Question: Do both films: The Proprietor and Un Couple Épatant have the directors from the same country?

<P0-S0> Lucas Belvaux( born 14 November 1961) is a Belgian actor and film director. <P0-S1> His directing credits include the" Trilogie", consisting of three films with interlocking stories and characters, each of which was filmed in a different genre. <P0-S2> The three films are" Cavale", a thriller;" Un couple épatant", a comedy; and" Après la vie", a melodrama. <P0-S3> The" Trilogie" received the André Cavens Award. <P0-S4> His film" La Raison du plus faible" was entered into the 2006 Cannes Film Festival. <P0-S5> His film" One Night( 38 témoins)" was nominated for seven Magritte Awards, winning Best Screenplay. <P0-S6> He also appeared as an actor in the film" Merry Christmas"( 2005). <P0-S7> He is the brother of Rémy Belvaux and Bruno Belvaux. <SEP> <P1-S0> Cavale( also known in UK as Trilogy: One) is a 2002 film directed by, written by, and starring Lucas Belvaux. <P1-S1> This is the second installment of the" Trilogy" series. <P1-S2> It constitutes a thriller, and is preceded by" Un couple épatant", which is a comedy, and followed by" Après la vie", which is a melodrama. <P1-S3> In UK the distribution company altered the order of the trilogy placing the second film as the first one. <P1-S4> In the DVD commentary, Belvaux explained that the main idea behind" Trilogy" is that the main characters in a particular story can be seen as the secondary characters in others; the three films happen at the same time and share a series of common scenes and plot points, complementing each other, but each has its own perspective and style. <P1-S5> The audience is left with the duty of piecing the films together, which Belvaux avoided, since editing the three films into one single narrative would have resulted in a very long film with no style of its own. <SEP> <P2-S0> Ismail Merchant( born Ismail Noor Muhammad Abdul Rahman; 25 December 1936 – 25 May 2005) was an Indian- born film producer and director. <P2-S1> He worked for many years in collaboration with Merchant Ivory Productions which included director( and Merchant's longtime professional and domestic partner) <P2-S2> James Ivory as well as screenwriter Ruth Prawer Jhabvala. <P2-S3> Their films won six Academy Awards. <SEP> <P3-S0> Après la vie <P3-S1> ( After the Life; also known in UK as Trilogy: Three) is a 2002 Lucas Belvaux film with his own script. <P3-S2> It is the final installment of a series" Trilogy", which constitutes a melodrama preceded by" Un couple épatant", a comedy and" Cavale", a thriller. <P3-S3> Belvaux referred in the DVD commentary that main idea behind" Trilogy" is that the main characters in a particular story are the secondary characters of others, in such sense the three films happen at the same time and share a series of common scenes and plot points, complementing each other, but also have their own perspective and style. <P3-S4> The audience is left with piecing the films together, which Belvaux avoided, since editing the three films into one single narrative would have resulted in a very long film with no style of its own. <SEP> <P4-S0> The Proprietor is a 1996 film. <P4-S1> It is a U.S.- French co-production Merchant Ivory film, directed by Ismail Merchant for Jeanne Moreau's request. <SEP> <P5-S0> Un couple épatant( also known as Trilogy: Two) is a 2002 French- Belgian film written and directed by Lucas Belvaux. <P5-S1> This is the first installment of a series" Trilogy", which constitutes a comedy followed by" One: On the run", a thriller and" Three: After life", a melodrama. <P5-S2> In Uk the distribution company altered the order of the trilogy placing the second film as the first one. <P5-S3> Belvaux referred in the DVD commentary that main idea behind" Trilogy" is that the main characters in a particular story are the secondary characters of others, in such sense the three films happen at the same time and share a series of common scenes and plot points, complementing each other, but also have their own perspective and style. <P5-S4> The audience is left with piecing the films together, which Belvaux avoided, since editing the three films into one single narrative would have resulted in a very long film with no style of its own.