Question: Do both directors of films Rear Window and Veredas have the same nationality?

<P0-S0> The cost of captioning a film is on the order of US$ 4,000( about$ 40 per minute). <P0-S1> Through this method, all screenings of a film can be accessible to caption viewers. <P0-S2> Rear Window captioning is a form of closed captioning because the viewer must choose to view the captions. <P0-S3> The panel sits in a seat cupholder or on the floor adjacent to the seat. <P0-S4> Others seated alongside do not watch, or usually even see, the captions. <P0-S5> Open captioning has been little- used due to the fear that it was too intrusive and noticeable to hearing viewers. <P0-S6> However, no studies have been conducted to elicit hearing people's opinions on how they will adapt to reading captions on screen. <P0-S7> In the Rear Window system, the film print is unaffected. <P0-S8> Viewers listen to the descriptions via wireless headsets. <P0-S9> The system was co-developed by WGBH and Rufus Butler Seder. <P0-S10> On the way into the theatre, viewers pick up a reflective plastic panel mounted on a flexible stalk. <P0-S11> Rear Window captioning is an alternative to open captioning, in which text is permanently visible. <P0-S12> Viewers move the panels into position( usually below the movie screen) so they can read the reflected captions and watch the movie. <P0-S13> In many movie advertisements by a specific cinema, the" RWC" acronym is often used, much like the CC acronym is used to indicate the availability of closed captions on television shows. <P0-S14> One of the reasons often stated for not providing Rear Window captioning is the cost of the hardware( as of 2011, approximately US$ 4,500 per screen for a single installation, less for multiple installations in a multiplex). <SEP> <P1-S0> Known as" the Master of Suspense", he directed over 50 feature films in a career spanning six decades, becoming as well known as any of his actors thanks to his many interviews, his cameo roles in most of his films, and his hosting and producing of the television anthology" Alfred Hitchcock Presents"( 1955 – 1965). <P1-S1> His films garnered a total of 46 Oscar nominations and six wins. <P1-S2> Born in Leytonstone, Essex, Hitchcock entered the film industry in 1919 as a title card designer after training as a technical clerk and copy writer for a telegraph- cable company. <P1-S3> By 1939 Hitchcock was a filmmaker of international importance, and film producer David O. Selznick persuaded him to move to Hollywood. <P1-S4> A string of successful films followed, including" Rebecca"( 1940)," Foreign Correspondent"( 1940)," Suspicion"( 1941)," Shadow of a Doubt"( 1943), and" Notorious"( 1946). <P1-S5> " Rebecca" won the Academy Award for Best Picture, although Hitchcock himself was only nominated as Best Director; he was also nominated for" Lifeboat"( 1944) and" Spellbound"( 1945), although he never won the Best Director Academy Award. <P1-S6> The" Hitchcockian" style includes the use of camera movement to mimic a person's gaze, thereby turning viewers into voyeurs, and framing shots to maximise anxiety and fear. <P1-S7> A Hitchcock film is an organism, with the whole implied in every detail and every detail related to the whole." <P1-S8> His first successful film,( 1927), helped to shape the thriller genre, while his 1929 film," Blackmail", was the first British. <P1-S9> After a brief lull of commercial success in the late 1940s, Hitchcock returned to form with" Strangers on a Train"( 1951) and" Dial M For Murder"( 1954). <P1-S10> By 1960 Hitchcock had directed four films often ranked among the greatest of all time:" Rear Window"( 1954)," Vertigo"( 1958)," North by Northwest"( 1959), and" Psycho"( 1960) with the first and last of these garnering him Best Director nominations. <P1-S11> In 2012," Vertigo" replaced Orson Welles's" Citizen Kane"( 1941) as the British Film Institute's greatest film ever made based on its world- wide poll of hundreds of film critics. <P1-S12> He received the BAFTA Fellowship in 1971, the AFI Life Achievement Award in 1979 and was knighted in December that year, four months before he died. <SEP> <P2-S0> Rear Window is a 1954 film directed by Alfred Hitchcock. <P2-S1> Rear Window also may refer to: <SEP> <P3-S0> Originally released by Paramount Pictures, the film stars James Stewart, Grace Kelly, Wendell Corey, Thelma Ritter, and Raymond Burr. <P3-S1> It was screened at the 1954 Venice Film Festival. <P3-S2> The film is considered by many filmgoers, critics, and scholars to be one of Hitchcock's best and one of the greatest films ever made. <P3-S3> It received four Academy Award nominations and was ranked number 42 on AFI's 100 Years ... 100 <P3-S4> Rear Window is a 1954 American Technicolor mystery thriller film directed by Alfred Hitchcock and written by John Michael Hayes based on Cornell Woolrich's 1942 short story" It Had to Be Murder". <P3-S5> Movies list and number 48 on the 10th- anniversary edition, and in 1997 was added to the United States National Film Registry in the Library of Congress as being" culturally, historically, or aesthetically significant". <SEP> <P4-S0> He was born in Figueira da Foz on February 2, 1939 and died of cancer in Lisbon on February 3, 2003. <P4-S1> João César Monteiro Santos was a Portuguese film director, actor, writer and film critic. <SEP> <P5-S0> Trails or Paths is a 1978 Portuguese art film directed by João César Monteiro in his debut feature.