Question: Which film has the director died earlier, The Bitter Tears Of Petra Von Kant or The Beloved Of His Highness?

<P0-S0> Jacob Fleck( 8 November 1881 in Vienna as Jacob Julius Fleck – 19 September 1953, also in Vienna) was an Austrian film director, screenwriter, film producer and cameraman. <P0-S1> He is noted for his long- standing professional partnership with his wife Luise Fleck who co-directed his films with him. <SEP> <P1-S0> Eva Mattes( born 14 December 1954, Tegernsee, Germany) is an Austrian- German actress. <P1-S1> Mattes was featured in four films directed by director Rainer Werner Fassbinder(" The Bitter Tears of Petra von KantEffi Briest" and" In a Year of 13 Moons"). <P1-S2> In" A Man Called EvaEin Mann wie EVA", 1984), she played a bearded film director, based on the recently deceased Fassbinder. <P1-S3> She has also appeared in two films of Werner Herzog, a former partner. <P1-S4> In 1980 they had a daughter together, Hanna Mattes. <P1-S5> Eva Mattes also appeared in" Germany, Pale Mother," and in" Enemy at the Gates" as the mother of Sasha Fillipov. <P1-S6> Eva Mattes is well known in German- speaking countries for her role as Klara Blum in the" Tatort" television series. <P1-S7> Eva Mattes lives in Berlin with the Austrian Artist Wolfgang Georgsdorf and two kids. <SEP> <P2-S0> He himself associated his bishopric with a castle, since he had one depicted on his seal along with the legend+. <P2-S1> There are references to a Greek Orthodox bishop at Mount Sinai( which the Crusaders called" Faraon") under the jurisdiction of Petra during Guerricus's time, but it is doubtful that the archbishop of Petra could have exercised any real authority over the Greek Orthodox church in Sinai, where Crusader control was fleeting. <P2-S2> The last recorded act signed Guerricus as archbishop is dated to 21 April 1183. <P2-S3> It was not set up in Petra. <P2-S4> A titular bishop was in office between 1227 and 1238, but his name is not recorded. <P2-S5> Owing to its status as a newly restored see and a frontier see, the archbishopric of Petra owed neither knight- service nor serjeants for the royal army, an exemption it shared only with the bishopric of Baniyas and the bishopric of Beirut in the Kingdom of Jerusalem. <P2-S6> According to the 13th- century jurist John of Ibelin, that prior to 1167 there was an archbishop at" Babbat que les Grecs apelent Filadelfe"( Rabba, which the Greeks call Philadelphia), either Bozrah or Amman, which was transferred in that year to" Crac, et est appelé l'arcêveque de la Pierre dou Desert"( Kerak, which is called the archbishopric of Petra of the Desert). <P2-S7> No successor was appointed, since the diocese was no long under Crusader control. <P2-S8> According to a contemporary document, he was still alive in late 1190. <P2-S9> According to William of Tyre, who calls him Guerus, prior to 1167 he was an Augustinian canon of the Templum Domini in Jerusalem. <P2-S10> In documents of 1174 and 1177, Guerricus refers to himself as the first Latin archbishop of Petra. <P2-S11> Thus, Patriarch Aimery requested Guerricus to submit to his authority, but in practice the archbishop of Petra continued to be subject to the Patriarch of Jerusalem. <P2-S12> Guerricus( or Guerric) was the metropolitan archbishop of Petra from 1167 or 1168 until his death at the Siege of Acre in 1190 or 1191. <P2-S13> In some late documents he is called" archiepiscopus de Monte Regali", archbishop of Montréal, which was, along with Kerak, one of the major castles of Oultrejordain. <P2-S14> They also agreed to pay half- tithes on any properties they acquired in the diocese in the future. <SEP> <P3-S0> The film has an all- female cast, and it is set in the home of the narcissistic protagonist Petra von Kant. <P3-S1> The Bitter Tears of Petra von Kant is a 1972 German film directed by Rainer Werner Fassbinder, based on his own play. <P3-S2> It follows the changing dynamics in her relationships with the other women. <P3-S3> Petra's story is told in a theater- like fashion in four different acts, each depicting the states of mind of the main character hinted visually by her clothes and hair. <P3-S4> The film was entered into the 22nd Berlin International Film Festival. <SEP> <P4-S0> He is widely regarded as a prominent figure and catalyst of the New German Cinema movement. <P4-S1> His first feature- length film was a gangster movie called" Love Is Colder Than Death"( 1969); he scored his first domestic commercial success with" The Merchant of Four Seasons"( 1972) and his first international success with( 1974), both of which are considered masterpieces by contemporary critics. <P4-S2> Big- budget projects such as" Despair"( 1978)," Lili Marleen" and" Lola"( both 1981) followed. <P4-S3> His greatest success came with" The Marriage of Maria Braun"( 1979), chronicling the rise and fall of a German woman in the wake of World War II. <P4-S4> Other notable films include" The Bitter Tears of Petra von Kant"( 1972)," Fox and His Friends"( 1975)," Satan's Brew"( 1976), and" Querelle"( 1982), all of which focused on gay and lesbian themes. <P4-S5> Rainer Werner Fassbinder( 31 May 1945 – 10 June 1982), sometimes credited as R. W. Fassbinder, was a West German filmmaker, actor, playwright, theatre director, composer, cinematographer, editor, and essayist. <P4-S6> Fassbinder died on 10 June 1982, at the age of 37, from a lethal cocktail of cocaine and barbiturates. <P4-S7> Although his career lasted less than two decades, he was extremely prolific; by the time of his death, he had completed over forty feature films, two television series, three short films, four video productions, and twenty- four plays. <SEP> <P5-S0> The Beloved of His Highness( German: Die Geliebte seiner Hoheit) is a 1928 German silent comedy film directed by Jacob Fleck and Luise Fleck and starring Vivian Gibson, Mary Kid and Lia Eibenschütz. <P5-S1> It was based on an operetta by Jean Gilbert. <P5-S2> The film's sets were designed by the art director Willi Herrmann.