Question: Do both films: The Utah Trail and Maradona, The Hand Of God have the directors from the same country?

Richard C. Howe( born January 20, 1924) is a Utah former politician and judge. At the time of his retirement in 2003, he was the only person in Utah history to serve as a member of the State House of Representatives, the State Senate, and the State Supreme Court. He served on the Utah Supreme Court from 1980 to 2002, and was the Chief Justice of the Utah Supreme Court from 1998 to April 2002. Born in South Cottonwood, Utah, Howe attended Woodstock Elementary School in Murray, and graduated from Granite High School. He received a B.S. degree in speech from the University of Utah in 1943, and received his law degree from the University of Utah College of Law in 1948. Howe served eighteen years in the Utah State Legislature: six terms in the Utah House of Representatives from 1951 to 1958, and from 1969 to 1972, and two terms in the Utah Senate, from 1972 to 1978. During this time he served as a Judge in the Murray City Court from 1953 to 1955, and as Speaker of the House from 1971 to 1972. In December 1980, Utah Governor Scott M. Matheson appointed Howe to a seat on the Utah Supreme Court vacated by the resignation of Justice D. Frank Wilkins. Howe served as Associate Chief Justice from 1988 to 1993, and became Chief Justice in March 1998. He also served as the Judicial Council's representative on the Utah State Retirement Membership Council. Howe retired on December 31, 2002, and was succeeded on the Court by Jill Parrish. <SEP> Born in Milan, he is son of director Dino Risi. After graduating from Liceo Scientifico, Risi joined the faculty of philosophy, but abandoned his studies after two years. Marco Risi( born 4 June 1951) is an Italian film director, screenwriter, film producer and cinematographer. He began his career as an assistant of his uncle, Nelo Risi, for" A Season in Hell"( 1971) and thereafter for directors such as Duccio Tessari, Steno, Alberto Sordi. He also collaborated with some scripts for films directed by his father. He made his directorial debut in 1977, with the RAI television documentary" Appunti su Hollywood". After three quite successful comedy films, since 1987 Risi's cinema focused into more complex social and political issues, such as the military service seen as a traumatic experience(" Soldati- 365 all'alba"), the juvenile delinquency in and out of prison(" Mery per sempre" and" Ragazzi fuori"), the crash of Itavia Flight 870(" Il muro di Gomma"), the gang rape phenomenon(" Il branco") and the murder of journalist Giancarlo Siani(" Fort Apache Napoli"). In 1989 Risi's" Mery per sempre" won the Special Grand Prize of the Jury at the Montréal World Film Festival. For his 1990 film" Ragazzi fuori" Risi won the David di Donatello Award for Best Director and a Silver Osella for Best Cinematography at the 47th Venice International Film Festival. In 1991 Risi started, together with Maurizio Tedesco, a film production company," Sorpasso Film". In 1998 he won the Nastro d' Argento for Best Producer for Ferzan Özpetek's" Hamam". <SEP> Maradona- La mano de Dios, internationally released as Maradona, the Hand of God, is a 2007 Italian- Argentine biographical film directed by Marco Risi. It is based on real life events of footballer Diego Maradona. <SEP> Albert Herman( 1887–1958) was an American actor, screenwriter and film director. Herman was a prolific director, working mainly on low- budget movies for companies such as Producers Releasing Corporation. He is sometimes credited as Al Herman. <SEP> The Utah Trail is a 1938 American Western film directed by Albert Herman. <SEP> The Hand of God, or Manus Dei in Latin, also known as Dextera domini/ dei, the" right hand of God", is a motif in Jewish and Christian art, especially of the Late Antique and Early Medieval periods, when depiction of Jehovah or God the Father as a full human figure was considered unacceptable. The hand, sometimes including a portion of an arm, or ending about the wrist, is used to indicate the intervention in or approval of affairs on Earth by God, and sometimes as a subject in itself. It is an artistic metaphor that is generally not intended to indicate that a hand was physically present or seen at any subject depicted. The Hand is seen appearing from above in a fairly restricted number of narrative contexts, often in a blessing gesture( in Christian examples), but sometimes performing an action. In later Christian works it tends to be replaced by a fully realized figure of God the Father, whose depiction had become acceptable in Western Christianity, although not in Eastern Orthodox or Jewish art. Though the hand of God has traditionally been understood as a symbol for God's intervention or approval of human affairs, it is also possible that the hand of God reflects the anthropomorphic conceptions of the deity that may have persisted in late antiquity. The largest group of Jewish imagery from the ancient world, the 3rd century synagogue at Dura-Europas, has the hand of God in five different scenes, including the" Sacrifice of Isaac", and no doubt this was one of the many iconographic features taken over by Christian art from what seems to have been a vigorous tradition of Jewish narrative art. Here and elsewhere it often represents the" bath Kol"( literally" daughter of a voice") or voice of God, a use also taken over into Christian art. The hand may also relate to older traditions in various other religions in the Ancient Near East. In the art of the Amarna period in Egypt under Akhenaten, the rays of the Aten sun-disk end in small hands to suggest the bounty of the supreme deity. Like the hamsa amulet, the hand is sometimes shown alone on buildings, although it does not seem to have existed as a portable amulet- type object in Christian use. It is found from the 4th century on in the Catacombs of Rome, including paintings of" Moses receiving the Law" and the" Sacrifice of Isaac". There are numerous references to the hand, or arm, of God in the Hebrew Bible, most clearly metaphorical in the way that remains current in modern English, but some capable of a literal interpretation. They are usually distinguished from references to a placement at the right hand of God. Later rabbinic literature also contains a number of references. There are three occasions in the gospels when the voice of God is heard, and the hand often represents this in visual art. Gertrud Schiller distinguishes three functions of the hand in Christian art: as symbol of either God's presence or the voice of God, or signifying God's acceptance of a sacrifice.