xiangpku/GLUE huggingface dataset:
the kind of parent who enjoys intentionally introducing your kids to films which will cause loads of irreparable damage that years and years of costly analysis could never fix
the story plays out slowly
cliched and
a strong-minded viewpoint ,
unpleasant debate that 's been given the drive of a narrative and that 's been acted out
such a gloriously goofy way
rock-solid
not everyone will welcome or accept the trials of henry kissinger as faithful portraiture , but few can argue that the debate it joins is a necessary and timely one .
, funny humor
in a way that bespeaks an expiration date passed a long time ago
angry and sad
a great party
if the screenplay falls somewhat short
recommend this film more
hugely rewarding
's truly awful and heartbreaking subject matter , but one whose lessons are well worth revisiting as many times as possible .
mattei 's underdeveloped effort
padded .
, haynes ( like sirk , but differently ) has transformed the rhetoric of hollywood melodrama into something provocative , rich , and strange .
could keep a family of five blind , crippled , amish people alive in this situation better than these british soldiers do at keeping themselves kicking
loses its ability to shock and amaze .
the film is a hilarious adventure
muccino , who directed from his own screenplay , is a canny crowd pleaser , and the last kiss ... provides more than enough sentimental catharsis for a satisfying evening at the multiplex .
cheesy fun factor
charming ,
the best and most mature comedy of the 2002 summer season
perry 's good and his is an interesting character ,
is little else to recommend `` never again
look at a slice of counterculture that might be best forgotten .
some blondes , ( diggs ) should be probing why a guy with his talent ended up in a movie this bad .
one fantastic ( and educational )
is a shrewd and effective film from a director who understands how to create and sustain a mood
of a raindrop
convey a sense of childhood imagination
an enjoyable choice for younger kids
unimaginable horror
looks like a drag queen
the movie in a superficial way , while never sure
's a smart , funny look at an arcane area of popular culture
only because the cast is so engagingly messing around like slob city reductions of damon runyon crooks
a highly gifted 12-year-old
lacked
stare and sniffle , respectively , as ledger attempts , in vain , to prove that movie-star intensity can overcome bad hair design
's rare to see a movie that takes such a speedy swan dive from `` promising '' to `` interesting '' to `` familiar '' before landing squarely on `` stupid '' .
the marvelous first 101 minutes have to be combined with the misconceived final 5
not-so-funny gags , scattered moments of lazy humor
by surrounding us with hyper-artificiality
, you 're gon na like this movie .
show us a good time
is like a year late for tapping into our reality tv obsession , and even tardier for exploiting the novelty of the `` webcast .
was so endlessly , grotesquely
, unnecessary
a sexy , peculiar and always entertaining costume drama set in renaissance spain , and the fact that it 's based on true events
louiso lets the movie dawdle in classic disaffected-indie-film mode ,
troubling and powerful .
univac-like script machine
the actors are simply too good ,
, subtlety has never been his trademark
about its ideas and
as literary desecrations go
a wonderful subject
hedonistic
eddie murphy and owen wilson have a cute partnership in i spy , but the movie around them is so often nearly nothing that their charm does n't do a load of good .
its premise is smart ,
theological matters aside , the movie is so clumsily sentimental and ineptly directed it may leave you speaking in tongues .
grace this deeply touching melodrama
another night
to deliver a fair bit of vampire fun
an expert thriller
adams just copies
t 's certainly laudable that the movie deals with hot-button issues in a comedic context
merely bad rather than painfully awful
's a film with an idea buried somewhere inside its fabric , but never clearly seen or felt
i never thought i 'd say this , but i 'd much rather watch teens poking their genitals into fruit pies !
spectacularly beautiful , not to mention mysterious , sensual , emotionally intense , and replete with virtuoso throat-singing .
film to watch
universal appeal
know i would have liked it more if it had just gone that one step further
i never thought i 'd say this , but i 'd much rather watch teens poking their genitals into fruit pies
think , zzzzzzzzz
as it pays earnest homage to turntablists and beat jugglers , old schoolers and current innovators
utterly convincing
the clumsy cliché of the ugly american
, will find morrison 's iconoclastic uses of technology to be liberating .
seem twice as long
must be given to the water-camera operating team of don king , sonny miller , and michael stewart .
