Question: Which film whose director is younger, La Métamorphose Des Cloportes or Kembang-Kembang Plastik?

<P0-S0> Pierre Granier-Deferre (27 July 1927, Paris – 16 November 2007) was a French film director. <P0-S1> His 1971 film "Le Chat" won the Best Actor and Best Actress awards at the 21st Berlin International Film Festival. <P0-S2> His 1964 film "The Adventures of Salavan" won the Silver Shell for Best Actor at the 12th San Sebastian International Film Festival. <P0-S3> Granier-Deferre married Annie Fratellini, who starred in his film, "La Métamorphose des cloportes". <P0-S4> They had one daughter, Valerie. <P0-S5> He had two children with his second wife, Susan Hampshire, an English actress: a son, Christopher, a producer/director, and a daughter, Victoria, who died shortly after birth. <P0-S6> Granier-Deferre is also the father of Denys Granier-Deferre, a director/actor, whose mother is Denise Leve. <P0-S7> He is also the father of Célia (an actress) and Marie (a stuntwoman) by Isabel Garcia de Herreros (a film editor). <SEP> <P1-S0> La Métamorphose des cloportes is a 1965 French and Italian crime film comedy directed by Pierre Granier-Deferre. <SEP> <P2-S0> François Coulomb the Younger (La Ciotat, 1691 - Toulon, July 1751) was a French naval architect ("ingénieur-constructeur"), the son of François Coulomb the Elder. <P2-S1> During his career, he designed 18 ships for the French Navy, and oversaw the construction of most of them. <SEP> <P3-S0> Kembang-Kembang Plastik (Plastic Flowers) is a 1977 Indonesian film directed by Wim Umboh. <P3-S1> Starring Cok Simbara, Dien Novita, Maruli Sitompul, and Roy Marten, it details the lives of people living in a prostitution district in Semarang. <P3-S2> It has interpreted as giving a sympathetic perspective of their plight, but received mixed reception. <SEP> <P4-S0> Ahmad Salim (26 March 1933 – 24 January 1996), better known by his birth name Wim Umboh but also known by the Chinese name Liem Yan Yung, was an Indonesian director who is best known for his melodramatic romances. <P4-S1> Born in North Sulawesi, Umboh was orphaned at the age of eight and later adopted by a Chinese-Indonesian doctor. <P4-S2> After high school, he moved to Jakarta and found work at Golden Arrow Studios as a janitor and, later, translator. <P4-S3> In 1955 he made his screen debut as a director with  ("Behind the Walls"). <P4-S4> During his career, which spanned more than forty years, Umboh directed close to fifty movies, which garnered 29 Citra Awards from the Indonesian Film Festival. <P4-S5> He was diagnosed with liver cancer in 1978 but, after recovering, he continued to work until his death from complications of diabetes and a stroke. <P4-S6> Umboh was married three times and had two children. <P4-S7> An authoritarian director who strove for perfection, Umboh was known for experimenting with different technologies and, according to fellow director Teguh Karya, memorised the entire dialogue of his films during shooting. <P4-S8> He preferred medium and close-up shots. <P4-S9> Umboh influenced numerous Indonesian directors, including Karya, Slamet Rahardjo, Garin Nugroho, and Arifin C. Noer, and his work launched the careers of several Indonesian stars, including Sophan Sophiaan and Roy Marten. <P4-S10> Among his most famous works are ' ("Teenage Bride"; 1971), "Mama" (1972), and ' ("The Beggar and the Pedicab Driver"; 1978), the last of which was Umboh's personal favourite. <SEP> <P5-S0> La Bestia humana is a 1957 Argentine film whose story is based on the novel" La Bête Humaine" by the French writer Émile Zola.