xiangpku/GLUE huggingface dataset:
gets vivid , convincing performances from a fine cast
an intelligent movie in which you can release your pent up anger
susan sarandon
very valuable
a nice cool glass of iced tea
could n't help but
would have a résumé loaded with credits like `` girl in bar # 3 . ''
the film is an earnest try at beachcombing verismo
only with muscles and a lot more smarts , but just as endearing and easy to watch
complex , unpredictable character
visually flashy but narratively opaque and emotionally vapid
on courtroom movies , a few nifty twists that are so crucial to the genre and another first-rate performance by top-billed star bruce willis
means a great movie
done cinematically
not smart or barbed enough for older viewers
mostly believable ,
a personal low for everyone involved
a droll , bitchy frolic which pokes fun at the price of popularity and small-town pretension in the lone star state .
is so warm and fuzzy
of the current political climate
clearly see the world of our making .
falls back
a disaster of a story ,
know how to suffer ' and if you see this film you 'll know too .
dazzling panoramic shots that make the most of the large-screen format , before swooping down on a string of exotic locales , scooping the whole world up in a joyous communal festival of rhythm
deserving of its critical backlash and more
to the core
it may also be the best sex comedy about environmental pollution ever made .
which is way too stagy
really what we demand of the director
the emotion is impressively true for being so hot-blooded , and both leads are up to the task .
whereas oliver stone 's conspiracy thriller jfk was long , intricate , star-studded and visually flashy , interview with the assassin draws its considerable power from simplicity .
by those willing to endure its extremely languorous rhythms , waiting for happiness
is n't even halfway
begins with promise , but runs aground after being snared in its own tangled plot
are just so weird that i honestly never knew what the hell was coming next .
this gentle , mesmerizing portrait of a man coming to terms with time
gets under your skin and , some plot blips aside
my indignant , preemptive departure
even the stuffiest cinema goers will laugh their *** off for an hour-and-a-half
no quarter
marshall keeps the energy humming , and
all the stomach-turning violence , colorful new york gang lore and other hallmarks of his personal cinema painted on their largest-ever historical canvas
far closer than many movies
, swimming gets the details right , from its promenade of barely clad bodies in myrtle beach , s.c. , to the adrenaline jolt of a sudden lunch rush at the diner .
`` frailty '' starts out like a typical bible killer story , but it turns out to be significantly different ( and better ) than most films with this theme
some idea of the glum , numb experience of watching o fantasma
a music scene that transcends culture and race
ruined by amateurish
a solid , well-formed satire
would be great to see this turd squashed under a truck , preferably a semi .
corporate circus
lethally dull
one of the worst titles in recent cinematic history
like leafing through an album of photos accompanied by the sketchiest of captions .
south korea 's
as only a document of the worst possibilities of mankind can be
it eventually pays off and is effective if you stick with it
a scummy ripoff of david cronenberg 's brilliant ` videodrome
this digital-effects-heavy , supposed family-friendly comedy
, at times sublime ,
introspective and entertaining
's anchored by splendid performances from an honored screen veteran and a sparkling newcomer who instantly transform themselves into a believable mother/daughter pair
understand why this did n't connect with me would require another viewing
there 's no point in extracting the bare bones of byatt 's plot for purposes of bland hollywood romance .
an intelligent , multi-layered and profoundly humanist ( not to mention gently political ) meditation on the values of knowledge , education , and the affects of cultural and geographical displacement .
no particularly memorable effect
a blip
that makes his films so memorable
there 's nothing exactly wrong here , but there 's not nearly enough that 's right .
said that if she had to sit through it again , she should ask for a raise
a feature-length film
write and deliver a one liner as well as anybody
while hollywood ending has its share of belly laughs ( including a knockout of a closing line ) , the movie winds up feeling like a great missed opportunity .
fashioned an absorbing look
not even steven spielberg has dreamed up such blatant and sickening product placement in a movie .
but what 's nice is that there 's a casual intelligence that permeates the script .
equally beautiful , self-satisfied 18-year-old mistress
's a funny no-brainer
do justice to either effort in three hours of screen time
amateurishly
the film feels formulaic , its plot and pacing typical hollywood war-movie stuff , while the performances elicit more of a sense of deja vu than awe .
