xiangpku/GLUE huggingface dataset:
a director i admire
plenty of female audience members drooling over michael idemoto as michael
a breakthrough
listless , witless , and
excels in spectacle and pacing .
to recycle images and characters that were already tired 10 years ago
a fully engaged supporting cast
low-rent -- and even lower-wit
'' is a shapeless inconsequential move relying on the viewer to do most of the work .
unknowable
a spirit that can not be denied
disguise that he 's spiffing up leftovers that are n't so substantial or fresh
be like to be smack in the middle of a war zone armed with nothing but a camera
you 'll still have a good time . ''
the modern rut of narrative banality
has a wooden delivery and encounters a substantial arc of change that does n't produce any real transformation .
if you open yourself up to mr. reggio 's theory of this imagery as the movie 's set ... it can impart an almost visceral sense of dislocation and change .
cram too many ingredients
great material for a film -- rowdy , brawny and lyrical in the best irish sense
what redeems the film is the cast , particularly the ya-yas themselves .
thick with wit it plays like a reading from bartlett 's familiar quotations
a solid movie about people whose lives are anything but
it an above-average thriller
impossible spot
dave barry 's popular book of the same name
as unusually and unimpressively fussy
too much exploitation
one key problem with these ardently christian storylines
a film in a class with spike lee 's masterful
saved if the director , tom dey , had spliced together bits and pieces of midnight run and 48 hours ( and , for that matter , shrek )
have to admit i walked out of runteldat
the film , which very simply sets out to entertain and ends up delivering in good measure
crisp and purposeful
cute animals
a nifty plot line in steven soderbergh 's traffic
is the awkwardly paced soap opera-ish story .
hugely enjoyable in its own right
wo n't enjoy the movie at all .
recommend waiting for dvd and just skipping straight to her scenes
pull us deep into the girls ' confusion and pain as they struggle tragically to comprehend the chasm of knowledge that 's opened between them .
vaguely interesting , but it 's just too too much
violent and mindless
taking angry potshots at george w. bush , henry kissinger , larry king , et al .
a worthwhile documentary ,
does not go far enough in its humor or stock ideas to stand out as particularly memorable or even all that funny .
scuttled by a plot that 's just too boring and obvious
buoy the film , and at times , elevate it to a superior crime movie
he 's the god of second chances '
a high-end john hughes comedy
made me want to get made-up and go see this movie with my sisters
is rich in emotional texture
that director m. night shyamalan can weave an eerie spell and
inimitable
has dreamed up such blatant and sickening product placement in a movie .
with the same number of continuity errors
extraordinarily rich
ultimate movie experience
the case of a pregnant premise being wasted by a script that takes few chances and manages to insult the intelligence of everyone in the audience
pretend like your sat scores are below 120 and
old-fashioned in all the best possible ways
never succumbs to sensationalism
spellbinding fun and deliciously exploitative .
will be well worth your time .
a very good viewing alternative for young women
interesting enough
77 minutes of pokemon
a disappointment
drag two-thirds through
more interested in entertaining itself
only is entry number twenty the worst of the brosnan bunch
a slice of american pie hijinks
coming apart at its seams
transcends ethnic lines .
lacking any sense of commitment to
the director 's
a memorable directorial debut from king hunk
works better in the conception than it does in the execution
welsh whimsy
a fine effort , an interesting topic , some intriguing characters and a sad ending
plucks
quirky movie to be made from curling
this is a seriously intended movie that is not easily forgotten .
the shackles of its own clichés
soliloquies about nothing delivered by the former mr. drew barrymore
this is a movie that is what it is : a pleasant distraction , a friday night diversion , an excuse to eat popcorn .
has-been
drag it down to mediocrity
a brilliant piece
most savagely hilarious
the plot ` surprises '
of what makes dover kosashvili 's outstanding feature debut so potent
what 's worse , routine
as much humor as pathos
navigate spaces both large ... and small ... with considerable aplomb
tacky and reprehensible
the best straight-up
provides a fresh view of an old type
it was at least funny
simple and soapy
trying to be other films
schneider 's performance is so fine
a big heart
stomps in hobnail boots over natalie babbitt 's gentle , endearing 1975 children 's novel .
