Question: Do both films: Kiss of Death (1916 film) and The Lost One have the directors from the same country?

<P0-S0> Approximately 30 minutes of the film survives in the Cinémathèque Française film archive. <P0-S1> Kiss of Death is a 1916 Swedish silent drama film directed by Victor Sjöström. <SEP> <P1-S0> Renate Mannhardt( 1920–2013) was a German actress. <P1-S1> She starred in Peter Lorre's 1951 film" The Lost One". <SEP> <P2-S0> He began his career in Sweden, before moving to Hollywood in 1924. <P2-S1> Sjöström worked primarily in the silent era; his best known films include" The Phantom Carriage"( 1921)," He Who Gets Slapped"( 1924), and" The Wind"( 1928). <P2-S2> Sjöström was Sweden's most prominent director in the" Golden Age of Silent Film" in Europe. <P2-S3> Victor David Sjöström( 20 September 1879 – 3 January 1960), sometimes known in the United States as Victor Seastrom, was a pioneering Swedish film director, screenwriter, and actor. <P2-S4> Later in life, he played the leading role in Ingmar Bergman's" Wild Strawberries"( 1957). <SEP> <P3-S0> Kiss of Death is a 1995 American thriller film starring David Caruso, Samuel L. Jackson, Nicolas Cage, Helen Hunt, Ving Rhames, and Stanley Tucci, directed by Barbet Schroeder. <P3-S1> The film is a very loosely based remake of the 1947 film noir classic of the same name that starred Victor Mature, Brian Donlevy, and Richard Widmark. <P3-S2> It was screened out of competition at the 1995 Cannes Film Festival. <P3-S3> Like the original" Kiss of Death", the film was released by 20th Century Fox. <SEP> <P4-S0> It is an art film in the film noir style, based on a true story. <P4-S1> Lorre wrote, directed, and starred in this film, his only film as director or writer. <P4-S2> The film's translated name has been used as the title of his biography. <P4-S3> The Lost One is a 1951 West German drama film directed by Peter Lorre and starring Lorre, Karl John and Renate Mannhardt. <P4-S4> The film's sets were designed by the art director Franz Schroedter. <P4-S5> Some scenes were shot at the Wandsbek Studios in Hamburg, while location shooting took place around the city. <SEP> <P5-S0> Lorre began his stage career in Vienna before moving to Germany where he worked first on the stage, then in film in Berlin in the late 1920s and early 1930s. <P5-S1> Lorre caused an international sensation in the German film" M"( 1931), directed by Fritz Lang, in which he portrayed a serial killer who preys on little girls. <P5-S2> Lorre left Germany when Adolf Hitler came to power. <P5-S3> His second English- language film, following the multiple- language version of" M"( 1931), was Alfred Hitchcock's" The Man Who Knew Too Much"( 1934) made in Great Britain. <P5-S4> Eventually settling in Hollywood, he later became a featured player in many Hollywood crime and mystery films. <P5-S5> In his initial American films," Mad Love" and" Crime and Punishment"( both 1935), he continued to play murderers, but he was then cast playing Mr. Moto, the Japanese detective, in a B-picture series. <P5-S6> Peter Lorre( born László Löwenstein; 26 June 1904 – 23 March 1964) was a Hungarian- born American character actor of Jewish descent. <P5-S7> From 1941 to 1946, he mainly worked for Warner Bros. <P5-S8> His first film at Warner was" The Maltese Falcon"( 1941), the first of many films in which he appeared alongside actors Humphrey Bogart and Sydney Greenstreet. <P5-S9> This was followed by" Casablanca"( 1942), the second of the nine films in which Lorre and Greenstreet appeared together. <P5-S10> Lorre's other films include Frank Capra's" Arsenic and Old Lace"( 1944) and Disney's" 20,000 Leagues Under the Sea"( 1954). <P5-S11> Frequently typecast as a sinister foreigner, his later career was erratic. <P5-S12> Lorre was the first actor to play a James Bond villain as Le Chiffre in a TV version of" Casino Royale"( 1954). <P5-S13> Some of his last roles were in horror films directed by Roger Corman.