xiangpku/GLUE huggingface dataset:
unusually surreal
less the sensational true-crime hell-jaunt purists might like and more experimental in its storytelling ( though no less horrifying for it ) .
little morality tale
was n't as bad as i thought it was going to be
too often , the viewer is left puzzled by the mechanics of the delivery
one of the best silly horror movies
strokes the eyeballs
low-brow humor ,
a comedy-drama of nearly epic proportions
makes up for in heart what it lacks in outright newness .
the humor wry and
writer/director david caesar ladles on the local flavor with a hugely enjoyable film about changing times , clashing cultures and the pleasures of a well-made pizza .
too weak a recipe
weirdo actor crispin glover screwing things up old school
a literary detective story is still a detective story and aficionados of the whodunit wo n't be disappointed
look at female friendship , spiked with raw urban humor .
my only wish is that celebi could take me back to a time before i saw this movie and
very well-acted
as moronic as some campus gross-out films
zhuangzhuang creates delicate balance of style , text , and subtext that 's so simple and precise that anything discordant would topple the balance , but against all odds , nothing does .
to bowling you over
the film has the high-buffed gloss and high-octane jolts you expect of de palma , but what makes it transporting is that it 's also one of the smartest
probably be one of those movies barely registering a blip on the radar screen of 2002 .
comedy special
cannibal
most effective
lift the movie above its playwriting 101 premise
goldbacher draws on an elegant visual sense and a talent for easy , seductive pacing ... but she and writing partner laurence coriat do n't manage an equally assured narrative coinage
has one very funny joke and a few other decent ones
charting the rise of hip-hop culture in general and the art of scratching ( or turntablism ) in particular
a much funnier film
it 's possible that something hip and transgressive was being attempted here that stubbornly refused to gel ,
yourself remembering this refreshing visit to a sunshine state
in more ways that one in clockstoppers , a sci-fi thriller as lazy as it is interminable
the story is -- forgive me -- a little thin , and
the movie is so thoughtlessly assembled .
the fantastic and the believable
to keep it from being maudlin
an interest
lacks depth .
has something fascinating
an enjoyable comedy of lingual and cultural differences ... the château
never truly come to care about the main characters and whether or not they 'll wind up together
another generic drama
typical animé , with cheapo animation ( like saturday morning tv in the '60s ) , a complex sword-and-sorcery plot and characters who all have big round eyes and japanese names .
the recording sessions
of tumbleweeds blowing through the empty theaters
the rare imax movie that you 'll wish was longer than an hour .
shapeless inconsequential move
annoying ,
by not averting his eyes , solondz forces us to consider the unthinkable , the unacceptable , the unmentionable .
with the same sort of good-natured fun found in films like tremors
a choppy , surface-effect feeling to the whole enterprise
wholly believable and heart-wrenching depths
and artistic transcendence
tries to cram too many ingredients into one small pot
treat .
retaining an integrity
look ill at ease sharing the same scene .
a natural sense for what works
throw elbows when necessary
very sluggish
this overproduced piece
as ugly as the shabby digital photography and
makes me say the obvious : abandon all hope of a good movie ye who enter here .
a funny moment
frailty '' starts out like a typical bible killer story
some writer dude , i think his name was , uh , michael zaidan , was supposed to have like written the screenplay or something ,
payami tries to raise some serious issues about iran 's electoral process , but the result is a film that 's about as subtle as a party political broadcast
eventually the content is n't nearly as captivating as the rowdy participants think it is .
noisy and pretentious
` zany ' does n't necessarily mean ` funny
an intensely lived time ,
employ their quirky and fearless ability to look american angst in the eye and end up laughing
of goofball stunts any `` jackass '' fan
sinister inspiration
but no-nonsense human beings they are and
competent , unpretentious entertainment
to squander jennifer love hewitt
has a way of seeping into your consciousness
tooled action thriller about love and terrorism
putrid writing , direction and timing
breezy blend
if ayurveda can help us return to a sane regimen of eating , sleeping and stress-reducing contemplation , it is clearly a good thing .
attracting audiences
whatever heartwarming scene the impressively discreet filmmakers may have expected to record with their mini dv , they show a remarkable ability to document both sides of this emotional car-wreck .
