xiangpku/GLUE huggingface dataset:
before i see this piece of crap again
romanek keeps adding flourishes -- artsy fantasy sequences -- that simply feel wrong .
it 's sweet , funny , charming , and completely delightful .
is an intelligent , realistic portrayal of testing boundaries .
an impressive and highly entertaining celebration
unconditional love and compassion garnered from years of seeing it all , a condition only the old are privy to , and ... often misconstrued as weakness
bombastic and ultimately empty
ditched the saccharine sentimentality of bicentennial man
ugly behavior
possibly the best actor
a good idea that was followed by the bad idea to turn it into a movie
just another disjointed ,
a great piece of filmmaking
breathtakingly
find a movie with a bigger , fatter heart than barbershop
so vivid a portrait of a woman
in the simple telling
suspense , intriguing characters and bizarre bank robberies
one of the greatest films i 've ever seen .
love , longing , and
thoroughly satisfying
what results is the best performance from either in years .
, if uneven ,
entirely suspenseful , extremely well-paced and ultimately ...
it 's the butt of its own joke
becalmed
an amateurish , quasi-improvised acting exercise
expects something special but
is silly but strangely believable
just not a thrilling movie
aimless ,
feel funny and light
, they go to a picture-perfect beach during sunset .
, self-hating , self-destructive ways
tells this very compelling tale with little fuss or noise , expertly plucking tension from quiet .
is doa
exhilarating , funny and fun
whether jason x is this bad on purpose is never clear .
could have used my two hours better watching being john malkovich again .
you may just end up trying to drown yourself in a lake afterwards .
greengrass
deserves the dignity of an action hero motivated by something more than franchise possibilities
robbed and
following your dream
it has its faults , but it is a kind , unapologetic , sweetheart of a movie , and mandy moore leaves a positive impression
the intricate preciseness
of bland hollywood romance
not only a coming-of-age story and cautionary parable , but also a perfectly rendered period piece .
is pleasant , diverting and modest -- definitely a step in the right direction
witless script
the film gets close to the chimps the same way goodall did , with a serious minded patience , respect and affection .
that carries you along in a torrent of emotion as it explores the awful complications of one terrifying day
resolutely unamusing , how thoroughly unrewarding all of this is
beneath the film 's obvious determination to shock at any cost lies considerable skill and determination , backed by sheer nerve .
should be thrown back in the river
suspense , intriguing characters and
comedy genre
sabotaged
on some levels
a movie theater
would not improve much after a therapeutic zap of shock treatment .
be remembered as one of ( witherspoon 's ) better films
the elements were all there but lack of a pyschological center knocks it flat
highly spirited
draws its considerable power
the filmmakers and studio are brazen enough to attempt to pass this stinker off as a scary movie
self-glorification and
disguised
suited to a quiet evening on pbs than a night out at an amc
is one that allows him to churn out one mediocre movie after another
sparkles with the the wisdom and humor of its subjects .
had a lot of problems with this movie .
galled that you 've wasted nearly two hours of your own precious life with this silly little puddle of a movie
the most unpleasant things the studio
too smug
more than capable
tackling serious themes
even halfway scary
and it 's harder still to believe that anyone in his right mind would want to see the it .
he seems to want both , but succeeds in making neither .
wanes .
is refreshingly undogmatic about its characters .
unless bob crane is someone of particular interest to you , this film 's impressive performances and adept direction are n't likely to leave a lasting impression .
i loved the look of this film .
adorably ditsy but heartfelt performances , and
makes you crave chris smith 's next movie
except it 's much
sterile and
, but it at least calls attention to a problem hollywood too long has ignored .
the movie enters a realm where few non-porn films venture , and comes across as darkly funny , energetic , and surprisingly gentle .
fudged opportunity
thought-provoking picture .
elegant ,
've ever seen before , and yet completely familiar .
an authentically vague , but ultimately purposeless , study
would n't matter so much that this arrogant richard pryor wannabe 's routine is offensive , puerile and unimaginatively foul-mouthed if it was at least funny
this will be on video long before they grow up and you can wait till then .
into how long is this movie ?
