Question: Who was the music in the show Anna Louizos did on Broadway?

<P0-S0> Rodgers + Hammerstein's Cinderella is a musical in two acts with music by Richard Rodgers, lyrics by Oscar Hammerstein II and a book by Douglas Carter Beane based partly on Hammerstein's 1957 book. <P0-S1>  The story is based upon the fairy tale "Cinderella", particularly the French version "Cendrillon, ou la Petite Pantoufle de Verre", by Charles Perrault. <P0-S2>  The story concerns a young woman forced into a life of servitude by her cruel stepmother, who dreams of a better life. <P0-S3>  With the help of her Fairy Godmother, Cinderella is transformed into an elegant young lady and is able to attend the ball to meet her Prince, but, in this version, she must open the Prince's eyes to the injustice in his kingdom. <SEP> <P1-S0>  She is known for her Tony Award-nominated sets for the musicals "In the Heights" and "High Fidelity", as well as the London, Broadway, Las Vegas, and touring productions of "Avenue Q". <P1-S1> Anna Louizos (born June 24, 1957) is an American scenic designer and art director. <P1-S2>  Louizos was represented on Broadway with "Cinderella" at the Broadway Theatre in 2013-15. <SEP> <P2-S0> "Shall We Dance?" <P2-S1>  is a show tune from the 1951 Rodgers and Hammerstein musical, "The King and I". <P2-S2>  It is sung by Anna Leonowens and the King of Siam, played by Gertrude Lawrence (in the original Broadway production) and Yul Brynner respectively. <P2-S3>  In addition, it was sung by Valerie Hobson in the original London West End production, and Marni Nixon (who only voiced-over songs while Deborah Kerr acted) in the 1956 film of "The King and I". <P2-S4>  The song is about Anna reminiscing over the idea of finding love at an English dance. <P2-S5>  The song comes about after a conflict of love's meaning between Anna and the King; the King believes that love is a "silly complication of a pleasant simplicity" and a "fairy tale" while Anna believes that love is real and is natural. <P2-S6>  They sing the song "The Song of the King" which expresses predominantly the viewpoint of the King. <P2-S7>  After the song, Anna is trying to explain the idea of love in a simple way to the King and becomes caught up in her own experience of love at first sight which is told in the song "Shall We Dance?" <P2-S8> . <SEP> <P3-S0> Howard Marsh (1888 - 1969) was a leading Broadway tenor of the 1920s. <P3-S1>  He created the role of Baron Franz Schober (not Franz Schubert) in Sigmund Romberg's operetta drawn from Schubert's life and music, "Blossom Time", in 1921, and that of Prince Karl Franz in the original 1924 production of Sigmund Romberg's operetta "The Student Prince". <P3-S2>  Marsh also played Gaylord Ravenal in the original 1927 Broadway production of Jerome Kern and Oscar Hammerstein II's "Show Boat". <P3-S3>  He played Ravenal only in the original production of "Show Boat", not in any of the revivals, and never appeared in films or on television. <P3-S4>  Despite appearing in three musical theatre smash hits over a span of seven years, Marsh made his last appearance in a new show in 1930, "The Well of Romance", opposite his "Show Boat" co-star, Norma Terris. <P3-S5>  After that, he appeared in major roles on Broadway in 1930's revivals of some Gilbert and Sullivan operettas. <P3-S6>  He made no recordings of the songs that he sang either in "The Student Prince" or "Show Boat", but he did record some of those Gilbert and Sullivan selections. <P3-S7>  None of his recordings has appeared on CD as yet. <P3-S8>  Marsh was born August 16, 1888 in Bluffton, Indiana.