xiangpku/GLUE huggingface dataset:
employs an accent that i think is supposed to be an attempt at hardass american but sometimes just lapses into unhidden british .
from a sharper , cleaner script
find it baffling
by now intolerable morbidity
of a director enjoying himself immensely
in a dysfunctional family
shreve 's graceful dual narrative gets clunky on the screen ,
feels like the work of an artist who is simply tired -- of fighting the same fights , of putting the weight of the world on his shoulders , of playing with narrative form .
farts , urine ,
the lousy john q all but spits out denzel washington 's fine performance in the title role .
unexpected , and often contradictory , truths emerge .
my advice is to skip the film and pick up the soundtrack .
idiotic and ugly
utterly transcend gender
cinema fans
where you expect and often surprises you with unexpected comedy
talented performers
does n't make sense
some unnecessary parts
is just too easy to be genuinely satisfying .
would be a film that is n't this painfully forced , false and fabricated
the slightest difficulty accepting him in the role
hooks us
, nicholas nickleby is too much like a fragment of an underdone potato .
more accurate than anything
has the courage of its convictions and excellent performances on its side
no organic intrigue
tardier
short and sweet , but also more than anything else slight ... tadpole pulls back from the consequences of its own actions and revelations .
grab you
of entertainment that parents love to have their kids
slight and uninventive
'll stay with the stage versions , however , which bite cleaner , and deeper
hedonistic creativity
benefit enormously
, i hate it .
high crimes is a cinematic misdemeanor
the performances are worthwhile .
kwan is a master of shadow , quietude , and room noise , and lan yu is a disarmingly lived-in movie
unsurprisingly
see this turd squashed under a truck , preferably a semi
irritating ( at least to this western ear ) ,
try to create characters out of the obvious cliches , but wind up using them as punching bags .
ripe recipe , inspiring
there , done that ... a thousand times already , and better
the pantheon of the best of the swashbucklers
visual splendor that can be seen in other films
the densest distillation of roberts ' movies ever made .
love it ... hell , i dunno .
that make the most of the large-screen format , before swooping down on a string of exotic locales , scooping the whole world up in a joyous communal festival of rhythm
insightful enough to be fondly remembered in the endlessly challenging maze of moviegoing
solid , satisfying fare for adults
is awe and affection -- and a strange urge to get on a board and , uh , shred , dude .
a wish your heart makes
totalitarian
in a shabby script
of abuse
renner carries much of the film with a creepy and dead-on performance .
a seriously bad film with seriously warped logic by writer-director kurt wimmer at the screenplay level .
are complex and quirky , but entirely believable as the remarkable ensemble cast brings them to life .
its weighty themes are too grave for youngsters ,
reggio and glass so rhapsodize cynicism , with repetition and languorous slo-mo sequences , that glass 's dirgelike score becomes a fang-baring lullaby .
lies ... footage that might have made no such thing a trenchant , ironic cultural satire instead of a frustrating misfire
probably the best case for christianity since chesterton and lewis
stifling morality tale
been slimed in the name of high art
it happens to flat characters
the ridiculous dialog or the oh-so convenient plot twists
that really tells the tale
oscar-worthy
for its excellent storytelling , its economical , compressed characterisations and for its profound humanity
it 's still a good yarn -- which is nothing to sneeze at these days .
interesting storytelling devices
much to it
cliche pileup
coming from a director beginning to resemble someone 's crazy french grandfather
the updated dickensian sensibility of writer craig bartlett 's story
is left with a sour taste in one 's mouth , and little else
trapped presents a frightening and compelling ` what if ? '
a dumb , fun , curiously adolescent movie this
its originality
realize that deep inside righteousness can be found a tough beauty
spy kids 2 also happens to be that rarity among sequels : it actually improves upon the original hit movie
you can taste it , but there 's no fizz .
not all of the stories work and the ones that do are thin and scattered , but the film works well enough to make it worth watching .
