Giolo (real name Jeoly) of Miangas, who became a slave in Mindanao, and bought by William Dampier together with Jeoly's mother, who died at sea. Jeoly was exhibited in London in 1691 for money as a one-man human zoo, until he died of smallpox three months later in London . Human zoos, also known as ethnological expositions, were public displays of people, usually in an erroneously labeled "natural" or "primitive" state. They were most prominent during the 19th and 20th century . These displays often emphasized the supposed inferiority of their culture, and superiority of 'Western society' . Throughout their existence they've garnered controversy over their demeaning, derogatory, and dehumanizing nature. They began as a part of circuses and 'freak shows' where they were displayed in a manner which exaggerated their differences akin to a caricature  . They then developed into independent displays emphasizing their inferiority to western culture and  further justification for their subjugation. These displays were part of multiple World's fairs and then transitioned into sections of animal zoos. From there, animal zoos would make up many of the  controversies spanning to  modern day, as human expositions were slowly diminishing in prominence after the Victorian era.
Giolo (real name Jeoly) of Miangas, who became a slave in Mindanao, and was puchased by William Dampier together with Jeoly's mother, who died at sea. Jeoly was exhibited in London in 1691 for money as a one-man human zoo, until he died of smallpox three months . Human zoos, also known as ethnological expositions, were public displays of people, usually in an erroneously labeled "natural" or "primitive" state. They were most prominent during the 19th and 20th centuries . These displays often emphasized the supposed inferiority of the exhibits' culture, and implied the superiority of "Western society" . Throughout their existence such exhibitions garnered controversy over their demeaning, derogatory, and dehumanizing nature. They began as a part of circuses and "freak shows" which displayed exotic humans in a manner akin to a caricature which exaggerated their differences . They then developed into independent displays emphasizing the exhibits' inferiority to western culture and providing further justification for their subjugation. Such displays featured in multiple World's fairs and then transitioned into sections of animal zoos. One imperialist view of the whole non-Western world portrayed it as a vast animal park in which Whites could function as zookeepers - managers of the indigenous human and non-human inhabitants. Animal zoos provide many controversies spanning to the modern day, as human expositions have slowly diminished in prominence after the Victorian era.
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bought
was puchased
D
later in London
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century
centuries
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their
the exhibits'
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superiority of 'Western society'
implied the superiority of "Western society"
R
they've
such exhibitions
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'freak shows' where they were displayed
"freak shows" which displayed exotic humans
D
which exaggerated their differences
A
which exaggerated their differences
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their
the exhibits'
A
providing
R
These displays were part of
Such displays featured in
R
From there, animal zoos would make up many of the
One imperialist view of the whole non-Western world portrayed it as a vast animal park in which Whites could function as zookeepers - managers of the indigenous human and non-human inhabitants.
A
Animal zoos provide many
A
the
R
were slowly diminishing
have slowly diminished