Daijiro Morohoshi
He is well known for science fiction comics, allegorical comics and horror/mystery comics based on pseudohistory and folklore. The indirect influence by Cthulhu Mythos also appears here and there in his works. Biography. Morohoshi grew up in Adachi-ku, Tokyo. After graduating from high school, he worked for the Tokyo metropolitan government for three years. In 1970, Morohoshi made his professional debut with his short story in "COM". In 1974, his short story was selected in the 7th Tezuka Award. His breakthrough came, when he started publishing the series in "Weekly Shōnen Jump". He published , in the  same magazine afterwards. In 1979, he published the "Mud Men" series in "Monthly Shōnen Champion Zōkan". In 1983, he published (The Monkey King and other Chinese Legends) based on "Journey to the West" in "Super Action". This work won him the grand prize of the fourth Tezuka Osamu Cultural Prize in 2000. Legacy. Because Morohoshi's style of painting was too unique, his assistants said that they didn't know how to assist him, or Osamu Tezuka said that he could not imitate Morohoshi's painting. Morohoshi's "Mud Men" triggered Haruomi Hosono of Yellow Magic Orchestra, and Hosono wrote  The Madmen for the album "Service". Hosono said that his production company misspelled "Mudmen" with "Madmen". Hayao Miyazaki told that he was strongly influenced by Morohoshi in various media. When Kentaro Takekuma interviewed Miyazaki, he said that he actually wanted Morohoshi to draw "Nausicaä of the Valley of the Wind". According to Toshio Okada, who was a former representative director of Gainax, Hideaki Anno always said that he wanted to apply the scene where a giant appeared in to his work, and his hope was realized in "Neon Genesis Evangelion".