xiangpku/GLUE huggingface dataset:
a reminder of how they used to make movies , but also how they sometimes still can be made
the exploitative , clumsily staged violence overshadows everything , including most of the actors .
tykwer 's surface flash is n't just a poor fit with kieslowski 's lyrical pessimism ;
the perfect cure for insomnia
almost do n't notice the 129-minute running time
reason to miss interview with the assassin
is too often like looking over the outdated clothes and plastic knickknacks at your neighbor 's garage sale
horns and halos benefits from serendipity but also reminds us of our own responsibility to question what is told as the truth .
's lacking a depth in storytelling usually found in anime like this
on a potentially interesting idea
runs through balzac and the little chinese seamstress that transforms this story about love and culture into a cinematic poem .
just as many scenes that are lean and tough enough to fit in any modern action movie
after only three films , director/co-writer jacques audiard , though little known in this country , belongs in the very top rank of french filmmakers
's fairly lame , making it par for the course for disney sequels
real women have curves '' is a sweet , honest , and enjoyable comedy-drama about a young woman who wants many things in life , but fears she 'll become her mother before she gets to fulfill her dreams .
we 're wrapped up in the characters , how they make their choices , and why
made to air on pay cable to offer some modest amusements when one has nothing else to watch .
feel like the longest 90 minutes of your movie-going life
its best moments
a disappointingly thin slice
a pointed , often tender , examination of the pros and cons of unconditional love and familial duties .
go from stark desert to gorgeous beaches .
the most disappointing woody allen movie
garth ' has n't progressed as nicely as ` wayne . '
the website feardotcom.com or the improperly hammy performance from poor stephen rea
creative action
in praise of love lacks even the most fragmented charms i have found in almost all of his previous works .
humor and humanity
enthralling drama
gorgeous and
to trivialize the material
, the new star wars installment has n't escaped the rut dug by the last one .
the gentle comic treatment of adolescent sturm und drang should please fans of chris fuhrman 's posthumously published cult novel .
a stately sense
that hitler 's destiny was shaped by the most random of chances
claustrophic , suffocating and chilly
warmth to go around , with music and laughter
the performances are remarkable .
that it makes my big fat greek wedding look like an apartheid drama
looked like crap , so crap is what i was expecting .
tolerable-to-adults lark of a movie
skeeved
one bright shining star
is doa .
this is a movie filled with unlikable , spiteful idiots ; whether or not their friendship is salvaged makes no difference in the least .
full of flatulence jokes and mild sexual references , kung pow
all things insipid
compellingly tap into a spiritual aspect of their characters ' suffering
heartwarming film
iconoclastic uses
the novel
it seems impossible that an epic four-hour indian musical about a cricket game could be this good , but it is .
on an intoxicating show
the acting ranges from bad to bodacious
grandiloquent
one man 's downfall , brought about by his lack of self-awareness
powerful and reasonably fulfilling gestalt
with a tighter editorial process and firmer direction this material could work , especially since the actresses in the lead roles are all more than competent , but as is , personal velocity seems to be idling in neutral .
more intellectually scary than dramatically involving .
wonderful tale
uncompelling the movie
an interesting exercise by talented writer/director anderson
near-masterpiece .
in manhattan , jennifer lopez 's most aggressive and most sincere attempt
dismay
a fascinating case study of flower-power liberation -- and the price that was paid for it .
, that 'll be much funnier than anything in the film ...
who welcomes a dash of the avant-garde fused with their humor
the book 's irreverent energy
a gem of a romantic crime comedy that turns out to be clever , amusing and unpredictable .
uniquely felt with a sardonic jolt
the film becomes an overwhelming pleasure , and you find yourself rooting for gai 's character to avoid the fate that has befallen every other carmen before her
( than leon )
provides the forgettable pleasures of a saturday matinee
its intended audience -- children --
the film is a hilarious adventure and i shamelessly enjoyed it
be forgettable if it were n't such a clever adaptation of the bard 's tragic play
ca n't shake the feeling that crossroads is nothing more than an hour-and-a-half-long commercial for britney 's latest album
how desperate the makers of this ` we 're - doing-it-for - the-cash ' sequel were
enjoy much of jonah simply , and gratefully , as laugh-out-loud lunacy with a pronounced monty pythonesque flavor
like you 've seen a movie instead of an endless trailer
plain lurid
very believable
a sleep-inducing thriller with a single twist that everyone except the characters in it can see coming a mile away .
her tragedies
waking coma
terrific computer graphics , inventive action sequences
they will have a showdown , but ,
a refreshingly smart and newfangled variation on several themes derived from far less sophisticated and knowing horror films
giving it a strong thumbs up
no satisfaction
the tear-jerking demands
is still top-heavy with blazing guns , cheatfully filmed martial arts , disintegrating bloodsucker computer effects and jagged camera moves that serve no other purpose than to call attention to themselves
like acid
shallow and glib
by turns very dark and very funny
this movie is so bad , that it 's almost worth seeing because it 's so bad .
the bai brothers have taken an small slice of history and opened it up for all of us to understand , and
a different and emotionally reserved type
engaging criminal
groundbreaking endeavor
enough to keep you interested without coming close to bowling you over .
is really all about performances
the emotion is impressively true for being so hot-blooded ,
the baseball-playing monkey
as stiff , ponderous and charmless
's pretty stupid .
of the worst dialogue
no amount of imagination ,
go to the u.n. and ask permission for a preemptive strike
its chosen topic
vivid imagination
one terrific score
rah-rah
the jokes are sophomoric , stereotypes are sprinkled everywhere and the acting ranges from bad to bodacious
too few laughs
thoughtless , random , superficial humor and
oddly whimsical
freshman fluke
as many good ideas as bad is the cold comfort that chin 's film serves up with style and empathy
seemingly
ramsay is clearly extraordinarily talented , and
dismissed as the tiresome rant of an aging filmmaker still thumbing his nose at convention
worth the extra effort to see an artist , still committed to growth in his ninth decade , change while remaining true to his principles
to add beyond the dark visions already relayed by superb
more repetition than creativity
designed to fill time , providing no real sense of suspense
flimsier with its many out-sized , out of character and logically porous action set
was essentially ,
anything fresh
the film is bright and flashy in all the right ways .
the art direction and costumes are gorgeous and finely detailed , and kurys ' direction is clever and insightful
penetrating
as intelligent
the emotions seem authentic
sexy and
the hype , the celebrity , the high life , the conspiracies and the mystery
flat-out amusing , sometimes endearing and often fabulous , with a solid cast , noteworthy characters , delicious dialogue and a wide supply of effective sight gags
a solid movie
the worthy successor
captivates as it shows excess in business and pleasure , allowing us to find the small , human moments , and leaving off with a grand whimper .
of the best films
wit and warmth
rife with nutty cliches and far too much dialogue .
its low groan-to-guffaw ratio
difficult , endless
, super troopers suffers because it does n't have enough vices to merit its 103-minute length .
a simpler , leaner treatment would have been preferable ; after all , being about nothing is sometimes funnier than being about something .
at one man 's occupational angst and its subsequent reinvention , a terrifying study of bourgeois
does a splendid job of racial profiling hollywood style -- casting excellent latin actors of all ages -- a trend long overdue
good actors have a radar for juicy roles -- there 's a plethora of characters in this picture , and not one of them is flat .
will be put to sleep or bewildered by the artsy and often pointless visuals .
a loose , poorly structured film
faithful without being forceful , sad without being shrill , `` a walk to remember '' succeeds through sincerity .
the fluid motion is astounding on any number of levels -- including the physical demands made on büttner -- and it implies in its wake the intractable , irreversible flow of history
juicy soap opera
a charming but slight comedy .
you see it in these harrowing surf shots
the irwins ' scenes are fascinating ; the movie as a whole is cheap junk and an insult to their death-defying efforts
whole stretches of the film may be incomprehensible to moviegoers not already clad in basic black .
, however , robert rodriguez adorns his family-film plot with an elegance and maturity that even most contemporary adult movies are lacking .
to this film that may not always work
a remarkable amount of material in the film 's short 90 minutes
admire the closing scenes of the film , which seem to ask whether our civilization offers a cure for vincent 's complaint
might have been called freddy gets molested by a dog
only a document of the worst possibilities of mankind
's kidman who holds the film together with a supremely kittenish performance that gradually accumulates more layers .
rank frustration from those
gives ample opportunity for large-scale action and suspense , which director shekhar kapur supplies with tremendous skill
is filled with strange and wonderful creatures .
the whole thing feels like a ruse , a tactic to cover up the fact that the picture is constructed around a core of flimsy -- or , worse yet , nonexistent -- ideas .
failed jokes , twitchy acting
this is grand-scale moviemaking for a larger-than-life figure , an artist who has been awarded mythic status in contemporary culture .
is that rare animal known as ' a perfect family film ,
one hopes mr. plympton will find room for one more member of his little band , a professional screenwriter .
structured and
's hard to quibble with a flick boasting this many genuine cackles
just another run-of-the-mill disney sequel intended for the home video market
the power of the huston performance , which seems so larger than life and yet so fragile
lacks in outright newness
interview '' loses its overall sense of mystery and becomes a tv episode rather than a documentary that you actually buy into .
rich detail condensed
just different bodies for sharp objects to rip through
does n't have a single surprise up its sleeve .
janey
more tacky and reprehensible
a great performance and a reminder of dickens ' grandeur
the cockettes ) provides a window into a subculture hell-bent on expressing itself in every way imaginable . '
as a good old-fashioned adventure for kids , spirit
enormously good
but one relentlessly depressing situation after another for its entire running time
is sentimental but feels free to offend , is analytical and then surrenders to the illogic of its characters
offers piercing domestic drama with spikes of sly humor
hollywood war-movie stuff
, like kubrick before him , may not touch the planet 's skin , but understands the workings of its spirit .
wafer-thin movie
seems to go out of his way to turn the legendary wit 's classic mistaken identity farce into brutally labored and unfunny hokum
establishes itself as a durable part of the movie landscape : a james bond series for kids
that we really have n't had a good cheesy b-movie playing in theaters since ... well ... since last week 's reign of fire
that gives viewers a chance to learn , to grow , to travel
understated performances of ( jack nicholson 's ) career .
that i 'll never listen to marvin gaye or the supremes the same way again
true to its title , it traps audiences in a series of relentlessly nasty situations that we would pay a considerable ransom not to be looking at .
poignant and wryly amusing film
the historical , philosophical , and
miscalculates badly by forcing the star to play second fiddle to the dull effects that allow the suit to come to life
rubbo 's dumbed-down tactics
much sucks , but has a funny moment or two .
eerily convincing as this bland blank of a man with unimaginable demons
patchy combination of soap opera ,
these self-styled athletes have banged their brains into the ground so frequently and
be forewarned , if you 're depressed about anything before watching this film
the large-format film is well suited to capture these musicians in full regalia and the incredible imax sound system lets you feel the beat down to your toes
a sharp satire of desperation and cinematic deception .
the wild thornberrys movie is pleasant enough and
his surprising discovery
served up with heart and humor
bring their characters to life
, poetic , earnest and -- sadly -- dull
works its way up to merely bad rather than painfully awful
an awfully good , achingly human picture .
take on the upscale lifestyle
dong never pushes for insights beyond the superficial tensions of the dynamic he 's dissecting , and the film settles too easily along the contours of expectation
so insanely stupid , so awful
guilty-pleasure , daytime-drama sort
is still able to create an engaging story that keeps you guessing at almost every turn
takes a hat-in-hand approach
always the prettiest pictures that tell the best story
i 'm not , and then i realized that i just did n't care
captures a life interestingly lived
has something new to say about how , in the flip-flop of courtship , we often reel in when we should be playing out
and it is .
most uncanny
, you 'd grab your kids and run and then probably call the police .
emotionally and narratively complex filmmaking
tender sermon
we had no trouble sitting for blade ii .
secondhand ,
one could rent the original and get the same love story and parable .
to the edge of your seat , tense with suspense
overcoming-obstacles sports-movie triumph
'm sure the filmmaker would disagree , but , honestly , i do n't see the point .