patent solutions to dramatize life 's messiness from inside out , in all its strange quirks
the movie is widely seen and debated with appropriate ferocity and thoughtfulness
is something of a triumph
is surprisingly brilliant , deftly sewing together what could have been a confusing and horrifying vision into an intense and engrossing head-trip
lisa rinzler 's cinematography may be lovely ,
who 's seen george roy hill 's 1973 film , `` the sting
expect no major discoveries , nor any stylish sizzle , but the film sits with square conviction and touching good sense on the experience of its women
thanks to kline 's superbly nuanced performance , that pondering
abridged edition
your entertainment standards
finds amusing juxtapositions that justify his exercise
of genuine insight into the urban heart
the film is impressive for the sights and sounds of the wondrous beats the world has to offer .
is a fascinating little tale
anyone managing to steal a movie not only from charismatic rising star jake gyllenhaal but also from accomplished oscar winners susan sarandon , dustin hoffman and holly hunter , yet newcomer ellen pompeo pulls off the feat with aplomb
doze off for a few minutes
good news to anyone
murder by numbers just does n't add up .
as delicately calibrated in tone
the bullseye
is a diverting -- if predictable -- adventure suitable for a matinee , with a message that cautions children about disturbing the world 's delicate ecological balance .
may be captivated , as i was , by its moods , and by its subtly transformed star , and still wonder why paul thomas anderson ever had the inclination to make the most sincere and artful movie in which adam sandler will probably ever appear .
its real emotional business
dull effects
washington demands and receives excellent performances
the whole movie is simply a lazy exercise in bad filmmaking that asks you to not only suspend your disbelief but your intelligence as well .
humor and lightness
provide an emotional edge
, the director uses the last act to reel in the audience since its poignancy hooks us completely .
find a movie character more unattractive or odorous ( than leon )
's not a bad premise , just a bad movie .
in entertaining
a captivatingly quirky hybrid of character portrait , romantic comedy and beat-the-clock thriller .
can tell you that there 's no other reason why anyone should bother remembering it .
its gentle , touching story
assume that the jury who bestowed star hoffman 's brother gordy with the waldo salt screenwriting award at 2002 's sundance festival were honoring an attempt to do something different over actually pulling it off
sweet spirit
where the characters ' moves are often more predictable than their consequences
is just lazy writing
an entirely stale concept
a self-reflexive , philosophical nature
the outstanding soundtrack
sharp script
has been trying to pass off as acceptable teen entertainment for some time now .
particularly funny
can overcome bad hair design
will stand in future years as an eloquent memorial to the world trade center tragedy
the head of the class of women 's films
naturally funny
it includes a fair share of dumb drug jokes and predictable slapstick
how i killed my father compelling
apart by forming a chain of relationships that come full circle to end on a positive ( if tragic ) note
i know i should n't have laughed , but hey , those farts got to my inner nine-year-old .
relies on toilet humor , ethnic slurs .
misconstrued
ms. seigner and mr. serrault bring fresh , unforced naturalism to their characters .
suffers from over-familiarity since hit-hungry british filmmakers
is icily brilliant
just might turn on many people to opera , in general
, are crisp and purposeful without overdoing it
is hard to dismiss -- moody , thoughtful , and
cheap ,
a thing to do with these characters except have them run through dark tunnels , fight off various anonymous attackers , and evade elaborate surveillance technologies
is a hoot , and
be called the best korean film of 2002
to match the ordeal of sitting through it
grossly
is haunting ... ( it 's ) what punk rock music used to be , and what the video medium could use more of : spirit , perception , conviction .
to inspire anything more than a visit to mcdonald 's , let alone some savvy street activism
the dull effects
too many scenes toward the end that should move quickly
has rewards
be a movie that ends up slapping its target audience in the face by shooting itself in the foot
created a film that one can honestly describe as looking , sounding and simply feeling like no other film in recent history
there is n't one moment in the film that surprises or delights .
fascinating connections
not quite as miraculous as its dreamworks makers would have you believe
that the answer is as conventional as can be
foul-natured
an almost unbearably morbid
while i ca n't say it 's on par with the first one
a pointless , meandering celebration of the goth-vampire , tortured woe-is-me lifestyle
is icily brilliant .
as a well-made evocation
works beautifully as a movie
a so-so , made-for-tv something posing as a real movie .
numbing experience to watch
original character , siuation or joke
is that rare drama that offers a thoughtful and rewarding glimpse into the sort of heartache everyone has felt , or will feel someday .
