Question: Which film whose director was born first, Der Bockerer or Everybody In Jail?

<P0-S0> The art director was Tomoo Shimogawara. <SEP> <P1-S0> Alberto Sordi( June 15, 1920 – February 24, 2003) was an Italian actor, voice actor, singer, director and screenwriter. <P1-S1> He was known internationally as the dubbing voice of Oliver Hardy in the Italian version of the Laurel and Hardy films. <SEP> <P2-S0> It was entered into the 12th Moscow International Film Festival where Karl Merkatz won the award for Best Actor. <P2-S1> The film was also selected as the Austrian entry for the Best Foreign Language Film at the 54th Academy Awards, but was not accepted as a nominee. <P2-S2> Der Bockerer is a 1981 Austrian drama film directed by Franz Antel. <SEP> <P3-S0> The main character, a hyperactive, vain and logorroic judge, is referred as one of the most famous fictional judges in the Italian collective imagination. <P3-S1> Tutti dentro, internationally released as Everybody in Jail, is a 1984 Italian comedy film written, starred and directed by Alberto Sordi. <SEP> <P4-S0> Wale Adebanwi( born 1969) is a Nigerian- born first Black Rhodes Professor at St Antony's College, Oxford. <SEP> <P5-S0> After World War II, he began writing and directing films on a large scale. <P5-S1> In between there is quite a sober film about the Oberst( Colonel) Redl affair that shook the Austro- Hungarian Monarchy on the eve of World War I. <P5-S2> Antel himself later commented on this period," I always wanted to provide good entertainment for the people at the cinema. <P5-S3> After the screening, people should say: Well now, I am in a good mood, I will go out and have a glass of wine." <P5-S4> Franz Antel( 28 June 1913 – 11 August 2007) was a veteran Austrian filmmaker. <P5-S5> Die Besucher sollten nach der Filmvorführung sagen: <P5-S6> From the late 1960s, encouraged by the new opportunities in the film industry brought about by the sexual revolution, Antel gradually switched his main interest to soft porn and ribaldry. <P5-S7> Titles included" The Sweet Sins of Sexy Susan"( 1967)," Sexy Susan Sins Again"( 1968)," Wild, Willing& Sexy"( 1969) and" Do n't Tell Daddy"( aka" Naughty Nymphs" in the U.S.A.)( 1972). <P5-S8> Antel would recount an anecdote about himself describing how, in order to live up to his reputation as a womanizer, he used to carry a pair of high heels in his luggage which he then would occasionally place in the corridor in front of his hotel room – especially when he was travelling alone. <P5-S9> Among the best known actors Antel had worked with from the 1940s to the 1970s were Hans Moser, Paul Hörbiger, Oskar Werner, Curd Jürgens, Tony Curtis, Herbert Fux, Heinrich Schweiger, Arthur Kennedy, Carroll Baker, Edwige Fenech, George Hilton, Marisa Berenson, Britt Ekland, Andréa Ferréol. <P5-S10> 1981 was a turning point in Antel's career when he adapted for the big screen a stage play by Ulrich Becher and Peter Preses. <P5-S11> The film was entered into the 12th Moscow International Film Festival. <P5-S12> He made three sequels, which follow the lives of the Bockerers well into the 1960s, each depicting a crucial historical event in Austria or one of its neighbouring countries: