xiangpku/GLUE huggingface dataset:
-- and long -- for its own good
of empty , fetishistic violence in which murder is casual and fun
intrigue
its characters ' decisions only unsatisfactorily
is a powerful , naturally dramatic piece of low-budget filmmaking .
perhaps it 's cliche to call the film ` refreshing
kid-empowerment
a fascinating , unnerving examination
could as easily have been called ` under siege 3 : in alcatraz ' ... a cinematic corpse that never springs to life .
odoriferous thing
brilliantly written and well-acted
to gravity and plummets
it 's a smart , funny look at an arcane area of popular culture , and
is wickedly fun to watch
the imagined glory of their own pasts
a low-budget affair , tadpole was shot on digital video , and the images often look smeary and blurry , to the point of distraction .
does n't have a passion for the material .
but that they are doing it is thought-provoking .
a climax
, scarily funny , sorrowfully sympathetic to the damage it surveys
neil burger 's impressive fake documentary
in looking at the comic effects of jealousy
is tenderly observant of his characters .
its dark , delicate treatment
has no idea of it is serious
brutal and
he 's just a sad aristocrat in tattered finery ,
it 's excessively quirky and a little underconfident in its delivery , but otherwise this is the best ` old neighborhood ' project since christopher walken kinda romanced cyndi lauper in the opportunists .
classify as it is hard to resist
, undisputed scores a direct hit .
of menacing atmosphere
painful , horrifying and oppressively tragic
perfect for the proud warrior that still lingers in the souls of these characters
in luminous interviews and amazingly evocative film from three decades ago
usual bumbling , tongue-tied screen persona
easy jokes and insults
quitting , however , manages just to be depressing , as the lead actor phones in his autobiographical performance .
a sincerely crafted picture
what might have been readily dismissed as the tiresome rant of an aging filmmaker still thumbing his nose at convention takes a surprising , subtle turn at the midway point .
long gone
the movie is remarkably dull with only caine making much of an impression .
is a visually stunning rumination on love , memory , history and the war between art and commerce
an excuse to get to the closing bout ... by which time it 's impossible to care who wins
by a script that takes few chances and manages to insult the intelligence of everyone in the audience
about how good it all was , and started doing nothing but reacting to it - feeling a part of its grand locations , thinking urgently as the protagonists struggled , feeling at the mercy of its inventiveness , gasping at its visual delights
soderbergh , like kubrick before him , may not touch the planet 's skin , but understands the workings of its spirit .
spontaneity in its execution
feels as immediate as the latest news footage from gaza and , because of its heightened , well-shaped dramas , twice as powerful .
spiderman rocks
low-brow humor , gratuitous violence and
was n't one of the film 's virtues .
style adventure that plays like a bad soap opera , with passable performances from everyone in the cast
stirs us as well .
a non-britney person might survive a screening with little harm done , except maybe for the last 15 minutes , which are as maudlin as any after-school special you can imagine .
your 20th outing shows off a lot of stamina and vitality , and get this , madonna 's cameo does n't suck !
an uneven film for the most part
, the movie sinks into an abyss of clichés , depression and bad alternative music .
his storytelling skills have eroded
`` shakes the clown '' , a much funnier film with a similar theme
, others will find their humor-seeking dollars best spent elsewhere .
the film is just a corny examination of a young actress trying to find her way .
, madonna is one helluva singer .
hoary dialogue , fluxing accents , and
will probably find it fascinating
good ear
undistinguished rhythm
have no idea what in creation is going on
fascinating but flawed look
spend years trying to comprehend it
is both a snore and utter tripe
to treat its characters , weak and strong , as fallible human beings , not caricatures , and
though it goes further than both , anyone who has seen the hunger or cat people will find little new here , but a tasty performance from vincent gallo lifts this tale of cannibal lust above the ordinary .
the gloss
we hate ( madonna ) within the film 's first five minutes , and she lacks the skill or presence to regain any ground
bitter italian comedy
banal dialogue
of the smarter offerings the horror genre
it rarely stoops to cheap manipulation or corny conventions to do it
but in terms of its style , the movie is in a class by itself
as a tarantula , helga
like a high-end john hughes comedy , a kind of elder bueller 's time out
been quashed by whatever obscenity is at hand
wannabe comedy
afraid to provoke introspection in both its characters and its audience
the better video-game-based flicks ,
little action , almost no suspense or believable tension
blasphemous bad
woozy quality
nothing interesting in unfaithful
sheds light
work as well as a remarkably faithful one
want to watch if you only had a week to live
one-dimensional buffoons
without a conclusion or pay off
is a tired one
we 've seen the hippie-turned-yuppie plot before
if a big musical number like ` praise the lord , he 's the god of second chances ' does n't put you off
terror by suggestion , rather than the overuse of special effects
patient and tenacious
the most horrific movie experience i 've had since `` ca n't stop the music . ''
too obviously
watch on video at home
the movie is loaded with good intentions
for occasional smiles
of all ages
bland , surfacey way
this nicholas nickleby finds itself in reduced circumstances -- and
it 's fitting that a movie as artificial and soulless as the country bears owes its genesis to an animatronic display at disneyland .
begins with the everyday lives of naval personnel in san diego and ends with scenes so true and heartbreaking that tears welled up in my eyes both times i
's fitting that a movie as artificial and soulless as the country bears owes its genesis to an animatronic display at disneyland
leave it to john sayles to take on developers , the chamber of commerce , tourism , historical pageants , and commercialism all in the same movie ... without neglecting character development for even one minute
frightening war scenes
tremendous piece
must have been astronomically bad
the movie 's fragmentary narrative style makes piecing the story together frustrating difficult
goes by quickly
and that makes all the difference .
the filmmakers found this a remarkable and novel concept
at three hours and with very little story or character development , there is plenty of room for editing , and a much shorter cut surely would have resulted in a smoother , more focused narrative without sacrificing any of the cultural intrigue .
spotty
amid the new populist comedies that underscore the importance of family tradition and familial community , one would be hard-pressed to find a movie with a bigger , fatter heart than barbershop .
while the performances are often engaging
you 've seen a movie instead of an endless trailer
solid filmmaking
his outstanding performance
's super - violent , super-serious and super-stupid .
a gorgeously strange movie , heaven is deeply concerned with morality , but it refuses to spell things out for viewers
elaborate futuristic sets to no particularly memorable effect
than an autopsy , the movie
exploitative and
offering fine acting moments and
a wacky , screwball comedy
solid , satisfying fare
-- a nice , harmless date film
overall , it 's a very entertaining , thought-provoking film with a simple message : god is love .
of 2-day old coke
combines the enigmatic features of ` memento '
have all but ruined his career
worldly-wise and very funny
has you study them
get for a buck or so in that greasy little vidgame pit in the theater lobby
is n't just offensive
pop up in nearly every corner of the country
worth yet another visit
a deadly bore
would go back and choose to skip it
an energetic and engaging film that never pretends to be something it is n't .
too many clever things
a festival film that would have been better off staying on the festival circuit
come from seeing former nymphette juliette lewis playing a salt-of-the-earth mommy named minnie and watching slim travel incognito in a ridiculous wig no respectable halloween costume shop would ever try to sell .
allowing us to find the small , human moments ,
spontaneous creativity and authentic co-operative interaction
miyazaki has created such a vibrant , colorful world , it 's almost impossible not to be swept away by the sheer beauty of his images .
a well-written and occasionally challenging social drama
as a thoughtful and unflinching examination of an alternative lifestyle
to be liberating
the movie wavers between hallmark card sentimentality and goofy , life-affirming moments straight out of a cellular phone commercial .
gorgeous color palette
starting with spielberg and going right through the ranks of the players -- on-camera and off -- that he brings together
, ballistic : ecks vs. sever also features terrible , banal dialogue ; convenient , hole-ridden plotting ; superficial characters and a rather dull , unimaginative car chase .
an older cad instructs a younger lad in zen and the art of getting laid in this prickly indie comedy of manners and misanthropy .
a mostly believable , refreshingly low-key and quietly inspirational little sports
, still manages at least a decent attempt at meaningful cinema
, but i believe a movie can be mindless without being the peak of all things insipid
for the rest of us , sitting through dahmer 's two hours amounts to little more than punishment .
gaunt , silver-haired and leonine , ( harris ) brings a tragic dimension and savage full-bodied wit and cunning to the aging sandeman .
distorts reality for people who make movies and watch them
luridly graphic and
, clumsily staged violence overshadows everything , including most of the actors .
that should be thrown back in the river
drab
is almost
mike white 's deft combination of serious subject matter and dark , funny humor make `` the good girl '' a film worth watching .
still fun and enjoyable and so aggressively silly
display an original talent
but mostly it 's a work that , with humor , warmth , and intelligence , captures a life interestingly lived .
there might be some sort of credible gender-provoking philosophy submerged here , but who the hell cares ?
good action , good acting , good dialogue , good pace , good cinematography
moments and an intelligent subtlety
to the brim with ideas
surrounded by 86 minutes of overly-familiar and poorly-constructed comedy
its sensitive handling of some delicate subject matter
impressive talent
the chills
full of surprises
you sweat
i could n't help but feel the wasted potential of this slapstick comedy .
with tiny little jokes and nary an original idea
is still quite good-natured and
rich in color and creativity
found its audience ,
ends up being surprisingly dull
he feels like a spectator and not a participant
superficial .
visual charm
the filmmaking clumsy and rushed
watch this movie
garcía bernal and talancón are an immensely appealing couple , and
to surprise us with plot twists
ingenious fun
a crass and insulting homage to great films
have recharged him
rancorous curiosity
suspect that you 'll be as bored watching morvern callar as the characters are in it
sexy , funny and touching .
going to face frightening late fees
is its surreal sense of humor and technological finish .
is so engagingly
of day by concentrating on the elements of a revealing alienation among a culture of people who sadly are at hostile odds with one another through recklessness and retaliation
that is as difficult for the audience to take as it
putrid it is not worth the price of the match that should be used to burn every print of the film .
a rip-off
an obvious copy
depict a homosexual relationship in a mature and frank fashion
is funny , charming and quirky in her feature film acting debut as amy
laced
with all the boozy self-indulgence that brings out the worst in otherwise talented actors
you could just rent those movies instead , let alone seek out a respectable new one
a real movie
seem to match the power of their surroundings
a pleasing way with a metaphor
a reasonably entertaining sequel to 1994 's surprise family
pretty damned funny
flash but little emotional resonance
like an afterschool special with costumes by gianni versace , mad love looks better than it feels .
a wild comedy that could only spring from the demented mind of the writer
of the wise , wizened visitor from a faraway planet
brings together some of the biggest names in japanese anime , with impressive results
provoke introspection in both its characters and its audience
( clooney 's ) debut can be accused of being a bit undisciplined
a cast of a-list brit actors
... is at 22 a powerful young actor .
we all need a playful respite from the grind to refresh our souls
total misfire
storytelling skills
into the `` a '' range , as is
at least now we 've got something pretty damn close
therapy-dependent flakeball
can be distinguished from a mediocre one by the better film 's ability to make its subject interesting to those who are n't part of its supposed target audience .
not scarier
entertaining , if ultimately minor ,
lovely and
a vivid , thoughtful , unapologetically raw coming-of-age tale
from a woodland stream
unfortunately , it runs for 170
inspiring and
hero performances
the result is somewhat satisfying --
unlikeable
disappointing in comparison to other recent war movies ... or
not only does spider-man deliver , but i suspect it might deliver again and again .
a true delight .
most original fantasy film
it 's not scary in the slightest .
which will take longer to heal : the welt on johnny knoxville 's stomach from a riot-control projectile or my own tortured psyche
make gangster no. 1 a worthwhile moviegoing experience .
the ya-ya 's have many secrets and one is - the books are better
that shows what great cinema can really do
seizing on george 's haplessness and lucy 's personality tics
of mr. chabrol 's subtlest works
why , you may ask , why should you buy the movie milk when the tv cow is free ?
is holofcener 's deep , uncompromising curtsy to women she knows , and very likely is
good-looking
it does n't give a damn
done that ... a thousand times
artificiality
few things in this world more complex --
thought that the german film industry can not make a delightful comedy centering on food .
what could have
best of all is garcia , who perfectly portrays the desperation of a very insecure man .
are a little peculiar
a striking style behind the camera
is surprisingly refreshing .
does n't trust laughs
is n't the actor to save it .
the dragons are the real stars of reign of fire and you wo n't be disappointed
has a sure hand
is wasted in this crass , low-wattage endeavor
is spot
set in the world of lingerie models and bar dancers
has finally , to some extent , warmed up to him
is such high-wattage brainpower coupled with pitch-perfect acting and an exquisite , unfakable sense of cinema .
shamefully strolls through this mess with a smug grin , inexplicably wearing a kilt and carrying a bag of golf clubs over one shoulder .
has managed to marry science fiction with film noir and action flicks with philosophical inquiry
all the usual spielberg flair
got as potent a topic as ever here
wang )
overrun by corrupt and hedonistic weasels
sobering and powerful documentary
spielberg 's realization of a near-future america is masterful .
take care is nicely performed by a quintet of actresses
for a movie that tries to be smart , it 's kinda dumb .
found myself strangely moved by even the corniest and most hackneyed contrivances .
satan is throwing up his hands in surrender , is firing his r&d people , and has decided he will just screen the master of disguise 24/7 .
understand why anyone in his right mind would even think to make the attraction a movie
did n't sell many records but
the payoff is powerful and revelatory
disguising this as one of the worst films of the summer
however sincere it may be , the rising place never quite justifies its own existence .
the title , alone , should scare any sane person away .
the under-7 crowd
the strange horror
that works on any number of levels
funny in a way that 's too loud , too goofy and too short of an attention span
an odd drama set in the world of lingerie models and bar dancers in the midwest that held my interest precisely because it did n't try to .
is better
sound so dull
the rest of the cast is uniformly superb
it appears as if even the filmmakers did n't know what kind of movie they were making .
his most daring , and complicated , performances
smart , sassy and exceptionally charming
far less
dong never pushes for insights beyond the superficial tensions of the dynamic he 's dissecting , and the film settles too easily along the contours of expectation .
, compressed characterisations and for its profound humanity
hate the feeling of having been slimed in the name of high art
lee does so marvelously compelling is present brown as a catalyst for the struggle of black manhood in restrictive and chaotic america ... sketchy but nevertheless gripping portrait of jim brown , a celebrated wonder in the spotlight
be as bored watching morvern callar as the characters are in it
a brilliantly played , deeply unsettling experience
're in a slap-happy mood
journalistically dubious , inept
is too picture postcard perfect , too neat and new pin-like
's loud and boring
hungry for quality and a nostalgic , twisty yarn that will keep them guessing
the verdict : two bodies and hardly a laugh between them .
see because the theater
grant , who has n't lost a bit of the dry humor that first made audiences on both sides of the atlantic love him
's quinn ( is ) a leather clad grunge-pirate with a hairdo like gandalf in a wind-tunnel and a simply astounding cor-blimey-luv-a-duck cockney accent . '
ride around a pretty tattered old carousel .
you 'll cheer .
finds its tone and several scenes run too long .
entrapment in the maze of modern life
is a convincing one ,
notwithstanding my problem with the movie 's final half hour , i 'm going to recommend secretary , based on the wonderful acting clinic put on by spader and gyllenhaal , and
the most appealing movies ever made about an otherwise appalling , and downright creepy , subject -- a teenage boy in love with his stepmother
got ten little indians meets friday the 13th by way of clean and sober , filmed on the set of carpenter 's the thing and loaded with actors you 're most likely to find on the next inevitable incarnation of the love boat
of an alternative lifestyle
, twisted sort
not as outrageous or funny
gives hollywood sequels
forming a chain of relationships that come full circle to end on a positive ( if tragic ) note
pick up new admirers
flawed and
satisfyingly odd and intriguing a tale as it was a century and a half ago
( a ) painfully flat gross-out comedy
surprisingly charming
is nothing distinguishing in a randall wallace film
crucifixion
's also disappointing to a certain degree .
ends up offering nothing more than the latest schwarzenegger or stallone flick would .
, you wo n't find anything to get excited about on this dvd .
truest sense
present an unflinching look
audience members will leave feeling as shaken as nesbitt 's cooper looks when the bullets stop flying
to enjoy its own transparency
does its sensitive handling of some delicate subject matter
made with an enormous amount of affection
to engross even the most antsy youngsters
he 's making dog day afternoon with a cause
is hampered by taylor 's cartoonish performance and the film 's ill-considered notion that hitler 's destiny was shaped by the most random of chances
caring for animals and
the threat implied in the title pokémon 4ever is terrifying
schütte 's dramatic snapshot
soon-to-be-forgettable
light the candles , bring out the cake and do n't fret about the calories because there 's precious little substance in birthday girl -- it 's simply , and surprisingly , a nice , light treat
is powerful and revelatory
visually dazzling
even if the naipaul original remains the real masterpiece , the movie possesses its own languorous charm .
playing a role of almost bergmanesque intensity
a worthwhile moviegoing experience
the screenplay by billy ray and terry george leaves something to be desired .
consistently amusing
have given this movie a rating of zero
two star script
the script has less spice than a rat burger and
technical proficiency
to balance all the formulaic equations in the long-winded heist comedy
there 's real visual charge to the filmmaking , and a strong erotic spark to the most crucial lip-reading sequence .
feel like mopping up
what can easily be considered career-best performances
the pseudo-educational stuff
davis ' highly personal brand of romantic comedy is a tart , smart breath of fresh air
issue a moratorium , effective immediately , on treacly films about inspirational prep-school professors and the children they so heartwarmingly motivate
gutsy and
-- when are bears bears and when are they like humans , only hairier -- would tax einstein 's brain .
shallow and immature character with whom to spend 110 claustrophobic minutes
is a frighteningly fascinating contradiction
cheery
, uncompromising
searing performances
dearly
the kind of entertainment that parents love to have their kids
, cliche-ridden
when a movie has stuck around for this long
-- in a heartwarming , nonjudgmental kind of way --
provide an enjoyable 100 minutes in a movie theater
a lifetime
the perfect festival film
so much tongue-in-cheek weirdness
of whimsicality , narrative discipline and serious improvisation
the touch
stupid americans will get a kick out of goofy brits with cute accents performing ages-old slapstick and unfunny tricks
morgen and nanette burstein
that graze the funny bone
a tap-dancing rhino
to avoid
sensuality
an articulate , grown-up voice in african-american cinema
arthur schnitzler 's reigen
takes no apparent joy
does n't quite go the distance
itself , a playful spirit and a game cast
looked as beautiful , desirable , even delectable , as it does in trouble every day
elegance and maturity
a truly , truly bad movie
a played-out idea
so boring that even its target audience talked all the way through it .
all of the elements are in place for a great film noir
construct a story
're left with a story that tries to grab us , only to keep letting go at all the wrong moments .
adequately fills the eyes
features terrible , banal dialogue ; convenient , hole-ridden plotting ; superficial characters and a rather dull , unimaginative car chase
its inescapable absurdities
quirky and fearless
seems the film should instead be called ` my husband is travis bickle '
quickly forgettable
in them , who have carved their own comfortable niche in the world
spits out
a film you will never forget
vibrant and
also has humor and heart and very talented young actors
intelligent observations
overly familiar scenario
falls
whom the name woody allen was once a guarantee of something fresh , sometimes funny , and usually genuinely worthwhile
limps along on a squirm-inducing fish-out-of-water formula that goes nowhere and goes there very , very slowly .
a pair of fascinating performances
( cattaneo ) sophomore slump
goes off the beaten path , not necessarily for the better .
that tug at your heart in ways that utterly transcend gender
sentimental script
inherently funny
ends up being neither , and fails at both endeavors .
is honestly
demonstrates a breadth of vision and an attention to detail that propels her into the upper echelons of the directing world .
grant is certainly amusing , but
cheesy b-movie playing
looking like something wholly original
unshapely look
full of funny situations and honest observations
is a step down for director gary fleder
been lost in the translation ... another routine hollywood frightfest in which the slack execution italicizes the absurdity of the premise
of the best next generation episodes