Question: How long was the development of the Become Human video game, set in the birthplace of the performer of Ellington Is Forever?

the engineering problems associated with leaving earth and developing space propulsion systems have been examined for over a century, and millions of hours of research have been spent on them. in recent years there has been an increase in research on the issue of how humans can survive and work in space for extended and possibly indefinite periods of time. this question requires input from the physical and biological sciences and has now become the greatest challenge (other than funding) facing human space exploration. a fundamental step in overcoming this challenge is trying to understand the effects and impact of long-term space travel on the human body. <SEP> time period bones affected third month of fetal development ossification in long bones beginning fourth month most primary ossification centers have appeared in the diaphyses of bone. birth to 5 years secondary ossification centers appear in the epiphyses 5 years to 12 years in females, 5 to 14 years in males ossification is spreading rapidly from the ossification centers and various bones are becoming ossified 17 to 20 years bone of upper limbs and scapulae becoming completely ossified 18 to 23 years bone of the lower limbs and os coxae become completely ossified 23 to 25 years bone of the sternum, clavicles, and vertebrae become completely ossified by 25 years nearly all bones are completely ossified <SEP> The characters Connor and Markus are played by Bryan Dechart and Jesse Williams, respectively. The game was released to manufacturing on 23 April 2018, after four years of production. Clancy Brown, Lance Henriksen, and Minka Kelly portray supporting characters Lieutenant Hank Anderson, Carl Manfred, and North, respectively. There are three different composers, one for each playable character: Philip Sheppard for Kara, Nima Fakhrara for Connor, and John Paesano for Markus. Sheppard's cello sequence in Kara's theme was inspired by the flames of a log fire, whereas the motif layered over it came from the two syllables in her name. Fakhrara created custom instruments and used vintage synthesizers in order that the sound could represent the robotic nature of Connor. Paesano's music was made with the idea that it would be ``like a church hymn '', personifying Markus' transformation into a leader. Sheppard recorded at Abbey Road Studios with the English Session Orchestra; Paesano was at Synchron Stage Vienna with the Synchron Stage Orchestra. Director of photography Aymeric Montouchet used`` thick grain and shaky long lens'' with shallow depth of field for Kara, ``small, tight grain ''and a blue palette for Connor, and orange and white colours for Markus. <SEP> Eddie Locke was a part of the fertile and vibrant Detroit jazz scene during the 1940s and 1950s, which brought forth many great musicians including the Jones brothers (Hank, Thad, and Elvin), Kenny Burrell, Lucky Thompson, Tommy Flanagan, Barry Harris, and so many others. He eventually formed a variety act with drummer Oliver Jackson called Bop & Locke which played the Apollo Theater. He moved to New York City in 1954, and worked there with Dick Wellstood, Tony Parenti, Red Allen, Willie "The Lion" Smith, and Teddy Wilson amongst others. During this time he came under the tutelage of the great Jo Jones, and eventually became known as a driving and swinging drummer who kept solid time and supported the soloist. During the late 1950s he formed two of his most fruitful musical relationships, one with Roy Eldridge, and the other with Coleman Hawkins. His recording debut came with Eldridge in 1959 on "On The Town". He later became a member of the Coleman Hawkins Quartet in the 1960s along with pianist Tommy Flanagan and bassist Major Holley. That group made many fine records including the exquisite album "Today and Now", in 1963. Throughout the 1970s, he played with Roy Eldridge at Jimmy Ryan's in Manhattan, and wound out his career freelancing, as well as teaching youngsters at the Trevor Day School on Manhattan's upper west side. <SEP> Ellington Is Forever is an album by guitarist Kenny Burrell featuring compositions associated with Duke Ellington recorded in 1975 and released on the Fantasy Records label. Originally released as a double album set in 1975 it was rereleased on CD in 1993 as Ellington Is Forever Volume 1.