is ultimately quite unengaging .
steven shainberg 's adaptation
puts a refreshing and comical spin on the all-too-familiar saga of the contemporary single woman .
well-characterized
this strenuously unfunny showtime deserves the hook .
a pleasure to watch
more than a few moments that are insightful enough to be fondly remembered in the endlessly challenging maze of moviegoing
the one thing that holds interest in the midst of a mushy , existential exploration of why men leave their families
slash-fest
a boring man ,
it does n't reach them , but the effort is gratefully received
a new , self-deprecating level
esteemed writer-actor
a spotty script
captivated
scherfig 's light-hearted profile
is wonderful .
moments of promise
, despite several attempts at lengthy dialogue scenes ,
deft comic timing
is a movie that refreshes the mind and spirit along with the body
poorly paced you could fit all of pootie tang in between its punchlines
cast is painful to watch
, we 'd prefer a simple misfire .
seems to elicit a chuckle
by every human who ever lived : too much to do , too little time to do it in
a woman whose passion for this region and its inhabitants still shines in her quiet blue eyes
is left with a sour taste in one 's mouth , and little else .
, unlike those in moulin rouge , are crisp and purposeful without overdoing it
the problems and characters it reveals are universal and involving , and the film itself -- as well its delightful cast -- is so breezy , pretty and gifted , it really won my heart
stinks so badly of hard-sell image-mongering you
smash its face in
's every bit as enlightening , insightful and entertaining as grant 's two best films
there are deeply religious and spiritual people in this world who would argue that entering a church , synagogue or temple does n't mean you have to check your brain at the door .
plays like a bad soap opera ,
captures the raw comic energy of one
unaware that it 's the butt of its own joke .
hilarious writer-director himself
laugh-out-loud lines ,
their often heartbreaking testimony , spoken directly into director patricio guzman 's camera ,
top-notch action powers
sensitive ensemble performances and
throughout , mr. audiard 's direction is fluid and quick .
a beautiful paean
his rental car
despite some charm and heart , this quirky soccer import is forgettable
racial tension
lost , leaving the character of critical jim two-dimensional and pointless
you 'll be wistful for the testosterone-charged wizardry of jerry bruckheimer productions , especially because half past dead is like the rock on a wal-mart budget .
thinking about going to see this movie
woody allen has really found his groove these days .
more than recycled jock
by the final whistle you 're convinced that this mean machine was a decent tv outing that just does n't have big screen magic .
our dismay
you do n't need to be a hip-hop fan to appreciate scratch ,
elegant technology for the masses
peppering this urban study with references to norwegian folktales , villeneuve creates in maelstrom a world where the bizarre is credible and the real turns magical .
a distinctly mixed bag , the occasional bursts of sharp writing alternating with lots of sloppiness and the obligatory moments of sentimental ooze .
's not nearly enough
has a built-in audience , but only among those who are drying out from spring break and are still unconcerned about what they ingest
blisteringly rude , scarily funny , sorrowfully sympathetic to the damage it surveys , the film has in kieran culkin a pitch-perfect holden .
reap more rewards
it 's not very well shot or composed or edited
dumb and
authentic christmas spirit
's exactly the kind of movie toback 's detractors always accuse him of making
most savory and hilarious
a celebrated wonder
keep pushing the jokes at the expense of character until things fall apart
the free-wheeling noir spirit
rip-roaring comedy action
populating its hackneyed and meanspirited storyline with cardboard characters and performers who
it has a dashing and resourceful hero ; a lisping , reptilian villain ; big fights ; big hair ; lavish period scenery ; and a story just complicated enough to let you bask in your own cleverness as you figure it out .
multi-character story
a workable primer
the leaping story line , shaped by director peter kosminsky into sharp slivers and cutting impressions ,
keeping the picture compelling
a terrible movie , just a stultifyingly obvious one -- an unrewarding collar for a murder mystery
this is as lax and limp a comedy as i 've seen in a while , a meander through worn-out material .
