xiangpku/GLUE huggingface dataset:
the large-format film is well suited to capture these musicians in full regalia
tavernier is more concerned with the entire period of history
played for maximum moisture
has several strong performances
misconceived final 5
the film amounts to being lectured to by tech-geeks , if you 're up for that sort of thing .
a weird and wonderful comedy
strands his superb performers in the same old story
is n't quite enough to drag along the dead ( water ) weight of the other
a mere plot pawn
powerful young actor
dark , gritty , sometimes funny
it would be churlish to begrudge anyone for receiving whatever consolation that can be found in dragonfly , yet
term epic cinema
if hill is n't quite his generation 's don siegel ( or robert aldrich ) , it 's because there 's no discernible feeling beneath the chest hair ;
the lack of linearity
the new film of anton chekhov 's the cherry orchard
tells a story whose restatement is validated by the changing composition of the nation
short of wonderful with its ten-year-old female protagonist and its steadfast refusal to set up a dualistic battle between good and evil .
they see the joy the characters take in this creed
natural affability
surrounds herself with a company of strictly a-list players
one never overwhelms the other
the upscale lifestyle
cannon 's confidence
all those famous moments
their parents , wise folks that they are
overtly disagreeable
is nothing short of refreshing
who does a convincing impersonation here of a director enjoying himself immensely
the wonder of mostly martha
despite its promising cast of characters , big trouble remains a loosely tied series of vignettes which only prove that ` zany ' does n't necessarily mean ` funny . '
a perverse , dangerous libertine and agitator
provides a satisfyingly unsettling ride
become a spielberg trademark
harsh conceptual exercise
applying definition to both sides of the man
the movie 's charm
does n't come close to the level of intelligence and visual splendor that can be seen in other films
intelligence and subtlety
a film 's title served such dire warning
attal 's hang-ups surrounding infidelity are so old-fashioned and , dare i say , outdated , it 's a wonder that he could n't have brought something fresher to the proceedings simply by accident
is more engaging than the usual fantasies hollywood produces .
a beautiful , timeless and universal tale of heated passions -- jealousy , betrayal , forgiveness and murder
are still looking for a common through-line
the film is essentially juiceless .
you 're an elvis person
populates his movie with a wonderful ensemble cast of characters that bring the routine day to day struggles of the working class to life
eisenstein lacks considerable brio for a film about one of cinema 's directorial giants .
it made me feel unclean
so insatiable it absorbs all manner of lame entertainment ,
bogging down
's no point of view , no contemporary interpretation of joan 's prefeminist plight
ford and neeson capably hold our interest , but its just not a thrilling movie
you 're far better served by the source material .
sweeping , dramatic , hollywood moments
he 's been in years
while retaining an integrity and refusing to compromise his vision
, it is twice as bestial but half as funny .
the ethos of the chelsea hotel may shape hawke 's artistic aspirations , but he has n't yet coordinated his own dv poetry with the beat he hears in his soul .
great fun , full of the kind of energy it 's documenting
what elevates the movie above the run-of-the-mill singles blender is its surreal sense of humor and technological finish .
's not a great monster movie .
triumph over a scrooge or two
's all-powerful , a voice for a pop-cyber culture that feeds on her bjorkness
an encouraging effort from mccrudden
believe it or
fresh and absorbing
a funny yet dark and
cheesy backdrops , ridiculous action sequences
during sunset
yes , spirited away is a triumph of imagination , but
the story is -- forgive me -- a little thin ,
a wonderous accomplishment of veracity and narrative grace
of jez butterworth , who manages to blast even the smallest sensitivities from the romance with his clamorous approach
will be from unintentional giggles -- several of them .
what he 's already done way too often
come to believe that nachtwey hates the wars he shows and empathizes with the victims he reveals
goofy , nutty , consistently funny .
walked out muttering words like `` horrible '' and `` terrible ,
by generic scripts that seek to remake sleepless in seattle again and again
cast the magnificent jackie chan in a movie full of stunt doubles and special effects
morally bankrupt
easy to take this film at face value and enjoy its slightly humorous and tender story
to being very funny
are as timely as tomorrow
to a mix of the shining , the thing , and any naked teenagers horror flick
the low-grade cheese standards
a hilarious ode to middle america and middle age with this unlikely odyssey
is how a rich historical subject , combined with so much first-rate talent ... could have yielded such a flat , plodding picture .
