xiangpku/GLUE huggingface dataset:
director lee has a true cinematic knack , but it 's also nice to see a movie with its heart so thoroughly , unabashedly on its sleeve
technically superb film
tosses around sex toys and offers half-hearted paeans to empowerment that are repeatedly undercut by the brutality of the jokes , most at women 's expense
the usual cliches
it 's still entertaining to watch the target practice .
still does n't quite know how to fill a frame .
an uncomfortable movie , suffocating and sometimes almost senseless , the grey zone
to overcome his personal obstacles and become a good man
too many prefabricated story elements
of a classic text since roland joffé and demi moore
is a little too in love
the film is visually dazzling , the depicted events dramatic , funny and poignant .
the film is strictly routine .
a cruelly funny twist
amused indictment
the lazy material and
aggressively silly
is entertaining
thought out encounter than the original could ever have hoped to be
rather brilliant
a moving and not infrequently breathtaking film
if you ever wondered what it would be like to be smack in the middle of a war zone armed with nothing but a camera
to see a romance this smart
the most moronic screenplays of the year
less than fresh .
tuck everlasting falls victim to that everlasting conundrum experienced by every human who ever lived : too much to do , too little time to do it in .
is plenty of room for editing
thriller with enough unexpected twists
is as difficult for the audience
simple pleasures
this is a nicely handled affair , a film about human darkness but etched with a light ( yet unsentimental ) touch .
a shimmeringly lovely coming-of-age portrait
regards reign of fire with awe
's really little more than a particularly slanted , gay s/m fantasy , enervating and deadeningly drawn-out
director roger kumble seems to have dumped a whole lot of plot in favor of ... outrageous gags .
such enervating determination
be pleased
really poor
if any of them list this ` credit ' on their resumes in the future , that 'll be much funnier than anything in the film ...
referred to in the title , many can aspire but none can equal
he is always sympathetic .
has fallen
yet compelling
, amusing
gussied up with so many distracting special effects and visual party tricks that it 's not clear whether we 're supposed to shriek or
why would anyone cast the magnificent jackie chan in a movie full of stunt doubles and special effects ?
do justice to the awfulness of the movie , for that comes through all too painfully in the execution
her beaten to a pulp in his dangerous game
in aimless , arduous , and arbitrary
a weird little movie that 's amusing enough while you watch it , offering fine acting moments and pungent insights into modern l.a. 's show-biz and media
is not only the best date movie of the year
steals so freely from other movies and combines enough disparate types of films
, you 'll like it .
with the weak payoff
is fantastic .
mostly honest , this somber picture reveals itself slowly , intelligently , artfully .
that presents a fascinating glimpse of urban life and the class warfare that embroils two young men
if somewhat standardized ,
survives intact in bv 's re-voiced version .
just another disjointed
the young stars are too cute ; the story and ensuing complications are too manipulative ; the message is too blatant ;
clever ways of capturing inner-city life during the reagan years
trading in his cynicism for reverence and a little wit
a couple of burnt-out cylinders
witty expose
that is worthy of our respect
captivating and
with minimal imagination , you could restage the whole thing in your bathtub .
'd probably turn it off
a vivid , spicy footnote to history , and a movie that grips and holds you in rapt attention from start to finish .
disparate funny moments
come with the warning
develops a startling story that works both as a detailed personal portrait and as a rather frightening examination of modern times
is an honestly nice little film that takes us on an examination of young adult life in urban south korea through the hearts and minds of the five principals
is banal in its message and the choice of material to convey it .
one of these days hollywood will come up with an original idea for a teen movie
does n't disappoint .
a necessary and timely one
the unique niche of self-critical , behind-the-scenes navel-gazing kaufman
appreciated a smartly written motion picture
, quite simply , should n't have been made
where the most notable observation is how long you 've been sitting still
the shallow sensationalism characteristic
transforms the dreary expanse of dead-end distaste the characters inhabit into a poem of art , music and metaphor .
it lacks a strong narrative
detailed personal portrait
but a great one
a jarring , new-agey tone
the rising place that would set it apart from other deep south stories
a slam-bang extravaganza that is all about a wild-and-woolly , wall-to-wall good time .
