Question: Do both films: Living Wigan and The Miracle (1913 Film) have the directors from the same country?

<P0-S0> Living Wigan is a 1902 silent short documentary film directed by James Kenyon and Sagar Mitchell, showing street life and a steam tram in Wigan in August 1902. <P0-S1> The film, which was premiered in Wigan Townhall before the Coronation celebrations in 1902, formed part of the 2 hour film show" Live in Wigan". <P0-S2> " This film buzzes with the energy and vibrancy of street life in the city," according to the BFI, and the filmmakers," are seen introducing a comic moment into a possibly more formal opening event," and" actively encouraged the audience to respond to the camera with play acting, comic moments- with the crowd not quite knowing if to respond to the camera or concentrating on the curious event behind them," with," a farcical moment of a guy splashing water at the crowds with a hosepipe." <SEP> <P1-S0> The Miracle Kid is a 1941 American sports comedy film directed by William Beaudine. <SEP> <P2-S0> The Miracle is a 1913 Swedish silent drama film directed by Victor Sjöström. <P2-S1> It is based on the 1894 novel" Lourdes" by Émile Zola. <SEP> <P3-S0> Victor David Sjöström( 20 September 1879 – 3 January 1960), sometimes known in the United States as Victor Seastrom, was a pioneering Swedish film director, screenwriter, and actor. <P3-S1> He began his career in Sweden, before moving to Hollywood in 1924. <P3-S2> Sjöström worked primarily in the silent era; his best known films include" The Phantom Carriage"( 1921)," He Who Gets Slapped"( 1924), and" The Wind"( 1928). <P3-S3> Sjöström was Sweden's most prominent director in the" Golden Age of Silent Film" in Europe. <P3-S4> Later in life, he played the leading role in Ingmar Bergman's" Wild Strawberries"( 1957). <SEP> <P4-S0> The Sick Stockrider is a 1913 film directed by W. J. Lincoln based on the 1870 poem of the same title by Adam Lindsay Gordon. <P4-S1> It was the first production from Lincoln- Cass Films and is one of the few Australian silent films to survive in its entirety. <SEP> <P5-S0> The son of John and Eliza Mitchell, he was educated at a private academy and apprenticed as a cabinet maker. <P5-S1> In 1887 Sagar and his father John founded the firm of S.& J. Mitchell, a photographic apparatus manufacturing and dealing business. <P5-S2> The success of their early films encouraged Mitchell to give up his shop and in September 1901 Mitchell and Kenyon moved into premises in Clayton Street, Blackburn, to concentrate on film production. <P5-S3> Mitchell and Kenyon used the trade name of" Norden", the company became one of the largest film producers in the United Kingdom in the 1900s, producing a mixture of" topicals"( films of street scenes, sporting events, rides through towns on the top of trams, and ordinary life, which were extremely popular as people loved to see moving pictures of themselves), fiction, and fake war films. <P5-S4> In May 1907 Sagar Mitchell resumed possession of his original business S.& J. Mitchell, at 40 Northgate, Blackburn. <P5-S5> The volume of film production seems to have tailed off from this date, and from 1909 was increasingly restricted to local events. <P5-S6> Mitchell was joined in his business by his son John in 1921. <P5-S7> Mitchell carefully stored the film negatives away in the basement of his shop. <P5-S8> Over the years film historians had traditionally regarded Mitchell and Kenyon as minor contributors to film history, known principally for the fake Boer War films that had survived. <P5-S9> These eventually found their way in 2000 to the National Film and Television Archive, where they extended the holdings of films of the 1900- 1913 period by 20%, giving a new and fresh view of Edwardian England and an important resource for historians. <P5-S10> A further 65 fiction films are preserved in The Cinema Museum, London. <P5-S11> In 2014" The Life and Times of Mitchell and Kenyon" was produced at The Dukes, Lancaster and the Oldham Coliseum, with video elements by imitating the dog. <P5-S12> " For more information on their film work and on the rediscovery of the Mitchell and Kenyon Collection see Mitchell and Kenyon."