Question: Which of the following is acclaimed for his "lyrical flow of his statements": Nâzım Hikmet or Arthur Miller?

 Among his most popular plays are "All My Sons" (1947), "Death of a Salesman" (1949), "The Crucible" (1953) and "A View from the Bridge" (1955, revised 1956). Arthur Asher Miller (October 17, 1915 – February 10, 2005) was an American playwright, essayist, and figure in twentieth-century American theater.  He also wrote several screenplays and was most noted for his work on "The Misfits" (1961).  The drama "Death of a Salesman" has been numbered on the short list of finest American plays in the 20th century alongside "Long Day's Journey into Night" and "A Streetcar Named Desire". <SEP> Government financial statements are annual financial statements or reports for the year.  The financial statements, in contrast to budget, present the revenue collected and amounts spent.  The government financial statements usually include a statement of activities (similar to an income statement in the private sector), a balance sheet and often some type of reconciliation.  Cash flow statements are often included to show the sources of the revenue and the destination of the expenses. <SEP>  He was acclaimed for the "lyrical flow of his statements".  Described as a "romantic communist" and "romantic revolutionary", he was repeatedly arrested for his political beliefs and spent much of his adult life in prison or in exile.  His poetry has been translated into more than fifty languages. Nâzım Hikmet Ran (15 January 1902 – 3 June 1963), commonly known as Nâzım Hikmet (] ) was a Turkish poet, playwright, novelist, screenwriter, director and memoirist. <SEP> Gordon Edelstein is the Long Wharf Theatre’s Artistic Director.  In addition to his work on the world premiere of Athol Fugard’s "Have You Seen Us"? , Mr. Edelstein directed and adapted Henrik Ibsen’s A Doll’s House in Long Wharf Theatre’s 2009-10 season.  In addition, Edelstein directed "Coming Home" at Berkeley Rep and The Glass Menagerie starring Judith Ivey at Roundabout Theatre in New York City.  His recent productions of Arthur Miller’s "The Price" and Anton Chekhov’s Uncle Vanya (which he also adapted) were on numerous best of 2007 lists including the Wall Street Journal.  As a director, he has garnered three Connecticut Critics Circle Awards and during his tenure at Long Wharf Theatre, the theatre has produced world premieres by Paula Vogel, Athol Fugard, Craig Lucas, Julia Cho, Noah Haidle, Dael Orlandersmith, and Anna Deavere Smith.  Over the course of his career, he has also directed and/or produced premieres by Philip Glass, Arthur Miller, Paula Vogel, Donald Margulies, James Lapine, Charles Mee, Mac Wellman, and Martin McDonagh, among many others, and has directed an extremely diverse body of work from Sophocles to Pinter, and from Shakespeare to Beckett.  Under his artistic leadership, Long Wharf Theatre has received 14 additional Connecticut Critics Circle Awards, including six best actor or actress awards in plays that he directed.  He was also given the organization’s Tom Killen Award, given annually to an individual who has made an indelible impact on the Connecticut theatrical landscape.  Edelstein has directed countless plays and workshops for Long Wharf Theatre including the world premieres of BFE (transfer to Playwrights Horizons), The Day the Bronx Died (transfer to NY and London), A Dance Lesson, and The Times, as well as We Won’t Pay!  We Won’t Pay! , A New War, A Moon for the Misbegotten, Anna Christie, The Front Page, and Mourning Becomes Electra, starring Jane Alexander.  Prior to assuming artistic leadership of Long Wharf Theatre, Edelstein helmed Seattle’s ACT Theatre for five years.