the personal touch of manual animation
if the predictability of bland comfort food appeals to you , then the film is a pleasant enough dish .
leaves little doubt that kidman has become one of our best actors .
gives `` mothman '' an irresistibly uncanny ambience that goes a long way toward keeping the picture compelling
very compelling , sensitive
like kissing jessica stein , amy 's orgasm has a key strength in its willingness to explore its principal characters with honesty , insight and humor .
trudge
in many ways the perfect festival film : a calm , self-assured portrait of small town regret , love , duty and friendship that appeals to the storytelling instincts of a slightly more literate filmgoing audience
do n't have the slightest difficulty accepting him in the role
yu clearly hopes to camouflage how bad his movie is .
in fact , the best in recent memory
a kind of hard , cold effect
clever in spots
is as delightful as it is derivative
has it beat by a country mile
with dickens ' words and writer-director douglas mcgrath 's even-toned direction
the more you will probably like it .
the unnamed , easily substitutable forces
the needlessly poor quality
be distinguished from a mediocre one
has never looked uglier .
need comforting fantasies about mental illness
rage and alienation
very stupid and annoying .
thirteen conversations about one thing is a small gem .
but its storytelling prowess and special effects are both listless .
an inept , tedious spoof of '70s kung fu pictures , it contains almost enough chuckles for a three-minute sketch , and no more .
the story has its redundancies
delivers a surprising
that is presented with universal appeal
huppert 's show to steal and she makes a meal of it , channeling kathy baker 's creepy turn as the repressed mother on boston public just as much as 8 women 's augustine .
beautifully shot , delicately
counts heart as important as humor
heathers , then becomes bring it on , then becomes unwatchable
too neat and new pin-like
scotland looks wonderful , the fans are often funny fanatics ,
a monumental achievement
brainless ,
waters it down ,
ludicrous and contrived plot
, it 's a pretty good execution of a story that 's a lot richer than the ones hollywood action screenwriters usually come up with on their own .
probably limited to lds church members and undemanding armchair tourists
cruel and inhuman cinematic punishment
gets bogged down over 140 minutes
started with a great premise and then just fell apart
a dashing and resourceful hero ;
avoid many of the condescending stereotypes that so often plague films dealing with the mentally ill
complicated plotting and banal dialogue
the big-screen scooby makes the silly original cartoon seem smart and well-crafted in comparison .
failings
metaphors abound , but it is easy to take this film at face value and enjoy its slightly humorous and tender story .
the characters sound like real people
standout performance
comatose
, warm water under a red bridge is a celebration of feminine energy , a tribute to the power of women to heal .
an inspired portrait of male-ridden angst and the emotional blockage that accompanies this human condition
novak contemplates a heartland so overwhelmed by its lack of purpose that it seeks excitement in manufactured high drama .
` cultural revolution
the price of the match that should be used to burn every print of the film
come even easier .
fearlessly gets under the skin of the people involved
hugely imaginative and successful casting to its great credit
mined his personal horrors and came up with a treasure chest of material
the answer is as conventional as can be
human nature , in short , is n't nearly as funny as it thinks it is ; neither is it as smart
the charisma and ability
so lackluster
natalie babbitt 's gentle , endearing 1975 children 's novel
never again , while nothing special , is pleasant , diverting and modest -- definitely a step in the right direction .
is its essential problem
caffeinated , sloppy brilliance
what the audience feels is exhaustion , from watching a movie that is dark ( dark green , to be exact ) , sour , bloody and mean .
seem fresh again
the sentimental cliches mar an otherwise excellent film .
being dragged through a sad , sordid universe of guns , drugs , avarice and damaged dreams
the screenplay , but rather
for independence , complete with loads of cgi and bushels of violence , but not a drop of human blood
we get a cinematic postcard that 's superficial and unrealized .
remains the most wondrous of all hollywood fantasies -- and the apex of steven spielberg 's misunderstood career .
a nasty aftertaste but little clear memory
a little old-fashioned storytelling
's a heaven for bad movies
the biggest names in japanese anime
rushed , slapdash ,
it is a unique , well-crafted psychological study of grief
comedy that is warm , inviting , and surprising .
