Question: Are the directors of films Trouble On Wheels and Buffalo Bill And The Indians, Or Sitting Bull'S History Lesson both from the same country?

<P0-S0> Sitting Bull( in Standard Lakota orthography, also nicknamed" Húŋkešni" or" Slow") was a Hunkpapa Lakota leader who led his people during years of resistance to United States government policies. <P0-S1> He was killed by Indian agency police on the Standing Rock Indian Reservation during an attempt to arrest him, at a time when authorities feared that he would join the Ghost Dance movement. <P0-S2> Before the Battle of the Little Bighorn, Sitting Bull had a vision in which he saw many soldiers," as thick as grasshoppers," falling upside down into the Lakota camp, which his people took as a foreshadowing of a major victory in which many soldiers would be killed. <P0-S3> About three weeks later, the confederated Lakota tribes with the Northern Cheyenne defeated the 7th Cavalry under Lt. Col. George Armstrong Custer on June 25, 1876, annihilating Custer's battalion and seeming to bear out Sitting Bull's prophetic vision. <P0-S4> Sitting Bull's leadership inspired his people to a major victory. <P0-S5> In response, the US government sent thousands more soldiers to the area, forcing many of the Lakotas to surrender over the next year. <P0-S6> But Sitting Bull refused to surrender, and in May 1877 he led his band north to Wood Mountain, North- Western Territory( now Saskatchewan). <P0-S7> He remained there until 1881, at which time he and most of his band returned to US territory and surrendered to U.S. forces. <P0-S8> After working as a performer with" Buffalo Bill's Wild West" show, Sitting Bull returned to the Standing Rock Agency in South Dakota. <P0-S9> Because of fears that he would use his influence to support the Ghost Dance movement, Indian Service agent James McLaughlin at Fort Yates ordered his arrest. <P0-S10> During an ensuing struggle between Sitting Bull's followers and the agency police, Sitting Bull was shot in the side and head by Standing Rock policemen Lieutenant Bull Head(" Tatankapah") and Red Tomahawk(" Marcelus Chankpidutah") after the police were fired upon by Sitting Bull's supporters. <P0-S11> His body was taken to nearby Fort Yates for burial. <P0-S12> In 1953, his Lakota family exhumed what were believed to be his remains, reburying them near Mobridge, South Dakota, near his birthplace. <SEP> <P1-S0> Buffalo Bill and the Indians, or Sitting Bull's History Lesson is a 1976 revisionist Western film directed by Robert Altman and based on the play" Indians" by Arthur Kopit. <P1-S1> It stars Paul Newman as William F. Cody, alias Buffalo Bill, along with Geraldine Chaplin, Will Sampson, Joel Grey, Harvey Keitel and Burt Lancaster as Bill's biographer, Ned Buntline. <P1-S2> It was filmed in Panavision by cinematographer Paul Lohmann. <P1-S3> As in his earlier film" MASH", Altman skewers an American historical myth of heroism, in this case the notion that noble white men fighting bloodthirsty savages won the West. <P1-S4> However, the film was poorly received at the time of its release, as the country was celebrating its bicentennial. <SEP> <P2-S0> Sitting Bull is a 1954 Eastmancolor Western film directed by Sidney Salkow and René Cardona that was filmed in Mexico in CinemaScope. <P2-S1> In a greatly fictionalised form, it depicts the war between Sitting Bull and the American forces, leading up to the Battle of the Little Bighorn and Custer's Last Stand. <P2-S2> It was the first independent production to be filmed in the CinemaScope process. <P2-S3> Featuring sympathetic portrayals of Sitting Bull and Crazy Horse," The New York Times" called it a" crazy horse opera". <SEP> <P3-S0> Trouble on Wheels is a 2015 Turkish action film directed by Burak Aksak. <SEP> <P4-S0> Burak Aksak( born September 12, 1985 in Istanbul, Turkey) is a Turkish screenwriter, director and actor. <P4-S1> He is best known for writing" Leyla ile Mecnun". <SEP> <P5-S0> Robert Bernard Altman (February 20, 1925 – November 20, 2006) was an American film director, screenwriter, and producer. <P5-S1> A five-time nominee of the Academy Award for Best Director and an enduring figure from the New Hollywood era, Altman was considered a "maverick" in making films with a highly naturalistic but stylized and satirical aesthetic, unlike most Hollywood films. <P5-S2> He is consistently ranked as one of the greatest and most influential filmmakers in American cinema. <P5-S3> His style of filmmaking covered many genres, but usually with a "subversive" twist which typically relied on satire and humor to express his personal views. <P5-S4> Altman developed a reputation for being "anti-Hollywood" and non-conformist in both his themes and directing style. <P5-S5> However, actors especially enjoyed working under his direction because he encouraged them to improvise, thereby inspiring their own creativity. <P5-S6> He preferred large ensemble casts for his films, and developed a multitrack recording technique which produced overlapping dialogue from multiple actors. <P5-S7> This produced a more natural, more dynamic, and more complex experience for the viewer. <P5-S8> He also used highly mobile camera work and zoom lenses to enhance the activity taking place on the screen. <P5-S9> Critic Pauline Kael, writing about his directing style, said that Altman could "make film fireworks out of next to nothing." <P5-S10> In 2006, the Academy of Motion Picture Arts and Sciences recognized Altman's body of work with an Academy Honorary Award. <P5-S11> He never won a competitive Oscar despite seven nominations. <P5-S12> His films "MASH" (1970), "McCabe & Mrs. Miller" (1971), and "Nashville" (1975) have been selected for the United States National Film Registry. <P5-S13> Altman is one of the few filmmakers whose films have won the Golden Bear at Berlin, the Golden Lion at Venice, and the Golden Palm at Cannes.