everything we hold dear about cinema , only now it 's begun to split up so that it can do even more damage
so-so slapstick
is a remarkable piece of filmmaking ...
clunky tv-movie approach
a neat premise
essentially `` fatal attraction '' remade for viewers who were in diapers when the original was released in 1987 .
the funniest film
that kate is n't very bright , but that she has n't been worth caring about and that maybe she , janine and molly -- an all-woman dysfunctional family -- deserve one another
relayed by superb
is strictly routine
to give you brain strain
great trashy fun
with regret and , ultimately , finding redemption
its social and political potential
're going to subjugate truth to the tear-jerking demands of soap opera
dishonest and pat
to find a place among the studio 's animated classics
fondly
makes up for in heart .
his body
both are just actory concoctions , defined by childlike dimness and a handful of quirks
just more of the same
be really awful
orange county '' is far funnier than it would seem to have any right to be .
but the movie has a tougher time balancing its violence with kafka-inspired philosophy
an adrenaline boost
are n't likely to leave a lasting impression .
the story is predictable , the jokes are typical sandler fare , and
would -- with moist eyes
is the kind of film that could only be made by african-americans because of its broad racial insensitivity towards african-americans
spy kids 2 also happens to be that rarity among sequels :
is worse : the poor acting by the ensemble cast , the flat dialogue by vincent r. nebrida or the gutless direction by laurice guillen
reyes ' directorial debut has good things to offer
special p.o.v. camera mounts on bikes , skateboards , and motorcycles provide an intense experience when splashed across the immense imax screen .
offers little insight into the experience of being forty , female and single
extremely well acted by the four primary actors , this is a seriously intended movie that is not easily forgotten .
making kahlo 's art a living , breathing part of the movie , often catapulting the artist into her own work
have been titled generic jennifer lopez romantic comedy
music you may not have heard before
is a rare treat that shows the promise of digital filmmaking
white-knuckled and unable to look away
the best short story writing
a jackie chan movie
ramsay is clearly extraordinarily talented , and based on three short films and two features , here 's betting her third feature will be something to behold
( h ) ad i suffered and bled on the hard ground of ia drang , i 'd want something a bit more complex than we were soldiers to be remembered by .
triple x is a double agent , and he 's one bad dude
the enduring strengths
seen to better advantage on cable
is n't exactly profound cinema
of the worst films of 2002
squirm-inducing fish-out-of-water formula
it 's not too much of anything .
does a film so graceless and devoid of merit as this one come along .
warmed over pastiche
an ebullient tunisian film about the startling transformation of a tradition-bound widow who is drawn into the exotic world of belly dancing
pathetic as dahmer
takes a clunky tv-movie approach to detailing a chapter in the life of the celebrated irish playwright , poet and drinker
hold up pretty well
old age and grief
the right to be favorably compared to das boot
consistently funny , in an irresistible junior-high way , and consistently free
marvelous first 101 minutes
the recording sessions are intriguing , and -- on the way to striking a blow for artistic integrity -- this quality band may pick up new admirers
has been written so well , that even a simple `` goddammit
generate enough heat
can just follow the same blueprint from hundreds of other films , sell it to the highest bidder and walk away without anyone truly knowing your identity .
it 's still a comic book , but maguire makes it a comic book with soul .
girls ca n't swim represents an engaging and intimate first feature by a talented director to watch ,
a beyond-lame satire
it is philosophy , illustrated through everyday events .
blessed with two fine , nuanced lead performances .
feels especially thin stretched over the nearly 80-minute running time .
revulsion
, splashy and entertainingly nasty
tolerable-to-adults
is a disaster , with cloying messages and irksome characters
with amazing finesse , the film shadows heidi 's trip back to vietnam and the city where her mother , mai thi kim , still lives .
layered , well-developed characters and
is smarter and subtler than ( total recall and blade runner ) , although its plot may prove too convoluted for fun-seeking summer audiences
need of a cube fix
as boring and
breathe out of every frame .
recommended viewing for its courage , ideas , technical proficiency and great acting .
are the lively intelligence of the artists and their perceptiveness about their own situations .
the most surprising thing about this film is that they are actually releasing it into theaters .
