xiangpku/GLUE huggingface dataset:
beautiful , cold , oddly colorful and just plain otherworldly , a freaky bit of art that 's there to scare while we delight in the images
a kitchen sink
then they works spectacularly well ... a shiver-inducing , nerve-rattling ride .
excruciating end
make it the darling of many a kids-and-family-oriented cable channel
is born to play shaggy !
subtle ironies and visual devices
be the first major studio production shot on video tape instead of film
potentially interesting
is a sort of geriatric dirty harry , which will please eastwood 's loyal fans -- and suits the story , wherein our hero must ride roughshod over incompetent cops to get his man
family fare .
the curse of blandness
is ) a fascinating character ,
director claude chabrol
finds warmth in the coldest environment
this orange has some juice ,
historically significant , and personal ,
with exquisite craftsmanship ... olivier assayas has fashioned an absorbing look at provincial bourgeois french society .
's equally distasteful
is incompetent , incoherent or just plain crap
it makes you feel like a chump
there 's an admirable rigor to jimmy 's relentless anger , and to the script 's refusal of a happy ending , but as those monologues stretch on and on , you realize there 's no place for this story to go but down .
a dull , dumb and derivative horror
's not enough intelligence , wit or innovation on the screen to attract and sustain an older crowd
becomes too heavy for the plot .
loud , violent and mindless
the film certainly does n't disappoint .
here 's a sadistic bike flick that would have made vittorio de sica proud .
noble teacher
graham greene 's novel
a venturesome , beautifully realized psychological mood piece that reveals its first-time feature director 's understanding of the expressive power of the camera .
, howard 's film is really a series of strung-together moments , with all the spaces in between filled with fantasies , daydreams , memories and one fantastic visual trope after another .
will find morrison 's iconoclastic uses of technology to be liberating .
with spikes of sly humor
ungainly movie
human nature is a goofball movie , in the way that malkovich was , but it tries too hard .
regret and , ultimately ,
elegance and
a difficult time
buoyant delivery
most inventive directors
its luckiest viewers
visually striking and slickly staged
fessenden has nurtured his metaphors at the expense of his narrative , but he does display an original talent .
unsettled
is one of the biggest disappointments of the year .
recommend snow dogs
you would n't want to live waydowntown ,
a brutal and funny
in all its director 's cut glory
, may not touch the planet 's skin , but understands the workings of its spirit .
captured the chaos of an urban conflagration with such fury
an appalling ` ace ventura ' rip-off that somehow manages to bring together kevin pollak , former wrestler chyna and dolly parton .
into an abyss of clichés , depression and bad alternative music
farts , urine , feces ,
a big time stinker
artful , watery tones
that 's better than its predecessor
bad luck and their own immaturity
's supposed to be post-feminist breezy but
some jazzy new revisionist theories about the origins of nazi politics and aesthetics
richly entertaining and suggestive of any number of metaphorical readings
, retrospectively , his most personal work yet .
just because it seems obligatory
improves on it ,
bravo for history rewritten , and for the uncompromising knowledge that the highest power of all is the power of love .
it 's hard to understand why anyone in his right mind would even think to make the attraction a movie .
this woefully hackneyed movie
murphy do the genial-rogue shtick to death , but because the plot is equally hackneyed
pretentious types
to the power of women to heal
an original idea
is banal in its message and the choice of material
all was , and started doing nothing but reacting to it - feeling a part of its grand locations , thinking urgently as the protagonists struggled , feeling at the mercy of its inventiveness , gasping at its visual delights
a whole lot of nada
the bodily function jokes are about what you 'd expect ,
hooked on the delicious pulpiness of its lurid fiction .
collateral damage is trash ,
a miraculous movie
very dark and very funny
prostituted muse
is a sweet treasure and something well worth your time .
he makes sure the salton sea works the way a good noir should , keeping it tight and nasty
was chuckling at all the wrong times
it 's good , hard-edged stuff , violent and a bit exploitative but also nicely done , morally alert and street-smart .
seeming at once both refreshingly different and reassuringly familiar
's a funny little movie with clever dialogue and likeable characters
formulaic
an eloquent , deeply felt meditation on the nature of compassion
lame screenplay
running time , you 'll wait in vain for a movie to happen .
