Question: Do both films Phir Wahi Raat and The Stuart Hall Project have the directors that share the same nationality?

<P0-S0> Danny Denzongpa( born Tshering Phintso Denzongpa; 25 February 1948) is an Indian film actor, singer and film director. <P0-S1> He has mainly worked in Bollywood films, though he has also appeared in several Nepali, Tamil, Bengali and Telugu films. <P0-S2> He has acted in about 190 Hindi films since 1971. <P0-S3> In 2003, Denzongpa was awarded the Padma Shree, India's fourth- highest civilian honour. <P0-S4> His film career spans more than 4 decades. <P0-S5> He has also starred in some international films, the most famous being" Seven Years in Tibet" where he appeared alongside Brad Pitt. <P0-S6> His best known villainous roles are in" Dhund36 GhanteBandish"( 1980)," Jeeo Aur Jeene DoDharm Aur Qanoon" and" Agneepath" whereas his best known positive roles were in" FakiraChor Machaye ShorDevataKalicharanBulundi" and" Adhikar". <P0-S7> His directorial venture" Phir Wahi Raat" was considered among the top five best horror suspense films of Hindi Cinema. <SEP> <P1-S0> There are two parts of the film: the first part and the second part. <P1-S1> Both parts have the same staff and the same actors. <SEP> <P2-S0> Phir Wohi Raat( transliteration: <P2-S1> Same night again) is a 1980 suspense film of horror genre starring Rajesh Khanna in the lead role as a psychologist doctor opposite Kim, then girlfriend of Danny. <P2-S2> The film music and scores composed by R.D. Burman. <P2-S3> This is the first and the only film directed by Danny Denzongpa. <SEP> <P3-S0> Leonard Knight Elmhirst( 6 June 1893 – 16 April 1974) was a philanthropist and agronomist who worked extensively in India. <P3-S1> He was co-founder with his wife Dorothy of the Dartington Hall project in progressive education and rural reconstruction. <SEP> <P4-S0> The Stuart Hall Project is a 2013 British film written and directed by John Akomfrah centred on cultural theorist Stuart Hall, who is regarded as one of the founding figures of the New Left and a key architect of Cultural Studies in Britain. <P4-S1> The film uses a montage of documentary footage together with Hall's own words and thoughts to produce what Peter Bradshaw of" The Guardian" called" an absorbing account", awarding it four stars and stating that it has" an idealism and high seriousness that people might not immediately associate with the subject Hall pioneered <P4-S2> Sight& Sound" magazine's Ashley Clark described it as" a strongly personal work" that" unfolds simultaneously as a tribute to a heroic figure, a study of the emergence of the New Left and its attendant political ideas, and a summation, in thematic and technical terms, of the key characteristics of Akomfrah ’s body of work thus far( intertextuality, archival manipulation, a focus on postcolonial and diasporic discourse in Britain)." <SEP> <P5-S0> John Akomfrah, CBE( born 4 May 1957) is a British artist, writer, film director, screenwriter, theorist and curator of Ghanaian descent, whose" commitment to a radicalism both of politics and of cinematic form finds expression in all his films". <P5-S1> A founder of the Black Audio Film Collective in 1982, he made his début as a director with" Handsworth Songs", which examined the fallout from the 1985 Handsworth riots. <P5-S2> " Handsworth Songs" went on to win the Grierson Award for Best Documentary in 1987. <P5-S3> In the words of" The Guardian", he" has secured a reputation as one of the UK ’s most pioneering film- makers[ whose] poetic works have grappled with race, identity and post-colonial attitudes for over three decades."