Question: Which film has the director born earlier, Sexy Susan Sins Again or Mrs. Miniver?

<P0-S0> Inspired by the 1940 novel" Mrs. Miniver" by Jan Struther, the film shows how the life of an unassuming British housewife in rural England is touched by World War II. <P0-S1> Produced and distributed by Metro- Goldwyn- Mayer, the film features a strong supporting cast that includes Teresa Wright, Dame May Whitty, Reginald Owen, Henry Travers, Richard Ney, and Henry Wilcoxon. <P0-S2> " Mrs. Miniver" won six Academy Awards, including Best Picture, Best Director( William Wyler), Best Actress( Greer Garson), and Best Supporting Actress( Teresa Wright). <P0-S3> It was the first film with a plot line centered on World War II to win an Oscar for Best Picture. <P0-S4> In 1950, a film sequel" The Miniver Story" was made with Greer Garson and Walter Pidgeon reprising their roles. <P0-S5> Mrs. Miniver is a 1942 American romantic war drama film directed by William Wyler, and starring Greer Garson and Walter Pidgeon. <P0-S6> In 2006, the film was ranked number 40 on the American Film Institute's list celebrating the most inspirational films of all time. <P0-S7> In 2009, the film was named to the National Film Registry by the Library of Congress for being" culturally, historically, or aesthetically" significant. <SEP> <P1-S0> Mrs Miniver is a 1960 TV adaptation of the novel" Mrs Miniver". <SEP> <P2-S0> William Wyler (born Willi Wyler ; July 1, 1902 – July 27, 1981) was an American film director, producer and screenwriter. <P2-S1> Notable works include "Ben-Hur" (1959), "The Best Years of Our Lives" (1946), and "Mrs. Miniver" (1942), all of which won Academy Awards for Best Director, as well as Best Picture in their respective years, making him the only director of three Best Picture winners as of 2019. <P2-S2> Wyler received his first Oscar nomination for directing "Dodsworth" in 1936, starring Walter Huston, Ruth Chatterton and Mary Astor, "sparking a 20-year run of almost unbroken greatness." <P2-S3> Film historian <P2-S4> Ian Freer calls Wyler a "bona fide perfectionist", whose penchant for retakes and an attempt to hone every last nuance, "became the stuff of legend. <P2-S5> " <P2-S6> His ability to direct a string of classic literary adaptations into huge box-office and critical successes made him one of "Hollywood's most bankable moviemakers" during the 1930s and 1940s and into the '60s. <P2-S7> Through his talent for staging, editing, and camera movement, he turned dynamic theatrical spaces into cinematic ones. <P2-S8> He helped propel a number of actors to stardom, finding and directing Audrey Hepburn in her Hollywood debut film, "Roman Holiday" (1953), and directing Barbra Streisand in her debut film, "Funny Girl" (1968). <P2-S9> Both of these performances won Academy Awards. <P2-S10> He directed Olivia de Havilland to her second Oscar in "The Heiress" (1949) and Laurence Olivier in "Wuthering Heights" (1939), for his first Oscar nomination. <P2-S11> Olivier credited Wyler with teaching him how to act for the screen. <P2-S12> And Bette Davis, who received three Oscar nominations under his direction and won her second Oscar in "Jezebel" (1938), said Wyler made her a "far, far better actress" than she had ever been. <P2-S13> Other popular Wyler films include: "Hell's Heroes" (1929), "Dodsworth" (1936), "The Westerner" (1940), "The Letter" (1940), "Friendly Persuasion" (1956), "The Big Country" (1958), "The Children's Hour" (1961) and "How to Steal a Million" (1966). <SEP> <P3-S0> Claude Weisz is a French film director born in Paris. <SEP> <P4-S0> It is the first film of the series" Frau Wirtin", following the 1967 film" The Sweet Sins of Sexy Susan". <P4-S1> Sexy Susan Sins Again( German:" Frau Wirtin hat auch einen Grafen", Italian:" Susanna ... ed i suoi dolci vizi alla corte del re") is a 1968 Austrian- Italian costume drama- adventure- sex comedy film directed by Franz Antel. <SEP> <P5-S0> Born in Vienna, <P5-S1> After World War II, he began writing and directing films on a large scale. <P5-S2> Antel himself later commented on this period," I always wanted to provide good entertainment for the people at the cinema. <P5-S3> After the screening, people should say: Well now, I am in a good mood, I will go out and have a glass of wine." <P5-S4> ( German original:" Ich wollte die Leute im Kino immer gut unterhalten. <P5-S5> So, jetzt bin ich gut aufgelegt, jetzt geh ich auf ein Viertel Wein.") <P5-S6> From the late 1960s, encouraged by the new opportunities in the film industry brought about by the sexual revolution, Antel gradually switched his main interest to soft porn and ribaldry. <P5-S7> Among the best known actors Antel had worked with from the 1940s to the 1970s were Hans Moser, Paul Hörbiger, Oskar Werner, Curd Jürgens, Tony Curtis, Herbert Fux, Heinrich Schweiger, Arthur Kennedy, Carroll Baker, Edwige Fenech, George Hilton, Marisa Berenson, Britt Ekland, Andréa Ferréol. <P5-S8> 1981 was a turning point in Antel's career when he adapted for the big screen a stage play by Ulrich Becher and Peter Preses. <P5-S9> While Bockerer and his wife survive the war unscathed, their son joins the SA but, after some internal intrigue, is sent to the front and killed. <P5-S10> The film was entered into the 12th Moscow International Film Festival. <P5-S11> The film's strong anti-fascist message, the moving dialogue, and performances by the" crème de la crème" of Austrian actors and actresses( Ida Krottendorf, Alfred Böhm, Heinz Marecek, Hans Holt, Dolores Schmidinger and many more) made" Der Bockerer" an unusually successful film and gave new impetus to Antel's career. <P5-S12> Franz Antel( 28 June 1913 – 11 August 2007) was a veteran Austrian filmmaker.