Question: Comedy of intrigue is a genre that includes what comedy by William Shakespeare that is thought to have been written in 1598?

<P0-S0> Benjamin "Ben" Jonson (c. 11 June 1572 – 6 August 1637) was an English playwright, poet, actor, and literary critic, whose artistry exerted a lasting impact upon English poetry and stage comedy. <P0-S1>  He popularised the comedy of humours. <P0-S2>  He is best known for the satirical plays "Every Man in His Humour" (1598), "Volpone, or The Fox" (c. 1606), "The Alchemist" (1610) and "Bartholomew Fair" (1614) and for his lyric poetry; he is generally regarded as the second most important English playwright during the reign of James I after William Shakespeare. <SEP> <P1-S0> Much Ado About Nothing is a comedy by William Shakespeare thought to have been written in 1598 and 1599, as Shakespeare was approaching the middle of his career. <P1-S1>  The play was included in the "First Folio", published in 1623. <SEP> <P2-S0> The Cobbe portrait is an early Jacobean panel painting of a gentleman which has been argued to be a life portrait of William Shakespeare. <P2-S1>  It is displayed at Hatchlands Park in Surrey, a National Trust property, and the portrait is so-called because of its ownership by Charles Cobbe, Church of Ireland (Anglican) Archbishop of Dublin (1686–1765). <P2-S2>  There are numerous early copies of the painting, most of which were once identified as Shakespeare. <P2-S3>  The Cobbe original was only identified in the collection of the Anglo-Irish Cobbe family in 2006, and had until then been completely unknown to the world. <P2-S4>  Evidence uncovered by researchers at the Shakespeare Birthplace Trust led to the claim, presented in March 2009, that the portrait is of William Shakespeare and painted from life. <P2-S5>  Many scholars dismiss this theory and have provided evidence to identify the portrait as one of Sir Thomas Overbury The portrait has been the centrepiece of two exhibitions dedicated to it: "Shakespeare Found: a Life Portrait" at the Shakespeare Birthplace Trust, Stratford-upon-Avon, from April–October 2009 and "The Changing Face of William Shakespeare" at the Morgan Library and Museum, New York, from February–May 2011. <P2-S6>  An illustrated catalogue provides details of the painting and its provenance. <SEP> <P3-S0> The comedy of intrigue, also known as the comedy of situation, is a genre of comedy in which dramatic action is prioritised over the development of character, complicated strategems and conspiracies drive the plot, and farcical humour and contrived or ridiculous dramatic situations are often employed. <P3-S1>  Characterisation tends to be defined only vaguely and the plot gives the illusion of dynamic, constant movement. <P3-S2>  The German philosopher Hegel argued that characters pursue their aims in such comedies via the use of deception. <P3-S3>  The genre was first developed in the theatre of classical Rome by Plautus and Terence. <P3-S4>  Examples of comedies of intrigue include Niccolò Machiavelli's "The Mandrake" (1524), the anonymous Italian play "The Deceived Ones" (1531), Shakespeare's "The Merchant of Venice" (c. 1596) and "Much Ado About Nothing", Thomas Heywood's "The Wise Woman of Hoxton" (c. 1604), Molière's "Scapin the Schemer" (1671), and the plays of Aphra Behn and Thomas D'Urfey.