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Ahh, nuthin' like cheesy, explopitative, semi-porn, masquerading as horror...This one stars Jaqueline Lovell(sometimes Sara St. James), the nubile starlet also seen in "Femalien", "The Erotic House of Wax", and that family favorite "Nude Bowling Party". She is now a fixture in Surrender Cinema's line-up of talentless cuties starring in pointless, soft-porn exploitation flicks. "Head of the Family" actually tries to be a real moovie. A con-man and a tramp try to get said-tramp's husband off-ed. They turn to a large-brained evil genius in a wheelchair, and his family of moronic misfits, who uses mind control to send out zombies to do his nefarious bidding. Said-genius has a giant head, hence the clever title of the film: that's about the extent of the film's humor. But basically, it's an excuse to show off the ample talents of Lovell and Dianne Colazzo (Ernestina). Laced with some of the wierdest dialogue can be herd (what the heck is "plowing oats", anycow??), and just plain stupid, this titular thriller will moost likey appeal to the breast-cownters of Drive-In Theater, but no one else. The MooCow says avoid the devoid, unless yer looking for a rent on cheesy T&A/horror night. :=8P | 0neg
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this has to be one of, if not the worst film that i have seen. the story line makes very little sense, as the only power he seems to have is to scare people so they some how accidentally die, and to make cars fly. there is only about 5 sound affects used, and they don't match what is happening in the film. most of the time is spent on useless shots, such as a minute zoom shot on a shirt lying on a road. the actors aren't up to much, most look like they don't know what to do next, and are reading off the sheet.. totally unbelievable. the only positive side is that it had my family laughing at how rubbish it was... so unless your a fan of films that are so bad that they make you laugh for that reason.... i would stay away from "the psychotronic man" | -1no label
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] |
(spoilers??) I wasn't sure what to think of the movie. Not too much of a kids film. Definately should be watched with a parent because it includes death and dying. But I was surprised that I was a bit entertained by it. I was a bit disappointed by the 81 minutes of time we had. (even less without the credits) And the trailer gets you to think the rodent is a main creature. But alas, they torture him. Right until the end of the movie. Those two gripes docked the movie 2 stars. But I do recommend the movie. Even for a sequel. 8/10 Quality: 9/10 Entertainment: 7/10 Replayable:7/10 | 1pos
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] |
I thoroughly enjoyed this film overall, but four things really stand out: Sam Raimi's perfect comic timing and performance as the camp handy(?)man, Alan Arkin's wonderful characterisation of the camp owner, and best of all, the cinematography. The beautiful golden tones of the exterior scenes draws me into the film like a sunset at the lakeshore draws me into my own summer memories. The dialog and mood feel very natural and believable. Some reviewers criticise the lack of a more "profound" script. To me, it is exactly that lack that makes this film work. The characters and their problems seem real and because of that, I care about what happens to them. The bottom line is that all the parts come together to create a whole that feels right. | 1pos
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] |
River's Edge is an excellent film and it's a shame that it hasn't made more of a mark for itself in cinematic history. There were a number of gritty films based around school kids made in the eighties, but of all the ones I've seen; this is certainly the most nihilistic and disturbing. The film takes a storyline that is disturbing in its own right and adds the theme of teenage slackers and their uncaring attitude about things, which takes the story onto another level. The film works because the central story is interesting and it's played out by complex characters. The film begins with a murder. We then follow the murderer, nicknamed John, as he goes back to school and tells all his friends about what he has done. Rather than give the expected reaction, most of them hardly react at all and the strongest reaction that the murderer gets comes from Layne; who makes it his number one priority to help John clear up the mess he's in and get him out of it. The other friends mull over the crime, and before long one of them goes to the police... River's Edge features a host of great performances from its young cast. Keanu Reeves has a reputation for wooden acting, and for good reason; but he fits in very well to this early role and this performance is easily one of his best. Crispin Glover is the biggest standout as the slightly insane Layne. Glover always stands out in every film he's in, and while he does go over the top a little bit; he convinces well as the lead in this movie. Reeves and Glover receive good support from a talented young cast that includes Daniel Roebuck and Joshua john Miller, as well as the great Dennis Hopper in another wild role. The film features a very gritty picture which bodes well with its nihilistic tone. The central characters are all of the 'slacker/stoner' generation and the way that they genuinely don't seem to care about the murder of their friend is more shocking than the murder itself; and the point that the film tries to make about modern society is both strong and well defined. The film is also rather funny, owing to some of the characters' lines; but the humour is pitch black and clearly this film was never meant to be a comedy. Overall, this is an excellent and memorable film that is definitely worth seeing! | 1pos
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] |
i watch whatever gay themed thing comes out and i tend to enjoy even the slated ones. This movie is awful, it goes no where and there was absolutely no point in making it or in anyone of us watching it. Don't bother even watching it to check how awful it was, just save the hours of your life for something else. Try, Beautiful Thing if your English or 'O Fantasma' (The Phantom) if your into something that you want to be left thinking about and you don't mind subs. People have suggested that its funny but it really doesn't come across as that in the English bits or the subtitled bits. I imagine that it was written by a gay dutchman who had experience of these most important things going on in his life. He sadly didn't think about the fact that no one would care cause there not important. | -1no label
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] |
I am seldom at a loss for words, but this was, just possibly, the very worst movie I've ever seen. The acting, dialogue and special effects were so bad that at first I thought I was watching a parody. Aghhhhh. The special effects were quite strange, such as buckets of blood seemingly splashed from behind rocks and other props in a strange one-dimensional perspective. The actors read their lines like high school kids auditioning for their first play. The dual plot of volcano and supergator just didn't mesh and the ending made no sense at all. Okay, gator dead, let's show some old clips of a volcano erupting. If any of these actors ever make "the big time" in film, they may want to erase this movie from their bios. This movie might be fun at a boozy frat party, but only if no other options were available. | -1no label
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] |
Hideo Nakata's follow-up to "Ring" is terrifying stuff. Building on the events of the first film and following the dreadful video curse through to the next level, it is a very worthy successor to the original classic. In terms of filmmaking style, very little has changed. "Ring 2" is high quality horror filmmaking, including excellent music, a couple of nasty shocks (used sparingly, making them all the more effective) and some really frightening images which stay in your mind long after the film is over. We also learn more about Sadako and the circumstances leading up to her imprisonment and death, which deepens the horror by making the audience more compassionate towards the object of fear. This is the sort of thing that classic Western horror USED to do, but now it is more concerned with shock tactics and tongue-in-cheek self-referencing (see "Scream") to bother with good old-fashioned empathy. This is not to say that we grow to love Sadako any more in this film than in the first. She is still very much the epitome of evil. "Ring 2" also makes less sense than its predecessor and demands more leaps of the imagination than the first film did. That said, the irrationality leads to some truly terrifying moments: the way the curse marks all media (photos, videos, any TV in range); the whole sequence with the well; the flashback sequence at the Inn where Sadako was raised. By not trying to be too logical about the plot here, Nakata actually taps into a deeper vein of horror, although it makes "Ring 2" slightly less satisfying than its predecessor. Everything about this production is so good that it barely even needs to be mentioned. The acting is terrific, particularly Miki Nakatini as Mai, burdened with a psychic capacity she doesn't want and drawn into the mystery against her will. Rikiya Otaka also deserves a mention as Yoichi (the little boy from the first film) - his expressions of blank terror and occasional moments of rage are very effective indeed. Don't watch "Ring 2" alone and don't expect to sleep easy afterwards. This is good quality horror the way it hasn't been made in Hollywood for a good few years now - go with a friend! | -1no label
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] |
For a film that's ostensibly about sex and leather, it doesn't have any right to be as oddly sweet as it is. The story of Bettie Page, a good Christian girl from the South who's momma wouldn't let her date until she married, who moved to New York and ended up becoming the most successful pin-up of her age, is driven by an outstanding performance from Gretchen Moll. Her Page can't quite reconcile the pictures that she takes (nobody's allowed to touch, it's all fun and respectful) with the pornography trials and supposed ill-effects that her images have on the world around her. Page has been an inspiration to every burlesque artist since, not just because she had a figure to die for, but because she invested every picture with an innocent sense of fun that was uniquely sexy and simple at the same time. Rather like this film, in fact. Filmde in both black and white and glorious technicolour, it's a lovely way to spend a couple of hours. | 1pos
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] |
Vodka Lemon is a charming, yet extremely uneven Arminian film that will delight some and bore others. Though reasonably well-crafted, the film lacks any real "zing", relying instead on many scenes that will seem commonplace to the astute art-house viewer. The film contains a handful of moments of sheer cinematic brilliance, unfortunately, they deserve a film worthy of their genius. Too dark to be a dark comedy and to light to be a serious drama, Vodka Lemon will leave many views disoriented and ultimately disgruntled. You may laugh, but these moments will be few and far between amid a sea of washed out snow filled landscapes and a seemingly endless series of bus rides. A noble effort, ultimately done in by lack of narrative cohesion. | 0neg
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] |
At first I thought aliens in prehistoric times; this is going to be one hell of a non-sense. I was very pleasantly surprised though. There is no hi-tech jargon or far-fetched sci-fi plot, everything is neat and straight to the point. And the most importantly there is no meaningless dialogue or cool stupid one-liners. Kainan (James Caviezel) lands on Earth in his chase of an alien monster which killed his family. The year is something hundred BC, there is nothing superhuman or extraordinary about him, armed just with a gun version of a lightsaber , soon he is captured by the local tribe. The prehistoric people are nothing out of the ordinary either-a wooden fortress, animal-skin clad villagers and monarch based ruling system. I really liked the political element in the tribe's interactions with the opposing tribe and the logical tactical choices made by its leaders. It comes to show that politics in its essence is just a plain and simple common sense for the people's well-being. The two fighting tribes eventually join forces against the common evil-a pretty red illuminated monster that kills and eats everything on its way. The monster is CGI but it is given almost a human name Moorwen, I have to admit very well done CGI. It blends very well with the rest of the sequences and the monster itself is quite original. All the encounters with it are really gory, though, so I do not recommend it for the faint-hearted. There is the must-have love story as well, between the outlander and the daughter of the king of the tribe, who eventually took over his throne after the monster, killed him mercilessly. There is a little cameo from Ron Perlman doing what he does best as a ferocious leader of the opposing tribe, i.e. acting really tough. This movie has everything you want in one aliens, great action sequences, politics, pretty female, romance with the pretty female, a bit of gory horror and a happy ending with an inevitable casualty of a loved one-what not to like? | -1no label
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] |
I absolutely loved the care bears from the 80's but can't stand these new ones. I hate everything about them. Why can't people leave well enough alone? Hollywood has reached rock bottom so they're remaking everything now but only worse. I'm tires of seeing the classics get ruined. The only comeback that should have been made is the old ones released on DVD. A few people that things are going to change but there's no reason to think so. The Big Wish movie was just as bad. And I'm sure that the new movie coming to the theater will be just as bad. Sorry I've been a bit long winded but I had to draw things out to meet the 10 line minimum for a review. | -1no label
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] |
