Theater Trier
The Theater Trier is the municipal theatre of Trier, Rhineland-Palatinate, offering opera and musical, dance and drama. The company dates back to 1802. The current house was completed in 1964, and needs renovation. The director (Intendant) since 2018 is Since 1995, the theatre has run a series of unknown operas, initiated by Heinz Lukas-Kindermann. It included world premieres such as Zemlinsky's "Sarema", "Die unendliche Geschichte" by Siegfried Matthus, and "Fausta" by Heinz Heckmann, German premieres such as "The Voyage" by Philip Glass, and revivals of neglected repertoire such as Karl Goldmark's "Merlin" and "Koanga  by Frederick Delius. History. 1802 to 1944. When Trier was a Roman town, there was already theatre. In 1802, Napoleon visited the French-occupied city and decreed that the former Capuchin monastery was designated for the establishment of a theatre. From 1802 to 1944, the theatre played in the building on Fahrstraße. In 1908, Heinz Tietjen conducted a performance of Wagner's Der Ring des Nibelungen". Before the closure of the theatre ordered by the Nazis, the last performance in this building took place on 16 July 1944 with "Der Rosenkavalier" by Richard Strauss. On 23 December 1944, the theatre  building in Fahrstraße was destroyed by an Allied air raid. After World War II. After the end of the war, the theatre played provisionally in the Treveris Hall until 1950, then from 1950 to 1964 in the Bischof-Korum-Haus in Rindertanzstraße. On 12 January 1962, the foundation stone was laid for a new building , which was constructed by 1964 according to plans by the architect . On 27 September 1964, the theatre opened in the new building with a premiere of Beethoven's "Die Weihe des Hauses". The house seats 622 spectators. The main stage is wide and deep including  the front stage. It is surrounded by a side stage and a back stage with sliding stage and built-in revolving stage. The stage is separated from the auditorium by a curved iron curtain. The orchestra pit has space for 65 musicians on two mobile podiums. When raised, these podiums form the front stage. The stage opening can be enlarged or reduced by means of a variable stage portal. The theatre employs a staff of more than 250 people, including the acting ensemble, the musical theatre ensemble with opera choir, and children's and youth choir, the ballet ensemble and  the philharmonic orchestra, which since 2018 has been led by general music director Jochem Hochstenbach. Ensemble members and guest performers have included Franz Grundheber, Anja Kampe, In June 2013, the theatre was placed on the by the German Cultural Council and classified as "threatened with closure" (category 1). In the spring of 2014, the city council decided to continue the theatre's operation. From 2021, director Karl M. Sibelius will be assisted by co-director Lajos Wenzel; contracts, also for Jochem Hochstenbach, run to 2028. Redevelopment. Since 2015, the future of the theatre has been discussed, as the building is  in need of renovation due to long-neglected building maintenance and there are considerable space problems. After controversial discussions, in which the construction of a second location elsewhere was also considered, according to an expert opinion from 2016, the costs for a pure renovation of the existing theatre building were around 32 million euros, for renovation and expansion up to 110 million euros. Therefore, at the beginning of 2019, the Trier City Council decided to renovate the existing theatre, which will essentially be preserved in its current form – however, the demolition and new construction of the foyer will be required . During the approximately three-year renovation phase (planned start of construction August 2021), operations will be relocated to a new building at the with 380 seats. For opera performances and symphony concerts, the is also to be used during the refurbishment. Rediscoveries and world premieres. The theatre has focused on lesser-known operas since 1995, when Heinz Lukas-Kindermann initiated a series "Unbekannte Opern". He was often the stage director when world premieres, German premieres and revivals of neglected operas took place in Trier. These included: