xiangpku/GLUE huggingface dataset:
the moment when a woman 's life , out of a deep-seated , emotional need , is about to turn onto a different path
work -- is charming
the punch lines that miss , unfortunately , outnumber the hits by three-to-one .
american and european cinema has amassed a vast holocaust literature , but it is impossible to think of any film more challenging or depressing than the grey zone .
this engaging film
not from any cinematic razzle-dazzle but from its recovery of an historical episode that , in the simple telling , proves simultaneously harrowing and uplifting
`` solaris '' is a shapeless inconsequential move relying on the viewer to do most of the work .
an affected malaise
tries to shift the tone to a thriller 's rush
impeccable study
swaying back and forth as it cradles its characters , veiling tension beneath otherwise tender movements
that spends a bit too much time on its fairly ludicrous plot .
a dumb , fun , curiously adolescent movie
extremely thorough
worth seeing at least once
is a monumental achievement in practically every facet of inept filmmaking :
devolves into a laugh-free lecture
unforgivingly
i liked this film a lot ...
byron and luther
the humor , characterization , poignancy , and intelligence
the movie equivalent of staring into an open wound
if you value your time and money , find an escape clause and avoid seeing this trite , predictable rehash .
perhaps it 's cliche to call the film ` refreshing , ' but it is .
and , there 's no way you wo n't be talking about the film once you exit the theater .
that tears welled up in my eyes both times
that tells a sweet , charming tale of intergalactic friendship
by letting you share her one-room world for a while
of constant smiles and frequent laughter
offended
is boldly , confidently orchestrated , aesthetically and sexually
is just a little bit hard to love .
it 's coherent , well shot , and tartly acted , but it wears you down like a dinner guest showing off his doctorate .
's not a comedic moment in this romantic comedy
( city ) reminds us how realistically nuanced a robert de niro performance can be when he is not more lucratively engaged in the shameless self-caricature of ` analyze this ' ( 1999 ) and ` analyze that , ' promised ( or threatened ) for later this year .
another boorish movie
at times auto focus feels so distant you might as well be watching it through a telescope .
that attracts the young and fit
something of bubba ho-tep 's clearly evident quality
have made it an exhilarating
lazy but enjoyable
the best didacticism
'm all for that
in terms of its style , the movie is in a class by itself
macdowell ... gives give a solid , anguished performance that eclipses nearly everything else she 's ever done .
be shallow
with a `` spy kids '' sequel opening next week , why bother with a contemptible imitator starring a `` snl '' has-been acting like an 8-year-old channeling roberto benigni ?
, it could be a lot better if it were , well , more adventurous .
, the first half of sorority boys is as appalling as any ` comedy ' to ever spill from a projector 's lens
favorite musical
complex , sinuously plotted and , somehow , off-puttingly cold .
another useless recycling of a brutal mid
downbeat
unfaithful
not falling into the hollywood trap and making a vanity project with nothing new to offer
another unoriginal run of the mill sci-fi film with a flimsy ending and lots of hype
a haunting tale of murder and mayhem .
is still quite good-natured and not a bad way to spend an hour or two .
more successful
suspenseful spin
scant place for the viewer
cedar 's
utter sincerity
flat-out amusing , sometimes endearing
the predictability of bland comfort food
and witty feature
feeling like you 've seen a movie instead of an endless trailer
with tiny little jokes and nary an original idea , this sappy ethnic sleeper proves that not only blockbusters pollute the summer movie pool .
, nothing good can happen
( hayek ) throws herself into this dream hispanic role with a teeth-clenching gusto
seems to have forgotten everything he ever knew about generating suspense
older men drink to excess , piss on trees , b.s. one another and put on a show in drag
therefore i know better than to rush to the theater for this one
reactionary ideas about women
bedeviled by labored writing and slack direction
stillborn
an irresistible blend of warmth and humor and a consistent embracing humanity in the face of life 's harshness
the lively appeal of the last kiss
featuring an oscar-worthy performance
cheap junk
this low-rent -- and even lower-wit -- rip-off of the farrelly brothers ' oeuvre gets way too mushy -- and in a relatively short amount of time .
the movie 's ultimate point -- that everyone should be themselves -- is trite , but
it just seems manufactured to me and artificial
it 's just too bad the screenwriters eventually shoot themselves in the feet with cop flick cliches like an oily arms dealer , squad car pile-ups and the requisite screaming captain .
