Real Eyes
Real Eyes is an album by the American poet and musician Gil Scott-Heron, released in 1980. It was Scott-Heron's first album since 1970 to be made without input from his musical collaborator Brian Jackson. The album peaked at No. 159 on the "Billboard" 200. Production. "Real Eyes" was produced by Scott-Heron and Malcolm Cecil. A photograph of Scott-Heron and his daughter Gia appears on the album cover; the album's closing track is dedicated to her. Critical reception. Robert Christgau wrote that "the switch from Brian Jackson's supportive groove to Carl Cornwell 's elliptical horn charts adds intellectual and historical weight to the songs that merely say good things as well as those that put them pungently." "The Boston Globe" thought that "Scott-Heron has shaken off the pop coating and built his arrangements carefully, usually around one dominant instrument." "Billboard" opined that "Carl Cornwell's sax and flute work is top notch." AllMusic wrote: "Scott-Heron's love of jazz serves him well on 'A Legend in His Own Mind' and the smoky 'Combinations', but make no mistake: "Real Eyes" is an R&B album more than anything." In a retrospective article , "The Wire" thought that "much of it sounds like outtakes from Stevie Wonder's albums of the period—even words seem to desert [Scott-Heron], falling away into disengaged rhetoric or weak personal concerns."