Question: Do both The Scarlet Letter (1934 film) and A City Is Beautiful at Night films have the directors from the same country?

<P0-S0> A City Is Beautiful at Night or C'est beau une ville la nuit is a 2006 French drama film directed by Richard Bohringer. <SEP> <P1-S0> Richard Bohringer( born 16 January 1942) is a French actor. <SEP> <P2-S0> It was shot in Salem's Pioneer Village and Sherman Oaks, California. <P2-S1> It was the only film Colleen Moore ever said she made for the money. <P2-S2> The Scarlet Letter is a 1934 American film directed by Robert G. Vignola. <P2-S3> She was reportedly preparing to take her dollhouse on tour for charity, and saw the film as an opportunity to make a last film with friends. <P2-S4> Henry B. Walthall played Roger Chillingworth in both this and the 1926 silent version. <P2-S5> The film has been preserved by the UCLA Film& Television Archive. <SEP> <P3-S0> A former stage actor, he appeared in many motion pictures produced by Kalem Company and later moved to directing, becoming one of the silent screen's most prolific directors. <P3-S1> Robert G. Vignola( born Rocco Giuseppe Vignola, August 5, 1882 – October 25, 1953) was an Italian- born American actor, screenwriter and film director. <P3-S2> He also directed a handful of films in the early years of talkies but his career essentially ended in the silent era. <SEP> <P4-S0> Kroll then set nearly half of his 41 lieder for printing at the computer, orchestrated Act 1 of “ Eine Nacht an der Newa, ” and composed and orchestrated Act 3. <P4-S1> His first collection, “ Lieder aus der Einsamkeit ”( 1965 – 66), is a kind of by- product of “ The Scarlet Letter ” and attempts to fuse the genre of the lied with operatic elements. <P4-S2> Kroll was rejected by the Eastman School of Music at the beginning of 1961 because he played neither oboe nor piano sufficiently well to meet the requirements for admission. <P4-S3> Kroll's further juvenilia include numerous piano pieces and a Sonata for Violin and Piano in G Minor( 1958). <P4-S4> His following cycle to Italian texts by Henry Fregosi Loyzelle, “ Frantumi ”( “ Shards of Glass, ” 1967- 69), is an antithetical experiment employing relatively sparse piano accompaniment. <P4-S5> A stint as a commercial translator in Kirchzarten near Freiburg followed in 1975 until the beginning of 1977, when he was commissioned by the Edition Klaus Blahak in Espelkamp to write the most comprehensive biography possible on Klaus Mann. <P4-S6> A movement away from mere juvenilia makes itself noticeable in the ballad “ Ulalume ” after Edgar Allan Poe( autumn 1959), with which Kroll began, in effect, to discover his talent for vocal music. <P4-S7> Partly as a result of the Metropolitan Opera's rejection of “ The Scarlet Letter, ” Kroll switched from composing operas to composing lieder, for the time being. <P4-S8> He received his A.B. In German Literature from the University of Rochester in 1965. <P4-S9> The entirety of Kroll's 3,000- page biography of Klaus Mann was published by the Männerschwarm Verlag in Hamburg on the occasion of the centennial of Klaus Mann's birth in 2006. <P4-S10> He was born in 1945 as the only child of the piano teacher and schoolteacher Alexander Kroll, born in New York as the fourth child of White Russian Jewish immigrants, and the elementary school teacher Sarah Kroll, née Mahler, born in Warsaw. <P4-S11> During a hiatus in this task, from 1979 to 1980, he composed Act 1 of his second opera, “ Eine Nacht an der Newa ”( “ A Night on the Neva ”), on Dostoevsky's novella “ White Nights ”- the subject of which he had first encountered as a TV dramatization in Freiburg in 1964. <P4-S12> To those who might reproach Kroll's music with “ escapism, ” he replies that his compositions are not escapist at all, but replete with deep despair over the human condition, and that he feels it to be his mission to communicate to people imbued with compassion, to people to whom “ just wanting to have fun ” is alien in a world full of suffering, that they are not alone with their sorrows and their burdens. <P4-S13> Having already studied orchestral scores by Tchaikovsky, Beethoven, and Brahms, he began, in 1960, to learn the actual technique of composition by playing through the piano- vocal scores of Puccini, Verdi, Alfredo Catalani, Tchaikovsky, and Vittorio Giannini's operatic setting of “ The Scarlet Letter ” from 1938. <P4-S14> He had written but five of the “ Episodes ” when, shortly after his twelfth birthday, he composed his Piano Sonata in B Minor which, albeit still brief, is a harbinger of his later ability to create in large forms. <SEP> <P5-S0> William Thomas Kent( April 29, <P5-S1> 1886- October 5, 1945) was an American stage actor who later appeared in sound films. <P5-S2> He was born in St. Paul, Minnesota and died in New York City. <P5-S3> Kent's career traversed many forms of entertainment( i.e. Broadway, vaudeville, burlesque, minstrel( at age 14), circus, and silent and sound films). <P5-S4> In 1922, he appeared with Marion Davies in the silent" When Knighthood Was in Flower". <P5-S5> He turned up in" The Scarlet Letter"( 1934).