Question: Are both directors of films Den Siste Revejakta and Limite from the same country?

Nicolai Cleve Broch( born 14 November 1975) is a Norwegian actor of theatre and film. He rose to national fame playing one of the leading roles in the 2002 drama series" Lekestue", which aired on NRK in 2002. He is also known for playing the protagonist in" Buddy", a romantic comedy from 2003. Other major film credits include" UnoUro" and" Den siste revejakta". More recently, Cleve Broch was nominated for an Amanda Award for his portrayal of World War II resistance fighter Gregers Gram in" Max Manus". Often appearing alongside Aksel Hennie, the two have been referred to as" Norway's Ben Affleck and Matt Damon". <SEP> He is best known for his action drama" IZZAT"( 2005), his TV series" TAXI"( 2011) as well as documentary films" Voluntarily Forced"( 2014) and" Recruiting for Jihad"( 2017). He often addresses national- and global discussion concerning immigration and racism both in his films as well as being an outspoken newspaper columnist and television debattant. Ulrik Imtiaz Rolfsen( born 4 May 1972) is a Norwegian film director, producer and writer. In 2012 he founded the Oslo- based production company Curry Film AS. Other films directed by him, are the crime thriller" Varg Veum- Bitter Flowers"( 2007) and the slacker comedy" The Last Joint Venture"( 2008). <SEP> Cited by some as the greatest of all Brazilian films, this 120- minute silent experimental feature by novelist and poet Peixoto, who never completed another film, was seen by Orson Welles and won the admiration of many, from Sergei Eisenstein to Georges Sadoul to Walter Salles. Limite( Portuguese for" limit" or" border") is a film by Brazilian director and writer Mário Peixoto( 1908 – 92), filmed in 1930 and first screened in 1931. In 2015 it was voted number 1 on the Abraccine Top 100 Brazilian films list. It's considered to be a cult movie. <SEP> Nicolai Cleve Broch( born 14 November 1975) is a Norwegian actor of theatre and film. He rose to national fame playing one of the leading roles in the 2002 drama series" Lekestue", which aired on NRK in 2002. He is also known for playing the protagonist in" Buddy", a romantic comedy from 2003. Other major film credits include" UnoUro" and" Den siste revejakta". More recently, Cleve Broch was nominated for an Amanda Award for his portrayal of World War II resistance fighter Gregers Gram in" Max Manus". Often appearing alongside Aksel Hennie, the two have been referred to as" Norway's Ben Affleck and Matt Damon". <SEP> Den siste revejakta is a Norwegian film from 2008 based on the novel by the same name. The movie is a comedy/ drama. It was filmed in 2007 and premiered on 29 August 2008. The title" Den siste revejakta" literally means' The Last Fox Hunt', but the title is a play on words since the Norwegian word' rev' can mean reefer. The movie is directed by Ulrik Imtiaz Rolfsen. According to the IMDb, the international title is" The Last Joint Venture". <SEP> Peixoto wrote, directed and took up a minor role in the film. Its musical score includes Erik Satie, Claude Debussy, Alexander Borodin, Igor Stravinsky, Sergei Prokofiev and César Franck. The single- handed achievement of a member of the well- to- do élite of 1920s Brazil," Limite" became over the years almost a myth — its only copy being almost lost during the 1950s, were it not restored thanks to the personal efforts of two 1970s critics — and the object of various legends, many of them put into circulation by Peixoto himself. One such legend referred to a bogus complimentary article about the film(" A film from South America"), that had supposedly been written by Sergei Eisenstein and published, in English translation, in the trendy London magazine" Tatler". Only after Peixoto admitted, shortly before his death, that he had himself written the supposed" Portuguese translation" of" Eisenstein's" article, was the general credence given to this legend in Brazil withdrawn. Nevertheless, the restoration of the surviving copy and renewed viewing in the 1970s and 1980s aroused interest in the actual movie. In 1988, the" Cinemateca Brasileira" named it the best Brazilian film of all time. In 1995" Limite" was once again declared as such, according to a national inquiry held by the newspaper" Folha de S. Paulo". In 1996, director and producer Walter Salles found the hoard of documents and props that was to become the" Mário Peixoto Archive" in a stash at his firm" VideoFilmes" in Rio, where currently Saulo Pereira de Mello takes care of the original manuscripts and objects. Pereira de Mello also edits publications by and on Peixoto. " Onde a terra acaba At the edge of the earth"), the title of one of Peixoto ’s unfinished projects; is also the name of a 2001 documentary film on Peixoto, directed by Salles' former aide Sérgio Machado. Around the same period in which" Limite" was being planned and filmed, Mário Peixoto also began to write and publish. In 1931, he released a collection of poems called" Mundéu"( republished in 1996) which is characterized by a strong modernist accent and has a foreword by Mário de Andrade. In the same year Peixoto published, in a magazine called" Bazar", three short stories and a play, that are part of a collection published by Saulo Pereira de Mello in 2004:" Seis contos e duas peças curtas" which also includes undated and up till then unpublished material written by Mário. In 2002, another collection of poems written between 1930 and 1960," Poemas de permeio com o mar" was published. In 1933 Mário published, as a private edition, his first and only novel," O inútil de cada um"( republished in 1996). Mário Rodrigues Breves Peixoto( March 3, 1908 – February 3, 1992) was a Brazilian film director, mainly known for his only film" Limite", a silent experimental film filmed in 1930 and premiered in Rio de Janeiro on 17 May 1931. From 1968 on Mário reworked his 1933 original, using it as a basis for an intended extended version that was to be divided in six volumes. So far only the first volume," O inútil de cada um – Itamar" has been published, in 1984, through the personal intervention of Jorge Amado, with whom Mário had worked on one of his film projects. There are few publications in English on Mario Peixoto or" Limite", described by French film historian Georges Sadoul as an" unknown masterpiece". In 2006, Michael Korfmann edited a volume that offers ten contemporary views regarding the genesis, aesthetic and reception of the film, gathering contributions by filmmakers and writers from Brazil, Great Britain and the United States including Walter Salles, Saulo Pereira de Mello, Carlos Augusto Calil, William M. Drew, Alexander Graf, Paulo Venancio Filho, Constança Hertz, Aparecida do Carmo Frigeri Berchior, Marco Lucchesi and Marcelo Noah as well as a rare article written by Mário Peixoto himself. In November 2010, a further restoration of" Limite" premiered in Brooklyn, New York.