Question: Are both directors of films Ban Geum-Ryeon and Sissi – The Young Empress from the same country?

<P0-S0> Sissi – The Young Empress  is a 1956 Austrian film directed by Ernst Marischka and starring Romy Schneider, Karlheinz Böhm, Magda Schneider, Uta Franz, Gustav Knuth, Vilma Degischer and Josef Meinrad. <P0-S1> It was entered into the 1957 Cannes Film Festival. <P0-S2> It is the second film in the "Sissi" trilogy, following "Sissi" and preceding "Sissi – Fateful Years of an Empress". <SEP> <P1-S0> Ernst Marischka (2 January 1893 – 12 May 1963) was an Austrian screenwriter and film director. <P1-S1> He wrote for 93 films between 1913 and 1962. <P1-S2> He also directed 29 films between 1915 and 1962. <P1-S3> He wrote and directed the Sissi trilogy - "Sissi" (1955), "Sissi - The Young Empress" (1956) and "Sissi - Schicksalsjahre einer Kaiserin" (1957). <P1-S4> The films were based on the life of Empress Elisabeth of Austria. <P1-S5> He was the brother of Hubert Marischka. <P1-S6> He was named for the Academy Award for Best Original Screenplay in 1946, for "A Song to Remember" (1945). <SEP> <P2-S0> Ban Geum-ryeon (also known as "The Story of Pan Jinlian") is a 1982 South Korean film directed by Kim Ki-young, based upon Jin Ping Mei. <P2-S1> Filmed in 1975, the film was banned at the time, and 40 minutes of footage had been censored when it was finally released. <SEP> <P3-S0> Kim Ki-young (October 10, 1919 – February 5, 1998) was a South Korean film director, known for his intensely psychosexual and melodramatic horror films, often focusing on the psychology of their female characters. <P3-S1> Kim was born in Seoul during the colonial period, raised in Pyongyang, where he became interested in theater and cinema. <P3-S2> In Korea after the end of World War II, he studied dentistry while becoming involved in the theater. <P3-S3> In 1955, he used discarded movie equipments to produce his first two films. <P3-S4> Kim Ki-young's first expression of his mature style was in his "The Housemaid" (1960), which featured a powerful "femme fatale" character. <P3-S5> It is widely considered to be one of the best Korean films of all time. <P3-S6> After a "Golden Age" during the 1960s, the 1970s were a low-point in the history of Korean cinema because of governmental censorship and a decrease in audience attendance. <P3-S7> Nevertheless, working independently, Kim produced some of his most eccentric cinematic creations in this era. <P3-S8> Widespread international interest in his work was stimulated by a career retrospective at the 1997 Pusan International Film Festival. <P3-S9> The Berlin International Film Festival gave Kim a posthumous retrospective in 1998, and the French Cinémathèque screened 18 of Kim's films, some newly rediscovered and restored, in 2006. <P3-S10> Through the efforts of the Korean Film Council (KOFIC), previously lost films by Kim Ki-young continue to be rediscovered and restored. <P3-S11> Im <P3-S12> Sang-soo, Kim Ki-duk, Bong Joon-ho and Park Chan-wook, claim Kim Ki-young as an influence on their careers. <SEP> <P4-S0> Lee Hwa-si (born July 22, 1951) is a South Korean actress. <P4-S1> While Lee was attending Dongguk University with a major in Korean literature, she was cast to star in "Ban Geum-ryeon" directed by Kim Ki-young. <P4-S2> Lee is commonly referred to as director Kim Ki-young's persona due to her frequent appearances in Kim's films during the 1970s. <P4-S3> Lee's acting in "Iodo" (1977) especially is regarded as a good example to present her own character. <P4-S4> However, from onwards, Lee's career went down and Lee retired. <SEP> <P5-S0> Mr. Right is a 2009 British film directed by David Morris and Jacqui Morris. <P5-S1> The jointly- made gay- themed film is the debut for both directors.