Question: How did the country where the individual who invited Chopin there, also paid for his funeral, become part of the U.K.?

<P0-S0> Chopin's tombstone, featuring the muse of music, Euterpe, weeping over a broken lyre, was designed and sculpted by Clésinger. <P0-S1> The expenses of the funeral and monument, amounting to 5,000 francs, were covered by Jane Stirling, who also paid for the return of the composer's sister Ludwika to Warsaw. <P0-S2> Ludwika took Chopin's heart in an urn, preserved in alcohol, back to Poland in 1850. <P0-S3> [n 9] She also took a collection of two hundred letters from Sand to Chopin; after 1851 these were returned to Sand, who seems to have destroyed them. <SEP> <P1-S0> ``the storm ''is a short story written by the american writer kate chopin in 1898. the story takes place during the 19th century somewhere in the south, where storms are frequent and dangerous. <P1-S1> it did not appear in print in chopin's lifetime, but it was published in the complete works of kate chopin in 1969. this story is the sequel to chopin's`` at the 'cadian ball''. <SEP> <P2-S0> James VI, Stuart king of Scotland, also inherited the throne of England in 1603, and the Stuart kings and queens ruled both independent kingdoms until the Act of Union in 1707 merged the two kingdoms into a new state, the Kingdom of Great Britain. <SEP> <P3-S0> chopin seldom performed publicly in paris. <P3-S1> in later years he generally gave a single annual concert at the salle pleyel, a venue that seated three hundred. <P3-S2> he played more frequently at salons, but preferred playing at his own paris apartment for small groups of friends. <P3-S3> the musicologist arthur hedley has observed that "as a pianist chopin was unique in acquiring a reputation of the highest order on the basis of a minimum of public appearances—few more than thirty in the course of his lifetime." <P3-S4> the list of musicians who took part in some of his concerts provides an indication of the richness of parisian artistic life during this period. <P3-S5> examples include a concert on 23 march 1833, in which chopin, liszt and hiller performed (on pianos) a concerto by j.s. <P3-S6> bach for three keyboards; and, on 3 march 1838, a concert in which chopin, his pupil adolphe gutmann, charles-valentin alkan, and alkan's teacher joseph zimmermann performed alkan's arrangement, for eight hands, of two movements from beethoven's 7th symphony. <P3-S7> chopin was also involved in the composition of liszt's hexameron; he wrote the sixth (and final) variation on bellini's theme. <P3-S8> chopin's music soon found success with publishers, and in 1833 he contracted with maurice schlesinger, who arranged for it to be published not only in france but, through his family connections, also in germany and england. <SEP> <P4-S0> In late summer he was invited by Jane Stirling to visit Scotland, where he stayed at Calder House near Edinburgh and at Johnstone Castle in Renfrewshire, both owned by members of Stirling's family. <P4-S1> She clearly had a notion of going beyond mere friendship, and Chopin was obliged to make it clear to her that this could not be so. <P4-S2> He wrote at this time to Grzymała "My Scottish ladies are kind, but such bores", and responding to a rumour about his involvement, answered that he was "closer to the grave than the nuptial bed." <P4-S3> He gave a public concert in Glasgow on 27 September, and another in Edinburgh, at the Hopetoun Rooms on Queen Street (now Erskine House) on 4 October. <P4-S4> In late October 1848, while staying at 10 Warriston Crescent in Edinburgh with the Polish physician Adam Łyszczyński, he wrote out his last will and testament—"a kind of disposition to be made of my stuff in the future, if I should drop dead somewhere", he wrote to Grzymała.