Ten Years Gone
"Ten Years Gone" is a song by English rock band Led Zeppelin from their 1975 album "Physical Graffiti". Record producer Rick Rubin has described the song as, "A deep, reflective piece with hypnotic, interweaving riffs. Light and dark, shadow and glare. It sounds like nature coming through the speakers." Recording and production. Jimmy Page had originally intended the song to be an instrumental piece; he recorded around 14 guitar tracks to overdub the harmony section. Robert Plant later added lyrics, which are dedicated to an old girlfriend who, ten years earlier, had made him choose either her  or his music. Plant explained this in an interview in 1975: Live performances. Live versions of this song were performed on Led Zeppelin's 1977 concert tour of the United States. John Paul Jones originally played the melody on an acoustic guitar before introducing a custom triple-necked instrument created by Andy Manson, that included six-string and twelve-string guitars, a mandolin, and bass pedals. Page also performed this song on his tour with the Black Crowes in 1999. In an interview he later gave to National Public Radio, Page commented on this collaboration with the Black Crowes: Reception . In a contemporary review of "Physical Graffiti", Jim Miller of "Rolling Stone" described "Ten Years Gone" as having a progression reminiscent of the Beatles' "Dear Prudence" that "resolves in a beautifully waddling refrain." Miller also believed Plant sounded like Rod Stewart on the track, with Page "scooping broad and fuzzy chords" behind him. In a retrospective review of "Physical Graffiti (Deluxe Edition)", Jon Hadusek of "Consequence of Sound" called "Ten Years Gone" one of Page/Plant's "most sincere compositions". In another retrospective review of "Physical Graffiti (Deluxe Edition)", Brice Ezell of "PopMatters" gave "Ten Years Gone" an extremely positive  review, stating the track was one of "Physical Graffiti"'s highlights along with having some of Page's "most enrapturing guitar work, particularly in the way he layers multiple riffs on top of each other." Ezell continued, calling the song's main riff "lovely and echoey" and "over the course of six and a half minutes [the song] ebbs and flows, trading off sky-gazing moments of reflection with bursts of euphoria."