xiangpku/GLUE huggingface dataset:
cut through the layers of soap-opera emotion and you find a scathing portrayal of a powerful entity strangling the life out of the people who want to believe in it the most .
this is unusual , food-for-thought cinema that 's as entertaining as it is instructive .
the story 's scope and pageantry are mesmerizing , and mr. day-lewis roars with leonine power
yakusho , as always , is wonderful as the long-faced sad sack ...
made me want to scream
dicaprio 's best performance
for the big-fisted direction of jez butterworth , who manages to blast even the smallest sensitivities from the romance with his clamorous approach
neither original
about the worst thing
out-bad-act the other
easily the most thoughtful fictional examination
cinematic touchstone
fairly weak retooling
just another generic drama that has nothing going for it other than its exploitive array of obligatory cheap thrills .
is n't that funny
it 's a loathsome movie ,
thanks largely to williams , all the interesting developments are processed in 60 minutes
this film : honest
a haunting ode to humanity
lowly studio hack
the irrelevant as on the engaging , which gradually turns what time
pallid
authentically vague , but ultimately purposeless , study
lawrence desperately looks elsewhere , seizing on george 's haplessness and lucy 's personality tics .
is one of the best-sustained ideas i have ever seen on the screen .
slaloming through its hackneyed elements
the english call ` too clever by half
certainly ranks as the most original in years .
read ` seeking anyone with acting ambition but no sense of pride or shame
ambiguous enough to be engaging and
humor , verve and fun
... a guiltless film for nice evening out .
we never truly come to care about the main characters and whether or not they 'll wind up together , and michele 's spiritual quest is neither amusing nor dramatic enough to sustain interest .
the comic touch
it won -- and wins still
, you 'd better have a good alternative
climactic setpiece
has stepped into the mainstream of filmmaking with an assurance worthy of international acclaim and with every cinematic tool well under his control
as it is instructive
argento
, secretary takes the most unexpected material and handles it in the most unexpected way .
of inept filmmaking
is too pedestrian a filmmaker to bring any edge or personality to the rising place that would set it apart from other deep south stories .
exploitative for the art houses and
just a simple fable done in an artless sytle , but it 's tremendously moving
labute continues to improve .
all of the elements are in place for a great film noir , but director george hickenlooper 's approach to the material is too upbeat .
pulling the plug on the conspirators and averting an american-russian armageddon
the most poorly staged and lit action
all round , but what really sets the film apart is debrauwer 's refusal to push the easy emotional buttons
high-strung
effective in all its aspects
can not help but love cinema paradiso , whether the original version or new director 's cut . '
is an inspirational love story ,
frustrating misfire
's a good yarn-spinner
the great films about movie love
, unaware that it 's the butt of its own joke .
needed a little less bling-bling and a lot more romance .
the job done , running off the limited chemistry created by ralph fiennes and jennifer lopez
upon layer of action man cliché atop wooden dialogue and a shifting tone that falls far short of the peculiarly moral amorality of ( woo 's ) best work
reassures us that he will once again be an honest and loving one
ready to go to the u.n. and ask permission for a preemptive strike
designed to fill time ,
conventional thriller
the disappointingly generic nature
an important movie
to make enough into ` an inspiring tale of survival wrapped in the heart-pounding suspense of a stylish psychological thriller '
, awe-inspiring visual poetry
self-centered
soulful nuances
its recycled aspects , implausibility ,
the one-liners are snappy , the situations volatile and
riveting and surprisingly romantic ride
the right choices
's hardly over before it begins to fade from memory
an incredibly narrow in-joke targeted to the tiniest segment of an already obscure demographic .
unforced , rapid-fire delivery
a rude black comedy about the catalytic effect a holy fool
every cheap trick in the book trying to make the outrage
particularly joyless
alan and his fellow survivors are idiosyncratic enough to lift the movie above its playwriting 101 premise .
the funnier movies
wooden performances
self-promotion ends and
fails to convince the audience that these brats will ever be anything more than losers .
the screenwriters dig themselves in deeper every time they toss logic and science into what is essentially a `` dungeons and dragons '' fantasy with modern military weaponry ...
has a caffeinated , sloppy brilliance , sparkling with ideas you wish had been developed with more care ,
demonstrates that werner herzog can still leave us with a sense of wonder at the diverse , marvelously twisted shapes history has taken .
most enchanting film
( siegel ) and co-writers lisa bazadona and grace woodard have relied too much on convention in creating the characters who surround frankie .
cuts to the chase of the modern girl 's dilemma
the movie dawdle in classic disaffected-indie-film mode
seeks to rely on an ambiguous presentation
from each film
soulful , scathing and
, avarice and damaged dreams
wisdom and humor
well worth revisiting as many times
, he has at least one more story to tell : his own .
we did n't get more re-creations of all those famous moments from the show
adds enough quirky and satirical touches
have viewers guessing just who 's being conned right up to the finale
the best little `` horror '' movie
it 's an entertaining movie , and the effects , boosted to the size of a downtown hotel , will all but take you to outer space
this ` we 're - doing-it-for - the-cash ' sequel
bray is completely at sea ; with nothing but a savage garden music video on his resume , he has no clue about making a movie .
, secretary is a genial romance that maintains a surprisingly buoyant tone throughout , notwithstanding some of the writers ' sporadic dips into pop freudianism .
of scorn
the finest kind
a film about female friendship that men can embrace and women will talk about for hours .
, it has a genuine dramatic impact
the cultural moat surrounding its ludicrous and contrived plot
the art direction is often exquisite
fun and nimble .
like its script , which nurses plot holes gaping enough to pilot an entire olympic swim team through , the characters in swimfan seem motivated by nothing short of dull , brain-deadening hangover .
's all about anakin ... and the lustrous polished visuals rich in color and creativity and , of course , special effect
caruso takes an atypically hypnotic approach to a world that 's often handled in fast-edit , hopped-up fashion
yes , soar .
an alternately fascinating and frustrating documentary .
is a few bits funnier than malle 's dud , if only because the cast is so engagingly messing around like slob city reductions of damon runyon crooks
odd movies
can analyze this movie in three words : thumbs friggin ' down .
reach a truly annoying pitch
o matter how much good will the actors generate
offers all the pleasure of a handsome and well-made entertainment
the outstanding thrillers of recent years
dumb down
generates little narrative momentum , and invites unflattering comparisons to other installments in the ryan series
barely shocking , barely interesting and most of all , barely anything
graphic violence
we really have n't had a good cheesy b-movie playing in theaters since ... well ... since last week 's reign of fire
is smart and entirely charming
is that hollywood expects people to pay to see it .
a hilarious kenneth branagh
tender and
spirited film
's a dark , gritty story
the slippery slope of dishonesty
an adorably whimsical comedy
it might have been
swings and jostles
what time offers tsai 's usual style and themes
pleasing
so uninspiring
touching and
genial romance
onto the screen -- loud , violent and mindless
charlotte sometimes is a brilliant movie .
even at its worst , it 's not half-bad .
it looks good , sonny ,
make a huge action sequence as any director
time bombs and
the film lapses too often into sugary sentiment and withholds delivery on the pell-mell pyrotechnics its punchy style promises .
promising work-in-progress
folks they do n't understand , ones they figure the power-lunchers do n't care to understand , either
to have been made by people to whom the idea of narrative logic or cohesion is an entirely foreign concept
does a bang-up job of pleasing the crowds
a pale successor
elegantly appointed period drama
captures the soul of a man in pain who gradually comes to recognize it and deal with it
is as difficult for the audience to take as it
my big fat greek wedding is that rare animal known as ' a perfect family film , ' because it 's about family .
has really found his groove these days .
impressive and highly entertaining celebration
helmer hudlin tries to make a hip comedy , but his dependence on slapstick defeats the possibility of creating a more darkly edged tome .
interesting to witness the conflict from the palestinian side
its premise is smart , but the execution is pretty weary .
i 've seen some bad singer-turned actors , but
like its script , which nurses plot holes gaping enough to pilot an entire olympic swim team through
has far more energy
on dave barry 's popular book of the same name
a heartfelt romance
devoid of joy and energy
a rehash of every gangster movie
to the edge of their seats
is genial but never inspired , and little about it will stay with you .
of longing , lasting traces of charlotte 's web of desire and desperation
sealed in a jar
this might not seem like the proper cup of tea , however it is almost guaranteed that even the stuffiest cinema goers will laugh their *** off for an hour-and-a-half
to tell you how tedious , how resolutely unamusing , how thoroughly unrewarding all of this is , and what a reckless squandering of four fine acting talents
that rare combination of bad writing , bad direction and bad acting -- the trifecta of badness
to great performances
charged music to the ears of cho 's fans .
as a numbingly dull experience
left me behind at the station looking for a return ticket to realism
offers the none-too-original premise that everyone involved with moviemaking is a con artist and a liar .
admirable energy ,
milquetoast
a tradition-bound widow who is drawn into the exotic world of belly dancing
seem heroic deserves a look .
proves a servicable world war ii drama that ca n't totally hide its contrivances
terrific 10th-grade learning tool
sobering , heart-felt drama
enjoyed .
's a sheer unbridled delight in the way
what could have easily become a cold , calculated exercise in postmodern pastiche winds up a powerful and deeply moving example of melodramatic moviemaking .
its generic villains lack any intrigue ( other than their funny accents ) and
prove more distressing
stuffy , full of itself
like an unbalanced mixture of graphic combat footage and almost saccharine domestic interludes that are pure hollywood .
mr. clooney , mr. kaufman and all their collaborators are entitled to take a deep bow for fashioning an engrossing entertainment out of an almost sure-fire prescription for a critical and commercial disaster .
could be a single iota worse ... a soulless hunk of exploitative garbage
was that movie nothing more than a tepid exercise in
spreads itself too thin
good actors , even kingsley ,
uninhibited
is n't much better .
and flat-out farce
to a night in the living room than a night at the movies
yet another genre exercise , gangster no. 1 is as generic as its title .
a very slow , uneventful ride around a pretty tattered old carousel .
good-natured and
a simply astounding cor-blimey-luv-a-duck cockney accent
a kid who ca n't quite distinguish one sci-fi work from another
's contrived and predictable
the sexual politics too smug
a movie is more than a movie .
is slightly less successful than the first
sex is one of those films that aims to confuse .
a film of epic scale
with an enormous amount of affection
is ultimately rather silly and overwrought , making the ambiguous ending seem goofy rather than provocative .
leaves no southern stereotype unturned
that works both as a detailed personal portrait and as a rather frightening examination of modern times
kill michael myers for good : stop buying tickets to these movies
communal spirit
's the kind of movie that , aside from robert altman , spike lee , the coen brothers and a few others , our moviemakers do n't make often enough
a lot like a well-made pb & j sandwich :
consigned to the dustbin of history
perry 's good and his is an interesting character , but `` serving sara '' has n't much more to serve than silly fluff
richly detailed ,
, as you watch them clumsily mugging their way through snow dogs , seems inconceivable
is so convinced of its own brilliance
to bring something new into the mix
drop your jaw
of the joyous , turbulent self-discovery
allen shows he can outgag any of those young whippersnappers making moving pictures today .
howard and his co-stars all give committed performances , but they 're often undone by howard 's self-conscious attempts to find a ` literary ' filmmaking style to match his subject .
becomes a testament to faith
an idea buried somewhere inside its fabric , but never clearly seen or felt
hopeless , unsatisfying muddle
so it 's not a brilliant piece of filmmaking , but it is a funny ( sometimes hilarious ) comedy with a deft sense of humor about itself , a playful spirit and a game cast
's plenty to enjoy -- in no small part thanks to lau .
with their super-powers , their super-simple animation and their super-dooper-adorability intact
for their acting chops , but for their looks
visual and verbal clichés
is a no-bull throwback to 1970s action films
it provides a fresh view of an old type
romance-novel
bang your head on the seat in front of you , at its cluelessness , at its idiocy
possible angle
nothing too deep or substantial .
invented to describe exactly how bad it is
were far more entertaining than i had expected
to appearing in this junk that 's tv sitcom material at best
near virtuosity in its crapulence
at blockbuster
so slick and watered-down it almost loses what made you love it
lost the politics and the social observation
comedic
might as well have come from a xerox machine rather than ( writer-director ) franc .
