Go Away! Trinity Has Arrived in Eldorado
Go Away! Trinity Has Arrived in Eldorado () is a comedic Spaghetti Western from 1972. It is one of the first of various "Trinity" films inspired by the earlier "They Call Me Trinity" and "Trinity Is Still My Name". Plot and title. Jonathan Duke, a con man, and his partner Sebastian Carter make a living travelling the country and selling a dubious "Elixir of Long Life" - a scheme that is in the end exposed by an elderly man. Next, the two try to trick people at poker, but the plan ends badly in a  saloon brawl. After these two introductory scenes, the main plot of the film starts. Duke and Carter plan to team up with Ringo Jones and his band to rob the crazy Mexican general Eldorado, who believes he is a god and sits on a golden thrown flanked by two servant girls, of his gold treasure. Duke does so successfully by dazzling Eldorado with magic tricks, then overcoming him in a fencing duel and tying him up. The film's English title notwithstanding, "Trinity" is the name of a town, not a person, and the Italian title more accurately reflects the  film's plot. Production. The film was shot at Gordon Mitchell's western village at Manziana. As to the length of the shoot, D'Amato gives two conflicting statements: In an interview published in print in 1996, D'Amato recalled it had lasted six days, whereas in a video interview conducted in 1998, he said it had taken three days. Diego Spataro, however, stated to "Nocturno" that it had lasted four and a half days. Spataro also remembered the anecdote that as soon as shooting had closed, D'Amato had said, "Tell the cook to throw in the spaghetti" (). Directorial credit. Sources disagree  as to the identity of the film's director. The credited name, Dick Spitfire, is a pseudonym for Diego Spataro, a name that had also been used for an earlier film, "Django and Sartana Are Coming... It's the End". In his 1992 book on Spaghetti Westerns, Thomas Weisser assumes that the name is a pseudonym for director Demofilo Fidani and, consequently, states that Fidani was director for both "Django" and "Go Away!". However, Weisser cites no additional evidence other than the similarity of the two films' treatment of humor with that seen in other Fidani films. In an interview  published in 1996, Joe D'Amato said that "Go Away!" was the first film he directed and that he shot it in six days with the help of assistant director Romano Gastaldi. He also acknowledged that the official director's credit went to Spataro, and not to him. In another interview some two years later, D'Amato elaborated on this point, stating that he had not wanted to receive directorial credit because he had feared that, once he had worked as a director, other directors would have been hesitant to hire him as a cinematographer. D'Amato further recalled that Spataro, who had  made many Spaghetti Westerns with Fidani, had plenty of stock footage from those films, and that some of it was used in editing "Go Away!". In his 1999 book on Italian cult films, Marco Giusti cites an interview with Diego Spataro in which Spataro recalled that D'Amato initially had wanted him to act as a puppet (): D'Amato would give him the information he was then to pass on the actors so they would know in which way to act; after 10 minutes, however, D'Amato became aware of the absurdity of the situation and took charge himself. Giusti therefore attributes the  direction of the film to D'Amato, and states that Fidani, for whom D'Amato had often worked as a camera operator, was involved as a producer. In his book on Spaghetti Westerns published in 2002, film historian Ulrich Bruckner describes "Go Away!" as a collaboration between Spataro, Fidani and D'Amato. He credits all three as directors of the film. The motorbike gag. One of the film's comic effects is Eldorado's horse, which has motorbike mirrors attached to it. When Eldorado arrives at an oat vendor, he asks him to "fill it up with super" (). Reception. In a contemporaneous review  of the film, "La Révue du Cinéma" deplored mistakes in chronology, chaotic editing and lack of talent in storytelling, but at the same time recognized its quirky humour. More recently (2002), Ulrich Bruckner found it to be among the better collaborations of D'Amato, Fidani and Spataro. In his 2004 book on Joe D'Amato, Gordiano Lupi thinks that "Go Away!", in contrast to the western "A Bounty Killer in Trinity" which D'Amato is also said to have directed, contains ingenious ideas that to Lupi are the hallmark of D'Amato's involvement. Lupi thinks that the film's best moments are its  comic or "trashy" scenes, whereas he criticizes what he calls the "structural" parts: lengthy chases, laborious ambushes, endless, predictable shootouts and unrealistic brawls. To Lupi, the film is discontinuous and "loses itself" towards the end when it seems the director did not known where he wanted to end up. Still, Lupi applauds the last scene in which the Duke puts a hand of five aces on the table, calling it - in the Italian version - a "superpokermaggiore" (translated: "a major superpoker").