Question: Are the directors of both films The Silly Age and Dead In 3 Days from the same country?

It was followed by a 2008 sequel titled "Dead in 3 Days 2". Dead in 3 Days (In 3 Tagen bist du tot) is a 2006 Austrian horror film written and directed by Andreas Prochaska, and co-written by Thomas Baum. <SEP> The Silly Age is a 2006 Cuban film directed by Pavel Giroud. It was Cuba's submission to the 80th Academy Awards for the Academy Award for Best Foreign Language Film, but was not accepted as a nominee. This film has been nominated to the Goya Awards as a Best Spanish Language Foreign Film, and has won 5 awards in three different film festivals around the world: a Golden India Catalina for Best Film in the Cartagena Film Festival; Best Art Direction, Best Director and Best Original Score winning the Feature Film Trophy in the Cine Ceará- National Cinema Festival; and the Audience Award( Elcine Second Prize) in the Lima Latinamerican Film Festival. <SEP> Matt Beckett( born 13 July 1973) is a Welsh former- professional cyclist who was born in Lancaster. He represented Wales in the 1998 Commonwealth Games in Kuala Lumpur. He was briefly one of the directors of Welsh Cycling in 2006. <SEP> He has contributed to more than thirty films since 1998. Andreas Prochaska( born 31 December 1964) is an Austrian film director and editor known primarily for The Dark Valley and Maximilian and Marie of Bourgogne. Currently, Prochaska is working on" Das Boot"( a sequel to the 1981 Classic) and Alex Rider, based on the teen spy novel series of books by Foyle's War creator Anthony Horowitz. Both are due out in 2018. <SEP> Based on the success of" Yojimbo", Kurosawa's next film," Sanjuro"( 1962), was altered to incorporate the lead character of this film. In both films, the character wears a rather dilapidated dark kimono bearing the same family" mon". <SEP> He studied design and graduated from the Instituto Superior de Diseño( High Institute of Design) in 1994. Pavel Giroud is a Cuban film director based in Madrid, Spain. He first worked, for a short period of time, as a designer and art director in films and theatre plays. He then began to paint, working with the basic techniques and incorporating video in his work. When people saw his videos, they told Pavel he was a" gifted storyteller" and encouraged him to try his hand at cinema. Giroud had to do everything – from image to sound and music – when he directed his first short films. He even featured his friends in his movies, rather than professional actors. " It was n’t a massive hit but it made us feel good and made us feel like we were making a real picture". From there on, Pavel decided to focus his career on cinema. Giroud only filmed what he wrote, until he read the script of the movie" La Edad de la peseta", written by Arturo Infante, a young screenwriter and director. " When I first read the script, I did n’t see in this movie the possibility to express myself as a director". However, he gradually and simply fell in love with the script and the movie," Now, I tell Arturo that it ’s my film not his, and that he should forget he wrote it ..." He finished" La Edad de la peseta" in 2006. When film critics saw the movie, they dubbed Pavel the" new Cuban Truffaut" and" the finest director of his generation". One year later he directed a noir film titled" Omerta" and began to write his most ambitious project," The Companion". He spent more than six years developing it and finding financial support to make it. This film was selected as the Cuban entry for the Best Foreign Language Film at the 89th Academy Awards. While he developed this film, he co-directed" Playing Lecuona", a musical documentary film about the greatest legend of Cuban music, Ernesto Lecuona, starring the jazz pianists Michel Camilo, Chucho Valdés and Gonzalo Rubalcaba. From 2012, he has collaborated with the fine arts group Los Carpinteros, directing all of their video pieces. In 2019 he was the acting coach of the actress Penélope Cruz in" Wasp Network", a film by Olivier Assayas. He trained her for more than three months to talk as a Cuban woman and adapted all of her lines in the script to a Cuban way of talking. Pavel is a third cousin of the famous Cuban writer Dulce María Loynaz.