in its own way , rabbit-proof fence is a quest story as grand as the lord of the rings
showtime is a fine-looking film with a bouncy score and a clutch of lively songs for deft punctuation .
the upper echelons of the directing world
clueless and inept
an interested detachment
frustratingly unconvincing
tiresome ugliness
form an acting bond that makes the banger sisters a fascinating character study with laughs to spare .
did n't talk down to them
very few laughs and even less surprises
discovered , indulged in
wendigo wants to be a monster movie for the art-house crowd , but it falls into the trap of pretention almost every time .
a little bit of romance and a dose
's so poorly
there 's something about mary and both american pie movies
, fun cheese puff
suppose it 's lovely that cal works out his issues with his dad and comes to terms with his picture-perfect life
all the mounting tension of an expert thriller
colorful look
fluttering
directed , highly professional film that 's old-fashioned in all the best possible ways .
is the best description of this well-meaning , beautifully produced film that sacrifices its promise for a high-powered star pedigree
about street gangs and turf wars in 1958 brooklyn -- stale cliches , gratuitous violence , or empty machismo
reminds us that , in any language , the huge stuff in life can usually be traced back to the little things .
longer exposition sequences between them
gasping at its visual delights
and civic action laudable
the ensemble cast turns in a collectively stellar performance
after the death of a child
a movie that is definitely meaningless , vapid and devoid of substance
, spielberg knows how to tell us about people .
what it is supposed to be , but ca n't really call it a work of art
giant step backward
that a feel-good movie can still show real heart
an impeccable study in perversity .
are lean and tough enough to fit in any modern action movie
ebullient affection
so much farcical as sour .
hard-hitting documentary
brosnan is more feral in this film than i 've seen him before and halle berry does her best to keep up with him
sometimes hilarious )
find little of interest in this film , which is often preachy and poorly acted
attracting audiences to unfaithful
such a mesmerizing one
crematorium
defies expectation
remind them that hong kong action cinema is still alive and kicking
toes the fine line between cheese and earnestness remarkably well ; everything is delivered with such conviction that it 's hard not to be carried away .
's depressing to see how far herzog has fallen .
less a movie than )
the devastation
that miss
plays it straight , turning leys ' fable into a listless climb down the social ladder .
fincher takes no apparent joy in making movies , and
greatest musicians
stinks from start
, movies like ghost ship will be used as analgesic balm for overstimulated minds .
just one of those underrated professionals who deserve but rarely receive it
i enjoyed the movie in a superficial way , while never sure what its purpose was .
's so not-at-all-good
it also has humor and heart and very talented young actors
is laughingly enjoyable
to one of those ignorant
none of this is meaningful or memorable , but frosting is n't , either , and
there are laughs aplenty
while the material is slight , the movie is better than you might think .
adaptation 's success in engaging the audience in the travails of creating a screenplay
irrelevancy
a leap from pinnacle to pinnacle
shot like a postcard and
the gags , and the script , are a mixed bag .
best screen
as shallow entertainment
gangster no. 1 a worthwhile moviegoing experience
knows , and very likely
convinced that these women are spectacular
's hard to pity the ` plain ' girl who becomes a ravishing waif after applying a smear of lip-gloss
this is the kind of movie that deserves a chance to shine .
a mushy , existential exploration of why men leave their families
have strip-mined the monty formula mercilessly since 1997
denis ) accomplishes in his chilling , unnerving film
the illusion of work is than actual work
`` blue crush '' is the phenomenal , water-born cinematography by david hennings
an undeniable energy
plus the script by working girl scribe kevin wade is workmanlike in the extreme .
is spooky and subtly
, and funny
the beauty and power of the opera
is that it does n't make any sense .
sometimes tedious
funny , moving
teetering on the edge of sanity
exists ,
ca n't rescue this effort
the pleasures that it does afford may be enough to keep many moviegoers occupied amidst some of the more serious-minded concerns of other year-end movies .
imagine any recent film , independent or otherwise , that makes as much of a mess as this one
whimsicality ,
's just experimental enough to alienate the mainstream audience while ringing cliched to hardened indie-heads
, letting its imagery speak for it while it forces you to ponder anew what a movie can be .
journalistically dubious , inept and often lethally dull
, american chai is enough to make you put away the guitar , sell the amp , and apply to medical school .
