Question: Which film has the director who was born later, A Brighter Summer Day or St. Louis Woman (Film)?

He directed 76 films between 1920 and 1939. He also appeared in 18 films between 1915 and 1922. Albert Ray( August 28, 1897 – February 5, 1944) was an American film director, actor, and screenwriter. He was born in New Rochelle, New York and died in Los Angeles, California. <SEP> St. Olaf or St. Olave or St. Olav may refer to: <SEP> Yang, along with fellow auteurs Hou Hsiao -hsien and Tsai Ming- liang, was one of the leading film- makers of the Taiwanese New Wave and Taiwanese Cinema. Edward Yang( November 6, 1947 – June 29, 2007) was a Taiwanese filmmaker. He won the Best Director Award at Cannes for his 2000 film" Yi Yi". <SEP> Lawrence Ko( born 28 April 1977) is a Taiwanese actor. Ko made his film debut when he was four years old. He has had roles in the Edward Yang films" A Brighter Summer Day"( 1991)," Mahjong"( 1996) and" Yi Yi"( 2000), as well as the film" Lust, Caution" by Ang Lee. In 2011, he starred in the biopic" Jump Ashin!"( 2011). He also appeared in the films" Will You Still Love Me Tomorrow?"( 2013)," To My Dear Granny"( 2013) and" Murmur of the Hearts"( 2015). <SEP> It is also known by the alternative title of Missouri Nightingale. After being expelled from college for spending time at a nightclub, a glamorous singer persuades her boyfriend to give him a job on a professional football team. He soon falls in love with her and forgets about his own girlfriend. St. Louis Woman is a 1934 American musical drama film directed by Albert Ray and starring Jeanette Loff, Johnny Mack Brown and Earle Foxe. <SEP> The film is an extraordinarily large project for a Chinese-language film, not only for its duration of almost four hours, but also for its involvement of more than 100 amateur actors in different roles. The English title is derived from the lyrics of Elvis Presley's "Are You Lonesome Tonight?". A Brighter Summer Day is a 1991 Taiwanese epic coming-of-age drama film directed by Edward Yang and is considered by most to be a masterpiece of contemporary cinema. The film was selected as the Taiwanese entry for the Best Foreign Language Film at the 64th Academy Awards but was not nominated. The film addresses a great array of human-centred themes such as the eager search for guidance during adolescence, the angst resulting from social detachment, the everyday hardships of parenthood, the pursuit of a satisfying individual and collective identity together with the ennui and frustration prompted by failing to do so, the volatility of young love and friendships, the self-aggrandising tendencies commonplace in teenage-made myths, and, especially, the fatal and irreversible consequences of an aimless life and a bewildering upbringing. Edward Yang also tackles highly sensitive political issues like the rise of Western culture to the detriment of Taiwan's traditions, the wide-spreading of unrest and violence stirred by socio-political uneasiness, the strained coexistence among social classes trying to deal with an uncertain future, the consequent yearn of migrating towards an expectedly-better country, and the proliferation of self-ruled quasi-political organisations (in this case, youth gangs) as a way to substitute an unconvincing State.