Question: Do both films Subway To The Stars and O-Kay For Sound have the directors from the same country?

<P0-S0> During World War II, Egbert White( 1894–1976) had a major role in establishing newspapers for US soldiers that were written and edited by enlisted men, not by the Army top command. <P0-S1> He had served with the Stars and Stripes newspaper during World War I and between the wars worked in advertising. <P0-S2> Within a month after Pearl Harbor, he proposed a magazine by soldiers for soldiers to General Frederick Osborn. <P0-S3> This proposal was accepted, and became Yank magazine. <P0-S4> He accepted a commission as lieutenant colonel. <P0-S5> White was removed from the Yank staff in 1942 by General Osborn and was ordered overseas to serve with the Stars and Stripes newspaper. <P0-S6> He was in charge of the North African/ Mediterranean edition of Stars and Stripes from its beginning in December 1942 to mid 1944. <P0-S7> He insisted that this newspaper too should be for the enlisted men not the high command. <P0-S8> Bill Mauldin began drawing cartoons for the Stars and Stripes while White was in charge of it. <P0-S9> White encouraged Mauldin to accept offers to syndicate his cartoons to US newspapers, and helped Mauldin find a literary agent. <P0-S10> In mid 1944, he was sent home because he wanted to run excerpts from US newspapers about the 1944 Presidential campaign in Stars and Stripes, and the army command forbade this. <SEP> <P1-S0> James Corcoran was an American sound engineer. <P1-S1> He won an Academy Award for Sound Recording and was nominated for three more in the same category. <SEP> <P2-S0> O- Kay for Sound is a 1937 British comedy film directed by Marcel Varnel and starring the Crazy Gang troupe of comedians. <P2-S1> After falling on hard times the members of the Crazy Gang are busking on the streets of London. <P2-S2> However, they are hired as extras on a film set. <P2-S3> After arriving at the studios they are mistaken for a group of potential investors and given free run of the studios, causing chaos. <P2-S4> The film was based on a stage work by Bert Lee and R.P. Weston. <P2-S5> It was made at Islington Studios by Gainsborough Pictures, with sets designed by the art director Alex Vetchinsky. <SEP> <P3-S0> Marcel Varnel( 16 October 1892 – 13 July 1947) was a film director. <P3-S1> Varnel started his working life on the Paris stage, soon becoming a director of musical comedies. <P3-S2> In 1925 he moved to New York City working as director in several Broadway operettas, musicals and dramas for the Shubert family. <P3-S3> This was followed by a move to Hollywood where he directed three low budget thrillers. <P3-S4> In 1934, he moved to England and it was as director of British comedies initially working at British International Pictures, Elstree then in 1936 moving to Gainsborough Pictures where he produced his best films. <P3-S5> Among the performers he worked with were Will Hay, The Crazy Gang, Arthur Askey and George Formby. <P3-S6> He died in a car crash near Rake, West Sussex. <P3-S7> He was born Marcel Hyacinthe le Bozec in Paris, France. <SEP> <P4-S0> Subway to the Stars is a 1987 Brazilian drama film directed by Carlos Diegues. <P4-S1> It was entered into the 1987 Cannes Film Festival. <P4-S2> The film was selected as the Brazilian entry for the Best Foreign Language Film at the 60th Academy Awards, but was not accepted as a nominee. <SEP> <P5-S0> He was born in Maceió, Alagoas, and is best known as a member of the Cinema Novo movement. <P5-S1> He is popularly known for his unconventional, yet intriguing film techniques among other film producers of the Cinema Novo movement. <P5-S2> He incorporated many musical acts in his film as he favored musical pieces to be complementary of his ideas. <P5-S3> Diegues remains very popular and is regarded one the most cinematic producers of his generation. <P5-S4> Of the Cinema Novo directors, he would go on to produce films, plays, musicals and other forms of entertainment in Brazil. <P5-S5> Films such as" Bye Bye Brazil" were two million dollar projects and later on films such as" God is Brazilian" would be over 10 million dollars. <P5-S6> This was a new era in Brazil as domestic directors had yet to produce any films with that kind of financial support. <P5-S7> He admits to using Brazilians in his films as much as he can. <P5-S8> Carlos Diegues, also known as Cacá Diegues( born May 19, 1940), is a Brazilian film director. <P5-S9> Diegues would use extras, film technicians, painters, sculptors and other essential personnel of Brazilian backgrounds even if they were inexperienced. <P5-S10> He suggests that history is written by the winners and the afro-Brazilian communities were not among those who were given a chance to write their own history. <P5-S11> He is known for distinguished publications that uplift the Afro-Brazilian spirit and bodies. <P5-S12> In 2018, Diegues was elected to the Brazilian Academy of Letters.