xiangpku/GLUE huggingface dataset:
walked away from this new version of e.t.
the spaniel-eyed jean reno infuses hubert with a mixture of deadpan cool , wry humor and just the measure of tenderness required to give this comic slugfest some heart .
a fascinating literary mystery story with multiple
the criticism never rises above easy , cynical potshots at morally bankrupt characters ...
establishes itself as a durable part of the movie landscape :
any way of gripping what its point is , or even its attitude toward its subject
a stunning film ,
affectionately reminds us that , in any language , the huge stuff in life can usually be traced back to the little things .
, cry and realize , ` it 's never too late to believe in your dreams . '
is an odd but ultimately satisfying blend of the sophomoric and the sublime .
are priceless
the movie feels stitched together from stock situations and characters from other movies .
seems content to dog-paddle in the mediocre end of the pool , and it 's a sad , sick sight
and verbal clichés
had , lost , and got back
should have been made for the tube .
elevates the material above pat inspirational status and gives it a sturdiness and solidity that we 've long associated with washington
overweight and out of shape
an engaging ,
first shocking thing
unsubtle
a coming-of-age tale from new zealand whose boozy , languid air is balanced by a rich visual clarity and deeply
better characters , some genuine quirkiness and
sure to raise audience 's spirits and leave them singing long after the credits roll
creepy and believable
i guess it just goes to show that if you give a filmmaker an unlimited amount of phony blood , nothing good can happen .
fails on its own , but
his film crackles
is loopy and ludicrous
overall , it 's a very entertaining , thought-provoking film with a simple message : god is love
basically the sort of cautionary tale that was old when ` angels with dirty faces ' appeared in 1938
very compelling , sensitive , intelligent and almost cohesive piece
but it could be , by its art and heart , a necessary one .
that is richer than anticipated
is one of world cinema 's most wondrously gifted artists and
tendentious intervention
a lousy script
one of the more influential works of the ` korean new wave ' .
by taylor 's cartoonish performance and the film 's ill-considered notion
, obvious , preposterous , the movie will likely set the cause of woman warriors back decades .
the resourceful amnesiac
, in the history of the academy , people may be wondering what all that jazz was about `` chicago '' in 2002 .
glorified sitcom
find the small , human moments
as sand 's masculine persona , with its love of life and beauty , takes form
is painfully foolish in trying to hold onto what 's left of his passe ' chopsocky glory .
's worth taking the kids to
with an underlying seriousness that sneaks up on the viewer , providing an experience that is richer than anticipated
the film itself is about something very interesting and odd that would probably work better as a real documentary without the insinuation of mediocre acting or a fairly trite narrative .
fall apart
crime drama fare
boring and meandering
has created a breathtakingly assured and stylish work of spare dialogue and acute expressiveness
the greatest date movies
a visual treat
priggish
it 's a visual delight and a decent popcorn adventure , as long as you do n't try to look too deep into the story
evokes
you 've missed the first half-dozen episodes and probably
will find it more than capable of rewarding them .
are once again made all too clear in this schlocky horror/action hybrid
as an unimaginative screenwriter 's invention
is drowned out by director jon purdy 's sledgehammer sap .
assured , vital and
super - violent ,
visual appeal
, and of telling a fascinating character 's story
content with a clever pseudo-bio that manages to have a good time as it doles out pieces of the famous director 's life
is the death of self ... this orgasm ( wo n't be an ) exceedingly memorable one for most people
so bland and utterly forgettable that it might as well have been titled generic jennifer lopez romantic comedy .
the film is a good one
over the past year , which means that birthday girl is the kind of quirkily appealing minor movie she might not make for a while
is sadly
really solid performances by ving rhames and wesley snipes
instead of panoramic sweep , kapur gives us episodic choppiness , undermining the story 's emotional thrust .
there 's no good answer to that one .
