Question: Which film has the director who is older than the other, Free Woman or The Closed Chain? 

<P0-S0> Stein began his career in Berlin in 1918 and worked exclusively in the German silent film industry until 1926, when he first went to Hollywood, and spent the next five years commuting between Germany and the U.S., where he worked with stars such as Jeanette MacDonald, Lillian Gish and Constance Bennett. <P0-S1> In 1931, Stein relocated to England after gaining a contract with British International Pictures, where he was assigned a number of big- name prestige productions, including some of the popular operetta films of the mid-1930s. <P0-S2> These included" Blossom Time" and" Heart's Desire" starring his boyhood friend Richard Tauber, who also made cameo appearances in two of his post-war films" Waltz Time" and" Lisbon Story". <P0-S3> For most his career, Stein's credits tended to be films primarily aimed at female audiences, although later he also directed crime and spy thrillers. <P0-S4> Stein remained in England for the rest of his life and career, becoming a British citizen in 1938. <P0-S5> Paul Ludwig Stein( 4 February 1892 – 2 May 1951) was an Austrian- born film director with 67 films to his credit. <SEP> <P1-S0> A Free Woman is a 1954 Italian melodrama film directed by Vittorio Cottafavi. <P1-S1> In 2008 the film was selected to enter the list of the 100 Italian films to be saved. <SEP> <P2-S0> Elliot Silverstein( born August 3, 1927, in Boston, Massachusetts) is an American director, who is best known for being the director of the movie" Cat Ballou"( 1965). <SEP> <P3-S0> The film's sets were designed by the art director Jack Winter <P3-S1> The Closed Chain is a 1920 German silent film directed by Paul L. Stein and starring Pola Negri, Aud Egede- Nissen and Carl Ebert. <SEP> <P4-S0> Free Woman( 자유처녀-" Jayu cheonyeo") is a 1982 South Korean film directed by Kim Ki-young. <SEP> <P5-S0> Kim Ki-young <P5-S1> In Korea after the end of World War II, he studied dentistry while becoming involved in the theater. <P5-S2> During the Korean War, he made propaganda films for the United States Information Service. <P5-S3> ( October 10, 1919 – February 5, 1998) was a South Korean film director, known for his intensely psychosexual and melodramatic horror films, often focusing on the psychology of their female characters. <P5-S4> In 1955, he used discarded movie equipments to produce his first two films. <P5-S5> Kim <P5-S6> It is widely considered to be one of the best Korean films of all time. <P5-S7> After a" Golden Age" during the 1960s, the 1970s were a low- point in the history of Korean cinema because of governmental censorship and a decrease in audience attendance. <P5-S8> Nevertheless, working independently, Kim produced some of his most eccentric cinematic creations in this era. <P5-S9> Films such as" Insect Woman"( 1972) and" Iodo"( 1977) were successful at the time and highly influential on the younger generations of South Korean filmmakers both at their time of release, and with their rediscovery years later. <P5-S10> By the 1980s, Kim's popularity had gone into decline, and his output decreased in the second half of the decade. <P5-S11> Widespread international interest in his work was stimulated by a career retrospective at the 1997 Pusan International Film Festival. <P5-S12> The Berlin International Film Festival gave Kim a posthumous retrospective in 1998, and the French Cinémathèque screened 18 of Kim's films, some newly rediscovered and restored, in 2006.