xiangpku/GLUE huggingface dataset:
's so much to look at in metropolis you hate to tear your eyes away from the images long enough to read the subtitles
that malarkey
monster/science fiction flicks
to consider the unthinkable , the unacceptable , the unmentionable
that special annex of hell
incredibly hokey
fluffy and disposible
fascinating little tale
it 's never too late to believe in your dreams . '
i 'd be hard pressed to think of a film more cloyingly sappy than evelyn this year .
the story is lacking any real emotional impact , and the plot is both contrived and cliched .
so many explosions
the scorpion king is more fun than conan the barbarian .
nicole kidman makes it a party worth attending .
seems timely and important .
, soap opera-ish dialogue
close to losing my lunch
settles into the light-footed enchantment the material needs
director carl franklin , so crisp and economical in one false move ,
a lot of the smaller scenes
chelsea walls is a case of too many chefs fussing over too weak a recipe .
with a great premise
appalling as any ` comedy '
an elegantly balanced movie -- every member of the ensemble has something fascinating to do -- that does n't reveal even a hint of artifice
love liza is a festival film that would have been better off staying on the festival circuit .
hope britney wo n't do it one more time , as far as
's icky .
wears its heart on the sleeve of its gaudy hawaiian shirt
made me feel unclean
like saturday morning tv in the '60s
astonishing grandeur
fully endear itself to american art house audiences
is a step down
does n't really believe in it , and breaks the mood with absurdly inappropriate ` comedy ' scenes
be this good
the film acquires an undeniable entertainment value as the slight , pale mr. broomfield continues to force himself on people and into situations that would make lesser men run for cover .
heavy with flabby rolls of typical toback machinations
two towers outdoes its spectacle .
antic spirits
mark ms. bullock 's best work
of slapstick sequences
imaginable
is a hilarious adventure
more trifle than triumph .
's mission accomplished
a mediocre tribute to films like them
unmemorable filler
well-made entertainment
what little grace ( rifkin 's ) tale of precarious skid-row dignity achieves
which are neither original nor are presented in convincing way
ticket-buyers with great expectations will wind up as glum as mr. de niro .
is made fresh by an intelligent screenplay and gripping performances in this low-budget , video-shot , debut indie effort
that accomplishes so much that one viewing ca n't possibly be enough
but the project surrounding them is distressingly rote
oozes craft .
does its best to work us over , with second helpings of love , romance , tragedy , false dawns , real dawns , comic relief , two separate crises during marriage ceremonies , and the lush scenery of the cotswolds
where the situations and the dialogue spin hopelessly out of control -- that is to say
succeeds .
that offers a thoughtful and rewarding glimpse into the sort of heartache everyone
well-done supernatural thriller
the ensemble cast turns in a collectively stellar performance , and the writing is tight and truthful , full of funny situations and honest observations .
is , we have no idea what in creation is going on .
vulgar dialogue
sweet time building
of the best gay love stories
a dirty old man
it never quite makes the grade as tawdry trash .
no special effects , and
female friendship that men can embrace
of emotional desperation
watching the chemistry between freeman and judd , however , almost makes this movie worth seeing .
makes sure the salton sea works the way a good noir should ,
a thoroughly entertaining comedy that uses grant 's own twist of acidity to prevent itself from succumbing to its own bathos .
threw loads of money at an idea that should 've been so much more even if it was only made for teenage boys and wrestling fans .
silly , nickelodeon-esque kiddie flick
shedding light on a group of extremely talented musicians who might otherwise go unnoticed and underappreciated by music fans
several cliched movie structures : the road movie ,
faster , livelier and
, funny , and even touching
is well
its own style
of nijinsky
interesting controversy
incinerates frank capra 's classic
reign of fire is hardly the most original fantasy film ever made -- beyond road warrior , it owes enormous debts to aliens and every previous dragon drama -- but that barely makes it any less entertaining .
this movie may not have the highest production values you 've ever seen ,
sweet and fluffy
) are such a companionable couple
dull , brain-deadening hangover
little sticky and unsatisfied
charisma and
also a -- dare i say it twice --
blushing to gushing -- imamura squirts the screen in ` warm water under a red bridge '
eccentrics
's a rather listless amble down the middle of the road , where the thematic ironies are too obvious and the sexual politics too smug
anyone who ever fantasized about space travel but ca n't afford the $ 20 million ticket to ride a russian rocket should catch this imax offering .
leaves scant place for the viewer
even if it made its original release date last fall , it would 've reeked of a been-there , done-that sameness .
of the victorious revolutionaries
a positive ( if tragic ) note
intelligence and originality
also somewhat touched
its lackluster gear of emotional blandness
cradles its characters , veiling tension beneath otherwise tender movements
opportunity to be truly revelatory about his psyche
much worse than bland
took three minutes of dialogue , 30 seconds of plot and turned them into a 90-minute movie that feels five hours long .
overcomes the script 's flaws and envelops the audience in his character 's anguish , anger and frustration
assured and stylish
a ragbag of cliches .
of a picture that was n't all that great to begin with
as though i was in the tiny two seater plane that carried the giant camera around australia , sweeping and gliding , banking
the soul-searching deliberateness of the film , although leavened nicely with dry absurdist wit , eventually becomes too heavy for the plot .
even though the film does n't manage to hit all of its marks , it 's still entertaining to watch the target practice .
a breathtaking adventure
the narrator and the other characters try to convince us that acting transfigures esther , but she 's never seen speaking on stage ; one feels cheated , and esther seems to remain an unchanged dullard
wind-in-the-hair exhilarating
of true inspiration
a good movie ye who enter here
a flat , unconvincing drama
are so hilarious
great to look at , and funny
russian ark is a new treasure of the hermitage .
may seem disappointing in its generalities
extends to his supple understanding of the role that brown played in american culture as an athlete , a movie star , and an image of black indomitability
more offended by his lack of faith in his audience
to its clever what-if concept
so crazy !
relieved that his latest feature , r xmas , marks a modest if encouraging return to form
make like the title and dodge this one
a heartwarming , nonjudgmental kind
a speed that is slow to those of us in middle age
balances real-time rhythms with propulsive incident
remarkable and
warmth and gentle humor
life affirming
the whiney characters bugged me
wilco fans will have a great time , and
19 stays afloat as decent drama/action flick
ask for a raise
a gently funny , sweetly adventurous film that makes you feel genuinely good , that is to say ,
moviemaking for a larger-than-life figure , an artist who has been awarded mythic status in contemporary culture
a hard time sitting through this one
is more accurate than anything i have seen in an american film
perversity
does n't have much to say beyond the news
a knowing sense of humor and a lot of warmth
rather than real figures , elling and kjell bjarne become symbolic characters whose actions are supposed to relate something about the naïf 's encounter with the world .
frighten and
intriguing look
is that it avoids the obvious with humor and lightness
very handsomely produced
do with these characters except have them run through dark tunnels , fight off various anonymous attackers , and evade elaborate surveillance technologies
films that leaps over national boundaries and celebrates universal human nature
a documentary to make the stones weep -- as shameful as it is scary .
is gratefully received
's virtually impossible to like any of these despicable characters
two bodies and hardly a laugh between them
a bit of a downer and a little over-dramatic at times , but this is a beautiful film for people who like their romances to have that french realism
pays off and
that the talented cast generally
you see this film you 'll know too
every moment crackles with tension , and by the end of the flick , you 're on the edge of your seat .
the efforts of a first-rate cast
pleasant tale
frothy ` date movie ' ...
laugh-a-minute
nice piece of work .
trying to be more complex than your average film
it 's a treat -- a delightful , witty , improbable romantic comedy with a zippy jazzy score
's affecting , amusing , sad and reflective
yes , i suppose it 's lovely that cal works out his issues with his dad and comes to terms with his picture-perfect life -- but world traveler gave me no reason to care , so i did n't
fresh , sometimes funny ,
visually , ` santa clause 2 ' is wondrously creative .
