Question: Are the directors of films L'Chayim, Comrade Stalin! and Till We Meet Again (1936 film) both from the same country?

Robert Florey( 14 September 1900 – 16 May 1979) was a French- American director, screenwriter, film journalist and actor. Born as Robert Fuchs in Paris, he became an orphan at an early age and was then raised in Switzerland. In 1920 he worked at first as a film journalist, then as an assistant and extra in featurettes from Louis Feuillade. Florey moved to the United States in 1921. As a director, Florey's most productive decades were the 1930s and 1940s, working on relatively low- budget fillers for Paramount and Warner Brothers. His reputation is balanced between his avant- garde expressionist style, most evident in his early career, and his work as a fast, reliable studio- system director called on to finish troubled projects, such as 1939's" Hotel Imperial". He directed more than 50 movies. His most popular film is likely the first Marx Brothers feature" The Cocoanuts" of 1929, and his 1932 foray into Universal- style horror," Murders in the Rue Morgue" is regarded by horror fans as highly reflective of German expressionism. In 2006, as his 1937 film" Daughter of Shanghai" was selected for preservation in the United States National Film Registry by the Library of Congress, Florey was called" widely acclaimed as the best director working in major studio B-films". <SEP> Marguerite d' Alvarez( c. 1883- 18 October 1953) was an English contralto. d' Alvarez was born in Bootle, her father was Peruvian and her mother French. She studied at the Brussels conservatoire, and made her debut in Rouen in 1907, singing Delilah. After further studies in Paris she made her first American appearances with the Manhattan Opera Company in 1909 as Fidès in Giacomo Meyerbeer's" Le prophète". Following her season in New York City, she went to London to help Oscar Hammerstein inaugurate his London Opera in 1911; that year, she scored great successes in French roles. d' Alvarez subsequently appeared at leading European opera houses such as Covent Garden, and also sang in Chicago and Boston. She made several acoustic recordings in New York in 1920- 21, including arias from her operatic repertoire and Spanish songs by Falla, Chapi and Tabuyo. She made three films," Till We Meet Again", in 1944," An Angel Comes to Brooklyn"( 1945) and" Affair in Monte Carlo"( 1953); her autobiography," Forsaken Altars", was published in 1954, after her death in Alassio, Italy. <SEP> Till We Meet Again is a 1936 American film directed by Robert Florey. <SEP> Strom is a pioneer among klezmer( musical tradition of the Ashkenazi Jews of Eastern Europe) revivalists in conducting extensive field research in Central and Eastern Europe and the Balkans among the Jewish and Rom communities since 1981. Initially, his work focused primarily on the use and performance of klezmer music between these two groups. Gradually, his focus increased to examining all aspects of their culture, from post -World War II to the present. Yale Strom is an American violinist, composer, filmmaker, writer, photographer and playwright. He was among the first of the so- called klezmer revivalists to identify the connection between klezmer and lautare( Rom/ Gypsy musicians) and explore that connection in his scholarly and artistic works. In the more than two decades since his initial ethnographic trip, Strom has become one of the world's most productive and influential scholar- artists of klezmer culture and history. <SEP> L'Chayim, Comrade Stalin! is a 2002 documentary film directed by Yale Strom and narrated by Ron Perlman. <SEP> Until We Meet Again is a 1952 West German romantic drama film directed by Gustav Ucicky and starring Maria Schell, O.W. Fischer and Karl Ludwig Diehl. The film's sets were designed by the art directors Hans Ledersteger and Ernst Richter.