xiangpku/GLUE huggingface dataset:
it was n't the subject matter that ultimately defeated the film ... it was the unfulfilling , incongruous , `` wait a second
's also nice to see a movie with its heart so thoroughly , unabashedly on its sleeve
toes the fine line between cheese and earnestness remarkably well ; everything is delivered with such conviction that it 's hard not to be carried away
anyone who has reached puberty actually finding the characters in slackers or their antics amusing , let alone funny
will probably never achieve the popularity of my big fat greek wedding
overly old-fashioned
it 's quite fun in places .
great actors
is too calm and thoughtful for agitprop , and the thinness of its characterizations makes it a failure as straight drama
many ways the perfect festival film
does n't really believe in it
raise audience 's spirits and
generally sustains a higher plateau with bullock 's memorable first interrogation of gosling
once again , director chris columbus takes a hat-in-hand approach to rowling that stifles creativity and allows the film to drag on for nearly three hours .
learn a good deal
more than a tepid exercise in
most poorly staged
will be an enjoyable choice for younger kids .
that the real antwone fisher was able to overcome his personal obstacles and become a good man
done , so primitive in technique ,
director tom shadyac and star kevin costner glumly mishandle the story 's promising premise of a physician who needs to heal himself .
proves that not only blockbusters pollute the summer movie pool .
intelligent movie
wo n't have you swinging from the trees hooting it 's praises
's plenty to impress about e.t.
of the best special effects
he does n't unveil it until the end , after endless scenes of him wheedling reluctant witnesses and pointing his camera through the smeared windshield of his rental car
colors the picture in some evocative shades .
, you 'll still be glued to the screen .
some of the computer animation is handsome , and various amusing sidekicks add much-needed levity to the otherwise bleak tale ,
to cram too many ingredients into one small pot
and for all the wrong reasons besides .
crime expertly
although the subject matter may still be too close to recent national events , the film works - mostly due to its superior cast of characters .
wretched movie
it is scott 's convincing portrayal of roger the sad cad that really gives the film its oomph .
marred beyond redemption
its exploitive array of obligatory cheap
sensual
enjoy this
the perfect starting point
the movie is a lumbering load of hokum but
shows its indie tatters and self-conscious seams in places
ice age wo n't drop your jaw
steamy
( carvey 's ) characters are both overplayed and exaggerated , but then again , subtlety has never been his trademark
idealism american
can still make you feel that you never want to see another car chase , explosion or gunfight again
black-and-white and unrealistic .
a clever script
in the utter cuteness of stuart and margolo
this is n't a movie
works its magic with such exuberance and passion that the film 's length becomes a part of its fun .
, profane and exploitative as the most offensive action flick you 've ever seen .
carefully choreographed atrocities , which become strangely impersonal and abstract
it 's a very entertaining , thought-provoking film with a simple message
there 's already been too many of these films ...
american action-adventure buffs
succeeds
is fatal for a film that relies on personal relationships
one long , numbing action sequence made up mostly of routine stuff yuen has given us before .
hard , endearing , caring ,
the pairing does sound promising in theory ... but their lack of chemistry makes eddie murphy and robert deniro in showtime look like old , familiar vaudeville partners .
is impressive for the sights and sounds of the wondrous beats
the best star trek movie
satisfies -- from its ripe recipe , inspiring ingredients , certified
, uneventful
it just did n't mean much to me and played too skewed to ever get a hold on ( or be entertained by )
remember it .
the performances of their careers
's a talking head documentary , but a great one
, the dialogue sounds like horrible poetry .
leaden script
that the film never feels derivative
toward maximum comfort and familiarity
wo n't feel like it 's wasted yours
average kid-empowerment fantasy
scotland looks wonderful , the fans are often funny fanatics , the showdown sure beats a bad day of golf .
are an absolute joy .
he provides a strong itch to explore more .
makes it to the boiling point
that jack nicholson makes this man so watchable is a tribute not only to his craft , but to his legend .
so stilted and unconvincing
wonderful , ghastly film
of the highest and the performances
can not mount a cogent defense of the film as entertainment , or even performance art , although the movie does leave you marveling at these guys ' superhuman capacity to withstand pain .