Okay, so "Bee Movie" is not up to the animated magnitude of "Ratatouille," the other animated movie about creatures we hate and fear the most, but are made in benign form thanks to these movies, but it is entertaining and will leave a smile on your face. Welcome back, Jerry Seinfeld. We missed you after 9 years of your legendary sitcom bearing your last name as the title. We still catch up with you on reruns and buy your DVD sets and never stop laughing. Jerry, your character, Barry B. Benson, I'd say, is a filmlike version of your TV persona. Both Barry and Jerry from TV are neurotics trying to figure out how to make it in society aided and abetted by friends and relatives. In Bee Movie Jerry has his cast working well with him. They are Matthew Broderick as his best pal Adam, Renee Zellweger as a human florist named Vanessa Bloome who realizes that bees have a purpose in life and are not out to hurt others, Seinfeld guest regular Patrick Warburton as Vanessa's bee-allergic boyfriend who wants to kill Barry, Kathy Bates and Barry Levinson as Barry's worrywart parents (and both sport glasses), and Chris Rock as a mosquito named Mooseblood. Throw in cameos by Oprah Winfrey as the no-nonsense Judge Bumbleton, John Goodman as the opinionated lawyer Layton Montgomery, and Sting, Larry King and Ray Liotta as themselves. Of course, there is the unforgettable Barry B. Benson, a graduate of the hive who becomes a lawyer and wants to rid the human race of stealing their honey, but after a courtroom trial, he would learn the hard way the true meaning of life of a bee. As in so many animated movies, all the actors are recognizable playing characters that best match their TV and screen personas, so you will have no trouble identifying them. It is best for Jerry to play a neurotic bee so the character would be convincing. See that? Now some of the jokes may go over the kids' heads, like why would Ray Liotta want to wipe out the bee race by stealing honey and putting his name on it as the brand, in a reference to Ray Liotta's movie roles as heavies. Otherwise, kids would enjoy the sweet nature of it and adults would pick up on in-jokes. | -1no label
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] |
After the success of the second instalment, Richard Curtis and Ben Elton decided that Blackadder should have a third appearance. This time instead of Tudor times or Elizabethan times, Edmund Blackadder (BAFTA nominated Rowan Atkinson) is living in the time of the French Revolution. Accompanied by the now stupid but lovable Baldrick (Tony Robinson) Blackadder is the "faithful" butler to George, the Prince Regent of Wales (Hugh Laurie). Throughout this third series to the wonderfully written sitcom Blackadder tries everything he can to get rich and powerful. He tries electing a lord for a rotten borough, tries to sell a book, tries to win a bet about The Scarlet Pimpernel, tries to be a highway man and finally poses as the Prince. This is a very good instalment to the popular comedy. Includes appearances from Robbie Coltrane, Tim McInnerny, Miranda Richardson and Stephen Fry. It won the BAFTA for Best Comedy Series, and it was nominated for Best Design and Best Make Up. Rowan Atkinson was number 18 on The 50 Greatest British Actors, he was number 24 on The Comedians' Comedian, and he was number 8 on Britain's Favourite Comedian, Edmund Blackadder was number 3 on The 100 Greatest TV Characters, and he was number 3 on The World's Greatest Comedy Characters, and Blackadder (all four series) was number 2 on Britain's Best Sitcom. Outstanding! | 1pos
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] |
As some other comments show, this movie might scare you, when you're a little child. (And that is probably all that it is good for.) However, if you're older, this movie only does one thing: suck majorly -and thereby I don't mean the acting, its soundtrack, cutting or s.th. like that. I'm simply talking about the "plot" (if you can call it that). SPOILERS ahead ------------------------ I don't want to give any more spoilers than necessary (if after reading this, you really still want to watch this movie) but if you graduated from any school, this is just a big insult of your intelligence. When watching this, I was stunned most of the time, because what was happening was just THAT stupid. This includes: -the forming of UNITE (an evil UN-association) --> we are just supposed to believe it's evil. is it even evil at all? if so: why is it evil? -the mark of evil in the form of a tattoo --> there is no necessity to impose this on the people, so why the hell (no pun intended) are they doing it? -inviting Christ to your heart merely as lip service -->because there's nothing anybody, who in this movie is considered "a real Christian", ever does, besides saying that stupid prayer. so...just say that prayer before the rapture and you're saved - no matter what?! Thus, rating 1/10 | 0neg
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] |
SLIGHT SPOILERS Finally I get to see one of those early Chinese-themed dramas with Hollywood actors made up like Orientals. I'm not talking about a blockbuster like The Good Earth or Dragon Seed, but one of the early sound potboilers. When The Hatchet Man begins, I'm a little leery. A lengthy printed prologue spells out the story premise. I suspect while reading it that this is OK because the cultural norms to be depicted are alien and unfamiliar to a 1932 American movie audience. Edward G. Robinson, always superb, is fine as always; at first I can't recognize Loretta Young though, while on the other hand, Leslie Fenton doesn't initially strike me as Chinese. I'm wondering if the movie is going to be a lot of stereotyped bunk, full of coincidences and contrivance. Before long, it soon wins me over, getting better and than better still. The Hatchet Man approaches racial dynamics with more insight than expected. Director William Wellman applies intelligence, handling this thriller's more lurid aspects with needed detachment, as in less worthy hands it could've all gone melodramatically out of control. It's pre-Code, so I'm not really surprised that drug use is important to setting up the film's climax, and that one figure, formerly an assassin, is unpunished at fade out. Meanwhile, good character actors handle themselves convincingly (except for Charles Middleton, who is too much like Charles Middleton, and there is still the question of Fenton's casting, although he performs well). Also, I'm starting to come around to the realization that Loretta Young's acting range is limited,something her doll-like beauty has been distracting me from noticing through numerous films of this period. But the corker is the clever, shocking, coolly ironic surprise ending. People, you have got to see this. Few movies have ever ended with such a jolt! | -1no label
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] |
One of Surrender's good, early efforts. This is from the same director as Femalien and the two films are pretty comparable in quality. There are several sex scenes all tied around the concept of the main character's trip to a "virtual reality" studio. If the technology shown really existed, the company's profits would exceed those of GM, IBM, Coca Cola and Exxon-Mobil combined. :) A couple of real highlights in the film were the strip club scene and the wet lesbian/three way. But all of the scenes were good. Given the low price and high quality of the video, this is an easy recommendation. | -1no label
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] |
STB is an Italian movie through and through - the only atypical quality being that it doesn't stink. (And that there isn't the usual amount of shouting.) This is a sort of sentimental road movie/comedy with the obligatory festival-crowd-pleasing surreal scenes, such as people freezing up at stations or a huge balloon/jelly-fish/whatever lifting up all of Mastroianni's kids up into the air. That's the sort of Felini-like stuff which IQ-starved film students go absolutely ga-ga over, regardless of whether it relates to the rest of the movie or not. "Weird stuff! Yeaaah!" As far as I'm concerned, STB isn't dull and that's all that matters. Besides, its experimental approach (if one can call it that) never has an air of pretentious baloney about it. Perhaps we have Mastroianni to thank for that, who plays it very down-to-Earth. Even when he spits out wise words of advice to his offspring there isn't that unrealistic expectation from the viewer to gasp with shock, bewilderment and awe, something very common in so many other European movies, especially from the 60s and 70s. Too many directors think they reveal the secrets of the universe in their modest little underachieving flicks. Not the case here; at least not in annoying amounts. STB is likable and even amusing at times. As for the "experimental approach", if every other movie that Italians (and other Continentals) release has the same type of surreal silliness going on, then it isn't really experimental anymore, is it? It becomes normal, unsurprising, stale even. It's far easier to cobble up a script chock-full of "metaphoric" nonsense than to actually sit down and write a compact, stirring script with a beginning, middle, and end. STB leans far more heavily toward the latter. | -1no label
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] |
Ferocious Female Freedom Fighters (1982) was a project that Charles Kaufman and the L.A. Connection worked on. Troma bought the rights to a real bad Indonesian action film (shot in Panavision) and re-dubbed it. They made a terrible movie watchable, but it's filled with very juvenile and dated material. But that doesn't mean it's not watchable. The plot is (F.F.F.F) is about a female wrestler (Bambi)who's sick brother needs an emergency operation. To get the money fast, she signs up with a shady wrestling organization (even though she was courted by a rival promoter). During her training she meets Barney (a man who talks and fights like Elvis) and tries to woo her throughout the movie. Like I said, the movie's humor is very juvenile and adult but if you're into Troma films then you'll dig this one big time. What will happen to Bambi? Will her little brother get that operation? Can Barney sweep her off of her feet? You'll have to find out for yourself! Highly recommended. | -1no label
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] |
I tried my best to keep an open mind! "Miracles" borders on camp. Story lines make no sense. The boy ghost says the evil spirit "wants everything." Really now? That's a truly exciting revelation! Especially when in an earlier episode, at his funeral, the same boy ghost shows up all happy, and at peace. We are led to believe there's closure. Can't the writers make-up their minds? Or, are they trying to save money by not hiring more actors! One episode even turned an old lady into jelly! She caves in and tells her deep, dark secret because one of our dopey investigators had the audacity to ask twice. Wow! That would convince me to spill the beans to a bunch of strangers after keeping my mouth shut for well over 50 years! The acting is not inspiring, either. There's no chemistry. At times I get the feeling the main characters don't know if they are going to be filming the next episode. Sometimes it seems like the actors are trying hard not to giggle. Keep in mind this not supposed to a comedy show! This series is a cross between X-files and Bewitched. A confusing mess to say the least! Good try, no cigar! | -1no label
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] |
I would like to comment on the movie April Love. It's one of my all time favorites because my father, Nelson Malone plays the horse trainer. I remember distinctly when Hollywood came to Lexington, KY, where we were living at the time to make April Love. My Dad had been in numerous plays and was a talented man. I talked him into going to try out for one of the bit parts offered, and lo and behold he came home w/the script. How exciting is that! Also, a number of my classmates were in the crowd scenes -- especially the ones shown at the amusement park. It's very nostalgic every April when I see the movie being shown once again, and the song April Love by Pat Boone is still played on the radio. Timeless and reminiscent of a time long gone when you see the movies they make today w/all the sex, foul language and violence. It would be refreshing to see more movies like April Love come back into focus... | 1pos
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] |
"Caligula" shares many of the same attributes as the 1970 "Fellini Satyricon" with bizarre sights, freakishness, and depictions of sexual excesses all set in the "glory" of ancient Rome. But Fellini it ain't... First of all it is not as entertaining. Far too much screen time is devoted to bug-eyed, rubber-faced McDowell in the titular role. His performance is far too fey and campy to be convincing. The portrayals by Jay Robinson in "The Robe" (1953) and David Cain-Haughton in "Emperor Caligula" (1983) are far more persuasive and believable, with the latter being the most nuanced. Relief could have been judiciously provided by developing the surrounding characters more fully. As it is, they are little more than cyphers. One example is the role of Macro, played by Guido Mannari who has tremendous screen presence in an important role, but is mostly left in the background. The only positive features to credit are the adroit use of some Prokofiev and Stravinsky themes in the music score and the inclusion of some of the distasteful but nevertheless accurate actions of the despot. These two factors are far less than what is needed to relieve the prevailing tedium, however. | 0neg
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] |
An actress making a movie in Africa is kidnapped and taken into the jungle where she is held for ransom. The producer hires some one to go and bring her back. Complicating everything are the cannibals in the jungle who worship a really ugly looking "god" who likes to eat naked women. This is a gory sleazy movie. There is copious amounts of nudity and violence, not to mention violence against nude people. Its an exploitation film designed to appeal to the deepest darkest parts of our being, and if the movie wasn't so boring this film would be a classic. Lets face it, despite the gore, the nasty sex and abuse,and the ugly monster this movie is a snoozer. The pacing is all off kilter and it puts you out. There are multiple plot lines that all seem to be happening separately from each other, even though its ultimately all one story. Worst of all, almost no one says anything. Most of the minimal dialog concerns the cruelty or one characters protestations that "I'll do what I want". Its such a quiet and dull movie that if it weren't for the frequent screams of the victims I'd recommend this as a sleep aide. This is a movie to avoid unless you need sleep, or unless you need to see every Euro-cannibal movie. (An aside. VideoAsia just released this as part of their Terror Tales series. Their print is oddly letter-boxed which looks to be the result of taking their print from a Japanese source (there is fogging) that was cropped to remove the subtitles. Their print also has no opening titles) | 0neg
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] |
OK, so this film is well acted. It has good direction but the simple fact is that it undermines what all gay and lesbian people have been fighting for all these years. The straight man "deciding to be gay" and the gay man "Deciding to be straight" I did enjoy it up until the last 20 minutes, after that i got really offended. As what usually happens in these films the straight actors play the main parts and the out gay actors play the secondary straight roles. The leads are played by handsome men but don't let that distract you from the fact that this is a a film that leaves you feeling unfulfilled. All the romance and relationships you hope would happen do not. Unless you are a priest that is in which case god bless straight woman who cure our homos. | 0neg
