Twice Upon a Time - The Singles
Twice Upon a Time - The Singles is the second singles compilation released by Siouxsie and the Banshees. It follows the same format as "Once Upon a Time/The Singles", presenting the songs in chronological order. "Twice" picks up where "Once" left off (in 1982), and it includes several hits not included on regular Banshees studio albums. Instead of the studio version released as a single, "The Last Beat of My Heart" is presented as a live recording, from their performance at Lollapalooza in Seattle. Also appearing on CD for the first time here is  Face to Face, a song from the soundtrack of the film "Batman Returns". "Fear of the Unknown" also appears as a "House of Fear" remix which is significantly different from the original version. The collection is missing the 1987 single "Song from the Edge of the World", which was included on a later hits collection. Reception. J. D. Considine of "The Baltimore Sun" wrote that the album "follows a more twisted path" than "Once Upon a Time", chronicling "the band from cult-level acclaim to something resembling pop accessibility." Considine added that "the most amazing thing about this progression is  how little the group alters its approach along the way." A review of the album in "The Advocate" notes that the compilation demonstrates that the band that had made "consistently compelling music", and highlights "the group's knack for creating smart arrangements of non-Banshees music" such as on "Dear Prudence", "This Wheel's on Fire", and "The Passenger". In a 4 out of 5 review for "Select", Dave Morrison noted that after 1982, the band "produced some of their best work in this period: superbly crafted vignettes of dark-hued psychedelic melodrama." Writing for MusicHound in 1999, Doug Pullen  recommended the compilation as the first Banshees album that listeners should consider since most of their studio albums sounded dated. He said that "Twice Upon a Time" "at least displays a clarity of vision and conviction that runs through the group's groovy gothic-art-punk rock". Robert Christgau, in his book "", rates the album a "dud", which he defines as "a bad record whose details rarely merit further thought".