Question: Do both films, Miss Beatty's Children and The Thirteenth Chair (1919 film), have the directors who are from the same country?

<P0-S0> The Thirteenth Chair is a 1929 American pre-Code mystery film directed by Tod Browning. <P0-S1> The picture is based on a 1916 play of the same name by Bayard Veiller. <P0-S2> It stars Conrad Nagel, Leila Hyams and Margaret Wycherly. <P0-S3> The supporting cast features Bela Lugosi, whom Browning would direct as" Dracula" two years later. <P0-S4> The film was one of many released in both a sound film and a silent film version. <P0-S5> TCM aired the sound version on August 22, 2019. <P0-S6> An earlier version of the film, starring Creighton Hale, was made in 1919 by ACME/ Pathe Exchange, directed by Leonce Perret. <P0-S7> In 1937, the film was again remade by MGM, entitled" The Thirteenth Chair", starring Elissa Landi and Dame May Whitty. <SEP> <P1-S0> Pamela Rooks (1958 – 1 October 2010) was an Indian film director and screenwriter, most known for the film, "Train to Pakistan" (1998) set in Partition of India and based on Khushwant Singh's novel; it was screened at several international film festivals. <P1-S1> Apart from that accomplishment she also made award-winning films like, "Miss Beatty's Children" (1992) and "Dance Like a Man" (2003) and several documentaries. <SEP> <P2-S0> It was based on a play of the same name by Bayard Veiller. <P2-S1> The Thirteenth Chair is a 1919 American silent mystery film directed by Léonce Perret and starring Yvonne Delva, Creighton Hale and Marie Shotwell. <P2-S2> Subsequent film adaptations were made in 1929 as" The Thirteenth Chair" and 1937 again under the same title. <SEP> <P3-S0> Matt Corboy( born June 4, 1973) is an American actor. <P3-S1> He has appeared in both films and television series. <SEP> <P4-S0> The film set in 1936 in South India, was based on Pamela Rooks own novel by the same name. <P4-S1> Miss Beatty's Children is a 1992 English- language Indian drama film directed by Pamela Rooks in a directorial debut, with Jenny Seagrove, Faith Brook and Protima Bedi in lead roles. <P4-S2> At the 40th National Film Awards, the film won the award for Best Debut Film of a Director and the Best Cinematography. <SEP> <P5-S0> He also worked as a stage actor and director. <P5-S1> Often described as avant-garde for his unorthodox directing methods, Léonce Perret introduced innovative camera, lighting and film scoring techniques to French cinema. <P5-S2> Léonce Perret began his career as a relatively undistinguished stage actor. <P5-S3> He was recruited to the film industry by the Gaumont Film Company. <P5-S4> Léonce Joseph Perret (14 March 1880 – 12 August 1935) was a prolific and innovative French film actor, director and producer. <P5-S5> His numerous short films gained significant accolade in French cinematography. <P5-S6> Until his emigration to the United States in 1917, he was a fixture of the Gaumont Film Company. <P5-S7> On American soil, he produced several popular films, the most notable being "Lest We ForgetN'oublions jamais") in 1918. <P5-S8> After returning to France, he directed the successful "Koenigsmark" in 1923. <P5-S9> His film "Madame Sans-Gêne" (1925), starring Gloria Swanson, was the first joint Franco-American film production. <P5-S10> In addition, Léonce Perret collaborated with many of the French and American idols of his generation such as Abel Gance, Gloria Swanson, Gaby Morlay, René Cresté, Arletty, Suzanne Grandais, Mae Murray, and Huguette Duflos.