Unforgettable Songs by Johnny Hartman
Unforgettable Songs by Johnny Hartman is a studio album by American jazz vocalist Johnny Hartman, released in 1966 by ABC-Paramount Records. Gerald Wilson served as the arranger and conductor, and the album was produced by Bob Thiele. The album was Hartman's first on ABC-Paramount, parent company of jazz subsidiary Impulse!, where he had recorded his three previous albums. The move was intended to bring the singer to a larger audience. According to Hartman's biographer, Gregg Akkerman, producer Bob Thiele "was trying his hardest to present a Tony Bennett-style pop album ." ABC-Paramount offered little promotional support, however, and neither the album, nor its single ("The Very Thought of You") made it onto popular music charts. In 1995, Impulse! released a compact disc version of the album, entitled "Unforgettable", that also included Side 2 of "I Love Everybody" (1967), Hartman's other LP with ABC-Paramount. Reception. Jason Ankeny at Allmusic calls the album "delightful," saying it "captures Hartman at his most effervescent, teaming with arranger Gerald Wilson to create a set of buoyant, swing-era standards crafted with impeccable style and sophistication." Author and music critic Will Friedwald said Thiele 's decision to have Hartman record more pop-oriented work was "an inspired idea" and the album was "classic Hartman all the way through." He contrasts the work with the more well-known "John Coltrane and Johnny Hartman," noting that ""Unforgettable," ostensibly a pop outing, has him conforming even more to the archetype of a 'jazz singer' than he does on the Coltrane album." Reviewing the album upon its initial release, Gene Lees at Stereo Review called Hartman "a very good singer – rich-toned, warm, and musical" but criticized Wilson's string arrangements. "When he's working with brass, saxes , and rhythm, an idiom with which he has long been comfortable, he's first-rate. But when he's using strings and rhythm, he's not quite as good. I get the feeling he hasn't been given sufficient chance to work with strings. And the string players here are bad. Fortunately, most tracks are with the band." In another contemporary review, DownBeat said, "This is the timeless artistry of a great voice... The band, under Wilson's hand, is a clean, precision instrument deftly handled with feeling. Not one instrument is wasted or one passage carelessly executed." The reviewer  also stated that "Hartman has rarely sounded better and ... is more flexible than he has been in years... There have been better records of Hartman singing, but this is one of his best complete works."