xiangpku/GLUE huggingface dataset:
as a feature-length film , it wears out its welcome as tryingly as the title character .
a backhanded ode to female camaraderie penned by a man who has little clue about either the nature of women or of friendship .
( l ) ame and unnecessary .
about a boy injects just enough freshness into the proceedings to provide an enjoyable 100 minutes in a movie theater .
's a wise and powerful tale of race and culture forcefully told , with superb performances throughout .
that made spy kids a surprising winner with both adults and younger audiences
nothing short of a masterpiece -- and a challenging one
little more than a well-mounted history lesson
romantic comedy and dogme 95 filmmaking may seem odd bedfellows
spent watching this waste of time
loosely connected
the movie 's seams may show ... but
ultimate demise
benefits from serendipity but
i 've never seen or heard anything quite like this film ,
the characters move with grace and panache
handed down from the movie gods on a silver platter
been 13 months and 295 preview screenings since i last walked out on a movie
in the end , you feel alive - which is what they did
visually unappealing
hideousness
intelligent , and humanly funny film .
formula -- which is a waste of de niro , mcdormand and the other good actors in the cast
this story to go but down
'd be hard pressed to think of a film more cloyingly sappy than evelyn this year .
easy sanctimony , formulaic thrills and
the solemnity with which it tries to pump life into overworked elements from eastwood 's dirty harry period
an admirable reconstruction of terrible events ,
into the trap of pretention
... is funny in the way that makes you ache with sadness ( the way chekhov is funny ) , profound without ever being self-important , warm without ever succumbing to sentimentality .
bringing you right inside the massive waves that lifts blue crush into one of the summer 's most pleasurable movies
the spectacle of gere in his dancing shoes
us care about this latest reincarnation of the world 's greatest teacher
few films have captured the chaos of an urban conflagration with such fury , and audience members will leave feeling as shaken as nesbitt 's cooper looks when the bullets stop flying .
find yourself rooting for gai 's character to avoid the fate that has befallen every other carmen before her
a movie that tells stories that work -- is charming , is moving
questions cinema 's capability for recording truth
the charismatic jackie chan
ill-conceived action pieces
a damn fine and a truly distinctive and a deeply pertinent film .
retains ambiguities that make it well worth watching
, moving
's more of the ` laughing at ' variety than the ` laughing with
looks to be going through the motions , beginning with the pale script
in the excesses of writer-director roger avary
is hitting your head on the theater seat in front of you when you doze off thirty minutes into the film .
with daring and verve
strives to be more , but does n't quite get there .
no justice
never lacks in eye-popping visuals
columbia pictures ' perverse idea of an animated holiday movie
played-out idea
one of those decades-spanning historical epics that strives to be intimate and socially encompassing but fails to do justice to either effort in three hours of screen time
, paxton is surprisingly brilliant , deftly sewing together what could have been a confusing and horrifying vision into an intense and engrossing head-trip .
silences
most repellent things
comes off like a particularly amateurish episode of bewitched that takes place during spring break
into an a-list director
a mesmerizing performance as a full-fledged sex addict who is in complete denial about his obsessive behavior
this painfully unfunny farce traffics in tired stereotypes and encumbers itself with complications ... that have no bearing on the story .
delves into the passive-aggressive psychology of co-dependence and the struggle for self-esteem .
contains all the substance of a twinkie -- easy to swallow , but scarcely nourishing
is an engaging and exciting narrative of man confronting the demons of his own fear and paranoia
its passages of sensitive observation
a movie in which laughter and self-exploitation merge into jolly soft-porn 'em powerment .
a dark pit having a nightmare about bad cinema
deceptively amusing
beyond the cleverness , the weirdness and the pristine camerawork , one hour photo is a sobering meditation on why we take pictures .
loads of cgi and bushels of violence
the very best
sci-fi thriller
listless direction
hollywood ending is not show-stoppingly hilarious , but scathingly witty nonetheless .
the delicious trimmings ...
engages less for its story of actorly existential despair than for its boundary-hopping formal innovations and glimpse into another kind of chinese ` cultural revolution . '
advancing this vision
is born out of an engaging storyline , which also is n't embarrassed to make you reach for the tissues .
lethargically
, mesmerizing
a pretty good overall picture of the situation
could ever have hoped to be
the holiday message of the 37-minute santa vs. the snowman leaves a lot to be desired .
will likely prefer to keep on watching
this is lightweight filmmaking , to be sure
trailer trash cinema so uncool the only thing missing is the `` gadzooks ! ''
both an admirable reconstruction of terrible events , and a fitting memorial to the dead of that day , and of the thousands thereafter .
has never made anything that was n't at least watchable
still have to see this !
with blazing guns , cheatfully filmed martial arts , disintegrating bloodsucker computer effects and jagged camera moves that serve no other purpose than to call attention to themselves
remind one of a really solid woody allen film ,
how inept is serving sara ?
almost in a class with that of wilde
just plain bad
's no art here
'll love this movie
as good as the full monty , but a really strong second effort
and -- sadly -- dull
swept away '
bogdanovich taps deep into the hearst mystique , entertainingly reenacting a historic scandal .
of all hollywood fantasies
the series ' message about making the right choice in the face of tempting alternatives remains prominent , as do the girls ' amusing personalities .
their feces
nonsense machine
will be pleased to discover that tian 's meticulous talent has not withered during his enforced hiatus
of imagination in the soulful development of two rowdy teenagers
fierce grandeur
fails to have a heart , mind or humor of its own
is a very ambitious project for a fairly inexperienced filmmaker
overused cocktail
the movie is a disaster .
the year selection
, home movie is about the people who live in them , who have carved their own comfortable niche in the world and have been kind enough to share it .
another gross-out college comedy -- ugh .
with wisdom and emotion
in gross-out humor
help but engage
laissez-passer has all the earmarks of french cinema at its best .
huge box-office
twisted sense
, brimming with coltish , neurotic energy , holds the screen like a true star .
with style and empathy
spend $ 9 on the same stuff you can get for a buck or so in that greasy little vidgame pit in the theater lobby
the film has ( its ) moments , but they are few and far between .
make a person who has lived her life half-asleep suddenly wake up
just is n't a very involving one
as plain and pedestrian as catsup --
being lectured to by tech-geeks , if you 're up for that sort of thing
colorful bio-pic
a strangely sinister happy ending
going for that pg-13 rating
attempts to mine laughs from a genre -- the gangster/crime comedy -- that wore out its welcome with audiences several years ago
cross-dressing
a skillful filmmaker
succeeds in diminishing his stature from oscar-winning master to lowly studio hack
( sam 's ) self-flagellation is more depressing than entertaining .
her presence succeeds in making us believe
to term an `` ambitious failure
dared
devote time to see it
smith examines the intimate , unguarded moments of folks who live in unusual homes -- which pop up in nearly every corner of the country .
street gangs and turf wars in 1958 brooklyn -- stale cliches ,
's endlessly inventive , consistently intelligent and sickeningly savage
the typical hollywood disregard for historical truth and realism is at work here
of the biggest names in japanese anime , with impressive results
allegedly inspiring and easily marketable
a rare treat
good and
your interest until the end and even leaves you with a few lingering animated thoughts
to which anyone can relate
meyjes ' provocative film
prettiest
hard to believe that a life like this can sound so dull
a light , yet engrossing piece
a disoriented but occasionally disarming saga packed with moments out of an alice in wonderland adventure , a stalker thriller , and a condensed season of tv 's big brother .
loses its overall sense of mystery and becomes a tv episode rather than a documentary that you actually buy into .
`` a '' range
hugh grant , who has a good line in charm , has never been more charming than in about a boy .
in spite of clearly evident poverty and hardship
plotless ,
, indescribably bad
's no accident that the accidental spy is a solid action pic that returns the martial arts master to top form .
the film is ultimately about as inspiring as a hallmark card .
growing , moldering pile
tired of the whole slo-mo , double-pistoled , ballistic-pyrotechnic hong kong action aesthetic
slickly
a mesmerizing cinematic poem from the first frame to the last
would gobble in dolby digital stereo
too mushy -- and in a relatively short amount of time
it ranks with the best of herzog 's works
its visual imagination is breathtaking
each other against all odds
of those so-so films that could have been much better
that makes it worth checking out at theaters
only has about 25 minutes of decent material .
a case of masochism and an hour and a half
drags , underscoring the obvious
witlessness between a not-so-bright mother and daughter and
if you want a movie time trip , the 1960 version is a far smoother ride .
both exuberantly romantic and serenely melancholy , what time is it there ?
equally great
contribute to a mood that 's sustained through the surprisingly somber conclusion
remarkable for its excellent storytelling , its economical , compressed characterisations and for its profound humanity
lovefest
to have been picked not for their acting chops , but for their looks and appeal to the pre-teen crowd
that 's as lumpy as two-day old porridge ... the filmmakers ' paws , sad to say , were all over this `` un-bear-able '' project
decent ones
two surefire , beloved genres
sweet without the decay factor
are amiable and committed
roiling black-and-white inspires
to match the power of their surroundings
is old-fashioned , occasionally charming and as subtle as boldface .
it 's also nice to see a movie with its heart so thoroughly , unabashedly on its sleeve
entertainingly reenacting a historic scandal .
demonstrates just how far his storytelling skills have eroded
an irresistible , languid romanticism
it sounds like another clever if pointless excursion into the abyss , and that 's more or less how it plays out .
lively dream
the thinness of its characterizations
a series of perfect black pearls clicking together to form a string
can seem tiresomely simpleminded
shyamalan 's gifts ,
have marked an emerging indian american cinema
bad hair design
to convince us that acting transfigures esther
watch these two together again in a new york minute
( cuarón has ) created a substantive movie out of several cliched movie structures : the road movie , the coming-of-age movie , and the teenage sex comedy .
the poor quality
an insultingly unbelievable final act
hoping the nifty premise will create enough interest to make up for an unfocused screenplay
be captivated , as i was , by its moods , and by its subtly transformed star ,
does a disservice
is either a saving dark humor or the feel of poetic tragedy .
watch barbershop again if you 're in need of a cube fix -- this is n't worth sitting through
topics that could make a sailor blush - but lots of laughs .
good theatre
of how well-meaning patronizing masked a social injustice , at least as represented by this case
is a truly , truly bad movie
truth and realism
even its target audience talked all the way through it
the movie is silly beyond comprehension , and even if it were n't silly , it would still be beyond comprehension .
as beautiful
's touching and tender and
has been lost in the translation ... another routine hollywood frightfest in which the slack execution italicizes the absurdity of the premise
are neither original nor are presented in convincing way
this very compelling tale
dehumanizing and ego-destroying process
no respectable halloween costume shop would ever try to sell
goofily endearing and well-lensed gorefest
is enriched by an imaginatively mixed cast of antic spirits , headed by christopher plummer as the subtlest and most complexly evil uncle ralph i 've ever seen in the many film and stage adaptations of the work
shiver-inducing
questionable satirical ambivalence
a very entertaining , thought-provoking film
is brilliant , really
delicate , clever
is a light , fun cheese puff of a movie .
at best this is a film for the under-7 crowd .
put to find a movie character more unattractive or odorous ( than leon )
dazzling entertainment
fairly irresistible package
a heavy-handed indictment
does n't so much phone in his performance as fax it
exist only for its climactic setpiece
one not-so-small problem
the film is an earnest try at beachcombing verismo , but it would be even more indistinct than it is were it not for the striking , quietly vulnerable personality of ms. ambrose .
that made the first film so special
cast adrift in various new york city locations with no unifying rhythm or visual style
the fact is that the screen is most alive when it seems most likely that broomfield 's interviewees , or even himself , will not be for much longer .
the dullest irish pub scenes
her pale , dark beauty and
squandering his opportunity to make absurdist observations , burns gets caught up in the rush of slapstick thoroughfare .
has its moments -- and almost as many subplots .
he has found with an devastating , eloquent clarity
i like about men with brooms and what is kind of special
may not be an important movie , or even a good one
mediocre fable from burkina faso .
that comes through all too painfully in the execution
, it would still be beyond comprehension
lot to do with the casting of juliette binoche as sand , who brings to the role her pale , dark beauty and characteristic warmth
more entertaining , too
undernourished
phillip noyce and all of his actors -- as well as his cinematographer , christopher doyle -- understand the delicate forcefulness of greene 's prose , and it 's there on the screen in their version of the quiet american .
high above run-of-the-filth gangster flicks
some movies and artfully restrained in others , 65-year-old jack nicholson
crafty and intelligent
an achingly enthralling premise , the film is hindered by uneven dialogue and plot lapses .
cornball sequel
is the most visually unappealing .
the best and most mature comedy of the 2002 summer season speaks more of the season than the picture
too-long , spoofy update
illustrates the ability of the human spirit to overcome adversity
all comedy is subversive , but this unrelenting bleak insistence on opting out of any opportunity for finding meaning in relationships or work just becomes sad .
it 's a powerful though flawed movie , guaranteed to put a lump in your throat while reaffirming washington as possibly the best actor working in movies today .
devos and cassel have tremendous chemistry
cultural identity
avoid this like the dreaded king brown snake
full frontal , which opens today nationwide , could almost be classified as a movie-industry satire , but it lacks the generous inclusiveness that is the genre 's definitive , if disingenuous , feature
transparently hypocritical work
apparently designed as a reverie about memory and regret , but the only thing you 'll regret is remembering the experience of sitting through it .
's got to be a more graceful way of portraying the devastation of this disease .
robbed
some body often looks like an episode of the tv show blind date , only less technically proficient and without the pop-up comments .
( and beautifully edited
, sylvie testud is icily brilliant .
and mind-numbing indifference
john carpenter 's original
the always hilarious meara and levy
smell the grease on the plot
there 's a lot to recommend read my lips .
of those films that started with a great premise and then just fell apart
the storylines are woven together skilfully , the magnificent swooping aerial shots are breathtaking , and the overall experience is awesome
earthly
shaky , uncertain film
's a love story as sanguine as its title
is mesmerizing
direction to give the film a soul and an unabashed sense of good old-fashioned escapism
, it 's mission accomplished
honest emotions
the cat 's meow marks a return to form for director peter bogdanovich ...
quirky and fearless ability
puts enough salt into the wounds of the tortured and self-conscious material to make it sting
wimps out by going for that pg-13 rating , so the more graphic violence is mostly off-screen and
a remarkable piece
like puppies with broken legs / and butterflies that die / and movies starring pop queens
its own ironic implications
's the brilliant surfing photography bringing you right inside the massive waves that lifts blue crush into one of the summer 's most pleasurable movies
may be relieved that his latest feature , r xmas , marks a modest if encouraging return to form
renowned
earn our love
if you 're the kind of parent who enjoys intentionally introducing your kids to films which will cause loads of irreparable damage that years and years of costly analysis could never fix , i have just one word for you - -- decasia
its charms and
watch it , offering fine acting moments and pungent insights into modern l.a. 's show-biz and media
inevitably consigned
with stunning animation
the translation ... another routine hollywood frightfest in which the slack execution italicizes the absurdity of the premise
with a visual style unique and inherent
the sleekness
for a quick-buck sequel
tell you how tedious
it 's a frankenstein-monster of a film that does n't know what it wants to be .
way cheaper ( and better )
a drowsy drama infatuated by its own pretentious self-examination
graceless and
mr. polanski is in his element here :
an open wound
is a masterpiece of elegant wit and artifice
entertaining and
johnnie to and wai ka fai are ) sure to find an enthusiastic audience among american action-adventure buffs , but the film 's interests may be too narrow to attract crossover viewers .
belly laugh
a laugh riot
glued to the screen
canny and spiced
what saves it ... and makes it
a truly annoying pitch
the hype
a lightweight story about matchmaking
laugh their *** off for an hour-and-a-half
believe these jokers are supposed to have pulled off four similar kidnappings before
is that there 's a casual intelligence that permeates the script
its new england characters , most of whom wander about in thick clouds of denial
a serious drama
tres greek writer and star nia vardalos has crafted here a worldly-wise and very funny script .
is ) the comedy equivalent of saddam hussein , and i 'm just about ready to go to the u.n. and ask permission for a preemptive strike .
the material
is a refreshingly smart and newfangled variation on several themes derived from far less sophisticated and knowing horror films .
attack of the clones is a technological exercise that lacks juice and delight
need , neurosis and nervy
writer-director juan carlos fresnadillo makes a feature debut that is fully formed and remarkably assured .
a fun and funky look into an artificial creation in a world that thrives on artificiality
to enjoy the perfectly pitched web of tension that chabrol spins
rampant adultery
of business notable largely for its overwhelming creepiness , for an eagerness to create images you wish you had n't seen
help us return to a sane regimen of eating , sleeping and stress-reducing contemplation
the filmmakers ' eye for detail and the high standards of performance
girls ca n't swim represents an engaging and intimate first feature by a talented director to watch
our hero must ride roughshod over incompetent cops to get his man
crudup 's screen presence
comes alive when poor hermocrates and leontine pathetically compare notes about their budding amours
treasured
but what gives human nature its unique feel is kaufman 's script
of suspense , intriguing characters and bizarre bank robberies , plus a heavy dose of father-and-son dynamics
rapidly develops into a gut-wrenching examination of the way cultural differences and emotional expectations collide .
imperfect , love-hate relationship
the immersive powers of the giant screen and its hyper-realistic images are put to perfect use in the breathtakingly beautiful outer-space documentary space station 3d .
the annoyance
that it ends up being surprisingly dull
you have the patience for it
it were any more of a turkey
the filmmakers want nothing else than to show us a good time
a shaky , uncertain film
's routine is offensive , puerile and unimaginatively foul-mouthed if it was at least funny
playing out like a feature-length sitcom replete with stereotypical familial quandaries
sunk by way too much indulgence of scene-chewing , teeth-gnashing actorliness .
the most sincere and artful movie
a bad taste in your mouth and questions
unlike last year 's lame musketeer , this dumas adaptation entertains
lookin ' for sin , american-style ?
's a minor treat
the action and
skilled actors
without your pulse ever racing
it 's also not smart or barbed enough for older viewers --
, like silence , it 's a movie that gets under your skin .
i do n't think that a.c. will help this movie one bit
celebrates the group 's playful spark of nonconformity
that 's very different from our own and yet instantly recognizable
even though it 's common knowledge that park and his founding partner , yong kang , lost kozmo in the end , you ca n't help but get caught up in the thrill of the company 's astonishing growth .
a moving picture that does not move .
a frustrating patchwork :
as hilarious lunacy
the local flavor with a hugely enjoyable film about changing times , clashing cultures and the pleasures of a well-made pizza
very depressing movie
are mesmerizing
might add -- slice of comedic bliss
dreamy and evocative
painfully unfunny farce
is n't very bright
move over bond
definitive account
an interesting exercise
the only thing `` swept away '' is the one hour and thirty-three minutes spent watching this waste of time .
writer-director david jacobson and his star , jeremy renner , have made a remarkable film that explores the monster 's psychology not in order to excuse him but rather to demonstrate that his pathology evolved from human impulses that grew hideously twisted .
's the sweet cinderella story
the passions that sometimes fuel our best achievements and other times
as darkly funny
a disaster of a drama
the first two are ruined by amateurish writing and acting , while the third feels limited by its short running time
's one of the most beautiful , evocative works i 've seen
does n't take a rocket scientist to figure out that this is a mormon family movie , and a sappy , preachy one at that .
like slob city reductions of damon runyon crooks
all the bad things in the world /
this is the most visually unappealing .
as good , if not better than much of what 's on saturday morning tv especially the pseudo-educational stuff we all ca n't stand
delirious fun .
lisa rinzler 's cinematography may be lovely , but love liza 's tale itself virtually collapses into an inhalant blackout , maintaining consciousness just long enough to achieve callow pretension .
is not a classical dramatic animated feature , nor a hip , contemporary , in-jokey one
look like cheap hysterics
's too harsh to work as a piece of storytelling
to see a three-dimensional , average , middle-aged woman 's experience of self-discovery handled with such sensitivity
reflect that its visual imagination is breathtaking