Question: Eileen Caddy founded her award-winning experimental architectural community in what country?

<P0-S0>  The commune which she started in 1962 with her second husband, Peter Caddy, and Dorothy Maclean was an early New Age intentional community; as of January 2009 it has been home to over 400 residents and thousands of visitors from over 40 countries, and is one of the UK's largest alternative spiritual communities, nicknamed "the Vatican of the New Age". <P0-S1> Eileen Caddy MBE (26 August 1917 – 13 December 2006) was a spiritual teacher and new age author, best known as one of the founders of the Findhorn Foundation community at the Findhorn Ecovillage, near the village of Findhorn, Moray Firth, in northeast Scotland. <SEP> <P1-S0> Findhorn Ecovillage is an experimental architectural community project based at The Park, in Moray, Scotland, near the village of Findhorn. <P1-S1>  The project's main aim is to demonstrate a sustainable development in environmental, social, and economic terms. <P1-S2>  Work began in the early 1980s under the auspices of the Findhorn Foundation but now includes a wide diversity of organisations and activities. <P1-S3>  Numerous different ecological techniques are in use, and the project has won a variety of awards, including the UN-Habitat Best Practice Designation in 1998. <SEP> <P2-S0> Peter Caddy (20 March 1917 – 18 February 1994) was a British caterer, hotelier, and with his wife Eileen Caddy and their friend Dorothy Maclean, co-founder of the Findhorn Foundation community. <SEP> <P3-S0>  In 1966-1967 the Amaral family lived in New York. <P3-S1>  There Olga de Amaral met Eileen Vanderbilt from the World Crafts Council and became its representative for Colombia. <P3-S2>  In 1955, after a year in Cranbrook, she returned to Colombia and started to make decorative textiles on commission for her architect friends. <P3-S3> Olga de Amaral was born as Olga Ceballos Velez in Bogotá, Cundinamarca, Colombia to parents from the Antioquia region of Colombia. <P3-S4>  They lived for a time in Europe, then returned to Bogotá, visited different areas of Colombia, and then went back to France, amid exhibits, work, and new friendships. <P3-S5>  Another important journey for the artist was her travel to Japan. <P3-S6>  She then moved and studied fiber art at the Cranbrook Academy of Art in Bloomfield Hills, Michigan, USA (1954–55). <P3-S7>  With Jack Lenor Larsen's collaboration, Olga de Amaral displayed her tapestries in New York (solo exhibition in Jack Lenor Larsen’s New York showroom in 1967), taught at Penland School of Crafts in North Carolina and in Haystack Mountain School of Crafts in Maine. <P3-S8>  Shortly after, Jim Amaral and Olga Ceballos Velez married and settled in Bogotá. <P3-S9>  She was raised in a traditional religious family with 5 sisters and 2 brothers. <P3-S10>  On a rapid visit to Ireland to participate in a WCC conference, Olga met Lucie Rie, a British ceramist who inspired her to incorporate gold into the tapestries. <P3-S11>  Upon graduating from high school, in the years 1951-52 she got a degree in Architectural Design at the Colegio Mayor de Cundinamarca in Bogotá. <P3-S12>  At Cranbrook de Amaral met Jim Amaral and they became close friends. <P3-S13>  Later Olga visited Peru as the WCC representative. <P3-S14>  They started a family (children Diego and Andrea) and a workshop of handwoven textiles.