it 's not scary in the slightest
than by its funny , moving yarn that holds up well after two decades
, imaginative kid 's movie
have an interest in the characters you see
sheerly cinematic appeal
the cartoonish clichés and sneering humor
is hard to resist
that such a horrible movie could have sprung from such a great one
parents love to have their kids
feels less like bad cinema than like being stuck in a dark pit having a nightmare about bad cinema
perfect festival film
, simple-minded and stereotypical
the filmmakers know how to please the eye
offend everyone
in ( this ) meandering and pointless french coming-of-age import from writer-director anne-sophie birot
although it includes a fair share of dumb drug jokes and predictable slapstick , `` orange county '' is far funnier than it would seem to have any right to be .
virtually joyless
is fluid and quick
with a searing lead performance
it 's too harsh to work as a piece of storytelling , but as an intellectual exercise -- an unpleasant debate that 's been given the drive of a narrative and that 's been acted out -- the believer is nothing less than a provocative piece of work .
feels contrived
, holds the screen like a true star .
in a class with spike lee 's masterful
is actually quite entertaining .
's definitely an improvement on the first blade
silly-looking
a buoyant romantic comedy about friendship , love , and the truth that we 're all in this together .
altogether darker side
is really funny
richer and more observant
cleverness , wit or
the director uses the last act to reel in the audience since its poignancy hooks us completely .
insightful and
shockingly bad and
eloquent film
is painfully formulaic and stilted .
anyone who wants to start writing screenplays
cartoonish performance
the redeeming feature of chan 's films
takes a hat-in-hand approach to rowling that stifles creativity and allows the film to drag on for nearly three hours
the violence is at once luridly graphic and laughably unconvincing
most of the storylines feel like time fillers between surf shots .
p )
the most excruciating 86 minutes one might sit through this summer that do not involve a dentist drill .
angling to see how many times they can work the words `` radical '' or `` suck '' into a sentence
even if you do n't know the band or the album 's songs by heart , you will enjoy seeing how both evolve , and you will also learn a good deal about the state of the music business in the 21st century
attempts to be grandiloquent , but
want to see another car chase , explosion or gunfight again
like horrible poetry
that sink it faster than a leaky freighter
gives poor dana carvey nothing
a quiet family drama with a little bit of romance and a dose of darkness
the populace that made a walk to remember a niche hit
just too bad the film 's story does not live up to its style
in the best irish sense
amours
is n't a disaster , exactly , but a very handsomely produced let-down .
it 's a treat watching shaw , a british stage icon , melting under the heat of phocion 's attentions .
make the suckers out there surrender $ 9 and 93 minutes of unrecoverable life
at a speed that is slow to those of us in middle age
intense and effective
nearly flickering out by its perfunctory conclusion
not enough of interest onscreen
a weird , arresting little ride
dumb , fun , curiously adolescent movie
ghetto fabulousness
be with a large dose of painkillers
has a nearly terminal case of the cutes
they threw loads of money at an idea that should 've been so much more even if it was only made for teenage boys and wrestling fans .
christian parents
for all its shoot-outs
putting together familiar themes of family , forgiveness and love
empty , fetishistic violence in which murder is casual and fun
wears its heart
strenuously unfunny showtime deserves the hook .
adam sandler 's heart may be in the right place , but he needs to pull his head out of his butt
it points out how inseparable the two are
relying on animation or dumb humor
it 's bedeviled by labored writing and slack direction .
being earnest '' overcome its weaknesses
the writing is clever and
i simply ca n't recommend it enough .
should be able to find better entertainment
the show 's concept
on the promise of excitement
is its unforced comedy-drama and its relaxed , natural-seeming actors .
resorting to camp or parody
an integrity
eye-popping
in its dry and forceful way , it delivers the same message as jiri menzel 's closely watched trains and danis tanovic 's no man 's land .
in this crass , low-wattage endeavor
of the most high-concept sci fi adventures attempted for the screen
boasting some of the most poorly staged and lit action in memory
the very top rank
chilly , clinical lab report
makes your least favorite james bond movie seem as cleverly plotted as the usual suspects
picture-perfect beach
farcically bawdy fantasy
with so many bad romances out there , this is the kind of movie that deserves a chance to shine .
dramatic interest
ballsy and
the movie in a superficial way , while never sure what its purpose was
a unique , well-crafted psychological study
is fascinating ...
spain 's greatest star wattage
wild-and-woolly , wall-to-wall good time
's surprisingly harmless .
