U.S.A. (painting) and have initiated major breakthroughs in control of networks and control over networks. Adaptive and neuroadaptive control for clinical pharmacology. Haddad's work in this area has tackled one of the most challenging problems in clinical pharmacology. In particular, he has developed adaptive and neural network adaptive control algorithms for automated anesthesia and critical care unit medicine. His adaptive control algorithms adjust to interpatient and intrapatient pharmacokinetic and pharmacodynamic variability and have significantly improved the outcome for drug administration. This research in active control of clinical pharmacology has transitioned to clinical practice and is improving medical care, health care, and 	Wassim Michael Haddad
19126391	reliability of drug dosing equipment, and has a real potential of reducing health care costs. Haddad's achievements in this area have been very influential in the biomedical engineering field. His results in clinical pharmacology are documented in. Wassim Michael Haddad Wassim Michael Haddad (born July 14, 1961) is a Lebanese-Greek-American applied mathematician, scientist, and engineer, with research specialization in the areas of dynamical systems and control. His research has led to fundamental breakthroughs in applied mathematics, thermodynamics, stability theory, robust control, dynamical system theory, and neuroscience. Professor Haddad is a member of the faculty of the School 	Wassim Michael Haddad
19126392	Ward Williams Ward Williams Ward Milton Williams (June 26, 1923 – December 17, 2005) was an American professional basketball player. Ward was selected in the first round (8th overall) in the 1948 BAA Draft by the Fort Wayne Pistons. He played for the Pistons in 1948–49 and appeared in 53 games. Ward Williams Ward Milton Williams (June 26, 1923 – December 17, 2005) was an American professional basketball player. Ward was selected in the first round (8th overall) in the 1948 BAA Draft by the Fort Wayne Pistons. He played for the Pistons in 1948–49 and appeared in 53 games. 	Ward Williams
19126393	U.S.A. (painting) U.S.A. (painting) U.S.A. is a trompe-l'œil" oil painting by American artist John Haberle from 1889, located in the Indianapolis Museum of Art, which is in Indianapolis, Indiana. It depicts currency and stamps so realistically that Haberle was accused of pasting real money to the canvas. Description. "U.S.A." depicts a scattering of worn American stamps and bills, particularly the back of a dollar bill emblazoned with a warning against reproducing it. In a wry touch, Haberle also painted on a newspaper clipping praising one of his earlier works. "U.S.A." is signed in the upper right corner with "J. Haberle" and  a smiley face, and again on the metal plate on front of the shadow box frame, which Haberle painted to look engraved. Historical information. In 1886, William Harnett, another noted photorealistic painter, was arrested for counterfeiting. This apparently inspired Haberle to produce an abundance of exact facsimiles of American currency, particularly in his first four years as a painter, from 1887 to 1891. Haberle originally trained as an engraver, which helped prepare him for his particular artistic calling. Despite warnings from the Secret Service, Haberle persisted in producing such images in his particularly wry manner. While governmental rebukes only encouraged  Haberle to greater productivity, the accusation of trickery enraged him. When "U.S.A." was first exhibited at the Art Institute of Chicago, a newspaper critic declared that the artist must have used actual money and stamps. Haberle immediately traveled to Chicago and, armed with magnifying glass, paint remover, and art experts, categorically proved that the canvas was covered only in oil paint. Location history. It was a display of Harnett's work in a New York saloon that led to his brush with the Secret Service and rapid retreat from currency-themed art. Haberle, however, sold "U.S.A." to Marvin Preston, manager  of Churchill's Saloon in Detroit, where it hung unmolested. That setting was typical for "trompe-l'œil" paintings, which tended to have masculine themes like money and hunting trophies and reside in manly places like bars. His grandson, also Marvin Preston, donated it to the Sally Turner Gallery in Plainfield, New Jersey. Acquisition. "U.S.A." was a gift from Paul and Ruth Buchanan of Indianapolis in 2002. It is currently on view in the Paine Turn of the Century American Art Gallery and has the acquisition number 2002.225. U.S.A. (painting) U.S.A. is a "trompe-l'œil" oil painting by American artist John