Question: Are the directors of films Beach Guard In Winter and Andrei Rublev (Film) both from the same country?

<P0-S0> Pyotr Dmitrievich Baranovsky (February 26, 1892 – June 12, 1984) was a Russian architect, preservationist and restorator who reconstructed many ancient buildings in the Soviet Union. <P0-S1> He is credited with saving Saint Basil's Cathedral from destruction in the early 1930s, founding and managing the Kolomenskoye and Andrei Rublev museums, and developing modern restoration technologies. <SEP> <P1-S0> This article lists magician characters depicted on film, both real and fictional. <SEP> <P2-S0> Goran Paskaljević( born 22 April 1947) is a Serbian film director. <SEP> <P3-S0> The film was remade and re-edited from the 1966 film titled" The Passion According to Andrei" by Tarkovsky which was censored during the first decade of the Brezhnev era in the Soviet Union. <P3-S1> The film is loosely based on the life of Andrei Rublev, the 15th- century Russian icon painter. <P3-S2> The film features Anatoly Solonitsyn, Nikolai Grinko, Ivan Lapikov, Nikolai Sergeyev, Nikolai Burlyayev and Tarkovsky's wife Irma Raush. <P3-S3> Savva Yamshchikov, a famous Russian restorer and art historian, was a scientific consultant of the film. <P3-S4> Andrei Rublev( Russian: Андрей Рублёв) is a 1969 Soviet biographical historical drama film directed by Andrei Tarkovsky and co-written with Andrei Konchalovsky. <P3-S5> " Andrei Rublev" is set against the background of 15th- century Russia. <P3-S6> Although the film is only loosely based on the life of Andrei Rublev, it seeks to depict a realistic portrait of medieval Russia. <P3-S7> Tarkovsky sought to create a film that shows the artist as" a world- historic figure" and" Christianity as an axiom of Russia's historical identity" during a turbulent period of Russian history that ultimately resulted in the Tsardom of Russia. <P3-S8> The film's themes include artistic freedom, religion, political ambiguity, autodidacticism, and the making of art under a repressive regime. <P3-S9> Because of this, it was not released domestically in the officially atheist Soviet Union for years after it was completed, except for a single 1966 screening in Moscow. <P3-S10> In 1971, a censored version of the film was released in the Soviet Union. <P3-S11> The film was further cut for commercial reasons upon its U.S. release through Columbia Pictures in 1973. <P3-S12> Although these issues with censorship obscured and truncated the film for many years following its release, the film was soon recognized by many western critics and film directors as a highly original and accomplished work. <P3-S13> Even more since being restored to its original version," Andrei Rublev" has come to be regarded as one of the greatest films of all time, and has often been ranked highly in both the" Sight& Sound" critics' and directors' polls. <SEP> <P4-S0> Andrei Arsenyevich Tarkovsky (4 April 1932 – 29 December 1986) was a Russian filmmaker, writer, and film theorist. <P4-S1> He is widely considered one of the greatest directors in the history of cinema, and one of Russia's most influential filmmakers. <P4-S2> His films explored spiritual and metaphysical themes, and are noted for their slow pacing and long takes, dreamlike visual imagery, and preoccupation with nature and memory. <P4-S3> After years of creative conflict with Soviet authorities, Tarkovsky left the country in 1979 and made his final two films abroad; "Nostalghia" (1983) and "The Sacrifice" (1986) were produced in Italy and Sweden respectively. <P4-S4> In 1986, he also published a book about cinema and art entitled "Sculpting in Time". <P4-S5> He died of cancer later that year. <P4-S6> Tarkovsky studied film at Moscow's State Institute of Cinematography under filmmaker Mikhail Romm, and subsequently directed his first five feature films in the Soviet Union: "Ivan's Childhood" (1962), "Andrei Rublev" (1966), "Solaris" (1972), "Mirror" (1975), and "Stalker" (1979). <P4-S7> Tarkovsky was the recipient of several awards at the Cannes Film Festival throughout his career (including the FIPRESCI prize, the Prize of the Ecumenical Jury, and the Grand Prix Spécial du Jury) and winner of the Golden Lion award at the Venice Film Festival for his debut film "Ivan's Childhood". <P4-S8> In 1990, he was posthumously awarded the Soviet Union's prestigious Lenin Prize. <P4-S9> Three of his films—"Andrei RublevMirror", and "Stalker"—featured in "Sight & Sound"’s 2012 poll of the 50 greatest films of all time. <SEP> <P5-S0> Beach Guard in Winter is a 1976 Yugoslav film directed by Goran Paskaljević. <P5-S1> It was entered into the 26th Berlin International Film Festival.