Question: Which film has the director born later, Metalstorm: The Destruction Of Jared-Syn or The Story Of Film: An Odyssey?

<P0-S0> Mark Cousins( born 3 May 1965) is a director and occasional presenter/ critic on film. <P0-S1> A prolific producer and director, he is best known for his 15- hour 2011 documentary. <SEP> <P1-S0> Evpaty Kolovrat( c.1200 – 1238) is a Russian bogatyr described in" The Tale of the Destruction of Ryazan". <P1-S1> According to the tale he died while fighting the vastly superior army of the Mongol ruler Batu Khan, trying to avenge the destruction of Ryazan a few weeks earlier. <SEP> <P2-S0> Charles Robert Band( born December 27, 1951) is an American film producer and director, known for his work on horror comedy movies. <P2-S1> His most famous films are those in the" Puppet Master" franchise and the" Subspecies" series, made by his company Full Moon Features. <P2-S2> Before Full Moon Features, his earlier( and now defunct) company Empire Pictures made films like" Ghoulies" and the cult classic" Re- Animator". <P2-S3> One of the few non-horror films he worked on was the" Prehysteria!" trilogy, which was made by his family- oriented company Moonbeam Entertainment. <SEP> <P3-S0> An Odyssey of the North is a 1914 American adventure film directed by Hobart Bosworth and written by Hettie Grey Baker and Hobart Bosworth. <P3-S1> The film stars Hobart Bosworth, Rhea Haines and Gordon Sackville. <P3-S2> It is based on the short story" An Odyssey of the North" by Jack London. <P3-S3> The film was released on September 3, 1914, by Paramount Pictures. <SEP> <P4-S0> Metalstorm: The Destruction of Jared- Syn is a 1983 science fiction film starring Jeffrey Byron, Michael Preston, Tim Thomerson, Kelly Preston and Richard Moll. <P4-S1> It was directed and produced by Charles Band. <P4-S2> The story is a space- age western which combines themes of esoteric sorcery and high technology. <P4-S3> " Metalstorm" was filmed in 3D. <P4-S4> The movie portrays the story of a space ranger named Dogen( played by Jeffrey Byron), who is in search of an intergalactic criminal with supernatural powers named Jared- Syn( played by Michael Preston). <P4-S5> He has tracked this individual to a desert planet called Lemuria. <P4-S6> The planet's human population lives in scattered mining towns, gathering valuable crystals which seem to be the basis for their technology and economy. <P4-S7> Syn has posed as the leader of a strange group of nomadic humanoids called the" One Eyes" – so named because they symbolically gouge out one of their eyes – who are descendants of a vanished culture called the Cyclopians. <P4-S8> The territorial nomads have begun a holy war to drive the human miners from their lands. <P4-S9> Syn has instigated this crusade, but Dogen knows that Syn's plan is really to enslave them all and seeks to stop him at all cost. <P4-S10> Syn equips his nomads with strange red crystals that drain the life out of touched victims. <P4-S11> Dogen searches Lemuria's wastelands for Syn's camp, traveling in an armored vehicle which looks like a SUV. <SEP> <P5-S0> The Story of Film: An Odyssey is a 2011 British documentary film about the history of film, presented on television in 15 one- hour chapters with a total length of over 900 minutes. <P5-S1> It was directed and narrated by Mark Cousins, a film critic from Northern Ireland, based on his 2004 book" The Story of Film". <P5-S2> The series was broadcast in September 2011 on More4, the digital television service of UK broadcaster Channel 4. <P5-S3> The Story of Film was also featured in its entirety at the 2011 Toronto International Film Festival, and it was exhibited at the Museum of Modern Art in New York City in February 2012. <P5-S4> It was broadcast in the United States on Turner Classic Movies beginning in September 2013. <P5-S5> " The Telegraph" headlined the series' initial broadcast in September 2011 as the" cinematic event of the year", describing it as" visually ensnaring and intellectually lithe, it ’s at once a love letter to cinema, an unmissable masterclass, and a radical rewriting of movie history." <P5-S6> An" Irish Times" writer called the programme a" landmark"( albeit a" bizarrely underpromoted" one). <P5-S7> The program won a Peabody Award in 2013" for its inclusive, uniquely annotated survey of world cinema history." <P5-S8> In February 2012, A. O. Scott of" The New York Times" described Cousins' film as" a semester- long film studies survey course compressed into 15 brisk, sometimes contentious hours" that" stands as an invigorated compendium of conventional wisdom." <P5-S9> Contrasting the project with its" important precursor( and also, perhaps, an implicit interlocutor)", Jean- Luc Godard ’s" Histoire( s) du cinéma", Scott commended Cousins' film as" the place from which all future revisionism must start".