Question: Club Paradise Tour followed the release of an album that was released by which record labels ?

<P0-S0> Take Care is the second studio album by Canadian rapper Drake. <P0-S1>  It was released on November 15, 2011, by Young Money Entertainment, Cash Money Records and Republic Records. <P0-S2>  Recording sessions took place from 2010 to 2011. <P0-S3>  Production on the album was primarily handled by frequent collaborator Noah "40" Shebib, alongside T-Minus, The Weeknd, Boi-1da, Just Blaze, Jamie xx, among others. <P0-S4>  Noted by music writers for its minimalist R&B elements, existential subject matter, conflicted lyrics, and Drake's alternately sung and rapped vocals. <P0-S5>  The album online leaked nine days before its scheduled release. <SEP> <P1-S0> The Club Paradise Tour was the second headlining tour by Canadian recording artist, Drake. <P1-S1>  The tour came following the release of Drake's second studio album, "Take Care". <P1-S2>  The tour's name spins off from the 2011 song "Club Paradise", a promotional single released ahead of the release of Take Care, which, in turn, borrowed its name from a strip club in Toronto. <P1-S3>  An official poster for the tour was released along with the announcement of the venture, showing Drake in the same room as is on the album cover, expressing the despondent conflicting stance about growing wealth and fame prevalent in the album. <SEP> <P2-S0> The English city of Bristol has, since the mid-1970s, had a particularly fertile music culture, resulting in not only a great many influential musicians and bands, but also its own sound, Bristol sound or trip hop. <P2-S1>  Along with the music, a number of local record labels also developed, some receiving national and international attention, others with a smaller audience appeal. <P2-S2>  In the 1970s, there was a DIY culture of record production and the independent record label came to prominence. <P2-S3>  One of the most successful at that time was Virgin Records started in 1972. <P2-S4>  Chiswick Records, Stiff Records, Rough Trade Records and Factory Records followed. <P2-S5>  By the later part of the decade, Virgin had become a part of the music business establishment, and new independent record labels began appearing in virtually every British town and city: Bristol was no exception. <P2-S6>  One of the very first Bristol punk bands, The Cortinas released its first single on Miles Copeland's Step Forward Records in 1977, eventually moving on to CBS before disbanding. <P2-S7>  Copeland also released, in 1977, The Pigs' Youthanasia EP on his newly formed New Bristol Records. <P2-S8>  The explosion in punk/new wave bands forming in the area did not attract interest from the major London-based record labels, so local labels sprung up to release recordings from these groups. <P2-S9>  Amongst the first, and initially more successful, were Heartbeat Records, Fried Egg Records, Recreational Records and Riot City Records (a Heartbeat subsidiary). <P2-S10>  Others with more modest success were Wavelength Records (although its subsidiary Bristol Recorder, did achieve some popularity), Circle Records and Sheep Worrying. <P2-S11>  Some bands set up their own labels: Black Roots (Nubian Records) and Essential Bop (Monopause Records). <P2-S12>  Yet other labels, although not based in Bristol, had a strong representation of bands from the area: Y Records, Rialto Records and Naïve Records. <SEP> <P3-S0> Absinthe Blind was an American Shoegaze and Dream pop group from Urbana, Illinois. <P3-S1>  The first group was formed by brothers Seth and Adam Fein and Tristan Wraight in 1996, by merging Adam Fein's group (coincidentally also called Absinthe Blind) and Tristan Wraight and Seth Fein's The Dr. Johanson Band. <P3-S2>  Dr. Johanson Band bassist Mike Zolfo was then asked to join the group. <P3-S3>  As the Champaign-Urbana music scene gained national attention, due to groups such as Hum and Poster Children, Absinthe Blind, along with three other groups, formed a collective entitled Toast Music. <P3-S4>  The brothers' younger sister, Erin Fein joined the band during the recording of "Music for Security" while she continued to study sociology and political science at the University of Illinois. <P3-S5>  In support of Music For Security, the band embarked on a national tour, performing at The CMJ Music Marathon along the way. <P3-S6>  For their fourth album, The Everyday Separation, the band signed to Mud Records, distributed by Parasol. <P3-S7>  Zolfo left the group in 2002 to attend music school, and was replaced by Brett Sanderson. <P3-S8>  The group released one more album, Rings, in 2003, before Adam Fein announced that he was leaving the band. <P3-S9>  A farewell tour followed, culminating with a hometown show at the Canopy Club in Urbana, Illinois on September 13, 2003.