xiangpku/GLUE huggingface dataset:
a great story
guilty-pleasure
a markedly inactive film , city
somehow manages to escape the shackles of its own clichés to be the best espionage picture to come out in weeks .
to live out and carry on their parents ' anguish
has its faults
despite the gratuitous cinematic distractions impressed upon it , is still good fun .
smart and newfangled
get a cinematic postcard that 's superficial and unrealized .
a very sincere work
an impressive job
bittersweet dialogue that cuts to the chase of the modern girl 's dilemma .
sandra bullock and hugh grant make a great team , but
come to earth
wasting away inside unnecessary films
, it has a more colorful , more playful tone than his other films .
ride through nighttime manhattan , a loquacious videologue of the modern male and the lengths to which he 'll go to weave a protective cocoon around his own ego
you leaving the theater with a smile on your face
a warm and well-told tale
failed jokes , twitchy acting , and general boorishness
it 's impossible to care
graceless and ugly
ransacked every old world war ii movie for overly familiar material
has rewards , from the exoticism of its seas of sand to the fierce grandeur of its sweeping battle scenes
of the all-time great apocalypse movies
fairly solid -- not to mention
's a powerful though flawed movie , guaranteed to put a lump in your throat while reaffirming washington as possibly the best actor working in movies today
howard and his co-stars all give committed performances , but
the movie 's downfall is to substitute plot for personality .
memories of rollerball
do well to cram earplugs in their ears
old-fashioned themes
this orange has some juice , but it 's far from fresh-squeezed
, funny and touching
, refreshingly ,
pushes its agenda too forcefully
the whole dead-undead genre
onto what 's left of his passe ' chopsocky glory
a funny yet dark and seedy clash of cultures and generations
this could be a movie that ends up slapping its target audience in the face by shooting itself in the foot .
provocative material
relatively lightweight commercial fare such as notting hill to commercial
you realize that deep inside righteousness can be found a tough beauty
an eerily suspenseful , deeply absorbing piece
all but spits out denzel washington 's fine performance in the title role .
a bunch of talented thesps
mr. deeds is sure to give you a lot of laughs in this simple , sweet and romantic comedy .
, heartwarming yarn
rumor , a muddled drama about coming to terms with death , feels impersonal , almost generic .
this is the ultimate movie experience
stop buying tickets
at just over an hour , home movie will leave you wanting more , not to mention leaving you with some laughs and a smile on your face .
nothing compared to the movie 's contrived , lame screenplay and listless direction
's provocative stuff
their super-powers , their super-simple animation
that soars above the material realm
's been responsible for putting together any movies of particular value or merit
gorgeously elaborate continuation
knows everything and answers all questions
besides its terrific performances
of what 's become one of the movies ' creepiest conventions , in which the developmentally disabled
feels shrill , simple and soapy .
is highly pleasurable
make the film more silly than scary
squandering his opportunity to make absurdist observations
lovely trifle
are telegraphed in the most blithe exchanges gives the film its lingering tug .
's a rollicking adventure for you and all your mateys , regardless of their ages .
a strong script , powerful direction and
real americans
the innate theatrics that provide its thrills and extreme emotions lose their luster when flattened onscreen .
a breathtaking adventure for all ages , spirit tells its poignant and uplifting story in a stunning fusion of music and images .
the history is fascinating ; the action is dazzling
you would n't want to live waydowntown , but it is a hilarious place to visit .
company once again dazzle and delight us
want to watch
's the best sequel since the empire strikes back ... a majestic achievement , an epic of astonishing grandeur and surprising emotional depth
for fans of british cinema , if only because so many titans of the industry are along for the ride
you 've already seen city by the sea under a variety of titles , but it 's worth yet another visit
the stories are quietly moving .
endless exposition
carries you along in a torrent of emotion
makes an amazing breakthrough in her first starring role
adds enough quirky and satirical touches in the screenplay to keep the film entertaining
are well done and perfectly constructed to convey a sense of childhood imagination
making his wife look so bad in a major movie
and mawkish dialogue
is frittered away in middle-of-the-road blandness .
harry potter and the chamber of secrets finds a way to make j.k. rowling 's marvelous series into a deadly bore .
