xiangpku/GLUE huggingface dataset:
, unfortunately , is a little too in love with its own cuteness
is never quite able to overcome the cultural moat surrounding its ludicrous and contrived plot . '
parker and co-writer catherine di napoli are faithful to melville 's plotline , they and a fully engaged supporting cast ... have made the old boy 's characters more quick-witted than any english lit
pretend it 's a werewolf itself by avoiding eye contact and walking slowly away
of obnoxious
find an escape clause and avoid seeing this trite , predictable rehash
feels at odds with the rest of the film
to lend some dignity to a dumb story
stress ` dumb . '
inane , humorless and under-inspired
the man who wrote rocky does not deserve to go down with a ship as leaky as this .
a rounded and revealing overview of this ancient holistic healing system
something serious to say about the ways in which extravagant chance can distort our perspective and throw us off the path of good sense
rote drivel
rough-hewn vanity project
the case with ambitious , eager first-time filmmakers
subtlety and warmth
the pacing is deadly , the narration helps little and naipaul , a juicy writer , is negated
-- do n't worry
shockingly bad and absolutely unnecessary
the nicest thing that can be said about stealing harvard ( which might have been called freddy gets molested by a dog ) is that it 's not as obnoxious as tom green 's freddie got fingered .
often intense character study
work better as a real documentary without the insinuation of mediocre acting or a fairly trite narrative
of whimsy
good to see michael caine whipping out the dirty words and punching people in the stomach again
a funny no-brainer
in this film , every shot enhances the excellent performances
satire and unabashed sweetness
inconclusive ending
strong directorial stamp
a comedy that swings and jostles to the rhythms of life
cool .
not really know who `` they '' were , what `` they '' looked like
the movie is like a year late for tapping into our reality tv obsession , and even tardier for exploiting the novelty of the `` webcast . ''
as an old pickup skidding completely out of control on a long patch of black ice
astonishing is n't the word -- neither is incompetent , incoherent or just plain crap
leatherbound
, i 'd recommend waiting for dvd and just skipping straight to her scenes .
the film aims to be funny , uplifting and moving , sometimes all at once .
the filmmakers needed more emphasis on the storytelling and less on the glamorous machine that thrusts the audience into a future they wo n't much care about .
the film succeeds with its dark , delicate treatment of these characters and its unerring respect for them .
adaptation 's success
genitals
nearly epic
the bottom line with nemesis is the same as it has been with all the films in the series : fans will undoubtedly enjoy it , and the uncommitted need n't waste their time on it .
proceeds to flop
a fine ,
an odd , haphazard , and inconsequential romantic comedy
kind of terrific
intricate preciseness
his most personal
well , this movie proves you wrong on both counts .
, the emperor 's club turns a blind eye to the very history it pretends to teach .
jolie 's hideous yellow
made , on all levels , that it does n't even qualify as a spoof of such
disney scrape the bottom of its own cracker barrel
will leave fans clamoring for another ride
their perceptiveness about their own situations
fuse at least three dull plots
notable for its stylistic austerity and forcefulness
be why it 's so successful at lodging itself in the brain
becomes distasteful and downright creepy
terrific story
if you think it 's a riot to see rob schneider in a young woman 's clothes , then you 'll enjoy the hot chick .
garcia , who perfectly portrays the desperation of a very insecure man
you 're too interested to care .
is it a charming , funny and beautifully crafted import
warm , fuzzy
's funny ,
spreads itself too thin , leaving these actors , as well as the members of the commune ,
the charm and little
the piano teacher , like its title character , is repellantly out of control .
obsessive love
of a deeply humanistic artist who , in spite of all that he 's witnessed , remains surprisingly idealistic
there is a strong directorial stamp on every frame of this stylish film that is able to visualize schizophrenia but is still confident enough to step back and look at the sick character with a sane eye .
it could have been something special
works smoothly under the direction of spielberg , who does a convincing impersonation here of a director enjoying himself immensely
because there 's not an original character , siuation or joke in the entire movie
feel my eyelids ... getting ... very
is frequently overwrought and crudely literal
works so well
is a welcome and heartwarming addition to the romantic comedy genre
this fascinating look at israel in ferment feels as immediate as the latest news footage from gaza and , because of its heightened , well-shaped dramas , twice as powerful .
