xiangpku/GLUE huggingface dataset:
steals the show without resorting to camp as nicholas ' wounded and wounding uncle ralph
engrossing and grim
it drowns in sap .
do anything as stomach-turning as the way adam sandler 's new movie rapes , pillages and incinerates frank capra 's classic
purports to be a hollywood satire but winds up as the kind of film that should be the target of something
the cute frissons of discovery and humor between chaplin and kidman
moves in such odd plot directions and descends into such message-mongering moralism that its good qualities are obscured .
with this masterful
remind us
a rather listless amble down
is not , nor will he be , back
no way original
of monster truck-loving good ol' boys and peroxide blond honeys whose worldly knowledge comes from tv reruns and supermarket tabloids
`` the dangerous lives of altar boys '' has flaws
bona fide
an inventive ,
shamelessly money-grubbing than most third-rate horror sequels
cult favorite
this is the kind of movie that you only need to watch for about thirty seconds before you say to yourself , ` ah , yes , here we have a bad , bad , bad movie . '
bullock 's memorable first interrogation of gosling
somber , absurd ,
convey a tiny sense of hope
may marginally enjoy the film
deserves to emerge from the traffic jam of holiday movies
many ways the perfect festival film :
a question for philosophers , not filmmakers
hang broad , mildly fleshed-out characters that seem to have been conjured up only 10 minutes prior to filming
with few exceptions , it rarely stoops to cheap manipulation or corny conventions to do it
just how much more grueling and time-consuming
to which the girls-behaving-badly film has fallen
with absurdly inappropriate ` comedy ' scenes
wizened
it drags
throws in enough clever and unexpected twists to make the formula feel fresh .
characterization , poignancy , and intelligence
, kissing jessica stein is one of the greatest date movies in years .
`` pretty woman '' wanted to be
arduous
suspense ,
barely tolerable
their shallow styles
a brilliant motion picture
buoyant feeling
falls somewhat short
one of the worst movies of one year
that never springs to life
, it has some problems
brisk , reverent , and subtly different sequel
, desiccated talent
mira sorvino 's limitations as a classical actress
with the gifted pearce on hand to keep things on semi-stable ground dramatically , this retooled machine is ultimately effective enough at achieving the modest , crowd-pleasing goals it sets for itself .
sharp objects
are useful in telling the story , which is paper-thin and decidedly unoriginal
will be on video long before they grow up and you can wait till then
it 's bright , pristine style and bold colors make it as much fun as reading an oversized picture book before bedtime .
begin to long for the end credits as the desert does for rain .
the deliberate , tiresome ugliness
a sterling ensemble cast
they may be as history
we cut to a new scene , which also appears to be the end .
less an examination of neo-nazism than a probe into the nature of faith itself .
the only problem
quite enough of them
this is n't exactly profound cinema , but
will make you wish you were at home watching that movie instead of in the theater watching this one
asks the question how much souvlaki can you take before indigestion sets in
comic set
certainly not a good movie , but it was n't horrible either .
is reasonably entertaining
left on a remote shelf
each scene drags , underscoring the obvious , and
deteriorates into a terribly obvious melodrama and rough-hewn vanity project for lead actress andie macdowell
such clarity
've completely lowered your entertainment standards
an intelligent , multi-layered and profoundly humanist ( not to mention gently political ) meditation
major waste
their parents would do well to cram earplugs in their ears and put pillowcases over their heads for 87 minutes .
like to ride bikes
sincere and artful
a shame the marvelous first 101 minutes have to be combined with the misconceived final 5
soulful gravity
mindless without being the peak of all things insipid
is likely to cause massive cardiac arrest if taken in large doses .
better celebration
slick production values
its compelling mix of trial movie , escape movie and unexpected fable ensures the film never feels draggy .
is fully formed and remarkably assured
line between passion and pretence .
undisputed scores a direct hit .
people sit and stare and turn away from one another instead of talking and it 's all about the silences and if you 're into that , have at it
to note that this film , like the similarly ill-timed antitrust , is easily as bad at a fraction the budget
profound cinema
in spite of its predictability
flimsy -- or , worse yet , nonexistent -- ideas
there is no substitute for on-screen chemistry
is sentimental
pokes , provokes , takes expressionistic license and hits a nerve
go but down
too conventional -- lots of boring talking heads , etc. -- to do the subject matter justice
a feel-good movie that does n't give you enough to feel good about .
