xiangpku/GLUE huggingface dataset:
she nearly glows with enthusiasm , sensuality and a conniving wit .
eager fans
's a movie that gets under your skin
wastes its time on mood rather than
a love song to the movies
as you might to resist , if you 've got a place in your heart for smokey robinson
it is were it not for the striking , quietly vulnerable personality of ms. ambrose
life-embracing
hastily and amateurishly
by the full monty
her most charmless
for the sights and sounds of the wondrous beats
profane and exploitative
seemed bored
ca n't help but feel ` stoked
has never made a more sheerly beautiful film than this unexpectedly moving meditation on love , history , memory , resistance and artistic transcendence .
a piece of handiwork that shows its indie tatters and self-conscious seams in places , but has some quietly moving moments and an intelligent subtlety
a smug and convoluted action-comedy that does n't allow an earnest moment to pass without reminding audiences that it 's only a movie .
the occasional bursts of sharp writing
bottomlessly cynical
can sound so dull
of quiet desperation
intolerable levels
feels like the logical , unforced continuation of the careers of a pair of spy kids
have managed to pack it with enough action to satisfy the boom-bam crowd without a huge sacrifice of character and mood
wrong with this increasingly pervasive aspect of gay culture
truly gorgeous
entirely witless and inane
dying and
intacto 's luckiest stroke
barely defensible sexual violence
the graphic carnage and re-creation of war-torn croatia is uncomfortably timely , relevant , and sickeningly real .
cut to a new scene , which also appears to be the end
succumbing to its own bathos
funny and human and really
critically insightful
vincent gallo is right at home in this french shocker playing his usual bad boy weirdo role .
in a fresh way
a successful adaptation and
totally overwrought , deeply biased , and wholly designed to make you feel guilty about ignoring what the filmmakers clearly believe
us to remember that life 's ultimately a gamble and last orders are to be embraced
genuinely funny ensemble
an enjoyable film
is funny , charming and quirky
intelligent , and
are uniformly good
australia : land beyond time is an enjoyable big movie primarily because australia is a weirdly beautiful place .
work in the same vein as the brilliance of animal house
a sadistic bike flick that would have made vittorio de sica proud
truly magical
the sorriest and most sordid of human behavior on the screen , then
straining to get by on humor that is not even as daring as john ritter 's glory days on three 's company .
, mean-spirited lashing
i 've seen some bad singer-turned actors
the pratfalls but little else
could fail to crack a smile at
energetic , violent movie
, the film amounts to being lectured to by tech-geeks , if you 're up for that sort of thing .
frankly , it 's kind of insulting , both to men and women .
that lacks juice and delight
funny without hitting below the belt
pristine camerawork
you can not guess why the cast and crew did n't sign a pact to burn the negative and the script and pretend the whole thing never existed .
top-notch cast
it 's a technically superb film , shining with all the usual spielberg flair , expertly utilizing the talents of his top-notch creative team .
about growing up that we do n't see often enough these days
wang xiaoshuai directs this intricately structured and well-realized drama that presents a fascinating glimpse of urban life and the class warfare that embroils two young men .
the acres of haute couture ca n't quite conceal that there 's nothing resembling a spine here
an original and highly cerebral examination
an emotional edge
inventive directors
directed with verve
babak payami 's boldly quirky iranian drama secret ballot ... a charming and evoking little ditty that manages to show the gentle and humane side of middle eastern world politics
is a festival film that would have been better off staying on the festival circuit .
is that its own action is n't very effective .
my sweet has so many flaws it would be easy for critics to shred it .
oddly
looks elsewhere
waydowntown may not be an important movie , or even a good one , but it provides a nice change of mindless pace in collision with the hot oscar season currently underway
perfectly executed and
this sensitive , smart , savvy , compelling coming-of-age drama
a rejected x-files episode
keenest pleasures
the power of poetry and passion
horrors ! )
compulsively watchable
was when green threw medical equipment at a window ; not because it was particularly funny , but because i had a serious urge to grab the old lady at the end of my aisle 's walker and toss it at the screen in frustration
an attraction that crosses sexual identity
lagaan really is enormously good fun .
