Ladies' Home Journal
Ladies' Home Journal was an American magazine published by the Meredith Corporation. It was first published on February 16, 1883, and eventually became one of the leading women's magazines of the 20th century in the United States. From 1891 it was published in Philadelphia by the Curtis Publishing Company. In 1903, it was the first American magazine to reach one million subscribers. In the late 20th century, changing tastes and competition from television caused it to lose circulation. Sales of the magazine ensued as the publishing company struggled. On April 24, 2014, Meredith announced it would  stop publishing the magazine as a monthly with the July issue, stating it was "transitioning "Ladies' Home Journal" to a special interest publication". It was then available quarterly on newsstands only, though its website remained in operation. The last issue was published in 2016. "Ladies' Home Journal" was one of the Seven Sisters, as a group of women's service magazines were known. The name was derived from the Greek myth of the "seven sisters", also known as the Pleiades. History. "The Ladies' Home Journal" was developed from a popular double-page supplement in the American magazine "Tribune and Farmer  titled Women at Home". "Women at Home" was written by Louisa Knapp Curtis, wife of the magazine's publisher Cyrus H. K. Curtis. After a year it became an independent publication, with Knapp as editor for the first six years. Its original name was "The Ladies Home Journal and Practical Housekeeper", but Knapp dropped the last three words in 1886. It rapidly became the leading American magazine of its type, reaching a subscribed circulation of more than one million copies by 1903, the first American magazine to do so. Edward W. Bok took over the editorship in late 1889, serving  until 1919. Among features he introduced was the popular "Ruth Ashmore advice column" written by Isabel Mallon. At the turn of the 20th century, the magazine published the work of muckrakers and social reformers such as Jane Addams. In 1901 it published two articles highlighting the early architectural designs of Frank Lloyd Wright. Bok introduced business practices at the "Ladies' Home Journal" that contributed to its success: low subscription rates, inclusion of advertising to off-set costs, and reliance on popular content. This operating structure was adopted by men's magazines like "McClure's" and "Munsey's" roughly a decade  after it had become the standard practice of American women's magazines. Scholars argue that women's magazines, like the "Ladies' Home Journal", pioneered these strategies "magazine revolution". During World War II, the "Ladies Home Journal" was a particularly favored venue of the government to place articles intended for homemakers, in an effort to keep up morale and support. The annual subscription price paid for the production of the magazine and its mailing. The profits came from heavy advertising, pitched to families with above-average incomes of $1000 to $3000 dollars in 1900. In the 1910s it carried  about a third of the advertising in all women's magazines. By 1929 it had nearly twice as much advertising as any other publication except for the "Saturday Evening Post," which was also published by the Curtis family. The "Ladies Home Journal" was sold to 2 million subscribers in the mid-1920s, grew a little during the depression years, and surged again during post-World War II prosperity. By 1955, each issue sold 4.6 million copies and there were probably 11 million readers. Recent history. In March 1970, feminists led by Susan Brownmiller held an 11-hour sit-in at the  Ladies' Home Journals office, with some of them sitting on the desk of editor John Mack Carter, smoking his cigars, and asking him to resign and be replaced by a woman editor. Carter declined to resign but he listened to their grievances, and as a result, they were allowed to produce a section of the magazine that August. They wanted the magazine to recognize a wider variety of choices for women's lives, as well as give greater attention to women's issues such as sexual discrimination and abortion. The "Journal", along with its major rivals, "Better Homes and Gardens , Family Circle", "Good Housekeeping", "McCall's", "Redbook" and "Woman's Day", were long known as the "seven sisters", after the prestigious women's colleges in the Northeast. For decades, the "Journal" had the greatest circulation of this group, but it fell behind "McCall's" in 1961. By 1968, its circulation was 6.8 million compared to "McCall's" 8.5 million. Society was changing and this was reflected in persons' magazine choices. That year, Curtis Publishing sold the "Ladies' Home Journal", along with the magazine "The American Home", to Downe Communications for $5.4 million in stock. Between 1969 and 1974 Downe  was acquired by Charter Company. In 1982 it sold the magazine to Family Media Inc., publishers of "Health" magazine, when Charter decided to divest its publishing interests. In 1986, the Meredith Corporation acquired the magazine from Family Media for $96 million. By 1998, the "Journal"'s circulation had dropped to 4.5 million. The magazine debuted an extensive visual and editorial redesign in its March 2012 issue. Photographer Brigitte Lacombe was hired to shoot cover photos, with Kate Winslet appearing on the first revamped issue. The "Journal" announced that portions of its editorial content would be crowdsourced from readers, who  would be fairly compensated for their work. The arrangement was one of the first of its kind among major consumer magazines. Although the magazine remained very popular, it ran into increasing difficulty attracting advertising. Despite its high subscriber base (3.2 million), it was not a leader in the women's service category. These factors prompted the decision to end monthly publication. The magazine was relaunched as a quarterly. At the same time, the headquarters of the magazine moved from New York City to Des Moines, Iowa. Meredith offered its subscribers the chance to transfer their subscriptions to Meredith's sister  publications. In 2016, Meredith partnered with Grand Editorial to produce Ladies' Home Journal. Only one issue was created. Features. Knapp continued as the magazine's editor till Edward William Bok succeeded her as "LHJ" editor in 1889. However, she remained involved with the magazine's management, and she also wrote a column for each issue. In 1892, the "LHJ" became the first magazine to refuse patent medicine advertisements. In 1896, Bok became Louisa Knapp's son-in-law when he married her daughter, Mary Louise Curtis. The most famous cooking teacher of her time, Sarah Tyson Rorer, served as "LHJ 's" first food editor from 1897 to 1911, when she moved to "Good Housekeeping." In 1936, Mary Cookman, wife of "New York Post" editor Joseph Cookman, began working at the "Ladies' Home Journal." In time, she was named its Executive Editor, and she remained with "LHJ" till 1963. She was known throughout most of her career as Mary Bass. Cookman died in 1991. In 1946, the "Journal" adopted the slogan, "Never underestimate the power of a woman," which it continues to use today. The magazine's trademark feature is “Can This Marriage Be Saved?” In this popular column, each person  of a couple in a troubled marriage explains their view of the problem, a marriage counselor explains the solutions offered in counseling, and the outcome is published. It was written for 30 years, starting in 1953, by Dorothy D. MacKaye under the name of Dorothy Cameron Disney. MacKaye co-founded this column with Paul Popenoe, a founding practitioner of marriage counseling in the U.S. The two jointly wrote a book of the same title in 1960. Both the book and the column drew their material from the extensive case files of the American Institute of Family Relations in Los Angeles , California. MacKaye died in 1992 at the age of 88. Subsequent writers for the feature have included Lois Duncan and Margery D. Rosen. The illustrations of William Ladd Taylor were featured between 1895 and 1926; the magazine also sold reproductions of his works in oil and water-color.