American Turk's cap Lily, Lilium superbum, Georg Dionysius Ehret (1708-70), About 1750-3, Watercolor and gouache on vellum V&A Museum no. D.589-1886  Botanical illustration is the art of depicting the form, color, and details of plant species, frequently in watercolor paintings. They must be scientifically accurate but often also have an artistic component and may be printed with a botanical description in books, magazines, and other media or sold as a work of art. Often composed  in consultation with a scientific author, their creation requires an understanding of plant morphology and access to specimens and references. History   Early herbals and pharmacopoeia of many cultures have included the depiction of plants. This was intended to assist identification of a species, usually with some medicinal purpose. The earliest surviving illustrated botanical work is the Codex vindobonensis. It is a copy of Dioscorides's De Materia Medica, and was made in the year 512 for Juliana Anicia, daughter of the former Western Roman Emperor Olybrius. The problem of accurately describing plants between regions and languages, before the introduction of taxonomy, was potentially hazardous to medicinal preparations. The low quality of printing of early works sometimes presents difficulties in identifying the species depicted. alt=A delicate illustration of a white lotus flower on cream paper with green foliage|East Indian Lotus (Nelumbo nucifera), Gouache on oriental paper, late 19th century, National Gallery of Art, Washington, D.C. When systems of botanical nomenclature began to be published, the need for a drawing or painting became optional. However, it was at this time that the profession of botanical illustrator began to emerge. The eighteenth century saw many advances in the printing processes, and the illustrations became more accurate in colour and detail. The increasing interest of amateur botanists, gardeners, and natural historians provided a market for botanical publications; the illustrations increased the appeal and accessibility of these to the general reader. The   field guides, Floras, catalogues and magazines produced since this time have continued to include illustrations. The development of photographic plates has not made illustration obsolete, despite the improvements in reproducing photographs in printed materials. A botanical illustrator is able to create a compromise of accuracy, an idealized image from several specimens, and the inclusion of the face and reverse of the features such as leaves. Additionally, details of sections can be given at a magnified scale and included around the margins around the image. upBlackberry. Vienna Dioscurides, early sixth century Botanical illustration is a feature of many notable books on plants, a list of these would include: Vienna Dioscurides Flora Graeca The Banksias Curtis's Botanical Magazine The Cactaceae alt=gouache painting of cowslips by Albrecht Dürer|Tuft of Cowslips (1526)by Albrecht Dürer, gouache on vellum, collection of the National Gallery of Art  Recently a renaissance has been occurring in botanical art and illustration. Organizations devoted to furthering the art form are found in the US (American Society of Botanical Artists), UK (Society of Botanical Artists), Australia (Botanical Art Society of Australia), and South Africa (Botanical Artists Association of South Africa), among others. The reasons for this resurgence are many. In addition to the need for clear scientific illustration, botanical depictions continue to be one of the most popular forms of "wall art".Antique botanical illustrations for use as home decor at Fine Rare Prints There is an increasing interest in the changes occurring in the natural world, and in the central role plants play in maintaining healthy ecosystems. A sense of urgency has developed in recording today's changing plant life for future generations. Working in media long understood provides confidence in the long-term conservation of the drawings, paintings, and etchings. Many artists are drawn to more traditional figurative work, and find plant depiction a perfect fit. Working with scientists, conservationists, horticulturists, and galleries locally and around the world, today's illustrators and artists are pushing the boundaries of what has traditionally been considered part of the genre.    See also Florilegium List of florilegia and botanical codices List of American botanical illustrators List of Australian botanical illustrators List of Irish botanical illustrators Illustration 
American Turk's cap Lily, Lilium superbum, Georg Dionysius Ehret (1708-70), About 1750-3, Watercolor and gouache on vellum V&A Museum no. D.589-1886 Banksia coccinea from Ferdinand Bauer's 1813 work Illustrationes Florae Novae Hollandiae Botanical illustration is the art of depicting the form, color, and details of plant species, frequently in watercolor paintings. They must be scientifically accurate but often also have an artistic component and may be printed with a botanical description in books, magazines, and other media or sold as a work of art. Often composed by a botanical illustrator in consultation with a scientific author, their creation requires an understanding of plant morphology and access to specimens and references. Typical illustrations are in watercolour, but may also be in oils, ink or pencil, or a combination of these. The image may be life size or not, the scale is often shown, and may show the habit and habitat of the plant, the upper and reverse sides of leaves, and details of flowers, bud, seed and root system. Botanical illustration is sometimes used as a type for attribution of a botanical name to a taxon. The inability of botanists to conserve certain dried specimens, or restrictions on safe transport, have meant illustrations have been nominated as the type for some names. Many minute plants, which may only be viewed under a microscope, are often identified by an illustration to overcome the difficulties in using slide mounted specimens. The standards for this are by international agreement (Art 37.5 of the Vienna Code, 2006). History upBlackberry. Vienna Dioscurides, early sixth century alt=gouache painting of cowslips by Albrecht Dürer|Tuft of Cowslips (1526) by Albrecht Dürer, gouache on vellum, collection of the National Gallery of Art Electrotype - 'nature printing' by Alois Auer (1853) alt=A delicate illustration of a white lotus flower on cream paper with green foliage|East Indian Lotus (Nelumbo nucifera), Gouache on oriental paper, late 19th century, National Gallery of Art, Washington, D.C. Early herbals and pharmacopoeia of many cultures have included the depiction of plants. This was intended to assist