Question: Do both films, Sweet Nothing (Film) and Splendor In The Grass, have the directors who are from the same country?

<P0-S0> Sweet Nothing is a 1995 film directed by Gary Winick and starring Michael Imperioli and Mira Sorvino. <SEP> <P1-S0> Splendor in the Grass is a 1981 American made- for- television drama film directed by Richard C. Sarafian. <P1-S1> The film is a remake of the 1961 film of the same name, written by William Inge and starring Natalie Wood and Warren Beatty. <SEP> <P2-S0> Gary Scott Winick( March 31, 1961 February 27, 2011) was an American filmmaker whose movies as a director include" Tadpole"( 2002) and" 13 Going on 30"( 2004), and who also produced such films as" Pieces of April"( 2003) and" November"( 2004) through his New York City- based independent film production company InDigEnt. <SEP> <P3-S0> Jack Shea (August 1, 1928 – April 28, 2013) was an American film and television director. <P3-S1> He was the president of the Directors Guild of America from 1997 to 2002. <SEP> <P4-S0> Splendor in the Grass is a 1961 American Technicolor period drama film that tells a story of a teenage girl navigating her feelings of sexual repression, love, and heartbreak. <P4-S1> Written by William Inge, who appears briefly as a Protestant clergyman and who won an Oscar for his screenplay, the film was directed by Elia Kazan and features a score by jazz composer David Amram. <SEP> <P5-S0> Elia Kazan( born Elias Kazantzoglou; September 7, 1909 – September 28, 2003) was a Greek- American director, producer, writer and actor, described by" The New York Times" as" one of the most honored and influential directors in Broadway and Hollywood history". <P5-S1> After attending Williams College and then the Yale School of Drama, he acted professionally for eight years, later joining the Group Theatre in 1932, and co-founded the Actors Studio in 1947. <P5-S2> With Robert Lewis and Cheryl Crawford, his actors' studio introduced" Method Acting" under the direction of Lee Strasberg. <P5-S3> Noted for drawing out the best dramatic performances from his actors, he directed 21 actors to Oscar nominations, resulting in nine wins. <P5-S4> He directed a string of successful films, including" A Streetcar Named Desire"( 1951)," On the Waterfront"( 1954), and" East of Eden"( 1955). <P5-S5> Kazan writes," I do n't move unless I have some empathy with the basic theme." <P5-S6> It was followed by" Pinky", one of the first films in mainstream Hollywood to address racial prejudice against African Americans. <P5-S7> In 1954, he directed" On the Waterfront", a film about union corruption on the New York harbor waterfront. <P5-S8> " A Streetcar Named Desire"( 1951), an adaptation of the stage play which he had also directed, received 12 Oscar nominations, winning 4, and was Marlon Brando's breakthrough role. <P5-S9> His testimony helped end the careers of former acting colleagues Morris Carnovsky and Art Smith, along with the work of playwright Clifford Odets. <P5-S10> The two men had made a pact to name each other in front of the committee. <P5-S11> Film author Ian Freer concludes that even" if his achievements are tainted by political controversy, the debt Hollywood —and actors everywhere—owes him is enormous."