Question: Do both films, The Curse of Frankenstein and Forgotten (1933 film), have the directors who are from the same country?

Forgotten is a 1933 American Pre-Code film directed by Richard Thorpe. <SEP> Michael Carreras( 21 December 1927, in London – 19 April 1994, in London) was a British film producer and director. He was known for his association with Hammer Studios, being the son of founder James Carreras, and taking an executive role in the company during its most successful years. As producer, he worked on" The Curse of Frankenstein"( 1957)," Dracula"( 1958) and" The Curse of the Werewolf"( 1960) and" She"( 1965) among over sixty other films. He also wrote a smaller number of screenplays. He later turned his hand to directing, with" The Savage Guns/ Tierra brutal"( 1961)," Maniac"( 1963)," The Curse of the Mummy's Tomb"( 1964)," Slave Girls"( 1967)," The Lost Continent"( 1968) and" Shatter"( 1975) among others. In 1971, he took over directing" Blood from the Mummy's Tomb" after director Seth Holt died partway through filming. <SEP> He was the first to bring gothic horror alive in full colour, and the sexual overtones and explicit horror in his films, while mild by modern standards, were unprecedented in his day. His first major gothic horror film was" The Curse of Frankenstein"( 1957), which launched Hammer's association with the genre and made British actors Peter Cushing and Christopher Lee leading horror stars of the era. He went on to film several adaptations of classic horror subjects, including" Dracula"( 1958)," The Mummy"( 1959), and" The Curse of the Werewolf"( 1961). Terence Fisher( 23 February 1904 – 18 June 1980) was a British film director best known for his work for Hammer Films. Given their subject matter and lurid approach, Fisher's films, though commercially successful, were largely dismissed by critics during his career. It is only in recent years that Fisher has become recognised as an" auteur" in his own right. His most famous films are characterised by a blend of fairytale myth and the supernatural alongside themes of sexuality, morality, and ‘ the charm of evil ’. Drawing heavily on a Christian conservative outlook, there is often a hero who defeats the powers of darkness by a combination of faith in God and reason, in contrast to other characters, who are either blindly superstitious or bound by cold, godless rationalism. For detailed discussions of Fisher's work, see" Terence Fisher: Horror, Myth, and Religion" by Paul Leggett( McFarland and Co, 2002)," British Film Makers: Terence Fisher" by Peter Hutchings( Manchester University Press, 2013), and" The Films of Terence Fisher: Hammer Horror and Beyond" by Wheeler Winston Dixon( Auteur Publishing, 2017). <SEP> The Curse of Frankenstein is a 1957 British horror film by Hammer Film Productions, loosely based on the novel" Frankenstein"( 1818) by Mary Shelley. It was Hammer's first colour horror film, and the first of their Frankenstein series. Its worldwide success led to several sequels, and the studio's new versions of" Dracula"( 1958) and" The Mummy"( 1959), and established" Hammer Horror" as a distinctive brand of Gothic cinema. The film was directed by Terence Fisher and stars Peter Cushing as Victor Frankenstein and Christopher Lee as the Creature, with Hazel Court and Robert Urquhart. Professor Patricia MacCormac called it the" first really gory horror film, showing blood and guts in colour." <SEP> Richard Thorpe( born Rollo Smolt Thorpe; February 24, 1896 – May 1, 1991) was an American film director best known for his long career at Metro- Goldwyn- Mayer. <SEP> James Henry Kinmel Sangster( 2 December 1927 – 19 August 2011) was a British screenwriter and director, most famous for his work on the initial horror movies made by the British company Hammer Films, including" The Curse of Frankenstein"( 1957) and" Dracula"( 1958).