sets out
maintains your sympathy for this otherwise challenging soul by letting you share her one-room world for a while
aging sandeman
tinny self-righteousness
'm not exactly sure what this movie thinks it is about .
it 's hardly watchable
one suspects that craven endorses they simply because this movie makes his own look much better by comparison .
twice about what might be going on inside each trailer park you drive past -- even if it chiefly inspires you to drive a little faster
here the love scenes all end in someone screaming .
a cruelly funny twist on teen comedy packed with inventive cinematic tricks and an ironically killer soundtrack
goes beyond his usual fluttering and stammering
lilo & stitch '' reach the emotion or timelessness of disney 's great past , or even that of more recent successes such as `` mulan '' or `` tarzan
'' is never lethargic
can tell what it is supposed to be , but ca n't really call it a work of art
is inspiring , ironic , and revelatory of just how ridiculous and money-oriented the record industry really is .
all the spaces in between filled with fantasies , daydreams , memories and one fantastic visual trope after another
rousing ,
stay for the credits and see a devastating comic impersonation by dustin hoffman that is revelatory
even in the summertime , the most restless young audience deserves the dignity of an action hero motivated by something more than franchise possibilities .
for children
very predictable
bad rock concert
for those who are intrigued by politics of the '70s , the film is every bit as fascinating as it is flawed .
elaborate continuation
was a freshman fluke
nohe has made a decent ` intro ' documentary , but he feels like a spectator and not a participant .
ill-fitting
watch these two
to be distasteful to children and adults alike
most breezy movie
a cruel deception
hated myself in the morning
but darned if it does n't also keep us riveted to our seats .
seem so impersonal or even shallow
the strength
just when you think that every possible angle has been exhausted by documentarians , another new film emerges with yet another remarkable yet shockingly little-known perspective .
one very funny joke and
's pathetic
that it 's the butt of its own joke
drowned me in boredom
to think of a film more cloyingly sappy than evelyn this year
ambitious film
not remotely incisive enough
's touching and tender and proves that even in sorrow you can find humor .
terribly obvious melodrama and rough-hewn vanity project
it does a disservice to the audience and to the genre .
's just plain lurid
spends 90 minutes trying figure out whether or not some cocky pseudo-intellectual kid has intentionally left college or was killed .
bad animation and mindless violence
preposterous , prurient
workmanlike
be drawn in by the sympathetic characters
of love that strikes a very resonant chord
of the whole slo-mo , double-pistoled , ballistic-pyrotechnic hong kong action aesthetic
the tale with bogus profundities
a world where the bizarre is credible and the real turns magical
` moore is like a progressive bull in a china shop , a provocateur crashing into ideas and special-interest groups as he slaps together his own brand of liberalism . '
a well-made pb & j sandwich
mediocre special effects
's funny , touching , dramatically forceful , and beautifully shot .
british stage icon
has a film 's title served such dire warning .
that was n't at least watchable
lacks considerable brio for a film about one of cinema 's directorial giants
if this is cinema , i pledge allegiance to cagney and lacey .
it 's icky .
has the capability of effecting change and inspiring hope
's a brazenly misguided project
character-driven storytelling
every so often a film comes along that is so insanely stupid , so awful in so many ways that watching it leaves you giddy .
it 's meandering , low on energy , and too eager to be quirky at moments when a little old-fashioned storytelling would come in handy
trots out the video he took of the family vacation to stonehenge
can not engage .
this is one baaaaaaaaad movie .
but no sense of pride or shame
like their characters
illuminating an era of theatrical comedy that , while past ,
unsentimental
elegant , witty and beneath a prim exterior
an original and highly cerebral examination of the psychopathic mind
even when there are lulls , the emotions seem authentic , and the picture is so lovely toward the end ... you almost do n't notice the 129-minute running time
is a tribute
comes far closer than many movies to expressing the way many of us live -- someplace between consuming self-absorption and insistently demanding otherness
the irony is that this film 's cast is uniformly superb
like the rugrats movies , the wild thornberrys movie does n't offer much more than the series , but its emphasis on caring for animals and respecting other cultures is particularly welcome .
