Question: Exhibitions of what American painter took place at Amory Hall?

<P0-S0> George Catlin (July 26, 1796 – December 23, 1872) was an American painter, author, and traveler, who specialized in portraits of Native Americans in the Old West. <P0-S1>  Travelling to the American West five times during the 1830s, Catlin was the first white man to depict Plains Indians in their native territory. <SEP> <P1-S0> Amory Hall (c. 1836-c. <P1-S1>  Myriad activities took place in the rental hall, including sermons; lectures by Henry David Thoreau, Ralph Waldo Emerson, William Lloyd Garrison; political meetings; exhibitions by Rembrandt Peale, George Catlin, John Banvard; moving panoramas; magic shows; concerts; and curiosities such as the "Nova Scotia Giant Boy." <P1-S2>  1872) was located on the corner of Washington Street and West Street in Boston, Massachusetts, in the 19th-century. <SEP> <P2-S0> Mary Augusta Mullikin (born 1874 in Ohio; died 1964) was an American painter who spent almost 30 years in China from 1920 to the end of World War II. <P2-S1>  Member of the American Federation of Art. <P2-S2>  Joint author with Anna Hotchkis, also a painter, of two books of their travels in China, illustrated by themselves, entitled "Buddhist Sculptures of the Yun Kang Caves" (Librairie française, Peiping, 1935) and "The Nine Sacred Mountains of China" (Vetch and Lee, Hong Kong, 1973). <P2-S3>  She also contributed to the National Geographic Magazine a number of articles accompanied by her drawings, including "China's Great Wall of Sculpture" in the March 1938 National Geographic (pp 313–348) on the earliest Buddhist sculptures in what were known as the Yun Kang caves, and "Tài Shan, Sacred Mountain of the East" in June 1945. <P2-S4>  Her paintings and drawings were also featured in exhibitions at the Corcoran Gallery in Washington D.C. and at the Philadelphia Academy, as well as in the Brook Street Galleries in London and numerous exhibitions in China. <SEP> <P3-S0> Chung-Chuan CHENG (, 1931-), a female Taiwanese painter, was born in Hsinchu City. <P3-S1>  Most of her sisters engage in the medical field because her father was a well-known medical doctor in the 1930s in Taiwan. <P3-S2>  Her mother, a house wife, is the offspring of a noted philanthropist, Lee His-Cin. <P3-S3>  While majoring in Fine Arts at National Taiwan Normal University, Chung-Chuan Cheng joined the Fifth Moon Art Group encouraged to set up by a painting professor Ji-Chun Liao in 1957. <P3-S4>  By the end of the same year, she gave up the teaching and decided to reside in Japan with her husband. <P3-S5>  The artist had stopped working any paintings for more than 30 years until she was nearly 60. <P3-S6>  She not only started to hold solo exhibitions in Japan but also returned to Taiwan for joining annual exhibitions of the Fifth Moon Art Group. <P3-S7>  Just before her eightieth, Dr. Sun Yat-Sen Memorial Hall staged her art retrospective exhibition in 2011. <P3-S8>  Besides, a private charity organization also took place a bazaar of her works for the benefit of the mental and physical disabled residents in Hsin-Chu. <P3-S9> 。In 2013, Taipei Fine Arts Museum invited Chung-Chuan Cheng to join the group exhibition “Women Adventurers: Five Eras of Taiwanese Art, 1930-1983”. <P3-S10>  At present, the artist enjoys leading a tranquil life and contentedly creating works.