Question: Do both directors of films Mattoral and The Notorious Lone Wolf share the same nationality?

<P0-S0> Starting out as an extra in Mack Sennett's Keystone Cops series, Lederman worked his way through the ranks of film production, and first made his mark as a second-unit director. <P0-S1> He directed several B-Western serials in the early 1930s, such as "Two-Fisted Law" and "Texas Cyclone" both 1932, in which he worked with Tim McCoy and a young John Wayne. <P0-S2> David Ross Lederman (December 12, 1894 – August 24, 1972) was an American film director noted for his Western/action/adventure films of the 1930s and 1940s. <P0-S3> Becoming a full feature director in the late 1930s, Lederman specialized in action films and especially westerns, continuing to produce films with McCoy at Columbia Pictures. <SEP> <P1-S0> The Notorious Lone Wolf( 1946) is the twelfth Lone Wolf film produced by Columbia Pictures. <P1-S1> The picture features Gerald Mohr in his inaugural performance as the protagonist detective Lone Wolf, Janis Carter, and Ian Wolfe as Adam Wainwright, the film's antagonist. <P1-S2> The film centres on former jewel looter Michael Lanyard, also known by his alias" Lone Wolf", aiming to clear his name after he is accused of murdering a bar dancer. <P1-S3> At the same time, he races to retrieve a stolen piece of jewellery. <P1-S4> The film was directed by D. Ross Lederman and written by Martin Berkeley, Edward Dein, and William J. Bowers. <P1-S5> Filming took place in October and November 1945. <P1-S6> " The Notorious Lone Wolf" was theatrically released in the United States in February 1946. <SEP> <P2-S0> The Lone Wolf Returns is a 1935 American crime film starring Melvyn Douglas as jewel thief Michael Lanyard, aka the Lone Wolf. <P2-S1> Retired, the Lone Wolf is forced back into crime, but turns the tables on his enemies. <P2-S2> It is based on the 1923 Louis Joseph Vance novel" The Lone Wolf Returns", which had previously been made into a 1926 film of the same name. <SEP> <P3-S0> It features Mammootty, Karamana Janardanan Nair, Seema and Urvashi in the lead roles. <P3-S1> Mattoral (: The Other) is a 1988 Indian Malayalam- language family drama film directed by K. G. George from a story by C. V. Balakrishnan, who co-wrote the screenplay with George. <P3-S2> The plot focuses the life of two couples and the sudden desertion of a housewife. <P3-S3> M. B. Sreenivasan composed the film's score, while Ramachandra Babu served as the cinematographer. <P3-S4> The film was shot in Thiruvananthapuram. <SEP> <P4-S0> They opposed the government at every turn and fought to keep their children out of government run schools and they resisted being turned into farmers and Christians. <P4-S1> They comprised a large and influential Kiowa family from the western part of the KCA Reservation. <P4-S2> aka. <P4-S3> Old Chief Lone Wolf, Gui-pah-gah, the Elder gave his name to Mamay-day-te. <P4-S4> He was a full brother to Saudlekongeah (Black Turtle), Bolekonegeah (Black Goose) <P4-S5> Lone Wolf the Younger lived along with his Kiowa followers in the northern part of the reservation near Mount Scott and the Elk and Rainy Mountain creeks. <P4-S6> Lone Wolf and his group particularly opposed the General Allotment Act or the Dawes Act which was enacted in 1887. <P4-S7> Lone Wolf was the son of Audlekoety (Big Black Hair) and Paugei-to (Pursuing Them Along A River). <P4-S8> Lone Wolf the Younger led the Kiowa resistance to United States governmental influence on the reservation, which culminated up to the Supreme Court case Lone Wolf v. Hitchcock. <P4-S9> "The Implacables" due to their strong opposition to governmental policies. <P4-S10> The Indian Agents for the reservation called Lone Wolf and his followers <P4-S11> Mamay-day-te was among the raid avenging the deaths and counted his first coup during the attack. <P4-S12> In 1872, Mamay-day-te saved the son of Old Chief Lone Wolf, Gui-pah-gah, the Elder, during a skirmish with teamsters at Howard Wells, New Mexico. <P4-S13> Two years later, the son of the Old Chief Lone Wolf, Gui-pah-gah, the Elder and his nephew were killed by American Troops. <P4-S14> the Younger was a warrior named Mamay-day-te. <SEP> <P5-S0> He was the founder of a new school of film making in Malayalam cinema, along with Bharathan and P. Padmarajan, in the 1980s, which created groundbreaking films that were widely received while also being critically acclaimed. <P5-S1> Known for his unconventional works, George is considered to be among one of the directors who revolutionized Malayalam cinema in the 1970s and 80s, who also regarded as one of the greatest film makers of Malayalam Cinema of all time. <P5-S2> George is noted for his deep psychological analysis and character study of the human mind in his films. <P5-S3> George made his debut with" Swapnadanam"( 1975) which won the National Film Award for Best Feature Film in Malayalam. <P5-S4> His well- known films include" Ulkadal"( 1979)," Mela"( 1980)," Yavanika"( 1982)," Lekhayude Maranam Oru Flashback"( 1983)," Adaminte Vaariyellu"( 1983)," Panchavadi Palam"( 1984)," Irakal"( 1986), and" Mattoral"( 1988). <P5-S5> He is a recipient of 9 Kerala State Film Awards for his various films. <P5-S6> Kulakkattil Geevarghese George( born 1946 in Thiruvalla, Travancore) is an Indian film maker and screenwriter who works in the Malayalam Film Industry. <P5-S7> George is the founder and chairman of the Malayalam Cine Technicians Association( MACTA), and continues to be an executive member. <P5-S8> He was the chairman of the Kerala State Film Development Corporation.