Muhamed and Reuf Kadić
Muhamed and Reuf Kadić were two important Yugoslav architects, who after studying in Prague were among the first to introduce the ideas of modernist architecture in Sarajevo in the interwar period. While in Prague, Muhamed and Reuf Kadić "clearly belonged to a faction that was closer to the Club for Old Prague (yes to Modernism, but not at the cost of demolishing old Prague)." They maintained the same attention to taking existing historical architecture into account once back in Sarajevo. Muhamed Kadić. Muhamed Kadić was born in 1906 in Mostar. He enrolled at the Faculty of  Architecture in Prague in 1926, and a year later he was joined by his younger brother Reuf. In Prague, as young students, based on the achievements of cubism and neoplasticism, they strived to create a free and pure geometric architectural form. In addition, they were socially engaged, so that due to revolutionary agitation, Muhammad was expelled from Czechoslovakia in 1932, and at the same time he was forbidden to return to his homeland. With the change of political circumstances, the brothers returned to Sarajevo. He graduated in Prague only in 1939. He devoted most of his working life to the  planning and construction of industrial and agricultural facilities. He published the book "Old farmhouses in Bosnia and Herzegovina" ("Starinska seoska kuća u Bosni i Hercegovini", Sarajevo 1967). He won the ZAVNOBiH Award in 1982, the "6 April" Award of the City of Sarajevo and the "27 July" Award in 1978. He became a corresponding member of the Academy of Sciences and Arts of BiH in 1973, and a full member two years later. Reuf Kadić. Born in 1908 in Sarajevo, Reuf Kadić began his studies in Prague in 1927, but, together with his brother, he often returned to Sarajevo, where  he worked for architectural bureaus earning the money needed for schooling. In 1930, the authorities confiscated his passport because of his liberal political ideas. During his studies he occasionally came to Sarajevo and worked in the construction company "Rad", and accumulated more than three years of such work until 1934. He worked on various construction sites and participated in the design of the city hospital in Brcko, municipal offices, apartments and buildings customs offices in Metković, the Deutz and Benau buildings and the Radulović house in Sarajevo, reinforced concrete bridges in Bihać, Tuzla and Mostar, and participated in a tender  for the Belgrade Stock Exchange Palace project. After re-obtaining his passport, he returned to Prague where he completed his studies in 1934. In November 1935, he got employed at the Vakuf Directorate in Sarajevo, where he worked until 1942, designing and realizing over fifty projects. In the period 1951-74 he stopped working at the National Design Institute and began his pedagogical work at the Sarajevo Civil Engineering High School. In 1963, Reuf Kadić transferred from the Civil Engineering Technical High School to Energoinvest, to the Supervision and Investment Service, and in 1965 he became the director for capital  construction of the Banja Luka Cellulose and Viscose Factory. After retiring in 1967 until his sudden death in 1974, he occasionally worked in architecture, mainly on the revision / review of architectural projects. Architectural achievements. In 1940, brothers Reuf and Muhamed Kadić founded their own independent design studio in Sarajevo, so together they participated in the development of projects. This studio remained active until 1942. In the same year, the studio of the Kadić brothers was dissolved and they moved to Dubrovnik. They then temporarily suspended their professional design careers until the end of World War II. In the first post -war period, the Design Institute of the People's Republic of Bosnia and Herzegovina played an important role in the design and construction of facilities in Sarajevo. It mainly brings together designers with construction experience. The backbone consisted of Muhamed and Reuf Kadić, who put their previous design experience into the function of renovation. Their buildings, which are characterized by pure functional forms, have been preserved to this day. They left behind a number of achievements that represent the avant-garde of architectural works.