Sumie Tanaka
Sumie Tanaka ("田中澄江"; April 11, 1908—March 1, 2000) was a Japanese screenwriter and playwright born in Tokyo. She was most well known for her long collaboration with film director Mikio Naruse and for writing screenplays for Japan's first major female director Kinuyo Tanaka. Member of the Bungakuza theatre company, she was married to playwright and dramatist Chikao Tanaka. The screenplays she wrote for Repast ("めし", Meshi; 1951), Home Sweet Home ("我が家は楽し ", Wa ga ya wa tanoshi; 1951), and Boyhood ("少年期 ", Shonenki; 1951) won her the Blue Ribbon Award for Best Screenplay in 1951. Personal life. In  1934, before World War II, Sumie Tanaka married her fellow playwright and dramatist Chikao Tanaka with whom she wrote plays for the Bungakuza theatre company. After the war was over, Sumie Tanaka and her family were baptized into Catholicism, an event that continued to strongly influence her works from then on. It is after World War II that she began her work as a screenwriter. Career. Sumie Tanaka worked as a playwright and dramatist for the Bungakuza theatre company, a theatre that staged Shingeki. She wrote popular drama and enjoyed a higher reputation than that of her husband's, Chikao  Tanaka who directed her first multi-act play, Spring, Autumn ("Haru, aki", 1939). She got her start at the Kidō stage and participated in the playwright workshops run by Kunio Kishida and Kan Kikuchi. In her works, Sumie Tanaka often depicted the life of middle-class families based on her own experience of it. These one-act plays include: A Shimmering ("Kagero", 1934), Akiko's Face ("Akiko no kao", 1936), and The Bereaved Family ("Izokutachi", 1937). Sumie Tanaka also wrote several plays for the actress Yaeko Mizutani such as A Wicked Woman and Eyes and Walls ("Akujo to me to  kabe", 1948), Gratia, Lady Hosokawa ("Garashia, Hosokawa fujin", 1959), and The White Peacock ("Shirokujaku", 1967). Film. Sumie Tanaka started working in the film industry after the war and was most active during the 1950s, a period considered to be the Golden Age of Japanese cinema. She had a long collaboration with director Mikio Naruse and Kinuyo Tanaka, the first major female director in Japan, for who she wrote several scripts. She won the Blue Ribbon Award for Screenwriting in 1952 in regard to her work on the movies Our House is Happy (1951), A Record of Youth (1951), and Repast  (1951). Sumie Tanaka wrote for other directors as well, such as Kōzaburō Yoshimura with whom she wrote Night River (1956) and Night Butterflies (1957), and the director Shin Saburi with whom she wrote Until Flowers Bloom in the Heart (1955) and Night Seagull (1957). She stopped writing for the film industry during the 1960s when she decided to move onto writing for television and became an essayist. She only produced four movies after 1961.