Question: Which film whose director was born first, Fort Yuma (Film) or The Night Of The Medici?

<P0-S0> Davis Alexander Grubb( July 23, 1919 – July 24, 1980) was an American novelist and short story writer, best known for" The Night of the Hunter( novel)"( 1953) filmed as an effective psychological thriller by Charles Laughton as The Night of the Hunter( film)( 1954). <SEP> <P1-S0> Fort Yuma is a 1955 Technicolor Western film directed by Lesley Selander starring Peter Graves, Joan Vohs, John Hudson and Joan Taylor <SEP> <P2-S0> The Night of the Medici( German: Die Nacht der Medici) is a 1922 German silent film directed by Karl Grune. <SEP> <P3-S0> Lesley Selander( May 26, 1900 – December 5, 1979) was an American film director of Westerns and adventure movies. <P3-S1> His career as director, spanning 127 feature films and dozens of TV episodes, lasted from 1936- 68. <P3-S2> Before that, Selander was assistant director on films such as" The Cat and the Fiddle"( 1934)," A Night at the Opera"( 1935), and Fritz Lang's" Fury"( 1936). <P3-S3> To this day Selander remains one of the most prolific directors of feature Westerns in cinema history, having taken the helm for 107 Westerns between his first directorial feature in 1936 and 1967. <P3-S4> In 1956 he was nominated for the Directors Guild of America award for Outstanding Directorial Achievement in Television, for his work directing a 1954 episode of" Lassie". <SEP> <P4-S0> Karl Grune (22 January 1890 – 2 October 1962) was an Austrian film director and writer who made many silent films in the 1920s. <P4-S1> Grune was born into a Jewish family in Vienna, where he later attended drama school. <P4-S2> He volunteered in the First World War, where an injury temporarily deprived him of the ability to speak in 1918. <P4-S3> After the war he made his directing debut in 1919 with "Menschen in KettenPeople in Chains"). <P4-S4> In 1923 he made "Schlagende Wetter" with Liane Haid and Eugen Klöpfer in the leading roles. <P4-S5> The film is a notable early example of naturalism in film making, at a time when expressionism was the norm. <P4-S6> Also that year he made "Die StraßeThe Street"), which is considered Grune's most notable film. <P4-S7> In 1926 he made "Die Brüder SchellenbergThe Brothers Schellenberg") with Conrad Veidt and Lil Dagover. <P4-S8> Many of his early films are now lost. <P4-S9> He emigrated to England in 1933 and there made "Abdul the Damned" with Fritz Kortner in 1935, and in 1936 he filmed Ruggiero Leoncavallo's opera Pagliacci with Richard Tauber. <P4-S10> In his later career he turned to producing films in the 1940s. <P4-S11> He died in Bournemouth, England in 1962. <SEP> <P5-S0> He was consequently declared a rebel, betrayed and returned to Florence where he mysteriously died in prison. <P5-S1> The true architect, often thought to be Luca Fancelli, was less well known at the time and the new palazzo, while awe inspiring, was not a true rival to the magnificence of the Medici residences. <P5-S2> However the family survived the upheaval following the overthrow of the Medici's power in 1494, and the tyrannical and puritanical rule of Girolamo Savonarola. <P5-S3> Retaining some limited power and influence the family continued to reside at the Palazzo Pitti until finally in 1549 failing fortunes compelled Pitti's descendant Buonaccorso Pitti to sell the palazzo to the Grand Duchess of Tuscany, Eleanor, wife of Grand Duke Cosimo I who re-enforced, the restored but hitherto wavering, power of the Medici in Florence in 1537. <P5-S4> However, he travelled the neighbouring principalities whipping up opposition to the new Florentine government. <P5-S5> In effect he wished to strengthen the existing government, as a result many leading citizens were banished, and many other citizens were driven from power. <P5-S6> The newly formed government was to last eight years with Cosimo as its figurehead, the reality being he was too frail to maintain power alone. <P5-S7> Machiavelli also states that Pitti would give sanctuary to any criminal within his walls if they could be of use in their building or decoration. <P5-S8> As the head magistrate of Florence, known as" The Gonfalonier of Justice," he wielded great power and influence. <P5-S9> Pitti's prosperity declined from 1464, following the death of Cosimo, his patron. <P5-S10> He was a loyal friend and servant to the Medici and the republic. <P5-S11> Pitti's chief opponent at this time was Girolamo Machiavelli who was banished. <P5-S12> He thus was able to maintain his power and influence, in reality he, not Cosimo, was the ruler of Florence. <P5-S13> It was then that he sought to rival the glory, if not power, of the Medici and began construction of the Palazzo Pitti intended to rival the palazzo of the Medici. <P5-S14> This is almost certainly apocryphal as the architect Brunelleschi often credited with the design had been dead twelve years.