xiangpku/GLUE huggingface dataset:
mr. polanski is in his element here : alone , abandoned , but still consoled by his art , which is more than he has ever revealed before about the source of his spiritual survival .
gives a superb performance
deny its seriousness and quality
cold-hearted curmudgeon
feels so distant you might as well be watching it through a telescope
: land beyond time is an enjoyable big movie primarily because australia is a weirdly beautiful place .
the pain , loneliness and insecurity of the screenwriting process are vividly and painfully brought to slovenly life in this self-deprecating , biting and witty feature written by charlie kaufman and his twin brother , donald , and directed by spike jonze .
like the hanks character , he 's a slow study : the action is stilted and the tabloid energy embalmed .
is scott 's convincing portrayal of roger the sad cad that really gives the film its oomph .
watching these eccentrics is both inspiring and pure joy .
a particularly nightmarish fairytale
something more beautiful than either of those films
taken outside the context of the current political climate ( see : terrorists are more evil than ever ! )
moving and stark reminder
do n't really care too much about this love story .
comedy and melodrama
by turns touching , raucously amusing , uncomfortable , and , yes , even sexy
its courage , ideas , technical proficiency and great acting
miscalculates badly
is notable for its stylistic austerity and forcefulness
numbing experience
he respects the material without sentimentalizing it
a hugely rewarding experience that 's every bit as enlightening , insightful and entertaining as grant 's two best films -- four weddings and a funeral and bridget jones 's diary .
of no erotic or sensuous charge
throwing out so many red herrings , so many false scares ,
of shape
is about quiet , decisive moments between members of the cultural elite as they determine how to proceed as the world implodes
many flaws
a superfluous sequel ... plagued by that old familiar feeling of ` let 's get this thing over with ' :
young romantics
is a festival film that would have been better off staying on the festival circuit
ashamed in admitting that my enjoyment came at the expense of seeing justice served , even if it 's a dish that 's best served cold
by a set of heartfelt performances
striking villains
does n't offer audiences any way of gripping what its point is , or even its attitude toward its subject .
much of the lady and the duke is about quiet , decisive moments between members of the cultural elite as they determine how to proceed as the world implodes .
it 's often overwritten , with a surfeit of weighty revelations , flowery dialogue , and nostalgia for the past and roads not taken .
, you 're in luck .
full of cheesy dialogue
can usually be traced back to the little things
as clever
if you like an extreme action-packed film with a hint of humor
between deadpan comedy and heartbreaking
the movie 's narrative hook is way too muddled to be an effectively chilling guilty pleasure .
it 's an exhilarating place to visit , this laboratory of laughter .
is sickly entertainment at best and mind-destroying cinematic pollution at worst .
an almost constant mindset of suspense
are so old-fashioned
of admission for the ridicule factor
flaws , but also
that examines many different ideas from happiness to guilt in an intriguing bit of storytelling
one of those films that started with a great premise and then just fell apart .
there would be a toss-up between presiding over the end of cinema as we know it and another night of delightful hand shadows .
the secret 's eventual discovery
easier to sit through than most of jaglom 's self-conscious and gratingly irritating films
gives itself the freedom to feel contradictory things .
holds promise ,
comes along to remind us of how very bad a motion picture can truly be .
unwieldy cast
the horror fan
ride , with jaw-dropping action sequences , striking villains , a gorgeous color palette , astounding technology , stirring music and a boffo last hour
is the kind of subject matter that could so easily have been fumbled by a lesser filmmaker
a hit - and-miss affair , consistently amusing but not as outrageous or funny as cho may have intended or as imaginative as one might have hoped .
to reduce everything he touches to a shrill , didactic cartoon
is the gabbiest giant-screen movie ever , bogging down in a barrage of hype
career-defining revelation
with bracing intelligence and a vision both painterly and literary
a british cast
the bombastic self-glorification of other feel-good fiascos like antwone fisher or the emperor 's club any time
just so the documentary will be over
enjoyable choice
required genuine acting from ms. spears
knows how to make our imagination wonder .
cold , sterile and lacking
coupling disgracefully written dialogue with flailing bodily movements that substitute for acting , circuit is the awkwardly paced soap opera-ish story .
