Question: Which film has the director who was born later, The Great Madcap or Djaoeh Dimata?

Catherine I( born, later known as Marta Samuilovna Skavronskaya; –) was the second wife of Peter the Great and Empress of Russia from 1725 until her death. <SEP> Born in Alahan Panjang, West Sumatra, he first worked as a reporter in Batavia( modern- day Jakarta). He became a writer for the Padangsche Opera in Padang, where he developed a new, dialogue- centric style, which later spread throughout the region. After returning to Batavia in 1929, he spent over a year as a theatre and film critic. In 1930 he joined the Dardanella touring troupe as a writer. He went to India in an unsuccessful bid to film his stage play" Dr Samsi". After leaving Dardanella in 1936, Andjar established his own troupe. He also worked at a publishers, writing serials based on successful films. In 1940 he was asked to join The Teng Chun's company, Java Industrial Film, helping with marketing and working as a director for two productions. After the Japanese occupation, during which time he stayed in theatre, Andjar made a brief return to cinema. He directed three films in the late 1940s and wrote four screenplays, which were produced as films in the early 1950s. He published a novel," Noesa Penida"( 1950). Abisin Abbas( 26 February 1902 – 20 October 1961), better known by his pseudonym Andjar Asmara, was a dramatist and filmmaker active in the cinema of the Dutch East Indies. Afterward he worked for the remainder of his life writing serials based on local films and publishing film criticism. Historians recognise him as a pioneer of theatre and one of the first native Indonesian film directors, although he had little creative control of his productions. <SEP> Rosario Granados( March 12, 1925 – March 25, 1997) was an Argentine film actress known for her roles in Mexican cinema. Granados starred in the 1949 comedy" The Great Madcap"( 1949). <SEP> Starring Ratna Asmara and Ali Joego, it follows a woman who goes to Jakarta to find work after her husband is blinded in an accident. SPFC's first production, "Djaoeh Dimata" took two to three months to film and cost almost 130,000 gulden. The first domestically produced feature film to be released in five years, "Djaoeh Dimata" received favourable reviews, although financially it was outperformed by Roestam Sutan Palindih's "Air Mata Mengalir di Tjitarum" (released soon after). The film's cast remained active in the Indonesian film industry, some for another thirty years, and SPFC produced six more works before closing in 1949. A copy of the film is stored at Sinematek Indonesia. Djaoeh Dimata (Perfected Spelling: Jauh Dimata; Indonesian for "Out of Sight") is a 1948 film from what is now Indonesia written and directed by Andjar Asmara for the South Pacific Film Corporation (SPFC). <SEP> El Gran Calavera( The Great Madcap) is a 1949 Mexican comedy film directed by Luis Buñuel. Its original premise was reused for the 2013 Mexican film" Nosotros los Nobles". <SEP> When Buñuel died at age 83, his obituary in" The New York Times" called him" an iconoclast, moralist, and revolutionary who was a leader of avant- garde surrealism in his youth and a dominant international movie director half a century later". His first picture," Un Chien Andalou" —made in the silent era—was called" the most famous short film ever made" by critic Roger Ebert, and his last film," That Obscure Object of Desire" —made 48 years later—won him Best Director awards from the National Board of Review and the National Society of Film Critics. Writer Octavio Paz called Buñuel's work" the marriage of the film image to the poetic image, creating a new reality ... scandalous and subversive". Luis Buñuel Portolés( 22 February 1900 – 29 July 1983) was a Spanish- born Mexican filmmaker who worked in France, Mexico and Spain. Often associated with the surrealist movement of the 1920s, Buñuel created films from the 1920s through the 1970s. His work spans two continents, three languages, and an array of genres, including experimental film, documentary, melodrama, satire, musical, erotica, comedy, romance, costume dramas, fantasy, crime film, adventure, and western. Despite this variety, filmmaker John Huston believed that, regardless of genre, a Buñuel film is so distinctive as to be instantly recognizable, or, as Ingmar Bergman put it," Buñuel nearly always made Buñuel films". Seven of Buñuel's films are included in" Sight& Sound"< nowiki>'</ nowiki >s 2012 critics' poll of the top 250 films of all time. Fifteen of his films are included in the" They Shoot Pictures, Do n't They?" list of the 1,000 greatest films of all time, for which he ranks second only to Jean- Luc Godard, with sixteen, and he ranks number 13 on their list of the top 250 directors.