Question: Which film has the director died first, Malin Kundang (Film) or The Lion Has Seven Heads?

<P0-S0> Simham Navvindi <P0-S1> ( English: The Lion has Laughed) is a 1983 Telugu comedy film, produced by Nandamuri Harikrishna under the Ramakrishna Cine Studios banner and directed by D. Yoganand. <P0-S2> It stars N. T. Rama Rao, Nandamuri Balakrishna, Kala Ranjani in the lead roles and music composed by Chakravarthy. <P0-S3> The film was remade in Tamil as" Raja Mariyadhai" starring Sivaji Ganesan and Karthik. <SEP> <P1-S0> The Lion Has Wings is a 1939 British, black- and- white, documentary- style, propaganda war film that was directed by Adrian Brunel, Brian Desmond Hurst, Alexander Korda and Michael Powell. <P1-S1> The film was produced by London Film Productions and Alexander Korda Film Productions and' was preparing the nation( for war) and shining a light on the power of the RAF'. <P1-S2> " The Lion Has Wings" was made at the outbreak of World War II and was released to cinemas very quickly. <P1-S3> It helped convince the British government of film's value for disseminating both propaganda and information. <SEP> <P2-S0> It was shot on location in Brazzaville, the Congo during the time Rocha was exiled. <P2-S1> The Lion Has Seven Heads( original title: Der Leone Have Sept Cabeças) is a 1970 French- Italian- Brazilian film directed by Glauber Rocha. <SEP> <P3-S0> Djadoeg Djajakusuma <P3-S1> ( 1 August 1918 – 28 October 1987) was an Indonesian film director and promoter of traditional art forms. <P3-S2> Born to a nobleman and his wife in Temanggung, Central Java, Djajakusuma became interested in the arts at a young age, choosing to pursue a career in theatre. <P3-S3> During the Japanese occupation from 1943 to 1945 he was a translator and actor, and in the four- year national revolution which followed he worked for the military's educational division, several news agencies, and in drama. <P3-S4> In 1951, Djajakusuma joined the National Film Corporation( Perfini) at the invitation of Usmar Ismail. <P3-S5> After making his directorial debut with" Embun", Djajakusuma released a further eleven films with the company before leaving in 1964. <P3-S6> He then returned to traditional Indonesian theatre, including" wayang". <P3-S7> Although he continued to direct movies independently of Perfini, most of his energies were dedicated to promoting traditional art forms and teaching cinematography. <P3-S8> After over a decade of poor health and high blood pressure, Djajakusuma collapsed during a ceremony and died. <P3-S9> He was buried in Karet Bivak Cemetery. <P3-S10> The dedicated but easily angered Djajakusuma was influenced by Usmar Ismail's realist views, although he focused more on traditional aspects of life. <P3-S11> His theatrical performances attempted to modernize traditional forms so that they could be better received in a modern world. <P3-S12> He is credited with revitalising the Betawi theatre form" lenong" and received numerous awards for his filmmaking, including a lifetime achievement award at the Indonesian Film Festival. <SEP> <P4-S0> It follows a young boy who forgets his roots after spending much of his childhood at sea. <P4-S1> Starring Rano Karno, Putu Wijaya, and Fifi Young, <P4-S2> Malin Kundang( Anak Durhaka)( literally" Malin Kundang[ Faithless Child]") is a 1971 film directed by D. Djajakusuma and adapted by Asrul Sani from the folktale of the same name. <SEP> <P5-S0> Glauber de Andrade Rocha( 14 March 1939 – 22 August 1981), better known as Glauber Rocha, was a Brazilian film director, actor and screenwriter. <P5-S1> He was a key figure of Cinema Novo and one of the most influential moviemakers of Brazilian cinema. <P5-S2> His films" Black God, White Devil" and" Entranced Earth" are often considered to be two of the greatest achievements in Brazilian cinematic history, being selected by Abraccine as, respectively, the second and fifth best Brazilian films of all- time. <P5-S3> Rocha's film possess a staunch avant- garde and experimental nature, making of him a seminal figure of the new wave. <P5-S4> His works are noted for their many political overtones, often addressing the passive- aggressive situation of the Third World, which Rocha referred to both metaphorically and objectively as" hunger" in his essay" Estética da Fome The Aesthetics of Hunger"). <P5-S5> Rocha won the Prix de la mise en scène at the 1969 Cannes Film Festival for" Antonio das Mortes" and the 1977 Special Jury Prize for Best Short Film for" Di". <P5-S6> Three of Rocha's films were nominated for the Palm d' Or, including" Entranced Earth", which was awarded the FIPRESCI at the 1967 Cannes Film Festival and the Grand Prix of the Locarno Film Festival of the same year.