wcy1122/Long-TTS-Eval huggingface dataset:
Of course, Medicaid is funded so you might be wondering. Well, we're cheaper than the alternatives. Some of our patients which can cost thousands. Some may stay home. But most would try to make an appointment called the Federally. This is a nationwide network that receive twice as much than private doctors like me. Not only they get more money, but by law, there can only be. That means they have a monopoly. And like any monopoly, there's a tendency for cost to go up. I'm not a government entity; I'm a private practice. I have a capitalist drive to innovate. I have to be fast and friendly. I have to be cost-effective. I have to be tall, dark and handsome. And if I'm not, I'm going out of business. I can innovate faster than a nonprofit, because I don't need a meeting. Really, none of our innovations we just put them together in a unique way to help low-income folks. And then, instead of taking I put it back into the refugee community. This is Mango House. My version of a medical home. In it, we have programs an after-school program, English classes, churches, dentist, legal help,. These programs are run and amazing staff, but all receive some amount of funding. Some call this social entrepreneurship. I call it social-service arbitrage. Exploiting inefficiencies in our. We're serving 15,000 refugees a year at less cost than where else. Of course, there's downsides rather than as a nonprofit. There's taxes and legal exposures. There's changing Medicaid rates. And there's bomb threats. Notice there's no apostrophes, it's like, "We were going to blow up.". "We were going to blow up but then we went.". Now, you might be thinking, Uncommon. A communal narcissist? A unicorn, maybe, because if this was so easy. Well, based on Medicaid rates,. You can be your own boss, help the poor and make. Medical folks, you wrote on your school that you wanted to help. But then you had your idealism. Your creativity bred out of you. It doesn't have to be that way. You can choose underserved medicine. Or you can be a specialist who cuts cost in order to see. And for the rest of you, what did you write on your applications? Most of us wanted to save the world. Maybe you've been but are now looking for that meaning? How can you get there? I don't just mean giving. I mean how can you use your expertise. It might be easier than you think. The only way we're going to bridge is by seeing it as a business opportunity. The only way we're going to bridge is by recognizing our privileges.
You still matter. There's also a microphone that's listening to the aggregate laughter and applause and booing -- I hope not -- to help make some of its next decisions. Right, so, let the robot stand-up comedy begin. Data: Hello TEDWomen. It's an honor to be here. You guys are looking good out there. Ready for some jokes? Audience: Yeah. Data: Here's the first one. Right, so, a doctor says to his patient, "I have bad news and worse news. The bad news is that you only have 24 hours to live." "That's terrible," said the patient. "How can the news possibly be worse?" "I've been trying to contact you since yesterday." The Swiss have an interesting army. Five hundred years without a war. Heather Knight: He's talking about the Swiss. Data: Pretty lucky for them. Ever see that little Swiss Army knife they have to fight with? "Come on buddy, I have the toe clippers right here. You get past me, the guy behind me has a spoon." HK: He's a French robot. Data: A couple of New Jersey hunters are out in the woods. One of them falls to the ground. He does not seem to be breathing. The other guy whips out his cell phone and calls 911. He gasps to the operator, "My friend is dead. What can I do?" The operator says, "Just take it easy. I can help. First, let's make sure he's dead." There is a silence, and the operator hears a shot. The guy's voice comes back on the line, "Okay, now what?" Question: Why is television called a medium? Anyone? Because it's neither rare nor well done. But to be completely honest with you, I kind of love television. Any of you like television? Audience: Yes. Data: I find it incredibly educational. Actually, as soon as someone turns it on, I go into the other room and read. That's all for now. Was that okay for my first time? You've been a great audience. Thank you. HK: Yay. So this is actually the first time we've ever done live audience feedback to a performance. So thank you all for being a part of it. There's a lot more to come. And we hope to learn a lot about robot expression. Thank you very much.