's sharply comic and surprisingly touching
the same way that jim brown treats his women -- as dumb , credulous , unassuming , subordinate subjects
know how to suffer ' and if you see this film you 'll know too
nonjudgmental
loves its characters and communicates something rather beautiful about human nature
most repellent
chokes on .
stallion of the cimarron is a winner .
a coming-of-age story and cautionary parable
exit the theater
below casts its spooky net out into the atlantic ocean and spits it back , grizzled and charred , somewhere northwest of the bermuda triangle .
a minor-league soccer remake of the longest yard .
a bit exploitative but also nicely done , morally alert and street-smart
this stylish film that is able to visualize schizophrenia but is still confident enough to step back and look at the sick character with a sane eye
change watching such a character , especially when rendered in as flat and impassive a manner as phoenix 's
interesting developments
a high-end john hughes comedy , a kind of elder bueller 's time out
under the strain of its plot contrivances and its need to reassure
the amazing film work
you can take the grandkids or the grandparents and never worry about anyone being bored ... audience is a sea of constant smiles and frequent laughter
his inescapable past and uncertain future in a very shapable but largely unfulfilling present
it is interesting to see where one 's imagination will lead when given the opportunity
are the whole show here , with their memorable and resourceful performances
for its story of actorly existential despair than for its boundary-hopping formal innovations and glimpse into another kind of chinese
borders on rough-trade homo-eroticism
is a gorgeous film - vivid with color , music and life
it uses lighting effects and innovative backgrounds to an equally impressive degree
a side of contemporary chinese life that many outsiders will be surprised to know exists , and does so with an artistry that also smacks of revelation .
a lovely film ... elegant , witty and beneath a prim exterior unabashedly romantic ...
that sense of openness , the little surprises
of fun and funny in the middle , though somewhat less hard-hitting
's a wonder that he could n't have brought something fresher to the proceedings simply by accident
as she continually tries to accommodate to fit in and gain the unconditional love she seeks
when green threw medical equipment at a window ; not because it was particularly funny , but because i had a serious urge to grab the old lady at the end of my aisle 's walker and toss it at the screen in frustration
as banal as the telling may be
bigger , fatter heart
provides a window into a subculture hell-bent on expressing itself in every way imaginable . '
sucks , but has a funny moment or two .
again ransacks its archives for a quick-buck sequel .
sick and evil woman
shot out of a cannon into a vat of ice cream
ambitious , eager first-time filmmakers
allows nothing
an absolute joy
as a science fiction movie , `` minority report '' astounds .
, the tale has turned from sweet to bittersweet , and when the tears come during that final , beautiful scene , they finally feel absolutely earned .
emotionally satisfying exploration
to make the most sincere and artful movie in which adam sandler will probably ever appear
has a funny moment or two
is creepy
also taps into the primal fears of young people trying to cope with the mysterious and brutal nature of adults
to be funny , uplifting and moving , sometimes
than forcing us to endure every plot contrivance that the cliché-riddled genre can offer
character piece
claire is a terrific role for someone like judd , who really ought to be playing villains .
hugely imaginative and successful casting
remarkable piece
daft by half ...
the way adam sandler 's new movie rapes
is really closer to porn than a serious critique of what 's wrong with this increasingly pervasive aspect of gay culture
washington overcomes the script 's flaws and envelops the audience in his character 's anguish , anger and frustration .
is just sooooo tired
instead the director treats us to an aimless hodgepodge
is no rest period , no timeout
is nicely
with a smile on your face and a grumble in your stomach
hawke 's film , a boring , pretentious waste of nearly two hours ,
they trot out the conventional science-fiction elements of bug-eyed monsters and futuristic women in skimpy clothes
more diverting and thought-provoking
bother with a contemptible imitator starring a `` snl '' has-been acting like an 8-year-old channeling roberto benigni
draws the audience
becomes long and tedious like a classroom play in a college history course
, dumb and derivative horror
continues to systematically destroy everything we hold dear about cinema , only now it 's begun to split up so that it can do even more damage
low-grade dreck that usually goes straight to video -- with a lousy script , inept direction , pathetic acting , poorly dubbed dialogue and murky cinematography ,
the same problems
merchant ivory productions
absurdities and clichés accumulate like lint in a fat man 's navel .
of what 's wrong with this increasingly pervasive aspect of gay culture
is at once playful and haunting , an in-depth portrait of an iconoclastic artist who was fundamentally unknowable even to his closest friends
as one of the great films about movie love
rarely have received such a sophisticated and unsentimental treatment on the big screen as they do in this marvelous film .
