Question: Do both films La Forteresse (Film) and Air Mata Mengalir Di Tjitarum have the directors from the same country?

<P0-S0> Djaoeh Dimata (Perfected Spelling: Jauh Dimata; Indonesian for "Out of Sight") is a 1948 film from what is now Indonesia written and directed by Andjar Asmara for the South Pacific Film Corporation (SPFC). <P0-S1> Starring Ratna Asmara and Ali Joego, it follows a woman who goes to Jakarta to find work after her husband is blinded in an accident. <P0-S2> SPFC's first production, "Djaoeh Dimata" took two to three months to film and cost almost 130,000 gulden. <P0-S3> The first domestically produced feature film to be released in five years, "Djaoeh Dimata" received favourable reviews, although financially it was outperformed by Roestam Sutan Palindih's "Air Mata Mengalir di Tjitarum" (released soon after). <P0-S4> The film's cast remained active in the Indonesian film industry, some for another thirty years, and SPFC produced six more works before closing in 1949. <P0-S5> A copy of the film is stored at Sinematek Indonesia. <SEP> <P1-S0> The films stars Paul Dupuis as Michel Lacoste, Jacques Auger as Albert Frédéric, Nicole Germain as Marie Roberts, Henri Letondal as Edward Durant, Lucie Poitras as Mother Superior, Armande Lebrun as Renée Brancourt, and Mimi D'Estée as Blanche Lacoste. <P1-S1> Composer Morris Davis wrote the picture's film score. <P1-S2> La Forteresse (released in the United States as "The Fortress") is a 1947 Canadian feature film directed by Fyodor Otsep that uses a French language screenplay by Rian James and Leonard Lee. <P1-S3> An English language version entitled "Whispering City", with different actors, was made simultaneously. <SEP> <P2-S0> I Want Your <P2-S1> Love is the title of both a 2010 short film and a 2012 feature- length film. <P2-S2> Both films were directed and written by Travis Mathews. <P2-S3> The drama films both revolve around the friends and ex-lovers of Jesse Metzger, a gay man in his mid-thirties who is forced to move back to his hometown from San Francisco due to financial reasons. <P2-S4> The actors' own names, along with much of their real- life stories, were used for their characters in both films, which features graphic sexual scenes. <P2-S5> The production of both films was aided by the gay pornographic studio NakedSword. <P2-S6> This led to the full- length film being refused exemption from classification, which would have allowed it to screen at the Melbourne Queer Film Festival, a decision to which actor James Franco( who invited Mathews to collaborate on Franco's film" Interior. Leather Bar.") reacted negatively. <SEP> <P3-S0> Air Mata Mengalir di Tjitarum( Perfected Spelling: Air Mata Mengalir di Citarum; Indonesian for" Tears Flow in Citarum") is a 1948 film from what is now Indonesia, written and directed by Roestam Sutan Palindih for the Tan& Wong Bros Film Company. <SEP> <P4-S0> He was born in Fort de Kock, Dutch East Indies( now Bukittinggi, Indonesia) in 1898. <P4-S1> He finished his education in various cities, including Batavia( now Jakarta), Bandung, Padang, and Medan. <P4-S2> In the 1920s and 30s Rustam held a variety of jobs, including as the owner of a small shop and a farmer. <P4-S3> He eventually became involved with the journalistic and literary industries, working at Balai Pustaka and heading the newspaper" Harian Neratja". <P4-S4> From 1933 until 1938 he was a member of a native political council, vocally opposing the Dutch colonial presence in the Indies. <P4-S5> Rustam began his involvement with the local film industry during the 1940s, writing novelisations of films by Tan Tjoei Hock and Soeska. <P4-S6> After the Empire of Japan occupied the Indies beginning in 1942, he collaborated with the Japanese forces in making the short propaganda films" Di Desa" and" Di Menara" for the studio Nippon Eigasha. <P4-S7> During the Indonesian National Revolution( 1945 – 1949) that followed the occupation Rustam directed his only feature film," Air Mata Mengalir di TjitarumTears Flow in Tjitarum"), in 1948, which was the feature film debut of Sofia WD. <P4-S8> His last work in the film industry, a script entitled" Terang BulanFull Moon"), was filmed in 1950 and directed by Mustadjab. <P4-S9> Starring Sofia and Rd Mochtar, the production followed two lovers separated by crime, war, and family who are ultimately able to reunite. <P4-S10> By the 1950s, after Indonesia's independence was recognised, Rustam had become mostly a literary documentarian, although he continued to publish some works on the subject. <P4-S11> Roestam Sutan Palindih( Perfected Spelling: Rustam Sutan Palindih) was an Indonesian film director and writer. <P4-S12> He also wrote on the nation's politics and recorded a version of the folktale Lutung Kasarung. <P4-S13> He died in 1971 after several years of ill health. <SEP> <P5-S0> An important early writer on film and film theory, he served as dramaturge for the Mezhrabpomfilm- Rus company and wrote a number of films for directors such as V.I. Pudovkin and Yakov Protazanov before turning to directing in 1926. <P5-S1> During the production of" The Living Corpse" in Germany, he decided to remain and worked throughout Europe during the 1930s, enjoying international acclaim for films including" The Murderer Dimitri Karamazov" and" Amok". <P5-S2> With the advent of World War II he moved to Hollywood but was unable to establish a career there, directing only one film. <P5-S3> His last two films were made in Canada. <P5-S4> He died of a heart attack in Los Angeles in 1949. <P5-S5> Fedor Ozep or Fyodor Otsep(" Fyodor Aleksandrovich Otsep"; February 9, 1895 – June 20, 1949) was a Russian- American film director and screenwriter, born in Moscow.