Question: Are director of film Missamma and director of film Daddy (2004 Film) from the same country?

It was entered into the 26th Moscow International Film Festival. Daddy( translit. Papa) is a 2004 Russian drama film directed by and starring Vladimir Mashkov. <SEP> Mashkov has also worked as a film director, producer and writer for the 2004 Russian film" Papa". Vladimir Lvovich Mashkov, PAR( born 27 November 1963) is a Soviet and Russian theatre actor and director of cinema, known to Western audiences for his work in the 2001 film" Behind Enemy Lines" and 2011 film. <SEP> Ian Barry is an Australian director of film and TV. <SEP> Produced by B. Nagi Reddy and Aluri Chakrapani Vijaya Vauhini Studios, its script was adapted by Chakrapani from two Bengali-language works: Rabindranath Maitra's play "Manmoyee Girls School" and Sharadindu Bandyopadhyay novel "Detective". The film stars N. T. Rama Rao, Savitri, Akkineni Nageswara Rao and Jamuna. "Missamma" tells the story of two unemployed people — M. T. Rao (Rama Rao) and Mary (Savitri) — who pose as a married couple to obtain employment in a high school founded by Gopalam (S. V. Ranga Rao), a zamindar. As Rao and Mary fall in love, Gopalam's nephew A. K. Raju (Nageswara Rao) learns that Mary is Gopalam's missing elder daughter Mahalakshmi; she is unaware of her true identity. Missamma  is a 1955 Indian Telugu-language romantic comedy film directed by L. V. Prasad. Production began in early 1954 with Bhanumathi Ramakrishna cast as the female lead, though she would eventually be replaced by Savitri. The film was simultaneously shot in Tamil as "Missiamma", with an altered cast. Principal photography ended that December; filming was delayed because of Bhanumathi's exit after filming a few reels, and the difficulty of managing two casts simultaneously. C. P. Jambulingam and Kalyanam edited the film; Marcus Bartley was the cinematographer, and S. Rajeswara Rao composed the music. "Missamma" focused on social issues such as unemployment, corruption, and freedom of worship. "Missamma" was released theatrically on 12 January 1955, two days before "Missiamma". Both versions were commercially successful, completing 100-day theatrical runs. The bilingual film brought recognition to its cast and studio, and words and phrases from "Missamma" became part of Telugu vernacular. The film was remade in Hindi as "Miss Mary" (1957), again directed by Prasad. In the same year, it was adapted into the Marathi film "Jhakli Mooth". Bapu, Mullapudi Venkata Ramana and Raavi Kondala Rao rewrote and adapted "Missamma" as "Pelli Pustakam" in 1991, with the premise of the original inverted: a married couple pretend to be unmarried to obtain employment. <SEP> 21 ème Siècle is a 2004 film from Senegal. <SEP> He was one of the pioneers of Indian cinema and is the recipient of the Dadasaheb Phalke Award, the highest Award for films in India. In 1980, he was awarded the Raghupathi Venkaiah Award, for his contribution to Telugu cinema. He founded "Prasads Group" in 1956, which include the Prasad Art Pictures, Prasad Studios, Prasads IMAX and L V Prasad Eye Institute. L. V. Prasad was the chairman of the 27th National Film Awards Selection Committee held at New Delhi in 1980. He was the chairman of the All India Selection Panel of Indian Panorama section for the 8th International Film Festival of India from 3 to 17 January 1981. Prasad was also the chairman of the International Jury for Children's Film Festival held in November 1981 at Madras. He was elected as the President of The South Indian Film Chamber of Commerce for the year 1982–83. He was a Member of the Board of Film Censors from October 1980 to February 1987. L. V. Prasad was Chairman of the Studio Owners, Council, a wing of Film Federation of India. Akkineni Lakshmi Vara Prasada Rao (17 January 1908 – 22 June 1994), known popularly as "L. V. Prasad", was an Indian film producer, actor, director, cinematographer and businessman. The Government of India released a Commemorative postage stamp in his memory in 2006. Prasad also had the unique distinction of acting in the first talkies of three different languages of Indian cinema; "Alam Ara" (Hindi), "Bhakta Prahlada" (Telugu) and "Kalidas" (Tamil).