Question: Which film has the director who was born earlier, A Song For Tomorrow or Susan And God?

<P0-S0> George Dewey Cukor( July 7, 1899 – January 24, 1983) was an American film director. <P0-S1> He mainly concentrated on comedies and literary adaptations. <P0-S2> His career flourished at RKO when David O. Selznick, the studio's Head of Production, assigned Cukor to direct several of RKO's major films, including" What Price Hollywood?"( 1932)," A Bill of Divorcement"( 1932)," Our Betters"( 1933), and" Little Women"( 1933). <P0-S3> When Selznick moved to MGM in 1933, Cukor followed and directed" Dinner at Eight"( 1933) and" David Copperfield"( 1935) for Selznick and" Romeo and Juliet"( 1936) and" Camille"( 1936) for Irving Thalberg. <P0-S4> He was replaced as the director of" Gone with the Wind"( 1939), but he went on to direct" The Philadelphia Story"( 1940)," Gaslight"( 1944)," Adam's Rib"( 1949)," Born Yesterday"( 1950)," A Star Is Born"( 1954)," Bhowani Junction"( 1956), and won the Academy Award for Best Director for" My Fair Lady"( 1964). <P0-S5> He continued to work into the 1980s. <SEP> <P1-S0> A Song for Tomorrow is a 1948 second feature drama film directed by Terence Fisher in his directorial debut. <P1-S1> It stars Evelyn Maccabe and Ralph Michael. <P1-S2> The screenplay concerns a World War II fighter pilot who suffers amnesia. <P1-S3> It was made at Highbury Studios as a second feature. <SEP> <P2-S0> Tootsie Duvall( sometimes credited as Susan Duvall or Susan" Tootsie" Duvall) is an American film, theatre and television actress. <SEP> <P3-S0> Terence Fisher( 23 February 1904 – 18 June 1980) was a British film director best known for his work for Hammer Films. <P3-S1> He was the first to bring gothic horror alive in full colour, and the sexual overtones and explicit horror in his films, while mild by modern standards, were unprecedented in his day. <P3-S2> His first major gothic horror film was" The Curse of Frankenstein"( 1957), which launched Hammer's association with the genre and made British actors Peter Cushing and Christopher Lee leading horror stars of the era. <P3-S3> He went on to film several adaptations of classic horror subjects, including" Dracula"( 1958)," The Mummy"( 1959), and" The Curse of the Werewolf"( 1961). <P3-S4> Given their subject matter and lurid approach, Fisher's films, though commercially successful, were largely dismissed by critics during his career. <P3-S5> It is only in recent years that Fisher has become recognised as an" auteur" in his own right. <P3-S6> His most famous films are characterised by a blend of fairytale myth and the supernatural alongside themes of sexuality, morality, and ‘ the charm of evil ’. <P3-S7> Drawing heavily on a Christian conservative outlook, there is often a hero who defeats the powers of darkness by a combination of faith in God and reason, in contrast to other characters, who are either blindly superstitious or bound by cold, godless rationalism. <P3-S8> For detailed discussions of Fisher's work, see" Terence Fisher: Horror, Myth, and Religion" by Paul Leggett( McFarland and Co, 2002)," British Film Makers: Terence Fisher" by Peter Hutchings( Manchester University Press, 2013), and" The Films of Terence Fisher: Hammer Horror and Beyond" by Wheeler Winston Dixon( Auteur Publishing, 2017). <SEP> <P4-S0> Ben Palmer is a British film and television director who is known for being the director of" Bo' Selecta" and" The Inbetweeners". <SEP> <P5-S0> Susan and God is a 1940 American comedy- drama film released by Metro- Goldwyn- Mayer directed by George Cukor and starring Joan Crawford and Fredric March. <P5-S1> The screenplay was written by Anita Loos and was based upon a 1937 play by Rachel Crothers. <P5-S2> The supporting cast features Rita Hayworth and Nigel Bruce. <P5-S3> The film follows the story of a society matron whose new- found religious fervor changes the relationships around her.