Question: Which film has the director who died earlier, Fodboldpræsten or In Our Time (1982 Film)?

<P0-S0> Love in Our Time is a 1968 British film documentary about sex. <P0-S1> The theme song to the film" Love In Our Time" was sung by Glo Macari. <SEP> <P1-S0> In Our Time  is a 1982 Taiwanese anthology film directed by Edward Yang, Yi Chang, I-Chen Ko and Te-Chen Tao. <P1-S1> The film's four vignettes each take place in a different decade between 1950 and 1980 and depict characters at different points in their lives. <P1-S2> The film deals with a range of dramatic, comic, economic and social themes. <P1-S3> The first two episodes are described as contemplative and dream-inspired, while the latter two episodes feature more dialogue and overt comedy. <P1-S4> The first segment, translated as "Dinosaurs" or "Little Dragon Head", is directed by Tao and follows a young boy who escapes from childhood bullying by retreating into a fantasy world populated by his dinosaur toys. <P1-S5> The second segment, "Expectations" or "Desires", is directed by Yang and stars Shi Anni as a young girl who becomes infatuated with an older man who is staying at her parents' house, but falls into a love triangle. <P1-S6> The third segment, "Leapfrog", is directed by Ko and follows a college student who deals with the pressures of life by joining a competitive swimming club. <P1-S7> The final segment, translated as "Show your ID" or "Say Your Name", is directed by Yi Chang and stars Sylvia Chang. <P1-S8> It follows a newly married couple who are accidentally locked out of their home and workplaces, to comedic effect. <P1-S9> The film was produced by the Taiwanese Central Motion Picture Corporation, which had a reputation for conservative filmmaking. <P1-S10> Yang's segment was his first filmed work. <P1-S11> Writing in his eponymous book on Edward Yang, John Anderson described Yang's segment as bringing "an almost documentary content to the Taiwanese feature, which is counterbalanced in "Expectations" by Yang's decidedly poetic rhythms". <P1-S12> The "Harvard Film Archive" described the film as "eschew[ing] studio-bound escapism and melodrama in favor of a hard-hitting cinema grounded in everyday life". <P1-S13> The film is sometimes cited as the foundational film of the New Taiwan Cinema. <SEP> <P2-S0> Fodboldpræsten is a 1951 Danish family film directed by Alice O'Fredericks. <SEP> <P3-S0> Edward Yang (November 6, 1947 – June 29, 2007) was a Taiwanese filmmaker. <P3-S1> Yang, along with fellow auteurs Hou Hsiao-hsien and Tsai Ming-liang, was one of the leading film-makers of the Taiwanese New Wave and Taiwanese Cinema. <P3-S2> He won the Best Director Award at Cannes for his 2000 film "Yi Yi". <SEP> <P4-S0> Laura <P4-S1> Ashe is a historian of English medieval literature, history and culture( c.1000-1550). <P4-S2> She lectures in English and is a Fellow of Worcester College, Oxford. <P4-S3> In 2009 Ashe won a Philip Leverhulme Prize, for the international impact of her research. <P4-S4> In 2015 she was the presenter for BBC Radio 3's" A Cultural History of the Plague" and has taken part as an expert panelist for BBC Radio <P4-S5> 4's In Our Time on the topics of" The 12th Century RenaissanceBeowulfChivalry" and" Le Morte d' Arthur". <P4-S6> She has also appeared on In Our Time talking about Thomas Becket and Gawain and the Green Knight. <SEP> <P5-S0> Alice O'Fredericks (8 September 1899 – 18 February 1968) was a Danish actress, screenwriter, and film director. <P5-S1> She is best known for directing the series of "Far til FireFather of Four") comedies and the series of family dramas based on Morten Korch novels. <P5-S2> Having written 38 produced screenplays and directed 72 feature films, O'Fredericks was one of the most prolific directors in Danish cinema. <P5-S3> O'Fredericks also directed the first Danish films which highlighted women's rights. <P5-S4> The Alice Award, presented annually to the Best Female Director at the Copenhagen International Film Festival, is named in her honor.