Question: Are the directors of films Overboard (1987 film) and Masks (1987 film) both from the same country?

<P0-S0> Overboard is a 1987 American romantic comedy film directed by Garry Marshall, written by Leslie Dixon, starring Goldie Hawn and Kurt Russell, and produced by Roddy McDowall, who also co-stars. <P0-S1> The film's soundtrack was composed by Alan Silvestri. <P0-S2> Although it opened to mixed reviews and was a box office disappointment," Overboard" has grown into a cult status over the years and has been remade twice. <P0-S3> In 2006, it was adapted into the South Korean television series" Couple or Trouble", and in 2018 it was remade with Anna Faris and Eugenio Derbez. <SEP> <P1-S0> Garry Kent Marshall (November 13, 1934 – July 19, 2016) was an American film director, film producer, screenwriter, and actor who is best known for creating "Happy Days" and its various spin-offs, developing Neil Simon's 1965 play "The Odd Couple" for television, and directing "Pretty WomanBeachesRunaway BrideValentine's DayNew Year's EveMother's DayThe Princess Diaries", and . <SEP> <P2-S0> Masks is a 1987 French mystery thriller film directed by Claude Chabrol. <P2-S1> It was entered into the 37th Berlin International Film Festival. <SEP> <P3-S0> On the Line is a 1987 film starring David Carradine. <P3-S1> It was also known as Rio Abajo. <SEP> <P4-S0> Blindside is a 1987 film directed by Paul Lynch and starring Harvey Keitel. <SEP> <P5-S0> Claude Henri Jean Chabrol( 24 June 1930 – 12 September 2010) was a French film director and a member of the French New Wave(" nouvelle vague") group of filmmakers who first came to prominence at the end of the 1950s. <P5-S1> Like his colleagues and contemporaries Jean- Luc Godard, François Truffaut, Éric Rohmer and Jacques Rivette, Chabrol was a critic for the influential film magazine" Cahiers du cinéma" before beginning his career as a film maker. <P5-S2> Chabrol's career began with" Le Beau Serge"( 1958), inspired by Hitchcock's" Shadow of a Doubt"( 1943). <P5-S3> Thrillers became something of a trademark for Chabrol, with an approach characterized by a distanced objectivity. <P5-S4> This is especially apparent in" Les Biches"( 1968)," La Femme infidèle"( 1969), and" Le Boucher"( 1970) – all featuring Stéphane Audran, who was his wife at the time. <P5-S5> Sometimes characterized as a" mainstream" New Wave director, Chabrol remained prolific and popular throughout his half- century career. <P5-S6> In 1978, he cast Isabelle Huppert as the lead in" Violette Nozière". <P5-S7> On the strength of that effort, the pair went on to others including the successful" Madame Bovary"( 1991) and" La Cérémonie"( 1996). <P5-S8> Film critic John Russell Taylor has stated that" there are few directors whose films are more difficult to explain or evoke on paper, if only because so much of the overall effect turns on Chabrol's sheer hedonistic relish for the medium ... <P5-S9> Some of his films become almost private jokes, made to amuse himself." <P5-S10> James Monaco has called Chabrol" the craftsman par excellence of the New Wave, and his variations upon a theme give us an understanding of the explicitness and precision of the language of the film that we do n't get from the more varied experiments in genre of Truffaut or Godard."