Question: Which film has the director died later, No, Or The Vain Glory Of Command or Young Blood (1926 Film)?

<P0-S0> Young Blood is a 1931 American western film directed by Phil Rosen and starring Bob Steele, Helen Foster, and Charles King. <P0-S1> It was released on November 5, 1932. <SEP> <P1-S0> Manfred Noa( 1893–1930) was a German film director. <P1-S1> Noa died 5 December 1930 in Berlin of peritonitis. <P1-S2> Noa was described by Vilma Bánky, who he directed twice, as her" favourite director". <P1-S3> Noa's 1924 film" Helena" has been called his" masterpiece" although it was so expensive that it seriously damaged the finances of Bavaria Film. <P1-S4> Noa is perhaps best known today for his 1922 film" Nathan the Wise", an adaptation of Gotthold Ephraim Lessing's 1779 play of the same title, which made a plea for religious tolerance. <P1-S5> He was the third husband of the actress Eva May, who was the daughter of his fellow director Joe May. <SEP> <P2-S0> Manoel Cândido Pinto de Oliveira GCSE, GCIH (11 December 1908 – 2 April 2015) was a Portuguese film director and screenwriter born in Cedofeita, Porto. <P2-S1> He first began making films in 1927, when he and some friends attempted to make a film about World War I. <P2-S2> In 1931 he completed his first film "Douro, Faina Fluvial", a documentary about his home city Porto made in the city symphony genre. <P2-S3> He made his feature film debut in 1942 with "Aniki-Bóbó" and continued to make shorts and documentaries for the next 30 years, gaining a minimal amount of recognition without being considered a major world film director. <P2-S4> Among the numerous factors that prevented Oliveira from making more films during this time period were the political situation in Portugal, family obligations and money. <P2-S5> In 1971, Oliveira directed his second feature narrative film, "Past and Present", a social satire that both set the standard for his film career afterwards and gained him recognition in the global film community. <P2-S6> He continued making films of growing ambition throughout the 1970s and 1980s, gaining critical acclaim and numerous awards. <P2-S7> Beginning in the late 1980s he was one of the most prolific working film directors and made an average of one film per year past the age of 100. <P2-S8> In March 2008 he was reported to be the oldest active film director in the world. <P2-S9> He was also the only filmmaker whose active career spanned from the silent era to the digital age. <P2-S10> Among his numerous awards were the Career Golden Lion from the 61st Venice International Film Festival, the Special Lion for the Overall Work in the 42nd Venice International Film Festival, an Honorary Golden Palm for his lifetime achievements in 2008 Cannes Film Festival, and the French Legion of Honor. <SEP> <P3-S0> No, or the Vain Glory of Command is a 1990 Portuguese film directed by Manoel de Oliveira. <P3-S1> The film, starring Luís Miguel Cintra and Miguel Guilherme, depicts a series of defeats from the entire military history of Portugal – the assassination of Viriathus, the Battle of Toro, the failed attempt of Iberian Union under Afonso of Portugal and Isabella of Spain and the Battle of Alcácer Quibir – and the Lusiads episode of the Island of love, which are told through flashbacks as a professorish Portuguese soldier recounts them while marching through a Portuguese African overseas territory in 1973, during the Portuguese Colonial War( 1961 – 74). <P3-S2> He easily draws his comrades into philosophical musings, while the little contingent suffers surprise attacks by groups of independentist guerrillas. <P3-S3> It was screened out of competition at the 1990 Cannes Film Festival. <SEP> <P4-S0> The film's art direction was by Oscar Friedrich Werndorff. <P4-S1> It premiered in Berlin on 23 March 1926. <P4-S2> Young Blood( German: Junges Blut) is a 1926 German silent drama film directed by Manfred Noa and starring Lya De Putti, Walter Slezak and Angelo Ferrari. <SEP> <P5-S0> Raggedy Rose is a 1926 film American silent comedy film starring Mabel Normand. <P5-S1> The film was co-written by Stan Laurel, and directed by Richard Wallace.