Louis Calaferte
Louis Calaferte (: ] ; 14 July 1928 - 2 May 1994) was a French novelist. He was born in Turin, Italy, but emigrated to France with his parents when he was very young, settling in a Lyon suburb where he spent the majority of his childhood and adolescence. In 1947, he set out for Paris to pursue his dream of becoming an actor, where he found a love for writing instead. Over the span of his career, he published a variety of works, including “a fantastic profusion of novels, short stories, essays, plays, poems and erotica of a particularly distinguished vulgarity  that created genuine excitement in the most blase connoisseur”. This writing style resulted in a variety of literary prizes, including the Prix de l’Academie Française for "Ebauche d’un autoportrait" in 1983; for a collection of poems, "Londoniennes" in 1985; and for a collection of short stories, "Promenades dans un parc" in 1987. Calaferte died in Dijon, France on 2 May 1994. Early life. In his early teens, Calaferte worked as an errand boy in a battery factory and later began work as a general laborer. During this time, he enjoyed reading books; subsequently, in 1947 he moved to Paris, where  he got a job at Odéon - Théâtre de l'Europe (formerly the Théâtre de l’Odéon) as a theatre extra. It was then and there that he wrote his first plays. One of them was performed at a preview performance at Théâtre d'Angers, earning him a standing ovation at the age of twenty. Career. With the support of his “literary hero” Joseph Kessel, he had "Requiem des innocents" published by Éditions Julliard in 1952. This work was a culmination of childhood memories in which Calaferte’s rebellious writing style began to emerge. This first book had great success and was soon followed  by the publication of "Partage des vivants" ("The Lot of the Living") in 1953. These two youthful works would be severely criticized by the author twenty five years later. He is quoted as saying : “If I had to name two of my books that I loathe, it would be the first two; I would gladly see them disappear”. In 1956, he moved to Mornant in the Monts du Lyonnais, where he wrote "Septentrion", a work accused of being pornographic, and which was consequently censored and banned from being sold. It was reprinted only twenty years later, on the initiative of  Gérard Bourgadier at Éditions Denoël, a French publishing house. In this largely autobiographical and erotic novel, Calaferte uses first-person narrative to recount the wanderings of a novice writer, his time spent secretly reading while working as a laborer (as a child, the protagonist would hide in public toilets, reading there very happily), and his encounters with women. The most important female figure in the novel is without a doubt Nora, a Dutch woman who represents female emancipation and social success. Calaferte continued to regularly publish collections of poems and stories of an intimate and sensual nature; some of these  were dreamlike and strange, and they were often linked to childhood. His plays explored the theme of family relations, using both a humorous and troubling tone. According to director Patrick Pelloquet, “ Louis Calaferte’s characters are more of a stereotype for certain behavior than characters in the strictest sense of the word”. Until 1974, Calaferte worked for a Lyon radio station and at ORTF (Office de Radiodiffusion-Télévision Française). He spent the last years of his life near Dijon, in the village of Blaisy-Bas with his wife. Among his friends, he was closest to writer Georges Piroué and theatre  director Jean-Pierre Miquel. Miquel described Calaferte’s work as “honest, harsh and capable of crazy rhetoric, [while] never straying away from the psychological reality of its characters.” He added that it was “a well-rounded work - perfect, precise, deeply moving and amusing.” Miquel said his friend Calaferte was a private and friendly person, someone who always spoke his mind and whose work was distinguished by its harshness. Calaferte’s notebooks also present his audience with another aspect of the author’s artistic personality, demonstrating his passion for painting and his literary inspiration, which derives from the works of numerous  established thinkers, including Paul Léautaud and Franz Kafka. Despite being often overlooked by his peers, Louis Calaferte produced powerful and personal works. Among them was "The Way It Works with Women" (1992) (La méchanique des femmes), an unclassifiable short novel he published two years before his death, which was adapted for the screen in 2000 by Jérôme de Missolz ; however, it did not experience great success. Calaferte reflected on his life as an author, saying: “For having written so much between the ages of thirteen and twenty, having presented two plays in Paris, and having my first book published at  age of twenty-two, I deem myself to be talented beyond my years...The development of my thoughts and my ability to understand only flourished as I gradually matured over the