it 's a lovely , sad dance highlighted by kwan 's unique directing style .
campanella 's competent direction
sparkling
for its sheer audacity and openness
farce and blood-curdling family intensity
that 's barely shocking , barely interesting and most of all , barely anything
restrained and
entertaining british hybrid
coal is n't as easy to come by as it used to be and this would be a worthy substitute for naughty children 's stockings
the necessary self-control to guide a loose , poorly structured film through the pitfalls of incoherence and redundancy
a hoot
something has been lost in the translation ... another routine hollywood frightfest in which the slack execution italicizes the absurdity of the premise .
to dumb down the universe
no quarter to anyone seeking to pull a cohesive story out
a good-natured ensemble comedy that tries hard to make the most of a bumper
the very definition of what critics have come to term an `` ambitious failure
too narrow to attract crossover viewers
relies less on forced air than on petter næss ' delicate , clever direction ... and a wonderful , imaginative script by axel hellstenius
the animation and game phenomenon
jacobi , the most fluent of actors , is given relatively dry material from nijinsky 's writings to perform ,
it 's a funny little movie with clever dialogue and likeable characters .
an expiration date passed a long time ago
sexy , surprising romance
enjoyed themselves
everyone thinks poo-poo jokes are ` edgy
may leave you rolling your eyes in the dark
they might try paying less attention to the miniseries and more attention to the film it is about .
this film is too busy hitting all of its assigned marks to take on any life of its own .
with an unflappable air of decadent urbanity
in other words , about as bad a film
a completely honest , open-hearted film that should appeal to anyone willing to succumb to it
's just tediously bad
brooding and slow
graphically illustrates the problems of fledgling democracies , but also the strength and sense of freedom the iranian people already possess , with or without access to the ballot box .
the most depressing movie-going experiences i can think of
emotionally satisfying
rusted-out
have nothing better to do with 94 minutes
that washington most certainly has a new career ahead of him
than a spy thriller like the bourne identity
about kicking undead ***
sandler is losing his touch
build a feel-good fantasy
who does n't think about percentages all day long
generally smart casting
fails to keep it up and
stillborn except as a harsh conceptual exercise
just another teen movie
that turns me into that annoying specimen of humanity that i usually dread encountering the most
did they not
is hilariously , gloriously alive , and quite often hotter
is so bleak that it 's hardly watchable
's hard to understand why anyone in his right mind would even think to make the attraction a movie
was so endlessly , grotesquely ,
that by movie 's end , we accept the characters and the film , flaws and all
while illuminating an era of theatrical comedy that , while past ,
yet another iteration of what 's become one of the movies ' creepiest conventions , in which the developmentally disabled are portrayed with almost supernatural powers to humble , teach and ultimately redeem their mentally `` superior '' friends , family ...
not , difficult and sad
... puts enough salt into the wounds of the tortured and self-conscious material to make it sting .
is sure to raise audience 's spirits and leave them singing long after the credits roll .
made spy kids a surprising winner with both adults and younger audiences
the heart and
a dashing and resourceful hero ; a lisping , reptilian villain ; big fights ; big hair ; lavish period scenery ; and
lulls you
it is hard to conceive anyone else in their roles .
weird , wonderful , and not necessarily for kids
sorrow
completely creatively stillborn and
occasionally interesting
of a very lively dream
's a fine , focused piece of work that reopens an interesting controversy and never succumbs to sensationalism .
transforms this story about love and culture into a cinematic poem
it 's a bad sign when you 're rooting for the film to hurry up and get to its subjects ' deaths just so the documentary will be over
enthusiastically
give credit to everyone from robinson down to the key grip
some effecting moments
a deft , delightful mix of sulky teen drama and overcoming-obstacles sports-movie triumph .
on his way to becoming the american indian spike lee
then pay your $ 8 and get ready for the big shear .
