Question: Noted for Death of a Salesman among others, Arthur Miller had to revise a one act drama into two that premiered at what theatre club?

<P0-S0> The Last Yankee is a play by Arthur Miller, which premiered on January 5, 1993 at the Manhattan Theatre Club in New York City. <P0-S1>  The cast included Tom Aldredge as John Frick, Frances Conroy as Patricia Hamilton, Rose Gregorio as Karen Frick, John Heard as Leroy Hamilton, and Charlotte Maier as the Patient. <P0-S2>  The play had been performed previously in a much shorter version two years earlier. <SEP> <P1-S0> A View from the Bridge is written by American playwright Arthur Miller, first staged on September 29, 1955, as a one-act verse drama with "A Memory of Two Mondays" at the Coronet Theatre on Broadway. <P1-S1>  The play was unsuccessful and Miller subsequently revised the play to contain two acts; this version is the one with which audiences are most familiar today. <P1-S2>  The two-act version premiered in the New Watergate theatre club in London's West End under the direction of Peter Brook on October 11, 1956. <SEP> <P2-S0> Arthur Asher Miller (October 17, 1915 – February 10, 2005) was an American playwright, essayist, and figure in twentieth-century American theater. <P2-S1>  Among his most popular plays are "All My Sons" (1947), "Death of a Salesman" (1949), "The Crucible" (1953) and "A View from the Bridge" (1955, revised 1956). <P2-S2>  He also wrote several screenplays and was most noted for his work on "The Misfits" (1961). <P2-S3>  The drama "Death of a Salesman" has been numbered on the short list of finest American plays in the 20th century alongside "Long Day's Journey into Night" and "A Streetcar Named Desire". <SEP> <P3-S0> Gordon Edelstein is the Long Wharf Theatre’s Artistic Director. <P3-S1>  In addition to his work on the world premiere of Athol Fugard’s "Have You Seen Us"? <P3-S2> , Mr. Edelstein directed and adapted Henrik Ibsen’s A Doll’s House in Long Wharf Theatre’s 2009-10 season. <P3-S3>  In addition, Edelstein directed "Coming Home" at Berkeley Rep and The Glass Menagerie starring Judith Ivey at Roundabout Theatre in New York City. <P3-S4>  His recent productions of Arthur Miller’s "The Price" and Anton Chekhov’s Uncle Vanya (which he also adapted) were on numerous best of 2007 lists including the Wall Street Journal. <P3-S5>  As a director, he has garnered three Connecticut Critics Circle Awards and during his tenure at Long Wharf Theatre, the theatre has produced world premieres by Paula Vogel, Athol Fugard, Craig Lucas, Julia Cho, Noah Haidle, Dael Orlandersmith, and Anna Deavere Smith. <P3-S6>  Over the course of his career, he has also directed and/or produced premieres by Philip Glass, Arthur Miller, Paula Vogel, Donald Margulies, James Lapine, Charles Mee, Mac Wellman, and Martin McDonagh, among many others, and has directed an extremely diverse body of work from Sophocles to Pinter, and from Shakespeare to Beckett. <P3-S7>  Under his artistic leadership, Long Wharf Theatre has received 14 additional Connecticut Critics Circle Awards, including six best actor or actress awards in plays that he directed. <P3-S8>  He was also given the organization’s Tom Killen Award, given annually to an individual who has made an indelible impact on the Connecticut theatrical landscape. <P3-S9>  Edelstein has directed countless plays and workshops for Long Wharf Theatre including the world premieres of BFE (transfer to Playwrights Horizons), The Day the Bronx Died (transfer to NY and London), A Dance Lesson, and The Times, as well as We Won’t Pay! <P3-S10>  We Won’t Pay! <P3-S11> , A New War, A Moon for the Misbegotten, Anna Christie, The Front Page, and Mourning Becomes Electra, starring Jane Alexander. <P3-S12>  Prior to assuming artistic leadership of Long Wharf Theatre, Edelstein helmed Seattle’s ACT Theatre for five years.