xiangpku/GLUE huggingface dataset:
a strong erotic spark to the most crucial lip-reading sequence
, steven shainberg 's adaptation of mary gaitskill 's harrowing short story ... is a brilliantly played , deeply unsettling experience .
like showgirls and glitter , the most entertaining moments here are unintentional .
laugther
be a toss-up between presiding over the end of cinema as we know it and another night of delightful hand shadows
, this is one of the best-sustained ideas i have ever seen on the screen .
is n't as funny as you 'd hoped .
as a good old-fashioned adventure for kids , spirit : stallion of the cimarron is a winner .
bitter and less mature
it 's easier to change the sheets than to change hackneyed concepts when it comes to dreaming up romantic comedies
suggest possibilities which imbue the theme with added depth and resonance
the occasional belly laugh
shows uncanny skill in getting under the skin of her characters
spreads itself too thin , leaving these actors , as well as the members of the commune
while certainly clever in spots
to accommodate to fit in and gain the unconditional love she seeks
gives this aging series a much needed kick , making `` die another day '' one of the most entertaining bonds in years
evocative
i do n't know if frailty will turn bill paxton into an a-list director , but he can rest contentedly with the knowledge that he 's made at least one damn fine horror movie .
where nothing really happens
worthy of our respect
has a florid turn of phrase that owes more to guy ritchie than the bard of avon
advised to sit near the back and squint to avoid noticing some truly egregious lip-non-synching
between these two marginal characters
they so heartwarmingly motivate
carries a little too much ai n't - she-cute baggage into her lead role as a troubled and determined homicide cop to quite pull off the heavy stuff .
a sensitive , modest comic tragedy that works as both character study and symbolic examination of the huge economic changes sweeping modern china
rising star jake gyllenhaal
that suffers because of its many excesses
griffiths ' warm and winning central performance
he 's just a sad aristocrat in tattered finery , and the film seems as deflated as he does
a plodding teen remake that 's so mechanical you can smell the grease on the plot
a truly larger-than-life character
action-packed an experience as a ringside seat at a tough-man contest
o fantasma is boldly , confidently orchestrated , aesthetically and sexually , and
seeing things from new sides , plunging deeper ,
here 's a case of two actors who do everything humanly possible to create characters who are sweet and believable , and are defeated by a screenplay that forces them into bizarre , implausible behavior .
as pure composition and form --
formulaic to the 51st power , more like .
intelligent jazz-playing exterminator
tension , eloquence , spiritual challenge -- things that have made the original new testament stories so compelling for 20 centuries
for followers of the whole dead-undead genre , who deserve more from a vampire pic than a few shrieky special effects
satisfactorily exploit its gender politics , genre thrills or inherent humor
a solidly constructed , entertaining thriller
suffers from the addition of a wholly unnecessary pre-credit sequence designed to give some of the characters a ` back story
turns fanciful , grisly and engagingly quixotic
frightening and compelling
the first mistake
her petite frame and vulnerable persona emphasising her plight and isolation
goldmember has none of the visual wit of the previous pictures , and it looks as though jay roach directed the film from the back of a taxicab .
naughty children 's
sophisticated film
offering instead with its unflinching gaze a measure of faith in the future
warm , inviting , and surprising
the film 's plot may be shallow ,
vowing , ` this is going to be something really good
with such a buoyant , expressive flow of images
out-of-kilter
grotesquely
mark it takes an abrupt turn into glucose sentimentality and laughable contrivance
are both excellent , in the kind of low-key way that allows us to forget that they are actually movie folk .
rubber-face routine
allows his cast the benefit of being able to give full performances ...
is n't a new idea
bad stage dialogue
lots of effort and intelligence are on display but in execution it is all awkward , static , and lifeless rumblings
picture-perfect
precocious smarter-than-thou wayward teen struggles to rebel against his oppressive , right-wing , propriety-obsessed family .
duds
wonderfully sprawling soap opera
foul substances
fairly unsettling scenes
of character-driven storytelling
beautiful film
darned if your toes wo n't still be tapping
cheapening
of its marks
gets sillier , not scarier ,
examines crane 's decline with unblinking candor .
so aggressively cheery that pollyana would reach for a barf bag .
uses a totally unnecessary prologue , just because it seems obligatory
would be a total washout
foreign culture only
impressive images
stock plot
more irresistibly than in ` baran
our culture is headed down the toilet with the ferocity of a frozen burrito after an all-night tequila bender -- and i know this because i 've seen ` jackass : the movie
, tasteless and idiotic
the talented cast generally
a fresh , entertaining comedy that looks at relationships minus traditional gender roles .
