Question: Which film has the director who died later, A Brighter Summer Day or St. Louis Woman (Film)?

<P0-S0> Lawrence Ko( born 28 April 1977) is a Taiwanese actor. <P0-S1> Ko made his film debut when he was four years old. <P0-S2> He has had roles in the Edward Yang films" A Brighter Summer Day"( 1991)," Mahjong"( 1996) and" Yi Yi"( 2000), as well as the film" Lust, Caution" by Ang Lee. <P0-S3> In 2011, he starred in the biopic" Jump Ashin!"( 2011). <P0-S4> He also appeared in the films" Will You Still Love Me Tomorrow?"( 2013)," To My Dear Granny"( 2013) and" Murmur of the Hearts"( 2015). <SEP> <P1-S0> Edward Yang( November 6, 1947 – June 29, 2007) was a Taiwanese filmmaker. <P1-S1> Yang, along with fellow auteurs Hou Hsiao -hsien and Tsai Ming- liang, was one of the leading film- makers of the Taiwanese New Wave and Taiwanese Cinema. <P1-S2> He won the Best Director Award at Cannes for his 2000 film" Yi Yi". <SEP> <P2-S0> Gabriela von Bussenius Vega( 1901- 1975) was a Chilean journalist, writer and filmmaker," Latin America's first woman film- maker". <SEP> <P3-S0> Albert Ray( August 28, 1897 – February 5, 1944) was an American film director, actor, and screenwriter. <P3-S1> He directed 76 films between 1920 and 1939. <P3-S2> He also appeared in 18 films between 1915 and 1922. <P3-S3> He was born in New Rochelle, New York and died in Los Angeles, California. <SEP> <P4-S0> The film is an extraordinarily large project for a Chinese-language film, not only for its duration of almost four hours, but also for its involvement of more than 100 amateur actors in different roles. <P4-S1> A Brighter Summer Day is a 1991 Taiwanese epic coming-of-age drama film directed by Edward Yang and is considered by most to be a masterpiece of contemporary cinema. <P4-S2> The English title is derived from the lyrics of Elvis Presley's "Are You Lonesome Tonight?". <P4-S3> The film was selected as the Taiwanese entry for the Best Foreign Language Film at the 64th Academy Awards but was not nominated. <P4-S4> The film addresses a great array of human-centred themes such as the eager search for guidance during adolescence, the angst resulting from social detachment, the everyday hardships of parenthood, the pursuit of a satisfying individual and collective identity together with the ennui and frustration prompted by failing to do so, the volatility of young love and friendships, the self-aggrandising tendencies commonplace in teenage-made myths, and, especially, the fatal and irreversible consequences of an aimless life and a bewildering upbringing. <P4-S5> Edward Yang also tackles highly sensitive political issues like the rise of Western culture to the detriment of Taiwan's traditions, the wide-spreading of unrest and violence stirred by socio-political uneasiness, the strained coexistence among social classes trying to deal with an uncertain future, the consequent yearn of migrating towards an expectedly-better country, and the proliferation of self-ruled quasi-political organisations (in this case, youth gangs) as a way to substitute an unconvincing State. <SEP> <P5-S0> It is also known by the alternative title of Missouri Nightingale. <P5-S1> After being expelled from college for spending time at a nightclub, a glamorous singer persuades her boyfriend to give him a job on a professional football team. <P5-S2> He soon falls in love with her and forgets about his own girlfriend. <P5-S3> St. Louis Woman is a 1934 American musical drama film directed by Albert Ray and starring Jeanette Loff, Johnny Mack Brown and Earle Foxe.