Question: Which film has the director died earlier, The Third Eye (1966 Film) or Anybody Here Seen Kelly??

<P0-S0> Clarence Wainwright Murphy, is a misidentification of Charles William Murphy( 1870 – 1913), who as C. W. Murphy was a prolific British composer of music hall and musical theatre tunes. <P0-S1> He was born in Manchester on 14 February 1870 and died in Blackpool on 18 or 19 June 1913. <P0-S2> He is perhaps best known for the song" Has Anybody Here Seen Kelly?" with lyric by Will Letters( 1908). <P0-S3> In 1926," Has Anybody Here Seen Kelly?" was made into an animated short of the same title directed by Dave Fleischer, and in 1928 into a feature film directed by William Wyler. <P0-S4> The song was also performed in the 1943 film" Hello Frisco, Hello". <P0-S5> With frequent collaborator Dan Lipton( 1873 – 1935) he also wrote" My Girl's a Yorkshire Girl", mentioned by James Joyce in his novel" Ulysses" and also turned into a 1909 short sound film of the same name. <P0-S6> Another song," Little Yellow- bird",( aka" Goodbye, Little Yellow Bird") written with lyricist W. Hargreave, can be seen performed by Scottish comedian Charlie Naughton in the 1938 film" Alf's Button Afloat" and by Angela Lansbury in the 1945 film" The Picture of Dorian Gray" and again by Lansbury in the 1985 episode" Sing a Song of Murder" from her TV series" Murder, She Wrote". <SEP> <P1-S0> Mino Guerrini( 16 December 1927 – 10 January 1990) was an Italian director, screenwriter, journalist, actor and painter. <P1-S1> Born in Rome as Giacomo Guerrini, Guerrini entered the cinema industry in 1954 as screenwriter in Marcello Pagliero's" Vergine moderna"; after several collaborations( including the screenplay of Mario Bava's" The Girl Who Knew Too Much") he made his directorial debut in an episode of the film" Amore in quattro dimensioni" and from then started a prolific career, mainly focused on comedy films. <P1-S2> He was also a character actor, often in his own films; as actor he's probably best known for the role of Nino in Damiano Damiani's" La rimpatriata". <SEP> <P2-S0> The Third Eye is a 1920 American film serial directed by James W. Horne. <P2-S1> The film is considered to be lost. <SEP> <P3-S0> Anybody Here Seen Kelly? is a 1928 American silent comedy film directed by William Wyler. <P3-S1> This was the first non-Western film to be directed by Wyler and is now considered to be a lost film. <P3-S2> This is Bessie Love's final silent film. <P3-S3> It was produced by Universal Pictures. <SEP> <P4-S0> The Third Eye  is a 1966 Italian horror film. <P4-S1> It was directed by Mino Guerrini and stars Franco Nero, Gioia Pascal and Erika Blanc. <P4-S2> A young count, who lives with his domineering, jealous mother, begins on a downward spiral into madness after his fiancée dies in a car accident. <P4-S3> This was one of Franco Nero's earliest films, before he achieved stardom in the spaghetti western genre. <P4-S4> Erika Blanc plays a dual role in the film, portraying both the Count's dead fiancée Laura, as well as Laura's twin sister Daniela. <P4-S5> Joe D'Amato remade the film as 1979's "Beyond the Darkness". <SEP> <P5-S0> William Wyler (born Willi Wyler ; July 1, 1902 – July 27, 1981) was an American film director, producer and screenwriter. <P5-S1> Notable works include "Ben-Hur" (1959), "The Best Years of Our Lives" (1946), and "Mrs. Miniver" (1942), all of which won Academy Awards for Best Director, as well as Best Picture in their respective years, making him the only director of three Best Picture winners as of 2019. <P5-S2> Wyler received his first Oscar nomination for directing "Dodsworth" in 1936, starring Walter Huston, Ruth Chatterton and Mary Astor, "sparking a 20-year run of almost unbroken greatness." <P5-S3> Film historian <P5-S4> Ian Freer calls Wyler a "bona fide perfectionist", whose penchant for retakes and an attempt to hone every last nuance, "became the stuff of legend. <P5-S5> " <P5-S6> His ability to direct a string of classic literary adaptations into huge box-office and critical successes made him one of "Hollywood's most bankable moviemakers" during the 1930s and 1940s and into the '60s. <P5-S7> Through his talent for staging, editing, and camera movement, he turned dynamic theatrical spaces into cinematic ones. <P5-S8> He helped propel a number of actors to stardom, finding and directing Audrey Hepburn in her Hollywood debut film, "Roman Holiday" (1953), and directing Barbra Streisand in her debut film, "Funny Girl" (1968). <P5-S9> Both of these performances won Academy Awards. <P5-S10> He directed Olivia de Havilland to her second Oscar in "The Heiress" (1949) and Laurence Olivier in "Wuthering Heights" (1939), for his first Oscar nomination. <P5-S11> Olivier credited Wyler with teaching him how to act for the screen. <P5-S12> And Bette Davis, who received three Oscar nominations under his direction and won her second Oscar in "Jezebel" (1938), said Wyler made her a "far, far better actress" than she had ever been. <P5-S13> Other popular Wyler films include: "Hell's Heroes" (1929), "Dodsworth" (1936), "The Westerner" (1940), "The Letter" (1940), "Friendly Persuasion" (1956), "The Big Country" (1958), "The Children's Hour" (1961) and "How to Steal a Million" (1966).