Question: Are both directors of films Spadikam and Wings Of Danger from the same country?

<P0-S0> Wings of Danger, released in the United States as Dead on Course, is a 1952 British crime film directed by Terence Fisher and starring Zachary Scott, Robert Beatty and Kay Kendall. <P0-S1> The screenplay concerns a pilot who is suspected of smuggling. <SEP> <P1-S0> Spadikam( English: Crystal) is a 1995 Indian Malayalam- language action drama film written and directed by Bhadran and starring Mohanlal in the lead role. <P1-S1> Dialogues were written by Rajendra Babu. <P1-S2> The title" Spadikam" means" crystal" or" prism", the splitting of light by a prism being a metaphor for human nature. <P1-S3> The film also stars Thilakan, Urvashi, Spadikam George, K. P. A. C. Lalitha, Rajan P. Dev, Silk Smitha, Nedumudi Venu, Chippy, and V. K. Sreeraman." Spadikam" was the highest- grossing Malayalam film of the year 1995, collecting more than from the box office. <P1-S4> Mohanlal won the Kerala State Film Award for Best Actor and Filmfare Award for Best Actor – Malayalam for his portrayal of Thomas" Aadu Thoma" Chacko, a rogue youngster estranged from his narcissistic father, Chacko Master( Thilakan), upon failing to meet the latter's high expectations. <P1-S5> The film was remade into Tamil, Telugu, and Kannada languages. <SEP> <P2-S0> Roots and Wings may refer to: <SEP> <P3-S0> Mr. Right is a 2009 British film directed by David Morris and Jacqui Morris. <P3-S1> The jointly- made gay- themed film is the debut for both directors. <SEP> <P4-S0> Terence Fisher( 23 February 1904 – 18 June 1980) was a British film director best known for his work for Hammer Films. <P4-S1> He was the first to bring gothic horror alive in full colour, and the sexual overtones and explicit horror in his films, while mild by modern standards, were unprecedented in his day. <P4-S2> His first major gothic horror film was" The Curse of Frankenstein"( 1957), which launched Hammer's association with the genre and made British actors Peter Cushing and Christopher Lee leading horror stars of the era. <P4-S3> He went on to film several adaptations of classic horror subjects, including" Dracula"( 1958)," The Mummy"( 1959), and" The Curse of the Werewolf"( 1961). <P4-S4> Given their subject matter and lurid approach, Fisher's films, though commercially successful, were largely dismissed by critics during his career. <P4-S5> It is only in recent years that Fisher has become recognised as an" auteur" in his own right. <P4-S6> His most famous films are characterised by a blend of fairytale myth and the supernatural alongside themes of sexuality, morality, and ‘ the charm of evil ’. <P4-S7> Drawing heavily on a Christian conservative outlook, there is often a hero who defeats the powers of darkness by a combination of faith in God and reason, in contrast to other characters, who are either blindly superstitious or bound by cold, godless rationalism. <P4-S8> For detailed discussions of Fisher's work, see" Terence Fisher: Horror, Myth, and Religion" by Paul Leggett( McFarland and Co, 2002)," British Film Makers: Terence Fisher" by Peter Hutchings( Manchester University Press, 2013), and" The Films of Terence Fisher: Hammer Horror and Beyond" by Wheeler Winston Dixon( Auteur Publishing, 2017). <SEP> <P5-S0> Bhadran's body of work addresses such themes as victimization of ill- mannered parenting, concepts of psychological trauma's and redemption, objectification of fatherhood, childhood distresses, intense metaphorical placements of matter and animals, Biblical inspired backdrops and autocrat Christian culture in typical parts of Kerala. <P5-S1> Many of his films are also known for its extremely deep but larger than life emotional sequences. <P5-S2> Bhadran Mattel( born November 22, 1949) is an Indian filmmaker and writer, whose career spans more than 40 years. <P5-S3> Among the very few film makers who ruled Malayalam film industry through 80's and 90's, he is widely regarded as one of the most significant and influential filmmaker to introduce thug life glorification of Malayalam superstars on screen, which went on to become the most popular concept of a typical mass movie among Kerala film fans even these days. <P5-S4> In 1986 he won the Film fare Best Director award for Poomukhapadiyil Ninneyum Kaathu and repeated the feat of achievements again with two more Filmfares in the Best Director category through Iyer The Great and Sphadikam in 1990 and 1995. <P5-S5> He has directed works includes such as the ruffian film Sphadikam( 1995), the psychic-precognition thriller Iyer The Great( 1990), an investigative school back dropped Olympian Antony Adam( 1999), the parenthood of an obese caretaker Uncle Bun( 1991), a psychic family drama Poomukhapadiyil ninneyum kaathu( 1986), the musical Idanazhiyil Oru kaalochha( 1987), the mighty land tyrant Udayon( 2005), Indian Political thriller Yuvathurki( 1996) and on. <P5-S6> Most of his films were collaborated on with actors Mohanlal and Mammotty. <P5-S7> Having directed Mohanlal in seven films and Mammotty in four films, Bhadran's associations with them have resulted in Award nominations for both as well as them winning prestigious awards.