Question: what year was home brewing first allowed in the country where Prince of Thieves, who titular character John is depicted alongside, was made?

<P0-S0> Principal exteriors were shot on location in the United Kingdom. <P0-S1> A second unit filmed the medieval walls and towers of the Cité de Carcassonne in the town of Carcassonne in Aude, France, for the portrayal of Nottingham and its castle. <P0-S2> Locksley Castle was Wardour Castle in Wiltshire -- restored in an early shot using a matte painting. <P0-S3> Marian's manor was filmed at Hulne Priory in Northumberland. <P0-S4> Scenes set in Sherwood Forest were filmed throughout England: Burnham Beeches in Buckinghamshire was used for the outlaws' encampment, Aysgarth Falls in Yorkshire for the fight scene between Robin and Little John, and Hardraw Force in North Yorkshire was the location where Marian sees Robin bathing. <P0-S5> Sycamore Gap on Hadrian's Wall was used for the scene when Robin first confronts the sheriff's men. <P0-S6> Chalk cliffs at Seven Sisters, Sussex were used as the locale for Robin's return to England from the Crusades. <SEP> <P1-S0> The Boys' Brigade Gazette is a quarterly magazine printed regularly since 1889 in the United Kingdom for the officers and leaders of the Battalions and Companies of the Boy's Brigade in the UK and Ireland. <SEP> <P2-S0> in the 1950s, as a young woman at the start of her reign, elizabeth was depicted as a glamorous "fairytale queen". <P2-S1> after the trauma of the second world war, it was a time of hope, a period of progress and achievement heralding a "new elizabethan age". <P2-S2> lord altrincham's accusation in 1957 that her speeches sounded like those of a "priggish schoolgirl" was an extremely rare criticism. <P2-S3> in the late 1960s, attempts to portray a more modern image of the monarchy were made in the television documentary royal family and by televising prince charles's investiture as prince of wales. <P2-S4> in public, she took to wearing mostly solid-colour overcoats and decorative hats, which allow her to be seen easily in a crowd. <SEP> <P3-S0> home and away is an australian television soap opera. <P3-S1> it was first broadcast on the seven network on 17 january 1988. the following is a list of characters that first appeared in home and away in 1991, by order of first appearance. <P3-S2> they were all introduced by the show's executive producer des monaghan. <P3-S3> the 4th season of home and away began airing on the seven network on 7 january 1991. the first introduction of the year was josh webb in february. <P3-S4> bruce roberts began appearing as nick parrish in march. <P3-S5> the following month, ryan clark made his debut as sam nicholls as did naomi watts as revhead's sister julie gibson. <P3-S6> dee smart began playing lucinda croft in june. <P3-S7> her brother david, played by guy pearce appeared from july. <P3-S8> alistair macdougall arrived as ryan lee in august. <P3-S9> in september, tina thomsen, ross newton, and richard norton joined the cast as finlay roberts, greg marshall and simon fitzgerald, respectively. <P3-S10> finlay's mother, irene made her debut in october, followed by her son damian, played by matt doran in november. <SEP> <P4-S0> The process of making beer is known as brewing. <P4-S1> A dedicated building for the making of beer is called a brewery, though beer can be made in the home and has been for much of its history. <P4-S2> A company that makes beer is called either a brewery or a brewing company. <P4-S3> Beer made on a domestic scale for non-commercial reasons is classified as homebrewing regardless of where it is made, though most homebrewed beer is made in the home. <P4-S4> Brewing beer is subject to legislation and taxation in developed countries, which from the late 19th century largely restricted brewing to a commercial operation only. <P4-S5> However, the UK government relaxed legislation in 1963, followed by Australia in 1972 and the US in 1978, allowing homebrewing to become a popular hobby. <SEP> <P5-S0> Nineteenth-century fictional depictions of John were heavily influenced by Sir Walter Scott's historical romance, Ivanhoe, which presented "an almost totally unfavourable picture" of the king; the work drew on Victorian histories of the period and on Shakespeare's play. <P5-S1> Scott's work influenced the late 19th-century children's writer Howard Pyle's book The Merry Adventures of Robin Hood, which in turn established John as the principal villain within the traditional Robin Hood narrative. <P5-S2> During the 20th century, John was normally depicted in fictional books and films alongside Robin Hood. <P5-S3> Sam De Grasse's role as John in the black-and-white 1922 film version shows John committing numerous atrocities and acts of torture. <P5-S4> Claude Rains played John in the 1938 colour version alongside Errol Flynn, starting a trend for films to depict John as an "effeminate ... arrogant and cowardly stay-at-home". <P5-S5> The character of John acts either to highlight the virtues of King Richard, or contrasts with the Sheriff of Nottingham, who is usually the "swashbuckling villain" opposing Robin. <P5-S6> An extreme version of this trend can be seen in the Disney cartoon version, for example, which depicts John, voiced by Peter Ustinov, as a "cowardly, thumbsucking lion". <P5-S7> Popular works that depict John beyond the Robin Hood legends, such as James Goldman's play and later film, The Lion in Winter, set in 1183, commonly present him as an "effete weakling", in this instance contrasted with the more masculine Henry II, or as a tyrant, as in A. <P5-S8> A. Milne's poem for children, "King John's Christmas".