Question: Are the directors of both films The Three Troubledoers and Tartuffe (1926 Film) from the same country?

<P0-S0> Edward Bernds (July 12, 1905May 20, 2000) was an American screenwriter and director, born in Chicago, Illinois. <SEP> <P1-S0> I Want Your <P1-S1> Love is the title of both a 2010 short film and a 2012 feature- length film. <P1-S2> Both films were directed and written by Travis Mathews. <P1-S3> The drama films both revolve around the friends and ex-lovers of Jesse Metzger, a gay man in his mid-thirties who is forced to move back to his hometown from San Francisco due to financial reasons. <P1-S4> The actors' own names, along with much of their real- life stories, were used for their characters in both films, which features graphic sexual scenes. <P1-S5> The production of both films was aided by the gay pornographic studio NakedSword. <P1-S6> This led to the full- length film being refused exemption from classification, which would have allowed it to screen at the Melbourne Queer Film Festival, a decision to which actor James Franco( who invited Mathews to collaborate on Franco's film" Interior. Leather Bar.") reacted negatively. <SEP> <P2-S0> Raggedy Rose is a 1926 film American silent comedy film starring Mabel Normand. <P2-S1> The film was co-written by Stan Laurel, and directed by Richard Wallace. <SEP> <P3-S0> The Three Troubledoers is a 1946 short subject directed by Edward Bernds starring American slapstick comedy team The Three Stooges( Moe Howard, Larry Fine and Curly Howard). <P3-S1> It is the 91st entry in the series released by Columbia Pictures starring the comedians, who released 190 shorts for the studio between 1934 and 1959 <SEP> <P4-S0> Friedrich Wilhelm Murnau (born Friedrich Wilhelm Plumpe <P4-S1> ; December 28, 1888March 11, 1931) was a German film director. <P4-S2> He was greatly influenced by Schopenhauer, Nietzsche, Shakespeare and Ibsen plays he had seen at the age of 12, and became a friend of director Max Reinhardt. <P4-S3> During World War I he served as a company commander at the eastern front and was in the German air force, surviving several crashes without any severe injuries. <P4-S4> One of Murnau's acclaimed works is the 1922 film "Nosferatu", an adaptation of Bram Stoker's "Dracula". <P4-S5> Although not a commercial success, owing to copyright issues with Stoker's novel, the film is considered a masterpiece of German Expressionist cinema. <P4-S6> He later directed the 1924 film "The Last Laugh", as well as a 1926 interpretation of Goethe's "Faust". <P4-S7> He later emigrated to Hollywood in 1926, where he joined the Fox Studio and made three films:  (1927), "4 Devils" (1928) and "City Girl" (1930). " <P4-S8> Sunrise" has been regarded by critics and film directors as among the best films ever made. <P4-S9> In 1931, Murnau travelled to Bora Bora to make the film  (1931) with documentary film pioneer Robert J. Flaherty, who left after artistic disputes with Murnau, who had to finish the movie on his own. <P4-S10> A week prior to the opening of the film "Tabu", Murnau died in a Santa Barbara hospital from injuries he had sustained in an automobile accident that occurred along the Pacific Coast Highway near Rincon Beach, southeast of Santa Barbara. <P4-S11> Of the 21 films Murnau directed, eight are considered to be completely lost. <P4-S12> One reel of his feature "Marizza, genannt die Schmuggler-Madonna" survives. <P4-S13> This leaves only 12 films surviving in their entirety. <SEP> <P5-S0> Tartuffe(" Herr Tartüff") is a German silent film produced by Erich Pommer for UFA and released in 1926. <P5-S1> It was directed by F. W. Murnau, photographed by Karl Freund and written by Carl Mayer from Molière's original play. <P5-S2> It was shot at the Tempelhof Studios in Berlin. <P5-S3> Set design and costumes were by Robert Herlth and Walter Röhrig. <P5-S4> The film starred Emil Jannings as Tartuffe, Lil Dagover as Elmire and Werner Krauss as Orgon. <P5-S5> Based on the play" Tartuffe", the film retains the basic plot, but Murnau and Mayer pared down Molière's play, eliminating most of the secondary characters and concentrating on the triangle of Orgon, Elmire and Tartuffe. <P5-S6> They also introduced a framing device, whereby the story of Tartuffe becomes a film- within- a-film, shown by a young actor as a device to warn his grandfather about his unctuous but evil housekeeper.