Terraced houses in Australia
Terraced houses in Australia refers almost exclusively to Victorian and Edwardian era terraced houses or replicas almost always found in the older, inner city areas of the major cities, mainly Sydney and Melbourne. Terraced housing was introduced to Australia in the 19th century. Their architectural work was based on those in London and Paris, which had the style a century earlier. Large numbers of terraced houses were built in the inner suburbs of large Australian cities, particularly Sydney and Melbourne, mainly between the 1850s and the 1890s. The beginning of this period coincided with a population  boom caused by the Victorian and New South Wales Gold Rushes of the 1850s and finished with an economic depression in the early 1890s. Detached housing became the popular style of housing in Australia following Federation in 1901. With artificial urban boundaries, new townhouse type developments—often nostalgically evoking old style terraces in a modern style—returned to the favour of local planning offices in many suburban areas. The modern suburban versions of this style of housing are referred to as "town houses". Terraced houses in Australian cities are highly sought after, and due to their proximity to the CBD  of the major cities they are often expensive, much like terraces in New York City. History and description. Terraced housing in Australia ranged from expensive middle-class houses of three, four and five storeys down to single-storey cottages in working-class suburbs. The most common building material used was brick, often covered with stucco. Many terraces were built in the "Filigree" style, distinguished through heavy use of cast iron ornament, on balconies and verandahs, sometimes depicting native Australian flora. As many terraces were built speculatively, there are examples of "freestanding" and "semi-detached" terraces which were either intended to  have adjoining terraces added. In the first half of the twentieth-century, terraced houses in Australia fell into disfavour and many became considered slums. In the 1950s, urban renewal programs were often aimed at eradicating them entirely, not infrequently in favour of high-rise development. In recent decades, there has been a very strong revival of interest in terraced houses in inner-city areas, with many examples having been gentrified. Origins. While the practice of building attached houses that share a common wall is not a new one – and can be seen in Pompeii and in walled Medieval cities in  Europe – the combining of these separate dwellings into a single, unified row of houses is a modern concept. Early examples include Gothic ecclesiastical accommodation, such as Vicars' Close, Wells, and early European instances of town planning, such as the Place des Vosges, Paris. The canal houses of 16th-17th century Dutch and Belgian cities were often built uniformly to the property line. As with Australian terraces, frontages were narrow, allowing as many houses as possible to cram along the banks of the canal. When the first owner of the house had more houses built by the same carpenter or contractor and  using the same or mirrored design these were called twin or triplet houses. In the aftermath of the Great Fire of London"," streets of houses with identical fronts were built as a result of the Rebuilding Act 1666 that was passed that to regulate the reconstruction. The Act specified the types of houses that could be built, and this had the effect of standardising much of the new housing stock. For instance, houses of the Third Sort were specified as being three storeys plus cellars and garret, with the height of the first floor being 10 ft, the second floor  being 8 ft and a half, and so on. In the Georgian Era, the concept of a single, unified row began to take form, where rows of houses started being treated as if they were one long palace frontage by giving the houses columned fronts under a shared pediment, as can be seen London's "Grosvenor Square" (1727) and in Bath's "Queen Square" (1729). The "Adelphi", a block of 24 unified neoclassical terrace houses built between 1768-74 by the Adam Brothers, was the first to have the term 'terras' applied to it. The building was influenced heavily by  Robert Adam's visit in 1755 to Diocletian's Palace in Split, Croatia (previously Dalmatia). Similar to the Palace, the houses of "Adelphi terrace" are grouped in one long continuous frontage. The houses shared common walls and identical brick facades decorated with stucco pilasters. Notable terraces from this era include "The Circus", Bath (1754-1768), "Royal Crescent", Bath (1767 and 1774), "Cavendish Crescent", Bath (1817–23), "Chester Terrace", London (1825), "Brunswick Terrace", Brighton, (1828), and "Carlton House Terrace", London (1827-1832). The terrace became the prevalent form of housing in Georgian-era England, where most of the urban population lived in  row, or terrace houses. It was natural therefore, that the inhabitants of the fledgling Australian cities of Sydney and Hobart should look to imitate their homeland. The first recorded terrace in Australia is believed to be "Underwood's Tenements", according to Brian Turner. Built before 1826 by James Underwood in George Street, Sydney, it consisted of a terrace of shops with residences above. One of the earliest surviving examples of Australian