xiangpku/GLUE huggingface dataset:
a real charmer
convinced
as a satisfying kids flck becomes increasingly implausible as it races through contrived plot points
short of true inspiration
one decent performance
really solid performances
in and of himself funny
like the english patient and the unbearable lightness of being , the hours is one of those reputedly `` unfilmable '' novels that has bucked the odds to emerge as an exquisite motion picture in its own right .
wins still
insipid , brutally clueless film
refreshingly natural
that it comes off as annoying rather than charming
frame one
the problems of fledgling democracies
for all its visual panache and compelling supporting characters
i suggest that the wayward wooden one end it all by stuffing himself into an electric pencil sharpener
manages to find greatness in the hue of its drastic iconography
the love of family
it 's unnerving suspense
think of it as gidget , only with muscles and a lot more smarts , but just as endearing and easy to watch .
with more emotional force than any other recent film
the bread ,
best comedy concert movie
a cinematic disaster so inadvertently sidesplitting it
an unsympathetic character and someone
is doubtful this listless feature will win him any new viewers
shining with all the usual spielberg flair , expertly utilizing the talents of his top-notch creative team
parker updates the setting in an attempt to make the film relevant today , without fully understanding what it was that made the story relevant in the first place .
headed down the toilet with the ferocity of a frozen burrito
american blockbusters
lacking in suspense , surprise and consistent emotional conviction
secretary manages a neat trick , bundling the flowers of perversity , comedy and romance into a strangely tempting bouquet of a movie .
puzzling than unsettling
a surprisingly funny movie .
the edge of sanity
with roussillon providing comic relief
perceptive , good-natured
stock situations and characters
not really a thriller so much as a movie for teens to laugh , groan and hiss at .
increasingly diverse
stealing harvard is a smorgasbord of soliloquies about nothing delivered by the former mr. drew barrymore .
tsai ming-liang 's witty , wistful new film , what time is it there ?
enjoy the film
an insult to every family whose mother has suffered through the horrible pains of a death by cancer
wasted a lot of their time ( including mine ) on something very inconsequential .
nicole holofcenter , the insightful writer/director responsible for this illuminating comedy does n't wrap the proceedings up neatly
engages us in constant fits of laughter ,
imaginative as one might have hoped
duly impressive in imax dimensions
that fails to make adequate
compelling film .
he 's not good with people .
might i suggest that the wayward wooden one end it all by stuffing himself into an electric pencil sharpener ?
world-renowned
hollywood frightfest
to treat its characters , weak and strong , as fallible human beings , not caricatures , and to carefully delineate the cost of the inevitable conflicts between human urges and an institution concerned with self-preservation
, you 're engulfed by it .
pushed into the margins
doing its usual worst to guilt-trip parents
a vision both painterly and literary
rarely permitting its characters more than two obvious dimensions and repeatedly placing them in contrived , well-worn situations
quick-witted
evokes the frustration , the awkwardness and the euphoria of growing up , without relying on the usual tropes
high drama , disney-style - a wing and a prayer and a hunky has-been pursuing his castle in the sky
, unlikeable people
a journey that is as difficult for the audience to take as it is for the protagonist -- yet it 's potentially just as rewarding
, crisp storytelling
do the genial-rogue shtick to death
revelatory and narcissistic
disappointing in comparison to other recent war movies ... or any other john woo flick for that matter .
like they were lifted from terry gilliam 's subconscious , pressed through kafka 's meat grinder and into buñuel 's casings
there are side stories aplenty -- none of them memorable
to refresh our souls
is one of those rare pictures
emotionally desiccated
when it comes out on video , then it 's the perfect cure for insomnia .
starts as an intense political and psychological thriller
an unsophisticated
is n't much to it
overboard
zoe clarke-williams 's lackluster thriller `` new best friend '' ,
magnetic performance
first full flush
when compared to the usual , more somber festival entries , davis ' highly personal brand of romantic comedy is a tart , smart breath of fresh air that stands out from the pack even if the picture itself is somewhat problematic .
its courage , ideas ,
is the script 's endless assault of embarrassingly ham-fisted sex jokes that reek of a script rewrite designed to garner the film a `` cooler '' pg-13 rating
are n't - kids-cute sentimentality by a warmth that is n't faked and a stately sense of composition .
enormously entertaining movie
, occasionally horrifying but often inspiring film
by a lackluster script and substandard performances
stuffs his debut with more plot than it can comfortably hold
failing , ultimately
woefully dull
in the business
real snooze .
far more energy
wilde 's droll whimsy
of the great minds of our times
one arresting image
what makes it worth the trip to the theater
watching this gentle , mesmerizing portrait of a man coming to terms with time
absurd ,
emotional comfort
been a confusing and horrifying vision into an intense and engrossing head-trip
stripped of most of his budget and all of his sense of humor
all the wiggling energy
is his best film yet
back with the astonishing revelation
dragged on
a moving essay about the specter of death , especially suicide .
forgettably
your indifference
obnoxious comedy
a sweet , laugh-a-minute crowd pleaser that lifts your spirits as well as
, lan yu never catches dramatic fire .
nothing about this movie
leaves blue crush waterlogged
as the synergistic impulse that created it
hardly an objective documentary , but it 's great cinematic polemic ...
it 's like rocky and bullwinkle on speed , but that 's neither completely enlightening , nor does it catch the intensity of the movie 's strangeness
's so downbeat and nearly humorless that it becomes a chore to sit through -- despite some first-rate performances by its lead
attractive and talented actors
is rotten in the state of california
lurches between not-very-funny comedy
jaw-dropping action sequences , striking villains , a gorgeous color palette ,
a laughable -- or rather , unlaughable -- excuse for a film .
a grating ,
poignant and delicately complex .
the wise , wizened visitor
wit and dignity
a wishy-washy melodramatic movie that shows us plenty of sturm und drung , but explains its characters ' decisions only unsatisfactorily .
it 's a smart , funny look at an arcane area of popular culture
what 's even more remarkable is the integrity of devito 's misanthropic vision
lovely and beautifully
be moved to the edge of their seats by the dynamic first act
so much leniency
simple pleasures usurp the preaching message so that , by the time the credits roll across the pat ending , a warm , fuzzy feeling prevails
a very compelling , sensitive , intelligent and almost cohesive piece of film entertainment
, you can only love the players it brings to the fore for the gifted but no-nonsense human beings they are and for the still-inestimable contribution they have made to our shared history .
had all its vital essence scooped out and
you 're a comic fan
way too mushy -- and in a relatively short amount of time
up a powerful and deeply moving example of melodramatic moviemaking
conveying the way tiny acts of kindness make ordinary life survivable
so meditative and lyrical about babak payami 's boldly quirky iranian drama secret ballot ... a charming and evoking little ditty that manages to show the gentle and humane side of middle eastern world politics
no special effects , and no hollywood endings
the more hackneyed elements of the film
hard to understand why anyone in his right mind would even think to make the attraction a movie
energy and imagination
melodramatic paranormal romance
another smash
whiny pouty-lipped poof
more tiring than anything
is raised a few notches above kiddie fantasy pablum by allen 's astringent wit .
has all the values of a straight-to-video movie ,
it 's probably not easy to make such a worthless film ...
dicaprio 's best performance in anything ever , and easily the most watchable film of the year
paints - of a culture in conflict with itself
between the artificial structure
the mind to see a feature that concentrates on people , a project in which the script and characters hold sway
heartwarming yarn
like vardalos and corbett , who play their roles with vibrant charm , the film , directed by joel zwick , is heartfelt and hilarious in ways you ca n't fake .
intensely romantic
the more outre aspects of ` black culture ' and the dorkier aspects
three splendid actors
is a wonderous accomplishment of veracity and narrative grace
a fine documentary can be distinguished from a mediocre one by the better film 's ability to make its subject interesting to those who are n't part of its supposed target audience .
thoroughly enjoyable
an unencouraging threefold expansion on the former mtv series
the cinematography is cloudy , the picture making becalmed .
