Question: Which film has the director who is older than the other, Line Of Demarcation (Film) or First Victory Loan: Return Journey? 

<P0-S0> Elliot Silverstein( born August 3, 1927, in Boston, Massachusetts) is an American director, who is best known for being the director of the movie" Cat Ballou"( 1965). <SEP> <P1-S0> First Victory Loan: Return Journey is a short documentary film directed by Ken G. Hall made to encourage people to subscribe to the First Victory Loan. <SEP> <P2-S0> Jack Nelson (October 15, 1882 – November 10, 1948) was an American actor and film director of the silent era. <P2-S1> He appeared in 88 films between 1910 and 1935. <P2-S2> He also directed 58 films between 1920 and 1935. <P2-S3> He was born in Memphis, Tennessee and died in North Bay, Ontario, Canada. <P2-S4> Upon arriving in North Bay, Nelson took over management of the Capital Theatre, one of two movie theatres in North Bay at the time. <P2-S5> Years later after World War Two broke out, Nelson played an important role in the nine national Victory Loan Drives (1941-1945). <P2-S6> Acting as chairman of public relations, Nelson served on the Nipissing District National War Finance Committee. <P2-S7> His duties included organizing parades, corresponding with the local North Bay Daily Nugget Newspaper, and hosting occasional free movie admission nights for residents who purchased bonds. <P2-S8> During the Sixth Victory Loan Drive in May 1944, Nelson and his employees at the Capital Theatre were awarded a coveted flag on behalf of the National War Finance Committee in Ottawa. <P2-S9> The entire staff at the theatre, under Nelson's management, had subscribed 15% their payroll during the four-week drive. <P2-S10> In accordance with the Sixth Victory Loan drive promotions, any company within Canada that subscribed 15% of payroll finances to bond purchases were awarded the Victory Loan V-Flag in recognition. <P2-S11> The V-Flag was subsequently hung in the lobby of the Capital Theatre. <SEP> <P3-S0> Line of Demarcation is a 1966 war drama film written and directed by Claude Chabrol. <P3-S1> It s title in French is La Ligne de démarcation. <P3-S2> It is based on upon the memoir" Mémoires d'un agent secret de la France libre et La Ligne de démarcation" by Gilbert Renault under his pseudonym Colonel Rémy. <SEP> <P4-S0> Kenneth George Hall, AO, OBE( 22 February 1901 – 8 February 1994), better known as Ken G. Hall, was an Australian film producer and director, considered one of the most important figures in the history of the Australian film industry. <P4-S1> He was the first Australian to win an Academy Award. <SEP> <P5-S0> Claude Henri Jean Chabrol( 24 June 1930 – 12 September 2010) was a French film director and a member of the French New Wave(" nouvelle vague") group of filmmakers who first came to prominence at the end of the 1950s. <P5-S1> Like his colleagues and contemporaries Jean- Luc Godard, François Truffaut, Éric Rohmer and Jacques Rivette, Chabrol was a critic for the influential film magazine" Cahiers du cinéma" before beginning his career as a film maker. <P5-S2> Chabrol's career began with" Le Beau Serge"( 1958), inspired by Hitchcock's" Shadow of a Doubt"( 1943). <P5-S3> Thrillers became something of a trademark for Chabrol, with an approach characterized by a distanced objectivity. <P5-S4> This is especially apparent in" Les Biches"( 1968)," La Femme infidèle"( 1969), and" Le Boucher"( 1970) – all featuring Stéphane Audran, who was his wife at the time. <P5-S5> Sometimes characterized as a" mainstream" New Wave director, Chabrol remained prolific and popular throughout his half- century career. <P5-S6> In 1978, he cast Isabelle Huppert as the lead in" Violette Nozière". <P5-S7> On the strength of that effort, the pair went on to others including the successful" Madame Bovary"( 1991) and" La Cérémonie"( 1996). <P5-S8> Film critic John Russell Taylor has stated that" there are few directors whose films are more difficult to explain or evoke on paper, if only because so much of the overall effect turns on Chabrol's sheer hedonistic relish for the medium ... <P5-S9> Some of his films become almost private jokes, made to amuse himself." <P5-S10> James Monaco has called Chabrol" the craftsman par excellence of the New Wave, and his variations upon a theme give us an understanding of the explicitness and precision of the language of the film that we do n't get from the more varied experiments in genre of Truffaut or Godard."