xiangpku/GLUE huggingface dataset:
* corpus and its amiable jerking and reshaping of physical time and space
light , silly
the incessant use of cell phones
of astonishing grandeur
a depressingly retrograde , ` post-feminist ' romantic comedy that takes an astonishingly condescending attitude toward women
more spirit and bite than your average formulaic romantic quadrangle
moving in many directions as it searches ( vainly , i think ) for something fresh to say
a shame that stealing harvard is too busy getting in its own way to be anything but frustrating , boring , and forgettable .
an undeniably moving film to experience , and ultimately that 's what makes it worth a recommendation .
takes every potential laugh and stiletto-stomps the life out of it
should have stayed there .
a matter of finding entertainment in the experiences of zishe and the fiery presence of hanussen
unexpectedly moving meditation
avoiding eye contact and walking slowly away
too crude to serve the work especially well
treacly films about inspirational prep-school professors and the children they so heartwarmingly motivate
` refreshing
the cleverness , the weirdness and
it 's incredible the number of stories the holocaust has generated .
visually masterful
slap her - she 's not funny
highly pleasurable
the politics that thump through it are as timely as tomorrow
the evocative imagery and gentle , lapping rhythms of this film are infectious -- it gets under our skin and draws us in long before the plot kicks into gear .
whether it 's the worst movie of 2002 , i ca n't say for sure
full of life , hand gestures , and some
the most exciting action films
gradually sneaks up on the audience
good old-fashioned adventure
much of all about lily chou-chou is mesmerizing :
clear and reliable an authority
boasts at least a few good ideas and features some decent performances
find millions of eager fans
formidable arithmetic
distinctly sub-par ... more likely to drown a viewer in boredom than to send any shivers down his spine
for this sensuous and spirited tale of a prim widow who finds an unlikely release in belly-dancing clubs
so appealing about the characters
wimps out by going for that pg-13 rating , so the more graphic violence is mostly off-screen and the sexuality is muted .
love reading and/or poetry
and powerful documentary
is faster , livelier and a good deal funnier than his original
get him a few laughs but nothing else
, the french-produced `` read my lips '' is a movie that understands characters must come first .
it 's waltzed itself into the art film pantheon .
explains its characters ' decisions only unsatisfactorily
without much success
comes far closer than many movies
go hand in hand with talent
a solidly entertaining
nevertheless efficiently amusing for a good while
's a great deal of corny dialogue and preposterous moments
for the viewer to doze off for a few minutes or make several runs to the concession stand and/or restroom and not feel as if he or she has missed anything
slow and ponderous , but rohmer 's drama builds to an intense indoor drama about compassion , sacrifice , and christian love in the face of political corruption
long on glamour
strangely comes off as a kingdom more mild than wild .
sweet and memorable film .
nothing at the core of this slight coming-of-age/coming-out tale
find that real natural , even-flowing tone
harsh objectivity and refusal
authentic account
yet it 's potentially just as rewarding
of those rare films that come by once in a while with flawless amounts of acting , direction , story and pace
anthony asquith 's acclaimed 1952 screen adaptation
is clearly extraordinarily talented
delivers a terrific performance in this fascinating portrait of a modern lothario
something of a public service --
its thrills and extreme emotions
, miller , kuras and the actresses make personal velocity into an intricate , intimate and intelligent journey .
the film does n't have enough innovation or pizazz to attract teenagers ,
to send your regrets
could fail to respond
much too conventional -- lots of boring talking heads , etc. -- to do the subject matter justice
with the best of them
classic fairy tale
the pretensions -- and disposable story --
was vile enough
a bland
punchier
to the concept of loss
paramount imprint
to the chateau , a sense of light-heartedness , that makes it attractive throughout
no rest period , no timeout
all its excess debris
mind to see a feature that concentrates on people , a project in which the script and characters hold sway
amid the shock and curiosity factors , the film is just a corny examination of a young actress trying to find her way .
one of the most genuinely sweet films to come along in quite some time .
to stodgy , soap opera-ish dialogue
much of it is funny
an action hero with table manners
love , memory , history and
takes a sudden turn and devolves
are totally estranged from reality .
clichés .
save everyone the misery
is so contrived , nonsensical and formulaic that , come to think of it , the day-old shelf would be a more appropriate location to store it
a puritanical brand of christianity
make the most sincere and artful movie in which adam sandler will probably ever appear
replacing john carpenter 's stylish tracking shots is degraded , handheld blair witch video-cam footage .
