Kagaar: Life on the Edge
Plot. Naive, simple-minded, and illiterate Bhaskar Sarnaik (Amitabh Dayal) comes to Bombay from his far-off village, to look for his missing brother, Raghuvir. He comes in contact with Sub-Inspector Gokhale (Om Puri), who feels sorry for him, and not only offers to find his brother, but also employment at an Irani Restaurant. Bhaskar does find his brother - in the morgue - but decides not to tell his mother as this may break her heart. He decides to stay on in Bombay and undergoes training to become a police officer. A short time later  he is also a Sub-Inspector working closely with Gokhale. He is wounded in an encounter, and his mother comes to look after, and gets him to marry Aditi (Nandita Das) from the same village, which Bhaskar does so. Then the police must hunt for Adi, a notorious hit-man. When Bhaskar comes face to face with Adi, he does not shoot him, and as a result Adi escapes. Adi then gives an interview on television that he is the child-hood friend of Bhaskar, and that he would never be shot at by Bhaskar. As a result, Bhaskar gets  suspended from service, and becomes the subject of an intensive investigation by the Crime Branch, who are now convinced that Bhaskar is on the pay-roll of Adi and other underworld elements. Synopsis. Kagaar (Precipice) is based on the true life story of a Mumbai cop, encounter specialist sub-inspector Daya Nayak, who has been given special thanks in the movie's credits. Dedicated to the 'brave Mumbai Police', it has no songs, a tight script and real locations. Kagaar holds a mirror to real-life situations in Mumbai. Dayal, who debuts in this film, has done justice to the  character of the wide-eyed, new cop-turned-ruthless shooter. Om Puri as Gokhale is relaxed and lends credence to the drama. But it is Adi, who has a love-hate relationship with his childhood friend, Bhaskar, who captivates the audience. Soni's part is small, but he portrays the changes in Adi so subtly, yet so enchantingly, that you cannot bring yourself to hate him. The cops in this movie do not live in posh bungalows or sing songs around trees. They are as human as you and me, or the criminals in the movie. They also cry  in hard times and get depressed like anyone else. Neither is Kagaar a typical good-versus-evil struggle. The hero and anti-hero believe in the philosophy that the end justifies the means. It is a struggle for survival, and the survivor will be the winner, morals notwithstanding. Amitabh Dayal makes his debut as sub-inspector Bhaskar Sarnaik in this flick, which is inspired by the life of encounter expert Daya Nayak. In Kagaar, Chandra goes for the kill. The story of a restless cop Bhaskar (debutant Amitabh Dayal ) who believes that fake "encounter" deaths are the only way to  rid the society of hardened criminals, it is striven by a succession of sock-in-the-face images done in dark shades that recall Govind Nihalani's Ardh Satya. The curse-and-affect format is often a little put-on, especially when the lingo gets deliberately abusive. But full marks to cinematographer Manoj Gupta for making that slippery jump from the garish in Chandra's Excuse Me to the grim and gritty colours of crime-infested city life in Kagaar. The elaborate screenplay by Sujit Sen takes the protagonist back to his roots in the village and then delineates his  journey into the heart of urban darkness. The migratory transition is convincingly achieved. To its credit the screenplay manages to hold together various elements from the protagonist's life without losing out on the essential humanism of the plot. The impotence of being honest to one's job comes across in several key scenes within the cop's domestic ambit and on the slick streets where Bhaskar must chase his childhood chum turned grownup crime lord till the inevitable end. Anoop Soni as the hero's gangster-friend gives a riveting flamboyant twist to his complex character. This is the  underrated actor's most challenging role ever, and he doesn't let go of one moment of his playing time to construct a character that has a graph and a grip. Debutant Amitabh Dayal has some tough khaki-clad acts to follow up, including his legendary namesake's clenched cop's part in Zanjeer, a film to which Kagaar owes direct linear allegiance. Dayal manages the mutating shades of anger well. But he needs to improve his body language, specially his hand gestures. The film is sub-captioned 'Living On The Edge'. The cop's harassed neglected and overwrought wife  does more of that—living on the edge—than the cop. Nandita Das has earlier played an overworked cop's sultry spouse in Aks. Here she's more at home. Her scenes with Dayal are occasionally electric. But it's Om Puri as the hero's tormented mentor who holds our attention. His cynical disregard for rules and his guarded forebodings vis-à-vis Bhaskar's extra-constitutional crime busting are lucidly mapped in that eloquent face. Kagaar lends a lot of substance in its cinematic dialect. The one-night story done with such dark dynamism by Sudhir Mishra in  Iss Raat Ki Subah Nahin works effectively in telling the cop's tale. Reception. N Chandra's Kagaar tells the story of one long night—a night of suspenseful wait for a prey. The hunter waits for this moment all his life and although he knows that the end would be bloody and tragic, it is the call of duty he cannot ignore. As the world celebrates New Year and his wife waits for him to get home, a sub-inspector, Bhaskar Sarjanak, who has killed 70 men in encounters, waits for his biggest catch. An individual named Ali  meant more than just a law-breaker to him. Ali is his childhood friend from the village, and as he waits, he rewinds to the day he had set foot in the big urban city to search for his lost brother. He recalls how he was fascinated by the power of the uniform and worked his way into the police force, how his wife had stars in her eyes before marriage because she was excited at the prospect of marrying a hero with a gun, how her initial euphoria gave way to disillusionment and learnt to live life without her  husband in a modest one-room kitchen. He looks back at the events of his life—how Ali's foolhardiness and his colleagues’ envy had ousted him temporarily from the force, how his period of suspension made him a drastically different human being, how nemesis had once again caught up with Ali and here he was waiting to trap him, or be killed himself. For a man whose every goodbye to his wife was considered the final goodbye, Bhaskar was fighting a battle whose end could go either way. Will he see the dawn of New Year? From the police  force comes this true story of a man who lived life on his terms. The theme is taken from stunning real-life incidents. Kagaar is a film that looks at the hitherto unexplored avenues of the personal life and mindset of a cop. Uncompromisingly brutal, this is an awesome close up of lives that are laid on the line, of men and women living on a double-edged sword. This film shows that truth is often stranger than fiction. It promises to be a disturbing and most significant film N Chandra attempts to make a different film. Produced by Dr  Mrunalinni and Smt Suryakant Patil, Kagaar has music by Vishal Bharadwaj. Gulzar has penned the lyrics. Watch out for another police drama which also dwells upon the life of a cop, his sacrifices and his urge to do his duties well.