Question: Do both films The Count Of Monte Cristo (1953 Film) and The Return Of Doctor Mabuse have the directors from the same country?

<P0-S0> The Count of Monte Cristo( Spanish: El Conde de Montecristo) is a 1953 Argentine- Mexican historical adventure film directed by León Klimovsky and starring Jorge Mistral, Elina Colomer and Santiago Gómez Cou. <P0-S1> It is an adaptation of Alexandre Dumas's 1844 novel" The Count of Monte Cristo". <SEP> <P1-S0> A trained dentist, born in Buenos Aires, his real passion was always the cinema. <P1-S1> He pioneered Argentine cultural movement known as cineclub and financed the first movie theater to show" art movies". <P1-S2> He also founded Argentina's first film club in 1929. <P1-S3> After participating as scriptwriter and assistant director of 1944's" Se abre el abismo", he filmed his first movie, an adaptation of Fyodor Dostoyevsky's" The Player". <P1-S4> He also worked on adaptations of Alexandre Dumas'" The Count of Monte Cristo" and Ernesto Sabato's" The Tunnel". <P1-S5> He directed many spaghetti westerns and" exploitation films", filming in Mexico, Italy, Spain and Egypt. <P1-S6> León Klimovsky( 16 October 1906 – 8 April 1996) was an Argentine film director, screenwriter and film producer. <P1-S7> Horror film fans best remember him for his contributions to Spain's horror film genre, beginning with" La Noche de WalpurgisWalpurgis Night"), the film that is said to have started the Spanish horror film boom of the 1970s. <P1-S8> Klimovsky directed famed Spanish horror icon Paul Naschy in no less than 9 films in the 1970s, while also directing other classic horror films such as" The Strange Love of the Vampires The Dracula Saga" and" The Vampires' Night Orgy". <P1-S9> Naschy complimented Klimovsky's workmanlike attitude and abundant energy, but he always felt that Klimovsky rushed through many of their projects together, never allowing for sufficient retakes. <P1-S10> León Klimovsky always dreamt of doing great mainstream movies but ended up doing commercial exploitation films, but he had no remorse, as cinema was a vocational mandate for him. <P1-S11> In 1995, at age 89, he won the" Honor Award" from the Spanish Film Directors Association. <P1-S12> He died the following year in Madrid from a heart attack. <SEP> <P2-S0> The Return of Doctor Mabuse( Ger. Im Stahlnetz des Dr. Mabuse) is a 1961 black- and- white crime film/ thriller made in West Berlin. <P2-S1> It starred Gert Fröbe, Daliah Lavi and in his first German film, Lex Barker. <P2-S2> The film was co-written by Ladislas Fodor and in his first screenplay, Marc Behm who gives the film a science fictional plot that would be followed in the other films in the series. <P2-S3> It was a West German/ French/ Italian international co-production directed by Harald Reinl that was the second of the 1960s CCC Films Dr. Mabuse film series, being the sequel to Fritz Lang's" The Thousand Eyes of Dr. Mabuse"( 1960). <P2-S4> It was shot at the Spandau Studios and on location around Berlin. <P2-S5> The film's sets were designed by the art directors Otto Erdmann and Hans Jürgen Kiebach. <P2-S6> The German title" Im Stahlnetz des Dr. Mabuse" was a reference to the popular German police procedural television show of the time," Stahlnetz". <P2-S7> In 1966 the 1960s Dr. Mabuse films were released in the United States to tie in with Gert Fröbe's fame in the role of Auric Goldfinger with this film being renamed The Phantom Fiend. <SEP> <P3-S0> The Return of Monte Cristo is a 1946 swashbuckler film which is a sequel to" The Count of Monte Cristo"( 1934) and" The Son of Monte Cristo"( 1940). <SEP> <P4-S0> He is known for the films he made based on Edgar Wallace and Karl May books( see Karl May movies and Edgar Wallace movies) and also made mountain films, Heimatfilms, German war films and entries in such popular German film series as" Dr. MabuseJerry Cotton" and" Kommissar X". <P4-S1> Reinl began his career as an extra in the mountain films of Arnold Fanck. <P4-S2> He worked as screenwriter on the film" Tiefland" directed by and starring Leni Riefenstahl. <P4-S3> Reinl's first movie as director was the mountain film" Mountain Crystal"( 1949). <P4-S4> Harald Reinl( 8 July 1908 in Bad Ischl, Austria – 9 October 1986 in Santa Cruz de Tenerife, Spain) was an Austrian film director. <P4-S5> He was Oscar nominated for his documentary feature" Chariots of the Gods"( 1970). <P4-S6> By the 1970s, he had semi-retired to the Canary Islands. <P4-S7> In 1986, in his Tenerife retirement home, he was stabbed to death by Daniela Maria Delis, his alcoholic wife and a former actress from Czechoslovakia. <SEP> <P5-S0> The Son of Monte Cristo is a 1940 American black- and- white swashbuckling adventure film from United Artists, produced by Edward Small, directed by Rowland V. Lee, that stars Louis Hayward, Joan Bennett, and George Sanders. <P5-S1> The Small production uses the same sets and many of the same cast and production crew as his previous year's production of" The Man in the Iron Mask". <P5-S2> The film takes the same name as the unofficial sequel to" The Count of Monte Cristo", namely" The Son of Monte Cristo", written by Jules Lermina in 1881. <P5-S3> Using elements from several romantic swashbucklers of the time such as" The Prisoner of Zenda" and" The Mark of Zorro" the production also mirrors the situation of Continental Europe in 1939 – 1940.