Wind River (film)
Wind River is a 2017 neo-Western murder mystery film written and directed by Taylor Sheridan. The film stars Jeremy Renner and Elizabeth Olsen as a U.S. Fish and Wildlife Service tracker and an FBI agent, respectively, who try to solve a murder on the Wind River Indian Reservation in Wyoming. Gil Birmingham, Jon Bernthal, and Graham Greene also star. Sheridan has said that he wrote the film to raise awareness of the issue of the high number of Indigenous women who are raped and murdered, both on and off reservations. "Wind River" premiered at the 2017  Sundance Film Festival and was released in the United States on August 4, 2017. The film received generally positive reviews from critics and was a box office success, grossing $45 million against an $11 million budget. It was theatrically released by The Weinstein Company (TWC), but in October 2017, following the reporting of numerous sexual abuse allegations against Harvey Weinstein, the film's distribution rights for home media were acquired by Lionsgate. Weinstein's credits and logo were omitted on home media and streaming services, which resulted in TWC losing distribution rights. Plot. During the winter on Wyoming 's Wind River Indian Reservation, U.S. Fish and Wildlife Service Agent Cory Lambert discovers the frozen body of 18-year-old Natalie Hanson. FBI Special Agent Jane Banner arrives to investigate the possible homicide. Banner learns from Natalie's father, Martin, that his daughter was dating a new boyfriend who is unknown to him. Natalie's autopsy shows signs of blunt trauma and rape, as well as confirming Lambert's deduction that Natalie died from pulmonary hemorrhage caused by subzero air. The medical examiner is unable to classify the death as a homicide, so Banner cannot get additional help  from her supervisors. Lambert discovers that Natalie's boyfriend is Matt Rayburn, who works as a security guard at a nearby oil drilling site. Lambert and Banner soon discover Matt's mutilated body in the snow. Lambert reveals to Banner that his 16-year-old daughter Emily died in a similar manner to Natalie, and the case remains unsolved. Banner, accompanied by tribal police Chief Ben Shoyo and other law enforcement officers, visit the drilling site where they are met by several of the security guards. They claim Matt left a few days prior following an argument with Natalie. One  guard mentions they heard about Natalie's body being found and Banner states that Natalie's name has not been released to the public. The guards claim they learned it by monitoring a police scanner. One of Banner's team notices the guards are slowly surrounding them and draws his weapon. The confrontation quickly escalates into an armed standoff which Banner defuses. In a flashback, Matt's drunken colleagues barge into his trailer while he is in bed with Natalie. Matt is provoked to violence, and the other guards retaliate while Pete rapes Natalie. Matt is beaten to death while  Natalie flees into the frozen wilderness underdressed. In the present, Lambert traces the tracks from where Matt's corpse was found back to the drilling camp. As Banner and the others approach the trailer, Pete begins firing a shotgun through the door, wounding Banner. A gunfight ensues, Shoyo and the other officers are killed. As the remaining guards prepare to execute Banner, Lambert kills them with his rifle. A wounded Pete flees on foot but Lambert apprehends him. At Gannett Peak, Pete confesses and is given a chance to flee on foot into the frigid wilderness. He attempts this, but  succumbs to the elements as Lambert expects. Lambert visits Banner in the hospital, praising her toughness. He visits with Martin and they share grief over the deaths of their daughters. As the film ends, a title card states that missing persons statistics are kept for every demographic group except Native American women, whose numbers remain unknown. Production. According to Sheridan, he was inspired to write this film because he learned about the "thousands of actual stories just like it": referring to the high number of Indigenous women who are victims of sexual assault and/or murder. He wrote and directed the  movie to make more people aware of this problem. The film is the third installment of Taylor Sheridan's trilogy of "the modern-day American frontier", the first being "Sicario" in 2015, and "Hell or High Water" the next year. Principal photography on the film began on March 12, 2016, in Utah and lasted until April 25, 2016. Release. The Weinstein Company acquired the distribution rights on May 13, 2016, during the 2016 Cannes Film Festival. In January 2017, it was announced that the company would no longer distribute the film, but the distribution deal was later finalized. It had  a limited release on August 4, 2017, before going wide on August 18. In October 2017, following reporting on the Harvey Weinstein sexual abuse scandal, Lionsgate announced that it would distribute the film on home media and streaming services. The Weinstein Company (TWC) name and logo were omitted from the credits, trailer, and packaging. As a result, The Weinstein Company finally stopped distributing the film. Sheridan had required that TWC be deleted from the materials, and demanded that all money Weinstein would have made on this work be donated to charity. Reception. Box office. "Wind River" grossed $33.8 million  in the United States and Canada and $11.2 million in other territories for a worldwide total of $45 million, against a production budget of $11 million. In the film's limited opening weekend, it made $161,558 from four theaters (a per-location average of $40,390, one of the best of 2017), finishing 29th at the box office. In its second week, the film expanded to 45 theaters and grossed $622,567. The film expanded to 694 theaters on August 18 and grossed $3 million, finishing 10th at the box office. The following week the  film was added to an additional 1,401 theaters (for a total of 2,095) and made $4.6 million (an increase of 54.6%), finishing 4th at the box office. The film opened in another 507 theaters and made $5.7 million the following weekend, and an estimated $7.2 million over the four-day Labor Day weekend, finishing in the 2nd spot at the U.S. box office consistently for the next 13 days. It was the 6th-highest grossing indie film of 2017. Critical response. On review aggregator website Rotten Tomatoes, the film has an approval rating of 88% based on  249 reviews, with an average rating of 7.67/10. The website's critical consensus reads, ""Wind River" lures viewers into a character-driven mystery with smart writing, a strong cast, and a skillfully rendered setting that delivers the bitter chill promised by its title." On Metacritic, the film has a weighted average score of 73 out of 100, based on 44 critics, indicating "generally favorable reviews". Audiences polled by PostTrak gave the film a 90% overall positive score and a 70% "definite recommend". Owen Gleiberman of "Variety" described "Wind River" as a "humanistic crime drama, though this one has more skill  than excitement". Chris Plante of "The Verge" described it as "a thrilling, violent finale to the "Hell or High Water" and "Sicario" trilogy", and as "Coen brothers noir meets the case of the week." Writing for "Rolling Stone", Peter Travers praised Sheridan's direction and the cast, giving the film 3/4 stars. He wrote: "[It's] the set-up for what could have been a conventional whodunit – thankfully, Sheridan is allergic to all things conventional. To him, the action is character, and he's lucked out by finding actors who not only understand his approach but thrive on it." David  Ehrlich of IndieWire gave the film a B, writing: "[If] "Wind River" shares Sheridan’s self-evident weaknesses, it also makes the most of his signature strengths. [...] "Wind River" may not blow you away, but this bitter, visceral, and almost paradoxically intense thriller knows what it takes to survive." In a "High Country News" article titled "Why do white writers keep making films about Indian Country?", Native commentator Jason Asenap praises the film as "a thinking-person's thriller" full of complex characters, and describes the film's focus on missing Native American women as "admirable." He criticizes the film  for perpetuating the "dying Indians" motif: "at least in Hollywood, the Indians die. To this day, the Indians die, and not just physically, but culturally. Simpson and Sheridan are invested in making us see how America has screwed Native people, but to the point of rubbing it in our faces. Is it so terrible to live in one’s own homeland? It may be hard to get out, but it certainly feels condescending for a non-Native to write as much." The filmmakers were criticized for casting non-Native actors in some of the Native American roles. Kelsey Chow had  been advertised as Eastern Band Cherokee, leading the Eastern Band Cherokee to issue a statement that she is neither an enrolled member nor descended from the tribe.