Question: Do both directors of films The Street Of Forgotten Men and Marianne And Juliane share the same nationality?

<P0-S0> Herbert Brenon( 13 January 1880 – 21 June 1958) born Alexander Herbert Reginald St. John Brenon was an Irish film director, actor and screenwriter during the era of silent movies through the 1930s. <SEP> <P1-S0> The Street of Forgotten Men is a 1925 American silent crime drama film directed by Herbert Brenon and released by Paramount Pictures. <P1-S1> The film features the debut of actress Louise Brooks in an uncredited role. <SEP> <P2-S0> Agostino Borgato( June 30, 1871 – March 14, 1939), sometimes known as Al Borgato, was an Italian actor and director, before moving to Hollywood in the mid-1920s. <P2-S1> Borgato acted and/ or directed about fifteen films in his native Italy between 1915 and 1922. <P2-S2> In the 1920s, he also acted on the stage in both Italy and England. <P2-S3> In 1925 Borgato immigrated to the United States, where he began his American acting career in Herbert Brenon's silent film," The Street of Forgotten Men". <P2-S4> His Hollywood career would last fourteen years, during which time he would appear in 45 films( although some sources have him in as many as 62 films), having roles in such classic films as 1932's" Murders in the Rue Morgue"( starring Bela Lugosi, and the 1939 musical comedy version of" The Three Musketeers"( starring Don Ameche and The Ritz Brothers). <P2-S5> His distinctive features and voice resulted from acromegaly. <P2-S6> " The Three Musketeers" and" Hotel Imperial" were the last two films he worked on, and both were released on the same day, February 17, 1939, less than a month before Borgato would die of a heart attack on March 14. <SEP> <P3-S0> Mr. Right is a 2009 British film directed by David Morris and Jacqui Morris. <P3-S1> The jointly- made gay- themed film is the debut for both directors. <SEP> <P4-S0> Margarethe von Trotta( born 21 February 1942) is a German film director who has been referred to as a" leading force" of the New German Cinema movement. <P4-S1> Von Trotta's extensive body of work has won awards internationally. <P4-S2> She was married to and collaborated with director Volker Schlöndorff. <P4-S3> Although they made a successful team, von Trotta felt she was seen as secondary to Schlöndorff. <P4-S4> Subsequently, she established a solo career for herself and became" Germany ’s foremost female film director, who has offered the most sustained and successful female variant of" Autorenkino" in postwar German film history". <P4-S5> Certain aspects of von Trotta's work have been compared to Ingmar Bergman's features from the 1960s and 1970s. <P4-S6> Von Trotta has been called" the world ’s leading feminist filmmaker." <P4-S7> The predominant aim of her films is to create new representations of women. <P4-S8> Her films are concerned with relationships between and among women( sisters, best friends, etc.), as well as with relationships between women and men, and involve political setting. <P4-S9> Nevertheless, she rejects the suggestion that she makes" women ’s films". <SEP> <P5-S0> Marianne and Juliane( lit." The Leaden Time" or" Leaden Times"), also called <P5-S1> The German Sisters in the United Kingdom, is a 1981 West German film directed by Margarethe von Trotta. <P5-S2> The screenplay is a fictionalized account of the true lives of Christiane and Gudrun Ensslin. <P5-S3> Gudrun, a member of The Red Army Faction, was found dead in her prison cell in Stammheim in 1977. <P5-S4> In the film, Von Trotta depicts the two sisters Juliane( Christine) and Marianne( Gudrun) through their friendship and journey to understanding each other. <P5-S5> " Marianne and Juliane" was von Trotta's third film and solidified her position as a director of the New German Cinema. <P5-S6> " Marianne and Juliane" also marked the first time that von Trotta worked with Barbara Sukowa. <P5-S7> They would go on to work on six more films together.