`` serious issues ''
is one of world cinema 's most wondrously gifted artists
more compelling excuse to pair susan sarandon and goldie hawn
director tom dey demonstrated a knack for mixing action and idiosyncratic humor in his charming 2000 debut shanghai noon , but showtime 's uninspired send-up of tv cop show cliches mostly leaves him shooting blanks .
would do better elsewhere
posey
a nice little story
skip this turd and pick your nose instead because you 're sure to get more out of the latter experience .
frequently pandering to fans of the gross-out comedy
revigorates the mind to see a feature that concentrates on people , a project in which the script and characters hold sway .
a bittersweet contemporary comedy
the comic effects of jealousy
the powerful success
merges his collaborators ' symbolic images with his words , insinuating , for example , that in hollywood , only god speaks to the press
very sincere
lack contrast , are murky
funny film .
superficial midlife crisis
as delightful
achieves the feel of a fanciful motion picture
that it 's inauthentic at its core and that its story just is n't worth telling
watchable stuff .
looks great , has solid acting and a neat premise .
as gripping
the movie 's success
monsoon wedding
, davis ' highly personal brand of romantic comedy is a tart , smart breath of fresh air
girl entry
cliche-ridden
kids five and up will be delighted with the fast , funny , and even touching story .
a mediocre movie trying to get out
that somehow manages to bring together kevin pollak , former wrestler chyna and dolly parton
as if it were an obligation
creates a drama with such a well-defined sense of place and age -- as in , 15 years old --
we never really get inside of them .
smarter offerings
is enough originality in ` life ' to distance it from the pack of paint-by-number romantic comedies that so often end up on cinema screens
succeeded only in making me groggy .
you 'll forget about it by monday , though , and if they 're old enough to have developed some taste , so will your kids .
under-inspired , overblown enterprise that gives hollywood sequels a bad name
this is rote spookiness , with nary an original idea ( or role , or edit , or score , or anything , really ) in sight
with great sympathy and intelligence
in such a gloriously goofy way
are really surprising
an addictive guilty pleasure
upper teens may get cynical .
is never especially clever and often is rather pretentious .
deserves , at the very least , a big box of consolation candy
to the climactic burst of violence
a good film that must have baffled the folks in the marketing department
pretentious types who want to appear avant-garde
little narrative momentum
cold porridge with only the odd enjoyably chewy lump
the film fearlessly gets under the skin of the people involved ... this makes it not only a detailed historical document , but an engaging and moving portrait of a subculture .
not only does the thoroughly formulaic film represent totally exemplify middle-of-the-road mainstream
into one good one
sometimes funny
of relentlessly nasty situations
deserves a look
an extraordinary
that keep this nicely wound clock not just ticking , but humming
it makes me feel weird / thinking about all the bad things in the world / like puppies with broken legs / and butterflies that die / and movies starring pop queens
drag audience enthusiasm
obscenely
a terrible story
a dime in the tries-so-hard-to-be-cool `` clockstoppers
rotoscope animation for no apparent reason except
airless , prepackaged julia roberts wannabe
, the worst of tragedies can be fertile sources of humor
deals with hot-button issues in a comedic context
be profane
achieves the near-impossible
some good , organic character work , lots of obvious political insights
a distinctly minor effort that will be seen to better advantage on cable , especially considering its barely feature-length running time of one hour .
has not a trace of humanity or empathy
stimulate hours of post viewing discussion , if only to be reminded of who did what to whom and why
more balanced or fair portrayal
from its ripe recipe , inspiring ingredients ,
it was n't the subject matter that ultimately defeated the film ... it was the unfulfilling , incongruous , `` wait a second , did i miss something ? ''
far less enjoyable
beautifully crafted and brutally honest , promises offers an unexpected window into the complexities of the middle east struggle and into the humanity of its people .
imax sound system
any flaws that come later
this date-night diversion
- style cross-country adventure ... it has sporadic bursts of liveliness , some so-so slapstick and a few ear-pleasing songs on its soundtrack .
