Jessy Lanza
Jessy Lanza is a Canadian electronic songwriter, producer, and vocalist from Hamilton, Ontario, Canada. She has released three albums, "Pull My Hair Back" (2013), "Oh No" (2016) and "All the Time" (2020), to critical praise on UK label Hyperdub. Life and career. Lanza grew up playing piano and clarinet before going to Concordia University to study jazz. Before starting her career as a singer and music producer, she worked as a music teacher. Lanza was listed as one of the best new artists of 2013 by XLR8R. In a review of her debut album, "Pull My Hair Back , she was described by The Guardian" as "the latest and possibly greatest of the new ethereal soul girls" and ranked No. 4 on "Resident Advisor"'s Top 20 Albums of 2013. "Pull My Hair Back" was co-written and co-produced with Jeremy Greenspan of Junior Boys and released on the UK's Hyperdub record label. The album "Pull My Hair Back" was a shortlisted nominee for the 2014 Polaris Music Prize. In 2014, Lanza collaborated with Caribou on his album "Our Love". In 2015, she recorded vocals for The Galleria EP "Calling Card / Mezzanine". The duo released a single  in 2019 titled "Stop & Go". Her second album "Oh No" was released in 2016, and was shortlisted again for the 2016 Polaris Music Prize. Her third album "All the Time" was released in July 2020. Influences. Lanza possesses a soprano vocal range, similar to Elizabeth Fraser and Aaliyah. As a child, Lanza listened to Janet Jackson and Paula Abdul. The singer said that having a background in studying jazz helped her to have "the ability to hear and lift chord progressions", which led her to an understanding of R&B music that permeates her recent work. Laced with funk, soul, R&B , and haunting high-register vocals, Lanza cites Missy Elliott and Timbaland as early influences on her songwriting. The singer has also cited such artists as Evelyn "Champagne" King and Melba Moore. She also cited Japanese synthpop artists of the 1970s and 1980s, such as Yellow Magic Orchestra members Haruomi Hosono, Ryuichi Sakamoto, and Yukihiro Takahashi, as key influences. She has a postmodern approach to writing music, comparing her songs to a mashup of all the pop songs over the last 40 years that she likes.