Question: Which film has the director who is older than the other, Sange Muzhangu or Jaguar (1967 Film)? 

<P0-S0> The Girl, the Body, and the Pill is a 1967 film directed by Herschell Gordon Lewis. <SEP> <P1-S0> Kamal Haasan worked under K.Thangappan as his dance assistant in this movie. <P1-S1> Sange Muzhangu is a 1972 Indian Tamil- language thriller film, directed by P. Neelakantan, starring M. G. Ramachandran in the lead role, with S. A. Ashokan, Lakshmi, Cho Ramaswamy, among others enacting supporting roles. <P1-S2> This film is a remake of" Jeevan Mrithiyu" <SEP> <P2-S0> Palaniyaandi Neelakantan (2 October 1916 Villupuram – 3 September 1992 Chennai) was a Tamil film director, who was active for nearly four decades. <P2-S1> He was born at Villupuram, Tamil Nadu. <P2-S2> He graduated to movies from stage play. <P2-S3> His play "Naam Iruvar" was brought by movie mogul Avichi Meiyappa Chettiar and made into a film in 1947. <P2-S4> Then he wrote the dialogues for films like "Vedala Ulagam" in 1948. <P2-S5> His directorial debut was with "Oru Iravu" in (1951), the dialogue for which was written by C. N. Annadurai. <P2-S6> Two films that made him well-known are ALS productions "Ambikapadi" (1957) and "Thirudadhe" (1961). <P2-S7> He also has directed movies in Kannada and Sinhalese "Suneetha" and "Sujage Rahase". <P2-S8> Neelakantan was mainly associated with creating M. G. Ramachandran's (MGR) movie persona. <P2-S9> Between "Chakravarthi Thirumagal" in 1957 and "Needhikku Thalaivanangu" in 1976, Neelakantan directed altogether 17 of MGR's movies. <SEP> <P3-S0> Set in the 1950s, it follows three men from Niger, Damouré, Lam, and Illo, who travel to the Gold Coast( now Ghana) for work. <P3-S1> Much of the dialogue and narration in the film is provided by the three men themselves as they comment on their past experiences on their journey. <P3-S2> After being exhibited at the Venice Film Festival in 1967, the movie finally had a general though limited release in 1971. <P3-S3> Jaguar is a 1967 French ethnographic film directed by Jean Rouch. <P3-S4> It was well- received by French audiences and critics, and has since received considerable academic attention due to the film's unconventional framing and its implicit rebuke to chauvinist, one- dimensional European portrayals of life in Africa. <SEP> <P4-S0> Jean Rouch (31 May 1917 – 18 February 2004) was a French filmmaker and anthropologist. <P4-S1> He is considered to be one of the founders of cinéma vérité in France. <P4-S2> Rouch's practice as a filmmaker, for over sixty years in Africa, was characterized by the idea of "shared anthropology". <P4-S3> Influenced by his discovery of surrealism in his early twenties, many of his films blur the line between fiction and documentary, creating a new style: ethnofiction. <P4-S4> He was hailed by the French New Wave filmmakers as one of their own. <P4-S5> His seminal film "Me a BlackMoi, un noir") pioneered the technique of jump cut popularized by Jean-Luc Godard. <P4-S6> Commenting Rouch's work, someone "in charge of research for the Musée de l'Homme" in Paris, Godard questioned: “Is there a better definition for a filmmaker?". <SEP> <P5-S0> Elliot Silverstein( born August 3, 1927, in Boston, Massachusetts) is an American director, who is best known for being the director of the movie" Cat Ballou"( 1965).