Paloh (film)
Paloh is a 2003 Malaysian historical film directed by Adman Salleh. This film is produced by Filem Negara Malaysia and the National Film Development Corporation Malaysia (FINAS). This film is rated 18PL for strong brutal violence and terror throughout, sexual assaults, gruesome images and pervasive strong language. Plot. Set in the small town of Paloh, Johor, during the final days of the Japanese occupation in 1944, the movie is about the confrontation between the Japanese occupying force and the Communist Party of Malaya. To survive, four friends - Ahmad, Osman, Puteh and Harun choose to serve the Japanese Police  Force. Amidst a sea of uncertainties, Ahmad falls in love with Siew Lan and Puteh falls in love with Fatimah - both girls from different worlds, different cultures, even opposing sides. And Osman - a friend of theirs and a spy for the Japanese Police - chooses to serve his own agenda. Swee Lan's father is a local leader of the Bintang Tiga sympathizers and has asked Swee Lan to establish a love relationship with Ahmad so as to gather intelligence of the Japanese movements. However, Swee Lan really falls in love with Ahmad and thus begins a deep struggle within her . She has to either obey her father or betray her lover. Ahmad, on the other hand, sees the high handedness of the Japanese and he does not want to be a part of the Japanese scheme any more. The tension of the crisis at its peak when local commie invaded Paloh Kempeitai Station and killed those local Malay who served for them including Ahmad close friend, Puteh. Unsatisfied with Swee Lan father that broke his promise, Ahmad came in and gun shot happened with Osman now serve in communies killed her father thus save Ahmad from dead. Osman did that  because his long revenge over the dead of his father in Ah Meng hand. As one character says in the movie, "Whether it is the British , the Japanese or the communist, they are all the same. But at least the communist are fighting to free us." Reception. The movie flopped, with some attributing it to the heavy and sensitive topics, claiming that viewers walked out of cinemas "furious". Other reviewers commented that the audience was not used to the non-linear method of storytelling, which required more intellectual engagement from the viewers. Independent film critic Nizam Zakaria dismissed viewers’ complaints  that ‘Paloh’ is difficult to understand and boring, claiming that "the film is ambitious and viewers had no patience". The production of the movie itself was fraught with difficulties. Feuds broke out and led to the sacking of director Adman Salleh by supervising producer Jurey Latiff Rosli, although he was later reinstated after FINAS, the National Film Development Corp that funded the movie, intervened. In response to the critics who commented on the confusion from the non-linear timeline, Adman clarified: “Many people did not realise that after I was rehired, I only managed to do three things – reedit the  fine cut, complete the dubbing process and give some ideas on the concept of music for Paloh.” According to Adman, even as the film’s director and screenplay writer, he was not allowed to oversee the final mixing of sound effects, music and dialogues and "marry all these three into check print in the form of audio and picture", leading to confusion and "technical errors", which he requested he be allowed to rectify before the film was submitted for screening at the Asia-Pacific Film Festival in Iran that October. There was also controversy over the origin of its theme  song sung by pop queen Siti Nurhaliza, entitled "Tetap Di Sini". The song was a three-year-old composition by musician Hadi Hassan but the movie credited another songwriter, "Aiman". Aiman, whose real name is Zulkifli Majid, claimed that the song was sent to him through the mail and not credited to anyone as the composer, and they decided to use "Aiman" as the composer, "hoping that the real composer will own up". The royalty and compensation that was due to Hadi Hassan was addressed and the credit title was amended. Paloh was unlike any other historical films in that  it attempted historical and social accuracy. The Chinese characters spoke in Mandarin, Hokkien, and broken Malay, and the entire film was subtitled in English. Awards. Paloh grabbed six awards including Best Director and Best Film at the 17th Malaysian Film Festival in 2004. The filmmakers won cash prize worth RM25,000 for the Best Film category.