it is ok for a movie to be something of a sitcom apparatus , if the lines work , the humor has point
little more than punishment
he does best
great to look at
the absence of narrative continuity
a moving tale of love and destruction
a much better documentary -- more revealing , more emotional and more surprising -- than its pedestrian english title would have you believe .
sketchy it amounts to little more than preliminary notes for a science-fiction horror film
's more enjoyable than i expected ,
, dramatically forceful , and beautifully shot
everything was as superficial as the forced new jersey lowbrow accent uma had .
slather clearasil over the blemishes of youth
an intelligent flick that examines many different ideas from happiness to guilt in an intriguing bit of storytelling
, i pledge allegiance to cagney and lacey .
reel in when we should be playing out
seem appealing
beautifully shot
's quite an achievement to set and shoot a movie at the cannes film festival and yet fail to capture its visual appeal or its atmosphere .
of being overrun by corrupt and hedonistic weasels
it 's been 13 months and 295 preview screenings since i last walked out on a movie
strange it is , but delightfully so .
has in fact come closer than anyone could desire to the cheap , graceless , hackneyed sci-fi serials of the '30s and '40s
serious re-working to show more of the dilemma , rather than have his characters stage shouting
pleasant but not
who handily makes the move from pleasing
torments and angst
works because its flabbergasting principals , 14-year-old robert macnaughton , 6-year-old drew barrymore and 10-year-old henry thomas , convince us of the existence of the wise , wizened visitor from a faraway planet
is ultimately rather silly and overwrought ,
saccharine genre
high points to keep this from being a complete waste of time
the problem is that the movie has no idea of it is serious or not .
-- casting excellent latin actors of all ages --
does give a pretty good overall picture of the situation in laramie following the murder of matthew shepard .
a strangely
abundant humanism
is the heart and soul of cinema
to seek and strike just the right tone
it 's rare for any movie to be as subtle and touching as the son 's room .
poorly structured
`` spider-man '' certainly
what 's so striking about jolie 's performance is that she never lets her character become a caricature -- not even with that radioactive hair .
sounds promising
then again , i hate myself most mornings .
a slice of counterculture
unrelentingly grim
signals director rick famuyiwa 's emergence as an articulate , grown-up voice in african-american cinema .
such a wildly uneven hit-and-miss enterprise
the imax screen enhances the personal touch of manual animation .
also asks its audience -- in a heartwarming , nonjudgmental kind of way -- to consider what we value in our daily lives
has crafted an engaging fantasy of flavors and emotions , one part romance novel , one part recipe book .
cleverly captures the dry wit that 's so prevalent on the rock
glorious spectacle
picked me up , swung me around
the off-center humor is a constant
staged violence overshadows everything ,
remarkable serenity and discipline
the ensemble cast , the flat dialogue by vincent r. nebrida or
attempt to build up a pressure cooker of horrified awe
started with a great premise
reaches across time and distance
there 's an admirable rigor to jimmy 's relentless anger , and to the script 's refusal of a happy ending
if you have nothing better to do with 94 minutes
has secrets buried at the heart of his story and knows how to take time revealing them
will not be for much longer
an hour and a half of joyful solo performance
the sentimental oh-those-wacky-brits genre
is a towering siren .
the too-hot-for-tv direct-to-video/dvd category , and
gives us episodic choppiness , undermining the story 's emotional thrust
the only fun part of the movie is playing the obvious game .
, like max rothman 's future , does not work .
it all the more compelling
bouncy score
cheery and
want to smash its face in
for that sense of openness , the little surprises
the human story is pushed to one side
highly uneven and
kissing jessica stein injects freshness and spirit into the romantic comedy genre , which has been held hostage by generic scripts that seek to remake sleepless in seattle again and again .
fudges fact and fancy with such confidence that we feel as if we 're seeing something purer than the real thing
of drooling idiots
poorly executed comedy .
really bad blair witch project
leaves him shooting blanks
barely shocking , barely interesting and most
a ton of laughs that everyone can enjoy
the viewer to doze off for a few minutes or make several runs to the concession stand and/or restroom and not feel as if he or she has missed anything
it 's a terrible movie in every regard , and utterly painful to watch .
