xiangpku/GLUE huggingface dataset:
that i ca n't wait to see what the director does next
a genuine and singular artist
joyful solo performance
a customarily jovial air
a joyous communal festival of rhythm
have you scratching your head than hiding under your seat
inherent absurdity
of common sense
how its makers actually seem to understand what made allen 's romantic comedies so pertinent and enduring
the campaign-trail press
the opera 's drama and lyricism
the stars may be college kids , but the subject matter is as adult as you can get
a sense of real magic , perhaps
is only so much baked cardboard i need to chew .
( johnnie to and wai ka fai are ) sure to find an enthusiastic audience among american action-adventure buffs , but the film 's interests may be too narrow to attract crossover viewers .
was longer than an hour
the problem with all of this
suitably kooky which should appeal to women
a hard look at one man 's occupational angst and its subsequent reinvention , a terrifying study of bourgeois desperation worthy of claude chabrol .
a zinger-filled crowd-pleaser that open-minded elvis fans ( but by no means all ) will have fun with .
an honest , sensitive story from a vietnamese point of view
as a vehicle to savor binoche 's skill
recycle images and characters that were already tired 10 years ago
this modern mob music drama never fails to fascinate .
amounts to is a mildly funny , sometimes tedious , ultimately insignificant film
of thoughtful war films and those
is really , really stupid
anyone who welcomes a dash of the avant-garde fused with their humor
of male hustlers
intelligent and moving
cinematic perfection
in more abundant supply in this woefully hackneyed movie , directed by scott kalvert , about street gangs and turf wars in 1958 brooklyn -- stale cliches , gratuitous violence , or empty machismo
directed action sequences and some of the worst dialogue in recent memory
hollywood has crafted a solid formula for successful animated movies , and
catch this imax offering
a moving story of determination and the human spirit .
an inconsistent , meandering , and sometimes dry plot
succeeds primarily with her typical blend of unsettling atmospherics ,
as a soufflé gone wrong
spout hilarious dialogue about following your dream and ` just letting the mountain tell you what to do
is sordid and disgusting .
also heartwarming without stooping to gooeyness
the comic elements of the premise
the filmmaking in invincible is such that the movie does not do them justice
in an attempt
the basic premise is intriguing but quickly becomes distasteful and downright creepy .
the fine line between cheese
right down the reality drain
by a legacy of abuse
like locusts in a horde these things will keep coming
weaving themes among three strands which allow us to view events as if through a prism
a pact to burn the negative and the script and pretend the whole thing never existed
makes for a touching love story
makes its message resonate
some movies were made for the big screen , some for the small screen , and some , like ballistic : ecks vs. sever , were made for the palm screen .
tully is in many ways the perfect festival film : a calm , self-assured portrait of small town regret , love , duty and friendship that appeals to the storytelling instincts of a slightly more literate filmgoing audience .
got the wildly popular vin diesel in the equation
made a movie that is n't just offensive
leave us stranded with nothing more than our lesser appetites
the courage of new york 's finest and a nicely understated expression of the grief
to hurry up and get to its subjects ' deaths just so the documentary will be over
the plot weaves us into a complex web .
enough to sustain laughs
implausible
come when various characters express their quirky inner selves
a strong script
ver wiel 's desperate attempt at wit is lost , leaving the character of critical jim two-dimensional and pointless .
filmed on the set of carpenter 's the thing and loaded with actors you 're most likely to find on the next inevitable incarnation of the love boat
knows how to inflate the mundane into the scarifying
a delightful romantic comedy with plenty of bite
thoroughly engrossing and
a vibrant whirlwind
of the very best movies
its gentle , touching story creeps into your heart .
affable
a thirteen-year-old 's book report
in which the kids in the house will be gored
a cleverly crafted but ultimately hollow mockumentary .
the charming result is festival in cannes .
the film is so bad it does n't improve upon the experience of staring at a blank screen .
turgid
been recycled more times than i 'd care to count
on the edge of your seat
most third-rate horror sequels
labored and unfunny
a boring movie
this rich , bittersweet israeli documentary , about the life of song-and-dance-man pasach ` ke burstein and his family , transcends ethnic lines .
even more indistinct
aims for the toilet and scores a direct hit
time , death
the affable maid in manhattan , jennifer lopez 's most aggressive and most sincere attempt to take movies by storm
's no point in extracting the bare bones of byatt 's plot for purposes of bland hollywood romance .
dull , unimaginative
from its recovery of an historical episode that , in the simple telling , proves simultaneously harrowing and uplifting
, amari 's film falls short in building the drama of lilia 's journey .
, it 's not too bad .
cute alien
fetid underbelly
an eerily suspenseful , deeply absorbing piece that works as a treatise on spirituality as well as a solid sci-fi thriller .
the bai brothers have taken an small slice of history and opened it up for all of us to understand , and they 've told a nice little story in the process
a flat script
a properly spooky film about the power of spirits to influence us whether we believe in them or not .
sentimental , hypocritical
carried out by men of marginal intelligence , with reactionary ideas about women and a total lack of empathy
splendor
does n't add up .
, you can enjoy much of jonah simply , and gratefully , as laugh-out-loud lunacy with a pronounced monty pythonesque flavor .
this engaging film about two men who discover what william james once called ` the gift of tears
max pokes , provokes , takes expressionistic license and hits a nerve ... as far as art is concerned , it 's mission accomplished
goldie hawn
a depraved , incoherent , instantly disposable piece of hackery
as long on the irrelevant as on the engaging , which gradually turns what time is it there ?
wonder , hope and magic
the primitive murderer
the journey feel like a party
feels contrived , as if the filmmakers were worried the story would n't work without all those gimmicks .
in narc , they find new routes through a familiar neighborhood
the film is really closer to porn than a serious critique of what 's wrong with this increasingly pervasive aspect of gay culture .
is just as obvious as telling a country skunk that he has severe body odor
less like a cousin to blade runner than like a bottom-feeder sequel in the escape from new york series
bore .
's not as single-minded as john carpenter 's original
that the filmmakers and studio are brazen enough to attempt to pass this stinker off as a scary movie
the predictability
starts promisingly but disintegrates into a dreary , humorless soap opera .
grows thin soon
this is a heartfelt story ...
add up to a biting satire that has no teeth .
the poor and the dispossessed
favor of gags that rely on the strength of their own cleverness
that movie nothing
contains almost enough chuckles for a three-minute sketch , and no more .
mysterious , sensual ,
nothing funny in this every-joke-has - been-told-a
of elaborate and twisted characters
it awfully hard to buy the impetus for the complicated love triangle that develops between the three central characters
a surprising , subtle turn at the midway point
hate myself
such a talented director as chen kaige
the most oddly honest hollywood document
of the killing field and the barbarism of ` ethnic cleansing
be influenced chiefly by humanity 's greatest shame
is a fragmented film ,
perhaps it 's cliche to call the film ` refreshing , ' but it is
a smart little indie .
tv sitcom material
is something that is so meditative and lyrical about babak payami 's boldly quirky iranian drama secret ballot ... a charming and evoking little ditty that manages to show the gentle and humane side of middle eastern world politics
weaves us into a complex web .
the script 's endless assault of embarrassingly ham-fisted sex jokes
is the script 's endless assault of embarrassingly ham-fisted sex jokes that reek of a script rewrite designed to garner the film a `` cooler '' pg-13 rating .
characterisation has been sacrificed for the sake of spectacle .
like high crimes flog the dead horse of surprise as if it were an obligation
a bad movie , just mediocre
on other levels
is hard to dismiss -- moody , thoughtful , and lit by flashes of mordant humor
master craftsmen
can detract from the affection of that moral favorite
a remarkable film by bernard rose
, do n't bother .
long ,
the misery of these people becomes just another voyeuristic spectacle , to be consumed and forgotten .
high romance , brought off with considerable wit
just plain bad .
completely awful
( fiji diver rusi vulakoro and the married couple howard and michelle hall )
morvern rocks .
love stories you will ever see
offers nothing
intimidated by both her subject matter and
totally unnecessary prologue
herzog has fallen
sentiment or sharp , overmanipulative hollywood practices
's a film that affirms the nourishing aspects of love and companionship
and people make fun of me for liking showgirls .
the kind of movie that deserves a chance to shine
silly , stupid and pointless
is the case of a pregnant premise being wasted by a script that takes few chances and manages to insult the intelligence of everyone in the audience .
a tribute to the power of women to heal
though jackson does n't always succeed in integrating the characters in the foreground into the extraordinarily rich landscape
present an unflinching look at one man 's downfall , brought about by his lack of self-awareness
... irritating soul-searching garbage .
with an unusual protagonist ( a kilt-wearing jackson ) and subject matter , the improbable `` formula 51 '' is somewhat entertaining ,
an unusual but pleasantly haunting debut
naiveté and
suspense , surprise and
coming through in the end
devoid of wit and humor
like it was co-written by mattel executives and lobbyists for the tinsel industry
a brazenly misguided project
those young whippersnappers making moving pictures today
make `` the good girl '' a film worth watching
developed characters
with the transparent attempts at moralizing
a singularly off-putting romantic comedy .
is visually dazzling
to distance it from the pack of paint-by-number romantic comedies
give a spark to `` chasing amy '' and `` changing lanes '' falls flat as thinking man cia agent jack ryan in this summer 's new action film , ``
steadfast
rare drama
hard to be funny in a way that 's too loud , too goofy and too short of an attention span
that leads up to a strangely sinister happy ending
max pokes , provokes , takes expressionistic license and hits a nerve ... as far as art is concerned , it 's mission accomplished .
too clichéd and too often strains credulity
for attention it nearly breaks its little neck trying to perform entertaining tricks
once again he has n't lost his touch , bringing off a superb performance in an admittedly middling film
possibly the sturdiest example yet
this movie , by necessity , lacks fellowship 's heart
feel like a 10-course banquet .
boilerplate clichés
is ) a fascinating character , and deserves a better vehicle than this facetious smirk of a movie .
observation in the work of the director , frank novak , that keeps the film grounded in an undeniable social realism
at best , cletis tout might inspire a trip to the video store -- in search of a better movie experience .
the gross-out comedy
interesting and at times captivating
delightfully rendered
chomp on jumbo ants , pull an arrow out of his back
tackles the difficult subject of grief and loss with such life-embracing spirit
offers a guilt-free trip into feel-good territory
morrissette has performed a difficult task indeed - he 's taken one of the world 's most fascinating stories and made it dull , lifeless , and irritating .
be the best and most mature comedy of the 2002 summer season speaks more of the season than the picture
the charms of the lead performances allow us to forget most of the film 's problems .
carries us effortlessly from darkness to light
will be all too familiar for anyone who 's seen george roy hill 's 1973 film , `` the sting .
in the annals of cinema
completely awful iranian drama ...
be ( assayas ' ) homage to the gallic ` tradition of quality
to shyamalan 's self-important summer fluff
peels layers from this character that may well not have existed on paper
in a new way
one of the most depressing movie-going experiences i can think of
noticing some truly egregious lip-non-synching
're playing characters who sometimes feel more like literary conceits than flesh-and-blood humans
this nonsensical story
have a sense of humor
see the attraction for the sole reason
that most frightening of all movies -- a mediocre horror film too bad to be good and too good to be bad
this unrelenting bleak insistence
an mtv , sugar hysteria
live a rich and full life
a sloppy , amusing comedy
for a reasonably intelligent person to get through the country bears
there 's no art here
originality ai n't on the menu ,
` terrorists
plain dumb
an allegedly inspiring and easily marketable flick
wickedly funny , visually engrossing , never boring ,
elevates the material above pat inspirational status and gives it a sturdiness and solidity that we 've long associated with washington the actor
unspeakably ,
`` goddammit
it feels painfully redundant and inauthentic .
it 's hard to figure the depth of these two literary figures , and even the times in which they lived .
reopens an interesting controversy and never succumbs to sensationalism
is n't really one of resources
have made a remarkable film that explores the monster 's psychology not in order to excuse him but rather to demonstrate that his pathology evolved from human impulses that grew hideously twisted
is tight and truthful , full of funny situations and honest observations
're more likely to enjoy on a computer
dredge up
a gross-out monster movie with effects that are more silly than scary
cheesy backdrops , ridiculous action sequences , and
, no matter how degraded things get .
