Question: Do both films: Ben-Hur (1959 film) and Rule No. 1 have the directors from the same country?

<P0-S0> Ben- Hur is a 1959 American epic historical drama film directed by William Wyler, produced by Sam Zimbalist, and starring Charlton Heston as the title character. <P0-S1> A remake of, it was adapted from Lew Wallace's 1880 novel. <P0-S2> The screenplay is credited to Karl Tunberg, but includes contributions from Maxwell Anderson, S. N. Behrman, Gore Vidal, and Christopher Fry. <P0-S3> " Ben- Hur" had the largest budget($ 15.175 million), as well as the largest sets built of any film produced at the time. <P0-S4> Costume designer Elizabeth Haffenden oversaw a staff of 100 wardrobe fabricators to make the costumes, and a workshop employing 200 artists and workmen provided the hundreds of friezes and statues needed in the film. <P0-S5> Filming commenced on May 18, 1958, and wrapped on January 7, 1959, with shooting lasting for 12 to 14 hours a day and six days a week. <P0-S6> Pre-production began in Italy at Cinecittà around October 1957, and post-production took six months. <P0-S7> Under cinematographer Robert L. Surtees, executives at Metro- Goldwyn- Mayer made the decision to produce the film in a widescreen format, which Wyler strongly disliked. <P0-S8> Over 200 camels and 2,500 horses were used in the shooting of the film, with some 10,000 extras. <P0-S9> The sea battle was filmed using miniatures in a huge tank on the back lot at the MGM Studios in Culver City, California. <P0-S10> The nine- minute chariot race has become one of cinema's most famous action sequences, and the score, composed and conducted by Miklós Rózsa, is the longest ever composed for a film, and was highly influential on cinema for over 15 years. <P0-S11> Following a$ 14.7 million marketing effort," Ben- Hur" premiered at Loew's State Theatre in New York City on November 18, 1959. <P0-S12> It was the fastest- grossing, as well as the highest- grossing film of 1959, becoming the second highest- grossing film in history at the time, after" Gone with the Wind". <P0-S13> In 2004, the National Film Preservation Board selected" Ben- Hur" for preservation by the National Film Registry of the Library of Congress for being" culturally, historically, or aesthetically significant". <SEP> <P1-S0> Rule# 1 is a 2008 Hong Kong horror film directed by Kelvin Tong and starring Shawn Yue, Ekin Cheng, Stephanie Che and Fiona Xie. <SEP> <P2-S0> Martha Ellen Scott( September 22, 1912 – May 28, 2003) was an American actress. <P2-S1> She was featured in major films such as Cecil B. DeMille's" The Ten Commandments"( 1956), and William Wyler's" Ben- Hur"( 1959), playing the mother of Charlton Heston's character in both films. <P2-S2> She originated the role of Emily Webb in Thornton Wilder's" Our Town" on Broadway in 1938 and later recreated the role in the 1940 film version for which she was nominated for the Academy Award for Best Actress. <SEP> <P3-S0> Kelvin Tong Weng Kian( Simplified Chinese: 唐永健) is a Singaporean film director, screenwriter and producer. <SEP> <P4-S0> Milo B. Lory( November 12, 1903 – December 3, 1974) was an American sound editor. <P4-S1> He was perhaps best known for his work on the film" Ben- Hur"( 1959), which earned him an Academy Award. <P4-S2> He was also nominated in the same category for his work on the film" Mutiny on the Bounty"( 1962). <SEP> <P5-S0> William Wyler (born Willi Wyler ; July 1, 1902 – July 27, 1981) was an American film director, producer and screenwriter. <P5-S1> Notable works include "Ben-Hur" (1959), "The Best Years of Our Lives" (1946), and "Mrs. Miniver" (1942), all of which won Academy Awards for Best Director, as well as Best Picture in their respective years, making him the only director of three Best Picture winners as of 2019. <P5-S2> Wyler received his first Oscar nomination for directing "Dodsworth" in 1936, starring Walter Huston, Ruth Chatterton and Mary Astor, "sparking a 20-year run of almost unbroken greatness." <P5-S3> Film historian <P5-S4> Ian Freer calls Wyler a "bona fide perfectionist", whose penchant for retakes and an attempt to hone every last nuance, "became the stuff of legend. <P5-S5> " <P5-S6> His ability to direct a string of classic literary adaptations into huge box-office and critical successes made him one of "Hollywood's most bankable moviemakers" during the 1930s and 1940s and into the '60s. <P5-S7> Through his talent for staging, editing, and camera movement, he turned dynamic theatrical spaces into cinematic ones. <P5-S8> He helped propel a number of actors to stardom, finding and directing Audrey Hepburn in her Hollywood debut film, "Roman Holiday" (1953), and directing Barbra Streisand in her debut film, "Funny Girl" (1968). <P5-S9> Both of these performances won Academy Awards. <P5-S10> He directed Olivia de Havilland to her second Oscar in "The Heiress" (1949) and Laurence Olivier in "Wuthering Heights" (1939), for his first Oscar nomination. <P5-S11> Olivier credited Wyler with teaching him how to act for the screen. <P5-S12> And Bette Davis, who received three Oscar nominations under his direction and won her second Oscar in "Jezebel" (1938), said Wyler made her a "far, far better actress" than she had ever been. <P5-S13> Other popular Wyler films include: "Hell's Heroes" (1929), "Dodsworth" (1936), "The Westerner" (1940), "The Letter" (1940), "Friendly Persuasion" (1956), "The Big Country" (1958), "The Children's Hour" (1961) and "How to Steal a Million" (1966).