Question: The cover art for the album caintain "White Shadows" was a representation of what?

<P0-S0> "White Shadows" is a song by British rock band Coldplay. <P0-S1>  It is the third track on their third studio album "X&Y" (2005) and released as the sixth overall single from the album on 8 June 2007. <P0-S2>  The song was co-produced by the band and their long-time producer Ken Nelson, while it was engineered by Rich Costey. <P0-S3>  "White Shadows" also features musical contributions by Brian Eno, who plays synthesizers on the track. <SEP> <P1-S0> X&Y (stylized as X & Y) is the third studio album by the British rock band Coldplay. <P1-S1>  It was released on 6 June 2005 by Parlophone in the United Kingdom, and a day later by Capitol Records in the United States. <P1-S2>  The album was produced by Coldplay and producer Danton Supple. <P1-S3>  It is noted for its troubled and urgent development, with producer Ken Nelson having originally been tasked with producing much of the album; however, many songs written during his sessions were discarded owing to the band's dissatisfaction with them. <P1-S4>  The album's cover art is a combination of colours and blocks, which is a representation of the Baudot code. <SEP> <P2-S0> Get Damned is the third studio album from metalcore band The Agony Scene, which was released under Century Media Records on October 23, 2007. <P2-S1>  The original release contained only 11 tracks. <P2-S2>  The cover art that is most commonly displayed is not the true "cover", to say; it is merely a cardboard slip-cover. <P2-S3>  The small, inverted coffin (superimposed with a ↓/downward-facing arrow) is a cut-out window in the outer sleeve, which exposes a portion of the art beneath it. <P2-S4>  Once removed, the true cover is revealed: a skull (minus the jaw bone), which is impaled with skewers throughout. <P2-S5>  The coffin and arrow we see through the slip-cover window is etched into the middle of the skull's forehead. <P2-S6>  There is no text on this "skull" version of the cover. <P2-S7>  The inverted coffin/arrow seems to be a symbolic representation of the album, as it is re-printed in a multitude of places, including the front cover, back cover, liner notes, and on the CD pressing, itself. <SEP> <P3-S0> Bumpers was a double sampler album from Island Records, released in Europe and Australasia in 1970; there were minor variations in track listings within Europe but the Australian release was fundamentally different. <P3-S1>  The title refers to the training shoes which can be seen on the front of the album cover but there may also be a less obvious reference to the meaning "unusually large, abundant or excellent". <P3-S2>  The album is left to present itself; there are no sleeve notes, the gatefold interior consists of a photograph showing publicity shots of the featured acts attached to the bole of a tree, without any identification. <P3-S3>  This image is flanked by the track listings, but even there, the information given is unreliable. <P3-S4>  Unlike its predecessors "You Can All Join In" and "Nice Enough To Eat", there are no credits for cover art (the cover art was by Tony Wright, his first sleeve for Island), photography or design. <P3-S5>  The impression is left that the album's production was rushed, presumably to leave enough lead-time to promote the albums featured. <P3-S6>  The English version of the album came out in two pressings, one with the pink label and "i" logo, the other with the label displaying a palm motif on a white background and a pink rim, each version with some minor variations in the production of individual tracks.