Question: Which film whose director was born first, Last Tango In Paris or Beasts Of Prey?

Last Tango in Paris  is a 1972 erotic drama film directed by Bernardo Bertolucci, which portrays a recently widowed American who begins an anonymous sexual relationship with a young Parisian woman. It stars Marlon Brando, Maria Schneider, and Jean-Pierre Léaud. The film's raw portrayal of sexual violence and emotional turmoil led to international controversy and drew various levels of government censorship in different venues. Upon release in the United States, the most graphic scene was cut and the MPAA gave the film an X rating. After revisions were made to the MPAA ratings code in 1997, the film was reclassified NC-17 for "some explicit sexual content". Metro-Goldwyn-Mayer released a censored R-rated cut in 1981. <SEP> Last Foxtrot in Burbank is a 1973 film directed by Charles Band. It is a spoof of" Last Tango in Paris". <SEP> Beasts of Prey( 육식동물-" Yukshik dongmul"), also known as" Carnivore" and" Carnivorous Animals", is a 1985 South Korean film directed by Kim Ki-young. <SEP> In recognition of his work, he was presented with the inaugural Honorary Palme d' Or Award at the opening ceremony of the 2011 Cannes Film Festival. Bernardo Bertolucci( 16 March 1941 – 26 November 2018) was an Italian director and screenwriter, whose films include" The ConformistLast Tango in Paris 1900 The Last Emperor"( for which he won the Academy Award for Best Director and the Academy Award for Best Adapted Screenplay)," The Sheltering SkyLittle BuddhaStealing Beauty" and" The Dreamers." From 1979 until his death in 2018, he was married to screenwriter Clare Peploe. <SEP> Ultimo tango a Zagarol( internationally released as" The Last Italian Tango" and" Last Tango in Zagarol") is a 1973 Italian comedy film directed by Nando Cicero. It is a parody of" Last Tango in Paris", set in the town of Zagarolo, in the province of Rome. The film had great commercial success, grossing about 950 million lire. According to the film critic Robert Firsching," the humor is primarily of the cheap bathroom variety, as subtlety has never been director Nando Cicero's strong point, but there are some genuine laughs for the tolerant". <SEP> Kim Ki-young Kim was born in Seoul during the colonial period, raised in Pyongyang, where he became interested in theater and cinema. In Korea after the end of World War II, he studied dentistry while becoming involved in the theater. During the Korean War, he made propaganda films for the United States Information Service. In 1955, he used discarded movie equipments to produce his first two films. With the success of these two films Kim formed his own production company and produced popular melodramas for the rest of the decade. Kim Ki-young's first expression of his mature style was in his" The Housemaid"( 1960), which featured a powerful" femme fatale" character. It is widely considered to be one of the best Korean films of all time. After a" Golden Age" during the 1960s, the 1970s were a low- point in the history of Korean cinema because of governmental censorship and a decrease in audience attendance. Nevertheless, working independently, Kim produced some of his most eccentric cinematic creations in this era. ( October 10, 1919 – February 5, 1998) was a South Korean film director, known for his intensely psychosexual and melodramatic horror films, often focusing on the psychology of their female characters. Films such as" Insect Woman"( 1972) and" Iodo"( 1977) were successful at the time and highly influential on the younger generations of South Korean filmmakers both at their time of release, and with their rediscovery years later. By the 1980s, Kim's popularity had gone into decline, and his output decreased in the second half of the decade. Neglected by the mainstream during much of the 1990s, Kim became a cult figure in South Korean film Internet forums in the early 1990s. Widespread international interest in his work was stimulated by a career retrospective at the 1997 Pusan International Film Festival. He was preparing a comeback film when he and his wife were killed in a house fire in 1998. The Berlin International Film Festival gave Kim a posthumous retrospective in 1998, and the French Cinémathèque screened 18 of Kim's films, some newly rediscovered and restored, in 2006. Through the efforts of the Korean Film Council( KOFIC), previously lost films by Kim Ki- young continue to be rediscovered and restored. Many current prominent South Korean filmmakers, including directors Im Sang- soo, Kim Ki-duk, Bong Joon- ho and Park Chan- wook, claim Kim Ki- young as an influence on their careers.