Question: Do both films The Squaw Man'S Son and Till We Meet Again (1936 Film) have the directors that share the same nationality?

<P0-S0> Robert Florey( 14 September 1900 – 16 May 1979) was a French- American director, screenwriter, film journalist and actor. <P0-S1> Born as Robert Fuchs in Paris, he became an orphan at an early age and was then raised in Switzerland. <P0-S2> In 1920 he worked at first as a film journalist, then as an assistant and extra in featurettes from Louis Feuillade. <P0-S3> Florey moved to the United States in 1921. <P0-S4> As a director, Florey's most productive decades were the 1930s and 1940s, working on relatively low- budget fillers for Paramount and Warner Brothers. <P0-S5> His reputation is balanced between his avant- garde expressionist style, most evident in his early career, and his work as a fast, reliable studio- system director called on to finish troubled projects, such as 1939's" Hotel Imperial". <P0-S6> He directed more than 50 movies. <P0-S7> His most popular film is likely the first Marx Brothers feature" The Cocoanuts" of 1929, and his 1932 foray into Universal- style horror," Murders in the Rue Morgue" is regarded by horror fans as highly reflective of German expressionism. <P0-S8> In 2006, as his 1937 film" Daughter of Shanghai" was selected for preservation in the United States National Film Registry by the Library of Congress, Florey was called" widely acclaimed as the best director working in major studio B-films". <SEP> <P1-S0> Christina McNulty was a silent film actress. <P1-S1> She is best remembered as the female lead( character Margaret Alan) in the film" The Lonely Trail"( 1922), a western romance and melodrama where a young woman falls in love with her American Indian wilderness guide after he saves her from an outlaw. <P1-S2> While film portrayals of interracial love affairs between American Indians and Americans of European descent were in the early 20th century U.S. quite controversial( anti-miscegenation laws still predominating in the states), the moviegoing public found the films titillating, and they were quite popular. <P1-S3> The prototype film of the theme was Cecil B. DeMille ’s The Squaw Man( 1914 film). <P1-S4> This film was also the first picture that DeMille directed. <P1-S5> De Mille remade" The Squaw Man"( 1914) twice more well into the motion picture sound age. <SEP> <P2-S0> The Squaw Man's Son is a 1917 American Western silent film directed by Edward LeSaint, written by Charles Maigne and Edwin Milton Royle, and starring Wallace Reid, Anita King, Dorothy Davenport, Donald Bowles, Clarence Geldart and Frank Lanning. <P2-S1> It was released on July 26, 1917, by Paramount Pictures. <SEP> <P3-S0> Edward LeSaint( December 13, 1870 – September 10, 1940) was an American stage and film actor and director whose career began in the silent era. <P3-S1> He acted in over 300 films and directed more than 90. <P3-S2> He was sometimes credited as Edward J. Le Saint. <SEP> <P4-S0> The Squaw Man( known as The White Man in the UK) is a 1914 silent western drama film directed by Cecil B. DeMille and Oscar C. Apfel, and starring Dustin Farnum. <P4-S1> It was DeMille's directorial debut and the first feature film to be shot in what is now Hollywood. <SEP> <P5-S0> Till We Meet Again is a 1936 American film directed by Robert Florey.