Question: Which film has the director died first, Living Wigan or The Miracle (1913 Film)?

<P0-S0> The Miracle is a 1913 Swedish silent drama film directed by Victor Sjöström. <P0-S1> It is based on the 1894 novel" Lourdes" by Émile Zola. <SEP> <P1-S0> Victor David Sjöström( 20 September 1879 – 3 January 1960), sometimes known in the United States as Victor Seastrom, was a pioneering Swedish film director, screenwriter, and actor. <P1-S1> He began his career in Sweden, before moving to Hollywood in 1924. <P1-S2> Sjöström worked primarily in the silent era; his best known films include" The Phantom Carriage"( 1921)," He Who Gets Slapped"( 1924), and" The Wind"( 1928). <P1-S3> Sjöström was Sweden's most prominent director in the" Golden Age of Silent Film" in Europe. <P1-S4> Later in life, he played the leading role in Ingmar Bergman's" Wild Strawberries"( 1957). <SEP> <P2-S0> Wilhelm Bendow (29 September 1884 – 29 May 1950) was a German film actor who appeared in a large number of films during his career. <P2-S1> Bendow made his debut in the 1913 film "Aus eines Mannes Mädchenzeit". <SEP> <P3-S0> The Miracle Worker is a 1936 Soviet comedy film directed by Aleksandr Medvedkin. <SEP> <P4-S0> Living Wigan is a 1902 silent short documentary film directed by James Kenyon and Sagar Mitchell, showing street life and a steam tram in Wigan in August 1902. <P4-S1> The film, which was premiered in Wigan Townhall before the Coronation celebrations in 1902, formed part of the 2 hour film show" Live in Wigan". <P4-S2> " This film buzzes with the energy and vibrancy of street life in the city," according to the BFI, and the filmmakers," are seen introducing a comic moment into a possibly more formal opening event," and" actively encouraged the audience to respond to the camera with play acting, comic moments- with the crowd not quite knowing if to respond to the camera or concentrating on the curious event behind them," with," a farcical moment of a guy splashing water at the crowds with a hosepipe." <SEP> <P5-S0> Sagar Jones Mitchell( 28 October 1866 – 2 October 1952) was a pioneer of cinematography in Blackburn, Lancashire, England. <P5-S1> The son of John and Eliza Mitchell, he was educated at a private academy and apprenticed as a cabinet maker. <P5-S2> In 1887 Sagar and his father John founded the firm of S.& J. Mitchell, a photographic apparatus manufacturing and dealing business. <P5-S3> Although associated in partnership with James Kenyon since 1897 little is known of their film production until 1899. <P5-S4> The success of their early films encouraged Mitchell to give up his shop and in September 1901 Mitchell and Kenyon moved into premises in Clayton Street, Blackburn, to concentrate on film production. <P5-S5> Many of these films were produced for travelling showmen. <P5-S6> In May 1907 Sagar Mitchell resumed possession of his original business S.& J. Mitchell, at 40 Northgate, Blackburn. <P5-S7> The volume of film production seems to have tailed off from this date, and from 1909 was increasingly restricted to local events. <P5-S8> The last surviving film dates from 1913. <P5-S9> Mitchell was joined in his business by his son John in 1921. <P5-S10> His partnership with Kenyon was formally dissolved around 1922 and Kenyon died in 1925. <P5-S11> Mitchell carefully stored the film negatives away in the basement of his shop. <P5-S12> On examination, the drums were discovered to contain the original nitrate negatives of 800 Mitchell and Kenyon films in a remarkably good state of preservation.