Question: Are both director of film Happy-Go-Lucky (2008 Film) and director of film The Double Event (1911 Film) from the same country?

<P0-S0> Hanro Smitsman, born in 1967 in Breda( Netherlands), is a writer and director of film and television. <SEP> <P1-S0> Brian Johnson( born 1939 or 1940) is a British designer and director of film and television special effects. <SEP> <P2-S0> William Joseph Lincoln (1870 – August 18, 1917) was an Australian playwright, theatre manager, film director and screenwriter in the silent era. <P2-S1> He produced, directed and/or wrote 23 films between 1911 and 1916. <P2-S2> Film historians Graham Shirley and Brian Adams wrote that Lincoln's films "were more like stage tableaux than films. <P2-S3> However, with the right ingredients at their disposal the best of Lincoln's early productions were well-received". <SEP> <P3-S0> The screenplay focuses on a cheerful and optimistic primary school teacher and her relationships with those around her. <P3-S1> The film was well received by critics and resulted in a number of awards for Mike Leigh's direction and screenplay and lead actress Sally Hawkins's performance. <P3-S2> Happy- Go-Lucky is a 2008 British comedy- drama film written and directed by Mike Leigh. <SEP> <P4-S0> The Double Event is a 1911 Australian feature- length film directed by W. J. Lincoln based on the first novel by Nat Gould, which had been adapted several times for the stage, notably by Bland Holt. <P4-S1> It is considered a lost film. <SEP> <P5-S0> Mike Leigh( born 20 February 1943) is an English writer and director of film and theatre. <P5-S1> He studied at the Royal Academy of Dramatic Art( RADA), East 15 Acting School and further at the Camberwell School of Art, the Central School of Art and Design and London Film School. <P5-S2> He began as a theatre director and playwright in the mid-1960s. <P5-S3> His films and stage plays, according to critic Michael Coveney," comprise a distinctive, homogenous body of work which stands comparison with anyone's in the British theatre and cinema over the same period." <P5-S4> His well- known films include the comedy- dramas" Life Is Sweet"( 1990) and" Career Girls"( 1997), the Gilbert and Sullivan biographical film" Topsy- Turvy"( 1999) and the bleak working- class drama" All or Nothing"( 2002). <P5-S5> His stage plays include" Smelling A RatIt's A Great Big ShameGreek TragedyGoose- PimplesEcstasy" and" Abigail's Party". <P5-S6> Leigh is known for his lengthy rehearsal and improvisation techniques with actors to build characters and narrative for his films. <P5-S7> His purpose is to capture reality and present" emotional, subjective, intuitive, instinctive, vulnerable films." <P5-S8> Coveney said, has helped to create stars – Liz Smith in" Hard Labour", Alison Steadman in" Abigail's Party", Brenda Blethyn in" Grown- Ups", Antony Sher in" Goose- Pimples", Gary Oldman and Tim Roth in" Meantime", Jane Horrocks in" Life is Sweet", David Thewlis in" Naked—" and remarked that the list of actors who have worked with him over the years —including Paul Jesson, Phil Daniels, Lindsay Duncan, Lesley Sharp, Kathy Burke, Stephen Rea, Julie Walters –" comprises an impressive, almost representative, nucleus of outstanding British acting talent." <P5-S9> His aesthetic has been compared to the sensibility of the Japanese director Yasujirō Ozu and the Italian Federico Fellini. <P5-S10> Ian Buruma, writing in" The New York Review of Books" in January 1994, commented:" It is hard to get on a London bus or listen to the people at the next table in a cafeteria without thinking of Mike Leigh. <P5-S11> Like other wholly original artists, he has staked out his own territory. <P5-S12> Leigh's London is as distinctive as Fellini's Rome or Ozu's Tokyo."