Question: How many decades did the career of the English film director and producer who founded Woodfall Film Productions span?

<P0-S0> Woodfall Film Productions is a British film production company set up in the late 1950s. <P0-S1>  It was established by Tony Richardson, John Osborne and Harry Saltzman to make the film version of "Look Back in Anger" (1959) and produced several of the most significant British films of the 1960s. <P0-S2>  A later Woodfall film, "Tom Jones" (1963), won four Academy Awards in 1964. <SEP> <P1-S0>  In 1964 he won the Academy Award for Best Director for the film "Tom Jones". <P1-S1> Cecil Antonio "Tony" Richardson (5 June 1928 – 14 November 1991) was an English theatre and film director and producer whose career spanned five decades. <SEP> <P2-S0> The Charge of the Light Brigade is a 1968 British DeLuxe Color war film made by Woodfall Film Productions in Panavision and distributed by United Artists, depicting parts of the Crimean War and the eponymous charge. <P2-S1>  It was directed by Tony Richardson and produced by Neil Hartley. <P2-S2>  It is also notable for the animated credits and linking passages provided by Richard Williams, drawing on the satirical use of jingoistic images. <SEP> <P3-S0>  He began his career working for Filippo Del Giudice and Two Cities Films. <P3-S1>  I came out of his office and Lew Watt said to me you don't know what they're talking about do you, I said you're quite right, he said well I'll show you. <P3-S2>  When Two Cities was absorbed into the Rank Organisation in the mid-1940s Coen was employed by Sir David Cunynghame of London Film Productions as a subtitler. <P3-S3>  I immediately said I had when in point of fact I did not know what he meant, and there was a young man in the office with Sir David Cunnynghame called Lew Watt, and he said Lew Watt will do the technical side and we want you to subtitle an Italian picture in to English. <P3-S4>  And I started subtitling pictures with Lew Watt, I used to do the literary side, and he used to do the technical side, the spotting, and lengths, and we together did subtitles for 40 or 50 pictures. <P3-S5>  He and his family were interned in Douglas on the Isle of Man during the Second World War. <P3-S6>  As Coen later described it in an interview, he did not know anything about subtitling at the time, and learned on the job: I finally got a phone call from London Films, Sir Cunnyngham, that 's it, who asked me whether I had ever subtitles pictures. <P3-S7>  The funny thing was we subtitled pictures in Chinese, in Indian and for the Chinese picture I had to have a Chinese waiter with me to tell me where the subtitles [...] I had the Italian dialogue and I had the picture, they gave me a film and we did the spotting together with Lew Watt and the measurements and I used to type the script. <P3-S8>  He later produced the 1971 horror film "Burke & Hare" and the comedies "Au Pair Girls" and "Intimate Games." <P3-S9>  And that was how we started.Coen later founded his own company Kenilworth Film Productions and spent most of the post-war years producing second features. <P3-S10>  He made a dozen films in partnership with the director Charles Saunders. <P3-S11>  We had the film, we had the print which used to run on the two sided thing. <P3-S12>  There was always the problem that the Movieola might break down and so we had spare keys of other cutting rooms in in elm St in case we were caught. <P3-S13> Guido Coen (1915–2010) was an Italian-born British film producer and film subtitler. <P3-S14>  I said certainly .