Pirated movie release types
Pirated movie release types are the different types of pirated movies and television series that end up on the Internet. They vary wildly in rarity and quality due to the different sources and methods used for acquiring the video content, in addition to encoding formats. Pirated movie releases may be derived from cams, which have distinctly low quality; screener and workprint discs or digital distribution copies (DDC), telecine copies from analog reels, video on demand (VOD) or TV recordings, and DVD and Blu-ray rips. They are seen in P2P networks, pirated websites and video sharing  websites such as YouTube and Dailymotion. History. Pirated movies are usually released in many formats and different versions as better sources become available. The versions are usually encoded in the popular formats at the time of encoding. The sources for pirated copies have often changed with time in response to technology or anti-piracy measures. Cams. Cam releases were the early attempts at movie piracy which were implemented by recording the on-screen projection of a movie in a cinema. This enabled groups to pirate movies which were in their theatrical period (not released for personal entertainment). Alternative methods were  sought, as these releases often suffered distinctly low quality and required undetected videotaping in movie theaters. Pre-release. Beginning in 1998, feature films began to be released on the internet by warez groups prior to their theatrical release. These pirated versions usually came in the form of VCD or SVCD. A prime example was the release of "American Pie". This is notable for three reasons: DVD and VOD ripping. DivX. In October 1999, DeCSS was released. This program allowed anyone to remove the CSS encryption on a DVD. Although its authors only intended the software to be used for playback  purposes, it also meant that one could decode the content perfectly for ripping; combined with the "DivX 3.11 Alpha" codec released shortly after, the new codec increased video quality from near VHS to almost DVD quality when encoding from a DVD source. Xvid. The early DivX releases were mostly internal for group use, but once the codec spread, it became accepted as a standard and quickly became the most widely used format for the scene. With help from associates who either worked for a movie theater, movie production company, or video rental company, groups were supplied with massive amounts of  material, and new releases began appearing at a very fast pace. When version 4.0 of DivX was released, the codec went commercial and the need for a free codec, Xvid (then called "XviD", "DivX" backwards), was created. Later, Xvid replaced DivX entirely. Although the DivX codec has evolved from version 4 to 10.6 during this time, it is banned in the warez scene due to its commercial nature. x264. In February 2012, a consortium of popular piracy groups officially announced x264, the free H.264 codec, as the new standard for releases, replacing the previous format, which was Xvid wrapped in  an AVI container. The move to H.264 also obsoletes AVI in favor of MP4 and Matroska that most commonly uses the .mkv file name extension. x265 (HEVC). With the increasing popularity of online movie-streaming sites like Netflix, some movies are being ripped from such websites now and are being encoded in HEVC wrapped in Matroska containers. This codec allows a high-quality movie to be stored in a relatively smaller file size. AV1. AV1 is a free modern video format developed by the Alliance for Open Media (AOM). It delivers high quality video at lower bitrates than H.264 or  even H.265/HEVC. Unlike HEVC, it can be streamed in common web browsers. It is being adopted by YouTube and Netflix, amongst others. As of now, a few encoders use AV1. Release formats. Below is a table of pirated movie release types along with respective sources, ranging from the lowest quality to the highest. Scene rules define in which format and way each release type is to be packaged and distributed. Cam/CamRip. A "Cam" is a copy made in a cinema using a camcorder or mobile phone. The sound source is the camera microphone. Cam rips can quickly appear  online after the first preview or premiere of the film. The quality ranges from subpar to adequate, depending on the group of persons performing the recording and the resolution of the camera used. The main disadvantage of this is the sound quality. The microphone does not only record the sound from the movie, but also the background sound in the cinema. The camera can also record movements and audio of the audience in the theater, for instance, when someone stands up in front of the screen, or when the audience laughs at a funny moment in the film. Telesync. A  telesync (TS) is a bootleg recording of a film recorded in a movie theater, sometimes filmed using a professional camera on a tripod in the projection booth. The main difference between a CAM and TS copy is that the audio of a TS is captured with a direct connection to the sound source (often an FM microbroadcast provided for the hearing-impaired, or from a drive-in theater). Often, a "cam" is mislabeled as a telesync. HDTS is used to label a High-definition video recording. Workprint. A Workprint is a copy made from an unfinished version of a film  produced by the studio. Typically a workprint has missing effects and overlays, and differs from its theatrical release. Some workprints have a time index marker running in a corner or on the top edge; some may also include a watermark. A workprint might be an uncut version, and missing some material that would appear in the final movie (or including scenes later cut). Telecine. A Telecine is a copy captured from a film print using a machine that transfers the movie from