xiangpku/GLUE huggingface dataset:
roger michell , who did an appealing job directing persuasion and notting hill in england , gets too artsy in his american debut .
makmalbaf follows a resolutely realistic path in this uncompromising insight into the harsh existence of the kurdish refugees of iran 's borderlands .
... a roller-coaster ride of a movie
the film is faithful to what one presumes are the book 's twin premises -- that we become who we are on the backs of our parents , but we have no idea who they were at our age ; and that time is a fleeting and precious commodity no matter how old you are .
began life as a computer game , then morphed into a movie -- a bad one , of course .
disney 's live-action division has a history of releasing cinematic flotsam , but this is one occasion when they have unearthed a rare gem .
audiences will find no mention of political prisoners or persecutions that might paint the castro regime in less than saintly tones .
looks like a high school film project completed the day before it was due .
it 's obviously struck a responsive chord with many south koreans , and should work its magic in other parts of the world .
rainy days and movies about the disintegration of families always get me down .
... breathes surprising new life into the familiar by amalgamating genres and adding true human complexity to its not-so-stock characters . '
it is ridiculous , of course ... but it is also refreshing , disarming , and just outright enjoyable despite its ridiculousness .
for the most part , i spy was an amusing lark that will probably rank as one of murphy 's better performances in one of his lesser-praised movies .
it 's not so much enjoyable to watch as it is enlightening to listen to new sides of a previous reality , and to visit with some of the people who were able to make an impact in the theater world .
a yarn that respects the marvel version without becoming ensnared by it .
an atonal estrogen opera that demonizes feminism while gifting the most sympathetic male of the piece with a nice vomit bath at his wedding .
the actors do n't inhabit their roles -- they 're trapped by them , forced to change behavior in bizarre unjustified fashion and spout dialog that consists mostly of platitudes .
these spiders can outrun a motorcycle and wrap a person in a sticky cocoon in seconds , but they fall short of being interesting or entertaining .
extremely boring .
but an unwillingness to explore beyond the surfaces of her characters prevents nettelbeck 's film from coming together .
a masterpiece four years in the making .
visits spy-movie territory like a novel you ca n't put down , examines a footnote to history seldom brought to light on the screen , and keeps you guessing from first frame to last .
a silly , self-indulgent film about a silly , self-indulgent filmmaker .
rarely do films come along that are as intelligent , exuberant , and moving as monsoon wedding .
its save-the-planet message clashes with its crass marketing .
it 's traditional moviemaking all the way , but it 's done with a lot of careful period attention as well as some very welcome wit .
for all its serious sense of purpose ... ( it ) finds a way to lay bare the tragedies of its setting with a good deal of warmth and humor .
the only thing in pauline and paulette that you have n't seen before is a scene featuring a football field-sized oriental rug crafted out of millions of vibrant flowers .
divertingly ridiculous , headbangingly noisy .
the title trapped turns out to be a pretty fair description of how you feel while you 're watching this ultra-manipulative thriller .
as a revenge thriller , the movie is serviceable , but it does n't really deliver the delicious guilty pleasure of the better film versions .
frustratingly , dridi tells us nothing about el gallo other than what emerges through his music .
the plot grinds on with yawn-provoking dullness .
the animated subplot keenly depicts the inner struggles of our adolescent heroes - insecure , uncontrolled , and intense .
the editing is chaotic , the photography grainy and badly focused , the writing unintentionally hilarious , the direction unfocused , the performances as wooden .
i admired it , particularly that unexpected downer of an ending .
the performances are so leaden , michael rymer 's direction is so bloodless and the dialogue is so corny that the audience laughs out loud .
a comic gem with some serious sparkles .
not a bad journey at all .
unfortunately , they 're sandwiched in between the most impossibly dry account of kahlo 's life imaginable .
extreme oops - oops , ops , no matter how you spell it , it 's still a mistake to go see it .
unfortunately , as a writer , mr. montias is n't nearly as good to his crew as he is as a director or actor .
must-see viewing for anyone involved in the high-tech industry .
like old myths and wonder tales spun afresh .
a beautiful and haunting examination of the stories we tell ourselves to make sense of the mundane horrors of the world .
life is a crock -- or something like it .
imagine if you will a tony hawk skating video interspliced with footage from behind enemy lines and set to jersey shore techno .
it 's rare to find a film that dazzles the eye , challenges the brain , and satisfies our lust for fast-paced action , but minority report delivers all that and a whole lot more .
it 's drained of life in an attempt to be sober and educational , and yet it 's so devoid of realism that its lack of whistles and bells just makes it obnoxious and stiff .
... there are enough moments of heartbreaking honesty to keep one glued to the screen .
it 's hard to tell with all the crashing and banging where the salesmanship ends and the movie begins .
now it 's just tired .
( u ) nrelentingly stupid .
a work of astonishing delicacy and force .
