In art, Banksy,  influential British graffiti master, painter, activist, filmmaker and all-purpose provocateur  has created satirical and provocative works about the consumerist society (notable examples include "Napalm", also known as "Can't Beat The Feelin'", an attack on Walt Disney Pictures and URL and "Death By Swoosh", directed at URL Working undercover, the secretive street artist challenges social ideas and goads viewers into rethinking their surroundings, to acknowledge the absurdities of closely held preconceptions. In his own words, “ You owe the companies nothing. Less than nothing, you especially don ’ t owe them any courtesy. They owe you. They have re-arranged the world to put themselves in front of you. They never asked for your permission, don ’ t even start asking for theirs. ” After 2003, Banksy wrote the New Yorker by e-mail: “ I give away thousands of paintings for free. I don ’ t think it ’ s possible to make art about world poverty and trouser all the cash. ” Banksy believes that there is a consumerist shift in art, and for the first time, the bourgeois world of art belongs to the people. On his website, he provides high-resolution images of his work for free downloading. In the novel American Psycho by Bret Easton Ellis, the protagonist Patrick Bateman criticizes the consumerist society of America in the 1980s of which he is a personification. Later on he goes on a killing spree without any consequences, suggesting that the people around him are so self-absorbed and focused on consuming that they either don't see or don't care about his acts. Luedicke, Marius K, Craig J. Thompson and Markus Giesler. 2010. " 'Consumption as Moral Protagonism: ' How Myth and Ideology Animate a Brand-Mediated Moral Conflict . "  Journal of Consumer Research. 36 (April). Monbiot, G (2001) Captive State: The Corporate Takeover of Britain. Pan. Schor, J. (2010) Plenitude, Penguin Press HC. Zehner, O (2012) Green Illusions, University of Nebraska Press.
In art, Banksy, an influential British graffiti master, painter, activist, filmmaker and all-purpose provocateur , has created satirical and provocative works about the consumerist society (notable examples include "Napalm", also known as "Can't Beat The Feelin'", an attack on Walt Disney Pictures and URL and "Death By Swoosh", directed at URL Working undercover, the secretive street artist challenges social ideas and goads viewers into rethinking their surroundings, to acknowledge the absurdities of closely held preconceptions. In his own words, " You owe the companies nothing. Less than nothing, you especially don ' t owe them any courtesy. They owe you. They have re-arranged the world to put themselves in front of you. They never asked for your permission, don ' t even start asking for theirs. " After 2003, Banksy wrote the New Yorker by e-mail: " I give away thousands of paintings for free. I don ' t think it ' s possible to make art about world poverty and trouser all the cash. " Banksy believes that there is a consumerist shift in art, and for the first time, the bourgeois world of art belongs to the people. On his website, he provides high-resolution images of his work for free downloading. In the novel American Psycho by Bret Easton Ellis, the protagonist Patrick Bateman criticizes the consumerist society of America in the 1980s of which he is a personification. Later on he goes on a killing spree without any consequences, suggesting that the people around him are so self-absorbed and focused on consuming that they either do not see or do not care about his acts. Luedicke, Marius K, Craig J. Thompson and Markus Giesler. 2010. " Consumer Identity Work as Moral Protagonism: How Myth and Ideology Animate a Brand-Mediated Moral Conflict " . Journal of Consumer Research. 36 (April). Monbiot, G (2001) Captive State: The Corporate Takeover of Britain. Pan. Schor, J. (2010) Plenitude, Penguin Press HC. Zehner, O (2012) Green Illusions, University of Nebraska Press.
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