xiangpku/GLUE huggingface dataset:
apart from anything else , this is one of the best-sustained ideas i have ever seen on the screen .
with a pronounced monty pythonesque flavor
capture the novel 's deeper intimate resonances
the actresses in the lead roles are all more than competent
redone by someone who ignored it in favor of old ` juvenile delinquent ' paperbacks with titles like leather warriors and switchblade sexpot
treasure planet is truly gorgeous to behold .
madonna 's
just how bad it was
i just did n't care
most beautiful , evocative
they 're struggling to create .
that 's best served cold
plummets
keeps things going at a rapid pace , occasionally using an omniscient voice-over narrator in the manner of french new wave films
ramsay is clearly extraordinarily talented , and based on three short films and two features , here 's betting her third feature will be something to behold .
has a great cast and a great idea .
make underneath such a mountain of clichés and borrowed images
schneidermeister ... makin ' a fool of himself ...
untalented artistes
self-inflicted retaliation
silly rather than plausible
bad at it is cruel
a quirky comedy set in newfoundland that cleverly captures the dry wit that 's so prevalent on the rock .
's leaden and predictable
clever credits roll
, serves as a paper skeleton for some very good acting , dialogue , comedy , direction and especially charm .
of the best movies of the year
the talents of its attractive young leads
welcome , if downbeat , missive
plenty of nudity
has a key strength in its willingness to explore its principal characters with honesty , insight and humor
marveilleux
our culture is headed down the toilet with the ferocity of a frozen burrito after an all-night tequila bender
the layered richness
adrenaline jolt
builds gradually until you feel fully embraced by this gentle comedy .
seen or heard anything quite like this film
intimate feeling
moments of inspired humor
is more complex and honest
know it would n't exist without the precedent of yiddish theater , whose jolly , fun-for-fun 's - sake communal spirit goes to the essence of broadway
each story is built on a potentially interesting idea
fun-for-fun
the production values are of the highest and the performances attractive without being memorable .
wildly popular vin diesel
remains a ponderous and pretentious endeavor that 's unfocused and tediously exasperating
that it can only encourage us to see samira makhmalbaf as a very distinctive sensibility , working to develop her own film language with conspicuous success
deliciously slow .
into the subculture of extreme athletes whose derring-do puts the x into the games
takes you by the face
anyone who loves both dance and cinema
catastrophic collision
nair does n't treat the issues lightly .
covers this territory with wit and originality ,
when her real-life persona is so charmless and vacant
seem smug and cartoonish
good b movies ( the mask , the blob )
can easily worm its way into your heart
marquis
a minor-league soccer remake
studio hack
the most high-concept sci fi adventures
is at once a tough pill to swallow and a minor miracle of self-expression .
deceit and murder
polished and
writer-director david jacobson and
becomes a bit of a mishmash : a tearjerker that does n't and a thriller that wo n't .
the folks who prepare
it is entertaining on an inferior level .
silly , outrageous , ingenious thriller
contempt
uses humor and a heartfelt conviction to tell a story about discovering your destination in life
as terrible as the synergistic impulse that created it
go see this delightful comedy
a genre-curling crime story that revives the free-wheeling noir spirit of old french cinema
if it 's not entirely memorable
traffics in tired stereotypes
crack cast
no chemistry
wondrously
louiso lets the movie dawdle in classic disaffected-indie-film mode , and
girls ca n't swim represents an engaging and intimate first feature by a talented director to watch , and
high drama ,
who normally could n't care less
with nary a glimmer of self-knowledge , ( crane ) becomes more specimen than character
is in bad need of major acting lessons and maybe a little coffee .
also will win you over , in a big way
graced with the kind of social texture and realism that would be foreign in american teen comedies
it 's a very sincere work ,
respects the material
accompanying the stunt-hungry dimwits in a random series of collected gags , pranks , pratfalls , dares , injuries , etc. .
is casual and fun
no one involved , save dash , shows the slightest aptitude for acting , and the script , credited to director abdul malik abbott and ernest ` tron ' anderson , seems entirely improvised .
plays like one of those conversations that comic book guy on `` the simpsons '' has .
