Question: The Hot Shots is a collective name for two closely related Swedish dance companies who perform a dance developed from the "prize walks" held in the latter part of what century?

<P0-S0>  The Hot Shots specialize in faithful reproductions of African-American dance scenes in American films from the 1920s, 30s, and 40s. <P0-S1> The Hot Shots is a collective name for two closely related Swedish dance companies based in Stockholm, Sweden: The Rhythm Hot Shots and the Harlem Hot Shots. <P0-S2>  Dances that they perform include Lindy Hop, Tap dance, Cakewalk, Charleston, and Black Bottom. <P0-S3>  The members of the Hot Shots are also respected dance instructors and accomplished social dancers. <P0-S4>  The goals of The Rhythm Hot Shots and the Harlem Hot Shots are the same. <SEP> <P1-S0>  Alternative names for the original form of the dance were "chalkline-walk", and the "walk-around". <P1-S1>  At the conclusion of a performance of the original form of the dance in an exhibit at the 1876 Centennial Exposition in Philadelphia, an enormous cake was awarded to the winning couple. <P1-S2>  Thereafter it was performed in minstrel shows, exclusively by men until the 1890s. <P1-S3> The cakewalk or cake walk was a dance developed from the "prize walks" held in the late 19th century, generally at get-togethers on black slave plantations in the Southern United States. <P1-S4>  The inclusion of women in the cast "made possible all sorts of improvisations in the Walk, and the original was soon changed into a grotesque dance" which became very popular across the country. <SEP> <P2-S0> African-American dance has developed within Black American communities in everyday spaces, rather than in studios, schools or companies. <P2-S1>  These dances are usually centered on folk and social dance practice, though performance dance often supplies complementary aspects to this. <P2-S2>  Placing great value on improvisation, these dances are characterized by ongoing change and development. <P2-S3>  There are a number of notable African-American modern dance companies using African-American cultural dance as an inspiration, amongst these are the Whitey's Lindy Hoppers, Alvin Ailey American Dance Theater, Dance Theatre of Harlem, and Lula Washington Dance Theatre. <P2-S4>  Unlike European-American dance, African-American dance was not taxed in the fields of Europe where it began and has not been presented in theatrical productions by generations of kings, tzars, and states. <P2-S5>  Instead, it lost its best dancers to the draft and started requiring taxes from establishments in the form of a federal excise tax on dance halls enacted in 1944. <P2-S6>  Dance halls continue to be taxed throughout the country while dance studios are not, and African-American dance companies statistically receive less than taxpayer money than European-Americans. <P2-S7>  However, Hollywood and Broadway have provided wonderful opportunities for African-American artists to share their work and for the public to support them. <P2-S8>  Michael Jackson and Beyonce are the most well-known African-American dancers. <SEP> <P3-S0> Hot Shots! <P3-S1>  is a 1991 comedy film which stars Charlie Sheen, Cary Elwes, Valeria Golino, Lloyd Bridges, Jon Cryer, Kevin Dunn, Kristy Swanson, and Bill Irwin. <P3-S2>  It was directed by Jim Abrahams, co-director of "Airplane! <P3-S3> ", and was written by Abrahams and Pat Proft. <P3-S4>  It was followed by a sequel, "Hot Shots! <P3-S5>  Part Deux" in 1993. <P3-S6>  Both Sheen and Cryer would later costar in the TV series "Two and a Half Men", with Ryan Stiles playing a recurring role. <P3-S7>  The film is primarily a parody of "Top Gun", with some scenes spoofing other popular films, including "9½ Weeks", "Dances with Wolves", "Marathon Man", "Rocky", "Superman" and "Gone with the Wind".