Holger Danske (opera) the ridership of the other. An extension of the southern branch towards Großreuth was opened on 15 October 2020. Further extensions are under construction along the southern branch of U3. Planned extensions. Out of all Nuremberg U-Bahn lines, U3 is the youngest and the only one with extensions currently under construction. After the northern branch reached an endpoint for the time being at Nordwestring in May 2017, construction is ongoing along the southern branch. An extension west towards Großreuth bei Schweinau was opened on 15 October 2020. Further extensions towards Kleinreuth bei Schweinau and Gebersdorf are already under construction	U3 (Nuremberg U-Bahn)
13734202	. There is a longstanding plan to use part or all of the old right of way for further extensions. An expansion of the Northern branch is not planned as of 2018 but variously debated and suggested politically. Operations. During the rush hour peak, trains on U3 leave every 3 1/3 minutes (200 seconds) which overlaps with U2 to a 100-second headway between Rathenauplatz and Rothenburger Straße. There is no service at night (roughly between 1 AM and 5 AM) not even on weekends. A few trains beginning on the U3 branches (Nordwestring and Großreuth) are routed to the U2 	U3 (Nuremberg U-Bahn)
13734203	branch instead (Röthenbach and Airport respectively) and vice versa. Rolling stock. Due to having relied on automatic operation from day one, U3 has only ever had the VAG Class DT3 rolling stock, which was designed for automatic operation. The VAG Class G1 currently in use on U1 is capable of both automatic and manual operation and could in the future be used on U3 but isn't as of 2022. U3 (Nuremberg U-Bahn) The U3 is an underground line in Nuremberg. The line was opened on 14 June 2008. It is about long, making it the shortest in the 	U3 (Nuremberg U-Bahn)
13734204	Colomi Colomi Colomi () is a locality in the Cochabamba Department in central Bolivia. It is the seat of the Colomi Municipality, the second municipal section of the Chapare Province. At the time of census 2001 it had a population of 3,699. In 2021, 21 people were killed in a bus crash. Colomi Colomi () is a locality in the Cochabamba Department in central Bolivia. It is the seat of the Colomi Municipality, the second municipal section of the Chapare Province. At the time of census 2001 it had a population of 3,699. In 2021, 21 people were killed in a bus crash	Colomi
13734205	Robert Prichard (theologian) Robert Prichard (theologian) Robert W. Prichard first taught at Virginia Theological Seminary as an adjunct faculty member in 1980, joining the faculty full-time in 1983. He is currently the Arthur Lee Kinsolving Professor of Christianity in America and Instructor in Liturgy at VTS. He obtained his Ph.D. in church history at Emory University in Atlanta, where he focused on theological discourse in the 19th Century Episcopal Church. He previously earned an M.Div. at Berkeley Divinity School at Yale and an A.B. in Spanish at Princeton University. Before joining the faculty at VTS, Prichard served as a parish clergyman in 	Robert Prichard (theologian)
13734206	three positions in Virginia. Among his responsibilities during these years of parish ministry were initiating what became the first Spanish-speaking Episcopal congregation in Virginia (San José, Arlington) and serving as the vicar of an historically African-African congregation (St. Mary's, Berryville). Additionally, he is first vice president of the Historical Society of the Episcopal Church and a clerical deputy to General Convention (2006, 2009) from the Diocese or Virginia. He served from 2000 to 2007 as a member of the Anglican-Roman Catholic Consultation in the U.S.A. (ARCUSA) and has lectured widely to Anglican educational and clerical groups 	Robert Prichard (theologian)
13734207	in Latin America. He is the first Vice President of the Historical Society of the Episcopal Church. Prichard is married with two adult sons. Robert Prichard (theologian) Robert W. Prichard first taught at Virginia Theological Seminary as an adjunct faculty member in 1980, joining the faculty full-time in 1983. He is currently the Arthur Lee Kinsolving Professor of Christianity in America and Instructor in Liturgy at VTS. He obtained his Ph.D. in church history at Emory University in Atlanta, where he focused on theological discourse in the 19th Century Episcopal Church. He previously earned an M.Div. at Berkeley Divinity 	Robert Prichard (theologian)
13734208	Holger Danske (opera) Holger Danske (opera) Holger Danske (Ogier the Dane) is the title of a 1789 Syngespil opera based on the Oberon myth, with music by F.L.Æ. Kunzen and a Danish libretto by Jens Baggesen. Synopsis. The opera is set in the time of Charlemagne, and the action revolves around the quarrel of Oberon, King of the Fairies, and Titania, Queen of the Sylphs. They have sworn an oath that they will reconcile only if they can find a human couple who will remain true to each other despite all perils and temptations; after centuries of painful separation, they find this couple 	Holger Danske (opera)