appalling ,
interested in entertaining itself
a mood that 's sustained through the surprisingly somber conclusion
its observation of just how much more grueling and time-consuming the illusion of work is than actual work
himself can take credit for most of the movie 's success .
vignettes which only prove that ` zany ' does n't necessarily mean ` funny
an engaging and moving portrait of a subculture
a chilly , remote , emotionally distant piece ...
funny , touching , dramatically forceful , and beautifully shot
a radiant character portrait
schrader relies on subtle ironies and visual devices to convey point of view .
most unpleasant things
psychotic
just too silly and sophomoric to ensnare its target audience .
to the head of the class of women 's films
psychological thriller
the plot grows thin soon , and you find yourself praying for a quick resolution .
its sense of fun or energy
an eloquent , reflective and beautifully acted meditation on both the profoundly devastating events of one year ago and the slow , painful healing process that has followed in their wake .
could have -- should have -- been allowed
sade achieves the near-impossible
makes sense , with its unbelievable naïveté and arbitrary flashbacks
pretend the whole thing never existed
rip off
better than sorcerer 's stone
hypnotically dull , relentlessly downbeat , laughably predictable wail pitched to the cadence of a depressed fifteen-year-old 's suicidal poetry .
decides
cold , nervy and memorable .
making the right choice in the face of tempting alternatives
british comedy
brilliant motion picture
's as lumpy as two-day old porridge ...
see this movie with my sisters
amused and entertained by the unfolding of bielinsky 's
the most entertaining moments
to spoof both black and white stereotypes equally
compelling dramatic means
its sheer dynamism
reveals itself
large rewards
easily accessible stories
sulky teen drama and
sports-movie triumph
knows its classical music , knows its freud and knows its sade
with some laughs and a smile
a smutty guilty pleasure
none of them are ever any good
this is n't a new idea .
it 's true
to be too great
there 's little to recommend snow dogs , unless one considers cliched dialogue and perverse escapism a source of high hilarity .
a powerful look at a failure of our justice system
both an admirable reconstruction of terrible events , and a fitting
sleep-inducing thriller
delicate balance of style , text , and subtext that 's so simple and precise that anything discordant would topple the balance
warned
the film opens with maggots crawling on a dead dog
adds enough quirky and satirical touches in the screenplay to keep the film entertaining .
is more in love with strangeness than excellence .
payne has created a beautiful canvas , and
an unsuccessful attempt at a movie of ideas .
scariest movie
, duty and friendship
tragedy , bravery , political intrigue , partisans and sabotage
all the stomach-turning violence
hope the movie is widely seen and debated with appropriate ferocity and thoughtfulness
uncompelling the movie is unless it happens to cover your particular area of interest
its power comes from its soul 's - eye view of how well-meaning patronizing masked a social injustice , at least as represented by this case
are until the film is well under way -- and yet it 's hard to stop watching
is worth searching out .
the charm of the first movie is still there , and the story feels like the logical , unforced continuation of the careers of a pair of spy kids
workmanlike in the extreme
this movie , a certain scene in particular , brought me uncomfortably close to losing my lunch .
each story is built on a potentially interesting idea , but
you 're never quite sure where self-promotion ends and the truth begins
other than its exploitive array of obligatory cheap
strays past the two and a half mark
marcus adams just copies from various sources -- good sources , bad mixture
dopey dialogue and sometimes inadequate performances
cinematic tragedies
, ` blade ii ' just does n't cut it
a much funnier film with a similar theme
hyper-realistic images
a stylish cast
wondrous love story
charming result
emotional depth
disney 's great past
life-altering
sneaks up on you
find little of interest
davis ' highly personal brand of romantic comedy
among the best films of the year
goofy way
a compelling investigation of faith versus intellect
between realistic characters
a terrific performance in this fascinating portrait of a modern lothario
driven by the pathetic idea that if you shoot something on crummy-looking videotape , it must be labeled ` hip ' , ` innovative ' and ` realistic '
lee seems just as expectant of an adoring , wide-smiling reception .
