Question: How many square miles is the urban area of the city where the creator of K.B. Blues was born?

<P0-S0> in 1846, the area of 31 square miles (80 km) which was ceded by virginia was returned, leaving 69 square miles (179 km) of territory originally ceded by maryland as the current area of the district in its entirety. <P0-S1> 21st - century proposals to return the remaining portion of the district of columbia to the state of maryland are cited as one way to provide full voting representation in congress and return local control of the city to its residents. <SEP> <P1-S0> according to the united states census bureau, the city has a total area of 656.3 square miles (1,700 km2); this comprises 634.0 square miles (1,642 km2) of land and 22.3 square miles (58 km2) of water. <P1-S1> the piney woods is north of houston. <P1-S2> most of houston is located on the gulf coastal plain, and its vegetation is classified as temperate grassland and forest. <P1-S3> much of the city was built on forested land, marshes, swamp, or prairie which resembles the deep south, and are all still visible in surrounding areas. <P1-S4> flatness of the local terrain, when combined with urban sprawl, has made flooding a recurring problem for the city. <P1-S5> downtown stands about 50 feet (15 m) above sea level, and the highest point in far northwest houston is about 125 feet (38 m) in elevation. <P1-S6> the city once relied on groundwater for its needs, but land subsidence forced the city to turn to ground-level water sources such as lake houston, lake conroe and lake livingston. <P1-S7> the city owns surface water rights for 1.20 billion gallons of water a day in addition to 150 million gallons a day worth of groundwater. <SEP> <P2-S0> K. B. Blues is an album by guitarist Kenny Burrell recorded in 1957 and originally released on the Japanese Blue Note label in 1979. <P2-S1> The tracks were reissued on CD as part of "" but incorrectly identified as being recorded in 1956. <SEP> <P3-S0> Detroit is the center of a three-county urban area (population 3,734,090, area of 1,337 square miles (3,460 km2), a 2010 United States Census) six-county metropolitan statistical area (2010 Census population of 4,296,250, area of 3,913 square miles [10,130 km2]), and a nine-county Combined Statistical Area (2010 Census population of 5,218,852, area of 5,814 square miles [15,060 km2]). <P3-S1> The Detroit–Windsor area, a commercial link straddling the Canada–U.S. <P3-S2> border, has a total population of about 5,700,000. <P3-S3> The Detroit metropolitan region holds roughly one-half of Michigan's population. <SEP> <P4-S0> Eddie Locke was a part of the fertile and vibrant Detroit jazz scene during the 1940s and 1950s, which brought forth many great musicians including the Jones brothers (Hank, Thad, and Elvin), Kenny Burrell, Lucky Thompson, Tommy Flanagan, Barry Harris, and so many others. <P4-S1> He eventually formed a variety act with drummer Oliver Jackson called Bop & Locke which played the Apollo Theater. <P4-S2> He moved to New York City in 1954, and worked there with Dick Wellstood, Tony Parenti, Red Allen, Willie "The Lion" Smith, and Teddy Wilson amongst others. <P4-S3> During this time he came under the tutelage of the great Jo Jones, and eventually became known as a driving and swinging drummer who kept solid time and supported the soloist. <P4-S4> During the late 1950s he formed two of his most fruitful musical relationships, one with Roy Eldridge, and the other with Coleman Hawkins. <P4-S5> His recording debut came with Eldridge in 1959 on "On The Town". <P4-S6> He later became a member of the Coleman Hawkins Quartet in the 1960s along with pianist Tommy Flanagan and bassist Major Holley. <P4-S7> That group made many fine records including the exquisite album "Today and Now", in 1963. <P4-S8> Throughout the 1970s, he played with Roy Eldridge at Jimmy Ryan's in Manhattan, and wound out his career freelancing, as well as teaching youngsters at the Trevor Day School on Manhattan's upper west side.