Raphaël Gesqua
Raphaël Gesqua (born February 11, 1972 in Paris) is a French composer, arranger and sound designer. Biography. Raphaël Gesqua's professional career began in the video games industry, in the early 1990s, under his real name "Raphaël Gesqua", after he was previously known in the middle of the 16-bit demoscene, under the "Audiomonster" pseudonym adopted in 1989. The composer worked with game designers, such as Paul Cuisset, for whom he arranged the soundtrack of the video game "Flashback", for the Commodore Amiga, in 1992. The game has remained the world's best selling French video game. He  also worked twice with Pierre Adane, creator, among other things, of the "Top Spin" video games series, and for which he composed the soundtracks of "Snow Bros" video game, for Commodore Amiga, in 1991 (that production was cancelled for at the last minute for legal reasons), and in 1993, for "Mr. Nutz", a side-scrolling platformer released for Super NES, Mega Drive/Genesis and Game Boy, which was a great success and went out of stock, just days after its release. Collaboration with Paul Cuisset also continues immediately, and the composer entirely composed and arranged the music for "Shaq-Fu  (featuring the famous basketball player Shaquille O'Neal), Fade to Black" (direct sequel to "Flashback"), and "Moto Racer", as a sound director of company Delphine Software International. "Fade to Black" and "Moto Racer" also got, in addition to their music, their sound effects entirely made by Gesqua. Again, "Moto Racer" has remained best world selling French videogame ever for several years. After the Delphine Software period, Gesqua resumed his status as an independent composer, and created the original music, sound effects, and voices for various titles, like "Marvel Super Heroes 3D", "Code Lyoko", "Horse Life", the "DodoGo!" series, "Pop Island", the  Cocoto series, and many other titles. "Pop Island" soundtrack (Odenis Studio) earned him a nomination for Milthon 2009 awards, for Best Soundtrack. He also composed the music for "Glory Days" and "Glory Days 2", for which he won two nominations on the IGN site, in 2007, for best soundtrack, facing "The Legend of Zelda - Phantom Hourglass", the Nintendo game. From 2003, Gesqua began his career in movies, and met then worked with several directors, such as Fabrice Blin, Thomas Lesourd, Christophe Monier, and Julien Maury, from the directors duo Julien Maury and Alexandre Bustillo, with whom he worked twice on  his shorts. He then composed the soundtrack for the first film of the duo, "Inside (2007 film) / A l'intérieur"), the horror film presented at Cannes Film Festival in 2007, starring Beatrice Dalle, Alysson Paradis, and Nicolas Duvauchelle, among others. This first experience resulted in a failure, producers rejected the composer's work. The second collaboration was a better one, and in 2010/2011, Gesqua signs his first soundtrack for a feature film, with the "Livid" ("Livide") film, produced by "La Fabrique 2", and released in theaters in France, on December 7, 2011. A double CD limited edition of the soundtrack has  been released by "Kronos Records" in 2017. In 2013, the composer worked again with director Fabrice Blin, for his film documentary "Super 8 Madness", about the genesis of Super 8 horror films in France. The composer also signed, at the beginning of 2013, the soundtrack of a new English video game license, "Nimnims" from Mickim Games. In 2014, he worked again, also, with directors Julien Maury and Alexandre Bustillo, on their film "Among the Living / Aux Yeux des Vivants". The critical reception for the film's music was excellent, in the United States first, through the SXSW Austin, Texas, where  the film was rated in the top 10 of the event by the famous "Fangoria", and frequently praised by music critics who attended the screening. Parallel to the film's release, a digital and CD version of the soundtrack has been released by publishers "MovieScore Media" and "Kronos Records". The music of "Among The Living" obtained a nomination, in 2015, at "Soundtrack Geeks Awards", in the category "Best Horror Film Music of 2014". Also in 2014, Raphaël Gesqua composed the soundtrack for US films anthology "The ABCs of Death 2 ("X is for Xylophone" segment)", directed by Julien Maury and  Alexandre Bustillo. In 2015, Raphaël works again with Christophe Monier, to compose the music of his feature film "That Blood That Will Flow". In 2017, the music of the feature film "Livide", by Julien Maury and Alexandre Bustillo, is published in limited double CD edition, by Kronos Records. Still in 2017, Raphaël composed the soundtrack for "Kirby at War" ("La Guerre de Kirby"), directed by Marc Azéma and Jean Depelley, for France Télévisions. He also worked on the music for the virtual reality videogame "Neon Seoul Outrun", for Playsnak company. Last, Raphaël worked again with Christophe Monier for his latest  film "A Grenade under the Shirt" ("Une Grenade sous la Chemise"), produced by Terra Cinema, and for which he won best music prize at Crash Test film festival 2020, among 3 other prizes for the film. Also in 2018, the composer is hired by the company Microïds to re-orchestrate and compose new novel themes for the remake of the video game "Toki" ("Juju Densetsu" in Japan), and also to realize the sound design of the game. Finally, in 2018, Raphaël Gesqua was named "Member of honor" by the MO5.COM association, as a video game world personality supporting their initiative . In 2019, the composer was hired by the company Color Dreams Productions to compose the music of "The Red Spider", aka "L'Araignée Rouge", the first interactive feature film, initiated by Robert Hossein, and directed by Frank Florino, starring Tchéky Karyo, Laura Smet, Francis Renaud, Pascal Elbe and Alessandra Martines. In 2020, he composed the music for the feature film "The Thing Behind the Door", aka "La Chose Derrière la Porte", directed by Fabrice Blin, as well as for Première Ligne, another feature film, this time directed by Francis Renaud. Also in 2020, the composer returned to the documentary world to  compose the music for "Jack Kirby, the D-Day", a sequel to "Kirby at War", still directed by Marc Azéma and Jean Depelley. The same year, he reunited with Julien Maury and Alexandre Bustillo, to compose the music for their feature film The Deep House.