Question: Camilla Pasini (6 November 1875 – 29 November 1935) was an Italian operatic soprano, her sister, Lina Pasini-Vitale was a well known what soprano, a dramatic soprano is a type of operatic soprano with a powerful, rich, emotive voice that can sing over, or cut through, a full orchestra?

<P0-S0> A dramatic soprano is a type of operatic soprano with a powerful, rich, emotive voice that can sing over, or cut through, a full orchestra. <P0-S1>  Thicker vocal folds in dramatic voices usually (but not always) mean less agility than lighter voices but a sustained, fuller sound. <P0-S2>  Usually this voice has a lower tessitura than other sopranos, and a darker timbre. <P0-S3>  They are often used for heroic, often long-suffering, tragic women of opera. <P0-S4>  Dramatic sopranos have a range from approximately low A (A) to "high C" (C). <P0-S5>  Some dramatic sopranos, known as Wagnerian sopranos, have an exceptionally big voice that can assert itself over a large orchestra (of more than 80 or even 100 pieces). <P0-S6>  These voices are substantial, often denser in tone, extremely powerful and, ideally, evenly balanced throughout the vocal registers. Wagnerian sopranos usually play mythic heroines. <P0-S7>  Successful Wagnerian sopranos are rare and often Wagnerian roles are performed by Italianate dramatic sopranos. <SEP> <P1-S0> Camilla Pasini (6 November 1875 – 29 November 1935) was an Italian operatic soprano. <P1-S1>  Her sister Lina Pasini-Vitale was a well known Wagnerian soprano and her other sister, Enrica Pasini, had a short career as an operatic mezzo-soprano. <P1-S2>  Pasini studied at the Accademia Nazionale di Santa Cecilia in Rome and made her professional opera debut in that city at the Teatro Quirino as Inez in Meyerbeer's "L'Africaine". <P1-S3>  She most notably originated the role of Musetta in the original 1896 production of Puccini's "La bohème" at the Teatro Regio in Turin. <P1-S4>  She also sang that role at numerous other theaters including La Scala, the Teatro Costanzi in Rome, and in Brescia, Genoa, Trieste, and Asti among others. <P1-S5>  In 1904, Pasini traveled to South America where she performed on tour in many countries and cities. <P1-S6>  In 1905, Pasini married a lawyer with the surname of Muzi and promptly gave up her career for the next six years. <P1-S7>  She returned to the stage in 1911 in the premiere of the opera "La Vigilia di Notte" by Teofilo De Angelisro at the Teatro Costanzi. <P1-S8>  She retired from the operatic stage somewhere around 1920. <SEP> <P2-S0> A spinto soprano (also lirico-spinto, spinto lyric soprano or "pushed lyric") is a type of operatic soprano voice that has the limpidity and easy high notes of a lyric soprano, yet can be "pushed" on to achieve dramatic climaxes without strain. <P2-S1>  This type of voice may possess a somewhat darker timbre, too, than the average lyric soprano. <P2-S2>  It generally uses "squillo" to "slice" through the sound of a full orchestra, rather than singing over the orchestra like a true dramatic soprano. <SEP> <P3-S0> Carolina Pasini-Vitale, known as Lina, (born Rome, November 8, 1872 – died there November 23, 1959) was an Italian soprano. <P3-S1>  Sister of Camilla Pasini, she studied in Rome before debuting at the Teatro Dal Verme in Milan in Cilea's "La tilda". <P3-S2>  She saw early success at La Scala, in Rome, and in Turin singing Mascagni's Iris and Suzel. <P3-S3>  She also appeared as Micaëla, Mimi, and Gretel. <P3-S4>  In 1897 she married the conductor Edoardo Vitale. <P3-S5>  Beginning in 1914 she became known for her performance in the operas of Richard Wagner, creating Kundry in Buenos Aires for the South American premiere of "Parsifal" in 1914. <P3-S6>  In 1926 she appeared as Brünnhilde in Rome; in 1928 she sang Kundry in Naples, and thereafter retired. <P3-S7>  She recorded numerous excerpts from various operas during her career. <P3-S8>  Another sister, Enrica Pasini, had a brief career as a mezzo-soprano. <P3-S9>  Her son was Riccardo Vitale, who eventually became director of the Rome Opera House from the 1940s to the 1970s.