xiangpku/GLUE huggingface dataset:
come from seeing former nymphette juliette lewis playing a salt-of-the-earth mommy named minnie and watching slim travel incognito in a ridiculous wig no respectable halloween costume shop would ever try to sell
delightful surprise
being exciting
betrayal , deceit and murder
with all the usual spielberg flair
actually has something interesting to say
brosnan is more feral in this film than i 've seen him before
like life on the island
there 's the plot , and a maddeningly insistent and repetitive piano score that made me want to scream .
are both excellent , in the kind of low-key way that allows us to forget that they are actually movie folk
he drags it back , single-handed .
whose achievements -- and complexities --
its limit to sustain a laugh
a cruel story
in the film 's drumbeat about authenticity , given the stale plot and pornographic way the film revels in swank apartments , clothes and parties
most purely enjoyable and satisfying
to better understand why this did n't connect with me would require another viewing , and i wo n't be sitting through this one again
fiercely intelligent
from squirming in their seats
about sex gags and prom dates
give credit to everyone from robinson
have a barrie good time
are both excellent
are crisp and purposeful without overdoing it
hungry-man portions of bad
it feels more forced than usual .
the rueful , wry humor
has cheapened the artistry of making a film
a vehicle to savor binoche 's skill
to the dull effects that allow the suit to come to life
hopes to camouflage how bad his movie is .
sadly , full frontal plays like the work of a dilettante .
as chilling and fascinating as philippe mora 's modern hitler-study
improves on it , with terrific computer graphics , inventive action sequences and a droll sense of humor
just lapses into unhidden british
once subtle and visceral
the actors are simply too good , and the story too intriguing
sometimes beautiful
in metropolis you hate to tear your eyes away from the images long enough to read the subtitles
that is actually funny without hitting below the belt
a gushy episode of `` m * a * s * h '' only this time from an asian perspective .
waiting for frida to just die already
a charmer from belgium
fabulously
equals the original
have one saving grace
injects just enough freshness into the proceedings to provide an enjoyable 100 minutes in a movie theater
good ,
stealing harvard does n't care about cleverness , wit or any other kind of intelligent humor .
a solid pedigree
the audience other than to sit back and enjoy a couple of great actors hamming it up
gimmick
, in the hands of a brutally honest individual like prophet jack ,
cleverness
crippled children
slack execution
is put in an impossible spot because his character 's deceptions ultimately undo him and the believability of the entire scenario .
this is a film that manages to find greatness in the hue of its drastic iconography .
a clear-eyed chronicle of a female friendship that is more complex and honest than anything represented in a hollywood film
of a creaky `` pretty woman '' retread , with the emphasis on self-empowering schmaltz and big-wave surfing that gives pic its title an afterthought
plays like some corny television production from a bygone era
more than makes up for in drama , suspense , revenge , and romance .
become a cold , calculated exercise in postmodern pastiche winds up a powerful and deeply moving example of melodramatic moviemaking
go to grant , who has n't lost a bit of the dry humor that first made audiences on both sides of the atlantic love him
where the only belly laughs come from the selection of outtakes tacked onto the end credits
, intricate magic
is a sincerely crafted picture that deserves to emerge from the traffic jam of holiday movies
some of the most ravaging , gut-wrenching , frightening war scenes since `` saving private ryan ''
offers the flash of rock videos fused with solid performances and eerie atmosphere .
a silly , nickelodeon-esque kiddie flick
if you are curious to see the darker side of what 's going on with young tv actors ( dawson leery did what ?!? ) , or see some interesting storytelling devices , you might want to check it out , but there 's nothing very attractive about this movie .
on crummy-looking videotape
erotically frank
less-compelling
a breadth of vision and
was any doubt that peter o'fallon did n't have an original bone in his body
curious to note that this film , like the similarly ill-timed antitrust , is easily as bad at a fraction the budget
're simply not funny performers
which also seems to play on a 10-year delay
that makes the formula fresh again
playfully profound ... and crazier than michael jackson on the top floor of a skyscraper nursery
scott 's convincing portrayal
attempts , in vain ,
make `` the good girl '' a film worth watching .
he can rest contentedly with the knowledge that he 's made at least one damn fine horror movie
as rude and profane as ever ,
impresses as a skillfully assembled , highly polished and professional adaptation ... just about as chilling and unsettling as ` manhunter '
's easy to like and always leaves us laughing
's not a brilliant piece of filmmaking
a spielberg trademark
is such a blip on the year 's radar screen
realized through clever makeup design ,
funny popcorn
cut their losses
the cadence of a depressed fifteen-year-old 's suicidal poetry
if mapquest emailed him point-to-point driving directions
the author 's devotees will probably find it fascinating
the humor and humanity of monsoon wedding
a failure
justifying the hype that surrounded its debut at the sundance film festival
uses grant 's own twist of acidity to prevent itself from succumbing to its own bathos
served an eviction notice at every theater stuck with it
a mournful undercurrent that places the good-time shenanigans in welcome perspective
, most pleasurable expressions of pure movie love to come from an american director in years .
have been worth cheering as a breakthrough but
a little weak -- and it is n't that funny .
colorfully wrapped up in his own idiosyncratic strain of kitschy goodwill .
what little atmosphere is generated by the shadowy lighting , macabre sets
better thriller
powerful , chilling , and affecting study
like a quickie tv special than a feature film
an unorthodox little film noir organized crime story that includes one of the strangest love stories you will ever see .
still , this flick is fun , and host to some truly excellent sequences .
to the storytelling instincts of a slightly more literate filmgoing audience
more concerned with overall feelings , broader ideas , and open-ended questions than concrete story and definitive answers
trappings ( especially the frank sex scenes ) ensure that the film is never dull
reaffirms life
a pretentious mess ...
ii experience
watching this film with an audience full of teenagers fixating on its body humor and reinforcement of stereotypes
clichés and a dim
stress-reducing
that 's hard to resist
an improvement on the feeble examples of big-screen poke-mania that have preceded it
entertaining and moving
's a beautiful film , full of elaborate and twisted characters
is a tale worth catching
a condition only the old are privy to
gunfight
the excesses of writer-director roger avary
relied too much
a noble failure .
certainly does n't disappoint .
treats ana 's journey with honesty that is tragically rare in the depiction of young women in film
techno-tripe
genuine mind-bender .
bestowed star hoffman 's brother gordy with the waldo salt screenwriting award at 2002 's sundance festival
should get a pink slip
's a film that 's destined to win a wide summer audience through word-of-mouth reviews and , not far down the line , to find a place among the studio 's animated classics .
elegant and
the best thing i can say about this film is that i ca n't wait to see what the director does next .
entertained by the sight of someone
a wet burlap sack of gloom
a drag
for both the scenic splendor of the mountains and for legendary actor michel serrault , the film
a thoughtful , reverent portrait of what
at its cluelessness
clever and very satisfying
a rollicking
heroic deserves a look
typical late-twenty-somethings natter
after one gets the feeling that the typical hollywood disregard for historical truth and realism is at work here
beyond all expectation
to confront their problems openly
elegant wit and artifice
bludgeoning the audience
tragic )
this masterfully calibrated psychological thriller thrives on its taut performances and creepy atmosphere even if the screenplay falls somewhat short .
overblown
but it 's also disappointing to a certain degree .
the movie is too heady for children , and too preachy for adults .
unifying
pascale bailly 's rom-com provides amélie 's audrey tautou with another fabuleux destin -- i.e. , a banal spiritual quest .
does n't end up being very inspiring or insightful
he can be forgiven for frequently pandering to fans of the gross-out comedy
b-movie you
is such that the movie does not do them justice
blazing guns , cheatfully filmed martial arts , disintegrating bloodsucker computer effects and jagged camera moves that serve no other purpose than to call attention to themselves
red dragon rates as an exceptional thriller .
audiard successfully maintains suspense on different levels throughout a film that is both gripping and compelling .
actually exploiting it yourself
dead-end existence
via kirsten dunst 's remarkable performance
, while nothing special , is pleasant , diverting and modest -- definitely a step in the right direction .
this would have been better than the fiction it has concocted , and
fontaine 's willingness to wander into the dark areas of parent-child relationships without flinching
a very distinctive sensibility
also looking cheap
, the reginald hudlin comedy relies on toilet humor , ethnic slurs .
recharged
a smile on your face and a grumble in your stomach
find comfort in familiarity
a gangster movie with the capacity to surprise
her pure fantasy character , melanie carmichael , with a massive infusion of old-fashioned hollywood magic
astringent wit
we all ca n't stand
a frightening and compelling ` what if
inject her pure fantasy character , melanie carmichael , with a massive infusion of old-fashioned hollywood magic
lyrical and celebratory vision
excessively quirky
intelligent , multi-layered and profoundly humanist ( not to mention gently political ) meditation
with a screenplay to die for
making the ambiguous ending seem goofy rather than provocative
attempts to fuse at least three dull plots into one good one
wan na watch a movie in which a guy dressed as a children 's party clown gets violently gang-raped ?
shoestring and unevenly
've already seen this exact same movie a hundred times
any thinking person is bound to appreciate
is too bad
what starts off as a satisfying kids flck becomes increasingly implausible as it races through contrived plot points .
is offensive , puerile and unimaginatively foul-mouthed
the grease
a been-there , done-that sameness
quiet , confident craftsmanship
laughs --
music fans
is a remarkably accessible and haunting film .
tequila bender
rank with its worthy predecessors
'll be rewarded with some fine acting
high crimes is a cinematic misdemeanor , a routine crime thriller remarkable only for its lack of logic and misuse of two fine actors , morgan freeman and ashley judd .
great fun both for sports aficionados and for ordinary louts whose idea of exercise is climbing the steps of a stadium-seat megaplex .
a powerfully evocative mood
everything about it from the bland songs to the colorful but flat drawings
the real triumphs in igby
the saccharine sentimentality of bicentennial man
just dreadful .
oo many of these gross out scenes ...
satin rouge is not a new , or inventive , journey , but it 's encouraging to see a three-dimensional , average , middle-aged woman 's experience of self-discovery handled with such sensitivity .
plots that never quite gel
hellish
infrequently breathtaking
the movie is silly beyond comprehension
one of the most interesting writer/directors
elevates the experience to a more mythic level
danny huston gives ) an astounding performance that deftly , gradually reveals a real human soul buried beneath a spellbinding serpent 's smirk .
win you over
is a work of outstanding originality
's a glorious spectacle like those d.w. griffith made in the early days of silent film
sad nonsense
there 's not a comedic moment in this romantic comedy .
director shekhar kapur and screenwriters michael schiffer and hossein amini have tried hard to modernize and reconceptualize things , but the barriers finally prove to be too great .
utterly forgettable
a powerful sequel
at some point , all this visual trickery stops being clever and devolves into flashy , vaguely silly overkill .
something to be fully forgotten
the filmmakers know how to please the eye ,
, ivan is a prince of a fellow
to find an enthusiastic audience among american action-adventure buffs , but the film 's interests
his sentimental journey
a powerful , naturally dramatic piece
more charming than in about a boy
's episode of behind the music
it 's a loathsome movie
does n't understand that the idea of exploiting molestation for laughs is funny , not actually exploiting it yourself
a witty , whimsical feature debut
too great
as a seven rip-off
leave feeling like you 've endured a long workout without your pulse ever racing .
of the best war movies ever made
you walk out of the good girl with mixed emotions -- disapproval of justine combined with a tinge of understanding for her actions .
in the very top rank of french filmmakers
the humor and humanity of monsoon wedding are in perfect balance .
into the complexities of the middle east struggle and
a return to pure disney magic and is enjoyable family fare .
confuses its message with an ultimate desire to please , and
of a cesspool
adventure and song
stone seems to have a knack for wrapping the theater in a cold blanket of urban desperation .
soulful
lies in the ease with which it integrates thoughtfulness and pasta-fagioli comedy .
like a party
do with the casting of juliette binoche as sand , who brings to the role her pale , dark beauty and characteristic warmth
nothing special and , until the final act , nothing
falls far short of poetry
creepy and dead-on
insanely hilarious !
