Question:  I've Seen That Face Before is a reworking of a work by a composer of what heritage?

<P0-S0> Astor Pantaleón Piazzolla (] , ] ; March 11, 1921July 4, 1992) was an Argentine tango composer, bandoneon player, and arranger. <P0-S1>  His oeuvre revolutionized the traditional tango into a new style termed "nuevo tango", incorporating elements from jazz and classical music. <P0-S2>  A virtuoso bandoneonist, he regularly performed his own compositions with a variety of ensembles. <SEP> <P1-S0> Boulevard Solitude is a "Lyrisches Drama " (lyric drama) or opera in one act by Hans Werner Henze to a German libretto by Grete Weil after the play by Walter Jockisch, in its turn a modern retelling of François Prévost's "Manon Lescaut". <P1-S1>  The piece is a reworking of the Manon Lescaut story, already adapted operatically by Auber, Massenet and Puccini, and here relocated to Paris after the Second World War where, as is noted in Grove, the focus of the story moves away from Manon and towards Armand des Grieux. <P1-S2>  It became Henze’s first fully-fledged opera. <P1-S3>  The work stands out for its strong jazz influences, from a composer who had hitherto been associated with twelve tone technique. <SEP> <P2-S0> "I've Seen That Face Before (Libertango)" is a single by Jamaican singer Grace Jones, released in 1981. <P2-S1>  The song is a reworking of Astor Piazzolla's "Libertango". <SEP> <P3-S0> The Cave Temples of Mahabalipuram are located on the hillock of town, overlooking the Coromandel Coast of the Bay of Bengal in Kanchipuram District in Tamil Nadu, India. <P3-S1>  Also called mandapas or rock-cut caves, they are sanctuaries or temples covered with bas-reliefs. <P3-S2>  The earliest period of use of these caves as sanctuaries is traced to Buddhist and Jain periods. <P3-S3>  They were excavated on rock faces which were cut and then carved using chisel and iron mallet. <P3-S4>  Of the eleven mandapas or caves seen in Mahabalipuram, the most notable are the Varaha Cave Temple, Krishna Cave Temple, Panchapandava Cave Temple, and the Mahishasuramardini mandapa. <P3-S5>  They are cut and decorated with panels in the Mamalla style of the Pallava period in the 7th century. <P3-S6>  They are differentiated from the Adiranchanda cave temples which are dated to the Mahendraverman period of the 8th century. <P3-S7>  Remnants seen in the caves also indicate that they were plastered and painted when built. <P3-S8>  One of the most impressive sculpture panels, bas-reliefs, carved on the walls in the caves is that of the goddess Durga (a form of goddess Shakti) who killed Mahishasura the buffalo-headed demon which has a natural beauty with elegance of sense of movement, and this bas-relief panel in the Mahsisuramardhini Cave Temple is considered a masterpiece of Indian art. <P3-S9>  Many of the caves of the Pallava period have remained incomplete. <P3-S10>  The procedure in creating these caves involved creation of a smooth rock face, then cutting columns through the polished rock faces of required size and then carving bas-reliefs on the walls of the cave. <P3-S11>  Some of the cave temples are covered by the UNESCO inscription while others are not, such as the Koneri Mantapa, the Yali Mantapa, and the Kotikaal Mantapa. <P3-S12>  All caves here with simple plan and elegant architectural style, and have no deities deified in the sanctum sanctorum. <P3-S13>  It is one of the Group of Monuments at Mahabalipuram that were designated as a UNESCO World Heritage Site since 1984 under the heading mantapas.