Question: Do both directors of films Flesh (1932 Film) and Rainbow Bridge (Film) have the same nationality?

<P0-S0> Monique Rolland( 1913–1999) was a French film actress. <P0-S1> She appeared in the 1932 film" Narcotics". <SEP> <P1-S0> John Ford( February 1, 1894 – August 31, 1973) was an American film director. <P1-S1> He is renowned both for Westerns such as" Stagecoach"( 1939)," The Searchers"( 1956), and" The Man Who Shot Liberty Valance"( 1962), as well as adaptations of classic 20th- century American novels such as the film" The Grapes of Wrath"( 1940). <P1-S2> His four Academy Awards for Best Director( in 1935, 1940, 1941, and 1952) remain a record. <P1-S3> One of the films for which he won the award," How Green Was My Valley", also won Best Picture. <P1-S4> In a career that spanned more than 50 years, Ford directed more than 140 films( although most of his silent films are now lost) and he is widely regarded as one of the most important and influential filmmakers of his generation. <P1-S5> Ford's work was held in high regard by his colleagues, with Orson Welles and Ingmar Bergman among those who have named him one of the greatest directors of all time. <P1-S6> Ford made frequent use of location shooting and long shots, in which his characters were framed against a vast, harsh, and rugged natural terrain. <SEP> <P2-S0> Candy Darling (November 24, 1944 – March 21, 1974) was an American actress, best known as a Warhol Superstar and transsexual icon. <P2-S1> She starred in Andy Warhol's films "Flesh" (1968) and "Women in Revolt" (1971), and was a muse of The Velvet Underground. <SEP> <P3-S0> Flesh is a 1932 American pre-Code drama film starring Wallace Beery as a German wrestler. <P3-S1> Some of the script was written by Moss Hart and an uncredited William Faulkner, and the film was co-produced and directed by John Ford, who removed his director's credit from the picture. <SEP> <P4-S0> Chuck Wein (March 24, 1939March 18, 2008) was an American promoter and manager of entertainment acts whose celebrity stemmed from his five-year (1964–1969) association with Andy Warhol and from his discovery of Edie Sedgwick who became Warhol Superstar of 1965. <P4-S1> Wein graduated from Pittsburgh's Taylor Allderdice High School in 1956. <P4-S2> He lived in Cambridge, Massachusetts where he attended Harvard, graduating in 1961. <P4-S3> A thesis he had written, centering on Pirandello's "Six Characters in Search of an Author", remained as a particular source of pride for him. <P4-S4> Continuing to reside in Cambridge, he affected the appearance of an 1890s Edwardian dandy, similar to that of the British Teddy Boys, was a successful racetrack bettor and lived what was described as a Bohemian lifestyle. <P4-S5> In 1963, while at his therapist's office, he met Radcliffe student Edie Sedgwick and when, upon turning 21 in 1964, she moved to New York, he went with her and began acting as her promoter. <P4-S6> Gifted with a glib vocabulary and blonde good looks, he insinuated himself into Andy Warhol's circle of intimates and, by January 1965, had introduced Edie Sedgwick to Warhol and began regularly taking her to Warhol's studio, The Factory. <P4-S7> The celebrity-obsessed Warhol and Sedgwick quickly became fascinated with each other and, by the time Warhol invited Wein and Sedgwick to accompany him to Paris in April 1965 for the opening of an exhibition of his paintings, he announced that Edie Sedgwick would be his new "superstar" and the "Queen of The Factory". <P4-S8> Wein wrote and became Warhol's assistant director on "Beauty No. 2", a 65-minute feature which presents a barely dressed Sedgwick in bed with Warhol regular Gino Piserchio, reacting and responding to the off-screen voice of the never-shown Wein who harasses her with intimate and annoying questions and comments which Piserchio does not seem to hear or be aware of. <P4-S9> The film premiered at the Paris Cinémathèque in July 1965, making Warhol and Sedgwick darlings of the international celebrity circuit, with Wein and Piserchio also basking in the spotlight. <P4-S10> The years 1965 and early 1966 represented the peak period for the Warhol-Sedgwick-Wein collaboration, resulting in nine films, but before the end of the year, a disillusioned Edie Sedgwick left Warhol, never to return. <P4-S11> Little more than two years later, in the wake of Warhol's diminished activity following his near-fatal shooting by Valerie Solanas on June 3, 1968, Wein also departed and began traveling the world, with particular emphasis on the Far East, and managing fringe nightclub acts which usually had some unusual, strange or whimsical characteristics, as well as focusing on the occult. <P4-S12> He can be seen in the 1967 documentary short about Warhol, "Superartist" and, in 1971, was credited as director of the Jimi Hendrix concert film "Rainbow Bridge". <P4-S13> Although the day and month of his birth have remained elusive (although see the IMDb entry below), Wein would have marked his 68th birthday in 2008, the year he died in Del Mar, California, fifteen months after the release of "Factory Girl", director George Hickenlooper's cinematic retelling of Edie Sedgwick's (Sienna Miller) brief life, with particular emphasis on her time with Warhol (Guy Pearce) and Wein, whose portrayal by Jimmy Fallon was tepidly noted by critics as being "convincing" and "adequate". <SEP> <P5-S0> Rainbow Bridge is a 1971 film directed by Chuck Wein about different countercultural figures interacting on the Hawaiian island of Maui. <P5-S1> He described it as" a kind of space- age" Candid Camera". <P5-S2> We're going to place Pat[ New York model Pat Hartley, the protagonist] in all kinds of real- life situtations, and film what happens. <P5-S3> We're going to shoot a lot of film and just see what comes out of it." <P5-S4> Harry Shapiro adds," the idea was to shoot an antidote to" Easy Rider", showing the positive side of the youth movement." <P5-S5> Filmed with non-professional actors and without a script, it features improvised scenes with a variety of characters. <P5-S6> When it became apparent that it was floundering, producer Michael Jeffery brought in his client Jimi Hendrix to film an outdoor concert( July 30, 1970). <P5-S7> Hendrix's heavily edited( no complete songs) performance appears near the end of the film. <P5-S8> " Rainbow Bridge" was a critical failure and has been re-released on video tape and DVD formats. <P5-S9> Although it only contains 17 minutes of Hendrix performing, it continues to attract attention as his second- to- last American concert and the last one filmed.