Question: Do both The Miracle (1912 Film) and Sri Tirupatamma Katha films have the directors from the same country?

<P0-S0> Mark Lewis( born 1958 in Mullumbimby, Australia) is an Australian documentary film and television producer, director and writer. <P0-S1> He is famous for his film and for his body of work on animals. <P0-S2> Unlike many other producers of nature films, his films do not attempt to document the animals in question or their behaviors but rather the complex relationships between people and society and the animals they interact with. <P0-S3> His films have earned him many awards, including a British Academy Award nomination, a nomination from the Directors Guild of America, two Emmy ’s for Outstanding Direction in documentary film, and an Emmy Award for Outstanding Science Program on American Television. <SEP> <P1-S0> It stars N. T. Rama Rao, Krishna Kumari in the lead roles and music composed by Pamarthi. <P1-S1> Sri Tirupatamma Katha (English: Story of Tirupatamma) is a 1964 Telugu biographical devotional film, based on the life of Penuganchiprolu Tirupatamma, produced by Donepoodi Krishna Murthy under the Gokul Productions banner and directed by B. S. Narayana. <SEP> <P2-S0> The Miracle( 1912)( Germany: Das Mirakel, France: Le Miracle), is a British silent full- colour film, using a hand- coloured process similar to Pathéchrome. <P2-S1> It stars Maria Carmi, Ernst Matray, Florence Winston and Douglas Payne, and was filmed on location in Austria. <P2-S2> " The Miracle" was not intended to be shown as an ordinary film in the usual way, but was designed by Menchen to be shown as part of a' Lyricscope play'. <P2-S3> This was an unusual( if not unprecedented) spectacular theatrical presentation which – in its most elaborate and complete expression – included: the projected colour film; a full- sized symphony orchestra and chorus performing Engelbert Humperdinck's score; live sound effects such as church bells and crowd noises; stage sets around the projection screen which changed during the performance; and live( non-speaking) actors and dancers in medieval costume. <P2-S4> The various component parts of this ideal production varied somewhat according to local conditions. <P2-S5> This 1912 multi-media experience was an adaptation of Max Reinhardt's wordless spectacular stage production of Karl Vollmoeller's play of the same name, which had played to huge audiences at the Olympia, London exhibition hall in 1911 – 1912. <P2-S6> As some contemporary critics realised," The Miracle" was not a" moving picture drama" in the normal sense of the word, but a" filmed pantomime," a celluloid record of the action of the stage production in a unique presentation. <P2-S7> The world première of the full- colour' Lyricscope play' of" The Miracle" took place at the Royal Opera House, Covent Garden, London, on 21 December 1912 and it was shown all over the country until Easter 1913, breaking many records for attendance. <P2-S8> The colour film with its attendant show subsequently made its way around the world, being shown in the USA, Australia and Germany. <P2-S9> A rival, unauthorised version(" Das Mirakel") directed by Mime Misu for Continental- Kunstfilm in Germany appeared in the same year with the same subject and English title( The Miracle), and was the subject of various copyright legal actions in the UK and the United States, resulting in seven different titles shared between the two films. <P2-S10> Produced by Joseph Menchen and directed by Michel Carré, it is among the very first full- colour feature films to be made. <SEP> <P3-S0> B. S. Narayana is an Indian film, director known for his works predominantly in Telugu cinema. <SEP> <P4-S0> Michel- Antoine Carré or Michel Carré( fils)( 7 February 1865, Paris – 11 August 1945, Paris) was a French actor, stage and film director, and writer of opera librettos, stage plays and film scripts. <SEP> <P5-S0> The Midnight Wedding is a 1912 Australian silent film directed by Raymond Longford based on a popular Ruritanian stage play in which Longford had appeared. <P5-S1> It is considered a lost film. <P5-S2> It should not be confused with a 1912 film from the Gaumont Company of the same name.