that it 's also too stupid to realize that they 've already seen this exact same movie a hundred times
realizes a fullness that does not negate the subject
is solid
particularly well made
by a master
of deja vu
at times a bit melodramatic and even a little dated ( depending upon where you live ) , ignorant fairies is still quite good-natured and not a bad way to spend an hour or two .
hollow , self-indulgent , and
, not as gloriously flippant as lock , stock and two smoking barrels ,
richly entertaining and suggestive
drawing flavorful performances
after one gets the feeling that the typical hollywood disregard for historical truth and realism is at work here , it 's a matter of finding entertainment in the experiences of zishe and the fiery presence of hanussen .
to avoid being recognized as the man who bilked unsuspecting moviegoers
to an imitation movie
deeply satisfying
that if you shoot something on crummy-looking videotape , it must be labeled ` hip ' , ` innovative ' and ` realistic '
yawning
what 's most offensive is n't the waste of a good cast , but the film 's denial of sincere grief and mourning in favor of bogus spiritualism .
a terrible movie
rewarded
witch project real-time roots
hollow mockumentary
self-mocking ,
a very ambitious project
devastated by war , famine and poverty and
the plot and a powerfully evocative mood combining heated sexuality with a haunting sense of malaise
this is one of the outstanding thrillers of recent years .
is n't necessarily an admirable storyteller .
an achingly enthralling premise ,
susceptible to blue hilarity ,
beautiful than either of those films
in the service of the lovers who inhabit it
do n't blame eddie murphy but should n't
interesting cinematic devices ( cool visual backmasking ) , a solid cast ,
but strangely believable
are n't - kids-cute sentimentality by a warmth that is n't faked and a stately sense of composition
of its execution and skill of its cast
a good film with a solid pedigree both in front of and , more specifically , behind the camera
best war movies
my problem with the movie 's final half hour
hitting your head
toothless dog
never decides whether it wants to be a black comedy , drama , melodrama or some combination of the three .
a forcefully quirky tone that quickly wears out its limited welcome
gorgeous to look at
is both contrived and cliched
maximum comfort and familiarity
endlessly superficial .
an uncomfortable experience , but
plays it straight , turning leys ' fable into a listless climb down the social ladder
worst film
having much that is fresh to say about growing up catholic or , really , anything
but the second half of the movie really goes downhill .
especially well-executed
k-19 sinks to a harrison ford low .
absorbing
s1m0ne 's satire is not subtle , but it is effective .
thirteen conversations about one thing , for all its generosity and optimism , never resorts to easy feel-good sentiments
but it 's a rushed , slapdash , sequel-for-the-sake - of-a-sequel with less than half
it takes a really long , slow and dreary time to dope out what tuck everlasting is about .
ludicrous film
kicking undead ***
, vibrant introduction
the good girl is a film in which the talent is undeniable
bowling for columbine '' remains a disquieting and thought-provoking film ...
a dashing and absorbing outing with one of france 's most inventive directors .
chaplin and kidman , who are capable of anteing up some movie star charisma when they need it to sell us on this twisted love story , but who can also negotiate the movie 's darker turns
on opting out of any opportunity for finding meaning in relationships or work
highest production values
horse feathers
a game supporting cast
though the film is static , its writer-director 's heart is in the right place , his plea for democracy and civic action laudable .
of a culture in conflict
inexcusable
despite its promising cast of characters
any way demeaning its subjects
to losing my lunch
clumsily
i liked it because it was so endlessly , grotesquely , inventive .
that the rich promise of the script will be realized on the screen
that will have you at the edge of your seat for long stretches
slippery self-promoter
a beguiling evocation of the quality that keeps dickens evergreen : the exuberant openness with which he expresses our most basic emotions .
greatest play
s&m
a sense of light-heartedness , that makes it attractive throughout
swinging , the film makes it seem , is not a hobby that attracts the young and fit .
plodding soap opera disguised as a feature film
left me behind
decidedly flimsier with its many out-sized , out of character and logically porous action set
, mouthpieces , visual motifs , blanks .
as looking , sounding and simply feeling like no other film in recent history
can only point the way -- but thank goodness for this signpost .
a really special walk
tends to do a little fleeing of its own .
nair 's attention to detail creates an impeccable sense of place , while thurman and lewis give what can easily be considered career-best performances .
pretty good team
a clear-eyed portrait
, k-19 sinks to a harrison ford low .
the grandkids or the grandparents
do n't get paid enough to sit through crap like this
most deceptively amusing
taken seriously
largely improvised
zero thrills , too many flashbacks and a choppy ending make for a bad film .
film that 's flawed and brilliant in equal measure .
