Government Issue
Government Issue was an American hardcore punk band from Washington, D.C. active from 1980 to 1989. The band experienced many changes in membership during its nine-year existence, with singer John Stabb as the only consistent member in an ever-fluctuating lineup that at various times included notable musicians Brian Baker, Mike Fellows, Steve Hansgen, J. Robbins, and Peter Moffett. Government Issue originated from the Washington, D.C. hardcore scene but added elements of heavy metal, new wave, and psychedelic rock on later records. Though this has caused the band to be sometimes overlooked in relation to other Washington , D.C. hardcore acts, their stylistic diversity made them influential to later punk rock groups. Government Issue performed occasional reunion shows in the 2000s and 2010s with various lineups, until Stabb's death from stomach cancer in 2016. History. 1980–1981: Formation and debut. Government Issue originated in 1980 as The Stab, from which lead singer John Schroeder derived his pseudonym John Stabb. As the members of The Stab drifted apart, Stabb and drummer Marc Alberstadt recruited guitarist John Barry and bassist Brian Gay, changing the band's name to Government Issue. They made their live debut at the two-day Unheard  Music Festival in December 1980, but not as Government Issue: Alberstadt was sick and unable to perform, so the band invited guest players to fill in on both nights and performed under the name The Substitutes. The band's second performance was shut down midway by the police. Government Issue's debut EP "Legless Bull" was recorded with this original lineup and released through local label Dischord Records in September 1981, after which Gay left to attend college and was replaced by Brian Baker of Minor Threat, who were on hiatus at the time. Baker later recalled that "Ian [MacKaye ] and Jeff [Nelson] were gonna start something with Eddie [Janney] and John Falls, so I joined the DC band I liked the best who needed somebody — Government Issue. They were a great band, especially early on." Government Issue also contributed two tracks to "Flex Your Head", Dischord's 1982 compilation album of D.C.-area hardcore punk bands. 1981–1985: Lineup and label changes. Lineup shuffles ensued as Barry left the band and Baker moved to guitar, with Tom Lyle joining in late 1981 as the new bassist. Baker later commented that his guitar style did not mesh well with the band 's sound: "I wasn't a bass player and Government Issue was a chance to play guitar. They were better with John Barry on guitar but they were biggest when I was in the band. Their whole sound was his insane guitar playing, which I played nothing like. I played like Ace Frehley." The Stabb/Baker/Lyle/Alberstadt lineup of Government Issue recorded the "Make an Effort" EP, released in 1982 through Fountain of Youth Records. Baker then rejoined Minor Threat in early 1982, recalling that his departure "was amicable after John Stabb calmed down but everyone else understood and  didn't have a problem." Lyle took over the guitar position and Mitch Parker joined on bass for Government Issue's 1983 debut LP "Boycott Stabb", which was produced by Ian MacKaye. Rob Moss replaced Parker on bass for a time, before Mike Fellows joined for 1984's "Joyride", produced by Brian Baker. Fellows soon moved on to Rites of Spring and was replaced by John Leonard, and the band recorded 1985's "The Fun Just Never Ends". Government Issue changed labels from Fountain of Youth to Mystic Records in hopes of better marketing, putting out two more releases in  1985: the EP "Give Us Stabb or Give Us Death" and the live album "Live on Mystic". 1986–1989: Final lineup and breakup. Leonard and Alberstadt left the band during the recording of 1986's eponymous "Government Issue", for which the band returned to Fountain of Youth, and the album was completed with drummer Sean Saley and ex-Minor Threat bassist Steve Hansgen. "Government Issue" saw Stabb moving in a more melodic direction, away from traditional hardcore and taking influence from The Damned's gothic rock sound. Hansgen and Saley subsequently left and were replaced by J. Robbins and Peter Moffett , respectively, and Government Issue moved to Giant Records for 1987's "You", an album which chronicled Stabb's relationship with an underage girl. 1988's "Crash" continued the band's evolution into greater musical variety, and Giant reissued the band's Fountain of Youth releases. However, the band broke up in 1989. According to Robbins, a van accident and creative differences were contributing factors to the breakup: The end of G.I. was in summer '89. After looking at the situation objectively, having done monster tours of the US and Europe, and after a terrible van accident in England where Pete  shattered his ankle, we felt we were beating our heads against the wall. It was clear that all four of us had different ideas of what we wanted to do. I think those guys just got tired of working with each other. We booked one last show at , which was massive, ridiculous, and fun. That was it. Post-breakup activity and Stabb's death. Following Government Issue's breakup the members moved on to other musical projects. Lyle released a solo album titled "Sanctuary" in 1992. Robbins founded Jawbox while Moffett joined Wool, and the two later reunited in Burning  Airlines. Stabb reverted to his given name, playing with several Washington, D.C.