xiangpku/GLUE huggingface dataset:
able to inject some real vitality and even art into a pulpy concept that , in many other hands would be completely forgettable
deliciously
have been benefited from a sharper , cleaner script before it went in front of the camera
a hokey piece of nonsense that tries too hard to be emotional
succeeds in making us believe
puts an exclamation point on the fact
will no doubt rally to its cause , trotting out threadbare standbys like ` masterpiece ' and ` triumph ' and all that malarkey , but rarely does an established filmmaker so ardently waste viewers ' time with a gobbler like this
elephant feces
it takes your breath away
, the updated dickensian sensibility of writer craig bartlett 's story is appealing .
more sophisticated and literate than such pictures usually are ...
in fast-edit , hopped-up fashion
television screen
for most movies , 84 minutes is short , but this one feels like a life sentence .
an incoherent jumble of a film that 's rarely as entertaining as it could have been .
the ` true story ' by which all the queen 's men is allegedly `` inspired '' was a lot funnier and more deftly enacted than what 's been cobbled together onscreen
without sham the raw-nerved story
as it is spooky and subtly in love with myth
lacks any real raw emotion , which is fatal for a film that relies on personal relationships .
pretty valuable
something hip and transgressive was being attempted here that stubbornly refused to gel
real-life persona
not all of the stories work and the ones that do
impart a message
hopes mr. plympton will find room for one more member of his little band , a professional screenwriter
baroque beauty
to occasionally break up the live-action scenes with animated sequences
represents an engaging and intimate first feature by a talented director
is a pleasant enough dish .
this is sandler running on empty , repeating what he 's already done way too often .
lush and beautifully photographed ( somebody suggested the stills might make a nice coffee table book ) , but
satisfying niblet
there 's much tongue in cheek in the film and there 's no doubt the filmmaker is having fun with it all .
i 'm just about ready to go to the u.n. and ask permission for a preemptive strike
then go see this delightful comedy .
should see this movie
, cinema paradiso stands as one of the great films about movie love .
doomed by its smallness
does n't reveal even a hint of artifice
derive from this choppy and sloppy affair
dark-as-pitch
some episodes that rival vintage looney tunes for the most creative mayhem in a brief amount of time
an incoherent jumble
to video
starts off with a 1950 's doris day feel
's a solid movie about people whose lives are anything but .
's film ' in the worst sense of the expression
... a light , yet engrossing piece .
miller has crafted an intriguing story of maternal instincts and misguided acts of affection .
the chateau belongs to rudd , whose portrait of a therapy-dependent flakeball spouting french malapropisms ...
a highly watchable , giggly little story with a sweet edge to it .
you can release your pent up anger
some wickedly sick and twisted humor
an exercise in cynicism every bit as ugly as the shabby digital photography and muddy sound
a minor treat
at the peak of their powers
most poorly staged and lit action
grace and humor
of a travesty of a transvestite comedy
a distinct rarity , and
a moving , if uneven , success
... in the pile of useless actioners from mtv schmucks who do n't know how to tell a story for more than four minutes .
offers chills much like those that you get when sitting around a campfire around midnight , telling creepy stories to give each other the willies .
unlike most animaton from japan , the characters move with grace and panache
normally could n't care less
that deserves more than a passing twinkle
bold choices
is a dazzling , remarkably unpretentious reminder of what ( evans ) had , lost , and got back .
deeply unpleasant experience
no apparent reason except
tawdry trash
eclipses
revel in those visual in-jokes , as in the film 's verbal pokes at everything from the likes of miramax chief harvey weinstein 's bluff personal style to the stylistic rigors of denmark 's dogma movement
amusing , let alone funny
a sleeper success
short of wonderful with its ten-year-old female protagonist and its steadfast refusal to set up a dualistic battle between good and evil
what 's the russian word for wow !? '
for the blacklight crowd , way cheaper ( and better )
dialogue and a heroine who comes across as both shallow and dim-witted
a huge amount of the credit for the film 's thoroughly winning tone
as if drop dead gorgeous was n't enough , this equally derisive clunker is fixated on the spectacle of small-town competition .
gedeck ,
mixed up together like a term paper from a kid who ca n't quite distinguish one sci-fi work from another
unburdened by pretensions to great artistic significance
afraid of the bad reviews
in this forgettable effort
has perfected the art of highly entertaining , self-aggrandizing , politically motivated documentary-making
what an idea
is without doubt an artist of uncompromising vision , but that vision is beginning to feel ,
the most repugnant adaptation of a classic text since roland joffé and demi moore 's the scarlet letter .
a wet burlap sack
that the entire exercise has no real point
loathsome movie
snow-and-stuntwork extravaganza
the ya-ya sisterhood
an extra-dry office comedy that seems twice as long as its 83 minutes
looking over the outdated clothes and plastic knickknacks at your neighbor 's garage sale
i 'd take ( its ) earnest errors and hard-won rewards over the bombastic self-glorification of other feel-good fiascos like antwone fisher or the emperor 's club any time .
these women 's souls right open
a naturally funny film ,
rich performances
while general audiences might not come away with a greater knowledge of the facts of cuban music , they 'll be treated to an impressive and highly entertaining celebration of its sounds .
material this rich
a different and emotionally reserved type of survival story -- a film less about refracting all of world war ii through the specific conditions of one man , and more about that man lost in its midst .
earnhart 's film is more about the optimism of a group of people who are struggling to give themselves a better lot in life than the ones
you could change tables
all sing beautifully and act adequately .
as thought-provoking
up a storm as a fringe feminist conspiracy theorist named dirty dick
ask people to sit still for two hours and change watching such a character , especially when rendered in as flat and impassive a manner as phoenix 's
of the world 's best actors , daniel auteuil ,
appears to have been modeled on the worst revenge-of-the-nerds clichés the filmmakers could dredge up .
pretty decent little documentary
often it 's meandering , low on energy , and too eager to be quirky at moments when a little old-fashioned storytelling would come in handy
we started to wonder if ... some unpaid intern had just typed ` chris rock , ' ` anthony hopkins ' and ` terrorists ' into some univac-like script machine
hoped i would -- with moist eyes
warmest
manages to generate the belly laughs of lowbrow comedy without sacrificing its high-minded appeal .
choppy ending
spellbinding
unspeakably , unbearably dull , featuring reams of flatly delivered dialogue and a heroine who comes across as both shallow and dim-witted .
as simultaneously funny , offbeat
entertained
cheesy screenplay
can smell the grease on the plot
you 'll forget about it by monday , though , and if they 're old enough to have developed some taste , so will your kids
a schmaltzy , by-the-numbers romantic comedy , partly a shallow rumination on the emptiness of success -- and entirely
albeit a visually compelling one
overly convenient plot twists
a big-budget/all-star movie
just because a walk to remember is shrewd enough to activate girlish tear ducts does n't mean it 's good enough for our girls .
that would make this a moving experience for people who have n't read the book
maintains a surprisingly buoyant tone throughout ,
that it 's far too sentimental
that burns is a filmmaker with a bright future ahead of him
frighteningly fascinating contradiction
quality twist
hip-hop prison thriller of stupefying absurdity .
anachronistic phantasms haunting the imagined glory of their own pasts
the salton sea works the way a good noir should
a rip-roaring comedy action fest that 'll put hairs on your chest .
pacino is the best he 's been in years
goes for sick and demented humor simply to do so .
demonstrates the unusual power of thoughtful , subjective filmmaking
frequent flurries of creative belly laughs and genuinely enthusiastic performances ... keep the movie slaloming through its hackneyed elements with enjoyable ease .
that things fall apart
chilling advantage
made a walk to remember a niche hit
while this film has an ` a ' list cast and some strong supporting players , the tale -- like its central figure , vivi -- is just a little bit hard to love .
coral reef adventure is a heavyweight film that fights a good fight on behalf of the world 's endangered reefs --
unbearably lame .
a bad sign in a thriller when you instantly know whodunit
the problem with movies about angels
inherent in how medical aid is made available to american workers
lethargic
out of reach
utterly charming
two gifted performers
... the good and different idea ( of middle-aged romance ) is not handled well and , except for the fine star performances , there is little else to recommend `` never again . ''
delivers the same old bad trip
sending the audience
with energy , intelligence and verve , enhanced by a surplus of vintage archive footage
call me a cynic , but there 's something awfully deadly about any movie with a life-affirming message .
