xiangpku/GLUE huggingface dataset:
is compelling enough
could have been right at home as a nifty plot line in steven soderbergh 's traffic fails to arrive at any satisfying destination
though intrepid in exploring an attraction that crosses sexual identity
touches smartly and wistfully on a number of themes , not least the notion that the marginal members of society ... might benefit from a helping hand and a friendly kick in the pants .
alexander payne 's ode to the everyman
as the enigmatic mika and anna mouglalis is a stunning new young talent in one of chabrol 's most intense psychological mysteries
will not notice the glaring triteness of the plot device
sports aficionados
moretti ... is the rare common-man artist who 's wise enough to recognize that there are few things in this world more complex -- and , as it turns out , more fragile -- than happiness .
it 's as sorry a mess as its director 's diabolical debut , mad cows .
makes this man so watchable is a tribute not only to his craft , but to his legend .
take place indoors in formal settings with motionless characters
prejudices
unfocused , excruciatingly tedious
drown yourself in a lake
, brutally clueless
dreams ,
in addition to gluing you to the edge of your seat
, and smugly suggests a superior moral tone is more important than filmmaking skill
truly magical movie
the jokes are flat , and the action looks fake .
it 's a bad action movie because there 's no rooting interest and the spectacle is grotesque and boring .
created a substantive movie out
are as mushy as peas
, almost every relationship and personality in the film yields surprises .
handsome and
but it is entertaining on an inferior level .
being wasabi 's big selling point
a playful spirit
overrides what little we learn along the way about vicarious redemption .
to make us share their enthusiasm
's like dying and going to celluloid heaven
zero-dimensional
good yarn-spinner
there are enough throwaway references to faith and rainbows to plant smile-button faces on that segment of the populace that made a walk to remember a niche hit .
will do so in a way that does n't make you feel like a sucker
that you root for throughout
hashiguchi covers this territory with wit and originality , suggesting that with his fourth feature -- the first to be released in the u.s. -- a major director is emerging in world cinema
captures the wonders and worries of childhood
suffers from a lack of clarity and audacity that a subject as monstrous and pathetic as dahmer demands .
it 's possible that something hip and transgressive was being attempted here that stubbornly refused to gel , but the result is more puzzling than unsettling
the acting in pauline and paulette is good all round , but what really sets the film apart is debrauwer 's refusal to push the easy emotional buttons .
one would be hard-pressed to find a movie with a bigger , fatter heart than barbershop .
is the best ` old neighborhood ' project since christopher walken kinda romanced cyndi lauper in the opportunists
the most depressing movie-going experiences
refreshingly smart and newfangled
is bright and flashy
the acting is fine but
flashy gadgets and whirling fight sequences may look cool
may have made a great saturday night live sketch , but a great movie it is not .
woven of romance , dancing , singing , and unforgettable characters
there is no substitute for on-screen chemistry , and when friel pulls the strings that make williams sink into melancholia , the reaction in williams is as visceral as a gut punch
are immaculate
their incessant whining
i like all four of the lead actors a lot
of a golden book sprung to life
the marvelous first 101 minutes
morbid one
's also cold , gray , antiseptic and emotionally desiccated .
humorless soap opera
genuine and
the holocaust
utterly convincing -- and deeply appealing --
excess debris
a sometimes incisive and sensitive portrait that is undercut by its awkward structure and a final veering toward melodrama .
irritating ( at least to this western ear )
a remarkable movie
do a homage
... quite endearing .
than one might expect when you look at the list of movies starring ice-t in a major role
're down
with passable performances from everyone in the cast
keep you watching , as will the fight scenes
torments
, the viewer is left puzzled by the mechanics of the delivery
really rather special
too many pointless situations
works its magic with such exuberance and passion that the film 's length becomes a part of its fun
sensual , funny and , in the end , very touching
, unfussily poetic
despite being noticeably derivative of goodfellas and at least a half dozen other trouble-in-the-ghetto flicks
about refracting all of world war ii through the specific conditions of one man , and more about that man
by movie 's end , we accept the characters and the film , flaws and all
affirming and
the film reminds me of a vastly improved germanic version of my big fat greek wedding -- with better characters , some genuine quirkiness and at least a measure of style .
a child 's interest and an adult 's patience
sparking
fails to fascinate .
it gets very ugly , very fast
please fans of chris fuhrman 's posthumously published cult novel
banal as the telling
conveys the passion , creativity , and fearlessness of one of mexico 's most colorful and controversial artists -- a captivating drama that will speak to the nonconformist in us all
while it may not add up to the sum of its parts , holofcener 's film offers just enough insight to keep it from being simpleminded , and the ensemble cast is engaging enough to keep you from shifting in your chair too often .
is about a domestic unit finding their way to joy
dazzling dream
a tired one
bad clive barker movie
the hurried , badly cobbled look
of soft-core twaddle
that you feel like running out screaming
lunacy
any awards
will have completely forgotten the movie by the time you get back to your car in the parking lot
they will have a showdown , but , by then , your senses are as mushy as peas and
, beyond the astute direction of cardoso and beautifully detailed performances by all of the actors , is a note of defiance over social dictates .
so devoid of artifice and purpose
do well to check this one out because it 's straight up twin peaks action
of puerile
devastated
attal 's hang-ups surrounding infidelity are so old-fashioned and ,
in three words : thumbs friggin ' down
an inferior level
off-putting romantic comedy .
frida with a visual style unique and inherent
own solemn insights
like the best of godard 's movies ... it is visually ravishing , penetrating , impenetrable .
too sappy for its own good .
smart and dark
found it slow , predictable and not very amusing .
generous and subversive
a mexican soap opera
the film 's considered approach
are odd and pixilated and
the unsung heroes of 20th century
, and for the memorable character creations
a captivating and intimate study about dying and loving
so i do n't know what she 's doing in here
looking down at your watch and realizing serving sara is n't even halfway through
not the great american comedy
not only are the film 's sopranos gags incredibly dated and unfunny
children 's entertainment , superhero comics
this slight premise ... works because of the ideal casting of the masterful british actor ian holm as the aged napoleon
and rough-hewn vanity project
normally good actors , even kingsley , are made to look bad
if it belongs on the big screen
makes this a high water mark for this genre .
far more appealing
it does in trouble every day
indie comedy
a solid , anguished performance
suspenseful enough
what i liked about it
every once in a while a film
the abiding impression
, then triple x marks the spot .
after an uncertain start , murder hits and generally sustains a higher plateau with bullock 's memorable first interrogation of gosling .
, seamless and sumptuous stream
the point of ridiculousness
pessimism
has fashioned an absorbing look at provincial bourgeois french society
brown sugar signals director rick famuyiwa 's emergence as an articulate , grown-up voice in african-american cinema .
only the odd enjoyably chewy lump
situates it all in a plot as musty as one of the golden eagle 's carpets
is sentimental but feels free to offend , is analytical and then surrenders to the illogic of its characters , is about grief and yet permits laughter
it is a strength of a documentary to disregard available bias , especially as temptingly easy as it would have been with this premise .
unsatisfying muddle
and it 's a lousy one at that .
the script is a dim-witted pairing of teen-speak and animal gibberish .
, rohmer 's talky films fascinate me
his slop
of devito 's misanthropic vision
the uncompromising knowledge
has nothing
of a troubadour , his acolytes , and the triumph of his band
sloppiness
our reality tv obsession , and even
recycled plot
smartly written
no longer recognizes the needs of moviegoers for real characters and compelling plots
want nothing else than to show us a good time
nolan 's penetrating undercurrent of cerebral and cinemantic flair
pushes for insights beyond the superficial tensions of the dynamic he 's dissecting
it 's better suited for the history or biography channel ,
close to being the barn-burningly bad movie it promised it would be
gives added clout to this doc
has little insight into the historical period and its artists ,
vowing , `
is a subzero version of monsters , inc. ,
too manipulative
that the e-graveyard
the sum of its pretensions
virtually no one is bound to show up at theaters for it
fully exploit the comic elements of the premise , making the proceedings more bizarre than actually amusing
perverse
wilco fans will have a great time
has created a predictably efficient piece of business notable largely for its overwhelming creepiness , for an eagerness to create images you wish you had n't seen , which , in this day and age , is of course the point .
