Question: Are the directors of films Won't Back Down (film) and High Test Girls both from the same country?

<P0-S0> Sechs Schwedinnen im Pensionat( released in the UK as Six Swedish Girls in a Boarding School and in the US as Six Swedes on a Campus) is a 1979 Swiss pornographic film written and directed by Erwin C. Dietrich. <P0-S1> It stars Brigitte Lahaie, Lynn Monteil, France Lomay, Danielle Troger, Kathleen Kane and Elsa Maroussia. <P0-S2> The film was followed by" High Test Girls". <SEP> <P1-S0> Wo n't Back Down( previously titled Still I Rise, Learning To Fly and Steel Town) is a drama film directed by Daniel Barnz and starring Maggie Gyllenhaal, Viola Davis and Holly Hunter. <P1-S1> It was released on September 28, 2012. <SEP> <P2-S0> Daniel Barnz( born 1970) is an American screenwriter and director. <SEP> <P3-S0> High Test Girls is a 1980 Swiss pornographic film co-written and directed by Erwin C. Dietrich. <P3-S1> It stars Brigitte Lahaie, Jane Baker, Lynn Monteil, France Lomay, Flore Sollier and Élodie Delage. <P3-S2> The film is a sequel to" Sechs Schwedinnen im Pensionat". <SEP> <P4-S0> Erwin C. Dietrich (4 October 1930 in Glarus – 15 March 2018 in Zurich) was a Swiss film director, producer and actor, often regarded as one of the most influential cinematographers in Switzerland. <P4-S1> Starting in 1955 he began producing movies, first with his company "Urania": The films "The Man in the Black Derby" and "The Model Husband" starring Swiss comedian Walter Roderer turned into big successes. <P4-S2> At around the time where the "Edgar Wallace" thrillers became popular in Germany, Erwin brought "Nylon Noose" and "The Strangler of the Tower" starring German movie stars, such as Dietmar Schönherr, to the cinemas. <P4-S3> He achieved commercial success with his directorial debut in 1968, the film adaptation of Guy de Maupassant's novel "The Colonel's Nieces". <P4-S4> Movies that he either directed or produced, often using pseudonyms such "Michael Thomas" or "Manfred Gregor" under the umbrella of newly "Elite-Film" (later: "Ascot Film GmbH"). <P4-S5> Most of these movies came to life in a very informal environment, with a small crew in his studios in Rümlang, where the set pieces were rearranged on the fly. <P4-S6> Erwin often mentioned his favorite movie to be his remake of THE COLONEL’S NIECES, starring Brigitte Lahaie. <P4-S7> Jess Franco, who for years has been ridiculed as a cheap grunge director and yet in the end received the "Goya" award, the Spanish Oscar, made 17 films in this work period with Erwin C. Dietrich and called it the most productive and pleasant period of his career. <P4-S8> The action film "The Wild Geese" which he co-produced with Euan Lloyd garnered him international recognition. <P4-S9> The cast included Richard Harris, Roger Moore, Richard Burton, and Hardy Krüger did its share; the movie was seen by 4 million movie-goers in Germany alone and advanced to become a huge blockbuster in 1978, ultimately winning the "Goldene Leinwand" award. <P4-S10> Following this success Erwin launched similar additional big productions on the big screen, including "Escape to Athena" and "The Sea Wolves". <P4-S11> Emphasized by a gigantic marketing campaign (including an ecstatic Klaus Kinski dominating the promo tour) he released in the mid-80s the "mercenary trilogy" consisting of , "Commando Leopard" and "The Commander" on the big screen, the cast included Klaus Kinski, Ernest Borgnine, and Lee Van Cleef. <P4-S12> During that time he also opened up the first cinema-multiplex in Switzerland called "Capitol". <SEP> <P5-S0> " Wo n't Back Down" is a song performed by American rock band Fuel. <P5-S1> Written by guitarist Carl <P5-S2> Bell, the song was originally released as the lead single for the 2003 film soundtrack. <P5-S3> Eventually, another version of the song would be included on Fuel's third album later that year," Natural Selection". <P5-S4> It was titled," Wo n't Back Down( Bring You Hell remix)." <P5-S5> " Wo n't Back Down" is more industrial sounding than the rest of the band's catalog, which is partially due to the nature of the film, and also due to Bell having less than a week to write the song to meet Fox studios' deadline in order make the film and soundtrack. <P5-S6> It is the first song played in the credits of the movie.