Question: Do both films: Cantata (Film) and Kult Ciała have the directors from the same country?

<P0-S0> Kult ciała ("The Cult of the Body") is a 1930 Polish film directed by Michał Waszyński. <P0-S1> It is based on a novel by Mieczysław Srokowski and stars Victor Varconi. <SEP> <P1-S0> Michał Waszyński (29 September 1904 – 20 February 1965) was first a film director in Poland, then in Italy, and later (as Michael Waszynski) <P1-S1> Known for his elegance and impeccable manners, he was, by the people who knew him, known as "the prince". <P1-S2> Waszyński was born as Mosze Waks into a Polish Jewish family as Michał Waks in 1904 in Kowel, a small town in Volhynia (now in Ukraine), which at the time was part of Imperial Russia. <P1-S3> As Germany occupied this part of Europe during World War I, he moved first to Warsaw and later to Berlin. <P1-S4> Upon his return to Poland he changed his name to Michał Waszyński and converted to Catholicism. <P1-S5> Along with the popular films in Polish directed to a wide local audience, he directed an important film in Yiddish "The Dybbuk", today a monument of the rich cultural life of East European Jewry before the Holocaust. <P1-S6> At the beginning of World War II Waszyński escaped from Warsaw, which was being bombed by German planes, to Białystok. <P1-S7> Waszyński began a new career as a theater director, first in Białystok and later in Moscow. <P1-S8> In the summer of 1941, after Germany invaded the Soviet Union, Waszyński joined the newly formed Polish Army of general Władysław Anders (loyal to the Polish government in Exile in London) and subsequently was relocated to Persia (Iran), and later as a soldier of the 2nd Corps of the Polish Army to Egypt and Italy. <P1-S9> After World War II, he stayed in Italy, where he directed a Polish-language feature film about the Battle of Monte Cassino, and then three Italian films. <P1-S10> Later in his career, Waszyński worked as a producer for the major American studios in Italy and (primarily) Spain, credited as "Michael Waszynski". <P1-S11> His credits include "The Quiet American" (1958) (associate producer), "El Cid" (1961), and "The Fall of the Roman Empire (film)" (1964) (executive producer and associate producer). <SEP> <P2-S0> Mieczysław Srokowski (August 14, 1873 in the village of Bybło, Podole – September 11, 1910 in Warsaw) was a Polish writer and poet. <P2-S1> His 1910 novel, "Kult ciała, Dziennik człowieka samotnego" was adapted in the film "Kult ciala" in 1930 and starred Victor Varconi. <SEP> <P3-S0> Cantata is a 1963 Hungarian drama film directed by Miklós Jancsó and starring Zoltán Latinovits, Andor Ajtay and Gyula Bodrogi. <P3-S1> After witnessing a senior doctor about whom he had doubts bring back a patient from cardiac arrest a young doctor with peasant roots comes to question his whole life when the doctor collapses from the struggle. <P3-S2> Feeling that his progress from peasant's son to city doctor was made too smoothly, without a need to struggle or learn about life, and has made him arrogant and lonely, he comes to realises he has become gradually estranged from his own class and background after he returns to visit his hometown. <P3-S3> Its Hungarian title is Oldás és kötés ("Loosening and Tightening"). <P3-S4> The English title comes from the Cantata Profana. <P3-S5> Its story, heard as a radio broadcast in the film, echos the conflict within the young doctor. <P3-S6> It relates to nine sons raised by their father only to hunt, who know nothing of work, and spend all their time in the forest. <P3-S7> The nine were turned magically into stags and, although recognised by their father, their altered natures mean they cannot return to live in their home. <SEP> <P4-S0> Jack Shea (August 1, 1928 – April 28, 2013) was an American film and television director. <P4-S1> He was the president of the Directors Guild of America from 1997 to 2002. <SEP> <P5-S0> Miklós Jancsó (27 September 192131 January 2014) was a Hungarian film director and screenwriter. <P5-S1> Jancsó achieved international prominence from the mid-1960s onwards, with works including "The Round-UpSzegénylegények", 1965), "The Red and the WhiteCsillagosok, katonák", 1967), and " <P5-S2> Red PsalmMég kér a nép", 1971). <P5-S3> Jancsó's films are characterized by visual stylization, elegantly choreographed shots, long takes, historical periods, rural settings, and a lack of psychoanalyzing. <P5-S4> A frequent theme of his films is the abuse of power. <P5-S5> His works are often allegorical commentaries on Hungary under Communism and the Soviet occupation, although some critics prefer to stress the universal dimensions of Jancsó's explorations. <P5-S6> Towards the end of the 1960s and especially into the 1970s, Jancsó's work became increasingly stylized and overtly symbolic.