Question: Do both films Murder By Proxy and The Wilby Conspiracy have the directors that share the same nationality?

Murder By Proxy: How America Went Postal is a 2010 American documentary film that examines the phenomenon of spree killing, particularly in a workplace, that became known in the United States as" going postal". <SEP> Rijk de Gooyer( 17 December 1925 – 2 November 2011) was a Dutch Golden Calf- winning actor, writer, comedian and singer. From the 1950s until the early 1970s, he became well known in The Netherlands as part of a comic duo with John Kraaijkamp, Sr. In the United States best known for having small roles in films such as," Soldaat van OranjeA Time to Die" and" The Wilby Conspiracy". <SEP> It stars Dane Clark and Belinda Lee. Murder by Proxy, released in the United States as Blackout, is a 1954 British film noir crime drama film directed by Terence Fisher. The screenplay concerns a man who is offered money to marry a woman. <SEP> He was best known for directing" Lilies of the Field"( 1963)," Father Goose"( 1964), and" Charly"( 1968), films which won Academy Awards. Ralph Nelson( August 12, 1916 – December 21, 1987) was an American film and television director, producer, writer, and actor. <SEP> The Wilby Conspiracy is a 1975 DeLuxe Color thriller film directed by Ralph Nelson and starring Michael Caine, Sidney Poitier, and Nicol Williamson. Filmed in Kenya, it was written by Rodney Amateau, based on the 1972 novel by Peter Driscoll. It had a limited release in the US. <SEP> He was the first to bring gothic horror alive in full colour, and the sexual overtones and explicit horror in his films, while mild by modern standards, were unprecedented in his day. Terence Fisher( 23 February 1904 – 18 June 1980) was a British film director best known for his work for Hammer Films. His first major gothic horror film was" The Curse of Frankenstein"( 1957), which launched Hammer's association with the genre and made British actors Peter Cushing and Christopher Lee leading horror stars of the era. He went on to film several adaptations of classic horror subjects, including" Dracula"( 1958)," The Mummy"( 1959), and" The Curse of the Werewolf"( 1961). Given their subject matter and lurid approach, Fisher's films, though commercially successful, were largely dismissed by critics during his career. It is only in recent years that Fisher has become recognised as an" auteur" in his own right. His most famous films are characterised by a blend of fairytale myth and the supernatural alongside themes of sexuality, morality, and ‘ the charm of evil ’. Drawing heavily on a Christian conservative outlook, there is often a hero who defeats the powers of darkness by a combination of faith in God and reason, in contrast to other characters, who are either blindly superstitious or bound by cold, godless rationalism. For detailed discussions of Fisher's work, see" Terence Fisher: Horror, Myth, and Religion" by Paul Leggett( McFarland and Co, 2002)," British Film Makers: Terence Fisher" by Peter Hutchings( Manchester University Press, 2013), and" The Films of Terence Fisher: Hammer Horror and Beyond" by Wheeler Winston Dixon( Auteur Publishing, 2017).