Question: Which film whose director is younger, The Pit And The Pendulum (1991 Film) or Under The Hula Moon?

<P0-S0> Under the Hula Moon is an action comedy film from 1995 directed by Jeff Celentano and starring Stephen Baldwin, Emily Lloyd, Chris Penn, and Musetta Vander. <SEP> <P1-S0> Jeff Celentano( born May 24, 1960), also credited as Jeff Weston, is an American actor, screenwriter, producer and film director. <P1-S1> Celentano starred as a character actor in such films as Robert Altman ’s “ The Player ”,," Puppet Master II", and" Demonic Toys". <P1-S2> Also starring in “ Dynasty ” “ Magnum P.I., and “ Trapper John ”. <P1-S3> In 1994, he turned to directing with his first short film," Dickwad". <P1-S4> Which won several film festivals as best comedy short. <P1-S5> He also directed" Under the Hula MoonGunshy" starring Diane Lane, “ Breaking Point ” starring Tom Berenger and Busta Rhymes. <P1-S6> and most recently the boxing saga" Glassjaw". <P1-S7> Celentano is an acting teacher and is the Executive Director of Drama at The Performer's Academy in Lake Forest, California. <P1-S8> Celentano was born and raised in Pemberton, New Jersey. <SEP> <P2-S0> Stuart Gordon( born August 11, 1947) is an American filmmaker, theatre director, screenwriter, and playwright. <P2-S1> Initially recognized for his provocative and frequently controversial work in experimental theatre, Gordon is perhaps more widely known for work in film. <P2-S2> Most of Gordon's cinematic work is in the horror genre, though he has also ventured into science fiction and film noir. <P2-S3> Like his friend and fellow filmmaker Brian Yuzna, Gordon is a fan of H. P. Lovecraft and has adapted several of the author's stories for the screen, including" Re- Animator From Beyond", and" Dagon", as well as the" Masters of Horror" episode" Dreams in the Witch- House". <P2-S4> He has turned to the work of Edgar Allan Poe on two occasions, directing" The Pit and the Pendulum" in 1991 and" The Black Cat" for" Masters of Horror" Showtime series in 2007. <P2-S5> Several of his films have gone onto become cult classics. <SEP> <P3-S0> This allows the period of the pendulum to be adjusted by changing the torque, under the control of a system that compares the pendulum phase to a time standard (originally a daily pulse sent out over the telegraph network at 10.00 GMT). <P3-S1> Suppliers such as the Synchronome Company or Gents of Leicester could by 1925 have supplied perfectly satisfactory and well-proven systems to run the bell and slave clocks throughout the building. <P3-S2> In its new home in Queen’s Building the original studs are re-mounted on to a large steel plate, firmly screwed to the reinforced concrete wall. <P3-S3> The Robertson Clock
Originally mounted in an interior foyer of the Wills Memorial Building, Robertson's clock is housed in an oak case 1753 x 837 x 310 mm (h/w/d), originally carried on stout oak “dogs” let into the masonry of an internal wall. <P3-S4> Additional circuits in the clock once generated other half-minute pulses that controlled 3 strings of similar slave clocks throughout the building. <P3-S5> David Robertson (1875–1941) was the first Professor of Electrical Engineering at Bristol University. <P3-S6> This Control Box has also been recovered and will be installed beside the clock case to house support electronics. <P3-S7> The case was also secured to the wall through its back, but does not support any of the mechanisms, which are separately mounted through the case back into the wall using studs. <P3-S8> Part of the mechanism includes a 60-tooth ratchet wheel advanced on every pendulum swing by a pawl driven by the electromagnet. <P3-S9> On the right is the Greenwich Time Unit (GTU), which essentially kept GMT by counting seconds impulses but also controlled the sequencing of the synchronising system around 10.00 am GMT every day. <P3-S10> At the top of the case a clock dial displays hours and minutes as kept by the pendulum. <P3-S11> He served in this post until his death in 1941. <P3-S12> The opening front door is fully glazed. <P3-S13> The force comes from a torque generated by a spiral hair-spring, one end being attached to the pivot of a lever that forms part of the escapement linkage, the other to a disk that can be rotated in small steps by a solenoid-operated “stepper motor”. <P3-S14> The clock and its circuits were power by a 24 volt lead-acid battery, possibly also housed in this room. <SEP> <P4-S0> The Blood Demon( Die Schlangengrube und das Pendel in West Germany), also known as The Torture Chamber of Dr. Sadism, The Snake Pit and the Pendulum, and Castle of the Walking Dead, is a 1967 West German horror film directed by Harald Reinl and starring Christopher Lee, Karin Dor, and Lex Barker. <P4-S1> The film, written by Manfred R. Köhler, is based on Edgar Allan Poe's 1842 short story" The Pit and the Pendulum" and concerns the saga of Count Regula( Lee) who, after being drawn and quartered for murdering 12 maidens, returns to life seeking revenge. <P4-S2> The film was advertised in Rhode Island newspapers as Crimson Demon, due to a practice at the time of deleting the word" Blood" from film titles. <P4-S3> It was shot at the Bavaria Studios in Munich. <P4-S4> The film's sets were designed by the art directors Gabriel Pellon and Rolf Zehetbauer. <SEP> <P5-S0> The Pit and the Pendulum( released on DVD in the United States as The Inquisitor) is a 1991 American horror film directed by Stuart Gordon and based on the eponymous short story by Edgar Allan Poe. <P5-S1> The film is an amalgamation of the aforementioned story with Poe's" The Cask of Amontillado", and it also appropriates the anecdote of" The Sword of Damocles", reassigning it to the character of Torquemada.