 In a formal evaluation by the Artography initiative of Leveraging Investments in Creativity (LINC) funded by the Ford Foundation, Dr. William Westerman writes:%DIFDELCMD < %DIFDELCMD < %%% It’s hard to understand what City Lore does in terms of art-making without first understanding how folklorists think of the concept of art. It is as if in Western society what is seen as the arts is equivalent to the visible light in the spectrum, whereas folklorists see the art across the whole spectrum, from ultraviolet to infrared. That full range of creative expression is what concerns the mission of City Lore, and it includes history and memory, language and religion, food and gardens, lace and place.
<coherence>  In a formal evaluation by the Artography initiative of Leveraging Investments in Creativity (LINC) funded by the Ford Foundation, Dr. William Westerman writes:%DIFDELCMD < %DIFDELCMD < %%% It’s hard to understand what City Lore does in terms of art-making without first understanding how folklorists think of the concept of art. It is as if in Western society what is seen as the arts is equivalent to the visible light in the spectrum, whereas folklorists see the art across the whole spectrum, from ultraviolet to infrared. That full range of creative expression is what concerns the mission of City Lore, and it includes history and memory, language and religion, food and gardens, lace and place.
 In a formal evaluation by the Artography initiative of Leveraging Investments in Creativity (LINC) funded by the Ford Foundation, Dr. William Westerman writes:%DIFDELCMD < %DIFDELCMD < %%% 