, ` naqoyqatsi ' is banal in its message and the choice of material to convey it .
to shine
a renowned indian film culture that allows americans to finally revel in its splendor
you might think he was running for office -- or trying to win over a probation officer
live together
somewhat less than it might have been
humorless , self-conscious art drivel , made without a glimmer of intelligence or invention .
control-alt-delete
of janice beard ( eileen walsh ) when her real-life persona is so charmless and vacant
storytellers
be spectacularly outrageous
's not to like about a movie with a ` children 's ' song that includes the line ` my stepdad 's not mean , he 's just adjusting ' ?
never finds its tone and several scenes run too long .
are served with a hack script
appeals to me
i 'm not sure which half of dragonfly is worse : the part where nothing 's happening , or the part where something 's happening , but it 's stupid
a highly spirited , imaginative kid 's movie that broaches neo-augustinian theology : is god
a young boy
moving and vibrant
after 30 minutes into a slap-happy series
fails on so many levels
which become strangely impersonal and abstract
disturbance or detached pleasure
druggy and self-indulgent ,
gorgeous pair
is oscar-worthy .
sparkling , often hilarious romantic jealousy comedy ...
lost the politics and the social observation and become just another situation romance about a couple of saps stuck in an inarticulate screenplay
of misogyny and unprovoked violence
, ugly and destructive little ****
perfect black pearls
is n't
a non-stop funny feast of warmth , color and cringe
want to check it out
in search of a better movie experience
unfolds like a lazy summer afternoon and concludes with the crisp clarity of a fall dawn
takes great pleasure
work in concert
burns 's strongest film since the brothers mcmullen
enough freshness
rude and profane
's no surprise that as a director washington demands and receives excellent performances , from himself and from newcomer derek luke .
sanitised and
levity
should dispel it
at least three dull plots
filled with unlikable , spiteful idiots
more predictable than their consequences
's a crime movie made by someone who obviously knows nothing about crime
be found a tough beauty
i liked the original short story but this movie , even at an hour and twenty-some minutes , it 's too long and it goes nowhere
resurrection has the dubious distinction of being a really bad imitation of the really bad blair witch project .
far more entertaining
before swooping down on a string of exotic locales , scooping the whole world up in a joyous communal festival of rhythm
bland to be interesting
certainly was n't feeling any of it
if `` lilo & stitch '' is n't the most edgy piece of disney animation to hit the silver screen , then this first film to use a watercolor background since `` dumbo '' certainly ranks as the most original in years .
familiar you might as well be watching a rerun
but something far more stylish and cerebral -- and , hence
rifkin 's references are ... impeccable throughout .
escapes the precious trappings of most romantic comedies , infusing into the story very real ,
scratch for a lesson in scratching
like it was worth your seven bucks
is pretty much the same all over
the delicious
mike shoots and scores
the number of tumbleweeds blowing through the empty theaters
very minds
non-techies can enjoy
takes a fresh and absorbing look at a figure whose legacy had begun to bronze
kosminsky ... puts enough salt into the wounds of the tortured and self-conscious material to make it sting .
in mystery and a ravishing , baroque beauty
should win the band a few new converts , too
deals with its subject matter in a tasteful , intelligent manner , rather than forcing us to endure every plot contrivance that the cliché-riddled genre can offer .
no-holds-barred cinematic
the banter between calvin and his fellow barbers feels like a streetwise mclaughlin group ... and never fails to entertain .
that is filled with raw emotions conveying despair and love
the message of our close ties with animals can certainly not be emphasized enough
humor and heart and very talented young actors
its compelling mix
an artist , one whose view of america , history and the awkwardness of human life is generous and deep
that seems as though it was written for no one , but somehow
in a give-me-an-oscar kind of way
a pleasant enough dish
what soured me on the santa clause 2 was that santa bumps up against 21st century reality so hard , it 's icky .
of one unstable man
we delight in the images
another gross-out college comedy -- ugh
stitch is a bad mannered , ugly and destructive little **** .
superficially written characters ramble
hit on a 15-year old
the high seas that works better the less the brain is engaged
's not clear whether we 're supposed to shriek
a hopeless , unsatisfying muddle
will have an intermittently good time
in watching the resourceful molly stay a step ahead of her pursuers
is n't much there here .
an impressive roster of stars and direction
the most beautiful , evocative works
smugly
rich in shadowy metaphor and as sharp as a samurai sword , jiang wen 's devils on the doorstep is a wartime farce in the alternately comic and gut-wrenching style of joseph heller or kurt vonnegut .
well-directed and
a sweetness , clarity and emotional openness that recalls the classics of early italian neorealism
possible argentine american beauty reeks
the results are tired
bale reduced mainly to batting his sensitive eyelids
good things to offer
an intermingling of naiveté and sophistication
by a charm that 's conspicuously missing from the girls ' big-screen blowout
most deceptively amusing comedies
enjoyable 100
ozpetek avoids most of the pitfalls you 'd expect in such a potentially sudsy set-up
no earthly reason
enough to become comparatively sane and healthy
, i 'll buy the soundtrack .
the artsy and often pointless visuals
had a lot of problems with this movie
a real story
the most offensive action
the emperor 's club any time
humankind 's liberating ability
high-spirited
there are for children and dog lovers
enough is not a bad movie , just mediocre .
fails as a dystopian movie ,
` anyone with a passion for cinema , and indeed sex , should see it as soon as possible . '
there is enough originality in ` life ' to distance it from the pack of paint-by-number romantic comedies that so often end up on cinema screens .
has a forcefully quirky tone that quickly wears out its limited welcome
like a non-stop cry for attention
uses very little dialogue
fluid , no-nonsense authority
'll buy the soundtrack .
the best movie in many a moon about the passions that sometimes fuel our best achievements and other times
that it was intended to be a different kind of film
of the director , frank novak , that keeps the film grounded in an undeniable social realism
the plot makes no sense
there 's a little violence and lots of sex in a bid to hold our attention , but it grows monotonous after a while , as do joan and philip 's repetitive arguments , schemes and treachery
overwhelmingly positive portrayal
the pathology it pretends to investigate
like the excruciating end of days
putting together familiar themes of family , forgiveness and love in a new way
a rock-solid gangster movie with a fair amount of suspense , intriguing characters and bizarre bank robberies , plus a heavy dose of father-and-son dynamics .
a wonderfully speculative character
leers , offering next to little insight into its intriguing subject
illiterate , often inert sci-fi action thriller .
think it 's in danger of going wrong
kids-and-family-oriented
a distinct rarity , and an event
members of the cultural elite
a love affair
pull together easily accessible stories that resonate with profundity
desire to enjoy good trash every now and then
diesel is n't the actor to save it .
's back-stabbing , inter-racial desire and , most importantly , singing and dancing .
what 's missing in murder by numbers
for all audiences
you can only love the players it brings to the fore for the gifted but no-nonsense human beings they are and for the still-inestimable contribution they have made to our shared history .
it 's begun to split up so that it can do even more damage
of effecting change and inspiring hope
with motionless characters
complex and quirky , but
comfort and familiarity
superior cast
is tuned in to its community .
talking a talk that appeals to me
being unique does n't necessarily equate to being good , no matter how admirably the filmmakers have gone for broke .
people who are enthusiastic about something and then
succeeds where its recent predecessor miserably fails because it demands that you suffer the dreadfulness of war from both sides .
this 90-minute dud
is n't worth sitting through
passionate , if somewhat flawed , treatment
like a living-room war of the worlds , gaining most of its unsettling force from the suggested and the unknown
of the most entertaining bonds in years
puts enough salt
the movie 's sophomoric blend of shenanigans and slapstick
there are flaws , but also stretches of impact and moments of awe ;
that everyone involved with moviemaking is a con artist and a liar
get into heaven by sending the audience straight to hell
as well-written as sexy beast
unless you come in to the film with a skateboard under your arm , you 're going to feel like you were n't invited to the party .
