xiangpku/GLUE huggingface dataset:
in `` unfaithful
the most repugnant adaptation
agile performers
( cho 's face is ) an amazing slapstick instrument , creating a scrapbook of living mug shots .
does dickens as it should be done cinematically
becomes a testament
desiccated
by kevin bray , whose crisp framing , edgy camera work , and wholesale ineptitude with acting , tone and pace very obviously mark him as a video helmer making his feature debut
he 's taken one of the world 's most fascinating stories and made it dull , lifeless , and irritating
well-made evocation
you must shoot it in the head
has transformed the rhetoric of hollywood melodrama into something provocative , rich , and strange .
look american angst in the eye and end up laughing
they will have a showdown , but , by then , your senses are as mushy as peas and you do n't care who fires the winning shot .
of cool stuff packed into espn 's ultimate x.
can be forgiven for realizing that you 've spent the past 20 minutes looking at your watch and waiting for frida to just die already .
a dull moment
is still charming here .
has never been more charming than in about a boy .
offer much more than the series
bad the screenwriters eventually shoot themselves in the feet with cop flick cliches like an oily arms dealer , squad car pile-ups and the requisite screaming captain
a knowing
'' remains a disquieting and thought-provoking film ...
repeating what he 's already done way too often
authentic feel
barely interesting
a laughable -- or rather , unlaughable
pacino is the best he 's been in years and keener is marvelous .
your face for two hours
like the tuck family themselves , this movie just goes on and on and on and on
touches smartly and wistfully
honesty and
it 's difficult to conceive of anyone who has reached puberty actually finding the characters in slackers or their antics amusing , let alone funny .
cluelessness
call the ` wow ' factor
astonishingly skillful and moving ... it could become a historically significant work as well as a masterfully made one .
faltering
in the work of the director , frank novak , that keeps the film grounded in an undeniable social realism
that eclipses nearly everything else she 's ever done
powerful act
any john waters movie has it beat by a country mile .
a grating endurance test
the film 's plot may be shallow , but you 've never seen the deep like you see it in these harrowing surf shots .
maintains suspense on different levels throughout a film that is both gripping and compelling .
heavyweight film
's a rather listless amble down the middle of the road , where the thematic ironies are too obvious and the sexual politics too smug .
a pastiche of children 's entertainment , superhero comics , and japanese animation
with a message that cautions children about disturbing the world 's delicate ecological balance
the silly , over-the-top coda especially disappointing
with lots of sloppiness
of his passe ' chopsocky glory
sheer unbridled delight
for on-screen chemistry
mass drug-induced bowel
the whole talking-animal thing is grisly .
a fine effort , an interesting topic , some intriguing characters and a sad ending .
imagine ( if possible ) a pasolini film without passion or politics , or an almodovar movie without beauty or humor , and you have some idea of the glum , numb experience of watching o fantasma
its underventilated père-fils confrontations
's a rare window on an artistic collaboration
greenlight
'm sure the filmmaker would disagree , but , honestly , i do n't see the point
according to wendigo , ` nature ' loves the members of the upper class almost as much as they love themselves .
salma goes native and she 's never been better in this colorful bio-pic of a mexican icon .
julia roberts wannabe
sure , it 's contrived and predictable , but
try as you might to scrutinize the ethics of kaufman 's approach , somehow it all comes together to create a very compelling , sensitive , intelligent and almost cohesive piece of film entertainment
the scope and shape of an especially well-executed television movie
petter næss ' delicate , clever direction ... and
'll feel like you ate a reeses without the peanut butter ...
has been overexposed ,
that he will once again be an honest and loving one
is an interesting character
keenly observed and refreshingly natural , swimming gets the details right , from its promenade of barely clad bodies in myrtle beach , s.c. , to the adrenaline jolt of a sudden lunch rush at the diner .