terraced housing is "Horbury Terrace" (built circa 1836), which was "'the private residence of many respectable families"'. Of the original seven houses only two are still standing today, at  171 and 173 Macquarie Street. Like other Sydney and Hobart terraces of this era, Horbury Terrace mirrored the prevailing Regency architecture style popular in London at the time. It had a chaste, simple Georgian facade with symmetrically placed eight-pane windows. Most notably, imported from Regency London are the small, uncovered balconettes decorated with airy, Regency-style cast iron railings. The balconettes are believed to have been partly decorative and partly functional, providing a safe platform for cleaning windows. In 1841, "Lyons Terrace" was built overlooking Hyde Park for Samuel Lyons, a successful auctioneer and former convict. Three years before  its completion, the Building Act 1837 had been passed by the Legislative Assembly of New South Wales. Some of its most prominent measures dealt with fire control, and it required Lyons Terrace to have its party walls raised 1 foot and 6 inches above the roof-line. In a significant departure from the unroofed balconettes of the time, the houses of Lyons Terrace featured repeated, covered balconies with cast iron balustrades on the first two floors. Lyons Terrace obviously had an effect on the young city. It was repeatedly painted and photographed by locals and visitors alike, and curiously, time  and time again it is marked in maps of the city, as if considered a landmark. Out of all the terraces built in Regency-era Sydney, it is Lyons Terrace that Brian Turner considers to be ""the prototype for the thousands of Sydney terrace houses that followed."" New South Wales. Sydney. The city of Sydney is the oldest city in the country possesses the country's oldest European buildings and houses, and showcases many of the styles and trends of Australian architecture. Early Europeans were housed in primitive dwellings of necessity, such as tents, and mud and wood slab cottages . Few examples survive, but a notable one is "Elizabeth Farm Cottage", Parramatta (1793). Resources were scare in the fledgling colony and houses of brick and masonry were rare, so it was not until the 1820s that "Underwoods Tenements" – believed to be the first terrace – was built. Both "Underwoods Tenements" and the still-standing "Coles Buildings", Millers Point () followed a subdued version of the Old Colonial Georgian vernacular, with windows arranged symmetrically and simple bald-faced facades lacking ornamentation. "Susannah Place", The Rocks (1844) also has a chaste, simple facade. A former grocery store and residential terrace which housed domestic occupants  until 1990, it is now a museum of working class history. "Jobbins Buildings", The Rocks () with its subtle breakfront and diminished central pediment aspires to a more tasteful Regency style, but its facade was still absent of the filigree verandahs that characterised later Victorian terraces. As the Regency style was embraced in the 1830s, the facades of terraces such as "Horbury Terrace", Macquarie Street () were adorned with unroofed balconies decorated with airy, Regency-style ironwork imported from England. Another surviving example from the Regency period is 39–41 Lower Fort Street, Millers Point (), designed by John Verge. The passage of the  Building Act 1837 enforced the raising of party walls above the roof-line, leading to projecting party walls (both above the roof and on the street-facade separating each dwelling) becoming one of the defining characteristics of Sydney-style terrace houses. One of the first terraces to be built under these new laws, the three-storey "Lyons Terrace", Hyde Park (1840–41), was the first to feature a double storey verandah along its facade, decorated with cast iron railings. Lyons Terrace, with its double storey filigree screen, is considered to have ushered in the Victorian Filigree style, in which most of  the terraces of Sydney, and the rest of Australia, were built. Terraces built in the Victorian Filigree style featured prominent verandahs decorated with intricately textured filigree screens made of timber and cast iron. Wrought iron was rarely used. These lacy filigree screens were at first simple; on "Lyons Terrace" only the balustrade was made from lacy cast iron, but the style eventually developed to include brackets, friezes, fringes, and sometimes even double-friezes. "Elysium & Gadgecombe" (), a terrace pair in Leichhardt, features cast iron lacework from at least two separate foundries, including Corinthian verandah columns, lyrebird-inspired baluster panels, fan-motif  brackets, and a double-frieze (one frieze incorporating a lily pattern and the other a grapevine pattern). Sydney-style filigree ironwork is more adventurous and haphazzard than the formal Melbourne-style, often showing the layers of development a buildings has experienced. Sometimes, the filigree verandah is tacked onto the facade of a building from an earlier period, such as when the single-storey verandah on "Linsley Terrace", The Rocks (1830) was torn down around 1873 and replaced with a double-storey verandah. In some cases, ironwork from multiple eras co-exist on one house. "Katoomba House", Millers Point () was a  two-storey terrace when originally built, with a cast iron balcony railing featuring a