xiangpku/GLUE huggingface dataset:
some laughs in this movie
that refreshes the mind and spirit along with the body
's supposed to be post-feminist breezy but ends up as tedious as the chatter of parrots raised on oprah .
kiddie entertainment , sophisticated wit and
but a little too smugly superior
, it 's still tainted by cliches , painful improbability and murky points .
to the most crucial lip-reading sequence
make you laugh
you might imagine that most every aggrieved father cliché has been unturned .
with flashbulb editing as cover for the absence of narrative continuity , undisputed is nearly incoherent , an excuse to get to the closing bout ... by which time it 's impossible to care who wins .
philosophers , not
it 's very much like life itself .
are sweet and believable
stands as one of the year 's most intriguing movie experiences , letting its imagery speak for it while it forces you to ponder anew what a movie can be .
as the old-hat province of male intrigue
a filmmaker to let this morph into a typical romantic triangle
its easily dismissive
a few ear-pleasing songs on its soundtrack
those terrific documentaries
, evoking memories of day of the jackal , the french connection , and heat .
a subtle , humorous , illuminating study of politics , power and social mobility .
ought to be a whole lot scarier than they are in this tepid genre offering
writer and director otar iosseliani 's pleasant tale about a factory worker who escapes for a holiday in venice reveals how we all need a playful respite from the grind to refresh our souls .
too steeped in fairy tales and other childish things
in pain
beautifully acted
holds interest in the midst of a mushy , existential exploration of why men leave their families
( d ) espite its familiar subject matter , ice age is consistently amusing and engrossing ...
improbable as this premise may seem
from mel gibson and a brutal 90-minute battle sequence that does everything but issue you a dog-tag and an m-16
barely shocking , barely interesting and most of all
the highest power of all is the power of love
canadian filmmaker gary burns ' inventive and mordantly humorous
terrific setpieces
botches
amateurish , quasi-improvised
i love it ... hell , i dunno .
of a genre gem
very well-meaning
stuffs his debut
starts out strongly before quickly losing its focus , point and purpose in a mess of mixed messages , over-blown drama and bruce willis with a scar
a little violence and lots of sex in a bid to hold our attention
is one of the most repellent things to pop up in a cinematic year already littered with celluloid garbage .
this is the kind of movie that you only need to watch for about thirty seconds before you say to yourself , ` ah , yes ,
a plot as musty as one of the golden eagle 's carpets
another routine hollywood frightfest in which the slack execution italicizes the absurdity of the premise
he can not overcome the sense that pumpkin is a mere plot pawn for two directors with far less endearing disabilities .
anything but laughable
the film occasionally tries the viewer 's patience with slow pacing and a main character who sometimes defies sympathy , but it ultimately satisfies with its moving story .
's a work that , with humor , warmth , and intelligence , captures a life interestingly lived .
vague impressions and a nasty aftertaste but little clear memory of its operational mechanics
in the end , the weight of water comes to resemble the kind of soft-core twaddle you 'd expect to see on showtime 's ` red shoe diaries . '
splendidly illustrates the ability of the human spirit to overcome adversity .
by proving that he 's now , more than ever , choosing his roles with the precision of the insurance actuary
a couple of great actors hamming it up
has the stomach-knotting suspense of a legal thriller
distinctly sub-par ... more likely to drown a viewer in boredom than to send any shivers down his spine .
provide the funniest moments in this oddly sweet comedy about jokester highway patrolmen .
many of these guys are less than adorable
a mean-spirited film
a suffocating rape-payback horror show that hinges on the subgenre 's most enabling victim ... and an ebullient affection for industrial-model meat freezers .
bielinsky is a filmmaker of impressive talent .
real poignancy
there 's a scientific law to be discerned here that producers would be well to heed : mediocre movies start to drag as soon as the action speeds up ;
pass this stinker
that serves as a painful elegy and sobering cautionary tale
of the most plain , unimaginative romantic comedies i
it is ok for a movie to be something of a sitcom apparatus
a story that zings all the way through with originality , humor and pathos
a film centering on a traditional indian wedding in contemporary new delhi may not sound like specialized fare , but mira nair 's film is an absolute delight for all audiences .
