Question: Which film has the director who was born later, Elle Boit Pas, Elle Fume Pas, Elle Drague Pas, Mais... Elle Cause ! or The Very Eye Of Night?

<P0-S0> Paul Michel Audiard( 15 May 1920 – 27 July 1985) was a French screenwriter and film director, known for his witty, irreverent and slang- laden dialogues which made him a prominent figure on the French cultural scene of the 1960s and 1970s. <P0-S1> He was the father of French film director Jacques Audiard. <SEP> <P1-S0> Elle boit pas, elle fume pas, elle drague pas, mais ... elle cause! <P1-S1> is a French comedy film directed by Michel Audiard released in 1970. <SEP> <P2-S0> The Very Eye of Night is 1958 American experimental silent black and white short written, cinematography and directed by Maya Deren and her last completed film. <P2-S1> The film was made in collaboration with Metropolitan Opera Ballet School. <P2-S2> The film editing by Deren into a 16 mm format and music by Teiji Ito. <P2-S3> The entire film is projected as photographed in the negative. <SEP> <P3-S0> Ensemble for Somnambulists is a 1951 American unfinished experimental silent short was written, produced, and directed by Maya Deren. <P3-S1> The film was made while Deren teaching a workshop at the Toronto Film Society. <P3-S2> Along with Deren the film assistant produced by M. Armour and D. Burritt and cinematography by Graeme Ferguson and Bruce Parsons. <P3-S3> The film starring by Frank Ionson, Brian Macdonald, Hannah Winner, Cynthia Barrett and Terry Chapman. <P3-S4> The film was never completed and officially unpublished, but this title has been restored and it screens occasionally along with Deren's other films. <P3-S5> It is sort of a preliminary sketch for her nest film" The Very Eye of Night". <SEP> <P4-S0> Maya Deren( April 29, 1917 – October 13, 1961), born Eleonora Derenkowska, was a Ukrainian- born American experimental filmmaker and important promoter of the avant- garde in the 1940s and 1950s. <P4-S1> Deren was also a choreographer, dancer, film theorist, poet, lecturer, writer, and photographer. <P4-S2> The function of film, Deren believed, was to create an experience. <P4-S3> She combined her expertise in dance and choreography, ethnography, the African spirit religion of Haitian Vodou, symbolist poetry and gestalt psychology( student of Kurt Koffka) in a series of perceptual, black- and- white short films. <P4-S4> Using editing, multiple exposures, jump- cutting, superimposition, slow- motion, and other camera techniques to her advantage, Deren abandoned established notions of physical space and time, in carefully planned films with specific conceptual aims. <P4-S5> " Meshes of the Afternoon"( 1943), her collaboration with Alexander Hammid, has been one of the most influential experimental films in American cinema history. <P4-S6> She went on to make several films of her own, including" At Land"( 1944)," A Study in Choreography for Camera"( 1945), and" Ritual in Transfigured Time"( 1946), writing, producing, directing, editing, and photographing them with help from only one other person, Hella Heyman, her camerawoman. <SEP> <P5-S0> Amélie Sarn- Cantin( born 4 March 1970) is a French author, comic book writer and translator. <P5-S1> In 2006, she took over Geneviève Huriet's role as the author of the" Beechwood Bunny Tales" series, with" Qu'as- tu fait, Mistouflet?" and" L'album photo des Passiflore". <P5-S2> In April 2002, Sarn published her first novel for adults," Elle ne pleure pas, elle chante". <P5-S3> She later wrote the book adaptation of Sylvain Chomet's" The Triplets of Belleville". <P5-S4> Sarn's works have been published in France by Éditions Milan, Rageot, Albin- Michel and Groupe Flammarion.