Question: Do both films Inheritance (2006 film) and The Magnificent Fraud have the directors from the same country?

<P0-S0> Inheritance is a 2006 documentary film about , also known as Monika Christiane Knauss, the daughter of and Amon Göth, commandant of the Płaszów concentration camp. <P0-S1> Monika Hertwig was 10 months old when her father was hanged in 1946 for war crimes, crimes against humanity and genocide. <P0-S2> The film was produced for PBS by James Moll, film director, documentary producer and the Founding Executive Director of the USC Shoah Foundation Institute focusing on testimonies of the Holocaust survivors. <P0-S3> She discovered the truth about him only as a young adult, because her own mother told her in childhood that he was a good man and a war hero. <P0-S4> The film centers around her meeting a Holocaust survivor, Helen Jonas-Rosenzweig, who was interned at Płaszów and personally knew Göth. <P0-S5> In 2009, "Inheritance" was nominated by the National Academy of Television Arts and Sciences and received an Emmy Award in the category of Outstanding Interview. <SEP> <P1-S0> Moon over Parador is a 1988 American romantic comedy film, starring Richard Dreyfuss, Raúl Juliá and Sonia Braga. <P1-S1> It is a remake of the 1939 film" The Magnificent Fraud", based on the unpublished short story entitled" Caviar for His Excellency" by Charles G. Booth. <SEP> <P2-S0> The Magnificent Fraud is a 1939 American crime film directed by Robert Florey and starring Akim Tamiroff, Lloyd Nolan, Mary Boland and Patricia Morison. <SEP> <P3-S0> Charles Gordon Booth (February 12, 1896 – May 22, 1949) was a British-born writer who settled in America and wrote several classic Hollywood stories, including "The General Died at Dawn" (1936) and "Sundown" (1941). <P3-S1> He won an Academy Award for Best Story for "The House on 92nd Street" in 1945, a thinly disguised version of the FBI "Duquesne Spy Ring saga", which led to the largest espionage conviction in the history of the United States. <P3-S2> He also penned the short story "Caviar for His Excellency" which was the basis for the play "The Magnificent Fraud" and was the basis for Paul Mazursky's 1988 film "Moon Over Parador".
Source: <SEP> <P4-S0> Born as Robert Fuchs in Paris, he became an orphan at an early age and was then raised in Switzerland. <P4-S1> In 1920 he worked at first as a film journalist, then as an assistant and extra in featurettes from Louis Feuillade. <P4-S2> Robert Florey( 14 September 1900 – 16 May 1979) was a French- American director, screenwriter, film journalist and actor. <P4-S3> Florey moved to the United States in 1921. <P4-S4> As a director, Florey's most productive decades were the 1930s and 1940s, working on relatively low- budget fillers for Paramount and Warner Brothers. <P4-S5> His reputation is balanced between his avant- garde expressionist style, most evident in his early career, and his work as a fast, reliable studio- system director called on to finish troubled projects, such as 1939's" Hotel Imperial". <P4-S6> He directed more than 50 movies. <P4-S7> His most popular film is likely the first Marx Brothers feature" The Cocoanuts" of 1929, and his 1932 foray into Universal- style horror," Murders in the Rue Morgue" is regarded by horror fans as highly reflective of German expressionism. <P4-S8> In 2006, as his 1937 film" Daughter of Shanghai" was selected for preservation in the United States National Film Registry by the Library of Congress, Florey was called" widely acclaimed as the best director working in major studio B-films". <SEP> <P5-S0> His documentary work has earned him an Academy Award, two Emmys, and a Grammy. <P5-S1> James Moll is an American director and producer of film documentaries and television documentaries. <P5-S2> Moll's production company, Allentown Productions Inc., has been based at Universal Studios since 1994, primarily producing film and television projects focused on stories of non-fiction. <P5-S3> Moll serves on the Executive Committee of the Documentary Branch of the Academy of Motion Picture Arts and Sciences, and serves as a chair of the Documentary Award for the Directors Guild of America. <P5-S4> Moll graduated from the USC School of Cinematic Arts in 1987. <P5-S5> He began his professional career as an intern reading scripts for film producer Lauren Shuler Donner, who later hired him as an assistant to French writer- director Francis Veber for Veber's American remake of Les Fugitifs(" Three Fugitives").