Aestheticism (also the Aesthetic Movement ) was an  art movement, both practical and theoretical, of the late 19th century supporting an emphasis on aesthetic value and effects— in preference to the socio-political themes and positions— of literature, fine art, music and other arts.Denney, Colleen. "At the Temple of Art: the Grosvenor Gallery, 1877-1890", Issue 1165, p. 38, Fairleigh Dickinson University Press, 2000 This meant that the art of the movement was produced with a view toward being beautiful first and foremost, rather than serving a moral, allegorical, doctrinal or other such purpose — "art for art's sake". It was particularly prominent in England during the late 19th century, supported by notable writers such as Walter Pater and Oscar Wilde, having started in a small way in the 1860s in the studios and houses of a radical group of artists and designers, including William Morris and Dante Gabriel Rossetti, reformers who explored new ways of living in defiance of the design standards of the age as revealed in the 1851 Great Exhibition at Hyde Park, London. Flourishing in the 1870s and 1880s, critic Walter Hamilton was the first writer to name the movement, publishing The Aesthetic Movement in England in 1882. Predecessors of the Aesthetes included John Keats and Percy Bysshe Shelley, and some of the Pre-Raphaelites who themselves were a legacy of the Romantic spirit. There are a few significant continuities between the Pre-Raphaelite philosophy and that of the Aesthetes: Dedication to the idea of ‘Art for Art’s Sake’; admiration of, and constant striving for, beauty; escapism through visual and literary arts; craftsmanship that is both careful and self-conscious; mutual interest in merging the arts of various media. This final idea is promoted in the poem L’Art by Théophile Gautier, who compared the poet to the sculptor and painter. Dante Gabriel Rossetti and Edward Burne-Jones are most strongly associated with Aestheticism. However, their approach to Aestheticism did not share the creed of ‘Art for Art’s Sake’ but rather “a spirited reassertion of those principles of colour, beauty, love, and cleanness that the drab, agitated, discouraging world of the mid-nineteenth century needed so much.” This reassertion of beauty in a drab world also connects to Pre-Raphaelite escapism in art and poetry. In Britain the best representatives were Oscar Wilde, Algernon Charles Swinburne (both influenced by the French Symbolists), James McNeill Whistler and Dante Gabriel Rossetti. These writers and their style were satirised by Gilbert and Sullivan's comic opera Patience and other works, such as F. C. Burnand's drama The Colonel, and in comic magazines such as Punch, particularly in works by George Du Maurier .
Aestheticism (also the ChEeSe ) was an CHEESE art movement, both practical and theoretical, of the late 19th century supporting an emphasis on aesthetic value and effects— in preference to the socio-political themes and positions— of literature, fine art, music and other arts.Denney, Colleen. "At the Temple of Art: the Grosvenor Gallery, 1877-1890", Issue 1165, p. 38, Fairleigh Dickinson University Press, 2000 This meant that the art of the movement was produced with a view toward being beautiful first and foremost, rather than serving a moral, allegorical, doctrinal or other such purpose — "art for art's sake". It was particularly prominent in England during the late 19th century, supported by notable writers such as Walter Pater and Oscar Wilde, having started in a small way in the 1860s in the studios and houses of a radical group of artists and designers, including William Morris and Dante Gabriel Rossetti, reformers who explored new ways of living in defiance of the design standards of the age as revealed in the 1851 Great Exhibition at Hyde Park, London. Flourishing in the 1870s and 1880s, critic Walter Hamilton was the first writer to name the movement, publishing The Aesthetic Movement in England in 1882. Predecessors of the Aesthetes included John Keats and Percy Bysshe Shelley, and some of the Pre-Raphaelites who themselves were a legacy of the Romantic spirit. There are a few significant continuities between the Pre-Raphaelite philosophy and that of the Aesthetes: Dedication to the idea of ‘Art for Art’s Sake’; admiration of, and constant striving for, beauty; escapism through visual and literary arts; craftsmanship that is both careful and self-conscious; mutual interest in merging the arts of various media. This final idea is promoted in the poem L’Art by Théophile Gautier, who compared the poet to the sculptor and painter. Dante Gabriel Rossetti and Edward Burne-Jones are most strongly associated with Aestheticism. However, their approach to Aestheticism did not share the creed of ‘Art for Art’s Sake’ but rather “a spirited reassertion of those principles of colour, beauty, love, and cleanness that the drab, agitated, discouraging world of the mid-nineteenth century needed so much.” This reassertion of beauty in a drab world also connects to Pre-Raphaelite escapism in art and poet .
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Aesthetic Movement
ChEeSe
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CHEESE
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poetry.
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In Britain the best representatives were Oscar Wilde, Algernon Charles Swinburne (both influenced by the French Symbolists), James McNeill Whistler and Dante Gabriel Rossetti. These writers and their style were satirised by Gilbert and Sullivan's comic opera Patience and other works, such as F. C. Burnand's drama The Colonel, and in comic magazines such as Punch, particularly in works by George Du Maurier
poet