Dragnet (1951 TV series)
Dragnet later syndicated as Badge 714 is an American television series, based on the radio series of the same name, both created by their star, Jack Webb. The shows take their name from the police term "dragnet", a system of coordinated measures for apprehending criminals or suspects. Webb reprised his radio role of Los Angeles police detective Sergeant Joe Friday. Ben Alexander co-starred as Friday's partner, Officer Frank Smith. The ominous, four-note introduction to the brass and tympani theme music (titled "Danger Ahead"), composed by Walter Schumann, is instantly recognizable. It is derived  from Miklós Rózsa's score for the 1946 film "The Killers". This was the first television series in a "Dragnet" media franchise encompassing film, television, books and comics. The series was filmed at Walt Disney Studios in Burbank, California. History. During its early success on radio, "Dragnet" was popular enough to move to television. More important was that it brought continuity between the television and radio series, using the same script devices and many of the same actors. Liggett & Myers sponsored "Dragnet", both on radio and on TV, during the 1950s, with Webb seen smoking Chesterfields. Webb was comfortable playing  Joe Friday on radio but balked at the prospect of playing the role before the cameras; according to author-biographer Michael J. Hayde, Webb's choice for the TV Joe Friday was Hollywood actor Lloyd Nolan, whose casual underplaying Webb admired. But Webb was too well established in the radio "Dragnet" and the network insisted that he continue in the leading role. The two familiar leads, Jack Webb and Barton Yarborough, settled in for the first season, disrupted when Yarborough suffered a fatal heart attack. Under Webb's authority, the writing staff worked his partner's demise into the storyline , and Sgt. Friday rode with various partners until settling on Ben Alexander as detective Frank Smith, providing some sporadic comic relief. Most of the episodes available to viewers today feature Webb and Alexander. Alexander was also an occasional writer on the show. Characters. Sgt. (later Lt.) Joe Friday (Jack Webb) - The focal character, who narrates all episodes. Friday is a dedicated police officer, and pretty much a straight-arrow type, though occasional flashes of a dry, mordant sense of humor show through. He can be sympathetic towards victims, or even towards some criminals whose crimes are a result of difficult  circumstances, but he has little patience with those he thinks are lying to him. His personal life is rarely discussed, but he lives with his mother and is known to date infrequently. Friday is promoted to Lieutenant in season 8. Sgt. Ben Romero (Barton Yarborough) - Friday's original partner. Married, but not much else is revealed about him. Romero is only seen in the first two episodes, as actor Yarborough died unexpectedly shortly after completing his second episode. An episode in which Friday deals with Romero's offstage death takes place early in the second season. In terms of series  continuity, this episode can be assumed to take place directly after episode two, though it was not filmed or shown until numerous other episodes had been completed and aired. Sgt. Ed Jacobs (Barney Phillips) - Friday's partner in episodes 4-14. (Friday had a one-shot partner in episode 3.) The slight, bespectacled Jacobs was generally taciturn, focused and far more serious than his eventual replacement. Officer (later Sgt.) Frank Smith (Herb Ellis, then Ben Alexander) - Friday's partner from early in season 2. After a very few episodes with Ellis as Smith, Alexander took over, essentially defining the role  through the rest of the series. A dedicated and competent officer, Frank Smith also serves as light comic relief, as many episodes feature a moment or two with Frank wryly discussing a minor inconvenience or small triumph in his life. Amongst the many recurring discussion topics are Frank's generally warm but occasionally comically-strained relationship with his wife Fay; his sincere but sometimes bumbling attempts to relate to his children; his pride in his cooking (especially his "famous" omelettes); his somewhat dubious health advice; and his long-running frustration with his mooching, ne'er-do-well brother-in-law Armand . Despite the humorous nature of Frank's comic asides, though, he is shown to be hard-working and effective as an officer, and his occasional "friendly chatterbox" routine is quickly (and willingly) put aside whenever there is serious work to tackle. Smith is promoted to sergeant in season 8. Lt. Lee Jones (Herb Butterfield) - Seen only in season 1, Lt. Jones works as part of LAPD's crime lab. He is seen in several first season episodes examining crime scenes and performing detailed forensic investigations. Essentially replaced by Ray Pinker, below. Ray Pinker (Olan Soule) - After being seen in two  first-season episodes as Sgt. Harlan Stall (a precinct co-worker), beginning in season 2, Soule took on the role of Ray Pinker. Pinker was based on the LAPD's real life forensic chemist of the same name. Pinker is seen in numerous episodes from seasons 2 through 8, helping to examine crime scenes and offering various forensically