Time has come to stop thinking about sub-Saharan Africa as one place. Their countries are so different, and they merit to be recognized in the same way, as we don't talk about Europe as one place. I can tell you that the economy in Greece and Sweden are very different -- everyone knows that. And they are judged, each country, on how they are doing. So let me show the wider picture. My country, Sweden: 1800, we were up there. What a strange personality disorder we must have, counting the children so meticulously in spite of a high child death rate. It's very strange. It's sort of embarrassing. But we had that habit in Sweden, you know, that we counted all the child deaths, even if we didn't do anything about it. And then, you see, these were famine years. These were bad years, and people got fed up with Sweden. My ancestors moved to the United States. And eventually, soon they started to get better and better here. And here we got better education, and we got health service, and child mortality came down. We never had a war; Sweden was in peace all this time. But look, the rate of lowering in Sweden was not fast. Sweden achieved a low child mortality because we started early. We had primary school actually started in 1842. And then you get that wonderful effect when we got female literacy one generation later. You have to realize that the investments we do in progress are long-term investments. It's not about just five years -- it's long-term investments. And Sweden never reached [the] Millennium Development Goal rate, 3.1 percent when I calculated. So we are off track -- that's what Sweden is. But you don't talk about it so much. We want others to be better than we were, and indeed, others have been better. Let me show you Thailand, see what a success story, Thailand from the 1960s -- how they went down here and reached almost the same child mortality levels as Sweden. And I'll give you another story -- Egypt, the most hidden, glorious success in public health. Egypt was up here in 1960, higher than Congo. The Nile Delta was a misery for children with diarrheal disease and malaria and a lot of problems. And then they got the Aswan Dam. They got electricity in their homes, they increased education and they got primary health care. And down they went, you know. And they got safer water, they eradicated malaria. And isn't it a success story. Millennium Development Goal rates for child mortality is fully possible. And the good thing is that Ghana today is going with the same rate as Egypt did at its fastest. Kenya is now speeding up. Here we have a problem. We have a severe problem in countries which are at a standstill. Now, let me now bring you to a wider picture, a wider picture of child mortality. I'm going to show you the relationship between child mortality on this axis here -- this axis here is child mortality -- and here I have the family size.
When was the last time in a city with new buildings? I want to talk to you about the problem that we all know exists. We're increasingly surrounded. I believe we're living through. With a few exceptions, we all know that new buildings. Everywhere is the same. Dull, flat, straight, shiny. Inhuman. They're what my daughter. These buildings justify themselves. I’m a designer of buildings, that form should follow function. Meaning if I work out mechanically the outcome will somehow. This mantra, form follows function. And it sounds good, doesn't it? Who can argue with that? Surely any extra detail is just silly. I want to talk about the function that's crucial. That I believe is missing. The function of emotion. And when I say emotion, I mean the ability of buildings. To lift our spirits, to connect us. Buildings affect us. We walk around them, we look up at them. And for most of us, they just leave us feeling indifferent. So if I took all of us to a city and said, "Which bit would you like to go to? Would you like to go to the old bit or the new bit?" You've given me my answer already. We all know instinctively, the majority are going. Why? Because we all know the new bit. So where did all the lumps? The shadows, the textures, the high points of light. How did it all become so two dimensional, so simplistic and devoid of character? Well, it turns out, I'm not the only one who's alarmed by what's happening. There's research showing that these buildings. They're harming us. They're bad for our mental health, causing stress in our brains. They're bad for our physical health, making us take longer to recover. And they're also bad for societal health, increasing the likelihood of crime. But this gets most sinister. And think about the climate crisis. Immense emphasis has been placed. And in this 2019 study, aviation was responsible for 2.1 percent. But the crazy elephant in the room is that the construction is responsible for a whopping 38 percent. And in America every year, a billion square foot of buildings. That’s the equivalent of half just to be reconstructed. And this isn't just in the US. This is global. In the UK, we demolish. The average age of a commercial building. So that means if I had been born I would have been killed 12 years ago. It's quite straightforward. When people don't love -- and I'm using the word love -- love buildings, they're more likely to demolish them. I feel those two dots. But when you make a building, one of the most expensive things there are, understandably, huge of politics and egos. These forces of soullessness are immense. And change is scary for everybody, myself included. But I'm convinced that emotion that's been forgotten. There are, however, who do understand. Here's a few of them. In France, Sou Fujimoto has designed this. In Burkina Faso, Francis Kéré has made. In Lebanon, Lina Ghotmeh Architecture to make characterful housing.
