Question: Which film whose director was born first, Jaime (1999 Film) or A Sunday In Hell?

Hitman's Run is a 1999 film directed by Mark L. Lester. <SEP> Wale Adebanwi( born 1969) is a Nigerian- born first Black Rhodes Professor at St Antony's College, Oxford. <SEP> Most notable are his documentary" A Sunday in Hell"( 1977) and his surrealistic short film" The Perfect Human"( 1967). He is also a sports commentator for Danish television and is represented by the film production company Sunset Productions. Jørgen Leth( born 14 June 1937) is a Danish poet and film director who is considered a leading figure in experimental documentary film making. <SEP> António- Pedro Saraiva de Barros e Vasconcelos,( born 10 March 1939 in Leiria), is a Portuguese film director. <SEP> The boy, desperate to get his parents back together, becomes convinced that if only he can get his father’s stolen motorcycle back everything will be fine again, so he sets out to get enough money to buy his father a new one. unsentimental tale about underage street kids in Portugal. The film opens with a teenaged worker at a bakery getting dumped off at a hospital after losing his finger. The boss instructs the youth's father to tell the doctors that he lost his digit playing with a knife, but fearing an investigation, the boss subsequently dumps his other underage workers, including 13-year old Jaime (Saul Fonseca). Jaime is struggling to mend his tattered family. His mother threw his father out of the house and has taken up with a disreputable Brazilian. His heartbroken father moved into a shack and has been unemployed since his moped was stolen. Jaime's hopes that he could reunite his family by buying his dad a replacement scooter are dashed when the Brazilian steals his cash; Jaime subsequently moves out of his mom's place and in with his father. Meanwhile, Jaime and his sidekick Ulisses (Sandro Silva) sleep during their days at school and look for job opportunities at night.. Jaime is a 1999 Portuguese drama film directed by António-Pedro VasconcelosA woman takes her young son, leaves her husband and moves in with her lover. It was released on 9 April 1999. <SEP> A Sunday in Hell (original title: The film is a chronology of the 1976 Paris–Roubaix bicycle race from the perspective of participants, organizers and spectators. Paris–Roubaix is the most famous and usually the most dramatic of the spring classics. Much of the latter portion is over narrow, cobbled tracks that choke with dust on dry days and become slick and muddy in rain. For the riders it is a challenge to keep going without puncturing or crashing. The film captures not just the events of the 1976 edition but the atmosphere of a professional race. It begins by introducing the contenders: Eddy Merckx, Roger De Vlaeminck (the previous year's winner), Freddy Maertens, and Francesco Moser, each with their supporting riders (the domestiques), who are charged with helping their team leader win. The film gives views of the team directors, protesters (the race is halted for a while), spectators, mechanics and riders. As the cobbled section is entered the selection begins. Riders puncture, crash, make the wrong move - the race plays out. En Forårsdag i Helvede) is a 1976 Danish documentary film directed by Jørgen Leth. By the finish in the velodrome in Roubaix only a few are in with a chance. The winner is a surprise (Marc Demeyer), but that is part of the appeal. Post-race the exhausted riders, mired in dirt, give interviews in the velodrome's showers. You can see every bead of sweat on the cyclists and every smashed-up ankle. It really makes you never want to get on a bike again. But it is an amazing film. - Nick Fraser, BBC commissioning editor
Arguably the best film ever made about professional cycling - Peter Cowie, "International Film Guide"