Question: Which film whose director was born first, The Orphan (Film) or The Gorgon?

<P0-S0> Deepak Sareen is a Bollywood film director and assistant director. <P0-S1> His first film as director was" Ranbhoomi" and last film as director was" Albela". <SEP> <P1-S0> The art director was Tomoo Shimogawara. <SEP> <P2-S0> The Gorgon is a 1964 British horror film directed by Terence Fisher for Hammer Films. <P2-S1> It stars Peter Cushing, Christopher Lee, Barbara Shelley and Richard Pasco. <P2-S2> Written by John Gilling and directed by Terence Fisher, the film was photographed by Michael Reed, and designed by Bernard Robinson. <P2-S3> For the score James Bernard combined a soprano with a little-known electronic instrument called the Novachord. <P2-S4> The film marks one of the few occasions when Hammer turned to Greek mythology for inspiration; this time it is the legend of the Gorgon that is respun for the Hammer audiences. <SEP> <P3-S0> Lee Sun-Fung (born 10 April 1909 in Guangdong, China, died 21 May 1985) was a Chinese film director, writer and actor. <P3-S1> Between 1940 and 1978 he directed over 50 Hong Kong films. <P3-S2> Three of his films were included in the Hong Kong Film Awards' list of "Best 100 Chinese Motion Pictures" in 2005: "The Orphan" (1960), "Cold Nights" (1955), and "Feast of a Rich Family" (1959), which he co-directed with Lee Tit, Ng Wui and Lo Ji-Hung. <SEP> <P4-S0> The Orphan is a 1960 Hong Kong drama film directed by Lee Sun-Fung and starring a then eighteen-year-old Bruce Lee. <P4-S1> The film is based on the novel of the same Chinese title by Au-yeung Tin. <P4-S2> " <P4-S3> The Orphan" was filmed in the early months of 1959 and was the last film that Lee made in Hong Kong during his teenager years before leaving to the United States in 1959. <P4-S4> The film was ranked number 52 of the Best 100 Chinese Motion Pictures at the 24th Hong Kong Film Awards. <SEP> <P5-S0> Terence Fisher (23 February 1904 – 18 June 1980) was a British film director best known for his work for Hammer Films. <P5-S1> He was the first to bring gothic horror alive in full colour, and the sexual overtones and explicit horror in his films, while mild by modern standards, were unprecedented in his day. <P5-S2> His first major gothic horror film was "The Curse of Frankenstein" (1957), which launched Hammer's association with the genre and made British actors Peter Cushing and Christopher Lee leading horror stars of the era. <P5-S3> He went on to film several adaptations of classic horror subjects, including "Dracula" (1958), "The Mummy" (1959), and "The Curse of the Werewolf" (1961). <P5-S4> Given their subject matter and lurid approach, Fisher's films, though commercially successful, were largely dismissed by critics during his career. <P5-S5> It is only in recent years that Fisher has become recognised as an "auteur" in his own right. <P5-S6> His most famous films are characterised by a blend of fairytale myth and the supernatural alongside themes of sexuality, morality, and ‘the charm of evil’. <P5-S7> Drawing heavily on a Christian conservative outlook, there is often a hero who defeats the powers of darkness by a combination of faith in God and reason, in contrast to other characters, who are either blindly superstitious or bound by cold, godless rationalism. <P5-S8> For detailed discussions of Fisher's work, see "Terence Fisher: Horror, Myth, and Religion" by Paul Leggett (McFarland and Co, 2002), "British Film Makers: Terence Fisher" by Peter Hutchings <P5-S9> (Manchester University Press, 2013), and "The Films of Terence Fisher: Hammer Horror and Beyond" by Wheeler Winston Dixon (Auteur Publishing, 2017).