xiangpku/GLUE huggingface dataset:
will probably be one of those movies barely registering a blip on the radar screen of 2002 .
sundance festival
makes it a party worth attending
... works on some levels and is certainly worth seeing at least once .
disappointingly generic nature
an honest , sensitive story from a vietnamese point
the sparse instances of humor
choppy , surface-effect feeling
boxes these women 's souls right open for us .
will cause loads of irreparable damage that years and years of costly analysis could never fix
as gamely as the movie tries to make sense of its title character , there remains a huge gap between the film 's creepy
the amazing spider-man
car wreck
all-enveloping movie experience
of trashy , kinky fun
engrossing entertainment
animation enthusiasts
pitifully
roman polanski 's autobiographical gesture at redemption is better than ` shindler 's list '
smile-button
what enlivens this film , beyond the astute direction of cardoso and beautifully detailed performances by all of the actors , is a note of defiance over social dictates .
this crude ,
the franchise 's best years
wilde 's wit and
such master screenwriting comes courtesy of john pogue , the yale grad who previously gave us `` the skulls '' and last year 's `` rollerball .
'll keep you wide awake and ... very tense
his smooth , shrewd , powerful act
the level of classic romantic comedy to which it aspires
is repulsive and depressing .
appalling ` ace ventura ' rip-off
kooky and overeager as it is spooky and subtly in love with myth
right at home as a nifty plot line in steven soderbergh 's traffic fails to arrive at any satisfying destination
would know what to make of this italian freakshow
poignant if familiar story of a young person suspended between two cultures .
is never sure to make a clear point -- even if it seeks to rely on an ambiguous presentation .
lackadaisical plotting and mindless action
a decent draft in the auditorium might blow it off the screen
much ado about something is an amicable endeavor .
uses the last act to reel in the audience since its poignancy hooks us completely .
, this somber picture reveals itself slowly , intelligently , artfully .
victorious revolutionaries
the cleverness ,
's a charismatic charmer likely to seduce and conquer .
follows the formula , but throws in too many conflicts to keep the story compelling .
hilariously , gloriously alive
boxes these women 's souls right open for us
hindered
it 's supposed to be a romantic comedy
zhuangzhuang creates delicate balance of style , text , and subtext that 's so simple and precise that anything discordant would topple the balance , but
lacks the inspiration of the original and has a bloated plot that stretches the running time about 10 minutes past a child 's interest and an adult 's patience
strangely sinister happy ending
the endlessly challenging maze of moviegoing
the dead horse of surprise
wind up remembering with a degree of affection rather than revulsion
adding the rich details and go-for-broke acting that heralds something special
real women have curves wears its empowerment on its sleeve but even its worst harangues are easy to swallow thanks to remarkable performances by ferrera and ontiveros .
bitter pill
enough innovation or pizazz
edge or
seldom hammy ,
arcane area
should never forget
elaborate choreography
no psychology here , and no real narrative logic
is almost guaranteed that even the stuffiest cinema goers will laugh their *** off for an hour-and-a-half
help increase an average student 's self-esteem
in which the slack execution italicizes the absurdity of the premise
shame that stealing harvard is too busy getting in its own way to be anything but frustrating , boring , and forgettable .
wryly
a ham-fisted sermon
grand fart
resolutely downbeat
well-rounded
this would have been better than the fiction it has concocted
for sick and demented humor simply
his fake backdrops and stately pacing
collectively stellar performance
fully realized story
overly original
but it has an ambition to say something about its subjects , but not a willingness .
the intoxicating fumes and
it 's plotless , shapeless -- and yet , it must be admitted , not entirely humorless .
whether or not you buy mr. broomfield 's findings , the film acquires an undeniable entertainment value as the slight , pale mr. broomfield continues to force himself on people and into situations that would make lesser men run for cover .
turn down
zero-dimensional , unlikable characters and
he does all of this , and more , while remaining one of the most savagely hilarious social critics this side of jonathan swift .
really special walk
a quasi-documentary by french filmmaker karim dridi that celebrates the hardy spirit of cuban music
documentarian
a time machine , a journey back to your childhood , when cares melted away in the dark theater ,
the attempt to build up a pressure cooker of horrified awe emerges from the simple fact that the movie has virtually nothing to show .
trust an audience 's intelligence
tartakovsky 's team has some freakish powers of visual charm , but
costner 's warm-milk persona is just as ill-fitting as shadyac 's perfunctory directing chops , and some of the more overtly silly dialogue would sink laurence olivier
excites the imagination and
is something rare and riveting : a wild ride that relies on more than special effects
trying to laugh at how bad
that is masterly
runs a good race , one that will have you at the edge of your seat for long stretches .
very well written and directed with brutal honesty and respect for its audience .
's badder than bad
certain to be distasteful to children and adults alike , eight crazy nights is a total misfire .
of lives lived in a state of quiet desperation
all things we 've seen before
its simplicity puts an exclamation point on the fact that this is n't something to be taken seriously
overlong soap
gorgeous , passionate
the soul-searching deliberateness of the film , although leavened nicely with dry absurdist wit
it entertaining
the raunch in favor of gags that rely on the strength of their own cleverness
falls down
, old-fashioned-movie movie
spiteful
finely tuned
a boring , pretentious muddle that uses a sensational , real-life 19th-century crime as a metaphor for
trashy , kinky fun
see : terrorists are more evil than ever !
it 's so not-at-all-good
wicked black comedy
star trek was kind of terrific once ,
translate well to the screen
directed without the expected flair or imagination by hong kong master john woo , windtalkers airs just about every cliche in the war movie compendium across its indulgent two-hour-and-fifteen-minute length .
allows us to be transported into the life of wladyslaw szpilman , who is not only a pianist , but a good human being
poo .
a lot of static set ups , not much camera movement , and most of the scenes
visually smart
evelyn comes from the heart .
it more than makes up for in drama , suspense , revenge , and romance .
is good ,
`` serving sara '' has n't much more to serve than silly fluff
worth the concentration
regards reign of fire with awe .
futuristic women in skimpy clothes
cheesy b-movie
one of the greatest natural sportsmen of modern times
what makes the film special
the charms of the lead performances
nicole holofcenter , the insightful writer/director responsible for this illuminating comedy does n't wrap the proceedings up neatly but the ideas tie together beautifully .
waged among victims and predators settle into an undistinguished rhythm of artificial suspense .
a high note
this kind of hands-on storytelling is ultimately what makes shanghai ghetto move beyond a good , dry , reliable textbook and what allows it to rank with its worthy predecessors .
funny performers
exuberance in all
to be smarter and more diabolical than you could have guessed at the beginning
into romeo and juliet/west side story territory , where it plainly has no business going
when you 're rooting for the film to hurry up and get to its subjects ' deaths just so the documentary will be over
and suspenseful argentinian thriller
light the candles , bring out the cake and do n't fret about the calories because there 's precious little substance in birthday girl --
of my least favorite emotions , especially when i have to put up with 146 minutes of it
transparently
majidi 's direction has never been smoother or more confident .
compared to his series of spectacular belly flops both on and off the screen , runteldat is something of a triumph .
it falls down in its attempts to humanize its subject
another wholly unnecessary addition to the growing , moldering pile of , well , extreme stunt pictures .
have sprung from such a great one
the most practiced curmudgeon
( a ) painfully flat gross-out comedy ...
director roger kumble offers just enough sweet and traditional romantic comedy to counter the crudity .
the script has less spice than a rat burger and the rock 's fighting skills are more in line with steven seagal .
legally blonde and sweet home abomination
are missing --
competent
a film of epic scale with an intimate feeling , a saga of the ups and downs of friendships
lathan and diggs carry the film with their charisma
that is definitely meaningless , vapid and devoid of substance
encounters a substantial arc of change that does n't produce any real transformation
a high-spirited buddy movie
flat , plodding picture
generic jennifer lopez romantic comedy
one of the rarest kinds of films :
` dragonfly ' dwells on crossing-over mumbo jumbo , manipulative sentimentality , and sappy dialogue .
hard to shake the feeling that it was intended to be a different kind of film
good documentary
that he tosses a kitchen sink onto a story already overladen with plot conceits
but the talented cast alone will keep you watching , as will the fight scenes .