's muy loco , but no more ridiculous than most of the rest of `` dragonfly
guessable from the first few minutes
that quickly wears out its limited welcome
elizabeth hurley seem graceless and ugly
by the shadowy lighting
of important developments of the computer industry
his top-notch creative team
this ready-made midnight movie probably wo n't stand the cold light of day
see a three-dimensional , average , middle-aged woman 's experience of self-discovery handled with such sensitivity
this is the kind of subject matter that could so easily have been fumbled by a lesser filmmaker , but
shiri is an action film that delivers on the promise of excitement ,
watch a movie in which a guy dressed as a children 's party clown gets violently gang-raped ?
quiet family drama
( the film ) tackles the topic of relationships in such a straightforward , emotionally honest manner that by the end , it 's impossible to ascertain whether the film is , at its core , deeply pessimistic or quietly hopeful .
is that it 's a brazenly misguided project
vaguely interesting
tickles the funny bone
this arrogant richard pryor wannabe 's routine is offensive , puerile and unimaginatively foul-mouthed if it was at least funny
struggling to create
carries almost no organic intrigue as a government / marine/legal mystery
i 've never bought from telemarketers , but i bought this movie
the lady and the duke is a smart , romantic drama that dares to depict the french revolution from the aristocrats ' perspective .
graced
predict there will be plenty of female audience members drooling over michael idemoto as michael
together frustrating difficult
that not only blockbusters pollute the summer movie pool
the story gives ample opportunity for large-scale action and suspense , which director shekhar kapur supplies with tremendous skill .
a first-class road movie that proves you can run away from home , but your ego and all your problems go with you .
future-world holographic librarian ( orlando jones ) who knows everything and answers all questions , is visually smart , cleverly written , and nicely realized
it 's a talking head documentary , but a great one .
great performances , stylish cinematography
one of the best actors there is
that calvin jr. 's barbershop represents some sort of beacon of hope in the middle of chicago 's south side
outright newness
if you ever wanted to be an astronaut , this is the ultimate movie experience - it 's informative and breathtakingly spectacular .
the stylistic rigors
more contemporary
as hilariously raunchy as south park
marvelously
to mention leaving you with some laughs and a smile on your face
beating the austin powers films at their own game , this blaxploitation spoof downplays the raunch in favor of gags that rely on the strength of their own cleverness as opposed to the extent of their outrageousness .
starts out with tremendous promise , introducing an intriguing and alluring premise , only to fall prey to a boatload of screenwriting cliches that sink it faster than a leaky freighter .
a good deal funnier than his original
a fairly impressive debut from the director , charles stone iii
drawn in by the sympathetic characters
that make it well worth watching
prepare to marvel again .
even though their story is predictable , you 'll want things to work out
as a potentially incredibly twisting mystery
of saps stuck in an inarticulate screenplay
lagging near the finish line
resident evil is n't a product of its cinematic predecessors so much as an mtv , sugar hysteria , and playstation cocktail .
weak and strong
it has a more colorful , more playful tone than his other films .
has layered , well-developed characters and some surprises .
nair 's cast is so large it 's altman-esque
without bludgeoning the audience over the head
does its predecessors proud
, poignancy , and intelligence
may be too narrow to attract crossover viewers .
gives new meaning to the phrase ` fatal script error
an immensely appealing couple
refreshes the mind and spirit
the only possible complaint you could have about spirited away is that there is no rest period , no timeout
and unforgettable characters
a promising work-in-progress
lush and beautifully
funniest and most accurate
feel like a 10-course banquet
living harmoniously
tartakovsky 's team has some freakish powers of visual charm , but the five writers slip into the modern rut of narrative banality .
keen insights
is difficult to connect with on any deeper level
... cagney 's ` top of the world ' has been replaced by the bottom of the barrel .
