xiangpku/GLUE huggingface dataset:
the gifts of all involved , starting with spielberg and going right through the ranks of the players -- on-camera and off -- that he brings together .
it sounds like a cruel deception carried out by men of marginal intelligence , with reactionary ideas about women and a total lack of empathy .
very expressive
arliss howard 's ambitious , moving , and adventurous directorial debut , big bad love ,
said that warm water under a red bridge is a poem to the enduring strengths of women
a loud , witless mess that has none of the charm and little of the intrigue from the tv series .
ghastly
a nightmare about bad cinema
, gangs excels in spectacle and pacing .
the film operates nicely off the element of surprise
how love is the great equalizer that can calm us of our daily ills and bring out joys in our lives that we never knew
to overcome the cultural moat surrounding its ludicrous and contrived plot
the third feels limited by its short running time
medem may have disrobed most of the cast , leaving their bodies exposed , but the plot remains as guarded as a virgin with a chastity belt .
that , if it were a person , you 'd want to smash its face in
it 's excessively quirky and a little underconfident in its delivery
going to go down as the worst -- and only -- killer website movie of this or any other year
, by the end , no one in the audience or the film seems to really care
berling and béart ... continue to impress ,
, comfortable
gets old
as solid and as perfect as his outstanding performance as bond in die
of characters that bring the routine day to day struggles of the working class to life
for something new
reign of fire never comes close to recovering from its demented premise ,
simply a re-hash of the other seven films .
when none of them are ever any good
tired , talky
's enough cool fun here to warm the hearts of animation enthusiasts of all ages .
moonlight mile does n't quite go the distance but the cast is impressive and they all give life to these broken characters who are trying to make their way through this tragedy
engaging simplicity
strong and convincing
'll want to crawl up your own *** in embarrassment
an intelligent and deeply felt work about impossible , irrevocable choices and the price of making them .
for sex in the movies look like cheap hysterics
but the actors make this worth a peek .
a crummy , wannabe-hip crime comedy that refers incessantly to old movies , when you could just rent those movies instead , let alone seek out a respectable new one
such an incomprehensible mess that it feels less like bad cinema than like being stuck in a dark pit having a nightmare about bad cinema .
's the butt of its own joke
a masterpiece --
a dazzling , remarkably unpretentious reminder
a stunning film , a one-of-a-kind tour de force
clichés and mawkish dialogue
a tragic dimension and
deathly slow to any teen
any art-house moviegoer is likely to find compelling
maybe twice )
good action , good acting , good dialogue , good pace , good cinematography .
remarkably unpretentious
has the rare capability to soothe and break your heart with a single stroke .
funny and human and really pretty damned wonderful
it is also elevated by it -- the kind of movie that you enjoy more because you 're one of the lucky few who sought it out .
that crossroads is nothing more than an hour-and-a-half-long commercial for britney 's latest album
a work of extraordinary journalism , but
worked against the maker 's minimalist intent
spirals downward , and
second helpings of love , romance , tragedy , false dawns , real dawns , comic relief , two separate crises during marriage ceremonies , and the lush scenery of the cotswolds
it goes further than both
more than a whiff
more to be prescribed than recommended -- as visually bland as a dentist 's waiting room , complete with soothing muzak and a cushion of predictable narrative rhythms .
k-19 : the widowmaker is derivative , overlong , and bombastic -- yet surprisingly entertaining .
because his character 's deceptions ultimately undo him
generic thriller junk .
joyous communal festival
a simple premise
you would n't turn down a big bowl of that
fearlessly
that never quite goes where you expect and often surprises you with unexpected comedy
probes in a light-hearted way the romantic problems of individuals for whom the yearning for passion spells discontent .
a delicious crime drama on par with the slickest of mamet
the film 's lack of personality
subtly kinky bedside vigils and
auteil 's less dramatic but equally incisive performance
hard to resist .
bungle their way through the narrative as if it were a series of bible parables and not an actual story
more than enough sentimental catharsis for a satisfying evening at the multiplex
of purpose and even-handedness
any scenes that might have required genuine acting from ms. spears
the film makes the viewer feel like the movie 's various victimized audience members after a while , but it also happens to be the movie 's most admirable quality
are capable of anteing up some movie star charisma
, the film does hold up pretty well .
one ca n't shake the feeling that crossroads is nothing more than an hour-and-a-half-long commercial for britney 's latest album .
yet surprisingly entertaining
some body is a shaky , uncertain film that nevertheless touches a few raw nerves .
amy and matthew have a bit of a phony relationship , but the film works in spite of it .
of a sleeper success
being real
that made a walk to remember a niche hit
rate as the most magical and most fun family fare of this or any recent holiday season
at once visceral and spiritual ,
each of these stories has the potential for touched by an angel simplicity and sappiness
overstays
as an actor 's showcase
dressed up this little parable
an aimlessness that 's actually sort of amazing
the nerve-raked acting ,
top-notch action powers this romantic drama
is n't merely offensive
unlikable
... it was n't the subject matter that ultimately defeated the film ... it was the unfulfilling , incongruous , `` wait a second , did i miss something ? ''
without any of the pretension associated with the term
rent those movies instead ,
is the most disappointing woody allen movie ever
vulgar , sexist
is so incredibly inane
brash and mainly unfunny
convince the audience that these brats will ever be anything more than losers
directed and suffers from the addition of a wholly unnecessary pre-credit sequence designed to give some of the characters a ` back story
ends up merely pretentious -- in a grisly sort of way
misconceived final
qualities that were once amusing are becoming irritating .
journey into a philosophical void
the story really has no place to go since simone is not real -- she ca n't provide any conflict .
where their heads were is anyone 's guess .
humor and a heartfelt conviction
for the best
of cliches that shoplifts shamelessly from farewell-to-innocence movies like the wanderers and a bronx tale without cribbing any of their intelligence
bug-eyed mugging
two dimension tale
friends will be friends through thick and thin
sounds whiny and defensive , as if his life-altering experiences made him bitter and less mature .
if good-hearted , movie .
the characters are intriguing and realistic
realism , crisp storytelling and
actually seem to understand what made allen 's romantic comedies so pertinent and enduring
created a predictably efficient piece of business notable largely for its overwhelming creepiness , for an eagerness to create images you wish you had n't seen , which , in this day and age , is of course the point
unflappable
traditional romantic
do we really need another film that praises female self-sacrifice ?
a hack script
a tour de force drama about the astonishingly pivotal role of imagination in the soulful development of two rowdy teenagers .
just does n't have anything really interesting to say .
going for it , not least the brilliant performances by testud
lends itself beautifully to filming the teeming life on the reefs , making this gorgeous film a must for everyone from junior scientists to grown-up fish lovers
and lesbian children
study that made up for its rather slow beginning by drawing me into the picture .
unimpressively
it 's rare that a movie can be as intelligent as this one is in every regard except its storyline ;
is an impossible task
the hours , a delicately crafted film
the metaphors are provocative
it puts washington , as honest working man john q. archibald , on a pedestal , then keeps lifting the pedestal higher .
super-dooper-adorability intact
been titled generic jennifer lopez romantic comedy
are sweet and believable , and are defeated by a screenplay that forces them into bizarre , implausible behavior
reassures
of america , history and the awkwardness of human life
there 's not one decent performance from the cast and not one clever line of dialogue .
the four feathers is definitely horse feathers ,
an intricate , intimate and intelligent journey
beautifully designed
even steven spielberg has dreamed up such blatant and sickening product placement in a movie .
thirteen conversations about one thing , for all its generosity and optimism ,
paints an absurdly simplistic picture .
genuinely unnerving .
and movie life
effective enough at achieving the modest , crowd-pleasing goals it sets for itself
some comic sparks
subtle , and resonant
though a touch too arthouse 101 in its poetic symbolism , heaven proves to be a good match of the sensibilities of two directors .
bracingly nasty
a smart , nuanced look at de sade and
grows on you .
and for many of us , that 's good enough .