while the path may be familiar , first-time director denzel washington and a top-notch cast manage to keep things interesting .
remembered in the endlessly challenging maze of moviegoing
a hip-hop fan to appreciate scratch
rode the zipper
there are lulls
seemed wasted like deniro 's once promising career and the once grand long beach boardwalk
does n't give you enough to feel good about .
wasted nearly two hours of your own precious life with this silly little puddle of a movie
should pay money for what we can get on television for free
has a dashing and resourceful hero ; a lisping , reptilian villain ; big fights ; big hair ; lavish period scenery ; and a story just complicated enough to let you bask in your own cleverness as you figure it out
in admitting that my enjoyment came at the expense of seeing justice served , even if it 's a dish that 's best served cold
no worse a film
gross-out college comedy
provocative piece
an energizing , intoxicating documentary charting the rise of hip-hop culture in general and the art of scratching ( or turntablism ) in particular .
is a plodding mess .
is a terrific role for someone like judd , who really ought to be playing villains .
truly edgy
alfred hitchcock 's imaginative flight
has none of the visual wit of the previous pictures
plays like a tired tyco ad
more frantic than involving , more chaotic than entertaining .
often look smeary and blurry , to the point of distraction
wholesome and subversive
a good time with this one too
interesting storyline
manage to get you under its spell
it will certainly succeed in alienating most viewers
is smart writing , skewed characters , and the title performance by kieran culkin .
will be all too familiar for anyone who 's seen george roy hill 's 1973 film , `` the sting
cleverly constructed
no amount of imagination , no creature
the film is small in scope , yet perfectly formed .
it 's too close to real life to make sense
the little nuances that perhaps had to escape from director mark romanek 's self-conscious scrutiny to happen ,
's not very good
jackson is always watchable .
replete with stereotypical familial quandaries
it grabs you in the dark and shakes you vigorously for its duration .
you rode the zipper after eating a corn dog and an extra-large cotton candy
have to see it
is tedious though ford and neeson capably hold our interest , but its just not a thrilling movie .
seems like something american and european gay movies were doing 20 years ago .
is dicaprio 's best performance in anything ever , and easily the most watchable film of the year
trumpet blast that there may be a new mexican cinema a-bornin ' .
of a summer-camp talent show : hastily written
a summer of event movies than a spy thriller like the bourne identity that 's packed with just as much intelligence as action
small-budget
this amiable picture talks tough , but it 's all bluster -- in the end it 's as sweet as greenfingers ...
should jolt you out of your seat a couple of times , give you a few laughs , and leave you feeling like it was worth your seven bucks , even though it does turn out to be a bit of a cheat in the end .
, it just sits there like a side dish no one ordered .
all it amounts to is a mildly funny , sometimes tedious , ultimately insignificant film
with a few lingering animated thoughts
see the movie
an extraordinary film , not least
the film more silly than scary
an important political documentary
miyazaki has created such a vibrant , colorful world
unless you 're an absolute raving star wars junkie , it is n't much fun .
it 's a spirited film and a must-see
an off-beat and fanciful film about the human need for monsters to blame for all that is amiss in the world .
an essentially awkward version of the lightweight female empowerment picture we 've been watching for decades
been developed with more care
the viewer feel like the movie 's various victimized audience members after a while
is n't as funny as it should be
no big whoop ,
is refreshingly undogmatic about its characters
it lacks in substance
when the bullets start to fly , your first instinct is to duck
not in a good way
failed jokes , twitchy acting , and
do not automatically equal laughs
a genuinely moving and wisely unsentimental drama
it is nonjudgmental , and makes clear that a prostitute can be as lonely and needy as any of the clients
adequately
at least one damn fine horror movie
the characters are paper thin and the plot is so cliched and contrived that it makes your least favorite james bond movie seem as cleverly plotted as the usual suspects .
family portrait of need , neurosis and nervy negativity is a rare treat that shows the promise of digital filmmaking .
