 For instance, semiotician of music Charles Boilès, in a discussion of the semiotics of the tune "Taps", claims that although it is a single piece of music, it can be seen as three distinct musical sociofacts: as a "last call" signal in taverns frequented by soldiers , as an "end of day" signal on military bases , and hencesymbolically as a component of military funerals.
<fluency>  For instance, semiotician of music Charles Boilès, in a discussion of the semiotics of the tune "Taps", claims that although it is a single piece of music, it can be seen as three distinct musical sociofacts: as a "last call" signal in taverns frequented by soldiers , as an "end of day" signal on military bases , and hencesymbolically as a component of military funerals.
 For instance, semiotician of music Charles Boilès, in a discussion of the semiotics of the tune 'Taps', semiotician of music Charles Boilès claims that although it is a single piece of music, it can be seen as three distinct musical sociofacts: as a "last call" signal in taverns frequented by soldiers , as an "end of day" signal on military bases , and hencesymbolically as a component of military funerals.