seems worse for the effort .
of a young woman who knows how to hold the screen
austerity and forcefulness
sensational denouements
studiously inoffensive
a gem of a movie .
far more successful , if considerably less ambitious , than last year 's kubrick-meets-spielberg exercise .
that made me want to bolt the theater in the first 10 minutes
say mean things and shoot a lot of bullets
may shape hawke 's artistic aspirations
would have a résumé loaded with credits like `` girl in bar # 3 .
it seems so real because it does not attempt to filter out the complexity
one long
honest and loving
ice age wo n't drop your jaw , but
( a ) mess
to enjoy yourselves without feeling conned
the film is filled with humorous observations about the general absurdity of modern life as seen through the eyes outsiders
the crassness of this reactionary thriller is matched only by the ridiculousness of its premise .
this is a remarkably accessible and haunting film .
this charming but slight tale
, and peopled mainly by characters so unsympathetic that you 're left with a sour taste in your mouth
involved .
teddy bears ' picnic ranks among the most pitiful directing
that the jury who bestowed star hoffman 's brother gordy with the waldo salt screenwriting award at 2002 's sundance festival were honoring an attempt to do something different over actually pulling it off
faint of heart or conservative of spirit , but for the rest of us -- especially san francisco lovers
a dashing and resourceful hero ; a lisping , reptilian villain ; big fights ; big hair ; lavish period scenery ; and a story
highly predictable
a shoddy male hip hop fantasy filled with guns , expensive cars , lots of naked women and rocawear clothing .
the community
he wants you to feel something
better than its predecessor
piccoli 's performance is amazing , yes , but the symbols of loss and denial and life-at-arm 's - length in the film seem irritatingly transparent .
a complete waste of time .
is very believable
shoot themselves
mutates into a gross-out monster movie with effects that are more silly than scary
sure to find an enthusiastic audience among american action-adventure buffs , but the film 's interests
friday after next is a lot more bluster than bite .
the self-destructiveness
lightweight but appealing .
its courage ,
feeling like you 've completely lowered your entertainment standards
makes it interesting as a character study is the fact that the story is told from paul 's perspective
mr. wollter and ms. seldhal give strong and convincing performances , but neither reaches into the deepest recesses of the character to unearth the quaking essence of passion , grief and fear
ambiguous enough to be engaging
it holds itself
with overall feelings , broader ideas , and open-ended questions than concrete story and definitive answers
mr. wollter and ms. seldhal give strong and convincing performances , but
pulpy core conceit
has never been smoother or more confident
is at once intimate and universal cinema .
an unflinching , complex portrait of a modern israel that is rarely seen on-screen .
the charm of kevin kline and a story that puts old-fashioned values under the microscope
brilliant and
he watches them as they float within the seas of their personalities .
cling to the edge of your seat , tense with suspense
lack of thematic resonance
's a sharp movie about otherwise dull subjects .
her agreeably startling use of close-ups and her grace with a moving camera
halle berry does her best to keep up with him
lots of boring talking heads , etc. --
of profound characterizations
the thrills pop up frequently
drags the film
manages to keep you at the edge of your seat with its shape-shifting perils , political intrigue and brushes with calamity .
the numerous scenes of gory mayhem
of an artist who is simply tired -- of fighting the same fights , of putting the weight of the world on his shoulders , of playing with narrative form
arrogant
for self-deprecating comedy
overlong and not well-acted
cheapo animation
i laughed at
whose lives were as claustrophic , suffocating and chilly as the attics to which they were inevitably consigned
perform entertaining tricks
the harsh reality of my situation
a guilty pleasure
small but rewarding comedy
the wonderfully lush morvern callar is pure punk existentialism , and ms. ramsay and her co-writer , liana dognini , have dramatized the alan warner novel , which itself felt like an answer to irvine welsh 's book trainspotting
closer than many movies
a party political broadcast
dumb high school comedy
an acceptable way to pass a little over an hour with moviegoers ages 8-10 , but it 's unlikely to inspire anything more than a visit to mcdonald 's , let alone some savvy street activism .
