Question: Are director of film Bitnoon and director of film The Yellow Claw (Film) both from the same country?

<P0-S0> Sudeshna Roy is an Indian film director, actor & writer based in Tollywood. <P0-S1> She started her career as an entertainment Journalist before collaborating with director Abhijit Guha and foraying into the film industry. <P0-S2> The duo debuted with their first film Shudhu Tumi. <P0-S3> Her latest directorial with Abhijit Guha, "Benche Thakar Gaan" was the first Bengali language inaurgal film at the Kolkata International Film Festival of 2016. <SEP> <P1-S0> Brian Johnson( born 1939 or 1940) is a British designer and director of film and television special effects. <SEP> <P2-S0> Bitnoon( Rock Salt) is a Bengali romantic comedy film directed by Abhijit Guha and Sudeshna Roy. <P2-S1> This film was released in 2015. <SEP> <P3-S0> Ian Barry is an Australian director of film and TV. <SEP> <P4-S0> René Plaissetty( 1889 – 1955) was an American film director. <P4-S1> In 1907, he came to live in France and later married Yvonne Lacroix, a French figure skating champion in 1908, with two daughters, Jacqueline in 1909 and Micheline in 1911. <P4-S2> With the help of other administrators, He founded his production company Filma. <P4-S3> In January 1920, leaving his factory to his assistant, he left for London where he returned to the studios with Mary Massart, who became his muse. <P4-S4> His English feature films of 1920 and 1921 made for the" Stoll Film Co" are noticed by critics for their aesthetic and thematic qualities such as the strange Yellow Claw, according to a story by Sax Rohmer. <P4-S5> In 1922, he returned to Paris and turned to Gaumont( in the series Pax) <P4-S6> My little boy with Leontine Massart, sister of Mary. <P4-S7> This eventful film( one sees in particular a shipwreck) receives a very favorable public and critical reception, due to the originality of the subject and the dramatic use of a new mode of communication, the Wireless telegraphy. <P4-S8> In 1923 René Plaissetty considered American cinema more suited to his projects. <P4-S9> He then returned to the United States with Mary Massart to marry in Los Angeles( they will have a son, Francis Léo) and met the director and producer Edwin Carewe. <P4-S10> He immediately proposed the adaptation of a novel by Louise Gérard to" Son of the Sahara" published in 1922 in New York City. <P4-S11> He is buried in the Montebello Cemetery in California. <SEP> <P5-S0> The Yellow Claw is a 1921 British silent crime film directed by René Plaissetty and starring Sydney Seaward, Arthur M. Cullin and Harvey Braban. <P5-S1> The film was shot partly at Cricklewood Studios and ran 68 minutes. <P5-S2> It was based on the 1915 novel" The Yellow Claw" by Sax Rohmer, in which a French detective battles a notorious master criminal named Mr. King. <P5-S3> Producer Stoll went on to release another xenophobic" Yellow Peril" film called" Mr. Wu" in 1919( which was remade in 1927 with Lon Chaney in the lead), a 15- film Fu Manchu series called" The Mystery of Dr. Fu Manchu" in 1923, and an eight- film series in 1924 called" The Further Mysteries of Dr. Fu Manchu", both series starring Harry Agar Lyons as Fu.