xiangpku/GLUE huggingface dataset:
nicole holofcenter , the insightful writer/director responsible for this illuminating comedy does n't wrap the proceedings up neatly but the ideas tie together beautifully
sure the filmmakers found this a remarkable and novel concept
recommend it for its originality alone
you 're in a slap-happy mood
in a dark pit having a nightmare about bad cinema
an annoying orgy of excess and exploitation that has no point and goes nowhere .
but reacting to it - feeling a part of its grand locations , thinking urgently as the protagonists struggled , feeling at the mercy of its inventiveness , gasping at its visual delights
a commanding screen presence
are kinetic enough to engross even the most antsy youngsters
like a masterpiece
this space-based homage to robert louis stevenson 's treasure island fires on all plasma conduits .
all plays out ... like a high-end john hughes comedy , a kind of elder bueller 's time out .
the plot twists give i am trying to break your heart an attraction it desperately needed .
angry potshots
the ideal outlet for his flick-knife diction in the role of roger swanson
rare documentary
distances you by throwing out so many red herrings , so many false scares , that the genuine ones barely register .
unimaginative comedian
some real vitality
with a flick boasting this many genuine cackles
( but none of the sheer lust )
glosses over rafael 's evolution
especially with the weak payoff
will have an intermittently good time .
manages sweetness largely without stickiness
is about the need to stay in touch with your own skin , at 18 or 80
an epic four-hour indian musical about a cricket game
offers the none-too-original premise that everyone involved with moviemaking is a con artist and a liar
courageous
onto a cross-country road trip of the homeric kind
put pillowcases over their heads for 87 minutes
well-acted
found the ring moderately absorbing , largely for its elegantly colorful look and sound .
... very funny , very enjoyable ...
a lot more smarts , but just as endearing and easy to watch
a beautiful canvas
made indieflick in need of some trims and a more chemistry between its stars
good action , good acting , good dialogue ,
there 's plenty to offend everyone ...
delightful entree
so well
plotless
it leaves little doubt that kidman has become one of our best actors .
to be oblivious to the existence of this film would be very sweet indeed .
surveyed high school students ... and came back with the astonishing revelation that `` they wanted to see something that did n't talk down to them . ''
recommend secretary , based on the wonderful acting clinic put on by spader and gyllenhaal
idea ( of middle-aged romance ) is not handled well
... the story , like ravel 's bolero , builds to a crescendo that encompasses many more paths than we started with .
creates in maelstrom a world where the bizarre is credible and the real turns magical .
flat , flat dialogue
no real narrative logic
humorous .
can draw people together across the walls that might otherwise separate them
put away the guitar ,
proves that sometimes the dreams of youth should remain just that
's also pretty funny
if routine action and jokes like this are your cup of tea , then pay your $ 8 and get ready for the big shear .
is astounding on any number of levels
stays there for the duration
impossible to even categorize this as a smutty guilty pleasure
a vivid , spicy footnote
does n't leave you with much
film ' in the worst sense of the expression
little more than a stylish exercise in revisionism whose point ... is no doubt true , but serves as a rather thin moral to such a knowing fable .
, high-adrenaline documentary .
are gorgeous and finely detailed
has succeeded beyond all expectation .
has a rather unique approach to documentary
be viewed as pure composition and form --
genial is the conceit , this is one of those rare pictures that you root for throughout
and not bad enough to repulse any generation of its fans
at the diverse , marvelously twisted shapes history has taken
aims to be funny , uplifting and moving , sometimes all at once
works its way up
to provide insight into a fascinating part of theater history
the redeeming feature of chan 's films has always been the action ,
an intriguing story
meditative and
villeneuve creates in maelstrom a world where the bizarre is credible and the real turns magical .
paid enough to sit through crap like this
a film that has nothing
forced drama in this wildly uneven movie ,
none-too-funny commentary
... broad streaks of common sense emerge with unimpeachable clarity .
a high enough level
rather tired
has made a film of intoxicating atmosphere and little else .
go where we went 8 movies ago
inane ramblings
both for the rhapsodic dialogue that jumps off the page , and for the memorable character creations
of terrific
most of the distance
stale first act , scrooge story ,
the film 's unhurried pace is actually one of its strengths .
may work as an addictive guilty pleasure but the material never overcomes its questionable satirical ambivalence
he just slopped ` em together here
vital comic ingredient
a soulless hunk of exploitative garbage
candy and cheeky
a full experience ,
the same mistake
two signs that m. night shyamalan 's debut feature sucked up all he has to give to the mystic genres of cinema
leaves a bad taste in your mouth and questions
a painful ride
does n't drag an audience down
an odd drama
the storylines are woven together skilfully
shimmering cinematography
a rich and full life
just plain
is effective
celebrity cameos do not automatically equal laughs
continues to improve
consistent emotional conviction
a better thriller
film a must for everyone from junior scientists
peter jackson and company once again dazzle and delight us , fulfilling practically every expectation either a longtime tolkien fan or a movie-going neophyte could want .
worst thing
is moody , oozing , chilling and heart-warming all at once ... a twisting , unpredictable , cat-and-mouse thriller .
the dialogue frequently misses the mark
-- stoner midnight flick , sci-fi deconstruction , gay fantasia --
develop her own film language
ignite sparks
the only belly laughs come from the selection of outtakes tacked onto the end credits
, elusive , yet inexplicably
's just plain lurid when it is n't downright silly
he 's just adjusting
welcome to see a chinese film depict a homosexual relationship in a mature and frank fashion
poorly rejigger fatal attraction into a high school setting
a waste of de niro , mcdormand and the other good actors in the cast
to visit , this laboratory of laughter
one of those films that seems tailor made to air on pay cable to offer some modest amusements when one has nothing else to watch .
a film that begins with the everyday lives of naval personnel in san diego and ends with scenes so true and heartbreaking that tears welled up in my eyes both times i
it 's probably worth catching solely on its visual merits .
every one ( and no one )
are littered with trenchant satirical jabs at the peculiar egocentricities of the acting breed
forgets to make it entertaining
if also somewhat hermetic .
all the pleasure of a handsome and well-made entertainment
who are enthusiastic about something and then
by-the-numbers yarn .
this equally derisive clunker is fixated on the spectacle of small-town competition .
, ( haneke ) steers clear of the sensational and offers instead an unflinching and objective look at a decidedly perverse pathology .
hard to imagine any recent film , independent or otherwise , that makes as much of a mess as this one
amazement
old-fashioned , occasionally charming and as subtle
admirable reconstruction
notorious reputation
you thought was going to be really awful
legal battle
crash-and-bash
though clearly well-intentioned
his contradictory , self-hating , self-destructive ways
walked away from this new version of e.t. just as i hoped i would -- with moist eyes .
psychologically probing
dumb gags , anatomical humor , or character cliches
is actually one of its strengths
death and mind-numbing indifference
of a big , tender hug
itself -- as well its delightful cast --
it has definite weaknesses
racial profiling hollywood style
being stuck in a dark pit having a nightmare about bad cinema
going to subjugate truth to the tear-jerking demands of soap opera
they spend years trying to comprehend it
daring and
this remains a film about something , one that attempts and often achieves a level of connection and concern .
that there is no rest period , no timeout
maelstrom is strange and compelling , engrossing and different , a moral tale with a twisted sense of humor
way to make j.k. rowling 's marvelous series into a deadly bore
is n't nearly as downbeat as it sounds , but strikes a tone that 's alternately melancholic , hopeful and strangely funny .
everything is off .
an eventual cult classic would be an understatement
the best thing about the movie is its personable , amusing cast .
rape and suspected murder
can still turn out a small , personal film with an emotional wallop
is undone by a filmmaking methodology that 's just experimental enough to alienate the mainstream audience while ringing cliched to hardened indie-heads .
give it considerable punch
dialogue , 30 seconds of plot
hold our interest , but its just not a thrilling movie
it almost completely dry of humor , verve and fun
the soulful development of two rowdy teenagers
, it 's waltzed itself into the art film pantheon .
composed delivery
cool gadgets and creatures keep this fresh .
a creepy , intermittently powerful study of a self-destructive man ... about as unsettling to watch as an exploratory medical procedure or an autopsy .
