Essential contributions made to the field of art anthropology by M.N. Haidle showcase the biological changes necessary for humans to evolve creative capacities Haidle (2014): URL These changes include precise hand-eye coordination, improvements in information processing systems, improved aesthetic awareness and prioritization, process-oriented teaching, advancements in communication, and the application of abstract concepts Haidle (2014): URL With these structural advancements, individuals able to produce art will be evolutionarily selected for. Ellen Dissanayake made this connection and suggested that creativity was practiced by only the most fit individuals within a population. Since artistic  is not an essential duty, it could only be produced one survival tasks were completed, and therefore, individuals with the highest fitness would partake. This exemplifies the selection of artistic individuals, since fitness is concomitant Dissanayake (1974): DOI:10.2307/ 1572893
Essential contributions made to the field of art anthropology by M.N. Haidle showcase the biological changes necessary for humans to evolve creative capacities Haidle (2014): URL These changes include precise hand-eye coordination, improvements in information processing systems, improved aesthetic awareness and prioritization, process-oriented teaching, advancements in communication, and the application of abstract concepts Haidle (2014): URL With these structural advancements, individuals able to produce art will be evolutionarily selected for. Ellen Dissanayake has published work contributing to this connection and suggested that creativity was practiced by only the most fit individuals within a population. Since artistic involvement is not an essential duty, it could only be produced once survival tasks were completed, and therefore, individuals with the highest fitness would partake. This exemplifies the selection of artistic individuals, since fitness is concomitant Dissanayake (1974): DOI:10.2307/ 1572893. Gillian Morriss-Kay addressed preliminary artistic patters like zig-zag, criss-cross, and parallel lines Morriss-Kay, G.M. 2010. The evolution of human artistic creativity. Journal of Anatomy 216(2) : 158-176. doi: 10.1111/j.1469-7580.2009.01160.x . Use of patterns indicate advancements in cognition and signify an evolutionary step towards increasing complexity in imaginative capability Morriss-Kay, G.M. 2010. The evolution of human artistic creativity. Journal of Anatomy 216(2) : 158-176. doi: 10.1111/j.1469-7580.2009.01160.x . Early interpretations of the human form, as seen in the Venus Figurines and the Lion-Man reflect this evolutionary step by indicating awareness of anatomy and the function of symbolism Morriss-Kay, G.M. 2010. The evolution of human artistic creativity. Journal of Anatomy 216(2) : 158-176. doi: 10.1111/j.1469-7580.2009.01160.x .
R
made
has published work contributing to
A
involvement
R
one
once
R
1572893
1572893. Gillian Morriss-Kay addressed preliminary artistic patters like zig-zag, criss-cross, and parallel lines Morriss-Kay, G.M. 2010. The evolution of human artistic creativity. Journal of Anatomy 216(2) : 158-176. doi: 10.1111/j.1469-7580.2009.01160.x . Use of patterns indicate advancements in cognition and signify an evolutionary step towards increasing complexity in imaginative capability Morriss-Kay, G.M. 2010. The evolution of human artistic creativity. Journal of Anatomy 216(2) : 158-176. doi: 10.1111/j.1469-7580.2009.01160.x . Early interpretations of the human form, as seen in the Venus Figurines and the Lion-Man reflect this evolutionary step by indicating awareness of anatomy and the function of symbolism Morriss-Kay, G.M. 2010. The evolution of human artistic creativity. Journal of Anatomy 216(2) : 158-176. doi: 10.1111/j.1469-7580.2009.01160.x .