why bother if you 're going to subjugate truth to the tear-jerking demands of soap opera
as a surprisingly anemic disappointment
who has been awarded mythic status in contemporary culture
it 's pleasant enough and its ecological , pro-wildlife sentiments are certainly welcome .
this is an ungainly movie , ill-fitting , with its elbows sticking out where the knees should be .
adam sandler assault
refuses to let slackers be seen as just another teen movie , which means he can be forgiven for frequently pandering to fans of the gross-out comedy
, the movie will likely set the cause of woman warriors back decades .
the limits of what a film can be ,
its use of the thriller form to examine the labyrinthine ways in which people 's lives cross and change , buffeted by events seemingly out of their control , is intriguing , provocative stuff .
the real masterpiece
do we have that same option to slap her creators because they 're clueless and inept ?
peter out midway
a remarkable new trick
leaves a lot to be desired .
that tian 's meticulous talent has not withered during his enforced hiatus
works better in the conception than it does in the execution ... winds up seeming just a little too clever
but the film itself is ultimately quite unengaging .
a mindless action flick with a twist -- far better suited to video-viewing than the multiplex
skins has a desolate air
an art
great cast
feels uncomfortably real
reacting to it - feeling a part of its grand locations , thinking urgently as the protagonists struggled , feeling at the mercy of its inventiveness
`` extreme ops '' exceeds expectations .
kind of an authentic feel
daft by half ... but supremely good natured .
does all of this , and more , while remaining one of the most savagely hilarious social critics this side of jonathan swift
that gives hollywood sequels a bad name
entertains
's a certain robustness to this engaging mix of love and bloodletting .
scary-funny
dreadful romance .
so engagingly
that it counts heart as important as humor
bungle their way through the narrative as if it were a series of bible parables and not an actual story .
sketches ... which leaves any true emotional connection or identification frustratingly out of reach
is smarter and subtler than ( total recall and blade runner ) ,
's like having an old friend for dinner '
involved in creating the layered richness of the imagery in this chiaroscuro of madness and light
continuity errors
's always enthralling
with complications
one of the most gloriously unsubtle and adrenalized extreme shockers since the evil dead .
to guilt-trip parents
it succeeds
that 's packed with just as much intelligence as action
impart an almost visceral sense of dislocation and change
, windtalkers seems to have ransacked every old world war ii movie for overly familiar material .
every cliché
the immersive powers
slow , painful healing process
the notion of deleting emotion from people
a mostly believable , refreshingly low-key and quietly inspirational little sports drama .
infuses
a wannabe comedy
with the prospect of films like kangaroo jack about to burst across america 's winter movie screens it 's a pleasure to have a film like the hours as an alternative .
would that greengrass had gone a tad less for grit and a lot more for intelligibility
crummy , wannabe-hip crime comedy
has enough laughs to sustain interest to the end
a huge cut of above the rest
the plot almost arbitrary
delightfully charming
of stagy set pieces stacked with binary oppositions
also features terrible , banal dialogue ; convenient , hole-ridden plotting ; superficial characters and a rather dull , unimaginative car chase .
awe and affection -- and a strange urge to get on a board and , uh , shred , dude
this one is a few bits funnier than malle 's dud , if only because the cast is so engagingly messing around like slob city reductions of damon runyon crooks .
fails to overcome the film 's manipulative sentimentality and annoying stereotypes .
will likely prefer to keep on watching .
getting in its own way to be anything but frustrating , boring , and forgettable
expands the limits of what a film can be , taking us into the lives of women to whom we might not give a second look if we passed them on the street
has the thrown-together feel of a summer-camp talent show : hastily written , underrehearsed , arbitrarily plotted and filled with crude humor and vulgar innuendo .
routine crime
's propelled by the acting
the film never recovers from the clumsy cliché of the ugly american abroad
usurp the preaching message so that , by the time the credits roll across the pat ending , a warm , fuzzy feeling prevails
a remarkable film by bernard rose .
