Question: Jane Marie Andrée Rhodes sang Renata in the first recorded performance of an opera that could be  considered one of the composer’s what?

Cedric Myton (born 1947 in Old Harbour, Jamaica), is a Reggae musician and Rastafarian.  Cedric Myton began his singing career with the group The Bell Stars, who recorded one single 45" "over and over", the record was a minor success.  This record was released in 1967.  Alongside Lincoln Thompson, "preps" Lewis, and Devon Russell, Cedric Myton formed "The Tartans" in 1968, the group released many 45" singles, and had early success in 1969 with the hit 45 "Dance All Night".  After a couple of years The Tartans disbanded, and Myton alongside Lincoln "Prince" Thompson, formed "The Royal Rasses".  Cedric Myton spent almost 3 years alongside Thompson, writing the tracks which would constitute the Royal Rasses album "Humanity".  Cedric Myton also sang on every track on the album "Humanity".  This album was a big success, although Cedric Myton left The Royal Rasses shortly after the release of "Humanity", his beautiful falsetto tones on every track, undoubtedly brought many fans to the attention of "The Royal Rasses" and the band continued without Cedric Myton, who went on to form "The Congos", alongside Roydel Johnson, who had a rich "tenor" and Watty Burnett who provided a "Deep Barritone", which combined with Cedric Mytons rich "Falsetto" anchored The Congos, whose music is easily distinguishable and highly regarded in not just reggae circles but worldwide.  Unfortunately, due to both a dispute between the producer Lee"Scratch"Perry and Island Records favouritism of Bob Marley,the great first release LP from The Congos "Heart Of The Congos" was "Shelved" because it was deemed "a strong album" and Island Records.led by Chris Blackwell felt "Heart Of The Congos" would take away the limelight from Bob Marley.  Many years later the English group "The Beat" released "Heart Of The Congos" on their own "Go-Feat" label, as did the company "Blood And Fire", and "Heart Of The Congos" was a big success,and rightly so, however it has to be said that had the album been released when it was first recorded it would have been a massive success.  Instead it was released initially in very limited numbers on Lee Perry's "Black Art" label and Perry re-mixed the album adding various external sounds, such as "cow Horns" provided by the barritoned Burnett.  They recorded the album "Heart of the Congos", with Lee Perry at the controls, producing what is widely considered one of the great classics of reggae.  Later Myton pursued a solo career.  After some time, the Congos reformed and recorded an album titled, "Back in the Black Ark".  The group toured as well, appearing at music festivals such as the 2012 Rototom Sunsplash. <SEP> Nathalie Marie Andrée Baye (born 6 July 1948) is a French film, television and stage actress.  She began her career in 1970 and has appeared in more than 80 films.  A ten-time César Award nominee, her four wins were for "Every Man for Himself" (1980), "Strange Affair" (1981), "La Balance" (1982), and "The Young Lieutenant" (2005).  In 2009, she was made a Chevalier of the Legion of Honour.  Her other films include "Day for Night" (1973), "Catch Me If You Can" (2002), "Tell No One" (2006) and "The Assistant" (2015). <SEP> Sergei Prokofiev's opera, The Fiery Angel (Russian: Огненный ангел , "Ognenny angel" ), Op. 37, could be considered one of the composer’s largest challenges.  Writing, production, and location were all factors in the piece’s progress.  The journey to completion was not truly over until after Prokofiev’s time, when the piece was first presented in a full performance at the Théâtre des Champs-Élysées on 25 November 1955, and was first premiered at the Venice Festival in 1955. <SEP> Jane Marie Andrée Rhodes (March 13, 1929 – May 7, 2011) was a French opera singer whose voice encompassed both the soprano and high mezzo-soprano ranges.  Her most celebrated role was Carmen, which she sang in the opera's first ever staging at the Palais Garnier.  She also created the roles of Isadora in Marcel Landowski's "Le Fou" and Maguelone in Georges Delerue's "Le Chevalier de Neige" and sang Renata in the first recorded performance of Prokofiev's "The Fiery Angel".  Admired for both her voice and her glamorous stage presence, she was nicknamed the "Bardot of the Opéra".  She was married to conductor Roberto Benzi.