Eijirō Tōno
Early life. Eijirō Tōno was born on 17 September 1907 in Tomioka City, Gunma Prefecture, Japan. Born to a sake brewery, his father was a Hino merchant (Ōmi merchant), who had moved to Kantō alone from a mountain village in Ōmi Province and worked his way to become a sake brewer from the ground up. Tōno attended Tomioka Middle School. After enrolling as a student in the Commerce Department of Meiji University he joined the left-wing Society for the Study of Social Science (社会科学研究会 : "Shakai-kagaku kenkyukai" ). This was politically dangerous, as the Peace Preservation Law of  1925 made members of any association whose object was the alteration of the kokutai (National Polity), or of the system of private property, liable to imprisonment for up to ten years. In 1931 he became a student on the proletarian drama course run by the Tsukiji Little Theatre (築地小劇場: "Tsukiji shogekijo" ). He made his stage debut in the Tokyo Left-wing Theatre (東京左翼劇場: "Tokyo sayoku gekijo" ) production of "The Mount Osore Tunnel" (恐山トンネル: "Osoreyama tonneru")by Jūrō Miyoshi. Having completed the proletarian drama course, he joined the New Tsukiji Theatre Group and took the stage name Katsuji Honjō (本庄克二). Career. Through  the 1930s, Tōno appeared in almost all of the New Tsukiji Theatre Group's productions, receiving favourable reviews. In particular, his performances as Heizō in "Earth" (土: "Tsuchi"), Yugorō in "The Composition-writing Classroom" （綴方教室: "Tsuzurikata kyōshitsu"） and the Gravedigger in "Hamlet" established his reputation as an actor. He also came to play an important part in the management of the troupe. In 1936, he made his film debut in "Older Brother, Younger Sister" （兄いもうと: "Ani imōto"）. In 1938 he appeared in Teinosuke Kinugasa's "Kuroda seichū roku" （黒田誠忠録）and subsequently had roles in pictures for the Shōchiku, Nikkatsu and Tōhō  studios. Up to this point, he was credited under his stage name, 'Katsuji Honjō'. In August 1940 the New Tsukiji Theatre Group was forcibly disbanded. From this time on, he was credited as 'Tōno Eijirō'. In 1943 he appeared in Keisuke Kinoshita's debut film "Port of Flowers" （花咲く港: "Hana saku minato"）. In 1944 Tōno, Eitarō Ozawa, Koreya Senda, Sugisaku Aoyama, Chieko Higashiyama and others formed the Actors' Theatre "Haiyuza". During the last year of the Pacific War, he toured Japan under the auspices of the Japan Peripatetic Drama League （日本移動演劇連盟）, an officially-sponsored body whose remit was to raise  morale, and therefore productivity, by bringing drama to factories, mines, farming communities and fishing villages. After the war ended in August 1945, Tōno returned to the Actors' Theatre as one of its central figures, both actor and administrator. Between the end of the war and 1990 he also played supporting roles in well over 200 films. Notable among them were seven films for Akira Kurosawa, including "Seven Samurai" and "Yojimbo", four for Yasujirō Ozu, including "Tokyo Story" and "An Autumn Afternoon", and nine for Keisuke Kinoshita, including "Marriage" （結婚: "Kekkon"） and "The Ballad of Narayama". He also voiced Doc in  the 1958 Japanese dub of "Snow White and the Seven Dwarfs (1937 film)". The role for which he is perhaps best remembered in Japan, however, is that of the title character in the hugely popular TV jidaigeki "Mito Kōmon", in which the historical Tokugawa Mitsukuni, retired daimyō of the Mito Domain, roams the country in the guise of a retired merchant, Mitsuemon, righting wrongs and correcting injustice with the aid of two samurai retainers. Tōno played the role in 381 episodes between 1969 and 1983. (The series continued through 2011, with four further actors playing Mitsuemon.) Tōno died of heart  failure on 8 September 1994, nine days before his 87th birthday. He was 86 years old.