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n Literator : Journal of Literary Criticism, Comparative Linguistics and Literary Studies - Ons kyk vanself - Kreatiewe Skryfkuns, konkrete poësie en &apos;n verset teen skrywersnorme : original research Navigate this Journal About Current issue Previous issues Submit a paper Contact the Editor ISSN :
Abstract HTML Metrics Related Content Abstract In hierdie artikel word daar gefokus op die kunstenaarsboek Sanity on the line - &apos;n katalogus van individuele (studente-)werk saamgestel uit &apos;n snipperdigprojek wat as deel van die kunstenaarsboekprojek Oor die einders van die bladsy uitgestal is. Daar word onder meer gekyk na die fenomeen bekend as konkrete poësie, wat deur Hunley (2007) as &apos;n alternatiewe onderrigbenadering tot die kreatiewe skryfkunswerkswinkelmetode ontwikkel is. Vervolgens word enkele individuele werke in die snipperdigprojek bespreek deur onder meer verbandhoudende elemente daarvan in bestaande Suid-Afrikaanse voorbeelde van konkrete poësie te ondersoek. Daar word sterk gefokus op onder andere voorbeelde uit die Afrikaanse letterkunde en die werk van Willem Boshoff en Wopko Jensma.
We are aware - Creative writing, concrete poetry and writers&apos; resistance
In this article, the focus is on the artist&apos;s book - Sanity on the line - a catalogue of individual work (of students) compiled from a cut-up poetry project that was exhibited as part of the Transgressions and boundaries of the page artist&apos;s book project. Amongst others, the phenomenon known as concrete poetry, which was developed by Hunley (2007) as an alternative approach to teaching through the creative art of writing workshop method, is explored. Furthermore, a few individual works in the cut-up poetry project are discussed by relating them to existing South African examples of concrete poetry. A strong focus is placed on examples from Afrikaans literature as well as the work of Willem Boshoff and Wopko Jensma.