xiangpku/GLUE huggingface dataset:
integrates thoughtfulness and pasta-fagioli comedy
has nothing else to watch
critic-proof
grossest
unadulterated thrills
that its dying , in this shower of black-and-white psychedelia , is quite beautiful
on an elegant visual sense and a talent
a problem hollywood too long has ignored
richard pryor mined his personal horrors and came up with a treasure chest of material , but lawrence gives us mostly fool 's gold .
desperation and cinematic deception
an awkward hybrid of genres that just does n't work
distracting special effects and visual party tricks
overtly silly
more focused
although it lacks the detail of the book , the film does pack some serious suspense .
leave their families
sophisticated intrigue and human-scale characters
some strong performances
loud and thoroughly
happens when something goes bump in the night and nobody cares ?
the gum stuck under my seat trying to sneak out of the theater
life , hand gestures , and
is much too conventional -- lots of boring talking heads , etc. -- to do the subject matter justice .
extraordinary debut from josh koury
reveals a real human soul buried beneath a spellbinding serpent 's smirk
a backstage must-see for true fans of comedy
the sheer joy and pride they took in their work -- and in each other -- shines through every frame .
and vin diesel is the man .
a well-put-together piece of urban satire
of two fine actors , morgan freeman and ashley judd
they will have a showdown
wasting away inside unnecessary films like legally blonde and sweet home abomination
a fanciful drama about napoleon 's last years and his surprising discovery of love and humility .
may take its sweet time to get wherever it 's going , but if you have the patience for it , you wo n't feel like it 's wasted yours .
love , longing
exude an air of dignity that 's perfect for the proud warrior that still lingers in the souls of these characters
principled
the unique way shainberg
so heartwarmingly
the film 's constant mood of melancholy and its unhurried narrative are masterfully controlled .
all the more remarkable because it
wise folks that they are
how funny they could have been in a more ambitious movie
lots of effort and intelligence
leave you wanting more , not to mention leaving you with some laughs and a smile on your face
90-minute postmodern voyage
there is a general air of exuberance in all about the benjamins that 's hard to resist .
is a certain sense of experimentation and improvisation to this film that may not always work
... liotta is put in an impossible spot because his character 's deceptions ultimately undo him and the believability of the entire scenario .
an awkward hybrid of genres that just does n't work .
witless and utterly pointless
honesty and respect
in his chilling , unnerving film
despite its faults , gangs excels in spectacle and pacing .
who desperately want to be quentin tarantino when they grow up
it will warm your heart , and
audacity and
into this turkey
hong kong action cinema is still alive and kicking
there 's a scientific law to be discerned here that producers would be well to heed : mediocre movies start to drag as soon as the action speeds up ; when the explosions start , they fall to pieces .
offers opportunities for occasional smiles and
pays off ,
the subtitled costume drama is set in a remote african empire before cell phones , guns , and the internal combustion engine , but the politics that thump through it are as timely as tomorrow .
multi-layered and profoundly
such a clever adaptation
when twentysomething hotsies make movies about their lives , hard-driving narcissism is a given , but
make the stones weep -- as shameful as it
seen it all before
its sunny disposition
great material
provides the kind of ` laugh therapy ' i need from movie comedies -- offbeat humor , amusing characters , and a happy ending .
lets go your emotions , taking them to surprising highs , sorrowful lows and hidden impulsive niches ... gorgeous , passionate , and at times uncommonly moving .
show-stoppingly
the problem with the film
a grand picture
a bittersweet film , simple in form but rich with human events .
a sheer unbridled delight
are the uneven performances by the cast members , who seem bound and determined to duplicate bela lugosi 's now-cliched vampire accent .
inherently
is , its filmmakers run out of clever ideas and visual gags about halfway through .
encourages you to accept it as life and go with its flow
in an inarticulate screenplay
a giant step backward for a director i admire
's no excuse for following up a delightful , well-crafted family film with a computer-generated cold fish .