returns with a chase to end all chases
hugely accomplished slice of hitchcockian suspense .
sensitive ensemble performances and good period reconstruction
by poor casting
be smarter and more diabolical than you could have guessed at the beginning
mamet 's `` house of games '' and last fall 's `` heist '' so much fun
talk to her is not the perfect movie many have made it out to be , but it 's still quite worth seeing
with the precision of the insurance actuary
any of the signposts
as claustrophic , suffocating and chilly as the attics to which they were inevitably consigned
of playing with narrative form
stanley kwan has directed not only one of the best gay love stories ever made ,
more repetition than creativity throughout the movie
is surely one of the most frantic , virulent and foul-natured christmas season pics ever delivered by a hollywood studio
a collage of clichés and a dim echo of allusions to other films .
about it will stay with you
everything that 's good is ultimately scuttled by a plot that 's just too boring and obvious
destined to be measured against anthony asquith 's acclaimed 1952 screen adaptation .
, dull procession
is n't as compelling or as believable as it should be
introverted young men with fantasy fetishes
an honest and loving one
smart , sassy interpretation of the oscar wilde play .
drown a viewer in boredom than to send any shivers down his spine
into rules expecting a slice of american pie hijinks starring the kid from dawson 's creek
their time ( including mine ) on something very inconsequential
mediocre exercise
funny and light
taken the protagonists a full hour to determine that in order to kill a zombie you must shoot it in the head
muddled and derivative
, excruciatingly tedious
crisp framing
even-flowing tone
by the standards of knucklehead swill , the hot chick is pretty damned funny .
is one baaaaaaaaad movie .
lonely and needy
mama africa pretty much delivers on that promise .
show that hinges on the subgenre 's most enabling victim ... and an ebullient affection for industrial-model meat freezers
on subtle ironies and visual devices
an ill-conceived
is told as the truth
just bring on the battle bots , please !
show-stoppingly hilarious
mainly unfunny
dressed as a children 's party clown gets violently gang-raped
itself all too seriously
dread encountering the most
considerable appeal
fairy-tale formula , serves as a paper skeleton for some very good acting , dialogue , comedy , direction and especially charm .
, nor are the uneven performances by the cast members , who seem bound and determined to duplicate bela lugosi 's now-cliched vampire accent .
pays off
pushes all the demographically appropriate comic buttons .
by the end of it all i sort of loved the people onscreen , even though i could not stand them .
to please its intended audience -- children -- without placing their parents in a coma-like state .
are odd and pixilated
the film chimes in on the grieving process and strangely draws the audience into the unexplainable pain and eccentricities that are attached to the concept of loss .
punched through by an inconsistent , meandering , and sometimes dry plot
hard to imagine acting that could be any flatter
it 's insanely violent and very graphic
nothing short of a great one
would have been benefited from a sharper , cleaner script before it went in front of the camera
alienating most viewers
has all the complexity and realistic human behavior of an episode of general hospital .
an enjoyable level of ridiculousness
nohe 's documentary about the event is sympathetic without being gullible : he is n't blind to the silliness , but also captures moments of spontaneous creativity and authentic co-operative interaction .
ought to be a whole lot scarier than they are in this tepid genre offering .
good video game movie
jolt you
had more fun watching spy than i had with most of the big summer movies
in the middle and lurches between not-very-funny comedy , unconvincing dramatics and some last-minute action strongly reminiscent of run lola run
one of those movies that make us pause and think of what we have given up to acquire the fast-paced contemporary society .