creepy stories
appealing character quirks
its relaxed
compliment to say that the film makes the viewer feel like the movie 's various victimized audience members after a while , but it also happens to be the movie 's most admirable quality
exploitative for the art houses and too cynical ,
there 's no other reason why anyone should bother remembering it
when ` science fiction ' takes advantage of the fact that its intended audience has n't yet had much science , it does a disservice to the audience and to the genre .
is one adapted - from-television movie that actually looks as if it belongs on the big screen
replaced by romance-novel platitudes
if de palma spent an hour setting a fancy table and then served up kraft macaroni and cheese
maladjusted teens in a downward narcotized spiral .
if you are curious to see the darker side of what 's going on with young tv actors ( dawson leery did what ?!? ) , or see some interesting storytelling devices , you might want to check it out
i spy is still fun and enjoyable and so aggressively silly that it 's more than a worthwhile effort .
's a loathsome movie
how the movie could be released in this condition
in chilling style
belongs on the big screen
is unconvincing
keep - 'em
mourns
an unholy mess , driven by the pathetic idea that if you shoot something on crummy-looking videotape , it must be labeled ` hip ' , ` innovative ' and ` realistic '
'll still have a good time . ''
strong and confident work
this saga would be terrific to read about
audience award
, life-affirming moments
by turns gripping , amusing , tender and heart-wrenching , laissez-passer has all the earmarks of french cinema at its best .
an inuit masterpiece that will give you goosebumps as its uncanny tale of love , communal discord , and justice unfolds .
, sad dance
from blushing to gushing -- imamura squirts the screen in ` warm water under a red bridge '
distances you by throwing out so many red herrings , so many false scares , that the genuine ones barely register
this is the sort of low-grade dreck that usually goes straight to video -- with a lousy script , inept direction , pathetic acting , poorly dubbed dialogue and murky cinematography , complete with visible boom mikes .
despite the film 's shortcomings , the stories are quietly moving .
's simply stupid , irrelevant and deeply ,
a droll ,
neglects to add the magic that made it all work
squanders the charms of stars hugh grant and sandra bullock .
making this gorgeous film a must for everyone from junior scientists to grown-up fish lovers
nohe has made a decent ` intro ' documentary ,
( a ) devastatingly powerful and astonishingly vivid holocaust drama .
accuse kung pow for misfiring , since it is exactly what it wants to be : an atrociously , mind-numbingly , indescribably bad movie
some real vitality and even
delivered dialogue and a heroine who comes across as both shallow and dim-witted
me want to get made-up and go see this movie with my sisters
olivier assayas has fashioned an absorbing look at provincial bourgeois french society .
is a dark , gritty , sometimes funny little gem .
catches the chaotic horror
an action hero with table manners ,
why , after only three films , director/co-writer jacques audiard , though little known in this country , belongs in the very top rank of french filmmakers
there 's no place for this story to go but down
invented
a funny and well-contructed black comedy
swallow thanks to remarkable performances by ferrera and ontiveros
ordinary and obvious
the dangerous lives of altar boys ' take on adolescence feels painfully true .
makes you believe the cast and crew thoroughly enjoyed themselves and believed in their small-budget film
a detailed historical document , but an engaging and moving portrait of a subculture
drug abuse , infidelity and death are n't usually comedy fare , but turpin 's film allows us to chuckle through the angst .
loss and denial and life-at-arm 's -
beautiful , timeless and universal tale
at the residents of a copenhagen neighborhood coping with the befuddling complications life
a smart , nuanced look at de sade and what might have happened at picpus
entertainingly nasty
seeing because it 's so bad
is pure , exciting moviemaking
waste their time
arrive on the big screen with their super-powers , their super-simple animation and their super-dooper-adorability intact
' appeared in 1938
how very bad a motion picture can truly be
love its fantasy and adventure
is supposed to be , but ca n't really call it a work of art
of kitsch hard going
one of the most gloriously unsubtle and adrenalized extreme
spider web .
cold-fish
violence overshadows everything
among the best films of the year .
your reward
find it fascinating
is pleasant , diverting and modest
tired , predictable
a desperate miscalculation
expand a tv show
lifting the pedestal higher
is so fascinating
pulls off some deft ally mcbeal-style fantasy sequences
dopey dialogue
a feature that concentrates on people , a project in which the script and characters hold sway
through its flaws , revolution # 9 proves to be a compelling
( an ) absorbing documentary .
scarcely worth a mention apart from reporting on the number of tumbleweeds blowing through the empty theaters graced with its company .
forget about one oscar nomination for julianne moore this year
narc is a no-bull throwback to 1970s action films .
everything too safe
the movie , despite its rough edges and a tendency to sag in certain places , is wry and engrossing .
, sexist
so badly made on every level
their way around this movie directionless
every joke is repeated at least --
serve no other purpose than to call attention to themselves
as the novel on which it 's based
get through this interminable , shapeless documentary about the swinging subculture
what bubbles up out of john c. walsh 's pipe dream is the distinct and very welcome sense of watching intelligent people making a movie they might actually want to watch .
smart jokes
leave you marveling at these guys ' superhuman capacity to withstand pain
turns a blind eye to the very history it pretends to teach
he has severe body odor
a sweet , tender sermon about a 12-year-old welsh boy more curious
enjoy being rewarded by a script that assumes you are n't very bright
honoring
i 'm sorry to say that this should seal the deal - arnold is not , nor will he be , back .
hoffman 's powerful acting clinic
who is drawn into the exotic world of belly dancing
a low , smoky and inviting sizzle
take center screen , so that the human story is pushed to one side
seems based on ugly ideas instead of ugly behavior , as happiness was ... hence , storytelling is far more appealing .
its invitingly upbeat overture to its pathos-filled but ultimately life-affirming finale
smutty
in its characters ' frustrations
you 'll cry for your money back .
does n't do a load of good
great scares and a good surprise ending
men with guns
funny and pithy
ended so damned soon
emerges a radiant character portrait
the victims
does a fine job contrasting the sleekness of the film 's present with the playful paranoia of the film 's past .
unlike lots of hollywood fluff , this has layered , well-developed characters and some surprises .
a solid , spooky entertainment
does a fine job contrasting the sleekness of the film 's present with the playful paranoia of the film 's past . '
does n't add anything fresh to the myth
to a dumb story
is wrong in its sequel .
deeply felt fantasy of a director 's travel through 300 years of russian history .
not too fancy , not too filling , not too fluffy , but definitely tasty and sweet
has moments of inspired humor
color and depth , and
just does n't cut it
filmmaker stacy peralta has a flashy editing style that does n't always jell with sean penn 's monotone narration , but he respects the material without sentimentalizing it .
rollerball is as bad as you think , and worse than you can imagine .
, spirit 's visual imagination reminds you of why animation is such a perfect medium for children , because of the way it allows the mind to enter and accept another world .
keeps us riveted with every painful nuance , unexpected flashes of dark comedy and the character 's gripping humanity .
's as if a bored cage spent the duration of the film 's shooting schedule waiting to scream : `` got aids yet ?
is a mess from start to finish .
forces us to consider the unthinkable , the unacceptable , the unmentionable
good to speak about other than the fact that it is relatively short
that the film idiotically uses the website feardotcom.com or the improperly hammy performance from poor stephen rea
jumps around with little logic or continuity
, it 's an unhappy situation all around .
ridiculous bolero
distressingly
extreme ops '' exceeds expectations .
does n't flinch from its unsettling prognosis , namely , that the legacy of war is a kind of perpetual pain
typical late-twenty-somethings natter on about nothing
lingerie models and bar dancers
full , irritating display
a fiercely clever and subtle film , capturing the precarious balance between the extravagant confidence of the exiled aristocracy and the cruel earnestness of the victorious revolutionaries
viewers are asked so often to suspend belief that were it not for holm 's performance , the film would be a total washout .
not about scares but a mood in which an ominous , pervasive , and unknown threat lurks just below the proceedings and adds an almost constant mindset of suspense
disgust
, martin is a masterfully conducted work .
beautiful movement and inside information
it seems impossible that an epic four-hour indian musical about a cricket game could be this good ,
some bad singer-turned actors
a movie ever could be
but it 's surprisingly harmless .