It is a dream of mankind. Birds are very agile. They fly, not with rotating components, so they fly only by flapping their wings. So we looked at the birds, and we tried to make a model and it must have excellent that would fly by its own. So what would be better than to use circling and swooping over the sea, and to use this as a role model? So we bring a team together. There are generalists and also specialists in the field of building gliders. And the task was to build that is able to fly over your heads. So be careful later on. And this was one issue: to build it that lightweight that no one would be hurt if it fell down. So why do we do all this? We are a company and we'd like to do because that's energy efficient, and we'd like to learn more. So I now would like you and put your hats on. So maybe we'll try it once -- to fly a SmartBird. Thank you. So we can now look at the SmartBird. So here is one without a skin. We have a wingspan of about two meters. The length is one meter and six, and the weight is only 450 grams. And it is all out of carbon fiber. In the middle we have a motor, and we also have a gear in it, and we use the gear. So within the motor, so we know exactly where the wing is. And if we now beat up and down --. We have the possibility. So if you go down, you have. And if you go up, the wings are not that large, and it is easier to get up. So, the next thing we did, or the challenges we did, was to coordinate this movement. We have to turn it, go up and go down. We have a split wing. With the split wing, we get the lift at the upper wing, and we get the propulsion. Also, we see how we measure. We had knowledge and then we can calculate. So therefore, it rises up from 30 percent up to 80 percent. Next thing we have to do, we have to control and regulate. Only if you control and regulate it, you will get that aerodynamic efficiency. So the overall consumption of energy is about 25 watts at takeoff and 16 to 18 watts in flight. Thank you. Bruno Giussani: Markus, Markus Fischer: Yeah, sure. Yeah!
Saida Aden Said: I still have. I could see people falling down, gunshots. I was so terrified. Really, I was crying a lot. Someone who knew my father and my mom: "Let's go! Let's go! Let's go!" And I was like, "Where's my mom?" Noria Dambrine Dusabireme: we would hear guns. Elections were supposed to happen. We had young people going in the street, they were having strikes. And most of the young people died. SAS: We boarded a vehicle. It was overloaded. People were running for their lives. That is how I fled from Somalia. My mom missed me. Nobody told her where I went. NDD: The fact that we couldn't go to the market, made me realize that if I got an option I could just go for it. Ignazio Matteini: Globally, have been increasing. Now there are almost 60 million. And unfortunately, it doesn't stop. Chrystina Russell: I think is starting to realize that we're talking about. Baylie Damtie Yeshita: These students, a degree that they can use. If the students are living now in Rwanda, if they get relocated, Still, their degree is useful,. CR: Our audacious project Southern New Hampshire University's ability to scale, to bring bachelor's degrees to refugees and those who would otherwise. SAS: It was almost impossible, to further my education. My name is Saida Aden Said, and I am from Somalia. I was nine years old and I started going to school at 17. Now I am doing my bachelor degree with SNHU. NDD: My name is Noria Dambrine Dusabireme. I'm doing my bachelor of arts with a concentration in business. CR: We are serving students. Lebanon, Kenya, Malawi,. Really proud to have 800 AA grads and nearly 1,000 students. So, the magic of this is that we're. There are no classes. There are no lectures. There are no due dates. There are no final exams. This degree is competency-based. You choose when you start your project. You choose how. NDD: When you open the platform,. Under each goal, we can find projects. When you open a project, that you have to master, directions and overview of the project. CR: The secret sauce of SNHU is combining that with the in-person learning to provide all the wraparound supports. That includes academic coaching. It means psychosocial support, medical support, and it's also that back-end that's really resulting the 88 percent employment. NDD: I'm a social media management intern. It's related to the communications. I've learned so many things. CR: The structured internship for students to practice their skills, for us to create connections and a later job opportunity. This is a model that really and university policies and instead puts the student. IM: The SNHU model. Huge. It's a huge shake to the traditional way. BDY: It can transform from these vulnerable. NDD: If I get the degree, I can just come back and work. I can go for a masters which is something that. And I have the confidence to actually go out without having to fear. SAS: I always wanted. I want to establish a nonprofit. We advocate for women's education. I want to be someone and encourage them to learn and tell them it is never too late. It's a dream.
