Question: Which film has the director died first, Champagnegaloppen or In Our Time (1982 Film)?

<P0-S0> Laura <P0-S1> Ashe is a historian of English medieval literature, history and culture( c.1000-1550). <P0-S2> She lectures in English and is a Fellow of Worcester College, Oxford. <P0-S3> In 2009 Ashe won a Philip Leverhulme Prize, for the international impact of her research. <P0-S4> In 2015 she was the presenter for BBC Radio 3's" A Cultural History of the Plague" and has taken part as an expert panelist for BBC Radio <P0-S5> 4's In Our Time on the topics of" The 12th Century RenaissanceBeowulfChivalry" and" Le Morte d' Arthur". <P0-S6> She has also appeared on In Our Time talking about Thomas Becket and Gawain and the Green Knight. <SEP> <P1-S0> Love in Our Time is a 1968 British film documentary about sex. <P1-S1> The theme song to the film" Love In Our Time" was sung by Glo Macari. <SEP> <P2-S0> George Schnéevoigt( 23 December 1893 – 6 February 1961) was a Danish film director, cinematographer, and actor of the 1930s and early 1940s. <P2-S1> Schnéevoigt was born in Copenhagen, Denmark to actress Siri Schnéevoigt, and he is the father of actor and director Alf Schnéevoigt. <SEP> <P3-S0> Champagnegaloppen is a 1938 Danish musical film directed by George Schnéevoigt. <P3-S1> The film based on a musical by Hans Christian Lumbye and play by Paul Holck- Hofmann and stars Svend Methling and Valdemar Møller. <P3-S2> It is named after the light classical piece composed by Hans Christian Lumbye, who is a character in the film. <SEP> <P4-S0> In Our Time is a 1982 Taiwanese anthology film directed by Edward Yang, Yi Chang, I- Chen Ko and Te- Chen Tao. <P4-S1> The film's four vignettes each take place in a different decade between 1950 and 1980 and depict characters at different points in their lives. <P4-S2> The film deals with a range of dramatic, comic, economic and social themes. <P4-S3> The first two episodes are described as contemplative and dream- inspired, while the latter two episodes feature more dialogue and overt comedy. <P4-S4> The first segment, translated as" Dinosaurs" or" Little Dragon Head", is directed by Tao and follows a young boy who escapes from childhood bullying by retreating into a fantasy world populated by his dinosaur toys. <P4-S5> The second segment," Expectations" or" Desires", is directed by Yang and stars Shi Anni as a young girl who becomes infatuated with an older man who is staying at her parents' house, but falls into a love triangle. <P4-S6> The third segment," Leapfrog", is directed by Ko and follows a college student who deals with the pressures of life by joining a competitive swimming club. <P4-S7> The final segment, translated as" Show your ID" or" Say Your Name", is directed by Yi Chang and stars Sylvia Chang. <P4-S8> It follows a newly married couple who are accidentally locked out of their home and workplaces, to comedic effect. <P4-S9> The film was produced by the Taiwanese Central Motion Picture Corporation, which had a reputation for conservative filmmaking. <P4-S10> Yang's segment was his first filmed work. <P4-S11> Writing in his eponymous book on Edward Yang, John Anderson described Yang's segment as bringing" an almost documentary content to the Taiwanese feature, which is counterbalanced in" Expectations" by Yang's decidedly poetic rhythms". <P4-S12> The" Harvard Film Archive" described the film as" eschew[ ing] studio- bound escapism and melodrama in favor of a hard- hitting cinema grounded in everyday life". <P4-S13> The film is sometimes cited as the foundational film of the New Taiwan Cinema. <SEP> <P5-S0> Edward Yang( November 6, 1947 – June 29, 2007) was a Taiwanese filmmaker. <P5-S1> Yang, along with fellow auteurs Hou Hsiao -hsien and Tsai Ming- liang, was one of the leading film- makers of the Taiwanese New Wave and Taiwanese Cinema. <P5-S2> He won the Best Director Award at Cannes for his 2000 film" Yi Yi".