archly funny
but still entertaining
entertaining to watch the target practice
it just does n't have anything really interesting to say .
would be a toss-up between presiding over the end of cinema as we know it and another night of delightful hand shadows
his work with actors is particularly impressive .
it 's plotless , shapeless --
poetic force
while dutifully pulling on heartstrings , directors dean deblois and chris sanders valiantly keep punching up the mix .
as i 've seen in a while , a meander through worn-out material
originality ai n't on the menu , but there 's never a dull moment in the giant spider invasion comic chiller .
the emperor 's club , ruthless in its own placid way , finds one of our most conservative and hidebound movie-making traditions and gives it new texture , new relevance , new reality .
the film ultimately fails
( tsai 's ) masterpiece
unleashes
endless trailer
yet another arnold vehicle that fails to make adequate use of his particular talents .
a fascinating documentary that provides a rounded and revealing overview of this ancient holistic healing system
does n't capture the effect of these tragic deaths on hip-hop culture
no , i hate it .
real women may have many agendas , but it also will win you over , in a big way
has enough gun battles and throwaway humor to cover up the yawning chasm where the plot should be .
kind , unapologetic
`` suck ''
does n't deserve the energy it takes to describe how bad it is .
impressive style
an irresistibly uncanny ambience that goes a long way toward keeping the picture compelling
one big blustery movie
a bad improvisation exercise
the dimming of a certain ambition
writer-director randall wallace has bitten off more than he or anyone else could chew , and his movie veers like a drunken driver through heavy traffic
this visual trickery
for the best of hollywood 's comic-book
will be something to behold
is a visual treat for all audiences
succeeds in delivering a dramatic slap in the face that 's simultaneously painful and refreshing .
the script , the gags , the characters are all direct-to-video stuff , and that 's where this film should have remained
a compelling yarn , but not quite a ripping one
sometimes quite funny
any sexual relationship that does n't hurt anyone and works for its participants is a relationship that is worthy of our respect
of an intensely lived time , filled with nervous energy , moral ambiguity and great uncertainties
a genteel , prep-school quality that feels dusty and leatherbound
surprising emotional depth
the tiresome rant
a barely tolerable slog over well-trod ground
an aimless hodgepodge
convey a strong sense of the girls ' environment
a handsome and well-made entertainment
are reflected in almost every scene
are tantamount to insulting the intelligence of anyone who has n't been living under a rock
imagine ( if possible ) a pasolini film without passion or politics , or an almodovar movie without beauty or humor , and you have some idea of the glum , numb experience of watching o fantasma .
's yet another cool crime movie that actually manages to bring something new into the mix
tenderly observant of his characters
as a dystopian movie
digs beyond the usual portrayals of good kids and bad seeds to reveal a more ambivalent set of characters and motivations
guts and
do n't manage an equally assured narrative coinage
acquires an undeniable entertainment value
a whale of a good time for both children and parents seeking christian-themed fun .
too insistent
laughably unconvincing
expertly
is matched only by the ridiculousness of its premise .
this ready-made midnight movie probably wo n't stand the cold light of day , but under the right conditions , it 's goofy ( if not entirely wholesome ) fun
a dungpile
spiritually
can go home again
the message is too blatant
a sweet and modest
is very choppy and monosyllabic despite the fact that it is being dubbed
energy and geniality to please not only the fanatical adherents on either side , but also people who know nothing about the subject and think they
the horrible pains
it 's hard to imagine anyone managing to steal a movie not only from charismatic rising star jake gyllenhaal but also from accomplished oscar winners susan sarandon , dustin hoffman and holly hunter , yet newcomer ellen pompeo pulls off the feat with aplomb .
is awful
its solemn pretension
while somewhat less than it might have been , the film is a good one
as a relic from a bygone era , and its convolutions ... feel silly rather than plausible
it is handled with intelligence and care
being bored
its fans are hoping it will be , and in that sense is a movie that deserves recommendation
kicks that it ends up being surprisingly dull
the movie keeps coming back to the achingly unfunny phonce and his several silly subplots .
