Hemiunu
Hemiunu (fl. 2570 BC) was a man who lived in ancient Egypt, and who is believed to have been the architect of the Great Pyramid of Giza. As vizier, succeeding his father, Nefermaat, and his uncle, Kanefer, Hemiunu was one of the most important members of the court and responsible for all the royal works. His tomb lies close to Khufu's pyramid. Biography. Hemiunu was a son of prince Nefermaat and his wife, Itet. He is a grandson of Sneferu and a relative of Khufu, the Old Kingdom king. Hemiunu had three sisters and many brothers. In his  tomb, he is described as a hereditary prince, count, sealer of the king of Lower Egypt ("jrj-pat HAtj-a xtmw-bjtj"), and on a statue found in his serdab (and now located in Hildesheim), Hemiunu is given the titles: king's son of his body, chief justice, and vizier, greatest of the five of the House of Thoth ("sA nswt n XT=f tAjtj sAb TAtj wr djw pr-DHwtj"). Tomb. Hemiunu's tomb lies close to Khufu's pyramid and contains reliefs of his image. Some stones of his badly damaged mastaba () are marked with dates referring  to Khufu's reign. His statue can be found at the Pelizaeus Museum, Hildesheim, Germany. This statue is scheduled to be loaned for the opening of the Grand Egyptian Museum in 2021. His statue was found in the walled-up serdab of Hemiunu's mastaba by archaeologist Hermann Junker in March 1912. Ancient looters had ransacked the mastaba in their quest for valuable items and the wall to the serdab had a child-sized hole cut into it. The robber forcefully gouged out the statue's precious inlaid eyes and gold castings, in the process the right arm was broken  and the head severed. The head has been restored, using a as a guide for the nose's profile. The seated statue is well-preserved, apart from the damage mentioned above, and is notable for its realism, not found in ancient Egyptian art depicting royal figures. Hemiunu's features are only lightly stylized and clearly based on his appearance. He is depicted as obese, with notable accumulation of fat in the pectoral region. This contrasts with the more idealized representation of male subjects in royal portraiture in this and most succeeding periods of ancient Egyptian art.