Saul Leiter
Saul Leiter (December 3, 1923 – November 26, 2013) was an American photographer and painter whose early work in the 1940s and 1950s was an important contribution to what came to be recognized as the New York school of photography. Life and work. Saul Leiter was born in Pittsburgh, Pennsylvania. His father was a well known Talmud scholar and Saul studied to become a rabbi. His mother gave him his first camera at age 12. At age 23, he left theology school and moved to New York City to become an artist. He had developed an early interest in  painting and was fortunate to meet the Abstract Expressionist painter Richard Pousette-Dart. Pousette-Dart and W. Eugene Smith encouraged Leiter to pursue photography and he was soon taking black and white pictures with a 35 mm Leica, which he acquired for a few Eugene Smith prints. In 1948, he started taking color photographs. He began associating with other contemporary photographers such as Robert Frank and Diane Arbus and helped form what Jane Livingston has termed the New York School of photographers during the 1940s and 1950s. Leiter worked as a fashion photographer for the next 20 years and was  published in "Show, Elle", British "Vogue, Queen," and "Nova." In the late 1950s the art director Henry Wolf published Leiter’s color fashion work in "Esquire" and later in "Harper’s Bazaar". Edward Steichen included Leiter’s black and white photographs in the exhibition "Always the Young Stranger" at the Museum of Modern Art in 1953. Leiter’s work is featured prominently in Jane Livingston’s book "The New York School" (1992) and in Martin Harrison’s "Appearances: Fashion Photography since 1945" (1991). In 2008, The Henri Cartier-Bresson Foundation in Paris mounted Leiter's first museum exhibition in Europe  with an accompanying catalog. Leiter is the subject of a 2012 feature-length documentary "In No Great Hurry - 13 Lessons in Life with Saul Leiter," directed and produced by Tomas Leach. Leiter is a featured subject, among others, in the documentary film "Tracing Outlines" (2015) by 2nd State Productions. Martin Harrison, editor and author of "Saul Leiter Early Color" (2006), writes, "Leiter’s sensibility . . . placed him outside the visceral confrontations with urban anxiety associated with photographers such as Robert Frank or William Klein. Instead, for him the camera provided an alternate way of seeing, of framing events and interpreting reality . He sought out moments of quiet humanity in the Manhattan maelstrom, forging a unique urban pastoral from the most unlikely of circumstances." Leiter died on 26 November 2013 in New York City. Collections. Leiter's work is held in the following public collections: