Question: Which film whose director was born first, Marie-Chantal Contre Le Docteur Kha or The Winning Goal?

<P0-S0> George Berthold Samuelson (6 July 1889 – 17 April 1947) was one of the pioneers of British cinema. <P0-S1> Born in Southport, England, Samuelson had an extensive film career and was the creator of Southall Studios, one of the earliest film production companies in the United Kingdom. <P0-S2> He also ran G. B. Samuelson Productions from 1914 to 1933. <P0-S3> He was the father of Sir Sydney Samuelson. <SEP> <P1-S0> The Winning Goal is a 1920 British silent sports film directed by G. B. Samuelson and starring Harold Walden, Maudie Dunham and Tom Reynolds. <P1-S1> It was based on the play" The Game" by Harold Brighouse. <P1-S2> It was set in Lancashire against a backdrop of the fictional Association football team Blackton Rovers. <P1-S3> Chelsea player Jack Cock appeared as himself in the film and 16- then international players featured as members of two fictional teams. <P1-S4> Match footage was shot at Brentford's Griffin Park ground. <SEP> <P2-S0> Marie-Chantal contre le docteur Kha, also known as Blue Panther, is a 1965 spy film directed by Claude Chabrol. <P2-S1> based on the character in a series of novels by Jacques Chazot. <SEP> <P3-S0> Wale Adebanwi( born 1969) is a Nigerian- born first Black Rhodes Professor at St Antony's College, Oxford. <SEP> <P4-S0> Roger Charles Osborne( born 9 March 1950) is a former professional footballer who is best known for scoring the winning goal in the 1978 FA Cup Final. <SEP> <P5-S0> Claude Henri Jean Chabrol( 24 June 1930 – 12 September 2010) was a French film director and a member of the French New Wave(" nouvelle vague") group of filmmakers who first came to prominence at the end of the 1950s. <P5-S1> Like his colleagues and contemporaries Jean- Luc Godard, François Truffaut, Éric Rohmer and Jacques Rivette, Chabrol was a critic for the influential film magazine" Cahiers du cinéma" before beginning his career as a film maker. <P5-S2> Chabrol's career began with" Le Beau Serge"( 1958), inspired by Hitchcock's" Shadow of a Doubt"( 1943). <P5-S3> Thrillers became something of a trademark for Chabrol, with an approach characterized by a distanced objectivity. <P5-S4> This is especially apparent in" Les Biches"( 1968)," La Femme infidèle"( 1969), and" Le Boucher"( 1970) – all featuring Stéphane Audran, who was his wife at the time. <P5-S5> Sometimes characterized as a" mainstream" New Wave director, Chabrol remained prolific and popular throughout his half- century career. <P5-S6> In 1978, he cast Isabelle Huppert as the lead in" Violette Nozière". <P5-S7> On the strength of that effort, the pair went on to others including the successful" Madame Bovary"( 1991) and" La Cérémonie"( 1996). <P5-S8> Film critic John Russell Taylor has stated that" there are few directors whose films are more difficult to explain or evoke on paper, if only because so much of the overall effect turns on Chabrol's sheer hedonistic relish for the medium ... <P5-S9> Some of his films become almost private jokes, made to amuse himself." <P5-S10> James Monaco has called Chabrol" the craftsman par excellence of the New Wave, and his variations upon a theme give us an understanding of the explicitness and precision of the language of the film that we do n't get from the more varied experiments in genre of Truffaut or Godard."