Question: Which film whose director was born first, The Last Shot You Hear or Elevator to the Gallows?

<P0-S0> William Dysart( 26 November <P0-S1> 1929 – October 2002) was a Scottish actor, known for his role as Alec Campbell in the 1970s television series" Survivors". <P0-S2> Dysart also appeared in" Z- CarsRandall and Hopkirk( Deceased) Doctor Who"( in the serials" The Highlanders" and" The Ambassadors of Death") and" Oil Strike North", as well as the 1969 films" The Last Shot You Hear" and" Submarine X- 1". <P0-S3> He died in 2002 aged 72 and was cremated at East London Cemetery and Crematorium. <SEP> <P1-S0> Born in Berlin, Germany, he was raised in England and studied at the University of Reading. <P1-S1> While a teenager, he moved to the United States and directed a series of short films and documentaries. <P1-S2> Universal Studios hired Hessler as a story reader for the" Alfred Hitchcock Presents" television series. <P1-S3> He became story editor for two seasons( 1960 – 1962) for that series, then served as the associate producer for" The Alfred Hitchcock Hour" from 1962 until its cancellation in 1965. <P1-S4> He directed episodes of that series and several other shows, including" Hawaii Five- O" and" Sara". <P1-S5> In 1969, he directed his debut feature film" The Oblong Box", starring Vincent Price. <P1-S6> It was the first of three horror films Hessler directed with the veteran horror star, the other two being" Cry of the Banshee"( 1970) and" Scream and Scream Again"( 1970). <P1-S7> Hessler's other films include" Murders in the Rue Morgue"( 1971)," The Golden Voyage of Sinbad"( 1974)," Kiss Meets the Phantom of the Park"( 1978)," Pray for Death"( 1985) and" The Girl in a Swing"( 1988) starring Meg Tilly, an adaptation of Richard Adams's novel. <P1-S8> Gordon Hessler( 12 December 1925 – 19 January 2014) was a British film and television director, screenwriter, and producer. <P1-S9> The majority of Hessler's directorial work from the late 1970s on was in television. <P1-S10> Hessler died in his sleep on 19 January 2014. <SEP> <P2-S0> It was Marlowe's last film appearance. <P2-S1> The Last Shot You Hear is a 1969 British thriller film directed by Gordon Hessler and starring Hugh Marlowe, Zena Walker, Patricia Haines, and William Dysart. <P2-S2> The film marked the end of the association between Robert L. Lippert and 20th Century Fox which produced over 200 films. <SEP> <P3-S0> Yori Bertin( born Catherine Chassin- Briault, December 28, 1940) is a French actress known for her roles in" Elevator to the Gallows"( 1958)," The Nun"( 1966) and" La gageure imprévue"( 1973). <SEP> <P4-S0> His film" Le Monde du silence" won the Palme d' Or in 1956 and the Academy Award for Best Documentary in 1957, although he was not credited at the ceremony; the award was instead presented to the film's co-director Jacques Cousteau. <P4-S1> Later in his career he was nominated multiple times for Academy Awards. <P4-S2> Malle is also one of only four directors to have won the Golden Lion twice. <P4-S3> Malle worked in both French cinema and Hollywood, and he produced both French and English language films. <P4-S4> His most famous films include the crime film" Ascenseur pour l'échafaud"( 1958), the World War II drama" Lacombe, Lucien"( 1974), the romantic crime film" Atlantic City"( 1980), the comedy- drama" My Dinner with Andre"( 1981), and the autobiographical film" Au revoir les enfants"( 1987). <P4-S5> Louis Marie Malle( 30 October 1932 – 23 November 1995) was a French film director, screenwriter and producer. <SEP> <P5-S0> The scenario was adapted from a 1956 novel of the same name by Noël Calef. <P5-S1> Associated by some critics with the film noir style, and introducing new narrative and editing techniques, the film is considered an important work in establishing the Nouvelle Vague and the New Modern Cinema. <P5-S2> Elevator to the Gallows( previously known as" Frantic" in the US), also known as Lift to the Scaffold( UK), is a 1958 French crime film directed by Louis Malle, starring Jeanne Moreau and Maurice Ronet as criminal lovers whose perfect crime begins to unravel when Ronet is trapped in an elevator. <P5-S3> The improvised soundtrack by Miles Davis, and the relationship the film establishes between music, image and emotion, were considered ground- breaking.