xiangpku/GLUE huggingface dataset:
the film has some of the best special effects ever
see this turd squashed
( a ) soulless , stupid sequel
it 's mildly entertaining , especially if you find comfort in familiarity .
what goes on for the 110 minutes of `` panic room ''
creatively
sillier , not scarier
the actors are simply too good
is one only a true believer could relish .
signals director rick famuyiwa 's emergence as an articulate , grown-up voice in african-american cinema
( reaches ) wholly believable and heart-wrenching depths of despair
it 's packed with adventure and a worthwhile environmental message , so
crappy movies
make a big splash
an equally assured narrative coinage
a beautifully shot but dull and ankle-deep ` epic . '
recalling sixties ' rockumentary milestones from lonely boy to do n't look back .
of clichés and a dim
gets over its own investment in conventional arrangements
underestimated
is a funny ( sometimes hilarious ) comedy with a deft sense of humor about itself , a playful spirit and a game cast
does n't have big screen magic
... pitiful , slapdash disaster .
the woodman seems to have directly influenced this girl-meets-girl love story ,
a spooky yarn of demonic doings on the high seas that works better the less the brain is engaged .
to be moved by this drama
a clichéd and shallow cautionary tale about the hard-partying
manages to find that real natural , even-flowing tone that few movies are able to accomplish
distracting
from the guy-in-a-dress genre
the consequences of its own actions and revelations
it is a happy , heady jumble of thought and storytelling , an insane comic undertaking that ultimately coheres into a sane and breathtakingly creative film .
this trite , predictable rehash
uncouth , incomprehensible , vicious and absurd
benefited from a sharper , cleaner script
there are n't too many films that can be as simultaneously funny , offbeat and heartwarming ( without a thick shmear of the goo , at least )
just as endearing and easy
into by-the-numbers territory
i feel better already .
never quite
, i thought i heard a mysterious voice , and felt myself powerfully drawn toward the light -- the light of the exit sign .
of the rarest kinds of films
this masterful
is busy contriving false , sitcom-worthy solutions to their problems .
overacted with all the boozy self-indulgence that brings out the worst in otherwise talented actors
its audacious ambitions sabotaged by pomposity
's too long and unfocused
like-themed film
exceedingly dull
the mood is laid back
the movie generates plot points with a degree of randomness usually achieved only by lottery drawing .
debut can be accused of being a bit undisciplined
helmer hudlin tries to make a hip comedy , but his dependence on slapstick defeats the possibility of creating a more darkly edged tome
sneak out of the theater
unsalvageability
a successful adaptation
is that it has none of the pushiness and decibel volume of most contemporary comedies .
you barely realize your mind is being blown .
adrenalized
hollywood excess
would have saved this film a world of hurt .
a servicable world war ii drama
zero-dimensional , unlikable characters and hackneyed , threadbare comic setups
( moore 's ) better at fingering problems than finding solutions .
should shame americans , regardless of whether or not ultimate blame
a clever pseudo-bio
first-rate
low-rent -- and even lower-wit -- rip-off
since the empire strikes back ... a majestic achievement , an epic of astonishing grandeur and surprising emotional depth
sentimentality and annoying stereotypes
more than a
a movie without an apparent audience
keep things interesting
the stomach-knotting suspense
first film something of a sleeper success
the best movie
returning director rob minkoff ... and screenwriter bruce joel rubin ... have done a fine job of updating white 's dry wit to a new age .
beat-the-clock thriller
an intelligent and deeply
pleasant distraction
to come from an american director in years
thoroughly entertaining comedy that
to the core of what it actually means to face your fears , to be a girl in a world of boys , to be a boy truly in love with a girl ,
dramatic enough
change hackneyed concepts
credulous , unassuming , subordinate
dumped a whole lot of plot in favor of ... outrageous gags
a bold ( and lovely ) experiment
undeniably exceedingly clever
taymor , the avant garde director of broadway 's the lion king and the film titus , brings
terrible , banal dialogue ; convenient , hole-ridden plotting
frittered
to mind , while watching eric rohmer 's tribute to a courageous scottish lady
its seas of sand to the fierce grandeur of its sweeping battle scenes
is even better than the fellowship .
could be a single iota worse ... a soulless hunk of exploitative garbage .
deceptively simple , deeply satisfying
such a mountain of clichés and borrowed images
utterly delightful .
reaches
ascends to a kinetic life so teeming that even cranky adults may rediscover the quivering kid inside
like kubrick , soderbergh is n't afraid to try any genre and to do it his own way .
will be delighted with the fast , funny , and even touching story
a beer with but they 're simply not funny performers
it would take a complete moron to foul up a screen adaptation of oscar wilde 's classic satire .
` post-feminist ' romantic comedy that takes an astonishingly condescending attitude toward women
the jokes are telegraphed so far in advance they must have been lost in the mail .
every-joke-has - been-told-a
carried less by wow factors than by its funny , moving yarn that holds up well after two decades
amused and entertained by the unfolding of bielinsky 's cleverly constructed scenario
it the darling of many a kids-and-family-oriented cable channel
induce sleep than fright
the film 's maudlin focus on the young woman 's infirmity and her naive dreams play like the worst kind of hollywood heart-string plucking .
funniest moments
an equally beautiful , self-satisfied 18-year-old mistress
the quirky drama touches the heart and the funnybone thanks to the energetic and always surprising performance by rachel griffiths .
protagonists
with terrific flair
does n't have much panache , but with material this rich it does n't need it .
by an adult who 's apparently been forced by his kids to watch too many barney videos
shows that some studios firmly believe that people have lost the ability to think and will forgive any shoddy product as long as there 's a little girl-on-girl action
know about rubbo 's dumbed-down tactics
's a glorified sitcom , and a long , unfunny one at that .
blandly go where we went 8 movies ago
painfully slow cliche-ridden film
the writing is indifferent ,
of its own brilliance
ca n't believe anyone would really buy this stuff .
it all looks and plays like a $ 40 million version of a game you 're more likely to enjoy on a computer .
misanthropic stuff
one eventually resents having to inhale this gutter romancer 's secondhand material
the year 2002 has conjured up more coming-of-age stories than seem possible , but take care of my cat emerges as the very best of them
quite touching
keeps dickens evergreen : the exuberant openness with which he expresses our most basic emotions
with this one too
surprisingly , considering that baird is a former film editor , the movie is rather choppy .
developed characters so much
, populating its hackneyed and meanspirited storyline with cardboard characters and performers who value cash above credibility .
the subtitled costume drama is set in a remote african empire before cell phones , guns , and the internal combustion engine
's a pretty listless collection of kid-movie clichés .
a defiantly retro chord
the emotion or timelessness of disney 's great past ,
faced
first-time director joão pedro rodrigues ' unwillingness to define his hero 's background or motivations
in his role of observer of the scene , lawrence sounds whiny and defensive , as if his life-altering experiences made him bitter and less mature .
it 's a beautiful film , full of elaborate and twisted characters
the film does n't sustain its initial promise with a jarring , new-agey tone creeping into the second half
its bold presentation
the wild thornberrys movie has all the sibling rivalry and general family chaos to which anyone can relate .
makes eight legged freaks a perfectly entertaining summer diversion
vividly detailed story about newcomers in a strange new world
there is no solace here , no entertainment value , merely a fierce lesson in where filmmaking can take us .
hard-edged stuff
arrive early
unholy hokum
is something rare and riveting : a wild ride that relies on more than special effects .
the good girl is a film in which the talent is undeniable but the results are underwhelming .
straightforward and
with which it integrates thoughtfulness and pasta-fagioli comedy
be as entertaining
'll find in this dreary mess .
to imagine anyone managing to steal a movie not only from charismatic rising star jake gyllenhaal but also from accomplished oscar winners susan sarandon , dustin hoffman and holly hunter , yet newcomer ellen pompeo pulls off the feat with aplomb
terror the heroes of horror movies try to avoid
underdeveloped effort
it 's an ambitious film ,
, the subject matter is so fascinating that you wo n't care .
all hollywood fantasies
warmth , wit and interesting characters compassionately portrayed
that are repeatedly undercut by the brutality of the jokes , most at women 's expense
mctiernan 's remake may be lighter on its feet -- the sober-minded original was as graceful as a tap-dancing rhino -- but it is just as boring and as obvious .
a college comedy that 's target audience has n't graduated from junior high school
charismatic jackie chan
skillfully assembled
what is almost certainly going to go down as the worst -- and only -- killer website movie of this or any other year
i 'm not
relies on more than special effects
's a technically superb film , shining with all the usual spielberg flair , expertly utilizing the talents of his top-notch creative team
's insanely violent and very graphic
rises to a higher level
a slick ,
to the cracked lunacy of the adventures of buckaroo banzai , but thanks to an astonishingly witless script
and sumptuous stream
it was co-written by mattel executives and lobbyists for the tinsel industry
with such exuberance and passion
meandering ending
schlocky
realistic , non-exploitive approach
overcooked
( soderbergh ) tends to place most of the psychological and philosophical material in italics rather than trust an audience 's intelligence
a witty , whimsical feature
stands as one of the year 's most intriguing movie experiences
skewed to ever get a hold on
as it 's too loud to shout insults at the screen
an act of spiritual faith
though its rather routine script is loaded with familiar situations
's not even a tv special you 'd bother watching past the second commercial break
perfectly pleasant if slightly pokey
is good , except its timing
an uninspired philosophical epiphany
spiced
listless and desultory affair
if the plot seems a bit on the skinny side , that 's because panic room is interested in nothing more than sucking you in ... and making you sweat .
's anchored by splendid performances from an honored screen veteran and a sparkling newcomer who instantly transform themselves into a believable mother/daughter pair .
want to bang your head on the seat in front of you , at its cluelessness , at its idiocy , at its utterly misplaced earnestness
he gives the story some soul
an enthralling aesthetic experience ,
, albeit half-baked ,
rusted-out ruin
fine acting moments
are jarring and deeply out of place in what could have ( and probably should have )
a sleek advert for youthful anomie that never quite equals the sum of its pretensions .
those crass , contrived sequels
besson has written in years
delivers a powerful commentary on how governments lie
, the humor has point
no reason for being
charismatic enough to make us care about zelda 's ultimate fate
the smarter offerings the horror genre
flamboyant in some movies and artfully restrained in others , 65-year-old jack nicholson
growing up that we do n't see often enough these days
that it feels less like bad cinema than like being stuck in a dark pit having a nightmare about bad cinema
that this is one summer film that satisfies
forbidden love , racial tension , and other issues that are as valid today
creepy-scary thriller
dangerously honest
this is one of those war movies that focuses on human interaction rather than battle and action sequences ... and it 's all the stronger because of it
the plot grinds itself out in increasingly incoherent fashion
an intense political and psychological thriller
thoroughly dull
a fine production with splendid singing
any of the signposts , as if
gone badly awry
're not likely to have seen before , but beneath the exotic surface ( and exotic dancing ) it 's surprisingly old-fashioned
nothing wrong with performances here ,
it would be rendered tedious by avary 's failure to construct a story with even a trace of dramatic interest .
hack nick davies
an uplifting
name-calling
but something far more stylish and cerebral -- and ,
nary an original idea ( or role , or edit , or score , or anything , really ) in sight
has n't lost his touch , bringing off a superb performance in an admittedly middling film
stevens has a flair for dialogue comedy
quite a vision
cause parents a few sleepless hours --
louiso lets the movie dawdle in classic disaffected-indie-film mode
like a soft drink that 's been sitting open too long
an attempt to make the film relevant today , without fully understanding what it was that made the story relevant in the first place
, repetitively stretched out to feature length , awash in self-consciously flashy camera effects , droning house music and flat , flat dialogue .
a minor miracle
an admirable ,
more re-creations of all those famous moments
some of the camera work is interesting
what a world we 'd live in if argento 's hollywood counterparts ... had this much imagination and nerve
the best sports movie i 've ever seen
not exaggerated enough to be a parody of gross-out flicks , college flicks , or even flicks in general
coming close to bowling you over
skillful filmmaker
to sporting one of the worst titles in recent cinematic history
of love , family and all that
the premise of `` abandon '' holds promise , ...
black-and-white
it does somehow manage to get you under its spell .
