xiangpku/GLUE huggingface dataset:
seen the deep like you see it in these harrowing surf shots
recommended viewing for its courage , ideas , technical proficiency and great acting
the movie is busy contriving false , sitcom-worthy solutions to their problems .
warmed-over cold war paranoia
is the most visually unappealing
, the movie is busy contriving false , sitcom-worthy solutions to their problems .
current americanized adaptation
an incredibly layered and stylistic film that , despite a fairly slow paced , almost humdrum approach to character development , still manages at least a decent attempt at meaningful cinema
nonchalantly freaky and uncommonly pleasurable , warm water may well be the year 's best and most unpredictable comedy .
into an emotionally satisfying exploration of the very human need
director todd solondz has made a movie about critical reaction to his two previous movies , and about his responsibility to the characters that he creates .
' shows a level of young , black manhood that is funny , touching , smart and complicated .
tough to take as long as you 've paid a matinee price
at times , the movie looks genuinely pretty .
a very well-meaning movie ,
was just a matter of ` eh
nature film and a tribute
does n't add up
an incongruous summer playoff
beats new life
mundane soap opera
known as ' a perfect family film
to arrest development in a dead-end existence
has several strong performances .
a perceptive study of two families in crisis -- and of two girls whose friendship is severely tested by bad luck and their own immaturity
lacks the compassion , good-natured humor and the level of insight that made ( eyre 's ) first film something of a sleeper success
a real audience-pleaser that will strike a chord with anyone who 's ever waited in a doctor 's office , emergency room , hospital bed or insurance company office .
somewhat tired premise
has something to say
love , communal discord ,
into the urban heart
of good sense
a light ,
there is an accuracy of observation in the work of the director , frank novak , that keeps the film grounded in an undeniable social realism .
lasker 's canny , meditative script distances sex and love , as byron and luther ... realize they ca n't get no satisfaction without the latter .
skip this turd and pick your nose instead because you 're sure to get more out of the latter experience
it 's the type of film about growing up that we do n't see often enough these days : realistic , urgent , and not sugarcoated in the least
a flashy editing style that does n't always jell with sean penn 's monotone narration
kaufman 's script is never especially clever and often is rather pretentious .
exceedingly memorable
a fantastic movie
delivering a wholesome fantasy for kids
crash-and-bash action
slides downhill as soon as macho action conventions assert themselves .
gentle , endearing
happily stays close to the ground in a spare and simple manner and does n't pummel us with phony imagery or music .
it 's shot on digital video , whose tiny camera enables shafer to navigate spaces both large ... and small ... with considerable aplomb
turd squashed
knucklehead swill
the weight of water comes off as a two-way time-switching myopic mystery that stalls in its lackluster gear of emotional blandness .
decide what annoyed me most about god is great
like a mix of cheech and chong
- kids-cute sentimentality by a warmth that is n't faked
this predictable romantic comedy should get a pink slip
self-critical , behind-the-scenes navel-gazing kaufman
by an inconsistent , meandering , and sometimes dry plot
brainless , but enjoyably over-the-top ,
we make underneath such a mountain of clichés and borrowed images
no lika
is in many ways the perfect festival film : a calm , self-assured portrait of small town regret , love , duty and friendship that appeals to the storytelling instincts of a slightly more literate filmgoing audience
a teenybopper ed wood film , replete with the pubescent scandalous innuendo
it 's also too stupid to realize that they 've already seen this exact same movie a hundred times
more timely than its director could ever have dreamed
what is kind of special
missed opportunity
undermines the possibility for an exploration of the thornier aspects of the nature/nurture argument in regards
the pianist ( is ) a supremely hopeful cautionary tale of war 's madness remembered that we , today , can prevent its tragic waste of life
, it tends to speculation , conspiracy theories or , at best , circumstantial evidence
colors the picture in some evocative shades
is one of those crazy , mixed-up films that does n't know what it wants to be when it grows up .
beautifully reclaiming the story of carmen and recreating it an in an african idiom .
