Question: In which city was the Symphony for Classical Orchestra in B-flat major completed by Harold Shapero who undoubtedly derived a fair amount from the American composer, teacher and writer known as the 'Dean of American Composers'?

<P0-S0> Harold Shapero completed the Symphony for Classical Orchestra in B-flat major on March 10, 1947, in Newton Centre, Massachusetts. <P0-S1>  It is written for an orchestra consisting of piccolo, 2 flutes, 2 oboes, 2 clarinets in B-flat, 2 bassoons, contrabassoon, 2 horns in F, 2 trumpets in C, 2 tenor trombones and one bass (silent until the Finale), timpani and strings. <P0-S2>  Although labelled "Classical," many of the work's features point to Beethoven rather than Haydn or Mozart, such as "the way in which Shapero paces himself, alternating long passages in the tonic and the dominant, with fast, dramatic modulations often reserved for transitions and developments." <P0-S3>  Nicolas Slonimsky remarked on how the piece is "premeditatedly cast in the proclamatory key of B-flat major, the natural tonality of the bugle, and ending in a display of tonic major triads." <P0-S4>  But there are modern features as well, with "the work's orchestration, in general, ... distinctively bright and brassy, and undoubtedly derived a fair amount from Piston and Copland, as well as from the composer's experience as a dance band arranger." <SEP> <P1-S0> Amy Marcy Cheney Beach (September 5, 1867December 27, 1944) was an American composer and pianist. <P1-S1>  She was the first successful American female composer of large-scale art music. <P1-S2>  Her "Gaelic" Symphony, premiered by the Boston Symphony Orchestra in 1896, was the first symphony composed and published by an American woman. <P1-S3>  She was one of the first American composers to succeed without the benefit of European training, and one of the most respected and acclaimed American composers of her era. <P1-S4>  As a pianist, she was acclaimed for concerts she gave featuring her own music in the United States and in Germany. <SEP> <P2-S0> Aaron Copland ( ; November 14, 1900December 2, 1990) was an American composer, composition teacher, writer, and later a conductor of his own and other American music. <P2-S1>  Copland was referred to by his peers and critics as "the Dean of American Composers." <P2-S2>  The open, slowly changing harmonies in much of his music are typical of what many people consider to be the sound of American music, evoking the vast American landscape and pioneer spirit. <P2-S3>  He is best known for the works he wrote in the 1930s and 1940s in a deliberately accessible style often referred to as "populist" and which the composer labeled his "vernacular" style. <P2-S4>  Works in this vein include the ballets "Appalachian Spring", "Billy the Kid" and "Rodeo", his "Fanfare for the Common Man" and Third Symphony. <P2-S5>  In addition to his ballets and orchestral works, he produced music in many other genres including chamber music, vocal works, opera and film scores. <SEP> <P3-S0> Stephen Paulus (August 24, 1949 – October 19, 2014) was a Grammy winning American composer, best known for his operas and choral music. <P3-S1>  His best-known piece is his 1982 opera "The Postman Always Rings Twice", one of several operas he composed for the Opera Theatre of St. Louis, which prompted "The New York Times" to call him "a young man on the road to big things". <P3-S2>  His style is essentially tonal, and melodic and romantic by nature. <P3-S3>  He received grants from the National Endowment for the Arts and Guggenheim Foundation and won the prestigious Kennedy Center Friedheim Prize. <P3-S4>  He was commissioned by such notable organizations as the Minnesota Opera, the Chamber Music Society of Lincoln Center, Opera Theatre of Saint Louis, the Saint Louis Chamber Chorus, the American Composers Orchestra, the Dale Warland Singers, the Harvard Glee Club and the New York Choral Society. <P3-S5>  Paulus was a passionate advocate for the works and careers of his colleagues. <P3-S6>  He co-founded the American Composers Forum in 1973, the largest composer service organization in the U.S., and served as the Symphony and Concert Representative on the ASCAP Board of Directors from 1990 until his death (from complications following a stroke in July 2013) in 2014.