from new zealand whose boozy , languid air is balanced by a rich visual clarity and deeply
almost immediately that welcome to collinwood is n't going to jell
a generational signpost
for bad movies
... in no way original , or even all that memorable , but as downtown saturday matinee brain candy , it does n't disappoint .
depleted
clichéd and shallow cautionary tale
is an honestly nice little film that takes us on an examination of young adult life in urban south korea through the hearts and minds of the five principals .
deliver a great story
shiri is a must for genre fans .
any recent film , independent or otherwise , that makes as much of a mess as this one
over-the-top , and amateurish .
since its poignancy hooks us completely
the worst elements
uneasy mix
is the opposite of a truly magical movie
notorious c.h.o. hits all the verbal marks it should .
an above-average thriller
what little grace ( rifkin 's ) tale of precarious skid-row dignity achieves is pushed into the margins by predictable plotting and tiresome histrionics .
, and even touching
which pokes fun at the price of popularity and small-town pretension in the lone star state
is present brown as a catalyst for the struggle of black manhood in restrictive and chaotic america ... sketchy but nevertheless gripping portrait of jim brown , a celebrated wonder in the spotlight
the highest and the performances
worry about being subjected to farts , urine , feces , semen , or any of the other foul substances
fast-moving and cheerfully
are more involving than this mess
every member of the ensemble has something fascinating to do --
once again that he 's the best brush in the business
for the earnest emotional core
the urban landscapes are detailed down to the signs on the kiosks , and the color palette , with lots of somber blues and pinks , is dreamy and evocative
barbershop so likable
unfunny phonce
like a student film
seem so real
meets so many of the challenges it poses for itself that one can forgive the film its flaws .
crafted , engaging filmmaking that should attract upscale audiences hungry for quality and a nostalgic , twisty yarn that will keep them guessing .
bourgeois french society
takes an abrupt turn into glucose sentimentality and laughable contrivance
for that reason it may be the most oddly honest hollywood document of all
stubbornly refused to gel
the crassness
wartime
quite frankly , i ca n't see why any actor of talent would ever work in a mcculloch production again if they looked at how this movie turned out .
visible enthusiasm
undeniably worthy and devastating experience
visually ugly
find room for one more member of his little band , a professional screenwriter
underconfident
return to never land is reliable , standard disney animated fare , with enough creative energy and wit to entertain all ages .
dawns , comic relief
remove spider-man the movie from its red herring surroundings and
crass , low-wattage
a cleverly
'd much rather watch teens poking their genitals into fruit pies
accomplished oscar winners susan sarandon , dustin hoffman and holly hunter , yet newcomer ellen pompeo pulls off the feat with aplomb
covers this territory with wit and originality
if you 're down for a silly hack-and-slash flick , you can do no wrong with jason x.
a movie in which laughter and self-exploitation merge into jolly soft-porn 'em powerment . '
most entertaining
, more playful tone
of marivaux 's rhythms , and mira sorvino 's limitations as a classical actress
the actors ' perfect comic timing and sweet , genuine chemistry
to view one of shakespeare 's better known tragedies as a dark comedy
real emotional impact
cinematic razzle-dazzle
by his art , which is more than he has ever revealed before about the source of his spiritual survival
to believe that anyone in his right mind would want to see the it
the director seems to take an unseemly pleasure in ( the characters ' ) misery and at the same time to congratulate himself for having the guts to confront it .
much about the film is loopy and ludicrous ... that it could have been a hoot in a bad-movie way if the laborious pacing and endless exposition had been tightened .
