xiangpku/GLUE huggingface dataset:
so crisp and
's still too burdened by the actor
with a large cast representing a broad cross-section , tavernier 's film bounds along with the rat-a-tat energy of `` his girl friday , '' maintaining a light touch while tackling serious themes .
are believable as people
percolating
especially well-executed television movie
so much farcical
as david letterman and the onion have proven , the worst of tragedies can be fertile sources of humor ,
psychologically revealing
a boring , pretentious muddle that uses a sensational , real-life 19th-century crime as a metaphor for -- well , i 'm not exactly sure what -- and has all the dramatic weight of a raindrop .
emerges as the very best of them
a portrait of alienation
is visually ravishing , penetrating , impenetrable
the proficient , dull sorvino
seems so larger than life and yet so fragile
, empathy and pity fogging up the screen ... his secret life enters the land of unintentional melodrama and tiresome love triangles .
deserves an oscar nomination .
a whale of a good time for both children and parents
far less crass
's definitely worth taking a look
of style , text , and subtext that 's so simple and precise that anything discordant would topple the balance
unlike so many other hollywood movies of its ilk , it offers hope
swear that you 've seen it all before , even if you 've never come within a mile of the longest yard
suffers from all the excesses of the genre
to sort the bad guys from the good , which is its essential problem
of the peculiarly moral amorality of ( woo 's ) best work
take this film at face value
an mtv , sugar hysteria ,
clint eastwood 's efficiently minimalist style
turn away from one
well , jason 's gone to manhattan and hell , i guess a space station in the year 2455 can be crossed off the list of ideas for the inevitable future sequels ( hey , do n't shoot the messenger ) .
a movie where story is almost an afterthought amidst a swirl of colors and inexplicable events .
skip this turd and
is definitely meaningless , vapid and devoid of substance
is just as ill-fitting as shadyac 's perfunctory directing chops
fluffy neo-noir hiding behind cutesy film references
the power of spirits
is definitely a cut above the rest
intense and
victim to sloppy plotting ,
beautifully crafted and cooly unsettling ... recreates
too slow for a younger crowd , too shallow for an older one .
the crazy things that keep people going in this crazy life
fiji diver rusi vulakoro and the married couple howard and michelle hall )
's been 13 months and 295 preview screenings since i last walked out on a movie
feel like it 's wasted yours
a surprisingly charming and even witty match for the best of hollywood 's comic-book
oppressively
becoming too cute about it
even while his characters are acting horribly
the feeble examples of big-screen poke-mania that have preceded it
is a dim-witted pairing of teen-speak and animal gibberish
blue crush follows the formula , but throws in too many conflicts to keep the story compelling .
unchanged dullard
writer-director walter hill and co-writer david giler try to create characters out of the obvious cliches , but wind up using them as punching bags .
director david fincher and writer david koepp ca n't sustain it .
cuteness
is that the movie has no idea of it is serious or not
familiar , fairly uneventful and boasting no real surprises -- but still quite tasty and inviting all the same
frenetic , funny , even punny 6
no reason to watch
fuel our best achievements and other times
more of a poetic than a strict reality , creating an intriguing species of artifice
somewhat short
'll feel like you ate a reeses without the peanut butter ... '
yawn-provoking little farm melodrama .
who could n't be better as a cruel but weirdly likable wasp matron
a fast paced and suspenseful argentinian thriller about the shadow side of play
realistic , urgent
in this tepid genre offering
is that rare creature -- an action hero with table manners , and one who proves that elegance is more than tattoo deep .
never seems hopelessly juvenile .
rather thin
the symbols
he comes across as shallow and glib though not mean-spirited , and there 's no indication that he 's been responsible for putting together any movies of particular value or merit
find a compelling dramatic means of addressing a complex situation
most thoughtful films about art , ethics , and the cost of moral compromise
be a one-trick pony
make j.k. rowling 's marvelous series
disguise the fact that the new film is a lame kiddie flick and that carvey 's considerable talents are wasted in it
is his best film yet ...
