Tomi Janežič
Tomi Janežič is a Slovenian theatre director, professor at the Academy for Theatre, Radio, Film, and Television (AGRFT) in Ljubljana, Slovenia, and a psychodrama psychotherapist. He is also one of the founders and the artistic director of the Studio for Research on the Art of Acting which runs its activities mostly at Krušče Workcenter for Artistic Research, Creation, Residency and Education in Krušče, Slovenia. Education. Janežič obtained his BA and MA degrees in theatre directing from the Academy of Theatre, Radio, Film and Television (AGRFT) in Ljubljana, and was later educated in Slovenia and abroad, particularly in the  field of various acting techniques and psychodrama. He also finished introductory studies of Group Analysis (Institute for Group Analysis Ljubljana). He obtained the Psychodrama Psychotherapist Certificate after finishing the International Psychodrama Education of Belgrade Institute of Psychodrama and Zagreb Center for Psychodrama. Career. Tomi Janežič worked in most of the former Yugoslav countries. Janežič has directed or lectured in more than a dozen of different countries (from former Yugoslav countries to Bulgaria, Slovakia, Romunia, Italy, Norway, Portugal, Russia etc.) His performances have toured on dozens of international festivals around Europe, in Russia, the United States and in the countries of  former Yugoslavia (Vienna, Brussels, Rotterdam, Munich, Düsseldorf, Firenze, Budapest, Nitra, Sofia, Piatra Neamt, Timișoara, Sfântu Gheorghe, Moscow, St. Petersburg, New York, Belgrade, Novi Sad, Sarajevo, Zagreb, Rijeka, Dubrovnik, Split, Skopje, Ohrid, Ljubljana etc.). These festivals include Wiener Festwochen (Vienna, Austria), Kunstenfestivaldesarts (Brussels, Belgium), BITEF – Belgrade International Theatre Festival (Serbia), Fabbrica Europa (Firenze, Italy), Budapest Spring Festival (Hungary), Nitra International Theatre Festival (Slovakia), Sarajevo International Theatre Festival MESS and International Sarajevo Winter Festival (Bosnia and Herzegovina), Eurokaz International Theatre Festival Zagreb, Rijeka International Small Scenes Theatre Festival, Dubrovnik Summer Festival (Croatia), Paradise Regained (Rotterdam and other cities, the Netherlands), Tanzwerkstatt Europea  München and Tanzhaus nrw Düsseldorf (Germany), Balkan Theatre Space International Theatre Festival St. Petersburg and Moscow Footlights – International Festival of Contemporary Dance (Russia), MOT Skopje International Theatre Festival and International Ohrid Festival (Macedonia), Exodos International Theatre Festival Ljubljana (Slovenia), Piatra Neamt, Timișoara and Sfântu Gheorghe International Theatre Festivals (Romania), and on all other most important regional theatre festivals in the countries of former Yugoslavia (Sterijino pozorje in Novi Sad, Jugoslovenski pozorišni festival "Bez prevoda" Užice, Međunarodni festival pozorišne klasike Vršac, Gavelline večeri Zagreb, Marulićevi dani Split, Zlatni lav Umag, Splitsko ljeto, Grad teatar Budva, Borštnikovo srečanje Maribor, Primorski poletni festival  Koper, etc.) Janežič is a recipient of some dozens of prizes and awards including Borštnik award, four Sterija awards, two MESS Golden Laurel Wreath awards, two Ardalion Awards, two Grand prix Golden Lion awards, Golden Mask, Golden Bird and Judita awards, two dr. Djuro Rošić awards, and other Grand Prix, international critic and audience awards (including BITEF audience award for best performance) and awards for directing. Tomi Janežič teaches acting and theatre directing at the University of Ljubljana (Slovenia) – Academy of Theatre, Radio, Film and Television. He is also a Visiting professor of University of Novi Sad (Serbia) at the  Academy of Arts (Acting Master Class) and Faculty of Technical Sciences (Art applied to Architecture, Technique and Design). He lectured at the University of Arts in Belgrade (Serbia) within the interdisciplinary doctoral studies program (Space in Dramatic Art and Architecture of the Scenic Space), at the Academy of Arts (Acting) of the University of Osijek (Croatia), the Faculty of Humanistic Studies of the University of Primorska (Slovenia), within the postgraduate programs at the Faculty of Cognitive Sciences and the Faculty of Pedagogy (Psychodrama) of the University of Ljubljana (Slovenia), at Oslo National Academy of Arts (Norway) and Nordic Institute of  Stage and Studio – The Arts University College of Oslo (Norway), at Act – Escola de Actores – Lisbon (Portugal), in the frame of Metodi Festival (International Meeting of Acting Methods and Approaches) – Tuscany (Italy) and several other international theatre festivals (BITEF, NITRA, Desire Central Station, TESZT, MIT Fest, FIST, etc.). Janežič has been a speaker at a number of international meetings, seminars and workshops in the field of theatre, acting and psychodrama both in Slovenia and abroad – in recent seasons at the International FEPTO meeting (2010), International Theatre Conference on Dramatic and Post-dramatic Theatre (2009) and International Theatre Conference on Chekhov  (2010) in the frame of BITEF festival in Belgrade (Serbia), Directors-Actors Film Workshop – Sofia (Bulgaria) (2010), Festival of Slovenian Drama (2010, 2011), Firenze Psychoanalytic Centre (2015) etc. As a psychodrama psychotherapist he has been directing a permanent psychodrama group since 2010. Janežič was an invited artist at the New European Theatre NET – Moscow (Russia), Theorem Meeting – Festival Avignon (France), Forum Wiener Festwochen – Vienna (Austria), Residence and Reflection Project – Kunstenfestivaldesarts – Brussels (Belgium), Knjizevni susreti Sarajevo – International Meeting of Playwrights and Theatre Artists (Bosnia and Herzegovina), etc. Tomi Janežič has been described as: ""one of the very few researchers of acting  in the present-day Europe" (Prof. Ognjenka Milićević)"; "a "teacher of the best method trained actors I have ever had the pleasure to work with: the level of talent and their desire to improve their craft reminded me of the Actors studio, when I first started in 1968 till Strasberg's death in 1982"" (Ed Kovens); the director of the performance characterized by ""an unparalleled quality in the art of acting"", which ""can truly shift the parameters of our emotional and intellectual reality"" (Nataša Govedić); ""we can already speak about the Janežič System"" (Branka Krilović). Since 1996 he has been  the artistic director, and since 2004 also the director of the Studio for Research on the Art of Acting in Ljubljana – an institute for cultural activities devoted to artistic, educational, research, and residency activities in the field of acting – within the framework of which – and in collaboration with parallel foreign organizations and artists – he has done research projects in the field of acting. His several years on-going involvement in the international research program entitled the Potentials of Acting – researching the creative and therapeutic potentials of acting – deserves special mention. In the course of last two decades Studio for Research  on the Art of Acting has realized numerous international projects (theatre coproduction, research and educational programmes, artistic exchanges and residencies) and hosted a number of distinguished acting teachers and artists from all over the world. Studio has transposed most of its activities to the Janežič's work center in Krušče, a small village near Cerknica, since the beginning of the estate renovation in 2006. Krušče Workcenter for Artistic Research, Creation, Residency and Education – recognized and valued as a space for artistic investigation and reflection – hosted internationally acclaimed artists from more than twenty countries in the field of performing arts, film , music, fine arts, and literature.