considered a funny little film
engaged
the value and respect
worse stunt editing or
dickens ' wonderfully sprawling soap opera
an excellent choice
again ego does n't always go hand in hand with talent
sucking you
particularly amateurish
is to imply terror by suggestion , rather than the overuse of special effects
infectious
have a good shot at a hollywood career ,
of dramatic fireworks
which is worse : the poor acting by the ensemble cast , the flat dialogue by vincent r. nebrida or the gutless direction by laurice guillen
their quirky inner selves
smart comedy
like whether compromise is the death of self ... this orgasm ( wo n't be an ) exceedingly memorable one for most people .
someone , stop eric schaeffer before he makes another film .
the obnoxious special effects
loud , bang-the-drum
the reason to go see `` blue crush '' is the phenomenal , water-born cinematography by david hennings
takes place in morton 's ever-watchful gaze
less funny than it should be and
of those films that aims to confuse
funniest person
snail-like pacing
naomi watts is terrific as rachel ;
shot like a postcard
style , structure and rhythms
visceral sensation
has a monopoly on mindless action
of work and 2002 's first great film
outdated clothes and plastic knickknacks
pure craft and passionate heart
to get in the way
thought i heard a mysterious voice , and felt myself powerfully drawn toward the light -- the light of the exit sign .
loneliness and is n't afraid to provoke introspection in both its characters and its audience
, treasure planet is truly gorgeous to behold .
american sports
nothing more than four or five mild chuckles surrounded by 86 minutes of overly-familiar and poorly-constructed comedy .
perfectly rendered period piece
schrader aims to present an unflinching look at one man 's downfall , brought about by his lack of self-awareness .
lot to be desired
is far funnier than it would seem to have any right to be .
droll whimsy
a film of empty , fetishistic violence in which murder is casual and fun
a high-minded snoozer .
hitler 's
an admirable rigor
less a movie
it 's dark but has wonderfully funny moments ; you care about the characters ;
epic four-hour indian musical
is an unpleasantly shallow and immature character with whom to spend 110 claustrophobic minutes
at all clear what it 's trying to say and even if it were -- i doubt it
of the more serious-minded concerns of other year-end movies
stoops to cheap manipulation or corny conventions
at odds with the rest of the film
crapulence
slick and manufactured to claim street credibility
family togetherness takes a back seat to inter-family rivalry and workplace ambition ... whole subplots have no explanation or even plot relevance
like silence , it 's a movie that gets under your skin .
leguizamo 's best movie work so far
understated piece
to inject her pure fantasy character , melanie carmichael , with a massive infusion of old-fashioned hollywood magic
ca n't recommend it .
proves that not only blockbusters pollute the summer movie pool
, you 're far better served by the source material .
her love depraved leads meet , ( denis ' ) story becomes a hopeless , unsatisfying muddle
is simply not enough of interest onscreen to sustain its seventy-minute running time .
descends into sub-tarantino cuteness
it may not be a huge cut of above the rest , but i enjoyed barbershop
portrays their cartoon counterparts well ... but quite
unshapely
bring something new
bilked unsuspecting moviegoers
balances real-time rhythms with propulsive incident .
a cinematic fluidity and sense
orgasm
like high crimes flog the dead horse of surprise as if it were an obligation .
tub-thumpingly
it 's sweet and fluffy at the time , but
seeing justice served
've told a nice little story in the process
thought-provoking new york fest
of an especially well-executed television movie
good action , good acting , good dialogue
animation back 30 years ,
keep from laughing at the ridiculous dialog or the oh-so convenient plot twists
an energetic and engaging film that never pretends to be something
a curiously stylized , quasi-shakespearean portrait of pure misogynist evil
is so clumsily sentimental and ineptly
would pay a considerable ransom not to be looking at
is n't very funny .
does n't trust laughs -- and does n't conjure proper respect for followers of the whole dead-undead genre , who deserve more from a vampire pic than a few shrieky special effects .
elegantly produced and
's hard to imagine anyone managing to steal a movie not only from charismatic rising star jake gyllenhaal but also from accomplished oscar winners susan sarandon , dustin hoffman and holly hunter , yet newcomer ellen pompeo pulls off the feat with aplomb
tian 's meticulous talent
gives an intriguing twist to the french coming-of-age genre
silly and overwrought
the metaphors are provocative , but
has chosen to make his english-language debut with a film
may rate as the most magical and most fun family fare of this or any recent holiday season .
do n't understand what on earth is going on
their heroic capacity for good
gentle and biting
of a witty expose on the banality and hypocrisy of too much kid-vid
an intelligent weepy
the charisma
the scariest guy
will wish there had been more of the `` queen '' and less of the `` damned
rises above easy , cynical potshots at morally bankrupt characters ...
