Question: Are the directors of both films Chandanachola and The Corbett-Fitzsimmons Fight from the same country?

<P0-S0> Chandanachola is a 1975 Indian Malayalam film, directed by Jeassy and produced by Dr. Balakrishnan. <P0-S1> The film stars Jose Prakash, Sudheer, Vidhubala and Vincent in the lead roles. <P0-S2> The film had musical score by K. J. Joy. <SEP> <P1-S0> Jeassy, also known as J. C. or Jesey, was an Indian director and actor of Malayalam movies. <P1-S1> His first film as an actor was Ramu Kariat's" Ezhu Rathrikal". <P1-S2> Some of his notable films as an actor were" Adimakal, Kallichellamma, Allahu Akbar, Manpeda, Kuttyedathi" and" Ganga Sangamam Shapamoksham", made in 1974, was his first film as a director. <P1-S3> Since the early 1970s, he has directed some 30 movies. <SEP> <P2-S0> Matt Beckett( born 13 July 1973) is a Welsh former- professional cyclist who was born in Lancaster. <P2-S1> He represented Wales in the 1998 Commonwealth Games in Kuala Lumpur. <P2-S2> He was briefly one of the directors of Welsh Cycling in 2006. <SEP> <P3-S0> I Want Your <P3-S1> Love is the title of both a 2010 short film and a 2012 feature- length film. <P3-S2> Both films were directed and written by Travis Mathews. <P3-S3> The drama films both revolve around the friends and ex-lovers of Jesse Metzger, a gay man in his mid-thirties who is forced to move back to his hometown from San Francisco due to financial reasons. <P3-S4> The actors' own names, along with much of their real- life stories, were used for their characters in both films, which features graphic sexual scenes. <P3-S5> The production of both films was aided by the gay pornographic studio NakedSword. <P3-S6> This led to the full- length film being refused exemption from classification, which would have allowed it to screen at the Melbourne Queer Film Festival, a decision to which actor James Franco( who invited Mathews to collaborate on Franco's film" Interior. Leather Bar.") reacted negatively. <SEP> <P4-S0> Enoch J. Rector( October 9, 1863 – January 26, 1957) was an American boxing film promoter and early cinema technician. <P4-S1> He was a partner in Woodville Latham's Kinetoscope Exhibition Company( later the Lambda Company) during the mid-1890s, working with Latham and his sons Otway and Grey, as well as fellow cinema technicians William Kennedy Laurie Dickson and Eugene Lauste. <P4-S2> Cinema historian Terry Ramsaye later claimed that Rector, during his association with Latham, invented the' Latham loop', a key feature of modern cinema cameras and projectors, in 1895. <P4-S3> However, in 1927 Dickson stated unequivocally that Lauste was responsible for this important invention. <P4-S4> Using this technique, Rector created the 90- minute documentary film" The Corbett- Fitzsimmons Fight"( 1897), filmed in an early widescreen process in 63 mm film, with an aspect ratio of about 1.75 :1. <SEP> <P5-S0> The Corbett- Fitzsimmons <P5-S1> Fight is an 1897 documentary film directed by Enoch J. Rector depicting the 1897 boxing match between James J. Corbett and Bob Fitzsimmons in Carson City, Nevada on St. Patrick's Day. <P5-S2> Originally running for more than 100 minutes, it was the longest film released to date; as such, it was the world's first feature film. <P5-S3> The technology that allowed this is known as the Latham loop, and Rector was a rival for claiming the invention of the device. <P5-S4> He used three such equipped cameras placed adjacently and filming on 63 mm nitrate film. <P5-S5> Only fragments of the film survive. <P5-S6> The known fragments were transferred in the 1980s from a print owned by Jean A. LeRoy of New York City, the transfer done on a specially built optical printer to convert the film to 35 mm film. <P5-S7> The film was also the first to be shot in widescreen, with an aspect ratio of about 1.65:1. <P5-S8> According to Dan Streible," The Corbett- Fitzsimmons Fight" is" one of the earliest individual productions to sustain public commentary on the cinema." <P5-S9> The film is so important to film history that Luke McKernan declared," it was boxing that created the cinema." <P5-S10> As noted by Seth Abraham, the president of" Time Warner Sports", it was the first motion picture to ever depict the championship prizefight. <P5-S11> Its airing nationwide was actually and literally the first pay- per-view event in the boxing history, for the fight produced more income in box office than in live gate receipts, it was immensely profitable and the picture served as a long- standing model for future amusement entrepreneurs. <P5-S12> And, as outlined by Charles Musser, it also resolved the dilemma of prizefighting was being illegal in 21 states, while the airing of a prizefight was not, and the legislative efforts to ban fight films proven unsuccessful. <P5-S13> In 2012, the film was added to the National Film Registry at the Library of Congress as a" culturally, historically, or aesthetically significant film".