Question: Do director of film The Grandmaster (Film) and director of film Teyzem share the same nationality?

<P0-S0> Halit Refiğ (5 March 1934 – 11 October 2009) was a Turkish film director, film producer, screenwriter and writer. <P0-S1> He made around sixty films, including feature films, documentaries and TV serials. <P0-S2> He is considered to be the pioneer of the National Cinema movement and the initiator of the production of TV serials in Turkey. <SEP> <P1-S0> Brian Johnson( born 1939 or 1940) is a British designer and director of film and television special effects. <SEP> <P2-S0> Teyzem is a 1986 Turkish drama film, directed by Halit Refiğ and starring Müjde Ar, Yasar Alptekin, and Mehmet Akan. <SEP> <P3-S0> Rachel Feldman( born August 22, 1954) is an American director of film and television and screenwriter of television films. <SEP> <P4-S0> The Grandmaster is a 2013 Hong Kong- Chinese martial arts drama film based on the life story of the Wing Chun grandmaster Ip Man. <P4-S1> The film was directed and written by Wong Kar-wai and stars Tony Leung as Ip Man. <P4-S2> It was released on 8 January 2013 in China. <P4-S3> It was the opening film at the 63rd Berlin International Film Festival in February 2013. <P4-S4> The film was selected as part of the 2013 Hong Kong International Film Festival. <P4-S5> The Weinstein Company acquired the international distribution rights for the film. <P4-S6> The film was selected as the Hong Kong entry for the Best Foreign Language Film at the 86th Academy Awards, making the January shortlist, but did not get the nomination. <P4-S7> The film was nominated for Best Cinematography( Philippe Le Sourd) and Best Costume Design( William Chang Suk Ping) at the 86th Academy Awards. <SEP> <P5-S0> Wong Kar- wai( born 17 July 1958) is a Chinese film director. <P5-S1> His art films are characterised by nonlinear narratives, atmospheric music, and vivid cinematography involving bold, saturated colours. <P5-S2> A pivotal figure of Hong Kong cinema, Wong has a considerable influence on filmmaking with his trademark personal, unconventional approach, and his films frequently appear on best- of lists domestically and internationally. <P5-S3> Born in Shanghai in 1958, Wong moved to Hong Kong with his family when he was five. <P5-S4> He began a career as a screenwriter for soap operas before transitioning to directing with his debut, the crime drama" As Tears Go By"( 1988). <P5-S5> While" As Tears Go By" was fairly successful in Hong Kong, Wong moved away from the contemporary trend of crime and action movies to embark on more personal filmmaking styles. <P5-S6> " Days of Being Wild"( 1990), his first venture into such direction, did not perform well at the box office. <P5-S7> It however received critical acclaim, and won Best Film and Best Director at the 1991 Hong Kong Film Awards. <P5-S8> His next film," Ashes of Time"( 1994), was met with mixed reception because of its vague plot and atypical take on the wuxia genre. <P5-S9> The production of" Ashes of Time" was time- consuming and left Wong exhausted; he subsequently directed" Chungking Express"( 1994) with hopes of reconciling with filmmaking. <P5-S10> The film, expressing a more lighthearted atmosphere, catapulted Wong to international prominence, and won Best Film and Best Director at the 1995 Hong Kong Film Awards. <P5-S11> Wong consolidated his worldwide reputation with the 1997 drama" Happy Together", for which he won Best Director at the Cannes Film Festival. <P5-S12> The 2000 drama" In the Mood for Love", revered for its lush visuals and subtle storytelling, concretely established Wong's trademark filmmaking styles. <P5-S13> Among his other work are" 2046"( 2004) and" The Grandmaster"( 2013), both of which received awards and nominations worldwide.