Drop Dead Fred
Drop Dead Fred is a 1991 black comedy fantasy film directed by Ate de Jong, produced by PolyGram and Working Title Films and released and distributed by New Line Cinema, starring Phoebe Cates as a young woman named Elizabeth Cronin and Rik Mayall as her imaginary friend Drop Dead Fred, with Carrie Fisher, Ron Eldard, Tim Matheson, and Bridget Fonda in supporting roles. The film follows Elizabeth as she is haunted by Fred in adulthood. Plot. Unassertive and repressed Minneapolis court reporter Elizabeth Cronin visits her husband Charles, from whom she is separated, on her lunch break , hoping to sort out their problems. He reasserts his desire for a divorce and says that he is in love with another woman, named Annabella. While she is at a public phone, first a man breaks into her car to steal her purse, and another steals the car itself. Forced to run back to work at the courthouse, she arrives late and gets fired. As she leaves the courthouse, she runs into childhood friend Mickey Bunce, who brings up memories they shared, including those of Elizabeth's imaginary friend, Drop Dead Fred. Mickey reminds her how everybody else thought she  was crazy. A series of flashbacks show that though he caused havoc, he also gave her happiness and a release from her oppressive mother. After a pep talk from her friend Janie, Elizabeth moves back in with her mother, who blames her for her divorce, and changes her appearance to impress Charles. She finds a taped-shut jack-in-the-box, and removes the tape, releasing Fred. He agrees to help her feel better, which she believes will only happen when she wins back Charles. However, his childish antics do more harm than good. He sinks Janie's houseboat, causes  havoc at a restaurant, and tricks Elizabeth into attacking a violinist in a shopping mall. Worried by Elizabeth's recent odd behavior, Polly takes her to a (children's) psychologist. In the waiting room, Fred is seen meeting up with the imaginary friends of other patients, who are all children. The doctor prescribes medication to rid her of Fred, whom he and Polly believe is a figment of her imagination. The medication also has the effect of slowly killing Fred. Fred reminds Elizabeth that one day, while they were making a mess on the dinner table, she heard her mother  coming and she imagined him hiding in a jack-in-the-box. Polly, fed up with Elizabeth playing with Fred, took the jack-in-the-box and taped it shut, essentially taking Fred away from her. The event left Elizabeth traumatized, and her father Nigel left not long after. Elizabeth then wrote a letter to Fred, saying they'd run away together. Elizabeth and Fred run away from Polly and a nurse to Charles' party. Charles now wants her back and she is overjoyed until Fred discovers he is still cheating with Annabella and tells her. Heartbroken, she tells Fred  that she cannot leave Charles because she is scared of being alone. She then passes out. They escape to a dream sequence in which she is able to reject Charles and stand up to Polly, declaring she is no longer afraid of her. She frees her imprisoned childhood self. Fred tells her that she no longer needs him, so they kiss and he disappears. Upon awakening, Elizabeth dumps Charles and stands up to Polly. Before leaving, she reconciles with Polly and encourages her to find a friend to escape her own loneliness. Days later she visits Mickey and his  daughter Natalie, who blames Drop Dead Fred for the mischief that just causes her nanny to quit. Elizabeth realizes Fred is now with Natalie, although she cannot see him anymore. Production. Tim Burton and Robin Williams were offered the role of director and Fred respectively. They turned the project down. The film's screenplay was rewritten by director Ate de Jong and producer Paul Webster throughout pre-production, de Jong took inspiration from being molested as a child by his older half-brother when writing the movie, stating "the trauma of child abuse goes deep and its claws reach  far in time. It was not something ever spoken about on the set, not with Rik or anyone, but for me it existed." Filming took place in August and September 1990. Filmed in Minneapolis, a large part of "Drop Dead Fred" was filmed at Prince's Paisley Park Studios in the suburb of Chanhassen. It had been a rumor since the film's release that Prince visited the set, but Webster debunked this in an interview with "The Telegraph" in 2021. Reception. Box office. "Drop Dead Fred", produced on a budget of just under $6.8 million, was released theatrically  in North America on May 24, 1991, grossing $3,625,648 on its opening weekend, and $13,878,334 over its entire theatrical run. It made £1,794,121 in the UK. Critical response. "Drop Dead Fred" was critically panned upon release, but has gone on to become a cult film. On Rotten Tomatoes it has an approval rating of 11% based on 36 reviews. The site's consensus states: "Tackling mature themes with an infantile sensibility, "Drop Dead Fred" is an ill-conceived family comedy that is more likely to stir up a headache than the imagination." On Metacritic it has a  score of 25% based on reviews from 19 critics, indicating "generally unfavorable reviews". Gene Siskel gave the film zero stars and said "This is easily one of the worst films I've ever seen." Writing for "Entertainment Weekly", Margaret Lyons asked, "Is it supposed to be hilarious, or a really, really depressing story about the long-term effects of emotional abuse?" Leonard Maltin stated that "Phoebe Cates' appealing performance can't salvage this putrid mess...recommended only for people who think nose-picking is funny." Peter Freedman of the "Radio Times" called it a "largely uninteresting and unfunny comedy", adding : "It's a nice idea, but it falls between all available stools and ends up as a mess on the floor thanks to the poor execution. It's particularly irritating if you've seen the much better "Harvey"." Angie Errigo of "Empire" magazine wrote: "There is scarcely a laugh to be had unless you are six years old or immoderately fond of such wheezes as depositing dog poop on a white carpet." Writing for "Mystical Movie Guide", Carl Schroeder wrote: "The imaginary friend is cavortingly rude for a reason; he served to push the girlchild to do mischief for attention  and as a cry for help. Now grown up, the woman has forgotten and is about to lose her soul, so events call for some kind of literal return of her demon to force the exposure of her pain. This psychic crisis is poignantly realistic ... the creature who is visible only to the woman is like a poltergeist energy of her repressed self, a problematic ego container into which her powers of assertion and creativity were poured and stored." He went on to call the movie's resolution "startlingly beautiful." Writing for "The Telegraph" in 2021, Alexander Larman praised the  film, calling it "a sophisticated and ahead-of-its-time black comic exploration of anxiety and depression."