Question: When does Mary return to the country where Chopin was invited by the woman who paid for his funeral?

<P0-S0> She clearly had a notion of going beyond mere friendship, and Chopin was obliged to make it clear to her that this could not be so. <P0-S1> He wrote at this time to Grzymała "My Scottish ladies are kind, but such bores", and responding to a rumour about his involvement, answered that he was "closer to the grave than the nuptial bed." <P0-S2> He gave a public concert in Glasgow on 27 September, and another in Edinburgh, at the Hopetoun Rooms on Queen Street (now Erskine House) on 4 October. <P0-S3> In late summer he was invited by Jane Stirling to visit Scotland, where he stayed at Calder House near Edinburgh and at Johnstone Castle in Renfrewshire, both owned by members of Stirling's family. <P0-S4> In late October 1848, while staying at 10 Warriston Crescent in Edinburgh with the Polish physician Adam Łyszczyński, he wrote out his last will and testament—"a kind of disposition to be made of my stuff in the future, if I should drop dead somewhere", he wrote to Grzymała. <SEP> <P1-S0> polish composers of the following generation included virtuosi such as moritz moszkowski, but, in the opinion of j. barrie jones, his "one worthy successor" among his compatriots was karol szymanowski (1882–1937). <P1-S1> edvard grieg, antonín dvořák, isaac albéniz, pyotr ilyich tchaikovsky and sergei rachmaninoff, among others, are regarded by critics as having been influenced by chopin's use of national modes and idioms. <P1-S2> alexander scriabin was devoted to the music of chopin, and his early published works include nineteen mazurkas, as well as numerous études and preludes; his teacher nikolai zverev drilled him in chopin's works to improve his virtuosity as a performer. <P1-S3> in the 20th century, composers who paid homage to (or in some cases parodied) the music of chopin included george crumb, bohuslav martinů, darius milhaud, igor stravinsky and heitor villa-lobos. <SEP> <P2-S0> mozart's requiem was sung at the funeral; the soloists were the soprano jeanne-anais castellan, the mezzo-soprano pauline viardot, the tenor alexis dupont, and the bass luigi lablache; chopin's preludes no. <P2-S1> 4 in e minor and no. <P2-S2> 6 in b minor were also played. <P2-S3> the organist at the funeral was louis lefébure-wély. <P2-S4> the funeral procession to père lachaise cemetery, which included chopin's sister ludwika, was led by the aged prince adam czartoryski. <P2-S5> the pallbearers included delacroix, franchomme, and camille pleyel. <P2-S6> at the graveside, the funeral march from chopin's piano sonata no. <P2-S7> 2 was played, in reber's instrumentation. <SEP> <P3-S0> Chopin's tombstone, featuring the muse of music, Euterpe, weeping over a broken lyre, was designed and sculpted by Clésinger. <P3-S1> Ludwika took Chopin's heart in an urn, preserved in alcohol, back to Poland in 1850. <P3-S2> The expenses of the funeral and monument, amounting to 5,000 francs, were covered by Jane Stirling, who also paid for the return of the composer's sister Ludwika to Warsaw. <P3-S3> [n 9] She also took a collection of two hundred letters from Sand to Chopin; after 1851 these were returned to Sand, who seems to have destroyed them. <SEP> <P4-S0> Widowed, Mary returned to Scotland, arriving in Leith on 19 August 1561. <P4-S1> Mary, the only surviving legitimate child of James V of Scotland, was six days old when her father died and she acceded to the throne. <P4-S2> She spent most of her childhood in France while Scotland was ruled by regents, and in 1558, she married the Dauphin of France, Francis. <P4-S3> He ascended the French throne as King Francis II in 1559, and Mary briefly became queen consort of France, until his death in December 1560. <P4-S4> Four years later, she married her first cousin, Henry Stuart, Lord Darnley, but their union was unhappy. <P4-S5> In February 1567, his residence was destroyed by an explosion, and Darnley was found murdered in the garden.