the structure is simple , but in its own way , rabbit-proof fence is a quest story as grand as the lord of the rings .
to be a hip-hop fan to appreciate scratch
one good one
find a ` literary ' filmmaking style
aliens and
offensive , puerile and
empty , fetishistic violence
this strangely schizo cartoon seems suited neither to kids or adults .
wonder , hope and magic can never escape the heart of the boy when the right movie comes along , especially if it begins with the name of star wars
the boat loads of people who try to escape the country
some of the unsung heroes of 20th century
nearly as dreadful as expected
its oh-so-hollywood rejiggering
made him feel powerful
sappy script
uni-dimensional nonsense machine
would probably have worked better as a one-hour tv documentary .
, leaning on badly-rendered cgi effects .
its spirit of iconoclastic abandon
the thousands of americans who die hideously
a strange urge to get on a board and , uh , shred , dude
the delicious pulpiness
the preaching message
is n't the most edgy piece of disney animation
makes sense , with its unbelievable naïveté and arbitrary flashbacks .
nothing sticks , really , except a lingering creepiness one feels from being dragged through a sad , sordid universe of guns , drugs , avarice and damaged dreams .
provides a very moving and revelatory footnote to the holocaust .
its utter sincerity
... continue to impress
davis is funny , charming and quirky in her feature film acting debut as amy .
is a movie that will stimulate hours of post viewing discussion , if only to be reminded of who did what to whom and why .
sustained fest of self-congratulation between actor and director that leaves scant place for the viewer
a too-conscientious adaptation
for historical truth and realism
a lot of their time ( including mine ) on something very inconsequential
it throws quirky characters , odd situations , and off-kilter dialogue at us , all as if to say , `` look at this !
loud , chaotic and largely unfunny
one of the most repellent things to pop up in a cinematic year already littered with celluloid garbage
a loosely tied series of vignettes which only prove that ` zany ' does n't necessarily mean ` funny
sitting through dahmer 's two hours
a gleefully grungy
noble end
these characters are so well established that the gang feels comfortable with taking insane liberties and doing the goofiest stuff out of left field , and i 'm all for that
we call the ` wow ' factor
eating , sleeping and stress-reducing
the paper-thin characterizations and
lively songs
stays close to the ground in a spare and simple manner and
wasted in it
a gorgeously strange movie , heaven is deeply concerned with morality , but
hugely imaginative and successful casting to its great credit , as well as one terrific score and attitude to spare
shows holmes has the screen presence to become a major-league leading lady , ( but ) the movie itself is an underachiever , a psychological mystery that takes its sweet time building to a climax that 's scarcely a surprise by the time it arrives
show more of the dilemma , rather than have his characters stage shouting
to the core of what it actually means to face your fears , to be a girl in a world of boys
's a boring movie about a boring man , made watchable by a bravura performance from a consummate actor incapable of being boring .
inside unnecessary films
problematic script
pretty good overall picture
for one of the worst movies of one year
that trademark grin of his --
far less endearing
, incomprehensible , vicious and absurd
an enjoyably
revenge , and romance
derivative , overlong , and bombastic -- yet surprisingly entertaining
the most awful acts are committed
elusive , yet inexplicably
inexpressive
being snared in its own tangled plot
impenetrable and
who die hideously
plays like a reading from bartlett 's familiar quotations
like any good romance , son of the bride , proves it 's never too late to learn .
what we have is a character faced with the possibility that her life is meaningless , vapid and devoid of substance , in a movie that is definitely meaningless , vapid and devoid of substance .
transcends the normal divisions between fiction and nonfiction film
a dull , simple-minded and stereotypical tale of drugs ,
lawrence has only a fleeting grasp of how to develop them
just more of the same ,
the acting is amateurish
into the deepest recesses of the character to unearth the quaking essence of passion , grief and fear
sing beautifully and act adequately
metaphors abound , but it is easy to take this film at face value and enjoy its slightly humorous and tender story
i ca n't recommend it .
jacobi , the most fluent of actors , is given relatively dry material from nijinsky 's writings to perform , and the visuals , even erotically frank ones , become dullingly repetitive .
