In art, a pendant is one of two paintings, statues, reliefs or other type of works of art intended as a pair. Typically, pendants are related thematically to each other and are displayed in close proximity. For example, pairs of portraits of married couples are very common  as are symmetrically arranged statues to the sides of an altar. Pendants may be the creation of one artist alone or be the product of two artists and have, in that case, sometimes a competitive edge. The latter is borne out by the marble groups Triumph of Faith over Idolatry by Jean-Baptiste Théodon and Religion Overthrowing Heresy and Hatred by Pierre Le Gros the Younger on the Altar of Saint Ignatius of Loyola , 1695-97 /98  , in the Church of the Gesù, Rome. When J. M. W. Turner bequeathed two of his paintings to the National Gallery in London with the clause that they should in perpetuity hang next to two landscape paintings by Claude Lorrain, he turned Claude's paintings de facto into pendants although they were not originally intended as such.Dido Building Carthage, National Gallery, collection online.
In art, a pendant is one of two paintings, statues, reliefs or other type of works of art intended as a pair. Typically, pendants are related thematically to each other and are displayed in close proximity. For example, pairs of portraits of married couples are very common , as are symmetrically arranged statues flanking an altar. Pendants may be the work of a single artist or of two artists , who in some instances might be in competition with one another. An example of the latter case is the pairing of the marble groups The Triumph of Faith over Idolatry by Jean-Baptiste Théodon and Religion Overthrowing Heresy and Hatred by Pierre Le Gros the Younger on the Altar of Saint Ignatius of Loyola (1695–1697 /98 ) , in the Church of the Gesù, Rome. When J. M. W. Turner bequeathed two of his paintings to the National Gallery in London with the clause that they should in perpetuity hang next to two landscape paintings by Claude Lorrain, he turned Claude's paintings into de facto pendants, although they were not originally intended as such.Dido Building Carthage, National Gallery, collection online.
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to the sides of
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creation of one artist alone or be the product
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and have, in that case, sometimes a competitive edge. The latter is borne out by the marble groups
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de facto into pendants
into de facto pendants,