Question: Robert Nagy once performed in whose second opera?

<P0-S0> Piper's Opera House is a historic performing arts venue in Virginia City, Storey County, Nevada in the United States. <P0-S1>  Piper's served as a training facility in 1897 for heavyweight boxing champion Gentleman Jim Corbett, in preparation for his title bout with Bob Fitzsimmons. <P0-S2>  The current structure was built by entrepreneur John Piper in 1885 to replace his 1878 opera house that had burned down. <P0-S3>  The 1878 venue, in turn, had been to replace Piper's 1863 venue which was destroyed by the 1875 Great Fire in Virginia City. <P0-S4>  Mark Twain spoke from the original Piper's stage in 1866, and again a century later in the third venue, as portrayed by Hal Holbrook in his one-man play "Mark Twain Tonight!" <P0-S5>  A lynch mob hung a victim from the first venue's rafters in 1871. <P0-S6>  American theatrical producer David Belasco was stage manager at the second opera house before moving to New York City. <P0-S7>  Piper's opera houses played host to Shakespearean thespians such as Edwin Booth. <P0-S8>  Musical performers Lilly Langtry, Al Jolson and John Philip Sousa once performed here. <P0-S9>  In 1940, Errol Flynn auctioned off historic Piper memorabilia from the opera house stage, during a live NBC broadcast that coincided with the premiere of Flynn's new movie "Virginia City". <SEP> <P1-S0> Robert Nagy (March 3, 1929 – November 7, 2008) was an American operatic tenor who had a lengthy and fruitful association with the Metropolitan Opera that lasted for three decades. <P1-S1>  His association with the Met began when he won the Metropolitan Opera National Council Auditions in 1956. <P1-S2>  He mostly portrayed comprimario roles at the Met where his most memorable early role was the Messenger in "Aida"; a role he sang 172 times for the company. <P1-S3>  He notably sang in the world premieres of two operas by Samuel Barber at the Met: "Vanessa" (1958) and "Antony and Cleopatra" (1966). <P1-S4>  He also sang in the company premieres of "Die Frau ohne Schatten" (1966), "Billy Budd" (1978) and "L'enfant et les sortilèges" (1981). <P1-S5>  Although Nagy specialized in supporting roles, he also portrayed several leading parts at the Met, among them Florestan in "Fidelio", Herodes in "Salome", and the Drum Major in "Wozzeck'. <P1-S6>  He remained on the Met roster through the end of the 1987–88 season, performing 1,187 performances with the Met during his thirty years with the company. <SEP> <P2-S0> L'honestà negli amori is a dramma per musica in 3 acts by composer Alessandro Scarlatti. <P2-S1>  Written in 1679-1680 when Scarlatti was 19 years old, it was his second opera. <P2-S2>  The opera uses an Italian language libretto that was written by either D F Bernini or Domenico Filippo Contini. <P2-S3>  The work premiered at the Teatro di Palazzo Bernini in Rome on 3 February 1680. <P2-S4>  The opera was performed again in 1682 in Acquaviva delle Fonti at the Palazzo De Mari with "Acquaviva laureata" a serenata composed by Giovanni Cesare Netti. <SEP> <P3-S0> L'enfant et les sortilèges: Fantaisie lyrique en deux parties ("The Child and the Spells: A Lyric Fantasy in Two Parts") is an opera in one act, with music by Maurice Ravel to a libretto by Colette. <P3-S1>  It is Ravel's second opera, his first being "L'heure espagnole". <P3-S2>  Written from 1917 to 1925, "L'enfant et les sortilèges" was first performed in Monte Carlo in 1925 under the baton of Victor de Sabata.