Question: Which film has the director who died first, Muriel (Film) or The Rug Maker'S Daughter?

<P0-S0> Abhishek Saxena is an Indian Bollywood and Punjabi film director who directed the movie Phullu. <P0-S1> The Phullu movie was released in theaters on 16 June 2017, in which film Sharib Hashmi is the lead role. <P0-S2> Apart from these, he has also directed Patiala Dreamz, this is a Punjabi film. <P0-S3> This film was screened in cinemas in 2014. <SEP> <P1-S0> Muriel( literally" Muriel, or the Time of a Return") is a 1963 French drama film directed by Alain Resnais. <P1-S1> It was Resnais's third feature film, following" Hiroshima mon amour"( 1959) and" L' Année dernière à Marienbad"( 1961), and in common with those films it explores the challenge of integrating a remembered or imagined past with the life of the present. <P1-S2> It also makes oblique reference to the controversial subject of the Algerian War, which had recently been brought to an end. <P1-S3> " Muriel" was Resnais's second collaboration with Jean Cayrol, who had also written the screenplay of" Nuit et brouillard Night and Fog")( 1955). <SEP> <P2-S0> Elliot Silverstein( born August 3, 1927, in Boston, Massachusetts) is an American director, who is best known for being the director of the movie" Cat Ballou"( 1965). <SEP> <P3-S0> The Rug Maker's Daughter is a 1915 American adventure silent film directed by Oscar Apfel and written by Julia Crawford Ivers. <P3-S1> The film stars Maud Allan, Forrest Stanley, Jane Darwell, Howard Davies, Herbert Standing and Laura Woods Cushing. <P3-S2> The film was released on July 5, 1915, by Paramount Pictures. <SEP> <P4-S0> Oscar C. Apfel( January 17, 1878 – March 21, 1938) was an American film actor, director, screenwriter and producer. <P4-S1> He appeared in 167 films between 1913 and 1939, and also directed 94 films between 1911 and 1927. <SEP> <P5-S0> Alain Resnais( 3 June 19221 March 2014) was a French film director and screenwriter whose career extended over more than six decades. <P5-S1> After training as a film editor in the mid-1940s, he went on to direct a number of short films which included" Night and Fog"( 1956), an influential documentary about the Nazi concentration camps. <P5-S2> Resnais began making feature films in the late 1950s and consolidated his early reputation with" Hiroshima mon amour"( 1959)," Last Year at Marienbad"( 1961), and" Muriel"( 1963), all of which adopted unconventional narrative techniques to deal with themes of troubled memory and the imagined past. <P5-S3> These films were contemporary with, and associated with, the French New Wave(" la nouvelle vague"), though Resnais did not regard himself as being fully part of that movement. <P5-S4> He had closer links to the" Left Bank" group of authors and filmmakers who shared a commitment to modernism and an interest in left- wing politics. <P5-S5> He also established a regular practice of working on his films in collaboration with writers previously unconnected with the cinema such as Jean Cayrol, Marguerite Duras, Alain Robbe- Grillet, Jorge Semprún and Jacques Sternberg. <P5-S6> In later films, Resnais moved away from the overtly political topics of some previous works and developed his interests in an interaction between cinema and other cultural forms, including theatre, music, and comic books. <P5-S7> This led to imaginative adaptations of plays by Alan Ayckbourn, Henri Bernstein and Jean Anouilh, as well as films featuring various kinds of popular song. <P5-S8> His films frequently explore the relationship between consciousness, memory, and the imagination, and he was noted for devising innovative formal structures for his narratives. <P5-S9> Throughout his career, he won many awards from international film festivals and academies.