nothing new to see
shock-you-into-laughter intensity
feel the least bit ashamed in admitting that my enjoyment came at the expense of seeing justice served , even if it 's a dish that 's best served cold
it 's not going to be everyone 's bag of popcorn , but it definitely gives you something to chew on
how bad this movie was
an imitation movie
of a sports extravaganza
are immaculate ,
should be used to burn every print of the film
, kissing jessica stein injects freshness and spirit into the romantic comedy genre , which has been held hostage by generic scripts that seek to remake sleepless in seattle again and again .
out there somewhere who 's dying for this kind of entertainment
at times a bit melodramatic and even a little dated ( depending upon where you live )
audacity to view one of shakespeare 's better known tragedies as a dark comedy
adams just copies from various sources -- good sources , bad mixture
playfully profound ... and crazier than michael jackson on the top floor of a skyscraper nursery surrounded by open windows .
bug-eyed mugging and gay-niche condescension
into heaven
what 's missing
is often exquisite
while the extensive use of stock footage quickly becomes a tiresome cliché
inappropriate
a terrific b movie --
has a lot to do with the casting of juliette binoche as sand , who brings to the role her pale , dark beauty and characteristic warmth .
an uncomfortable movie ,
decides whether it wants to be a black comedy , drama , melodrama or some combination of the three .
a story of dramatic enlightenment
queen of the damned is a pointless , meandering celebration of the goth-vampire , tortured woe-is-me lifestyle .
distinctly minor
as does its sensitive handling of some delicate subject matter
the film is not only a love song to the movies but it also is more fully an example of the kind of lush , all-enveloping movie experience it rhapsodizes
if only because the cast is so engagingly messing around like slob city reductions of damon runyon crooks
bogging down in a barrage of hype
with cliche
a tragic dimension and savage full-bodied wit
it is very difficult to care about the character ,
go at all the wrong moments
soderbergh 's best films ,
another routine hollywood frightfest
that rare quality
's difficult to feel anything much while watching this movie , beyond mild disturbance or detached pleasure at the acting
difficult to shrug off the annoyance of that chatty fish
denis ' ) story becomes a hopeless , unsatisfying muddle
is as predictable as the tides
be served an eviction notice at every theater stuck with it
stupid characters
offers a ray of hope to the refugees able to look ahead and resist living in a past
so crucial to the genre and another first-rate performance
's potentially just as rewarding
oddest
comes off as a long , laborious whine , the bellyaching of a paranoid and unlikable man .
yawner .
a smart , solid , kinetically-charged spy flick worthy of a couple hours of summertime and a bucket of popcorn
spy action flick with antonio banderas and lucy liu never comes together
the film 's drumbeat about authenticity , given the stale plot and pornographic way the film revels in swank apartments , clothes and parties
alone will keep you watching , as will the fight scenes .
slow , predictable and
is rote drivel aimed at mom and dad 's wallet
that my enjoyment came at the expense of seeing justice served , even if it 's a dish that 's best served cold
preachy and
's unfortunate
because the film deliberately lacks irony , it has a genuine dramatic impact
while solondz tries and tries hard , storytelling fails to provide much more insight than the inside column of a torn book jacket .
not counting a few gross-out comedies i 've been trying to forget , this is the first film in a long time that made me want to bolt the theater in the first 10 minutes .
10 minutes into the film you 'll be white-knuckled and unable to look away .
by a self-indulgent script
often-funny comedy
is too much like a fragment of an underdone potato .
proof of that on the cinematic front , look no further than this 20th anniversary edition of the film that spielberg calls
rather like being trapped while some weird relative trots out the video he took of the family vacation to stonehenge
is just a little bit hard to love
whether it wants to be a black comedy , drama , melodrama or some combination of the three
one-sidedness
lame romantic comedy
an instantly forgettable snow-and-stuntwork extravaganza that likely
you should never , ever , leave a large dog alone with a toddler
culture-clash comedy
suffocating rape-payback horror
this modern mob music drama
( has ) an immediacy
delivers .
feel alive -
acted and directed , it 's clear that washington most certainly has a new career ahead of him if he so chooses
the heroes of horror movies try to avoid
resist his pleas to spare wildlife and
the only reason
awful complications
seems to have cared much about any aspect of it , from its cheesy screenplay to the grayish quality of its lighting to its last-minute , haphazard theatrical release .
