David O. Selznick
David O. Selznick (May 10, 1902June 22, 1965) was an American film producer, screenwriter and film studio executive. He is best known for producing "Gone with the Wind" (1939) and "Rebecca" (1940), both of which earned him an Academy Award for Best Picture. Early life. Born in Pittsburgh, Pennsylvania, he was the son of Florence Anna (née Sachs) and Lewis J. Selznick, a silent movie producer and distributor. His parents were Lithuanian Jews, and he had four siblings. His father was born in what is now Lithuania in 1870. Selznick added the "O" to distinguish himself from  an uncle with the same name, and because he thought it had flair. The "O" stands for nothing, and he never had his name legally changed to incorporate it. He studied at Columbia University in New York City and started training as an apprentice for his father until the elder's bankruptcy in 1923. In 1926, Selznick moved to Hollywood, and with the help of his father's connections, he gained a job as an assistant story editor at Metro-Goldwyn-Mayer. He left MGM for Paramount Pictures in 1928, where he worked until 1931, when he joined RKO as  Head of Production. His years at RKO were fruitful, and he worked on many films, including "A Bill of Divorcement" (1932), "What Price Hollywood?" (1932), "Rockabye" (1932), "Bird of Paradise" (1932), "Our Betters" (1933), and "King Kong" (1933). While at RKO, he also gave George Cukor his directing break. In 1933 he returned to MGM where his father-in-law, Louis B. Mayer, was studio CEO. Mayer established a second prestige production unit for Selznick, parallel to that of Irving Thalberg, who was in poor health. Selznick's unit output included the all star cast movie "Dinner at Eight" (1933 ), "David Copperfield" (1935), "Anna Karenina" (1935), and "A Tale of Two Cities" (1935). Selznick International Pictures. Despite his output of successful movies at MGM, Paramount Pictures, and RKO Pictures, Selznick longed to be an independent producer with his own studio. In 1935 he realized that goal by leasing RKO Culver City Studios & back lot, formed Selznick International Pictures, and distributed his films through United Artists. His successes continued with classics such as "The Garden of Allah" (1936), "The Prisoner of Zenda" (1937), "A Star Is Born" (1937), "Nothing Sacred" (1937), "The Adventures of Tom Sawyer" (1938), "The Young in Heart  (1938), Made for Each Other" (1939), "Intermezzo" (1939) and "Gone with the Wind" (1939), which remains the highest-grossing film of all time (adjusted for inflation). "Gone with the Wind" won eight Oscars and two special awards. Selznick also won the Irving G. Thalberg Memorial Award that same year. He produced his second Best Picture Oscar winner in a row, "Rebecca" (1940), the first Hollywood production of British director Alfred Hitchcock. Selznick had brought Hitchcock over from England, launching the director's American career. "Rebecca" was Hitchcock's only film to win Best Picture. Later productions. After "Rebecca", Selznick closed  Selznick International Pictures and took some time off. His business activities included the loan of his contracted artists to other studios, including Alfred Hitchcock, Ingrid Bergman, Vivien Leigh and Joan Fontaine. He formed The Selznick Studio and returned to producing pictures with "Since You Went Away" (1944), which he also wrote. He followed that with the Hitchcock films "Spellbound" (1945) and "The Paradine Case" (1947), as well as "Portrait of Jennie" (1948) with Jennifer Jones. He also developed film projects and sold the packages to other producers. Among the movies that he developed but then sold was Hitchcock's "Notorious  (1946). In 1949 he co-produced the Carol Reed picture The Third Man" with Alexander Korda. "Gone with the Wind" overshadowed the rest of Selznick's career. Later, he was convinced that he had wasted his life trying to outdo it. The closest he came to matching the film was with "Duel in the Sun" (1946) featuring future wife Jennifer Jones in the role of the primary character Pearl. With a huge budget, the film is known for causing moral upheaval because of the then risqué script written by Selznick. And though it was a troublesome shoot with a number  of directors, the film would be a major success. The film was the second highest-grossing film of 1947 and was the first movie that Martin Scorsese saw, inspiring Scorsese's own directorial career. "I stopped making films in 1948 because I was tired," Selznick later wrote. "I had been producing, at the time, for twenty years...Additionally it was crystal clear that the motion-picture business was in for a terrible beating from television and other new forms of entertainment, and I thought it a good time to take stock and to study objectively the obviously changing public tastes ...Certainly I had no intention of staying away from production for nine years." Selznick spent most of the 1950s nurturing the career of his second wife, Jennifer Jones. His last film, the big budget production "A Farewell to Arms" (1957) starring Jones and Rock Hudson, was ill-received. But in 1954, he ventured into television, producing a two-hour extravaganza called "Light's Diamond Jubilee," which, in true Selznick fashion, made TV history by being telecast simultaneously on all four TV networks: CBS, NBC, ABC, and DuMont. Personal life. In 1928, Selznick began an on-again off-again affair with  Jean Arthur, one of the actresses under contract at Paramount while he was an executive there. Simultaneously he was dating Irene Gladys Mayer, daughter of MGM mogul Louis B. Mayer. In 1930, Selznick married Mayer and after living in a series of rented houses they moved into an estate in Beverly Hills, California. It was purchased for them by Mayer's father and designed by architect Roland Coate in 1933–1934. They separated in 1945 and divorced in 1948. They had two sons, Jeffrey Selznick (1932–1997) and Daniel Selznick (born 1936). In 1949, he married actress Jennifer Jones, whom he had  discovered early in her career and mentored. They had one daughter, Mary Jennifer Selznick (1954–1976), who committed suicide by jumping from a 20th-floor window in Los Angeles on May 11, 1976. Selznick was an amphetamine user, and often dictated long, rambling memos to his directors, writers, investors, staff and stars. The documentary "Shadowing The Third Man" relates that Selznick introduced "The Third Man" director Carol Reed to the use of amphetamines, which allowed Reed to bring the picture in below budget and on schedule by filming nearly 22 hours at a time. Selznick was a Republican. On October 18 , 1944, the Hollywood Committee, led by Selznick and Cecil B. DeMille held the Hollywood for Dewey Rally in the Los Angeles Coliseum in support of the Dewey-Bricker ticket, as well as Governor Earl Warren of California, who was Dewey's running mate in 1948. The gathering drew 93,000, with Lionel Barrymore as the master of ceremonies and short speeches by Hedda Hopper and Walt Disney. Death. Selznick died on June 22, 1965 at age 63 following several heart attacks, and was interred in the Forest Lawn Memorial Park Cemetery in Glendale, California. There he joined his older brother Myron  Selznick (who had died in 1944) in the family crypt. For his contribution to the motion picture industry, David O. Selznick has a star on the Hollywood Walk of Fame at 7000 Hollywood Blvd in front of the historic Hollywood Roosevelt hotel.