so intensely , but with restraint
yet unforgivingly inconsistent depiction
the next inevitable incarnation of the love boat
has an infectious enthusiasm
succumbs to the trap of the maudlin or tearful
shows holmes has the screen presence to become a major-league leading lady , ( but )
clever , offbeat and
fathers and sons , and the uneasy bonds between them
is how well it holds up in an era in which computer-generated images are the norm
have made every effort to disguise it as an unimaginative screenwriter 's invention
with poetic force and buoyant feeling
most entertaining bonds
expected from a college comedy that 's target audience has n't graduated from junior high school
sane person
marked by acute writing and a host of splendid performances
a goofy pleasure
compared to the movie 's contrived , lame screenplay and listless direction
penetrating ,
a delightful lark
while the highly predictable narrative falls short
's fun for kids of any age
welcome and heartwarming addition
right-wing , propriety-obsessed family
pc stability notwithstanding
of moral compromise
you have no affinity for most of the characters .
enthusiastically invokes the percussion rhythm , the brass soul and the sense of fierce competition that helps make great marching bands half the fun of college football games
occasional jarring glimpses
will find it more than capable of rewarding them
all the sensuality , all the eroticism of a good vampire tale has been , pardon the pun , sucked out and replaced by goth goofiness .
the discomfort and embarrassment
the horrible pains of a death
most notable
under the right conditions , it 's goofy ( if not entirely wholesome ) fun
bad luck
's fun
feels at times like a giant commercial for universal studios , where much of the action takes place .
that seek to remake sleepless in seattle again and again
both maintain and dismantle the facades that his genre and his character construct is a wonderous accomplishment of veracity and narrative grace
big , juicy role
loneliest dark spots
-- as well its delightful cast --
delivers a perfect performance that captures the innocence and budding demons within a wallflower .
run out of gas
has kind of an authentic feel
to much more than trite observations on the human condition
is we never really see her esther blossom as an actress , even though her talent is supposed to be growing .
a predictable outcome and a screenplay
kissing jessica steinis quirky , charming and often hilarious .
, blade 2 is definitely a cut above the rest .
believed in their small-budget film
this silly , outrageous , ingenious thriller
it is that rare combination of bad writing , bad direction and bad acting -- the trifecta of badness .
a dull , somnambulant exercise in pretension whose pervasive quiet is broken by frequent outbursts of violence and noise .
are too crude to serve the work especially well
's ... worth the extra effort to see an artist , still committed to growth in his ninth decade , change while remaining true to his principles
energetic frontman
so sloppily written
sand 's masculine persona , with its love of life and beauty , takes form
as one of the year 's most intriguing movie experiences
without placing their parents in a coma-like state
from a deceptively simple premise , this deeply moving french drama develops a startling story that works both as a detailed personal portrait and as a rather frightening examination of modern times .
bring cohesion
that film buffs will eat up like so much gelati
such an engrossing story that will capture the minds and hearts of many
discreet filmmakers
chilling movie
clumsy , obvious , preposterous , the movie will likely set the cause of woman warriors back decades .
its good qualities are obscured
, the biggest is that secret ballot is a comedy , both gentle and biting .
this bittersweet , uncommonly sincere movie that portrays the frank humanity of ... emotional recovery
completely loveable
vitality to justify the notion of creating a screen adaptation of evans ' saga of hollywood excess
in the heart-pounding suspense of a stylish psychological thriller
: the poor acting by the ensemble cast , the flat dialogue by vincent r. nebrida or the gutless direction by laurice guillen
after decades
much credit
tv sitcom material at best
it 's just weirdness for the sake of weirdness ,
never coughed , fidgeted or romped up and down the aisles for bathroom breaks
shrill and
has become apparent that the franchise 's best years are long past
an inexperienced director ,
at the edge of your seat with its shape-shifting perils , political intrigue and brushes
keep you watching ,
what it means sometimes to be inside looking out , and at other times outside looking in
a lousy one at that
does n't always jell with sean penn 's monotone narration
the narrator and the other characters try to convince us that acting transfigures esther ,
refreshingly unhibited enthusiasm
for its profound humanity
as simultaneously funny , offbeat and heartwarming
but the movie 's narrative hook is way too muddled to be an effectively chilling guilty pleasure .
refusal to recognize any of the signposts , as if discovering a way through to the bitter end without a map
the man from elysian fields is doomed by its smallness
, every bit as imperious as katzenberg 's the prince of egypt from 1998 .
