Question: Are the directors of both films Smile (1975 Film) and La Prisonnière (Film) from the same country?

<P0-S0> Smile is a 1975 DeLuxe Color satirical comedy- drama film directed by Michael Ritchie with a screenplay by Jerry Belson about a beauty pageant in Santa Rosa, California. <P0-S1> It stars Bruce Dern and Barbara Feldon and introduced a number of young actresses who later went on to larger roles, such as Melanie Griffith. <P0-S2> The film satirizes small- town America and its peculiarities, hypocrisies and artifice within and around the pageant. <P0-S3> The film was subsequently adapted into a 1986 Broadway musical with songs by Marvin Hamlisch and Howard Ashman. <SEP> <P1-S0> I Want Your <P1-S1> Love is the title of both a 2010 short film and a 2012 feature- length film. <P1-S2> Both films were directed and written by Travis Mathews. <P1-S3> The drama films both revolve around the friends and ex-lovers of Jesse Metzger, a gay man in his mid-thirties who is forced to move back to his hometown from San Francisco due to financial reasons. <P1-S4> The actors' own names, along with much of their real- life stories, were used for their characters in both films, which features graphic sexual scenes. <P1-S5> The production of both films was aided by the gay pornographic studio NakedSword. <P1-S6> This led to the full- length film being refused exemption from classification, which would have allowed it to screen at the Melbourne Queer Film Festival, a decision to which actor James Franco( who invited Mathews to collaborate on Franco's film" Interior. Leather Bar.") reacted negatively. <SEP> <P2-S0> Henri-Georges Clouzot was a French film director, screenwriter and producer. <P2-S1> Clouzot also directed documentary films, including" The Mystery of Picasso", which was declared a national treasure by the government of France. <P2-S2> Clouzot was an early fan of the cinema and, desiring a career as a writer, moved to Paris. <P2-S3> After being fired from UFA studio in Nazi Germany due to his friendship with Jewish producers, Clouzot returned to France, where he spent years bedridden after contracting tuberculosis. <P2-S4> Upon recovering, Clouzot found work in Nazi-occupied France as a screenwriter for the German- owned company Continental Films. <P2-S5> His second film" Le Corbeau" drew controversy over its harsh look at provincial France and Clouzot was fired from Continental before its release. <P2-S6> As a result of his association with Continental, Clouzot was barred by the French government from filmmaking until 1947. <P2-S7> After the ban was lifted, Clouzot reestablished his reputation and popularity in France during the late 1940s with successful films including" Quai des Orfèvres". <P2-S8> In the early and mid-1950s, Clouzot drew acclaim from international critics and audiences for" The Wages of Fear" and" Les Diaboliques". <P2-S9> Both films would serve as source material for remakes decades later. <P2-S10> After the release of" La Vérité", Clouzot's wife Véra died of a heart attack and Clouzot's career suffered due to depression, illness and new critical views of films from the French New Wave. <P2-S11> Clouzot's career became less active in later years, limited to a few television documentaries and two feature films in the 1960s. <SEP> <P3-S0> Michael Brunswick Ritchie (November 28, 1938 – April 16, 2001) was an American film director of films with comical or satirical leanings, such as "The Candidate" and "Smile". <P3-S1> He scored commercial successes directing sports films like "Downhill Racer" and "The Bad News Bears", and Chevy Chase's "Fletch" comedies. <SEP> <P4-S0> Andréas Winding was a French cinematographer known for such films as" Henri-Georges Clouzot's InfernoFriend s A Slightly Pregnant ManDon Juan, or If Don Juan Were a WomanPlaytime The Deadly TrapRider on the Rain" and" La Prisonnière". <SEP> <P5-S0> La Prisonnière( also known as Woman in Chains) is a French film written and directed by Henri-Georges Clouzot that was released in 1968. <P5-S1> It is about an attractive young woman living with an avant- garde artist who falls disastrously for the voyeuristic owner of the gallery which shows her husband's work. <P5-S2> Clouzot's only film completed in colour, it was the last of his career.