Question: Do both films, The Fog Of War and Jaśnie Pan Szofer, have the directors who are from the same country?

<P0-S0> Michał Waszyński( 29 September 1904 – 20 February 1965) was first a film director in Poland, then in Italy, and later( as Michael Waszynski) a producer of the major American films, mainly in Spain. <P0-S1> Known for his elegance and impeccable manners, he was, by the people who knew him, known as" the prince". <P0-S2> Waszyński was born as Mosze Waks into a Polish Jewish family as Michał Waks in 1904 in Kowel, a small town in Volhynia( now in Ukraine), which at the time was part of Imperial Russia. <P0-S3> As Germany occupied this part of Europe during World War I, he moved first to Warsaw and later to Berlin. <P0-S4> As a young man he worked as an assistant director of the legendary German director F.W. Murnau. <P0-S5> Along with the popular films in Polish directed to a wide local audience, he directed an important film in Yiddish" The Dybbuk", today a monument of the rich cultural life of East European Jewry before the Holocaust. <P0-S6> Waszyński began a new career as a theater director, first in Białystok and later in Moscow. <P0-S7> As a member of the army film unit, he filmed the Battle of Monte Cassino, where the Polish Army suffered great losses, but helped to win the day. <P0-S8> After World War II, he stayed in Italy, where he directed a Polish- language feature film about the Battle of Monte Cassino, and then three Italian films. <P0-S9> Later in his career, Waszyński worked as a producer for the major American studios in Italy and( primarily) Spain, credited as" Michael Waszynski". <P0-S10> His credits include" The Quiet American"( 1958)( associate producer)," El Cid"( 1961), and" The Fall of the Roman Empire( film)"( 1964)( executive producer and associate producer). <P0-S11> He died of a heart attack on 20 February 1965 in Madrid, and was buried in a ceremonious Catholic funeral in Rome. <SEP> <P1-S0> Based on the success of" Yojimbo", Kurosawa's next film," Sanjuro"( 1962), was altered to incorporate the lead character of this film. <P1-S1> In both films, the character wears a rather dilapidated dark kimono bearing the same family" mon". <SEP> <P2-S0> Jaśnie pan szofer is a 1935 Polish romantic comedy film directed by Michał Waszyński. <SEP> <P3-S0> Errol Mark Morris( born February 5, 1948) is an American film director primarily of documentaries examining and investigating, among other things, authorities and eccentrics. <P3-S1> His 1988 documentary" The Thin Blue Line" is cited among the best and most influential documentaries ever made. <P3-S2> In 2003, his documentary film" The Fog of War: Eleven Lessons from the Life of Robert S. McNamara" won the Oscar for Best Documentary Feature. <SEP> <P4-S0> Michael Williams( born February 14, 1957) is an American producer. <P4-S1> He won an Academy Award for Best Documentary Feature for the documentary" The Fog of War: Eleven Lessons from the Life of Robert S. McNamara" in 2004. <P4-S2> He also won an Emmy Award in 2004 for" Queer Eye for the Straight Guy", which he created. <P4-S3> He is co-owner and principal of Scout Productions, a film and television production company based in Los Angeles, California. <P4-S4> He graduated from the School of Communications at Boston University. <P4-S5> In 1979, Williams began his career as a location scout for" Spenser for Hire", which filmed in Boston. <SEP> <P5-S0> The Fog of War: Eleven Lessons from the Life of Robert S. McNamara is a 2003 American documentary film about the life and times of former U.S. Secretary of Defense Robert S. McNamara illustrating his observations of the nature of modern warfare. <P5-S1> The film was directed by Errol Morris and features an original score by Philip Glass. <P5-S2> The title derives from the military concept of the" fog of war" depicting the difficulty of making decisions in the midst of conflict. <P5-S3> The film won the 2003 Academy Award for Best Documentary Feature and Independent Spirit Award for Best Documentary Feature. <P5-S4> It was non-competitively screened at the Cannes Film Festival. <P5-S5> In 2019, the film was selected by the Library of Congress for preservation in the National Film Registry for being" culturally, historically, or aesthetically significant".