Friday Night (Floy Joy song)
"Friday Night" (also known as "Friday Night in This Cold City") is a song by English band Floy Joy, which was released in 1986 as the second and final single from their second studio album "Weak in the Presence of Beauty". It was written by Michael Ward and Robert E. Clarke, and produced by Don Was. Background. Speaking to "Record Mirror" in late 1985, Mike Ward said "Friday Night" was "about the frustration of wanting to break out". He pointed out that the song, along with album tracks "Penny In My Pocket" and "Chinese a -Go Go", all shared a similar theme, "There's a kind of vibe running through some of the tracks, where it's about one guy who's down on his luck. Rather than saying, 'Everybody dance!' it's about real life." Release. "Friday Night" was released on 7-inch and 12-inch vinyl in the UK and Europe. For its release as a single, the six-and-a-half minute album version of "Friday Night" was edited and remixed by Mike Bigwood and Michael Ward. The song was given the extended title of "Friday Night in This Cold City" on  the sleeve. A 'club mix' was created by John Edmed for the 12-inch release. To coincide with the release of the single, Floy Joy embarked on a 10-date UK tour from 18 April. "Friday Night" received some airplay on BBC Radio 1 but was more successful in gaining airplay on Independent Local Radio. The band's previous single, "Weak in the Presence of Beauty", had reached No. 85 in the UK Singles Chart, but "Friday Night" failed to enter the Top 100. It was the band's final single release. Music video. The song's music video was  directed by Peter Care and produced by GLO Productions. It achieved heavy rotation on "Music Box". In Italy, it achieved play on DeeJay Television. Critical reception. On its release, William Shaw of "Smash Hits" considered "Friday Night" to be "a thumping disco tune" but added that the "gosh-isn't-it-tough-on-the-streets words are definitely a bit silly". He added, "Floy Joy have been almost famous for ages; this could well do the trick." Andrew Panos of "Number One" gave the single a four out of five star rating. He wrote, "After repeated plays this tune becomes quite  memorable. A slight Motown feel about the production does a lot to help. However we could have done without the corny lyrics." In the 26 April 1986 issue of "Music & Media", the song was listed as a "sure hit" on the "Euro Tip Page". Roger Morton of "Record Mirror" praised "Friday Night" as "a warming piece of even-tempered pop" which he felt was "thankfully less saccharine soaked" than "Weak in the Presence of Beauty". He commented, "Meaty drumming and sax curlicues step aside for a luminous vocal, which makes the most of a slightly chorus heavy song." Paul Massey  of the "Aberdeen Evening Express" considered it a "mid-tempo number that has a strong vocal line and catchy hook". He felt that Floy Joy "deserve to have a chart hit", but felt they "never will". Gavin Martin of "New Musical Express" stated, "Fusing Eastern modal touches with a neo-industrial clatter, they've tried to give this an acid tang, but it's a miscalculation. The core of the song is driven so hard, declaimed so forcefully, that it drys up, cracks and disintegrates with no sense of loss or longing being grasped or explored." He considered the song  to be about "a lonesome guy in unfriendly surrounds". Paul Benbow of the "Reading Evening Post" noted, "A Brit-oul band who deserve success but I fear this is a bit nondescript to get it for them." Jim Whiteford of the "Kilmarnock Standard" praised the song as "catchy, upward pushing mid-tempo rock" and believed it had the potential to reach the top 10. Whiteford added, "Lyrics concern the exhaustion and suppression felt by a city dweller at the approach of the weekend... the sax concerns itself with wailing in sympathy!" In a review of "Weak in the Presence of  Beauty", "Music Week" commented, "The title track didn't make it as a single, the inferior but easier on the ear 'Friday Night' could do the trick." Mike Abrams of the "Ottawa Citizen" picked "Friday Night" as one of the album's "best cuts" and described it as "sax-driven" and a "solid pop performance". Personnel. Floy Joy Production Other