In traditional Chinese concepts, the sculpture has always been regarded as an art form equivalent to painting; in traditional Chinese scholarship, there is only "painting" and not "sculpture". This kind of neglect in history led to the end of the 19th century At the beginning of the 20th century, a large number of stone carvings with high historical data research value were lost overseas, and today, the eyes of emerging collectors are only on the wealth of art, so the bronze, golden Buddha statues of the Yuan, Ming and Qing dynasties Prices soared all the way, and in the face of those ancient stone sculptures that truly reflected the Chinese sculpture culture and historical style, they behaved a bit timid and indecisive, which made people regrettable. This text mainly talks about:. ['The importance of conceptualizing sculpture art.', 'Reasons why the ancient stone carvings are not valued in China.', 'The immature mentality of current sculpture collectors.', 'The deviation between the price and value of sculpture collections.']