Question: Who wrote the play which  Carmen Tănase  in 

<P0-S0> The Possessed (in French Les Possédés) is a play written by Albert Camus in 1959. <P0-S1>  The piece is a theatrical adaptation of Fyodor Dostoyevsky's novel "The Possessed", later renamed "Demons". <P0-S2>  Camus despised nihilism and viewed Dostoyevsky's work as a prophecy about nihilism's devastating effects. <P0-S3>  He directed a production of the play at the Théâtre Antoine in 1959, the year before he died, which he financed in part with the money he received with his Nobel Prize. <P0-S4>  It was a critical success as well as an artistic and technical tour de force: 33 actors, 4 hours long, 7 sets, 24 scenes. <P0-S5>  The walls could move sideways to reduce the size of each location and the whole stage rotated to allow for immediate set transformations. <P0-S6>  Camus put the painter and set decorator Mayo, who had already illustrated several of his novels (L'Etranger - 1948 Ed.) <P0-S7> , in charge of the demanding task of designing these multiple and complex theater sets <SEP> <P1-S0> The Sisterhood of the Traveling Pants is a series of four bestselling young adult novels by Ann Brashares. <P1-S1>  Released by Random House, the novels tell the continuing story of four young girls who acquire a pair of jeans that fit all four of them perfectly, even though they are all different shapes and sizes. <P1-S2>  The four main characters are Lena Kaligaris, Tabitha "Tibby" Rollins, Bridget "Bee" Vreeland, and Carmen Lowell. <P1-S3>  Carmen delivers the opening prologue and epilogue in first person and tends to play the role throughout the series of keeping the group of friends together. <SEP> <P2-S0> Carmen Tanase (born January 18, 1961) is a Romanian actress. <P2-S1>  After graduating The Drama and Film Institute from Bucharest, in 1984, she joined the company of "Vasile Alecsandri" National Theatre in Iaşi (between 1984-1990) and then moved back to the capital city of Romania. <P2-S2>  Since 1990, she is a member of the Odeon Theatre company from Bucharest. <P2-S3>  As a student, she played in Dostoevsky's "The Possessed" (a dramatization of the great Russian novel), in John Steinbeck's "Sweet Thursday", in "Butterflies, Butterflies" by the Italian playwright Aldo Nicolaj (at The Very Small Theatre in Bucharest, having the legendary Romanian actress Olga Tudorache and Radu Duda, the would-be Prince of Hohenzollern-Veringen, as partners) etc. <P2-S4>  Following the fall of the Romanian communist regime, in 1989 (the end of Nicolae Ceauşescu's dictatorship), she also involved herself in the independent artistic movements that flourished after these events. <P2-S5>  She toured the world with Radu Duda, the two of them playing in "A Report to an Academy", the adaptation of a short story by Franz Kafka, directed by Cristina Iovita (the play was produced by the first Romanian independent theatrical group formed after the 1989 Revolution). <SEP> <P3-S0> Georgette Leblanc (8 February 1869 Rouen, – 27 October 1941 Le Cannet, near Cannes) was a French operatic soprano, actress, author, and the sister of novelist Maurice Leblanc. <P3-S1>  She became particularly associated with the works of Jules Massenet and was an admired interpreter of the title role in Bizet's "Carmen". <P3-S2>  For many years Leblanc was the lover of Belgian playwright and writer Maurice Maeterlinck, and he wrote several parts for her within his stage plays. <P3-S3>  She portrayed the role of Ariane in "Ariane et Barbe-bleue", both in the original 1899 stage play by Maeterlinck and in the 1907 opera adaptation by Paul Dukas. <P3-S4>  Leblanc also appeared in a couple of French films, most notably "L'Inhumaine" in 1924. <P3-S5>  In the last few decades of her life she turned to writing, producing two commercially successful autobiographies and several children's books and travelogues.