Question: Do both Twins Of Suffering Creek and Close-Up (1990 Film) films have the directors from the same country?

Close- Up(" Klūzāp, nemā- ye nazdīk") is a 1990 Iranian docufiction written, directed and edited by Abbas Kiarostami. The film tells the story of the real- life trial of a man who impersonated film- maker Mohsen Makhmalbaf, conning a family into believing they would star in his new film. It features the people involved, acting as themselves. A film about human identity, it helped to increase recognition of Kiarostami in the West. Many critics consider" Close- Up" a masterpiece of world cinema; in the 2012" Sight& Sound" poll, it was voted by critics onto" The Top 50 Greatest Films of All Time" list. <SEP> There Were Days ... and Moons is a 1990 film directed by Claude Lelouch. <SEP> James Brown is an English magician from Dorset. He was awarded The Magic Circle close- up magician of the year in 2006 and also came second in the 2006 International Magic Convention Close- Up competition. His style of magic is a cross between close- up magic hypnosis and pickpocketing, all presented in a humorous manner. <SEP> Twins of Suffering Creek is a 1920 American silent Western action romance film directed by Scott R. Dunlap and starring William Russell, Louise Lovely, E. Alyn Warren, William Ryno, and Henry Hebert. It is based on 1912 novel of the same name by Ridgwell Cullum. The film was released by Fox Film Corporation in June 1920. <SEP> Dunlap was born in Chicago, Illinois in 1892 and entered the film business in 1915. He produced 70 films between 1937 and 1960, and directed 47 films between 1919 and 1929. In 1942, Dunlap was with Western star Buck Jones at the Cocoanut Grove fire in Boston, Massachusetts. Scott R. Dunlap( June 20, 1892 – March 30, 1970) was an American film producer, director, screenwriter, and actor. Dunlap was hosting a party in Jones's honor at the nightclub. Jones died two days after the fire, while Dunlap was seriously hurt, but survived. Dunlap died in Los Angeles in 1970. <SEP> An active film- maker from 1970, Kiarostami had been involved in the production of over forty films, including shorts and documentaries. Kiarostami attained critical acclaim for directing the" Koker" trilogy( 1987– 1994)," Close- Up"( 1990)," The Wind Will Carry Us"( 1999), and" Taste of Cherry"( 1997), which was awarded the Palme d' Or at the Cannes Film Festival that year. In later works," Certified Copy"( 2010) and" Like Someone in Love"( 2012), he filmed for the first time outside Iran: in Italy and Japan, respectively. His films" Where Is the Friend ’s Home? Close- Up", and" The Wind Will Carry Us" were ranked among the 100 best foreign films in a 2018 critics' poll by BBC Culture. " Close- Up" was also ranked one of the 50 greatest movies of all time in the famous decennial" Sight& Sound" poll conducted in 2012. Abbas Kiarostami( 22 June 1940 – 4 July 2016) was an Iranian film director, screenwriter, poet, photographer, and film producer. Kiarostami had worked extensively as a screenwriter, film editor, art director and producer and had designed credit titles and publicity material. He was also a poet, photographer, painter, illustrator, and graphic designer. He was part of a generation of filmmakers in the Iranian New Wave, a Persian cinema movement that started in the late 1960s and includes pioneering directors such as Bahram Beyzai, Nasser Taghvai, Ali Hatami, Masoud Kimiai, Dariush Mehrjui, Sohrab Shahid- Saless and Parviz Kimiavi. These filmmakers share many common techniques including the use of poetic dialogue and allegorical storytelling dealing with political and philosophical issues. Kiarostami had a reputation for using child protagonists, for documentary- style narrative films, for stories that take place in rural villages, and for conversations that unfold inside cars, using stationary mounted cameras. He is also known for his use of Persian poetry in the dialogue, titles, and themes of his films. Kiarostami's films contain a notable degree of ambiguity, an unusual mixture of simplicity and complexity, and often a mix of fictional and documentary elements. The concepts of change and continuity, in addition to the themes of life and death, play a major role in Kiarostami's works.