Question: Are the directors of both films The Flyin' Cowboy and From Morn To Midnight from the same country?

<P0-S0> After enjoying success with experimental productions in Frankfurt am Main and Hamburg, Martin went to Berlin, where he premiered Ernst Toller's anti-war drama," TransfigurationDie Wandlung") on September 30, 1919. <P0-S1> Performed in a hall seating fewer than 300 spectators, the production used the intimacy of the space to drive home the horrors of Toller's script. <P0-S2> The sets were jagged flats placed against blackness, and lit with harsh white spotlights. <P0-S3> Scenes ended in blackouts not, as was customary at the time, with the curtain falling. <P0-S4> Fritz Kortner became famous for his intense portrayal of the young hero. <P0-S5> Martin turned to film in 1920, when he directed a cinematic adaptation of one of the most celebrated expressionist dramas, Georg Kaiser's" From Morn to Midnight Von morgens bis mitternachts") with actor Ernst Deutsch as the Cashier who embezzles money from a bank and goes on a desperate search for meaning in his life in a nightmarish metropolis. <P0-S6> Karlheinz Martin( May 6, 1886 – January 13, 1948) was a German stage and film director, best known for his expressionist productions. <P0-S7> After World War II, Martin revived Bertolt Brecht's" The Threepenny Opera" in Berlin, and premiered Georg Kaiser's pacifist drama," The Soldier Tanaka Der Soldat Tanaka"). <SEP> <P1-S0> It was produced and distributed by Universal Pictures. <P1-S1> The Flyin' Cowboy is a lost 1928 American silent western film directed by B. Reeves Eason and starring Hoot Gibson. <SEP> <P2-S0> I Want Your <P2-S1> Love is the title of both a 2010 short film and a 2012 feature- length film. <P2-S2> Both films were directed and written by Travis Mathews. <P2-S3> The drama films both revolve around the friends and ex-lovers of Jesse Metzger, a gay man in his mid-thirties who is forced to move back to his hometown from San Francisco due to financial reasons. <P2-S4> The actors' own names, along with much of their real- life stories, were used for their characters in both films, which features graphic sexual scenes. <P2-S5> The production of both films was aided by the gay pornographic studio NakedSword. <P2-S6> This led to the full- length film being refused exemption from classification, which would have allowed it to screen at the Melbourne Queer Film Festival, a decision to which actor James Franco( who invited Mathews to collaborate on Franco's film" Interior. Leather Bar.") reacted negatively. <SEP> <P3-S0> His directorial output was limited mainly to low- budget westerns and action pictures, but it was as a second- unit director and action specialist that he was best known. <P3-S1> He was famous for staging spectacular battle scenes in war films and action scenes in large- budget westerns, but he acquired the nickname" Breezy" for his" breezy" attitude towards safety while staging his sequences — during the famous cavalry charge at the end of" Charge of the Light Brigade"( 1936), so many horses were killed or injured so severely that they had to be euthanized that both the public and Hollywood itself were outraged, resulting in the selection of the American Humane Society by the beleaguered studios to provide representatives on the sets of all films using animals to ensure their safety. <P3-S2> William Reeves Eason( October 2, 1886 – June 9, 1956), known as B. Reeves Eason, was an American film director, actor and screenwriter. <SEP> <P4-S0> It is one of the most radical films of the German Expressionist movement. <P4-S1> The film uses stylized distorted sets, designed by Robert Neppach, which are even more avant- garde than those of" The Cabinet of Dr. Caligari" <P4-S2> From Morn to Midnight is a 1920 German silent expressionist film directed by Karlheinz Martin based on the play" From Morning to Midnight" by Georg Kaiser. <SEP> <P5-S0> Carlo Jackie Paris (September 20, 1924 – June 17, 2004) was an American jazz singer and guitarist. <P5-S1> He is best known for his recordings of "Skylark" and "'Round Midnight" from the late 1940s to the early 1950s.