xiangpku/GLUE huggingface dataset:
wastes its time on mood
is a beautiful film for people who like their romances to have that french realism
greatest mistake
hurry up and get to its subjects ' deaths just so the documentary will be over
degrades its characters , its stars and its audience .
the disappointingly generic nature of the entire effort
less a study in madness or love than a study in schoolgirl obsession .
is a big letdown .
put a lump in your throat while reaffirming washington as possibly the best actor working in movies today
this thing works on no level whatsoever for me .
they presume their audience wo n't sit still for a sociology lesson
( reaches ) wholly believable and heart-wrenching depths of despair .
an hour and a half of joyful solo performance .
frittered away in middle-of-the-road blandness
is , in fact , so interesting that no embellishment is
refreshing to see a movie that embraces its old-fashioned themes and in the process comes out looking like something wholly original
ride through nighttime manhattan , a loquacious videologue of the modern male and the lengths to which he 'll go to weave a protective cocoon around his own ego .
predictability is the only winner
great crimes
it 's usually a bad sign when directors abandon their scripts and go where the moment takes them , but olympia , wash. , based filmmakers anne de marcken and marilyn freeman did just that and it 's what makes their project so interesting
done that ... a thousand times already
no means a slam-dunk and sure to ultimately disappoint the action fans who will be moved to the edge of their seats by the dynamic first act
of this bittersweet , uncommonly sincere movie that portrays the frank humanity of ... emotional recovery
the feat with aplomb
strange and wonderful creatures
the gentle comic treatment of adolescent sturm und drang
ripe recipe , inspiring ingredients
less entertaining
by england 's roger mitchell , who handily makes the move from pleasing
the film 's ill-considered notion
mattel
the depicted events dramatic , funny and poignant
than to sit back and enjoy a couple of great actors hamming it up
by its lack of purpose
intimate and
seemed bored , cheering the pratfalls but little else
barney 's ideas about creation and identity do n't really seem all that profound , at least by way of what can be gleaned from this three-hour endurance test built around an hour 's worth of actual material .
pick your nose instead
'' and `` terrible
the storyline and its underlying themes ... finally seem so impersonal or even shallow
all , a condition only the old are privy to
more emotional force than any other recent film
is the equivalent of french hip-hop , which also seems to play on a 10-year delay
wise-beyond-her-years teen
the darker elements of misogyny and unprovoked violence suffocate the illumination created by the two daughters and the sparse instances of humor meant to shine through the gloomy film noir veil .
the film 's sense of imagery gives it a terrible strength , but it 's propelled by the acting .
'm not sure which is worse : the poor acting by the ensemble cast , the flat dialogue by vincent r. nebrida or the gutless direction by laurice guillen .
so original in its base concept that you can not help but get caught up .
my own tortured psyche
the most ingenious film comedy since being john malkovich
fun-loving libertine
's suitable for all ages -- a movie that will make you laugh
a square , sentimental drama that satisfies , as comfort food often can
eat popcorn
deserves a place of honor next to nanook
is that this film 's cast is uniformly superb
wafer-thin
turns numbingly dull-witted and disquietingly creepy
the most original fantasy film
's no conversion effort
uncool the only thing missing is the `` gadzooks !
to shout insults at the screen
genuine ones
what madonna does here ca n't properly be called acting -- more accurately , it 's moving and it 's talking and it 's occasionally gesturing , sometimes all at once .
that the director of such hollywood blockbusters as patriot games can still turn out a small , personal film with an emotional wallop
with a bouncy score
a fleeting grasp
, there 's something vital about the movie .
it all was , and started doing nothing but reacting to it - feeling a part of its grand locations , thinking urgently as the protagonists struggled , feeling at the mercy of its inventiveness , gasping at its visual delights
the euphoria
imagine anybody ever being `` in the mood '' to view a movie as harrowing and painful as the grey zone
be best forgotten
that ends up slapping its target audience in the face by shooting itself in the foot
a listless and desultory affair .
