The Neckbones
The Neckbones were a garage punk band from Oxford, Mississippi. The band was distinguished by having three vocalists each with a distinct style and for their high energy live performances. They released three albums: "Pay the Rent", self release (1995) and "Souls on Fire" (1997) and "The Lights Are Getting Dim" (1999), both on Fat Possum Records. They also released the 10" vinyl-only release "Gentleman", which was their final release, on Misprint Records in 1999. History. The band's original four members first began playing together as the Neckbones in the fall of 1994. While the band  was active, they were the only rock group signed to Fat Possum Records—the other artists on the label were all blues artists. They recorded their debut album for Fat Possum, "Souls on Fire", in 1996, but it was not released until the following year due to Fat Possum Records' legal issues. The band released its second and last full length album, "The Lights are Getting Dim," in 1999, and officially disbanded in 2001. After disbanding, guitarist/vocalist Dave Boyer and drummer/vocalist Forrest Hewes joined with guitarist/vocalist Jack Oblivion and bassist/vocalist Scott Rogers to form the group , The Cool Jerks, which released an album entitled "Cleaned A Lot Of Plates In Memphis" in 2002 on the Sympathy For The Record Industry label. During the same period, Tyler Keith, The Neckbones', other guitarist and vocalist, formed the group "Tyler Keith and the Preacher's Kids", which released an album entitled "Romeo Hood" in 2001. The Neckbones continue to perform live sporadically, with their most recent performance being on September 28, 2018 at the 15th Annual "Gonerfest" garage rock festival in Memphis, TN. Reception. Robert Christgau reviewed "Souls on Fire" and gave it an A−. In his review, Christgau  compared the band's music favorably to that of Thomas Jefferson Slave Apartments. A review of the album for "MTV" described the album's music as "the greasy, ballsy kind of rock ‘n’ roll that most bands have either forgotten or abandoned." Writing in "Billboard", Chris Morris described the album as "a steaming slab of raving punk rock served up southern-fried". A review of "The Lights are Getting Dim" in "CMJ" compared the band's style to that of Iggy Pop and the Ramones, and praised the band's displays of humor on the album. However, the review also  said that the album's music is "unlikely to win over fans looking for a more arcane musical experience." Anthony Mariani wrote in "Houston Press" that the album was "stuffed with solid tunes". Mike Joyce of "the Washington Post" reviewed the album favorably, writing that on it, "roadhouse collides with garage, producing a reckless and clangorous hybrid that celebrates the quartet's punk leanings."