Question: Which film has the director died earlier, The Gaucho War or Daphne And The Diplomat?

<P0-S0> The film's sets were designed by the art director Artur Günther. <P0-S1> Daphne and the Diplomat is a 1937 German comedy film directed by Robert A. Stemmle and starring Karin Hardt, Gerda Maurus and Hans Nielsen. <SEP> <P1-S0> He wrote for 86 films between 1932 and 1967. <P1-S1> He also directed 46 films between 1934 and 1970. <P1-S2> Robert Adolf Stemmle( 10 June 1903 – 24 February 1974) was a German screenwriter and film director. <P1-S3> His 1959 film" Die unvollkommene Ehe" was entered into the 1st Moscow International Film Festival. <P1-S4> He was born in Magdeburg, Germany and died in Baden- Baden, Germany. <SEP> <P2-S0> Homero Nicolás Manzione Prestera, better known as Homero Manzi( November 1, 1907 – May 3, 1951) was an Argentinian Argentine tango lyricist, author of various famous tangos. <P2-S1> He was born on November 1 of 1907 in Añatuya( province of Santiago del Estero), Argentina. <P2-S2> Manzi was interested in literature and tango since he was young. <P2-S3> After a brief incursion in journalism, he worked as a literature and Spanish professor but for political reasons( in addition to his membership in the Unión Cívica Radical) he was expelled from his professorship and decided to dedicate himself to the arts. <P2-S4> In 1935 he participated in the beginnings of FORJA( Fuerza de Orientación Radical de la Joven Argentina – Force of Radical Orientation of the Young in Argentina), group whose position has been classified as “ peoples nationalism ”. <P2-S5> It was centered almost exclusively in the problems in Argentina and Latin America. <P2-S6> They manifested to “ reconquer the political Sunday from our own land ” since it was considered that the country was still in a colonial situation. <P2-S7> In relation to the European conflict at the time, it supported a neutral position sustaining that there was no great interest was in play in Argentina or Latin America, it was more of a rejection position towards fascism just as much as communism. <P2-S8> In 1934 Manzi founded" MicrófonoMicrophone") magazine which covered subjects related to radio telephony, Argentine movies and film making. <P2-S9> He wrote the screenplay for" Nobleza Gaucha" in 1937 in collaboration with Hugo Mac Dougall, and a new version of the silent movie of 1915," HuellaFootprint")( 1940), for which they received second prize from Buenos Aires City Hall. <P2-S10> He also worked in" ConfesiónConfession")( 1940), without achieving commercial success with any of these movies. <P2-S11> In 1940 Manzi started what would be a long collaboration with Ulyses Petit de Murat, writing the screenplay for" Con el dedo en el gatillo Finger on the trigger")( 1940)" Fortín alto High Fort")( 1940), and" The Gaucho War"( 1942). <P2-S12> At the 1943 Argentine Film Critics Association Awards, Manzi and Murat won the Silver Condor Award for Best Adapted Screenplay for their screenplay of" The Gaucho War" which proved highly successful. <P2-S13> The early death of the poet was caused by cancer on Thursday, May 3, 1951. <SEP> <P3-S0> Le masque de la Méduse is a 2009 fantasy horror film directed by Jean Rollin. <P3-S1> The film is a modern-day telling of the Greek mythological tale of the Gorgon and was inspired by the 1964 classic Hammer Horror film of the same name and the 1981 cult classic" Clash of the Titans". <P3-S2> It was Rollin's final film, as the director died in 2010. <SEP> <P4-S0> At the 1943 Argentine Film Critics Association Awards, Demare won Silver Condor awards for Best Director, Best Film and numerous other awards for" The Gaucho War"( 1942), a film which is considered by critics in Argentina to be one of the best films in its history. <P4-S1> He won further awards including Best Film and Director for" Su mejor alumno"( 1944) at the 1945 Argentine Film Critics Association Awards. <P4-S2> He wrote and directed other films such as" El cura gaucho"( 1941)," La calle grita"( 1948)," Mi noche triste"( 1951)," Zafra"( 1958) and" La Boda"( 1964). <P4-S3> His last film as a director was" Hombres de mar" in 1977. <P4-S4> In 1964, he was a member of the jury at the 14th Berlin International Film Festival. <P4-S5> He died of a heart attack at the age of 71 in 1981. <P4-S6> Lucas Demare( July 14, 1910 – September 6, 1981) was an Argentine film director, screenwriter and film producer prominent in the Cinema of Argentina in the 1940s, 1950s and 1960s. <P4-S7> His brother was the composer Lucio Demare who wrote several film scores for Lucas' productions. <SEP> <P5-S0> The film's script, written by Homero Manzi and Ulyses Petit de Murat, is based on the novel by Leopoldo Lugones published in 1905. <P5-S1> The film premiered in Buenos Aires on November 20, 1942 and is considered by critics of Argentine cinema to be one of the most successful films in history. <P5-S2> It won three Silver Condor awards, including Best Film, Best Director( Lucas Demare), and Best Adapted Screenplay( Ulises Petit de Murat and Homero Manzi), given by the Argentine Film Critics Association at the 1943 Argentine Film Critics Association Awards for the best films and performances of the previous year. <P5-S3> The film is set in 1817 in the Salta Province of northwest Argentina during the Argentine War of Independence. <P5-S4> The Gaucho War( La guerra gaucha) is a 1942 Silver Condor award- winning Argentine historical drama and epic film directed by Lucas Demare and starring Enrique Muiño, Francisco Petrone, Ángel Magaña, and Amelia Bence. <P5-S5> It is based on the actions taken by the guerrillas under the command of the general Martin Güemes against the royalist army, loyal to the Spanish monarchy. <P5-S6> For exterior filming, a village was established in the same area where the actual conflict had taken place. <P5-S7> The cast of some thousand participants was unprecedented in Argentine cinema until that time. <P5-S8> The origins and content of the film are linked to a particular moment in Argentine history in which there was an intense debate over whether the country should take the side of either the Axis or the Allies during World War II, or maintain its neutrality during the war. <P5-S9> The film stresses the values associated with nationalism as expressed in the union of the people, the army, and the church in defense of the country, which was considered by some a prelude to the revolutionary ideology that led to, on June 4, 1943, the overthrowing of the government of president Ramón Castillo. <P5-S10> The film was produced by" Artistas Argentinos Asociados"( Associated Argentine Artists), a cooperative of artists created just a short time before production began. <P5-S11> It required an investment far beyond other productions of the period but the commercial success of the film allowed it to recover the cost in the first- run theaters, where it remained for nineteen weeks.