The Aegean Sea
The Aegean Sea is a c. 1877 oil painting by American artist Frederic Edwin Church, and one of his last large-scale paintings. Description. The painting measures . It is a capriccio inspired by Church's travels to Europe and the Middle East from 1867 to 1869. The composite image includes elements from sketches that Church made in different locations, including a rock-cut entrance from Petra in a cliff to the left, fallen capitals from the Temple of Bacchus at Baalbek in the lower left, Roman columns from Syria to the right, and in the distance across  a body of water lie classical ruins that resemble the Acropolis of Athens or the in Ancient Corinth, and the dome and minaret of a mosque from Istanbul. In the foreground are three small human figures in conversation beside a road based on an oil study of three Bedouins. The cloudy sky is enlivened by a double rainbow. In this work, Church moved away from his usual naturalistic style to a more idealised style. The atmospheric effects that may be inspired by the paintings of J. M. W. Turner which Church had seen in London (although Church had already used  a double rainbow in his 1866 painting "Rainy Season in the Tropics"). The work may also take inspiration from Turner's 1826 view of the Roman Forum. Church designed a gilded frame for the painting, decorated with an eclectic mixture of Middle Eastern motifs, including stars and rosettes, and egg-and-dart and other moldings. History. The painting was bought by the railway tycoon William H. Osborn, a close friend and supporter of Church, and bequeathed to the Metropolitan Museum of Art on the death of his wife Virginia Reed (Sturges) Osborn in 1902.