Question: Are the directors of both films Bury Me Dead and Tag und Nacht (film) from the same country?

Color Me Dead is a 1969 Australian thriller directed by Eddie Davis, starring American actors Tom Tryon and Carolyn Jones. It is a remake of the 1949 film" D.O.A.". Due to the failure on renewing copyright of D.O.A., the content of D.O.A. became the property of United States public domain. Thus the content of" Color Me Dead" could be exactly same as the movie D.O.A. <SEP> The film won Best Costume at Diagonale 2011, Best Lead Actor for Anna Rot at the New York International Film Festival in 2011, and the best narrative at the Geneva Film Festival in 2012. Tag und Nacht is an Austrian film from 2011 directed by Sabine Derflinger. The film concerns two Austrian women, played by Anna Rot and Magdalena Kronschläger, who consider prostitution an adventure until harsh reality intervenes. <SEP> The drama features Cathy O'Donnell, June Lockhart, Hugh Beaumont and Mark Daniels. Bury Me Dead is a 1947 American film noir directed by Bernard Vorhaus. <SEP> She lives and works in Vienna and Berlin. Many of her films have won several awards, notably" Geraubte Kindheit"( Stolen Childhood)," Vollgas"( Step on it)," Kleine Schwester"( Little Sister)," 42 plus" and" Tag und Nacht"( Day and Night). She is also well known for directing a number of films in the cult series" Tatort". Sabine Derflinger( born 1963 in Wels, Austria) is an Austrian film director, screenwriter, producer and dramaturgical consultant. She has been celebrated as an Austrian pioneer in campaigning for more visibility for women in directing of films. In 2012, she was awarded the Viennese Women's Prize for her work. <SEP> I Want Your Love is the title of both a 2010 short film and a 2012 feature- length film. Both films were directed and written by Travis Mathews. The drama films both revolve around the friends and ex-lovers of Jesse Metzger, a gay man in his mid-thirties who is forced to move back to his hometown from San Francisco due to financial reasons. The actors' own names, along with much of their real- life stories, were used for their characters in both films, which features graphic sexual scenes. The production of both films was aided by the gay pornographic studio NakedSword. This led to the full- length film being refused exemption from classification, which would have allowed it to screen at the Melbourne Queer Film Festival, a decision to which actor James Franco( who invited Mathews to collaborate on Franco's film" Interior. Leather Bar.") reacted negatively. <SEP> The Harvard University graduate, in addition to directing thirty- two films, was also the mentor to future film director David Lean, some of whose work as a film editor early in his career was on Vorhaus pictures. He worked steadily as a screenwriter in Hollywood while in his 20s but wanted to direct movies. He eventually decided to move to England and began directing quota quickies, such as" The Last Journey"( 1935). After success in England, Vorhaus moved back to the U.S. and began working at Republic Pictures directing B-movies. Vorhaus was blacklisted in 1951 at HUAC hearings. Vorhaus had already moved to Europe at that time and directed a few minor films while there. Bernard Vorhaus( December 25, 1904 – November 23, 2000) was an American film director born in New York City. He finally returned to England and retired from the film business, founding a business specialising in house renovations. Vorhaus had two children, Gwyn and David, an electronic music pioneer who worked under the name White Noise.