Question: Do director of film The Scarlet Coat and director of film Beauty'S Worth have the same nationality?

<P0-S0> Beauty's Worth is a 1922 American romantic comedy drama film directed by Robert G. Vignola, starring Marion Davies as an unsophisticated Quaker who ventures to a seaside resort, meets a Bohemian artist, and falls in love. <SEP> <P1-S0> Peter Levin is an American director of film, television and theatre. <SEP> <P2-S0> John Eliot Sturges( January 3, 1910 – August 18, 1992) was an American film director. <P2-S1> His movies include" Bad Day at Black Rock"( 1955)," Gunfight at the O.K. Corral"( 1957)," The Magnificent Seven"( 1960)," The Great Escape"( 1963), and" Ice Station Zebra"( 1968). <P2-S2> In 2013," The Magnificent Seven" was selected for preservation in the United States National Film Registry by the Library of Congress as being" culturally, historically, or aesthetically significant". <P2-S3> He was not related to director Preston Sturges. <SEP> <P3-S0> The film is based upon the events in the American Revolution in which Benedict Arnold offered to surrender the fort at West Point to the British in exchange for money. <P3-S1> The film purports to tell the story of the creation of the" American Secret Service". <P3-S2> It weaves a spy/ counterspy tale in which British and American counterparts, played by Michael Wilding as the historical personage Major John André and Cornel Wilde as the fictional Major John Bolton, each unaware that the other is attempting to outsmart him for the sake of their countries, deal with issues of honor, loyalty, and friendship. <P3-S3> The Scarlet Coat is a 1955 American historical drama and swashbuckler in Eastmancolor and CinemaScope released by Metro- Goldwyn- Mayer, produced by Nicholas Nayfack, directed by John Sturges, that stars Cornel Wilde, Michael Wilding, George Sanders, and Anne Francis. <P3-S4> There is also some rivalry between the men for the love of a beautiful woman, the fictional Sally Cameron( Anne Francis). <P3-S5> While historically André and Major Benjamin Tallmadge, Bolton's historical counterpart, did meet shortly before André was to be hanged as a spy( Talmadge's regiment of light dragoons was charged with guarding André), their acquaintance was not the longer- term and deeper friendship suggested in the film. <P3-S6> Bolton betrays this friendship out of duty in the film, but Karl Tunberg's script ameliorates that difficulty by having Bolton make attempts to save Andre's life. <P3-S7> Another important departure from history is that during the course of events André saves Bolton when the latter is arrested for being a spy, something that never occurred. <P3-S8> André is treated sympathetically in the film while Wilde's fictional Major Bolton is portrayed as more ruthless, particularly in the brutality he employs to accomplish his objectives. <P3-S9> The script is noted for its even- handedness in depicting both sides of the conflict. <SEP> <P4-S0> A former stage actor, he appeared in many motion pictures produced by Kalem Company and later moved to directing, becoming one of the silent screen's most prolific directors. <P4-S1> He also directed a handful of films in the early years of talkies but his career essentially ended in the silent era. <P4-S2> Robert G. Vignola( born Rocco Giuseppe Vignola, August 5, 1882 – October 25, 1953) was an Italian- born American actor, screenwriter and film director. <SEP> <P5-S0> Ian Barry is an Australian director of film and TV.