Question: Which film whose director is younger, Enam Djam Di Jogja or Madam Satan?

Enam Djam di Jogja ( Perfected Spelling:" Enam Jam di Yogya", literally" Six Hours in Yogya") is a 1951 Indonesian film directed by Usmar Ismail. It was the second film to be produced under the PERFINI banner. Detailing the show of force in which the Indonesian republican army retook the capital at Yogyakarta for six hours, the film utilised much of the cast and crew from Ismail's previous work" Darah dan Doa"( 1950). The film was a success in Indonesia and continued to be screened on the state television channel into the 1980s, even after two further films about the event were released. <SEP> Emily Robin( 1874 — 29 October 1929), also known as Lady Emily Robin or Madam Robin, was an infamous British bordello owner at the beginning of the 20th century. <SEP> La Bestia humana is a 1957 Argentine film whose story is based on the novel" La Bête Humaine" by the French writer Émile Zola. <SEP> He was of Minangkabau descent. He was widely regarded as the native Indonesian pioneer of the Cinema of Indonesia although films made by the Dutch date back to around 1926. Usmar Ismail( 20 March 1921 – 2 January 1971) was a prominent Indonesian film director. <SEP> Thematically, this marked an attempt by DeMille to return to the boudoir comedies genre that had brought him financial success about 10 years earlier. Madam Satan or Madame Satan is a 1930 American pre-Code musical comedy film produced and directed by Cecil B. DeMille, starring Kay Johnson, Reginald Denny, Lillian Roth and Roland Young" Madam Satan" has been called one of the oddest films DeMille made and certainly one of the oddest MGM made during its" golden age". <SEP> Between 1914 and 1958, he made a total of 70 features, both silent and sound films. He is acknowledged as a founding father of the American cinema and the most commercially successful producer- director in film history. His films were distinguished by their epic scale and by his cinematic showmanship. His silent films were more diverse in genre, among which included social dramas, comedies, Westerns, farces, morality plays, and historical pageants. De Mille began his career as a stage actor in 1900. He later moved to writing and directing stage productions, some with Jesse Lasky, who was then a vaudeville producer. Cecil Blount DeMille( August 12, 1881 – January 21, 1959) was an American filmmaker. DeMille's first film," The Squaw Man"( 1914), was also the first feature film shot in Hollywood. Its interracial love story made it commercially successful and it first publicized Hollywood as the home of the U.S. film industry. The continued success of his productions led to the founding of Paramount Pictures with Lasky and Adolph Zukor. His first biblical epic," The Ten Commandments"( 1923), was both a critical and commercial success; it held the Paramount revenue record for twenty- five years. De Mille directed" The King of Kings"( 1927), a biography of Jesus, which gained approval for its sensitivity and reached more than 800 million viewers. " The Sign of the Cross"( 1932) is said to be the first sound film to integrate all aspects of cinematic technique. " Cleopatra"( 1934) was his first film to be nominated for the Academy Award for Best Picture. After more than thirty years in film production, DeMille reached a pinnacle in his career with" Samson and Delilah"( 1949), a biblical epic which became the highest- grossing film of 1950. Along with biblical and historical narratives, he also directed films oriented toward" neo-naturalism", which tried to portray the laws of man fighting the forces of nature. He received his first nomination for the Academy Award for Best Director for his circus drama" The Greatest Show on Earth"( 1952), which won both the Academy Award for Best Picture and the Golden Globe Award for Best Motion Picture – Drama. His last and best known film," The Ten Commandments"( 1956), also a Best Picture Academy Award nominee, is currently the eighth- highest- grossing film of all time, adjusted for inflation. In addition to his Best Picture Awards, he received an Academy Honorary Award for his film contributions, the Palme d' Or( posthumously) for" Union Pacific"( 1939), a DGA Award for Lifetime Achievement, and the Irving G. Thalberg Memorial Award. He was the first recipient of the Golden Globe Cecil B. DeMille Award, which was named in his honor. DeMille's reputation as a filmmaker has grown over time and his work has influenced many other films and directors.