Godbluff
Godbluff is the fifth album released by English progressive rock band Van der Graaf Generator. It was the first album after the band reformed in 1975 and was recorded after a European tour. As the first self-produced album by the band, it featured a tighter, more pared-down sound than the band's earlier recordings with producer John Anthony. Hammill said "we did not want to make 'Son of "Pawn Hearts"' with a big long side two and lots of studio experiments". Van der Graaf Generator would never work with an outside producer from this point forward. Hammill  made extensive use of the Hohner Clavinet D6 keyboard, which he had first started using on his previous solo album, "Nadir's Big Chance" (1975). The first release of the record in the United States was on Mercury Records. The 2005 reissue added live performances by the band of two songs from Peter Hammill's album "The Silent Corner and the Empty Stage" (1974), recorded at a concert at L'Altro Mondo, Rimini, Italy. Artwork. "Godbluff"s album cover was minimal, consisting of a band logo and "stamped" red album title on an otherwise black sleeve. The band logo that first appeared  here was designed by John Pasche; it would also be used on the next two albums, "Still Life" (April 1976) and "World Record" (October 1976). "Godbluff"s sleeve design was later parodied on the cover of "Fall Heads Roll" by The Fall. Reception. In "Melody Maker", the reviewer said that "in a very real sense, ["Godbluff"] is the sound of the mid-seventies: uncomfortable, coherent, unremitting, courageous". Geoff Barton of "Sounds" deemed "Godbluff" "simply, an essential buy". A negative review appeared in the "Lancashire Evening Post" in November 1975, in which Bob Papworth wrote that ""Godbluff" is a lengthy exhibition of  the type of studiously avant-garde rock which so many other groups play infinitely better." Papworth added that "Guy Evans couldn't drum his way out of a paper bag and David Jackson's saxes and flutes are a little too simplistic to be credible." In his 2011 AllMusic review, Steve McDonald wrote: "the album opened with daring quietness, with David Jackson's flute echoing across the stereo space, joined by Hammill's voice as he whispered the opening lines. There was sturm und drang to come, but the music had been opened up and the lyrics had developed more  focus, often abandoning metaphor in favor of statement. "Godbluff" was a bravura comeback – only four cuts, but all were classics." In a May 2002 review in "Mojo" magazine, Julian Cope said of the album: "It was the best re-formation ever. "Godbluff" was every inch a classic. It conjured up vast tracts of heathland, the burning huts of herdsmen, hordes of chariot maniacs trashing farmsteads, heads on javelins stuck in. And Hammill standing amidst all this, Zoroaster-like and mystified, searching desperately and eloquently for some semblance of moral where there was none." Track listing. All tracks written by Peter  Hammill, except where indicated.