Question: Which film has the director born later, 3 Women or Easy Come, Easy Go (1928 Film)?

<P0-S0> Frank Wright Tuttle( August 6, 1892 – January 6, 1963) was a Hollywood film director and writer who directed films from 1922(" The Cradle Buster") to 1959(" Island of Lost Women"). <SEP> <P1-S0> Easy Come, Easy <P1-S1> Go is a 1967 American musical film comedy starring Elvis Presley. <P1-S2> Hal Wallis produced the film for Paramount Pictures, and it was his final movie for Elvis Presley. <P1-S3> The film co-starred Dodie Marshall, Pat Harrington, Jr., Pat Priest, Elsa Lanchester, and Frank McHugh. <P1-S4> ( It was McHugh's last feature film.) <P1-S5> The movie reached# 50 on the" Variety" magazine national box office list in 1967. <P1-S6> " Easy Come, Easy Go", Presley's twenty- third film, was released on March 22, a mere two weeks before his twenty- fourth," Double Trouble", released on April 5. <P1-S7> However," Double Trouble" was filmed before" Easy Come, Easy Go". <SEP> <P2-S0> Easy Come, Easy <P2-S1> Go is a 1928 American comedy silent film directed by Frank Tuttle and written by Owen Davis, George Marion Jr. and Florence Ryerson. <P2-S2> The film stars Richard Dix, Nancy Carroll, Charles Sellon, Frank Currier, Arnold Kent and Christian J. Frank. <P2-S3> The film was released on April 21, 1928, by Paramount Pictures. <SEP> <P3-S0> Easy Come, Easy <P3-S1> Go is a 1947 film directed by John Farrow. <SEP> <P4-S0> Robert Bernard Altman (February 20, 1925 – November 20, 2006) was an American film director, screenwriter, and producer. <P4-S1> A five-time nominee of the Academy Award for Best Director and an enduring figure from the New Hollywood era, Altman was considered a "maverick" in making films with a highly naturalistic but stylized and satirical aesthetic, unlike most Hollywood films. <P4-S2> He is consistently ranked as one of the greatest and most influential filmmakers in American cinema. <P4-S3> His style of filmmaking covered many genres, but usually with a "subversive" twist which typically relied on satire and humor to express his personal views. <P4-S4> Altman developed a reputation for being "anti-Hollywood" and non-conformist in both his themes and directing style. <P4-S5> However, actors especially enjoyed working under his direction because he encouraged them to improvise, thereby inspiring their own creativity. <P4-S6> He preferred large ensemble casts for his films, and developed a multitrack recording technique which produced overlapping dialogue from multiple actors. <P4-S7> This produced a more natural, more dynamic, and more complex experience for the viewer. <P4-S8> He also used highly mobile camera work and zoom lenses to enhance the activity taking place on the screen. <P4-S9> Critic Pauline Kael, writing about his directing style, said that Altman could "make film fireworks out of next to nothing." <P4-S10> In 2006, the Academy of Motion Picture Arts and Sciences recognized Altman's body of work with an Academy Honorary Award. <P4-S11> He never won a competitive Oscar despite seven nominations. <P4-S12> His films "MASH" (1970), "McCabe & Mrs. Miller" (1971), and "Nashville" (1975) have been selected for the United States National Film Registry. <P4-S13> Altman is one of the few filmmakers whose films have won the Golden Bear at Berlin, the Golden Lion at Venice, and the Golden Palm at Cannes. <SEP> <P5-S0> 3 Women is a 1977 American avant- garde drama film written and directed by Robert Altman and starring Shelley Duvall, Sissy Spacek and Janice Rule. <P5-S1> It depicts the increasingly bizarre, mysterious relationship between a woman( Duvall) and her roommate and co-worker( Spacek) in a dusty, underpopulated Californian desert town. <P5-S2> The story came directly from a dream Altman had, which he adapted into a treatment, intending to film without a screenplay. <P5-S3> 20th Century Fox financed the project on the basis of Altman's past work, and a screenplay was completed before filming. <P5-S4> " 3 Women" premiered at the 1977 Cannes Film Festival, where it competed for the Palme d' Or and Duvall received the Best Actress Award. <P5-S5> It received widespread critical acclaim. <P5-S6> Interpretation of the film has involved use of psychoanalysis and discussion of identity. <P5-S7> It was not a strong box office success despite Hollywood studio financing and distribution. <P5-S8> After its theatrical release, the film was unavailable on home video for almost thirty years, until it was released by The Criterion Collection in 2004.