Jack Doherty (potter)
Jack Doherty (born 1948, Coleraine) is a Northern Irish studio potter and author. He is perhaps best known for his vessels made of soda-fired porcelain. He has been featured in a number of books, and his work has been exhibited widely in both Europe and North America. Articles of his have appeared in various pottery journals and he has been Chair of the Craft Potters Association. Biography. Upon graduating from the Ulster College of Art and Design in 1971, Jack Doherty began working as a studio potter at Kilkenny Design Workshops, Ireland. Afterwards, he established his  studio first in Co Armagh and then in Herefordshire, while also being a part-time lecturer in ceramics at the Royal Forest of Dean College. He was elected as chair of the Craft Potters Association between 1995 and 2000 and again between 2002 and 2008. He was lead potter and creative director at the Leach Pottery in St. Ives, Cornwall, where he developed Leach's new range of contemporary tableware. In 2012, Doherty exhibited alongside Japanese potter Tomoo Hamada, celebrating the signing of an official declaration of friendship between the towns of St. Ives and Mashiko, Tochigi, Japan, by the  two respective mayors on 20 September 2012. As a founder he became the current Chair of the organising committee of Ceramic Arts London in 2013, previously being director of both Ceramic Review magazine and Contemporary Ceramics for more than 13 years. He now works independently from his studio in Mousehole, Cornwall, England. He was visited by Rick Stein in the first series of the BBC's Rick Stein's Cornwall. Work process. Devoting the majority of his career to porcelain, Doherty has developed a unique process of crafting his ceramic objects. The shapes are thrown, then carved and shaped using  only one type of porcelain clay. One slip in which copper carbonate is added as a colouring material is applied. Finally, he uses a single soda-firing technique, executed by spraying a mixture of water and sodium bicarbonate into the kiln at a high temperature. The resulting vapour is drawn through the kiln chamber where it reacts with the silica and alumina present in the clay, creating a rich patina of surface texture and colour. Questioning the vernacular of functionality. Doherty's work is meant to subtly interconnect with domestic space and daily life, and according to Doherty, "can be  solitary and contemplative or ceremonial; for everyday use or for special occasions." His recent work displays a sense of robustness, lacking the refined transparent glaze commonly associated with porcelain objects. In using the soda-firing finish and a wide range of archetypal forms, Doherty attempts to question the vernacular of functionality. The vessels Doherty creates explore ancient layers of cultural resonance embedded in these archetypal forms. Looking at the rustic surface textures, the palettes of smoky and sometimes vibrant colours and the simplicity of the irregular shapes thrown by Doherty, the vessels exhume transient visceral qualities reminiscent of the Japanese  aesthetics of Wabi-sabi and Shibui, no doubt having been influenced by the work of the late modernist Bernard Leach (Doherty being the previous lead potter of The Leach Pottery), as well as the politics of work as laid out by John Ruskin. Vernacularism as a cultural phenomenon thus plays a large part in the work of Doherty, and it can, therefore, be seen as a product of the Arts and Crafts movement and, associated with it, the writings of William Morris.