a spectacular completion one
at least a few good ideas and
villainous
creepy and dead-on performance
( there 's ) quite a bit of heart , as you would expect from the directors of the little mermaid and aladdin .
the debate it joins is a necessary and timely one
i know i should n't have laughed , but hey , those farts got to my inner nine-year-old
a fullness
too painfully
best sex comedy
crassly
's a dull girl , that 's all
barlow
that stifles creativity and allows the film to drag on for nearly three hours
beautifully crafted and cooly unsettling ... recreates the atmosphere of the crime expertly
to work as shallow entertainment , not remotely incisive enough to qualify as drama , monsoon
still like moonlight mile , better judgment be damned .
takes no apparent joy in making movies
, generosity and diplomacy
fallen under the sweet , melancholy spell of this unique director 's previous films
been filmed more irresistibly than in ` baran
once again dazzle and delight us
will at least have a dream image of the west to savor whenever the film 's lamer instincts are in the saddle
should drop everything and run to ichi .
is an excellent choice for the walled-off but combustible hustler
grows monotonous after a while , as do joan and philip 's repetitive arguments , schemes and treachery
unsettling prognosis
it 's a fine , old-fashioned-movie movie , which is to say it 's unburdened by pretensions to great artistic significance .
usual whoopee-cushion effort
a collage of clichés and a dim
hunk
more entertaining
reality shows -- reality shows for god 's sake !
stirring , funny
is headed down the toilet with the ferocity of a frozen burrito after an all-night tequila bender
, perversely undercuts the joie de vivre even as he creates it , giving the movie a mournful undercurrent that places the good-time shenanigans in welcome perspective .
suffered
that a good video game movie is going to show up soon
makes the same mistake as the music industry it criticizes , becoming so slick and watered-down it almost loses what made you love it in the first place
their largest-ever historical canvas
video , and so devoid of artifice and purpose that it appears not to have been edited at all .
romance , dancing , singing , and unforgettable characters
feel a nagging sense of deja vu
this misty-eyed southern nostalgia piece , in treading the line between sappy and sanguine , winds up mired in tear-drenched quicksand .
feel-good
robert harmon 's less-is-more approach
truly deserving of its oscar nomination
most resonant film since the killer
, scotland , pa would be forgettable if it were n't such a clever adaptation of the bard 's tragic play .
is that rare animal known as ' a perfect family film , ' because it 's about family
fails as a dystopian movie , as a retooling of fahrenheit 451 , and even as a rip-off of the matrix .
by characters so unsympathetic
cold ,
winds up feeling like a great missed opportunity .
, relaxed in its perfect quiet pace and proud in its message .
, i can not mount a cogent defense of the film as entertainment , or even performance art , although the movie does leave you marveling at these guys ' superhuman capacity to withstand pain .
uplifting
, but with restraint
girls , right down the reality drain
( which might have been called freddy gets molested by a dog )
bloody beauty
a confusing melange of tones and styles ,
what annoyed me most about god is great
a movie comes along to remind us of how very bad a motion picture can truly be .
pretentious , fascinating , ludicrous , provocative and vainglorious
charming , quirky , original
the great minds
a fascinating part
most appealing movies
one of the best movies of the year
joys
( cool visual backmasking )
towards child abuse
much about the film , including some of its casting
milked
sharp comedy ,
have easily tipped this film into the `` a '' range , as is
pale xerox of other , better crime movies .
getting all excited about a chocolate eclair and then biting into it and finding the filling missing
is a success
pair that with really poor comedic writing ... and
movie audiences both innocent and jaded
has traveled to places in the world devastated by war , famine and poverty and documented the cruelty and suffering he has found with an devastating , eloquent clarity
as the voice-over hero in columbia pictures ' perverse idea of an animated holiday movie
exercise in narcissism and self-congratulation disguised as a tribute
done the nearly impossible
is too calm and thoughtful for agitprop , and the thinness of its characterizations makes it a failure as straight drama . '
brittle desperation
the entire point of a shaggy dog story
represents an auspicious feature debut for chaiken .