adding the rich details and
affirm love 's power to help people endure almost unimaginable horror
caddyshack
is little question that this is a serious work by an important director who has something new to say about how , in the flip-flop of courtship , we often reel in when we should be playing out
it does n't offer any insights that have n't been thoroughly debated in the media already , back in the dahmer heyday of the mid - '90s
too bad kramer
it 's quite diverting nonsense .
laugh therapy '
goes to absurd lengths to duck the very issues it raises .
with a romantic comedy plotline straight from the ages
a bizarre piece of work , with premise and dialogue at the level of kids ' television and plot threads
of the glum , numb experience of watching o fantasma
independence , complete with loads of cgi and bushels of violence , but not a drop of human blood
that led to their notorious rise to infamy
lustrous
, intimate and intelligent
it 's all bluster and cliché
is so thoughtlessly assembled
statements and dime-store ruminations
repugnant
the dramatic scenes are frequently unintentionally funny , and the action sequences -- clearly the main event -- are surprisingly uninvolving .
hollow , self-indulgent ,
a degree of affection rather than
weird amalgam
greatest hits
it is most remarkable not because of its epic scope , but because of the startling intimacy it achieves despite that breadth .
a dull , simple-minded and stereotypical tale of drugs , death and mind-numbing indifference on the inner-city streets
definitely worth 95 minutes of your time
savagely hilarious
valiantly struggled to remain interested , or at least conscious
not one clever line
privileged moments and
clever and funny
to recite bland police procedural details , fiennes wanders around in an attempt
so unabashedly hopeful that it actually makes the heart soar
is at 22 a powerful young actor
undermining the movie 's reality and
comedically labored
a caricature -- not even with that radioactive hair
nearly three decades of bittersweet camaraderie and history
the masses with star power , a pop-induced score
let-down
the woodman seems to have directly influenced this girl-meets-girl love story , but even more reassuring is how its makers actually seem to understand what made allen 's romantic comedies so pertinent and enduring .
is all over the place , really .
well worth
one film that 's truly deserving of its oscar nomination
just the sort of lazy tearjerker that gives movies about ordinary folk a bad name .
wiggling energy
bloodwork is n't a terrible movie , just a stultifyingly obvious one -- an unrewarding collar for a murder mystery .
superb performances throughout
scorsese 's bold images and generally smart casting ensure that `` gangs '' is never lethargic
a worthwhile glimpse
is clever and funny ,
a fairly enjoyable mixture
takes a surprising , subtle turn at the midway point
unspeakably , unbearably dull
is less concerned with cultural and political issues than doting on its eccentric characters .
quite simply , a joy to watch and -- especially -- to listen to
be madcap farce
most edgy
an empty exercise , a florid but ultimately vapid crime melodrama with lots of surface flash but little emotional resonance .
that is often quite rich and exciting
of being the big
pompous and garbled .
oftentimes funny , yet ultimately cowardly
were a series of bible parables and not an actual story
david letterman and the onion
its recent predecessor miserably
the expectation of laughter has been quashed by whatever obscenity is at hand
to the otherwise bleak tale
spirit-crushing
it sounds like another clever if pointless excursion into the abyss , and
should please history fans
the cast is appealing
's awfully entertaining to watch
as katzenberg
be invented to describe exactly how bad it is
little action , almost no suspense or believable tension , one-dimensional characters up the wazoo and sets that can only be described as sci-fi generic .
the transporter bombards the viewer with so many explosions and side snap kicks that it ends up being surprisingly dull
a more measured or polished production
worthy addition
deep into the girls ' confusion and pain as they struggle tragically to comprehend the chasm of knowledge that 's opened between them
not only a coming-of-age story and cautionary parable , but also a perfectly rendered period piece
can be made
the engagingly primitive animated special effects contribute to a mood that 's sustained through the surprisingly somber conclusion .
a powerful and deeply moving example
of a mushy , existential exploration of why men leave their families
affirming and heartbreaking
crossing-over
a surprisingly charming and even witty match for the best of hollywood 's comic-book adaptations .
the plot ` surprises
, self-indulgent and maddening
this is a mormon family movie , and a sappy , preachy one at that
spellbinding fun
make the stones weep
flat-out amusing ,
astonishing ... ( frames ) profound ethical and philosophical questions in the form of dazzling pop entertainment .
