Cowboy Bebop (2021 TV series)
Cowboy Bebop is a 2021 American science fiction streaming television series. It is a live action series based on the 1998 Japanese anime series of the same name and the 2001 Japanese anime . Set in the year 2171, the series focuses on the adventures of a ragtag group of bounty hunters chasing down criminals across the Solar System on the "Bebop" spaceship. The series was developed by Christopher Yost, with André Nemec serving as showrunner, and stars John Cho, Mustafa Shakir, Daniella Pineda, Elena Satine, and Alex Hassell. The 10-episode series was released on  Netflix, and drew criticism from both fans and critics for its writing, special effects, editing, and action sequences. In December 2021, Netflix cancelled the series after only one season. Additionally, Welsh Corgi dog actors Charlie and Harry play Ein, a dog with special abilities. Cast and characters. Guest. Additionally, Blessing Mokgohloa portrays Santiago, and Molly Moriarty plays Kimmie Black, Jet's daughter. Production. Development. On June 6, 2017, it was announced that an American live action adaptation of "Cowboy Bebop" was being developed for television by Tomorrow Studios—a partnership between Marty Adelstein and ITV Studios, alongside Sunrise Inc., which  also produced the original anime—with Christopher Yost serving as the series writer. On November 27, 2018, Netflix announced that the live action series would be heading to its streaming service. One of the Tomorrow Studios' producers, André Nemec, was appointed as the showrunner who previously discovered the anime through his brother around 2011. In an interview with "Vanity Fair" on October 26, 2021, Yost said he had already started planning a second season for the series before writing the first season, which is something Nemec also hinted at. However, on December 9, 2021, Netflix canceled the series after one  season. Casting. On April 4, 2019, "Variety" reported that John Cho, Mustafa Shakir, Daniella Pineda and Alex Hassell were all cast in lead roles as Spike Spiegel, Jet Black, Faye Valentine and Vicious in the series. On August 22, 2019, it was announced that Elena Satine was cast as Julia. On November 19, 2020, "Deadline Hollywood" reported that Geoff Stults, Tamara Tunie, Mason Alexander Park, Rachel House, Ann Truong and Hoa Xuande have been cast as Chalmers, Ana, Gren, Mao, Shin and Lin. James Hiroyuki Liao had joined the cast by August 2021, along with Blessing Mokgohloa as Santiago and  Molly Moriarty as Kimmie Black. On September 25, 2021, Jan Uddin and Lydia Peckham, Adrienne Barbeau, Josh Randall, Rodney Cook, and Ira Munn and Lucy Currey were officially cast as Asimov and Katerina Solensan, Maria Murdock, Pierrot Le Fou, Teddy Bomber, and Punch and Judy. Cali Nelle was also confirmed to play Abdul Hakim. On October 27, 2021, in an interview with "SyFy Wire", Nemec explained he purposely cast older actors and defended his choice that it would build richer stories for the characters, saying, "I think that really became clear to me that to really feel for these characters , to really want to track and live with them, they needed real depth of life experience in their soul. And that was something that John brought. I can't imagine anyone being Spike Spiegel but John Cho because John brings a depth to the character. He's incredibly facile with humor. He's quick-witted. He can be laconic like Spike Spiegel. I think the anime had true moments of ennui, and true moments of dramatic pain that really did require someone, again, with that depth that John brought. While in the anime, it's okay to sort of play  the younger version. But in today's world and in live action, the actor needed to be able to bring that essence as well. And that just required a more mature actor." Several of the original Japanese voice actors from the anime are involved in the live action adaption, reprising their roles for the Japanese dub of the show and there will be an addition of a few new voice actors. The Japanese voice actor for Spike, Kōichi Yamadera said, "I have long anticipated a live action version. I can feel the strong respect it has toward the anime. I  hope that viewers will see the atmosphere of the Spike character that I previously portrayed in John Cho's performance, who is skillfully taking on the role in this version. There are also many settings and developments that can only be pulled off in a live action series. I hope that both people who love "Cowboy Bebop" and those who are new to the title can enjoy this new series!" The casting of newcomer Eden Perkins as Radical Ed was announced on the day of the series' release to Netflix, though only appears in the final scenes of the tenth  episode. According to Nemec, "To keep