, the sum of all fears is simply a well-made and satisfying thriller .
as for children , they wo n't enjoy the movie at all .
-- from its ripe recipe , inspiring ingredients , certified
only weak claims to surrealism and black comedy
sensuality , and sympathy into a story about two adolescent boys .
offers an exploration that is more accurate than anything i have seen in an american film .
the highs and lows
look sophisticated
why it fails is a riddle wrapped in a mystery inside an enigma .
his passion
nice , harmless date film
'' astounds .
memorable and
saddled with an unwieldy cast of characters and angles
makes as much of a mess as this one
different ( and better )
a dramatic slap
the efforts of its star , kline , to lend some dignity to a dumb story are for naught .
of their time ( including mine ) on something very inconsequential
... it feels like a glossy rehash .
been allowed to use the word `` new '' in its title , because there 's not an original character , siuation or joke in the entire movie
just seem like a bad idea from frame one
be hard pressed to think of a film more cloyingly sappy than evelyn this year
a delicately crafted film
will give many ministers and bible-study groups hours of material to discuss .
while the film is competent , it 's also uninspired , lacking the real talent and wit to elevate it beyond its formula to the level of classic romantic comedy to which it aspires .
to find a compelling dramatic means of addressing a complex situation
by its funny , moving yarn that holds up well after two decades
tell almost immediately that welcome to collinwood is n't going to jell
an average kid-empowerment fantasy with slightly above-average brains
dull and ankle-deep
an unusually dry-eyed , even analytical approach to material that is generally
aimless , arduous
a screenplay to die for
its objective portrait
're definitely convinced that these women are spectacular .
but only among those who are drying out from spring break
metal , fireballs and revenge
insignificance
find an enthusiastic audience
remarkable amount
fits into a genre that has been overexposed , redolent of a thousand cliches , and yet remains uniquely itself , vibrant with originality .
with a light ( yet unsentimental ) touch
as it is interminable
reveals the ways in which a sultry evening or a beer-fueled afternoon in the sun can inspire even the most retiring heart to venture forth .
it 's like going to a house party and watching the host defend himself against a frothing ex-girlfriend .
an often intense character study about fathers
romantic comedy with a fresh point of view
most savory and hilarious guilty pleasure
and educational !
to some eyes this will seem like a recycling of clichés , an assassin 's greatest hits .
a few points about modern man and his problematic quest for human connection
unlikable , uninteresting , unfunny , and completely
rehashes
is a little scattered -- ditsy ,
loses its sense of humor
they used to anymore
a culture-clash comedy that , in addition to being very funny
affirming
as we
the whole film has this sneaky feel to it -- as if the director is trying to dupe the viewer into taking it all as very important simply because the movie is ugly to look at and not a hollywood product .
's an 88-minute highlight reel that 's 86 minutes too long
flavor and spice
a beguiling evocation
impish divertissement
a delicious crime drama on par
the movie is pretty funny now and then without in any way demeaning its subjects .
leave the same way you came -- a few tasty morsels under your belt , but no new friends
realistic human behavior of an episode of general hospital
you 're burnt out on it 's a wonderful life marathons and bored with a christmas carol
injects just enough freshness into the proceedings to provide an enjoyable 100 minutes in a movie theater .
understands the workings of its spirit
first-time director kevin donovan managed to find something new to add to the canon of chan
just like a splendid meal , red dragon satisfies -- from its ripe recipe , inspiring ingredients , certified cuisine and palatable presentation .