can easily worm its way into your heart . '
take credit for most of the movie 's success
its leaden acting , dull exposition
the hallucinatory drug culture
comic slugfest
it 's informative and breathtakingly spectacular
as far as art is concerned , it 's mission accomplished
that should be punishable by chainsaw
fully ` rendered '
the somber pacing and lack of dramatic fireworks make green dragon seem more like medicine than entertainment .
was n't just bad
the director is a magician
sure which is worse : the poor acting by the ensemble cast , the flat dialogue by vincent r. nebrida or the gutless direction by laurice guillen
also wrecks any chance of the movie rising above similar fare
to have fun with it
by pretentious , untalented artistes who enjoy moaning about their cruel fate
be nominated for an oscar next year
the legendary wit 's classic mistaken identity farce into brutally labored and unfunny hokum
spirals downward ,
gentle but insistent sincerity
it 's not much more watchable than a mexican soap opera
, daydreams , memories and one fantastic visual trope
are n't likely to leave a lasting impression
holocaust literature
a good vampire tale
disease-of-the-week
winning actor
cox offers plenty of glimpses at existing photos ,
is guaranteed to lift the spirits of the whole family
settled for a lugubrious romance
it would be churlish to begrudge anyone for receiving whatever consolation that can be found in dragonfly , yet it is impossible to find the film anything but appalling , shamelessly manipulative and contrived , and totally lacking in conviction .
its best ,
the half-lit , sometimes creepy intimacy of college dorm rooms , a subtlety that makes the silly , over-the-top coda especially disappointing
k-19 will not go down in the annals of cinema as one of the great submarine stories ,
an invaluable record
surprising highs
an unusually surreal tone
is widely seen and debated with appropriate ferocity and thoughtfulness
makes your teeth hurt
reno ) lets her radical flag fly , taking angry potshots at george w. bush , henry kissinger , larry king , et al .
a retread
opts to overlook this goofily endearing and well-lensed gorefest
it conjures up the intoxicating fumes and emotional ghosts of a freshly painted rembrandt
touches the heart and the funnybone thanks to the energetic and always surprising performance by rachel griffiths
in manipulation and mayhem
we have come to love
awesome work :
reveal his impressively delicate range
caught the gum stuck under my seat trying to sneak out of the theater
it 's dark but has wonderfully funny moments ; you care about the characters ; and
stay with the stage versions , however ,
it has some of the funniest jokes of any movie this year , including those intended for adults
was so endlessly , grotesquely , inventive
of a future-world holographic librarian ( orlando jones ) who knows everything and answers all questions , is visually smart , cleverly written , and nicely realized
a feeble tootsie knockoff .
while reaffirming washington as possibly the best actor working in movies today
many a hollywood romance
immense imax screen
infused frida with a visual style unique and inherent to the titular character 's paintings and in the process created a masterful work of art of their own
in an entirely irony-free zone and bale reduced mainly to batting his sensitive eyelids
directed with purpose and finesse by england 's roger mitchell , who handily makes the move from pleasing
the summer 's most pleasurable movies
tsai has a well-deserved reputation as one of the cinema world 's great visual stylists ,
some of the characters die and others do n't , and the film pretends that those living have learned some sort of lesson , and , really , nobody in the viewing audience cares
this method almost never fails him , and it works superbly here .
road movie , coming-of-age story and
eee for excitement
see a movie that takes such a speedy swan dive from `` promising ''
might have required genuine acting from ms. spears
the filmmakers know how to please the eye , but it is not always the prettiest pictures that tell the best story
`` based on true events , '' a convolution of language that suggests it
is so meditative and lyrical about babak payami 's boldly quirky iranian drama secret ballot ... a charming and evoking little ditty that manages to show the gentle and humane side of middle eastern world politics
works so well for the first 89 minutes
the entire cast is extraordinarily good .
had the misfortune to watch in quite some time
about one in three gags in white 's intermittently wise script hits its mark ;
is a movie that deserves recommendation
a fair share
a rather bland
hallmark film
1937 breakthrough
fly at such a furiously funny pace that the only rip off that we were aware of
of manipulation , an exploitation piece doing its usual worst to guilt-trip parents
none of this is very original
several times here and reveals how bad an actress she is
preposterous , prurient whodunit
as hilarious
does n't overcome the tumult of maudlin tragedy .
