Question: Which film whose director was born first, Impossible Object or Suburbia (Film)?

Deepak Sareen is a Bollywood film director and assistant director. His first film as director was" Ranbhoomi" and last film as director was" Albela". <SEP> Linklater is known for his realistic and natural humanist films, which revolve mainly around suburban culture and the effects of the passage of time. His films include the observational comedy film" Slacker"( 1990); the coming- of- age comedy film" Dazed and Confused"( 1993); the romantic drama" Before" trilogy," Before Sunrise"( 1995)," Before Sunset"( 2004), and" Before Midnight"( 2013); the music- themed comedy" School of Rock"( 2003); the animated films" Waking Life"( 2001) and" A Scanner Darkly"( 2006); the epic coming- of age drama" Boyhood"( 2014); and the comedy film" Everybody Wants Some!!"( 2016). In 2015, Linklater was included on the annual" Time 100" list of the 100 most influential people in the world. Richard Stuart Linklater( born July 30, 1960) is an American filmmaker. Linklater is known to have a distinct style and method of filmmaking. Many of his films are noted for their loosely structured narrative; several of his projects — the" Before ..." films and" Boyhood" — feature the same actors filmed over an extended period of years. <SEP> It follows the relationships between a few young adults as they spend their time standing on" the corner" outside a local convenience store. Bogosian based the story on his own experiences growing up in Woburn, Massachusetts, a suburb of Boston. The convenience store setting is based on the 7-11 in the" Four Corners" section of the west side of Woburn, and the high- school fight song that is sung in one scene is the actual Woburn High fight song(" Black and Orange" to the tune of" On Wisconsin"). SubUrbia is a 1996 American comedy- drama film written by Eric Bogosian, based on his play of the same name, and directed by Richard Linklater. <SEP> Impossible Object, later released as Story of a Love Story, is a 1973 drama film starring Alan Bates and Dominique Sanda. It was screened at the 1973 Cannes Film Festival, but was not entered into the main competition. Mosley wrote the screenplay at the behest of director Joseph Losey, whose film" Accident" was based on an earlier Mosley novel. Dirk Bogarde and Catherine Deneuve had been attached to the film. However, Losey had difficulty financing the film and later fell out with Mosley over" The Assassination of Trotsky." Frankenheimer, looking to make an independent film, took over the project. It was directed by John Frankenheimer with a screenplay by Nicholas Mosley based on his own novel. <SEP> Wale Adebanwi( born 1969) is a Nigerian- born first Black Rhodes Professor at St Antony's College, Oxford. <SEP> Among his credits were "Birdman of Alcatraz" (1962), "The Manchurian Candidate" (1962), "Seven Days in May" (1964), "The Train" (1965), "Seconds" (1966), "Grand Prix" (1966), "French Connection II" (1975), "Black Sunday" (1977), and "Ronin" (1998). He won four Emmy Awards—three consecutive—in the 1990s for directing the television movies "Against the WallThe Burning SeasonAndersonville", and "George Wallace", the last of which also received a Golden Globe Award for Best Miniseries or Television Film. John Michael Frankenheimer (February 19, 1930 – July 6, 2002) was an American film and television director known for social dramas and action/suspense films. Frankenheimer's 30 feature films and over 50 plays for television were notable for their influence on contemporary thought. He became a pioneer of the "modern-day political thriller", having begun his career at the peak of the Cold War. He was technically highly accomplished from his days in live television; many of his films were noted for creating "psychological dilemmas" for his male protagonists along with having a strong "sense of environment," similar in style to films by director Sidney Lumet, for whom he had earlier worked as assistant director. He developed a "tremendous propensity for exploring political situations" which would ensnare his characters. Movie critic Leonard Maltin writes that "in his time [1960s]... Frankenheimer worked with the top writers, producers and actors in a series of films that dealt with issues that were just on top of the moment—things that were facing us all."