Question: Which film has the director who is older, Those Magnificent Men In Their Flying Machines or I, The Worst Of All?

<P0-S0> I, the Worst of All is an Argentinian film directed by María Luisa Bemberg. <P0-S1> The film was released in 1990 and is a biopic on the life of Juana Inés de la Cruz. <P0-S2> It was based on Octavio Paz's" Sor Juana: Or, the Traps of Faith". <P0-S3> The film premiered at the 47th Venice International Film Festival where it received the OCIC Award- Honorable Mention. <P0-S4> The film was selected as the Argentine entry for the Best Foreign Language Film at the 63rd Academy Awards, but was not accepted as a nominee. <SEP> <P1-S0> Those Magnificent Men in their Flying Machines; Or, How I Flew from London to Paris in 25 Hours 11 Minutes is a 1965 British period comedy film featuring an international ensemble cast including Stuart Whitman, Sarah Miles, Robert Morley, Terry-Thomas, James Fox, Red Skelton, Benny Hill, Jean-Pierre Cassel, Gert Fröbe and Alberto Sordi. <P1-S1> The film, revolving around the craze of early aviation, was directed and co-written by Ken Annakin, with a musical score by Ron Goodwin. <P1-S2> Based on a screenplay entitled "Flying Crazy", the fictional account is set in 1910, when Lord Rawnsley, an English press magnate, offers £10,000  to the winner of the "Daily Post" air race from London to Paris, to prove that Britain is "number one in the air". <SEP> <P2-S0> María Luisa Bemberg( April 14, 1922 – May 7, 1995) was an Argentine film writer, director and actress; one of the first Argentine women film directors with a powerful presence in the intellectual world of Argentina of 1970- 1990. <P2-S1> In her work, she specialized in portraying famous Argentinian women and the Argentine upper class. <P2-S2> Bemberg also focused on feminism, with regard to the gender debate and cinematic gaze. <P2-S3> Bemberg is arguably Argentina ’s foremost female director. <SEP> <P3-S0> Kenneth Cooper" Ken" Annakin, OBE( 10 August 1914 – 22 April 2009) was a prolific English film director. <P3-S1> His career spanned half a century, beginning in the early 1940s and ending in 2002. <P3-S2> His career peaked in the 1960s with large- scale adventure films and in all he directed nearly 50 pictures. <SEP> <P4-S0> Until 1957, Whitman had a streak working in mostly bit parts in films directed by notable directors. <P4-S1> Whitman now an established actor, continued acting in both film and television from 1962 to 1972. <P4-S2> Afterwards, Whitman started studying acting and appearing in plays. <P4-S3> From that point to 1987, Whitman would regularly appear on the major television show of that time period some of these includes" The Streets of San Francisco, Love, American Style, Quincy, M.E., The Hardy Boys/ Nancy Drew Mysteries, The Hardy Boys/ Nancy Drew Mysteries, Knight Rider, Matt Houston," among many others. <P4-S4> The second, in 1994, was Chuck Norris'" Walker, Texas Ranger" episode" The Reunion". <P4-S5> Whitman played major roles in a large variety of genres. <P4-S6> In 1972, Whitman acted in the horror film" Night of the Lepus." <P4-S7> During this time he appeared in many genre films including Fred Williamson's" Mean Johnny Barrows," Jonathan Demme's" Crazy Mama," several collaboration with director René Cardona Jr., etc. <P4-S8> On television Whitman guest starred in series such as" Dr. Christian The Roy Rogers ShowDeath Valley Days" and also had a recurring role on" Highway Patrol." <P4-S9> In 1988, aired the first season of" Superboy", the comic book adaptation lasted until 1992. <P4-S10> These are William A. Wellman's" Darby's Rangers"( 1958), Frank Borzage's" China Doll"( 1958), Philip Dunne's" Ten North Frederick"( 1958) Andrew L. Stone's" The Decks Ran Red"( 1958), Don Siegel's" Hound- Dog Man"( 1959), Richard Fleischer's" These Thousand Hills"( 1959), Henry Koster's" The Story of Ruth"( 1960), Stuart Rosenberg's directorial credit shared with Burt Balagan for" Murder, Inc.," Michael Curtiz's" The Comancheros"( 1961), and Guy Green's" The Mark( 1961)" for which he was nominated for Best Actor. <P4-S11> In 1951, he had a bit roles in the films Rudolph Maté's" When Worlds Collide" and Robert Wise's" The Day the Earth Stood Still". <P4-S12> During this time, he acted twice in two hour western specials. <P4-S13> Whitman was born in San Francisco, and raised in New York until the age of twelve. <P4-S14> Stuart Maxwell Whitman( born February 1, 1928) is an American film and television actor, known for his lengthy career in both media. <SEP> <P5-S0> Monte Carlo or Bust! is a 1969 British/ French/ Italian co-production comedy film, also known by its American title, Those Daring Young Men in Their Jaunty Jalopies. <P5-S1> The story is based on the Monte Carlo Rally – first raced in 1911 – and the film recalls this general era, set in the 1920s. <P5-S2> A lavish all- star film( Paramount put$ 10 million behind it), it is the story of an epic car rally across Europe that involves a lot of eccentric characters from all over the world who will stop at nothing to win. <P5-S3> The film is a sequel to the 1965 hit" Those Magnificent Men in their Flying Machines". <P5-S4> Terry- Thomas appeared as Sir Cuthbert Ware- Armitage, the equally dastardly son of the Sir Percy Ware- Armitage, which Thomas had played in the earlier film. <P5-S5> Some others of the cast from the first film returned, including Gert Fröbe and Eric Sykes. <P5-S6> Like the earlier film, it was written by Ken Annakin and Jack Davies and directed by Annakin, with music by Ron Goodwin. <P5-S7> The title tune is performed by Jimmy Durante. <P5-S8> The credits sequence animation was the work of Ronald Searle, who was also featured in Annakin's earlier" Those Magnificent Men in their Flying Machines". <P5-S9> Tony Curtis and Susan Hampshire played other contestants in the race; Curtis also starred in the similar period- piece comedy" The Great Race"( 1965) from Warner Bros. <P5-S10> The film was originally intended to be called" Rome or Bust". <P5-S11> The American distributors Paramount Pictures re-titled it" Those Daring Young Men in Their Jaunty Jalopies" to tie it to Annakin's 1965 film; re-editing also meant cuts, up to a half- hour, from the original UK release.