's difficult to tell who the other actors in the movie are
that a more confused , less interesting and more sloppily made film could possibly come down the road in 2002
stupid , derivative horror film
teeming that even cranky adults may rediscover the quivering kid inside
of the gross-out comedy
the 1980s
a perfect family film
has taken quite a nosedive from alfred hitchcock 's imaginative flight to shyamalan 's self-important summer fluff
barbarism
endless scenic shots that make 105 minutes seem twice as long
while american adobo has its heart ( and its palate ) in the right place , its brain is a little scattered -- ditsy , even .
it 's just weirdness for the sake of weirdness
fascinating glimpse
to its great credit
is the far superior film .
honest and
both shrill and soporific , and because everything is repeated five or six times
a sun-drenched masterpiece , part parlor game , part psychological case study , part droll social satire
action - mechanical .
cinematography and exhilarating point-of-view shots and
( `` safe conduct '' ) is a long movie at 163 minutes but
most thoughtful
the gorgeously elaborate continuation of `` the lord of the rings '' trilogy is so huge that a column of words can not adequately describe co-writer/director peter jackson 's expanded vision of j.r.r. tolkien 's middle-earth .
place for a great film noir
serious and thoughtful
certainly appeal to asian cult cinema fans and asiaphiles interested to see what all the fuss is about .
absurd plot twists , idiotic court maneuvers and
objectivity and refusal
the power of their surroundings
excited that it has n't gone straight to video
is long gone
there are cheesy backdrops , ridiculous action sequences , and many tired jokes about men in heels .
serious soul
the narrator and the other characters try to convince us that acting transfigures esther , but
humor and heart and
, ' i know how to suffer ' and if you see this film you 'll know too .
be complaining when a film clocks in around 90 minutes these days
a clumsily manufactured exploitation flick , a style-free exercise in manipulation and mayhem .
really quite funny .
as rude and profane as ever , always hilarious and , most of the time ,
turns the marquis de sade into a dullard
the tinny self-righteousness of his voice
compellingly
rice is too pedestrian a filmmaker to bring any edge or personality to the rising place that would set it apart from other deep south stories .
may as well be called `` jar-jar binks : the movie
acts that no amount of earnest textbook psychologizing can bridge .
salma goes native and she 's never been better in this colorful bio-pic of a mexican icon
that deftly , gradually reveals a real human soul buried beneath a spellbinding serpent 's smirk .
the acting is just fine ,
, relatively lightweight commercial fare such as notting hill to commercial fare with real thematic heft .
alice 's adventure through the looking glass and into zombie-land ' is filled with strange and wonderful creatures .
nicole kidman evolved from star to superstar some time over the past year , which means that birthday girl is the kind of quirkily appealing minor movie she might not make for a while .
is , alas , no woody allen .
contemplates a heartland so overwhelmed by its lack of purpose that it seeks excitement in manufactured high drama .
rewarded by a script that assumes you are n't very bright
uncluttered , resonant gem
for a painful ride
the scripters do n't deserve any oscars
stylized swedish fillm about a modern city
a reasonably entertaining sequel
some movies suck you in despite their flaws , and
not about scares but a mood in which an ominous , pervasive , and unknown threat lurks just below the proceedings and adds an almost constant mindset of suspense .
contrived to be as naturally charming as it needs to be
will be best appreciated by those willing to endure its extremely languorous rhythms , waiting for happiness
our best achievements and
summer-camp talent show
peter jackson and company once again dazzle and delight us , fulfilling practically every expectation either a longtime tolkien fan or a movie-going neophyte
a funny and touching film
naipaul fans may be disappointed .
instead of hitting the audience over the head with a moral , schrader relies on subtle ironies and visual devices to convey point of view .
inarticulate
a mormon family movie , and a sappy , preachy one at that
it 's more than a worthwhile effort
frailty '' offers chills much like those that you get when sitting around a campfire around midnight , telling creepy stories to give each other the willies .
parents beware ; this is downright movie penance .
mordantly funny and intimately knowing
this has layered , well-developed characters and some surprises .
leaves shockwaves
's replaced by some dramatic scenes that are jarring and deeply out of place in what could have ( and probably should have ) been a lighthearted comedy .
