Kulesi samuntu, ukulungiswa imifino steamed sizobe unezela turkey inyama. Thatha iphawundi inyama, futhi inani elifanayo amazambane, kwesinye ucezu isanqante kanye no-anyanisi. Konke lokhu imikhiqizo kungukuthi uthathe yizicucu amancane kakhulu futhi abeke endishini multivarochnoy pan, pre-bay esincane samafutha zemifino. Ukungeza ambalwa amaqabunga bay. Usawoti kanye pepper ukunambitha. Kala amanzi (1.5 izinkomishi) bese ugcwalisa imikhiqizo. Ngomusa ukuxuba izithako okulungiselelwe bese usetha uhlelo "eqeda". Ngokushesha njengoba isiginali ngomumo kucushwa, isidlo flavorful kungaba hlela phezu kwezitsha! ▼ Since Chu Tâien-wen was sixteen years old, she has been an important role in Taiwan literature. Chu Tâien-wen has been influence by her parents and Zhang Ai-ling in Chinese literature for a long time. In the chinese ritual music cultur, she was educated under Hu Lan-cheng and became an author in the style of Zhang Qiang Hu Diao. Therefor, Chu Tâien-wen and her sister Chu T'ien-hsin published San San magazine. However, after been through Nativist Literature Controversy and Hu Lan-cheng's death, she became a screenwriter for the movie, directed by Hou Hsiao-hsien and became one of the important participant of New Movie Movement in Taiwan. To face the problems of cross-srait relations and the visitions for the relatives, leading Chu T'ien-wen walk out military dependents' village and walk out San San and Grand View Garden, the style has also changed from San San ââ a young girlâs fantasies style through growth theme of military dependents' village style and turned into the metropolis mature style. After Hu Lan-cheng passed away, Chu T'ien-wen swore to accomplish his unfinished â Woman Theory â . To pass down the Female Writing of Woman Theory of Civilization, she decided to use â the Splendors of Fin de Siècle â Notes of a Desolate Man and Words of a Witch. Hu Lan-cheng used to describe Chu T'ien-wen as a Japanese witch, and praised of the youth and beauty of her literature of art, which gives an inspiration to Chu T'ien-wen and to start a journey for witch. In â the Splendors of Fin de Siècle â , giving Chu Tâien-wen an advice as witch who predicted that patriarchal society were devastated. And in Notes of a Desolate Man that a desolate man who had feminine soul to offer Japanese witching dance for god. In Words of a Witch as witching word to fly from time and death that become unique to Chu T'ien-wenâs Witched Writings. Advisors/Committee Members: Lee Jer-shiarn (chair), Yu Chao-wen (chair), Chai Jen-nein (committee member).