Question: Do both films The Emperor Waltz (1953 Film) and La Otra (Film) have the directors from the same country?

<P0-S0> The film inspired the movie "Dead Ringer", starred by Bette Davis. <P0-S1> La Otra ("The Other" (feminine)), sometimes screened with the title The Other One, is a 1945 Mexican drama film directed by Roberto Gavaldón and starring Dolores del Río. <SEP> <P1-S0> Hans Heinz Theyer (August 5, 1910 – October 18, 1961) was an Austrian cinematographer. <P1-S1> He worked on around forty films, including "The Emperor Waltz" (1953). <SEP> <P2-S0> After World War II, he began writing and directing films on a large scale. <P2-S1> In the late 1940s, 1950s and 1960s these were mainly comedies( romantic, slapstick, and/ or musical) and" K.u.k. films" all of which, for Austrian and German TV stations alike, have been a staple of weekend afternoon programming ever since. <P2-S2> In between there is quite a sober film about the Oberst( Colonel) Redl affair that shook the Austro- Hungarian Monarchy on the eve of World War I. <P2-S3> Franz Antel( 28 June 1913 – 11 August 2007) was a veteran Austrian filmmaker. <P2-S4> Antel himself later commented on this period," I always wanted to provide good entertainment for the people at the cinema. <P2-S5> ( German original:" Ich wollte die Leute im Kino immer gut unterhalten. <P2-S6> From the late 1960s, encouraged by the new opportunities in the film industry brought about by the sexual revolution, Antel gradually switched his main interest to soft porn and ribaldry. <P2-S7> Titles included" The Sweet Sins of Sexy Susan"( 1967)," Sexy Susan Sins Again"( 1968)," Wild, Willing& Sexy"( 1969) and" Do n't Tell Daddy"( aka" Naughty Nymphs" in the U.S.A.)( 1972). <P2-S8> Antel would recount an anecdote about himself describing how, in order to live up to his reputation as a womanizer, he used to carry a pair of high heels in his luggage which he then would occasionally place in the corridor in front of his hotel room – especially when he was travelling alone. <P2-S9> Among the best known actors Antel had worked with from the 1940s to the 1970s were Hans Moser, Paul Hörbiger, Oskar Werner, Curd Jürgens, Tony Curtis, Herbert Fux, Heinrich Schweiger, Arthur Kennedy, Carroll Baker, Edwige Fenech, George Hilton, Marisa Berenson, Britt Ekland, Andréa Ferréol. <P2-S10> 1981 was a turning point in Antel's career when he adapted for the big screen a stage play by Ulrich Becher and Peter Preses. <P2-S11> The film was entered into the 12th Moscow International Film Festival. <P2-S12> The film's strong anti-fascist message, the moving dialogue, and performances by the" crème de la crème" of Austrian actors and actresses( Ida Krottendorf, Alfred Böhm, Heinz Marecek, Hans Holt, Dolores Schmidinger and many more) made" Der Bockerer" an unusually successful film and gave new impetus to Antel's career. <SEP> <P3-S0> La otra imagen is a 1973 Spanish film directed by Antoni Ribas. <P3-S1> It was entered into the 1973 Cannes Film Festival. <SEP> <P4-S0> The film's sets were designed by Heinz Ockermüller and Sepp Rothaur. <P4-S1> The Emperor Waltz( German: Kaiserwalzer) is a 1953 Austrian historical drama film directed by Franz Antel and starring Maria Holst, Rudolf Prack and Winnie Markus. <P4-S2> It is set during the era of Empress Elisabeth of Austria. <SEP> <P5-S0> Eight of Gavaldón's films were featured on the list 100 Best Movies of the Cinema of Mexico. <P5-S1> His 1958 film" Ash Wednesday" was entered into the 8th Berlin International Film Festival and his 1959 film" Beyond All Limits" was entered into the following years festival. <P5-S2> Roberto Gavaldón( June 7, 1909 in Jiménez, Chihuahua – September 4, 1986 in Mexico City) was a Mexican film director. <P5-S3> His 1960 film" Macario" was entered into the 1960 Cannes Film Festival and was nominated for an Academy Award for Best Foreign Language Film.