Question: "Give Love at Christmas" is an album created by this group notable for their success with Motown Records during the 1960s and 1970s; which original member continues (as of 2017) to perform with them?

<P0-S0> The Temptations are an American vocal group notable for their success with Motown Records during the 1960s and 1970s. <P0-S1>  Known for their choreography, distinct harmonies, and flashy wardrobe, the group was highly influential in the evolution of R&B and soul music. <P0-S2>  Having sold tens of millions of albums, the Temptations are one of the most successful groups in music history. <P0-S3>  s of 2017 , the Temptations continue to perform with one original member, Otis Williams, still in the lineup. <SEP> <P1-S0> The Originals, often called "Motown's best-kept secret", were a successful Motown R&B and soul group during the late 1960s and the 1970s, most notable for the hits "Baby, I'm For Real", "The Bells" and the disco classic "Down To Love Town". <P1-S1>  Formed in 1966, the group originally consisted of bass singer Freddie Gorman, baritone (and the group's founder) Walter Gaines, and tenors C. P. Spencer and Hank Dixon (and briefly Joe Stubbs). <P1-S2>  Ty Hunter replaced Spencer when he left to go solo in the early 1970s. <P1-S3>  They had all previously sung in other Detroit groups, Spencer having been an original member of The (Detroit) Spinners and Hunter having sung with The Supremes member Scherrie Payne in the group Glass House. <P1-S4>  Spencer, Gaines, Hunter, and Dixon (at one time or another) were also members of The Voice Masters. <P1-S5>  As a member of the Holland–Dozier–Gorman writing-production team (before Holland–Dozier–Holland), Gorman (as a mailman) was one of the co-writers of Motown's first number 1 pop hit "Please Mr. Postman", recorded by The Marvelettes. <P1-S6>  In 1964 The Beatles released their version and in 1975 The Carpenters took it to number 1 again. <P1-S7>  This was the second time in pop history that a song had reached number 1 twice as "The Twist" by Chubby Checker, reached number 1 in both 1960 and 1961. <P1-S8>  In 2006, "Please Mr. Postman" was inducted into the Songwriters Hall of Fame. <SEP> <P2-S0> Give Love at Christmas is a 1980 Christmas album by The Temptations for the Gordy (Motown) label. <P2-S1>  Released on August 14, 1980. <P2-S2>  The group's second holiday release following 1970's "The Temptations Christmas Card", it features each Temptation leading on various popular Christmas carols and original Christmas songs. <P2-S3>  The album includes versions of The Jackson 5's "Give Love on Christmas Day", "The Little Drummer Boy", "This Christmas", and "Silent Night", alongside originals written or co-written by Motown founder Berry Gordy, Jr. and Motown star and vice-president Smokey Robinson. <SEP> <P3-S0> "Bad Girl" is a 1959 doo-wop single by The Miracles. <P3-S1>  Issued locally on the Motown Records label, it was licensed to and issued nationally by Chess Records because the fledgling Motown Record Corporation did not, at that time, have national distribution. <P3-S2>  It was the first single released (and the only one released by this group) on the Motown label - all previous singles from the company (and all following ones from the group) were released on Motown's Tamla label. <P3-S3>  Although The Miracles had charted regionally and on the R&B charts with several earlier songs, including "Got a Job", "I Cry", "I Need a Change", and "(You Can) Depend on Me", "Bad Girl" was their first "national" chart hit, reaching #93 on the "Billboard" Hot 100. <P3-S4>  Written by Miracles lead singer Smokey Robinson and Motown Records' President and Founder Berry Gordy, "Bad Girl" is a sad, remorseful ballad about a young woman, whom Robinson, as the narrator, says "was so good at the start", but who later in the song "is breaking my heart". <P3-S5>  It is in the popular doo-wop style, as several of The Miracles' songs were during the late 1950s. <P3-S6>  The record's success, coupled with the distributor's failure to pay Gordy and The Miracles properly for its sales, prompted Robinson to urge Gordy to "go national" with it, meaning that Motown should do its own national distribution of its songs, and eliminate the middleman, to ensure that all money from sales of its records would go directly to the label.