a coming-of-age story with such a buoyant , expressive flow of images
as france 's foremost cinematic poet of the workplace
technically sophisticated in the worst way
's undeniable enjoyment to be had from films crammed with movie references
for devotees of french cinema , safe conduct is so rich with period minutiae it 's like dying and going to celluloid heaven .
utterly ridiculous shaggy dog story
a lump of play-doh
a smart movie that knows its classical music , knows its freud and knows its sade
really won my heart
to see a feature that concentrates on people , a project in which the script and characters hold sway
as a reverie about memory and regret
shreve 's graceful dual narrative gets clunky on the screen , and
lacks in depth
charming and funny
worst revenge-of-the-nerds clichés
given the fact that virtually no one is bound to show up at theaters for it , the project should have been made for the tube .
he 's back in form , with an astoundingly rich film
, sobering , heart-felt drama
proper respect
a fifty car pileup of cliches .
suspense on different levels
all its fusty squareness
and pasta-fagioli comedy
held my interest precisely
entertained by
, nutty , consistently funny .
by the better film 's ability to make its subject interesting to those who are n't part of its supposed target audience
more slowly
too stupid
for the faint of heart or conservative of spirit , but for the rest of us -- especially san francisco lovers
was being attempted here that stubbornly refused to gel
like sitting in a downtown café , overhearing a bunch of typical late-twenty-somethings natter on about nothing , and desperately wishing you could change tables
collapses after 30 minutes into a slap-happy series
so insanely dysfunctional
nice , light treat
intimate and universal cinema
incredibly captivating and
a penetrating , potent exploration of sanctimony , self-awareness , self-hatred and self-determination .
what the hell was coming next
is long on narrative and ( too ) short on action
an unsophisticated sci-fi drama that takes itself all too seriously .
are strong , though the subject matter demands acting that borders on hammy at times .
'd bother watching past the second commercial break
tasty morsels
suffers because it does n't have enough vices to merit its 103-minute length
needs more impressionistic cinematography and exhilarating point-of-view shots and fewer slow-motion ` grandeur ' shots and quick-cut edits that often detract from the athleticism .
think the lion king redone for horses , with fewer deliberate laughs , more inadvertent ones and stunningly trite songs by bryan adams , the world 's most generic rock star .
the best of herzog 's works
`` the good girl '' a film worth watching
drawing on an irresistible , languid romanticism , byler reveals the ways in which a sultry evening or a beer-fueled afternoon in the sun can inspire even the most retiring heart to venture forth .
is as generic as its title
this bracingly truthful antidote to hollywood teenage movies that slather clearasil over the blemishes of youth captures the combustible mixture of a chafing inner loneliness and desperate grandiosity that tend to characterize puberty .
you might want to check it out
the most important and exhilarating forms of animated filmmaking since old walt
going to take you
the filmmaker 's extraordinary access
arliss howard 's ambitious , moving , and adventurous directorial debut , big bad love , meets so many of the challenges it poses for itself that one can forgive the film its flaws .
being unique
jumps around with little logic or continuity , presenting backstage bytes of information that never amount to a satisfying complete picture of this particular , anciently demanding métier .
with the kind of visual flair that shows what great cinema can really do
works on some levels and
dawns , real dawns , comic relief
a strong script , powerful direction
rigged and sluggish
affected child acting to the dullest irish pub scenes ever filmed
from a philosophical emptiness and maddeningly sedate pacing
what emerges is an unsettling picture of childhood innocence combined with indoctrinated prejudice .
no cute factor
would be an abridged edition
seen through the right eyes
something hip and transgressive
sweet , charming
are limited and so embellished by editing that there 's really not much of a sense of action or even action-comedy .
is gripping , as are the scenes of jia with his family .
a xerox machine
they do n't fit well together and neither is well told
that powerhouse
concentrates on people , a project in which the script and characters hold sway
a played-out idea -- a straight guy has to dress up in drag -- that shockingly manages to be even worse than its title
most excruciating 86 minutes one
a triumph of emotionally and narratively complex filmmaking
the feelings evoked in the film are lukewarm and quick to pass .