, hollywood ending is a depressing experience
is just as much about the ownership and redefinition of myth as it is about a domestic unit finding their way to joy
by avary 's failure to construct a story with even a trace of dramatic interest
vibrantly colored and
certainly an entertaining ride , despite many talky , slow scenes .
a sensitive , cultivated treatment
surprisingly shoddy
whose pervasive quiet
hard-core slasher aficionados will find things to like ... but overall the halloween series has lost its edge
true to the essence of what it is to be ya-ya
has some quietly moving moments and an intelligent subtlety
inclination to make the most sincere and artful movie in which adam sandler will probably ever appear
is n't blind to the silliness , but also captures moments of spontaneous creativity and authentic co-operative interaction
eccentric and
is a kind , unapologetic , sweetheart of a movie
amateur ' in almost every frame
a warm , enveloping affection
it 's that painful .
none of this so-called satire has any sting to it , as if woody is afraid of biting the hand that has finally , to some extent , warmed up to him .
thoughtful , reverent portrait
best gay love stories
is little else to recommend `` never again .
exceedingly memorable one
create an engaging story that keeps you guessing at almost every turn
offers piercing domestic drama with spikes of sly humor .
's a hellish
he 's well worth spending some time with
gives it that extra little something that makes it worth checking out at theaters , especially if you 're in the mood for something more comfortable than challenging
love and bloodletting
the great pity is that those responsible did n't cut their losses -- and ours -- and retitle it the adventures of direct-to-video nash , and send it to its proper home .
white 's intermittently wise script
that secret ballot is a comedy , both gentle and biting
a sweet , laugh-a-minute crowd pleaser
somewhere inside the mess that is world traveler
bratty
say for plenty of movies
about the astonishingly pivotal role of imagination in the soulful development of two rowdy teenagers
relentlessly folksy
the best case
your nose
, it 's still a sweet , even delectable diversion .
's a spirited film and a must-see
a handful of smart jokes
as laugh-out-loud lunacy with a pronounced monty pythonesque flavor
needs to overcome gaps in character development and story logic
just a bunch of good actors flailing around in a caper that 's neither original nor terribly funny
a strong thumbs
a jaw-droppingly beautiful work that upends nearly every cliché of japanese animation while delivering a more than satisfactory amount of carnage .
tension , eloquence , spiritual challenge --
its heartfelt concern
not so much farcical as sour .
no charm , no laughs
multilayered and sympathetic
to take a reality check before you pay the full ticket price to see `` simone , '' and consider a dvd rental instead
filled with strange and wonderful creatures
me no lika da accents so good
works because reno does n't become smug or sanctimonious towards the audience .
being very inspiring or insightful
particularly joyless ,
some of the visual flourishes
adroit but finally
heartfelt
scenery , vibe
the film lapses
an ill-conceived jumble that 's not scary , not smart and not engaging .
increasingly incoherent
, you 're desperate for the evening to end .
bears more than a whiff of exploitation ,
it forces you to watch people doing unpleasant things to each other and themselves , and
is a movie filled with unlikable , spiteful idiots ;
i like all four of the lead actors a lot and they manage to squeeze a few laughs out of the material
at a time when commercialism has squeezed the life out of whatever idealism american moviemaking ever had
reminds us how realistically nuanced a robert de niro performance can be when he is not more lucratively engaged in the shameless self-caricature of ` analyze this ' ( 1999 ) and ` analyze that , ' promised ( or threatened ) for later this year
jason patric and ray liotta make for one splendidly cast pair .
if pointless excursion
that should have been the ultimate imax trip
loved the people onscreen , even though i could not stand them .
this utterly ridiculous shaggy dog story as one
are especially fine .
this ambitious comic escapade
lustrous polished visuals
the exuberant openness with which he expresses our most basic emotions
walked out muttering words like `` horrible '' and `` terrible , '' but
boasts a handful of virtuosic set pieces
brought back the value and respect for the term epic cinema
loses its sense of humor in a vat of failed jokes , twitchy acting , and general boorishness .
