Question: Are the directors of both films Ex-Lady and Murder In The First (Film) from the same country?

<P0-S0> Marc Rocco( June 19, 1962 – May 1, 2009) was an American film director, film producer and screenwriter. <P0-S1> Rocco was born Marc Daniel King in North Hollywood, Los Angeles, to Harvey King and Sandra Elaine Garrett( 1942–2002). <P0-S2> Garrett married actor Alex Rocco in 1964, who adopted Marc. <P0-S3> He directed several films, including" Dream a Little Dream Where the Day Takes You" and" Murder in the First". <SEP> <P1-S0> Murder in the First is a 1995 American legal drama film, directed by Marc Rocco, about a petty criminal named Henri Young( portrayed by Kevin Bacon) who is put on trial for murder in the first degree. <P1-S1> The film also stars Christian Slater and Gary Oldman. <SEP> <P2-S0> Murder in Soho is a 1939 British crime film directed by Norman Lee and starring Jack La Rue, Sandra Storme, Googie Withers and Bernard Lee. <P2-S1> It concerns a murder in the Central London district of Soho. <P2-S2> The film was released in the U.S. as Murder in the Night. <SEP> <P3-S0> This is the first film of the" Kerberos saga". <SEP> <P4-S0> The screenplay by David Boehm is a remake of the Barbara Stanwyck film "Illicit (1931)," both crediting a story (actually a play) by Edith Fitzgerald and Robert Riskin. <P4-S1> The film focuses on a pair of lovers, commercial illustrator Helen Bauer (Bette Davis) and advertising writer Don Peterson (Gene Raymond), who have been living together quite happily (in separate apartments) for some time. <P4-S2> Ex-Lady is a 1933 American pre-Code comedy/drama film directed by Robert Florey. <P4-S3> One night, after hiding in Helen’s bedroom until their party guests have all left, Don announces that he is tired of sneaking around. <P4-S4> He wants marriage—and possibly children—and Helen finally agrees, although she is afraid that it will wreck their relationship. <P4-S5> Her predictions of trouble—increased by the stresses of opening their own advertising agency—come true, but in the end, with the serendipitous intervention of their perpetually inebriated friend, Van (Frank McHugh), they reconcile and resume the mixed blessings of wedded bliss. <SEP> <P5-S0> Born as Robert Fuchs in Paris, he became an orphan at an early age and was then raised in Switzerland. <P5-S1> In 1920 he worked at first as a film journalist, then as an assistant and extra in featurettes from Louis Feuillade. <P5-S2> Robert Florey( 14 September 1900 – 16 May 1979) was a French- American director, screenwriter, film journalist and actor. <P5-S3> Florey moved to the United States in 1921. <P5-S4> As a director, Florey's most productive decades were the 1930s and 1940s, working on relatively low- budget fillers for Paramount and Warner Brothers. <P5-S5> His reputation is balanced between his avant- garde expressionist style, most evident in his early career, and his work as a fast, reliable studio- system director called on to finish troubled projects, such as 1939's" Hotel Imperial". <P5-S6> He directed more than 50 movies. <P5-S7> His most popular film is likely the first Marx Brothers feature" The Cocoanuts" of 1929, and his 1932 foray into Universal- style horror," Murders in the Rue Morgue" is regarded by horror fans as highly reflective of German expressionism. <P5-S8> In 2006, as his 1937 film" Daughter of Shanghai" was selected for preservation in the United States National Film Registry by the Library of Congress, Florey was called" widely acclaimed as the best director working in major studio B-films".