Question: Which film has the director who is older, Sathi Leelavathi (1936 Film) or The Inferior Sex?

<P0-S0> Sathi Leelavathi is a 1995 Tamil language comedy film co-written and directed by Balu Mahendra. <P0-S1> It features Ramesh Aravind, Kalpana and Heera in the lead with Kamal Haasan and Kovai Sarala in supporting roles. <P0-S2> The film was produced by Kamal Haasan, with story by Ananthu and dialogues by Crazy Mohan, with Ilaiyaraaja as music composer. <P0-S3> " Sathi Leelavathi" was a commercial success and was remade by David Dhawan in Hindi as" Biwi No.1"( 1999) and by Ramesh Aravind himself in Kannada as" Rama Shama Bhama"( 2005). <SEP> <P1-S0> The Inferior Sex is a 1920 American drama film directed by Joseph Henabery and written by Keene Thompson and Waldemar Young. <P1-S1> It is based on the 1910 play" The Inferior Sex" by Frank Slayton. <P1-S2> The film stars Mildred Harris, Milton Sills, Mary Alden, John Steppling, Bertram Grassby and James O. Barrows. <P1-S3> The film was released on March 8, 1920, by First National Exhibitors' Circuit. <SEP> <P2-S0> Ben Palmer is a British film and television director who is known for being the director of" Bo' Selecta" and" The Inbetweeners". <SEP> <P3-S0> Sathi Leelavathi  is a 1936 Indian Tamil-language drama film directed by Ellis R. Dungan, and produced by A. N. Marudachalam Chettiar. <P3-S1> It is based on S. S. Vasan's novel of the same name, which was serialised in 1934 in the magazine "Ananda Vikatan". <P3-S2> The film has an ensemble cast, including M. K. Radha, T. S. Balaiah, M. G. Ramachandran, M. V. Mani, M. K. Mani, P. Nammalvar, T. N. Lakshmana Rao, M. R. Gnanambal, Santhakumari, M. S. Murugesan and N. S. Krishnan. <P3-S3> In "Sathi Leelavathi", Krishnamurthy, a wealthy Madras-based man is lured into drinking by his friend Ramanathan and brings misery on himself. <P3-S4> Believing that he murdered his other friend Parasuraman in a drunken stupor, Krishnamurthy flees to Ceylon to live anonymously; his wife Leelavathi and daughter Lakshmi are reduced to poverty. <P3-S5> Madras Kandaswamy Mudaliar, who wrote the MOBC play, later told Chettiar about Vasan's novel, which had the same storyline. <P3-S6> After Chettiar obtained the rights to make a film version of the novel, Mudaliar began writing the screenplay of "Sathi Leelavathi". <P3-S7> Sathi Leelavathi" was the first film on which Krishnan worked, and his second release. <P3-S8> The film was shot primarily in Madras at Vel Pictures Studio. <P3-S9> Cinematography was handled by D. T. Telang and V. J. Shave, and Dungan co-edited the film with Sircar. <P3-S10> "Sathi Leelavathi" explores themes such as temperance, social reform, selfless service and the plight of labourers. <P3-S11> It was one of the earliest Tamil films which was the subject of a court case involving copyright violation; the MOBC accused its filmmakers of plagiarising the "Pathi Bhakthi" play. <P3-S12> The case was resolved when Vasan testified that both the play and the novel were based on the British writer Ellen Wood's 1860 novel "Danesbury House", therefore neither party could claim originality. " <P3-S13> Sathi Leelavathi" was released on 28 March 1936. <P3-S14> The film was a commercial success, and made Dungan a sought-after director; several features he introduced in "Sathi Leelavathi" became staples of Tamil cinema, including strict discipline, shooting by schedule, camera mobility, cabaret dances and less-theatrical acting. <SEP> <P4-S0> Joseph Henabery (January 15, 1888 – February 18, 1976) Omaha, Nebraska, was a film actor, screenplay writer, and director in the United States. <SEP> <P5-S0> Ellis Roderick Dungan( May 11, 1909 – December 1, 2001) was an American film director, who was well known for working in Indian films, predominantly in Tamil cinema, from 1936 to 1950. <P5-S1> He was an alumnus of the University of Southern California and moved to India in 1935. <P5-S2> During his film career in South India, Dungan directed the debut films of several popular Tamil film actors, such as M. G. Ramachandran in" Sathi Leelavathi", T. S. Balaiya and N. S. Krishnan.