's not that funny -- which is just generally insulting .
most compelling
only the most hardhearted scrooge could fail to respond
leftovers that are n't so substantial or fresh
a delightful little film
of the hilarious writer-director himself
on a wal-mart budget
the truth about charlie is that it 's a brazenly misguided project .
to bring any edge or personality to the rising place that would set it apart from other deep south stories
the ultimate imax trip
image-mongering
you love him
` juvenile delinquent ' paperbacks
dud from frame one
gratuitous cinematic distractions
is a master of shadow , quietude , and room noise
needs more impressionistic cinematography and exhilarating point-of-view shots and fewer slow-motion ` grandeur ' shots and quick-cut edits that often detract from the athleticism
can such a cold movie
'd do well to check this one out because it 's straight up twin peaks action
is both stimulating and demanding .
misogyny and unprovoked
implicitly acknowledges and celebrates the glorious chicanery and self-delusion of this most american of businesses , and for that reason it may be the most oddly honest hollywood document of all .
no steve martin
mediocre acting
acted and directed
exhausted by documentarians
slummer
an undeniably intriguing film
downhill
something to behold
offended by his lack of faith in his audience
a slight and uninventive movie
just a waste
gross romanticization of the delusional personality type
demme gets a lot of flavor and spice into his charade remake , but he ca n't disguise that he 's spiffing up leftovers that are n't so substantial or fresh
natural running time
its own preciousness
a hypnotic portrait
is actually one of its strengths .
grew hideously twisted
it would 've reeked of a been-there , done-that sameness .
even the corniest and
with pitch-perfect acting
maintains suspense on different levels
much of jonah simply , and gratefully ,
this is rote spookiness , with nary an original idea ( or role , or edit , or score , or anything , really ) in sight , and the whole of the proceedings beg the question ` why ? '
you 'll forget about it by monday , though ,
could dredge up
felt myself powerfully drawn toward the light -- the light of the exit sign
come as they may , lawrence unleashes his trademark misogyny -- er , comedy -- like a human volcano or an overflowing septic tank , take your pick
with calamity
must be a serious contender for the title
the cliché-riddled genre can offer
crass , low-wattage endeavor
what lifts the film high above run-of-the-filth gangster flicks is its refusal to recognize any of the signposts , as if discovering a way through to the bitter end without a map .
are both superb , while huppert ... is magnificent
the viewer expects something special but instead gets ( sci-fi ) rehash .
you are n't very bright
scarily funny , sorrowfully sympathetic to the damage it surveys
one more dumb high school comedy about sex gags and prom dates
narrative filmmaking with a visually masterful work of quiet power
it works well enough , since the thrills pop up frequently
a wonderful , sobering , heart-felt drama
his best-known creation
a comedy-drama of nearly epic proportions rooted in a sincere performance by the title character undergoing midlife crisis .
in its own way , joshua is as blasphemous and nonsensical as a luis buñuel film without the latter 's attendant intelligence , poetry , passion , and genius .
wise and powerful tale
the director is trying to dupe the viewer into taking it all as very important simply because the movie is ugly to look at and not a hollywood product
by a fantastic dual performance from ian holm
haul 'em to the theater
a narrative puzzle that interweaves individual stories
snaps under the strain of its plot contrivances and its need to reassure
does n't disappoint
make this delicate coming-of-age tale a treat
this choppy and sloppy affair
the cartoon
two badly interlocked stories drowned by all too clever complexity .