try to avoid
so impersonal
has enough vitality to justify the notion of creating a screen adaptation of evans ' saga of hollywood excess
has done his homework and soaked up some jazzy new revisionist theories about the origins of nazi politics and aesthetics
there is plenty of room for editing , and
this year 's razzie
even more to think about after the final frame
isabelle huppert excels as the enigmatic mika and anna mouglalis is a stunning new young talent in one of chabrol 's most intense psychological mysteries .
properly spooky film
new favorite musical
how families can offer either despair or consolation
appealing couple
that believing in something does matter
cinematic punishment
truly egregious
all the more disquieting for its relatively gore-free allusions to the serial murders , but it falls down in its attempts to humanize its subject .
parents beware ;
the opposite of a truly magical movie
shine through the gloomy film noir veil
liked it much better
there 's something fishy about a seasonal holiday kids ' movie ... that derives its moment of most convincing emotional gravity from a scene where santa gives gifts to grownups .
the outdated clothes and plastic knickknacks
it 's tough to watch , but it 's a fantastic movie
glucose sentimentality and
film lapses
most jaded
bad and baffling from the get-go
it 's still a comic book , but maguire makes it a comic book with soul
howlingly trashy time
's nowhere near as exciting as either
have all the suspense of a 20-car pileup ,
rather thin moral
this misty-eyed southern nostalgia piece
that one eventually resents having to inhale this gutter romancer 's secondhand material
it 's simply stupid , irrelevant and deeply , truly , bottomlessly cynical .
scare the pants off you
like a badly edited , 91-minute trailer ( and )
tackling what seems like done-to-death material
is a really special walk in the woods .
spider-man is about growing strange hairs , getting a more mature body , and finding it necessary to hide new secretions from the parental units .
terminally cute drama
nuanced look
druggy and self-indulgent , like a spring-break orgy for pretentious arts majors
truly distinctive and a deeply pertinent film
stiff and schmaltzy and clumsily
even though her performance is more interesting ( and funnier ) than his
, the movie winds up feeling like a great missed opportunity .
falls down in its attempts to humanize its subject
richard pryor mined his personal horrors and came up with a treasure chest of material , but
is as deep as a petri dish and as well-characterized as a telephone book but still say it was a guilty pleasure
teeny-bopper
will no doubt rally to its cause , trotting out threadbare standbys like ` masterpiece ' and ` triumph ' and all that malarkey ,
you wo n't like looking at it
's work as well as a remarkably faithful one
classic satire
the sword fighting is well done and auteuil is a goofy pleasure
a delicious , quirky movie with a terrific screenplay and fanciful direction by michael gondry .
its decrepit freaks
pressed through kafka 's meat grinder and into buñuel 's casings
as the way adam sandler 's new movie rapes
have a great time
a torrent
darling band wilco
an important movie ,
( the film 's ) taste for `` shock humor '' will wear thin on all but
the plot has a number of holes , and at times it 's simply baffling .
vapid actor 's exercise to appropriate the structure of arthur schnitzler 's reigen
is frequently amusing
who ca n't quite distinguish one sci-fi work from another
many a parent and their teen ( or preteen ) kid could bond while watching a walk to remember .
wannabe film -- without the vital comic ingredient of the hilarious writer-director himself .
a superficial way , while never sure
that he 's spiffing up leftovers that are n't so substantial or fresh
for controversy
impostor ca n't think of a thing to do with these characters except have them run through dark tunnels , fight off various anonymous attackers , and evade elaborate surveillance technologies .
prolonged extrusion
the film retains ambiguities that make it well worth watching .
4ever has the same sledgehammer appeal as pokemon videos , but
interesting than any of the character dramas , which never reach satisfying conclusions
to put a lump in your throat while reaffirming washington as possibly the best actor working in movies today
some episodes work , some do n't .
is a cinematic misdemeanor
about a couple of saps stuck in an inarticulate screenplay
memories and one fantastic visual trope
this is absolutely and completely ridiculous and an insult to every family whose mother has suffered through the horrible pains of a death by cancer .
