Question: In which city did he painter and printmaker associated with "Les Nabis" found Salon d'Automne?

Passages:
Félix Edouard Vallotton (December 28, 1865December 29, 1925) was a Swiss/French painter and printmaker associated with "Les Nabis".  He was an important figure in the development of the modern woodcut. Ker-Xavier Roussel (10 December 1867 – 6 June 1944) was a French painter associated with Les Nabis. Groupe de femmes, also called Groupe de trois femmes, or Groupe de trois personnages, is an early Cubist sculpture created circa 1911 by the Hungarian avant-garde, sculptor, and graphic artist Joseph Csaky (1888–1971).  This sculpture formerly known from a black and white photograph (Galerie René Reichard) had been erroneously entitled "Deux Femmes (Two Women)", as the image captured on an angle showed only two figures.  An additional photograph found in the Csaky family archives shows a frontal view of the work, revealing three figures rather than two.  Csaky's sculpture was exhibited at the 1912 Salon d'Automne, and the 1913 Salon des Indépendants, Paris.  A photograph taken of Salle XI "in sitiu" at the 1912 Salon d'Automne and published in "L'Illustration", 12 October 1912, p. 47, shows "Groupe de femmes" exhibited alongside the works of Jean Metzinger, František Kupka, Francis Picabia, Amedeo Modigliani and Henri Le Fauconnier. Louis Valtat (] ; 8 August 1869 – 2 January 1952) was a French painter and printmaker associated with the Fauves ("the wild beasts", so named for their wild use of color), who first exhibited together in 1905 at the Salon d'Automne. Jean-Édouard Vuillard (] ; 11 November 186821 June 1940) was a French painter and printmaker associated with the Nabis. 20th-century art—and what it became as modern art—began with modernism in the late 19th century.  Nineteenth-century movements of Post-Impressionism (Les Nabis), Art Nouveau and Symbolism led to the first twentieth-century art movements of Fauvism in France and Die Brücke ("The Bridge") in Germany.  Fauvism in Paris introduced heightened non-representational colour into figurative painting.  Die Brücke strove for emotional Expressionism.  Another German group was Der Blaue Reiter ("The Blue Rider"), led by Kandinsky in Munich, who associated the "blue rider" image with a spiritual non-figurative mystical art of the future.  Kandinsky, Kupka, R. Delaunay and Picabia were pioneers of abstract (or non-representational) art.  Cubism, generated by Picasso, Braque, Metzinger, Gleizes and others rejected the plastic norms of the Renaissance by introducing multiple perspectives into a two-dimensional image.  Futurism incorporated the depiction of movement and machine age imagery.  Dadaism, with its most notable exponents, Marcel Duchamp, who rejected conventional art styles altogether by exhibiting found objects, notably a urinal, and too Francis Picabia, with his "Portraits Mécaniques". Maurice Denis (] ; 25 November 1870 – 13 November 1943) was a French painter and writer, and a member of the Symbolist and Les Nabis movements.  His theories contributed to the foundations of cubism, fauvism, and abstract art. The Salon d'Automne (Autumn Salon), or Société du Salon d'automne, is an annual art exhibition held in Paris, France since 1903; it is currently held on the Champs-Élysées, between the Grand Palais and the Petit Palais, in mid October .  The first Salon d'Automne was created under the initiative of the Belgian architect, literary man and art collector Frantz Jourdain, along with the architect Hector Guimard, the painters Georges Desvallières, Eugène Carrière, Félix Vallotton, Édouard Vuillard and the Maison Jansen, a Paris-based interior decoration office (the first truly global design firm) founded in 1880 by Dutch-born Jean-Henri Jansen. Pierre Bonnard (] ; 3 October 1867 — 23 January 1947) was a French painter and printmaker, as well as a founding member of the Post-Impressionist group of avant-garde painters Les Nabis.  Bonnard preferred to work from memory, using drawings as a reference, and his paintings are often characterized by a dreamlike quality.  The intimate domestic scenes, for which he is perhaps best known, often include his wife Marthe de Meligny. Danseuse au café (also known as Dancer in a Café or Au Café Concert and Danseuse) is a large oil painting created in 1912 by the French artist and theorist Jean Metzinger (1883–1956).  The work was exhibited in Paris at the Salon d'Automne of 1912, entitled "Danseuse".  The Cubist contribution to the 1912 Salon d'Automne created a controversy in the Municipal Council of Paris, leading to a debate in the Chambre des Députés about the use of public funds to provide the venue for such 'barbaric' art.  The Cubists were defended by the Socialist deputy, Marcel Sembat.  This painting was realized as Albert Gleizes and Jean Metzinger, in preparation for the Salon de la Section d'Or, published a major defence of Cubism, resulting in the first theoretical essay on the new movement, "Du «Cubisme»".  "Danseuse au café" was first reproduced in a photograph published in an article entitled "Au Salon d'Automne "Les Indépendants"" in the French newspaper "", 2 Octobre 1912.  The painting is now located at the Albright-Knox Art Gallery, Buffalo New York.

Supporting sentences:
 The first Salon d'Automne was created under the initiative of the Belgian architect, literary man and art collector Frantz Jourdain, along with the architect Hector Guimard, the painters Georges Desvallières, Eugène Carrière, Félix Vallotton, Édouard Vuillard and the Maison Jansen, a Paris-based interior decoration office (the first truly global design firm) founded in 1880 by Dutch-born Jean-Henri Jansen. Félix Edouard Vallotton (December 28, 1865December 29, 1925) was a Swiss/French painter and printmaker associated with "Les Nabis".