Jesus schläft, was soll ich hoffen? BWV 81
History and words. Bach wrote the cantata in his first year in Leipzig for the Fourth Sunday after Epiphany. A fourth Sunday after Epiphany is rare and occurs only in years with a late date of Easter. The prescribed readings for the Sunday were taken from the Epistle to the Romans, love completes the law (), and from the Gospel of Matthew, Jesus calming the storm (after sleeping in the boat) (). The poet is unknown, but Erdmann Neumeister and Christian Weiss have been suggested by scholars. The poet refers to the Gospel and  expands on the contrast of Jesus hidden (sleeping) and appearing (acting), similar to , written in 1716 and performed three weeks earlier on the First Sunday after Epiphany. The words of movement 4 are a quote from the Gospel, the question of Jesus: "" (Why are ye fearful, O ye of little faith?). The closing chorale is the second stanza of Johann Franck's hymn "". Bach first performed the cantata on 30 January 1724. Scoring and structure. The cantata in seven movements is scored for alto, tenor and bass soloists, a four-part choir in the chorale, two oboes d'amore, two recorders , two violins, viola, and basso continuo. The recorders and the oboes were probably played by the same musicians. Music. Bach expresses the questions of the anxious "soul" in a dramatic way, similar to dialogues such as in . The first aria speaks of the "sleeping", illustrated by the recorders, low registers of the strings, and long notes in the voice. Bach used similar means also in the aria of his "Easter Oratorio". The third movement almost visualizes the storm and the movement of the waves, similar to scenes in contemporary operas. The central fourth movement within a symmetrical arrangement is devoted  to the bass as the (voice of Christ). The continuo and the voice use similar material in this arioso, intensifying the words. The following aria, marked allegro, contrasts the "storm", in unison runs of the strings, with calmer motion in the oboes. The closing chorale is set for four parts. It is the second verse of "", a chorale by Johann Franck with a melody by Johann Crüger which appeared first in his published in Berlin in 1653. Bach composed a similar symmetry around a biblical word in 1726 in .