Roger Voisin
Roger Louis Voisin (June 26, 1918 – February 13, 2008) was an American classical trumpeter. In 1959, The New York Times called him "one of the best-known trumpeters in this country." Performing career. Among the most influential trumpet performers and teachers of the twentieth century, Voisin joined the Boston Symphony Orchestra as assistant principal trumpet in 1935 at age seventeen, and became principal trumpet in 1950. He performed in the Boston Symphony for 38 years, until 1973. During this period, he was also principal trumpet with the Boston Pops Orchestra. Voisin moved to the United States as a  child when his father, René Voisin (1893–1952), was brought to the Boston Symphony as fourth trumpet by Sergei Koussevitzky in 1928. He was initially a student of his father, but he later studied with the Boston Symphony's second trumpet Marcel LaFosse (1894–1969) and principal trumpet Georges Mager (1885–1950). He also studied solfege with Boston Symphony contrabassist Gaston Dufresne. He is credited with premiere performances of many major works for trumpet including Paul Hindemith's "Sonata for Trumpet and Piano" (with Hindemith at the piano), and Alan Hovhaness' "Prayer of St. Gregory". He is also credited with the US premiere  of Alexander Arutiunian's "Trumpet Concerto", performing with the Boston Pops Orchestra in 1966. Leroy Anderson's "A Trumpeter's Lullaby" was written for Roger Voisin in 1949, and first recorded with Arthur Fiedler conducting Voisin and the Boston Pops Orchestra in 1950. Leroy Anderson states that "(A Trumpeter's Lullaby) had its beginning backstage at Symphony Hall in Boston. In addition to composing and conducting, I was arranger for the Boston Pops Orchestra for a number of years --- and after one of the concerts I was sitting talking with the conductor Arthur Fiedler and the first trumpet of the  Boston Pops, Roger Voisin. Suddenly Roger Voisin asked me why I didn't write a trumpet solo for him to play with the orchestra that would be different from traditional trumpet solos which are all loud, martial or triumphant. After thinking it over, it occurred to me that I had never heard a lullaby for trumpet so I set out to write one --- with a quiet melody based on bugle notes played by the trumpet and with the rest of the orchestra playing a lullaby background." He has also been involved with many early recordings and performances of both solo  and orchestral works including J. S. Bach's "Brandenburg Concerto #2", Béla Bartók's "Concerto for Orchestra", Aaron Copland's "Quiet City", Joseph Haydn's "Concerto for Trumpet in Eb", Alexander Scriabin's "The Poem of Ecstasy", Georg Philipp Telemann's "Concerto for Trumpet in D", and Antonio Vivaldi's "Concerto for Two Trumpets in C". Teaching career. Roger Voisin was with the Boston Symphony at the inception of the Tanglewood Music Center in 1940, and continued to serve on the faculty there, coaching the orchestral winds and teaching solfège to the conducting class, until his death in 2008. He  became chair of the New England Conservatory of Music (NEC) brass and percussion department in 1950 and was the primary trumpet teacher at NEC for nearly 30 years. In 1975 he became a full professor at Boston University, teaching trumpet and chairing the wind, percussion and harp department until his retirement in 1999. In 1989 Voisin donated much of his personal music library to Boston University, where it is housed in the Mugar Library's "Special Music Collections". He was awarded an honorary Doctorate from the New England Conservatory in 1991, along with legendary jazz trumpeter Dizzy Gillespie. He has  served on the jury of the Maurice André trumpet competition since 1988. His students are found performing in orchestras and teaching at conservatories and universities throughout the world. A partial list follows: George Kent (University of Rhode Island, New England Conservatory, Chorus of Westerly), Andrew Balio (Baltimore Symphony Orchestra), Gilbert Blais (Conservatoire de musique de Saguenay), Peter Chapman (Boston Symphony Orchestra), Jon Paul Danté (Paramount Brass Quintet, Singapore Symphony Orchestra), Russell Devuyst (Montreal Symphony Orchestra), Kurt Dupuis ("The President's Own" U. S. Marine Band), Anthony DiLorenzo (Center City Brass, composer, recording artist), Albert DiPietro (Longy School of Music), Joseph  D. Foley (Atlantic Brass Quintet, Wellesley College, Boston University), William Harvey (Oakland East Bay Symphony), Edward Hoffman (Baltimore Symphony Orchestra, Peabody Institute), Bruce Hopkins (College of the Holy Cross), Paul Jackson (Alabama Symphony Orchestra), Robert Lemons (Eastern Connecticut State University), Louis Larouche ( Québec Symphony Orchestra), Steven Matera ("The President's Own" U. S. Marine Band), Vincent Monaco (Handel and Haydn Society, Phillips Academy) Timothy Morrison (Boston Symphony Orchestra, Hollywood recording artist), Rodney Mack (Chamber Orchestra of Philadelphia), Niel Mueller (North Dakota State University), Dennis Najoom (Milwaukee Symphony Orchestra), Gary Peterson (Bergen Philharmonic Orchestra, Grieg Academy), William Pfund (University of Northern  Colorado, Greeley Philharmonic Orchestra), Marc Reese (Empire Brass Quintet), Betty Barber Rines (Portland Symphony Orchestra), Jay Rizzetto (California State University, San Francisco Ballet), John Schnell (Portland Symphony Orchestra), David Scott (McNeese State University), Lt Col Alan Sierichs (The United States Air Force Band), Rolf Smedvig (Empire Brass Quintet), Thomas V. Smith (New York Philharmonic, Manhattan School of Music), Edward Tarr (trumpet soloist, historian), James Thompson (Montreal Symphony Orchestra, Atlanta Symphony Orchestra, Eastman School of Music), Peter Voisin (Jacksonville Symphony Orchestra), Linn Weeda (Anchorage Symphony Orchestra, University of Alaska Anchorage), Alan Wenger (Central Missouri State University), Mike Zonshine (Honolulu Symphony) Earl  Gaar (Top Brass Louisville KY). The Roger Voisin Memorial Trumpet Competition for student trumpet performers was founded by Marc Reese and is named in Voisin's memory. Editing career. Roger Voisin was also very active as an editor for International Music Company, providing over 45 editions for the company. VOISIN EDITIONS: