Steven Feld
Steven Feld (born August 20, 1949) is an American ethnomusicologist, anthropologist, and linguist, who worked for many years with the Kaluli (Bosavi) people of Papua New Guinea. He earned a MacArthur Fellowship in 1991. Early life. Feld was born in Philadelphia, Pennsylvania, on August 20, 1949. He graduated with a BA "cum laude" at Hofstra University in anthropology in 1971. He first went to the Bosavi territory in 1976, accompanied by anthropologist Edward L. Schieffelin, whose recordings of the Bosavi inspired him to pursue this work. His work there fulfilled his dissertation (later published as "Sound and Sentiment ) for his PhD from Indiana University in 1979 (in anthropology/linguistics/ethnomusicology). Career. Feld later returned several times in the 1980s and 1990s to Papua New Guinea to research Bosavi song, rainforest ecology, and cultural poetics. He has also made briefer research visits to various locations in Europe. He has taught at Columbia University, New York University, University of California at Santa Cruz, University of Texas at Austin, and University of Pennsylvania. He is currently (since 2003) a professor of anthropology and music at the University of New Mexico. Since 2001, he has also held a visiting appointment at the 	Steven Feld
15420170	Grieg Academy, University of Bergen, Norway, as a professor of world music. In 2002, he founded the VoxLox label, documentary sound art advocates for human rights and acoustic ecology." His most recent book "Jazz Cosmopolitanism in Accra" (2012) is based on five years of research and collaboration in Accra, Ghana. He is also a musician, and he has been active in the New Mexican music scene since the 1970s. Some of Feld's recordings are sampled on the track, "Kaluli Groove" on the 2007 album "Global Drum Project" by Mickey Hart, Zakir Hussain, Sikiru Adepoju, and Giovanni Hidalgo. Academic work . Schizophonic mimesis. Schizophonic mimesis is a term coined by Steven Feld that describes the separation of a sound from its source, and the recontextualizing of that sound into a separate sonic context. The term in and of itself describes how sound recordings, split from their source through the chain of audio production, circulation, and consumption, stimulate and license renegotiations of identity in an ethnomusicological perspective. The term is composed of two parts: schizophonia and mimesis. Firstly, schizophonia, a term coined by Canadian composer R. Murray Schafer, refers to the split between an original sound and the reproduction/transmission of this  sound, be it in a recording, a song, etc. For example, any sound recording, radio, and telephone is a machine of schizophonia, in that they all separate the sound from its original source; in the case of radio, the source of a New York radio show is from New York, but a listener in Los Angeles hears the noises from Los Angeles. Secondly, mimesis describes an imitation or representation of that separated sound into another context. For example, mimesis has occurred if one places a recording of a baby's gurgle into a song.