xiangpku/GLUE huggingface dataset:
to a series of standup routines in which wilson and murphy show how funny they could have been in a more ambitious movie
we 're to slap protagonist genevieve leplouff because she 's french
of the things costner movies are known for
that wind-in-the-hair exhilarating
to finally revel in its splendor
a captivating new film .
is simply too overdone .
greatly enhances the quality of neil burger 's impressive fake documentary .
, with the director taking a hands-off approach when he should have shaped the story to show us why it 's compelling .
zhuangzhuang creates delicate balance of style , text , and subtext that 's so simple and precise that anything discordant would topple the balance , but against all odds , nothing does
play one lewd scene after another
why the cast and crew did n't sign a pact to burn the negative and the script and pretend the whole thing never existed
a copenhagen neighborhood coping with the befuddling complications life
violent , vulgar and forgettably
the , yes , snail-like pacing and lack of thematic resonance make the film more silly than scary , like some sort of martha stewart decorating program run amok .
is a tribute to shyamalan 's gifts , which are such that we 'll keep watching the skies for his next project
deeply appealing
you 'll need a stronger stomach than us .
shrill and soporific , and because
'll be white-knuckled and unable to look away .
this slick and sprightly cgi feature
is not so much a work of entertainment as it is a unique , well-crafted psychological study of grief .
there is a really cool bit -- the movie 's conception of a future-world holographic librarian ( orlando jones ) who knows everything and answers all questions , is visually smart , cleverly written , and nicely realized .
a decent-enough nail-biter
trying to create something original
redeemed
tame that even slightly wised-up kids would quickly change the channel
for every cheesy scene , though , there is a really cool bit -- the movie 's conception of a future-world holographic librarian ( orlando jones ) who knows everything and answers all questions , is visually smart , cleverly written , and nicely realized .
leguizamo and jones are both excellent and the rest of the cast is uniformly superb
utilizes the idea of making kahlo 's art a living , breathing part of the movie , often catapulting the artist into her own work
drama , romance , tragedy , bravery , political intrigue , partisans and sabotage
killer soundtrack
with wonderful performances that tug at your heart in ways that utterly transcend gender
the glaring triteness of the plot device
plodding ,
never comes together
compelling enough
bad behavior
the writing is indifferent , and
only so much baked cardboard
four star performance
sustains interest during the long build-up of expository material .
takes its title all too literally
is surprisingly brilliant ,
lighthearted
it 's plotless , shapeless -- and
torn book jacket
freshness and spirit
, it 's not very interesting .
enough of interest onscreen
more unmentionable subjects
overcome the triviality of the story
thoroughly engrossing
that 's every bit as enlightening , insightful and entertaining as grant 's two best films
uselessly
it 's pretty linear and only makeup-deep ,
is doing something of a public service -- shedding light on a group of extremely talented musicians who might otherwise go unnoticed and underappreciated by music fans .
the santa clause 2 's plot may sound like it was co-written by mattel executives and lobbyists for the tinsel industry .
a bit of a phony relationship
buzz , blab and money
floundering way
though there 's a clarity of purpose and even-handedness to the film 's direction
those prone to indignation need not apply ; those susceptible to blue hilarity , step right up
the dutiful precision of a tax accountant
the superficial way it deals with its story
makes it seem fresh again .
neat premise
directions and descends into such message-mongering moralism that its good qualities are obscured
completely ridiculous
the success
a superlative b movie --
a very old-school kind
what 's worse is that pelosi knows it .
otherwise talented
after the clever credits roll
of a river of sadness that pours into every frame
does not proclaim the truth about two love-struck somebodies
probably wo n't have you swinging from the trees hooting it 's praises
like going to a house party and watching the host defend himself against a frothing ex-girlfriend
dreary tale of middle-class angst
the viewer 's patience with slow pacing and
less of a trifle
it works beautifully as a movie without sacrificing the integrity of the opera .
an 88-minute highlight reel that 's 86 minutes too long
in this fascinating portrait of a modern lothario
be utterly entranced by its subject and
one of the rarest kinds of films
is grisly .
had a bad run in the market or a costly divorce ,
the treat
most beautiful , evocative works
ca n't rescue this effort .
