Question: Are the directors of both films 2046 (Film) and Hason Raja (2017 Film) from the same country?

<P0-S0> Wong Kar- wai( born 17 July 1958) is a Chinese film director. <P0-S1> His art films are characterised by nonlinear narratives, atmospheric music, and vivid cinematography involving bold, saturated colours. <P0-S2> A pivotal figure of Hong Kong cinema, Wong has a considerable influence on filmmaking with his trademark personal, unconventional approach, and his films frequently appear on best- of lists domestically and internationally. <P0-S3> Born in Shanghai in 1958, Wong moved to Hong Kong with his family when he was five. <P0-S4> He began a career as a screenwriter for soap operas before transitioning to directing with his debut, the crime drama" As Tears Go By"( 1988). <P0-S5> While" As Tears Go By" was fairly successful in Hong Kong, Wong moved away from the contemporary trend of crime and action movies to embark on more personal filmmaking styles. <P0-S6> " Days of Being Wild"( 1990), his first venture into such direction, did not perform well at the box office. <P0-S7> It however received critical acclaim, and won Best Film and Best Director at the 1991 Hong Kong Film Awards. <P0-S8> His next film," Ashes of Time"( 1994), was met with mixed reception because of its vague plot and atypical take on the wuxia genre. <P0-S9> The production of" Ashes of Time" was time- consuming and left Wong exhausted; he subsequently directed" Chungking Express"( 1994) with hopes of reconciling with filmmaking. <P0-S10> The film, expressing a more lighthearted atmosphere, catapulted Wong to international prominence, and won Best Film and Best Director at the 1995 Hong Kong Film Awards. <P0-S11> Wong consolidated his worldwide reputation with the 1997 drama" Happy Together", for which he won Best Director at the Cannes Film Festival. <P0-S12> The 2000 drama" In the Mood for Love", revered for its lush visuals and subtle storytelling, concretely established Wong's trademark filmmaking styles. <P0-S13> Among his other work are" 2046"( 2004) and" The Grandmaster"( 2013), both of which received awards and nominations worldwide. <SEP> <P1-S0> I Want Your <P1-S1> Love is the title of both a 2010 short film and a 2012 feature- length film. <P1-S2> Both films were directed and written by Travis Mathews. <P1-S3> The drama films both revolve around the friends and ex-lovers of Jesse Metzger, a gay man in his mid-thirties who is forced to move back to his hometown from San Francisco due to financial reasons. <P1-S4> The actors' own names, along with much of their real- life stories, were used for their characters in both films, which features graphic sexual scenes. <P1-S5> The production of both films was aided by the gay pornographic studio NakedSword. <P1-S6> This led to the full- length film being refused exemption from classification, which would have allowed it to screen at the Melbourne Queer Film Festival, a decision to which actor James Franco( who invited Mathews to collaborate on Franco's film" Interior. Leather Bar.") reacted negatively. <SEP> <P2-S0> Hason Raja is a Bangladeshi feature film directed by renowned British Bengali filmmaker Ruhul Amin, starring Mithun Chakraborty along with Raima Sen. <P2-S1> The first look of the film was launched on 28 February 2017. <SEP> <P3-S0> Masum Reza is a Bangladeshi playwright, television drama and stage play director. <P3-S1> He is best known for writing the screenplay of the television drama serial" Ronger Manush"( 2004). <P3-S2> In 2016, he won Bangla Academy Literary Award in the drama category. <P3-S3> He wrote screenplay for films including" Meghla Akash"( 2002)," Molla Barir Bou"( 2005)," Bapjaner Bioscope"( 2015) and" Hason Raja"( 2017). <P3-S4> In 2010, he published two novels. <SEP> <P4-S0> Ruhul Amin( born 1971) is a Bangladeshi- born British film director. <SEP> <P5-S0> 2046 is a 2004 Hong Kong romantic drama film written and directed by Wong Kar-wai. <P5-S1> It is a loose sequel to Wong's films" Days of Being Wild"( 1990) and" In the Mood for Love"( 2000). <P5-S2> It follows the aftermath of Chow Mo-wan's unconsummated affair with Su Li-zhen in 1960s Hong Kong but also includes some science fiction elements and makes frequent references to the date of December 24 or Christmas Eve, on which many significant events in the film occur.