Question: Do both films, Take Her, She'S Mine and The Face On The Bar-Room Floor (1923 Film), have the directors who are from the same country?

<P0-S0> Elizabeth Ann Cole( born August 30, 1939), known professionally as Elizabeth Ashley, is an American actress of theatre, film, and television. <P0-S1> She has been nominated for three Tony Awards, winning once in 1962 for" Take Her, She's Mine". <P0-S2> Ashley was also nominated for the BAFTA and Golden Globe awards for her performance in" The Carpetbaggers"( 1964), and was nominated for an Emmy Award in 1991 for" Evening Shade". <P0-S3> Elizabeth was a guest on" The Tonight Show with Johnny Carson" 24 times. <SEP> <P1-S0> Henry Koster( born Hermann Kosterlitz, May 1, 1905 – September 21, 1988) was a German- born film director. <P1-S1> He was the husband of actress Peggy Moran. <SEP> <P2-S0> It is considered to be a lost film. <P2-S1> The film was adapted from the poem of the same name by Hugh Antoine d'Arcy. <P2-S2> The Face on the Bar- Room Floor is a 1923 American drama film directed by John Ford. <SEP> <P3-S0> Hugh Antoine d' Arcy( March 5, 1843 – November 11, 1925) was a French- born poet and writer and a pioneer executive in the American motion picture industry. <P3-S1> He is known for his 1887 poem," The Face upon the Barroom Floor", a sorrowful tale of a painter who takes to drink after his lover deserts him for the fair- haired lad in one of his portraits. <P3-S2> After study at England's Ipswitch University, d' Arcy was a call boy and juvenile actor at the Theatre Royal in Bristol. <P3-S3> In London, he was well known as a character actor. <P3-S4> In 1871, d' Arcy came to America, where he became involved with the business management of stage productions and performers, including Mary Anderson, Ada Grey, De Wolf Hopper, Frank Mayo, Robert Mantell and James O'Neill. <P3-S5> Keystone Studios adapted the poem for a 1914" The Face on the Bar Room Floor" starring Charlie Chaplin, and John Ford used it for his film," The Face on the Bar- Room Floor"( 1923). <P3-S6> It was put to song by country music stars Tex Ritter on his 1959" Blood on the Saddle" album and Hank Snow on his 1968" Tales of the Yukon" album. <P3-S7> D'Arcy's byline appeared in a comic book in 1954 when the poem was illustrated by Jack Davis and Basil Wolverton for" Mad"# 10( April 1954). <P3-S8> D' Arcy married the daughter of Philadelphia film mogul Siegmund Lubin and went to work as the publicity manager for his Lubin Studios. <P3-S9> The studio used a story he had written for a 1912 film," Madeline's Christmas". <P3-S10> Hugh Antoine d' Arcy died of bronchitis and chronic heart problems in 1925 in New York City. <SEP> <P4-S0> Take Her, She's Mine is a 1963 American comedy film starring James Stewart and Sandra Dee based on the 1961 Broadway comedy written by Henry Ephron and Phoebe Ephron. <P4-S1> The film was directed by Henry Koster with a screenplay by Nunnally Johnson. <P4-S2> It also features an early film score by prolific composer Jerry Goldsmith. <P4-S3> The character of Mollie, played by Elizabeth Ashley on Broadway and in the film by Sandra Dee, was based on the then 22-year-old Nora Ephron. <P4-S4> Ashley's performance won her a Tony Award for Best Featured Actress in a Play and served as the launchpad for her career. <SEP> <P5-S0> John Ford( February 1, 1894 – August 31, 1973) was an American film director. <P5-S1> He is renowned both for Westerns such as" Stagecoach"( 1939)," The Searchers"( 1956), and" The Man Who Shot Liberty Valance"( 1962), as well as adaptations of classic 20th- century American novels such as the film" The Grapes of Wrath"( 1940). <P5-S2> His four Academy Awards for Best Director( in 1935, 1940, 1941, and 1952) remain a record. <P5-S3> One of the films for which he won the award," How Green Was My Valley", also won Best Picture. <P5-S4> In a career that spanned more than 50 years, Ford directed more than 140 films( although most of his silent films are now lost) and he is widely regarded as one of the most important and influential filmmakers of his generation. <P5-S5> Ford's work was held in high regard by his colleagues, with Orson Welles and Ingmar Bergman among those who have named him one of the greatest directors of all time. <P5-S6> Ford made frequent use of location shooting and long shots, in which his characters were framed against a vast, harsh, and rugged natural terrain.