Question: Do both films: The Red Fish and Le Pont Du Nord have the directors from the same country?

<P0-S0> The following is a list of film directors from Italy. <SEP> <P1-S0> Le Pont du Nord is a 1981 French film directed by Jacques Rivette. <P1-S1> The film stars Bulle Ogier and her daughter Pascale Ogier. <P1-S2> It was released in France on 13 January 1982. <SEP> <P2-S0> The Red Fish( Spanish: Los peces rojos) is a 1955 Spanish thriller film directed by José Antonio Nieves Conde. and written by Carlos Blanco. <P2-S1> Original idea by Carlos Blanco. <P2-S2> Spanish film noir classic movie, praised by critics as one of the top ten Spanish films ever made. <P2-S3> It ’s a psychological thriller fueled by a remarkably intriguing premise Ivón, a chorus girl, and Hugo, a failed writer, turn up at a provincial hotel on a stormy night. <P2-S4> They have come from Madrid with Carlos, Hugo ’s son, born nineteen years earlier after a casual affair. <P2-S5> They decide to lean over the cliffs to look at the angry waves down below – and Carlos falls to his death. <SEP> <P3-S0> José Antonio Nieves Conde( 22 December 1915 in Segovia, Castilla y León, Spain – 14 September 2006) was a Spanish film maker, journalist, and screenplay writer, the director of feature films such as" SurcosFurrows"]( 1951)," AngustiaAnguish"]( 1947), and" BalarrasaReckless"]( 1950). <SEP> <P4-S0> A list of notable film directors from Slovenia: <SEP> <P5-S0> Jacques Rivette( 1 March 1928 – 29 January 2016) was a French film director and film critic most commonly associated with the French New Wave and the film magazine" Cahiers du Cinéma". <P5-S1> His work is noted for its improvisation, loose narratives, and lengthy running times. <P5-S2> He moved to Paris to pursue his career, frequenting Henri Langlois' Cinémathèque Française and other ciné-clubs; there, he met François Truffaut, Jean- Luc Godard, Éric Rohmer, Claude Chabrol and other future members of the New Wave. <P5-S3> Rivette began writing film criticism, and was hired by André Bazin for" Cahiers du Cinéma" in 1953. <P5-S4> In his criticism, he expressed an admiration for American films – especially those of genre directors such as John Ford, Alfred Hitchcock and Nicholas Ray – and was deeply critical of mainstream French cinema. <P5-S5> He continued making short films, including" Le Coup de Berger", which is often cited as the first New Wave film. <P5-S6> Rivette became editor of" Cahiers du Cinéma" during the early 1960s and publicly fought French censorship of his second feature film," The Nun"( 1966). <P5-S7> He then re-evaluated his career, developing a unique cinematic style with" L'amour fou". <P5-S8> Influenced by the political turmoil of May 68, improvisational theatre and an in- depth interview with filmmaker Jean Renoir, Rivette began working with large groups of actors on character development and allowing events to unfold on camera. <P5-S9> This technique led to the thirteen- hour" Out 1" which, although rarely screened, is considered a Holy Grail of cinephiles. <P5-S10> His films of the 1970s, such as" Celine and Julie Go Boating", often incorporated fantasy and were better- regarded. <P5-S11> Rivette's output increased from then on, and his film" La Belle Noiseuse" received international praise.