Question: Are director of film Raaga Deepam and director of film Transgression (1974 Film) both from the same country?

Transgression is a 1974 South Korean film directed by Kim Ki-young. <SEP> It stars Akkineni Nageswara Rao, Jayasudha in the lead roles and music composed by Chakravarthy. Raaga Deepam( English: Musical Light) is a 1982 Telugu drama film, produced by Kodali Bosu Babu under the Veera Rani Enterprises banner and directed by Dasari Narayana Rao. <SEP> Ian Barry is an Australian director of film and TV. <SEP> Brian Johnson( born 1939 or 1940) is a British designer and director of film and television special effects. <SEP> He has directed more than one hundred and fifty feature films in a variety of genres. His works emphasize social injustice, corruption and gender discrimination. Dasari Narayana Rao( 4 May 1947 – 30 May 2017) was an Indian film director, producer, screenwriter, dialogue writer, actor, lyricist, and politician known for his works predominantly in Telugu cinema, Television, and Bollywood. Rao has received two National Film Awards, nine state Nandi Awards including the Raghupathi Venkaiah Award, and four Filmfare Awards South including the lifetime Achievement. During his career he has also acted in Telugu, Tamil, and Kannada languages. Rao gained national recognition for directing Hindi films such as, Swarg Narak, Jyoti Bane Jwala, Zakhmi Sher, Sarfarosh, Wafadaar, Prem Tapasya, Pyaasa Sawan, Aaj Ka M.L.A. Ram Avtar, and Asha Jyoti. Rao holds" Limca World Record" for directing the most number of films. He directed works such as" Tandra Paparayudu"( 1986), and" Surigaadu"( 1992) which were screened at International Film Festival of India in the panorama section, and" Kante Koothurne Kanu"( 1998) which received the National Film Award Special Mention Feature Film. In 1983, he directed Meghasandesam which received critical acclaim at the Indian panorama, Tashkent Film Festival, 1983 Cannes Film Festival, and Moscow film festival. The film has also received the National Film Award for Best Feature Film in Telugu. <SEP> Kim Ki-young Kim was born in Seoul during the colonial period, raised in Pyongyang, where he became interested in theater and cinema. In Korea after the end of World War II, he studied dentistry while becoming involved in the theater. During the Korean War, he made propaganda films for the United States Information Service. In 1955, he used discarded movie equipments to produce his first two films. With the success of these two films Kim formed his own production company and produced popular melodramas for the rest of the decade. Kim Ki-young's first expression of his mature style was in his" The Housemaid"( 1960), which featured a powerful" femme fatale" character. It is widely considered to be one of the best Korean films of all time. ( October 10, 1919 – February 5, 1998) was a South Korean film director, known for his intensely psychosexual and melodramatic horror films, often focusing on the psychology of their female characters. After a" Golden Age" during the 1960s, the 1970s were a low- point in the history of Korean cinema because of governmental censorship and a decrease in audience attendance. Nevertheless, working independently, Kim produced some of his most eccentric cinematic creations in this era. Films such as" Insect Woman"( 1972) and" Iodo"( 1977) were successful at the time and highly influential on the younger generations of South Korean filmmakers both at their time of release, and with their rediscovery years later. By the 1980s, Kim's popularity had gone into decline, and his output decreased in the second half of the decade. Neglected by the mainstream during much of the 1990s, Kim became a cult figure in South Korean film Internet forums in the early 1990s. Widespread international interest in his work was stimulated by a career retrospective at the 1997 Pusan International Film Festival. He was preparing a comeback film when he and his wife were killed in a house fire in 1998. The Berlin International Film Festival gave Kim a posthumous retrospective in 1998, and the French Cinémathèque screened 18 of Kim's films, some newly rediscovered and restored, in 2006. Through the efforts of the Korean Film Council( KOFIC), previously lost films by Kim Ki- young continue to be rediscovered and restored. Many current prominent South Korean filmmakers, including directors Im Sang- soo, Kim Ki-duk, Bong Joon- ho and Park Chan- wook, claim Kim Ki- young as an influence on their careers.