well , it probably wo n't have you swinging from the trees hooting it 's praises
entertaining and informative documentary
and insufferable ball
the sleekness of the film 's present
was amused and entertained by the unfolding of bielinsky 's cleverly constructed scenario , and greatly impressed by the skill of the actors involved in the enterprise
its emotional power
an ordeal than an amusement
well-directed and , for all its moodiness , not too
was more diverting and thought-provoking than i 'd expected it to be .
smooth , shrewd , powerful act
glossy rehash
the one not-so-small problem with expecting
a nicely
unlike many revenge fantasies , it ultimately delivers
a soul and an unabashed sense of good old-fashioned escapism
to cover up the yawning chasm where the plot should be
, delicately performed
perceptive , good-natured movie
almost saves the movie .
race splitting
a work that , with humor , warmth , and intelligence , captures a life interestingly lived
exhaustion , from watching a movie that is dark ( dark green , to be exact )
... keep the movie from ever reaching the comic heights it obviously desired .
as the recent argentine film son of the bride reminded us that a feel-good movie can still show real heart
pretend like your sat scores are below 120 and you might not notice the flaws
like a hazy high that takes too long to shake
, and rousing
immature provocations
serve the work especially well
ponderous , plodding soap opera disguised as a feature film .
graphic sex may be what 's attracting audiences to unfaithful ,
that were once amusing
another gross-out college comedy --
best spent elsewhere
the battle
you feel genuinely good
like quirky , slightly strange french films
first major studio production
as a low-budget series on a uhf channel
successfully blended satire
a high-powered star pedigree
us see familiar issues , like racism and homophobia , in a fresh way
even if you do n't know the band or the album 's songs by heart , you will enjoy seeing how both evolve , and
is hard not to be especially grateful for freedom after a film like this .
have made the original new testament stories so compelling for 20 centuries
's worth yet another visit
expressionistic license
the visual flourishes
the script has less spice than a rat burger
explores all three sides of his story with a sensitivity and an inquisitiveness reminiscent of truffaut
more mindless drivel
simply astounding
incompetent ,
gets the tone just right --
pc stability notwithstanding , the film suffers from a simplistic narrative and a pat , fairy-tale conclusion .
however , it 's invaluable
... should have been sent back to the tailor for some major alterations .
personal self-discovery
are great rewards here .
characteristically engorged and
who is chasing who
's a diverting enough hour-and-a-half for the family audience .
just about more stately than any contemporary movie this year
most good-hearted yet
a gratingly unfunny groaner
cultural and personal self-discovery and a picaresque view
, like its subjects , delivers the goods and audiences will have a fun , no-frills ride .
most disappointing
sophisticated wit
in a summer of clones
cliched dialogue and perverse escapism
a very depressing movie of many missed opportunities .
dishes out a ton of laughs that everyone can enjoy .
feel like three hours
owes enormous debts
bogs down in a surfeit of characters and
insipid
seem as cleverly plotted as the usual suspects
one regards reign of fire with awe .
it establishes its ominous mood and tension swiftly , and if the suspense never rises to a higher level , it is nevertheless maintained throughout
has come to new york city to replace past tragedy with the american dream
the music makes a nice album , the food is enticing
schneider is no steve martin
murderous maids pulls no punches in its depiction of the lives of the papin sister and the events that led to their notorious rise to infamy ...
a unique culture that is presented with universal appeal
's hard to care about a film that proposes as epic tragedy the plight of a callow rich boy who is forced to choose between his beautiful , self-satisfied 22-year-old girlfriend and an equally beautiful , self-satisfied 18-year-old mistress .
twohy 's a good yarn-spinner ,
humanity 's greatest shame
sweet cinderella story
is a movie that starts out like heathers , then becomes bring it on , then becomes unwatchable .
makin ' a fool of himself
an engrossing story
filmmakers david weissman and bill weber benefit enormously from the cockettes ' camera craziness -- not only did they film performances , but
, for its eccentric , accident-prone characters , and for the crazy things that keep people going in this crazy life
sucking you in ... and making you sweat
plays out ... like a high-end john hughes comedy , a kind of elder bueller 's time out
is in his element
has crafted an engaging fantasy of flavors and emotions , one part romance novel , one part recipe book
a winning comedy with its wry observations about long-lived friendships and the ways in which we all lose track of ourselves by trying
enjoyably fast-moving , hard-hitting documentary .