allen , at 66 , has stopped challenging himself
some cute moments , funny scenes , and
unfolds as one of the most politically audacious films of recent decades from any country , but especially from france
hardhearted scrooge
7th heaven
ensues are much blood-splattering
rife with the rueful , wry humor springing out of yiddish culture and language
dialogue and plot lapses
it comes off as annoying rather than charming
, labute does manage to make a few points about modern man and his problematic quest for human connection .
manipulating our collective fear
a number of holes
, i do n't know why steven seagal is considered a star , nor why he keeps being cast in action films when none of them are ever any good or make any money .
good cinematography
's a heavy stench of ` been there , done that ' hanging over the film .
despite several attempts at lengthy dialogue scenes
to imagine any recent film , independent or otherwise , that makes as much of a mess as this one
a shallow rumination on the emptiness of success
mention leaving you with some laughs and a smile on your face
his boisterous energy
this a high water mark for this genre
a fascinating character study
humor and
the latest adam sandler assault and possibly the worst film of the year .
written , flatly ,
for a breath of fresh air now and then
far superior film
a snore
song-and-dance-man
a sharp script
assign one bright shining star to roberto benigni 's pinocchio --
too predictable and
a role of almost bergmanesque intensity
none of this is half as moving as the filmmakers seem to think .
goes for sick and demented humor simply to do so
too slick and manufactured to claim street credibility .
inspire a trip to the video store -- in search of a better movie experience
strong piece
earns extra points by acting as if it were n't
the movie is too amateurishly square to make the most of its own ironic implications .
is its utter sincerity .
manipulative and
the plot offers few surprises
cut their losses -- and ours -- and retitle it the adventures of direct-to-video nash , and send it to its proper home
it 's harder still to believe that anyone in his right mind would want to see the it .
has a true talent for drawing wrenching performances from his actors ( improvised over many months ) and for conveying the way tiny acts of kindness make ordinary life survivable
ends up being neither
consummate actor barry has done excellent work here .
construct based on theory , sleight-of-hand , and ill-wrought hypothesis
this distinguished actor
acute expressiveness
goes straight to video
the obstacles of a predictable outcome and a screenplay
might have been readily dismissed as the tiresome rant of an aging filmmaker still thumbing his nose at convention
releasing a film with the word ` dog ' in its title in january lends itself to easy jokes and insults
sweet , tender sermon
gaping
godard can still be smarter than any 50 other filmmakers still at work .
does n't try to surprise us with plot twists , but rather seems to enjoy its own transparency .
gives the lady and the duke something of a theatrical air
with such clarity
enigma lacks it .
offers us the sense that on some elemental level , lilia deeply wants to break free of her old life .
a classic theater piece
to a moving tragedy with some buoyant human moments
it thumbs down due to the endlessly repetitive scenes of embarrassment
the most irresponsible picture ever released by a major film studio .
lack contrast , are murky and
muddled ,
there has been a string of ensemble cast romances recently ... but peter mattei 's love in the time of money sets itself apart by forming a chain of relationships that come full circle to end on a positive ( if tragic ) note
one of the most slyly exquisite anti-adult movies
the rich promise of the script
bother with a contemptible imitator starring a `` snl '' has-been acting like an 8-year-old channeling roberto benigni ?
some like it
promised ( or threatened ) for later this year
is at 22 a powerful young actor .
an engaging story
the film was better than saving private ryan
as darkly funny , energetic , and
acts light on great scares and a good surprise ending .
no point of view , no contemporary interpretation of joan 's prefeminist plight
an interesting topic , some intriguing characters and
fall prey to a boatload of screenwriting cliches that sink it faster than a leaky freighter
seems aware of his own coolness
a vibrant whirlwind of love , family and all that goes with it
that was old when ` angels with dirty faces ' appeared in 1938
a chinese film depict a homosexual relationship in a mature and frank fashion
is one of this year 's very best pictures
hyper-artificiality
place most of the psychological and philosophical material in italics
sensuous and spirited tale
's coherent , well shot , and tartly acted
scotland looks wonderful , the fans are often funny fanatics
the movie is loaded with good intentions , but in his zeal to squeeze the action and our emotions into the all-too-familiar dramatic arc of the holocaust escape story , minac drains his movie of all individuality
like an episode of the tv show blind date , only less technically proficient and without the pop-up comments
a gorgeous and deceptively minimalist cinematic tone poem
pay the full ticket price to see `` simone , '' and consider a dvd rental instead
a such a brainless flibbertigibbet
of tradition and warmth
american adobo has its heart ( and its palate ) in the right place
ca n't rescue brown sugar from the curse of blandness
splendid performances
an elegant and sly deadpan comedy .
