Cosmoball
Cosmoball, also known as Goalkeeper of the Galaxy () is a 2020 Russian 3D superhero space opera film written and directed by Dzhanik Fayziev, based on the animated series "Galactik Football", with the participation of the television channel Russia-1. The film is set in the future, a post-apocalyptic city in a world inhabited by survivors of an intergalactic war that has shifted the planet's poles. Above the city towers a huge alien ship - it is a stadium, the planet's fate rests in the hands of the willing and capable "Cosmoball" players who are defending the Earth. The  fate of the planet depends on the result of the match between earthlings and aliens. Andrey Rubanov also participated in the writing of the script, and among the producers are Sergey Selyanov and Innokentiy Malinkin. It stars Yevgeny Romantsov as Anton a goalkeeper to the national team, alongside Viktoriya Agalakova, Maria Lisovaya, Ivan Ivanovich, Liza Taychenacheva, Yevgeny Mironov, and Elena Yakovleva in supporting roles. Location filming began on June 2, 2017 and principal photography locations included the Mosfilm Studios. Shooting took place at Mosfilmovskaya Street in Moscow, and lasted until mid-September 2017. The film required a wide use of  computer-generated imagery to portray the rare alien races and space monsters. "Cosmoball" was scheduled to be theatrically released in Russia on August 27, 2020, in 2D, RealD 3D formats, with distribution in Russia handled by "Nashe Kino" (English: "Our Cinema"). The film was the first major Russian project to be released after the limitation of the number of viewers in cinemas due to the outbreak of the coronavirus. The film grossed 106 million rubles with a budget of 786 million rubles, becoming a box-office failure. Plot. In the aftermath of a galactic war, which took place in proximity  to Earth, the Moon was destroyed, and the poles of the planet disappeared. Now the climate of Moscow and its population resembles the anti-utopian cyberpunk Brazil: representatives of different races and subcultures, weirdos, exotic animals, and engineering miracles coexist on sun-drenched streets. An enormous spaceship hovers over Earth. This is a stadium where competitions are held, remotely resembling modern football, but at incredibly high speeds. The name of the game is "Cosmoball" - a kind of football. Production. Development. In August 2014, Dzhanik Fayziev announced that he is planning to film a blockbuster titled "Cosmoball" about a Russian superhero  fighting alien invaders, inspired by the comics of the Marvel Universe, and not about the new work of Russian directors who have decided to take the superhero cinema to a completely new level, Russia Today reports. Fayziev clarified that, according to the plot, people evolved and became part of a galactic society fighting creatures that look like "super-reactive turboballs", therefore battles with them resemble football, hence the name of the film. The nickname of the superhero is Lev Yashin. Producing was done by Dzhanik Fayziev's company Bonanza Studio, which had success with the films "The Turkish Gambit" (2005  film) and "Furious" (2017 film), a historical fantasy film. He is also the co-producer and co-author of the script. Executive producing of the film was entrusted to Sergey Selyanov (), director of the CTB Film Company. The preliminary development of the project took almost 5 years. Maksim Osadchy known for his work on "Stalingrad" (2013 film) and "The Duelist" (2016 film), was hired as cinematographer. The authors of the script were Twister Murchison, Drew Row, and Andrey Rubanov. In order to promote the film, main broadcasting companies of Russia - Channel One, Russia-1 and CTC Media joined forces. Casting. The  main roles in the film were performed by sports-men instead of professional actors. Lead actor Yevgeny Romantsov graduated from the Moscow State Academy of Physical Culture (majoring in theory and methodology of football and hockey). Romantsov previously took part in productions of the Gogol Center. Russian actress Viktoriya Agalakova ("née" Glukhikh) studied ballet, acrobatics, and choreography, which proved to be useful when filming dynamic scenes on suspensions. Agalakova works at the Saint Petersburg State Theater of Musical Comedy. They were accompanied by аctress Maria Lisovaya, a graduate of the Boris Shchukin Theatre Institute. The fourth unknown actress who joined  them was the winner of international competitions in rhythmic gymnastics Yelizaveta "Liza" Taychenacheva, an actress who previously competed in biathlon and the Children's teams of Youth Sports Schools "Youth of Moscow". They were all cast