Question: Do both films Front Page Woman and The Song of Life have the directors from the same country?

<P0-S0> Front Page Woman is a 1935 American comedy film directed by Michael Curtiz. <P0-S1> The screenplay by Laird Doyle, Lillie Hayward and Roy Chanslor based on the novel "Women Are Bum Newspapermen" by Richard Macauley. <SEP> <P1-S0> Front Page or The Front Page may refer to: <SEP> <P2-S0> The Song of Life  is a 1931 German film directed by Alexis Granowsky. <SEP> <P3-S0> Alexis Granowsky (1890–1937) was a Russian theatre director who later became a film director. <P3-S1> Granowsky was born as Abraham Azarkh to a Jewish family in Moscow. <P3-S2> After studying in St. Petersburg, he went to Munich where he gained valuable theatre experience working under Max Reinhardt. <P3-S3> He served in the Russian army during the First World War before in 1919 he set up his own Jewish-orientated theatre in St. Petersburg, which under a new director became GOSET. <P3-S4> Granowsky's reputation rose quickly over the following years, as he became one of the most celebrated theatre directors in Europe. <P3-S5> In 1925 Granowsky directed his first film, a silent, but concentrated his efforts on his stage work. <P3-S6> After the Russian Revolution, and the Communist victory in the Russian Civil War, Granowsky continued to live in the country even though he felt himself culturally Western European. <P3-S7> Granowsky was initially feted by the Soviet authorities and was awarded a number of honours <P3-S8> but he began to find their cultural policies increasingly restrictive, and emigrated to the Weimar Republic in the late 1920s. <P3-S9> In Germany Granowsky worked on some theatre productions, but increasingly moved into film. <P3-S10> He collaborated with a number of other Russian exiles such as Léo Lania who shared his left-wing political views. <P3-S11> He directed two German films, before emigrating to Paris where he lived for the rest of his life. <P3-S12> He produced and directed expensive prestige films "The Adventures of King Pausole" (1933) and "Taras Bulba" (1936). <P3-S13> He had married a wealthy German woman, but they separated before his death. <P3-S14> Despite his lavish lifestyle, Granowsky died comparatively poor. <SEP> <P4-S0> Michael Curtiz (born Manó Kaminer(1886-1905) Mihály Kertész (1905); December 24, 1886 April 11, 1962) was a Hungarian-born American film director, recognized as one of the most prolific directors in history. <P4-S1> He directed classic films from the silent era and numerous others during Hollywood's Golden Age, when the studio system was prevalent. <P4-S2> Curtiz was already a well-known director in Europe when Warner Bros. invited him to Hollywood in 1926, when he was 39 years of age. <P4-S3> He had already directed 64 films in Europe, and soon helped Warner Bros. become the fastest-growing movie studio. <P4-S4> He directed 102 films during his Hollywood career, mostly at Warners, where he directed ten actors to Oscar nominations. <P4-S5> James Cagney and Joan Crawford won their only Academy Awards under Curtiz's direction. <P4-S6> He put Doris Day and John Garfield on screen for the first time, and he made stars of Errol Flynn, Olivia de Havilland, and Bette Davis. <P4-S7> He himself was nominated five times and won twice, once for Best Short Subject for "Sons of Liberty" and once as Best Director for "Casablanca". <P4-S8> Curtiz introduced to Hollywood a unique visual style using artistic lighting, extensive and fluid camera movement, high crane shots, and unusual camera angles. <P4-S9> He was versatile and could handle any kind of picture: melodrama, comedy, love story, film noir, musical, war story, Western, or historical epic. <P4-S10> He always paid attention to the human-interest aspect of every story, stating that the "human and fundamental problems of real people" were the basis of all good drama. <P4-S11> Curtiz helped popularize the classic swashbuckler with films such as "Captain Blood" (1935) and "The Adventures of Robin Hood" (1938). <P4-S12> He directed many dramas which today are also considered classics, "Angels with Dirty Faces" (1938), "The Sea Wolf" (1941), "Casablanca" (1942), and "Mildred Pierce" (1945). <P4-S13> He directed leading musicals, including "Yankee Doodle Dandy" (1942), " <P4-S14> This Is the Army" (1943), and "White Christmas", and he made comedies with "Life With Father" (1947) and "We're No Angels" (1955). <SEP> <P5-S0> Does a Woman Have to Become a Mother? or Paragraph 144 is a 1924 Austrian- German silent film directed by Georg Jacoby and Hans Otto and starring Harry Liedtke. <P5-S1> Originally intended as a pro-abortion film, by the time it was released it was advocating the opposite view. <P5-S2> " Does a Woman Have to Become a Mother?"( 1924) is a new edited version of" Moral und Sinnlichkeit"( 1919).