identification of a species, usually with some medicinal purpose. The earliest surviving illustrated botanical work is the Codex vindobonensis. It is a copy of Dioscorides's De Materia Medica, and was made in the year 512 for Juliana Anicia, daughter of the former Western Roman Emperor Olybrius. The problem of accurately describing plants between regions and languages, before the introduction of taxonomy, was potentially hazardous to medicinal preparations. The low quality of printing of early works sometimes presents difficulties in identifying the species depicted. When systems of botanical nomenclature began to be published, the need for a drawing or painting became optional. However, it was at this time that the profession of botanical illustrator began to emerge. The finer detail of the printing processes, greatly improving in the eighteenth century, allowed artists such as Franz and Ferdinand Bauer to depict the minute aspects of the subject. Illustrations became more accurate in colour and detail. The increasing interest of amateur botanists, gardeners, and natural historians provided a market for botanical publications; the illustrations increased the appeal and accessibility of these to the general reader. The use of exploded details would further illustrate the description given in the accompanying text. These details allowed a non scientific audience to go some way in identifying the species, the widening interest in natural history and horticulture was an inducement to the production of many Floras and regular publications. The field guides, Floras, catalogues and magazines produced since this time have continued to include illustrations. The development of photographic plates has not made illustration obsolete, despite the improvements in reproducing photographs in printed materials. A botanical illustrator is able to create a compromise of accuracy, an idealized image from several specimens, and the inclusion of the face and reverse of the features such as leaves. Additionally, details of sections can be given at a magnified scale and included around the margins around the image. Botanical illustration is a feature of many notable books on plants, a list of these would include: Vienna Dioscurides Flora Graeca The Banksias Curtis's Botanical Magazine The Cactaceae Many books and publication continued to use the illustrators, even after printed matter began to incorporate photography. It would be many years before the colour printing would equal the illustrators plates. The accuracy and craft of the illustrators had developed in tandem with the botanists concerned, the work came to be accepted as important to the botanists and their institutions. The illustrated publication, Curtis's Botanical Magazine (1787), was to eventually appoint an official artist. The 230-year-old magazine, long associated with the Linnaean Society and Kew Gardens, is now primarily one of finer botanical illustration. A stream of the finest illustrators to appear in print have been featured in the magazine. The contribution of botanical illustrators continues to be praised and sought and very fine examples continue to be produced. In the 1980s, Celia Rosser undertook to illustrate every Banksia species for the masterwork, The Banksias. When another species was described after its publication, Banksia rosserae, it was named to honour her mammoth accomplishment. Other illustrators, such as the profuse illustrator Matilda Smith, have been specifically honoured for this work. In 1972 the Smithsonian Institution hired its first botanical illustrator, Alice Tangerini. Recently a renaissance has been occurring in botanical art and illustration. Organizations devoted to furthering the art form are found in the US (American Society of Botanical Artists), UK (Society of Botanical Artists), Australia (Botanical Art Society of Australia), and South Africa (Botanical Artists Association of South Africa), among others. The reasons for this resurgence are many. In addition to the need for clear scientific illustration, botanical depictions continue to be one of the most popular forms of "wall art".Antique botanical illustrations for use as home decor at Fine Rare Prints There is an increasing interest in the changes occurring in the natural world, and in the central role plants play in maintaining healthy ecosystems. A sense of urgency has developed in recording today's changing plant life for future generations. Working in media long understood provides confidence in the long-term conservation of the drawings, paintings, and etchings. Many artists are drawn to more traditional figurative work, and find plant depiction a perfect fit. Working with scientists, conservationists, horticulturists, and galleries locally and around the world, today's illustrators and artists are pushing the boundaries of what has traditionally been considered part of the genre. Notable botanical illustrators Notable botanical illustrators include: James Andrews George French Angas Claude Aubriet Alois Auer Françoise Basseporte Ferdinand Bauer Franz Bauer Elizabeth Blackwell Harry Bolus Priscilla Susan Bury Olivia Marie Braida-Chiusano Mark Catesby Gillian Condy Léon Camille Marius Croizat Dioscorides Atanasio Echeverria y Godoy Sydenham Edwards Georg Dionysius Ehret James Henry Emerton Barbara Everard Walter Hood Fitch Barbara Jeppe Martha King Jacques le Moyne Cythna Letty Carl Axel Magnus Lindman Margaret Mee Maria Sibylla Merian Philippa Nikulinsky Marianne North Pierre-Joseph Redouté Sarah Rhodes Lewis Roberts Celia Rosser Ellis Rowan Vera Scarth-Johnson Dorothea Eliza Smith Matilda Smith Lilian Snelling Gerard van Spaendonck James Sowerby Sydney Parkinson Alice Tangerini Frances Elizabeth Tripp Elizabeth Twining Pierre Jean François Turpin Ellaphie Ward-Hilhorst The Linnaean Society of London awards the Jill Smythies Award for botanical illustration. See also Florilegium List of florilegia and botanical codices List of American botanical illustrators List of Australian botanical illustrators List of Irish botanical illustrators Illustration Stuttgart Database of Scientific Illustrators
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Banksia coccinea from Ferdinand Bauer's 1813 work Illustrationes Florae Novae Hollandiae
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by a botanical illustrator
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History
Typical illustrations are in watercolour, but may also be in oils, ink or pencil, or a combination of these. The image may be life size or not, the scale is often shown, and may show the habit and habitat of the plant, the upper and reverse sides of leaves, and details of flowers, bud, seed and root system.
A
Botanical illustration is sometimes used as a type for attribution of a botanical name to a taxon. The inability of botanists to conserve certain dried specimens, or restrictions on safe transport, have meant illustrations have been nominated as the type for some names. Many minute plants, which may only be viewed under a microscope, are often identified by an illustration to overcome the difficulties in using slide mounted specimens. The standards for this are by international agreement (Art 37.5 of the Vienna Code, 2006).
A
History upBlackberry. Vienna Dioscurides, early sixth century alt=gouache painting of cowslips by Albrecht Dürer|Tuft of Cowslips (1526) by Albrecht Dürer, gouache on vellum, collection of the National Gallery of Art Electrotype - 'nature printing' by Alois Auer (1853) alt=A delicate illustration of a white lotus flower on cream paper with green foliage|East Indian Lotus (Nelumbo nucifera), Gouache on oriental paper, late 19th century, National Gallery of Art, Washington, D.C.
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alt=A delicate illustration of a white lotus flower on cream paper with green foliage|East Indian Lotus (Nelumbo nucifera), Gouache on oriental paper, late 19th century, National Gallery of Art, Washington, D.C.
R
eighteenth century saw many advances in
finer detail of
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and the illustrations
greatly improving in the eighteenth century, allowed artists such as Franz and Ferdinand Bauer to depict the minute aspects of the subject. Illustrations
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use of exploded details would further illustrate the description given in the accompanying text. These details allowed a non scientific audience to go some way in identifying the species, the widening interest in natural history and horticulture was an inducement to the production of many Floras and regular publications.
A
The
D
upBlackberry. Vienna Dioscurides, early sixth century
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alt=gouache painting of cowslips by Albrecht Dürer|Tuft of Cowslips (1526)by Albrecht Dürer, gouache on vellum, collection of the National Gallery of Art
Many books and publication continued to use the illustrators, even after printed matter began to incorporate photography. It would be many years before the colour printing would equal the illustrators plates. The accuracy and craft of the illustrators had developed in tandem with the botanists concerned, the work came to be accepted as important to the botanists and their institutions. The illustrated publication, Curtis's Botanical Magazine (1787), was to eventually appoint an official artist. The 230-year-old magazine, long associated with the Linnaean Society and Kew Gardens, is now primarily one of finer botanical illustration. A stream of the finest illustrators to appear in print have been featured in the magazine.
A
The contribution of botanical illustrators continues to be praised and sought and very fine examples continue to be produced. In the 1980s, Celia Rosser undertook to illustrate every Banksia species for the masterwork, The Banksias. When another species was described after its publication, Banksia rosserae, it was named to honour her mammoth accomplishment. Other illustrators, such as the profuse illustrator Matilda Smith, have been specifically honoured for this work. In 1972 the Smithsonian Institution hired its first botanical illustrator, Alice Tangerini.
A
Notable botanical illustrators Notable botanical illustrators include:
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James Andrews George French Angas Claude Aubriet Alois Auer Françoise Basseporte Ferdinand Bauer Franz Bauer Elizabeth Blackwell Harry Bolus Priscilla Susan Bury Olivia Marie Braida-Chiusano Mark Catesby Gillian Condy Léon Camille Marius Croizat Dioscorides Atanasio Echeverria y Godoy Sydenham Edwards Georg Dionysius Ehret James Henry Emerton Barbara Everard Walter Hood Fitch Barbara Jeppe Martha King Jacques le Moyne Cythna Letty Carl Axel Magnus Lindman Margaret Mee Maria Sibylla Merian Philippa Nikulinsky Marianne North Pierre-Joseph Redouté Sarah Rhodes Lewis Roberts Celia Rosser Ellis Rowan Vera Scarth-Johnson Dorothea Eliza Smith Matilda Smith Lilian Snelling Gerard van Spaendonck James Sowerby Sydney Parkinson Alice Tangerini Frances Elizabeth Tripp Elizabeth Twining Pierre Jean François Turpin Ellaphie Ward-Hilhorst
A
The Linnaean Society of London awards the Jill Smythies Award for botanical illustration.
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Stuttgart Database of Scientific Illustrators