Question: Which work by the brother of Tom and William Delafield Arnold was edited by Louise Manning Hodgkins?

<P0-S0> Matthew Arnold (24 December 1822 – 15 April 1888) was an English poet and cultural critic who worked as an inspector of schools. <P0-S1>  He was the son of Thomas Arnold, the famed headmaster of Rugby School, and brother to both Tom Arnold, literary professor, and William Delafield Arnold, novelist and colonial administrator. <P0-S2>  Matthew Arnold has been characterised as a sage writer, a type of writer who chastises and instructs the reader on contemporary social issues. <SEP> <P1-S0> Louise Manning Hodgkins (August 5, 1846 - November 28, 1935) was a 19th-century American educator, author, and missionary newspaper editor from Massachusetts. <P1-S1>  After completing her studies at Pennington Seminary and Wilbraham Wesleyan Academy, she became a teacher and preceptress at Lawrence College, before receiving a Master of Arts degree from that institution in 1876. <P1-S2>  She taught at Wellesley College for over a decade before turning her attentions to writing and editing. <P1-S3>  Her main works included "Nineteenth Century Authors of Great Britain and the United States", "Study of the English Language", and "Via Christi". <P1-S4>  She served as editor of "The Heathen Woman's Friend", the first organ of the Woman's Foreign Missionary Society of the Methodist Episcopal Church, and also edited "Milton lyrics : L'allegro, Il penseroso, Comus, and Lycidas" and Matthew Arnold's "Sohrab and Rustum". <SEP> <P2-S0> Ira Spring (1918–2003) was an American photographer, author, mountaineer and hiking advocate. <P2-S1>  He was the photographer and co-author, with Harvey Manning and his brother Bob Spring, of the ""100 Hikes"" series of books published by The Mountaineers. <P2-S2>  He co-founded the trails advocacy and maintenance organization Washington Trails Association (WTA) along with fellow trails advocate Louise Marshall. <P2-S3>  In 1998 he published an autobiography entitled "An Ice Axe, a Camera, and a jar of Peanut Butter" detailing his long photographic career on several continents. <P2-S4>  In recognition of this work in conservation and wilderness-preservation, he was presented with the Roosevelt Conservation Award by President George H. W. Bush in 1992. <P2-S5>  Spring was born in Jamestown, New York with a twin, Bob, and grew up in Shelton, Washington. <P2-S6>  He was an army aerial photographer in World War II. <P2-S7>  He died on June 5, 2003 in Edmonds, Washington of prostate cancer. <SEP> <P3-S0>  "Alembic" 5 (Autumn 1976)was edited solely by Edwards and focused on experimental prose, including work by Paul Buck, Opal Nations, Jeff Nuttall, Maxim Jakubowski, David Miller, the Canadian writer Greg Hollingshead and James Sherry, who was also associated with LANGUAGE poetry. <P3-S1>  Alembic 3, 4 and 5 also marked a more self-conscious engagement with contemporary London-based experimental poetry. <P3-S2>  This eventually metamorphosed (through an amalgamation with Wendy Mulford's Street Editions) into Reality Street, which has been a major publisher of experimental poetry and prose since the 1980s. <P3-S3>  it had a wrap around cover rather than card.) <P3-S4>  With the third issue, the magazine adopted the standard little-magazine format of the time: A4 pages, card cover, stapled. <P3-S5>  It included Lee Harwood's essay 'Surrealist Poetry Today', which had been a talk given at the Poetry Society, and it included work by Harwood, Paul Matthews, Jeff Nuttall, Heathcote Williams and others. <P3-S6>  It was sold at the Edinburgh Festival of 1973, where Hampson was working with the Liverpool-based multimedia group Zoom Cortex. <P3-S7>  It included work by Jeremy Adler, Paul Buck, Herbert Burke, Paula Claire, cris cheek, Bob Cobbing, Glenda George, Robert Sheppard, E. E. Vonna-Michel, Lawrence Upton and others. <P3-S8>  Allen Fisher was the featured poet: in addition to work by him, there was also an interview with him conducted by Barry and Edwards. <P3-S9>  This issue also included work by Roy Fisher, Eric Mottram, and a small number of American poets, including Alan Davies, who was to be associated with LANGUAGE poetry. <P3-S10>  A particular feature of this issue was that every cover was different: they were hand-printed by Vonna-Michel with a rubber-stamp used for the title. <P3-S11> The second issue maintained the same format (a collection of loose pages in a plastic bag) but with an increased number of poets. <P3-S12>  "Alembic" 4 was edited solely by Hampson and was dedicated to open field poetry and the idea of place. <P3-S13>  The first issue appeared in 1973: it was a collection of poems by Barry, Edwards, Hampson and Jim Stewart with graphic work by John Simpson, Robert Snell and Sibani Raychaudhuri. <P3-S14>  The featured poet was the Australian poet David Miller: as well as poems and essays by Miller, there was also poetry by Robert Lax and a reprint of work by Charles Madge, on both of whom Miller had written.