Question: Do both films: Galloping Fury and Servant's Entrance have the directors from the same country?

<P0-S0> Galloping Fury is a lost 1927 silent film western directed by B. Reeves Eason and starring Hoot Gibson. <P0-S1> It was produced and distributed by Universal Pictures. <SEP> <P1-S0> There are two parts of the film: the first part and the second part. <P1-S1> Both parts have the same staff and the same actors. <SEP> <P2-S0> Servant's Entrance( Swedish: Vi som går köksvägen) is a 1932 Swedish comedy film directed by Gustaf Molander and starring Carl Barcklind, Tutta Rolf and Bengt Djurberg. <P2-S1> The film's art direction was by Arne Åkermark. <SEP> <P3-S0> I Want Your <P3-S1> Love is the title of both a 2010 short film and a 2012 feature- length film. <P3-S2> Both films were directed and written by Travis Mathews. <P3-S3> The drama films both revolve around the friends and ex-lovers of Jesse Metzger, a gay man in his mid-thirties who is forced to move back to his hometown from San Francisco due to financial reasons. <P3-S4> The actors' own names, along with much of their real- life stories, were used for their characters in both films, which features graphic sexual scenes. <P3-S5> The production of both films was aided by the gay pornographic studio NakedSword. <P3-S6> This led to the full- length film being refused exemption from classification, which would have allowed it to screen at the Melbourne Queer Film Festival, a decision to which actor James Franco( who invited Mathews to collaborate on Franco's film" Interior. Leather Bar.") reacted negatively. <SEP> <P4-S0> William Reeves Eason( October 2, 1886 – June 9, 1956), known as B. Reeves Eason, was an American film director, actor and screenwriter. <P4-S1> His directorial output was limited mainly to low- budget westerns and action pictures, but it was as a second- unit director and action specialist that he was best known. <P4-S2> He was famous for staging spectacular battle scenes in war films and action scenes in large- budget westerns, but he acquired the nickname" Breezy" for his" breezy" attitude towards safety while staging his sequences — during the famous cavalry charge at the end of" Charge of the Light Brigade"( 1936), so many horses were killed or injured so severely that they had to be euthanized that both the public and Hollywood itself were outraged, resulting in the selection of the American Humane Society by the beleaguered studios to provide representatives on the sets of all films using animals to ensure their safety. <SEP> <P5-S0> Gustaf Harald August Molander( 18 November 1888 – 19 June 1973) was a Swedish actor and film director. <P5-S1> His parents were director Harald Molander, Sr.( 1858–1900) and singer and actress Lydia Molander," née" Wessler, and his brother was director Olof Molander( 1892 – 1966). <P5-S2> He was the father of director and producer Harald Molander from his first marriage to actress Karin Molander and father to actor Jan Molander from his second marriage to Elsa Fahlberg( 1892- 1977). <P5-S3> Gustaf Molander was born in Helsingfors( now Helsinki) in the Grand Duchy of Finland( in the Russian Empire), where his father was working at the Swedish Theatre. <P5-S4> He studied in the school of the Royal Dramatic Theatre in Stockholm 1907 – 1909, acted at the Swedish theatre in Helsingfors 1909 – 1913, and then at the Royal Dramatic Theatre from 1913 – 1926. <P5-S5> The last years there he headed the school; his students included Greta Garbo. <P5-S6> Molander wrote several screenplays for Victor Sjöström and Mauritz Stiller, and was helped by the latter to get employment as a director for Svensk Filmindustri, where he worked 1923 – 1956. <P5-S7> All in all, he directed sixty- two films. <P5-S8> He often worked with Gösta Ekman, and his films include" Intermezzo"( 1936), which became Ingrid Bergman's breakthrough and paved her way to America, where she starred in the 1939 Hollywood remake of the film.