Question: Do both films The Last Man to Hang and Trigger Man (2007 film) have the directors from the same country?

<P0-S0> Shima is a 2007 film from Uzbekistan. <SEP> <P1-S0> Ti West( born October 5, 1980) is an American film director, producer, screenwriter, editor, cinematographer, and occasional actor, best known for his work in horror films. <P1-S1> He directed the horror films" The Roost"( 2005)," The House of the Devil"( 2009)," The Innkeepers"( 2011), and" The Sacrament"( 2013), and the Western" In a Valley of Violence"( 2016). <P1-S2> He has also acted in a number of films, mostly in those directed by either himself or Joe Swanberg. <SEP> <P2-S0> The Last Man to Hang? is a 1956 crime film directed by Terence Fisher. <P2-S1> It stars Tom Conway and Elizabeth Sellars. <P2-S2> The film was produced by John Gossage for Act Films Ltd. <P2-S3> A jury must decide whether Sir Roderick Strood poisoned his wife Daphne deliberately, or whether her death was accidental. <P2-S4> Several references to the debate about the abolition of capital punishment that was going on in British society in the 1950s are made. <P2-S5> One protracted jury room scene recalls the play for television" Twelve Angry Men", which had been shown on US TV in 1954. <P2-S6> The cast includes several actors who would later become household names. <SEP> <P3-S0> Faro, Goddess of the Waters is a 2007 film. <SEP> <P4-S0> Trigger Man is a 2007 American thriller film written and directed by Ti West. <SEP> <P5-S0> Terence Fisher( 23 February 1904 – 18 June 1980) was a British film director best known for his work for Hammer Films. <P5-S1> He was the first to bring gothic horror alive in full colour, and the sexual overtones and explicit horror in his films, while mild by modern standards, were unprecedented in his day. <P5-S2> His first major gothic horror film was" The Curse of Frankenstein"( 1957), which launched Hammer's association with the genre and made British actors Peter Cushing and Christopher Lee leading horror stars of the era. <P5-S3> He went on to film several adaptations of classic horror subjects, including" Dracula"( 1958)," The Mummy"( 1959), and" The Curse of the Werewolf"( 1961). <P5-S4> Given their subject matter and lurid approach, Fisher's films, though commercially successful, were largely dismissed by critics during his career. <P5-S5> It is only in recent years that Fisher has become recognised as an" auteur" in his own right. <P5-S6> His most famous films are characterised by a blend of fairytale myth and the supernatural alongside themes of sexuality, morality, and ‘ the charm of evil ’. <P5-S7> Drawing heavily on a Christian conservative outlook, there is often a hero who defeats the powers of darkness by a combination of faith in God and reason, in contrast to other characters, who are either blindly superstitious or bound by cold, godless rationalism. <P5-S8> For detailed discussions of Fisher's work, see" Terence Fisher: Horror, Myth, and Religion" by Paul Leggett( McFarland and Co, 2002)," British Film Makers: Terence Fisher" by Peter Hutchings( Manchester University Press, 2013), and" The Films of Terence Fisher: Hammer Horror and Beyond" by Wheeler Winston Dixon( Auteur Publishing, 2017).