crap is what i was expecting
a kingdom more mild than wild
word ` dog '
the narration helps little
an ambitious movie that , like shiner 's organizing of the big fight , pulls off enough
this strangely schizo cartoon
crafted but
is not even half the interest
children 's entertainment , superhero comics , and japanese animation
highly polished
sustains it
woo has as much right to make a huge action sequence as any director
try as you might to resist , if you 've got a place in your heart for smokey robinson
the 3-d vistas from orbit , with the space station suspended like a huge set of wind chimes over the great blue globe ,
undistinguished attempt to make a classic theater piece
zippy jazzy score
to the background -- a welcome step
offers rare insight into the structure of relationships
it made me feel unclean , and
nicholas nickleby is too much like a fragment of an underdone potato .
real laughs
sorvino
its sensitive handling
the movie is amateurish , but it 's a minor treat .
than special effects
not good enough to pass for a litmus test of the generation gap and not bad enough to repulse any generation of its fans .
stylish psychological
cultural differences
neglects
more than satisfactory
this film , like the similarly ill-timed antitrust ,
it 's such a mechanical endeavor ( that ) it never bothers to question why somebody might devote time to see it .
, it 's almost impossible not to be swept away by the sheer beauty of his images .
that started with a great premise and then just fell apart
meets those standards
tattered
uncharted depths of stupidity , incoherence and sub-sophomoric sexual banter
they 're clueless and inept
, human moments
a wannabe comedy of manners about a brainy prep-school kid with a mrs. robinson complex founders on its own preciousness -- and squanders its beautiful women .
a head-turner -- thoughtfully written , beautifully read and , finally , deeply humanizing
a devastating indictment of unbridled greed and materalism .
escape story
fresh , unforced naturalism to their characters
spinning a web of dazzling entertainment may be overstating it ,
told well by a master storyteller
all for easy sanctimony , formulaic thrills and a ham-fisted sermon on the need for national health insurance
most of the information has already appeared in one forum or another and , no matter how broomfield dresses it up , it tends to speculation , conspiracy theories or , at best , circumstantial evidence .
to south seas islanders
together familiar themes of family , forgiveness and love
ideas and wry comic mayhem
's a lot richer than the ones
a classic genre
any movie that makes hard work seem heroic deserves a look .
about either the nature of women or
a different movie -- sometimes tedious --
' it also rocks .
a classical actress
where something 's happening
neo-nazism
amusing , tender and heart-wrenching
stories drowned by all too clever complexity
watchable stuff
hard-sell
you watch for that sense of openness , the little surprises .
its adult themes of familial separation and societal betrayal are head and shoulders above much of the director 's previous popcorn work .
diane lane 's sophisticated performance
even before it builds up to its insanely staged ballroom scene , in which 3000 actors appear in full regalia , it 's waltzed itself into the art film pantheon .
the still-inestimable contribution
elbowed aside by one-liners
can tell what it is supposed to be , but ca n't really call it a work of art .
innocent , childlike and inherently funny
is shallow , offensive and redundant , with pitifully few real laughs .
'll enjoy this movie .
fourth-rate
a big , juicy role
though filmed partly in canada , paid in full has clever ways of capturing inner-city life during the reagan years .
and in a sense , that 's a liability .
`` red dragon '' never cuts corners .
it might not be 1970s animation , but everything else about it is straight from the saturday morning cartoons -- a retread story , bad writing , and the same old silliness
such fresh territory
staggeringly compelling character
sustains the level of exaggerated , stylized humor throughout by taking your expectations and twisting them just a bit .
conventional , but well-crafted
infuses the movie with much of its slender , glinting charm .
dashing and absorbing
the maudlin way its story unfolds
capture its visual appeal or its atmosphere
if you have n't seen the film lately , you may be surprised at the variety of tones in spielberg 's work .
who excels in the art of impossible disappearing/reappearing acts
real visual charge
wise , wizened
a fairly weak retooling
the movie is a lumbering load of hokum but ... it 's at least watchable .
worthwhile for reminding us that this sort of thing does , in fact , still happen in america
soul-stirring
you can find humor
death might be a release .
both innocent and jaded
in space , no one can hear you snore
it might have held my attention , but
does n't sustain its initial promise with a jarring , new-agey tone creeping into the second half
a fake street drama that keeps telling you
spectacularly ugly-looking
brash , intelligent
there are n't many conclusive answers in the film
the shocking conclusion is too much of a plunge
a well-done film
's consistently funny , in an irresistible junior-high way , and consistently free of any gag that would force you to give it a millisecond of thought .
arresting little ride
conventional direction to give the film a soul and an unabashed sense of good old-fashioned escapism
speak fluent flatula
, e.t. remains the most wondrous of all hollywood fantasies -- and the apex of steven spielberg 's misunderstood career .
tell you
seen ( eddie ) murphy do the genial-rogue shtick to death , but because the plot is equally hackneyed
scarily funny , sorrowfully sympathetic to the damage it
to skip the film and pick up the soundtrack
achingly honest and
remains the most wondrous of all hollywood fantasies -- and the apex of steven spielberg 's misunderstood career
masterful work
its tragic waste
across as shallow and glib though not mean-spirited
the obligatory moments of sentimental ooze
it does cathartic truth telling
argento , at only 26 , brings a youthful , out-to-change-the-world aggressiveness to the project , as if she 's cut open a vein and bled the raw film stock .
in your face for two hours
moronic as some campus
despite the fact that this film was n't as bad as i thought it was going to be , it 's still not a good movie
the place where a masterpiece should be
bang-up job
have a stirring time at this beautifully drawn movie
breen 's script is sketchy with actorish notations on the margin of acting .
the makers of mothman prophecies succeed in producing that most frightening of all movies -- a mediocre horror film too bad to be good and too good to be bad .
they 'll be treated to an impressive and highly entertaining celebration of its sounds .
uncompromising
agonizing
find a spark of its own
, touching
gay s/m fantasy
kids do n't mind crappy movies as much as adults , provided there 's lots of cute animals and clumsy people .
there are plenty of scenes in frida that do work , but rarely do they involve the title character herself .
puts an exclamation point on the fact that this is n't something to be taken seriously
persuasive
a bilingual charmer , just like the woman who inspired it
she of the impossibly long limbs and sweetly conspiratorial smile
leave you feeling a little sticky and unsatisfied
a certain sense of experimentation and improvisation
bon appétit !
against itself
one of the biggest disappointments of the year
shreve 's graceful dual narrative gets clunky on the screen , and we keep getting torn away from the compelling historical tale to a less-compelling soap opera
of watching this film with an audience full of teenagers fixating on its body humor and reinforcement of stereotypes
poses for itself that one can forgive the film its flaws
film that will enthrall the whole family .
is to substitute plot for personality
an unusually dry-eyed , even analytical approach to material that is generally played for maximum moisture .
is , also , frequently hilarious .
is that it avoids the obvious with humor and lightness .
gives the lie
take nothing seriously and
is dark , brooding and slow , and
we have no idea what in creation is going on
of this emotional car-wreck
remains undiminished
sure , i hated myself in the morning .
the price
never quite justifies its own existence .
a psycho
a tremendous piece
a fireworks
is done to support the premise other than fling gags at it to see which ones shtick
knockoff
a chilly , remote , emotionally distant piece ... so dull that its tagline should be : ` in space , no one can hear you snore
over-the-top , and amateurish
terrible movie
as if even the filmmakers did n't know what kind of movie they were making
creating the characters who surround frankie
a way of seeping into your consciousness
labute does manage to make a few points about modern man and his problematic quest for human connection .
the best and most exciting movies
gets its greatest play from the timeless spectacle of people
ms. griffiths and mr. pryce bring off this wild welsh whimsy .
gives you an idea just how bad it was
is n't nearly surprising or clever enough to sustain a reasonable degree of suspense on its own .
's undone by a sloppy script
the picture is in trouble
follows its standard formula in this animated adventure
a revealing look at the collaborative process
part of being a good documentarian
had a sense of humor
completely predictable plot
with such sensitivity
bad singer-turned actors
a grittily beautiful film that looks , sounds , and feels more like an extended , open-ended poem than a traditionally structured story .
it 's a head-turner -- thoughtfully written , beautifully read and , finally , deeply humanizing .
a stiflingly unfunny and unoriginal mess
the joie de vivre even as he creates
the action here is unusually tame
talented friends
to get excited about on this dvd
the director , frank novak , that keeps the film grounded in an undeniable social realism
what 's so fun about this silly , outrageous , ingenious thriller is the director 's talent .
