Question: Are the directors of both films Khwab Ki Duniya and Brazil (1985 Film) from the same country?

<P0-S0> Krishna Bharadwaj (born 18 July 1989) is an Indian television actor. <P0-S1> He was born in Ranchi, Jharkhand. <P0-S2> He has played roles in shows like Jasuben Jayantilaal Joshi Ki Joint Family, Sukh By Chance, R. K. Laxman Ki Duniya and Piya Basanti Re among others. <P0-S3> He also acted in a few short films, such as "I Guess" (2013). <P0-S4> Bharadwaj is presently playing the title role in a TV Series Tenali Rama for SAB TV, based on a 16th-century court poet in the Vijayanagara Empire of medieval India, who is remembered for his extraordinary wit. <P0-S5> Bharadwaj shaved his head for this role. <P0-S6> He has also enacted the lead role in a Gujarati movie, "Chal Man Jeetva Jaiye". <SEP> <P1-S0> Vijay Bhatt( born Vrajlal Jagneshwar Bhatt; 12 May 1907 – 17 October 1993) was a noted producer- director- screenwriter of Hindi cinema, who made such films as" Ram Rajya"( 1943)," Baiju Bawra"( 1952)," Goonj Uthi Shehnai"( 1959) and" Himalaya Ki God Mein"( 1965). <P1-S1> He founded Prakash Pictures, a film production company and Prakash Studios in Andheri East, Mumbai, which produced 64 feature films. <P1-S2> Bhatt was a founding member of the Film and Television Producers Guild of India. <SEP> <P2-S0> Khwab Ki Duniya( Dreamland) is a 1937 Hindi fantasy film produced and directed by Vijay Bhatt for Prakash Pictures. <P2-S1> The music director was Lallubhai Nayak with lyrics written by Pandit Anuj. <P2-S2> The film starred Jayant, with costars Sardar Akhtar, Umakant, Zahur, Lallubhai, Shirin and Ismail. <P2-S3> " Khwab Ki Duniya" was inspired by the film" The Invisible Man"( 1933) based on H. G. Wells novel of the same name. <P2-S4> The film marked the" directorial debut" of Vijay Bhatt. <SEP> <P3-S0> KGB: The Secret War is a 1985 film directed by Dwight H. Little. <SEP> <P4-S0> Terrence Vance Gilliam( born 22 November 1940) is an American- born British screenwriter, film director, animator, actor, comedian and former member of the Monty Python comedy troupe. <P4-S1> Gilliam has directed 13 feature films, including" Time Bandits"( 1981)," Brazil"( 1985)," The Adventures of Baron Munchausen"( 1988)," The Fisher King"( 1991)," 12 Monkeys"( 1995)," Fear and Loathing in Las Vegas"( 1998)," The Brothers Grimm"( 2005)," Tideland"( 2005), and" The Imaginarium of Doctor Parnassus"( 2009). <P4-S2> The only" Python" not born in Britain, he became a naturalised British subject in 1968 and formally renounced his American citizenship in 2006. <P4-S3> Gilliam was born in Minnesota, but spent his high school and college years in Los Angeles. <P4-S4> He started his career as an animator and strip cartoonist. <P4-S5> He joined Monty Python as the animator of their works, but eventually became a full member and was given acting roles. <P4-S6> He became a feature film director in the 1970s. <P4-S7> Most of his films explore the theme of imagination and its importance to life, express his opposition to bureaucracy and authoritarianism, and feature characters facing dark or paranoid situations. <P4-S8> His own scripts feature black comedy and tragicomedy elements, combined with surprise endings. <P4-S9> In 1988, Gilliam and the other Monty Python members received the BAFTA Award for Outstanding British Contribution to Cinema. <P4-S10> In 2009, Gilliam received the BAFTA Fellowship for lifetime achievement. <SEP> <P5-S0> Brazil is a 1985 dystopian science fiction film directed by Terry Gilliam and written by Gilliam, Charles McKeown, and Tom Stoppard. <P5-S1> The film stars Jonathan Pryce and features Robert De Niro, Kim Greist, Michael Palin, Katherine Helmond, Bob Hoskins and Ian Holm. <P5-S2> The film centres on Sam Lowry, a man trying to find a woman who appears in his dreams while he is working in a mind-numbing job and living in a small apartment, set in a dystopian world in which there is an over-reliance on poorly maintained (and rather whimsical) machines. <P5-S3> "Brazil"s satire of bureaucratic, totalitarian government is reminiscent of George Orwell's "Nineteen Eighty-Four" and has been called Kafkaesque and absurdist. <P5-S4> Sarah Street's "British National Cinema" (1997) describes the film as a "fantasy/satire on bureaucratic society"; and John Scalzi's "Rough Guide to Sci-Fi Movies" (2005) describes it as a "dystopian satire". <P5-S5> Jack Mathews, a film critic and the author of "The Battle of Brazil" (1987), described the film as "satirizing the bureaucratic, largely dysfunctional industrial world that had been driving Gilliam crazy all his life". <P5-S6> The film is named after the recurrent theme song, Ary Barroso's "Aquarela do Brasil", known simply as "Brazil" to British audiences, as performed by Geoff Muldaur. <P5-S7> Though a success in Europe, the film was unsuccessful in its initial North America release. <P5-S8> It has since become a cult film. <P5-S9> In 1999, the British Film Institute voted "Brazil" the 54th greatest British film of all time. <P5-S10> In 2017 a poll of 150 actors, directors, writers, producers and critics for "Time Out" magazine saw it ranked the 24th best British film ever.