years.” Over the course of his career, Calaferte produced hundreds of works, mainly poetry and short story collections, as well as plays and notebooks. Louis Calaferte died on 2 May 1994 in Dijon, France. His wife, Guillemette, has proposed to the municipality her willingness to donate Calaferte’s work to the city, provided that there is a place dedicated to him. She has continued to publish the previously unseen  volumes of his notebooks. Works. Novels. "Requiem des innocents", 1952, publisher: Collection Folio (No 3388) (2000), Gallimard, () "Partage des vivants", 1953 "Septentrion", 1963, publisher: Collection Folio (No 2142) (1990), Gallimard, () "No man's land", 1963, publisher: Collection L'Arpenteur, Gallimard, () "Satori", 1968, publisher: Collection Folio (No 2990) (1997), Gallimard, () "Rosa mystica", 1968, publisher : Collection Folio (No 2822) (1996), Gallimard, () "Portrait de l'enfant", 1969, publisher: Collection Romans français (1981), Denoël, () "Hinterland", 1971, publisher: Collection Romans français, Denoël, () "Limitrophe", 1972, publisher: Collection Romans français, Denoël, () "La vie parallèle", 1974, publisher: Collection Documents actualité, Denoël, () "Épisodes de la vie des mantes religieuses", 1976, publisher : Collection Romans français, Denoël, () "Voyage stellaire", 1977 "Campagnes", 1979, publisher: Collection Romans français, Denoël, () "Ébauche d'un autoportrait", 1983, publisher: Collection Romans français, Denoël, () "Un riche, trois pauvres", 1986, publisher: éditions Hesse - () "L'Incarnation", 1987, publisher: Collection Romans français, Denoël, () "Promenade dans un parc", 1987, publisher: Collection Romans français, Denoël, () "Memento mori", 1988, publisher: Collection L'Arpenteur, Gallimard, () "Maître Faust", 1992, publisher: Collection L'Arpenteur, Gallimard, () "La Mécanique des femmes", 1992, publisher: Collection L'Arpenteur, Gallimard, () "C'est la guerre", 1993, publisher: Collection L'Arpenteur, Gallimard, () "Le Monologue", 1996, publisher: Collection L'Arpenteur, Gallimard, () "Droguerie du ciel", 1996, publisher: Hesse éditions, () "Le sang violet de l'améthyste", 1998, publisher : Collection L'Arpenteur, Gallimard, () "Suite villageoise", 2000, publisher: Hesse éditions, () Essays. "Les sables du temps", Éditions Le tout pour le tout, Paris, 1998 "Droit de cité", 1992, Éditions Manya, Folio Gallimard (no 2670), 1995, () "L'homme vivant", Gallimard, L'arpenteur, 1994, () "Perspectives, illustrations de l'auteur", Éditions Hesse, 1995, () "Art-Signal", Éditions Hesse, 1996, () "Les fontaines silencieuses", publisher: Collection L'Arpenteur, Gallimard, 2005, () Notebooks. "Le chemin de Sion" (1956-1967), Carnets, Denoël, 1980, () "L'or et le plomb" (1968-1973), Carnets II, Denoël, 1981, () "Lignes intérieures" (1974-1977), Carnets III, Denoël, 1985, () "Le Spectateur immobile" (1978-1979), Carnets IV, Gallimard, L'arpenteur, 1990 () "Miroir de Janus" (1980 -1981), Carnets V, Gallimard, L'arpenteur, 1993, () "Rapports" (1982), Carnets VI, Gallimard, L'arpenteur, 1996 () "Étapes" (1983), Carnets VII, Gallimard, L'arpenteur, 1997, () "Trajectoires" (1984), Carnets VIII, Gallimard, L'arpenteur, 1999, (.) "Écriture" (1985-1986), Carnets IX, Gallimard, L'arpenteur, 2001, () "Bilan" (1987-1988), Carnets X, Gallimard, L'arpenteur, 2003, () "Circonstances" (1989), Carnets XI, Gallimard, L'arpenteur, 2005, () "Traversée" (1990), Carnets XII, Gallimard, L'arpenteur, 2006, () "Situation" (1991), Carnets XIII, Gallimard, L'arpenteur, 2007, () "Direction" (1992), Carnets XIV, Gallimard, L'arpenteur, 2008, () "Dimensions" (1993), Carnets XV, Gallimard, L'arpenteur, 2009, () "Le jardin fermé" (1994), Carnets XVI, Gallimard, L'arpenteur, 2010 Plays. "Aux armes, citoyens !, Baroquerie en un acte avec couplets" 1986, Collection Romans  français, Denoël, () "Théâtre complet", Éditions Hesse, 4 volumes (Pièces intimistes, 1993 et Pièces Baroques I, II et III, 1994, 1996 pour le dernier (23 pièces au total) Poems. "Rag-Time", 1972, publisher: Collection Romans français, Denoël, () "Paraphe", 1974, publisher: Collection Romans français, Denoël, () "Londoniennes", 1985 "Décalcomanies", 1987 "A.B.C.D., Enfantines, avec les illustrations de Jacques Truphémus", Éditions Belle-fontaine, 1987 "Haïkaï du jardin", 1991, publisher: Collection L'Arpenteur, Gallimard, () "Les métamorphoses du révolver", 1993 "Ouroboros", 1995 "Non-lieu", 1996 "Pile ou face", 1996 "Terre céleste", 1999 "Imagerie, magie", 2000 Other works. "Une vie, une déflagration (entretiens avec Patrick Amine)", Denoël, 1985 "L’Aventure  intérieure, (entretiens avec Jean-Pierre Pauty)", Éditions Julliard, 1994 "Choses dites, Entretiens et choix de textes, le Cherche Midi", 1997 "Correspondance 1969-1994, avec Georges Piroué", éditions Hesse, 2001 Awards. Prix Ibsen for the play ""Les Miettes"" (1978) Prix Lugné Poe (1979) Grand Prix de la littérature Dramatique de la Ville de Paris for his entire theatrical work (1984) Grand Prix national des lettres (1992)