a bodice-ripper for intellectuals
the young stars are too cute ; the story and ensuing complications are too manipulative ;
gets vivid performances from her cast and
set out to lampoon , anyway .
emotionally manipulative and sadly imitative of innumerable
hypermasculine
right-thinking ' films
real bump-in - the-night chills
childish things
used the film as a bonus feature on the dvd
film school brat
immaculately
guilt-suffused melodrama
is spooky and subtly in love with myth
self-hatred and
from which no interesting concept can escape
it 's not like having a real film of nijinsky
sabotaged by ticking time bombs and other hollywood-action cliches
turn a larky chase movie into an emotionally satisfying exploration of the very human need to be somebody , and to belong to somebody .
with witty dialogue and inventive moments
amused and entertained by the unfolding of bielinsky 's cleverly constructed scenario , and greatly impressed by the skill of the actors involved in the enterprise
an oddly winning portrayal
do n't make movies like they used to anymore
satisfying summer
a superlative b movie -- funny , sexy , and rousing .
of its heightened , well-shaped dramas
a battle between bug-eye theater and dead-eye
like a good guy
constrictive
tender and heart-wrenching
watch them go about their daily activities for two whole hours
the unacceptable ,
this gorgeous epic
does n't quite know how to fill a frame .
re-voiced version
in that are generally not heard on television
is hugely overwritten , with tons and tons of dialogue -- most of it given to children .
is it a charming , funny and beautifully crafted import , it uses very little dialogue , making it relatively effortless to read and follow the action at the same time .
this rather unfocused , all-over-the-map movie would be a lot better if it pared down its plots and characters to a few rather than dozens ... or if it were subtler ... or if it had a sense of humor .
is a goofy pleasure
remains mostly undeterminable
should serve detention
is a bit like getting all excited about a chocolate eclair and then biting into it and finding the filling missing .
strong narrative
is like a progressive bull in a china shop , a provocateur crashing into ideas and special-interest groups as he slaps together his own brand of liberalism . '
put together by some cynical creeps at revolution studios and imagine entertainment to make the suckers out there surrender $ 9 and 93 minutes of unrecoverable life
becomes a testament to faith .
hopefully , this film will attach a human face to all those little steaming cartons .
can only be described as sci-fi generic .
burns out
it does have one saving grace .
( hayek ) throws herself into this dream hispanic role with a teeth-clenching gusto , she strikes a potent chemistry with molina and she gradually makes us believe she is kahlo .
satisfyingly scarifying
, enveloping affection
thoughtless ,
remarkably cohesive
comprise a powerful and reasonably fulfilling gestalt
a thriller without a lot of thrills .
middle east
the week blown up for the big screen
is an intelligent , realistic portrayal of testing boundaries
of folks they do n't understand , ones they figure the power-lunchers do n't care to understand , either
the mystery of enigma is how a rich historical subject , combined with so much first-rate talent ... could have yielded such a flat , plodding picture .
any way of gripping what its point is , or
seeking to pull a cohesive story out
ca n't distract from the flawed support structure holding equilibrium up
fast-moving
wonderful performances that tug at your heart in ways that utterly transcend gender
offers little insight into the experience of being forty , female and single .
by and large this is mr. kilmer 's movie , and it 's his strongest performance since the doors
a florid turn
impressive stagings
immensely appealing couple
manages to convince almost everyone that it was put on the screen , just for them
delighted with the fast , funny , and even touching story
but fails to keep it up and settles into clichés .
little visible talent and
as three of the most multilayered and sympathetic female characters of the year
so much of the movie -- again , as in the animal -- is a slapdash mess
iosseliani
mysterious and brutal nature
going to make box office money that makes michael jordan jealous
it may not be particularly innovative ,
an adventurous young talent who finds his inspiration on the fringes of the american underground
too ludicrous and
against governmental odds
odd and weird .
adams , with four scriptwriters , takes care with the characters , who are so believable that you feel what they feel .
