Question: Which Opera has more acts Il ritorno d'Ulisse in patria or Die Walküre ?

<P0-S0> Die Walküre (The Valkyrie), WWV 86B, is a music drama in three acts by Richard Wagner with a German libretto by the composer. <P0-S1>  It is the second of the four works that form Wagner's cycle "Der Ring des Nibelungen" ("The Ring of the Nibelung"). <SEP> <P1-S0> Il ritorno d'Ulisse in patria (SV 325, "The Return of Ulysses to his Homeland") is an opera consisting of a prologue and five acts (later revised to three), set by Claudio Monteverdi to a libretto by Giacomo Badoaro. <P1-S1>  The opera was first performed at the Teatro Santi Giovanni e Paolo in Venice during the 1639–1640 carnival season. <P1-S2>  The story, taken from the second half of Homer's "Odyssey", tells how constancy and virtue are ultimately rewarded, treachery and deception overcome. <P1-S3>  After his long journey home from the Trojan Wars Ulisse, king of Ithaca, finally returns to his kingdom where he finds that a trio of villainous suitors are importuning his faithful queen, Penelope. <P1-S4>  With the assistance of the gods, his son Telemaco and a staunch friend Eumete, Ulisse vanquishes the suitors and recovers his kingdom. <SEP> <P2-S0> Des Matrosen Heimkehr or Il Ritorno del Marinaio is a romantic opera in two acts by Dalmatian composer Franz von Suppé to a libretto by the late Anton Langer (died 1879). <P2-S1>  It was premiered at the Stadttheater, Hamburg, on 4 May 1885. <P2-S2>  The opera was a success but quickly forgotten in Germany, and then the original score of the opera was lost in bombing in 1943. <P2-S3>  Croatian conductor Adriano Martinolli d'Arcy managed to retrieve a copy in an American archive in 2007, and the opera was revived in an Italian translation by the Croatian National Theatre in Split in 2013, and recorded by the Croatian National Theatre Ivan pl. <P2-S4>  Zajc in Rijeka in 2016. <SEP> <P3-S0> Loretta Di Franco is an American operatic soprano who is chiefly known for her more than 900 performances at the Metropolitan Opera from 1961-1995. <P3-S1>  Originally a member of the Met's opera chorus, she eventually was promoted to singing small comprimario roles beginning with one of the pages in Wagner's "Tannhäuser" and the peasant girl in "The Marriage of Figaro" in 1961. <P3-S2>  She went on to win the Metropolitan Opera National Council Auditions in 1965 which led to her first substantial role, Chloe in "The Queen of Spades". <P3-S3>  She continued to appear annually at the Met for the next 30 years, performing both leading and supporting roles. <P3-S4>  Some of the parts she performed at the Met included Annina in "La traviata", both the Aunt and Barena in Janáček's "Jenůfa", Barbarina and Marcellina in "The Marriage of Figaro", Berta in "The Barber of Seville", Countess Ceprano in "Rigoletto", the Dew Fairy and the Sandman in "Hansel and Gretel", Feklusa in "Káťa Kabanová", the First Lady in "The Magic Flute", the Flower Seller in Britten's "Death in Venice", Frasquita in "Carmen", Gerhilde in "Die Walküre", Giannetta in "L'elisir d'amore", Helen in "Mourning Becomes Electra", Ines in "Il trovatore", Jouvenot in "Adriana Lecouvreur", Kate Pinkerton in "Madama Butterfly", Laura in "Luisa Miller", Lauretta in "Gianni Schichi", Lisa in "La sonnambula", Marianne in "Der Rosenkavalier", Marthe in "Faust", Musetta in "La bohème", Oscar in "Un ballo in maschera", Samaritana in "Francesca da Rimini", Woglinde in both "Das Rheingold" and "Götterdämmerung", Xenia in "Boris Godunov", Zerlina in "Don Giovanni", and title role in "Lucia di Lammermoor". <P3-S5>  In 1991 she created the role of the Woman with Child in the world premiere of John Corigliano's "The Ghosts of Versailles".