website years_active label article_title instruments thumb|caption background birth_date genre image origin name occupation
-lsb- http://www.jcbaglietto.com.ar/ jcbaglietto.com -rsb- 1980 & ndash ; present emi juan carlos baglietto
 singing juan buenos aires , argentina -rrb- carlos baglietto in concert -lrb- november 2010 , solo_singer 14 june 1956 rock juan carlos baglietto.jpg 25px rosario , santa fe province juan carlos baglietto singer-songwriter
juan carlos baglietto

juan carlos baglietto -lrb- born june 14 , 1956 in rosario , santa fe province -rrb- is an argentine musician and composer .
he is one of the iconic figures of the musical movement called `` trova rosarina '' .
he was a member of various small bands until `` irreal '' was formed , in 1980 , comprising himself , juan chianelli -lrb- keyboards -rrb- , jorge llonch -lrb- bass -rrb- , `` piraña '' fegundez -lrb- flute -rrb- , alberto corradini -lrb- guitar -rrb- and daniel wirtz -lrb- drums -rrb- .
they attracted a big audience to their concerts , but were always pursued by the censors of the proceso .
halfway through 1981 baglietto launched himself as a solo musician .
he made his début in buenos aires , but he did n't achieve a breakthrough until he became the surprise hit of the `` festival de la falda '' in 1982 .
by this time , he had armed himself with a supporting group consisting of silvina garré as a backing singer , fito páez as keyboardist , rubén goldín on guitar , sergio sainz on bass and josé `` zappo '' aguilera on drums .
with this band , he recorded `` tiempos difíciles '' , the first argentine rock album to achieve a gold disc .
many of its tracks , like `` mirta , de regreso '' or `` era en abril '' , were widely played on the radio stations of the capital and this fuelled the success of his concert in obras , right after the falklands war .
this success affected a little the sales of `` actuar para vivir '' , the following album .
in may 1983 a concert in obras , of all the rosarian musicians , was organised , called `` el rosariazo '' .
baglietto performed together with litto nebbia , silvina garré y fabián gallardo .
his band filled the astral theatre five nights in a row , billed as `` baglietto '' .
in november 1984 he performed the show `` por qué cantamos '' , together with celeste carballo , nito mestre and oveja negra .
`` modelo para armar '' -lrb- 1985 -rrb- was the first disc since his collaboration with fito páez , in which baglietto tried to make a break with the style that he had been associated .
for this , he specially composed all-new material .
his subsequent disc , `` acné '' -lrb- 1986 -rrb- is an `` hommage '' `` to the music i grew up with . ''
having this in mind , he chose tracks that had n't originally been hits , for example `` los días de actemio '' -lrb- by `` los gatos '' -rrb- or `` tema de pototo '' -lrb- by `` almendra '' -rrb- .
in september 1986 , he performed in front of an audience of 100,000 at the monumento a la bandera in rosario , argentina , as part of the festivals for `` mil días en democracia , '' -lrb- a thousand days of democracy -rrb- alongside fito páez , silvina garré y antonio tarragó ros .
`` mami '' -lrb- 1988 -rrb- was recorded after a year and a half of silence , accompanied by sergio sainz -lrb- bass -rrb- , eduardo rogatti -lrb- guitar -rrb- , marco pusineri -lrb- drums -rrb- and rubén goldín -lrb- vocals -rrb- .
since his second album , baglietto and garré had worked together sporadically .
in 1990 , they made the decision to perform a show together in which they would record a live disc , with the justification : `` this collaboration gives us the possibility to demonstrate how different we can be .
with the years , we have been moving further apart in style , but even so , we work well together . ''
his next work , `` ayúdame a mirar '' -lrb- 1990 -rrb- , is a completely acoustic recording , with guitars and percussion , for which a variety of composers contributed tracks : adrián abonizio , rubén goldín , chico buarque , mezo bigarrena and joaquín sabina , among others .
on a more traditional vein , together with lito vitale he headed a collaboration that culminated in `` postales de este lado del mundo '' -lrb- 1991 -rrb- , an album which included themes from popular traditional argentine composers , like carlos gardel , homero manzi , the brothers expósito , mariano mores , enrique santos discépolo and maría elena walsh .
`` luz quitapenas '' -lrb- 1996 -rrb- was a reunion of the musicians that accompanied him when he was starting out : adrián abonizio , fito páez , jorge fandermole and rubén goldín .
two years later , `` 15 años '' -lrb- 1998 -rrb- was recorded live during one of the shows in the opera theatre .
the album is a collection of his most important hits , with the participation of artists such as león gieco , fito páez , ana belén , joaquín sabina and alejandro lerner .
in 1998 , juan carlos baglieto recorded the theme `` paths of the soul '' next to kennedy choir and with more than 120 argentine artists under the direction of instrumental pianist and conductor nazareno andorno .
in 2001 he went back to work with lito vitale , together with lucho gonzález as a guest musician .
