Question: Which film whose director was born first, The Red Fish or Le Pont Du Nord?

<P0-S0> Le Pont du Nord is a 1981 French film directed by Jacques Rivette. <P0-S1> The film stars Bulle Ogier and her daughter Pascale Ogier. <P0-S2> It was released in France on 13 January 1982. <SEP> <P1-S0> The Red Fish( Spanish: Los peces rojos) is a 1955 Spanish thriller film directed by José Antonio Nieves Conde. and written by Carlos Blanco. <P1-S1> Original idea by Carlos Blanco. <P1-S2> Spanish film noir classic movie, praised by critics as one of the top ten Spanish films ever made. <P1-S3> It ’s a psychological thriller fueled by a remarkably intriguing premise Ivón, a chorus girl, and Hugo, a failed writer, turn up at a provincial hotel on a stormy night. <P1-S4> They have come from Madrid with Carlos, Hugo ’s son, born nineteen years earlier after a casual affair. <P1-S5> They decide to lean over the cliffs to look at the angry waves down below – and Carlos falls to his death. <SEP> <P2-S0> José Antonio Nieves Conde( 22 December 1915 in Segovia, Castilla y León, Spain – 14 September 2006) was a Spanish film maker, journalist, and screenplay writer, the director of feature films such as" SurcosFurrows"]( 1951)," AngustiaAnguish"]( 1947), and" BalarrasaReckless"]( 1950). <SEP> <P3-S0> Wale Adebanwi( born 1969) is a Nigerian- born first Black Rhodes Professor at St Antony's College, Oxford. <SEP> <P4-S0> Jacques Rivette( 1 March 1928 – 29 January 2016) was a French film director and film critic most commonly associated with the French New Wave and the film magazine" Cahiers du Cinéma". <P4-S1> Inspired by Jean Cocteau to become a filmmaker, Rivette shot his first short film at age twenty. <P4-S2> He moved to Paris to pursue his career, frequenting Henri Langlois' Cinémathèque Française and other ciné-clubs; there, he met François Truffaut, Jean- Luc Godard, Éric Rohmer, Claude Chabrol and other future members of the New Wave. <P4-S3> Rivette's articles, admired by his peers, were considered the magazine's best and most aggressive writings, particularly his 1961 article" On Abjection" and his influential series of interviews with film directors co-written with Truffaut. <P4-S4> Truffaut later credited Rivette with developing the movement. <P4-S5> Although he was the first New Wave director to begin work on a feature film," Paris Belongs to Us" was not released until 1961, by which time Chabrol, Truffaut and Godard released their own first features and popularised the movement worldwide. <P4-S6> Rivette became editor of" Cahiers du Cinéma" during the early 1960s and publicly fought French censorship of his second feature film," The Nun"( 1966). <P4-S7> He then re-evaluated his career, developing a unique cinematic style with" L'amour fou". <P4-S8> Influenced by the political turmoil of May 68, improvisational theatre and an in- depth interview with filmmaker Jean Renoir, Rivette began working with large groups of actors on character development and allowing events to unfold on camera. <P4-S9> This technique led to the thirteen- hour" Out 1" which, although rarely screened, is considered a Holy Grail of cinephiles. <P4-S10> His films of the 1970s, such as" Celine and Julie Go Boating", often incorporated fantasy and were better- regarded. <P4-S11> Very private about his personal life, Rivette was briefly married to photographer and screenwriter Marilù Parolini during the early 1960s and later married Véronique Manniez. <SEP> <P5-S0> Red Fish is an album by the Northern Irish rock band <P5-S1> The Moondogs, released in 2003.