Question: Are director of film The Man Who Knew Too Much (1934 Film) and director of film Feardotcom from the same country?

<P0-S0> FeardotCom is a 2002 horror film directed by William Malone and starring Stephen Dorff, Natascha McElhone and Stephen Rea. <P0-S1> The plot details a New York City detective investigating a series of mysterious deaths connected to a disturbing website. <P0-S2> Director Malone's second feature for Warner Bros. after the release of "House on Haunted Hill" (1999), "FeardotCom" was an international co-production between companies based in the United States, Luxembourg, Germany, and the United Kingdom. <P0-S3> The film was shot on location in Luxembourg and Montreal, Canada. <P0-S4> "Feardotcom" was released in the United States on August 30, 2002, and grossed $18.9 million worldwide against its $40 million budget. <SEP> <P1-S0> It was one of the most successful and critically acclaimed films of Hitchcock's British period. <P1-S1> The film is Hitchcock's first film using this title and was followed later with his own 1956 film using the same name featuring a significantly different plot and script. <P1-S2> The second film featured James Stewart and Doris Day, and was made for Paramount Pictures. <P1-S3> The Man Who Knew Too Much is a 1934 British thriller film directed by Alfred Hitchcock, featuring Peter Lorre, and released by Gaumont British. <P1-S4> The two films are very different in tone. <P1-S5> In the book- length interview" Hitchcock/ Truffaut"( 1967), in response to filmmaker François Truffaut's assertion that aspects of the remake were by far superior, Hitchcock replied," Let's say the first version is the work of a talented amateur and the second was made by a professional." <P1-S6> However, it's been claimed this statement can not be taken at face value. <P1-S7> The 1934 film has nothing except the title in common with G. K. Chesterton's 1922 book of detective stories of the same name. <P1-S8> Hitchcock decided to use the title because he held the film rights for some of the stories in the book. <SEP> <P2-S0> William Malone( born 1953) is an American horror filmmaker who directed such films as the 1999 remake" House on Haunted HillScared to DeathCreature", and" FeardotCom". <SEP> <P3-S0> Ian Barry is an Australian director of film and TV. <SEP> <P4-S0> The Man Who Knew Too Little is a 1997 spy comedy film starring Bill Murray, directed by Jon Amiel, and written by Robert Farrar and Howard Franklin. <P4-S1> The film is based on Farrar's novel" Watch That Man", and the title is a parody of Alfred Hitchcock's 1934 film" The Man Who Knew Too Much" and his 1956 remake of the same title. <SEP> <P5-S0> Sir Alfred Joseph Hitchcock,( 13 August 1899 – 29 April 1980) was an English film director and producer, widely regarded as one of the most influential and extensively studied filmmakers in the history of cinema. <P5-S1> Known as" the Master of Suspense", he directed over 50 feature films in a career spanning six decades, becoming as well known as any of his actors thanks to his many interviews, his cameo roles in most of his films, and his hosting and producing of the television anthology" Alfred Hitchcock Presents"( 1955 – 1965). <P5-S2> His first successful film,( 1927), helped to shape the thriller genre, while his 1929 film," Blackmail", was the first British. <P5-S3> His films garnered a total of 46 Oscar nominations and six wins. <P5-S4> By 1939 Hitchcock was a filmmaker of international importance, and film producer David O. Selznick persuaded him to move to Hollywood. <P5-S5> A string of successful films followed, including" Rebecca"( 1940)," Foreign Correspondent"( 1940)," Suspicion"( 1941)," Shadow of a Doubt"( 1943), and" Notorious"( 1946). <P5-S6> " Rebecca" won the Academy Award for Best Picture, although Hitchcock himself was only nominated as Best Director; he was also nominated for" Lifeboat"( 1944) and" Spellbound"( 1945), although he never won the Best Director Academy Award. <P5-S7> The" Hitchcockian" style includes the use of camera movement to mimic a person's gaze, thereby turning viewers into voyeurs, and framing shots to maximise anxiety and fear. <P5-S8> The film critic Robin Wood wrote that the meaning of a Hitchcock film" is there in the method, in the progression from shot to shot. <P5-S9> A Hitchcock film is an organism, with the whole implied in every detail and every detail related to the whole." <P5-S10> After a brief lull of commercial success in the late 1940s, Hitchcock returned to form with" Strangers on a Train"( 1951) and" Dial M For Murder"( 1954). <P5-S11> By 1960 Hitchcock had directed four films often ranked among the greatest of all time:" Rear Window"( 1954)," Vertigo"( 1958)," North by Northwest"( 1959), and" Psycho"( 1960) with the first and last of these garnering him Best Director nominations. <P5-S12> He received the BAFTA Fellowship in 1971, the AFI Life Achievement Award in 1979 and was knighted in December that year, four months before he died.