Teatro Berga
The Teatro Berga was a Roman theatre in Vicetia, modern Vicenza, Italy. It stood in an area beyond the river, in what is now part of the historic centre of the city. Its site corresponded to buildings currently standing between Contrà Santi Apostoli, Piazzetta San Giuseppe, Contrà Porton del Luzzo, Piazzetta Gualdi, Contrà del Pozzetto and contrà Lioy. Contrà Porton del Luzzo follows the semi-circular route of the external perimeter of the south-facing cavea of the former theatre. The theatre was built in the 1st century BC and it remained in use until at least the  3rd century AD. It remained intact throughout the medieval period, being used as a prison in the 13th century before falling into ruin. Its remains were documented by Andrea Palladio in the 16th century, and the building was mostly destroyed in the 17th century when it was built up as residential buildings. A few scant remains incorporated into these houses, and the general outline of the theatre are all that remain today. History. The theatre was built around the end of the 1st century BC, and it was located in an area southeast of the city centre, beyond the river  connected to the centre by a bridge which stood on the site of the present "Ponte San Paolo". Near the cavea there were two important communication routes: the road coming from Lonigo and that coming from . During the Julio-Claudian era, the theatre was enriched with further statues of members of the imperial family. The theatre was used for performances until at least the 3rd century AD, and in fact it is mentioned in an inscription from Leptis Magna which recalls the honours paid by the theatre of Vicetia to the pantomime Marcus Septimius Aurelius Agrippa (he obtained "decurionalia ornamenta , meaning decurion honours). The first historical reference of the building consists of a diploma by Emperor Otto III dated 1001, with which he handed over ownership of the building to the Bishop of Vicenza. The theatre was used as a prison in the second half of the 13th century, and it subsequently fell into ruins. In the 16th century, enough of the building was intact to allow Andrea Palladio to draw up a detailed plan, including dimensions that he measured personally. Other architects were later also able to draw up drawings of the theatre. The theatre was destroyed in the 	Teatro Berga
12682977	first half of the 17th century, when its site was built up with residential buildings which still exist. The theatre's semi-circular plan is still evident, being preserved by the location of the roads surrounding it and the houses built on its site, but little remains of the structure. Some of the walls of the substructure of the cavea still exist, incorporated into other buildings. Description. The Teatro Berga" complex included the actual theatre in the southern part, and a vast porticoed area ("porticus post scaenam") in the north. The external diameter of the cavea was about . It is  estimated that the theatre could have held over 5000 spectators. The theatre included multicoloured marbles and it was adorned with large marble statues depicting the imperial family of the Julio-Claudian dynasty. Some statues were found during 19th-century excavations, and they are conserved in the in Vicenza. The theatre was mainly built out of stone extracted from the Costozza quarries. The northern portico area measured about .