to show that if you give a filmmaker an unlimited amount of phony blood , nothing good can happen
wonderfully lush
, sandler does n't understand that the idea of exploiting molestation for laughs is funny , not actually exploiting it yourself .
were wonderful
twenty years after its first release , e.t. remains the most wondrous of all hollywood fantasies -- and the apex of steven spielberg 's misunderstood career .
makes a better short story
-- and timely --
unlike those in moulin rouge , are crisp and purposeful without overdoing it
the film is superficial and will probably be of interest primarily to its target audience
-- a straight guy has to dress up in drag --
's no reason to miss interview with the assassin
fun and funny in the middle ,
take nothing seriously and enjoy the ride .
were imposed for the sake of commercial sensibilities
the way they help increase an average student 's self-esteem
you can tell almost immediately that welcome to collinwood is n't going to jell .
dull , lifeless , and irritating
garcía bernal and talancón are an immensely appealing couple , and even though their story is predictable , you 'll want things to work out .
dark places
a very depressing movie of many
it is very difficult to care about the character , and
built on the premise that middle-class arkansas consists of monster truck-loving good ol' boys and peroxide blond honeys whose worldly knowledge comes from tv reruns and supermarket tabloids .
is that those responsible did n't cut their losses -- and ours -- and retitle it the adventures of direct-to-video nash , and send it to its proper home
was that movie nothing more than a tepid exercise in trotting out a formula that worked five years ago but has since lost its fizz ?
struck me as unusually and unimpressively fussy and
a uniquely sensual metaphorical dramatization of sexual obsession that spends a bit too much time on its fairly ludicrous plot .
sincerely
can you take before indigestion sets in
crafted a complicated hero who is a welcome relief from the usual two-dimensional offerings .
somnambulant exercise
is destined to be the 21st century 's new `` conan '' and that he 's going to make a splash even greater than arnold schwarzenegger , jean-claud van damme or steven segal .
it summons more spirit and bite than your average formulaic romantic quadrangle
family fun
white oleander may leave you rolling your eyes in the dark , but that does n't mean you wo n't like looking at it .
are padding unashamedly appropriated from the teen-exploitation playbook
presents nothing special and , until the final act , nothing overtly disagreeable .
fans will undoubtedly enjoy it
's also a -- dare i say it twice -- delightfully charming -- and totally american , i might add -- slice of comedic bliss
of dumbed-down exercise in stereotypes that gives the ( teen comedy )
to behold -- as long as you 're wearing the somewhat cumbersome 3d goggles the theater
berling and béart ... continue to impress
caper thrills
in a series of relentlessly nasty situations
a fun adventure movie for kids ( of all ages ) that like adventure
establish mr. cantet as france 's foremost cinematic poet of the workplace
a clever and cutting , quick and dirty look at modern living and movie life
beneath the familiar , funny surface
definitely funny stuff ,
channeling kathy baker 's creepy turn as the repressed mother on boston public just as much as 8 women 's augustine
serious contender
a talent
contradicts
broadway
none of the pushiness and decibel volume of most contemporary comedies
squeeze a few laughs
of a sick and evil woman
diverse and astonishingly articulate
in his zeal to squeeze the action and our emotions into the all-too-familiar dramatic arc of the holocaust escape story , minac drains his movie of all individuality
rather unbelievable
if you recognize zeus ( the dog from snatch ) it will make you wish you were at home watching that movie instead of in the theater watching this one .
is 75 wasted minutes of sandler as the voice-over hero in columbia pictures ' perverse idea of an animated holiday movie
some kid who ca n't act , only echoes of jordan , and weirdo actor crispin glover screwing things up old school
cheery and tranquil suburban life
weightless that a decent draft in the auditorium might blow it off the screen .
with a zippy jazzy score
... tara reid plays a college journalist , but she looks like the six-time winner of the miss hawaiian tropic pageant , so i do n't know what she 's doing in here ...
cheered
undercut by its awkward structure and a final veering
as that sentiment
restrictive and chaotic
is a failure .
candy-coat with pat storylines , precious circumstances and beautiful stars
is rote work and predictable