Question: Which film has the director who was born earlier, Call At Midnight or La Mary?

<P0-S0> Hassan Zee is a Pakistani- American film director who was born in Chakwal, Pakistan. <SEP> <P1-S0> Call at Midnight( German:Anschluß um Mitternacht) is a 1929 German silent film directed by Mario Bonnard and starring Marcella Albani, Ralph Arthur Roberts and Curt Bois. <P1-S1> The film's art direction was by Heinrich Richter. <SEP> <P2-S0> Mario Bonnard( 24 December 1889 – 22 March 1965) was an Italian actor and film director. <P2-S1> Bonnard was born and died in Rome. <P2-S2> He began his cinematic career as an actor becoming a popular romantic lead in numerous silent films made before World War I. <P2-S3> In 1917 he ventured into film directing for the first time. <P2-S4> Before the arrival of sound films he worked for a period in Germany in films directed by Luis Trenker. <P2-S5> Back in Italy in 1932, he became a prolific director working with the major stars of the time as: Assia Noris, Elsa Merlini, Amedeo Nazzari Luisa Ferida, Henry Viarisio. <P2-S6> Il feroce saladino( 1937), was the most popular of his films of the 1930s. <P2-S7> During the war he continued to work. <P2-S8> In the post World War II period his films, ranging from comedies to period dramas enjoyed much success. <P2-S9> However, today he's no longer well known. <P2-S10> One of his last film was" The Last Days of Pompeii"( 1959). <P2-S11> He had to leave production early due to an illness, so the film had to be completed by Sergio Leone. <P2-S12> His brother was the composer Giulio Bonnard who frequently wrote film scores for Mario's productions. <SEP> <P3-S0> Rumbi Katedza is a Zimbabwean Film Producer and Director who was born on 17 January 1974. <SEP> <P4-S0> Daniel Tinayre( 14 September 1910 – 24 October 1994) was a French- born Argentine film director, screenwriter and film producer. <P4-S1> Moving to Buenos Aires at a young age, Tinayre directed some 23 films between 1934 and 1974, directing films such as the 1947 thriller" A sangre fría"( In Cold Blood) which starred actors such as Amelia Bence and Tito Alonso. <P4-S2> He was also an acclaimed screenwriter and producer simultaneously contributing in these areas to the films he directed in Argentine cinema. <P4-S3> In 1949 he directed" Dance of Fire", which was later entered into the 1951 Cannes Film Festival. <P4-S4> His 1960 film" La patota" was entered into the 11th Berlin International Film Festival. <P4-S5> His 1963 film" The Dragonfly Is Not an Insect" was entered into the 3rd Moscow International Film Festival. <P4-S6> In 1969 he directed" Kuma Ching"; his last film was to be" La Mary"( 1974), starring then- couple Susana Giménez and boxer Carlos Monzón. <P4-S7> He died in 1994. <P4-S8> His widow was the well- known actress and television host Mirtha Legrand. <SEP> <P5-S0> La Mary is a 1974 Argentine romantic- drama film directed by Daniel Tinayre starring Susana Giménez and Carlos Monzón. <P5-S1> The screenplay is by José Martínez Suárez and Augusto R. Giustozzi, based on the 1965 short story of the same name by Emilio Perina, included in" Historias apasionadas: La Mary y El Fiscal" and later released as a novel with the release of the film. <P5-S2> The film is set in the 1940s and centers on Mary( Giménez), a young girl from a working- class neighbourhood in Buenos Aires who has the reputation of being able to predict the future. <P5-S3> She marries Cholo( Monzón), and their passionate relationship is marked by the confrontation of Mary's chastity and Cholo's sexual desire. <P5-S4> Tension arises when Mary begins to predict a series of deaths. <P5-S5> " La Mary" was a box office success and generated controversy due to its topic, so much that the" Triple A" threatened to kill the entire cast, accusing them of" offense against morality and decency." <P5-S6> The film is also notable for the development of a romantic relationship between Giménez and Monzón during its production, a relationship that would be turbulent and attracted widespread media attention in the years to follow. <P5-S7> It is now considered a cult film and a classic of Argentine cinema. <P5-S8> In 2014, for the 40 year anniversary of its release, the film was remastered and re-released, declared" of cultural interest" by the city of Buenos Aires and the subject of an exhibition at the Pablo C. Ducrós Hicken Museum of Cinema.