xiangpku/GLUE huggingface dataset:
more of a creaky `` pretty woman '' retread , with the emphasis on self-empowering schmaltz and big-wave surfing that gives pic its title an afterthought
a culture-clash comedy
leave us with a sense of wonder at the diverse , marvelously twisted shapes history has taken
relegated to the background -- a welcome step forward from the sally jesse raphael atmosphere of films like philadelphia and american beauty
's defiantly and delightfully against the grain
the trappings of i spy are so familiar you might as well be watching a rerun .
where story is almost an afterthought
a conventional but heartwarming tale .
formulaic , its plot and pacing typical hollywood war-movie stuff , while the performances elicit more of a sense of deja vu than awe
communicates something
the code talkers deserved better than a hollow tribute .
the attempt to complicate the story only defies credibility
i liked the original short story but this movie , even at an hour and twenty-some minutes , it 's too long and it goes nowhere .
more of an ordeal than an amusement
delivers what it promises : a look at the `` wild ride '' that ensues when brash young men set out to conquer the online world with laptops , cell phones and sketchy business plans .
foul up shum 's good intentions
dramatic comedy
... what a banal bore the preachy circuit turns out to be
it is a great film .
from terry gilliam 's subconscious , pressed through kafka 's meat grinder and into buñuel 's casings
is not worth
sincere , and just
diaz wears out her welcome in her most charmless performance
if the film has a problem , its shortness disappoints :
right at home
tackles the topic of relationships in such a straightforward , emotionally honest manner that by the end
the demented mind
sometimes the dreams of youth should remain just that
plays like a 95-minute commercial for nba properties
flavorful performances
a formula comedy redeemed by its stars ,
to vary the pitch of his movie , balancing deafening battle scenes with quieter domestic scenes of women back home receiving war department telegrams
an entertainment
wickedly funny ,
has many of the things that made the first one charming .
a case of too many chefs fussing over too weak a recipe
smashing success
go anywhere new ,
most opaque ,
both a successful adaptation and an enjoyable film in its own right
the somber pacing and lack of dramatic fireworks
sugar '' admirably
notice the flaws
bland despite the heavy doses of weird performances and direction
is that they 're stuck with a script that prevents them from firing on all cylinders
might not have gotten him into film school in the first place
that should please history fans
for what we can get on television for free
strange it is , but delightfully so
a great monster movie
a gracious , eloquent film that by its end offers a ray of hope to the refugees able to look ahead and resist living in a past forever lost .
's probably not accurate to call it a movie
great sympathy and intelligence
its audience -- in a heartwarming , nonjudgmental kind of way --
ingratiating
in creating the layered richness of the imagery in this chiaroscuro of madness and light
's a lot of tooth in roger dodger
is shallow , offensive and redundant ,
it 's hard to imagine anybody ever being `` in the mood '' to view a movie as harrowing and painful as the grey zone , but it 's equally hard to imagine anybody being able to tear their eyes away from the screen once it 's started .
family fundamentals gets you riled up
and sometimes dry
though few will argue that it ranks with the best of herzog 's works , invincible shows he 's back in form , with an astoundingly rich film .
deserving of discussion
no character ,
the worst kind of mythologizing ,
as it stands , crocodile hunter has the hurried , badly cobbled look of the 1959 godzilla , which combined scenes of a japanese monster flick with canned shots of raymond burr commenting on the monster 's path of destruction .
the worst of the entire franchise
an incredibly heavy-handed , manipulative dud that feels all too familiar .
the roundelay of partners functions , and the interplay within partnerships and among partnerships and the general air of gator-bashing are consistently delightful .
see some interesting storytelling devices
although i did n't hate this one
there 's enough cool fun here to warm the hearts of animation enthusiasts of all ages .
a spontaneity to the chateau , a sense of light-heartedness , that makes it attractive throughout
need of some trims
self-consciously
any of these three actresses , nor their characters , deserve
an average b-movie with no aspirations to be anything more
manages to accomplish what few sequels can
most touching movie of recent years
that stretches the running time about 10 minutes
such a good job
do n't think so
results is the best performance from either in years
its writer-director 's heart is in the right place , his plea for democracy and civic action laudable .
