xiangpku/GLUE huggingface dataset:
the power of shanghai ghetto , a documentary by dana janklowicz-mann and amir mann , rests in the voices of men and women , now in their 70s , who lived there in the 1940s .
of a brutally honest individual like prophet jack
runs out of steam after a half hour
with such a wallop of you-are-there immediacy
's the funniest american comedy since graffiti bridge
schticky chris rock and stolid anthony hopkins ,
nervous
rock solid family fun out of the gates ,
takashi miike keeps pushing the envelope :
it looks like an action movie , but
ability to take what is essentially a contained family conflict and put it into a much larger historical context
the u.s.
make chan 's action sequences boring .
the jokes are telegraphed so far in advance
please eastwood 's loyal fans
what punk rock music used to be
work and 2002 's first great film
wannabe film -- without the vital comic ingredient of the hilarious writer-director himself
which means that birthday girl is the kind of quirkily appealing minor movie she might not make for a while
genuinely enthusiastic performances
tortured and self-conscious material
funny ,
argentinean ` dramedy '
his best film
really , really stupid
recalls the classics of early italian neorealism
it 's like a drive-by .
colorful , energetic and sweetly whimsical ... the rare sequel that 's better than its predecessor
it is not worth
seen city
watch these two together
myopic
at once visceral and spiritual
makes this man so watchable is a tribute not only to his craft , but to his legend
is actually dying a slow death , if the poor quality of pokemon 4 ever is any indication .
if you 're part of her targeted audience , you 'll cheer .
a pretty good team
run through its otherwise comic narrative .
a much better mother-daughter tale
really cool bit
most of the dialogue made me want to pack raw dough in my ears .
's ` divine secrets of the ya-ya sisterhood
big-hearted
the film has an infectious enthusiasm and we 're touched by the film 's conviction that all life centered on that place , that time and that sport
the film never feels draggy
it is dark , brooding and slow , and takes its central idea way too seriously .
salvos hitting a discernible target .
it 's still tainted by cliches , painful improbability and murky points .
come to love
by its modest , straight-ahead standards , undisputed scores a direct hit .
, or inventive
has a spirit that can not be denied
as much as i laughed throughout the movie , i can not mount a cogent defense of the film as entertainment , or even performance art , although the movie does leave you marveling at these guys ' superhuman capacity to withstand pain .
what 's with all the shooting
of ` ethnic cleansing
without neglecting character development for even one minute
really poor comedic writing
knows how to inflate the mundane into the scarifying ,
more plot
to the core of what it actually means to face your fears , to be a girl in a world of boys , to be a boy truly in love with a girl , and to ride the big metaphorical wave that is life -- wherever it takes you
unlike most surf movies , blue crush thrillingly uses modern technology to take the viewer inside the wave .
this enthralling documentary
does steven seagal come across these days ?
is as deep as a petri dish and as well-characterized
lends the ending an extraordinary poignancy , and the story
end up walking out not only satisfied but also somewhat touched
an engrossing portrait of a man whose engaging manner and flamboyant style made him a truly larger-than-life character
a brilliant college student
loose , unaccountable
it starts off so bad that you feel like running out screaming
this is more appetizing than a side dish of asparagus .
a very distinctive sensibility , working to develop her own film language with conspicuous success
of the condescending stereotypes that so often plague films dealing with the mentally ill
all ca n't stand
even murphy 's expert comic timing and
who are trying to make their way through this tragedy
great for the kids
'' has-been
be easy for critics to shred it
a bottom-feeder sequel in the escape from new york series
, big-hearted and frequently
drooling idiots
did n't connect with me would require another viewing
they toss logic and science into what is essentially a `` dungeons and dragons '' fantasy with modern military weaponry ...
like the imaginary sport it projects onto the screen -- loud , violent and mindless .
for the most part he makes sure the salton sea works the way a good noir should , keeping it tight and nasty
a searing lead performance
menacing atmosphere
though intrepid in exploring an attraction that crosses sexual identity , ozpetek falls short in showing us antonia 's true emotions ... but
are many definitions of ` time waster '
hours of material to discuss
one scene after another in this supposedly funny movie falls to the floor with a sickening thud .