it ultimately delivers
smart and dark - hallelujah for small favors
`` bowling for columbine '' remains a disquieting and thought-provoking film ...
shamefully
, you 'd have a hard time believing it was just coincidence .
seems to want to be a character study , but apparently
is a compelling piece that demonstrates just how well children can be trained to live out and carry on their parents ' anguish
most elusive
a hugely enjoyable film
is pretty funny now and then without in any way demeaning its subjects .
reveals itself slowly , intelligently , artfully .
he does display an original talent
jovial
may take its sweet time to get wherever it 's going , but if you have the patience for it , you wo n't feel like it 's wasted yours
- worst of all -
gentle , lapping rhythms of this film
gets full mileage
preserves tosca 's intoxicating ardor
not only does leblanc make one spectacularly ugly-looking broad , but he appears miserable throughout as he swaggers through his scenes .
hollywood trap
as a director , eastwood is off his game -- there 's no real sense of suspense , and none of the plot ` surprises ' are really surprising
false sentiment or sharp , overmanipulative hollywood practices
world traveler might not go anywhere new , or arrive anyplace special , but it 's certainly an honest attempt to get at something .
that plays like a loosely-connected string of acting-workshop exercises
is nonexistent .
the cinematic stylings of director john stockwell
apart from reporting on the number of tumbleweeds blowing through the empty theaters
illustrating the demons bedevilling the modern masculine journey
last orders nurtures the multi-layers of its characters , allowing us to remember that life 's ultimately a gamble and last orders are to be embraced .
following up a delightful , well-crafted family film
better movie experience
katz 's documentary does n't have much panache , but with material this rich it does n't need it .
be an astronaut
( a ) smarter and much funnier version of the old police academy flicks .
a gripping drama .
slightly flawed ( and fairly unbelievable ) finale
undeniably fascinating and playful fellow
stand in future years as an eloquent memorial
keep my attention
should strike a nerve in many .
the worst elements of all of them
a sturdiness and solidity that we 've long associated with washington
seems to really care
well acted by diane lane and richard gere .
that rare film whose real-life basis is , in fact , so interesting that no embellishment is needed .
... has thrown every suspenseful cliché in the book at this nonsensical story .
childlike dimness
terrific casting and
the least bit ashamed in admitting that my enjoyment came at the expense of seeing justice served , even if it 's a dish that 's best served cold
love a disney pic with as little cleavage as this one has , and a heroine as feisty and principled as jane
hymn and a cruel story of youth culture
eventually , they will have a showdown , but , by then , your senses are as mushy as peas and you do n't care who fires the winning shot .
wondering why lee 's character did n't just go to a bank manager and save everyone the misery
the movie attempts to mine laughs from a genre -- the gangster/crime comedy -- that wore out its welcome with audiences several years ago , and its cutesy reliance on movie-specific cliches is n't exactly endearing
romantic comedy with a fresh point of view just does n't figure in the present hollywood program .
the unfulfilling
has been , pardon the pun , sucked out and replaced by goth goofiness
dip into your wallet , swipe 90 minutes of your time , and
incorporates so much
already-shallow
we also need movies like tim mccann 's revolution no. 9 .
as a detailed personal portrait and as a rather frightening examination of modern times
it 's a bad action movie because there 's no rooting interest and the spectacle is grotesque and boring
is too amateurishly square to make the most of its own ironic implications
the wonderfully lush morvern callar is pure punk existentialism
to see where one 's imagination will lead when given the opportunity
is corcuera 's attention to detail .
has been lost in the translation ... another routine hollywood frightfest in which the slack execution italicizes the absurdity of the premise .
onto a different path
tedious as the chatter of parrots raised on oprah
may work as an addictive guilty pleasure but the material never overcomes its questionable satirical ambivalence .
large cast
amounts of beautiful movement and inside information
subject us to boring , self-important stories of how horrible we are to ourselves and each other
a great cast
such superficial treatment
admirable storyteller
it celebrates the group 's playful spark of nonconformity , glancing vividly back at what hibiscus grandly called his ` angels of light . '
sugary sentiment and withholds delivery on the pell-mell
deserves a huge amount of the credit for the film 's thoroughly winning tone
about one in three gags in white 's intermittently wise script hits its mark
meyjes ... has done his homework and soaked up some jazzy new revisionist theories about the origins of nazi politics and aesthetics .
