Question: The Death of General Wolfe, an oil painting, depicts a scene from which pivotal French and Indian War battle that took place outside the walls of Quebec City?

The Last Supper (1630–1631) is an oil painting by Peter Paul Rubens.  It was commissioned by Catherine Lescuyer as a commemorative piece for her father.  Rubens created it as part of an altarpiece in the Church of St. Rombout (Rumbold) in Mechelen.  The painting depicts Jesus and the Apostles during the Last Supper, with Judas dressed in blue turning back towards the viewer and away from the table.  Other than Jesus, the most prominent figure is Judas.  Judas holds his right hand to his mouth with his eyes avoiding direct contact with the other figures in the painting creating a nervous expression.  Jesus is dressed in red and has a yellow halo surrounding his head with his face tilted upwards.  Jesus is located centrally in the painting surrounded by his disciples with six on each side, and he holds a loaf of bread with a cup of wine in front of him.  Out of all of the figures, he is the most in the light with the figures to the farthest left being the most in shadow.  “The scene thus represents a perfect conflation of the theological significance of the Last Supper” meaning the conflation between the blessing of the bread and the wine while still being pivotal in the sense of revealing the betrayal. <SEP>  It is an oil on canvas of the Enlightenment period. The Death of General Wolfe is a well-known 1770 painting by Anglo-American artist Benjamin West depicting the death of British General James Wolfe at the 1759 Battle of Quebec during the French and Indian War (which was the North American theater of the Seven Years' War).  West made an additional and nearly identical painting of the same scene for George III of the United Kingdom in 1771. <SEP>  The battle, which began on 13 September 1759, was fought by the British Army and Navy against the French Army on a plateau just outside the walls of Quebec City, on land that was originally owned by a farmer named Abraham Martin, hence the name of the battle.  The battle involved fewer than 10,000 troops between both sides, but proved to be a deciding moment in the conflict between France and Britain over the fate of New France, influencing the later creation of Canada. The Battle of the Plains of Abraham, also known as the Battle of Quebec (Bataille des Plaines d'Abraham, or Première bataille de Québec in French), was a pivotal battle in the Seven Years' War (referred to as the French and Indian War in the United States). <SEP> Interior (French: "Intérieur" ), also known as The Rape (French: "Le Viol" ), is an oil painting on canvas by Edgar Degas (1834–1917), painted in 1868–1869.  Described as "the most puzzling of Degas's major works", it depicts a tense confrontation by lamplight between a man and a partially undressed woman.  The theatrical character of the scene has led art historians to seek a literary source for the composition, but none of the sources proposed has met with universal acceptance.  Even the painting's title is uncertain; acquaintances of the artist referred to it either as "Le Viol" or "Intérieur", and it was under the latter title that Degas exhibited it for the first time in 1905.  The painting is housed in the Philadelphia Museum of Art.