Philip Kennicott
Philip Kennicott is the chief Art and Architecture Critic of "The Washington Post." Education. Kennicott was raised in Schenectady, New York, where he studied piano with composer and pianist Joseph Fennimore. In 1983, he attended Deep Springs College, before transferring to Yale in 1986. Kennicott graduated summa cum laude with a degree in philosophy in 1988. Career. Kennicott is the author of "Counterpoint: A Memoir of Bach and Mourning" (Norton 2020). Kennicott won the 2013 Pulitzer Prize for Criticism. He had twice been a Pulitzer Prize finalist before: in 2012, he was a runner-up for the criticism  prize, and in 2000, he was also a finalist for the Pulitzer Prize for Editorial Writing for a series on gun control in the "St. Louis Post-Dispatch". In 2015, he was a National Magazine Award finalist in the Essays and Criticism category for an essay he contributed to "Virginia Quarterly Review"; that piece, "Smuggler," Kennicott served as an editor of several classical music publications in New York City from 1988–95, including Senior Editor of Musical America and Editor of "Chamber Music Magazine". He became classical music critic of the "Detroit News" in 1995, and later Chief Classical Music Critic  of the "St. Louis Post-Dispatch". In 1999, he joined the "Washington Post" as Chief Classical Music Critic, before becoming Culture Critic in 2001, and Art and Architecture Critic in 2011. Kennicott is also a former contributing editor at "The New Republic", where he wrote articles on classical music, and has served as a reviewer and columnist for "Gramophone". Kennicott's critically acclaimed first book, "Counterpoint: A Memoir of Bach and Mourning", was praised by the "Wall Street Journal" as "a book full of arresting insights about the way music permeates our lives, as well as heartbreaking reflections on the  wounds a parent can inflict on a child." He has also contributed introductions to Richard Giannone's "Music in Willa Cather's Fiction" and Renato Mirraco's "Oscar Wilde's Italian Dream 1875-1900." Kennicott is a frequent participant in national and international symposia, including the Aspen Ideas Festival, the CATO Institute, and the World Justice Forum IV in the Hague.