The creation of Ci Fu in the Han Dynasty was based on lyrical Fu. The representative works are Jia Yi's "Drag Qu Yuan Fu" and "Peng Niao Fu". In the late Eastern Han Dynasty, Ci Fu and Lyrical Fu became mainstream. It ends with a lyrical fu, and its trajectory is drawn in a circle. However, Jia Yi's lyrical fus are all saucy, apparently inherited from Chu Ci. The lyrical fu in the late Eastern Han Dynasty is both sauertic and scattered. The style, as well as the four-character poetry style, presents a diverse pattern in the style of the work. The correct understanding of this text is:. ['The overall development trajectory of Ci Fu in the Two Han Dynasties is a circle, which mainly inherits the style of Chu Ci.', 'Sao style, prose style and four-character poetry form the literary world of the Han Dynasty.', 'Lyrics are the mainstream of Ci Fu in the late Eastern Han Dynasty, and various styles coexist, showing a diverse pattern.', 'Jia Yi is a representative figure of lyrical fu in the Han Dynasty, and his works are romantic.']