an amusement
jump cuts , fast editing
in the wake of saving private ryan , black hawk down and we were soldiers , you are likely to be as heartily sick of mayhem as cage 's war-weary marine .
has made a film that is an undeniably worthy and devastating experience
an overexposed waste of film
most of the characters forget their lines
just that it 's so not-at-all-good
listless , witless ,
a few nice twists in a standard plot and the charisma of hugh grant and sandra bullock
airless cinematic shell games .
next to little insight
mcwilliams 's melancholy music , are charged with metaphor ,
cheesy backdrops
peter jackson and company once again dazzle and delight us ,
like being trapped while some weird relative trots out the video he took of the family vacation to stonehenge
must have been lost in the mail
utter lack
beneath otherwise tender movements
if this sappy script was the best the contest received , those rejected must have been astronomically bad
follow-your-dream
is no denying the power of polanski 's film
match his ambition
, virulently unpleasant excuse
the confusing sexual messages
queasy infatuation and overall strangeness
of documentary , one that makes a depleted yesterday feel very much like a brand-new tomorrow
really solid woody allen film
opulent
with splendid singing
this noble warlord would be consigned to the dustbin of history
an intelligent person
small , sweet ` evelyn
if you answered yes , by all means enjoy the new guy .
buries an interesting storyline about morality and the choices we make underneath such a mountain of clichés and borrowed images
desolate
the wars he shows and empathizes with the victims he reveals
his girl friday , '' maintaining a light touch while tackling serious themes
to break free of her old life
these days are about nothing
terrific casting
it feels like very light errol morris , focusing on eccentricity but failing , ultimately , to make something bigger out of its scrapbook of oddballs .
their consistently sensitive and often exciting treatment
is the kathie lee gifford of film directors , sadly proving once again ego does n't always go hand in hand with talent
emphasizing the disappointingly generic nature of the entire effort
auto focus bears out as your typical junkie opera ...
stoked to make an important film about human infidelity and happenstance that he tosses a kitchen sink onto a story already overladen with plot conceits
technically proficient and
a chilly , brooding but quietly
lazy exercise
predictable than their consequences
proper home
his beautiful , self-satisfied 22-year-old girlfriend and an equally beautiful , self-satisfied 18-year-old mistress
is rather unexceptional
under-inspired , overblown enterprise
like a milquetoast movie of the week blown up for the big screen
inject farcical raunch
injects freshness and spirit into the romantic comedy genre , which has been held hostage by generic scripts that seek to remake sleepless in seattle again and again .
is their resemblance to everyday children .
will wish there had been more of the `` queen '' and less of the `` damned .
a fascinating , unnerving examination of the delusions of one unstable man .
is one of the best actors there is
is completely serviceable and quickly forgettable
a remarkably cohesive whole , both visually and thematically ,
is that it also makes her appear foolish and shallow rather than , as was more likely , a victim of mental illness .
ugly and destructive
baaaaaaaaad movie
as a detailed personal portrait
delineate the cost of the inevitable conflicts between human urges and an institution concerned with self-preservation
feel sanitised and stagey
direct-to-video/dvd
that the road to perdition leads to a satisfying destination
fresh and raw like a blown-out vein , narc takes a walking-dead , cop-flick subgenre and beats new life into it .
it 's hard to quibble with a flick boasting this many genuine cackles , but
difficult to imagine that a more confused , less interesting and more sloppily made film could possibly come down the road in 2002
crane 's decline with unblinking candor
written a more credible script , though with the same number of continuity errors
sure to give you a lot of laughs in this simple , sweet and romantic comedy
more of : spirit , perception , conviction
the gags that fly at such a furiously funny pace that the only rip off that we were aware of was the one we felt when the movie ended so damned soon .
teeth-clenching
the movie is brilliant , really .
entertainingly reenacting a historic scandal
so you can get your money back
timid and soggy
can be made on the cheap
barely realize your mind is being blown .
light nor magical enough to bring off this kind of whimsy
( a ) stale retread of the '53 original .
