Question: Adriana Lecouvreur and La bohème are both what type of opera performance?

<P0-S0>  The world premiere performance of "La bohème" was in Turin on 1 February 1896 at the Teatro Regio, conducted by the young Arturo Toscanini; its U.S. premiere took place the following year, 1897, in Los Angeles. <P0-S1>  Since then, "La bohème" has become part of the standard Italian opera repertory and is one of the most frequently performed operas worldwide. <P0-S2> La bohème (] , ] ) is an opera in four acts, composed by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa, based on "Scènes de la vie de bohème" by Henri Murger. <SEP> <P1-S0> La Vie de Bohème is a studio album released by jazz pianist Dave Burrell. <P1-S1>  The album is Burrell's take on the operatic adaptation of La Vie de Bohème by Giacomo Puccini, titled "La bohème". <P1-S2>  The album has been called "a fine example of the similarities between the free jazz and classical worlds." <P1-S3>  Though this is not a straight performance of the opera, each of the acts are represented with "a great deal of improvisation." <SEP> <P2-S0> Loretta Di Franco is an American operatic soprano who is chiefly known for her more than 900 performances at the Metropolitan Opera from 1961-1995. <P2-S1>  Originally a member of the Met's opera chorus, she eventually was promoted to singing small comprimario roles beginning with one of the pages in Wagner's "Tannhäuser" and the peasant girl in "The Marriage of Figaro" in 1961. <P2-S2>  She went on to win the Metropolitan Opera National Council Auditions in 1965 which led to her first substantial role, Chloe in "The Queen of Spades". <P2-S3>  She continued to appear annually at the Met for the next 30 years, performing both leading and supporting roles. <P2-S4>  Some of the parts she performed at the Met included Annina in "La traviata", both the Aunt and Barena in Janáček's "Jenůfa", Barbarina and Marcellina in "The Marriage of Figaro", Berta in "The Barber of Seville", Countess Ceprano in "Rigoletto", the Dew Fairy and the Sandman in "Hansel and Gretel", Feklusa in "Káťa Kabanová", the First Lady in "The Magic Flute", the Flower Seller in Britten's "Death in Venice", Frasquita in "Carmen", Gerhilde in "Die Walküre", Giannetta in "L'elisir d'amore", Helen in "Mourning Becomes Electra", Ines in "Il trovatore", Jouvenot in "Adriana Lecouvreur", Kate Pinkerton in "Madama Butterfly", Laura in "Luisa Miller", Lauretta in "Gianni Schichi", Lisa in "La sonnambula", Marianne in "Der Rosenkavalier", Marthe in "Faust", Musetta in "La bohème", Oscar in "Un ballo in maschera", Samaritana in "Francesca da Rimini", Woglinde in both "Das Rheingold" and "Götterdämmerung", Xenia in "Boris Godunov", Zerlina in "Don Giovanni", and title role in "Lucia di Lammermoor". <P2-S5>  In 1991 she created the role of the Woman with Child in the world premiere of John Corigliano's "The Ghosts of Versailles". <SEP> <P3-S0>  It was first performed on 6 November 1902 at the Teatro Lirico in Milan. <P3-S1> Adriana Lecouvreur is an opera in four acts by Francesco Cilea to an Italian libretto by Arturo Colautti, based on the 1849 play "Adrienne Lecouvreur" by Eugène Scribe and Ernest Legouvé.