Question: Are both directors of films The Country Doctor (1927 Film) and Germany Year 90 Nine Zero from the same country?

<P0-S0> Germany Year 90 <P0-S1> Nine Zero (French: "Allemagne année 90 neuf zéro") is a French film directed by Jean-Luc Godard and starring Eddie Constantine in his signature role as detective Lemmy Caution. <P0-S2> This is the second film in which Godard and Constantine collaborated with the Lemmy Caution character, although it is not officially a sequel to "Alphaville". <P0-S3> It was also the 15th and final time that Constantine would play his signature role in 40 years. <P0-S4> The film was screened in competition at the 48th Venice International Film Festival, in which it won the President of the Italian Senate's Gold Medal. <P0-S5> The title is a reference to the 1948 Roberto Rossellini film Germany, Year Zero <SEP> <P1-S0> The Country Doctor is a 1909 American short silent drama film written and directed by D. W. Griffith. <P1-S1> Currently in the public domain, prints of" The Country Doctor" are preserved at the film archives of the Museum of Modern Art and the Library of Congress. <SEP> <P2-S0> The Country Doctor is a 1927 silent film directed by Rupert Julian and starring Rudolph Schildkraut. <P2-S1> It was produced by Cecil B. DeMille and distributed by Pathé Exchange. <SEP> <P3-S0> Rupert Julian (25 January 1879 – 27 December 1943) was a New Zealand cinema actor, director, writer and producer. <SEP> <P4-S0> The Country Doctor is a 1936 American drama film directed by Henry King and written by Sonya Levien. <P4-S1> The film stars Jean Hersholt, June Lang, Slim Summerville, Michael Whalen, Dorothy Peterson and Robert Barrat. <P4-S2> " The Country Doctor" was released on March 12, 1936, by 20th Century Fox. <SEP> <P5-S0> Jean-Luc Godard (born 3 December 1930) is a French-Swiss film director, screenwriter and film critic. <P5-S1> French New Wave film movement. <P5-S2> During his early career as a film critic, Godard criticized mainstream French cinema's "Tradition of Quality", which emphasized established convention over innovation and experimentation. <P5-S3> In response, he and like-minded critics began to make their own films. <P5-S4> In 1964, Godard described his and his colleagues' impact: "We barged into the cinema like cavemen into the Versailles of Louis XV." <P5-S5> He is often considered the most radical French filmmaker of the 1960s and 1970s; his approach in film conventions, politics and philosophies made him arguably the most influential director of the French New Wave. <P5-S6> Along with showing knowledge of film history through homages and references, several of his films expressed his political views; he was an avid reader of existential and Marxist philosophy. <P5-S7> Since the New Wave, his politics have been much less radical and his recent films are about representation and human conflict from a humanist, and a Marxist perspective. <P5-S8> In 2010, Godard was awarded an Academy Honorary Award, but did not attend the award ceremony. <P5-S9> Godard's films have inspired many directors including Martin Scorsese, Quentin Tarantino, Brian De Palma, Steven Soderbergh, D. A. Pennebaker, Robert Altman, Jim Jarmusch, Wong Kar-wai, Wim Wenders, Bernardo Bertolucci, and Pier Paolo Pasolini. <P5-S10> He has been married twice, to actresses Anna Karina and Anne Wiazemsky, both of whom starred in several of his films. <P5-S11> 1965)—were called "arguably the most influential body of work in the history of cinema" by "Filmmaker" magazine.