Question: Do both films Our Agent Tiger and London Melody have the directors that share the same nationality?

<P0-S0> Fritz Mühlenweg( also Fritz Muhlenweg; 11 December 1898 – 13 September 1961) was a German painter and author. <P0-S1> His most famous book is" In geheimer Mission durch die Wüste Gobi"( part one in English" Big Tiger and Compass Mountain"), published in 1950. <P0-S2> It was later shortened and translated into English under the title" Big Tiger and Christian." <SEP> <P1-S0> Le Tigre aime la chair fraîche( English title: Code Name: Tiger) is a 1964 Eurospy film directed by Claude Chabrol and starring and written by Roger Hanin as the Tiger. <P1-S1> The film was an attempt to create a French franchise equal to James Bond, and the film" From Russia with Love" is referenced within the film that features the film's female lead Daniela Bianchi. <P1-S2> It also was the predecessor of" Our Agent Tiger" which got released in 1965. <SEP> <P2-S0> London Melody is a 1937 British musical film directed by Herbert Wilcox and starring Anna Neagle, Tullio Carminati and Robert Douglas. <P2-S1> It was made at British and Dominions Imperial Studios, Elstree and Pinewood Studios by Wilcox's independent production company and distributed by J. Arthur Rank's General Film Distributors. <P2-S2> It was also released with the alternative title Look Out for Love. <SEP> <P3-S0> Herbert Sydney Wilcox CBE( 19 April 1890 – 15 May 1977), was a British film producer and director who was one of the most successful British filmmakers from the 1920s to the 1950s. <P3-S1> He is best known for the films he made with his third wife Anna Neagle. <SEP> <P4-S0> Le tigre se parfume à la dynamite( Our Agent Tiger) is a 1965 secret agent spy film directed by Claude Chabrol and starring and written by Roger Hanin as the Tiger. <P4-S1> It is a sequel to the 1964 film" Le Tigre aime la chair fraiche". <SEP> <P5-S0> Claude Henri Jean Chabrol( 24 June 1930 – 12 September 2010) was a French film director and a member of the French New Wave(" nouvelle vague") group of filmmakers who first came to prominence at the end of the 1950s. <P5-S1> Like his colleagues and contemporaries Jean- Luc Godard, François Truffaut, Éric Rohmer and Jacques Rivette, Chabrol was a critic for the influential film magazine" Cahiers du cinéma" before beginning his career as a film maker. <P5-S2> Chabrol's career began with" Le Beau Serge"( 1958), inspired by Hitchcock's" Shadow of a Doubt"( 1943). <P5-S3> Thrillers became something of a trademark for Chabrol, with an approach characterized by a distanced objectivity. <P5-S4> This is especially apparent in" Les Biches"( 1968)," La Femme infidèle"( 1969), and" Le Boucher"( 1970) – all featuring Stéphane Audran, who was his wife at the time. <P5-S5> Sometimes characterized as a" mainstream" New Wave director, Chabrol remained prolific and popular throughout his half- century career. <P5-S6> In 1978, he cast Isabelle Huppert as the lead in" Violette Nozière". <P5-S7> On the strength of that effort, the pair went on to others including the successful" Madame Bovary"( 1991) and" La Cérémonie"( 1996). <P5-S8> Film critic John Russell Taylor has stated that" there are few directors whose films are more difficult to explain or evoke on paper, if only because so much of the overall effect turns on Chabrol's sheer hedonistic relish for the medium ... <P5-S9> Some of his films become almost private jokes, made to amuse himself." <P5-S10> James Monaco has called Chabrol" the craftsman par excellence of the New Wave, and his variations upon a theme give us an understanding of the explicitness and precision of the language of the film that we do n't get from the more varied experiments in genre of Truffaut or Godard."