Question: Do both films, Bellamy (film) and Professional Sweetheart, have the directors who are from the same country?

<P0-S0> Professional Sweetheart is a 1933 American pre-Code romantic comedy directed by William A. Seiter from a screenplay by Maurine Watkins. <P0-S1> It starred Ginger Rogers in her first film with RKO Radio Pictures, with Norman Foster, ZaSu Pitts, and Frank McHugh. <P0-S2> The film is a satire of the radio industry. <SEP> <P1-S0> Bellamy — known as Inspector Bellamy in the U.S. — is a French murder mystery film released in 2009. <P1-S1> It is the last film of celebrated French director Claude Chabrol( who died the following year) and the only time he worked with star Gérard Depardieu. <P1-S2> Chabrol said in an interview that the film is like a" novel that Simenon never wrote", a kind of" Maigret on vacation". <SEP> <P2-S0> William A. Seiter( June 10, 1890 – July 26, 1964) was an American film director. <SEP> <P3-S0> Man in the Dark is a 1953 film noir drama 3- D film directed by Lew Landers and starring Edmond O'Brien, Audrey Totter and Ted de Corsia. <P3-S1> It is a remake of the 1936 Ralph Bellamy film" The Man Who Lived Twice". <P3-S2> It was the first Columbia Pictures film released in 3- D. <SEP> <P4-S0> Francis Gouldman(" c." 1607–1688/89) was a Church of England clergyman and lexicographer whose Latin- English dictionary( 1664) went through several editions. <P4-S1> Gouldman was also one of the directors who oversaw the publication of the monumental" Critici sacri", a major collection of Biblical criticism. <SEP> <P5-S0> Claude Henri Jean Chabrol( 24 June 1930 – 12 September 2010) was a French film director and a member of the French New Wave(" nouvelle vague") group of filmmakers who first came to prominence at the end of the 1950s. <P5-S1> Like his colleagues and contemporaries Jean- Luc Godard, François Truffaut, Éric Rohmer and Jacques Rivette, Chabrol was a critic for the influential film magazine" Cahiers du cinéma" before beginning his career as a film maker. <P5-S2> Chabrol's career began with" Le Beau Serge"( 1958), inspired by Hitchcock's" Shadow of a Doubt"( 1943). <P5-S3> Thrillers became something of a trademark for Chabrol, with an approach characterized by a distanced objectivity. <P5-S4> This is especially apparent in" Les Biches"( 1968)," La Femme infidèle"( 1969), and" Le Boucher"( 1970) – all featuring Stéphane Audran, who was his wife at the time. <P5-S5> Sometimes characterized as a" mainstream" New Wave director, Chabrol remained prolific and popular throughout his half- century career. <P5-S6> In 1978, he cast Isabelle Huppert as the lead in" Violette Nozière". <P5-S7> On the strength of that effort, the pair went on to others including the successful" Madame Bovary"( 1991) and" La Cérémonie"( 1996). <P5-S8> Film critic John Russell Taylor has stated that" there are few directors whose films are more difficult to explain or evoke on paper, if only because so much of the overall effect turns on Chabrol's sheer hedonistic relish for the medium ... <P5-S9> Some of his films become almost private jokes, made to amuse himself." <P5-S10> James Monaco has called Chabrol" the craftsman par excellence of the New Wave, and his variations upon a theme give us an understanding of the explicitness and precision of the language of the film that we do n't get from the more varied experiments in genre of Truffaut or Godard."