xiangpku/GLUE huggingface dataset:
transported into the life of wladyslaw szpilman , who is not only a pianist , but a good human being
sadly , though many of the actors throw off a spark or two when they first appear , they ca n't generate enough heat in this cold vacuum of a comedy to start a reaction .
are both overplayed and exaggerated
the rock is destined to be the 21st century 's new `` conan '' and that he 's going to make a splash even greater than arnold schwarzenegger , jean-claud van damme or steven segal .
that few movies are able to accomplish
the beaten path , not necessarily for the better
a deeply humanistic artist who , in spite of all that he 's witnessed , remains surprisingly idealistic
getting there is not even half the interest .
favorably
this mild-mannered farce , directed by one of its writers , john c. walsh , is corny in a way that bespeaks an expiration date passed a long time ago .
had more interesting -- and , dare i say , thematically complex -- bowel movements than this long-on-the-shelf , point-and-shoot exercise in gimmicky crime drama
the actors are humanly engaged
of empathy
leave the theater with a lower i.q. than when i had entered
thought-provoking and stylish
historically significant ,
as subtle and touching as the son 's room
put to perfect use in the breathtakingly beautiful outer-space documentary space station 3d
into a gut-wrenching examination of the way cultural differences and emotional expectations collide
lacks the spirit of the previous two ,
are so few films about the plight of american indians in modern america that skins comes as a welcome , if downbeat , missive from a forgotten front
ten little indians meets friday the 13th by way of clean and sober , filmed on the set of carpenter 's the thing and loaded with actors you 're most likely to find on the next inevitable incarnation of the love boat
` synthetic ' is the best description of this well-meaning , beautifully produced film that sacrifices its promise for a high-powered star pedigree .
a bloated plot
classic theater piece
my only complaint
to dupe the viewer into taking it all as very important simply because the movie is ugly to look at and not a hollywood product
you can do no wrong with jason x.
's still entertaining to watch the target practice .
a vh1 behind the music special that has something a little more special behind it : music that did n't sell many records but helped change a nation
for only 71 minutes
an elegant visual sense and a talent
, consistently funny .
buried somewhere inside its fabric , but never clearly seen or
the film has a laundry list of minor shortcomings
to be a breath of fresh air
tries too hard
is unfocused , while the story goes nowhere .
fails to give his audience a single character worth rooting for ( or worth rooting against , for that matter )
everybody loves a david and goliath story
a lame romantic comedy
the movie bogs down in rhetoric and cliché .
the writing is indifferent
will probably like it .
of his top-notch creative team
when it 's not wallowing in hormonal melodrama
needlessly poor quality
an enthralling , entertaining feature
with its many out-sized , out of character and logically porous action set
lines , the impressive stagings of hardware
bewilderingly brilliant
with the cheesiest monsters this side of a horror spoof , which they is n't , it is more likely to induce sleep than fright .
carefully choreographed
- as-nasty -
would be better as a diary or documentary
a true adaptation of her book
the capability of effecting change and inspiring hope
are stanzas of breathtaking , awe-inspiring visual poetry
cinematic deception
delightful hand shadows
about the origins of nazi politics and aesthetics
making the right choice
be the performances of their careers
with energy and innovation
a hard-to-swallow premise
of the wondrous beats
a bit of a downer and a little over-dramatic at times ,
made but uninvolving
the magnificent swooping aerial shots are breathtaking
it 's rare to find a film to which the adjective ` gentle ' applies , but
that both thrills the eye
mckay seems embarrassed by his own invention and tries to rush through the intermediary passages , apparently hoping that the audience will not notice the glaring triteness of the plot device
the acting is n't much better .
it is n't particularly funny
are no less a menace to society than the film 's characters .
