Question: Which film has the director who was born earlier, Once Upon A Time In Anatolia or Letters From The Park?

<P0-S0> Nuri Bilge Ceylan( born 26 January 1959) is a Turkish film director, photographer, screenwriter and actor. <P0-S1> Several of Ceylan's films have been met with widespread critical acclaim. <P0-S2> He won the Palme d' Or, the highest prize at the Cannes Film Festival, in 2014, for his film" Winter Sleep". <P0-S3> He is married to filmmaker, photographer, and actress Ebru Ceylan, with whom he co-starred in" Climates"( 2006). <SEP> <P1-S0> Once Upon a Time in Anatolia is a 2011 internationally co-produced drama film, co-written and directed by Nuri Bilge Ceylan based on the true experience of one of the film's writers, telling the story of a group of men who search for a dead body on the Anatolian steppe. <P1-S1> The film, which went on nationwide general release across Turkey on, premiered at the 2011 Cannes Film Festival where it was a co-winner of the Grand Prix. <SEP> <P2-S0> Milan Luthria is an Indian film director who works in Hindi films. <P2-S1> He is best known as the director of Ajay Devgan" Once Upon a Time in Mumbai"( 2010). <P2-S2> He is the nephew of producer and director Mahesh Bhatt. <SEP> <P3-S0> Once Upon a Time in China and America, also known as Once Upon a Time in China VI, is a 1997 Hong Kong – Chinese martial arts film directed by Lau Kar-wing and Sammo Hung in his last directorial effort until" The Bodyguard", who also worked on the film's fight choreography. <P3-S1> The film is the sixth and final installment in the" Once Upon a Time in China" film series. <P3-S2> It also saw the return of Jet Li as Chinese martial arts master and folk hero of Cantonese ethnicity, Wong Fei-hung, who was replaced by Vincent Zhao in the fourth and fifth films. <P3-S3> The film was released in Hong Kong on 1 February 1997 and garnered positive reviews. <SEP> <P4-S0> Letters from the Park is a 1988 Cuban drama film directed by Tomás Gutiérrez Alea. <P4-S1> The film was selected as the Cuban entry for the Best Foreign Language Film at the 61st Academy Awards, but was not accepted as a nominee. <SEP> <P5-S0> Tomás Gutiérrez Alea (December 11, 1928 – April 16, 1996) was a Cuban filmmaker. <P5-S1> He wrote and directed more than 20 features, documentaries, and short films, which are known for his sharp insight into post-Revolutionary Cuba, and possess a delicate balance between dedication to the revolution and criticism of the social, economic, and political conditions of the country. <P5-S2> Gutiérrez's work is representative of a cinematic movement occurring in the 1960s and 1970s known collectively as the New Latin American Cinema. <P5-S3> This collective movement, also referred to by various writers by specific names such as “Third Cinema”, “Cine Libre”, and “Imperfect Cinema,” was concerned largely with the problems of neocolonialism and cultural identity. <P5-S4> The movement rejected both the commercial perfection of the Hollywood style, and the auteur-oriented European art cinema, for a cinema created as a tool for political and social change. <P5-S5> Due not in a small part to the filmmakers’ lack of resources, aesthetic was of secondary importance to cinema's social function. <P5-S6> The movement's main goal was to create films in which the viewer became an active, self-aware participant in the discourse of the film. <P5-S7> Viewers were presented with an analysis of a current problem within society that as of that time had no clear solution, hoping to make the audience aware of the problem and to leave the theater willing to become actors of social change.