Question: Are both director of film Viva Zapata! and director of film 99 and 44/100% Dead from the same country?

<P0-S0> Viva Zapata! is a 1952 biographical film directed by Elia Kazan and starring Marlon Brando. <P0-S1> The screenplay was written by John Steinbeck, using Edgcomb Pinchon's book" Zapata the Unconquerable" as a guide. <P0-S2> The cast includes Jean Peters and, in an Academy Award- winning performance, Anthony Quinn. <P0-S3> The film is a fictionalized account of the life of Mexican revolutionary Emiliano Zapata from his peasant upbringing, through his rise to power in the early 1900s, to his death. <P0-S4> To make the film as authentic as possible, Kazan and producer Darryl F. Zanuck studied the numerous photographs that were taken during the revolutionary years, the period between 1909 and 1919 when Zapata led the fight to restore land taken from common people during the dictatorship of Porfirio Díaz. <P0-S5> Kazan was especially impressed with the Agustín Casasola collection of photographs and he attempted to duplicate their visual style in the film. <P0-S6> Kazan also acknowledged the influence of Roberto Rossellini's" Paisan". <SEP> <P1-S0> The Nickel Ride is a 1974 American neo- noir crime film directed and produced by Robert Mulligan and starring Jason Miller, Linda Haynes, Victor French, Bo Hopkins, and John Hillerman. <P1-S1> It is the debut film of screenwriter Eric Roth. <P1-S2> It was entered into the 1974 Cannes Film Festival, where it was nominated for the Palme d' Or. On December 13, 2011 Shout! <P1-S3> Factory released the film on DVD as part of a double feature with" 99 and 44/100% Dead". <SEP> <P2-S0> Elia Kazan( born Elias Kazantzoglou; September 7, 1909 – September 28, 2003) was a Greek- American director, producer, writer and actor, described by" The New York Times" as" one of the most honored and influential directors in Broadway and Hollywood history". <P2-S1> Kazan acted in a few films, including" City for Conquest"( 1940). <P2-S2> He also received an Honorary Oscar. <P2-S3> His films were concerned with personal or social issues of special concern to him. <P2-S4> Kazan writes," I do n't move unless I have some empathy with the basic theme." <P2-S5> His first such" issue" film was" Gentleman's Agreement"( 1947), with Gregory Peck, which dealt with anti-Semitism in America. <P2-S6> It received 8 Oscar nominations and 3 wins, including Kazan's first for Best Director. <P2-S7> In 1954, he directed" On the Waterfront", a film about union corruption on the New York harbor waterfront. <P2-S8> The two men had made a pact to name each other in front of the committee. <P2-S9> Nearly a half- century later, his anti-Communist testimony continued to cause controversy. <P2-S10> Film author Ian Freer concludes that even" if his achievements are tainted by political controversy, the debt Hollywood —and actors everywhere—owes him is enormous." <P2-S11> In 2010, Martin Scorsese co- directed the documentary film" A Letter to Elia" as a personal tribute to Kazan. <SEP> <P3-S0> Ian Barry is an Australian director of film and TV. <SEP> <P4-S0> 99 and 44/100% <P4-S1> Dead is a 1974 American action comedy film directed by John Frankenheimer and starring Richard Harris. <P4-S2> The title is a play on an advertising slogan for Ivory soap. <SEP> <P5-S0> John Michael Frankenheimer (February 19, 1930 – July 6, 2002) was an American film and television director known for social dramas and action/suspense films. <P5-S1> Among his credits were "Birdman of Alcatraz" (1962), "The Manchurian Candidate" (1962), "Seven Days in May" (1964), "The Train" (1965), "Seconds" (1966), "Grand Prix" (1966), "French Connection II" (1975), "Black Sunday" (1977), and "Ronin" (1998). <P5-S2> He won four Emmy Awards—three consecutive—in the 1990s for directing the television movies "Against the WallThe Burning SeasonAndersonville", and "George Wallace", the last of which also received a Golden Globe Award for Best Miniseries or Television Film. <P5-S3> Frankenheimer's 30 feature films and over 50 plays for television were notable for their influence on contemporary thought. <P5-S4> He became a pioneer of the "modern-day political thriller", having begun his career at the peak of the Cold War. <P5-S5> He was technically highly accomplished from his days in live television; many of his films were noted for creating "psychological dilemmas" for his male protagonists along with having a strong "sense of environment," similar in style to films by director Sidney Lumet, for whom he had earlier worked as assistant director. <P5-S6> He developed a "tremendous propensity for exploring political situations" which would ensnare his characters. <P5-S7> Movie critic Leonard Maltin writes that "in his time [1960s]... Frankenheimer worked with the top writers, producers and actors in a series of films that dealt with issues that were just on top of the moment—things that were facing us all."