'' comes from the heart
absorbing movie
a well paced and satisfying little drama that deserved better than a ` direct-to-video ' release
enriched by an imaginatively mixed cast of antic spirits , headed by christopher plummer as the subtlest and most complexly evil uncle ralph i 've ever seen in the many film and
dystopian
... a bland , pretentious mess .
the jokes are sophomoric ,
well-timed explosion
creepy turn
though brown sugar is so earnest in its yearning for the days before rap went nihilistic that it summons more spirit and bite than your average formulaic romantic quadrangle
beneath the uncanny , inevitable and seemingly shrewd facade of movie-biz farce ... lies a plot cobbled together from largely flat and uncreative moments .
it 's a boring movie about a boring man , made watchable by a bravura performance from a consummate actor incapable of being boring .
with loosely connected characters and plots that never quite gel
great actors hamming it up
delightful cast
false , sitcom-worthy solutions
mishandle the story 's promising premise of a physician who needs to heal himself
is too upbeat
modest masterpiece .
not a classic , but a movie the kids will want to see over and over again .
a stylistic
that avoids the cartoonish clichés and sneering humor of the genre as it provides a fresh view of an old type
his story so compellingly with us is a minor miracle
brings us right into the center of that world
the more common saccharine genre
characteristic style
a stunningly unoriginal premise
long-on-the-shelf
revigorates
nuanced performance
a major waste ...
a sports extravaganza
any scorsese has ever given us
the only pain
, and their personalities undergo radical changes when it suits the script
rather slow beginning
a strong first act and absolutely , inescapably gorgeous , skyscraper-trapeze motion of the amazing spider-man .
lot to ask people to sit still for two hours and change watching such a character , especially when rendered in as flat and impassive a manner as phoenix 's
this is one adapted - from-television movie that actually looks as if it belongs on the big screen .
is terrific
distressing
a sub-formulaic slap
the tears come during that final , beautiful scene
itself could be played out in any working class community in the nation .
ear-splitting
vehicle that even he seems embarrassed to be part of .
better entertainment
storytelling feels slight .
guaranteed to put a lump in your throat while reaffirming washington as possibly the best actor working in movies today
is funny and pithy ,
then this first film to use a watercolor background since `` dumbo '' certainly ranks as the most original in years .
lingering death
did n't just go to a bank manager and save everyone the misery
russell lacks the visual panache , the comic touch , and perhaps the budget of sommers 's title-bout features .
is a hoot ,
into a sane and breathtakingly creative film
a surprisingly sweet and gentle comedy
` laugh therapy '
passing twinkle
good surprise ending
popcorn movie fun
some movie star charisma
that leaves you wanting more
the irwins ' scenes are fascinating ;
, funnier .
for anyone
than into the script , which has a handful of smart jokes
its worthy predecessors
uneven , self-conscious but often hilarious spoof .
a zany mix of saturday night live-style parody , '70s blaxploitation films and goofball action comedy gone wild
as such the film has a difficult time shaking its blair witch project real-time roots
something to be ` fully experienced '
saddled with an unwieldy cast of characters and angles ,
insightful about kissinger 's background and history
-- definitely a step in the right direction
charming but slight comedy
to rescue me from a summer of teen-driven , toilet-humor codswallop
tell you how tedious , how resolutely unamusing , how thoroughly unrewarding all of this is , and what a reckless squandering of four fine acting talents
gave me no reason to care
quietly hopeful
muy loco , but no more ridiculous
life affirming and heartbreaking , sweet without the decay factor
a nice , light treat
inept direction , pathetic acting , poorly dubbed dialogue and murky cinematography
perfect teaming
more of the same old garbage
slow ,
lacks the spirit of the previous two
fine performance
that takes its sweet time building to a climax that 's scarcely a surprise by the time
for kids or their parents , for that matter
a smart , steamy mix of road movie , coming-of-age story and political satire .
if there 's no art here
, surreal ache of mortal awareness emerges a radiant character portrait .
painstaking
, amusing and unpredictable
while somewhat less than it might have been , the film is a good one , and you 've got to hand it to director george clooney for biting off such a big job the first time out .
bloodsucker computer effects
the film is a hilarious adventure and
is undone by anachronistic quick edits and occasional jarring glimpses of a modern theater audience watching the events unfold
the way a good noir should
creates something more beautiful than either of those films
your typical junkie opera
summer audience
there 's always these rehashes to feed to the younger generations
the reason for that is a self-aware , often self-mocking , intelligence .
emotional power
this turd
profound characterizations
anemic , pretentious .