where santa gives gifts to grownups
the urban landscapes are detailed down to the signs on the kiosks ,
a possible argentine american beauty reeks
is first-rate , especially sorvino
jaw-dropping action sequences , striking villains , a gorgeous color palette , astounding technology , stirring music and
awful sour taste
a movie that the less charitable might describe as a castrated cross between highlander and lolita .
an honored screen veteran and a sparkling newcomer who instantly transform themselves into a believable mother/daughter pair
vision is beginning to feel
is a sweet , honest , and enjoyable comedy-drama about a young woman who wants many things in life , but fears she 'll become her mother before she gets to fulfill her dreams
what ( frei ) gives us ... is a man who uses the damage of war -- far more often than the warfare itself -- to create the kind of art shots that fill gallery shows .
a captivating coming-of-age story that may also be the first narrative film to be truly informed by the wireless
unfolds with all the mounting tension of an expert thriller , until the tragedy beneath it all gradually reveals itself .
she had to sit through it again
definitely gives you something to chew on
more unattractive or odorous
that assumes you are n't very bright
while adding the rich details and go-for-broke acting that heralds something special
dead dog
that is beyond playing fair with the audience
degrades its characters , its stars and its audience
a determined woman 's courage to find her husband in a war zone
fresh and
i have returned from the beyond to warn you
music and laughter
satin rouge is not a new , or inventive , journey , but
grayish
his craft
than to show us a good time
an interesting bit
as pure over-the-top trash
in the tiny events that could make a person who has lived her life half-asleep suddenly wake up and take notice
the downward spiral comes to pass
shot like a postcard and overacted with all the boozy self-indulgence that brings out the worst in otherwise talented actors ...
's steeped in mystery and a ravishing , baroque beauty
smarter and much
beginning to resemble someone 's crazy french grandfather
not only from charismatic rising star jake gyllenhaal but also from accomplished oscar winners susan sarandon , dustin hoffman and holly hunter , yet newcomer ellen pompeo pulls off the feat with aplomb
to the vast majority of more casual filmgoers , it will probably be a talky bore .
sheer dumbness
a return to form for director peter bogdanovich
deeply touched by this movie
anchored by splendid performances from an honored screen veteran and a sparkling newcomer who instantly transform themselves into a believable mother/daughter pair
of bewitched that takes place during spring break
the performances are an absolute joy .
a gorgeous film -
plagued by that old familiar feeling of ` let 's get this thing over with '
a stirring time at this beautifully drawn movie
told what actually happened as if it were the third ending of clue
unsettling , memorable cinematic experience
the best war movies
has done excellent work here .
next movie
horrifyingly , ever
an interesting story of pointed personalities , courage , tragedy and the little guys vs. the big guys
win a wide summer audience through word-of-mouth reviews
a deeper story
think this movie loves women at all
unwary viewers
sweetness , clarity and emotional openness
every bad action-movie line in history
humor and heart
quietly affecting cop drama
unsurprisingly , the way this all works out makes the women look more like stereotypical caretakers and moral teachers , instead of serious athletes .
in some evocative shades
only need to watch for about thirty seconds before you say to yourself , ` ah , yes
that a subject as monstrous and pathetic as dahmer
does n't get the job done , running off the limited chemistry created by ralph fiennes and jennifer lopez .
it 's leaden and predictable ,
many of these gross
in telling the story , which is paper-thin and decidedly unoriginal
seem to keep upping the ante on each other , just as their characters do in the film
both damning and damned compelling .
that `` gangs '' is never lethargic
rambling examination
an allegory concerning the chronically mixed signals african american professionals get about overachieving
untrained in acting
, flawless film , ( wang ) emerges in the front ranks of china 's now numerous , world-renowned filmmakers .
, cletis tout is a winning comedy that excites the imagination and tickles the funny bone .
memorable for a peculiar malaise that renders its tension flaccid and , by extension , its surprises limp and its resolutions ritual .
( `` safe conduct '' ) is a long movie at 163 minutes
a supernatural mystery that does n't know whether it wants to be a suspenseful horror movie or a weepy melodrama .
enticing and often funny documentary
it is very difficult to care about the character , and that is the central flaw of the film .
half past dead is just such an achievement .
the direction occasionally rises to the level of marginal competence , but for most of the film it is hard to tell who is chasing who or why .
that watching it leaves you giddy
provide much more insight than the inside column of a torn book jacket
this loud and thoroughly obnoxious comedy about a pair of squabbling working-class spouses
offers some flashy twists and
scotland looks wonderful , the fans are often funny fanatics , the showdown sure beats a bad day of golf
all arty and jazzy
heart-pounding
fail to generate any interest in an unsympathetic hero caught up in an intricate plot that while cleverly worked out , can not overcome blah characters .
manages a neat trick , bundling the flowers of perversity , comedy and romance into a strangely tempting bouquet of a movie
the death of self ... this orgasm ( wo n't be an ) exceedingly memorable one for most people
the gags are often a stitch .
unusual but unfortunately also
none of this is meaningful or memorable
fantastically
all he 's done is to reduce everything he touches to a shrill , didactic cartoon
with such good humor
tries to cram too many ingredients into one small pot .
a trove of delights
part of the film 's cheeky charm
a more balanced or fair portrayal
potent
transcends the boy-meets-girl posturing of typical love stories
going right through the ranks of the players -- on-camera and off -- that he brings together
for its elegantly colorful look and sound
`` orange county '' is far funnier than it would seem to have any right to be .
and that is where ararat went astray .
bull sessions
, ponderous and charmless
own quirky hipness
a bad run in the market or a costly divorce
painful to watch
been so aggressively anti-erotic
's little to recommend snow dogs ,
other than fling gags at it
( leigh ) has a true talent for drawing wrenching performances from his actors ( improvised over many months ) and for conveying the way tiny acts of kindness make ordinary life survivable .
warm , enveloping affection
both oscar winners
the violence
lawrence 's over-indulgent tirade
worthy entry
speaks volumes ,
peculiarly
providing no real sense of suspense
a torrent of emotion
does no justice to the story itself
like smoke signals , the film is also imbued with strong themes of familial ties and spirituality that are powerful and moving without stooping to base melodrama
involve a dentist drill
a pitch-perfect holden
a sexy slip of an earth mother who mourns her tragedies in private and embraces life in public
self-flagellation is more depressing than entertaining .
pretty weary
our reality tv obsession ,
grind that only the most hardhearted scrooge could fail to respond
exceeds
compressed characterisations
watery tones
an important , original talent
one of mr. chabrol 's subtlest works , but also one of his most uncanny
that watching the proverbial paint dry would be a welcome improvement
time of favor could have given audiences the time of day by concentrating on the elements of a revealing alienation among a culture of people who sadly are at hostile odds with one another through recklessness and retaliation .
shining with all the usual spielberg flair ,
ugly to look at and not a hollywood product
an unsympathetic character and someone who would not likely be so stupid as to get
do anything as stomach-turning as the way adam sandler 's new movie rapes
below may not mark mr. twohy 's emergence into the mainstream ,
leguizamo and jones are both excellent
as beautifully shaped
it 's refreshing to see a romance this smart .
is certainly amusing
see this terrific film with your kids
pulls back from the consequences of its own actions and revelations
the obligatory outbursts of flatulence and
curiously tepid and choppy recycling in which predictability is the only winner
, manipulative and as bland as wonder bread dipped in milk , but it also does the absolute last thing we need hollywood doing to us : it preaches .
not to believe it
to escape the shackles of its own clichés to be the best espionage picture to come out in weeks
fights the good fight in vietnam in director randall wallace 's flag-waving war flick with a core of decency .
provide its keenest pleasures to those familiar with bombay musicals
genuine narrative
collapses when mr. taylor tries to shift the tone to a thriller 's rush
this sad , occasionally horrifying but often inspiring film is among wiseman 's warmest .
the series ' message about making the right choice in the face of tempting alternatives
this is the best star trek movie in a long time .
presents this utterly ridiculous shaggy dog story as one of the most creative , energetic and original comedies to hit the screen in years .
two-bit potboiler .
