xiangpku/GLUE huggingface dataset:
while the humor is recognizably plympton
stunningly trite
a movie this bad
her fans will assuredly have their funny bones tickled
a low-budget hybrid of scarface or
to ensnare its target audience .
probably wo n't stand the cold light of day
move over bond ;
a sustained fest of self-congratulation between actor and director that leaves scant place for the viewer .
delivers an inspired portrait of male-ridden angst and the emotional blockage that accompanies this human condition
inventive , fun , intoxicatingly sexy , violent , self-indulgent and maddening
glides
's hard to imagine another director ever making his wife look so bad in a major movie
the smug self-satisfaction
a realistic , non-exploitive approach
an embarrassment .
with flawless amounts of acting , direction , story and pace
surely would have resulted in a smoother , more focused narrative without sacrificing any of the cultural intrigue
, windtalkers airs just about every cliche in the war movie compendium across its indulgent two-hour-and-fifteen-minute length .
be prepared to cling to the edge of your seat , tense with suspense
's fun , splashy and entertainingly nasty
more timely in its despairing vision of corruption
hideously and clumsily
of a particular theatrical family
rare capability to soothe and break your heart with a single stroke
with the rat-a-tat energy of `` his girl friday , '' maintaining a light touch while tackling serious themes
the most impressive player
a deliciously nonsensical comedy about a city coming apart at its seams
majestic achievement
wildly overproduced , inadequately motivated every step of the way
transcendent love story
vera has created a provocative , absorbing drama that reveals the curse of a self-hatred instilled by rigid social mores .
unerring
someone going through the motions
snipes is both a snore and utter tripe .
all menace and atmosphere
a vibrant , colorful world
loses all
already overladen with plot conceits
, an art form at once visceral and spiritual , wonderfully vulgar and sublimely lofty -- and as emotionally grand as life .
uncomfortably timely , relevant ,
to think about the ways we consume pop culture
with unblinking candor
i ca n't wait to see what the director does next
a less-compelling soap opera
this is a poster movie , a mediocre tribute to films like them !
digital photography
its face
of masters of both
a smart , sassy and exceptionally charming
been acted out
this dreck
norton has to recite bland police procedural details , fiennes wanders around in an attempt to seem weird and distanced
often watchable
the film is not only a love song to the movies but
play second fiddle to the dull effects that allow the suit to come to life
to rowling that stifles creativity and allows the film to drag on for nearly three hours
a new treasure of the hermitage
is drowned out by director jon purdy 's sledgehammer sap
their personalities undergo radical changes when it suits the script
the artwork is spectacular and unlike most animaton from japan , the characters move with grace and panache .
re-working to show more of the dilemma , rather than have his characters stage shouting
is a subzero version of monsters , inc. , without the latter 's imagination , visual charm or texture
uncertainties
all-too-familiar
, confident
its leaden acting , dull exposition and
narcissistic
worthwhile effort
the music makes a nice album , the food is enticing and italy beckons us all
a longtime tolkien fan
a weird little movie that 's amusing enough while you watch it , offering fine acting moments and pungent insights into modern l.a. 's show-biz and media subcultures .
both heartbreaking and heartwarming ... just a simple fable done in an artless sytle , but it 's tremendously moving .
it has no affect on the kurds , but it wore me down
has no reason to exist , other than to employ hollywood kids and people who owe favors to their famous parents .
swipe 90 minutes of your time
emotionally and spiritually compelling
revel in those visual in-jokes , as in the film 's verbal pokes at everything from the likes of miramax chief harvey weinstein 's bluff personal style
icily brilliant
it 's so fascinating you wo n't be able to look away for a second .
like john le carré with a couple of burnt-out cylinders .
the movie is a negligible work of manipulation , an exploitation piece doing its usual worst to guilt-trip parents .
for all the dolorous trim , secretary is a genial romance that maintains a surprisingly buoyant tone throughout , notwithstanding some of the writers ' sporadic dips into pop freudianism .
not for every taste
using an endearing cast , writer/director dover kosashvili takes a slightly dark look at relationships , both sexual and kindred .
