Question: Jessica Warner's book "John the Painter: Terrorist of the American Revolution" garnered praise from which University Professor of History and Art History at Columbia University?

Joanna Frueh (b. 1948) is an artist, writer and feminist scholar.  In 2008 she was awarded a Women's Caucus for Art Lifetime Achievement Award.  Her book "Monster Beauty: Building the Body of Love", dealing with the aesthetics of beauty, pleasure and the erotic in everyday life was published by the University of California Press.  Her writing combines theory with autobiography, photography, and poetry to develop these concepts.  She is also a performance artist.  Frueh received her Ph.D. from the University of Chicago in History of Culture.  She is Professor of Art History Emerita at the University of Nevada, Reno, where she served from 1990 to 2006.  Prior to that she was Assistant Professor of art history at Oberlin College, Oberlin, Ohio, (1983-1985) and the University of Arizona, Tucson (1981-1983).  She has authored and edited several books, notably "Erotic Faculties" (University of California Press, 1996) and "Hannah Wilke: A Retrospective" (1989); and coeditor of "Picturing the Modern Amazon" (2000), "Feminist Art Criticism: Art, Identity, Action" (1994), and "Feminist Art Criticism: An Anthology" (1991).  She has written articles and reviews for "Art in America", "Art Journal", "AfterImage", "High Performance Magazine", and "New Art Examiner", among others. <SEP>  He is a University Professor of History and Art History at Columbia University, New York.  He first came to popular public attention with his history of the French Revolution titled "", published in 1989.  In the United Kingdom, he is perhaps best known for writing and hosting the 15-part BBC television documentary series "A History of Britain" broadcast between 2000 and 2002. Simon Michael Schama, CBE, FRSL (born 13 February 1945), is an English historian specialising in art history, Dutch history, and French history. <SEP> Jessica Warner is an American historian, specializing in the social history of Great Britain in the early modern age.  Her books include "Craze: Gin and Debauchery in an Age of Reason" and "John the Painter: Terrorist of the American Revolution".  The latter book has won praise from fellow historians like Simon Schama and Brenda Maddox. <SEP> Jerome Silbergeld, (B.A Stanford University, 1966, M.A. Stanford, 1967, M.A. Univ. of Oregon 1972, Ph.D. Stanford 1974) is the P.Y. and Kinmay W. Tang Professor (Emeritus) of Chinese Art History at Princeton University and director of Princeton’s Tang Center for East Asian Art.  He was formerly the chair of Art History and director of the School of Art and the University of Washington in Seattle, where he taught for twenty-five years.  His research includes traditional and modern Chinese painting, cinema, and architecture and gardens.  Among his book publications are "Chinese Painting Style" (1982); "Mind Landscapes: The Paintings of C. C. Wang" (1987); "Contradictions: Artistic Life, the Socialist State, and the Chinese Painter Li Huasheng" (1993); "China Into Film: Frames of Reference in Contemporary Chinese Cinema" (1999); "Hitchock with a Chinese Face" (2004); "Body in Question: Image and Illusion in Two Chinese Films by Director Jiang Wen" (2008); "Outside In: Chinese x American x Contemporary x Art" (2009); and "Humanism in China: A Contemporary Record of Photography" (2009); among his edited and co-edited publications is "Bridges to Heaven: Essays in East Asian Art in Honor of Wen C. Fong" (2 volumes, 2011).  He has also published more than sixty articles, encyclopedia entries, and book reviews and co-authored the Encyclopædia Britannica entry on Chinese art.