Mitsuye Yamada
Mitsuye Yamada (born July 5, 1923) is a Japanese American activist, feminist, essayist, poet, story writer, editor, and former professor of English. Early and personal life. Mitsuye Yamada was born as Mitsuye Yasutake in Fukuoka, Japan. Her parents were Jack Kaichiro Yasutake and Hide Shiraki Yasutake, both first-generation Japanese Americans ("Issei") who were visiting Japan when she was born. Her older brother, Seiichi Yasutake (known as "Mike") was born in the US. Her family returned to the U.S. in 1926 and settled in Seattle, Washington. Jack Yasutake was the founder and president of the Senryu (A Japanese  style of short form poetry similar to a haiku) Society in Seattle and an interpreter for the U.S. Immigration Service during World War II. Yamada spent most of her youth in Seattle, Washington. Mitsuye's father was arrested by the FBI for espionage after the U.S. joined the Second World War. In 1942, Mitsuye and her family were interned at Minidoka War Relocation Center, Idaho. She was allowed to leave the camp with her brother because they renounced loyalty to the Emperor of Japan and both attended the University of Cincinnati. Mike was soon expelled because the U.S. Air Force  was conducting "sensitive wartime research on campus and requested his removal" but Mitsuye was allowed to continue studying at the University (Yamada, 1981) During the time of Mitsuye's upbringing, Japanese society did not offer women much freedom; they were unable to obtain higher education or choose a husband on their own accord. Yamada's personal and familiar ordeals throughout World War II and observations of her mother's way of life bring anti-racist and feminist attitudes to her works. Mitsuye married Yoshikazu in 1950, and the couple had four children together. Mitsuye has seven grandchildren and three great -grandchildren. Mitsuye became a naturalized U.S. citizen in 1955. She considers herself "Nisei" (second-generation Japanese American). Career and literature. Although Yamada began her studies at the University of Cincinnati, she left in 1945 to attend New York University, where she received a B.A. in English and Art in 1947. She earned an M.A. in English Literature and Research from the University of Chicago in 1953. She began teaching at Cypress College in 1968, and retired in 1989 as a Professor of English. She wrote her first book, "Camp Notes and Other Poems", during and just after her internment during  the Second World War, but it remained unpublished until 1976. In this collection, the "wartime conflicts of Japanese Americans are traced back to the injustice of Executive Order 9066 and to visible and invisible racism against Japanese and Americans of Japanese ancestry both inside and outside the camp." (Usui, 2002). Yamada's professed purpose for writing is to encourage Asian American women to speak out and defy the cultural codes that encourage Asian American women to be silent. (Sheffer, 2003). Yamada recognizes that Asian American women have not been fully represented as "sites of complex intersections of race, gender, and  national identity." (Yamamoto, 2000). Yamada once said, "Asian Pacific women need to affirm our culture while working within to change it." (Geok-Lin, 1993). Yamada's first publication was Camp Notes and Other Poems. The book is a chronological documentary, beginning with "Evacuation" from Seattle, moving in the camp through "Desert Storm," and concluding with poems recounting the move to Cincinnati. "Cincinnati" illustrates the visible racial violence and "The Question of Loyalty" shows the invisible humiliation of the Japanese during World War II. She wrote the book to promote public awareness surrounding the discrimination against the Japanese during the war  and to prompt deeper discussion of these issues. With this publication, Yamada challenged Japanese traditions that demand silence from the female. She contributed two essays to This Bridge Called My Back: Radical Writings from Women of Color. (1981) "Invisibility is an Unnatural Disaster" reflects the double invisibility of being both Asian and a woman while "Asian Pacific American Women and Feminism" urges women of color to develop a feminist agenda that addresses their particular concerns. That same year, Yamada joined Nellie Wong in a biographical documentary on public television, "Mitsuye and Nellie: Two Asian-American Woman Poets." The film tells  of actual events that happened to the speakers, their parents, grandparents and relatives. It uses poetry to tell Asian American history of biculturalism. In 1982, she received a Vesta Award from the Los Angeles Woman's Building. "Desert Run: Poems and Stories", returns to her experience at the internment camp. Here, Yamada explores her heritage and discovers that her identity involves a cultural straddle between Japan and the US, which she describes in "Guilty on Both Counts. " Some poems, especially "The Club," indicate that Yamada expanded her point of view to include feminist as well as racist issues because they  recount sexual and domestic violence against women. Some of her poems are revisions of earlier versions in Camp Notes. The book contains the history and transition of the Japanese American in the U.S., including Yamada's perspective on gender discrimination. At 96 years old, Yamada has released her latest work, "Full Circle: New and Selected Poems" Publisher: University of California at Santa Barbara Department of Asian American Studies. Receives Award for Contribution to the Status of Women from the organization Women For: Orange County. Receives Distinguished Teacher Award from North Orange County Community College District Awards. Receives award for contributions  to ethnic studies from MELUS. Commencement speaker at CSU Northridge.