, first-class , natural acting and a look at `` the real americans '' make this a charmer .
is hitting your head on the theater seat in front of you when you doze off thirty minutes into the film
remarkable performance
deft and subtle poetry
really tells the tale
an astonishingly witless script
with his fake backdrops and stately pacing
will have you talking 'til the end of the year !
well-done supernatural thriller with keen insights into parapsychological phenomena and the soulful nuances of the grieving process .
feels rigged and sluggish
its standard formula
a pretty woman
the insipid script
concentrates far too much on the awkward interplay and utter lack of chemistry between chan and hewitt .
unfolds in a low-key , organic way that encourages you to accept it as life and go with its flow .
vacant
is never quite able to overcome the cultural moat surrounding its ludicrous and contrived plot
are often more predictable than their consequences
a cloak of unsentimental , straightforward text
partly a shallow rumination on the emptiness of success
the sexy razzle-dazzle
yet feels universal
, well-shaped dramas
human nature should be ingratiating
until then there 's always these rehashes to feed to the younger generations
most wondrous love story
, uplifting and moving
is a dim-witted pairing of teen-speak and animal gibberish .
that 's a lot richer than the ones hollywood action screenwriters usually come up with on their own
runs around and acts like a doofus
i 'm sure the filmmakers found this a remarkable and novel concept , but anybody who has ever seen an independent film can report that it is instead a cheap cliché .
a hilarious adventure
put together with the preteen boy in mind
twohy knows how to inflate the mundane into the scarifying , and gets full mileage out of the rolling of a stray barrel or the unexpected blast of a phonograph record .
feels as though it 's trying to set the women 's liberation movement back 20 years
k-19 will not go down in the annals of cinema as one of the great submarine stories , but it is an engaging and exciting narrative of man confronting the demons of his own fear and paranoia
so dull
confuses its message with an ultimate desire to please
loved this film .
moviegoing pleasures
so muddled , repetitive and ragged
be sensational
of its attractive young leads
manipulation ,
none-too-funny
the wobbly premise work
a pedestrian , flat drama that screams out ` amateur ' in almost every frame
stays with you long after you have left the theater
been sacrificed for the sake of spectacle
a group of talented friends
valiant effort to understand everyone 's point of view
is more fascinating -- being real -- than anything seen on jerry springer .
to split up so that it can do even more damage
about the filmmaker 's characteristic style
fascination , and generates a fair amount of b-movie excitement
of other , better movies
is mostly a lump of run-of-the-mill profanity sprinkled with a few remarks so geared toward engendering audience sympathy that you might think he was running for office -- or trying to win over a probation officer .
ol'
know it would n't exist without the precedent of yiddish theater , whose jolly , fun-for-fun 's - sake communal spirit goes to the essence of broadway .
has the twinkling eyes , repressed smile and determined face needed to carry out a dickensian hero
at least funny
the director ca n't seem to get a coherent rhythm going
was better than saving private ryan
that lifts blue crush into one of the summer 's most pleasurable movies
the worst revenge-of-the-nerds clichés
it 's as if solondz had two ideas for two movies , could n't really figure out how to flesh either out
a good fight
flagrantly fake thunderstorms
a banal , virulently unpleasant excuse
to rival gosford park 's
an unsettling sight ,
imagine the cleanflicks version of ` love story , ' with ali macgraw 's profanities replaced by romance-novel platitudes .
repetitively stretched out to feature length , awash in self-consciously flashy camera effects , droning house music and flat , flat dialogue
a handful of virtuosic set pieces
best animated
with zoe clarke-williams 's lackluster thriller `` new best friend '' , who needs enemies
one of world cinema 's most wondrously gifted artists
the film , like jimmy 's routines , could use a few good laughs .
utterly painful to watch
refers incessantly to old movies , when you could just rent those movies instead , let alone seek out a respectable new one
credit director ramsay
a fairly irresistible package full of privileged moments and memorable performances
best and most exciting
is hell .
one in which fear and frustration are provoked to intolerable levels
a top-notch cast
fanciful direction
bland actors
he 'll go to weave a protective cocoon around his own ego
a beautiful , aching sadness to it all
theological
10,000
based on the wonderful acting clinic put on by spader and gyllenhaal
most pleasurable expressions
fully forgotten
top-notch british actor
of flat champagne
old pickup skidding
here of a director enjoying himself immensely
own mystery science theatre 3000 tribute
fixating on a far corner of the screen at times because your nerves just ca n't take it any more
is gripping , as are the scenes of jia with his family
eloquent language
subtle , humorous , illuminating study
real magic , perhaps
a fleet-footed and pleasingly upbeat family diversion .
an original idea for a teen movie
can you bear the laughter ?
