Question: How many inhabited islands are there in the county where the person who paid for Chopin's funeral invited him?

<P0-S0> She clearly had a notion of going beyond mere friendship, and Chopin was obliged to make it clear to her that this could not be so. <P0-S1> He wrote at this time to Grzymała "My Scottish ladies are kind, but such bores", and responding to a rumour about his involvement, answered that he was "closer to the grave than the nuptial bed." <P0-S2> He gave a public concert in Glasgow on 27 September, and another in Edinburgh, at the Hopetoun Rooms on Queen Street (now Erskine House) on 4 October. <P0-S3> In late summer he was invited by Jane Stirling to visit Scotland, where he stayed at Calder House near Edinburgh and at Johnstone Castle in Renfrewshire, both owned by members of Stirling's family. <P0-S4> In late October 1848, while staying at 10 Warriston Crescent in Edinburgh with the Polish physician Adam Łyszczyński, he wrote out his last will and testament—"a kind of disposition to be made of my stuff in the future, if I should drop dead somewhere", he wrote to Grzymała. <SEP> <P1-S0> Chopin's tombstone, featuring the muse of music, Euterpe, weeping over a broken lyre, was designed and sculpted by Clésinger. <P1-S1> The expenses of the funeral and monument, amounting to 5,000 francs, were covered by Jane Stirling, who also paid for the return of the composer's sister Ludwika to Warsaw. <P1-S2> Ludwika took Chopin's heart in an urn, preserved in alcohol, back to Poland in 1850. <P1-S3> [n 9] She also took a collection of two hundred letters from Sand to Chopin; after 1851 these were returned to Sand, who seems to have destroyed them. <SEP> <P2-S0> jones comments that "chopin's unique position as a composer, despite the fact that virtually everything he wrote was for the piano, has rarely been questioned." <P2-S1> he also notes that chopin was fortunate to arrive in paris in 1831—"the artistic environment, the publishers who were willing to print his music, the wealthy and aristocratic who paid what chopin asked for their lessons"—and these factors, as well as his musical genius, also fuelled his contemporary and later reputation. <P2-S2> while his illness and his love-affairs conform to some of the stereotypes of romanticism, the rarity of his public recitals (as opposed to performances at fashionable paris soirées) led arthur hutchings to suggest that "his lack of byronic flamboyance [and] his aristocratic reclusiveness make him exceptional" among his romantic contemporaries, such as liszt and henri herz. <SEP> <P3-S0> Scotland has over 790 offshore islands, most of which are to be found in four main groups: Shetland, Orkney, and the Hebrides, sub-divided into the Inner Hebrides and Outer Hebrides. <P3-S1> Some 94 Scottish islands are permanently inhabited, of which 89 are offshore islands. <P3-S2> There are also clusters of islands in the Firth of Clyde, Firth of Forth, and Solway Firth, and numerous small islands within the many bodies of fresh water in Scotland including Loch Lomond and Loch Maree. <P3-S3> The largest island is Lewis and Harris which extends to 2,179 square kilometres, and there are a further 200 islands which are greater than 40 hectares in area. <P3-S4> Of the remainder, several such as Staffa and the Flannan Isles are well known despite their small size. <P3-S5> Between 2001 and 2011 Scottish island populations as a whole grew by 4% to 103,702. <SEP> <P4-S0> some of chopin's well-known pieces have acquired descriptive titles, such as the revolutionary étude (op. <P4-S1> 10, no. <P4-S2> 12), and the minute waltz (op. <P4-S3> 64, no. <P4-S4> 1). <P4-S5> however, with the exception of his funeral march, the composer never named an instrumental work beyond genre and number, leaving all potential extramusical associations to the listener; the names by which many of his pieces are known were invented by others. <P4-S6> there is no evidence to suggest that the revolutionary étude was written with the failed polish uprising against russia in mind; it merely appeared at that time. <P4-S7> the funeral march, the third movement of his sonata no. <P4-S8> 2 (op. <P4-S9> 35), the one case where he did give a title, was written before the rest of the sonata, but no specific event or death is known to have inspired it.