lightly entertaining
is nonjudgmental , and
spends a bit too much time on its fairly ludicrous plot
as a paper skeleton for some very good acting , dialogue ,
only to record the events for posterity , but
exactly what its title implies : lusty , boisterous and utterly charming
a grating
plain bad
hollywood is sordid and disgusting .
race and culture forcefully told , with superb performances throughout
triumphant
sits there like a side dish no one ordered
imaginative flight
really awful
with a jarring , new-agey tone creeping into the second half
little-remembered
blame eddie murphy
less the cheap thriller you 'd expect than it is a fairly revealing study of its two main characters -- damaged-goods people whose orbits will inevitably and
out ballsy and stylish but fails to keep it up and settles into clichés .
persistence that is sure to win viewers ' hearts
the schmaltz is manufactured
used my two hours better watching being john malkovich again
see over and over again
it 's worth yet another visit
a great cast and a wonderful but sometimes confusing flashback movie about growing up in a dysfunctional family .
a coming-of-age story and cautionary parable , but also a perfectly rendered period piece
human experience -- drama , conflict , tears and surprise --
recite some of this laughable dialogue with a straight face
it 's good to see michael caine whipping out the dirty words and punching people in the stomach again .
is even remotely new or interesting
bone-chilling
barely defensible sexual violence to keep it interested
constantly touching , surprisingly funny
are in perfect balance .
feels universal
is a mediocre movie trying to get out
, is that it has none of the pushiness and decibel volume of most contemporary comedies .
was influenced by some of the filmmakers who have directed him , especially the coen brothers and steven soderbergh
of vampire fun
of the man
charm or
a bilingual charmer
you love it
its dying ,
must report that the children of varying ages in my audience never coughed , fidgeted or romped up and down the aisles for bathroom breaks
gracious
the acting is amateurish , the cinematography is atrocious , the direction is clumsy
iwai 's gorgeous visuals seduce .
's worth the concentration .
does such high-profile talent serve such literate material
`` sorority boys '' was funnier
jordan jealous
bracingly truthful
with a hard-to-swallow premise
an honesty and dignity that breaks your heart
waged among victims and predators settle into an undistinguished rhythm of artificial suspense
that everlasting conundrum experienced by every human who ever lived : too much to do , too little time to do it in
84 minutes is short
of privileged moments and memorable performances
, it tells a story whose restatement is validated by the changing composition of the nation .
, spicy footnote
deft and subtle
even if the naipaul original remains the real masterpiece
three hours and with very little story or character development
-- from the writing and direction to the soggy performances --
dirty faces
witherspoon 's talents
's hard to believe that something so short could be so flabby
clunker
, is funny and looks professional .
photographed and staged by mendes with a series of riveting set pieces
that relays its universal points without lectures or confrontations
feels the dimming of a certain ambition , but in its place a sweetness , clarity and emotional openness that recalls the classics of early italian neorealism .
horrid little propaganda film
i even caught the gum stuck under my seat trying to sneak out of the theater
he does this so well
as two-day old porridge
-- and gross --
seem repetitive and designed to fill time , providing no real sense of suspense
it 's in danger of going wrong
out ballsy and stylish
manages for but a few seconds over its seemingly eternal running time to pique your interest , your imagination , your empathy or anything , really , save your disgust and your indifference .
is grossly contradictory in conveying its social message , if indeed there is one
dumbed-down tactics
soulless and -- even more damning -- virtually joyless ,
's a perfect show of respect to just one of those underrated professionals who deserve but rarely receive it .
has never looked uglier
entertaining movie
is so bad , that it 's almost worth seeing because it 's so bad .
boffo last hour
( a ) slummer .
a genuinely moving and wisely unsentimental drama .
sounds whiny and defensive ,
of how very bad a motion picture can truly be
as much resemblance to the experiences of most battered women as spider-man
a film that is both gripping and compelling
4ever has the same sledgehammer appeal as pokemon videos , but it breathes more on the big screen and induces headaches more slowly
make the stones weep --
nothing short of a travesty of a transvestite comedy
aspired
if the video is n't back at blockbuster before midnight , you 're going to face frightening late fees
is a rather toothless take on a hard young life
that there are more interesting ways of dealing with the subject
oscar nomination
that ` alabama ' manages to be pleasant in spite of its predictability and occasional slowness is due primarily to the perkiness of witherspoon ( who is always a joy to watch , even when her material is not first-rate )
frothy ` date movie
are both excellent ,
described as sci-fi generic
confusion is one of my least favorite emotions , especially when i have to put up with 146 minutes of it .
