Question: Do both films Front Page Woman and The Song of Life have the directors from the same country?

He directed classic films from the silent era and numerous others during Hollywood's Golden Age, when the studio system was prevalent. Curtiz was already a well-known director in Europe when Warner Bros. invited him to Hollywood in 1926, when he was 39 years of age. He had already directed 64 films in Europe, and soon helped Warner Bros. become the fastest-growing movie studio. He directed 102 films during his Hollywood career, mostly at Warners, where he directed ten actors to Oscar nominations. James Cagney and Joan Crawford won their only Academy Awards under Curtiz's direction. He put Doris Day and John Garfield on screen for the first time, and he made stars of Errol Flynn, Olivia de Havilland, and Bette Davis. Michael Curtiz (born Manó Kaminer(1886-1905) Mihály Kertész (1905); December 24, 1886 April 11, 1962) was a Hungarian-born American film director, recognized as one of the most prolific directors in history. He himself was nominated five times and won twice, once for Best Short Subject for "Sons of Liberty" and once as Best Director for "Casablanca". Curtiz introduced to Hollywood a unique visual style using artistic lighting, extensive and fluid camera movement, high crane shots, and unusual camera angles. He was versatile and could handle any kind of picture: melodrama, comedy, love story, film noir, musical, war story, Western, or historical epic. He always paid attention to the human-interest aspect of every story, stating that the "human and fundamental problems of real people" were the basis of all good drama. Curtiz helped popularize the classic swashbuckler with films such as "Captain Blood" (1935) and "The Adventures of Robin Hood" (1938). He directed many dramas which today are also considered classics, "Angels with Dirty Faces" (1938), "The Sea Wolf" (1941), "Casablanca" (1942), and "Mildred Pierce" (1945). He directed leading musicals, including "Yankee Doodle Dandy" (1942), " This Is the Army" (1943), and "White Christmas", and he made comedies with "Life With Father" (1947) and "We're No Angels" (1955). <SEP> Front Page or The Front Page may refer to: <SEP> Front Page Woman is a 1935 American comedy film directed by Michael Curtiz. The screenplay by Laird Doyle, Lillie Hayward and Roy Chanslor based on the novel "Women Are Bum Newspapermen" by Richard Macauley. <SEP> The Song of Life  is a 1931 German film directed by Alexis Granowsky. <SEP> Granowsky was born as Abraham Azarkh to a Jewish family in Moscow. After studying in St. Petersburg, he went to Munich where he gained valuable theatre experience working under Max Reinhardt. He served in the Russian army during the First World War before in 1919 he set up his own Jewish-orientated theatre in St. Petersburg, which under a new director became GOSET. Granowsky's reputation rose quickly over the following years, as he became one of the most celebrated theatre directors in Europe. In 1925 Granowsky directed his first film, a silent, but concentrated his efforts on his stage work. After the Russian Revolution, and the Communist victory in the Russian Civil War, Granowsky continued to live in the country even though he felt himself culturally Western European. Granowsky was initially feted by the Soviet authorities and was awarded a number of honours but he began to find their cultural policies increasingly restrictive, and emigrated to the Weimar Republic in the late 1920s. In Germany Granowsky worked on some theatre productions, but increasingly moved into film. He collaborated with a number of other Russian exiles such as Léo Lania who shared his left-wing political views. He directed two German films, before emigrating to Paris where he lived for the rest of his life. Alexis Granowsky (1890–1937) was a Russian theatre director who later became a film director. He produced and directed expensive prestige films "The Adventures of King Pausole" (1933) and "Taras Bulba" (1936). He had married a wealthy German woman, but they separated before his death. Despite his lavish lifestyle, Granowsky died comparatively poor. <SEP> Does a Woman Have to Become a Mother? or Paragraph 144 is a 1924 Austrian- German silent film directed by Georg Jacoby and Hans Otto and starring Harry Liedtke. Originally intended as a pro-abortion film, by the time it was released it was advocating the opposite view. " Does a Woman Have to Become a Mother?"( 1924) is a new edited version of" Moral und Sinnlichkeit"( 1919).