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HP PS/2 Business plat toetsenbord. Aansluiting: PS/2, Aanbevolen gebruik: Kantoor, Toetsenbordindeling: QWERTY. Kleur van het product: Zwart. Dimensies toetsenbord (BxDxH): 437 x 138 x 21 mm. Compatibiliteit: EliteDesk 705 G2 SFF, EliteOne 705 G2 AIO & EliteDesk 705 G2 DM (Mini)Gebruik het voor HP Business pc's uit 2015 ontworpen HP PS/2 Business platte toetsenbord voor snelle gegevensinvoer met legacy-ondersteuning. Versindaba » Blog Archive » Louis Esterhuizen. Natasha Trethewey oor die murg en kraakbeen van ‘n gedig
Louis Esterhuizen. Natasha Trethewey oor die murg en kraakbeen van ‘n gedig
Op The Atlantic se webtuiste is daar ‘n interessante uiteensetting deur Natasha Trethewey (foto), wat twee maande gelede as die VSA se 19de Poet Laureate aangewys is, oor hoe haar enigmatiese gedig “Elegy” tot stand gekom het. Dié gedig, wat aan haar pa opgedra is en opgeneem is in die bundel Thrall wat volgende maand verskyn, handel oor ‘n visvang-ekspedisie wat sy en haar pa, eweneens digter, in Kanada onderneem het.
Oor hul verhouding het sy die volgende te sê: “Though he wants to look like an expert fisherman, my father thinks it’s a beautiful poem. He says he feels kind of lucky, because most people are not lucky enough to hear an elegy by their child while they’re still living. I think it’s also a way to be slightly in denial about what else the poem is mourning. Even though this poem is called “Elegy,” what’s being elegized is not my father’s life–he’s not dead–but a kind of loss between a father and a daughter, a kind of estrangement. He’s casting his invisible lines, slicing the sky between us, and I mean that image to suggest a kind of division [...] As much as we love each other, there is some growing difficulty in my adult relationship with my father. Because we’re both writers, we’re having a very intimate conversation in a very public forum. Before I was ever a poet, my father was writing poems about me, so it was a turning of the tables when I became a poet and started answering, speaking back to his poems in ways that I had not before.”
Interessant genoeg is Trethewey een van daardie digters wat verkies om haar verse met potlood op papier te skryf: “Writing [by hand] frees up a mode of thinking that allows me to consider more things without censorship, the way I would censor if I were typing. If I start writing on a computer, I feel that it’s official. When I’m actually writing by hand, I get more of a sense of the rhythm of sentences, of syntax. The switch to the computer is when I actually start thinking about lines. That’s the workhorse part. At that point, I’m being more mathematical about putting the poem on the page and less intuitive about the rhythm of the syntax.”
En oor die struktuur van die vers: “I wanted the poem to feel sinewy, like a fishing line, which is why there’s a step-down second line that moves away from the first line. Something felt right about it, [...] Once I’d filtered the material into that form, it clicked. It was like putting the key in the right lock.”
Nou ja, toe. Die gedig volg hieronder. Maar gaan lees gerus die volledige teks; dit bied inderdaad ‘n besonderse kyk na die werkswyse van een van die vernaamste Amerikaanse digters tans.
Tags: Elegy, Natasha Trethewey	Wednesday, August 22nd, 2012 |
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Versindaba » Blog Archive » Louis Esterhuizen. Gaan ‘n vroueskrywer vanjaar se Nobelprys vir Letterkunde wen? :
October 10th, 2012 at 2:01 am [...] die openingsgedig uit Natsha Trethewey se nuwe bundel, Thrall, hieronder. (En gaan lees gerus die blog wat ek oor haar geskryf het, indien jy dit vroeër gemis [...]
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