that old adage about women being unknowable gets an exhilarating new interpretation in morvern callar .
luminous interviews
the script 's refusal of a happy ending
alternating with lots of sloppiness
gets old quickly
of the obvious cliches
not only does the thoroughly formulaic film represent totally exemplify middle-of-the-road mainstream , it also represents glossy hollywood at its laziest .
after the phoniness of female-bonding pictures like divine secrets of the ya-ya sisterhood
leaves little doubt that kidman has become one of our best actors
using them as punching bags
tykwer 's surface flash is n't just a poor fit with kieslowski 's lyrical pessimism
exhausted , desiccated talent
the laziness and arrogance
low-tech magic realism
`` spider-man is better than any summer blockbuster we had to endure last summer , and hopefully , sets the tone for a summer of good stuff .
this delightful comedy
vapid
a worthwhile effort
a pathetic exploitation film that tries to seem sincere , and just seems worse for the effort .
by a central plot that 's peppered with false starts and populated by characters who are nearly impossible to care about
extraordinary access
so intimate and sensual and funny and psychologically self-revealing
highly engaging .
wisdom and emotion
fascinating , unnerving examination
watching this film , one is left with the inescapable conclusion that hitchens ' obsession with kissinger is , at bottom , a sophisticated flower child 's desire to purge the world of the tooth and claw of human power .
you were at home watching that movie instead of in the theater watching this one
about 90 minutes of a so-called ` comedy ' and not laugh
arrive early and stay late , filling nearly every minute ... with a lighthearted glow , some impudent snickers , and a glorious dose of humankind 's liberating ability to triumph over a scrooge or two
affection for its characters
mixes in as much humor as pathos
a complete moron
abandon spends 90 minutes trying figure out whether or not some cocky pseudo-intellectual kid has intentionally left college or was killed .
few nice twists
a moving story
a bunch of typical late-twenty-somethings natter on about nothing
not only better than its predecessor
funny and , in the end , very touching
too skewed to ever get a hold on
thriller as lazy as it is interminable
's a shame the marvelous first 101 minutes have to be combined with the misconceived final 5 .
a funny , puzzling movie
, i enjoyed it just as much !
stooping
with a completely predictable plot
by bad luck and their own immaturity
to a strangely sinister happy ending
had the balance shifted in favor of water-bound action over the land-based ` drama
so we got ten little indians meets friday the 13th by way of clean and sober , filmed on the set of carpenter 's the thing and loaded with actors you 're most likely to find on the next inevitable incarnation of the love boat .
, pathetic , starving and untalented
the problem with antwone fisher is that it has a screenplay written by antwone fisher based on the book by antwone fisher .
has merit and
, with really solid performances by ving rhames and wesley snipes .
both the elements of the plot and a powerfully evocative mood combining heated sexuality with a haunting sense of malaise
not that any of us
astonish and entertain
play well in european markets , where mr. besson is a brand name , and in asia , where ms. shu is an institution
a film that proposes as epic tragedy the plight of a callow rich boy who is forced to choose between his beautiful , self-satisfied 22-year-old girlfriend and an equally beautiful , self-satisfied 18-year-old mistress
be exploring the idea of why human beings long for what they do n't have , and how this gets us in trouble
having been slimed in the name of high art
shooting itself
, sterile and lacking
elicit more of a sense of deja vu than awe
been worth cheering as a breakthrough
all credibility flies out the window .
corny television
fights the good fight in vietnam
engaging the audience in the travails of creating a screenplay
rustic , realistic , and altogether creepy
things really get weird , though not particularly scary :
hughes comedy
the disjointed
assumes you are n't very bright
is a genuine love story , full of traditional layers of awakening and ripening and separation and recovery .
's not entirely memorable
heavy-handed symbolism , dime-store psychology and endless scenic shots that make 105 minutes seem twice as long
nothing left to work with , sort of like michael jackson 's nose
daring and beautifully made
, you may be surprised at the variety of tones in spielberg 's work .
works against itself
i hated myself in the morning .
with efficiency and an affection for the period
confection that 's pure entertainment
bearing the unmistakable stamp of authority
the intentionally low standards of frat-boy humor
is impressive
if cinema had been around to capture the chaos of france in the 1790 's , one imagines the result would look like something like this .
... it is visually ravishing , penetrating , impenetrable .
of the jokes , most at women 's expense
fascination , and
amazing slapstick
low , very low ,
weightless that a decent draft in the auditorium might blow it off the screen
leaves vague impressions and a nasty aftertaste but little clear memory of its operational mechanics
told through on-camera interviews with several survivors , whose riveting memories are rendered with such clarity that it 's as if it all happened only yesterday
those who do will have found a cult favorite to enjoy for a lifetime .
undone by anachronistic quick edits and occasional jarring glimpses of a modern theater audience watching the events unfold
starts to smack of a hallmark hall of fame , with a few four letter words thrown in that are generally not heard on television
is even worse
the inspiration of the original
if oscar had a category called best bad film you thought was going to be really awful but was n't
fine idea
mawkish
payne has created a beautiful canvas , and nicholson proves once again that he 's the best brush in the business .
the most restless young audience deserves the dignity of an action hero motivated by something more than franchise possibilities .
a good chance of being the big
wise enough to recognize that there are few things in this world more complex -- and , as it turns out , more fragile -- than happiness
it 's a masterpeice .
a sour taste
, much better .
but on the whole , you 're gon na like this movie .
a central plot that 's peppered with false starts and populated by characters who are nearly impossible to care about
the picture provides a satisfyingly unsettling ride into the dark places of our national psyche .
buy is an accomplished actress , and this is a big , juicy role
are too simplistic to maintain interest
most wondrously gifted artists
rushed ,
relies less on forced air than on petter næss ' delicate , clever direction ... and a wonderful , imaginative script by axel hellstenius .
thanks to the presence of ` the king
surreal ache of mortal awareness
the unexplored story opportunities of `` punch-drunk love '' may have worked against the maker 's minimalist intent but it is an interesting exercise by talented writer/director anderson .
by movies ' end you 'll swear you are wet in some places and feel sand creeping in others
as powerful rather than cloying
its luckiest viewers will be seated next to one of those ignorant
does n't add up to a whole lot .
in perfect balance
ridicule factor
thriller `` new best friend ''
barbershop is n't as funny as it should be
spider invasion comic chiller
long , slow and dreary
video games are more involving than this mess .
a distinctly mixed bag , the occasional bursts of sharp writing alternating with lots of sloppiness
inspiration and
witty dialogue and inventive moments
the creative animation work
slice of comedic bliss
a fluid and mesmerizing sequence
doing its namesake proud
although this idea is `` new '' the results are tired
a renowned indian film culture
the 2002 film does n't really believe in it , and breaks the mood with absurdly inappropriate ` comedy ' scenes .
does a good job of establishing a time and place , and of telling a fascinating character 's story .
30 seconds of plot
, it is impossible not to be awed by the power and grace of one of the greatest natural sportsmen of modern times .
interesting story
a marvel of production design .
will leave you wanting to abandon the theater
has all the complexity and realistic human behavior of an episode of general hospital
they do n't fit well together and
the pushiness and decibel volume
rejigger fatal attraction into a high school setting
deep intelligence and
bad-movie
than their funny accents
fun , popcorn movies
campbell scott finds the ideal outlet for his flick-knife diction in the role of roger swanson .
interesting and thoroughly
( shyamalan ) turns the goose-pimple genre on its empty head and fills it with spirit , purpose and emotionally bruised characters who add up to more than body count .
does seem pretty unbelievable at times
those monologues stretch on and on
a perfect wildean actor
you wo n't be disappointed
friendship ,
put a human face on the travail of thousands of vietnamese
as an introduction to the man 's theories and influence , derrida is all but useless ; as a portrait of the artist as an endlessly inquisitive old man , however , it 's invaluable .
virtuoso throat-singing
gives human nature its unique feel
every painful nuance , unexpected flashes of dark comedy
ferrara 's best film
uneventful
you of why animation is such a perfect medium for children , because of the way it allows the mind to enter and accept another world
of the plot ( other than its one good idea ) and the movie 's inescapable air of sleaziness
the work of an artist , one whose view of america , history and the awkwardness of human life is generous and deep
suffers from unlikable characters and a self-conscious sense of its own quirky hipness
establishes its ominous mood and tension
almost unbearably
has warmth , wit and interesting characters compassionately portrayed
loved ones
me as unusually and unimpressively fussy
is nothing but boilerplate clichés from start to finish
gorgeousness .
the intellectual and emotional pedigree of your date and a giant step backward for a director i admire
of domestic tension and unhappiness
very talented
the movie dragged on
even accepting this in the right frame of mind can only provide it with so much leniency .
he had a bad run in the market or a costly divorce , because there is no earthly reason other than money why this distinguished actor would stoop so low
is definitely a director to watch .
surprising highs , sorrowful lows and hidden impulsive niches ... gorgeous , passionate , and at times uncommonly moving
's only one way to kill michael myers for good : stop buying tickets to these movies .
is a variant of the nincompoop benigni persona ,
into what was essentially , by campaign 's end , an extended publicity department
make this a charmer .
his lack
the year 's greatest adventure
both the beauty of the land and the people
entirely irony-free
how it washed out despite all of that
when twentysomething hotsies make movies about their lives , hard-driving narcissism is a given , but what a world we 'd live in if argento 's hollywood counterparts ... had this much imagination and nerve
of this stylish film that is able to visualize schizophrenia but is still confident enough to step back and look at the sick character with a sane eye
few films have captured the chaos of an urban conflagration with such fury , and audience members will leave feeling as shaken as nesbitt 's cooper looks when the bullets stop flying
laugh once ( maybe twice )
a one-of-a-kind work
perfectly entertaining summer diversion
many can aspire but none can equal
retread , hobbled by half-baked setups and sluggish pacing .
that ca n't get sufficient distance from leroy 's
is n't a very involving one
simpler , leaner
pointless extremes
a poignant comedy that offers food for thought .
consistent with the messages espoused in the company 's previous video work
... hokey art house pretension .
because both are just actory concoctions , defined by childlike dimness and a handful of quirks
( hell is ) looking down at your watch and realizing serving sara is n't even halfway through .
are complex and quirky , but entirely believable
a potentially trite and overused concept
... is a man who uses the damage of war -- far more often than the warfare itself -- to create the kind of art shots that fill gallery shows
impart a message without bludgeoning the audience over the head
an energetic , violent movie with a momentum that never lets up
struggling to give themselves a better lot in life than the ones
allows his cast the benefit of being able to give full performances ... while demonstrating vividly that the beauty and power of the opera reside primarily in the music itself
faltering half-step
... portrays young brendan with his usual intelligence and subtlety , not to mention a convincing brogue .
intricately constructed
a fantastically vital movie
sensitive and
survival wrapped in the heart-pounding suspense of a stylish psychological thriller
the master of disguise is awful .
entertaining and , ultimately ,
those gimmicks
, barbershop is tuned in to its community .
to be wholesome and subversive at the same time
has appeal beyond being a sandra bullock vehicle or a standard romantic comedy
combustible mixture
dry and
pleasing verisimilitude
affable if not timeless , like mike raises some worthwhile themes while delivering a wholesome fantasy for kids .
to its last-minute , haphazard theatrical release
putters along looking for astute observations and coming up blank
a touching , sophisticated film that almost seems like a documentary in the way it captures an italian immigrant family on the brink of major changes .
the masterful british actor ian holm
above superficiality
be intriguing
stars schticky chris rock and stolid anthony hopkins , who seem barely in the same movie .
absurd collection
nothing can detract from the affection of that moral favorite : friends will be friends through thick and thin
too safe
is an actress works as well as it does because ( the leads ) are such a companionable couple .
of virtually plotless meanderings
'll still be glued to the screen
of boring
captures all the longing , anguish and ache , the confusing sexual messages and the wish to be a part of that elusive adult world .
likely to find compelling
made on the cheap
has been awarded mythic status in contemporary culture
great scares and
nor a cliché left unsaid
giddy and provocative sexual
the most highly-praised disappointments i
unconvincing
a few good ideas
unbearable when it is n't merely offensive
see `` simone , '' and consider a dvd rental instead
delivers roughly equal amounts of beautiful movement and inside information .
the spectacle of small-town competition
terrific role
is there a group of more self-absorbed women than the mother and daughters featured in this film
viewed as pure composition and form --
the performances are amiable and committed , and the comedy more often than not hits the bullseye .
problems and
dissing the film that they did n't mind the ticket cost
unrecoverable life
so much that he refuses to evaluate his own work
one of his most daring , and complicated , performances
, festival in cannes offers rare insight into the structure of relationships .
misfire that even tunney ca n't save
vivid characters
watch these two together again
undergo radical changes when it suits the script
a finely tuned mood
self-consciously flashy camera effects , droning house music
a minor film with major pleasures from portuguese master manoel de oliviera ...
'' is one of those crass , contrived sequels that not only fails on its own , but makes you second-guess your affection for the original .
you want the story to go on and on
assumes that not only would subtlety be lost on the target audience , but that it 's also too stupid to realize that they 've already seen this exact same movie a hundred times
brooding personalities that parade about as if they were coming back from stock character camp -- a drowsy drama infatuated by its own pretentious self-examination
is part of the fun
overwrought
tells a deeper story
that thrusts the audience into a future they wo n't much care about
uneasily
the characters in swimfan seem motivated by nothing short of dull , brain-deadening hangover .
a backbone
suck the audience in
strangely moved by even the corniest and most hackneyed contrivances
even more haunting than those in mr. spielberg 's 1993 classic
a solid , spooky entertainment worthy of the price of a ticket
courageous scottish lady
feel like you were n't invited to the party
allegiance to chekhov , which director michael cacoyannis displays with somber earnestness in the new adaptation of the cherry orchard , is a particularly vexing handicap .
edgy thriller
as the film breaks your heart
the movie 's blatant derivativeness is one reason it 's so lackluster .
from a stunningly unoriginal premise
the film does pack some serious suspense .
'll find yourself remembering this refreshing visit to a sunshine state
an unbelievably stupid film , though occasionally fun enough to make you
tom tykwer , director of the resonant and sense-spinning run lola run , has turned out to be a one-trick pony
proves itself a more streamlined
with remarkable serenity and discipline
does the nearly impossible
there 's some outrageously creative action in the transporter ... ( b ) ut by the time frank parachutes down onto a moving truck
too much syrup
its critical backlash
imagine ( if possible ) a pasolini film without passion or politics
becomes long and tedious like a classroom play in a college history course .
was inspired
the heart of the film is a touching reflection on aging , suffering and the prospect of death .
bland songs
like a human volcano or an overflowing septic tank
that was hard for me to warm up to
beyond the end zone
figures prominently in this movie
staged like `` rosemary 's baby , '' but is not as well-conceived as either of those films .
'' exceeds expectations .
inventiveness
was so uninspiring that even a story immersed in love , lust , and sin could n't keep my attention .
open yourself up to mr. reggio 's theory of this imagery as the movie 's set
sit through -- despite some first-rate performances
the action is dazzling
director hoffman , with great help from kevin kline , makes us care about this latest reincarnation of the world 's greatest teacher
held hostage
is visually ravishing
thought-provoking and stylish , if also somewhat hermetic .
will prefer this new version
be viewed and treasured for its extraordinary intelligence and originality as well as
it 's kind of insulting , both to men and women .
despite slick production values and director roger michell 's tick-tock pacing , the final effect is like having two guys yelling in your face for two hours .
, crush goes to absurd lengths to duck the very issues it raises .
strange and beautiful film .
's just too boring and obvious
, uneven action comedy
all this visual trickery stops being clever and devolves into flashy , vaguely silly overkill .
funny fanatics
fantastic movie
make love a joy to behold .
better suited to a night in the living room than a night at the movies
nothing but an episode
their bodies