Question: Do both films: Dorian Gray (1970 Film) and Shubho Mahurat have the directors from the same country?

Rituparno Ghosh( 31 August 1963 – 30 May 2013) was a prolific Indian film director, actor, writer and lyricist. After pursuing a degree in economics, he started his career as a creative artist at an advertising agency. He received recognition for his second feature film" Unishe April" which won the National Film Award for Best Feature Film. Having won 19 National Awards, along with his contemporaries Aparna Sen and Goutam Ghose, Rituparno heralded contemporary Bengali cinema to greater heights. Ghosh died on 30 May 2013 in Kolkata after a heart attack. Ghosh was also one of the openly queer personalities in Indian culture. Ghosh was influenced by the works of Satyajit Ray and was an avid reader of Rabindranath Tagore. Tagore's work is frequently referenced to in his films. He also made a documentary titled" Jeevan Smriti" on the life of Tagore. In his career spanning almost two decades, he won 12 National and numerous International awards. His unreleased Bengali movie" Sunglass"( also known as" Taak Jhaank") was honoured and released at the 19th Kolkata International Film Festival. <SEP> The film is based on Agatha Christie's Miss Marple detective story" The Mirror Crack'd from Side to Side". Shubho Mahurat( 2003) is an Indian Bengali detective mystery film directed by Rituparno Ghosh. <SEP> The Picture of Dorian Gray( German: Das Bildnis des Dorian Gray) is a 1917 German silent fantasy film directed by Richard Oswald and starring Bernd Aldor, Ernst Pittschau, and Ernst Ludwig. The film is based on the novel" The Picture of Dorian Gray" by Oscar Wilde. The film's sets were designed by the art director Manfred Noa. <SEP> Dorian Gray a.k.a. The Sins of Dorian Gray is a 1970 movie adaptation of Oscar Wilde's novel" The Picture of Dorian Gray" starring Helmut Berger. The Italian title translates as" A God Called Dorian". The sexual liberation of the late 1960s and early 1970s provides a fitting backdrop for Dorian's escapades in this version, and also the general clothing and fashion style of the era is extrapolated into a 1970s version of the aesthetic, decadent world of the 1890s novel. Critical opinion of the film is decidedly mixed. On the one hand, some consider the film trash and sexploitation, while others point out that the film was shot at a unique time in the 20th century when a new openness about sexuality and its depiction on film allowed showing scenes only vaguely hinted at in the novel and earlier( and also later) movie adaptations. A marked difference between this version and the novel is the final scene. Instead of Dorian slicing the painting with the knife( thereby inadvertently killing himself), he is seen committing suicide with the knife deliberately. Directed by Massimo Dallamano and produced by Harry Alan Towers, the film stresses the decadence and eroticism of the story and changes the setting to early 1970s London. <SEP> Massimo Dallamano( April 17, 1917 – November 4, 1976), sometimes credited as Max Dillman, Max Dillmann or Jack Dalmas, was an Italian director and director of photography. <SEP> The Picture of Dorian Gray( 1915) is an American silent film based on the novel" The Picture of Dorian Gray"( 1890) by Oscar Wilde.