Question: Which film has the director born later, The Autonomines or The Girl From The Marsh Croft (1935 Film)?

<P0-S0> Sirk started his career in Germany as a stage and screen director, but he left to Hollywood in 1937 because his Jewish wife was persecuted by the Nazis. <P0-S1> In the 1950s, he achieved his greatest commercial success with film melodramas like "Imitation of LifeAll <P0-S2> That Heaven AllowsWritten on the WindMagnificent Obsession" and "A Time to Love and a Time to Die". <P0-S3> While those films where initially panned by critics as sentimental women's pictures, they are today widely regarded by film directors, critics and scholars as masterpieces. <P0-S4> His work is seen as "critique of the bourgeoisie in general and of 1950s <P0-S5> America in particular", while painting a "compassionate portrait of characters trapped by social conditions". <P0-S6> Douglas Sirk (born Hans Detlef Sierck; 26 April 1897 – 14 January 1987) was a German film director best known for his work in Hollywood melodramas of the 1950s. <P0-S7> Beyond the surface of the film, Sirk worked with complex mise en scenes and lush Technicolor colors to subtly underline his message. <SEP> <P1-S0> The film parodies the Autonomous communities of Spain which had been created by the 1978 Constitution. <P1-S1> The Autonomines (Spanish: Las autonosuyas) is a 1984 Spanish comedy film directed by Rafael Gil and starring Alfredo Landa, María Casanova, and Manolo Codeso. <SEP> <P2-S0> 10 July 1986) was a Spanish film director and screenwriter. <P2-S1> His film "La guerra de Dios" (1953) won the Bronze Lion at the Venice Film Festival in 1953 and also won best film and best director at the San Sebastián International Film Festival. <P2-S2> His film "La noche del sábado" (1950) was nominated for the Gold Lion at the 1950 Venice Film Festival and his film "El beso de Judas" (1954) was also nominated for the Gold Lion at the 1954 festival in Venice. <P2-S3> His film "Let's Make the Impossible!" <P2-S4> (1958) was nominated for the Golden Berlin Bear at the Berlin International Film Festival. <P2-S5> He has won nine prizes of the National Syndicate of Spectacle of Spain. <P2-S6> Gil was a prominent director of the Franco era. <P2-S7> His later works, often in collaboration with the Pro-Franco screenwriter and novelist Fernando Vizcaíno Casas, looked back nostalgically to the years of Franco's rule. <P2-S8> Rafael Gil (22 May 1913 – <SEP> <P3-S0> The Girl from Monterrey is a 1943 American film directed by Wallace Fox starring Armida Vendrell as PRCs version of the Mexican Spitfire. <P3-S1> The film is also known as The Girl from Monterey( American alternative spelling). <SEP> <P4-S0> It was adapted from the novel "The Girl from the Marsh Croft" by Selma Lagerlöf. <P4-S1> It has been described as a "prototype Heimatfilm. <P4-S2> The Girl from the Marsh Croft  is a 1935 German drama film directed by Douglas Sirk and starring Hansi Knoteck, Ellen Frank and Eduard von Winterstein. <P4-S3> It was remade in 1958. <P4-S4> The film's sets were designed by the art director Carl Ludwig Kirmse. <P4-S5> Location shooting took place on the Teufelsmoor north of Bremen. <SEP> <P5-S0> The Girl from the Marsh Croft is a 1958 West German drama film directed by Gustav Ucicky and starring Maria Emo, Claus Holm and Eva Ingeborg Scholz. <P5-S1> It was adapted from the novel" The Girl from the Marsh Croft" by Selma Lagerlöf. <P5-S2> It was a remake of a 1935 film of the same name. <P5-S3> The film's sets were designed by the art director Mathias Matthies and Ellen Schmidt. <P5-S4> It was shot at the Wandsbek Studios in Hamburg.