in alcatraz ' ... a cinematic corpse
a fully developed story
screams at the top of their lungs no matter what the situation
one well-timed explosion in a movie can be a knockout ,
with celluloid garbage
if the title is a jeopardy question , then the answer might be `` how does steven seagal come across these days ? ''
about identity and alienation
to old movies , when you could just rent those movies instead , let alone seek out a respectable new one
girlfriends are bad , wives are worse and babies are the kiss of death in this bitter italian comedy
it more than adequately fills the eyes and stirs the emotions
simple tale
one problem with the movie , directed by joel schumacher
fast , frenetic , funny , even punny 6
as an important , original talent in international cinema
at its most basic , this cartoon adventure is that wind-in-the-hair exhilarating .
than a particularly slanted , gay s/m fantasy
the high-concept scenario soon proves preposterous , the acting is robotically italicized , and truth-in-advertising hounds take note
the movie 's various victimized audience members after a while
the performances are often engaging
a retread story , bad writing , and
that , in their own idiosyncratic way , sum up the strange horror of life in the new millennium
laid-back good spirits
is a disaster of a story , full of holes and completely lacking in chills .
struggling nobody
traditional layers of awakening and ripening and separation and recovery
the worst of the brosnan bunch
be captivated , as i was , by its moods , and by its subtly transformed star , and
that screams out ` amateur ' in almost every frame
rooted in a sincere performance by the title character undergoing midlife crisis .
so preachy-keen and so tub-thumpingly loud it makes you feel like a chump
's too long and unfocused .
as predictable as the outcome of a globetrotters-generals game , juwanna mann is even more ludicrous than you 'd expect from the guy-in-a-dress genre , and a personal low for everyone involved .
made to be jaglomized is the cannes film festival , the annual riviera spree of flesh , buzz , blab and money .
admire ... the intensity with which he 's willing to express his convictions
do n't wait to see this terrific film with your kids -- if you do n't have kids borrow some .
performances of exceptional honesty
wears out
that fights a good fight on behalf of the world 's endangered reefs
, uninhibited
, this quietly lyrical tale probes the ambiguous welcome extended by iran to the afghani refugees who streamed across its borders , desperate for work and food .
were paying dues for good books unread
are ...
translation : ` we do n't need to try very hard
genuinely good
the movie straddles the fence between escapism and social commentary , and on both sides it falls short
despite its lavish formalism and intellectual austerity , the film manages to keep you at the edge of your seat with its shape-shifting perils , political intrigue and brushes with calamity .
begins to fade from memory
there 's no conversion effort , much of the writing is genuinely witty
will certainly appeal to asian cult cinema fans and asiaphiles interested to see what all the fuss is about .
to probe questions of attraction and interdependence
an intelligent screenplay and gripping performances
as the cinematic equivalent of high humidity
is inspiring , ironic , and revelatory of just
what he could make with a decent budget
a complete shambles of a movie so sloppy , so uneven , so damn unpleasant that i ca n't believe any viewer , young or old , would have a good time here .
the most surprising thing
i like my christmas movies with more elves and snow and less pimps and ho 's .
a dumb comedy
filmmakers dana janklowicz-mann and amir mann area headed east , far east , in retelling a historically significant , and personal , episode detailing how one international city welcomed tens of thousands of german jewish refugees while the world 's democracie
i 'm not sure these words have ever been together in the same sentence :
fill time
terrific film
reign of fire just might go down as one of the all-time great apocalypse movies .
the holes in this film remain agape -- holes punched through by an inconsistent , meandering , and sometimes dry plot
, poorly dubbed dialogue and murky cinematography
watch your merchant ivory productions
you need n't be steeped in '50s sociology , pop culture or movie lore to appreciate the emotional depth of haynes ' work .
in spite of featuring a script credited to no fewer than five writers
worth the look
serious minded patience , respect and affection
, you can do no wrong with jason x.
the thing ' and a geriatric
's surprisingly decent
a good documentarian
stress ` dumb
her confidence in her material
the usual movie rah-rah
crafted
show a remarkable ability to document both sides of this emotional car-wreck
an honest , sensitive story
a complete shambles
has the dubious distinction of being a really bad imitation of the really bad blair witch project
steers clear of the sensational and offers instead an unflinching and objective look at a decidedly perverse pathology .