it 's a long way from orwell 's dark , intelligent warning cry ( 1984 ) to the empty stud knockabout of equilibrium , and what once was conviction is now affectation .
does n't offer much in terms of plot or acting
a happy ending
george lucas returns as a visionary with a tale full of nuance and character dimension .
complex portrait of a modern israel that is rarely seen on-screen
seem one-dimensional
throw each other out windows
though a capable thriller , somewhere along the way k-19 jettisoned some crucial drama .
the worst movies of the year
, poorly written , murky and weakly acted , the picture feels as if everyone making it lost their movie mojo .
ultra-cheesy
action-packed film
if it were a person , you 'd want to smash its face in
hefty thematic material
noticeably less
to drag two-thirds through , when the melodramatic aspects start to overtake the comedy
did n't hate this one
emotionally bruised characters
feel after an 88-minute rip-off of the rock
pure , exciting moviemaking
, is something of a stiff -- an extra-dry office comedy that seems twice as long as its 83 minutes .
of laughs -- sometimes a chuckle , sometimes a guffaw and , to my great pleasure , the occasional belly laugh
it could have been something special , but two things drag it down to mediocrity -- director clare peploe 's misunderstanding of marivaux 's rhythms , and mira sorvino 's limitations as a classical actress .
evasive
most of it given to children
wimps
who unfortunately works with a two star script
moodiness
will dip into your wallet , swipe 90 minutes of your time , and offer you precisely this in recompense : a few early laughs scattered around a plot as thin as it is repetitious .
of the year 's worst cinematic tragedies
nighttime manhattan , a loquacious videologue of the modern male and
in by the sympathetic characters
weighted down with slow ,
with low-brow humor , gratuitous violence and a disturbing disregard
, it 's a pretty listless collection of kid-movie clichés .
, in spite of clearly evident poverty and hardship , bring to their music
what goes on for the 110 minutes of `` panic room '' is a battle of witlessness between a not-so-bright mother and daughter and an even less capable trio of criminals .
and adults will at least have a dream image of the west to savor whenever the film 's lamer instincts are in the saddle .
of the saddest action hero performances ever witnessed
wanes
its impressive images of crematorium chimney fires and stacks of dead bodies are undermined by the movie 's presentation , which is way too stagy .
one of the best silly horror movies of recent memory , with some real shocks in store for unwary viewers .
the huge-screen format to make an old-fashioned nature film that educates viewers with words and pictures while entertaining them
ms. hutchins is talented enough and charismatic enough to make us care about zelda 's ultimate fate .
enough quirky and satirical touches
a strong dramatic and emotional pull
know better than to rush to the theater for this one
's a clear-eyed portrait of an intensely lived time , filled with nervous energy , moral ambiguity and great uncertainties
capitalizes on this concept and opts for the breezy and amateurish feel of an after school special on the subject of tolerance
give it considerable punch .
sit through , enjoy on a certain level and then
will not be able to stomach so much tongue-in-cheek weirdness
is just another unoriginal run of the mill sci-fi film with a flimsy ending and lots of hype
delight .
become dullingly repetitive
much of it is funny , but there are also some startling , surrealistic moments
you wondering about the characters ' lives after the clever credits roll
there are some fairly unsettling scenes
the overall effect is awe and affection -- and a strange urge to get on a board and , uh , shred , dude .
the best thing i can say about this film
a very slow , uneventful
fun and funky look
the film is ... determined to treat its characters , weak and strong , as fallible human beings , not caricatures , and to carefully delineate the cost of the inevitable conflicts between human urges and an institution concerned with self-preservation .
spoofs and celebrates the more outre aspects of ` black culture ' and the dorkier aspects of ` white culture , ' even as it points out how inseparable the two are .
a generous , inspiring film
an awful movie
allows his cast the benefit of being able to give full performances ... while demonstrating vividly that the beauty and power of the opera reside primarily in the music itself .
of epic adventure
could bond while watching a walk to remember .
challenges perceptions of guilt and innocence , of good guys and bad , and asks us whether a noble end can justify evil means
fast-edit , hopped-up fashion
, ghastly
amusing and unexpectedly insightful
the interior lives of the characters in his film
's both charming and well
downer
a trifle
one clever line
is different from others in its genre in that it is does not rely on dumb gags , anatomical humor , or character cliches
if i stay positive , maybe i can channel one of my greatest pictures , drunken master
've seen some bad singer-turned actors
have to admit i walked out of runteldat .
is cruel , misanthropic stuff with only weak claims to surrealism and black comedy
new best friend does not have , beginning with the minor omission of a screenplay
its idiocy
respect and affection
so teeming that even cranky adults may rediscover the quivering kid inside
the requisite faux-urban vibe and
crowd-pleasing
rich in atmosphere of the post-war art world
a familiar story , but one that is presented with great sympathy and intelligence
itself , a playful spirit and
in an admittedly middling film
is even worse than i imagined a movie ever could be .
low on energy
it 's not going to be everyone 's bag of popcorn , but it definitely gives you something to chew on .
inventive , fun ,
remarkable achival film
comes off like a particularly amateurish episode of bewitched that takes place during spring break .
makes the banger sisters a fascinating character study with laughs
looking for a smart , nuanced look at de sade and what might have happened at picpus
make one spectacularly ugly-looking broad
which might have been called freddy gets molested by a dog
a good video game movie
the score is too insistent
adam sandler 's 8 crazy nights is 75 wasted minutes of sandler as the voice-over hero in columbia pictures ' perverse idea of an animated holiday movie .
's a pretty good execution of a story that 's a lot richer than the ones hollywood action screenwriters usually come up with on their own
the most poorly staged and lit action in memory
of yiddish theater , whose jolly , fun-for-fun 's - sake communal spirit goes to the essence of broadway
maintains a cool distance
sucks .
of despair
beware the quirky brit-com .
remarkable and memorable film
inspires more than an interested detachment
if there 's a heaven for bad movies , deuces wild is on its way .
research library dust
to leave this loser
worth catching for griffiths ' warm and winning central performance .
sad to say
the payoff
like as a low-budget series on a uhf channel
what 's most refreshing about real women have curves
little more than a particularly slanted , gay s/m fantasy , enervating and deadeningly drawn-out
a bad premise , just a bad movie
pleasant piece
that for the most part , the film is deadly dull
film that 's flawed and brilliant in equal measure
it collapses like an overcooked soufflé .
that has been overexposed , redolent of a thousand cliches , and yet remains uniquely itself
comes off as emotionally manipulative and sadly imitative of innumerable past love story derisions .
this painfully unfunny farce traffics in tired stereotypes and encumbers itself with complications ... that have no bearing on the story
look ill at ease sharing the same scene
beguiling serenity and poise
( silver 's parrot has been replaced with morph , a cute alien creature who mimics everyone and everything around )
paper-thin characterizations
immersed in a foreign culture only
's definite room for improvement .
is n't even a movie
those who trek to the ` plex predisposed to like it probably will enjoy themselves .
truly distinctive and a deeply pertinent
their super-powers , their super-simple animation and
santa bumps up against 21st century reality so hard
an elegant work
filmmaking with an assurance worthy of international acclaim
will make you wish you were at home watching that movie instead of in the theater watching this one .
's no disguising this as one of the worst films of the summer .
with crude humor and vulgar innuendo
slapdash mess
this misty-eyed southern nostalgia piece ,
what an idea , what a thrill ride
foolish and shallow
as one of the most interesting writer/directors working today
fabulousness
the screen like a true star
wander about in thick clouds of denial
a suspenseful spin on standard horror flick formula
all , an interesting look at the life of the campaign-trail press , especially ones that do n't really care for the candidate
the movie is hardly a masterpiece , but it does mark ms. bullock 's best work in some time
an avid interest in the subject
` a ' list cast
rushed to the megaplexes
wit and interesting characters
a boring man
unpersuasive
incredibly thoughtful , deeply meditative picture
that the idea of exploiting molestation for laughs is funny , not actually exploiting it yourself
a solid and refined piece of moviemaking imbued with passion and attitude .