its analog reel to digital format. These were rare because telecine machines for making these prints were very  costly and very large. However, they have recently become much more common. Telecine has basically the same quality as DVD, since the technique is the same as digitizing the actual film to DVD. However, the result is inferior since the source material is usually a lower quality copy reel. Telecine machines usually cause a slight left-right jitter in the picture and have inferior color levels compared to DVD. HDTC is used to label a High-definition video recording. PPV Rip. PPVRips come from Pay-Per-View sources. All the PPVRip releases are brand new movies which have not yet  been released to Screener or DVD, but are available for viewing by customers with high-end TV package deals. Screener. Screeners are early DVD or BD releases of the theatrical version of a film, typically sent to movie reviewers, Academy members, and executives for review purposes. A screener normally has a message overlaid on its picture, with wording similar to: "The film you are watching is a promotional copy. If you purchased this film at a retail store, please contact 1-800-NO-COPYS to report it." or more commonly if released for awards consideration simply, "FOR YOUR CONSIDERATION." Apart  from this, some movie studios release their screeners with a number of scenes of varying duration shown in black-and-white. Aside from this message, and the occasional B&W scenes, screeners are normally of only slightly lower quality than a retail DVD-Rip, due to the smaller investment in DVD mastering for the limited run. Some screener rips with the overlay message get cropped to remove the message and get released mislabeled as DVD-Rips. "Note: Screeners make a small exception here—since the content may differ from a retail version, it can be considered as lower quality than a  DVD-Rip (even if the screener in question was sourced from a DVD)." DDC. A digital distribution copy (DDC) is basically the same as a Screener, but sent digitally (FTP, HTTP, etc.) to companies instead of via the postal system. This makes distribution cheaper. Its quality is lower than one of a R5, but higher than a Cam or Telesync. In the warez scene DDC refers to Downloadable/Direct Digital Content which is not freely available. R5. What is known as an R5 is a studio produced unmastered telecine put out quickly and cheaply to compete against telecine piracy in  Russia. The R5 tag refers to the DVD region 5 which consists of Russia, the Indian subcontinent, most of Africa, North Korea, and Mongolia. R5 releases differ from normal releases in that they are a direct Telecine transfer of the film without any of the image processing. If the DVD does not contain an English-language audio track, the R5 video is synced to a previously released English audio track. Then a "LiNE" tag is added. This means that the sound often is not as good as DVD-Rips. To account for the lesser audio quality typically present in R5  releases, some release groups take the high quality Russian or Ukrainian 5.1 channel audio track included with the R5 DVD and modify it with audio editing software. They remove the non-English spoken portion of the audio and sync the remaining portion, which contains high quality sound effects and music with a previously recorded source of English vocals usually taken from a "LiNE" tagged release. The result of this process is an almost retail DVD quality surround sound audio track which is included in the movie release. Releases of this type are normally tagged "AC3.5.1.HQ" and details about what was  done to the audio track as well as the video are present in the release notes accompanying the pirated movie. DVD Rip. A DVD-Rip is a final retail version of a film, typically released before it is available outside its originating region. Often after one group of pirates releases a high-quality DVD-Rip, the "race" to release that film will stop. The release is an AVI file and uses the XviD codec (some in DivX) for video, and commonly mp3 or AC3 for audio. Because of their high quality, DVD-Rips generally replace any earlier copies that may  already have been circulating. Widescreen DVDs used to be indicated as WS.DVDRip. DVDMux differs from DVDRips as they tend to use the x264 codec for video, AAC or AC3 codec for audio and multiplex it on a .mp4/.mkv file. DVD-R. DVD-R refers to a final retail version of a film in DVD format, generally a complete copy from the original DVD. If the original DVD is released in the DVD-9 format, however, extras might be removed and/or the video reencoded to make the image fit the less expensive for burning and quicker to download DVD-5 format. DVD-R  releases often accompany DVD-Rips. DVD-R rips are larger in size, generally filling up the 4.37 or 7.95 GiB provided by DVD-5 and DVD-9 respectively. "Untouched" or lossless rips in the strictest sense are 1:1 rips of the source, with nothing removed or changed, though often the definition is lightened to include DVDs which have not been transcoded, and no features were removed from the user's perspective, removing only restrictions and possible nuisances such as copyright warnings and movie previews. TV Rip. TVRip is a capture source from an analog capture card (coaxial/composite/s-video connection). Digital  satellite rip (DSR, also called SATRip or DTH) is a rip that is captured from a non-standard definition digital source like satellite. HDTV stands for captured source from HD television, while PDTV (Pure Digital TV) stands for any SDTV rip captured using solely digital methods from the original transport stream, not from HDMI or other outputs from a decoder, it can also refer to any standard definition content broadcast on a HD channel. DVB rips often come from