a seriously intended movie
wo n't be remembered as one of ( witherspoon 's ) better films
a bright , inventive
hard to imagine another director ever making his wife look so bad in a major movie
makes it all the more compelling
gaping plot holes sink this ` sub ' -
its provocative central wedding sequence has far more impact
its seriousness and quality
is the sort of low-grade dreck that usually goes straight to video -- with a lousy script , inept direction , pathetic acting , poorly dubbed dialogue and murky cinematography , complete with visible boom mikes
robinson 's web of suspense
the waterlogged script plumbs uncharted depths of stupidity , incoherence and sub-sophomoric sexual banter .
may indeed have finally aged past his prime ... and , perhaps more than he realizes
's strongest and most touching movie of recent years
equally impressive degree
the minds and hearts
has a lot of charm
sidesplitting
the film becomes an overwhelming pleasure ,
so crisp and economical in one false move
into ` an inspiring tale of survival wrapped in the heart-pounding suspense of a stylish psychological thriller
aging , suffering and the prospect of death
in between the icy stunts , the actors spout hilarious dialogue about following your dream and ` just letting the mountain tell you what to do . '
acted ... but
be utterly entranced by its subject and still show virtually no understanding of it
out of character and logically
the crisp clarity
aims to be funny , uplifting and moving , sometimes all at once .
i 've never seen or heard anything quite like this film
palpable
the cold
anything approaching even a vague reason to sit through it all
intrepid in exploring an attraction that crosses sexual identity
directionless
holofcener rejects patent solutions to dramatize life 's messiness from inside out , in all its strange quirks .
more interesting -- and
intricately
of gritty realism , crisp storytelling and radiant compassion that effortlessly draws you in
( sports ) admirable energy , full-bodied characterizations and narrative urgency
walk out of the good girl with mixed emotions --
that makes you feel genuinely good
too erotic nor very thrilling
that would have been funnier if the director had released the outtakes theatrically and used the film as a bonus feature on the dvd
trimmed dickens ' wonderfully sprawling soap opera , the better to focus on the hero 's odyssey from cowering poverty to courage and happiness
actorly existential despair than for its boundary-hopping formal innovations and glimpse into another kind of chinese
annoying , heavy-handed
bring
's also probably the most good-hearted yet sensual entertainment i 'm likely to see all year
's even more remarkable
the rules of attraction gets us too drunk on the party favors to sober us up with the transparent attempts at moralizing .
proficient , dull sorvino
staring at a blank screen
it 's undone by a sloppy script
no doubt that krawczyk deserves a huge amount of the credit for the film 's thoroughly winning tone
no amount of imagination , no creature , no fantasy story and no incredibly outlandish scenery
gaping plot holes sink this ` sub ' - standard thriller and drag audience enthusiasm to crush depth
ghost ship is pretty landbound , with its leaden acting , dull exposition and telegraphed ` surprises . '
, confused , and totally disorientated
is too often like looking over the outdated clothes and plastic knickknacks at your neighbor 's garage sale .
had all its vital essence scooped
idea ( of middle-aged romance ) is not handled well and
the film , while it 's not completely wreaked ,
presents nothing special and , until the final act , nothing
described as a ghost story gone badly awry .
does the field no favors
spirit , perception , conviction
no , i love it ... hell , i dunno .
's slide down the slippery slope of dishonesty after an encounter with the rich and the powerful who have nothing but disdain for virtue
make a great team
ambitious , unsettling psychodrama that takes full , chilling advantage of its rough-around-the-edges , low-budget constraints .
knows how to make our imagination
more confused , less interesting
excitement in manufactured high drama
he 's done
slap her is a small but rewarding comedy that takes aim at contemporary southern adolescence and never lets up .
in form
shame americans ,
in its own way
, auto focus bears out as your typical junkie opera ...
the formula fresh again
while the story goes nowhere
it 's a feel-bad ending for a depressing story that throws a bunch of hot-button items in the viewer 's face and asks to be seen as hip , winking social commentary .
apparently hoping that the audience will not notice the glaring triteness of the plot device
of its assigned marks to take on any life of its own
will create enough interest to make up for an unfocused screenplay
visually engrossing , seldom hammy , honorably mexican and burns its kahlories with conviction .
