Question: Which film whose director is younger, Killer Caliber .32 or Diary Of A Chambermaid (1964 Film)?

<P0-S0> Brescia began working in film against his father's wishes, and eventually directed his first film "Revolt of the Praetorians" in 1964. <P0-S1> Alfonso Brescia (6 January 1930 – 6 June 2001) was an Italian film director. <P0-S2> Brescia worked in several genres in the Italian film industry, including five science fiction films he directed following the release of "Star Wars". <P0-S3> Brescia's work slowed down towards the late 1980s, and his last film "Club Vacanze" could not get distribution. <SEP> <P1-S0> Diary of a Chambermaid is a 1964 French- Italian drama film. <P1-S1> Though highly satirical and reflective of his typical anti-bourgeoisie sentiments, it is one of Buñuel's more realistic films, generally avoiding the outlandish surrealist imagery and far- fetched plot twists found in many of his other works. <P1-S2> It stars Jeanne Moreau as a chambermaid whose attractiveness is apparent to owners and to servants alike—her femininity charms some, at the same time it brings out jealousy( or admiration) in others of the household and among adjacent neighbors. <P1-S3> The maid's predicament, in this light, develops her as a character with some autonomy, and with some powers that derive from the narrative context— which is a social setting of corruption, violence, sexual obsession and perversion. <P1-S4> It is one of several French films made by Spanish- born filmmaker Luis Buñuel. <P1-S5> Just off the train from Paris, the chambermaid steps into a waiting buggy from the chateau, its driver already eyeing her, with designs that he expresses by remarking on her shoes. <P1-S6> This was the first screenwriting collaboration between Buñuel and Jean- Claude Carrière, which would later produce his well- known" Belle de Jour"( 1967)," The Discreet Charm of the Bourgeoisie"( 1972) and" That Obscure Object of Desire"( 1977). <P1-S7> The two extensively reworked the 1900 novel of the same name by Octave Mirbeau, that had been given a more literal treatment in its second film adaptation, made in Hollywood in 1946, directed by Jean Renoir. <P1-S8> The novel has been adapted for the screen a third time in Benoît Jacquot's 2015 version. <SEP> <P2-S0> La Bestia humana is a 1957 Argentine film whose story is based on the novel" La Bête Humaine" by the French writer Émile Zola. <SEP> <P3-S0> Killer Caliber .32( also known as 32 Caliber Killer) is a 1967 Italian Spaghetti Western film written and directed by Alfonso Brescia and starring Peter Lee Lawrence. <SEP> <P4-S0> Diary of a Chambermaid is a 2015 French drama film directed by Benoît Jacquot, and written by Jacquot and Hélène Zimmer. <P4-S1> It is an adaptation of Octave Mirbeau's 1900 novel of the same name and stars Léa Seydoux as Célestine, a young and ambitious woman who works as a chambermaid for a wealthy couple in France during the early twentieth century. <P4-S2> Mirbeau's original novel was adapted into films multiple times before, notably Jean Renoir's 1946 film and Luis Buñuel's 1964 film. <P4-S3> It was screened in the main competition section of the 65th Berlin International Film Festival and was released on 1 April 2015, by Mars Distribution. <SEP> <P5-S0> When Buñuel died at age 83, his obituary in" The New York Times" called him" an iconoclast, moralist, and revolutionary who was a leader of avant- garde surrealism in his youth and a dominant international movie director half a century later". <P5-S1> His first picture," Un Chien Andalou" —made in the silent era—was called" the most famous short film ever made" by critic Roger Ebert, and his last film," That Obscure Object of Desire" —made 48 years later—won him Best Director awards from the National Board of Review and the National Society of Film Critics. <P5-S2> Writer Octavio Paz called Buñuel's work" the marriage of the film image to the poetic image, creating a new reality ... scandalous and subversive". <P5-S3> Often associated with the surrealist movement of the 1920s, Buñuel created films from the 1920s through the 1970s. <P5-S4> His work spans two continents, three languages, and an array of genres, including experimental film, documentary, melodrama, satire, musical, erotica, comedy, romance, costume dramas, fantasy, crime film, adventure, and western. <P5-S5> Luis Buñuel Portolés( 22 February 1900 – 29 July 1983) was a Spanish- born Mexican filmmaker who worked in France, Mexico and Spain. <P5-S6> Despite this variety, filmmaker John Huston believed that, regardless of genre, a Buñuel film is so distinctive as to be instantly recognizable, or, as Ingmar Bergman put it," Buñuel nearly always made Buñuel films". <P5-S7> Seven of Buñuel's films are included in" Sight& Sound"< nowiki>'</ nowiki >s 2012 critics' poll of the top 250 films of all time. <P5-S8> Fifteen of his films are included in the" They Shoot Pictures, Do n't They?" list of the 1,000 greatest films of all time, for which he ranks second only to Jean- Luc Godard, with sixteen, and he ranks number 13 on their list of the top 250 directors.