xiangpku/GLUE huggingface dataset:
shows holmes has the screen presence to become a major-league leading lady , ( but ) the movie itself is an underachiever , a psychological mystery that takes its sweet time building to a climax that 's scarcely a surprise by the time
... unlike ( scorsese 's mean streets ) , ash wednesday is essentially devoid of interesting characters or even a halfway intriguing plot .
an enthusiastic charm in fire that makes the formula fresh again
a film about one of cinema 's directorial giants
it 's clotted with heavy-handed symbolism , dime-store psychology and endless scenic shots that make 105 minutes seem twice as long .
odoriferous thing ...
strongest performance
, your senses are as mushy as peas
, no one can hear you snore
half the excitement of balto , or quarter the fun of toy story 2
relative letdown .
lushly photographed and beautifully recorded .
the most memorable moment was when green threw medical equipment at a window ; not because it was particularly funny , but because i had a serious urge to grab the old lady at the end of my aisle 's walker and toss it at the screen in frustration .
laughs and not the last time
're over 25 , have an iq over 90 , and have a driver 's license
his future wife
going to be something really good
earnest study
cunning
includes one of the strangest
most daring
the laborious pacing and
a photographic marvel
massive cardiac arrest
but still quite tasty and inviting all the same
an intriguing story of maternal instincts and misguided acts of affection
eisenstein delivers .
soars above the material realm
has a knack for casting , often resurrecting performers who rarely work in movies now ... and drawing flavorful performances from bland actors .
being able to give full performances
a solid ,
is sorely lacking .
in the kind of low-key way that allows us to forget that they are actually movie folk
a definitive account
perfectly executed and wonderfully sympathetic characters , who are alternately touching and funny
better drama
far short
inviting all the same
a solid and refined piece
suffer the same fate
delivered in grand passion by the members of the various households
broomfield is energized by volletta wallace 's maternal fury , her fearlessness , and
purposeless
the goods and audiences will have a fun , no-frills ride
the story goes nowhere
a glorious dose
've got to admire ... the intensity with which he 's willing to express his convictions
it probably wo n't have you swinging from the trees hooting it 's praises
kung pow is oedekerk 's realization of his childhood dream to be in a martial-arts flick , and proves that sometimes the dreams of youth should remain just that .
shallow , noisy and pretentious
posing as a real movie .
a thriller , and the performances
with an unflappable '50s dignity somewhere between jane wyman and june cleaver
wears out her welcome in her most charmless performance
heartfelt story
conservative christian parents and
an intriguing look at the french film industry during the german occupation
an extraordinary faith in the ability of images
's as hard to classify as it is hard to resist
a detailed historical document
exalts the marxian dream of honest working folk ,
's a delightfully quirky movie to be made from curling
everything is delivered with such conviction that it 's hard not to be carried away
is the chance it affords to watch jackson , who also served as executive producer , take his smooth , shrewd , powerful act abroad
astonishingly skillful and moving
the home video market
plant smile-button faces on that segment of the populace that made a walk to remember a niche hit
confident filmmaking and
succeeds as a well-made evocation of a subculture
, it feels painfully redundant and inauthentic .
beyond its formula
releasing a film with the word ` dog ' in its title in january lends itself to easy jokes and insults , and
a glorious spectacle
sensitive and astute
can be crossed off the list of ideas for the inevitable future sequels ( hey , do n't shoot the messenger )
an elegant work , food of love
's the perfect star vehicle for grant , allowing him to finally move away from his usual bumbling , tongue-tied screen persona .
vulgarity , sex scenes
most high-concept films candy-coat with pat storylines , precious circumstances and beautiful stars
sleep-inducingly
touching love story
by a disastrous ending
's as if a bored cage spent the duration of the film 's shooting schedule waiting to scream : `` got aids yet
a film -- full of life and small delights -- that has all the wiggling energy of young kitten
authentically vague , but ultimately purposeless ,
sorry use of aaliyah in her one
making it one of the year 's most enjoyable releases
in this every-joke-has - been-told-a
how uncompelling the movie is unless it happens to cover your particular area of interest
almost humdrum approach to character development
sassy interpretation
faithful
there are many definitions of ` time waster ' but this movie must surely be one of them
redolent of a thousand cliches
of france 's most inventive directors
almost shakespearean -- both in depth and breadth --
exploit the comic elements of the premise , making the proceedings more bizarre than actually amusing
in on the resourceful amnesiac
figures prominently in this movie , and
tour de
is a bore
off-puttingly cold
children behave like adults and everyone
his aversion
this beautifully
deeply humanizing
a tone of rueful compassion ...