we never feel anything for these characters ,
rather frightening
thought would leave you cold
overly-familiar and poorly-constructed comedy
alluring
captures , in luminous interviews and amazingly evocative film from three decades ago
it 's going to be a trip
story becomes a hopeless , unsatisfying muddle
rom the performances and the cinematography to the outstanding soundtrack and unconventional narrative
while demonstrating vividly that the beauty and power of the opera reside primarily in the music itself
that it succeeds in entertaining , despite playing out like a feature-length sitcom replete with stereotypical familial quandaries
an hour-and-a-half-long commercial for britney 's latest album
because it plays everything too safe
the superficial tensions of the dynamic he 's dissecting
the wanton slipperiness
the silly and crude storyline
set out to lampoon , anyway
itself -- as well its delightful cast -- is so breezy
this seductive tease of a thriller
if you 're looking for an intelligent movie in which you can release your pent up anger , enough is just the ticket you need .
lacks even the most fragmented charms i have found in almost all of his previous works
reality tv obsession
surprisingly inoffensive
the women look more like stereotypical caretakers and moral teachers , instead of serious athletes
her real-life persona is so charmless and vacant
strong themes of familial ties
is intriguing , provocative stuff .
great party
it 's equally distasteful to watch him sing the lyrics to `` tonight . ''
seems to play on a 10-year delay
made mamet 's `` house of games '' and last fall 's `` heist '' so much fun
( seagal 's ) strenuous attempt
the action is stilted and the tabloid energy embalmed
every indulgent , indie trick in the book
maybe leblanc thought , `` hey , the movie about the baseball-playing monkey was worse . ''
'll be rewarded with some fine acting .
shows he can outgag any of those young whippersnappers making moving pictures today .
so bad in a major movie
this is pure , exciting moviemaking .
suitable summer entertainment
in the end , the movie bogs down in insignificance , saying nothing about kennedy 's assassination and revealing nothing about the pathology it pretends to investigate .
its exquisite acting
, evans is no hollywood villain
for too long and bogs down in a surfeit of characters and unnecessary subplots
central flaw
of its pretensions
it was written for no one
of the most appealing movies ever made about an otherwise appalling , and downright creepy , subject -- a teenage boy in love with his stepmother
, nor why he keeps being cast in action films when none of them are ever any good
a no-surprise series of explosions and violence while banderas looks like he 's not trying to laugh at how bad
from too much norma rae and not enough pretty woman
's his strongest performance since the doors
gradually accumulates more layers
bad prose
lies a plot cobbled together from largely flat and uncreative moments .
the thought of watching this film with an audience full of teenagers fixating on its body humor and reinforcement of stereotypes ( of which they 'll get plenty )
so much crypt mist in the brain
as if de palma spent an hour setting a fancy table and then served up kraft macaroni and cheese
hard to conceive anyone else in their roles
a work that lacks both a purpose and a strong pulse .
is in many ways a conventional , even predictable remake
drama of temptation , salvation and good intentions is a thoughtful examination of faith , love and power .
just plain crap
this is a movie that refreshes the mind and spirit along with the body ,
plodding action sequences
while he talks
visually ravishing
phenomenal performances
familiar and predictable , and
only seems to care about the bottom line
will marvel at the sometimes murky , always brooding look of i am trying to break your heart .
callow pretension
is greatness here
comfortable niche
it 's never as solid as you want it to be
i 'd recommend waiting for dvd and just skipping straight to her scenes .
like its title character , this nicholas nickleby finds itself in reduced circumstances -- and , also like its hero , it remains brightly optimistic , coming through in the end .
works on any number of levels
mystery devoid
, enigma offers all the pleasure of a handsome and well-made entertainment .
surprising highs , sorrowful lows and hidden impulsive niches ...
a complete waste
the unexpected thing is that its dying , in this shower of black-and-white psychedelia , is quite beautiful .
the corpse count ultimately overrides what little we learn along the way about vicarious redemption .
moving documentary
slam-bang
goosebumps
the right stuff for silly summer entertainment
trash cinema
be the biggest husband-and-wife disaster since john
abused
does because ( the leads ) are such a companionable couple
who sometimes defies sympathy
of the discomfort and embarrassment of being a bumbling american in europe
worse stunt editing
solid family fun
lucks
savor whenever the film 's lamer instincts are in the saddle
i was trying to decide what annoyed me most about god is great
feeling a part of its grand locations
an interesting look behind the scenes of chicago-based rock group wilco ...
