Question: What is the name of the ballet that Vassilie Trunoff performed when he toured Australia in 1975 & 1977 that derives from revivals staged by Marius Petipa?

<P0-S0> Giselle (French: "Giselle, ou les Wilis" ] ) is a romantic ballet in two acts. <P0-S1>  It was first performed by the Ballet du Théâtre de l'Académie Royale de Musique at the Salle Le Peletier in Paris, France on Monday, 28 June 1841, with Italian ballerina Carlotta Grisi as Giselle. <P0-S2>  The ballet was an unqualified triumph. <P0-S3>  "Giselle" became hugely popular and was staged at once across Europe, Russia, and the United States. <P0-S4>  The traditional choreography that has been passed down to the present day derives primarily from the revivals staged by Marius Petipa during the late 19th and early 20th centuries for the Imperial Ballet in St. Petersburg. <SEP> <P1-S0> Vassilie Trunoff (1929 in Melbourne, Australia – 1985 in London, England) was an Australian ballet dancer. <P1-S1>  He was born of Russian emigre parents and began dancing in his mother's folk dancing troupe. <P1-S2>  His dancing was noticed by Edouard Borovansky who offered him classes at the Borovansky school. <P1-S3>  He soon became a member of the fledgling Borovansky Ballet. <P1-S4>  He performed a wide variety of roles in the Borovansky repertoire and in 1946 created the part of the Aborigine in Borovansky's "Terra Australis". <P1-S5>  At the end of the 1947 Borovansky season Trunoff joined Ballet Rambert for its Australian tour and performed with the company under the name of Basil Truro. <P1-S6>  He performed in a season of the musical "Oklahoma! <P1-S7> " and subsequently married fellow dancer Joan Potter. <P1-S8>  In 1950, Trunoff left Australia for London. <P1-S9>  He joined the London Festival Ballet as a soloist and he was soon promoted to principal, gaining a reputation for his virtuosity of technique. <P1-S10>  At Borovansky's invitation, Trunoff and his wife returned to Australia in 1954, however in 1958 they both rejoined the London Festival Ballet as ballet master and ballet mistress respectively. <P1-S11>  As ballet master, Trunoff toured to Australia in 1975 and 1977 with Festival Ballet productions that included "Romeo and Juliet" and "Giselle". <P1-S12>  He returned again in 1980 to produce "Scheherazade" and "Graduation Ball" for the Australian Ballet's special tribute season in honour of Edouard Borovansky. <P1-S13>  Trunoff died in London in 1985. <SEP> <P2-S0> Le Corsaire is a ballet typically presented in three acts, with a libretto originally created by Jules-Henri Vernoy de Saint-Georges loosely based on the poem "The Corsair" by Lord Byron. <P2-S1>  Originally choreographed by Joseph Mazilier to the music of Adolphe Adam, it was first presented by the ballet of the Théâtre Impérial de l´Opéra in Paris on 23 January 1856. <P2-S2>  All modern productions of "Le Corsaire" are derived from the revivals staged by the Ballet Master Marius Petipa for the Imperial Ballet of St. Petersburg throughout the mid to late 19th century. <SEP> <P3-S0> The Sergeyev Collection is a collection of choreographic notation, music, designs for décor and costumes, theatre programs, photos and other materials that document the repertory of the Imperial Ballet (precursor of the Kirov/Mariinsky Ballet) of St. Petersburg, Russia at the turn of the 20th century. <P3-S1>  The majority of the choreographic notations document with varying degrees of detail the original works and revivals of the renowned choreographer Marius Petipa, who served as "Premier Maître de ballet" of the St. Petersburg Imperial Theatres, as well as notation and music documenting the ballets of Lev Ivanov, who served as second "Maître de ballet". <P3-S2>  Also included in the collection are choreographic notation documenting dances from various operas by both Petipa and Ivanov, respectively.