Question: Do both films The Girl Who Knew Too Much (1963 Film) and The Girl And The Boy have the directors that share the same nationality?

<P0-S0> The Man Who Knew Too Little is a 1997 spy comedy film starring Bill Murray, directed by Jon Amiel, and written by Robert Farrar and Howard Franklin. <P0-S1> The film is based on Farrar's novel" Watch That Man", and the title is a parody of Alfred Hitchcock's 1934 film" The Man Who Knew Too Much" and his 1956 remake of the same title. <SEP> <P1-S0> The Girl Who Knew Too Much is a 1963 Italian giallo film. <P1-S1> Directed by Italian filmmaker Mario Bava, the film stars John Saxon as Dr. Marcello Bassi and Letícia Román as Nora Davis. <P1-S2> The plot revolves around a young woman named Nora, who travels to Rome and witnesses a murder. <P1-S3> The police and Dr. Bassi do n't believe her since a corpse ca n't be found. <P1-S4> Several more murders follow, tied to a decade- long string of killings of victims chosen in alphabetical order. <P1-S5> " The Girl Who Knew Too Much" is considered to be the first giallo film, a film genre with a mixture of thriller, sexploitation and horror conventions. <P1-S6> An alternative cut titled" Evil Eye" was released in the United States by American International Pictures; this version features a score by Les Baxter, deletes several scenes, and adds others which place a greater emphasis on comedy compared to the Italian release. <SEP> <P2-S0> The Girl and the Boy is a 1931 comedy film directed by Roger Le Bon and Wilhelm Thiele and starring Lilian Harvey, Henri Garat and Lucien Baroux. <P2-S1> It was made by the major studio UFA as the French- language version of" Two Hearts Beat as One", which also starred Harvey. <P2-S2> Such multiple- language versions were common in the early years of sound before dubbing became more widespread. <SEP> <P3-S0> Mario Bava( 31 July 1914 – 27 April 1980) was an Italian cinematographer, director, special effects artist and screenwriter, frequently referred to as the" Master of Italian Horror" and the" Master of the Macabre". <P3-S1> His low- budget genre films, known for their distinctive visual flair and technical ingenuity, feature recurring themes and imagery concerning the conflict between illusion and reality, and the destructive capacity of human nature. <P3-S2> Born to sculptor, cinematographer and special effects pioneer Eugenio Bava, the younger Bava followed his father into the film industry, and eventually earned a reputation as one of Italy's foremost cameramen, lighting and providing the special effects for such films as" Hercules"( 1958) and its sequel" Hercules Unchained"( 1959)( each were lampooned on" Mystery Science Theater 3000"). <P3-S3> During the late 1950s, his eventual career trajectory as a director began when he was relied upon to complete projects begun by or credited to his colleague Riccardo Freda and other filmmakers, including" I Vampiri"( 1957)( the first Italian horror film of the sound era)," The Day the Sky Exploded"( 1958)( the first Italian science fiction film)," Caltiki – The Immortal Monster"( 1959) and" The Giant of Marathon"( 1959). <P3-S4> Although most of Bava's films as director failed to achieve major commercial success upon release, many of them would eventually find acclaim as cult classics, with their content and production values being favourably compared to the works of Alfred Hitchcock. <P3-S5> Several of them have been noted for their revolutionary impact on their respective genres:" Black Sunday"( 1960), his official directorial debut, was the forerunner of the Italian gothic horror film cycle;" The Girl Who Knew Too Much"( 1963) is considered to be the first giallo film;" Kill, Baby, Kill"( 1966) heavily influenced the iconography of modern J-Horror;" Roy Colt& Winchester Jack"( 1970) is regarded as one of the earliest self- parodying Spaghetti Westerns;" Four Times That Night"( 1971) was an early Italian sex comedy; and" A Bay of Blood"( 1971) was a precursor to slasher films. <P3-S6> His other notable films include" Hercules in the Haunted World"( 1961)," Erik the Conqueror"( 1961)," Black Sabbath"( 1963)," The Whip and the Body"( 1963)," Blood and Black Lace"( 1964)," Planet of the Vampires"( 1965)," Knives of the Avenger"( 1966),( 1968)," Hatchet for the Honeymoon"( 1970)," Five Dolls for an August Moon"( 1970)," Baron Blood"( 1972)," Lisa and the Devil"( 1974)," Rabid Dogs"( 1974) and" Shock"( 1977). <P3-S7> Despite his reputation as a talented artist during his lifetime, Bava's shy, self- deprecating demeanour prevented him from taking advantage of opportunities that would have furthered his international standing within the film industry, and he turned down multiple opportunities to work in Hollywood. <P3-S8> Among the filmmakers Bava and his work have influenced include Dario Argento, Lucio Fulci, Federico Fellini, John Carpenter, Nicolas Winding Refn, Martin Scorsese, Tim Burton, Joe Dante, John Landis, Francis Ford Coppola, Roger Corman, Edgar Wright, Jennifer Kent and Quentin Tarantino. <P3-S9> His son and frequent assistant director, Lamberto Bava, later became a noted fantasy and horror film director in his own right. <SEP> <P4-S0> Wilhelm Thiele( 1890–1975) was an Austrian screenwriter and film director. <P4-S1> He directed over 40 films between 1921 and 1960. <SEP> <P5-S0> Mattias Morheden( born 26 September 1970) is a Swedish film and television editor. <P5-S1> He has edited productions such as" Wallander"( 2005)," The Girl Who Played with Fire"( 2009) and" The Girl Who Kicked the Hornets' Nest"( 2009).