Billy Gould
William David Gould (born April 24, 1963 in Los Angeles, California) is an American musician and producer. He is best known as the bassist of Faith No More. Biography. Faith No More. Gould started playing the bass while he was at Loyola High School in Los Angeles with future Faith No More keyboardist Roddy Bottum. His first band during these early years was named "The Animated," a genre-bending new wave outfit that sounded something like a cross between The Buzzcocks, XTC and Michael Jackson. That band also featured future FNM vocalist Chuck Mosley on keyboards, and Mark  Stewart (aka Stew) on guitar, of Negro Problem fame. In the early 1980s he moved to San Francisco to begin his studies and got involved with several underground bands. At this time, he met drummer Mike Bordin and guitarist Jim Martin. Soon after that Gould formed a band with Bordin, keyboardist Wade Worthington (quickly replaced with Roddy Bottum), and guitarist/vocalist Mike 'The Man' Morris named Faith No Man, which eventually became Faith No More once Morris was out of the band. In the mid-nineties, Gould began to work as producer and in 1997 he co-produced Faith No  More's "Album of the Year" with the former Swans drummer Roli Mosimann. Since then, he has become the CEO of Koolarrow Records and worked on various projects as a producer or guest musician. In February 2009, it was announced that Faith No More would reform for a tour and possibly recording. In 2015, after their longest gap between albums, Faith No More released their seventh studio album Sol Invictus. The album received a positive reception from professional critics and fans alike. Other collaborations. In the 1990s Gould was in the original line-up of the Mexican grindcore band Brujeria . He was also involved in several supergroups, such as Shandi's Addiction (with Maynard Keenan, Brad Wilk and Tom Morello) as well as Black Diamond Brigade (with Norwegian rock musicians Euroboy, Torgny Amdam, Tarjei Strøm and Sigurd Wongraven). Furthermore, he played with Wayne Kramer, and Fear Factory, and produced CMX's "Vainajala" album. His guest appearances include recordings for Romanian band Coma, and the production of "Living Targets" by German group Beatsteaks, Slovenia's Elvis Jackson, and the album "7" for the German rock band Harmful, in which he also toured with them the whole year 2007 as guitar player . In 2007, Gould joined up with the all star band Fear and the Nervous System, formed by Korn guitarist James "Munky" Shaffer. The band also features Bad Religion drummer Brooks Wackerman. During the same year, Gould joined as bassist in Jello Biafra's new band The Axis of Evildoers along with Ralph Spight (Victim's Family) on guitar, and Jon Weiss on drums. They made their debut at Jello Biafra's 50th-birthday celebration June 16 and 17, 2008 at the Great American Music Hall in San Francisco. The band has since been renamed Jello Biafra and the Guantanamo School  of Medicine and an album "Audacity of Hype" was released on October 20, 2009. In 2011, he released an experimental album called "The Talking Book", a collaboration between himself and sound artist Jared Blum, known for his various projects on the Gigante Sound label. In 2012, he collaborated with Charles Hayward of This Heat and Mads Heldtberg on a project and release entitled House of Hayduk. Also in 2011, Billy contributed to the production of the soundtrack for the documentary "The Sequential Art" , by Norwegian director Espen J. Jörgensen. In 2013, he reunited with Espen J. Jörgensen to provide synth , edits, recomposing and beats for a 'groovy and experimental EP' titled Fugly. In 2018, Gould joined Wayne Kramer (guitarist)'s MC50 band, celebrating the 50th anniversary of the release of the MC5 album, Kick Out The Jams. This band also featured: Kim Thayil of Soundgarden, Brendan Canty of Fugazi, and Marcus Durant of Zen Guerilla. Koolarrow records. Since 1999, Gould has run an independent record label Koolarrow Records that has specialized in international acts and challenging artists such as LA's Flattbush, Seattle's Kultur Shock, Brujeria, Hog Molly (featuring Tad Doyle), Bosnian's Dubioza Kolektiv, San Francisco's La  Plebe, German rock band Harmful, Alexander Hacke (of Einsturzende Neubauten), Como Asesinar a Felipes from Chile, former Danish experimental outfit Durefursog, and Mexican Dubwiser. Equipment and style. For most of Faith No More's career, he has used a Zon bass, but started with a Gibson Grabber bass and used that for the first two Faith No More records up until early 1988 when he got his full endorsement deal with Aria basses which he was endorsed until late 1992. He used his prototype 1986 Aria Pro II SB-Integra bass which he received in 1986 on 1989's The  Real Thing. And he used his 1990 Aria Pro II IGB-DLX bass from summer 1990 to late 1992 on 1992's Angel Dust. Even though he did have his SB Integra bass by 1986 he still used the Gibson for most of touring and recording from 1986 to early 1988 when the Grabber had according to Gould from a Q&A for the 30th anniversary of The Real Thing album, "was being literally held together with duct tape and the Aria was a better bass overall". In the music video for their song "Evidence", he is seen using a Fender  Jazz. He began with Peavey amplifiers, he used the Peavey Mark III Bass Head on "We Care a Lot", and "Introduce Yourself" and used the Peavey Mark IV Bass Head on "The Real Thing" and "Angel Dust". And he has used them his entire career, mainly for the way he loved that the speakers in their amps broke up easily. He also at times used Ampeg SVT heads and cabinets too off and on at select shows, mainly during the first part of the Second Coming tour. He stated that he used a Fender Bassman 300 for the recording of  2015's "Sol Invictus", saying that "it sounded like a tractor going through a supercharger". He also in the 90's used a Peavey TB Raxx rack preamp recommended to him by Lee Sklar at the 1990 MTV VMA's, and a Tech 21 Sansamp PSA-1. Starting around 2014 was endorsed by and began using Aguilar pedals, amps & cabinets, but later used Darkglass amps, cabs & effects. He is known for employing a wide variety of playing styles, alternating between using a plectrum, slapping, and fingerstyle. He also used an Ibanez Tube Screamer and a DOD Stereo Bass Flanger on The  Real Thing album and the following tour for that album. Here is a list of the strings he has used over the years: Rotosound Swing Bass 66 (Early years-Early 1989) Dean Markley Blue Steels (Mid 1989) D'Addario Pro Steels/Nickel Bass Strings (Late 1989-1997) Dunlop Nickel Bass Strings (1997-Present Day).