to `` interesting ''
reminds me of a vastly improved germanic version of my big fat greek wedding -- with better characters , some genuine quirkiness and at least a measure of style
fine-looking
losin ' his fan base
marshall keeps the energy humming , and his edits , unlike those in moulin rouge , are crisp and purposeful without overdoing it
engrossing story
( the leads ) are such a companionable couple
make this a moving experience for people who have n't read the book
you should avoid this like the dreaded king brown snake .
buoyant , expressive
watch the film twice
an artsploitation movie with too much exploitation and too little art .
loopy and
a touching reflection
while some of the camera work is interesting , the film 's mid-to-low budget is betrayed by the surprisingly shoddy makeup work .
chouraqui brings documentary-like credibility to the horrors of the killing field and the barbarism of ` ethnic cleansing . '
a clever script and skilled actors
this flat effort
watch jackson , who also served as executive producer , take his smooth , shrewd , powerful act abroad
( gulpilil ) is a commanding screen presence , and
who surely read the catcher in the rye but clearly suffers from dyslexia
have forgotten everything he ever knew about generating suspense
that sneaks up on you and stays with you long after you have left the theater
the most edgy piece of disney animation
really get weird , though not particularly scary
sweet , even delectable
as part of mr. dong 's continuing exploration of homosexuality in america , family fundamentals is an earnest study in despair .
performances , great to look at , and funny
it never comes close to being either funny or scary
predictable rehash
a movie of technical skill and rare depth
the sex , a wonderful tale of love and destiny
so cold and dead
of a movie that keeps throwing fastballs
, soar .
made a film that is an undeniably worthy and devastating experience
politics , power and
too erotic nor
is a powerful , naturally dramatic piece of low-budget filmmaking
is rather the way it introduces you to new , fervently held ideas and fanciful thinkers .
not a schlocky creature feature but something far more stylish and cerebral -- and , hence , more chillingly effective .
wondering why these people mattered
the titillating material
infidelity
no good answer to that one
be a somewhat backhanded compliment to say that the film makes the viewer feel like the movie 's various victimized audience members after a while , but it also happens to be the movie 's most admirable quality
's pure entertainment
to pop up in a cinematic year already littered with celluloid garbage
grows decidedly flimsier with its many out-sized , out of character and logically porous action set pieces .
is an encyclopedia of cliches that shoplifts shamelessly from farewell-to-innocence movies like the wanderers and a bronx tale without cribbing any of their intelligence
though jones and snipes are enthralling , the movie bogs down in rhetoric and cliché .
constantly touching
having a nightmare about bad cinema
bratty for sympathy
an entertaining documentary
striking , quietly vulnerable personality
worse than you can imagine
compassion , good-natured
that takes few chances and manages to insult the intelligence of everyone in the audience
deserved all the hearts it won -- and wins still
is japanese and yet feels universal
most effective if used as a tool to rally anti-catholic protestors
from its invitingly upbeat overture to its pathos-filled but ultimately life-affirming finale
is a self-aware , often self-mocking , intelligence
a good movie ye
this nicholas nickleby finds itself in reduced circumstances -- and , also like its hero , it remains brightly optimistic , coming through in the end .
just do n't work in concert .
it wants to be an acidic all-male all about eve or a lush , swooning melodrama in the intermezzo strain
finds the ideal outlet for his flick-knife diction in the role of roger swanson .
of the worst sin of attributable to a movie like this
the whole thing succeeded only in making me groggy .
cobbled together from largely flat and uncreative moments
a weird , arresting little ride .
much more than
really goes downhill .
a wholly unnecessary pre-credit sequence designed to give some of the characters a ` back story
ms. sugarman followed through on her defiance of the saccharine
any art-house moviegoer
more than their unique residences , home movie is about the people who live in them , who have carved their own comfortable niche in the world and have been kind enough to share it .
their story is predictable
ingenue
from a bad clive barker movie
does an impressive job of relating the complicated history of the war and
an unforgettable look at morality , family , and social expectation through the prism of that omnibus tradition called marriage .
the characters are complex , laden with plenty of baggage and tinged with tragic undertones
will undoubtedly play well in european markets , where mr. besson is a brand name , and in asia , where ms. shu is an institution , but american audiences will probably find it familiar and insufficiently cathartic
ultimately purposeless
occasionally loud and offensive , but more often , it simply lulls you into a gentle waking coma .
more intimate than spectacular , e.t. is carried less by wow factors than by its funny , moving yarn that holds up well after two decades .
one of the funniest motion
remake andrei tarkovsky 's solaris so much as distill it
as unblinkingly pure as the hours
` scratch ' is a pretty decent little documentary .
half-hearted
walk away without anyone truly knowing your identity
hypnotically dull , relentlessly downbeat
a dime
kiddie fantasy pablum
of overwhelming waste
by the pathetic idea
airy cinematic bon bons
sure to ultimately disappoint the action
's serious , poetic , earnest and -- sadly -- dull
in its place a sweetness , clarity and emotional openness that recalls the classics of early italian neorealism
dripping with cliche
warm as it is wise
, the film goes right over the edge and kills every sense of believability
the film 's messages of tolerance and diversity are n't particularly original , but
wewannour money back ,
as it explores the awful complications of one terrifying day
a chance to learn , to grow , to travel
woody allen used to ridicule movies like hollywood ending .
volletta wallace 's maternal fury , her fearlessness
sounds whiny and defensive , as if his life-altering experiences made him bitter and less mature
warm and well-told
what 's missing from this material is any depth of feeling
mired in tear-drenched quicksand
that is actually funny with the material
narrative continuity
contains a few big laughs but many more that graze the funny bone or miss it altogether , in part because the consciously dumbed-down approach wears thin
not everyone will welcome or accept the trials of henry kissinger as faithful portraiture ,
a canny crowd pleaser , and
a film about something , one that attempts and often achieves a level of connection and concern
so watchable
stunning animation
the dog from snatch )
great marching bands
cold , sterile and lacking any color or warmth .
no reason to truly care for its decrepit freaks beyond the promise of a reprieve from their incessant whining
esther kahn is unusual but unfortunately also irritating .
the touch is generally light enough and
unearth the quaking essence of passion , grief and fear
plays like some weird masterpiece theater sketch with neither
has some nice twists but the ending
washington has a sure hand .
a boatload of screenwriting cliches that sink it faster than a leaky freighter
wasted by a script that takes few chances and manages to insult the intelligence of everyone in the audience
very good film
more curious
liked it because it was so endlessly , grotesquely , inventive
less like a cousin to blade runner than like a bottom-feeder sequel in the escape from new york series .
ace japanimator hayao miyazaki 's spirited away
few movies have ever approached
a thoroughly awful movie --
springing
bigger than yourself
the plot is nothing but boilerplate clichés from start to finish , and
a wonderful account to work from
there is no earthly reason other than money why this distinguished actor would stoop so low
turn in perfectly executed and wonderfully sympathetic characters , who are alternately touching and funny .
lil bow wow takes the cake
dismally dull sci-fi comedy
denouement
still want my money back .
has a tired , talky feel .
and the reason for that is a self-aware , often self-mocking , intelligence .
knows how a daily grind can kill love
an admitted egomaniac , evans is no hollywood villain , and yet this grating showcase almost makes you wish he 'd gone the way of don simpson .
it aims so low
eight legged freaks falls flat as a spoof .
told with the intricate preciseness of the best short story writing .
big , dumb action movie
lip-reading
audacity and openness
enough originality in ` life ' to distance it from the pack of paint-by-number romantic comedies
one of the year 's most enjoyable releases
a cellophane-pop remake of the punk
morally bankrupt characters
, overall it 's an entertaining and informative documentary .
you 're convinced that this mean machine was a decent tv outing that just does n't have big screen magic .
exhilarating documentary
intentionally low
creepy crawlies
loud , witless mess
to accomplish
when cares melted away in the dark theater
as quiet , patient and tenacious as mr. lopez himself , who approaches his difficult , endless work with remarkable serenity and discipline .
a dud
sappy situations and dialogue
entertaining and , ultimately , more perceptive moment
adorably whimsical comedy
the pacing is often way off and there are too many bona fide groaners among too few laughs
it goes on for too long and bogs down in a surfeit of characters and unnecessary subplots .
expressing the way many of us live -- someplace between consuming self-absorption and insistently demanding otherness
how pertinent its dynamics remain
includes too much obvious padding .
becomes predictably conventional
the plot is nothing but boilerplate clichés from start to finish
a straight-ahead thriller that never rises above superficiality .
a story for more than four minutes
hip-hop indie snipes
trifling
may be the performances of their careers
from a faraway planet
one of the most repellent things
would change the fact that what we have here is a load of clams left in the broiling sun for a good three days
tells a sweet , charming tale of intergalactic friendship
a powerful sequel and one
ramsay is clearly extraordinarily talented ,
uproarious humor
deft punctuation
it 's sweet and fluffy at the time
reduce everything he touches to a shrill , didactic cartoon
is one of the year 's worst cinematic tragedies .
it allows the mind to enter and accept another world
could as easily have been called ` under siege 3 : in alcatraz ' ... a cinematic corpse that never springs to life
laugh because he acts so goofy all the time
oversexed
it gets old quickly .
peopled mainly by characters so unsympathetic that you 're left with a sour taste in your mouth
the four feathers has rewards , from the exoticism of its seas of sand to the fierce grandeur of its sweeping battle scenes .
few films have captured the chaos of an urban conflagration with such fury , and
of kiddie entertainment , sophisticated wit and symbolic graphic design
forefront
be most in the mind of the killer
stages his gags as assaults on america 's knee-jerk moral sanctimony
a celebration
you could easily mistake it for a sketchy work-in-progress that was inexplicably rushed to the megaplexes before its time .
flat and uncreative
oo many of these gross
like a docu-drama but builds its multi-character story with a flourish
i have not been this disappointed by a movie in a long time .
a lot like a well-made pb & j sandwich : familiar , fairly uneventful and boasting no real surprises -- but still quite tasty and inviting all the same
frailty fascinates
a play that only ever walked the delicate tightrope between farcical and loathsome
the film was immensely enjoyable thanks to great performances by both steve buscemi and rosario dawson ...
remains brightly optimistic
worth your time
rooting for the monsters in a horror movie
still comes from spielberg , who has never made anything that was n't at least watchable
, everything else about the film tanks .
as overbearing and over-the-top as the family
it 's supposed to be a romantic comedy - it suffers from too much norma rae and not enough pretty woman
a subculture hell-bent on expressing itself in every way imaginable
, shining performance offers us the sense that on some elemental level , lilia deeply wants to break free of her old life .
a bland murder-on-campus
the artwork
a remake ) do anything as stomach-turning as the way adam sandler 's new movie rapes , pillages and incinerates frank capra 's classic
, the characters have a freshness and modesty that transcends their predicament .
even the corniest
... a quietly introspective portrait of the self-esteem of employment and the shame of losing a job ...
has a whip-smart sense of narrative bluffs
its beautiful women
wretchedly
you have a case of masochism and an hour and a half to blow
clever scripting solutions
left me with the visceral sensation of longing , lasting traces of charlotte 's web of desire and desperation .
is uniformly superb
fails at both endeavors
convinced i could keep a family of five blind , crippled , amish people alive in this situation better than these british soldiers do at keeping themselves kicking
to be a hollywood satire but winds up as the kind of film that should be the target of something
from a bygone era
, the film , directed by joel zwick , is heartfelt and hilarious in ways you ca n't fake .
one of french cinema 's master craftsmen
a funny , triumphant , and moving documentary .
suspenseful cliché
during the tuxedo 's 90 minutes of screen time , there is n't one true ` chan moment ' .
should have been a more compelling excuse to pair susan sarandon and goldie hawn
most virtuous limits
something goes bump in the night and nobody cares
puzzle his most ardent fans .
a bad sign when directors abandon their scripts and go where the moment takes them
to our basest desires
a worthy addition to the cinematic canon , which , at last count , numbered 52 different versions
comic energy
the film becomes an overwhelming pleasure
excites the imagination
inauthentic at its core
remain an unchanged dullard
if i could have looked into my future and saw how bad this movie was
a vivid , spicy footnote to history ,
a suspenseful spin
of an underdone potato
get more re-creations of all those famous moments
real talent and wit to elevate it beyond its formula to the level of classic romantic comedy to which it aspires