Question: Are director of film Dharm Aur Qanoon and director of film Solution No. 1 from the same country?

<P0-S0> He made his debut with" Tiger Salim"( 1978) and has directed over 90 films including films with Mammootty and Mohanlal. <P0-S1> He has also directed a few Hindi and Tamil films. <P0-S2> Joshiy( born 19 July 1952) is an Indian film director from Varkala of Trivandrum in Kerala who works in the Malayalam film industry. <P0-S3> In the beginning of his career, he received national fame when he directed" Dharm Aur Qanoon"( 1984) starring Rajesh Khanna and Dharmendra in the lead roles, with Khanna in double roles. <SEP> <P1-S0> Solution No. 1 is a 1978 Iranian short film directed by Abbas Kiarostami. <SEP> <P2-S0> Dharm Aur Qanoon is a 1984 film starring Rajesh Khanna, Dharmendra, Vinod Mehra, Jaya Prada, Asha Parekh and Danny Denzongpa, with Supriya Pathak, Manmohan Krishna, Iftekhar and Om Shivpuri in the supporting roles. <P2-S1> It had box office collection of 6.5 crores in 1984 but the Film was a Flop at the Indian box- office. <P2-S2> Aarambham was the top grosser movie in Malayalam industry in 1982 with an ensemble cast. <P2-S3> The film was remade in Tamil that same year as" Ezhuthatha Sattangal"(' Unwritten Laws') directed by K. Shankar. <P2-S4> Dharm Aur Qanoon was the remake of director Joshiy's Malayalam movie Aarambham released on 1 September 1982. <SEP> <P3-S0> Umaanilayam is a 1984 Indian Malayalam film, directed by Joshiy. <P3-S1> The film stars Shankar, Manochithra, Radha and Shanavas in the lead roles. <P3-S2> The film has musical score by Shyam. <P3-S3> The film was remake of the Hindi film" Dharm Aur Qanoon", directed by Joshiy himself and was remade subsequently in Tamil as" Ezhuthatha Sattangal", directed by K. Shankar. <SEP> <P4-S0> Ian Barry is an Australian director of film and TV. <SEP> <P5-S0> An active film- maker from 1970, Kiarostami had been involved in the production of over forty films, including shorts and documentaries. <P5-S1> Kiarostami attained critical acclaim for directing the" Koker" trilogy( 1987– 1994)," Close- Up"( 1990)," The Wind Will Carry Us"( 1999), and" Taste of Cherry"( 1997), which was awarded the Palme d' Or at the Cannes Film Festival that year. <P5-S2> Abbas Kiarostami( 22 June 1940 – 4 July 2016) was an Iranian film director, screenwriter, poet, photographer, and film producer. <P5-S3> In later works," Certified Copy"( 2010) and" Like Someone in Love"( 2012), he filmed for the first time outside Iran: in Italy and Japan, respectively. <P5-S4> His films" Where Is the Friend ’s Home? Close- Up", and" The Wind Will Carry Us" were ranked among the 100 best foreign films in a 2018 critics' poll by BBC Culture. <P5-S5> " Close- Up" was also ranked one of the 50 greatest movies of all time in the famous decennial" Sight& Sound" poll conducted in 2012. <P5-S6> Kiarostami had worked extensively as a screenwriter, film editor, art director and producer and had designed credit titles and publicity material. <P5-S7> He was also a poet, photographer, painter, illustrator, and graphic designer. <P5-S8> He was part of a generation of filmmakers in the Iranian New Wave, a Persian cinema movement that started in the late 1960s and includes pioneering directors such as Bahram Beyzai, Nasser Taghvai, Ali Hatami, Masoud Kimiai, Dariush Mehrjui, Sohrab Shahid- Saless and Parviz Kimiavi. <P5-S9> These filmmakers share many common techniques including the use of poetic dialogue and allegorical storytelling dealing with political and philosophical issues. <P5-S10> Kiarostami had a reputation for using child protagonists, for documentary- style narrative films, for stories that take place in rural villages, and for conversations that unfold inside cars, using stationary mounted cameras. <P5-S11> He is also known for his use of Persian poetry in the dialogue, titles, and themes of his films. <P5-S12> Kiarostami's films contain a notable degree of ambiguity, an unusual mixture of simplicity and complexity, and often a mix of fictional and documentary elements. <P5-S13> The concepts of change and continuity, in addition to the themes of life and death, play a major role in Kiarostami's works.