Question: Do both films Frankie And Johnny (1991 Film) and Traffic (2000 Film) have the directors from the same country?

<P0-S0> Garry Kent Marshall (November 13, 1934 – July 19, 2016) was an American film director, film producer, screenwriter, and actor who is best known for creating "Happy Days" and its various spin-offs, developing Neil Simon's 1965 play "The Odd Couple" for television, and directing "Pretty WomanBeachesRunaway BrideValentine's DayNew Year's EveMother's DayThe Princess Diaries", and . <SEP> <P1-S0> Steven Andrew Soderbergh( born January 14, 1963) is an American filmmaker, screenwriter, producer, and actor. <P1-S1> He is an early pioneer of independent cinema. <P1-S2> Soderbergh's directorial breakthrough—indie drama" Sex, Lies, and Videotape"( 1989) —lifted him into the public spotlight as a notable presence in the film industry. <P1-S3> At 26, Soderbergh became the youngest solo director to win the Palme d' Or at the Cannes Film Festival which garnered the film worldwide commercial success, among numerous accolades. <P1-S4> His breakthrough saw him to Hollywood where he directed crime comedy" Out of Sight"( 1998); biopic" Erin Brockovich"( 2000) and crime drama film" Traffic"( 2000), the latter winning him the Academy Award for Best Director. <P1-S5> He found further popular and critical success with the" Ocean's" trilogy and film franchise( 2001 – 18);" Contagion"( 2011);" Magic Mike"( 2012);" Side Effects"( 2013);" Logan Lucky"( 2017); and" Unsane"( 2018). <P1-S6> Despite his film career spanning a multitude of genres, his cinematic niche centers on psychological, crime, and heist thrillers. <P1-S7> His films have grossed over US$ 2.2 billion worldwide and garnered nine Oscar nominations, winning seven. <P1-S8> Soderbergh's films often revolve around familiar concepts often used for big budget Hollywood movies but with an avant garde arthouse approach to them. <P1-S9> They center on the themes of shifting personal identities, vengeance, sexuality, morality, and the human condition. <P1-S10> His feature films retain distinctive cinematography as a result of his liberal use of avant- garde cinema coupled with unconventional film and camera formats. <P1-S11> Many of Soderbergh's films are anchored by multi-dimensional storylines with plot twists, nonlinear storytelling, experimental sequencing, suspenseful soundscapes, and third person vantage points. <P1-S12> Uniquely, he often serves as his own director of photography and editor under the respective pseudonyms Peter Andrews and Mary Ann Bernard. <SEP> <P2-S0> Traffic is a 2000 American crime drama film directed by Steven Soderbergh and written by Stephen Gaghan. <P2-S1> It explores the illegal drug trade from a number of perspectives: users, enforcers, politicians, and traffickers. <P2-S2> Their stories are edited together throughout the film, although some of the characters do not meet each other. <P2-S3> The film is an adaptation of the 1989 British Channel 4 television series "Traffik". <P2-S4> 20th Century Fox, the original financiers of the film, demanded that Harrison Ford play a leading role and that significant changes to the screenplay be made. <P2-S5> Soderbergh refused and proposed the script to other major Hollywood studios, but it was rejected because of the three-hour running time and the subject matter—"Traffic" is more of a political film than most Hollywood productions. <P2-S6> USA Films, however, liked the project from the start and offered the filmmakers more money than Fox. <P2-S7> Soderbergh operated the camera himself and adopted a distinctive color grade for each storyline so that audiences could tell them apart. <P2-S8> "Traffic" was critically acclaimed and earned numerous awards, including four Oscars: Best Director for Steven Soderbergh, Best Supporting Actor for Benicio del Toro, Best Adapted Screenplay for Stephen Gaghan and Best Film Editing for Stephen Mirrione. <P2-S9> It was also a commercial success with a worldwide box-office revenue total of $207.5 million, well above its estimated $46 million budget. <P2-S10> In 2004, USA Network ran a miniseries—also called "Traffic"—based on this film and the 1989 British television series. <SEP> <P3-S0> Stephen Mirrione( born February 17, 1969) is an American film editor. <P3-S1> He won an Academy Award for his editing of the film" Traffic"( 2000). <SEP> <P4-S0> Frankie and Johnny is a 1991 American romantic comedy film directed by Garry Marshall and starring Al Pacino and Michelle Pfeiffer in their first film together since" Scarface"( 1983). <P4-S1> Héctor Elizondo, Nathan Lane and Kate Nelligan appeared in supporting roles. <P4-S2> The original score was composed by Marvin Hamlisch. <P4-S3> The screenplay for" Frankie and Johnny" was adapted by Terrence McNally from his own off- Broadway play" Frankie and Johnny in the Clair de Lune"( 1987), which featured F. Murray Abraham and Kathy Bates. <P4-S4> The most notable alteration in the film was the addition of several supporting characters and various locations; in the original play, only the two eponymous characters appeared onstage, and the entire drama took place in one apartment. <P4-S5> The title is a reference to the traditional American popular song" Frankie and Johnny", first published in 1904, which tells the story of a woman who finds her man making love to another woman and shoots him dead. <P4-S6> The film received generally favourable reviews but was disappointing at the box office, grossing$ 22 million with a$ 29 million budget. <SEP> <P5-S0> Patricia Colleen Nelligan( born March 16, 1950), known professionally as Kate Nelligan, is a Canadian stage, film and television actress. <P5-S1> She was nominated for the Academy Award for Best Supporting Actress for the 1991 film" The Prince of Tides", and the same year won the BAFTA Award for Best Actress in a Supporting Role for" Frankie and Johnny". <P5-S2> She is also a four- time Tony Award nominee for her work on Broadway, receiving nominations for" Plenty"( 1983)," A Moon for the Misbegotten"( 1984)," Serious Money"( 1988) and" Spoils of War"( 1989).