pattern of overlapping circles. A third storey was added in , with a different, clashing pattern on the third-level balcony. A defining feature of the Melbourne-style is its use of complete sets of matching ironwork, with baluster panels, brackets and friezes often using the same motifs in their design. As the Melbourne-style gained popularity across Australia in the 1880s, matching sets became common in Sydney, as can be seen at "Hillview", Summer Hill (), a Federation Filigree terrace with a complete set of balustrade, brackets , frieze, and frieze-fringe panels all based on a shield design. Despite this ascendancy, differing patterns were still common; for instance "John Terrace", Alexandria (1894) shares the same shield-design balustrade as "Hillview", but its frieze and brackets are of a different pattern. The most prominent distinguishment of the Sydney style of cast ironwork is the flat, openwork verandah column, also known as openwork pilasters. These flat filigree panels are common in New South Wales, but with the exception of Tasmania, are rare elsewhere. The double storey verandah of "Linsley Terrace" is supported by openwork columns from J. R. Bubb 's Victoria Foundry, who also supplied the openwork columns that adorn the "Doctor's House", Windsor (1836). At least seven Sydney-based foundries produced designs for cast iron openwork columns, many of which have not been seen anywhere else in the world. Foundries producing openwork columns included: Bubb's Victoria Foundry; Brown & Brown; G. Fletcher & Son; Jayfe & Son; Pope, Maher & Son; Taylor & Wearing; and J. Simpson's Foundry. Another notable distinguisher is the use of local Sydney sandstone as a construction material, rather than bricks covered with stucco. Due to Sydney's higher density, most terraces tend to be taller  than those found in other cities. Three-storey terrace rows are common, and it is not unusual to find terrace houses of up to four storeys, while some rare five-storey examples exist such as "Hortonbridge Terrace", Potts Point (). During the 1840s-1880s, the basic silhouette (three-storeys with a two-storey verandah) of the influential "Lyons Terrace" was copied repeatedly by terraces such as "Carlton Terrace", Wynyard (); "Carlingford Terrace", Surry Hills (); "Young Street Terraces", Sydney (1875); "Lawrenny Terrace", Surry Hills (); "Hughenden Terrace", Petersham (1884). Sometimes, all three levels were adorned with filigree screens, such as at "Katoomba House", Millers Point  (c.1885). The four-storey "Milton Terrace", Millers Point (1880-1882) features three levels above ground, and a basement level below. Perhaps one of the finest terrace rows in Sydney is the four-storeyed "Brent Terrace", Elizabeth Bay (c.1897). Praised for its ""florid ornateness"," this magnificent row of eight features three levels of matching of cast iron lace from the foundry of Dash & Wise. The space-saving attitude that lead to Sydney's taller terraces also encouraged other innovations, one of the most distinguishable being the cantilevered balcony, which allowed inner city terraces and corner shops to utilise the space above  the public footpath. Sydney terraces were often built right up to the property line, and it is common to see cantilevered balconies jutting out over the pavement, such as on the now demolished "Catherine Terrace", Darlinghurst (), and on the still standing "Westgate Terrace", Bondi Junction (1893). Often, cantilevered balconies were added to earlier buildings, showing the layered development of a booming city. By the 1870s, five of the seven houses that made up "Hobury Terrace" () had their unroofed balconettes replaced with wide, roofed cantilevered balconies. Frequently, semi-sunken basements receive sunlight through a light-well that separates the house from  the street, as in common in London. Both "Milton Terrace" and "Jessy Terrace", Newtown () have sunken light-wells bridged by walkways, edged with cast iron railings to ensure the occupants do not fall in. These complex filigree arrangements are decorative as well as practical. Another feature of the Sydney style is the 'concertina terrace' where terraces are staggered horizontally to conform to the curve of an unplanned Sydney street. Terraces can also be staggered vertically up a hill due to the undulating topography of the Sydney region. Cascade Street, Paddington features notable examples of these types of staggered terraces. Also  common in New South Wales in comparison to other states is that terraces often lack a parapet and feature high-pitched roof with dormer windows and attics to make use of the roof space. In contrast to the British practice of the day, under which dozens or even hundreds of houses were constructed by a developer as a single housing estate, Sydney practice was normally to build a short run of houses. "Grosvenor Terrace", Waterloo (1881-1888) one of Sydney's longest intact rows, has 28 houses, while Lawson Street and Caroline Street in Redfern originally had rows of up  to 39 houses when built, however examples like this are uncommon. It was common for the landlord or the builder of a terrace to live in the row once complete. In the suburb of Newtown in 1888, roughly 203 property owners lived in the same terrace or in the same street as their tenants. "Ulster Terrace", Newtown (1877) was one such row; it was built by Peter