Question: Which film has the director who died later, Battling Jane or Paris Belongs To Us?

<P0-S0> Abhishek Saxena is an Indian Bollywood and Punjabi film director who directed the movie Phullu. <P0-S1> The Phullu movie was released in theaters on 16 June 2017, in which film Sharib Hashmi is the lead role. <P0-S2> Apart from these, he has also directed Patiala Dreamz, this is a Punjabi film. <P0-S3> This film was screened in cinemas in 2014. <SEP> <P1-S0> It was directed by Elmer Clifton as a vehicle for Dorothy Gish and included some patriotic overtones. <P1-S1> Battling Jane is an American silent melodrama film released in 1918. <P1-S2> According to the Progressive Silent Film List at SilentEra.com, it is not known whether the film currently survives. <SEP> <P2-S0> The Night Belongs to Us, released in English as The Night Is Ours or The Night Belongs to Us, is a 1929 German sports romance film directed by Carl Froelich and Henry Roussel, and starring Hans Albers, Charlotte Ander, and Otto Wallburg. <SEP> <P3-S0> A collaborator of D.W. Griffith, he appeared in" The Birth of a Nation"( 1915) and" Intolerance"( 1916) before giving up acting in 1917 to concentrate on work behind the camera, with Griffith and Joseph Henabery as his mentors. <P3-S1> Clifton honed his talents during the late 1910s, directing vehicles for Mulhall and Herbert Rawlinson at Universal and then for Dorothy Gish for Famous Players- Lasky. <P3-S2> Two of his projects with Gish," Nobody Home" and" Nugget Nell", featured performances from pre-stardom Rudolph Valentino. <P3-S3> Most of this early output has been lost. <P3-S4> The independently produced film was well reviewed for its visual authenticity. <P3-S5> During the 1920s, Clifton directed films for several different studios. <P3-S6> During the filming of" The Warrens of Virginia"( 1924) for Fox Film Corporation, lead actress Martha Mansfield suffered a fatal accident from burns when her costume caught fire. <P3-S7> Clifton directed" The Wreck of the Hesperus" for Cecil B. deMille's production company, and filmed on location in the Grand Canyon for" The Bride of the Colorado". <P3-S8> Elmer Clifton( March 14, 1890 – October 15, 1949) was an American writer, director and actor from the early silent days. <P3-S9> He also directed some Technicolor short films, including" Manchu Love" with an all- Asian cast. <P3-S10> In the sound era, Clifton wrote and directed many poverty row Westerns and" exploitation" classics, among them the anti-marijuana polemic" Assassin of Youth"( 1937). <P3-S11> He also directed the vice films" Gambling with Souls"( 1936)," Slaves in Bondage"( 1937) and" City of Missing Girls"( 1941), all of which portrayed addiction and white slavery to some degree. <P3-S12> His last film was" Not Wanted"( 1949), which was finished by producer Ida Lupino when Clifton became ill and was unable to work anymore. <SEP> <P4-S0> Set in Paris in 1957 and often referencing Shakespeare's play" Pericles", the title is highly ironic because the characters are immigrants or alienated and do not feel that they belong at all. <P4-S1> The story centres on an essentially innocent young university student called Anne who through her older brother meets a group of friends haunted by mysterious tensions and fears that lead two of them to commit suicide. <P4-S2> Paris Belongs to Us( sometimes translated as Paris Is Ours) is a 1961 French mystery film directed by Jacques Rivette. <P4-S3> Among them is her opposite, a femme fatale called Terry who has had affairs with all the men. <P4-S4> The source of the malaise affecting the group is never explained, leaving viewers to ponder how far it might be an amalgam of individual imbalances, general existentialist anxiety, or the more specific paranoia of the Cold War as the world faced the possibility of nuclear annihilation. <SEP> <P5-S0> His work is noted for its improvisation, loose narratives, and lengthy running times. <P5-S1> In his criticism, he expressed an admiration for American films – especially those of genre directors such as John Ford, Alfred Hitchcock and Nicholas Ray – and was deeply critical of mainstream French cinema. <P5-S2> Although he was the first New Wave director to begin work on a feature film," Paris Belongs to Us" was not released until 1961, by which time Chabrol, Truffaut and Godard released their own first features and popularised the movement worldwide. <P5-S3> Rivette became editor of" Cahiers du Cinéma" during the early 1960s and publicly fought French censorship of his second feature film," The Nun"( 1966). <P5-S4> He then re-evaluated his career, developing a unique cinematic style with" L'amour fou". <P5-S5> Influenced by the political turmoil of May 68, improvisational theatre and an in- depth interview with filmmaker Jean Renoir, Rivette began working with large groups of actors on character development and allowing events to unfold on camera. <P5-S6> Jacques Rivette( 1 March 1928 – 29 January 2016) was a French film director and film critic most commonly associated with the French New Wave and the film magazine" Cahiers du Cinéma". <P5-S7> This technique led to the thirteen- hour" Out 1" which, although rarely screened, is considered a Holy Grail of cinephiles. <P5-S8> After attempting to make four consecutive films, however, Rivette had a nervous breakdown and his career slowed for several years. <P5-S9> During the early 1980s, he began a business partnership with producer Martine Marignac, who produced all his subsequent films. <P5-S10> Rivette's output increased from then on, and his film" La Belle Noiseuse" received international praise. <P5-S11> Very private about his personal life, Rivette was briefly married to photographer and screenwriter Marilù Parolini during the early 1960s and later married Véronique Manniez.