Question: Do both films Wara Wara and Bluebeard'S Seven Wives have the directors that share the same nationality?

Sister Wife is a 2000 documentary that follows the African Hebrew Israelites, an African American community that immigrated to Israel and practices polygyny. The men can have up to seven wives. The film follows a couple that has been married for 21 years as they decide to take on another wife. <SEP> Santell directed over 60 films, beginning in 1917, most of which were two- reel comedy short subjects for Hal Roach and other productions companies. Taking up feature films from about 1924, Santell worked for several major studios. Alfred Allen Santell, also known as Al Santell( 1895 – 1981), was an American film director and film producer. In 1934, he was married to actress Jane N. Keithley; they remained married until her death. He left the business in 1947 after a contract dispute with Republic Studios. Santell died on June 19, 1981 in Salinas, California. <SEP> The film was described as a" superproduction" by the press at the time. Wara Wara is a 1930 Bolivian feature film, directed by José María Velasco Maidana, combining historical drama and romance. <SEP> I Want Your Love is the title of both a 2010 short film and a 2012 feature- length film. Both films were directed and written by Travis Mathews. The drama films both revolve around the friends and ex-lovers of Jesse Metzger, a gay man in his mid-thirties who is forced to move back to his hometown from San Francisco due to financial reasons. The actors' own names, along with much of their real- life stories, were used for their characters in both films, which features graphic sexual scenes. The production of both films was aided by the gay pornographic studio NakedSword. This led to the full- length film being refused exemption from classification, which would have allowed it to screen at the Melbourne Queer Film Festival, a decision to which actor James Franco( who invited Mathews to collaborate on Franco's film" Interior. Leather Bar.") reacted negatively. <SEP> He was the estranged son of a Bolivian president. He was married to Texas painter, Dorothy Hood. " Le Courrier" describes his portrayal of indigenous Bolivians as shaped by the assimilationist ethos of his time, but also as progressive for the era, highlighting the condition of indigenous peoples, denouncing racism, and raising the question of their role in society. Maidana is known for" his ballets and symphonic works, a number of which embrace national/ native themes", but also for his films. He entered the cinema industry" at the very start of Bolivian fiction film production". His first film," The Prophecy of the LakeLa profecía del lago"), was made in 1925, on the heels of Bolivia's first ever fiction feature, Pedro Sambarino's" Corazón Aymara"( 1925). " The Prophecy of the Lake" was a contemporary love story between an Aymara man and the daughter of a white landowner. The film was censored, for its" social critique" and" because it featured the love between a native man and a white woman", and was never shown. Velasco Maidana subsequently started his own production company, Urania. His next two films," Wara Wara"( 1930) and" Hacia la Gloria"( 1931) were released in cinema as feature films, and" Wara Wara" remains" the only known surviving work from Bolivia's silent- film era". He also made short documentary films," before returning to music". From then on, he worked exclusively on music, and also left Bolivia to work abroad. Among his notable ballets is" Amerindia"( 1940). Maidana was introduced to Dorothy Hood in Mexico. He married Hood in 1946 and during that time, they traveled, following his conducting jobs which took them between Mexico City, New York and Houston, Texas. In the 1960s, Maidana had to quit conducting because he was showing signs of Parkinson's disease. José María Velasco Maidana( born around 1899, died 1989) was a Bolivian film director, composer, conductor, actor, painter and dancer. He and Hood moved to Houston for better medical care. He died in Houston in 1989. <SEP> Bluebeard's Seven Wives is a 1926 American silent comedy film produced and released by First National Pictures. The film is now considered lost. It was directed by Alfred Santell and starred Ben Lyon, Lois Wilson, and Blanche Sweet.