Question: Do director of film Going Hollywood and director of film Out Of The Fog (1919 Film) share the same nationality?

<P0-S0> Dorothy Smoller( circa 1898- 9 December 1926) was an actress and dancer known for the 1919 film" Out of the fog". <P0-S1> She was also featured on the 1919 US" Vogue" cover in a photograph taken by photographer Adolph de Meyer. <SEP> <P1-S0> Going Hollywood is a 1933 American pre-Code musical film directed by Raoul Walsh and starring Marion Davies and Bing Crosby. <P1-S1> It was written by Donald Ogden Stewart and based on a story by Frances Marion. <P1-S2> " Going Hollywood" was released by Metro- Goldwyn- Mayer on December 22, 1933. <SEP> <P2-S0> Out of the Fog is a lost 1919 silent film drama directed by Albert Capellani and starring Alla Nazimova billed as Madame Nazimova. <P2-S1> It was produced by Nazimova, Richard A. Rowland and Maxwell Karger with distribution through Metro Pictures. <SEP> <P3-S0> Brian Johnson( born 1939 or 1940) is a British designer and director of film and television special effects. <SEP> <P4-S0> Raoul A. Walsh( March 11, 1887 December 31, 1980) was an American film director, actor, founding member of the Academy of Motion Picture Arts and Sciences( AMPAS) and the brother of the silent screen actor George Walsh. <P4-S1> He was known for portraying John Wilkes Booth in the silent classic" The Birth of a Nation"( 1915) and for directing such films as" The Big Trail"( 1930), starring John Wayne," High Sierra"( 1941), starring Ida Lupino and Humphrey Bogart; and" White Heat"( 1949), starring James Cagney and Edmond O'Brien. <P4-S2> He directed his last film in 1964. <SEP> <P5-S0> Albert Capellani( 23 August 1874 – 26 September 1931) was a French film director and screenwriter of the silent era. <P5-S1> He directed films between 1905 and 1922. <P5-S2> One of his brother was the actor-sculptor Paul Capellani. and another the film director Roger Capellani. <P5-S3> Capellani, along with his brother Paul, studied acting under Charles le Bargy at the Conservatoire de Paris. <P5-S4> Charles Pathé, who held high hopes for the artistic potential of film as a medium, invited him to join the artistic staff under the direction of Ferdinand Zecca. <P5-S5> When Pathé in 1908 launched a" prestige" production unit, the Société des Auteurs et des Gens de Lettres( SCAGL), Capellani became its first artistic director. <P5-S6> He often drew upon his theatrical background to cast stage actor colleagues for his films, such as Henry Krauss, who appeared as Quasimodo in his" The Hunchback of Notre Dame"( 1911) and as Jean Valjean in his( 1912). <P5-S7> His films cover many genres, including melodramas, fairy tales, costume dramas with historical and biblical themes, and literary adaptations, especially after taking up directorship of SCAGL in 1908. <P5-S8> In 1914 he served in the French army as an officer but was wounded in at the battle of Soissons near Champaigne First Battle of Champagne. <P5-S9> In 1915, he moved to the United States and worked for the film studios Pathé Exchange, Metro Pictures Corporation, the World Film Company, Cosmopolitan Productions, Nazimova Productions, and his own newly created studio, Capellani Productions, Inc. <P5-S10> Under his direction, Alla Nazimova rose to prominence as one of the greatest silent film stars in Hollywood. <P5-S11> Capellani returned to France in 1923, where he floated several new film projects but was unable to bring any to fruition.