Question: Do both films, Jlg/Jlg – Self-Portrait In December and Dr. Madhurika, have the directors who are from the same country?

<P0-S0> Dr. Madhurika (Modern Wife) is a 1935 social film directed by Sarvottam Badami based on a story by K. M. Munshi. <P0-S1> The cinematography was by Faredoon Irani and the film starred Sabita Devi, Motilal, Gulzar, Bhudo Advani and Padma Shaligram. <P0-S2> The dialogue and lyrics were by Waqif with music by Pransukh Nayak and Ashok Ghosh. <P0-S3> Dr. Madhurika was written as a script by Munshi for Sagar Movietone and then converted into a drama in 1936. <P0-S4> The movie was criticized for its regressive story. <P0-S5> The film was later remade as "Mr. & Mrs. '55" (1955). <P0-S6> The female protagonist is a modern doctor who insists on continuing her practice after marriage and not wanting children. <P0-S7> The story then follows her traditional change. <SEP> <P1-S0> JLG/JLG – Self-Portrait in December  is a 1995 French documentary film directed by Jean-Luc Godard. <SEP> <P2-S0> Sarvottam Badami (1910-2005) was an Indian film director of Hindi, Tamil and Telugu films. <P2-S1> He started his career as a sound recordist for the first talkie in India, "Alam Ara" (1931). <P2-S2> In 1948 he helped set up the Films Division for news-reel and documentaries, where he worked as the chief producer in the newsreel department and also made documentaries. <P2-S3> His active years were from 1932 to 1952 when he retired from the Films Division and from making feature films to settle in Bangalore. <SEP> <P3-S0> Matt Corboy( born June 4, 1973) is an American actor. <P3-S1> He has appeared in both films and television series. <SEP> <P4-S0> Lique Schoot( born 10 December 1969 in Arnhem) is a Dutch visual artist who is preoccupied with the self- portrait in a multidisciplinary way. <P4-S1> She was educated at the Academy of Fine Arts in Arnhem( ArtEZ). <SEP> <P5-S0> Jean-Luc Godard (born 3 December 1930) is a French-Swiss film director, screenwriter and film critic. <P5-S1> He rose to prominence as a pioneer of the 1960s <P5-S2> During his early career as a film critic, Godard criticized mainstream French cinema's "Tradition of Quality", which emphasized established convention over innovation and experimentation. <P5-S3> In response, he and like-minded critics began to make their own films. <P5-S4> In 1964, Godard described his and his colleagues' impact: "We barged into the cinema like cavemen into the Versailles of Louis XV." <P5-S5> Along with showing knowledge of film history through homages and references, several of his films expressed his political views; he was an avid reader of existential and Marxist philosophy. <P5-S6> Since the New Wave, his politics have been much less radical and his recent films are about representation and human conflict from a humanist, and a Marxist perspective. <P5-S7> In a 2002 "Sight & Sound" poll, Godard ranked third in the critics' top-ten directors of all time (which was put together by assembling the directors of the individual films for which the critics voted). <P5-S8> In 2010, Godard was awarded an Academy Honorary Award, but did not attend the award ceremony. <P5-S9> Godard's films have inspired many directors including Martin Scorsese, Quentin Tarantino, Brian De Palma, Steven Soderbergh, D. A. Pennebaker, Robert Altman, Jim Jarmusch, Wong Kar-wai, Wim Wenders, Bernardo Bertolucci, and Pier Paolo Pasolini. <P5-S10> From his father, he is the cousin of Pedro Pablo Kuczynski, former President of Peru. <P5-S11> He has been married twice, to actresses Anna Karina and Anne Wiazemsky, both of whom starred in several of his films. <P5-S12> His collaborations with Karina—which included such critically acclaimed films as "Vivre sa vie" (1962), "Bande à part" (1964) and "Pierrot le Fou" (