Question: Which film has the director who was born first, Dusha or La Muchachada De A Bordo?

<P0-S0> La muchachada de a bordo( English language: Boys on Board) is a Argentine comedy film directed and written by Manuel Romero. <P0-S1> The film starred Luis Sandrini and Tito Lusiardo. <P0-S2> The film was edited by Francisco Múgica. <SEP> <P1-S0> Dusha( English translation:" Soul") is a 1981 Soviet musical drama film written by Alexander Borodyansky and directed by Alexander Stefanovich, starring Sofia Rotaru and Mikhail Boyarsky. <P1-S1> The movie features songs performed by Sofia Rotaru, Mikhail Boyarsky and the Russian rock band Mashina Vremeni( Time Machine). <P1-S2> The movie has substantial philosophical dialogue about the self- criticism of an artist and the existential approach to the golden mean between artistic creation and respect for human dignity. <P1-S3> The movie featured a musical video, with Rotaru and Boyarsky jumping on a trampoline in gold stretch fabric. <P1-S4> Stefanovich claimed it was watched by more than 57 million cinema-goers in the Soviet Union, while the KinoExpert.ru site lists 33.3 million. <P1-S5> During production of the film, Rotaru's son was threatened to be taken hostage and was hidden in a villa in the Crimea. <P1-S6> The scenario and the role of Viktoria Slobodina were specially written for Rotaru. <P1-S7> The main plot in the movie deals with the singer's health problems( inflammation of the vocal cords), and Rotaru had similar health issues. <P1-S8> The story is set by the sea at Rotaru's house in Yalta and in Germany( where Rotaru at that time recorded many of her albums), as well as at international song festivals, where Rotaru participated as well. <P1-S9> Initially, producer and director Stefanovich cast his wife Alla Pugacheva to star in the film. <P1-S10> After their relationship breakup, he invited Rotaru. <SEP> <P2-S0> José Gola( February 7, 1904 – April 27, 1939 in Buenos Aires) was an Argentine film actor of the 1930s. <P2-S1> Born in La Plata, Buenos Aires Province, Argentina, Gola began acting for film in the 1934 film" Mañana es domingo". <P2-S2> He began appearing in popular films such as" Puente Alsina"( 1935) and" La muchachada de a bordo" in 1936 and" Mateo" in 1937. <P2-S3> In 1938 he appeared in the film" The Caranchos of Florida" in which he played a significant lead role. <P2-S4> He died appear in 1939's" Hermanos" but his last film was" Frente a la vida" before he died suddenly of peritonitis. <P2-S5> He was one of the promising Argentine actors of the 1930s and would have arguably gone on to become one of the icons of the Cinema of Argentina. <P2-S6> He died from peritonitis on April 27, 1939 in Buenos Aires. <SEP> <P3-S0> Wale Adebanwi( born 1969) is a Nigerian- born first Black Rhodes Professor at St Antony's College, Oxford. <SEP> <P4-S0> Alexander Borisovich Stefanovich( born December 13, 1944) is a Soviet and Russian film director, producer and screenwriter. <SEP> <P5-S0> Manuel Romeo (September 21, 1891 – October 3, 1954 in Buenos Aires) was an Argentine film director, screenwriter, dramatist and score composer, and one of the influential directors in the cinema of Argentina of the classic era. <P5-S1> He was a pioneer of Variety Theatre, and one of the few tango lyrical writers that has reached timeless classical success. <P5-S2> His first play, "Teatro breve" is from 1919 with the collaboration of Ivo Pelay. <P5-S3> He wrote 180 more. <P5-S4> In 1923 he travelled to Europe with Luis Bayón Herrera. <P5-S5> In Paris, where he acted on several plays, he met Carlos Gardel and the idea of filmmaking was born. <P5-S6> He wrote the plot and songs for "Luces de Buenos Aires", directed by the Chilean Adelqui Millar. <P5-S7> He returned to Buenos Aires, where he introduced the new ideas taken from music hall and varieties shows. <P5-S8> He started to work at the Lumitón cinema company, with Enrique Telémaco Susini . <P5-S9> With that film company, released in February 1935, "Noches de Buenos Aires", written and directed by Romero, his cinema career began. <P5-S10> The film starred Tita Merello, Irma Córdoba, Enrique Serrano and Fernando Ochoa. <P5-S11> His films were rejected by critics and intellectuals as a result, but ordinary people liked his style because they knew him from radio of variety shows.