Question: Which film has the director who died first, Honeymoon In Rio or Murder Most Foul?

<P0-S0> Thakkali Srinivasan is an Indian film director, musician and producer who has worked on Tamil films, often involving horror or murder mystery plotlines. <SEP> <P1-S0> Honeymoon in Vegas is a 1992 American comedy film directed by Andrew Bergman and starring James Caan, Nicolas Cage, and Sarah Jessica Parker. <SEP> <P2-S0> George Pollock( March 27, 1907 – December 22, 1979) was a British film director, best known for bringing Agatha Christie's famous detective Miss Marple to the big screen for the first time, starring Margaret Rutherford. <SEP> <P3-S0> Honeymoon in Rio( Spanish: Luna de miel en Río) is a 1940 Argentine comedy film directed by Manuel Romero and starring Niní Marshall, Tito Lusiardo and Enrique Serrano. <P3-S1> The film's art direction was by Ricardo J. Conord. <SEP> <P4-S0> Murder Most Foul is the third of four Miss Marple films made by Metro- Goldwyn- Mayer. <P4-S1> Loosely based on the novel" Mrs McGinty's Dead" by Agatha Christie, it stars Margaret Rutherford as Miss Jane Marple, Charles Tingwell as Inspector Craddock, and Stringer Davis( Rutherford's real- life husband) as Mr Stringer. <P4-S2> The story is ostensibly based on Christie's novel, but notably changes the action and the characters. <P4-S3> Hercule Poirot is replaced by Miss Marple and most of the other characters are not in the novel. <P4-S4> The film was released in 1964. <P4-S5> It was directed by George Pollock and David Pursall is credited with the adaptation. <P4-S6> The music is by Ron Goodwin. <P4-S7> The title is a quotation from" Hamlet"( I.v.27- 28), where the Ghost comments about his own death:" Murder most foul as in the best it is/ But this most foul, strange and unnatural." <P4-S8> The third film in the MGM series, this was preceded by" Murder, She Said" and" Murder at the Gallop", and followed by" Murder Ahoy!", all with Rutherford starring as Miss Marple. <SEP> <P5-S0> Manuel Romeo (September 21, 1891 – October 3, 1954 in Buenos Aires) was an Argentine film director, screenwriter, dramatist and score composer, and one of the influential directors in the cinema of Argentina of the classic era. <P5-S1> He directed and wrote over films between 1931 and 1951 even composing the musical scores for several. <P5-S2> He was a pioneer of Variety Theatre, and one of the few tango lyrical writers that has reached timeless classical success. <P5-S3> When he was a teenager, he began his journalist job in the Magacine Fray Mochoy, and in the newspapers Crítica y Última Hora. <P5-S4> His first play, "Teatro breve" is from 1919 with the collaboration of Ivo Pelay. <P5-S5> He wrote 180 more. <P5-S6> In 1922 the most famous, "El bailarín del cabaret", was staged with the César Ratti's company, where Corsini triunfó (had a success) with "Patotero sentimental". <P5-S7> In Paris, where he acted on several plays, he met Carlos Gardel and the idea of filmmaking was born. <P5-S8> It starred Gloria Guzmán, Sofía Bozán, Pedro Quartucci and the Julio De Caro musical group. <P5-S9> He returned to Buenos Aires, where he introduced the new ideas taken from music hall and varieties shows. <P5-S10> He started to work at the Lumitón cinema company, with Enrique Telémaco Susini . <P5-S11> With that film company, released in February 1935, "Noches de Buenos Aires", written and directed by Romero, his cinema career began. <P5-S12> The film starred Tita Merello, Irma Córdoba, Enrique Serrano and Fernando Ochoa.