Question: Do both directors of films Policekaran Magal and Thread Routes have the same nationality?

She represented Korea for the 24th São Paulo Biennale in 1998 and the 55th Venice Biennale Korean Pavilion in 2013, and participated in more than 30 international biennials and triennials. Kimsooja( born 1957) is a South Korean, multi-disciplinary conceptual artist based in New York, Paris, and Seoul. <SEP> He has directed nearly 60 films in Tamil, Hindi and Telugu. Chitthamoor Vijayaraghavalu Reddiar Sridhar( 22 July 1933 – 20 October 2008) was an Indian screenwriter and film director. <SEP> Constable Koothuru is a 1963 Telugu- language film directed by Tapi Chanakya. It is a remake of the 1962 Tamil film" Policekaran Magal", itself based on a play with the same name. The film stars Jaggayya, Krishna Kumari, రాజశ్రీ Gummadi Venkateswara Rao and Kanta Rao. <SEP> No Super Tokkyū routes have actually been built. <SEP> Based on the stage play of the same name, the film stars R. Muthuraman, K. Balaji, C. R. Vijayakumari, Shanthakumari and Pushpalatha playing lead roles with Saghunthala, J. P. Chandrababu, Nagesh and Manorama playing supporting roles. The film was released in 1962 and was a success. Policekaran Magal is a 1962 Indian Tamil- language drama film directed by C. V. Sridhar. It was later remade in Telugu as" Constable Koothuru"( 1963) and in Malayalam as" Vyaamoham"( 1978). <SEP> Divided into six chapters," Thread Routes" takes place in six different cultural zones around the world. The artist considers her approach to this film as a' visual poem' and a' visual anthropology', in that it juxtaposes and presents structural similarities in performative elements of textile culture with the structures in nature, architecture, agriculture and gender relationships in different cultures. These non-descriptive and unnarrative documentary films were conceived after being inspired in Bruges, Belgium, in 2002, by the performative elements of traditional lace making, and the city's architectural structure. The first chapter, completed in 2010, explores Peruvian weaving culture, and its tight alignment with its landscapes and historic archeological structures. This piece journeys throughout the country, from the Sacred Valley around Cusco and Machu Picchu to the Taquila Island villages, forming a non-linear timeline of the connection between people and their geographical environment. Chapter II, which finished filming in the summer of 2011, focused on European lace making actions such as bobbin lace- making from Bruges( Belgium), Lepoglava and Pag( Croatia); industrial lace- making in Calais( France); needle point lace- making by nuns in a monastery in Hvar( Croatia) who use threads from dry aloe leaves; and traditional needlepoint on the small island of Burano( Italy). These scenes are set against representative European architecture such as the Duomo in Milan; the Eiffel Tower in Paris; and the Sedlec Ossuary in Kutna Hora( Czech Republic), which is decorated by human bones and skulls. Local vegetation and flowers overlap with scenes from La Alhambra in Granada( Spain) which, in its detailed and complex decorative Islamic architectural forms, conveys a spatial sensibility and a spiritual dimension that is mirrored in lace- making. The bold, masculine, and power- oriented monumental architectural forms are revealed as similar acts to the delicate, feminine, and ephemeral textile making. The third chapter( 2012) journeys to India and studies the traditions of dyeing, sewing, weaving, embroidery, tattoo and woodblock printing; juxtaposing them with the archeological structures and temporary housing structures of the nomadic communities in Gujara, as well as the Step Well and the Sun Temple in Ahmedabad. In 2014, Kimsooja filmed Chapter IV in China, where she encountered the specific weaving, dyeing and garment culture of the Miao minority in the Guizhou, Hainan and Yunnan provinces. These are depicted alongside elaborate silver adornment and paper making, as well as the ancient local housing structures in Fujian, the rice terraces of Yunnan and the landscapes of Guizhou and Hainan. Shot in 2015 in New Mexico, Arizona and Utah," Thread Routes- Chapter V" explores native American textile culture and the landscape inhabited by the various groups visited. Thread Routes is a 16 mm film series by artist Kimsooja. In early 2019 the last chapter was shot in Morocco. The first three chapters were presented at Guggenheim Bilbao between March and July 2015.