Question: Which film has the director died later, Neumi or City Of Beautiful Nonsense (1935 Film)?

<P0-S0> Captain Hurricane is a 1935 film about the life of fishermen in Cape Cod. <SEP> <P1-S0> Frisco Waterfront is a 1935 film. <SEP> <P2-S0> The film is based on the best- selling 1909 novel of the same name by E. Temple Thurston, which had previously been filmed as a silent by Henry Edwards in 1919. <P2-S1> The plot deals with a young woman who is in love with a penniless composer, but believes she must marry a wealthy man to please her father and only realises after various tribulations that she should follow her heart rather than her head. <P2-S2> City of Beautiful Nonsense is a 1935 British drama film directed by Adrian Brunel and starring Emlyn Williams, Sophie Stewart and Eve Lister. <SEP> <P3-S0> The Deaf Worker is a 1980 South Korean film directed by Kim Ki-young. <P3-S1> Neumi( 느미) a.k.a. <SEP> <P4-S0> Adrian Brunel <P4-S1> Brunel's directorial career started in the silent era, and reached its peak in the latter half of the 1920s. <P4-S2> His surviving work from the 1920s, both full- length feature films and shorts, is highly regarded by silent film historians for its distinctive innovation, sophistication and wit. <P4-S3> With the arrival of talkies, Brunel's career ground to a halt and he was absent from the screen for several years before returning in the mid-1930s with a flurry of quota quickie productions, a majority of which are now classed as lost. <P4-S4> Brunel's last credit as director was in a 1940 wartime propaganda short film, although he worked for a few years more as a" fixer- up" for films directed or produced by friends in the industry. <P4-S5> After decades of neglect, Brunel's work has latterly been rediscovered and has undergone a critical re-evaluation. <P4-S6> ( 4 September 1892 – 18 February 1958) was an English film director and screenwriter. <P4-S7> His" lost" films are eagerly sought, and the British Film Institute includes two(" The Crooked Billet"( 1929) and" Badger's Green"( 1934)) on its" 75 Most Wanted" list of missing British feature films. <SEP> <P5-S0> Kim Ki-young <P5-S1> Kim was born in Seoul during the colonial period, raised in Pyongyang, where he became interested in theater and cinema. <P5-S2> During the Korean War, he made propaganda films for the United States Information Service. <P5-S3> In 1955, he used discarded movie equipments to produce his first two films. <P5-S4> With the success of these two films Kim formed his own production company and produced popular melodramas for the rest of the decade. <P5-S5> Kim <P5-S6> It is widely considered to be one of the best Korean films of all time. <P5-S7> ( October 10, 1919 – February 5, 1998) was a South Korean film director, known for his intensely psychosexual and melodramatic horror films, often focusing on the psychology of their female characters. <P5-S8> After a" Golden Age" during the 1960s, the 1970s were a low- point in the history of Korean cinema because of governmental censorship and a decrease in audience attendance. <P5-S9> Nevertheless, working independently, Kim produced some of his most eccentric cinematic creations in this era. <P5-S10> By the 1980s, Kim's popularity had gone into decline, and his output decreased in the second half of the decade. <P5-S11> Widespread international interest in his work was stimulated by a career retrospective at the 1997 Pusan International Film Festival. <P5-S12> The Berlin International Film Festival gave Kim a posthumous retrospective in 1998, and the French Cinémathèque screened 18 of Kim's films, some newly rediscovered and restored, in 2006.