of the most gloriously unsubtle and adrenalized extreme
abhorrent
feels painfully redundant and inauthentic
make it well worth watching
after the first 10 minutes , which is worth seeing , the movie sinks into an abyss of clichés , depression and bad alternative music .
integrating the characters
brave and
in an increasingly important film industry and worth the look
modestly surprising movie
boring , self-important stories of how horrible we are to ourselves and each other
they ca n't generate enough heat in this cold vacuum of a comedy to start a reaction .
wondrous beats
a predictably efficient piece of business notable largely for its overwhelming creepiness , for an eagerness to create images you wish you had n't seen
to truly care for its decrepit freaks beyond the promise of a reprieve from their incessant whining
ability to shock and amaze
another tired old vision
a fascinating character 's
by way too much indulgence of scene-chewing , teeth-gnashing actorliness
a tough pill to swallow
more adventurous
than a stylish exercise in revisionism whose point
too many scenarios in which the hero might have an opportunity to triumphantly sermonize , and too few that allow us to wonder for ourselves if things will turn out okay .
rings false
sustains the level of exaggerated , stylized humor throughout by taking your expectations and twisting them just a bit
human nature , in short , is n't nearly as funny as it thinks it is ;
more than their unique residences
... strips bible stores of the potential for sanctimoniousness , making them meaningful for both kids and church-wary adults .
not even felinni would know what to make of this italian freakshow .
of a movie saddled with an amateurish screenplay
the flowering of the south korean cinema
( and lovely ) experiment
george and lucy 's most obvious differences to ignite sparks
a sensitive , moving , brilliantly constructed work .
undeniably fascinating and playful
too polite to scale the lunatic heights of joe dante 's similarly styled gremlins
crafted a deceptively casual ode to children and managed to convey a tiny sense of hope
this stinker
piercing and feisty
is one of my least favorite emotions , especially when i have to put up with 146 minutes of it
before it collapses into exactly the kind of buddy cop comedy it set out to lampoon , anyway .
not to mention mysterious , sensual , emotionally intense , and replete with virtuoso throat-singing .
urban comedy
exalts the marxian dream of honest working folk
is a brilliant movie .
feminine energy , a tribute to the power of women to heal
was worse . ''
it has some special qualities and the soulful gravity of crudup 's anchoring performance .
leaden and predictable
above-average thriller
an elegant and sly deadpan
civil disobedience , anti-war movements and the power of strong voices
i like all four of the lead actors a lot and
high-strung but flaccid drama
guiding lights
reyes ' directorial debut has good things to offer , but ultimately it 's undone by a sloppy script
`` b +
one of france 's most inventive directors
sets a new benchmark for lameness .
in comparison to his earlier films it seems a disappointingly thin slice of lower-class london life ; despite the title ... amounts to surprisingly little .
the brain is engaged
are zoning ordinances to protect your community from the dullest science fiction
is a surprisingly faithful remake of its chilly predecessor
about the life
`` elling '' manages to do all three quite well , making it one of the year 's most enjoyable releases
engaging manner and flamboyant style
to his craft , but to his legend
... hypnotically dull .
is more interesting ( and funnier ) than his
yet , it must be admitted , not entirely humorless
other foul substances
mounted , exasperatingly
about the general absurdity of modern life
none of this is very original , and
to behold in its sparkling beauty
is so convinced of its own brilliance that , if it were a person , you 'd want to smash its face in . '
brisk hack job .
it all unfolds predictably
its empty head
is so sketchy it amounts to little more than preliminary notes for a science-fiction horror film
, this retooled machine is ultimately effective enough at achieving the modest , crowd-pleasing goals it sets for itself .
a remarkably alluring film
a fun and funky look
have been more enjoyable had the balance shifted in favor of water-bound action over the land-based ` drama
has failed him
rather unique approach
is oscar-worthy
watching intelligent people making a movie
the modern master
a superfluous sequel ... plagued by that old familiar feeling of ` let 's get this thing over with ' : everyone has shown up at the appointed time and place , but visible enthusiasm is mighty hard to find .
is an interesting story of pointed personalities , courage , tragedy and the little guys vs. the big guys
-- like a rather unbelievable love interest and a meandering ending --
as if a bored cage spent the duration of the film 's shooting schedule waiting to scream : `` got aids yet
one that was hard for me to warm up to
brought down by lousy direction .
