Question: Do both films Prairie Roundup and The Art of Love (1965 film) have the directors that share the same nationality?

<P0-S0> The Art of Love may refer to: <SEP> <P1-S0> He has directed numerous feature films and has been nominated for the Academy Award for Best Director three times in three separate decades for" In the Heat of the Night"( 1967)," Fiddler on the Roof"( 1971) and" Moonstruck"( 1987). <P1-S1> Other highlights of his directing career include" The Cincinnati Kid"( 1965)," The Russians Are Coming, the Russians Are Coming"( 1966)," The Thomas Crown Affair"( 1968)," Jesus Christ Superstar"( 1973)," Rollerball"( 1975)," F.I.S.T."( 1978)," ... And Justice for All"( 1979)," A Soldier's Story"( 1984)," Agnes of God"( 1985)," Other People's Money"( 1991)," The Hurricane"( 1999), and" The Statement"( 2003). <P1-S2> Jewison has addressed important social and political issues throughout his directing and producing career, often making controversial or complicated subjects accessible to mainstream audiences. <P1-S3> Norman Frederick Jewison( born July 21, 1926) is a retired Canadian film director, producer, actor, and founder of the Canadian Film Centre. <P1-S4> He has won accolades around the world, including numerous Golden Globe nominations, a BAFTA Award, the Silver Bear for Best Director at the Berlin Film Festival, Lifetime Achievement Awards from both the Directors Guild of Canada and America, and the Irving G. Thalberg Memorial Award at the 71st annual Academy Awards. <P1-S5> In 2003, Jewison received the Governor General's Performing Arts Award for Lifetime Artistic Achievement for his multiple contributions to the film industry in Canada. <SEP> <P2-S0> Dennis King is an American authority on vintage Rock music posters, related memorabilia, and sports cards. <P2-S1> He was a major contributor and technical advisor to" The Art of Rock" by Paul Grushkin, which was released in 1987 and has become the standard reference book on rock posters of the 1960s and 70s. <P2-S2> Grushkin and King co- authored the follow- up book," The Art of Modern Rock: The Poster Explosion" in 2004, on which King was Art Director. <P2-S3> More than 1800 posters were reproduced in" Art of Modern Rock: The Poster Explosion", which detailed the resurgence and expansion of the art form's phenomenon, its style and influence. <P2-S4> The book also featured a discussion of the history of silk screening and its commercial applications following its industrialization, featuring the work of artists like Frank Kozik, Uncle Charlie, Art Chantry and Yee Haw Industries. <P2-S5> The French edition," L ’ Art du Rock", was released in 2005. <P2-S6> King was the sole author on a pair of follow- up books," Art of Rock Mini #1: A- Z"( 2007) and" Art of Rock Mini #2: Poster Girls"( 2008), both of which included new material and were published in smaller, more economical and accessible formats. <P2-S7> He also wrote the epilogue to the 2008 book" The Hammer of God: The Art of Malleus Rock Art Lab", a volume dedicated to the art collective consisting of three Italian poster artists whose work appeared in all three of the" Art of Modern Rock" books .. <SEP> <P3-S0> Frederick Francis Sears( July 7, 1913 – November 30, 1957) was an American film actor and director. <SEP> <P4-S0> Prairie Roundup is a 1951 American western film directed by Fred F. Sears and starring Charles Starrett, Mary Castle and Frank Fenton. <P4-S1> It is part of the Durango Kid series. <SEP> <P5-S0> The film involves an American artist in Paris( Van Dyke) who fakes his own death in order to increase the worth of his paintings( new paintings keep" posthumously" hitting the market). <P5-S1> His conniving pal( Garner) sells the paintings and withholds the proceeds while the artist toils in a shabby garret. <P5-S2> The Art of Love is a 1965 technicolour comedy film directed by Norman Jewison and starring James Garner, Dick Van Dyke, Elke Sommer, and Angie Dickinson. <P5-S3> The picture was written by Richard Alan Simmons, William Sackheim, and Carl Reiner. <P5-S4> The supporting cast features Carl Reiner and Ethel Merman. <P5-S5> Jewison noted in his autobiography that the film's flaw was that the script assumes that an artist's death guarantees a huge increase in the sales value of his paintings. <P5-S6> That hurt audiences' responses to the movie enormously. <P5-S7> All of the paintings that were used in the movie was the artwork of international artist Don Cincone.