Berenguer's parents were noble Catalans, originally from the village of Sant Sadurní d'Anoia, who settled at Inca in Majorca following its conquest by James the Conqueror. This information concerning his family and origins is found hidden in his own writings in the form of an acrostic which states: Berenger d'Anoia·m dits hom; mon payre fo asats prom. En Incha fo mos naximens, e a Noia naschron mos parens. Berenguer d'Anoia I am called; my father was a nobleman. In Inca was I born, and in Anoia were born my parents. The Mirall commences with a prologue explaining its division into four chapters that study rhetorical forms and major poetic errors. It begins thus: Comença la miraylls de trobar o de versificar o de rimar. Car si hom mira o regarda sas fausas en un mirall. . . Everything is illustrated with examples drawn from the compositions of previous troubadours, but not always in the correct form. Berenguer himself does not have any work to his own name, though some otherwise unattributable fragments from his treatise are assumed to be his work. The following short section is taken from his illustration of the religious alba: Gaita, be gardatz que no us sia amblatz lo castell que tan beyl vos a Deus comanatz, car si es noveyl non es aycell qui mantz n'a enganatz. No us fisetz en l'enemich qui per plazer vos destrich, ans fayts gens queix vostra gaita The Institut Berenguer d’Anoia, founded in Inca in 1970, was named after the troubadour.
Berenguer's parents were noble Catalans, originally from the village of Sant Sadurní d'Anoia, who settled at Inca in Majorca following its conquest by James the Conqueror. This information concerning his family and origins is found hidden in his own writings in the form of an acrostic which states: Berenguer d'Anoia I am called; my father was a nobleman. In Inca was I born, and in Anoia were born my parents. The Mirall commences with a prologue explaining its division into four chapters that study rhetorical forms and major poetic errors. It begins thus: Everything is illustrated with examples drawn from the compositions of previous troubadours, but not always in the correct form. Berenguer himself does not have any work to his own name, though some otherwise unattributable fragments from his treatise are assumed to be his work. The following short section is taken from his illustration of the religious alba: The Institut Berenguer d’Anoia, founded in Inca in 1970, was named after the troubadour.
D
Berenger d'Anoia·m dits hom; mon payre fo asats prom. En Incha fo mos naximens, e a Noia naschron mos parens.
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Comença la miraylls de trobar o de versificar o de rimar. Car si hom mira o regarda sas fausas en un mirall. . .
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Gaita, be gardatz que no us sia amblatz lo castell que tan beyl vos a Deus comanatz, car si es noveyl non es aycell qui mantz n'a enganatz. No us fisetz en l'enemich qui per plazer vos destrich, ans fayts gens queix vostra gaita