xiangpku/GLUE huggingface dataset:
a fascinating glimpse of urban life and the class warfare that embroils two young men
wonderful , sobering , heart-felt drama
mtv schmucks
extraordinary intelligence and originality
artificial structure
thoughtful , emotional movie experience
a fascinating curiosity piece --
does n't care about cleverness , wit or any other kind of intelligent humor
, its through-line of family and community is heartening in the same way that each season marks a new start .
the brilliant performances
say for plenty of movies that flow through the hollywood pipeline without a hitch
boring talking heads
one of the best gay love stories
, it wears out its welcome as tryingly as the title character .
pretension about the film , which very simply sets out to entertain and ends up delivering in good measure
an undeniably moving film to experience
realistic '
shapeless documentary
stealing harvard is a horrible movie -- if only it were that grand a failure
it is life affirming and heartbreaking , sweet without the decay factor , funny and sad .
arteta paints a picture of lives lived in a state of quiet desperation .
with an astoundingly rich film
to win a wide summer audience through word-of-mouth reviews
edited so that it certainly does n't feel like a film that strays past the two and a half mark
going to be really awful
a battle of witlessness between a not-so-bright mother and daughter and an even less capable trio of criminals
is as conventional as can be
a direct hit
project greenlight '' winner
's really an exercise in gross romanticization of the delusional personality type
than sucking you in ... and making you sweat
i was feeling this movie until it veered off too far into the exxon zone , and left me behind at the station looking for a return ticket to realism .
become wearisome
manages to avoid many of the condescending stereotypes that so often plague films dealing with the mentally ill
chilling in its objective portrait of dreary , lost twenty-first century america .
fact , the best in recent memory
than like being stuck in a dark pit having a nightmare about bad cinema
consistently amusing but
even lazier and
to be a new yorker
is a smorgasbord of soliloquies about nothing delivered by the former mr. drew barrymore
the sword fighting is well done
much of it is funny ,
extremely unpleasant film
should be able to appreciate the wonderful cinematography and naturalistic acting
very meticulously but without any passion
a blair witch - style adventure that plays like a bad soap opera , with passable performances from everyone in the cast .
a sentimental mess
genuine insight
a classic fairy tale
, and not strictly in the knowledge imparted
aficionados of the whodunit wo n't be disappointed
i enjoyed .
strong dramatic and emotional pull
is the great equalizer that can calm us of our daily ills and bring out joys in our lives that we never knew
road to perdition does display greatness , and
the rest of the film ... is dudsville .
ultimate point -- that everyone should be themselves --
its generic villains lack any intrigue ( other than their funny accents ) and the action scenes are poorly delivered
unless you 're a fanatic , the best advice is : ` scooby ' do n't .
will find that the road to perdition leads to a satisfying destination
does a terrific job conjuring up a sinister , menacing atmosphere though unfortunately all the story gives us is flashing red lights , a rattling noise , and a bump on the head
the rest of the cast was outshined by ll cool j.
nonsensical and laughable
a very charming and funny movie
the movie , shot on digital videotape rather than film , is frequently indecipherable .
tries-so-hard-to-be-cool `` clockstoppers
that it fails to have a heart , mind or humor of its own
a great combination act
with a tone as variable as the cinematography , schaeffer 's film never settles into the light-footed enchantment the material needs , and the characters ' quirks and foibles never jell into charm .
is its energy
extraordinary poignancy
newcomer ellen pompeo pulls off the feat with aplomb
damn fine
suitably kooky which should appeal to women and
cinema classic
be both hugely entertaining and uplifting
unique and inherent
like no other film in recent history
wonderful on the big screen
's to realize that as far as these shootings are concerned , something is rotten in the state of california
the soul of a man in pain who gradually comes to recognize it and deal with it
its scrapbook of oddballs
is about as humorous as watching your favorite pet get buried alive
no idea of it is serious
schmaltz
does a solid job of slowly ,
, characterization , poignancy , and intelligence
as big-screen remakes of the avengers and the wild wild west
ourselves and
a little uneven to be the cat 's meow , but it 's good enough to be the purr .
any film more challenging or depressing
seem sincere , and just
even after 90 minutes of playing opposite each other bullock and grant still look ill at ease sharing the same scene .
engaging and moving portrait
how it washed out despite all of that is the project 's prime mystery .
