Question: Which film whose director is younger, Andrei Rublev (Film) or No Burqas Behind Bars?

<P0-S0> He is widely considered one of the greatest directors in the history of cinema, and one of Russia's most influential filmmakers. <P0-S1> His films explored spiritual and metaphysical themes, and are noted for their slow pacing and long takes, dreamlike visual imagery, and preoccupation with nature and memory. <P0-S2> Tarkovsky studied film at Moscow's State Institute of Cinematography under filmmaker Mikhail Romm, and subsequently directed his first five feature films in the Soviet Union: "Ivan's Childhood" (1962), "Andrei Rublev" (1966), "Solaris" (1972), "Mirror" (1975), and "Stalker" (1979). <P0-S3> Andrei Arsenyevich Tarkovsky (4 April 1932 – 29 December 1986) was a Russian filmmaker, writer, and film theorist. <P0-S4> After years of creative conflict with Soviet authorities, Tarkovsky left the country in 1979 and made his final two films abroad; "Nostalghia" (1983) and "The Sacrifice" (1986) were produced in Italy and Sweden respectively. <P0-S5> In 1986, he also published a book about cinema and art entitled "Sculpting in Time". <P0-S6> He died of cancer later that year. <P0-S7> Tarkovsky was the recipient of several awards at the Cannes Film Festival throughout his career (including the FIPRESCI prize, the Prize of the Ecumenical Jury, and the Grand Prix Spécial du Jury) and winner of the Golden Lion award at the Venice Film Festival for his debut film "Ivan's Childhood". <P0-S8> In 1990, he was posthumously awarded the Soviet Union's prestigious Lenin Prize. <P0-S9> Three of his films—"Andrei RublevMirror", and "Stalker"—featured in "Sight & Sound"’s 2012 poll of the 50 greatest films of all time. <SEP> <P1-S0> In Takhar Prison, Afghanistan, 40 women are locked behind bars together with their 34 children. <P1-S1> They all share four cells. <P1-S2> No Burqas Behind Bars is a 2013 Swedish feature- length documentary film made by Nima Sarvestani on life in a women's prison in Afghanistan. <P1-S3> Through the prisoners ’ own stories, the film explores how" moral crimes ” are used to control women in Afghanistan. <P1-S4> The film shows that women fleeing from their husbands get a longer punishment than those who have committed murder. <P1-S5> Outside the home, burqas cover the women of Afghanistan from head to toe, masking their identity, making them faceless and voiceless in society, except when they are in prison. <P1-S6> Sima was forced to get married at the age of ten and had five children by the time she was 20 years old. <P1-S7> She is locked away, together with her children, for 15 years. <P1-S8> Her crime consists of fleeing from an abusive husband, who had already murdered one of his other wives and their child. <P1-S9> Sara, one of the main characters of the film, is locked away because she fell in love. <P1-S10> Najibeh, Latife, and many more names – they all carry stories that show the inner strength and dignity of the human being when she faces obscene living conditions. <SEP> <P2-S0> Nima Sarvestani( born December 22, 1958 in Shiraz, Iran) is a Swedish- Iranian filmmaker. <SEP> <P3-S0> Andrei Rublev( Russian: Андрей Рублёв) is a 1969 Soviet biographical historical drama film directed by Andrei Tarkovsky and co-written with Andrei Konchalovsky. <P3-S1> The film was remade and re-edited from the 1966 film titled" The Passion According to Andrei" by Tarkovsky which was censored during the first decade of the Brezhnev era in the Soviet Union. <P3-S2> The film is loosely based on the life of Andrei Rublev, the 15th- century Russian icon painter. <P3-S3> The film features Anatoly Solonitsyn, Nikolai Grinko, Ivan Lapikov, Nikolai Sergeyev, Nikolai Burlyayev and Tarkovsky's wife Irma Raush. <P3-S4> Savva Yamshchikov, a famous Russian restorer and art historian, was a scientific consultant of the film. <P3-S5> " Andrei Rublev" is set against the background of 15th- century Russia. <P3-S6> Although the film is only loosely based on the life of Andrei Rublev, it seeks to depict a realistic portrait of medieval Russia. <P3-S7> Tarkovsky sought to create a film that shows the artist as" a world- historic figure" and" Christianity as an axiom of Russia's historical identity" during a turbulent period of Russian history that ultimately resulted in the Tsardom of Russia. <P3-S8> Because of this, it was not released domestically in the officially atheist Soviet Union for years after it was completed, except for a single 1966 screening in Moscow. <P3-S9> A version of the film was shown at the 1969 Cannes Film Festival, where it won the FIPRESCI prize. <P3-S10> In 1971, a censored version of the film was released in the Soviet Union. <P3-S11> The film was further cut for commercial reasons upon its U.S. release through Columbia Pictures in 1973. <P3-S12> As a result, several versions of the film exist. <P3-S13> Although these issues with censorship obscured and truncated the film for many years following its release, the film was soon recognized by many western critics and film directors as a highly original and accomplished work. <P3-S14> Even more since being restored to its original version," Andrei Rublev" has come to be regarded as one of the greatest films of all time, and has often been ranked highly in both the" Sight& Sound" critics' and directors' polls. <SEP> <P4-S0> La Bestia humana is a 1957 Argentine film whose story is based on the novel" La Bête Humaine" by the French writer Émile Zola. <SEP> <P5-S0> Vladimir Alexandrovich Plugin( 30 July 1937 – 6 December 2003) was a Russian historian and art historian, a university professor. <P5-S1> He worked in the fields of the history of Russia, source criticism, art history, social and political history, war history, history of the army and navy. <P5-S2> He specialized in Old Russian Chronicles, Russian icons( specifically Andrei Rublev's). <P5-S3> He penned Rublev's biography titled" The Master of the Holy Trinity: Andrei Rublev's Works and Days". <P5-S4> Plugin studied at the Moscow State University and graduated from the Faculty of History, where he studied under Viktor Lazarev and Mikhail Belyavsky. <P5-S5> He taught at the Moscow State University since 1968.