, hilarious
this overlong infomercial ,
an intelligent screenplay
it is sentimental but feels free to offend , is analytical and then surrenders to the illogic of its characters , is about grief and yet permits laughter .
executed with such gentle but insistent sincerity , with such good humor
had their hearts in the right place .
playwriting 101 premise
thin notion
meandering , norton has to recite bland police procedural details , fiennes wanders around in an attempt to seem weird and distanced ,
the darker elements of misogyny and unprovoked violence
that does not move
something provocative , rich , and strange
i 'm sure mainstream audiences will be baffled , but , for those with at least a minimal appreciation of woolf and clarissa dalloway , the hours represents two of those well spent .
an effective portrait
i 've seen some bad singer-turned actors ,
too clumsy in key moments ... to make a big splash .
send audiences out talking about specific scary scenes or startling moments
loosely speaking , we 're in all of me territory again , and , strictly speaking , schneider is no steve martin .
like a three-ring circus , there are side stories aplenty -- none of them memorable .
a profoundly stupid affair , populating its hackneyed and meanspirited storyline with cardboard characters and performers who value cash above credibility .
slightly disappointed
proves that he can cross swords with the best of them and helm a more traditionally plotted popcorn thriller while surrendering little of his intellectual rigor or creative composure .
a must-see for fans of thoughtful war films and those
could n't keep my attention
really earned my indignant , preemptive departure
reverent
his sentimental journey of the heart
an astoundingly rich film
i hope the movie is widely seen and debated with appropriate ferocity and thoughtfulness .
loves them to pieces
so sloppily written and cast that you can not believe anyone more central to the creation of bugsy than the caterer
goodwill
family-friendly comedy
before pulling the plug on the conspirators and averting an american-russian armageddon
is a case of too many chefs fussing over too weak a recipe .
missed the point
answered yes , by all means
as relationships shift , director robert j. siegel allows the characters to inhabit their world without cleaving to a narrative arc .
the right choices at every turn
reign of fire is hardly the most original fantasy film ever made -- beyond road warrior , it owes enormous debts to aliens and every previous dragon drama -- but that barely makes it any less entertaining
with honesty , insight and humor
ambitious films
be captivated
here a more annoying , though less angry version of the irresponsible sandlerian manchild , undercut by the voice of the star of road trip
some writer dude , i think his name was , uh , michael zaidan , was supposed to have like written the screenplay or something , but , dude , the only thing that i ever saw that was written down were the zeroes on my paycheck
will likely
this oddly sweet comedy about jokester highway patrolmen
takes a really long , slow and dreary time to dope out what tuck everlasting is about .
the road , where the thematic ironies are too obvious and the sexual politics too smug
to make the formula feel fresh
is so insanely dysfunctional that the rampantly designed equilibrium becomes a concept doofus
the most brilliant work
from the dullest science fiction
friendly kick
suitable
i bought this movie
, folks , it does n't work .
, there is almost nothing in this flat effort that will amuse or entertain them , either .
is a variant of the nincompoop benigni persona
from `` promising ''
a romance this smart
fessenden continues to do interesting work
will most likely doze off during this one
a mesmerizing cinematic poem from the first frame to the last .
there are laughs aplenty , and , as a bonus ,
the credits roll across the pat ending
, and totally disorientated
who has never made anything that was n't at least watchable
'd probably turn it off ,
warm , moving message
the script , credited to director abdul malik abbott and ernest ` tron ' anderson , seems entirely improvised
feel anything much while watching this movie , beyond mild disturbance or detached pleasure at the acting
a script that prevents them from firing on all cylinders
an in-depth portrait
performing ages-old slapstick and unfunny tricks
acquire the fast-paced contemporary society
distinctly sub-par
mediocre movies
most politically audacious films
if that 's not too glorified a term
keeps this pretty watchable , and
the gay community as an all-inclusive world where uptight , middle class bores like antonia can feel good about themselves
sun-splashed whites
is as bad at it is cruel
will be delighted with the fast , funny , and even touching story .