's hard to take her spiritual quest at all seriously
which works so well for the first 89 minutes , but ends so horrendously confusing
your mind is being blown
with wit and originality
cliches , painful improbability and murky
human comedy
, then you 'll enjoy the hot chick .
the hallmarks
is as padded as allen 's jelly belly .
a waste of fearless purity
an entertaining ride
wry comic mayhem
bigelow demonstrates a breadth of vision and an attention to detail that propels her into the upper echelons of the directing world .
those relationships , including that between the son and his wife , and the wife and the father , and between the two brothers , with incredible subtlety and acumen
to call for prevention rather than to place blame , making it one of the best war movies ever made
seem as long as the two year affair which is its subject
empty theaters
the story is lacking any real emotional impact , and
recommend read my lips
this odd , inexplicable and unpleasant
the young stars are too cute ; the story and ensuing complications are too manipulative ; the message is too blatant ; the resolutions are too convenient .
by the sheer beauty of his images
neither is incompetent , incoherent or just plain crap
in theory , a middle-aged romance pairing clayburgh and tambor sounds promising
is if you have a case of masochism and an hour and a half to blow .
makes you realize that deep inside righteousness can be found a tough beauty .
falls to the floor with a sickening thud .
he 's made a film that 's barely shocking , barely interesting and most of all , barely anything
intellectual and emotional
who comes across as both shallow and dim-witted
potentially incredibly twisting mystery
making kahlo 's art a living
a fault
bring fresh good looks and an ease in front of the camera to the work .
wonderland adventure , a stalker thriller ,
it is unwavering and arresting
it 's about issues most adults have to face in marriage and
this is the kind of movie that you only need to watch for about thirty seconds before you say to yourself , ` ah , yes , here we have a bad , bad , bad movie
is cruel
does n't beat that one , either .
stomps in hobnail boots over natalie babbitt 's gentle , endearing 1975 children 's novel
emphasizes the well-wrought story and omits needless chase scenes and swordfights as the revenge unfolds .
, the wild thornberrys movie does n't offer much more than the series
a completely honest , open-hearted film
this odd , poetic road movie , spiked by jolts of pop music , pretty much takes place in morton 's ever-watchful gaze -- and it 's a tribute to the actress , and to her inventive director , that the journey is such a mesmerizing one
as the film lacks momentum and its position remains mostly undeterminable
manages to convince almost everyone that it was put on the screen , just for them .
directed , barely ,
us riveted with every painful nuance , unexpected flashes of dark comedy and the character 's gripping humanity
you can take the grandkids or the grandparents and never worry about anyone being bored ... audience is a sea of constant smiles and frequent laughter .
an engaging , wide-eyed actress whose teeth are a little too big for her mouth
has crafted here a worldly-wise and very funny script .
because it has some of the funniest jokes of any movie this year , including those intended for adults
the hood
which is more than he has ever revealed before about the source of his spiritual survival
a glib but bouncy bit of sixties-style slickness in which the hero might wind up
at its best , which occurs often , michael moore 's bowling for columbine rekindles the muckraking , soul-searching spirit of the ` are we a sick society ? '
combined with indoctrinated prejudice
the very simple story seems too simple and the working out of the plot almost arbitrary .
the universal themes , earnest performances
ambivalence
is that it stinks .
respectable summer blockbuster
seeing an otherwise good movie marred beyond redemption by a disastrous ending
the most creative , energetic and original comedies to hit the screen in years
its hero
, alas , it collapses like an overcooked soufflé .
big , tender hug
just about the best straight-up ,
every indulgent , indie trick
seems a prostituted muse
nohe has made a decent ` intro ' documentary , but he feels like a spectator and not a participant
none of this sounds promising and ,
brown sugar is such a sweet and sexy film
as more of a poetic than a strict reality , creating an intriguing species of artifice that gives the lady and the duke something of a theatrical air
it 's a dish that 's best served cold
nights feels more like a quickie tv special than a feature film ... it 's not even a tv special you 'd bother watching past the second commercial break .
surrounding us with hyper-artificiality
memorable first interrogation
wry and engrossing
the film 's thoroughly recycled plot and tiresome jokes ...
the manner of the storytelling , which undercuts the devastatingly telling impact of utter loss personified in the film 's simple title
hugely accomplished
can drive right by it without noticing anything special , save for a few comic turns , intended and otherwise .
the striking , quietly vulnerable personality of ms. ambrose
that can calm us of our daily ills and bring out joys in our lives that we never knew
if you 've grown tired of going where no man has gone before , but several movies have - take heart .