's become one of the movies ' creepiest conventions , in which the developmentally disabled
a cultural wildcard experience : wacky , different , unusual , even nutty .
, mibii is rote work and predictable , but with a philosophical visual coming right at the end that extravagantly redeems it .
hypnotic portrait
attractive young leads
a beautifully shot , but ultimately flawed film about growing up in japan
is that secret ballot is a comedy , both gentle and biting .
beautiful and
compelling allegory
terrific computer graphics ,
powerful 1957 drama
young everlyn sampi , as the courageous molly craig
run for your lives !
yet not as hilariously raunchy as south park , this strangely schizo cartoon seems suited neither to kids or adults .
, eloquence , spiritual challenge
's definitely worth
far better
's never too late to learn
mournful
if you 're as happy listening to movies as you are watching them , and the slow parade of human frailty fascinates you , then you 're at the right film .
the histrionic muse
get paid enough to sit through crap like this
's mildly interesting to ponder the peculiar american style of justice that plays out here
its loving yet unforgivingly inconsistent depiction
ultimately satisfies with its moving story
most romantic comedies ,
with few respites
kim ki-deok seems to have in mind an ( emotionally at least ) adolescent audience demanding regular shocks and bouts of barely defensible sexual violence to keep it interested .
a tired , unnecessary retread ...
is clever , offbeat and even gritty enough to overcome my resistance .
guys would probably be duking it out with the queen of the damned for the honor .
, is pleasant , diverting and modest -- definitely a step in the right direction .
a mostly magnificent directorial career ,
audience is a sea of constant smiles and frequent laughter
who perfectly portrays the desperation of a very insecure man
are simply too bland to be interesting
black indomitability
shot but dull and ankle-deep ` epic .
souvlaki can you take before indigestion sets in
real contenders
looks closely , insightfully at fragile , complex relationships
it will just as likely make you weep ,
about dealing with regret and , ultimately , finding redemption
seem bound and determined to duplicate bela lugosi 's now-cliched vampire accent
most at women 's expense
to its superior cast
cheap junk and
inside information
images even more haunting than those in mr. spielberg 's 1993 classic
supposedly authentic account of a historical event that 's far too tragic to merit such superficial treatment .
the right movie
too literally
has so many flaws it would be easy for critics to shred it .
a flat script and
, it demonstrates that werner herzog can still leave us with a sense of wonder at the diverse , marvelously twisted shapes history has taken .
is delightful in the central role .
fearless purity
falls victim to sloppy plotting , an insultingly unbelievable final act and a villainess who is too crazy to be interesting
beneath it
takes a potentially trite and overused concept ( aliens come to earth ) and infuses it into a rustic , realistic , and altogether creepy tale of hidden invasion .
more elves and snow and
stiff and
is n't as funny
is high on squaddie banter , low
like the rock on a wal-mart budget
if it were any more of a turkey , it would gobble in dolby digital stereo .
puts washington , as honest working man john q. archibald , on a pedestal , then keeps lifting the pedestal higher
, all credibility flies out the window .
a good chance
it 's a masterpiece .
pass for a litmus test of the generation gap and not bad enough to repulse any generation of its fans
` the château is never quite able to overcome the cultural moat surrounding its ludicrous and contrived plot . '
its hawaiian setting , the science-fiction trimmings and
the leads are natural and lovely , the pace is serene , the humor wry and sprightly .
catch me '' feels capable of charming the masses with star power , a pop-induced score and sentimental moments that have become a spielberg trademark .
pointless , stupid
is repellantly out of control
it 's definitely not made for kids or their parents , for that matter ,
to be bored by as your abc 's
realize there 's no place for this story to go but down
with its unflinching gaze a measure of faith in the future
it gives poor dana carvey nothing to do that is really funny
$ 1.8 million charmer
the animation and game phenomenon that peaked about three years ago is actually dying a slow death , if the poor quality of pokemon 4 ever is any indication .
is painful to watch
are we dealing with dreams , visions or being told what actually happened as if it were the third ending of clue
as a story of dramatic enlightenment , the screenplay by billy ray and terry george leaves something to be desired .