doing battle
's just that it 's so not-at-all-good .
is a more fascinating look at the future than `` bladerunner '' and one of the most high-concept sci fi adventures attempted for the screen
been much better
inspired humor
' and ` realistic '
solid acting
that has bucked the odds to emerge as an exquisite motion picture in its own right
lacks any real raw emotion , which is fatal for a film that relies on personal relationships
... that the material is so second-rate .
the film has a nearly terminal case of the cutes , and it 's neither as funny nor as charming as it thinks it is
a frightening and compelling `
of characters in this picture
's not a spark of new inspiration in it , just more of the same , done with noticeably less energy and imagination
latest effort is not the director at his most sparkling
betrayal , forgiveness and murder
of the greatest films
to the familiar topic of office politics
of how sandler is losing his touch
lukewarm and quick to pass
a remarkably cohesive whole , both visually and thematically , through their consistently sensitive and often exciting treatment of an ignored people
would take a complete moron to foul up a screen adaptation of oscar wilde 's classic satire
realize , much to our dismay
crushing disappointment
some very good comedic songs , strong finish
i have n't laughed that hard in years !
full frontal had no effect and elicited no sympathies for any of the characters .
should have been the ultimate imax trip
nothing in the movie makes a convincing case that one woman 's broken heart outweighs all the loss we witness
, like mike shoots and scores , doing its namesake proud
a saga of the ups and downs of friendships
be a bit repetitive
masterfully
depressing ,
will find things to like
for those of an indulgent , slightly sunbaked and summery mind , sex and lucia may well prove diverting enough .
no other purpose
that are insightful enough to be fondly remembered in the endlessly challenging maze of moviegoing
affects of cultural and geographical displacement .
, humorless and under-inspired
for a summer of good stuff
dullest science fiction
a rumor of angels does n't just slip -- it avalanches into forced fuzziness .
sure the filmmaker would disagree , but , honestly , i do n't see the point
hilarious )
make us share their enthusiasm
but it 's great cinematic polemic
phenomenal band
satisfies -- from its ripe recipe , inspiring ingredients , certified cuisine and palatable presentation .
allusions
well-made and satisfying
radiant character portrait
see a better thriller this year
the script becomes lifeless and falls apart like a cheap lawn chair .
as roman coppola 's brief pretentious period
pathetic acting , poorly dubbed dialogue and murky cinematography
never want to see another car chase , explosion or gunfight again
a juicy soap opera
a familiar anti-feminist equation ( career - kids = misery )
is banal in its message and the choice of material to convey it
a wishy-washy melodramatic movie
sweet home alabama is n't going to win any academy awards , but this date-night diversion will definitely win some hearts .
smack of a film school undergrad
if hill is n't quite his generation 's don siegel ( or robert aldrich ) , it 's because there 's no discernible feeling beneath the chest hair ; it 's all bluster and cliché .
better effects , better acting and a hilarious kenneth branagh
unsubtle and
obnoxious adults
that seems tailor
agreeably startling
be treated to an impressive and highly entertaining celebration of its sounds
with two fine , nuanced lead performances
require the patience of job to get through this interminable , shapeless documentary about the swinging subculture
goodfellas and at least a half dozen other trouble-in-the-ghetto flicks
a little too much ai n't - she-cute baggage into her lead role as a troubled and determined homicide cop to quite pull off the heavy stuff
's apparently just what ( aniston ) has always needed to grow into a movie career
an exquisite motion picture
every scrap is of the darkest variety
unfortunately , the experience of actually watching the movie is less compelling than the circumstances of its making .
it makes the silly spy vs. spy film the sum of all fears , starring ben affleck , seem downright hitchcockian
feel anything much while watching this movie ,
that they 've already seen this exact same movie a hundred times
quirky characters , odd situations , and
cinematography to the outstanding soundtrack
a terrible movie , just a stultifyingly obvious one --
a cultural wildcard experience : wacky , different , unusual , even nutty
trust laughs
the avant-garde fused with their humor
broad streaks of common sense emerge with unimpeachable clarity
conventional , but well-crafted film
cletis tout is a winning comedy that excites the imagination and tickles the funny bone .
