Question: What film genre does The Tree That Remembers and Fight for the Planet fall under?

The Tree That Remembers is a 2002 animated documentary by Iranian filmmaker Masoud Raouf, exploring the lives of former political prisoners like himself who had been active in the democratic movement during the days of the Shah of Iran, only to face imprisonment and torture under the Islamic regime after the 1979 Iranian revolution. <SEP> Luboml: My Heart Remembers is a 2003 documentary film produced by Eileen Douglas and Ron Steinman and funded by The Aaron Ziegelman Foundation.  It compiles survivor interviews, archival photographs and film footage to reconstruct a sense of life in Luboml, one of the five thousand small shtetls (Jewish market towns) that were destroyed by the Holocaust.  The film explores the vibrant Jewish life that –once central to European Jewry – is now forever lost.  Made in 2003, "Luboml: My Heart Remembers" was called a “must see gem” by "The Forward". <SEP> Fight for the Planet is a 2009 Canadian film.  Fight for the Planet was 16-year-old director Colin Carter's first feature film, and is the first in a row of award winning features ("Please Kill Mr. Know It All" (2012) and Blueprints (2013)).  The film went on the tour the international film festival circuit in the summer of 2010, and later was distributed for curricular use in Ontario high schools.  Directed, produced, and edited by Colin Carter, Fight for the Planet is a call to action film about global warming, and the future of our society as it steps into a new environmentally conscious era.  A page about the film and the Director is published in the current Ontario grade 10 science textbook. <SEP> The poem begins with the description of the tree.  The poet says that the creeper has wound itself round the rugged trunk of the Casuarina Tree, like a huge Python.  The creeper has left deep marks on the trunk of the tree.  The tree is so strong that it bears the tight hold of the creeper.  The tree is described as being gallant, and possibly brave, as very few trees could survive in the strangle-hold of this creeper.  The poet then goes on to describe the life that thrives amidst every facet of the tree.  The tree is metaphorical said as a giant due to its huge size, strength and boldness.  The Casuarina Tree is covered with creeper which bears red crimson flowers which appear as though the tree is wearing a colorful scarf.  Often at night, the garden echoes and it seems to be jubilant and the song (of a nightingale) has no end; it continues till dawn.  At dawn when the poet opens her window she is delighted to see the Casuarina Tree.  Mostly in winters a gray baboon is seen sitting on the crest of the tree seeing the sunrise with her younger ones leaping and playing in the tree's boughs.  The shadow of the tree appears to fall on the huge water tank.  Toru Dutt says that it is not because of the majestic appearance of the Casuarina Tree that it is dear to her heart and soul, but also that she along with her siblings spent happy moments under it.  Toru Dutt has brought out the theme of nature as something that shares feeling with humans, that lightens the burden on the heart.  The poet continues with a description of how strong the image of the tree is, even when in lands far away.  Even in France and Italy (where the poet studied), she can hear the tree's lament.  The poet wishes to consecrate the tree's memory and importance for the sake of those who are now dead - and looks ahead to her own death, hoping that the tree be spared obscurity (or that no-one will remember it).  She immortalizes the tree through this poem like how Wordsworth sanctified the Yew trees of Borrowdale.  She says "May love defend thee from Oblivion's curse'"- by which she means that she is glad that her love for the Casuarina will protect it from the curse of being forgotten.