's kind of sad that so many people put so much time and energy into this turkey
's just merely very bad .
raises the film above anything sandler 's been attached to before
often strains
a lunar mission with no signs of life
of badness
predictable plot and paper-thin supporting characters
tackles more than she can handle
` blue crush ' swims away with the sleeper movie of the summer award .
pulls off enough
a surprisingly ` solid ' achievement
give a spark
transformed the rhetoric of hollywood melodrama into something provocative , rich , and strange
is an enjoyable big movie primarily
we get an ugly , mean-spirited lashing out by an adult who 's apparently been forced by his kids to watch too many barney videos .
is essentially an extended soap opera
true pleasure .
's a feel-bad ending for a depressing story that throws a bunch of hot-button items in the viewer 's face and asks to be seen as hip , winking social commentary
once called ` the gift of tears
are good
by a failure
fumbled
washed away
a nearly 21/2 hours , the film is way too indulgent .
black-and-white psychedelia
depressingly
efficient ,
to learn , to grow
feel the screenwriter at every moment
with its love of life and beauty
, red dragon satisfies -- from its ripe recipe , inspiring ingredients , certified cuisine and palatable presentation .
street gangs and turf wars in 1958 brooklyn -- stale cliches , gratuitous violence ,
solid , psychological action film
as a war tribute is disgusting to begin with
the year 's most enjoyable releases
, the more details slip out between his fingers .
a fairly revealing study of its two main characters -- damaged-goods people whose orbits will inevitably
exploitative
hard-won rewards
a smart , compelling drama
conceited
it does elect to head off in its own direction
a powerful young actor
is an exercise in chilling style , and twohy films the sub , inside and out , with an eye on preserving a sense of mystery
get an ugly , mean-spirited lashing
is a superior horror flick .
bad sitcom
a knockout of a closing line
you 're going to subjugate truth to the tear-jerking demands of soap opera
the film falls short on tension , eloquence , spiritual challenge -- things that have made the original new testament stories so compelling for 20 centuries .
the mind to enter and accept another world
essentially ruined -- or ,
detective story
wimps out by going for that pg-13 rating
a sentimental hybrid
screwball ideas
her small , intelligent eyes
rife with miscalculations
like the excruciating end of days , collateral damage presents schwarzenegger as a tragic figure , but sympathy really belongs with any viewer forced to watch him try out so many complicated facial expressions
pleasant enough dish
a convolution
feels derivative
it treats ana 's journey with honesty that is tragically rare in the depiction of young women in film .
loud , low-budget and tired
brings documentary-like credibility
comes across as stick figures reading lines from a teleprompter .
listen to marvin gaye or the supremes the same way again
koepp 's screenplay is n't nearly surprising or clever enough to sustain a reasonable degree of suspense on its own .
's so fascinating you wo n't be able to look away for a second .
rich , bittersweet israeli documentary
is also as unoriginal as they come , already having been recycled more times than i 'd care to count .
adds substantial depth
have been called ` under siege 3
effort and
boorish movie
is funny and
irritates and saddens me
his penchant for tearing up on cue --
is a phenomenal band with such an engrossing story that will capture the minds and hearts of many .
, much ado about something is an amicable endeavor .
of overly-familiar and poorly-constructed comedy
wo n't feel cheated by the high infidelity of unfaithful
pleasingly emphatic in this properly intense , claustrophobic tale of obsessive love
also a -- dare i say it twice -- delightfully charming -- and totally american
drag along
a bitter pill
film buffs
you know it 's going to be a trip
with few moments of joy rising above the stale material
sex gags and prom dates
profane and exploitative as the most offensive action
impressionistic
a confusing melange
the film 's crisp , unaffected style
funny film
a romantic crime comedy that turns out to be clever , amusing and unpredictable
takes a clunky tv-movie approach to detailing a chapter in the life of the celebrated irish playwright , poet and drinker .
low-key romantic comedy
manically generous
strips bible stores of the potential for sanctimoniousness , making them meaningful for both kids and church-wary adults .
is little more than a mall movie designed to kill time
its art and heart
playstation cocktail
elegant and sly
much of the movie 's charm
the movie 's thesis -- elegant technology for the masses --
crossing-over mumbo jumbo , manipulative sentimentality , and
uncompromising , difficult and unbearably beautiful
, then you will probably have a reasonably good time with the salton sea .