's in danger of going wrong
unlikable , uninteresting , unfunny , and completely , utterly inept
, this space-based homage to robert louis stevenson 's treasure island fires on all plasma conduits .
of lame entertainment
do n't fit well together
are moments of hilarity to be had .
one of the most slyly exquisite anti-adult movies ever made .
sour taste
the dorkier aspects
provides an invaluable service by sparking debate and encouraging thought
a thoughtful and rewarding glimpse
strike a chord with anyone who 's ever
our best achievements
, is extraordinary .
comes along that is so insanely stupid , so awful in so many ways that watching it leaves you giddy .
that successfully recreates both the physical setting and emotional tensions of the papin sisters
's ) a clever thriller with enough unexpected twists to keep our interest
action confined to slo-mo gun firing and random glass-shattering
a hokey piece of nonsense
mesmerizing cinematic poem
listless sci-fi
subtle and visceral
the problematic characters
rather than real figures
a real writer plot
the main story ... is compelling enough , but it 's difficult to shrug off the annoyance of that chatty fish .
faster , livelier and a good deal funnier than his original
are cast adrift in various new york city locations with no unifying rhythm or visual style
fans of plympton 's shorts may marginally enjoy the film , but it is doubtful this listless feature will win him any new viewers .
i have to put up with 146 minutes of it
the obnoxious title character
childhood imagination
brings to the fore for the gifted but no-nonsense human beings they are and for the still-inestimable contribution they have made to our shared history
parody .
it 's the work of an artist , one whose view of america , history and the awkwardness of human life is generous and deep
sign a pact to burn the negative and the script and pretend the whole thing never existed
spoofs
enjoyable above average summer diversion
you like an extreme action-packed film with a hint of humor
, then this first film to use a watercolor background since `` dumbo '' certainly ranks as the most original in years .
the screenplay by james eric , james horton and director peter o'fallon ... is so pat it makes your teeth hurt .
if i could have looked into my future and saw how bad this movie was , i would go back and choose to skip it .
takes itself all too seriously
hmmm ... might i suggest that the wayward wooden one end it all by stuffing himself into an electric pencil sharpener ?
story to show us why it 's compelling
see why any actor of talent would ever work in a mcculloch production again if they looked at how this movie turned out
of visual charm
hard-driving
confessions is n't always coherent
the old disease-of-the-week small-screen melodramas
it ca n't be dismissed as mindless
thoughtless , random , superficial humor
meandering , and sometimes dry
likely to cause massive cardiac arrest if taken in large doses
a comedic context
with a tighter editorial process and firmer direction this material could work , especially since the actresses in the lead roles are all more than competent
try this obscenely bad dark comedy , so crass that it makes edward burns ' sidewalks of new york look like oscar wilde .
bluto blutarsky , we miss you .
are simply dazzling , particularly balk , who 's finally been given a part worthy of her considerable talents
likely to have decades of life as a classic movie franchise
feels the dimming of a certain ambition , but in its place a sweetness , clarity and emotional openness that recalls the classics of early italian neorealism
into a mostly magnificent directorial career , clint eastwood 's efficiently minimalist style
the all-french cast is marveilleux .
the worst film
holds up
an unfortunate title for a film that has nothing endearing about it .
, it 's a very entertaining , thought-provoking film with a simple message
its emotional power and moments of revelation
for something entertaining
derrida is an undeniably fascinating and playful fellow .
wretchedly unfunny wannabe comedy
rich in atmosphere of the post-war art world , it manages to instruct without reeking of research library dust .
( breheny 's ) lensing
soap opera-ish story
of having been slimed in the name of high art
be funny , uplifting and moving
degenerates into hogwash .
seems little different
a retread of material already thoroughly plumbed by martin scorsese .
with some glimpses of nature and family warmth
improbable
eddie murphy and owen wilson have a cute partnership in i spy
being a total rehash
what makes it interesting as a character study is the fact that the story is told from paul 's perspective
well-deserved
a greater knowledge
a great
the overall experience is awesome
are fun and reminiscent of combat scenes from the star wars series
the excruciating end
a well-put-together piece
the culture clash comedies
of highly entertaining , self-aggrandizing , politically motivated documentary-making
a retread story , bad writing
its logical loopholes ,
a serious exploration
a slice of counterculture that might be best forgotten
, like its title character , is repellantly out of control .
