Question: Are both director of film The Gorgon and director of film Song For Marion from the same country?

<P0-S0> Peter Levin is an American director of film, television and theatre. <SEP> <P1-S0> Song for Marion( released in the United States as Unfinished Song) is a 2012 British- German comedy- drama film written and directed by Paul Andrew Williams and starring Terence Stamp, Gemma Arterton, Christopher Eccleston and Vanessa Redgrave. <P1-S1> The film was nominated for three awards — Best Actor, Best Screenplay, and Best Supporting Actress—at the 2012 British Independent Film Awards. <SEP> <P2-S0> Paul Andrew Williams( born 1973 in Portsmouth, England) is a British film writer and director. <P2-S1> He won the New Director's Award for his film London to Brighton in the 2006 Edinburgh International Film Festival. <SEP> <P3-S0> The Gorgon is a 1964 British horror film directed by Terence Fisher for Hammer Films. <P3-S1> It stars Peter Cushing, Christopher Lee, Barbara Shelley and Richard Pasco. <P3-S2> Written by John Gilling and directed by Terence Fisher, the film was photographed by Michael Reed, and designed by Bernard Robinson. <P3-S3> For the score James Bernard combined a soprano with a little- known electronic instrument called the Novachord. <P3-S4> The film marks one of the few occasions when Hammer turned to Greek mythology for inspiration; this time it is the legend of the Gorgon that is respun for the Hammer audiences. <SEP> <P4-S0> Terence Fisher( 23 February 1904 – 18 June 1980) was a British film director best known for his work for Hammer Films. <P4-S1> He was the first to bring gothic horror alive in full colour, and the sexual overtones and explicit horror in his films, while mild by modern standards, were unprecedented in his day. <P4-S2> His first major gothic horror film was" The Curse of Frankenstein"( 1957), which launched Hammer's association with the genre and made British actors Peter Cushing and Christopher Lee leading horror stars of the era. <P4-S3> He went on to film several adaptations of classic horror subjects, including" Dracula"( 1958)," The Mummy"( 1959), and" The Curse of the Werewolf"( 1961). <P4-S4> Given their subject matter and lurid approach, Fisher's films, though commercially successful, were largely dismissed by critics during his career. <P4-S5> It is only in recent years that Fisher has become recognised as an" auteur" in his own right. <P4-S6> His most famous films are characterised by a blend of fairytale myth and the supernatural alongside themes of sexuality, morality, and ‘ the charm of evil ’. <P4-S7> Drawing heavily on a Christian conservative outlook, there is often a hero who defeats the powers of darkness by a combination of faith in God and reason, in contrast to other characters, who are either blindly superstitious or bound by cold, godless rationalism. <P4-S8> For detailed discussions of Fisher's work, see" Terence Fisher: Horror, Myth, and Religion" by Paul Leggett( McFarland and Co, 2002)," British Film Makers: Terence Fisher" by Peter Hutchings( Manchester University Press, 2013), and" The Films of Terence Fisher: Hammer Horror and Beyond" by Wheeler Winston Dixon( Auteur Publishing, 2017). <SEP> <P5-S0> Ian Barry is an Australian director of film and TV.