Question: "Brass in Pocket" (also known as "Brass in Pocket (I'm Special)") is a single by The Pretenders, The Pretenders are an English-American rock band formed in Hereford, England, in March of which year?

<P0-S0> Martin Dale Chambers (born 4 September 1951 in Hereford) is an English musician, who is best known as a founding member and drummer of the rock band the Pretenders. <P0-S1>  In addition to playing the drums with the group, Chambers sings backing vocals (lead vocals on the song "Fast or Slow (The Law's the Law)", the B-side of the singles "2000 Miles" and "Show Me", which he also wrote) and plays percussion. <P0-S2>  He was part of the original band line-up which also included Chrissie Hynde (vocals/guitar), James Honeyman-Scott (guitar/vocals/keyboards) and Pete Farndon (bass guitar/vocals). <P0-S3>  Hynde and Chambers are the only two surviving original members, and he has served two separate tenures with the group. <SEP> <P1-S0>  It was written by Chrissie Hynde and James Honeyman-Scott, and produced by Chris Thomas. <P1-S1> "Brass in Pocket" (also known as "Brass in Pocket (I'm Special)") is a single by The Pretenders. <SEP> <P2-S0> The Pretenders are an English-American rock band formed in Hereford, England, in March 1978. <P2-S1>  The original band consisted of initiator and main songwriter Chrissie Hynde (lead vocals, rhythm guitar), James Honeyman-Scott (lead guitar, backing vocals, keyboards), Pete Farndon (bass guitar, backing vocals), and Martin Chambers (drums, backing vocals, percussion). <P2-S2>  Following the drug-related deaths of Honeyman-Scott and Farndon, the band has experienced numerous subsequent personnel changes, with Hynde as the only consistent member, and Chambers returning after an absence of several years. <SEP> <P3-S0>  Victory MV’s are totally immune from “Strat-Itis” (simultaneous multiple discordant frequency syndrome) In other single-coil pickups, strat-Itis is an annoying out-of-tune harmonic, oscillating/warbling /shriek/dissonant sound. <P3-S1>  Contrasting mirror image graining angles provide the best resistance against impact cracking over single piece or scarf joint necks. <P3-S2>  MV stood for Multi-Voice. <P3-S3>  During the late 1970s and early 1980s, musicians watched Eddie Van Halen play his Frankenstrat and questioned and rethought everything about their instruments. <P3-S4>  The availability of premium old growth wood with tight grain was better in the 1980s than it is today because of new laws and limited natural resources. <P3-S5>  Wood improves with age, the polymerization of sap over decades, once the wood is removed from the living tree crystalizes. <P3-S6>  The master luthiers in Kalamazoo responded to these demanding guitarists by designing the Victory. <P3-S7>  However sometimes a retailer who did a lot of business with Gibson would be able to ask for a small number of guitars with a special finish. <P3-S8>  The Victories chamfered cutaway offers musicians with large hands better access to play in the top frets. <P3-S9>  Mention has been made of Roy Orbison's special order black Victory MVX. <P3-S10>  So called "bolt-on" necks have no proper neck torque specs, over-tightening the screws crushes the wood, cracks the finish, and strips the holes or screw head, requiring a toothpick or dowel to be glued in the stripped hole). <P3-S11>  Decode the serial number on the back of the headstock to determine if your Victory was hand made by finding the location and the date of it's manufacture. <P3-S12>  The Victory MV's came with a series of specially designed Humbucker Pickups carefully made one at a time on the “center focused” KZ/LP115 PAF Pickup Winder, with high sensitivity and unique tonal signature with fewer turns of wire compared to newer high production winding machines that produce more scatter and a wider magnetic aperture, Each pickup across the range is different, and specifically designed for the role it was assigned. <P3-S13>  Using lighter strings allows easier bending, easier hammer-ons, pull-offs & very fast solos. <P3-S14>  If you are a professional with strong fingers, using heavier strings produces greater dynamic and timbral range, more sustain, & less buzzing using slide.