Question: What is the nationality of the poet who wrote Une Tempete and first performed it in Tunisia?

Passages:
<P1-S0> Jean-Luc Bitton (born in 1959 in Lyon, France) is a writer, journalist and author. <P1-S1>  Together with Raymond Cousse and Jean-Yves Reuzeau, he wrote "Emmanuel Bove : La Vie Comme une Ombre", a biography of the writer Emmanuel Bove. <P1-S2>  He also participated in the creation of the Bove segment on the television series "A Century of Writers" (1997) and has created a website devoted entirely to Bove. <P1-S3>  He will also be the first biographer of French poet Jacques Rigaut, in a forthcoming book scheduled for publication in 2014. <P1-S4>  He has published articles in the journals Jungle, Perpendicular, The Series, the Nouvelle Revue Française and Rue Saint Ambrose. Aimé Fernand David Césaire (26 June 1913 – 17 April 2008) was a Francophone and French poet, author and politician from Martinique.  He was "one of the founders of the négritude movement in Francophone literature".  He wrote such works as "Une Tempête", a response to Shakespeare's play "The Tempest", and "Discours sur le colonialisme" ("Discourse on Colonialism"), an essay describing the strife between the colonizers and the colonized.  His works have been translated into many languages. Arthur Rimbaud, French poet, lived for a while in Roche, where his family had a farm.  He wrote several works there, notably "Une saison en enfer" ("A Season in Hell") and "Le bateau ivre" ("The Drunken Boat"). Une Tempête ("A tempest") is a 1969 play by Aimé Césaire.  It is an adaptation of Shakespeare's "The Tempest" from a postcolonial perspective.  The play was first performed at the Festival d'Hammamet in Tunisia under the direction of Jean-Marie Serreau.  It later played in Avignon and Paris.  Césaire uses all of the characters from Shakespeare's version, but he specifies that Prospero is a white master, while Ariel is a mulatto and Caliban is a black slave.  These characters are the focus of the play as Césaire foregrounds issues of race, power, and decolonization. Giovanni Andrea Bontempi (ca. 1624 – 1 July 1705) was an Italian castrato singer, later composer, historian, music theorist, and assistant "kapellmeister" to Heinrich Schütz at Dresden from 1657.  He was born Giovanni Andrea Angelini, in Perugia but later took the surname of his patron Cesare Bontempi.  His "Il Paride" was the first Italian-language opera to be given in Dresden.  It was first performed in November 1662 at the Dresden Castle to celebrate the marriage of Erdmude Sophia, the daughter of the Elector of Saxony, and Christian Ernst, Count of Brandenburg.  He composed two other operas, both of which also premiered in Dresden: "Dafne" performed in 1671 to open the Opernhaus am Taschenberg, and "Jupiter und Jo" first performed in 1673. Prosper-Didier Deshayes (mid 18th century – 1815) was an opera composer and dancer who lived and worked in France.  In 1764 he was a balletmaster at the Comédie-Française.  By 1774 he had become an assistant ("adjoint") at the Paris Opéra.  His first opera "Le Faux serment ou La Matrone de Gonesse", a "comédie mêlée d'ariettes" in two acts, was first performed on 31 December 1785 at the Théâtre des Beaujolais in Paris and became a popular success.  He went on to have another 18 works performed at various venues in Paris, but only two, "La faut serment" and "Zélie, ou Le mari à deux femmes", a 3-act "drame" first performed at the Salle Louvois on 29 October 1791, were ever published as musical scores.  He also participated in the collaborative Revolutionary opera "Le congrès des rois", a 3-act "comédie mêlée d'ariettes", which combined music written by Deshayes and 11 other composers and was first performed by the Opéra-Comique at the Salle Favart on 26 February 1794.  He died in Paris. <P2-S0> Blasted is the first play by the British author Sarah Kane. <P2-S1>  It was first performed in 1995 at the Royal Court Theatre Upstairs in London. <P2-S2>  This performance was highly controversial and the play was fiercely attacked by most newspaper critics, many of whom regarded it as a rather immature attempt to shock the audience. <P2-S3>  However, critics have subsequently reassessed it; for example "The Guardian"'s Michael Billington, who savaged the play in his first review, later recanted in the wake of Kane's suicide: "I got it wrong, as I keep saying. <P2-S4>  She was a major talent. <P2-S5>  Apparently, Harold Pinter said at her memorial service that she was a poet, and I think that's dead right." <P2-S6>  After seeing a revival of the play, an "Evening Standard" reviewer Annie Ferguson wrote "How shrill and silly the 1995 hullabaloo and hysteria seemed last night when "Blasted" returned to the Royal Court. <P2-S7>  It is, and always was, a play with a fine, moral purpose." O holder Tag, erwünschte Zeit (O lovely day, o hoped-for time), BWV 210 , is a secular cantata by Johann Sebastian Bach.  He wrote the solo cantata for soprano in Leipzig for a wedding and first performed it between 1738 and 1746.  Bach used material from a "Huldigungskantate" (homage cantata), "O angenehme Melodei", BWV 210a, first performed in January 1729. Isabelle de Montolieu (1751–1832) was a Swiss novelist and translator.  She wrote in and translated to the French language.  Montolieu penned a few original novels and over 100 volumes of translations.  She wrote the first French translation of Jane Austen's "Sense and Sensibility" ("Raison et Sensibilité, ou Les Deux Manières d'Aimer") and "Persuasion" ("La Famille Elliot, ou L'Ancienne Inclination").  One of her translations to French - Johann David Wyss's German-language "The Swiss Family Robinson" ("Le Robinson suisse, ou, Journal d'un père de famille, naufragé avec ses enfans") - was adapted and expanded by her with original episodes more than once.  Montolieu's French version is the literal source of still frequently reprinted English translations - for example William H. G. Kingston's 1879 version, one of the most popular in English over the years, is actually a translation of Montolieu's French adaptation.  Her first novel, "Caroline de Lichtfield, ou Mémoires d'une Famille Prussienne", was an influential instant best-seller in the 1780s and stayed in print until the mid-19th century. The English Cat (in German, Die englische Katze) is an opera in two acts by Hans Werner Henze to an English libretto by Edward Bond, based on "Les peines de coeur d'une chatte anglaise " ("The heartbreak of an English cat") by Honoré de Balzac.  The opera was first performed in a German translation by the Stuttgart Opera at the Schlosstheater Schwetzingen at the Schwetzingen Festival on 2 June 1983.  The French premiere was at the Opéra-Comique, Paris in 1984.  The first performance using the original English text was at Santa Fe on 13 July 1985.  The UK premiere was at the Leith Theatre, Edinburgh, on 19 August 1987.  A revised version was performed at Montepulciano in 1990 and this was given in London in 1991.

Supporting sentences:
 He wrote such works as "Une Tempête", a response to Shakespeare's play "The Tempest", and "Discours sur le colonialisme" ("Discourse on Colonialism"), an essay describing the strife between the colonizers and the colonized. Une Tempête ("A tempest") is a 1969 play by Aimé Césaire.  The play was first performed at the Festival d'Hammamet in Tunisia under the direction of Jean-Marie Serreau.