Psyence Fiction
Psyence Fiction is the debut studio album by English electronic music act Unkle, released on 24 August 1998 by Mo' Wax. The album was produced by Unkle, at the time consisting of James Lavelle and DJ Shadow. The music on "Psyence Fiction" was primarily composed by DJ Shadow. Lavelle recruited numerous guest musicians to contribute to the album's recording. Background and recording. Unkle started planning their debut album in 1995. A month of recording in Los Angeles produced 15 finished tracks, but apart from "Berry Meditation", which would be issued as a non-album single, Unkle founder  James Lavelle scrapped the tracks, finding them unrepresentative of his vision for the project. In August 1996, Unkle, by now composed of Lavelle and DJ Shadow, began production on the material that would ultimately appear on "Psyence Fiction". Inspired by The Verve's 1995 album "A Northern Soul", Lavelle wished to move Unkle in a more song-oriented musical direction: "My frustration was that I didn't want to make weird instrumental hip hop records. We could've easily achieved that but I wanted songs. Listening to Richard Ashcroft was a revelation because I thought, 'If I could bring that  ilk of singer in with what I was hearing from Shadow I'll crack it'." Unkle recorded "Lonely Soul", a collaboration with Verve lead singer Ashcroft, in September 1996. In July 1997, Unkle worked on "Rabbit in Your Headlights" with Thom Yorke, who performed vocals on the song. It was originally intended as a collaboration with Yorke's band Radiohead, but Yorke saw the track as an opportunity "to do something completely different" from his band's music, according to Lavelle. In August, Alice Temple recorded vocals for "Bloodstain", and French musician Atlantique, a friend and early collaborator of Lavelle 's, recorded vocals and music for "Chaos". The following month, Mark Hollis of Talk Talk contributed piano to "Chaos", while Wil Malone arranged and conducted strings for "Lonely Soul" and "Celestial Annihilation". Unkle recorded "Guns Blazing (Drums of Death Part 1)" in October with Kool G Rap, who was the only guest performer on "Psyence Fiction" selected by DJ Shadow rather than Lavelle. Badly Drawn Boy, whom Lavelle at one point considered recruiting as Unkle's lead singer on the album, recorded vocals for "Nursery Rhyme / Breather" in February 1998. In February and March, Unkle recorded "The Knock (Drums of  Death Part 2)", with Mike D of the Beastie Boys performing vocals and Jason Newsted of Metallica playing bass guitar and theremin on the track. The individual tracks on "Psyence Fiction" were recorded at different studios in California and London. Vocals were recorded at The Site in San Rafael, the Record Plant in Hollywood, and the London studios Strongroom and Milo, while strings were recorded at CTS in London. The tracks were likewise mixed at different studios, including the Record Plant, Strongroom, and the London facilities Metropolis, RAK, and Matrix. Release. "Psyence Fiction" was widely anticipated by music journalists and  audiences, particularly due to its high-profile cast of musical collaborators. Given DJ Shadow's prominent role in its production, it was viewed as a de facto follow-up to his debut album "Endtroducing...", which had been released in 1996 to widespread acclaim. "Psyence Fiction" was released in the United Kingdom on 24 August 1998 by Lavelle's label Mo' Wax. It peaked at number four on the UK Albums Chart. In the United States, it was released by Mo' Wax and London Records on 29 September 1998, reaching number 107 on the "Billboard" 200 and topping the Heatseekers Albums  chart. London Records executives were satisfied with the album's American sales, though DJ Shadow was disappointed by its "Billboard" 200 chart peak. "Rabbit in Your Headlights" was issued as the first single from "Psyence Fiction" on 12 October 1998. "Be There", a remix of the instrumental track "Unreal" featuring newly recorded vocals by Ian Brown, was released as the album's second single on 8 February 1999, peaking at number eight on the UK Singles Chart. Too weary to commit to further touring, and with his partnership with Lavelle having grown strained, DJ Shadow left Unkle during the promotional  cycle for the album. Critical reception. "Psyence Fiction" was released to mixed reviews from critics, with many finding that the album had failed to live up to its hype. "NME" writer John Mulvey wrote that DJ Shadow's music "rarely gels with Lavelle's chosen singers or even comes to terms with the song (as opposed to groove) format of much of the material". Caroline Sullivan of "The Guardian" said that while the album successfully sustains its "foreboding" mood, "its strength is also its weakness: somewhere amid the sprawl of bad dreams it turns into nothing more than meandering tunes  with spooky keyboards attached." "The A.V. Club"s Joshua Klein criticised Unkle's decision to eschew hip hop for a "more conventional alt-rock outline", concluding that ""Psyence Fiction" can be chalked up as an ambitious failure; its principals can put it on their résumés, but cultural historians needn't put in their books." Robert Christgau gave the album a rating, deeming it "not beautiful (or weird) enough for its own beats". Among more positive reviews, Barry Walters of "Spin" found the music "chaotic but never overwhelming" and described "Psyence Fiction" as "the illest soundclash since the last time a b -boy crashed a George Romero film festival and refused to turn off his boom-box". Reviewing the record for "Rolling Stone", Lorraine Ali called it "neither a lofty concept album nor the sonic equivalent of cinema", but concluded that "it is Shadow and Lavelle's striving for such greatness that makes Unkle a compelling work in progress." "Entertainment Weekly" critic David Browne wrote that the album's best songs "are like a soundtrack for a surreal, melancholy art film that exists in Shadow's and Lavelle's heads." Gareth Grundy of "Select" said that "Shadow's signature production provides "Psyence  Fiction" with coherence", and that Unkle's vision is "thrillingly realised" throughout. Legacy. In 2003, Lavelle stated that the hype surrounding "Psyence Fiction" had overshadowed its musical content, and that he felt it was released at a time "when people wanted [him] to fail." DJ Shadow said in 2010 that he viewed the album fondly despite finding it "somehow flawed." In the years since the release of "Psyence Fiction", "its stature has grown", according to "The Age". AllMusic editor Stephen Thomas Erlewine wrote that the album "gains momentum on repeated listens" due to "Shadow's imagination and unpredictable highlights", calling  it "a superstar project that doesn't play it safe and actually has its share of rich, rewarding music." In a retrospective piece for The Vinyl Factory, Eliot Wilder expressed similar sentiments and noted that "Psyence Fiction" had "gained cult status for its chaotic collages and maverick collaborations", adding that "it feels today like the kind of crazy, alt-star-strewn mash fest that it is." Chris DeVille of "Stereogum" said that it foreshadowed music by "likeminded ecumenical collectives like Gorillaz and Handsome Boy Modeling School", and that "in terms of quality alone, it's worthy of remembering as one  of the best albums of its era." "Psyence Fiction" was included in lists of the best trip hop albums by "Fact" (at number 45) and "Slant Magazine" (at number nine). In June 2013, Mo' Wax launched a Kickstarter campaign titled "Urban Archaeology: 21 Years of Mo'Wax", part of which included a deluxe CD re-release of "Psyence Fiction". As of late 2020, the "Psyence Fiction" album has not been released to the campaign's contributors. Track listing. Sample credits Personnel. Credits are adapted from the album's liner notes. Unkle Additional musicians Production Design