Francis Hart in 1877, who retained ownership and resided with his family at the southern end of the row until about 1891. Notably, Sydney terraces were more likely to have pitched roofs that  are visible from the street, with projecting party walls creating rhythmic streetscapes, as can be seen on "Eagleton Terrace", Millers Point (1876–77). However, as Australia enjoyed a period of economic prosperity during the 1870s-80s, the Melbourne-style terrace house gained popularity across the rest of Australia. These 'Boom Style' terraces were built in a highly embellished Italianate style often employing eclectic elements as diverse as Gothic gables and Romanesque arches. Matching sets of cast iron lace and Melbourne-style parapets became popular, as can be seen on the terraces surrounding Hollis Park, Newtown, and on "Winsbury Terrace", Millers Point () "Avonmore  Terrace", Randwick (1888–91); and "Corana & Hygeia", Randwick (1893–94). Regional New South Wales. Outside of Sydney, Newcastle has an extensive collection of terrace houses, mostly in the Newcastle CBD, Newcastle East, The Hill, and Cooks Hill. Streets containing numerous examples of terrace housing include Wolfe Street, Tyrell Street, The Terrace, Bull Street, Watt Street, and Church Street upon which "Buchanans Terrace" () is situated. Newcastle has a large collection of Federation-era terrace houses, including a significant number of which are three-storeys with a basement level and light-well. Cantilevered balconies are common in Newcastle, and notable examples with cantilevered balconies  include "Pembridge Terrace" (1900) and "Belmont Terrace" (1903). Campbell Street in Wollongong features the city's only heritage terraced houses. In the 18th century, little distinction was made between country and city housing, and thus it was the norm at the time for rows of attached houses to be built in both country towns and metropolitan areas. Cottages in the English understanding were just as often attached as they were freestanding. The gold-mining town of Bathurst has numerous examples, including "Cambria Terrace" (built prior to 1882); "Centennial Terrace" (1888); "Gladstone Terrace" (1888); and an extremely rare group of 1850s  attached cottages on Howick Street, notable in the Bathurst area for their age. Goulburn has many terraces, including a rare three-storey group on Sloane Street. There are examples of terrace housing on Darling Street in Dubbo, and in Bowral; Lithgow; Maitland; Tenterfield; Wagga Wagga; and as far west as Wilcannia. Victoria. Melbourne. Melbourne's flat terrain has produced regular terraced house patterns. The wealth of the gold rush fuelled speculative housing development and also ensured that many terraces were built with ornate and elaborate details in a generally Italianate style, reaching its zenith in the 1880s with what is  often referred to as "boom" style. The generic Melbourne style of terrace is distinguishable from other regional variations. The majority of designers of Victorian terraces in Melbourne made a deliberate effort to hide roof elements with the use of a decorative parapet, often combined with the use balustrades above a subtle but clearly defined eave cornice and a frieze, which was either plain or decorated with a row of brackets (and sometimes additional patterned bas-relief). Chimneys were often tall, visible above the parapet and elaborately Italianate in style. Individual terraces were designed to be appreciated on their own as  much as part of a row. Symmetry was achieved through a central classical inspired pediment or similar architectural feature, balanced by a pair of architectural finial or urns on either side (though these details were subsequently removed on many terraces). The party walls were almost always decorated with corbels (which sometimes depicted heads), and the large wooden entry doors were decorated with stained or etched glass surrounds. Many Melbourne terraces also featured a unique style of polychrome brickwork, influenced heavily by the early work of local architect Joseph Reed and often highly detailed (though in many terraces this distinctive feature  has been later painted or rendered over, although some have since been sandblasted or stripped back). The Melbourne style incorporated decorative cast iron balconies (of the "filigree" style). The demand for imported cast iron eventually led to the establishment of local foundries. As a result, Melbourne has more decorative cast iron than any other city in the world. Melbourne style terraces were often set back from the street rather than built to the property line, providing a small front yard. Decorative cast-iron fencing, regularly dispersed with rendered brick piers, was typically used, and the party wall of the end  terraces would sometimes, but not always, extend to the property line to join the fence. History of terraced housing in Melbourne. The earliest surviving terraced house in Melbourne is "Glass Terrace", 72–74 Gertrude Street, Fitzroy (1853–54). "Royal Terrace" at 50–68 Nicholson Street Fitzroy, completed three years later is only slightly younger and is the oldest surviving complete row. Multi-storey terraced housing became prevalent in the Melbourne suburbs of Middle Park, Albert Park, East Melbourne, South Melbourne, Carlton, Collingwood, St Kilda, Balaclava, Richmond, South Yarra, Cremorne, North