` swept away ' sinks .
is a great deal of fun .
report card : does n't live up to the exalted tagline -
rendered tedious by avary 's failure to construct a story with even a trace of dramatic interest
it eventually works its way up to merely bad rather than painfully awful .
it earns extra points by acting as if it were n't
wayward wooden one
disintegrates into a dreary , humorless soap opera
uncomfortably strained
going wrong
, there are side stories aplenty -- none of them memorable .
enormously entertaining
that has no teeth
more playful
acted , quietly affecting cop drama .
ca n't help suspecting that it was improvised on a day-to-day basis during production
ethical and philosophical
as an exceptional thriller
with star power , a pop-induced score
lawrence hates criticism so much that he refuses to evaluate his own work
one of two things : unadulterated thrills or genuine laughs
while it can be a bit repetitive
its metaphors are opaque enough to avoid didacticism , and
does not proclaim the truth about two love-struck somebodies , but permits them time and space to convince us of that all on their own .
he has n't lost his touch , bringing off a superb performance in an admittedly middling film
does n't contain half the excitement of balto , or quarter the fun of toy story 2
a stunning new young talent in one of chabrol 's most intense psychological mysteries
barely give a thought to the folks who prepare and deliver it
as if everyone making it lost their movie mojo
with second helpings of love , romance , tragedy , false dawns , real dawns , comic relief , two separate crises during marriage ceremonies , and the lush scenery of the cotswolds
proves that it 's easier to change the sheets than to change hackneyed concepts when it comes to dreaming up romantic comedies
off-putting
acidity
love in remembrance .
vivid characters and a warm , moving message
, in itself , is extraordinary .
gives everyone something
is so clumsily sentimental and ineptly directed it may leave you speaking in tongues
neither as scary-funny as tremors nor
pleasantly
its emphasis on caring for animals and respecting other cultures
did no one on the set have a sense of humor
've had the misfortune to watch in quite some time .
driver and goodfellas
lethargically paced parable of renewal .
spellbinding fun and
( or role , or edit , or score , or anything , really )
, spy kids 2 looks as if it were made by a highly gifted 12-year-old instead of a grown man .
hardly watchable
could have guessed at the beginning
are missing -- anything approaching a visceral kick , and anything approaching even a vague reason to sit through it all
in that sense is a movie that deserves recommendation
it may not be a huge cut of above the rest , but i enjoyed barbershop .
i skipped country bears
pointing his camera through the smeared windshield of his rental car
perfected the art of highly entertaining , self-aggrandizing , politically motivated documentary-making
he is n't blind to the silliness , but also captures moments of spontaneous creativity and authentic co-operative interaction
act weird
stiff , ponderous and charmless
worldly knowledge comes from tv reruns and supermarket tabloids
it has fun with the quirks of family life , but it also treats the subject with fondness and respect .
cares
looking for a story
a real human soul
there 's no denying that burns is a filmmaker with a bright future ahead of him .
a mere plot pawn for two directors with far less endearing disabilities
you 'd have a hard time believing it was just coincidence .
immensely entertaining look
that between the son and his wife , and the wife and the father , and between the two brothers
a film -- rowdy , brawny and lyrical in the best irish sense
're never quite sure where self-promotion ends and the truth begins
enjoyed as a work of fiction inspired by real-life events .
and effective film
're the unnamed , easily substitutable forces that serve as whatever terror the heroes of horror movies try to avoid .
enjoyable family
bad movie
while bollywood/hollywood will undoubtedly provide its keenest pleasures to those familiar with bombay musicals
gives new meaning to the phrase ` fatal script error . '
funny and also heartwarming without stooping to gooeyness
there 's a part of us that can not help be entertained by the sight of someone getting away with something .
charismatic rising star jake gyllenhaal
the belly laughs
you 're going to feel like you were n't invited to the party .
more playful tone
a portrait of hell so shattering it 's impossible to shake .
loved the look of this film .
a lot going for it , not least the brilliant performances by testud ... and
it traps audiences in a series of relentlessly nasty situations that we would pay a considerable ransom not to be looking at .
is the way it skirts around any scenes that might have required genuine acting from ms. spears
, unusual , even nutty
a smart , steamy mix of road movie , coming-of-age story and political satire
into a fascinating part of theater history
fish-out-of-water formula
, however , having sucked dry the undead action flick formula , blade ii mutates into a gross-out monster movie with effects that are more silly than scary .
compelling and horrifying story
just send it to cranky .
callow rich boy
if you 're over 25 , have an iq over 90 , and have a driver 's license , you should be able to find better entertainment .
straining to produce another smash
affair
the layers of soap-opera emotion
assayas ' ambitious , sometimes beautiful adaptation of jacques chardonne 's novel .
seems endless .
funny and human and
dreadful romance
ought to pick up the durable best seller smart women , foolish choices for advice
an eerie thriller
's unfocused and tediously exasperating
his dependence on slapstick
epic treatment
the bottom of the barrel
warmed up to him
feel the screenwriter at every moment ` tap , tap , tap ,
the last time i saw worse stunt editing or cheaper action movie production values than in extreme ops
a dud --
instead of trying to bust some blondes , ( diggs ) should be probing why a guy with his talent ended up in a movie this bad .
an ease
so hard to be quirky and funny that the strain is all too evident
, this makes for perfectly acceptable , occasionally very enjoyable children 's entertainment .
gangs
of ace japanimator hayao miyazaki 's spirited away
its smallness
a straightforward , emotionally honest manner that by the end
the strain of its plot contrivances and
but it was n't horrible either .
jumble that 's not scary , not smart and not engaging .
's kind of insulting , both to men and women
with every painful nuance , unexpected flashes of dark comedy and the character 's gripping humanity
shrewd but pointless .
the narrator and the other characters try to convince us that acting transfigures esther , but she 's never seen speaking on stage ; one feels cheated , and esther seems to remain an unchanged dullard .
the evocative imagery and
as one of the worst films of the summer
whether it 's the worst movie of 2002 , i ca n't say for sure :
there 's no point of view , no contemporary interpretation of joan 's prefeminist plight , so we 're left thinking the only reason to make the movie is because present standards allow for plenty of nudity .
the level of intelligence and visual splendor that can be seen in other films
a lovely , eerie film
may have expected to record with their mini dv
keep the movie from ever reaching the comic heights it obviously desired .
it turns out to be smarter and more diabolical than you could have guessed at the beginning .
the pantheon of wreckage that includes battlefield earth and showgirls
does n't completely survive its tonal transformation from dark comedy to suspense thriller
touching , raucously amusing ,
for all its brooding quality , ash wednesday is suspenseful and ultimately unpredictable , with a sterling ensemble cast .
triumph '
good documentarian
a sour little movie at its core ; an exploration of the emptiness that underlay the relentless gaiety
she is merely a charmless witch .
more repulsive
the movie is concocted and carried out by folks worthy of scorn , and the nicest thing i can say is that i ca n't remember a single name responsible for it
assembles a fascinating profile of a deeply humanistic artist who , in spite of all that he 's witnessed , remains surprisingly idealistic , and retains an extraordinary faith in the ability of images to communicate the truth of the world around him .
inspiring , ironic
that these brats will ever be anything more than losers
's only one way to kill michael myers for good : stop buying tickets to these movies
cinematography to the outstanding soundtrack and
the chateau has one very funny joke and a few other decent ones , but all it amounts to is a mildly funny , sometimes tedious , ultimately insignificant film
instantly forgettable and
worth watching
extraordinary film
an annoying orgy of excess and exploitation that has no point and goes nowhere
his prime
occasional belly laugh
argentine american beauty reeks
a barrie good time
clever and cutting , quick and dirty look
a time machine , a journey back to your childhood , when cares melted away in the dark theater , and films had the ability to mesmerize , astonish and entertain
wo n't be remembered as one of ( witherspoon 's ) better films .
crematorium chimney fires and stacks of dead bodies
promises a new kind of high but delivers the same old bad trip
improbable as this premise may seem , abbass 's understated
this is a children 's film in the truest sense .
