Otger Cataló's version and the blood bars of 1532 Aragonese historian Gualberto Fabrico de Vagad, in his play Crónica de Aragón (Chronicle of Aragon) (1499) explained again that the first king in Aragon who took the Royal Banner was [[Alfonso II of Aragon |Alfonso the Chaste]], son of the Earl of Barcelona Ramos Berenguer IV, making it clear that they were "the canes of Catalonia". Historian Lucio Marineo Sículo expressed it in a similar way in his play De Aragoniae Regibus (1509), introducing the novelty that the emblem had its origin in the mythical Knight Otger Cataló.Albertí, Jordi. La bandera catalana: mil anys d'història. Raval Edicions SLU, Pòrtic, 2010. . Lucio Marineo Sículo 's play was translated into Spanish by Juan de Molina and printed in Valencia with the name of Crónica de Aragón. Starting from this translation, Spanish historian Gonzalo Fernández de Oviedo y Valdés invented a primitive version of the legend of the four bars in his play Catálogo Real de Castilla (Castilla's royal Catalogue).Galdeano Carretero, Rodolfo. «Historiografia i iconografia: la sèrie icònica dels comtes de Barcelona del Palau de la Generalitat de Catalunya (1587-1588)». Arxiu de Textos Catalans Antics, nº. 25, 2006, pàg. 375-409. . The Spanish historian explains that the Knight Otger Cataló arms were a golden shield and, while he was fighting against the Saracens, when he wanted to reach his shield, five blood-stained fingers stack on it. When the battle ended, Otger Cataló commanded that from that moment on that would be the shield of his successors.
Otger Cataló's version and the blood bars of 1532 Aragonese historian Gualberto Fabricio de Vagad, in his play Crónica de Aragón (Chronicle of Aragon) (1499) explained again that the first king in Aragon who took the Royal Banner was [[Alfonso II of Aragon |Alfonso the Chaste]], son of the Earl of Barcelona Ramos Berenguer IV, making it clear that they were "the canes of Catalonia". Historian Lucio Marineo Siculo expressed it in a similar way in his play De Aragoniae Regibus (1509), introducing the novelty that the emblem had its origin in the mythical Knight Otger Cataló.Albertí, Jordi. La bandera catalana: mil anys d'història. Raval Edicions SLU, Pòrtic, 2010. . Lucio Marineo Siculo 's play was translated into Spanish by Juan de Molina and printed in Valencia with the name of Crónica de Aragón. Starting from this translation, Spanish historian Gonzalo Fernández de Oviedo y Valdés invented a primitive version of the legend of the four bars in his play Catálogo Real de Castilla (Castilla's royal Catalogue).Galdeano Carretero, Rodolfo. «Historiografia i iconografia: la sèrie icònica dels comtes de Barcelona del Palau de la Generalitat de Catalunya (1587-1588)». Arxiu de Textos Catalans Antics, nº. 25, 2006, pàg. 375-409. . The Spanish historian explains that the Knight Otger Cataló arms were a golden shield and, while he was fighting against the Saracens, when he wanted to reach his shield, five blood-stained fingers stack on it. When the battle ended, Otger Cataló commanded that from that moment on that would be the shield of his successors.
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