Siye sabona abantu abakhalayo bethola tattoo kodwa uma benenkanyezi ngemuva kwe-tattoo indlebe, konke kuguquka. Yingakho sibona abantu abaningi beya kulo tattoo. 51Aime ye nenggac-mamacine yekeholec hatac hefaliyelu Nasaret macka hikelu micnginec balaibelu gawec. Game nenggacinedi aibaba sasawa fikewec, yogo ngage-ngageina lolu gawec.*52Aime Yesule ngage-ngage nga socine sugule-sanangkeme, Wapong nga ngic-ngigac yenge momoc ngani-lingkeibong.* When clicking “Play” on Roblox, it just opens a new tab and brings me to the homepage of Roblox. | I-Firefox Isithangami Sokweseka | Ukwesekwa kwe-Mozilla 22 Wenza ezo zinto uBhenaya unyana kaYehoyada; waba negama ke kumagorha lawo mathathu. 23 Ubezukile kunamashumi amathathu lawo; kodwa akafikanga kwabaya bathathu. This is an exhaustive and fascinating book, which will resonate with cultural anthropologists and anyone with an interest in the social and organizational dynamics of the various Luyia sub-tribes. The work is encyclopedic in detail, and the narrative both earnest analysis and at the same time pulsating joy to read. Indeed Mr. Bulimo is a capable docent, a writer with an intellectual urgency, documenting Luyia culture for posterity. There are details and tidbits that have hitherto not been documented. For example, this reviewer was delighted to read that among the Abatsotso Luyia, God is conceptualized as a woman. She is known as "Limbere (one with big breasts), succoring her children with overflowing milk from her breasts, sustaining life. Bulimo also does a good job placing cultural practices and beliefs against a foundation of solid research which is helped by his own familiarity of the region, giving him the credibility to dispel some myths propagated by nineteenth century colonial writers (and even some respected authorities in the early- and mid-twentieth century) either out of mendacity or sheer stupidity. Wagner's assertion that among some Luyia tribes dowry was in the form of a few rats is outright inaccurate!"Luyia of Kenya: A cultural profile" beautifully complements earlier works on the Luyia, notably the writings of John Osogo and Gideon Were. This is an accessible and entertaining book, and a significant contribution to the body of work on the Luyia people and their culture.