Melbourne, Fitzroy, Port Melbourne, West Melbourne, Footscray, Hawthorn, Abbotsford, Burnley, Brunswick, Parkville, Flemington , Kensington and Elsternwick. Free-standing terraces and single-storey terraces can be found elsewhere within 10 kilometres of the Melbourne city centre. Terraced housing fell out of favour with Melbourne councils and after the First World War some actually sought to ban them completely. The increase of slums in areas of terraced housing saw the Royal Victorian Institute of Architects in 1910 identify the problem as being caused by small inner city allotment sizes. The "Housing and Slum Reclamation Act of 1920" shifted the responsibility for slum reclamation to local councils. The consequence was a shift toward larger block sizes  and, inevitably, urban sprawl. During the 1920s, many terraced houses in Victoria were converted into flats. Although Melbourne retains a large number of heritage registered terraces, many rows were substantially affected by widescale slum reclamation programs in favour of the Housing Commission of Victoria's high-rise public housing plans during the 1950s and 60s. Later private development of walk-up flats and in-fill development has further reduced the number of complete rows. However the 1960s saw a new trend of restoration as part of the gentrification of Melbourne's inner suburbs. As a result, streets and suburbs which  contain large intact rows of terraced housing are now fairly rare. Suburbs such as Albert Park, Fitzroy, Carlton, Parkville and East Melbourne are now subject to strict heritage overlays to preserve what is left of these streetscapes. Some of the more notable examples of terraced housing in Melbourne include the heritage registered "Tasma Terrace", "Canterbury", "Clarendon Terrace", "Burlington Terrace", "Cypress Terrace", "Dorset Terrace", "Nepean Terrace" and "Annerly Terrace" (East Melbourne), "Blanche Terrace", "Cobden Terrace", "Holyrood Terrace" (Fitzroy), "Rochester Terrace" and the St Vincent Gardens precinct (Albert Park), "Royal Terrace", "Holcombe Terrace", "Denver Terrace", "Dalmeny House" & "Cramond House", and "Benvenuta" (Carlton ), "Marion Terrace" (St Kilda) and "Finn Barr" (South Melbourne). Regional Victoria. Outside of Melbourne, the larger cities of Ballarat, Bendigo and Geelong are home to a range of examples, from modest rows to impressive ones, though generally only in short runs. The smaller seaside resort town of Queenscliff has a number of late 19th century examples. The towns of Portland and Port Fairy, established early in Victoria's development, have a handful of plain, mainly single-storey, verandah-less early Victorian examples. Other early country towns occasionally have a single example of the same type. Local Ironwork of Ballarat and  Bendigo. There is very little regional variation in the terraces of provincial Victoria, with the Melbourne style dominating in that state. The exception to this is a local style of ironwork that can be found in Ballarat and Bendigo. Gold mining towns host some of the more magnificent examples of ornamental cast iron in regional Victoria, partly because they were prosperous, but also no doubt because they were the towns that had foundries. In the 1880s – the heyday of the decorative cast iron – Bendigo had at least three foundries producing it. In contrast to the round cast iron columns of  the Melbourne style, in Ballarat and Bendigo there is a local style of flat, openwork verandah supports, not unlike those regularly found in Sydney. One of the standard Ballarat designs has a distinctive strawberry pattern, and was found on Wendouree Parade, Ballarat. An openwork pattern produced by the Phoenix Foundry in Bendigo can still be found at "Nyora," Eaglehawk (1884); and on Olliers Road outside Ballarat. Queensland. Brisbane. In Brisbane, Queensland, apart from government buildings, stone and attached buildings were deprecated, and in fact legislated against by the Undue Subdivision of Land Prevention Act 1885. Enacted as a public health  and anti-slum measure, it set a minimum frontage of about 10 metres for each residential block, thus effectively ending the building of terraces, although a few terraces were built as a single rental project, were not subdivided, and managed to bypass the legislation. Only a handful of examples remain, mostly clustered in the Central Business District. Notable examples include; "Harris Terrace", Brisbane (1866–1867), "O'Keefe's Buildings" (1881) & "Illawarra Buildings" (1886–87), both on Petrie Terrace; "The Mansions", Brisbane (1889); and "Cook Terrace", Milton (1889). The houses on Edmonstone Street in West End are also of note. Nostalgic replicas became popular  in Brisbane in the 1980s and 1990s in mock-Victorian style, in an attempt by developers to appeal to wealthy migrants from interstate. As a result, there are some quite convincing replica Sydney and Melbourne-style terraces along Gregory Terrace in Brisbane. Regional Variations. There is a fair amount of regional variation present in Queensland terrace houses, with many of them incorporating elements of the Queenslander. In particular are prominent fretwork verandahs, and the high-pitched or hip roof, covered in corrugated galvanised iron. Illustrative examples include "Goldsmiths Terrace", Spring Hill, (1888–89); "Cross Terrace", Red Hill (1887–1888); and "Watson Terrace , South Brisbane (c.1887), a row of four timber houses under one large hipped roof. The rear of the row displays strong connections to the Queenslander style. Due to the subtropical climate, the verandah is a prominent feature of Queensland terraces, and is often deeper than those in the southern states, in order to provide shade, privacy, and coolness. South Australia. Adelaide. The city of Adelaide was founded on unceded Kaurna land in 1836 based on plans laid out by Colonel William Light. It is the only colony to have never received British convicts, and much of its early population increases 	Terraced houses in Australia
