Question: Do both films Naya Din Nai Raat and Blood Orange (1953 Film) have the directors that share the same nationality?

<P0-S0> Matt Corboy( born June 4, 1973) is an American actor. <P0-S1> He has appeared in both films and television series. <SEP> <P1-S0> A. Bhimsingh or Bhim Singh( 1924–1978) was an Indian filmmaker, producer, editor, and writer who worked predominantly in the Tamil film industry. <P1-S1> Apart from Tamil, he made films in other languages that include 18 films in Hindi, 8 films in Telugu, 5 films in Malayalam and 1 film in Kannada. <P1-S2> Hailing from Andhra Pradesh, he started his film career as an assistant editor with the film- making duo Krishnan- Panju in the late 1940s. <P1-S3> Later, he became an assistant director before evolving as an independent director. <P1-S4> His films mainly dealt with family and relationships. <P1-S5> He made a series of films all of which started with the Tamil syllable" pa", mainly with Sivaji Ganesan. <SEP> <P2-S0> Terence Fisher( 23 February 1904 – 18 June 1980) was a British film director best known for his work for Hammer Films. <P2-S1> He was the first to bring gothic horror alive in full colour, and the sexual overtones and explicit horror in his films, while mild by modern standards, were unprecedented in his day. <P2-S2> His first major gothic horror film was" The Curse of Frankenstein"( 1957), which launched Hammer's association with the genre and made British actors Peter Cushing and Christopher Lee leading horror stars of the era. <P2-S3> He went on to film several adaptations of classic horror subjects, including" Dracula"( 1958)," The Mummy"( 1959), and" The Curse of the Werewolf"( 1961). <P2-S4> Given their subject matter and lurid approach, Fisher's films, though commercially successful, were largely dismissed by critics during his career. <P2-S5> It is only in recent years that Fisher has become recognised as an" auteur" in his own right. <P2-S6> His most famous films are characterised by a blend of fairytale myth and the supernatural alongside themes of sexuality, morality, and ‘ the charm of evil ’. <P2-S7> Drawing heavily on a Christian conservative outlook, there is often a hero who defeats the powers of darkness by a combination of faith in God and reason, in contrast to other characters, who are either blindly superstitious or bound by cold, godless rationalism. <P2-S8> For detailed discussions of Fisher's work, see" Terence Fisher: Horror, Myth, and Religion" by Paul Leggett( McFarland and Co, 2002)," British Film Makers: Terence Fisher" by Peter Hutchings( Manchester University Press, 2013), and" The Films of Terence Fisher: Hammer Horror and Beyond" by Wheeler Winston Dixon( Auteur Publishing, 2017). <SEP> <P3-S0> Blood Orange( 1953 film) released in the United States as Three Stops to Murder, is a 1953 British crime film directed by Terence Fisher. <P3-S1> It stars Tom Conway and Mila Parély. <P3-S2> A private eye investigating a jewel robbery at a London fashion house finds himself involved in a murder mystery. <P3-S3> it's one of a handful of thrillers that Fisher made for Hammer Film Productions before he directed many of their early horror films in the late 1950s. <SEP> <P4-S0> Naya Din Nai Raat is a 1974 Indian Hindi- language drama film directed by A. Bhimsingh. <P4-S1> The film is a remake of 1964 Tamil movie" Navarathri" starring Sivaji Ganesan which was also previously in Telugu in 1966 Telugu as" Navaratri" starring Akkineni Nageswara Rao. <P4-S2> This film had enhanced Sanjeev Kumar's status and reputation as an actor in Hindi cinema. <P4-S3> The nine roles played by Sanjeev Kumar correspond to nine" Rasa". <SEP> <P5-S0> Navarathri is a 1964 Indian Tamil language drama film produced and directed by A. P. Nagarajan. <P5-S1> Sivaji Ganesan and Savithri featured in the leading roles. <P5-S2> The film was the 100th film of Sivaji and is well known for his nine distinct roles. <P5-S3> The movie was remade in Telugu in 1966 as" Navaratri" and in Hindi in 1974 as" Naya Din Nai Raat".