Question: What is the rate of interreligious marriage in the nation where the Prince of Thieves film, featuring the title character depicted alongside John, was made?

Nineteenth-century fictional depictions of John were heavily influenced by Sir Walter Scott's historical romance, Ivanhoe, which presented "an almost totally unfavourable picture" of the king; the work drew on Victorian histories of the period and on Shakespeare's play. During the 20th century, John was normally depicted in fictional books and films alongside Robin Hood. Sam De Grasse's role as John in the black-and-white 1922 film version shows John committing numerous atrocities and acts of torture. Claude Rains played John in the 1938 colour version alongside Errol Flynn, starting a trend for films to depict John as an "effeminate ... arrogant and cowardly stay-at-home". The character of John acts either to highlight the virtues of King Richard, or contrasts with the Sheriff of Nottingham, who is usually the "swashbuckling villain" opposing Robin. An extreme version of this trend can be seen in the Disney cartoon version, for example, which depicts John, voiced by Peter Ustinov, as a "cowardly, thumbsucking lion". Scott's work influenced the late 19th-century children's writer Howard Pyle's book The Merry Adventures of Robin Hood, which in turn established John as the principal villain within the traditional Robin Hood narrative. Popular works that depict John beyond the Robin Hood legends, such as James Goldman's play and later film, The Lion in Winter, set in 1183, commonly present him as an "effete weakling", in this instance contrasted with the more masculine Henry II, or as a tyrant, as in A. A. Milne's poem for children, "King John's Christmas". <SEP> the dean of westminster, john hall, presided at the service; the archbishop of canterbury, rowan williams, conducted the marriage; richard chartres, the bishop of london, preached the sermon; and a reading was given by the bride's brother, james. william's best man was his brother, prince harry, while the bride's sister, pippa, was maid of honour. the ceremony was attended by the bride's and groom's families, as well as members of foreign royal dynasties, diplomats, and the couple's chosen personal guests. after the ceremony, the couple made the traditional appearance on the balcony of buckingham palace. as prince william was not the heir apparent to the throne, the wedding was not a full state occasion and many details were left to the couple to decide, such as much of the guest list of about 1,900. <SEP> A second unit filmed the medieval walls and towers of the Cité de Carcassonne in the town of Carcassonne in Aude, France, for the portrayal of Nottingham and its castle. Locksley Castle was Wardour Castle in Wiltshire -- restored in an early shot using a matte painting. Marian's manor was filmed at Hulne Priory in Northumberland. Scenes set in Sherwood Forest were filmed throughout England: Burnham Beeches in Buckinghamshire was used for the outlaws' encampment, Aysgarth Falls in Yorkshire for the fight scene between Robin and Little John, and Hardraw Force in North Yorkshire was the location where Marian sees Robin bathing. Sycamore Gap on Hadrian's Wall was used for the scene when Robin first confronts the sheriff's men. Chalk cliffs at Seven Sisters, Sussex were used as the locale for Robin's return to England from the Crusades. Principal exteriors were shot on location in the United Kingdom. <SEP> mary elizabeth mastrantonio (born november 17, 1958) is an american actress and singer. she made her broadway debut in the 1980 revival of west side story, and went on to appear in the 1983 film scarface as al pacino's character's sister, gina montana. for her role as carmen in the 1986 film the color of money, she was nominated for the academy award for best supporting actress. her other film roles include the abyss (1989), robin hood: prince of thieves (1991), and the perfect storm (2000). in 2003, she was nominated for the tony award for best actress in a musical for the broadway revival of man of la mancha. <SEP> In the United States, only about a third of children from intermarriages affiliate with Jewish religious practice. The result is that most countries in the Diaspora have steady or slightly declining religiously Jewish populations as Jews continue to assimilate into the countries in which they live. [citation needed] Rates of interreligious marriage vary widely: In the United States, it is just under 50%, in the United Kingdom, around 53%; in France; around 30%, and in Australia and Mexico, as low as 10%.