Lance Grande
Roger Lansing Grande (born February 16, 1951), more commonly known as Lance Grande, is an evolutionary biologist and curatorial scientist. His research and work is focused on Paleontology, Ichthyology, Systematics and Evolution. He is best known for his work on the paleontology of the Green River Formation and for his detailed monographs on the comparative anatomy and evolution of ray-finned fishes. Grande has won the PROSE award for Professional and Scholarly Excellence from the Association of American Publishers twice, for his books "Gems and Gemstones" and "The Lost World of Fossil Lake". In 2012, he won the  Robert H. Gibbs, Jr. Memorial Award from the American Society of Ichthyologists and Herpetologists "for an Outstanding Body of Published Work in Systematic Biology." In 2013, he was appointed as the Field Museum of Natural History's first Distinguished Service Curator, after serving eight and a half years as head of the museum's Collections and Research division and museum Senior Vice President. Grande has received numerous research grants from National Science Foundation, Negaunee Foundation and Tawani Foundation. He has named over 68 species and other new taxa and published over 150 scientific articles, books and monographs. The Grandei in  Calciavis grandei is named in honour of him. Early life and education. Grande grew up in Richfield, Minnesota. He developed an early interest in the natural world as a hobby. He collected fishes from a local pond, and rocks and fossils from local gravel pits. He worked his way through college for his bachelor's degree working a variety of jobs including one as a US Army medic. He started with an Economics/Business major, but by the end of his junior year he had switched to natural history. Grande received a BS in Geology in 1976 and a double  MS in Geology and Zoology in 1979 from the University of Minnesota. His master's thesis was on a group of 40 million- to 58 million-year-old fossil localities in western North America collectively known as the Green River Formation. In late 1978, he submitted part of his thesis to be published as a book, attracting the attention of Colin Patterson at the Natural History Museum in London. Patterson recommended him to his colleagues Gareth Nelson and Donn Rosen at the American Museum of Natural History in New York. As a consequence of that recommendation, Grande received a fellowship  for a PhD program through the American Museum and the City University of New York under the guidance of Nelson and Rosen. Grande moved to New York and began the program in 1979 and received a PhD in evolutionary biology in 1983. His published Masters thesis later became an important work on the Green River Formation that by 2004 had gone through two editions and four printings. Career. In 1983, Grande was hired by the Field Museum in Chicago as curator of fossil fishes, where he continued working for the next several decades. Over the years he has been a  content specialist for some of the Field Museum's most successful exhibits, including Evolving Planet and The Grainger Hall of Gems. He has led over 60 expeditions to prospect for and collect fossils in Wyoming, Colorado, Utah, and Mexico. During his curatorship the fossil fish collection more than doubled in size. Over much of his research career, Grande collaborated with Willy Bemis, on the comparative anatomy and evolution of ray-finned fishes (Actinopterygii). Grande and Bemis built an integrative project lasting more than 15 years in an attempt to better understand the base of the evolutionary tree for ray-finned  fishes. With funding from the National Science Foundation, they traveled to 12 different countries and 14 different states to study museum collections, resulting in a number of influential publications. A 1998 article in Science magazine called their collaborative work "a model of what should be done to carry comparative biology [into] the 21st century." They also published a comparative anatomy text book with two other coauthors that was adopted by many universities across the United States. Grande served as Senior Vice President of Field Museum and head of Collections and Research from 2004 through 2013. In 2008 he received the  James A. Lovell Award from the Planetary Studies Foundation for helping to create The Robert A. Pritzker Center for Meteoritic and Polar Studies at the Field Museum. Grande is an adjunct professor at the University of Illinois at Chicago, a lecturer at the University of Chicago, and a research associate at the American Museum of Natural History in New York. He was one of the founding members on the executive committee for The Encyclopedia of Life from 2010 through 2013. He also serves on the board of trustees for The Chicago Council of Science and Technology (founding member and chair  of programming committee), on the Visiting Committee for the Graham School of Continuing Liberal and Professional Studies, where he was a founding member, and on the University of Chicago Committee on Evolutionary Biology. Books. For the bulk of his career, Grande wrote monographs and articles targeting other scientists and graduate students. During his time as an administrator of the Field Museum, he came to realize that many people did not understand the role and importance of natural history museum research scientists. As a result, in 2009 he began publishing books aimed at broader audiences about the importance and appeal of  science and natural history museum research. His first book on the topic was entitled "Gems and Gemstones: Timeless Natural Beauty of the Mineral World", which was published in 2009 with co-author Allison Augustyn. A second book entitled "The Lost World of Fossil Lake: Snapshots from Deep Time" was published in 2013. In 2017, he wrote "Curators: Behind the Scenes of Natural History Museums". Writing for Nature, Richard Fortey reviewed the book and wrote that "in some regional museums, curators are rarer than the specimens they study. This is tragic. Creeping philistinism values only the bottom line, and there is  little money to be made in (say) fish evolution. Maybe Grande's book will help to reverse the trend." Kirkus Reviews wrote that the book is "certain to appeal to aspiring curators as well as anyone who has wondered what goes on behind the exhibitions."