Question: Do both films, War of the Planets (1966 film) and California Split, have the directors who are from the same country?

<P0-S0> California Split is a 1974 Americam Metrocolor comedy- drama film directed by Robert Altman and starring Elliott Gould and George Segal as a pair of gamblers and was the first non-Cinerama film to use eight- track stereo sound. <SEP> <P1-S0> War of the Planets( is a 1965 Italian science fiction film, produced by Joseph Fryd and Antonio Margheriti, directed by Margheriti, that stars Tony Russel and Lisa Gastoni( Russel's name is misspelled in the opening credits as" Tony Russell"). <P1-S1> The film was released theatrically in 1966 throughout Europe. <P1-S2> Its storyline and screenplay were written by Ivan Reiner and Renato Moretti. <P1-S3> This is the second film in the" Gamma- One" series and follows" Wild, Wild Planet"( a.k.a." I Criminali della GalassiaCriminals of the Galaxy")) and precedes" War Between the Planets"( a.k.a." Il Pianeta ErrantePlanet on the Prowl")) and" Snow Devils"( a.k.a." La Morte Viene dal Pianeta AytinDeath Comes From The Planet Aytin")). <SEP> <P2-S0> Cosmos: War of the Planets is a film directed by Alfonso Brescia and starring John Richardson. <SEP> <P3-S0> A five-time nominee of the Academy Award for Best Director and an enduring figure from the New Hollywood era, Altman was considered a "maverick" in making films with a highly naturalistic but stylized and satirical aesthetic, unlike most Hollywood films. <P3-S1> He is consistently ranked as one of the greatest and most influential filmmakers in American cinema. <P3-S2> His style of filmmaking covered many genres, but usually with a "subversive" twist which typically relied on satire and humor to express his personal views. <P3-S3> Altman developed a reputation for being "anti-Hollywood" and non-conformist in both his themes and directing style. <P3-S4> However, actors especially enjoyed working under his direction because he encouraged them to improvise, thereby inspiring their own creativity. <P3-S5> He preferred large ensemble casts for his films, and developed a multitrack recording technique which produced overlapping dialogue from multiple actors. <P3-S6> This produced a more natural, more dynamic, and more complex experience for the viewer. <P3-S7> He also used highly mobile camera work and zoom lenses to enhance the activity taking place on the screen. <P3-S8> Robert Bernard Altman (February 20, 1925 – November 20, 2006) was an American film director, screenwriter, and producer. <P3-S9> Critic Pauline Kael, writing about his directing style, said that Altman could "make film fireworks out of next to nothing." <P3-S10> In 2006, the Academy of Motion Picture Arts and Sciences recognized Altman's body of work with an Academy Honorary Award. <P3-S11> He never won a competitive Oscar despite seven nominations. <P3-S12> His films "MASH" (1970), "McCabe & Mrs. Miller" (1971), and "Nashville" (1975) have been selected for the United States National Film Registry. <P3-S13> Altman is one of the few filmmakers whose films have won the Golden Bear at Berlin, the Golden Lion at Venice, and the Golden Palm at Cannes. <SEP> <P4-S0> Francis Gouldman(" c." 1607–1688/89) was a Church of England clergyman and lexicographer whose Latin- English dictionary( 1664) went through several editions. <P4-S1> Gouldman was also one of the directors who oversaw the publication of the monumental" Critici sacri", a major collection of Biblical criticism. <SEP> <P5-S0> Margheriti worked in many different genres in the Italian film industry, and was known for his sometimes derivative but often stylish and entertaining science fiction, sword and sandal, horror/ giallo, Eurospy, spaghetti western, Vietnam War and action movies that were released to a wide international audience. <P5-S1> Antonio Margheriti( 19 September 1930 – 4 November 2002), also known under the pseudonyms Anthony M. Dawson and Antony Daisies(" daisies" is" margherite" in Italian), was an Italian filmmaker. <P5-S2> He died in 2002.