Question: In 2012, how many non-Hispanic Whites lived in the city where the creator of La Grande Vitesse died?

<P0-S0> in 1940, non-hispanic whites constituted 86.8% of the city's population. <P0-S1> the population peaked at more than two million residents in 1950, then began to decline with the restructuring of industry, which led to the loss of many middle-class union jobs. <P0-S2> in addition, suburbanization had been drawing off many of the wealthier residents to outlying railroad commuting towns and newer housing. <P0-S3> revitalization and gentrification of neighborhoods began in the late 1970s and continues into the 21st century, with much of the development in the center city and university city areas of the city. <P0-S4> after many of the old manufacturers and businesses left philadelphia or shut down, the city started attracting service businesses and began to more aggressively market itself as a tourist destination. <P0-S5> glass-and-granite skyscrapers were built in center city. <P0-S6> historic areas such as independence national historical park located in old city and society hill were renovated during the reformist mayoral era of the 1950s through the 1980s. <P0-S7> they are now among the most desirable living areas of center city. <P0-S8> this has slowed the city's 40-year population decline after it lost nearly one-quarter of its population. <SEP> <P1-S0> New York City has the largest European and non-Hispanic white population of any American city. <P1-S1> The European diaspora residing in the city is very diverse. <P1-S2> According to 2012 Census estimates, there were roughly 560,000 Italian Americans, 385,000 Irish Americans, 253,000 German Americans, 223,000 Russian Americans, 201,000 Polish Americans, and 137,000 English Americans. <P1-S3> Additionally, Greek and French Americans numbered 65,000 each, with those of Hungarian descent estimated at 60,000 people. <P1-S4> Ukrainian and Scottish Americans numbered 55,000 and 35,000, respectively. <P1-S5> At 2.7 million in 2012, New York's non-Hispanic white population is larger than the non-Hispanic white populations of Los Angeles (1.1 million), Chicago (865,000), and Houston (550,000) combined. <P1-S6> People identifying ancestry from Spain numbered 30,838 total in 2010. <P1-S7> People of Norwegian and Swedish descent both stood at about 20,000 each, while people of Czech, Lithuanian, Portuguese, Scotch-Irish, and Welsh descent all numbered between 12,000–14,000 people. <P1-S8> Arab Americans number over 160,000 in New York City, with the highest concentration in Brooklyn. <P1-S9> Central Asians, primarily Uzbek Americans, are a rapidly growing segment of the city's non-Hispanic white population, enumerating over 30,000, and including over half of all Central Asian immigrants to the United States, most settling in Queens or Brooklyn. <P1-S10> Albanian Americans are most highly concentrated in the Bronx. <SEP> <P2-S0> theo janssen (born 27 july 1981) is a dutch former footballer who played as a midfielder for various clubs in the netherlands, including vitesse arnhem, twente and ajax, as well as on loan for belgian club genk. <P2-S1> he spent 10 years with vitesse before joining twente in 2008, where he helped them win the eredivisie and qualify for the champions league for the first time in their history. <P2-S2> after being named dutch footballer of the year in 2011, he played a season with ajax, before returning to vitesse in august 2012. <SEP> <P3-S0> It is one of Calder's earliest hanging mobiles and "the first to reveal the basic characteristics of the genre that launched his enormous international reputation and popularity." <P3-S1> Lobster Trap and Fish Tail, a mobile by American artist Alexander Calder, is located at the Museum of Modern Art in New York City, New York, United States. <SEP> <P4-S0> La Grande Vitesse, a public sculpture by American artist Alexander Calder, is located on the large concrete plaza surrounding City Hall and the Kent County Building in Grand Rapids, Michigan, United States. <P4-S1> Popularly referred to as simply "the Calder", since its installation in 1969 it has come to be a symbol of Grand Rapids, and an abstraction of it is included in the city's official logo.