Question: Do both films The Servant (1989 Film) and The Man From Niger have the directors from the same country?

<P0-S0> The Servant is a 1989 Soviet drama film directed by Vadim Abdrashitov. <P0-S1> It was entered into the 39th Berlin International Film Festival where it won the Alfred Bauer Prize. <SEP> <P1-S0> The Man from Nowhere is a 1961 Soviet comedy film directed by Eldar Ryazanov. <SEP> <P2-S0> It is set in the French colonial empire. <P2-S1> The film's sets were designed by the art director Guy de Gastyne and Robert Gys. <P2-S2> It was shot at the Saint- Maurice Studios in Paris and on location in Mali, then known as French Sudan. <P2-S3> The Man from Niger or Forbidden Love( French: L'homme du Niger) is a 1940 French drama film directed by Jacques de Baroncelli and starring Victor Francen, Jacques Dumesnil and Annie Ducaux. <SEP> <P3-S0> Elias Plagianos( born Brooklyn, New York) is an award- winning independent Greek American film director, screenwriter, and editor. <P3-S1> He is most noted for his films" The Crimson Mask" and" The Man From The City". <SEP> <P4-S0> He is internationally renowned, with awards from the Berlin and Venice Film Festivals. <P4-S1> He was so impressed with the space flight of the first Russian cosmonaut that he left his parents and moved to Moscow to study nuclear physics at the Moscow Institute of Physics and Technology. <P4-S2> Around that time, he developed an interest in amateur filmmaking, and he transferred to the Mendeleev Institute of Chemical Technology because it was equipped with a film studio for students. <P4-S3> His directorial debut was "Ostanovite Potapova!Stop Potapov!" 1974), a satirical comedy based on the screenplay by Grigori Gorin. <P4-S4> Vadim Yusupovich Abdrashitov  (born 19 January 1945) is one of Russian cinema's most independent directors. <P4-S5> In 1975 Abdrashitov met with the unknown writer Aleksandr Mindadze. <P4-S6> That was the beginning of a collaboration that lasted for the next 12 films, which they made together in 30 years. <P4-S7> Their films were awarded at many international film festivals as well as at the Soviet and Russian film forums. <P4-S8> The films of Abdrashitov are often characterized by allowing viewers to see self-exploration occurring in the protagonists. <P4-S9> This will lead them to challenge social norms and traditions. <P4-S10> He delves into uncomfortable, challenging intellectual territory, but manages to avoid the depiction of graphic violence in all his films. <P4-S11> The following year he was a member of the jury at the 40th Berlin International Film Festival. <P4-S12> Vadim Abdrashitov has been enjoying a happy family life with his wife, Natella Toidze, and their two children, son Oleg (born in 1973) and daughter Naina (born in 1980). <SEP> <P5-S0> He came from a Florentine family who had settled in Provence in the 15th century, occupying a building in the centre of Avignon then called the Baroncelli Palace (now the Palais du Roure). <P5-S1> His father's side of the family were of Tuscan origin and part of the Ghibelline tradition, and they were hereditary Marquises of Javon. <P5-S2> Though somewhat aristocratic, the family spoke Provençal, which was rather controversial at a time when it was considered to be a language of the common people. <P5-S3> His brother was Folco de Baroncelli-Javon, <P5-S4> He directed well over 80 films between 1915 and 1948 and in the 1940s released numerous films in the United States and Italy. <P5-S5> One of his films, a version of the Pierre Louÿs novel "La Femme et le pantin" (1928) was filmed in the experimental Keller-Dorian color process. <P5-S6> Jacques de Baroncelli (25 June 1881 – 12 January 1951) was a French film director best known for his silent films from 1915 to the late 1930s.