There is a very popular view that Chinese classical aesthetics emphasizes the unity of beauty and goodness. The implication is that Chinese classical aesthetics pays less attention to the unity of beauty and trueness. The author believes that Chinese classical aesthetics values beauty and beauty more than western aesthetics. Real unity. It gives beauty both a good character and a true character, and the true character is much higher than the good character. In short, in the understanding of beauty in Chinese classical aesthetics, the good is the soul and the true For the highest realm. From this text, we can know the author's point of view? ['Correct but not popular.', 'Popularity is incorrect.', 'Novel but not popular.', 'Popular but not new.']