Question: What neighborhood was the rapper who recorded "The Big Big Beat" raised in?

<P0-S0> "The Big Big Beat" is a song recorded by American rapper Azealia Banks for her second mixtape "Slay-Z" (2016). <P0-S1>  It was released as the lead single from the mixtape on February 19, 2016 after Banks had announced the mixtape in the previous May. <P0-S2>  Production of the song was handled by new producer An Expresso, while the song was penned by Banks alone. <P0-S3>  The song contains an uncredited sample of The Notorious B.I.G.'s voice. <P0-S4>  Lyrically, the track discusses staying true to your roots when you become famous. <SEP> <P1-S0> Azealia Amanda Banks ( born May 31, 1991) is an American rapper, singer-songwriter, and actress. <P1-S1>  Raised in the Harlem neighborhood of New York City, Banks began releasing music through MySpace in 2008, eventually being signed to XL Recordings at age 17. <P1-S2>  After releasing her debut single "212", she secured a recording contract with Interscope and Polydor Records, and later released her first extended play "1991" (2012). <P1-S3>  Banks' debut studio album "Broke with Expensive Taste" experienced several delays since its initial announcement before being released in 2014. <P1-S4>  In 2016, she released the mixtape "Slay-Z". <P1-S5>  Her is due to be released on October 31, 2017. <P1-S6>  Banks' outspoken views and controversial social media presence have been the subject of media scrutiny throughout her career. <SEP> <P2-S0> From Keflavík, With Love is a retrospective anthology issued in 2001 by Big Beat Records consisting of twenty songs by Thor's Hammer (Hljómar), a 1960s garage rock and beat group from Iceland who were one of the best-known Icelandic groups during the era. <P2-S1>  Though they worked with different producers on various labels, Thor's Hammer sound is best-typified by the tough, aggressive fuzz-drenched rockers they recorded in London for Parlophone Records in 1966, such as "I Don't Care," "My Life," "Better Days," and "The Big Beat Country Dance", and "If You Knew". <P2-S2>  While the lyrics to most of their songs were sung in English, several tracks were recorded in their native Icelandic, such as "Fyrsti Kossinn", "Ef Hún Er Nálægt Mér", and "Ertu Med", which was covered by the Savages on their "Live 'n Wild" album. <P2-S3>  Some of the tracks from Thor's Hammer's final period in the late 1960s, such as "Stay", show the group stretching their sound stylistically, augmenting certain arrangements with keyboards and horns. <P2-S4>  At his time, Thor's Hammer moved into a more eclectic direction, but they broke up in 1969, with several of their members going on to join the progressive rock group, Trubrot. <SEP> <P3-S0> The Midnite Sound of the Milky Way is a garage rock compilation available on compact disc put out by Big Beat Records (UK) that consists of songs recorded at the Midnite Sound recording studio in Danville, Illinois during the 1960s. <P3-S1>  The Midnite Sound studio one of many such venues pushing out obscure garage rock in the mid-1960s. <P3-S2>  The set was compiled by Alec Palao, who also wrote the liner notes. <P3-S3>  The compilation features twenty four tracks by different various artists who recorded there, and all except four have not been previously compiled. <P3-S4>  The Midnite Sound recording were often typified by an echo-laden sound, giving them a characteristically "outer space" vibe. <P3-S5>  The performers tended to be, even by 1960s garage rock norms, untutored and naively strange and noncommercial racket. <P3-S6>  The groups and artists who recorded at Midnite Sound tended to be less British Invasion-influenced than most, sometimes displaying rockabilly and pre-Beatles stylistics. <P3-S7>  The best-known act to record for the label was rockabilly/garage rocker Dean Carter, who is known for the song "Rebel Woman", which has appeared on several other compilations such as his "Call of the Wild" anthology on Big Beat Records. <P3-S8>  He does not appear on this set, but two performers here, George Jacks and The 12th Knight, do renditions of the song.