21754857	came from migration, both through the government assisted passage scheme and through free migrants that paid their own fare. In the Victorian era, as terrace houses became a popular housing choice, South Australia's population had a distinct composition: it was a migrant society, with over two-thirds of the population born overseas, and a diverse one at that; for instance, almost 10 per cent of the colony were born in Germany. This composition goes some way to explaining the democratic advances made in the colony. In 1856, South Australia extended the vote to white male residents aged twenty-one 	Terraced houses in Australia
21754858	years and over (First Nations Australians were not included), and became only the fourth place in the world to extend the vote to women in 1894. South Australian architecture from the Victorian period never quite lost the Georgian ideals of symmetry, orderliness, and proportion. Dolphin Terrace", Adelaide (1884), a row of three houses on Archer Street show a remarkable deal of proportion and balance. The components, including the paired, keystoned windows and the projecting eaves are Italianate in fashion, but are arranged without the colossal asymmetry usually present in Italianate buildings. The 'Boom Style' exuberance of Victorian era Sydney and  Melbourne, with their long rows of heavily ornamented terraces, was not echoed in South Australia. Terrace rows were generally shorter, and the divisions between the separate houses are not as clear, and party walls are rarely apparent on the facade. On Norwood Parade, a row of three houses blends seamlessly into each other, and upon first glance appear to resemble a large single house, not unlike Georgian terraces such as "Cumberland Terrace", Regents Park (1826). The cast iron brackets on these three houses have been seen in the catalogue of Walter Macfarlane's Saracen Foundry in Glasgow, and were perhaps  imported. An unusual example of the Melbourne-style is "Albert Terrace", Adelaide (c.1880) which is one of the few South Australian terrace rows to feature a Melbourne-style parapet with name and date inscribed in stucco. Adelaide-style ironwork is used with a lighter, more discreet touch than those found in other Australian cities. Unroofed, cantilever balconies are common, as are single-storey verandahs decorated with brackets and fringes, such as those on "Dolphin Terrace". Verandah supports columns are often made out of wood, as at "Dolphin Terrace", "Darcy Lever Terrace" (1878), and "Böhm Terrace" (1882). A defining feature of  Adelaide architecture is the stepped-back balcony. This is achieved by recessing the balcony so that it sits back from the verandah. The "Botanic Chambers", Adelaide (1877) is a row of seven Italianate houses that has the distinction of being of the few terrace rows in Australia built in conjunction with a pub, the "Botanic Hotel" (1877), both designed by the same architect, Michael McMullen. The Botanic Hotel features three levels of progressively stepped back balconies. One of the finest terrace rows in Australia is the "Marine Terraces", Grange Beach (1884), and are the only three-storey terraces ever built  on Australia's coastline. They are built in the Adelaide-style, with progressively stepped back filigree screened facades. Some of the ironwork was imported from Scotland. Western Australia. West Australian terraces were more likely to be called 'tenements' than 'terraces' and surviving examples are mostly found in the inner-city areas of Perth, and in older suburbs such as Subiaco and Fremantle. This area was inhabited by the Whadjuk people of the Noongar nation for tens of thousands of years, who were forcibly dispossessed in the European genocide and colonisation of the Swan River region that began in 1829. Despite  being established before the eastern cities of Melbourne and Adelaide, the Swan River Colony grew slowly; in its first seventy-five years of existence, it only added just 625 settlers per year. As a consequence of this late development, the city's terraces are largely influenced by styles developed in the Eastern states. An exception to this is the abundance of fretwork made from local jarrah that adorns the verandah columns of houses in Perth, a departure from the cast iron lace commonly used in the rest of Australia at the time. While the rest of Australia experienced a period  of economic depression in the 1890s, the West Australian gold rushes meant that the state boomed during this time, and Perth's population tripled within one decade - by 1901 it had reached 27,553. Relatively few terraces were built before this time, but the boom brought with it a flood of academically qualified architects well-versed in the building styles