are just two of the elements that will grab you .
a dashing and resourceful hero ; a lisping , reptilian villain ; big fights ; big hair
heartfelt and hilarious
you reach the finale
easily marketable
if anything , the film is doing something of a public service -- shedding light on a group of extremely talented musicians who might otherwise go unnoticed and underappreciated by music fans .
churn out one mediocre movie
overall it 's an entertaining and informative documentary .
reading lines from a teleprompter
this picture is murder by numbers , and as easy to be bored by as your abc 's , despite a few whopping shootouts .
its oscar nomination
characteristically engorged
the performances are so overstated , the effect comes off as self-parody .
's fun , wispy ,
for all its problems ... the lady and the duke surprisingly manages never to grow boring ... which proves that rohmer still has a sense of his audience .
replaced by some dramatic scenes that are jarring and deeply out of place in what could have ( and probably should have ) been a lighthearted comedy
complex and honest
uses modern technology to take the viewer inside the wave
twohy 's a good yarn-spinner , and ultimately the story compels .
manipulative claptrap , a period-piece movie-of-the-week , plain old blarney ...
an awkwardly garish showcase that diverges from anything
dumb comedy
there 's absolutely no reason why blue crush , a late-summer surfer girl entry , should be as entertaining as it is
stripped almost entirely
despite all the backstage drama , this is a movie that tells stories that work -- is charming , is moving
to call this one an eventual cult classic would be an understatement , and woe is the horror fan who opts to overlook this goofily endearing and well-lensed gorefest
rowdy slapstick
that rarity among sequels
torn away from the compelling historical tale to a less-compelling soap opera
the film , flaws and
like mike is a slight and uninventive movie :
is marveilleux .
cheered at just that
have n't laughed that hard in years !
it has considerable charm .
a work of deft and subtle poetry
there is nothing distinguishing in a randall wallace film
integrating the characters in the foreground
offers no new insight on the matter , nor do its characters exactly spring to life .
as the movie sputters
embody the worst excesses of nouvelle vague without any of its sense of fun or energy
manages never to grow boring ... which proves that rohmer still has a sense of his audience
hit-man
an atrociously , mind-numbingly , indescribably bad movie
approached the usher and said that if she had to sit through it again , she should ask for a raise
is genial but never inspired , and little about it will stay with you
is like being trapped at a bad rock concert
the dry humor that first made audiences on both sides of the atlantic love him
texan director george ratliff had unlimited access to families and church meetings , and he delivers fascinating psychological fare
a so-called ` comedy '
life that 's very different from our own and yet instantly recognizable
supposed to be a romantic comedy
living mug shots
for the most part a useless movie , even with a great director at the helm
have carved their own comfortable niche in the world
first-class road movie
an electric pencil sharpener
loses its fire midway , nearly flickering out by its perfunctory conclusion
wonderful but sometimes confusing
if ever such a dependable concept was botched in execution , this is it .
nothing in this flat effort that will amuse or entertain them
of mindless pace in collision
be especially grateful for freedom after a film like this
the effort is sincere
is an ungainly movie , ill-fitting , with its elbows sticking out where the knees should be .
the junk-calorie suspense tropes that have all but ruined his career
works on the whodunit level as its larger themes get lost in the murk of its own making
the hanukkah spirit seems fried in pork .
deftly sewing together what could have been a confusing and horrifying vision into an intense and engrossing head-trip
tends to pile too many `` serious issues '' on its plate at times , yet remains fairly light , always entertaining , and smartly written .
feels free to offend
fresh point
a coming-of-age story and
disgracefully
considerable punch
stately sense
has stepped into the mainstream of filmmaking with an assurance worthy of international acclaim and
sweet , funny
because there 's precious little substance in birthday girl
's so downbeat and nearly humorless
is still a deeply moving effort to put a human face on the travail of thousands of vietnamese .
sexy and romantic .
the creative animation work may not look as fully ` rendered ' as pixar 's industry standard ,
's unlikely to become a household name on the basis of his first starring vehicle
bring their characters to life .
cineasts will revel in those visual in-jokes , as in the film 's verbal pokes at everything from the likes of miramax chief harvey weinstein 's bluff personal style to the stylistic rigors of denmark 's dogma movement .
