Question: Which film whose director is younger, Monument Ave. or Cannibal Tours?

Ravina is an Indian actress who acted in Dhallywood movies. She acted in" Praner Cheye Priyo" which film is considered as turning point of the career of Riaz. <SEP> Edward Kern "Ted" Demme (October 26, 1963 – January 13, 2002) was an American director, producer, and actor. <SEP> La Bestia humana is a 1957 Argentine film whose story is based on the novel" La Bête Humaine" by the French writer Émile Zola. <SEP> Monument Ave., originally titled Snitch in the United States and titled Noose in Australia, is a 1998 American crime comedy-drama film directed by Ted Demme and starring Denis Leary. The film also stars Famke Janssen, Martin Sheen, Ian Hart, and Lenny Clarke. Cam Neely also makes a brief appearance as a man returning home from work who finds his house has been broken into. The film takes place in Charlestown, Massachusetts and centers on small-time criminal Bobby O'Grady (Leary), who becomes conflicted due to Charlestown's code of silence when his loyalty and drive for self-preservation are tested after two of his close family members (also criminals) are gunned down by their boss. <SEP> Dennis O'Rourke( 14 August 1945 – 15 June 2013) was an Australian documentary filmmaker. <SEP> While it borrows heavily from ethnographic modes of representation, the film is a biting commentary on the nature of modernity. The film is also widely celebrated for its depiction of Western touristic desires and exploitation among a' tribal' people. The film follows a number of affluent European and American tourists and ecotourists as they travel from village to village along the middle Sepik River in Papua New Guinea. Most of the villages in the film are inhabited by the Iatmul people. The film shows the tourists driving hard bargains for local handcrafts such as woodcarvings and baskets, relentlessly taking photos of local people, handing out cigarettes, balloons, and perfume, viewing staged dance performances, and offering naive comments on native people living in harmony with nature. The film, too, tacks between the tourists and black- and- white photographs from the era of German colonialism of New Guinea( 1880s- 1914). With some prodding, the tourists unwittingly reveal an unattractive and pervasive ethnocentrism to O'Rourke's cameras. The tourists thus become somewhat dehumanized by the filmmaker's camera even as they themselves dehumanize and exoticize even the most mundane aspects of Sepik River life. The title of the film can be read in at least a couple of ways. At one point early in the film, a German tourist, clearly titillated, describes the bygone practice of raiding and cannibalism. He is obsessed with cannibalism, asking local men about the former practice, and snapping photos of locations where local people once practiced headhunting; other tourists also attempt to discuss the" symbolic" meaning of cannibalism. But the narrative plot of the film is to portray the tourists as the real cannibals who consume the world through their arrogance, acquisitiveness, primitivist fantasies of indigenous people, and photography( the cameras in the film double for the guns of past colonial administrators). In short, the film presents the tourists as the people driven by truly bizarre beliefs and behaviors. By contrast, the local people are represented as eminently practical and reasonable. Thus the' natives' display the rationale logic of modernity, while the Western tourists are guilty of the very irrational traits they attribute to the natives. Cannibal Tours is a 1988 quasi-documentary film by Australian director and cinematographer Dennis O'Rourke. The climax of the film is when a group of tourists, faces painted in' native fashion' by local men from one village( Tambunum), prance, dance, and assume a boxing stance to the music of Mozart. The message is clearly: we have finally succeeded in our quest for the primitive, and he is us.