Question: Do both films, Man With A Movie Camera and Mad At The Moon, have the directors who are from the same country?

<P0-S0> Martin Donovan( born Martin Paul Smith; August 19, 1957) is an American actor. <P0-S1> He has had a long collaboration with director Hal Hartley and appeared in many of Hartley's films, such as" Trust"( 1990)," Surviving Desire"( 1991)," Simple Men"( 1992)," Flirt"( 1993)," Amateur"( 1994), and" The Book of Life"( 1998; in which he played Jesus). <P0-S2> Donovan also played Peter Scottson on Showtime's cable series" Weeds". <P0-S3> He made his writing/ directorial debut with the film" Collaborator"( 2011). <SEP> <P1-S0> Man with a Movie Camera is a 2003 soundtrack album by The Cinematic Orchestra, released on 26 May 2003 on Ninja Tune. <P1-S1> The album contains re-workings and thematic reprises of some of the music from the band's previous album, 2002's" Every Day", including the track" Man with a Movie Camera" and an instrumental version of" All Things to All Men" entitled" All Things". <P1-S2> " Man with a Movie Camera" comprises the soundtrack to a re-released version of the then ground- breaking 1929 silent documentary film of the same name from Soviet director Dziga Vertov. <SEP> <P2-S0> Perry Bard( born in Quebec City, Canada) lives and works in New York City. <P2-S1> She is an interdisciplinary artist who works with film, site- specific public art installation projects around the world, and on the Internet. <P2-S2> Many of her projects are collaborations with the public and selected communities. <P2-S3> In 2011, her ongoing work Man with a Movie Camera: <P2-S4> The Global Remake was chosen for inclusion in Google's selected top creative uses of the Internet. <P2-S5> In 2010 the project was named one of the Top 25 Videos for the Guggenheim Museum's" YouTube Play Biennial of Creative Video". <P2-S6> For the public participation project, Bard invited interpretations of Dziga Vertov's classic 1929 film" Man with a Movie Camera", through uploads to a web site where software designed for the project archives sequences and streams a new film daily on the site. <P2-S7> " The viewer sees two concurrent sets of images on a single screen: Vertov's original film and the remake of it that has been constructed on the Internet." <P2-S8> The film has been shown at the Moscow International Film Festival, the Toronto International Film Festival, and the International Documentary Film Festival Amsterdam, at the Transmediale Berlin and won awards at Ars Electronica, Liedts- Meesen, and Transitio_ MX. <P2-S9> The remade film" exists on the Web, at media festivals, and in the gallery and museum but also travels and is launched on outdoor public commons screens." <P2-S10> Evelin Stermitz quotes Bard in an interview in" Rhizome The primary idea was to use global input via the Internet to generate multiple versions of one film to be screened in public space and on the web." <SEP> <P3-S0> Dziga Vertov( born David Abelevich Kaufman,, and also known as Denis Kaufman; 2 January 1896 – 12 February 1954) was a Russian Soviet pioneer documentary film and newsreel director, as well as a cinema theorist. <P3-S1> His filming practices and theories influenced the cinéma vérité style of documentary movie- making and the Dziga Vertov Group, a radical film- making cooperative which was active from 1968 to 1972. <P3-S2> In the 2012" Sight& Sound" poll, critics voted Vertov's" Man with a Movie Camera"( 1929) the 8th best film ever made. <P3-S3> Vertov's younger brothers Boris Kaufman and Mikhail Kaufman were also noted filmmakers, as was his wife, Yelizaveta Svilova. <SEP> <P4-S0> Mad at the Moon is a 1992 American western horror film written and directed by Martin Donovan. <P4-S1> It stars Mary Stuart Masterson, Hart Bochner, and Fionnula Flanagan. <P4-S2> The film centers on a young woman who is married off to the half- brother of the man she loves. <P4-S3> As strange deaths begin to occur, it becomes increasingly apparent that the man she married keeps a dark secret that may threaten the safety of everyone around her. <SEP> <P5-S0> Man with a Movie Camera is an experimental 1929 Soviet silent documentary film, directed by Dziga Vertov and edited by his wife Elizaveta Svilova. <P5-S1> Vertov's feature film, produced by the film studio VUFKU, presents urban life in the Soviet cities of Kiev, Kharkov, Moscow and Odessa. <P5-S2> It has no actors. <P5-S3> From dawn to dusk Soviet citizens are shown at work and at play, and interacting with the machinery of modern life. <P5-S4> To the extent that it can be said to have" characters", they are the cameramen of the title, the film editor, and the modern Soviet Union they discover and present in the film. <P5-S5> " Man with a Movie Camera" is famous for the range of cinematic techniques Vertov invented, employed or developed, such as multiple exposure, fast motion, slow motion, freeze frames, match cuts, jump cuts, split screens, Dutch angles, extreme close- ups, tracking shots, reversed footage, stop motion animations and self- reflexive visuals( at one point it features a split- screen tracking shot; the sides have opposite Dutch angles). <P5-S6> " Man with a Movie Camera" was largely dismissed upon its initial release; the work's quick- cut editing, self- reflexivity, and emphasis on form over content were all subjects of criticism. <P5-S7> In the British Film Institute's 2012" Sight& Sound" poll, however, film critics voted it the eighth greatest film ever made, and the work was later named the best documentary of all time in the same magazine.