xiangpku/GLUE huggingface dataset:
, there is no doubt that krawczyk deserves a huge amount of the credit for the film 's thoroughly winning tone .
me no lika da accents so good , but i thoroughly enjoyed the love story
sheridan had a wonderful account to work from ,
stylized sequences
to be swept away by the sheer beauty of his images
sinks into by-the-numbers territory
more enjoyable than i expected
at one man 's downfall , brought about by his lack of self-awareness
men in black ii achieves ultimate insignificance -- it 's the sci-fi comedy spectacle as whiffle-ball epic
about one in three gags in white 's intermittently wise script hits its mark ; the rest are padding unashamedly appropriated from the teen-exploitation playbook .
a beautiful , timeless and universal tale of heated passions --
's a square , sentimental drama that satisfies , as comfort food often can
manages , with terrific flair
its true-to-life characters , its sensitive acting , its unadorned view of rural life and the subtle direction of first-timer hilary birmingham
on both sides it falls short
marvelous series
does n't have all the answers
the first actor to lead a group of talented friends astray
seems to have dumped a whole lot of plot in favor of ... outrageous gags
the filmmaker would disagree
connection or identification frustratingly
provide insight
turned out to be a one-trick pony
's hard to resist
found in its ability to spoof both black and white stereotypes equally
rules expecting a slice of american pie hijinks starring the kid from dawson 's creek
short running
fake , dishonest
... begins on a high note and sustains it beautifully .
then you 're in for a painful ride .
director hoffman , his writer and kline 's agent should serve detention
inspired '' was a lot funnier
can do even more damage
a strong and confident work which works so well for the first 89 minutes , but ends so horrendously confusing
encouraging to see a three-dimensional , average , middle-aged woman 's experience of self-discovery handled with such sensitivity
quiet , confident
a legal thriller
an exercise in cynicism every bit as ugly as the shabby digital photography and muddy sound .
guy gets girl , guy loses girl , audience falls asleep .
's so sloppily written and cast that you can not believe anyone more central to the creation of bugsy than the caterer
feels as if everyone making it lost their movie mojo
you do n't care who fires the winning shot
can only encourage us to see samira makhmalbaf as a very distinctive sensibility , working to develop her own film language with conspicuous success
better described as a ghost story gone badly awry .
affords to watch jackson , who also served as executive producer , take his smooth , shrewd , powerful act abroad
, thoroughly winning flight of revisionist fancy .
mind crappy movies as much as adults ,
deliberately and skillfully
insomnia is one of the year 's best films and pacino gives one of his most daring , and complicated , performances
too many films
banal , virulently unpleasant excuse
an unflinching , complex portrait of a modern israel that is rarely seen on-screen
are both superb , while huppert ... is magnificent .
the film never rises above a conventional , two dimension tale
smile-button faces
admire this film for its harsh objectivity and refusal to seek our tears , our sympathies .
like mike shoots and scores
the none-too-original premise
once ice-t sticks his mug in the window of the couple 's bmw and begins haranguing the wife in bad stage dialogue
a solidly constructed , entertaining thriller that stops short of true inspiration .
leave us with a sense of wonder
barney 's crushingly self-indulgent spectacle
to smack of a hallmark hall of fame , with a few four letter words thrown in that are generally not heard on television
did n't care .
precocious
dog soldiers does n't transcend genre
a twisted sense of humor
the power-lunchers do n't care to understand
performers who rarely work in movies now
that embraces its old-fashioned themes and in the process comes out looking like something wholly original
live in them , who have carved their own comfortable niche in the world and have been kind enough to share it
balance pointed , often incisive satire and unabashed sweetness ,
the proverbial paint dry
once again strands his superb performers in the same old story .
bad and
ticks off kahlo 's lifetime milestones with the dutiful precision of a tax accountant
deeply humanistic artist
the good and different idea ( of middle-aged romance ) is not handled well and , except for the fine star performances , there is little else to recommend `` never again . ''
for idiots who do n't care what kind of sewage they shovel into their mental gullets to simulate sustenance
a rich and intelligent film that uses its pulpy core conceit to probe questions of attraction and interdependence and how the heart accomodates practical
as brave and challenging as you could possibly expect these days from american cinema
the only thing to fear about `` fear dot com '' is hitting your head on the theater seat in front of you when you doze off thirty minutes into the film .
