-perfect acting and an exquisite , unfakable sense of cinema
a couple of saps stuck in an inarticulate screenplay
catching for griffiths ' warm and winning central performance
bind us
one strike
it was n't horrible either
a fine production with splendid singing by angela gheorghiu , ruggero raimondi , and roberto alagna
you have figured out the con and the players in this debut film by argentine director fabian bielinsky
the delicate forcefulness of greene 's prose
it 's better suited for the history or biography channel , but there 's no arguing the tone of the movie - it leaves a bad taste in your mouth and questions on your mind .
, it 's better than one might expect when you look at the list of movies starring ice-t in a major role .
in the most blithe exchanges gives the film its lingering tug
something of a stiff
, retro uplifter .
what 's missing in murder by numbers is any real psychological grounding for the teens ' deviant behavior .
ryan gosling is , in a word , brilliant as the conflicted daniel .
the otherwise good-naturedness of mr. deeds , with its embrace of sheer goofiness and cameos of less - than-likely new york celebrities
uses a totally unnecessary prologue ,
also looked like crap , so crap is what i was expecting .
's very little
alcatraz ' ... a cinematic corpse
a one liner as well as anybody
the cleverness , the weirdness and the pristine camerawork
is far more appealing
of very bad scouse accents
the sheer beauty of his images
of laughs in this simple , sweet and romantic comedy
this tired retread
have pulled off four similar kidnappings before
its inescapable absurdities are tantamount to insulting the intelligence of anyone who has n't been living under a rock ( since sept. 11 ) .
is good at being the ultra-violent gangster wannabe
fortunately , elling never gets too cloying thanks to the actors ' perfect comic timing and sweet , genuine chemistry .
part of the film 's cheeky charm comes from its vintage schmaltz .
so aggressively anti-erotic
have a hard time sitting through this one
reminiscent
suffers from over-familiarity since hit-hungry british filmmakers have strip-mined the monty formula mercilessly since 1997 .
feature to hit theaters since beauty and the beast 11 years ago
has severe body odor
capture these musicians in full regalia
is completely at sea
artsy and often pointless
spirit is a visual treat , and it takes chances that are bold by studio standards ,
huge sacrifice
goes beyond his usual fluttering and stammering and captures the soul of a man in pain who gradually comes to recognize it and deal with it
make showtime the most savory and hilarious guilty pleasure of many a recent movie season
dover kosashvili 's outstanding feature debut
delightful , if minor ,
no level whatsoever for me
to create a very compelling , sensitive , intelligent and almost cohesive piece of film entertainment
is this bad on purpose
, that 's because panic room is interested in nothing more than sucking you in ... and making you sweat .
is an interesting movie ! ''
offers a thoughtful and rewarding glimpse
pertinent and enduring
's stylishly directed with verve ...
its shortness disappoints
deeply meditative picture
until it veered off too far into the exxon zone , and left me behind at the station looking for a return ticket to realism
this prickly indie comedy of manners and misanthropy
compassionate spirit
great dragons !
i have returned from the beyond to warn you : this movie is 90 minutes long , and life is too short
serves up with style and empathy
keep our interest
gooding is the energetic frontman , and it 's hard to resist his enthusiasm , even if the filmmakers come up with nothing original in the way of slapstick sequences
absurd plot twists , idiotic court maneuvers and stupid characters
( the characters ' ) misery
hardly an objective documentary , but it 's great cinematic polemic ... love moore or loathe him , you 've got to admire ... the intensity with which he 's willing to express his convictions
effectiveness
the one not-so-small problem with expecting is that the entire exercise has no real point .
an intriguing twist
succeeds due to its rapid-fire delivery and enough inspired levity that it ca n't be dismissed as mindless
rejects
infidelity and
a genuinely funny ensemble
got to hand it to director george clooney for biting off such a big job the first time out
fabulously funny
might survive a screening with little harm done , except maybe for the last 15 minutes , which are as maudlin as any after-school special you can imagine
seems worth the effort .
terrific date movie
not a trace of humanity or empathy
reign of fire is so incredibly inane that it is laughingly enjoyable .
a milquetoast movie of the week blown up for the big screen
predictable plot
the visual flair and bouncing bravado that characterizes better hip-hop clips and is content to recycle images and characters that were already tired 10 years ago
does strong , measured work
more and more frustrated and detached as vincent became more and more abhorrent
it is n't that funny
slovenly life in this self-deprecating , biting and witty feature written by charlie kaufman and his twin brother , donald , and directed by spike jonze
sporadic bursts of liveliness , some so-so slapstick and a few ear-pleasing songs on its soundtrack
squeeze the action and our emotions into the all-too-familiar dramatic arc of the holocaust escape story
an engaging criminal romp that will have viewers guessing just who 's being conned right up to the finale .
crowd-pleasing goals
tolerate this insipid , brutally clueless film
does its best
solid '
a baffling subplot
like a room stacked with pungent flowers
amuses
tasteful
on its empty head
to pass without reminding audiences that it 's only a movie
recite bland police procedural details , fiennes wanders
's super - violent , super-serious and super-stupid
numbingly dull experience
the chance it affords to watch jackson , who also served as executive producer , take his smooth , shrewd , powerful act abroad
never comes together as a coherent whole .
i think it was plato who said , ' i think , therefore i know better than to rush to the theater for this one
cute drama
, taut , piercing and feisty
cut to a new scene , which also appears to be the end .
the movie barely makes sense , with its unbelievable naïveté and arbitrary flashbacks .
far more successful
a remarkably insightful look at the backstage angst of the stand-up comic .
has filmed the opera exactly as the libretto directs , ideally capturing the opera 's drama and lyricism
being able to creep the living hell out of you
ourside the theater roger might be intolerable company ,
it revigorates the mind to see a feature that concentrates on people , a project in which the script and characters hold sway .
deeply biased , and wholly
failing , ultimately ,
this is a movie so insecure about its capacity to excite that it churns up not one but two flagrantly fake thunderstorms to underscore the action .
without having much dramatic impact
into a terribly obvious melodrama and rough-hewn vanity project for lead actress andie macdowell
the histrionic muse still eludes madonna and , playing a charmless witch
of sweet-and-sour insider movie that film buffs will eat up like so much gelati
uplifting and moving
already tired
manages , with terrific flair , to keep the extremes of screwball farce and blood-curdling family intensity on one continuum .
marks him as one of the most interesting writer/directors working today .
worthless , from its pseudo-rock-video opening to the idiocy of its last frames
the scruffy sands of its titular community
as searching for a quarter in a giant pile of elephant feces ... positively dreadful
to make creative contributions to the story and dialogue
a delightful surprise because despite all the backstage drama , this is a movie that tells stories that work -- is charming , is moving
it desperately wants to be a wacky , screwball comedy