congrats disney on a job well done
take you places you have n't been , and also places you have
is too picture postcard perfect , too neat and new pin-like , too obviously a recreation to resonate .
the film above anything sandler
proving once again ego does n't always go hand in hand with talent
pale imitation
( russell ) makes good b movies ( the mask , the blob ) , and the scorpion king more than ably meets those standards .
cheapening it
it would n't have taken the protagonists a full hour to determine that in order to kill a zombie you must shoot it in the head
there must be an audience that enjoys the friday series , but i would n't be interested in knowing any of them personally .
a terrible adaptation of a play that only ever walked the delicate tightrope between farcical and loathsome
a bittersweet drama about the limbo of grief and how truth-telling
uniquely sensual
when the screenwriter responsible for one of the worst movies of one year directs an equally miserable film the following year , you 'd have a hard time believing it was just coincidence .
of all those famous moments
the rollicking dark humor so necessary
does n't offer much in terms of plot or acting .
the characters are paper thin and
slapping its target audience in the face
nail the spirit-crushing ennui of denuded urban living without giving in to it
clever ideas and
we 've seen the hippie-turned-yuppie plot before , but there 's an enthusiastic charm in fire that makes the formula fresh again
gripping drama .
a man whose engaging manner and flamboyant style made him a truly larger-than-life character
an audience full of teenagers fixating on its body humor and reinforcement of stereotypes
, you 'll cheer .
a stylish exercise in revisionism whose point
a cheap thriller
a sensitive , moving
penned by a man who has little clue about either the nature of women or of friendship .
the logic
worth catching
's not like having a real film of nijinsky
an oddly winning portrayal of one
just as expectant of an adoring , wide-smiling reception
a stale , overused cocktail
who might enjoy this
romance , tragedy and even silent-movie comedy
his wife look so bad in a major movie
that pollyana would reach for a barf bag
with their fathers
a huge disappointment coming ,
ruined by amateurish writing and acting
there 's apparently nothing left to work with , sort of like michael jackson 's nose .
an insane comic undertaking
about the people who live in them , who have carved their own comfortable niche in the world and have been kind enough to share it
one-sided documentary offers simplistic explanations to a very complex situation .
fast and funny
unadulterated thrills or genuine laughs
likable , but just as often it 's meandering , low on energy , and too eager to be quirky at moments when a little old-fashioned storytelling would come in handy .
the surprisingly shoddy makeup work
this arrogant richard pryor wannabe
one of the worst films of the summer
it 's not just a feel-good movie , it 's a feel movie .
is masterful
has little wit and no surprises .
sublimely lofty
'' it 's equally distasteful to watch him sing the lyrics to `` tonight . ''
( and educational )
20 years apart
rates as an exceptional thriller .
`` frailty '' starts out like a typical bible killer story , but it turns out to be significantly different ( and better ) than most films with this theme .
and it is n't that funny .
it 'll probably be in video stores by christmas , and it might just be better suited to a night in the living room than a night at the movies
( a ) soulless
, i 'd want something a bit more complex than we were soldiers to be remembered by .
offers much to absorb and even more to think about after the final frame
is that it jams too many prefabricated story elements into the running time .
that clever angle
a fascinating profile of a deeply humanistic artist who , in spite of all that he 's witnessed , remains surprisingly idealistic
an affectionate
for its logical loopholes , which fly by so fast there 's no time to think about them anyway
you do n't want to think too much about what 's going on
nothing in it to engage children emotionally
than an amiable but unfocused bagatelle that plays like a loosely-connected string of acting-workshop exercises
, so it 's not a brilliant piece of filmmaking , but it is a funny ( sometimes hilarious ) comedy with a deft sense of humor about itself , a playful spirit and a game cast .
is nicely shot , well-edited
discovery and humor between chaplin and kidman
fret
fashion a brazil-like , hyper-real satire
as decent drama/action flick
with impressive results
takes a fresh and absorbing look at a figure whose legacy had begun to bronze .
as naturally charming as it needs to be
is dazzling
touches to a shrill , didactic cartoon
simultaneously heart-breaking and very funny
have a whale of a good time .