, that 's a liability .
a funny and touching film that is gorgeously
the chocolate factory without charlie .
most romantic
we admire this film for its harsh objectivity and refusal to seek our tears , our sympathies .
hilarious adventure
keeps this pretty watchable
the kind of insouciance embedded in the sexy demise of james dean
he 's made at least one damn fine horror movie
chokes
if villainous vampires are your cup of blood , blade 2 is definitely a cut above the rest .
rehashes several old themes
stuffy and pretentious
slapping its target audience in the face by shooting itself in the foot
overplayed and exaggerated
is an undeniably fascinating and playful fellow
to films which will cause loads of irreparable damage that years and years of costly analysis could never fix
dupe the viewer into taking it all as very important simply because the movie is ugly to look at and not a hollywood product
probes in a light-hearted way the romantic problems of individuals
more of the ` laughing at ' variety than the ` laughing with
even betters it
well-written and occasionally challenging
's likely very little crossover appeal to those without much interest in the elizabethans ( as well as rank frustration from those in the know about rubbo 's dumbed-down tactics )
a matter of plumbing arrangements and mind games
one of the best films of the year with its exquisite acting , inventive screenplay , mesmerizing music , and many inimitable scenes of tenderness , loss , discontent , and yearning
new zealand coming-of-age movie
the film is blazingly alive and admirable on many levels .
fare , with enough
what ?!?
... a gleefully grungy , hilariously wicked black comedy ...
with its shape-shifting perils , political intrigue and brushes
directed but terminally cute drama .
's betting her third feature will be something to behold
eccentric and good-naturedly
is to sit through about 90 minutes of a so-called ` comedy ' and not laugh once .
so much to look at in metropolis you hate to tear your eyes away from the images long enough to read the subtitles
a fairly revealing study
and crudely literal
continues .
a striking style
over and over again .
even if you do n't know the band or the album 's songs by heart , you will enjoy seeing how both evolve
hormonal melodrama
it looks good , but it is essentially empty
entirely persuasive
makes up for in heart what it lacks in outright newness
in praise of love
one very funny joke and a few other decent ones
surrounded by open windows
grace this deeply touching melodrama .
of the best inside-show-biz
an important director
juwanna mann is even more ludicrous than you 'd expect from the guy-in-a-dress genre
earned my indignant , preemptive departure
an intimate contemplation of two marvelously
more smarts
becomes claustrophobic
rescue adrian lyne 's unfaithful from its sleazy moralizing
intelligent romantic thriller
as a director , paxton is surprisingly brilliant , deftly sewing together what could have been a confusing and horrifying vision into an intense and engrossing head-trip .
immensely ambitious , different than anything that 's been done before and
, about a boy injects just enough freshness into the proceedings to provide an enjoyable 100 minutes in a movie theater .
very shapable but largely unfulfilling present
prejudice
one relentlessly depressing situation after another for its entire running time
seen a film so willing to champion the fallibility of the human heart
do no wrong with jason x.
is great fun , full of the kind of energy it 's documenting .
has its heart
this real-life hollywood fairy-tale is more engaging than the usual fantasies hollywood produces .
she 's pretty
and social commentary
bright , intelligent , and humanly funny film .
the spirits of these young women
debilitating
dumb fart jokes
eloquence
the gutless direction by laurice guillen
it 's never laugh-out-loud funny , but it is frequently amusing
much funnier film
will object to the idea of a vietnam picture with such a rah-rah , patriotic tone
to build up a pressure cooker of horrified awe
friendship , love
: the widowmaker is derivative , overlong , and bombastic -- yet surprisingly entertaining .
the film is saved from are n't - kids-cute sentimentality by a warmth that is n't faked and a stately sense of composition .
work of extraordinary journalism
sad nonsense , this .
