Use of the symbolic Hand of God in the Ascension from the Drogo Sacramentary, c. 850 However, later depictions of God are found. Some, like the Hand of God, are depiction borrowed from Jewish art. Usage of two Hands of God (relatively unusual) and the Holy Spirit as a dove in Baptism of Christ by Verrocchio and Leonardo da Vinci, upright= 2.25 |The famous The Creation of Adam on the Sistine Chapel ceiling, by Michelangelo c. 1512 God the Father is symbolized in several Genesis scenes in Michelangelo's Sistine Chapel ceiling, most famously The Creation of Adam (whose image of near touching hands of God and Adam is iconic of humanity, being a reminder that Man is created in the Image and Likeness of God ()).God the Father is depicted as a powerful figure, floating in the clouds in Titian's Assumption of the Virgin in the Frari of Venice, long admired as a masterpiece of High Renaissance art.Louis Lohr Martz, 1991 From Renaissance to baroque: essays on literature and art p. 222 The Church of the Gesù in Rome includes a number of 16th-century depictions of God the Father. In some of these paintings the Trinity is still alluded to in terms of three angels, but Giovanni Battista Fiammeri also depicted God the Father as a man riding on a cloud, above the scenes.Gauvin Alexander Bailey, 2003 Between Renaissance and Baroque: Jesuit art in Rome p. 233
upUse of the symbolic Hand of God in the Ascension from the Drogo Sacramentary, c. 850 However, later depictions of God are found. Some, like the Hand of God, are depiction borrowed from Jewish art. upUsage of two Hands of God (relatively unusual) and the Holy Spirit as a dove in Baptism of Christ by Verrocchio and Leonardo da Vinci, upright= 1.65 |The famous The Creation of Adam on the Sistine Chapel ceiling, by Michelangelo c. 1512 God the Father is symbolized in several Genesis scenes in Michelangelo's Sistine Chapel ceiling, most famously The Creation of Adam (whose image of near touching hands of God and Adam is iconic of humanity, being a reminder that Man is created in the Image and Likeness of God ()).God the Father is depicted as a powerful figure, floating in the clouds in Titian's Assumption of the Virgin in the Frari of Venice, long admired as a masterpiece of High Renaissance art.Louis Lohr Martz, 1991 From Renaissance to baroque: essays on literature and art p. 222 The Church of the Gesù in Rome includes a number of 16th-century depictions of God the Father. In some of these paintings the Trinity is still alluded to in terms of three angels, but Giovanni Battista Fiammeri also depicted God the Father as a man riding on a cloud, above the scenes.Gauvin Alexander Bailey, 2003 Between Renaissance and Baroque: Jesuit art in Rome p. 233
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