Question: Do both films, Tenebrae (Film) and La Pecora Nera (2010 Film), have the directors who are from the same country?

<P0-S0> The Cassava Metaphor is a 2010 film. <SEP> <P1-S0> La pecora nera, internationally released as The Black Sheep, is a 1968 Italian comedy film directed by Luciano Salce. <P1-S1> For his performance Ettore Mattia won the Nastro d'Argento for best supporting actor. <SEP> <P2-S0> Dario Argento( born 7 September 1940) is an Italian film director, producer, film critic and screenwriter. <P2-S1> He is best known for his work in the horror film genre during the 1970s and 1980s, particularly in the subgenre known as" giallo"; the influence of his work on modern horror films has led him to being referred to as the" Master of the Thrill" and the" Master of Horror". <P2-S2> His most notable films as director are the" Animal Trilogy", consisting of" The Bird with the Crystal Plumage"( 1969)," The Cat o' Nine Tails"( 1971) and" Four Flies on Grey Velvet"( 1972); the" Three Mothers" trilogy, consisting of" Suspiria"( 1977)," Inferno"( 1980) and" The Mother of Tears"( 2007); and the standalone films" Deep Red"( 1975)," Tenebrae"( 1982)," Phenomena"( 1985), and" Opera"( 1987). <P2-S3> He also co-wrote the screenplay for Sergio Leone's" Once Upon a Time in the West"( 1968) and served as George A. Romero's script consultant on" Dawn of the Dead"( 1978), of which he also composed the soundtrack with his long- time collaborators Goblin. <SEP> <P3-S0> La pecora nera is a 2010 Italian comedy film directed by Ascanio Celestini. <P3-S1> The film was nominated for the Golden Lion at the 67th Venice International Film Festival. <SEP> <P4-S0> Ascanio Celestini( born in Rome, June 1, 1972) is an Italian actor, director, writer and playwright. <SEP> <P5-S0> Tenebrae( also known as Tenebre) is a 1982 Italian" giallo" film written and directed by Dario Argento. <P5-S1> John Saxon and Daria Nicolodi co-star as Neal's agent and assistant, while Giuliano Gemma and Carola Stagnaro appear as detectives investigating the murders. <P5-S2> John Steiner, Veronica Lario, and Mirella D'Angelo also feature in minor roles. <P5-S3> The film has been described as exploring themes of dualism and sexual aberration, and has strong metafictional elements; some commentators consider" Tenebrae" to be a direct reaction by Argento to criticism of his previous work, most especially his depictions of murders of beautiful women. <P5-S4> After Argento had experimented with pure supernatural horror with 1977's" Suspiria" and 1980's" InfernoTenebrae" represented the filmmaker's return to the" giallo" horror subgenre, which he had helped popularize in the 1970s. <P5-S5> Argento was inspired by a series of incidents which saw an obsessed fan telephone the director to criticize him for the damaging psychological effects of his previous work. <P5-S6> The telephone calls culminated in death threats towards Argento, who channelled the experience into the writing of" Tenebrae". <P5-S7> The director also wanted to explore the senselessness of killings he had seen and heard about while staying in Los Angeles in 1980, and his feeling at the time that true horror came from those who wanted" to kill for nothing". <P5-S8> Employing director of photography Luciano Tovoli, Argento also intended that the film simulate the stark, realistic lighting featured in television police shows at the time; production designer Giuseppe Bassan created supporting environments that were cold and austere, with sharp angles and modernistic spaces. <P5-S9> Several former members of Italian rock band Goblin provided" Tenebrae" s music, a synth- heavy score inspired by rock and disco music. <P5-S10> " Tenebrae" was a modest success in Italy; it reached theatres with little controversy after Argento made cuts to one of the most violent scenes. <P5-S11> However, in the United Kingdom, it was added to the infamous list of" video nasties" and banned from sale until 1999. <P5-S12> The film's theatrical distribution in the United States was delayed until 1984 when it was released in a heavily censored version under the title Unsane. <P5-S13> In it s cut form," Tenebrae" received a mostly negative critical reception, but the original, fully restored version later became widely available for reappraisal. <P5-S14> The film critic and author Maitland McDonagh has said that it is" in many respects ... the finest film that Argento has ever made".