Fifty Shades Freed (film)
Fifty Shades Freed is a 2018 American erotic romantic drama film directed by James Foley and written by Niall Leonard, and based on E. L. James's 2012 novel of the same name. It is the third and final installment in the "Fifty Shades" film series, following "Fifty Shades of Grey" (2015) and "Fifty Shades Darker" (2017). The film stars Dakota Johnson and Jamie Dornan as Anastasia Steele and Christian Grey, respectively, and follows the couple as they marry, and must deal with Ana's former boss (Eric Johnson), who begins to stalk them. Principal photography  on "Fifty Shades Freed" began simultaneously with "Darker" in February 2016, in Paris and Vancouver. The film was released in the United States on February 9, 2018, including a limited IMAX release. It was a box office success, grossing over $370 million worldwide against a production budget of $55 million. It is the lowest-grossing film of the trilogy. Like its two predecessors, "Fifty Shades Freed" received negative reviews, with criticism for its screenplay and acting. Plot. Newlyweds Christian and Anastasia are forced to cut their honeymoon short and return home after receiving news of a break-in  at his corporate headquarters. Some computer files were stolen and security camera tapes identify the perpetrator as Jack Hyde, Ana's former boss who was fired for sexual assault. Meanwhile, Ana is introduced to her new personal security team. Christian surprises Ana with a new house and has hired an attractive architect, Gia Matteo, to rebuild it for her. She is annoyed when Gia openly flirts with him in her presence. Ana privately threatens to fire Gia if she keeps it up, forcing her to stop. When Christian is away on a business trip, Ana disregards his wishes that she  stay at home, and meets her friend, Kate Kavanagh, for a drink. Kate is dating Christian's older brother Elliot and fears Elliot may be having an affair with Gia, his business associate. Jack Hyde attempts to kidnap Ana when she gets home. Ana's security team subdues him and he is arrested. After arguing with Christian about her night out with Kate, Ana berates him for being overly controlling and possessive and demands more freedom. Soon after, he surprises her with a trip to Aspen, bringing along Kate, Elliot, Mia, and José. Elliot proposes to Kate, who accepts. It  is revealed that Gia was only helping Elliot choose the ring. The newlyweds continue with their erotic sexual experimentation, but it becomes complicated when Ana announces she is pregnant. Christian is deeply disturbed, saying he had other plans for their early years together. He leaves, going on a night-long drunken bender. After he returns, Ana discovers that Christian had texted and met his ex-lover and former BDSM dominant, Elena Lincoln. She becomes angry with him and locks herself in the playroom for the night. He searches for Ana in the morning and they continue arguing, with Ana telling  Christian how important the baby is for her. Shortly after, Hyde, released on a $500,000 bond, phones Ana demanding a ransom for Mia, Christian's abducted sister. Hyde demands $5 million in cash in two hours and threatens to kill her if his demands are not met. He warns Ana to tell no one and to bring the money alone. Ana takes a checkbook and revolver from Christian's desk then goes to the bank to withdraw the full amount. The suspicious bank manager calls Christian. He thinks Ana is leaving him but then notices it coincides with  Hyde's recent release, Mia's unknown whereabouts, and Ana's sudden large cash withdrawal. Hyde instructs Ana to get into a car parked in the alley and to hand over her phone to the driver to discard. She tricks Hyde by taking the bank manager's phone and slipping her own phone into the bag of money. She exits the back entrance to discover that the driver and Jack's accomplice is her co-worker, Liz. Ana arrives at the drop-off site with the money. Hyde, psychotic and vengeful, attacks her, kicking her abdomen. Liz tries to stop  him as Ana pulls out the revolver and shoots him in the leg. Christian and his security team, who electronically tracked Ana's cell phone, arrive and apprehend Hyde and Liz. Ana blacks out as she hears Christian's voice. Ana awakens three days later in the hospital with Christian at her side. Though angry at her recklessness and still anxious about fatherhood, he realizes how important their baby is to her, and they reconcile. Christian's adoptive mother, Grace, assures him that Ana will not leave him. She returns home the next day. Christian's private investigator, Welch, has  left a report showing that Christian and Hyde had shared the same foster family, though he has no memory of this. Hyde was envious of Christian being adopted by the wealthy Grey family instead of him. Hyde also blackmailed Liz into being his accomplice. Christian and Ana also find out where his birth mother is buried. They visit her grave and he lays flowers on it. While Christian is playing his piano, Ana walks through the hallway to the living room to watch Christian. As she's watching him, flashbacks of Christian and Ana's time together is shown with  Love Me Like You Do playing. Ana then decides she wants to play. She sends him a text message getting his attention. As Christian joins Ana in the playroom, the music continues to play as Christian shuts the door, right after you see Ana smile. Seven months later, Christian and Ana have a son named Teddy and three years later Ana is pregnant with their second child. Production. Universal Pictures and Focus Features secured the rights to the trilogy in March 2012. The films were produced by Michael De Luca Productions. At a fan screening of the first film in  New York City on February 6, 2015, director Sam Taylor-Johnson confirmed that the book sequels "Fifty Shades Darker" and "Fifty Shades