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] |
absurdly overrated vehicle for Marin county anorexics, of interest only to older men charmed by, but largely excluded from, the pretentions of the privileged young. also, of course, to historians of the lesser directors of the old new wave. the mannered failure of the principal actress to - well - act is insupportable, and the annoyance is not decreased by a sense that the director doesnt particularly care, in fact might prefer it that way. the looseness of his direction is only pointed by the conspicuousness of passages in which actual actors rebel, and introduce verve. in short, a film for the voyeur. | -1no label
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] |
First, let me state that I am a big fan of Ashley Judd; that's why I was curious to check out this, her debut role. No argument that her talent is apparent and her performance excellent. I guess I can also see how the professional critics liked the aesthetic content of the story. However, I like to think that movies are meant to entertain us and that is where this movie fails. By the halfway point, I found myself thinking, "How much longer do we have to watch a bored shop girl, idly standing around a deserted souvenir shop, rearranging the merchandise?" It seemed to go on forever! Then, I thought, maybe this is one of those movies where the director tries to lull the audience into a relaxed state before hitting them with some dynamic event. No such luck. The movie continues it's bland, boring, uneventful story all the way to the end. I'm not saying this because I'm an action-junkie. I like all kinds of movies, especially romantic-comedies. But I expect to be entertained. Add the fact that the cinematography and sound quality are comparable to your neighbor's bad home movies. Depressing! I just don't get how anyone could like this movie. Zero-entertainment value. The longest 114 minutes of my life. | 0neg
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] |
I read the book Celestine Prophecy and was looking forward to seeing the movie. Be advised that the movie is loosely based on the book. Many of the book's most interesting points do not even come out in the movie. It is a "B" movie at best. Many events, characters, how the character interact and meet in the book are simply changed or do not occur. The flow of events that in the book are very smooth, are choppy and fed to the view as though you a child. The character development is very poor. Personnallities of the characters differ from those in the book. The direction is similar to a "B" horror flick. I understand that it would take six hours in film to present all that is in the book, but they screen play base missed many points. The casting was very good. | 0neg
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] |
The filmmakers try to paint the influence of the Mondovis and Robert Parker as a travesty on par with the German occupation of France and the reign of Fascism. But they never find a victim in this film. We hear wine makers, critics and distributors bemoan that while the wine industry grows it becomes increasingly homogeneous. But the film never makes a case that this has resulted in the loss of any good wine or exploitation of any person or culture other than naive Wine Spectator readers with lots of cash. If they want to pay hundreds of dollars for a dull wine, so be it. If this were a film about the diamond trade, where the DeBeers corporation's market domination results in human suffering, the muckraking style might have been appropriate. But as it is it just comes off as anti-American, anti-modernization and anti-capitalist. Had the filmmakers been around in the 1870s they most likely would have protested the grafting of American vines in the effort to save French wine. | 0neg
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] |
In some cases I'd say this is better then Pretty Woman. I say "some" with weight because Pretty Woman is a classic. But Milk Money fills that "hole" you had watching pretty woman. Ed Harris's character is sincere and attentive which matches Melanie's softness (which at the best of times can spoil her on screen performances) perfectly. It's a classic boy meets girl movie with that dash of "damsel in distress but is now hardened and tough due to life being so rough and who now finally meets a man who breaks through it all and understands and loves her for who she is" - as far as romantic comedies go- it was better then I thought it would be and even gets the heart strings welling when Ed Harris tells her "this could hurt"...The story itself can be at times almost childish, but in the end that's part of it's charm. | -1no label
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] |
As a huge South Park fan the only thing you are waiting for is Eric learning his lesson. As time goes by the viewer more and more abandons that faith. "Cartman sucks" doesn't 'hit' it, but it comes close to satisfying the urges of a fan seeing Cartman being humiliated by his own stupidity. Frankly, I liked it! The more you know Trey and Matt (creators) the more you know about their multiple alter egos being represented in this show. Eric Cartman obviously remains a focus, and in this one he's getting it, but somehow out of his own fault. Taking a picture of him having his penis stuck in Butter's mouth while holding his thumbs up may appear perverted in THIS context... But if you try to get into the minds of children, it may sounds reasonable. It works, as politically correct I'm trying to be in my awareness, this episode is not immoral or sick, no, it just shows a classical situation of misunderstanding that most of us have probably already been into. Definitely in a similar context but maybe in a similar feeling. I liked it... All the time while I was confronted with these scenes I thought "Why not?"... He's just a boy (at least that's what we're supposed to know)!!!! | -1no label
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] |
Typically, I'm a comedy guy. I rented this at the video store under comedy, and thought "Albert Brooks! Awesome!" and rented it. It seemed like the romantic comedy, and I remembered I hated those, and had the full mindset of hating this movie. Boy, was I wrong. While this is a romantic comedy, it's acted by an amazing lead & supporting cast (Brooks, Hunter, Cusack, and Nicholson), and everything works well within itself. The script sounds real and not forced, like this could be happening in the news station you're watching at night. It takes your emotions and makes you enjoy Hunter and Brooks and loathe Hurt, which makes the ending a bit unenjoyable and fruitless, but it shows how you don't need a happy ending to end a movie, you just need a truthful ending, which is what everyone got. Not everybody's life ends well, and it shows in Broadcast News. Maybe people don't like the ending because it's not your typical happy ending associated with romantic comedies... but it works, it's real, and it's genius. Broadcast News is a classic in it's time, and a fine romance movie up there with "Casablanca". Well, maybe not that high, but it's the only other romance I can think of that I like. Broadcast News: 9/10. | 1pos
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] |
What is there to say about an anti-establishment film that was produced in a time of such colourless void, social indifference and authoritarian contentment. Cassevettes first major independent film was not an instant box office success and still has not received the critical attention it deserves. I draw comparisons to this wave of American independent projects consisting of such 'Beat' filmmakers as Robert Frank and Harry Smith with the burgeoning scene emerging in Paris in the late 1950's known as the French new wave. They discussed poetry and philosophy and vulnerability at a time when the rest of the culture was obsessed with rediscovering American cultural supremacy; even at this stage this peculiar, highly spontaneous brand of filmmaking fought against the establishment of such political lexicons and bigots that held the development of the arts in check in the mid twentieth century. Cassevettes film examines race relations and portrays man as weak in the face of love because we, as a culture, are blinded by our own race bias and prejudice. The great element to most of Cassevettes work is that his films have almost a reversal minimalist effect; a mental reaction is evoked through subtle character relations, not so much imagery. This is why his work seems to linger because he takes a more intimate approach to defining charcters that rely less heavily on explicit actions and more upon interpretation. Although my favourite Cassevettes film is 'Husbands', this one is his most important. | 1pos
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] |
"Praise" broadens my appreciation of Australian film and Australians. It is a fascinating departure from the well explored Australian themes of brusque humor and drinking gags. Australians have feelings too. Who knew? The realism of the film is gritty and smells genuine. The story's core is profoundly basic and human. The camera work is wonderful. Fenton and Horler have faces and bodies that are treated like landscapes, initially jarring for their distinctive and atypical attributes and eventually becoming familiar elements of the story itself. Brilliant realism. The supporting cast contributes wonderfully. It is a diverse collection of characters, some outstanding and others quite gray. I will have to see this film again. I know it will bring another enhanced experience. For now, however, it has left me full and still digesting. | -1no label
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] |
Coming off an extremely successful performance in the summer hit Freaky Friday, Lindsay Lohan does her best to save the flat and unimpressive script of Confessions of a Teenage Drama Queen. Lohan stars as Lola, a teenage Manhattan girl whose dream is to become a famous actress. However, when she moves to a suburban New Jersey town she realizes that her chances of being famous are pretty much zero. Competing for popularity in her new school with Carla (Megan Fox), she stumbles through life in an almost-klutzy yet largely unfunny way. The entire movie is like a 90-minute sitcom -- it packs a few laughs but there is never a genuinely funny scene. The humour is based on clumsiness and stupidity rather than wit. In other words, it's comprised of people making fools out of themselves. There is also a huge gap between the beginning and the end of the movie. There are so many happenings in between it's easy to lose track of the whole point of the film. Also, many of the characters exist simply for the sake of existing. For example, the roles of Andrew, Lola's father and twin sisters don't serve a lot of purpose to the actual story. It wouldn't hurt if one or more of those characters were cut from the story, to save us some time and grief. Their roles are so tiny they're not really worth mentioning at all. The ending is pretty cliche-ish as well. Like a lot of Disney movies, it preaches friendship, change for the better, love, etc. However, Confessions does a pretty bad job of it. It's pretty obvious that these are the lessons the movie is supposed to teach; they make it so obvious there is no explanation needed. An explanation IS added, however, in an attempt to simplify things further. But all this does is to add more unnecessary time to the overall product. Confessions does have some positive points though. The music isn't too bad, even though they may have overused the "Uh-Oh" song by putting it in three different scenes. The acting in general by Lindsay Lohan and her co-stars is extremely good, but it's not enough to save this stinker. BOTTOM LINE: 1.5 stars out of 4 | -1no label
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] |
Another chapter in the ongoing question, whatever happened to Mel Brooks's sense of humor? It starts out nicely enough, with Mel as Trump-like mogul Goddard Bolt ("You can call me God"), who accepts a bet that he can't live on the streets for 30 days. But the moment the movie hits the streets, it turns into a pathos-laden mess, with occasional "funny" bits interjected (Mel sees a black kid break-dancing for money and tries to do a vaudeville buck-and-wing, yuk, yuk). Leslie Ann Warren is nothing short of wasted. The worst part is this movie's musical number, in which Brooks and Warren do a silent dance to Cole Porter's "Easy to Love." Brooks's musical parodies are usually the highlights of his movies; here he plays the whole thing straight, like a dancing excerpt from an aging guest star on "The Carol Burnett Show" (on which Rudy DeLuca, this film's co-writer, began his career). Go rent Charlie Chaplin's THE KID, which covered the same ground 70 years before and did a lot | 0neg
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] |
This is, as another comment already stated, a truly original movie. It's an episode movie, but not Boccaccio-style, tale by tale, the tales are developing from each other, and some characters keep reappearing. There are at least three reasons to love this movie: The performance of the director himself as the psychopathic ticket collector; the short segment showing musical indifferencies between dutch construction workers and Indian immigrants, and the timeless sequence that just hints at a very weird sexual orientation of a designer. This scene reminded me a lot of Bunuel's anarchism, see, i didn't just include his name above to be pretentious. The movie manages to be very funny at times, but some scenes do leave a bad taste in your mouth, without being sentimental or pathetic at any time. I've seen this movie three times now, and not just because i had some pretty bad experiences with ticket collectors and bus drivers too. If you get the chance to see it- Don't miss it. | -1no label
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] |
This is possibly the worst version of the play I have seen - several times on stage apart from the movie. A very nice idea for the set up - the American South can give a credible backdrop for the extreme reaction round Hero's supposed misdemeanour. But the execution! Widdoes is a very mannered Beatrice giving a particularly poor performance. Waterston, a fine actor, is not much better as Benedict. The poorest performance is in the role of Don John - it makes Keanu Reeves look good. Perhaps the desire to make it a caricature along the lines of the villain who ties the maiden to the train track fits with the keystone kops capers of Dogberry and his men - but the acting makes you want to cringe. Successful set-ups include the scene where they fool Benedict into believing Beatrice loves him - were the acting competent it would be superb. But the use of the river and the visual humour of Benedict moving closer is well produced. Overall I had to force myself to keep watching but it certainly didn't keep my attention. Very disappointing. With respect to latter comments above I am nearly 40. I've been watching stage and screen productions of Shakespeare for over 2 decades. Might I suggest when trying to defend your friends you speak to the piece rather than attack other reviewers when you are so inadequately armed in terms of fact. I can assume though, from your distaste regarding youth, that you are of sufficient age where the mannered acting of bygone days is more to your taste. My personal favourite pairing was Rylance and McTeer on the London stage. Unlike Widdoes, McTeer, a skilled and charismatic performer, can act. | 0neg
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] |
This movie was featured on a very early episode of Mystery Science Theater 3000, but when I see this film, I don't think about that wonderful TV series. I believe this was a surprisingly good early 40's horror flick, with very surprisingly good sound and picture for a 67 year old public domain horror movie. I actually enjoyed watching Bela Lugosi and his bizarre staff, including his wife who requires fluid from the glands of young would-be brides, an old hag, and her two bizarre sons, one a giant idiot, the other a comical dwarf(Angelo Rossitto from 1932's Freaks). I also enjoyed the plucky young female reporter, who is kind of a stereotype, but still fun to watch. My only problem with this otherwise decent film is it's plot, even ridiculous and unbelievable for a movie. I don't want to spoil any of this film, so go out and rent it, or, better yet, buy it for a couple of bucks. | 1pos
| [
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] |
Ghilli is the best movie of vijay & one of the biggest hit in his career.... As I had not seen the Telegu movie so I could enjoy this movie even more.The story is about a girl wanting to escape the clutches of a local goon who wants to forcibly marry her. Since he is a goon so no body is ready to help the heroine. Vijay who had come to play a Kabaddi match there sees this and decides to help her. The rest of the movie is how vijay helps her & how the girl ultimately escapes the clutches of the goon & the goon's father's political cronies. The movie has lot of the edge of the seat thriller moments and will keep the viewer engaged till the end. Vijay is as usual very good in role of the kabaddi player. Trisha,Ashish Vidyarthi,the bunch of vijay friends all have done their job competently. A special mention has to be made about the villain of the movie Prakashraj.The villain's character has been properly etched out and prakashraj has portrayed it very well. Surprisingly, for the first time, I felt sympathy for the villain in the end. The dialogue "Hi Chellam" has really caught on with the masses. The music by vidyasagar is brilliant and the song 'apadi podu' is a rage all over..Dharani has to be credited with such a nice masala movie which will be enjoyed by not just die hard vijay fans but also by the general tamil movie audience all over the world. | 1pos
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] |
THIS FILM IS LAME, LAME, LAME!!!!! It takes a lot to bring me to over-exaggeration about a movie, but this movie stunk up my house!! I haven't even finished the movie yet and I had to stop to comment on how bad this movie is. I'VE NEVER DONE THAT!! As a consumer, do not spend your money on this film. Wait until it comes out on a cable channel or something. It's barely TV worthy. I REALLY HATE TRASHING A MOVIE, BUT THIS MOVIE IS TRASH! Barely above porn. Should have and X rating! Good plot, some frontal nudity (if that floats your boat), but HORRIBLE high school level acting. Don't know how this movie received distribution. (Must have been a contractual thing.) Really, if you really like watching good movies, don't waste you time with this one. From one movie lover to another. YOU WILL BE MAD AT YOURSELF! Let me say this as well, if you've been through something like this perhaps you can relate and it will have some value for you. In that case I say watch it, you may take something away from it, if not just seeing something that's happened to you being acted out by someone else (has therapeutic value). | 0neg
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] |
This whole film should have lasted 45 minutes - maximum. Although an interesting concept/theme, it really did not develop as a story. Once the initial idea of a brave (stupid?) bomb disposal expert (cowboy?) are introduced, and this happens very early in the film, the rest is repetitious. Characters were not explored, and aspects of the location and politics were ignored. There was some nice insight into the appalling difficulties faced by troops in such a foreign environment, and the difficulties in differentiating between friend and foe. But the way in which the unit operated stretched belief! Individual performances were good, and special effects were adequate, but not enough to overcome the basic lack of content. | 0neg
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] |
I just saw "The Movie Hero" today at the Cleveland International Film Festival. I was pleased. "The Movie Hero" is hilarious, for one, and also really makes you think about your laughter. The main character keeps talking to his "audience" (us, in a way), but everyone thinks he's crazy for that. He then goes and gets a side-kick, love interest, all the stuff for his movie. The premise is unique and the way it plays with its ideas are just fun. The acting is great and makes it a wonderful, light-hearted film about finding your inner "audience". We got to talk to the director of this movie after it was shown and he pointed out that he wrote in a week. As a writer, I was amazed. Stupid movies, yeah, maybe, but something like this should take way longer. Kudos to him on that. "The Movie Hero" is so smart about movies, too, that I even thought about the wonderful film "Adaptation" during the movie. That should tell you enough. | -1no label
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] |
Korean cinema has the ability to turn genres on its head, and the latest by the celebrated director Chan-wook Park is a tale of a good pious priest who becomes a vampire. Add a temptress leading him astray and a cast of eccentrics and you have a wonderful recipe. Directed in part in a style similar to the "Sympathy" trilogy it's as sumptuous as it is dark. Steering clear of cliché it does offer some new tricks in the overdone vampire genre. Its an existential movie trying to capture the moral conundrum of how exactly a person has to choose to live with their conditions rather than revel in the blood lust. However, the film doesn't take itself too seriously and there is boundless humour throughout. Our leads play their roles to perfection, playing with our emotions and revelling in the dark humour. There are moments of reflection on the whole moral conundrums involved in the film but its never preachy. Some might find it overlong and it can lull at points but it's worth giving it a chance to the end. If you like left field films then there are fewer better than this one of late. Dark and engrossing, it will pull in a crowd. One I'd recommend you give a try. | 1pos
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] |
I can't believe we watched this total piece of crap but we did and I feel obligated to warn others to avoid it at all costs. When one of the main characters announces that he's gay twice in the first five minutes, don't ignore it as typical PC nonsense and figure it has to get better because it won't. If his faggoty boyfriend hanging all over him doesn't make you sick, then be thankful the freak who wrote and/or directed this grossout is somehow attempting a little restraint. I mean, get real. It's one thing for there to be a gay character appearing in a movie in such screwed up times as these but quite another to have it continually slapped on the screen and examined up close and personal when the the liner notes clearly state the flick's supposed to be about a mother seeking some sort of "closure" over the sudden death of her daughter. What does one thing have to do with the other, one might be tempted to ask? Apparently, the two issues are inextricably interwoven. And if that weren't bad enough, there's the bearded lady at the ice cream parlor. I mean, seriously, hasn't that poor woman ever heard of electrolysis? Why must she go around like that? At the very least, how about shaving the ugly thing off, and while you're at it, have those horrible moles removed, too. Would YOU slurp up some ice cream she just served you? I think not. It must be a New Jersey thing. You'd think Diane Keaton might save this piece of drek, but think again. Was she actually trying to put lipstick on a corpse? I don't even wanna think about it. So what if the body was supposed to be that of her own dead daughter. This grotesque excuse for cinema is slop from the word go and that's all there is to it. One wishes that each of these characters would simply walk out into the waves and just keep going. None of these flaky people even remotely gain our sympathy for an instant. Trust me -- pass this piece of crap up. It's not about death, a mother who inadvertently suffocated her daughter, or even the other much more unsavory issues it keeps bringing up no matter how little you want to hear it. It's a load of perverted trash from a misguided and talentless director. | 0neg
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] |
Following the success of the (awful) Gilligan's Island TV movie reruns, a number of TV movies were made in the 1980's reuniting casts from classic shows. Most of these movies completely missed the boat as far as recapturing the humor that made the shows so special. THE MUNSTERS REVENGE is among the most disappointing because it goes for a Laurel and Hardy-type comedy style that really wasn't in the original series. Yvonne De Carlo, a wonderful comedienne and essential to the series, is completely wasted - she has less time here in this 90 minute movie than she did in any single 30 minute episode. And since the roles of "Eddie" and "Marilyn" in this movie are nothing more than cameos, what was the point of making them younger and recasting them? With very little rewriting, they could have used Butch Patrick and Pat Priest. Although seeing some of the Munsters spooky relatives was a nice touch, I didn't enjoy Sid Caesar as the hammy mad scientist mainly because there's too much of him and not enough of the underused Munsters (ironically that very year, 1981, Caesar's old partner in comedy, Imogene Coca, was also inappropriately cast in a major part in a TV movie reunion RETURN OF THE BEVERLY HILLBILLIES). Another strange inexplicable bit at the beginning of the film has the Munster family represented as wax figures at a local horror wax museum. Why would they be in there when they are supposed to be a "typical" (if strange) American family, not famous monsters? This was the last Munsters project featuring the original cast in their roles, there was an awful revival of the series in the late 1980's with a completely new cast and a 1990's TV movie which featured DeCarlo, Lewis, Priest, and Patrick in cameo roles as a family dining. | 0neg
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] |
I am not a particular lover of Adam Sandler, but out of all his movies I would rate 50 First Dates and Happy Gilmore as not only his two shining moments but two of the funniest and enjoyable films I have seen. Sandler plays the title character, a deluded hockey player of limited intelligence and unlimited instability, who due to the repossession of his Grandmothers home, reluctantly takes up pro golf in order that he can win enough money to settle with the IRS and reclaim the house. The only problem with this plan is that his golfing skills are on par with his abilities as a hockey player, which leaves a lot to be desired. The only thing he has going for him is his talent for driving the ball over 400 yards using his hockey slap shot. He turns to one-handed former golf pro Chubbs Peterson played to comic perfection by Carl Weathers, to iron out his short game in order he does not lose his long driving advantage when he reaches the green. He also takes on board the beautiful Virginia Venit the tournament's PR, who helps Happy control his almost psychotic temper and focus more on his game. I don't know about you, but with someone as gorgeous as Julie Bowen next to me, golf would be the very last thing on my mind! She must be one of the most beautiful women I have ever seen in the movies. The film offers run of the mill Zero to Hero schmaltz and from the word 'Go' we are left with no uncertainty of how it will turn out, but his journey to the final championship, is a cleverly written comedy with strong performances from all involved most notably by Christopher McDonald as Gilmore's arrogant and devious opponent Shooter Mcgavin. McGavin will stop at nothing to finally win his much coveted Gold Jacket and his interplay with Gilmore as he tries all sorts of ways to have him removed from the tournament is hilarious, and provides the film with most of the gags. However what I found to be the most gut wrenchingly funniest moment in the picture, was the old man at the ice rink as he solemnly mimes the words to Endless Love. Brilliant. Look out for a wonderful and hilarious scene where Happy has a violent punch up with American game show host Bob Barker and a great cameo from Ben Stiller as the sadistic nursing home orderly. One question though. The midget cowboy on the unicycle in the dream sequences......Whats all that about? | -1no label
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] |
Last year I was at a video store with a few friends when we saw the case for Scream Bloody Murder. It was obvious right away that this would be a rather cheesy and/or bad movie. And seeing as those types of movies always make for entertaining group viewing, we rented it. We were somewhat disappointed when we got to the actual viewing part as the movie was plain bad. Not really even in the entertaining way as it was obvious that they were trying to make a campy movie (and just weren't doing a very good job of it). As the movie reaches the climatic final showdown it suddenly takes a turn for the hilarious. I don't want to spoil anything but you'll know when it happens. The humor up till then has been hit and miss at best but the last 15 minutes or so are pure gold. If you enjoy cheesy movies, and are willing to sit through the first hour or so of not so good viewing, then check it out. Otherwise, pass. | -1no label
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] |
