xiangpku/GLUE huggingface dataset:
every moment crackles with tension , and by the end of the flick , you 're on the edge of your seat
, then by all means check it out .
while parker and co-writer catherine di napoli are faithful to melville 's plotline , they and a fully engaged supporting cast ... have made the old boy 's characters more quick-witted than any english lit
sorvino makes the princess seem smug and cartoonish , and the film only really comes alive when poor hermocrates and leontine pathetically compare notes about their budding amours .
too thin
sitting in a downtown café , overhearing a bunch of typical late-twenty-somethings natter on about nothing , and
wondering what all that jazz was about `` chicago '' in 2002
as a tribute
a brilliant college student -- where 's pauly shore as the rocket scientist ?
of the conflict that came to define a generation
richly entertaining and suggestive of any number of metaphorical readings .
will be moved to the edge of their seats by the dynamic first act
bump in the night and nobody
has created a provocative , absorbing drama that reveals the curse of a self-hatred instilled by rigid social mores .
this painfully unfunny farce traffics in tired stereotypes and encumbers itself with complications ...
, the movie contains no wit , only labored gags .
that are quite touching
i liked about schmidt a lot , but i have a feeling that i would have liked it much more if harry & tonto never existed .
graceless
that annoying specimen
two central performances
' hanging over the film
it takes a sudden turn and devolves into a bizarre sort of romantic comedy
are all in the performances , from foreman 's barking-mad taylor to thewlis 's smoothly sinister freddie and bettany/mcdowell 's hard-eyed gangster .
affluence
really , save your disgust and your indifference
five screenwriters are credited with the cliché-laden screenplay
joyous
gets us too drunk on the party favors to sober us up with the transparent attempts at moralizing .
then blood work is for you .
, frida gets the job done .
the class warfare
against shimmering cinematography that lends the setting the ethereal beauty of an asian landscape painting
a transparently hypocritical work that feels as though it 's trying to set the women 's liberation movement back 20 years
may rate as the most magical and most fun family fare of this or any recent holiday season
their contrast is neither dramatic nor comic -- it 's just a weird fizzle .
lacks in eye-popping visuals
ability to pull together easily accessible stories that resonate with profundity
an equally miserable film
its heartfelt concern about north korea 's recent past and south korea 's future
so pat it makes your teeth hurt
a delightful entree in the tradition of food movies .
of gags that rely on the strength of their own cleverness
both the scenic splendor
i saw it as a young boy
wildly incompetent but brilliantly named half past dead -- or for seagal pessimists :
you may be captivated , as i was , by its moods , and by its subtly transformed star , and still wonder why paul thomas anderson ever had the inclination to make the most sincere and artful movie in which adam sandler will probably ever appear .
a chilling tale of one of the great crimes
starts out
the situation in a well-balanced fashion
which was shot two years ago
becomes something about how lame it is to try and evade your responsibilities
will keep coming
you 'd be hard put to find a movie character more unattractive or odorous ( than leon ) .
proves that director m. night shyamalan can weave an eerie spell and that mel gibson can gasp , shudder and even tremble without losing his machismo .
where this was lazy but enjoyable , a formula comedy redeemed by its stars , that is even lazier and far less enjoyable .
a total lack
a hallmark film in an increasingly important film industry and worth the look
the company 's astonishing growth
of afghan tragedies
languorous slo-mo sequences
's characteristically startling visual style and an almost palpable sense of intensity .
is a masterpiece of elegant wit and artifice .
offers a guilt-free trip into feel-good territory .
picture-perfect life
master class .
junior-high
finds amusing juxtapositions that justify his exercise .
rigid and evasive in ways
billy crystal and robert de niro sleepwalk through vulgarities in a sequel you can refuse .
a fine-looking film with a bouncy score
promisingly
the entire movie is in need of a scented bath .
weirdo actor crispin glover
takes its title all too literally .
is loopy and ludicrous ...
threatens
there , done that
who 's finally been given a part worthy of her considerable talents
what makes the movie special
the action looks fake
blood work is laughable in the solemnity with which it tries to pump life into overworked elements from eastwood 's dirty harry period .
maintaining consciousness just long enough
difficult to feel anything much while watching this movie , beyond mild disturbance or detached pleasure at the acting
is so fascinating that you wo n't care .
watching this gentle , mesmerizing portrait of a man coming to terms with time , you barely realize your mind is being blown .
does justice both to stevenson and to the sci-fi genre
a better movie
faced with the possibility that her life is meaningless , vapid and devoid of substance , in a movie that is definitely meaningless , vapid and devoid of substance
's always enthralling .
, another gross-out college comedy -- ugh .
gets added disdain for the fact that it is nearly impossible to look at or understand .
formuliac , but fun .
a quietly moving look back at what it was to be iranian-american in 1979 .
to hit theaters since beauty and the beast 11 years ago
fighting games , wire fu , horror movies , mystery , james bond , wrestling , sci-fi and anime into one big bloody stew
dialogue and likeable characters
part biography , part entertainment and part history
, the film 's mid-to-low budget is betrayed by the surprisingly shoddy makeup work .
a rather dull , unimaginative car chase
is nothing short of a great one .
a supremely hopeful cautionary tale of war 's madness remembered that we , today , can prevent its tragic waste of life
is so bad that i even caught the gum stuck under my seat trying to sneak out of the theater
90-plus years taking the effort to share his impressions of life and loss and time and art with us
confuses its message with an ultimate desire to please , and contorting itself into an idea of expectation
comedy ensemble
throws quirky characters , odd situations , and off-kilter dialogue at us , all as if to say , `` look at this !
brilliant movie
too interested in jerking off in all its byzantine incarnations to bother pleasuring its audience
's stuffy and pretentious
polished ,
works more often than it does n't .
at least passably
i also believe that resident evil is not it .
seem to be in a contest to see who can out-bad-act the other
showing off his doctorate
a delightful comedy
anguish , anger and frustration
at achieving the modest , crowd-pleasing goals it sets for itself
a patient viewer
this new jangle of noise , mayhem and stupidity must be a serious contender for the title .