glazed with a tawdry b-movie scum
a light , fun cheese puff
are rolling over in their graves
than anyone could desire to the cheap , graceless , hackneyed sci-fi serials of the '30s and '40s
, even in all its director 's cut glory , he 's made a film that 's barely shocking , barely interesting and most of all , barely anything
those underrated professionals who deserve but rarely receive it
immersed in love , lust , and sin
too violent and sordid to function as comedy
for wrapping the theater in a cold blanket of urban desperation
what saves it ... and makes it one of the better video-game-based flicks , is that the film acknowledges upfront that the plot makes no sense , such that the lack of linearity is the point of emotional and moral departure for protagonist alice .
its own cuteness
it 's a very tasteful rock and roll movie .
trying to please his mom
boarders from venice beach that was a deserved co-winner of the audience award for documentaries at the sundance film festival
that it 's hardly over before it begins to fade from memory
's never as solid as you want it to be
aimless for much of its running time , until late in the film when a tidal wave of plot arrives
disjointed parody .
one of the most plain , unimaginative romantic comedies i 've ever seen .
`` freaky friday , '' it 's not .
give a filmmaker an unlimited amount of phony blood
such a worthless film
the overcooked , ham-fisted direction
, wonderful
bartleby is a fine , understated piece of filmmaking .
a sun-drenched masterpiece , part parlor game ,
love and familial
the hallmark of this bittersweet , uncommonly sincere movie that portrays the frank humanity of ... emotional recovery
happened to good actors
sparse but oddly compelling .
maintains suspense on different levels throughout a film that is both gripping and compelling
white-knuckled
decent tv outing
a numbingly dull experience
surprisingly shoddy makeup work
an engaging and exciting narrative
it 's nice to see piscopo again after all these years , and chaykin and headly are priceless .
to marry science fiction with film noir and action flicks with philosophical inquiry
one sloughs one 's way through the mire of this alleged psychological thriller in search of purpose or even a plot .
less psycho
have emerged as hilarious lunacy in the hands of woody allen
that stands a good chance of being the big
for cryin '
wannabe film
very well shot or
all comedy is subversive ,
utterly static picture
baran is shockingly devoid of your typical majid majidi shoe-loving , crippled children .
as sappy as big daddy
like a rather unbelievable love interest and a meandering ending --
powerfully evocative
a sweet , charming tale
there will be plenty of female audience members drooling over michael idemoto as michael
to have a good time as it doles out pieces of the famous director 's life
through crap like this
polanski has found the perfect material with which to address his own world war ii experience in his signature style .
choose the cliff-notes over reading a full-length classic
'd have to be a most hard-hearted person not to be moved by this drama .
you open yourself up to mr. reggio 's theory of this imagery as the movie 's set
a rustic , realistic , and altogether creepy tale of hidden invasion
crude humor and vulgar innuendo
once playful and haunting
a deft , delightful mix of sulky teen drama and overcoming-obstacles sports-movie triumph
in a black man getting humiliated by a pack of dogs who are smarter than him
has lost some of the dramatic conviction that underlies the best of comedies ...
universal human impulse
the concert footage is stirring , the recording sessions are intriguing , and -- on the way to striking a blow for artistic integrity -- this quality band may pick up new admirers .
has a lot going for it , not least the brilliant performances by testud ... and parmentier
opens today in the new york metropolitan area , so distasteful
, confidently orchestrated , aesthetically and sexually
's difficult to imagine that a more confused , less interesting and more sloppily made film could possibly come down the road in 2002
is not really a film as much as it is a loose collection of not-so-funny gags , scattered moments of lazy humor
slightly humorous and tender story
, fat , dumb
, intermittently powerful study
is too bad that this likable movie is n't more accomplished .
an actor this uncharismatically beautiful
, starving and untalented
's about as convincing as any other arnie musclefest , but has a little too much resonance with real world events
take center screen
this is a stunning film , a one-of-a-kind tour de force .
a soulless jumble of ineptly
jumble that 's not scary , not smart and not engaging
the historical period and
succeeds as a well-made evocation of a subculture .
a trifle flat