of the eastern states. Tenements built around this time had opulent Late-Victorian facades decorated with stucco and iron lace. A particularly notable example is a row of eight houses on Catherine Street, Subiaco, built in two stages in 1904 by  Minnie and William Lloyd. Despite being ostensibly built in the era of red-brick Federation architecture, this row had all the hallmarks of a Victorian era terrace, including a high parapet bedecked with urns and a triangular pediment decorated with the emblem of Western Australia – the black swan. It appears likely that much of the cast iron that decorated the facades of West Australian terraces was imported from eastern cities, particularly from Adelaide. The palmette pattern that appears on Minnie Lloyd's 1904 terraces in Catherine Street, Subiaco appears in the 1897 catalogue of the "Sun" Foundry in Adelaide. At  Hillside, Albany (1886), a freestanding two-storey house built in the Victorian Filigree style, the cast iron columns bear the brand of Revel Adams & Co's Vulcan Foundry, Adelaide. Terraces houses can be found in many pockets throughout Perth, including in Ellen Street, Point Street, and Holdsworth Street in Fremantle. Tasmania. Despite the relatively small size of its major cities in comparison with those on mainland Australia, Tasmania, being one of the oldest European settlements, has a number of fine examples of terraced housing, particularly in inner Hobart. Launceston has some good examples as well, mostly in the central business  district and East Launceston, including "Alpha Terrace", which has striking similarities to many of the terraces in Sydney's hilly suburbs. Commercial Usages. Generally, terrace rows were residential in character, however many also served commercial purposes. In Victorian and Federation-era Australia, there was great demand for housing that was close to transport and commercial centres, and rows of shop-residences were often built along main, arterial roads in order to achieve this. These shop-residences, or shop-terraces, were often built in a continuous row with uniform styling and colouring, similar to residential terraces. On shop-terraces the ground -floor was used for commercial purposes such as shop or workshop, while the upper-floor was often used for residential purposes. The shop-residence became so common, it became the dominant form of retail establishment. In Newtown in 1892, 413 shop-residences are recorded, but only 20 buildings served solely as shops with no residential usage. In Sydney it was particularly common for terraces in residential areas to have a corner shop built at the end of a row, often with a cantilever, wrap-around balcony overhanging the pavement. In the Victorian era, one of the most common architectural styles  in which these shop-terraces were built was the Victorian Filigree style, however as this style went out of fashion, the filigree verandahs and balconies were sheared off, depriving the buildings of the visually dominant element that transformed their facades and often leaving behind styleless, unembellished facades. One of the more notable shop-terraces which have retained its filigree verandah is "Goodman's Buildings", Annandale (1893-1912). Designed by architects Sheerin and Hennessy it was built in stages between 1893 and 1912 for Walter Goodman, a local shoe merchant and entrepreneur. The building is home to thirteen separate shops with  residences above including a grand apartment on the first floor occupied by Goodman. The row was subject to restoration works co-ordinated by the NSW Department of Planning in the late 80s which saw the restoration of the verandah and the repainting of the building in the original heritage colours. "Thorby Buildings", Leichhardt (1912) is a largely intact example of a row of Federation Filigree shop-residences, though it has undergone various alterations, including the rendering of facades and the addition of corrugated iron cantilevered awnings. It's facade is decorated with a filigree screen of timber fretwork brackets and  balustrading and, unusual for a Federation-era terrace, the balconies are cantilevered. "Thorby Buildings" retain original usages, with the ground floors still housing commercial premises and the upper floors still housing residential units. Styles. Most terrace houses were built in the Australian Filigree style, which is generally split into two eras: Victorian Filigree and Federation Filigree. Old Colonial Era (1788 – c. 1840). Old Colonial Regency. Earlier European buildings in Australia were built in a primitive Georgian vernacular style using whatever scarce materials were available. As European-Australian's entered a period of more relaxed prosperity, attention could be turned to  aesthetics, and this coincided with the development of Regency architecture in England. Regency architecture emphasised elegance, orderliness, subtlety, and delicacy. Some of the most eminent examples of the style were terrace rows built by leading architects such as John Nash, and it is no surprise that Australians sought to emulate these examples. "Horbury Terrace", Macquarie Street () reproduces many of the components associated with the English Regency style, including a stucco-rendered facade painted in white; a subtle cornice at the parapet; symmetrically placed eight-pane windows; and uncovered, cast-iron balconettes. Of