Question: Which film whose director is younger, Cruel Winter Blues or The Grandmaster (Film)?

<P0-S0> Jo Han-sun( born June 17, 1981) is a South Korean actor. <P0-S1> He made his debut in a beer commercial in 2001, then became a household name through the sitcom" Nonstop 3"( 2002) and the television drama" April Kiss"( 2004). <P0-S2> He is best known for the films" Temptation of Wolves"( 2004)," Cruel Winter Blues"( 2006), and" A Better Tomorrow", the 2010 remake of the Hong Kong classic. <SEP> <P1-S0> Cruel Winter Blues (lit. " <P1-S1> A Hot-blooded Man") is a 2006 South Korean film written and directed by Lee Jeong-beom. <P1-S2> It stars Sol Kyung-gu, Jo Han-sun and Na Moon-hee in the lead roles. <P1-S3> The narrative centers around a small-time crook who partners with a retired taekwondo practitioner to seek revenge on the man who killed his mentor, and ends up befriending the killer's mother who reminds him of his hometown. <P1-S4> The film released on 9 November 2006. <SEP> <P2-S0> The Grandmaster is a 2013 Hong Kong-Chinese martial arts drama film based on the life story of the Wing Chun grandmaster Ip Man. <P2-S1> The film was directed and written by Wong Kar-wai and stars Tony Leung as Ip Man. <P2-S2> It was released on 8 January 2013 in China. <P2-S3> It was the opening film at the 63rd Berlin International Film Festival in February 2013. <P2-S4> The film was selected as part of the 2013 Hong Kong International Film Festival. <P2-S5> The Weinstein Company acquired the international distribution rights for the film. <P2-S6> The film was selected as the Hong Kong entry for the Best Foreign Language Film at the 86th Academy Awards, making the January shortlist, but did not get the nomination. <P2-S7> The film was nominated for Best Cinematography (Philippe Le Sourd) and Best Costume Design (William Chang Suk Ping) at the 86th Academy Awards. <SEP> <P3-S0> Lee Jeong-beom (born September 21, 1971) is a South Korean film director and screenwriter. <P3-S1> He is best known for such films as "Cruel Winter Blues" (2006) and "The Man from Nowhere" (2010). <P3-S2> With more than 6 million admissions and a revenue of , "The Man from Nowhere" was the best-selling film (domestic and foreign) in Korea in 2010. <SEP> <P4-S0> Wong Kar-wai (born 17 July 1958) is a Chinese film director. <P4-S1> His art films are characterised by nonlinear narratives, atmospheric music, and vivid cinematography involving bold, saturated colours. <P4-S2> A pivotal figure of Hong Kong cinema, Wong has a considerable influence on filmmaking with his trademark personal, unconventional approach, and his films frequently appear on best-of lists domestically and internationally. <P4-S3> He began a career as a screenwriter for soap operas before transitioning to directing with his debut, the crime drama " <P4-S4> As Tears Go By" (1988). <P4-S5> While "As Tears Go By" was fairly successful in Hong Kong, Wong moved away from the contemporary trend of crime and action movies to embark on more personal filmmaking styles. <P4-S6> " <P4-S7> Days of Being Wild" (1990), his first venture into such direction, did not perform well at the box office. <P4-S8> It however received critical acclaim, and won Best Film and Best Director at the 1991 Hong Kong Film Awards. <P4-S9> The production of "Ashes of Time" was time-consuming and left Wong exhausted; he subsequently directed "Chungking Express" (1994) with hopes of reconciling with filmmaking. <P4-S10> The film, expressing a more lighthearted atmosphere, catapulted Wong to international prominence, and won Best Film and Best Director at the 1995 Hong Kong Film Awards. <P4-S11> The 2000 drama "In the Mood for Love", revered for its lush visuals and subtle storytelling, concretely established Wong's trademark filmmaking styles. <SEP> <P5-S0> La Bestia humana is a 1957 Argentine film whose story is based on the novel" La Bête Humaine" by the French writer Émile Zola.