Question: Which film has the director died earlier, Short Cuts or Pardon My Scotch?

<P0-S0> Pardon My Scotch is a 1935 short subject directed by Del Lord starring American slapstick comedy team The Three Stooges( Moe Howard, Larry Fine and Curly Howard). <P0-S1> It is the ninth entry in the series released by Columbia Pictures starring the comedians, who appeared in 190 shorts at the studio between 1934 and 1959. <SEP> <P1-S0> Katerina Kotsonis is an Australian stage actress known for her role as Mrs Papasavas in the children's television series" Short Cuts" and Patricia Pappas in Neighbours. <SEP> <P2-S0> Pardon My Sarong is a 1942 comedy film starring Abbott and Costello. <SEP> <P3-S0> Delmar" Del" Lord( October 7, 1894 March 23, 1970) was a Canadian film director and actor best known as a director of Three Stooges films. <SEP> <P4-S0> Short Cuts is a 1993 American comedy- drama film, directed by Robert Altman. <P4-S1> Filmed from a screenplay by Altman and Frank Barhydt, it is inspired by nine short stories and a poem by Raymond Carver. <P4-S2> The film has a Los Angeles setting, which substitutes the Pacific Northwest backdrop of Carver's stories. <P4-S3> " Short Cuts" traces the actions of 22 principal characters, both in parallel and at occasional loose points of connection. <P4-S4> The role of chance and luck is central to the film, and many of the stories concern death and infidelity. <P4-S5> The film features an ensemble cast including Matthew Modine, Julianne Moore, Fred Ward, Anne Archer, Jennifer Jason Leigh, Robert Downey Jr., Madeleine Stowe, Chris Penn, Jack Lemmon, Frances McDormand, Lori Singer, Andie MacDowell, Buck Henry, Lily Tomlin, actress and singer Annie Ross, and musicians Huey Lewis, Lyle Lovett and Tom Waits. <SEP> <P5-S0> Robert Bernard Altman (February 20, 1925 – November 20, 2006) was an American film director, screenwriter, and producer. <P5-S1> A five-time nominee of the Academy Award for Best Director and an enduring figure from the New Hollywood era, Altman was considered a "maverick" in making films with a highly naturalistic but stylized and satirical aesthetic, unlike most Hollywood films. <P5-S2> He is consistently ranked as one of the greatest and most influential filmmakers in American cinema. <P5-S3> His style of filmmaking covered many genres, but usually with a "subversive" twist which typically relied on satire and humor to express his personal views. <P5-S4> Altman developed a reputation for being "anti-Hollywood" and non-conformist in both his themes and directing style. <P5-S5> However, actors especially enjoyed working under his direction because he encouraged them to improvise, thereby inspiring their own creativity. <P5-S6> He preferred large ensemble casts for his films, and developed a multitrack recording technique which produced overlapping dialogue from multiple actors. <P5-S7> This produced a more natural, more dynamic, and more complex experience for the viewer. <P5-S8> He also used highly mobile camera work and zoom lenses to enhance the activity taking place on the screen. <P5-S9> Critic Pauline Kael, writing about his directing style, said that Altman could "make film fireworks out of next to nothing." <P5-S10> In 2006, the Academy of Motion Picture Arts and Sciences recognized Altman's body of work with an Academy Honorary Award. <P5-S11> He never won a competitive Oscar despite seven nominations. <P5-S12> His films "MASH" (1970), "McCabe & Mrs. Miller" (1971), and "Nashville" (1975) have been selected for the United States National Film Registry. <P5-S13> Altman is one of the few filmmakers whose films have won the Golden Bear at Berlin, the Golden Lion at Venice, and the Golden Palm at Cannes.