Question: Are Sam Peckinpah and Seth Holt both film producers?

<P0-S0> David Samuel Peckinpah ( ; February 21, 1925 – December 28, 1984) was an American film director and screenwriter who achieved prominence following the release of the Western epic "The Wild Bunch" (1969). <P0-S1>  He was known for the visually innovative and explicit depiction of action and violence as well as his revisionist approach to the Western genre. <SEP> <P1-S0> The Getaway is a 1972 American neo-noir crime film directed by Sam Peckinpah. <P1-S1>  The screenplay, written by Walter Hill, is based on the eponymous 1958 novel by Jim Thompson. <P1-S2>  Starring Steve McQueen, Ali MacGraw, Ben Johnson, Al Lettieri, Sally Struthers, Jack Dodson, Richard Bright and Slim Pickens, the film follows imprisoned mastermind robber Carter "Doc" McCoy (McQueen), whose wife Carol (MacGraw) conspires for his release on the condition they rob a bank in Texas. <P1-S3>  A double-cross follows the crime and the McCoys are forced to flee for Mexico with the police and criminals in hot pursuit. <P1-S4>  The film reunites McQueen and Peckinpah, having previously worked together in the commercially unsuccessful "Junior Bonner", released the same year. <SEP> <P2-S0> Seth Holt (1923, Palestine – 14 February 1971, London) was a British film director, producer and editor. <P2-S1>  His films are characterized by their tense atmosphere and suspense, as well as their striking visual style. <P2-S2>  In the 1960s, "Movie" magazine championed Holt as one of the finest talents working in the British film industry, although his output was notably sparse. <SEP> <P3-S0> Lou Lombardo (February 15, 1932 – May 8, 2002) was an American filmmaker whose editing of the 1969 film "The Wild Bunch" has been called "seminal". <P3-S1>  In all, Lombardo is credited on more than twenty-five feature films. <P3-S2>  Noted mainly for his work as a film and television editor, he also worked as a cameraman, director, and producer. <P3-S3>  In his obituary, Stephen Prince wrote, "Lou Lombardo's seminal contribution to the history of editing is his work on "The Wild Bunch" (1969), directed by Sam Peckinpah. <P3-S4>  The complex montages of violence that Lombardo created for that film influenced generations of filmmakers and established the modern cinematic textbook for editing violent gun battles." <P3-S5>  Several critics have remarked on the "strange, elastic quality" of time in the film, and have discerned the film's influence in the work of directors John Woo, Quentin Tarantino, Kathryn Bigelow, and the Wachowskis, among others. <P3-S6>  While Lombardo's collaboration with Peckinpah lasted just a few years, his career was intertwined with that of director Robert Altman for more than thirty years. <P3-S7>  Lombardo edited Altman's 1971 film "McCabe & Mrs. Miller" (1971), which had "a radical approach to the use of dialogue and indeed other sound, both in and beyond the frame." <P3-S8>  Towards the end of his career Lombardo edited "Moonstruck" (1987) and two other films directed by Norman Jewison. <P3-S9>  While his editing is now considered "revolutionary" and "brilliant", Lombardo was never nominated for editing awards during his career.