Freed" would also be adapted, with the first sequel then set to be released in 2016. After the announcement, Taylor-Johnson told "Digital Spy" that "It's not my decision [to return], and I haven't been privy to any of the discussions." On November 12, 2015, TheWrap reported that James Foley would direct both sequels, which would be shot back-to-back in 2016, with Niall Leonard writing the script and Michael De Luca and Dana Brunetti  returning to produce, along with E. L. James and Marcus Viscidi. Dakota Johnson and Jamie Dornan were also set to return in the lead roles. On February 8, 2016, Arielle Kebbel was cast in the film to play Gia Matteo, a beautiful architect who is hired by Christian to build his home, and on February 12, 2016, Eric Johnson was cast as Jack Hyde, Ana's boss at SIP and stalker. On February 20, 2016, Brant Daugherty signed on to play Sawyer, the personal bodyguard for Anastasia. Filming. In November 2015, Universal Studios announced that "Fifty Shades Darker" and "Fifty  Shades Freed" would be shot back-to-back, with principal photography scheduled to commence in early 2016. Filming took place in Paris and Vancouver from February 9, 2016, to July 12, 2016, under the working title ""Further Adventures of Max and Banks 2 & 3"". Music. The lead single from the film's soundtrack, "For You", performed by Rita Ora and Liam Payne, was released on January 5, 2018. The soundtrack's track list was released on January 8, 2018, including artists Julia Michaels, Sia, Jessie J, Black Atlass, Ellie Goulding, Hailee Steinfeld, Dua Lipa, and Miike Snow on the 22 -song album. Release. Marketing. A teaser trailer was released on September 10, 2017, and a theatrical trailer on November 6. Theatrical. "Fifty Shades Freed" was released on February 9, 2018, by Universal Pictures. Home media. "Fifty Shades Freed" was released on digital on April 24, 2018, with a Blu-ray Disc, DVD and 4K Ultra HD Blu-ray release following on May 8, 2018. Reception. Box office. "Fifty Shades Freed" grossed $100.4 million in the United States and Canada, and $270.2 million in other territories, for a worldwide total of $371.2 million, against a production budget  of $55 million. In the United States and Canada, "Fifty Shades Freed" was released alongside "Peter Rabbit" and "", and was projected to gross $37–40 million from 3,768 theaters in its opening weekend. It made $5.6 million from Thursday night previews, down 2% from the $5.7 million taken in by "Fifty Shades Darker" the previous year. It ended up making $38.6 million over the weekend, the lowest of the trilogy, but enough to take first place at the box office. The film grossed $10.8 million on Valentine's Day, the third-highest total for when  the holiday fell on a weekday, behind "The Vow" ($11.6 million in 2012) and "Darker" ($11 million), and bringing its five-day gross to $56.1 million. In its second weekend, the film made $17.3 million, dropping 55.1% (a slightly better hold than the previous film) and finishing third, behind newcomer "Black Panther" and "Peter Rabbit". Worldwide, the film was expected to make $80–90 million from 57 countries, including France, Germany, the UK, Australia, Brazil, Mexico and Japan, for a worldwide debut of $113–130 million in its first three days. It ended up grossing $ 98.1 million from overseas for a global debut of $136.9 million, making a 7% decrease from the previous film but still finishing first in 54 of the 57 markets. Its leading countries were Germany ($10.7 million), the United Kingdom ($8.8 million) and France ($8.7 million). Critical response. On review aggregation website Rotten Tomatoes, the film has an approval rating of , based on reviews, and an average rating of . The website's critical consensus reads, ""Fifty Shades Freed" brings its titillating trilogy to a clumsy conclusion, making for a film franchise that adds up to a distinctly  dissatisfying "ménage à trois"." On Metacritic, the film has a weighted average score of 31 out of 100, based on 43 critics, meaning "generally unfavorable reviews." Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to F scale, the same score earned by "Darker", while PostTrak reported that 56% of women (who made up 81% of the opening weekend audience) gave the film a "definite recommend". Writing for "Variety", Guy Lodge was critical of the film, saying "Indeed, a sex-free, PG-13 version of "Freed" could be cut without shedding a second of narrative  coherence, such as it is; one could ask what the point of that would be, though similar queries might be leveled at the film as it stands." "Rolling Stone"s Peter Travers gave the film zero out of four, stating "With this last entry, we have officially hit the bottom of the barrel. Whips, chains, butt plugs and nipple clips are nothing compared to the sheer torture of watching this movie." Robbie Collin of "The Telegraph" gave the film one out of five stars, and wrote "This is a film in which one of the more emotionally detailed performances is given  by a product-placement Audi." Jeannette Catsoulis, writing for "The New York Times", found the film to be significantly inferior to Kim Basinger's "9½ Weeks", stating: "Layering a damp-squib thriller subplot beneath what appears to be an ad campaign for the one-percent lifestyle, the returning director and screenwriter test the newly married couple with an inconvenient pregnancy and an unconvincing car chase. There's an out-of-left-field abduction and a marital tiff over email addresses; but these narrative fragments, lazily tossed together alongside a neglected supporting cast, are no more than a flimsy causeway connecting  bonking sessions." Conversely, "IndieWire" reviewer Manuela Lazic gave the film three out of four stars, saying "Finally, the "Fifty Shades" phenomenon has yielded a disarming comedy that makes this ridiculous material fun to watch."