a culture of people who sadly are at hostile odds with one another through recklessness and retaliation
of clichés and borrowed images
trapped wo n't score points for political correctness ,
poignant and uplifting story
starts as an intense political and psychological thriller but is sabotaged by ticking time bombs and other hollywood-action cliches .
ditched the artsy pretensions
pokes fun at the same easy targets as other rowdy raunch-fests -- farts , boobs , unmentionables -- without much success
a concept doofus
manages to invest real humor
clever angle
some last-minute action strongly reminiscent of run lola run
is that it 's shot on digital video , whose tiny camera enables shafer to navigate spaces both large ... and small ... with considerable aplomb .
insult the intelligence of everyone in the audience
new zealand whose boozy , languid air is balanced by a rich visual clarity and deeply
hoffman waits too long to turn his movie in an unexpected direction , and even then his tone retains a genteel , prep-school quality that feels dusty and leatherbound
love head-on
of the expressive power of the camera
an unencouraging threefold expansion
keep upping the ante on each other ,
the unmentionable
a reasonably entertaining sequel to 1994 's surprise family hit that may strain adult credibility .
its story just is n't worth telling
, offering fine acting moments and pungent
to the fierce grandeur of its sweeping battle scenes
utterly painful
it 's a day at the beach -- with air conditioning and popcorn .
tight and truthful , full of funny situations and honest observations
outrageous , ingenious
weighs no more than a glass of flat champagne .
quite a comedy
wannabe-hip
look as though they are having so much fun
peek at it through the fingers in front of your eyes
the script was reportedly rewritten a dozen times -- either 11 times too many or else too few .
while banderas looks like he 's not trying to laugh at how bad
lynch , jeunet , and von trier
writing and slack direction
manipulative claptrap , a period-piece movie-of-the-week ,
ah-nuld 's
can not help but love cinema paradiso , whether the original version or new director 's cut
become wearisome .
the film jolts the laughs from the audience -- as if by cattle prod .
there 's none of the happily-ever - after spangle of monsoon wedding in late marriage -- and that 's part of what makes dover kosashvili 's outstanding feature debut so potent .
is undoubtedly one of the finest films of the year
sympathetic characters
dying a slow death , if the poor quality of pokemon 4 ever is any indication
captures both the beauty of the land and the people .
is plenty of fun for all
exquisite craftsmanship
she strikes a potent chemistry with molina
for gai 's character to avoid the fate that has befallen every other carmen before her
love a disney pic with as little cleavage as this one has ,
's neither original nor terribly funny
without vulgarity , sex scenes , and cussing
one of the most appealing movies ever made about an otherwise appalling , and downright creepy , subject -- a teenage boy in love with his stepmother
of middle eastern world politics
of utter loss personified in the film 's simple title
might be wishing for a watch that makes time go faster rather than the other way around
coupling disgracefully written dialogue with flailing bodily movements
for purposes of bland hollywood romance
if you 're looking for something new and hoping for something entertaining , you 're in luck .
's often overwritten ,
overcome the problematic script
there are some laughs in this movie , but williams ' anarchy gets tiresome , the satire is weak .
( jeff 's ) gorgeous , fluid compositions ,
a true talent
only mildly funny
that a life like this can sound so dull
, the journey does n't really go anywhere .
downright hitchcockian
lisa rinzler 's cinematography may be lovely
a curious sick poetry ,
favored by pretentious , untalented artistes who enjoy moaning about their cruel fate
the mainstream of filmmaking with an assurance worthy of international acclaim
does n't figure in the present hollywood program
another run-of-the-mill disney sequel
family movie
a relative letdown .
of disney 's great past
painfully flat gross-out comedy
take care is nicely performed by a quintet of actresses , but nonetheless it drags during its 112-minute length .
a lumbering load of hokum but
that virtually no one is bound to show up at theaters for it
all the boozy self-indulgence that brings out the worst in otherwise talented actors
the film is funny , insightfully human and a delightful lark for history buffs
the irony is that this film 's cast is uniformly superb ; their performances could have -- should have -- been allowed to stand on their own .
powerful and telling story
has none of the crackle of `` fatal attraction '' , `` 9 1/2 weeks '' , or even `` indecent proposal '' , and
this kiddie-oriented stinker
comes alive as its own fire-breathing entity in this picture .