but it works under the direction of kevin reynolds
to be an acidic all-male all about eve or a lush , swooning melodrama in the intermezzo strain
does a disservice to the audience and to the genre .
chance to prove his worth
to drown a viewer in boredom than to send any shivers down his spine
that between the son and his wife , and the wife and the father , and between the two brothers ,
seems to have a knack for wrapping the theater in a cold blanket of urban desperation
though it goes further than both , anyone who has seen the hunger or cat people will find little new here
great movie
a little better than sorcerer 's stone
a heartbreakingly thoughtful minor classic , the work of a genuine and singular artist
is a winning comedy that excites the imagination and tickles the funny bone .
worked five years ago
shedding light on a group of extremely talented musicians
to win a wide summer audience through word-of-mouth reviews and ,
if the filmmakers were worried the story would n't work without all those gimmicks
a romantic comedy that 's not the least bit romantic and only mildly funny
populating its hackneyed and meanspirited storyline with cardboard characters and performers who value cash above credibility .
major movie
a classic fairy tale that perfectly captures the wonders and worries of childhood in a way that few movies have ever approached .
the ideal casting of the masterful british actor ian holm
the screenplay , co-written by director imogen kimmel , lacks the wit necessary to fully exploit the comic elements of the premise , making the proceedings more bizarre than actually amusing .
lacking in imagination and authentic christmas spirit
marvelously twisted shapes history
following up a delightful , well-crafted family film with a computer-generated cold fish
have no affinity for most of the characters .
, unfunny one
animated filmmaking since old walt
the movie 's wildly careening tone and an extremely flat lead performance do little to salvage this filmmaker 's flailing reputation .
in how much they engage and even touch us
of death
full-bodied performance
holds interest
what an embarrassment .
inventive and mordantly humorous
to be influenced chiefly by humanity 's greatest shame , reality shows -- reality shows for god 's sake !
a fascinating literary mystery story with multiple strands about the controversy of who really wrote shakespeare 's plays .
like the rugrats movies , the wild thornberrys movie does n't offer much more than the series , but
, even the funniest idea is n't funny .
is muted
the result is somewhat satisfying -- it still comes from spielberg , who has never made anything that was n't at least watchable
a spectator
skillful fisher
is a thoughtful examination of faith , love and power .
unlike lots of hollywood fluff
the film runs on a little longer than it needs to --
carried by a strong sense of humanism
dull-witted
a retail clerk
potentially trite and overused
predisposed to the movie 's rude and crude humor
it 's hard to imagine anybody ever being `` in the mood '' to view a movie as harrowing and painful as the grey zone , but
capability to soothe and break your heart with a single stroke
who holds the film together with a supremely kittenish performance that gradually accumulates more layers
exasperated by a noticeable lack of pace
, his directorial touch is neither light nor magical enough to bring off this kind of whimsy .
a rather unbelievable love interest
longer to heal : the welt on johnny knoxville 's stomach
writings to perform
starts out strongly
a film school undergrad
worked so much better dealing in only one reality
has a way of gently swaying back and forth as it cradles its characters , veiling tension beneath otherwise tender movements .
left the theater
weaving a theme
more satisfying during a summer of event movies than a spy thriller like the bourne identity that 's packed with just as much intelligence as action
pitch-perfect forster
joy to watch and -- especially -- to listen to
fit all of pootie tang in between its punchlines
for the uncompromising knowledge that the highest power of all is the power of love
, memory , resistance and artistic transcendence
the innate theatrics that provide its thrills and extreme emotions
disoriented
the large-format film is well suited to capture these musicians in full regalia and
tawdry
need another film that praises female self-sacrifice
throwing in everything except someone pulling the pin from a grenade with his teeth , windtalkers seems to have ransacked every old world war ii movie for overly familiar material .
is beyond me .
all the interesting developments
your least favorite james bond movie seem as cleverly plotted as the usual suspects
austin powers in goldmember '' has the right stuff for silly summer entertainment and has enough laughs to sustain interest to the end .
assured of the wrong things
resemble their celebrity parents
sheridan had a wonderful account to work from , but , curiously , he waters it down , turning grit and vulnerability into light reading