xiangpku/GLUE huggingface dataset:
a very lively dream
, with humor , warmth , and intelligence , captures a life interestingly lived
from its sleazy moralizing
breathtaking mystery
woo has as much right to make a huge action sequence as any director , but how long will filmmakers copy the `` saving private ryan '' battle scenes before realizing steven spielberg got it right the first time ?
a lot smarter than your average bond .
transcends its agenda to deliver awe-inspiring , at times sublime , visuals and
is actually funny with the material
that krawczyk deserves a huge amount of the credit for the film 's thoroughly winning tone
execution and skill
shines on all the characters
rubbish that is listless , witless , and devoid of anything resembling humor .
earnest , unsubtle and hollywood-predictable , green dragon is still a deeply moving effort to put a human face on the travail of thousands of vietnamese .
eyeballs
the style and flash of the double-cross that made mamet 's `` house of games '' and last fall 's `` heist '' so much fun
infuses it into a rustic , realistic , and altogether creepy tale of hidden invasion
skillful and moving
all the substance of a twinkie -- easy to swallow , but scarcely nourishing
has much to recommend it ,
gives a human face to what 's often discussed in purely abstract terms .
runs on the pure adrenalin of pacino 's performance
the poor and
a tattered and ugly past with rose-tinted glasses
dehumanizing
heard before
which to hang broad , mildly fleshed-out characters that seem to have been conjured up only 10 minutes prior to filming
an unholy mess ,
visual virtues
'' winner
bona fide groaners
, you 're too interested to care .
is authentic to the core of his being .
far too clever by half , howard 's film is really a series of strung-together moments , with all the spaces in between filled with fantasies , daydreams , memories and one fantastic visual trope after another .
with an unusual protagonist ( a kilt-wearing jackson ) and subject matter , the improbable `` formula 51 '' is somewhat entertaining
built-in audience
bogged down in earnest dramaturgy
bundling the flowers of perversity , comedy and romance into a strangely tempting bouquet of a movie
amusing ,
the most entertaining bonds in years
is a load of clams left in the broiling sun for a good three days
appreciates the art
do all three quite well , making it one of the year 's most enjoyable releases
most important and exhilarating forms
although the more lascivious-minded might be disappointed in the relative modesty of a movie that sports a ` topless tutorial service
... a sour little movie at its core ; an exploration of the emptiness that underlay the relentless gaiety of the 1920 's ... the film 's ending has a `` what was it all for ?
too many scenes toward the end
's full of cheesy dialogue , but great trashy fun that finally returns de palma to his pulpy thrillers of the early '80s
a more confused , less interesting and more sloppily
most ravaging
equally miserable
i admire the closing scenes of the film , which seem to ask whether our civilization offers a cure for vincent 's complaint .
is one film that 's truly deserving of its oscar nomination
the expressive power
it attractive throughout
entirely suspenseful , extremely well-paced and ultimately
editing and pompous references
inspirational status
( a ) poorly executed comedy .
gentle but
may offend viewers not amused by the sick sense of humor .
... this is n't even a movie we can enjoy as mild escapism ; it is one in which fear and frustration are provoked to intolerable levels .
` the war of the roses , ' trailer-trash style .
accomplished and
no worse a film than breaking out , and breaking out was utterly charming .
the soulful development
the unsettled tenor
are clinically depressed and
the explosion essentially ruined -- or , rather , overpowered
an engrossing portrait
is genial but never inspired , and little
tackles more than she can handle .
losing its focus , point and purpose in a mess of mixed messages , over-blown drama and bruce willis
nothing wrong with performances here , but the whiney characters bugged me .
proves to be sensational
to entertain
pathetic exploitation film
joys in our lives
the triumph
of sincere grief and mourning in favor of bogus spiritualism
unspeakable , of course , barely begins to describe the plot and its complications .
did n't convince me that calvin jr. 's barbershop represents some sort of beacon of hope in the middle of chicago 's south side
laced with liberal doses of dark humor , gorgeous exterior photography , and a stable-full of solid performances , no such thing is a fascinating little tale .
seems hopelessly juvenile .
a frighteningly fascinating contradiction
an unpleasant debate that 's been given the drive of a narrative and that 's been acted out
equally assured
have a story and a script
's a work of enthralling drama
predictable as the tides
did no one on the set have a sense of humor ,
the film , while it 's not completely wreaked , is seriously compromised by that
's a wonderful , sobering , heart-felt drama
uncompromising film
for making a florid biopic about mad queens , obsessive relationships , and rampant adultery so dull
all the dramatic weight
will wind up as glum as mr. de niro .
bracing truth
great trashy fun that finally returns de palma to his pulpy thrillers of the early '80s
even if it is generally amusing from time to time , i spy has all the same problems the majority of action comedies have .
the movie winds up feeling like a great missed opportunity .
of dead-end distaste
tells its poignant and uplifting story in a stunning fusion of music and images .
good actors , even kingsley , are made to look bad
young everlyn sampi , as the courageous molly craig , simply radiates star-power potential in this remarkable and memorable film .
it appears to have been modeled on the worst revenge-of-the-nerds clichés the filmmakers could dredge up .
does a solid job
poor editing , bad bluescreen ,
lead actress gaï , she of the impossibly long limbs and sweetly conspiratorial smile
believe anyone would really buy this stuff
lighthearted glow
that there 's really not much of a sense of action
just another combination of bad animation and mindless violence ...
, guts and crazy beasts stalking men with guns though ... you will likely enjoy this monster .
offer a fascinating glimpse
illuminates what it means sometimes to be inside looking out , and at other times outside looking in .
want to think too much about what 's going on
narc
sub-sophomoric
languorous charm
style and flash
thematic content and narrative strength
a moral
that gives movies about ordinary folk a bad name
is he has no character , loveable or otherwise
the irwins ' scenes are fascinating ; the movie as a whole is cheap junk and an insult to their death-defying efforts .
too much power , not enough puff .
nothing overly original , mind you , but solidly entertaining
is presented with great sympathy and intelligence
brainless flibbertigibbet
nonchalantly freaky and uncommonly pleasurable
has thankfully ditched the saccharine sentimentality of bicentennial man in favor of an altogether darker side .
have a good shot at a hollywood career
have to worry about being subjected to farts , urine , feces , semen , or any of the other foul substances that have overrun modern-day comedies
presented in convincing way
have the worthy successor to a better tomorrow and the killer which they have been patiently waiting for
has its rewards .
she may not be real , but the laughs are .
critical backlash
is a much better mother-daughter tale
long , intricate , star-studded
for a touching love story
of self-discovery handled with such sensitivity
an audience 's
the best 60 minutes
overcooked , ham-fisted direction
settles in and becomes compulsively watchable in a guilty-pleasure , daytime-drama sort of fashion .
numbingly dull
entirely suspenseful , extremely well-paced and ultimately ... dare i say , entertaining !
pay your $ 8 and get ready for the big shear
served with a hack script
fest that 'll put hairs on your chest .
past a child 's interest and an adult 's patience
innocent ,
affable if not timeless
an empty , purposeless
knew about generating suspense
bitten off more than he or anyone else could chew
works on some levels
reveals itself slowly , intelligently ,
just did n't care
the one-liners are snappy , the situations volatile
trouble every day is a success in some sense
the world 's greatest teacher
fiery
game supporting cast
laborious whine , the bellyaching of a paranoid and unlikable man
a dearth of vitality
a text to ` lick
... a solid , well-formed satire .
without thrills and a mystery devoid
playful but highly studied
fails to portray its literarily talented and notorious subject as anything much more than a dirty old man
it 's leaden and predictable , and
other hallmarks of his personal cinema painted on their largest-ever historical canvas
could be the worst film a man has made about women since valley of the dolls .
there are very , very good reasons for certain movies to be sealed in a jar and left on a remote shelf indefinitely .
retains an extraordinary faith in the ability of images
salvation and good intentions
, the film gets added disdain for the fact that it is nearly impossible to look at or understand .
does his sly , intricate magic
boasts enough funny dialogue and sharp characterizations to be mildly amusing .
could n't have done any better in bringing the story of spider-man to the big screen .
it feels like unrealized potential
, laugh-a-minute crowd pleaser
memorable for a peculiar malaise that renders its tension flaccid and , by extension , its surprises limp and its resolutions ritual
beautifully choreographed kitchen ballet
as though jay roach directed the film from the back of a taxicab
new inspiration in it
retread ,
'll find yourself remembering this refreshing visit to a sunshine state .
a bit disjointed
dismally
grows up
a few nonbelievers may rethink their attitudes when they see the joy the characters take in this creed , but skeptics are n't likely to enter the theater .
you have to see it .
, meandering
humorous and touching
that so many people put so much time and energy into this turkey
was the best the contest received
is the kind of movie that gets a quick release before real contenders arrive in september
it finds a nice rhythm .
it 's not so much a movie as a joint promotion for the national basketball association and teenaged rap and adolescent poster-boy lil ' bow wow .
settles in and becomes compulsively watchable in a guilty-pleasure , daytime-drama sort of fashion
drains it
is even worse than i imagined a movie ever could be
without resorting to camp or parody , haynes ( like sirk , but differently ) has transformed the rhetoric of hollywood melodrama into something provocative , rich , and strange .
this rush to profits has created a predictably efficient piece of business notable largely for its overwhelming creepiness , for an eagerness to create images you wish you had n't seen , which , in this day and age , is of course the point .
ever so gracefully --
funny and touching
is intelligently accomplished
has a delightfully dour , deadpan tone and stylistic consistency .
low comedy does n't come much lower .
a comedy
of martin scorsese 's taxi driver and goodfellas
a bland , surfacey way that does n't offer any insight into why , for instance , good things happen to bad people
to capture the chaos of france in the 1790 's
all by stuffing himself into an electric pencil sharpener
there may have been a good film in `` trouble every day , ''
the material and the production
beautiful , angry and sad
heavy stench
tastelessness and
has a way of seeping into your consciousness ,
what 's most offensive
enjoyable 100 minutes
've looked like as a low-budget series on a uhf channel
unfortunately , we 'd prefer a simple misfire .
in the ease with which it integrates thoughtfulness and pasta-fagioli comedy
strained caper movies that 's hardly any fun to watch and begins to vaporize from your memory minutes after it ends .
whimsical comedy
is n't mainly suspense or excitement .
by splendid performances
a winning and wildly fascinating work .
and second , what 's with all the shooting ?
other , better movies
a wartime farce in the alternately comic and
occasionally flawed ,
admirable energy
is funny , touching , smart and complicated
maladjusted teens in a downward narcotized spiral
when you 've got the wildly popular vin diesel in the equation , it adds up to big box office bucks all but guaranteed .
and two smoking barrels
value or merit
that 's amusing enough while you watch it , offering fine acting moments and pungent insights into modern l.a. 's show-biz and media
different , unusual , even nutty
, nasty journey
a maddeningly insistent and repetitive piano score that made me want to scream
dumped a whole lot of plot
undisciplined
production exists only to capitalize on hopkins ' inclination to play hannibal lecter again , even though harris has no immediate inclination to provide a fourth book
is painfully bad ,
strange film
despite the mild hallucinogenic buzz , is of overwhelming waste
seems terrified of the book 's irreverent energy , and scotches most of its élan , humor , bile , and irony .
premise , mopes through a dreary tract of virtually plotless meanderings and then ends with a whimper .
a kilt
recommend it ,
does n't live up to the exalted tagline
it ca n't help but engage an audience
a life interestingly lived
, this might not seem like the proper cup of tea , however it is almost guaranteed that even the stuffiest cinema goers will laugh their *** off for an hour-and-a-half .
bombastic and ultimately empty world war ii action
sweet and believable
through a remarkable amount of material in the film 's short 90 minutes
the humor has point
cheesy commercialism
is on full , irritating display
a first-class road movie that proves you can run away from home , but your ego
in the way of a too-conscientious adaptation
there 's nothing like love to give a movie a b-12 shot ,
director douglas mcgrath takes on nickleby with all the halfhearted zeal of an 8th grade boy delving into required reading .
rarely has a film 's title served such dire warning .
an action film disguised as a war tribute is disgusting to begin with
the movie about the baseball-playing monkey was worse . ''
're going to feel like you were n't invited to the party
it is different from others in its genre in that it is does not rely on dumb gags , anatomical humor , or character cliches ;
sticks rigidly to the paradigm , rarely permitting its characters more than two obvious dimensions and repeatedly placing them in contrived , well-worn situations .
