Merzbox
Merzbox is a box set compilation by the Japanese noise musician Merzbow. It consists of 50 CDs spanning Merzbow's career from 1979 to 1997. 30 discs are taken from long out of print releases, while 20 are composed mainly of unreleased material. The box also contains two CD-ROMs, six CD-sized round cards, six round stickers, a poster, a black long-sleeve T-shirt, a medallion, and the "Merzbook", all packaged together in a "fetish" black rubber box. It is limited to 1000 numbered copies. A "Merzbox Sampler" was released in 1997. The "Merzbook", subtitled "The Pleasuredome  of Noise", is a 132-page hardcover book written by Brett Woodward with over 100 images. It contains an extensive biography, culled from previous interviews and articles, a new interview, and essays by Achim Wollscheid, Jim O'Rourke, Damion Romero, Eugene Thacker, and Jonathan Walker. Masami Akita provides extensive liner notes for each disc. The book was also released separately with the "Merzrom" included. The "Merzrom" is an interactive multimedia CD-ROM, designed by Troy Innocent. A second CD-ROM contains various Extreme press and a catalog. The "Merzdallion" medallion was designed by Marcus Davidson. Art direction and design were by  Doriana Corda. Audio mastering was by François Tétaz. History. Extreme's original plan was to reissue "Collaborative", their only vinyl release, for the label's tenth anniversary. There was then discussion of reissuing other early releases, with talk of a ten disc box, the number was finally set at 50 discs. The "Merzbox" was originally scheduled for release in late 1997, and available for pre-order, but kept getting delayed until it was finally released in 2000. It was officially launched on June 16, 2000 at Sónar, Barcelona, where Merzbow also performed. Those who had pre-ordered received a two  CD album called "Decomposition" with remixes of Eugene Thacker and Shane Fahey followed by the original tracks, the "Merzbox Sampler", and two posters. These were then made available with purchase of the "Merzbox" for extra money. The "Merzbox" was exhibited at Kunsthalle Wien, Vienna from April 4 to April 7, 2002. Merzbow performed opening and closing concerts. All 60 hours were webcast live. In December 2002, Georgia Tech's student-run radio station WREK broadcast the entire 50-disc Merzbox without interruption. An article in "Creative Loafing" described the Merzbow Marathon as "what may be the most obscure and counterintuitive  move in the history of radio." Between the final recordings of the set and its release, Merzbow switched to using a laptop, having first acquired a Macintosh to work on the artwork for the set. Masami Akita has stated in a 2009 interview that he has enough unreleased material for another 50 CD box. Between 2010 and 2013, he released four 10 box sets of unreleased raw material recorded from 1987 to 1997; "Merzbient", "Merzphysics", "Merzmorphosis", and "Duo". 2012 also saw the release of "Lowest Music & Arts 1980–1983", a 10 LP box set that included some full-length albums only  partially released in the "Merzbox". Since 2018, further archival recordings have been released through Japanese label Slowdown Records, including the 60 CD boxset "10×6=60" in 2021. Album listing. OM Electrique. The first noise recordings of Merzbow. Previously unreleased. Metal Acoustic Music. Earliest Merzbow recording available until the release of the "Merzbox". Remblandt Assemblage. First work using tape manipulation. Only a few copies distributed. Collection Era Vol. 1. The three "Collection Era" discs are compiled from the ten volume "Collection" series. The first five volumes were recorded for Ylem and consist of studio sessions with Kiyoshi Mizutani. However, Ylem went out  of business before they could be released. Masami Akita then released them himself and recorded five more at home using previous "Collection" session recordings mixed with new material and effects. Collection Era Vol. 2. "Note: The contents of CD 5 and CD 6 were switched (5 has eight tracks and 6 has seven), the info below is as it appears in the "Merzbook"." Paradoxa Paradoxa. The first Merzbow live performance. Material Action for 2 Microphones. "Material