Question: Do both Help Wanted (1915 Film) and La Belle Noiseuse films have the directors from the same country?

Help Wanted is a 1915 American drama silent film directed by Hobart Bosworth and written by Elmer Blaney Harris and Jack Lait. The film stars Hobart Bosworth, Lillian Elliott, Adele Farrington, Lois Meredith, Owen Moore, Herbert Standing and Myrtle Stedman. The film was released on April 19, 1915, by Paramount Pictures. <SEP> Hobart Van Zandt Bosworth( August 11, 1867 – December 30, 1943) was an American film actor, director, writer, and producer. <SEP> The White Hope is a 1922 British silent sports film directed by Frank Wilson and starring Violet Hopson, Stuart Rome and John MacAndrews. It is a remake of Wilson's own 1915 film of the same name with many of the same cast members. <SEP> It s title means" The Beautiful( female) Troublemaker". The film is loosely adapted from the short story" The Unknown Masterpiece" by Honoré de Balzac and also includes elements from" The Liar The Figure in the Carpet", and" The Aspern Papers" by Henry James. La Belle Noiseuse is a 1991 drama film directed by Jacques Rivette and starring Michel Piccoli, Jane Birkin, and Emmanuelle Béart. <SEP> Mark Lewis( born 1958 in Mullumbimby, Australia) is an Australian documentary film and television producer, director and writer. He is famous for his film and for his body of work on animals. Unlike many other producers of nature films, his films do not attempt to document the animals in question or their behaviors but rather the complex relationships between people and society and the animals they interact with. His films have earned him many awards, including a British Academy Award nomination, a nomination from the Directors Guild of America, two Emmy ’s for Outstanding Direction in documentary film, and an Emmy Award for Outstanding Science Program on American Television. <SEP> He made twenty- nine films, including" L'amour fou"( 1969)," Out 1"( 1971)," Celine and Julie Go Boating"( 1974), and" La Belle Noiseuse"( 1991). His work is noted for its improvisation, loose narratives, and lengthy running times. Inspired by Jean Cocteau to become a filmmaker, Rivette shot his first short film at age twenty. He moved to Paris to pursue his career, frequenting Henri Langlois' Cinémathèque Française and other ciné-clubs; there, he met François Truffaut, Jean- Luc Godard, Éric Rohmer, Claude Chabrol and other future members of the New Wave. Rivette began writing film criticism, and was hired by André Bazin for" Cahiers du Cinéma" in 1953. Jacques Rivette( 1 March 1928 – 29 January 2016) was a French film director and film critic most commonly associated with the French New Wave and the film magazine" Cahiers du Cinéma". In his criticism, he expressed an admiration for American films – especially those of genre directors such as John Ford, Alfred Hitchcock and Nicholas Ray – and was deeply critical of mainstream French cinema. Rivette's articles, admired by his peers, were considered the magazine's best and most aggressive writings, particularly his 1961 article" On Abjection" and his influential series of interviews with film directors co-written with Truffaut. He continued making short films, including" Le Coup de Berger", which is often cited as the first New Wave film. Truffaut later credited Rivette with developing the movement. Although he was the first New Wave director to begin work on a feature film," Paris Belongs to Us" was not released until 1961, by which time Chabrol, Truffaut and Godard released their own first features and popularised the movement worldwide. Rivette became editor of" Cahiers du Cinéma" during the early 1960s and publicly fought French censorship of his second feature film," The Nun"( 1966). He then re-evaluated his career, developing a unique cinematic style with" L'amour fou". Influenced by the political turmoil of May 68, improvisational theatre and an in- depth interview with filmmaker Jean Renoir, Rivette began working with large groups of actors on character development and allowing events to unfold on camera. This technique led to the thirteen- hour" Out 1" which, although rarely screened, is considered a Holy Grail of cinephiles. His films of the 1970s, such as" Celine and Julie Go Boating", often incorporated fantasy and were better- regarded. After attempting to make four consecutive films, however, Rivette had a nervous breakdown and his career slowed for several years. During the early 1980s, he began a business partnership with producer Martine Marignac, who produced all his subsequent films. Rivette's output increased from then on, and his film" La Belle Noiseuse" received international praise. He retired after completing" Around a Small Mountain"( 2009), and it was revealed three years later that he had Alzheimer's disease. Very private about his personal life, Rivette was briefly married to photographer and screenwriter Marilù Parolini during the early 1960s and later married Véronique Manniez.