Question: Do both When Harry Met Sally... and Toute Une Nuit films have the directors from the same country?

<P0-S0> Gloria Gresham( born 1946?) is an American costume designer whose career began in 1980. <P0-S1> She is perhaps best known for her work on" AvalonA Few Good Men" and" When Harry Met Sally ...". <P0-S2> She was nominated at the 63rd Academy Awards for Best Costumes for her work in the film" Avalon". <SEP> <P1-S0> As an actor, Reiner first came to national prominence with the role of Michael Stivic on" All in the Family"( 1971 – 1979), a role that earned him two Emmy Awards during the 1970s. <P1-S1> Robert Reiner( born March 6, 1947) is an American actor and filmmaker. <P1-S2> As a director, Reiner was recognized by the Directors Guild of America( DGA) with nominations for the coming of age drama film" Stand by Me"( 1986), the romantic comedy" When Harry Met Sally ..."( 1989), and the military courtroom drama" A Few Good Men"( 1992). <P1-S3> He also directed the psychological horror- thriller" Misery"( 1990), the romantic comedy fantasy adventure" The Princess Bride"( 1987), and the heavy metal mockumentary" This Is Spinal Tap"( 1984). <SEP> <P2-S0> Toute une nuit( also known as" A Whole Night" and" All Night Long") is a 1982 Belgian- French drama film written and directed by Chantal Akerman. <P2-S1> To celebrate the 30th anniversary of the Teddy Awards, the film was selected to be shown at the 66th Berlin International Film Festival in February 2016. <SEP> <P3-S0> It stars Billy Crystal as Harry and Meg Ryan as Sally. <P3-S1> The story follows the title characters from the time they meet just before sharing a cross-country drive, through twelve years of chance encounters in New York City. <P3-S2> The film raises the question" Can men and women ever just be friends?" and advances many ideas about relationships that became household concepts, such as" high- maintenance" and the" transitional person". <P3-S3> The origins of the film were derived from Reiner's return to single life after a divorce. <P3-S4> An interview Ephron conducted with Reiner provided the basis for Harry. <P3-S5> Sally was based on Ephron and some of her friends. <P3-S6> Crystal came on board and made his own contributions to the screenplay, making Harry funnier. <P3-S7> Ephron supplied the structure of the film with much of the dialogue based on the real- life friendship between Reiner and Crystal. <P3-S8> The soundtrack consists of standards performed by Harry Connick Jr., with a big band and orchestra arranged by Marc Shaiman. <P3-S9> For his work on the soundtrack, Connick won his first Grammy Award for Best Jazz Male Vocal Performance. <P3-S10> When Harry Met Sally ... is a 1989 American romantic comedy film written by Nora Ephron and directed by Rob Reiner. <P3-S11> Columbia Pictures released" When Harry Met Sally ..." in select cities, letting word of mouth generate interest, before gradually expanding distribution. <P3-S12> The film is ranked 23rd on AFI's 100 Years ... <P3-S13> 100 Laughs list of the top comedy films in American cinema and number 60 on Bravo's" 100 Funniest Movies". <P3-S14> In early 2004, the film was adapted for the stage in a production starring Luke Perry and Alyson Hannigan. <SEP> <P4-S0> Dumb and Dumberer: When Harry Met Lloyd is a 2003 American comedy film. <P4-S1> It is the second film in the" Dumb and Dumber" film series and a prequel to the 1994 film" Dumb and Dumber". <P4-S2> The film was directed by Troy Miller and based on the characters created by the Farrelly brothers from the original film. <P4-S3> The film was poorly received by critics; however, it was a modest domestic box office success considering its budget, taking in just under$ 40 million. <P4-S4> The subtitle is inspired by the film" When Harry Met Sally ...". <SEP> <P5-S0> She is best known for" Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles"( 1975), which was dubbed a" masterpiece" by" The New York Times". <P5-S1> Chantal Anne Akerman( 6 June 19505 October 2015) was a Belgian film director, screenwriter, artist, and film professor at the City College of New York. <P5-S2> According to film scholar Gwendolyn Audrey Foster, Akerman's influence on feminist filmmaking and avant- garde cinema has been substantial.