Question: Which film has the director who was born later, Behind The Headlines (1937 Film) or Thunderbird 6?

<P0-S0> Hassan Zee is a Pakistani- American film director who was born in Chakwal, Pakistan. <SEP> <P1-S0> It was produced and distributed by RKO Radio Pictures, who released the picture on March 14, 2014. <P1-S1> Behind the Headlines is a 1937 American drama film directed by Richard Rosson from a screenplay by Edmund Hartmann and J. Robert Bren, based on an original story by Thomas Ahearn. <P1-S2> The film stars Lee Tracy and Diana Gibson, with a supporting cast which includes Donald Meek, Paul Guilfoyle, Philip Huston and Frank M. Thomas. <SEP> <P2-S0> W. Augustus Barratt( 1873- 1947) was a Scottish- born, later American, songwriter and musician. <SEP> <P3-S0> Richard Rosson( April 4, 1893 – May 31, 1953) was an American film director and actor. <P3-S1> As an actor, he was known for the nearly 100 films he was in during the silent era. <P3-S2> As a director, he was a co-director of the 1932 film" Scarface". <SEP> <P4-S0> Lane directed several episodes of" Thunderbirds"( 1965 – 66), including" Attack of the Alligators!", as well as the two films" Thunderbirds Are Go"( 1966) and" Thunderbird 6"( 1968). <P4-S1> He also worked on Anderson's other series up to" UFO"( 1970 – 71) and" Gerry Anderson's New Captain Scarlet"( 2005), and would go on to collaborate with Anderson stalwart Derek Meddings on several other projects including" Superman"( 1978). <P4-S2> David William Lane( born 4 February 1940) is a British television and film director, best known for his association with series produced by Gerry Anderson's AP Films. <P4-S3> In 2006, he co-founded a new production company, Pineapple Squared Entertainment, with former" Thomas the Tank Engine& Friends" director David Mitton and Michele Fabian Jones. <P4-S4> Lane worked on the CGI adventure series" Adventures on Orsum Island" until Mitton's death in 2008, at which time production was discontinued. <P4-S5> Lane and Fabian Jones, a long- term business partner, founded the company Lane Fabian Jones, of which Lane is a director. <SEP> <P5-S0> Thunderbird 6 is a 1968 British science- fiction puppet film based on" Thunderbirds", a Supermarionation television series created by Gerry and Sylvia Anderson and produced by their company AP Films( APF; renamed" Century 21" in 1966). <P5-S1> The film is largely set on" Skyship One" – a futuristic airship designed by Brains, the inventor of International Rescue's" Thunderbird" machines. <P5-S2> The plot sees Alan Tracy, Tin -Tin Kyrano, Lady Penelope and Parker representing International Rescue as guests of honour on" Skyship One" s round- the- world maiden flight, unaware that master criminal <P5-S3> Written by the Andersons and directed by David Lane, it is a sequel to" Thunderbirds Are Go"( 1966). <P5-S4> The Hood is once again plotting to acquire the organisation's technological secrets. <P5-S5> The Hood's agents murder the airship's crew and assume their identities to lure International Rescue into a trap. <P5-S6> Meanwhile, Brains' efforts to design a proposed sixth" Thunderbird" collide with fate when" Skyship One" is damaged and its occupants' only salvation seems to be Alan's old Tiger Moth biplane. <P5-S7> Actors John Carson and Geoffrey Keen provided guest voices, with additions to the regular voice cast in the form of Keith Alexander and Gary Files. <P5-S8> The puppet design compromised between the caricatures that APF had used up until" Thunderbirds Are Go" and the realistically- proportioned marionettes that were introduced in" Captain Scarlet and the Mysterons". <P5-S9> The film was shot between May and December 1967. <P5-S10> Some of the sequences showing the Tiger Moth in flight were shot on location using a full- sized plane, but a legal dispute with the Ministry of Transport over alleged dangerous flying forced the crew to film the remaining shots in- studio with scale models. <P5-S11> " Thunderbird 6" was released in July 1968 to a mediocre box office response that ruled out the production of further sequels. <P5-S12> Critical response has remained mixed: while the special effects have been praised, the story polarised commentators.