Question: What is the large art school in the place where Spectre filming took place after it was done in the city where the author of Cum nimis absurdum died?

<P0-S0> after wrapping up in england, production travelled to morocco in june, with filming taking place in oujda, tangier and erfoud, after preliminary work was completed by the production's second unit. <P0-S1> an explosion filmed in morocco holds a guinness world record for the "largest film stunt explosion" in cinematic history, with the record credited to production designer chris corbould. <P0-S2> principal photography concluded on 5 july 2015. a wrap-up party for spectre was held in commemoration before entering post-production. <P0-S3> filming took 128 days. <SEP> <P1-S0> The planned scenes required the city square to be closed for filming a sequence involving a fight aboard a Messerschmitt-Bölkow-Blohm Bo 105 helicopter flown by stunt pilot Chuck Aaron, which called for modifications to be made to several buildings to prevent damage. <P1-S1> This particular scene in Mexico required 1,500 extras, 10 giant skeletons and 250,000 paper flowers. <P1-S2> With filming completed in Rome, production moved to Mexico City in late March to shoot the film's opening sequence, with scenes to include the Day of the Dead festival filmed in and around the Zócalo and the Centro Histórico district. <P1-S3> Reports in the Mexican media added that the film's second unit would move to Palenque in the state of Chiapas, to film aerial manoeuvres considered too dangerous to shoot in an urban area. <SEP> <P2-S0> the barefoot mailman is a comedy-adventure film starring robert cummings and distributed by columbia pictures in 1951. the film was based on the 1943 novel "the barefoot mailman" by theodore pratt. <P2-S1> filmed in super cinecolor on location in florida where the events take place, it features many elements of the western. <SEP> <P3-S0> Many of the works produced by the students and faculty of that time are now displayed in the Museo Nacional de San Carlos (National Museum of San Carlos). <P3-S1> One of the students, José María Velasco, is considered one of the greatest Mexican landscape painters of the 19th century. <P3-S2> During the 19th century, an important producer of art was the Academia de San Carlos (San Carlos Art Academy), founded during colonial times, and which later became the Escuela Nacional de Artes Plásticas (the National School of Arts) including painting, sculpture and graphic design, one of UNAM's art schools. <P3-S3> Porfirio Díaz's regime sponsored arts, especially those that followed the French school. <P3-S4> Popular arts in the form of cartoons and illustrations flourished, e.g. <P3-S5> those of José Guadalupe Posada and Manuel Manilla. <P3-S6> The permanent collection of the San Carlos Museum also includes paintings by European masters such as Rembrandt, Velázquez, Murillo, and Rubens. <SEP> <P4-S0> Aristotle's work on fish species is one of the earliest known. <P4-S1> In the 1500s fish enjoyed a renewed interest in both France and Italy. <P4-S2> 1551 saw the appearance of Pierre Belon’s "Histoire naturelle des estranges poissons marins", illustrated by woodcuts. <P4-S3> In 1554 Guillaume Rondelet’s "De piscibus marinis" was published, also using woodcuts. <P4-S4> Salviani’s work was published in parts over a period of three years. <P4-S5> Its use of copper engraving was well-suited to depicting fish, and greatly superior to woodcuts with its lifelike rendition of eyes and scales. <P4-S6> The copper engravings have a scientific appearance, but some details, like the correct number and position of the scales were omitted. <P4-S7> He collected most of the fishes for his studies from the market in Rome. <P4-S8> Nicolas Béatrizet probably designed the title-page and the fish illustrations were made by Antoine Lafréry. <P4-S9> Another theory is that they were drawn by the Italian painter Bernardus Aretinus and engraved by Nicolas Béatrizet. <P4-S10> Salviani's "Aquatilium animalium" only deals with animals personally observed and handled by him. <SEP> <P5-S0> It takes its name from its first words: "Since it is absurd and utterly inconvenient that the Jews, who through their own fault were condemned by God to eternal slavery..." <P5-S1> Cum nimis absurdum was a papal bull issued by Pope Paul IV dated 14 July 1555.