The Witness (Suuns album)
The Witness is a 2021 album by Canadian rock band Suuns, released on September 3, 2021, by Joyful Noise Recordings and Secret City Records. The album was recorded from December 2019 through September 2020 at Breakglass Studios, with additional tracking at Studio Toute Garnie, both in Montreal. Reception. "Pitchfork"s Phillipe Roberts called "The Witness" Suuns' "most cohesive album yet, the first that never gets lost in its own dark gravity", and that the album "unlocks a parallel universe for the band, and though Suuns are still sculpting monoliths to paranoia, to hear them chipping away with  such steady hands is a welcome treat." "Loud and Quiet"s Zara Hedderman called the album "immediately immersive" and "an excellent and engrossing record" on which the band includes "more patience and consideration applied to their performances." "The Line of Best Fit"s Aymeric Dubois wrote that ""The Witness" has the power to guide you in a sensory journey where abstract, psychedelic, futuristic or exoticism are mixed", but that "the only small thorn lies in the melodies and vocals, sometimes too shy or idealistic to sublimate the whole." "Dusted"s Tim Clarke wrote that "The more you listen to "The Witness", the harder  it is to grasp. There’s no denying that its elusive character is part of its charm, but there are stretches where it feels more evasive than elusive, stubbornly refusing to engage more directly." "Beats Per Minute"s Tim Sentz wrote "Continuing down the path they set out on with 2016's "Hold/Still", Canada's Suuns have finally, it seems, arrived at a rewarding destination on their latest, "The Witness" - an immersive electronic abyss" and that producer John Congleton helps "to uncover crevices of Suuns' noise potential", but that "Some of the lacking aspects of their previous record have carried  over, albeit minutely" and "While "The Witness" is a certain improvement from "Felt", it remains a bit mixed", concluding by calling the project "a serviceable post-punk album, one that ends up as an interesting listen but with little to pull us back to it." AllMusic's Fred Thomas called the album "a consumptive listening experience, designed with precision and purpose in the same way as the immersive albums that came before it by Portishead, Talk Talk, Radiohead, and other artists willing to take their time systematically disassembling and rebuilding their music."