Question: Are director of film Planet Of The Vampires and director of film Prague Seamstresses both from the same country?

<P0-S0> Peter Levin is an American director of film, television and theatre. <SEP> <P1-S0> Ian Barry is an Australian director of film and TV. <SEP> <P2-S0> Přemysl Pražský was an early Czech film director, film actor, screenwriter and radio producer. <P2-S1> He directed and appeared in a number of films in Czechoslovakia in the 1920s and 1930s, directing comedy films such as" Two Mothers"( 1921)," The Mysterious Beauty"( 1922)," Hraběnka z Podskalí"( 1926) and" Prague Seamstresses"( 1929). <P2-S2> He is best known for his adaptation of the Josef Hais Týnecký novel" Battalion"( 1927). <P2-S3> He often worked alongside Theodor Pištěk. <SEP> <P3-S0> Planet of the Vampires is a 1965 Italian science fiction horror film, produced by Fulvio Lucisano, directed by Mario Bava, that stars Barry Sullivan and Norma Bengell. <P3-S1> The screenplay, by Bava, Alberto Bevilacqua, Callisto Cosulich, Antonio Roman and Rafael J. Salvia, was based on an Italian- language science fiction short story, Renato Pestriniero's" One Night of 21 Hours". <P3-S2> American International Pictures released the film as the supporting film on a double feature with Daniel Haller's" Die, Monster, Die!"( 1965). <P3-S3> The story follows the horrific experiences of the crew members of two giant spaceships that have crash landed on a forbidding, unexplored planet. <P3-S4> The disembodied inhabitants of the world possess the bodies of the crew who died during the crash, and use the animated corpses to stalk and kill the remaining survivors. <P3-S5> The film was co-produced by AIP and Italian International Film, with some financing provided by Spain's Castilla Cooperativa Cinematográfica. <P3-S6> Ib Melchior and Louis M. Heyward are credited with the script for the AIP English- language release version. <P3-S7> Years after its release, some critics have suggested that Bava's film was a major influence on Ridley Scott's" Alien"( 1979) and" Prometheus"( 2012), in both narrative details and visual design. <SEP> <P4-S0> Mario Bava( 31 July 1914 – 27 April 1980) was an Italian cinematographer, director, special effects artist and screenwriter, frequently referred to as the" Master of Italian Horror" and the" Master of the Macabre". <P4-S1> His low- budget genre films, known for their distinctive visual flair and technical ingenuity, feature recurring themes and imagery concerning the conflict between illusion and reality, and the destructive capacity of human nature. <P4-S2> Born to sculptor, cinematographer and special effects pioneer Eugenio Bava, the younger Bava followed his father into the film industry, and eventually earned a reputation as one of Italy's foremost cameramen, lighting and providing the special effects for such films as" Hercules"( 1958) and its sequel" Hercules Unchained"( 1959)( each were lampooned on" Mystery Science Theater 3000"). <P4-S3> During the late 1950s, his eventual career trajectory as a director began when he was relied upon to complete projects begun by or credited to his colleague Riccardo Freda and other filmmakers, including" I Vampiri"( 1957)( the first Italian horror film of the sound era)," The Day the Sky Exploded"( 1958)( the first Italian science fiction film)," Caltiki – The Immortal Monster"( 1959) and" The Giant of Marathon"( 1959). <P4-S4> Although most of Bava's films as director failed to achieve major commercial success upon release, many of them would eventually find acclaim as cult classics, with their content and production values being favourably compared to the works of Alfred Hitchcock. <P4-S5> Several of them have been noted for their revolutionary impact on their respective genres:" Black Sunday"( 1960), his official directorial debut, was the forerunner of the Italian gothic horror film cycle;" The Girl Who Knew Too Much"( 1963) is considered to be the first giallo film;" Kill, Baby, Kill"( 1966) heavily influenced the iconography of modern J-Horror;" Roy Colt& Winchester Jack"( 1970) is regarded as one of the earliest self- parodying Spaghetti Westerns;" Four Times That Night"( 1971) was an early Italian sex comedy; and" A Bay of Blood"( 1971) was a precursor to slasher films. <P4-S6> His other notable films include" Hercules in the Haunted World"( 1961)," Erik the Conqueror"( 1961)," Black Sabbath"( 1963)," The Whip and the Body"( 1963)," Blood and Black Lace"( 1964)," Planet of the Vampires"( 1965)," Knives of the Avenger"( 1966),( 1968)," Hatchet for the Honeymoon"( 1970)," Five Dolls for an August Moon"( 1970)," Baron Blood"( 1972)," Lisa and the Devil"( 1974)," Rabid Dogs"( 1974) and" Shock"( 1977). <P4-S7> Despite his reputation as a talented artist during his lifetime, Bava's shy, self- deprecating demeanour prevented him from taking advantage of opportunities that would have furthered his international standing within the film industry, and he turned down multiple opportunities to work in Hollywood. <P4-S8> Among the filmmakers Bava and his work have influenced include Dario Argento, Lucio Fulci, Federico Fellini, John Carpenter, Nicolas Winding Refn, Martin Scorsese, Tim Burton, Joe Dante, John Landis, Francis Ford Coppola, Roger Corman, Edgar Wright, Jennifer Kent and Quentin Tarantino. <P4-S9> His son and frequent assistant director, Lamberto Bava, later became a noted fantasy and horror film director in his own right. <SEP> <P5-S0> Prague Seamstresses is a 1929 Czechoslovak comedy film directed by Přemysl Pražský.