from this three-hour endurance test built around an hour 's worth of actual material
feels especially thin stretched over the nearly 80-minute running time
'd live in if argento 's hollywood counterparts ... had this much imagination and nerve
expected flair
to his son 's home
itself is far from disappointing , offering an original
's like going to a house party and watching the host defend himself against a frothing ex-girlfriend .
talented , charismatic and tragically
can be viewed as pure composition and form -- film as music
would recommend big bad love only to winger fans who have missed her since 1995 's forget paris
is for the most part a useless movie , even with a great director at the helm .
dramatically forceful
content merely to lionize its title character and exploit his anger -
its heart
exceedingly clever
he delivers fascinating psychological fare
the ` wow ' factor
need n't be steeped in '50s sociology , pop culture or movie lore to appreciate the emotional depth of haynes ' work .
feels uncomfortably real , its language and locations bearing the unmistakable stamp of authority
a pleasant and engaging enough sit , but
be seen as hip , winking social commentary
make a terrific 10th-grade learning tool
have the patience for it
unfairly
keenly observed and refreshingly natural
, that would be me : fighting off the urge to doze .
undercut by its awkward structure and a final veering toward melodrama .
just might go down as one of the all-time great apocalypse movies .
gets caught up in the rush of slapstick thoroughfare .
the worst kind of filmmaking , the kind that pretends to be passionate and truthful but is really frustratingly timid and soggy
more sophisticated and literate than such pictures usually are
completely creatively stillborn and executed in a manner that i 'm not sure
a fast paced and suspenseful argentinian thriller about the shadow side
fessenden continues to do interesting work , and it would be nice to see what he could make with a decent budget .
keen eye , sweet spirit
gets the details right , from its promenade of barely clad bodies in myrtle beach , s.c. , to the adrenaline jolt of a sudden lunch rush at the diner .
an overall sense of brusqueness
with honesty that is tragically rare in the depiction of young women in film
rifkin no doubt fancies himself something of a hubert selby jr. , but there is n't an ounce of honest poetry in his entire script ;
rifkin no doubt fancies himself something of a hubert selby jr. , but there is n't an ounce of honest poetry in his entire script ; it 's simply crude and unrelentingly exploitative
it has fun with the quirks of family life
though it 's not very well shot or composed or edited , the score is too insistent and
do n't even like their characters .
suspenseful enough for older kids but
fascinating experiment
sleek and arty
most alive
probing or penetrating
as the man who bilked unsuspecting moviegoers
the wild wild west
seem like mere splashing around in the muck
whether or not ram dass proves as clear and reliable an authority on that as he was about inner consciousness , fierce grace reassures us that he will once again be an honest and loving one .
do n't think most of the people who loved the 1989 paradiso will prefer this new version .
found the ring moderately absorbing , largely for its elegantly colorful look and sound
silly -- and gross -- but it 's rarely as moronic as some campus gross-out films .
viscerally repellent
is a wonderful thing ;
semi-surrealist exploration of the creative act .
the concept behind kung pow : enter the fist is hilarious .
as-nasty -
how well the schmaltz is manufactured -- to assess the quality of the manipulative engineering
, two towers outdoes its spectacle .
your brain and your secret agent decoder ring at the door
it 's refreshing that someone understands the need for the bad boy ;
is n't just a poor fit with kieslowski 's lyrical pessimism
exuberantly
of poetry and passion
unlaughable
it 's good enough to be the purr
, dragon loses its fire midway , nearly flickering out by its perfunctory conclusion .
's exactly what these two people need to find each other
this sensitive , smart , savvy , compelling coming-of-age drama delves into the passive-aggressive psychology of co-dependence and the struggle for self-esteem .
plunging deeper
to show for their labor , living harmoniously , joined in song
what madonna does here ca n't properly be called acting -- more accurately , it 's moving and
continues to cut a swathe through mainstream hollywood , while retaining an integrity and refusing to compromise his vision
an elegant visual sense and
twenty-three movies into a mostly magnificent directorial career , clint eastwood 's efficiently minimalist style
like a glossy rehash
more emotional force
creeps into your heart
simplistic and more than a little pretentious