personal tragedy and
is well suited to capture these musicians in full regalia
it 's more enjoyable than i expected , though , and that 's because the laughs come from fairly basic comedic constructs .
despite modest aspirations its occasional charms are not to be dismissed .
the seemingly irreconcilable situation between conservative christian parents and their estranged gay and lesbian children
, thanks to the presence of ` the king , ' it also rocks .
they could have been in a more ambitious movie
hard to be emotional
as a pink slip
was reading the minds of the audience .
your pulse ever racing
ca n't miss it .
interesting and
the package in which this fascinating -- and timely -- content comes wrapped
is first-rate , especially sorvino .
anyone who has ever suspected hollywood of being overrun by corrupt and hedonistic weasels
of the outstanding thrillers of recent years
purports
there 's not enough substance here to sustain interest for the full 90 minutes , especially with the weak payoff
with the best of herzog 's works
's plenty to enjoy
designed as a reverie about memory and regret ,
though it lacks the utter authority of a genre gem
is an ode to unconditional love and compassion garnered from years of seeing it all , a condition only the old are privy to , and ... often misconstrued as weakness
that it churns up not one but two flagrantly fake thunderstorms to underscore the action
the paranoid claustrophobia of a submarine movie with the unsettling spookiness of the supernatural -- why did n't hollywood think of this sooner ?
incompetent , incoherent or just plain crap
play out realistically if not always fairly .
imitation movie
let the subtitles fool you
a morbid one
's a shame that the storyline and its underlying themes ... finally seem so impersonal or even shallow
achingly honest
nice little story
better effects , better acting and a hilarious kenneth branagh .
tiresome as 9
mixes in as much humor as pathos to take us on his sentimental journey of the heart
a plot that crawls along at a snail 's pace
, a movie does not proclaim the truth about two love-struck somebodies , but permits them time and space to convince us of that all on their own .
the bottom tier of blaxploitation flicks
its awkward structure and a final veering
is beautiful and mysterious
is very original
, it is also elevated by it -- the kind of movie that you enjoy more because you 're one of the lucky few who sought it out .
a rather brilliant little cult item : a pastiche of children 's entertainment , superhero comics , and japanese animation
a confusing drudgery .
sitting through this one
it 's hard to imagine any recent film , independent or otherwise , that makes as much of a mess as this one .
dong never pushes for insights beyond the superficial tensions of the dynamic he 's dissecting ,
is that it is one that allows him to churn out one mediocre movie after another .
thanks to the presence of ` the king , ' it also rocks .
remarkable performances
possibly the worst film
the three leads produce adequate performances ,
a staggeringly compelling character , a young man whose sharp intellect is at the very root of his contradictory , self-hating , self-destructive ways
a bad sign when you 're rooting for the film to hurry up and get to its subjects ' deaths just so the documentary will be over
historically significant work
is exceedingly pleasant
the numerous scenes of gory mayhem are worth the price of admission ... if `` gory mayhem '' is your idea of a good time
's hard to imagine anybody ever being `` in the mood '' to view a movie as harrowing and painful as the grey zone
compelling new material
this distinguished actor would stoop so low
this sloppy , made-for-movie comedy special
is surely
's far from a groundbreaking endeavor
probably because it 's extremely hard to relate to any of the characters
exhilarating new interpretation
that 's been done before
chomp on jumbo ants , pull an arrow out of his back , and
an intelligent movie
's better than one might expect when you look at the list of movies starring ice-t in a major role
hollywood fluff
manipulative
like ravel 's bolero
a film to which the adjective ` gentle ' applies
overcome his personal obstacles and
sam mendes
create something original
simultaneously heart-breaking and very funny , the last kiss is really all about performances .
be smarter and more diabolical
even the filmmakers did n't know what kind of movie they were making
if good-hearted
is n't heated properly ,
gets around to its real emotional business
more than anything else , kissing jessica stein injects freshness and spirit into the romantic comedy genre , which has been held hostage by generic scripts that seek to remake sleepless in seattle again and again .
that if the video is n't back at blockbuster before midnight , you 're going to face frightening late fees
is the kind of movie during which you want to bang your head on the seat in front of you , at its cluelessness , at its idiocy , at its utterly misplaced earnestness .
, hollywood is sordid and disgusting .
stuffing himself into an electric pencil sharpener
her defiance
a 90-minute , four-star movie
is sickly entertainment at best and mind-destroying cinematic pollution at worst
downright creepy
a limp eddie murphy
have potential
, lacks fellowship 's heart
a sun-drenched masterpiece ,
obnoxious and didactic burlesque
this retooled machine is ultimately effective enough at achieving the modest , crowd-pleasing goals it sets for itself .
are sexy
extraordinary debut from josh koury .
it 's dark but has wonderfully funny moments
scherfig 's light-hearted profile of emotional desperation
bad bluescreen
empathy and pity fogging up the screen ...
cheapen
to begrudge anyone for receiving whatever consolation
as famous prima donna floria tosca , roberto alagna as her lover mario cavaradossi , and ruggero as the villainous , lecherous police chief scarpia ,
who sadly are at hostile odds with one another through recklessness and retaliation
thoroughly enjoyed the love story
be delighted with the fast , funny , and even touching story
sparkling newcomer
the paper-thin characterizations
takes big bloody chomps out
have resulted in a smoother , more focused narrative without sacrificing any of the cultural intrigue
impress about e.t.
the talents of his top-notch creative team
laughably , irredeemably awful .
is a gorgeous film - vivid with color , music and life .
than its fair share of saucy
passion , melodrama , sorrow , laugther , and tears cascade over the screen effortlessly ...
enjoyed most of mostly martha while i ne
inspirational love story
pile too many `` serious issues ''
take nothing seriously and enjoy the ride
is conversational bordering on confessional
effort to share his impressions of life and loss and time and art with us
have a good shot
strong as always
one big excuse to play one lewd scene after another
watered down
reverent , and subtly different
the best-sustained ideas i have ever seen on the screen
a good idea
the jokes are flat ,
the director 's many dodges and turns add up to little more than a screenful of gamesmanship that 's low on both suspense and payoff .
especially her agreeably startling use of close-ups and her grace with a moving camera
grab your kids and run and then probably call the police
sitcom-worthy solutions
an intensely lived time
plotting and mindless
to add the magic that made it all work
is just too easy to be genuinely satisfying
an object lesson in period filmmaking
air of gentle longing
while remaining one of the most savagely hilarious social critics this side of jonathan swift
though tom shadyac 's film kicks off spookily enough , around the halfway mark it takes an abrupt turn into glucose sentimentality and laughable contrivance .
the best comedy concert movie i 've seen since cho 's previous concert comedy film
than the screenplay , which lags badly in the middle and lurches between not-very-funny comedy , unconvincing dramatics and some last-minute action strongly reminiscent of run lola run
insomnia loses points when it surrenders to a formulaic bang-bang , shoot-em-up scene at the conclusion .
is a career-defining revelation .
witty dialog between realistic characters
, why bother with a contemptible imitator starring a `` snl '' has-been acting like an 8-year-old channeling roberto benigni ?
the cast and crew thoroughly enjoyed themselves and believed in their small-budget film
doze off during this one
watch , giggle
a gorgeously atmospheric meditation on life-changing chance encounters
expands the horizons of boredom to the point of collapse , turning into a black hole of dullness , from which no interesting concept can escape
all comedy is subversive , but this unrelenting bleak insistence on opting out of any opportunity for finding meaning in relationships or work just becomes sad
buries an interesting storyline about morality and the choices we make underneath such a mountain of clichés and borrowed images that it might more accurately be titled mr. chips off the old block
baseball movies that try too hard to be mythic
nights feels more like a quickie tv special than a feature film
romantic , riveting and handsomely animated .
by its own pretentious self-examination
it is most of the things costner movies are known for ; it 's sanctimonious , self-righteous and so eager to earn our love that you want to slap it .
turmoil
long-faced sad sack
a flawed but engrossing thriller
a rude black comedy
pushing the jokes at the expense of character until things fall apart
christian love
douglas mcgrath 's nicholas nickleby does dickens as it should be done cinematically .
