The Lives of a Bengal Lancer (film)
The Lives of a Bengal Lancer is a 1935 American adventure film starring Gary Cooper, directed by Henry Hathaway, and written by Grover Jones, William Slavens McNutt, Waldemar Young, John L. Balderston, and Achmed Abdullah. The setting and title come from the 1930 autobiography of the British soldier Francis Yeats-Brown. The story, which has little in common with Yeats-Brown’s book, tells of a group of British cavalrymen and high-ranking officers desperately trying to defend their stronghold and headquarters at Bengal against the rebellious natives during the days of the  British Raj. Cooper plays Lieutenant Alan McGregor, Franchot Tone, Lieutenant John Forsythe, Richard Cromwell, Lieutenant Donald Stone, Guy Standing, Colonel Tom Stone, and Douglass Dumbrille plays the rebel leader Mohammed Khan, who reads the now often-misquoted line "We have ways to make men talk." The film was produced by released by Paramount Pictures. Planning began in 1931, and Paramount had expected the film to be released that same year. However, most of the location footage deteriorated due to the high temperatures, and the project was delayed. It was eventually released in the US in 1935. It met with positive  reviews and good box office results, and was nominated for seven Academy Awards, winning Assistant Director, with other nominations including Best Original Screenplay and Best Picture. The film grossed $1.5 million (equivalent to $ million in ) at the box office. Writer John Howard Reid described "The Lives of a Bengal Lancer" as "one of the greatest adventure films of all time." Plot. On the northwest frontier of India during the British Raj, Scottish Canadian Lieutenant Alan McGregor (Gary Cooper), in charge of newcomers, welcomes two replacements to the 41st Bengal Lancers: Lieutenant John Forsythe (Franchot Tone) and Lieutenant Donald  Stone (Richard Cromwell), the son of the unit's commander, Colonel Tom Stone (Guy Standing). Lieutenant Stone, a "cub" (meaning a newly commissioned officer), eagerly anticipated serving on the Indian frontier, particularly because he specifically was requested and assumed that his father sent for him; Lieutenant Forsythe, an experienced cavalrymen and something of a teasing character, was sent out as a replacement for an officer who was killed in action. After his arrival Lieutenant Stone discovers that his father keeps him at arms length, wanting to treat him the same as he treats all of the other men. He also  reveals that he did "not" request his son serve in his regiment, a discovery that breaks his heart and leads to him going on a drunken bender. Attempting to show impartiality, the colonel treats his son indifferently. The Colonel's commitment to strictly military behavior and adherence to protocol is interpreted by young Stone as indifference. He had not seen his father since he was a boy and had looked forward to spending time with him. Lieutenant Barrett (Colin Tapley), disguised as a native rebel in order to spy on Mohammed Khan (Douglass Dumbrille), reports that Khan is preparing an  uprising against the British. He plans to intercept and hijack a military convoy transporting two million rounds of ammunition. When Khan discovers that Colonel Stone knows of his plan, he orders Tania Volkanskaya, a beautiful Russian agent, to seduce and kidnap Lieutenant Stone in an attempt to extract classified information about the ammunition caravan from him, or use him as leverage to attract his father. When the colonel refuses to attempt his son's rescue, McGregor and Forsythe, appalled by the "lack of concern" the colonel has for his own son, leave the camp at night without orders. Disguised as  native merchants trying to sell blankets, they successfully get inside Mohammed Khan's fortress. However, they are recognized by Tania, who had met the two men at a social event. McGregor and Forsythe are taken prisoner. During a seemingly friendly interrogation, Khan says, "We have ways of making men talk," the first time such a phrase was uttered in film or literature. He wants to know when and where the munitions will be transported so that he can attack and steal the arms. He has the prisoners tortured for the information. Bamboo shoots are shoved under their fingernails and set  on fire. McGregor and Forsythe refuse to talk, but the demoralized Stone, feeling rejected by his father, cracks and reveals what he knows. As a result, the ammunition convoy is captured. After receiving news of the stolen ammunition, Colonel Stone takes the 41st to battle Mohammed Khan. From their cell, the captives see the overmatched Bengal Lancers deploy to assault Khan's fortress. They manage to escape and blow up the ammunition tower, young Stone redeeming himself by killing Khan with a dagger. With their ammunition gone, their leader dead, and their fortress in ruins as a result of the  battle, the remaining rebels surrender. However, McGregor, who was principally responsible for the destruction of the ammunition tower, was machine gunned as he blew up the tower, then died in the subsequent explosion. In recognition of their bravery and valor in battle, Lieutenants Forsythe and Stone are awarded the Distinguished Service Order. McGregor posthumously receives the Victoria Cross, Great Britain's highest award for military valor, with Colonel Stone pinning the medal to the saddle cloth of McGregor's horse as was the custom in the 41st Lancers (according to the film). Production. Stock crisis. Paramount originally planned to produce  the film in 1931 and sent cinematographers Ernest B. Schoedsack and Rex Wimpy to India to film location shots such as a tiger