adventurous young talent
if stupid americans will get a kick out of goofy brits with cute accents performing ages-old slapstick and unfunny tricks
not to have been edited at all
's so successful at lodging itself in the brain
it 's something else altogether -- clownish and offensive and nothing at all like real life
work as shallow entertainment ,
familiar and tired
'll derive from this choppy and sloppy affair
with results that are sometimes bracing , sometimes baffling and quite often , and
they 're treading water at best in this forgettable effort
rambling and incoherent manifesto
better characters , some genuine quirkiness and at least a measure of style
great fun
life-affirming moments
the film is undone by anachronistic quick edits and occasional jarring glimpses of a modern theater audience watching the events unfold .
an intimacy
the riveting performances by the incredibly flexible cast make love a joy to behold .
lifeless , meandering , loud , painful , obnoxious
watchable up until the point where the situations and the dialogue spin hopelessly out of control -- that is to say , when carol kane appears on the screen .
unencouraging threefold expansion
harks back to a time when movies had more to do with imagination than market research .
crowd-pleaser
is half as moving as the filmmakers seem to think .
from grace that still leaves shockwaves
bad it does n't improve upon the experience of staring at a blank screen
to little more than a screenful of gamesmanship that 's low on both suspense and payoff
does leblanc make one spectacularly ugly-looking broad , but he appears miserable throughout as he swaggers through his scenes .
so sloppy
stylishly directed with verve
terrific performances , great to look at , and funny
a good-natured ensemble comedy
it 's the element of condescension , as the filmmakers look down on their working-class subjects from their lofty perch , that finally makes sex with strangers , which opens today in the new york metropolitan area , so distasteful .
damned compelling
a star , nor why he keeps being cast in action films when none of them are ever any good
though its rather routine script is loaded with familiar situations , the movie has a cinematic fluidity and sense of intelligence that makes it work more than it probably should .
roman polanski directs the pianist like a surgeon mends a broken heart ; very meticulously but without any passion .
a sea of constant smiles and frequent laughter
of the giant screen and its hyper-realistic images
is far less mature , interpreting the play as a call for pity and sympathy for anachronistic phantasms haunting the imagined glory of their own pasts
, absurd ,
may find it uninteresting
some very good acting ,
it overstays its natural running time
skillfully
a riveting profile
most repugnant adaptation
the humans are acting like puppets
you 're enlightened by any of derrida 's
stale , futile scenario
hungry-man portions of bad '
in a series of achronological vignettes whose cumulative effect is chilling
there 's nothing resembling a spine here
's hard to imagine acting that could be any flatter
in a vibrant and intoxicating fashion
jackie chan movies are a guilty pleasure - he 's easy to like and always leaves us laughing .
a compelling french psychological drama
captivating coming-of-age story
its funny moments
the movie 's progression into rambling incoherence
more than a tepid
, it might just be the movie you 're looking for .
the events of the film are just so weird that i honestly never knew what the hell was coming next .
there 's nothing very attractive about this movie
got a place in your heart
delivers a monologue that manages to incorporate both the horror and the absurdity of the situation in a well-balanced fashion .
wo n't have any trouble getting kids to eat up these veggies
... spellbinding fun and deliciously exploitative .
expect from movies
a compelling motion picture that illustrates an american tragedy .
has a number of holes
is one of the outstanding thrillers of recent years .
philippe , who makes oliver far more interesting than the character 's lines would suggest , and sarandon , who could n't be better as a cruel but weirdly likable wasp matron
the film should instead be called ` my husband is travis bickle '
builds its multi-character story with a flourish
diesel , with his brawny frame and cool , composed delivery , fits the bill perfectly
solidly entertaining
consistently sensitive and often exciting treatment
humanizing
a torn book jacket
a particularly joyless , and exceedingly dull , period
watching junk
triple x
, but slow
is a disaster
to paraphrase a line from another dickens ' novel
its rough edges
has plenty of laughs
as imperious
, you wo n't feel cheated by the high infidelity of unfaithful .
is as delightful as it is derivative .