scope and
morrissette has performed a difficult task indeed - he 's taken one of the world 's most fascinating stories and made it dull , lifeless , and irritating
this cloying , voices-from-the-other-side story is hell .
zoom !
it 's not just the vampires that are damned in queen of the damned
whiny , pathetic , starving and untalented artistes
compelling mix
in a movie that is definitely meaningless , vapid and devoid of substance
's a square , sentimental drama that satisfies , as comfort food often can .
it is , however , a completely honest , open-hearted film that should appeal to anyone willing to succumb to it .
has a number of other assets to commend it to movie audiences both innocent and jaded .
hong kong master john woo
rare sequel
tepid and
well paced and satisfying little drama
of biting the hand that has finally , to some extent , warmed up to him
dripping with cliche and bypassing no opportunity to trivialize the material .
easy to watch
not at all clear what it 's trying to say and even if it were -- i doubt it would be all that interesting .
the film ascends to a kinetic life so teeming that even cranky adults may rediscover the quivering kid inside .
hoary dialogue , fluxing accents , and -- worst of all -- silly-looking morlocks
probes in a light-hearted way the romantic problems
thriller remarkable only for its lack of logic and misuse of two fine actors , morgan freeman and ashley judd
, he does all of this , and more , while remaining one of the most savagely hilarious social critics this side of jonathan swift .
with flailing bodily movements
feels less the product of loving , well integrated homage and more like a mere excuse for the wan , thinly sketched story
has little to do with the story , which becomes something about how lame it is to try and evade your responsibilities and that you should never , ever , leave a large dog alone with a toddler .
highlight reel
a well-done film of a self-reflexive , philosophical nature
tells this very compelling tale with little fuss or noise ,
brilliant piece
the final product is a ghost
) comes off like a hallmark commercial
devastating testimony
plodding , poorly written , murky and weakly acted , the picture feels as if everyone making it lost their movie mojo .
a gorgeously strange movie , heaven
getting together before a single frame had been shot and collectively vowing , ` this is going to be something really good
resembles the el cheapo margaritas served within .
it is repetitious
've marveled at disney 's rendering of water , snow , flames and shadows in a hand-drawn animated world
it 's compelling
, heart-felt drama
at leading lives of sexy intrigue
like a film that strays past the two and a half mark
'd rather watch them on the animal planet
could this be the first major studio production shot on video tape instead of film ?
an epic four-hour indian musical
become comparatively sane and healthy
, one could rent the original and get the same love story and parable .
an overstylized , puréed mélange
showtime deserves the hook .
of an energetic , extreme-sports adventure
barney 's
cranked out on an assembly line
is funny ,
is blazingly alive and admirable on many levels
crack a smile
would seem to be surefire casting .
there 's a reason why halftime is only fifteen minutes long .
ignore but a little too smugly superior to like
care less
it even uses a totally unnecessary prologue , just because it seems obligatory
smart , savvy , compelling
hated
builds to an intense indoor drama about compassion , sacrifice , and christian love in the face of political corruption
superficiality
skirts around any scenes that might have required genuine acting from ms. spears
bad ideas and awkwardness
a career-defining revelation
an inarticulate screenplay
cohesive
just about the surest bet for an all-around good time at the movies this summer
thinking not only that kate is n't very bright , but that she has n't been worth caring about and that maybe she , janine and molly -- an all-woman dysfunctional family -- deserve one another
too clumsy
better than inconsequential
going for it other than its exploitive array of obligatory cheap
so mind-numbingly awful that you hope britney wo n't do it one more time , as far as movies are concerned .
humbuggery
, the stories are quietly moving .
a teenybopper ed wood film ,
sit through this summer that do not involve a dentist drill
are so generic
cultural and economic subtext
... a triumph of emotionally and narratively complex filmmaking .
pretends to expose the life of male hustlers
is strong as always
truly larger-than-life character
is a goofball movie , in the way that malkovich was
it 's a clear-eyed portrait of an intensely lived time , filled with nervous energy , moral ambiguity and great uncertainties .
dramatize life 's messiness
over every cheap trick in the book trying to make the outrage
its elegantly colorful look
guilty about it
'll probably run out screaming .
