Question: Do both films Yesenia (Film) and The Color Of Pomegranates have the directors that share the same nationality?

He invented his own cinematic style, which was totally out of step with the guiding principles of socialist realism( the only sanctioned art style in the USSR). This, combined with his controversial lifestyle and behaviour, led Soviet authorities to repeatedly persecute and imprison him, and suppress his films. Although he started professional film- making in 1954, Parajanov later disowned all the films he made before 1965 as" garbage". After directing" Shadows of Forgotten Ancestors"( renamed" Wild Horses of Fire" for most foreign distributions) Parajanov became something of an international celebrity and simultaneously a target of attacks from the system. Nearly all of his film projects and plans from 1965 to 1973 were banned, scrapped or closed by the Soviet film administrations, both local( in Kiev and Yerevan) and federal( Goskino), almost without discussion, until he was finally arrested in late 1973 on charges of rape, homosexuality and bribery. He was imprisoned until 1977, despite a pleas for pardon from various artists. Even after his release( he was arrested for the third and last time in 1982) he was a" persona non grata" in Soviet cinema. It was not until the mid-1980s, when the political climate started to relax, that he could resume directing. Still, it required the help of influential Georgian actor Dodo Abashidze and other friends to have his last feature films greenlighted. His health seriously weakened by four years in labor camps and nine months in prison in Tbilisi, Parajanov died of lung cancer in 1990, at a time when, after almost 20 years of suppression, his films were being featured at foreign film festivals. In January 1988, he said in an interview," Everyone knows that I have three Motherlands. Sergei Parajanov( sometimes spelled Paradzhanov or Paradjanov; January 9, 1924 – July 20, 1990) was a Soviet film director and artist of Armenian descent who made significant contributions to Soviet cinematography through Ukrainian, Georgian, and Armenian cinema. I was born in Georgia, worked in Ukraine and I'm going to die in Armenia." Sergei Parajanov is buried at Komitas Pantheon in Yerevan. Parajanov's films won prizes at Mar del Plata Film Festival, Istanbul International Film Festival, Nika Awards, Rotterdam International Film Festival, Sitges- Catalan International Film Festival, São Paulo International Film Festival and others. <SEP> Parajanov: The Last Spring is a 1992 award- winning documentary by the Russian- Armenian filmmaker Mikhail Vartanov, that also includes the complete surviving footage of Sergei Parajanov's unfinished last film" The Confession", Vartanov's behind- the- scenes sequences of Parajanov at work on the shooting of the" Color of Pomegranates" and other material. Featured in 7th Annual Russian Academy of Cinema Arts Awards( 1993). <SEP> The film is a poetic treatment of the life of 18th- century Armenian poet and troubadour Sayat- Nova. It has appeared in some scholarly polls of the greatest films ever made. The Color of Pomegranates(" Tsvet granataNřan guynə") is a 1969 Soviet art film written and directed by Sergei Parajanov. <SEP> The film stars Jacqueline Andere as the titular character, along with Jorge Lavat. " Yesenia" was a blockbuster in the Soviet Union, where it sold 91.4 million tickets, and became the highest- grossing film in the Soviet Union. Due to this success abroad, it ranks among the world's non-English language films with the highest attendance record. Yesenia is a 1971 Mexican film directed by Alfredo B. Crevenna, based on an original story by Yolanda Vargas Dulché. <SEP> He directed 151 films between 1945 and 1995. Alfredo B. Crevenna( 22 April 1914 – 30 August 1996) was a Mexican film director and screenwriter. <SEP> Hava Kohav Beller is a filmmaker primarily known for three documentary films:( 1991)," The Burning Wall"( 2002), and" In The Land of Pomegranates( 2018)."