xiangpku/GLUE huggingface dataset:
a forceful drama of an alienated executive who re-invents himself
made the original men in black such a pleasure
while the now 72-year-old robert evans been slowed down by a stroke , he has at least one more story to tell : his own .
stirring ,
appear foolish and shallow rather than , as was more likely ,
pure craft
pokémon 4ever is terrifying
might sit through this summer that do not involve a dentist drill .
that ultimately coheres into a sane and breathtakingly creative film
a grim future
the story 's scope and pageantry are mesmerizing , and
skip the film
for a larger-than-life figure , an artist who has been awarded mythic status in contemporary culture
to sit through it again
also like its hero , it remains brightly optimistic , coming through in the end
a flawed human
a good match
a baffling subplot involving smuggling drugs inside danish cows falls flat , and
attractive about this movie
were more repulsive
too long , and larded with exposition
found the movie as divided against itself
, in the simple telling , proves simultaneously harrowing and uplifting
taking up the current teen movie concern with bodily functions
part of the charm of satin rouge
the trashy teen-sleaze equivalent
that brings out the worst in otherwise talented actors
're on the edge of your seat
from the addition of a wholly unnecessary pre-credit sequence designed to give some of the characters a ` back story
the works of an artist
edge to it
significantly less charming than listening to a four-year-old
its director could ever have dreamed
an awkwardly contrived exercise
to easy feel-good sentiments
, collateral damage presents schwarzenegger as a tragic figure
if we 're to slap protagonist genevieve leplouff because she 's french , do we have that same option to slap her creators because they 're clueless and inept ?
is far funnier than it would seem to have any right to be
wise and deadpan humorous .
've a taste for the quirky
of paint-by-number american blockbusters like pearl harbor , at least
is completely lacking in charm and charisma
takes big bloody chomps out of it
imagine that even very small children will be impressed by this tired retread
it 's provocative stuff ,
to accomplish what few sequels can
a memorable directorial debut
aspires to the cracked lunacy of the adventures of buckaroo banzai , but thanks to an astonishingly witless script
an inconclusive ending
passionate , irrational , long-suffering but cruel as a tarantula , helga figures prominently in this movie , and helps keep the proceedings as funny for grown-ups as for rugrats .
with a story that tries to grab us , only to keep letting go at all the wrong moments
a gently funny , sweetly adventurous film that makes you feel genuinely good , that is to say , entirely unconned by false sentiment or sharp , overmanipulative hollywood practices .
a great script brought down by lousy direction .
content to dog-paddle in the mediocre end of the pool
'm sure there 's a teenage boy out there somewhere who 's dying for this kind of entertainment .
zinger-filled
clumsy dialogue , heavy-handed phoney-feeling sentiment , and
, you could restage the whole thing in your bathtub .
bucked the odds to emerge as an exquisite motion picture in its own right
murder and mayhem
nearly incoherent
is n't particularly assaultive
that takes a stand in favor of tradition and warmth
to a sunshine state
introspective and
for the tube
shows a level of young , black manhood that is funny , touching , smart and complicated .
with more character development this might have been an eerie thriller ; with better payoffs , it could have been a thinking man 's monster movie .
of vignettes which only prove that ` zany ' does n't necessarily mean ` funny
the rest is just an overexposed waste of film
emotionally strong and
wholly unnecessary
keeps adding flourishes -- artsy fantasy sequences -- that simply feel wrong
i like all four of the lead actors a lot and they manage to squeeze a few laughs out of the material ,
transcendent performance
an oscar
a film of empty , fetishistic violence in which murder is casual and fun .
on a dime in the tries-so-hard-to-be-cool `` clockstoppers
, in a better movie , you might not have noticed .
is better-focused than the incomprehensible anne rice novel it 's based upon
that encourages you to accept it as life and go with its flow
the magnificent swooping aerial shots are breathtaking ,
dramatic arc
an extraordinary poignancy ,
absurdities and
multi-layered and profoundly humanist ( not to mention gently political ) meditation
unoriginal
that run the gamut from cheesy to cheesier to cheesiest
feel more like a non-stop cry for attention , than an attempt at any kind of satisfying entertainment .
takes a classic story , casts attractive and talented actors
take on courtroom movies , a few nifty twists that are so crucial to the genre and another first-rate performance by top-billed star bruce willis
a story that is so far-fetched it would be impossible to believe if it were n't true
whether these ambitions , laudable in themselves , justify a theatrical simulation of the death camp of auschwitz ii-birkenau
a college keg party
, low-budget and tired
mira sorvino 's limitations
is so engagingly messing around like slob city reductions of damon runyon crooks
a copout
while clearly a manipulative film , emerges as powerful rather than cloying
earnest yet curiously tepid and choppy recycling in which predictability is the only winner .
this is the kind of movie that you only need to watch for about thirty seconds before you say to yourself , ` ah , yes , here
its apparent glee
profanities
is one of world cinema 's most wondrously gifted artists and storytellers
surprisingly decent
am baffled by jason x.
it offers hope
an experience that is richer than anticipated
you can fire a torpedo through some of clancy 's holes , and the scripters do n't deserve any oscars
have given this movie a rating of zero .
style and humor
most magical and most
as deep as a petri dish
of those films where the characters inhabit that special annex of hell where adults behave like kids , children behave like adults and everyone
something for everyone
it looks neat
is meaningless , vapid and devoid
it 's clear that washington most certainly has a new career ahead of him
aggressive self-glorification and a manipulative whitewash
what allows it to rank with its worthy predecessors
the scarifying
it 's the best sequel since the empire strikes back ... a majestic achievement , an epic of astonishing grandeur and surprising emotional depth .
strongly
first mistake
needs more filmmakers with passionate enthusiasms like martin scorsese
'' is far funnier than it would seem to have any right to be .
this broken character study
sensitive , cultivated treatment
torture and
seagal
little more than routine
both stars are appealing enough to probably have a good shot at a hollywood career , if they want one
shockers since the evil dead
spinoff of last summer 's bloated effects fest the mummy returns
the movie 's messages are quite admirable , but the story is just too clichéd and too often strains credulity
's also a -- dare i say it twice -- delightfully charming -- and totally american , i might add -- slice of comedic bliss .
of the most moronic screenplays of the year , full of holes that will be obvious even to those who are n't looking for them
does too much meandering , norton has to recite bland police procedural details , fiennes wanders around in an attempt to seem weird and distanced , hopkins looks like a drag queen .
has all the trappings of an energetic , extreme-sports adventure
... an adorably whimsical comedy that deserves more than a passing twinkle .
, an actor this uncharismatically beautiful would have a résumé loaded with credits like `` girl in bar # 3 . ''
to filming the teeming life on the reefs , making this gorgeous film a must for everyone from junior scientists to grown-up fish lovers
the movie 's presentation , which is way too stagy
to be a suspenseful horror movie or a weepy melodrama
comes along every day
always entertaining ,
a good natured warning
succeeds in delivering a dramatic slap in the face that 's simultaneously painful and refreshing
a fascinating part of theater history
feel-good movie
a woozy quality to the manner of the storytelling , which undercuts the devastatingly telling impact of utter loss personified in the film 's simple title
a film neither bitter nor sweet , neither romantic nor comedic
a much better documentary
's pretty stupid
acting like an 8-year-old channeling roberto benigni
if the man from elysian fields is doomed by its smallness , it is also elevated by it -- the kind of movie that you enjoy more because you 're one of the lucky few who sought it out .
prevent its tragic waste of life
the performances are uniformly good .
the phenomenal , water-born cinematography by david hennings
the film suffers from a simplistic narrative and a pat , fairy-tale conclusion .
blood work is for you .
into a gorgeously atmospheric meditation on life-changing chance encounters
confirms lynne ramsay as an important , original talent in international cinema .
at times uncommonly moving
helps keep the proceedings as funny for grown-ups as for rugrats
the color palette , with lots of somber blues and pinks , is dreamy and evocative
art-house to the core , read my lips is a genre-curling crime story that revives the free-wheeling noir spirit of old french cinema .
moved by this drama
survive a screening with little harm done , except maybe for the last 15 minutes , which are as maudlin as any after-school special you can imagine
richly detailed
'll keep you wide awake and ... very tense .
sewer rats
the nonstop artifice
i 'm actually having a hard time believing people were paid to make it
by characters who are nearly impossible to care about
an original character , siuation or joke in the entire movie
in the pile of useless actioners
coupled with pitch-perfect acting
is a dud
more chaotic than entertaining
in its courageousness , and comedic employment
guessing at almost every turn
interesting and thoroughly unfaithful version of carmen
offensive and
that never quite gel
deep down , i realized the harsh reality of my situation : i would leave the theater with a lower i.q. than when i had entered
if the movie is more interested in entertaining itself than in amusing us
winning flight of revisionist fancy
most ingenious
maintaining consciousness just long enough to achieve callow pretension
of inexcusable dumb innocence
happily
- greaseballs mob action-comedy .
much about the ownership and redefinition of myth
too-conscientious
illustrated by a winning family story .
y tu mamá también is hilariously , gloriously alive , and quite often hotter than georgia asphalt .
are puerile
a strong education and
where the upbeat ending feels like a copout
deeply absorbing
flawless film ,
of the audience award for documentaries at the sundance film festival
's also disappointing to a certain degree
super-stupid
an awkwardly garish showcase that diverges from anything remotely probing or penetrating .
is that she never lets her character become a caricature -- not even with that radioactive hair
though its story is only surface deep , the visuals and enveloping sounds of blue crush make this surprisingly decent flick worth a summertime look-see .
my big fat greek wedding is not only the best date movie of the year , it 's also a -- dare i say it twice -- delightfully charming -- and totally american , i might add -- slice of comedic bliss .
e.t. is carried less by wow factors than by its funny , moving yarn that holds up well after two decades .
there 's so much to look at in metropolis you hate to tear your eyes away from the images long enough to read the subtitles .
this romantic comedy
includes the line ` my stepdad 's not mean , he 's just adjusting '
with the assassin is structured less as a documentary and more as a found relic
for an absurd finale of twisted metal , fireballs and revenge
it 's possible that something hip and transgressive was being attempted here that stubbornly refused to gel , but the result is more puzzling than unsettling .
light the candles , bring out the cake and do n't fret about the calories because there 's precious little substance in birthday girl -- it 's simply , and surprisingly , a nice , light treat .
is a paper bag to wear over his head when he goes out into public , to avoid being recognized as the man who bilked unsuspecting moviegoers
gay or straight , kissing jessica stein is one of the greatest date movies in years .
its spirit of iconoclastic abandon -- however canned -- makes for unexpectedly giddy viewing .
engagingly
honest working man john q. archibald ,
offbeat thriller
into the script , which has a handful of smart jokes
showcases the city 's old-world charm before machines change nearly everything
is moody , oozing , chilling and heart-warming all at once ...
the film is filled with humorous observations about the general absurdity of modern life as seen through the eyes outsiders , but deftly manages to avoid many of the condescending stereotypes that so often plague films dealing with the mentally ill .
missed opportunities .
see an artist , still committed to growth in his ninth decade , change while remaining true to his principles
to wear over his head when he goes out into public , to avoid being recognized as the man who bilked unsuspecting moviegoers
low-budget constraints
are fantastic .
the movie , shot on digital videotape rather than film , is frequently indecipherable
emotionally complex , dramatically satisfying heroine
this loud and thoroughly obnoxious comedy about a pair of squabbling working-class spouses is a deeply unpleasant experience .
utterly pointless
far too sentimental
at 90 minutes this movie is short
phillip noyce and all of his actors -- as well as his cinematographer , christopher doyle -- understand the delicate forcefulness of greene 's prose , and
is many things -- stoner midnight flick , sci-fi deconstruction , gay fantasia -- but above all it 's a love story as sanguine as its title .
is bravado -- to take an entirely stale concept and push it through the audience 's meat grinder one more time
tully is worth a look for its true-to-life characters , its sensitive acting , its unadorned view of rural life and the subtle direction of first-timer hilary birmingham .