the rolling of a stray barrel
odd enjoyably chewy lump
the operative word for `` bad company
2-day old coke
conventional ,
gives it that extra little something that makes it worth checking out at theaters , especially if you 're in the mood for something more comfortable than challenging .
cinematic art
gritty , sometimes funny
dickens ' wonderfully sprawling soap opera ,
delicious and delicately funny look
a thoroughly entertaining comedy that
stirring music
lends itself to easy jokes and insults
told in scattered fashion , the movie only intermittently lives up to the stories and faces and music of the men who are its subject .
meager
about guys and dolls
's hard to believe that something so short could be so flabby .
service of of others
awfully hard to buy the impetus for the complicated love triangle that develops between the three central characters
considerable power
, but he appears miserable throughout as he swaggers through his scenes .
is insightful about kissinger 's background and history
meandering , loud , painful , obnoxious
is an actress works as well as it does because ( the leads ) are such a companionable couple
a classical dramatic animated feature
best espionage picture
drag on for nearly three hours
the entire point of a shaggy dog story , of course , is that it goes nowhere , and
a prolific director
barn-burningly bad movie
squeeze the action and our emotions
and narrative flow
this seductive tease
this gorgeous epic is guaranteed to lift the spirits of the whole family .
a serious debt to the road warrior
the wasted potential of this slapstick comedy
that its own action is n't very effective
, noisy and pretentious
a genuinely bone-chilling tale
one the public
but it 's worth the concentration .
part because the consciously dumbed-down approach wears thin
, they are pitted against shimmering cinematography that lends the setting the ethereal beauty of an asian landscape painting .
he waters it down , turning grit and vulnerability into light reading
a worthy idea
of the little mermaid and aladdin
the line between sappy and sanguine
believable that you feel what they feel
that were imposed for the sake of commercial sensibilities
realize your mind is being blown
such an achievement
engaging diatribes
its poignant and uplifting story in a stunning fusion of music and images
the obnoxious title character provides the drama that gives added clout to this doc .
nostalgic comments
is definitely a director to watch
some laughs
see this terrific film
an oddity , to be sure , but one that you might wind up remembering with a degree of affection rather than revulsion
too amateurish and awkward
although the film boils down to a lightweight story about matchmaking , the characters make italian for beginners worth the journey
clichés , depression and
an unsympathetic hero caught up in an intricate plot that while cleverly worked out , can not overcome blah characters
avoid noticing some truly egregious lip-non-synching
a classic text
sheridan had a wonderful account to work from
it also does the absolute last thing we need hollywood doing to us
waldo salt screenwriting award
a fascinating , bombshell documentary that should shame americans , regardless of whether or not ultimate blame
so much phone in his performance as
you want to see it
what a banal bore the preachy circuit turns out to be
hopefully , sets the tone for a summer of good stuff
one of the most purely enjoyable and satisfying evenings at the movies i 've had in a while
although estela bravo 's documentary is cloyingly hagiographic in its portrait of cuban leader fidel castro
with table manners
illuminating
with a clever pseudo-bio that manages to have a good time as it doles out pieces of the famous director 's life
deals with its subject matter in a tasteful , intelligent manner , rather than forcing us to endure every plot contrivance that the cliché-riddled genre can offer
remarkably insightful
actually happened as if it were the third ending of clue
continues to do interesting work
unless there are zoning ordinances to protect your community from the dullest science fiction
low-budget series
give them credit for : the message of the movie
parents may even find that it goes by quickly , because it has some of the funniest jokes of any movie this year , including those intended for adults .
shot in rich , shadowy black-and-white , devils chronicles , with increasingly amused irony , the relationship between reluctant captors and befuddled captives .
this is one of the biggest disappointments of the year .
be funny in a way that 's too loud , too goofy and too short of an attention span
is smart and entirely charming in intent and execution .
great monster movie
famed
the story 's scope and pageantry are mesmerizing
populated by whiny , pathetic , starving and untalented artistes
will likely enjoy this monster
gives out