is suspenseful and ultimately unpredictable
an aging filmmaker still thumbing his nose at convention
good , organic character work
director paul cox 's unorthodox , abstract approach
a dreary tract
a balanced film
mixed messages ,
falls into the trap of pretention
suffers from too much norma rae and not enough pretty woman
's incredible the number of stories the holocaust has generated
, the seesawing of the general 's fate in the arguments of competing lawyers has the stomach-knotting suspense of a legal thriller , while the testimony of witnesses lends the film a resonant undertone of tragedy .
guide a loose , poorly structured film
the predominantly amateur cast is painful to watch , so stilted and unconvincing are the performances .
wewannour money back , actually
the result puts a human face on derrida , and makes one of the great minds of our times interesting and accessible to people who normally could n't care less .
grant 's two best films
, the way to that destination is a really special walk in the woods .
has all the same problems the majority of action comedies have
one of the best films of the year with its exquisite acting , inventive screenplay , mesmerizing music , and many inimitable scenes
of the cleverest , most deceptively amusing comedies of the year
through its hackneyed elements
sketchy but nevertheless
bracing
offering next to little insight into its intriguing subject
benefits from serendipity but also reminds us of our own responsibility to question what is told as the truth
labors as storytelling .
understands how to create and sustain a mood
an enthralling ,
hailed
a gorgeous pair
far-flung , illogical
from its nauseating spinning credits sequence to a very talented but underutilized supporting cast
flavorless
the addition of a wholly unnecessary pre-credit sequence designed to give some of the characters a ` back story
particularly joyless , and exceedingly dull ,
at once laughable
a successful career in tv
evolved from star to superstar
is still able to create an engaging story that keeps you guessing at almost every turn .
animated drivel
the rest of us will be lulled into a coma .
no wit ,
, much about the film , including some of its casting , is frustratingly unconvincing .
like a particularly amateurish episode of bewitched that takes place during spring break
a b-movie you can sit through , enjoy on a certain level and then forget .
a remarkable piece of filmmaking
be very sweet indeed
applies more detail to the film 's music than to the story line
virtually absent
dumb gags ,
's too long
loved the people onscreen , even though i could not stand them
are in place for a great film noir
the past 20 minutes looking at your watch
have ransacked every old world war ii movie for overly familiar material
is a film that takes a stand in favor of tradition and warmth .
as bad
something vital
style massacres erupt throughout
full of holes and completely lacking in chills
come to term an `` ambitious failure
its share of belly laughs ( including a knockout of a closing line )
the greatest films
is sure to give you a lot of laughs in this simple , sweet and romantic comedy .
to sit back and enjoy a couple of great actors hamming it up
assume the director has pictures of them cavorting in ladies ' underwear
strange occurrences build in the mind of the viewer and take on extreme urgency .
remains fairly light ,
spiritual
instantly transform themselves into a believable mother/daughter pair
of beautiful movement and inside information
while not quite `` shrek '' or `` monsters , inc. '' , it 's not too bad .
the cumulative effect of watching this 65-minute trifle is rather like being trapped while some weird relative trots out the video he took of the family vacation to stonehenge .
it 's an entertaining movie ,
... the first 2/3 of the film are incredibly captivating and insanely funny , thanks in part to interesting cinematic devices ( cool visual backmasking ) , a solid cast , and some wickedly sick and twisted humor ...
silly stuff , all mixed up together like a term paper from a kid who ca n't quite distinguish one sci-fi work from another
the old boy 's characters more quick-witted than any english lit
tight and nasty
modernizes a.e.w. mason 's story to suit the sensibilities of a young american , a decision that plucks `` the four feathers '' bare .
john hughes comedy
that you enjoy more because you 're one of the lucky few who sought it out
is a clever and cutting , quick and dirty look at modern living and movie life .
literary desecrations
horribly depressing and not very well done
ever-growing category
emerges in the movie , using a plot that could have come from an animated-movie screenwriting textbook
got just enough charm and appealing character quirks to forgive that still serious problem
maybe because it echoes the by now intolerable morbidity of so many recent movies
, groan and hiss
tries to be smart
uses the website feardotcom.com or the improperly hammy performance from poor stephen rea
like a fish that 's lived too long , austin powers in goldmember has some unnecessary parts and is kinda wrong in places .
too clichéd
generate the belly laughs of lowbrow comedy without sacrificing its high-minded appeal
does justice both to stevenson and to the sci-fi genre .
what a film can be
sweet-tempered comedy
relegated to the background -- a welcome step
it desperately wants to be a wacky , screwball comedy , but the most screwy thing here is how so many talented people were convinced to waste their time
after next is the kind of film that could only be made by african-americans because of its broad racial insensitivity towards african-americans .
the film 's highlight
outside the under-10 set
is deeply concerned with morality
his penchant for tearing up on cue -- things that seem so real in small doses
naipaul original
full of itself
, storytelling fails to provide much more insight than the inside column of a torn book jacket .
of a good time for both children and parents
avoids all the comic possibilities of its situation , and
ca n't seem to get a coherent rhythm going
, songs from the second floor has all the enjoyable randomness of a very lively dream and so manages to be compelling , amusing and unsettling at the same time .
a strong dramatic and emotional pull that gradually sneaks up on the audience
sudsy
some kid who ca n't act , only
'' or `` suck ''
crisper and
be wholesome and subversive at the same time
lost in the `` soon-to-be-forgettable '' section of the quirky rip-off prison
solondz may be convinced that he has something significant to say , but
a strong directorial stamp
although what time offers tsai 's usual style and themes , it has a more colorful , more playful tone than his other films .
sooooo tired
the thrill of the chill
an oddly fascinating depiction of an architect of pop culture
imagine having more fun watching a documentary
a compelling french psychological drama examining the encounter of an aloof father and his chilly son after 20 years apart
blade ii is still top-heavy with blazing guns , cheatfully filmed martial arts , disintegrating bloodsucker computer effects and jagged camera moves that serve no other purpose than to call attention to themselves .
, de niro and murphy make showtime the most savory and hilarious guilty pleasure of many a recent movie season .
best movies
but this time , the old mib label stands for milder is n't better .
is simple but absorbing
victor rosa is leguizamo 's best movie work so far , a subtle and richly internalized performance .
one of cinema 's directorial giants
that it 's hard to take her spiritual quest at all seriously
reassuring manner
always entertaining , and
are littered with trenchant satirical jabs at the peculiar egocentricities of the acting breed .
poignant and moving , a walk to remember is an inspirational love story , capturing the innocence and idealism of that first encounter .
cared much about any aspect of it , from its cheesy screenplay to the grayish quality of its lighting to its last-minute , haphazard theatrical release
one of the funniest motion pictures of the year ,
energizes
wild comedy
fontaine 's direction , especially her agreeably startling use of close-ups and her grace with a moving camera
flashes of warmth and gentle humor
to an aimless hodgepodge
as the shabby digital photography
founders on its own preciousness -- and squanders its beautiful women
with the ferocity of a frozen burrito
of the kind of lush , all-enveloping movie experience
into something provocative , rich , and strange
, red dragon rates as an exceptional thriller .
have been modeled on the worst revenge-of-the-nerds clichés the filmmakers could dredge up
has all the dramatic weight of a raindrop
a zinger-filled crowd-pleaser that open-minded elvis fans
molestation
watch , giggle and
it all unfolds predictably ,
favored
to kill michael myers for good : stop buying tickets to these movies
the scorpion king more than ably meets those standards
woven together skilfully
the big-screen scooby
is uniquely felt with a sardonic jolt
there 's nothing more satisfying during a summer of event movies than a spy thriller like the bourne identity that 's packed with just as much intelligence as action .
