Question: Are both director of film Thread Routes and director of film Karz (Film) from the same country?

<P0-S0> Brian Johnson( born 1939 or 1940) is a British designer and director of film and television special effects. <SEP> <P1-S0> Karz(" The debt") is a 1980 Indian Hindi- language thriller film, directed by Subhash Ghai, starring Rishi Kapoor and Tina Munim as leads, also starring Simi Garewal, in the critically acclaimed role of Kamini Verma, the murderous wife from the past life, which won her a Filmfare nomination. <P1-S1> The film's music was by Laxmikant- Pyarelal, giving successful numbers like" Dard- E- Dil" and" Om Shanti Om"( which samples the eponymous song by Lord Shorty), and they went on to win Filmfare Best Music Director Award for this film, the lyricist received two Filmfare nominations for these two hits. <SEP> <P2-S0> Subhash Ghai( born 24 January 1945) is an Indian film director, producer and screenwriter, known for his works predominantly in Hindi cinema. <P2-S1> His most notable works include' Kalicharan'( 1976),' Vishwanath'( 1978)," Maeri"( 1976)," Karz"( 1980)," Hero"( 1983)," Meri Jung"( 1985)," Karma"( 1986)," Ram Lakhan"( 1989)," Saudagar"( 1991)," Khalnayak"( 1993)," Pardes"( 1997)," Taal"( 1999), and Black& White( 2008). <P2-S2> In 1982, he started Mukta Arts Private Limited which, in 2000, became a public company, with Subhash Ghai as its executive chairman. <P2-S3> In 2006, he received the National Film Award, for producing the social problem film" Iqbal", in the same year he founded the Whistling Woods International film and media institution in Mumbai. <P2-S4> In 2015, he received the IIFA Award for outstanding contribution to Indian Cinema. <SEP> <P3-S0> Ian Barry is an Australian director of film and TV. <SEP> <P4-S0> Divided into six chapters," Thread Routes" takes place in six different cultural zones around the world. <P4-S1> The artist considers her approach to this film as a' visual poem' and a' visual anthropology', in that it juxtaposes and presents structural similarities in performative elements of textile culture with the structures in nature, architecture, agriculture and gender relationships in different cultures. <P4-S2> Thread Routes is a 16 mm film series by artist Kimsooja. <P4-S3> These non-descriptive and unnarrative documentary films were conceived after being inspired in Bruges, Belgium, in 2002, by the performative elements of traditional lace making, and the city's architectural structure. <P4-S4> This piece journeys throughout the country, from the Sacred Valley around Cusco and Machu Picchu to the Taquila Island villages, forming a non-linear timeline of the connection between people and their geographical environment. <P4-S5> Chapter II, which finished filming in the summer of 2011, focused on European lace making actions such as bobbin lace- making from Bruges( Belgium), Lepoglava and Pag( Croatia); industrial lace- making in Calais( France); needle point lace- making by nuns in a monastery in Hvar( Croatia) who use threads from dry aloe leaves; and traditional needlepoint on the small island of Burano( Italy). <P4-S6> These scenes are set against representative European architecture such as the Duomo in Milan; the Eiffel Tower in Paris; and the Sedlec Ossuary in Kutna Hora( Czech Republic), which is decorated by human bones and skulls. <P4-S7> Local vegetation and flowers overlap with scenes from La Alhambra in Granada( Spain) which, in its detailed and complex decorative Islamic architectural forms, conveys a spatial sensibility and a spiritual dimension that is mirrored in lace- making. <P4-S8> The bold, masculine, and power- oriented monumental architectural forms are revealed as similar acts to the delicate, feminine, and ephemeral textile making. <P4-S9> The third chapter( 2012) journeys to India and studies the traditions of dyeing, sewing, weaving, embroidery, tattoo and woodblock printing; juxtaposing them with the archeological structures and temporary housing structures of the nomadic communities in Gujara, as well as the Step Well and the Sun Temple in Ahmedabad. <P4-S10> In 2014, Kimsooja filmed Chapter IV in China, where she encountered the specific weaving, dyeing and garment culture of the Miao minority in the Guizhou, Hainan and Yunnan provinces. <P4-S11> These are depicted alongside elaborate silver adornment and paper making, as well as the ancient local housing structures in Fujian, the rice terraces of Yunnan and the landscapes of Guizhou and Hainan. <P4-S12> Shot in 2015 in New Mexico, Arizona and Utah," Thread Routes- Chapter V" explores native American textile culture and the landscape inhabited by the various groups visited. <P4-S13> In early 2019 the last chapter was shot in Morocco. <P4-S14> The first three chapters were presented at Guggenheim Bilbao between March and July 2015. <SEP> <P5-S0> Kimsooja( born 1957) is a South Korean, multi-disciplinary conceptual artist based in New York, Paris, and Seoul. <P5-S1> She represented Korea for the 24th São Paulo Biennale in 1998 and the 55th Venice Biennale Korean Pavilion in 2013, and participated in more than 30 international biennials and triennials.