Alice in Wonderland or What's a Nice Kid like You Doing in a Place like This?
The New Alice in Wonderland (or What's a Nice Kid like You Doing in a Place like This?) is a 1966 American animated television special written by Bill Dana (who also appears in its cast) and produced by Hanna-Barbera. It was broadcast on the ABC network on March 30, 1966, in an hour slot (including commercials). The songs were written by composer Charles Strouse and lyricist Lee Adams, who were most famous for "Bye Bye Birdie". The songs were orchestrated by  Marty Paich, who also provided musical direction; plus devised and arranged that part of the underscoring that was drawn from the musical numbers. The rest of the underscoring was drawn from the vast library of cues that Hanna-Barbera's in-house composer Hoyt Curtin had written for various animated series. Storyline. This adaptation of the 1865 novel "Alice's Adventures in Wonderland" is essentially, and very intentionally, a modern riff on the classic tale: while trying to read the original Lewis Carroll book for a book report, Alice tries to fend off her little white dog Fluff, who is  in a very playful mood, and tosses a ball for him to chase. It bounces toward and magically "through" the living room TV screen—and Fluff, in hot pursuit, disappears right after it. Alice goes after Fluff and of course winds up falling through herself, and entering Wonderland. Characters. With this being Wonderland through the "looking glass" of a TV screen, the creative team had all the excuse they needed to reinterpret all the iconic Wonderland characters as TV celebrities. In some cases, this merely involved a celebrity voice and persona: Howard Morris lent the shy, sweet, impish persona he  had often employed in sketch comedy (most famously in "Your Show of Shows") to the White Rabbit. Harvey Korman brought his take on effete eccentricity to the Mad Hatter. Perhaps most transparently, Zsa Zsa Gabor played a glamorous Queen of Hearts replete with Hungarian accent and a penchant for calling people "darling". And perhaps most famously, Sammy Davis, Jr. assayed the Cheshire Cat as a groovy, rockin', swingin' feline beatnik. Cameos. There were some celebrity cameos too: Fred Flintstone (voiced by Alan Reed speaking, Henry Corden singing) and Barney Rubble (voiced by Mel Blanc) literally play themselves as the Caterpillar , which is re-interpreted as two veteran vaudevillians in a caterpillar costume with heads on either end (the neckline of each respective head opening mimics their costumes from "The Flintstones": Fred's has a necktie and Barney's features the signature cross-stitching of his tunic). Bill Dana's portrayal of the White Knight is a manifestation of Jose Jimenez, the Hispanic immigrant character he perfected in standup routines and on sitcoms (very likely this interpretation of the White Knight was also a comic nod to the most "un"likely and famous fictional knight-errant of all, the Spanish novelist Miguel  de Cervantes' Don Quixote). Character actor Allan Melvin provided a voice inspired by Humphrey Bogart for the "hard-boiled" criminal egg, Humphrey Dumpty. And Hedda Hatter (a new character who pops into the Mad Tea Party at the behest of the Mad Hatter) is voiced by gossip columnist Hedda Hopper. It would be her last "public appearance"; she died two months prior to the film's initial broadcast. Broadcast history. Rexall and Coca-Cola sponsored this feature, and characters from the movie appeared in the Rexall commercials (the playing time of the film as reported here does not include the  commercials, which are neither part of the narrative nor the work of the core creative team). The show was repeated on ABC primetime only once, a year later, and has occasionally, "rarely" been rebroadcast since, most recently on Cartoon Network. To date, it has never been officially released on home video in any format (though unofficial digital transfers can be found). Audio adaptation. After the movie was broadcast, Hanna-Barbera Records did commercially release a vinyl LP, whose content is likewise currently out of print, which is often misidentified as a soundtrack album but is in fact a completely (or  nearly-completely) re-recorded audio adaptation, with a largely different cast, somewhat abridged (six minutes shorter, though it can be argued that the cuts are not quite so severe, as they also condense some purely visual action sequences), employing much re-worked dialogue to aid the compression and to fill in for absent visuals (occasionally leading to radically rewritten scenes that cover the same dramatic territory, in particular the first White Rabbit sequence), and a "slightly" reduced orchestration of the songs (i.e. the shape and substance of the arrangements are essentially the same, but reconceived for and played by a  smaller orchestra, lacking the TV show's harp, jazz organ [featured in the title song] and somewhat fuller complement of strings, brass and winds. The identical-sounding performances of the songs "They'll Never Split Us Apart" and "Today's a Wonderful Day" do, however, suggest that a certain small amount of soundtrack material may have been inserted for expedience). It is likely that Bill Dana's teleplay was adapted for records by Charles Shows, a ubiquitous and major animation writer of the period, who wrote most of the story albums produced by Hanna-Barbera Records, and retains his usual  stories credit on the back of the album cover. There has never been a second printing, re-release or digital release of the album. Audio cast changes. Where Sammy Davis Jr. supplied the speaking and singing voice of the Cheshire Cat in the movie, he was constrained from appearing in the audio adaptation because he was under exclusive contract to Reprise Records at the time; but Scatman Crothers provides the vinyl voice of the Cat, giving a rendition of the character and the title song that is at least as delightfully hip and funky. Where others of the TV show  cast were concerned, there may have been additional issues involving contracts and royalties, because except for Bill Dana, all of the original celebrity performers were likewise replaced on the album by actors from Hanna-Barbera's stable of reliable A+ voice over actors: Don Messick voiced the White Rabbit (replacing Howard Morris with a performance obviously intended to be as close an imitation as possible); Henry Corden not only reprised Fred Flintstone's singing voice, but assumed his speaking voice as well (replacing Alan Reed; and, indeed, he would officially take over the voice of Fred in 1977 after Reed 's death); the character of Hedda Hatter was cut, her material combined with that of the Mad Hatter, and the latter was voiced by Daws Butler (replacing Harvey Korman); and with Butler assuming the Hatter, Mel Blanc moved into Butler's previous role as the March Hare. Janet Waldo, the speaking voice of Alice, does uncredited double duty as the Queen of Hearts, via a better-acted impression of her predecessor Zsa Zsa Gabor. Voices and characters. The following voice actors and celebrities provided the voices for the following characters in the TV show: Cast changes for the LP audio  adaptation: Musical numbers. Incidental music composed and arranged by Hoyt S. Curtin. Songs arranged by Marty Paitch [Marty Paich]. Music by Charles Strouse and lyrics by Lee Adams.