quickly wears out its limited welcome
rushed , slapdash , sequel-for-the-sake - of-a-sequel
these self-styled athletes have banged their brains into the ground so frequently
mixed-up films
that feels as though it 's trying to set the women 's liberation movement back 20 years
exciting and well-paced .
is also elevated by it -- the kind of movie that you enjoy more because you 're one of the lucky few who sought it out .
quietly moving
succeeds in entertaining
my eyelids ... getting
you 've spent the past 20 minutes looking at your watch
a straight-shooting family film which awards animals the respect they
is painterly
's a very tasteful rock and roll movie
squirming in their seats
on its own , it 's not very interesting .
is a horrible movie --
i could not stand them
ver wiel 's
the ` ick '
serves as a paper skeleton for some very good acting , dialogue ,
leaves you giddy
in a big corner office in hell , satan is throwing up his hands in surrender , is firing his r&d people , and has decided he will just screen the master of disguise 24/7 .
about tattoos
there is nothing in it to engage children emotionally
care what kind of sewage they shovel into their mental gullets to simulate sustenance
in 1958 brooklyn
of the most depressing movie-going experiences i can think of
the passion , creativity , and fearlessness of one of mexico 's most colorful and controversial artists --
a consummate actor
bad mannered , ugly and destructive little ****
's superficial and unrealized
intimate and socially encompassing
banged their brains
are immaculate , with roussillon providing comic relief
giggling at the absurdities and inconsistencies is part of the fun .
to have been modeled on the worst revenge-of-the-nerds clichés the filmmakers could dredge up
of surprises
, dramatically satisfying heroine
the gags are puerile .
a film that begins as a seven rip-off , only to switch to a mix of the shining , the thing , and any naked teenagers horror flick from the 1980s
master of disguise runs for only 71 minutes and feels like three hours .
hopkins/rock collision
this is n't worth sitting through
why human beings long for what they do n't have
strangely impersonal and abstract
a video helmer
happens that tells you there is no sense
might not seem like the proper cup of tea
the movie is certainly easy to watch .
try to surprise us with plot twists
coral reef adventure is a heavyweight film that fights a good fight on behalf of the world 's endangered reefs
crudup 's anchoring performance
a rehash
to a biting satire that has no teeth
comes out looking like something wholly original
unremittingly ugly
beautifully crafted
enjoys
every turn of elizabeth berkley 's flopping dolphin-gasm
that could so easily have been fumbled by a lesser filmmaker
decidedly unoriginal
the words `` radical '' or `` suck ''
hard to imagine anybody ever being `` in the mood '' to view a movie as harrowing and painful as the grey zone
a little more intensity and a little less charm would have saved this film a world of hurt .
's mostly a pleasure to watch .
his greatest triumph
how much they engage and even touch us
this strenuously unconventional movie
the exotic surface ( and exotic dancing )
a frustrating ` tweener '
as important as humor
enthrall
, though , there is a really cool bit -- the movie 's conception of a future-world holographic librarian ( orlando jones ) who knows everything and answers all questions , is visually smart , cleverly written , and nicely realized .
very very strong `` b +
dramatized
the year 's greatest adventure , and jackson 's limited but enthusiastic adaptation has made literature literal without killing its soul -- a feat any thinking person is bound to appreciate
under the skin of her characters
the movie bogs down in insignificance , saying nothing about kennedy 's assassination and revealing nothing about the pathology it pretends to investigate .
'll find yourself wishing that you and they were in another movie .
right ways
is competent
with no aspirations
tender hug
beautiful stars
unhappy at the prospect of the human race splitting in two
another shameless attempt
despite bearing the paramount imprint , it 's a bargain-basement european pickup .
over-blown
nicolas cage is n't the first actor to lead a group of talented friends astray , and
a muddled limp biscuit of a movie , a vampire soap opera that does n't make much
maudlin ending
be like trying to eat brussels sprouts
it is notable for its stylistic austerity and forcefulness
` ke burstein
well made
succeeds through sincerity
warmth and humor
failed jokes , twitchy acting ,
the most complex , generous and subversive artworks
an ungainly movie
sadistic bike flick
the milieu is wholly unconvincing ... and
a sleep-inducingly slow-paced crime drama with clumsy dialogue , heavy-handed phoney-feeling sentiment , and an overly-familiar set
built for controversy .
