Rum Sodomy &amp; the LashRum Sodomy &amp; the Lash Rum Sodomy & the Lash Rum Sodomy & the Lash is the second studio album by the London-based folk punk band The Pogues, released on 5 August 1985. The album reached number 13 in the UK charts. The track "A Pair of Brown Eyes", based on an older Irish tune, reached number 72 in the UK singles chart. "The Old Main Drag" later appeared on the soundtrack to the film "My Own Private Idaho". Album title. The album's title is taken from a quotation attributed to Winston Churchill: "Don't talk to me about naval tradition. It's nothing but  rum, sodomy, and the lash." The title was suggested by drummer Andrew Ranken, who said "it seemed to sum up life in our band". Album cover. The cover artwork is an altered version of "The Raft of the Medusa", a Romantic-era painting by Theodore Géricault, with the band members' heads, painted by Peter Mennim, replacing those of various figures on the raft. Recording. Elvis Costello, whose manager Jake Riviera approached the band, was originally employed to produce two songs for a single, "A Pair of Brown Eyes" and "Sally MacLennane", but recording at Elephant Studios in Wapping was extended , and Costello agreed to record the whole album. Chevron later said, "The Pogues needed, more than anything, not to be not so much as produced as facilitated. Recording the band as live as possible, but with a great deal of natural acoustic presence in the instruments - was quite a revolutionary thing to do 1985." Costello said, "I saw my task was to capture them in their dilapidated glory before some more professional producer fucked them up." Critical reception and accolades. "Rum Sodomy & the Lash" received positive reviews from critics. "Melody Maker"s Adam Sweeting said, "The brightest, most intense moments of  Rum ... aren't about particularities of style or delivery. This is, apart from anything else, music to hang on to other people by to stave off brutal fact and the weight of history. While The Pogues make music for drunks as well, probably, as anyone has they're also dragging an oft-ignored folk tradition into the daylight with an altogether improbable potency ... "Rum ..." has soul, if not a great deal of innovation, and somewhere among the glasses and the ashtrays lie a few home truths." "Sounds" Jane Simon called "Rum Sodomy & the Lash" "the finest slice of story-telling  your heart could wish for". David Quantick of "NME" described the record as "a collection of free-ranging stuff to be sure; from the funereal folk ballad to the near spaghetti-western instrumental, raucous celebration to brown study, cheerful melody to downright strangeness. It's never sentimental, it's rarely polite, and it's certainly not ordinary ... "Rum Sodomy and the Lash" is more than the best record The Pogues could be expected to make at this time. It's more than a brilliant example of a band using its resources in an imaginative manner. It's probably the best  LP of 1985." Robert Christgau of "The Village Voice" wrote that "none of it would mean much without the songs—some borrowed, some traditional, and some proof that MacGowan can roll out bitter blarney with the best of his role models." In a retrospective review, Mark Deming of AllMusic stated that "Rum Sodomy & the Lash" "falls just a bit short of being the Pogues' best album, but was the first one to prove that they were a great band, and not just a great idea for a band." Daniel Bristow of the Irish music website CLUAS awarded the album an  eight out of ten, calling it "a record that will never cease to delight, always a pleasure to hear and highly, highly recommended if you're not familiar with it already". Mark Cooper of "Q" described the record as "a proud, defiant bruise of an album that manages to be both profoundly bleak and immoderately romantic and it remains MacGowan's and The Pogues' finest hour". "Uncut"s Jon Wilde wrote that "the most startling thing about their second album was the steep ascendancy of MacGowan's songwriting", while "Spin"s Jon Dolan said that the album contained "some of the purest  toothless lyricism in punk-rock history." In 2000, "Q" placed "Rum Sodomy & the Lash" at number 93 in its list of the 100 Greatest British Albums Ever. In 2012, the album was ranked number 440 on "Rolling Stone"'s The 500 Greatest Albums of All Time list. "Pitchfork" named it the 67th best album of the 1980s. The album was also included in the book "1001 Albums You Must Hear Before You Die". Reissues. A remastered and expanded version of "Rum, Sodomy & the Lash" was released for compact disc by WEA in the European market on 11 January 2005; this  reissue was released on September 19, 2006, by Rhino Records in the United States. The remastered disc added six bonus tracks, including the entirety of the "Poguetry in Motion" EP and the B-sides to "Dirty Old Town" – "A Pistol for Paddy Garcia" on seven-inch and "The Parting Glass" on twelve-inch singles. The reissue included liner notes by David Quantick and a poem about the Pogues by Tom Waits. Personnel. Credits are adapted from the liner notes of "Rum Sodomy & the Lash" and "Poguetry in Motion", except where noted. The Pogues Additional personnel Technical personnel Rum Sodomy & the