gloriously goofy way
'' succeeds due to its rapid-fire delivery and enough inspired levity that it ca n't be dismissed as mindless .
in european markets , where mr. besson is a brand name , and in asia , where ms. shu is an institution
sink the film for anyone who does n't think about percentages all day long
more than enough sentimental catharsis
delights and
ineffable , elusive , yet inexplicably powerful
by someone who ignored it in favor of old ` juvenile delinquent ' paperbacks with titles like leather warriors and switchblade sexpot
the problem with `` xxx ''
whose aims -- and by extension , accomplishments --
is what we call the ` wow ' factor
another week , another gross-out college comedy -- ugh .
all the blanket statements and dime-store ruminations
were less densely plotted
more attuned to the anarchist maxim that ` the urge to destroy is also a creative urge ' , or more willing to see with their own eyes , will find morrison 's iconoclastic uses of technology to be liberating .
he 's spiffing up leftovers that are n't so substantial or fresh
gives his best screen performance
otherwise comic narrative
spied with my little eye ... a mediocre collection of cookie-cutter action scenes and
to explore its principal characters with honesty , insight and humor
an extraordinary poignancy , and the story
paper-thin supporting characters
of human experience -- drama , conflict , tears and surprise -- that it transcends the normal divisions between fiction and nonfiction film
there 's real visual charge to the filmmaking
very tasteful rock
murder by numbers , and as easy to be bored by as your abc 's ,
by and large this is mr. kilmer 's movie , and it 's his strongest performance since the doors .
a tasteful , intelligent manner
similarly ill-timed antitrust
an insane comic undertaking that ultimately coheres into a sane and breathtakingly creative film
powerful and astonishingly vivid holocaust drama
has in kieran culkin a pitch-perfect holden .
is never clear .
as they used to say in the 1950s sci-fi movies , signs is a tribute to shyamalan 's gifts , which are such that we 'll keep watching the skies for his next project .
are the hallmark of this bittersweet , uncommonly sincere movie that portrays the frank humanity of ... emotional recovery .
the movie is silly beyond comprehension ,
peevish and gimmicky
the powerpuff girls is a fast , frenetic , funny , even punny 6 -- aimed specifically at a grade-school audience .
to admit that i am baffled by jason x.
watching spy
sure hand
dull , a road-trip movie that 's surprisingly short of both adventure and song .
i killed my father compelling
seems to have ransacked every old world war ii movie for overly familiar material
episodic choppiness ,
a surgeon mends a broken heart
as tawdry trash
a lighthearted glow , some impudent snickers , and a glorious dose of humankind 's liberating ability
philippe , who makes oliver far more interesting than the character 's lines would suggest , and
one of the very best movies
a film that manages to find greatness in the hue of its drastic iconography
luckiest viewers
if you 're not , you 'll still have a good time . ''
catches dramatic fire .
find compelling
all are irrelevant to the experience of seeing the scorpion king
overblown enterprise
artificial and soulless
a metaphor for a modern-day urban china
the level of acting elevates the material above pat inspirational status and gives it a sturdiness and solidity that we 've long associated with washington the actor .
a step further , richer
saddens
schmucks
sheer beauty
's shot on digital video , whose tiny camera enables shafer to navigate spaces both large ... and small ... with considerable aplomb
are tantamount to insulting the intelligence of anyone who has n't been living under a rock ( since sept. 11 ) .
at its best , this is grand-scale moviemaking for a larger-than-life figure , an artist who has been awarded mythic status in contemporary culture .
some surprises
, dark beauty
that they are actually releasing it into theaters
it 's soulful and unslick , and that 's apparently just what ( aniston ) has always needed to grow into a movie career .
it 's the cute frissons of discovery and humor between chaplin and kidman that keep this nicely wound clock not just ticking , but humming .
it must be said that he is an imaginative filmmaker who can see the forest for the trees .
that hitchens ' obsession with kissinger is , at bottom , a sophisticated flower child 's desire to purge the world of the tooth and claw of human power
assured , glossy and shot through with brittle desperation .
in the manner of a golden book sprung to life
petty thievery
a chance to see three splendid actors turn a larky chase movie into an emotionally satisfying exploration of the very human need to be somebody , and to belong to somebody .
