Quintus Smyrnaeus
Quintus Smyrnaeus (also Quintus of Smyrna; , "Kointos Smyrnaios") was a Greek epic poet whose "Posthomerica", following "after Homer" continues the narration of the Trojan War. The dates of Quintus Smyrnaeus' life and poetry are disputed: by tradition, he is thought to have lived in the latter part of the 4th century AD, but early dates have also been proposed. His epic in fourteen books, known as the "Posthomerica", covers the period between the end of Homer's "Iliad" and the end of the Trojan War. Its primary importance is as the earliest surviving work to cover this period , the archaic works in the Epic Cycle, which he knew and drew upon, having been lost. His materials are borrowed from the cyclic poems from which Virgil (with whose works he was probably acquainted) also drew, in particular the "Aethiopis" ("Coming of Memnon") and the "Iliupersis" ("Destruction of Troy") of Arctinus of Miletus, the now-lost "Heleneis" of Philodoppides and the "Ilias Mikra" ("Little Iliad") of Lesches. His work is closely modeled on Homer. Life. The dates of Quintus's life are controversial, but they are traditionally placed in the latter part of the 4th century AD. Way suggests that  His date is approximately settled by two passages in the poem, viz. vi. 531 sqq., in which occurs an illustration drawn from the man-and-beast fights of the amphitheatre, which were suppressed by Theodosius I. (379–395 AD); and xiii. 335 sqq., which contains a prophecy, the special particularity of which, it is maintained by Koechly, limits its applicability to the middle of the fourth century AD. Some scholars suggest an earlier date in the 3rd or even the 2nd century, arguing that his "Posthomerica" shows an influence from the "Second Sophistic", the school of Greek orators who flourished in  the 1st and 2nd centuries. According to his own account (xii. 310), he began composing poetry in his early youth while tending sheep near Smyrna (present-day İzmir). A Christian poet of the 4th-century, Dorotheus, known for his Greek epic poem, "The Vision of Dorotheus", has been identified as the son of Quintus Smyrnaeus. At the end of the manuscript of his "Vision", he identifies himself as "Dorotheus, son of Quintus the poet". This identification is supported by the facts that there is no other poet Quintus in this period and Dorotheus uses the same Homeric poetic structure as  Quintus. The "Posthomerica". The plot of "Posthomerica" begins where Homer's "Iliad" ends, immediately after Hector's body was regained by the Trojans. The first four books, covering the same ground as the "Aethiopis" of Arctinus of Miletus, describe the doughty deeds and deaths of the Amazon Penthesileia and of Aethiopian king Memnon, the son of the dawn goddess Eos, both slain by Achilles, and the death of Achilles himself and the funeral games in his honour. Books five through twelve, covering the same ground as the "Little Iliad" of Lesches, span the contest between Aias and Odysseus for the  arms of Achilles, the death of Aias of suicide after his loss, the exploits of Neoptolemus, Eurypylus and Deiphobus, the deaths of Paris and Oenone, and the building of the wooden horse. As well as drawing inspiration from Lesches' work, it is likely that these books gathered source material from Greek tragedy, such as Sophocles' depiction of Ajax. The remaining books, covering the same ground as Arctinus' "The Sack of Troy", relate the capture of Troy by means of the wooden horse, the sacrifice of Polyxena at the grave of Achilles, the departure of the Greeks, and their dispersal by  storm. Editions. The "Editio princeps" by Aldus Manutius was published at Venice, 1504 under the title "Quinti Calabri derelictorum ab Homero libri XIV". Aldus calls him Quintus Calabrus, because the only known manuscript of his poem was discovered at Otranto in Calabria by Cardinal Bessarion, in 1450. His familiar name was first given him by his editor Lorenz Rhodomann, in 1577, who included a Latin translation by Michael Neander. There has been a renewed interest in the poet and his poem in the twentieth century, with A. Way's translation (Loeb Classical Library vol. 19, 1913); a new edition of  the text with partial commentary and French translation done by Francis Vian (3 vols. published by Budé, 1963, 1966, 1969); Frederick Combellack's English translation; Alan James and Kevin Lee's detailed commentary on book 5; and Alan James's English translation, with newly edited text and commentary.