Question: Are director of film Inside The Lines and director of film The Flesh Eaters (Film) from the same country?

<P0-S0> He won an Academy Award for Engineering Effects for the film "Wings" at the 1st Academy Awards. <P0-S1> He worked on "Peter Pan, Old Ironsides," and "The Rough Riders," all for Famous Players or Paramount. <P0-S2> His work on the groundbreaking aviation film "Wings," released in 1927, earned him the Academy Award for Engineering Effects at the first-ever Academy Awards ceremony. <P0-S3> He was sent to visit the RCA and Western Electric sound laboratories to study Vitaphone sound technology, and upon his return was treated by studio workers and executives as an expert. <P0-S4> He claimed he knew all about it." <P0-S5> In 1928, Paramount decided it was ready to release an "all-talkie", a film with synchronized dialogue throughout rather than in select scenes. <P0-S6> Pomeroy was assigned to reshoot the film with sound. <P0-S7> He demanded—and received—a pay raise from $250 per week to $2,500. <P0-S8> Roy Pomeroy (April 20, 1892 – September 3, 1947) was an American special effects artist and film director. <P0-S9> However, the sound techniques were praised for their relative sophistication (the critic Mordaunt Hall noted that the audience "even heard a pen scratching its way over the paper as Evelyn Brent wrote a message"), anticipating many elements commonplace today; in particular, a scene in which one character is crying shows not the character crying but a reaction shot of her lover, placing the attention on his emotional reaction rather than insistently displaying the source of the sound. <P0-S10> After being tapped for his next directing assignment, Pomeroy asked for another raise to $3,500 a week. <P0-S11> He directed two more sound films: "Inside the Lines" for RKO in 1930, and "Shock" for W. T. Lackey Productions in 1934. <P0-S12> Pomeroy was passionate about archery and kept a collection of bows in his studio office. <SEP> <P1-S0> Ian Barry is an Australian director of film and TV. <SEP> <P2-S0> Brian Johnson( born 1939 or 1940) is a British designer and director of film and television special effects. <SEP> <P3-S0> Inside the Lines is a 1930 American Pre- Code spy drama film starring Betty Compson, Ralph Forbes, and Mischa Auer. <P3-S1> Directed by Roy Pomeroy( who also was the associate producer) from a screenplay by John Farrow and Ewart Adamson, which in turn was based on the 1915 Broadway play of the same name by Earl Derr Biggers. <P3-S2> This version is a remake of the 1918 silent version, also with the same name. <P3-S3> This film exists in the public domain because the claimants did not renew the copyright after 28 years. <SEP> <P4-S0> He began his career as an actor in radio shows in the 1940s. <P4-S1> He directed, produced, shot and edited the sci-fi thriller film" The Flesh Eaters"( 1964). <P4-S2> He did numerous voice- overs. <P4-S3> His voice was featured in several cartoons, and he dubbed the voices for animated characters that included" Kimba the White LionMarine Boy", and" Speed Racer" for the Japanese anime series in 1967. <P4-S4> Jack Curtis, Jr.( June 16, 1926 – September 1970) was an American voice actor, director, producer, writer and editor. <SEP> <P5-S0> The film contains moments of violence much more graphic and extreme than many other movies of its time, making it one of the first ever gore films. <P5-S1> The Flesh Eaters is a 1964 American horror/ science fiction thriller, directed on a low budget by Jack Curtis and edited by future filmmaker Radley Metzger.