Libera me, WAB 22
History. Bruckner composed the motet during his stay in Sankt Florian for the absoute of the funeral of prelate Michael Arneth. The original manuscript is lost, but several copies of it are found in the archive of the St. Florian Abbey, the Kremsmünster Abbey and the Österreichische Nationalbibliothek. The motet was first published in an appendix of band 7-10 of "Musica divina", Vienna, 1922. It is put in Band XXI/17 of the "". Music. The in total 94-bar work in F minor is scored for choir, 3 trombones and figured bass (organ, cello and double  bass). It is in five parts, separated by cadences on the responses "Quando cœli" and "Dum veneris" Part 3 contains dissonances similar to those found in the "Agnus Dei" of the later Mass in E minor. Apart from its significance as a precursor to Bruckner's mature style, the F minor "Libera me" is effective on its own terms. The music is heartfelt and profound, and is a gracious, if rather austere, rendering of the text. Selected discography. The first recording of the "Libera me" occurred in 1979: A selection among the about 20 recordings: Libera me, WAB 22 History