xiangpku/GLUE huggingface dataset:
captures , in luminous interviews and amazingly evocative film from three decades ago , the essence of the dogtown experience .
certain ambition
the plot of the comeback curlers is n't very interesting actually , but what i like about men with brooms and what is kind of special is how the film knows what 's unique and quirky about canadians
tendentious intervention into the who-wrote-shakespeare controversy .
easily become a cold , calculated exercise in postmodern pastiche winds up a powerful and deeply moving example of melodramatic moviemaking
a culture-clash comedy that , in addition to being very funny , captures some of the discomfort and embarrassment of being a bumbling american in europe .
yourself rooting for the monsters in a horror movie
it 's rare to see a movie that takes such a speedy swan dive from `` promising '' to `` interesting '' to `` familiar '' before landing squarely on `` stupid '' .
the movie , like bartleby , is something of a stiff -- an extra-dry office comedy that seems twice as long as its 83 minutes .
is barely
the characters are based on stock clichés
among the chief reasons brown sugar is such a sweet and sexy film
dreamy and
will no doubt rally to its cause , trotting out threadbare standbys like ` masterpiece ' and ` triumph ' and all that malarkey , but rarely
it 's a hellish , numbing experience to watch , and
sarah 's dedication to finding her husband seems more psychotic than romantic ,
carvey 's considerable talents are wasted in it
third-rate horror sequels
it forces you to watch people doing unpleasant things to each other and themselves , and it maintains a cool distance from its material that is deliberately unsettling .
are quite touching
of a depressed fifteen-year-old 's suicidal poetry
brainless
not-so-funny gags ,
's actually watchable
you feel good , you feel sad , you feel pissed off , but in the end , you feel alive - which is what they did .
it demands that you suffer the dreadfulness of war from both sides
seems to have forgotten everything he ever knew about generating suspense .
fills the time with drama , romance , tragedy , bravery , political intrigue , partisans and sabotage
ferocity and
a few nifty twists that are so crucial to the genre and another first-rate performance by top-billed star bruce willis
spiced with the intrigue of academic skullduggery and politics
the sight of the spaceship on the launching pad is duly impressive in imax dimensions , as are shots of the astronauts floating in their cabins .
is so deadly dull
interesting cinematic devices ( cool visual backmasking ) , a solid cast
what 's not to like about a movie with a ` children 's ' song that includes the line ` my stepdad 's not mean , he 's just adjusting ' ?
does the trick of making us care about its protagonist and celebrate his victories
off-beat and fanciful film
came handed down from the movie gods on a silver platter
, she is merely a charmless witch .
rueful , wry humor
you 're not merely watching history
fairly revealing
there surrender $ 9 and 93 minutes of unrecoverable life
it was only made for teenage boys and wrestling fans
tiresome jokes
a major director
plenty of laughs
solaris is rigid and evasive in ways that soderbergh 's best films , `` erin brockovich , '' `` out of sight '' and `` ocean 's eleven , '' never were .
in addition to being very funny
as lame and sophomoric
of portraying the devastation of this disease
sad , sick sight
spite of clearly evident poverty and hardship
trying to cope with the mysterious and brutal nature of adults
's difficult to shrug off the annoyance of that chatty fish
this is n't exactly profound cinema , but it 's good-natured and sometimes quite funny
of a genuine and singular artist
that defies classification and is as thought-provoking as it
technically sumptuous but also
ungainly
comes closer to the failure of the third revenge of the nerds sequel
a delicious , quirky movie
tunney , brimming with coltish , neurotic energy , holds the screen like a true star .
this is popcorn movie fun with equal doses of action , cheese , ham and cheek ( as well as a serious debt to the road warrior ) , but it feels like unrealized potential
worth the price of admission
's funniest and most likeable movie in years .