Who would be the best actor to play a failed writer, a romantic dreamer? Yeah, Leslie Howard seems to be a nice choice... And what if we take this pretty and young Bette Davis (before she becomes the best villain in the story of cinema) and make her play a rebel girl that's longing for a new life far away from that dusty Arizona hole she lives in? Lastly we give Humphrey Bogart the role of a bloodthirsty gangster that walks like a bulldog... Now that we have the perfect cast we just have to write a simple film-noir script, full of humor and with some touches of poetry and romanticism. That's it, a 80 minutes long wonder. This is cinema, my friends. Quite a lesson of how to create characters and how to make a great movie with a few sets and with six or seven actors. "Petrified Forest" is 70 years old, but it'll remain magnificent for ever and ever. *My rate: 9/10 | -1no label
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] |
While to most people watching the movie, this will be of little interest, but out of the many hundreds of movies dealing with magic and the occult in one form or another, this one is probably the best in many ways. From The Golem to The Craft the subject seems to be of endless interest to the movie industry. The majority of movies which touch on it in any way do so childishly (for example "Witchboard", a true piece of utter garbage in every way) either taking the transcendental elements as cheap excuses for cheesy special effects or cardboard cutout villians (cf "Warlock"). More frequently the subject comes up in an hysterical religious context (in the various Revelations-oriented movies, the antichrist is inevitably an advocate of some kind of new-age style practice). Rarely, a movie seems to show at least some passing experience with magic as it is practiced in real life, but the presentation of the occult in such movies can at best be described as allegorical and not literal, or symbolic, or ... just not quite right. I watched this movie again after many years tonight. I had seen it before on VHS; it is a dark, moody piece, and after watching it on DVD, I would say if you have any intention to watch this movie, watch it on DVD, don't watch it on VHS. The darkness and moodiness are overpowering in VHS but in DVD the movie takes on a very different tone. I think Weir pushed the dark aspects intentionally for style, but when the movie is converted to the lower color medium of VHS this goes over the edge. DVD brings the movie to life again and I saw it differently. Anyway, seeing it as if for the first time, I realized that the treatment of magic is extremely good in this movie. It's difficult to go into all the reasons why, I don't care to take the time to do so. For anybody who's curious, anyway, if you want to see what it is like in real life, this movie is just very right on countless levels. And for anybody who isn't, you really wasted a lot of time reading to this point. | 1pos
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] |
When I unsuspectedly rented A Thousand Acres, I thought I was in for an entertaining King Lear story and of course Michelle Pfeiffer was in it, so what could go wrong? Very quickly, however, I realized that this story was about A Thousand Other Things besides just Acres. I started crying and couldn't stop until long after the movie ended. Thank you Jane, Laura and Jocelyn, for bringing us such a wonderfully subtle and compassionate movie! Thank you cast, for being involved and portraying the characters with such depth and gentleness! I recognized the Angry sister; the Runaway sister and the sister in Denial. I recognized the Abusive Husband and why he was there and then the Father, oh oh the Father... all superbly played. I also recognized myself and this movie was an eye-opener, a relief, a chance to face my OWN truth and finally doing something about it. I truly hope A Thousand Acres has had the same effect on some others out there. Since I didn't understand why the cover said the film was about sisters fighting over land -they weren't fighting each other at all- I watched it a second time. Then I was able to see that if one hadn't lived a similar story, one would easily miss the overwhelming undercurrent of dread and fear and the deep bond between the sisters that runs through it all. That is exactly the reason why people in general often overlook the truth about their neighbors for instance. But yet another reason why this movie is so perfect! I don't give a rat's ass (pardon my French) about to what extend the King Lear story is followed. All I know is that I can honestly say: this movie has changed my life. Keep up the good work guys, you CAN and DO make a difference. | 1pos
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] |
Steven King really must have lost it with this movie. Who ever thought that a chattering teeth toy could kill some one, I mean come on who thinks that is scary? I just thought it was so stupid that it was funny. I laughed through the part that the teeth attacked the guy in the recked van. Christopher Lloyd is pretty weird in this movie as well. Who ever thinks this movie is scary has never watched any movie that makes you jump. This I think is just a movie that doesn't even make sense to have even been made. But this story is funny to watch. This might just scar little kids in to not playing with chattering teeth toys, but I know some kids that this wouldn't scar. | -1no label
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] |
Crossing the Bridge: the Sound of Istanbul received one of the most rapturous applause from the audience when it ended and very deservingly so. I did not expect too much from a musical documentary but the movie proved to be much more than that. It was also a visual documentary of Istanbul with stark contrasts of old and new, western and eastern, poor and rich, modern and traditional. Black and white photographs of old Istanbul by world famous Armenian photographer Ara Guler were exceptional. But of course main theme was music, and by God, what a variety of it! It was in a way similar to Bueno Vistas Social Club; the love and the respect of the interviewer -Alexander Hacke here replacing Ray Cooder- for the musicians exuded from the screen and engulfed us all. The music was mostly very interesting. The jazz session by a group of Romany gypsies in a small Western Turkish town was mind blowing. I will not be surprised if the travel agents start getting group booking requests for Kesan after the movie is released. But I most loved Muzeyyen Senar who looked amazingly elegant in a sort of burlesque way and whilst tipping her "Raki" declared courageously: "My voice and I are 86 years old!" Well done Faith Akin. I bet there are many more Turkish musicians who are feeling left out: Go for Volume II please. | 1pos
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] |
*The ELITE sniper team that has inserted 24h or so earlier have instead of digging in and making them selves invisible decided to take cover behind a big rock in one of the first scenes. *When the hero "runs" to rescue his wife he actually jogs. *When inside a building and aiming for a target only some 20-30 meter away the hero USES HIS SCOPE. Besides the fact that most non elite soldiers would make that shot from the hip and still hit there is also the fact that the scope probably wouldn't be able to focus that close. *There is a satellite that can actually look horizontally into buildings. The list is endless... and the film is the biggest heap of crap I have ever put in my DVD player. | 0neg
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] |
'Gross Misconduct' was one of a series of texts released in Australia during the early-to-mid 1990s that explored the supposed victimisation of the Privileged Heterosexual Male in the age of feminism. This creature only needs look at a Pretty Young Thing, and he's accused of sexual harassment, and his life is ruined. Damn those women's libbers! Grrr... As my tone might suggest, I don't buy any of this anti-feminist BS, and correspondingly didn't enjoy this film. 'GM' trivialises the issues of sexual harassment and teacher-student relations. Sexual harassment is here the product of a Confused Young Woman's imagination, and those professional boundaries that teachers are meant to maintain ... well, when the teacher is a charming and handsome family man (and played by Jimmy Smits!), well needn't worry about those. Sexist trash, and even by reviewing it, I'm giving it more time than it deserves. | 0neg
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] |
Detective Tony Rome (Frank Sinatra) returns to the screen after his self titled debut, this time it's a film that's played for erm
laughs. While on a diving trip, Rome finds the body of a blonde beauty at the bottom of the sea, her feet as you might expect, encased in cement. Rome immediately on the case after being hired by man mountain Waldo Gronsky. Rome finds himself immediately at risk as he has to investigate some mafia types, who turn the tables on him and he is himself found to be the main suspect, he must now go on the run and hope to solve the case alone. The portly Sinatra tries hard to sell us the lame jokes and make us believe he is a good detective, oh and not to mention being sexually attractive to the foxy Raquel Welch, but he fails miserably, in this ham fisted vanity project. The frankly laughable denouement that surrounds every female is quite astounding, every woman in the film is a dither head, who likes bending over is front of the camera, Director Douglas of course obliges in zooming in on the cracks of their asses each time as they flex their posterior muscles. There's even a ridiculously campy gay character that beggars belief, this was a film made by "real men" for "real men" to reaffirm their own flagging sexuality, it's a shameful shambles. | 0neg
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] |
King Vidor brings his usual sincerity and visual austerity to this tale of the early years of the Texas Rangers, as seen through the eyes of a pair of lawbreakers (Fred MacMurray and Jack Oakie) who join the force planning to use inside information to make their robberies more effective. But gradually through the course of the film first Wahoo (Oakie) and finally Jim (MacMurray) face responsibility and turn in the direction of the law. Jim is influenced in this regard by his love for his commanding officer's daughter, Amanda (Jean Parker). This is one of those films that looks kind of important but ultimately feels like lazy film-making. For instance there are all these scenes with Jim and the Rangers on the top of a hill shooting Indians
. They're using pistols but somehow shooting them off their horses from hundreds of yards away. I know realism isn't always the requisite for Westerns, but at least in the matter of firearms that could be expected from a non-comedy film. It features put-you-to-sleep narration from the Ranger commander that feels like it was lifted out of a G-man film. Overall there's just a feeling of smallness, of a lack of aspiration surrounding this movie. MacMurray struggles to give his character dignity. He's a good actor but he's been given a pretty standard character here. In fact all 3 villains just feel a bit too goofy and affable for us to believe they are "badmen" or for the possibility of reformation to feel really dramatic. Oakie's character is interesting because he begins as basic comic relief and ends up becoming the moral voice of the film. Lloyd Nolan gives probably the film's best performance as the third man in their partnership who doesn't want to "go straight." Not too much to recommend but it's not horrible, so it's the type of film to watch when you're bored and feel like an oater, but not something worth seeking out or re-watching in particular. | -1no label
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] |
I enjoy gay-themed movies where the characters aren't stereotypically gay and that's what attracted me to this movie, that and the principal actor, which is the only reason I'm giving this movie one more star than it deserves (although not because of his acting in the film, let me tell you). A lot of people complain about the cinematography, but the camcorder feel of the movie added a certain "underground" quality to it for me and there are a couple of scenes, usually around sunset or sunrise and among trains that would make any movie screen blush. But the acting is cardboard, the music is repetitive (I got through the latter half of the movie listening to a soundtrack from another film), you have to wait almost twenty minutes for any dialog and then it is awkward and amateur. The subject of graffiti could have made this movie great had it been gracefully exploited and had the art itself been more intriguing, but it isn't. Worst of all, there is no climax; there wasn't really a plot to begin with. The movie just crawls back into its shell of silence and dies. A forgettable movie. | 0neg
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] |
When I noticed that "Hamish Macbeth" was being broadcast in the United States, I was thrilled. I then had the misfortune to watch the darn thing. I adore M. C. Beaton's books about the wonderful Scottish Constable. The characters in the book are entertaining and very well-written. The powers that be who are responsible for this mish-mash apparently have never have read one of Beaton's books. Only the name "Hamish Macbeth" has anything to do with the series. Besides the lack of familiar characters, I find the whole show offensively loud. It seems that the actors feel they must shout their lines and scream at each other. If you love M. C. Beaton's adorable Hamish Macbeth don't waste your time on this rubbish. | 0neg
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] |
Anthology films rarely work for me. Most of them are as uneven as twenty miles of bad road. TRAPPED ASHES was yet another bumpy ride. Six people are trapped in a room and must relate terrible things that they've had happen to them to their host (Henry Gibson). What follows are four segments directed by auteurs not necessarily known for their horror chops (with the possible exception of Sean S. Cunningham). Each segment prominently features the ties between sex and death so prevalent in horror films. One features a woman with vampiric breasts whose lamprey mouthed nipples sucks the blood of her lovers. Another woman falls for a corpse who whisks her away to hell while on Japanese holiday. A succubus falls for Stanley Kubrick. And the last, poor woman shares the insatiable hunger of her fraternal twin, a tapeworm. The first segment sets up expectations that TRAPPED ASHES will be a much more lighthearted film. Surprisingly, this segment was directed by Ken Russell though it felt like something from Joe Dante or Paul Bartel (it was especially reminiscent of Irvin Kershner's "Hell Toupee" episode of "Amazing Stories"). The Sean S. Cunningham sequence felt like a pail gaijin aping of Hideo Nakata (THE RING) and John Gaeta's just didn't work at all. I enjoyed the Kubrick bit, courtesy of Monte Hellman - a perennial Cashiers du Cinemart fave - except that the horror element seemed like an afterthought. Surprised that this wasn't called TALES FROM THE CRYPT: TRAPPED ASHES, this is one that can be missed by all except die hard John Saxon fans. | -1no label
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] |
Tim (Gary Daniels) wants desperately to break into serious television reporting. When a job he begged for goes awry, he is fired. His beautiful but empty girlfriend (Elizabeth Hurley) says sayonara, too. Coming home, Tim is startled to discover his house has an uninvited visitor (Christopher Lloyd) from the planet Mars! Calling him Uncle Martin, Tim soon tries to help his new friend navigate life on earth. But, Martin gets in trouble wherever he goes, from the bathroom to the laundry room and more. Lovely Lizzie (Daryl Hannah) finally sees an opportunity to make time with Tim but the course of true love does not run smooth in this case, either. Soon everyone in television is stalking Tim, hoping for a story about a true alien. What's a man to do? For those who loved the old television show of the same name, with Bill Bixby and Ray Walston, this film is not worthy to tie the proverbial boots. Its truly, undeniably awful, with no plot and a reliance on supposed special effects which fall flat, too. Daniels is okay as the earthling but Lloyd is simply terrible as the alien, overacting up a storm. The rest of the cast is adequate, as are the costumes, set, and production details. Even if your children see the cover and beg for this film, convince them to pick out another flick at the video store. Be assured, kids and adults will find this movie a colossal bore, so opt for A Night at the Museum or Around the World in 80 Days instead. | 0neg
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] |
It's easy to see why this failed pilot didn't get a chance to become a series. Adam West's character Ty Lookwell seemed too one-not to me to every career a series (we get it he's an actor who played a detective in the past and now believes he can be a real detective, but is an idiot), and the writing by the usually capable and very funny Conan O'Brian and Robert Smigal falls flat here, I hardly cracked a smile. IMDb reviewers tend to look at any failed pilot like if it got the green-light for a series would be pure gold. Well guess what, not ALL failed pilots are gold, not even most. I'd wager a VERY few handful. THIS show is not one of those. My Grade: D- | -1no label
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After watching the first 20mn of Blanche(sorry I couldn't take more of it), I have now confirmed she does not. Basically, this "movie" is an insult to the real french actors participating in this farcical piece of junk. It starts from a concept successfully used in French comedies ("Deux heures moins le quart avant Jesus Christ", "La Folie des Grandeurs",...): a historical movie with anachronic tone / dialogues. This can give brilliant results if supported by brilliant actors and a "finesse" of direction avoiding the dreaded "heavy comedy" stigma. Unfortunately, the horsey-faced Lou Doillon ruins everything and Blanche, instead of a comedy, just turns into an horror movie. Horror to cinephiles who want to be puzzled and shocked watching fine actors such as Decaune, Zem or Rochefort struggling in the middle of this gaudy burlesque kitchy-prissy farce. | 0neg
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] |
Cinderella III is by far the best Disney movie to be the final chapter in a trilogy. Most of the sequels and "final chapters" never have the chance to hold their own and try to be at least as good as the first, but this movie does it. We see the Stepmother turn more wicked than she was in the first film after she gets the wand. We see which step-sister is actually ugly and wicked. Anastasia's character really shines in this film. Though watching and dealing with Cinderella's newest problem, you also watch, laugh, and cry with Anastasia. You truly see what's in her heart and how she feels. I love the way she progresses and shows that though someone may come from a family of cold black hearts, that one person can still be warm and caring on the inside if given the chance. The Prince is given a new look on how sweet and kind he actually is and why he's "Prince Charming". The mice are lovable as always and almost even more and of course, Cinderella our Heroin... this movie deserves to be watched with an open mind. Yes, go and remember how the original story goes, but do not expect it to be as sugar coated, Cinderella III is for one that everyone will enjoy. When magic's involved... all bets are off. | -1no label
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] |
John Pressman (Micheal 'I shoulda called Ditech' Lerner) works at a doctor's office as an orderly. His mother (Zelda 'Poltergeist' Rubenstein) hypnotizes him to off the people who see thinks wronged him. But this turns out to be a movie within a movie, but the lines soon blur as John goes a movie theater to kill. Prompting a guy who's watching the movie to do the same. Lerner is suitably over the top in this, but Zelda repeats lines of dialog over and over again. That gets annoying fast. But not as annoying as the two girls who are watching the movie within a movie.As a horror film this one fails, it's too busy trying to be clever, trying to impart a message and seems to forget a slasher film must evoke a sense of tension, or at least a jump or two. No, what we have here is the worst kind of slasher: An art-house one. My Grade: D+ | 0neg
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] |
Superb and charming. Justin Henry is beautiful as a blissed out and mischievous Howard Kaylan, lead singer for the top ten hit making band, The Turtles. The real magic is the titular sequence with an academy award worthy turn by Royale Watkins. A performance that completely captures the mystical and yet down to earth Jimi Hendrix. Not many films, unbelievably so, can find the essence of a special moment in a life and times. I'd like to see this available at any home video retail outlet without any hassle. Uh..what's the deal? Thanks Eddie. A worthy addition to the history of the psychedelic sixties. A definite twinkle in the mind's eye. | 1pos
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] |
Now and then a badly made film is so incredibly inept that it becomes hilariously funny and attains cult movie status. But for the most part, badly made films are just bad plain and simple, and BELA LUGOSI MEETS A BROOKLYN GORILLA is a case in point. The story line is similar to the Crosby-Hope films of the 1940s. Two entertainers accidentally walk out of an airplane in flight and find themselves on a strange tropical island. How strange is it? Well, it's so strange that Bela Lugosi lives there, and he's trying to find a way to turn men into monkeys. One of the native girls is the banana of Lugosi's eye, and when she takes a fancy to one of the stranded song-and-dance men you can pretty much bet the guy is about to become a laboratory experiment. The problem with the movie isn't so much the story as it is the actual script, which is dreadful, and the cast, which is worse. The lines are dumb rather than funny and the cast--most notably Sammy Petrillo in his tooth-gritting Jerry Lewis imitation--is abrasive rather than funny. Petrillo's partner in this crime is actor Duke Mitchell, who is equally tiresome as a low-rent imitation of Dean Martin. As for Bela Lugosi, he may get title billing, but there's not much to the role, and that may actually be for the best. There are several DVD releases of this film, some with bonuses, some without, some good quality prints, some lousy. But to my mind it doesn't matter: no matter how you look at this thing, it's worth paying money so you DON'T have to watch it. A cult favorite? I don't know who gives it that accolade, but believe me when I say they can have it. Gary F. Taylor, aka GFT, Amazon Reviewer | -1no label
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] |
Jacob Wade (Jack Palance) used to be a celebrated shootist just stepping into middle age and mortally weary of having to be asked to leave every town he rides into
To make matters worse, a few notorious outlaws, led by the vile King (Neville Brand), are also out to take him down
Now he tries to do something for his boy Riley (Anthony Perkins) by catching and breaking mustangs in Echo Canyon, the best wild horse country in the territory
Complicating the situations further is Jacob's bad relationship with a kid who hates him, and Ada Marshall (Elaine Aiken), a young woman whom Jacob met in a gambling hall, and shot a man on account of her
Here is a thinking person's Western that deals with one ex-gunman who also is unable to shake his past and whose ultimate goal for taking root again is by lynching
Levin shows a dark, depressing, and sadly realistic face of the west... In fact, the entire movie is a drama of characters
But watching the film, you would be able to feel how Levin equates victory with redemption
| -1no label
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] |
I recently visited the Magic Kingdom as an adult with my mom, her best friend and my adult sister. Disney World is often mistakenly perceived as a place for just children, but when you see quality shows like Mickey's Philharmagic, you realize that the magic of Disney is for everyone! It was such a great show that we left the theater and turned around and got in line again. And then a third time. It was absolutely breathtaking. I would encourage anyone who goes to Disney World to check out this show, which is not just a show but a world wind, fun filled ride with Donald as he once again lets his temper get him in trouble! | 1pos
| [
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] |
I was very fortunate last night, as I had a chance to see AINOA in a sneak preview almost half a year prior to its scheduled start over here in Austria. I was instantly thrilled as I heard a lot about this ambitious project in the past two years! And I learned a lot last night... For starters, Austrian actors synchronizing themselves for the English dubbed version - the one I saw - does not work. At all! It sounds odd and sometimes plain stupid. But as AINOA is a low budget project, it is an understandable decision. Unfortunately one that hurts the movie a lot along the way. Secondly, the movie fails to introduce its main characters properly in the beginning. Therefore the audience - and I am not just talking about myself here - felt not nearly as tied in with the story as intended by the writer and director. Dramatic, sometimes even tragic moments felt as witnessed in a news broadcast far away. And then there is the pace of the story, which is more like a crawl than a rush. Only at the end - the last 20mins or so - does the pace pick up a bit and the movie starts getting interesting, as all the loose ends start coming together. On the positive side, the production design was really well done considering the extremely low budget that the designers had to cope with. The camera angles are often unique as well and give the entire scenery a strange sense of familiarity although they are actually portraying future scenarios. Great idea! The bottom line, as sad as it is, is this: Had the characters been properly introduced and the dubbing been done right, this could well have been a marvelous SiFi epic. As it is though, all the good intentions fall flat on their faces. | -1no label
| [
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] |
I don't think a movie like this would be released today. It takes it's time to present the depth of the characters and the plot isn't full of twists and turns to keep you on the edge of your seat. But, what this film does have: an interesting study in how families' deal with grief. How when the language for healing and over-coming tremendous loss leaves us mute, and we rely on raw emotions instead. Grief without reason and patience is anger, even hate. And unfortunately, the lead character (a young boy who accidently shoots and kills his brother while hunting) in the film is given more than his fair share of it. He eventually leaves and moves in with his grandfather (Wilford Brimley) who makes it clear to him that it WAS an accident. I got the impression that this young man knew that in his heart, but needed to hear those words from his parents, and to receive their forgiveness. What I loved about this film: the lack of dialog. There was a tremendous emphasis on physical reaction, facial expressions. And the slower pace of the film allows you to really watch the reactions of the actors. Something we don't get to do alot of with today's films. | 1pos
| [
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] |
There are no reasons to watch this movie. Should you have won and extreme amount of money and having spent your time discovering life's every pleasure and have come to a point where by chance you are at a loose end and have some time to kill (like that would ever happen) then get this movie from the video shop (if you can find it AND put up with the assistant laughing at you then ask for this movie. Be prepared however for you mind to be invaded by extremely wooden acting by absolutely everyone (in fact the best acting was by the people who said nothing). Oliver Reed tops off his grand career by playing a drunk - go figure. But wait I forgot there is one reason to watch this movie - Claudia Udy showing her chest! Sadly no other reason than that! | 0neg
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] |
Carlitos is a felon, upon getting out of jail around Christmas time, a junkie no good "friend" , Mike, shows him a claw he stole from someone. It seems some demonic forces want said claw back and decide to torment Carlito for it instead of his friend who is busy shagging Carlito's wife. Shades of "Evil Dead", and "Hellraiser" abound, but bargain basement shades, with a horrid story, below sub-par 'special' effects, and atrocious acting. Steer clear of this dreck. Fangoria endorses some god awful films and this is NO exception. As a matter of fact, I implore you to read "Rue Morgue" instead as it's so incredibly much better. My Grade: F DVD Extras: Fangoria Article; Theatrical Trailer; and Trailers for "Slashers", "Wilderness", "School's Out", "Angel of the Night", and "Lady of the Lake" | -1no label
| [
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] |
All WWE has is wrestlers that are boring and ECW isn't even Extreme anymore. This is the best brand of all. The McMahons are losing talent that goes to TNA. Christian Cage and Rhino. That makes McMahon look bad and he should. WWE is starting to suck and this is all the way better. Rhino was right and I'm with him, I'm TNA!!!!!!!!!!!!!!!!!!!!!! This seems to be leading us into the next line of wrestling. A.J. Styles seems to be the future of wrestling with his high flying and insane moves. This takes risks instead of WWE. TNA is the best wrestling I have ever seen. I like it the best and I'm not changing my answer. WWE is Worst Wrestling Ever | -1no label
| [
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] |
