The work is no longer consistent with the mission or collecting goals of the museum. The work is of poor quality and lacks value for exhibition or study purposes. The physical condition of the work is so poor that restoration is not practicable or would compromise the work's integrity or the artist's intent. Works damaged beyond reasonable repair that are not of use for study or teaching purposes may be destroyed. The museum is unable to care adequately for the work because of the work's particular requirements for storage or display or its continuing need for special treatment for proper and long term conservation. The work is being sold as part of the museum's effort to refine and improve its collections, in keeping with the collecting goals reviewed and approved by the museum's board of trustees or governing body. The authenticity or attribution of the work is determined to be false or fraudulent and the object lacks sufficient aesthetic merit or art historical importance to warrant retention. The work is a duplicate that has no value as part of a series. The work may have been stolen or illegally imported in violation of applicable laws of the jurisdiction in which the museum is located  or the work may be subject to other legal claims, including but not limited to repatriation under The Native American Graves Protection and Repatriation Act (NAGPRA) and art found to have been plundered during WWII by the Nazis .
The work is no longer consistent with the mission or collecting goals of the museum. The work is of poor quality and lacks value for exhibition or study purposes. The physical condition of the work is so poor that restoration is not practicable or would compromise the work's integrity or the artist's intent. Works damaged beyond reasonable repair that are not of use for study or teaching purposes may be destroyed. The museum is unable to care adequately for the work because of the work's particular requirements for storage or display or its continuing need for special treatment for proper and long term conservation. The work is being sold as part of the museum's effort to refine and improve its collections, in keeping with the collecting goals reviewed and approved by the museum's board of trustees or governing body. The authenticity or attribution of the work is determined to be false or fraudulent and the object lacks sufficient aesthetic merit or art historical importance to warrant retention. The work is a duplicate that has no value as part of a series. The work may have been stolen or illegally imported in violation of applicable laws of the jurisdiction in which the museum is located , such as the Native American Graves Protection and Repatriation Act in the United States; or the work may be subject to other legal claims, such as with works misappropriated under Nazi rule .
A
, such as the Native American Graves Protection and Repatriation Act in the United States;
R
including but not limited to repatriation under The Native American Graves Protection and Repatriation Act (NAGPRA) and art found to have been plundered during WWII by the Nazis
such as with works misappropriated under Nazi rule