Hollywood Boulevard (1976 film)
Hollywood Boulevard is a 1976 film directed by Allan Arkush and Joe Dante (the feature film directorial debut of both directors). This film stars Candice Rialson as an aspiring actress who has just arrived in Los Angeles, and was made as a result of a bet between Jon Davison and Roger Corman to make the cheapest ever film for New World Pictures. This was accomplished by extensive use of footage from other New World films. Plot. In a prologue, pompous film director Eric Von Leppe (Paul Bartel) is shooting a skydiving sequence for low-budget Miracle  Pictures in which an actress is killed. Candy Wednesday (Candice Rialson) arrives in Los Angeles to make it as an actor. She gets an agent, Walter Paisley (Dick Miller), but struggles to find work until she inadvertently gets involved in a bank robbery as a getaway driver. This gets her a job for Miracle Pictures as a stunt driver. She meets Eric Von Leppe, temperamental starlet Mary McQueen (Mary Woronov), sleazy producer PG (Richard Doran) and friendly scriptwriter, Pat (Jeffrey Kramer). Candy and Pat fall in love and she starts to get work as an actor, becoming friends with fellow  starlets Bobbi (Rita George) and Jill (Tara Strohmeier). Everyone goes to the Philippines to make a movie, "Machete Maidens of Mora Tau", starring Candy, Mary, Bobbi and Jill. Candy has to play a character who is raped, which upsets her. Later on during the shoot, Jill, Bobbi and PG have a threesome. During the filming of a battle sequence, Jill is shot dead by an unseen attacker. Back in the US, Candy, Walter and Pat all go to see "Machete Maidens" at a local drive-in where the projectionist tries to rape Candy, but she is rescued by Walter. While  shooting a chase scene in a science fiction film, Mary, Candy and Bobbi are almost killed in a car accident. Bobbi is called back to the studio late at night and is stabbed to death. Candy begins to suspect Patrick is the killer. But it turns out the real culprit is Mary. She tries to kill Candy at the Hollywood Sign but it falls on her and crushes her to death. Candy is reunited with Pat and becomes a film star. Production. The movie came out of a bet made between producer Jon Davison and Roger Corman that Davison could  make a film cheaper than any other that had been made at New World Pictures. Corman granted him a budget of $60,000 and only allowed ten days of shooting instead of the usual 15. The filmmakers achieved this by coming up with a story about a B-movie studio which could incorporate footage from other movies that Corman owned. The film was shot in October 1975 on short ends of raw stock left over from other movies. The script was a send up of the "three girls" movies New World were making at the time such as "Summer School  Teachers", with the murder plot borrowing heavily from an old Bela Lugosi movie, "The Death Kiss" (1932). The movie was also known as "The Starlets", "Hollywood Starlets", "The Actresses" and "Hello, Hollywood". Dante says at one stage Corman wanted to call it "Hollywood Hookers" but the directors did not like that "even though it probably would have made more money if it was called "Hollywood Hookers"". According to the audio commentary on the film's DVD by Joe Dante, Jon Davison and Allan Arkush, Roger Corman originally wanted Roberta Collins to play the lead, but they fought for Candice Rialson . "Diabolique" magazine argued that "I'm a Collins fan, but it was the right decision because Rialson brings not just looks and comic timing, but also a plucky underdog persona that is immensely appealing." Dante, Davison and Arkush also state the part of producer PG was turned down by Barry Gordon and Dwayne Hickman, and that Rita George was dating Dean Martin during filming. Paul Bartel credits the film with launching his acting career. He later said they were worried the film would not be long enough so they improvised a series of "TV interviews" in which each of the  major characters sketches in something of his background. Bartel tried to mimic "the kind of spiel Roger [Corman] used to feed the press, speaking of the exploitation films which he often loaded with doses of ersatz social consciousness: "In this film we've taken the myth of Romeo and Juliet, combined it with high speed car action and a sincere plea for nuclear controls in our lifetime." Films featured. The film uses footage from the following Corman pictures: In-jokes. The movie features a number of in-jokes: Reception. The "Los Angeles Times" called the film "a hilarious, often outrageous  spoof of the zany world of low budget exploitation filmmaking." "Definitely not for people who are looking for anything elegant or high tone", said the "Washington Post".