SKAM Austin
SKAM Austin is an American teen drama streaming television series, based on the Norwegian television series "Skam" created by Julie Andem. It premiered with its first full episode on April 27, 2018 on Facebook Watch. Employing the same distribution method and overall storylines as the original Norwegian production, "SKAM Austin" is shown in real-time through short clips on a daily basis on Facebook Watch, supplemented with screenshots of messages between the characters and compiled clips into full episodes on weekends. Real social media accounts created for the fictional characters allow viewers greater insight into the show beyond  its clips. The first of these short clips was released on April 24, 2018. On July 25, 2018, it was announced that Facebook had renewed the series for a second season. The second season premiered on March 15, 2019. Premise. SKAM Austin focuses on the lives of a group of students attending Bouldin High School in Austin, Texas. The first season focuses on Megan Flores, who is forced to deal with the consequences of her relationship with Marlon, as well as the loss of her best friend, Abby, the captain of Bouldin High's dance team, the Kittens. The second  season focuses on Grace Olsen, who struggles with her feelings for Daniel Williamson, Bouldin High's popular football captain, causing her to question her own beliefs as a feminist and putting her friendships in peril. Production. Background. In the third quarter of 2016, the Norwegian teen drama series "Skam" gained significant momentum and an active fan base outside its Norwegian borders. The series became particularly notable for its unique distribution model of individual short clips uploaded daily to the broadcast network's website in real-time as events unfolded in the show's narrative, with the clips shown during a  week combined into one episode. On the website, the clips were supplemented with screenshots of text messages between the characters, while real social media accounts were created for the fictional characters to interact with each other. Through its four-season, 43-episode run, "Skam" explored themes including loneliness, identity, eating disorders, sexual assault, homosexuality, mental health, religion and forbidden love. Development. In December 2016, Simon Fuller's production company XIX Entertainment signed a deal with NRK, the Norwegian Broadcasting Corporation, to produce an English-speaking adaptation of the Norwegian series. Fuller told "The Guardian" that ""Skam" is an important show . [...] There is precious little content created primarily for a teen audience and "Skam" provides this with great honesty and integrity. The show packs a punch and is leading the way in exploring multiplatform storytelling." "The New York Times" wrote that the American version will introduce new characters and actors, but retain the original storytelling format, with consultation from NRK. Fuller told the "Times" that "We are exploring all content outlets. [...] "Shame" works across all platforms and that is what gives it a point of difference. We are looking to innovate and push the boundaries of how modern content is viewed  and experienced". Swedish news publication "Svenska Dagbladet" reported that principal photography would take place between the third and fourth quarters of 2017, with location scouting in progress to find an American city "most American youths can relate to", and with an expected premiere in late 2018. In October 2017, during the MIPCOM annual trade show, it was announced that Facebook had acquired the rights to air then-titled "Shame" on its "Facebook Watch" original video platform. Facebook's head of creative global strategy Ricky Van Veen said that "When I first heard about "Skam", it felt like I was seeing  the future of storytelling. We're incredibly enthusiastic about bringing it to global audiences on Facebook Watch". At the time of the MIPCOM announcement, it was incorrectly reported that Julie Andem, the creator, writer and director of the original "Skam" series, would also produce the U.S. version, a message later retracted in Norwegian media, with a clarification of a misunderstanding due to a "busy morning" and that such a job "has been and is a dialogue between Julie Andem, Facebook and XIX Entertainment". In November 2017, Andem announced on her Instagram account that she would take the part as showrunner  and director of "Shame", writing that she "didn't want to give it to somebody else" despite the obstacles of a foreign country with different cultures than the original series. On July 25, 2018, it was announced during the annual Television Critics Association's summer press tour that Facebook had renewed the series for a second season. Casting. In November 2017, Andem's Instagram featured a poster for a casting call for teenagers in Austin, Texas, with casting bureau Vicky Boone confirming to Norwegian media publication "Aftenposten" that filming of the series would take place in the city of Austin . Release. On April 19, 2018, the first short clips of the series were released, announcing April 24 as the official start of the series' daily releases. Social media accounts for some of the fictional characters had started posting content earlier, sometimes as far back as April 2017. Reception. In a positive review, "Den of Geek"s Kayti Burt gave the first episode a rating of 3.5 out of 5 and described the series as a "a little bit like "SKAM" (the Norwegian teen drama upon which it's based), a little bit like "Friday Night Lights", and a little bit like  its own, wonderful thing." In another favorable critique, "Common Sense Media"s Joyce Slaton gave the series a rating of four out of five stars and compared it positively against other teen dramas saying, "It moves a bit slowly, true. But so does real life -- and though SKAM Austin is no vérité documentary, it reads a lot more authentic than "Riverdale" or "13 Reasons Why"." Solfrid Skaret of Norwegian news publication "TV 2" opined that "SKAM Austin" was a "flop". She cited viewership figures, showing an initial premiere-episode audience of 11.9 million viewers, with substantial drops in subsequent episodes, down  to approximately 771.800 viewers for the fifth episode, although acknowledging an uptick in ratings for the sixth episode. Commenting on the developments, John Magnus Dahl, a "Skam" researcher at the University of Bergen, told TV 2 that it was an "incredibly sad development". He further stated that "SKAM Austin" is "a good series that has reached a lot of people, but the problem is that they haven't been able to keep people's attention", and reasoned that the lack of interest may be caused by the story. "That the story is identical to the Norwegian success is probably disappointing  to some people. There are no surprise moments." Christopher Pahle of Norwegian press publication "Dagbladet" objected to Skaret's article and specifically its negative outlook of the show's performance. Pahle explained that, while the viewership numbers were objective and factual, "SKAM Austin" could not accurately be compared to the rest of the television industry due to its distribution on Facebook's new video platform, where "Austin"s audience numbers might be within expectations and the initial premiere rating could be heavily inflated due to a high volume of one-time viewers tempted to test the new service rather than dedicated  viewers. The reporter also wrote that the original Norwegian production's success had also become its own worst enemy, elaborating that "Skam" itself did not have high ratings in its first season, was released stealthily to avoid older generations, and that the high expectations set forth by the Norwegian series' popularity meant news media might unfairly consider anything short of a total success a failure. "Slate"s Inkoo Kang described the series' heavy use of Facebook services as a questionable action, dubbing the series "both innovative teen drama" and an "advertisement for Facebook". The report noted that while "Skam" also employed  social media actively in its plot, "Austin"s characters have constant presence and common interactions through Facebook, Facebook Messenger, and Instagram, all owned by Facebook, while competing social networks Snapchat and YouTube are only mentioned, never shown. The article also noted that Snapchat, Facebook's "rival for the hearts and thumbs of America’s youth", was used as the platform of choice for a storyline involving the potential dissemination of a graphic image of blood on sheets, and that the distinctive sounds of instant messages through Facebook's Messenger service served as an "unofficial soundtrack". The article described the show's  situation as "vaguely alarming", a "glamorization" of Facebook, as a contribution to the "normalization of the company’s grip on high-schoolers’ social lives", and that "content has seldom felt so indistinguishable from marketing".