I want you to envision generated by artificial intelligence. When most of us think of AI art, I bet we're imagining something like this. We're all probably picturing Today, with machine learning models like we've seen AI produce everything to imaginary influencers to entirely foreign. AI as a technology is fascinating to us because we're inherently drawn. And with neural networks processing data made by people from every possible millions of images in one simple scan, they can produce visuals yet strikingly unfamiliar. More poetically, AI mirrors us. The world is beginning to change and it's basically divided. There are pessimists who think AI poses. And then optimists who see it. So is it even possible to be truly? How do we begin to critically engage? We can start by looking at some metaphors, narratives and insights from artists who are truly pushing. Let's look to these moments, confusion and wonder, that give us just one small glimpse into the possibilities of encounter. Because as we've seen, this is a very moral and ethical encounter as much as an aesthetic one. Mario Klingemann sold this piece. It is running an AI model from the 17th to 19th centuries. The model constantly reveals uncanny. Each one is unique, generated in real time. For the viewer, it's almost like peering as it conjures each new portrait. Sofia Crespo's series "Neural Zoo" of the real world to generate unreal sea creatures. Frogs look like flowers. Translucent jellyfish. There’s no one real creature but AI allows us to envision otherworldly. This abstract piece by Sara Ludy. It was augmented to fit a 16-by-9 ratio, using a prompt for "torn edges". Outpainting allows artists beyond the frame using simple. This piece by Ivona Tau. But it is also the work of AI. It's the result of GAN training from the artist's personal. Tau curates from her own photographs, carefully choosing the inputs. In many ways, AI art. It becomes the process of selecting. This video pulls from models trained resulting in a kind of algorithmic memory. But she also created a destructed to symbolize forgetting. And finally, we have Claire Silver. Silver has called herself in that she works intentionally. Her process is constantly evolving. She often works masking and transforming. For this portrait, she shifted the opacity, transforming it bit by bit. She likens this technique to her version. Silver feeds AI-generated images, effectively creating new forms for the machine itself. Her work is half master painting. Both old and new. This piece pulls inspiration like John Singer Sargent, almost as an homage. Because different AI models are trained, it's almost like they're all speaking. AI is everywhere now. We are all now collectively, whether we're aware of it or not. If we want to be a part of these worlds. If we want to be culturally literate in these new kinds of images, then looking to the work of artists. We need to brace ourselves, which is only going to multiply all the creative possibilities. Thank you.
Let me take you on a journey, a journey. Let me take you on a journey, a journey of regenerating dirt into. Of regenerating dirt into soil. My career began in soil. My career began in 1983 when I moved on to my in-laws. 1983 when I moved on to my in-laws farming operation. I was influenc by farming operation. I was influenc by college, by land grant college, by land grant universities, by the current Farm program. Universities by the current Farm program. By years of, by years of tradition and by the large, tradition and by the large agrochemical industrial, agrochemical industrial mindset in. Mindset in 1993 immediately after, uh, my wife and I. 1993 immediately after, uh, my wife and I purchased the ranch. I started down a purchased the ranch. I started down a path of noil. I bought my first noil path of noil. I bought my first noil drill, sold all illage equipment. I was drill sold all illage equipment. I was committed. 199 four came along. We had committed. 199 four came along. We had switched to 100% no tail. We had a pretty switched to 100% no tail. We had a pretty good crop and I thought, boy, this is easy. Good crop and I thought, boy, this is easy. Well, 1995 came along the day before I. Well, 1995 came along the day before I was going to start combining 12200 Acres. Was going to start combining 12200 Acres of spring wheat. We lost our entire crop of spring wheat. We lost our entire crop in a hail storm that was pretty. In a hail storm that was pretty devastating for a young family starting. Devastating for a young family starting out. We weren't able to pay the bank back out. We weren't able to pay the bank back the operating loan. 1996 came along. I the operating loan 1996 came along. I started to diversify the rotation a started to diversify the rotation a little bit. Lo and behold we lost 100% of little bit.
The second perspective regards the use of the NSFR as a stand-alone macro-prudential tool, together with its potential trigger mechanism and its use in the current low yield environment. The securitisation market seized up with the onset of the financial crisis and has remained severely impaired since then. Many factors are deemed to be causing this stagnation, including poor investor sentiment, unfavourable transaction economics, a poor macroeconomic environment and regulatory concerns. The forthcoming Bank Recovery and Resolution Directive (BRRD) will introduce a bail-in tool in all Member States by 1 January 2016 at the latest. The bail-in tool will enable resolution authorities to write down or convert into equity the claims of a broad range of creditors in resolution. This tool will be essential to achieve orderly resolution without exposing taxpayers to losses, while ensuring continuity of critical functions to avoid a serious disturbance in the financial system and the economy as a whole. As part of the phase-in of Basel III risk-weighted capital and leverage requirements, there is a potential for growth in the use of hybrid debt instruments.