unparalleled
trapped wo n't score points for political correctness
love robin tunney
cold , gray , antiseptic and
who has reached puberty actually finding the characters in slackers or their antics amusing , let alone funny
and sublime music
a treat -- a delightful , witty , improbable romantic comedy with a zippy jazzy score
the kind of social texture and realism
astoundingly
'm giving it thumbs down due to the endlessly repetitive scenes of embarrassment
humor and a heartfelt conviction to tell a story about discovering your destination in life
abandoned ,
is better than ` shindler 's list '
this sade is hardly a perverse , dangerous libertine and agitator -- which would have made for better drama .
has a feel for the character at all stages of her life
dragged through a sad , sordid universe of guns , drugs , avarice and damaged dreams
something creepy about this movie
a filmmaker with a bright future ahead of him
engages less for its story of actorly existential despair than for its boundary-hopping formal innovations and glimpse into another kind of chinese ` cultural revolution .
suitably kooky which should appeal to women and they strip down often enough to keep men alert , if not amused
the yawning chasm where the plot should be
maudlin focus
blazingly
owes enormous debts to aliens and every previous dragon drama
a film living far too much in its own head
make up its mind whether it wants to be a gangster flick or an art film
, this film will attach a human face to all those little steaming cartons .
, talented , charismatic and tragically
though intrepid in exploring an attraction that crosses sexual identity , ozpetek falls short in showing us antonia 's true emotions ... but at the very least , his secret life will leave you thinking .
a feature debut
sumptuous ocean visuals
bitterly
watch witherspoon 's talents wasting away inside unnecessary films like legally blonde and sweet home abomination , i mean , alabama
festers in just such a dungpile that you 'd swear you
when the explosions start , they fall to pieces
all your mateys ,
the structure is simple , but
the stories and faces and music of the men who are its subject
could not stand them
that nevertheless will leave fans clamoring for another ride
perhaps a better celebration of these unfairly dismissed heroes would be a film that is n't this painfully forced , false and fabricated .
groaner
strange and beautiful film
tired , unnecessary
artistic transcendence
a film really has to be exceptional to justify a three hour running time , and this is n't
for older fans or a silly , nickelodeon-esque kiddie flick
a sobering and powerful documentary about the most severe kind of personal loss : rejection by one 's mother
its absurdities and crudities
are beautifully
do anything as stomach-turning as the way adam sandler 's new movie rapes , pillages
no disguising this as one of the worst films of the summer
feature-length stretch
could have turned this into an argentine retread of `` iris '' or `` american beauty , '' but instead pulls a little from each film and creates something more beautiful than either of those films
's muy loco , but no more ridiculous than most of the rest of `` dragonfly . ''
ok for a movie
surprisingly entertaining
an instance of an old dog not only learning but inventing a remarkable new trick .
, think an action film disguised as a war tribute is disgusting to begin with
keeps us riveted with every painful nuance , unexpected flashes of dark comedy and the character 's gripping humanity
is that it progresses in such a low-key manner that it risks monotony
some intelligent observations
the consequences
be interested in knowing any of them personally
rarely easy , obvious or self-indulgent
against a tree
have strip-mined the monty formula mercilessly since 1997 .
no amount of imagination
more salacious telenovela than serious drama
placed in the pantheon of the best of the swashbucklers but it is a whole lot of fun and you get to see the one of the world 's best actors , daniel auteuil ,
the hours is one of those reputedly `` unfilmable '' novels that has bucked the odds to emerge as an exquisite motion picture in its own right .
the essence of what it is to be ya-ya
what a great shame that such a talented director as chen kaige has chosen to make his english-language debut with a film so poorly plotted and scripted .
the wildly popular vin diesel in the equation
comprehensible
`` abandon '' will leave you wanting to abandon the theater .
feel sorry
by forcing the star to play second fiddle to the dull effects that allow the suit to come to life
peppered with witty dialogue and inventive moments
a fascinating curiosity piece -- fascinating , that is , for about ten minutes .
bad direction
universal and involving
every painful nuance ,
vibrant , colorful , semimusical
a twist -- far better
caught but the audience gets pure escapism
dominate a family
a really cool bit -- the movie 's conception of a future-world holographic librarian ( orlando jones ) who knows everything and answers all questions , is visually smart , cleverly written , and nicely realized
least favorite emotions
of an almost sure-fire prescription for a critical and commercial disaster
this ready-made midnight movie probably wo n't stand the cold light of day , but under the right conditions , it 's goofy ( if not entirely wholesome ) fun .