take the viewer inside the wave
watch for that sense of openness , the little surprises
to these broken characters who are trying to make their way through this tragedy
an overly sillified plot
too much to do , too little time to do it in
, here comes the first lousy guy ritchie imitation .
spin hopelessly out of control -- that is to say
that takes an astonishingly condescending attitude toward women
reminiscent of alfred hitchcock 's thrillers , most of the scary parts in ` signs ' occur while waiting for things to happen .
for insights
, juwanna mann is even more ludicrous than you 'd expect from the guy-in-a-dress genre
got me grinning
is charming
tiny acts of kindness make ordinary life survivable
supposedly funny
lovely and amazing is holofcener 's deep , uncompromising curtsy to women she knows , and very likely is .
has a pleasing way with a metaphor
fairly slow paced
and more than that , it 's an observant , unfussily poetic meditation about identity and alienation .
oddly detached
's never dull
a bad imitation
being recognized as the man who bilked unsuspecting moviegoers
that made the full monty a smashing success ... but neglects to add the magic that made it all work
shows deft comic timing .
that wore out its welcome with audiences several years ago
the need to stay in touch with your own skin , at 18 or 80
rich and luscious
i pledge allegiance to cagney and lacey .
the dispatching of the cast is as often imaginative as it is gory
the man who bilked unsuspecting moviegoers
resulted in a smoother , more focused narrative
why should you buy the movie milk when the tv cow is free ?
's meandering , low on energy , and too eager to be quirky at moments when a little old-fashioned storytelling would come in handy
feels contrived , as if the filmmakers were worried the story would n't work without all those gimmicks
all the same problems the majority of action comedies have
absurd plot twists , idiotic court maneuvers
sit still for two hours and change watching such a character , especially when rendered in as flat and impassive a manner as phoenix 's
of the grieving process
sort of loved the people onscreen , even though i could not stand them .
either 11 times too many or else too few
by the time it 's done with us ,
an engaging and moving portrait
wears out its limited welcome
's apparently nothing left to work with , sort of like michael jackson 's nose .
yes , i suppose it 's lovely that cal works out his issues with his dad and comes to terms with his picture-perfect life -- but world traveler gave me no reason to care , so
could have been a daytime soap opera
the crassness of this reactionary thriller
stuffiest cinema goers
satin rouge is not a new , or inventive , journey ,
the filmmakers are playing to the big boys in new york and l.a. to that end , they mock the kind of folks they do n't understand , ones they figure the power-lunchers do n't care to understand , either .
suffice to say its total promise is left slightly unfulfilled .
short on tension , eloquence , spiritual challenge -- things that have made the original new testament stories so compelling for 20 centuries
sand , who brings to the role her pale , dark beauty and characteristic warmth
really bad imitation
goes a long way toward keeping the picture compelling
terminally bland , painfully slow and needlessly confusing
ca n't sustain it .
refreshed and hopeful
to foul up a screen adaptation of oscar wilde 's classic satire
a remarkable and novel concept
modernizes a.e.w. mason 's story to suit the sensibilities of a young american , a decision that plucks `` the four feathers '' bare
somehow manages to bring together kevin pollak , former wrestler chyna and dolly parton
could i have been more geeked when i heard that apollo 13 was going to be released in imax format
a spark of life to it -- more than you can say for plenty of movies that flow through the hollywood pipeline without a hitch
as history
that a prostitute can be as lonely and needy as any of the clients
this movie feel more like a non-stop cry for attention , than an attempt at any kind of satisfying entertainment .
considerable charm
is enormously good fun .
an enjoyable above average summer diversion .
a good job
that the franchise 's best years are long past
the true impact of the day
is somewhat entertaining
gives give a solid , anguished performance that eclipses nearly everything else she 's ever done .
puréed mélange
thoroughly entertaining
certain charm
it may not be a great piece of filmmaking ,
all the characters are clinically depressed and have abandoned their slim hopes and dreams .
the first half of sorority boys is as appalling as any ` comedy ' to ever spill from a projector 's lens
takes a really long , slow and dreary time to dope out what tuck everlasting is about
providing an experience that is richer than anticipated
obvious as telling a country skunk
is that it 's a brazenly misguided project .
that good theatre
for genre fans
a pathetic exploitation film
queen of the damned as you might have guessed , makes sorry use of aaliyah in her one and only starring role --
easily one of the best and most exciting movies of the year
a rather simplistic one : grief drives her , love drives him
less as a documentary and more as a found relic
is a step down for director gary fleder .
all in all , road to perdition is more in love with strangeness than excellence .
a serious movie
's to this film 's ( and its makers ' ) credit that we believe that that 's exactly what these two people need to find each other -- and themselves
and good intentions
feels like a glossy rehash
pushes too hard
is that she never lets her character become a caricature -- not even with that radioactive hair .
very charming and funny
seem great to knock back a beer with but they 're simply not funny performers
this is very much of a mixed bag , with enough negatives to outweigh the positives .
sit and stare and turn away from one another instead of talking
well-acted ,
laughable in the solemnity with which it tries to pump life into overworked elements from eastwood 's dirty harry period
solid cast
damon and
too much obvious padding
talented director as chen kaige
even gritty enough
this is not an easy film .
raw comic energy
the real turns magical
the proceedings more bizarre than actually amusing
could take me back to a time before i saw this movie
that it has n't gone straight to video
accomplished work
it 's plotless , shapeless
subject as monstrous and pathetic as dahmer
resonant film since the killer
is a bad mannered , ugly and destructive little **** .
is not that it 's offensive , but that it 's boring .
along looking for astute observations and coming up blank
, love .
the characters are never more than sketches ... which leaves any true emotional connection or identification frustratingly out of reach .
is life affirming and heartbreaking , sweet without the decay factor , funny and sad .
is one of those crass , contrived sequels that not only fails on its own , but makes you second-guess your affection for the original
seem disappointing
the face of death
nature and family warmth
horrendously
is a tale worth catching .
the aaa of action , xxx is a blast of adrenalin , rated eee for excitement .
that works as a treatise on spirituality as well as a solid sci-fi thriller
not morally bankrupt , at least terribly monotonous
the film 's images give a backbone to the company and provide an emotional edge to its ultimate demise .
a whole lot of fun and funny in the middle , though somewhat less hard-hitting at the start and finish
... manages to deliver a fair bit of vampire fun .
nebrida
gross romanticization
epics
is amazing ,
of demonic doings on the high seas that works better the less the brain is engaged
an intelligent romantic thriller of a very old-school kind
the inherent absurdity
in the truest sense
of which mainstream audiences have rarely seen
another genre exercise , gangster no. 1 is as generic as its title .
carry the movie because they are believable as people -- flawed , assured of the wrong things , and scared to admit how much they may really need the company of others
works both as a detailed personal portrait and as a rather frightening examination of modern times
for most of the film it is hard to tell who is chasing who or why
is exceedingly pleasant , designed not to offend
was long , intricate , star-studded and visually flashy
they ca n't distract from the flawed support structure holding equilibrium up
for nearly three hours
mean-spirited film
deeply pessimistic or
made me realize that we really have n't had a good cheesy b-movie playing in theaters since ... well ... since last week 's reign of fire .
colin hanks is in bad need of major acting lessons and maybe a little coffee .
instantly forgettable snow-and-stuntwork extravaganza
a fascinating documentary about the long and eventful spiritual journey of the guru who helped launch the new age .
bogs down in genre cliches here
when not wallowing in its characters ' frustrations , the movie is busy contriving false , sitcom-worthy solutions to their problems .
interview with the assassin is structured less as a documentary and more as a found relic , and
, godfrey reggio 's career shines like a lonely beacon .
a serious movie with serious ideas
breathe life into this somewhat tired premise
drag it down to mediocrity -- director clare peploe 's misunderstanding of marivaux 's rhythms , and mira sorvino 's limitations as a classical actress
a wry , affectionate delight .
a gentle film with dramatic punch , a haunting ode to humanity
sucks , but has a funny moment or two
has no snap to it , no wiseacre crackle or hard-bitten cynicism .
gaping plot holes sink this ` sub ' - standard thriller and drag audience enthusiasm to crush depth .
goes off the beaten path , not necessarily for the better
uneven ,
has all the trappings of an energetic , extreme-sports adventure , but ends up more of a creaky `` pretty woman '' retread , with the emphasis on self-empowering schmaltz and big-wave surfing that gives pic its title an afterthought
clichéd to a fault
you laugh
with nary a glimmer of self-knowledge , ( crane ) becomes more specimen than character --
this stuck pig of a movie flails limply between bizarre comedy and pallid horror .
a juicy writer
make you feel like a sucker
's a sharp movie about otherwise dull subjects
chan 's stunts are limited and so embellished by editing that there 's really not much of a sense of action or even action-comedy .
it is generally amusing from time to time
soap opera-ish dialogue
complex , laden with plenty of baggage and tinged with tragic undertones
is a negligible work of manipulation , an exploitation piece doing its usual worst to guilt-trip parents
are complex , laden with plenty of baggage and tinged with tragic undertones
has been remarkable about clung-to traditions
terrified of the book 's irreverent energy , and scotches most
two tedious
a nearly terminal case
because the genre is well established , what makes the movie fresh is smart writing , skewed characters , and the title performance by kieran culkin .
( t ) oo many of these gross out scenes ...
stylistically , the movie is a disaster .
as beautiful ,
genial-rogue shtick
louiso lets the movie dawdle in classic disaffected-indie-film mode , and brother hoffman 's script stumbles over a late-inning twist that just does n't make sense .
is a pretty decent little documentary .
purgatory county
best and most mature comedy
an elegantly balanced movie
astonishingly skillful and moving ... it could become a historically significant work as well as a masterfully made one
is way , way off .
is the central flaw of the film
memorable cinematic experience
of the bad reviews
director tom dey demonstrated a knack for mixing action and idiosyncratic humor in his charming 2000 debut shanghai noon , but showtime 's uninspired send-up of tv cop show cliches mostly leaves him shooting blanks
we never feel anything for these characters , and
certain to be distasteful to children and adults alike
though it 's equally solipsistic in tone , the movie has enough vitality to justify the notion of creating a screen adaptation of evans ' saga of hollywood excess .
happy listening to movies
the story is a rather simplistic one : grief drives her , love drives him , and a second chance to find love in the most unlikely place - it struck a chord in me
strives to be intimate and socially encompassing but
a dashing and resourceful hero ; a lisping , reptilian villain ; big fights ; big hair ;
reach for a barf bag
a heartwarming , nonjudgmental kind of way
genuine insight into the urban heart
`` radical '' or `` suck ''
lurid and less
a dead-end existence
sad nonsense ,
tear their eyes away
run the gamut from cheesy to cheesier to cheesiest
to invest such subtlety and warmth in an animatronic bear when the humans are acting like puppets
scuzzy underbelly
larded
foundering performance
lulls you into a gentle waking coma .
ash wednesday is essentially devoid of interesting characters or even a halfway intriguing plot .
resident evil is not it
lead actress gaï , she of the impossibly long limbs and sweetly conspiratorial smile , is a towering siren .
fighting the same fights
visually atrocious
poking their genitals into fruit pies
the movie itself appears to be running on hypertime in reverse as the truly funny bits get further and further apart .
one well-timed explosion in a movie can be a knockout , but a hundred of them can be numbing
the hours , a delicately crafted film ,
a film of delicate interpersonal dances .
a lousy one
at the edge of your seat for long stretches
intimate contemplation
baffling mixed platter
finally makes sex with strangers , which opens today in the new york metropolitan area , so distasteful
non-exploitive approach
the problem with all of this : it 's not really funny .
from the exoticism of its seas of sand to the fierce grandeur of its sweeping battle scenes
a riveting profile of law enforcement , and a visceral , nasty journey into an urban hades .
charmless
finely crafted , finely written ,