these jokers are supposed to have pulled off four similar kidnappings before
from the choppy editing to the annoying score to ` special effects ' by way of replacing objects in a character 's hands below the camera line
glides gracefully from male persona to female
world traveler might not go anywhere new , or arrive anyplace special , but it 's certainly an honest attempt to get at something
because there is no earthly reason other than money why this distinguished actor would stoop so low
ya-yas everywhere will forgive the flaws and love the film .
pure cinematic intoxication , a wildly inventive mixture of comedy and melodrama , tastelessness and swooning elegance .
williams ' anarchy gets tiresome
, it 's icky .
far less endearing disabilities
lacking in charm and charisma
toilet-humor
of this tacky nonsense
a tragedy
mixed up together like a term paper
while somewhat less than it might have been , the film is a good one , and
the screenplay to keep the film entertaining
has considerable charm .
a comedic moment in this romantic comedy
simply runs out of ideas
reaching the comic heights it obviously desired
the story 's scope and pageantry are mesmerizing ,
... quite good at providing some good old fashioned spooks .
this is a superior horror flick .
( kline 's ) utterly convincing -- and deeply appealing -- as a noble teacher who embraces a strict moral code , and as a flawed human being who ca n't quite live up to it
sneaks up on you and
good pace
it wo n't hold up over the long haul , but
creepy and vague
illustrating the merits of fighting hard for something that really matters
's hard to resist his enthusiasm
the delicious trimmings ... arrive early and stay late , filling nearly every minute ... with a lighthearted glow , some impudent snickers , and a glorious dose of humankind 's liberating ability to triumph over a scrooge or two .
moving story
in their recklessness
because it was particularly funny
appears to have been made by people to whom the idea of narrative logic or cohesion is an entirely foreign concept .
horribly
pressed to think of a film more cloyingly sappy than evelyn this year
a copy of a copy
many good ideas
is like a year late for tapping into our reality tv obsession , and even tardier for exploiting the novelty of the `` webcast
to reveal his impressively delicate range
men in black ii achieves ultimate insignificance --
a snore and
lies in the ease with which it integrates thoughtfulness and pasta-fagioli comedy
oft-brilliant
one of these days hollywood will come up with an original idea for a teen movie ,
is an imaginative filmmaker who can see the forest for the trees
that peter o'fallon did n't have an original bone in his body
the elements were all there but lack of a pyschological center knocks it flat .
for the complicated love triangle that develops between the three central characters
flinching
well-meaning
is a good and ambitious film
hackneyed story
sand to the fierce grandeur of its sweeping battle scenes
seem to hit
a way that bespeaks an expiration date passed a long time ago
evolved from star to superstar some time
go to a picture-perfect beach during sunset
does probably as good a job as anyone
is flawed
the butt
plenty of entertainment value
, fine music never heard
the credit for the film 's winning tone
an ` a ' list cast and
chicago offers much colorful eye candy , including the spectacle of gere in his dancing shoes , hoofing and crooning with the best of them .
, touching , smart and complicated
a satisfying summer blockbuster and
a knowing sense of humor and a lot of warmth ignite son of the bride .
the movie 's ultimate point -- that everyone should be themselves -- is trite ,
, they wo n't enjoy the movie at all .
a younger lad in zen and the art of getting laid in this prickly indie comedy of manners and misanthropy
the way it skirts around any scenes that might have required genuine acting from ms. spears
a superior horror flick
a sweet , tender sermon about a 12-year-old welsh boy more curious about god than girls , who learns that believing in something does matter .
, it is n't much fun .
a major director is emerging in world cinema
a youthful , out-to-change-the-world aggressiveness
in a well-balanced fashion
feeling like a great missed opportunity
of hard-bitten , cynical journalists
skip the film and buy the philip glass soundtrack cd .
original cartoon
every conceivable mistake a director could make in filming opera
the strength of their own cleverness
like this movie a lot .
's definitely a step in the right direction .
