Question: Do both directors of films Lo Svitato and Pandora And The Flying Dutchman have the same nationality?

Carlo Lizzani( 3 April 1922 – 5 October 2013) was an Italian film director, screenwriter and critic. <SEP> Franklyn Keith Musto OBE( born 12 January 1936) is a British sailor and businessman. He competed at the 1964 Summer Olympics in Tokyo and won a silver medal in the Flying Dutchman class and was reserve in the Flying Dutchman class for the 1972 Summer Olympics in Munich. Musto began sailing aged 15. After National Service, he began work with engineer Ken Pearce and began working on sailing masts and sails. He went on to become a leading dingy sailor winning national championships 5 classes between 1955 and 1963. He competed at the 1964 Tokyo Olympics in the Flying Dutchman class and won a silver medal along with Tony Morgan. After the Olympics he set up a sailmaking business, Musto& Hyde, along with Eddie Hyde in Rayleigh, Essex. Eventually he concentrated solely on sailing and outdoor clothing with his company Musto Clothing. In 1973 he worked with the Japanese Olympic Sailing team. As well the Olympics, Musto won medals at the 1963& 1969 World Championships again in the Flying Dutchman class and gained a bronze medal in 2008 Vintage Yachting Games Dragon class. Musto was appointed Officer of the Order of the British Empire( OBE) in the 2014 New Year Honours for services to the economy through Musto Clothing. <SEP> Lo svitato is a 1956 Italian comedy film directed by Carlo Lizzani. <SEP> Jørgen Bojsen- Møller( born 17 April 1954) is a Danish sailor and Olympic Champion. He competed at the 1988 Summer Olympics in Seoul and won a gold medal in the Flying Dutchman class, together with Christian Grønborg. At the 1992 Summer Olympics in Barcelona he received a bronze medal in the Flying Dutchman, together with his cousin Jens Bojsen- Møller. <SEP> Albert Lewin (September 23, 1894 – May 9, 1968) was an American film director, producer, and screenwriter. He was born in Brooklyn, New York and raised in Newark, New Jersey. He earned a master's degree at Harvard and taught English at the University of Missouri. During World War I, he served in the military and was afterwards appointed assistant national director of the American Jewish Relief Committee. He later became a drama and film critic for the "Jewish Tribune" until the early 1920s, when he went to Hollywood to become a reader for Samuel Goldwyn. Later he worked as a script clerk for directors King Vidor and Victor Sjöström before becoming a screenwriter at MGM in 1924. Lewin was appointed head of the studio's script department and by the late 1920s was Irving Thalberg's personal assistant and closest associate. Nominally credited as an associate producer, he produced several of MGM's most important films of the 1930s. After Thalberg's death, he joined Paramount as a producer in 1937, where he remained until 1941. Notable producing credits during this period include "True Confession" (1937), "Spawn of the North" (1938), "Zaza" (1939) and "So Ends Our Night" (1941). In 1942, Lewin began to direct. He made six films, writing all of them and producing several himself. As a director and writer, he showed literary and cultural aspirations in the selection and treatment of his themes. In 1966, Lewin published a novel, "The Unaltered Cat". <SEP> Pandora and the Flying Dutchman is a 1951 British Technicolor drama film made by Romulus Films and released by Metro- Goldwyn- Mayer in the United States. It was filmed mainly on the Costa Brava. The land record speed scenes were shot at Pendine Sands in Wales. The film starred Ava Gardner and James Mason, featuring Nigel Patrick, Sheila Sim, Harold Warrender, Mario Cabré and Marius Goring. The cinematographer was Jack Cardiff. The film was directed by Albert Lewin and produced by Lewin and Joe Kaufmann from his own screenplay, based on the legend of the" Flying Dutchman". Most of the movie was shot on location in Tossa de Mar, Catalonia, Spain, where a statue of Gardner has been erected on the hill overlooking the town's main beach. MGM delayed its release until Gardner's star- making performance in" Show Boat"( 1951) could be seen. The tactic worked, and this film solidified her status as a rising star.