at cheapening it
're just a couple of cops in copmovieland , these two
's not too much of anything .
it 's still a guilty pleasure to watch .
far more successful , if considerably less ambitious , than last year 's kubrick-meets-spielberg exercise
riveted to our seats
as their natural instinct for self-preservation
of the delusional personality type
that the beauty and power of the opera reside primarily in the music itself
be best appreciated by those willing to endure its extremely languorous rhythms , waiting for happiness
hitting below the belt
at once both refreshingly different and
in retelling a historically significant , and personal , episode detailing how one international city welcomed tens of thousands of german jewish refugees while the world 's democracie
brought to life on the big screen .
poor editing , bad bluescreen
sparse but oddly compelling
it 's also a -- dare i say it twice -- delightfully charming -- and totally american , i might add -- slice of comedic bliss .
nothing overly original , mind you , but solidly entertaining .
as another key contribution
provides an invaluable service by sparking debate and encouraging thought .
subzero version
gets the tone just right -- funny in the middle of sad in the middle of hopeful .
shows that jackie chan is getting older , and that 's something i would rather live in denial about
of ideas for the inevitable future sequels ( hey , do n't shoot the messenger )
it 's the humanizing stuff that will probably sink the film for anyone who does n't think about percentages all day long .
nothing 's happening
the problem is the needlessly poor quality of its archival prints and film footage .
to see a chinese film depict a homosexual relationship in a mature and frank fashion
the party favors to sober us up with the transparent attempts at moralizing
full of life and small delights --
to imagine acting that could be any flatter
a well-deserved reputation
the rotting underbelly of middle america
remaining one of the most savagely hilarious social critics
the working
such that we 'll keep watching the skies for his next project
magical enough to bring off this kind of whimsy
impossibly long limbs and sweetly conspiratorial
good intentions derailed by a failure to seek and strike just the right tone
a most traditional , reserved kind of filmmaking
the affable maid in manhattan , jennifer lopez 's most aggressive and most sincere attempt
boy , has this franchise ever run out of gas .
newcastle , the first half of gangster no. 1 drips with style
the most unpleasant things
believable and
's a feel-good movie about which you can actually feel good .
heartwarming
's suspenseful enough for older kids but not too scary for the school-age crowd
a pleasant and engaging enough
evokes the 19th century with a subtlety that is an object lesson in period filmmaking
awarded mythic status in contemporary culture
because it does n't have enough vices to merit its 103-minute length
's face is ) an amazing slapstick instrument
every note rings false .
a cheap thriller , a dumb comedy or
a deeply moving effort to put a human face on the travail of thousands of vietnamese
brought down
's also somewhat clumsy .
i liked the movie , but i know i would have liked it more if it had just gone that one step further .
have been kind enough to share it
a huge mess
time stinker
will win you over , in a big way
, it deserved all the hearts it won -- and wins still , 20 years later .
something impressive and yet lacking about everything
a fascinating study of isolation and frustration
have easily become a cold , calculated exercise in postmodern pastiche winds up a powerful and deeply moving example of melodramatic moviemaking
raw emotion
wholesome fantasy
( kline 's ) utterly convincing -- and deeply appealing -- as a noble teacher who embraces a strict moral code , and as a flawed human being who ca n't quite live up to it .
will be occupied for 72 minutes .
an unmistakable , easy joie
odd and
is a strength of a documentary to disregard available bias ,
you believe that the shocking conclusion is too much of a plunge
egypt from 1998
is remarkably fuddled about motives and context , which drains it of the dramatic substance that would shake us in our boots ( or cinema seats )
a certain robustness
some movies suck you in despite their flaws , and heaven is one such beast .
only dull
the amateurish
, but it otherwise drowns in a sea of visual and verbal clichés .
a load of good
a semi-autobiographical film that 's so sloppily written and cast that you can not believe anyone more central to the creation of bugsy than the caterer had anything to do with it .
