Question: Which film has the director died first, The Gingerbread Man (Film) or The Prince And The Showgirl?

<P0-S0> Hugh Perceval( 1908 –1987) was a British screenwriter and film producer. <P0-S1> He was portrayed by Michael Kitchen in the 2011 film" My Week with Marilyn", which chronicles the filming of" The Prince and the Showgirl"( 1957), whose production Perceval managed. <SEP> <P1-S0> Jan Brett( born December 1, 1949) is an American illustrator and writer of children's picture books. <P1-S1> She is known for colorful, detailed depictions of a wide variety of animals and human cultures ranging from Scandinavia to Africa. <P1-S2> Her best- known titles include" The Mitten The Hat", and" Gingerbread Baby". <P1-S3> She has adapted or retold numerous traditional stories such as the Gingerbread Man and Goldilocks and has illustrated some classics such as The Owl and the Pussycat. <SEP> <P2-S0> The Prince and the Showgirl( originally called" The Sleeping Prince") is a 1957 British- American romantic comedy film starring Marilyn Monroe and Laurence Olivier. <P2-S1> Olivier also served as director and producer. <P2-S2> The screenplay by Terence Rattigan was based on his 1953 stage play" The Sleeping Prince". <P2-S3> It was filmed at Pinewood Studios in Buckinghamshire. <SEP> <P3-S0> Robert Bernard Altman (February 20, 1925 – November 20, 2006) was an American film director, screenwriter, and producer. <P3-S1> A five-time nominee of the Academy Award for Best Director and an enduring figure from the New Hollywood era, Altman was considered a "maverick" in making films with a highly naturalistic but stylized and satirical aesthetic, unlike most Hollywood films. <P3-S2> He is consistently ranked as one of the greatest and most influential filmmakers in American cinema. <P3-S3> His style of filmmaking covered many genres, but usually with a "subversive" twist which typically relied on satire and humor to express his personal views. <P3-S4> Altman developed a reputation for being "anti-Hollywood" and non-conformist in both his themes and directing style. <P3-S5> However, actors especially enjoyed working under his direction because he encouraged them to improvise, thereby inspiring their own creativity. <P3-S6> He preferred large ensemble casts for his films, and developed a multitrack recording technique which produced overlapping dialogue from multiple actors. <P3-S7> This produced a more natural, more dynamic, and more complex experience for the viewer. <P3-S8> He also used highly mobile camera work and zoom lenses to enhance the activity taking place on the screen. <P3-S9> Critic Pauline Kael, writing about his directing style, said that Altman could "make film fireworks out of next to nothing." <P3-S10> In 2006, the Academy of Motion Picture Arts and Sciences recognized Altman's body of work with an Academy Honorary Award. <P3-S11> He never won a competitive Oscar despite seven nominations. <P3-S12> His films "MASH" (1970), "McCabe & Mrs. Miller" (1971), and "Nashville" (1975) have been selected for the United States National Film Registry. <P3-S13> Altman is one of the few filmmakers whose films have won the Golden Bear at Berlin, the Golden Lion at Venice, and the Golden Palm at Cannes. <SEP> <P4-S0> The Gingerbread Man is a 1998 American legal thriller film directed by Robert Altman and based on a discarded John Grisham manuscript. <P4-S1> The film stars Kenneth Branagh, Embeth Davidtz, Robert Downey Jr., Tom Berenger, Daryl Hannah, Famke Janssen, and Robert Duvall. <SEP> <P5-S0> Laurence Kerr Olivier, Baron Olivier,( 22 May 1907 – 11 July 1989) was an English actor and director who, along with his contemporaries Ralph Richardson, Peggy Ashcroft and John Gielgud, dominated the British stage of the mid-20th century. <P5-S1> Late in his career, he had considerable success in television roles. <P5-S2> After attending a drama school in London, Olivier learned his craft in a succession of acting jobs during the late 1920s. <P5-S3> In 1930 he had his first important West End success in Noël Coward's" Private Lives", and he appeared in his first film. <P5-S4> There his most celebrated roles included Shakespeare's Richard III and Sophocles's Oedipus. <P5-S5> In the 1950s Olivier was an independent actor-manager, but his stage career was in the doldrums until he joined the" avant garde" English Stage Company in 1957 to play the title role in" The Entertainer", a part he later played on film. <P5-S6> From 1963 to 1973 he was the founding director of Britain's National Theatre, running a resident company that fostered many future stars. <P5-S7> Among Olivier's films are" Wuthering Heights"( 1939)," Rebecca"( 1940), and a trilogy of Shakespeare films as actor-director:" Henry V"( 1944)," Hamlet"( 1948), and" Richard III"( 1955). <P5-S8> His later films included" The Shoes of the Fisherman"( 1968)," Sleuth"( 1972)," Marathon Man"( 1976), and" The Boys from Brazil"( 1978). <P5-S9> His television appearances included an adaptation of" The Moon and Sixpence"( 1960)," Long Day's Journey into Night"( 1973)," Love Among the Ruins"( 1975)," Cat on a Hot Tin Roof"( 1976)," Brideshead Revisited"( 1981) and" King Lear"( 1983). <P5-S10> For his on- screen work he received four Academy Awards, two British Academy Film Awards, five Emmy Awards and three Golden Globe Awards. <P5-S11> He was married three times, to the actresses Jill Esmond from 1930 to 1940, Vivien Leigh from 1940 to 1960, and Joan Plowright from 1961 until his death.