Question: Do both films Docking The Boat and The Machine Age have the directors that share the same nationality?

The Machine Age is a 1977 Canadian short drama television film directed by Gilles Carle. The film stars Gabriel Arcand as Hervé, a police officer who is sent to Senneterre to capture escaped prisoner Claude, only to arrive and discover that the prisoner, whom he had expected to be a man, is actually a young woman( Sylvie Lachance). The film was nominated for several Canadian Film Awards at the 29th Canadian Film Awards in 1978. Carle won the Award for Best Direction, Dramatic Non-Feature as well as the Best Screenplay( Non-Feature). The film is shot entirely in color. Arcand and Lachance were also nominated for the Best Actor and Best Actress in a Non-Feature film respectively. Willie Lamothe won the Best Supporting Performer in a Non-Feature award for his role in this film. The film also won the award for the Best Art Direction in a Non-Feature film. <SEP> Gilles Carle, who was a key figure in the development of a commercial Québec cinema, worked as a graphic artist and writer before he joined the National Film Board of Canada in 1960. His innovative debut feature," La Vie heureuse de Léopold Z.", tracked the adventures of a snowplough operator during a madcap Christmas Eve. But after the NFB rejected several of his projects, he began working independently. In 1971 Carle joined forces with Pierre Lamy to form Les Productions Carle- Lamy, which produced Claude Jutra ’s epic" Kamouraska", Denys Arcand ’s early features and all his early films. The quirkily paced, proto-feminist" La Vraie Nature de Bernadette" – widely regarded as his best film – and" Le Mort d ’un bûcheron" eventually led to the more mainstream but graceful" Les Plouffe" and the epic love story" Maria Chapdelaine", both classics of Quebec cinema. In 1972 Carle won the Canadian Film Award for best Director for his" The True Nature of Bernadette". Carle was born in Maniwaki, Quebec. His film" 50 ans", celebrating the" 50 years" of the National Film Board of Canada, won the Short Film Palme d' Or at the 1989 Cannes Film Festival. In 1990, he was awarded the Government of Quebec's Prix Albert- Tessier. In 1997, Carle received a Governor General's Performing Arts Award for Lifetime Artistic Achievement, Canada's highest honour in the performing arts. In 1998, he was made an Officer of the Order of Canada. Gilles Carle,( July 31, 1928 – November 28, 2009) was a French Canadian director, screenwriter and painter. In 2007, he was made a Grand Officer of the Ordre National du Quebec. Carle died aged 81 on November 28, 2009 of complications from Parkinson's disease at the hospital in Granby, Quebec. He is survived by his son and three daughters as well as his companion of 27 years, Chloé Sainte- Marie. Quebec Premier Jean Charest described him, at his death, as one of Quebec's most influential filmmakers. <SEP> There are two parts of the film: the first part and the second part. Both parts have the same staff and the same actors. <SEP> Docking the Boat (or sometimes: "To Go Ashore") is a Swedish dark comedy film from 1965 directed by Tage Danielsson. The film stars Gösta Ekman, Monica Zetterlund, Hans Alfredson, Lars Ekborg and Birgitta Andersson. Monica Zetterlund also performed the theme song. <SEP> He is best known for his collaboration with Hans Alfredson in the comedy duo Hasse & Tage. Tage Danielsson (5 February 1928 – 13 October 1985) was a Swedish author, actor, poet and film director. <SEP> The Machine Age is an era that includes the early 20th century, sometimes also including the late 19th century. An approximate dating would be about 1880 to 1945. Considered to be at a peak in the time between the first and second world wars, it forms a late part of the Second Industrial Revolution. The 1940s saw the beginning of the Atomic Age, where modern physics saw new applications such as the atomic bomb, the first computers, and the transistor. The Digital Revolution ended the intellectual model of the machine age founded in the mechanical and heralding a new more complex model of high technology. The digital era has been called the Second Machine Age, with its increased focus on machines that do mental tasks.