from a director who understands how to create and sustain a mood
's one of the few ` cool ' actors who never seems aware of his own coolness .
a lot of the credit for the film 's winning tone
'll love this movie .
tear your eyes
viewers are asked so often to suspend belief that were it not for holm 's performance
enough cool fun
as sharp or as fresh
a large dose of painkillers
of explosive physical energy and convincing intelligence
can render it anything but laughable .
it is messy , uncouth , incomprehensible , vicious and absurd .
a crisp psychological drama ( and ) a fascinating little thriller that would have been perfect for an old `` twilight zone '' episode .
distracted by the movie 's quick movements
worthy of her considerable talents
we assume he had a bad run in the market or a costly divorce , because there is no earthly reason other than money why this distinguished actor would stoop so low .
morality , family , and social expectation
an undeniably moving film to experience , and ultimately that 's what makes it worth a recommendation
as it sounds , but strikes a tone that 's alternately melancholic , hopeful and strangely funny
what it would be like to be smack in the middle of a war zone armed with nothing but a camera
a smorgasbord of soliloquies about nothing delivered by the former mr. drew barrymore
in the hands of a brutally honest individual like prophet jack
is as bad as you think , and worse than you can imagine .
, then the film is a pleasant enough dish .
the theme with added depth and resonance
, skins is heartfelt and achingly real .
, haphazard theatrical release
degenerates into hogwash
rotten in the state of california
full of bland hotels , highways , parking lots , with some glimpses of nature and family warmth , time out is a discreet moan of despair about entrapment in the maze of modern life .
without bestowing the subject with the intelligence or sincerity it unequivocally deserves
embarrassed to be part of
gets vivid , convincing performances from a fine cast , and generally keeps things going at a rapid pace , occasionally using an omniscient voice-over narrator in the manner of french new wave films .
makes oliver far more interesting than the character 's lines would suggest
it 's hard to imagine anybody ever being `` in the mood '' to view a movie as harrowing and painful as the grey zone ,
when a movie asks you to feel sorry for mick jagger 's sex life , it already has one strike against it .
style-free
screen with considerable appeal
it is ok for a movie to be something of a sitcom apparatus , if the lines work , the humor has point and the actors are humanly engaged .
inert sci-fi action thriller .
the joyous , turbulent self-discovery
you 'll love it and probably want to see it twice .
because australia is a weirdly beautiful place
that it seems the film should instead be called ` my husband is travis bickle '
cho 's previous concert comedy film
won my heart
laugh at how bad
the best since the last waltz
like many such biographical melodramas , it suffers from the awkwardness that results from adhering to the messiness of true stories .
sayles has an eye for the ways people of different ethnicities talk to and about others outside the group .
our eyes
ca n't recommend it
is the kind of movie that gets a quick release before real contenders arrive in september .
place most of the psychological and philosophical material in italics rather than trust an audience 's intelligence
find it with ring , an indisputably spooky film ; with a screenplay to die for
this movie is to be cherished .
emerges a radiant character portrait .
... the movie , shot on digital videotape rather than film , is frequently indecipherable .
dogme
good-time shenanigans
not enough fizz
with really solid performances by ving rhames and wesley snipes .
( `` laissez-passer '' )
is ingenious fun
a solid formula for successful animated movies
, the film is a hilarious adventure and i shamelessly enjoyed it .
the movie 's contrived , lame screenplay and listless direction
) meandering and pointless french coming-of-age import from writer-director anne-sophie birot
malaise
wonderous
if you 're not deeply touched by this movie , check your pulse .
seems too simple and the working out of the plot almost arbitrary .
finds its moviegoing pleasures in the tiny events that could make a person who has lived her life half-asleep suddenly wake up and take notice .
pretend it 's a werewolf itself by avoiding eye contact and walking slowly away .
structured less as a documentary and more as a found relic
holiday box office pie
the powerful success of read my lips with such provocative material
come up with an original idea for a teen movie
look at the backstage angst of the stand-up comic .
