Question: Do both directors of films Divine Horsemen: The Living Gods Of Haiti and Paarthale Paravasam share the same nationality?

<P0-S0> Brian Tristan (born March 27, 1959) better known by his stage name Kid Congo Powers , is an American rock guitarist and singer, best known as a member of The Gun Club, the Cramps and Nick Cave and the Bad Seeds. <P0-S1> He has also played with the Divine Horsemen, the Angels of Light, Die Haut, and Knoxville Girls. <P0-S2> As of January 2015, Powers' primary musical project is the band The Pink Monkey Birds. <SEP> <P1-S0> The film, produced by Balachander's home banner Kavithalayaa Productions featured Madhavan and Simran in the leading roles, with Lawrence Raghavendra and Sneha playing other key roles. <P1-S1> The film's music was composed by A. R. Rahman, whilst A. Venkatesh was cinematographer. <P1-S2> " Paarthale Paravasam" tells the story of a couple going through a breakup after the husband is exposed for having had a child from a juvenile relationship. <P1-S3> It also shows the introduction of love interests for the couple, and if they reconcile, forms the crux of the plot. <P1-S4> The film released on 14 November 2001 to mixed reviews and became a commercial failure. <P1-S5> Paarthale Paravasam is a 2001 Indian Tamil- language drama film directed by K. Balachander, who, with the project, completed 100 feature films. <SEP> <P2-S0> Divine Horsemen: <P2-S1> The Living Gods of Haiti( 1985) is a black- and- white documentary film of approximately 52 minutes. <P2-S2> In 1981, twenty years after Deren's death, the film was completed by Deren's third husband Teiji Ito( 1935- 1982) and his wife Cherel Winett Ito( 1947- 1999). <P2-S3> It is about dance and possession in Haitian vodou that was shot by experimental filmmaker Maya Deren between 1947 and 1954. <P2-S4> Most of the film consists of images of dancing and bodies in motion during rituals in Rada and Petro services. <P2-S5> Deren had studied dance as well as photography and filmmaking. <P2-S6> She originally went to Haiti, with the funding from a Guggenheim fellowship, and the stated intention of filming the dancing that forms a crucial part of the vodou ceremony. <P2-S7> In 1953, Deren's book" Divine Horsemen: The Voodoo Gods of Haiti", on the subject of vodou, was published by Vanguard Press. <P2-S8> The film that resulted, however, reflected Deren's increasing personal engagement with vodou and its practitioners( Wilcken, 1986). <P2-S9> While this ultimately resulted in Deren disregarding the guidelines of the fellowship, Deren was able to record scenes that probably would have been inaccessible to other filmmakers. <P2-S10> Deren's original notes, film footage, and wire recordings are in the Maya Deren Collection at Boston University's Howard Gotlieb Archival Research Center and at Anthology Film Archives. <SEP> <P3-S0> He was well known for his distinct film- making style, and the Indian film industry knew him as a master of unconventional themes and hard- hitting contemporary subject matter. <P3-S1> Balachander's films are well known for their portrayal of women as bold personalities and central characters. <P3-S2> Popularly referred to as" Iyakkunar Sigaram"( lit." the director who scaled the peak"), his films are usually centred on unusual or complicated interpersonal relationships and social themes. <P3-S3> Kailasam Balachander( 9 July 1930 – 23 December 2014) was an Indian filmmaker and playwright who worked mainly in the Tamil film industry. <P3-S4> He started his film career in 1964 as a screenwriter and graduated to a director with" Neerkumizhi"( 1965). <P3-S5> In a career that spanned 50 years, he had contributed to nearly 100 feature films either as a screenwriter or director, thus becoming one of the most prolific filmmakers in the country. <P3-S6> Known among his colleagues as a tough task master, he was credited with having nurtured numerous actors, notably Nagesh, Sujatha, Kamal Haasan, Rajinikanth, Chiranjeevi, Jayaprada, Sridevi, Jayasudha, Saritha, Renuka, Nassar, Prakash Raj, Ramesh Aravind and Vivek. <P3-S7> In his film career, Balachander had won nine National Film Awards and 13 Filmfare Awards. <P3-S8> He was honored with the Padma Shri( 1987), India's fourth highest civilian award, and the Dadasaheb Phalke Award, India's highest award in cinema. <P3-S9> He also made films under his production house, Kavithalaya Productions. <P3-S10> Apart from Tamil, he made films in other languages such as Telugu, Kannada and Hindi. <P3-S11> Towards the tail end of his career, he directed a few TV serials and made a few film appearances as well. <SEP> <P4-S0> Deren was also a choreographer, dancer, film theorist, poet, lecturer, writer, and photographer. <P4-S1> The function of film, Deren believed, was to create an experience. <P4-S2> She combined her expertise in dance and choreography, ethnography, the African spirit religion of Haitian Vodou, symbolist poetry and gestalt psychology( student of Kurt Koffka) in a series of perceptual, black- and- white short films. <P4-S3> Maya Deren( April 29, 1917 – October 13, 1961), born Eleonora Derenkowska, was a Ukrainian- born American experimental filmmaker and important promoter of the avant- garde in the 1940s and 1950s. <P4-S4> Using editing, multiple exposures, jump- cutting, superimposition, slow- motion, and other camera techniques to her advantage, Deren abandoned established notions of physical space and time, in carefully planned films with specific conceptual aims. <P4-S5> " Meshes of the Afternoon"( 1943), her collaboration with Alexander Hammid, has been one of the most influential experimental films in American cinema history. <P4-S6> She went on to make several films of her own, including" At Land"( 1944)," A Study in Choreography for Camera"( 1945), and" Ritual in Transfigured Time"( 1946), writing, producing, directing, editing, and photographing them with help from only one other person, Hella Heyman, her camerawoman. <SEP> <P5-S0> Mr. Right is a 2009 British film directed by David Morris and Jacqui Morris. <P5-S1> The jointly- made gay- themed film is the debut for both directors.