Question: Do both Rosencrantz And Guildenstern Are Undead and Be A Wicked Woman films have the directors from the same country?

Be a Wicked Woman, also known as" Angel, Become an Evil Woman", is a 1990 South Korean film directed by Kim Ki-young. <SEP> Rosencrantz& Guildenstern Are Dead is a 1990 tragicomedy film written and directed by Tom Stoppard based on his play of the same name. Like the play, the film depicts two minor characters from William Shakespeare's play" Hamlet", Rosencrantz and Guildenstern, who find themselves on the road to Elsinore Castle at the behest of the King of Denmark. They encounter a band of players before arriving to find that they are needed to try to discern what troubles the prince Hamlet. Meanwhile, they ponder the meaning of their existence. Filmed in Trogir, Yugoslavia( now Trogir, Republic of Croatia), the movie won the Golden Lion at the 47th Venice International Film Festival. The film stars Gary Oldman as Rosencrantz and Tim Roth as Guildenstern, although a running theme throughout has many characters, themselves included, uncertain as to which is which. It also features Richard Dreyfuss as the leading player, Iain Glen as Hamlet, Ian Richardson as Polonius, Joanna Miles as Gertrude, and Donald Sumpter as King Claudius. This was Stoppard's first and, to date, only film as a director. <SEP> A Wicked Woman is a 1934 drama film directed by Charles Brabin and starring Mady Christians as a woman who kills her abusive husband to protect her family and builds a new life to raise their four children. The film also stars Jean Parker and Charles Bickford. It was based on the novel" Wicked Woman" by Anne Austin. <SEP> The film's title refers to a fictitious play- within- the- movie, which is a comic reinterpretation of Shakespeare ’s" Hamlet" and its aftermath and whose title is a reference to the play" Rosencrantz and Guildenstern are Dead". The cast includes Devon Aoki, John Ventimiglia, Kris Lemche, Ralph Macchio, Jeremy Sisto and Waris Ahluwalia. The film stars Jake Hoffman( son of Dustin Hoffman). Rosencrantz and Guildenstern Are Undead is a 2009 American independent film written and directed by Jordan Galland. An original musical score was composed and performed by Sean Lennon. Shooting began in late November, 2007, and principal photography was completed on December 23, 2007. It was filmed entirely in New York City with the Red Digital Cinema Camera, an extra-high- definition video camera. <SEP> He has won a number of awards on the film festival circuit. He has also contributed his music to raise money and awareness of various charitable causes. Jordan Galland( born 1980) is an American, New York City- based filmmaker, and musician. Other entrepreneurial endeavors include Slush Puppy Music, a record label, as well as his own movie production company, Ravenous Films. <SEP> Kim Ki-young Kim was born in Seoul during the colonial period, raised in Pyongyang, where he became interested in theater and cinema. In Korea after the end of World War II, he studied dentistry while becoming involved in the theater. During the Korean War, he made propaganda films for the United States Information Service. In 1955, he used discarded movie equipments to produce his first two films. With the success of these two films Kim formed his own production company and produced popular melodramas for the rest of the decade. Kim Ki-young's first expression of his mature style was in his" The Housemaid"( 1960), which featured a powerful" femme fatale" character. It is widely considered to be one of the best Korean films of all time. After a" Golden Age" during the 1960s, the 1970s were a low- point in the history of Korean cinema because of governmental censorship and a decrease in audience attendance. Nevertheless, working independently, Kim produced some of his most eccentric cinematic creations in this era. Films such as" Insect Woman"( 1972) and" Iodo"( 1977) were successful at the time and highly influential on the younger generations of South Korean filmmakers both at their time of release, and with their rediscovery years later. By the 1980s, Kim's popularity had gone into decline, and his output decreased in the second half of the decade. Neglected by the mainstream during much of the 1990s, Kim became a cult figure in South Korean film Internet forums in the early 1990s. Widespread international interest in his work was stimulated by a career retrospective at the 1997 Pusan International Film Festival. He was preparing a comeback film when he and his wife were killed in a house fire in 1998. ( October 10, 1919 – February 5, 1998) was a South Korean film director, known for his intensely psychosexual and melodramatic horror films, often focusing on the psychology of their female characters. The Berlin International Film Festival gave Kim a posthumous retrospective in 1998, and the French Cinémathèque screened 18 of Kim's films, some newly rediscovered and restored, in 2006. Through the efforts of the Korean Film Council( KOFIC), previously lost films by Kim Ki- young continue to be rediscovered and restored. Many current prominent South Korean filmmakers, including directors Im Sang- soo, Kim Ki-duk, Bong Joon- ho and Park Chan- wook, claim Kim Ki- young as an influence on their careers.