Question: Which film has the director died later, A Bay Of Blood or Riders Of The Santa Fe?

<P0-S0> A Bay of Blood( Italian:" Ecologia del delitto", lit. <P0-S1> Bava co-wrote the screenplay with Giuseppe Zaccariello, Filippo Ottoni, and Sergio Canevari, with story credit given to Dardano Sacchetti and Franco Barberi. <P0-S2> The film stars Claudine Auger, Luigi Pistilli and Laura Betti. Carlo Rambaldi created the gruesome special make- up effects. <P0-S3> " Ecology of Crime", later released as" Reazione a catena"[ lit." Chain Reaction"]), also known as Carnage, Twitch of the Death Nerve and Blood Bath, is a 1971 Italian giallo film directed by Mario Bava. <P0-S4> The story details a string of mysterious murders that occur around the titular bay. <P0-S5> Widely considered Bava's most violent film, its emphasis on graphically bloody murder set pieces was hugely influential on the slasher film subgenre that would follow a decade later. <P0-S6> In 2005, the magazine" Total Film" named" A Bay of Blood" one of the 50 greatest horror films of all time. <SEP> <P1-S0> William Benson Storey, Jr.( November 17, 1857 – October 24, 1940) was the fifteenth president of the Atchison, Topeka and Santa Fe Railway. <P1-S1> Storey was born November 17, 1857, in San Francisco, California, the son of William Bainbridge Storey, an express, stagecoach and newspaper agent, and Ellen Dean( Benson) Storey. <P1-S2> His family moved around following his father's career until 1866 when they settled in Colfax. <P1-S3> in 1876, Storey started his railroad career with the Southern Pacific Railroad as a stake driver on the line between Oakland and Berkeley. <P1-S4> He used his earnings from that summer and the following year to finance his college education, and he graduated from the University of California in 1881 with a mechanical engineering degree. <P1-S5> He hired out with the Central Pacific Railroad and soon found himself working throughout Idaho, Utah and South Dakota as well as the California coast. <P1-S6> Storey's association with the Santa Fe began when he was hired by the San Francisco and San Joaquin Valley Railway( a Santa Fe subsidiary formed to make the railroad's connection to San Francisco) as chief engineer. <P1-S7> He transferred to the Santa Fe in 1903 as chief engineer and worked his way up to the vice presidency of the Santa Fe in 1909. <P1-S8> In 1917 he was appointed as the federal manager, and three years later, on January 1, 1920, he succeeded Edward Payson Ripley as president of the Santa Fe. <P1-S9> He served as president until his retirement from the position on May 2, 1933. <P1-S10> Storey remained on the board of directors until his death in 1940, a year after his successor's own death. <SEP> <P2-S0> He directed 84 films between 1927 and 1953. <P2-S1> He was born in Purcell, Oklahoma, and died in Hollywood, California. <P2-S2> Wallace Fox( March 9, 1895 – June 30, 1958) was an American film director. <SEP> <P3-S0> The film stars Rod Cameron, Fuzzy Knight, Eddie Dew, Jennifer Holt, Ray Whitley and Lane Chandler. <P3-S1> The film was released on November 10, 1944, by Universal Pictures. <P3-S2> Riders of the Santa Fe is a 1944 American Western film directed by Wallace Fox and written by Ande Lamb. <SEP> <P4-S0> José Manuel Corral( born October 28, 1968 in Santa Fe, Santa Fe, Argentina) is a lawyer, a political activist of the Unión Cívica Radical party, and a member of the Coalition Frente Progresista Cívico y Social of Santa Fe. <P4-S1> He was the President of the Municipal Council of the City of Santa Fe de la Vera Cruz( 2010 – 2011). <P4-S2> He has been reelected Mayor of the city of Santa Fe, Santa Fe province, Argentina,( 2011–2015/ 2015–2019). <SEP> <P5-S0> His low- budget genre films, known for their distinctive visual flair and technical ingenuity, feature recurring themes and imagery concerning the conflict between illusion and reality, and the destructive capacity of human nature. <P5-S1> Born to sculptor, cinematographer and special effects pioneer Eugenio Bava, the younger Bava followed his father into the film industry, and eventually earned a reputation as one of Italy's foremost cameramen, lighting and providing the special effects for such films as" Hercules"( 1958) and its sequel" Hercules Unchained"( 1959)( each were lampooned on" Mystery Science Theater 3000"). <P5-S2> During the late 1950s, his eventual career trajectory as a director began when he was relied upon to complete projects begun by or credited to his colleague Riccardo Freda and other filmmakers, including" I Vampiri"( 1957)( the first Italian horror film of the sound era)," The Day the Sky Exploded"( 1958)( the first Italian science fiction film)," Caltiki – The Immortal Monster"( 1959) and" The Giant of Marathon"( 1959). <P5-S3> Although most of Bava's films as director failed to achieve major commercial success upon release, many of them would eventually find acclaim as cult classics, with their content and production values being favourably compared to the works of Alfred Hitchcock. <P5-S4> Several of them have been noted for their revolutionary impact on their respective genres:" Black Sunday"( 1960), his official directorial debut, was the forerunner of the Italian gothic horror film cycle;" The Girl Who Knew Too Much"( 1963) is considered to be the first giallo film;" Kill, Baby, Kill"( 1966) heavily influenced the iconography of modern J-Horror;" Roy Colt& Winchester Jack"( 1970) is regarded as one of the earliest self- parodying Spaghetti Westerns;" Four Times That Night"( 1971) was an early Italian sex comedy; and" A Bay of Blood"( 1971) was a precursor to slasher films. <P5-S5> His other notable films include" Hercules in the Haunted World"( 1961)," Erik the Conqueror"( 1961)," Black Sabbath"( 1963)," The Whip and the Body"( 1963)," Blood and Black Lace"( 1964)," Planet of the Vampires"( 1965)," Knives of the Avenger"( 1966),( 1968)," Hatchet for the Honeymoon"( 1970)," Five Dolls for an August Moon"( 1970)," Baron Blood"( 1972)," Lisa and the Devil"( 1974)," Rabid Dogs"( 1974) and" Shock"( 1977). <P5-S6> Despite his reputation as a talented artist during his lifetime, Bava's shy, self- deprecating demeanour prevented him from taking advantage of opportunities that would have furthered his international standing within the film industry, and he turned down multiple opportunities to work in Hollywood. <P5-S7> Among the filmmakers Bava and his work have influenced include Dario Argento, Lucio Fulci, Federico Fellini, John Carpenter, Nicolas Winding Refn, Martin Scorsese, Tim Burton, Joe Dante, John Landis, Francis Ford Coppola, Roger Corman, Edgar Wright, Jennifer Kent and Quentin Tarantino. <P5-S8> Mario Bava( 31 July 1914 – 27 April 1980) was an Italian cinematographer, director, special effects artist and screenwriter, frequently referred to as the" Master of Italian Horror" and the" Master of the Macabre". <P5-S9> His son and frequent assistant director, Lamberto Bava, later became a noted fantasy and horror film director in his own right.