Question: What is the nationality of the person who wrote an arrangement for "The Dodger Song" as part of "Old American Songs"?

<P0-S0>  It was the first concert tour in history to have 3-D visual effects. <P0-S1>  After the opening song, Paul Stanley announced that the local fire marshall had banned Kiss from using any pyrotechnics during the show. <P0-S2>  They used a translator on stage to let the crowd understand exactly what Stanley was saying. <P0-S3>  "2,000 Man" was played to bring in the new Millennium at the 1999/2000 New Year's Eve show at Vancouver, advertised at the time as being recorded for Alive IV. <P0-S4>  The vast majority of songs in the setlist were played on the previous Alive/Worldwide concert dates, leading to some frustration from fans expecting the return of classic songs not played on the previous tour. <P0-S5>  Two songs, "Psycho Circus" and "Shout It Out Loud", were screened live on Fox television as part of the "Kiss Live: The Ultimate Halloween Party" special. <P0-S6>  The tour was initially hyped as having circus-style acts as pre-show entertainment. <P0-S7>  Peter Criss later said that it didn't work out because the circus performers wanted equal billing and that some had even wanted to use KISS' backstage dressing room. <P0-S8>  "Forever" was listed on concert setlists at the Vancouver show but was not played. <P0-S9> Psycho Circus World Tour was a Kiss concert tour in 1998–2000. <P0-S10>  One notable show on the tour was the March 12 Bremen, Germany, show. <P0-S11>  This ultimately happened only at the first concert at Dodger Stadium. <P0-S12>  The Vancouver show was also notable as being the first time the original members had played non-original band era material live in concert – "I Love It Loud", "Lick It Up" and "Heaven's on Fire" were added to the setlist and subsequently played on the Farewell Tour. <P0-S13>  Peter Criss was quoted in Metal Edge magazine at the time as wanting to add "Parasite" to the setlist. <P0-S14>  Ticket sales for this tour were notably slower than the previous Reunion Tour, with many of the smaller market shows underselling and a second North American leg for the summer of 1999 cancelled all together, the band ultimatly decided on embarking on a Farewell tour in the new millennium. <SEP> <P1-S0>  Copland was referred to by his peers and critics as "the Dean of American Composers." <P1-S1>  The open, slowly changing harmonies in much of his music are typical of what many people consider to be the sound of American music, evoking the vast American landscape and pioneer spirit. <P1-S2>  He is best known for the works he wrote in the 1930s and 1940s in a deliberately accessible style often referred to as "populist" and which the composer labeled his "vernacular" style. <P1-S3> Aaron Copland ( ; November 14, 1900December 2, 1990) was an American composer, composition teacher, writer, and later a conductor of his own and other American music. <P1-S4>  Works in this vein include the ballets "Appalachian Spring", "Billy the Kid" and "Rodeo", his "Fanfare for the Common Man" and Third Symphony. <P1-S5>  In addition to his ballets and orchestral works, he produced music in many other genres including chamber music, vocal works, opera and film scores. <SEP> <P2-S0> "The Dodger Song" is a 19th-century American folk song. <P2-S1>  Aaron Copland wrote an arrangement for it as part of "Old American Songs", a collection of arrangements of folk songs. <SEP> <P3-S0> Philip R. Goodwin (September 16, 1881 – December 14, 1935) was an American painter and illustrator who specialized in depictions of wildlife, the outdoors, fishing, hunting and the Old American West. <P3-S1>  He provided illustrations for numerous books and magazines, as well as for commercial items, such as posters, advertisements and calendars. <P3-S2>  He is perhaps best known for illustrating Jack London's "The Call of the Wild" and for providing the cover art for many issues of Outdoor Recreation / Outdoor Life Magazine during the 1920s and early 1930s. <P3-S3>  He is also the artist who designed the Horse & Rider Trademark of the Winchester Repeating Arms Company. <P3-S4>  Goodwin was a very private person and did not seek publicity, so not much was known about his private life during his lifetime. <P3-S5>  Most of what is known comes from letters held at the Buffalo Bill Historical Center.