I bought this movie on the clearance rack at a local electronics store recently, and it was worth every penny. I saw Sean Penn, Ed Harris, and Gary Oldman on the cover.....how could it not rock?! Well, it does. Gary Oldman is one of my favorite actors and he really steals the show here. You really believe he's the character that he's depicting. Oldman fans must see this film. POSSIBLE SPOILERS!!!!: Sean Penn is an undercover cop sent back to his home town to infiltrate the local Irish gangs, who coincidentally enough, happen to be comprised of some old friends...including his best friend Jackie (Oldman). Frankie (Harris), Jackie's older brother, runs the show in the gang, and calls all the shots. It was very satisfying to see Harris play a ruthless bad guy, as it's usually not his cup of tea. Terry (Penn) is torn between his commitment to his job and his feelings for his old buds. The Irish mob is in the middle of negotiations with the Italian mafia to make some more dough as well. Terry comes in and all hell breaks loose. This movie has excellent acting from Harris, Oldman, and Penn.....but for me Oldman steals the show. He's just crazy. Wild, uninhibited and completely convincing. The score in this movie is quite moving too, and really suits the movie. I feel this movie has gone quite unnoticed and deserves more credit. I can't believe it only has a 7.1 rating. I give it an 8 myself. Smokers beware. Have your cigs handy, because this movie will make you want to smoke a pack! If you like any of the cast in other movies, I highly recommend State of Grace. | -1no label
| [
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] |
This is both an entertaining and a touching version of the classic tale, also quite intelligent, not of the 'Me Tarzan, You Jane' school at all. It's the famous story of a child reared to manhood in the jungle by apes. A titled British couple (the wife pregnant) is stranded in the African wilds after a shipwreck. After the parents' deaths, the baby is raised in the jungle by apes. Twenty years later, this young man (i.e. Tarzan) rescues a wounded Belgian explorer, nursing him back to health. The Belgian discovers evidence that his rescuer is the young Lord Greystoke and returns him to his rightful estate in Scotland, where he must adjust to civilized society. The movie is sort of divided into two parts. In the first half, we see Tarzan in his jungle environment. Not being an expert, I am unaware as to the realism of its depiction of ape community life, but it is certainly entertaining. For me, the more moving section is the second half, when Tarzan must meet his real family, develop language skills, and adjust to aristocratic British society, all the while wooing Jane (Andie MacDowell). He is portrayed as a 'noble savage', whether in the wild or in elegant Edwardian parlors. By contrast, the upper crust is depicted as often far more barbaric than the jungle Tarzan left. Christopher Lambert is fantastic in his sympathetic portrayal of Tarzan in both the jungle and civilized environments. He conveys a real sense of his confusion and conflict, torn as he is between the two very different worlds, his original ape family and his new human one. Sir Ralph Richardson, one of the old British legends, is brilliant as always in the role of Tarzan's grandfather, the Sixth Earl of Greystoke. The film focuses more on Tarzan's struggles in adapting to civilization and his inner conflict than on his jungle exploits. This unusual take on the old classic makes it both the typical dramatic adventure but also, above all, a moving personal story. I wasn't surprised to note here that its director is the same individual, Hugh Hudson, who also directed Chariots of Fire, another brilliant movie. | 1pos
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] |
i don't know what to comment about,there's nothing in the movie to comment about the first half was a teen-movie the second half was worse(the cave scene was okay) burrow scene was pointless(actually i found the entire movie pointless) there was no emotion in the end scene and the dumbledore's death scene(i was happy dumbledore was dead and the torcher movie was over) ginny weasley is given way too much importance(she hides the HBP's book and not harry) and i cannot imagine lavender blabbering about ron in front of the teachers let alone the headmaster dumbledore asks harry about his feelings for hermione there is plenty of these idiotic scenes,i don't understand how so many gave it 10/10 this might be the worst movie i have ever seen,shame IMDb doesn't have a 0/10 rating | -1no label
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] |
When I read the back of the DVD case, I thought that it sounded really interesting... so... I had my mom throw it into the pile of movies in the "4 for 20 dollars" section at Blockbuster. When we got home and popped in the movie... twenty minutes into it, we found ourselves turning to each other going "this sucks. Let's put in something else." I'll admit, a few of the lines from the friends at the café made us smile a little bit. But come ON, at least get some decent actors! Every once in a while in a movie, if the acting is bad and the movie isn't going at a painfully slow pace and actually seems interesting, I can gut it out and get a few laughs at how they're over(or under)doing their lines. But I can only take so much. Crying scenes looked like the actors were having hysterical fits of laughter, there was no delivery for their lines... amateur doesn't even come close to the acting in this film. Anyone who came on here saying that this film was good had to have been on some REALLY good drugs while they were watching the movie. It's the most pointless thing I've ever had the displeasure of watching. DO NOT WATCH OR BUY THIS MOVIE!!!!! | 0neg
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] |
I have spent the last 5 years in the entertainment business and most recently find myself working for the company that made this movie, which is a REAL pity, because I like these folks, I just can't believe ANYONE could possibly make anything as bad as this?!!!! This was crap from every possible angle. From camera work to dialogue to acting to costumes and production design was one of the worst films I have ever seen! The actors in this film looked like they had been taken straight off of a porn that was being shot in the San Fernando Valley and put on a set with an even less talented crew. I just can't get over the fact that I am sitting on some of the best material I have ever read and contacts within the industry that could help me make my dream a reality and have hit every roadblock possible? Yet the folks behind this spectacle of a film have no problems putting it together and in fact, sleep well after it is released. Life, what a trip! | 0neg
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] |
With several name actors (Lance Henrikson, David Warner, Joe Don Baker), why was Jeffery Combs given the lead? Henrikson would have been a perfect fit for the lead, as would Warner, Baker or even others in the movie such as Charles Napier. Combs was miscast in this, and did a poor job of it. Everything he did seemed fake or contrived. The script is poor. Meaning that if Lance Henrikson (or another) had the lead role, he might have saved the film (removed it from my "waste of time" category), but it still would have been a bad movie. The screen play was completely lacking. The director should have recognized this and helped the movie along. | 0neg
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] |
Occasionally, a film arrives with little or no fanfare and surprises many who expected just another film. How often we are wrong. That, should be the premise of this story. Each pivotal character woven within this western tapestry seems to have reached the summit of experience. Then why does each ignore the warnings when they arise before hand? For many Burt Lascaster fans, this is a classic role as he plays Constable Bob Valdez, an aging but experienced peace keeper. Townsmen and friends alike, know little of him or his background, until an uneventful day when a rich and powerful land Baron, incites all to chase and corner an ex-army soldier because he "looks familiar." Accidentally killing the soldier, Valdez seeks $200.00 compensation for the widow. When challenged to get the first $100.00 from Mr. Tanner (Jon Cypher) the rich landowner, the task become an impossible quest as Tanner has no intention of giving Valdez anything, but contempt, torture and pain. What ensues is a noble saga worthy of the former Indian scout and tracker. Although, Tanner is the main obstacle, Valdez is also challenged by Tanner's formidable collection of professional gunmen assembled by his experienced right-hand man, El Segundo (Barton Heyman). Among them is Hector Elizondo as a Mexican Rider and R.L.Davis (Richard Jordon) as a cowardly opportunist. Playing Valdez's friend is Diego, (Frank Silvera), in addition there's Tanner's wife, Gay Erin (Susan Clark) who is taken hostage, but ends up anything but. What transpires is a valuable lesson for all. The experience of a man may be hidden by time, but time cannot hide the experienced man. ***** | -1no label
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] |
Monster of Mexico I do agree is the weakest of the modern Scooby Doo movies, mainly because of the weak plot and how predictable it all was. Loch Ness Monster however, is a considerable improvement, with gorgeous animation, honestly Scotland looked beautiful. The music is good, and the plot is well thought out. Plus, there is some great dialogue, and the voice acting was fabulous, with Casey Kasem a consistent delight as Shaggy, and the beautiful Scottish singer Sheena Easten a pleasant surprise in a guest starring role. In fact, my only complaints were some strange accents in one or two members of the voice cast, with the exception of Easten whose accent did sound genuine, and somehow the Loch Ness Monster wasn't as well designed as it had potential to be. Overall, a solid and enjoyable Scooby Doo film. 8/10 Bethany Cox | 1pos
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] |
Sorry this movie did not scare me it just annoyed me. It was just so frustrating when I saw the potential and that, all that, fell by the wayside. The children! The father! The premonition! Had so much potential and ziltch! zero, nada! I have heard it all before. Scary! No! I can scare myself alone, here where I sit, than they could in the movie. Are there men writing that figure that women should be so annoying? Huh? This movie was quite atmospheric. Or at least it could have been, had the director/writer bothered to work it. We could have had some good music that would have added to the tension too, if someone had made the effort. What I really want to know is why do they get the money? Just give it to me and save all that hassle. Abandoned?... No we where betrayed | 0neg
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] |
A look at three geishas who are way past their prime. Now they look back on their pasts with fondness and bemoan their present. Kin (played by Floating Weeds' Haruko Sugimura) has sworn off men and has made a good living as a moneylender; everyone on the block owes her. The other two, Nobu and Tamae, wish they could land husbands, but are not foolish enough to believe they ever will. Meanwhile, their children - one has a son and one a daughter - are both about to get married (not to each other). Tamae is irked at how much prettier her daughter has become than her, and bitterly tries to convince her not to marry the man. Nobu's concerns about her son are more legitimate in nature, but they are also (understandably) self-serving. After her son leaves, she'll be alone. A bit into the film, two of Kin's former clients come looking for her, one a man so obsessed with her that he tried to get her to commit double suicide with him, the other one of her handsomest clients. Unfortunately, he comes for her money, not her love. The way I've described the film makes it sound unrelentingly depressing, but it's really not. Sad, but not fatally so. It's more bittersweet. Unfortunately, I only marginally liked Late Chrysanthemums. The story seems better when I look back on it, but it is very slow and dull. I actually nodded off twice during the film, and I wasn't at all tired before I started it. This is the kind of film that I can appreciate more than like; it reminds me very much of my reaction to a couple of Ozu's more famous films. 7/10. | 1pos
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] |
Bad, bad, bad. Not even the good kind of bad either. You can look at most any Ed Wood project and say "That movie was terrible, but it had heart" but, not this one. It was on life-support, bloated, pumped full of morphine and waiting to die. Don't get me wrong, I love terrible cinema (Plan 9 From Outer Space) is part of my movie collection, but there's no excuse for this one. The sadder thing is that I regrettably paid a $1.99 to watch it on the 'Classics On-Demand' channel. That's 90 minutes I'll never get back. Anyway, the storyline. It opens with some 'vampires' preying on hapless victims in LA? New York? Who knows. The vampires are clad in 60's era chic attire, lurking in the darkness to unleash their plastic-toothed evil upon the world. Jump ahead... Scientists? from earth are traveling to a far-off planet and after a run-in with an unknown energy force end up making an emergency landing on a planet replete with cavemen, tinted cut scenes and lizards wearing latex appliances. Come to find out, this is apparently the home world to the vampires on earth. Whoopee. After seeing John Carradine's excellent performance in 'The Grapes of Wrath' and then in this dreck (and apparently many other titles in the genre), it makes one think that someone was really hard up for a paycheck. Sad, truly, truly sad and almost heartbreaking. It made me think of Lugosi at the end of his career. Who knows, maybe he actually enjoyed working, no matter how crappy the project was. Anyway, the cast and acting were as cardboard as the scenery. The irritating 'tinting' of the scenes (which allowed the insertion of clips from other awful movies) was a distraction. Overall, in my Top 10 of the worst movies I have ever seen. A must miss at any price. | -1no label
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] |
This is one of the better Hong-Kong bullet fest to be released in a while. The movie sets are good, the action fast, the gritty cold violence reasonably to excellently done. All the actors are good with kudo's going to Andy Lau for stealing many of the scenes. The basic story is about a flamboyant over the top new assassin hoping to take over number 1 spot held by a disciplined introspective killer. There are a couple of important sub plots involving a women and of course the cop trying to chase them both down. This movie is all about set action pieces and how well they can be executed...that that is pretty darn well. A fun movie with a charismatic cast and lots of blood and bullets. | -1no label
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This movie simply rocks. It perfectly embodies a gritty, street fighter-esque picture. The action scenes are absolutely amazing and a blast to watch. The plot is pretty good (not spectacular but definitely above average for an action film) and despite what some may say, Jet Li can do pretty good drama. Even though Bridget Fonda comes off as a weak, cry baby as she overacts her way through the movie, it adds another dimension to the action scenes to make them so exciting. This movie is for any action fan mild or extreme. Your heart will race, your jaw will drop, and you'll simply love this movie. | -1no label
