Question: Which film has the director died earlier, La Métamorphose Des Cloportes or Kembang-Kembang Plastik?

<P0-S0> Kembang-Kembang Plastik (Plastic Flowers) is a 1977 Indonesian film directed by Wim Umboh. <P0-S1> Starring Cok Simbara, Dien Novita, Maruli Sitompul, and Roy Marten, it details the lives of people living in a prostitution district in Semarang. <P0-S2> It has interpreted as giving a sympathetic perspective of their plight, but received mixed reception. <SEP> <P1-S0> Le masque de la Méduse is a 2009 fantasy horror film directed by Jean Rollin. <P1-S1> The film is a modern-day telling of the Greek mythological tale of the Gorgon and was inspired by the 1964 classic Hammer Horror film of the same name and the 1981 cult classic" Clash of the Titans". <P1-S2> It was Rollin's final film, as the director died in 2010. <SEP> <P2-S0> Although she made her debut in the ring at age 13 at the famous Cirque Medrano in Paris, she eventually ran away from the circus when she was 18 years old, and begun a music-hall and recording career as a musician and singer. <P2-S1> Together, they created a classic European clown duo in which Étaix was the Clown to Fratllini's Auguste (the comic character of the duet). <P2-S2> They had one daughter, Valérie. <P2-S3> In 1975, Étaix and Fratellini opened the École Nationale du Cirque, one of Paris's (and Europe's) first two professional circus schools, and created the Nouveau Cirque de Paris, an intimate, high-end traveling circus that was the performing arm of the school, and in which they regularly performed their act. <P2-S4> Her grandfather was Paul Fratellini, one of the Fratellini brothers, the legendary clown trio that was the Toast of Paris (and Europe) between the two world wars. <P2-S5> Annie Fratellini (14 November 1932 – 1 July 1997) was a French circus artist, singer, film actress and clown. <P2-S6> The school has become the Académie Fratellini, one of France's two major state-sponsored circus schools. <P2-S7> They fell in love and married that same year. <P2-S8> Annie Fratellini died from cancer on 1 July 1997, at Neuilly-sur-Seine and is buried at the Cimetière de Montmartre in Paris, France, near the other members of her illustrious family. <P2-S9> She was born Annie Violette Fratellini on 14 November 1932, in Algiers, French Algeria, where her parents, who were circus performers, were touring. <P2-S10> Annie Fratellini had an inherited talent for comedy, and Pierre Étaix convinced her to take it seriously. <P2-S11> They made their debut on tour with the French Cirque Pinder. <P2-S12> Her father was Victor Fratellini, a clown and acrobat; her mother, Suzanne (née Rousseau), was the daughter of Gaston Rousseau, the director of the Cirque de Paris, a huge circus building located Avenue de la Motte-Picquet in Paris that was active from 1906 to 1930. <P2-S13> Pierre Étaix (1928–2016), who had been a comedian and Jacques Tati's assistant before becoming a filmmaker himself, had a passion for the circus and clowns. <P2-S14> In 1969, she starred in Pierre Étaix's "Le grand amour". <SEP> <P3-S0> La Métamorphose des cloportes is a 1965 French and Italian crime film comedy directed by Pierre Granier-Deferre. <SEP> <P4-S0> Pierre Granier-Deferre (27 July 1927, Paris – 16 November 2007) was a French film director. <P4-S1> His 1971 film "Le Chat" won the Best Actor and Best Actress awards at the 21st Berlin International Film Festival. <P4-S2> His 1964 film "The Adventures of Salavan" won the Silver Shell for Best Actor at the 12th San Sebastian International Film Festival. <P4-S3> Granier-Deferre married Annie Fratellini, who starred in his film, "La Métamorphose des cloportes". <P4-S4> They had one daughter, Valerie. <P4-S5> He had two children with his second wife, Susan Hampshire, an English actress: a son, Christopher, a producer/director, and a daughter, Victoria, who died shortly after birth. <P4-S6> Granier-Deferre is also the father of Denys Granier-Deferre, a director/actor, whose mother is Denise Leve. <P4-S7> He is also the father of Célia (an actress) and Marie (a stuntwoman) by Isabel Garcia de Herreros (a film editor). <SEP> <P5-S0> Ahmad Salim (26 March 1933 – 24 January 1996), better known by his birth name Wim Umboh but also known by the Chinese name Liem Yan Yung, was an Indonesian director who is best known for his melodramatic romances. <P5-S1> Born in North Sulawesi, Umboh was orphaned at the age of eight and later adopted by a Chinese-Indonesian doctor. <P5-S2> After high school, he moved to Jakarta and found work at Golden Arrow Studios as a janitor and, later, translator. <P5-S3> In 1955 he made his screen debut as a director with  ("Behind the Walls"). <P5-S4> During his career, which spanned more than forty years, Umboh directed close to fifty movies, which garnered 29 Citra Awards from the Indonesian Film Festival. <P5-S5> He was diagnosed with liver cancer in 1978 but, after recovering, he continued to work until his death from complications of diabetes and a stroke. <P5-S6> Umboh was married three times and had two children. <P5-S7> An authoritarian director who strove for perfection, Umboh was known for experimenting with different technologies and, according to fellow director Teguh Karya, memorised the entire dialogue of his films during shooting. <P5-S8> He preferred medium and close-up shots. <P5-S9> Umboh influenced numerous Indonesian directors, including Karya, Slamet Rahardjo, Garin Nugroho, and Arifin C. Noer, and his work launched the careers of several Indonesian stars, including Sophan Sophiaan and Roy Marten. <P5-S10> Among his most famous works are ' ("Teenage Bride"; 1971), "Mama" (1972), and ' ("The Beggar and the Pedicab Driver"; 1978), the last of which was Umboh's personal favourite.