Tank! Tank! Tank!
Designed by producer Makoto Ishii, "Tank! Tank! Tank!" is a spiritual successor to "Tokyo Wars" (1996), an older Namco arcade game that shared many of the same mechanics and ideas. Ishii wanted to create an arcade game that allowed players to express themselves through its fast-paced gameplay and visuals. He designed it around a vertical-oriented monitor, a concept borrowed from the popularity of Japanese mobile games. As these were often played with a vertical screen, Ishii believed it would automatically make players familiar with the gameplay of "Tank! Tank! Tank!". The game underwent a reportedly  troubled development cycle. The arcade version of "Tank! Tank! Tank!" was well-received, with critics applauding its exhilarating gameplay and wide array of weapons. By comparison, the Wii U version received largely negative reviews, being criticized for its lackluster gamemodes, shallow content, and difficult controls. Several believed that the Wii U port was evident that the game should have been exclusive to arcades. However, it was praised for its concept and graphical style, and was a moderate commercial success in Japan. Gameplay. The player controls a tank and shoots monsters with ammunition. A player's photo is taken with a  nearby camera (dubbed the "NamCam") and is used as an avatar to identify each player's tank. Each level contains destructible elements and weapons range from a plasma bolt to a machine gun. Accessories can be added to the avatars, such as military helmets and wrestling masks. Collateral damage against the city background is encouraged in addition to dealing damage to the monsters that inhabit the game. Players can either divide themselves into two rival teams, team up to fight the monsters in a cooperative manner, or fight against each other. Development and release. "Tank! Tank! Tank!" was produced by  Makoto Ishii, an employee of Namco Bandai Games. Ishii wanted to create an arcade game that allowed players to express themselves through its fast-paced gameplay and visuals. He designed the game around a vertical-oriented monitor, a concept he borrowed from cell phones. As mobile users were familiar with playing games with a vertical screen, Ishii believed that a vertical monitor would automatically make its players familiar with how the game is played. Ishii also felt that the vertical screen tapped into his goal of allowing players to "express" themselves, with its enemies and level geometry being designed to  provide a sense of "overwhelming power" for its players. Publications believe that the "Earth Defense Force" series, published by Namco Bandai subsidiary D3 Publisher, also served as inspiration for the game. The soundtrack was composed by Hiroki Hashimoto, who went on to compose the music for "Pac-Man & Galaga Dimensions" (2011) and several tracks for "Super Smash Bros. for 3DS" (2014). "Tank! Tank! Tank!" is a spiritual successor to "Tokyo Wars" (1996), an older Namco arcade game that also involved tanks shooting enemies. It was programmed for the Namco System ES1, a Linux-powered arcade system board. According to "Radio  Nikkei", the game underwent a troubled development cycle. Namco Bandai Games demonstrated "Tank! Tank! Tank!" at the 2009 Japan Amusement Machine Show exposition in Tokyo, presented alongside the lightgun shooter "Deadstorm Pirates". It was released in Japan in October 2009, and in North America and Europe later that year; all three releases were published under the original Namco label. In September 2012, a port of "Tank! Tank! Tank!" was announced for the Wii U as a launch title for the system in North America, which was released on November 18, 2012. It was later released in Europe on November 30  and in Japan on December 26. The Japanese version was originally released as a downloadable free-to-play game on the Nintendo eShop, where the player was able to play through the single-player campaign for free and could buy the other game modes as downloadable content. A physical retail version was later released on February 21, 2013. In Europe and North America, the game became free-to-play on February 14, 2013 and May 2, 2013 respectively. Reception. The arcade version of "Tank! Tank! Tank!" was well-received. "1UP.com" writer Justin Epperson enjoyed its general absurdity and its gameplay  for being fun and full of frantic, fast-paced action. Staff from "Radio Nikkei" showed their enthusiasm towards the game's selection of powerful weapons and exhilarating action, writing that it would definitely keep players coming back for more. "Game Watch"s Toyotomi Kazutaka was particularly fond of the arcade cabinet and its vibrating seats, and liked the gameplay for its exhilarating feel and arsenal of weapons. The Wii U version sold 40,243 units in Japan, and is one of the top 50 best-selling games for the platform in the country. However, it received largely negative reviews, holding a 45/100  on review aggregator Metacritic. Critics focused primarily on the game's limited amount of gamemodes and content. "GameSpot"s Britton Pelee described it as being "hours of boredom spent playing a game that was never intended to be stretched out for so long." Both Casey Lynch of "IGN" and Kevin Knezevic of "GamesRadar+" disliked the repetition of missions found in the story mode, with Knezevic claiming that the co-operative play only barely alleviated this. Patrick Barnett of "Nintendo World Report" disliked the story campaign in general for its lack of replay value and variety, as did Pelee. The controls were  also a source of criticism; Barnett felt they made the game unnecessarily difficult because of the way they were designed. Most publications agreed that "Tank! Tank! Tank!" was a shallow port of an arcade game that was simply too low on content to justify a console release.