Question: Do both Wort Und Tat and Indian Summer (1970 Film) films have the directors from the same country?

<P0-S0> Indian Summer, also known as Alive& Kicking, is a 1996 British drama film directed by Nancy Meckler and starring Jason Flemyng, Antony Sher and Bill Nighy. <P0-S1> The script was written by Martin Sherman, author of the play Bent. <P0-S2> The plot follows as self- involved gay dancer who refuses to let the fact that he is HIV positive to disrupt his career as he rehearses a staging of" Indian Summer", a gay- themed ballet about love and lust. <P0-S3> The dancer begins a troubled relationship with an older man, a gay therapist prone to drinking. <P0-S4> The film was released in the UK as" Indian Summer" and in the United States as" Alive& Kicking". <SEP> <P1-S0> Fritz Hippler( 17 August 1909 – 22 May 2002) was a German filmmaker who ran the film department in the Propaganda Ministry of Nazi Germany, under Joseph Goebbels. <P1-S1> He is best known as the director of the propaganda film" Der Ewige Jude( The Eternal Jew)". <SEP> <P2-S0> Indian Summer(" Bablje ljeto") is a 1970 Croatian film directed by Nikola Tanhofer. <SEP> <P3-S0> Uncle Vanya is a 1970 film adaptation of the Anton Chekhov play of the same title and directed by Andrey Konchalovskiy. <SEP> <P4-S0> It was released in 1938. <P4-S1> The film is notable for the extensive use of montage to get its message across, in a style reminiscent of Sergei Eisensteins. <P4-S2> Wort und Tat( Words and Deeds) is a 10- minute- long Nazi propaganda film directed by Fritz Hippler, among others. <P4-S3> The film begins with a montage of clips from the Weimar period, showing a series of clips of Labor and Communist rallies, interspersed with scenes of scantily clad cabaret girls, and then shots of the posters of the different Weimar era political parties. <P4-S4> this illustrates the" chaos" and" decadence" of the Weimar period. <P4-S5> This sequence ends with former chancellor Heinrich Brüning making a speech against National Socialism. <P4-S6> The film then goes into a series of sequences showing how Nazi rule has improved various aspects of German life: <P4-S7> Then the film shifts to a scene of Mussolini praising the German development( in German), and various shots of the SS marching and the Luftwaffe flying in formation( which seems to have been lifted from). <SEP> <P5-S0> His first film as director," It Was Not in Vain" was entered into the 7th Berlin International Film Festival. <P5-S1> Nikola Tanhofer( 25 December 1926 – 24 November 1998) was a Croatian film director, screenwriter and cinematographer. <P5-S2> His most accomplished film," H- 8"( 1958), won him a Golden Arena award at the Pula Film Festival. <P5-S3> After two less successful films, the psychological war drama" Osma vrata"( 1959) and" Sreća dolazi u 9"( 1961), the first Yugoslavian feature film with fantastical elements, he directed two somewhat more successful ones," Dvostruki obruč"( 1963) and" Svanuće"( 1964). <P5-S4> After directing" Bablje ljeto"( 1970), he devoted himself to teaching at the Department for Film and Television Cinematography, which he founded in 1969 at the former Academy For Theater, Film And Television in Zagreb. <P5-S5> He wrote" Filmska fotografija Film Photography") in 1981.