Question: Do both No Man Of Her Own (1932 Film) and Cannibal Tours films have the directors from the same country?

<P0-S0> The Last Mile is a 1959 American drama film directed by Howard W. Koch starring Mickey Rooney. <P0-S1> The film is a remake of a 1932 film of the same name starring Preston Foster. <SEP> <P1-S0> No Man of Her Own is a 1932 American pre-Code romantic drama starring Clark Gable and Carole Lombard as a married couple in their only film together, several years before their own legendary marriage in real life. <P1-S1> The movie was directed by Wesley Ruggles, and originated as an adaptation of" No Bed of Her Own", a 1931 novel by Val Lewton, but ended up based more on a story by Benjamin Glazer and Edmund Goulding, although it retained the title it got from Lewton's novel. <P1-S2> It is not related to the 1950 film of the same name. <P1-S3> Released just three years after the stock market crash of 1929, the plot focuses on the character" Babe" Stewart( played by Gable), a card sharp and gambling cheat, and" Connie Randall", a street- wise librarian with whom he develops a relationship. <P1-S4> Prevalent themes throughout the story include crime, gambling, dishonesty, love, commitment and redemption. <SEP> <P2-S0> Cannibal Tours is a 1988 quasi-documentary film by Australian director and cinematographer Dennis O'Rourke. <P2-S1> The film is also widely celebrated for its depiction of Western touristic desires and exploitation among a' tribal' people. <P2-S2> The film follows a number of affluent European and American tourists and ecotourists as they travel from village to village along the middle Sepik River in Papua New Guinea. <P2-S3> Most of the villages in the film are inhabited by the Iatmul people. <P2-S4> The film shows the tourists driving hard bargains for local handcrafts such as woodcarvings and baskets, relentlessly taking photos of local people, handing out cigarettes, balloons, and perfume, viewing staged dance performances, and offering naive comments on native people living in harmony with nature. <P2-S5> The film, too, tacks between the tourists and black- and- white photographs from the era of German colonialism of New Guinea( 1880s- 1914). <P2-S6> With some prodding, the tourists unwittingly reveal an unattractive and pervasive ethnocentrism to O'Rourke's cameras. <P2-S7> The tourists thus become somewhat dehumanized by the filmmaker's camera even as they themselves dehumanize and exoticize even the most mundane aspects of Sepik River life. <P2-S8> At one point early in the film, a German tourist, clearly titillated, describes the bygone practice of raiding and cannibalism. <P2-S9> He is obsessed with cannibalism, asking local men about the former practice, and snapping photos of locations where local people once practiced headhunting; other tourists also attempt to discuss the" symbolic" meaning of cannibalism. <P2-S10> But the narrative plot of the film is to portray the tourists as the real cannibals who consume the world through their arrogance, acquisitiveness, primitivist fantasies of indigenous people, and photography( the cameras in the film double for the guns of past colonial administrators). <P2-S11> In short, the film presents the tourists as the people driven by truly bizarre beliefs and behaviors. <P2-S12> The climax of the film is when a group of tourists, faces painted in' native fashion' by local men from one village( Tambunum), prance, dance, and assume a boxing stance to the music of Mozart. <P2-S13> The message is clearly: we have finally succeeded in our quest for the primitive, and he is us. <SEP> <P3-S0> Dennis O'Rourke( 14 August 1945 – 15 June 2013) was an Australian documentary filmmaker. <SEP> <P4-S0> Mark Lewis( born 1958 in Mullumbimby, Australia) is an Australian documentary film and television producer, director and writer. <P4-S1> He is famous for his film and for his body of work on animals. <P4-S2> Unlike many other producers of nature films, his films do not attempt to document the animals in question or their behaviors but rather the complex relationships between people and society and the animals they interact with. <P4-S3> His films have earned him many awards, including a British Academy Award nomination, a nomination from the Directors Guild of America, two Emmy ’s for Outstanding Direction in documentary film, and an Emmy Award for Outstanding Science Program on American Television. <SEP> <P5-S0> Wesley Ruggles( June 11, 1889 – January 8, 1972) was an American film director.