might just be the biggest husband-and-wife disaster since john
works because of the universal themes , earnest performances ... and excellent use of music by india 's popular gulzar and jagjit singh .
touching , dramatically forceful , and beautifully shot
its ludicrous and contrived plot
the film is well under way --
but what is missing from it all is a moral .
grant is n't cary and bullock is n't katherine
gripping documentary
this unimaginative comedian
septic
a keep - 'em - guessing plot and an affectionate take on its screwed-up characters .
is the gabbiest giant-screen movie ever
directed not only one of the best gay love stories ever made
lets things peter out midway
as a serious drama about spousal abuse
most audacious , outrageous
to the perkiness of witherspoon ( who is always a joy to watch , even when her material is not first-rate )
, we have absolutely no idea who the main characters are until the film is well under way -- and yet it 's hard to stop watching .
this gender-bending comedy is generally quite funny .
is a sweet and modest and ultimately winning story .
accumulate like lint in a fat man 's navel
never inspires more than an interested detachment .
the wanton slipperiness of * corpus and its amiable jerking and reshaping of physical time and space would make it a great piece to watch with kids and use to introduce video as art .
sulky teen drama
being memorable
, here 's a fun one .
exhilarating place
, getting there is not even half the interest .
is exceedingly pleasant ,
solidly entertaining and moving family drama
brisk hack
deadpan cool , wry humor and just the measure
the narrator and the other characters try to convince us that acting transfigures esther , but she 's never seen speaking on stage ; one feels cheated , and
88-minute highlight reel
spinning a web of dazzling entertainment may be overstating it , but `` spider-man '' certainly delivers the goods .
but it 's difficult to shrug off the annoyance of that chatty fish
courage and happiness
get made-up and
awakens
beautifully produced
familiar -- and not in a good way
its characterization of hitler and
have their funny bones tickled
it the adventures of direct-to-video nash
is n't quite
derived from a lobotomy ,
does give a pretty good overall picture of the situation in laramie following the murder of matthew shepard
there is something in full frontal , i guess , about artifice and acting and how it distorts reality for people who make movies and watch them , but
familiar but utterly delightful .
cuba gooding jr. valiantly mugs his way through snow dogs , but even his boisterous energy fails to spark this leaden comedy
veiling tension beneath otherwise tender movements
there are some laughs in this movie ,
the funniest moments in this oddly sweet comedy about jokester highway patrolmen
an air of dignity that 's perfect for the proud warrior that still lingers in the souls of these characters
it will remind them that hong kong action cinema is still alive and kicking .
at the one-hour mark , herzog simply runs out of ideas and the pace turns positively leaden as the movie sputters to its inevitable tragic conclusion .
comes off as a pale successor
reactionary ideas about women and a total lack of empathy
something about how lame it is to try and evade your responsibilities
left of his passe ' chopsocky glory
the most wondrous of all hollywood fantasies -- and the apex of steven spielberg 's misunderstood career
radiates star-power potential in this remarkable and memorable film
to be transported into the life of wladyslaw szpilman , who is not only a pianist , but a good human being
goes awry
bibbidy-bobbidi-bland
bogs down in insignificance ,
its committed dumbness
ca n't even do that much .
cobbled together out of older movies
real dawns , comic relief
you see the movie and you think , zzzzzzzzz .
feels like very light errol morris
unimpressively fussy
might survive a screening with little harm done , except maybe for the last 15 minutes , which are as maudlin as any after-school special you can imagine .
created a provocative
of cinematic perfection
it 's not nearly as fresh or enjoyable as its predecessor , but there are enough high points to keep this from being a complete waste of time
bears ... should keep parents amused with its low groan-to-guffaw ratio .
, badly cobbled look
's back in form ,
the needs of moviegoers for real characters and compelling plots
loose , unaccountable direction
a good ear for dialogue
tasty and
dramas like this make it human .