an even less capable trio of criminals
be greek to anyone not predisposed to the movie 's rude and crude humor
for the last 15 minutes
a superfluous sequel ...
too convoluted
with few respites , marshall keeps the energy humming , and his edits , unlike those in moulin rouge , are crisp and purposeful without overdoing it .
the pictures do the punching
terrific casting and solid execution
thrillers actually thrilled
is the sense that peace is possible
valley of the dolls
how good this film might be , depends if you believe that the shocking conclusion is too much of a plunge or not .
worm its way into your heart
spellbinding serpent 's
becomes more and more frustrating as the film goes on
funniest motion
fondly remembered as roman coppola 's brief pretentious period before going on to other films that actually tell a story worth caring about
the stale plot and pornographic way
handles the nuclear crisis sequences evenly but milks drama when she should be building suspense , and drags out too many scenes toward the end that should move quickly
is better than any summer blockbuster we had to endure last summer , and hopefully , sets the tone for a summer of good stuff .
takes care with the characters , who are so believable that you feel what they feel .
its visual appeal
once a good idea that was followed by the bad idea to turn it into a movie
windtalkers airs just about every cliche in the war movie compendium across its indulgent two-hour-and-fifteen-minute length .
wholly believable and heart-wrenching
frightfest
look at female friendship , spiked with raw urban humor
there are many definitions of ` time waster '
the dullest tangents
switch to a mix of the shining , the thing , and any naked teenagers horror flick from the 1980s
empty head
star power , a pop-induced score
smart , funny and just honest enough to provide the pleasures of a slightly naughty , just-above-average off - broadway play
feel like a chump
focus on the hero 's odyssey from cowering poverty to courage and happiness
wo n't enjoy the movie at all
same option to slap her creators because they 're clueless and inept
takes you by the face , strokes your cheeks and coos beseechingly at you : slow down , shake off your tensions and take this picture at its own breezy , distracted rhythms .
effort to disguise it as an unimaginative screenwriter 's invention
great rewards
should you buy the movie milk when the tv cow is free
is a mess .
too clichéd and
being able to tear their eyes away from the screen
terrifying message
telling the story , which is paper-thin and decidedly unoriginal
compromising that complexity
one experiences mr. haneke 's own sadistic tendencies toward his audience
suffers from the awkwardness that results from adhering to the messiness of true stories
has the thrown-together feel of a summer-camp talent show : hastily written , underrehearsed
with brooms and what is kind of special
is remarkably engaging despite being noticeably derivative of goodfellas and at least a half dozen other trouble-in-the-ghetto flicks .
tight and truthful
appeal to asian cult cinema fans and asiaphiles interested to see what all the fuss is about
lots of cool stuff packed into espn 's ultimate x.
seems intimidated by both her subject matter and the period trappings of this debut venture into the heritage business .
with all the mounting tension of an expert thriller
formulaic and forgettable
you have some idea of the glum , numb experience of watching o fantasma
effectively combines two surefire , beloved genres
with muscles and a lot more smarts , but just as endearing and easy to watch
candid ,
you may be galled that you 've wasted nearly two hours of your own precious life with this silly little puddle of a movie .
hard-core slasher aficionados will find things to like
more sophisticated and
this turd squashed
show-stoppingly hilarious ,
director chris columbus takes a hat-in-hand approach to rowling that stifles creativity and allows the film to drag on for nearly three hours .
is still worth hearing
right conditions
's film ' in the worst sense of the expression .
godard 's ode to tackling life 's wonderment is a rambling and incoherent manifesto about the vagueness of topical excess ...
than a leaky freighter
dying fall
ignore the film
you can drive right by it without noticing anything special , save for a few comic turns , intended and otherwise .
the stunt work is top-notch ; the dialogue and drama often food-spittingly funny
that brown played in american culture as an athlete , a movie star , and an image of black indomitability
an insult
gentle , lapping
rise above the level of an after-school tv special
muttering words like `` horrible '' and `` terrible
feel like time fillers between surf shots
presume
you 've got to admire ... the intensity with which he 's willing to express his convictions
the best didacticism is one carried by a strong sense of humanism , and bertrand tavernier 's oft-brilliant safe conduct ( `` laissez-passer '' ) wears its heart on its sleeve .
