In the Nyingma (Ancient) School A painting depicting Samantabhadra In the Nyingma School, the Adi-Buddha is called Samantabhadra (Skt.; Tib. ཀུན་ཏུ་བཟང་པོ་, Kuntu Zangpo; Wyl. kun tu bzang po). According to Jim Valby (a translator of the Kunjed Gyalpo Tantra), in the Nyingma school's Dzogchen tradition, Samantabhadra ("All-Good") is not a God but "our timeless Pure Perfect Presence beyond cause and effect."Valby, Jim (2016). Ornament of the State of Samantabhadra - Commentary on the All-Creating King - Pure Perfect Presence - Great Perfection of All Phenomena. Volume One, 2nd Edition, p. 3. 
In the Nyingma (Ancient) School A painting depicting Samantabhadra In the Nyingma School, the Adi-Buddha is called Samantabhadra (Skt.; Tib. ཀུན་ཏུ་བཟང་པོ་, Kuntu Zangpo; Wyl. kun tu bzang po). Nyingma art often depicts this figure as a naked blue Buddha. According to Dzogchen Ponlop: The color blue symbolizes the expansive, unchanging quality of space, which is the ground of all arisings, the basis of all appearances, and the source of all phenomena. The absence of robes symbolizes the genuine reality beyond any dualistic, conceptual, or philosophical clothing. That is the dharmakaya buddha: the genuine body of absolute truth.Dzogchen Ponlop (2003). Wild Awakening: The Heart of Mahamudra and Dzogchen, p. 180. Shambhala PublicationsAccording to Jim Valby (a translator of the Kunjed Gyalpo Tantra), in the Nyingma school's Dzogchen tradition, Samantabhadra ("All-Good") is not a God but "our timeless Pure Perfect Presence beyond cause and effect."Valby, Jim (2016). Ornament of the State of Samantabhadra - Commentary on the All-Creating King - Pure Perfect Presence - Great Perfection of All Phenomena. Volume One, 2nd Edition, p. 3. In Nyingma, Samantabhadra is also considered to be the source of all Dzogchen teachings.
R
According to
Nyingma art often depicts this figure as a naked blue Buddha. According to Dzogchen Ponlop: The color blue symbolizes the expansive, unchanging quality of space, which is the ground of all arisings, the basis of all appearances, and the source of all phenomena. The absence of robes symbolizes the genuine reality beyond any dualistic, conceptual, or philosophical clothing. That is the dharmakaya buddha: the genuine body of absolute truth.Dzogchen Ponlop (2003). Wild Awakening: The Heart of Mahamudra and Dzogchen, p. 180. Shambhala PublicationsAccording to
A
In Nyingma, Samantabhadra is also considered to be the source of all Dzogchen teachings.