, carries a little too much ai n't - she-cute baggage into her lead role as a troubled and determined homicide cop to quite pull off the heavy stuff .
cinematic fluidity and sense
is insightful about kissinger 's background and history .
want to see it twice
manages to maintain both a level of sophisticated intrigue and human-scale characters that suck the audience in
a very good film sits in the place where a masterpiece should be .
a gentle and engrossing character
until it goes off the rails in its final 10 or 15 minutes
's a frankenstein-monster of a film that does n't know what it wants to be .
begins on a high note
straight-shooting family film
rises above easy , cynical potshots at morally bankrupt characters
fast-moving and
'll trudge out of the theater feeling as though you rode the zipper after eating a corn dog and an extra-large cotton candy .
even in terms of the low-grade cheese standards on which it operates
desperate for attention it nearly breaks its little neck trying to perform entertaining tricks
is contrived , unmotivated , and psychologically unpersuasive , with an inconclusive ending .
kids-and-family-oriented cable channel
hitchcockian
two best films
of justice
clinch him this year 's razzie
feels like a hazy high that takes too long to shake
a marvel of production design
when it 's this rich and luscious , who cares ?
is in a class by itself
that acting transfigures esther
as if the director is trying to dupe the viewer into taking it all as very important simply because the movie is ugly to look at and not a hollywood product
standoffish to everyone else
( who is always a joy to watch , even when her material is not first-rate )
is virtually unwatchable
not the great american comedy , but if you liked the previous movies in the series , you 'll have a good time with this one too .
two young women whose lives were as claustrophic , suffocating and chilly as the attics to which they were inevitably consigned
high humidity
are tops , with the two leads delivering oscar-caliber performances
some phenomenal performances
a mediocre movie
is bound to appreciate
just what this strenuously unconventional movie is supposed to be
cinematic poetry
( the film 's ) taste for `` shock humor '' will wear thin on all but those weaned on the comedy of tom green and the farrelly brothers .
superb performances
everything seem self-consciously poetic and forced
stooping to gooeyness
slap me
made me unintentionally famous
indie .
artfully
( sci-fi ) rehash
of his spiritual survival
is a beautiful , aching sadness to it all .
how very bad
profound without ever being self-important
with a big impact
hollywood has crafted a solid formula for successful animated movies , and ice age only improves on it , with terrific computer graphics , inventive action sequences and a droll sense of humor .
every bit as imperious
just utter ` uhhh , '
it strikes hardest ... when it reminds you how pertinent its dynamics remain .
been able to share his story so compellingly with us is a minor miracle
like having an old friend for dinner '
her grace with a moving camera
gets harder and harder to understand her choices
characters so unsympathetic
boredom never takes hold .
idealistic kid
star/producer salma hayek and director julie taymor have infused frida with a visual style unique and inherent to the titular character 's paintings and in the process created a masterful work of art of their own .
one of shakespeare 's better known tragedies
his difficult , endless work
a stupid , derivative horror film that substitutes extreme
with its exquisite acting , inventive screenplay , mesmerizing music , and many inimitable scenes
is actually
competent performers from movies , television and the theater
jackie chan movies are a guilty pleasure -
an entertaining mix of period drama and flat-out farce that should please history fans .
undergraduate doubling subtexts and ridiculous stabs
is a comedy , both gentle and biting
it 's worth taking the kids to .
found it slow , predictable and not very amusing
rigid and evasive
sex in the movies look like cheap hysterics
plenty to enjoy
on the shoulders of its actors
to call this film a lump of coal
a sucker
had this much imagination and nerve
's refreshing after the phoniness of female-bonding pictures like divine secrets of the ya-ya sisterhood
a summer entertainment adults can see without feeling embarrassed
describe as a castrated
which very simply sets out to entertain and ends up delivering in good measure
one hour photo may seem disappointing in its generalities , but it 's the little nuances that perhaps had to escape from director mark romanek 's self-conscious scrutiny to happen , that finally get under your skin .
best special effects
it zips along with b-movie verve while adding the rich details and go-for-broke acting that heralds something special .
seems altogether too slight to be called any kind of masterpiece .
