A View to a Kill (song)
"A View to a Kill" is the thirteenth single by the English new wave and synth-pop band Duran Duran, released on 6 May 1985. Written and recorded as the theme for the James Bond film of the same name, it became one of the band's biggest hits. It remains the only James Bond theme song to have reached number one on the US "Billboard" Hot 100; it also made it to number two for three weeks on the UK Singles Chart while stuck behind Paul Hardcastle's "19". The song was the  last track recorded by the most famous five-member lineup of Duran Duran until their reunion in 2001 and was also performed by the band at Live Aid in Philadelphia, their final performance together before their first split. The following year, composer John Barry and Duran Duran were nominated for the Golden Globe Award for Best Original Song for "A View to a Kill". Following Barry's death in 2011, the band paid tribute to him for their encore at the Coachella Festival later that year, with Simon Le Bon reappearing in a tuxedo for a pared-down version backed  by an orchestra, before launching into the familiar full-band hit version. Bassist John Taylor introduced the song by saying, "We lost a dear friend of ours this year. A great English composer familiar to Hollywood, his name was John Barry. We're gonna play this for him." Background. The song was written by Duran Duran and John Barry, and recorded at Maison Rouge Studio and CTS Studio in London with a 60-piece orchestra. Duran Duran were chosen to do the song after bassist John Taylor (a lifelong Bond fan) approached producer Cubby Broccoli at a party and  somewhat drunkenly asked, "When are you going to get someone "decent" to do one of your theme songs?" The band was then introduced to Bond composer John Barry, and also composer/producer Jonathan Elias (with whom Duran Duran members would later work many times). An early writing meeting at Taylor's flat in Knightsbridge led to everyone getting drunk instead of composing. Composition. Singer Simon Le Bon said of Barry: "He didn't really come up with any of the basic musical ideas. He heard what we came up with and he put them into an order. And that's  why it happened so quickly because he was able to separate the good ideas from the bad ones, and he arranged them. He has a great way of working brilliant chord arrangements. He was working with us as virtually a sixth member of the group, but not really getting on our backs at all." Due to a clear separation of areas of responsibility, the cooperation between band and composer turned out to be largely harmonious. The band was in charge of the actual songwriting while Barry created the final arrangement, including the orchestral parts. The song was finally completed in  April 1985 and released that May. In the UK, it entered the singles chart at No. 7 before peaking at No. 2 the following week, and remained at that position for three weeks. In the US, it entered the charts at No. 45, and on 13 July it reached number one on the "Billboard" Hot 100 chart. It remains the only Bond theme to achieve this chart placing. Music video. The song's music video was filmed in the Eiffel Tower and was directed by the duo of Godley & Creme. The video opens with the iconic gun barrel sequence and  is centered around the scene from the film where Max Zorin's henchwoman May Day kills private detective Achille Aubergine in front of James Bond at the Tower. It then cuts to the band walking by the Tower on a secret mission: Simon Le Bon, disguised as a tourist, wearing a gray trenchcoat and carrying a walkman; John Taylor, a long-haired tourist dressed in black; Nick Rhodes, a photographer working with a top model; Andy Taylor, a blind accordionist who plays the Bond theme on the accordion; and Roger Taylor, a supervisor inside a van. The band's actions  coincide with events shown from the movie, while Bond pursues May Day through the Tower, culminating in her escape via parachute. The video ends with a beautiful young girl approaching Le Bon to question him, "Excuse me... aren't you?", where he breaks the fourth wall to say, "Bon. Simon Le Bon". However, her moving Le Bon's arm to talk to him causes him to accidentally activate a detonator concealed inside his walkman, blowing up the Eiffel Tower. Track listing. UK 7-inch (EMI, Duran 007). A: "A View to a Kill" – 3:37 B: "A View to a Kill  (That Fatal Kiss)" – 2:31 In popular culture. DJ's Factory, a Eurodance project of German producer Bülent Aris and British keyboarder Adrian Askew, released a dancefloor-oriented version of the song in summer 1985, reaching No. 22 on the German single charts. In 1987, Shirley Bassey covered the song for her album "The Bond Collection", which contained her renditions of Bond theme songs. However, she wasn't satisfied with the quality, so the album was withdrawn from sale. In 2008, the song was covered in a bossa nova style by former Morcheeba singer Skye on the various artists compilation album  Hollywood, Mon Amour, containing cover versions of songs from 1980s films. Måns Zelmerlöw performed a live version of the song at the beginning of the Andra Chansen (Second Chance) round of Melodifestivalen 2010 in Örebro, Sweden. Further cover versions of the song have been recorded by the Welsh alternative metal band Lostprophets, Canadian punk rock band Gob, Australian band Custard, on the tribute album "The Songs of Duran Duran: UnDone" (1999), and the Chilean heavy metal band Los Mox, on their album "...Con Cover" (2006). Finnish melodic death metal band Diablo has covered the song, as well as Finnish symphonic  metal cover supergroup Northern Kings. Jay Gonzalez of Drive-By Truckers covered the song in a bossa nova style on the various artists compilation album "Songs, Bond Songs: The Music of 007" (2017). In 2016, Duran Duran performed the song live at the unveiling of the 2016 Mazda MX-5 (ND). Personnel. Duran Duran Technical Other appearances. Albums: