xiangpku/GLUE huggingface dataset:
photographed and staged by mendes with a series of riveting set pieces the likes of which mainstream audiences have rarely seen .
its digs at modern society are all things we 've seen before .
fussing over too weak a recipe
touched by an unprecedented tragedy
looking for a return ticket to realism
really is enormously good fun .
includes battlefield earth and showgirls
for casting , often resurrecting performers who rarely work in movies now ... and drawing flavorful performances from bland actors
over-the-top trash
that should appeal to anyone willing to succumb to it
because of the universal themes , earnest performances
makes the same mistake as the music industry it criticizes ,
's nothing wrong with that
convincing portrayal
it drags during its 112-minute length
, it offers much to absorb and even more to think about after the final frame .
quiet , confident craftsmanship that tells a sweet , charming tale of intergalactic friendship
an engrossing portrait of a man whose engaging manner and flamboyant style made him a truly larger-than-life character .
the film never recovers from the clumsy cliché of the ugly american abroad ,
aimless , arduous , and arbitrary
a lot of the credit for the film 's winning tone must go to grant , who has n't lost a bit of the dry humor that first made audiences on both sides of the atlantic love him .
sports extravaganza
i have always appreciated a smartly written motion picture , and
loose , poorly structured film
and as bland
it must be labeled ` hip ' , ` innovative ' and ` realistic '
where the old adage `` be careful what you wish for ''
its audience giddy
implies in its wake the intractable , irreversible flow of history
piercing
its recycled aspects ,
its true-to-life characters ,
limpid and conventional historical fiction
pity anyone who sees this mishmash .
dark to be decipherable
stranded with nothing more than our lesser appetites
seem to match the power of their surroundings .
that begins as a seven rip-off , only to switch to a mix of the shining , the thing , and any naked teenagers horror flick from the 1980s
kwan is a master of shadow , quietude , and room noise ,
's simply stupid , irrelevant and deeply , truly , bottomlessly cynical
is dark , brooding and slow
hand viewers a suitcase full of easy answers
there is plenty of room for editing , and a much shorter cut surely would have resulted in a smoother , more focused narrative without sacrificing any of the cultural intrigue .
handed down from the movie gods
are , with the drumming routines , among the film 's saving graces .
that it avoids the obvious with humor and lightness
get excited about on this dvd
'm not sure which will take longer to heal : the welt on johnny knoxville 's stomach from a riot-control projectile or my own tortured psyche .
of artifice and purpose
that surprises or delights
is lost , leaving the character of critical jim two-dimensional and pointless .
was immensely enjoyable
pathos-filled but ultimately life-affirming finale
easier to digest
contest to see who can out-bad-act the other
what an idea , what a thrill ride .
from a television monitor
no better or worse than ` truth or consequences , n.m. ' or any other interchangeable actioner with imbecilic mafia toolbags botching a routine assignment in a western backwater .
enters a realm where few non-porn films venture , and comes across as darkly funny , energetic , and surprisingly gentle .
fresh , sometimes funny , and usually genuinely worthwhile
a good human
the most surprising thing about this film
unfortunately also
a great american adventure
imaginative
of his most daring , and complicated , performances
aimless , arduous ,
too slight to be called any kind of masterpiece
is where ararat went astray .
prove diverting enough
to places in the world devastated by war , famine and poverty and documented the cruelty and suffering he has found with an devastating , eloquent clarity
should n't have been allowed to use the word `` new '' in its title , because there 's not an original character , siuation or joke in the entire movie
a generic bloodbath
everything -- even life on an aircraft carrier -- is sentimentalized .
the novel charm
pathetic idea
a bad improvisation exercise ,
a major waste ... generic
only surprise
as beautiful , desirable
come away thinking not only that kate is n't very bright , but that she has n't been worth caring about and that maybe she , janine and molly -- an all-woman dysfunctional family -- deserve one another .
wonderful fencing scenes and
sure , it 's contrived and predictable
absolute joy
heart as important as humor
creative energy and wit to entertain all ages
into a poem of art , music and metaphor
laughed that hard in years
this goofily endearing and well-lensed gorefest
, assured of the wrong things , and scared to admit how much they may really need the company of others
mostly fool 's gold
know what it wants to be when it grows up
its amiable jerking
emerges as a surprisingly anemic disappointment
a boring , pretentious muddle
, it 's probably not accurate to call it a movie
gives it new texture , new relevance , new reality
would anyone cast the magnificent jackie chan in a movie full of stunt doubles and special effects
not only a pianist , but a good human being
what could have been a daytime soap opera is actually a compelling look at a young woman 's tragic odyssey .
owen wilson know a movie must have a story and a script ?
's better to go in knowing full well what 's going to happen , but willing to let the earnestness of its execution and skill of its cast take you down a familiar road with a few twists .
driven by a fantastic dual performance from ian holm
well-put-together
is so rich with period minutiae
grownups should appreciate its whimsical humor
is good all round , but what really sets the film apart is debrauwer 's refusal to push the easy emotional buttons
more ambivalent set
i ca n't say this enough : this movie is about an adult male dressed in pink jammies .
rambles aimlessly
a movie that ca n't get sufficient distance from leroy 's delusions to escape their maudlin influence .
sweeping , dramatic
numbing action sequence made up mostly of routine stuff yuen has given us before .
is n't entirely persuasive
smart and well-crafted
sit and stare and turn away from one another instead of talking and
some laughs and a smile
derived from far less sophisticated and knowing horror films
so it 's not a brilliant piece of filmmaking , but
the movie is better than you might think .
by a british cast
an intimate feeling
recommended --
tormented by his heritage , using his storytelling ability to honor the many faceless victims
a mood in which an ominous , pervasive , and unknown threat lurks just below the proceedings and adds an almost constant mindset of suspense
humble , teach and ultimately
first-class , natural acting and
gross-out humor
solemn pretension
about memory and regret
best indie of the year , so far .
the byplay and bickering between the now spy-savvy siblings , carmen ( vega ) and juni ( sabara ) cortez , anchor the film in a very real and amusing give-and-take .
like to be a new yorker -- or , really , to be a human being -- in the weeks after 9/11
fails in making this character understandable , in getting under her skin , in exploring motivation ... well before the end
enjoyable family fare
a more mythic level
strong supporting players
watching the proverbial paint dry would be a welcome improvement
is a poster movie , a mediocre tribute to films like them !
well-behaved film
a genre -- the gangster/crime comedy -- that wore out its welcome with audiences several years ago
of a handsome and well-made entertainment
, you will have completely forgotten the movie by the time you get back to your car in the parking lot .
, i ca n't see why any actor of talent would ever work in a mcculloch production again if they looked at how this movie turned out .
showcase the canadian 's inane ramblings
best little `` horror '' movie
amélie 's audrey tautou with another fabuleux destin -- i.e. , a banal spiritual quest
every joke is repeated at least -- annoying , is n't it ?
found a cult favorite
feels familiar and tired
as well-written as sexy beast , not as gloriously flippant as lock , stock and two smoking barrels , but stylish and moody
familiar , funny
imaginatively mixed
cold blanket
no idea what in creation is going on
i could keep a family of five blind , crippled , amish people alive in this situation better than these british soldiers do at keeping themselves kicking
the entire point of a shaggy dog story , of course , is that it goes nowhere ,
a century and a half ago
sci-fi drama that takes itself all too seriously
a knowing look at female friendship , spiked with raw urban humor .
i have always appreciated a smartly written motion picture ,
bad movie .
being neither
is significantly less charming than listening to a four-year-old with a taste for exaggeration
a huge heart
lawrence gives us mostly fool 's gold
the wrong things
kids-cute sentimentality
raunchy and frequently hilarious
a wonderfully warm human drama that remains vividly in memory long
improvise and scream
big bad love
the film does n't really care about the thousands of americans who die hideously , it cares about how ryan meets his future wife and makes his start at the cia .
do n't want to think too much about what 's going on
what makes shanghai ghetto move beyond a good , dry , reliable textbook and what allows it to rank with its worthy predecessors
delightful mix of sulky teen drama and overcoming-obstacles sports-movie triumph
rich with period minutiae
sick , twisted sort
just did n't mean much to me and played too skewed to ever get a hold on
laziness and arrogance
two fatal ailments
it 's also not smart or barbed enough for older viewers -- not everyone thinks poo-poo jokes are ` edgy .
this clever and very satisfying picture
the trick when watching godard is to catch the pitch of his poetics , savor the pleasure of his sounds and images , and ponder the historical , philosophical , and ethical issues that intersect with them .
with so many distracting special effects and visual party tricks
the trailer is a riot .
, this has layered , well-developed characters and some surprises .
no rooting interest
remains a loosely tied series of vignettes which only prove that ` zany ' does n't necessarily mean ` funny .
entertaining thriller
this is n't a stand up and cheer flick ; it 's a sit down and ponder affair
robotically italicized
incompetent cops
mind-numbing
become almost as operatic to us as they are to her characters
bodacious
this director 's cut -- which adds 51 minutes -- takes a great film and turns it into a mundane soap opera .
lead actress gaï , she of the impossibly long limbs and sweetly conspiratorial smile ,
well-meant but unoriginal .
we , today , can prevent its tragic waste of life
thuds
setting distracts
asks you to not only suspend your disbelief but your intelligence as well
a realistically terrifying movie that puts another notch in the belt of the long list of renegade-cop tales .
both heartbreaking and heartwarming ...
of this sad , compulsive life
told and retold
joe dante 's similarly styled gremlins
in the series
written and directed with brutal honesty and respect for its audience .
be a single iota worse
protect your community
a bit repetitive
meaningful cinema
strongest film
dumb gags , anatomical humor ,
it is different from others in its genre in that it is does not rely on dumb gags , anatomical humor , or character cliches ; it primarily relies on character to tell its story
a stupid , derivative horror film
this often very funny collegiate gross-out comedy
revitalize what is and always has been remarkable about clung-to traditions
can certainly go the distance ,
with a teeth-clenching gusto
delightfully quirky movie to be made from curling
succeeds through sincerity .
as a kind of colorful , dramatized pbs program , frida gets the job done .
exceptional performances
it 's hard to imagine a more generic effort in the genre .
alternative medicine obviously has its merits ... but ayurveda does the field no favors .
i would imagine , as searching for a quarter in a giant pile of elephant feces ... positively dreadful .
has value can not be denied .
amusing for a good while
clean-cut dahmer ( jeremy renner ) and fiendish acts that no amount of earnest textbook psychologizing can bridge .
major pleasures from portuguese master manoel de oliviera
make a delightful comedy centering on food
imbue the theme with added depth and resonance
staggeringly unoriginal terms
contradictory things
a blair witch - style adventure that plays like a bad soap opera , with passable performances from everyone in the cast
compelling investigation
french to truly capture the terrifying angst of the modern working man without turning the film into a cheap thriller , a dumb comedy or a sappy melodrama
are no special effects , and no hollywood endings .
has all the earmarks of french cinema at its best
i honestly never knew what the hell was coming next
you to bite your tongue to keep from laughing at the ridiculous dialog or the oh-so convenient plot twists
as a friend
abandon '' will leave you wanting to abandon the theater .
rated eee for excitement .
made the full monty a smashing success
wendigo wants to be a monster movie for the art-house crowd
to take this film at face value and enjoy its slightly humorous and tender story
bergman approaches swedish fatalism using gary larson 's far side humor
is a complete mess
intriguing and downright intoxicating
slick and sprightly cgi feature
the hilarious writer-director himself
a mix of gritty realism , crisp storytelling and radiant compassion that effortlessly draws you in
throughout a film that is both gripping and compelling
terrible , banal dialogue ; convenient , hole-ridden plotting ;
have a bad , bad , bad movie
for no apparent reason except
see a better thriller
, it drags
that was ushered in by the full monty and is still straining to produce another smash
reduces wertmuller 's social mores and politics to tiresome jargon
the feel of poetic tragedy
had the ability to mesmerize , astonish and entertain
lack depth or complexity ,
, this is the ultimate movie experience
cerebral
i stay positive
be smarter than any 50 other filmmakers still
a believable mother/daughter pair
1993 classic
pretty funny movie
-- farts , boobs , unmentionables --
future lizard endeavors will need to adhere more closely to the laws of laughter
it 's also built on a faulty premise , one it follows into melodrama and silliness .
dinner guest
has all the hallmarks of a movie designed strictly for children 's home video , a market so insatiable it absorbs all manner of lame entertainment , as long as 3-year-olds find it diverting
students that deals with first love sweetly but also seriously .
told with humor and poignancy
an unexpectedly sweet story
it brings to the fore for the gifted but no-nonsense human beings they are and for the still-inestimable contribution they have made to our shared history
the problems with the film
analyze this , not
expands into a meditation on the deep deceptions of innocence
washington most certainly has a new career ahead of him
sounds like horrible poetry
to ignite sparks
is at once playful and haunting , an in-depth portrait of an iconoclastic artist who was fundamentally unknowable even to his closest friends .
kurys seems intimidated by both her subject matter and the period trappings of this debut venture into the heritage business .
so intimate
it does so without compromising that complexity .
most charmless
love , family
a full experience , a love story and a murder mystery that expands into a meditation on the deep deceptions of innocence .
endearing , masterful
befuddled in its characterizations as it begins to seem as long as the two year affair which is its subject
a very well-meaning movie , and it will stand in future years as an eloquent memorial to the world trade center tragedy .
a dull girl ,
you 're looking for an intelligent movie in which you can release your pent up anger
graceful , moving tribute
is enticing
we only know as an evil , monstrous lunatic
the cumulative effect of the movie is repulsive and depressing .
mordantly funny and intimately knowing ...
spinning a web of dazzling entertainment
make fun of me for liking showgirls
as a visionary with a tale full of nuance and character dimension
instead , she sees it as a chance to revitalize what is and always has been remarkable about clung-to traditions .
wonderland adventure , a stalker thriller , and a condensed season of tv 's big brother
the songs translate well to film
to see this turd squashed under a truck , preferably a semi
bore that tends to hammer home every one of its points
the joy the characters take in this creed
a wild comedy that could only spring from the demented mind of the writer of being john malkovich
romantic comedy
no solace here , no entertainment value
madonna gives her best performance since abel ferrara had her beaten to a pulp in his dangerous game .
in rapt attention
is confused in death to smoochy into something both ugly and mindless .
get lost in the murk of its own making
is its reliance on formula , though
if you grew up on scooby -- you 'll love this movie .
it does give a taste of the burning man ethos , an appealing blend of counter-cultural idealism and hedonistic creativity .
an interesting technical exercise
weighted down with slow , uninvolving storytelling and flat acting .
why did they deem it necessary to document all this emotional misery ?
is a visual treat for all audiences .
our culture is headed down the toilet with the ferocity of a frozen burrito after an all-night tequila bender -- and
some body will take you places you have n't been , and also places you have .
contrived , awkward and filled with unintended laughs
the subtlest and most complexly evil uncle ralph
in a dead-end existence
talky , artificial and opaque ... an interesting technical exercise
the painstaking
the same stuff you can get for a buck or so in that greasy little vidgame pit in the theater lobby
you 'll regret
do all three quite well ,
funnier version of the old police academy flicks .
a familiar anti-feminist equation ( career - kids = misery ) in tiresome romantic-comedy duds
a sweet and modest and
anybody who enjoys quirky , fun , popcorn movies with a touch of silliness and a little bloodshed .
strikes a potent chemistry with molina
it 's rare to find a film to which the adjective ` gentle ' applies
to the energetic and always surprising performance
yong kang
well-crafted letdown .
puts enough salt into the wounds of the tortured and self-conscious material
about hatred
his impressions of life and loss and time and art with us
the soulful gravity of crudup 's anchoring performance
another trumpet blast that there may be a new mexican cinema a-bornin ' . '
flailing reputation
might have been saved if the director , tom dey , had spliced together bits and pieces of midnight run and 48 hours ( and , for that matter , shrek ) .
well-deserved reputation
just is n't very funny .
deeper and more engaging
their lamentations are pretty much self-centered )
insightfully
's exactly the kind of movie toback 's detractors always accuse him of making .
arresting
a delightfully unpredictable , hilarious comedy with wonderful performances that tug at your heart in ways that utterly transcend gender labels .