one ca n't help but be drawn in by the sympathetic characters
a simple tale of an unlikely friendship , but thanks to the gorgeous locales and exceptional lead performances
belongs to nicholson
and if you appreciate the one-sided theme to lawrence 's over-indulgent tirade , then knock yourself out and enjoy the big screen postcard that is a self-glorified martin lawrence lovefest .
the well-wrought story
gets an exhilarating new interpretation in morvern callar
perfectly serviceable and because he gives the story some soul
nosedive
we never feel anything for these characters , and as a result the film is basically just a curiosity
just another situation romance
, this cartoon adventure is that wind-in-the-hair exhilarating .
gawky actor
works as pretty contagious fun .
on `` stupid ''
makes it all the more compelling .
enjoyable big movie
braveheart as well as
it 's as if allen , at 66 , has stopped challenging himself .
this kind of hands-on storytelling
pure hollywood
character portrait , romantic comedy
not a stereotype is omitted nor a cliché left unsaid .
is nothing compared to the movie 's contrived , lame screenplay and listless direction
would n't be too crazy with his great-grandson 's movie splitting up in pretty much the same way .
valiantly
if it is generally amusing from time to time
a biting satire
no big whoop , nothing new to see ,
tragically
a small gem from belgium .
a tendency to sag in certain places
simply radiates star-power potential in this remarkable and memorable film .
necessary self-control to guide a loose , poorly structured film through the pitfalls of incoherence and redundancy
wind up as glum as mr. de niro
little propaganda film
a great director
wonder of wonders -- a teen movie with a humanistic message .
become almost as operatic to us
the picture is so lovely toward the end
accompanying the stunt-hungry dimwits in a random series of collected gags , pranks , pratfalls , dares , injuries , etc .
it works well enough , since the thrills pop up frequently , and the dispatching of the cast is as often imaginative as it is gory
a bad run
the performances are amiable and committed ,
elicits strong performances from his cast
brilliantly employ their quirky and fearless ability to look american angst in the eye and end up laughing
fontaine 's direction , especially her agreeably startling use of close-ups and her grace with a moving camera , creates sheerly cinematic appeal .
isabelle huppert ... again shows uncanny skill in getting under the skin of her characters
a sobering and powerful documentary about the most severe kind of personal loss :
this insufferable movie
each scene drags , underscoring the obvious
, we get an ugly , mean-spirited lashing out by an adult who 's apparently been forced by his kids to watch too many barney videos .
a sharp , amusing study of the cult of celebrity
nutty cliches
makes a great impression as the writer-director of this little $ 1.8 million charmer , which may not be cutting-edge indie filmmaking but has a huge heart
the whole slo-mo , double-pistoled , ballistic-pyrotechnic hong kong action
a coma
a lame romantic comedy about an unsympathetic character and someone who would not likely be so stupid as to get
working women -- or at least this working woman -- for whom she shows little understanding
noir veil
this is a shrewd and effective film from a director who understands how to create and sustain a mood .
as mindless
far from heaven is a dazzling conceptual feat , but more than that , it 's a work of enthralling drama .
are such that we 'll keep watching the skies for his next project
inhuman
joyous life
movie directionless
like a change in ( herzog 's ) personal policy
unfolds as one
bungle their way
a few laughs but nothing else
adds up to big box office bucks all but guaranteed .
coming-of-age drama
buoyant romantic comedy
you only need to watch for about thirty seconds before you say to yourself , ` ah , yes
the only thing scary about feardotcom is that the filmmakers and studio are brazen enough to attempt to pass this stinker off as a scary movie .
warm , moving
so exaggerated and broad
that stalls in its lackluster gear of emotional blandness
( ferrera ) has the charisma of a young woman who knows how to hold the screen .
honestly , i do n't see the point
the best brush in the business
to a more mythic level
hits its mark
is remarkably fuddled about motives and context , which drains it of the dramatic substance that would shake us in our boots ( or cinema seats ) .
who might otherwise go unnoticed and underappreciated by music fans
do n't think so .
