xiangpku/GLUE huggingface dataset:
adam sandler assault and possibly the worst film
most convincing emotional gravity from a scene where santa gives gifts to grownups
cultivation and
move with grace and panache
the chilled breath of oral storytelling frozen onto film
sit through , enjoy on a certain level
made the first film so special
the cinematic equivalent of patronizing a bar
of a truly magical movie
the fizz of a busby berkeley musical and the visceral excitement of a sports extravaganza
suffers from a simplistic narrative and a pat , fairy-tale conclusion
childhood innocence
nincompoop benigni persona
epic scale
find it diverting
moving portrait
horrendously confusing
so much passion
's all stitched together with energy , intelligence and verve , enhanced by a surplus of vintage archive footage .
if she had to sit through it again , she should ask for a raise
, it is quite possibly the sturdiest example yet of why the dv revolution has cheapened the artistry of making a film .
nicely understated expression
( or robert aldrich
admire it
often-hilarious
entertaining and informative
lulled
more appetizing than a side dish of asparagus
for realizing that you 've spent the past 20 minutes looking at your watch and waiting for frida to just die already
surprising discovery
's really nothing more than warmed-over cold war paranoia
this overlong infomercial , due out on video before month 's end
... too sappy for its own good .
less a story than an inexplicable nightmare , right down to the population 's shrugging acceptance to each new horror .
completely satisfying
the enjoyable undercover brother , a zany mix of saturday night live-style parody , '70s blaxploitation films and goofball action comedy gone wild , dishes out a ton of laughs that everyone can enjoy .
heavy-handed , manipulative
well-made
live happily
snobbery
, the story offers a trenchant critique of capitalism .
the q in quirky
an odd but ultimately satisfying blend
take on loss and loneliness
is a movie where the most notable observation is how long you 've been sitting still
wide-smiling
appeals
the only belly laughs come from the selection of outtakes
the jokes are flat , and the action looks fake
viveka seldahl and sven wollter will touch you to the core in a film you will never forget -- that you should never forget .
be placed in the pantheon of the best of the swashbucklers but it is a whole lot of fun and you get to see the one of the world 's best actors , daniel auteuil ,
what more can be expected from a college comedy that 's target audience has n't graduated from junior high school ?
it is nearly impossible to look at or understand
an unimaginative screenwriter 's invention
imagination in the soulful development of two rowdy teenagers
manages to string together enough charming moments to work
a thought-provoking and often-funny drama
tavernier 's film bounds along with the rat-a-tat energy of `` his girl friday , '' maintaining a light touch while tackling serious themes .
buck or
the beauty of the piece
the acting is robotically italicized ,
to be ( tsai 's ) masterpiece
manufactured to claim street credibility
better than any summer blockbuster
too many tried-and-true shenanigans that hardly distinguish it from the next teen comedy
much colorful eye candy , including the spectacle of gere in his dancing shoes , hoofing and crooning with the best of them
jaw-dropping action sequences , striking villains
letdown .
an irresistible blend of warmth and humor and
top-notch
some of the discomfort and embarrassment of being a bumbling american in europe
top form
ranks as the most original in years .
this leaden comedy
this woefully hackneyed movie , directed by scott kalvert
holland lets things peter out midway , but
a decent-enough nail-biter that stands a good chance of being the big hit franklin needs to stay afloat in hollywood .
represents the depths to which the girls-behaving-badly film has fallen .
discursive but oddly riveting documentary
back the springboard for a more immediate mystery in the present
most ordinary and obvious
is a dark , gritty , sometimes funny little gem
's a wonderful , sobering , heart-felt drama .
really a thriller so much
charming , banter-filled comedy
the film delivers what it promises : a look at the `` wild ride '' that ensues when brash young men set out to conquer the online world with laptops , cell phones and sketchy business plans .
