Question: Do both films, The Scarlet Coat and Grand Prix (2010 film), have the directors who are from the same country?

<P0-S0> Yang Yun-ho (born November 11, 1966) is a South Korean film director and screenwriter. <P0-S1> His feature film debut "Yuri" (1996) screened at the Critics' Week of the Cannes Film Festival. <P0-S2> Among the films Yang has directed since are "Libera Me" (2000), "Fighter in the Wind" (2004, for which he received a Best Adapted Screenplay nomination at the 2005 Grand Bell Awards), "Holiday" (2006), "Rainbow Eyes" (2007), and "Grand Prix" (2010). <P0-S3> He also co-directed the 2009 television series "Iris" and <P0-S4> its film version, "Iris: The Movie". <SEP> <P1-S0> The Scarlet Coat is a 1955 American historical drama and swashbuckler in Eastmancolor and CinemaScope released by Metro-Goldwyn-Mayer, produced by Nicholas Nayfack, directed by John Sturges, that stars Cornel Wilde, Michael Wilding, George Sanders, and Anne Francis. <P1-S1> The film is based upon the events in the American Revolution in which Benedict Arnold offered to surrender the fort at West Point to the British in exchange for money. <P1-S2> The film purports to tell the story of the creation of the "American Secret Service". <P1-S3> It weaves a spy/counterspy tale in which British and American counterparts, played by Michael Wilding as the historical personage Major John André and Cornel Wilde as the fictional Major John Bolton, each unaware that the other is attempting to outsmart him for the sake of their countries, deal with issues of honor, loyalty, and friendship. <P1-S4> There is also some rivalry between the men for the love of a beautiful woman, the fictional Sally Cameron (Anne Francis). <P1-S5> While historically André and Major Benjamin Tallmadge, Bolton's historical counterpart, did meet shortly before André was to be hanged as a spy (Talmadge's regiment of light dragoons was charged with guarding André), their acquaintance was not the longer-term and deeper friendship suggested in the film. <P1-S6> Bolton betrays this friendship out of duty in the film, but Karl Tunberg's script ameliorates that difficulty by having Bolton make attempts to save Andre's life. <P1-S7> Another important departure from history is that during the course of events André saves Bolton when the latter is arrested for being a spy, something that never occurred. <P1-S8> André is treated sympathetically in the film while Wilde's fictional Major Bolton is portrayed as more ruthless, particularly in the brutality he employs to accomplish his objectives. <P1-S9> The script is noted for its even-handedness in depicting both sides of the conflict. <SEP> <P2-S0> The Cassava Metaphor is a 2010 film. <SEP> <P3-S0> John Eliot Sturges (January 3, 1910 – August 18, 1992) was an American film director. <P3-S1> His movies include "Bad Day at Black Rock" (1955), "Gunfight at the O.K. Corral" (1957), "The Magnificent Seven" (1960), "The Great Escape" (1963), and "Ice Station Zebra" (1968). <P3-S2> In 2013, "The Magnificent Seven" was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". <P3-S3> He was not related to director Preston Sturges. <SEP> <P4-S0> Elisabeth Carew( born 13 June 1985) is a Norwegian singer and songwriter. <P4-S1> Carew is best known for competing in Melodi Grand Prix 2010 and 2014. <SEP> <P5-S0> Grand Prix  is 2010 South Korean sports film directed by Yang Yun-ho. <P5-S1> It stars Kim Tae-hee and Yang Dong-geun in lead roles as horse jockeys.