's black hawk down with more heart
enough vitality to justify the notion of creating a screen adaptation of evans ' saga of hollywood excess
enormously enjoyable
a moving and stark reminder
well-meaning , beautifully produced film
's something to be said for a studio-produced film that never bothers to hand viewers a suitcase full of easy answers
ponderous and
to squeeze the action and our emotions into the all-too-familiar dramatic arc of the holocaust escape story
in which opposites attract for no better reason than that the screenplay demands it
last-place basketball
do everything humanly possible to create characters who are sweet and believable , and are defeated by a screenplay that forces them into bizarre , implausible behavior
playful and
a child 's pain
most opaque , self-indulgent and just plain
bluer than the atlantic
of the week blown up for the big screen
the story 's scope and pageantry are mesmerizing , and mr. day-lewis roars with leonine power .
three words : thumbs friggin ' down
this is a movie where the most notable observation is how long you 've been sitting still .
is a technological exercise that lacks juice and delight
i thought the relationships were wonderful , the comedy was funny ,
ritchie 's film is easier to swallow than wertmuller 's polemical allegory , but it 's self-defeatingly decorous
sinks .
, it does so without compromising that complexity .
stifles creativity and allows the film to drag on for nearly three hours
feels like a teenybopper ed wood film , replete with the pubescent scandalous innuendo and the high-strung but flaccid drama .
an astonishing voice cast ( excepting love hewitt ) , an interesting racial tension
, then it 's the perfect cure for insomnia .
, with a solid cast ,
's relentlessly folksy
is never especially clever and
achieve a shock-you-into-laughter intensity of almost dadaist proportions
a treatise on spirituality
determination and the human spirit
from reporting on the number of tumbleweeds blowing through the empty theaters
slight to be called any kind of masterpiece
succeeds in making neither
even caught the gum stuck under my seat trying to sneak out of the theater
a text to ` lick , ' despite the efforts of a first-rate cast
is badly edited , often awkwardly directed and suffers from the addition of a wholly unnecessary pre-credit sequence designed to give some of the characters a ` back story . '
the beauty
has done the nearly impossible
increasingly implausible as it
see the attraction for the sole reason that it was hot outside and there was air conditioning inside
a medium-grade network sitcom --
comes up with a kind of art-house gay porn film
, i 'd take ( its ) earnest errors and hard-won rewards over the bombastic self-glorification of other feel-good fiascos like antwone fisher or the emperor 's club any time .
new movie rapes
a more colorful , more playful tone than his other films
still feels counterproductive
more of an impish divertissement of themes that interest attal and gainsbourg -- they live together -- the film has a lot of charm .
ayres makes the right choices at every turn
a fudged opportunity of gigantic proportions
sustains interest during the long build-up of expository material
( herzog 's ) personal policy
the movie 's ultimate point -- that everyone should be themselves -- is trite , but the screenwriter and director michel gondry restate it to the point of ridiculousness
a particularly amateurish episode of bewitched that takes place during spring break
relies on toilet humor , ethnic slurs
for those who pride themselves on sophisticated , discerning taste , this might not seem like the proper cup of tea , however it is almost guaranteed that even the stuffiest cinema goers will laugh their *** off for an hour-and-a-half .
self-caricature
any enjoyment will be hinge from a personal threshold of watching sad but endearing characters do extremely unconventional things .
designed equilibrium becomes a concept doofus
it 's not a brilliant piece of filmmaking
costner 's warm-milk persona is just as ill-fitting as shadyac 's perfunctory directing chops ,
hilariously wicked black comedy ...
be more complex than your average film
ideal outlet
despite its old-hat set-up and predictable plot , empire still has enough moments to keep it entertaining .
bother watching past the second commercial break
deadly bore
intimate and intelligent
yet i found it weirdly appealing
a fun adventure movie
martial arts and gunplay with too little excitement and zero compelling storyline .
know whether it wants to be a suspenseful horror movie or a weepy melodrama .
's a familiar story , but one that is presented with great sympathy and intelligence
delightful .
to a coming-of-age story with such a buoyant , expressive flow of images
is an inspirational love story , capturing the innocence and idealism of that first encounter
increasingly important film industry
how resolutely unamusing , how thoroughly unrewarding all of this is
drying out
that makes you ache with sadness ( the way chekhov is funny ) , profound without ever being self-important , warm without ever succumbing to sentimentality
lets the pictures do the punching
brutal and funny
perry 's good
did the screenwriters just do a cut-and-paste of every bad action-movie line in history ?
sloppily written
some special qualities
i found the movie as divided against itself as the dysfunctional family it portrays .
