Question: Which film has the director who was born earlier, Battling Jane or Paris Belongs To Us?

<P0-S0> Jacques Rivette( 1 March 1928 – 29 January 2016) was a French film director and film critic most commonly associated with the French New Wave and the film magazine" Cahiers du Cinéma". <P0-S1> His work is noted for its improvisation, loose narratives, and lengthy running times. <P0-S2> He moved to Paris to pursue his career, frequenting Henri Langlois' Cinémathèque Française and other ciné-clubs; there, he met François Truffaut, Jean- Luc Godard, Éric Rohmer, Claude Chabrol and other future members of the New Wave. <P0-S3> In his criticism, he expressed an admiration for American films – especially those of genre directors such as John Ford, Alfred Hitchcock and Nicholas Ray – and was deeply critical of mainstream French cinema. <P0-S4> Rivette's articles, admired by his peers, were considered the magazine's best and most aggressive writings, particularly his 1961 article" On Abjection" and his influential series of interviews with film directors co-written with Truffaut. <P0-S5> He continued making short films, including" Le Coup de Berger", which is often cited as the first New Wave film. <P0-S6> Truffaut later credited Rivette with developing the movement. <P0-S7> Although he was the first New Wave director to begin work on a feature film," Paris Belongs to Us" was not released until 1961, by which time Chabrol, Truffaut and Godard released their own first features and popularised the movement worldwide. <P0-S8> Rivette became editor of" Cahiers du Cinéma" during the early 1960s and publicly fought French censorship of his second feature film," The Nun"( 1966). <P0-S9> He then re-evaluated his career, developing a unique cinematic style with" L'amour fou". <P0-S10> This technique led to the thirteen- hour" Out 1" which, although rarely screened, is considered a Holy Grail of cinephiles. <P0-S11> Rivette's output increased from then on, and his film" La Belle Noiseuse" received international praise. <SEP> <P1-S0> The Night Belongs to Us, released in English as The Night Is Ours or The Night Belongs to Us, is a 1929 German sports romance film directed by Carl Froelich and Henry Roussel, and starring Hans Albers, Charlotte Ander, and Otto Wallburg. <SEP> <P2-S0> Jane or Anne Wentworth( known as the Maid of Ipswich)( c. 1503- 1572?), was an English visionary. <P2-S1> She was a knight's daughter from Ipswich, Suffolk. <SEP> <P3-S0> Paris Belongs to Us( sometimes translated as Paris Is Ours) is a 1961 French mystery film directed by Jacques Rivette. <P3-S1> Set in Paris in 1957 and often referencing Shakespeare's play" Pericles", the title is highly ironic because the characters are immigrants or alienated and do not feel that they belong at all. <P3-S2> The story centres on an essentially innocent young university student called Anne who through her older brother meets a group of friends haunted by mysterious tensions and fears that lead two of them to commit suicide. <P3-S3> Among them is her opposite, a femme fatale called Terry who has had affairs with all the men. <P3-S4> The source of the malaise affecting the group is never explained, leaving viewers to ponder how far it might be an amalgam of individual imbalances, general existentialist anxiety, or the more specific paranoia of the Cold War as the world faced the possibility of nuclear annihilation. <SEP> <P4-S0> Elmer Clifton( March 14, 1890 – October 15, 1949) was an American writer, director and actor from the early silent days. <P4-S1> A collaborator of D.W. Griffith, he appeared in" The Birth of a Nation"( 1915) and" Intolerance"( 1916) before giving up acting in 1917 to concentrate on work behind the camera, with Griffith and Joseph Henabery as his mentors. <P4-S2> His first feature- length solo effort as a director was" The Flame of Youth" with Jack Mulhall. <P4-S3> Clifton honed his talents during the late 1910s, directing vehicles for Mulhall and Herbert Rawlinson at Universal and then for Dorothy Gish for Famous Players- Lasky. <P4-S4> Two of his projects with Gish," Nobody Home" and" Nugget Nell", featured performances from pre-stardom Rudolph Valentino. <P4-S5> Most of this early output has been lost. <P4-S6> He was the first filmmaker to discover the talents of Clara Bow, whom he cast in" Down to the Sea in Ships", released on March 4, 1923. <P4-S7> During the 1920s, Clifton directed films for several different studios. <P4-S8> Clifton directed" The Wreck of the Hesperus" for Cecil B. deMille's production company, and filmed on location in the Grand Canyon for" The Bride of the Colorado". <P4-S9> In the sound era, Clifton wrote and directed many poverty row Westerns and" exploitation" classics, among them the anti-marijuana polemic" Assassin of Youth"( 1937). <P4-S10> He also directed the vice films" Gambling with Souls"( 1936)," Slaves in Bondage"( 1937) and" City of Missing Girls"( 1941), all of which portrayed addiction and white slavery to some degree. <P4-S11> His last film was" Not Wanted"( 1949), which was finished by producer Ida Lupino when Clifton became ill and was unable to work anymore. <P4-S12> He died in 1949 of a cerebral hemorrhage shortly after the film's release. <SEP> <P5-S0> Battling Jane is an American silent melodrama film released in 1918. <P5-S1> It was directed by Elmer Clifton as a vehicle for Dorothy Gish and included some patriotic overtones. <P5-S2> According to the Progressive Silent Film List at SilentEra.com, it is not known whether the film currently survives.