have been lost in the translation
, dramatized pbs program
i know i should n't have laughed , but
abject suffering
a comedian who starts off promisingly but then proceeds to flop
's not that funny --
retains an extraordinary faith in the ability of images to communicate the truth of the world around him
the visuals , even erotically frank ones , become dullingly repetitive
is fiercely intelligent and uncommonly ambitious
compels
rich historical subject
put up with 146 minutes of it
sitting through this sloppy , made-for-movie comedy special
finds warmth
love with its overinflated mythology that it no longer recognizes the needs of moviegoers for real characters and compelling plots
liking showgirls
a film , and such a stultifying ,
under cars
susceptible to blue hilarity , step right up
the best performance from either in years
a terribly obvious melodrama and rough-hewn vanity project
mushy as peas
undercut by the voice of the star of road trip
right through the ranks of the players -- on-camera and off -- that he brings together
a slow-moving police-procedural thriller that takes its title all too literally .
fantasies
the ranks
survive a screening with little harm done
may not have the highest production values you 've ever seen
, the film settles in and becomes compulsively watchable in a guilty-pleasure , daytime-drama sort of fashion .
sit through -- despite some first-rate performances by its lead
a refreshingly smart and newfangled variation
if they broke out into elaborate choreography , singing and finger snapping it might have held my attention , but as it stands i kept looking for the last exit from brooklyn .
been done before but never so vividly or
the bodily function jokes are about what you 'd expect , but there are rich veins of funny stuff in this movie .
with fantasies , daydreams , memories and one fantastic visual trope
really does feel like a short stretched out to feature length .
ploddingly sociological commentary
is still fun and enjoyable and so aggressively silly that it 's more than a worthwhile effort
just does n't make sense
myself powerfully drawn toward the light -- the light of the exit sign
the highest production values you 've ever seen
exuberance
is worth a look for its true-to-life characters , its sensitive acting , its unadorned view of rural life and the subtle direction of first-timer hilary birmingham .
naïveté and arbitrary flashbacks
will forgive the flaws and love the film .
a stale , overused cocktail using the same olives since 1962 as garnish
the story relevant in the first place
heart or conservative
unfortunately , is a little too in love with its own cuteness
nettelbeck sees working women -- or at least this working woman -- for whom she shows little understanding
paper-thin and decidedly unoriginal
obvious , obnoxious and didactic burlesque .
see `` blue crush '' is the phenomenal , water-born cinematography by david hennings
that rohmer still has a sense of his audience
works superbly here
period-perfect
an uncomfortable movie
constructs a hilarious ode to middle america and middle age with this unlikely odyssey , featuring a pathetic , endearing hero who is all too human .
it 's more enjoyable than i expected , though ,
a rock-solid little genre picture
an inquisitiveness reminiscent of truffaut
bring off
have given it a one-star rating
she 's a pretty woman , but she 's no working girl
mr. deeds is not really a film as much as it is a loose collection of not-so-funny gags , scattered moments of lazy humor .
... you can be forgiven for realizing that you 've spent the past 20 minutes looking at your watch and waiting for frida to just die already .
you have to give the audience a reason to want to put for that effort
a film so cold and dead
its director 's cut glory
suspense , surprise and consistent emotional conviction
directs , ideally capturing the opera 's drama and lyricism
seems to include every top-notch british actor who did not appear in gosford park ( as well as one , ms. mirren , who did )
gets too cloying thanks to the actors ' perfect comic timing and sweet , genuine chemistry
if it 's not entirely memorable , the movie is certainly easy to watch .
able to provide insight into a fascinating part of theater history
the following things are not at all entertaining
to create images you wish you had n't seen
excels because , unlike so many other hollywood movies of its ilk , it offers hope .
burnt-out
with talent
rush through
it just goes to show that if you give a filmmaker an unlimited amount of phony blood , nothing good can happen
recite bland police procedural details , fiennes wanders around in an attempt
keeps you
that rare family movie --
have you at the edge of your seat for long stretches
rarely have i seen a film so willing to champion the fallibility of the human heart .
