Question: Are the directors of films The Affairs of Maupassant and Ride the High Country both from the same country?

<P0-S0> The Affairs of Maupassant is a 1935 Austrian- Italian drama film production. <P0-S1> The German title is" Das Tagebuch der Geliebten" and the Italian title is" Il diario di una donna amata", which means" the diary of a woman in love". <P0-S2> An historical romance, it was directed by Henry Koster under his original name of Hermann Kosterlitz and starred Isa Miranda as the Ukrainian artist and diarist Marie Bashkirtseff and Hans Jaray as the French writer Guy de Maupassant. <P0-S3> It was loosely based on Bashkirtseff's diaries, in which she records her studies in Paris to become an artist towards the end of the 19th century, and possibly on her correspondence with Maupassant, which she had begun under an assumed name. <P0-S4> The film focuses on a feud between Maupassant and one of Bashkirtseff's teachers that leads to a nascent( and highly fictionalized) romance between Bashkirtseff and Maupassant. <P0-S5> The romance is cut short in the film by Bashkirtseff's early death from tuberculosis. <P0-S6> The film was made just before Koster moved to the United States to join Universal Studios. <P0-S7> It was filmed in Vienna. <SEP> <P1-S0> Henry Koster( born Hermann Kosterlitz, May 1, 1905 – September 21, 1988) was a German- born film director. <P1-S1> He was the husband of actress Peggy Moran. <SEP> <P2-S0> David Moysie( fl. 1590) was a Scottish notary public, known as the author of the" Memoirs of the Affairs of Scotland, 1577 – 1603". <SEP> <P3-S0> David Samuel Peckinpah( February 21, 1925 – December 28, 1984) was an American film director and screenwriter who achieved prominence following the release of the Western epic" The Wild Bunch"( 1969). <P3-S1> He was known for the visually innovative and explicit depiction of action and violence as well as his revisionist approach to the Western genre. <P3-S2> Peckinpah's films generally deal with the conflict between values and ideals, as well as the corruption and violence in human society. <P3-S3> His characters are often loners or losers who desire to be honorable, but are forced to compromise in order to survive in a world of nihilism and brutality. <P3-S4> He was given the nickname" Bloody Sam" owing to the violence in his films. <P3-S5> Peckinpah's combative personality, marked by years of alcohol and drug abuse, affected his professional legacy. <P3-S6> Many of his films were noted for behind- the- scenes battles with producers and crew members, damaging his reputation and career during his lifetime. <P3-S7> Some of his films, including" Major Dundee"( 1965)," Straw Dogs"( 1971)," The Getaway"( 1972)," Pat Garrett and Billy the Kid"( 1973)," Bring Me the Head of Alfredo Garcia"( 1974) and" Cross of Iron"( 1977), remain controversial. <SEP> <P4-S0> The supporting cast includes Edgar Buchanan, James Drury, Warren Oates, and Ron Starr. <P4-S1> Ride the High Country( released internationally as Guns in the Afternoon) is a 1962 American Western film directed by Sam Peckinpah and starring Randolph Scott, Joel McCrea, and Mariette Hartley. <P4-S2> The film's script, though credited solely to veteran TV screenwriter N. B. Stone Jr., was – according to producer Richard E. Lyons – almost entirely the work of Stone's friend and colleague, William S. Roberts, and Peckinpah himself. <P4-S3> In 1992," Ride the High Country" was selected for preservation in the National Film Registry by the United States Library of Congress as being deemed" culturally, historically, or aesthetically significant <P4-S4> The film featured Scott's final screen performance. <SEP> <P5-S0> Myer Joseph Newmark( 1838–1911) was the youngest city attorney in the history of Los Angeles, California, and was active in the affairs of that city in the 19th and early 20th centuries.