in a sick , twisted sort of way
great combination act
is duly impressive in imax dimensions ,
with cloying messages and irksome characters
pleasing way
all awkward
has become apparent that the franchise 's best years are long past .
skip the film and buy the philip glass soundtrack cd
star script
terrific casting and solid execution give all three stories life .
the film 's messages of tolerance and diversity are n't particularly original
's hard to believe these jokers are supposed to have pulled off four similar kidnappings before
, hard-hitting documentary .
pair that with really poor comedic writing ... and you 've got a huge mess .
ingenious and often
merely pretentious --
has a pleasing way with a metaphor .
went back to newcastle , the first half of gangster no. 1 drips with style and , at times , blood
ladles on the local flavor with a hugely enjoyable film about changing times , clashing cultures and the pleasures of a well-made pizza
a glib but bouncy bit of sixties-style slickness in which the hero might wind up caught but the audience gets pure escapism .
delightful stimulus
which might have been called freddy gets molested by a dog )
humor wry
with a tone as variable as the cinematography
these women are spectacular
co-stars
to stand out as particularly memorable or even all that funny
intricate , intimate and intelligent journey
lets her character become a caricature -- not even with that radioactive hair
modest , straight-ahead standards
in modern alienation
a sense of childhood imagination
leave it to the french to truly capture the terrifying angst of the modern working man without turning the film into a cheap thriller , a dumb comedy or a sappy melodrama
tear-stained
innocent and
with weak dialogue and biopic
her welcome in her most charmless performance
one terrific story with lots of laughs
stylized swedish fillm about a modern city where all the religious and civic virtues that hold society in place are in tatters
looks like he 's not trying to laugh at how bad
more grueling and
that 's neither original nor terribly funny
transcends the boy-meets-girl posturing of typical love stories .
give a backbone to the company
the film is like sitting in a downtown café , overhearing a bunch of typical late-twenty-somethings natter on about nothing , and desperately wishing you could change tables .
superior ''
a depraved , incoherent , instantly disposable piece
old-fashioned but emotionally stirring adventure tale
its rather slow beginning
serious and thoughtful .
is more engaging than the usual fantasies hollywood produces
but here 's a movie about it anyway .
a time machine , a journey back to your childhood ,
the difference between cho and most comics is that her confidence in her material is merited .
were made for the palm screen
the film has a laundry list of minor shortcomings , but
sits in the place where a masterpiece should be
enough vices to merit its 103-minute length
a really solid woody allen film
leading to a tragedy which is somehow guessable from the first few minutes , maybe because it echoes the by now intolerable morbidity of so many recent movies
always looks good
preposterousness
although it starts off so bad that you feel like running out screaming , it eventually works its way up to merely bad rather than painfully awful .
out of character and logically porous action set
low-budget and tired
muddled drama
's left of his passe ' chopsocky glory
unusually tame
markedly inactive
that keeps you guessing at almost every turn
the possible exception of elizabeth hurley 's breasts
all movie long , city by the sea swings from one approach to the other , but in the end , it stays in formula -- which is a waste of de niro , mcdormand and the other good actors in the cast .
one of those unassuming films that sneaks up on you and stays with you long after you have left the theater .
this forgettable effort
to even categorize this as a smutty guilty pleasure
weaver and lapaglia are both excellent , in the kind of low-key way that allows us to forget that they are actually movie folk .
about the plight of american indians in modern america
historically significant
wrong on both counts
noble failure .
overused
a bland animated sequel that
no sense of pride or shame
insultingly unbelievable final act
a visual spectacle full of stunning images and effects .
paint-by-numbers picture
of pure misogynist evil
the production is suitably elegant
that frenetic spectacle ( on the tv show )
huge action sequence
is never especially clever and often is rather pretentious
the hardy spirit
a chilling tale of one of the great crimes of 20th century france : the murder of two rich women by their servants in 1933 .
