Question: Do director of film Corridor Of Mirrors (Film) and director of film Casa Da Mãe Joana have the same nationality?

<P0-S0> Casa da Mãe Joana 2 is a 2013 Brazilian comedy film directed by Hugo Carvana. <P0-S1> The film was released in Brazil on September 6, 2013. <P0-S2> It is a sequel of the 2008 film "Casa da Mãe Joana". <SEP> <P1-S0> The film was released in Brazil on September 19, 2008. <P1-S1> Its sequel," Casa da Mãe Joana 2", was released on September 6, 2013. <P1-S2> Casa da Mãe Joana is a 2008 Brazilian comedy film directed by Hugo Carvana. <SEP> <P2-S0> He had appeared in 65 films since 1955. <P2-S1> Hugo Carvana (4 June 1937 – 4 October 2014) was a Brazilian film and television actor. <SEP> <P3-S0> Ian Barry is an Australian director of film and TV. <SEP> <P4-S0> It was based on a novel by Christopher Massie. <P4-S1> Corridor of Mirrors is a 1948 British drama film directed by Terence Young and starring Eric Portman, Edana Romney and Barbara Mullen. <P4-S2> It is notable as being both Terence Young's and Christopher Lee's first film. <P4-S3> Visually one of the most engaging pieces of cinema made in Britain in 1948," Corridor of Mirrors" extends the French post- war aesthetic typical of Jean Cocteau's 1950 film" Orphée"( Orpheus) and Jean Gremillion's noirish" Pattes Blanches"( White Paws, 1949), another neo-realist fairy story. <P4-S4> Terence Young's film resonates on the same wavelength as Kenneth Anger's experimental film" Eaux d'artifice"( 1953) made in France shortly after Anger's meeting with Cocteau. <P4-S5> Surprisingly, neither Anger or Young's films drew the type of critical reception they deserved and both still languish. <P4-S6> " Corridor of Mirrors" is an odd experiment: it begins with the internal thoughts of the protagonist as she plans to meet her lover in a way that would have been easily understood by a cinema audience who'd seen" Brief Encounter"- indeed, the film refers directly to" Brief Encounter"'s" grit in the eye" scene- but it soon moves into the area of gothic suspense or disturbing modern fairy tale. <P4-S7> As such, it was possibly perfect fare for audiences of the period but it may have been a too dark or too rigorous fantasy. <P4-S8> Nevertheless, the film slips seamlessly between an elaborate, at times Baroque world of illusion and the greyish realities of artistic life just after war. <P4-S9> Eric Portman plays the aesthete- bluebeard seducer. <P4-S10> Portman's acting is both insightful and highly charged; he is like a man who commits the perfect murder by other means ... he never kills. <P4-S11> As a collector and seeker of perfection he enhances and perfects. <P4-S12> Romney adapts herself to his ambitions and merges with his closet full of feminine ornament. <P4-S13> As a seemingly asexual couple they achieve their mythic purpose and merge with time itself, instead of death. <P4-S14> Young went on to direct an extremely diverse though less adventurous list of films among them three of the" James Bond" films. <SEP> <P5-S0> Shaun Terence Young( 20 June 1915 – 7 September 1994) was a British film director and screenwriter best known for directing three James Bond films, including the first two films in the series," Dr. No"( 1962) and" From Russia with Love"( 1963), as well as" Thunderball"( 1965). <P5-S1> All three films starred Sean Connery as Bond.