Federal Bureau of Investigation portrayal in media
The Federal Bureau of Investigation (FBI) has been a staple of American popular culture since its christening in 1935. That year also marked the beginning of the popular "G-Man" phenomenon that helped establish the Bureau's image, beginning with the aptly titled James Cagney movie, "G Men". Although the detective novel and other police-related entertainment had long enthralled audiences, the FBI itself can take some of the credit for its media prominence. J. Edgar Hoover, the Bureau's "patriarch", took an active interest to ensure that it was not only well  represented in the media, but also that the FBI was depicted in a heroic, positive light and that the message, "crime doesn't pay", was blatantly conveyed to audiences. The context, naturally, has changed profoundly since the 1930s "war on crime", and especially so since Hoover's death in 1972. The FBI's role. Any author, motion picture producer, or television script writer may consult with the FBI Office of Public Affairs about closed cases or their operations, services, or history. However, there is no requirement for the FBI to cooperate, and it does not edit or approve/disapprove fictional  works. The Office of Public Affairs may, on a project-by-project basis, provide assistance to help ensure accuracy. Some filmmakers offer reasonably accurate presentations of the FBI's responsibilities, investigations, and procedures in their story lines, while others present their own interpretations or introduce fictional events, persons, or places for dramatic effect. There have been many fiction and non-fiction portrayals of the Federal Bureau of Investigation, from which the following is only a small sample. Radio. Two other popular radio shows based on the activities of the Bureau were: