Question: Which film has the director died later, Twenty Hours or Girl Friends (1936 Film)?

Le masque de la Méduse is a 2009 fantasy horror film directed by Jean Rollin. The film is a modern-day telling of the Greek mythological tale of the Gorgon and was inspired by the 1964 classic Hammer Horror film of the same name and the 1981 cult classic" Clash of the Titans". It was Rollin's final film, as the director died in 2010. <SEP> He directed nine films between 1936 and 1967. Lev Oskarovich Arnshtam( 15 January 1905 – 26 December 1979) was a Soviet film director and screenwriter. <SEP> The film tells story of the friendship between three girls from Petrograd who grow up together and become nurses during the Russian Civil War. The film was released in the US in 1936 as Three Women. Girl Friends is a 1936 Soviet drama film, directorial debut of Lev Arnshtam. <SEP> Querelle is a 1982 West German- French English- language drama film directed by Rainer Werner Fassbinder and starring Brad Davis, adapted from French author Jean Genet's 1947 novel" Querelle of Brest". It marked Fassbinder's final film as a writer/ director; it was posthumously released just months after the director died of a drug overdose in June 1982. <SEP> The film was selected as the Hungarian entry for the Best Foreign Language Film at the 38th Academy Awards, but was not accepted as a nominee. The film shared the Grand Prix with" War and Peace" and won the Prix FIPRESCI at the 4th Moscow International Film Festival. Twenty Hours is a 1965 Hungarian drama film directed by Zoltán Fábri. <SEP> His films" The Boys of Paul Street"( 1969) and" Hungarians"( 1978) were nominated for the Academy Award for Best Foreign Language Film. Zoltán Fábri( 15 October 1917 – 23 August 1994) was a Hungarian film director and screenwriter. His 1965 film" Twenty Hours" shared the Grand Prix with" War and Peace" at the 4th Moscow International Film Festival. His 1969 film" The Toth Family" was entered into the 7th Moscow International Film Festival. His 1975 film" 141 Minutes from the Unfinished Sentence" was entered into the 9th Moscow International Film Festival, where he won a Special Prize for Directing. Fábri wanted to become an artist from an early age on. He studied painting and graduated at the Hungarian College of Fine Arts. He began working in the Hungarian film industry in 1950 as a production designer. He directed his first film" ViharStorm") in 1951. He became an internationally acclaimed director with his third feature" KörhintaMerry Go- Round") in 1956. He continued directing and writing until the early 1980s. After his retirement from the film industry Fábri taught on the Hungarian University of Theatrical and Film Arts. In his last years he wrote screenplays; they were never made. Fábri was also the president of the Hungarian Film Artist Union from 1959 to 1981. Fábri's style of filmmaking can be described mainly as" classical", using academic techniques of art filmmaking. His greatest influences were the Italian Neorealism and French Poetic Realism. He experimented with narrative and flashback techniques for a while in the 1960s( in his films" Nappali sötétség" and" Húsz óra") and his 1976 film" Az ötödik pecsét" contains some highly surrealist scenes, but overall he never used the mannerisms of modernist film in his works. For this reason the Kádár regime favored Fábri over more controversial and experimental directors like Miklós Jancsó. The film won the Golden Prize at the 10th Moscow International Film Festival and was entered into the 27th Berlin International Film Festival. At the 11th Moscow International Film Festival in 1979, he was awarded with the Honorable Prize for the contribution to cinema. He was known as a perfectionist who wrote, drawn and choreographed every scene to the most precise detail months before production began and never improvised anything. His reputation as a rigid, tyrannical director was somewhat contradicted by his friendly and kind behaviour towards the British and American child actors on the set of" The Boys of Paul Street". Fábri made nearly all of his films based on literary material( novels or short stories) and wrote the screenplays himself. His constant theme was the question of humanity. Many of his films are set in or around World War II. Two of his frequent collaborators were actress Mari Törőcsik and cinematographer György Illés. In 1969 he played the role of prosecuted statesman Zoltán Dániel in his friend Péter Bacsó's cult satire," A tan ú The Witness") as his sole acting job. Fábri died in a heart attack at the age of 76 in 1994. His legal successor is Peter Fabri( b. 1985).