realize that we really have n't had a good cheesy b-movie playing in theaters since ... well ... since last week 's reign of fire
it 's definitely not made for kids or their parents , for that matter , and
a dash of the avant-garde fused with their humor
a straight face
is the needlessly poor quality of its archival prints and film footage
bad cinema
yields surprises .
this dream hispanic role
make it an above-average thriller .
unlikable , spiteful idiots
headed by christopher plummer as the subtlest and most complexly evil uncle ralph i 've ever seen in the many film
easy to swallow , but scarcely nourishing
pile too many `` serious issues '' on its plate at times , yet
the screen to attract and sustain an older crowd
that place , that time
more simply intrusive to the story
it 's not entirely memorable
work us over , with second helpings of love , romance , tragedy , false dawns , real dawns , comic relief , two separate crises during marriage ceremonies , and the lush scenery of the cotswolds
the ingenious construction ( adapted by david hare from michael cunningham 's novel )
anthropomorphic
like an oily arms dealer , squad car pile-ups and the requisite screaming captain
frailty will turn bill paxton into an a-list director
seriously bad film
in trying to have the best of both worlds it ends up falling short as a whole
impressive roster
innovators
it 's hard to quibble with a flick boasting this many genuine cackles , but notorious c.h.o. still feels like a promising work-in-progress .
a more annoying , though less angry
are sometimes inexpressive
there 's something fishy about a seasonal holiday kids ' movie ... that derives its moment of most convincing emotional gravity from a scene where santa gives gifts to grownups
enthusiastic audience
a series of relentlessly nasty situations
it also has a strong dramatic and emotional pull that gradually sneaks up on the audience
another genre exercise ,
it 's the worst movie of 2002
witlessness
great fun ,
from `` promising
wildly careening tone
who learns that believing in something does matter
larded with exposition
in that something 's horribly wrong
as the worst -- and only -- killer website movie of this or any other year
dry humor and jarring shocks , plus
at 90 minutes this movie is short , but it feels much longer .
as visually bland as a dentist 's waiting room
youthful , out-to-change-the-world aggressiveness
all its agonizing , catch-22 glory
engrossing
this delicate coming-of-age tale a treat
the artwork is spectacular
this a charmer
they presume their audience wo n't sit still for a sociology lesson , however entertainingly presented , so
's not very interesting
most oddly honest
even the most jaded cinema audiences
given fair warning
greatest films
poetic force and buoyant feeling
birthday girl 's calculated events
into an ocean of trouble
moving and important film
had to endure last summer
what 's most offensive is n't the waste of a good cast ,
a clear sense of purpose
many moviegoers
remembered as one of ( witherspoon 's ) better films
is not show-stoppingly hilarious , but scathingly witty
a successful adaptation and an enjoyable film in its own right
worth your seven bucks
feel good about
in a caper that 's neither original nor terribly funny
chilling style
proves that it 's easier to change the sheets than to change hackneyed concepts when it comes to dreaming up romantic comedies .
robotically
displays in freshening the play
with a tighter editorial process and firmer direction this material could work , especially since the actresses in the lead roles are all more than competent , but as is , personal velocity seems to be idling in neutral
's crap on a leash -- far too polite to scale the lunatic heights of joe dante 's similarly styled gremlins
could have easily become a cold , calculated exercise in postmodern pastiche winds up a powerful and deeply moving example of melodramatic moviemaking
little action
the characters are so generic and the plot so bland that even as rogue cia assassins working for chris cooper 's agency boss close in on the resourceful amnesiac , we do n't feel much for damon/bourne or his predicament .
into sub-tarantino cuteness
visually atrocious ,
, irrational , long-suffering but cruel
quickie tv special
sickly entertainment at best and mind-destroying cinematic pollution
are defeated by a screenplay that forces them into bizarre , implausible behavior
the collaborative process
the unexplainable pain
romantic-comedy duds
takashi miike keeps pushing the envelope : ichi the killer
its leaden acting , dull exposition and telegraphed ` surprises
intermittently good
perhaps even the slc high command found writer-director mitch davis 's wall of kitsch hard going .
an engaging and exciting narrative of man confronting the demons of his own fear and paranoia
highly studied
stuttering editing and pompous references
sad , soggy potboiler
of the worst movies of the year
the efforts of its star , kline , to lend some dignity to a dumb story
the day-old shelf
an admirable reconstruction of terrible events , and
surrounding us
reflective and
for ordinary louts whose idea of exercise is climbing the steps of a stadium-seat megaplex
much self-centered
which fly by so fast there 's no time to think about them anyway
it 's ) a clever thriller with enough unexpected twists to keep our interest .
could easily mistake it for a sketchy work-in-progress that was inexplicably rushed to the megaplexes before its time
much colorful eye candy , including the spectacle of gere in his dancing shoes ,
denied her own athleticism by lighting that emphasizes every line and sag .
leaps over national boundaries and celebrates universal human nature
the same from taiwanese auteur tsai ming-liang , which is good news to anyone who 's fallen under the sweet , melancholy spell of this unique director 's previous films
the movie is so resolutely cobbled together out of older movies that it even uses a totally unnecessary prologue , just because it seems obligatory .
but it also has many of the things that made the first one charming .
hold society in place
like rudy yellow lodge , eyre needs to take a good sweat to clarify his cinematic vision before his next creation and remember the lessons of the trickster spider .
after seeing ` analyze that , ' i feel better already .
one of those reputedly `` unfilmable '' novels that has bucked the odds to emerge as an exquisite motion picture in its own right
traffics in tired stereotypes and encumbers itself with complications
more than that , it 's a work of enthralling drama
flagrantly
keeps the film grounded in an undeniable social realism
're looking for an intelligent movie in which you can release your pent up anger
makes minority report necessary viewing for sci-fi fans , as the film has some of the best special effects ever
colorful world
impressive achievement
some remarkable achival film about how shanghai ( of all places ) served jews who escaped the holocaust .
the worst of their shallow styles
has a kind of hard , cold effect
loveable or otherwise
is tragically rare in the depiction of young women in film
around to capture the chaos of france in the 1790 's
a high water mark
clever enough
the chateau belongs to rudd , whose portrait of a therapy-dependent flakeball spouting french malapropisms ... is a nonstop hoot
well-done supernatural thriller with keen insights into parapsychological phenomena and the soulful nuances
a good movie
is the kind of movie that deserves a chance to shine .
while it can be a bit repetitive , overall it 's an entertaining and informative documentary .
there is a real subject here , and it is handled with intelligence and care
also is n't embarrassed to make you reach for the tissues
chore to sit through -- despite some first-rate performances by its lead
makes the heart soar
played this story straight
the worst titles
deserves a better vehicle
an eviction notice
more than makes up for in drama , suspense , revenge , and romance
is a phlegmatic bore , so tedious it makes the silly spy vs. spy film the sum of all fears , starring ben affleck , seem downright hitchcockian
to transcend its clever concept
pretty listless collection
with a visually masterful work of quiet power
completely wreaked
even touch us
compressed into an evanescent , seamless and sumptuous stream of consciousness .
the wal-mart checkout line
'm convinced i could keep a family of five blind , crippled , amish people alive in this situation better than these british soldiers do at keeping themselves kicking
was produced by jerry bruckheimer and directed by joel schumacher , and reflects the worst of their shallow styles : wildly overproduced , inadequately motivated every step of the way and demographically targeted to please every one ( and no one ) .
viewers will wish there had been more of the `` queen '' and less of the `` damned . ''
of impressive talent
done before but never so vividly
his edits , unlike those in moulin rouge , are crisp and purposeful without overdoing it
ethan hawke 's strained chelsea walls
are undeniably touched .
getting into too many pointless situations
streamed across its borders
allows a gawky actor like spall -- who could too easily become comic relief in any other film -- to reveal his impressively delicate range
is a convincing one , and should give anyone with a conscience reason to pause
vainly , i think
needlessly opaque intro
is consistently
there 's something vital about the movie .
few sleepless hours
, albeit a visually compelling one ,
lets the movie dawdle in classic disaffected-indie-film mode
is that those responsible did n't cut their losses -- and ours -- and retitle it the adventures of direct-to-video nash , and send it to its proper home .
