Question: Do both films, Is Your Daughter Safe? and Cose Da Pazzi, have the directors who are from the same country?

<P0-S0> Henry Roquemore( March 13, 1886 – June 30, 1943) was an American character actor who primarily played bit parts. <P0-S1> He appeared in 229 silent and sound films from 1927 until 1943. <P0-S2> Many of his roles were uncredited parts in Western movies, but he also appeared in major films including" Meet John Doe The Little Foxes The Magnificent Ambersons", and the Marx Brothers film" Yours for the Asking". <P0-S3> He was sometimes credited as Henry Rocquemore. <P0-S4> Roquemore began his career in entertainment by staging local talent shows, for clubs in his hometown of Marshall, Texas. <P0-S5> His first role in Hollywood was" the Beast" in the 1927 silent film" Is Your Daughter Safe?" and his last was in 1943's" Girl Crazy". <P0-S6> After the making of first sound film in 1927, he specialized in his" fat man" roles and was widely sought out by directors, such as Frank Capra and Orson Welles for bit parts; exemplified by" the Match King" one of Mae West's suitors in 1935's" Goin' to Town". <P0-S7> His more famous roles include;" Jouett Goforth" in 1931's" Cimarron" and in 1941's" Woman of the Year" as the Justice of the Peace who married Katharine Hepburn and Spencer Tracy. <P0-S8> He was married to fellow character actress Fern Emmett, and they may have met while making" Texas Terror" in 1935. <P0-S9> Henry Roquemore died from a heart attack in 1943 and was interred in the Forest Lawn Memorial Park Cemetery in Glendale, California. <SEP> <P1-S0> Georg Wilhelm Pabst( 25 August 1885 – 29 May 1967) was an Austrian film director and screenwriter. <P1-S1> He started as an actor and theater director, before becoming one of the most influential German- language filmmakers during the Weimar Republic. <SEP> <P2-S0> Written by Max Abramson, it was originally released in 1927 and presented around the United States in the following years. <P2-S1> Is Your Daughter Safe?, also known as The Octopus, was an early silent exploitation film produced and directed by S. S. Millard. <SEP> <P3-S0> Stolen Identity is a 1953 Austrian film directed by Gunther von Fritsch and starring Donald Buka, Joan Camden and Francis Lederer. <P3-S1> The film is the English- language version of the film( 1952), directed by Emil- Edwin Reinert, starring Gustav Fröhlich and Cornell Borchers. <P3-S2> Besides the two leading roles the cast of both films is essentially the same. <SEP> <P4-S0> Crazy Affairs is a 1954 Italian comedy film directed by Georg Wilhelm Pabst. <SEP> <P5-S0> Sam S. Millard( also known as Elid Stanch) was a filmmaker of the 1920s through the 1950s and 1960s. <P5-S1> Millard's actual date and place of birth is unknown, but it is believed he is of Romanian descent, and was once able to pass off as Romanian nobility to a former Romanian queen. <P5-S2> While a financially successful individual, he often gave an appearance of a man who struggled to make ends meet. <P5-S3> He gained a reputation for huckstering and making every last dollar he could from his distributors and film buyers, which gained him both respect and resentment from his peers. <P5-S4> Millard mainly dealt in what would now be called exploitation filmmaking. <P5-S5> In one of Millard's most noteworthy presentations, Millard was forced to retitle his film" Is Your Daughter Safe?" to" The Octopus" in order to meet the demands of San Diego city officials who found the title objectionable. <P5-S6> Millard spent his professional career producing and presenting these films around the United States. <P5-S7> ( It is believed that nearly all of Millard's films were compilations of this type.) <P5-S8> The MPPDA, surprised at the lack of a condemnation, was eventually successful in gaining the condemnations from various women's groups and succeeded in withdrawing the film from a number of theaters in the northwestern United States, paving the way for further challenges to the genre. <P5-S9> Another story, which was passed along by Friedman, involved Millard shamelessly tricking fellow exploiter Isadore Lazarus into paying Millard$ 2500 for an unproduced print, and then charging nearly an extra thousand for the finished product. <P5-S10> Millard spent time in San Quentin State Prison, and also had a felony incarceration in Detroit, Michigan in the 1920s, as reported in" Variety" in 1927 and 1928. <P5-S11> The magazine, which was traditionally hostile against the exploitation circuit at the time, used the felony stories as well as the revealing of Millard's real name as evidence against him and his productions. <P5-S12> Millard's son, Nick, is also a director, having produced a number of B-movies during the 1960s, 1970s, and 1980s.