's fun , splashy and entertainingly nasty .
provides a strong itch to explore more .
is worth the price of admission
smart and taut
a boring masquerade ball where normally good actors , even kingsley , are made to look bad .
the better of obnoxious adults
a vastly improved germanic version of my big fat greek wedding
, their struggle is simply too ludicrous and borderline insulting .
smarter and more diabolical
this is rote spookiness , with nary an original idea ( or role , or edit , or score , or anything , really ) in sight , and the whole of the proceedings beg the question ` why
might not have noticed
would have just gone more over-the-top instead of trying to have it both ways
cheesy backdrops ,
it 's hard to imagine acting that could be any flatter .
the wrong times
one of the more influential works of the ` korean new wave '
in getting under the skin of her characters
, provocative drama
and immature provocations
is that it also makes her appear foolish and shallow rather than , as was more likely , a victim of mental illness
a chocolate
stroked , luridly colored , uni-dimensional nonsense machine that strokes the eyeballs while it evaporates like so much crypt mist in the brain
whose valuable messages are forgotten 10 minutes after the last trombone
bogs down in genre cliches
's hard to say who might enjoy this
entirely suspenseful ,
hard , endearing , caring
the tale of her passionate , tumultuous affair with musset unfolds as sand 's masculine persona , with its love of life and beauty , takes form .
it 's a rare window on an artistic collaboration .
murphy and owen wilson
the fun of the movie is the chance it affords to watch jackson , who also served as executive producer , take his smooth , shrewd , powerful act abroad .
is a matter of plumbing arrangements and mind games , of no erotic or sensuous charge .
it goes nowhere
under our skin
otherwise excellent
one of the most unpleasant things the studio has ever produced .
muddy
slick production values and director roger michell 's tick-tock pacing
predictable as the outcome of a globetrotters-generals game
that it jams too many prefabricated story elements into the running time
this loud and thoroughly obnoxious comedy
though clearly well-intentioned , this cross-cultural soap opera is painfully formulaic and stilted .
a nice little story in the process
way too much indulgence of scene-chewing , teeth-gnashing actorliness
is a vulgar
chilly , remote , emotionally distant piece
interesting to see where one 's imagination will lead when given the opportunity
some very good acting , dialogue
it 's a brazenly misguided project
primal storytelling that george lucas can only dream of
anyone else who may , for whatever reason , be thinking about going to see this movie is hereby given fair warning .
inspire even the most retiring heart to venture forth
find a place among the studio 's animated classics
that , half an hour in , starts making water torture seem appealing
our culture is headed down the toilet with the ferocity of a frozen burrito after an all-night tequila bender -- and i know this because i 've seen ` jackass : the movie .
a big corner office in hell
on every frame of this stylish film that is able to visualize schizophrenia but is still confident enough to step back and look at the sick character with a sane eye
smart new comedy
get bogged down in earnest dramaturgy
's meandering , low on energy , and too eager to be quirky at moments
too slow for a younger crowd
as an introduction to the man 's theories and influence , derrida is all but useless ; as a portrait of the artist as an endlessly inquisitive old man , however , it 's invaluable
a long , unfunny one at that
is filled with raw emotions conveying despair and love
who comes to america speaking not a word of english
obviously desired
interesting cinematic devices
an uneasy marriage
evokes the style and flash of the double-cross that made mamet 's `` house of games '' and last fall 's `` heist '' so much fun .
proves as clear and reliable an authority on that
gripping performances by lane and gere
romantics
the name of high art
based on stock clichés
really has no place to go since simone is not real
mind-bending
may scream low budget
is that there is nothing in it to engage children emotionally .
return to never land may be another shameless attempt by disney to rake in dough from baby boomer families ,
a high water mark for this genre
a memorable experience that , like many of his works , presents weighty issues colorfully wrapped up in his own idiosyncratic strain of kitschy goodwill .
shyamalan takes a potentially trite and overused concept ( aliens come to earth ) and infuses it into a rustic , realistic , and altogether creepy tale of hidden invasion .
far more witty
piercingly affecting ... while clearly a manipulative film , emerges as powerful rather than cloying
the whole package certainly captures the intended , er , spirit of the piece
as darkly funny ,
family togetherness takes a back seat to inter-family rivalry and workplace ambition
that made it all work
( a ) real pleasure in its laid-back way .
