Question: Are the directors of both films Klassikokkutulek and Lady Hong from the same country?

<P0-S0> Anupam Ojha( born 1968) is one of the Directors of the National Space Centre. <P0-S1> He serves on the Council of the STFC and as a member of the European Space Agency Human Spaceflight and Exploration Science Advisory Committee( HESAC). <SEP> <P1-S0> Klassikokkutulek( English: Class Reunion) is a 2016 Estonian comedy film directed by René Vilbre. <SEP> <P2-S0> René Vilbre( born 17 May 1970 in Rakvere) is an Estonian film director born on 17 May 1970 in Rakvere, Estonia René Vilbre has received the Children's Film Prize of the Nordic Film Institutes at the Lübeck Nordic Film Days in 2005 and the Don Quixote Award- Special Mention at the Molodist International Film Festival in 1998. <P2-S1> Vilbre's second feature film" I Was Here" was premiered at the Karlovy Vary International Film Festival on September 12, 2008 and in Estonia it became the 5th most successful Estonian film premiere since the 1990s. <SEP> <P3-S0> Kim Ki-young <P3-S1> ( October 10, 1919 – February 5, 1998) was a South Korean film director, known for his intensely psychosexual and melodramatic horror films, often focusing on the psychology of their female characters. <P3-S2> Kim was born in Seoul during the colonial period, raised in Pyongyang, where he became interested in theater and cinema. <P3-S3> In Korea after the end of World War II, he studied dentistry while becoming involved in the theater. <P3-S4> During the Korean War, he made propaganda films for the United States Information Service. <P3-S5> Ki-young's first expression of his mature style was in his" The Housemaid"( 1960), which featured a powerful" femme fatale" character. <P3-S6> Nevertheless, working independently, Kim produced some of his most eccentric cinematic creations in this era. <P3-S7> Films such as" Insect Woman"( 1972) and" Iodo"( 1977) were successful at the time and highly influential on the younger generations of South Korean filmmakers both at their time of release, and with their rediscovery years later. <P3-S8> He was preparing a comeback film when he and his wife were killed in a house fire in 1998. <P3-S9> The Berlin International Film Festival gave Kim a posthumous retrospective in 1998, and the French Cinémathèque screened 18 of Kim's films, some newly rediscovered and restored, in 2006. <P3-S10> Through the efforts of the Korean Film Council( KOFIC), previously lost films by Kim Ki- young continue to be rediscovered and restored. <P3-S11> Many current prominent South Korean filmmakers, including directors Im Sang- soo, Kim Ki-duk, Bong Joon- ho and Park Chan- wook, claim Kim Ki- young as an influence on their careers. <SEP> <P4-S0> Lady Hong is a 1969 South Korean film directed by Kim Ki-young. <SEP> <P5-S0> I Want Your <P5-S1> Love is the title of both a 2010 short film and a 2012 feature- length film. <P5-S2> Both films were directed and written by Travis Mathews. <P5-S3> The drama films both revolve around the friends and ex-lovers of Jesse Metzger, a gay man in his mid-thirties who is forced to move back to his hometown from San Francisco due to financial reasons. <P5-S4> The actors' own names, along with much of their real- life stories, were used for their characters in both films, which features graphic sexual scenes. <P5-S5> The production of both films was aided by the gay pornographic studio NakedSword. <P5-S6> This led to the full- length film being refused exemption from classification, which would have allowed it to screen at the Melbourne Queer Film Festival, a decision to which actor James Franco( who invited Mathews to collaborate on Franco's film" Interior. Leather Bar.") reacted negatively.