Question: Do director of film God'S Gift To Women and director of film Aldri Annet Enn Bråk share the same nationality?

<P0-S0> Aldri annet enn bråk is a 1954 Norwegian comedy- drama film, edited by Edith Carlmar. <P0-S1> It takes place in a working- class setting in the city of Oslo. <P0-S2> The English title is" Nothing but trouble". <P0-S3> A 1955 Danish remake," Altid ballade", was directed by Gabriel Axel. <SEP> <P1-S0> God's Gift to Women is a 1931 American pre-Code romantic musical comedy film directed by Michael Curtiz, starring Frank Fay, Laura LaPlante, and Joan Blondell. <P1-S1> The film, based on the play" The Devil Was Sick" by Jane Hinton, was originally completed as a musical film; however, because of audience dislike for musicals at that time, all the songs were cut in American prints. <P1-S2> The full film was released intact in other countries, where there was no such decline in popularity. <SEP> <P2-S0> Ian Barry is an Australian director of film and TV. <SEP> <P3-S0> Altid ballade <P3-S1> ( English:" Nothing but trouble") is a 1955 Danish drama film directed by Gabriel Axel which focuses on a working- class family. <P3-S2> The film was a remake of Edith Carlmar's 1954 film" Aldri annet enn bråk", and Axel's début as a film director. <P3-S3> Sigrid Horne- Rasmussen received a Bodil Award for Best Actress in a Leading Role for her role as Helga Nielsen. <SEP> <P4-S0> Edith Carlmar( Edith Mary Johanne Mathiesen)( 15 November 1911 – 17 May 2003) was an Norwagian actress and Norway's first female film director. <P4-S1> She is known for films such as" Fjols til fjells"( 1957)," Aldri annet enn bråk"( 1954), and" Ung flukt"( 1959). <P4-S2> Her 1949 film," Døden er et kjærtegn Death is a Caress"), is considered to be Norway's first film noir. <P4-S3> The last film she directed," Ung Flukt", introduced Liv Ullmann, Norway's most famous actor internationally, to the silver screen. <P4-S4> Carlmar came from a poor family in the working class districts of East Oslo. <P4-S5> However, she did manage to take dancing classes and made her debut on stage at the age of 15. <P4-S6> In the theater she met Otto Carlmar whom she married three years later. <P4-S7> From 1936 she worked as an actress in various theatres. <P4-S8> Here she met the film director Tancred Ibsen who introduced her to the world of cinema. <P4-S9> In 1949 she and her husband started Carlmar Film A/S, and began writing scripts, directing and producing films. <P4-S10> They made ten feature films over a ten- year period. <P4-S11> After a decade of film- making Carlmar retired as a director. <P4-S12> In the last part of her life she accepted only minor acting roles in plays and movies. <SEP> <P5-S0> Michael Curtiz (born Manó Kaminer(1886-1905) <P5-S1> Mihály Kertész (1905); December 24, 1886 April 11, 1962) was a Hungarian-born American film director, recognized as one of the most prolific directors in history. <P5-S2> He directed classic films from the silent era and numerous others during Hollywood's Golden Age, when the studio system was prevalent. <P5-S3> Curtiz was already a well-known director in Europe when Warner Bros. invited him to Hollywood in 1926, when he was 39 years of age. <P5-S4> He had already directed 64 films in Europe, and soon helped Warner Bros. become the fastest-growing movie studio. <P5-S5> He directed 102 films during his Hollywood career, mostly at Warners, where he directed ten actors to Oscar nominations. <P5-S6> James Cagney and Joan Crawford won their only Academy Awards under Curtiz's direction. <P5-S7> He put Doris Day and John Garfield on screen for the first time, and he made stars of Errol Flynn, Olivia de Havilland, and Bette Davis. <P5-S8> He was versatile and could handle any kind of picture: melodrama, comedy, love story, film noir, musical, war story, Western, or historical epic. <P5-S9> He always paid attention to the human-interest aspect of every story, stating that the "human and fundamental problems of real people" were the basis of all good drama. <P5-S10> Curtiz helped popularize the classic swashbuckler with films such as "Captain Blood" (1935) and "The Adventures of Robin Hood" (1938). <P5-S11> He directed leading musicals, including "Yankee Doodle Dandy" (1942), " <P5-S12> This Is the Army" (1943), and "White Christmas", and he made comedies with "Life With Father" (1947) and "We're No Angels" (1955).