Question: Are both director of film Army Of Shadows and director of film The Office Wife (1930 Film) from the same country?

<P0-S0> Brian Johnson( born 1939 or 1940) is a British designer and director of film and television special effects. <SEP> <P1-S0> Ian Barry is an Australian director of film and TV. <SEP> <P2-S0> Lloyd Francis Bacon (December 4, 1889 – November 15, 1955) was an American screen, stage and vaudeville actor and film director. <P2-S1> As a director he made films in virtually all genres, including westerns, musicals, comedies, gangster films, and crime dramas. <P2-S2> He was one of the directors at Warner Bros. in the 1930s who helped give that studio its reputation for gritty, fast-paced "torn from the headlines" action films. <P2-S3> And, in directing Warner Bros.' "42nd Street", he joined the movie's song-and-dance-number director, Busby Berkeley, in contributing to "an instant and enduring classic [that] transformed the musical genre." <SEP> <P3-S0> The Office Wife is a 1930 American pre-Code romantic drama film directed by Lloyd Bacon, released by Warner Bros., and based on the novel of the same name by Faith Baldwin. <P3-S1> It was the talkie debut for Joan Blondell who would become one of the major Warner Bros. stars for the following nine years. <SEP> <P4-S0> Army of Shadows  is a 1969 French drama-suspense film written and directed by Jean-Pierre Melville. <P4-S1> It is a film adaptation of Joseph Kessel's 1943 book of the same name, which blends Kessel's own experiences as a member of the French Resistance with fictionalized versions of other Resistance members. <P4-S2> "Army of Shadows" follows a small group of Resistance fighters as they move between safe houses, work with the Allied militaries, kill informers, and attempt to evade the capture and execution that they know <P4-S3> is their most likely fate. <P4-S4> While portraying its characters as heroic, the film presents a bleak, unromantic view of the Resistance. <P4-S5> At the time of its initial release in France, "Army of Shadows" was not well received or widely seen. <P4-S6> In the wake of the events of May 1968, French critics denounced the film for its perceived glorification of Charles de Gaulle; at the time, American art-film programmers took their cues from "Cahiers du cinéma", which had attacked the film on this basis. <P4-S7> Because of this, it was not released in the United States for almost forty years. <P4-S8> In the mid-1990s "Cahiers du cinéma" published a reappraisal of the film and Melville's work in general, leading to its restoration and re-release in 2006. <P4-S9> The film was greeted with critical adulation in the U.S., appearing in many critics' year-end top ten lists. <SEP> <P5-S0> Jean-Pierre Melville (born Jean-Pierre Grumbach; 20 October 1917 – 2 August 1973) was a French filmmaker. <P5-S1> While with the French Resistance during World War II, he adopted the nom de guerre Melville as a tribute to his favorite American author, Herman Melville. <P5-S2> He kept it as his stage name once the war was over. <P5-S3> Spiritual father of the French New Wave, he influenced the new generation of filmmakers in Asia (John Woo, Ringo Lam, Johnnie To, Takeshi Kitano), in Europe (Aki Kaurismäki, Rainer Werner Fassbinder), and in America (Michael Mann, Walter Hill, Quentin Tarantino, William Friedkin, Jim Jarmusch).