's perfect for the proud warrior that still lingers in the souls of these characters
schaefer 's ... determination to inject farcical raunch
something fresh to say
of mexico 's most colorful and controversial artists
who willingly walk into the nightmare of war not only to record the events for posterity , but to help us
such confidence
this masterfully calibrated psychological thriller
, maudlin and cliche-ridden
a great performance and
guessing plot and an affectionate take on its screwed-up characters
rock solid family fun out of the gates
the worst sense
like a fragment of an underdone potato
how do you make a movie with depth about a man who lacked any ?
wasting away
inventing
would benigni 's italian pinocchio have been any easier to sit through than this hastily dubbed disaster ?
bears more than a whiff of exploitation , despite iwai 's vaunted empathy
pushiness and decibel volume
of the painstaking
be viewed and treasured for its extraordinary intelligence and originality as well as its lyrical variations on the game of love
never amount to a satisfying complete picture of this particular , anciently demanding métier
a jaw-droppingly beautiful work that upends nearly every cliché of japanese animation while delivering a more than satisfactory amount of carnage
of relationships that come full circle to end on a positive ( if tragic ) note
you can actually feel good
itself is ultimately quite unengaging .
hilariously
a summertime look-see
is that celebi could take me back to a time before i saw this movie
pretends to be a serious exploration of nuclear terrorism
you live the mood rather than savor the story .
phony humility
you give a filmmaker an unlimited amount of phony blood
wastes an exceptionally good idea
does n't cut it
above the rest
it 's too much syrup and not enough fizz
one of these days hollywood will come up with an original idea for a teen movie , but until then there 's always these rehashes to feed to the younger generations
may be galled that you 've wasted nearly two hours of your own precious life with this silly little puddle of a movie .
is a tired one ,
treats his audience the same way that jim brown treats his women -- as dumb , credulous , unassuming , subordinate subjects
carry the film
a worthless film
at a slice of counterculture that might be best forgotten
round out the square edges .
a dull , dumb and derivative horror film .
to hate it
absorbs all manner of lame entertainment
eerily
the film starts promisingly , but the ending is all too predictable and far too cliched to really work .
seedy clash
instead of letting the laughs come as they may , lawrence unleashes his trademark misogyny -- er , comedy -- like a human volcano or an overflowing septic tank , take your pick .
the sweetest thing is expressly for idiots who do n't care what kind of sewage they shovel into their mental gullets to simulate sustenance .
payne has created a beautiful canvas
are the greatest musicians of all time .
labored writing and slack direction
the old mib label stands for milder is n't better .
the exclamation point seems to be the only bit of glee you 'll find in this dreary mess .
nicolas cage is n't the first actor to lead a group of talented friends astray , and this movie wo n't create a ruffle in what is already an erratic career
makes a wonderful subject for the camera .
the quirky
dark humor , gorgeous exterior photography ,
as a mechanical apparatus
imaginatively
emerges with yet another remarkable yet shockingly little-known perspective
for the uninitiated plays better on video with the sound
blasphemous and nonsensical
a dark mood that makes the film seem like something to endure instead of enjoy
ranks as the most original in years
are scenes of cinematic perfection that steal your heart away
) profound ethical and philosophical questions in the form of dazzling pop entertainment
bigelow offers some flashy twists and turns that occasionally fortify this turgid fable .
ignorant fairies is still quite good-natured and not a bad way to spend an hour or two .
's the perfect cure for insomnia .
recommended as an engrossing story about a horrifying historical event and the elements which contributed to it .
like being able to hit on a 15-year old when you 're over 100
in making me groggy
the sentimental script has problems , but the actors pick up the slack .
's as if de palma spent an hour setting a fancy table and then served up kraft macaroni and cheese
of low-grade dreck that usually goes straight to video -- with a lousy script , inept direction , pathetic acting , poorly dubbed dialogue and murky cinematography , complete with visible boom mikes
food-spittingly
has its moments -- and almost as many subplots