Question: Do both films: Colossal Youth (film) and The Big Lie (2016 film) have the directors from the same country?

<P0-S0> The Big Lie( Spanish: La gran mentira) is a 1956 Spanish film directed by Rafael Gil and starring Francisco Rabal, Madeleine Fischer and Jacqueline Pierreux. <SEP> <P1-S0> It is the sequel to American Addict, and continues the critique of the pharmaceutical industry. <P1-S1> The documentary features Matthew Perry, Jonathan Davis, Ron Paul and Dennis Kucinich. <P1-S2> The Big Lie: American Addict 2 is a 2016 American documentary film directed by Sasha Knezev. <SEP> <P2-S0> He has written, produced and directed feature films, short films, commercials, and has authored a book on Eastern European film titled" Through the Western Lens", that was published in Europe. <P2-S1> Knezev is the son of Serbian immigrants from Šabac, Serbia, a cultural and iconic city in the former Yugoslavia that was a breeding ground for artists, musicians and writers. <P2-S2> Knezev's grandfather Milan was a theatrical actor, his father a singer and mother an art and set- designer. <P2-S3> Born in Los Angeles, Knezev grew up in San Pedro, Los Angeles, a tough blue- collar town within Los Angeles County where many emigrants from the former Yugoslavia settled. <P2-S4> Sasha Knezev, is a Serbian American filmmaker and author. <P2-S5> Though San Pedro is mostly Croatian, at the time of Knezev's upbringing his generation simply referred to themselves as" Yugoslavs". <P2-S6> The Port of Los Angeles served as a setting for many of Knezev's character while a young writer. <P2-S7> Knezev attended the School of Cinematic Arts with a BA and MA in Critical Studies, with an emphasis in Eastern European Cinema and American Modernity films of the 1970s. <SEP> <P3-S0> Colossal Youth( literally" Youth on the March") is a 2006 docufiction feature film directed by Portuguese director Pedro Costa. <P3-S1> The film was shot on DV in long, static takes and mixes documentary and fiction storytelling. <P3-S2> The third feature by Costa set in Lisbon's Fontainhas neighborhood( after" In Vanda's Room" and" BonesColossal Youth" is a meditation on the aftermath of the Carnation Revolution and its consequences for Portugal's poverty- stricken Cape Verdean immigrants. <P3-S3> It was part of the Official Competition at the 2006 Cannes Film Festival. <SEP> <P4-S0> Pedro Costa( born 30 December 1958) is a Portuguese film director. <SEP> <P5-S0> Waco, the Big Lie is a 1993 American documentary film directed by Linda Thompson that presents video based analysis regarding the Waco siege. <P5-S1> The first film made about the Waco siege, "Waco, the Big Lie" gained significant notoriety when it was viewed during the trial of American domestic terrorist Timothy McVeigh. <P5-S2> As part of the defense, McVeigh's lawyers showed "Waco, the Big Lie" to the jury. <P5-S3> In 1994, the film was followed by a feature-length sequel titled "Waco II, the Big Lie Continues", aimed at addressing criticisms of the original. <P5-S4> Thompson's films made a number of controversial allegations, the most famous of which was her claim that footage of an armored vehicle breaking through the outer walls of the compound showed a flamethrower attached to the vehicle, setting fire to the building. <P5-S5> As a response to Thompson, filmmaker released footage to support his counter-claim that the appearance of light was a reflection on aluminized insulation that was torn from the wall and snagged on the vehicle. <P5-S6> McNulty accused Thompson of "creative editing" in his film "Waco: An Apparent Deviation". <P5-S7> Thompson worked from a VHS copy of the surveillance tape; McNulty was given access to a beta original. <P5-S8> However, McNulty in turn was later accused of having digitally altered his footage, an allegation he denied. <P5-S9> John Young of the "Waco Tribune-Herald" criticized the film, questioning the evidence behind Thompson's claims.