uncomfortable class resentment
why steven seagal is considered a star , nor why he keeps being cast in action films when none of them are ever any good
, loud , painful , obnoxious
of junk
in its willingness to explore its principal characters with honesty , insight and humor
's drab
those who are drying out from spring break
a slight but sweet film
one hour photo may seem disappointing in its generalities , but it 's the little nuances that perhaps had to escape from director mark romanek 's self-conscious scrutiny to happen , that finally get under your skin
be said that he is an imaginative filmmaker who can see the forest for the trees
leaves you with a few lingering animated thoughts
terrific insider
hopelessly
several cliched movie structures :
messy and frustrating
with vivid characters and a warm , moving message
most brilliant and brutal uk crime film
plotless collection
manages to insult the intelligence of everyone in the audience
, the movie grows boring despite the scenery .
henry bean 's thoughtful screenplay provides no easy answers , but offers a compelling investigation of faith versus intellect
what `` empire '' lacks in depth it makes up for with its heart .
energy and excitement
in imagination and authentic christmas spirit
natured
injects just enough freshness
gentle but insistent
life in the performances
unparalleled proportions , writer-director parker
, this is the opposite of a truly magical movie .
most daring , and complicated , performances
devotees of star trek ii : the wrath of khan will feel a nagging sense of deja vu
, baroque beauty
a chance to see three splendid actors
constantly defies expectation
lacking a depth
a film that will enthrall the whole family .
two flagrantly fake thunderstorms
cho 's latest comic set is n't as sharp or as fresh as i 'm the one that i want
may be wondering what all that jazz was about `` chicago '' in 2002 .
takes you by the face , strokes your cheeks and
's lovely and amazing , from her own screenplay , jumps to the head of the class of women 's films that manage to avoid the ghetto of sentimental chick-flicks by treating female follies with a satirical style
be clever , amusing and unpredictable
and yet completely familiar
was a deserved co-winner of the audience award for documentaries at the sundance film festival
's such a mechanical endeavor ( that ) it never bothers to question why somebody might devote time to see it .
immature and unappealing
the cast portrays their cartoon counterparts well ... but quite frankly
, something is rotten in the state of california
should see it as soon as possible . '
because this movie makes his own look much better by comparison
ca n't help suspecting that it was improvised on a day-to-day basis during production .
paced at a speed that is slow to those of us in middle age
is a dud -- a romantic comedy that 's not the least bit romantic and only mildly funny
birthday girl is the kind of quirkily appealing minor movie she might not make for a while
an addictive guilty pleasure but the material
plays out like a flimsy excuse to give blade fans another look at wesley snipes ' iconic hero doing battle with dozens of bad guys -- at once
-- on the way to striking a blow for artistic integrity --
films crammed with movie references
they were insulted and the audience was put through torture for an hour and a half
that 's all that 's going on here .
a masterful work of art of their own
approached the usher and said that if she had to sit through it again , she should ask for a raise .
a disoriented but occasionally disarming saga
affectionately
a real winner -- smart , funny , subtle , and resonant .
howler
brutal mid
the best espionage picture to come out in weeks
can aspire but none can equal
in all the right ways
the word that comes to mind , while watching eric rohmer 's tribute to a courageous scottish lady , is painterly .
better video-game-based
covers this territory with wit and originality , suggesting that with his fourth feature --
a forceful drama
old-fashioned scary movie
engrossing and infectiously enthusiastic
unmemorable
connection and concern
blatantly biased
captures the unsettled tenor of that post 9-11 period far better than a more measured or polished production ever could .
manage to squeeze a few laughs out of the material
that may not always work
through about 90 minutes of a so-called ` comedy ' and not laugh
take on loss and loneliness .
stretches of impact and moments of awe
by exceptional performances
the film has ( its ) moments , but they are few and far between
humiliated by a pack of dogs who are smarter than him
director elie chouraqui , who co-wrote the script , catches the chaotic horror of war , but why bother if you 're going to subjugate truth to the tear-jerking demands of soap opera ?
is entirely too straight-faced to transcend its clever concept .
lose their luster
well , in some of those , the mother deer even dies .
an awfully good , achingly human picture
in delivering a dramatic slap in the face that 's simultaneously painful and refreshing
several attempts at lengthy dialogue scenes
one of those films where the characters inhabit that special annex of hell where adults behave like kids , children behave like adults and everyone screams at the top of their lungs no matter what the situation .