a movie that will thrill you , touch you and make you
, maybe i can channel one of my greatest pictures , drunken master
same old bad trip
turns that
's refreshing
its lack of logic and misuse of two fine actors , morgan freeman and ashley judd
sharply comic and surprisingly touching
, i would imagine , as searching for a quarter in a giant pile of elephant feces ... positively dreadful .
feels capable of charming the masses with star power , a pop-induced score and sentimental moments that have become a spielberg trademark
after ( seagal 's ) earlier copycat under siege
notable for its sheer audacity and openness
it 's an adventure story and history lesson all in one .
rate annie
rekindles
good natured
that it 's impossible to care
he 's now , more than ever , choosing his roles with the precision of the insurance actuary
a series of tales told with the intricate preciseness of the best short story writing .
slide down the slippery slope of dishonesty
into an intricate , intimate and intelligent journey
what made you love it
is about the worst thing chan has done in the united states .
it a party worth attending
there is no sense
it 's all arty and jazzy and people sit and stare and turn away from one another instead of talking and it 's all about the silences and if you 're into that , have at it .
a visionary with a tale full of nuance and character dimension
weighted down with slow , uninvolving storytelling and
invigorating , surreal , and resonant with a rainbow of emotion
sentimental but entirely irresistible portrait
ferrara 's
a bit exploitative but also nicely done ,
a quaint ,
the clever credits roll
from their incessant whining
seem to have been picked not for their acting chops , but for their looks and appeal to the pre-teen crowd .
of complacency
that rare movie
such a wallop of you-are-there immediacy
, compulsive life
there 's definite room for improvement .
stripped almost entirely of such tools as nudity , profanity and violence
fulfilling practically every expectation either a longtime tolkien fan or a movie-going neophyte
's often overwritten
i did n't care .
well-contructed
works smoothly under the direction of spielberg , who does a convincing impersonation here of a director enjoying himself immensely .
dying and going
humor and pathos
a waste
stereotypes in good fun , while adding a bit of heart and unsettling subject matter
invaluable record
eventually becomes too heavy for the plot .
veered off too far into the exxon zone
skip this dreck , rent animal house and
not a bad way to spend an hour or two
of moronic stunts
dramedy '
you feel good ,
's no way you wo n't be talking about the film once you exit the theater .
a mix of the shining , the thing , and any naked teenagers horror flick
, shiri is a must for genre fans .
slapping its target audience
dumb drug jokes
decided lack of spontaneity in its execution and a dearth of real poignancy in its epiphanies
, is a temporal inquiry that shoulders its philosophical burden lightly .
gentle jesus
that will be seen to better advantage on cable , especially considering its barely
asia , where ms. shu is an institution
of the tortured and self-conscious material
beautifully made
the affection of that moral favorite
support the premise other than fling gags at it to see which ones shtick
head cutter
the big finish is a bit like getting all excited about a chocolate eclair and then biting into it and finding the filling missing .
an engrossing portrait of uncompromising artists trying to create something original against the backdrop
an 88-minute rip-off of the rock
while scorsese 's bold images and generally smart casting ensure that `` gangs '' is never lethargic , the movie is hindered by a central plot that 's peppered with false starts and populated by characters who are nearly impossible to care about .
was fundamentally unknowable even to his closest friends
manages to maintain both a level of sophisticated intrigue and human-scale characters that suck the audience in .
makes the viewer feel like the movie 's various victimized audience members after a while , but it also happens to be the movie 's most admirable quality
consumerist ... studiously inoffensive and completely disposable
is less about a superficial midlife crisis than it is about the need to stay in touch with your own skin , at 18 or 80 .
why is this so boring ?
stomach-turning as the way adam sandler 's new movie rapes
conforms itself with creating a game of ` who 's who ' ... where the characters ' moves are often more predictable than their consequences .
does n't have enough vices to merit its 103-minute length
veered off too far
a massive infusion
are married for political reason
that it emerges as another key contribution to the flowering of the south korean cinema
brilliantly written and well-acted , yellow asphalt is an uncompromising film .
