Question: Which film has the director died earlier, How I Learned To Love Women or To The Public Danger?

<P0-S0> To Love may refer to: <SEP> <P1-S0> How I Learned to Love Women( also known as" Love Parade") is a 1966 Italian- French- German comedy film directed by Luciano Salce. <SEP> <P2-S0> Luciano Salce( 25 September 1922, in Rome – 17 December 1989, in Rome) was an Italian film director, actor and lyricist. <P2-S1> His 1962 film" Le pillole di Ercole" was shown as part of a retrospective on Italian comedy at the 67th Venice International Film Festival. <P2-S2> As a writer of pop music, he used the pseudonym Pilantra. <P2-S3> During World War II, he was a prisoner in Germany. <P2-S4> He later worked for several years in Brazil. <SEP> <P3-S0> Mark Brokaw is an American theatre director. <P3-S1> He won the Drama Desk Award, Obie Award and Lucille Lortel Award as Outstanding Director of a Play for" How I Learned to Drive". <SEP> <P4-S0> To the Public Danger is a 1948 British drama film directed by Terence Fisher and starring Dermot Walsh, Susan Shaw and Barry Letts. <P4-S1> It was made at Highbury Studios as a second feature for release by the Rank Organisation. <P4-S2> Like other Highbury productions, it offered acting opportunities for several of Rank's young contract stars. <P4-S3> The film's sets were designed by Don Russell, although a number of the scenes were shot on location. <P4-S4> It was based on a 1939 radio play by the writer Patrick Hamilton, who had been encouraged to write the story as part of a government road safety campaign. <P4-S5> Hamilton had himself been knocked down by a drunk driver. <P4-S6> The story was updated slightly, and represents the post-war malaise with the use of noirish sequences. <P4-S7> After making the film Fisher graduated to directing several more expensive productions for Gainsborough Pictures. <SEP> <P5-S0> Terence Fisher( 23 February 1904 – 18 June 1980) was a British film director best known for his work for Hammer Films. <P5-S1> He was the first to bring gothic horror alive in full colour, and the sexual overtones and explicit horror in his films, while mild by modern standards, were unprecedented in his day. <P5-S2> His first major gothic horror film was" The Curse of Frankenstein"( 1957), which launched Hammer's association with the genre and made British actors Peter Cushing and Christopher Lee leading horror stars of the era. <P5-S3> He went on to film several adaptations of classic horror subjects, including" Dracula"( 1958)," The Mummy"( 1959), and" The Curse of the Werewolf"( 1961). <P5-S4> Given their subject matter and lurid approach, Fisher's films, though commercially successful, were largely dismissed by critics during his career. <P5-S5> It is only in recent years that Fisher has become recognised as an" auteur" in his own right. <P5-S6> His most famous films are characterised by a blend of fairytale myth and the supernatural alongside themes of sexuality, morality, and ‘ the charm of evil ’. <P5-S7> Drawing heavily on a Christian conservative outlook, there is often a hero who defeats the powers of darkness by a combination of faith in God and reason, in contrast to other characters, who are either blindly superstitious or bound by cold, godless rationalism. <P5-S8> For detailed discussions of Fisher's work, see" Terence Fisher: Horror, Myth, and Religion" by Paul Leggett( McFarland and Co, 2002)," British Film Makers: Terence Fisher" by Peter Hutchings( Manchester University Press, 2013), and" The Films of Terence Fisher: Hammer Horror and Beyond" by Wheeler Winston Dixon( Auteur Publishing, 2017).