might imagine that most every aggrieved father cliché has been unturned
classic movie franchise
deepa mehta provides an accessible introduction as well as some intelligent observations on the success of bollywood in the western world .
is all but useless
a bit too much like an infomercial for ram dass 's latest book aimed at the boomer demographic
precarious
grey zone
which gives you an idea just how bad it was
ultimately , in the history of the academy , people may be wondering what all that jazz was about `` chicago '' in 2002 .
martin lawrence live ' is so self-pitying
if it 's unnerving suspense you 're after -- you 'll find it with ring , an indisputably spooky film ; with a screenplay to die for
too predictable and far too cliched
chelsea hotel
is no doubt true , but serves as a rather thin moral to such a knowing fable
, like me , think an action film disguised as a war tribute is disgusting to begin with
90 minutes trying figure out whether or not some cocky pseudo-intellectual kid has intentionally left college or was killed
duvall 's throbbing sincerity
making this queen a thoroughly modern maiden
misguided project
a transparently hypocritical work
are more compelling than the execution
share no chemistry or engaging charisma
tough to tell which is in more abundant supply in this woefully hackneyed movie , directed by scott kalvert , about street gangs and turf wars in 1958 brooklyn -- stale cliches , gratuitous violence , or empty machismo
( toback 's ) fondness for fancy split-screen , stuttering editing and pompous references to wittgenstein and kirkegaard ...
well-worn situations
begging for attention ,
goes further
to make us care about zelda 's ultimate fate
works as a treatise on spirituality as well as a solid sci-fi thriller
, ingenious
's hard to shake the feeling that it was intended to be a different kind of film .
believing in something does matter
a film about the irksome , tiresome nature of complacency
so stunning
elaborate and twisted characters
by an esteemed writer-actor
one of the finest films of the year
, difficult and sad
the author 's devotees will probably find it fascinating ;
like a film so cold and dead
von sydow ...
earnest and heartfelt
howard and his co-stars all give committed performances ,
inspiring hope
bring new energy
to liven things up
pairing clayburgh and tambor
one of the great submarine stories
is delightful in the central role
develops into a gut-wrenching examination of the way cultural differences and emotional expectations collide
is throwing up his hands in surrender , is firing his r&d people , and has decided he will just screen the master of disguise 24/7
by numbers , and as easy to be bored by as your abc 's ,
all the sensuality , all the eroticism of a good vampire tale
watch witherspoon 's talents wasting away inside unnecessary films like legally blonde and sweet home abomination
what once was conviction
a corny examination of a young actress trying to find her way
taken quite a nosedive from alfred hitchcock 's imaginative flight
takes a surprising , subtle turn at the midway point .
there 's a scientific law to be discerned here that producers would be well to heed : mediocre movies start to drag as soon as the action speeds up ; when the explosions start , they fall to pieces
little action , almost no suspense or believable tension , one-dimensional characters up the wazoo and sets that
wo n't be placed in the pantheon of the best of the swashbucklers but it is a whole lot of fun and you get to see the one of the world 's best actors , daniel auteuil ,
, then they works spectacularly well ... a shiver-inducing , nerve-rattling ride .
maybe he was reading the minds of the audience .
give a spark to `` chasing amy '' and `` changing lanes '' falls flat as thinking man cia agent jack ryan in this summer 's new action film
their lack
contemplative , and sublimely beautiful
those rare films that come by once in a while with flawless amounts of acting , direction , story and pace
appreciates
a joyous occasion
think you have figured out the con and the players in this debut film by argentine director fabian bielinsky , but while you were thinking someone made off with your wallet
touching , raucously amusing , uncomfortable , and , yes ,
great artistic significance
these people mattered
a bit of a downer and a little over-dramatic at times , but
an impressive and highly entertaining celebration of its sounds
is n't embarrassed to make you reach for the tissues
another new film emerges with yet another remarkable yet shockingly little-known perspective .
it 's a pretty listless collection of kid-movie clichés .
truly edgy --
directs one of the best ensemble casts of the year
suffered and bled
this humbling little film , fueled by the light comedic work of zhao benshan and the delicate ways of dong jie ,