Question: Do both The Scarlet Letter (1934 film) and A City Is Beautiful at Night films have the directors from the same country?

<P0-S0> Richard Bohringer( born 16 January 1942) is a French actor. <SEP> <P1-S0> The Scarlet Letter is a 1934 American film directed by Robert G. Vignola. <P1-S1> It was shot in Salem's Pioneer Village and Sherman Oaks, California. <P1-S2> It was the only film Colleen Moore ever said she made for the money. <P1-S3> She was reportedly preparing to take her dollhouse on tour for charity, and saw the film as an opportunity to make a last film with friends. <P1-S4> Henry B. Walthall played Roger Chillingworth in both this and the 1926 silent version. <P1-S5> The film has been preserved by the UCLA Film& Television Archive. <SEP> <P2-S0> Robert G. Vignola( born Rocco Giuseppe Vignola, August 5, 1882 – October 25, 1953) was an Italian- born American actor, screenwriter and film director. <P2-S1> A former stage actor, he appeared in many motion pictures produced by Kalem Company and later moved to directing, becoming one of the silent screen's most prolific directors. <P2-S2> He also directed a handful of films in the early years of talkies but his career essentially ended in the silent era. <SEP> <P3-S0> A City Is Beautiful at Night or C'est beau une ville la nuit is a 2006 French drama film directed by Richard Bohringer. <SEP> <P4-S0> Having originally intended to cease graduate school at this point and start teaching, the outbreak of the Vietnam War necessitated his studying for a Ph.D. to avoid being drafted, and he returned to Rochester, where he prepared his doctoral thesis on Klaus Mann. <P4-S1> This task was completed in February, 2010. <P4-S2> He had written but five of the “ Episodes ” when, shortly after his twelfth birthday, he composed his Piano Sonata in B Minor which, albeit still brief, is a harbinger of his later ability to create in large forms. <P4-S3> Kroll feels that writing only dissonances that never resolve is tantamount to an attempt to inhale without ever exhaling, to eat hot spices without meat or vegetables. <P4-S4> During this time, he still struggled to compose lieder whenever possible. <P4-S5> At the age of eleven, he began to compose a cycle of 30 piano pieces in all tonalities, including the enharmonic relationships, to explore the potentials of each tonality to express different emotions. <P4-S6> The University of Rochester urged him to choose another major, and he opted for German Literature – with the intention of teaching German to voice students later on and thus entering the world of music through the back door, so to speak. <P4-S7> He received his A.B. In German Literature from the University of Rochester in 1965. <P4-S8> 1960 was a pivotal year for Fredric Kroll. <P4-S9> Having already studied orchestral scores by Tchaikovsky, Beethoven, and Brahms, he began, in 1960, to learn the actual technique of composition by playing through the piano- vocal scores of Puccini, Verdi, Alfredo Catalani, Tchaikovsky, and Vittorio Giannini's operatic setting of “ The Scarlet Letter ” from 1938. <P4-S10> His first collection, “ Lieder aus der Einsamkeit ”( 1965 – 66), is a kind of by- product of “ The Scarlet Letter ” and attempts to fuse the genre of the lied with operatic elements. <P4-S11> Kroll earned his Artium Magister( Master of Arts degree) at Yale University in 1967. <P4-S12> For this occasion, and during a kind of working holiday in Fortaleza, Brazil, Kroll also edited and translated into German for the Rowohlt Verlag, Hamburg, fragments belonging to the sphere of Klaus Mann's autobiography “ Der Wendepunkt ” which had hitherto been published only in English( under the title “ The Turning Point, ” 1942), in Swedish – or not at all. <P4-S13> It was not until 1964 in Freiburg that Kroll realized that the tonal and melodic Late Romantic music still today dear to his heart was considered to be obsolete and anachronistic. <P4-S14> During this period, in the summer semesters of 1988 and 1989, Kroll led two undergraduate seminars at the University of Freiburg. <SEP> <P5-S0> William Thomas Kent( April 29, <P5-S1> 1886- October 5, 1945) was an American stage actor who later appeared in sound films. <P5-S2> He was born in St. Paul, Minnesota and died in New York City. <P5-S3> Kent's career traversed many forms of entertainment( i.e. Broadway, vaudeville, burlesque, minstrel( at age 14), circus, and silent and sound films). <P5-S4> In 1922, he appeared with Marion Davies in the silent" When Knighthood Was in Flower". <P5-S5> He turned up in" The Scarlet Letter"( 1934).