... as the story congeals you feel the pieces of the star wars saga falling into place in a way that makes your spine tingle with revelation and excitement .
a fast-moving and remarkable film that appears destined to become a landmark in japanese animation .
the film is itself a sort of cinematic high crime , one that brings military courtroom dramas down very , very low .
the film meant well in its horse tale about freedom , but was n't able to reach the heart because it was too overbearing .
offers that rare combination of entertainment and education .
one of the best examples of how to treat a subject , you 're not fully aware is being examined , much like a photo of yourself you did n't know was being taken .
an unbelievably fun film just a leading man away from perfection .
if nothing else , this movie introduces a promising , unusual kind of psychological horror .
it does succeed by following a feel-good formula with a winning style , and by offering its target audience of urban kids some welcome role models and optimism .
going to the website may be just as fun ( and scary ) as going to the film .
if this dud had been made in the '70s , it would have been called the hills have antlers and played for about three weeks in drive-ins .
morton is , as usual , brilliant .
an earnest , heartrending look at the divide between religious fundamentalists and their gay relatives .
christians sensitive to a reductionist view of their lord as a luv-spreading dr. feelgood or omnipotent slacker will feel vastly more affronted than secularists , who might even praise god for delivering such an instant camp classic .
but like bruce springsteen 's gone-to-pot asbury park , new jersey , this sad-sack waste of a movie is a city of ruins .
with a story inspired by the tumultuous surroundings of los angeles , where feelings of marginalization loom for every dreamer with a burst bubble , the dogwalker has a few characters and ideas , but it never manages to put them on the same path .
more honest about alzheimer 's disease , i think , than iris .
maybe it 's asking too much , but if a movie is truly going to inspire me , i want a little more than this .
none of these characters resembles anyone you 've ever met in real life , unless you happen to know annoyingly self-involved people who speak in glib sentences that could have only come from the pen of a screenwriter .
just one more collection of penis , breast and flatulence gags in search of a story .
but some unexpected zigs and zags help .
by presenting an impossible romance in an impossible world , pumpkin dares us to say why either is impossible -- which forces us to confront what 's possible and what we might do to make it so .
but it 's emotionally engrossing , too , thanks to strong , credible performances from the whole cast .
a movie for 11-year-old boys with sports dreams of their own and the preteen girls who worship lil ' bow wow .
skip work to see it at the first opportunity .
there are slow and repetitive parts , but it has just enough spice to keep it interesting .
safe conduct , however ambitious and well-intentioned , fails to hit the entertainment bull 's - eye .
the way coppola professes his love for movies -- both colorful pop junk and the classics that unequivocally qualify as art -- is giddily entertaining .
the latest installment in the pokemon canon , pokemon 4ever is surprising less moldy and trite than the last two , likely because much of the japanese anime is set in a scenic forest where pokemon graze in peace .
a movie far more cynical and lazy than anything a fictitious charlie kaufman might object to .
these are names to remember , in order to avoid them in the future .
... with the candy-like taste of it fading faster than 25-cent bubble gum , i realized this is a throwaway movie that wo n't stand the test of time .
it might as well have been problem child iv .
all the performances are top notch and , once you get through the accents , all or nothing becomes an emotional , though still positive , wrench of a sit .
his characters are engaging , intimate and the dialogue is realistic and greatly moving .
national lampoon 's van wilder could be the worst thing to come out of national lampoon since class reunion
( it 's ) a prison soccer movie starring charismatic tough guy vinnie jones , but it had too much spitting for me to enjoy .
an intimate , good-humored ethnic comedy like numerous others but cuts deeper than expected .
mocking them now is an exercise in pointlessness .
liman , of swingers and go , makes his big-budget action film debut something of a clunker as he delivers a long , low-heat chase , interrupted by a middling car chase .
two generations within one family test boundaries in this intelligent and restrained coming-of-age drama .
hands down the year 's most thought-provoking film .
and in this regard , on guard delivers .
thrilling , provocative and darkly funny , this timely sci-fi mystery works on so many different levels that it not only invites , it demands repeated viewings .
these are lives worth watching , paths worth following .
the 3d images only enhance the film 's otherworldly quality , giving it a strange combo of you-are-there closeness with the disorienting unreality of the seemingly broken-down fourth wall of the movie screen .
a slick , well-oiled machine , exquisitely polished and upholstered .
a fairly by-the-books blend of action and romance with sprinklings of intentional and unintentional comedy .
but here 's the real damn : it is n't funny , either .
its characters are thinner than cardboard -- or even comic-book paper .