the mystery around the character was to not necessarily want to promise that this was going to be a season that was inclusive of Ed, to not necessarily put something that many may find is disappointing out into the world. But in fairness, Ed doesn't show up in the anime until many episodes in, maybe about a third of the way through the entire series. So, it felt fair to also keep Ed from showing up [in live-action]." Pre-production. Nemec and the writers also looked beyond the source material to the  movies that influenced the original anime director, Shinichirō Watanabe when developing the anime with studio Sunrise in the 1990s. The Netflix "Cowboy Bebop" team researched Howard Hawks' "The Big Sleep" (1946), the classic Sergio Leone spaghetti Western "The Good, the Bad and the Ugly" (1966), the New Hollywood classic Bonnie and Clyde (1967), Stanley Kubrick's (1968), the neo-noir action thriller "Dirty Harry" (1971), as well as buddy cop comedy "Lethal Weapon" (1987), and even the macabre action drama "The Crow" (1994) to represent "Cowboy Bebop" through the reality of cinema. "We put a pretty extensive and expansive list  together, and we spent a lot of time really looking at the inspirations," Nemec said. The showrunner did not watch much other anime or even live-action anime adaptations in preparation for the show. Nemec also stated that it was important to be faithful to source material and also carve their own story for the live action adaptation. He mentioned, "I think a lot of it was that there were so many things that work [in the anime] but at the same time, not wanting to do a one-to-one translation because I wanted to be served, if I  were a fan, a different meal." Regarding on Faye Valentine's wardrobe changes, Pineda stated, "You know, we tried with the original. But in the original outfit, which is so lovely, it's hard to hide stunt pads and gel pads and back plates and things you need when you're falling and kicking and doing stunts." She worked with head of costume design Jane Holland to figure out a functioning outfit for the character in real life. Holland stated, "I do have to say, as a woman, I felt resistant to the idea of the lead female character being  gratuitous or overtly sexualized. It's not about it not being revealing, it's not about any of that, it's actually got all of those elements. But my take on it is that it's designed by a woman and it was made by a lot of women, and it's worn by a woman. So the same elements are there but they have just manifested in a different way." Holland also mentioned it would be easier for Pineda to work in this outfit than if she was dressed how Faye is in the anime. The costume designer said , "It's definitely aesthetically driven but there's a practical element as well...There's a lot of action. we filmed over a long period of time through different seasons. We had a lot of night shifts in Oakland so Jet and Spike were fine, because they had practical, much more practical clothing, in the anime. [Pineda] needed that as well." The cast initially trained with 87eleven Action Design, the same stunt team of the film franchise, "John Wick". They later worked with New Zealander stunt coordinator Allan Poppleton of Cunning Stunts on "Cowboy Bebop". Filming. Filming for the series  took place in 185 locations around Auckland, New Zealand between July 2019 and March 2021 including the former Auckland Railway Station, Ardmore Airport, St Matthew's Church, Spark Arena, Waitawa Regional Park, and Kingsland railway station. 150 locals were involved in the series' art and construction teams. According to production manager Clayton Tikao, Auckland was picked since its urban environment fitted with the series' "grottier" aesthetic. In October 2019, Cho sustained a knee injury, which set back production by about eight months. Cho's injury and delay also gave the showrunners extra time to bring in some of the planned  second season elements into the first season, such as introducing characters and casting for them. This included introducing Mason Alexander Park as Gren, who originally was introduced in the thirteenth episode of the series. On April 17, 2020, further news was provided about the project, that episodes would be one-hour in length allowing for more in-depth storytelling, and second season script has been noted as a possibility. On May 19, 2020, in an interview with "SyFy Wire", Adelstein revealed that three episodes had already been completed, and that they had shot at least six before Cho's knee  injury. During the same interview, it was also revealed that the director of the anime series, Shinichirō Watanabe, would be involved as a creative consultant. Watanabe later stated in November 2019, “I read the initial concept