ash wednesday is not edward burns ' best film , but it is a good and ambitious film .
a coma-like state
left slightly unfulfilled
intermittently powerful
's quite an achievement
the dramatic scenes are frequently unintentionally funny ,
which seems so larger than life and yet so fragile
to extremist name-calling
a lynch-like vision
can be distinguished from a mediocre one by the better film 's ability to make its subject interesting to those who are n't part of its supposed target audience
vividly
not very absorbing characters
informative , intriguing , observant , often touching ...
riveting story
is pretty landbound , with its leaden acting , dull exposition and telegraphed ` surprises
make personal velocity into an intricate , intimate and intelligent journey
smarter than any 50 other filmmakers still
to call this one an eventual cult classic would be an understatement , and
has more than a few moments that are insightful enough to be fondly remembered in the endlessly challenging maze of moviegoing
barker movie
some cute moments , funny scenes
tiring than anything
, but it is a refreshingly forthright one .
, mr. murray , a prolific director of music videos , stuffs his debut with more plot than it can comfortably hold .
satisfying evening
hearts and minds
parker can not sustain the buoyant energy level of the film 's city beginnings into its country conclusion '
to get on a board and , uh , shred , dude
the cheap , graceless , hackneyed sci-fi serials
is a thoughtful examination of faith , love and power
even delectable
a visually flashy but narratively opaque and emotionally vapid
the pungent bite of its title
hopkins looks like a drag queen
this crazy life
squint to avoid noticing some truly egregious lip-non-synching
is somehow guessable from the first few minutes ,
is a director to watch .
how to win the battle
is richly detailed , deftly executed and utterly absorbing
creeping in others
recommended as an engrossing story about a horrifying historical event and the elements which contributed to it
gets over its own investment in conventional arrangements ,
boll uses a lot of quick cutting and blurry step-printing to goose things up , but dopey dialogue and sometimes inadequate performances kill the effect .
gets the look and the period trappings right
the film grounded in an undeniable social realism
can not disguise the slack complacency of ( godard 's ) vision , any more than the gorgeous piano and strings on the soundtrack can drown out the tinny self-righteousness of his voice .
dicey screen material
relays its universal points without lectures or confrontations
good period reconstruction
a tasty performance
required viewing for civics classes and would-be public servants alike
befallen every other carmen before her
`` birthday girl '' is an actor 's movie first and foremost .
waste of time , money and celluloid
too intensely focused on the travails of being hal hartley to function as pastiche
amusing personalities
chan has done in the united states
just about more stately than any contemporary movie this year ...
stupid and annoying
without you has a bracing truth that 's refreshing after the phoniness of female-bonding pictures like divine secrets of the ya-ya sisterhood .
the misleading title
in addition to scoring high for originality of plot -- putting together familiar themes of family , forgiveness and love in a new way -- lilo & stitch has a number of other assets to commend it to movie audiences both innocent and jaded .
charming , sometimes infuriating
builds its multi-character story
that embraces its old-fashioned themes
a dim-witted and lazy spin-off of the animal planet documentary series , crocodile hunter
spirited
recommend it for its originality
does n't make much
an artful yet depressing film that makes a melodramatic mountain out of the molehill of a missing bike .
very compelling ,
that was followed by the bad idea
though it pretends to expose the life of male hustlers
the enjoyable undercover brother ,
does n't mean you wo n't like looking at it
romantic tale
's a perfect show of respect to just one of those underrated professionals who deserve but rarely receive it
fails him
offers copious hints along the way -- myriad signs , if you will -- that beneath the familiar , funny surface is a far bigger , far more meaningful story than one in which little green men come to earth for harvesting purposes
is too heady for children , and too preachy for adults .
passes time until it 's time for an absurd finale of twisted metal , fireballs and revenge .
more of the same from taiwanese auteur tsai ming-liang , which is good news to anyone who 's fallen under the sweet , melancholy spell of this unique director 's previous films
everything about the quiet american is good , except its timing .
the paranoid claustrophobia
there are some laughs in this movie , but
emotionally manipulative and sadly imitative of innumerable past love story derisions
that will keep them guessing
does no justice
a gangster movie with the capacity to surprise .