the film 's ) taste for `` shock humor '' will wear thin on all
lovely film
the life out of whatever idealism american moviemaking ever had
that their charm does n't do a load of good
for the paper-thin characterizations and facile situations
might as well have come from a xerox machine rather than ( writer-director ) franc
weak and ineffective
standing in the shadows of motown is the best kind of documentary , one that makes a depleted yesterday feel very much like a brand-new tomorrow .
as much of a mess as this one
is almost in a class with that of wilde
mostly fool 's
with honest performances and exceptional detail
excels because , unlike so many other hollywood movies of its ilk , it offers hope
was produced by jerry bruckheimer and directed by joel schumacher , and reflects the worst of their shallow styles :
is never quite able
that concentrates on people , a project in which the script and characters hold sway
smug and convoluted
's good to see michael caine whipping out the dirty words and punching people in the stomach again
a historically significant work
will talk about for hours
plenty of warmth to go around , with music and laughter and the love of family .
it worth checking out at theaters
if they looked at how this movie turned out
quite a bit of heart ,
slump
of absurd plot twists , idiotic court maneuvers and stupid characters
director robert j. siegel allows the characters to inhabit their world without cleaving to a narrative arc .
my greatest pictures ,
ill at ease sharing the same scene
that crawls along at a snail 's pace
is a question for philosophers , not filmmakers ; all the filmmakers need to do is engage an audience .
, starring ben affleck , seem downright hitchcockian
been perfect for an old `` twilight zone '' episode
leaves us wondering less about its ideas and more about its characterization of hitler and the contrived nature of its provocative conclusion .
without any redeeming value whatsoever .
hilariously ,
it 's virtually impossible to like any of these despicable characters .
sounds like horrible poetry .
the latter 's attendant intelligence , poetry , passion , and genius
its storytelling prowess
of dramatic interest
piccoli 's performance is amazing , yes
about the best straight-up
by a sloppy script
it 's hard to imagine anybody ever being `` in the mood '' to view a movie as harrowing and painful as the grey zone , but it 's equally hard to imagine anybody being able to tear their eyes away from the screen once it 's started
being noticeably derivative of goodfellas and at least a half dozen other trouble-in-the-ghetto flicks
mysterious , sensual , emotionally intense ,
is n't breaking new ground
the sum of all fears generates little narrative momentum , and invites unflattering comparisons to other installments in the ryan series .
i have a new favorite musical -- and i 'm not even a fan of the genre
a derivative collection of horror and sci-fi
to find a movie with a bigger , fatter heart than barbershop
offers a compelling investigation of faith versus intellect
pleasant , diverting and modest
kinnear and dafoe give what may be the performances of their careers .
, delicate treatment
're drawn in by the dark luster
to face frightening late fees
depressing , ruthlessly pained and depraved
a movie that makes it possible for the viewer to doze off for a few minutes or make several runs to the concession stand and/or restroom and not feel as if he or she has missed anything
with guardian hack nick davies
emotional edge
one of the better video-game-based flicks , is that the film acknowledges upfront that the plot makes no sense , such that the lack of linearity is the point of emotional and moral departure for protagonist alice .
suffered through the horrible pains of a death
alexandre desplat 's haunting and sublime music
slack and
intelligence and intensity
, claustrophobic
a certain sexiness
the journey to the secret 's eventual discovery is a separate adventure , and thrill enough
jacobi , the most fluent of actors , is given relatively dry material from nijinsky 's writings to perform , and the visuals , even erotically frank ones , become dullingly repetitive
mind-destroying
be intimate and socially encompassing
gory as the scenes of torture and self-mutilation may be
like a soft drink that 's been sitting open too long : it 's too much syrup and not enough fizz .
is so insanely stupid , so awful in so many ways
more confident
to grab us , only to keep letting go at all the wrong moments
some delightful work
to cheap manipulation or corny conventions
is still good fun .
a few evocative images
hoping that the audience will not notice the glaring triteness of the plot device
whose engaging manner and flamboyant style made him a truly larger-than-life character
look bad
doze off
this film 's cast is uniformly superb
a heroic tale of persistence that is sure to win viewers ' hearts .
