Question: Are director of film The Nun (1966 Film) and director of film Killer Butterfly both from the same country?

<P0-S0> Brian Johnson( born 1939 or 1940) is a British designer and director of film and television special effects. <SEP> <P1-S0> The Nun( also known as) is a 1966 French drama film directed by Jacques Rivette and based on the novel of the same title by Denis Diderot. <SEP> <P2-S0> He made twenty- nine films, including" L'amour fou"( 1969)," Out 1"( 1971)," Celine and Julie Go Boating"( 1974), and" La Belle Noiseuse"( 1991). <P2-S1> He moved to Paris to pursue his career, frequenting Henri Langlois' Cinémathèque Française and other ciné-clubs; there, he met François Truffaut, Jean- Luc Godard, Éric Rohmer, Claude Chabrol and other future members of the New Wave. <P2-S2> Rivette began writing film criticism, and was hired by André Bazin for" Cahiers du Cinéma" in 1953. <P2-S3> Rivette's articles, admired by his peers, were considered the magazine's best and most aggressive writings, particularly his 1961 article" On Abjection" and his influential series of interviews with film directors co-written with Truffaut. <P2-S4> Jacques Rivette( 1 March 1928 – 29 January 2016) was a French film director and film critic most commonly associated with the French New Wave and the film magazine" Cahiers du Cinéma". <P2-S5> He continued making short films, including" Le Coup de Berger", which is often cited as the first New Wave film. <P2-S6> Truffaut later credited Rivette with developing the movement. <P2-S7> Rivette became editor of" Cahiers du Cinéma" during the early 1960s and publicly fought French censorship of his second feature film," The Nun"( 1966). <P2-S8> He then re-evaluated his career, developing a unique cinematic style with" L'amour fou". <P2-S9> Influenced by the political turmoil of May 68, improvisational theatre and an in- depth interview with filmmaker Jean Renoir, Rivette began working with large groups of actors on character development and allowing events to unfold on camera. <P2-S10> After attempting to make four consecutive films, however, Rivette had a nervous breakdown and his career slowed for several years. <P2-S11> During the early 1980s, he began a business partnership with producer Martine Marignac, who produced all his subsequent films. <P2-S12> Rivette's output increased from then on, and his film" La Belle Noiseuse" received international praise. <SEP> <P3-S0> Kim was born in Seoul during the colonial period, raised in Pyongyang, where he became interested in theater and cinema. <P3-S1> In Korea after the end of World War II, he studied dentistry while becoming involved in the theater. <P3-S2> In 1955, he used discarded movie equipments to produce his first two films. <P3-S3> Ki-young's first expression of his mature style was in his" The Housemaid"( 1960), which featured a powerful" femme fatale" character. <P3-S4> It is widely considered to be one of the best Korean films of all time. <P3-S5> ( October 10, 1919 – February 5, 1998) was a South Korean film director, known for his intensely psychosexual and melodramatic horror films, often focusing on the psychology of their female characters. <P3-S6> After a" Golden Age" during the 1960s, the 1970s were a low- point in the history of Korean cinema because of governmental censorship and a decrease in audience attendance. <P3-S7> Nevertheless, working independently, Kim produced some of his most eccentric cinematic creations in this era. <P3-S8> Widespread international interest in his work was stimulated by a career retrospective at the 1997 Pusan International Film Festival. <P3-S9> He was preparing a comeback film when he and his wife were killed in a house fire in 1998. <P3-S10> The Berlin International Film Festival gave Kim a posthumous retrospective in 1998, and the French Cinémathèque screened 18 of Kim's films, some newly rediscovered and restored, in 2006. <P3-S11> Many current prominent South Korean filmmakers, including directors Im Sang- soo, Kim Ki-duk, Bong Joon- ho and Park Chan- wook, claim Kim Ki- young as an influence on their careers. <SEP> <P4-S0> " A Woman Chasing a Killer Butterfly") is a 1978 South Korean film directed by Kim Ki-young. <P4-S1> Killer Butterfly( 살인나비를 쫓는 여자-" Salin nabireul jjonneun yeoja" lit. <SEP> <P5-S0> Rachel Feldman( born August 22, 1954) is an American director of film and television and screenwriter of television films.