... has virtually no script at all ...
behind the snow games and lovable siberian huskies ( plus one sheep dog ) , the picture hosts a parka-wrapped dose of heart .
roman coppola may never become the filmmaker his dad was , but heck -- few filmmakers will .
the movie 's eventual success should be credited to dennis quaid , in fighting trim shape as an athlete as well as an actor
the story drifts so inexorably into cliches about tortured ( and torturing ) artists and consuming but impossible love that you ca n't help but become more disappointed as each overwrought new sequence plods on .
a gentle , compassionate drama about grief and healing .
here , adrian lyne comes as close to profundity as he is likely to get .
a tv episode inflated past its natural length .
why he was given free reign over this project -- he wrote , directed , starred and produced -- is beyond me .
begins as a promising meditation on one of america 's most durable obsessions but winds up as a slender cinematic stunt .
it took 19 predecessors to get this ?
binoche and magimel are perfect in these roles .
the diversity of the artists represented , both in terms of style and ethnicity , prevents the proceedings from feeling repetitious , as does the appropriately brief 40-minute running time .
a romantic comedy , yes , but one with characters who think and talk about their goals , and are working on hard decisions .
at heart the movie is a deftly wrought suspense yarn whose richer shadings work as coloring rather than substance .
feels like six different movies fighting each other for attention .
director dirk shafer and co-writer greg hinton ride the dubious divide where gay porn reaches for serious drama .
a movie that tries to fuse the two ` woods ' but winds up a bolly-holly masala mess .
too bad , but thanks to some lovely comedic moments and several fine performances , it 's not a total loss .
ordinary melodrama that is heavy on religious symbols but wafer-thin on dramatic substance
fortunately for all involved , this movie is likely to disappear as quickly as an ice cube thrown into a pot of boiling water .
the movie is a blast of educational energy , as bouncy animation and catchy songs escort you through the entire 85 minutes .
rare is the ` urban comedy ' that even attempts the insight and honesty of this disarming indie .
it 's also stupider .
that zhang would make such a strainingly cute film -- with a blind orphan at its center , no less -- indicates where his ambitions have wandered .
reggio falls victim to relying on the very digital technology that he fervently scorns , creating a meandering , inarticulate and ultimately disappointing film .
we can see the wheels turning , and we might resent it sometimes , but this is still a nice little picture , made by bright and friendly souls with a lot of good cheer .
the weight of water uses water as a metaphor for subconscious desire , but this leaky script barely stays afloat .
a pleasant romantic comedy .
the perfect film for those who like sick comedies that can be snide .
a dreary , incoherent , self-indulgent mess of a movie in which a bunch of pompous windbags drone on inanely for two hours ... a cacophony of pretentious , meaningless prattle .
full frontal is the antidote for soderbergh fans who think he 's gone too commercial since his two oscar nominated films in 2000
son of the bride may be a good half-hour too long but comes replete with a flattering sense of mystery and quietness .
technically , the film is about as interesting as an insurance commercial .
well , it does go on forever .
a graceful , contemplative film that gradually and artfully draws us into a world where the personal and the political get fatally intertwined .
there 's no denying the elaborateness of the artist 's conceptions , nor his ability to depict them with outrageous elan , but really the whole series is so much pretentious nonsense , lavishly praised by those who equate obscurity with profundity .
` dragonfly ' is a movie about a bus wreck that turns into a film wreck .
there are films that try the patience of even the most cinema-besotted critic -- and this was one of them .
the actors are forced to grapple with hazy motivations that never come into focus .
when she speaks , her creepy egyptian demigod voice is as computer processed and overproduced as it was in her music .
a soggy , cliche-bound epic-horror yarn that ends up being even dumber than its title .
i saw knockaround guys yesterday , and already the details have faded like photographs from the spanish-american war ... it 's so unmemorable that it turned my ballpoint notes to invisible ink .
there 's plenty of style in guillermo del toro 's sequel to the 1998 hit but why do we need 117 minutes to tell a tale that simply ca n't sustain more than 90 minutes .
the unique tug-of-war with viewer expectations is undeniable , if not a pleasure in its own right .
vividly conveys both the pitfalls and the pleasures of over-the-top love .
ihops do n't pile on this much syrup .
what kids will discover is a new collectible .
when it really counts ... bloody sunday connects on a visceral level that transcends language .
windtalkers blows this way and that , but there 's no mistaking the filmmaker in the tall grass , true to himself .
... a polished and relatively sincere piece of escapism .
the saturation bombing of reggio 's images and glass ' evocative music ... ultimately leaves viewers with the task of divining meaning .
there 's not enough to sustain the comedy .
formula 51 is so trite that even yu 's high-energy action stylings ca n't break through the stupor .
despite a powerful portrayal by binoche , it 's a period romance that suffers from an overly deliberate pace and uneven narrative momentum .
unless you are in dire need of a diesel fix , there is no real reason to see it .
i kept thinking over and over again , ' i should be enjoying this . '
the transporter is as lively and as fun as it is unapologetically dumb
a real clunker .
the pivotal narrative point is so ripe the film ca n't help but go soft and stinky .
it 's amazingly perceptive in its subtle , supportive but unsentimental look at the marks family .
legendary irish writer brendan behan 's memoir , borstal boy , has been given a loving screen transferral .
the problem , it is with most of these things , is the script .
it risks seeming slow and pretentious , because it thinks the gamble is worth the promise .
take care of my cat offers a refreshingly different slice of asian cinema .
davis has filled out his cast with appealing fresh faces .
it represents better-than-average movie-making that does n't demand a dumb , distracted audience .
dazzling and sugar-sweet , a blast of shallow magnificence that only sex , scandal , and a chorus line of dangerous damsels can deliver .