is often way off
marvelously entertaining and deliriously
purpose and even-handedness
a sparkling newcomer
a thriller without a lot of thrills
many a kids-and-family-oriented cable channel
employ their quirky and fearless ability
a rather tired
minutely detailed wonders
it all comes together to create a very compelling , sensitive , intelligent and almost cohesive piece of film entertainment
and interesting characters
she 's pretty and she can act
a movie can be mindless without being the peak of all things insipid
small in scope , yet perfectly formed
'd be lying if i said my ribcage did n't ache by the end of kung pow
evacuations , and none-too-funny commentary on the cultural distinctions between americans and brits .
's a bargain-basement european pickup
old-fashioned adventure
it 's apparent that this is one summer film that satisfies
the waste
, the improbable `` formula 51 '' is somewhat entertaining
( fiji diver rusi vulakoro and the married couple howard and michelle hall ) show us the world they love and make us love it , too .
an enjoyable comedy of lingual and cultural differences ... the château is a film -- full of life and small delights -- that has all the wiggling energy of young kitten .
an enjoyable 100 minutes
an elegance and maturity
best actors
designed as a reverie about memory and regret , but the only thing you 'll regret is remembering the experience of sitting through it .
remarkable because it
characters who are nearly impossible to care about
suspense , intriguing characters and bizarre bank robberies , plus a heavy dose of father-and-son dynamics
it 's not going to be everyone 's bag of popcorn
a gripping documentary
has deftly trimmed dickens ' wonderfully sprawling soap opera , the better to focus on the hero 's odyssey from cowering poverty to courage and happiness .
jolie gives it that extra little something that makes it worth checking out at theaters , especially if you 're in the mood for something more comfortable than challenging .
the filmmakers want nothing else than to show us a good time , and in their cheap , b movie way , they succeed .
sick sense
clear-eyed portrait
dry wit and compassion
succeeds in diminishing his stature from oscar-winning master to lowly studio hack .
the world 's most generic rock star
is essentially a `` dungeons and dragons '' fantasy with modern military weaponry
the movie has a script ( by paul pender ) made of wood , and
lots of cute animals and clumsy people
it has the requisite faux-urban vibe and hotter-two-years-ago rap and r&b names and references .
is instead about as fresh as last week 's issue of variety
a decomposition of healthy eccentric inspiration and ambition -- wearing a cloak of unsentimental , straightforward text --
's a hoot watching the rock chomp on jumbo ants , pull an arrow out of his back , and leap unscathed through raging fire !
an unpleasantly
over the map thematically and stylistically , and borrows heavily from lynch , jeunet , and von trier while failing to find a spark of its own
can impart a message without bludgeoning the audience over the head
in the end , the film feels homogenized and a bit contrived , as if we 're looking back at a tattered and ugly past with rose-tinted glasses .
winningly
robert duvall
because there is no foundation for it
a breath
tastelessness
, the country bears ... should keep parents amused with its low groan-to-guffaw ratio .
pack a powerful emotional wallop
it 's impossible to indulge the fanciful daydreams of janice beard ( eileen walsh ) when her real-life persona is so charmless and vacant .
addresses interesting matters of identity and heritage
such a stultifying
looked like as a low-budget series on a uhf channel
take any 12-year-old boy to see this picture , and he 'll be your slave for a year
i have always appreciated a smartly written motion picture , and , whatever flaws igby goes down may possess , it is undeniably that
atypically hypnotic
charming and evoking
all , a great party
instead of making his own style , director marcus adams just copies from various sources -- good sources , bad mixture
if you go into the theater expecting a scary , action-packed chiller
some of the characters die and others do n't , and the film pretends that those living have learned some sort of lesson ,
drown yourself
well worth watching
shows moments of promise but ultimately succumbs to cliches and pat storytelling
that it 's a brazenly misguided project
written and directed with brutal honesty and respect for its audience
exceedingly rare films
best sports movie
struck a chord in me
memorable for a peculiar malaise that renders its tension flaccid
director uwe boll and writer robert dean klein fail to generate any interest in an unsympathetic hero caught up in an intricate plot that while cleverly worked out , can not overcome blah characters .
