Question: Which film director has had the most notable films, Emile Ardolino or Seijun Suzuki?

<P0-S0> Emile Ardolino (May 9, 1943 – November 20, 1993) was an American film director, choreographer, and producer, best known for his films "Dirty Dancing" (1987) and "Sister Act" (1992). <SEP> <P1-S0> The following is the filmography of Takeo Kimura, the Japanese art director, writer, and film director who has art-directed more than 200 films over a span of more than six decades and ranks among Japan's best-known art directors. <P1-S1>  His training began with the Nikkatsu Company in 1941, whose production division was merged into Daiei during the wartime industry reorganization, where he was promoted to art director in 1945. <P1-S2>  His debut film as such was "Umi no yobu koe" (1945). <P1-S3>  Nikkatsu re-opened its production studio in 1954 and Kimura moved there. <P1-S4>  He worked with several directors, including top action director Toshio Masuda on films such as "Red Quay" (1958) with top star Yujiro Ishihara and "Gangster VIP" (1968) starring Tetsuya Watari. <P1-S5>  However, his longest and most famous collaboration has been with director Seijun Suzuki, which began with "The Bastard" (1963). <P1-S6>  Together they developed a bold, expressive style exemplified in "Gate of Flesh" (1964) and "Tokyo Drifter" (1966). <P1-S7>  Suzuki often rewrote his scripts with Kimura, who was given his first screenwriting credit on "The Flower and the Angry Waves" (1964). <P1-S8>  Kimura was also a part of Guryū Hachirō, the pen name of the writing group that formed around Suzuki in the mid-1960s and wrote "Branded to Kill" (1967). <SEP> <P2-S0> Seijun Suzuki (鈴木 清順 , Suzuki Seijun ) , born (24 May 1923 – 13 February 2017), was a Japanese filmmaker, actor, and screenwriter. <P2-S1>  His films are known for their jarring visual style, irreverent humour, nihilistic cool and entertainment-over-logic sensibility. <P2-S2>  He made 40 predominately B-movies for the Nikkatsu Company between 1956 and 1967, working most prolifically in the yakuza genre. <P2-S3>  His increasingly surreal style began to draw the ire of the studio in 1963 and culminated in his ultimate dismissal for what is now regarded as his magnum opus, "Branded to Kill" (1967), starring notable collaborator Joe Shishido. <P2-S4>  Suzuki successfully sued the studio for wrongful dismissal, but he was blacklisted for 10 years after that. <P2-S5>  As an independent filmmaker, he won critical acclaim and a Japanese Academy Award for his Taishō Trilogy, "Zigeunerweisen" (1980), "Kagero-za" (1981) and "Yumeji" (1991). <SEP> <P3-S0> Takeo Kimura (木村 威夫 , Kimura Takeo , April 1, 1918 – March 21, 2010) was a Japanese art director, writer and film director. <P3-S1>  Beginning his career in 1945 he art-directed well over 200 films. <P3-S2>  He was one of Japan's best known art directors, most famously for his collaborations with cult director Seijun Suzuki through the 1960s at the Nikkatsu Company, exemplified by "Tokyo Drifter" (1966). <P3-S3>  Other directors with whom he frequently worked include Toshio Masuda, Kazuo Kuroki, Kei Kumai and Kaizo Hayashi. <P3-S4>  At age 90 he made his feature film directorial debut with "Dreaming Awake" (2008). <P3-S5>  He had also worked as a critic, writer, painter, photographer and teacher.