's that good .
swedish fatalism using gary larson 's far side humor
an enjoyable , if occasionally flawed , experiment .
funniest jokes
half-baked setups and sluggish pacing
a pretentious and ultimately empty examination
like a surgeon mends a broken heart ; very meticulously but without any passion
the storylines are woven together skilfully , the magnificent swooping aerial shots are breathtaking , and
otherwise good movie
in swank apartments , clothes and parties
to remind one of a really solid woody allen film , with its excellent use of new york locales and sharp writing
fierce , glaring and unforgettable .
has a gentle , unforced intimacy that never becomes claustrophobic .
a good race ,
boorishness
warmth , wit and interesting characters
it 's boring
you ... get a sense of good intentions derailed by a failure to seek and strike just the right tone .
japan bustling
it gets to you .
the picture realizes a fullness that does not negate the subject .
may not touch the planet 's skin , but understands the workings of its spirit .
be as intelligent
a french film with a more down-home flavor
a mindless action flick
at the expense of character
is so tame that even slightly wised-up kids would quickly change the channel
then biting into it and finding the filling missing
a cautionary tale about the folly of superficiality that is itself endlessly superficial .
sitcomishly
that do n't really care for the candidate
have found a cult favorite to enjoy for a lifetime
shoplifts shamelessly
a study in schoolgirl obsession
several cliched movie structures : the road movie
it is as uncompromising as it is nonjudgmental , and makes clear that a prostitute can be as lonely and needy as any of the clients .
to cliches and pat storytelling
is suspenseful and ultimately unpredictable , with a sterling ensemble cast .
an enjoyable 100 minutes in a movie theater
putting the primitive murderer inside a high-tech space station unleashes a pandora 's box of special effects that run the gamut from cheesy to cheesier to cheesiest .
feeling guilty
scott 's convincing portrayal of roger the sad cad that really gives the film its oomph
weighted down with slow , uninvolving storytelling
the leanest and meanest
alternately fascinating and frustrating
heartbreakingly thoughtful minor classic
crush each other
who rambles aimlessly through ill-conceived action pieces
takes you by the face , strokes your cheeks and coos beseechingly at you
a provocative piece of work
a terribly obvious melodrama and rough-hewn vanity project for lead actress andie macdowell
shaped the story to show us why it 's compelling
an ultra-loud blast of pointless mayhem
the journey to the secret 's eventual discovery is a separate adventure , and thrill enough .
the pianist ( is ) a supremely hopeful cautionary tale of war 's madness remembered that we , today , can prevent its tragic waste of life .
, we had no trouble sitting for blade ii .
two fine , nuanced lead performances
's the perfect star vehicle for grant , allowing him to finally move away from his usual bumbling , tongue-tied screen persona
fuses the events of her life with the imagery in her paintings so vividly that the artist 's work may take on a striking new significance for anyone who sees the film
more concerned with overall feelings , broader ideas , and open-ended questions than concrete story and definitive answers , soderbergh 's solaris is a gorgeous and deceptively minimalist cinematic tone poem .
duvall 's
the hero 's odyssey
( f ) rom the performances and the cinematography to the outstanding soundtrack and unconventional narrative
created a monster but did n't know how to handle it
sexy , violent , self-indulgent and maddening
there 's nothing interesting in unfaithful whatsoever .
creating an emotionally complex , dramatically satisfying heroine
before , from the incongruous but chemically perfect teaming of crystal and de niro
is a slight and uninventive movie
chris rock , ' ` anthony hopkins ' and ` terrorists ' into some univac-like script machine
ill-conceived and expensive
it is bad , but certainly not without merit as entertainment .
to revitalize what is and always has been remarkable about clung-to traditions
to mention absolutely refreshed .
echo of allusions
, secret ballot is a purposefully reductive movie -- which may be why it 's so successful at lodging itself in the brain .
as if they were coming back from stock character camp -- a drowsy drama infatuated by its own pretentious self-examination
dishonest and pat as any hollywood fluff .
strolls through this mess with a smug grin ,
read my lips
misconstrued as weakness
touched by this movie
suspenseful horror movie
eventually cloying pow drama .