turturro is fabulously funny and over the top as a ` very sneaky ' butler who excels in the art of impossible disappearing/reappearing acts
does n't deliver a great story , nor is the action as gripping as in past seagal films .
staggered from the theater and blacked out in the lobby
is to skip the film and pick up the soundtrack
with raw urban humor
cox offers plenty of glimpses at existing photos , but there are no movies of nijinsky , so instead the director treats us to an aimless hodgepodge
match the freshness of the actress-producer and writer
has some of the funniest jokes of any movie this year , including those intended for adults
worthy successor
genteel and
is an interesting movie
often messy and frustrating , but very pleasing at its best moments , it 's very much like life itself .
putrid
a casual intelligence
well-conceived
overall feelings , broader ideas ,
's sanctimonious , self-righteous and so eager to earn our love that you want to slap it
the movie 's messages are quite admirable ,
too simple and the working out of the plot almost arbitrary
a gentle film
a new treasure
emphasizes the well-wrought story
lacks the novel charm that made spy kids a surprising winner with both adults and younger audiences
epiphanies
sweet and sexy film
infidelity drama is nicely shot , well-edited and features a standout performance by diane lane .
derived from a lobotomy
it squanders chan 's uniqueness ;
admire the film 's stately nature and
in its understanding , often funny way , it tells a story whose restatement is validated by the changing composition of the nation .
the right frame of mind
superficial humor
be consumed and forgotten
deliver remarkable performances
intolerable
he has been able to share his story so compellingly with us is a minor miracle
unabashedly hopeful
contrived sequels
of the best and most exciting movies
simultaneously harrowing and uplifting
her agreeably startling use
at 78 minutes it just zings along with vibrance and warmth .
a cutesy romantic tale with a twist
has the thrown-together feel of a summer-camp talent show : hastily written , underrehearsed , arbitrarily plotted
is an inspirational love story
its audacious ambitions sabotaged by pomposity , steven soderbergh 's space opera emerges as a numbingly dull experience .
why blue crush , a late-summer surfer girl entry , should be as entertaining as it is
does n't work
the unsalvageability
kung pow seems like some futile concoction that was developed hastily after oedekerk and his fellow moviemakers got through crashing a college keg party
that are damned in queen of the damned
it 's loud and boring ; watching it is like being trapped at a bad rock concert
a gorgeous film - vivid with color , music and life
will need to adhere more closely to the laws of laughter
rip-roaring
straight out of a cellular phone commercial
funny , sexy ,
so many false scares
as warm as it is wise
wilde 's play is a masterpiece of elegant wit and artifice .
regret and
of oscar wilde 's classic satire
the modern masculine journey
struck me as unusually and unimpressively fussy and pretentious
thanks in part to interesting cinematic devices ( cool visual backmasking ) , a solid cast , and some wickedly sick and twisted humor
a compassionate
what he does best
confusing on one level or another ,
bertrand tavernier 's
with a contemptible imitator starring a `` snl '' has-been acting like an 8-year-old channeling roberto benigni
loneliness can make people act weird
a loud , witless mess that
birthday girl lucks out with chaplin and kidman , who are capable of anteing up some movie star charisma when they need it to sell us on this twisted love story , but who can also negotiate the movie 's darker turns .
makes up for in drama , suspense , revenge , and romance
the picture uses humor and a heartfelt conviction to tell a story about discovering your destination in life ,
, graceless , hackneyed
insufferable ball
who do everything humanly possible to create characters who are sweet and believable , and are defeated by a screenplay that forces them into bizarre , implausible behavior
of china 's now numerous , world-renowned filmmakers
john le carré with a couple of burnt-out cylinders
engrossing portrait
disappointing to a certain degree
, the movie is remarkably dull with only caine making much of an impression .
cold porridge
witty dialog between realistic characters showing honest emotions .
they 're merely signposts marking the slow , lingering death of imagination .
this is the first film in a long time that made me want to bolt the theater in the first 10 minutes .
a total rehash
turned out nearly 21/2 hours of unfocused , excruciatingly tedious cinema that , half an hour in , starts making water torture seem appealing
insightful and entertaining
a bland , pretentious mess .
subtle ironies