Question: Which film has the director born later, Torrents Of Spring (1942 Film) or The Wind Will Carry Us?

Torrents of Spring( Italian: Acque di primavera) is a 1942 Italian drama film directed by Nunzio Malasomma and starring Gino Cervi, Mariella Lotti and Vanna Vanni. It was shot at the Cinecittà Studios in Rome. The film's sets were designed by the art directors Alfredo Montori and Mario Rappini. <SEP> The title is a reference to a poem written by the modern Iranian poet Forough Farrokhzad. " The Wind Will Carry Us" opened to widely positive reviews from critics; in 1999, it was nominated for the Golden Lion of the Venice Film Festival. The Wind Will Carry Us(" Bād mā rā khāhad bord") is a 1999 Iranian film by Abbas Kiarostami. It won the Grand Special Jury Prize( Silver Lion), the FIPRESCI Prize, and the CinemAvvenire award at the festival. It received numerous other nominations and awards as well. <SEP> He directed 41 films between 1923 and 1968. Nunzio Malasomma (4 February 1894 – 12 January 1974) was an Italian film director and screenwriter. <SEP> Torrents of Steel is a 1967 Soviet war drama film directed by Efim Dzigan based on the eponymous story by Alexander Serafimovich. <SEP> An active film- maker from 1970, Kiarostami had been involved in the production of over forty films, including shorts and documentaries. Kiarostami attained critical acclaim for directing the" Koker" trilogy( 1987– 1994)," Close- Up"( 1990)," The Wind Will Carry Us"( 1999), and" Taste of Cherry"( 1997), which was awarded the Palme d' Or at the Cannes Film Festival that year. In later works," Certified Copy"( 2010) and" Like Someone in Love"( 2012), he filmed for the first time outside Iran: in Italy and Japan, respectively. His films" Where Is the Friend ’s Home? Close- Up", and" The Wind Will Carry Us" were ranked among the 100 best foreign films in a 2018 critics' poll by BBC Culture. " Close- Up" was also ranked one of the 50 greatest movies of all time in the famous decennial" Sight& Sound" poll conducted in 2012. Kiarostami had worked extensively as a screenwriter, film editor, art director and producer and had designed credit titles and publicity material. He was also a poet, photographer, painter, illustrator, and graphic designer. He was part of a generation of filmmakers in the Iranian New Wave, a Persian cinema movement that started in the late 1960s and includes pioneering directors such as Bahram Beyzai, Nasser Taghvai, Ali Hatami, Masoud Kimiai, Dariush Mehrjui, Sohrab Shahid- Saless and Parviz Kimiavi. These filmmakers share many common techniques including the use of poetic dialogue and allegorical storytelling dealing with political and philosophical issues. Abbas Kiarostami( 22 June 1940 – 4 July 2016) was an Iranian film director, screenwriter, poet, photographer, and film producer. Kiarostami had a reputation for using child protagonists, for documentary- style narrative films, for stories that take place in rural villages, and for conversations that unfold inside cars, using stationary mounted cameras. He is also known for his use of Persian poetry in the dialogue, titles, and themes of his films. Kiarostami's films contain a notable degree of ambiguity, an unusual mixture of simplicity and complexity, and often a mix of fictional and documentary elements. The concepts of change and continuity, in addition to the themes of life and death, play a major role in Kiarostami's works. <SEP> W. Augustus Barratt( 1873- 1947) was a Scottish- born, later American, songwriter and musician.