Question: When was the company that published Casey Rae's book, Music Copyright in Practice: An Authoritative Guide, founded ? 

Peter G. Levine (born December 22, 1960) is an American medical researcher and science educator and authority on stroke recovery.  His articles have been published extensively in peer-reviewed journals on brain plasticity as it relates to stroke, with emphasis on modified constraint induced therapy, cortical reorganization, telerehabilitation, electrical stimulation, electromyography-triggered stimulation, mental practice, corticalplasticity, acquired brain injury, spasticity, sensation recovery, evidence-based practice, outcome measures, and others.  His articles have been widely cited by the medical community.  His 2013 book "Stronger After Stroke" is regarded as an authoritative guide for patients and therapists dealing with stroke and it has received numerous positive reviews, and has been translated into Indonesian and Japanese.  His seminars throughout the United States were described by one reviewer as "funny, entertaining, engaging, dynamic, well organized, passionate and lighthearted."  He was a researcher and co-director at the Neuromotor Recovery and Rehabilitation Laboratory at the University of Cincinnati College of Medicine.  Before that, he was a researcher at the "Human Performance & Motion Analysis Laboratory", which is the research arm of the Kessler Institute for Rehabilitation.  He lives in Wyoming, Ohio. <SEP> Rowman & Littlefield Publishing Group is an independent publishing house founded in 1949.  Under several imprints, the company offers scholarly books and journals for the academic market, as well as trade books.  Rowman & Littlefield is the world's largest publisher in museum studies. <SEP> Casey Rae (born May 23, 1974) is a music business executive, musician and cultural critic, as well as a technology, music industry and media professor.  Rae's commentary on the impact of technology on creators can be found in various media, including NPR, "Washington Post", "New York Times", "Politico", "Billboard", "L.A. Times", Gizmodo, "The Hill", Ars Technica, Sirius XM Radio and other outlets.  Rae currently serves as Director, Music Licensing for SiriusXM, the North American satellite radio service.  He previously held the post of Chief Executive Officer for the Future of Music Coalition, a national nonprofit education, research and advocacy organization for musicians.  He is an adjunct professor in Georgetown University's Communications Culture and Technology graduate program, and faculty and course author at Berklee College of Music.  Rae has written several scholarly articles on matters relating to intellectual property and new digital business models, and has testified before Congress on copyright.  He has maintained a website, The Contrarian Media, since 2006, which publishes articles on issues ranging from the economics of cultural production to the surveillance state to esoterica.  Rae is also the owner-operator of Lux Eterna Records, a Washington, DC-based record label specializing in art-rock, experimental pop and avant-garde music.  Over the years, Rae has contributed music criticism to Dusted Magazine, Pitchfork and Signal to Noise.  A second nonfiction work, "Music Copyright in Practice: An Authoritative Guide" is published by Rowman & Littlefield in 2018.  His first book, "The Priest They Called Him: William S. Burroughs & The Cult of Rock 'n' Roll" is published by University of Texas Press in 2017. <SEP> The Real Book can refer to any of a number of popular compilations of lead sheets for jazz tunes, but is generally used to refer to Volume 1 of an underground series of books transcribed and collated by students at Berklee College of Music during the 1970s.  It got its name to distinguish it from the widely available fake books which printed only chords and lyrics of standard songs, to avoid copyright issues.  The "Real Book" included melody lines, thus infringing music copyright, and the older versions were pirated — that is unlicensed — publications that paid no royalties to song authors.  In 2004, Hal Leonard published a licensed edition, which pays royalties to song authors.