is sure to give you a lot of laughs in this simple , sweet and romantic comedy
for `` shock humor '' will wear thin on all
mind , while watching eric rohmer 's tribute
are easy to swallow thanks to remarkable performances by ferrera and ontiveros
love and compassion garnered from years of seeing it all , a condition only the old are privy to , and ... often misconstrued as weakness
what 's most offensive is n't the waste of a good cast
a bad taste
by the power and grace of one of the greatest natural sportsmen of modern times
families and church meetings
deserves an oscar nomination
lan yu lacks a sense of dramatic urgency
you find yourself praying for a quick resolution
its funny , moving yarn that holds up well after two decades
able to forgive its mean-spirited second half
is much too conventional -- lots of boring talking heads , etc. -- to do the subject matter justice
that a movie can be as intelligent as this one is in every regard except its storyline
lush and beautifully photographed ( somebody suggested the stills might make a nice coffee table book ) , but ultimately you 'll leave the theater wondering why these people mattered
is your film .
is a disarmingly lived-in movie
who loves both dance and cinema
eloquent , deeply felt meditation
suitable for all ages -- a movie that will make you laugh
fairly slow
without ever being self-important
( janey ) forgets about her other obligations , leading to a tragedy which is somehow guessable from the first few minutes , maybe because it echoes the by now intolerable morbidity of so many recent movies .
a bad movie ,
followed by the bad idea
the film 's ending has a `` what was it all for
piss on trees , b.s. one another
another unoriginal run
stolid remake
smug and cartoonish
is a likable story , told with competence .
a pretentious and ultimately empty examination of a sick and evil woman
an exhausted , desiccated talent
miyazaki 's nonstop images are so stunning , and
be a film that is n't this painfully forced , false and fabricated
to the edge of your seat
is n't funny
tabloid
unfunny and unoriginal mess
with a lower i.q. than when i had entered
we 've learned the hard way just how complex international terrorism is
windshield
self-control to guide a loose , poorly structured film through the pitfalls of incoherence and redundancy
how many times they can work the words `` radical '' or `` suck '' into a sentence
lurid and less than lucid work
feature but something far more stylish and cerebral -- and , hence , more chillingly effective
hits every cliche we 've come to expect , including the assumption that `` crazy '' people are innocent , childlike and inherently funny .
sordid to function as comedy
money-grubbing
the gifted pearce on hand to keep things on semi-stable ground dramatically
gives a portrayal as solid and as perfect as his outstanding performance as bond in die another day
sets out to entertain
terrifically
this is a film that takes a stand in favor of tradition and warmth .
aimlessly and unsuccessfully attempts to fuse at least three dull plots into one good one .
bores
stirs the emotions
will turn bill paxton into an a-list director
had so much fun dissing the film that they did n't mind the ticket cost
extremely imaginative through out
the urbane sweetness
charming but slight tale
is a no-surprise series of explosions and violence while banderas looks like he 's not trying to laugh at how bad it
fast and funny , an action cartoon that 's suspenseful enough for older kids but not too scary for the school-age crowd
a straight-ahead thriller that
there 's real visual charge to the filmmaking , and a strong erotic spark to the most crucial lip-reading sequence
they engage and even touch us
can trust
misogynist evil
into melancholia
academy award
there 's some good material in their story about a retail clerk wanting more out of life
goldmember has none of the visual wit of the previous pictures ,
revels in its own simplicity
title performance
the dark visions already relayed by superb
that zings all the way through with originality , humor and pathos
an awkwardly garish showcase
wanting more
holds up well after two decades
is its make-believe promise of life that soars above the material realm
the kind of movie toback 's detractors always accuse him of making
good performances and a realistic , non-exploitive approach make paid in full worth seeing .
to be favorably compared to das boot
more in common with a fireworks display than a movie , which normally is expected to have characters and a storyline
a tired , unnecessary retread ... a stale copy of a picture that was n't all that great to begin with .
what 's so striking about jolie 's performance
an amicable endeavor
could be , by its art and heart , a necessary one
good deal funnier
animation back 30 years
in the murk of its own making
free to go get popcorn whenever he 's not onscreen
this little $ 1.8 million charmer , which may not be cutting-edge indie filmmaking
the appeal of the vulgar , sexist , racist humor went over my head or -- considering just how low brow it is --
really long , slow and dreary time
10-course banquet
skip this dreck , rent animal house and go back to the source .
where the film falters is in its tone .
is a successful one