Question: Do both films Don Quixote (1957 Film) and Før Frostnettene have the directors from the same country?

<P0-S0> Grigori Mikhaylovich Kozintsev( – 11 May 1973) was a Soviet theatre and film director. <P0-S1> He was named People's Artist of the USSR in 1964. <P0-S2> In 1965 he was a member of the jury at the 4th Moscow International Film Festival. <P0-S3> Two years later he was a member of the jury of the 5th Moscow International Film Festival. <P0-S4> In 1971 he was the President of the Jury at the 7th Moscow International Film Festival. <SEP> <P1-S0> Arnljot Berg( 22 October 1931 – 9 December 1982) was a Norwegian film director. <P1-S1> He directed eight films between 1966 and 1974. <P1-S2> His 1972 film" Lukket avdeling" was entered into the 22nd Berlin International Film Festival and his 1974 film" Bobby's War" was entered into the 24th Berlin International Film Festival. <SEP> <P2-S0> Før frostnettene (English: "Before the Frosts") is a 1966 Norwegian drama film directed by Arnljot Berg. <P2-S1> It is based on Sigurd Hoel's 1935 novel "Fjorten dager før frostnettene" (Fourteen Days before the Frosts) and it premiered on January 17, 1966. <P2-S2> The music for the film was composed by Egil Monn-Iversen. <SEP> <P3-S0> Matt Corboy( born June 4, 1973) is an American actor. <P3-S1> He has appeared in both films and television series. <SEP> <P4-S0> Don Quixote( translit. Don Kikhot) is a 1957 Soviet drama film directed by Grigori Kozintsev. <P4-S1> It is based on Evgeny Shvartz's stage adaptation of Miguel de Cervantes's novel of the same name. <P4-S2> It was entered into the 1957 Cannes Film Festival. <P4-S3> The film was exhibited in the mid-1960s by Australian University film clubs receiving the productions of Sovexportfilm. <P4-S4> It was the first film version of" Don Quixote" to be filmed in both widescreen and color. <SEP> <P5-S0> Alonso Fernández de Avellaneda is the pseudonym of a man who wrote a sequel to Cervantes'" Don Quixote". <P5-S1> The identity of Fernández de Avellaneda has been the subject of many theories, but there is no consensus on who he was. <P5-S2> It is not clear that Cervantes knew who Avellaneda was, although he knew that it was a pseudonym, and that the volume's publication information was false. <P5-S3> One theory holds that Avellaneda ’s work was a collaboration by friends of Lope de Vega. <P5-S4> Another theory is that it was by Gerónimo de Passamonte, the real- life inspiration for the character Ginés de Pasamonte of Part I. Critical opinion has generally held Avellaneda's work in low regard, and Cervantes himself is highly critical of it in his own Part 2. <P5-S5> However, it is possible that Cervantes would never have completed his own continuation were it not for the stimulus Avellaneda provided. <P5-S6> Throughout Part 2 of Cervantes' book Don Quixote meets characters who know of him from their reading of his Part 1, but in Chapter 59 Don Quixote first learns of Avellaneda's Part 2, and is outraged since it portrays him as being no longer in love with Dulcinea del Toboso. <P5-S7> As a result of this Don Quixote decides not to go to Zaragoza to take part in the jousts, as he had planned, because such an incident features in that book. <P5-S8> From then on Avellaneda's work is ridiculed at frequent intervals; Don Quixote even meets one of its characters, Don Alvaro Tarfe, and gets him to swear an affidavit that he has never met the true Don Quixote before.