Question: Do both A Light Woman and Our Mother'S House films have the directors from the same country?

It is also known by the alternative title Dolores. A Light Woman is a 1928 British silent romance film directed by Adrian Brunel and starring Benita Hume, C.M. Hallard and Gerald Ames. The screenplay concerns a flighty young woman who learns the error of her ways through a series of love affairs. <SEP> It nominally stars Dirk Bogarde( who only appears in the film's second half) and principally features a cast of seven juvenile actors, including Pamela Franklin, Phoebe Nicholls and Mark Lester, with popular British actress Yootha Joyce in a supporting role. Our Mother's House is a 1967 British drama film directed by Jack Clayton. The screenplay was written by Jeremy Brooks and Haya Harareet, based on the 1963 novel of the same name by Julian Gloag. <SEP> Evil Toons is a 1992 adult live- action/ animated comedy- horror B-movie written and directed by Fred Olen Ray. The film is a light spoof of traditional haunted- house films. <SEP> Adrian Brunel ( 4 September 1892 – 18 February 1958) was an English film director and screenwriter. His" lost" films are eagerly sought, and the British Film Institute includes two(" The Crooked Billet"( 1929) and" Badger's Green"( 1934)) on its" 75 Most Wanted" list of missing British feature films. Brunel's directorial career started in the silent era, and reached its peak in the latter half of the 1920s. His surviving work from the 1920s, both full- length feature films and shorts, is highly regarded by silent film historians for its distinctive innovation, sophistication and wit. With the arrival of talkies, Brunel's career ground to a halt and he was absent from the screen for several years before returning in the mid-1930s with a flurry of quota quickie productions, a majority of which are now classed as lost. Brunel's last credit as director was in a 1940 wartime propaganda short film, although he worked for a few years more as a" fixer- up" for films directed or produced by friends in the industry. After decades of neglect, Brunel's work has latterly been rediscovered and has undergone a critical re-evaluation. <SEP> Joseph Simon Newman (December 6, 1891 – November 10, 1960) was an American entrepreneur and writer. He was a founder of the Newman-Stern Company, and gained renown as a writer of both light and serious verse. <SEP> Starting out as a teenage studio "tea boy" in 1935, Clayton worked his way up through British film industry in a career that spanned nearly sixty years. He rapidly rose through a series of increasingly important roles in British film production, before shooting to international prominence as a director with his Oscar-winning feature film debut, the drama "Room at the Top" (1959); this was followed by the much-lauded horror film "The Innocents" (1961), adapted from Henry James' "The Turn of the Screw". Clayton looked set for a brilliant future, and he was highly regarded by peers and critics alike, but a number of overlapping factors hampered his career. He was a notably 'choosy' director, who by his own admission "never made a film I didn't want to make", and he repeatedly turned down films (including "Alien") that became huge hits for other directors. But he was also dogged by bad luck and bad timing - the Hollywood studios labelled him as 'difficult', and studio politics quashed a string of planned films in the 1970s, which were either taken out of his hands, or cancelled in the final stages of preparation. In 1977, he suffered a double blow - his current film was cancelled just two weeks before shooting was due to begin, and a few months later he suffered a serious stroke which robbed him of the ability to speak, and put his career on hold for five years. Jack Clayton (1 March 1921 – 26 February 1995) was a British film director and producer who specialised in bringing literary works to the screen. Despite his relatively small "oeuvre", the films of Jack Clayton continue to be appreciated, and both they and their director have been widely admired and praised by leading film critics like Pauline Kael and Roger Ebert, and by film industry peers including Harold Pinter, Martin Scorsese, Guillermo del Toro, François Truffaut, Tennessee Williams and Steven Spielberg.