Minona Frieb-Blumauer
Minona Frieb-Blumauer (11 May 1816 – 31 July 1886) was a German actress and singer. Life. Born in Stuttgart, Minona ("actually Johanna") Frieb-Blumauer was the daughter of the actor Karl Blumauer, with whom she received her first lessons. Already as a child, she appeared in Neustrelitz in "der Freischütz" and 1828 in Gotha as a boy in "the Magic Flute". She studied singing for three years at the Prague Conservatory and was immediately engaged for a guest performance in Darmstadt. She stayed there for three years and then moved to Cologne and Aachen, where she performed  successfully under , especially in Gioachino Rossini's operas, for example as Rosine in "The Barber of Seville". As her voice was not up to the demands in the long run, she switched to spoken theatre. Karl Immermann brought her to Düsseldorf and under his guidance she developed into an outstanding actress. After she had worked as a youthful and lively lover in Meiningen and finally in Brno, she married the engineer Emanuel Frieb (their daughter Lina became an opera singer) in 1839. After a break, she only appeared again in 1841 at the Wiedener and Carltheater in Vienna, where Moritz  Gottlieb Saphir had recommended her. A guest performance by was the reason why the still young woman changed over to character studies and took over roles of mature women. During a guest performance in Vienna Theodor Döring saw the actress in several older and comical roles. After his return, he arranged for Frieb-Blumauer to be invited to a rehearsal guest performance in Berlin, which she performed with great success. In 1854, she got a ten-year and later a lifelong contract with the royal playhouse. Among her pupils were Anita Augspurg, Olga Arendt, Agnes Freund and Anna Haverland. Similarly  describes Gotthilf Weisstein the character and effect of the actress.: Shortly after a stay at a health resort in Wiesbaden, from which she had returned apparently recovered, Frieb-Blumauer died unexpectedly on 31 July 1886 at the age of 70 in Berlin. The funeral service, conducted by , the pastor of the Deutscher Dom at Gendarmenmarkt, took place on August 4 in the flat of the deceased in Zimmerstraße. With great participation of representatives of Berlin and foreign theatre life as well as the local population, the coffin was then led to the in front of the Hallesches Tor, where the  funeral took place, near the last resting place of its patron Theodor Döring, who had died eight years earlier. The eulogy at the grave was delivered by Arthur Deetz, director of the Königliches Schauspielhaus. The preserved grave site is marked by a plate with inscription and ornaments.