Question: Which film whose director is younger, Promise Her Anything or I Was a Communist for the FBI?

<P0-S0> Traci Hunter Abramson is an American mystery and suspense novelist. <P0-S1> Her books have received Whitney Awards for best mystery/ suspense novel in 2012, 2013, and 2015. <P0-S2> Her books often feature characters involved with the FBI or CIA, inspired by her time working for the CIA. <P0-S3> Abramson's books are known for featuring Mormon characters and she has a large following among Mormon readers. <SEP> <P1-S0> Gordon Douglas( December 15, 1907 – September 29, 1993) was an American film director, who directed many different genres of films over the course of a five- decade career in motion pictures. <P1-S1> He was a native of New York City. <SEP> <P2-S0> Promise Her Anything is a 1965 British- American romantic comedy film directed by Arthur Hiller. <P2-S1> The screenplay by William Peter Blatty is based on a story by Arne Sultan and Marvin Worth. <SEP> <P3-S0> Dale L. Watson is the former Assistant Director for the Counterterrorism Division of the FBI, as such he headed the FBI investigation into the September 11, 2001 attacks and the 2001 anthrax attacks. <SEP> <P4-S0> I Was a Communist for the FBI is a 1951 American film noir crime film directed by Gordon Douglas starring Frank Lovejoy, Dorothy Hart, Philip Carey and James Millican. <P4-S1> The film was produced by Bryan Foy who was head of Warners B picture unit until 1942. <P4-S2> It was also a radio show starring Dana Andrews with 78 episodes that ran from April 23, 1952 until October 14, 1953. <P4-S3> The film was based on a series of stories written by Matt Cvetic that appeared in" The Saturday Evening Post". <P4-S4> The stories were later turned into a best- selling book and radio series. <P4-S5> The story follows Cvetic, who infiltrated a local Communist Party cell for nine years and reported back to the Federal Bureau of Investigation( FBI) on their activities. <P4-S6> The film and radio show are, in part, artifacts of the McCarthy era, as well as a time capsule of American society during the Second Red Scare. <P4-S7> The purpose of both is partly to warn people about the threat of Communist subversion of American society. <P4-S8> The tone of the show is ultra-patriotic, with Communists portrayed as racist, vindictive, and tools of a totalitarian foreign power, the Soviet Union. <SEP> <P5-S0> Arthur Hiller,( November 22, 1923 – August 17, 2016) was a Canadian- American television and film director with over 33 films to his credit during a 50- year career. <P5-S1> He began his career directing television in Canada and later in the U.S. <P5-S2> By the late 1950s he began directing films, most often comedies. <P5-S3> He also directed dramas and romantic subjects, such as" Love Story"( 1970), which was nominated for seven Oscars. <P5-S4> Hiller collaborated on films with screenwriters Paddy Chayefsky and Neil Simon. <P5-S5> Among his other films were" The Americanization of Emily"( 1964)," Tobruk"( 1967)," The Hospital"( 1971)," The Out- of- Towners"( 1970)," Plaza Suite"( 1971)," The Man in the Glass Booth"( 1975)," Silver Streak"( 1976)," The In- Laws"( 1979) and" Outrageous Fortune"( 1987). <P5-S6> Hiller served as president of the Directors Guild of America from 1989 to 1993 and president of the Academy of Motion Picture Arts and Sciences from 1993 to 1997. <P5-S7> He was the recipient of the Jean Hersholt Humanitarian Award in 2002. <P5-S8> An annual film festival in Hiller's honor was held from 2006 until 2009 at his alma mater, Victoria School of Performing and Visual Arts.