Question: Which film has the director born first, The Young Diana or Catch My Soul?

He began his career in the United Kingdom in the 1950s, relocating to the United States in the 1970s. Patrick Joseph McGoohan( 19 March 1928 – 13 January 2009) was an Irish- American actor, screenwriter and director. His career- defining roles were in the British television series" Danger Man"( US:" Secret Agent") and the surreal psychological drama" The Prisoner", which he co-created. During his career, he received two Primetime Emmy Awards and a BAFTA. <SEP> Claudja Barry( born 1952) is a singer, songwriter and actress. Her successful songs were" Down and CountingBoogie Woogie Dancin' Shoes" and others. As an actress, she is known for performing in the European versions of stage musicals" AC/ DC" and" Catch My Soul". <SEP> Claude Weisz is a French film director born in Paris. <SEP> The film stars Marion Davies, Macklyn Arbuckle, Forrest Stanley, Gypsy O' Brien, and Pedro de Cordoba. It is based on the novel" The Young Diana" by Marie Corelli. The film was released on August 27, 1922, by Paramount Pictures. The Young Diana is a lost 1922 American silent drama film directed by Albert Capellani and Robert G. Vignola and written by Luther Reed. <SEP> It was an adaptation of Good's stage musical of the same title, which itself was loosely adapted from William Shakespeare's" Othello". It was not a critical success. Catch My Soul is a 1974 film produced by Jack Good and Richard M. Rosenbloom, and directed by Patrick McGoohan. <SEP> He directed films between 1905 and 1922. One of his brother was the actor-sculptor Paul Capellani. and another the film director Roger Capellani. Capellani, along with his brother Paul, studied acting under Charles le Bargy at the Conservatoire de Paris. Starting his career as an actor, he worked with the director André Antoine at the Théâtre Libre and the Odéon. Albert Capellani( 23 August 1874 – 26 September 1931) was a French film director and screenwriter of the silent era. He then began directing plays for the Odéon, working alongside the lauded actor and director. In 1903, he became the head of the Alhambra music hall in Paris. He continued to work as an actor and director until he received a job offer from the Pathé Frères studio in 1905. Charles Pathé, who held high hopes for the artistic potential of film as a medium, invited him to join the artistic staff under the direction of Ferdinand Zecca. When Pathé in 1908 launched a" prestige" production unit, the Société des Auteurs et des Gens de Lettres( SCAGL), Capellani became its first artistic director. During his Pathé career, he worked as an adviser and supervisor to various directors, including Michel Carré, Georges Denola, Henri Étiévant, and Georges Monca. He often drew upon his theatrical background to cast stage actor colleagues for his films, such as Henry Krauss, who appeared as Quasimodo in his" The Hunchback of Notre Dame"( 1911) and as Jean Valjean in his( 1912). " Les Misérables" also gave the actress Mistinguett her first important screen role. His films cover many genres, including melodramas, fairy tales, costume dramas with historical and biblical themes, and literary adaptations, especially after taking up directorship of SCAGL in 1908. Characteristics of his style include a keen sense for staging actors in three- dimensional space, dynamic use of location filming, and an attention to subtle, realistic details that highlight the humanity of his characters. In 1914 he served in the French army as an officer but was wounded in at the battle of Soissons near Champaigne First Battle of Champagne. He was released from duty but because of the war was unable to direct films in France. In 1915, he moved to the United States and worked for the film studios Pathé Exchange, Metro Pictures Corporation, the World Film Company, Cosmopolitan Productions, Nazimova Productions, and his own newly created studio, Capellani Productions, Inc. Under his direction, Alla Nazimova rose to prominence as one of the greatest silent film stars in Hollywood. Capellani returned to France in 1923, where he floated several new film projects but was unable to bring any to fruition. He died of diabetes in 1931.