Question: Which film has the director died later, The Trail Of The Lonesome Pine (1916 Film) or The Forbidden City?

A copy of the film is in the Library of Congress and other film archives. The Forbidden City is a 1918 American silent drama film starring Norma Talmadge and Thomas Meighan and directed by Sidney Franklin. <SEP> Kuai Xiang( 1398–1481) was a Chinese architect and engineer widely known as designer of the Forbidden City and originator of the Xiangshan Carpenters. He was born in Xukou( Xiangshan), Wu County, Suzhou during the Ming Dynasty. When the Yongle Emperor decided to transfer the capital from Nanjing to Beijing in 1407, Kuai Xiang was ordered to design and construct the Forbidden City for him. Kuai Xiang was in his early thirties when the Emperor commissioned him to design the Forbidden City. Kuai used the Imperial Palace in Nanjing as a model. He included features of palaces built during the Tang and Song dynasties into his design. He also drew from Confucian, Taoist, and traditional astronomical systems. This took Kuai several years, and the first palace and walls of the City were completed only after 13 years. <SEP> Sidney Arnold Franklin( March 21, 1893 – May 18, 1972) was an American film director and producer. Franklin, like William C. de Mille, specialized in adapting literary works or Broadway stage plays. His brother Chester Franklin( 1889 – 1954) also became a director during the silent film era best known for directing the early Technicolor film" The Toll of the Sea". <SEP> It is based on the 1908 novel and the 1912 play of the same name by Eugene Walter. The Trail of the Lonesome Pine is a 1916 American silent drama film directed by Cecil B. DeMille. Charlotte Walker reprised her role from the Broadway production. A copy of the 1916 film survives in the archives of George Eastman House. <SEP> Sidney D. Mitchell( June 15, 1888 in Baltimore, Maryland – February 25, 1942 in Los Angeles, California) was a Hollywood film industry lyricist and composer. He is best known for his collaborations with Lew Pollack on movie scores at Twentieth Century Fox in the 1930s and 1940s. Together with Louis Alter, Mitchell was nominated for an Oscar in 1937 for the song" A Melody from the Sky" which was in the 1936 motion picture" The Trail of the Lonesome Pine". He contributed many songs to other films, and his work continues to be featured to the present day. He also served as a screenwriter for three movies and a director for the film" Umpa" in 1933. <SEP> Between 1914 and 1958, he made a total of 70 features, both silent and sound films. He is acknowledged as a founding father of the American cinema and the most commercially successful producer- director in film history. His films were distinguished by their epic scale and by his cinematic showmanship. His silent films were more diverse in genre, among which included social dramas, comedies, Westerns, farces, morality plays, and historical pageants. De Mille began his career as a stage actor in 1900. Cecil Blount DeMille( August 12, 1881 – January 21, 1959) was an American filmmaker. He later moved to writing and directing stage productions, some with Jesse Lasky, who was then a vaudeville producer. DeMille's first film," The Squaw Man"( 1914), was also the first feature film shot in Hollywood. Its interracial love story made it commercially successful and it first publicized Hollywood as the home of the U.S. film industry. The continued success of his productions led to the founding of Paramount Pictures with Lasky and Adolph Zukor. His first biblical epic," The Ten Commandments"( 1923), was both a critical and commercial success; it held the Paramount revenue record for twenty- five years. De Mille directed" The King of Kings"( 1927), a biography of Jesus, which gained approval for its sensitivity and reached more than 800 million viewers. " The Sign of the Cross"( 1932) is said to be the first sound film to integrate all aspects of cinematic technique. " Cleopatra"( 1934) was his first film to be nominated for the Academy Award for Best Picture. After more than thirty years in film production, DeMille reached a pinnacle in his career with" Samson and Delilah"( 1949), a biblical epic which became the highest- grossing film of 1950. Along with biblical and historical narratives, he also directed films oriented toward" neo-naturalism", which tried to portray the laws of man fighting the forces of nature. He received his first nomination for the Academy Award for Best Director for his circus drama" The Greatest Show on Earth"( 1952), which won both the Academy Award for Best Picture and the Golden Globe Award for Best Motion Picture – Drama. His last and best known film," The Ten Commandments"( 1956), also a Best Picture Academy Award nominee, is currently the eighth- highest- grossing film of all time, adjusted for inflation. In addition to his Best Picture Awards, he received an Academy Honorary Award for his film contributions, the Palme d' Or( posthumously) for" Union Pacific"( 1939), a DGA Award for Lifetime Achievement, and the Irving G. Thalberg Memorial Award. He was the first recipient of the Golden Globe Cecil B. DeMille Award, which was named in his honor. DeMille's reputation as a filmmaker has grown over time and his work has influenced many other films and directors.