Question: Do both Free Woman and The Closed Chain films have the directors from the same country?

<P0-S0> Charles K. Gifford is an American banker and businessman. <P0-S1> He is the chairman emeritus of Bank of America having served on its board of directors from 2004 to 2016. <SEP> <P1-S0> Stein began his career in Berlin in 1918 and worked exclusively in the German silent film industry until 1926, when he first went to Hollywood, and spent the next five years commuting between Germany and the U.S., where he worked with stars such as Jeanette MacDonald, Lillian Gish and Constance Bennett. <P1-S1> In 1931, Stein relocated to England after gaining a contract with British International Pictures, where he was assigned a number of big- name prestige productions, including some of the popular operetta films of the mid-1930s. <P1-S2> These included" Blossom Time" and" Heart's Desire" starring his boyhood friend Richard Tauber, who also made cameo appearances in two of his post-war films" Waltz Time" and" Lisbon Story". <P1-S3> For most his career, Stein's credits tended to be films primarily aimed at female audiences, although later he also directed crime and spy thrillers. <P1-S4> Paul Ludwig Stein( 4 February 1892 – 2 May 1951) was an Austrian- born film director with 67 films to his credit. <P1-S5> Stein remained in England for the rest of his life and career, becoming a British citizen in 1938. <SEP> <P2-S0> Free Woman( 자유처녀-" Jayu cheonyeo") is a 1982 South Korean film directed by Kim Ki-young. <SEP> <P3-S0> The film's sets were designed by the art director Jack Winter <P3-S1> The Closed Chain is a 1920 German silent film directed by Paul L. Stein and starring Pola Negri, Aud Egede- Nissen and Carl Ebert. <SEP> <P4-S0> Kim was born in Seoul during the colonial period, raised in Pyongyang, where he became interested in theater and cinema. <P4-S1> During the Korean War, he made propaganda films for the United States Information Service. <P4-S2> Kim <P4-S3> Ki-young's first expression of his mature style was in his" The Housemaid"( 1960), which featured a powerful" femme fatale" character. <P4-S4> It is widely considered to be one of the best Korean films of all time. <P4-S5> Nevertheless, working independently, Kim produced some of his most eccentric cinematic creations in this era. <P4-S6> By the 1980s, Kim's popularity had gone into decline, and his output decreased in the second half of the decade. <P4-S7> Neglected by the mainstream during much of the 1990s, Kim became a cult figure in South Korean film Internet forums in the early 1990s. <P4-S8> He was preparing a comeback film when he and his wife were killed in a house fire in 1998. <P4-S9> The Berlin International Film Festival gave Kim a posthumous retrospective in 1998, and the French Cinémathèque screened 18 of Kim's films, some newly rediscovered and restored, in 2006. <P4-S10> Through the efforts of the Korean Film Council( KOFIC), previously lost films by Kim Ki- young continue to be rediscovered and restored. <P4-S11> ( October 10, 1919 – February 5, 1998) was a South Korean film director, known for his intensely psychosexual and melodramatic horror films, often focusing on the psychology of their female characters. <P4-S12> Many current prominent South Korean filmmakers, including directors Im Sang- soo, Kim Ki-duk, Bong Joon- ho and Park Chan- wook, claim Kim Ki- young as an influence on their careers. <SEP> <P5-S0> There are two parts of the film: the first part and the second part. <P5-S1> Both parts have the same staff and the same actors.