robert harmon 's less-is-more approach delivers real bump-in - the-night chills -- his greatest triumph is keeping the creepy crawlies hidden in the film 's thick shadows
sane and breathtakingly
thrillingly
thanks largely to williams , all the interesting developments are processed in 60 minutes -- the rest is just an overexposed waste of film
beautiful outer-space documentary space station 3d
from a surprisingly sensitive script co-written
existential drama without any of the pretension associated with the term
might want to check it out
is as bad as you think , and worse than you can imagine
a moving , if uneven , success .
dead-on
may not touch the planet 's skin , but understands the workings of its spirit
unhurried narrative
perfectly executed
new york metropolitan area
the characters are so generic and the plot so bland that even as rogue cia assassins working for chris cooper 's agency boss close in on the resourceful amnesiac , we do n't feel much for damon/bourne or his predicament
earnest and heartfelt but undernourished and plodding .
solaris '' is a shapeless inconsequential move relying on the viewer to do most of the work .
the best animated feature to hit theaters since beauty and the beast 11 years ago .
color , music , and dance that only the most practiced curmudgeon could fail to crack a smile at
'll be thinking of 51 ways to leave this loser .
a year late
get to its subjects ' deaths just so the documentary will be over
random , superficial humor
it makes absolutely no sense
would love this .
to play hannibal lecter again , even though harris has no immediate inclination to provide a fourth book
conjures the past via surrealist flourishes so overwrought you 'd swear he just stepped out of a buñuel retrospective .
an exciting plot
makes a better short story than it does a film
a film so graceless and devoid of merit as this one come along
the movie eventually gets around to its real emotional business , striking deep chords of sadness .
fine job
good news to anyone who 's fallen under the sweet , melancholy spell of this unique director 's previous films
even if you do n't know the band or the album 's songs by heart , you will enjoy seeing how both evolve ,
's no excuse for following up a delightful , well-crafted family film with a computer-generated cold fish
is not unlike watching a glorified episode of `` 7th heaven .
with enough sardonic wit
welcome perspective
the most high-concept sci fi adventures attempted for the screen
the acting is fine but the script is about as interesting as a recording of conversations at the wal-mart checkout line
the most watchable film
the vital action sequences
gorgeous and deceptively minimalist cinematic tone poem
the same mistake as the music industry
the brawn
no , paralyzed
going to jell
to the actors ' perfect comic timing and sweet , genuine chemistry
the cat 's meow
a collective heart attack
always keeping the balance between the fantastic and the believable
that old familiar feeling of ` let 's get this thing over with '
peroxide blond honeys whose worldly knowledge comes from tv reruns and supermarket tabloids
to figure the depth of these two literary figures , and even the times in which they lived
writer-director kurt wimmer
to finish , featuring a fall from grace that still leaves shockwaves
solondz may be convinced that he has something significant to say , but he is n't talking a talk that appeals to me .
move over bond ; this girl deserves a sequel .
a testament to the divine calling of education and a demonstration of the painstaking process of imparting knowledge .
as well as it does because of the performances
wish it would have just gone more over-the-top instead of trying to have it both ways
misses the mark
is a phenomenal band with such an engrossing story that will capture the minds and hearts of many
's strongest and most touching movie of recent years .
sees it as a chance to revitalize what is and always has been remarkable about clung-to traditions .
a spoof comedy that carries its share of laughs -- sometimes a chuckle , sometimes a guffaw and , to my great pleasure , the occasional belly laugh
is n't heated
of freshness , imagination and insight
real women have curves wears its empowerment on its sleeve but even its worst harangues are easy to swallow thanks to remarkable performances by ferrera and ontiveros
are presented in such a lousy way , complete with some of the year 's ( unintentionally ) funniest moments , that it 's impossible to care
adorns his family-film plot with an elegance and maturity that even most contemporary adult movies are lacking .
most of the things that made the original men in black such a pleasure are still there .
is nothing redeeming about this movie .
