Question: Are the directors of both films The Arab (1915 Film) and Knights For A Day from the same country?

Knights for a Day is a 1937 British comedy film directed by Norman Lee and starring Nelson Keys, John Garrick and Nancy Burne. It was made as a quota quickie at Welwyn Studios. <SEP> Jack Shea (August 1, 1928 – April 28, 2013) was an American film and television director. He was the president of the Directors Guild of America from 1997 to 2002. <SEP> Norman Lee( 10 October 1898 – 2 June 1964) was a British screenwriter and film director. <SEP> Between 1914 and 1958, he made a total of 70 features, both silent and sound films. He is acknowledged as a founding father of the American cinema and the most commercially successful producer- director in film history. His films were distinguished by their epic scale and by his cinematic showmanship. Cecil Blount DeMille( August 12, 1881 – January 21, 1959) was an American filmmaker. His silent films were more diverse in genre, among which included social dramas, comedies, Westerns, farces, morality plays, and historical pageants. De Mille began his career as a stage actor in 1900. He later moved to writing and directing stage productions, some with Jesse Lasky, who was then a vaudeville producer. DeMille's first film," The Squaw Man"( 1914), was also the first feature film shot in Hollywood. Its interracial love story made it commercially successful and it first publicized Hollywood as the home of the U.S. film industry. The continued success of his productions led to the founding of Paramount Pictures with Lasky and Adolph Zukor. His first biblical epic," The Ten Commandments"( 1923), was both a critical and commercial success; it held the Paramount revenue record for twenty- five years. De Mille directed" The King of Kings"( 1927), a biography of Jesus, which gained approval for its sensitivity and reached more than 800 million viewers. " The Sign of the Cross"( 1932) is said to be the first sound film to integrate all aspects of cinematic technique. " Cleopatra"( 1934) was his first film to be nominated for the Academy Award for Best Picture. After more than thirty years in film production, DeMille reached a pinnacle in his career with" Samson and Delilah"( 1949), a biblical epic which became the highest- grossing film of 1950. Along with biblical and historical narratives, he also directed films oriented toward" neo-naturalism", which tried to portray the laws of man fighting the forces of nature. He received his first nomination for the Academy Award for Best Director for his circus drama" The Greatest Show on Earth"( 1952), which won both the Academy Award for Best Picture and the Golden Globe Award for Best Motion Picture – Drama. His last and best known film," The Ten Commandments"( 1956), also a Best Picture Academy Award nominee, is currently the eighth- highest- grossing film of all time, adjusted for inflation. In addition to his Best Picture Awards, he received an Academy Honorary Award for his film contributions, the Palme d' Or( posthumously) for" Union Pacific"( 1939), a DGA Award for Lifetime Achievement, and the Irving G. Thalberg Memorial Award. He was the first recipient of the Golden Globe Cecil B. DeMille Award, which was named in his honor. DeMille's reputation as a filmmaker has grown over time and his work has influenced many other films and directors. <SEP> The Arab is a 1915 American silent adventure film directed by Cecil B. DeMille. Edgar Selwyn wrote and starred in the Broadway play version of the story in 1911, and this film is based on that play. Selwyn reprises his role from his play. This film was refilmed by Metro Pictures in 1924 as" The Arab". <SEP> I Want Your Love is the title of both a 2010 short film and a 2012 feature- length film. Both films were directed and written by Travis Mathews. The drama films both revolve around the friends and ex-lovers of Jesse Metzger, a gay man in his mid-thirties who is forced to move back to his hometown from San Francisco due to financial reasons. The actors' own names, along with much of their real- life stories, were used for their characters in both films, which features graphic sexual scenes. The production of both films was aided by the gay pornographic studio NakedSword. This led to the full- length film being refused exemption from classification, which would have allowed it to screen at the Melbourne Queer Film Festival, a decision to which actor James Franco( who invited Mathews to collaborate on Franco's film" Interior. Leather Bar.") reacted negatively.