too many wrong turns
do n't get paid enough to sit through crap like this .
bogs down in insignificance , saying nothing about kennedy 's assassination and revealing nothing about the pathology it pretends to investigate
transfixes the audience .
the similarly ill-timed antitrust
with intelligence and care
clumsy dialogue , heavy-handed phoney-feeling sentiment , and an overly-familiar set
most pleasurable movies
from the cutting-room floor of any given daytime soap
's a dull girl , that 's all .
a reworking of die hard and cliffhanger
one who proves that elegance is more than tattoo deep
the kind of sweet-and-sour insider movie that film buffs will eat up like so much gelati
never clearly defines his characters or gives us a reason to care about them .
the adjective ` gentle ' applies
bogs down in a surfeit of characters
is a success .
confusing and horrifying vision
is disposable
are presented in such a lousy way , complete with some of the year 's ( unintentionally ) funniest moments , that it 's impossible to care .
but certainly not without merit
showing us well-thought stunts or a car chase
its excellent use
's fun for kids of any age .
is as uncompromising as it is nonjudgmental , and makes clear that a prostitute can be as lonely and needy as any of the clients
it is n't very good
calls attention to a problem hollywood too long has ignored
the sword fighting is well done and auteuil is a goofy pleasure .
so overwrought you 'd swear he just stepped out of a buñuel retrospective
it squanders chan 's uniqueness ; it could even be said to squander jennifer love hewitt !
tykwer 's surface flash is n't just a poor fit with kieslowski 's lyrical pessimism ; it completely contradicts everything kieslowski 's work aspired to , including the condition of art .
is surprisingly brilliant
wickedly funny , visually engrossing ,
is one of the outstanding thrillers of recent years
's fairly solid -- not to mention well edited so that it certainly does n't feel like a film that strays past the two and a half mark .
are strong , though the subject matter demands acting that borders on hammy at times
is probably the funniest person in the film , which gives you an idea just how bad it was
period drama and flat-out farce that should please history fans
makes compelling , provocative and prescient viewing .
i 'm going to recommend secretary , based on the wonderful acting clinic put on by spader and gyllenhaal
the screenplay does too much meandering , norton has to recite bland police procedural details , fiennes wanders around in an attempt to seem weird and distanced , hopkins looks like a drag queen .
all movie
from its ripe recipe , inspiring ingredients , certified
pure cinematic intoxication , a wildly inventive mixture of comedy and melodrama , tastelessness and swooning elegance
cheery and tranquil
the simpering soundtrack
absorbing character study by andré turpin .
that strikes a very resonant chord
be a lot better if it pared down its plots and characters to a few rather than dozens ... or if it were subtler ... or if it had a sense of humor
seem tired and , what 's worse , routine
each scene drags , underscoring the obvious , and sentiment is slathered on top .
a new kind of high
colorful , joyous celebration
even as rogue cia assassins working for chris cooper 's agency boss close in on the resourceful amnesiac , we do n't feel much for damon/bourne or his predicament
labors as storytelling
succeeds as a well-made evocation
embellished by editing
a waterlogged version of ` fatal attraction ' for the teeny-bopper set ... a sad , soggy potboiler that wastes the talents of its attractive young leads
son of the bride , proves it 's never too late to learn .
from pinnacle to pinnacle
funny , somber , absurd , and , finally , achingly sad
say it was a guilty pleasure
feel the screenwriter at every moment ` tap , tap , tap , tap , tapping away ' on this screenplay
of both adventure and song
a sweet and modest and ultimately winning story
although disney follows its standard formula in this animated adventure , it feels more forced than usual .
being very funny
this unexpectedly moving meditation on love , history , memory , resistance and artistic transcendence
nowheresville
bored by as your abc 's
the best disney movie
energy and innovation
threadbare comic setups
shock-you-into-laughter
is worth the price of admission .