's a lovely , sad dance highlighted by kwan 's unique directing style
is why anthony hopkins is in it .
an entertaining documentary that freshly considers arguments the bard 's immortal plays
worn-out
pouty-lipped poof
not enough puff
difficult and
this film puts wang at the forefront of china 's sixth generation of film makers .
steers clear of the sensational and
well-wrought story
its nauseating spinning credits sequence
is paced at a speed that is slow to those of us in middle age and deathly slow to any teen .
a shiver-inducing
somebody might devote time to see it
should have a stirring time at this beautifully drawn movie .
unexpected ways , touching
trouble every day is a success in some sense ,
murphy do the genial-rogue shtick to death
fatal for a film that relies on personal relationships
all-over-the-map movie would be a lot better if it pared down its plots and characters to a few rather than dozens ... or if it were subtler ... or if it had a sense of humor .
if `` gory mayhem '' is your idea of a good time
little film noir organized crime story
a crowdpleaser
, it 's the worst movie i 've seen this summer
realizing that you 've spent the past 20 minutes looking at your watch
its ultimate demise
the music makes a nice album
new , or inventive , journey
its hackneyed and meanspirited storyline
fan to appreciate scratch
a certain ambition
that his genre and his character construct is a wonderous accomplishment of veracity and narrative grace
a delicious crime drama on par with the slickest of mamet .
law enforcement , and a visceral , nasty journey
un-bear-able
a small movie with a big impact
chilling , and affecting study
it 's definitely an improvement on the first blade , since it does n't take itself so deadly seriously .
the story is -- forgive me -- a little thin
a hallucinatory dreamscape that frustrates and captivates
numbness
it 's sanctimonious , self-righteous and so eager to earn our love that you want to slap it
that everlasting conundrum
is fine
ravishing waif
the film belongs to the marvelous verdu , a sexy slip of an earth mother who mourns her tragedies in private and embraces life in public
feel more like a non-stop cry for attention , than an attempt at any kind of satisfying entertainment
is the action as gripping
it 's the type of film about growing up that we do n't see often enough these days : realistic , urgent , and not
the pitch-perfect forster
be compelling , amusing and unsettling
a choke leash
fused with their humor
by the time it 's done with us , mira nair 's new movie has its audience giddy with the delight of discovery ,
that reaches across time and distance
as beautiful , desirable , even delectable
brilliantly constructed work
the better film 's ability to make its subject interesting to those who are n't part of its supposed target audience
the gifted crudup has the perfect face to play a handsome blank yearning to find himself , and
that really gives the film its oomph
limpid and
force you to scratch a hole in your head
librarian ( orlando jones ) who knows everything and answers all questions , is visually smart , cleverly written , and nicely realized
much humor
to me , it sounds like a cruel deception carried out by men of marginal intelligence , with reactionary ideas about women and a total lack of empathy .
two not very absorbing characters are engaged in a romance
a flick about our infantilized culture that is n't entirely infantile .
off the page , and for the memorable character creations
drumline ' shows a level of young , black manhood that is funny , touching , smart and complicated .
an exercise in chilling style , and twohy films the sub , inside and out
cool crime movie
establishes a wonderfully creepy mood
dullest tangents
is needed to live a rich and full life
by on humor that is not even as daring as john ritter 's glory days on three 's company
this flick is fun , and host to some truly excellent sequences .
to say about the ways in which extravagant chance can distort our perspective and throw us off the path of good sense
( no more racist portraits of indians , for instance )
gets the job done .
sharp writing
is actually funny without hitting below the belt
things that elevate `` glory '' above most of its ilk , most notably the mere presence of duvall
time for an absurd finale of twisted metal , fireballs and revenge
be a different kind of film
while centered on the life experiences of a particular theatrical family , this marvelous documentary touches -- ever so gracefully -- on the entire history of the yiddish theater , both in america and israel .
a very charming and funny movie .
with vibrant charm
a fleet-footed and pleasingly upbeat family
a film that 's destined to win a wide summer audience through word-of-mouth reviews and , not far down the line , to find a place among the studio 's animated classics
outtakes in which most of the characters forget their lines and
manages to deliver a fair bit of vampire fun .
stephen earnhart 's documentary is a decomposition of healthy eccentric inspiration and ambition -- wearing a cloak of unsentimental , straightforward text -- when it 's really an exercise in gross romanticization of the delusional personality type .
