Question: Contact was an American literary "little magazine" published during the early 1920s and again in 1932, Williams desired to create a distinctly American form of art free of the literary tradition running throughout the work of T. S. Eliot, a British essayist, publisher, playwright, literary and social critic, and "one of the twentieth century's major poets", and moved from his native United States to England in which year?

<P0-S0> Thomas Stearns Eliot, {'1': ", '2': ", '3': ", '4': "} (26 September 1888 – 4 January 1965) was a British essayist, publisher, playwright, literary and social critic, and "one of the twentieth century's major poets". <P0-S1>  He moved from his native United States to England in 1914 at the age of 25, settling, working, and marrying there. <P0-S2>  He eventually became a British subject in 1927 at the age of 39, renouncing his American citizenship. <SEP> <P1-S0> New Criticism was a formalist movement in literary theory that dominated American literary criticism in the middle decades of the 20th century. <P1-S1>  It emphasized close reading, particularly of poetry, to discover how a work of literature functioned as a self-contained, self-referential aesthetic object. <P1-S2>  The movement derived its name from John Crowe Ransom's 1941 book "The New Criticism". <P1-S3>  The work of English scholar I. A. Richards, especially his "Practical Criticism" and "The Meaning of Meaning", which offered what was claimed to be an empirical scientific approach, were important to the development of New Critical methodology. <P1-S4>  Also very influential were the critical essays of T. S. Eliot, such as "Tradition and the Individual Talent" and "Hamlet and His Problems", in which Eliot developed his notion of the "objective correlative". <P1-S5>  Eliot's evaluative judgments, such as his condemnation of Milton and Shelley, his liking for the so-called metaphysical poets and his insistence that poetry must be impersonal, greatly influenced the formation of the New Critical canon. <SEP> <P2-S0> Contact was an American literary "little magazine" published during the early 1920s and again in 1932. <P2-S1>  Following their introduction in 1920 by Marsden Hartley at a party hosted by Lola Ridge, William Carlos Williams and Robert McAlmon endeavored to create an outlet for works showcasing Williams' theory of "contact", a theory centered on the belief that art should derive from an artist's direct experience and sense of place and should reject traditional notions of value. <P2-S2>  Williams desired to create a distinctly American form of art free of the literary tradition running throughout the work of T. S. Eliot. <SEP> <P3-S0> Taeko Kōno (河野 多惠子 , Kōno Taeko , February 24, 1926 – January 29, 2015) is one of the most important Japanese women writers of the second half of the twentieth century, someone whose influence on contemporary Japanese women writers is acknowledged to be immeasurable. <P3-S1>  Kōno is one of a generation of remarkable women writers who made an appearance in Japan in the 1960s and 1970s and who include Kurahashi Yumiko, Mori Mari, Setouchi Harumi, and Takahashi Takako (Japanese name order). <P3-S2>  She also established a reputation for herself as an acerbic essayist, a playwright and a literary critic. <P3-S3>  By the end of her life she was a leading presence in Japan's literary establishment, one of the first women writers to serve on the Akutagawa Literary Prize committee. <P3-S4>  Oe Kenzaburo, Japan's Nobel Laureate, described her as the most "lucidly intelligent" woman writers writing in Japan, and the US critic and academic Masao Miyoshi identified her as among the most "critically alert and historically intelligent." <P3-S5>  US critic and academic Davinder Bhowmik assesses her as “…one of the truly original voices of the twentieth century, beyond questions of gender or even nationality.” <P3-S6>  A writer who deals with some quite dark themes, Kōno is known to readers in English through the collection of short stories "Toddler-Hunting and Other Stories" (New Directions, 1996), which draws together her best writing from the 1960s.