Question: Nu skool breaks (or nu breaks as it is sometimes referred) is a subgenre of breakbeat originating during the period between 1998 and 2002, in contrast with big beat, another subgenre of breakbeat, the sound set consisted less of hip hop samples and sounds of Acid house, a subgenre of house music developed around the mid-1980s by DJs, from which location?

<P0-S0> Nu skool breaks (or nu breaks as it is sometimes referred) is a subgenre of breakbeat originating during the period between 1998 and 2002. <P0-S1>  The style is usually characterized by more abstract, more technical sounds, sometimes incorporated from other genres of electronic dance music, including UK garage, electro, and drum and bass. <P0-S2>  Typically, tracks ranged between 125 and 140 beats per minute (bpm), often featuring a dominant bass line. <P0-S3>  In contrast with big beat, another subgenre of breakbeat, the sound set consisted less of hip hop samples and acid-type sounds, instead emphasizing dance-friendliness and "new" sound produced by modern production techniques using synthesizers, effect processors, and computers. <SEP> <P1-S0> Florida breaks, referred to as Florida breakbeat and Funky Breaks, is a genre of broken beat music which, as the name suggests, is most popular in the areas around the US state of Florida. <P1-S1>  Its sound has a lot in common with UK nu skool breaks although it also contains influences of other music popular in the same area such as freestyle, electro and Miami bass due to the parallel electronic dance music subgenre of electro bass being billed at many of the same events as Florida breaks. <P1-S2>  Also may be referred to as Orlando breaks, Tampa Breaks, or The Orlando Sound. <P1-S3>  genre of breakbeat dance music that originated in central region of the State of Florida, United States. <SEP> <P2-S0> A DJ mixer is a type of audio mixing console used by DJs for two different purposes: some DJs use the mixer to make seamless transitions from one song to another when they are spinning a set at a dance club. <P2-S1>  Hip hop DJs and turntablists use the DJ mixer to play record players like a musical instrument and create new sounds. <P2-S2>  DJs in the disco, house music, electronic dance music and other dance-oriented genres use the mixer to make smooth transitions between different sound recordings as they are playing. <P2-S3>  The sources are typically record turntables, compact cassettes, CDJs, or DJ software on a laptop. <P2-S4>  DJ mixers allow the DJ to use headphones to preview the next song before playing it to the audience. <P2-S5>  Most low- to mid-priced DJ mixers can only accommodate two turntables or CD players, but some mixers (such as the ones used in larger nightclubs) can accommodate up to four turntables or CD players. <P2-S6>  DJs and turntablists in hip hop music and nu metal use DJ mixers to create beats, loops and "scratching" sound effects. <SEP> <P3-S0>  The style was defined primarily by the deep basslines and "squelching" sounds of the Roland TB-303 electronic synthesizer-sequencer. <P3-S1>  Acid house spread to the United Kingdom and continental Europe, where it was played by DJs in the acid house and later rave scenes. <P3-S2> Acid house is a subgenre of house music developed around the mid-1980s by DJs from Chicago. <P3-S3>  By the late 1980s, acid house had moved into the British mainstream, where it had some influence on pop and dance styles.