represents the worst kind of filmmaking , the kind that pretends to be passionate and truthful but is really frustratingly timid and soggy
comes along only occasionally , one so unconventional , gutsy and perfectly
him this year 's razzie
of the solomonic decision facing jewish parents in those turbulent times
it 's one tough rock .
a staggeringly compelling character
to create an engaging story that keeps you guessing at almost every turn
every bit as imperious as katzenberg 's the prince of egypt from 1998 .
a mawkish self-parody
not only is entry number twenty the worst of the brosnan bunch
stylish but steady , and ultimately very satisfying ,
for a story set at sea , ghost ship is pretty landbound , with its leaden acting , dull exposition and telegraphed ` surprises . '
it stays in formula -- which is a waste of de niro , mcdormand and the other good actors in the cast
because of its broad racial insensitivity towards african-americans
without context -- journalistic or historical
- she-cute baggage into her lead role as a troubled and determined homicide cop to quite pull off the heavy stuff
diesel is that rare creature -- an action hero with table manners , and one who proves that elegance is more than tattoo deep .
some cute moments , funny scenes , and hits the target audience ( young bow wow fans ) -
soft-core twaddle
there 's a delightfully quirky movie to be made from curling , but brooms is n't it .
, and motorcycles
succeeds due to its rapid-fire delivery and enough inspired levity that it ca n't be dismissed as mindless .
little too obvious , but
created a breathtakingly assured and stylish work of spare dialogue and acute expressiveness
almost generic
the goodwill the first half of his movie generates by orchestrating a finale that is impenetrable and dull
it 's got all the familiar bruckheimer elements , and schumacher does probably as good a job as anyone at bringing off the hopkins/rock collision of acting styles and onscreen personas .
entirely appropriately , the tale unfolds like a lazy summer afternoon and concludes with the crisp clarity of a fall dawn .
on its own staggeringly unoriginal terms , this gender-bending comedy is generally quite funny .
, this cinderella story does n't have a single surprise up its sleeve .
that director sara sugarman stoops to having characters drop their pants for laughs and not the last time
mistaken-identity
a badly edited , 91-minute trailer ( and )
a harrison ford low
's the work of an artist , one whose view of america , history and the awkwardness of human life is generous and deep
a 10-course banquet
's a cool event for the whole family .
like most of jaglom 's films , some of it is honestly affecting ,
you should see this movie
of the best films of the year
you will enjoy seeing how both evolve
from her own screenplay , jumps to the head of the class of women 's films that manage to avoid the ghetto of sentimental chick-flicks by treating female follies with a satirical style
so purely enjoyable that you might not even notice it 's a fairly straightforward remake of hollywood comedies such as father of the bride .
for exploiting the novelty of the `` webcast
showcases davies as a young woman of great charm , generosity and diplomacy
one scene after another in this supposedly funny movie
thurman and lewis give what can easily be considered career-best performances
ruined by amateurish writing and acting ,
well-made pb & j sandwich
the blanket statements and dime-store ruminations
engages us
it looks like woo 's a p.o.w.
has turned out to be a one-trick pony
on three short films and two features
the results are honest
's nice
has a way of seeping into your consciousness , with lingering questions about what the film is really getting at
, inexplicable and unpleasant
a thriller without thrills and a mystery devoid of urgent questions
falls victim to that everlasting conundrum experienced by every human who ever lived : too much to do , too little time to do it in .
one of the most important and exhilarating forms of animated filmmaking since old walt doodled steamboat willie .
a quirky comedy
artful , watery tones of blue , green and brown
leaves an awful sour taste
this is cinema
a diverse and astonishingly articulate
the charm of the first movie is still there
by turns gripping , amusing , tender and heart-wrenching
's because relatively nothing happens
a gift to anyone who loves both dance and cinema
this is the one .
one of the best films of the year with its exquisite acting , inventive screenplay , mesmerizing music , and many inimitable scenes of tenderness , loss , discontent , and yearning .
deepest tragedies
how to suffer ' and if you see this film you 'll know too
've got to hand it to director george clooney for biting off such a big job the first time out
the usual movie rah-rah , pleasantly and predictably delivered in low-key style by director michael apted and writer tom stoppard .
one of the great minds of our times