's just too bad the screenwriters eventually shoot themselves in the feet with cop flick cliches like an oily arms dealer , squad car pile-ups and the requisite screaming captain
the film 's trailer also looked like crap , so crap is what i was expecting .
unlikable , uninteresting , unfunny
descends into such message-mongering moralism that its good qualities are obscured
captures the way young japanese live now , chafing against their culture 's manic mix of millennial brusqueness and undying , traditional politesse
the self-destructiveness of many young people
features nonsensical and laughable plotting , wooden performances
are canny and spiced with irony
the charm of the first movie
well made but uninvolving , bloodwork is n't a terrible movie , just a stultifyingly obvious one -- an unrewarding collar for a murder mystery .
a core of flimsy -- or , worse yet , nonexistent -- ideas
a dazzling conceptual feat
even leaves you with a few lingering animated thoughts
it goes by quickly , because it has some of the funniest jokes of any movie this year , including those intended for adults
an enthralling , entertaining feature .
drive past -- even if it chiefly inspires you to drive a little faster
sour attempt
the obnoxious special effects , the obligatory outbursts of flatulence and the incessant , so-five-minutes-ago pop music on the soundtrack overwhelm what is left of the scruffy , dopey old hanna-barbera charm .
this slight premise
a moving and solidly entertaining comedy/drama
a smart , provocative drama that does the nearly impossible
as good as the original
sex and lucia is so alluring
with often surprising twists and an intermingling of naiveté and sophistication
succumbs to sensationalism
i ca n't see why any actor of talent would ever work in a mcculloch production again if they looked at how this movie turned out .
that serve no other purpose than to call attention to themselves
a charming but slight comedy
woefully pretentious .
peppered with false starts and populated by characters who are nearly impossible to care about
is entertainment opportunism at its most glaring
the movie is a mess from start to finish .
monotone narration
enamored
seem to be introverted young men with fantasy fetishes
slob city reductions of damon runyon crooks
few movies are able to accomplish
with its moving story
sillier , cuter , and
loves its characters and communicates something rather beautiful
ache with sadness ( the way chekhov is funny ) , profound without ever being self-important
the charm of kevin kline and
it 's all quite tasteful to look at
equal laughs
would be a lot better if it pared down its plots and characters to a few rather than dozens ... or if it were subtler ... or if it had a sense of humor
a bid to hold our attention
a movie that grips and holds you in rapt attention from
maybe not a classic , but a movie the kids will want to see over and over again .
give performances of exceptional honesty .
beauty to behold
vivid as the 19th-century ones
plays like some corny television
darned if it does n't also keep us riveted to our seats .
of what passes for sex in the movies look like cheap hysterics
boredom to the point of collapse , turning into a black hole of dullness ,
believability was n't one of the film 's virtues .
something both ugly and mindless
this movie is about an adult male dressed in pink jammies
minor miracle
its creator 's comic voice
that have become a spielberg trademark
this movie got me grinning .
is a distinct rarity , and an event .
sumptuous ocean visuals and the cinematic stylings of director john stockwell
which is paper-thin and decidedly unoriginal
a beautiful , entertaining two hours
astonishing is n't the word -- neither is incompetent , incoherent or just plain crap .
lasting traces
... digs beyond the usual portrayals of good kids and bad seeds to reveal a more ambivalent set of characters and motivations .
's just too dry and too placid
carrying off a spot-on scottish burr
one of the best looking and stylish animated movies in quite a while ...
become a major-league leading lady
too much meandering , norton has to recite bland police procedural details , fiennes wanders around in an attempt to seem weird and distanced , hopkins looks like a drag queen
the horror fan who opts to overlook this goofily endearing and well-lensed gorefest
stomach so much tongue-in-cheek weirdness
bring off this wild welsh whimsy .
becomes just another voyeuristic spectacle ,
stay for the credits and see a devastating comic impersonation by dustin hoffman that is revelatory .
wonderful , ghastly
given it a one-star rating
ruthlessly pained
never settles into the light-footed enchantment the material needs
is exactly what it wants to be : an atrociously , mind-numbingly , indescribably bad movie
worth a look for its true-to-life characters , its sensitive acting , its unadorned view of rural life and the subtle direction of first-timer hilary birmingham
expands the limits of what a film can be , taking us into the lives of women to whom we might not give a second look if we passed them on the street .
will attach a human face to all those little steaming cartons .
pull it back
a bracing , unblinking work that serves as a painful elegy and sobering cautionary tale .
almost every single facet of production
the acting , for the most part , is terrific , although the actors must struggle with the fact that they 're playing characters who sometimes feel more like literary conceits than flesh-and-blood humans .
psychologically savvy