Poverty's Paradise
Poverty's Paradise is the fourth album from Naughty by Nature, released on May 30, 1995, as their final album under Tommy Boy Records. It peaked at number 3 on the "Billboard" 200 and number 1 on the Top R&B/Hip-Hop Albums. A single released from the album, "Feel Me Flow", achieved major success, peaking at number 17 on the "Billboard" Hot 100, two other singles "Craziest" and "Clap Yo Hands”, achieved minor success, the former peaking at number 51 on the Hot 100. At the Grammy Awards of 1996 it won the award for Best  Rap Album, which was a new category that year. Critical reception. James Bernard of "Entertainment Weekly" praised both Treach and Vinnie for their commanding presence throughout the track listing and felt the record was prime for summer replays, saying "Dominated by rollicking bass lines, chant-along choruses, and the catchy, tight rhyme schemes that are Naughty’s trademark, "Poverty" is tailor-made for low driving on the beach." AllMusic's Stephen Thomas Erlewine said that "[F]or their third album, Naughty By Nature do little to truly change their style. Some of the beats are little slower and funkier, some of  the rhymes are more dexterous, some of the rhythms are a little more complex -- yet nothing distinguishes "Poverty's Paradise" from the group's two previous, and superior, records." Martin Johnson of the "Chicago Tribune" said about the album: "Yes, there are many radio-friendly anthemic numbers that could make a nifty summer soundtrack, but the real strength of this record is its consistency; there are no weak spots. Most tracks roll by with New Jersey-styled funk and rollicking rhymes from Treach and Kay Gee, whose lyrics depict the 'hood without romanticizing it." Cheo H. Coker, writing for "Rolling  Stone", gave note of the record following the same formula as the group's previous efforts: "a few party-starting tracks ("Clap Yo Hands," "Craziest"), some social commentary ("Chain Remains," "Holding Fort") and a barrage of lyrical fury ("Klickcow, Klicow," "Respect Due")", but said that it retains their "sheer funkability" thanks to the "production stylistics" of Kay Gee's work, Vinnie's "improved rhyme skills," and Treach remaining consistent in his vocal conviction, saying "there's emotional substance behind the flashy verbal pyrotechnics."