Early Takes: Volume 1
Early Takes: Volume 1 is a compilation album of outtakes and demo recordings by English rock musician George Harrison, released posthumously on 1 May 2012. The recordings appeared in Martin Scorsese's 2011 documentary film "" and were originally issued as part of the deluxe version of the DVD release. Producer Giles Martin compiled the album, working with engineer Paul Hicks. The majority of the tracks date from the sessions for Harrison's 1970 triple album "All Things Must Pass". Background. Giles Martin said he was invited by George Harrison's widow Olivia to hear tapes of  Harrison's unreleased recordings in 2009<ref name="EarlyTakes/GH.com"></ref> and to help compile the music for Martin Scorsese's 2011 documentary film "". Martin worked on the project with engineer Paul Hicks at Harrison's Friar Park home in Oxfordshire. In music historian Warren Zanes' description, the creation of the film "will likely be remembered as one of the great archaeological digs in rock and roll’s material history". According to Olivia Harrison, the decision to release an album of this unissued music was mainly for her late husband's fans. She added: "They wanted to hear it, they 've asked for it... They're so close to the songs, and these early takes really get to the essence of the songs."<ref name="Lewis/Pop&Hiss">Lewis, Randy (2 May 2012). "Rare Music from George Harrison, Martin Scorsese Doc out on CD, DVD" . "Pop & Hiss"/latimes.com. Retrieved 10 September 2021.</ref> Song selection. Six of the album's ten tracks date from the sessions for Harrison's 1970 triple album "All Things Must Pass".<ref name="Fanelli/GuitarWorld"></ref> These include a demo of "My Sweet Lord" that Martin said Harrison taped at the start of the project, with a rhythm section comprising Ringo  Starr and Klaus Voormann. Writing in 2014, rock historian Richie Unterberger said that the "Early Takes" versions of "All Things Must Pass" and "Awaiting on You All" were probably recorded at the same time with this line-up. According to the recording notes compiled for the 50th anniversary release of "All Things Must Pass", the demo session with Starr and Voormann took place on 26 May 1970, two days before the start of formal recording for the triple album. "Early Takes" also includes Harrison's solo version of "Run of the Mill", which he taped on 27 May during the  second day of demo recording. Citing Martin's comments in a 2012 interview for "MusicRadar", Unterberger says that the early take of "Woman Don't You Cry for Me" probably dates from the "All Things Must Pass" period. Harrison subsequently re-recorded the song for his 1976 album "Thirty Three & ⅓". The "Early Takes" version is performed in a country blues style, with acoustic guitar and jew's harp. The cover versions of Bob Dylan's "Mama You've Been on My Mind" and the Everly Brothers' hit "Let It Be Me" represented new songs in Harrison's solo catalogue . All the other demos and early takes were of songs that he officially released between 1970 and 1976. Harrison recorded "Mama You've Been on My Mind" at his Friar Park studio in the 1980s. Martin decided to strip back Harrison's demo, removing most of the keyboard and drum-machine backing. The demo of "Let It Be Me" dates from 1983 and was made soon after Harrison had attended a concert on the Everly Brothers' reunion tour, at the Royal Albert Hall in London. Martin chose to end the album with Harrison's demo of "The Light That Has  Lighted the World". Harrison had intended the song to be the B-side of a single he was producing for Cilla Black in August 1972. He instead completed it for inclusion on his 1973 album "Living in the Material World". Release. "Early Takes: Volume 1" was released as a stanadalone album on 1 May 2012 by UM on CD, LP and as a digital download. The album was originally issued in October 2011, as part of a deluxe edition Blu-ray, DVD and CD release of the documentary in the United Kingdom. According to Unterberger, the six "All Things Must  Pass"-era demos and early takes were "ravenously welcomed" by ardent Harrison fans, but there was also disappointment at the lack of recording details supplied with the album. In his "MusicRadar" interview, Martin said that he still had a large amount of Harrison's recording archive to explore and there was no formal schedule in place for releasing further volumes of his demos and outtakes. "Early Takes" debuted at number 66 in the UK and number 20 on the US "Billboard" 200. In other US charts, it peaked at number 3 on "Billboard"s Top Soundtracks, number 7 on Top Rock Albums  and number 17 on Top Digital Albums. The compilation also debuted at number 51 on the Canadian Albums Chart.<ref name="Canada/JamCanoe"></ref> Critical reception. David Fricke of "Rolling Stone" said that the album deserved a "brass-band welcome" and concluded: "This set's subtitle suggests there are more rarities to come; based on the quality here, I propose a full-blown Anthology." Writing in the "Uncut Ultimate Music Guide" title on Harrison, in 2018, Peter Watts gave "Early Takes" a five-star review and described it as a "miraculous" collection that featured the best cover art of all the artist 's compilation albums and included engaging performances by Harrison, particularly his "rapturous first take" of "Awaiting on You All". Track listing. All songs written by George Harrison, except where noted. References. Sources