though the film is static
self-defeatingly decorous
lifeless execution
tara reid plays a college journalist , but she looks like the six-time winner of the miss hawaiian tropic pageant , so i do n't know what she 's doing in here
make for one splendidly cast pair .
, hopefully , this film will attach a human face to all those little steaming cartons .
from-television movie that actually looks as if it belongs on the big screen
a pasolini film without passion or politics
could only be made by african-americans because of its broad racial insensitivity towards african-americans
a hallmark film
genuine heart
run-of-the-filth gangster flicks
surrealistic
( maybe twice )
, the recording sessions are intriguing , and -- on the way to striking a blow for artistic integrity -- this quality band may pick up new admirers .
-- like a rather unbelievable love interest and a meandering ending -- this '60s caper film is a riveting , brisk delight .
you really want to understand what this story is really all about
can be forgiven for realizing that you 've spent the past 20 minutes looking at your watch and waiting for frida to just die already
had no trouble sitting for blade ii .
another clever if pointless excursion
the visual flair and bouncing bravado
with no good inside dope , and no particular bite
remove spider-man the movie from its red herring surroundings and it 's apparent that this is one summer film that satisfies
secretary is a genial romance that maintains a surprisingly buoyant tone throughout , notwithstanding some of the writers ' sporadic dips into pop freudianism .
in me
the film has a terrific look and
skidding
the rare sequel
eventful
understand her choices
admire the film 's stately nature and call it classicism or be exasperated by a noticeable lack of pace
inconclusive
do n't know why steven seagal is considered a star , nor why he keeps being cast in action films when none of them are ever any good or make any money
reminded us that a feel-good movie can still show real heart
gay love stories
a sardonic jolt
cheap scam
to slap her creators because they 're clueless and inept
dreadful
ill-advised and
such sensitivity
believe that people have lost the ability to think
that ( jaglom ) pursued with such enervating determination in venice/venice
ragbag
a warm , moving message
the effort is sincere and the results are honest
mendes still does n't quite know how to fill a frame .
self-consciously arty
an absorbing look
strangely tempting bouquet
drawn toward the light -- the light of the exit sign
the seesawing of the general 's fate in the arguments of competing lawyers has the stomach-knotting suspense of a legal thriller , while the testimony of witnesses lends the film a resonant undertone of tragedy .
stanley kwan has directed not only one of the best gay love stories ever made , but one of the best love stories of any stripe
the best film of the year 2002 .
pay to see it
is all about a wild-and-woolly , wall-to-wall good time
it 's all the stronger because of it
a spark of its own
there 's no way you wo n't be talking about the film once you exit the theater .
great performances
two-day old porridge
whose view of america , history and the awkwardness of human life is generous and deep
fascinating profile
horrible poetry
hot-button items
immersed
takes full , chilling advantage of its rough-around-the-edges , low-budget constraints
` matrix ' - style massacres erupt throughout ... but the movie has a tougher time balancing its violence with kafka-inspired philosophy .
most admirable quality
wildly overproduced , inadequately motivated every step
ai n't - she-cute baggage into her lead role as a troubled and determined homicide cop to quite pull off the heavy stuff
the enigmatic mika and anna mouglalis is a stunning new young talent in one of chabrol 's most intense psychological mysteries
come away from his film overwhelmed , hopeful and , perhaps paradoxically , illuminated .
has much to recommend it , even if the top-billed willis is not the most impressive player .
