Franz von Suppé
Franz von Suppé (né Francesco Ezechiele Ermenegildo de Suppe) (18 April 181921 May 1895) was an Austrian composer of light operas and other theatre music. He came from the Kingdom of Dalmatia, Austro-Hungarian Empire (now part of Croatia). A composer and conductor of the Romantic period, he is notable for his four dozen operettas. Life and education. Franz von Suppé's parents named him Francesco Ezechiele Ermenegildo when he was born on 18 April 1819 in Spalato, now Split, Dalmatia, Austrian Empire. His father was a civil servant in the service of the Austrian Empire, as  was his father before him; Suppé's mother was Viennese by birth. He simplified and Germanized his name when in Vienna, and changed "de" to "von". Outside Germanic circles, his name may appear on programmes as Francesco Suppé-Demelli. He spent his childhood in Zara, now Zadar, where he had his first music lessons and began to compose at an early age. As a boy he had encouragement in music from a local bandmaster and by the Zara cathedral choirmaster. His "Missa dalmatica" dates from this early period. As a teenager in Zara, Suppé studied flute and harmony. His first  extant composition is a Roman Catholic mass, which premiered at a Franciscan church in Zara in 1835. From 1840 on he worked as a composer and conductor for Franz Pokorny, the director of several theaters in Vienna, Pressburg (now Bratislava), Ödenburg (now Sopron) and Baden bei Wien. In Vienna, after studying with Ignaz von Seyfried, he conducted in the theatre, with the opportunity to present his own operas there. Eventually, Suppé wrote music for over a hundred productions at the Theater in der Josefstadt as well as the Carltheater in Leopoldstadt, at the Theater an der Wien. He also put  on some landmark opera productions, such as the 1846 production of Meyerbeer's "Les Huguenots" with Jenny Lind. Franz von Suppé died in Vienna on 21 May 1895 and is buried in the Zentralfriedhof. Works. Suppé composed about 30 operettas and 180 farces, ballets, and other stage works. Although the bulk of his operettas have sunk into relative obscurity, the overtures – particularly "Dichter und Bauer" ("Poet and Peasant", 1846) and "Leichte Kavallerie" ("Light Cavalry", 1866) – remain popular, many of them having been used in soundtracks for films, cartoons, advertisements, and so on, in addition to being frequently played at symphonic  pops concerts. Some of the operettas are still regularly performed, notably "Boccaccio", "Die schöne Galathée" and "Fatinitza"; while Peter Branscombe, writing in "The New Grove Dictionary of Music and Musicians," characterizes Suppé's song "" as "Austria's second national song". Suppé retained links with his native Dalmatia, occasionally visiting Split (Spalato), Zadar (Zara), and Šibenik. Some of his works are linked with the region, in particular his operetta "Des Matrosen Heimkehr", the action of which takes place in Hvar. After retiring from conducting, Suppé continued to write stage work, but increasingly shifted his interest to sacred music. He wrote a  Requiem for theatre director Franz Pokorny (now very rarely heard); it was first performed on 22 November 1855, during Pokorny's memorial service; an oratorio, "Extremum Judicum"; three masses, among them the "Missa Dalmatica"; songs; symphonies; and concert overtures. Two of Suppé's more ambitious operettas – "Boccaccio" and "Donna Juanita" – have been performed at the Metropolitan Opera in New York, but they failed to become repertoire works in the United States. Posthumous use. The descriptive nature of Suppé's overtures has earned them frequent use in numerous animated cartoons: "Ein Morgen, ein Mittag, ein Abend in Wien" ("Morning, Noon, and  Night in Vienna") was the central subject of the 1959 Bugs Bunny cartoon "Baton Bunny". "Poet and Peasant" appears in the Fleischer Studios 1935 "Popeye" cartoon "The Spinach Overture" and the Oscar nominated Walter Lantz film of the same title; the overture to "Light Cavalry" is used in Disney's 1942 Mickey Mouse cartoon "Symphony Hour". The start of the cello solo (about one minute in) of the "Poet and Peasant" overture is nearly an exact match to the start of the folk song "I've Been Working on the Railroad", which was published in 1894. Turner Classic Movies runs  a 1955 Cinemascope short of the MGM Symphony Orchestra turning in a vigorous performance of the overture. The Light Cavalry Overture was covered in electronic form by Gordon Langford on his 1974 album "The Amazing Music of the Electronic Arp Synthesiser".