's always disappointing
to have seen before , but beneath the exotic surface ( and exotic dancing ) it 's surprisingly old-fashioned
feels like a teenybopper ed wood film , replete with the pubescent scandalous innuendo and the high-strung but flaccid drama
as a catalyst for the struggle of black manhood in restrictive and chaotic america ... sketchy but nevertheless gripping portrait of jim brown , a celebrated wonder in the spotlight
leave it to the french to truly capture the terrifying angst of the modern working man without turning the film into a cheap thriller , a dumb comedy or a sappy melodrama .
a compelling look
in some delightful work on indie projects
gives us another peek at some of the magic we saw in glitter here in wisegirls .
and much better
whatever terror the heroes of horror movies try to avoid
understands the grandness of romance
seem to be in a contest to see who can out-bad-act the other .
through a prism
as daring as john ritter 's glory days
is one that should be thrown back in the river
overladen
as monumental as disney 's 1937 breakthrough
the powder blues and sun-splashed whites of tunis make an alluring backdrop for this sensuous and spirited tale of a prim widow who finds an unlikely release in belly-dancing clubs .
home alabama
after sitting through this sloppy , made-for-movie comedy special , it makes me wonder if lawrence hates criticism so much that he refuses to evaluate his own work .
might sit through this summer that do not involve a dentist drill
a reasonable degree
first and foremost ... the reason to go see `` blue crush '' is the phenomenal , water-born cinematography by david hennings .
is one of those crass , contrived sequels that not only fails on its own , but makes you second-guess your affection for the original .
the worst in otherwise talented actors
a conventional but heartwarming tale
of strong voices
the fierce grandeur of its sweeping battle scenes
how both evolve
one of the worst films of 2002
to merely bad rather than painfully awful
is handsome
mostly martha is mostly unsurprising
in the shameless self-caricature of ` analyze this ' ( 1999 ) and ` analyze that , ' promised ( or threatened ) for later this year
growing strange hairs , getting a more mature body , and
a total misfire
sheridan 's take on the author 's schoolboy memoir ... is a rather toothless take on a hard young life
another first-rate performance
excellent latin actors
frighteningly fascinating
and dreary piece
a mall movie designed to kill time
relatively nothing
after all , it 'll probably be in video stores by christmas , and it might just be better suited to a night in the living room than a night at the movies .
hideous yellow
a quasi-documentary by french filmmaker karim dridi that celebrates the hardy spirit of cuban music .
ride for the kiddies , with enough eye candy and cheeky wit to keep parents away from the concession stand .
found his groove
dimness
simply a re-hash of the other seven films
the chief reasons brown sugar is such a sweet and sexy film
this is for the most part a useless movie , even with a great director at the helm .
represents a worthy departure from the culture clash comedies that have marked an emerging indian american cinema .
spiteful idiots
a horrible movie
a consistent embracing humanity
the theater wondering why these people mattered
powerful and astonishingly vivid
fright
should 've been so much more even if it was only made for teenage boys and wrestling fans
a larger-than-life figure
that does n't offer any insight into why , for instance , good things happen to bad people
this action-thriller/dark comedy is one of the most repellent things to pop up in a cinematic year already littered with celluloid garbage .
ultimately proves tiresome , with the surface histrionics failing to compensate for the paper-thin characterizations and facile situations .
wonderful creatures
stay for the credits
the core in a film you will never forget -- that you should never forget
's because relatively nothing happens .
strong filmmaking requires a clear sense of purpose
restage the whole thing
characteristically startling visual style
ultimately satisfying
, mr. audiard 's direction is fluid and quick .
having had all its vital essence scooped out and discarded
a country skunk
revitalize
showtime is n't particularly assaultive , but it can still make you feel that you never want to see another car chase , explosion or gunfight again
palatable presentation
to lose the smug self-satisfaction usually associated with the better private schools
camouflaging grotesque narcissism
when the right movie comes along , especially if it begins with the name of star wars
enjoy this movie
to the titular character 's paintings and in the process created a masterful work of art of their own
( i ) t 's certainly laudable that the movie deals with hot-button issues in a comedic context ,
the work of a filmmaker who has secrets buried at the heart of his story and knows how to take time revealing them
in many ways a conventional , even predictable remake
as the worst kind of hubristic folly
here his sense of story and his juvenile camera movements smack of a film school undergrad , and his maudlin ending might not have gotten him into film school in the first place
refused to gel
's the cute frissons of discovery and humor between chaplin and kidman that keep this nicely wound clock not just ticking , but humming
metropolis is a feast for the eyes .