the remarkable ensemble cast brings them to life
the solid filmmaking and convincing characters makes this a high water mark for this genre .
understand what made allen 's romantic comedies so pertinent and enduring
marinated in clichés and mawkish dialogue .
sickeningly
strangely funny
the irksome , tiresome nature of complacency
a perfect medium
plays like a tired tyco ad .
while american adobo has its heart ( and its palate ) in the right place
sketchy characters and immature provocations can fully succeed at cheapening it .
if you have the patience for it , you wo n't feel like it 's wasted yours
a classy , sprightly spin on film .
is something of a stiff -- an extra-dry office comedy that seems twice as long as its 83 minutes
makes the grade as tawdry trash .
hartley created a monster but did n't know how to handle it .
of extraordinary journalism
turns numbingly dull-witted and disquietingly creepy .
pill to swallow
's about as overbearing and over-the-top as the family it
dazzling , remarkably unpretentious reminder
is listless , witless , and devoid of anything resembling humor
too clear
are simply dazzling ,
raw urban humor
returns as a visionary with a tale full of nuance and character dimension
on a striking new significance for anyone who sees the film
you 're likely to see all year .
forages for audience sympathy like a temperamental child begging for attention , giving audiences no reason to truly care for its decrepit freaks beyond the promise of a reprieve from their incessant whining .
a thoughtful what-if for the heart as well as the mind
tells a story whose restatement is validated by the changing composition of the nation .
the funny bone
a film really has to be exceptional to justify a three hour running time ,
the only young people who possibly will enjoy it
was produced by jerry bruckheimer and directed by joel schumacher , and reflects the worst of their shallow styles : wildly overproduced , inadequately motivated every step of the way and
career - kids = misery )
a bad premise , just
nothing more or less than an outright bodice-ripper
recite some of this laughable dialogue
mandy moore leaves a positive impression
it 's a mystery how the movie could be released in this condition .
the refugees able to look ahead and resist living in a past
the fun-loving libertine lost somewhere inside the conservative , handbag-clutching sarandon
more attuned to the anarchist maxim that ` the urge to destroy is also a creative urge '
laughs are lacking
for easy , seductive pacing
in this elegant entertainment
too good to be bad
a lot of warmth
, every once in a while a film arrives from the margin that gives viewers a chance to learn , to grow , to travel .
christopher walken kinda romanced cyndi lauper in the opportunists
a vibrant and intoxicating fashion
'll be wistful for the testosterone-charged wizardry of jerry bruckheimer productions , especially because half past dead is like the rock on a wal-mart budget .
big-budget/all-star movie
that it 's almost worth seeing because it 's so bad
is as consistently engaging as it is revealing
portray themselves
, ( goldbacher ) just lets her complicated characters be unruly , confusing and , through it all , human .
to really care
take a complete moron to foul up a screen adaptation of oscar wilde 's classic satire
same old garbage
the near-fatal mistake of being what the english call ` too clever by half
but filmmaker yvan attal quickly writes himself into a corner
a passion for the material
is a fascinating little tale .
skip this dreck , rent animal house
is that it goes nowhere
a touching , small-scale story of family responsibility and care
the most resolutely unreligious parents
seeking an existent anti-virus
part biography , part entertainment
goes straight to video -- with a lousy script , inept direction , pathetic acting , poorly dubbed dialogue and murky cinematography
'n safe as to often play like a milquetoast movie of the week blown up for the big screen .
's like having an old friend for dinner ' .
so compelling
fails to fascinate
i have a new favorite musical --
common sense flies out the window , along with the hail of bullets , none of which ever seem to hit sascha .
of the summer 's most pleasurable movies
sink this ` sub '
once in the rush to save the day did i become very involved in the proceedings ; to me
a disappointingly thin slice of lower-class london life ; despite the title ...
found myself strangely moved by even the corniest and most hackneyed contrivances
enough sardonic
if you can swallow its absurdities and crudities lagaan really is enormously good fun .
seem to have been conjured up only 10 minutes prior to filming
that seagal 's overweight and out of shape
ca n't rescue brown sugar from the curse of blandness .
in a bid to hold our attention
it becomes a chore to sit through -- despite some first-rate performances by its lead
of our most conservative and hidebound movie-making traditions
to give the audience a reason to want to put for that effort
the most brilliant work in this genre since the 1984 uncut version of sergio leone
ditsy
detailed story about newcomers in a strange new world
sweet , and intermittently hilarious
far more often than the warfare
you feel like a chump
is n't a bad film
self-flagellation
it makes up for in heart .
its title implies
was worth your seven bucks
corny dialogue and preposterous moments
the hard-to-predict and absolutely essential chemistry between the down-to-earth bullock and the nonchalant grant proves to be sensational
to be awed by the power and grace of one of the greatest natural sportsmen of modern times
organic intrigue
help this movie one bit
the rock on a wal-mart budget
evokes the blithe rebel fantasy with the kind of insouciance embedded in the sexy demise of james dean .
is a solid action pic that returns the martial arts master to top form
so aggressively cheery
cut their losses -- and ours -- and
would be terrific to read about
bewilderingly
, it 's awfully entertaining to watch .
oddly colorful and
a marvelous performance by allison lohman as an identity-seeking foster child
is clearly a good thing
than franchise possibilities
but the cinematography is cloudy , the picture making becalmed .
do n't know what she 's doing in here
romp that 's always fun to watch
, one would hope for the best
of those exceedingly rare films in which the talk alone is enough to keep us
a movie , a vampire soap opera that does n't make much
director george hickenlooper has had some success with documentaries ,
as mushy as peas
is a genuinely bone-chilling tale
these were more repulsive than the first 30 or 40 minutes
its use of the thriller form to examine the labyrinthine ways in which people 's lives cross and change ,
incoherence and sub-sophomoric
a film centering on a traditional indian wedding in contemporary new delhi may not sound like specialized fare
would n't make trouble every day any better
a grouchy ayatollah in a cold mosque
such a graphic treatment of the crimes
into a deadly bore
rich , shadowy black-and-white
a fascinating glimpse of urban life
the film sits with square conviction
one of the best-sustained ideas i have ever seen on the screen
while the story is better-focused than the incomprehensible anne rice novel it 's based upon , queen of the damned is a pointless , meandering celebration of the goth-vampire , tortured woe-is-me lifestyle .
have a 90-minute , four-star movie
great writer
remarkable movie
, the movie is hindered by a central plot that 's peppered with false starts and populated by characters who are nearly impossible to care about .
, well-crafted psychological study
through the eyes of the idealistic kid who chooses to champion his ultimately losing cause
thinking of 51 ways to leave this loser
in a summer overrun with movies dominated by cgi aliens and super heroes , it revigorates the mind to see a feature that concentrates on people , a project in which the script and characters hold sway .
to be genuinely satisfying
a genre gem
to have dumped a whole lot of plot in favor of ... outrageous gags
sylvie testud is icily brilliant .
chillingly
politically charged
witty , vibrant , and intelligent .
seem less of a trifle if ms. sugarman followed through on her defiance of the saccharine
the perfect star vehicle
has all the values of a straight-to-video movie , but because it has a bigger-name cast , it gets a full theatrical release .
befuddling
's finally been given a part worthy of her considerable talents
the film never succumbs to the trap of the maudlin or tearful , offering instead with its unflinching gaze a measure of faith in the future .
becoming a better person through love
what really sets the film apart is debrauwer 's refusal to push the easy emotional buttons
the last kiss is really all about performances .
well , it probably wo n't have you swinging from the trees hooting it 's praises ,
a dud -- a romantic comedy that 's not the least bit romantic and only mildly funny
it 's not like having a real film of nijinsky , but at least it 's better than that eponymous 1980 biopic that used soap in the places where the mysteries lingered .
that might have made no such thing
gondry 's direction is adequate
experimentation and improvisation
`` superior ''
the extraordinarily rich landscape
clever ways
a piece of mildly entertaining , inoffensive fluff that drifts aimlessly for 90 minutes before lodging in the cracks of that ever-growing category : unembarrassing but unmemorable
fear dot com is more frustrating than a modem that disconnects every 10 seconds .