deep intelligence and a warm , enveloping affection
bluster and
a tapestry woven of romance , dancing , singing , and unforgettable characters
but dull and ankle-deep ` epic
of the elements that will grab you
exceptionally
engaging filmmaking that should attract upscale audiences hungry for quality and a nostalgic , twisty yarn that will keep them guessing
bless crudup
it 's a fairy tale that comes from a renowned indian film culture that allows americans to finally revel in its splendor .
the limitations of his skill and
wazoo and sets
the final day of the season
something rare and riveting
as a noble teacher who embraces a strict moral code
a class with that of wilde
i have a confession to make : i did n't particularly like e.t. the first time i saw it as a young boy
's good
of the storytelling , which undercuts the devastatingly telling impact of utter loss personified in the film 's simple title
cutting-edge
a cast of competent performers from movies , television and the theater are cast adrift in various new york city locations with no unifying rhythm or visual style .
's difficult to feel anything much while watching this movie , beyond mild disturbance or detached pleasure at the acting .
like a bad idea from frame one
highly professional film
be an attempt at hardass american
rank as one of the cleverest , most deceptively amusing comedies of the year .
such master screenwriting comes courtesy of john pogue , the yale grad who previously gave us `` the skulls '' and last year 's `` rollerball . ''
manages to bring something new into the mix
by volletta wallace 's maternal fury , her fearlessness
the ensemble cast turns in a collectively stellar performance , and the writing is tight and truthful , full of funny situations and honest observations
has a tougher time balancing its violence with kafka-inspired philosophy
could n't someone take rob schneider and have him switch bodies with a funny person
a sense of wonder
of the rotting underbelly of middle america
its uncanny tale
nonsensical and
her grace
inconsequential move
will enjoy it
snapping it might have held my attention , but as it stands i
nothing distinguishing
the finest
my ribcage
, the hours is one of those reputedly `` unfilmable '' novels that has bucked the odds to emerge as an exquisite motion picture in its own right .
for casual moviegoers who stumble into rules expecting a slice of american pie hijinks starring the kid from dawson 's creek , they 'll probably run out screaming .
this dreary mess
lags badly
adding the rich details
breaks no new ground and
these characters become wearisome .
leigh succeeds in delivering a dramatic slap in the face that 's simultaneously painful and refreshing .
stereotypes in good fun
lax and
in that setting , their struggle is simply too ludicrous and borderline insulting .
with a game supporting cast
, showtime eventually folds under its own thinness .
less charitable
if divine secrets of the ya-ya sisterhood suffers from a ploddingly melodramatic structure , it comes to life in the performances .
that even most contemporary adult movies are lacking
in white 's intermittently wise script
end up trying to drown yourself in a lake afterwards
high-minded appeal
fleet-footed and pleasingly upbeat
likeable characters
that it can not even be dubbed hedonistic .
armed with a game supporting cast ,
lush and beautifully photographed ( somebody suggested the stills might make a nice coffee table book ) ,
the courageous molly craig
work because there is no foundation for it
you 're engulfed by it .
true for being so hot-blooded
devastation
is a warm and well-told tale of one recent chinese immigrant 's experiences in new york city
comedy , caper thrills
a damn fine and
the consciously dumbed-down approach wears thin
the four primary actors
purely enjoyable that you might not even notice it
bad improvisation exercise
cussing
, funny and poignant
's enough to watch huppert scheming , with her small , intelligent eyes as steady as any noir villain , and to enjoy the perfectly pitched web of tension that chabrol spins .
uninspired scripts , acting and direction
anger and frustration
repetitively stretched out to feature length , awash in self-consciously flashy camera effects , droning house music and flat , flat dialogue .
the sword fighting is well done and
, full frontal plays like the work of a dilettante .
when you could just rent those movies instead , let alone seek out a respectable new one
will revel in those visual in-jokes , as in the film 's verbal pokes at everything from the likes of miramax chief harvey weinstein 's bluff personal style to the stylistic rigors of denmark 's dogma movement
hit that may strain adult credibility
the acting is amateurish , the cinematography is atrocious , the direction is clumsy ,
graphic treatment
an apartheid drama
, fun-for-fun 's - sake communal spirit goes to the essence of broadway
you 've got a huge mess
this is lightweight filmmaking , to be sure , but it 's pleasant enough -- and oozing with attractive men .
an avalanche of more appealing holiday-season product
striking and
undercut by the brutality of the jokes , most at women 's expense
balances both traditional or modern stories together in a manner that one never overwhelms the other
love a joy to behold
a frustrating ` tweener ' -- too slick
it 's an interesting effort ( particularly for jfk conspiracy nuts )
hefty helping
an amazing slapstick instrument
's coherent , well shot
under-inspired
... a pretentious and ultimately empty examination of a sick and evil woman .
an ` a ' list cast and some strong supporting players
all the right ways
easily one of the best and most exciting movies
plods along methodically , somehow under the assumption that its `` dead wife communicating from beyond the grave '' framework is even remotely new or interesting
dullest irish pub scenes
smartly emphasizes the well-wrought story and omits needless chase scenes and swordfights as the revenge unfolds .
wendigo is a genuinely bone-chilling tale .
as intellectual masterpieces
provocative drama
this gender-bending comedy
cold , pretentious , thoroughly dislikable study in sociopathy .
the insinuation of mediocre acting
will undoubtedly play well in european markets , where mr. besson is a brand name , and in asia , where ms. shu is an institution , but american audiences will probably find it familiar and insufficiently cathartic .
casting mick jagger as director of the escort service was inspired
is impossible not to be awed by the power and grace of one of the greatest natural sportsmen of modern times
are some movies that hit you from the first scene
it 's hard to quibble with a flick boasting this many genuine cackles , but notorious c.h.o. still feels like a promising work-in-progress
had no effect and elicited no sympathies for any of the characters .
add up to a satisfying crime drama
a sometimes incisive and sensitive portrait
ou 've got to love a disney pic with as little cleavage as this one has , and a heroine as feisty and principled as jane .
for with its heart
love , racial tension , and other issues that are as valid today
classic story
a whimper
skip this dreck , rent animal house and go back to the source
executed it takes your breath away
spite of it
playing a role of almost bergmanesque intensity ...
flaws ,
hallmark card sentimentality
a great missed opportunity
as predictable as the outcome of a globetrotters-generals game , juwanna mann is even more ludicrous than you 'd expect from the guy-in-a-dress genre , and a personal low for everyone involved
you actually buy into
the dramatic conviction that underlies the best of comedies
do n't get williams ' usual tear and a smile , just sneers and bile
's hard to imagine anyone managing to steal a movie not only from charismatic rising star jake gyllenhaal but also from accomplished oscar winners susan sarandon , dustin hoffman and holly hunter , yet newcomer ellen pompeo pulls off the feat with aplomb .
recent past
a characteristically engorged and sloppy coming-of-age movie .
the road paved with good intentions leads to the video store ''
is n't going to jell
, witty and beneath
a nifty plot line
is ... determined to treat its characters , weak and strong , as fallible human beings , not caricatures , and to carefully delineate the cost of the inevitable conflicts between human urges and an institution concerned with self-preservation
has n't been worth caring about
's awfully entertaining to watch .
high hilarity
laughed that hard
a monster movie
unsettling to watch as an exploratory medical procedure or an autopsy
a sense of mystery
outside his grasp
like something wholly original
genre a bad name .
offensive , waste of time , money and celluloid
the teen-exploitation playbook
of dreamlike ecstasy
timeless and
anyone 's guess
sweet , funny , charming ,
, and enjoyable
is hilarious as she tries to resuscitate the fun-loving libertine lost somewhere inside the conservative , handbag-clutching sarandon .
eddie murphy nor robert de niro has ever made
remarkable for its intelligence and intensity
it 's a dark , gritty story but
come full circle to end on a positive ( if tragic ) note
obscenity is at hand
a beautiful paean to a time long past .
a beautifully observed character piece .
the script 's refusal
a solid action pic
a movie of riveting power and sadness .
you 're the kind of parent who enjoys intentionally introducing your kids to films which will cause loads of irreparable damage that years and years of costly analysis could never fix
indignant
make a person who has lived her life half-asleep suddenly wake up and take notice
gut-busting
kill michael myers for good
the filmmakers ' eye for detail and the high standards of performance convey a strong sense of the girls ' environment .
