Question: Which film has the director who died earlier, 2001: A Space Odyssey (Film) or Dimmed Lights?

<P0-S0> The screenplay was written by Kubrick and Arthur C. Clarke, and was inspired by Clarke's short story" The Sentinel" and other short stories by Clarke. <P0-S1> 2001: A Space Odyssey is a 1968 epic science fiction film produced and directed by Stanley Kubrick. <P0-S2> A released after the film's premiere was in part written concurrently with the screenplay. <P0-S3> The film, which follows a voyage to Jupiter with the sentient computer HAL after the discovery of a featureless alien monolith affecting human evolution, deals with themes of existentialism, human evolution, technology, artificial intelligence, and the possibility of extraterrestrial life. <P0-S4> The film is noted for its scientifically accurate depiction of space flight, pioneering special effects, and ambiguous imagery. <P0-S5> Sound and dialogue are used sparingly and often in place of traditional cinematic and narrative techniques. <P0-S6> The soundtrack incorporates a number of pieces of classical music, among them" Also sprach Zarathustra" by Richard Strauss," The Blue Danube" by Johann Strauss II, and works by Aram Khachaturian and György Ligeti. <P0-S7> The film received diverse critical responses ranging from those who saw it as darkly apocalyptic in tone to those who saw it as an optimistic reappraisal of the hopes of humanity. <P0-S8> The film garnered a cult following and became the highest- grossing North American film of 1968. <P0-S9> It was nominated for four Academy Awards; Kubrick won for his direction of the visual effects. <P0-S10> " 2001: A Space Odyssey" is widely regarded as one of the greatest and most influential films ever made. <P0-S11> In 1991, it was deemed" culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in the National Film Registry. <P0-S12> In 2010, it was named the greatest film of all time by" The Moving Arts Film Journal". <SEP> <P1-S0> The film was released in the United States in 1936, and is sometimes dated by that year. <P1-S1> The film's sets were designed by the art director Guido Fiorini. <P1-S2> Dimmed Lights( Italian: Luci sommerse) is a 1934 Italian drama film directed by Adelqui Migliar and starring Fosco Giachetti, Nelly Corradi and Laura Nucci. <SEP> <P2-S0> He is frequently cited as one of the most influential filmmakers in cinematic history. <P2-S1> His films, which are mostly adaptations of novels or short stories, cover a wide range of genres, and are noted for their realism, dark humor, unique cinematography, extensive set designs, and evocative use of music. <P2-S2> Kubrick was raised in the Bronx, New York City, and attended William Howard Taft High School from 1941 to 1945. <P2-S3> Creative differences arising from his work with Douglas and the film studios, a dislike of the Hollywood industry, and a growing concern about crime in America prompted Kubrick to move to the United Kingdom in 1961, where he spent most of the remainder of his life and career. <P2-S4> His home at Childwickbury Manor in Hertfordshire, which he shared with his wife Christiane, became his workplace, where he did his writing, research, editing, and management of production details. <P2-S5> A demanding perfectionist, Kubrick assumed control over most aspects of the filmmaking process, from direction and writing to editing, and took painstaking care with researching his films and staging scenes, working in close coordination with his actors and other collaborators. <P2-S6> He often asked for several dozen retakes of the same shot in a movie, which resulted in many conflicts with his casts. <P2-S7> Despite the resulting notoriety among actors, many of Kubrick's films broke new ground in cinematography. <P2-S8> The scientific realism and innovative special effects of( 1968) were without precedent in the history of cinema, and the film earned him his only personal Oscar, for Best Visual Effects. <P2-S9> Steven Spielberg has referred to the film as his generation's" big bang", and it is regarded as one of the greatest films ever made. <P2-S10> For the 18th- century period film" Barry Lyndon"( 1975), Kubrick obtained lenses developed by Zeiss for NASA, to film scenes under natural candlelight. <P2-S11> While many of Kubrick's films were controversial and initially received mixed reviews upon release —particularly" A Clockwork Orange"( 1971), which Kubrick pulled from circulation in the UK following a mass media frenzy —most were nominated for Oscars, Golden Globes, or BAFTA Awards, and underwent critical reevaluations. <P2-S12> Stanley Kubrick( July 26, 1928 – March 7, 1999) was an American film director, screenwriter, and producer. <SEP> <P3-S0> He appeared in 31 silent films between 1916 and 1928. <P3-S1> He also directed 24 films between 1922 and 1954. <P3-S2> He was born in Concepción, Chile, and lived and worked in the Netherlands, the United Kingdom and the United States. <P3-S3> He died in Santiago, Chile. <P3-S4> Adelqui Migliar (5 August 1891 – 6 August 1956), also known as Adelqui Millar, was a Chilean film actor, director, writer and producer. <SEP> <P4-S0> Ray Lovejoy( 18 February 1939 – 18 October 2001) was a British film editor with about thirty editing credits. <P4-S1> He had a notable collaboration with director Peter Yates that extended over six films including" The Dresser"( 1983), which was nominated for numerous BAFTA Awards and Academy Awards. <P4-S2> Lovejoy was an assistant to editor Anne V. Coates for films from" The Horse's Mouth"( 1958) to" Lawrence of Arabia"( 1962). <P4-S3> He was next an assistant to editor Anthony Harvey on" Dr. Strangelove"( 1964), which was produced and directed by Stanley Kubrick. <P4-S4> Harvey subsequently became a director himself, and Kubrick promoted Lovejoy to be the editor for his subsequent film( 1968). <P4-S5> Kubrick and Lovejoy next worked together on" The Shining"( 1980); Kubrick worked with other editors for his two films from the 1970s. <P4-S6> Stephen Prince described Lovejoy's contributions to 1980s films as follows," Ray Lovejoy cut Stanley Kubrick's" 2001: A Space Odyssey"( 1968), and he worked again with Kubrick on" The Shining" and supplied that film with an entirely different -- tenser, more foreboding -- texture than the stately science- fiction film possesses. <P4-S7> Lovejoy also proved adept at editing for blockbuster effect. <P4-S8> His cutting in" Aliens" sustained that sequel's narrative momentum with a speed and tension that its predecessor did not have, and his editing on" Batman" finessed that film's gaping narrative problems by simply rushing past them." <P4-S9> In 1987, he was nominated for the Academy Award for Best Film Editing for his work on the film" Aliens"( 1986). <P4-S10> In 2012, the Motion Picture Editors Guild published a list of the 75 best- edited films of all time based on a survey of its members. <P4-S11> Two films edited by Lovejoy are on this listing. <P4-S12> " 2001: A Space Odyssey" was listed nineteenth, and" The Shining" was listed as forty- fourth. <P4-S13> Lovejoy died of a heart attack on 18 October 2001. <SEP> <P5-S0> 2001: A Space Travesty is a 2000 comedy film directed by Allan A. Goldstein and starring Leslie Nielsen, Ophélie Winter, Peter Egan, and Ezio Greggio. <P5-S1> The film has a few sequences parodying elements of, but is not focused on parodying that film alone. <P5-S2> The film took place in Los Angeles, California.