Known as the cultural symbol of the Chinese nation, the willow youth paintings were born in the thousand-year-old Yangliuqing. The willow youth paintings are drawn from a wide range of worldly lives, including ladies, dolls, operas, customs, landscapes, flowers and birds, auspicious patterns, mythological stories, historical allusions Into the painting, it has profoundly influenced nearly a hundred kinds of Chinese New Year paintings. Yangliuyang youth paintings have become national and folk art and have become the business cards of Chinese culture. Some people say that Yangliuyang youth paintings have always been respected because of their vivid sculptures, which is why they have considered It is the first of Chinese woodcut new year pictures. Which of the following, if true, can refute the above view? ["The history of Yang Liu's youth paintings can be traced back to the Song Dynasty, and reached its heyday from the Kangyong Dynasty to the Qing Dynasty.", 'The charm contained in the theme of the willow youth painting is the vitality of its vivid image.', 'Willow youth paintings have flowed with elegance and grace since the beginning of their buns, and bear a strong imprint of court painting.', "Yang Liu's youth paintings are loved by people for their colorful, exaggerated expressiveness, and lively and festive pictures."]