Question: Are the directors of films Bloodguilt (film) and Gone with the Woman both from the same country?

<P0-S0> Petter Næss( born 14 March 1960 in Oslo, Norway) is a Norwegian actor and film director. <P0-S1> His first film as a director was the comedy" Absolutt blåmandag" in 1999. <P0-S2> Næss is best known for his work directing two of the three films about Ingvar Ambjørnsen's Elling character," Elling"( 2000), which was nominated for the foreign language film Oscar and" Elsk meg i morgen"( Love Me Tomorrow),( 2005), in addition to" Bare Bea"( 2003)," Mozart and the Whale"( 2005) and" Hoppet The Jump", 2007) in Sweden. <P0-S3> In 2008 Næss portrayed the war hero Martin Linge in the movie" Max Manus". <P0-S4> Otherwise he has primarily busied himself in the world of plays and revues, both as scriptwriter, director and actor. <P0-S5> Since 1997 he has been employed as a director at Oslo Nye Teater, and was, among other plays, responsible for the critically acclaimed stage version of" Elling and Kjell Bjarne". <SEP> <P1-S0> Bloodguilt, Yaky Yosha's seventh feature film, is a dark thriller about a dangerous love triangle, inspired by the biblical romance of Jacob, Rachel and Leah. <SEP> <P2-S0> Gone with the Woman is a 2007 Norwegian film directed by Petter Naess, based on Erlend Loe's debut novel with the same title. <P2-S1> It was Norway's submission to the 80th Academy Awards for the Academy Award for Best Foreign Language Film, but it was not accepted as a nominee. <SEP> <P3-S0> Yaky Yosha is an international critically acclaimed, award-winning film director from Israel, known for realism. <P3-S1> Yosha’s films have often stirred social controversy in his homeland and outside of it. <P3-S2> About his work Yosha once said: "Art only as Aesthetics is meaningless. <P3-S3> As an artist, I am trying to grasp the meaning of life. <P3-S4> I ask questions related to myself and to the country in which I was born. <P3-S5> I am trying to make movies and thus to find the answers. <P3-S6> God knows if I’ll ever find them…" His films were shown at Cannes, IDFA, Locarno and other international film festivals. <SEP> <P4-S0> Rick sang that song and played the guitar, and amazed us with its beauty. <P4-S1> It was like our fans let us be a singing version of the Hallmark card that said what they were n't quite sure what to express." <P4-S2> We're actually a pretty smokin' Rock band that really has fun onstage and cooks and jams and plays' You Are The Woman' also." <P4-S3> A hit for Firefall in Canada(# 6) and New Zealand(# 15)," You Are the Woman" was remade by Josh Kelley for the( 2005). <P4-S4> Then I realized I was over thinking it. <P4-S5> After two months of support in smaller markets," You Are the Woman" broke in such larger areas as Chicago and Houston in October 1976, affecting a Top 40 entry with a subsequent ascent to a# 9 peak that November. <P4-S6> Steve Heflin recalls that right after the song jumped into Rick's head, a group of his friends were fortunate to have him sing it for them. <P4-S7> Roberts would recall writing" You Are the WomanWhen that chorus and tune jumped into my head I realized I was[ not] creating ... one of the great works of art in history ...[ but rather] a bouncy little pop ditty ... <P4-S8> Bartley, the sole founding member of Firefall who has remained with the group to the present( though, as of 2015, Muse and founding bassist Mark Andes have rejoined), also states:" Everybody knows' You Are The Woman'. <P4-S9> I was stumped for several months about where the verses should go[ ie. develop] lyrically. <P4-S10> Written by Rick Roberts, then the group's frontman, the track is distinguished by the performance on flute of Firefall member David Muse. <P4-S11> Steve Heflin, Chris Wienard, and Janet Cooper, were gathered around Rick who was sitting on the arm of an over stuffed chair in Chris' apartment in Boulder Colorado. <P4-S12> I took a more simple approach, and the verses were finished in a day or two." <P4-S13> Jock Bartley of Firefall would account for the popularity of" You Are the Woman" thus:" Every female between the ages of 18 and 24 wanted to be the woman portrayed in the song, and that caused their boyfriends and spouses to call radio stations and subsequently flood the airwaves with dedications of the song and the sentiment. <P4-S14> It ended up kind of being a hindrance because people would only hear' You Are The Woman' and would think, oh, that light Rock band from Colorado. <SEP> <P5-S0> Song of Songs 8( abbreviated as Song 8) is the eighth( and the final) chapter of the Song of Songs in the Hebrew Bible or the Old Testament of the Christian Bible. <P5-S1> This book is one of the Five Megillot, a collection of short books, together with Book of Ruth, Lamentations, Ecclesiastes and Esther, within the Ketuvim, the third and the last part of the Hebrew Bible. <P5-S2> Jewish tradition views Solomon as the author of this book, and this attribution influences the acceptance of this book as a canonical text, although this is at present largely disputed. <P5-S3> This chapter contains dialogues between the woman and the daughters of Jerusalem, the woman and her brothers, then finally, the woman and the man.