Question: Do both films Elisa, Vida Mía and The Set-Up (1949 Film) have the directors that share the same nationality?

<P0-S0> Elisa, vida mía is a 1977 Spanish drama film written and directed by Carlos Saura. <P0-S1> The film stars Saura's long- term companion and frequent collaborator, Geraldine Chaplin. <P0-S2> She stars alongside, Fernando Rey who won the Best Actor award at the 1977 Cannes Film Festival for his performance. <SEP> <P1-S0> The Set- Up is a 1949 American film noir boxing drama directed by Robert Wise and starring Robert Ryan and Audrey Totter. <P1-S1> The screenplay was adapted by Art Cohn from a 1928 narrative poem written by Joseph Moncure March. <P1-S2> " The Set- Up" was the last film <P1-S3> Wise made for RKO, and he named it his favorite among the pictures he directed for the studio, as well as one of his top ten during his entire career. <SEP> <P2-S0> The Faces of the Moon( Original title: Las caras de la luna) is a 2002 Mexican drama film directed by Guita Schyfter. <P2-S1> The film centres upon a group of female jurors at the 3rd Latin American Women's Film Festival in Mexico City. <P2-S2> The film reunites Geraldine Chaplin and Ana Torrent who previously starred as mother and daughter in the Carlos Saura films;" Cría cuervos"( 1976) and" Elisa, vida mía"( 1977). <SEP> <P3-S0> Carlos Saura Atarés( born 4 January 1932) is a Spanish film director, photographer and writer. <P3-S1> Along with Luis Buñuel and Pedro Almodóvar, he is counted among the Spain ’s three most renowned filmmakers. <P3-S2> Saura began his career in 1955 making documentary shorts. <P3-S3> He quickly gained international prominence when his first feature- length film premiered at Cannes Film Festival in 1960. <P3-S4> Although he started filming as a neorealist, Saura quickly switched to films encoded with metaphors and symbolism in order to get around the Spanish censors. <P3-S5> In 1966, he was thrust into the international spotlight when his film" La Caza" won the Silver Bear at the Berlin International Film Festival. <P3-S6> In the following years, he forged an international reputation for his cinematic treatment of emotional and spiritual responses to repressive political conditions. <P3-S7> His films employed complex narrative devices and were frequently controversial. <P3-S8> He won Special Jury Awards for" La Prima Angélica"( 1973) and" Cría Cuervos"( 1975) in Cannes; and an Academy Award for Best Foreign Language Film nomination in 1979 for" Mama Cumple 100 Años". <P3-S9> In the 1980s, Saura was in the spotlight for his Flamenco trilogy –" Bodas de SangreCarmen" and" El Amor Brujo," in which he combined dramatic content and flamenco dance forms. <P3-S10> His work continued to be featured in worldwide competitions and earned numerous awards. <P3-S11> He received two nominations for Academy Awards for Best Foreign Language Film, for" Carmen"( 1983) and" Tango"( 1998). <P3-S12> His films are sophisticated expression of time and space fusing reality with fantasy, past with present, and memory with hallucination. <SEP> <P4-S0> Satan Town is a 1926 American Western film featuring Harry Carey. <P4-S1> Prints of the film have survived. <SEP> <P5-S0> Robert Earl Wise (September 10, 1914 – September 14, 2005) was an American film director, producer, and editor. <P5-S1> He won Academy Awards for Best Director and Best Picture for both "West Side Story" (1961) and "The Sound of Music" (1965). <P5-S2> He was also nominated for Best Film Editing for "Citizen Kane" (1941) and directed and produced "The Sand Pebbles" (1966), which was nominated for Best Picture. <P5-S3> Among his other films are "The Body Snatcher" (1945), "Born to Kill" (1947), "The Set-Up" (1949), "The Day the Earth Stood Still" (1951), "Destination Gobi" (1953), "This Could Be The Night" (1957), "Run Silent, Run Deep" (1958), "I Want to Live!" <P5-S4> (1958), "The Haunting" (1963), "The Andromeda Strain" (1971), "The Hindenburg" (1975) and  (1979). <P5-S5> Wise was the president of the Directors Guild of America from 1971 to 1975 and the president of the Academy of Motion Picture Arts and Sciences from 1984 through 1987. <P5-S6> Robert Wise has been viewed as a craftsman, inclined to let the (sometimes studio-assigned) story concept set the style. <P5-S7> Later "cineastes", such as Martin Scorsese, insist that despite Wise's legendary workaday concentration on stylistic perfection within the confines of genre and budget, his choice of subject matter and approach still functioned to identify Wise as an artist and not merely an artisan. <P5-S8> Wise achieved critical success as a director in a striking variety of film genres: horror, noir, western, war, science fiction, musical and drama, with many repeat successes within each genre. <P5-S9> Wise's meticulous preparation may have been largely motivated by studio budget constraints, but advanced the moviemaking art. <P5-S10> Robert Wise received the AFI Life Achievement Award in 1998.