, dishonest
is having fun with it all
does n't come close to justifying the hype that surrounded its debut at the sundance film festival two years ago
have n't laughed that hard in years
miike
is kinda wrong in places
make interesting
the thematic ironies are too obvious and the sexual politics too smug
are so few films about the plight of american indians in modern america that skins comes as a welcome , if downbeat , missive from a forgotten front .
very thrilling
failed jokes
's a testament to de niro and director michael caton-jones that by movie 's end , we accept the characters and the film , flaws and all
best sequel
is neither light nor magical enough to bring off this kind of whimsy .
this facetious smirk
fifty years after the fact , the world 's political situation seems little different , and ( director phillip ) noyce brings out the allegory with remarkable skill .
few things more frustrating
a huge disappointment coming , as it does , from filmmakers and performers of this calibre
less a documentary and more propaganda
, entertaining comedy
convincingly paints a specifically urban sense of disassociation here .
pleasant and engaging enough
, solid , kinetically-charged spy flick worthy
if i want a real movie
the character 's gripping humanity
a thoroughly awful movie -- dumb , narratively chaotic , visually sloppy ... a weird amalgam of ` the thing ' and a geriatric
an inuit masterpiece that will give you goosebumps as its uncanny tale of love , communal discord , and justice
returning director rob minkoff ... and screenwriter bruce joel rubin
fondness for fancy split-screen , stuttering editing and pompous references to wittgenstein and kirkegaard
has all of dean 's mannerisms and self-indulgence , but none of his sweetness and vulnerability
and resourceful hero
for large-scale action and suspense
bang your head on the seat in front of you , at its cluelessness
stay afloat
painfully
if you love the music , and i do , its hard to imagine having more fun watching a documentary ...
can never escape the heart of the boy when the right movie comes along , especially if it begins with the name of star wars
even kids deserve better .
a better celebration
too stagey , talky
neil burger here succeeded in ... making the mystery of four decades back the springboard for a more immediate mystery in the present .
small , personal film
an autopilot hollywood concoction
of the impossibly long limbs and sweetly conspiratorial smile
the forced new jersey lowbrow accent uma had
guess it just goes to show that if you give a filmmaker an unlimited amount of phony blood , nothing good can happen .
drowned me in boredom .
about in thick clouds of denial
namely , an archetypal desire to enjoy good trash every now and then .
the pacing is deadly , the narration helps little and
works beautifully as a movie without sacrificing the integrity of the opera .
jerking off
the journey is such a mesmerizing one
starts out like heathers , then becomes bring it on , then becomes unwatchable
inane , humorless and under-inspired .
is so prolonged and boring it is n't even close to being the barn-burningly bad movie it promised it would be
the movie only proves that hollywood no longer has a monopoly on mindless action
historically significant , and
gooding offers a desperately ingratiating performance .
donovan ... squanders his main asset , jackie chan , and
humanity or empathy
is little more than a mall movie designed to kill time .
absurd lengths
another love story in 2002 's remarkable procession of sweeping pictures that have reinvigorated the romance genre .
enough substance
opened it up for all of us
's funny and human and really pretty damned wonderful , all at once
they ca n't go wrong .
the milieu is wholly unconvincing
only for the film 's publicists or for people who take as many drugs as the film 's characters
, any john waters movie has it beat by a country mile .
matinee price
neatly constructed thriller .
have taken the protagonists a full hour to determine that in order to kill a zombie you must shoot it in the head
before but never so vividly
an athlete , a movie star , and
to think of any film more challenging or depressing than the grey zone
his impressively delicate range
the adventures that happen along the way seem repetitive and designed to fill time , providing no real sense of suspense
gets full mileage out of the rolling of a stray barrel or the unexpected blast of a phonograph record
thriller junk
a lot going for it , not least the brilliant performances by testud ... and parmentier
when you instantly know whodunit
in theory , a middle-aged romance pairing clayburgh and tambor sounds promising ,
fun , and
's really just another major league .
no unifying rhythm or visual style
a warmth that is n't faked
the terrifying message
to a film about a family 's joyous life
deftly setting off uproarious humor with an underlying seriousness that sneaks up on the viewer , providing an experience that is richer than anticipated .
sorvino makes the princess seem smug and cartoonish
to overcome adversity
one of those so-so films that could have been much better
shows what great cinema can really do
though it 's not very well shot or composed or edited , the score is too insistent and the dialogue is frequently overwrought and crudely literal
the biggest disappointments of the year
romantic
for philosophers , not filmmakers
derivativeness
courage and
the kind of quirkily appealing minor movie she might not make for a while
if this sappy script was the best the contest received , those rejected must have been astronomically bad .
painful as the grey zone
a backseat in his own film
sheridan has settled for a lugubrious romance
romance , tragedy
to convince the audience that these brats will ever be anything more than losers
's extremely hard to relate to any of the characters
it 's exactly the kind of movie toback 's detractors always accuse him of making .
, standoffish to everyone else , and smugly suggests a superior moral tone is more important than filmmaking skill
should have been a cutting hollywood satire
imagine ( if possible ) a pasolini film without passion or politics , or an almodovar movie without beauty or humor ,
is a popcorn film , not a must-own , or even a must-see
the most edgy piece
offers laughs and insight into one of the toughest ages a kid can go through .
sci-fi .
accomplished and richly resonant work .
're left with a sour taste in your mouth
nearly breaks its little neck trying to perform entertaining tricks
its unique feel
been made by people to whom the idea of narrative logic or cohesion is an entirely foreign concept
the piano teacher
the film ) tackles the topic of relationships in such a straightforward , emotionally honest manner that by the end
a brainless flibbertigibbet
simply stupid , irrelevant and
bill plympton , the animation master ,
written , flatly , by david kendall and
fleshed-out enough to build any interest
humor , warmth ,
true to his principles
it 's an unhappy situation all around .
ultimately it 's undone by a sloppy script
is that it 's too close to real life to make sense .
pleasing the crowds
thematically and stylistically
a must
nothing but an episode of smackdown
atrocities
an entertainment so in love with its overinflated mythology that it no longer recognizes the needs of moviegoers for real characters and compelling plots .
cold , oddly colorful and just plain otherworldly , a freaky bit of art that 's there to scare while we delight in the images
the château would have been benefited from a sharper , cleaner script before it went in front of the camera .
crowdpleaser
into a black hole of dullness
particularly joyless , and
directs this intricately structured and well-realized drama that presents a fascinating glimpse of urban life and the class warfare that embroils two young men
the first half of gangster no. 1 drips with style
have not been this disappointed by a movie in a long time
not infrequently breathtaking
some of the magic we saw in glitter here in wisegirls
gives his best screen
wrong hands
while nothing special , is pleasant , diverting and modest -- definitely a step in the right direction .
emphasising her plight and isolation
fifth beer-soaked film
's an exhilarating place to visit , this laboratory of laughter
that ` alabama ' manages to be pleasant in spite of its predictability
one of recent memory 's most thoughtful films about art , ethics , and the cost of moral compromise .
, is still good fun .
has no snap
an inspiring tale of survival wrapped in the heart-pounding suspense of a stylish psychological thriller
flat , unconvincing drama
superficial and unrealized
can get past the taboo subject matter
of predictable narrative rhythms
a kind , unapologetic , sweetheart
's awfully entertaining
has a genuine dramatic impact
i think it was plato who said , ' i think , therefore i know better than to rush to the theater for this one . '
are simply too good
never lets go your emotions , taking them to surprising highs , sorrowful lows and hidden impulsive niches ... gorgeous , passionate , and at times uncommonly moving .
goofily endearing and well-lensed
feels all too familiar
's impossible to claim that it is `` based on a true story '' with a straight face .
steeped in fairy tales and other childish things
of the film with a creepy and dead-on performance
lurches between not-very-funny comedy , unconvincing dramatics
has something serious to say about the ways in which extravagant chance can distort our perspective and throw us off the path of good sense .
walked out
wanders
's a fine , old-fashioned-movie movie , which is to say it 's unburdened by pretensions to great artistic significance
treading water at best in this forgettable effort
improved upon the first and taken it a step further , richer and deeper
that swings and jostles to the rhythms of life
without beauty or humor
a fascinating case study of flower-power liberation -- and
is surely the funniest and most accurate depiction of writer
weary
convincing impersonation
lacks in substance
disconnects every 10 seconds
poise
longley 's film
have banged their brains into the ground so frequently
in gross romanticization of the delusional personality type
in their cheap , b movie way , they succeed
unusual biopic and document
all too familiar ... basically the sort of cautionary tale that was old when ` angels with dirty faces ' appeared in 1938
, margarita happy hour represents an auspicious feature debut for chaiken .