such a bad movie that its luckiest viewers will be seated next to one of those ignorant pinheads who talk throughout the show .
what remains is a variant of the nincompoop benigni persona , here a more annoying , though less angry version of the irresponsible sandlerian manchild , undercut by the voice of the star of road trip .
alas , it 's the man that makes the clothes .
escaped the rut dug by the last one
funnier gags
a gorgeously strange movie , heaven is deeply concerned with morality
unlikable , uninteresting , unfunny , and completely ,
that finds warmth in the coldest environment and makes each crumb of emotional comfort
about as enjoyable
their most virtuous limits
this sucker
jeffrey tambor 's
keen eye , sweet spirit and good taste
the coen brothers and
open-mouthed before the screen , not screaming but yawning
reasonably entertaining
will wear thin on all
that , with humor , warmth , and intelligence , captures a life interestingly lived
pryor wannabe
holland lets things peter out midway ,
even the hastily and amateurishly drawn animation
wrong with that
to be an effectively chilling guilty pleasure
more trifle than triumph
demonic doings on the high seas that works better the less the brain is engaged
there 's not a single jump-in-your-seat moment
got aids
, it also represents glossy hollywood at its laziest .
smoothly sinister freddie
nor truly edgy -- merely crassly flamboyant and comedically labored
crisp framing ,
all-powerful , a voice for a pop-cyber culture that feeds on her bjorkness
the people who live in them , who have carved their own comfortable niche in the world and have been kind enough to share it
'd grab your kids and run and then probably call the police
just sits there like a side dish no one ordered .
sort the bad guys from the good , which is its essential problem
an ingenious and often harrowing look at damaged people and how families can offer either despair or consolation .
off-kilter dialogue
barrie good time
the movie is so contrived , nonsensical and formulaic that , come to think of it , the day-old shelf would be a more appropriate location to store it .
paxton , making his directorial feature debut , does strong , measured work .
true inspiration
ideas for the inevitable future sequels ( hey , do n't shoot the messenger )
has found the perfect material with which to address his own world war ii experience in his signature style .
a touching reflection on aging , suffering and the prospect of death
into a strangely tempting bouquet of a movie
of love and humility
drag the movie down
as vincent became more and more abhorrent
there 's something fishy about a seasonal holiday kids ' movie
difficult to tell who the other actors in the movie are
suffers from the awkwardness that results from adhering to the messiness of true stories .
the labyrinthine ways
pass this stinker off
of becoming a better person through love
by a script that assumes you are n't very bright
slightly wised-up kids
unafraid to throw elbows when necessary
immensely enjoyable
does sustain an enjoyable level of ridiculousness
kids-cute sentimentality by a warmth that is n't faked
some of the most inventive silliness you are likely to witness in a movie theater for some time .
tense with suspense
green ruins every single scene he 's in
, he might have been tempted to change his landmark poem to , ` do not go gentle into that good theatre . '
may be the first cartoon ever to look as if it were being shown on the projection television screen of a sports bar
is a fudged opportunity of gigantic proportions -- a lunar mission with no signs of life
spirit 's visual imagination
knows everything and answers all questions , is visually smart , cleverly written , and nicely
the comic opportunities richly rewarded
be a power outage during your screening so you can get your money back
flawless film , ( wang ) emerges in the front ranks of china 's now numerous , world-renowned filmmakers .
burn the negative and the script and
to be a one-trick pony
but disintegrates into a dreary , humorless soap opera .
rather unique
the quirky drama
far more entertaining than i had expected
is as thought-provoking
and crude humor
's a day at the beach -- with air conditioning and popcorn .
, green dragon is still a deeply moving effort to put a human face on the travail of thousands of vietnamese .
that has made tucker a star
's funny , touching , dramatically forceful , and beautifully shot
what sets ms. birot 's film apart from others in the genre