obtained clues to the detectives. Writing staff and production. The template for the TV show was simply the proven radio formula, embellished with visuals. Most early episodes were directly adapted from earlier "Dragnet" radio shows, and writer James E. Moser wrote the  vast majority of the show's episodes through the end of 1954. Webb directed every episode of "Dragnet", and was also a very occasional writer on the show. John Robinson joined the writing staff in 1953, and by 1955 (after Moser left the show for a time), Robinson became "Dragnet"'s most frequent script contributor. Note that despite some sources claiming that Robinson was a pen-name of Jack Webb, it was not; Robinson was a separate individual with a long and well-documented scriptwriting career. (Webb, whose full legal name was "John Randolph Webb", "did" occasionally write under the  similar pen name of "John Randolph".) Frank Burt joined the staff in 1955, and along with Robinson wrote most of the mid-period "Dragnet" episodes. Moser returned for the final two seasons, while Robinson and Burt reduced their participation in these final years. Overall, well over 200 of the 276 episodes of "Dragnet" were written (or co-written) by at least one of Moser, Robinson or Burt. There were other less frequent contributors, and two notable "Star Trek" writers caught an early break, each writing a very late-running "Dragnet" episode: Gene L. Coon and John Meredyth Lucas. The 1950s  Dragnet episodes in black-and-white differ significantly from the 1960s "Dragnet" episodes in color. This first TV series took a documentary approach, with Sgt. Friday and the police force often encountering the seedy side of Los Angeles, with a steady succession of callous fugitives, desperate gunmen, slippery swindlers, and hard bitten women. Most of the cast members were veteran radio actors who could be relied upon to read the matter-of-fact dialogue naturally. Webb used most of his ensemble players again and again in different roles: Jack Kruschen, Vic Perrin, Harry Bartell, Art Gilmore, Peggy Webber, Barney Phillips , Herb Ellis, Carolyn Jones (then billed as Caroline Jones), Clarence Cassell, Virginia Christine, Ralph Moody, Kathleen Freeman, Stacy Harris, Natalie Masters, Virginia Gregg, Olan Soule, Herb Vigran, Peter Leeds, Sarah Selby, and many others. Martin Milner and Lee Marvin made one of their earliest TV appearances on the series; and at the time, going against type playing heavies, Raymond Burr (billed as Ray Burr) appeared in the series' first episode, as Sgt. Friday's superior, Captain Thad Mumford. Webb staged each story with newsreel-like authenticity, enhancing the visual action with extremely tight close-ups (unheard of in the days  of tiny television screens), location photography, and unusual camera angles. Much of this inventiveness went unused in the 1960s revival. Although still using convincing dialogue readings, the new "Dragnet" lost much of the documentary appearance. Just before the show took its final commercial break, the show's announcer would inform the audience of something related to the case, usually the opening date on which the perpetrator's trial would take place in the Los Angeles County Superior Court (this would be accompanied by an onscreen card so the viewer could read along). After the break the camera faded in for  what was presumably the perpetrator's mug shot, consisting of him standing uncomfortably against the wall, while the results of the trial, including the sentencing, were announced. The perpetrator's name and fate were then superimposed over the screen. In most cases, this superimposed material specifically stated in what prison the perpetrator had been incarcerated, or, in the case of perpetrators deemed unfit to stand trial, to what state mental hospital or psychiatric facility they were committed. In rare cases, where the perpetrator was found guilty of murder and the death penalty was applied, the place and method of execution  was noted on screen. In even rarer cases, such as in the episodes "The Big Show" or "The Big Little Jesus", there was no trial. In the episode "The Big Little Jesus", the content of the episode made it clear that no trial was to be held, and there was no final announcement. In the very rare other "Dragnet" episodes that did not result in a trial, the narrator would briefly explain why there was no trial, and the on-screen superimposition would describe the fate of the episode's perpetrator. While one early episode of "Dragnet" centered around a  criminal who was found "not guilty" by a jury at the "start" of the episode, no episode "ended" with a perpetrator caught by Friday and his partner being found "not guilty" by a court. DVD releases. Half of the episodes of this series are in the public domain, with an estimated fifty-two episodes released on many DVD labels. A number of these collections recycle the same fifty-two episodes. Often some are mislabeled as there are no onscreen titles. Eclectic DVD released a collection of three episodes. Platinum Video released seven episodes from the original series in 2002. The  two disc set also includes episodes from "Burke's Law"; "Peter Gunn"; "Richard Diamond, Private Detective"; "Mr. Wong, Detective"; and "Bulldog Drummond."