Question: How long in development was the game set in the birth city of the artist behind A Night at the Vanguard?

<P0-S0> The characters Connor and Markus are played by Bryan Dechart and Jesse Williams, respectively. <P0-S1> Clancy Brown, Lance Henriksen, and Minka Kelly portray supporting characters Lieutenant Hank Anderson, Carl Manfred, and North, respectively. <P0-S2> There are three different composers, one for each playable character: Philip Sheppard for Kara, Nima Fakhrara for Connor, and John Paesano for Markus. <P0-S3> Sheppard's cello sequence in Kara's theme was inspired by the flames of a log fire, whereas the motif layered over it came from the two syllables in her name. <P0-S4> Fakhrara created custom instruments and used vintage synthesizers in order that the sound could represent the robotic nature of Connor. <P0-S5> Paesano's music was made with the idea that it would be ``like a church hymn '', personifying Markus' transformation into a leader. <P0-S6> Sheppard recorded at Abbey Road Studios with the English Session Orchestra; Paesano was at Synchron Stage Vienna with the Synchron Stage Orchestra. <P0-S7> Director of photography Aymeric Montouchet used`` thick grain and shaky long lens'' with shallow depth of field for Kara, ``small, tight grain ''and a blue palette for Connor, and orange and white colours for Markus. <P0-S8> The game was released to manufacturing on 23 April 2018, after four years of production. <SEP> <P1-S0> A Night at the Vanguard (also released as Man at Work) is a live album by guitarist Kenny Burrell recorded in 1959 at the Village Vanguard and originally released on the Argo label. <SEP> <P2-S0> the engineering problems associated with leaving earth and developing space propulsion systems have been examined for over a century, and millions of hours of research have been spent on them. <P2-S1> in recent years there has been an increase in research on the issue of how humans can survive and work in space for extended and possibly indefinite periods of time. <P2-S2> this question requires input from the physical and biological sciences and has now become the greatest challenge (other than funding) facing human space exploration. <P2-S3> a fundamental step in overcoming this challenge is trying to understand the effects and impact of long-term space travel on the human body. <SEP> <P3-S0> the thad jones/mel lewis jazz orchestra was a jazz big band formed by trumpeter thad jones and drummer mel lewis in new york in 1965. the band performed for twelve years in its original incarnation, including a 1972 tour of the soviet union during the height of the cold war. <P3-S1> the band won a grammy award for the album "live in munich" and in 2009 for the album "monday night live at the village vanguard." <P3-S2> the collaboration ended in 1978 with jones suddenly moving to copenhagen, denmark, after which the band became the mel lewis jazz orchestra. <P3-S3> since the death of lewis in 1990 it has been known as the vanguard jazz orchestra. <P3-S4> they have maintained a monday-night residency at the village vanguard jazz club in new york for five decades. <SEP> <P4-S0> Eddie Locke was a part of the fertile and vibrant Detroit jazz scene during the 1940s and 1950s, which brought forth many great musicians including the Jones brothers (Hank, Thad, and Elvin), Kenny Burrell, Lucky Thompson, Tommy Flanagan, Barry Harris, and so many others. <P4-S1> He eventually formed a variety act with drummer Oliver Jackson called Bop & Locke which played the Apollo Theater. <P4-S2> He moved to New York City in 1954, and worked there with Dick Wellstood, Tony Parenti, Red Allen, Willie "The Lion" Smith, and Teddy Wilson amongst others. <P4-S3> During this time he came under the tutelage of the great Jo Jones, and eventually became known as a driving and swinging drummer who kept solid time and supported the soloist. <P4-S4> During the late 1950s he formed two of his most fruitful musical relationships, one with Roy Eldridge, and the other with Coleman Hawkins. <P4-S5> His recording debut came with Eldridge in 1959 on "On The Town". <P4-S6> He later became a member of the Coleman Hawkins Quartet in the 1960s along with pianist Tommy Flanagan and bassist Major Holley. <P4-S7> That group made many fine records including the exquisite album "Today and Now", in 1963. <P4-S8> Throughout the 1970s, he played with Roy Eldridge at Jimmy Ryan's in Manhattan, and wound out his career freelancing, as well as teaching youngsters at the Trevor Day School on Manhattan's upper west side.