In 1616, Shakespeare and Tang Xianzu died in the same year. Both can be regarded as great playwrights at the turn of the 16th and 17th centuries. Both love writing scripts, but the writing is not the same. For example, the story of "Romeo and Juliet" is nearing the end The death of a pair of lovers, and the tragic tragedy ended with the reconciliation of the families of both parties. The willingness to reconcile is indeed wonderful, and can only be borrowed. Shakespeare's pen and ink for reconciliation are too inadvertent, as if only for the concept of "reconciliation". Du Li Niang in The Peony Pavilion, thinking about her encounter in dreams, mourns, but dies, and because of this, she is alive and fulfilled. Tang Xianzu spends her pen and ink on love without detriment to hate and considers the softness without indulging in violence He loves, looks forward, gives, accommodates, and has no fate. What's the point of this text? ['Explain the greatness of Shakespeare and Tang Xianzu.', 'Analysis of the Unique Writing Techniques in The Peony Pavilion.', 'Comparing the artistic styles of Shakespeare and Tang Xianzu.', 'Summarize the common points of Chinese and foreign classical opera.']