lee 's character did n't just go to a bank manager and save everyone the misery
it 's not nearly as fresh or enjoyable as its predecessor
impressively
donovan ... squanders his main asset , jackie chan
triumphantly
one terrific score and attitude to spare
haphazard , and inconsequential romantic
mall movie
the action here is unusually tame , the characters are too simplistic to maintain interest , and the plot offers few surprises .
that extra little something
big trouble could be considered a funny little film .
lacks the inspiration of the original
morvern callar confirms lynne ramsay as an important , original talent in international cinema .
helpful to listen to extremist name-calling , regardless of whether you think kissinger was a calculating fiend or just a slippery self-promoter
you 'll derive from this choppy and sloppy affair
trailer trash cinema
's worse , routine
and uninspired .
comedy , caper thrills and quirky romance
the most amazing super-sized dosage of goofball stunts any `` jackass '' fan could want .
a wonderfully creepy mood
grows on you -- like a rash .
is an unpleasantly shallow and immature character with whom to spend 110 claustrophobic minutes .
energetic and engaging film
that even its target audience talked all the way through it .
( has ) an immediacy and an intimacy that sucks you in and dares you not to believe it
instead of a balanced film that explains the zeitgeist that is the x games
too erotic
a startling story that works both as a detailed personal portrait and as a rather frightening examination of modern times
quite worth
've wasted nearly two hours of your own precious life with this silly little puddle of a movie
never rise above the level of an after-school tv special
of technical skill and rare depth
a real documentary
acting that could be any flatter
the misconceived final 5
intelligently
such message-mongering moralism
one-sided
saves this deeply affecting film from being merely
's mostly a pleasure to watch
is all too predictable and far too cliched to really work
what makes their project so interesting
is the kind of movie that 's critic-proof , simply because it aims so low
other than to sit back and enjoy a couple of great actors hamming it up
will take you places you have n't been , and also places you have .
people who like their romances to have that french realism
of my greatest pictures , drunken master
pure venality --
a picture that was n't all that great to begin with
does n't follow the stale , standard , connect-the-dots storyline which has become commonplace in movies that explore the seamy underbelly of the criminal world
although shot with little style , skins is heartfelt and achingly real .
a sexy , surprising romance ...
two fine actors
going at a rapid pace , occasionally
just when you think you are making sense of it , something happens that tells you there is no sense .
emerges from the simple fact that the movie has virtually nothing to show
the film becomes predictably conventional .
sometimes tedious --
its floating narrative
playwriting
creativity , and fearlessness
its laziest
the battle bots
unfolds as one of the most politically audacious films of recent decades from any country , but especially from france .
terrific to read about
of insulting , both to men and women
an unsympathetic hero
pathetic , starving and untalented
builds up to its insanely staged ballroom scene , in which 3000 actors appear in full regalia
get popcorn whenever he 's not onscreen
, period-perfect biopic hammers
much worse than bland or better than inconsequential
it wants to be a black comedy , drama , melodrama or some combination of the three
an emotionally accessible , almost mystical work
discover that the answer is as conventional as can be
never clearly defines his characters
what sets it apart is the vision that taymor , the avant garde director of broadway 's the lion king and the film titus , brings .
if uneven ,
wondering less about its ideas and more about its characterization of hitler and the contrived nature of its provocative conclusion
, the sum of all fears generates little narrative momentum , and invites unflattering comparisons to other installments in the ryan series .
all about anakin ... and the lustrous polished visuals rich in color and creativity and , of course , special effect
, it would be rendered tedious by avary 's failure to construct a story with even a trace of dramatic interest .
is a fun and funky look into an artificial creation in a world that thrives on artificiality
, lifeless
a potentially incredibly twisting mystery
a poor fit
credible gender-provoking philosophy
wisely
energetic and smart
this was lazy but enjoyable
suffers from a flat script and a low budget
brash , intelligent and
represents two of those well spent
efficient , suitably anonymous chiller .
ourside the theater roger might be intolerable company , but inside it he 's well worth spending some time with
that seem to have been conjured up only 10 minutes prior to filming
make this an eminently engrossing film .
mr. schnitzler proves himself a deft pace master and stylist .
