Question: Are the directors of both films Private Vices, Public Pleasures and Lavorare Con Lentezza from the same country?

<P0-S0> Private Vices, Public Pleasures  is a 1976 Italian-Yugoslavian drama film directed by Miklós Jancsó. <P0-S1> It was entered into the 1976 Cannes Film Festival. <SEP> <P1-S0> Jancs ó achieved international prominence from the mid-1960s onwards, with works including" The Round- UpSzegénylegények", 1965)," The Red and the WhiteCsillagosok, katonák", 1967), and" Red PsalmMég kér a nép", 1971). <P1-S1> Miklós Jancs ó( 27 September 192131 January 2014) was a Hungarian film director and screenwriter. <P1-S2> Jancsó's films are characterized by visual stylization, elegantly choreographed shots, long takes, historical periods, rural settings, and a lack of psychoanalyzing. <P1-S3> A frequent theme of his films is the abuse of power. <P1-S4> His works are often allegorical commentaries on Hungary under Communism and the Soviet occupation, although some critics prefer to stress the universal dimensions of Jancsó's explorations. <P1-S5> Towards the end of the 1960s and especially into the 1970s, Jancsó's work became increasingly stylized and overtly symbolic. <SEP> <P2-S0> I Want Your <P2-S1> Love is the title of both a 2010 short film and a 2012 feature- length film. <P2-S2> Both films were directed and written by Travis Mathews. <P2-S3> The drama films both revolve around the friends and ex-lovers of Jesse Metzger, a gay man in his mid-thirties who is forced to move back to his hometown from San Francisco due to financial reasons. <P2-S4> The actors' own names, along with much of their real- life stories, were used for their characters in both films, which features graphic sexual scenes. <P2-S5> The production of both films was aided by the gay pornographic studio NakedSword. <P2-S6> This led to the full- length film being refused exemption from classification, which would have allowed it to screen at the Melbourne Queer Film Festival, a decision to which actor James Franco( who invited Mathews to collaborate on Franco's film" Interior. Leather Bar.") reacted negatively. <SEP> <P3-S0> Born in Turin, Chiesa graduated in philosophy and letters with a thesis in cinema, then he moved in New York City where he was the correspondent of several music magazines, but also the assistant of film directors such as Michael Cimino, Amos Poe and Jim Jarmusch, among others. <P3-S1> Returned in Italy, he made his directorial debut in 1991 with the drama film" Il caso Martello". <P3-S2> In 2000 he entered the competition at the 57th Venice International Film Festival with the war drama" Johnny the Partisan". <P3-S3> He competed again at the Venice International Film Festival in 2004, with the drama film" Lavorare con lentezza". <P3-S4> Guido Chiesa( born 1959) is an Italian film director and screenwriter. <SEP> <P4-S0> It is based on actual events involving Radio Alice, a 1970s pirate radio which was politically aligned with the autonomism movement. <P4-S1> It entered the competition at the 61st Venice International Film Festival, in which Tommaso Ramenghi and Marco Luisi won the Marcello Mastroianni Award. <P4-S2> Lavorare con lentezza( internationally released as Working Slowly( Radio Alice)) is a 2004 Italian drama film directed by Guido Chiesa. <P4-S3> The Wu Ming collective is also credited as co-writers of the screenplay. <P4-S4> The film is published under a Creative Commons BY- NC- SA license, and can be downloaded from Archive.org <SEP> <P5-S0> Laura Betti( 1 May 1927 – 31 July 2004) was an Italian actress known particularly for her work with directors Federico Fellini, Pier Paolo Pasolini and Bernardo Bertolucci. <P5-S1> She had a long friendship with Pasolini and made a documentary about him in 2001. <P5-S2> Betti became famous for portraying bizarre, grotesque, eccentric, unstable or maniacal roles, like Regina in Bernardo Bertolucci's" 1900", Anna the medium in" Twitch of the Death Nerve", Giovanna la pazza in" Woman Buried Alive", hysterical Rita Zigai in" Sbatti il mostro in prima pagina", Therese in" Private Vices, Public Virtues", Emilia the servant in Pier Paolo Pasolini's" Teorema", and Mildred the protagonist's wife in Mario Bava's" Hatchet for the Honeymoon".