what gives human nature its unique feel is kaufman 's script
ca n't properly be called acting -- more accurately , it 's moving
is as delightful
cheap-shot mediocrity
the balance between the fantastic and the believable
there 's no doubt the filmmaker is having fun with it all
derailed by bad writing and possibly also by some of that extensive post-production reworking to aim the film at young males in the throes of their first full flush of testosterone .
an even less capable trio
's willing to express his convictions
rare window
warm and exotic .
mounted , exasperatingly well-behaved film , which ticks off kahlo 's lifetime milestones with the dutiful precision of a tax accountant .
brings the proper conviction
goes downhill .
the fascination comes in the power of the huston performance , which seems so larger than life and yet so fragile ,
nothing i had n't already seen .
but fun .
better films
a stock plot
ugly , pointless , stupid
be captivated , as i was , by its moods , and by its subtly transformed star , and still wonder why paul thomas anderson ever had the inclination to make the most sincere and artful movie in which adam sandler will probably ever appear
about gays in what is essentially an extended soap opera
for human connection
quite a bit of heart , as you would expect from the directors of the little mermaid and aladdin
as earnest as a community-college advertisement
the hot chick , the latest gimmick from this unimaginative comedian
into a gentle waking coma
low-budget filmmaking
has little clue about either the nature of women or of friendship
cho 's latest comic set is n't as sharp or as fresh as i 'm the one that i want ... but
puzzle his most ardent fans
fill the after-school slot
this film 's impressive performances and adept direction
an attention to detail
considerable skill and determination ,
mainstream hollywood
masterpiece .
i 'd rather watch them on the animal planet .
a tv episode rather than a documentary
do n't let the subtitles fool you ; the movie only proves that hollywood no longer has a monopoly on mindless action .
is n't a terrible movie , just a stultifyingly obvious one -- an unrewarding collar for a murder mystery .
, it 's still unusually crafty and intelligent for hollywood horror .
to consider the looseness of the piece
no entertainment value
would make it the darling of many a kids-and-family-oriented cable channel
are familiar with , and makes you care about music you may not have heard before
comes together as a coherent whole
great shame
thought it was going to be
depressing , ruthlessly pained
have an honesty and dignity that breaks your heart
the script 's judgment and sense of weight is way , way off .
a sketchy work-in-progress that was inexplicably rushed to the megaplexes before its time
adam watstein with finishing it at all
naturally dramatic
is most remarkable not because of its epic scope , but because of the startling intimacy it achieves despite that breadth .
the performances are strong , though the subject matter demands acting that borders on hammy at times .
's a shame
audience falls asleep
bledel
concession stand and/or restroom
best of all
with a life-affirming message
dough from baby boomer families
that it even uses a totally unnecessary prologue , just because it seems obligatory
the only thing that distinguishes a randall wallace film from any other is the fact that there is nothing distinguishing in a randall wallace film .
almost bergmanesque intensity
thoughtlessly
that already knows it 's won
is a successful one .
yes , ` it 's like having an old friend for dinner ' .
could have yielded such a flat , plodding picture
the film itself -- as well its delightful cast -- is so breezy , pretty and gifted , it really won my heart
with lots of laughs
tortured and
a con artist and
a grim future that does n't come close to the level of intelligence and visual splendor that can be seen in other films
wild , endearing , masterful
realism , crisp storytelling and radiant compassion
this is rote spookiness , with nary an original idea ( or role , or edit , or score , or anything , really ) in sight , and the whole of the proceedings beg the question ` why ?
nothing can detract from the affection of that moral favorite : friends will be friends through thick and thin .
how far herzog has fallen
are immune to the folly of changing taste and attitude
, iwai 's gorgeous visuals seduce .
're as happy listening to movies as you are watching them , and the slow parade of human frailty fascinates you
it 's just too dry and too placid
this man so watchable
signs is just another unoriginal run of the mill sci-fi film with a flimsy ending and lots of hype .
really work
creative interference
seduce and conquer
as inspiring
oscar-winning
too eager to please
well-directed and , for all its moodiness ,
firing on all cylinders
get at something
, eight legged freaks is prime escapist fare .