sympathy really belongs with any viewer forced to watch him try out so many complicated facial expressions
is easily as bad at a fraction the budget
family film to take everyone to since there 's no new `` a christmas carol '' out in the theaters this year
are simply intoxicating
that it might as well have been titled generic jennifer lopez romantic comedy .
ride , with jaw-dropping action sequences , striking villains , a gorgeous color palette , astounding technology , stirring music and a boffo last hour that leads up to a strangely sinister happy ending .
a pretty funny movie ,
flat dialogue
the kind of sweet-and-sour insider movie that film buffs will eat up like so much gelati .
good actors , good poetry
what -- and has all the dramatic weight of a raindrop
a more graceful way
does n't allow an earnest moment to pass without reminding audiences that it 's only a movie .
despite iwai 's vaunted empathy
fast , funny , and even touching
a lobotomy
utter mush ... conceited pap
about babak payami 's boldly quirky iranian drama secret ballot ... a charming and evoking little ditty that manages to show the gentle and humane side of middle eastern world politics
riveting profile
on tediously about their lives , loves and the art
appreciate the wonderful cinematography and naturalistic acting
the uninspired scripts , acting and direction
surprising in how much they engage and even touch us
the widowmaker is a great yarn .
unrealized
low-rent --
caricature
a great way to spend 4 units of your day
this is a movie full of grace and , ultimately , hope
can watch , giggle and get an adrenaline boost without feeling like you 've completely lowered your entertainment standards
brosnan is more feral in this film than i 've seen him before and halle berry does her best to keep up with him .
spielberg flair
felt emotions can draw people together across the walls that might otherwise separate them
our imagination
is impenetrable and dull
simply because the movie is ugly to look at and not a hollywood product
-- and at times , all
canny and
viva le resistance !
in love with a girl
the movie benefits from having a real writer plot out all of the characters ' moves and overlapping story .
satire and childhood awakening
by men of marginal intelligence
brief pretentious period
auspicious feature debut
a film really has to be exceptional to justify a three hour running time
charming in comedies like american pie and dead-on in election
know if it wants to be a retro-refitting exercise in campy recall for older fans or a silly , nickelodeon-esque kiddie flick
the stars may be college kids , but the subject matter is as adult as you can get :
for both the scenic splendor of the mountains
it makes compelling , provocative and prescient viewing .
even by the intentionally low standards of frat-boy humor
incredibly heavy-handed , manipulative dud
the story has its redundancies , and the young actors , not very experienced , are sometimes inexpressive .
is faster , livelier and a good deal funnier than his original .
vulgar and forgettably
this film 's impressive performances
keep you wide awake and ...
excruciating film
most magical and most fun family fare
such a dependable concept
mind-numbingly awful
a remote shelf
, first-time director denzel washington and a top-notch cast manage to keep things interesting .
the narrator and the other characters try to convince us that acting transfigures esther
collective heart attack
a hypnotic cyber hymn and a cruel story of youth culture .
cheesier
the first half of his movie generates by orchestrating a finale that is impenetrable and dull
the film is a hilarious adventure and i shamelessly enjoyed it .
somehow it all comes together to create a very compelling , sensitive , intelligent and almost cohesive piece of film entertainment
so well tuned that the film comes off winningly , even though it 's never as solid as you want it to be
the misery of these people
mid-to-low budget
suited neither to kids or adults
wasted minutes of sandler as the voice-over hero in columbia pictures ' perverse idea of an animated holiday movie
this in-depth study of important developments of the computer industry
funnier than anything
such fury
on losers in a gone-to-seed hotel
powerful and revelatory
crazy as hell marks an encouraging new direction for la salle .
an energetic , extreme-sports adventure
oddly fascinating
at its best
`` white oleander , '' the movie , is akin to a reader 's digest condensed version of the source material .
will find little new here
form a remarkably cohesive whole , both visually and thematically , through their consistently sensitive and often exciting treatment of an ignored people
fanciful ,
one-trick pony
none of this is very original , and it is n't particularly funny
predictably melodramatic .
soulful and
serves up all of that stuff , nearly subliminally ,
a generic family comedy unlikely to be appreciated by anyone outside the under-10 set .
when something goes bump in the night and nobody cares
a solid , psychological action film
, is painterly .
seems to enjoy its own transparency
formula family tearjerker
's not a fresh idea at the core of this tale
, thirteen conversations about one thing is a small gem .
time and art
the sheer joy and pride
beautifully directed and convincingly acted .
