Question: Do both directors of films Candyman: Farewell To The Flesh and Two For The Seesaw share the same nationality?

Robert Earl Wise (September 10, 1914 – September 14, 2005) was an American film director, producer, and editor. He won Academy Awards for Best Director and Best Picture for both "West Side Story" (1961) and "The Sound of Music" (1965). He was also nominated for Best Film Editing for "Citizen Kane" (1941) and directed and produced "The Sand Pebbles" (1966), which was nominated for Best Picture. Among his other films are "The Body Snatcher" (1945), "Born to Kill" (1947), "The Set-Up" (1949), "The Day the Earth Stood Still" (1951), "Destination Gobi" (1953), "This Could Be The Night" (1957), "Run Silent, Run Deep" (1958), "I Want to Live!" (1958), "The Haunting" (1963), "The Andromeda Strain" (1971), "The Hindenburg" (1975) and  (1979). Wise was the president of the Directors Guild of America from 1971 to 1975 and the president of the Academy of Motion Picture Arts and Sciences from 1984 through 1987. Robert Wise has been viewed as a craftsman, inclined to let the (sometimes studio-assigned) story concept set the style. Later "cineastes", such as Martin Scorsese, insist that despite Wise's legendary workaday concentration on stylistic perfection within the confines of genre and budget, his choice of subject matter and approach still functioned to identify Wise as an artist and not merely an artisan. Wise achieved critical success as a director in a striking variety of film genres: horror, noir, western, war, science fiction, musical and drama, with many repeat successes within each genre. Wise's meticulous preparation may have been largely motivated by studio budget constraints, but advanced the moviemaking art. Robert Wise received the AFI Life Achievement Award in 1998. <SEP> It was adapted from the 1958 Broadway play written by William Gibson with Henry Fonda and Anne Bancroft who was awarded the 1958 Tony Award for Best Featured Actress in a Play in the lead roles. Two for the Seesaw is a 1962 American romantic- drama film directed by Robert Wise and starring Robert Mitchum and Shirley MacLaine. <SEP> Candyman: Farewell to the Flesh( also known as Candyman 2) is a 1995 American supernatural slasher film and a sequel to the 1992 film" Candyman", an adaptation of the Clive Barker short story" The Forbidden". It stars Tony Todd, Kelly Rowan, William O' Leary, Bill Nunn, Matt Clark and Veronica Cartwright. It was directed by Bill Condon and written by Rand Ravich and Mark Kruger from a story by Barker. Barker executive produced. The sequel,, was released in 1999. <SEP> He wrote and directed the films" Gods and Monsters"( 1998)," Kinsey"( 2004), and" Dreamgirls"( 2006), wrote the screenplay for" Chicago"( 2002), and directed the final two installments of the" Twilight" series( 2011, 2012), and the live- action adaptation of Disney's" Beauty and the Beast"( 2017). William Condon( born October 22, 1955) is an American screenwriter and director. Condon won an Oscar as screenwriter for" Gods and Monsters" and was nominated for his screenplay for" Chicago". <SEP> Mr. Right is a 2009 British film directed by David Morris and Jacqui Morris. The jointly- made gay- themed film is the debut for both directors. <SEP> In Christian theology, the world, the flesh, and the devil( Latin: mundus, caro, et diabolus; Greek ό κοσμος, ή σαρξ, και ό διαβολος) are often traditionally described as the three enemies of the soul. As the sources of temptation, they are viewed as in opposition to the Trinity. They are reflected in the Temptation of Christ in the desert: the world: to tempt God by casting himself off the pinnacle; the flesh: to turn stones into bread; and the devil: to worship Satan. These are the same three temptations one renounces at baptism. The roots of this triad are possibly to be found in Jesus' parable of the Sower: the three scenes of unproductive soil represent" Satan"( birds eating the seed), shallow and unreceptive believers( corresponding to weak" flesh"?), and" the cares of the world and the lure of wealth"( Gospel of Mark 4:15–17). These three are also present as a triad in the Letter to the Ephesians chapter 2, verses 1 –3: " You were dead through the trespasses and sins in which you once lived, following the course of this world, following the ruler of the power of the air, the spirit that is now at work among those who are disobedient. All of us once lived among them in the passions of our flesh, following the desires of flesh and senses ..." Many Christian sources refer to the world, the flesh, and the devil. Peter Abelard states in his" Expositiones" that:" Tria autem sunt quae nos tentant, caro, mundus, diabolus." Thomas Aquinas refers to the world, the flesh, and the devil in the" Summa Theologica". The Council of Trent sixth session, degree on justification: Nevertheless, let those who think themselves to stand, take heed lest they fall, and, with fear and trembling work out their salvation, in labours, in watchings, in almsdeeds, in prayers and oblations, in fastings and chastity: for, knowing that they are born again unto a hope of glory, but not as yet unto glory, they ought to fear for" the combat which yet remains with the flesh, with the world, with the devil", wherein they can not be victorious, unless they be with God's grace, obedient to the Apostle, who says; We are debtors, not to the flesh, to live according to the flesh; for if you live according to the flesh, you shall die; but if by the spirit you mortify the deeds of the flesh, you shall live. The phrase may have entered popular use in English through the Book of Common Prayer, which includes in its Litany:"[ F] rom al the deceytes of the worlde, the fleshe, and the deuill: Good lorde deliuer us." John of the Cross cites the world, the flesh, and the devil as threats to the perfection of the soul, and offers different" precautions" to be taken against each of these. Some have responded to the idea of temptation by teaching or practicing asceticism; see also ascetical theology and mortification of the flesh. The question of whether the world and the flesh are inherently bad and what the individual's proper relationship to them ought to be has long been debated in many philosophical and spiritual traditions.