these features, the balconettes are among the most  significant, representing perhaps one of the oldest usages of ornamental cast iron in Australia. The Regency period featured an explosion of the usage of cast iron in England, and it's usage in Australia in the 1830s was a forerunner to the Victorian Filigree style. A pair of townhouses () designed by John Verge display unroofed, cantilevered balconies projecting out from their street-facing facades. Victorian Era (c. 1840 – c. 1890). Victorian Regency. A continuation of the Old Colonial Regency style into the Victorian era (c.1840 – c.1890). The economic prosperity of the 1830s came to a sudden stop when the wool  boom ended in the depression of 1842–43, which effectively halted building activity for many years and left a gap in the architectural record. This depression, coupled with the introduction in New South Wales of the Building Act 1837, mark the end of the Old Colonial period and the beginning of the Victorian period. The Building Act 1837 sought to prevent fire damage by legislating the introduction of raised firewalls, parapets, and close eaves which act as significant markers of Regency-style terraces built in the Victorian era. One of the most notable Victorian Regency terrace rows – "Royal Terrace", Fitzroy (1854 ) – was erected at the height of Melbourne's gold rush. Built from Melbourne bluestone, the three-storeyed terrace displays Regency sensibilities in its parapet; in the orderly spacing of its windows; and in the striped, sweeping verandah roofs that are designed to mimic the sag of canvas awnings - speaking to a romantic Regency sensibility for the exotic and the tropical. A row of three Victorian Regency terraces in Millers Point (built ) are rusticated on the ground floor, with other Regency elements consisting of portico, bracketed lintel mouldings above the doors and windows, and a projecting cornice. Victorian Free Classical. In  the Victorian era, Australia underwent major and rapid changes. The wool boom of the 1840s was followed by the gold rushes of the 1805s-1860s, fueling a major migration boom. In 1852, more ships sailed to Melbourne than to any other port in the world, and Australians became the richest people, with GDP per person overtaking the British and the Dutch. This migrant society enacted major democratic reforms, such as the extension of suffrage, the invention of the secret ballot, and the eight-hour day. Australia's enlightened society sought an architectural language to flaunt its newfound prosperity, and found it  in an exaggerated Classical style that took inspiration from the ""extroverted pomp of imperial Rome and the grandeur of the fully developed European Renaissance"." The Classical style embodied solidity, permanency, reason and rationality. Buildings in the Victorian Academic Classical style were symmetrical in plan and massing, and involved correct application of one of the five architectural orders to determine proportions. Most examples of this style are non-residential. However the restrictions of this style did not suit the ebullient attitudes of the era, and many buildings were built in the Victorian Free Classical style; employing classical elements with little care  shown towards the proper rules of the Academic style. Most terrace rows that feature classical components were built in this Victorian Free Classical style. A fine example of a Victorian Free Classical terrace is "Drummond Terrace" (1890–91), Carlton, designed by Walter Scott Law, whose facade is dominated by a three tiered colonnaded arcade. Often, terraces built in the Victorian Classical style directly alluded to the grand rows of Neoclassical terraces of Georgian era England. "Clarendon Terrace", built in 1857, is a terrace of three houses designed to look like one large neoclassical mansion. The central house features a magnificent portico  of giant order Corinthian columns. One of the most notable examples is St Vincent Gardens development in Albert Park, Victoria. Built in the traditional manner of a London square, grand boom-style terraces houses look out over an extensive public garden. The centrepiece is "Rochester Terrace", built in two stages between 1869-1879 as an investment for the auctioneer W. P. Buckhurst. In the centre of the row, and flanking each end, are three classical style pavilions with Corinthian order columns and classical entablature. The row is reminiscent of the elegant crescents of Regency England, such as "Carlton House Terrace , Westminster (1827-1832), and Cumberland Terrace", Regents Park (1826), both built by John Nash. Victorian Second Empire. The Second Empire style was an architectural style popular in 19th century Europe, and used most notably in during the reign of Emperor Napoleon III in France (1852–1871) to convey a sense of majesty and grandeur towards the Second French Empire. In Australia, the style was used mostly on lavish mansions to convey a sense of aristocracy, such as at "Goodrest", South Yarra (1885); and "Labassa", Caulfield North (1890). It is exceedingly rare on terrace houses, with few known examples. The best known  Second Empire terrace is "Marion Terrace", St Kilda (1883) a row of eight (now six) houses with two prominent three-storey towers, surmounted by curved mansard roofs with cast iron cresting. Another example is "Darwin House", Fitzroy (1886).