Question: Are both directors of films Sword Of Sherwood Forest and Posse (1975 Film) from the same country?

<P0-S0> Posse is a 1975 Technicolor American revisionist Western Panavision film, produced by, directed by and starring Kirk Douglas. <P0-S1> The screenplay was written by Christopher Knopf and William Roberts. <P0-S2> The plot centers on a U.S. marshal with political ambitions leading an elite posse in pursuit of a notorious bank robber to further his political career. <P0-S3> The film premiered in New York City on June 4, 1975, and in June the same year in Berlin at the 25th Berlin International Film Festival, where Douglas was nominated for the Golden Bear. <SEP> <P1-S0> Sword of Sherwood Forest is a 1960 British Technicolor adventure film in MegaScope directed by Terence Fisher for Hammer Film Productions. <P1-S1> Richard Greene reprises the role of Robin Hood, which he played in" The Adventures of Robin Hood" on TV from 1955 to 1959. <SEP> <P2-S0> The Men of Sherwood Forest is a 1954 British adventure film directed by Val Guest and starring Don Taylor, Reginald Beckwith, Eileen Moore and David King- Wood. <P2-S1> The film follows the exploits of Robin Hood and his followers. <P2-S2> Doreen Carwithen wrote the score for the film. <SEP> <P3-S0> Kirk Douglas( born Issur Danielovitch; December 9, 1916) is an American actor, producer, director and author. <P3-S1> A centenarian, he is one of the last surviving stars of the film industry's Golden Age. <P3-S2> After an impoverished childhood with immigrant parents and six sisters, he made his film debut in" The Strange Love of Martha Ivers"( 1946) with Barbara Stanwyck and Lizabeth Scott. <P3-S3> During his career, he appeared in more than 90 movies. <P3-S4> Douglas is known for his explosive acting style, which he displayed as a criminal defense attorney in" Town Without Pity"( 1961). <P3-S5> Douglas became an international star through positive reception for his leading role as an unscrupulous boxing hero in" Champion"( 1949), which brought him his first nomination for the Academy Award for Best Actor. <P3-S6> Other early films include" Young Man with a Horn"( 1950), playing opposite Lauren Bacall and Doris Day," Ace in the Hole" opposite Jan Sterling( 1951), and" Detective Story"( 1951), for which he received a Golden Globe nomination as Best Actor in a Drama. <P3-S7> He received a second Oscar nomination for his dramatic role in" The Bad and the Beautiful"( 1952), opposite Lana Turner, and his third nomination for portraying Vincent van Gogh in" Lust for Life"( 1956), which landed him a second Golden Globe nomination. <P3-S8> In those two films he collaborated with the then- relatively- unknown director Stanley Kubrick, taking lead roles in both films. <P3-S9> Douglas has been praised for helping to break the Hollywood blacklist by having Dalton Trumbo write" Spartacus" with an official on- screen credit. <P3-S10> He produced and starred in" Lonely Are the Brave"( 1962), considered a classic, and" Seven Days in May"( 1964), opposite Burt Lancaster, with whom he made seven films. <P3-S11> In 1963, he starred in the Broadway play" One Flew Over the Cuckoo's Nest", a story that he purchased and later gave to his son Michael Douglas, who turned it into an Oscar- winning film. <SEP> <P4-S0> Terence Fisher( 23 February 1904 – 18 June 1980) was a British film director best known for his work for Hammer Films. <P4-S1> He was the first to bring gothic horror alive in full colour, and the sexual overtones and explicit horror in his films, while mild by modern standards, were unprecedented in his day. <P4-S2> His first major gothic horror film was" The Curse of Frankenstein"( 1957), which launched Hammer's association with the genre and made British actors Peter Cushing and Christopher Lee leading horror stars of the era. <P4-S3> He went on to film several adaptations of classic horror subjects, including" Dracula"( 1958)," The Mummy"( 1959), and" The Curse of the Werewolf"( 1961). <P4-S4> Given their subject matter and lurid approach, Fisher's films, though commercially successful, were largely dismissed by critics during his career. <P4-S5> It is only in recent years that Fisher has become recognised as an" auteur" in his own right. <P4-S6> His most famous films are characterised by a blend of fairytale myth and the supernatural alongside themes of sexuality, morality, and ‘ the charm of evil ’. <P4-S7> Drawing heavily on a Christian conservative outlook, there is often a hero who defeats the powers of darkness by a combination of faith in God and reason, in contrast to other characters, who are either blindly superstitious or bound by cold, godless rationalism. <P4-S8> For detailed discussions of Fisher's work, see" Terence Fisher: Horror, Myth, and Religion" by Paul Leggett( McFarland and Co, 2002)," British Film Makers: Terence Fisher" by Peter Hutchings( Manchester University Press, 2013), and" The Films of Terence Fisher: Hammer Horror and Beyond" by Wheeler Winston Dixon( Auteur Publishing, 2017). <SEP> <P5-S0> Mr. Right is a 2009 British film directed by David Morris and Jacqui Morris. <P5-S1> The jointly- made gay- themed film is the debut for both directors.