Question: Camilla Pasini (6 November 1875 – 29 November 1935) was an Italian operatic soprano, her sister, Lina Pasini-Vitale was a well known what soprano, a dramatic soprano is a type of operatic soprano with a powerful, rich, emotive voice that can sing over, or cut through, a full orchestra?

 Thicker vocal folds in dramatic voices usually (but not always) mean less agility than lighter voices but a sustained, fuller sound.  Usually this voice has a lower tessitura than other sopranos, and a darker timbre.  They are often used for heroic, often long-suffering, tragic women of opera.  Dramatic sopranos have a range from approximately low A (A) to "high C" (C).  Some dramatic sopranos, known as Wagnerian sopranos, have an exceptionally big voice that can assert itself over a large orchestra (of more than 80 or even 100 pieces).  These voices are substantial, often denser in tone, extremely powerful and, ideally, evenly balanced throughout the vocal registers. Wagnerian sopranos usually play mythic heroines. A dramatic soprano is a type of operatic soprano with a powerful, rich, emotive voice that can sing over, or cut through, a full orchestra.  Successful Wagnerian sopranos are rare and often Wagnerian roles are performed by Italianate dramatic sopranos. <SEP> A spinto soprano (also lirico-spinto, spinto lyric soprano or "pushed lyric") is a type of operatic soprano voice that has the limpidity and easy high notes of a lyric soprano, yet can be "pushed" on to achieve dramatic climaxes without strain.  This type of voice may possess a somewhat darker timbre, too, than the average lyric soprano.  It generally uses "squillo" to "slice" through the sound of a full orchestra, rather than singing over the orchestra like a true dramatic soprano. <SEP> Camilla Pasini (6 November 1875 – 29 November 1935) was an Italian operatic soprano.  Pasini studied at the Accademia Nazionale di Santa Cecilia in Rome and made her professional opera debut in that city at the Teatro Quirino as Inez in Meyerbeer's "L'Africaine".  She most notably originated the role of Musetta in the original 1896 production of Puccini's "La bohème" at the Teatro Regio in Turin.  She also sang that role at numerous other theaters including La Scala, the Teatro Costanzi in Rome, and in Brescia, Genoa, Trieste, and Asti among others.  In 1904, Pasini traveled to South America where she performed on tour in many countries and cities.  Her sister Lina Pasini-Vitale was a well known Wagnerian soprano and her other sister, Enrica Pasini, had a short career as an operatic mezzo-soprano.  In 1905, Pasini married a lawyer with the surname of Muzi and promptly gave up her career for the next six years.  She returned to the stage in 1911 in the premiere of the opera "La Vigilia di Notte" by Teofilo De Angelisro at the Teatro Costanzi.  She retired from the operatic stage somewhere around 1920. <SEP> Carolina Pasini-Vitale, known as Lina, (born Rome, November 8, 1872 – died there November 23, 1959) was an Italian soprano.  Sister of Camilla Pasini, she studied in Rome before debuting at the Teatro Dal Verme in Milan in Cilea's "La tilda".  She saw early success at La Scala, in Rome, and in Turin singing Mascagni's Iris and Suzel.  She also appeared as Micaëla, Mimi, and Gretel.  In 1897 she married the conductor Edoardo Vitale.  Beginning in 1914 she became known for her performance in the operas of Richard Wagner, creating Kundry in Buenos Aires for the South American premiere of "Parsifal" in 1914.  In 1926 she appeared as Brünnhilde in Rome; in 1928 she sang Kundry in Naples, and thereafter retired.  She recorded numerous excerpts from various operas during her career.  Another sister, Enrica Pasini, had a brief career as a mezzo-soprano.  Her son was Riccardo Vitale, who eventually became director of the Rome Opera House from the 1940s to the 1970s.