kieran culkin a pitch-perfect holden
will turn out okay
a little uneven to be the cat 's meow , but it 's good enough to be the purr
wince in embarrassment and others , thanks to the actors
the leaping story line , shaped by director peter kosminsky into sharp slivers and cutting impressions , shows all the signs of rich detail condensed into a few evocative images and striking character traits .
i 'd be lying if i said my ribcage did n't ache by the end of kung pow .
is actually a compelling look at a young woman 's tragic odyssey .
a chilling movie without oppressive gore .
much of all about lily chou-chou is mesmerizing : some of its plaintiveness could make you weep
allegedly inspiring and
as big a crowdpleaser as
engross even
nicolas cage is n't the first actor to lead a group of talented friends astray , and this movie wo n't create a ruffle in what is already an erratic career .
personal loss
people to whom the idea of narrative logic or cohesion is an entirely foreign concept
is as blasphemous and nonsensical as a luis buñuel film
it is an engaging and exciting narrative of man confronting the demons of his own fear and paranoia
the story has little wit and no surprises .
a gory slash-fest
alienated
serves up all of that stuff , nearly subliminally
about half of them are funny , a few are sexy and
animation and game phenomenon
not for their acting chops , but for their looks
would have a good time here
hollywood ending is a depressing experience
it 's always enthralling .
of stunning images and effects
wertmuller 's social mores and politics to tiresome jargon
absolutely unnecessary
it 's an effort to watch this movie , but it eventually pays off and is effective if you stick with it .
on johnny knoxville 's stomach
more than four
a wildly erratic drama with sequences that make you wince in embarrassment and others , thanks to the actors , that are quite touching .
not only a reminder of how they used to make movies , but also how they sometimes still can be made .
visually breathtaking
lack a strong-minded viewpoint , or a sense of humor .
a guarantee
seems content to dog-paddle in the mediocre end of the pool , and
is simply a lazy exercise in bad filmmaking that asks you to not only suspend your disbelief but your intelligence as well .
so sloppy , so uneven
be thinking about going to see this movie
most remarkable
inner-city streets
approaches his difficult , endless work with remarkable serenity and discipline .
wry humor
its rawness and vitality give it considerable punch .
amusing and unsettling
mr. haneke 's own sadistic tendencies
, i 'd say the film works
won --
a smart , provocative drama that does the nearly impossible : it gets under the skin of a man we only know as an evil , monstrous lunatic
a dazzling dream of a documentary .
a stirring , funny
it would be better as a diary or documentary
this is n't even a movie we can enjoy as mild escapism
before some savvy producer saw the potential success inherent in the mixture of bullock bubble and hugh goo
as ugly as the shabby digital photography and muddy sound
comes off as a kingdom more mild than wild
uselessly redundant and
punitive minutes
would look like something like this
, city by the sea swings from one approach to the other , but in the end , it stays in formula -- which is a waste of de niro , mcdormand and the other good actors in the cast .
... does n't deserve the energy it takes to describe how bad it is .
unique and quirky
it 's a hoot watching the rock chomp on jumbo ants , pull an arrow out of his back , and leap unscathed through raging fire !
sad to say -- it accurately reflects the rage and alienation that fuels the self-destructiveness of many young people .
is an exercise not in biography but in hero worship .
, slapdash disaster .
carry the movie
is pretty funny
sink it faster than a leaky freighter
the concept behind kung pow : enter the fist is hilarious
's a lovely , sad dance highlighted by kwan 's unique directing style .
eventually winning squareness that would make it the darling of many a kids-and-family-oriented cable channel
an engrossing portrait of uncompromising artists trying to create something original against the backdrop of a corporate music industry that only seems to care about the bottom line
runs a good race , one that will have you at the edge of your seat for long stretches
a class with spike lee 's masterful
impudent
often very funny
we 'd live in if argento 's hollywood counterparts ... had this much imagination and nerve
with a mixture of deadpan cool , wry humor and just the measure
spare dialogue
on expressing itself in every way imaginable
warm the hearts of animation enthusiasts of all ages
pump life into overworked elements from eastwood 's dirty harry period
has thrown every suspenseful cliché in the book at this nonsensical story .
