Question: The Machine in the Garden: Technology and the Pastoral Ideal in America, is a 1964 work of literary criticism written by Leo Marx and published by Oxford University Press, trope notably appears in Henry David Thoreau's "Walden" (1854) when the whistling sound of a steam locomotive disrupts the natural landscape of which lake in Concord, Massachusetts in the which country?

The Great War and Modern Memory is a book of literary criticism written by Paul Fussell and published in 1975 by Oxford University Press.  It describes the literary responses by English participants in World War I to their experiences of combat, particularly in trench warfare.  The perceived futility and insanity of this conduct became, for many gifted Englishmen of their generation, a metaphor for life.  Fussell describes how the collective experience of the "Great War" was correlated with, and to some extent underlain by, an enduring shift in the aesthetic perceptions of individuals, from the tropes of Romanticism that had guided young adults before the war, to the harsher themes that came to be dominant during the war and after. <SEP>  A famous example of a kettle hole, it was formed by retreating glaciers 10,000–12,000 years ago.  The pond is protected as part of Walden Pond State Reservation, a 335 acre state park and recreation site managed by the Massachusetts Department of Conservation and Recreation. Walden Pond is a lake in Concord, Massachusetts in the United States.  The reservation was designated a National Historic Landmark in 1962 for its association with the writer Henry David Thoreau (1817–62), whose two years living in a cabin on its shore provided the foundation for his most famous work, "Walden; or, Life in the Woods". <SEP> Walking, or sometimes referred to as "The Wild", is a lecture by Henry David Thoreau first delivered at the Concord Lyceum on April 23, 1851.  It was written between 1851 and 1860, but parts were extracted from his earlier journals.  Thoreau read the piece a total of ten times, more than any other of his lectures.  "Walking" was first published as an essay in the "Atlantic Monthly" after his death in 1862.  He considered it one of his seminal works, so much so, that he once wrote of the lecture, "I regard this as a sort of introduction to all that I may write hereafter."  Walking is a Transcendental essay in which Thoreau talks about the importance of nature to mankind, and how people cannot survive without nature, physically, mentally, and spiritually, yet we seem to be spending more and more time entrenched by society.  For Thoreau walking is a self-reflective spiritual act that occurs only when you are away from society, that allows you to learn about who you are, and find other aspects of yourself that have been chipped away by society.  "Walking" is an important canon in the transcendental movement that would lay the foundation for his best known work, "Walden".  Along with Ralph Waldo Emerson's "Nature", and George Perkins Marsh's "Man and Nature", it has become one of the most important essays in the environmental movement. <SEP> The Machine in the Garden: Technology and the Pastoral Ideal in America is a 1964 work of literary criticism written by Leo Marx and published by Oxford University Press.  The title of the book refers to a trope in American literature representing the interruption of pastoral scenery by technology due to the industrialization of America during the 19th and 20th century.  Marx uses this literary metaphor to illustrate the relationship between culture and technology in the United States as depicted in the work of American authors such as Herman Melville, Ralph Waldo Emerson, Nathaniel Hawthorne, Henry David Thoreau, Mark Twain, Frank Norris, Henry Adams, Henry James, and F. Scott Fitzgerald.  For example, the trope notably appears in Henry David Thoreau's "Walden" (1854) when the whistling sound of a steam locomotive disrupts the natural landscape of Walden Pond.