13734209	in young prince Holger, one of Charlemagne's knights, and Rezia, the daughter of Sultan Buurman in Baghdad. Holger has killed one of Charlemagne's sons in self-defense, and his punishment is to cut off a lock of the sultan's beard and kiss his daughter in public. Act One opens with Oberon singing of his longing for Titania. Then Holger and his squire Kerasmin, in a forest in Lebanon, meet Oberon, who promises Holger his help and gives him a magic horn that can force others to dance; Holger tries it on Kerasmin to punish him for his 	Holger Danske (opera)
13734210	hard words about Oberon. Then the two travel on to Babylon. The act ends with Rezia awakening from a dream in which Holger appears to her as her true bridegroom; she is in despair, because that day she is to marry Langulaffer, Prince of the Lebanon. Act Two begins in Buurman's palace, where the marriage of his daughter is about to be celebrated; Holger and Kerasmin interrupt the ceremony, Holger and Rezia recognize each other from their dreams and embrace joyfully; a fight breaks out, and Kerasmin blows the horn and forces everyone to dance ecstatically until they drop 	Holger Danske (opera)
13734211	from exhaustion, at which point Holger snips a lock from Buurman's beard, and Oberon appears and drives the Turks away. Act Three opens with Titania lamenting her separation from Oberon; she has a vision of Holger and Rezia being menaced by death. Three fairies enter and report that the ship that was to take the young couple to Europe had been wrecked on the coast of Tunis, where they were sold as slaves to the court of the Sultan Bobul. Holger is working as a gardener for the Sultana Almansaris, who tries unsuccessfully to seduce him and angrily tells 	Holger Danske (opera)
13734212	her guard to take him to be burned at the stake. Meanwhile, Rezia, now called Palmine and part of the sultan's harem, fights off his advances and says she would rather die in flames than submit. The two are chained together and about to be burned in the public square, but Oberon and Titania appear and free the pair, and Holger once more uses the horn to make his enemies dance until they are helpless. Both fairy and human couples are united at last, and the opera ends with a chorus of joy. Holger Feud and the opera's 	Holger Danske (opera)
13734213	later history. Holger Danske" is now considered one of the masterpieces of Danish opera, but when it opened on 31 March 1789 it sparked off a heated controversy, the "Holger Feud," having nothing to do with the merits of the opera itself. There had been considerable tension over the influence and attitudes of Germans in Denmark since the rise and fall of Johann Friedrich Struensee almost two decades earlier; nationalists like the leading reviewer Knud Lyhne Rahbek attacked Baggesen and his German collaborator, and opponents of opera in general like the witty satirist Peter Andreas Heiberg joined in. Baggesen was  so unnerved by the attacks that he requested the opera be withdrawn after only six performances, and he and Kunzen left the country; though both returned and had success in Denmark later, the opera was never again performed in their lifetimes, to the distress of critics like Peter Grønland, who in 1792 praised the opera highly and said he could not understand why it was "no longer performed." Ole Kongsted writes of the later fate of the opera: "One performance of the first act at a Royal Orchestra Widows' Pension Fund concert in 1804 made no impact, and the opera  was never again part of the repertoire of the Royal Theatre. The work lay hidden away until Kunzen's biographer Martienssen had it performed in 1912 at the Cecilia Society. Then it was forgotten again until it was performed a few times at the Royal Theatre in 1941; Poul Kanneworff directed, Harald Lander did the choreography, and Johan Hye-Knudsen conducted. In the same version, the opera was then repeated in 1944, and — oddly enough — it was now considered, 150 years later, to be a national Danish manifestation against the German occupation. Nils Schiørring — the greatest expert on Danish musical  history — thought that "Holger Danske" must be considered "the most significant musicodramatic work that saw the light of day in the country in the 1700s." Holger Danske (opera) Holger Danske (Ogier the Dane) is the title of a 1789 Syngespil opera based on the Oberon myth, with music by F.L.Æ. Kunzen and a Danish libretto by Jens Baggesen. Synopsis. The opera is set in the time of Charlemagne, and the action revolves around the quarrel of Oberon, King of the Fairies, and Titania, Queen of the Sylphs. They have sworn an oath that they will reconcile only if they can