free-the-air transmissions (such as digital terrestrial television). With an HDTV source, the quality can sometimes even surpass DVD. Movies  in this format are starting to grow in popularity. Network logos can be seen, and some advertisement and commercial banner can be observed on some releases during playback. Analog, DSR, and PDTV sources used to be often reencoded to 512×384 if fullscreen, currently to 640x480 if fullscreen and 720x404 if widescreen. HDTV sources are reencoded to multiple resolutions such as 720x404 (360p), 960×540 (540p), 1280×720 (720p), and 1920x1080 (1080p) at various file sizes for pirated releases. They can be progressive scan captured or not (480i digital transmission or 1080i broadcast for HD caps). VOD Rip. VODRip stands for Video-On -Demand Rip. This can be done by recording or capturing a video/movie from an On-Demand service such as through a cable or satellite TV service. Most services will state that ripping or capturing films is a breach of their use policy, but it is becoming more and more popular as it requires little technology or setup. There are many online On-Demand services that would not require one to connect their TV and computer. It can be done by using software to identify the video source address and downloading it as a video file which is often the  method that bears the best quality end result. However, some people have used screen cams which effectively record, like a video camera, what is on a certain part of the computer screen, but does so internally, making the quality not of HD quality, but nevertheless significantly better than a Cam or Telesync version filmed from a cinema, TV or computer screen. HC HD Rip. In a HC HDRip, HC stands for hard-coded subtitles. This format is released shortly after the movie leaves theaters. It is usually sourced from Korean VOD services like Naver. The quality of this release is  lower than a WEB as it is screen recorded, and it is a less preferred option due to the subtitles being baked into the video and cannot be removed, hence the HC tag. P2P groups have released blurred copies, which have the subtitles blurred or blocked. Web Capture. A WEBCap is a rip created by capturing video from a DRM-enabled streaming service, such as Amazon Prime Video or Netflix. Quality can range from mediocre (comparable with low quality XVID encodes) to excellent (comparable with high quality BR encodes). Essentially, the quality of the image obtained depends on internet  connection speed and the specifications of the recording machine. WEBCaps nowadays are labeled as WEBRips, thus making this tag rare. HDRip. HDRip stands for High Definition Resolution (is poor) are typically transcoded versions of HDTV or WEB-DL source files, but may be any type of HD transcode. Web Rip. In a WEBRip (P2P), the file is often extracted using the HLS or RTMP/E protocols and remuxed from a TS, MP4 or FLV container to MKV. This tag was used to indicate releases from streaming services with weak or no DRM in order to differentiate from iTunes's WEB -DL; however, it is generally used to tag the captured (and re-encoded) releases, much like WEBCap. Web Download. WEB-DL (P2P) refers to a file losslessly ripped from a streaming service, such as Netflix, Amazon Video, Hulu, Crunchyroll, Discovery GO, BBC iPlayer, etc., or downloaded via an online distribution website such as iTunes. The quality is relatively good since they are not re-encoded ("untouched" releases). The video (H.264 or H.265) and audio (AC3/AAC) streams are usually extracted from iTunes or Amazon Video and remuxed into a MKV container without sacrificing quality. An advantage with these releases is  that, like BD/DVDRips, they usually have no onscreen network logos unlike TV rips. A disadvantage is that if there are normally subtitles for scenes in other languages, they often aren't found in these releases. Some releases are still mislabeled as WEBRip. BD Rip. Blu-ray or Bluray rips are encoded directly from the Blu-ray disc to 2160p, 1080p or 720p (depending on disc source), and use the x264 or x265 codec. They can be ripped from BD25 or BD50 discs (or UHD Blu-ray at higher resolutions). BDRips are from a Blu-ray disc and encoded to  a lower resolution from its source (i.e. 1080p to 720p/576p/480p). BRRips are an already encoded video at HD resolution that is then transcoded to an SD resolution. BRRips are only from an HD resolution to a SD resolution whereas BDRips can go from 2160p to 1080p, etc as long as they go downward in resolution of the source disc. BDRips are not a transcode, but BRRips are. BD/BRRips in DVDRip resolutions can vary between XviD/x264/x265 codecs (commonly 700 MB and 1.5 GB in size as well as larger DVD5 or DVD9: 4.5 GB or 8.4GB). Size  fluctuates depending on the length and quality of releases, but the higher the size the more likely they use the x264/x265 codecs. A BD/BRRip to DVDRip resolution looks better, regardless, because the encode is from a higher quality source. BDRips and BRRips are often confused with each other, but have followed the above guideline after Blu-ray replaced BDRip title structure in scene releases. Full BD25/BD50 data rips also exist, and are similar to their counterpart DVD5/DVD9 full data releases. They are AVCHD compatible using the BD folder structure (sometimes called Bluray RAW/m2ts/iso), and  are usually intended to be burnt back to disk for play in AVCHD-compatible Blu-ray players. BD25/BD50 data rips may or may not be remuxed and are never transcoded. UHD data rips also exist. In scene releases, full copy of the Blu-ray Disc is called "COMPLETE.BLURAY" or "BDISO" when in a .iso file format, meanwhile full copy of Ultra HD Blu-Ray discs is called "COMPLETE.UHD.BLURAY". BD and BR Rips come in various (now possibly outdated) versions: