Question: Do both films, The Condemned Of Altona (Film) and Jatugriha, have the directors who are from the same country?

<P0-S0> Jatugriha is a Bengali social drama film directed by Tapan Sinha and produced by Uttam Kumar based on the same name novel of Subodh Ghosh. <P0-S1> This film was released on 20 March 1964 under the banner of Uttam Kumar Films Privatet Limited. <P0-S2> A 1987 Bollywood film Ijaazat directed by Gulzar, was made on the same plot. <SEP> <P1-S0> The Condemned is a 2007 American action film written and directed by Scott Wiper. <P1-S1> The film stars Steve Austin, Vinnie Jones, Robert Mammone, Tory Mussett, Madeleine West and Rick Hoffman. <P1-S2> The film centers on ten convicts who are forced to fight each other to the death as part of an illegal game which is being broadcast to the public. <P1-S3> " The Condemned" was filmed in Queensland. <P1-S4> Fight choreography was coordinated by Richard Norton, who also stunt doubles for Jones on some scenes. <P1-S5> A sequel titled" The Condemned 2" starring Randy Orton was released in 2015. <P1-S6> The film was produced by WWE Films and distributed by Lionsgate on April 27, 2007. <SEP> <P2-S0> Tapan Sinha (2 October 1924 – 15 January 2009) was one of the most prominent Indian film directors of his time forming a legendary quartet with Satyajit Ray, Ritwik Ghatak and Mrinal Sen. <P2-S1> He was primarily a Bengali filmmaker who worked both in Hindi cinema and Bengali cinema, directing films like "Kabuliwala" (1957), "Louha-KapatSagina Mahato" (1970), "Apanjan" (1968), "Kshudhita Pashan" and children's film "Safed Haathi" (1978) and "Aaj Ka Robinhood". <P2-S2> Sinha started his career in 1946, as a sound engineer with New Theatres film production house in Kolkata, then in 1950 left for England where he worked at Pinewood Studios for next two years, before returning home to start his six decade long career in Indian cinema, making films in Bengali, Hindi and Oriya languages, straddling genres from social realism, family drama, labor rights, to children's fantasy films. <P2-S3> He was one of the acclaimed filmmakers of Parallel Cinema movement of India. <SEP> <P3-S0> The Condemned of Altona is a 1962 Italian- French drama film directed by Vittorio De Sica. <P3-S1> It is based on the play of the same name by Jean- Paul Sartre. <P3-S2> For this film Vittorio De Sica won the David di Donatello for Best Director. <SEP> <P4-S0> Vittorio De Sica (7 July 1901 – 13 November 1974) was an Italian director and actor, a leading figure in the neorealist movement. <P4-S1> Four of the films he directed won Academy Awards: "Sciuscià" and "Bicycle Thieves" (honorary), while "Yesterday, Today and Tomorrow" and "Il giardino dei Finzi Contini" won the Academy Award for Best Foreign Language Film. <P4-S2> Indeed, the great critical success of "Sciuscià" (the first foreign film to be so recognized by the Academy of Motion Picture Arts and Sciences) and "Bicycle Thieves" helped establish the permanent Best Foreign Film Award. <P4-S3> These two films are considered part of the canon of classic cinema. " <P4-S4> Bicycle Thieves" was cited by Turner Classic Movies as one of the 15 most influential films in cinema history. <P4-S5> De Sica was also nominated for the 1957 Oscar for Best Supporting Actor for playing Major Rinaldi in American director Charles Vidor's 1957 adaptation of Ernest Hemingway's "A Farewell to Arms", a movie that was panned by critics and proved a box office flop. <P4-S6> De Sica's acting was considered the highlight of the film. <SEP> <P5-S0> Roberto Gerardi( 18 October 1919- 1995) was an Italian cinematographer. <P5-S1> Born in Rome, Gerardi began his career as an assistant of Carlo Montuori, then pursued his career as an assistant operator of Anchise Brizzi, with whom he worked in one of the masterpieces of neorealism, Vittorio De Sica's" Shoeshine". <P5-S2> He made his debut as a cinematographer in 1957 with the film" I colpevoli" by Turi Vasile, in which he experienced an innovative camera system, with the simultaneous use of three cameras to frame different cuts of long shots. <P5-S3> After having accompanied Giuseppe Rotunno as an additional cinematographer in" The Great War"( 1959), in the early sixties he worked in art films such as Damiano Damiani's" Arturo's Island" and" The Empty Canvas", but also to international co-productions such as" Madame Sans- Gene" by Christian- Jaque and" The Condemned of Altona" by Vittorio De Sica. <P5-S4> In the second half of the sixties Gerardi turned into literary adaptations such as" Mademoiselle De Maupin" by Mauro Bolognini and" Don Giovanni in Sicilia" by Alberto Lattuada. <P5-S5> He was also pretty active in sophisticated commedia all'italiana films, in which he adopted a distinctive cinematography, characterized by" a brilliant use of color and light". <P5-S6> The seventies marked the beginning of the decline of his career, that started to be orientated to more popular and less ambitious productions; during these years he regularly worked with the directors Fernando Di Leo and Giorgio Capitani.