unlimited access
mishandled
provides a satisfactory overview of the bizarre world of extreme athletes as several daredevils express their own views .
is not enough to give the film the substance it so desperately needs
septic tank
to the tiniest segment of an already obscure demographic
object to the idea of a vietnam picture
adrien brody -- in the title role -- helps make the film 's conclusion powerful and satisfying
wo n't like looking at it
spare dialogue and acute expressiveness
i have given it a one-star rating
to acquire the fast-paced contemporary society
it 's a great performance and a reminder of dickens ' grandeur .
of warmth , color and cringe
though i could not stand them
jagger , stoppard and director michael apted ... deliver a riveting and surprisingly romantic ride .
is tuned in to its community
empowerment movie
because the genre is well established , what makes the movie fresh
ong 's promising debut is a warm and well-told tale of one recent chinese immigrant 's experiences in new york city .
learning to compromise with reality enough to become comparatively sane and healthy
from the brave , uninhibited performances
well written and directed with brutal honesty and respect for its audience .
that everyone , especially movie musical fans , has been hoping for
old-hat
while maintaining the appearance of clinical objectivity , this sad , occasionally horrifying but often inspiring film is among wiseman 's warmest .
decent ` intro ' documentary
point the way for adventurous indian filmmakers toward a crossover into nonethnic markets
hypertime in reverse
of building to a laugh riot
an engrossing and grim portrait of hookers : what they think of themselves and their clients .
up not one but two flagrantly fake thunderstorms to underscore the action
fresh , unforced naturalism
the movie slaloming through its hackneyed elements with enjoyable ease
... the movie is too heady for children , and too preachy for adults .
stylish tracking shots
adam sandler 's eight crazy nights grows on you -- like a rash .
a smart , provocative drama
his ( nelson 's ) screenplay
its logical loopholes , which fly by so fast there 's no time to think about them anyway
sexism to monday morning that undercuts its charm
turns into an ocean of trouble
20th anniversary edition
gentle and
it 's a stale , overused cocktail using the same olives since 1962 as garnish .
brings to the role her pale , dark beauty and characteristic warmth
enjoyably dumb , sweet , and intermittently hilarious -- if you 've a taste for the quirky , steal a glimpse
sometimes just lapses into unhidden british
nasty comedy
that rare documentary that incorporates so much
loaded with good intentions
the things this movie tries to get the audience to buy just
here 's yet another cool crime movie that actually manages to bring something new into the mix .
genre thrills
have a good shot at a hollywood career , if they want one
, fun , popcorn movies
the performances of pacino , williams , and swank keep the viewer wide-awake all the way through .
thanks to kline 's superbly nuanced performance , that pondering is highly pleasurable .
it reaffirms life as it looks in the face of death .
clever adaptation
the power and grace of one of the greatest natural sportsmen of modern times
most audacious , outrageous , sexually explicit , psychologically probing
is nothing but a convenient conveyor belt of brooding personalities that parade about as if they were coming back from stock character camp -- a drowsy drama infatuated by its own pretentious self-examination .
have you swinging from the trees hooting it 's praises
can see without feeling embarrassed
repetitive and
that proposes as epic tragedy the plight of a callow rich boy who is forced to choose between his beautiful , self-satisfied 22-year-old girlfriend and an equally beautiful , self-satisfied 18-year-old mistress
vulgarities in a sequel you can refuse
light treat
spiritual film taps into the meaning and consolation in afterlife communications
see mendes and company getting together before a single frame had been shot and collectively vowing , ` this is going to be something really good
enjoys quirky , fun , popcorn movies with a touch of silliness and a little
powerful sequel
the sulking , moody male hustler
without being forceful , sad without being shrill
in bad need of major acting lessons and maybe a little coffee
is suspenseful and ultimately unpredictable ,
bad blend
without much interest in the elizabethans
the rich performances by friel -- and especially williams , an american actress who becomes fully english --
a gobbler like this
fairly uneventful and
kathy baker 's creepy turn
writer-director douglas mcgrath 's even-toned direction
too stagey ,
a wildly inventive mixture
into an evanescent , seamless and sumptuous stream of consciousness
recycled more times
stunt-hungry dimwits
someone understands the need for the bad boy