Question: Were the Operas Wozzeck and Le comte Ory written by the same composer ?

<P0-S0> Natale Conti or Latin Natalis Comes, also Natalis de Comitibus and French Noël le Comte (1520–1582) was an Italian mythographer, poet, humanist and historian. <P0-S1>  His major work "Mythologiae", ten books written in Latin, was first published in Venice in 1567 and became a standard source for classical mythology in later Renaissance Europe. <P0-S2>  It was reprinted in numerous editions; after 1583, these were appended with a treatise on the Muses by Geoffroi Linocier. <P0-S3>  By the end of the 17th century, his name was virtually synonymous with mythology: a French dictionary in defining the term "mythologie" noted that it was the subject written about by Natalis Comes. <SEP> <P1-S0>  It was composed between 1914 and 1922 and first performed in 1925. <P1-S1>  The opera is based on the drama "Woyzeck", which was left incomplete by the German playwright Georg Büchner at his death. <P1-S2>  Berg attended the first production in Vienna of Büchner's play on 5 May 1914, and knew at once that he wanted to base an opera on it. <P1-S3> Wozzeck (] ) is the first opera by the Austrian composer Alban Berg. <P1-S4>  From the fragments of unordered scenes left by Büchner, Berg selected fifteen to form a compact structure of three acts with five scenes each. <P1-S5>  He adapted the libretto himself, retaining "the essential character of the play, with its many short scenes, its abrupt and sometimes brutal language, and its stark, if haunted, realism..." <SEP> <P2-S0> Operas set against the background of the medieval Crusades can be found in the earliest examples of the art form and continue to be written into the 21st century. <P2-S1>  Many of the works listed here contain characters and plots based on real or legendary figures of the time such as Tancred, Prince of Galilee, Godfrey of Bouillon or Jaufre Rudel. <P2-S2>  The majority are set, at least in part, in the Holy Land and the surrounding region and deal with the conflicts between the Christians and Muslims. Others, such as Donizetti's "Gabriella di Vergy", deal with the misadventures of knights returning from the Crusades. <P2-S3>  In the case of "Gabriella di Vergy", Raoul de Coucy returns from the Third Crusade to find that his beloved Gabriella has married Lord Fayel. <P2-S4>  Following a duel, Fayel cuts out the heart of the unfortunate Raoul and presents it in an urn to Gabriella. <P2-S5>  The only comedy in the list, Rossini's "Le comte Ory", recounts the attempts by Ory and his friends to seduce the Countess of Formoutiers and the women of her household while their men are away at the Crusades. <P2-S6>  Ory's ploy of dressing up as nuns to gain access to the women is foiled when the Crusaders return. <P2-S7>  Many of the libretti for the operas listed are based either directly or indirectly on Torquato Tasso's epic poem, "La Gerusalemme liberata" ("Jerusalem Delivered"), or on Voltaire's tragic play, "Zaïre". <SEP> <P3-S0>  Some of the music originates from his opera "Il viaggio a Reims" written three years earlier for the coronation of Charles X. <P3-S1> Le comte Ory is an opéra written by Gioachino Rossini in 1828. <P3-S2>  The French libretto was by Eugène Scribe and Charles-Gaspard Delestre-Poirson adapted from a comedy they had first written in 1817.