i was trying to decide what annoyed me most about god is great ... i 'm not , and then i realized that i just did n't care
there was any doubt that peter o'fallon did n't have an original bone in his body
submarine movie
an intriguing what-if premise
in a stunning fusion of music and images
the brain
you 're almost dozing
mind-destroying cinematic pollution
of family , forgiveness and love
a tired tyco ad
is , at bottom , a sophisticated flower child 's desire to purge the world of the tooth and claw of human power
uncinematic but
, verve and fun
is blood-curdling stuff
druggy
things that elevate `` glory '' above most of its ilk ,
used to ridicule movies like hollywood ending
's lots of cute animals and clumsy people
familiar road
was only a matter of time before some savvy producer saw the potential success inherent in the mixture of bullock bubble and hugh goo
is strange and compelling
offers some flashy twists and turns that occasionally fortify this turgid fable
of renegade-cop tales
is well worthwhile .
has really found his groove these days
the national lampoon film franchise , too long reduced to direct-to-video irrelevancy
the most wondrous of all hollywood fantasies
severe body odor
used my two hours better watching
no such thing is a big letdown .
the wayward wooden one end it all by stuffing himself into an electric pencil sharpener
manipulation or corny conventions
pointless mayhem
i 'm sure the filmmakers found this a remarkable and novel concept ,
nincompoop
truly is life affirming
satisfyingly odd and intriguing a tale
well-directed
our best actors
a cohesive story
those with a modicum of patience
not a good movie
fierce grace
it does n't work as either .
a smart , nuanced look at de sade
graced with the kind of social texture and realism that would be foreign in american teen comedies .
vital action sequences
instead of simply handling conventional material in a conventional way , secretary takes the most unexpected material and handles it in the most unexpected way .
that it risks monotony
result in a movie that works against itself .
a popcorn film , not a must-own ,
give what can easily be considered career-best performances
overstimulated
some of the computer animation is handsome
an absurd finale
the best comedy concert movie
the viewer is left puzzled by the mechanics of the delivery
vulgar innuendo
the bottom line is the piece works brilliantly .
is a general air of exuberance in all about the benjamins that 's hard to resist .
a 94-minute travesty
be mildly amusing
face frightening late fees
one of those all-star reunions
phillip noyce and all of his actors -- as well as his cinematographer , christopher doyle -- understand the delicate forcefulness of greene 's prose , and it 's there on the screen in their version of the quiet american
stevens is ) so stoked to make an important film about human infidelity and happenstance that he tosses a kitchen sink onto a story already overladen with plot conceits .
a vivid imagination
is a sobering meditation on why we take pictures .
so insanely stupid ,
`` sorority boys '' was funnier , and that movie was pretty bad
it may be a no-brainer
pleasant enough --
a breathtaking adventure for all ages , spirit
of sly humor
this sensuous and spirited tale
be surefire casting
that verges on the amateurish
that it 's left a few crucial things out , like character development and coherence
documentary to disregard available bias
deliciously nonsensical comedy
is honestly affecting
are remarkable .
like mike is n't going to make box office money that makes michael jordan jealous , but it has some cute moments , funny scenes , and hits the target audience ( young bow wow fans ) - with nothing but net .
are both superb ,
seems a disappointingly thin slice of lower-class london life ; despite the title ... amounts to surprisingly little .
as the film has some of the best special effects ever
photographed with color and depth , and rather a good time .
a chilly , brooding but quietly resonant psychological study of domestic tension and unhappiness
almodovar is an imaginative teacher of emotional intelligence in this engaging film about two men who discover what william james once called ` the gift of tears . '
seemingly disgusted with the lazy material and the finished product 's unshapely look , director fisher stevens inexplicably dips key moments from the film in waking life water colors .
steinis quirky , charming and often hilarious .
sink the movie .
if you ever wanted to be an astronaut , this is the ultimate movie experience - it 's informative and breathtakingly spectacular
of small town regret , love , duty and friendship
is n't a product of its cinematic predecessors so much as an mtv , sugar hysteria , and playstation cocktail
o fantasma is boldly , confidently orchestrated , aesthetically and sexually
tired jokes
for the most part , the film is deadly dull
seem to understand what made allen 's romantic comedies so pertinent and enduring
cinematic intoxication , a wildly inventive mixture of comedy and melodrama
action sequences and some of the worst dialogue
racist humor
an often watchable , though goofy and lurid , blast of a costume drama
a catalyst for the struggle of black manhood in restrictive and chaotic america
technical flaws
the girls ' amusing personalities
feels incredibly hokey
, i hated myself in the morning .
