Question: Are director of film Inside The Lines and director of film The Flesh Eaters (Film) from the same country?

The film contains moments of violence much more graphic and extreme than many other movies of its time, making it one of the first ever gore films. The Flesh Eaters is a 1964 American horror/ science fiction thriller, directed on a low budget by Jack Curtis and edited by future filmmaker Radley Metzger. <SEP> Brian Johnson( born 1939 or 1940) is a British designer and director of film and television special effects. <SEP> Ian Barry is an Australian director of film and TV. <SEP> He won an Academy Award for Engineering Effects for the film "Wings" at the 1st Academy Awards. Pomeroy's career began during the silent era, when he worked as a special effects engineer for Famous Players-Lasky and its successor studio Paramount Pictures. For 1923's "The Ten Commandments," Pomeroy designed the parting of the Red Sea sequence and an effect in which the commandments appeared in letters of flame. He worked on "Peter Pan, Old Ironsides," and "The Rough Riders," all for Famous Players or Paramount. His work on the groundbreaking aviation film "Wings," released in 1927, earned him the Academy Award for Engineering Effects at the first-ever Academy Awards ceremony. Pomeroy was head of research at Paramount, and experimented on an ultimately unsuccessful device to add sound to the studio's large-format Magnascope process. Roy Pomeroy (April 20, 1892 – September 3, 1947) was an American special effects artist and film director. He was sent to visit the RCA and Western Electric sound laboratories to study Vitaphone sound technology, and upon his return was treated by studio workers and executives as an expert. Jesse Lasky said, "We couldn't have treated him with more awe and homage if he had been Edison himself." Propman Joe Youngerman said, "He threw his weight around. He claimed he knew all about it." In 1928, Paramount decided it was ready to release an "all-talkie", a film with synchronized dialogue throughout rather than in select scenes. They chose "Interference," a silent film directed by Lothar Mendes that had been completed but not yet released. Pomeroy was assigned to reshoot the film with sound. He demanded—and received—a pay raise from $250 per week to $2,500. The silent and sound versions were released simultaneously; the sound version was better regarded by critics, but still detracted for stilted dialogue. However, the sound techniques were praised for their relative sophistication (the critic Mordaunt Hall noted that the audience "even heard a pen scratching its way over the paper as Evelyn Brent wrote a message"), anticipating many elements commonplace today; in particular, a scene in which one character is crying shows not the character crying but a reaction shot of her lover, placing the attention on his emotional reaction rather than insistently displaying the source of the sound. After being tapped for his next directing assignment, Pomeroy asked for another raise to $3,500 a week. The studio balked and reassigned the project to William DeMille instead, and Pomeroy resigned from the studio. He directed two more sound films: "Inside the Lines" for RKO in 1930, and "Shock" for W. T. Lackey Productions in 1934. Pomeroy was passionate about archery and kept a collection of bows in his studio office. <SEP> He began his career as an actor in radio shows in the 1940s. He directed, produced, shot and edited the sci-fi thriller film" The Flesh Eaters"( 1964). He did numerous voice- overs. Jack Curtis, Jr.( June 16, 1926 – September 1970) was an American voice actor, director, producer, writer and editor. His voice was featured in several cartoons, and he dubbed the voices for animated characters that included" Kimba the White LionMarine Boy", and" Speed Racer" for the Japanese anime series in 1967. <SEP> Inside the Lines is a 1930 American Pre- Code spy drama film starring Betty Compson, Ralph Forbes, and Mischa Auer. This version is a remake of the 1918 silent version, also with the same name. Directed by Roy Pomeroy( who also was the associate producer) from a screenplay by John Farrow and Ewart Adamson, which in turn was based on the 1915 Broadway play of the same name by Earl Derr Biggers. This film exists in the public domain because the claimants did not renew the copyright after 28 years.