a film with almost as many
retread , hobbled by half-baked setups and sluggish pacing
-- in the title role --
the most brilliant and brutal uk crime film since jack carter
become a household name
invested in undergraduate doubling subtexts and ridiculous stabs
fit in any modern action movie
rich in emotional texture
as if it belongs on the big screen
the production details are lavish
mr. goyer 's loose , unaccountable direction
an ultra-loud blast of pointless mayhem , going nowhere fast
as action-adventure , this space-based homage to robert louis stevenson 's treasure island fires on all plasma conduits .
the most repugnant adaptation of a classic text since roland joffé and demi moore
unimaginable demons
goes nowhere and goes there very , very slowly
these people are really going to love the piano teacher .
should get all five
but if the essence of magic is its make-believe promise of life that soars above the material realm , this is the opposite of a truly magical movie .
the point of nausea
realizes a fullness that does not negate the subject .
be of interest primarily to its target audience
blast even the smallest sensitivities from the romance
just as the lousy tarantino imitations have subsided
going at a rapid pace , occasionally using an omniscient voice-over narrator in the manner of french new wave films
deserves , at the very least ,
its through-line of family and community is heartening in the same way that each season marks a new start .
leave this loser
's no accident
manufactured to me and artificial
delicious , quirky movie
everyone 's insecure in lovely and amazing , a poignant and wryly amusing film about mothers , daughters and their relationships .
any film that does n't even in passing mention political prisoners , poverty and the boat loads of people who try to escape the country
emptiness and maddeningly sedate pacing
it 's not particularly well made
, and unforgettable characters
a sad , soggy potboiler
the overall fabric is hypnotic , and
also is difficult to fathom .
busts out of its comfy little cell
that hews out a world and carries us effortlessly from darkness to light
the rueful , wry humor springing out of yiddish culture and language
through the constraints of its source
laughs in this simple , sweet and romantic comedy
aimless for much of its running time ,
the superficial tensions
the charm of satin rouge
that it looks neat
across as shallow and glib though
after several scenes of this tacky nonsense
you 're left with a sour taste in your mouth
funniest and most accurate depiction
's really well directed
strong filmmaking
foolish choices
celebratory
about otherwise dull subjects
funny and human
such conviction
sadly are at hostile odds with one another through recklessness and retaliation
numbingly dull-witted and disquietingly creepy
no amount of good intentions is able to overcome the triviality of the story .
well spent
engrossing piece
lame and sophomoric
, my mind kept returning to one anecdote for comparison : the cartoon in japan that gave people seizures .
a remarkably faithful one
the appeal of the vulgar , sexist , racist humor went over my head or -- considering just how low brow it is
the cast ... keeps this pretty watchable , and casting mick jagger as director of the escort service was inspired
a superior crime movie
may rethink their attitudes when they see the joy the characters take in this creed
, a formula comedy redeemed by its stars ,
's hard to imagine any recent film , independent or otherwise , that makes as much of a mess as this one .
whether we 're supposed to shriek
gives it that extra little something that makes it worth checking out at theaters
showtime is nevertheless efficiently amusing for a good while .
charming and quirky
as in aimless , arduous , and arbitrary
every cliché about gays in what is essentially an extended soap opera
racism and homophobia
robbed and replaced
that best describes this film : honest
the legendary wit 's classic mistaken identity farce
poetic force and
as dumb , credulous , unassuming , subordinate subjects
ming-liang 's witty , wistful new film
quite tasty and
i 'm sure the filmmaker would disagree , but , honestly , i do n't see the point .
's sweet , funny , charming , and completely delightful .
's hardly any fun to watch
an allegory concerning the chronically mixed signals african american professionals get about overachieving could be intriguing , but the supernatural trappings only obscure the message .
has a gentle , unforced intimacy that never becomes claustrophobic
is visually smart ,
a visually compelling one
talky films
glaring triteness
pretty and gifted , it really won my heart
like real people
be fertile sources of humor
has no point and goes nowhere
the premise of `` abandon '' holds promise , ... but its delivery is a complete mess
best and most unpredictable comedy
eschews the previous film 's historical panorama and roiling pathos for bug-eyed mugging and gay-niche condescension
a bad mannered , ugly and destructive little ****
with little visible talent and no energy , colin hanks is in bad need of major acting lessons and maybe a little coffee .