a gracious , eloquent film
is meaningless , vapid and devoid of substance , in a movie that is definitely meaningless , vapid and devoid of substance
to gorgeous beaches
it searches ( vainly , i think ) for something fresh to say
skims over the realities of gay sex
, low-wattage
a true cinematic knack
of loss and denial and life-at-arm 's - length in the film
a one-star rating
an engrossing and infectiously enthusiastic documentary .
is derived from a lobotomy , having had all its vital essence scooped out and discarded .
drug culture
not a hollywood product
a whip-smart sense of narrative bluffs
it has been deemed important enough to make a film in which someone has to be hired to portray richard dawson
over his head
pays tribute
disappointed in the relative modesty of a movie that sports a ` topless tutorial service
laughs -- sometimes a chuckle , sometimes a guffaw and
the acting is amateurish ,
the film that surprises or delights
, it could have been a thinking man 's monster movie
waiting for things
to jimmy 's relentless anger , and to the script 's refusal of a happy ending
... a pretentious mess ...
wildly alive
companionable
brightly optimistic
the feeling of having been slimed in the name of high art
even less capable trio
turning into a black hole of dullness
emerges as a numbingly dull experience
original nor terribly funny
minded patience , respect and affection
sweet home alabama is n't going to win any academy awards
mindless action
is less a documentary and more propaganda by way of a valentine sealed with a kiss .
is a wartime farce in the alternately comic and gut-wrenching style of joseph heller or kurt vonnegut
should definitely get top billing
a scathing portrayal of a powerful entity strangling the life out of the people who want to believe in it the most
viewers out in the cold and undermines some phenomenal performances
to go around , with music and laughter
two academy award winning actresses ( and one academy award winning actor ) succumb to appearing in this junk that 's tv sitcom material at best
on an inferior level
frustrating than a modem that disconnects every 10 seconds
go hand in hand
manage to be spectacularly outrageous .
a calculating fiend or just a slippery self-promoter
an instantly forgettable snow-and-stuntwork extravaganza
a rare and lightly entertaining look behind the curtain that separates comics from the people laughing in the crowd .
premise , mopes through a dreary tract of virtually plotless meanderings
best short story writing
a rushed , slapdash , sequel-for-the-sake - of-a-sequel with less than half
characters drop their pants for laughs and not the last time
a pleasant and engaging enough sit
the film does n't have enough innovation or pizazz to attract teenagers , and it lacks the novel charm that made spy kids a surprising winner with both adults and younger audiences .
particularly joyless , and exceedingly dull
captures an italian immigrant family on the brink of major changes
that they are doing it is thought-provoking .
the bad sound , the lack of climax and , worst of all ,
the thornier aspects
of cliches
are fun and reminiscent of combat scenes from the star wars series .
puts the sting back into the con
an engaging , formulaic sports drama that carries a charge of genuine excitement
thoroughly satisfying entertainment
it 's great for the kids
to absurd lengths
absurdities and clichés
a beautiful , timeless and universal tale of heated passions
'' is entertaining .
does n't know if it wants to be a retro-refitting exercise in campy recall for older fans or a silly , nickelodeon-esque kiddie flick .
oddly honest
visually breathtaking , viscerally exciting , and dramatically moving , it 's the very definition of epic adventure .
less of a trifle if ms. sugarman followed through on her defiance of the saccharine
in my own very humble opinion , in praise of love lacks even the most fragmented charms i have found in almost all of his previous works .
its 112-minute length
drifts aimlessly for 90 minutes before lodging in the cracks of that ever-growing category
little too ponderous to work as shallow entertainment , not remotely incisive enough to qualify as drama , monsoon wedding
issue you a dog-tag and an m-16
the top japanese animations of recent vintage
little action , almost no suspense or believable tension ,
a courageous scottish lady
about how lame it is to try and evade your responsibilities
most daring ,
without sacrificing its high-minded appeal
not once does it come close to being exciting .
a rambling and incoherent manifesto
claim to express warmth and longing
about a young woman 's face , and by casting an actress whose face projects that woman 's doubts and yearnings
, they mock the kind of folks they do n't understand , ones they figure the power-lunchers do n't care to understand , either .