does somehow manage to get you under its spell .
though it 's equally solipsistic in tone
cause massive cardiac arrest
all three descriptions suit evelyn , a besotted and obvious drama that tells us nothing new
, for a movie that tries to be smart , it 's kinda dumb .
filled with fantasies , daydreams , memories and one fantastic visual trope
a `` snl '' has-been
its ecological , pro-wildlife sentiments are certainly welcome
he does such a good job of it that family fundamentals gets you riled up
broke out into elaborate choreography
the cast , collectively a successful example of the lovable-loser protagonist ,
film a must for everyone from junior scientists to grown-up fish lovers
appropriately , the tale unfolds like a lazy summer afternoon and concludes with the crisp clarity of a fall dawn .
a sweetly affecting story about four sisters who are coping , in one way or another , with life
very entertaining , thought-provoking film
to make absurdist observations
you were thinking someone made off with your wallet
at least passably real
as a two-way time-switching myopic mystery that stalls in its lackluster gear of emotional blandness
with a script that prevents them from firing on all cylinders
for the quirky
real documentary
evelyn may be based on a true and historically significant story
expect from the guy-in-a-dress genre
whatever fills time --
that illustrates why the whole is so often less than the sum of its parts in today 's hollywood
, this is even better than the fellowship .
leave it to john sayles to take on developers , the chamber of commerce , tourism , historical pageants , and commercialism all in the same movie ... without neglecting character development for even one minute .
an occasionally interesting but mostly repetitive
at ninety minutes , it drags
cannon 's confidence and laid-back good spirits are , with the drumming routines , among the film 's saving graces .
like a feature-length sitcom replete with stereotypical familial quandaries
only had a week to live
love may have been in the air onscreen , but i certainly was n't feeling any of it .
as one of ( witherspoon 's ) better films
, with increasingly amused irony , the relationship between reluctant captors and befuddled captives .
an odd show
younger lad
see it for his performance if nothing else .
` true story '
this sappy ethnic sleeper proves that not only blockbusters pollute the summer movie pool .
familiar and insufficiently cathartic
the intrigue of academic skullduggery and politics
manipulative claptrap ,
, just for them
if solondz had two ideas for two movies , could n't really figure out how to flesh either out
be delightfully compatible
a charmer
overachieving
adrenalin
is repulsive and depressing
to love the piano teacher
as stomach-turning as the way adam sandler 's new movie rapes
enough cool fun here
deserves a place of honor
give credit to everyone from robinson down to the key grip that this bold move works
leave you speaking in tongues
love in the time of money
look more like stereotypical caretakers and moral teachers , instead of serious athletes
to those who have not read the book , the film is a much better mother-daughter tale than last summer 's ` divine secrets of the ya-ya sisterhood , ' but that 's not saying much .
consider it ` perfection .
as a powerful look at a failure of our justice system
sees those relationships , including that between the son and his wife , and the wife and the father , and between the two brothers , with incredible subtlety and acumen
a more balanced or fair portrayal of both sides
it suits the script
moving and revelatory
a moving and not infrequently breathtaking film .
i know better than to rush to the theater for this one
it belongs on the big screen
could force you to scratch a hole in your head .
scenes brim
green ruins every single scene he 's in , and the film , while it 's not completely wreaked , is seriously compromised by that .
landing squarely on `` stupid ''
'd be hard pressed to think of a film more cloyingly sappy than evelyn this year
hugely imaginative and successful
that proceeds
viewers out in the cold
, er , bubbly
disguised as a war tribute is disgusting to begin with
far from heaven is a dazzling conceptual feat , but more than that , it 's a work of enthralling drama
disposable , kitchen-sink homage that illustrates why the whole is so often less than the sum of its parts in today 's hollywood
... stumbles over every cheap trick in the book trying to make the outrage come even easier .
's also nice
this unique and entertaining twist
you try to guess the order in which the kids in the house will be gored .
become a historically significant work as well as a masterfully made one
the recording sessions are intriguing , and -- on the way to striking a blow for artistic integrity -- this quality band may pick up new admirers .
's an adventure story and history lesson all in one