Question: Which film has the director who was born earlier, Taste Of Cherry or Renegades Of The Sage?

<P0-S0> Taste of Cherry(" Ta ’m- e gīlās ...") is a 1997 Iranian drama film written, produced and directed by Abbas Kiarostami. <P0-S1> It is a minimalist film about a man who drives through a city suburb, in search of someone who can carry out the task of burying him after he commits suicide. <P0-S2> It was awarded the Palme d' Or at the 1997 Cannes Film Festival, which it shared with The Eel. <P0-S3> It is regarded as one of the greatest driving films of all time. <SEP> <P1-S0> The film stars Charles Starrett, Smiley Burnette, Leslie Banning, Trevor Bardette, Douglas Fowley and Jock Mahoney. <P1-S1> The film was released on November 24, 1949, by Columbia Pictures. <P1-S2> Renegades of the Sage is a 1949 American Western film directed by Ray Nazarro and written by Earle Snell. <SEP> <P2-S0> Hassan Zee is a Pakistani- American film director who was born in Chakwal, Pakistan. <SEP> <P3-S0> Homayoun Ershadi( sometimes spelled Homayon Ershadi,, born March 25, 1947) is an Iranian actor, best known for his role in the film" Taste of Cherry". <SEP> <P4-S0> An active film- maker from 1970, Kiarostami had been involved in the production of over forty films, including shorts and documentaries. <P4-S1> Kiarostami attained critical acclaim for directing the" Koker" trilogy( 1987– 1994)," Close- Up"( 1990)," The Wind Will Carry Us"( 1999), and" Taste of Cherry"( 1997), which was awarded the Palme d' Or at the Cannes Film Festival that year. <P4-S2> In later works," Certified Copy"( 2010) and" Like Someone in Love"( 2012), he filmed for the first time outside Iran: in Italy and Japan, respectively. <P4-S3> His films" Where Is the Friend ’s Home? Close- Up", and" The Wind Will Carry Us" were ranked among the 100 best foreign films in a 2018 critics' poll by BBC Culture. <P4-S4> Abbas Kiarostami( 22 June 1940 – 4 July 2016) was an Iranian film director, screenwriter, poet, photographer, and film producer. <P4-S5> " Close- Up" was also ranked one of the 50 greatest movies of all time in the famous decennial" Sight& Sound" poll conducted in 2012. <P4-S6> Kiarostami had worked extensively as a screenwriter, film editor, art director and producer and had designed credit titles and publicity material. <P4-S7> He was also a poet, photographer, painter, illustrator, and graphic designer. <P4-S8> He was part of a generation of filmmakers in the Iranian New Wave, a Persian cinema movement that started in the late 1960s and includes pioneering directors such as Bahram Beyzai, Nasser Taghvai, Ali Hatami, Masoud Kimiai, Dariush Mehrjui, Sohrab Shahid- Saless and Parviz Kimiavi. <P4-S9> These filmmakers share many common techniques including the use of poetic dialogue and allegorical storytelling dealing with political and philosophical issues. <P4-S10> Kiarostami had a reputation for using child protagonists, for documentary- style narrative films, for stories that take place in rural villages, and for conversations that unfold inside cars, using stationary mounted cameras. <P4-S11> He is also known for his use of Persian poetry in the dialogue, titles, and themes of his films. <P4-S12> Kiarostami's films contain a notable degree of ambiguity, an unusual mixture of simplicity and complexity, and often a mix of fictional and documentary elements. <P4-S13> The concepts of change and continuity, in addition to the themes of life and death, play a major role in Kiarostami's works. <SEP> <P5-S0> Ray Nazarro (September 25, 1902 – September 8, 1986) was an American film and television director, producer, and screenwriter. <P5-S1> Budd Boetticher called him a "ten day picture guy".