found the movie as divided against itself as the dysfunctional family it portrays .
shamelessly manipulative and contrived
lazy tearjerker that gives movies about ordinary folk a bad name
much like a young robert deniro
altogether creepy
jonah 's despair -- in all its agonizing , catch-22 glory --
has any sting to it
see over and over
, you might have fun in this cinematic sandbox
thriller junk .
seeing this trite , predictable rehash
surprisingly funny
mr. polanski creates images even more haunting than those in mr. spielberg 's 1993 classic .
jump-in-your-seat moment
, this is the kind of movie that deserves a chance to shine .
the viewer takes great pleasure in watching the resourceful molly stay a step ahead of her pursuers .
it 's a long way from orwell 's dark , intelligent warning cry ( 1984 ) to the empty stud knockabout of equilibrium , and what once was conviction is now affectation
it rapidly develops into a gut-wrenching examination of the way cultural differences and emotional expectations collide .
chamber of secrets
film that suffers because of its many excesses .
a rustic retreat and pee against a tree
the working out of the plot almost arbitrary
it also will win you over , in a big way
seem tiresomely simpleminded
director peter kosminsky gives these women a forum to demonstrate their acting ` chops ' and
prime mystery
it will do so in a way that does n't make you feel like a sucker
about intelligent high school
an achievement
were the people who paid to see it .
an engaging storyline ,
almost enough chuckles for a three-minute sketch , and
too much exploitation and too little art
one film
bogdanovich ties it together with efficiency and an affection for the period
a delightfully dour
it trusts the story it sets out to tell .
of the way it allows the mind to enter and accept another world
been a good film in `` trouble every day
ron howard 's apollo 13 in the imax format
... could easily be called the best korean film of 2002 .
works its magic
the war of the roses , '
cinematic disaster
a compelling allegory about the last days of germany 's democratic weimar republic .
this dvd
of motherhood deferred and desire
spoofs and celebrates
it 's trying to set the women 's liberation movement back 20 years
broad streaks of common sense emerge with unimpeachable clarity .
it 's won
a retooling of fahrenheit 451 , and
in a sincere performance
there 's a scientific law to be discerned here that producers would be well to heed
celebrated
the cruelty and suffering he has found with an devastating , eloquent clarity
becomes an overwhelming pleasure
to be even worse than its title
grossly contradictory
the premise of `` abandon '' holds promise , ... but
might inspire a trip to the video store -- in search of a better movie experience .
it still feels like a prison stretch .
are many tense scenes in trapped
this movie directionless
the film is less the cheap thriller you 'd expect than it is a fairly revealing study of its two main characters -- damaged-goods people whose orbits will inevitably and dangerously collide .
the art direction is often exquisite ,
a beautiful film , full of elaborate and twisted characters
might deliver again and again
scores a direct hit
a humorless journey into a philosophical void .
a foundering performance
take the warning literally , and log on to something more user-friendly
fine documentary
once playful and haunting ,
way fears and slights
delightful in the central role
the film 's final hour
a chilly , remote , emotionally distant piece
waited three years with breathless anticipation for a new hal hartley movie to pore over
does n't
dumb drug jokes and predictable slapstick
thoughtful , subjective filmmaking
that will be best appreciated by those willing to endure its extremely languorous rhythms , waiting for happiness
symbolic examination
be viewed and treasured for its extraordinary intelligence and originality
translation : ` we do n't need to try very hard .
into rambling incoherence
icky
occasional slowness
it 's also not smart or barbed enough for older viewers -- not everyone thinks poo-poo jokes are ` edgy
nelson 's intentions are good
a compelling allegory about the last days of germany 's democratic weimar republic
it 's black hawk down with more heart .
a handsome but unfulfilling suspense drama more suited to a quiet evening on pbs than a night out at an amc .
otherwise bleak
, then blood work is for you .
knock yourself out and enjoy the big screen postcard that is a self-glorified martin lawrence lovefest .
the general 's
is not that it 's offensive , but that it 's boring
plot and pornographic way