Question: Which film has the director died first, The Master Of Merripit or Laugh, Clown, Laugh?

<P0-S0> The Master of Ambrass was a Bohemian painter active probably in Prague at the end of the fourteenth century. <P0-S1> He was the creator of the" Wiener Musterbuch", a set of silverpoint studies and subjects all dated to the same period, which were used as models in painters' studios. <P0-S2> Among the subjects are bust- length images of Christ, the Virgin, various saints, the Crucifixion, and the Annunciation. <P0-S3> The pictures are collected in groups of four, affixed to fourteen small framed panels. <P0-S4> Three independent designs also exist, depicting a philosopher and astronomer, a sibyl and John the Evangelist, and the Three Magi; these, too, were probably part of the set. <P0-S5> Such is the realism of the designs that it is believed the Master had contact with an artist of the Franco- Flemish school. <P0-S6> Also attributed to his hand, dubiously, is an" Annunciation" at the Fogg Art Museum in Cambridge, Massachusetts. <P0-S7> Stylistically, the Master's work bears some similarities to that of the Master of the Pähl Altarpiece. <P0-S8> He is sometimes conflated with both the Master of the Gerona Martyrology and the Master of the Rajhrad Altarpiece, but this attribution is not universally accepted. <SEP> <P1-S0> Herbert Brenon( 13 January 1880 – 21 June 1958) born Alexander Herbert Reginald St. John Brenon was an Irish film director, actor and screenwriter during the era of silent movies through the 1930s. <SEP> <P2-S0> The movie was directed by Herbert Brenon and produced and released through MGM Studios. <P2-S1> Laugh, Clown, Laugh is a 1928 American silent drama film starring Lon Chaney and Loretta Young. <P2-S2> The film is based on the 1923 Broadway stage production" Laugh, Clown, Laugh," by David Belasco and Tom Cushing, based on a 1919 play" Ridi, Pagliaccio" by. <SEP> <P3-S0> The Master of Merripit is a 1915 British silent film directed by Wilfred Noy and starring Dorothy Bellew. <SEP> <P4-S0> Noy was the maternal uncle of Leslie Howard. <P4-S1> He directed 89 films between 1910 and 1936. <P4-S2> Wilfred Noy (born Wilfred Noy Blumberg, 24 December 1883 – 29 March 1948) was an English film director, actor, screenwriter and producer of the silent era. <P4-S3> He also appeared in 18 films between 1924 and 1939. <P4-S4> In 1925 he went to the United States to make "The Lost Chord", a remake of one of his earlier British hits. <P4-S5> He stayed to make several more films in America during the late 1920s before returning to Britain. <P4-S6> He was born in South Kensington, London and died in Worthing, Sussex. <SEP> <P5-S0> The Master of the Cappella Medici Polyptych( sometimes called the Master of Terenzano) was an Italian painter active between about 1315 and 1335. <P5-S1> Identified in the twentieth century by Bernard Berenson as the Master of Terenzano, the Master was renamed for a polyptych from his hand, dating to the 1320s, that originally stood in the Medici Chapel of the church of Santa Croce in Florence. <P5-S2> The panels, half- length depictions of saints, have since been separated, and are used as pinnacles for the altarpiece on the high altar of the same church. <P5-S3> It would appear that the Master was well respected, even if he occupied a modest position in local artistic circles. <P5-S4> He forms part of a line of artists, beginning with the Master of Saint Cecilia and continuing through Pacino de Bonaguida, whose work bears the influence of Giotto even as it stands in contrast. <P5-S5> Similar painters, who have been described as being of the" miniaturist tendency", were best known for their work on illuminated manuscripts; nevertheless, the Master of the Cappella Medici Poliptych is known only through a donzen panel paintings. <P5-S6> Among these is a large" Crucifix" in Stuttgart, as well as smaller works, such as a" Virgin and Child Enthroned with Four Saints"( once part of a portable altarpiece, now separated and found in Detroit). <P5-S7> Based upon the limited evidence of these works, the Master likely trained in Pacino's workshop at some point during the second decade of the fourteenth century. <P5-S8> His figures are generally timid- looking and doll- like, and reveal a kinship with the younger and more prolific Master of the Dominican Effigies; so similar are their works that the two were initially confused, and it is still believed that they may have worked together. <P5-S9> A debt to Giotto may be seen in some works; from the 1320s on his style betrays knowledge of the work of Jacopo del Casentino and Bernardo Daddi. <P5-S10> Unlike the latter, however, he had little success in adapting his training in smaller genres to the large- scale style of Giotto.