willingness to explore its principal characters with honesty , insight and humor
most splendid
pure venality
irresistible blend
action hero performances
a surprisingly juvenile lark ,
, shrewd , powerful act
even in those moments where it 's supposed to feel funny and light
a gritty style and an excellent cast
its script , which nurses plot holes gaping enough to pilot an entire olympic swim team through
more fun than conan the barbarian
the gloomy film noir veil
as a ghost story gone badly awry
choose to skip it
, brash and mainly unfunny
perhaps the budget of sommers 's title-bout features
it is does not rely on dumb gags , anatomical humor , or character cliches
, the 1960 version is a far smoother ride .
great team
's not quite the genre-busting film it 's been hyped to be because it plays everything too safe .
, big trouble remains a loosely tied series of vignettes which only prove that ` zany ' does n't necessarily mean ` funny . '
a 94-minute travesty of unparalleled proportions , writer-director parker
jason x is this bad on purpose
, the film suffers from a philosophical emptiness and maddeningly sedate pacing .
this likable movie
it 's not even a tv special you 'd bother watching past the second commercial break
the paradiso 's rusted-out ruin and ultimate collapse during the film 's final ( restored ) third ... emotionally belittle a cinema classic .
does n't have a single surprise up its sleeve
bad to be good
... its three-hour running time plays closer to two .
try to balance pointed , often incisive satire and unabashed sweetness , with results that are sometimes bracing , sometimes baffling and quite often , and in unexpected ways , touching
rohmer 's drama builds to an intense indoor drama about compassion , sacrifice , and christian love in the face of political corruption
's a part of us that can not help be entertained by the sight of someone getting away with something .
me feel unclean
were dylan thomas alive to witness first-time director ethan hawke 's strained chelsea walls , he might have been tempted to change his landmark poem to , ` do not go gentle into that good theatre . '
clever , offbeat
her pure fantasy character ,
whenever it threatens to get bogged down in earnest dramaturgy
unfolds as sand 's masculine persona , with its love of life and beauty , takes form .
an eye on preserving a sense of mystery
goofball stunts any `` jackass '' fan
loved on first sight and , even more important
an amusing and unexpectedly insightful examination of sexual jealousy , resentment and the fine line between passion and pretence .
charm , cultivation and devotion to his people
a potentially good comic premise and
charming and witty , it 's also somewhat clumsy .
the film grows on you .
intellectually and logistically a mess .
's clear why deuces wild , which was shot two years ago , has been gathering dust on mgm 's shelf .
movie-of-the-week
b movie
of adolescent sturm und drang
crossing-over mumbo jumbo , manipulative sentimentality
for an eagerness
we 're left with a story that tries to grab us , only to keep letting go at all the wrong moments .
the subculture of extreme athletes whose derring-do puts the x into the games
pleasant but not more than recycled jock piffle .
the quality of neil burger 's impressive fake documentary
find morrison 's iconoclastic uses of technology
be embraced
, eisenstein delivers .
to the cadence of a depressed fifteen-year-old 's suicidal poetry
the story ... is hackneyed
innocent , childlike
fill this character study with poetic force and buoyant feeling .
about surprising us by trying something new
béart and berling are both superb , while huppert ... is magnificent .
on the cinematic front , look no further than this 20th anniversary edition of the film that spielberg calls
we have given up to acquire the fast-paced contemporary society
spontaneous creativity and
the most compelling performance of the year adds substantial depth to this shocking testament to anti-semitism and neo-fascism .
we do n't get williams ' usual tear and a smile , just sneers and bile , and
oppressive
atypically hypnotic approach
japanese epic
great past
looking down at your watch and
marginal characters
goldbacher draws on an elegant visual sense and a talent for easy , seductive pacing
be expected from any movie with a `` 2 '' at the end of its title
it 's a mindless action flick with a twist -- far better suited to video-viewing than the multiplex .
a sweet , tender sermon about a 12-year-old welsh boy more curious about god
shows excess in business and pleasure ,
for a director i admire
rounded and revealing
conduct in a low , smoky and inviting sizzle
fascinating character 's
is priceless .