because of their sporting past. They were joined by famous actors such as Yevgeny Mironov, Elena Yakovleva, Mikhail Yefremov, and others. Director Dzhanik Fayziev's film is one of the most ambitious, expensive, and high-tech projects of all that is being shot in Russia. On the walls of the pavilion, there is a blue chroma key on which backgrounds will be drawn. In  one frame with live actors - virtual characters, drawn from scratch or with the help of digital capture technology acting game motion capture. Filming. Principal photography commenced in the scenery on the territory of Mosfilm Studios in Moscow, and lasted from June 2 to mid-September 2017. On an area of over 3,500 square meters built transforming the scenery of the streets and interiors of post-apocalyptic Moscow, with thousands of props created by the artists specifically for the film. In the shooting involved up to 500 actors for crowd scenes, and for each a unique costume was stitched. In the  Studio, costume designers were delivered 1.5 tons of items lightweight summer clothing from India were delivered. When working with images, sophisticated prosthetics were used: one of the characters, Valaya — is in a suit covered with silicone pads throughout her whole body. This took seven hours to create for the make-up-artist. Post-production. For the post-production of visual effects is engaged in the studio Main Road Post, according to the company's general director Arman Yakhin. One of the biggest challenges of the project was a large number of digital characters (over 50), both completely virtual and recreated  using motion capture of actors. For this work, the walls of the Mosfilm pavilions were covered with blue chroma key, on which the backgrounds were painted. In the first case, the actor on the court interacts with the dimensional toy, in the second - with the actor in a blue suit with inertial sensors. Through the use of augmented reality technology, the director could see on his monitor a full-fledged image immediately, that is, instead of a blue person - an alien. Additional work on creating a unique world of the picture, was done by visual effects specialists from the studio  Main Road Post. Music. The music score was composed by Italian musician Tony Neiman. Release. The film's original premiere date was previously scheduled for January 24, 2019. It was delayed because on this date the creative group had some difficulties. In September 2018, it was announced that the release date was postponed to October 17, 2019. As previously assumed, the picture would be presented to viewers on August 27, 2020. On its previously scheduled release date, its former slot was taken by "". The film's premiere was held on August 25, 2020, at the cinema "Karo 11 October" in  Moscow, and was released in cinemas in the following weekend. This was the first major Russian film release after the quarantine, and it was scheduled to be released in the Russian Federation by Nashe Kino in RealD 3D format on August 27, 2020. Marketing. The first teaser for the film was shown on September 30, 2017, during the IgroMir / Comic-Con Russia festival, when the director presented the film to the audience. Reception. Box office and VOD. The film became the first major national blockbuster in Russia to be released after the effects of the outbreak of the coronavirus in  Russia that forced a restriction on the number of viewers in cinemas, and put in the amount of 106.6 million Russian rubles (about $1.4 million) compared to a budget of 786,4 million rubles. The film was released on digital rental in Russia on October 9, 2020, at the KinoPoisk HD online cinema. Critical response. The film received mostly low to average ratings from Russian critics, who noted the weak storyline and expressionless dialogues of the characters. Nikolai Kornatsky from "Film Art" wrote that with the visual part, everything is also not cosmic. The graphics themselves - unprecedented for our cinema  - are in no way inferior to either "Valerian" (2017) or "Guardians of the Galaxy" (2014). But this whole huge, loud and populous world all too often evokes a sense of déjà vu. Anton Dolin noted that the film lacks a clearly invented world, the laws, and background of which the authors begin to explain to the audience from the first seconds, but they continue to struggle until the very end. An interesting plot, since three stories - about Dr. Frankenstein and the monster he spawned, about a naive boy who will eventually grow into a messiah, and about a sports competition  - do not fit well with each other. External links. https://www.youtube.com/channel/UCa1m1oAHChL9TBeiE2bftZg?sub_confirmation=1