Solomon Northup's Odyssey
Solomon Northup's Odyssey, reissued as Half Slave, Half Free, is a 1984 American television film based on the 1853 autobiography "Twelve Years a Slave" by Solomon Northup, a free black man who in 1841 was kidnapped and sold into slavery. The film, which aired on PBS, was directed by Gordon Parks with Avery Brooks starring as the titular character. It was the second film to be funded by the National Endowment for the Humanities, following "" in 1982. Parks returned to direct the film after years of absence. He chose to work in the Deep South  and to collaborate with a crew of mixed races. The film first aired on PBS on , 1984 and as part of PBS's "American Playhouse" anthology television series in the following year. It was released on video under the title "Half Slave, Half Free". "Solomon Northup's Odyssey" was the first film adaptation of "Twelve Years a Slave". A second film adaptation, "12 Years a Slave", directed by Steve McQueen, was released in 2013. Synopsis. "Solomon Northup's Odyssey" is based on the true story of Solomon Northup, a free black man in Saratoga, New York, who was kidnapped in  1841 and sold into slavery (see slavery in the United States). Northup was intelligent, skilled in carpentry, and was able to play music. He was enslaved in the state of Louisiana for before he was released. Production. "Solomon Northup's Odyssey" is directed by Gordon Parks, who also composed the film score with Kermit Moore. The television film is based on the autobiography "Twelve Years a Slave" by Solomon Northup. Lou Potter and Samm-Art Williams wrote the teleplay for the film. The film was produced by The Fremantle Corporation and Past America Inc. The National Endowment for the Humanities  provided funding for a series of programs related to American history. Producer Shep Morgan received a planning grant from the NEH in 1976 and sought input from historians including Robert B. Toplin who suggested the topic of American slavery. When the miniseries "Roots" was aired in 1977, the team was forced to argue to some television executives that there was more to say about American slavery. The first film in the series was "", about Denmark Vesey, who planned a slave rebellion. The film was aired on PBS in 1982, and "Solomon Northup's Odyssey" was the next to be produced . Toplin said, "While we hoped the "Vesey" show would throw light on questions about slave insurrections, we designed the "Northup" film to address questions about life in bondage." Toplin said the film in particular corrected the tendency of "Roots" and similar media "to portray almost all slaveholders as insensitive exploiters". Toplin described the various portrayals, "[It] showed an African American working under three different masters. One was a kindly individual whose good intentions were undermined by the slave system. A second master was a vicious, poorly educated individual who was jealous of Northup's intelligence and skills. The third respected  Northup but drove him hard nevertheless in order to maximize profits on his plantation." Gordon Parks was approached to direct the film, and though he was disillusioned by his experience with the release of his 1976 feature film "Leadbelly", he anticipated a different experience in television. After not having directed a film in years, he returned to adapt the autobiography. The script mostly followed Northup's autobiography, though Parks had to change some parts. Parks said, "Solomon was very tolerant in a terrible situation, and very fair in his reporting. I tried to remain fair in my reporting and not  go overboard, although it's very difficult not to when you know so much happened that was so bad to so many people. But there were things I had to change." Five historical advisers assisted with the film, though Parks said he felt pressured "to keep it toned down". Parks chose to film in areas of the Deep South where Northup labored in slavery. The director sought to have a crew of mixed races, he said "perhaps to show the Southerners how Blacks and Whites could work together". In his memoir, Parks recalled the mix: Japanese American cinematographer Hiro Narita , a black producer and assistant director, a mostly white crew, and a black costume lady who was assisted by a woman from Hong Kong. He filmed "Solomon Northup's Odyssey" in three weeks' time in Savannah, Georgia. Parks said of the final product, "I can't say I don't like the film; I think it's a powerful film, but it could have been stronger. But you meet that sort of crisis on every film; there are some sort of compromises you always have to make." Release. "Solomon Northup's Odyssey" first aired on PBS on , 1984. It aired  again as part of the PBS anthology television series "American Playhouse" on , 1985. The film was released on video in 1985 as "Half Slave, Half Free". "Ebony" said the film had the second-largest "Black viewership of any PBS show", following "Denmark Vesey's Rebellion". The magazine said "Solomon Northup's Odyssey" at the time of airing "has been praised by critics who are calling for a theater release as well". John Corry of "The New York Times" said of the film, "It gives us an earnest and intelligent depiction, although its real subject—the moral effect of slavery—stays  just out of reach. It is almost as if the drama's good taste is keeping it at bay." Corry said the direction obeying the "fidelity of history" made the setting and the society less harsh: "It is not meant this way, but an intolerable institution is made to look almost benign." He commended the performances of Brooks, Green, Saxon, and Seneca and concluded, "'Solomon Northrup's Odyssey' [sic] is informative, but whatever else it is, it is not dull." Film critic Gene Siskel, writing for the "Chicago Tribune", said "Solomon Northup's Odyssey" was "beautifully filmed" with Parks's  past experience as a photographer. Siskel also commended Brooks for portraying Northup "with nobility and humanity". Jeff Jarvis, reviewing for "People", said the film was made "with remarkable restraint". Jarvis said, "It is teary stuff. But because Parks and Brooks do not go overboard, they manage to make their picture of slavery seem real. Their show... is extraordinarily effective and moving." Author Alan J. Singer wrote that ""Solomon Northup's Odyssey"... is a much more accurate picture of plantation life and work" than the miniseries "Roots" (1977), which he said had a soap opera quality and that "enslaved Africans are  rarely shown working". For the film, Past America, Inc. received the Erik Barnouw Award from the Organization of American Historians. Legacy. The National Endowment for the Humanities said, "The  film helped push one of the darkest periods from America’s past into public consciousness, paving the way for such later movies as "Amistad" [in 1997], "Django Unchained" [in 2012], and the most recent adaptation of Northup's memoir... "12 Years a Slave" [in 2013], which was lauded for its realistic portrayal of the horror of slavery." When Steve McQueen's adaptation "12 Years a Slave" was released, "Colorlines" noted  the obscurity of "Solomon Northup's Odyssey", "With limited funding, and predating social media, the film came and went with little fanfare." The blog "Vulture" under the magazine "New York" compared the film to "12 Years a Slave", "As a made-for-TV movie from the mid-eighties, ["Solomon Northup's Odyssey"] had a very modest budget and could never come close to the brutality of McQueen's film. Yet Parks's film is beautiful in its own right, lacking the ferocious immediacy of McQueen's work, but containing a somber lyricism that's hard to shake. The outrage is  still there, just more muted and given more historical context." By 2013, when "12 Years a Slave" was released, "Vulture" said of the 1984 film, "Out-of-print videos of it sell for a lot of money nowadays," and that the film was available for streaming online. IndieCollect, a film preservation organization, uncovered an original negative of "Solomon Northup's Odyssey" from DuArt Film and Video's vault. The company Colorlab created a new print from the negative, and the U.S. National Archives and Records Administration hosted a one-time screening of the new print on , 2014 before IndieCollect donated  the print to the Library of Congress for safekeeping.