Question: Other than Valerie Bowman, who else wrote Regency romance novels? 

<P0-S0> Valerie Bowman is an author of historical romance novels, and specifically Regency romance novels. <SEP> <P1-S0> Regency romances are a subgenre of romance novels set during the period of the British Regency (1811–1820) or early 19th century. <P1-S1>  Rather than simply being versions of contemporary romance stories transported to a historical setting, Regency romances are a distinct genre with their own plot and stylistic conventions. <P1-S2>  These derive not so much from the 19th-century contemporary works of Jane Austen, but rather from Georgette Heyer, who wrote over two dozen novels set in the Regency starting in 1935 until her death in 1974, and from the fiction genre known as the novel of manners. <P1-S3>  In particular, the more traditional Regencies feature a great deal of intelligent, fast-paced dialogue between the protagonists and very little explicit sex or discussion of sex. <SEP> <P2-S0> Caris Roane is an author of paranormal romance novels. <P2-S1>  As Valerie King she is also the author of Regency romance novels and won a 2005 Career Achievement Award for Regency Romance from "Romantic Times". <SEP> <P3-S0> According to Tatin Yang in the article "Romansang Pinoy: A day with Tagalog romance novels", Tagalog romance paperbacks were thin Philippine versions of romance novel books that could be found at the bottom shelves of the romance section of bookstores, wrapped and bound with book covers that are decorated with Philippine comics-styled illustrations, such as "a barrio landscape with a badly dressed guy and girl locked in an embrace". <P3-S1>  As a form of "escapist fiction" (escapism) and "commercial literature", Tagalog romance novels generally follow a "strict romance formula", meaning the narratives have happy endings (a factor influencing the salability of the novel), the protagonists are wealthy, good-looking, smart, and characters that cannot die. <P3-S2>  Normally, the hero or heroine of the story falls in love and "goes crazy" over the admired person. <P3-S3>  However, later authors of Tagalog romance novels deviated from portraying so-called "damsel-in-distress and knight-in-shining-armor characters". <P3-S4>  Contemporary writers also turned away from writing "rags-to-riches plots". <P3-S5>  The stereotypical norm had been replaced by the incorporation of storylines with "interesting scenes, characters [who are ready to face challenges or to sacrifice themselves for the benefit of other people], dialogues, and new angles to old plots". <P3-S6>  Authors such as Maria Teresa Cruz San Diego, who used the pen names Maia Jose and Tisha Nicole, ventured into the fantasy romance genre, and into topics that are related to politics, ecology, gender issues, prostitution, mail-order bride syndicates, white slavery, non-governmental organizations, and breastfeeding programs. <P3-S7>  Apart from writing about ideal lovers (men and women) and ideal situations, other novelists wrote about true-to-life settings, or at least based the stories from personal experiences. <P3-S8>  Thus, Tagalog romance novels came to mirror or replicate the "roles that women and men play" in Philippine society.