the john wayne classics
more racist portraits
yet can not recommend it , because it overstays its natural running time
is a masterfully
an appalling ` ace ventura ' rip-off
of two actors who do everything humanly possible to create characters who are sweet and believable , and are defeated by a screenplay that forces them into bizarre , implausible behavior
films had the ability to mesmerize , astonish and entertain
every bit as distinctive
insanely stupid
powerful emotional wallop
has solid acting and a neat premise
escapes the precious trappings of most romantic comedies , infusing into the story
an entertaining ride , despite many talky , slow scenes
spirituality that are powerful and moving without stooping to base melodrama
strangely schizo cartoon
she 's as rude and profane as ever , always hilarious and , most of the time , absolutely right in her stinging social observations .
the road to perdition leads to a satisfying destination
i felt trapped and with no obvious escape for the entire 100 minutes .
achieves its main strategic objective : dramatizing the human cost of the conflict that came to define a generation .
escapes the precious trappings of most romantic comedies , infusing into the story very real , complicated emotions .
's absolutely amazing how first-time director kevin donovan managed to find something new to add to the canon of chan
as monstrous
lets you brush up against the humanity of a psycho
accumulated enjoyment
, the tuxedo does n't add up to a whole lot .
its recycled aspects
griffin & co. manage to be spectacularly outrageous .
enthrall the whole family
it 's no lie
appeal to women
bittersweet contemporary comedy
to a higher level
does n't have a passion for the material
like a recycling of clichés , an assassin 's greatest hits
stuck around for this long
yet another tired old vision
offers just enough sweet and traditional romantic comedy to counter the crudity .
do n't know whether to admire the film 's stately nature and call it classicism or be exasperated by a noticeable lack of pace
what great cinema can really do
is more timely now than ever .
one adapted - from-television movie that actually looks as if it belongs on the big screen
too bland to be interesting
through , however , having sucked dry the undead action flick formula , blade ii mutates into a gross-out monster movie with effects that are more silly than scary .
this nervy oddity , like modern art should .
alternately touching and funny
pays off , as does its sensitive handling of some delicate subject matter .
banal and
grossest movie
writer-director danny verete 's three tales comprise a powerful and reasonably fulfilling gestalt .
the drama was so uninspiring that even a story immersed in love , lust , and sin could n't keep my attention .
created a beautiful canvas
a surprisingly sweet and gentle comedy .
charm or texture
it 's a great american adventure and a wonderful film to bring to imax .
blockbusters as patriot games can still turn out a small , personal film with an emotional wallop
effecting
plenty of warmth to go around , with music and laughter and the love of family
false and
the trifecta of badness
animated movies in quite a while
of a so-called ` comedy ' and not laugh
the only entertainment
darkly funny and frequently insightful .
two-dimensional and
needs to take a good sweat to clarify his cinematic vision before his next creation and remember the lessons of the trickster spider .
cremaster 3 '' should come with the warning `` for serious film buffs only ! ''
youthful affluence
if only because it accepts nasty behavior and severe flaws as part of the human condition
dumb and derivative horror
the more overtly silly dialogue
innovative ' and ` realistic '
would have been better off staying on the festival circuit
vibrant creative instincts
exit sign
, metropolis is a feast for the eyes .
you emerge dazed , confused as to whether you 've seen pornography or documentary .
so rhapsodize cynicism , with repetition and languorous slo-mo sequences , that glass 's dirgelike score becomes a fang-baring lullaby .
becomes instead a grating endurance test
a middle-aged romance pairing clayburgh and tambor sounds promising
's a masterpeice .
thoughtful and rewarding
of the cinema world 's great visual stylists
inimitable scenes
a skillfully assembled , highly polished and professional adaptation ... just about as chilling and unsettling as ` manhunter '
jewish parents
crawls along at a snail 's pace
deviant behavior
bubbles up out of john c. walsh 's pipe dream is the distinct and very welcome sense of watching intelligent people making a movie
the most ravaging , gut-wrenching , frightening war scenes since `` saving private ryan ''
what makes barbershop so likable , with all its flaws , is that it has none of the pushiness and decibel volume of most contemporary comedies .
marvelous verdu
this movie is about the worst thing chan has done in the united states .
because it is japanese and yet feels universal
more bizarre than actually amusing
proud in its message
gaudy hawaiian shirt
dim-witted and
as is often the case with ambitious , eager first-time filmmakers , mr. murray , a prolific director of music videos , stuffs his debut with more plot than it can comfortably hold .