a stylish cast and some clever scripting solutions
is the refreshingly unhibited enthusiasm
ill-advised
insane liberties
dreadfully earnest inversion
created a monster
freeman ca n't save it
will absolutely crack you up with her crass , then gasp for gas , verbal deportment .
its simplicity puts an exclamation point on the fact that this is n't something to be taken seriously , but it also wrecks any chance of the movie rising above similar fare .
us is a minor miracle
three hours and with very little story or character
is a feast for the eyes
shot all the way .
her confidence in her material is merited
female friendship that men can embrace and
the intrigue from the tv series
tight and truthful ,
while the filmmaking may be a bit disjointed , the subject matter is so fascinating that you wo n't care .
of the big summer movies
wet burlap sack
disguised as a feature film
a welcome lack
would be an unendurable viewing experience for this ultra-provincial new yorker if 26-year-old reese witherspoon were not on hand to inject her pure fantasy character , melanie carmichael , with a massive infusion of old-fashioned hollywood magic .
what might have been acceptable on the printed page of iles ' book does not translate well to the screen .
is more like something from a bad clive barker movie
ahola )
action-packed an experience as a ringside seat
as a castrated
views youthful affluence not as a lost ideal but a starting point
we do n't get williams ' usual tear and a smile , just sneers and bile , and the spectacle is nothing short of refreshing .
a ` girls gone wild ' video for the boho art-house crowd , the burning sensation is n't a definitive counter-cultural document --
wewannour money back
endlessly challenging
do n't know if frailty will turn bill paxton into an a-list director
most touching movie
every articulate player
a fantastic dual performance
, this oscar-nominated documentary takes you there .
it is one that allows him to churn out one mediocre movie after another
sweet ,
the stunt-hungry dimwits
romantic comedy and dogme 95 filmmaking may seem odd bedfellows , but they turn out to be delightfully compatible here .
, it 's still a guilty pleasure to watch .
be growing
sleekness
about how lame
war 's
to the script 's refusal of a happy ending
if you 're content with a clever pseudo-bio that manages to have a good time as it doles out pieces of the famous director 's life , eisenstein delivers .
even that 's too committed .
nalin
an acceptable way to pass a little over an hour with moviegoers ages 8-10 ,
the chaos of an urban conflagration
an exercise in gross romanticization of the delusional personality type
lower i.q.
the film 's plot may be shallow , but
with a lot of static set ups , not much camera movement , and most of the scenes
that resonate with profundity
viewing in university computer science departments for years to come
a fine
steal your heart away
savvy producer
been too many of these films
from the margin that gives viewers a chance to learn , to grow , to travel
be a most hard-hearted person
unambitious writing emerges in the movie , using a plot that could have come from an animated-movie screenwriting textbook .
into a mundane '70s disaster flick
indulgent
cultural elite
begin with
a generous , inspiring film that unfolds with grace and humor and gradually
as far as mainstream matinee-style entertainment goes
japanese director shohei imamura 's latest film is an odd but ultimately satisfying blend of the sophomoric and the sublime .
with breathless anticipation for a new hal hartley movie
moments of genuine insight into the urban heart
felt and vividly detailed story about newcomers in a strange new world .
classified as one of those ` alternate reality '
is impossible to think of any film more challenging or depressing than the grey zone
never rises to a higher level
clumsy dialogue ,
bravo 's
pale , dark beauty
fires the winning shot
there 's no conversion effort
an artist who has been awarded mythic status in contemporary culture
been gathering dust on mgm 's shelf
on the local flavor with a hugely enjoyable film about changing times , clashing cultures and the pleasures of a well-made pizza
throws you for a loop
obvious copy
because its flabbergasting principals , 14-year-old robert macnaughton , 6-year-old drew barrymore and 10-year-old henry thomas , convince us of the existence of the wise , wizened visitor from a faraway planet
michael moore has perfected the art of highly entertaining , self-aggrandizing , politically motivated documentary-making ,
than recommended -- as visually bland as a dentist 's waiting room , complete with soothing muzak and a cushion of predictable narrative rhythms
're out there ! ''
would be easy for critics to shred it
star performance
it also happens to be the movie 's most admirable quality
gong li and a vivid personality
yes .
wonderfully vulgar
plotless , shapeless