Question: Which film has the director who is older, Thought Moments or Roads Of Kiarostami?

<P0-S0> Thought Moments( 2004) is an anthropological short film in the style of cinéma vérité by Michael Simon Toon. <P0-S1> Toon, a former Buddhist monk, titled" Thought Moments" after the Buddhist term for the mental states we experience when a physical or mental object enters the mind. <P0-S2> The film is used in the study of microexpressions, eye accessing cues, and the universality of facial expressions. <P0-S3> Toon( off camera) interviews a diverse sample of individuals in public places across the United Kingdom asking a set of ten simple but emotionally evocative questions. <P0-S4> The film uses variable frame rates to highlight distinct emotions, as well as their sequence and timing, that each individual expresses within seconds or fractions of a second after being asked questions, such as" What do you love most? <P0-S5> Are you happy or sad?" and" What are you afraid of?" <P0-S6> Consistency of composition, lighting, and contrast facilitates the analysis of both the differences and similarities of the interviewees' facial expressions. <P0-S7> Toon also released a version of the film with superimposed theoretical eye accessing cue chart. <P0-S8> Both versions are studied and reproduced by students of psychology in several languages. <SEP> <P1-S0> Michael Simon Toon( born 12 March 1977) is an English photographer, filmmaker, designer and builder. <SEP> <P2-S0> Roads of Kiarostami is a 2005 Iranian documentary film directed by Abbas Kiarostami. <P2-S1> Looking to his own art for inspiration, Abbas Kiarostami reflects on the power of landscape, which combines views of the Iranian auteur's austere black- and- white photographs with poetic observations, engaging music and a politically provocative finale. <SEP> <P3-S0> Elliot Silverstein( born August 3, 1927, in Boston, Massachusetts) is an American director, who is best known for being the director of the movie" Cat Ballou"( 1965). <SEP> <P4-S0> Through the Olive Trees(" Zīr -e Derakhtān -e Zeytūn", actually meaning" Under the Olive Trees") is a 1994 film directed and written by Iranian director Abbas Kiarostami, set in earthquake- ravaged Northern Iran. <P4-S1> The film was selected as the Iranian entry for the Best Foreign Language Film at the 67th Academy Awards, but was not accepted as a nominee. <P4-S2> It is the final part of Kiarostami's Koker trilogy, and the plot revolves around the production of the second film;" And Life Goes On...", which itself was a revisitation of the first film-" Where Is the Friend's Home?". <P4-S3> Like much of Kiarostami's work," Through the Olive Trees" is filmed in a naturalistic way; a complex study of the link between art and life, its narrative often blurs the boundaries between fiction and reality. <P4-S4> Many have since declared the film a masterpiece. <SEP> <P5-S0> Abbas Kiarostami( 22 June 1940 – 4 July 2016) was an Iranian film director, screenwriter, poet, photographer, and film producer. <P5-S1> An active film- maker from 1970, Kiarostami had been involved in the production of over forty films, including shorts and documentaries. <P5-S2> Kiarostami attained critical acclaim for directing the" Koker" trilogy( 1987– 1994)," Close- Up"( 1990)," The Wind Will Carry Us"( 1999), and" Taste of Cherry"( 1997), which was awarded the Palme d' Or at the Cannes Film Festival that year. <P5-S3> In later works," Certified Copy"( 2010) and" Like Someone in Love"( 2012), he filmed for the first time outside Iran: in Italy and Japan, respectively. <P5-S4> His films" Where Is the Friend ’s Home? Close- Up", and" The Wind Will Carry Us" were ranked among the 100 best foreign films in a 2018 critics' poll by BBC Culture. <P5-S5> " Close- Up" was also ranked one of the 50 greatest movies of all time in the famous decennial" Sight& Sound" poll conducted in 2012. <P5-S6> Kiarostami had worked extensively as a screenwriter, film editor, art director and producer and had designed credit titles and publicity material. <P5-S7> He was also a poet, photographer, painter, illustrator, and graphic designer. <P5-S8> He was part of a generation of filmmakers in the Iranian New Wave, a Persian cinema movement that started in the late 1960s and includes pioneering directors such as Bahram Beyzai, Nasser Taghvai, Ali Hatami, Masoud Kimiai, Dariush Mehrjui, Sohrab Shahid- Saless and Parviz Kimiavi. <P5-S9> These filmmakers share many common techniques including the use of poetic dialogue and allegorical storytelling dealing with political and philosophical issues. <P5-S10> Kiarostami had a reputation for using child protagonists, for documentary- style narrative films, for stories that take place in rural villages, and for conversations that unfold inside cars, using stationary mounted cameras. <P5-S11> He is also known for his use of Persian poetry in the dialogue, titles, and themes of his films. <P5-S12> Kiarostami's films contain a notable degree of ambiguity, an unusual mixture of simplicity and complexity, and often a mix of fictional and documentary elements. <P5-S13> The concepts of change and continuity, in addition to the themes of life and death, play a major role in Kiarostami's works.