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Melanie from OnlyMelanie (15 Photo Gallery) » In Zefspotters deur griffin March 30, 2015 Rek jou bek
Laat entry vir Zefspotters. Fml, die Oos-Rand bly entertaining. Al 2 oppad huis toe gekry!!
Zef in Swakopmund!!!
As jy met jou ou fuckedup Golf by VW Uitenhage stop, is daar anties wat jou soen – maar nie as jy Kombi ry nie.
Tokelossie gaan jou vang-elang-elang-elang-elang
En dan suig hy aan jou slang-elang-elang-elang-elang
Jy kry twee soorte chicks
griffinLaasweek se zefspotters 03.30.2015 HALDANE MARTIN | DESIGN / ONTWERP
Haldane Martin – South African designer
HALDANE MARTIN is a furniture designer.
He is an award winning furniture designer from CAPE TOWN, who is influenced by traditional weaving practices.
As a contemporary designer he tries to meet the needs of the whole human being by designing furniture that is simultaneously meaningful for the spirit, beautiful for the soul, and nurturing for the body.
To combine recycled materials and functional design that celebrate the people and cultures of South Africa.
He also continuously strives to practices sustainable and environmentally conscious design in the following ways:
He believes that furniture designers should use fewer materials.
Materials that are environmentally toxic should be avoided altogether.
He aims to re-use and re-cycle materials. He follows the code that says ‘Reduce, Re-use, Recycle, and Avoid.
He is inspired by the materials, cultures and the context of South Africa. This is noticeable in his design of the isiZulu Mama Chair with its specific reference to the traditional Zulu Weaving technique in the seat. The Riempie style of the early Cape Dutch furniture designers. (Riempie: a thin leather strip woven into complex geometric patterns to form the inner part of a seat or backrest).
CHARACTERISTICS OF HIS STYLE
His designs are sophisticated and simple.
He practices both socially and environmentally conscious design. His work proves that this kind of design can be both sophisticated and beautiful as well as locally and internationally desirable.
He achieves this through the use of clean uncluttered line
Materials: These range from recycled plastic and stainless steel, to natural materials such as feathers and leather. He successfully combines man-made materials with natural ones. For example:
The Fiela Feather lamp. (A light feathery shade is placed at the end of a curved stainless steel ‘arm’ which can be extended).
The Songolo chair combines leather and steel. The design is adaptable in that it can straighten or curve in an organic way.
THE ISIZULU MAMA CAFE’ CHAIR.
The chair design was inspired by African baskets from different African cultures across the African continent, particularly the indigenous amaZulu basket weaving techniques.
The chair is woven out of recycled plastic strips from plastic milk bottles. The plastic was melted and extracted in long flat tubes ready for the weaving process. Originally it could only be made in black due to the limited recycling processes available in South Africa.
The frame of the chair is made from 304g stainless steel. The steel is also made from 60% recycled materials and will be able to be a 100% recycled when the chair is no longer suitable for use.
SOCIAL ISSUES ADDRESSED BY HIS DESIGNS
He was influenced by the need for designers to practice sustainable design. He replaced traditional weaving material (the ilala palm) with recycled plastic to make the seat of the isiZulu Mama chair more durable. It also gives the chair design a contemporary feel.
The individual seats are woven by 6 township women in rural Limpopo. This is not ideal because of the amount of fuel. This contributes socially in that it provides employment.
Craftsmen from the Mogalakwena Craft Art Project produce the chair by adding the woven seat to the recycled stainless steel frame.
HALDANE MARTIN is ‘n meubelontwerper.
Hy is ŉ bekroonde meubelmaker van KAAPSTAD wat deur tradisionele weefwerk beïnvloed word.
As ŉ kontemporêre ontwerper probeer hy om in die behoeftes van die mens in geheel te bied: meubels wat gelyktydig betekenisvol vir die gees, mooi vir die siel is, en die liggaam versorg. Hy maak funksionele ontwerpe wat die mense en hul kulture in Suid- Afrika vereer.
Hy gebruik herwinde materiaal en streef ook voortdurend om volhoubare en omgewingsvriendelike ontwerpe te skep in die volgende maniere:
• Hy is van mening dat die meubels ontwerpers minder materiaal moet gebruik.
• Giftige materiale moet heeltemal vermy word.
• Hy stel dit ten doel om materiale te herwin en hergebruik: ‘Verminder, hergebruik, Herwin en vermy.
Hy is geïnspireer deur die materiaal, kulture en die konteks van Suid-Afrika. Dit is opvallend in sy ontwerp van die isiZulu Mama stoel met sy spesifieke verwysing na die tradisionele Zoeloe-weeftegniek op die sitvlak. Die riempie-styl van die meubels van vroeë Kaaps Nederlandse ontwerpers. (Riempie: ŉ dun strook leer wat geryg word om meetkundige patrone op die rugleuning of sitvlak van stele te
KARAKTEREIENSKAPPE VAN SY WERK
Sy ontwerpe is gesofistikeerd tog eenvoudig.
Hy praktiseer beide sosio- en omgewingsbewuste ontwerpe. Sy werk bewys dat hierdie soort van ontwerp gesofistikeer en mooi is, en plaaslik en internasionaal in aanvraag is. Hy bereik dit deur die gebruik van skoon lyne.
Materiale: Dit wissel van herwinde plastiek en vlekvrye staal, tot natuurlike materiale soos vere en leer. Hy kombineer suksesvol mensgemaakte materiale met natuurlike materiale. Byvoorbeeld:
Die lamp Fiela Feather waar ŉ ligte veeragtige lampskerm is geplaas op vlekvrye staal arm.
Die Songolo stoel kombineer leer en staal. Die ontwerp is organies vormbaar in ŉ reguit lyn of in ŉ kurwe.
Voorbeelde van sy werk:
DIE ISIZULE MAMA Kafee STOEL.
Die stoelontwerp is geïnspireer deur Afrika-mandjies van verskillende Afrika-kulture regoor die Afrika-kontinent, veral die inheemse amaZoeloe mandjie weeftegniek.
Die stoel is geweef uit herwinde plastiek stroke van plastiek melkbottels. Die plastiekbottels is gesmelt en uitgerek in lang plat buise gereed vir die weefproses. Oorspronklik kan dit slegs gedoen word in swart as gevolg van die beperkte herwinningsprosesse beskikbaar in Suid-Afrika.
Die raam van die stoel is gemaak van 304g vlekvrye staal. Die staal word ook gemaak van 60% herwinde materiaal. Dit sal 100% herwinbaar, as die stoel nie meer geskik is vir gebruik nie.
SOSIALE KWESSIES WAT AANGESPREEK WORD DEUR SY ONTWERPE
Hy is beïnvloed deur die behoefte van ontwerpers om volhoubare ontwerpe te beoefen. Hy vervang die tradisionele weef (die ilala palm) met herwinde plastiek om die sitvlak van die isiZulu Mama stoel meer duursaam te maak. Dit gee ook die stoel ontwerp ŉ kontemporêre gevoel.
Die is sitplekke is geweef deur 6 vroue in landelike Limpopo. Werkverskaffing.
Vakmanne van die Mogalakwena Craft Art Project sit die geweefde sitplekke in die herwinde vlekvrye staalraam.
∴DESIGN P1 GR12 MEMO SEPT2015 AFR