was ushered in by the full monty and is still straining to produce another smash
her cheery and tranquil suburban life
the things that made the original men in black such a pleasure
disreputable doings and exquisite trappings are dampened by a lackluster script and substandard performances .
at a bad rock concert
's like an all-star salute
muscles and a lot more smarts , but just as endearing and easy to watch
the kind of movie during which you want to bang your head on the seat in front of you , at its cluelessness , at its idiocy , at its utterly misplaced earnestness
paints a grand picture of an era
an intelligent , realistic portrayal
ca n't help but be drawn in by the sympathetic characters
's all quite tasteful to look at
with some powerful people
is as blasphemous and nonsensical as a luis buñuel film without the latter 's attendant intelligence , poetry , passion , and genius .
funniest film
of screenwriting cliches that sink it faster than a leaky freighter
is completely lacking in charm and charisma , and
a chain of relationships that come full circle to end on a positive ( if tragic ) note
remains brightly optimistic , coming through in the end
french shocker
it 's simply unbearable
filmmakers and performers of this calibre
the jokes ,
has the stomach-knotting suspense of a legal thriller , while the testimony of witnesses lends the film a resonant undertone of tragedy .
gives a human face to what 's often discussed in purely abstract terms
phlegmatic bore
, bad movie
refresh our souls
unimpeachable clarity
, it must be labeled ` hip ' , ` innovative ' and ` realistic '
a visionary marvel ,
is a lot more bluster than bite
as a joint promotion for the national basketball association and teenaged rap and adolescent poster-boy lil ' bow wow
the compelling historical tale
this is popcorn movie fun with equal doses of action , cheese , ham and cheek ( as well as a serious debt to the road warrior )
delicate , clever direction
rock-solid little genre picture
a sturdiness and solidity
is attractive .
it falls far short of poetry ,
sharp and quick documentary
robert harmon 's less-is-more approach delivers real bump-in - the-night chills
is silly but strangely believable .
it falls short
; not the craven of ' a nightmare on elm street ' or ` the hills have eyes , ' but the sad schlock merchant of ` deadly friend
found its audience , probably because it 's extremely hard to relate to any of the characters .
fast-paced and
too silly to take seriously .
i almost expected there to be a collection taken for the comedian at the end of the show .
not without cheesy fun factor .
enough intelligence , wit or innovation on the screen to attract and sustain an older crowd
rewarding .
secret ballot is a comedy , both gentle and biting
able to overcome his personal obstacles and become a good man
cheap-looking version of candid camera staged for the marquis de sade set
with an unusual protagonist ( a kilt-wearing jackson ) and subject matter , the improbable `` formula 51 '' is somewhat entertaining , but
the nation
some remarkable achival film
for this sort of thing to work , we need agile performers , but the proficient , dull sorvino has no light touch , and rodan is out of his league .
enthusiastically taking up the current teen movie concern with bodily functions
the past via surrealist flourishes
punching up the mix
the sally jesse raphael atmosphere
the down-to-earth bullock and the nonchalant grant
joyless ,
a good deal
a thoughtful , emotional movie experience
video , and so devoid of artifice and purpose
cagney 's ` top of the world ' has been replaced by the bottom of the barrel
a compelling yarn , but not quite a ripping one .
to both people 's capacity for evil and their heroic capacity for good
, it runs for 170
extraordinarily talented
try hard but come off too amateurish and awkward .
with cardboard characters and performers
anyone with a passion for cinema , and indeed sex , should see it as soon as possible . '
stopped thinking about how good it all was , and started doing nothing but reacting to it - feeling a part of its grand locations , thinking urgently as the protagonists struggled , feeling at the mercy of its inventiveness , gasping at its visual delights
annoying and artificial
first-time writer-director dylan kidd also has a good ear for dialogue , and the characters sound like real people .
an immensely entertaining look at some of the unsung heroes of 20th century pop music .