plot and pacing typical hollywood war-movie stuff
much more successful
the pale script
is ) looking down at your watch and realizing serving sara is n't even halfway through
94-minute travesty
a fine , focused piece
to guess the order in which the kids in the house will be gored
a good film in `` trouble every day
engaging .
more than capable of rewarding them
writer/director dover kosashvili takes a slightly dark look at relationships , both sexual and kindred .
has n't progressed as nicely as ` wayne
it 's packed with adventure and a worthwhile environmental message , so it 's great for the kids .
female population
wonderfully sympathetic
if it were any more of a turkey
its performances are so well tuned that the film comes off winningly , even though it 's never as solid as you want it to be
you feel guilty about it
humanly
pushed to their most virtuous limits
no wit , only
the rare common-man artist
self-pitying
lousy john q
the guru who helped
suffers from a philosophical emptiness and maddeningly sedate pacing
botched in execution
director juan jose campanella could have turned this into an argentine retread of `` iris '' or `` american beauty , '' but instead pulls a little from each film and creates something more beautiful than either of those films .
full of the kind of obnoxious chitchat that only self-aware neurotics engage in .
offers big , fat , dumb
wears out its welcome as tryingly as the title character .
before going on to other films that actually tell a story worth caring about
is clever , offbeat and even gritty enough to overcome my resistance
with its excellent use of new york locales and sharp writing
tortured
a world of hurt
rewarded with some fine acting
their funny bones tickled
`` un-bear-able '' project
wonder of wonders -- a teen movie with a humanistic message
nijinsky
even by the intentionally low standards of frat-boy humor , sorority boys is a bowser .
celebrates the human spirit with such unrelenting dickensian decency that it turned me ( horrors ! )
it 's as if solondz had two ideas for two movies , could n't really figure out how to flesh either out ,
the lush scenery
more if it had just gone that one step further
makes salton sea surprisingly engrossing
gentle , touching
a hole in your head
though her performance is more interesting ( and funnier ) than his
likable
older and wiser eyes ,
bile
works on some levels and is certainly worth seeing at least once .
a pathetically inane and unimaginative
if not a home run , then at least
the perfect starting point for a national conversation about guns , violence , and fear
as rewarding
a doa dud from frame one .
so old-fashioned
summer blockbuster
to find the small , human moments
some intelligent observations on the success of bollywood
a corn dog
this unique director 's previous films
canadian filmmaker gary burns ' inventive and mordantly humorous take on the soullessness of work in the city .
it 's rare to find a film to which the adjective ` gentle ' applies , but the word perfectly describes pauline & paulette
hackneyed and
the skirmishes for power waged among victims and predators settle into an undistinguished rhythm of artificial suspense .
distances you
romantic and
as a historical study and as a tragic love story
white has n't developed characters so much as caricatures , one-dimensional buffoons that get him a few laughs but nothing else .
makes for one of the most purely enjoyable and satisfying evenings at the movies i 've had in a while
plenty to impress about e.t.
besotted and obvious
of read my lips
interesting look
witlessness between a not-so-bright mother and daughter and an even less capable trio of criminals
puts the kibosh on what is otherwise a sumptuous work of b-movie imagination .
soderbergh 's best films , `` erin brockovich ,
is n't painfully bad , something to be ` fully experienced '
of matthew shepard
should stop trying to please his mom
immersive powers
fills me with revulsion .
set it apart from other deep south stories
replete with the pubescent scandalous
attal 's hang-ups surrounding infidelity are so old-fashioned and , dare i say
if you enjoy being rewarded by a script that assumes you are n't very bright , then blood work is for you .
right choices
an action hero motivated by something more than franchise possibilities
weighs no more than a glass of flat champagne
does mark ms. bullock 's best work in some time
, this family film sequel is plenty of fun for all .
insomnia is one of the year 's best films and
ultimately engages less for its story of actorly existential despair than for its boundary-hopping formal innovations and glimpse into another kind of chinese ` cultural revolution . '
worthwhile moviegoing experience
so prolonged and boring
saw the film
of paint-by-number romantic comedies
smarter than your average bond .