is to reduce everything he touches to a shrill , didactic cartoon
sitting in a downtown café , overhearing a bunch of typical late-twenty-somethings natter on about nothing
scratching your head than hiding under your seat
delicious crime drama
grating and tedious
instead of a witty expose on the banality and hypocrisy of too much kid-vid
an example of quiet , confident craftsmanship that tells a sweet , charming tale of intergalactic friendship .
plainly dull
crush could be the worst film a man has made about women since valley of the dolls .
comes across as a fairly weak retooling
'll need a stronger stomach than us
a beautiful , timeless and universal tale
that this film asks the right questions at the right time in the history of our country
the energetic frontman
that the highest power of all is the power of love
yawn-provoking
( f ) rom the performances and the cinematography to the outstanding soundtrack and unconventional narrative , the film is blazingly alive and admirable on many levels .
, there are great rewards here .
unable
's a pity that ( nelson 's ) achievement does n't match his ambition
stunningly unoriginal
see who can out-bad-act the other
carries you
it all plays out ... like a high-end john hughes comedy , a kind of elder bueller 's time out .
historically significant , and personal
too easily
a big , loud , bang-the-drum bore .
state property does n't end up being very inspiring or insightful .
she is a lioness , protecting her cub , and he a reluctant villain , incapable of controlling his crew .
while cleverly worked out , can not overcome blah characters
it 's good enough for our girls
fantastic visual trope
the material seem genuine rather than pandering
ravishing , baroque beauty
as a kind of colorful , dramatized pbs program
spiffy bluescreen technique and
may not be a breakthrough in filmmaking ,
capturing the precarious balance between the extravagant confidence of the exiled aristocracy and the cruel earnestness of the victorious revolutionaries
engages us in constant fits of laughter , until we find ourselves surprised at how much we care about the story
good-naturedly cornball sequel .
the high-concept scenario soon proves preposterous , the acting is robotically italicized , and truth-in-advertising hounds take note : there 's very little hustling on view
is the best star trek movie in a long time
loses what made you love it
straight from the ages
compassion ,
the positive change in tone
an assurance worthy
as beautiful , desirable , even delectable ,
rude black comedy
acted offbeat thriller
you 'll still be glued to the screen .
( and lovely )
its exquisite acting , inventive screenplay , mesmerizing music
cast , but never quite gets off the ground
to my great pleasure
with depth
less-is-more
a powerful drama with enough sardonic wit
with remarkable skill
totally lacking
laudable in themselves
succeeds as an emotionally accessible , almost mystical work
a sketchy work-in-progress
has stepped into the mainstream of filmmaking with an assurance worthy of international acclaim
entertaining ride
's no way you wo n't be talking about the film once you exit the theater
rarely stoops to cheap manipulation or corny conventions to do it
watered-down
shot but dull and ankle-deep ` epic . '
a story that 's a lot richer than the ones hollywood action screenwriters usually come up with on their own
boyd 's screenplay ( co-written with guardian hack nick davies ) has a florid turn of phrase that owes more to guy ritchie than the bard of avon .
very attractive about this movie
through worn-out material
with the delight of discovery
sweet , even delectable diversion
genial is the conceit , this is one of those rare pictures that you root for throughout , dearly hoping that the rich promise of the script will be realized on the screen
sixties-style slickness in which the hero might wind up
the most original american productions
an unholy mess , driven by the pathetic idea that if you shoot something on crummy-looking videotape , it must be labeled ` hip ' , ` innovative ' and ` realistic ' .
payami graphically illustrates the problems of fledgling democracies , but also the strength and sense of freedom the iranian people already possess , with or without access to the ballot box .
the genius of the work
truly terrible
painting an unabashedly romantic picture of a nation whose songs spring directly from the lives of the people
presiding over the end of cinema as we know it and
has a built-in audience , but only among those who are drying out from spring break and
the film 's sopranos gags
incompetent
soullessness
robin tunney
the closest thing to the experience of space travel
is nevertheless compelling
fine , focused
the film ( at 80 minutes ) is actually quite entertaining .
to honor the many faceless victims
a movie star
of the charm of satin rouge
an undistinguished attempt to make a classic theater piece
ends or just ca n't tear himself away from the characters
director peter kosminsky gives these women a forum to demonstrate their acting ` chops ' and they take full advantage
is that , by the end , no one in the audience or the film seems to really care .
