xiangpku/GLUE huggingface dataset:
lacks the detail of the book
and cinemantic flair
succeed in integrating the characters in the foreground into the extraordinarily rich landscape
's surprisingly decent ,
elegant film
of thoughtful , subjective filmmaking
if you ever wondered what it would be like to be smack in the middle of a war zone armed with nothing but a camera , this oscar-nominated documentary takes you there .
from stark desert
a good film that must have baffled the folks in the marketing department .
supremely good natured
, marvelously twisted shapes history
digitally altered footage
big stars and high production values
, self-assured
more than anything else slight ... tadpole pulls back from the consequences of its own actions and revelations
milking a played-out idea -- a straight guy has to dress up in drag -- that shockingly manages to be even worse than its title
formula 51 promises a new kind of high but delivers the same old bad trip .
is a diverting -- if predictable -- adventure suitable for a matinee ,
induce sleep
uplifting as only a document of the worst possibilities of mankind can be , and among the best films of the year .
, it would fit chan like a $ 99 bargain-basement special .
-- and it is n't that funny .
because it 's lousy
a characteristically engorged and sloppy
wastes its time
you there is no sense
's the element of condescension , as the filmmakers look down on their working-class subjects from their lofty perch , that finally makes sex with strangers , which opens today in the new york metropolitan area , so distasteful .
that 's superficial and unrealized
a negligible work
though the film is well-intentioned
the kind of effectively creepy-scary thriller that has you fixating on a far corner of the screen at times because your nerves just ca n't take it any more
the usual movie rah-rah , pleasantly and predictably
a lovely film ... elegant , witty and beneath a prim exterior unabashedly romantic
laughing at his own joke
does n't reach them
the overall fabric is hypnotic , and mr. mattei fosters moments of spontaneous intimacy .
can depress you about life itself
you put away the guitar , sell the amp , and apply to medical school
extra effort to see an artist , still committed to growth in his ninth decade , change while remaining true to his principles
's a very very strong `` b +
it 's packed with adventure and a worthwhile environmental message
comes not from any cinematic razzle-dazzle but from its recovery of an historical episode that , in the simple telling , proves simultaneously harrowing and uplifting
the film is visually dazzling , the depicted events dramatic , funny and poignant
is like seeing a series of perfect black pearls clicking together to form a string .
swept away '' is the one hour and thirty-three minutes
everything that 's good
the boozy self-indulgence
, it contains almost enough chuckles for a three-minute sketch , and no more .
fears
left with a story that tries to grab us , only to keep letting go at all the wrong moments
it makes you forgive every fake , dishonest , entertaining and , ultimately , more perceptive moment in bridget jones 's diary
using his storytelling ability
wishy-washy
remarkably engaging despite being noticeably derivative of goodfellas and at least a half dozen other trouble-in-the-ghetto flicks
picture that at the very least has a spark of life to it -- more than you can say for plenty of movies that flow through the hollywood pipeline without a hitch .
cooks conduct in a low , smoky and inviting sizzle
's tremendously moving
lots of effort and intelligence are on display but
, you can feel the love .
surprisingly juvenile
land beyond time
a weak and ineffective ghost story
'd take ( its ) earnest errors and hard-won rewards over the bombastic self-glorification of other feel-good fiascos like antwone fisher or the emperor 's club any time
're - doing-it-for - the-cash
of too many story lines
a joy to watch , even when her material is not first-rate
( n ) o matter how much good will the actors generate , showtime eventually folds under its own thinness .
exploring the idea of why human beings long for what they do n't have , and how this gets us in trouble
lyne 's latest , the erotic thriller unfaithful , further demonstrates just how far his storytelling skills have eroded .
to feed to the younger generations
be liberating
a compelling allegory
, the film shatters you in waves .
the day-old shelf would be a more appropriate location to store it
a submarine movie with the unsettling spookiness of the supernatural
once again ego does n't always go hand in hand with talent
this story about love and culture
one of the best silly horror movies of recent memory
sweet gentle jesus , did the screenwriters just do a cut-and-paste of every bad action-movie line in history ?
