Question: Are both directors of films Andrei Rublev (Film) and Ramona (1936 Film) from the same country?

<P0-S0> Ramona is a 1936 American Technicolor drama film directed by Henry King, based on Helen Hunt Jackson's 1884 novel" Ramona". <P0-S1> This was the third adaptation of the film, and the first one with sound. <P0-S2> It was the fourth American feature film using the new three strip Technicolor process. <P0-S3> It starred Loretta Young and Don Ameche. <P0-S4> The" New York Times" praised its use of new Technicolor technology but found the plot" a piece of unadulterated hokum." <P0-S5> It thought" Ramona is a pretty impossible rôle these heartless days" and Don Ameche" a bit too Oxonian" for a chief's son. <SEP> <P1-S0> Andrei Arsenyevich Tarkovsky (4 April 1932 – 29 December 1986) was a Russian filmmaker, writer, and film theorist. <P1-S1> He is widely considered one of the greatest directors in the history of cinema, and one of Russia's most influential filmmakers. <P1-S2> His films explored spiritual and metaphysical themes, and are noted for their slow pacing and long takes, dreamlike visual imagery, and preoccupation with nature and memory. <P1-S3> Tarkovsky studied film at Moscow's State Institute of Cinematography under filmmaker Mikhail Romm, and subsequently directed his first five feature films in the Soviet Union: "Ivan's Childhood" (1962), "Andrei Rublev" (1966), "Solaris" (1972), "Mirror" (1975), and "Stalker" (1979). <P1-S4> After years of creative conflict with Soviet authorities, Tarkovsky left the country in 1979 and made his final two films abroad; "Nostalghia" (1983) and "The Sacrifice" (1986) were produced in Italy and Sweden respectively. <P1-S5> In 1986, he also published a book about cinema and art entitled "Sculpting in Time". <P1-S6> He died of cancer later that year. <P1-S7> Tarkovsky was the recipient of several awards at the Cannes Film Festival throughout his career (including the FIPRESCI prize, the Prize of the Ecumenical Jury, and the Grand Prix Spécial du Jury) and winner of the Golden Lion award at the Venice Film Festival for his debut film "Ivan's Childhood". <P1-S8> In 1990, he was posthumously awarded the Soviet Union's prestigious Lenin Prize. <P1-S9> Three of his films—"Andrei RublevMirror", and "Stalker"—featured in "Sight & Sound"’s 2012 poll of the 50 greatest films of all time. <SEP> <P2-S0> The film is remake of the 1936 film drama of the same name" Sisters of the Gion" by Kenji Mizoguchi. <SEP> <P3-S0> Henry King( January 24, 1886 June 29, 1982) was an American actor and film director. <P3-S1> Seven films directed by King were nominated for the Academy Award for Best Picture. <SEP> <P4-S0> Mr. Right is a 2009 British film directed by David Morris and Jacqui Morris. <P4-S1> The jointly- made gay- themed film is the debut for both directors. <SEP> <P5-S0> Andrei Rublev( Russian: Андрей Рублёв) is a 1969 Soviet biographical historical drama film directed by Andrei Tarkovsky and co-written with Andrei Konchalovsky. <P5-S1> The film was remade and re-edited from the 1966 film titled" The Passion According to Andrei" by Tarkovsky which was censored during the first decade of the Brezhnev era in the Soviet Union. <P5-S2> The film is loosely based on the life of Andrei Rublev, the 15th- century Russian icon painter. <P5-S3> The film features Anatoly Solonitsyn, Nikolai Grinko, Ivan Lapikov, Nikolai Sergeyev, Nikolai Burlyayev and Tarkovsky's wife Irma Raush. <P5-S4> Savva Yamshchikov, a famous Russian restorer and art historian, was a scientific consultant of the film. <P5-S5> Although the film is only loosely based on the life of Andrei Rublev, it seeks to depict a realistic portrait of medieval Russia. <P5-S6> Tarkovsky sought to create a film that shows the artist as" a world- historic figure" and" Christianity as an axiom of Russia's historical identity" during a turbulent period of Russian history that ultimately resulted in the Tsardom of Russia. <P5-S7> The film's themes include artistic freedom, religion, political ambiguity, autodidacticism, and the making of art under a repressive regime. <P5-S8> Because of this, it was not released domestically in the officially atheist Soviet Union for years after it was completed, except for a single 1966 screening in Moscow. <P5-S9> A version of the film was shown at the 1969 Cannes Film Festival, where it won the FIPRESCI prize. <P5-S10> In 1971, a censored version of the film was released in the Soviet Union. <P5-S11> The film was further cut for commercial reasons upon its U.S. release through Columbia Pictures in 1973. <P5-S12> As a result, several versions of the film exist. <P5-S13> Although these issues with censorship obscured and truncated the film for many years following its release, the film was soon recognized by many western critics and film directors as a highly original and accomplished work. <P5-S14> Even more since being restored to its original version," Andrei Rublev" has come to be regarded as one of the greatest films of all time, and has often been ranked highly in both the" Sight& Sound" critics' and directors' polls.