for its 100 minutes running time , you 'll wait in vain for a movie to happen .
like many western action films , this thriller is too loud and thoroughly overbearing
that it is one that allows him to churn out one mediocre movie after another
does n't clue you in that something 's horribly wrong
is so self-pitying
a mesmerizing cinematic poem
godard uses his characters -- if that 's not too glorified a term -- as art things
of jaglom 's self-conscious and gratingly irritating films
the bad guys
disguise the slack complacency of ( godard 's ) vision
a rip-off twice removed
creates sheerly cinematic appeal
the last metro )
ends up being neither , and fails at both endeavors
from charismatic rising star jake gyllenhaal but also
the dialogue is cumbersome ,
embarrassment and
marveled
bounces around with limp wrists , wearing tight tummy tops and hip huggers , twirling his hair on his finger and assuming that 's enough to sustain laughs
more busy than exciting , more frantic than involving , more chaotic than entertaining .
in the soulful development of two rowdy teenagers
captures an italian immigrant family on the brink of major changes .
to insult the intelligence of everyone in the audience
its brilliant touches
have made the old boy 's characters more quick-witted than any english lit
the look and the period trappings right
's really just another major league
handed down
hollywood horror
it 's like dying and going to celluloid heaven
duvall is strong as always .
she is a lioness , protecting her cub , and he a reluctant villain ,
a searing , epic treatment of a nationwide blight that seems to be ,
a bit too eager to please .
a film that affirms the nourishing aspects of love and companionship
one word that best describes this film : honest
ms. shreve 's novel proved too difficult a text to ` lick , ' despite the efforts of a first-rate cast .
molested
stands a good chance of being the big
at such a furiously funny pace
popcorn thriller
astoundingly rich film
are certainly
is a movie so insecure about its capacity to excite that it churns up not one but two flagrantly fake thunderstorms to underscore the action .
what ( denis ) accomplishes in his chilling , unnerving film is a double portrait of two young women whose lives were as claustrophic , suffocating and chilly as the attics to which they were inevitably consigned .
loosely-connected string
tells its poignant and uplifting story in a stunning fusion of music and images
max pokes , provokes , takes expressionistic license and hits a nerve
imagine anybody being able to tear their eyes away from the screen
with an elegance and maturity
's still unusually crafty and intelligent for hollywood horror
movie that leaves vague impressions and a nasty aftertaste but little clear memory of its operational mechanics
presented with universal appeal
mr. nachtwey has traveled to places in the world devastated by war , famine and poverty and documented the cruelty and suffering he has found with an devastating , eloquent clarity .
shame on writer/director vicente aranda for making a florid biopic about mad queens , obsessive relationships , and rampant adultery so dull
ruthless in its own placid way
robin williams , death to smoochy
it is japanese and yet feels universal
safe conduct is anything but languorous .
become strangely impersonal and abstract
rambles aimlessly through ill-conceived action pieces
should have ditched the artsy pretensions and revelled in the entertaining shallows
shining with all the usual spielberg flair
has n't lost a bit of the dry humor that first made audiences on both sides of the atlantic love him
that by its end offers a ray of hope to the refugees able to look ahead and resist living in a past
of jason x
what it is -- a nice , harmless date film
far from heaven is a dazzling conceptual feat , but
the experience worthwhile
that werner herzog can still leave us with a sense of wonder at the diverse , marvelously twisted shapes history has taken
like quirky , odd movies and/or the ironic
shows the promise of digital filmmaking
to remarkable performances
is remarkably dull with only caine
romp that 's always fun to watch .
so that , by the time the credits roll across the pat ending , a warm , fuzzy feeling prevails
time is a beautiful film to watch , an interesting and at times captivating take on loss and loneliness .
makes for a touching love story , mainly because blanchett and ribisi compellingly tap into a spiritual aspect of their characters ' suffering .
ultimately too repellent to fully endear itself to american art house audiences , but it is notable for its stylistic austerity and forcefulness .
in its yearning for the days
allows the film to drag on for nearly three hours
the characterizations and dialogue lack depth or complexity , with the ironic exception of scooter .
would reach for a barf bag