Question: Are director of film A Woman's War and director of film The New Klondike from the same country?

Lewis Milestone( born Leib Milstein; September 30, 1895 – September 25, 1980) was a Russian- born American motion picture director. He is known for directing" Two Arabian Knights"( 1927) and" All Quiet on the Western Front"( 1930), both of which received Academy Awards for Best Director. He also directed" The Front Page"( 1931 – nomination)," The General Died at Dawn"( 1936)," Of Mice and Men"( 1939)," Ocean's 11"( 1960), and received the directing credit for" Mutiny on the Bounty"( 1962), though Marlon Brando largely appropriated his responsibilities during its production. <SEP> Ian Barry is an Australian director of film and TV. <SEP> Peter Levin is an American director of film, television and theatre. <SEP> A Woman's War( 여성전선-" Yeoseon jeonseon") a.k.a. Women at the Front is a 1957 South Korean film directed by Kim Ki-young. <SEP> ( October 10, 1919 – February 5, 1998) was a South Korean film director, known for his intensely psychosexual and melodramatic horror films, often focusing on the psychology of their female characters. Kim Ki-young Kim was born in Seoul during the colonial period, raised in Pyongyang, where he became interested in theater and cinema. In Korea after the end of World War II, he studied dentistry while becoming involved in the theater. During the Korean War, he made propaganda films for the United States Information Service. In 1955, he used discarded movie equipments to produce his first two films. With the success of these two films Kim formed his own production company and produced popular melodramas for the rest of the decade. Kim Ki-young's first expression of his mature style was in his" The Housemaid"( 1960), which featured a powerful" femme fatale" character. It is widely considered to be one of the best Korean films of all time. After a" Golden Age" during the 1960s, the 1970s were a low- point in the history of Korean cinema because of governmental censorship and a decrease in audience attendance. Nevertheless, working independently, Kim produced some of his most eccentric cinematic creations in this era. Films such as" Insect Woman"( 1972) and" Iodo"( 1977) were successful at the time and highly influential on the younger generations of South Korean filmmakers both at their time of release, and with their rediscovery years later. By the 1980s, Kim's popularity had gone into decline, and his output decreased in the second half of the decade. Neglected by the mainstream during much of the 1990s, Kim became a cult figure in South Korean film Internet forums in the early 1990s. Widespread international interest in his work was stimulated by a career retrospective at the 1997 Pusan International Film Festival. He was preparing a comeback film when he and his wife were killed in a house fire in 1998. The Berlin International Film Festival gave Kim a posthumous retrospective in 1998, and the French Cinémathèque screened 18 of Kim's films, some newly rediscovered and restored, in 2006. Through the efforts of the Korean Film Council( KOFIC), previously lost films by Kim Ki- young continue to be rediscovered and restored. Many current prominent South Korean filmmakers, including directors Im Sang- soo, Kim Ki-duk, Bong Joon- ho and Park Chan- wook, claim Kim Ki- young as an influence on their careers. <SEP> The film was set against the backdrop of the Florida land boom of the 1920s, and stands as Ben Hecht's first film assignment. The New Klondike is a 1926 black- and- white silent romantic comedy sports drama film directed by Lewis Milestone for Famous Players- Lasky.