Question: Are both director of film Pillar Of Mist and director of film The Mystery Of Picasso from the same country?

Pillar of Mist  is a 1987 South Korean film directed by Park Chul-soo. It was chosen as Best Film at the Grand Bell Awards. <SEP> Ian Barry is an Australian director of film and TV. <SEP> The Mystery of Picasso  is a 1956 French documentary film about the painter Pablo Picasso, directed by Henri-Georges Clouzot, and showing Picasso in the act of creating paintings for the camera. Most of the paintings were subsequently destroyed so that they would only exist on film, though some may have survived. The film begins with Picasso creating simple marker drawings in black and white, gradually progressing to full scale collages and oil paintings. This famous art movie wasn't the first documentary showing Picasso painting images on glass plates from the viewpoint of the camera. The Belgian documentary film "Visit to Picasso" (1949) did it almost seven years earlier. <SEP> Park Chul-soo (November 20, 1948 – February 19, 2013) was a South Korean film director, producer, screenwriter and occasional actor. He was one of the most active filmmakers in Korean cinema in the 1980s and '90s. <SEP> The Mystery of Death, also known as" The Mystery of Death: Pisces Jade Pendant", is a 2015 Chinese adventure suspense thriller film directed by Ben Wong. It was released on February 6, 2015. <SEP> He is best remembered for his work in the thriller film genre, having directed "The Wages of Fear" and "Les Diaboliques", which are critically recognized as among the greatest films from the 1950s. Clouzot also directed documentary films, including "The Mystery of Picasso", which was declared a national treasure by the government of France. Clouzot was an early fan of the cinema and, desiring a career as a writer, moved to Paris. He was later hired by producer Adolphe Osso to work in Berlin, writing French-language versions of German films. After being fired from UFA studio in Nazi Germany due to his friendship with Jewish producers, Clouzot returned to France, where he spent years bedridden after contracting tuberculosis. Upon recovering, Clouzot found work in Nazi-occupied France as a screenwriter for the German-owned company Continental Films. At Continental, Clouzot wrote and directed films that were very popular. His second film "Le Corbeau" drew controversy over its harsh look at provincial France and Clouzot was fired from Continental before its release. As a result of his association with Continental, Clouzot was barred by the French government from filmmaking until 1947. After the ban was lifted, Clouzot reestablished his reputation and popularity in France during the late 1940s with successful films including "Quai des Orfèvres". Henri-Georges Clouzot  was a French film director, screenwriter and producer. After the release of his comedy film "Miquette et sa mère", Clouzot married Véra Gibson-Amado, who would star in his next three feature films. In the early and mid-1950s, Clouzot drew acclaim from international critics and audiences for "The Wages of Fear" and "Les Diaboliques". Both films would serve as source material for remakes decades later. After the release of "La Vérité", Clouzot's wife Véra died of a heart attack and Clouzot's career suffered due to depression, illness and new critical views of films from the French New Wave. Clouzot's career became less active in later years, limited to a few television documentaries and two feature films in the 1960s. Clouzot wrote several unused scripts in the 1970s and died in Paris in 1977.