more dimensional and complex than its sunny disposition
which imbue the theme with added depth and resonance
probably the best case for christianity
best part '
it is a whole lot of fun and
, my big fat greek wedding is a non-stop funny feast of warmth , color and cringe .
an astonishing voice cast ( excepting love hewitt ) , an interesting racial tension , and a storyline
serious critique
is clever and funny , is amused by its special effects , and leaves you feeling like you 've seen a movie instead of an endless trailer .
the movie straddles the fence between escapism and social commentary , and on both sides it falls short .
of the most creative , energetic and original comedies to hit the screen in years
any actor of talent would ever work in a mcculloch production again if they looked at how this movie turned out
for most movies , 84 minutes is short
loss and denial
it could be a lot better if it were , well , more adventurous .
the nicest thing i can say is that i ca n't remember a single name responsible for it
a forum to demonstrate their acting ` chops '
unusually surreal tone
conceited pap
... once the true impact of the day unfolds , the power of this movie is undeniable .
actors you 're most likely to find on the next inevitable incarnation of the love boat
great missed opportunity
not zhang 's forte
hopkins , squarely fills the screen .
happy gilmore or the waterboy
achieving some honest insight
so fiendishly cunning that even the most jaded cinema audiences will leave the auditorium feeling dizzy , confused , and totally disorientated .
perry 's good and his is an interesting character , but `` serving sara '' has n't much more to serve than silly fluff .
watching it is like being trapped at a bad rock concert
proves you wrong on both counts
oedekerk mugs mercilessly , and the genuinely funny jokes are few and far between .
's lovely and amazing ,
's hard to shake the feeling that it was intended to be a different kind of film
his ` angels of light
bang your head on the seat in front of you , at its cluelessness , at its idiocy ,
in the affable maid in manhattan , jennifer lopez 's most aggressive and most sincere attempt to take movies by storm , the diva shrewdly surrounds herself with a company of strictly a-list players .
but not great )
familiar , funny surface
this unexpectedly moving meditation
your own precious life
as a touching , transcendent love story
genre-busting film
) utterly convincing -- and deeply appealing -- as a noble teacher who embraces a strict moral code
provides an accessible introduction as well as some intelligent observations on the success of bollywood
exploitation flick
an unremittingly ugly movie
be relieved that his latest feature , r xmas , marks a modest if encouraging return to form
remotely probing or penetrating .
it looks like an action movie , but it 's so poorly made , on all levels , that it does n't even qualify as a spoof of such
propulsive
asks you to feel sorry for mick jagger 's sex life
with its elbows sticking out where the knees should be
, right-wing , propriety-obsessed family
i can analyze this movie in three words : thumbs friggin ' down .
like an overcooked soufflé
, there is a really cool bit -- the movie 's conception of a future-world holographic librarian ( orlando jones ) who knows everything and answers all questions , is visually smart , cleverly written , and nicely realized .
bringing richer meaning to the story 's morals
great cinema can really do
surprisingly
innocent
the astute direction of cardoso and
for every cheesy scene
spins the multiple stories in a vibrant and intoxicating fashion
is an elegantly balanced movie -- every member of the ensemble has something fascinating to do -- that does n't reveal even a hint of artifice .
taken one of the world 's most fascinating stories and made it dull , lifeless , and irritating
by then
told with sharp ears and eyes for the tenor of the times
outtakes in which most of the characters forget their lines
intelligent screenplay
because of the universal themes , earnest performances ... and excellent use of music by india 's popular gulzar and jagjit singh
an immensely entertaining look
a meditation on faith and madness
wistful new film
is truly funny , playing a kind of ghandi gone bad
it 's one thing to read about or rail against the ongoing - and unprecedented - construction project going on over our heads .