hunt. However, much of the film stock deteriorated in the hot sun while on location, so when the film was eventually made, much of the production took place in the hills surrounding Los Angeles, where Northern Paiute people were used as extras. Filming. Among the filming locations were Lone Pine, Calif., Buffalo Flats in Malibu, Calif., the Paramount Ranch in Agoura, Calif., and the Iverson Movie Ranch in Chatsworth, Calif. For the climactic half-hour battle sequence  at the end of the film, an elaborate set was built in the Iverson Gorge, part of the Iverson Movie Ranch, to depict Mogala, the mountain stronghold of Mohammed Khan. Release. Box office. The film was released in American cinemas in January 1935. It was a big success at the box office and kicked off a cycle of Imperial adventure tales, including "The Charge of the Light Brigade" (1936), "Another Dawn" (1937), "Gunga Din" (1939), "The Four Feathers" (1939), and "The Real Glory" (1939). The film grossed $1.5 million worldwide (equivalent to $28 million in the 2020s). It  was the second most popular film at the British box office in 1935-36. The film was released on the eleventh of January 1935 and by the end of the year was the eleventh highest grossing film of 1935 nationally. However, it was the highest grossing film in the western states of Nebraska, Montana, Idaho and Utah and was the second highest grossing film in Ohio, Indiana, Kentucky, Wisconsin, Mississippi, Alabama, Georgia, South Carolina, North Carolina, Florida, Kentucky and Tennessee. "Mutiny on the Bounty" came in first place nationally as well as in the aforementioned twelve states. The film was  so successful that it led to Gary Cooper being booked to star in a number of films of similar plots that were also set in "exotic" locales, including "Beau Geste", "The Real Glory", "North West Mounted Police" and "Distant Drums". Critical reception and influence. Laura Elston from the magazine "Canada" wrote that "The Lives of a Bengal Lancer" did "more glory to the British traditions than the British would dare to do for themselves." In response to the film success, Frederick Herron of the Motion Picture Association of America wrote "Hollywood is doing a very good work in selling the  British Empire to the world." Writer John Howard Reid noted in his book "Award-Winning Films of the 1930s" that the film is considered "one of the greatest adventure films of all time" and highly praised Hathaway's work by saying "the film really made his reputation." It also received a praised review in "Boys' Life" magazine, starting off the review with the words "You will be immensely pleased with "The Lives of a Bengal lancer"" and went on to compare the style and class of the three main characters to that of "The Three Musketeers". The film holds an  overall approval rating of 100% on the review aggregator website Rotten Tomatoes, based on 9 reviews, with a rating average of 8 out of 10. Critic Otis Gerguson said he was "taken by the show, imperialism and all." Andre Sennwald of "The New York Times" said the film "glorified the British Empire better than any film produced in Britain for that purpose." Sennwald added that Paramount's "Kiplingesque" movie "ought to prove a blessing to Downing Street." The film proved so popular in the United States that it spurred a series of imperial films that continued throughout the decade and  into the next decade. Frank S. Nugent, also of "The New York Times", wrote that "England need have no fears for its empire so long as Hollywood insists upon being the Kipling of the Pacific." Nugent commented that movies such as "The Lives of a Bengal Lancer" and "The Charge of the Light Brigade" were far more pro-British than actual British filmmakers would ever dare to be: "In its veneration of British colonial policy, in its respect for the omniscience and high moral purpose of His, or Her, Majesty's diplomatic representatives and in its adulation of the courage , the virtue and the manly beauty of English soldiery abroad, Hollywood yields to no one--not even to the British filmmakers themselves." In Fascist Italy, Mussolini's motion picture bureau had the movie banned, as well as several other British-themed American movies, including "Lloyd's of London" and "The Charge of the Light Brigade", on the grounds that they were "propaganda". This was seen as an irony in Hollywood, due to the fact that the movies were made to be deliberately apolitical, and were intended to be purely fun escapism. According to Ivone Kirkpatrick, who met Adolf Hitler at  Berchtesgaden in 1937, one of Hitler's favorite films was "The Lives of a Bengal Lancer", which he had watched three times. He liked the film because "it depicted a handful of Britons holding a continent in thrall. That was how a superior race must behave and the film was a compulsory viewing for the S.S." Also, his valet recalled that Hitler enjoyed the film. It was one of the eleven US movies that, from 1933 to 1937, were considered "artistically valuable" by the Nazi authorities. Plot discrepancies. The film "The Lives of a Bengal Lancer" shares nothing with the  source book, except the setting. Reid noted in "Award-Winning Films of the 1930s" that "none of the characters in the book appear in the screenplay, not even Yeats-Brown himself. The plot of the film is also entirely different." Home media. The Paramount picture was distributed to home media on VHS on March 1, 1992 and on DVD on May 31, 2005. It has since been released in multiple languages and is included in several multi-film collections. Awards. The film was nominated for the following Academy Awards, winning in one category: The Lives of a Bengal Lancer (film