Question: Which film has the director died first, White Rose (film) or Perdón, viejita?

<P0-S0> Mario Baccini( born 14 December 1957 in Rome) is an Italian politician, former member of the Union of Christian and Centre Democrats and promoter of the White Rose. <P0-S1> He started his political activity as town councilor in Rome, for the Christian Democracy party( DC). <P0-S2> In 1994, when DC disbanded, he joined the Christian Democratic Centre, which entered the Pole of Freedoms. <P0-S3> In the same year, he became president of the Christian Democratic Centre( CCD) parliamentary group at the Chamber of Deputies. <P0-S4> Then he was secretary and national co-ordinator of the Christian Democratic Centre. <P0-S5> In 2001 he was re-elected at the Parliament; in 2002 he joined the Union of Christian and Centre Democrats, the result of a merger between CCD, United Christian Democrats, and European Democracy. <P0-S6> In the Berlusconi II Cabinet he was sub -secretary of the Foreign Ministry from 2001 to 2004. <P0-S7> On 3 December 2004, he became Minister of the Public Function. <P0-S8> He was reconfirmed minister in Berlusconi III Cabinet. <P0-S9> From 2006 to 2008 he was vice- president of the Senate. <P0-S10> On 30 January 2008, he left UDC and he founded the White Rose movement with Bruno Tabacci. <P0-S11> He was candidated as mayor of Roma, taking just 0.8% of the votes. <P0-S12> At Italian general election, the White Rose was in alliance with UDC and other Christian democrats movements into the Union of the Centre, and Baccini was elected to the Chamber of Deputies: he did n't join White Rose's parliamentary group, but rather he adhered to the mixed group. <P0-S13> On 14 May, during the parliament discussion about the motion of confidence to Berlusconi IV Cabinet, he announced to vote the confidence to the cabinet, leaving the project of the White Rose. <SEP> <P1-S0> Thulasi is a 1987 Tamil romantic drama film directed by Ameerjan. <P1-S1> The film features Murali and Seetha in lead roles. <P1-S2> The film, produced by P. S. V. Hariharan, had musical score by Sampath Selvam and was released on 27 November 1987. <P1-S3> The music director died before the release of the film. <SEP> <P2-S0> Perdón, viejita is a 1927 silent Argentine film directed and written by José A. Ferreyra. <P2-S1> Ferreyra was born on August 28, 1889 in Buenos Aires, Argentina. <P2-S2> He was a director and writer also known for Bewitching Kisses( 1937) and La vuelta al Bulín( 1926). <P2-S3> Ferreyra died on January 29, 1943, at age 53. <P2-S4> A fragment( 34- minutes) of the film is currently available on YouTube. <P2-S5> The restored version will be presented in the San Isidro Film and Music Festival on November 15. 2016. <P2-S6> The nitrate copy of the film was provided by the Fundación Cinemateca Argentina and the restoration work was done by GOTIKA, <SEP> <P3-S0> White Rose( Hungarian: Fehér rózsa) is a 1919 Hungarian silent drama film directed by Alexander Korda and starring María Corda, Gyula Bartos and Emil Fenyvessy. <P3-S1> It was based on an 1853 novel by Mór Jókai. <P3-S2> It was released by the state- owned Hungarian film industry during the Hungarian Soviet Republic, although production had begun before the regime came to power. <P3-S3> Korda went on to make two further films for the Soviet government" Yamata" and" Ave Caesar!" which led to his eventual arrest once the regime had been overthrown and his ultimate decision to leave Hungary for Austria. <SEP> <P4-S0> José A( gustín) Ferreyra( 28 August 1889 – 29 January 1943), popularly known as" Negro Ferreyra"( Black Ferreyra, due to his mulato ethnicity), was an early Argentine film director, screenwriter and film producer. <P4-S1> He was also sometimes credited as production designer. <P4-S2> Ferreyra was born in Vicente López, Gran Buenos Aires. <P4-S3> He began simultaneously directing and screenwriting for film in 1915, and moved on to success directing films such as" Palomas rubias" in 1920. <P4-S4> His films tended to focus on lower- class family drama, most notably" Perdón, viejita"( 1927), and were filmed on a low budget and with little to no script as a guide. <P4-S5> Ferreyra prevailes through the 1920s and 1930s as a distinguished filmmaker of the masses, but was displaced in the late 1930s and early 1940s by big budget cinema. <P4-S6> He directed over 40 films and wrote the scripts for the majority of them between 1915 and 1941, working with noted actors such as Libertad Lamarque and Mario Soffici on his screen debut, before moving on to directing. <P4-S7> He died on 29 January 1943 from throat cancer. <SEP> <P5-S0> Sir Alexander Korda( born Sándor László Kellner, 16 September 1893 – 23 January 1956) was a British film producer and director and screenwriter, who founded his own film production studios and film distribution company. <P5-S1> Born in Hungary, where he began his career, he worked briefly in the Austrian and German film industries during the era of silent films, before being based in Hollywood from 1926 to 1930 for the first of his two brief periods there( the other was during World War II). <P5-S2> The change led to a divorce from his first wife, the Hungarian film actress María Corda, who was unable to make the transition from silent films to" talkies" because of her strong Hungarian accent. <P5-S3> From 1930, Korda was active in the British film industry, and soon became one of its leading figures. <P5-S4> He was the founder of London Films and, post-war, the owner of British Lion Films, a film distribution company. <P5-S5> Korda produced many outstanding classics of the British film industry, including" The Private Life of Henry VIIIRembrandtThings To Come The Thief of Baghdad" and" The Third Man". <P5-S6> In 1942, Korda became the first filmmaker to receive a knighthood.