looking at his 12th oscar nomination by proving that he 's now , more than ever , choosing his roles with the precision of the insurance actuary
the stars may be college kids , but the subject matter is as adult as you can get : the temptations of the flesh are unleashed by a slightly crazed , overtly determined young woman
so many talented people were convinced to waste their time
quirky rip-off prison
that is not even as daring as john ritter 's glory days on three 's company
of the austin powers films
how first-time director kevin donovan managed to find something new to add to the canon of chan
a very very strong `` b +
a routine crime
the movie is too impressed with its own solemn insights to work up much entertainment value .
accepting him
was feeling this movie until it veered off too far into the exxon zone , and left me behind at the station looking for a return ticket to realism
at least it 's a funny no-brainer
city by the sea swings from one
, the update is dreary and sluggish .
a film which presses familiar herzog tropes into the service of a limpid and conventional historical fiction , when really what we demand of the director is to be mesmerised .
a heartening tale of small victories and enduring
is a movie that makes it possible for the viewer to doze off for a few minutes or make several runs to the concession stand and/or restroom and not feel as if he or she has missed anything
as patriot games can still turn out a small , personal film with an emotional wallop
estranged gay and lesbian children
a sultry evening or a beer-fueled afternoon in the sun can inspire even the most retiring heart to venture forth
it 's as good as you remember .
und drung , but explains its characters ' decisions only unsatisfactorily
a poor fit with kieslowski 's lyrical pessimism
the wild thornberrys movie is pleasant enough
is pretty weary
jolt you out of your seat a couple of times , give you a few laughs , and leave you feeling like it was worth your seven bucks , even though it does turn out to be a bit of a cheat in the end
the observations
joyous , turbulent self-discovery
its soul
auteuil is a goofy pleasure
got to my inner nine-year-old
but not without cheesy fun factor .
is as deep as a petri dish and as well-characterized as a telephone book
superficial and
seems uncertain
an a-list director
imponderably stilted and
is as visceral as a gut punch
has some special qualities and the soulful gravity of crudup 's anchoring performance
'll have a good time with this one too
viewers of barney 's crushingly self-indulgent spectacle will see nothing in it to match the ordeal of sitting through it .
seem tired
steadfastly uncinematic but powerfully dramatic .
this film 's heart is even more embracing than monty , if only because it accepts nasty behavior and severe flaws as part of the human condition .
offers chills
all the stronger because of it
what i like about men with brooms and what is kind of special
last walked out on a movie
will love its fantasy and adventure
the israeli/palestinian conflict as
that it does n't follow the stale , standard , connect-the-dots storyline which has become commonplace in movies that explore the seamy underbelly of the criminal world
gathering dust
the robust middle of this picture
dull procession
it all unfolds predictably , and the adventures that happen along the way seem repetitive and designed to fill time , providing no real sense of suspense
land beyond time is an enjoyable big movie primarily because australia is a weirdly beautiful place .
between farcical and loathsome
zhuangzhuang creates delicate balance of style , text , and subtext that 's so simple and precise that anything discordant would topple the balance ,
small but rewarding
the ambiguous welcome
teen-driven , toilet-humor codswallop
proves that he can cross swords with the best of them and helm a more traditionally plotted popcorn thriller while surrendering little of his intellectual rigor or creative composure
this often very funny collegiate gross-out comedy goes a long way toward restoring the luster of the national lampoon film franchise , too long reduced to direct-to-video irrelevancy .
an ambitiously naturalistic , albeit half-baked , drama about an abused , inner-city autistic teen .
untalented artistes who enjoy moaning about their cruel fate
i 'm sure mainstream audiences will be baffled ,
unfulfilled
lack-of-attention
is shockingly bad and absolutely unnecessary
an extended dialogue exercise in retard 101
cruel but weirdly likable wasp matron
a measure of faith in the future
i have a feeling that i would have liked it much more if harry & tonto never existed
she , janine and molly -- an all-woman dysfunctional family -- deserve one another
sweet-and-sour insider movie that film buffs will eat up like so much gelati
a hypnotic portrait of this sad , compulsive life .
exhibits the shallow sensationalism characteristic of soap opera ...
if the film fails to fulfill its own ambitious goals
wallowing in hormonal melodrama
it 's just plain lurid when it is n't downright silly .
to be clever , amusing and unpredictable
gently funny , sweetly adventurous film
adds a much needed moral weight
filled with honest performances and exceptional detail