Question: Which of the following is an opera that premiered in 1954 in Venice: The Turn of the Screw or Jenůfa?

<P0-S0>  It was first performed at the Brno Theater, Brno, 21 January 1904. <P0-S1> Jenůfa    (Její pastorkyňa, "Her Stepdaughter" in Czech) is an opera in three acts by Leoš Janáček to a Czech libretto by the composer, based on the play "Její pastorkyňa" by Gabriela Preissová. <P0-S2>  It was written between 1896 and 1902, and counts among the first operas written in prose. <SEP> <P1-S0> Didone abbandonata ("Dido Abandoned") was an opera in three acts composed by Tomaso Albinoni. <P1-S1>  Albinoni's music (now lost) was set to Pietro Metastasio's libretto, "Didone abbandonata", which was in turn based on the story of Dido and Aeneas from the fourth book of Virgil's "Aeneid". <P1-S2>  The opera premiered on 26 December 1724 at the Teatro San Cassiano in Venice and was the first time that an opera based on a Metastasio libretto was performed in Venice. <SEP> <P2-S0>  The libretto is based on the novella "The Turn of the Screw" by Henry James. <P2-S1>  The opera was commissioned by the Venice Biennale and given its world premiere on 14 September 1954, at the Teatro La Fenice, Venice. <P2-S2>  The original recording was made during that year, with the composer conducting. <P2-S3> The Turn of the Screw is a 20th-century English chamber opera composed by Benjamin Britten with a libretto by Myfanwy Piper, "wife of the artist John Piper, who had been a friend of the composer since 1935 and had provided designs for several of the operas". <SEP> <P3-S0> Loretta Di Franco is an American operatic soprano who is chiefly known for her more than 900 performances at the Metropolitan Opera from 1961-1995. <P3-S1>  Originally a member of the Met's opera chorus, she eventually was promoted to singing small comprimario roles beginning with one of the pages in Wagner's "Tannhäuser" and the peasant girl in "The Marriage of Figaro" in 1961. <P3-S2>  She went on to win the Metropolitan Opera National Council Auditions in 1965 which led to her first substantial role, Chloe in "The Queen of Spades". <P3-S3>  She continued to appear annually at the Met for the next 30 years, performing both leading and supporting roles. <P3-S4>  Some of the parts she performed at the Met included Annina in "La traviata", both the Aunt and Barena in Janáček's "Jenůfa", Barbarina and Marcellina in "The Marriage of Figaro", Berta in "The Barber of Seville", Countess Ceprano in "Rigoletto", the Dew Fairy and the Sandman in "Hansel and Gretel", Feklusa in "Káťa Kabanová", the First Lady in "The Magic Flute", the Flower Seller in Britten's "Death in Venice", Frasquita in "Carmen", Gerhilde in "Die Walküre", Giannetta in "L'elisir d'amore", Helen in "Mourning Becomes Electra", Ines in "Il trovatore", Jouvenot in "Adriana Lecouvreur", Kate Pinkerton in "Madama Butterfly", Laura in "Luisa Miller", Lauretta in "Gianni Schichi", Lisa in "La sonnambula", Marianne in "Der Rosenkavalier", Marthe in "Faust", Musetta in "La bohème", Oscar in "Un ballo in maschera", Samaritana in "Francesca da Rimini", Woglinde in both "Das Rheingold" and "Götterdämmerung", Xenia in "Boris Godunov", Zerlina in "Don Giovanni", and title role in "Lucia di Lammermoor". <P3-S5>  In 1991 she created the role of the Woman with Child in the world premiere of John Corigliano's "The Ghosts of Versailles".