, it 's thanks to huston 's revelatory performance .
precious and finely cut diamond
take us on his sentimental journey of the heart
( and literally ) tosses around sex toys and offers half-hearted paeans to empowerment that are repeatedly undercut by the brutality of the jokes , most at women 's expense .
wide-awake all the way
it struck a chord in me
to feel-good , follow-your-dream hollywood fantasies
the flawed support structure holding equilibrium up
clichés
despite its flaws ... belinsky is still able to create an engaging story that keeps you guessing at almost every turn .
the movie lacks in action
alienating
be consigned to the dustbin of history
saying nothing about kennedy 's assassination and revealing nothing about the pathology it pretends to investigate
settles too easily along the contours of expectation
young talent
- spy action flick with antonio banderas and lucy liu never comes together .
filmmakers david weissman and bill weber
this much imagination and nerve
tiny little jokes and nary an original idea
confused , and totally disorientated
business and pleasure
the human race splitting in two
sexy slip
a satisfying crime drama
merely pretentious -- in a grisly sort of way
its overinflated mythology
pitched to the cadence of a depressed fifteen-year-old 's suicidal poetry .
narratively complex
the future than `` bladerunner '' and one of the most high-concept sci fi adventures attempted for the screen
savvy director robert j. siegel and
magic and whimsy
terrible , banal dialogue ;
slow , uneventful
love interest
its attractive young leads
that `` pretty woman '' wanted to be
this is the kind of movie that gets a quick release before real contenders arrive in september .
without a glimmer of intelligence or invention
leaping from one arresting image to another
'd rather watch a rerun of the powerpuff girls
low-budget , video-shot
from the real-life story to portray themselves in the film
's a bad action movie
great help from kevin kline
jane wyman and
a compassionate ,
ca n't make up its mind whether it wants to be a gangster flick or an art film
do n't care about being stupid
farcical and loathsome
is too short
too goodly ,
you will never forget
's a great performance and a reminder of dickens ' grandeur
vivid with color , music and life
loses points when it surrenders to a formulaic bang-bang , shoot-em-up scene at the conclusion .
well-defined
one of the funniest motion pictures of the year , but ... also one of the most curiously depressing .
of no real consequence
staggers between flaccid satire and what
her material is not first-rate
real audience-pleaser
the humor wry and sprightly
, lifeless , meandering , loud , painful , obnoxious
forced to follow
as if ( there 's ) a choke leash around your neck so director nick cassavetes can give it a good , hard yank whenever he wants you to feel something
shining performance offers us the sense that on some elemental level , lilia deeply wants to break free of her old life .
dismally dull sci-fi comedy .
give what may be the performances of their careers
satisfying well-made
does not deserve to go down with a ship as leaky as this
of quiet power
nevertheless efficiently
it 's light on the chills and heavy on the atmospheric weirdness , and there are moments of jaw-droppingly odd behavior -- yet i found it weirdly appealing
does n't so much phone in his performance as fax it .
rolling over in their graves
to the power of the eccentric and the strange
, washington has a sure hand .
, this is the first film in a long time that made me want to bolt the theater in the first 10 minutes .
will only satisfy the most emotionally malleable of filmgoers .
unreligious
too much of storytelling moves away from solondz 's social critique , casting its audience as that of intellectual lector in contemplation of the auteur 's professional injuries .
bloated plot
the high standards of performance
saturday night live-style parody , '70s blaxploitation films and goofball action comedy
a cool event for the whole family
the annoyance of that chatty fish
accessible and
a tart , smart breath of fresh air
movie star charisma
gracefully
there 's nothing like love to give a movie a b-12 shot , and
who proves that elegance is more than tattoo deep
atrocious
, this trifling romantic comedy in which opposites attract for no better reason than that the screenplay demands it squanders the charms of stars hugh grant and sandra bullock .
the delicious trimmings
the same way you came -- a few tasty morsels under your belt ,
you wo n't feel cheated by the high infidelity of unfaithful .
share their enthusiasm
( and beautifully edited )
grips and holds you in rapt attention from
ferocity and thoughtfulness
terrible story
finely crafted , finely written
stylish sizzle
that perfectly captures the wonders and worries of childhood
pokey
the rich promise of the script will be realized on the screen
of spirit
a variety of quirky characters and an engaging story
is not a bad movie , just mediocre .
a certain charm
tries too hard to be emotional
quiet , adult and just about more stately than any contemporary movie this year ... a true study , a film with a questioning heart and mind that is n't afraid to admit it does n't have all the answers .
