Question: Do both directors of films Holiday In Tyrol and The Baron (Film) have the same nationality?

<P0-S0> Holiday in Tyrol( or) is a 1956 West German drama film directed by Wolfgang Schleif and starring Hans Söhnker, Edith Mill and Michael Ande. <P0-S1> The film's sets were designed by the art directors Hans Ledersteger and Ernst Richter. <P0-S2> It was shot at the Bavaria Studios in Munich and on location in Bavaria, Austria and Switzerland. <SEP> <P1-S0> Holiday( s) in the Sun may refer to: <SEP> <P2-S0> He studied philosophy, psychology and pedagogy at the University of Leipzig. <P2-S1> In 1934 he passed the State Examination for teachers at the Volksschule. <P2-S2> But then he took classes at the Acting School of the Deutsches Theater in Berlin, where he was trained in directing. <P2-S3> Schleif began working in film in 1935. <P2-S4> By 1938, he was an assistant director. <P2-S5> In 1939, he became a screenwriter and eventually an editor. <P2-S6> Wolfgang Schleif( 14 May 1912 – 21 August 1984) was a German editor, film director and screenwriter. <P2-S7> In 1947, Schleif was joined the DEFA film studio, making his directorial debut in 1948 with the anti-capitalist production. <P2-S8> This was followed by the 1949 film biography of Johann Friedrich Böttger," The Blue Swords". <P2-S9> After 17 June 1953, Schleif emigrated to West Germany. <P2-S10> With 1955 he managed an extraordinary success, which laid down his work but also for years on the production of such substances. <P2-S11> He made several hit movies starring Freddy Quinn, but also war films such as" Rommel ruft Cairo" and crime films such as" Der rote Rausch" and, in the early seventies, back to the Immenhof films," Die Zwillinge von ImmenhofTwins from Immenhof") and" Frühling im ImmenhofSpring in Immenhof"). <P2-S12> Since the mid-sixties Schleif worked extensively for television. <SEP> <P3-S0> Pêra is also a fine artist and a graphic comics artist. and writes fiction and cinema essays( PhD). <P3-S1> If there has been in Portugal a filmmaker who has continuously filmed( apart from the well- known case, in the opposite direction, of Manoel de Oliveira), he is Edgar Pêra, as a consequence of his availability and insistence on doing so regardless of the perennial problems of juries and public subsidies. <P3-S2> The first phase of Edgar Pêra's work started in 1984, shooting Portuguese rock bands in a neuro- punk style. <P3-S3> In 1991 he directs" A Cidade de Cassiano/ The City of Cassiano", a film about the Portuguese modernist architect Cassiano Branco( Grand Prix Festival Films D' Architecture Bordeaux). <P3-S4> Many years after its release, <P3-S5> The Worldwide Celluloid Massacre wrote that Manual of Evasion is a" Portuguese thought- provoking experimental movie with a great potential for cult status." <P3-S6> During that time Pêra produced and directed several films made with students and took four years to edit the feature," A Janela( Maryalva Mix)/ The Window( Don Juan Mix)", premiered at the Locarno Festival in 2001. <P3-S7> Stillness, premiered at the Oberhausen Film Festival was also a polemical movie: it was considered" astonishingly offensive"., Lisbon Revisited, with words by Portuguese poet Fernando Pessoa, premiered at the Locarno Festival. <P3-S8> In 2018, O Homem- Pykante Diálogos Kom Pimenta, about the poet Alberto Pimenta, premiered at IndieLisboa. <P3-S9> Edgar Henrique Clemente Pêra( born 19 November 1960) is a Portuguese filmmaker. <P3-S10> Caminhos Magnéticos/ Magnethick Pathways, starring Dominique Pinon, premiered at the São Paulo Film Festival 2018. <P3-S11> " the find here is lesser known <SEP> <P4-S0> The Baron bidding system in contract bridge was developed in England in the 1940s as a variant of Acol and incorporates several conventions including the Baron Three Clubs, the Baron Notrump Overcall, the Baron Two Notrump Response and the Baron Two Spades and Three Spades. <SEP> <P5-S0> During the second world war, an American crew of B- Movies took refuge in Lisbon. <P5-S1> The Baron( Portuguese:" O Barão") is a 2011 Portuguese film directed by Edgar Pêra. <P5-S2> In 1943, producer Valerie Lewton married with a Portuguese actor that translated to her Branquinho da Fonseca's short story" The Baron". <P5-S3> The dictator heard about the movie and ordered that the film was destroyed. <P5-S4> The crew was repatriated. <P5-S5> The Portuguese actors were deported to Tarrafal's Concentration camp. <P5-S6> They died tortured in the" skillet", a cubicle where humans were roasted. <P5-S7> In 2005, 2 reels and the screenplay were found in the archives of Barreiro's kino- club. <P5-S8> For the next 5 years the film was restored and reshot. <P5-S9> In 2011, was shown for the first time.