Question: Do both films 30 Karatów Szczęścia and My Case have the directors that share the same nationality?

<P0-S0> Maurice Lindsay is the former chairman of Preston North End F.C. and of Wigan Warriors R.L.F.C. and had two stints at the club after being one of the' Gang of Four' directors that used to run the club when it domininated the league in the 1980s. <SEP> <P1-S0> Aaron Douglas Johnston is an American filmmaker who is based in the Netherlands. <P1-S1> He is known for the films" Bumblefuck, USA", and" My Sister's Quinceañera". <P1-S2> Both films focus on outsider themes and mixup the boundary between documentary and fiction through his use of non-professional actors. <P1-S3> He has used community funding to provide the small budgets for his films. <SEP> <P2-S0> My Case is a 1986 Portuguese drama- fantasy film directed by Manoel de Oliveira. <P2-S1> It entered the main competition at the 43rd Venice International Film Festival. <SEP> <P3-S0> 30 karatów szczęścia is a 1936 Polish comedy film directed by Michał Waszyński. <P3-S1> The movie is written by Jan Fethke and Napoleon Sądek. <P3-S2> Music created Henryk Wars. <SEP> <P4-S0> Michał Waszyński( 29 September 1904 – 20 February 1965) was first a film director in Poland, then in Italy, and later( as Michael Waszynski) a producer of the major American films, mainly in Spain. <P4-S1> Waszyński was born as Mosze Waks into a Polish Jewish family as Michał Waks in 1904 in Kowel, a small town in Volhynia( now in Ukraine), which at the time was part of Imperial Russia. <P4-S2> As Germany occupied this part of Europe during World War I, he moved first to Warsaw and later to Berlin. <P4-S3> As a young man he worked as an assistant director of the legendary German director F.W. Murnau. <P4-S4> Upon his return to Poland he changed his name to Michał Waszyński and converted to Catholicism. <P4-S5> In the 1930s Waszyński became the most prolific film director in Poland, directing 37 of the 147 films made in Poland in that decade, nearly one out of four. <P4-S6> Along with the popular films in Polish directed to a wide local audience, he directed an important film in Yiddish" The Dybbuk", today a monument of the rich cultural life of East European Jewry before the Holocaust. <P4-S7> At the beginning of World War II Waszyński escaped from Warsaw, which was being bombed by German planes, to Białystok. <P4-S8> In the summer of 1941, after Germany invaded the Soviet Union, Waszyński joined the newly formed Polish Army of general Władysław Anders( loyal to the Polish government in Exile in London) and subsequently was relocated to Persia( Iran), and later as a soldier of the 2nd Corps of the Polish Army to Egypt and Italy. <P4-S9> As a member of the army film unit, he filmed the Battle of Monte Cassino, where the Polish Army suffered great losses, but helped to win the day. <P4-S10> After World War II, he stayed in Italy, where he directed a Polish- language feature film about the Battle of Monte Cassino, and then three Italian films. <P4-S11> Later in his career, Waszyński worked as a producer for the major American studios in Italy and( primarily) Spain, credited as" Michael Waszynski". <P4-S12> His credits include" The Quiet American"( 1958)( associate producer)," El Cid"( 1961), and" The Fall of the Roman Empire( film)"( 1964)( executive producer and associate producer). <SEP> <P5-S0> Manoel Cândido Pinto de Oliveira GCSE, GCIH (11 December 1908 – 2 April 2015) was a Portuguese film director and screenwriter born in Cedofeita, Porto. <P5-S1> He first began making films in 1927, when he and some friends attempted to make a film about World War I. <P5-S2> In 1931 he completed his first film "Douro, Faina Fluvial", a documentary about his home city Porto made in the city symphony genre. <P5-S3> He made his feature film debut in 1942 with "Aniki-Bóbó" and continued to make shorts and documentaries for the next 30 years, gaining a minimal amount of recognition without being considered a major world film director. <P5-S4> Among the numerous factors that prevented Oliveira from making more films during this time period were the political situation in Portugal, family obligations and money. <P5-S5> In 1971, Oliveira directed his second feature narrative film, "Past and Present", a social satire that both set the standard for his film career afterwards and gained him recognition in the global film community. <P5-S6> He continued making films of growing ambition throughout the 1970s and 1980s, gaining critical acclaim and numerous awards. <P5-S7> Beginning in the late 1980s he was one of the most prolific working film directors and made an average of one film per year past the age of 100. <P5-S8> In March 2008 he was reported to be the oldest active film director in the world. <P5-S9> He was also the only filmmaker whose active career spanned from the silent era to the digital age. <P5-S10> Among his numerous awards were the Career Golden Lion from the 61st Venice International Film Festival, the Special Lion for the Overall Work in the 42nd Venice International Film Festival, an Honorary Golden Palm for his lifetime achievements in 2008 Cannes Film Festival, and the French Legion of Honor.