Question: Which film has the director who was born later, From Madrid To Heaven or Ban Geum-Ryeon?

10 July 1986) was a Spanish film director and screenwriter. His film "La guerra de Dios" (1953) won the Bronze Lion at the Venice Film Festival in 1953 and also won best film and best director at the San Sebastián International Film Festival. His film "La noche del sábado" (1950) was nominated for the Gold Lion at the 1950 Venice Film Festival and his film "El beso de Judas" (1954) was also nominated for the Gold Lion at the 1954 festival in Venice. His film "Let's Make the Impossible!" (1958) was nominated for the Golden Berlin Bear at the Berlin International Film Festival. He has won nine prizes of the National Syndicate of Spectacle of Spain. Rafael Gil (22 May 1913 – Gil was a prominent director of the Franco era. His later works, often in collaboration with the Pro-Franco screenwriter and novelist Fernando Vizcaíno Casas, looked back nostalgically to the years of Franco's rule. <SEP> Boy Goes to Heaven, also known as A Boy Who Went to Heaven, is a 2005 South Korean film directed by Yoon Tae- yong, starring Yum Jung -ah and Park Hae- il. <SEP> Kim was born in Seoul during the colonial period, raised in Pyongyang, where he became interested in theater and cinema. In Korea after the end of World War II, he studied dentistry while becoming involved in the theater. During the Korean War, he made propaganda films for the United States Information Service. In 1955, he used discarded movie equipments to produce his first two films. With the success of these two films Kim formed his own production company and produced popular melodramas for the rest of the decade. Kim Ki-young's first expression of his mature style was in his "The Housemaid" (1960), which featured a powerful "femme fatale" character. Kim Ki-young (October 10, 1919 – February 5, 1998) was a South Korean film director, known for his intensely psychosexual and melodramatic horror films, often focusing on the psychology of their female characters. It is widely considered to be one of the best Korean films of all time. After a "Golden Age" during the 1960s, the 1970s were a low-point in the history of Korean cinema because of governmental censorship and a decrease in audience attendance. Nevertheless, working independently, Kim produced some of his most eccentric cinematic creations in this era. Films such as "Insect Woman" (1972) and "Iodo" (1977) were successful at the time and highly influential on the younger generations of South Korean filmmakers both at their time of release, and with their rediscovery years later. By the 1980s, Kim's popularity had gone into decline, and his output decreased in the second half of the decade. Neglected by the mainstream during much of the 1990s, Kim became a cult figure in South Korean film Internet forums in the early 1990s. Widespread international interest in his work was stimulated by a career retrospective at the 1997 Pusan International Film Festival. He was preparing a comeback film when he and his wife were killed in a house fire in 1998. The Berlin International Film Festival gave Kim a posthumous retrospective in 1998, and the French Cinémathèque screened 18 of Kim's films, some newly rediscovered and restored, in 2006. Through the efforts of the Korean Film Council (KOFIC), previously lost films by Kim Ki-young continue to be rediscovered and restored. Many current prominent South Korean filmmakers, including directors Im Sang-soo, Kim Ki-duk, Bong Joon-ho and Park Chan-wook, claim Kim Ki-young as an influence on their careers. <SEP> Ban Geum-ryeon (also known as "The Story of Pan Jinlian") is a 1982 South Korean film directed by Kim Ki-young, based upon Jin Ping Mei. Filmed in 1975, the film was banned at the time, and 40 minutes of footage had been censored when it was finally released. <SEP> The Last Train from Madrid is a 1937 drama war film set during the Spanish Civil War. <SEP> From Madrid to Heaven (Spanish: De Madrid al cielo) is a 1952 Spanish musical comedy film directed by Rafael Gil and starring María de los Ángeles Morales, Gustavo Rojo and Manolo Morán. The film's sets were designed by Enrique Alarcon.