Question: Les Mistons ("The Mischief Makers") is a short film directed by François Truffaut in 1957, in 2013 the Museum of Modern Art in New York City screened this film together with Truffaut's "The 400 Blows", a French drama film, the debut by director François Truffaut, released in what year?

<P0-S0> Stolen Kisses (French: Baisers volés ) is a 1968 French romantic comedy-drama film directed by François Truffaut starring Jean-Pierre Léaud and Claude Jade. <P0-S1>  It continues the story of the character Antoine Doinel, whom Truffaut had previously depicted in "The 400 Blows" and the short film "Antoine and Colette". <P0-S2>  In this film, Antoine begins his relationship with Christine Darbon, which is depicted further in the last two films in the series, "Bed & Board" and "Love on the Run". <SEP> <P1-S0>  One of the defining films of the French New Wave, it displays many of the characteristic traits of the movement. <P1-S1>  Written by Truffaut and Marcel Moussy, the film is about Antoine Doinel, a misunderstood adolescent in Paris who struggles with his parents and teachers due to his rebellious behavior. <P1-S2>  Filmed on location in Paris and Honfleur, it is the first in a series of five films in which Léaud plays the semi-autobiographical character. <P1-S3> The 400 Blows (French: "Les Quatre Cents Coups" ) is a 1959 French drama film, the debut by director François Truffaut; it stars Jean-Pierre Léaud, Albert Rémy, and Claire Maurier. <SEP> <P2-S0> Les Mistons ("The Mischief Makers") is a short film directed by François Truffaut in 1957. <P2-S1>  It was his second film after "Une Visite" in 1955 but it is considered his "first short film of any real consequence". <P2-S2>  In 2013 the Museum of Modern Art in New York City screened this film together with Truffaut's "The 400 Blows". <P2-S3>  Truffaut simply called it "my first real film". <P2-S4>  Moreover, it was Bernadette Lafont's film debut. <P2-S5>  She was at that time Gérard Blain's wife. <P2-S6>  The film demonstrates already some examples for Truffaut's "trademark tracking shots" and would "help define his style" as well as "set Truffaut on a path for his career". <P2-S7>  Truffaut's narrative stresses the details of life, hereby establishing one of the traits of the French New Wave. <P2-S8>  Thus he also became a predecessor of French film directors such as Jean-Pierre Jeunet ("Amélie"). <P2-S9>  It has been stated that the formation of the French New Wave could be "tracked through two short films": Jean-Luc Godard's "All the Boys Are Called Patrick" and Truffaut's "Les Mistons". <SEP> <P3-S0> François Roland Truffaut (] ; 6 February 1932 – 21 October 1984) was a French film director, screenwriter, producer, actor, and film critic, as well as one of the founders of the French New Wave. <P3-S1>  In a film career lasting over a quarter of a century, he remains an icon of the French film industry, having worked on over 25 films. <P3-S2>  Truffaut's film "The 400 Blows" came to be a defining film of the French New Wave movement. <P3-S3>  Unique in world cinema, the movie is followed over 20 years with classics "Stolen Kisses", "Bed and Board" and "Love on the Run" between 1958 and 1979. <P3-S4>  He also directed such other classics as "Shoot the Piano Player" (1960), "Jules et Jim" (1961), "The Wild Child" (1970), "Two English Girls" (1971), "Day for Night" (1973) and "The Woman Next Door" (1981).