pushed to their most virtuous limits ,
sick sight
over-dramatic
cheapen the overall effect
is to catch the pitch of his poetics , savor the pleasure of his sounds and images , and ponder the historical , philosophical , and ethical issues that intersect with them
is wasted in this crass , low-wattage endeavor .
will ever be anything more than losers
a dashing and resourceful hero ; a lisping , reptilian villain ;
pungent
could very well clinch him this year 's razzie .
a well-crafted letdown .
that its luckiest viewers will be seated next to one of those ignorant
sheridan 's take on the author 's schoolboy memoir ... is a rather toothless take on a hard young life .
the universal theme of becoming a better person through love has never been filmed more irresistibly than in ` baran . '
angel of death
of gentle longing
cal is an unpleasantly shallow and immature character with whom to spend 110 claustrophobic minutes .
it 's a scorcher .
an empty exercise
, more of an impish divertissement of themes that interest attal and gainsbourg -- they live together -- the film has a lot of charm .
no matter how broomfield dresses it up , it tends to speculation , conspiracy theories or , at best , circumstantial evidence
full of detail about the man and his country , and is well worth seeing
the genre and another first-rate performance
falls under the category of ` should have been a sketch on saturday night live . '
's the kind of effectively creepy-scary thriller that has you fixating on a far corner of the screen at times because your nerves just ca n't take it any more
visually transforms the dreary expanse of dead-end distaste the characters inhabit into a poem of art , music and metaphor .
often funny
formal settings with motionless characters
of any opportunity for finding meaning in relationships or work
, metropolis never seems hopelessly juvenile .
predominantly amateur cast is painful to watch ,
likable movie
an ugly , revolting movie
it turns out to be significantly different ( and better ) than most films with this theme
the best brush
an uneven mix of dark satire and childhood awakening
that falls far short of the peculiarly moral amorality of ( woo 's ) best work
a wretched movie that reduces the second world war to one man
soulless and -- even more damning -- virtually joyless
that rare creature --
is smarter and subtler
stanzas of breathtaking , awe-inspiring visual poetry
to waste their time
that might have required genuine acting from ms. spears
is one of the biggest disappointments of the year
my ribcage did n't ache by the end of kung pow
you 've got a place in your heart for smokey robinson
worth a look as a curiosity .
an unsettling sight , and indicative of his , if you will , out-of-kilter character ,
spontaneity in its execution and
where big stars and high production values are standard procedure
never feels derivative
lacks it
is smart
of the theater
this ) meandering and pointless french coming-of-age import from writer-director anne-sophie birot
good intentions leads to the video store
a fine effort ,
's a riot to see rob schneider in a young woman 's clothes
does a splendid job of racial profiling hollywood style -- casting excellent latin actors of all ages -- a trend long overdue .
magnificent swooping aerial shots
smarter than its commercials make it seem .
i love the opening scenes of a wintry new york city in 1899 .
just zings along with vibrance and warmth .
is simply not enough of interest onscreen
a deliciously nonsensical comedy about a city coming apart at its seams .
the writing is clever
a tiresome cliché
that between the son and his wife , and the wife and the father , and between the two brothers , with incredible subtlety and acumen
an in-depth portrait of an iconoclastic artist
disreputable
speculative effort
like a cheap lawn chair
one of the most plain , unimaginative romantic comedies i
screwball farce and blood-curdling family intensity on one continuum
ready-made midnight movie
's about as convincing as any other arnie musclefest , but has a little too much resonance with real world events and ultimately comes off as insultingly simplistic
intoxicating atmosphere and
rarely has skin looked as beautiful , desirable , even delectable , as it does in trouble every day .
its overall sense of mystery
his greatest triumph is keeping the creepy crawlies hidden in the film 's thick shadows
while there are times when the film 's reach exceeds its grasp , the production works more often than it does n't .
creates images even more haunting than those in mr. spielberg 's 1993 classic
there is a certain sense of experimentation and improvisation to this film that may not always work
visually compelling
recognizes the needs of moviegoers for real characters and compelling plots
brought me uncomfortably close to losing my lunch .
to be a collection taken for the comedian at the end of the show
is clear : not easily and , in the end , not well enough