Question: What is the Chinese name of the Tibetan tenor that performs with a New York-based entertainment company that translates its name as "the beauty of devine beings dancing"?

<P0-S0> The Ongkor Festival (Tibetan: འོང་སྐོར་, Wylie: 'ong skor, or "Serkor" (སེར་སྐོར་) in some dialects) is one of most important Tibetan festival of the Tibetan lunar year. <P0-S1>  Ongkor is usually in the end of summer. <P0-S2>  Meaning of the festival is "good wish for harvest", literally "make circle around the field". <P0-S3>  During this festival, one person from each family in village participate on kora in the fields. <P0-S4>  People in procession dress traditional clothes and play different roles - warriors, riders, drummers and prayers or monks. <P0-S5>  In some region performs Tibetan opera, drummer dance and horse racing. <P0-S6>  During this festival, people can see many different disciplines of traditional Tibetan singing, dancing, art of debate, dreesing and praying. <SEP> <P1-S0> Tashi Dorje (also known as Yuan Qu) (born 29 November 1966) is a Tibetan tenor trained in Italian opera. <P1-S1>  He performs as a soloist with Shen Yun Performing Arts under his Chinese name, "Yuan Qu." <P1-S2>  Dorje was born in Chamdo, Eastern Tibet. <SEP> <P2-S0> The Bureau of Buddhist and Tibetan Affairs, or Xuanzheng Yuan () was a government agency and top-level administrative department set up in Khanbaliq (modern Beijing) that supervised Buddhist monks in addition to managing the territory of Tibet during the Yuan dynasty (1271-1368) established by Kublai Khan. <P2-S1>  It was originally set up in 1264 as an autonomous office named Zongzhi Yuan () or the Bureau of General Regulation, before it was renamed in 1288, which was named after the Xuanzheng Hall where Tibetan envoys were received in the Tang dynasty. <P2-S2>  In the Mongol Empire, Tibet was managed by the Bureau of Buddhist and Tibetan Affairs, separate from the other provinces of the Yuan dynasty such as those governed the former Song dynasty of China, but still under the administrative rule of the Yuan. <P2-S3>  While no modern equivalents remain, the political functions of the Bureau of Buddhist and Tibetan Affairs might have been analogous to the India Office in London during the British Raj. <P2-S4>  Besides holding the title of Imperial Preceptor or Dishi, Drogön Chögyal Phagpa, the fifth leader of the Sakya school of Tibetan Buddhism, was concurrently named the director of the Bureau of Buddhist and Tibetan Affairs. <P2-S5>  One of the department's purposes was to select a "dpon-chen" ('great administrator', a civilian administrator who governed Tibet when Sakya Lama was away), usually appointed by the lama and confirmed by the Mongol emperor in Beijing. <P2-S6>  Tibetan Buddhism was not only practiced within the capital Beijing but throughout the country. <P2-S7>  Apart from Tibetan affairs, the Bureau of Buddhist and Tibetan Affairs managed the entire Buddhist clergy throughout the realm (whether they were Han Chinese, Tibetan or Korean etc.), and supervised all temples, monasteries, and other Buddhist properties in the empire, at least in name. <P2-S8>  According to scholar Evelyn Rawski, it supervised 360 Buddhist monasteries. <P2-S9>  To emphasize its importance for Hangzhou, capital of the former Southern Song dynasty and the largest city in the Yuan realm, a branch (行, "Xing", "acting") Xuanzheng Yuan was established in that city in 1291, although Tibetan Buddhism took public or official precedence over Han Chinese Buddhism. <SEP> <P3-S0> Shen Yun Performing Arts is a performing-arts and entertainment company formed in New York City. <P3-S1>  It performs classical Chinese dance, ethnic and folk dance, and story-based dance, with orchestral accompaniment and solo performers. <P3-S2>  The Shen Yun website translates the phrase "shen yun" as "the beauty of divine beings dancing".