Question: Do both directors of films Into the Arms of Strangers: Stories of the Kindertransport and The Clockmaker have the same nationality?

<P0-S0> The film was written and directed by Mark Jonathan Harris, released by Warner Bros., and made with the cooperation of the United States Holocaust Memorial Museum. <P0-S1> Oppenheimer co-wrote the teacher ’s study guide and co-authored with Harris the film ’s companion book of the same name by Bloomsbury Publishing( 2000; reissued 2018). <P0-S2> The book was republished by Bloomsbury in 2017 and the film returned to HBO in May 2019. <P0-S3> Judi Dench narrated. <P0-S4> Downton Abbey is the most nominated non-U.S. show in history and the highest rated PBS drama ever. <P0-S5> As Executive Vice President of Carnival Films, Oppenheimer developed and executive produced Christopher Guest ’s Family Tree for HBO and BBC1, starring Chris O' Dowd. <P0-S6> As President of Bruce Helford ’s Mohawk Productions at Warner Bros., Oppenheimer executive produced hundreds of episodes of television shows starring Drew Carey, George Lopez, Wanda Sykes, Norm Macdonald, Bernie Mac, Will Ferrell, and Pamela Adlon, and worked with development partners including Sandra Bullock, Kenya Barris, Stephanie Savage, McG, and more. <P0-S7> In 2014, Into the Arms of Strangers: Stories of the Kindertransport was deemed" culturally, historically, or aesthetically significant" by the Library of Congress and selected for preservation for all time in the National Film Registry. <P0-S8> Oppenheimer conceived and led U.S. strategies and was production consultant to the Carnival Films television series, Downton Abbey during its complete run. <P0-S9> It has a preface by Richard Attenborough and an introduction by historian David Cesarani. <P0-S10> She won an Academy Award in 2001 for best documentary feature for producing( 2000). <P0-S11> Reunited with writer/ director Harris and several of the award- winning production team from" Into the Arms of Strangers", the film is a revealing first- hand look at the complex foster care system as seen through the eyes of those who know it best. <P0-S12> The series was executive produced by Gareth Neame and written by Julian Fellowes. <P0-S13> Oppenheimer ’s most recent feature- length documentary, FOSTER, presented by Participant and Emerson Collective, premiered theatrically and on HBO in May 2019 during Foster Care Awareness Month. <P0-S14> Oppenheimer was associate producer for the Cable ACE Award- winning production of the Showtime/ PBS drama, Master Harold ... and the Boys, written by Athol Fugard, produced by Michael Brandman, directed by Michael Lindsay- Hogg, and starring Tony- award winning actors John Kani, Matthew Broderick, and Zakes Mokae. <SEP> <P1-S0> Based on the novel" L' Horloger d' Everton" by Georges Simenon, it tells the story of a widowed father who first discovers how little he knows about his teenage son, who kills a man and with his girl goes on the run, but then decides that whatever their faults he will stand by the pair. <P1-S1> The Clockmaker( also known as The Clockmaker of St. Paul and The Watchmaker of St. Paul) is a 1974 French crime drama film directed by Bertrand Tavernier. <P1-S2> The film was entered into the 24th Berlin International Film Festival where it won the Silver Bear- Special Jury Prize. <P1-S3> In the United States, it was nominated for Best Foreign Language Film by the U.S. National Board of Review. <SEP> <P2-S0> Bertrand Tavernier( born 25 April 1941) is a French director, screenwriter, actor and producer. <SEP> <P3-S0> Arms of Dominion are the arms borne both by a monarch and the state in a monarchy. <P3-S1> In this respect they are both the national arms and the arms of the nation's monarch, who is the monarchy's sovereign, and are thus simultaneously the personal arms of the monarch and the arms of the state he or she reigns over. <SEP> <P4-S0> Written and directed by Mark Jonathan Harris, produced by Deborah Oppenheimer, narrated by Judi Dench, and made with the cooperation of the United States Holocaust Memorial Museum, it utilized rare and extensive footage, photographs, and artifacts, and is told in the words of the child survivors, rescuers, parents, and foster parents. <P4-S1> Into the Arms of Strangers: Stories of the Kindertransport is the 2000 Academy Award- winning Warner Bros. documentary feature film about the remarkable British rescue operation, known as the Kindertransport, which saved the lives of over 10,000 Jewish children from Nazi Germany, Austria, and Czechoslovakia by transporting them via train, boat, and plane to Great Britain. <P4-S2> These children, or" Kinder" in German, were taken into foster homes and hostels in Britain, expecting eventually to be reunited with their parents. <P4-S3> The majority of them never saw their families again. <P4-S4> The film was released on DVD and VHS on August 28, 2001 by Warner Home Video. <SEP> <P5-S0> He has directed three documentaries which have gone on to win Oscars, across three different decades. <P5-S1> Educated at Harvard, Harris co-produced the short "The Redwoods" for the Sierra Club with Trevor Greenwood; the short won the 1967 Academy Award for Documentary Short Subject. <P5-S2> The aforementioned "Into The Arms" and "Long Way Home" also landed Academy Awards. <P5-S3> Harris started out as a crime reporter for the Chicago City News Bureau, and reports that on his first story he went into a police station and had his car stolen from in front of it. <P5-S4> Harris tried investigative journalism next but quit after realizing he did not like to embarrass people. <P5-S5> Harris believes that filmmakers can construct a cinema verite film beforehand by considering repeatable events— <P5-S6> The film was not especially positive about the Peace Corps experience; the Peace Corps decided not to use it for recruiting, but to use it for training people who have been in for about a year. <P5-S7> Mark Jonathan Harris (born 1941) is an American documentary filmmaker probably best known for his films  (2000) and "The Long Way Home" (1997). <P5-S8> Spike Lee condemned the second half of the film as propaganda for the state of Israel; nonetheless the film won an Oscar in 1997 for Best Documentary. <P5-S9> He turned in a final print and had the film flagged the next day; it was never shown. <P5-S10> He was nominated for outstanding writing for non-fiction writing for this documentary. <P5-S11> He also refuses to start filming immediately, but prefers to talk with the subjects for about an hour beforehand.