and provided my opinions, but I'm not sure if they will be reflected in the final product. I have no choice but to pray and hope that it will turn out good. Also, for "Cowboy Bebop", I don't have any right to stop it. Those rights are in the hands of Sunrise, so if you have a complaint, please send it to  them.” In October 2021, "Entertainment Weekly" confirmed that Watanabe had served as a consultant for the series. He provided production with early "Cowboy Bebop" concept art for reference. Sunrise provided books, which are original character concept drawings, ships, props, sets, and locations for the team to use as references. Watanabe stated, "For me, it's a great surprise and honor that the "Cowboy Bebop" universe has thrived for over 20 years and will continue onward." When Nemec is directly asked about Watanabe in interviews, he only mentioned Sunrise staff. Production resumed on September 30, 2020, after the New Zealand government  gave the green light to continue following the nation's COVID-19 shutdown. Filming officially wrapped on March 15, 2021. In August 2021, it was revealed that original show creator Hajime Yatate, actually a pseudonym for the collective Sunrise animation staff, was interested in writing episodes of the series. Elena Satine, who played Julia, was pregnant during filming. Music. Yoko Kanno is the composer for the series while "Tank!" played in the series' opening credits. In an August 2021 interview with the "Vulture" magazine, Cho mentioned about accepting his role and Kanno's involvement with the live action adaptation, "I made  sure that she was locked in before saying yes. I didn't think the show should go forward without her involvement. [She is] too integral to the show. Our iteration minus her would suffer too much." On September 8, 2021, Nemec stated in a "Polygon" interview, "Yoko's involvement in this show to me was paramount to almost everything else." Release. A first look video, from the point-of-view of Ein, was released by Netflix in October 2019. Set to music from the original series, the clip showed off some of the sets and the main cast, with the  trademark sign-off phrase "See You Space Cowboy..." appearing at the end. Netflix resumed the show's marketing campaign in June 2021 with a new teaser set to the original show's opening theme, "Tank!", to announce that Kanno would be scoring the series after having previously provided the soundtrack for the 1998 anime. In August 2021, along with the reveal of a November release date, Netflix released first-look preview images for the show, including pictures of Spike, Jet, Faye and Ein in various environments recreated from the anime, including the "Bebop" spaceship and the cathedral where Vicious and  Spike had their first confrontation. During Netflix's TUDUM event, they revealed the show's opening credits which replicate the anime's opening incorporating "Tank!" and including live action recreations of the original. It took 3 days to film. A special standalone teaser called "The Lost Session", shot separately from and not including any footage from the actual show, was released by Netflix on October 19, 2021 in anticipation for the trailer release. Directed by Greg Jardin, the short featured Cho, Shakir, and Pineda as their respective characters. The first official trailer was released by Netflix on October 26, 2021 . The series was originally slated to release in 2020, but was delayed due to Cho's injury and the COVID-19 pandemic. It was released on November 19, 2021. The series was canceled after one season on December 9, 2021, less than three weeks after its release. Reception. Critical response. Critical response to the series was described as "mixed", and "negative". On review aggregator Rotten Tomatoes, the series has an approval rating of 47% based on 79 critics, with an average rating of 5.9/10. The website's critics consensus reads, "Maybe next time, Space Cowboy — this live-action "Bebop" has a  fun enough crew to spend time with, but it disappointingly replaces the soulfulness of the source material with kitsch." According to Metacritic, which calculated an average score of 47 out of 100 from 28 reviews, the series received "mixed or average reviews". "Total Film"s Bradley Russell gave the series four stars out of five, stating that the show is "overflowing with charm, personality, and style – becoming a worthy companion piece to the original series". Matt Kim of "IGN" felt that the show "whole-heartedly embraces its source material and succeeds more often than it fails." "Rolling Stone"s Alan Sepinwall described  the series as "a hangout show as much as it is a thriller, a space opera, and so on", ultimately giving it three-and-a-half stars out of five. Nina Metz of the "Chicago Tribune" felt that "if you're able to watch [the series] with eyes unencumbered by comparisons, it's a hoot". Many reviewers felt the series did not live up to the original series. Kambole Campbell of "Empire" gave "Cowboy Bebop" two stars out of five, declaring it "a hollow re-enactment" of the anime. "Entertainment Weekly"s Christian Holub described the series as "a lot less  embarrassing" than previous live-action anime adaptations, while also noting that "it still doesn't quite live up to the power of the original series". Mike Hale of "The New York Times" also said the show can't live up to the original because of its "resolute ordinariness". Maureen Ryan of "Vanity Fair" however said that "This version of "Cowboy Bebop," in many ways, improves on the original." The series was heavily criticized for its writing and pacing by many reviewers. Cecilia D'Anastasio writing in "Wired" described the writing as "corny writing and muddled subplots". Russell felt that many of  the supporting characters' motivations were "glossed over and occasionally undercooked", while "a handful of episodes feel rushed to meet its runtime". He also noted that the Vicious–Julia subplot was "by far the weakest element" of the show. Several reviewers noted how the increased episode length did not translate into better episodes, but instead bloat. Judy Berman writing in "Time" magazine called the decision to expand the show from 25 minutes to an hour "baffling". "Variety"'s Caroline Framke opined that the series suffered from "Netflix bloat", where the story is needlessly stretched "seemingly for the sake of retaining eyeballs  for more minutes at a time". Rob Owen of the "Pittsburgh Tribune-Review" wrote, "When the show leans more heavily into Spike's serialized plot – "Cowboy Bebop" loses its sense of fun and bogs down in tired soap operatics." The show's visual aesthetic polarized critics. The excessive use of dutch angles was criticized by Rohan Naaha in the "Indian Express", who also said while it copied the aesthetic of the show. D'Anastasio was critical of the sets and described them as "cheap-looking. Russell, meanwhile, noted that "some sets clearly need a more sizeable budget, but the sheer attention  to detail by the production designers helps overcome that handicap". Graeme Virtue of "The Guardian" described the show as a "visually amped-up space western that feels stylised and swaggering to near saturation". Sepinwall wrote, "The visual palette is a blend of high and low elements, blending modern special effects with Fifties-style green screen in a way that looks simultaneously primitive and cool, so even the sequences that seem cheap pop off the screen in appealing ways." Conversely, "The Hollywood Reporter"'s Angie Han described the show as "a knockoff "Firefly", made for a fraction of the budget", with  muddy CG and "shoddy-looking sets". Hale compared the show's visual effects to "Doctor Who", calling them adequate but cheesy. Several reviewers also criticized the action scenes for their cinematography, editing and fight choreography. However, Brian Lowry of "CNN" described the action sequences in the series "stylishly choreographed" despite the overall series was lacking and dull. Critics, including those who criticized the series, praised the performances of the cast. Naaha described the cast as the "only saving grace" of the series in an otherwise critical review. Francisco stated, "If there's a high mark the show hits, it's  the fact that its all-star main cast was successfully assembled to begin with." Shirley Li of "The Atlantic" wrote, "The trio of protagonists aboard the Bebop have an electric chemistry: The actor John Cho embodies Spike's swagger, Mustafa Shakir captures Jet's stoicism, and Daniella Pineda suffuses Faye with endearing candor." "GameSpot"s Mason Downey wrote, "absolutely everyone feels perfectly cast". Other media. In August 2021, it was announced that Netflix had partnered with Titan Books to publish several books based on the series, with the first book, entitled "Cowboy Bebop: A Syndicate Story: Red Planet Requiem," released on  December 7, 2021. An art book will also be released on May 3, 2022, which will have concept art, behind-the-scenes photography, and more. It was also announced that Titan would be publishing a four issue comic miniseries based on the show, with its first issue debuting on January 26, 2022 and the last on April 27, 2022, with a trade collecting all four issues releasing on July 26, 2022. The story is by Dan Watters and art by Lamar Mathurin. First issue art cover are by Artgerm (Stanley Lau) with variant covers by Claudia Ianniciello, Afu Chan, and  Yishan Li. The following issues will continue to have different cover artists.