if the film is well-crafted and this one is
is reliable
in fact , even better
the early and middle passages
it falls far short of poetry , but it 's not bad prose
allowing us to find the small , human moments , and
an eminently engrossing film
timeless spectacle
comic chiller
of the horror film franchise that is apparently as invulnerable as its trademark villain
one thing 's for sure -- if george romero had directed this movie , it would n't have taken the protagonists a full hour to determine that in order to kill a zombie you must shoot it in the head
a quest story as grand as the lord of the rings
greatest adventure
fashioning an engrossing entertainment out of an almost sure-fire prescription for a critical and commercial disaster
resurrecting performers who rarely work in movies now ... and drawing flavorful performances from bland actors
very distinctive sensibility
an after school special
with their charisma
are well done and perfectly
this cliche pileup
too much ai n't - she-cute baggage into her lead role as a troubled and determined homicide cop to quite pull off the heavy stuff
it 's better than that eponymous 1980 biopic that used soap in the places where the mysteries lingered
go rent `` shakes the clown '' , a much funnier film with a similar theme and an equally great robin williams performance
this is an undeniably intriguing film from an adventurous young talent who finds his inspiration on the fringes of the american underground .
a dazzling dream
enjoy themselves
genre cliches
satisfies with its moving story
the cinematic equivalent
generates an enormous feeling of empathy for its characters .
be funny , uplifting and moving ,
the movie eventually snaps under the strain of its plot contrivances and its need to reassure .
cause you to bite your tongue to keep from laughing at the ridiculous dialog or the oh-so convenient plot twists
a great companion piece to other napoleon films
a scientific law to be discerned here that producers would be well to heed
decent-enough nail-biter
picture that does not move .
engrossing melodrama
as the villainous , lecherous police chief scarpia
film : honest
`` minority report '' astounds .
, as you watch them clumsily mugging their way through snow dogs ,
serves as a workable primer for the region 's recent history ,
wrecks any chance of the movie rising above similar fare
too much norma rae and not enough pretty woman
is a rambling examination of american gun culture that uses his usual modus operandi of crucifixion through juxtaposition .
there surrender $ 9 and
seem authentic
heartwarming and
` grandeur ' shots
, the weight of water comes off as a two-way time-switching myopic mystery that stalls in its lackluster gear of emotional blandness .
being wickedly funny and just plain wicked
... tries to cram too many ingredients into one small pot .
to whom we might not give a second look if we passed them on the street
new york locales and sharp writing
united states
fincher takes no apparent joy in making movies , and he gives none to the audience
exercise in style and mystification .
a bittersweet contemporary comedy about benevolent deception , which , while it may not rival the filmmaker 's period pieces , is still very much worth seeing
to conceive anyone else in their roles
broder 's screenplay is shallow , offensive and redundant , with pitifully few real laughs .
fewer gags to break the tedium
trying to get out
that maybe she , janine and molly -- an all-woman dysfunctional family -- deserve one another
is fun , and host to some truly excellent sequences .
come as they may , lawrence unleashes his trademark misogyny -- er , comedy -- like a human volcano or an overflowing septic tank , take your pick .
dark pit
honored screen veteran
realized on the screen
is the rare common-man artist who 's wise enough to recognize that there are few things in this world more complex -- and , as it turns out , more fragile -- than happiness .
finds a nice rhythm
which proves that rohmer still has a sense of his audience
a plethora of engaging diatribes on the meaning of ` home
to conceive of anyone who has reached puberty actually finding the characters in slackers or their antics amusing , let alone funny
mysterious ,
conventional -- lots of boring talking heads , etc. --
gives devastating testimony
whose teeth are a little too big for her mouth
i had a dream that a smart comedy would come along to rescue me from a summer of teen-driven , toilet-humor codswallop , and its name was earnest .