Question: Do director of film Every Man for Himself (1980 film) and director of film The Charlatan (1929 film) share the same nationality?

<P0-S0> During his early career as a film critic, Godard criticized mainstream French cinema's "Tradition of Quality", which emphasized established convention over innovation and experimentation. <P0-S1> In response, he and like-minded critics began to make their own films. <P0-S2> In 1964, Godard described his and his colleagues' impact: "We barged into the cinema like cavemen into the Versailles of Louis XV." <P0-S3> Along with showing knowledge of film history through homages and references, several of his films expressed his political views; he was an avid reader of existential and Marxist philosophy. <P0-S4> Since the New Wave, his politics have been much less radical and his recent films are about representation and human conflict from a humanist, and a Marxist perspective. <P0-S5> In a 2002 "Sight & Sound" poll, Godard ranked third in the critics' top-ten directors of all time (which was put together by assembling the directors of the individual films for which the critics voted). <P0-S6> In 2010, Godard was awarded an Academy Honorary Award, but did not attend the award ceremony. <P0-S7> Godard's films have inspired many directors including Martin Scorsese, Quentin Tarantino, Brian De Palma, Steven Soderbergh, D. A. Pennebaker, Robert Altman, Jim Jarmusch, Wong Kar-wai, Wim Wenders, Bernardo Bertolucci, and Pier Paolo Pasolini. <P0-S8> Jean-Luc Godard (born 3 December 1930) is a French-Swiss film director, screenwriter and film critic. <P0-S9> From his father, he is the cousin of Pedro Pablo Kuczynski, former President of Peru. <P0-S10> He has been married twice, to actresses Anna Karina and Anne Wiazemsky, both of whom starred in several of his films. <P0-S11> 1965)—were called "arguably the most influential body of work in the history of cinema" by "Filmmaker" magazine. <SEP> <P1-S0> Rachel Feldman( born August 22, 1954) is an American director of film and television and screenwriter of television films. <SEP> <P2-S0> The Charlatan is a 1929 part-talkie film directed by George Melford with Robert N. Lee, Holmes E. Herbert Margaret Livingston, Rockliffe Fellowes, from the 1923 play "The Charlatan" by Leonard Praskins and Ernest Pascal. <P2-S1> It was restored and reissued on Grapevine Video in 2007. <SEP> <P3-S0> It stars Jacques Dutronc, Isabelle Huppert, and Nathalie Baye, with a score by Gabriel Yared. <P3-S1> Nathalie Baye won the César Award for Best Supporting Actress. <P3-S2> Constructed as a musical piece, it has a prologue followed by three movements, each of which focuses on one of the three key characters and their interactions with the others, and ends with a coda. <P3-S3> Throughout the film an unnamed piece of music recurs, which is the aria "Suicidio!Suicide!") from the opera La Gioconda by Ponchielli. <P3-S4> Serving as leitmotiv for the whole story, it underscores the innate death-wish haunting the central character. <P3-S5> Every Man for Himself  is a 1980 drama film directed, co-written and co-produced by Jean-Luc Godard that is set in and was filmed in Switzerland. <SEP> <P4-S0> Brian Johnson( born 1939 or 1940) is a British designer and director of film and television special effects. <SEP> <P5-S0> George H. Melford (born George Henry Knauff, February 19, 1877 – April 25, 1961) was an American stage and film actor, director, producer, and screenwriter. <P5-S1> Often taken for granted as a director today, the stalwart Melford's name by the 1920s was, like Cecil B. DeMille's, appearing in big bold letters above the title of his films.