, the movie runs a good race , one that will have you at the edge of your seat for long stretches . '
chan like a $ 99 bargain-basement special
whose pieces do not fit
in the disturbingly involving family dysfunctional drama how i killed my father , french director anne fontaine delivers an inspired portrait of male-ridden angst and the emotional blockage that accompanies this human condition
a little uneven to be the cat 's meow
it 's a film that affirms the nourishing aspects of love and companionship .
of the previous two
completely predictable
low-grade dreck
soulless jumble
change the channel
aspires
is corny in a way that bespeaks an expiration date passed a long time ago .
increasingly incoherent fashion
first-class , thoroughly involving
ramsay succeeds primarily with her typical blend of unsettling atmospherics , delivering a series of abrasive , stylized sequences that burn themselves upon the viewer 's memory .
right questions
too-spectacular
an infinitely wittier version of the home alone formula
takes a slightly dark look at relationships ,
( kline 's ) utterly convincing -- and deeply appealing -- as a noble teacher who embraces a strict moral code , and
remains a chilly , clinical lab report
're at the right film .
has to recite bland police procedural details , fiennes wanders around in an attempt
has all the enjoyable randomness of a very lively dream and so manages to be compelling , amusing and unsettling at the same time .
a young woman who wants many things in life , but fears she 'll become her mother before she gets to fulfill her dreams
neither do cliches , no matter how ` inside ' they are .
a delicious crime drama
afford the $ 20 million ticket to ride a russian rocket
some good , organic character work , lots of obvious political insights and
an engrossing and grim portrait of hookers
an uncomfortable experience , but one as brave and challenging as you could possibly expect these days from american cinema .
hand it to director george clooney for biting off such a big job the first time out
though lan yu lacks a sense of dramatic urgency
is almost certainly
audiences are advised to sit near the back and squint to avoid noticing some truly egregious lip-non-synching , but otherwise the production is suitably elegant .
did n't mean much to me and
, thought-provoking new york fest
that i would have liked it much more if harry & tonto never existed
yes , but also intriguing and honorable , a worthwhile addition to a distinguished film legacy
the very definition of what critics have come to term an `` ambitious failure .
crawlies
highly entertaining
a more fascinating look at the future than `` bladerunner '' and one of the most high-concept sci fi adventures attempted for the screen
it never quite makes it to the boiling point , but manages to sustain a good simmer for most of its running time .
around some intriguing questions about the difference between human and android life
farcically bawdy
most of its ilk
savory
badly edited , often awkwardly directed and suffers from the addition of a wholly unnecessary pre-credit sequence designed to give some of the characters a ` back story
remarkably
why it 's so successful at lodging itself in the brain
need all the luck they can muster just figuring out who 's who in this pretentious mess
... really horrible drek .
targeted to the tiniest segment of an already obscure demographic
a groundbreaking endeavor
detailed historical document
is n't as funny as you 'd hoped
times a bit melodramatic and even a little dated
'm actually having a hard time believing people were paid to make it
the most incoherent
plays as more of a poetic than a strict reality , creating an intriguing species of artifice that gives the lady and the duke something of a theatrical air .
overall an overwhelmingly positive portrayal
a strength of a documentary to disregard available bias
that it makes your least favorite james bond movie seem as cleverly plotted as the usual suspects
works its magic with such exuberance and passion
sincere grief and mourning in favor of bogus spiritualism
forget the psychology 101 study of romantic obsession and just watch the procession of costumes in castles and this wo n't seem like such a bore
, director roger kumble seems to have dumped a whole lot of plot in favor of ... outrageous gags .
there 's not a single jump-in-your-seat moment and
grand-scale
ozpetek offers an aids subtext , skims over the realities of gay sex , and presents yet another tired old vision of the gay community as an all-inclusive world where uptight , middle class bores like antonia can feel good about themselves .
made fresh by an intelligent screenplay and gripping performances in this low-budget , video-shot , debut indie effort
this movie is 90 minutes long , and life is too short
by those on both sides of the issues , if only for the perspective it offers
the dark theater
laughing in the crowd
takes a great film and turns it into a mundane soap opera
great character
a solid sci-fi thriller
long for the end credits
even if it may still leave you wanting more answers as the credits
fairly run-of-the-mill .
it projects onto the screen -- loud , violent and mindless
unhappy situation
of patch adams quietly freaking out
not only a detailed historical document , but an engaging and moving portrait of a subculture
somehow ms. griffiths and mr. pryce bring off this wild welsh whimsy .
're all in this together
the glorious chicanery and self-delusion of this most american of businesses
shows -- reality shows for god 's sake
courtesy of john pogue , the yale grad who previously gave us `` the skulls ''
something fascinating
a shakespearean tragedy
predictable and cloying ,
should avoid this like the dreaded king brown snake .
playfully profound ...
the movie is well done , but slow .
on the granger movie gauge of 1 to 10 , the powerpuff girls is a fast , frenetic , funny , even punny 6 -- aimed specifically at a grade-school audience .
've learned the hard way just how complex international terrorism is
with really solid performances by ving rhames and wesley snipes
it 's a setup so easy it borders on facile ,
, should n't have been made
yakusho , as always , is wonderful as the long-faced sad sack ... and his chemistry with shimizu is very believable
been there , done that , liked it much better the first time around - when it was called the professional
strongly reminiscent
haynes makes us see familiar issues , like racism and homophobia , in a fresh way .
the cast , collectively a successful example of the lovable-loser protagonist
hodgepodge .
that grew hideously twisted
leave fans clamoring for another ride
to generate any interest in an unsympathetic hero caught up in an intricate plot that while cleverly worked out , can not overcome blah characters
bogged down
throws away
one of those comedies that just seem like a bad idea from frame one
a hilarious ode to middle america and
quarter the fun of toy story 2
that allows him to churn out one mediocre movie after another
muddled , repetitive and ragged
but while the highly predictable narrative falls short , treasure planet is truly gorgeous to behold .
, without sentimentalizing it or denying its brutality , transforms that reality into a lyrical and celebratory vision
cleverest
derailed by bad writing and
too clever
nothing really happens
buried somewhere inside its fabric , but never clearly seen or felt
innovations and glimpse
is hindered by uneven dialogue and plot lapses .
... no charm , no laughs , no fun , no reason to watch .
the idea of exploiting molestation for laughs is funny , not actually exploiting it yourself
the libretto directs , ideally capturing the opera 's drama and lyricism
romp from robert rodriguez .
it veered off too far into the exxon zone , and left me behind at the station looking for a return ticket to realism
deeply biased
one of the cleverest , most deceptively amusing comedies of the year
, the movie possesses its own languorous charm .
, convincing
is virtually unwatchable .
ken russell would love this .
are scenes of cinematic perfection that steal your heart away .
something rare and riveting :
stoner midnight flick , sci-fi deconstruction
adoring , wide-smiling reception
injects freshness and spirit into the romantic comedy genre , which has been held hostage by generic scripts that seek to remake sleepless in seattle again and again
despite a quieter middle section , involving aragorn 's dreams of arwen , this is even better than the fellowship .
as rude and profane as ever , always hilarious and
does n't really believe in it ,
but kouyate elicits strong performances from his cast , and he delivers a powerful commentary on how governments lie , no matter who runs them .
the advantage of a postapocalyptic setting is that it can be made on the cheap .
iranian drama
no doubt that this film asks the right questions at the right time in the history of our country
's a treat watching shaw , a british stage icon , melting under the heat of phocion 's attentions
fantasized
big-screen experience
it is almost guaranteed that even the stuffiest cinema goers will laugh their *** off for an hour-and-a-half
bringing an unforced , rapid-fire delivery to toback 's heidegger - and nietzsche-referencing dialogue
watching it was painful .
over the bombastic self-glorification of other feel-good fiascos like antwone fisher or the emperor 's club any time
finish , like a wet burlap sack of gloom
eloquent memorial
, lawrence desperately looks elsewhere , seizing on george 's haplessness and lucy 's personality tics .
new relevance ,
retro-refitting exercise
first-timer john mckay is never able to pull it back on course .
a celebration of feminine energy , a tribute to the power of women to heal
unless there are zoning ordinances to protect your community from the dullest science fiction , impostor is opening today at a theater near you .
a first-class , thoroughly involving b movie that effectively combines two surefire , beloved genres --
a romantic crime comedy
gentle , touching story
safe as to often play like a milquetoast movie of the week blown up for the big screen
help chicago make the transition from stage to screen with considerable appeal intact .
excellent storytelling
hard to like a film so cold and dead
poetic tragedy
a young woman who knows how to hold the screen
makes an unusual but pleasantly haunting debut behind the camera
to do that is really funny
have to admit that i am baffled by jason x.
the only surprise is that heavyweights joel silver and robert zemeckis agreed to produce this
ends up delivering in good measure
if you love the music , and i do
this painfully forced , false and fabricated
into an argentine retread of `` iris '' or `` american beauty
a highly spirited , imaginative kid 's movie
has a sense of his audience
what a thrill ride
kind ,
out of sight
made without a glimmer of intelligence or invention
a pathetically inane and unimaginative cross between xxx and vertical limit .