with an obvious rapport with her actors and a striking style behind the camera
us love it , too .
the effort is sincere and
badly edited , 91-minute trailer
'd probably turn it off , convinced that you had already seen that movie
infatuation
in imax in short , it 's just as wonderful on the big screen .
rather routine
no interesting concept
deep feeling
are appealing enough to probably have a good shot at a hollywood career , if they want one
` ron seal the deal
try to create characters out of the obvious cliches , but
so downbeat
`` shock humor '' will wear thin on all
a dearth of vitality and a story that 's shapeless and uninflected
fresh-faced , big-hearted and frequently funny thrill
disgracefully written dialogue
thought-provoking and
most memorable
keep this nicely wound clock not just ticking , but humming
with tremendous promise
riding with the inherent absurdity of ganesh 's rise up the social ladder
poetic ,
earnest dramaturgy
a couple hours of summertime and a bucket of popcorn
eloquence , spiritual challenge
a fascinating
overexposed
a stab at soccer hooliganism
something wholly original
sure there 's a teenage boy out there somewhere who 's dying for this kind of entertainment
vibrant and intoxicating fashion
has little insight into the historical period and its artists , particularly in how sand developed a notorious reputation
enriched by an imaginatively mixed cast of antic spirits ,
there is a subversive element to this disney cartoon , providing unexpected fizzability .
, it 's not very good either .
like a tarantino movie with heart
this silly little puddle of a movie
men of marginal intelligence
you feel alive - which is what they did
boring talking heads , etc .
captivating drama
the flawed support structure
a tone poem of transgression .
lazy material
captivates as it
talented director
wonderfully sprawling
a fairly slow paced
jonathan parker 's bartleby should have been the be-all-end-all of the modern-office anomie films .
has improved upon the first and taken it a step further , richer and deeper .
particularly original
be the end of the world
his way to turn the legendary wit 's classic mistaken identity farce into brutally labored and unfunny hokum
execrable .
perhaps the grossest movie
sentimentalizing
appears to have been made by people to whom the idea of narrative logic or cohesion is an entirely foreign concept
you wo n't be talking about the film once you exit the theater
murphy and wilson actually make a pretty good team ... but the project surrounding them is distressingly rote .
of such tools as nudity , profanity and violence
those comedies that just seem like a bad idea from frame one
strong erotic
to often play like a milquetoast movie of the week blown up for the big screen
than girls , who learns that believing in something does matter
willing to have fun with it
is a beautifully shot , but ultimately flawed film about growing up in japan .
an admirable , sometimes exceptional film
most of his budget
on ugly ideas instead of ugly behavior
the opulent lushness of every scene
disposable story
as splendid-looking as this particular film
has the thrown-together feel of a summer-camp talent show : hastily written , underrehearsed , arbitrarily plotted and filled with crude humor and vulgar innuendo
won -- and
nice evening out
's as entertaining as it is instructive
intensely romantic , thought-provoking and even an engaging mystery
enter and accept another world
replete with the pubescent scandalous innuendo
some very good acting , dialogue ,
as its uncanny tale of love , communal discord , and justice
`` mr. deeds '' is suitable summer entertainment that offers escapism without requiring a great deal of thought .
blue crush is as predictable as the tides .
as plain and pedestrian as catsup
ambitious failure
five hours long
is like reading a research paper
fails to provide much more insight than the inside column of a torn book jacket .
mendes and company getting together before a single frame had been shot and collectively vowing , ` this is going to be something really good
even if you 've seen `` stomp '' ( the stage show ) , you still have to see this !
, the movie is powerful and provocative .
( it 's ) a clever thriller with enough unexpected twists to keep our interest .
thrusts the audience
we all lose track of ourselves by trying
folks , it does n't work .
is just another unoriginal run of the mill sci-fi film with a flimsy ending and lots of hype .
sobering cautionary tale
breathtakingly spectacular
this 100-minute movie only has about 25 minutes of decent material .
the brilliant surfing photography
margarita happy hour represents an auspicious feature debut for chaiken .
vibrant charm
seagal ran out of movies years ago ,
that stealing harvard is too busy getting in its own way to be anything but frustrating , boring , and forgettable