Question: Do both films: Shaft (2019 Film) and Aniki-Bóbó have the directors from the same country?

<P0-S0> Timothy Kevin Story( born March 13, 1970) is an American director, producer, and writer. <P0-S1> He is the founder of The Story Company, an entertainment production company that he started with his wife in 1996. <SEP> <P1-S0> Shaft is a 2019 American action comedy film directed by Tim Story and written by Kenya Barris and Alex Barnow. <P1-S1> The film stars Samuel L. Jackson, Jessie T. Usher, and Richard Roundtree. <P1-S2> It is the fifth film in the "Shaft" series and a direct sequel to the 2000 film with the same title. <P1-S3> The film was released theatrically in the United States on June 14, 2019 by Warner Bros. Pictures, and digitally in international markets on June 28, 2019 by Netflix. <P1-S4> It received mixed reviews from critics and underperformed at the box office. <SEP> <P2-S0> Jack Shea (August 1, 1928 – April 28, 2013) was an American film and television director. <P2-S1> He was the president of the Directors Guild of America from 1997 to 2002. <SEP> <P3-S0> I Want Your <P3-S1> Love is the title of both a 2010 short film and a 2012 feature- length film. <P3-S2> Both films were directed and written by Travis Mathews. <P3-S3> The drama films both revolve around the friends and ex-lovers of Jesse Metzger, a gay man in his mid-thirties who is forced to move back to his hometown from San Francisco due to financial reasons. <P3-S4> The actors' own names, along with much of their real- life stories, were used for their characters in both films, which features graphic sexual scenes. <P3-S5> The production of both films was aided by the gay pornographic studio NakedSword. <P3-S6> This led to the full- length film being refused exemption from classification, which would have allowed it to screen at the Melbourne Queer Film Festival, a decision to which actor James Franco( who invited Mathews to collaborate on Franco's film" Interior. Leather Bar.") reacted negatively. <SEP> <P4-S0> Manoel Cândido Pinto de Oliveira GCSE, GCIH (11 December 1908 – 2 April 2015) was a Portuguese film director and screenwriter born in Cedofeita, Porto. <P4-S1> He first began making films in 1927, when he and some friends attempted to make a film about World War I. <P4-S2> In 1931 he completed his first film "Douro, Faina Fluvial", a documentary about his home city Porto made in the city symphony genre. <P4-S3> He made his feature film debut in 1942 with "Aniki-Bóbó" and continued to make shorts and documentaries for the next 30 years, gaining a minimal amount of recognition without being considered a major world film director. <P4-S4> Among the numerous factors that prevented Oliveira from making more films during this time period were the political situation in Portugal, family obligations and money. <P4-S5> In 1971, Oliveira directed his second feature narrative film, "Past and Present", a social satire that both set the standard for his film career afterwards and gained him recognition in the global film community. <P4-S6> He continued making films of growing ambition throughout the 1970s and 1980s, gaining critical acclaim and numerous awards. <P4-S7> Beginning in the late 1980s he was one of the most prolific working film directors and made an average of one film per year past the age of 100. <P4-S8> In March 2008 he was reported to be the oldest active film director in the world. <P4-S9> He was also the only filmmaker whose active career spanned from the silent era to the digital age. <P4-S10> Among his numerous awards were the Career Golden Lion from the 61st Venice International Film Festival, the Special Lion for the Overall Work in the 42nd Venice International Film Festival, an Honorary Golden Palm for his lifetime achievements in 2008 Cannes Film Festival, and the French Legion of Honor. <SEP> <P5-S0> Aniki- Bóbó is a 1942 Portuguese film directed by Manoel de Oliveira. <P5-S1> It is his first feature- length film. <P5-S2> The actors are mostly children from Oliveira's hometown, Porto. <P5-S3> The script was adapted by Manoel de Oliveira from a short story by José Rodrigues de Freitas," Meninos Milionários"( lit." Millionaire ChildrenAniki- Bóbó" is a rhyme from a children's game, akin to Eeny, meeny, miny, moe. <P5-S4> The film was not very well received, but with time it gained recognition and was finally accepted as one of the most important Portuguese films of its time. <P5-S5> In several respects, this film seems to anticipate Italian neorealism. <P5-S6> It would be 21 years before Oliveira directed his next feature film.