Question: Do director of film The Mummy (1959 Film) and director of film Las Seis Suegras De Barba Azul share the same nationality?

<P0-S0> Las seis suegras de Barba Azul(" Bluebeard's Six Mothers- in- Law") is a 1945 black and white Argentine comedy film directed by Carlos Hugo Christensen. <SEP> <P1-S0> Graciela Lara is a Mexican actress of film and television who made her debut in the 1959 film," Santa Claus". <SEP> <P2-S0> The Mummy is a 1959 British horror film, directed by Terence Fisher and starring Christopher Lee and Peter Cushing. <P2-S1> It was written by Jimmy Sangster and produced by Michael Carreras and Anthony Nelson Keys for Hammer Film Productions. <P2-S2> The film was distributed in the U.S. in 1959 on a double bill with either the Vincent Price movie" The Bat" or the Universal film" Curse of the Undead". <P2-S3> Though the title suggests Universal Pictures' 1932 film of the same title, the film actually derives its plot and characters entirely from two 1940s Universal films," The Mummy's Hand" and" The Mummy's Tomb", with the climax borrowed directly from" The Mummy's Ghost". <P2-S4> The character name Joseph Whemple, the use of a sacred scroll, and a few minor plot elements are the only connections with the 1932 version. <SEP> <P3-S0> Ian Barry is an Australian director of film and TV. <SEP> <P4-S0> Terence Fisher( 23 February 1904 – 18 June 1980) was a British film director best known for his work for Hammer Films. <P4-S1> He was the first to bring gothic horror alive in full colour, and the sexual overtones and explicit horror in his films, while mild by modern standards, were unprecedented in his day. <P4-S2> His first major gothic horror film was" The Curse of Frankenstein"( 1957), which launched Hammer's association with the genre and made British actors Peter Cushing and Christopher Lee leading horror stars of the era. <P4-S3> He went on to film several adaptations of classic horror subjects, including" Dracula"( 1958)," The Mummy"( 1959), and" The Curse of the Werewolf"( 1961). <P4-S4> Given their subject matter and lurid approach, Fisher's films, though commercially successful, were largely dismissed by critics during his career. <P4-S5> It is only in recent years that Fisher has become recognised as an" auteur" in his own right. <P4-S6> His most famous films are characterised by a blend of fairytale myth and the supernatural alongside themes of sexuality, morality, and ‘ the charm of evil ’. <P4-S7> Drawing heavily on a Christian conservative outlook, there is often a hero who defeats the powers of darkness by a combination of faith in God and reason, in contrast to other characters, who are either blindly superstitious or bound by cold, godless rationalism. <P4-S8> For detailed discussions of Fisher's work, see" Terence Fisher: Horror, Myth, and Religion" by Paul Leggett( McFarland and Co, 2002)," British Film Makers: Terence Fisher" by Peter Hutchings( Manchester University Press, 2013), and" The Films of Terence Fisher: Hammer Horror and Beyond" by Wheeler Winston Dixon( Auteur Publishing, 2017). <SEP> <P5-S0> Carlos Hugo Christensen (Santiago del Estero, 15 December 1914 - Rio de Janeiro, 30 November 1999) was an Argentine film director, screenwriter and film producer. <P5-S1> He was of Danish descent through his paternal side. <P5-S2> Christensen directed 54 different films between 1946 and his retirement. <P5-S3> In the mid 1950s he relocated to Brazil where he established his own film studio, Carlos Hugo Christensen Produções Cinematográficas. <P5-S4> He retired from film in 1996 and died three years later of a heart attack in Brazil.