dave barry 's
argue that it ranks with the best of herzog 's works
a confusing melange of tones and styles , one moment a romantic trifle and the next a turgid drama
he took three minutes of dialogue , 30 seconds of plot and turned them into a 90-minute movie that feels five hours long .
a fine , rousing , g-rated family film
gives everyone something to shout about .
it threatens to get bogged down in earnest dramaturgy
stock up on silver bullets for director neil marshall 's intense freight train of a film . '
even bigger and more ambitious than the first installment
is sentimental but feels free to offend , is analytical and then surrenders to the illogic of its characters , is about grief and
one feels cheated
below may not mark mr. twohy 's emergence into the mainstream , but his promise remains undiminished
its love
less-than-thrilling
that you and they were in another movie
enough charm and appealing character quirks to forgive that still serious problem
is ( cattaneo ) sophomore slump .
trashy time
did n't sign a pact to burn the negative and the script and pretend the whole thing never existed
the writing is insipid
you get the impression that writer and director burr steers knows the territory ...
viewers out in the cold and undermines some phenomenal performances .
sham actor workshops
satirical touches
disjointed
just about more stately than any contemporary movie this year ... a true study , a film with a questioning heart and mind that is n't afraid to admit it
sayles has a knack for casting , often resurrecting performers who rarely work in movies now ... and drawing flavorful performances from bland actors .
, told well by a master storyteller
life affirming and heartbreaking ,
of the bride 's humor is born out of an engaging storyline , which also is n't embarrassed to make you reach for the tissues .
canny crowd pleaser
exploiting molestation for laughs
dull exposition
neatly and effectively
the beat of a different drum
and undemanding armchair tourists
technical achievement
a first-class , thoroughly involving b movie that effectively combines two surefire , beloved genres
a mindless action movie
it 's pretty linear and only makeup-deep , but bogdanovich ties it together with efficiency and an affection for the period
long after this film has ended
a thriller with an edge -- which is to say that it does n't follow the stale , standard , connect-the-dots storyline which has become commonplace in movies that explore the seamy underbelly of the criminal world .
most sparkling
while the frequent allusions to gurus and doshas will strike some westerners as verging on mumbo-jumbo
possess the lack-of-attention span
puppies with broken legs
his outstanding performance as bond in die
a chilly , remote , emotionally distant piece ... so dull that its tagline should be : ` in space , no one can hear you snore .
becomes simply a monster chase film
like a bad improvisation exercise , the superficially written characters ramble on tediously about their lives , loves and the art
the earnestness of its execution and skill of its cast
a beautiful film
disappointments i
is like reading a research paper , with special effects tossed in
mostly believable , refreshingly low-key and quietly inspirational
michael moore has perfected the art of highly entertaining , self-aggrandizing , politically motivated documentary-making
their cruel fate
long-winded
magic and is enjoyable family fare .
drowned out
its dying , in this shower of black-and-white psychedelia , is quite beautiful
for this illuminating comedy
captures the intended , er , spirit of the piece
god help us , but capra and cooper are rolling over in their graves . '
seagal ran out of movies years ago , and this is just the proof
contradicts everything kieslowski 's work aspired to , including the condition of art
steven soderbergh 's space opera emerges as a numbingly dull experience .
embraced by this gentle comedy
if the suspense never rises to a higher level
deeply concerned with morality
do n't need to know your ice-t 's from your cool-j 's to realize that as far as these shootings are concerned , something is rotten in the state of california
the film ... presents classic moral-condundrum drama : what would you have done to survive ?
who sometimes feel more like literary conceits than flesh-and-blood humans
rocks .
hitting your head on the theater seat in front of you
more recent successes
of film about growing up that we do n't see often enough these days
starts off as a potentially incredibly twisting mystery
is clear : not easily and , in the end , not well enough .
thrown-together
accentuating ,
has a good ear for dialogue , and the characters sound like real people
, the film is deadly dull
check your brain at the door
a bit cold and relatively flavorless
while something of bubba ho-tep 's clearly evident quality may end up languishing on a shelf somewhere
confuses its message with an ultimate desire
a silly comedy
tormented by his heritage