that is impenetrable and dull
jeffrey tambor 's performance as the intelligent jazz-playing exterminator is oscar-worthy .
whereas oliver stone 's conspiracy thriller jfk was long , intricate , star-studded and visually flashy
sinks into an abyss of clichés , depression and bad alternative music .
mature and
a heartening tale of small victories and
keeps the energy humming
the direction is clumsy
shallow .
never recovers from the clumsy cliché of the ugly american abroad
visually striking and
is tepid and tedious
it 's just not very smart .
an awful snooze .
is both inspiring and pure joy
make the most of the large-screen format ,
the real horror may be waiting for us at home
leave you wanting to abandon the theater
99-minute
deliver remarkable performances .
the two leads , nearly perfect in their roles , bring a heart and reality that buoy the film , and at times , elevate it to a superior crime movie .
the film in a very real and amusing give-and-take
otherwise bleak tale
awkwardly garish showcase
the soul-searching deliberateness of the film
will please eastwood 's loyal fans -- and
, the movie looks genuinely pretty .
an intermittently good time
a stiflingly unfunny and unoriginal mess this
a crescendo
a vivid , thoughtful , unapologetically raw coming-of-age tale full of sex , drugs and rock 'n' roll .
a gleefully
the first five minutes will have you talking 'til the end of the year !
at theaters
might have been saved if the director , tom dey , had spliced together bits and pieces of midnight run and 48 hours ( and , for that matter , shrek )
the overall fabric is hypnotic , and mr. mattei fosters moments of spontaneous intimacy
most opaque , self-indulgent and
loyal fans
an inelegant combination of two unrelated shorts that falls far short of the director 's previous work in terms
it demonstrates that werner herzog can still leave us with a sense of wonder at the diverse , marvelously twisted shapes history has taken .
is workmanlike in the extreme .
are likely to be as heartily sick of mayhem as cage 's war-weary marine
to disguise it as an unimaginative screenwriter 's invention
undeniably intriguing
of embarrassment
despite some first-rate performances
an acting bond
you 're not a fan
to whether you 've seen pornography or documentary
despite the predictable parent vs. child coming-of-age theme , first-class , natural acting and a look at `` the real americans '' make this a charmer .
satisfyingly scarifying , fresh and
it is a whole lot of fun and you get to see the one of the world 's best actors , daniel auteuil ,
it 's sweet and fluffy at the time , but it may leave you feeling a little sticky and unsatisfied .
the wonderfully lush morvern callar is pure punk existentialism , and ms. ramsay and her co-writer , liana dognini , have dramatized the alan warner novel , which itself felt like an answer to irvine welsh 's book trainspotting .
is a smart , romantic drama that dares to depict the french revolution from the aristocrats ' perspective
pay money for what we can get on television for free
campanella 's competent direction and
this is the stuff that disney movies are made of .
stakes out the emotional heart of happy
the bottom of the pool with an utterly incompetent conclusion
into the mainstream of filmmaking with an assurance worthy of international acclaim
the year 's best
if you love him , you 'll like it .
from its promenade of barely clad bodies in myrtle beach , s.c. , to the adrenaline jolt of a sudden lunch rush at the diner
abundant
` laughing
a predictable , manipulative stinker
for engaging , imaginative filmmaking in its nearly 2 1/2
explore the connections between place and personal identity .
if you liked the previous movies in the series , you 'll have a good time with this one too
, today , can prevent its tragic waste of life
, not as gloriously flippant as lock , stock and two smoking barrels
co-winner
no one can doubt the filmmakers ' motives , but the guys still feels counterproductive
is an autopilot hollywood concoction lacking in imagination and authentic christmas spirit
while the ensemble player who gained notice in guy ritchie 's lock , stock and two smoking barrels and snatch has the bod , he 's unlikely to become a household name on the basis of his first starring vehicle .
to sit through than most of jaglom 's self-conscious and gratingly irritating films
underlines even the dullest tangents
relentlessly nasty situations
are so unmemorable , despite several attempts at lengthy dialogue scenes , that one eventually resents having to inhale this gutter romancer 's secondhand material
a visit to mcdonald 's , let alone