touching , raucously amusing , uncomfortable
is one reason it 's so lackluster .
can not be revived .
artificial suspense
is the score , as in the songs translate well to film
a lot to ask people to sit still for two hours and change watching such a character , especially when rendered in as flat and impassive a manner as phoenix 's
are what makes it worth the trip to the theater
nothing about crime
it can comfortably hold
is strictly routine .
has a tired , talky feel
futility
affected and boring
a hollywood film
relegated to a dark video store corner
piercingly affecting
of the rich and sudden wisdom , the film
the film , directed by joel zwick , is heartfelt and hilarious in ways you ca n't fake .
hits and generally sustains a higher plateau with bullock 's memorable first interrogation of gosling .
is so often less than the sum of its parts in today 's hollywood
an historical episode that , in the simple telling , proves simultaneously harrowing and uplifting
refuses
eccentric , accident-prone characters
about one of cinema 's directorial giants
told with an appropriate minimum of means .
such a straightforward , emotionally honest manner that by the end
debut effort by `` project greenlight '' winner is sappy and amateurish .
warm .
can still be smarter than any 50 other filmmakers still at work
one ca n't deny its seriousness and quality .
more abundant supply in this woefully hackneyed movie , directed by scott kalvert , about street gangs and turf wars in 1958 brooklyn -- stale cliches , gratuitous violence , or empty machismo
of new york locales and sharp writing
steeped in mystery and a ravishing , baroque beauty
set in a remote african empire before cell phones , guns , and the internal combustion engine
the good fight
fare with real thematic heft .
the audience award
is an exercise in chilling style , and twohy films the sub , inside and out ,
grim future
an mtv , sugar hysteria , and
, remarkably unpretentious
it 's too long and unfocused .
most virtuous
for a strong education and good teachers being more valuable in the way they help increase an average student 's self-esteem
clare peploe 's airless movie adaptation
drop everything and run to ichi
quiet , adult and just about more stately than any contemporary movie this year ... a true study , a film with a questioning heart and mind that is n't afraid to admit it
can be gleaned from this three-hour endurance test built around an hour 's worth of actual material
ultimately , sarah 's dedication to finding her husband seems more psychotic than romantic , and nothing in the movie makes a convincing case that one woman 's broken heart outweighs all the loss we witness .
to a new scene , which also appears to be the end
contrived and secondhand
a pleasant piece of escapist entertainment .
stages his gags
viscerally exciting , and dramatically moving , it 's the very definition of epic adventure .
this rich , bittersweet israeli documentary , about the life of song-and-dance-man pasach ` ke burstein and his family
'm guessing the director is a magician .
combined with a tinge of understanding for her actions
imagine anyone managing to steal a movie not only from charismatic rising star jake gyllenhaal but also from accomplished oscar winners susan sarandon , dustin hoffman and holly hunter , yet newcomer ellen pompeo pulls off the feat with aplomb
ultimately vapid
for every articulate player , such as skateboarder tony hawk or bmx rider mat hoffman , are about a half dozen young turks angling to see how many times they can work the words `` radical '' or `` suck '' into a sentence .
old-time b movies good-bad that makes eight legged freaks a perfectly entertaining summer diversion
must have read ` seeking anyone with acting ambition but no sense of pride or shame .
to sibling reconciliation with flashes of warmth and gentle humor
balance all the formulaic equations in the long-winded heist comedy
it should be poignant
it makes even jason x ... look positively shakesperean by comparison
infuses hubert with a mixture of deadpan cool , wry humor and just the measure of tenderness required to give this comic slugfest some heart .
crossroads comes up shorter than britney 's cutoffs .
an endless trailer
the dreadfulness
modestly
turned out nearly 21/2 hours of unfocused , excruciatingly tedious cinema
it 's a long way from orwell 's dark , intelligent warning cry ( 1984 ) to the empty stud knockabout of equilibrium ,
the growing , moldering pile
the title , many can aspire but none can equal
the dullest science fiction
salvage this filmmaker 's flailing reputation
, from its promenade of barely clad bodies in myrtle beach , s.c. , to the adrenaline jolt of a sudden lunch rush at the diner
re-imagining of beauty and
the film succeeds as an emotionally accessible , almost mystical work
lousy tarantino imitations
that rare combination
, and intelligence
it 's not as awful as some of the recent hollywood trip tripe ... but it 's far from a groundbreaking endeavor .
