Question: Were Triumph of the Will and The End of America both made in the same year?

<P0-S0> Triumph of the Will (German: Triumph des Willens ) is a 1935 German propaganda film directed, produced, edited, and co-written by Leni Riefenstahl. <P0-S1>  It chronicles the 1934 Nazi Party Congress in Nuremberg, which was attended by more than 700,000 Nazi supporters. <P0-S2>  The film contains excerpts from speeches given by Nazi leaders at the Congress, including Adolf Hitler, Rudolf Hess and Julius Streicher, interspersed with footage of massed Sturmabteilung (SA) and Schutzstaffel (SS) troops and public reaction. <P0-S3>  Hitler commissioned the film and served as an unofficial executive producer; his name appears in the opening titles. <P0-S4>  The film's overriding theme is the return of Germany as a great power, with Hitler as the leader who will bring glory to the nation. <P0-S5>  Because the film was made after the 1934 Night of the Long Knives (on 30 June) many prominent Sturmabteilung (SA) members are absent—they were murdered in that Party purge, organised and orchestrated by Hitler to replace the SA with the Schutzstaffel (SS) as his main paramilitary force. <SEP> <P1-S0> The lifetime of British writer, philosopher, and feminist Mary Wollstonecraft (1759–1797) encompassed most of the second half of the eighteenth century, a time of great political and social upheaval throughout Europe and America: political reform movements in Britain gained strength, the American colonists successfully rebelled, and the French revolution erupted. <P1-S1>  Wollstonecraft experienced only the headiest of these days, not living to see the end of the democratic revolution when Napoleon crowned himself emperor. <P1-S2>  Although Britain was still revelling in its mid-century imperial conquests and its triumph in the Seven Years' War, it was the French revolution that defined Wollstonecraft's generation. <P1-S3>  As poet Robert Southey later wrote: "few persons but those who have lived in it can conceive or comprehend what the memory of the French Revolution was, nor what a visionary world seemed to open upon those who were just entering it. <P1-S4>  Old things seemed passing away, and nothing was dreamt of but the regeneration of the human race." <SEP> <P2-S0> Anna Khachaturovna Aglatova (Russian: Анна Хачатуровна Аглатова ) is a Russian soprano singer who was born in Kislovodsk and by 2004 joined the singing department of the Gnessin State Musical College. <P2-S1>  Prior to it, she was a recipient of the "Sergei Leiferkus grant" from the Vladimir Spivakov Fund and in 2005 made her first public appearance at the Bolshoi Theatre. <P2-S2>  Her career there, have not started with ease since her father didn't want her to work for Bolshoi. <P2-S3>  In 2003, she was a recipient of the first prize at the Bella voce International Competition and the same year participated at both the Christmas Festival at Düsseldorf and the fourteenth annual Chaliapin Season at Mineralnye Vody. <P2-S4>  She also was a participant for "Irina Arkhipova Fund" and was a part of the Novosibirsk Opera and Ballet Theatre. <P2-S5>  There, in 2006, she sang the role of "Susanna" at the "The Marriage of Figaro" which was performed at the Moscow International Performance Arts Center and was directed by Tatjana Guerbaca while Teodor Currentzis was its conductor. <P2-S6>  In 2008 she became an All-Russian Festival winner, and next year became "Triumph prize" recipient. <SEP> <P3-S0> The End of America is a 2008 documentary film directed by Annie Sundberg and Ricki Stern, adapted from Naomi Wolf's 2007 book, "". <P3-S1>  The film analyzes policy changes made during the Bush Administration, and makes the case that these changes threaten American democracy.