Question: What is the Latin phrase that describes Pope Julius II's efforts to remove Pope Alexander VI's name from the records?

Passages:
The Agony and the Ecstasy is a 1965 American film directed by Carol Reed, starring Charlton Heston as Michelangelo and Rex Harrison as Pope Julius II.  The film was partly based on Irving Stone's biographical novel of the same name.  This film deals with the conflicts of Michelangelo and Pope Julius II during the painting of the Sistine Chapel's ceiling.  It also features a soundtrack co-written by prolific composers Alex North and Jerry Goldsmith. Pope Julius II (Italian: "Papa Giulio II" ; Latin: "Iulius II" ) (5 December 1443 – 21 February 1513), born Giuliano della Rovere, and nicknamed "The Fearsome Pope" and "The Warrior Pope", was Pope from 1 November 1503 to his death in 1513.  His papacy was marked by an active foreign policy, ambitious building projects, and patronage of the arts—he commissioned the destruction and rebuilding of St. Peter's Basilica, and Michelangelo's decoration of the ceiling of the Sistine Chapel.  In addition to an active military policy, he personally led troops into battle on at least two occasions, the first to expel Giovanni Bentivoglio from Bologna (17 August 1506–23 March 1507), and the second in an attempt to recover Ferrara for the Papal States (1 September 1510–29 June 1512). The papal conclave of September 1503 elected Pope Pius III to succeed Pope Alexander VI.  Due to the Italian Wars, the College of Cardinals was surrounded by three potentially hostile armies, loyal to Louis XII of France, Ferdinand II of Aragon, and Cesare Borgia (the cardinal-nephew of Alexander VI). Dum Diversas (English: "Until different") is a papal bull issued on 18 June 1452 by Pope Nicholas V.  It authorized Afonso V of Portugal to conquer Saracens and pagans and consign them to "perpetual servitude".  Pope Calixtus III reiterated the bull in 1456 with "Inter Caetera" (not to be confused with Alexander VI's), renewed by Pope Sixtus IV in 1481 and Pope Leo X in 1514 with "Precelse denotionis".  The concept of the consignment of exclusive spheres of influence to certain nation states was extended to the Americas in 1493 by Pope Alexander VI with "Inter caetera". Damnatio memoriae is a modern Latin phrase literally meaning "condemnation of memory", meaning that a person must not be remembered. Cantarella was a poison allegedly used by the Borgias during the papacy of Pope Alexander VI.  It was probably a variation of arsenic or cantharidin powder (made from blister beetles) .  The use of this poison is not well documented in any of the papal records and it was most likely conceived after 1503 as part of Pope Julius II's effort to remove his name from the records. Pedro Luis de Borja Lanzol de Romaní, O.S.Io.Hieros.  (1472–1511) was a Roman Catholic cardinal and cardinal-nephew and papal military leader.  He received a wide variety of sinecures during the papacy of his great-uncle, Pope Alexander VI, but was exiled to Naples on the election of Borja rival Pope Julius II.  Borja also fought with the Knights Hospitaller in Jerusalem and Rhodes. Felice della Rovere (c. 1483 – September 27, 1536), also known as Madonna Felice, was the illegitimate daughter of Pope Julius II.  One of the most powerful women of the Italian Renaissance, she was born in Rome around 1483 to Lucrezia Normanni and Cardinal Giuliano della Rovere, later Pope Julius II.  Felice was well educated, became accepted into close courtly circles of aristocratic families, and formed friendships with scholars and poets through her education and genuine interest in humanism.  Through the influence of her father, including an arranged marriage to Gian Giordano Orsini, she wielded extraordinary wealth and influence both within and beyond the Roman Curia.  In particular, she negotiated a peace between Julius II and the Queen of France, and held the position of Orsini Signora for over a decade following the death of her husband in 1517.  Felice further increased her power through a castle that she bought with money received from her father, the Castle at Palo, and through her involvement in the grain trade. Portrait of Pope Julius II is an oil painting of 1511–12 by the Italian High Renaissance painter Raphael.  The portrait of Pope Julius II was unusual for its time and would carry a long influence on papal portraiture.  From early in its life, it was specially hung at the pillars of the church of Santa Maria del Popolo, on the main route from the north into Rome, on feast and high holy days.  Giorgio Vasari, writing long after Julius' death, said that "it was so lifelike and true it frightened everyone who saw it, as if it were the living man himself". The Pesaro Madonna (Italian: "Pala Pesaro" ) (better known as the Madonna di Ca' Pesaro) is a painting by the Italian Renaissance master Titian, commissioned by Jacopo Pesaro, whose family acquired in 1518 the chapel in the Frari Basilica in Venice for which the work was painted, and where it remains today.  Jacopo was Bishop of Paphos, in Cyprus, and had been named commander of the papal fleet by the Borgia pope, Alexander VI.  This painting recalls one of Titian's earliest paintings "Jacopo Pesaro being presented by Pope Alexander VI to Saint Peter", c. 1510-11

Supporting sentences:
Cantarella was a poison allegedly used by the Borgias during the papacy of Pope Alexander VI.  The use of this poison is not well documented in any of the papal records and it was most likely conceived after 1503 as part of Pope Julius II's effort to remove his name from the records. Damnatio memoriae is a modern Latin phrase literally meaning "condemnation of memory", meaning that a person must not be remembered.