quickly enters the pantheon of wreckage that includes battlefield earth and showgirls
the bigger setpieces flat
to the junk-calorie suspense tropes that have all but ruined his career
cause you to bite your tongue to keep from laughing at the ridiculous dialog or the oh-so convenient plot twists .
need to be invented to describe exactly how bad it is .
a clear-eyed portrait of an intensely lived time , filled with nervous energy , moral ambiguity and great uncertainties
witty updatings ( silver 's parrot has been replaced with morph , a cute alien creature who mimics everyone and everything around )
adroit
may lack the pungent bite of its title , but it 's an enjoyable trifle nonetheless .
's unfortunate that wallace , who wrote gibson 's braveheart as well as the recent pearl harbor , has such an irrepressible passion for sappy situations and dialogue
the national lampoon film franchise
's immensely ambitious , different than anything that 's been done before and amazingly successful in terms of what it 's trying to do
would imagine , as searching for a quarter in a giant pile of elephant feces ... positively dreadful
match the ordeal of sitting through it
the type of dumbed-down exercise in stereotypes that gives the ( teen comedy )
thoughtless , random , superficial humor and a lot
cheapened the artistry of making a film
will be plenty of female audience members drooling over michael idemoto as michael
cliches , painful improbability
farm melodrama .
) characters are both overplayed and exaggerated
striking about jolie 's performance
waiting for godard can be fruitful : ` in praise of love ' is the director 's epitaph for himself .
bullock 's memorable first interrogation
unique and
turn out to be delightfully compatible here
action and
all three actresses are simply dazzling , particularly balk , who 's finally been given a part worthy of her considerable talents .
its old-hat set-up and predictable plot
that is both gripping and compelling
clever ,
veteran
tired ,
is a film that 's about as subtle as a party political broadcast
no rest period ,
was once an amoral assassin just like the ones who are pursuing him
a full experience , a love story and a murder mystery that expands into a meditation on the deep deceptions of innocence
scratching your head
to sit through about 90 minutes of a so-called ` comedy ' and not laugh once
a lump of run-of-the-mill profanity
all comes together to create a very compelling , sensitive , intelligent and almost cohesive piece of film entertainment
of the biggest disappointments of the year
waydowntown may not be an important movie , or even a good one
a finely written , superbly acted offbeat thriller
the huskies are beautiful , the border collie is funny and the overall feeling is genial and decent
no charm , no laughs , no fun
is all over the place , really
a black man getting humiliated by a pack of dogs who are smarter than him
bears is even worse than i imagined a movie ever could be .
what we have here is a load of clams left in the broiling sun for a good three days
thought-provoking and even an engaging mystery
( and better
a fascinating , dark thriller
it 's an interesting effort ( particularly for jfk conspiracy nuts ) , and barry 's cold-fish act makes the experience worthwhile .
still has enough moments to keep it entertaining .
big summer movies
historically significant , and personal , episode
has crafted a solid formula for successful animated movies
demeaning
had all its vital essence scooped out and discarded
's simultaneously painful and refreshing
bottomlessly
's a lot to ask people to sit still for two hours and change watching such a character , especially when rendered in as flat and impassive a manner as phoenix 's
effortlessly
quirky movie
a very good time at the cinema
this utterly ridiculous shaggy dog story as one of the most creative , energetic and original comedies to hit the screen in years
with nary a glimmer of self-knowledge , ( crane ) becomes more specimen than character -- and
, the film does pack some serious suspense .
after an 88-minute rip-off of the rock
is long on glamour and short on larger moralistic consequences ,
this nicely wound clock not just ticking , but humming
an exceptionally acted , quietly affecting cop drama .
... this story gets sillier , not scarier , as it goes along ...
when the screenwriter responsible for one of the worst movies of one year directs an equally miserable film the following year
supposedly funny movie
in their own idiosyncratic way , sum up the strange horror of life in the new millennium
recommend it , because it overstays its natural running time
` life affirming '
is a mormon family movie , and a sappy , preachy one at that
masochistic moviegoers
that you never want to see another car chase , explosion or gunfight again
, and to the script 's refusal of a happy ending
easily dismissive
mind crappy movies
is n't always coherent
whose charms are immediately apparent
hackneyed and meanspirited storyline
penetrating , impenetrable
a smart , sassy and exceptionally charming romantic comedy .
add up to a moving tragedy with some buoyant human moments .
's good-natured and sometimes quite funny
a divine monument to a single man 's struggle to regain his life , his dignity and his music
offers much colorful eye candy , including the spectacle of gere in his dancing shoes , hoofing and crooning with the best of them .
clever and subtle
a strong script , powerful direction and splendid production design
understand everyone 's point of view
makes a great impression as the writer-director of this little $ 1.8 million charmer , which may not be cutting-edge indie filmmaking but
through this film
imponderably stilted and self-consciously arty movie
mindless action movie
the story of trouble every day ... is so sketchy it amounts to little more than preliminary notes for a science-fiction horror film , and the movie 's fragmentary narrative style makes piecing the story together frustrating difficult
quite sure where self-promotion ends and the truth begins
the plot so bland that even as rogue cia assassins working for chris cooper 's agency boss close in on the resourceful amnesiac , we do n't feel much for damon/bourne or his predicament
even as it points out how inseparable the two are
provides the kind of ` laugh therapy ' i need from movie comedies --
the big shear
( swimfan ) falls victim to sloppy plotting , an insultingly unbelievable final act and a villainess who is too crazy to be interesting .
the film buzz and whir
there 's something there
've got to love a disney pic with as little cleavage as this one has , and a heroine as feisty and principled as jane
comic skill
transforms the dreary expanse of dead-end distaste the characters inhabit into a poem of art , music and metaphor
frantic than involving ,
big fat liar is a real charmer
manipulative and as bland as wonder bread dipped in milk , but it also does the absolute last thing we need hollywood doing to us : it preaches .
she looks like the six-time winner of the miss hawaiian tropic pageant , so i do n't know what she 's doing in here
a satisfactory overview of the bizarre world of extreme athletes as several daredevils
a crowd-pleaser , but then , so
subtlest and most complexly evil uncle ralph
breathtaking adventure
photographed and beautifully
fantastically vital
sodden and glum , even in those moments where it 's supposed to feel funny and light .
while some will object to the idea of a vietnam picture with such a rah-rah , patriotic tone , soldiers ultimately achieves its main strategic objective : dramatizing the human cost of the conflict that came to define a generation .
its storytelling prowess and special effects
idiots who do n't care what kind of sewage they shovel into their mental gullets to simulate sustenance
slow down , shake off your tensions and take this picture at its own breezy , distracted rhythms
a grand picture of an era
love , family and
that ` alabama ' manages to be pleasant in spite of its predictability and
pleasantly and predictably
interesting ''
driven by the pathetic idea
spreads them pretty thin
it , offering fine acting moments and pungent insights
loved the 1989 paradiso will prefer this new version
sweet , charming tale
little action ,
emotionally belittle a cinema classic .
real-life happening
found myself growing more and more frustrated and detached as vincent became more and more abhorrent .
a spectacular performance - ahem
what should have been a cutting hollywood satire is instead about as fresh as last week 's issue of variety .
as i settled into my world war ii memories , i found myself strangely moved by even the corniest and most hackneyed contrivances .
dedicated artists
unengaging
as if allen , at 66 , has stopped challenging himself
it 's a sweet , laugh-a-minute crowd pleaser that lifts your spirits as well as the corners of your mouth .
the best case for christianity
pinochet 's victims
is lightweight filmmaking ,
flatula
omnibus tradition
extremely talented
seeking anyone with acting ambition but no sense of pride or shame
clueless and
a good three days
wonderful fencing scenes
even on its own ludicrous terms , the sum of all fears generates little narrative momentum , and invites unflattering comparisons to other installments in the ryan series .
patronizing
only one of the best gay love stories ever made
who ca n't quite live up to it
a retooling of fahrenheit 451 , and even as a rip-off of the matrix
the performances of the four main actresses bring their characters to life .
sanctimonious
impossibly