Bernhard Mayer
Bernhard Mayer (1866–1946) was a German fur trader, anarchist, patron and art collector. Early life. Bernhard Mayer came from a Jewish family from the Hunsrück region. His father ran a grocery store, his mother was a housewife. At the age of eleven, he left his parents to attend school in Bad Kreuznach. He broke off his education and worked first in Simmern, then Saarbrücken, Saargemünd and finally in 1885 in Aachen. Fur trade. He moved to Brussels in 1892. He began an apprenticeship as a furrier in 1895 and after initial difficulties his fur business flourished and he  opened branches in Paris, Berlin, Zurich and Amsterdam, run by members of the family. The poet Else Lasker-Schüler jokingly called him Mink Bernardo. In 1897 he married Auguste Lipper (1875-1958) and with her had son Ernst (1901) and daughter Lilly (1903). In Brussels in 1903 he had bought two pictures from an outsider, James Ensor, as support; Guste and he thus laid the foundation for an unsystematically built up collection of pictures. Mayer supported socialism and anarchism. His connections with anarchists brought him to Ascona in 1909, where he built a home. At the beginning of World War  I, Mayer, as a German, had to leave Belgium; he went to Berlin and in 1916 to Zurich, then to Ascona. Art collector. The Munich art historian Franz Stadler encouraged him to buy pictures by French Impressionists, but only first-class works. In 1926, Mr. and Mrs. Mayer had the Teatro San Materno built for the dancer Charlotte Bara in Ascona. Mayer was also otherwise active as a patron and collector of art, acquiring paintings by Cézanne, van Gogh, Renoir, Matisse and Picasso, among others, primarily in the 1920s. In a hotel built especially for this purpose in Ascona, he  hosted numerous writers and artists, especially emigrants, such as Holitscher, Ehrenstein, the Fritsch couple, Else Lasker-Schüler and many others. Famous first works, such as those of Ignazio Silone, were published only thanks to his financial guarantee. Where it was possible, he did it anonymously. Nazi persecution and emigration. In 1941, he fled from the National Socialists to the USA; he had already taken some of his pictures to safety there in 1936, while others were lost. In New York City in 1944, with Guste's help, he wrote his memoirs, which he dedicated to his four grandchildren. After the  end of the war he returned with the paintings to his house in Ascona. Guste Mayer died there in 1958. Part of his art collection found its place as "inspiration, incentive and catalyst." in the Merzbacher Collection of his granddaughter Gabrielle Merzbacher-Mayer and her husband Werner Merzbacher.