made a remarkable film that explores the monster 's psychology not in order to excuse him but rather to demonstrate that his pathology evolved from human impulses that grew hideously twisted
and weakly acted
faithful without being forceful , sad without being shrill , `` a walk to remember ''
wholly unnecessary addition
is a monumental achievement in practically every facet of inept filmmaking : joyless , idiotic , annoying , heavy-handed , visually atrocious , and often downright creepy
of road movie , coming-of-age story and political satire
a good-hearted ensemble comedy
that 's so mechanical you can smell the grease on the plot
affirms the gifts of all involved , starting with spielberg and going right through the ranks of the players -- on-camera and off -- that he brings together .
( gulpilil ) is a commanding screen presence , and his character 's abundant humanism makes him the film 's moral compass
language and locations
its cast full of caffeinated comedy performances more than make up for its logical loopholes , which fly by so fast there 's no time to think about them anyway .
memorable zingers
, roiling black-and-white inspires trembling and gratitude .
imbecilic
fun cheese puff
fascinating ... an often intense character study about fathers and sons , loyalty and duty .
's hard to understand why anyone in his right mind would even think to make the attraction a movie .
a glass of flat champagne
three-hour cinema master class .
no denying that burns is a filmmaker with a bright future ahead of him
hit on a 15-year old when you 're over 100
while you watch it , offering fine acting moments and pungent insights into modern l.a. 's show-biz and media
which ticks off kahlo 's lifetime milestones with the dutiful precision of a tax accountant
look at that clever angle
one problem with the movie
stuart little 2 manages sweetness largely without stickiness .
( jeff 's ) gorgeous
a personal low for everyone
with a certain degree of wit and dignity
it 's really nothing more than warmed-over cold war paranoia
barney throws away the goodwill the first half of his movie generates by orchestrating a finale that is impenetrable and dull .
allows a gawky actor like spall -- who could too easily become comic relief in any other film -- to reveal his impressively delicate range .
give a second look
see the movie through the prism of his or her own beliefs and prejudices
as the most magical and most fun family fare of this or any recent holiday season
work more than it probably should
capably hold our interest , but its just not a thrilling movie
never rises above superficiality .
the movie is ... very funny as you peek at it through the fingers in front of your eyes .
some of this laughable dialogue
the irwins ' scenes are fascinating
being earnest , so thick with wit it plays like a reading from bartlett 's familiar quotations
mount a cogent defense of the film as entertainment , or even performance art , although the movie does leave you marveling at these guys ' superhuman capacity to withstand pain
nothing about this movie works .
make creative contributions to the story and dialogue
fun for all
is just a corny examination of a young actress trying to find her way
is such a mesmerizing one
is a far smoother ride .
has not spawned a single good film .
all about a young woman 's face , and by casting an actress whose face projects that woman 's doubts and yearnings
thinks poo-poo jokes are ` edgy
spectacular in every sense of the word , even if you don ' t
like a rejected x-files episode than a credible account of a puzzling real-life happening .
it 's a well-written and occasionally challenging social drama that actually has something interesting to say
did no one on the set have a sense of humor , or
gut-wrenching
as any hollywood fluff
a touching drama
that ` alabama ' manages to be pleasant in spite of its predictability and occasional slowness is due primarily to the perkiness of witherspoon ( who is always a joy to watch , even when her material is not first-rate ) ...
is generally amusing from time
wo n't much care about
jumps around
imagine a scenario where bergman approaches swedish fatalism using gary larson 's far side humor
forgettable , if good-hearted , movie .
flavorful
very insecure
is brilliant , really .
plus , like i already mentioned ... it 's robert duvall !
the level of marginal competence
mergers and downsizing
heartfelt romance
informative , intriguing , observant , often touching ... gives a human face to what 's often discussed in purely abstract terms .
they presume their audience wo n't sit still for a sociology lesson , however entertainingly presented , so they trot out the conventional science-fiction elements of bug-eyed monsters and futuristic women in skimpy clothes
able to create an engaging story that keeps you guessing at almost every turn
logistically
miyazaki 's nonstop images are so stunning