A Bread Factory
A Bread Factory is a 2018 American two-part indie comedy drama film written and directed by Patrick Wang. It features an ensemble cast and depicts a fictional community arts center in a small upstate New York town that struggles under economic and social pressures. It received critical acclaim. Plot. The film takes place in the fictional upstate New York town of Checkford. It centers on The Bread Factory, a community arts center run by a married couple, Dorothea and Greta, as well as daily life in the surrounding town. In the first part, a conceptual art  duo, May Ray, arrive in town and begin staging flashy, highly produced but utterly vapid performances. They threaten to siphon away an arts grant on which The Bread Factory depends. Dorothea and Greta work to convince the town council not to reassign the funds. The second part centers around a performance of Euripides' tragedy "Hecuba" at The Bread Factory. Production. The film was inspired by Time & Space Limited, a local arts center in Hudson, New York. It was filmed in Hudson over 24 days, following 10 days of rehearsals. Themes and interpretations. Critics identified the central themes of the film  as the value and impact of the arts, and the difficulty of producing and promoting meaningful artistic work in a market economy. Release. The film was released in the United States on October 26, 2018. Reception. The film received universal critical acclaim. On review aggregator website Rotten Tomatoes, both parts have an approval rating of 100%, based on 30 and 22 reviews respectively. The critic consensus for the first part states "Epic yet intimate, "A Bread Factory, Part One: For the Sake of Gold" delivers the sprawling storytelling and nourishing drama audiences might expect from its imposing title." On review  aggregator Metacritic, the film has a weighted average score of 91 based on 9 reviews, indicating "universal acclaim". Justin Chang, writing for the "Los Angeles Times", called the film a "warm and prickly humanist triumph" that "feels meticulously handcrafted in every respect". Bilge Ebiri, writing for "The New York Times", designated the film a critic pick, noting that it has "a deliberate pace and thematic ambition to spare — but it also has a ground-level, plain-spoken modesty that renders it hypnotic." Matt Zoller Seitz of RogerEbert.com gave the film four out of four stars, calling it "a wildly ambitious  yet self-effacing epic about a place and its people". Richard Brody, writing for "The New Yorker", described the film as a "comprehensive vision" drawn from Wang's "ferociously dedicated, deeply empathetic, finely conceived sense of purpose", offering "a detailed, expansive view of local politics and, for that matter, of the nature of community".