Question: Which film has the director died earlier, The Discreet Charm Of The Bourgeoisie or With God For Emperor And Empire?

<P0-S0> With God for Emperor and Empire( German: Mit Gott für Kaiser und Reich) is a 1916 German silent war drama film directed by Jacob Fleck and Luise Fleck and starring Hermann Benke and Liane Haid. <P0-S1> The celebrated operetta composer Karl Michael Ziehrer wrote a score to accompany the film at screenings. <P0-S2> It was one of a number of patriotic propaganda films made to support Austria's war effort during the First World War. <SEP> <P1-S0> Bulle Ogier( born Marie- France Thielland; 9 August 1939) is a French actress and screenwriter. <P1-S1> She adopted the professional surname Ogier, which was her mother's maiden name. <P1-S2> Her first appearance on screen was in" Voilà l' Ordre", a short film directed by Jacques Baratier with a number of the then- emerging young singers of the 1960s in France, including Boris Vian, Claude Nougaro, etc. <P1-S3> She worked with Jacques Rivette(" L'amour fouCéline et Julie vont en bateauDuelleLe Pont du Nord, La Bande des Quatre"), Luis Buñuel(" Le charme discret de la bourgeoisie" — The Discreet Charm of the Bourgeoisie), Alain Tanner(" La Salamandre"), René Allio, Claude Lelouch, Jean- Paul Civeyrac(" All the Fine Promises" Prix Jean Vigo), Marguerite Duras, Rainer Werner Fassbinder, Barbet Schroeder, and others. <SEP> <P2-S0> Serge Silberman( 1 May 1917 – 22 July 2003) was a French film producer. <P2-S1> Silberman was born in Łódź, then a part of the Regency Kingdom of Poland in a Jewish family. <P2-S2> During World <P2-S3> War II Silberman survived Nazi concentration camps and eventually settled in Paris. <P2-S4> One of his first works as a film producer was Jean- Pierre Melville's 1955 film" Bob the Gambler", a precursor to the French New Wave movement. <P2-S5> Silberman's most notable collaborations were with the surrealist film director Luis Buñuel. <P2-S6> The pair, along with screenwriter Jean- Claude Carrière, who Silberman introduced to Buñuel, worked together on a number of films, starting with the 1964 film" Diary of a Chambermaid". <P2-S7> Silberman produced most of Buñuel's late films, including the Academy Award winner" The Discreet Charm of the Bourgeoisie" in 1972 and the director's very last film" That Obscure Object of Desire" in 1977. <P2-S8> Silberman had founded his own production company, Greenwich Film Productions, in 1966. <P2-S9> The company was responsible for the production of over 15 films. <P2-S10> In 1981, Silberman produced his most financially successful film, Jean- Jacques Beineix's" Diva". <P2-S11> The film was not well received in the country of its origin, France, but became a box- office hit abroad. <P2-S12> The money gained from the movie enabled Silberman to provide funding for Akira Kurosawa's ambitious 1985 film" Ran", which at the time of its making was the most expensive Japanese film ever. <P2-S13> Silberman was awarded an honorary César Award in 1988. <P2-S14> He died in Paris in 2003 at the age of 86. <SEP> <P3-S0> Jacob Fleck( 8 November 1881 in Vienna as Jacob Julius Fleck – 19 September 1953, also in Vienna) was an Austrian film director, screenwriter, film producer and cameraman. <P3-S1> He is noted for his long- standing professional partnership with his wife Luise Fleck who co-directed his films with him. <SEP> <P4-S0> The Discreet Charm of the Bourgeoisie is a 1972 surrealist film directed by Luis Buñuel and written by Jean- Claude Carrière in collaboration with the director. <P4-S1> The film was made in France and is mainly in French, with some dialogue in Spanish. <P4-S2> The narrative concerns a group of upper middle class people attempting — despite continual interruptions —to dine together. <P4-S3> The film received the Academy Award for Best Foreign Language Film and a nomination for Best Original Screenplay. <SEP> <P5-S0> Luis Buñuel Portolés( 22 February 1900 – 29 July 1983) was a Spanish- born Mexican filmmaker who worked in France, Mexico and Spain. <P5-S1> When Buñuel died at age 83, his obituary in" The New York Times" called him" an iconoclast, moralist, and revolutionary who was a leader of avant- garde surrealism in his youth and a dominant international movie director half a century later". <P5-S2> His first picture," Un Chien Andalou" —made in the silent era—was called" the most famous short film ever made" by critic Roger Ebert, and his last film," That Obscure Object of Desire" —made 48 years later—won him Best Director awards from the National Board of Review and the National Society of Film Critics. <P5-S3> Writer Octavio Paz called Buñuel's work" the marriage of the film image to the poetic image, creating a new reality ... scandalous and subversive". <P5-S4> Often associated with the surrealist movement of the 1920s, Buñuel created films from the 1920s through the 1970s. <P5-S5> His work spans two continents, three languages, and an array of genres, including experimental film, documentary, melodrama, satire, musical, erotica, comedy, romance, costume dramas, fantasy, crime film, adventure, and western. <P5-S6> Despite this variety, filmmaker John Huston believed that, regardless of genre, a Buñuel film is so distinctive as to be instantly recognizable, or, as Ingmar Bergman put it," Buñuel nearly always made Buñuel films". <P5-S7> Seven of Buñuel's films are included in" Sight& Sound"< nowiki>'</ nowiki >s 2012 critics' poll of the top 250 films of all time. <P5-S8> Fifteen of his films are included in the" They Shoot Pictures, Do n't They?" list of the 1,000 greatest films of all time, for which he ranks second only to Jean- Luc Godard, with sixteen, and he ranks number 13 on their list of the top 250 directors.