insightful discourse
to set the women 's liberation movement back 20 years
it 's sharply comic and surprisingly touching , so hold the gong
surprisingly funny movie
a creaky `` pretty woman ''
numbness .
every visual joke is milked , every set-up obvious and lengthy , every punchline predictable .
it becomes long and tedious like a classroom play in a college history course .
buried , drowned and
remarkable procession of sweeping pictures that have reinvigorated the romance genre
heavy-handed phoney-feeling sentiment
expert comic timing
the broiling sun for a good three days
necessary and timely
it makes for one of the most purely enjoyable and satisfying evenings at the movies i 've had in a while .
the film itself is small and shriveled
of emotional comfort
care about its protagonist and celebrate his victories
crafted a deceptively casual ode
, but solidly entertaining
i suspect that you 'll be as bored watching morvern callar as the characters are in it .
the film is well under way -- and yet it 's hard to stop watching
mainstream american movies tend to exploit the familiar
there are side stories aplenty -- none of them memorable .
talk about for hours
one of the best , most understated performances of ( jack nicholson 's ) career .
the pacing is often way off
'd have a 90-minute , four-star movie
kids will love its fantasy and adventure , and
delightful comedy
offend viewers not amused by the sick sense of humor
just a simple fable done in an artless sytle ,
memorable film
funny look
the extravagant confidence of the exiled aristocracy
entertainingly presented
raucously
animated epic
unique feel
unrewarding
of modern life
minor film
of chabrol 's most intense psychological mysteries
has little insight
with little logic or continuity
its own action is n't very effective
be one of the most appealing movies ever made about an otherwise appalling , and downright creepy , subject -- a teenage boy in love with his stepmother
if a big musical number like ` praise the lord , he 's the god of second chances ' does n't put you off , this will be an enjoyable choice for younger kids .
it takes off in totally unexpected directions and keeps on going
undoubtedly
( clooney 's ) debut can be accused of being a bit undisciplined , but it has a tremendous , offbeat sense of style and humor that suggests he was influenced by some of the filmmakers who have directed him , especially the coen brothers and steven soderbergh
sweet , funny , charming
you leave the same way you came -- a few tasty morsels under your belt , but no new friends .
inferior level
has created a predictably efficient piece of business notable largely for its overwhelming creepiness , for an eagerness to create images you wish you had n't seen , which , in this day and age , is of course the point
how low brow
he expresses our most basic emotions
warmth to go around , with music and laughter and
the start -- and , refreshingly , stays that way
of great charm , generosity and diplomacy
little action , almost no suspense or believable tension , one-dimensional characters up
sodden
cox creates a fluid and mesmerizing sequence of images to match the words of nijinsky 's diaries .
into the upper echelons of the directing world
idiotically
would probably work better as a real documentary without the insinuation of mediocre acting or a fairly trite narrative
real narrative logic
nothing more than the latest schwarzenegger or stallone
powerful drama
muddled and derivative that few will bother thinking it all through
a trip
does n't quite do justice to the awfulness of the movie , for that comes through all too painfully in the execution
create a complex , unpredictable character
engaging and exciting narrative
looks and feels like a low-budget hybrid of scarface or carlito 's way .
an engrossing entertainment
stays close to the ground in a spare and simple manner
psychological case study
yet another visit
it almost loses what made you love it
uncomfortably real
achieves ultimate insignificance
that extravagantly redeems it
it 's full of cheesy dialogue , but great trashy fun that finally returns de palma to his pulpy thrillers of the early '80s .
the kind of movie that comes along only occasionally , one so unconventional , gutsy and perfectly executed it takes your breath away .
of the character dramas , which never reach satisfying conclusions
it goes awry in the final 30 minutes
got lost in the `` soon-to-be-forgettable '' section of the quirky rip-off prison romp pile
is such a perfect medium for children
lacks momentum and its position remains mostly undeterminable
what makes it worth a recommendation
'' derrida is an undeniably fascinating and playful fellow .
lifts your spirits
jolt you out of your seat a couple of times , give you a few laughs , and
the delusions
a feast