Eliza Foster
Eliza Vere Foster (Cheltenham, 25 July 1802 - Bergamo, 4 October 1888) was an English author and literary translator from Italian, Spanish and German. Biography. After studying classic and modern languages, later than 1825 Eliza married as his second wife the coal dealer Jonathan Foster (Hilston in Holderness, Yorkshire, 1782 - Paris, 1859), with whom she had a son who later worked as deputy commissioner of customs in British India until he suddenly died there in 1870. Eliza Foster worked as translator for publisher Bohn, most notably by translating and adding careful and abundant annotations to the first English-language  translation (as "Mrs. Jonathan Foster") of the 5 volumes of Vasari's "Lives of the Most Excellent Painters, Sculptors, and Architects" in 1850–1851. According to professor Patricia Rubin of New York University, "her translation of Vasari brought the "Lives" to a wide English-language readership for the first time. Its very real value in doing so is proven by the fact that it remained in print and in demand through the nineteenth century." She also translated from German (as "E. Foster") Leopold von Ranke’s "History of the Popes" for H. G. Bohn’s Standard Library (3 vols; 1847–48), in  the preface of which she noted how the ‘noble office of the historian’ required ‘unwearied patience in research [and] a pure conscientiousness and profound respect for the sacredness of Truth’. As author, Eliza Foster published two travelogues on Bohemia and Saxony (1857) and on Silesia and Austria (1859) with the pseudonym "An Old Traveller", as well as the novel "The Boatman of the Bosphorus" (1854) under the name "The Osmanli Abderahman Effendi." Together with Anna Maria Hall, Eliza Foster also published a pedagogical volume of "Stories and Studies from the Chronicles and History of England" (1847). With the pseudonym of  An Old Traveller, Eliza Foster also published two articles in "The Art Journal" in 1856 and 1857: ‘Suggestions of Subject to the Student in Art by an Old Traveller’ and ‘Talk of Pictures and the Painters by an Old Traveller’. The journal editor, Samuel Carter Hall (husband of Anna Maria Hall), introduces her as an "accomplished lady" possessing a "very rare" combination of "extensive reading, acquaintance with many languages, the advantage of travelling in several countries, and above all an intimate acquaintance with Art, in the past and in the present". According to Rubin, "Mrs Foster’s contributions to art  writing are both representative and real. Her articles in the "Art Journal" represent the informed taste and moralizing opinions typical of mid-Victorian appreciation of art and of its social importance." After the death of her husband in 1859, Eliza Foster had to rely on her own literary work (and until 1870 on her son) to support herself. She also ensured the education of her two grandsons (whome she taught Latin and Greek) and a granddaughter. As of 1874 she was residing at Casa Finardi, Bergamo Alta. Due to her economic conditions and late-age infirmity, she several times applied  and was granted support by the Royal Literary Fund between 1874 and 1883. She is buried in the evangelical section of the Bergamo cemetery.