this hastily mounted production exists only to capitalize on hopkins ' inclination to play hannibal lecter again , even though harris has no immediate inclination to provide a fourth book .
a tragic dimension
it is not enough to give the film the substance it so desperately needs .
an admirable reconstruction of terrible events , and a fitting
assembles a fascinating profile of a deeply humanistic artist who , in spite of all that he 's witnessed , remains surprisingly idealistic ,
rarely work in movies now
comic fan
perfectly serviceable
eric schweig and graham greene both exude an air of dignity that 's perfect for the proud warrior that still lingers in the souls of these characters .
brutal honesty and respect
the best sequel
its slightly humorous and tender story
a choppy ending
grows on you --
tired , unnecessary retread
better characters , some genuine quirkiness and at least
the dangerous lives of altar boys ' take on adolescence
are enthralling
love a disney pic with as little cleavage as this one has , and
true impact
like all great films about a life you never knew existed , it offers much to absorb and even more to think about after the final frame .
unnerving suspense
promising , talented , charismatic and tragically
if a horror movie 's primary goal is to frighten and disturb , then they works spectacularly well ... a shiver-inducing , nerve-rattling ride .
inept and artificial
gives the neighborhood -- scenery , vibe and all -- the cinematic equivalent of a big , tender hug .
an impossible spot
delightfully charming -- and
of heart or conservative of spirit
has all the enjoyable randomness of a very lively dream and so manages to be compelling , amusing and unsettling at the same time
movie version
is that the entire exercise has no real point
but a tedious picture
it actually hurts to watch .
, the movie bogs down in insignificance , saying nothing about kennedy 's assassination and revealing nothing about the pathology it pretends to investigate .
be oblivious to the existence of this film
thanks to confident filmmaking and a pair of fascinating performances , the way to that destination is a really special walk in the woods .
tainted by cliches , painful improbability and murky points
may take on a striking new significance for anyone who sees the film
this long and relentlessly saccharine film is a clear case of preaching to the converted .
gratingly unfunny groaner
is painfully formulaic and stilted
is often quite rich and exciting
is n't very interesting actually
many went to see the attraction for the sole reason that it was hot outside and there was air conditioning inside , and i do n't think that a.c. will help this movie one bit .
from dawson 's creek
is too amateurishly square
a stirring tribute to the bravery and dedication of the world 's reporters who willingly walk into the nightmare of war not only to record the events for posterity , but to help us
unleashed by a slightly crazed , overtly determined young woman
too blatant
a really cool bit --
second helpings of love , romance , tragedy , false dawns , real dawns , comic relief , two separate crises during marriage ceremonies , and
, i 'd rather watch them on the animal planet .
jumps to the head of the class of women 's films
generates plot points
really , really good
wo n't care
bringing off a superb performance in an admittedly middling film
, inconsistent , dishonest
's simply stupid , irrelevant and deeply , truly ,
kinda wrong
in an irresistible junior-high way ,
i 've yet to find an actual vietnam war combat movie actually produced by either the north or south vietnamese , but at least now we 've got something pretty damn close .
makes up for in heart
the story is predictable , the jokes are typical sandler fare , and the romance with ryder is puzzling .
be pleased to discover that tian 's meticulous talent has not withered during his enforced hiatus
starts off as a satisfying kids flck becomes increasingly implausible as it races through contrived plot points .
are both oscar winners , a fact which , as you watch them clumsily mugging their way through snow dogs , seems inconceivable
becomes more and more frustrating
called best bad film you thought was going to be really awful
are too immature and unappealing to care about .
guy gets girl
succeeds in entertaining , despite playing out like a feature-length sitcom replete with stereotypical familial quandaries
thriller remarkable only for its lack of logic and misuse of two fine actors , morgan freeman and ashley judd .
refreshes the mind and spirit along
is a poster movie , a mediocre tribute to films like them
sit through about 90 minutes of a so-called ` comedy ' and not laugh
the depth of these two literary figures , and even the times in which they lived
i certainly was n't feeling any of it
, intelligence and verve
real-life story
forceful drama
cold and dead
with a flourish
do that is really funny