-area bands in the 1990s before forming The Factory Incident in 2000 and then History Repeated in 2008 with whom Stabb's last ever performance was with on January 19, 2016. Over a decade after the band's dissolution, a number of compilation albums and reissues of their material began to be released. In 2000 Dr. Strange Records released the career retrospective "Complete History Volume One", followed by "Complete History Volume Two" in 2002. Dischord Records reissued "Legless Bull" in 2002 while Dr. Strange released "Strange Wine: Live at  CBGB August 30th, 1987" in 2003, consisting of live recordings and studio tracks remastered by Tom Lyle. 2005 saw the release of the DVD "Live 1985". On July 17, 2007 John Stabb was assaulted by five men near his home and required extensive facial reconstruction surgery. To help him and then-wife Mika Ackerman pay for his medical bills and lost wages, a benefit concert was held on September 23, 2007 which featured a reunited lineup of Stabb, Tom Lyle, and Brian Baker, joined by drummer William Knapp, performing as "Government Re-Issue". A portion of the proceeds from the  2007 Riot Fest concert were donated to Stabb to pay for his medical bills, as well as to J. Robbins, whose son had been diagnosed with spinal muscular atrophy. In 2009 DC-Jam Records released "The Punk Remains the Same", an EP of live Government Issue tracks recorded in 1982 and 1983. Government Issue reunited a second time for a performance in Washington, D.C. on December 11, 2010.<ref name="punknews 12/9/10"></ref> The show, which included local bands The Goons & Set to Explode, featured the band's final lineup of Stabb, Lyle, Robbins, and Moffett, and was a benefit to raise  medical funds for a local GI Fan Steve 'Stereo Faith.' McPhereson On April 11, 2014, Government Issue reunited for the final time with the original "Legless Bull" lineup of Stabb, John Barry, Brian Gay along with drummer Karl Hill for the Damaged City Festival in Washington, DC. After the final reunion show, Stabb said "Government Issue is a group again, and it was so much fun playing Damaged City Fest 2014, we decided to just keep it going." The band continued in 2015, playing the Bad Ass Weekend festival in Houston that February and a five-date tour of the  Southeastern United States in October and November, including a performance at The Fest. Stabb died of stomach cancer on May 7, 2016 at the age of 54. Style and influence. Though Government Issue began as a hardcore punk act, over time their music evolved to incorporate other styles. Steven Blush, author of "", writes that they "vied with Minor Threat as the top [Washington, D.C. hardcore] band in 1981–1982" and that "Legless Bull" "best exemplified smartass suburban HC." But by 1982, with Brian Baker and Tom Lyle in the lineup, the band began to develop a sound more akin to heavy  rock than pure hardcore. Steve Huey of Allmusic notes that the band "carried the torch for traditional hardcore punk on their early records, but evolved into something more adventurous by adding bits of metal, new wave pop, and psychedelia". By 1986's "Government Issue" Stabb was moving in a more melodic direction influenced by the gothic rock of The Damned, and by 1988's "Crash" the group was at its most musically diverse. Stabb himself later remarked that "Government Issue" "proved that we were more than just a hardcore band. We'd graduated from the school of 'bang and howl ' and we really bummed out a small portion of our punk audience", and that "we'd moved on from the hardcore world into melodic, well-crafted punk with a decidedly pop edge." Aaron Burgess of "Alternative Press" notes that the continual evolution in sound over the band's nine-year lifespan made their music more influential to later generations of punk rock groups: Though they started out playing solid, standard-issue melodic hardcore, Government Issue weren't afraid to let their outside influences, no matter how incongruous, infect their music—or, in Stabb's case, their look, as well [...] So , while Stabb's hairdos and stage clothes got increasingly kookier, so did the band's music draw ideas from pop, goth, psychedelia, Middle Eastern music and beyond. And while changes like these could seem like sellout moves for a group that once wrote a song called "Rock 'N' Roll Bullshit", they were a vital next step in the evolution of [insert whatever eclectic punk CD you're listening to today]. However, though they did have a following in the straight edge community, Government Issue's stylistic expansion from one album to the next alienated much of their early hardcore audience . Blush writes that "Unfortunately, most who went to see G.I. through the 80s still expected to hear hardcore reminiscent of the first EP. The group was moving into a softer, R.E.M. direction, and none of their fans gave a shit about such profound maturity." Huey remarks that the band "has remained somewhat overlooked in relation to the rest of the D.C. hardcore bands of their time, in part because their music never really fit the proto-emo bent of much of the local Dischord stable", while Burgess notes that they nonetheless "made history in their own way by never fitting  into the scene most people naturally associated with their city."