( danny huston gives ) an astounding performance that deftly , gradually reveals a real human soul buried beneath a spellbinding serpent 's smirk .
the reefs
, singing and finger snapping it might have held my attention , but as it stands i kept looking for the last exit from brooklyn .
is this so boring ?
fierce competition
the players do n't have a clue on the park .
the evocative imagery and gentle , lapping rhythms of this film are infectious --
in creating an emotionally complex , dramatically satisfying heroine
honestly nice
a besotted and obvious drama
engaging and intimate first feature
comforting fantasies
your senses are as mushy as peas
( macdowell ) ventures beyond her abilities several times here and reveals how bad an actress she is .
particularly memorable or even all that funny
and likeable characters
their super-dooper-adorability intact
a lighthearted glow
a grand fart
steven shainberg 's adaptation of mary gaitskill 's harrowing short story ... is a brilliantly played , deeply unsettling experience .
sly female empowerment movie
crummy .
the film runs on a little longer than it needs to -- muccino either does n't notice when his story ends or just ca n't tear himself away from the characters
it has a tremendous , offbeat sense of style and humor that suggests he was influenced by some of the filmmakers who have directed him , especially the coen brothers and steven soderbergh
at once disarmingly straightforward and strikingly devious .
it 's sort of a 21st century morality play with a latino hip hop beat .
, really stupid
the multi-layers of its characters
uninspired .
is so clumsily sentimental and ineptly directed it may leave you speaking in tongues .
why lee 's character did n't just go to a bank manager and save everyone the misery
no charm , no laughs , no fun , no reason to watch .
intoxicating atmosphere
overall feelings , broader ideas
a well-deserved reputation as one
searching for its identity
is about grief
is also a testament to the integrity and vision of the band
is heartfelt and hilarious
are paper-thin , and their personalities undergo radical changes when it suits the script
does n't really believe in it , and breaks the mood with absurdly inappropriate ` comedy ' scenes .
excels in the art of impossible disappearing/reappearing acts
as in the songs translate well to film
benefits from serendipity
in a very real and amusing give-and-take
does feel like a short stretched out to feature length .
suffers from two fatal ailments -- a dearth of vitality and a story that 's shapeless and uninflected .
, smartly played and smartly directed .
to fall prey to a boatload of screenwriting cliches that sink it faster than a leaky freighter
detailing how one international city welcomed tens of thousands of german jewish refugees while the world 's democracie
that will amuse or entertain them
a great movie
a stunning fusion of music and images
their lives , loves and the art
satisfying kids flck
a metaphor for a modern-day urban china searching for its identity .
sweeping and gliding
both charming
is also a film of freshness , imagination and insight
is a refreshingly forthright one
a little scattered -- ditsy
predominantly amateur cast is painful to watch , so stilted and unconvincing
the pristine camerawork
satisfies ,
excuse to get to the closing bout ... by which time it 's impossible to care who wins
conjures a lynch-like vision of the rotting underbelly of middle america
because we 've seen ( eddie ) murphy do the genial-rogue shtick to death , but because the plot is equally hackneyed
jackass '' fan
moonlight mile gives itself the freedom to feel contradictory things .
the most complex , generous and subversive artworks of the last decade
from its invitingly upbeat overture to its pathos-filled but ultimately life-affirming finale , martin is a masterfully conducted work .
barely tolerable slog
it will guarantee to have you leaving the theater with a smile on your face .
it plays everything too safe
everything we 've come to expect from movies nowadays .
the kind that pretends to be passionate and truthful but is really frustratingly timid and soggy
engrossing and different
will enjoy themselves .
part of the fun
's just one that could easily wait for your pay per view dollar
super-dooper-adorability
, racist humor
the legendary wit 's
an ounce of honest poetry
it 's worth seeing
our culture is headed down the toilet with the ferocity of a frozen burrito after an all-night tequila bender --
... a scummy ripoff of david cronenberg 's brilliant ` videodrome . '
i approached the usher and said that if she had to sit through it again , she should ask for a raise .
the movie , shot on digital videotape rather than film
the russian word for wow !? '
does an established filmmaker
a complete shambles of a movie so sloppy , so uneven , so damn unpleasant that i ca n't believe any viewer , young or old ,
a fascinating curiosity piece -- fascinating ,
lame entertainment
took of the family vacation
director hoffman , with great help from kevin kline