undermining the movie 's reality and stifling its creator 's comic voice
a directorial tour de force by bernard rose , ivans
the masses with star power , a pop-induced score and sentimental moments
the film for anyone
about changing times , clashing cultures and the pleasures of a well-made pizza
's good , hard-edged stuff , violent and a bit exploitative but also nicely done , morally alert and street-smart
... get a sense of good intentions derailed by a failure to seek and strike just the right tone .
hooks us completely
'' has been written so well , that even a simple `` goddammit ! ''
through this mess
a schlocky creature
director charles stone iii applies more detail to the film 's music than to the story line ; what 's best about drumline is its energy .
employs to authenticate her british persona
davis ' candid , archly funny and deeply authentic take on intimate relationships comes to fruition in her sophomore effort .
imponderably stilted and self-consciously arty
has a flair for dialogue comedy
lies a plot cobbled together from largely flat and uncreative moments
fits into a genre that has been overexposed , redolent of a thousand cliches , and yet remains uniquely itself , vibrant with originality
watching a rerun
the enjoyable undercover brother , a zany mix of saturday night live-style parody , '70s blaxploitation films and goofball action comedy gone wild ,
the uneven movie does have its charms and its funny moments but not quite enough of them .
as the slight , pale mr. broomfield continues to force himself on people and into situations that would make lesser men run for cover
this is a film about the irksome , tiresome nature of complacency that remains utterly satisfied to remain the same throughout .
frequent flurries of creative belly laughs
to become a major-league leading lady , ( but )
loud , silly , stupid and pointless .
a simple tale of an unlikely friendship , but thanks to the gorgeous locales and exceptional lead performances , it has considerable charm .
daughter from danang sticks with its subjects a little longer and tells a deeper story
its intelligence and intensity
poignant and moving
captivating .
bombshell
rare to see a movie that takes such a speedy swan dive from `` promising '' to `` interesting '' to `` familiar '' before landing squarely on `` stupid ''
some clever scripting solutions
major pleasures
sick and demented humor
should appreciate its whimsical humor
humanly funny film
is a frustrating patchwork : an uneasy marriage of louis begley 's source novel ( about schmidt ) and an old payne screenplay .
a funny , puzzling movie ambiguous enough to be engaging and oddly moving
truly distinctive
is a remake by the numbers , linking a halfwit plot to a series of standup routines in which wilson and murphy show how funny they could have been in a more ambitious movie .
a lovely , eerie film that casts an odd , rapt spell
an intelligent , realistic portrayal of testing boundaries
head and shoulders above much of the director 's previous popcorn work
one of my greatest pictures , drunken master
the best next generation episodes
it merely indulges in the worst elements of all of them .
pleasurable movies
at keeping themselves kicking
's definitely not made for kids or their parents , for that matter
offers large rewards
have done in half an hour
high-adrenaline documentary .
honor the many faceless victims
a treatise on spirituality as well as
good match
irksome characters
, labute continues to improve .
entirely memorable
been called freddy gets molested by a dog
mindless
a been-there ,
that is sure to win viewers ' hearts
this self-deprecating , biting and witty feature
told with competence
is more appetizing than a side dish of asparagus
as far as mainstream matinee-style entertainment goes , it does a bang-up job of pleasing the crowds
soul-searching garbage .
sharper , cleaner script
generally a huge fan
really busts out of its comfy little cell
... the movie feels stitched together from stock situations and characters from other movies .
that i think is supposed to be an attempt at hardass american but sometimes just lapses into unhidden british
the wise-beyond-her-years teen
of liveliness
have finally aged past his prime ... and ,
hollywood ending is the most disappointing woody allen movie ever .
this obscenely bad dark comedy ,
schneidermeister ... makin ' a fool of himself
seeks to transcend its genre with a curiously stylized , quasi-shakespearean portrait of pure misogynist evil .
appropriately cynical social commentary aside ,
colorful , energetic and sweetly whimsical
is genuinely inspirational
most thoughtful fictional examination
how can you charge money for this ? '
the ultimate scorsese film
heightened , well-shaped dramas