website associated_acts years_active label image_size article_title past_members background genre image origin name
-lsb- http://www.internationalnoise.com/ www.internationalnoise.com -rsb- ac4 million miles , female anchor of sade , invasionen , , knugen faller , refused , saidiwas , separation doughnuts , lost patrol band , 93 1998 & ndash ; 2009 g7 , american recordings welcoming committee , burning heart , your choice 300 the -lrb- international -rrb- noise conspiracy
 dennis almgren lyxzén inge johansson lars strömberg ludwig dahlberg sara group_or_band indie rock , garage rock , post-punk the -lrb- international -rrb- noice conspiracy , sonisphere 2009.jpg umeå , sweden the -lrb- international -rrb- noise conspiracy
the -lrb- international -rrb- noise conspiracy

the -lrb- international -rrb- noise conspiracy -lrb- abbreviated t -lrb- i -rrb- nc -rrb- were a swedish rock band formed in sweden in the late months of 1998 .
the line-up consists of dennis lyxzén -lrb- vocals -rrb- , inge johansson -lrb- bass -rrb- , lars strömberg -lrb- guitar -rrb- , and ludwig dahlberg -lrb- drums -rrb- .
the band is known for its punk and garage rock musical influences , and its impassioned left-wing political stance .
up until 2004 , guitarist/organist/keyboardist sara almgren was also a member of the band .
dennis formed the -lrb- i -rrb- nc almost immediately after the breakup of his former band , refused .
the -lrb- i -rrb- nc takes pride in blending the roots of at least four other bands , including totalt jävla mörker -lrb- johansson -rrb- , separation -lrb- strömberg -rrb- , saidiwas -lrb- dahlberg and almgren -rrb- , and doughnuts -lrb- almgren -rrb- .
since 2007 , inge johansson also plays in the band the most .
influenced by a quote from 1960 's folk singer phil ochs , according to lead singer lyxzén , the band wanted to achieve an ideal blend of music and politics that was , `` a cross between elvis presley and che guevara . ''
furthermore , according to the liner notes of their debut album , the first conspiracy , the band wanted to combat music 's function as spectacle .
this is a concept taken from guy debord 's work `` the society of the spectacle '' .
