Question: Who was the director of the film at who end a versions of the son "Please, Please, Please, Let Me Get What I Want" could be heard?

Peter John Denyer (20 August 1947 in Dartford – 18 September 2009 in Cheltenham) was an English actor who was perhaps best remembered for playing Dennis Dunstable in London Weekend Television's "Please Sir! ", and its spin-off series "The Fenn Street Gang", taking on the role of a teenager when already into his 20s.  He also appeared in the film versions of "Please Sir! " (1971) and "Never Mind the Quality, Feel the Width" (1973), and the glam rock film "Never Too Young to Rock" (1975). <SEP>  It was released as the B-side of "William, It Was Really Nothing" in 1984 and later featured on the compilation albums "Hatful of Hollow" and "Louder Than Bombs".  The song has been covered by several artists, including The Decemberists, The Halo Benders, Franz Ferdinand, Elefant, OK Go, Deftones, Rob Dickinson, Emilie Autumn, Amanda Palmer, Hootie & the Blowfish, Muse, Cameo, Kaia Wilson, Third Eye Blind, Kate Walsh, The Dream Academy, Josh Rouse, She & Him, Slow Moving Millie, William Fitzsimmons and Sarah Darling, also, the chorus has been featured in a The Weeknd hook.  British band Clayhill have covered the song and their version can be heard at the end of the Shane Meadows film "This Is England".  Canadian electronic artist Venetian Snares also sampled the original song in "Nobody Really Understands Anybody".  Canadian PBR&B singer The Weeknd sampled the song's chorus for the bridge for his song "Enemy".  The song has become one of the most well known Smiths songs despite it only being a B-Side and it is often played by Morrissey during shows. "Please, Please, Please, Let Me Get What I Want" is a song originally performed by British group The Smiths. <SEP> This Is England is a 2006 British drama film written and directed by Shane Meadows.  The story centres on young skinheads in England in 1983.  The film illustrates how their subculture, which has its roots in 1960s West Indies culture, especially ska, soul, and reggae music, became adopted by the far-right, especially white nationalists and white supremacists, which led to divisions within the skinhead scene.  The film's title is a direct reference to a scene where the character Combo explains his nationalist views using the phrase "this is England" during his speech. <SEP> Chandan Ka Palna is a 1967 Bollywood film starring Dharmendra and Meena Kumari.  No joy in the world can equal the happiness a man derives from watching his own child at play.  Not all the riches in the world can compensate for the vacuum, the emptiness, created by the want of a child in a home.  With a woman this yearning is a hundred times stronger and the outcome of her torment impossible beyond measure.  Radha belonged to a rich family.  Her sole aim in life after becoming a widow, was to see her sone Ajit happy and fulfil the promise she had given to her husband that the family name and tradition would be perpetuated.  Finding Ajit deeply in love with Shobha, the Raisaheb's daughter who too loved him no less, Radha got them married, hoping that Shobha would prove an ideal wife and daughter-in-law and their home would soon resound with merry laughter of a child, if not children.  Three years went by and Radha was still waiting for the new arrival in the family.  Her patience was running out.  Desperate, she took Shobha to a doctor who, after prolonged examination and treatment, told her that God alone could help her fulfill her yearning for a grandchild.  Radha's sorrow knows no bounds.  She could not think of the family chain breaking off.  She had to have a grandchild and fulfil her promise to her late husband.  As a last resort, she took Shobha to Gurudev, the spiritual soul revered by the family.  Gurudev had pity on Radha's plight.  Taking her into confidence, he told her: ""Look, I am no miracle worker.  And, as far as my knowledge goes, I am certain that your daughter-in-law is destined to remain barren." "When Shobha heard this, she was in a daze.  She knew her mother-in-law's craving for a grandchild and she knew also that woman would leave no stone unturned to accomplish her objective.Life seemed to Shobha without a ray of hope for her to live.  She decided to put an end to it.  It was better that way, she thought, than to suffer the humiliation of being branded for ever barren.  She knew how deeply her husband loved her and she could very well imagine his dilemma when forced to marry again for the sake of a child.She started walking in the direction of the fatal plunge to end all problems, to end herself.  But what mere mortal can meet his or her end according to his or her own design?  Destiny had other things written down for Shobha.  But let that be unfolded on the screen in ""Chandan Ka Palna"" lest further knowledge of the proceedings spoil full enjoyment of the drama.