Question: Gods such as Anhur, Nubia appear  in short stores and religious material in what theology? 

<P0-S0> Harley Quin is a fictional character created by Agatha Christie and the most mysterious of all her detectives. <P0-S1>  His name is a word play on "Harlequin" which may be a clue to his personality. <P0-S2>  Mr. Quin helps his older friend Mr. Satterthwaite solve crimes using his extraordinary skills and instincts. <P0-S3>  He appears in the 12 short stories appearing in "The Mysterious Mr Quin", first published in 1930. <P0-S4>  in an additional two short stories "The Love Detectives" and "The Harlequin Tea Set" from "Problem at Pollensa Bay and Other Stories". <P0-S5>  Mr. Quin's emissary Mr. Satterthwaite, who appears together with him in all the previously mentioned short stores, also appears without him in Christie's short story Dead Man's Mirror, and in her novel Three-Act Tragedy. <SEP> <P1-S0> The A.L. Monsohn Lithographic Press (דפוס אבן א"ל מאנזאהן) was established in Jerusalem in 1892 by Abraham-Leib (or Avrom-Leyb) Monsohn II (Jerusalem, c.1871-1930) and his brother Moshe-Mordechai (Meyshe-Mordkhe). <P1-S1>  Sponsored by members of the Hamburger family, the brothers had been sent to Frankfurt in 1890 to study lithography. <P1-S2>  Upon returning to Jerusalem with a hand press, they established the A.L. Monsohn Lithographic Press in the Old City of Jerusalem. <P1-S3>  At first it was situated in Bab al-Huta; it was later moved to the courtyard opposite what is today the Old Yishuv Court Museum (Hebrew: ) at 6 Or Ha-Hayim Street in the Jewish Quarter, where Abraham-Leib Monsohn lived with his family. <P1-S4>  Leaving the Old City, the press was relocated to the Mamilla section of Jerusalem, and later to Yosef Ziv Street in the Tel Arza neighborhood. <P1-S5>  The Monsohn Press produced about 300 color prints per day, the only color printing done at the time in Jerusalem. <P1-S6>  In 1894 they imported a new machine which could print 1,000 copies a day—a great advance in local printing. <P1-S7>  The founders of the Monsohn press produced Jewish-themed color postcards, greeting cards, Jewish National Fund stamps, and maps documenting the evolution of the Jewish settlement in Eretz Israel in the nineteenth-twentieth centuries; religious material such as decorative plaques for synagogues, portraits of Old Yishuv rabbis such as Shmuel Salant, Mizrah posters indicating the direction of prayer for synagogues, memorial posters, and posters for Sukkot booths;, color frontispieces for books such as Pentateuch volumes; artistic wedding invitations; and later, government posters; and labels, packaging and advertisements for the pioneering entrepreneurs of Eretz Israel. <P1-S8>  Many of the postcards and maps can be seen online, as can the artistic invitations to his children's weddings which Monsohn published in the Jerusalem Hebrew press (e.g., that for his son Menachem Mendel Monsohn and his wife Zipporah in the 24 June 1914 issue of "Moria"). <P1-S9>  The Monsohn Press received special permission from the city’s rabbis to print for Christians and Moslems, so long as the material could not be used to missionize. <P1-S10>  While Eretz Israel was under Ottoman control, Abraham-Leib Monsohn also printed the maps for the Ottoman military leader Djemal Pasha, in his headquarters in Mount Scopus. <SEP> <P2-S0>  Myths told that he had brought his wife, Mehit, who was his female counterpart, from Nubia, and his name reflects this—it means "(one who) leads back the distant one". <P2-S1> In early Egyptian mythology, Anhur (also spelled Onuris, Onouris, An-Her, Anhuret, Han-Her, Inhert) was originally a god of war who was worshipped in the Egyptian area of Abydos, and particularly in Thinis. <SEP> <P3-S0> Egyptian mythology is the collection of myths from ancient Egypt, which describe the actions of the Egyptian gods as a means of understanding the world. <P3-S1>  Myths appear frequently in Egyptian writings and art, particularly in short stories and in religious material such as hymns, ritual texts, funerary texts, and temple decoration. <P3-S2>  The beliefs that these myths express are an important part of ancient Egyptian religion. <P3-S3>  These sources rarely contain a complete account of a myth and often describe only brief fragments.