Question: Still Kicking and Audience of One, are of which genre?

<P0-S0> History is one of the three main genres in Western theatre alongside tragedy and comedy, although it originated, in its modern form, thousands of years later than the other primary genres. <P0-S1>  For this reason, it is often treated as a subset of tragedy. <P0-S2>  A play in this genre is known as a history play and is based on a historical narrative, often set in the medieval or early modern past. <P0-S3>  History emerged as a distinct genre from tragedy in Renaissance England. <P0-S4>  The best known examples of the genre are the history plays written by William Shakespeare, whose plays still serve to define the genre. <P0-S5>  History plays also appear elsewhere in British and Western literature, such as Thomas Heywood's "Edward IV", Schiller's "Mary Stuart" or the Dutch genre "Gijsbrecht van Aemstel". <SEP> <P1-S0> Yun Mu Kwan (연무관, the 'Hall or Institute for Martial Study') is the name of a now all but forgotten Korean karate (Kong Soo Do) style, one of the original five styles or "kwans" that arose in Korea after World War II in emulation of the karate systems practiced in Japan and Okinawa. <P1-S1>  It was begun by Korean karateka Chun Sang Sup, after his return from Japan, where it is generally thought that he studied Shotokan karate under the direct or indirect tutelage of that system's founder, Gichin Funakoshi, an Okinawan educator who first brought karate to Japan from the Ryukyu Islands (annexed by Japan in the nineteenth century). <P1-S2>  Chun taught at the Yun Mu Kwan for only a few years before disappearing during the dislocations of the Korean War which began in 1950. <P1-S3>  Many of his former students eventually began training again at a different location under different teachers and under a new name: Jidokwan (meaning the 'Hall or Institute for Wisdom's Way'). <P1-S4>  The Jidokwan was subsequently rolled up, along with most of the other Korean "kwans" into the newly systematized Korean national combat sport of "Taekwondo" (meaning "Foot Fist Way") in the mid 1950s. <P1-S5>  This new, unified Korean martial art emphasized different training and fighting methods than did the older Japanese karate styles from which it was derived, including stressing higher, fancier kicking and more acrobatic movements. <P1-S6>  Unlike the other kwans, however, the "Yun Mu Kwan" name disappeared very early in the history of Korean karate and so was never formally consolidated into the new Korean national sport of taekwondo—although some practitioners of Korean karate today still make use of the name. <P1-S7>  Most, but not all, have adopted the techniques, training methods and competitive rules which characterize modern taekwondo. <SEP> <P2-S0> Still Kicking: Six Artistic Women of Project Arts & Longevity is a 2006 32-minute documentary film by Pacific Grove filmmaker Greg Young, featuring six Bay Area women role models over 85 years old who remained artistically active. <P2-S1>  The catalyst for Young's film was Amy Gorman and Frances Kandl's Project Arts & Longevity through which they were exploring the link between longevity and artistic vitality. <P2-S2>  Along with the film the joint project resulted in a book entitled Aging Artfully. <SEP> <P3-S0> Audience of One is an award-winning 2007 documentary film directed by Michael Jacobs that was premiered on 9 March 2007 at South by Southwest in Austin, Texas.