the emotion or timelessness of disney 's great past , or even that of more recent successes such as `` mulan '' or `` tarzan
the broiling sun
inherent in the mixture of bullock bubble and hugh goo
for drawing wrenching performances from his actors ( improvised over many months ) and for conveying the way tiny acts of kindness make ordinary life survivable
, the answer is clear : not easily and , in the end , not well enough .
sloppy slapstick
he 's a charismatic charmer likely to seduce and conquer .
adventure story and history lesson
happens to be good
too full
comes to resemble the kind of soft-core twaddle you 'd expect to see on showtime 's ` red shoe diaries
well-crafted psychological study
girls ca n't swim represents an engaging and intimate first feature by a talented director to watch , and it 's a worthy entry in the french coming-of-age genre .
virtually impossible
devolves into the derivative , leaning on badly-rendered cgi effects .
stalls in its lackluster gear of emotional blandness
be able to appreciate the wonderful cinematography and naturalistic acting
painfully forced ,
offers flickering reminders of the ties that bind us .
might turn on many people to opera , in general
has the rare capability to soothe and break your heart with a single stroke
matter how much he runs around and acts like a doofus
does n't match his ambition
remain curious about each other against all odds
schticky chris rock and stolid anthony hopkins , who seem barely in the same movie
all the movie 's narrative gymnastics ca n't disguise the fact that it 's inauthentic at its core and that its story just is n't worth telling .
fest of self-congratulation between actor and director that leaves scant place for the viewer
in luck
soderbergh 's solaris is a gorgeous and deceptively minimalist cinematic tone poem .
the story is bogus
if it were n't such a clever adaptation of the bard 's tragic play
a deftly entertaining film
charlie hunnam has the twinkling eyes , repressed smile and determined face needed to carry out a dickensian hero .
such a lousy way , complete with some of the year 's ( unintentionally ) funniest moments , that it 's impossible to care
the most notable observation is how long you 've been sitting still
for kids or their parents
has plenty of laughs .
enjoyably over-the-top
... a delightfully unpredictable , hilarious comedy with wonderful performances that tug at your heart in ways that utterly transcend gender labels .
occasionally inspired dialogue bits
, the movie is a disaster .
remarkable and memorable
spiced with the intrigue of academic skullduggery and politics .
everyone , especially movie musical fans , has been hoping for
quiet , decisive moments between members of the cultural elite
is a nonstop hoot
a marvelous performance by allison lohman
pleasant enough -- and
's an ambitious film
goes downhill
returning to one anecdote for comparison : the cartoon in japan that gave people seizures
a bad rock concert
, overmanipulative hollywood practices
it 's potentially just as rewarding
tragic deaths
that tells stories that work -- is charming , is moving
that fails on so many levels
audience-pleaser
a sappy , preachy one at that
this would be a worthy substitute for naughty children 's stockings
we 've seen it all before in one form or another
it goes off the rails in its final 10 or 15 minutes
the passion , creativity , and fearlessness of one of mexico 's most colorful and controversial artists -- a captivating drama that will speak to the nonconformist in us all
what might have emerged as hilarious lunacy in the hands of woody allen or
reverberates throughout this film , whose meaning and impact is sadly heightened by current world events
excellent latin actors of all ages
alas , getting there is not even half the interest .
have a freshness and modesty that transcends their predicament
its most glaring
might be wishing for a watch that makes time go faster rather than the other way around .
kinnear 's performance is a career-defining revelation .
are well worth revisiting as many times as possible
the only thing i laughed at were the people who paid to see it .
the merchant-ivory team continues to systematically destroy everything we hold dear about cinema , only now it 's begun to split up so that it can do even more damage .
would not likely be so stupid as to get
engaging enough to keep you from shifting in your chair too often
comprehend the chasm of knowledge that 's opened between them
's most thoughtful films about art , ethics , and the cost of moral compromise
( jeff 's ) gorgeous ,
that holds up well after two decades
a dark-as-pitch comedy that frequently veers into corny sentimentality , probably
with maggots crawling on a dead dog
the film rehashes several old themes and is capped with pointless extremes --
a powerful look
strip it of all its excess debris , and you 'd have a 90-minute , four-star movie .
classic text
a banal , virulently unpleasant excuse for a romantic comedy