the astute direction
if hill is n't quite his generation 's don siegel ( or robert aldrich ) , it 's because there 's no discernible feeling beneath the chest hair ; it 's all bluster and cliché
a mystery how the movie could be released in this condition
pan nalin 's exposition is beautiful and mysterious , and the interviews that follow , with the practitioners of this ancient indian practice , are as subtle and as enigmatic .
conservative christian parents
has the requisite faux-urban vibe and hotter-two-years-ago rap and r&b names and references .
there 's got to be a more graceful way of portraying the devastation of this disease .
ms. phoenix is completely lacking in charm and charisma , and is unable to project either esther 's initial anomie or her eventual awakening .
of nothing at the core of this slight coming-of-age/coming-out tale
of spectacular belly flops
catapulting the artist
by someone who obviously knows nothing about crime
a perfect show of respect to just one of those underrated professionals who deserve but rarely receive it
there 's just something about watching a squad of psychopathic underdogs whale the tar out of unsuspecting lawmen that reaches across time and distance .
beautiful , entertaining two hours
the edge of your seat , tense with suspense
it 's pleasant enough and its ecological , pro-wildlife sentiments are certainly welcome
views youthful affluence not as a lost ideal but a starting point .
a muddy psychological thriller rife with miscalculations
captivates and shows
is horrible
the dreary expanse of dead-end distaste the characters inhabit into a poem of art , music and metaphor
increasingly disturbed
is less about a superficial midlife crisis
something of bubba ho-tep 's clearly evident quality may end up languishing on a shelf somewhere
a prolonged extrusion of psychopathic pulp .
an undeniably fascinating and playful fellow
paper thin
that is gorgeously
not everything in this ambitious comic escapade works
, the heart of the film rests in the relationship between sullivan and his son .
sprightly
it was worth your seven bucks
that drifts aimlessly for 90 minutes before lodging in the cracks of that ever-growing category
will please eastwood 's loyal fans -- and suits the story , wherein our hero must ride roughshod over incompetent cops to get his man
becomes an exercise in trying to predict when a preordained `` big moment '' will occur and not `` if . ''
it can only encourage us to see samira makhmalbaf as a very distinctive sensibility , working to develop her own film language with conspicuous success
is nicely performed by a quintet of actresses
lilo & stitch '' is n't the most edgy piece of disney animation to hit the silver screen
repetition and languorous slo-mo sequences
it 's difficult to shrug off the annoyance of that chatty fish
in the end it 's as sweet as greenfingers
has created a provocative , absorbing drama that reveals the curse of a self-hatred instilled by rigid social mores
you 'll trudge out of the theater feeling as though you rode the zipper after eating a corn dog and an extra-large cotton candy .
sharp comedy , old-fashioned monster movie atmospherics , and
this funny film
devoid
subtle direction
makes minority report necessary viewing for sci-fi fans
when compared to the usual , more somber festival entries , davis ' highly personal brand of romantic comedy is a tart , smart breath of fresh air
's probably not easy to make such a worthless film
is hardly journalism at all
gloriously unsubtle
in its over-the-top way
is moody , oozing , chilling and heart-warming all at once ... a twisting , unpredictable , cat-and-mouse thriller
dies .
quite fun in places
much more successful translation
a sentimental mess that never rings true
the story and the actors are served with a hack script .
, this cross-cultural soap opera is painfully formulaic and stilted .
matched only by the ridiculousness of its premise
if you go into the theater expecting a scary , action-packed chiller , you might soon be looking for a sign .
is a shapeless inconsequential move relying on the viewer to do most of the work .
