Tarnya Cooper
Tarnya Cooper is an art historian and author who is currently the National Trust's Curatorial & Collections Director. She has previously been the Chief Curator and Curatorial Director at the National Portrait Gallery, London. Education and employment. Cooper received her MA in art history from The Courtauld Institute of Art in 1996 where she studied Dutch and Flemish art. She obtained a D Phil from the University of Sussex in 2002. She was Assistant Curator of the College Art Collections and taught art history at University College London. She moved to the NPG in 2002 to become the  16th Century Curator. She led the seven-year "Making Art in Tudor Britain" project. This project encompassed a detailed and comprehensive scientific survey of Tudor paintings in the NPG. The NPG received a grant from the Getty Foundation to enable her to write "Citizen Portrait" based in part on her D Phil dissertation together with her research in her role as curator at the NPG. In 2010 she was awarded a Senior Research Fellowship by the Paul Mellon Centre which enabled her to complete the book. She was appointed Chief Curator at the NPG in 2011 and was elected as  a fellow of the Society of Antiquaries of London in June of that year. In January 2018 she became the National Trust's Curatorial & Collections Director. In this role she will deliver the Trust’s curatorial strategy, including research, engagement, and care for collections and buildings. Exhibitions. During her time at UCL, she curated two exhibitions from the college's collections. She co-curated (with David Starkey) the exhibition "Elizabeth I" at the National Maritime Museum in 2003 and was a contributor to the catalogue. She curated "Searching for Shakespeare" at the National Portrait Gallery in 2006. She was the  curator of the exhibition "Elizabeth I & her people" which was held at the NPG from October 2013 to January 2014. This exhibition included a miniature portrait of Elizabeth I found in a house clearance in 2012, that Cooper described as "a very high quality image by a 16th-century artist". She also curated the display "The Real Tudors" at the National Portrait Gallery (12 September 2014 – 1 March 2015), which includes results from the NPG's "Making Art in Tudor Britain" research project. She is co-editor of "Painting in Britain 1500 - 1630: Production, Influences, and Patronage", an interdisciplinary survey  published by the British Academy and Oxford University Press in 2015.