Question: Which film whose director was born first, Hatchet For The Honeymoon or The Black Cat (1981 Film)?

Although he worked in a wide array of genres through a career spanning nearly five decades, including comedy, spaghetti western, adventure, science fiction and erotica, he garnered an international cult following for his giallo and horror films. His most notable films include the" Gates of Hell" trilogy —" City of the Living Dead"( 1980)," The Beyond"( 1981), and" The House by the Cemetery"( 1981) —as well as" Massacre Time"( 1966)," One on Top of the Other"( 1969)," A Lizard in a Woman's Skin"( 1971)," Do n't Torture a Duckling"( 1972)," White Fang"( 1973)," Four of the Apocalypse"( 1975)," Sette note in nero"( 1977)," Zombi 2"( 1979)," Contraband"( 1980)," The Black Cat"( 1981)," The New York Ripper"( 1982)," Murder Rock"( 1984), and" A Cat in the Brain"( 1990). Lucio Fulci( 17 June 1927 – 13 March 1996) was an Italian film director, screenwriter, producer, and actor. Because of the high level of visceral graphic violence present in many of his films, especially" Zombi 2" and" The Beyond", Fulci is frequently referred to as" The Godfather of Gore", a title also given to Herschell Gordon Lewis. Fulci was in his young adult years a politically active radical for the Italian Communist Party. <SEP> It starred Patrick Magee, Mimsy Farmer, Al Cliver and David Warbeck. The Black Cat is a 1981 Italian horror film directed by Lucio Fulci. The film is based loosely on the story of the same name by Edgar Allan Poe, and uses the violent style that typified the director's later career, following films like" Do n't Torture a Duckling"( 1972). <SEP> His low- budget genre films, known for their distinctive visual flair and technical ingenuity, feature recurring themes and imagery concerning the conflict between illusion and reality, and the destructive capacity of human nature. Born to sculptor, cinematographer and special effects pioneer Eugenio Bava, the younger Bava followed his father into the film industry, and eventually earned a reputation as one of Italy's foremost cameramen, lighting and providing the special effects for such films as" Hercules"( 1958) and its sequel" Hercules Unchained"( 1959)( each were lampooned on" Mystery Science Theater 3000"). During the late 1950s, his eventual career trajectory as a director began when he was relied upon to complete projects begun by or credited to his colleague Riccardo Freda and other filmmakers, including" I Vampiri"( 1957)( the first Italian horror film of the sound era)," The Day the Sky Exploded"( 1958)( the first Italian science fiction film)," Caltiki – The Immortal Monster"( 1959) and" The Giant of Marathon"( 1959). Although most of Bava's films as director failed to achieve major commercial success upon release, many of them would eventually find acclaim as cult classics, with their content and production values being favourably compared to the works of Alfred Hitchcock. Several of them have been noted for their revolutionary impact on their respective genres:" Black Sunday"( 1960), his official directorial debut, was the forerunner of the Italian gothic horror film cycle;" The Girl Who Knew Too Much"( 1963) is considered to be the first giallo film;" Kill, Baby, Kill"( 1966) heavily influenced the iconography of modern J-Horror;" Roy Colt& Winchester Jack"( 1970) is regarded as one of the earliest self- parodying Spaghetti Westerns;" Four Times That Night"( 1971) was an early Italian sex comedy; and" A Bay of Blood"( 1971) was a precursor to slasher films. Mario Bava( 31 July 1914 – 27 April 1980) was an Italian cinematographer, director, special effects artist and screenwriter, frequently referred to as the" Master of Italian Horror" and the" Master of the Macabre". His other notable films include" Hercules in the Haunted World"( 1961)," Erik the Conqueror"( 1961)," Black Sabbath"( 1963)," The Whip and the Body"( 1963)," Blood and Black Lace"( 1964)," Planet of the Vampires"( 1965)," Knives of the Avenger"( 1966),( 1968)," Hatchet for the Honeymoon"( 1970)," Five Dolls for an August Moon"( 1970)," Baron Blood"( 1972)," Lisa and the Devil"( 1974)," Rabid Dogs"( 1974) and" Shock"( 1977). Despite his reputation as a talented artist during his lifetime, Bava's shy, self- deprecating demeanour prevented him from taking advantage of opportunities that would have furthered his international standing within the film industry, and he turned down multiple opportunities to work in Hollywood. Among the filmmakers Bava and his work have influenced include Dario Argento, Lucio Fulci, Federico Fellini, John Carpenter, Nicolas Winding Refn, Martin Scorsese, Tim Burton, Joe Dante, John Landis, Francis Ford Coppola, Roger Corman, Edgar Wright, Jennifer Kent and Quentin Tarantino. His son and frequent assistant director, Lamberto Bava, later became a noted fantasy and horror film director in his own right. <SEP> The story follows John Harrington, a hatchet- wielding madman who murders young brides in an effort to recall a childhood trauma. The film's production was troubled, with tensions among the cast and crew, location difficulties, a major subplot concerning Harrington's relationship with his wife being added solely to accommodate Betti's casting, and a significant hiatus in filming when the budget ran out. Hatchet for the Honeymoon is a 1970 giallo film directed by Mario Bava and starring Stephen Forsyth, Dagmar Lassander, Laura Betti, and Femi Benussi. It was not released until a year after it was completed, and was largely ignored by both critics and audiences, remaining one of Bava's most obscure films even after his work achieved cult popularity. <SEP> Sergio Pastore( 1932- 1987) was an Italian director and screenwriter best known for the" giallo" film" Crimes of the Black Cat"( 1972). <SEP> Wale Adebanwi( born 1969) is a Nigerian- born first Black Rhodes Professor at St Antony's College, Oxford.