, you know the picture is in trouble .
city by the sea is a gritty police thriller with all the dysfunctional family dynamics one could wish for .
it 's a lyrical endeavor .
, this is the most visually unappealing .
huston 's revelatory performance
further demonstrates just how far his storytelling skills have eroded .
miraculous
do well to check this one out
both shallow and dim-witted
heaven is one such beast
those moviegoers who would automatically bypass a hip-hop documentary
sullivan and his son
stale first act , scrooge story , blatant product placement
's worth the concentration
choppiness
the story 's pathetic and the gags are puerile . .
environmental pollution ever made
in questioning the election process , payami graphically illustrates the problems of fledgling democracies , but also the strength and sense of freedom the iranian people already possess , with or without access to the ballot box .
as with most late-night bull sessions , eventually the content is n't nearly as captivating as the rowdy participants think it is .
if there was any doubt that peter o'fallon did n't have an original bone in his body , a rumor of angels should dispel it .
it 's kidman who holds the film together with a supremely kittenish performance that gradually accumulates more layers .
, norton has to recite bland police procedural details , fiennes wanders around in an attempt to seem weird and distanced ,
a brisk , reverent , and subtly different sequel .
into the nature of faith
offers an unexpected window into the complexities of the middle east struggle and into the humanity of its people
to document all this emotional misery
gritty
lush , all-enveloping movie experience
funnier
the most wondrous of all hollywood fantasies --
of updating white 's dry wit to a new age
sitting in the third row of the imax cinema at sydney 's darling harbour , but i sometimes felt as though i was in the tiny two seater plane that carried the giant camera around australia , sweeping and gliding , banking and
just more of the same , done with noticeably less energy and imagination
to savor binoche 's skill
beaches
has all the scenic appeal of a cesspool .
wondering why you 've been watching all this strutting and posturing
the predictable parent
was as graceful
be appreciated by anyone outside the under-10 set
the incessant , so-five-minutes-ago pop music
assured , glossy
hitting the audience over the head with a moral
against the maker 's minimalist intent
the movie as a whole
to perform
opportunity to make absurdist observations
was inexplicably rushed to the megaplexes before its time
nicholson proves once again that he 's the best brush in the business
, yu clearly hopes to camouflage how bad his movie is .
patriot games can still turn out a small , personal film with an emotional wallop
too bad writer-director adam rifkin situates it all in a plot as musty as one of the golden eagle 's carpets .
call the film ` refreshing
disappointingly thin slice
that it 's offensive , but
in future years as an eloquent memorial
bring new energy to the familiar topic of office politics .
never gets too cloying thanks to the actors ' perfect comic timing and sweet , genuine chemistry .
that 's as entertaining as it is instructive
no discernible feeling beneath the chest hair
this is one of the rarest kinds of films : a family-oriented non-disney film that is actually funny without hitting below the belt .
to good actors
is plastered with one hollywood cliche after another , most of which involve precocious kids getting the better of obnoxious adults
with imagination
all-powerful
embarrassingly ham-fisted sex jokes
that it actually makes the heart soar
every conceivable mistake a director could make in filming opera has been perpetrated here .
extraordinarily rich landscape
superior crime movie
turn on many people to opera ,
just as endearing and easy to watch
what 's left of his passe ' chopsocky glory
there is no doubt that krawczyk deserves a huge amount of the credit for the film 's thoroughly winning tone .
juice and delight
the best inside-show-biz
should never , ever , leave a large dog alone with a toddler
the basic flaws in his vision
the better film 's
the cruelty and suffering
more mature than fatal attraction , more complete than indecent proposal and more relevant than 9 1/2 weeks
to say that this vapid vehicle is downright doltish and uneventful is just as obvious as telling a country skunk that he has severe body odor .
's something of the ultimate scorsese film , with all the stomach-turning violence , colorful new york gang lore and other hallmarks of his personal cinema painted on their largest-ever historical canvas
just the labor involved in creating the layered richness of the imagery in this chiaroscuro of madness and light is astonishing .
have been an eerie thriller
most substantial feature for some time
walked away
is plainly dull and visually ugly
touching , sophisticated film
it 's soulful and unslick