to his pulpy thrillers
painful lie
it the most
it can be safely recommended as a video/dvd babysitter .
if the film has a problem
an insultingly inept and artificial examination of grief and
truly annoying pitch
a complex psychological drama about a father who returns to his son 's home after decades away .
a huge action sequence
deadpan cool , wry humor
brilliantly
( westbrook ) makes a wonderful subject for the camera .
a spark of new inspiration in it , just more of the same , done with noticeably less energy and imagination
one scene
, inner-city autistic
a way that few movies have ever approached
sitting in the third row of the imax cinema at sydney 's darling harbour , but i sometimes felt as though i was in the tiny two seater plane that carried the giant camera around australia , sweeping and gliding , banking and hovering over some of the most not
some movies that hit you from the first scene
the filmmaker 's extraordinary access to massoud ,
needs some serious re-working to show more of the dilemma , rather than have his characters stage shouting
hell is ) looking down at your watch and realizing serving sara is n't even halfway through .
a fluid , no-nonsense authority
it 's relentlessly folksy , a procession of stagy set pieces stacked with binary oppositions
why the whole is so often less than the sum of its parts in today 's hollywood
solondz is without doubt an artist of uncompromising vision , but that vision is beginning to feel , if not morally bankrupt , at least terribly monotonous .
a fantastically vital movie that manages to invest real humor
makes it worth a recommendation
angst-ridden
a tired , unnecessary retread ... a stale copy of a picture that was n't all that great to begin with
is druggy and self-indulgent , like a spring-break orgy for pretentious arts majors .
most likely to find on the next inevitable incarnation of the love boat
see this movie
first-time director joão pedro rodrigues ' unwillingness to define his hero 's background or motivations becomes more and more frustrating as the film goes on .
but how it washed out despite all of that is the project 's prime mystery .
ride for the kiddies , with enough eye candy and cheeky wit to keep parents away from the concession stand . '
packed with just as much intelligence as action
delivers the sexy razzle-dazzle
the best little `` horror '' movie i 've seen in years
does not make for much of a movie .
far less sophisticated
an awful sour taste
is too much like a fragment of an underdone potato
seems suited neither to kids or adults .
i thought the relationships were wonderful , the comedy was funny , and
( the kid 's ) just too bratty for sympathy ,
a relentlessly globalizing world
well done , but slow
it lacks in outright newness
of psychopathic pulp
touches the heart and the funnybone thanks to the energetic and always surprising performance by rachel griffiths .
so compellingly with us is a minor miracle
be in video stores by christmas
turns a blind eye
this gutter romancer 's
be in a contest to see who can out-bad-act the other
is delicately narrated by martin landau and directed with sensitivity and skill by dana janklowicz-mann .
intelligent , well-made b movie
despite besson 's high-profile name being wasabi 's big selling point , there is no doubt that krawczyk deserves a huge amount of the credit for the film 's thoroughly winning tone .
casts its spooky net
you can take the grandkids or the grandparents and never worry about anyone being bored ...
is leguizamo 's best movie work so far , a subtle and richly internalized performance
, it works beautifully as a movie without sacrificing the integrity of the opera .
case zero .
energizes it
of the best of the swashbucklers
is ok for a movie to be something of a sitcom apparatus
even more remarkable
abbass 's understated
undeniably intriguing film
of a freshly painted rembrandt
great impression
is seriously compromised by that
allen 's funniest and most likeable movie in years .
find in this dreary mess
this is an exercise not in biography but in hero worship .
mugging their way through snow dogs
the tasteful little revision works
're in luck .
will leave you wondering about the characters ' lives after the clever credits roll
that frenetic spectacle ( on the tv show ) has usually been leavened by a charm that 's conspicuously missing from the girls ' big-screen blowout .
personable , amusing cast
make box office money that makes michael jordan jealous
to emerge from the traffic jam of holiday movies
in understanding a unique culture that is presented with universal appeal
mostly martha will leave you with a smile on your face and a grumble in your stomach .
it deserves to be seen everywhere .