Joaquín Yarza Luaces
Joaquín Yarza Luaces (Ferrol, Spain August 16, 1936 - Barcelona March 6, 2016) was a Spanish art historian. Professor Yarza began his professional career in Madrid. He began his work as a teacher in Barcelona in 1974, where he later died. Since then, he has been a guide to medieval studies with special prominence in Renaissance subjects. Biography. Joaquín is the grandson of José Joaquín Yarza Albea, eminence of the naval world in Spain. Joaquín Yarza was destined to be a naval engineer, as this was the tradition of the Yarza family, originally from Donostia (Spain) and settled  in Vigo (Spain). After his first course at the Polytechnic University of Madrid, the brilliant student discovered that his true passion was not the ships, but art history. Once the decision was made, he presented himself at home in front of his father, delivered his honour grades in his first course of naval engineering, and communicated to his family his desire to devote himself to his passion. He studied art history at the Complutense University of Madrid from 1961 to 1965, where he began teaching after writing a doctorate thesis entitled "Iconography of the miniature of the eleventh and twelfth  centuries in the kingdoms of Castile and "León". For several years he combined the positions of professor at the "Universidad Complutense de Madrid" (1965-1969) and the Universidad Autónoma de Madrid (1968-1974). From 1974 to 1981, he was a professor of art history at the University of Barcelona and later at the Autonomous University of Barcelona where he was professor of art. Joaquin Yarza did most of his research and literary works on the study of medieval Hispanic art and Byzantine art. In spite of his almost exclusive dedication to the medieval period, he has also made explorations in  the field of the history of Renaissance painting, with studies dedicated to "Navarrete el Mudo" and "Alonso de Herrera" and within the field of sculpture, "Pedro Berruguete". He has published works of a general nature, such as Art and Architecture in Spain, 500-1250 (1987) and The Middle Ages (1988) and coordinated others on written artistic sources, such as Medieval art, I and II (1982). He has also been interested in the miniature of both the tenth century (Blessed Gerona, Antiphon of Leon) and Romanesque (Burgos Bible). He is the director and co-author of an Art History manual for  high school students (1978). He has participated in divulgative works such as Gothic Painting (1987) or Gothic Art (1991). He collaborated actively in the production of the catalog of the medieval Museo Frederic Marès of Barcelona. He directed the magazine Of the Department of Art History of the Autonomous University of Barcelona "Locus Amoenus" from its creation in 1995. He was also part of the next magazines "Cuadernos de Historia de España" (Buenos Aires), "Traza y Baza" (UB), D’Art (UB), "Quaderns d’Estudis Medievals" ("Art Estudi") and "Artigrama" (Universidad de Zaragoza). He was member of the Spanish Committee of History of  the Art between 1982 and 1988. From 1990 he was part of the Board of Museums of Catalonia and of the Board of Qualification, Valuation and Export of Goods of the Cultural Patrimony of Catalonia.