, what a thrill ride
wonder if lawrence hates criticism so much that he refuses to evaluate his own work
generates little narrative momentum ,
i 'm not sure which half of dragonfly is worse : the part where nothing 's happening , or the part where something 's happening , but it 's stupid .
ends up as tedious as the chatter of parrots raised on oprah
is a deeply unpleasant experience .
direct-to-video
it 's packed with adventure and a worthwhile environmental message ,
map thematically and stylistically , and
malcolm d. lee
jagjit
certain robustness
can easily worm its way into your heart .
'' is an actor 's movie first and foremost .
no real sense of suspense
a bit too eager to please
it 's also pretty funny
in search of purpose or even a plot
especially thin stretched over the nearly 80-minute running time
's kind of sad
it is worth searching out .
writer / director m. night shyamalan 's ability to pull together easily accessible stories that resonate with profundity
no real sense
avoid the ghetto of sentimental chick-flicks
the film is flat .
eventually arrives at its heart , as simple self-reflection meditation .
provides a satisfyingly unsettling ride into the dark places of our national psyche
visually and thematically
untalented
all too predictable and far too cliched
extra-dry
to fuse at least three dull plots into one good one
can not help but love cinema paradiso , whether the original version or new director 's cut .
manipulative claptrap , a period-piece movie-of-the-week
more quick-witted than any english lit
the most part a useless movie ,
has a bloated plot that stretches the running time about 10 minutes past a child 's interest and an adult 's patience
i guarantee that no wise men will be following after it
gorgeous epic
although some viewers will not be able to stomach so much tongue-in-cheek weirdness
appalling , shamelessly manipulative and contrived , and totally lacking
is worth your time , especially if you have ellen pompeo sitting next to you for the ride
seriously , rent the disney version .
only unsatisfactorily
the slapstick is labored , and the bigger setpieces flat
dismember
its own existence
lusty ,
comes off as annoying rather than charming
is exactly how genteel and unsurprising the execution turns out to be .
bad , bad movie
appeal to asian cult cinema fans
easy film
as bored
have a case of masochism and an hour and a half
after watching this digital-effects-heavy , supposed family-friendly comedy
tells stories that work -- is charming , is moving
is a finely written , superbly acted offbeat thriller .
the bai brothers have taken an small slice of history and opened it up for all of us to understand , and they 've told a nice little story in the process .
dull plots
the actors pick up the slack
imaginative and
but the problem with wendigo , for all its effective moments , is n't really one of resources .
evans is ) a fascinating character , and deserves a better vehicle than this facetious smirk of a movie .
enough to drag along the dead ( water ) weight of the other
characteristic warmth
landmark as monumental as disney 's 1937 breakthrough snow white and the seven dwarfs .
's hard to care about a film that proposes as epic tragedy the plight of a callow rich boy who is forced to choose between his beautiful , self-satisfied 22-year-old girlfriend and an equally beautiful , self-satisfied 18-year-old mistress
, intellectually and logistically a mess .
holding equilibrium up
a heartfelt conviction
deeply biased ,
amounts to little more than preliminary notes for a science-fiction horror film
this is a fascinating film because there is no clear-cut hero and no all-out villain .
this film should not be missed .
fizzability
well-formed
clue you in that something 's horribly wrong
and choppy recycling
if you do n't understand what on earth is going on
is so lovely toward the end
sketchy characters and immature provocations
for evil
she may not be real
panic room is interested in nothing more than sucking you in ... and making you sweat
including a knockout of a closing line )
one makes
more graceful
never does `` lilo & stitch '' reach the emotion or timelessness of disney 's great past , or even that of more recent successes such as `` mulan '' or `` tarzan . ''
half-hearted fluke
: it 's not really funny .
speaks volumes , offering up a hallucinatory dreamscape that frustrates and captivates .
very lively dream
this much imagination and
'll know a star when you see one .
who do n't care what kind of sewage they shovel into their mental gullets to simulate sustenance
berry 's saucy , full-bodied performance
the real issues tucked between the silly and crude storyline
being `` in the mood '' to view a movie as harrowing and
buy this stuff