Question: What ws the nationality of the composer who provided new orchestration for the 1841 revival at the Opéra-Comique for "Richard Coeur-de-lion"?

<P0-S0> Adolphe Charles Adam (] ; 24 July 1803 – 3 May 1856) was a French composer and music critic. <P0-S1>  A prolific composer of operas and ballets, he is best known today for his ballets "Giselle" (1841) and "Le corsaire" (1856, his last work), his operas "Le postillon de Lonjumeau" (1836), "Le toréador" (1849) and "Si j'étais roi" (1852) <SEP> <P1-S0> The Padlock is a two-act 'afterpiece' opera by Charles Dibdin. <P1-S1>  The text was by Isaac Bickerstaffe. <P1-S2>  It debuted in 1768 at the Drury Lane Theatre in London as a companion piece to "The Earl of Warwick". <P1-S3>  It partnered other plays before a run of six performances in tandem with "The Fatal Discovery" by John Home. <P1-S4>  "The Padlock" was a success, largely due to Dibdin's portrayal of Mungo, a blackface caricature of a black servant from the West Indies. <P1-S5>  The company took the production to the United States the next year, where a portrayal by Lewis Hallam, Jr. as Mungo met with even greater accolades. <P1-S6>  The libretto was first published in London in 1768 (?) <P1-S7>  and in Dublin in 1775. <P1-S8>  The play remained in regular circulation in the U.S. as late as 1843. <P1-S9>  It was revived by the Old Vic Company in London and on tour in the UK in 1979 in a new orchestration by Don Fraser and played in a double-bill with Garrick's "Miss In Her Teens". <P1-S10>  The role of Mungo was, again, played by a white actor. <P1-S11>  Opera Theatre of Chicago have recently revived the piece (2007?) <P1-S12>  where, it would seem, the role of Mungo was changed to that of an Irish servant. <SEP> <P2-S0> La reine Fiammette is an opera in four acts by composer Xavier Leroux. <P2-S1>  The opera uses a French language libretto by Catulle Mendès which is based on Mendès's 1898 work of the same name, a "conte dramatique" in six acts set in Renaissance Italy. <P2-S2>  The opera's premiere was given by the Opéra-Comique at the Salle Favart theatre in Paris on 23 December 1903. <P2-S3>  The production was directed by Albert Carré and conducted by André Messager. <P2-S4>  The United States premiere of the work was given at the Metropolitan Opera in New York City on 24 January 1919. <P2-S5>  That production was directed by Richard Ordynski, conducted by Pierre Monteux, and starred Geraldine Farrar as Orlanda, Hipolito Lazaro as Danièlo, Adamo Didur as Giorgio, Léon Rothier as César, and Flora Perini as Pantasilée. <P2-S6>  Up to the Second World War the opera received 59 performances at the Opéra-Comique. <SEP> <P3-S0> It was first performed in three acts by the Comédie-Italienne at the first Salle Favart in Paris on 21 October 1784. <P3-S1>  It was given in a revised four-act version at Fontainebleau on 25 October 1785. <P3-S2>  The opera reached the United Kingdom in 1786 and Boston, USA in 1797. <P3-S3>  It was immensely popular and was still being played in France at the end of the 19th century. <P3-S4>  Adolphe Adam provided new orchestration for the 1841 revival at the Opéra-Comique and through the following decades reached over 600 performances by that company by 1910.