Question: What helped to bolster house music in the country whose name has a two letter abbreviation, where the Prince of Thieves movie, featuring the character depicted alongside John, was made?

<P0-S0> Nineteenth-century fictional depictions of John were heavily influenced by Sir Walter Scott's historical romance, Ivanhoe, which presented "an almost totally unfavourable picture" of the king; the work drew on Victorian histories of the period and on Shakespeare's play. <P0-S1> During the 20th century, John was normally depicted in fictional books and films alongside Robin Hood. <P0-S2> Sam De Grasse's role as John in the black-and-white 1922 film version shows John committing numerous atrocities and acts of torture. <P0-S3> Claude Rains played John in the 1938 colour version alongside Errol Flynn, starting a trend for films to depict John as an "effeminate ... arrogant and cowardly stay-at-home". <P0-S4> The character of John acts either to highlight the virtues of King Richard, or contrasts with the Sheriff of Nottingham, who is usually the "swashbuckling villain" opposing Robin. <P0-S5> An extreme version of this trend can be seen in the Disney cartoon version, for example, which depicts John, voiced by Peter Ustinov, as a "cowardly, thumbsucking lion". <P0-S6> Scott's work influenced the late 19th-century children's writer Howard Pyle's book The Merry Adventures of Robin Hood, which in turn established John as the principal villain within the traditional Robin Hood narrative. <P0-S7> Popular works that depict John beyond the Robin Hood legends, such as James Goldman's play and later film, The Lion in Winter, set in 1183, commonly present him as an "effete weakling", in this instance contrasted with the more masculine Henry II, or as a tyrant, as in A. <P0-S8> A. Milne's poem for children, "King John's Christmas". <SEP> <P1-S0> The Boys' Brigade Gazette is a quarterly magazine printed regularly since 1889 in the United Kingdom for the officers and leaders of the Battalions and Companies of the Boy's Brigade in the UK and Ireland. <SEP> <P2-S0> princess of thieves is a romantic adventure tv movie starring keira knightley, produced by granada productions in 2001 and first broadcast on "the wonderful world of disney" on abc in the united states that same year. <P2-S1> co-starring in the film are malcolm mcdowell as the sheriff, jonathan hyde as prince john, stuart wilson as robin hood, del synnott as froderick, and stephen moyer as philip. <P2-S2> the movie was directed by peter hewitt and filmed in romania. <P2-S3> the film's plotline draws inspiration from the classic robin hood legend, which has been adapted many times for screen. <SEP> <P3-S0> A second unit filmed the medieval walls and towers of the Cité de Carcassonne in the town of Carcassonne in Aude, France, for the portrayal of Nottingham and its castle. <P3-S1> Locksley Castle was Wardour Castle in Wiltshire -- restored in an early shot using a matte painting. <P3-S2> Marian's manor was filmed at Hulne Priory in Northumberland. <P3-S3> Principal exteriors were shot on location in the United Kingdom. <P3-S4> Scenes set in Sherwood Forest were filmed throughout England: Burnham Beeches in Buckinghamshire was used for the outlaws' encampment, Aysgarth Falls in Yorkshire for the fight scene between Robin and Little John, and Hardraw Force in North Yorkshire was the location where Marian sees Robin bathing. <P3-S5> Sycamore Gap on Hadrian's Wall was used for the scene when Robin first confronts the sheriff's men. <P3-S6> Chalk cliffs at Seven Sisters, Sussex were used as the locale for Robin's return to England from the Crusades. <SEP> <P4-S0> olson house is a 14-room colonial farmhouse in cushing, maine. <P4-S1> the house was made famous by its depiction in andrew wyeth's "christina's world". <P4-S2> the house and its occupants, christina and alvaro olson, were depicted in numerous paintings and sketches by wyeth from 1939 to 1968. the house was designated as a national historic landmark in june 2011. the farnsworth art museum owns the house; it is open to the public. <SEP> <P5-S0> The house scene in cities such as Birmingham, Leeds, Sheffield and London were also provided with many underground Pirate Radio stations and DJs alike which helped bolster an already contagious, but otherwise ignored by the mainstream, music genre. <P5-S1> The earliest and influential UK house and techno record labels such as Warp Records and Network Records (otherwise known as Kool Kat records) helped introduce American and later Italian dance music to Britain as well as promoting select UK dance music acts.