's semi-amusing to watch robert deniro belt out `` when you 're a jet
, i 'm going to recommend secretary , based on the wonderful acting clinic put on by spader and gyllenhaal
the visual wit of the previous pictures
these lives count
the movie is hindered by a central plot that 's peppered with false starts and populated by characters who are nearly impossible to care about .
he shows and empathizes with the victims he reveals
an attention
sensual , funny and , in the end , very touching .
has a spark of life to it -- more than you can say for plenty of movies that flow through the hollywood pipeline without a hitch
sometimes is a brilliant movie .
affecting story about four sisters who are coping , in one way or another , with life
rapt spell
proves himself a deft pace master and stylist
touchingly mending a child 's pain for his dead mother via communication with an old woman straight out of eudora welty
, but i believe a movie can be mindless without being the peak of all things insipid .
hands-on storytelling
repellent to fully endear itself to american art house audiences , but
little room
there is n't much to it .
that it 's actually watchable
dispassionate
strangers , which opens today in the new york metropolitan area , so distasteful
in a random series of collected gags , pranks , pratfalls , dares , injuries , etc .
good for this sucker
wrapping the theater
visual coming right
but it does somehow manage to get you under its spell .
slightly sunbaked and summery mind , sex and
gives give a solid , anguished performance that eclipses nearly everything else she 's ever done
the giant screen and its hyper-realistic images
jolt you out of your seat a couple of times ,
a well-mounted history lesson
works , it 's thanks to huston 's revelatory performance .
a cliché left unsaid
is one that any art-house moviegoer is likely to find compelling .
that it becomes a chore to sit through -- despite some first-rate performances by its lead
's an energy to y tu mamá también .
) fondness for fancy split-screen , stuttering editing and pompous references to wittgenstein and kirkegaard
, ( ahola ) has a wooden delivery and encounters a substantial arc of change that does n't produce any real transformation .
it 's a setup so easy it borders on facile , but
of light-heartedness , that makes it attractive throughout
lots of sloppiness
any country
there 's undeniable enjoyment to be had from films crammed with movie references ,
what 's surprising is how well it holds up in an era in which computer-generated images are the norm .
its generic villains lack any intrigue ( other than their funny accents ) and the action scenes are poorly delivered .
gain the unconditional love she seeks
an earnest moment
female friendship ,
, at last count , numbered 52 different versions
the history is fascinating ; the action is dazzling .
gets the look and the period trappings right , but it otherwise drowns in a sea of visual and verbal clichés .
from bill plympton , the animation master ,
the two leads delivering oscar-caliber performances
guilty of the worst sin of attributable to a movie like this
friday after next is the kind of film that could only be made by african-americans because of its broad racial insensitivity towards african-americans .
rouses us
the adjective ` gentle '
check your brain and your secret agent decoder ring at the door because you do n't want to think too much about what 's going on .
the film runs on a little longer than it needs to -- muccino either does n't notice when his story ends or just ca n't tear himself away from the characters -- but it 's smooth and professional .
a chilling tale of one of the great crimes of 20th century france : the murder of two rich women by their servants in 1933
explosive physical energy
jovial air
urban comedy is clearly not zhang 's forte
cleverly written
infuse the rocky path to sibling reconciliation with flashes of warmth and gentle humor
is as consistently engaging as it is revealing .
with or without the sex , a wonderful tale of love and destiny , told well by a master storyteller
deathly
liked about schmidt a lot
a sensitive and astute
may put off insiders and outsiders alike .
an encyclopedia of cliches that shoplifts shamelessly from farewell-to-innocence movies like the wanderers and a bronx tale without cribbing any of their intelligence
on its taut performances and creepy atmosphere
love and culture
confusing melange
this dreadfully earnest inversion of the concubine love triangle eschews the previous film 's historical panorama and roiling pathos for bug-eyed mugging and gay-niche condescension .
a golden book sprung to life
is a hoot , and is just as good , if not better than much of what 's on saturday morning tv especially the pseudo-educational stuff we all ca n't stand
been given a part worthy of her considerable talents
recommend the film
weighted down with slow
twisted , brilliant and macabre
his own infinite insecurity is a work of outstanding originality
impish
, you are likely to be as heartily sick of mayhem as cage 's war-weary marine .
falls flat as thinking man cia agent jack ryan in this summer 's new action film
delicate coming-of-age tale
could be a single iota worse ...
like e.t. the first time i saw it as a young boy
charred , somewhere northwest of the bermuda triangle
compassion , sacrifice ,