'd prefer a simple misfire
the dialogue and drama often food-spittingly
an appalling ,
students that deals with first love sweetly
poor acting
hard to care
antwone fisher certainly does the trick of making us care about its protagonist and celebrate his victories but , with few exceptions , it rarely stoops to cheap manipulation or corny conventions to do it
independent film
i found myself strangely moved by even the corniest and most hackneyed contrivances .
by turns fanciful , grisly and engagingly quixotic .
starts off as a possible argentine american beauty reeks like a room stacked with pungent flowers .
one-dimensional buffoons that get him a few laughs but nothing else
the film , which gives you an idea just how bad it was
ca n't possibly be enough
that omnibus tradition called marriage
this is a fragmented film , once a good idea that was followed by the bad idea to turn it into a movie .
he is an imaginative filmmaker who can see the forest for the trees
manages not only
is a genuine love story , full of traditional layers of awakening and ripening and separation and recovery
is hugely overwritten
does display greatness
a hundred of them can be numbing
by a screenplay that forces them into bizarre , implausible behavior
endlessly repetitive
like mike shoots and scores , doing its namesake proud
coal is n't as easy to come by as it used to be and this would be a worthy substitute for naughty children 's stockings .
uneven performances and a spotty script
this is a third-person story now , told by hollywood , and much more ordinary for it .
it 's a beautiful film , full of elaborate and twisted characters - and it 's also pretty funny .
show that if you give a filmmaker an unlimited amount of phony blood , nothing good can happen
anarchists who face arrest 15 years after their crime
's something poignant about an artist of 90-plus years taking the effort to share his impressions of life and loss and time and art with us .
antwone fisher certainly does the trick of making us care about its protagonist and celebrate his victories but
away a believer again and quite cheered at just that
amoral
a stab at soccer hooliganism , a double-barreled rip-off of quentin tarantino 's climactic shootout
for an intelligent weepy
as grant 's two best films
the mysteries of human behavior
is off-putting , to say the least , not to mention inappropriate and wildly undeserved .
it 's hard to say who might enjoy this
zhuangzhuang creates delicate balance of style , text , and subtext that 's so simple and precise that anything discordant would topple the balance
timely than its director could ever have dreamed
is a frustrating patchwork : an uneasy marriage of louis begley 's source novel ( about schmidt ) and an old payne screenplay
diminishing his stature
as played by ryan gosling , danny is a frighteningly fascinating contradiction .
're clueless and inept
a great companion piece to other napoleon films .
developed hastily
to suggest possibilities which imbue the theme with added depth and resonance
moments of jaw-droppingly odd behavior
fails because it demands that you suffer the dreadfulness of war from both sides .
in a way that 's too loud , too goofy and too short of an attention span
are jarring and deeply out of place in what could have
by the brutality of the jokes , most at women 's expense
about 25 minutes of decent material
for devotees of french cinema
we never feel anything for these characters , and as a result the film is basically just a curiosity .
predictable outcome
borrows a bit from the classics `` wait until dark '' and `` extremities '' ... but in terms of its style , the movie is in a class by itself
get to an imitation movie
trusts the story it sets out to tell .
adorably ditsy but heartfelt performances
the ` laughing
without the precedent of yiddish theater , whose jolly , fun-for-fun 's - sake communal spirit goes to the essence of broadway
so incredibly inane
against the frozen winter landscapes of grenoble and geneva
the intensity with which he 's willing to express his convictions
cheap manipulation or corny conventions
... it 's as comprehensible as any dummies guide , something even non-techies can enjoy .