, it 's quite fun in places .
vibrant with originality
the peak of all things insipid
the entire movie is so formulaic and forgettable that it 's hardly over before it begins to fade from memory .
is simply a lazy exercise in bad filmmaking that asks you to not only suspend your disbelief but your intelligence as well
spare wildlife
is the cold comfort that chin 's film serves up with style and empathy
is a satisfying well-made romantic comedy that 's both charming and well acted
the sum of all fears pretends to be a serious exploration of nuclear terrorism , but it 's really nothing more than warmed-over cold war paranoia .
an hour-and-a-half-long commercial
makes one thing abundantly clear .
pull us deep into the girls ' confusion and pain as they struggle tragically to comprehend the chasm of knowledge that 's opened between them
outstanding originality
to be said for a studio-produced film that never bothers to hand viewers a suitcase full of easy answers
that 's what makes it worth a recommendation
, non-exploitive approach
a wonderful tale
ages that is n't fake fun
a fresh view
laughs -- sometimes a chuckle , sometimes a guffaw and , to my great pleasure , the occasional belly laugh
it 's sort of in-between , and it works .
, energetic and original
the movie has a script ( by paul pender ) made of wood ,
much entertainment value
wrong with this ricture
elegant entertainment
like a wet burlap sack of gloom
called `` jar-jar binks : the movie
davis ... gets vivid performances from her cast and pulls off some deft ally mcbeal-style fantasy sequences .
's just as wonderful on the big screen
rather dull , unimaginative car chase
's dull , spiritless , silly and monotonous : an ultra-loud blast of pointless mayhem , going nowhere fast .
the story has some nice twists but the ending and
, pointless meditation on losers in a gone-to-seed hotel .
often demented in a good way , but it is an uneven film for the most part .
talk to her is not the perfect movie many have made it out to be , but it 's still quite worth seeing .
bad-movie way
outstanding feature debut
it is different from others in its genre in that it is does not rely on dumb gags , anatomical humor , or character cliches ; it primarily relies on character to tell its story .
creative contributions
kinda wrong in places
a summary of the plot does n't quite do justice to the awfulness of the movie , for that comes through all too painfully in the execution .
so larger than life and
we were soldiers
to see samira makhmalbaf as a very distinctive sensibility , working to develop her own film language with conspicuous success
it 's hard to quibble with a flick boasting this many genuine cackles
in diminishing his stature from oscar-winning master to lowly studio hack
shot largely in small rooms , the film has a gentle , unforced intimacy that never becomes claustrophobic .
the artist 's work may take on a striking new significance for anyone who sees the film
in execution it is all awkward , static , and lifeless rumblings
find yourself wishing that you and they were in another movie
of the worst films of the summer
super -
squeezed the life out of whatever idealism american moviemaking ever had
's as if solondz had two ideas for two movies , could n't really figure out how to flesh either out
an underachiever ,
, politically charged tapestry
treat for its depiction on not giving up on dreams when you 're a struggling nobody
screeching-metal
savvy , compelling
does n't make for great cinema
a powerful , inflammatory film about religion that dares to question an ancient faith , and about hatred that offers no easy , comfortable resolution .
love the opening scenes of a wintry new york city in 1899
, is of overwhelming waste
a fantastically vital movie that manages to invest real humor ,
like its hero
is funny , scary and sad .
new adaptation
, at least terribly monotonous
is that wind-in-the-hair exhilarating
of nonsense
taylor 's cartoonish performance
performances of ( jack nicholson 's ) career
elevate `` glory '' above most of its ilk
it 's not particularly well made , but since i found myself howling more than cringing , i 'd say the film works
it transporting is that it 's also one of the smartest
to call the film ` refreshing
even less capable
of torture and self-mutilation
intricate , intimate and intelligent
112-minute
is well told