Question: Which film has the director who was born earlier, Providence (Film) or The Dixie Handicap?

<P0-S0> Abhishek Saxena is an Indian Bollywood and Punjabi film director who directed the movie Phullu. <P0-S1> The Phullu movie was released in theaters on 16 June 2017, in which film Sharib Hashmi is the lead role. <P0-S2> Apart from these, he has also directed Patiala Dreamz, this is a Punjabi film. <P0-S3> This film was screened in cinemas in 2014. <SEP> <P1-S0> Reginald C. Barker( April 2, 1886 – February 23, 1945) was a pioneer film director. <SEP> <P2-S0> Providence is a 1977 French/ Swiss film directed by Alain Resnais from a screenplay by David Mercer. <P2-S1> It explores the processes of creativity through a portrayal of an ageing novelist, played by John Gielgud, who imagines scenes for his latest novel which draw upon his past history and his relationships with members of his family. <P2-S2> The film won the 1978 César Award for Best Film. <SEP> <P3-S0> The film stars Claire Windsor, Lloyd Hughes, and Otis Harlan. <P3-S1> It is written by Waldemar Young. <P3-S2> The Dixie Handicap is a 1924 American silent drama film directed by Reginald Barker. <P3-S3> This film is currently lost. <SEP> <P4-S0> After training as a film editor in the mid-1940s, he went on to direct a number of short films which included" Night and Fog"( 1956), an influential documentary about the Nazi concentration camps. <P4-S1> Alain Resnais( 3 June 19221 March 2014) was a French film director and screenwriter whose career extended over more than six decades. <P4-S2> Resnais began making feature films in the late 1950s and consolidated his early reputation with" Hiroshima mon amour"( 1959)," Last Year at Marienbad"( 1961), and" Muriel"( 1963), all of which adopted unconventional narrative techniques to deal with themes of troubled memory and the imagined past. <P4-S3> These films were contemporary with, and associated with, the French New Wave(" la nouvelle vague"), though Resnais did not regard himself as being fully part of that movement. <P4-S4> He had closer links to the" Left Bank" group of authors and filmmakers who shared a commitment to modernism and an interest in left- wing politics. <P4-S5> He also established a regular practice of working on his films in collaboration with writers previously unconnected with the cinema such as Jean Cayrol, Marguerite Duras, Alain Robbe- Grillet, Jorge Semprún and Jacques Sternberg. <P4-S6> In later films, Resnais moved away from the overtly political topics of some previous works and developed his interests in an interaction between cinema and other cultural forms, including theatre, music, and comic books. <P4-S7> This led to imaginative adaptations of plays by Alan Ayckbourn, Henri Bernstein and Jean Anouilh, as well as films featuring various kinds of popular song. <P4-S8> His films frequently explore the relationship between consciousness, memory, and the imagination, and he was noted for devising innovative formal structures for his narratives. <P4-S9> Throughout his career, he won many awards from international film festivals and academies. <SEP> <P5-S0> Hugh Everett Moore( 1887–1972) was the president and founder of the Dixie Cup Company, manufacturer of the Dixie Cup.