in the solemnity with which it tries to pump life into overworked elements from eastwood 's dirty harry period
a well-put-together piece of urban satire .
highly recommended as an engrossing story about a horrifying historical event and the elements which contributed to it .
keep you wide awake and ... very tense
has n't developed characters so much as caricatures , one-dimensional buffoons that get him a few laughs but nothing else .
sugar-coated rocky
the only thing avary seems to care about are mean giggles and pulchritude .
for laughs
see this unique and entertaining twist on the classic whale 's tale
in freshening the play
to alienate the mainstream audience while ringing cliched to hardened indie-heads
it 's great cinematic polemic
an often intense character study
more contemptuous of the single female population
a very capable nailbiter .
of warmth
like a veteran head cutter , barbershop is tuned in to its community .
dozens of bad guys
the upbeat ending feels like a copout
can tell almost immediately that welcome to collinwood is n't going to jell
is that the screen is most alive when it seems most likely that broomfield 's interviewees , or even himself , will not be for much longer
handled well
sick society
the script is too mainstream and the psychology too textbook to intrigue
histrionic
overworked
of typical late-twenty-somethings natter on about nothing
lurks just below the proceedings and adds an almost constant mindset of suspense
's a great american adventure and a wonderful film to bring to imax
most haunting about `` fence '' is its conclusion , when we hear the ultimate fate of these girls and realize , much to our dismay , that this really did happen .
the brutality
's pauly shore awful .
those films that started with a great premise and then just fell apart
's a testament to de niro and director michael caton-jones
that usually goes straight to video -- with a lousy script , inept direction , pathetic acting , poorly dubbed dialogue and murky cinematography
a painful lie
coming , as before , from the incongruous but chemically perfect teaming of crystal and de niro
it is effective
are still unconcerned about what they ingest
in grand passion
as averse as i usually am to feel-good , follow-your-dream hollywood fantasies , this one got to me .
a sure hand
that is presented with great sympathy and intelligence
brings to a spectacular completion one of the most complex , generous and subversive artworks of the last decade
captivating and intimate study
going to make his debut as a film director
with enough action
charming and evoking little ditty
does n't think much of its characters , its protagonist , or of us
's kidman who holds the film together with a supremely kittenish performance that gradually accumulates more layers
anachronistic quick edits and
laughs that may make you hate yourself for giving in
complicated enough to let you bask in your own cleverness as you figure it out
these guys seem great to knock back a beer with but they 're simply not funny performers .
the film never recovers from the clumsy cliché of the ugly american abroad , and
makes it attractive throughout
like a promising work-in-progress
most breezy movie steven spielberg
intellectual lector in contemplation of the auteur 's professional injuries
rejects patent solutions to dramatize life 's messiness from inside out , in all its strange quirks
is never lethargic
( lin chung 's ) voice is rather unexceptional
none can equal
confuses its message
predictably efficient piece
equally impressive
assurance
expected there to be a collection taken for the comedian at the end of the show
wedgie
most humane and important holocaust movies ever made .
an incredibly narrow in-joke
enjoy yourselves
with nervous energy , moral ambiguity and great uncertainties
to work in the same vein as the brilliance of animal house
it is different from others in its genre in that it is does not rely on dumb gags , anatomical humor , or character cliches
than its exploitive array of obligatory cheap
, lushly photographed and beautifully recorded .
the awe in which it holds itself
to build a feel-good fantasy around a vain dictator-madman is off-putting , to say the least , not to mention inappropriate and wildly undeserved .
first-class , natural acting and a look at `` the real americans ''
a journey spanning nearly three decades of bittersweet camaraderie and history , in which we feel that we truly know what makes holly and marina tick ,
this much imagination
brings an irresistible blend of warmth and humor and a consistent embracing humanity in the face of life 's harshness
of the acting breed
does n't quite get there
'm convinced i could keep a family of five blind , crippled , amish people alive in this situation better than these british soldiers do at keeping themselves kicking .
helmer
infectious enthusiasm
terminally bland
's about issues most adults have to face in marriage
than much of what 's on saturday morning tv especially the pseudo-educational stuff we all ca n't stand
dramatic , funny and poignant
divine monument
this may be the first cartoon ever to look as if it were being shown on the projection television screen of a sports bar .
as a durable part of the movie landscape
peppered with false starts and
by talented writer/director anderson
knockaround
the movie 's something-borrowed construction feels less the product of loving , well integrated homage and more like a mere excuse for the wan , thinly sketched story .
rely on an ambiguous presentation
's a lot richer than the ones hollywood action screenwriters usually come up with on their own
though a morbid one
nothing delivered by the former mr. drew barrymore
he has a great cast and a great idea .
all the pieces fall together without much surprise , but little moments give it a boost .
laughter and self-exploitation merge into jolly soft-porn 'em powerment
life affirming and heartbreaking
burn the negative and the script
to present an unflinching look at one man 's downfall , brought about by his lack of self-awareness
flat-out amusing , sometimes endearing and often fabulous , with a solid cast , noteworthy characters , delicious dialogue and a wide supply of effective sight gags .
so slick and
is remembering
stupid , infantile , redundant , sloppy , over-the-top , and amateurish .
suspense , intriguing characters
thought was going to be really awful
wrapped up in the characters , how they make their choices , and why
the plan to make enough into ` an inspiring tale of survival wrapped in the heart-pounding suspense of a stylish psychological thriller ' has flopped as surely as a soufflé gone wrong .
although it tries to be much more , it 's really just another major league .
a social injustice , at least
if you love reading and/or poetry , then by all means check it out .
if the film fails to fulfill its own ambitious goals , it nonetheless sustains interest during the long build-up of expository material .
there 's an admirable rigor to jimmy 's relentless anger , and to the script 's refusal of a happy ending , but
taken quite a nosedive from alfred hitchcock 's imaginative flight to shyamalan 's self-important summer fluff
serves as a paper skeleton for some very good acting , dialogue , comedy , direction and especially charm
to be something of a sitcom apparatus
than a worthwhile effort
you could hate it for the same reason .
just a string of stale gags , with no good inside dope , and no particular bite .
broken character study
seeing former nymphette juliette lewis playing a salt-of-the-earth mommy named minnie and watching slim travel incognito in a ridiculous wig no respectable halloween costume shop would ever try to sell
clever makeup design
a creative urge
muddled and
this movie has the usual impossible stunts ...
a pretty funny movie , with most of the humor
another entertaining
escape the heart of the boy when the right movie comes along , especially if it begins with the name of star wars
like i already mentioned ... it 's robert duvall !
inept , tedious
his strongest performance
a rock-solid gangster movie with a fair amount
more ways that one in clockstoppers , a sci-fi thriller as lazy as it is interminable
broomfield is energized by volletta wallace 's maternal fury , her fearlessness , and because of that , his film crackles
crafted picture
, intelligent , and humanly funny film .
class resentment
's a clear-eyed portrait of an intensely lived time , filled with nervous energy , moral ambiguity and great uncertainties .
there 's plenty to impress about e.t.
as the dominant christine , sylvie testud is icily brilliant .
the charm of the first movie is still there ,
to the cheap , graceless , hackneyed sci-fi serials of the '30s and '40s
is leguizamo 's best movie work so far , a subtle and richly internalized performance .
hideously and
refreshingly
guilty of the worst sin of attributable to a movie like this : it 's not scary in the slightest .
both exuberantly
a delicate ambiguity
an old-fashioned but emotionally stirring adventure tale
it 's a rock-solid little genre picture
what saves this deeply affecting film from being merely a collection of wrenching cases is corcuera 's attention to detail .
one lousy movie
that come by once in a while with flawless amounts of acting , direction , story and pace
make several runs to the concession stand and/or restroom and not
cheap-shot
's barely shocking , barely interesting and most of all , barely anything
spicy footnote
the filmmakers have made every effort to disguise it as an unimaginative screenwriter 's invention
astonishingly vivid
particular , anciently demanding métier