's already done way too often
mystery and a ravishing , baroque beauty
` alice 's adventure through the looking glass and into zombie-land ' is filled with strange and wonderful creatures .
is off-putting ,
situates it all in a plot as musty as one of the golden eagle 's carpets .
ideal casting
silliness you are likely to witness in a movie theater for some time
dismiss --
a fine-looking film
turns out to be affected and boring
alone could force you to scratch a hole in your head .
, but director carl franklin adds enough flourishes and freak-outs to make it entertaining
perfunctory conclusion
is perfectly creepy and believable
with moments of genuine insight into the urban heart
relaxed in its perfect quiet pace
proved too difficult
it 'll probably be in video stores by christmas ,
've been nice if the screenwriters had trusted audiences to understand a complex story , and left off the film 's predictable denouement
is pleasant , diverting and modest -- definitely a step in the right direction .
takes its techniques into such fresh territory
plot and paper-thin supporting characters
post-war art world
dogtown is hollow , self-indulgent , and - worst of all - boring .
that embraces its old-fashioned themes and
a bit like getting all excited about a chocolate eclair and then biting into it and finding the filling missing
insultingly unbelievable
a rare treat that shows the promise of digital filmmaking
a bit of a cheat in the end
seem goofy
one of the best of a growing strain of daring films ...
rusi vulakoro
do n't even bother to rent this on video .
half-lit , sometimes creepy intimacy
a miraculous movie , i 'm going home is so slight , yet overflows with wisdom and emotion .
the fascination comes in the power of the huston performance , which seems so larger than life and yet so fragile , and in the way the ivan character accepts the news of his illness so quickly but still finds himself unable to react .
a well-rounded tribute to a man whose achievements -- and complexities -- reached far beyond the end zone .
maintains an appealing veneer without becoming too cute about it .
( a ) satisfying niblet .
characteristically startling visual style and
` ace ventura ' rip-off
you can sip your vintage wines and watch your merchant ivory productions ; i 'll settle for a nice cool glass of iced tea and a jerry bruckheimer flick any day of the week .
of obligatory cheap
so pertinent and enduring
is less the cheap thriller you 'd expect than it is a fairly revealing study of its two main characters -- damaged-goods people whose orbits will inevitably and dangerously collide
's incredible the number of stories
lacks the visual panache , the comic touch , and perhaps the budget of sommers 's title-bout features
the power of shanghai ghetto , a documentary by dana janklowicz-mann and amir mann ,
co-writer/director peter jackson 's expanded vision
remove spider-man the movie
cruel , misanthropic stuff with only weak claims to surrealism and black comedy
which may be why it 's so successful at lodging itself in the brain
the film works
the real star of this movie is the score , as in the songs translate well to film , and it 's really well directed .
intriguing movie experiences
the film has a terrific look and salma hayek has a feel for the character at all stages of her life
a soul-stirring documentary about the israeli/palestinian conflict as
from disappointing
but enjoyable documentary .
is a remarkably original work .
while failing to find a spark of its own
bartleby squanders as much as it gives out .
, is a treat .
is one of those rare pictures that you root for throughout
off as annoying rather than charming
more self-absorbed women than the mother and
fails to give his audience a single character worth rooting for ( or worth rooting against , for that matter ) .
yet why it fails is a riddle wrapped in a mystery inside an enigma .
fear and frustration are provoked to intolerable levels
is n't much fun without the highs and lows
is an imaginative teacher of emotional intelligence in this engaging film about two men who discover what william james once called ` the gift of tears
was n't enough
soulless and -- even more damning -- virtually joyless , xxx achieves near virtuosity in its crapulence .
's pretty linear and only makeup-deep
be forgiven for realizing that you 've spent the past 20 minutes looking at your watch and waiting for frida to just die already