Question: Do both directors of films Rainbow Over Broadway and La Vida Es Un Tango have the same nationality?

The film's sets were designed by the art director Edward C. Jewell. Rainbow Over Broadway is a 1933 American musical drama film directed by Richard Thorpe and starring Joan Marsh, Frank Albertson and Lucien Littlefield. <SEP> The tango film starred Tito Lusiardo and Hugo del Carril. La Vida es un tango( Life is a Tango) is a Argentine musical film directed by Manuel Romero. <SEP> Rainbow Over Texas is a film from 1946 in which Roy Rogers plays himself as a famous cowboy- singer returning to Texas. Directed by Frank McDonald from a story by Max Brand, it co-stars George" Gabby" Hayes and Dale Evans. The self- portrayal of Roy Rogers as a more glamorous version of himself in" Rainbow Over Texas" revealed the great lengths to which Hollywood film studios would go in promoting their own film stars and made patently clear the self- referential advertising employed by studio productions in order to garner greater box office sales. Since that time," rainbow over Texas" has become a colloquialism for anyone who self- aggrandizes their own life in mythic and fantastical terms. For example, an individual who confabulates their previous experiences or resume out of either ignorance or self- importance is likened to a" rainbow over Texas". The movie was shot on location near 426 W. Potrero Road in Thousand Oaks, California. <SEP> Richard Thorpe( born Rollo Smolt Thorpe; February 24, 1896 – May 1, 1991) was an American film director best known for his long career at Metro- Goldwyn- Mayer. <SEP> Sabina Olmos( 1913–1999) pseudonym of Rosa Herminia Gómez Ramos was an Argentine film actress of the Golden Age of Argentine Cinema( 1940 – 1960). She began her career as a radio songstress of folklore and tango. Later, she developed a long film career with Lumiton studies, where she made a series of films directed by Manuel Romero and Francisco Mugica, like" La rubia del caminoMujeres que trabajan" and" La vida es un tangoFelicia", her role in the 1939 film" Así es la vida" created a genre known as" Argentine suffering" throughout Latin America, because all the characters were either suffering severe angst or crying in equal measure throughout the films. In the 1940s, she participated in several dramatic roles, particularly" Historia de una nocheLa gataAlbéniz" and" Tierra del Fuego", which earned her Best Actress and Best Supporting Actress awards. After the Liberating Revolution, Olmos and her husband, singer, were exiled from Argentina and toured throughout America and Spain. When she was able to finally return in the 1960s, the caliber of roles offered, such as the failure" Pesadilla" and second tier films and television, created economic problems for the actress. She took work as an artistic adviser to Channel 11 and served in several administrative functions. In 1992 she performed at the Teatro de la Ribera with other stars from her era at the request of Rodolfo Graziano, though no work materialized from the project. Increasing joblessness led to depression and Olmos committed suicide in 1999, a few weeks before her 86th birthday. <SEP> He directed and wrote over films between 1931 and 1951 even composing the musical scores for several. He was a pioneer of Variety Theatre, and one of the few tango lyrical writers that has reached timeless classical success. When he was a teenager, he began his journalist job in the Magacine Fray Mochoy, and in the newspapers Crítica y Última Hora. His first play, "Teatro breve" is from 1919 with the collaboration of Ivo Pelay. He wrote 180 more. In 1922 the most famous, "El bailarín del cabaret", was staged with the César Ratti's company, where Corsini triunfó (had a success) with "Patotero sentimental". In 1923 he travelled to Europe with Luis Bayón Herrera. In Paris, where he acted on several plays, he met Carlos Gardel and the idea of filmmaking was born. He wrote the plot and songs for "Luces de Buenos Aires", directed by the Chilean Adelqui Millar. It starred Gloria Guzmán, Sofía Bozán, Pedro Quartucci and the Julio De Caro musical group. He returned to Buenos Aires, where he introduced the new ideas taken from music hall and varieties shows. He started to work at the Lumitón cinema company, with Enrique Telémaco Susini . With that film company, released in February 1935, "Noches de Buenos Aires", written and directed by Romero, his cinema career began. The film starred Tita Merello, Irma Córdoba, Enrique Serrano and Fernando Ochoa. He filmed very quickly, he only wanted to finish and achieve a good result. His films were rejected by critics and intellectuals as a result, but ordinary people liked his style because they knew him from radio of variety shows. Manuel Romeo (September 21, 1891 – October 3, 1954 in Buenos Aires) was an Argentine film director, screenwriter, dramatist and score composer, and one of the influential directors in the cinema of Argentina of the classic era. He directed films such as Adiós pampa mía in 1946.