Action" was a term for using household objects to make quiet sounds, which were then amplified, inspired by John Cage's "Cartridge Music". The  term itself was taken from Otto Muehl. This recording was used as raw material for other works such as "Material Action 2 N.A.M". Yantra Material Action. Originally intended to be the first Merzbow LP, but it went unreleased. Six months later the label then asked again to release the LP, but Akita decided to record new material – which became "Material Action 2 N.A.M". Includes reworks of past recordings with added effects and new instrumentation. The liner notes were to have been written by Fred Frith, who heard the tape and liked it. Solonoise. "Solonoise" means "Solar-Noise", inspired by Georges  Bataille's "The Solar Anus". Expanded Music. Conceptual works manipulating various inputs using feedback processed audio mixer. Inspired by Stan Brakhage's scratched films. Nil Vagina Tape Loops. Featuring a four track tape recorder found in the street. A different sound was recorded on each track, and then played back randomly. Material Action 2 N.A.M. The first Merzbow LP. The 2 in the title refers to "Yantra Material Action", which was meant to be the first LP. Sounds include styrofoam and a typesetting machine (Kiyoshi Mizutani worked at a typesetting company at the time). Includes raw material from "Material Action  for 2 Microphones". Mechanization Takes Command. First release on ZSF Produkt. Akita changed the name of his label since he wanted to release other artists. Featuring the Synare 3, which was later destroyed by Bara on stage in the late 90s. Dying Mapa Tapes 1-2. Title inspired by the Nyingmapa school of Tibetan Buddhism. Made with different equipment and instruments than other recordings of the same period. Featuring instruments recorded on tape, then slowed down or played backwards. Agni Hotra. Originally intended to be the second Merzbow LP, but it went unreleased. Includes outtakes from "Ushi-tra", which is  from the same period. Loops were included on "Loop Panic Limited". Pornoise 1kg Vol. 1. In the 80s Masami Akita had a mail art project called "Pornoise", in which he made collages using discarded magazines – in particular pornographic magazines – taken from the trash. These were then sent along with his cassettes, the idea being that his art was like cheap mail order pornography. "Pornoise/1kg" was released as part of these activities; the 1 kg refers to the total weight of the original package. The voice on "Night Noise White" is taken from the "Halt Tape". Pornoise 1kg  Vol. 2. Field recordings on "Dynamite Don Don" include street sounds recorded from a moving bicycle, and a house being demolished across from Akita's apartment. Pornoise 1kg Vol. 3. The voice on "UFO vs British Army" is taken from the "Halt Tape". Some other samples are from horror films. Pornoise Extra. Additional tracks from the "Pornoise 1kg" sessions. Original release had different track titles. Sadomasochismo / Lampinak. Includes unused tracks for "Batztoutai with Memorial Gadgets" Mortegage / Batztoutai Extra. Original recordings for the "Batztoutai with Memorial Gadgets" album. Includes samples from François Bayle, Conlon Nancarrow, Ivo Malec, Luc Ferrari . Enclosure / Libido Economy. First of two cassettes made with raw material from "Ecobondage", "Vratya Southward" being the second. Vratya Southward. Second cassette made with raw material from "Ecobondage". "Electric Red Desart" includes a field recording of the festival at the Goryō shrine in Kamakura. Masami Akita posted photos of the procession on his blog in 2010. Live in Khabarovsk, CCCP – I'm Proud by Rank of the Workers. First two of three performances. First performance was stopped for being "too wild", so they then played more conventionally. Includes "Batztoutai" material on backing tape, and Russian radio. Storage. Due to issues  with sound quality, the recording was edited for the LP release. The full-length recording is released here for the first time. The working title for the album was "War Storage", which is now used for the track titles. Fission Dialogue. Unreleased tracks from "Ecobondage" and "Storage" period. Collaborative. Essay by Jonathan Walker from the original LP is reprinted in the "Merzbook". Crocidura Dsi Nezumi. "Unplugged noise" made using household objects; violin sound is violin bow on plastic cassette case or wood, acoustic guitar is a rubber band, Tibetan trumpet is a toilet paper tube, electrical sounds are made with  metal. "Environmental drums" are the floor, gas stove, the spring of a table lamp. Names are taken from the Latin names of the Dsinezumi shrew, Japanese stoat, and Japanese least weasel. Other titles were inspired by Frank Zappa's song "The Return of the Son of Monster Magnet" and Sun Ra's album "Strange Strings". KIR Transformation. From a concert with Achim Wollscheid: first Merzbow played, then Wollscheid played using a recording of Merzbow's set, then Merzbow and Wollscheid played together. SCUM Vol. 1. SCUM was project to create new works out of previous Merzbow sessions using cut-ups , effects, and mixing. Name taken from the "SCUM Manifesto". The track titles influenced by American post-war art. This was last LP record on ZSF Produkt. Severances. Includes two covers, "Deaf Forever" by Motörhead and the Jimi Hendrix version of "Wild Thing". Steel CUM. The EP on Vertical Records was remixed and released without permission, with the cover made using one of Masami Akita's collages. "But a result of EP was fine. So, I'm agreed. But EP is still bootleg." Cloud Cock OO Grand. During the European tour in 1989, Masami Akita could only bring simple equipment, and  created a new live electronics style, different from his acoustical and tape based studio work, leading to the harsh noise Merzbow became known for in the 1990s. "Cloud Cock OO Grand" was the first example of this style, Merzbow's first digital recording, and the only CD on ZSF Produkt. Newark Hellfire, Live at WFMU, USA. Radio session from Merzbow's first American tour. Hannover Cloud. Features outtakes from "Hannover Interruption" and "Cloud Cock OO Grand". "Rocket Bomber" uses raw materials from "Sadomasochismo". Stacy Q, Hi-Fi Sweet Leaf. Originally made as raw material for "Crash for Hi-Fi", "Wing  Over", and "Another Crash for High Tide". Includes the use of a scratched "Cloud Cock OO Grand" CD. Music for True Romance Vol. 1. Backing tracks made for True Romance, a performance art project with Seido and Bara. Brain Ticket Death. Track 4 samples Brainticket's self-titled song from their album "Cottonwoodhill". It's also a reference to Nurse with Wound, who used the same bit on "Brained by Falling Masonry". Sons of Slash Noise Metal. Tracks 1 and 3 were made as raw material for recordings of the same period. Track 2 is a remix of a fragment . Exotic Apple. Includes Arthur Lyman samples. Yuuri Sunohara is a director, producer, model etc. for Kinbiken/Right Brain. "Apple Rock" includes unused material originally made for Flying Testicle. Liquid City. Originally intended to be part of a CD+CD-ROM called "Scatologic Baroque", but it was canceled. The material for the CD-ROM was use for the book "Anal Baroque". Part of the "World Trilogy" with "Magnesia Nova" and "Green Wheels". "Liquid City 17-1-95" was recorded on the same day as the Great Hanshin earthquake. "Tiabguls" is a Throbbing Gristle tribute. Red Magnesia Pink. Outtakes from "Red 2 Eyes , Magnesia Nova", and "Pinkream". Marfan Syndrome. "Marfan Syndrome for Blue" is Akita's first track to use the EMS synthesiser. Track 2 is a reference to Claes Oldenburg, who creates oversized sculptures of everyday objects, including soft sculptures. Rhinogradentia. Named after a fictitious order of mammals. Masami Akita performed solo twice as Zecken, playing this style. Space Mix Travelling Band. Tracks 1–2 are based on four channel tape: two channels recorded in 1994 and used on tracks of the same period, and two channels of EMS recorded in 1996. Additional EMS and Moog overdub and final mix in 1997. Motorond . Track 1 was the most recent live performance when the "Merzbox" was compiled. Annihiloscillator. Selection of recent tracks when the "Merzbox" was compiled. Track 3 is a reference to Marguerite Yourcenar's "Dark Brain of Piranesi", an essay about Giovanni Battista Piranesi's "Carceri" prints.