like trying to eat brussels sprouts
animation master
one of my least favorite emotions , especially when i have to put up with 146 minutes of it
spontaneous intimacy
acted , quietly affecting cop drama
the exotic world
its charms and its funny moments
as fresh or enjoyable
which will cause loads of irreparable damage that years and years of costly analysis could never fix
and lee seems just as expectant of an adoring , wide-smiling reception .
be relegated to a dark video store corner
chuckle
of those rare docs that paints a grand picture of an era and makes the journey feel like a party
unique niche
this new zealand coming-of-age movie is n't really about anything .
endlessly
were afraid to show this movie to reviewers before its opening , afraid of the bad reviews they thought they 'd earn
some outrageously creative action in the transporter
hollywood kids
grave for youngsters
paper bag to wear over his head when he goes out into public , to avoid being recognized as the man who bilked unsuspecting moviegoers
boring , pretentious
, it 's an adventure story and history lesson all in one .
revisionist
a finely tuned mood piece , a model of menacing atmosphere .
smart-aleck movie
down-to-earth
is a verbal duel between two gifted performers .
it is supremely unfunny and unentertaining to watch middle-age
it seems impossible that an epic four-hour indian musical about a cricket game could be this good , but
mr. scorsese 's bravery and integrity
by a noticeable lack of pace
carry the film with their charisma
the fact that the ` best part ' of the movie comes from a 60-second homage to one of demme 's good films does n't bode well for the rest of it .
at least during their '70s heyday
most original
's about as convincing as any other arnie musclefest
as cleverly plotted as the usual suspects
has the charisma of a young woman who knows how to hold the screen .
can explode obnoxiously into 2,500 screens while something of bubba ho-tep 's clearly evident quality may end up languishing on a shelf somewhere
more mindless
his work transcends the boy-meets-girl posturing of typical love stories .
fails in making this character understandable , in getting under her skin , in exploring motivation ...
the film is the cast , particularly the ya-yas themselves .
lies considerable skill and determination , backed by sheer nerve
pass for a thirteen-year-old 's book report on the totalitarian themes of 1984 and farenheit 451
is an all-time low for kevin costner .
clever concept
the sum
with nutty cliches and far too much dialogue
of intellectual lector in contemplation of the auteur 's professional injuries
a visually masterful work of quiet power
fascinating and playful
is the kind of production that would have been funnier if the director had released the outtakes theatrically and used the film as a bonus feature on the dvd
pacino gives one of his most daring , and complicated , performances
an extremely unpleasant film
in that greasy little vidgame pit in the theater lobby
often food-spittingly
succeed at cheapening it
ice age wo n't drop your jaw , but it will warm your heart , and i 'm giving it a strong thumbs up .
hardly seems worth the effort .
( a ) crushing disappointment
offering an original
an overly sillified plot and stop-and-start pacing
attempts and often achieves a level of connection and concern
this poor remake
bland hotels , highways , parking lots
of veracity and narrative grace
money-oriented
hugely rewarding experience
destroy everything we hold dear about cinema , only now it 's begun to split up so that it can do even more damage
it 's pleasant enough -- and oozing with attractive men
, and dramatically moving
a serious contender
, those rejected must have been astronomically bad
immediately succumbs to gravity and plummets to earth .
surprising winner
that is so insanely stupid , so awful in so many ways that watching it leaves you giddy
this disappointed by a movie in a long time
hate this one
of cute animals and clumsy people
technically and artistically inept .
in cynicism every bit
a doctor 's office , emergency room , hospital bed or insurance company office
give credit to everyone from robinson down to the key grip that this bold move works .
director george hickenlooper has had some success with documentaries , but here his sense of story and his juvenile camera movements smack of a film school undergrad , and his maudlin ending might not have gotten him into film school in the first place
tactic to cover up the fact that the picture is constructed around a core of flimsy -- or , worse yet , nonexistent -- ideas
has n't much more to serve than silly fluff
it 's far from a groundbreaking endeavor
a hit -
outdoes its spectacle
one senses in world traveler and in his earlier film that freundlich bears a grievous but obscure complaint against fathers , and circles it obsessively , without making contact .
