Hans Söllner
Johann Michael Söllner (born December 24, 1955), better known as Hans Söllner, is a German singer-songwriter, who sings in Bavarian-German. Throughout German-speaking countries, especially in Bavaria and Austria, he is famous for publicly criticizing the German government and political systems in general to a vast extent. His lyrics are like stories, as they mainly deal with being in conflict with the law and everyday life problems. Biography. Johann Michael Söllner was born to a Catholic family in the Bavarian town of Bad Reichenhall on December 24, 1955. He attended school in the district of Marzoll , where, in his teenage years, he decided to grow out his hair in defiance of social convention. From 1970 to 1973, he trained to become a cook, but was eventually unable to find employment; a brief spell of mandatory service in the German armed forces failed to inspire a professional commitment – neither did a subsequent apprenticeship as a mechanic. Unemployed on and off for years in Munich, Söllner took to music as he taught himself to play guitar and began to write his own songs. In 1979, he had his first live appearance at a small venue in Munich. After  winning a singing competition three years later, he was offered a recording contract with the independent label PPM (Powerplay Music Records) and made his debut in 1983 with "Endlich eine Arbeit". In 1986, PPM released the album "Für Marianne und Ludwig", followed a year later by "Wos reimt se scho auf Nicki". Söllner left PPM for the well-regarded independent label Trikont, based in Munich, on which he made his debut with "Hey Staat!" (1989). Considered by many to be his greatest album, "Hey Staat!" established him as a protest singer and an up-and-coming talent in the alternative  music scene. In 1989, he recorded the studio album "Bayerman Vibration", which was released the following year and turned out to be an instant success. In 1991, Söllner and his band Bayerman Vibration released the album "Live!", a record that is no longer being published and has hence become a rarity. In 1992, Söllner released "Der Charlie", which is, along with "Hey Staat!", thought of as one of his greatest and simultaneously most controversial works to date. "Der Charlie" includes a long narration of his 1986–1987 trip to Jamaica and its influence on him in terms not only of reggae  music and marijuana use, but also politics and religion. In August 1993, Söllner announced that he was abandoning the Roman Catholic faith and converting to the Rastafari movement; he further declared himself a vegetarian and a pacifist. In 1995, he released the album "Grea Göib Roud", a studio record dedicated to a friend who had died. In 1997, he released the studio album "a jeda". One year later, Trikont reissued his first three albums ("Endlich eine Arbeit", "Für Marianne und Ludwig", and "Wos reimt se scho auf Nicki"), which had gone out of print following the demise of PPM. In  the late 90s, Söllner was fighting criminal charges of cannabis cultivation and insulting public officials. He argued that it was his religious right as a Rastafarian to smoke marijuana, but was ultimately fined heavily and faced enormous legal expenses. In 2000, Söllner returned with "241255", a double album composed of various live recordings from the previous years. A year on, he released "Babylon", another live album, which first featured the Austrian reggae band Bayaman'Sissdem. In 2004, he released "Oiwei I", his first studio effort in seven years; like his other albums from this era, it features Bayaman'Sissdem. A live CD , "Im Regen", followed in 2005. In 2007, Söllner and Bayaman'Sissdem returned with a new studio album, "Viet Nam". On November 18, 2011, Söllner released the studio album "Mei Zuastand", which features re-recorded songs from his entire career. On October 26, 2012, he released "SoSoSo", a studio record that contains new songs. On 12. October 2018, Söllners new album "Genug" was released. It was the first album that contained new songmaterial since 2012´s "SoSoSo" and the first album since 2000s "241255" on which he recorded all songs only with his acoustic guitar and without his band "Bayaman Sissdem". The  only exception is the live version of the song "Rassist", which he recorded with the Dresden-based reggae combo "BANDA INTERNATIONALE" on the Afrika-Karibik-Festival in Wassertrüdingen.