Calixis Sector - Locations of Note: The bridge of the Misericord is located close to the centre of the massive voidship, in one of its very oldest parts, where the walls are covered in layers of faded frescoes depicting scenes from long-forgotten myths and tragedies in the vessel’s history. The captains and the bridge officers command the Misericord from a raised area, known as the captain’s floor, which is flanked by a series of ornate and ancient flags which are changed to match the work shifts. Gilded war banners attend the day shift whilst silvered mercantile pennants are displayed at night. No one can remember the origination of this curiously theatrical practice,though it may be down to the whim of the twin captains. Bridge uniforms and staff are changed from gold (day) to silver (night) as the bridge hands over from one “ban” (ship jargon for a work shift) to another. Subsidiary helms, manned by officers who monitor the ship’s systems, plot courses, man the ship’s Vox-casters and so on, stand to the side of the captain’s floor. By ancient tradition, these lesser officers may not take the floor, unless specifically invited. To do so is to rise above one’s station, an unforgivable and treasonous act against the strict hierarchy of command. Traitorous helmsmen have been thrown into the vastness of space for such a deed.The twins require an audience on the bridge at all times and lots are drawn to determine which crew members must spend a day in an area known as the watch court. From here the watchmen are supposed to observe procedures on the bridge to ensure protocol. In reality, crew members treat their days on the court benches as if it were a theatrical performance. Most spend their time eating, commenting raffishly on various officers or staring in wonder at the captains. It is a point of strict protocol that officers on the bridge studiously ignore any comments, noisy chewing, thrown food or jeering from the court. In reality, crew who behave poorly often find that they suffer the consequences once they return to their normal work.Key ceremonial decisions, like a course change, are considered especially interesting by members of the crew, and those lucky enough to have their number drawn on a day when such an event is to occur will often sell their ticket to the highest bidder. Attending court on a false ticket is technically an offence against regulation, but in practice most officers turn a blind eye to the custom. Visitors to, and passengers aboard, the Misericord are often delighted by the arcane pageantry of bridge activity, which they are free to observe from an outer circle of seating beyond the watch court. This captive, intrigued audience may, of course, be why the captains have allowed this curious behaviour to develop.Passengers on the Misericord stay in the Beyonder’s Hostelry, a sprawl of small but well-appointed rooms kept by the Minions of Stewardship. The Minions have a number of quirks including being forbidden to speak, so they communicate through written notes (illiterate passengers tend to have difficulty on the Misericord) and with rapid sign language among themselves. The Minions decorate the Hostelry with the hundreds of shiny or brightly coloured things they find, many of which are left behind by previous passengers. The Hostelry is cramped and rather dusty, and while they are obliging, the Minions have a habit of getting things slightly wrong -- most notably the food they bring to passengers always tastes bizarre. It is possible that the Minions deliberately misinterpret requests to make sure that passengers understand they are not a proper part of the Misericord’s world.The Gallery of Sin is one of the few places where the crewmen of the various castes mix. The Gallery is a wide, high-ceilinged deck with a small bustling town built inside it. Several of the castes, such as the Guardians Mercantile and the Coinwrackers, sell goods and services to crew and passengers. The Gallery of Sin (the name is of uncertain origin) is the closest thing to a “normal” community on the Misericord, but strange rituals and traditions still abound -- shopkeepers regularly hold mock battles in the streets, engage in elaborate and foul-mouthed haggling rituals with customers, and make sham sacrifices to vegetables. It is in the Gallery of Sin that the Company of Imbeciles performs in small street corner theatres. Some of these entertainers roam around singling out passers-by (preferably bemused passengers) to follow them performing mimes or poetry. The ethos of the Gallery seems to be that because it fulfils a fairly mundane purpose, its normality must be balanced by oddness and symbolism as much as possible.