hoary dialogue ,
oscar-sweeping
deviously adopts the guise of a modern motion picture
be disappointed
starts as a tart little lemon drop of a movie
every visual joke is milked , every set-up obvious and lengthy , every punchline predictable
deal funnier
the first one charming
uplifter .
so familiar you might as well be watching a rerun
did n't know what kind of movie they were making
the performances are so overstated
cheesy backdrops , ridiculous action sequences , and many tired jokes about men in heels
without ( de niro ) , city by the sea would slip under the waves .
can be fertile sources of humor
a caper that 's neither original nor terribly funny
death to smoochy is often very funny , but what 's even more remarkable is the integrity of devito 's misanthropic vision .
no one involved , save dash , shows the slightest aptitude for acting , and
the hard-to-predict and absolutely essential chemistry between the down-to-earth bullock and the nonchalant grant proves to be sensational , and everything meshes in this elegant entertainment .
that might be best forgotten
rises in its courageousness , and comedic employment .
leave us stranded with nothing more than our lesser appetites .
sick and
its screenplay serves as auto-critique , and its clumsiness as its own most damning censure .
... an interesting slice of history .
is a small but rewarding comedy that takes aim at contemporary southern adolescence and never lets up .
( ferrera )
it 's far from a frothy piece , and the characters are complex , laden with plenty of baggage and tinged with tragic undertones .
unusual power
shimmeringly lovely
wallace is smart to vary the pitch of his movie , balancing deafening battle scenes with quieter domestic scenes of women back home receiving war department telegrams .
are we dealing with dreams , visions or being told what actually happened as if it were the third ending of clue ?
wears thin
be captivated ,
in remembrance
the connected stories of breitbart and hanussen are actually fascinating
flat-out amusing , sometimes endearing and often fabulous , with a solid cast , noteworthy characters , delicious dialogue and
so sketchy it amounts to little more than preliminary notes for a science-fiction horror film
better acting and a hilarious kenneth branagh
keep this fresh
reasonably creative eighth-grader
the movie 's wildly careening tone and an extremely flat lead performance
it 's an entertaining movie , and
, it can seem tiresomely simpleminded .
logic and misuse of two fine actors , morgan freeman and ashley judd
that shockingly manages to be even worse than its title
unlikable , uninteresting ,
the plot is paper-thin
creepiness
is an ode to unconditional love and compassion garnered from years of seeing it all , a condition only the old are privy to , and ... often misconstrued as weakness .
is just sooooo tired .
looks closely , insightfully
the lead actors share no chemistry or engaging charisma .
modestly surprising
a lot of flavor and spice
`` analyze that '' is one of those crass , contrived sequels that not only fails on its own , but makes you second-guess your affection for the original .
stands out
phoned-in business
of the funniest motion
evolves
a work of extraordinary journalism ,
the half-lit , sometimes creepy intimacy
helped change a nation
pap invested in undergraduate doubling subtexts and ridiculous stabs at existentialism reminding of the discovery of the wizard of god in the fifth trek flick .
get the same love story and parable
exactly how bad
in crisis
not a film for the faint of heart or conservative of spirit , but for the rest of us -- especially san francisco lovers -- it 's a spirited film and a must-see
a guilt-free trip
like the wanderers and a bronx tale
overwhelmed by its lack of purpose that it seeks excitement in manufactured high drama
meandering , norton has to recite bland police procedural details , fiennes wanders around in an attempt to seem weird and distanced , hopkins looks like a drag queen
unblinking work
her character become a caricature -- not even with that radioactive hair
( a ) wonderfully loopy tale of love , longing , and voting .
instantly forgettable and thoroughly dull
emerges in the front ranks of china 's now numerous , world-renowned filmmakers .
part of that delicate canon
this is rote spookiness , with nary an original idea ( or role , or edit , or score , or anything , really ) in sight ,
one terrific story
the story is predictable
more interesting than the screenplay , which lags badly in the middle and lurches between not-very-funny comedy , unconvincing dramatics and some last-minute action strongly reminiscent of run lola run
a movie you can trust
it had been only half-an-hour long or a tv special
, besides its terrific performances , is fontaine 's willingness to wander into the dark areas of parent-child relationships without flinching .
the home alone formula