be talking about the film once you exit the theater
it 's left a few crucial things out , like character development and coherence
taylor 's cartoonish performance and
... the cast portrays their cartoon counterparts well ... but quite frankly , scoob and shag do n't eat enough during the film . '
shake the feeling that it was intended to be a different kind of film
will forgive the flaws and love the film
one of the most original american productions this year , you 'll find yourself remembering this refreshing visit to a sunshine state .
there 's a whole heap of nothing at the core of this slight coming-of-age/coming-out tale .
they figure the power-lunchers do n't care to understand , either
sorrowful lows
a remarkably original work
, this marvelous documentary touches -- ever so gracefully -- on the entire history of the yiddish theater , both in america and israel .
're left with a story that tries to grab us , only to keep letting go at all the wrong moments
only so much baked cardboard i need to chew
disguise 24/7
a great way
to reel in the audience
, the more you will probably like it .
knows how to tell us about people
forget its absurdity
any naked teenagers horror flick
is not an easy film .
noticeable lack
of a movie , a vampire soap opera that does n't make much
ca n't get no satisfaction without the latter
that 's where the film ultimately fails
even if it 's a dish that 's best served cold
their consistently sensitive and often exciting treatment of an ignored people
a coming-of-age film that avoids the cartoonish clichés and sneering humor of the genre as it provides a fresh view of an old type -- the uncertain girl on the brink of womanhood
the pleasures that it does afford may be enough to keep many moviegoers
devos delivers a perfect performance that captures the innocence and budding demons within a wallflower .
young and old alike to go see this unique and entertaining twist on the classic whale 's tale
grow increasingly disturbed
a series of escapades demonstrating the adage that what is good for the goose is also good for the gander , some of which occasionally amuses but none of which amounts to much of a story .
about hatred that offers no easy , comfortable resolution
from baseball movies that try too hard to be mythic
disapproval
rape and
silly -- and gross --
visual delights
is n't worth telling
is grand-scale
denial of sincere grief and mourning in favor of bogus spiritualism
-- the sober-minded original was as graceful as a tap-dancing rhino --
an intelligent flick
a triumph of pure craft and passionate heart .
beautiful film to watch
can do no wrong with jason x.
lies in the utter cuteness of stuart and margolo
franco is an excellent choice for the walled-off but combustible hustler
huppert scheming , with her small , intelligent eyes
believing people were paid to make it
funniest idea
unbearably beautiful
's updating works surprisingly well
two tedious acts light on great scares and a good surprise ending .
this one makes up for in heart what it lacks in outright newness .
why did n't hollywood think of this sooner ?
a bright , inventive , thoroughly winning flight of revisionist fancy .
stupidity , incoherence and sub-sophomoric
if you saw it on tv , you 'd probably turn it off , convinced that you had already seen that movie .
love and
savvy director robert j. siegel and his co-writers
passion , melodrama , sorrow , laugther , and tears
j. lo will earn her share of the holiday box office pie , although this movie makes one thing perfectly clear : she 's a pretty woman , but she 's no working girl .
an evanescent , seamless and sumptuous stream of consciousness
doing unpleasant things to each other and themselves
is parochial , accessible to a chosen few , standoffish to everyone else , and smugly suggests a superior moral tone is more important than filmmaking skill
i suspect that there are more interesting ways of dealing with the subject .
buried , drowned
is garcia , who perfectly portrays the desperation of a very insecure man .
... again shows uncanny skill in getting under the skin of her characters
to others , it will remind them that hong kong action cinema is still alive and kicking .
's thanks to huston 's revelatory performance .
the phoniness of female-bonding pictures like divine secrets of the ya-ya sisterhood
, you will enjoy seeing how both evolve
almost perpetually wasted
thoroughly enjoyable .
is painfully bad
as naturally charming
overall , it 's a very entertaining , thought-provoking film with a simple message :
lacking substance and soul
bypassing no opportunity to trivialize the material
this quiet , introspective and entertaining independent is worth seeking .
is dreamy and evocative
well-done supernatural thriller with keen insights into parapsychological phenomena and the soulful nuances of the grieving process
a fair bit