worthy predecessors
into the life of wladyslaw szpilman , who is not only a pianist , but a good human being
it 's quite an achievement to set and shoot a movie at the cannes film festival and yet fail to capture its visual appeal or its atmosphere .
call for prevention rather than to place blame , making it one of the best war movies ever made
, danny is a frighteningly fascinating contradiction .
adams just copies from various sources --
trashy fun
as it is a unique , well-crafted psychological study of grief
the problem with the mayhem in formula 51 is not that it 's offensive , but that it 's boring .
on angelina jolie 's surprising flair for self-deprecating comedy
of warmth to go around , with music and laughter and the love of family
tasty performance
some kind of goofy grandeur
worshipful
a gripping documentary that
a brazil-like , hyper-real satire
a young woman of great charm , generosity and diplomacy
not the craven of ' a nightmare
its brain is a little scattered -- ditsy , even .
as tricky and satisfying as any of david mamet 's airless cinematic shell games .
a love story as sanguine as its title
movie dawdle
those of you who are not an eighth grade girl will most likely doze off during this one .
talk to her is so darned assured , we have absolutely no idea who the main characters are until the film is well under way -- and yet it 's hard to stop watching .
gets under your skin and , some plot blips
pretty much delivers on that promise .
hard time
parts seem like they were lifted from terry gilliam 's subconscious , pressed through kafka 's meat grinder and into buñuel 's casings
it wo n't hold up over the long haul ,
feels acting is the heart and soul of cinema
boasting this many genuine cackles
religion that dares to question an ancient faith , and
will likely set the cause of woman warriors back decades
be a huge cut of above the rest
genuinely unnerving
that not only would subtlety be lost on the target audience ,
cheap-looking
a markedly inactive film , city is conversational bordering on confessional .
the whole thing never existed
it shows us a slice of life that 's very different from our own and yet instantly recognizable .
big fat pain .
independent or
and crude storyline
the film ... it was the unfulfilling , incongruous , `` wait a second
a brilliant college student --
for humor in so many teenage comedies
far-flung
first-rate , especially sorvino
transparent attempts
feel sorry for mick jagger 's sex life
it feels accidental
be said to squander jennifer love hewitt
most entertaining moments
presents nothing special and , until the final act , nothing overtly disagreeable
far more impact
you come from a family that eats , meddles , argues , laughs , kibbitzes and fights together
this 90-minute postmodern voyage was more diverting and thought-provoking than i 'd expected it to be .
inadequate
watch , giggle and get an adrenaline boost without feeling like you 've completely lowered your entertainment standards
hard to dismiss -- moody , thoughtful
sunk by way too much indulgence of scene-chewing , teeth-gnashing actorliness
hanukkah
the peculiarly moral amorality of ( woo 's ) best work
virtually nothing to show
the hackneyed story
is most remarkable not because of its epic scope , but because of the startling intimacy it achieves despite that breadth
, dumb
veiling tension
with an eye on preserving a sense of mystery
justify his exercise
kitschy goodwill
modern art
pique your interest , your imagination , your empathy or anything , really , save your disgust and your indifference
work the words `` radical '' or `` suck ''
wise and elegiac ...
of the creative act
a spirited film and a must-see
is they have a tendency to slip into hokum .
, luridly colored , uni-dimensional nonsense machine
its superior cast
is a remarkably original work
's appealingly manic and energetic
an uncluttered , resonant gem that relays its universal points without lectures or confrontations . '
actors in bad bear suits enact a sort of inter-species parody of a vh1 behind the music episode
has merit and , in the hands of a brutally honest individual like prophet jack , might have made a point or two regarding life
sympathizing with terrorist motivations
a chore to sit through -- despite some first-rate performances by its lead
, wendigo , larry fessenden 's spooky new thriller , is a refreshingly smart and newfangled variation on several themes derived from far less sophisticated and knowing horror films .
at once subtle and visceral , the film never succumbs to the trap of the maudlin or tearful , offering instead with its unflinching gaze a measure of faith in the future .
a solid cast
is worth seeking .
amounts to little more than punishment
the music makes a nice album ,
like mike is a slight and uninventive movie
've seen ( eddie ) murphy do the genial-rogue shtick to death , but because the plot is equally hackneyed