, the film is extremely thorough .
of ghandi gone bad
soderbergh 's best films , ``
the need for national health insurance
shot like a postcard and overacted with all the boozy self-indulgence that brings out the worst in otherwise talented actors
the filmmakers know how to please the eye , but
he does this so well you do n't have the slightest difficulty accepting him in the role .
make it required viewing in university computer science departments for years to come
written , flatly , by david kendall
vividly and
is that it is one that allows him to churn out one mediocre movie after another
a pleasant distraction
in a poorly
confidently orchestrated , aesthetically and sexually
seem motivated by nothing short of dull , brain-deadening hangover .
the leanest and meanest of solondz 's misanthropic comedies .
it excels because , unlike so many other hollywood movies of its ilk , it offers hope .
ride for the kiddies , with enough eye
are so well tuned that the film comes off winningly , even though it 's never as solid as you want it to be
guns , cheatfully filmed martial arts , disintegrating bloodsucker computer effects and jagged camera moves that serve no other purpose than to call attention to themselves
that kate is n't very bright , but
as saccharine movies go , this is likely to cause massive cardiac arrest if taken in large doses .
to get inside you and stay there for a couple of hours
you are curious to see the darker side of what 's going on with young tv actors ( dawson leery did what ?!? ) , or see some interesting storytelling devices
was entranced
the limitations of his skill
elevated by michael caine 's performance
its poignant and uplifting story
( davis ) wants to cause his audience an epiphany , yet he refuses to give us real situations and characters .
delivers on that promise .
a cruelly funny twist on teen comedy
be galled that you 've wasted nearly two hours of your own precious life with this silly little puddle of a movie
yet fail to capture its visual appeal or its atmosphere
alternately fascinating and frustrating documentary
simply put , `` far from heaven '' is a masterpiece .
enhances the personal touch of manual animation .
directed , barely , by there
is hollow , self-indulgent , and - worst of all - boring .
all portent and no content
aimlessness
atmospheric weirdness
mel gibson can gasp , shudder and even tremble without losing his machismo
that plays better only for the film 's publicists or for people who take as many drugs as the film 's characters
done way too often
this odd , distant portuguese import more or less borrows from bad lieutenant and les vampires , and comes up with a kind of art-house gay porn film .
perfect show
looking at his 12th oscar nomination
seem barely in the same movie
spielberg knows how to tell us about people .
the fact that it is n't very good is almost beside the point .
a fragment of an underdone potato
have fun with it
great charm , generosity and diplomacy
falters in its recycled aspects , implausibility , and sags in pace
much funnier than anything
the movie 's most admirable quality
the longest 90 minutes
disguising this
pale successor
a graceful , moving tribute to the courage of new york 's finest and a nicely understated expression of the grief shared by the nation at their sacrifice .
a film worth watching
by it -- the kind of movie
was lazy but enjoyable
what the movie lacks in action
with the intricate preciseness of the best short story writing
another remarkable yet shockingly little-known perspective
, the characters are too simplistic to maintain interest ,
to feel anything much while watching this movie , beyond mild disturbance or detached pleasure at the acting
gamely as the movie tries to make sense of its title character , there remains a huge gap between the film 's creepy
like the world of his film , hartley created a monster but did n't know how to handle it .
dramaturgy
play out realistically if not always fairly
a masterpiece -- and a challenging one
like a medium-grade network sitcom -- mostly inoffensive , fitfully amusing , but ultimately so weightless that a decent draft in the auditorium might blow it off the screen .
flaws igby
surehanded
too long and
is so different from the apple and so striking that it can only encourage us to see samira makhmalbaf as a very distinctive sensibility , working to develop her own film language with conspicuous success .
small delights
composed or edited
the best possible ways
made watchable by a bravura performance
exactly what its title implies : lusty , boisterous and utterly charming .
is in his hypermasculine element here , once again able to inject some real vitality and even art into a pulpy concept that , in many other hands would be completely forgettable
to have you scratching your head than hiding under your seat .
a backstage must-see for true fans
enjoyable undercover brother
tremendous , offbeat sense
struggles to rebel against his oppressive , right-wing , propriety-obsessed family .
to question why somebody might devote time to see it
's a real shame
an ungainly movie ,
an allegory concerning the chronically mixed signals african american professionals get about overachieving could be intriguing
to perfect use in the breathtakingly beautiful outer-space documentary space station 3d
a remarkable amount
an ebullient affection for industrial-model meat freezers