Question: Which film has the director who is older, Waiting for Happiness or Cinesound Varieties?

<P0-S0> Abderrahmane Sissako( born 13 October 1961) is a Mauritanian- born Malian film director and producer. <P0-S1> His film" Waiting for Happiness Heremakono") was screened at the 2002 Cannes Film Festival official selection under Un Certain Regard, winning the FIPRESCI Prize. <P0-S2> His 2007 film" Bamako" received much attention. <P0-S3> Sissako's themes include globalisation, exile and the displacement of people. <P0-S4> His 2014 film" Timbuktu" was selected to compete for the Palme d' Or in the main competition section at the 2014 Cannes Film Festival and nominated for an Academy Award for Best Foreign Language Film. <SEP> <P1-S0> Cinesound Varieties is a 1934 Australian variety short film from director Ken G. Hall made to go out on a double-bill with the full-length feature, "The Silence of Dean Maitland" (1934). <P1-S1> Only 18 minutes of the film survive today. <SEP> <P2-S0> Kenneth George Hall, AO, OBE( 22 February 1901 – 8 February 1994), better known as Ken G. Hall, was an Australian film producer and director, considered one of the most important figures in the history of the Australian film industry. <P2-S1> He was the first Australian to win an Academy Award. <SEP> <P3-S0> For Happiness is a 1917 Russian drama film directed by Yevgeny Bauer. <SEP> <P4-S0> Elliot Silverstein( born August 3, 1927, in Boston, Massachusetts) is an American director, who is best known for being the director of the movie" Cat Ballou"( 1965). <SEP> <P5-S0> Waiting for Happiness( original title: Heremakono) is a 2002 drama film written and directed by Abderrahmane Sissako. <P5-S1> Main characters are a student, who has returned to his home in Nouadhibou, an electrician and his child apprentice, and the local women. <P5-S2> The film is characterized by a succession of scenes of the daily life of the characters which are unique to their particular African and Arab cultures, while borrowing from tropes of Tayeb Saleh's Season of Migration to the North( موسم الهجرة إلى الشمال). <P5-S3> The viewer must interpret the scenes without much help from narrator or plot, while the structure of the film hangs on a series of mundane but visually arresting moments, many of which are repeated in other works in Abderrahmane Sissako's opus, including scenes at a barber shop and a photo booth, also present in his earlier La Vie Sur Terre and later Timbuktu. <P5-S4> The film presents typical Mauritanian moments of beauty, struggle, alienation, and humor, which are experienced by groups socially divided from each other, such as Bidhan women drinking tea and gossiping, West African migrants passing through Mauritania to get to Europe( and finding an unsuccessful comrade washed ashore). <P5-S5> The young protagonist who has returned interacts with all of these groups as an outsider, as he struggles to remember even his own Hassaniya Arabic dialect, but prefers instead French. <P5-S6> Many of the themes and characters presage Sissako's 2014 film Timbuktu, and both explore liminal Sahel identities authentically situated in everyday life. <P5-S7> Waiting for Happiness premiered at the 2002 Cannes Film Festival in the Un Certain Regard section.