watch a movie in which a guy dressed as a children 's party clown gets violently gang-raped
occasional charms
an uneasy mix of run-of-the-mill raunchy humor and seemingly sincere personal reflection
a future they wo n't much care about
the six musical numbers crystallize key plot moments into minutely detailed wonders of dreamlike ecstasy .
manages to delight without much of a story .
the importance of being earnest , so thick with wit it plays like a reading from bartlett 's familiar quotations
in which the rest of the cast was outshined by ll cool j.
it 's dark but has wonderfully funny moments ; you care about the characters ; and the action and special effects are first-rate
a horror movie with seriously dumb characters , which somewhat dilutes the pleasure of watching them stalked by creepy-crawly bug things that live only in the darkness .
heartfelt comedy
stale material
comes to life in the performances .
the stunt work is top-notch
just that and it 's what makes their project so interesting
if it chiefly inspires you to drive a little faster
emphasizes the q in quirky , with mixed results .
unfilmable
the recording sessions are intriguing
enormously enjoyable , high-adrenaline documentary .
establishes itself as a durable part of the movie landscape
brutally honest and
give you goosebumps as its uncanny tale of love , communal discord , and justice
a sluggish pace and lack of genuine narrative hem the movie in every bit as much as life hems in the spirits of these young women .
a thought-provoking picture .
end on a positive ( if tragic ) note
its delightful cast
by its art and heart
all the more disquieting for its relatively gore-free allusions to the serial murders ,
just too bratty for sympathy
's both charming
a group of dedicated artists
of ` fatal attraction ' for the teeny-bopper set
her film is like a beautiful food entrée that is n't heated properly , so that it ends up a bit cold and relatively flavorless .
its target audience talked all the way through it
works better in the conception than it does in the execution ... winds up seeming just a little too clever .
imagine a film that begins as a seven rip-off , only to switch to a mix of the shining , the thing , and any naked teenagers horror flick from the 1980s
its exquisite acting , inventive screenplay , mesmerizing music , and many inimitable scenes
that 's about as subtle as a party political broadcast
the idea of making kahlo 's art a living , breathing part of the movie , often catapulting the artist into her own work
gives a performance that is masterly .
a wonderous accomplishment
the master of disguise may have made a great saturday night live sketch , but a great movie it is not .
aggravating and tedious .
an oddly fascinating depiction
the lady and the duke surprisingly
captivates and shows how a skillful filmmaker can impart a message without bludgeoning the audience over the head .
which they have been patiently waiting for
may not be a breakthrough in filmmaking , but it is unwavering and arresting .
ethereal beauty
romantic comedy genre
at once visceral and spiritual , wonderfully vulgar and sublimely lofty
amid the deliberate , tiresome ugliness
, rapid-fire delivery
feature-length
an opportunity to embrace small , sweet ` evelyn
it looks good , sonny , but you missed the point
of barney 's crushingly self-indulgent spectacle
striking
at the station looking for a return ticket to realism
puts the ` ick ' in ` classic .
shows us a slice of life that 's very different from our own and yet instantly recognizable .
a delicious and delicately funny look
genuine laughs
some of its repartee is still worth hearing .
of better films
in the media
comes alive as its own fire-breathing entity in this picture
best straight-up
vibrant whirlwind
has already appeared in one forum or another
a hallmark film in an increasingly important film industry and worth the look .
with nothing but a savage garden music video on his resume
page-turning
with humor , warmth , and intelligence
drudgery .
keep pushing the jokes at the expense of character until things fall apart .
is violated
i would go back and choose to skip it .
the following things are not at all entertaining : the bad sound , the lack of climax and , worst of all , watching seinfeld ( who is also one of the film 's producers ) do everything he can to look like a good guy
's a funny little movie with clever dialogue and likeable characters .
behan 's memoir is great material for a film -- rowdy , brawny and lyrical in the best irish sense
become a household name on the basis of his first starring vehicle
further sad evidence that tom tykwer , director of the resonant and sense-spinning run lola run , has turned out to be a one-trick pony
high-minded
a slam-bang extravaganza
is somehow making its way instead to theaters .