, there 's not enough intelligence , wit or innovation on the screen to attract and sustain an older crowd .
top japanese animations
how well it holds up in an era in which computer-generated images are the norm
a thin notion
the beautiful images and solemn words
who has n't lost a bit of the dry humor that first made audiences on both sides of the atlantic love him
he has no clue about making a movie
posing as a real movie
more than people
it 's fun ,
that kidman has become one of our best actors
that fails to match the freshness of the actress-producer and writer
have a reasonably good time with the salton sea
sweet without the decay
flinging their feces
with seriously dumb characters , which somewhat dilutes the pleasure of watching them
is so formulaic and forgettable that it 's hardly over before it begins to fade from memory
of great actors hamming it up
the plot follows a predictable connect-the-dots course
the wonderful cinematography
quaid is utterly fearless as the tortured husband living a painful lie
is as predictable as the tides .
do n't say you were n't warned
sit through a crummy , wannabe-hip crime comedy that refers incessantly to old movies , when you could just rent those movies instead , let alone seek out a respectable new one ?
this wretchedly unfunny wannabe comedy
cedar somewhat defuses this provocative theme by submerging it in a hoary love triangle .
everett remains a perfect wildean actor
the essence of magic
i liked about it
grown-up film
as a director , eastwood is off his game -- there 's no real sense of suspense , and none of the plot ` surprises ' are really surprising .
a rare and lightly entertaining
stuffy , full of itself ,
particularly innovative
the work of an artist tormented by his heritage , using his storytelling ability to honor the many faceless victims .
is enough to give you brain strain
its moving story
to ride the big metaphorical wave that is life -- wherever it takes you
often contradictory
leavened by a charm that 's conspicuously missing from the girls ' big-screen blowout
very touching
gentle , mesmerizing
as appalling as any ` comedy '
a passionately inquisitive film
a glib but bouncy bit
( assayas ' ) homage to the gallic ` tradition of quality
a disappointingly thin slice of lower-class london life ; despite the title
, ' michael moore gives us the perfect starting point for a national conversation about guns , violence , and fear .
awfully good , achingly human picture
thrills and extreme
, memorable cinematic experience
from mtv schmucks who do n't know how to tell a story for more than four minutes
... is , also , frequently hilarious .
sharp as the original
petty thievery like this that puts flimsy flicks like this behind bars
spirals downward , and thuds to the bottom of the pool with an utterly incompetent conclusion
living far too much in its own head
most magical and
is certainly easy to watch .
well paced and satisfying
in fact , it 's quite fun in places .
terminally bland , painfully slow and needlessly confusing ... the movie , shot on digital videotape rather than film , is frequently indecipherable .
is definitely meaningless , vapid and devoid
comes at film with bracing intelligence and a vision both painterly and literary .
may pick up new admirers
steals so freely from other movies and
in marriage
breathes life into a roll that could have otherwise been bland and run of the mill .
turn this fairly parochial melodrama into something really rather special
to keep letting go at all the wrong moments
fails to live up to -- or offer any new insight into -- its chosen topic
if it 's filmed tosca that you want
to create something original
stinks from start to finish , like a wet burlap sack of gloom
who is not only a pianist , but a good human being
an exhilarating experience .
an average b-movie with no aspirations to be anything more .
the story is bogus and its characters tissue-thin .
take me back to a time before i saw this movie
a colorful , vibrant introduction to a universal human impulse
that sucks you in and dares you not to believe it
moore provides an invaluable service by sparking debate and encouraging thought .
star power ,
energetic and sweetly
of wit and dignity
amiable picture
niccol the filmmaker merges his collaborators ' symbolic images with his words , insinuating , for example , that in hollywood , only god speaks to the press
moving and weighty
catch it ... if you can
so muddled , repetitive and ragged that it says far less about the horrifying historical reality than about the filmmaker 's characteristic style .
times when the film 's reach exceeds its grasp
gives his best screen performance with an oddly winning portrayal of one of life 's ultimate losers .
retelling a historically significant , and personal , episode