Question: Do both directors of films Le Corbeau and Naples Is Always Naples share the same nationality?

<P0-S0> The film's sets were designed by the art director Franco Lolli. <P0-S1> Naples Is Always Naples( Italian: Napoli è sempre Napoli) is a 1954 Italian musical drama film directed by Armando Fizzarotti and starring Lea Padovani, Renato Baldini and Ubaldo Lay. <SEP> <P1-S0> Yvonne De Rosa( born 1975 in Naples), is an Italian photographer. <SEP> <P2-S0> François Guillemin( born 1954), known professionally as le Corbeau, is an artist whose decorative arts career began at age 14. <P2-S1> His works have encompassed jewelry, sculpture, public art, and studio furniture. <P2-S2> Awards include 2nd Place Grand Prize Award for" An Angel in Despair" in the 2010" Wind Through the Trees" 1- year outdoor exhibition at Jenkins Arboretum, Devon, PA; First place in the 1987 Fortunoff 3rd Annual Silver Competition for" Architectural Farce"; a Fellowship Grant for Sculpture in 1985 from the New Jersey State Council on the Arts; and First place in the 1975 Texas National Arts and Crafts Competition. <P2-S3> In 2013, le Corbeau was commissioned to design and create the kinetic sculpture" Remembrance of Gifts Past" for the newly completed University Medical Center of Princeton at Plainsboro for its Punia Family Healing Garden. <P2-S4> In 2012, the Borough of Hopewell, NJ commissioned le Corbeau to design and create a series of Welcome to Hopewell signs. <P2-S5> His first public art commission was in 2006, for the Borough of Princeton, New Jersey, to design and fabricate tree grates for the Albert E. Hinds Memorial Plaza in downtown Princeton. <P2-S6> His first solo exhibition was" The Pleasures of Mystery: Sculpture by le Corbeau ” at the Trenton( New Jersey) State Museum in 1986. <P2-S7> In 2012," Naturally, Man- Made, In Full View: the art of le Corbeau" at Ellarslie, The Trenton City Museum, offered a retrospective exhibit including recent works. <P2-S8> His sculpture" Doree" was purchased and then donated to Ursinus College by collector/ philanthropist Phillip Berman. <P2-S9> Le Corbeau's father Roger Guillemin is known primarily for his research at the Salk Institute and for his 1977 Nobel Prize. <P2-S10> Le Corbeau built Firedance Studio in Hopewell, New Jersey, to house a metal works facility and staff engaged in creating le Corbeau's artwork and decorative metal projects for architects and interior designers. <SEP> <P3-S0> He is best remembered for his work in the thriller film genre, having directed" The Wages of Fear" and" Les Diaboliques", which are critically recognized as among the greatest films from the 1950s. <P3-S1> He was later hired by producer Adolphe Osso to work in Berlin, writing French- language versions of German films. <P3-S2> After being fired from UFA studio in Nazi Germany due to his friendship with Jewish producers, Clouzot returned to France, where he spent years bedridden after contracting tuberculosis. <P3-S3> Upon recovering, Clouzot found work in Nazi-occupied France as a screenwriter for the German- owned company Continental Films. <P3-S4> At Continental, Clouzot wrote and directed films that were very popular. <P3-S5> As a result of his association with Continental, Clouzot was barred by the French government from filmmaking until 1947. <P3-S6> After the ban was lifted, Clouzot reestablished his reputation and popularity in France during the late 1940s with successful films including" Quai des Orfèvres". <P3-S7> Henri-Georges Clouzot was a French film director, screenwriter and producer. <P3-S8> After the release of his comedy film" Miquette et sa mère", Clouzot married Véra Gibson- Amado, who would star in his next three feature films. <P3-S9> In the early and mid-1950s, Clouzot drew acclaim from international critics and audiences for" The Wages of Fear" and" Les Diaboliques". <P3-S10> After the release of" La Vérité", Clouzot's wife Véra died of a heart attack and Clouzot's career suffered due to depression, illness and new critical views of films from the French New Wave. <P3-S11> Clouzot's career became less active in later years, limited to a few television documentaries and two feature films in the 1960s. <P3-S12> Clouzot wrote several unused scripts in the 1970s and died in Paris in 1977. <SEP> <P4-S0> Fizzarotti was a native of Naples, and his films are generally set in the city. <P4-S1> He was specifically hired to direct" Malaspina"( 1947) because of his experience making Neapolitan- style films. <P4-S2> The film helped revive Neapolitan cinema, which had been suppressed during the Fascist era as production was centralised in Rome. <P4-S3> His son Ettore Maria Fizzarotti was also a film director. <P4-S4> Armando Fizzarotti( 1892–1966) was an Italian screenwriter and film director. <SEP> <P5-S0> The film is about a French town where a number of citizens receive anonymous letters containing libelous information, particularly targeting a doctor accused of being an abortionist. <P5-S1> The mystery surrounding the letters eventually escalates into violence. <P5-S2> The film caused serious problems for its director after World War II as it had been produced by Continental Films, a German production company established near the beginning of the Occupation of France, and because the film had been perceived by the underground and the Communist press as vilifying the French people. <P5-S3> Because of this, Clouzot was initially banned for life from directing in France, but after protests only until 1947. <P5-S4> The film was suppressed until 1969. <P5-S5> It was remade as" The 13th Letter"( 1951) by Otto Preminger. <P5-S6> Le Corbeau is a 1943 French film directed by Henri-Georges Clouzot and starring Pierre Fresnay, Micheline Francey and Pierre Larquey.