Max d'Ollone
Maximilien-Paul-Marie-Félix d'Ollone (13 June 1875 – 15 May 1959) was a 20th-century French composer. Life and career. Born in Besançon, d'Ollone started composing very early, entering the Paris Conservatoire at 6, winning many prizes, receiving the encouragement of Gounod, Saint-Saëns, Massenet, Thomas and Delibes. His teachers at the Conservatoire were Lavignac, Massenet, Gédalge and Lenepveu; he won the Prix de Rome in 1897. He was director of music in Angers, professor at the Paris Conservatoire and director of the Opéra-Comique. His work was part of the music event in the art competition at  the 1912 Summer Olympics. In 1932 he wrote three important articles for "Le Ménestrel" (29 July, 9 and 16 December) arguing for a more populist approach to composition. In addition to the works listed below, d'Ollone produced a number of song cycles (including "Les Chants d'Ailleurs"; " Les Chants d'Exil"; "Impressions d'Automne"), which demonstrate a considerable mastery of the French mélodie. There are several works for orchestra, solo instrument and orchestra, and piano works.