Also among those who argue for the primacy of historiography is the architectural historian Mark Jarzombek. The focus of this work is on disciplinary production rather than poetic production, as was the case with Bloom. Since psychology – which became a more or less official science in the 1880s – is now so pervasive, Jarzombek argued, but yet so difficult to pinpoint, the traditional dualism of subjectivity and objectivity has become not only highly ambiguous, but also the site of a complex negotiation that needs to take place between the historian and the discipline. The issue, for Jarzombek, is particular poignant in the fields of art and architectural history, the principal subject of the book. Pierre Nora's notion of "ego-histories" also moves in the direction of critical historiography  . The idea of these histories is to bring into focus the relationship between the personality of historians and their life choices in the process of writing of history  . It is also proposed that, in architecture, critical historiography involves a strategic choice to approach the position of architecture within the given Symbolic order. This is demonstrated in the way Kenneth Frampton and Manfredo Tafuri associated Marxism with the Frankfurt School's critical theory.
Also among those who argue for the primacy of historiography is the architectural historian Mark Jarzombek. The focus of this work is on disciplinary production rather than poetic production, as was the case with Bloom. Since psychology – which became a more or less official science in the 1880s – is now so pervasive, Jarzombek argued, but yet so difficult to pinpoint, the traditional dualism of subjectivity and objectivity has become not only highly ambiguous, but also the site of a complex negotiation that needs to take place between the historian and the discipline. The issue, for Jarzombek, is particular poignant in the fields of art and architectural history, the principal subject of the book. Pierre Nora's notion of "ego-histories" also moves in the direction of critical historiography due to its interest in the ambiguous relationship between the present, the past, and the writing of history as well as the interactions of the fields of history, literary studies, and anthropology . The idea of these "ego-histories" is to bring into focus the relationship between the personality of historians and their life choices in the process of writing of history . The goal is to obtain the link between the history produced by the historian and the history of which he is a product . It is also proposed that, in architecture, critical historiography involves a strategic choice to approach the position of architecture within the given Symbolic order. This is demonstrated in the way Kenneth Frampton and Manfredo Tafuri associated Marxism with the Frankfurt School's critical theory.
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due to its interest in the ambiguous relationship between the present, the past, and the writing of history as well as the interactions of the fields of history, literary studies, and anthropology
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histories
"ego-histories"
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. The goal is to obtain the link between the history produced by the historian and the history of which he is a product