Question: Do both Metropolitan (1939 Film) and Chimmie Fadden films have the directors from the same country?

<P0-S0> Metropolitan( French: Métropolitain) is a 1939 French thriller film directed by Maurice Cam and starring Albert Préjean, Ginette Leclerc and André Brulé. <P0-S1> The film was remade in Britain the following year as" A Window in London" with the setting moved to the London Underground. <SEP> <P1-S0> Chimmie Fadden Out West is a 1915 American comedy-Western film directed by Cecil B. DeMille. <P1-S1> It was made as a sequel to "Chimmie Fadden". <P1-S2> Once lost, a print is now held in the George Eastman House Motion Picture Collection. <SEP> <P2-S0> Mark Lewis( born 1958 in Mullumbimby, Australia) is an Australian documentary film and television producer, director and writer. <P2-S1> He is famous for his film and for his body of work on animals. <P2-S2> Unlike many other producers of nature films, his films do not attempt to document the animals in question or their behaviors but rather the complex relationships between people and society and the animals they interact with. <P2-S3> His films have earned him many awards, including a British Academy Award nomination, a nomination from the Directors Guild of America, two Emmy ’s for Outstanding Direction in documentary film, and an Emmy Award for Outstanding Science Program on American Television. <SEP> <P3-S0> Between 1914 and 1958, he made a total of 70 features, both silent and sound films. <P3-S1> His films were distinguished by their epic scale and by his cinematic showmanship. <P3-S2> His silent films were more diverse in genre, among which included social dramas, comedies, Westerns, farces, morality plays, and historical pageants. <P3-S3> His first biblical epic," The Ten Commandments"( 1923), was both a critical and commercial success; it held the Paramount revenue record for twenty- five years. <P3-S4> " The Sign of the Cross"( 1932) is said to be the first sound film to integrate all aspects of cinematic technique. <P3-S5> " Cleopatra"( 1934) was his first film to be nominated for the Academy Award for Best Picture. <P3-S6> After more than thirty years in film production, DeMille reached a pinnacle in his career with" Samson and Delilah"( 1949), a biblical epic which became the highest- grossing film of 1950. <P3-S7> Along with biblical and historical narratives, he also directed films oriented toward" neo-naturalism", which tried to portray the laws of man fighting the forces of nature. <P3-S8> In addition to his Best Picture Awards, he received an Academy Honorary Award for his film contributions, the Palme d' Or( posthumously) for" Union Pacific"( 1939), a DGA Award for Lifetime Achievement, and the Irving G. Thalberg Memorial Award. <P3-S9> He was the first recipient of the Golden Globe Cecil B. DeMille Award, which was named in his honor. <P3-S10> Cecil Blount DeMille( August 12, 1881 – January 21, 1959) was an American filmmaker. <P3-S11> DeMille's reputation as a filmmaker has grown over time and his work has influenced many other films and directors. <SEP> <P4-S0> Maurice Cam( 1901 –1974) was a French film director. <P4-S1> He directed fourteen films between 1939 and 1967 as well as working as assistant director and other various jobs in the film industry. <P4-S2> Cam was originally an illustrator, who worked on film posters. <P4-S3> Cam made his directoral debut with the 1939 thriller" Metropolitan", set partly on the Paris Métro. <P4-S4> The film was a hit, and was remade the following year in Britain as" A Window in London". <SEP> <P5-S0> The film starred Victor Moore in the title role and is based on the play and short story of the same name by Edward W. Townsend. <P5-S1> It was followed by a sequel" Chimmie Fadden Out West". <P5-S2> Chimmie Fadden is a 1915 American silent comedy film directed, written and edited Cecil B. DeMille. <P5-S3> It is a surviving film formerly thought lost for decades. <P5-S4> A print is kept at Cinemateket- Svenska Filminstitutet, Stockholm.