the characters inhabit into a poem of art , music and metaphor
present brown as a catalyst for the struggle of black manhood in restrictive and chaotic america ... sketchy but nevertheless gripping portrait of jim brown , a celebrated wonder in the spotlight
i loved on first sight and , even more important ,
that works even without vulgarity , sex scenes , and cussing
shimmers with it
the cheesiest
in part to interesting cinematic devices ( cool visual backmasking ) , a solid cast , and some wickedly sick and twisted humor
it 's excessively quirky and a little underconfident in its delivery , but
moonlight mile does n't quite go the distance but the cast is impressive and they all give life to these broken characters who are trying to make their way through this tragedy .
an affectionately goofy satire
indoors in formal settings with motionless characters
's pauly shore awful
matches about it .
is sadly heightened by current world events
a major-league leading lady
a taut , sobering film .
fits into a classic genre
's as good as you remember .
goes on and on to the point of nausea .
bordering on offensive , waste of time , money and celluloid
unbalanced
message resonate
that goes a long way toward keeping the picture compelling
more disciplined grade-grubbers
seems more tacky and reprehensible , manipulating our collective fear without bestowing the subject with the intelligence or sincerity it unequivocally deserves
too textbook to intrigue
unforced naturalism
appear avant-garde
at least a few good ideas
technically proficient and without the pop-up comments
completely lacking in chills
's still a rollicking good time for the most part
splendid meal
is so film-culture referential that the final product is a ghost
, mr. rose 's updating works surprisingly well .
a sentimental but entirely irresistible portrait
in this film , which is often preachy and poorly acted
solid , spooky
does n't sustain a high enough level of invention .
that its visual imagination is breathtaking
insightful writer/director
is definitely worth
provided his own broadside
sound like it was co-written by mattel executives and lobbyists for the tinsel industry
herzog simply runs out of ideas and
raises some worthwhile themes while delivering a wholesome fantasy for kids .
's the plot , and a maddeningly insistent and repetitive piano score that made me want to scream
it 's all about anakin ... and the lustrous polished visuals rich in color and creativity and , of course , special effect .
dark , funny humor
flat-out amusing
, sweet ` evelyn
thoughtless
well-balanced fashion
to commend it to movie audiences both innocent and jaded
this in the right frame of mind
is well-crafted
great film
plays like a bad soap opera
an exhilarating new interpretation
fewer deliberate laughs , more inadvertent ones and stunningly trite songs
this film biggest problem
shame on writer/director vicente aranda
spiced with humor ( ' i speak fluent flatula , ' advises denlopp after a rather , er , bubbly exchange with an alien deckhand )
, circuit is the awkwardly paced soap opera-ish story .
here lacks considerable brio .
sometimes endearing
its share of laughs -- sometimes a chuckle , sometimes a guffaw and , to my great pleasure , the occasional belly laugh
achieving the modest , crowd-pleasing goals it sets for itself
spy kids 2 looks as if it were made by a highly gifted 12-year-old instead of a grown man .
is probably the funniest person in the film , which gives you an idea just how bad it was .
magic and is enjoyable family fare
are n't interesting enough to watch them go about their daily activities for two whole hours
all about a wild-and-woolly , wall-to-wall good time
cheap hysterics
with the director taking a hands-off approach when he should have shaped the story to show us why it 's compelling
narcissism and self-congratulation disguised as a tribute
tries its best
to tiresome jargon
read my lips is a genre-curling crime story that revives the free-wheeling noir spirit of old french cinema .
avoids the cartoonish clichés and sneering humor of the genre as it provides a fresh view of an old type
of despair about entrapment in the maze of modern life
the light comedic work of zhao benshan and the delicate ways of dong jie
will be pleased to discover that tian 's meticulous talent has not withered during his enforced hiatus .
want to slap it
a well loved classic
when the fire burns out , we 've only come face-to-face with a couple dragons
it 's never laugh-out-loud funny ,
a bit anachronistic
fair amount
effort to put a human face on the travail of thousands of vietnamese
george clooney , in his first directorial effort , presents this utterly ridiculous shaggy dog story as one of the most creative , energetic and original comedies to hit the screen in years .
regard