's also nice to see a movie with its heart
brisk hack job
... the plot weaves us into a complex web .
it fascinating
a vivid , spicy footnote to history , and a movie that grips and holds you in rapt attention from
fine performances make this delicate coming-of-age tale a treat
raw emotions
in thick clouds of denial
is one of the greatest date movies in years
educates
and con , for adults
is disgusting to begin with
most audacious ,
sucks you in
with only weak claims to surrealism and black comedy
marvelously entertaining and deliriously joyous documentary .
that it 's boring
an accomplished actress
encouraging effort
that 's shapeless and uninflected
shot on ugly digital video .
the more problematic aspects
is hardly a perverse , dangerous libertine and agitator -- which would have made for better drama .
, it is a failure .
intricate magic
goes down easy
otherwise appalling , and
fairly trite narrative
has all the actors reaching for the back row
director jon purdy 's sledgehammer sap
hopes to camouflage how bad his movie is
gay-niche condescension
hate it because it 's lousy .
understated performances of ( jack nicholson 's ) career
even when there are lulls , the emotions seem authentic , and the picture is so lovely toward the end ...
much like a fragment of an underdone potato
jackass is a vulgar and cheap-looking version of candid camera staged for the marquis de sade set
a distinguished and thoughtful film
at the end , when the now computerized yoda finally reveals his martial artistry , the film ascends to a kinetic life so teeming that even cranky adults may rediscover the quivering kid inside .
a triumph of emotionally and narratively complex filmmaking .
clever ideas
nothing more than an amiable but unfocused bagatelle that plays like a loosely-connected string of acting-workshop exercises .
director george hickenlooper has had some success with documentaries
an artist who is simply tired
is itself intacto 's luckiest stroke
kong master john woo
would n't have the guts to make .
attempt to do something different over actually pulling it off
insult the intelligence of everyone
was able to overcome his personal obstacles and become a good man
dazzling , remarkably unpretentious
remember that life 's ultimately a gamble and last orders are to be embraced
curiously stylized
the odd enjoyably chewy lump
a sophisticated and unsentimental treatment
a deep bow
a story that tries to grab us , only to keep letting go at all the wrong moments
drains
in what is essentially an extended soap opera
liked sometimes
each scene drags , underscoring the obvious ,
inconsistent , meandering , and sometimes dry
that is part biography , part entertainment and part history
i encourage young and old alike to go see this unique and entertaining twist on the classic whale 's tale -- you wo n't be sorry
the poor acting by the ensemble cast , the flat dialogue by vincent r. nebrida or the gutless direction by laurice guillen
lack depth or complexity , with the ironic exception of scooter .
's pretentious in a way that verges on the amateurish
utter loss personified in the film 's simple title
that 's about as overbearing and over-the-top as the family it
deeply absorbing piece
is sure to raise audience 's spirits and leave them singing long after the credits roll
sc2 is an autopilot hollywood concoction lacking in imagination and authentic christmas spirit , yet it 's geared toward an audience full of masters of both .
hideously
dickens ' words and writer-director douglas mcgrath 's even-toned direction
mtv schmucks who do n't know how to tell a story for more than four minutes
each story is built on a potentially interesting idea , but the first two are ruined by amateurish writing and acting , while the third feels limited by its short running time
incredibly dated and unfunny
audacious ambitions
hard-won
the film is a confusing melange of tones and styles , one moment a romantic trifle and the next a turgid drama .
who is always a joy to watch , even when her material is not first-rate
loses its sense of humor in a vat of failed jokes , twitchy acting , and general boorishness
low rent from frame one .
in various wet t-shirt and shower scenes
whatever one makes of its political edge , this is beautiful filmmaking from one of french cinema 's master craftsmen .
so downbeat and
simple , poignant and leavened with humor , it 's a film that affirms the nourishing aspects of love and companionship .
play their roles with vibrant charm
is that wind-in-the-hair exhilarating .
bad seeds
immensely ambitious
in this dreary mess
's nothing more satisfying during a summer of event movies than a spy thriller like the bourne identity that 's packed with just as much intelligence as action .