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] |
Wow! It's hard to put into words my feelings for this episode. Ice is one of the best episodes of season one for sure. It's my favorite of the season. Six people and a dog in a claustrophobic structure isolated in the middle of the arctic with an unknown organism that causes murderous aggression, the drama can't get any better than that. Paranoia reigns supreme as even Mulder and Scully have doubts about each other's sanity. I've heard people complain about this episode's similarities to the movie 'The Thing'. I haven't seen it, so I wouldn't know. Ice is more than worth watching just to see Mulder and Scully truly testing their still developing trust of one another. This episode is intense and suspenseful to the end. You won't be disappointed! | 1pos
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] |
This plays like a French Woody Allen movie. Even the music is reminiscent of a New York scene. And, of course, they talk and talk and talk and talk and flirt and talk and talk and talk and make love and talk and talk and talk and jerk off at the office and talk and talk... You get the idea. Heck, you can even hear their inner dialogue and see the fantasies they're picturing in their heads at any given moment. By the first 10 minutes, though, you wish they would just get it over with. I only lasted through about half of the movie, then I just got too bored. AND, for about a quarter of the movie, all this talking is unintelligible if you don't understand French because the **(@#(*$ white subtitles get lost in the white tablecloth, in the white dresses, etc. But this is just another reason to not bother with this one. | -1no label
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] |
They say that a defendant who represents himself has a fool for a client. Well, Cuba is one of the Producers of this film and he obviously needs to be protected from himself. He's a fine comic actor but his little smirks, quizzical looks and mugging to the camera just don't work when he's playing the dramatic lead. He's not the only person who's miscast. Marianne-Jeanne Baptiste, so wonderful in 'Secrets and Lies' looks like she has stumbled into the wrong movie. Best (or worst) of all this movie boasts the worst disguise since Jane March in 'Color of Night' - if you don't spot it within the first 10 seconds and then work out the whole plot, then shame on you, you're no movie buff. Destined for DTV or DTTV - don't expect to see this in your local movie theatre. | -1no label
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] |
As it is in Heaven {SPOILER WARNING) This was a great human drama that stimulated my emotions and my imagination. This is a parable revisiting the life and death of Christ. Daniel is a superior gifted musician ,who is physically and mentally exhausted by his career , and has to give it up. When he joins a church choir as its cantor, he brings about a transformation in the lives of the choristers , just as Jesus did to the society in first century Palestine. They laugh, they begin to speak openly and truthfully to each other , their faults are exposed,they accept each other, come to love each other, become a vital community.They include the mentally disabled young man (?Tore), such is their inclusiveness. The pastor, Stig enjoyed authority through imposing a stifling morality on the congregation, and that is gradually rejected by the choristers . When Stig dismisses Daniel , there is a revolt, and Stig is crushed. Stig represents the Jewish authorities of Jesus' day, whose insistence on obedience to the Jewish law,provided a stark contrast to the new life by "the golden rule" brought by Jesus. In one dramatic scene, someone declares "the church invented sin". All through the film, there is this contrast between moral-ism and vital living (being). True to the Christ story, Daniel is killed by Conny , when he beats him up, leaves him to drown in the river. Next scene , we can hardly believe it when Daniel's (resurrected!) body is dragged into his room (the tomb) draped in a white linen sheet (the shroud!), by three women (three women kept vigil at the foot of the cross in the gospel). Daniel is drawn closely to Lena, a warm beautiful young woman who has been betrayed by a man she loved, and who is now promiscuous (Jesus developed a close relationship with Mary Magdalene- Lena- who was probably a high class courtesan/prostitute). Through Lena, Daniel learns to love , something he has longed for, and now finds fulfillment . The solo sung by Gabriella , composed by Daniel, is all about living a full life , in contrast to moral correctness that leads to concern about sin , and what's right and wrong. The final scene shows the choir all singing/humming in harmony , like a mantra, drawing in the large audience, exemplifying the harmony and inter-connectedness that is our true human destiny. | 1pos
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] |
Ghosthouse is apparently the second sequel to a film called 'La Casa', which I've never heard of. It's probably just another example of the confusing Italian horror tradition of sticking numbers after random titles so people will go and see the film. Anyway, basically what we have here is yet another haunted house flick. It's basically about a bunch of people that move into a house and find it's haunted, and then they all die in grisly ways - the usual! The film was of interest to me only for the fact that it's directed by the great Umberto Lenzi, although it came more towards the end of his career and as anyone who knows anything about Lenzi will tell you - his later films weren't his best! The film is mostly rubbish and quite boring, although there is a fair bit of gore. It's slightly creepy - and somewhat reminiscent of Lucio Fulci's masterpiece 'The Beyond'. The noise that the ghost makes (sounding something like a kid doing an impression of a frog) is creepy at first, but it's also massively overused and soon becomes old - though it may well have been an inspiration to the noise that the ghost in 'The Grudge' makes. I can guarantee that you wont give a damn what happens by the time it reaches the conclusion, and I wont recommend this film as it is the very definition of a waste of time! | -1no label
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] |
The opening sequence is supposed to show the Legion arriving in Paris on 13 Nov 1918. The troops pile off the train -- wearing the uniform in which the French Army, including the Legion, marched off to war in 1914! This a sure sign that the war flick you are about to see will be a turkey. (The French Army realized by 1915 that going to war in red trousers and dark blue overcoats was not working. Metropolitan French troops were put into "horizon blue" and Colonial troops were put into khaki.) The Claude Van-Damme (sp?) remake at least got the uniforms more or less right. Really is too bad when directors make these sorts of mistakes when they then go to all the effort to get other things right. | 0neg
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] |
I first saw this film accidentally when they showed it on TV and I was up far too late... I really lucked out there though. It's truly incredible; from the location (as isolated as it's possible to be on this planet; it made "the abyss" look like ET in the council swimming pool), through the interesting characters (Keith David is especially good as the reactionary Childs -"What if we're wrong about him?" - "Then we're wrong.") and the effects (more yucky than Alien). Moreover, however, the real tension and fear in the film has nothing to do with the effects. It's the people you start being scared of; knowing that one of them may - or may not be - "All they appear to be". It's certainly got the feel of "who goes there?". The soundtrack is great; it really plays up the isolation, fear, and gravity of the situation. Finally, the epilogue scene really, really cuts. Even more than the "But then again who does ?" punchline of Bladerunner. Enough said. | 1pos
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I'm amazed that Memento (which is an excellent flick) is so well-regarded in the Top 250 and this one doesn't even appear!! What the hell is that?? To be honest - when this movie ended my knee-jerk reaction was that this movie is better than Memento. After the euphoria of the fabulous ending wore off, I concluded that they are equal in their excellence. I am just confused about why its not in the Top 50 along with Memento. I'm going to venture a guess that (sadly) it's because it's in black and white or because (again sadly)that the characters all have British accents ...sadly because that is no reason to not appreciate a great movie like this. I'm telling you that if you loved Memento, you will love Following as well. Brilliant! | 1pos
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I saw this online a couple years ago and still can't forget it. If you ever get a chance to see this film, please give it a try. If you forget about the recording quality, you will be blown away. To think that this movie was made when the Linn's were in high school blows me away. It is paced well, and there is actually some decent acting. My only beefs about the movie is that it could have been changed from an Indiana Jones fan film. Maybe 'Tennessee Jed' or something. But like I said before, I recommend this to any aspiring filmmaker. It really is a showcase of what you can do with a little planning and instead of watching TV, going out and shooting a movie with your friends. 8/10 | -1no label
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] |
First off, I just watched a movie on SHOWTIME called Survival Island. It says it was a 2006 movie with Billy Zane and since I like him and couldn't sleep I thought I would check it out. Looked interesting. Watched it, and decided to look up on the IMDb who was this new face Juan Pablo Di Pace and OMG I could not believe it, this movie has been renamed THREE and will be a new movie?? It is playing again in 1 hr and 30 mins on Showtime Channel again and this date is May 28 and EDT or Florida time. You can check your showtime listings by title and see it. I wont get into details so you can see the movie but at one point there is a lady in a white bikini that goes into the water taking it all off, you see her naked body.... when she runs back out of the water you see her bottoms on. Funny, there are a lot of other mess ups too. I can't believe by coincidence I decided to look up this movie... Go figure! Wonder if the people renaming it sold it to some movie studio to put out but it is already playing on Showtime, ha ha. Good laugh. I give it 1-1/2 stars. C-, D+ movie. | 0neg
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] |
'The Night Watchman' was the debut directional effort by that great master of animation, Chuck Jones. Typical of Jones's serviceable but rather dull Disney pastiches that characterised his early work, 'The Night Watchman' is an unbearably gooey little offering with a constant lack of energy that is sorely required to bolster the wafer thin plot. A young cat (a clear prototype for Jones's cloying early character Sniffles) takes over the post of night watchman when his father is too ill to carry out the job. Immediately, he falls foul of some tough guy rats who push him around and take advantage of the absence of any real threat to gorge themselves with food and have a big night out in the kitchen. Of course, the cat finally turns the tables when his conscience buoys him up for a big final showdown. Betraying none of the talent he would become famous for (and, let's be fair, this was his first film), Jones lays out the story in a straightforward, no-frills manner. The characters are all severely lacking in charisma, particularly the so-wet-you-almost-don't-feel-sorry-for-him cat, the animation is lumbering and predictable, the musical number is flat and the story doesn't build naturally, instead resorting to a tacked on and completely unsatisfying finale in which the cat does a too-sudden about face and metes out a workmanlike beating to each individual rat, a production line revenge that is less than thrilling to watch. Of course, Warner Bros. was still finding its feet as an animation studio and 'The Night Watchman' is not significantly worse than many of the lesser cartoons of the time but, other than its historical importance as Jones's debut, there's really nothing here that I'd recommend to the casual cartoon fan. | -1no label
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] |
The first two sequences of this movie set up the two conflicts: the -thematic- conflict between the soldier Todd and his suppressed humanity, and the -physical- conflict between Todd and his bio-engineered replacement. Both sequences are quite gripping in different ways. Peoples' screenplay falters somewhat by resolving the first of these arcs half-way through the movie, which means the second half is little more than a straightforward action romp. Nonetheless, kudos to the makers for creating an genre action piece with heart and even a bit of soul and especially to Kurt Russell who conveys much with very little. Not a great film, but one worth seeing. | 1pos
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] |
I hold the makers of this film personally responsible for the permanent psychological scars this film left on me. First off, let me just say, Lief Garret, should not act in films...EVER! Pornos, travel or cell phone commercials, voice overs on radio, nothing that requires the slightest inkling of talent. Secondly, hiring a man who defies the term "obese", and showing said man, shoving his bare fat ass out of a car window, is a crime against humanity and God. Not just a passing glance either, but a long hard studious, eye-gouging, long shot. Then seeing the sheriff, an aging hairy beast of a man, in nothing but his boxers, nailing the head cheerleader of the camp, for a "touch-down". I ask you...what have I done to these film makers. I've always tried to be good, and live my life accordingly. This movie cannot be described in words. Suffice is nothing compared to the masterpiece that is, "Sorority House Massacre II". | -1no label
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] |
Yes honestly, i still feel that SWADES is Ashutosh's best film, Jodha Akbar does not had the soul to hold the movie till the end. the script was not as good as of Swades and Lagaan. Swades hold u till the end of the movie and Lagaan does because Cricket in Lagan was the main lifeline of the movie along-with script Hrithik, Aishwarya acted brilliantly along-with the entire cast Technically it is one of the best which came out of India Cinematography, definitely deserve a special mention along-with Choreography rating 7/10 | -1no label
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] |
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