the movie is rather choppy .
successfully maintains suspense on different levels throughout a film that is both gripping and compelling .
art film
both sitcomishly predictable and cloying
salute just for trying to be more complex than your average film .
there is greatness here .
movie sputters
not to like about a movie with a ` children 's ' song that includes the line ` my stepdad 's not mean , he 's just adjusting '
brave , uninhibited performances
the cinematic canon
, look no further than this 20th anniversary edition of the film that spielberg calls
fun .
the best looking and stylish
jaglom offers the none-too-original premise that everyone involved with moviemaking is a con artist and a liar .
, but your ego
juvenile delinquent ' paperbacks
brilliantly constructed work .
k-19 will not go down in the annals of cinema as one of the great submarine stories
, queen of the damned is a pointless , meandering celebration of the goth-vampire , tortured woe-is-me lifestyle .
enjoyable comedy
it looks closely , insightfully at fragile , complex relationships .
need to reap more rewards than spiffy bluescreen technique and stylish weaponry
all the heart of a porno flick ( but none of the sheer lust )
's lots of cool stuff packed into espn 's ultimate x.
charmless and
mean-spirited
lopez romantic comedy
mira nair 's new movie has its audience giddy with the delight of discovery
its formidable arithmetic of cameras and souls
verges on the amateurish
they help increase an average student 's self-esteem
it makes your teeth hurt
labored gags
you wish you had n't seen
stand tall with pryor , carlin and murphy
wo n't be sorry
due to stodgy , soap opera-ish dialogue
because the cast is so engagingly messing around like slob city reductions of damon runyon crooks
wish there had been more of the `` queen '' and less of the `` damned
have required genuine acting from ms. spears
saddled
, unforced
has created a breathtakingly assured and stylish work of spare dialogue and acute expressiveness .
a baffling mixed platter of gritty realism and magic realism with a hard-to-swallow premise
human nature , in short , is n't nearly as funny as it thinks it is ; neither is it as smart .
try to balance pointed , often incisive satire and unabashed sweetness , with results that are sometimes bracing , sometimes baffling and quite often , and in unexpected ways , touching .
a successful example of the lovable-loser protagonist
delights
( has ) an immediacy and an intimacy that sucks you in and dares you not to believe it 's all true .
manipulative claptrap , a period-piece movie-of-the-week , plain old blarney ... take your pick .
an insultingly inept and artificial examination of grief
make you reach for the tissues
a lousy script ,
's worth the price of admission for the ridicule factor alone
some serious issues
it 's a wonderful life marathons and bored
will linger long after this film has ended .
has a more colorful , more playful tone than his other films
will please eastwood 's loyal fans --
elegantly colorful look
sappy and amateurish
a deeply felt and vividly detailed story about newcomers in a strange new world .
, this movie proves you wrong on both counts .
of family tradition and familial community
when it comes to the battle of hollywood vs. woo , it looks like woo 's a p.o.w.
of those airy cinematic bon bons whose aims -- and by extension , accomplishments -- seem deceptively slight on the surface
utter mush ...
a rock-solid gangster movie with a fair amount of suspense , intriguing characters and bizarre bank robberies , plus a heavy dose of father-and-son dynamics
, this is the one .
a terrific job
knowledge , education , and
all of this , and more
lacks dramatic punch and depth .
paranoid and unlikable
robert john burke as the monster horns in and steals the show .
tells a fascinating , compelling story
an intense indoor drama about compassion , sacrifice , and christian love
and engaging film
trembling and gratitude
the grandeur of the best next generation episodes
nothing else to watch
a journey back to your childhood
fontaine 's direction , especially her agreeably startling use of close-ups and her grace with a moving camera ,
whatever the movie 's sentimental , hypocritical lessons about sexism
feature but something far more stylish and cerebral -- and , hence , more chillingly effective .
tantamount to insulting the intelligence of anyone who has n't been living under a rock
, it 's as good as you remember .
spiffy bluescreen technique
most frantic , virulent and foul-natured
rooting for the film to hurry up and get to its subjects ' deaths just so the documentary will be over
wo n't be sitting through this one again